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			<SubjectHeadingText>Aboriginal military service; Anti-war activism Australia; Anzac and national identity; Anzac legend critique; Anzac myth; Australian war historiography; Australian war memory; Charles Bean Anzac myth; Feminist war protest; Gallipoli cultural trauma; Indigenous soldiers WWI; Radical diggers; Veteran suicide history; War trauma and commemoration</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[The Anzac legend has shaped Australia's national identity for more than a century. Yet many experiences of war do not fit comfortably within this.]]></Text>
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			<Text textformat="02"><![CDATA[<p>The Anzac legend has shaped Australia's national identity for more than a century. Yet many experiences of war do not fit comfortably within this.</p><p>In <i>Challenging Anzac</i>, leading historians explore some of these stories: Aboriginal activists, deserters on the Western Front, veterans who took their own lives and soldiers who became radicalized by their service. They reveal how episodes in Australia's war history that unsettled the Anzac legend  from the relief of Tobruk, nuclear testing on Australian soil and feminist protests against war, to alleged atrocities in Afghanistan  have been elided or adapted to 'fit' the legend.</p><p>Edited by award-winning historians Mia Martin Hobbs, Carolyn Holbrook and Joan Beaumont, <i>Challenging Anzac</i> examines how the reality of warfare has always been at odds with mythic representation and considers why, despite this, the Anzac legend has survived. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mia Martin Hobbs</b> is an oral historian of war and conflict, with a research focus on the Vietnam War, War on Terror, gender, peace, security and postwar reconciliation. Her first book, Return to Vietnam: An Oral History of American and Australian Veterans' Journeys, won the Oral History Australia Book Award in 2022 and was highly commended for the Memory Studies First Book Award in 2023. She has written widely on anti-war veteran activism, war crimes and the impact of the Anzac revival on Australian veterans' war memory. She is presently an ARC DECRA fellow at Deakin University.</p><p><b>Carolyn Holbrook</b> is a historian at Deakin University. Her latest books are <i>Australia Fair? Democracy, Bureaucracy and the Making of Modern Australia</i> with James Walter, and <i>Gold Standard? Remembering the Hawke Government</i>, co-edited with Frank Bongiorno and Joshua Black. She is the director of the Australian Policy and History network and the Australian Health and History digital archive.</p><p><b>Joan Beaumont</b> is an internationally recognised historian of Australia in the two world wars, the history of prisoners of war, and the memory and heritage of war. Her publications include <i>Gull Force: Australian POWs on Ambon and Hainan, 194145; Australia's Great Depression: How a Nation Shattered by the Great War Survived the Worst Economic Crisis It Has Ever Faced</i>; and the critically acclaimed <i>Broken Nation: Australians in the Great War</i>, joint winner of the 2014 Prime Minister's Literary Award (Australian History), and winner of the 2014 NSW Premier's Award (Australian History), the 2014 Queensland Literary Award for History and the Australian Society of Authors' 2015 Asher Award.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The word crip was once used to discriminate. Today, it is reclaimed and celebrated.</b></p><p><i>Crip Stories</i> is a gathering of vibrant and diverse experiences from disabled people. Bringing together memoir, essays and poetry, these writers explore creativity, care, rage and refusal. Together, they offer a celebration of disability pride and community. </p><p>Contributors include Irina Frolova, Sharleigh Crittenden, Sandra Collins, Angela Costi, Hannah Hall, Carly Findlay, Julie Dickson, Marina Sano, Mario Licn Cabrera, Kerri Shying, TextaQueen, CB Mako, Hem Sid Chandran, Ari Spanos, Franklyn Hudson, Skye Cusack, Carly-Jay Metcalfe, Judith Huang, Ariel Riveros, Akii Ngo, Arty Owens, Ethan Patrick, Paris Rosemont, Katie Hansord, Sam Hamad, Pat Gia Han Bui, Ann Nguyen, BS Windon, Misbah Wolf, Priya Gore Johnson, Mona Zahra Attamimi, Rosie Putland, Jenny Hedley, J Marahuyo, Laura Pettenuzzo, Joey Harper.</p><p><b>'Weaving together audacious truth-telling, tender lyricism, startling humour and uncategorisable wildness, </b><b><i>Crip Stories</i></b><b> leaves all the stale tropes about disability and neurodivergence far behind in the dust. These stories create a myriad of alluring desire lines for us all to follow, and artful, handcrafted bowers in which to find rest along the way. A spacious resource for now and for the future.'  Andy Jackson</b></p><p><b>'</b><b><i>Crip Stories</i></b><b> is the perfect kaleidoscope of human experience, shimmering and illuminating; it is an absolute gift to read.'  Fiona Murphy</b></p><p><b>'Refreshing takes from the criptastic community I know and love. </b><b><i>Crip Stories </i></b><b>welcomes the reader into a shared divergent consciousness. Radical, radiant and raring to rip the mould to shreds. Far more real than condescending disability trauma porn, this collection embraces and eviscerates, rebuilding perspective outside the pervasive ableist lens.'  Jasper Peach</b> </p>]]></Text>
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			<SubjectHeadingText>1980s Australian politics; ACTU; ATSIC; Accord; Australian dollar float; Australian economic transformation 19831991; Australian political history; Bob Hawke; Economic reform; HECS; Hawke government legacy; Industrial relations; John Hewson; John Howard; Labor Party Australia; Labor Party achievements under Hawke; Medicare; Paul Keating; Public administration reform; Royal Commission into Aboriginal Deaths in Custody; Social policy reform; Susan Ryan; Universal health care; affirmative action; land rights; native title</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Was the Hawke government 'the gold standard' for federal government in Australia? A stellar line-up of historians, social scientists, politicians and journalists sheds valuable new light on the policies, politics and personalities of the Hawke government and asks: What lessons can it offer in the art of reformist government? How do its legacies continue to shape Australian society?</p><p>Troy Bramston and Andrew Podger explain how Hawke masterfully managed the work of government and administration; Michelle Grattan and Meghan Hopper analyse how the government and prime minister dealt with the media; Frank Bongiorno shows how the Labor Party won four elections on the trot; while Marija Taflaga looks at how unprepared Hawke's opponents were for their period in the wilderness. Bruce Chapman and Liam Byrne discuss the competing legacies of the LaborUnion Accords of the 1980s; Meredith Edwards and Carolyn Holbrook demonstrate that social justice and health reform were still possible in the context of fiscal restraint; Marian Sawer shows how women's policy mattered; while Peter Yu recalls the major disappointments of the era for First Nations Australians. Gareth Evans and Ian Macphee offer their perspectives on the Hawke government's legacies and impact; Barrie Cassidy and Craig Emerson share their recollections of the Hawke office; and Joshua Black shows that memories of the Hawke era were not so rosy in its immediate aftermath.</p><p><b>'A thoughtful, readable collection on the ambitions, arguments, achievements and political courage of Australia's best post-war government.'  Judith Brett</b></p><p><b>'This multifaceted diagnosis of Australia's most revered government bristles with fresh insights and analysis. It is at once comprehensive in scope and yet brilliantly engaging. For anyone seeking to understand modern Australia's achievements and shortcomings, </b><b><i>Gold Standard?</i></b><b> is the place to start. Editors Bongiorno, Holbrook and Black have thoughtfully augmented their own expertise with a panoply of writers, some with unique experience within the Hawke government. The result makes for a telling prequel to the policy challenges and political paralysis bedevilling Australia today.'  Mark Kenny</b></p><p><b>'The Hawke government was a winning government  the winner of big public debates it initiated, persuasively framed and mustered public support for, and the winner of four elections in a row as a result. It excelled at both the substance and theatre of politics. This book shows how easily its winning playbook could be carried over and adapted by today's politicians to meet contemporary challenges with the deeper solutions Australians so clearly want. Compulsory reading.'  Chris Wallace</b></p><p><b>'This multidimensional analysis of Bob Hawke's skilful distributed leadership  responsibility delegated to talented individuals pursuing disparate objectives, deliberation debated and contested within a disciplined reformist framework  reminds us that formidable challenges can be transformed into opportunities for productive change. It is the antidote for our troubled times.'  James Walter</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Frank Bongiorno </b>is a historian at the University of Canberra and the author of books including <i>The Sex Lives of Australians: A History, The Eighties: The Decade that Transformed Australia, Dreamers and Schemers: A Political History of Australia</i> and, with Nick Dyrenfurth, <i>A Little History of the Australian Labor Party</i>.</p><p><b>Carolyn Holbrook</b> is a historian at Deakin University. Her latest books are <i>Challenging Anzac: Stories that Don't Fit the Legend</i>, co-edited with Mia Martin Hobbs and Joan Beaumont (2026), and <i>Australia Fair? Democracy, Bureaucracy and the Making of Modern Australia</i>, co-authored with James Walter (2026). She is the director of the Australian Policy and History network and the Australian Health and History digital archive.</p><p><b>Joshua Black</b> is a political historian, policy researcher and media adviser. His PhD on the history of Australian political memoir and autobiography was completed at the Australian National University in 2023. Josh has been a postdoctoral research fellow at the Australia Institute and a Palace Letters Fellow at the Whitlam Institute within Western Sydney University.</p>]]></Text>
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			<SubjectHeadingText>Activism Forms &amp; Strategies; Activist wisdom and knowledge transfer; Administrative activism; Anti-conscription movement; Anti-protest legislation (Roads and Crimes Act 2022); Artistic protest (music; Association for International Cooperation and Disarmament (AICD); Australian protest history; Biographical availability; Bob Gould; Civil disobedience in Australia; Climate activism parallels; Cold War activism; Collective identity; Communist Party of Australia (CPA); Conscientious objectors (COs); Contemporary Echoes &amp; Relevance; Decentralized protest networks; Digital activism and clicktivism; Disability and activism; Draft Resisters Union (DRU); Draft resistance and evasion; Ex-Services Human Rights Association of Australia (ESHRAA); Feminist historiography; Freda Brown; Fundraising as protest; Grassroots organizing; Intersectional activism; Invasion Day rallies; Jane Gray; Ken McLeod; Key Groups &amp; Individuals; Knitting Nannas; Legal support for activists; Letter-writing campaigns; Micro-protest and slacktivism; Moratorium Campaign 197071; National Service Act 1968; Non-traditional activism; Palestine solidarity protests; Political consumerism; Political repression and protest laws; Protest voting and minor parties; Public servant activism; Quiet protest; Radical empathy in archiving; Save Our Sons (SOS); School Strike 4 Climate; Social Movement Theory &amp; Participation; Social networks and mobilization; Teach-ins and sit-ins; Vietnam War protest Australia; Volunteerism and unpaid labor; Wearing protest (badges; Women's International League for Peace and Freedom (WILPF); armbands); film); poetry; theatre</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[A new history of protest told through the quiet activism of everyday Australians.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A new history of protest told through quiet activism.</b></p><p>The Vietnam War sparked the largest public demonstrations Australia had ever seen. Hundreds of thousands of citizens actively opposed the war in the 1960s and 70s.</p><p><i>Quiet Protest</i> uncovers a hidden side of this movement, telling the story of activism that was powered by letter-writing, legal aid, fundraising and everyday conversations. The public anti-Vietnam War protest movement was unprecedented, but so was the 'quieter' movement. By focusing on the anti-Vietnam War movement in NSW, this book offers a case study which re-imagines our understanding of protest.</p><p>These quieter acts of dissent reshaped political engagement and laid the groundwork for future movements  from feminist organising to climate justice. Historian Effie Karageorgos offers a captivating new perspective on what it means to protest, and who gets remembered. </p><p><b>'A new and original history of protests against the Vietnam War that also broadens our understanding of the meaning and forms of "protest" itself.'  Professor Sean Scalmer, University of Melbourne School of Historical and Philosophical Studies</b></p><p><b>'Effie Karageorgos dives deep in the archives, revealing the mechanics and diversities of a mass protest movement. There is nothing else like it.'  Rowan Cahill, historian and co-author of </b><b><i>Radical Sydney</i></b></p><p><b>'An absorbing history, this book sizzles with thought-provoking insights into opposition to Australia's role in the Vietnam War. It is history that evokes a tumultuous past and speaks to our troubled present.'  Ann Curthoys, historian and protester</b></p><p><b>'Effie Karageorgos takes us under the bonnet of the anti-Vietnam War protests to provide a fresh perspective on Australia's democracy. Behind the familiar names and big protests, there were many thousands of Australians quietly debating and donating, writing to the papers and signing petitions, maintaining silent vigils and offering conscientious objectors their sympathy, understanding and moral support. This is a vivid account of a living democracy confronting one of the biggest controversies of the twentieth century.'  Frank Bongiorno, Donald Horne Professor of History and Public Ideas, University of Canberra</b></p><p><b>'More than a history book, </b><b><i>Quiet Protest</i></b><b> provides great insights into how protests deliver wins for progressive movements.'  Lee Rhiannon, former Australian Greens Senator</b> </p>]]></Text>
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			<Text textformat="02"><![CDATA[The Papunya Literature Production Centre was the centre of community life at Papunya in the 1980s. Fuelled by youthful energy and guided by the community's Elders  among them pioneers of the Western Desert Art movement  the centre produced more than 300 Pintupi-Luritja readers in a little over ten years.]]></Text>
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			<Text textformat="02"><![CDATA[<p>The Papunya Literature Production Centre (PLPC) was the centre of community life at Papunya in the 1980s. Fuelled by youthful energy and guided by the community's Elders  among them pioneers of the Western Desert Art movement  the centre produced more than 300 Pintupi-Luritja readers in a little over ten years. These books hold accounts of moments of first contact, Dreaming stories, life in the community, plants, animals and more. They were written and illustrated on Country and in language. After the program ended, these readers lay boxed in a padlocked dark room...until Dr Samantha Disbray unearthed the key.</p><p>The Papunya readers are full of humour, as in <i>Kata yurilpa</i> (Bald Head), which is about a man who uses special plants to grow his hair for a Midnight Oil concert and turns up looking like a long-haired rocker, only to find that the lead singer has a bald head. And they are full of drama, as in the many stories about the first plane ever sighted by the Papunya community, which some believed was a 'stumpy winged devil', or in <i>Walypalalitju Lurtjurinytjaku</i> (Me and a Whitefella Meeting), which is a unique document of one man's personal journey from first contact.</p><p>In Pintupi-Luritja, Wangka Wakanutja (pronounced WUN-ka WUK-a-noo-tja) means 'the story has been told'. Richly illustrated with photos of the artists, authors and students in action, as well as artwork from the readers themselves, this is the definitive story of a radical bilingual literature movement, powered by collective creativity and cultural pride.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Sociologist Professor <b>Vivien Johnson</b>'s connection to Papunya, its artists and art movement spans more than four decades.</p><p><b>Charlotte Phillipus </b>is a retired teacher, community linguist, renowned artist and authority on Pintupi-Luritja. She was a leading writer for the PLPC and guided Vivien and Samantha in all stages of this book.</p><p><b>Dr Samantha Disbray</b> is a lecturer in endangered languages and involved with Indigenous language revitalisation.</p>]]></Text>
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			<SubjectHeadingText>Aboriginal art; Australian Indigenous language; Dreamtime stories; East Kimberley flora; East Kimberley language; First Nations language; Gija Country; Indigenous Knowledge; Warmun; Western Australia Aboriginal language; botanical guide; creation stories; ethnobotanical guide; native plant edibles; traditional medicine</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Gija Goowoolem Doo Minybernem  Gija trees and grasses shares ancestral stories, detailed plant knowledge and cultural wisdom from Gija Country in the East Kimberley, told by a senior Elder. It also serves as a stunning art catalogue featuring 72 acclaimed paintings.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Gija goowoolem doo minybernem </i> <i>Gija trees and grasses</i> is both a work of art and an extraordinary ethnobotanical achievement. At its heart are 72 stunning paintings by award-winning artist Birrmarriya Shirley Purdie which feature the significant flora found in Gija Country in the East Kimberley region of Western Australia. The paintings are accompanied by Birrmarriya's descriptions of each plant's traditional properties and uses  for food, medicine and object making  as well as their place in Gija culture and history. </p><p>The result is a rich botanical encyclopaedia informed by Ngarranggarni  'the Dreamtime' or 'creation time'  which both preserves and shares traditional knowledge, now and into the future. Birrmarriya and co-author, linguist, artist and gardener Frances Kofod, share a love for Gija Country and its flora. They collaborated over many years to create this richly layered book which includes stories in both Gija and English, new maps of Gija Country and useful appendices containing plant descriptions, species names and photographs. Birrmarriya Shirley Purdie won the Blake Prize in 2007. The paintings in this book are part of the collection of the Museum of Contemporary Art, Sydney. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Birrmarriya Shirley Purdie</b> is a Gija woman of Nangari skin who was born in 1947 at Gilban (Mabel Downs Station) in the East Kimblerley region of Western Australia. As a respected community elder and as part of her cultural responsibilities, Birrmarriya passes on her encyclopaedic knowledge of Gija language, cultural practices, the intrinsic ecological relationships of country, ethnobotanics, and flora and fauna identification with family, schools, seed collectors, scientists, environmentalists, miners, pastoralists and ranger groups. Birrmarriya has been painting since the early 1990s. She was awarded the Blake Prize for Religious Art in 2007 and her work is held in major national collections including at the Museum of Contemporary Art and the National Portrait Gallery.</p><p><b>Frances Kofod</b> was born in Sydney in 1948 and grew up there and in Armidale in northern New South Wales. In 1978, she completed her Master of Arts thesis on the Miriwoong language. Frances first met Birrmarrya Shirley Purdie in 1987 when working as a linguist in the Gija language program at Ngalangangpum School at Warrmarn. Frances's first recordings of Birrmarriya relating the stories of her paintings date from this time. From the late 1980s to the present, Frances continues to work on many language projects involving Miriwoong, Gija and Gajirrabeng languages, and was the main compiler of the <i>Gija Dictionary</i> (ASP, 2022).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Emily Kam Kngwarray </i>celebrates the timeless art of pre-eminent Australian artist and one of the world's most significant contemporary artists to emerge from the twentieth century. An Anmatyerr woman from Central Australia, Kngwarray devoted the last decades of her life to new artistic pursuits, creating works that encapsulate the experience and authority she gained throughout her extraordinary life.</p><p>Celebrating the landmark presentation of <i>Emily Kam Kngwarray</i> at Tate Modern, London, this vibrantly illustrated publication is reissued in paperback featuring Kngwarray's monumental <i>The Alhalker Suite</i>. </p><p>Offering insights into Emily Kam Kngwarray's life and work, the book features original research from curators and academics and reflections from the artist's Community. From early vibrant batiks to her later paintings on canvas, the publication brings together Kngwarray's most significant works. It includes rare archival images and a visual record of Community consultations and visits to Kngwarray's Country. </p><p><i>Emily Kam Kngwarray</i> is published following major retrospectives at the National Gallery of Australia and Tate Modern, London.</p>]]></Text>
