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			<Text textformat="02"><![CDATA[<p>Leonora has relocated to Melbourne from London and falls in love with Margaret, a fellow teacher who three years later dies of cancer. While still grieving for Margaret, Leonora meets and befriends Anna, the Polish woman who lives next door.</p><p><i>Crimson Light Polished Wood </i>illuminates with subtle ease the influence Leonora has on Anna's daughter, Lydia, introducing her to the world of literature and art.</p><p>This is a novel about the ways we all long for acceptance and how those we might feel most in touch with  including parents, siblings and mentors  can often have different values and views about us. As such it is a beautiful work about art, gender, inheritance, understanding and celebration.</p><p><b>'There is jealousy and deception in this strangely tender book that spans continents, generations and cultures. Pulsing with secrets, it stages the legacy of silence.'  Dominique Hecq</b></p><p><b>'Through her protagonist, Lydia, Monica Raszewski delicately uncovers the layers of a family friend's hidden past. This is a compassionate novel about aloneness, disappointment and betrayal; and it's about a heartfelt desire for intimacy, connectedness and belonging.'  Antoni Jach</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Monica Raszewski</b> is Melbourne-based novelist and playwright. Her first novel, <i>The Archaeology of a Dream City,</i> was published in 2021 by Balestier Press (U.K.). It was shortlisted in the NSW Premier's Literary Awards (New Writing) in 2022. Monica has had short stories published in literary journals including <i>Overland, Meanjin</i> and <i>Southerly</i> and several plays produced in Melbourne and in Sydney. Her radio plays, <i>Forest</i> and <i>Ghost Words</i>, were produced by the Australian Broadcasting Corporation and broadcast nationally.</p>]]></Text>
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			<Text textformat="02"><![CDATA[An incisive observer of Australian cultural life returns with a collection that satirically reimagines our era of chaos and chicanery.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An incisive observer of Australian cultural life returns with a collection that satirically reimagines our era of chaos and chicanery.</b></p><p>'the republic of letters / a veritable la la land' writes Keri Glastonbury in <i>51 Alterities</i>, a collection in which cacophony rhymes with simplicity, and device notifications rebound across the desert horizon. In her poems 'nepo boys are punching above their weight', haunted by the 'spectres of unreal estate'; the senate estimate's axe / 'falls in aggregates of joy' while budgies in their natural habitat have 'no idea they are suburban pretty boys'.</p><p>Keri Glastonbury's previous collection <i>Newcastle Sonnets</i> was written as a riposte to Ted Berrigan's New York-based <i>The Sonnets</i>, and <i>51 Alterities</i> began too as a loose adaptation, of British poet Sam Riviere's influential 2012 debut <i>81 Austerities</i>. Riviere's collection was written in response to the impact of conservative UK austerity measures on the arts, and as a reconsideration of the function of poetry in the internet age. Wrestling with Antipodean 'alterity' more than ten years later, as a female queer poet a decade older than Riviere's millennial male, Glastonbury's <i>51 Alterities</i> responds to the persistent threat of economic austerity, and to poetry's precarious place in a landscape dominated by billionaire tech bros and social media empires.</p><p><b>Praise for</b> <b><i>Newcastle Sonnets</i></b><b>:</b></p><p><b>'A post-industrial love song... Glastonbury's sonnets, far from stultifying, are energetic and playful as they enact the associative freedoms of everyday speech.'  Judges' citation, Prime Minister's Literary Awards</b></p><p><b>'A shifting and dangerously mesmerising simulacrum of contemporary Australian urban life... Through whip-smart core samples of observation, Glastonbury becomes the qwerty keyboard medium for social media within Newcastle and beyond.'  Judges' citation, Judith Wright Calanthe Award</b></p><p><b>'Her poems are wonderful repositories of Aussie argot  maggoted, grouse, fugly, bush doof, wheelie bins, sadcore, cankles, choofing and a chicken that's been stuffed up the jacksie all get a run  but just as soon as you settle in, she changes gears.'  