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			<Text textformat="02"><![CDATA[<p>In the year 2000, an Australian woman travels to The Hague to work as the secretary for an Australian judge. There, she sits through the trial of a former military man who has been charged with war crimes. As the trial proceeds, she is confronted with two conflicting impulses: being deeply affected by the testimony of witnesses, while at the same time plagued by an enduring doubt as to the defendant's guilt.</p><p>Meanwhile, she begins an unexpected romance and friendship, and these relationships help her to understand the stories of extraordinary survival she hears about during the trial. When she is called back to Australia to reckon with her own childhood, she finds she can't quite leave everything she's heard behind. <i>Out of the Woods</i> asks what it means to bear witness to the suffering of people who have experienced real tragedy and whether it is possible, afterwards, to resume a normal life.</p><p><b>&amp;#x27;A triumph.</b> <b><i>Out of the Woods</i></b><b> traces the complex lines of complicity and grief  a deeply compelling and humane story about what it means to bear witness. This is a book that looks into your soul.&amp;#x27;  Stephanie Bishop</b></p><p><b>&amp;#x27;This searchingly original novel counters the historical weight of human cruelty with small acts of attention and persistence. Shirm's empathy and intelligent precision exert a quiet moral authority on every page.&amp;#x27;  Delia Falconer</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gretchen Shirm</b> is the author of <i>Having Cried Wolf</i>, <i>Where the Light Falls</i> and <i>The Crying Room</i>. She was a <i>Sydney Morning Herald</i> Best Young Australian Novelist and both her novels <i>Where the</i> <i>Light Falls</i> and <i>The Crying Room</i> were shortlisted for the Christina Stead Prize for Fiction in the NSW Premier's Awards. In 20232024 she received the BR Whiting Fellowship from Creative Australia. Gretchen's short fiction has been published in <i>Best Australian Stories</i>, <i>Griffith Review</i>, <i>The Australian</i>,<i> Overland</i>, <i>Meanjin</i> and <i>Southerly</i>. Her literary criticism is published widely, including in <i>The Sydney Morning Herald</i>, <i>The Age</i> and <i>The Weekend Australian</i>. Gretchen worked as a public law lawyer for more than a decade and now teaches creative writing.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In this deeply intimate and strikingly beautiful poetry collection, twice-shortlisted Miles Franklin Award author Gregory Day celebrates the ongoing wonders of the earth and sea while calling time on the superficial divisions we have created between ideas of nature and culture.</p><p><i>Southsightedness</i> offers a way of being as well as seeing. It details a very direct and local world but one made universal by the poet's art. This is a world of reality <i>and</i> the imagination, a world of damaged <i>and</i> regenerating ecologies, where the poet lives surrounded by family, animals, weather, sport, tourism, and the layers of history.</p><p>With lyrical craft and inventive power, <i>Southsightedness</i> offers deep aesthetic pleasure but in an often-down-to-earth way. In part a survey of the past as well as a navigational guide for the future, it is a vivid poetic catalogue of a 21st century cultural landscape, where all things are interconnected, including sound and sense, beauty and humour, truth and joy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The 2022 recipient of the Patrick White Literary Award, the late Antigone Kefala was one of the first writers to open Australian fiction to a diversity of voices. She is known for her nuanced and evocative prose style, which portrays the full gamut of the immigrant experience, the fleeing from war, the resettlement in foreign countries, the difficult negotiation of personal relationships, the hauntings of memory and dream. This collection brings together Kefala's three early novellas <i>The First Journey, The Boarding House</i> and <i>The Island</i>, which have long been out of print, and her three later novellas, published together as<i> Summer Visit</i> by Giramondo in 2022. It also includes her childhood fable <i>Alexia: A Tale of Two Cultures</i> and ten short stories, previously only published in literary magazines, dating back to the beginnings of her career at the end of the 1950s.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In addition to her works of fiction,<b> Antigone Kefala</b> published five poetry collections, <i>The Alien</i>, <i>Thirsty Weather</i>, <i>European Notebook</i>, <i>Absence: New and Selected Poems</i> and <i>Fragments</i>, which won the 2017 Judith Wright Calanthe Award and was shortlisted for the Prime Minister's Award for Poetry. She is also renowned as a writer of journals  these were published by Giramondo in two collections, <i>Sydney Journals</i> (2008), and her last book, <i>Late Journals</i> (2022). In November 2022 she received the Patrick White Literary Award, in recognition of her contribution to Australian literature. She died in December 2022, at the age of 91.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Poetry</i> brings together all the published poems of the late Antigone Kefala, one of the most distinctive voices in contemporary Australian literature. Her mixed background  in Romania, Greece, New Zealand and Australia  gave her lyric poetry a unique richness and grace. Her writing was informed by literary traditions that allowed her to achieve powerful effects by apparently simple means. Her poems are carefully worked, minimal yet resonant, evocative in their use of implication and understatement, startling in their imagery. They confront loss and grief and displacement, particularly as the consequences of war and migration. They excoriate pretension. They also express delight in the present moment, in newly discovered forms of experience and nature.</p><p><i>Poetry</i> includes all the poems in Kefala's six previous poetry books, published over fifty years, from <i>The Alien </i>(1973) and <i>Thirsty Weather </i>(1978), to <i>European Notebook</i> (1988), <i>Absence: New and Selected Poems</i> (1992, 1998), <i>Fragments</i> (Giramondo, 2016) and <i>Journeys</i> (2019). <i>Fragments</i> won the prestigious Judith Wright Calanthe Award and was shortlisted for the Prime Minister's Award for Poetry. But most of her poetry has been out of print for many years.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Antigone Kefala </b>was also a distinguished writer of prose. She published six novellas, gathered in <i>The First Journey</i>,<i> The Island</i> and<i> Summer Visit</i>, a childhood fable <i>Alexia: A Tale of Two Cultures</i>, and two collections of journals, a form in which she excelled, <i>Sydney Journals</i> (2008), and her last book, <i>Late Journals </i>(2022). In November 2022 she received the Patrick White Literary Award, in recognition of her contribution to Australian literature. She died in December 2022, at the age of 91 </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Exceptional short stories featuring young millennial women, blending dark fantasy and quasi-horror with humour and intellectual dash</p><p>Announcing the arrival of a major talent, <i>I HOPE YOU'RE HAPPY</i> is more a warning than a wish.</p><p>Photos of women eating go viral, a cookie communicates a threat, and women working dead-end jobs become entangled in the performances around them. Everyday experiences of friendship, family, dating and desire catapult the reader into a creepy vortex of horror. Characters reveal themselves in slippery glimpses, through positive affirmations, social media accounts and secret appetites.</p><p>With this collection of haunting and haunted stories, Marni Appleton immerses us in a world of fleeting encounters, empty couplings, break ups, bust ups, threesomes and ghosts, giving us a kaleidoscopic overview of twenty-first century life.</p><p><b>'These beautifully written, female-focused stories stayed with me long past closing the cover. Sensual, alive and haunting. Dark wisps of womanhood.'  Lucy Prebble, Executive Producer and writer on the Bafta, Golden Globe and Emmy award-winning HBO drama</b> <b><i>Succession</i></b></p><p><b>'This collection of wry and incisive stories explores navigating the sticky, glorious and more-often-than-not absolutely horrific terrain of late girlhood and early womanhood.' Ayesha Manazir Siddiqi, author of</b> <b><i>The Centre</i></b></p><p><b>'Truthful, dark, and walking the line between delicious and disturbing,</b> <b><i>I HOPE YOU'RE HAPPY</i></b> <b>is a rich and haunting read. Savour or gorge, this is a very special collection of deceptively cutting stories.' </b><b><i></i></b><b>Lottie Hazell, author of</b> <b><i>Piglet</i></b></p><p><b>'Smart, surprising, and witty, these stories are a joy to read.'  Naomi Booth, author of</b> <b><i>Animals at Night</i></b></p><p><b>'These tense stories of the zeitgeist show how the conditions of late capitalism promise women freedom while keeping them trapped in their economic and social circumstances. Clever, convincing and wry, they bowled me over. Like Mary Gaitskill and Miranda July before her, Marni Appleton writes about how it is to live now.'  Julia Bell, author of</b> <b><i>Hymnal</i></b><b>and</b> <b><i>Radical Attention</i></b></p><p><b>'Marni Appleton writes with insight, honesty and inventiveness into the raw, brutal spaces of girlhood and early womanhood. A powerful, political collection that maps intimately the minds and bodies of its characters, these stories stayed with me long after I'd finished.'  Fran Littlewood, author of</b> <b><i>Amazing Grace Adams</i></b></p><p><b>'Such a wonderful collection, the writing so sharp, witty, dark, carefully observed and full of the realities of present day life.'  Gerard Woodward, author of</b><b><i>Legoland</i></b><b>and</b><b><i>I'll Go to Bed at Noon</i></b></p><p><b>'Raw, fluid, intimate and believable.'  Mariel Franklin, author of</b> <b><i>Bonding</i></b></p><p><b>'Deliciously dark, incisive and original, Marni Appleton has clearly mastered the short story, but more than that, she has mastered the art of winding her readers in ribbons of mess and mundanity that make up both fantastical and real life in a truly compelling collection.'  Ore Agbaje-Williams, author of</b> <b><i>The Three of Us</i></b></p><p><b>'Glittering behind every fixed-on smile in this collection is a crystallised seam of horror. An illegally acquired cocktail of weirdness, body laughs, love and spite. I could not have liked it more.'  Ben Pester, author of</b> <b><i>Am I in the Right Place?</i></b></p><p><b>'Tender, skewed and affecting stories told with a keen eye for the absurd and unsettling nature of being alive. A bewitching and twisted kaleidoscope of stories.'  