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			<SubjectHeadingText>Annie Smithers; Australian food culture; Stephanie Alexander; bush foods; chef's journey; distillery craft; ethical eating; feminism; feminism and food; food memoir; food security; food sovereignty; food sustainability; gin; local producers; oyster farming; oysters; responsible consumption; slow food movement; wellness and resilience; wine; women in hospitality</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Lucy Ridge</b> is a food writer, former chef and passionate food sustainability advocate living on Ngunnawal/Ngambri country. She has been published widely, including in <i>The Guardian</i>. This is her debut book.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Jane Ward Tost defied 19th century societal constraints to become one of England's leading naturalists and taxidermists. A peer of John Gould and John James Audubon, Jane's artistic talent and technical expertise captivated museum visitors around the globe. But Jane's incredible achievements were not easily won. She lived a highly eventful life, showing remarkable resilience in the face of profound difficulties.</p><p>Meticulously researched and beautifully written by museum curator, biologist and writer Jane Melville AM, this enthralling biography follows the extraordinary life of Jane Ward Tost (18161889), Australia's first salaried female museum employee. Forgotten by history, she left an indelible legacy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Reduce stress and enrich your life through the Japanese tea ritual!</b></p><p>This richly illustrated book by tea master Soryo Matsumura shows you how to use the ancient Japanese tea ceremony to reduce stress and live a more enriching life. It is written for complete novices and explains all aspects of the tea ceremony with a focus on three major themes:</p><ul><li>How to perform the tea ceremony both at home and in more formal gatherings</li><li>The stress reduction benefits this ritual provides, helping you to appreciate the little things in life</li><li>How the tea ceremony helps to connect us with others, transcending age, gender and creed</li></ul><p>As well as showing you all the basics  how to sit, what to wear and how to follow the etiquette of tea preparation, drinking and conversation  Matsumura explains in a warm and friendly tone how this meditative practice has wider benefits. He encourages you to reflect on the importance of things like:</p><ul><li>Keeping your surroundings clean and organised</li><li>Setting appropriate boundaries in personal relationships</li><li>Increasing your self-esteem and communicating well</li></ul><p>Filled with beautiful colour illustrations throughout, this book is perfect for anyone seeking to bring greater peace and mindfulness into their everyday life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Sisterly relationships feature prominently in some of our best-loved classic literature. From Jane and Elizabeth Bennet in<i> Pride and Prejudice</i> to Hasina and Nazneen in <i>Brick Lane</i>, they have provided inspiration for novelists over the centuries.</p><p>Sisters can be best friends, mother figures, rivals, heroes, sounding boards or partners in crime, depending on literary genre, era, or the demands of plot. They can bring into focus the changing roles of women in society, especially in literature that predates the twentieth century, such as <i>Middlemarch, The Woman in White</i> and<i> The Old Wives' Tale.</i> Their bonds with younger or older siblings, like those of Meg, Jo, Beth and Amy in <i>Little Women,</i> are often complex and nuanced, and occasionally devastating.</p><p>Covering childhood, adventure, affairs of the heart and mental health, this book explores the role of sisters in twenty individual entries, each one providing a synopsis and analysis of the work in question. Including writers as diverse as Charles Dickens, E. M. Forster, J. D. Salinger, Toni Morrison and Chimamanda Ngozi Adichie, it makes the perfect read for book-loving sisters whatever their connection.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Close friendships are a heart-warming feature of many of our best-loved works of fiction. This book explores 24 fictional friendships in succinct, structured entries, spanning 400 years, and writers as diverse as Jane Austen to John Steinbeck. Beautifully packaged, this is the ideal gift for your literature-loving friend.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Close friendships are a heart-warming feature of many of our best-loved works of fiction. From Jane Eyre and Helen Burns' poignant schoolgirl relationship to Tom Sawyer and Huckleberry Finn's adventures on the Mississippi, fictional friends have supported, guided, comforted, nursed and at times betrayed the heroes and heroines of our popular and influential plays and novels. </p><p>This book explores twenty-four literary friendships and, together with character studies and publication history, describes how each key relationship influences character, determines plot, promotes or disguises romance, preserves a reputation, sometimes results in betrayal, or underlines the theme of each literary work.  It shows how authors from William Shakespeare to Elena Ferrante have by turns celebrated, lamented or transformed friendships throughout the ages, and how some friends  Don Quixote and Sancho Panza, Holmes and Watson or even Bridget Jones and pals  have taken on creative lives beyond the bounds of their original narrative.</p><p>Including a broad scope of literature spanning a period of 400 years from writers as diverse as Jane Austen, Charles Dickens, George Eliot, Evelyn Waugh, John Steinbeck and Alice Walker, this book is the ideal gift for your literature-loving friend.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Cats have provided the inspiration for an incredible range of fiction, memoir and poetry, from ancient myths and fables to much-loved children's books, and from classic tales to contemporary novels. A must for all cat-lovers, this book celebrates the inspirational connections between our favourite feline friends and the literary imagination.]]></Text>
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			<Text textformat="02"><![CDATA[<p>'Everything you ever wanted to know about cats in books. A wonderful idea, beautifully executed.' - Viv Groskop</p><p>Cats have provided the inspiration for an incredible range of fiction, memoir and poetry, from ancient myths and fables to much-loved children's books, and from classic tales to contemporary novels.</p><p>Featuring such famous feline characters as Puss in Boots, Tom Kitten, Pangur Bn, the Cheshire Cat, Macavity, Pluto and Bob the street cat, this light-hearted book is a whirlwind journey through the history of literary cats, uncovering their domestication, early cultural beginnings and religious associations, exploring their roles in different literary genres and revealing some real-life authors' cats, including those belonging to Edgar Allen Poe, Ernest Hemingway, Patricia Highsmith and Muriel Spark. A section on cats in world literature introduces narrator cats and cat companions from Japan, Eastern Europe, France, Greece, Germany and Finland, demonstrating their enduring worldwide appeal.</p><p>A must for all cat-lovers, this book celebrates the inspirational connections between our favourite feline friends and the literary imagination.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Judith Robinson</b> is a Senior Lecturer at Bath Spa University's Business School and a PhD candidate at Humboldt University, Berlin. </p><p><b>Scott Pack</b> is a writer, editor and publisher.</p>]]></Text>
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			<Text textformat="02"><![CDATA[We have been domesticating animals for over ten thousand years. Why do we want tame wolves in our homes, subdued wild cats on our laps and snakes draped like scarves around our necks?]]></Text>
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			<Text textformat="02"><![CDATA[<p>We have been domesticating animals for over ten thousand years. Why do we want tame wolves in our homes, subdued wild cats on our laps and snakes draped like scarves around our necks?</p><p>This great conversation between the wild and the tame is human history, human psychology, human politics and human sociology. Pets feature in art, poetry and some of our most popular stories. Is it because we ourselves are wild and so we want furry, feathered and scaly wildness in our lives? But on what terms? Have we tamed the wolves, or are wolves wilding us?</p><p><i>Pets and their People</i> looks at the strange rapport between humans and their pets  or pets and their humans  at each stage of our lives. It takes bearings from every era of human history, asking how the special bond between owners and their pets has evolved, and what that evolution tells us about our own changing identity. Do we look to animals as moral  or other  role models? Do pets help us to communicate? Do they teach us about birth and death? Can they show us who we really are?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Charles Foster</b> is a fellow of Exeter College, University of Oxford. His previous books include <i>Being a Beast</i>, <i>The Screaming Sky</i>, and <i>Cry of the Wild: Eight Animals Under Siege</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An exquisitely illustrated collection of historical guides to creating pigments from flowers and plants.</b></p><p>Flowering currant, ivy, Portuguese laurel, and woad might all have grown in a medieval garden, but it would have taken special expertise to extract and create rich blue and purple pigments from them. Humans have been extracting dyes and inks from natural materials for millennia, and the practice was firmly established during the medieval era, recorded in manuscripts that survive today. <i>Gold from Newton's Apple Tree</i> brings together recipes for making natural colours according to season, method, and ingredients.</p><p>This unique book takes its title from an ink recipe derived from a descendant of Sir Isaac Newton's apple tree, in which ingredients extracted from the bark are transformed, seemingly by magic, from brown to a yellow gold. But gold pigments can also be extracted from cornflower, crocus, greater celandine, myrrh, and turmeric. Nabil Ali shares his own accessible adaptations for preparing these and other recipes rooted in medieval craft traditions. Along the way, he provides an engaging and informative natural history of the plants used, alongside the broad spectrum of marvelous colors they produce.</p><p>Presenting original translations of medieval recipes taken from painters' and illuminators' technical manuscripts from the third century BCE through to the twenty-first century, alongside stunning botanical illustrations, <i>Gold from Newton's Apple Tree</i> is a captivating celebration of colors derived from nature.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A wonderfully illustrated history of geology from ancient times to the present day.</b></p><p>The geological processes that underlie all life on Earth can seem intimidatingly vast, ancient, and sometimes even alien. Our planet's dynamics have fascinated humans for millennia, yet only recently have we developed a clear picture of how they work. This book presents the discoveries and critical scientific advances that inform our understanding of Earth's origins and the forces driving geological change. Each chapter tells a key piece of the story, focusing on a major aspect of geology that shapes how we experience our world  time, energy, processes, use, and the interplay between geology and life.<i> Geology: An Illustrated History</i> takes readers from antiquity to the Anthropocene, providing an essential introduction to the subject.</p><ul><li>Discusses how the ancient Greeks, medieval Islamic thinkers, and figures of the Renaissance and Scientific Revolution conceptualised geological time</li><li>Profiles leading figures such as Leonardo da Vinci, Nicolas Steno, James Hutton, Lord Kelvin, Charles Lyell, Charles Darwin, Louis Agassiz, and Inge Lehmann</li><li>Covers topics ranging from the Santorini and Tambora eruptions to seismology, tectonics, erosion, mineralogy, and crystallography</li><li>Looks at geology in art and its role in Chinese history, the Industrial Revolution, and the atomic age</li><li>Explores how geology is guiding us to an understanding of life's origins and whether there might be life elsewhere in the universe</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>David Bainbridge</b> is Professor of Comparative Anatomy in the Department of Physiology, Development, and Neuroscience at the University of Cambridge and a fellow of St Catharine's College. His many books include <i>Paleontology: An Illustrated History</i> and <i>Stripped Bare: The Art of Animal Anatomy</i> (both Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[Phar Lap is one of Australia's best-loved icons. The story of the gangly foal who became one of the world's greatest racehorses has captured the hearts of Australians for generations.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Phar Lap is one of Australia's best-loved icons. The story of the gangly foal who became one of the world's greatest racehorses has captured the hearts of Australians for generations. Bobby, as he was affectionately known, gave hope and joy to many in the grim years of the Depression, winning an incredible 37 of his 51 races. His untimely death brought the nation to a standstill.</p><p>Today, Phar Lap continues to attract new generations of visitors to his home at Melbourne Museum. This anniversary edition of<i> Phar Lap: A True Legend</i> marks the occasion of Big Red's 100th birthday, bringing together memorabilia, letters and a wealth of photographs to celebrate this great horse.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Born and raised in Hobart, Tasmania, <b>Michael Reason</b> moved to Melbourne after studying History at the University of Tasmania. After a stint working in the financial sector, he happily gained a customer service position at the new Scienceworks Museum at Spotswood. Whilst there, he undertook a Graduate Diploma of Museum Studies at Deakin University, which helped him move in Collection Management work in Science and Technology and Social History Collections. Highlights included working with the 80,000 large format negatives of the Laurie Richards collection, which documented commercial life in Melbourne from the 1950s to the 1970s.</p><p>In the 2000s, Michael was able to move across to the Curatorial team; first as a generalist curator and then establishing his own area, which he was able to christen `Leisure and Social Spaces'. His areas of particular interest include post 1900 fashion, film and television production and distribution, festivals and events (such as Moomba, Olympic Games and Melbourne Cup), Australian toys and games and local jewellery design. Michael is also curatorially responsible for the museum's iconic Phar Lap and related exhibition.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From two of</b> <b><i>TIME'</i></b><b>s 100 Most Influential People in AI, what you need to know about AI  and how to defend yourself against bogus AI claims and products</b></p><p>Confused about AI and worried about what it means for your future and the future of the world? You're not alone. AI is everywhere  and few things are surrounded by so much hype, misinformation, and misunderstanding. In <i>AI Snake Oil</i>, computer scientists Arvind Narayanan and Sayash Kapoor cut through the confusion to give you an essential understanding of how AI works and why it often doesn't, where it might be useful or harmful, and when you should suspect that companies are using AI hype to sell AI snake oil  products that don't work, and probably never will.</p><p>While acknowledging the potential of some AI, such as ChatGPT, <i>AI Snake Oil</i> uncovers rampant misleading claims about the capabilities of AI and describes the serious harms AI is already causing in how it's being built, marketed, and used in areas such as education, medicine, hiring, banking, insurance, and criminal justice. The book explains the crucial differences between types of AI, why organisations are falling for AI snake oil, why AI can't fix social media, why AI isn't an existential risk, and why we should be far more worried about what people will do with AI than about anything AI will do on its own. The book also warns of the dangers of a world where AI continues to be controlled by largely unaccountable big tech companies.</p><p>By revealing AI's limits and real risks, <i>AI Snake Oil</i> will help you make better decisions about whether and how to use AI at work and home.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Arvind Narayanan</b> is professor of computer science at Princeton University and director of its Center for Information Technology Policy. He is the co-author of <i>Bitcoin and Cryptocurrency Technologies</i> (Princeton) and <i>Fairness and Machine Learning</i>.</p><p><b>Sayash Kapoor</b> is a PhD candidate in computer science at Princeton. He previously worked as a software engineer at Facebook, where he helped create AI for content moderation. To learn more, please visit AISnakeOil.com.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From British country homes to Republican Spain and civil rights America, the inspiring, wildly entertaining story of Jessica Mitford  investigative journalist, radical activist, renegade aristocrat.</b></p><p>Jessica 'Decca' Mitford was raised to marry well, not fight for others' rights. Yet she rejected her eccentric, blue-blooded roots, running away from England to become an anti-fascist and anti-racist. Why is this rebellious heroine less famous than her glamorous sisters, who ranged from naughty to Nazi?</p><p><i>Troublemaker </i>is the remarkable story of Decca's life in pursuit of justice, in the Spanish Civil War and the Communist Party USA; her intrepid social reporting, and her relentless antics. Carla Kaplan celebrates a fierce intellect and powerful ally who brought joy to the struggle, unearthing fascinating details through interviews with the Mitford family, and exploring Decca's thousands of witty letters. From Vietnam War dissident Dr Spock to Decca's close friend Maya Angelou, this Mitford sister's irreverent anti-authoritarianism deeply influenced American culture. Back home in Britain, her activism shamed those of her class  and her family  on the wrong side of history.</p><p>This passionate, often hilarious biography captures an extraordinary woman, and an extraordinary time in world history. Facing today's injustices, we need Decca's vibrant, committed example more than ever.</p><p></p><p><b>'Too much writing about the Mitfords has been trivia. But Carla Kaplan's impressive study of Jessica Mitford's troublemaking life and political activities on the American left proves once and for all that she was the only Mitford sister worth taking seriously.'  Polly Toynbee, </b><b><i>Guardian</i></b><b> columnist</b></p><p><b>'Jessica Mitford was the best, brightest and most dynamic of the Mitford sisters. Her commitment to social justice and civil rights meant she had more impact than all the rest.'  Baroness Helena Kennedy LT KC, leading international lawyer</b></p><p><b>'A perceptive, sympathetic biography of activist, unabashed communist, and muckraker Jessica Mitford [...] Kaplan captures Decca's energy and verve, her complicated relationship with her aristocratic family, and her unwavering devotion to fighting injustice, racism, and inequality. A brisk, engaging biography.'  </b><b><i>Kirkus Reviews</i></b><b>(starred review)</b></p><p><b>'A long overdue tome dedicated to putting Decca front and centre.'  </b><b><i>Town &amp; Country</i></b><b>, 'Must-Read Books of Fall 2025'</b></p><p><b>'Brilliantly researched. Every paragraph is a fit to the struggle for civil rights decency. Illuminating. Joyful!'  Blanche Wiesen Cook, award-winning author of</b><b><i>Eleanor Roosevelt</i></b><b>(3 vol.)</b></p><p><b>'Beautifully written, utterly transporting and relentlessly vivid by the recovery of amazing circumstances and astonishing human relationships, Carla Kaplan's remarkable biography of Jessica Mitford is a journey through the many social and political worlds contained in a single family, from British feudal aristocracy and pro-Hitler fascist enthusiasm to the American Civil Rights Movement and card-carrying American Communism. This captivating story  empathetic and yet clear-eyed  of a fascinating woman, her sisters and their lives in the twentieth century is a breathtaking and singular achievement.'  Jamie Raskin, congressman and No. 1 </b><b><i>New York Times</i></b><b> bestselling author of </b><b><i>Unthinkable: Trauma, Truth, and the Trials of American Democracy</i></b></p><p><b>'Marvelous, enchanting and hilarious. Carla Kaplan has triumphed, bringing to life the delightful odyssey of Jessica Mitford, the mischievous British aristocrat turned American radical and celebrated muckraker. An inspiring biography by a master biographer.'  Kai Bird, Pulitzer Prize-winning biographer and Executive Director of the Leon Levy Center for Biography</b></p><p><b>'Here's a book as infectious, stylish and hard-hitting as its subject  the glamorous and rebellious Jessica Mitford. Carla Kaplan writes with the flair of a novelist and backs it up with relentless research and keen insight. </b><b><i>Troublemaker</i></b><b> is one of those rare books produced from the marriage of a fascinating, timely story and a wonderful storyteller. An absolute treasure.'  Jonathan Eig, Pulitzer Prize-winning author of </b><b><i>King: A Life</i></b></p><p><b>'Carla Kaplan's deeply researched account chronicles Jessica Mitford's fascinating transformation from a British aristocrat to an American Communist, journalist, writer and educator. She unveils a unique angle of "good trouble" and civil rights allyship, told with the drama and humour of Mitford's unique personality.'  Tamara Payne, Pulitzer Prizewinning co-author of </b><b><i>The Dead Are Arising: The Life of Malcolm X</i></b></p><p><b>'A remarkable book about a remarkable woman. If you don't know a lot about Decca (and her exceptionally weird family), you're in for a treat. If you think you already know a lot about her, think again: you're in for a bracing helping of shock and awe. Because Kaplan's research is so impressively deep, and her prose so pleasingly fleet, her complicated and compelling subject now has the biography she has long deserved.'  Daniel Okrent, author of </b><b><i>The Guarded Gate</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>What does it mean to be a woman who dares to challenge the status quo? Whether by wielding power in patriarchal societies or rallying for peace, fighting for change has always put women in danger, but also led to remarkable stories of resistance.</p><p>Gathering 46 stories from writers around the globe, this collection explores the twin themes of women and daring through the lives of monarchs, prophets, suffragists, soldiers, scientists, activists and artists. From the infamous to the forgotten, these trailblazers have much to tell us about the dynamics, conflicts, identities and power relations with which women live today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The </b><b><i>Sakuteiki</i></b><b>, or 'Records of Garden Making', was written nearly a thousand years ago. It is the oldest existing text on Japanese gardening</b> <b> or any kind of gardening</b> <b></b> <b>in the world.</b></p><p>In this new edition, the authors provide an English-language translation of this classic work and an introduction to the cultural and historical context that led to the development of Japanese gardening accompanied by drawings, paintings and many new colour photographs.</p><p>The new foreword by Japanese garden expert Hugo Torii, the Garden Curator at Portland Japanese Garden, explains the sacred importance of stones in Japanese garden design.</p><p>Written by a Japanese court noble during the Heian period (794-1184), the <i>Sakuteiki</i> includes technical advice on gardening  much of it still followed by today's Japanese gardeners  and examines the four central threads of meaning which were central to Heian-era garden design. For those seeking inspiration to build a rock garden or just better understand the Japanese stone garden, the <i>Sakuteiki</i> is an enduring classic.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Provide afternoon tea.<i>Anxil</i></p><p>Weather is bad; wait until the storm is over.<i>Waylay</i></p><p>Baggage was not found.<i>Bagpiped</i></p><p>There will be no delay.<i>Dishonest</i></p><p>In the early days of railway transport, telegrams were an essential means of communication to keep trains running on time, manage passengers, organise freight transport and deal with unexpected events. Prearranged codes enabled railway staff around the world to communicate quickly with station masters, head office and guards. Each company developed its own code book in which these shorthand messages and corresponding descriptive words were published. The codes give a fascinating insight into the running of the railways at this time, such as the favourable weather for the liberation of pigeons, the spread of cholera, the glamour of Pullman dining cars and the involvement of the Pinkerton Detective Agency.</p><p>With sections on horses, weather, accidents, livestock, lost property and strikes, among many more, this quirky book, drawn from code books published in the UK, America, Australia and the former British Empire, gives us an intriguing glimpse into a world where communication was rapidly changing and all manner of life could be found on the railways.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>How did a beautiful Georgian house inspire Agatha Christie's <i>Dead Man's Folly</i>? Or a stretch of the East Anglian coast become the place in which a murder victim is discovered in P. D. James's <i>Devices and Desires</i>?</p><p><i>Novel Crime Scenes</i> explores the landscapes of twenty crime novels in forensic detail. Beginning with the Devon moorland of <i>The Hound of the Baskervilles</i> (1899) and ending with London's Brick Lane as described in Ajay Chowdhury's <i>The Waiter</i> (2021), it ranges from John Buchan's Galloway Hills and Gwen Moffat's Cape Wrath to Ellis Peters's Shropshire, Margery Allingham's Essex, Colin Dexter's Oxford and Sam Llewellyn's Isles of Scilly. Each chapter also delves into the author's background and discovers what the setting of the book meant to them, often by following in the footsteps of Britain's best-known crime writers.</p><p>Whether you are an armchair detective or an intrepid investigator, this book will inspire you to appreciate old favourites with deeper insights and discover thrilling new literary destinations.</p>]]></Text>
