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			<Text textformat="02"><![CDATA[This Handbook unpacks the evolving relationship between AI, soft power, and public diplomacy. Covering theory, conflict, culture, governance, and narrative, it features leading scholars alongside fresh perspectives.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Examines how artificial intelligence is transforming global influence, offering theoretical insights and practical perspectives on diplomacy, culture, conflict, and governance.</b></p><p><i>Soft Power and Public Diplomacy in the Age of AI </i>explores how AI is reshaping the dynamics of influence in international affairs. Bridging theory and practice, the Handbook examines the close relationship between soft power and public diplomacy through the lens of AI's expanding role. Covering themes of theory, narrative, conflict, culture, and governance, the volume features contributions from leading international scholars as well as fresh voices introducing cutting-edge ideas. Topics range from bioelectronic measures of attraction to AI's impact on digital diplomacy, narrative warfare, and cultural projection. This timely resource will appeal to students, researchers, practitioners, and policymakers who want to understand how influence, persuasion, and power are being transformed in our digitally networked world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Naren Chitty</b> is professor emeritus and inaugural director of the Soft Power Analysis and Resource Centre (SPARC) at Macquarie University, Australia.</p><p><b>Craig Hayden</b> chairs the Security Studies Department at the Marine Corps University (USA). He co-edited The Routledge Handbook of Soft Power (2016).</p><p><b>Hendrik Ohnesorge</b> is Managing Director, Center for Global Studies, University of Bonn (Germany). His latest book is titled Soft Power and the Future of US Foreign Policy (2023).</p><p><b>Chenjun Wang</b> teaches at Sydney University (Australia) and is a researcher at the SPARC at Macquarie University (Australia) where she is a PhD candidate in international studies.</p>]]></Text>
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			<SubjectHeadingText>Aboriginal people; Australia and New Zealand; British empire; East India Company; First Nations; George Fife Angas; Historical legacies; Indigenous peoples; Labour regimes; Lachlan Macquarie; Legacies of slavery; Pacific Islanders; Slave-ownership; Slavery; Slavery and Australia; Slavery and capitalism; Swan River colony; Western Australia?; abolition; collective biography; colonial governance; colonial governors; emancipation; free labour; imperial families; imperial networks; labour regime; legacy of slavery; pastoralism; race; racial hierarchy; racialisation; settler colonialism; slave money; slave ownership; slavery compensation; sugar plantations; transatlantic slavery</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This book investigates the legacies of British slavery beyond Britain, focusing upon the colonisation of Australia and New Zealand, and explores why this history has been overlooked.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book investigates the legacies of British slavery beyond Britain, focusing upon the colonisation of Australia and New Zealand, and explores why this history has been overlooked.</b></p><p>After August 1833, when the British Parliament abolished slavery in the British Caribbean, Mauritius and the Cape, the former slave-owners were paid compensation for the loss of their 'property'. New research has begun to show that many beneficiaries had ties to other parts of the British Empire, including the settler colonies of Australia, New Zealand, Canada and South Africa. Through a range of case studies, contributors to this collection trace the movement of people, goods, capital, and practices from the Caribbean to the new Australasian settler colonies. Chapters consider a range of places, people and themes to reveal the varied ways that slavery continued to shape imperial relationships, economic networks, and racial labour regimes after 1833.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Zoe Laidlaw</b> is Professor of History at the University of Melbourne.</p><p><b>Jane Lydon</b> is Professor of History at the University of Western Australia.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A collection of wide-ranging essays written throughout the 1990s, On the Body in General and the Figure in Particular covers an array of genres and styles to propose an original method of cinematic analysis and interpretation foregrounding film's formal and plastic qualities in all their multifaceted materiality and aesthetics.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>These wide-ranging essays covering an array of film genres and styles propose a method of cinematic analysis and interpretation that foregrounds film's formal and plastic qualities.</b></p><p>Films fill our imagination with figures, figurines, and talismans. They ceaselessly rework the same archetypes and invent troubling prototypes  especially when they establish a deeper relationship to reality. How do we understand these presences that are both so characteristic and so diverse in cinema? How does film deal with bodies, movements, and gestures? Why are we so drawn to these shadows, silhouettes, and hypothetical beings? What organises the figurative values at work in a film? How do cinematic creatures circulate from film to film and image to image? How does film articulate the links between the abstract and figurative? Is it possible to write a history of figurative forms? Starting from films themselves and works that are both classical (Sergei Eisenstein, Roberto Rossellini, Orson Welles) and contemporary (Abel Ferrara, Brian DePalma, Patricia Mazuy), celebrated (Robert Bresson, John Cassavetes, Ken Jacobs, Paul Sharits) and overlooked (Al Razutis, Jean Genet, Monte Hellman, and John Travolta), from auteurs as well as aesthetic questions (representations of dance, the naked body, character development...), the essays in this volume, most available for the first in English, aim to open a field that has been neglected by analysis, while also suggesting the tools necessary to understanding figurative phenomena specific to cinema.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nicole Brenez</b> is a professor of film studies at the University of Paris 3/Sorbonne Nouvelle and the Director of the Department "Analyse et Culture cinematographique" at Paris' film school La Femis since 2017. She has curated avant-garde film series at the Cinemathequefrancaise since 1996 and is the author and editor of numerous books on film.</p>]]></Text>
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			<SubjectHeadingText>20th century; Christianity; Marxism; Polish philosophers; Polish philosophy; communism; exile; freedom; ideology vs. philosophy; liberalism; politics and philosophy; postwar; totalitarianism; truth; world philosophy</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Explores the turbulent lives and ideas of 20th-century Polish thinkers shaped by war, totalitarianism, and ideological struggle, culminating in a reflection on Marxism and liberalism's enduring influence.</b></p><p>The philosophical biography penned by the eminent Polish philosopher and translator Professor Piotr Nowak presents the difficult fate of Polish thinkers who reflected and created their philosophies in the 20th century  the century of three Polands, three wars, and two totalitarian regimes. Building his narrative around three key words, the author presents the lives and work of Wadysaw Tatarkiewicz, Tadeusz Kroski, Leszek Koakowski, Andrzej Walicki, Adam Schaff, Bronisaw Baczko, Krzysztof Pomian, Zbigniew Kuderowicz, Stefan Amsterdamski, Jerzy Szacki, Zygmunt Bauman, Jan Garewicz, Barbara Skarga, Juliusz Domaski, Ryszard Legutko, Krzysztof Michalski, Marek J. Siemek, Jzef Tischner, Roman Ingarden, Henryk Elzenberger, Tadeusz Kotarbiski, Kazimierz Adjunkiewicz, Marian Przecki, Bogusaw Wolniewicz, Jzef Maria Bocheski, Alfred Tarski, Leon Chwistek, and Stanisaw Ignacy Witkiewicz. The book concludes with a transcript of a conversation between Zbigniew Janowski (an American philosopher of Polish descent) and the author of this book, discussing the influence of two powerful ideologies born in the 19th century, Marxism and liberalism, on the intellectual and political life of contemporary nations.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Piotr Nowak</b> is Professor of Philosophy at the Bialystok University in Poland, deputy editorinchief of the annual Kronos. Philosophical Journal, and the author of The Ancients and Shakespeare on Time: Some Remarks on the War of Generations (2014) and After Jews. Essays on Political Theology, Shoah and the End of Man (2022). He published among others in Philosophy and Literature ("Gods and Children: Shakespeare Reads The Prince," Vol. 41, No. 1A, 2017).</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book examines the definitional differences between classical and modern political theory pertaining to the constituent parts of justice.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Explores how modern redefinitions of key concepts such as nature, freedom, and virtue have reshaped our understanding of justice and altered how states assess right and wrong.</b></p><p>This book examines the definitional differences between classical and modern political theory as they relate to the constituent parts of justice. Since the earliest days of political philosophy, justice has been understood as the goal of the state. And most thinkers have spent a considerable time addressing the components of justice  nature, happiness, freedom, equality, and virtue. This book looks at these terms using both the classical and modern conceptions and argues that modern thinkers' redefinition of the terms has changed the way we conceive of justice and thus, transformed the ways states evaluate issues of right and wrong.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Kevin Dooley is a Professor of Political Science at Monmouth University, West Long Branch, NJ, USA. He teaches courses in early and modern political thought as well as courses in ethics in international relations.<br/></p>]]></Text>