Isy Suttie, award-winning comedian and writer</b></p><p><b>'Appleton knows all the ways that women are seen, surveilled, and regarded. These excellent stories stare right back, and they brim over with insight and sharp intelligence.' </b><b><i></i></b><b>Manuel Muoz, author of</b><b><i>The Consequences</i></b></p><p><b>'Marni Appleton's debut collection of short stories is like a shot fired across the bow of contemporary feminism. Prophetic and profound at once, her stories are oblique glimpses of girls' and womens' lives in the age of Instagram, anxiety and heightened scrutiny of women  and especially of their bodies. Fresh, surprising and invigorating, Appleton's stories resonate long after finishing them with a restless energy and a humane heart.' </b><b><i></i></b><b>Jean McNeil, author of</b><b><i>Day for Night: A Novel</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Marco Furlotti </b>is an Italian artist and illustrator of books for children and adults. His children&amp;#x27;s books include the internationally successful series <i>The Dragon and the Mouse </i>(NuiNui) and Keb Mo&amp;#x27;s<i> Life is Beautiful</i> (Flowerpot Press). He is the creator of illustrated adaptations of <i>Frankenstein, Strange Case of Dr. Jekyll and Mr. Hyde</i>, and <i>Dracula</i>. He produced the illustrations for this book using watercolor on paper,surrounded by his three little girls, their animals, and the soft Apennine hills of Parma, Italy.</p><p><b>Im Bang</b> was born in Korea in 1640. A disciple of the writer Song Si-yol, his writings have long been revered in Korea, and his reputation as a great scholar has endured centuries. Late in life, he served as governor of Seoul before being exiled to the north, where he died.</p><p><b>Horace Newton Allen</b>, an American physician, missionary and diplomat, arrived in Korea in 1884 to serve as doctor to foreign legations and the Korean royal family. In 1897 he was appointed U.S. ambassador to Korea, a position he held until 1905. He is the author of four books, including <i>Korean Tales</i>.</p><p><b>James Gale</b> was a Presbyterian minister who arrived in Korea in 1888 to teach English and help translate the bible into Korean. His books include <i>History of the Korean People </i>and <i>Korean Folk Tales</i>, in which he translated the writings of Im Bang and 15th century scholar Yi Ryuk.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Eerie tales of Japanese goblins, ghosts and magic  beautifully illustrated in a deluxe collector&amp;#x27;s edition!</b></p><p>This collection of fifteen chilling tales brings to life a world where the supernatural and earthly realms are seamlessly intertwined. The ghosts, goblins and magical creatures in its pages are by turns mischievous, terrifying, protective and tender. Included in this anthology are:</p><ul><li><b><i>The Badger Haunted Temple</i></b>: A brazen group of friends attempts to rid a temple of a gluttonous, shape-shifting goblin who has taken up residence there</li><li><b><i>A Cherry Flower Idyll</i></b>: A young man falls in love with the ethereal spirit of a cherry blossom tree and vows to find her in the mortal world</li><li><b><i>The Story of Mimi Nashi Hoichi</i></b>: A blind bard is summoned to recite the tale of a famous battle to the ghosts of its victims, only to find that his own life is at risk</li><li><b><i>And twelve other supernatural tales</i></b>, including several that rarely appear in English!</li></ul><p>Passed down through generations, these classic tales are beautifully retold by Lafcadio Hearn and Yei Theodora Ozaki, two great interpreters of Japanese folk traditions. This volume features a deluxe hardcover binding and sixteen all new, full-colour illustrations by contemporary Japanese yokai artist Sakyu. It will be treasured by fans of yokai and Japanese culture, as well as anyone who enjoys a good ghost story.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lafcadio Hearn</b> was one of the earliest Western writers to publish stories and essays about supernatural Japan. He arrived in Japan in 1890 and fell in love with the country and its people. After marrying a samurai&amp;#x27;s daughter, he became a Japanese citizen and changed his name to Yakumo Koizumi. He began publishing books on Japan in 1894, soon becoming known as the great interpreter of all things Japanese to the West.</p><p><b>Yei Theodora Ozaki</b> was born in Victorian England to a Japanese father and an English mother. After her parents&amp;#x27; marriage ended, Ozaki began to travel the world, and retell in English the traditional Japanese stories she loved. She later married Yukio Ozaki, a Japanese politician, and went on to publish several collections of Japanese folk tales.</p><p><b>Sakyu </b>is an illustrator based in Osaka whose work frequently depicts yokai and other supernatural beings. Blending traditional styles with modern content, she brings humorous insights to contemporary life in Japan. Since graduating from Kyoto Saga University of Arts, her work has appeared in museums in Japan and abroad, including the Museum of International Folk Art exhibit &amp;#x27;Yokai: Ghosts &amp; Demons of Japan&amp;#x27;, and the video game <i>Samurai Bringer</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Uncover a world of mythical creatures, ruthless religion, and a magical past that refuses to be forgotten, perfect for fans of Samantha Shannon, John Gwynne and Andrea Stewart.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Uncover a magical past that refuses to be forgotten in a world of mythical creatures and ruthless religion in this brand-new duology from the multi-award winning author of <i>The Ninth Rain</i>, perfect for fans of John Gwynne and Andrea Stewart.</p><p>When soldier Leven was transformed into a Herald  a magical killing machine in the Imperium&amp;#x27;s brutal conquests  her mind was wiped clean. But strange visions still show her glimpses of the ancient and mysterious island of Brittletain. Now, with the war won and the Imperium satisfied, she wants to find out who she really is.</p><p>Envoy Kaeto has done a number of important little jobs for the Imperium, most of them nasty, all of them in the shadows. His newest assignment is to escort the bone-crafter Gynid Tyleigh as she travels across the Imperium. But Tyleigh&amp;#x27;s ambition alarms even Kaeto, and her conviction that she has found a new source of Titan bones, buried deep in the earth, could lead to another, even bloodier war.</p><p>Ynis was raised by the griffins and has never seen another human face. She lives wild on Brittletain with her talonsister, T&amp;#x27;rook. By choosing not to kill Ynis when she was just a baby, the griffins may have doomed themselves  because the girl&amp;#x27;s past is coming for her, and it carries a lethal blade...</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jen Williams</b> has published two trilogies - <i>The Copper Promise</i> series and <i>The Winnowing Flame</i> series - and has won multiple British Fantasy Awards. In 2015 she was nominated for Best Newcomer in the BFAs. Both<i> The Iron Ghost</i> and<i> The Silver Tide</i> have also been nominated for BFAs and she was involved in founding the Super Relaxed Fantasy Club, a social group that meets in London to celebrate a love of fantasy. Jen lives in London and Tweets @sennydreadful</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>&amp;#x27;Formally consecutive but radically paratactical, these lines are never let loose portentously to dilate. While Wakeling's poems may aim to nullify Larkin and bog men, archaeologies of cultural inheritance, neither do the poems' Japanese intertexts serve any smug distortion from empty mind to Western mindfulness, a 'porcelain pseudo-history' glazed with ego delusory in vaunted self-denial.</b></p><p><b>That's what these poems offer  old lyric technology turning against its partiality to lull, to wrap up, the poems are fast as ice. I go outside and at the top of the street, it is bitterly cold and at the bottom sweltering, humid. Here is the street, here is the weather at every extreme. Transit becomes transit.&amp;#x27;  John Wilkinson</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Corey Wakeling</b> is a writer, scholar, and translator living in Tokyo. He was born in Lancashire, England, and grew up in Perth, Western Australia. Publishing in Perth magazines in his teens, he committed to writing poems when he moved to Melbourne in early 2009. He took up a lectureship in English literature at Kobe College in 2015 and has lived in Japan since then.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>After being violently warned off a story, investigative journalist Adam Osprey has pretty much resigned himself to the easy life of lifestyle journalism, eating and drinking for a living. But his old instincts are triggered when a mysterious message on his computer interrupts his research for an article on Sydney's best restaurant toilets.  </p><p>Justine has returned to Sydney after a stint working in Africa as an aid worker. Many of her friends are beginning to get married and have babies.  She is getting itchy feet when a chance meeting with an old lover in a pub leads to a dangerous, somewhat repulsive mission.   </p><p>Roger Houston, Minister for Development in the Sporty Party, is one of the old school, whose career in politics has followed a buffet logic of hedonism and self-enrichment. But just when it looks as if he has succeeded in becoming the master puppeteer, the disappearance of Alexander Parker MP sets in train a surprising series of events. </p><p><i>The Guts</i> is a sharp literary thriller about Sydney's power, politics and lifestyle obsessions as the internet began to change everything. </p>]]></Text>