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			<SubjectHeadingText>,; ,asexual/aro; ,marginalized; 404 Ink; American queer history; Carter,; D&amp;D D&amp;D as a; D&amp;D's role in U.S. youth; Dungeons &amp; Dragons; Gender in TTRPGs; Homebrew D&amp;D content; LBGTQ+; LGBTQ+; LGBTQ+ community; Queer; Queer identity exploration; Satanic Panic (1970s D&amp;D stigma); TTRPGs,; Thom James; U.S. indie game design trends; U.S. queer; bury your gays; character; character creation; community-building; creation as queer self-expression,; critiques; essay collection; evolution,; from; gaming; gaming communities; gender exploration; gender fluidity; history,; homebrew content; identities in gaming; identity; identity exploration; identity formation; inclusivity in gaming; inklings; intersectionality in RPGs; mainstream U.S. norms,; marginalized communities; mechanical inclusivity in; nerd culture; non-fiction; player stories; queer; queer activism; queer joy; queer renaissance; queer theory; representation; representation in American gaming media; role-playing as queer utopia; roleplaying games (RPGs); safe space; safe spaces; sexual orientation; social norms disruption; tabletop gaming; trope; utopian possibilities,; vs. trauma narratives</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Grab a sword and roll for initiative </b> <b>a queer DnD adventure is about to begin.</b></p><p>Since its inception decades ago, the fantasy roleplaying game Dungeons &amp; Dragons has offered an escape from the real world, the chance to enter distant realms, to walk in new shoes, and be part of immersive, imaginative tales as they unfold. For its LGBTQ+ players, it is also a vessel for exploration, joy, and self-discovery.</p><p>Journey on, adventurer, as Dungeon Master Thom James Carter invites you into DnD's exciting queer and utopian possibilities. Traverse its history and contemporary evolution, discover stories from queer players and the homebrewers making it their own, and unlock DnD's power to explore and examine identity  how people want to lead their lives in real and imagined worlds alike.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Thom James Carter</b> is a Scotland-based staff writer and researcher at <i>DIGIT</i>, and a frequent contributor to <i>In the Works</i>. He has contributed to <i>WIRED</i>, <i>The New Statesman</i>, <i>Current Affairs</i>, <i>Dirt</i>, <i>Insider</i>, <i>Metro</i>, <i>Wellcome Collection</i>, and many other publications.</p><p>He holds a B.A. in English and an M.A. in Creative Writing, both from Goldsmiths, University of London.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A celebration of queer history like you've never seen it before.</p><p>Queer as folklore travels across centuries and continents to reveal the unsung heroes and villains of storytelling, magic and fantasy. Featuring images from archives, galleries and museums around the world, each chapter investigates the queer history of different mythic and folkloric characters, both old and new.</p><p>Leaving no headstone unturned, Sacha Coward takes you on a wild ride through the night from ancient Greece to the main stage of RuPaul's Drag Race, visiting cross-dressing pirates, radical fairies and the graves of the 'queerly departed' along the way. Queer communities have often sought refuge in the shadows and created safe spaces in underworlds. But these forgotten narratives tell stories of resilience that deserve to be heard.</p><p>Join any Pride march and you will see a glorious display of papier-mche unicorn heads, drag queens in mermaid tails and more fairy wings than you can shake a trident at. These are not just accessories: they are queer symbols with historic roots. To truly understand who queer people are today, we must confront the twisted tales of the past.</p><p><b>'One delight after another. Told with an open heart, a questing curiosity, and a healthy sense of mischief,</b> <b><i>Queer as Folklore</i></b><b> is essential for every seeker of hidden histories.'  Patrick Ness, author of the</b> <b><i>Chaos Walking</i></b><b> series</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Sea of Stars: Throes of the Watchmaker  The Concept Art of Bryce Kho</i></b><b> is the art book for the </b><b><i>Sea of Stars</i></b><b> DLC, an extremely successful fantasy role-playing game created by Sabotage Studio and illustrated by renowned concept artist Bryce Kho.</b></p><p><i>Sea of Stars</i> was released on all platforms in August 2023. It has since been played by over 6 million players worldwide and won 'Best Independent Game' at The Game Awards 2023. <i>Throes of the Watchmaker</i> was released for free in May 2025 as a thank-you gift to the fans of the game who made it such a success.</p><p>Bryce Kho has been on the Sabotage Studio team as lead concept artist since 2020. Known for his colourful and complex, retro-anime inspired illustrations, it's no mystery as to why Bryce and Sabotage Studio collaborated to make this turn-based RPG inspired by the classics. <i>Sea of Stars: Throes of the Watchmaker  The Concept Art of Bryce Kho</i> showcases all the incredible characters that Bryce has lovingly brought to life through discussions with creative director Thierry Boulanger, and is a book to enjoy for gamers and art-lovers alike.</p><p>To find out more and buy the game, check out Sabotage's Steam page: https://store.steampowered.com/app/1244090/Sea_of_Stars/</p><p>The Sea of Stars game is also available on Nintendo Switch, PS4/5 and Xbox Series X|S + Xbox One.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Bryce Kho</b>, a concept illustrator and freelance mixed-media artist, is known for his vibrant and intricate anime-inspired illustrations that stir nostalgia. His portfolio spans a range of roles including illustrator and concept artist, contributing to projects such as Homestead Arcana and Aegis Defenders'. After a first collaboration with Sabotage doing illustrations for The Messenger, Bryce joined the team to handle all things concept art and character design on 'Sea of Stars,' a retro-inspired RPG that has captivated over 5 million players worldwide. Additionally, Bryce commands an impressive social media presence with nearly 500,000 followers across his accounts. He is based in Pasadena, California, US.</p><p><b>Sabotage Studio</b> is a Canadian development team founded in 2016. Committed to creating awe-inspiring original universes recalling the greatest moments in classic gaming, Sabotage Studio rethinks the conventions of well-established genres to unlock new potential, creating distinct, modernized titles that reach beyond traditional expectations of what a genre can offer. Creator of the critically lauded turn-based RPG Sea of Stars, voted Best Indie Game at the 2023 The Game Awards, and acclaimed sidescrolling action platformer The Messenger, winner of Best Debut Indie Game at the 2018 The Game Awards, Sabotage Studio has established itself as one of the gaming industry's most promising developers. Sabotage Studio is currently working on Sea of Stars' upcoming DLC, Throes of the Watchmaker, along with their unannounced next title. They are located in Quebec City, Canada.</p><p><b>Edited by 3dtotal Publishing</b>, who publish high-quality art books dedicated to bringing invaluable training to beginners, hobbyists, and professionals alike. Their books feature top industry professionals from around the globe who share their experience in skillfully written step-by-step tutorials and guides. Illustrated throughout with stunning artwork, these best-selling publications offer creative insight, expert advice, and essential motivation. They are based in Worcester, England, UK.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Unlock the secrets of human anatomy through this engaging, richly illustrated guide that makes understanding the human form accessible, inspiring, and fun.</b></p><p><i>The Secrets of Artistic Anatomy</i> transforms the complex world of human anatomy into an accessible, visually engaging, and fun learning experience. Written by accomplished artist and medical illustrator Yuki Toy, this book offers artists a unique approach to understanding the human form.</p><p>Key features include:</p><ul><li>Comprehensive coverage of human anatomy</li><li>Full-colour illustrations</li><li>Practical drawing techniques and tutorials for all skill levels</li><li>Fascinating anatomical trivia and insights</li><li>An entertaining, accessible, and lighthearted tone</li></ul><p>Created for visual artists, animators, and design professionals, the book bridges technical anatomical knowledge with artistic expression. Toy doesn't just present information; she tells stories that make complex concepts approachable. Being both an expressive artist and a medical illustrator, Toy brings a unique combination of artistic skill and scientific precision as she explores the human body through detailed chapters on:</p><ul><li>The skeleton system and gestures</li><li>Arms, leg, and torso mechanics and muscle groups</li><li>Hands and feet details</li><li>Head and neck anatomy</li></ul><p>Beautifully illustrated and packed with practical information, <i>The Secrets of Artistic Anatomy</i> is more than an instructional reference book  it's a journey into understanding the human body's remarkable design. Whether you're a student or a professional, this book will be a versatile resource for anyone fascinated by human anatomy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Yuki Toy</b> (Yuki Toyooka Smith) is an artist and author based in Los Angeles. She grew up in Hokkaido, Japan, and teaches Anatomy Illustration and Figure Drawing at several colleges in Southern California. She has been published in multiple medical illustration books and her art work has been part of the curriculum at USC and Cal Tech.</p><p>Yuki received an MFA from USC Los Angeles, and a BFA from SUNY New Paltz, and is a regular contributor to the Huffington Post Japan. She is known for her anatomical illustration in muted, pastel tones, and her photorealistic charcoal drawings. Her work creates a subdued and nostalgic feel, evoking a tradition that spans from Nicolas Henri Jacob to Charles Bargue. Find her online at yukitoy.com and @yukitoyanatomy.</p>]]></Text>
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			<SubjectHeadingText>James B. Nardi A spectacularly illustrated journey; Life from Treetops to Root Tips; Princeton Nature; The Hidden Company That Trees Keep; air; and microbes; animals; animals that live in trees; bark; beautiful book about trees; biology; birds; books for environmentalists; books for tree lovers; breathing clean air; breathtaking images; carbon dioxide; clean air; conservation; detailed drawings; environment; fact boxes; facts about trees; forests; green energy; hiking; how trees benefit; leaf; leaf scales; leaves; mammals; microscopic landscapes; nature; new discoveries in biology and natural history; nitrogen; oxygen; pollination; pollution; rain forest; recycling of nutrients; root surfaces; seed dispersal; sustainaibility; the intimate communities that native trees share; the life of a tree; the visible resources trees provide; tree trunk; trees; twigs; water conservation; wild life; with animals,insects,fungi,; world's leading naturalists</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A spectacularly illustrated journey into the intimate communities that native trees share with animals, insects, fungi, and microbes.</b></p><p>You can tell a lot about a tree from the company it keeps. James Nardi guides you through the innermost unseen world that trees share with a wondrous array of creatures. With their elaborate immune responses, trees recruit a host of allies as predators and parasites to defend against uninvited advances from organisms that chew on leaves, drain sap, and bore into wood. Microbial life thrives in the hidden spaces of leaf scales, twigs, and bark, while birds, mammals, and insects benefit from the more visible resources trees provide. In return, animals help with pollination, seed dispersal, and recycling of nutrients.</p><p><i>The Hidden Company That Trees Keep</i> blends marvelous storytelling with beautiful illustrations and the latest science to reveal how the lives of trees are intertwined with those of their diverse companions.</p><p><b>'[A] wonderful book...[This] timely and beautifully written work has the potential of enlightening potential learners on all levels.'  Steve Dixon,</b> <b><i>Library Journal, starred review</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An impassioned  and data-driven  case for a four-day workweek.</b></p><p>The five-day workweek is a pillar of modern life, but it isn't backed by science, ancient wisdom, or divine decree. It's simply a relic of the industrial age  and it's time for an upgrade. What if we could accomplish more while working fewer days?</p><p>A shortened workweek once seemed like a radical idea. Today, it's embraced by innovative business leaders, forward-thinking politicians, and a new generation of workers demanding more meaningful work.</p><p>In <i>Do More in Four</i>, Joe O'Connor, a pioneer in designing and leading four-day-workweek pilots around the globe, and journalist Jared Lindzon, whose work has appeared in the<i>New York Times</i>,<i>Fortune</i>, and<i>TIME</i>magazine, present a groundbreaking, data-driven exploration of why a four-day workweek isn't merely possible  it's necessary in the age of artificial intelligence.</p><p>O'Connor and Lindzon draw on extensive research, compelling case studies, and personal interviews with experts  including a Nobel Prizewinning economist and Bill Gates  to reveal how organizations are reimagining work. From a consumer products giant in New Zealand to a global nonprofit, a Canadian law firm, and a Midwestern architecture firm, they take readers inside the companies transforming their work models to improve employee outcomes while driving revenue growth.</p><p><i>Do More in Four</i>offers a battle-tested blueprint for a smarter, more humane approach to work.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rewire your organisation  and your leadership  for a world driven by projects.</b></p><p>It's time to stop treating projects as side work. In the age of constant transformation, projects are the primary way organisations create value and accelerate innovation. In this new paradigm  the project economy  traditional agile approaches are no longer enough. The next evolution is the project-driven organisation, where projects sit at the center of how companies are structured, led, and rewarded.</p><p><i>Powered by Projects: Leading Your Organization in the Transformation Age</i> explores this bold new model. Antonio Nieto-Rodriguez, the worldwide expert on project-based work, reveals the leadership styles and organisational structures necessary to drive success today. You'll learn to:</p><ul><li>Develop your organisation's transformation muscles to remain resilient, adaptive, and relevant</li><li>Sponsor projects actively and prioritise them ruthlessly to ensure resources are directed to high-value initiatives</li><li>Decentralise decision-making to empower people to break through the bottlenecks that slow down transformation</li><li>Engage your project teams and workforce more deeply to accelerate value creation</li><li>Build AI into projects to enable quicker decisions and proactive planning and to lower risk</li></ul><p>Filled with practical strategies and detailed case studies, this book is a new manifesto for CEOs, transformation drivers, and project leaders. Embrace the project-driven organization, become a project-driven leader, and turn your company into a highly engaged growth engine, powered by projects.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The most powerful force in business is not what you think it is </b> <b>and it's right in front of you as a leader, waiting to be unleashed.</b></p><p>Think about the last time you said, 'I <i>love</i> that'. Maybe it was about a product that exceeded expectations, a service experience that built instant loyalty, or a moment when your work brought out the best in you. That reaction isn't just emotional  it's electric. In the workplace, it fuels engagement, strengthens performance, and drives lasting success. Yet most leaders don't acknowledge it, let alone try to measure or make use of it.</p><p>In <i>Design Love In</i>, leading researcher on human performance and bestselling author Marcus Buckingham reveals how love  the deep connection that makes people feel seen, valued, and inspired  isn't a soft feeling but a practical, measurable force. He shows how leaders, as <i>experience makers</i>, can intentionally 'design love in' to everything we do: our interactions with team members, our company policies and practices, the products and services and experiences we create for those we lead and serve. When we do this, it not only generates positive feeling toward us and our products, it energizes our teams and organizations, strengthens the connections between us as humans, and creates a better world.</p><p>Featuring vivid stories of global brands, current research, and personal experiences, Buckingham illustrates that tapping this force is not simply about being more 'warm and fuzzy'  it's a concrete matter of utilizing loving experiences to drive behaviors to drive outcomes, and the book provides step-by-step advice on how to "design love in" to all your actions as a leader.</p><p>Love  it's the most powerful force in business. This book shows how you as a leader can unleash it.</p>]]></Text>
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			<SubjectHeadingText>auto industry; automobiles; corrosion; electric vehicles; elon musk; lada; machines; maintenance; manuals; military; motorcycles; october war; precision; rifle; rolls royce; rust; sailing; ships; sustainment; ukraine; vehicles; vietnam; volkswagen; weapons; youtube</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Maintenance: Of Everything is a wide-ranging and provocative call to expand what we mean by 'maintenance'  not just the tiresome preventative tasks but the whole grand process of keeping a thing going. It invites us to understand not only the profound impact maintenance has on our daily lives but also why taking responsibility for maintaining some]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The first in-depth exploration of maintenance  and a powerful argument for its civilisational importance  from the author of</b> <b><i>How Buildings Learn</i></b><b> and creator of the</b> <b><i>Whole Earth Catalog.</i></b></p><p>Maintenance is what keeps everything going. It's what keeps life going. Yet it's also easy to shirk or defer  until the thing breaks, the system falters, and everything stops. The apparent paradox is profound: Maintenance is absolutely necessary and maintenance is optional.</p><p>The first in a multi-volume work, <i>Maintenance: Of Everything, Part One</i> offers a comprehensive overview of the civilisational importance of maintenance. The book begins with a dramatic contest of maintenance styles under life-critical conditions: the Golden Globe around-the-world solo sailboat race of 1968. It goes on to explore the insights that can be gleaned from vehicle maintenance, from the zeal of motorcycle maintainers to the maintenance philosophies that fought for dominance of the auto industry to the state of electric vehicle manufacturing today, with absorbing detours into the evolution of precision in manufacturing, the enduring importance of manuals, sustainment in the military, and the never-ending battle against corrosion.</p><p><i>Maintenance: Of Everything</i> is a wide-ranging and provocative call to expand what we mean by 'maintenance'  not just the tiresome preventative tasks but the whole grand process of keeping a thing going. It invites us to understand not only the profound impact maintenance has on our daily lives but also why taking responsibility for maintaining something  whether a motorcycle, a monument, or our very planet  can be a radical act.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Stewart Brand</b> is the cofounder and president of The Long Now Foundation and cofounder of Global Business Network, the Hackers Conference, and the WELL. He created and edited the National Book Award-winning <i>Whole Earth Catalog</i> from 1968 to 1998. His books include <i>The Media Lab</i> (1987), <i>How Buildings Learn</i> (1994), <i>The Clock of the Long Now</i> (1999), and <i>Whole Earth Discipline</i> (2009). He was the subject of the documentary <i>We Are As Gods</i> (2020). He graduated from Stanford with a degree in biology and served as an infantry officer in the US Army.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Talent Revolution</i> has been pivotal in exposing work-life longevity as the most influential driver transforming today's workplaces. It offers a competitive edge for organisations smart enough to capitalise on its lessons.</p><p>In a rare turn from the norm, this book positions older workers as revolutionaries and reveals how intergenerational organisations that engage employees across all life stages will outperform their competitors. In this updated paperback edition, authors Lisa Taylor and Fern Lebo draw on their expertise in leadership and career development to offer a timely picture of the post-pandemic modern workplace  defined by hybrid arrangements, shifting expectations, and evolving employee-employer dynamics. With clarity and precision, they describe new models, debunk commonly held myths about older workers, demolish justifications for traditional structures and attitudes, and build the case for a reset that will help smart companies profit from their most valuable assets, all while taking into consideration our current realities. Through case studies, metrics, strategies, and tactics, <i>The Talent Revolution</i> explores the impact of supercharged workforce demographics on the future of work, and offers new, actionable strategies for transforming an aging workforce into a competitive advantage.</p><p>Plotting new directions for both organisations and employees, Taylor and Lebo guide us towards the opportunities that come with leaving behind outdated career models and embracing longer working life expectancies in the workplace.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Got baggage? Illustrate it! </p><p>Find a quiet corner and a box of coloured pencils and unlock the hows and whys behind your feelings. </p><p>Bestselling <i>Unfuck Your Brain</i> author Dr. Faith G. Harper returns to help you explore your emotions through brain science-backed art therapy, using exercises to draw out your inner creativity and enhance your mental wellbeing. </p><p>Colour in hearts and assess what works and doesn't for your attachment style. Reflect on how you want to be remembered and if you're in alignment with your goals by decorating your tombstone. No special supplies or artistic talent required-all you need to get started is a pen or pencil, and your own innately creative self.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Master the art of family, maternity, and newborn photography with proven lighting techniques and a systematic posing approach that works for subjects of all ages.</b></p><p>Family photography presents unique challenges that can leave even experienced photographers feeling overwhelmed. Capturing genuine connections while managing multiple subjects at different developmental stages requires technical skill, creative vision, and the ability to direct with confidence. Family photographers must master multiple skills that go far beyond simply understanding their camera settings.