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			<SubjectHeadingText>Beethoven; Ninth Symphony; counterpoint; fantasy; fugue; harmony; history of theory; improvisation; melody; musical sketches; variations; "Ode to Joy; " musical form</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Beethoven's Freude theme-or "Ode to Joy"-is perhaps the most iconic melody ever created. This book sets out to show why the Freude theme has acquired this almost mythic status and what its use in the finale of the Ninth Symphony reveals about the mechanics of tonal composition.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Explores how Beethoven's iconic ''Ode to Joy" theme and the finale of his Ninth Symphony encapsulate a masterclass in tonal composition, grounded in his rigorous training and deep theoretical knowledge.</b></p><p>Beethoven's Freude theme  or 'Ode to Joy'  is perhaps the most iconic melody ever created. This book sets out to show why the Freude theme has acquired this almost mythic status and what its use in the finale of the Ninth Symphony reveals about the mechanics of tonal composition. The book explains how the finale of the Ninth Symphony offers a crash course in music theory made possible by Beethoven's extensive training with Neefe, Haydn, Albrechtsberger, and others, and his enormous library of theory treatises, by the likes of Fux, C. P. E. Bach, Riepel, and Koch. That course covers everything from the basics of tonal voice leading and motivic development to advanced topics such as double counterpoint, canon, and ars combinatoria. The book also draws on details from his own students such as Ries and Czerny.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Born in London, Matthew Brown is a British American musicologist who specializes in tonal theory and the music of Claude Debussy. He is currently Professor of Music Theory at the Eastman School of Music in Rochester, NY.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The only edited collection that provides the first accessible, introductory but critical guide to law and humanities; explores law and humanities field by field; and represents a major work in the development of law and humanities as well as interdisciplinary legal studies generally.</b></p><p>In the last thirty to forty years, interdisciplinary scholarship on law has significantly increased. Law has a number of different potential disciplinary bed fellows. It can be seen as a social science but also as part of the humanities.</p><p>Given how ubiquitous social scientific theories and methods are within legal studies, this collection explores law's place within the humanities. It examines a number of 'law and' interactions in turn with the aim of exploring what these different fields can learn from each other and what this reveals about the law and humanities approach in general.</p><p><i>Law and Humanities</i> provides the first accessible, introductory but critical guide to this emerging area of scholarship. Unlike the existing works that adopt a thematic approach, this is the only edited collection that explores law and humanities field by field. Experts in each 'law and field' will analyse the nature, development and future of their respective fields, placing this within the law and humanities context for the first time. Each chapter provides a seminal contribution to the respective field while the volume as a whole will represent a major work in the development of law and humanities, as well as to interdisciplinary legal studies generally.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Daniel Newman</b> is Reader in Law at Cardiff University. His research focuses on access to justice.</p><p><b>Russell Sandberg</b> is Professor of Law at Cardiff University. His research interrogates the interaction between law and humanities, with particular reference to law and religion and legal history.</p>]]></Text>
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			<SubjectHeadingText>European Union; Greece; Italy; Lebanon; Libya; Mediterranean Sea; Orientalism; Turkey; fascism; immigration; imperialism; international relations; nationalism; pan-Arabism; refugees</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This book investigates how pre-nationalist ties between Mediterranean cultures have been inherited, repurposed and rejected by nationalist movements from 1815 until the present day.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Explores how nationalist projects in the modern Mediterranean absorbed, reshaped or erased shared intercultural identities, offering five historical case studies from Italy, Greece, Turkey, Lebanon and Libya.</b></p><p>The study of modern Mediterranean history and society has long featured debates over cross-cultural values, norms and perspectives in the region. The rise of nationalism in the Mediterranean in the 19th and early 20th centuries has led scholars to explore the tension between national and transnational group identities across the sea and its basin. As numerous Mediterranean sub-regions entered the nationalist era expressing intercultural characteristics, many questions remain to be answered about, first, the repurposing of pre-nationalist shared identities for nation-building causes and, second, attempts by nationalist forces to divide and erase those same shared identities. This book engages in this debate and provides five historical case studies, centred on the national experiences of Italy, Greece, Turkey, Lebanon and Libya.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Leslie Rogne Schumacher, FRSA, FRHistS, is a scholar of history, international relations and leadership. He holds positions at Harvard University, Cornell University and the Foreign Policy Research Institute.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Aiming to contribute to the literature of what works to make peace, this volume examines the roles of land, water and mineral resources in conflict and peacemaking. The analysis focuses on six cases of prolonged, ethno-national, asymmetric conflict and six cases of special interest.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Examines the roles of land, water and mineral resources in conflict and peacemaking, by analysing six cases of prolonged, ethnonational, asymmetric conflict and six cases of special interest.</b></p><p>Aiming to contribute to the literature of what works to make peace, this volume examines the roles of land, water and mineral resources in conflict and peacemaking. The analysis focuses on six cases of prolonged, ethno-national, asymmetric conflict and six cases of special interest. Land, water and natural resources were causes of conflict, sources of funding to combatants, weapons of war, reasons to make peace and incentives to make peace. Nine of the cases ended in a negotiated, written peace accord which lasted more than 5 years. While some of the conflict areas saw a resurgence of armed conflict, other cases are exemplars of lasting peace agreements. The analysis shows what was successfully addressed in peace accords, as related to land and natural resources; what was addressed in aspirational terms that were never fully implemented; and what decisions were left to political processes that were agreed to, ending extensive armed conflict.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>To show the non-linear nature of social evolution, it is crucially important to discuss cases from different cultural areas and different historical periods, including our time, as well as different levels of overall sociocultural complexity.</b></p><p>This anthology includes chapters that explore case studies covering a wide range of societies of the Old and the New World ranging from ancient to modern contexts. Respectively, the chapters are based on different kinds of sources  archaeological, historical, anthropological (ethnographic), and sociological. This analysis of pre-modern and modern societies sheds valuable light on the variety of ways in which social institutions were developing through time and space and of how these institutions may have fostered social evolution. Therefore, this publication may enhance our understanding of social evolution at the world-system, regional, and local-culture levels via the integration of various kinds of evidence within a unified conceptual framework.</p><p>Societies are systems composed of a great number of various social institutions. Societies change as a result of emergence, transformation, and interaction of institutions. As systems of social institutions, societies have a fundamental characteristic that can be called a 'basic principle of societal organization'. The principle of organisation a society embodies depends on the way its institutions are arranged with respect to one another. Two basic principles can be distinguished: heterarchical, at which institutions interact being unranked with respect to one another or can be ranked in different ways, and the opposite principle, homoarchical, at which institutions interact being rigidly ranked in the only way and have no or very limited potential for being unranked or ranked in other ways. Societies of the same level of overall cultural complexity and with the same basic principle of organization can take different specific forms, as alternativeness exists not only between but also within the heterarchical and homoarchical macrogroups of societies. The division of societies into predominantly heterarchical and homoarchical is a constant fact of human sociocultural history. The dichotomy of heterarchy and homoarchy has considerably determined the non-linear and alternative nature of the global sociocultural process.</p><p>Transformations in the ways social institutions and their sets, societal subsystems, are ranked (homoarchically or heterarchically) on one hand and changes in the overall sociocultural complexity on the other are two different, largely unrelated processes. Homoarchy and heterarchy are not evolutionary lines: a society can pass from a predominantly heterarchical way of ranking institutions to predominantly homoarchical or vice versa, and can do it both with and without a change in level of complexity. At any level of overall cultural complexity, one can observe both heterarchical and homoarchical societies, because an equal level of complexity (which makes it possible to solve equally difficult problems societies face) can be achieved in various forms on essentially different (though intersecting in the history of many societies and regions) principles of societal organisation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Introduces key issues in environmental law, policy, economics, and science, focusing on the roles of various governmental bodies in addressing pollution, greenhouse gasses, environmental protection, and sustainability.</b></p><p>This textbook is designed to introduce the reader to important and emerging issues in contemporary environmental law, policy, economics, and science. It explains the roles and interactions of Congress, federal agencies, state governments, and the courts in protecting the environment and public health from pollution. Topics include common law; administrative law; the role of environmental impact assessments and endangered species protection; and the principal legislation and court decisions dealing with greenhouse gas emissions, conventional and toxic air pollution, water pollution, the control of toxic chemicals and hazardous waste, pollution prevention and primary accident prevention, and community right-to-know. The text also explores various alternatives to regulation and concludes with a brief treatise on sustainability.<br/> The evolving role of science and economics in legislative, regulatory, and judicial decision making is explored. The text analyzes pollution as an economic problem and a failure of markets, discusses the role of technological innovation and the concept of "dynamic" economic equilibrium, and evaluates economic incentives as an alternative or supplement to regulation. The book also provides an introduction to basic legal skills: how to read and understand judicial opinions, regulations, and statutes; how to discover the current state of the law in a specific area; and how to take action toward resolution of environmental problems. Throughout, the role of national and local politics in shaping and implementing environmental policy is acknowledged and evaluated.</p>]]></Text>