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			<Text textformat="02"><![CDATA[Kangaroo Unbound is a collection of 50 poems that take their titles and inspiration from legendary Australian artist Garry's Shead's iconic 'D.H. Lawrence' series of paintings, which he produced in the early 90s in response to Lawrence's 1923 novel Kangaroo.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Kangaroo Unbound</i> is a collection of 50 poems that take their titles and inspiration from legendary Australian artist Garry's Shead's iconic 'D.H. Lawrence' series of paintings, which he produced in the early 90s in response to Lawrence's 1923 novel <i>Kangaroo</i>. Like the paintings, the poems range from the heavily influenced (those that lean into the source text with strong ekphrastic fidelity) to those that offer more abstracted and personal renderings. Traversing a range of forms from free verse to concrete, villanelle and sonnet, the poems draw from a host of readily identifiable national motifs in their effort toward a contemporary Australian mythology grounded in 'Benevolence, Humour and Divine Mystery'.   </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Luke Johnson</b> is a writer and academic from Wollongong, NSW. His poems, stories, essays and criticism are widely published in Australia and have won or been listed for numerous national prizes, including the AAWP Chapter One Prize, the Elizabeth Jolley Award, the Josephine Ulrick Award, the Katharine Susannah Prichard Award as well as several development fellowships. He is the author of the short story collection<i> Ferocious Animals</i> (Recent Work Press 2021) and a senior lecturer in creative writing at the University of Wollongong. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>On a cold winter's afternoon, Alberta Mansbridge waits at a table set with teacups for eight, musing over her guests. The ex-jailbird Barry, the nephew and his ghastly new flibbertijibbet of a wife, the Italian playboy, the old friend with whom she had so recently fallen out...Alberta returns upstairs to get herself ready.</p><p>When the guests arrive, the door is locked and there is no response to their knocking. Alberta has been murdered, and with no sign of robbery or break in, the killer must have been somebody she let into the house herself  somebody who was due for tea on Sunday.</p><p>Inspector Corby is soon on the case, faced with eight suspects without a concrete alibi between them  and a raft of motives steeped in mystery which will take him from London back to Alberta's roots in Hithamroyd, Yorkshire in search of the truth.</p><p>First published in 1973 but written in the vintage mystery mode, Lettice Cooper uses her literary sensibilities to deliver a strong detective story with a well-brewed psychological depth.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>After all, under its gaiety and brilliance Vienna has always been a centre of intrigue. </i></p><p>The distinguished industrialist, the fair girl and the aggressive young man  although Superintendent McDonald tried to avoid studying his fellow-passengers, he simply couldn't help it. For him, it was difficult to adjust to being on holiday. He turned away deliberately. These people weren't his problem, he was on holiday  or so he thought.</p><p>Set against the enchanting background of post war Vienna, with its beautiful palaces and gardens, its disenchanted residents and scars of war, E. C. R. Lorac constructs a characteristic detective story, sure to puzzle and excite.</p><p>This exceedingly rare mystery, first published in 1956, makes its triumphant return to print for the first time since its original appearance.</p><p>First published in 1956, this classic mystery leaps out of rarity to join the British Library<i> Crime Classics series</i>. Inspector McDonald ventures abroad into Ally occupied Vienna on this busman's holiday.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>E. C. R. Lorac</b> was a penname of Edith Caroline Rivett (1894-1958), who also wrote as Carol Carnac. She was a prolific author of Golden Age mysteries publishing over 60 novels throughout the 1930s, 40s and 50s. She was also a member of the famous Detection Club. Her books include <i>Crossed Skis, Post After Post-Mortem </i>and <i>Murder by Matchlight</i>, all available as British Library Crime Classics.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Featuring Bowen's trademark authentic historical detail, evoking Germany and its haunting folklore in the 1800s, this lost novel from one of the great writers of twentieth-century Weird returns to print for the first time since 1921. This title includes a new introduction by the writer and critic Michael Dirda.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The wine looked a thick amber colour, powdered with gold. Lally thought of the doctor&amp;#x27;s story of the two men who had followed this woman to the forest and afterwards died miserably. Perhaps it was here that she had brought them.</i></p><p>Following a scandal in the Duke&amp;#x27;s court, roguish officer Lally Duchene is dismissed to a new post at a small monastery and asylum deep in the forests of the Rheingau. Disregarding the local superstitions about the dangers of ghosts and nixies in the woods and vineyards, his days slip by in a haze of daydreams.</p><p>But there something stirring in this woodland idyll. Among the patients is a woman possessing an overpowering, otherworldly aura, and the vestiges of a sinister paganism leer from beneath the holy facades. As the wine harvest approaches and figures from Lally&amp;#x27;s past find themselves drawn to the monastery, the forces of nature awaken and the countryside erupts in an intoxicating carnage of ancient rites.</p><p>First published in 1921, this rare historical mystery of pagan weirdness rife in nineteenth-century Germany returns to print for the first time since it&amp;#x27;s original publication.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>You will hear loud raps, you will have your faces touched by cold, damp, unseen fingers  THINGS will be all round you, and a frightful white face will come out of nowhere, and peer into yours!</p><p>Through the electric silence of the seance, a terrible, hurtling force draws near. A play with the planchette invites a diabolical visitor to Radley Manor. A medium's summoning of a lost child pitches them into mortal peril.</p><p>In this haunting new collection, Emily Vincent presents fourteen chilling classics and lost gems of seance fiction which evoke the most thrilling and thought-provoking aspects of the popular Victorian movement of spiritualism. Featuring tales by practising mediums, sceptics and ghost-seekers including Arthur Conan Doyle, H. G. Wells, Florence Marryat and F. Scott Fitzgerald, this volume is a suffusion of spectral frights and satirical skewerings, destined to linger with the reader long after the door to the seance has closed.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Vengeful spirits, mysterious revenants and haunted objects stalk the pages of Wilkie Collins&amp;#x27; short fiction, and yet his reputation as a sensation and detective novelist has long overshadowed his inventive contributions to the ghost story genre.</p><p>Drawing from across the writer&amp;#x27;s career, Xavier Aldana Reyes presents eight stories of the strange and uncanny to celebrate this lesser-known side of the Collins&amp;#x27; imaginative and ground-breaking fiction, guiding the reader into a candlelit night in which unearthly forces  and inescapable doom  lie in wait.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Wilkie Collins</b> (1824-1889) was an English playwright and author, most famous today for his classic sensation novel <i>The Woman in White </i>and<i> The Moonstone</i>, which is considered one of the first detective novels in English literature. Aside from these longer works, Collins also wrote numerous short tales for magazines and anthologies, often straying into the macabre world of the ghost story.</p><p><b>Xavier Aldana Reyes</b> is Reader in English Literature and Film at Manchester Metropolitan University and a member of the Manchester Centre for Gothic Studies. He has edited <i>Horror: A Literary History </i>for British Library Publishing, along with collections of stories by Algernon Blackwood, William Hope Hodgson, Sheridan Le Fanu and H. P. Lovecraft.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A new collection of classic stories and poems celebrating Halloween's unique legacy of weird and spooky storytelling, featuring a new introduction by Johnny Mains charting the history of Halloween fiction and customs from the traditions of Samhain through to Hallowmass, All Souls' Night and beyond into the nineteenth century.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Johnny Mains</b> is an author and award-winning editor renowned for recovering lost stories from the archives. Among the many volumes he has edited are two collections of lost women's ghost stories for Black Shuck Books (<i>A Suggestion of Ghosts</i> and<i> An Obscurity of Ghosts</i>), the collection <i>Bound in Blood </i>for Titan, and two collections of strange fiction for the British Library: <i>Celtic Weird</i> and <i>Scotland the Strange</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Following the lives of three women from the Bin-Khalid family, Daughters of the Nile is an original and darkly funny novel that examines the enduring strength of female bonds.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'Original, compelling, witty and historically illuminating  hilarious and essential reading.'  Helen Lederer, comedian, actress and founder of Comedy Women in Print</b></p><p>Paris, 1940. The course of Fatiha Bin-Khalid's life is changed forever when she befriends the Muslim feminist Doria Shafik. But after returning to Egypt and dedicating years to the fight for women's rights, she struggles to reconcile her political ideals with the realities of motherhood.</p><p>Cairo, 1966. After being publicly shamed when her relationship with a bisexual boyfriend is revealed, Fatiha's daughter is faced with an impossible decision. Should Yasminah accept a life she didn't choose, or will she leave her home and country in pursuit of independence?</p><p>Bristol, 2011. British-born Nadia is battling with an identity crisis and a severe case of herpes. Feeling unfulfilled (and after a particularly disastrous one-night stand), she moves in with her old-fashioned Aunt Yasminah and realises that she must discover her purpose in the modern world before it's too late.</p><p>Following the lives of three women from the Bin-Khalid family, <i>Daughters of the Nile</i> is an original and darkly funny novel that examines the enduring strength of female bonds. These women are no strangers to adversity, but they must learn from the past and relearn shame and shamelessness to radically change their futures.</p><p>Everyone's talking about <i>Daughters of the Nile</i>...</p><p><b>'A writer to watch.'  @ElementaryMyDear_</b></p><p><b>'Mesmerising.'  @alicetheunique</b></p><p><b>'Not to be missed.'  @Silvia_reviews</b></p><p><b>'A true gem.'  @stratospherekawaiigirl</b></p>]]></Text>