</p><p>In this comprehensive guide, photographer Sandra Coan draws from over two decades of professional experience to offer a proven system for creating beautiful, timeless family portraits. Through clear instruction and beautiful photographic examples, Sandra demonstrates how to develop a consistent, predictable routine that will help you work efficiently while producing exceptional results.</p><p>Whether you work in a studio, on location, or in clients' homes, you'll learn how to confidently pose and light subjects of all ages  from newborns and babies to children and their parents  while capturing authentic connections and creating images families will treasure for generations.</p><p>You'll learn:</p><ul><li>How to craft beautiful, natural-looking light using both window light and artificial light sources</li><li>A baby-led approach to newborn posing that prioritises comfort and safety while producing stunning results</li><li>Essential posing techniques for subjects at every developmental stage  from newborns to toddlers to school-aged children  and for both single subjects and groups</li><li>How to build a consistent posing flow that maximizes efficiency without compromising results</li><li>Composition techniques that will elevate your family portraiture and flatter your subjects</li><li>Methods for directing clients into poses that look and feel natural</li><li>Practical solutions for common challenges when photographing families</li><li>How to build your signature style through consistent lighting and posing techniques</li></ul><p>With Sandra's guidance and <i>The Complete Guide to Family Photography</i> by your side, you'll develop the skills and confidence you need to create beautiful, classic family portraits in any setting while providing an exceptional experience for the families you photograph.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This beautiful photography-filled book will inspire and inform printmakers of all abilities, with step-by-step projects from popular linocutting experts.</b></p><p>This shorter-form book from 3dtotal Publishing, from our new series <i>Create &amp; Learn Collection</i>, takes readers through a clear and simple guide to achieving top-quality prints with the linocutting technique.</p><p>The invaluable content is written and illustrated by professional artists, including an in-depth introduction by Gareth Barnes (aka Spindle Printer), a printmaker who works from his home studio in Leeds, UK. His work is inspired by history, folklore, the natural world, and vintage illustration, and he sells his work at print fairs around the UK. He discusses the materials used for linocutting, followed by techniques from start to finish, including carving, prepping paper, tips for mixing colours, and pressing and drying. All accompanying by stunning photography of the process in action.</p><p>We then have specific projects from global artists, including Dutch printmaker Esther van Dam, Anna Hermsdorf from Germany, and Mary Ann Testagrossa from California, USA. Their tutorials include simple and more advanced version of multiblock prints and reduction prints, as well as a jigsaw print and the technique of reprinting a pattern on fabric. Photographs accompany each step of each process, alongside clear written instructions from the artist.</p><p>With a compact format and short, clear tutorial steps, this book is ideal for those wanting a quick reference guide or more relaxed approach from a tutorial book. It's an ideal gift for an artist friend just discovering their printmaking passion, or a must-buy for linocutters wanting to discover how the professionals create their stunning prints.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The Contradictions of Motherhood hopes to encourage individuals and households to think differently about motherhood, and to inform government perspectives and social policy on gender ideologies, families, workplaces, and the broader care deficit.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Modern motherhood in Australia and New Zealand is marked by contradiction. Recent decades have seen policy changes aimed at facilitating gender equality  such as enhanced paid parental leave and more generous childcare subsidies  alongside cultural shifts in the gendered division of domestic labour and women's workforce participation. Yet, despite these changes, motherhood continues to be a contested and divisive subject, as well as a site of inequality.</p><p>Many households and communities strive for egalitarian relationships and challenge the conflation of women with motherhood; however, essentialist notions of the maternal persist. Norms of 'good motherhood' continue to limit the identities available to mothers, and structural responses to gender inequities often fall short. Tensions are therefore present in cultural representations of women and families, workplace and sector policies and practices, government initiatives, and lived experiences of motherhood.</p><p>Intersectional inequalities compound these challenges. Indigenous, sole, and migrant mothers face additional barriers that workplace and welfare policies have failed to adequately address. The COVID-19 pandemic intensified these pressures, while simultaneously presenting opportunities to restructure work and care.</p><p>With contributions from scholars across a range of disciplines  including history, sociology, criminology, human geography, media and communication, and business and management  <i>Motherhood, Labour and Care in the 21stCentury: Contradictions in focus</i> interrogates these substantive themes in diverse communities across Australia and New Zealand. It offers a critical reflection on motherhood, labour and care, uncovering taken-for-granted assumptions about gender and family life, and redressing stubborn inequities.</p><p><i>Motherhood, Labour and Care in the 21stCentury</i> hopes to encourage individuals and households to think differently about motherhood, and to inform government perspectives and social policy on gender ideologies, families, workplaces, and the broader care deficit.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr Sheree Gregory</b> is Senior Lecturer of Human Resource Management in the Newcastle Business School. Her research explores contemporary issues and policy challenges surrounding work and families and in relation to gender in Australia.</p><p><b>Professor Kate Huppatz</b> is Associate Dean, Research (School of Social Sciences) at Western Sydney University. Her research explores the role of labour and culture in the production and reproduction of gender inequality, with a focus on workplaces and families. </p>]]></Text>
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			<Text textformat="02"><![CDATA[If you've ever left a tarot reading thinking, Now what? How can I improve my situation?, Briana Saussy's Making Tarot Magic provides the answers.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>If you've ever left a tarot reading thinking,</b> <b><i>Now what? How can I improve my situation?</i></b><b>, Briana Saussy's</b> <b><i>Making Tarot Magic</i></b><b> provides the answers.</b></p><p>In various traditions around the world, divination is not a stopping point; it's the beginning. A querent may come to tarot (or other forms of divination) to receive insight into their situation but also to glean a diagnosis and treatments to remedy problems. These 'treatments' are often magical rituals or ceremonies the querent could perform for themselves or have someone else perform on their behalf. Each tarot card has specific recommendations for what kind of magic and ritual might be appropriate to address a specific concern  you just need to learn how to read them with an eye to their inner magic.</p><ul><li>Each section of the book is dedicated to a single magical condition: abundance, healing, love, justice, and more.</li><li>Every tarot card has an interpretation seen through the lens of and with respect to the magical condition the section has focused on.</li><li>Techniques are given for the types of magical work best suited to a particular card's presence and meaning in a reading.</li><li>Suggested intentions provide guidelines for what attitude or spirit you may want to infuse your work with to produce the best result.</li><li>Includes magic basics, ritual and ceremonial suggestions, and recipes.</li><li>Learn to work with sacred vessels, candles and oil lamps, incense, sachets, spiritual baths, herbs and roots, magical words, prayers and petitions, sacred waters, textile magic, and spirits.<br/><i>Making Tarot Magic</i> teaches you how to tune in, interpret the issue, and find the remedy.</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Briana Saussy</b> is an author, storyteller, teacher, spiritual counselor, and founder of the Sacred Arts Academy, where she teaches magic, divination, ceremony, and other sacred arts for everyday life. She is well-grounded in the world's great religious and intellectual traditions, as well as Westernpsychological practices. She holds a BA and MA in Eastern and Western classics, philosophy, mathematics, and science and is a student of ancient Greek and Sanskrit. Briana's work has been featured in <i>The Paris Review, Yoga Journal, Enchanted Living,</i>and more.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'As I look back on the past, I find delight not in the strength of youth but in the wisdom and peace that come with age.'</i></p><p><i>'The reward of friendship is itself-the joy of being together, the mutual confidence, the shared virtue.'</i></p><p>Released in 44 BC, these philosophical works represent what life was like for Romans at the time, detailing the dynamics of human relationships and the acceptance of aging. Marcus Tullius Cicero wrote numerous treatises, but these two were the most prominent and widespread. Inspired by his personal experiences and philosophical traditions, the works were dedicated to Cicero's close friend Atticus.</p>]]></Text>
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			<SubjectHeadingText>A New History of Imperial State Formation; Alexander the Great; British India; Caliphate; Carolingian Empire; China; Formation; Holy Roman Empire; Kievan Rus; Maritime empires; Mongols; Persia; Princeton; Princeton University Press; Roman Empire; Rome; Russia; Self-generating and self-supporting; Shadow Empires; Shadow Empires: A New History of Imperial State; The Mongols and the Xiongnu; The premodern empires; Thomas Barfield; Western imperial history; Xiongnu; adjacent to ancient imperial states shadow Empires; ancient Athens; ancient Persia; ancient history; and students of empire to push their; comparative perspective and that invites scholars; creating formidable empires; dominant political organizations in Eurasia; emerged in Mongolia; empires; endogenous; established templates; exogenous empires; extort China rather than conquer it; global history; historians; history; imperial formations in the ancient world; imposed sophisticated central administration; inhabited by tens of millions of people; investigations beyond received categories and; military conquest; nomadic empires; nseeking wealth through extortion and ended up; one that adopts a broadly; periphery; premodern empires,; premodern political formations that arose on the; princeton university press; schematic account; territories spanning millions of square kilometers; used their powerful horse cavalry</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>An original study of empire creation and its consequences, from ancient through early modern times.</b></p><p>The world's first great empires established by the ancient Persians, Chinese, and Romans are well known, but not the empires that emerged on their margins in response to them over the course of 2,500 years. These counterempires or shadow empires, which changed the course of history, include the imperial nomad confederacies that arose in Mongolia and extorted resources from China rather than attempting to conquer it, as well as maritime empires such as ancient Athens that controlled trade without seeking territorial hegemony. In <i>Shadow Empires</i>, Thomas Barfield identifies seven kinds of counterempire and explores their rise, politics, economics, and longevity.</p><p>What all these counterempires had in common was their interactions with existing empires that created the conditions for their development. When highly successful, these counterempires left the shadows to become the world's largest empires  for example, those of the medieval Muslim Arabs and of the Mongol heirs of Chinggis Khan. Three former shadow empires  Manchu Qing China, Tsarist Russia, and British India  made this transformation in the late eighteenth century and came to rule most of Eurasia. However, the DNA of their origins endured in their unique ruling strategies. Indeed, world powers still use these strategies today, long after their roots in shadow empires have been forgotten.</p><p>Looking afresh at the histories of important types of empires that are often ignored, <i>Shadow Empires</i> provides an original account of empire formation from the ancient world to the early modern period.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Thomas Barfield</b> is professor of anthropology at Boston University. His books include <i>Afghanistan: A Cultural and Political History</i> (Princeton) and <i>The Perilous Frontier: Nomadic Empires and China</i>,<i> 221 BC to AD 1757</i>.</p>]]></Text>
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			<SubjectHeadingText>elder care; caregiving; aging parent; ethnography; personal narrative; family relationships; intergenerational bonds; creative caregiving; emotional connection; late life; care fatigue; shared discovery; art and aging</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><i>Life Lines </i>is an ethnographic exploration of elder care as a creative and relational process, centred on the author's journey caring for his aging father. Over five years, these shared moments opened up new understandings of his father's inner world, revealing the social and personal forces that shaped his life, dreams, and disappointments.</p><p>Blending personal narrative with ethnographic insight, <i>Life Lines </i>invites readers to reflect on the profound and often challenging journey of caring for an aging parent. As generations age and more families navigate the realities of advanced old age, this book offers a hopeful vision: caregiving can be more than a duty  it can become an opportunity for parents and adult children to forge deeper, more emotionally enriching relationships.</p><p>Through art, conversation, and shared discovery, <i>Life Lines</i> shows how we can move beyond care fatigue and disconnection, transforming the later years of life into a time of renewed connection, understanding, and appreciation.</p>]]></Text>
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			<SubjectHeadingText>Anne Frank; Gad Beck; German history; Holocaust; Jewish history; Margot Heuman; Molly Applebaum; gender studies; genocide studies; homosexuality; identity; memory; queer history; queer studies</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[People Without History are Dust explores same-sex desire in the Holocaust, telling the gripping stories of queer Jews that have been long silenced by the homophobia of survivors.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Queerness remains one of the most stigmatised and overlooked aspects of Holocaust history, often erased due to the lingering homophobia of survivors. <i>People Without History Are Dust</i> challenges this silence, weaving together compelling stories of German, Dutch, Czech, and Polish Jewish Holocaust victims and survivors  including Anne Frank, Molly Applebaum, Margot Heuman, and Gad Beck  whose experiences help illuminate the hidden history of queerness in a time of genocide.</p><p>Drawing on extensive archival research, this groundbreaking book uncovers the lives of those who were doubly marginalised, not only persecuted as Jews but also as queer individuals. In doing so, it confronts the ways in which history has excluded or minimised their experiences, urging us to question normative accounts of the Holocaust.</p><p>By shedding light on these long-overlooked stories, <i>People Without History Are Dust</i> deepens our understanding of identity, survival, and memory, reminding us why an inclusive and complex approach to history is essential  not just for the sake of the past, but in service to the present and the future as well.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Anna Hjkov</b> is a reader of history at the University of Warwick.</p><p><b>William Ross Jones</b> is a freelance German-to-English translator and a historian of the Holocaust, gender and sexuality, and sexual violence, currently based at the University of Warwick.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A fresh portrait of Greece's forgotten Near Eastern identity, with old cultural, political and economic ties reforming in today's turbulent world.</p><p>Caught between wars raging in both Eastern Europe and the Middle East, Greece is an island of relative stability. Popularly considered the cradle of Western civilisation, this is a Christian Orthodox state on the edge of the Islamic world. And, after a half-century of integration into NATO and the EU, Greece is now reabsorbing into the Near East, as the West fractures and new Middle Eastern powers rise. The country's importance as a cultural and geopolitical hybrid is growing.</p><p>Travelling through the region, Sean Mathews explores at ground level the tectonic shifts reshaping Europe and the Middle East. He meets the last Greek merchants in Cairo, and hears from Istanbul's remaining Greeks about Turkey's break with the West. In Jerusalem, he discovers a budding alliance between Greece and Israel; and in a faded Ottoman port, he encounters football hooligans loyal to a Russian oligarch.</p><p>This bold reappraisal of Greece as a Near Eastern nation uncovers its Byzantine and Ottoman past as a key to survival in today's chaotic, shrinking world.</p><p> </p><p><b>'A major contribution to a slim field of books about modern Greece. Colourfully written and deeply researched, Mathews' travels through the country reveal a compelling cast of characters and a story about how a small country on the fringe of Europe is transforming itself into a cultural and diplomatic powerhouse.'</b> <b></b> <b>Hannah Lucinda Smith, Istanbul correspondent and author of</b><b><i>Erdoan Rising</i></b></p><p><b>'The eastern Mediterranean or greater Levant has been a pivotal region in imperial history and now again in postmodern geopolitics. Mathews expertly guides the reader through not only the sights and smells of the region, but its political and cultural layers. This is what travel writing is supposed to do: blend description with analysis.'  Robert D. Kaplan, author of </b><b><i>Waste Land: A World in Permanent Crisis</i></b></p><p><b>'A sweeping, historically rich and provocative book that will challenge conventional thinking about both geography and politics.'  David D. Kirkpatrick, </b><b><i>New Yorker</i></b><b>staff writer and author of </b><b><i>Into the Hands of Soldiers: Freedom and Chaos in Egypt and the Middle East</i></b></p><p><b>'Highly enjoyable. With sharp reporting and narrative flair, Mathews uncovers Greece's enduring entanglement with the Middle East. His fresh, insightful revelations made me want to book a flight immediately: Greece will never seem quite the same again.'  Erika Fatland, author of </b><b><i>The Border</i></b><b>,</b><b><i>Sovietistan</i></b><b>and </b><b><i>High</i></b></p><p><b>'A timely and colourful journey through Greece's oriental past and increasingly Middle Eastern future. The author identifies the new frontier between Europe and the Middle East and it runs through Greece.'  Michael Vatikiotis, author of </b><b><i>Lives Between the Lines: A Journey in Search of the Lost Levant</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A joyful, powerful oracle that will inspire you to start each day with a positive intention and to live in gratitude.</b></p><p>Each of the thirty-nine colourful cards in the <i>No Bad Days</i> oracle deck provides an affirmation as well as daily exercises. Further details are included in the accompanying guidebook, where you'll find suggestions for yoga positions, breathing techniques, an inspiring playlist, tips for personal development, prompts for intuitive writing, and more  so you can make the most of your message.</p><p>The deck is broken down into three themes referenced by the card's colour:</p><ul><li><b>Freedom</b> (orange) cards represent the past and are your foundation, your roots, the basis of your questioning.</li><li><b>Emergence</b> (pink) cards appeal to the present, convey your current state of mind, and shed light on your problem so you can move forward and shine!</li><li><b>Achievement</b> (blue) cards are the final path to personal fulfillment that we are all waiting for.</li></ul><p>Make this warm and sunny oracle part of your daily practice and let <i>No Bad Days</i> guide you with gentle wisdom toward joy, inner harmony, and a radiant sense of well-being.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ines Duhard</b> has a passion for life. She always sees the glass as half full and likes to get the best out of every experience. Between travel, van life, surfing, yoga, sports, social networking, and entrepreneurship, Ines likes to nourish herself with interests and live a passionate and creative life. People often ask her how she manages to be so positive and joyful despite the vagaries and worries of everyday life. Writing this oracle was her chance to offer a little guidance to finding a simpler, lighter, and more agreeable life. She lives in Mougins, France.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Turn My Head Into Sound: A History Of Kevin Shields And My Bloody Valentine</i></b><b> tells the story of one of the great sonic innovators of the late twentieth and early twenty-first centuries.</b></p><p>My Bloody Valentine have released only three albums in their forty-year career, but each of them has made a seismic impact. <i>Isn't Anything</i> (1988) is often cited as an Ur-text of shoegaze and dream rock; <i>Loveless</i> (1991) is an undisputed masterpiece heralded by many as the greatest album of the 1990s; <i>m b v</i> (2013) is one of the best-loved comeback albums in recent memory.</p><p>For those who know Kevin Shields and his work already, he is an indie-rock icon, but by other measures he's still a relatively obscure figure in the musical mainstream, and to date there has been no full-length appraisal of his work or his band's career. Until now.</p><p><i>Turn My Head Into Sound</i> is based on research gathered over decades as well as interviews with people who were there, some of them speaking on the record for the first time. Longtime fans of the band will find plenty of new information here, including the full story of the tumultuous period at Island Records following the release of Loveless.</p><p>Shields is truly a one-of-a-kind musician, and this book  which fills in the gaps, corrects errors, and takes an objective look at his and the band's entire career, warts and all  paints the full picture of one of the most revolutionary sonic artists of our time, including his work outside of MBV as an engineer, producer, remixer, and auxiliary member of Primal Scream, as well as his contributions to several films by Sofia Coppola.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Andrew Perer </b>is a music critic and researcher based in Los Angeles, California. This is his first book. For more information, visit turnmyheadintosound.com</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>More than eighty-five years after it ended in defeat for the Republicans and victory for the Nationalists headed by General Francisco Franco, the Spanish Civil War remains a subject of debate and contention. We live in a time of political polarisation, with opposing sides holding entrenched and unalterable positions and <i>War Without Mercy</i> sheds light on the consequences of such circumstances. It also presents a detailed but concise picture of this turbulent and pivotal moment in European history.</p><p>The Spanish Civil War was a war of firsts: the first in which civilians were targeted, through the bombing of cities. It was also the first 'photogenic' war in history, the growth in photo-journalism bringing images of the fighting and of the huge number of refugees that were created by the conflict to the newspapers and newsreels of other European countries. New weapons, technologies and strategies were tried out, rehearsing for the increasingly inevitable war on European soil.</p><p><i>War Without Mercy</i> examines the origins of this deadly conflagration which date back to the nineteenth century and which finds its causes in the issues of mass suffrage, social welfare reform, and land reform, as well as in the increasing tensions between urbanism and rural tradition. The course of the war is laid out, including descriptions of the major battles and incidents, incorporating details of the bombing of major cities, most harrowingly, of course, the bombing of civilians at Guernica, famously depicted in Pablo Picasso's painting of the atrocity. The reaction of the other nations of Europe is also examined  the 'non-intervention' promulgated by Great Britain and France, and the direct intervention of the fascist nations, Germany and Italy, in support of the Nationalist cause, support that took the form of troops, planes and armaments.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gordon Kerr </b>worked in bookselling and publishing before becoming a full-time writer. He is the author of several titles including <i>A Short History of Europe, A Short History of Africa, A Short History of China, A Short History of Brazil, A Short History of the First World War, A Short History of the Vietnam War, A Short History of the Middle East, A Short History of Religion </i>and <i>The War That Never Ended</i>. He divides his time between Dorset and Southwest France.</p>]]></Text>