Sarah Holland-Batt,</b> <b><i>The Australian</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Keri Glastonbury</b> is Associate Professor in Creative Writing at the University of Newcastle. Her poems have been widely published in magazines and collections. She has been the recipient of the Australia Council's BR Whiting Residency in Rome and an Asialink Literature Residency in India. Her poetry collection <i>Newcastle Sonnets</i>, published by Giramondo in 2018, was shortlisted for the Prime Minister's Literary Award and Judith Wright Calanthe Award. Her previous collections include <i>Grit Salute</i> (Papertiger, 2012).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Has the land come to mimic us vile deeds, or have we only mimicked the land?</i></b></p><p>Daughter. Mother. Glory. Wife of The Devil O' Th' Moor. Hope Gleason has many names. The child of a shepherd raised in the remote moors of Northern England, Hope has always understood the satanic brutality of the land.</p><p>But when an ear-splitting, unknowable sound destroys the nearby village, Hope must embark on a dangerous journey to survive through the ravaged land with a lad, newly orphaned and alone, under her wing.</p><p>As they trek the wilds together to find her husband, her violent past chases her at every turn and long-buried memories begin to resurface.</p><p>A pitch-black, magnetic, and unforgettable meditation on the nature of love, evil, and the power of redemption, <i>Land of Hope</i> mixes history and the myths of the English moors to tell a compelling modern English fable of serial killers at the end of the world.</p><p><b>'Cate Baum has exceptional talent.' Claire Fuller, author of</b><b><i>Unsettled Ground</i></b></p><p><b>'Cate Baum's writing takes you into a mysterious, murderous, sometimes frightening world and never lets go. A journey through many extraordinary emotions with one abiding feeling: hope. An extraordinary book.' Jonathan Myerson, Oscar-nominated writer of</b> <b><i>The Canterbury Tales</i></b><b> and</b> <b><i>Nuremberg</i></b></p><p><b>'This muscular, disquieting twist on survival stories such as</b> <b><i>The Road</i></b><b> asks whether the end of the world is a chance for a new beginning, or whether some acts stain the soul too deeply ever to be left behind.' </b><b><i> The Guardian</i></b></p><p><b>'</b><b><i>Land of Hope</i></b><b> folds a dystopian fable into an Emily Bronte-like gothic novel. It's a fascinating idea for a crossover, and the central character, Hope Gleason, seems to emanate from the wild and windswept moors as if she were a ghost already.'  </b><b><i>Sydney Morning Herald </i></b><b>/</b><b><i> The Age</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The prequel to the Murray McBride series  by the author of the beloved</b> <b><i>USA Today</i></b><b> international bestselling novel</b> <b><i>The Five Wishes of Mr. Murray McBride</i></b><b>.</b></p><p>The day before Murray McBride moves Jenny, his beloved wife of eighty years, into a memory care center, she convinces him to search for a case her grandfather buried long ago, said to contain 'a treasure worth more than gold'. With the help of some new friends, Murray and Jenny retrace their steps from years before. Over the course of the day, Murray tenderly retells their love story  how they met, the challenges they faced and overcame, and their initial attempt at the quest.</p><p>But the closer they get to the treasure, the more clearly Murray remembers why they abandoned the search the first time. With the exhilaratingdiscovery at hand, Murray must decide whether to unearth the treasure, even if it means bringing up painful events from the past.</p><p>This heartwarming novel is perfect for fans of Fredrik Backman's <i>A Man Called Ove</i> and Lisa Wingate's<i>The Prayer Box.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Joe Siple</b> is the award-winning author of the <i>USA Today</i> bestselling novel <i>The Five Wishes of Mr. Murray McBride</i>, which was named Book of the Year by the Maxy Awards, won the National Indie Excellence Award (for Friendship), and was a finalist in several others. Joe Siple is a television sportscaster turned novelist and speaker who lives in Colorado with his wife and two daughters. Learn more about him at joesiplebooks.com.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The international bestselling novel about Murray McBride, a lonely 100-year-old man who's outlived just about everyone he's ever loved. But when he meets a boy awaiting a heart transplant, Murray may learn something about finding meaning in life again...</b></p><p>With all his family and friends gone except an estranged grandson, retired Major League ballplayer Murray McBride is looking for a reason to live. He finds it in Jason Cashman, a spirited 10-year-old boy with a terminal heart defect and a list of five things he wants to do before he dies. Murray is determined to help Jason fulfill his dreams. Together, they race against the limited time each has left, ticking off Jason's wishes one by one. Along the way, Murray remembers what it's like to be young, and Jason fights for the opportunity to grow old. But when tragedy strikes, their worlds are turned upside-down, and an unexpected gift is the only thing that can make Jason's final wish come true.