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			<SubjectHeadingText>Osamu Dazai new modern english translation famous; masterpiece Japanese literature fiction classic; stray dogs no longer human flowers of buffoonery; emotional world war 2 II WW2 WWII post-war Japan; Haruki Murakami Sayaka murata Soseki natsume bungo</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>This book is a completely new translation of Dazai&amp;#x27;s classic novel, considered by many to be his masterpiece. Set in the aftermath of World War II, the story opens as Kazuko and her mother flee the devastated capital to their country home. Once wealthy, they have now lost everything and Kazuko has to work in the fields while looking after her sick mother. She is also dealing with the stigma of a recent divorce and the trauma of giving birth to a stillborn child.</p><p>Things take a turn for the better when Kazuko&amp;#x27;s brother Naoji returns from the battlefields in the Pacific, but it soon transpires that he is addicted to opium. Kazuko finds solace in a love affair with a novelist, although he turns out to be an alcoholic and incapable of sustaining a relationship. When Kazuko falls pregnant, she vows to raise the child alone, and moves confidently forward, finally liberated from outdated notions of morality.</p><p>The works of Osamu Dazai (1909-1948) have seen a huge surge in popularity thanks to the success of the manga and film series <i>Bungo Stray Dogs</i>, whose protagonist is a detective named Osamu Dazai, closely based on the real-life author. Fans of the series have turned to the writings of the real Dazai, whose themes of alienation and the split between inner and outer appearances resonate strongly with young readers today and have inspired generations of modern Japanese authors.</p><p><b>&amp;#x27;Dazai&amp;#x27;s best novel [...] the story focuses on a woman forced to deal with the consequences of heedless, Dazai-like behavior&amp;#x27; </b><b><i> The New York Times</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Osamu Dazai</b> (1909-1948) was the pen name of Shuji Tsushima, the tenth of eleven children born to a wealthy landowner and politician in the far north of Japan. Dazai studied French literature at the University of Tokyo, but never received a degree. He first attracted attention in 1933 when magazines began to publish his work. Between 1930 and 1937, he made three suicide attempts, a subject he deals with in many of his short stories. Despite his troubled life and rebellious spirit, Dazai wrote in simple and colloquial style, conveying his personal torments through literature. Dazai&amp;#x27;s life ended early in a double suicide with a married lover.</p><p><b>Juliet Winters Carpenter</b> is an American translator of modern Japanese literature. She studied Japanese literature at the University of Michigan and the Inter-University Centre for Japanese Language Studies in Tokyo. After completing her studies, she returned to Japan where she became involved in translation and teaching. She is professor emeritus at Doshisha Women&amp;#x27;s College of Liberal Arts in Kyoto and has received numerous awards for her translation work including the 2019-2020 William F. Sibley Memorial Award for Japanese Translation for Mizumura Minae&amp;#x27;s An I-Novel and the 2021-2022 Lindsey and Masao Miyoshi Translation Prize for a lifetime of achievement as a translator of modern Japanese literature.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A classic of Japanese literature, brought to life in manga for the first time!</b></p><p>This is the first manga edition in English of <i>The Setting Sun</i>, Osamu Dazai&amp;#x27;s classic novel, often considered his masterpiece.</p><p>Set in the aftermath of World War Two, this is the story of Kazuko, a strong-willed young woman from an aristocratic family that has fallen into poverty since the war. The book follows Kazuko&amp;#x27;s journey as she and her family struggle to survive and adapt to the harsh new conditions of their life. In addition to having to move from Tokyo to the countryside, where she has to work in the fields to support the family, she has to deal with her divorce, the birth of a stillborn child, and the return of her drug-addicted brother from the war.</p><p>A gripping and inspiring portrait of one woman&amp;#x27;s determination to survive in a society that is in the grip of a social and moral crisis, this classic manga will appeal to fans of <i>Bungo Stray Dogs</i> as well as to anyone who is fascinated by Japan.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Osamu Dazai</b> (1909 - 1948) was the pen name of Shuji Tsushima, the tenth of eleven children born to a wealthy landowner and politician. Dazai studied French literature at the University of Tokyo, eventually leaving without a degree. He first attracted attention in 1933 when magazines began to publish his work. Between 1930 and 1937, he made three suicide attempts, a subject he dealt with in many of his short stories. Despite his troubled life and rebellious spirit, Dazai wrote in simple and colloquial style, conveying his own experiences in his best work. Dazai&amp;#x27;s life ended early in a double suicide with a married lover.</p><p>Retold and Illustrated by <b>Cocco Kashiwaya</b>, born 1970, is a Tokyo-based manga artist. In 2010, her manga serial <i>Rikon Dokyo</i> was made into a national TV drama in Japan.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>When their father's death leaves them with no money and a dim future, the Madden sisters, Alice, Virginia, and Monica, must negotiate the gender roles and class constraints of 1890s Victorian London.</p><p>Virginia and Alice have aged out of the possibility of marriage and seemingly the idea of love itself. They find themselves with few prospects and little hope. Remaindered in the marriage equation, these &amp;#x27;odd women&amp;#x27; face a great deal of scrutiny, stigma, and social pressure  it's at this time that Rhoda Nunn, childhood friend to the Madden sisters, arrives in London to challenge accepted norms and mores around the role of women in society. Rhoda's strong feminist passion draws a sharp contrast to the middle-class respectability of the Madden sisters' upbring, as the sisters watch a new world emerge around them.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>George Gissing</b> (1857-1903) was an English novelist, who published twenty-three novels between 1880 and 1903. Meagrely successful in his lifetime, by the 1940s he had been recognized as a literary genius, with George Orwell pronouncing that &amp;#x27;England has produced few better novelists&amp;#x27;.</p><p><b>Merve Emre</b> is the Shapiro-Silverberg Professor of Creative Writing and Criticism at Wesleyan University and a contributing writer at <i>The New Yorker.</i></p><p><b>Adam Dalva's </b>writing has appeared in <i>The New Yorker, The Paris Review, The Atlantic</i>, and <i>The New York Review of Books</i>. He is a Contributing Fiction Editor of the<i> Yale Review</i> and serves on the board of the National Book Critics Circle. Adam is an Assistant Professor of Creative Writing at Rutgers University.</p><p><b>Allison Miriam Smith</b> is a co-founder of Smith &amp; Taylor Classics. She is also an Acquiring Editor and Publishing &amp; Publicity Manager for Unnamed Press. She graduated with a Bachelor of Arts in English &amp; Creative Writing from the University of Southern California where she was an assistant curator for the USC Doheny Library George Cassady Lewis Carroll Special Collection. She later went on to earn a Masters in 18th &amp; 19th c. Literature from the University of Edinburgh, Scotland, working nights at the library. Before Unnamed Press, she was a bookseller at Skylight Books in Los Angeles, CA.</p><p><b>Brandon Taylor</b> is the author of the novels <i>The Late Americans</i> and <i>Real Life,</i> which was shortlisted for the Booker Prize and the National Book Critics Circle John Leonard Prize, and named a <i>New York Times Book Review </i>Editors' Choice and a Science + Literature Selected Title by the National Book Foundation. His collection Filthy Animals, a national bestseller, was awarded The Story Prize and shortlisted for the Dylan Thomas Prize. He is the 2022-2023 Mary Ellen von der Heyden Fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers. He is an Acquiring Editor at Unnamed Press and co-founder of Smith &amp; Taylor Classics.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The Toilers of the Sea tells the fairytale-esque story of Gilliatt, an outcast fisherman who must rescue an engine from a wrecked steamship.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>&amp;#x27;No character was ever thrown into such strange relief as Gilliatt...here, indeed, the true position of man in the universe.&amp;#x27;  Robert Louis Stevenson</b></p><p><i>The Toilers of the Sea</i> tells the fairytale-esque story of Gilliatt, an outcast fisherman who must rescue an engine from a wrecked steamship. If successful, he will win the hand of the shipowner&amp;#x27;s beautiful daughter, Deruchette. He will brave the harsh rocks, the freezing waves, and even the grasp of a sea monster to prove his worth.</p><p>A richly detailed study of early nineteenth-century Guernsey, <i>The Toilers of the Sea</i> is the oft-forgotten novel that completes a trilogy with Hugo's famed <i>The Hunchback of Notre Dame</i> and <i>Les Miserables</i>. It is a tribute to the drama of nature and the insignificance of man against it, to solitude in exile, and the light we choose to carry in the darkness.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Victor Hugo</b> (1802-1885) was born in Besancon, France on February 26, 1802. Originally on track to become a lawyer, he instead became France's revered Romantic poet, novelist, and dramatist. He is the author of <i>The Hunchback of Notre Dame</i> and<i> Les Miserables</i>, among countless others. For fifteen years, Hugo lived on the island of Guernsey in political exile following the 1851 coup d'etat by Napoleon III. There he wrote The Toilers of the Sea, published in 1866. When Hugo died in 1885, he was given a national funeral and burial in Paris' Pantheon.</p><p><b>Andrew Chater</b> is a broadcaster, storyteller and cultural explorer. The winner of six BAFTA awards for his history programming in the UK, he now lectures in History and Literature at the University of Southern California, Los Angeles, where he leads students on a series of classes exploring regional cultures through the medium of classic and contemporary fiction  a format he calls &amp;#x27;bookpacking&amp;#x27; (www.bookpackers.com).</p><p><b>Maya Weeks</b> is a geographer, writer, and artist from rural California working on feminist environmental justice. A first-generation college student, she holds her B.A. in Language Studies (Spanish) from the University of California in Santa Cruz and her M.F.A. in Creative Writing (Poetry) from Mills College. She earned her Ph.D. in Geography at the University of California in Davis, where she wrote her dissertation on marine pollution, gender, and feminist political economy using qualitative and creative methods. Recent poetry has been published in Space on Space and recent nonfiction has been published in Zcalo Public Square. A record, Tethers, is out on Full Spectrum Records. She has exhibited at Vague Research Studios and performed at Historical Materialism. She is the author of a poetry chapbook,<i> How to Be on the Outside of Every Inside/How to Be Inside Every Outside</i> (these signals press, 2016). Residencies include Konstepidemin, The Arctic Circle, Mustarinda, Norton Island, and more. Maya lives and works on unceded Chumash land.