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			<SubjectHeadingText>Party; Deng; Economic; Reform; Chinese; Hu; Policy; Power; Economy; Era; Government; Tiananmen; Leaders; Firms; Country; Soes; Jiang; Regime; Zhao; Market; War; Mao; Security; Leadership; Corruption; Central; Investment; Liberal; Soviet; Neo; Campaign; Conservatives; Forces; Democracy; Authoritarian; Ideological; Crackdown; Capital; Elite; Law; Domestic; Chen; Financial; Economic reform; Totalitarian; Strategic; Military; Party chief; Committee; Relations; Foreign trade; Politburo; Taiwan; Economic development; Rapid; Neo authoritarian; Foreign policy; Labor; Hardliners; Population; Hu jintao; Central committee; Modernization; Entrepreneurs; Industrial; Institutional; Xi jinping; Education; Crisis; Yaobang</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A provocative book that demystifies China's great democratic leap backward under Xi Jinping, revealing why the country's embrace of capitalism has given rise to hard authoritarianism, mass surveillance, and one-man rule instead of democracy as many in the West had hoped.</b></p><p>When China embarked on its transformative journey of modernisation in 1979, many believed the country's turn toward capitalism would put its totalitarian past to rest and mark the birth of a democratic, open society. Instead, China reverted to a neo-totalitarian state, one backed by one of the fastest-growing, most formidable economies on earth. <i>The Broken China Dream</i> pulls back the curtain on the regime of strongman Xi Jinping, revealing why the reforms of the post-Mao era have been reversed on nearly every front  and why the world failed to see it coming.</p><p>Exposing the truth behind China's economic ascendency after the Cultural Revolution, Minxin Pei shows how, following Mao's death in 1976, Deng Xiaoping strategically deployed the tools of capitalism to preserve the Chinese Communist Party. Deng kept intact the institutional foundations of totalitarianism even as he unleashed private entrepreneurship and courted foreign investment, giving China's one-party state control of a vast repressive apparatus and the most critical sectors of the economy. Only a fragile balance of power among dueling factions prevented the rise of a totalitarian leader in the two decades after the Tiananmen crackdown in 1989  but this temporary equilibrium collapsed.</p><p>Essential to understanding today's China, this meticulously researched book is a sobering account of why the country's reformers and institutions could not stop a shrewd and ruthless politician like Xi from resurrecting dormant totalitarian practices that, for the foreseeable future, have spelled the end of the dream of a free and prosperous China.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Minxin Pei</b> is the author of several acclaimed books on contemporary China, including <i>The Sentinel State: Surveillance and the Survival of Dictatorship in China</i>, <i>China's Crony Capitalism: The Dynamics of Regime Decay</i>, and <i>China's Trapped Transition: The Limits of Developmental Autocracy</i>. He is the Tom and Margot Pritzker '72 Professor of Government and a George R. Roberts Fellow at Claremont McKenna College.</p>]]></Text>
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			<SubjectHeadingText>active imagination; All books by C. G. Jung, particularly those; edited by the Philemon Foundation; amplification; C. G. Jung; case histories; collective unconscious; Consciousness and the Unconscious; Dream; Dream Symbols of the Individuation Process; dreams; Ernst Falzeder; History of Modern Psychology; Martin Liebscher; phantasies; Psychology of Yoga and Meditation; Suzanne Gieser; symbols; Patient; Freud; Impression; Death; Spirit; Stone; Room; Doctor; Relationship; Earth; Psychology; Sister; Human; Child; Jung; Soul; Evil; Spiritual; Water; Crazy; Grandfather; Sun; Century; Church; Imagine; Christ; Family; Secret; Ancient; Personality; Situation; Grail; Entire; Memory; Anima; Space; Animals; Alchemy; Mystery; Bollingen; Sexuality; Devil; Development; Religious; Christian; Psychic; Wonderful; Daughter; Incredible; Fantasies; Darkness; Analysis; Town</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>In 1957, at the age of eighty-one, C. G. Jung began a collaboration with his student and secretary Aniela Jaffe and the legendary publisher Kurt Wolff on a book about his life. <i>Memories, Dreams, Reflections</i> would become a bestseller, yet it draws from less than half of Jaffe's original interviews with Jung. Much of the material from these candid, wide-ranging conversations was left on the cutting-room floor. <i>Jung's Life and Work</i> presents these interviews in their entirety for the first time.</p><p>Marking the 150th anniversary of Jung's birth, this new English translation captures the cadence and subtlety of the brilliant psychologist in his own words, giving voice to a thinker and teacher who is by turns witty and intellectually daring but also vulnerable and humbled by the world's great mysteries. It restores numerous passages that were originally omitted or heavily edited and toned down for publication, 'auntified' as Jung himself put it. Taken together, these talks reveal Jung actively discovering meaningful new connections in his life's work. He shares his impressions of notable figures he encountered throughout his life  such as Sigmund Freud, William James, Albert Einstein, and H. G. Wells  and describes his striking visions, religious and paranormal experiences, and pioneering self-experimentation. Aided by Jaffe's skillful questioning, Jung reflects on subjects ranging from Christianity and Buddhism and the fate of the West to the experiences that led to the formulation of his signature concepts of the collective unconscious, archetypes, anima and animus, and the shadow as well as on karma, the afterlife, and much more.</p><p>With an introduction and extensive annotations by acclaimed Jung scholar Sonu Shamdasani that provide invaluable historical perspective, <i>Jung's Life and Work</i> includes previously unpublished extracts from Jung's letters and a completely reorganised text.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>C. G. Jung</b> (18751961) was one of the most important psychologists of the twentieth century and the founder of analytical psychology.<b> </b></p><p><b>Aniela Jaffe</b> (19031991) was an analyst and longtime collaborator with Jung. </p><p><b>Sonu Shamdasani</b> is Professor of Jung History and Co-Director of the Health Humanities Centre at University College London and the editor of Jung's <i>Red Book</i>. </p><p><b>Thomas Fischer</b> is an editor at the Foundation of the Works of C. G. Jung and a great-grandson of Jung. </p><p><b>Heather McCartney</b> is a Jungian analyst and the translator of <i>Analytical Psychology in Exile</i> (Princeton). </p><p><b>John Peck</b> is a Jungian analyst and acclaimed poet.</p>]]></Text>
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			<SubjectHeadingText>PVC; Sacrifice Zones; Saran Wrap; biodegradable; bioplastics; cancer alley; carcinogens; chemical recycling; climate change; disposable; endocrine disruptors; environmental justice; environmental racism; forever chemicals; global warming; microplastics; petrochemical; plastic; pollution; polyvinyl; recycling; reusable; single-use plastic; styrofoam; synthetic turf; toxic plastic; vinyl chloride</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Entertain yourself and get inspired with the activities, tips, and bullet journalstyle trackers in this activity book designed for the sober curious  the perfect companion to a year of drinking less or zero alcohol!</b> </p><p>You've made the decision to explore what sober living is all about. Maybe you don't like how you feel after drinking, maybe you don't like who you become when you drink, or maybe you're just trying to be a little healthier. Whatever the reasons behind your decision, this activity book is here to help you stay entertained, inspired, and on the right track. The friendly advice, proven tips, fun activities and games, and convenient organisational tools will help you during your year of sober curious living. In a world that can seem completely centred around drinking, this little book can be something you come back to now and then, or something you incorporate into your weekly routine. No matter how you decide to use<i> The Sober Curious Activity Book</i>, it is the perfect thing to have on hand if you're looking for a bit of fun and friendly companionship on your journey!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Niesha Davis</b> is a Black American writer and editor currently residing in Chicago. As a health and wellness writer, her bylines include<i> Prism, Health, Women's Health, Everyday Health,</i> and <i>Livestrong.</i> Previously she was the digital and sex editor for the lifestyle-feminist publication BUST. Niesha grew up in Cleveland, Ohio, and received her BA in theatre and English from The New School. In addition to working in media, she is an avid traveller and vlogger. Keep up with her on Instagram @brwnandabroad.</p>]]></Text>
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			<Text textformat="02"><![CDATA[In this one-of-a-kind book, Inka shaman Jorge Luis Delgado teaches readers the three pillars of his culture's spiritual tradition: munay, llankey, and yachay  or love, service, and wisdom. Readers will learn through stories and rituals how to embrace these values and their own inner sun.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Three Keys to a Harmonious Life</b></p><p><b>'The most powerful tools are not invented; they are rediscovered. Jorge Luis Delgado, one of my teachers, unearths a timeless, potent formula for a life of purpose:</b> <b><i>Love, Service, Wisdom</i></b><b>. This book will change how you see your place in the world.'  don Jose Ruiz,</b> <b><i>New York Times</i></b><b> bestselling coauthor of</b> <b><i>The Fifth Agreement</i></b></p><p>In the heart of the Andes, the ancient Inkas cultivated a spiritual philosophy that created one of the most harmonious and advanced civilisations on Earth. For them, the secrets to a life of meaning, purpose, and connection were found in three simple, yet profound principles: munay (love), llankay (service), and yachay (wisdom).</p><p>Author Jorge Luis Delgado was a modern man, determined to pursue material success and leave the 'old ways' behind. But the wisdom of his ancestors had other plans. From his beginnings as a suitcase-toting child on the streets of Peru to his awakening as a respected chakaruna  a bridge person between worlds  Delgado's extraordinary journey reveals how these timeless principles are not relics of the past, but urgently needed guides for navigating modern crisis and change. In this book, Delgado will teach you how to:</p><p><b>Cultivate munay</b>, the unconditional love that recognises the sacred in all beings.<br/><b>Practice llankay</b>, transforming your daily actions into a prayer of sacred service.<br/><b>Access yachay</b>, the deep wisdom that flows from your connection to the cosmos.</p><p>More than a philosophy, this is a practical path to inner and outer transformation. Through personal stories, insightful teachings, and accessible practices, you will discover how to build bridges  from your mind to your heart, from your personal life to the collective whole, and from a world of separation to one of unity.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A daily interactive journal to deepen your understanding of astrology and your unfolding purpose.</b></p><p>Whether you are looking to read your own birth chart, create drills according to the energy of each zodiac sign, or establish rituals to connect with yourself, <i>Self-Love Astrology Journal</i> serves as an invaluable tool for personal growth.</p><ul><li>Engage in creative activities tailored to your zodiac sign.</li><li>Discover the essence of your sun, ascendant, and moon signs.</li><li>Work actively on manifesting your purpose in harmony with your astrological influences.</li><li>Share insights and discoveries with friends during astrological gatherings.</li><li>Take inspiration from a celebrity muse for each zodiac sign, including Beyonce, Taylor Swift, and Jennifer Lopez.</li></ul><p>Your purpose is waiting to be uncovered, and the completion of this magical journal culminates in an oasis of self-reception where abundance awaits you.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Unlock the mysteries of your past lives.</b></p><p>A collection of over 250 open-ended prompts to inspire your past-life journey, <i>Past Life Prompts</i> by M. Belanger is your personal journal for self-directed memory work. Explore deep sensory and emotional triggers on your own schedule, taking time to reflect on and record everything that comes to mind. Bookending the prompts are instructions for how to approach memory work, why it's important, and how to avoid common pitfalls such as cryptomnesia and wish fulfillment.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>'Financial Sorcery</i></b><b> has so much in it that I've never seen in any book on the subject of money and magick, and I highly recommend it to anyone who wants to change their relationship with money and have it serve them, instead of the other way around.'  Mat Auryn, bestselling author,</b> <b><i>Psychic Witch</i></b></p><p><i>Financial Sorcery</i> will give you step-by-step instructions on how to improve your fiscal situation  combining timeless financial wisdom with enhanced sorcery. Author Jason Miller teaches not only magical exercises to improve your finances but also the mindset for financial wellness and tools for traditional financial planning so you can continue to grow your wealth.</p><p>This life-changing book goes far beyond simple 'money magic', sharing not only the magic skills needed to succeed but also the money mindset. This is a tome of true financial sorcery that will show you how to ensure success no matter what life throws at you.</p><ul><li>Stop using magic to fix emergency problems and start using it to build your dream life</li><li>Use times of economic uncertainty to create new opportunities rather than cause problems</li><li>Work joyfully with money as part of your spiritual discipline rather than as a necessary evil</li><li>Deploy strategic sorcery to kill your debt</li><li>Make offerings to help increase the flow of prosperity around you</li><li>Ditch old concepts and retrain your mind to make money in today's world</li></ul><p>This revised edition of <i>Financial Sorcery</i> contains a new introduction, an all-new chapter, and updates throughout.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jason Miller</b> (Inominandum) has devoted more than three decades to studying practical magick in its many forms. He is the author of six books, including the now classic <i>Protection &amp; Reversal Magick</i> as well as<i>Consorting with Spirits</i>, <i>Real Sorcery</i>, and <i>The Elements of Spellcrafting</i>. He teaches several courses online, including the Strategic Sorcery One-Year Course, the Sorcery of Hekate Training, and the Black School of Saint Cyprian. He lives with his wife and children in the mountains of Vermont. Find out more at <i>StrategicSorcery.net</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A reflection on the many manifestations of broken trust in nonmonogamous relationships, and how to heal from them.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A reflection on the many manifestations of broken trust in nonmonogamous relationships, and how to heal from them.</b></p><p>Nonmonogamy can assume many shapes, none of which can claim to be a 'safe' model of intimacy. The jet-setting passport paramour who fits the needs of many far-flung lovers into a single carryon has as many opportunities to do right or wrong by their partners as the members of a homebound triad who prefer raising a family to raising hell on the nightlife scene.</p><p>Even the most casual of connections requires trust, and where there is trust, there is the potential for betrayal. As long as there have been love stories, there has been love lost through deception, abandonment, or callous disregard of intimate bonds. Intimacy, exclusive or otherwise, can be exploratory or confined, collaborative or autonomous, but one thing it can never be is risk free.</p><p>Yes, there is cheating in nonmonogamous relationships. There are other forms of betrayal, too: the cliquish injustices of in-group bullying, the violation of having personal information shared by a trusted partner, the humiliation of seeing someone who claimed to love you 'trade up' for a partner with more social, sexual or plain old economic capital. Trust can be broken, and in turn break people, in a great number of ways.</p><p>In <i>Nonmonogamy and Betrayal</i>, Eve Rickert, co-author of <i>More Than Two, Second Edition: Cultivating Nonmonogamous Relationships with Kindness and Integrity</i>, explores a regrettable inclination among many who practise nonmonogamy: to downplay or minimise the destructive capacity of broken trust, both to the betrayed partner and to the larger community. <i>Nonmonogamy and Betrayal</i> not only unravels the varieties of betrayal that can occur in nonmonogamy, but explores pathways to recognition and healing.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Dark Shadow, Golden Shadow provides the tools and guidance necessary to embark on a journey of self-discovery and healing with the added benefit of using tarot and other magickal tools as a way to gently explore the depths of our psyches  both challenging (the dark) and positive (the golden).]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Dark Shadow, Golden Shadow</i></b><b> provides the tools and guidance necessary to embark on a journey of self-discovery and healing with the added benefit of using magickal tools as a way to gently explore the depths of our psyches  both challenging (the dark) and positive (the golden).</b></p><p>Shannon Knight's approach to shadow work is deeply rooted in secular, therapeutic, and psychological principles, but she recognised the valuable role that magick, archetypes, and symbolism play in this process.</p><p>Unlike other books on the subject, <i>Dark Shadow, Golden Shadow</i> incorporates the use of tarot as a prominent tool that serves as a method of self-reflection, offering a portal to our subconscious and helping us access parts of ourselves that we otherwise may have been unable to. The imagery and archetypes help facilitate a dialogue with our shadow, making it easier to converse with the repressed and hidden parts of ourselves.</p><p>To create harmony and reduce tension between the logical and mystical aspects of ourselves, we need to be curious about multiple ways of being, experimenting with how these impact us  for better or for worse  and then figuring out what to do with this information. Through exercises, techniques, and insights, <i>Dark Shadow, Golden Shadow</i> allows you to gently explore the depths of your psyche, uncover different parts of yourself, and navigate the path toward greater self-acceptance. It's the ultimate process of 'looking in the mirror'.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The complex and multifaceted relationship between economic factors and conflict.</b></p><p>In this book, Stephen Brooks provides a systematic empirical and theoretical examination of how economic factors influence security affairs. Empirically, he analyses how economic variables of all kinds affect interstate war, terrorism, and civil war; in total, sixteen pathways are examined. Brooks shows that the relationship between economic factors and conflict is complex and multifaceted; discrete economic factors  such as international trade, economic development, and globalised manufacturing, to name a few  are sometimes helpful for promoting peace and stability, but at other times are detrimental. Brooks also develops a stronger theoretical foundation for guiding future research on the economics-security interaction. Drawing on Adam Smith, he provides a more complete range of answers to the three key conceptual questions analysts must consider: how economic goals relate to security goals; what economic factors to focus on; and how economic actors influence security policies.</p><p>Combining an innovative theoretical understanding with empirical rigour, Brooks's account will reshape our understanding of the political economy of security.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Stephen G. Brooks</b> is professor of government at Dartmouth. He has written four other books, including <i>Producing Security</i> (Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The courtroom drama that denied the legitimacy of slavery in late medieval Europe.</b></p><p>In 1387, a young Muslim woman from North Africa was captured on a galley in the Bay of Naples and brought to Marseille as a slave. For more than ten years, she was held in bondage to a shipwright and privateer named Peire Huguet. Daniel Lord Smail tells the extraordinary story of Magdalena Coline, a woman who dared to file suit against the man who called himself her master, and whose passage from servitude to freedom raises tantalising questions about how the people of her time made sense of slavery as a social category.</p><p>In a masterful narrative that takes readers from the waters of the Mediterranean to the court of the Angevin King Louis II, claimant to the throne of Naples, Smail describes how Peire, pressed by Magdalena's supporters, reluctantly granted her a tacit manumission through her marriage to her first husband, whose death two years later placed her in a state of considerable ambiguity. In 1406, following her second marriage to an immigrant shoemaker, a dispute with Peire exploded in the law courts of Marseille, where it played out over two tumultuous years through numerous suits and appeals. In a dramatic turn of events, Magdalena traveled to the royal court in nearby Aix-en-Provence, where she successfully petitioned the king and returned home victorious.