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			<SubjectHeadingText>Bilderberg Group; Bill Gates Ukraine farmland; Davos man meaning; Fracking shale gas; Gates Foundation; Genetically modified crops; Global elites; Hillary Clinton Ukraine 2014; Hillary and Bill Clinton Foundation; Hunter Biden Burisma; Hunter Biden Ukraine; IMF and World Bank; Joe Biden Ukraine 2014; NGOs and International Organisations; Russian aggression; Russian invasion of Ukraine; Social network analysis; Transnational capitalist class; US foreign policy; Ukraine regime change 2014; Victoria Nuland 2014; Victoria Nuland phone call; What happened in Ukraine; biotechnology; genetically modified organisms; transnational corporations</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This book provides a great backstory of what is happening in Ukraine. It contextualises Ukraine's 2014 EU-IMF aid deal and provides up to date empirical information and analysis through the lens of a socially connected global elite network. It contributes to the understanding of how power operates in international politics.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Analyses the role of global elite networks in shaping Ukraine's EU-IMF deal during the Euromaidan period, focusing on the intersections between corporate, political and institutional actors, and exploring how these networks influenced key outcomes like GM agriculture, fracking and regime change, offering a new perspective on power dynamics in international relations.</b></p><p>This book provides a great backstory of what is happening in Ukraine. It contextualises Ukraine's 2014 EU-IMF aid deal and provides up to date empirical information and analysis through the lens of a socially connected global elite network. It contributes to the understanding of how power operates in international politics.</p><p>Using as case studies the three key outcomes during Ukraine's Euromaidan moment (late 2013  early 2014)  namely, the introduction of GM agriculture; the opening up of the country's energy industry to TNC-led fracking (shale gas extraction); and, the sudden and violent 'regime change'  this book examines the processes by which such foreign policy and international development outcomes came about; it does so by focussing on configurations of multiple influential actors  political, corporate, philanthropic, and intellectual actors (e.g., academics, researchers at think tanks)  all of whom are connected by various combinations of social, personal, structural, and political ties.</p><p>More specifically, these outcomes are best explained by focusing on global webs of diverse social relations between elites spanning governments, international institutions, philanthropic foundations, research institutions and think tanks, 'civil society' organisations, and multi-national corporations. Some of the actors in this global elite network may be state or corporate actors, but their connections are not based just on 'national interest' or structural affiliation, and their primary allegiance is to the global elite network. Elites can exercise forms of power within policy settings, but only a global elite network can influence policy to the extent that all three of these outcomes were produced.</p><p>The overall outcomes were broken down into the processes and the events that produced them. These events include conferences, parties, business meetings and mergers, political speeches, policies, etc. The key players in each of these events are identified and analysed, along with the multiple types of connections that link the various actors. The connections that link the different types of nodes into a cohesive global elite network were generated into maps as a visual aid to help follow the strong analysis of these relations and interactions.</p><p>First, this book details the multiple types of relationships, especially social and personal that enabled the outcomes. This is crucial in demonstrating how sensitive information flows along informal ties in a network. For example, social relations allow for the transfer of insider knowledge that is unregulated and has no oversight- information that the rest of the population (the masses) is not privy to. Social relations can allow for collusion, including in ways that may be legal, but unethical and thus potentially damaging in the public domain. This book also deploys a groundbreaking definition of the term "gatekeepers" used throughout the analysis. Gatekeepers link people together, they link think tanks, corporations, politicians, and foundations together, and also link nodes in different industries and sectors together (e.g., the development and foreign policy sectors, the philanthropic and corporate sectors, etc.). They bridge multiple industries, sectors, events, and processes.</p><p>Second, this book focuses on the spaces where these social connections were fostered, revealing the key places for global elites to convene, align diverse agendas, collaborate, and thus produce outcomes and agendas. Such spaces are crucial in enabling structural connections to become social connections. Mutual membership to think tanks and foundations and attending the same conferences/panels at places like Davos or Bilderberg, can serve as a space for meetings, exchange of information and ideas outside of a state capacity context and regulation.Third, this book explains how the official narrative surrounding the unusual outcome differs from the motives and actions of the members of the global elite network. There are discrepancies with expressed intent in narratives and the outcome.</p><p>Questioning political narratives with a focus on relations helps to explore how political elites can control the mainstream narrative. Identifying the linkages of political actors (social, personal, financial, professional, and political) outwards to TNCs, organisations, institutions, councils, and other elites reveals the process by which a dominant narrative is re/produced, and thus shows an alternate reality behind political and development narratives. It is important to study these connections to understand how opposition groups are forced to exist within a dualistic narrative so that anything going against the mainstream and accepted narrative is not only wrong, but also suppressed and sometimes erased.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Stephanie Hale</b> has a PhD in International Politics from SOAS University of London (UK), a MSc in International Politics from SOAS University of London (UK), and a BA in Government and Sociology from Hamilton College (New York, USA). She lives in London.</p>]]></Text>
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			<SubjectHeadingText>Gothic; anxiety; documentary; eco-horror*; epistemology; found-footage; gothumentary; horror; hypermediation; mockumentary; pseudo-documentary*; realism; screenlife</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This study traces a Gothic realism in the dark, sensorial epistemologies emerging from intersections of documentary and horror cinema.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Examines Gothic realism in documentary and horror cinema, highlighting how films evoke archival anxiety and unsettling realities, from gothumentaries exploring ineffable subjects to mockumentaries and found-footage films addressing modernity's overwhelming and mediated nature.</b></p><p>This study concerns a Gothic realism in the dark, sensorial epistemologies emerging from intersections of documentary and horror cinema. From the ineffable subjects of horror documentaries and pseudo-documentaries, to the obsessive chroniclers of mockumentary horror cinema, the films examined here express generalized millennial and 21st-century archival anxiety around an unsettled and unsettling hypermediated reality. Part I focuses on gothumentaries, nonfiction works evoking the Gothic's unreadable subjects and undetected realities. Case studies show key documentary films such as <i>Capturing the Friedmans, Cropsey,</i> and <i>The Hellstrom Chronicle</i> bringing Gothic-horror tropes and conventions to bear upon documentary subject matter to produce skepticism of American environmental, social, and national stability from the 1970s onward. Part II explores mockumentary, fake found-footage, and screenlife horror cinema that turns to strategies of documentary and factual discourse to express an archival anxiety around human interaction with recording technologies. Case studies of pivotal films such as <i>The Blair Witch Project, Diary of the Dead, Lake Mungo, Unfriended, Sickhouse,</i> and <i>We Are All Going to the World's Fair</i> turn to Gothic reflexivity as a way of expressing the subject's relationship to, and experience of, a modernity that overwhelms in terms of its immensity, speed, and recordability.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kristopher Woofter</b>, PhD, is a faculty member of the English Department at Dawson College, Montreal. His recent publications include the collections <i>Shirley Jackson: A Companion</i> (2021), <i>American Twilight: The Cinema of Tobe Hooper</i> (2021) and <i>The Weird: A Companion</i> (2025). He is editor of the journal <i>Monstrum</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Presents masterpieces from the Middelschulte collection at the German Mining Museum in Bochum.</b></p><p>From the mid-1740s on, imaginative depictions of mining scenes increasingly adorned vessels from the Meissen Royal Porcelain Manufactory. Prior to this, sculptural depictions of mining folk can even be found on Boettger stoneware and Boettger porcelain  with artists George Fritzsche Sr (probably 1697-1756) and Johann Joachim Kaendler (1706-1775) later each dedicating a series to them. The unique combination of mining and porcelain also informed and inspired other manufactories in the German-speaking realm, for example in Berlin, Furstenberg and Vienna.</p><p>Achim and Beate Middelschulte have assembled what is probably the world's most extensive collection of porcelain featuring the subject of mining. A significant selection of this has been transferred to a foundation and incorporated as a permanent loan into the collection at the Deutsches Bergbau-Museum Bochum (German Mining Museum in Bochum). An in-depth presentation of these pieces is now available in this publication.</p><p>Text in German.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Artist Fabian Gatermann uses light as the key material for his installations, objects, and multiples. He disengages from the classic scientific engineering system of testing; his works are unconventional experiments. Text in English and German.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Artist Fabian Gatermann uses light as the key material for his installations, objects, and multiples. He disengages from the classic scientific engineering system of testing; his works are unconventional experiments.</b></p><p>If we understand 'transcendence' as a multidimensional experience, can light as a medium grant us access to invisible realms? The artist Fabian Gatermann uses light as the key material for his installations, objects, and multiples in order to investigate new dimensions. Over the course of his work, Gatermann disengages himself from the classic scientific engineering system of testing; instead his works can be seen as open-ended unconventional experiments. During this creative process, light oscillates between amorphous and crystalline states, taking the viewer on a transcendental voyage of discovery. The central reference throughout remains the human being: the works provoke active participation and invite the viewer to become part of a multi-perspective game of light and space. Text in English and German.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>From Louise Bourgeois to Yoko Ono</i></b><b> presents around 85 jewellery works by some 45 internationally renowned female visual artists from the 1920s to the present day.</b></p><p>Their jewellery pieces open up new, often surprising perspectives on their artistic production. Some pieces captivate with minimalist elegance, others with their expressive, sculptural presence or playful humour, with each unique work consolidating an artistic vision into a small personal statement. With its exhibition of the same name, the Museum fr Angewandte Kunst Kln (MAKK; Museum of Applied Arts, Cologne) deliberately focuses on female standpoints, thus breaking with the male-dominated perception of avant-garde art jewellery.</p><p>Artists featured include: Lynda Benglis; Pierrette Bloch; Barbara Bloom; Katinka Bock; Louise Bourgeois; Helen Britton; Barbara Chase-Riboud; Claudia Comte; Sheila Concari; Sonia Delaunay; Nathalia Edenmont; Aube Elleouet; Claire von Falkenstein; Ruth Francken; Marcia Grostein; Jenny Holzer; Rebecca Horn; Annabelle d'Huart; Leiko Ikemura; Jacqueline de Jong; Yayoi Kusama; Alicja Kwade; Claude Lalanne; Liliane Lijn; Rita McBride; Blanca Munos; Brigitte Nahon; Eva Renee Nele [E. R. Nele]; Louise Nevelson; Michele Oka Doner; Yoko Ono; Meret Oppenheim; Francoise Petrovitch; Niki de Saint Phalle; Armelle de Sainte Marie; Elodie Seguin; Mailys Seydoux-Dumas; Kiki Smith; Sophie Taeuber-Arp; Dorothea Tanning; Sissel Tolaas; Rosemarie Trockel; Paloma Varga Weisz; Sophia Vari; Joana Vasconcelos; Zhou Yiyan.</p><p>Text in English and German.