</p><p>This heartwarming coming-of-old-age novel is perfect for fans of Fredrik Backman's <i>A Man Called Ove</i> and Mike Gayle's <i>All the Lonely People.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Joe Siple</b> is the award-winning author of the <i>USA Today</i> bestselling novel <i>The Five Wishes of Mr. Murray McBride</i>, which was named Book of the Year by the Maxy Awards, won the National Indie Excellence Award (for Friendship), and was a finalist in several others. Other books in the Mr. Murray McBride Trilogy include <i>The Final Wish of Mr. Murray McBride</i> and forthcoming <i>The First Wish of Mr. Murray McBride</i>. Siple lives in Fort Collins, CO. Learn more about him at joesiplebooks.com.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Shallow Hill is where souls suffer slow and miserable deaths.</b></p><p>When River McAllister escaped from Shallow Hill, she left her innocence behind  and some of her sanity, too. Now she&amp;#x27;s rebuilding her life with her dream man and life couldn&amp;#x27;t be better.</p><p>Ryan Fitzgerald is everything you&amp;#x27;d want in a man. Attractive, rich, an aspiring lawyer, and would do anything to keep River. But that&amp;#x27;s not the only thing that attracts her. It&amp;#x27;s his attentiveness, his possessiveness...maybe not so much his temper.</p><p>When her relationship takes a dark turn, Ryan&amp;#x27;s estranged brother, Mako, is the only one who sees it. He knows exactly what Ryan is capable of, and it&amp;#x27;s not the first time he had to be a knight in shining armour.</p><p>River came from Shallow Hill, though. She&amp;#x27;s never needed saving before. What Mako doesn&amp;#x27;tsee, is that River is perfectly capable of taking care of herself.</p><p>The only one who should be scared is Ryan.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'Patricia Donegan and Yoshie Ishibashi are to be deeply thanked for having given us with such articulate care a poetry major in any language and in any place or time.'  Robert Creeley, poet</b></p><p>Chiyo-ni (1703-1775), also known as Kaga no Chiyo, is Japan's most celebrated female haiku poet. A student of Basho's disciples, she worked in an age when haiku was largely a male domain. As a poet, painter, and Buddhist nun, she lived a vibrant life while creating poems of crystalline clarity and delicate sensuality. This volume presents more than one hundred of her finest seasonal haiku, renku (linked verse) and haibun (travel poems).</p><p>The collected poems include:</p><p><i>morning glory<br/>the well bucket entangled<br/>I ask for water</i></p><p><i>a hundred gourds<br/>from the heart<br/>of one vine</i></p><p><i>rouged lips<br/>forgotten-<br/>clear spring water</i></p><p>These luminous, lucidly translated 'haiku moments' give the reader an intimate experience of Chiyo-ni's remarkable vision  and bid us to stop and appreciate each moment of our lives. Handsomely illustrated with artwork by Chiyo-ni and others, the volume also includes illuminating essays on her life and art, informative notes, and a glossary of haiku-related terms.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Patricia Donegan</b> was a poet and translator. A professor of East-West poetics at Naropa University under Allen Ginsberg, she also studied with Japanese haiku master Seishi Yamaguchi. She received a Fulbright grant for her work on Chiyo-ni. She is the author of <i>Haiku Mind: 108 Poems to Cultivate Awareness</i> and <i>Open Your Heart and Haiku: Asian Arts for Creative Kids</i> as well as the collections <i>Bone Poems, Without Warning</i>, and <i>Hot Haiku</i>.</p><p><b>Yoshie Ishibashi</b> is a researcher and the co-translator of <i>Chiyo-jo's Haiku Seasons</i> and <i>The Classic Tradition of Haiku</i>, among other works.</p><p><b>Natalie Goldberg</b> is the author of 16 books, including <i>Writing Down the Bones</i> and, most recently, <i>Writing on Empty</i> (St. Martin's Press 2024) and <i>Three Simple Lines: A Writer's Pilgrimage into the Heart and Homeland of Haiku</i> (New World Library 2021) which includes haiku by Chiyo-ni. Natalie lives in northern New Mexico and has practiced zen for many years. </p>]]></Text>
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				<TitleText>One Hundred Poems from Old Japan</TitleText>