</p><p>Drawing on court records and an array of other archival sources from the period, <i>Magdalena Coline</i> brings these remarkable legal proceedings vividly to life, shedding new light on the ways slavery was understood and practiced in the late medieval Mediterranean world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Daniel Lord Smail</b> is Frank B. Baird, Jr., Professor of History at Harvard University. His books include <i>Legal Plunder: Households and Debt Collection in Late Medieval Europe</i> and <i>The Consumption of Justice: Emotions, Publicity, and Legal Culture in Marseille, 1264-1423</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The first full-length English translation of the 1909 book from the revolutionary Russian Marxist feminist Alexandra Kollontai on the state of the contemporary bourgeois women's movement and the role of working-class women in the struggle for women's equality.</p><p>In this classic text from 1909, Alexandra Kollontai, a leading early figure in the Marxist feminist movement, discusses the history and socioeconomic roots of the struggle for women's equality. Examining the movement for women's equality in late 19th century Russia, she discusses how upper-class liberal feminists ignored or patronized working-class women. The interests of upper-class women and their focus on suffrage and philanthropy meant that their organisations and movements could not be reliable allies to women of the working class.</p><p>Many of the issues that Kollontai touches on in this book remain alive today, as the struggle for gender equality is dominated by liberal bourgeois groups while revolutionary leftists attempt to address intersecting systems of oppression without being co-opted by neoliberal feminism. Kollontai's argument that the feminist movement needs to be part of broader working class struggles for liberation is as important and powerful today as it was in the early twentieth century.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexandra Kollontai</b> (1872-1952) was a Russian revolutionary, politician, diplomat and Marxist thinker. Serving as the People's Commissar for Welfare in Vladimir Lenin's government in 1917-1918, she was a highly prominent woman within the Bolshevik party and the first woman in history to become an official member of a governing cabinet. She worked tirelessly all her life as a speaker, writer, and organizer for women's emancipation.</p><p><b>lise Hendrick</b> has been working as a freelance translator of a wide variety of medical, legal, technical, literary, and political material since the late 1990s. Her working languages include Russian, Japanese, German, Spanish, French, Italian, Norwegian, Dutch, Portuguese, English, Swedish, Danish, Flemish, Afrikaans, Bosnian, Serbian, Croatian, Bulgarian, Romanian, Korean, Catalan, and Yiddish, and are likely to expand soon to include Chinese (simplified and traditional) and Finnish.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>How did Vladimir Putin win Russians' support for his genocidal war in Ukraine and why are so many of them willing to embrace fascism? This vivid, bottom-up narrative reveals the dark realities of youth fascism in Russia  and the darker future awaiting the country if that hold cannot be broken.</p><p>Wartime Russia is drowning in fascist symbols. Zealous patriots attack journalists, opposition activists, and anyone suspected of betraying the motherland. Hordes of online trolls and sleek videos of angry young men urge citizens to join the cause. State television terrifies viewers with false tales of anti-Russian conspiracies and genocidal yearnings. Child soldiers proudly parade across Red Square. This is Russia in the 2020s: a land of performative rage and nationalist untruth, where pretence and broken promises are a way of life, and an apocalyptic mindset is seizing tomorrow's Russians.</p><p>As compelling as it is chilling, <i>Z Generation</i> shows how Russia has ended up here, and where its young people may be headed: a fascist generation more violent and ideological than anything the country has seen before.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A searing indictment of how Afghan elites and the Western powers pulled the rug on the Afghan people, abandoning them to their fate.</p><p>The Taliban's takeover of Afghanistan in 2021 was the result of declining active support for the government, and of waste and inefficiency in aid delivery. Yet, while corrosive, these problems were not in themselves sufficient to have brought about a collapse. To a significant degree, they were the result of early failings in institutional design, reflecting an American inclination to pursue short-term policy approaches that created perverse incentives  thus interfering with the long-term objective of stability.</p><p>This book exposes the true factors underpinning Kabul's fall. The Afghan Republic came under relentless attack from Taliban insurgents who depended critically on Pakistani support. It also suffered a creeping invasion that put the government on the back foot as the US tried and failed to deal with Pakistan's perfidy. The fatal blow came when bored US leaders naively cut an exit deal with the enemy, fatally compromising the operation of the Afghan army and air force and triggering the final collapse, with top leaders at odds over whether to make a final stand in Kabul.</p><p>The Afghan Republic did not simply decline and fall. It was betrayed.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ahmad Shuja Jamal </b>is a lawyer, policy researcher and former Afghan senior civil servant. He was director-general for international relations and regional cooperation at Kabul's National Security Council (2019-2021), where he also served as director for peace and civilian protection. Formerly a researcher for Human Rights Watch, he was also director for development at the American University of Afghanistan. After leaving Afghanistan, he was head of policy, advocacy and communications at the Jesuit Refugee Service (Australia) and a special advisor at the Refugee Council of Australia, and is currently a lawyer at a top-tier Australian firm. William Maley is Emeritus Professor of Diplomacy at Australian National University, and the author of many books on Afghan politics and history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Living life on the edge  the memoir of a legendary AP war correspondent.</b></p><p>This is the remarkable life story of Denis D. Gray, born Zdenek Mecir in communist Czechoslovakia, who went on to a celebrated career as a foreign correspondent for the Associated Press.</p><p>From the front lines of the Vietnam War and the 'Killing Fields' of Cambodia to foxholes in Iraq and Afghanistan, Gray chronicles eight decades of upheaval and resilience in this highly personal memoir. He reflects on a world of relentless change and fleeting beauty, torn between the urge to seek a quiet refuge  a 'lost horizon' of peace  and the irresistible pull of life on the edge.</p><p><b>'In</b> <b><i>Lost Horizons</i></b><b>, I try to make sense of it all as best I can. I tell my story and those of others  not only people but cities, countries and conflicts  through imperfect eyes. I chose not to present these accounts as a strictly chronological narrative but by subject and theme. In so doing, I hope to have captured the unique period in history during which I lived, loved and lost.'  Denis D. Gray</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The remarkable story of the last Ottoman Caliph, exiled by Atatrk, who tried to recreate the Caliphate in the Indian princely state of Hyderabad.</p><p>Abdulmejid II was a talented painter, music enthusiast and Francophile. He was also the last Ottoman Caliph, expelled from Istanbul in March 1924 when Turkey abolished the 1,300-year-old Caliphate.</p><p>From his villa on the French Riviera, Abdulmejid launched a plan to resurrect the institution and transform world history. Indian politician Shaukat Ali brokered a marital alliance between the Ottomans and the Nizam of Hyderabad, the world's richest prince, who governed a state the size of Italy in the Indian subcontinent.</p><p>This saw the union of Islam's two greatest houses, and of the Islamic west and east. It cemented Hyderabad's status as a global Muslim capital, and left Abdulmejid's grandson, the Ottoman prince and the designated Nizam-in-waiting, perfectly placed to claim the Caliphate. But Partition in 1947 and the annexation of Hyderabad the following year spelled the end of this prospect.</p><p>Exploring the lives, cultures and sensibilities of an amazing cast of players, <i>The Indian Caliphate </i>details this extraordinary history, which for decades has been consigned to near oblivion. This story of the downfall of two Muslim dynasties reveals a forgotten fact: that India was, in many ways, the very epicentre of the Islamic world in the early twentieth century.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A fascinating cultural history of Europe's greatest port city, 'capital' of the Mediterranean.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Marseille is a thoroughly ambiguous place. France's second city and its major sea-port, its impact on the national imagination is unparalleled. Yet it is also a frontier city, arguably capital of the Mediterranean, and with a traditionally suspect allegiance to the French nation. This apartness, and the city's long and rich history as home to migrants, workers and organised criminals, has cemented its association in the popular imagination with exoticism and illicit activity.</p><p>In this history, Nicholas Hewitt explores Marseille's extraordinary cultural wealth from the Revolution to the present century, charting the development of its bad reputation, its 'rogue status' within France, and its international importance. The narratives devoted to this great port city range from the legend of its football team to The Count of Monte Cristo. Hewitt discovers Marseille through the eyes of writers, painters and sculptors, film-makers, music hall stars, architects and rappers; from the viewpoints of French, German, British and American visitors; and as a celebration of its humane cosmopolitanism, often in contrast with national French sentiment.</p><p><i>Wicked City</i> is a vivid and complex portrait of one of the Mediterranean's great cities, going beyond the popular stereotypes to uncover the true Marseille in its full richness.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nicholas Hewitt</b> (d. 2019) was the editor of French Cultural Studies, an emeritus professor of French and Francophone Studies at the University of Nottingham, and a specialist in twentieth-century French cultural and literary history. He is the author of <i>Montmartre: A Cultural History.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Investigates how Chinese state entities have compromised British business and politics at the highest levels.</b></p><p>In the 2010s, as China slid deeper into authoritarianism and the UK veered towards political uncertainty, the two countries declared a 'Golden Era' of relations. This challenge to the established international order came amid rising global concern around Chinese party-state intrusions abroad.</p><p><i>All That Glistens </i>peels away the shiny exterior of the Sino-British 'golden age' to reveal a relationship built on global capitalism, British corruption and Chinese Communist Party influence over UK affairs  to the disquiet of London's allies.</p><p>Drawing on his years on the ground in Beijing, as well as investigative research using open-source intelligence, Martin Thorley's timely book sheds light on a murky aspect of international relations. He reveals coordinated Chinese state actions reaching into the heart of Parliament, and the widespread compromise of British politics by Chinese commercial entities  particularly nuclear energy, property development and currency-trading enterprises. Exposing the close connections between Western financialisation and China's geopolitical interference, this book offers a cautionary tale for all liberal democracies.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Martin Thorley </b>is a senior analyst at the Global Initiative against Transnational Organized Crime, exploring state crime and shadow international relations. A Mandarin-speaker and former postdoctoral research fellow at the University of Exeter, he spent over six years living, studying and building a business in China. He holds a PhD in Contemporary Chinese Studies from the University of Nottingham, and is a former Chiang Ching-kuo doctoral fellow.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Regenerative Economics is based on the deceptively simple idea that an economic system should emulate the process and patterns that define all life. This science-based next evolution of economics explains the root cause of the polycrisis and promises a hopeful pathway forward, rooted in unseen potential and abundance]]></Text>
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			<Text textformat="02"><![CDATA[<p>Transform how you see the economy  and what's possible. Discover a science-based, hopeful path beyond crisis thinking with a regenerative model that works like a living system, helping leaders, communities, and citizens navigate climate chaos, inequality, and ecological breakdown with clarity and purpose.</p><p>This groundbreaking book reveals why today's economic model is failing  and how a regenerative approach can unlock resilience, justice, and health for people and the planet. Instead of reacting to crisis after crisis, a regenerative economy creates the conditions for systems to thrive, adapt, and evolve.</p><p>This bold rethinking of economics for a world in crisis:</p><ul><li>Identifies the hidden fatal flaw driving today's polycrisis</li><li>Explains regenerative design principles rooted in living systems</li><li>Offers actionable steps and transformative policies for real change</li><li>Moves beyond sustainability, circularity, and degrowth toward whole-system health</li><li>Illuminates a path forward that aligns economic activity with ecological limits</li></ul><p><b>Why this book matters now</b><br/>As climate disruption, biodiversity loss, and inequality accelerate, this work provides a hopeful, rigorous framework for redesigning our economic future  one grounded in science, values, and the deep wisdom of natural systems.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John Fullerton</b> is an unconventional economist, impact investor, writer, and, some have said, philosopher. He is considered the architect of Regenerative Economics, first conceived in 2015 in the work <i>Regenerative Capitalism: How Universal Patterns and Principles Will Shape the New Economy.</i></p><p>After a successful 20-year career on Wall Street where he was a Managing Director of what he calls 'the old JPMorgan', John listened to a persistent inner voice and walked away in 2001 with no plan, but many questions. A few months later he experienced the events of 9/11 firsthand, and after the 2008 Financial Crisis, John created the Capital Institute to explore ever deepening questions about the future of capitalism.</p><p>John's revolutionary ideas have been met with wide, global acclaim through his writings, talks, and his 8-week online course 'Introduction to Regenerative Economics'. A member of the Club of Rome, John was featured in the 2021 award winning documentary, Going Circular, with James Lovelock. He lives in Stonington, CT.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The tiny 1 sq km precinct of Potts Point &amp; Elizabeth Bay is a national treasure containing the best collection of some 100 Art Deco (1930s and 40s) &amp; Modernist (1960s) apartment blocks in Australia.</b></p><p>This book provides a self-guided 2-3 hour tour of this landmark area which was Sydney's first exclusive suburb. It still retains remnants of its 19th century glory with some nine colonial mansions, but is even more distinctive because of its 20th century Art Deco and Modernist built heritage.</p><p>Important Australian architects are represented with five beautiful Art Deco buildings by Emil Sodersten and five Modernist gems by Harry Seidler.</p><p>Potts Point and Elizabeth Bay is sited only 2 kms from the city on the harbour with beautiful parks and views. It has a village ambience and contains some of the best restaurants in Sydney.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Australian Business Book Awards 2025, Leadership Category**</b></p><p>Despite the surge of women into university, jobs and sitting in federal parliament, why are men still overwhelmingly running the show?</p><p>Fewer women are running governments, and the small proportion who make it as CEO has barely budged. The major culprit is right under our noses. Entrenched gender bias about who should be the boss means leadership is mainly seen as a masculine endeavour. And no matter how well qualified and experienced, women continue to be underestimated and face an obstacle course of sexism to get to the decision-making table.</p><p>In <i>Breaking the Boss Bias</i>, Catherine Fox sounds the alarm. She argues that toxic sexism woven through processes, beliefs, management, education and leadership norms is keeping privileged men in power, making decisions for us all. It's time for a new way to lead and to unlock the talent being wasted from boss bias.</p><p><b>'Forensically researched, tightly argued, suffused with Fox's trademark wit,</b> <b><i>Breaking the Boss Bias</i></b><b> presents a compelling case for more women leaders and asks the question  why are they still so rare?'  Jane Caro</b></p><p><b>'What a wake-up call! We are moving backwards on gender, and the stats for women who come from diverse backgrounds are staggering. This is compulsory reading for all leaders.'  Shirley Chowdhary</b></p><p><b>'No matter what they do or how high they fly, most women know what it feels like to be ignored or left out of decision-making. Instead of being fobbed off with excuses, this important and practical book outlines why it happens and what we can all do about it.'  Melissa Doyle AM</b></p><p><b>'This book isn't just about women but about building a better future for everyone. A powerful and important book for our times and must-read for all leaders.'  Kirstin Ferguson AM</b></p><p><b>'This meticulously researched case for change is exactly what we need to move us from incrementally playing around the edges to sustainable, systemic progress towards gender equality in leadership.'  Michelle Ryan</b></p><p><b>'Catherine cuts through the crippling stereotypes, exposes backlash and bias, delivers disruption and serves up seven steps for real change. She has proven to be Australia's corporate gender equality whisperer.'  Natasha Stott Despoja AO</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Walkley Awardwinning journalist <b>Catherine Fox</b> spent two decades at the <i>Financial Review</i>, writing the popular Corporate Woman column, and has consulted to many of Australia's largest organisations, including the ADF. She is the author of <i>Better than Sex</i> (with Helen Trinca), <i>Women Kind</i> (with Kirstin Ferguson), <i>The F Word</i> (with Jane Caro),<i> 7 Myths about Women and Work</i> and <i>Stop Fixing Women</i>. In 2022 she was made a member of the Order of Australia for services to journalism and gender equity.</p>]]></Text>
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			<SubjectHeadingText>Anti-colonial resistance; Asa Street; Bethlehem; British Mandate Palestine; Church of the Nativity; Cultural displacement; Diaspora; Diasporic identity; Dispossession and survival; Emotional cartography; Everyday life in exile; Exile and belonging; Family legacy; Historical trauma; Homeland and return; Intergenerational memory; Italian Hospital Amman; Jaffa Gate; Jerusalem; Jerusalem heritage; Language and heritage; Mamillah Road; Memory and resistance; Memory and storytelling; Middle Eastern conflict; Nakba and aftermath; Nakba narratives; Objects of memory; Palestine; Palestinian diaspora; Palestinian food culture; Palestinian history; Palestinian resilience; Palestinian-Australian; Photographs and archives; Ramallah; Recipes and rituals; Settler colonialism; Transnational identity; Visit Palestine poster; family memoir; migration</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Victorian Premier's Literary Awards 2026, Non-Fiction**</b></p><p><i>'If we were different people, to write down these words might be to leave them behind us. But words are our artifacts, and I am seeding a trail for the journey, home.'</i></p><p>What does the daughter of a Nakba survivor inherit? It is not property or tangible heirlooms, nor the streets and neighbourhoods of a father's childhood and the deep roots of family who have lived in one place, Jerusalem, for generation upon generation.</p><p>Fixing her gaze on moments, places and objects  from the streets of Bethlehem to the Palestinian neighbourhoods of the New Jerusalem  Micaela Sahhar assembles a story of Palestinian diaspora. <i>Find Me at the Jaffa Gate</i> is a book about the gaps and blank spaces that cannot be easily recounted, but which insists on the vibrant reality of chance, fragments and memory to reclaim a place called home.</p><p><b>'Micaela Sahhar's</b> <b><i>Find Me at the Jaffa Gate</i></b><b> is one of the most inventive, thought-provoking and captivating chronicles of Palestinian diasporic life I've had the pleasure of reading. It is a memoir written by a poet, poetry written by a novelist, literature written by an academic  it is all these things at once, insisting with a gentle yet unwavering confidence in the power of its unique, brilliantly evocative and genre-defying voice. Sahhar's love for her family, homeland, the details and intimacies of everyday life; for language, history, archives, photographs and the treasured ephemera of a life in diaspora, shine through every line. The result is a book in which every word is deliberate, each line commands attention, each chapter is a world within a world.'  Randa Abdel-Fattah, academic and writer, author of</b> <b><i>11 Words for Love</i></b></p><p><b>'Micaela Sahhar's family history has everything that makes any Palestinian family history worth telling and reading about. On the one hand, a rich culture that ranges from distinctive culinary practices to a distinctive sense of humour, and on the other hand, a tragic settler-colonial history of dispossession and oppression leading to a transnational diasporic existence, and that makes for a characteristic sense of space and place. But this is not any book about Palestine. Sahhar is a superior storyteller with a knack for highlighting evocative details. Storytelling, like any craft, embodies in different degrees the labour of the many people who have told stories about one's subject matter in the past. The more a writer is well-read the more this shows in the historical density and the social complexity of their storytelling. Sahhar's book is definitely dense and socially complex in this way. This could make for 'heavy' reading if it wasn't for Sahhar's superior writing skills. Indeed, I would say that more than anything else, this is a book for people who enjoy good writing, regardless of what the story is about. But of course, it matters what this story is about. This is a book about Palestine and Palestinians, and in the way the book is grounded in both the Palestinian tragedy and the Palestinian unlimited capacity to affirm life, the spirit of anti-colonial resistance animates every one of its pages. Sahhar finishes the book saying that like Mahmoud Darwish's father she hopes that one day she will be able to go to Palestine, to the streets where her family originates from, and shout</b> <b><i>I am I. And I am here</i></b><b>. But in a way, by writing this book, she already does that, if not from Palestine at least from the position she occupies within the transnational space of western colonialism.'  Ghassan Hage, professor of anthropology at the University of Melbourne and author of</b> <b><i>The Diasporic Condition: Ethnographic Explorations of the Lebanese in the World</i></b></p><p><b>'</b><b><i>Find Me at the Jaffa Gate</i></b><b> is an aching and tender study of diaspora, grief, memory and history. Sahhar has a masterful voice, playing subtly with tense and form to give agency to a beautifully layered narrative, interwoven with fragments, records and intimate moments of lives permanently changed by Nakba. Find Me at the Jaffa Gate tells an unmissable story of Palestinian survival and resistance across space and time.'  