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>The Korean War Novel</i></b><b> examines the ways that novels written by Korean and Asian American writers have represented the Korean War. </b>By studying the ideological contours of works by Richard E. Kim, Ahn Junghyo, Susan Choi, Ha Jin, Choi In-hun and Hwang Sok-yong, it documents the range of historical narratives that have alternatively framed the Korean War as an international war, a civil war, a reverse postcolonial war or 'proxy war', a war between the genders, and an attempt to de-escalate the Cold War itself. The dual role of North East Asians as both victims and willing agents of the Cold War comes into focus in revisiting the conflict from the post-Cold War perspective of decolonisation. Suk Koo Rhee writes back against the authoritative version of Cold War historiography to explain the contemporary nature of the unfinished conflict on the Korean peninsula today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Reading Espionage Fiction: Narrative, Conflict and Commitment from World War I to the Contemporary Era</i></b><b> probes the ways in which the struggles and loyalties of political modernity have been portrayed in the espionage story over the course of the twentieth and twenty-first centuries. </b>Reading works by authors such as Somerset Maugham, Helen MacInnes, John le Carre, Sam E. Greenlee and Gerald Seymour as popular literature deserving of sustained attention, this book shows how these narratives have both created a modern genre and, at the same time, sought an escape from its limitations. Martin Griffin takes up the importance of plot and character and argues that, in this branch of fiction, the personal has always and ever been political.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Virginia Woolf and Capitalism</i></b><b> explores Woolf's engagement with and critiques of capitalism throughout her life, arguing for its central importance in our understanding of her as an author, activist and publisher. </b>Galvanised by existing scholarship on the place of economics, class, gender and empire in Woolf's writing, this collection draws attention to her thinking about history, labour and economics and gives space for understandings of Woolf in the context of our own late-capitalist moment. Chapters by leading and emerging scholars range across Woolf's oeuvre in all its generic diversity, from her earliest short fiction and <i>Night and Day</i> to <i>Three Guineas</i> and <i>Between the Acts</i>, showcasing a range of critical approaches from the archival to the creative to the pedagogical. This collection demonstrates how productive and provocative thinking about Woolf's fiction and non-fiction through the lens of capitalism can be for Woolf scholars.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>For all its familiarity as a widely used term, 'Kafkaesque cinema' remains an often-baffling concept that is poorly understood by film scholars.</b> Taking a cue from Jorge Luis Borges' point that Kafka has modified our conception of past and future artists, and Andre Bazin's suggestion that literary concepts and styles can exceed authors and 'novels from which they emanate', this monograph proposes a comprehensive examination of Kafkaesque Cinema in order to understand it as part of a transnational cinematic tradition rooted in Kafka's critique of modernity, which, however, extends beyond the Bohemian author's work and his historical experiences. Drawing on a range of disciplines in the Humanities including film, literary, and theatre studies, critical theory, and history, <i>Kafkaesque Cinema</i> will be the first full-length study of the subject and will be a useful resource for scholars and students interested in film theory, World Cinema, World Literature, and politics and representation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Cinema and Machine Vision</i></b><b> unfolds the aesthetic, epistemic, and ideological dimensions of machine-seeing films and television using computers. </b>With its critical-technical approach, this book presents to the reader key new problems that arise as AI becomes integral to visual culture. It theorises machine vision through a selection of aesthetics, film theory, and applied machine learning research, dispelling widely held assumptions about computer systems designed to watch and make images on our behalf.</p><p>At its heart, <i>Cinema and Machine Vision</i> is an invitation for film and media scholars to critically engage with AI at a technical level, a prompt for scientists and engineers working with images and cultural data to critically reflect on where their assumptions about vision come from, and a joint recognition of the fruitful problems of working together to understand the algorithmic governance of the visual.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In the decades following the USSR's collapse, the US has gone from unrivalled hegemon to a position of relative decline. </b>With America 'triumphant' after 1991, its culture, like its diplomatic, military and economic power, remained unmatched. Such favourable circumstances seemed to undercut the need for cultural diplomacy. Why should the US government sell a product that was already selling so well? After 9/11, however, it was apparent the US image was less popular than previously assumed. To reverse this negative image, cultural diplomacy was revived. Despite being beset by internal and external challenges, US officials supported various cultural initiatives and partnerships to promote the American brand globally. Along the way, cultural diplomacy has made use of new forms of expression to promote American culture and build positive foreign relations. The arrival of the second Trump administration in 2025 has clearly signalled an end to using cultural diplomacy to further causes of empowerment and diversity, making the future uncertain for this field of activity.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jeffrey H. Michaels </b>is the IEN Senior Fellow at the Institut Barcelona d'Estudis Internacionals.</p><p><b>Giles Scott-Smith</b> is Professor of Transnational Relations and New Diplomatic History and Dean of Leiden University College, Leiden University.</p>]]></Text>
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			<SubjectHeadingText>'genius' and 'madness'; Andre Breton; Claude Cahun; Disability Studies; Dora Maar; Frida Kahlo; Leonora Carrington; Mad Studies; Meret Oppenheim; Sonja Sekula; Unica Zrn; female mental illness; fetishization of mental illness; lived experience of mental illness; problematic art histories; psychosis and art; romanticising mental illness; schizophrenia and art; women artists; women surrealists'; ngeles Santos</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Surrealists idealised feminine madness for its purportedly unfettered access to the unconscious. At the same time, an unusually large number of surrealist women artists, including Leonora Carrington and Frida Kahlo, experienced mental illness. Die these women find the dream of feminised, mad genius prohibitive  or productive?]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Female mental illness has been a prominent and complicated theme in surrealist cultural traditions, including the idealisation of women with mental illness in works such as Andre Breton's Nadja (1928).</b> Art historians have examined this tendency before, but to date there has been no comprehensive study of the lived reality of women surrealist artists with mental illness. How did women's experience and their work intersect with this romanticised vision? Was the masculine dream of feminised, 'mad' genius prohibitive or productive for these women artists? After establishing the ideological field within which these women worked, the book turns to case studies of well-known and some lesser-known artists, including ngeles Santos, Leonora Carrington, Dora Maar, Claude Cahun, Frida Kahlo, Meret Oppenheim, Sonja Sekula, and Unica Zrn. This collection of essays contains a wide range of responses, revealing surrealism's generative as well as restrictive force.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jenny Anger </b>is Professor of Art History at Grinnell College, Iowa.</p>]]></Text>
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			<SubjectHeadingText>Food; South Africa; South African food cultures; capital; class; consumerism; critical food studies; culinary taste; cultural capital; cultural politics; culture; decolonised food systems; environment; food inequality; food waste; gender; global south; health; heritage; identity; indigenous; indigenous food; inequality; mediated food cultures; social media; social practices of food and eating; waste</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This book explores the cultural politics of food in the South African context, bringing together a range of disciplinary perspectives on the links between media, nourishment, and inequality. It critically explores the many ways in which food is never just food but always linked to complex and shifting modalities of meaning and knowledge.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Food is both a material system of nourishment, necessary for human survival, and a communicative system that signifies multiple meanings across human cultures. </b>This book explores the cultural politics of food in the South African context, bringing together a range of disciplinary perspectives on the links between media, nourishment, and inequality. The chapters all highlight the multiplicity of meanings that food has in South African society. These include historical perspectives on the impact of colonialism, migration and apartheid had on food and foodways in South Africa; sociological interventions on food and society; aesthetic practices in relation to food; and mediated food cultures in South Africa. Taken together, the book critically explores the multiple ways in which food is never just food, and always linked to complex and shifting modalities of meaning and knowledge in the South African context.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mehita Iqani </b>isProfessor of Communications in the Journalism Department and SARCHi Chairholder at Stellenbosch University.</p><p><b>Sarah Gibson</b> is Associate Professor in the Centre for Communication and Media in Society at the University of KwaZulu-Natal.</p>]]></Text>
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			<SubjectHeadingText>Bibliography; Biography; Book history; Book trade; Early modern; Henry Hills; Life Writing; Material Text; Printers; Printing</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This compelling book offers a fresh and insightful contribution to the interrelated fields of book history and literary studies, showing us new ways to read and write early modern lives in print.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>The dreadful name of Henry Hills</i></b><b> re-examines the life of one of the most provocative printers operating in seventeenth-century England.</b> Rather than offering a more conventional cradle-to-grave biographical narrative, however, this compelling book explores how Henry Hills's reputation, his notoriety, and his legacy has evolved over time. Richly illustrated and thoroughly researched, <i>The dreadful name</i> contributes fresh insights into Hills's life and afterlife, and it offers new perspectives on how early modern book-trade agents, and printers in particular, might be remembered and reinterpreted in contemporary book historical scholarship.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michael Durrant</b> is a Lecturer in Book History at the Institute of English Studies, School of Advanced Study, University of London</p>]]></Text>