</p><p><b>Allison Miriam Smith</b> is a co-founder of Smith &amp; Taylor Classics. She is also an Acquiring Editor and Publishing &amp; Publicity Manager for Unnamed Press. She graduated with a Bachelor of Arts in English &amp; Creative Writing from the University of Southern California where she was an assistant curator for the USC Doheny Library George Cassady Lewis Carroll Special Collection. She later went on to earn a Masters in 18th &amp; 19th c. Literature from the University of Edinburgh, Scotland, working nights at the library. Before Unnamed Press, she was a bookseller at Skylight Books in Los Angeles, CA.</p><p><b>Brandon Taylor</b> is the author of the novels The Late Americans and Real Life, which was shortlisted for the Booker Prize and the National Book Critics Circle John Leonard Prize, and named a New York Times Book Review Editors' Choice and a Science + Literature Selected Title by the National Book Foundation. His collection Filthy Animals, a national bestseller, was awarded The Story Prize and shortlisted for the Dylan Thomas Prize. He is the 2022-2023 Mary Ellen von der Heyden Fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers. He is an Acquiring Editor at Unnamed Press and co-founder of Smith &amp; Taylor Classics.</p><p><b>William Moy Thomas</b> (1828-1910) was an English journalist, literary editor, translator, and author of <i>When the Snow Falls</i> (1859), <i>Pictures in a Mirror</i> (1861), and<i> A Guild Clerk&amp;#x27;s Tale</i> (1895) among others.</p>]]></Text>
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			<SubjectHeadingText>Sarah Orne Jewett; classic; literature; literary; women's fiction; small town fiction; nameless writer; community; coastal maine; residents; love; scandals; slow pace; 19th century; american; historical; nature; description; reimagined; contemporary authors; modern conversation; afterword; relevent topics</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>A nameless writer has come to Dunnet Landing, a small town on the coast of Maine, for the summer in order to finish her manuscript.</p><p>Compared to the hectic pace of the city she&amp;#x27;s left behind, she finds herself absorbed in the slow rhythms of her new daily life. Her observations of the residents of Dunnet Landing  their loves, their fights, their occupation with sky and sea and land, their tall tales, and quiet secrets  comprise <i>The Country of the Pointed Firs</i>. It is a novel seemingly made from the very fabric of community. Jewett's beautiful, delicate descriptions and her wonderfully natural dialogue bring the whole town and its many inhabitants to life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sarah Orne Jewett </b>(1849-1909) was an American novelist, short story writer, and poet. As a young child she was diagnosed with rheumatoid arthritis and encouraged to take frequent nature walks. Today she is best known for her nature writing and regional works set along the coast of Maine. At nineteen, Jewett had a short story published in<i> The Atlantic</i>. She is the author of <i>Deephaven </i>(1877), <i>Old Friends and New </i>(1879), <i>Country By-Ways</i> (1881),<i> A White Heron and Other Stories</i> (1886), and <i>A Native of Winby and Other Tales</i> (1893). Her novels include <i>A Country Doctor</i> (1884) and <i>The Country of the Pointed Firs</i> (1896). For most of her adult life, Jewett lived with Annie Adams Field in what was then termed a &amp;#x27;Boston marriage&amp;#x27;.</p><p><b>Brandy Jensen </b>is a writer and editor. She lives in New Orleans with her two dogs. Stephanie Insley Hershinow is an associate professor of English at Baruch College and the Graduate Center, CUNY. She lives in Jersey City with her family.</p><p><b>Allison Miriam Smith </b>is a co-founder of Smith &amp; Taylor Classics. She is also an Acquiring Editor and Publishing &amp; Publicity Manager for Unnamed Press. She graduated with a Bachelor of Arts in English &amp; Creative Writing from the University of Southern California where she was an assistant curator for the USC Doheny Library George Cassady Lewis Carroll Special Collection. She later went on to earn a Masters in 18th &amp; 19th c. Literature from the University of Edinburgh, Scotland, working nights at the library. Before Unnamed Press, she was a bookseller at Skylight Books in Los Angeles, CA.</p><p><b>Brandon Taylor</b> is the author of the novels The Late Americans and Real Life, which was shortlisted for the Booker Prize and the National Book Critics Circle John Leonard Prize, and named a New York Times Book Review Editors' Choice and a Science + Literature Selected Title by the National Book Foundation. His collection <i>Filthy Animals,</i> a national bestseller, was awarded The Story Prize and shortlisted for the Dylan Thomas Prize. He is the 2022-2023 Mary Ellen von der Heyden Fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers. He is an Acquiring Editor at Unnamed Press and co-founder of Smith &amp; Taylor Classics.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A new chapter of the Titan comics &amp; Heroic Signatures massive narrative event: The Battle of the Black Stone. A thrilling story about Conan the Barbarian facing incomprehensible Lovecraftian horrors written by <i>New York Times</i> Bestselling author James Lovegrove.</p><p>Still mourning Belit and flush with gold after a heist, Conan attempts to drink away his sorrows. In his tavern-hopping journey he meets and befriends married couple Hunwulf and Gudrun and their son, Bjorn. A decade ago, Hunwulf eloped with Gudrun after killing her betrothed, they live on the run from her tribe, who are desperate for revenge. Bjorn has the makings of a shaman, while Hunwulf is prone to having strange fits which bring him visions of past and future lives. When a descendant warns Hunwulf of imminent danger, he and his wife ride out to ambush the tribe, leaving Bjorn with Conan, who vows to protect the boy with his life.</p><p>Unfortunately, Conan is betrayed by a former accomplice, and Bjorn is kidnapped by the tribe. Conan and Bjorn&amp;#x27;s vengeful parents search for the lad. They catch up to the tribe, only to find Bjorn has been taken by murderous bat-winged figures, who fought with talon and sword. The boy, and other &amp;#x27;gifted&amp;#x27; children have been taken to the Rotlands, a place plagued by a contaminating supernatural force that warps all who go there. To save Bjorn, the trio must go to the heart of the Rotlands, where strange, horrifying fates await at every turn.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>James Lovegrove</b> is the <i>New York Times</i> bestselling author of<i> The Age of Odin</i>. He has been short-listed for many awards including the Arthur C. Clarke Award, the John W. Campbell Memorial Award, and the Scribe Award. He won the Seiun Award for Best Foreign Language Short Story in 2011, and the Dragon Award in 2020 for <i>Firefly: The Ghost Machine</i>. He has written many acclaimed Sherlock Holmes novels, including <i>Sherlock Holmes and the Christmas Demon</i>. As well as writing books, he reviews fiction for the Financial Times. He lives in Eastbourne in the UK.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Studio Ghibli has bewitched and delighted since 1985 with their enchanting stories of heroes and heroines featuring magic, love, nature, and, of course, the tastiest-looking animated food ever!</p><p>In 2022, that charm was brought to life with the opening of Ghibli Park, a theme park so exclusive that it only has one location in Japan and requires reservations made months in advance to enter. Why not experience the excitement of this wondrous place in your own home?</p><p>With more than 50 movie-inspired recipes straight from the theme park, <i>The Unofficial Ghibli Park Cookbook</i> contains a variety of tantalising dishes, including:</p><ul><li>Spicy Shrimp Sandwich</li><li>Ketchup Spaghetti Sandwich</li><li>Seasonal Fruit Pizza</li><li>Shio Musubi Onigiri</li><li>Fish Bowl Fruit Punch Float</li><li>Matcha Chiffon Cake</li><li>and more!</li></ul><p>A delightful window into the park itself, <i>The Unofficial Ghibli Park Cookbook</i> will take you on a journey to experience the wonders of Hayao Miyazaki&amp;#x27;s greatest works like never before!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Andy Cheng</b>, a professional chef turned writer and photographer, has put his passion for cooking to paper as he shares his love of food. His journey started at a young age, learning the basics of cooking from his father. It wasn&amp;#x27;t until he moved to Japan in 2018 that he delved into the gastronomic world of Japan, studying in kitchens across the country, including a Michelin-starred restaurant nestled in the snowy expanse of Hokkaido. His writing and photography career started to take off as he began writing about Japanese food culture for various web and magazine publishers. Andy now resides in Sapporo, Hokkaido, sharing Japanese food culture and travel with the rest of the world. His debut cookbook, <i>The Unofficial Ghibli Park Cookbook</i>, unravels the delectable dishes of your favorite Ghibli films, allowing you to re-create the magic in the comfort of your own kitchen. You can follow more of Andy&amp;#x27;s journey on his Instagram @andychengjp.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Nosferatu began his reign of stark, silent, chiaroscuro terror over the public consciousness in 1922, when he first crawled onto cinema screens. No glamourous, cultured European vampire like the literary gothic titan whose legend he was trying to usurp. No: he was a thing of blade-like, angled animal talon and fang; hideous by any measure.</p><p>Inspired by F. W. Murnau's masterpiece of German Expressionist cinema, supported by Max Schreck's sinister portrayal of Nosferatu  an unauthorised adaptation of Bram Stoker's 1897 novel <i>Dracula </i> this book presents a powerful collection of fiction by some of the best voices in contemporary horror. Look inside and be astounded.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Steven Paulsen</b> (editor) is an award-winning speculative fiction writer and editor. His bestselling spooky children' s book, <i>The Stray Cat</i>, illustrated by the acclaimed artist Shaun Tan, has seen publication in several English and foreign language editions. His horror, science fiction and dark fantasy short stories have appeared in books and magazines around the world. The best of his weird tales can be found in his short story collection, <i>Shadows on the Wall</i>, which won the Australian Shadows Award for Best Collected Work.