Evelyn Araluen, Bundjalung poet and author of</b> <b><i>Dropbear</i></b></p><p><b>'Sahhar chronicles the essential truths of Palestine with intricacy and finesse and in doing so, has crafted a mighty text that demands unbroken attention.</b> <b><i>Find Me at the Jaffa Gate</i></b><b> is a book that will be read, re-read, dog-eared, underlined and recited.'  Hasib Hourani, author of</b> <b><i>rock flight</i></b></p><p><b>'</b><b><i>Find Me at the Jaffa Gate</i></b> <b>opens with a recollection of the five-year-old Micaela bobbing off to preparatory school with pigtails, glasses and missing teeth. As she enters the classroom, her sense of self is shattered  in a nation that is home but not home, when a teacher butchers her family name and is visibly appalled when told the name is Palestinian. As the child of diaspora, born on the unceded lands of Australia, Micaela is ever conscious of the tension between being in exile on homelands now occupied; and living, working and writing on the occupied lands of Naarm  in colonial Australia  a site of invasion, and genocide.</b> <b><i>Find Me at the Jaffa Gate</i></b><b> writes of and to dispossession, displacement, trauma, loss, resilience and is testimony to the power of intergenerational story and memory that survives, and lives on so that all those who remain, and their children and children's children remember. In this polyphonic narrative, we hear many voices  some still living, others passed, now scattered across nations and continents, yet still connected through home  Palestine.'  Jeanine Leane, Wiradjuri writer, critic, poet and author of</b> <b><i>Gawimarra: Gathering</i></b></p><p><b>'At a time when Israel is literally trying to wipe Palestinians off the map, this book lands with a powerful thud of fury, beauty and resistance. Weaving personal stories with history in all its unvarnished details, Micaela Sahhar delivers a deeply affecting story that articulates one of the great outrages of our time.'  Antony Loewenstein, independent journalist, film-maker and author of</b> <b><i>The Palestine Laboratory</i></b></p><p><b>'</b><b><i>Find me at the Jaffa Gate</i></b> <b>is more than a lyrical memoir that binds personal storytelling with global history; Sahhar has built an archive for future generations. Readers interested in tales of migration and ancestral history will find a treasure trove in Sahhar's emotive and detailed offering.'  Hellai Gul,</b> <b><i>Books+Publishing</i></b></p><p><b>'</b><b><i>Find Me at the Jaffa Gate</i></b><b> has been one of my favourite books of the year.'  Alex Creece, author of</b> <b><i>Potty Mouth, Potty Mouth</i></b><b> and Online Editor at</b> <b><i>Archer</i></b></p><p><b>'</b><b><i>Find Me at the Jaffa Gate</i></b><b> is a story that traverses time and place, love and hate; it's a story of ongoing and unforgettable Palestinian survival.'  Readings</b></p><p><b>'[Through] beautiful prose, Sahhar pulls together a story, full of gaps and questions, about her Palestinian family, their memories and their connection to home.'  Celina Ribeiro,</b> <b><i>Guardian Australia</i></b></p><p><b>'This is a book that is about more than displacement  it's about resilience, truth-telling and the fragments of stories that are often forgotten but which form the bones and heart of what it means to Palestinian diaspora.'  Soaliha Iqbal,</b> <b><i>Missing Perspectives</i></b></p><p><b>'Author and poet Micaela Sahhar's lyrical story of generations of Palestinian diaspora is as timely as ever.'  Cheryl Akle,</b> <b><i>The Weekend Australian</i></b></p><p><b>'Sahhar not only reconstitutes an archive of her own family's past, she creates a new archive for the generations that follow.' </b> <b><i>This Week in Palestine</i></b></p><p><b>'Through the lens of her family's history Sahhar successfully immerses the reader in the big history and culture of Palestine, and the experience of being Palestinian.'  Rowan Cahill,</b> <b><i>Journal of Intercultural Studies</i></b></p><p><b>'One knows that</b> <b><i>Find Me at the Jaffa Gate</i></b><b> has been percolating for a long time when they read it. Within 48 short chapters, Micaela Sahhar pieces fragments of memory, speculation, and archival research to tell a story of both the construction of her selfhood and Palestinian family: 'not a story about wounds but about the preservation of something all its own'. It is a book full of brilliances even as occupation and exile cause history and geography to cut loose and spin around each other and as Sahhar herself asks, 'What does it mean to be exiled and how do we take our revenge?'</b> <b><i>Find Me at the Jaffa Gate</i></b><b> is a gift, a remarkable debut memoir that is simultaneously a work of poetry in its lyricism and feeling; humour, anger, warmth, grief and love eddy in a whirlpool to form a work about sumud and survival.'  VPLA judges' report</b></p><p><b>'No book is as essential for these past two years as Micaela Sahhar's</b> <b><i>Find Me at the Jaffa</i></b> <b>Gate.'  Winnie Dunn,</b> <b><i>Sydney Morning Herald</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Micaela Sahhar</b> is an AustralianPalestinian writer and educator living on Wurundjeri Country. Her essays, poetry and commentary have appeared in <i>Cordite</i>, <i>Meanjin</i>, <i>Overland</i>, <i>Rabbit</i> and <i>Sydney Review of Books</i>, among others. She is a Wheeler Centre Next Chapter Fellow (2021), a grant recipient from the Neilma Sidney Literary Travel Fund (2022), which enabled a trip to Jerusalem in the latter stages of writing this book, and was commended for the Peter Blazey Fellowship (2024).</p>]]></Text>
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			<Text textformat="02"><![CDATA[Acclaimed historian Henry Reynolds turns Australian history on its axis in a ground-breaking exploration of how colonisation north of the Tropic of Capricorn was very different to the southern states.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Victorian Premier's Literary Awards 2026, Non-Fiction**</b></p><p><b>Henry Reynolds' ground-breaking re-examination of Australian colonisation from the north down.</b></p><p>When acclaimed historian Henry Reynolds moved from Hobart to Townsville to teach Australian history in the 1960s, he discovered the books of the period covered very little about northern Australia and First Nations peoples. He set out to help remedy the situation and ended up transforming Australian history in ways he could never have imagined.</p><p>In <i>Looking from the North</i>, Reynolds again turns Australian history on its axis with an exploration of colonisation north of the Tropic of Capricorn. Reynolds tells the stories of the European, Chinese, Japanese and Pacific Islander people who were vital to the settlement of the north. Along with the experience of First Nations peoples, from employment on stations and as native police to the land rights and homelands movements, Reynolds shows how the colonisation of the north, officially beginning in 1861, was a very different venture to settlement in the south. He argues that it provides profoundly important lessons for the world we live in today.</p><p><b>'This book is another masterpiece by Henry Reynolds. It combines the personal with the professional historiography that trademarks his work. The skilful and meticulous detail of his writing will once again inform Australians that truth can heal this nation.'  Jackie Huggins</b></p><p><b>'Henry Reynolds was at the vanguard of young historians who burst onto the scene in the 1970s to shake the foundations of Australian history.</b> <b><i>Looking from the North</i></b><b> explores "national history from the north down", yet again challenging Australia's past. Meticulously researched and written, this latest work by Reynolds deserves its place alongside his other groundbreaking histories.'  John Maynard</b></p><p><b>'Henry Reynolds' map-flipping, mind-bending, gravity-defying book turns our colonial and national history on its stubborn head. By geolocating the axis of Australia's imperial enterprise in the continent's north, Reynolds challenges conventional assumptions of centre and margin; the value-laden hierarchy of proximate and remote. In doing so, the master storyteller changes the status of the people, power and perspectives that have shaped the nation's political trajectory. A radical revision of the past and a timely cartographic and conceptual blueprint for repositioning future relationships to law, sovereignty and country.'  Clare Wright</b></p><p><b>'What we call history is a thing greatly influenced by perspective. In his extraordinary career, historian Henry Reynolds has done more than most to change the perspectives that have led to accepted accounts of post-colonial Australia that have ignored the true and often violent nature of colonial occupation and dispossession in this country. With this new book,</b> <b><i>Looking from the North</i></b><b>, he flips the map to show just how much of the story of Australian colonialism and Indigenous post-colonial history is told from the vantage point of south eastern Australia. Looked at from north of the Tropic of Capricorn a new, revelatory and profoundly significant perspective emerges. That is the story of this remarkable book.'  VPLA judges' report</b></p><p><b>'This book is yet another of Reynolds' deeply rewarding studies.'  Raymond Evans, </b><b><i>The Conversation</i></b></p><p><b>'I can't recommend this book highly enough.'  Judith Brett, </b><b><i>The Saturday Paper</i></b></p><p><b>'In </b><b><i>Looking from the North</i></b><b>, Reynolds returns to his point of departure. What began in 1965 as the researching, writing, and teaching of 'local history' gradually came to spur the rewriting of the nation's history.'  Mark McKenna, </b><b><i>ABR</i></b></p><p><b>'</b><b><i>Looking from the North</i></b><b> is hailed as an immediate classic.'  Glyn Davis, </b><b><i>Inside Story</i></b></p><p><b>'The shift in perspective induced by this revelatory work of Australian history is nothing short of vertiginous.'  </b><b><i>The Sydney Morning Herald</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Henry Reynolds'</b> trailblazing work has changed the way we see the intertwining of black and white history in Australia. His books with NewSouth include T<i>he Other Side of the Frontier</i> (reissue); <i>What's Wrong with Anzac?</i> (as co-author); <i>Forgotten War</i>, which won the Victorian Premier's Award for Non-Fiction; <i>Unnecessary Wars</i>; <i>This Whispering in Our Hearts Revisited</i>; <i>Truth-Telling: History, Sovereignty and the Uluru Statement</i>; and, most recently, <i>Tongerlongeter: First Nations Leader and Tasmanian War Hero</i> (as co-author).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In 1975, the fight was alive. It was the year the United Nations declared International Women's Year as a marker of progress and aspiration. Fifty years on, award-winning journalist Virginia Haussegger shines a light on the feminist revolution in Australia, capturing its spirited momentum and a fatigued lag.</p><p><i>Unfinished Revolution</i> tells a fresh story of feminist action in this country, from the largest women's protest rally  March4Justice in 2021  to the dynamic Australian Women's Liberation Movement of the 1970s. With a focus on gender and power in politics and the media, from national consciousness raising to shifting media narratives, this book is an exploration of what feminist change looks like.</p><p><b>'Here is contemporary history at its best. Virginia Haussegger presents Australian feminism as a promise of liberation that gutsy, passionate and brilliant women have pursued not in waves but persistently, across eras and generations.</b> <b><i>Unfinished Revolution</i></b><b> should be compulsory reading for anyone serious about understanding, in its historical and global context, Australia's own #MeToo "moment" of 2021 as well as the wider possibilities for a resurgent feminism amid continuing gender discrimination, male violence against women and anti-feminist backlash.'  Frank Bongiorno AM</b></p><p><b>'Virginia Haussegger is not just a brilliant journalist, but an original and insightful thinker and feminist. I will read anything she writes. And I recommend you do too.'  Jane Caro AM</b></p><p><b>'In</b><b><i> Unfinished Revolution</i></b><b>, Virginia Haussegger stares down a terrifying global swing to the far-right and yells: Enough. This is the battle cry we desperately need right now, one that refuses to be watered down into niceties that ask politely for equity. This is a book that dares to fight back, and pulls no punches.'  Hannah Ferguson</b></p><p><b>'At a time of global backlash against women and the women's movement,</b> <b><i>Unfinished Revolution</i></b><b> is a spirited piece of feminist scholarship. It practically hums with righteous fury. For those who were at the pointy end of some of the historical changes in the Australian cultural zeitgeist that it charts, it is a timely reminder of what can, and has been, achieved. It acknowledges that there have been some painful moments along the way. That change is not always linear, that setbacks abound, but none of these things are cause for despondency and complacency. There is a relentless, almost bloody-minded optimism in these pages. It feels like a book which urges women to pick themselves up, dust themselves off, and just keep marching.'  Louise Milligan</b></p><p><b>'A brilliant read. And a reminder that feminist change is possible and it's happening right now.</b> <b><i>Unfinished Revolution</i></b><b> honours the Australian feminist movements past and present that have shaped our lives today. A must-read for every young Australian woman ready to build the next chapter of the feminist fight.'  Yasmin Poole</b></p><p><b>'There are fascinating stories here, celebrating revolutions and revolutionaries small and large...Haussegger has done her research thoroughly.'  Marian Quartly, </b><b><i>Inside Story</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A celebrity decorator with blue hair. A single mother who advised JFK in the Oval Office. A Christian nudist with a passion for almond milk.</b></p><p>A century ago, ten Australian women did something remarkable. Throwing convention to the wind, they headed across the Pacific to make their fortune. In doing so, they reoriented Australia towards the United States years before politicians began to lumber down the same path.</p><p>For the artist Mary Cecil Allen, this meant spreading the word about American abstract expressionism. For the naturopath Alice Caporn, it meant evangelising fruit juices and salads. For the swimmer Isabel Letham, it was teaching synchronised swimming. Others imported the latest thinking in dentistry, fashion, design, economics, law, music, medicine and more. They were rebels, they were trailblazers, they were disruptors. Individually, they have extraordinary stories; together, they change the narrative of Australian history.</p><p><b>'Thoughtful and curious, critical and kind, Yves Rees's study of these globetrotting Australian women richly renders their lives and times, as well as contemplating how we reach across time to read them today.'  Anna Clark, Australian Research Council Future Fellow, University of Technology Sydney</b></p><p><b>'Fresh, captivating, and full of fantastic women. Yves has somehow managed to assemble the greatest fantasy dinner party you never knew you needed, whilst also uncovering a fascinating and untold side of our history. A real treat.'  Zoe Coombs Marr, comedian, performer and actor</b></p><p><b>'Yves Rees has the remarkable ability to bring history into the present, reminding us all that the only thing that really separates the generations is a linear notion of time.</b> <b><i>Travelling to Tomorrow</i></b> <b>gives voice to the women at the forefront of Australia's own "American Revolution". What I love most about Yves is how they bring an unwavering commitment to human rights in their exploration of history, the language of equality ever-present in their handling of the past. In Rees, we have found a historian of rare skill  they possess the ability to tell us something we didn't know about something we thought we did.'  Clementine Ford, feminist writer, columnist and broadcaster</b></p><p><b>'This book is a knockout. Yves Rees is that rare historian who thinks like a scholar and writes like a dream  the literary equivalent to floating like a butterflying and stinging like a bee. You will want to meet these fearless and feisty women: women not only before their time in forging new geocultural paths to independence but also making their times by putting flesh to the bones of modernity. Rees gives us their stories in full-bodied, hot-blooded fashion. A sheer delight.'  Professor Clare Wright OAM, Professor of History, La Trobe University</b></p><p><b>'</b><b><i>Travelling to Tomorrow</i></b><b> is a rollicking, bouncing read.'  Rachelle Unreich,</b> <b><i>SMH/The Age</i></b> <b>(Book of the Week)</b></p><p><b>'Accessible, entertaining...Rees has a storyteller's knack for engaging the reader.'  Kirsten Tranter,</b> <b><i>Australian Book Review</i></b></p><p><b>'a cracking, never-before-told tale.'  Nicole Abadee, Spectrum</b></p><p><b>'Rees&amp;#x27; narrative voice is chatty, empathetic, [and] wise. The reader feels like a charming guide is leading a tour of interwar America. All of this makes the book an engrossing read.'  </b><b><i>Inside Story</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The Whitlam government transformed Australia. And yet the scope and scale of the reforms for Australian women are often overlooked.</p><p>The Whitlam government of 197275 appointed a women's advisor to national government - a world first - and reopened the equal pay case. It extended the minimum wage for women, introduced the single mother's benefit and paid maternity leave in the public service, ensured cheap and accessible contraception, funded women's refuges and women's health centres, introduced accessible, no-fault divorce and the Family Court, and much more.</p><p><i>Women and Whitlam</i> brings together three generations - including Elizabeth Evatt, Eva Cox, Patricia Amphlett, Elizabeth Reid, Tanya Plibersek, Heidi Norman, Blair Williams and Ranuka Tandan - to revisit the Whitlam revolution and to build on it for the future.</p><p></p><p><b>&amp;#x27;Political history at its best.' - Jenny Hocking</b></p><p><b>&amp;#x27;... a reminder that politics can be radical, feminist and one that we can be proud of.' - Yasmin Poole</b></p><p><b>'Invaluable ... a clarion call to younger generations.' - Virginia Haussegger</b></p><p><b>'This very readable volume documents a pivotal, revolutionary period in our history.' - Steven Carroll,</b> <b><i>Sydney Morning Herald/The Age</i></b></p>]]></Text>
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			<SubjectHeadingText>Aboriginal culture; Aboriginal dance; Aboriginal songs; Dreaming; Indigenous knowledge; Tanami; TanamiAillowra; Warlpiri; Warlpiri language; art history; body designs; jukurrpa; visual anthropology; women's ceremony</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Warlpiri people commemorate and maintain their relationship with their ancestors and the natural order of the cosmos by re-enacting the events of the Jukurrpa (the Dreaming). They do this, in part, by painting up while singing pertinent songs, as well as performing dances and ritual actions sanctioned by the Jukurrpa.</p><p>From May 1981 to June 1982, ethnochoreologist Megan Morais lived in Willowra in the Northern Territory, working with the Warlpiri community. The Warlpiri women and Megan worked as an impromptu team documenting their dances as performed in yawulyu  women's ceremony  as well as documenting traditional movement patterns.</p><p>Warlpiri women in Willowra generously and with trust, shared their music, songs, dances, designs and associated knowledge of yawulyu which is now being returned to them.</p><p>A recent collaboration between Megan and musicologist Myfany Turpin and the Willowra community has resulted in this book which provides the means for current and future generations to access the knowledge shared by the Warlpiri women.</p><p>Women of land-owning groups who have inherited sovereignty, and other important women in the community, have granted permission to publish the designs, songs and jukurrpa stories in this book. More than that, they urged publication so they would have a resource to teach their children and grandchildren. The co-authors each contributed to the book according to their authority, knowledge and strengths.</p><p>Proceeds from sales of this book will be returned to the Warlpiri community.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Megan Morais</b> is an ethnochoreologist and teacher of dance and religion. Through various grants, she has documented dances of several Indigenous Australian groups, including Nunggubuyu, Wanindilyaugwa (Anindilyakwa), Antikirinya, Yanyuwa and Warlpiri. She was a visiting researcher at the University of New England and The University of Sydney and has published several articles in academic journals and encyclopedias.</p><p>The late<b> Lucy Nampijinpa Martin</b> was an integral part of the women's business (ritual ceremony and activity) documented in 1981-82. She has been essential in the repatriation of materials to the community. As one of the leading business women in Willowra she was the one who knew the songs, designs and dances. Lucy's work features throughout this book  it includes the designs she drew from 1981-82 and the songs she sang then, and sang later for recording purposes. Sadly, Lucy passed away in 2024. Her legacy lives on in the ceremonial knowledge she has shared in this book</p><p><b>Myfany Turpin</b> is a musicologist, linguist and associate professor at The University of Sydney where she conducts fieldwork on languages and songs of Central Australia. She has published extensively on Aboriginal song-poetry and publishes in the fields of music, linguistics and ethnobiology. She is the co-author of <i>Yaru! Gudjal learner's guide and dictionary</i> (Aboriginal Studies Press 2023).</p>]]></Text>