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			<Text textformat="02"><![CDATA[The love of books explores the bond between people and books in the UK. Using interviews and archive material it investigates the attachment to the practice of reading for pleasure and to books as objects. It focuses on the aesthetic, ethical, and existential impacts of the encounter with books.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Love of Books</i> examines the affective bond between people and books in the UK. In the context of the unprecedented abundance of media offering information, storytelling and entertainment, it investigates the attachment to print and digital books amongst readers from a range of backgrounds who read for pleasure, wish to be surrounded by print copies of books, and have trouble discarding books. Unlike existing research, which focuses on prestige, social status, and cultural capital, this study centres on meaning, materiality and emotion. Drawing on interviews and archive material, it shows how attachment emerges from the practical fusion of three elements that have so far been examined separately: the material, surface properties of books, the act of reading, and books' symbolic power.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A bold analysis that exposes the racist policing of Black music.</b></p><p>The emergence of UK drill music made headline news, portraying it as a criminal enterprise instead of recognising it as an art form. This new rap subgenre, however, is neither the first nor the only Black music to be targeted this way.</p><p><i>Policing the beats </i>rewinds the tape to demonstrate how music has been used as an instrument for policing Black people, from the era of colonial slavery to the present day, revealing the racist legal processes that make crimes out of rhymes. </p><p>This original and readable book offers the first in-depth account of the policing of Black music in Britain, highlighting the relationship between politics, culture and criminal (in)justice and inviting music lovers, scholars and activists to tune in.</p>]]></Text>
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			<SubjectHeadingText>BRI; Chinese Eastern railway; Chinese nationalism; European imperialism; Haiphong Yunnan railway; Li Hongzhang; Manchuria; Railway Rights Recovery Movement; Railway imperialism; Railway nationalism; Scramble for China; South Manchurian railway; Sun Zhongshan; late Qing dynasty; railway technology</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b><i>Railway imperialism in China: A political biography </i></b><b>is the first and most comprehensive book on history and politics of all major railways in China from the late Qing to the post-Mao era.</b> It investigates the transformation of railways from a bete noire within discussions about reform to the emblematic 'engines for empire' as foreign powers used it to carve out spheres of control, and as an instrument of nation making for Chinese regimes. The book introduces new archival sources and a wide range of secondary materials. Boldly conceived, it situates the making of modern China in the context of British, Russian, German, Japanese, French, Belgium and American expansion. It traces China's metamorphosis from a victim of railway imperialism in the Age of Empire to a railway expansionist in the twenty-first century.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Racism and the cultural politics of punishment onalyses the 2011 English 'riots' and the state's startlingly punitive response. Drawing on original research inside the criminal justice system, it exposes the denial and ignorance underpinning contemporary politics of law and order and offers insight into today's crisis.]]></Text>
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			<SubjectHeadingText>,; ,Class; Brexit; British Politics; Democracy: Ed Miliband; Ed Miliband; Electoral strategy; Electoral system; General Election; Government; Jeremy Corbyn; Keir Starmer; Labour; Leadership; New Labour; Organisational; Party management; Party system; Political economy; Social democracy,; change; cohesion; conflict; control; managerial control; managerial pluralism; party leadership; structure</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This book, written by two authors with longstanding familiarity with the party, provides an in-depth and nuanced analysis of the different managerial strategies pursued by three Labour leaders, Ed Miliband, Jeremy Corbyn and Keir Starmer, in the tumultuous years of opposition from 2010 to 2024.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book provides the first nuanced and systematic study of Labour's internal politics in the years in opposition, between 2010 and 2024, under the leaderships of Ed Miliband, Jeremy Corbyn and Keir Starmer.</b> Written by two authors equipped with an intimate knowledge of the party, it offers an authoritative exploration of the politics of party management in one of the most strife-ridden and turbulent periods of the party's history, the Corbyn leadership, and furnishes a timely analysis of the character, purposes and underpinnings of the Starmer managerial regime. In so doing, it shines new light on often ill-understood controversies over antisemitism, the Israel/Palestine issue, and Brexit while reflecting on the tension between centralisation and pluralism is a party which continues to define itself as a democratic, membership organisation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Emmanuelle Avril</b> is Professor of British Politics and Society at the Sorbonne Nouvelle.</p><p><b>Eric Shaw</b> is Hon. Research Fellow at the University of Stirling.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Identity conflicts between and within nation states assume many forms in a fast-changing world. If the resulting fragmentation is not to be resolved through violence then social actors must relearn how to manage their differences through negotiation. Contributors to this book offer insights into the practical elements of such negotiations.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rapid systemic change within and across nations disrupts traditional identity formation processes, and how identity groups manage their differences.</b> Fragmentation  a breakdown at many levels along many divides  is the consequence of a world now of multiple identity groups making maximalist claims on their governments and each other. At an international level a new tripolar imperialism is in evidence, globalisation is fading in the face of US tariffs and the capacity of the United Nations to deliver to its mission has been fundamentally eroded. At the level of individual states after a brief surge, democracy has been in retreat for two decades. Some states are building physical and cyber walls to keep 'others' out; some are actively pushing vulnerable groups out; some are refusing minorities autonomy; some minorities resist majority governance. Many governments struggle to achieve policy coherence as a divided citizenry competes for sectional recognition. Traditional religions are torn by questions of sexual orientation, the role of women in churches and over human rights. Both traditionally dominant groups and minorities claim discrimination and feel under threat. Intolerance reduces interest in mutual accommodation...and negotiation. Some relearning, and rethinking is needed about diplomacy, the design of political systems and identity accommodation in a world being reshaped by cyber communications and AI.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mark Anstey</b> is a professor emeritus of Nelson Mandela University in South Africa.</p><p><b>Paul Meerts</b> is deputy general-director emeritus of Clingendael Institute in The Hague.</p><p>The editors are members of the Processes of International Negotiations (PIN) Steering Committee at the Geneva Centre for Security Policy (GCSP: www.pin-negotiation.org).</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book presents six medieval biographies of bishops from the German Empire, translated into English for the first time. The texts span the tenth to thirteenth centuries, and offer fascinating windows onto politics and society in the central Middle Ages.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book presents biographies of six bishops from the medieval German empire, translated into English for the first time.</b> The bishop was a ubiquitous figure across medieval Europe, providing leadership to the community of Christians within dioceses and linking day-to-day life to centres of political power and ecclesiastical authority. They were particularly prominent in the kingdom of Germany, where the most powerful churchmen led armies and advised kings. The texts collected here, originating in the tenth to thirteenth centuries, offer readers a lively entree to medieval social, religious and political conditions, as well as fascinating biographical details and information about law, architecture, warfare and government. They have been chosen to illustrate changes in the role of bishop over time; and the individuality, in character and activity, of each figure.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Soviet materialities rethinks Soviet history and culture through the lens of materiality, exploring how humans and objects co-shaped identity, ideology, and social life. This interdisciplinary volume bridges Soviet-era thought with theoretical insights from New Materialism, offering a groundbreaking approach to the study of the Soviet past.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Soviet materialities </i></b><b>explores how material transforms our understanding of Soviet culture, from the textures of domestic space in 1960s apartment blocks to Gulag labour on the Moscow canal, and from avant-garde literary theory in the 1920s to conceptual art under perestroika.</b> It starts from the ethos that the material world shapes people and society. Taking a material approach  or a range of material approaches  can therefore illuminate aspects of the cultural production and lived experiences of Soviet socialism that are not reflected in other kinds of historical records. This edited volume brings cutting-edge research by emerging scholars together with the established voices who have broken the ground in this sub-field over the last twenty years and promises to make a major intervention in the study of Soviet history and culture.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mollie Arbuthnot</b> is Assistant Professor of History at Nazarbayev University.</p><p><b>Christianna Bonin</b> is Assistant Professor of Art History and Theory at American University of Sharjah.</p><p><b>Gabriella A. Ferrari</b> is an independent scholar of Russian and Soviet visual culture.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book explores the remarkable life of Begum Samru (c. 17501836), a North Indian ruler who rose from courtesan to sovereign, using art and architecture to navigate power in early modern India. Through her story, the book reveals how women defied gender norms to shape public and political spheres in innovative ways.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Begum Samru (b. circa 1750-d. 1836) was a north Indian woman ruler who used art and architecture to facilitate her social, political, and financial station in early modern India.</b> Rising from the ranks of courtesans in Mughal Delhi to become the commander of her own mercenary army, she later became the ruler of an independent territory of Sardhana (60 km northwest of Delhi). The begum (Urdu/ Hindustani title for noblewoman) was a trusted ally to the Mughal emperor and the English East India Company, two of the dominant political powers in north India at the time. As a sovereign ruler, she corresponded with two popes and King Louis Philippe of France, exchanging portraits, architectural drawings, and letters with these powerful men in addition to her Mughal counterparts in India. Art and architecture played a key role in establishing Begum Samru as a powerful but non-threatening ruler; as an upholder and patron of the Catholic faith in India; as a political ally to several European and Indian factions that were vying for power; and as ruling matriarch of a cosmopolitan household, court, and army. In narrating the story of a single woman in nineteenth-century India, this book offers a path to think of the creative ways in which women participated in public and political spheres. It also illustrates how women without pedigree, women who did not bear biological children or produce male heirs, and women who lived in contravention of gendered norms found alternative methods of recognition, dignity, power, and sometimes, as in the case of Begum Samru, global visibility.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mrinalini Rajagopalan</b> is Chair and Associate Professor in the Department of History of Art and Architecture at the University of Pittsburgh.</p>]]></Text>