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			<SubjectHeadingText>Hyakunin Isshu hundred poems by a hundred poets; book of sei shonogon murasaki tale of genji best; classic anthology heian court period the pillow; haiku master collection new modern english; translation famous japanese art and literature; woodblock prints art</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>'One of the most respected and oft-quoted compilations of the Japanese poetic canon...A must-read for anyone interested in Japanese culture or poetry in general.</b><b><i>'</i></b><b>  William Scott Wilson, renowned translator of Japanese literature</b></p><p><i>In the pale dawn<br/>your coldness as we parted<br/>froze my heart<br/>nothing now so chills me<br/>as morning's early light</i><br/> Mibu no Tadamine</p><p>This completely new translation of the most famous collection of Japanese poetry ever produced, the Hyakunin Isshu ("A hundred poems by a hundred poets"), contains works written between the 7th and 8th centuries that were collected and published by the poet Fujiwara no Teika at the end of that era. The collection is still widely read in Japan today by school children and everyday people.</p><p>These poems provide insights on daily life in ancient Japan while addressing universal themes of love, loneliness, aging and the beauty of nature  all highly relevant today.</p><p>The poets whose works are featured here include:</p><ul><li>Sei Shonagon, author of <i>The Pillow Book</i></li><li>Lady Murasaki Shikibu, author of <i>The Tale of Genji</i></li><li>Emperor Gotoba, who ruled from 1193-1198</li><li>Sugiwara no Michizane, a renowned Confucian scholar</li></ul><p>Each poem is presented in the Japanese script with a Romanised version and English translation. An introduction by translator Michael Freiling provides essential information about the collection, an overview of the poems and poets, and reflections on why the work remains so popular in Japan today.</p><p>This new hardcover gift edition is illustrated in full-colour with stunning woodblock prints created for the poems by the famous 19th-century artists Hiroshige, Kuniyoshi and Kunisada. Free online audio recordings of all the poems are available in Japanese and English.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michael Freiling</b> studied computer science at the University of San Francisco, where he also found the time to take poetry classes and became interested in Japanese literature. In 1977, he received a Henry Luce scholarship and was assigned to study at Kyoto University for a year. He spent most of that time studying Japanese and translating Heian-era poetry. He returned to Kyoto years later, in 2014, where he began writing poetry in both English and Japanese. His work has been published in anthologies and in  the haiku journals <i>Seashores</i> and <i>Frogpond</i>. In 2018, he was asked to help translate a collection of senryu poems written by Japanese-Americans who were unlawfully imprisoned during World War II; it was published in 2023 under the title <i>They Never Asked</i> (Oregon State University Press).</p>]]></Text>
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			<Text textformat="02"><![CDATA[From a rising-star author, winner of the both the Bram Stoker and Nebula Awards, a richly inventive, brutal and beautiful science-fantasy novella.]]></Text>
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			<Text textformat="02"><![CDATA[<p>From a rising-star author, winner of the both the Bram Stoker and Nebula Awards, a richly inventive, brutal and beautiful science-fantasy novella. A story of family, loss, oppression and rebellion that will stay with you long after the final page. For readers of Nghi Vo&amp;#x27;s <i>The Empress of Salt</i> and Fortune, Neon Yang&amp;#x27;s <i>The Black Tides of Heaven</i> and Kritika H. Rao&amp;#x27;s <i>The Surviving Sky.</i></p><p>Sometimes called Wind Walkers for their ability to command the wind, unlike their human rulers, the Feng people have bark faces, carved limbs, arms of braided branches, and hair of needle threads. Bound by duty and tradition, Liu Lufeng, the eldest princess of the Feng royalty, is the next bride to the human king. The negotiation of bridewealth is the only way to stop the expansion of the humans so that the Feng can keep their lands, people, and culture intact. As the eldest, Lufeng should be the next in line to lead the people of Feng, and in the past, that made her sisters disposable. Thankful that her youngest sister, Chuiliu, is too young for a sacrificial marriage, she steps in with plans to kill the king to finally stop the marriages.</p><p>But when she starts to uncover the truth about her peoples&amp;#x27; origins and realizes Chuiliu will never be safe from the humans, she must learn to let go of duty and tradition, choose her allies carefully, and risk the unknown in order to free her family and shape her own fate.