</p><p><b>Christopher Sequeira</b> (editor) is an award-winning fiction editor and anthologist (and also a writer himself), specialising in comic-book and prose material in the mystery, horror, science fiction and fantasy genres. Previous anthologies for IFWG Publishing International include <i>Cthulhu Deep Down Under</i> (Vols 1 to 3); <i>Cthulhu Land of the Long White Cloud</i>; <i>Caped Fear</i>: <i>Superhuman Horror Stories</i>; <i>Sherlock Holmes and Doctor Was Not</i>; <i>Dracula Unfanged</i>, and the forthcoming comic book chapter-novel anthology <i>Superhumanity Vol 1: The SuperAustralians</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Black Days &amp; Bloody Nights</i>, a collection of Greg Chapman's acclaimed and original fiction: Is the world coming to an end, or is it all in Marion's head? Would you let in a monster to save your child? A writer's son is his most horrifying creation. A videotape captures murder in a cemetery and threatens a detective. A mother's last will and testament reveals a diabolical pact. A corpse and an eclipse usher in the end of all things.</p><p>In these stories, you'll discover how the end comes to those who wait, and those who seek it out. Also included are Chapman's acclaimed novellas, <i>Torment</i> and <i>The Followers</i>, and the short story, &amp;#x27;The Yellow House&amp;#x27;.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Two-time Bram Stoker Award<sup></sup> and multiple Australian Shadows Award nominee <b>Greg Chapman</b> is a horror author and artist based in Brisbane, Australia. Greg is the author of several novels, novellas and short stories, including his award-nominated debut novel, <i>Hollow House</i> and collections, <i>Vaudeville and Other Nightmares</i> (Specul8 Publishing) and <i>This Sublime Darkness and Other Dark Stories</i> (Things in the Well Publications). His works have been well-received by readers and critics alike, with many praising his ability to create gripping and atmospheric horror stories.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Curated by Deborah Sheldon, this second volume follows the multi-award-winning and multi-award-nominated anthology of Australian dread, <i>Spawn: Weird Horror Tales About Pregnancy, Birth and Babies. Spawn 2</i> interprets and reinterprets pregnancy, birth and babies in a myriad of unexpected ways that will frighten, shock, disgust, horrify, surprise, and move you. </p><p>Penned by established authors and fresh new voices, these stories range from the folkloric and phantasmagorical, through sci-fi and cybernetics, to historical and the occult. Prepare for an intimate, anxious, eviscerating read.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, This Is Horror Award**</b></p><p><b>**Finalist for the Shirley Jackson Award**</b></p><p><b> **Finalist for the Bram Stoker Award**</b></p><p>A collection of 15 stories that feature, among others, zombies, a hardboiled detective, a giant space-traveling lobster, an enigmatic alien, Rod Serling, and numerous apocalypses. The first story is &amp;#x27;Thirteen&amp;#x27;,about a small-town urban legend that might be leading kids to their doom. &amp;#x27;Welcome to the Reptile House&amp;#x27; reveals the secrets that hide in our flesh. In &amp;#x27;The Black Sleeve of Destiny&amp;#x27;, a hoodie leads to unexpectedly dark adventures. And the title story, &amp;#x27;After the People Lights Have Gone Off&amp;#x27;, is way more than a typical haunted-house tale. What makes them into a powerful collection is the author&amp;#x27;s ability to find horror in seemingly everyday objects and situations, and to rely on our own imaginations to fill in the blanks.</p><p> With an introduction by Joe R. Lansdale.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jacob Johnston</b> was the visual development coordinator/producer on<i> Thor, Captain America: The First Avenger, The Avengers, Iron Man 3, Thor: The Dark World, Captain America: The Winter Soldier, Guardians of the Galaxy, 10 episodes of Daredevil, Avengers: Age of Ultron, Ant-Man, 12 episodes of Jessica Jones, Captain America: Civil War, Doctor Strange, Guardians of the Galaxy Vol. 2, Spider-Man: Homecoming, Thor: Ragnarok and Avengers: Infinity War.</i> Based in Oklahoma.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>&amp;#x27;A helter-skelter rush of delights...a slapstick horror-fantasy romp that sometimes achieves real depth and poignancy&amp;#x27;  Alan Moore</b></p><p>William S. Burroughs is dead and buried, but he can find no rest. His ghost is roaming the backstreets of Tangier in search of a missing manuscript. During his chaotic years there in the 1950s Burroughs not only wrote <i>Naked Lunch</i>, he also spewed out a mass of much darker material he then lost  hundreds of pages in which he wrestled with his demons. He fears his longtime nemesis, the Ugly Spirit, has been lurking in those pages ever since  and is now emerging from its slumber.</p><p>To help him find and destroy the infected manuscript before the Ugly Spirit can spread its evil in the world, Burroughs enlists fellow ghosts and old Tangier pros Paul Bowles and Brion Gysin, Joseph Dean and Brian Jones, as well as an inept witch, an elderly sorcerer, and a gang of macaque monkeys. Their adventures  often comic, sometimes ghastly  involve vanishing corpses, a magic carpet, giant black centipedes  and a word virus about to go pandemic.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mark Terrill</b> is the author of several collections of poems and prose poems, including <i>Bread &amp; Fish</i> and <i>Great Balls of Doubt</i>. He shipped out as a merchant seaman, and later traveled extensively as tour manager for bands such as American Music Club and the Mekons. He participated in the School of Visual Arts Writing Workshop taught by Paul Bowles in Tangier in 1982, and has written about his experiences there in his recently republished memoir, <i>Here to Learn: Remembering Paul Bowles</i>.</p><p><b>Francis Poole </b>is a writer and the editor of BLADES magazine. He lived in Morocco in the 1980s while teaching at the American School of Tangier, where he became friends with Paul Bowles. His publications include <i>Tangier and the Beats: Sanctuary of Noninterference</i>,<i> Everybody Comes to Dean's</i>, and a collection of his poems, <i>Snakeskin Raincoat</i>.</p><p>In addition to co-authoring Ultrazone, Terrill and Poole have published two collaborative chapbooks of poetry, <i>The Spleen of Madrid </i>and<i> A Pair of Darts.</i></p>]]></Text>
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			<SubjectHeadingText>spirit; womanhood; loss; ageing; humanity; Persephone; Magdalene</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><i>What the Earth Seemed to Say</i>gathers together more than three decades of profound, luminous poetry from one of America's most daring and courageous poets. With its 'radical simplicity and seriousness of purpose, along with a fearless interest in autobiography and its tragedies and redemptions' (Matthew Zapruder, <i>New York Times Magazine</i>), Marie Howe's poetry transforms penetrating observations of everyday life into sacred, humane miracles. This essential volume draws from each of her four previous collections  including <i>Magdalene</i> (2017), a spiritual and sensual exploration of contemporary womanhood, and <i>What the Living Do</i> (1997), a haunting chronicle of personal loss  and contains 20 new poems. Whether speaking in the voice of the goddess Persephone or thinking about ageing while walking the dog, Howe is 'a light-bearer, an extraordinary poet of our human sorrow and ordinary joy' (Dorianne Laux).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Marie Howe</b> is the author of five books of poetry. Her retrospective, <i>What the Earth Seemed to Say: New &amp; Selected Poems</i> (Bloodaxe Books, 2024), draws on four collections published in the US: <i>Magdalene</i> (W.W. Norton, 2017), which was longlisted for the National Book Award;<i>The Kingdom of Ordinary Time</i>(W.W. Norton, 2009), which was a finalist for theLos Angeles Times Book Prize;<i>What the Living Do</i> (W.W. Norton, 1998); and <i>The Good Thief</i> (Persea Books, 1988), which was selected by Margaret Atwood for the 1987 National Poetry Series.<i>What the Living Do</i> is in many ways an elegy for Marie Howe's brother John, who died from AIDS in 1989. Stanley Kunitz selected her for a Lavan Younger Poets Award from the Academy of American Poets in 1988. Her other awards include grants from the John Simon Guggenheim Foundation, the Bunting Institute, and the National Endowment for the Arts. She served as the first Poet Laureate of New York State from 2012 to 2014, and is poet in residence at The Cathedral Church of St John the Divine in New York City. She has taught at Tufts University and Dartmouth College, among other institutions. In 2018 she was elected a Chancellor of the Academy of American Poets. She currently teaches at Sarah Lawrence.</p>]]></Text>
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			<SubjectHeadingText>Tomoka Shibasaki; Adam Ehrlich Sachs; Haruki Murakami; contemporary fiction; Hiromi Kawakami; Kelly Link; Aoko Matsuda; Hiroko Oyamada; Laird Hunt; Japanese literature; Satoshi Kitamura; graphic narratives</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>For fans of Japanese literature (Haruki Murakami and more) and readers who want to be introduced to exciting new writers.</p><p><i>MONKEY New Writing from Japan</i> is an annual anthology that showcases the best of contemporary Japanese literature. Volume 5 celebrates <b>CREATURES</b>, from ants to bears, frogs to gazelles, and fish to birds. MONKEY offers short fiction and poetry by writers such as Haruki Murakami, Hiromi Kawakami, Aoko Matsuda, Hiroko Oyamada, Kikuko Tsumura, and Hideo Furukawa; graphic stories by Satoshi Kitamura; new translations of modern classics; and contributions from American authors Kelly Link, Laird Hunt, Adam Ehrlich Sachs, and more.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ted Goossen</b> is a literary translator, professor emeritus at York University in Toronto, and one of the founding editors of <i>Monkey Business </i>and <i>MONKEY New Writing from Japan.</i> He is the editor of<i> The Oxford Book of Japanese Short Stories</i>. He translated Haruki Murakami's <i>Wind/Pinball </i>and<i> The Strange Library</i>, and co-translated (with Philip Gabriel)<i> Men Without Women </i>and <i>Killing Commendatore</i>. His translations of Hiromi Kawakami's <i>People from My Neighborhood </i>and Naoya Shiga's <i>Reconciliation </i>were published in 2020. His translation of the story collection <i>Dragon Palace </i>by Hiromi Kawakami was published under the MONKEY imprint with Stone Bridge Press in 2023.</p><p><b>Motoyuki Shibata</b> translates American literature and runs the Japanese literary journal <i>MONKEY</i>. He has translated Paul Auster, Rebecca Brown, Stuart Dybek, Steve Erickson, Brian Evenson, Laird Hunt, Kelly Link, Steven Millhauser, and Richard Powers, among others. His translation of Mark Twain's <i>Adventures of Huckleberry Finn</i> was a bestseller in Japan in 2018. His recent translations include Eric McCormack's <i>Cloud </i>and Jonathan Swift's <i>Gulliver's Travels.</i> He is professor emeritus at the University of Tokyo.</p>]]></Text>