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			<SubjectHeadingText>19th century legal history; 20th-century legal history; American poetry; BIEM,GEMA,; CISAC; Collecting societies; Collective management organizations (CMOs); Copyright history; Copyright law; Creative IPR; Cultural history; David Lehman; John Ashbery; Music industry; Music rights; Organizational forms; Pasternak; Rights management; Technological change; apothegm; artists' rights; collective management organisation; collective rights management; history of copyright; intellectual property; sexuality</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Veronique Pouillard </b>is Professor of Modern International History at the Department of Archaeology, Conservation and History, University of Oslo.</p><p><b>Marius Buning</b> is Professor of European History at the University of Oslo.</p><p><b>Mala Loth </b>is a postdoctoral fellow at ARENA Centre for European Studies at the University of Oslo.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book focuses on the policies, politics and management of health care in Northern Ireland from 1921 to 1973.</b> It explores the development of Northern Irish health care from its highly localist and fragmented origins to the most centrally managed system within the National Health Service. At the core of this analysis is an exploration of the interest groups that were progenitors of change or, conversely, strongly resisted reform. The work looks at poor law, municipal and voluntary provision in the interwar years. The 1940s is focused on, including the experience of war and Northern Ireland's involuntary adoption of the welfare state. The discussion on the post-war decades assesses the relationship between health and politics. It also identifies how modernising technocratic and managerialist policies of the Terence O'Neill administration fragmented unionist health policy in the lead-up to the Troubles. Overall, this book offers original insights into Northern Irish health care, politics and history.</p>]]></Text>
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			<SubjectHeadingText>Aid; Denmark; Development; Economy; Entanglements; Finland; Gender equality; Global South; Globalisation; Iceland; Nordic Model; Nordic region; Norway; Social democracy; Sweden; Transnational history; contemporary global history</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[A critical examination of the Nordic model and its claims to exceptionalism, exploring how Nordic welfare states have both shaped and been shaped by global events since 1970-from Cold War tensions and globalization to the COVID-19 pandemic-through diverse case studies and perspectives.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The five Nordic countries (Denmark, Finland, Iceland, Norway and Sweden) frequently attract attention as examples of a 'Nordic model'.</b> The meanings of the term vary, but especially since the global financial crisis of 2008-2009 the Nordic countries have often been portrayed positively, as examples of economic dynamism, innovation and social equality. Studies of these images of the Nordic countries and their international circulations have opened new horizons for understanding the global influences upon the Nordic model. This volume explores how the Nordic model has been shaped by global entanglements, in exchange not only with Western Europe and North America, but also with the Global South. Drawing on selected case studies, the volume offers new perspectives on the meanings of the Nordic model and Nordic exceptionalism in a global context during the half century since c. 1970.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mary Hilson</b> is professor at the Department of History and Classical Studies, Aarhus University.</p><p><b>Carl Marklund</b> is affiliated scholar at Institute of Contemporary History, Sdertrn University, and senior researcher at Faculty of Humanities and Social Sciences, University of Jyvskyl.</p><p><b>Andreas Mrkved Hellenes</b> is a post-doctoral researcher at the Department of Technology Management and Economics at Chalmers University of Technology in Gothenburg, and research fellow at Clare Hall, University of Cambridge.</p><p><b>Byron Zachary Rom-Jensen</b> is post-doctoral researcher at the Department of Archaeology, Conservation and History, University of Oslo.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Aimed at researchers interested in engaging the public with their research and postgraduate students exploring the practical aspects of research communication, this book provides a theoretically grounded introduction to a wide range of approaches to public engagement and research communication. </b>Split into three sections, the reader first explores the historical approaches and current drivers for public engagement with research, including inclusivity. Part II explores practical approaches to research engagement, from face-to-face communication in novel settings, such as festivals, through to artistic approaches and digital tools, as well as citizen science approaches and methods for co-creation. Each practical chapter is theoretically grounded, exploring issues such as audience, interactivity, and impact. The final section explores the developing professionalism within the field, including ethical considerations and the role of communication in creating research impact. Finally, we argue for the need to disseminate the success (or otherwise) of novel approaches to public engagement to wider groups, including public engagement practitioners.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Clare Wilkinson</b> is Professor and Director of the Science Communication Unit, UWE Bristol. Working in science communication for over 20 years, she has conducted research on a wide range of topics associated to science communication, public engagement and inclusivity and in 2020 became a series editor for the Bristol University Press book series, <i>Contemporary Issues in Science Communication</i>. Clare's work has been included in numerous edited books and in over 30 peer reviewed articles in journals.</p><p><b>Emma Weitkamp</b> is Professor of Science Communication and Deputy Director of the Science Communication Unit, UWE Bristol. With a background in both practical science communication and science communication research, she has published widely for both academic and practitioner audiences. Emma coauthored or edited three books, her work has been included in 11 book chapters and she has published around 40 peer reviewed journal articles. She was editor of the peer reviewed journal, <i>Journal of Science Communication</i> from 2014 - 2022.</p>]]></Text>
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			<SubjectHeadingText>China; East Asia; Eurocentrism; Japan; Korea; Malaysia; Marxism; Southeast Asia; Vietnam; anthropocentrism; artistic remediation; artivism; biodiversity advocacy; colonialism; community activism; community engagement; contemporary art; decolonialisation; disrupted ecosystems; eco-education; ecoaesthetics; ecofeminism; ecological concerns; ecological illiteracy; ecological imperialism; environmental activism; environmental justice; fragile ecosystems; infra-aesthetics; material reclamation; non-human perspective; place construction; planet Earth; policy influence; social justice integration; sustainability; sustainable practices; toxic sublime; unprecedented ecological crises</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This volume explores how contemporary art in East and Southeast Asia addresses ecological crises, through artistic interventions that inspire environmental consciousness, social justice, and sustainable futures.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This anthology, presenting new research from fourteen scholars, delves into the interplay between contemporary art and ecological concerns in East and Southeast Asia.</b></p><p>Focused on the concept of artistic remediation, the book unravels the diverse capacities of art to combat systemic anthropogenic destruction to the environment and ecology. At its core, the book articulates the ongoing ecological transformation in art and art history that embraces a paradigm shift in human-nature relationships, emphasising interconnectedness of all life forms of the Earth. Bridging art studies, activism, and environmental studies, the book examines how artistic practices in the region have engaged with ecocritical reflection, biodiversity advocacy, sustainable practices, and environmental justice, among others. Providing a platform for critical and timely analysis of artistic interventions in the face of existential crises, the book acknowledges diverse voices of scholars who have situated their scholarship in the cultural and artistic specificities of various societies, locales, and communities in the region.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Meiqin Wang</b> specialises in modern and contemporary Chinese art and teaches Asian art history courses in the Art Department at California State University, Northridge</p>]]></Text>
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			<SubjectHeadingText>Aktual; Alex Mlynrcik; Central Europe; Jan Mlcoch; Karel Miller; Local contexts; Luba Lauffov; Petr tembera; Prague troika; Prask trojka; aesthetics and politics of performance art; artistic strategies of resistance; centre and periphery; control and policing of art; decolonial art history; implicit censorship of the art market; performing populism; pluralising history of art; revisionist geography; rural context</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Abnormal peripheries traces an early history of performance art from the former Czechoslovakia, telling a unique story of localised resistance to a monolithic public sphere through artistic intervention, a closely knit community, artistic exchange, and agonistic reframing of socialism as a philosophy rather than state ideology]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book traces an early history of performance art from the former Czechoslovakia, which emerged in the 1960s and 1970s in the context of the Prague Spring and the subsequent policy of Normalization that brought on cultural censorship, prosecution, and state violence against artists.</b></p><p>The book draws on Czech and Slovak scholarship as well as primary research in archives, interviews, and fieldwork to dispel misreadings of visual and cultural idioms in pre-existing Anglophone scholarship about the region. Although the former Soviet Bloc is often equated with repression and lack of experimental art in public spaces, performance artists within the former Socialist Czechoslovakia often used public, semi-public and clandestine spheres to create their performances. By analysing both works of established artists such as Aktual, Alex Mlynrcik, Petr tembera, Jan Mlcoch, as well as under-theorised practitioners including Luba Lauffov, Karel Miler, Temporary Society of Intense Living, and Crusaders School of Pure Humour with no Joke, this book analyses how performance can survive and sometimes even thrive on the background of a politically oppressive regime. Cermak tells a unique story of localised resistance to a monolithic public sphere through artistic intervention, a closely knit community, artistic exchange, and agonistic reframing of socialism as a philosophy rather than state ideology.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This anniversary reissue of the acclaimed biography tells the remarkable life story of Eva Gore-Booth, an author and activist who rejected her aristocratic heritage and became a champion of Irish independence and women's suffrage.