</p><p>A powerfully imaginative, compelling story of a young woman seeking to save her family and her home, as well as a devastating meditation on the destruction of the natural world for the sake of an industrial future.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ai Jiang</b> is a Chinese-Canadian writer, Ignyte Award winner, Hugo, Astounding, Nebula, Locus, Bram Stoker, and BFSA Award finalist, and an immigrant from Fujian currently residing in Toronto, Ontario. Her work can be found in<i> F&amp;SF, The Dark, Uncanny, The Masters Review,</i> among others. She is the recipient of Odyssey Workshop's 2022 Fresh Voices Scholarship and the author of <i>Linghun</i> and<i> I AM AI</i>. Find her on X (@AiJiang_), Insta (@ai.jian.g), and online (http://aijiang.ca).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Steven Paulsen</b> is an award-winning speculative fiction writer and editor. His bestselling spooky children's book, <i>The Stray Cat</i>, illustrated by the acclaimed artist Shaun Tan, has seen publication in several English and foreign language editions. His horror, science fiction and dark fantasy short stories have appeared in books and magazines around the world. The best of his weird tales can be found in his short story collection,<i> Shadows on the Wall</i>, which won the Australian Shadows Award for Best Collected Work. His YA Historical Fantasy novel, <i>Dream Weaver</i>, set in 15th century Ottoman Turkey, was a finalist for Best Novel in the 2024 Ditmar Awards. Most recently he co-edited<i> Nosferatu Unbound</i> (IFWG Publishing) with Christopher Sequeira, an anthology of stories inspired by the classic 1922 silent movie <i>Nosferatu</i>. </p><p><b>Christopher Sequeira</b> is a conceptualist and commission ing editor of mystery, science fiction, horror and fantasy prose and comic-book anthologies, as well as being a writer himself. He has worked on such books as the four volume<i> Cthulhu: Deep Down Under series; Sherlock Holmes and Doctor Was Not; Sherlock Holmes: The Australian Casebook; Dracula Unfanged</i>; the all-star creator anthology <i>Caped Fear: Superhuman Horror Stories </i>(featuring Joe R. Lansdale, George R. R. Martin and others);<i> Kolchak the Night Stalker</i>  <i>Nosferatu;</i> and <i>Nosferatu </i>Unbound. His comic-book scripts include work on the franchises X-Men, Iron Man, Justice League, Star Trek, and The Human Fly, as well as original concepts of his own. He lives in Sydney with his family. His first novel, a crime thriller, debuts in 2026.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Published in associationwith the Library of Congress and edited by the twenty-fourth Poet Laureate of the United States, a singular collection of poems reflecting on our relationship to the natural world by fifty of our most celebrated contemporary writers.</b></p><p>For many years, 'nature poetry' has evoked images of Romantic poets standing on mountain tops. But our poetic landscape has changed dramatically, and so has our planet. Edited and introduced by the twenty-fourth Poet Laureate of the United States, Ada Limn, this book challenges what we think we know about 'nature poetry', illuminating the myriad ways our landscapes  both literal and literary  are changing.</p><p><i>You Are Here</i> Each poem engages with its author's local landscape  be it the breathtaking variety of flora in a national park, or a lone tree flowering persistently by a bus stop  offering an intimate model of how we relate to the world around us and a beautifully diverse range of voices from across the United States.</p><p>Joyful and provocative, wondrous and urgent, this singular collection of poems offers a lyrical reimagining of what 'nature' and 'poetry' are today, inviting readers to experience both anew.</p><p><b>'Whoever you are, you will find yourself and your own world in the expansiveness of this collection.'  Margaret Renkl,</b><b><i>New York Times</i></b></p><p><b>'A lovely book to take with you to read at the end of your next hike.' </b><b><i> Los Angeles Times</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[A unique collection focusing on an important but overlooked stretch of the ritual year, and the surprising wealth of fiction devoted to the uncanny and liminal time of May Day Eve, Walpurgis Night and the Summer Solstice.]]></Text>