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			<SubjectHeadingText>Arabic; Gaza; Israel; Jordan; Middle East; Nakba; Palestine; Palestinian; collective memory; ethnic cleansing; exile; history; identity; journalism; journalist; memory; multiple narrators; political; political consciousness; polyvocal; satire; theatrical; tragicomic; translation</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>A sardonic, thrilling fable about collective memory and the many ways it can be saved or subverted.</p><p>Four young, Palestinian journalists at a Jordanian newspaper are tasked, on account of their heritage, with profiling one of the last living witnesses of the <i>Nakba</i>, the violent expulsion of native Palestinians by the nascent state of Israel in 1948. Confident that the old man will be all too happy to go on record, the reporters are nonplussed when they are repeatedly, and obscenely, rebuffed. This living witness to history, this secular saint, has no desire to be interviewed, no desire for his memories to be preserved, no desire to serve as an inspiration for the youth of tomorrow. What he wants is to be left alone.</p><p>As threats from the team's editor-in-chief put more and more pressure on the journalists, they must decide just how far they're willing to go to get the old man on the record. After all, what possible weight can one stubborn demand for privacy have when balanced against the imperative to bear witness?</p><p>Omar Khalifah's debut novel <i>Sand-Catcher</i> is at once a polyphonic satire and a tightly plotted tale of suspense. Walking the line between gallows humour, rage, and depthless heartbreak, it is a unique reflection of contemporary Palestinian identity in all its facets.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Omar Khalifah</b> is a novelist and short story writer in Arabic. His book, <i>Nasser in the Egyptian Imaginary</i>, was published in English by Edinburgh University Press in 2017. His collection <i>Ka'annani Ana</i> (<i>As If I Were Myself</i>) was published in Amman, Jordan in 2010, and his novel <i>Qabid al-Raml</i> (<i>Sand-Catcher</i>) was published in 2020. His articles have appeared in <i>Middle East Critique</i> and <i>Journal of World Literature</i>. A Fulbright scholar, Khalifah is assistant professor of Arabic Literature and Culture at Georgetown School of Foreign Service in Qatar.</p><p><b>Barbara Romaine</b> is an academic and literary translator. She has published translations of five novels, most recently <i>Waiting for the Past</i> (Syracuse University Press, 2022), by the Iraqi novelist Hadiya Hussein. She has held two NEA fellowships in translation, one of which was for her work on Radwa Ashour's <i>Spectres</i> (Interlink Books, 2011). <i>Spectres</i> went on to place second in the 2011 Saif Ghobash-Banipal international translation competition. Romaine's translations of essays, short stories, and classical poetry have appeared in a variety of literary periodicals.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Celebrate 25 years of the universe created by Gorillaz star Jamie Hewlett, in the iconic style that spearheads the band's success, with this silver jubilee compilation of comics, scripts, and an assortment of behind-the-scenes material of the franchise.]]></Text>
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			<Text textformat="02"><![CDATA[<p>The greatest hero in sword-and-sorcery history. This is the legend of Conan!</p><p>Writer Roy Thomas and Conan artist supreme John Buscema are joined by a host of top-tier visual talents  Frank Brunner, Gene Colan, Sal Buscema, Ernie Chan and Carmine Infantino  to tell Conan&amp;#x27;s most savage tales.</p><p>This volume&amp;#x27;s stories range from the young Cimmerian&amp;#x27;s exploits as a mercenary to his latter days as king of Aquilonia in the iconic &amp;#x27;Scarlet Citadel.&amp;#x27; Anchoring it is Thomas and Buscema&amp;#x27;s 160-page adaptation of Conan the Buccaneer. It&amp;#x27;s a high-seas masterpiece that entangles Conan, a vile pirate and a beautiful princess with the forces of Thoth-Amon. Also featuring pinups galore, an exhaustive dictionary of Hyborian-era names and places and the stunningly painted, full-colour masterpiece &amp;#x27;The Trail of the Bloodstained God.&amp;#x27;</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Roy Thomas</b> joined Marvel as a writer and editor under Stan Lee, scripting key runs of nearly every Marvel title: <i>The Amazing Spider-Man</i>, <i>The Avengers</i>, <i>Daredevil</i>, <i>Doctor Strange</i>, <i>The Sub-Mariner</i>, <i>Thor</i>, <i>The X-Men</i> and more. He wrote the first ten years of Marvel's <i>Conan the Barbarian</i> and <i>Savage Sword of Conan</i>; and launched the Defenders, Iron Fist, The Invaders and Warlock. At DC, he developed <i>All-Star Squadron</i>, <i>Infinity Inc.</i> and related titles, proving instrumental in reviving the Golden Age Justice Society of America. He co-scripted the sword-and-sorcery films <i>Fire and Ice</i> and <i>Conan the Destroyer</i>. Throughout it all, Thomas has edited the award-winning magazine <i>Alter Ego</i>, contributing heartily to the research and history of the medium.</p><p><b>John Buscema.</b> Best known for his run on the series <i>The Avengers</i> and <i>TheSilver Surfer</i>, and for over 200 stories featuring thesword-and-sorceryheroConan the Barbarian, which he took the pencilling from Barry Windsor Smith. In addition, hepencilledat least one issue of nearly every major Marvel title, including long runs on two of the company&amp;#x27;s top magazines, <i>Fantastic Four</i> and <i>Thor</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Miles Franklin Literary Award 2024**</b></p><p><b>**Winner, Stella Prize 2024**</b></p><p><b>**Winner, Queensland Literary Awards, Fiction Book Award**</b></p><p><b>**Winner, The James Tait Black Prize, Fiction 2024**</b></p><p><b>**Winner, ALS Gold Medal 2024**</b></p><p>**<b>Shortlisted, The Dublin Literary Award 2024**</b></p><p><b>**Shortlisted, Queensland Literary Awards 2023, Work of State Significance**</b></p><p><b>**Shortlisted, Margaret and Colin Roderick Literary Award 2024**</b></p><p><b>The new novel from the internationally acclaimed, award-winning Australian author Alexis Wright.</b></p><p><i>Praiseworthy</i> is an epic set in the north of Australia, told with the richness of language and scale of imagery for which Alexis Wright has become renowned. In a small town dominated by a haze cloud, which heralds both an ecological catastrophe and a gathering of the ancestors, a crazed visionary seeks out donkeys as the solution to the global climate crisis and the economic dependency of the Aboriginal people. His wife seeks solace from his madness in following the dance of butterflies and scouring the internet to find out how she can seek repatriation for her Aboriginal/Chinese family to China. One of their sons, called Aboriginal Sovereignty, is determined to commit suicide. The other, Tommyhawk, wishes his brother dead so that he can pursue his dream of becoming white and powerful. This is a novel which pushes allegory and language to its limits, a cry of outrage against oppression and disadvantage, and a fable for the end of days.</p><p><b>&amp;#x27;Monumental...calls to mind the work of Thomas Bernhard or the quiet rage of Dostoyevsky...</b><b><i>Praiseworthy</i></b><b>blew me away.&amp;#x27; </b><b><i>Australian Book Review</i></b></p><p><b>Praise for Alexis Wright:</b></p><p><b>'The writing is the best in the country, some of the best in the world; we call to mind Alexis Wright when they talk about our country's great literary voice.' - Tara June Winch</b></p><p><b>'I'm awed by the range, experiment and political intelligence of [Alexis Wright's] work, from fiction such as</b> <b><i>Carpentaria</i></b> <b>and</b> <b><i>The Swan Book</i></b><b>, to her "collective memoir" of an Aboriginal elder in</b> <b><i>Tracker</i></b><b>. As essayist, activist, novelist and oral historian she is vital on the subject of land and people.' - Robert Macfarlane,</b> <b><i>New York Times Book Review</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexis Wright</b> is a member of the Waanyi nation of the southern highlands of the Gulf of Carpentaria. The author of the novels <i>Carpentaria</i>, winner of the Miles Franklin Award, and <i>The Swan Book</i>, winner of the ALS Gold Medal, Wright has published three works of non-fiction: <i>Take Power</i>, an oral history of the Central Land Council; <i>Grog War</i>, a study of alcohol abuse in the Northern Territory; and <i>Tracker</i>, a collective memoir of Aboriginal leader, Tracker Tilmouth which won the Stella Prize. Her books have been published widely overseas, including in China, the US, the UK, Italy, France and Poland. She held the position of Boisbouvier Chair in Australian Literature at the University of Melbourne, and is now an Adjunct Professor at Western Sydney University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The never-before-published novel by Charmian Clift.</b></p><p><i>'In those days the end of the morning was always marked by the quarry whistle blowing the noon knock-off.</i></p><p><i>Since everybody was out of bed very early, morning then was a long time, or even, if you came to think about it, a round time - symmetrical anyway, and contained under a thin, radiant, dome shaped cover...'</i></p><p>During the years of the Great Depression, Cressida Morley and her eccentric family live in a weatherboard cottage on the edge of a wild beach. Outsiders in their small working-class community, they rant and argue and read books and play music and never feel themselves to be poor. Yet as Cressida moves beyond childhood, she starts to outgrow the place that once seemed the centre of the world. As she plans her escape, the only question is: who will she become?</p><p><i>The End of the Morning</i> is the final and unfinished autobiographical novel by Charmian Clift. Published here for the first time, it is the book that Clift herself regarded as her most significant work. Although the author did not live to complete it, the typescript left among her papers was fully revised and stands alone as a novella. It is published here alongside a new selection of Clift's essays and an afterword from her biographer Nadia Wheatley.