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An acclaimed biography of poet, pacifist and political firebrand Eva Gore-Booth.</b></p><p>The Irish poet and activist Eva Gore-Booth (1870-1926) led a life defiantly at odds with her aristocratic origins. Choosing to live and work among the poor of Manchester, she campaigned on behalf of barmaids, circus performers, flower sellers and pit-brow lasses, her partner, Esther Roper, at her side.</p><p>Gore-Booth was tireless in her pursuit of justice. She was a militant pacifist during the First World War, a champion of Irish independence and a pioneering thinker on gender and sexuality. She was also a prolific author, publishing nineteen volumes of poetry and prose that reflect the full force of her radical convictions.</p><p>Featuring a new preface that situates Gore-Booth's life and work in the context of our current political climate, this biography reclaims her place as a significant figure of Anglo-Irish letters and an unsung hero of LGBT+ history.</p><p><b>'We are all so indebted to Sonja Tiernan...Eva Gore-Booth's extraordinary path of engagement is one that remains deeply inspiring to us today.'  Michael D. Higgins, President of Ireland</b></p><p><b>'A well-researched and illuminating first full biography.'  Caitriona Crowe, </b><b><i>Irish Times</i></b></p><p><b>'Sensational anecdotes and quirky details abound... [a] magisterial and definitive study.'  Maureen O'Connor, </b><b><i>New Hibernia Review</i></b></p><p><b>'A deeply researched, important and readable account of Gore-Booth's life which links many of the issues of her day.'  Carla King, </b><b><i>Irish Literary Supplement</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sonja Tiernan</b> is the All island co-ordinator for the Irish Humanities Alliance at the Royal Irish Academy, and the author of a number of books on <i>Eva Gore-Booth.</i></p>]]></Text>
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			<SubjectHeadingText>A Woman's Place; ACT UP; AIDS crisis; BDSM; Black Perverts Network; Brianna Ghey; Bronski Beat; CYLCH; Campaign for Homosexual Equality; Canal Street; Chain Reaction club; David Cabreza; Gay Liberation Front; HIV; Huddersfield Pride; IVF; Jimmy Somerville; Julie Bindel; LGBTQ+ activism; LGBTQ+ arts; LGBTQ+ bars and clubs; LGBTQ+ culture; LGBTQ+ parenting; Out On An Island; OutRage!; Peter McGraith; Peter Tatchell; PinkNews; Pride Festival; Queer Beyond London; Same Sex Couples Bill; Sarah Jane Baker; Section 28; Spare Rib; Stonewall; West Yorkshire Queer Stories; York Lesbian and Gay Solidarity; bi history; coming out; drag; fertility treatment; gay bars; gay clubs; gay history; gay marriage; gay parents; gay pride; lesbian history; lesbian mothers; queer history; queer pandemic; queer parents; trans history; transvestism</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[A queer scrapbook assembles sources that highlight LGBTIQ+ histories from across the UK and Ireland since 1945, accompanied by commentaries and short essays.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A beautifully illustrated compendium of LGBTIQ+ life.</b></p><p><i>A queer scrapbook</i> offers a treasure trove of LGBTIQ+ histories from across Britain and Ireland. Packed with materials, from interviews and newspaper articles to photographs and flyers, the book explores urban, rural and regional queer life since 1945.</p><p>Commentaries and short essays introduce a changing queer landscape, spotlighting four broad themes: home and family, sex and socialising, arts and culture and politics and activism. The book delves into the meaning and experiences of domesticity and parenting and explores the sometimes unexpected places LGBTIQ+ people met to have fun. It examines the importance of creative work in forming community and identity and shows how people fought injustice and advocated for equal rights.</p><p>Collecting has been a way for the marginalised to explore and assert identity and community<i>. A queer scrapbook</i> vividly illustrates the diversity of queer and trans lives across the British and Irish isles since the Second World War.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Justin Bengry</b> is an independent historian.</p><p><b>Matt Cook</b> is Jonathan Cooper Professor of the History of Sexuality at the University of Oxford<br/>Rebecca Jennings is Associate Professor of Modern Gender History at University College London.</p><p><b>E. J. Scott</b> is Senior Lecturer in Culture, Criticism and Curation, Central Saint Martins, University of the Arts London.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Artificially Intelligent places humans at the centre of AI's story, making a compelling case for the role we have yet to play in technology's transformation of our world.]]></Text>
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			<Text textformat="02"><![CDATA[<p>The story of AI isn't finished yet. The question is: how will you be part of it?</p><p>With the unprecedented adoption of artificial intelligence and its far-reaching implications, people everywhere are witnessing the world change around them. <i>Artificially Intelligent </i>answers today's most pressing questions about AI  from the fundamental to the futuristic  offering readers a new, informed worldview.</p><p>In an age of unparalleled innovation and change, artificial intelligence has become the heart of our fears, discussions, and debates. Thus, AI researcher and award-winner David Eliot takes readers on a journey through the key moments and decisions that have shaped its creation and our world. A socially driven history, the book explores its technical breakthroughs and the social forces that made them possible.</p><p>But this book isn't just about the past  it's about you. <i>Artificially Intelligent</i> invites readers to find their place in the story of AI, to understand its impact on their lives, and to decide what kind of future they want to help create.</p><p><i>Artificially Intelligent </i>tells the story of the technology the way it was meant to be told: not as an exhaustive retelling of history, nor as a prophecy of doom and gloom, but as a human story that is not yet complete.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>David Eliot </b>is a PhD candidate at the University of Ottawa, where he researches the social and political effects of artificial intelligence. He is a member of the Critical Surveillance Studies Lab, and his work on AI has been recognized with numerous awards, including the 2022 Pierre Elliott Trudeau Foundation PhD Scholarship.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Written in Blood, by physician and author Brodie Ramin, draws on lessons from past disasters to argue that proactive, preventative strategies can reduce risks and help avert crises  in our personal lives, our organizations, and society at large.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Written in Blood </i></b><b>is an urgent exploration of how disasters happen  and how they can be prevented.</b></p><p>Award-winning author and physician Brodie Ramin, trained in prevention through his work in primary care and addiction, explores how we can scale up preventative strategies and apply them at a societal level: from the wreckage of plane crashes and pandemics to nuclear catastrophes, industrial accidents, and natural disasters.</p><p>Through gripping case studies  from the Notre Dame fire to Fukushima  Ramin dissects the human errors, systemic failures, and overlooked warning signs that lead to catastrophe. At its core, the book argues that prevention is not only possible but essential  we must act before disaster strikes, rather than learning only in its aftermath. Drawing on frameworks like James Reason's Swiss cheese model of error and insights from high-reliability organisations, Ramin shows how risk compounds when safeguards fail  and how layered defenses can save lives. He offers a critical intervention: by adopting a prevention mindset and overcoming our cognitive biases, we can proactively solve problems in our personal lives, our organisations, and our society, before the next crisis unfolds.</p><p>Blending history, psychology, and public policy, <i>Written in Blood </i>is a compelling call to rethink how we manage risk, before it's too late.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr. Brodie Ramin</b> practices family medicine, HIV primary care, and addiction medicine, and is an assistant professor at the University of Ottawa. He speaks and teaches on addiction medicine, exercise and health, and prevention science. His book <i>The Age of Fentanyl</i> was shortlisted for the Donner Prize. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Wigmore on Carbon Monoxide</i></b><b> offers a compelling exploration of the history and medicolegal aspects of carbon monoxide, humanity's ancient and silent killer. </b>Odourless, non-irritating, and invisible, carbon monoxide (CO) has haunted human civilisation since the discovery of fire. For centuries, unexplained nighttime deaths were attributed to witchcraft or demons, rather than the insidious effects of poor ventilation and combustion.</p><p>Despite advances in technology, CO poisoning remains a persistent threat today, arising from water heaters, gas stoves, charcoal barbecues, Zambonis, camp stoves, tent heaters, diesel generators, and power washers. <i>Wigmore on Carbon Monoxide</i> provides a comprehensive, well-organised, and thought-provoking examination of this deadly gas, tracing its impact on humans from antiquity to the present. Backed by over 600 studies, long-time forensic toxicologist James G. Wigmore presents complex information in an easily understandable manner for professionals such as lawyers, judges, scientists, coroners, unexplained death investigators, police officers, and students.</p><p>Through historical accounts, scientific discoveries, and medicolegal cases, this book illuminates the enduring dangers of carbon monoxide and underscores the importance of awareness and prevention in our modern world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The business of medicine increasingly prioritizes profits over people, leading to widespread patient harm and clinician burnout. This collection explores the global consequences of this phenomenon, revealing its threats to the humanity in healthcare  and demonstrates a vision for a more sustainable path forward.]]></Text>