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			<Text textformat="02"><![CDATA[<p>May Day Eve, Walpurgis Night and Midsummer Eve  or the Summer Solstice. Tales of these fated days and nights, and their riotous rituals and feasts, have rung down the centuries, and yet in today's world those that observe their ancient ways are few.</p><p>Setting out on a mission to re-weird this lost stretch of the ritual year, Johnny Mains returns with a collection of tales of the bizarre, the beastly and the brutal to welcome the summer and raise the cry: <i>Wyrd is Icumen in!</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[A new edition of an important novel which is now extremely scarce, its only recent edition having been a short-run collector's item. This novel is regularly listed as one of the twentieth-century's best horror novels in reviews throughout the 70s, 80s and 90s.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'Something moved along upon the verge with a sliding, writhing motion, seeming like the body of a huge serpent...Drawn by horror's fearful traction, I moved to the verge of the parapet and looked down.'</i></p><p>Bristol, the early eighteenth century. On the run following a fatal accident at school, the orphan Will Harvell joins a voyage setting sail in search of a mariner's missing son. But the mystery of his disappearance harbours a deeper secret; a dark current pulling the crew ever closer to an ancient Gorgonian terror of the ocean.</p><p>Combining elements of Conradian sea adventure, Atlantean mythology and sublime horror, <i>Medusa</i> was first published in 1929 and achieved cult classic status in the late twentieth century as a neglected masterpiece of weird fiction.</p><p><b>'Visiak achieved the terror and wonder, the sense of awe, that Lovecraft could only grasp at.'  R. S. Hadji, 1983</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>E. H. Visiak</b> (1878-1972) was the nom de plume of the British writer and critic Edward Harold Physick, an expert on Milton and celebrated Edwardian poet best known for Buccaneer Ballads (1910) and a handful of strange short stories. His novel <i>Medusa</i> (1929) is heralded as an important contribution to weird fiction.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'This extraordinary novel combines the story of one young man's existential quest with the precision of the best historical novels and the thrilling imagination of sci-fi books.'  Francesc Miralles, author of </b><b><i>Love in Small Letters</i></b><b> and co-author of </b><b><i>The Ikigai Journey</i></b></p><p><b>Would you risk everything and travel back in time to find the love you thought you'd lost forever?</b></p><p>Nathan leads a solitary life centring around his passion for antique watches. One day, he chances across an old photograph of Mia, his high school crush, who moved to Japan many years ago with her family, then died under suspicious circumstances. Or did she?</p><p>Not long after, Nathan receives text messages from someone named Mia. Are these a hoax or is she alive? He vows to find out, which leads him to Kyoto and a mysterious organisation called the Taira Corporation who seem to know everything about him, and offer to transport Nathan into the past in search of Mia. But along the way he must fight off the rival Genji Corporation-who will stop at nothing to destroy Nathan and his friends.</p><p><i>Eternity in Kyoto</i> is a fast-paced techno thriller set against the backdrop of ancient Japan that takes the reader on an exciting journey to 12th-century Kyoto. It weaves together a touching love story with profound revelations about the essential foundations of our shared humanity.</p>]]></Text>
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			<SubjectHeadingText>Alexander Panagoulis; Arafat; Florence; Gaddafi; Greece; Greek dictatorship; Hollywood; Ingrid Bergman; Italian; Italian Resistance; Italy; Journalism; Khomeini; Manhattan; Meir; Mike Wallace; Nazis; New York City; Robert Kennedy; Rome; Vietnam War; abortion; adultery; autobiographical fiction; career; celebrities; correspondent; glass ceiling; groundbreaking; interviewer; journalist; love affair; rebel; reporter; suicide; trailblazer; women; writer</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>When a Hollywood producer comes to Oriana at the end of her life to propose a movie, the story unfolds of her gutsy career rise as a journalist, her tragic love, and her greatest regret.</b></p><p>When a Hollywood producer visits Oriana Fallaci at the end of her life to propose a movie, the story unfolds of her trailblazing career as a journalist, her tragic love, and her greatest regret.</p><p>Oriana was born in Italy, moved to Manhattan, and shot to international fame for her provocative interviews of world leaders and celebrities. At her peak in 1973, Oriana was called 'the best reporter in the world'. That's when she fell in love with Alexander Panagoulis, Greek hero and poet. He was ten years younger and lived in a different country, but Oriana didn't care. She had finally found what she longed for: a full life. Can a woman ever have it all, or does life always exact a price?