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			<SubjectHeadingText>1960s; Australian literature; equality; essays; feminism; journalism; revolutionary writing; women's writing; social justice; Australian identity; post-war Australia; Aboriginal and Torres Stait Islander rights; Vietnam war; anti-war; 1960s activism; George Johnston; Hydra writers; Australian women authors; women's studies; Sydney Morning Herald; women's pages</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[From her wild bohemian years on Hydra to her radical feminist writings, Charmian Clift is a larger-than-life personality of Australian literature.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'I know it's a daring suggestion, but I'll make it anyway.'</i></p><p>Charmian Clift was a writer ahead of her time. Lyrical and fearless, her essays seamlessly blended the personal and the political.</p><p>In 1964, Charmian Clift and her husband George Johnston returned to Australia after living and writing for many years in the cosmopolitan community of artists on the Greek island of Hydra. Back in Sydney, Clift found her opinions were far more progressive than those of many of her fellow Australians.</p><p>This new edition of Charmian Clift's essays, selected and introduced by her biographer Nadia Wheatley, is drawn from the weekly newspaper column Clift wrote through the turbulent and transformative years of the 1960s. In these 'sneaky little revolutions', as Clift once called them, she supported the rights of women and migrants, called for social justice for Aboriginal and Torres Strait Islander people, opposed conscription and the war in Vietnam, acknowledged Australia's role in the Asia-Pacific, fought censorship, called for a local film industry - and much more. In doing so, she set a new benchmark for the form of the essay in Australian literature.</p><p><b>'My regard for Charmian Clift veers uncomfortably close to veneration, which appals me. The figure of Clift as a messy morality tale about what happens when you run off to be a writer comes at the expense of the work she produced, which is to the contrary searing in its clarity. This collection is a reminder of the work behind the legend: her bent, her conviction, and her cool. And the sentences! Clift's essays evince an ardent attention to life in all its vagaries, which is really the most a person can give.' - Ellena Savage, author of</b> <b><i>Blueberries</i></b></p><p><b>'Charmian Clift was ahead of her time and yet also representative of them. Her essays are a fascinating, thoughtful  sometimes judgemental, sometimes lyrical  window into an Australia on the brink of change. Whether you always agree with her opinions or not, she writes like a dream and her voice is wry, insightful and self-aware. It is lovely to see her gaining the recognition she has long deserved.' - Jane Caro,</b> <b>Walkley Award winning columnist and author</b></p><p><b>'When I first stumbled on Clift's essays, twenty or more years ago, these trashy essays written for a disposable occasion seemed to me to have more lightning and quicksilver, more brilliance and more skill of execution, than any Australian writing other than the great novels of Patrick White and Christina Stead.' - Peter Craven,</b> <b><i>Sydney Morning Herald</i></b></p><p><b>'Reading these essays, it's easy to see why Clift became a cult figure. The chatty, charming and sometimes slightly dippy persona distracts attention just enough from the steely intelligence, the sophisticated sentence structure and the passion for causes that characterise these pieces but might otherwise rather have alarmed her readers ... In an era that hadn't yet thought too much about these things, her columns demonstrated that a woman ... could and should be an active citizen of the world.' - Kerryn Goldsworthy,</b> <b><i>Australian Book Review</i></b></p><p><b>'From the women's pages of the</b> <b><i>Sydney Morning Herald</i></b><b>, among advertisements for wrinkle cream and mini-skirts ... Clift challenged a complacent society, fashioned a sly and elegant sedition: opposing Vietnam, unmasking materialism, championing equality for women.' - Mark Tredinnick,</b> <b><i>The Book Bulletin</i></b></p><p><b>'These are essays unabashed in their sensuality and liveliness, keenly curious and attuned to mystery and marvel, and they are almost always full of joy.' - Fiona Wright,</b> <b><i>Sydney Review of Books</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Charmian Clift</b> was born in the coastal town of Kiama, New South Wales, on 31 August 1923. After serving as a lieutenant in the Australian Army, she joined the staff of the Melbourne <i>Argus</i> newspaper, and in 1947 married fellow-journalist George Johnston. The next year, the couple's collaborative novel <i>High Valley</i> won the <i>Sydney Morning Herald</i> prize. Fleeing the political claustrophobia of Australia under the Menzies government, in 1952 Charmian and George headed to London. Two years later, they escaped even further, to the Greek islands, where over the next decade they raised three children and created a legend. During this period, Clift wrote the memoirs, <i>Mermaid Singing</i> and <i>Peel Me A Lotus</i>, and her two novels, <i>Honour's Mimic</i> and <i>Walk to the Paradise Gardens.</i> After the family returned to Australia in 1964, Charmian Clift began writing a weekly column that appeared in the Women's Section of the <i>Sydney Morning Herald</i>. In these 'sneaky little revolutions', as Clift once called her essays, she supported the rights of women and migrants, called for social justice for Aboriginal and Torres Strait Islander peoples, opposed conscription and the war in Vietnam acknowledged our role in Asia, fought censorship, called for an Australian film industry  and much more. Although Charmian Clift died in 1969, her message of liberation was so far ahead of her time that her little revolutions continue to win new readers.</p><p><b>Nadia Wheatley</b> is the author of <i>The Life and Myth of Charmian Clift.</i> Described by critic Peter Craven as 'one of the greatest Australian biographies,' this was the <i>Age</i> Non-Fiction Book of the Year, 2001, and won the NSW Premier's Australian History Prize (2002). After twenty years it remains the classic account of the life and work of this transformational Australian writer. Nadia Wheatley's other works include the award-winning memoir <i>Her Mother's Daughter</i>. Her most recent book, <i>Radicals  Remembering the Sixties,</i> written in partnership with Meredith Burgmann, was published by NewSouth in 2021</p>]]></Text>
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			<SubjectHeadingText>Adele Pankhurst Walsh; Christian Jollie Smith; Christina Stead; Communism; Communist Party of Australia; Dulcie Deamer; Dymphna Cusack; Guido Baracchi; Jean Devanny; Katharine Susannah Prichard; Kylie Tennant; Lesbia Keogh; Marie Pitt; Marjorie Barnard; Mary Gilmore; Nettie Palmer; Vida Goldstein; Willna Macpherson; Australian feminist biography; Women writers and activism; Communism and censorship in Australia; Literary history of Australia; Indigenous rights and literature; Miles Franklin; Kath Walker; Oodgeroo Noonuccal; Faith Bandler; Ruth Park; Eleanor Dark; Dorothy Hewett; Australian women in literature; Political activism and feminism; Historical biography of writers; Communist Party and literary resistance; ASIO surveillance of authors; Spanish Civil War and Australian writers; Evolution of feminist thought in Australia; Interwar literary movements; Women's writing and social change; censorship and banned books in Australia</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Acclaimed biographer Jacqueline Kent traces the social and political issues that inspired  and often hampered  Australian radical women writers and their desire to change the world.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Australia's crusaders for women's voting rights and the radical feminists of the 1970s changed lives across the country and around the globe. But what about the generation in between?</p><p>Throughout the twentieth century, a group of trailblazing women writers challenged the nation's status quo. Miles Franklin's forceful voice invigorated the emerging women's movement, Mary Gilmore was a groundbreaking feminist journalist, and novelists Katharine Susannah Prichard and Eleanor Dark explored the colonial displacement of Australia's Indigenous people. Kylie Tennant spoke up for battlers during the Depression. Dymphna Cusack, Katharine Susannah Prichard and Dorothy Hewett, all members of Australia's Communist Party, advocated for social reform. Ruth Park's <i>The Harp in the South</i> jolted the NSW government into developing slum clearance programs. And the work of First Nations poet and activist Kath Walker (later Oodgeroo Noonuccal) was crucial in achieving constitutional reform for Indigenous peoples.</p><p>Acclaimed biographer Jacqueline Kent traces these women's stories, shaped by the seismic social and political events of their time, and illuminates their immense courage and principled determination to change the world.</p><p><b>'Kent brings her cast of writers effortlessly to life.'  Jason Steger</b></p><p><b>'Each of these seven women writers set out, in her own way, to change the world, and this well-researched and engagingly written book makes clear their individual and collective bravery, curiosity and fearlessness.'  Heidi Maier,</b> <b><i>InDaily</i></b></p><p><b>'Highly informed, engaging, often wittily observed, this is also an impressively orchestrated study of groundbreaking writers and the tumultuous times they mirrored and interpreted.' </b><b><i> Sydney Morning Herald / The Age</i></b></p><p><b><i>'Inconvenient Women</i></b> <b>is a fluent stream of fascinating detail. It brings to the fore names half-remembered now, their collaborations with activist men such as Guido Baracchi and Egon Kisch as well as other women, and the political environment they all operated in. Once begun, it is difficult to put down: you'll finish with dozens of notes to follow up.'  Miriam Cosic,</b> <b><i>The Saturday Paper</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jacqueline Kent</b> is a Sydney-based writer of non-fiction and biography, as well as young adult fiction, general articles and literary journalism. Her working background includes radio interviewing, print journalism, radio and TV scriptwriting, editing books, ghost- writing, teaching editing and creative writing, and arts administration. She is the author of <i>A Certain Style</i>, the National Biography Award-winning biography of acclaimed book editor Beatrice Davis, as well as <i>An Exacting Heart</i>, the story of pianist and social activist Hephzibah Menuhin, and <i>TheMaking of Julia Gillard</i>, the only full biography of Australia's first woman prime minister. Her most recent book is<i> Bonjour, Mademoiselle!</i> (with Tom Roberts), the biography of trans pioneer April Ashley. She holds a Doctorate of Creative Arts from UTS, Sydney.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In <i>Bold Types</i>, Patricia Clarke recounts the chequered journey of women journalists in the fight for gender equality from 1860 to the end of World War II. These were independent, adventurous women who ventured far and wide in search of news, relevance and equality.</p><p>Together, stories of women from Anna Blackwell and Flora Shaw to Janet Mitchell and Caroline Isaacson, illustrate the gains and setbacks of women journalists over nearly a century. In each successive story, the tenacious determination of these women stands clear against the background of the prevailing patriarchy.</p><p>Patricia Clarke was a trailblazer herself as the only woman on the Melbourne staff at the Australian News and Information Bureau in the early 1950s. In a detailed epilogue, Patricia shares stories of her own life and career in the days of crowded newsrooms, clattering typewriters, and overflowing cigarette trays.</p><p>The book also features an introduction by Amy Remeikis, political reporter at Guardian Australia, who reflects on the struggles and achievements of her early counterparts as well as the current working environment for women journalists.</p><p><i>Bold Types</i> is a book that will resound with and inspire today's audience, in a world where women are still fighting for equal rights and often, respect in the workplace.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The revelatory and urgent story of how an explosion of misogyny is driving a surge of mass and far-right violence throughout the West</b> <b> from an internationally recognised extremism expert and media commentator.</b></p><p>What two things do most mass shooters, terrorists, or violent extremists have in common? Most of us know the first: they are almost always men or boys. But the second? They are almost always virulent misogynists, homophobes, or transphobes  even if they are also motivated by racism, antisemitism, or xenophobia. The antigovernment militiamen charged with plotting to kidnap and execute Michigan governor Gretchen Whitmer used language saturated with misogyny, with one telling an FBI informant, 'Just grab the bitch'. The men who killed scores at Virginia Tech, the Pulse nightclub, and a Maryland newsroom all had prior reports of stalking, domestic violence, or harassment of women. And in dozens of other incidents  from North America to Norway to New Zealand  an increasing number of misogynist incel (involuntary celibate) and male supremacist attackers have explicitly targeted and killed women, blaming feminism or sexual frustration with women as motivation for their attacks.</p><p>Yet, despite all evidence, the bright red thread of misogyny running through these attacks is barely acknowledged by the media or even experts  and this failing leaves us powerless to stop the violence. In <i>Man Up</i>, Cynthia Miller-Idriss, a leading expert on extremism, addresses this crucial oversight head-on, revealing how an epidemic of misogyny  both online and off    and a patriarchal backlash are driving an exponential rise in mass and far-right violence. She also offers essential strategies that all of us  including parents, teachers, and counselors  can use to fight the rising tide of violence, beginning with recognising the misogyny that pervades our everyday lives. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Cynthia Miller-Idriss</b> is a sociologist and professor in the School of Public Affairs and the School of Education at American University, where she is the founding director of the Polarization and Extremism Research and Innovation Lab (PERIL). An MSNBC columnist and a regular commentator in US and international media, Miller-Idriss is the author of <i>Hate in the Homeland: The New Global Far Right</i> (Princeton),<i> The Extreme Gone Mainstream: Commercialization and Far Right Youth Culture in Germany</i> (Princeton), and <i>Blood and Culture: Youth, Right-Wing Extremism, and National Belonging in Contemporary Germany</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[In the spirit of Dr Neela Janakiramanan's The Registrar, Sarah Malik's Desi Girl and Anita Rani's The Right Sort of Girl, this is a story of grit and determination, hope and self-discovery.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Dr SA. If you saw my initials you would not know what they represent except that I am a doctor.</i><br/> <i>My first name is Sarah. So now you know that I am a female doctor.</i><br/> <i>What if I told you that my last name was Arachchi? Would you ask me how me to pronounce it, and later where it originated from?</i><br/> <i>What if, when I spoke, you heard my thick Australian accent? Would you wonder how I got here?</i><br/> <i>What if you saw the colour of my skin  would you ask me where I am from?</i></p><p>Sarah is a brown female doctor who emigrated to Australia in the 1990s. Her journey to becoming a paediatrician has been challenging, right from the schoolyard. As a minority, she was perceived as different. She tried hard to blend in, but she was unfamiliar to her peers. No brown heroines in the fairytales she was exposed to left her with few role models. As an adult, a graduate in the medical world, she experienced a new kind of obstacle: being female in a male-driven hospital environment.</p><p>When she eventually walked across the stage to get her paediatric letters, with a drip in her arm, a pregnant belly, a toddler on her hip and heels that could shatter a glass ceiling, victory was bittersweet.</p><p>In the spirit of Dr Neela  Janakiramanan's <i>The Registrar</i>, Sarah Malik's <i>Desi Girl</i> and Anita Rani's <i>The Right Sort of Girl</i>, this is a story of grit and determination, hope and self-discovery. It is a powerful call for social change and a greater acceptance of diversity.</p>]]></Text>
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			<Text textformat="02"><![CDATA[From the ancient Sumerian beer goddess to Black South African micro-brewers today, a page-turning history of women and drink.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Strawberry daiquiris. Skinny martinis. Vodka sodas with lime. These are the cocktails that come in sleek-stemmed glasses, bright colours and fruity flavours - these are the Girly Drinks.</p><p>From the earliest days of civilization, alcohol has been at the centre of social rituals and cultures worldwide. But when exactly did drinking become a gendered act? And why have bars long been considered 'places for men' when, without women, they might not even exist?</p><p>With whip-smart insight and boundless curiosity, <i>Girly Drinks</i> unveils an entire untold history of the female distillers, drinkers and brewers who have played a vital role in the creation and consumption of alcohol, from ancient Sumerian beer goddess Ninkasi to iconic 1920s bartender Ada Coleman. Filling a crucial gap in culinary history, O'Meara dismantles the long-standing patriarchal traditions at the heart of these very drinking cultures, in the hope that readers everywhere can look to each celebrated woman in this book - and proudly have what she's having.</p><p></p><p>'<i>Girly Drinks</i> is anything but - a raw shot of boozy history that stings as well as it soothes!' <b>- Patton Oswalt</b></p><p>'[A] thorough, and thoroughly entertaining, history... Elegantly woven into each cheeky chapter is rigorous historical context... O'Meara glides easily from the 17th-century pulquerias of Mexico to the feminine 'fern bars' of the 1970s, making sure to not to forget the queen of girly drinks: the Cosmopolitan. Provoking both thought and laughter, this serves as bracing refreshment from a master textual mixologist.' <b><i> Publishers Weekly, starred review</i></b></p><p>'At last, the feminist history of booze we've been waiting for!' <b>- Amy Stewart, author of</b> <b><i>The Drunken Botanist</i></b></p><p>'Feminist and very funny... O&amp;#x27;Meara deftly blends in equal measures of social history, gossip, and solid research, and adds enjoyable footnotes... women have discovered, invented, advanced, championed, and celebrated alcohol.'<b><i>  Booklist</i></b></p><p>'This is a book that should be on any beverage alcohol enthusiast's shelf.'<b><i>  American Whiskey Magazine</i></b></p><p>'[In <i>Girly Drinks</i>] Mallory O'Meara... returns to the realm of historically overlooked women who did extremely cool sh*t with a feminist history of drinking through the ages.' <b><i> Lit Hub</i></b></p><p>'An insightful, entertaining feminist history of women and alcohol through the ages.'  <b><i>USA Today</i></b></p><p>'With this lively book Mallory O'Meara has provided a real service, giving us not only a long-overdue new perspective on a great many familiar issues, but also raising all kinds of other issues that are unfamiliar and shouldn't be.' <b>- David Wondrich, author of</b> <b><i>Imbibe</i></b></p><p>'Cheers to Mallory O'Meara and her serious yet seriously entertaining treatise on the history of gendered drinks. <i>Girly Drinks</i> will introduce you to queens and nuns, bootleggers and bartenders, telling their stories and proving the point that <i>all</i> drinks are girly drinks.' <b>- Jeanette Hurt, author of</b> <b><i>Wisconsin Cocktails</i></b> <b>and</b> <b><i>Drink Like a Woman</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mallory O&amp;#x27;Meara</b> is an author, screenwriter and a producer for the independent film company Dark Dunes productions. Whether it is for the screen or the page, she seeks creative projects imbued with horror and monsters. A New England native, she now lives in Los Angeles.</p>]]></Text>
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			<Text textformat="02"><![CDATA[From the author of Abolish the Family, a provocative compendium of the feminisms we love to dismiss and making the case for the bold, liberatory feminist politics we'll need to stand against fascism, nationalism, femmephobia, and cisness.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From the author of</b> <b><i>Abolish the Family</i></b><b>, a provocative compendium of the feminisms we love to dismiss and making the case for the bold, liberatory feminist politics we'll need to stand against fascism, nationalism, femmephobia, and cisness.</b></p><p>In recent years, 'white feminism' and girlboss feminism have taken a justified beating. We know that leaning in won't make our jobs any more tolerable and that white women have proven to be, at best, unreliable allies. But in a time of rising fascism, ceaseless attacks on reproductive justice, and violent transphobia, we need to reckon with what Western feminism has wrought if we have any hope of building the feminist world we need.</p><p>Sophie Lewis offers an unflinching tour of enemy feminisms, from 19th century imperial feminists and police officers to 20th century KKK feminists and pornophobes to today's anti-abortion and TERF feminists. Enemy feminisms exist. Feminism is not an inherent political good. Only when we acknowledge that can we finally reckon with the ways these feminisms have pushed us toward counterproductive and even violent ends. And only then can we finally engage in feminist strategising that is truly antifascist.</p><p>At once a left transfeminist battlecry against cisness, a decolonial takedown of nationalist womanhoods, and a sex-radical retort to femmephobia in all its guises, <i>Enemy Feminisms</i> is above all a fierce, brilliant love letter to feminism.</p><p><b>'Touring different feminisms over time like those that are steeped in transphobia and anti-sex sentiment, Lewis asserts that not all feminism is net good, and we need to watch out for the types that are counterproductive at best, violent and hateful at worst.'  Soaliha Iqbal, </b><b><i>Missing Perspectives</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sophie Lewis</b> is a writer. Her books,<i>Full Surrogacy Now: Feminism Against Family,</i>and<i>Abolish the Family: A Manifesto for Care and Liberation</i>, have been translated into nine languages. Sophie grew up in France, half-British, half-German, but now lives in Philadelphia and teaches online courses on utopian theory at the Brooklyn Institute for Social Research. She also has a visiting affiliation with the Center for Research on Feminist, Queer and Transgender Studies at the University of Pennsylvania. She studied English Literature at Oxford University before pursuing graduate and postgraduate study in environmental theory, political science, and human geography, respectively at Oxford, the New School, and Manchester University. However, Lewis now counts herself an ex-academic. Although her writing still appears in journals like<i>Feminist Theory</i>,<i>TSQ,</i>and<i>Signs,</i>she is making her living writing free-lance for magazines like<i>n+1</i>,<i>Harper's</i>, and the<i>LRB</i>, newspapers like the<i>New York Times</i>, and art websites like<i>e-flux</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[How a field built on the intellectual labour and expertise of women erased them.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>How a field built on the intellectual labour and expertise of women erased them.</b></p><p>The academic field of international relations presents its own history as largely a project of elite white men. And yet women played a prominent role in the creation of this new cross-disciplinary field. In <i>Erased</i>, Patricia Owens shows that, since its beginnings in the early twentieth century, international relations relied on the intellectual labour of women and their expertise on such subjects as empire and colonial administration, anticolonial organising, non-Western powers, and international organisations. Indeed, women were among the leading international thinkers of the era, shaping the development of the field as scholars, journalists, and public intellectuals  and as heterosexual spouses and intimate same-sex partners.</p><p>Drawing on a wide range of archival sources, and weaving together personal, institutional, and intellectual narratives, Owens documents key moments and locations in the effort to forge international relations as a separate academic discipline in Britain. She finds that women's ideas and influence were first marginalised and later devalued, ignored, and erased. Examining the roles played by some of the most important women thinkers in the field, including Margery Perham, Merze Tate, Eileen Power, Margaret Cleeve, Coral Bell, and Susan Strange, Owens traces the intellectual and institutional legacies of misogyny and racism. She argues that the creation of international relations was a highly gendered and racialised project that failed to understand plurality on a worldwide scale. Acknowledging this intellectual failure, and recovering the history of women in the field, points to possible sources for its renewal.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Patricia Owens</b> is professor of international relations at Oxford University and a fellow of Somerville College. She is the author of <i>Between War and Politics: International Relations and the Thought of Hannah Arendt</i> and <i>Economy of Force</i>, and the coeditor of <i>Women's International Thought: A New History</i> and <i>Women's International Thought: Toward a New Canon</i>.</p>]]></Text>
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