</p><p><b>'</b><b><i>The End of the Morning</i></b><b> is full of feeling, animated by that formless, aching questioning of childhood, and a fascinating glimpse of the forces that shaped Clift as a person and a writer.' - Fiona Wright</b></p><p><b>'Reading her, even a glimpsed paragraph of her, is like quaffing the finest champagne on earth.' - Peter Craven,</b> <b><i>Sydney Morning Herald</i></b></p><p><b>'Forthright, funny and with an indefinable flair, Charmian Clift's writing plays second fiddle to nobody.' - Richard Cotter,</b> <b><i>Sydney Arts Guide</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Charmian Clift</b> was born in 1923 in Kiama, on the New South Wales south coast. Describing herself as coming from a family of 'liars and embroiderers', from an early age she began transforming her home and childhood into fiction.</p><p>After serving as a lieutenant in the Australian Army, in 1946 Clift joined the staff of Melbourne's <i>Argus</i> newspaper, where she met fellow journalist George Johnston. Over the next twenty-three years, the couple raised three children, produced thirty books, and created a legend.</p><p>While living in Greece, Clift wrote the travel memoirs <i>Mermaid Singing</i> and <i>Peel Me a Lotus</i>, and the novels <i>Walk to the Paradise Gardens</i> and <i>Honour's Mimic</i>. She also began the autobiographical novel titled <i>The End of the Morning</i>, which she regarded as her major work.</p><p>Returning to Australia in 1964, Charmian Clift set her novel aside so that she could devote her time to her weekly newspaper column and to her family commitments. Although she resumed work on <i>The End of the Morning</i> in 1968, she died a year later, before the book was completed.</p><p>For more information, see: www.charmianclift.com.au</p><p><b>Nadia Wheatley</b> is the editor of <i>Sneaky Little Revolutions: Selected Essays of Charmian Clift</i> and the author of <i>The Life and Myth of Charmian Clift</i>. Described by critic Peter Craven as 'one of the greatest Australian biographies', this was acclaimed as the Age Non-Fiction Book of the Year, 2001, and was awarded the NSW Premier's Australian History Prize in 2002. It remains the classic account of the life and work of this transformational Australian writer.</p><p>For more information, see: www.nadiawheatley.com</p>]]></Text>
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			<SubjectHeadingText>Transit of Venus; Francis Steegmuller; Patrick White; Down in the City; Shirley Hazzard; Sidney Nolan; Elizabeth Harrower; Australian literature; In Certain Circles; The Catherine Wheel; A Few Days in the Country; The Great Fire; The Bay of Noon; The Watch Tower; Cynthia Nolan; The Long Prospect</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Shirley Hazzard and Elizabeth Harrower met in person for the first time in London in 1972, six years after they began a correspondence that would span four decades. They exchanged letters, cards and telegrams, and made occasional phone calls between Harrower's home in Sydney and Hazzard's apartments in New York, Naples and Capri. The two women wrote to each other of their daily lives, of impediments to writing, their reading, politics and world affairs, and in Hazzard's case, her travels. And they wrote about Hazzard's mother, for whose care Harrower took increasing - and increasingly reluctant - responsibility from the early 1970s (precisely the period when she herself virtually stopped writing).</p><p>Edited by Brigitta Olubas, Hazzard's official biographer, and Susan Wyndham, who interviewed both Hazzard and Harrower, this is an extraordinary account of two literary luminaries, their complex relationship and their times.</p><p><b>'</b><b><i>Hazzard and Harrower</i></b><b> is a book to keep close and return to often.'  Michelle de Kretser</b></p><p><b>'Vital, compelling, terrifying, revelatory  and a literary pleasure in its own right.'  Anna Funder</b></p><p><b>'Beautiful, wise and unflinching. Will we ever have a chance like this again to eavesdrop on two great writers as they talk books, people and the world for forty years?'  David Marr</b></p><p><b>'An engrossing portrayal of forty years of complicated friendship between two writers, only one of whom has the steel  or is it the ruthlessness?  to put her art before everything else.'  Charlotte Wood</b></p><p><b>'I read these letters with mounting excitement. There is a righteous delight in seeing female talent reclaimed: two great Australian writers finally treated with the care and rigour they deserve.'  Diana Reid</b></p><p><b>&amp;#x27;This volume of letters  copious, lively and affectionate  is the latest work in the devoted re-presentation of both women.&amp;#x27;  Gail Jones,</b> <b><i>Sydney Morning Herald/The Age</i></b></p><p><b>&amp;#x27;Letter writing is almost a lost art, but this collection of letters exchanged for 40 years between two of Australia's most erudite authors shows what an important part of social history it is.&amp;#x27;  Jennifer Somerville,</b> <b><i>GoodReading</i></b></p><p><b>&amp;#x27;This collection...is sure to delight the uninformed and entertain existing fans of Hazzard's and Harrower's work.&amp;#x27;  Vanessa Francesca, </b><b><i>Meanjin</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Brigitta Olubas</b> is professor of English at the University of New South Wales. She is the acknowledged expert on the writing of Shirley Hazzard and is Hazzard's authorised biographer. She coedited the first collection of essays on the writing of Elizabeth Harrower and is the author of <i>Shirley Hazzard: A writing life</i> and <i>Shirley Hazzard: Literary expatriate and cosmopolitan humanist</i>.</p><p><b>Susan Wyndham</b> is a journalist and writer. As New York correspondent for <i>The Australian</i> newspaper and literary editor of the<i> Sydney Morning</i> <i>Herald</i> she interviewed Shirley Hazzard and Elizabeth Harrower. She is the author of <i>Life in His Hands: The true story of a</i> <i>neurosurgeon and a pianist</i> and editor of <i>My Mother, My Father: On losing a</i> <i>parent</i>.</p>]]></Text>
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			<SubjectHeadingText>1989; Darkland Tales; Scottish Highlands; Highlands; Best of Scottish Fiction; Scottish Fiction; Scotland; 11th Century; Alternate History; Retelling; William Shakespeare; Sunday Times; Val McDermid; Hex; Rizzio; Darkland Tale; To Be or Not to Be; Hamlet; femme fatale; Shakespeare; Retelling Scotland; The Darkland Tales; Sunday Times Bestseller; Reinventing; Reimagining; Scottish historical fiction; Best New Scottish Fiction; correcting history; rewriting history; patriarchal prejudices; Crossbows; Thelma and Louise; Nicola Sturgeon; Christmas 2024; Lady Macbeth</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[From bestselling Brazilian crime novelist Patri cia Melo comes a masterful thriller that is by turns poetic, inspiring, humorous and harrowing.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From bestselling Brazilian crime novelist Patrcia Melo comes a masterful thriller that is by turns poetic, inspiring, humorous and harrowing.</b></p><p>To escape an overprotective family and an abusive partner, a young lawyer accepts an assignment in the Amazonian border town of Cruzeiro do Sul. There, she meets Carla, a local prosecutor, and Marcos, the son of an indigenous woman, and learns about an epidemic of violence against women that seems beyond comprehension.</p><p>What she finds in the jungle is not only relentless oppression, but a deep longing for answers to an unsolved crime from her past. Through the ritual use of ayahuasca, she meets a chorus of warrior women on a path of revenge and recovers the painful details of her mother&amp;#x27;s death.</p><p><i>The Simple Art of Killing a Woman</i> is a psychological trip with a twist. It&amp;#x27;s about the strength of individuals in the face of overwhelming violence, the problem of femicide in Brazil, and the haunting of a cold case.</p><p><b>'A deeply affecting novel illuminating the costs of being a woman in a dangerous, misogynistic society.' -</b> <b><i>Kirkus</i></b> <b>Reviews</b></p><p><b>'</b><b><i>The Simple Art of Killing a Woman</i></b> <b>vibrates with rage at femicide and glows with hallucinatory images of jaguars and Amazons.' - Bcher am Sonntag</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Patrcia Melo</b> was born in 1962 and is a highly regarded novelist, playwright and scriptwriter. She has been awarded a number of internationally renowned prizes, including the Jabuti Prize 2001, the German LiBeraturpreis 2013 and the German Crime Award 1998 and 2014, and she was shortlisted for the Independent Foreign Fiction Prize and<i> Time</i> Magazine included her among the Fifty Latin American Leaders of the New Millenium.</p><p><b>Sophie Lewis</b> is a London-based translator and editor working from Portuguese and French. Her translations have been shortlisted for the Scott Moncrieff and Republic of Consciousness prizes, and longlisted for the International Booker Prize. She was joint winner of the 2022 French-American Foundation prize for non-fiction translation, for her translation of Nastassja Martin's book<i> In the Eye of the Wild</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>&amp;#x27;Societies are oiled with the unpaid, unaccounted for, work of women. It is the very glue that binds us together, and yet we are blind to it; a woman&amp;#x27;s work remains invisible.&amp;#x27;</i></p><p>Rosalind Franklin knows that to be a woman in a man&amp;#x27;s world is to be invisible. In the 1940s science is a gentleman&amp;#x27;s profession, and it appears there are plenty of colleagues who want to keep it that way. </p><p>After being segregated at Cambridge, then ignored and put down in the workplace, she has no intention of being seen as a second-class citizen and throws everything into proving her worth. But despite her success in unlocking the very secret of life, the ultimate glory is claimed by the men she left in her wake.</p><p>Inspired by the true story of a woman so many tried to silence, Rosalind is a tale of hope and perseverance, love and betrayal.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jessica Mills</b> is a journalist (Jessica Davies) and author. She has written for publications such as <i>The Independent, The Wall Street Journal</i> and <i>Business Insider</i>, where she investigated the use of flammable cladding in hospital intensive care units in 2020. Jessica was an editor at <i>Dow Jones</i>, leading the team that uncovered the misuse of funds at Abraaj and a member of the Women at Dow Jones steering committee. Rosalind was longlisted for the Exeter Novel Prize in 2020.</p>]]></Text>
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