</p><p>Christiane Amanpour calls Oriana her role model, saying, 'I wanted to be her!'</p><p>Oriana holds a place alongside Mike Wallace and Barbara Walters as a legendary interviewer. But her story is little-known in America, until now.</p><p>The first biographical novel of the glamorous Italian, the iconic journalist, the woman in love.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Anastasia Rubis</b>'s writing has appeared in the <i>New York Times</i>, <i>Huffington Post</i>, <i>New York Observer</i>, <i>Creative Nonfiction</i>, <i>North American Review</i>, <i>[PANK]</i>, <i>Fiction International</i>, and <i>Literary Mama</i>. One of her stories, 'Girl Falling', was named a Notable Essay in Best Essays of 2014. Another, 'Blue Pools', was included in the anthology <i>Oh, Baby</i> published by Creative Nonfiction and edited by Lee Gutkind. She co-wrote and co-directed a 13-minute documentary titled <i>Breakfast Lunch Dinner: The Greek Diner Story</i> on YouTube. She earned a BA magna cum laude from Brown University and an MA from Montclair State University, where she taught essay writing. She lives in New Jersey with her husband and daughter and spends summers in Greece, where her parents were born.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A pacy, evocative dark historical thriller about a working-class private detective in 1920s London&amp;#x27;s Soho, who has grown up alongside the morally dubious characters who are key to cracking the cases he investigates, for fans of Laura Shepherd Robinson and the TV series Peaky Blinders.</p><p>When Cockney private detective George Harley saves a young girl's life on a dark London night in 1929, he doesn't realise it marks the beginning of an investigation which will change his life forever. The incendiary book which inspired the girl's abduction also seems to be linked to a series of grisly murders that are taking place on Harley's patch, and though he's delighted to be asked by Scotland Yard to help find the killer before they strike again, he could do without the local razor- and cosh-wielding mobsters thinking he's in the police's pocket.</p><p>Set during the Golden Age of Crime Fiction, Harley's world is a far cry from the country house of an Agatha Christie whodunnit. This working-class sleuth does his 'sherlocking' in the frowzy alleyways and sleazy nightclubs of Soho  the city's underbelly  peopled with lowlife ponces, jaded streetwalkers, and Jewish and Maltese gangsters: a world of grubby bedsits, all-night cafes, egg and chips, and Gold Flake cigarettes.</p><p>Here, the midnight streets are black as pitch and, as Harley finds himself embroiled in the macabre mysteries of a city in which truth is as murky as the pea-souper smog and the sins are as dark as stout porter beer, he begins to realise he may never find a way out.</p>]]></Text>
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			<Text textformat="02"><![CDATA[From the winner of the Bloody Scotland Debut Prize. In 1930, the killing of a Soho prostitute is hardly a priority for Scotland Yard. But when a second, similar murders soon come to light, everything changes. Cuthbert and his team find themselves in a nightmarish world of people-trafficking, prostitution and drug use amongst the upper classes.]]></Text>
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			<Text textformat="02"><![CDATA[<p>She was someone's daughter...</p><p>In 1930, the killing of a Soho prostitute is hardly a priority for Scotland Yard. But when a second, similar murder comes to light, and then a third, everything changes. Cuthbert and his team find themselves in a nightmarish world of people-trafficking, prostitution and drug use amongst the upper classes.</p><p>Using all his forensic skills, Cuthbert sets out to solve one of the most baffling cases of his career. One final question remains unanswered until a faded photograph reveals its tragic secret.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lauren Cook's</b><b><i>I Love Shopping</i></b> <b> beloved on the Internet and IRL  is back in print.</b></p><p>Chickens have a collective soul. Heaven is full of the skateboarders you kissed in middle school. If the algorithm is its own hell, Lauren Cook, author of the critically (and uncritically) acclaimed <i>Sex Goblin</i>, stands in front of it fully armored.<i>I Love Shopping</i>invites its readers to inhabit a world just like ours, reflected through a big, benevolent funhouse mirror.</p><p>First published in a limited edition, this will be the first trade edition of the cult classic.