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			<Text textformat="02"><![CDATA[<p>In <i>Zaidy's Band</i>, Aron Heller chronicles his extensive journey with his grandfather Mickey Heller  his Zaidy  to uncover Mickey's mysterious wartime past and the untold stories of his Jewish Canadian band of brothers.</p><p>Through many trips, calls, and emails to his Zaidy, Heller uncovers dozens of previously unknown stories of lost friendships, personal tragedies, acts of heroism, and emotional reunions. These men played key roles in the defining events of their time  fighting against Nazism and contributing to the establishment of Israel. Their voices, however, are not mere relics of the past. The dilemmas they faced  faith, belonging, courage, and sacrifice  continue to resonate today.</p><p>Part memoir, part historical biography, and part mystery, <i>Zaidy's Band </i>reveals how even the humblest acts of World War II service shaped a generation of men and left a lasting impact on their families for years to come.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Affect as Cultural Critique</i></b><b> assembles leading anthropologists, affect theorists, and artist-activist scholars to ask, what if the most constructive response to moments of ethnographic puzzlement was not the formulation of an answer but the cultivation of a feeling? </b>What if understanding the powerful effects of discourses requires somatic rather than semiotic exercises? And where habits of academic professionalism prohibit experiencing possible worlds  what if anthropology as a discipline could leverage affect to differently connect and cultivate collaboration with others?</p><p>In line with growing movements to decolonize the academy, the essays in Affect as Cultural Critique feature ethnographic accounts of people actively describing, experimenting with, and otherwise exercising affect in ways that challenge the academy's inherited models for analyzing emotional life. Through an experimental collection of traditional ethnographic essays and artist-activist-generated critiques, this volume explores how everyday modes of feeling function as methods of knowing. By centering non-academic and non-Western affective practices as answers to traditional theoretical problems generated primarily by Western theorists, <i>Affect as Cultural Critique </i>seeks new trajectories for the discipline through a reciprocal practice of uncovering itself as a guiding professional aim, as methodological inspiration, and as a source of reflexive critique of the discipline's philosophical and theory-heavy analytics.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Encompassing prehistory to the twenty-first century, this two-volume collection features a wide array of sources from religious, legal, and medical texts to poetry, novels, sex manuals, plays, art, and photographs, drawn from every continent, to explore human sexuality across time.</b></p><p>In Volume One, historian Mathew Kuefler delves into the eras from prehistory to the sixteenth century, touching upon themes including patriarchy, gender diversity, sexual norms in religious and medical traditions, and perceptions of sexual 'others'. Volume Two focuses on the modern period, addressing topics such as sexual thought among puritans and libertines, scientific influences, censorship, and sexuality as self-expression and liberation. Each volume is structured around thematic chapters, with twenty sources per chapter and five chapters per volume, allowing for use in both chronological and thematic teaching. This collection is ideal for courses in the history of sexuality or world history, gender and women's studies, sociology, or cultural studies.</p><p><i>The Global History of Sexuality Sourceboo</i>k emphasises both the universal aspects of human sexuality and the particularities of individual and cultural experience, challenging students and readers to think critically about how sexual norms, identities, and practices have been shaped across time and place.</p>]]></Text>
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			<SubjectHeadingText>civic engagement; public deliberation; democracy; history education; citizenship; K-12; humanities; education policy; empathy; civic reason; civic competencies; curriculum; democratic society; critical thinking; Canada</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Rescuing Reason argues that reimagining history education in Canada's schools is essential for fostering civic reasoning, empathy, and engagement, offering a practical roadmap to strengthen democracy through citizens who are better equipped to engage with pressing contemporary issues.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Rescuing Reason</i></b><b> tackles the pressing crisis of civic engagement and public deliberation, drawing on Canadian and international examples, with a particular emphasis on Canada's democratic landscape. </b>The book argues that K-12 public education has become too narrowly focused on utilitarian aims  such as financial literacy and job preparation  at the expense of the humanities, especially history. Educators Alan Sears and Carla L. Peck contend that this shift has undermined the cultivation of well-rounded citizens equipped for meaningful participation in civic life.</p><p>This book proposes that a renewed emphasis on history education, taught with depth and rigour, can foster civic reason, empathy, and a shared sense of civic truth. Through detailed frameworks and practical approaches, the book outlines how history can be taught to develop students' abilities in civic reasoning and engagement, ultimately strengthening democracy.</p><p><i>Rescuing Reason</i> makes a compelling case for the vital role of history education in nurturing civic competencies. The book offers a clear, actionable plan for educators, policymakers, and the public to reorient education towards preparing students not just for the workforce, but for active, thoughtful citizenship in a complex democratic society.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alan Sears</b> is a professor emeritus in the Faculty of Education at the University of New Brunswick. </p><p><b>Carla L. Peck</b> is a professor in the Faculty of Education and an adjunct professor in the Department of History, Classics, and Religion at the University of Alberta. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In the decades following the dissolution of Austria-Hungary, the former province of Galicia inspired the literary imagination of two German-language natives of this region, Joseph Roth and Soma Morgenstern. Galicia as a Literary Idea explores what their engagement with Galicia means for modern Jewish culture, history, and memory.</b></p><p>For Roth and Morgenstern, Galicia encapsulates the rich interplay between contemporary developments  including urbanisation, secularisation, embourgeoisement, political self-determination, and new technologies  and traditional Jewish life in Eastern European villages and shtetls, characterised by tight-knit families and communities, religious observance and ritual, Yiddish language and culture, and Hasidic belief systems. Despite the tensions between these elements, this book presents them as a complex network rather than a battle between old and new, east and west, or tradition and modernity. German and Jewish studies scholar, Kata Gellen, also traces the shifting attachments of Galician Jews to German, a language that symbolised emancipation, culture, empire, and, ultimately, disillusionment and persecution.</p><p>Through original readings of well-known and neglected works by Roth and Morgenstern, Gellen shows how the literary idea of Galicia is shaped by continuous struggle and emergent hope, whether as earthly possibility or redemptive promise. This book thereby uncovers the complex relationship between center and periphery in Jewish modernity and reanimates a dimension of modern Jewish literary history that has been obscured by the dark shadow of the Holocaust.</p>]]></Text>
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			<Text textformat="02"><![CDATA[KGB Literati offers a first-ever glimpse into the mysterious and long-ignored world and work of Soviet spies  and counterspies-turned-writers.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Once out of active service, many former spies have turned to writing spy fiction. They drop the dagger and pick up the pen. Some are very successful, like James Bond's creator Ian Fleming or the novelists John Le Carre and Graham Greene. Their Soviet counterparts have rarely been afforded the same attention or examination.</b></p><p>Drawing on materials from KGB archives and Soviet publications long out of print, <i>KGB Literati</i> offers the first-ever account of spy fiction written, frequently with institutional support, by Soviet intelligence and counterintelligence officers. Spy fiction can give insights into the operational workings of clandestine agencies and the personal dimensions of secret service work. By analysing the literary output of KGB spies and counterspies, the book shows that for the KGB, this type of intervention into Soviet popular culture was a crucial component of their overall counterintelligence strategy. These texts played an instrumental role in the Soviet state's efforts to neutralise and counter Western cultural influences on the Soviet population.</p><p>Filip Kovacevic's research is of great relevance today, given that a large segment of the Russian ruling elite is still composed of former KGB officers, including Russian president Vladimir Putin. <i>KGB Literati</i> illuminates the deep-seated KGB myths, values, aspirations, and fears that continue to have a profound impact on the foreign and domestic policies of the Russian Federation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Montenegrin-born intelligence historian <b>Filip Kovacevic</b> is an adjunct professor at the University of San Francisco and a leading scholar of KGB institutional history, operations, and personnel. </p>]]></Text>
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			<Text textformat="02"><![CDATA[Democracy's Second Act explores why frustration and polarisation are on the rise  and how reclaiming the power of the public can lead to a more hopeful political future.]]></Text>
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			<Text textformat="02"><![CDATA[<p> Democracy isn't broken  it's stuck. Around the world, people are growing angry and polarised  not because they've stopped caring, but because democracy has stopped evolving. The result isn't apathy  it is a rising sense of political futility.</p><p>In <i>Democracy's Second Act</i>, Peter MacLeod and Richard Johnson argue that the First Act of democracy  anchored in voting rights and representative government  achieved extraordinary gains. Free elections, near-universal suffrage, and the peaceful transfer of power reshaped societies and expanded human freedom. But these achievements represent the promise of democracy, not its completion.</p><p>Their book offers a hopeful, clear-eyed vision for what comes next. Drawing on ground-breaking citizens' assemblies in Ireland, Canada and France  as well as democratic innovations from more than a dozen countries  MacLeod and Johnson show how we can build on the legacy of the First Act by creating new institutions that tap into the talents, judgement, and capabilities of ordinary people. They make the case that the public isn't a risk to be managed, but a powerful resource ready to be harnessed and that the future depends on giving citizens real responsibility, not just a periodic vote.</p><p>Smart, story-driven, and deeply grounded in political theory and practice, <i>Democracy's Second Act</i> is for change-makers ready to move beyond cynicism and rebuild democracy for a new era. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>David Busch's Nikon Z5 II Guide to Digital Photography</i></b><b> is your all-in-one comprehensive resource and reference for the Nikon Z5 II, the company's most affordable full-frame enthusiast mirrorless camera. </b></p><p>With enhanced autofocus subject-detection features, this 24MP camera shares many of the advanced photography capabilities of Nikon's top tier Z9 and Z8 flagship cameras, including vibration reduction for up to 7.5 stops of stabilisation linked to the active autofocus point for superb low-light and long lens photography.</p><p>Add cutting-edge video features that include 6K/60p recording and N-RAW, N-log, and HLG 10-bit options, you'll see why photographers and videographers are so excited about the Nikon Z5 II. With this book in hand, you'll master all these impressive features, and fine tune your camera skills as you develop your creativity while taking great photographs with your new Z5 II.</p><p>Filled with detailed how-to steps and full-colour illustrations, <i>David Busch's Nikon Z5 II Guide to Digital Photography</i> covers the cameras' photography capabilities in depth, from taking your first photos through advanced details of setup, exposure, lens selection, lighting, and more, and relates each feature to specific photographic techniques and situations. A handy visual guide to the Z5 II offers close-up photos and descriptions of the cameras' essential features and controls. Learn when to use each option and, more importantly, when not to use them, by following the author's recommended settings for every menu entry. With best-selling photographer and mentor David Busch as your guide, you'll quickly have full creative mastery of your camera's capabilities, whether you're shooting on the job, as an advanced enthusiast, or are just out for fun. Start building your knowledge and confidence, while bringing your vision to light with the Nikon Z5 II today.</p>]]></Text>
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