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lauren Cook </b>is a transsexual naturalist and the author of<i> I Love Shopping</i> (Glo Worm Press, 2019). He lives in Asheville, North Carolina.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Finally, a book for men!</b></p><p>Have you ever engaged in totally normal male behaviour like:</p><p>Stealing porn magazines?<br/>Hooking up with guys on Grindr?<br/>Attempting to work in an open-pit mine despite having no relevant job experience?<br/>Crossdressing as a woman?<br/>Attending Gnostic Mass?<br/>Running for government office?</p><p>Then this is a book for you!</p><p>It is definitely not a deeply felt collection of transsexual short stories, engaged in dissident metaphysical investigation of the normative tenets of gender in our society! Bro, how could you say that? It is very dramatic and exciting, yes, but it is not metaphysical at all. In fact, it is <i>Realistic Fiction.</i></p><p>As if Charlie Chaplin re-wrote the works of Kafka, and he was a Russian trans man, Anton Solomonik brings a funny, heartbreaking, and startlingly unique new voice to contemporary short fiction.</p><p><b>'Outrageously funny.'  Paul Harding</b></p><p><b>'There is </b><b><i>nobody</i></b><b> doing it like Anton.'  Tuck Woodstock</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Anton Solomonik</b> is a writer and illustrator living in Brooklyn, NY. He's the co-host of the World Transsexual Forum, an open mic series for trans writers. His work has been described as 'whimsical, yet heavy-handed'.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>The Office</i></b><b>meets</b><b><i>Six Feet Under</i></b><b>meets</b><b><i>About a Boy</i></b><b>in this coming-of-middle-age tale about having asecond chance to write your life's story.</b></p><p>Bud Stanley is an obituary writer who is afraid to live. Yes, his wife recently left him for a 'far more interesting' man. Yes, he goes on a particularly awful blind date with a woman who brings her ex. And yes, he has too many glasses of Scotch one night and proceeds to pen and publish his own obituary. The newspaper wants to fire him. But now the company's system has him listed as dead. And the company can't fire a dead person. The ensuing fallout forces him to realise that life may be actually worth living.</p><p>As Bud awaits his fate at work, his life hangs in the balance. Given another shot by his boss and encouraged by his best friend, Tim, a worldly and wise former art dealer, Bud starts to attend the wakes and funerals of strangers to learn how to live.</p><p>Thurber Prize-winner and<i>New York Times</i>bestselling author John Kenney tells a funny, touching story about life and death, about the search for meaning, about finding and never letting go of the preciousness of life.</p><p><b>'Razor-sharp, darkly comedic, and emotionally piercing. With the satirical bite of Richard Russo's</b><b><i>Straight Man</i></b><b>, the introspection of Fredrik Backman's</b><b><i>A Man Called Ove</i></b><b>, and the reinvention of Andrew Sean Greer's</b><b><i>Less</i></b><b>, Kenney's vivid prose transforms the mundane into unexpected hilarity.'</b> <b> </b><b><i>Booklist</i></b><b>(starred review)</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[The Vinyl Detective plunges into the world of Italian movie soundtrack music in his eighth adventure that is sure to delight those who love whimsical British cosy crime. Expect laughs, LPs, cats and the return of fan favourites, Nevada, Tinkler, Stinky Stanmer and more.]]></Text>
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			<Text textformat="02"><![CDATA[<p>The Vinyl Detective plunges into the world of Italian movie soundtrack music in his eighth adventure that is sure to delight those who love whimsical British cosy crime. Expect laughs, LPs, cats and the return of fan favourites, Nevada, Tinkler, Stinky Stanmer and more. </p><p>Some of the greatest (and grooviest) music ever committed to vinyl has come out of Italy.</p><p>And some of the greatest music to come out of Italy is the rich diversity of soundtracks composed for the indigenous film industry - particularly for gruesome thrillers known as &amp;#x27;gialli&amp;#x27;. The maestros who composed for these include Ennio Morricone, Piero Piccioni, Armand Trovajoli... </p><p>And Valerius Passeri. </p><p>He was one of the finest composers of this genre and his original LPs from his 1960s heyday fetch a fortune from collectors. </p><p>No one disputes that Passeri was a genius... </p><p>The argument is whether or not he was a murderer. </p><p>Passeri&amp;#x27;s mistress was killed in London in the 1960s while he was here on location for a film shoot. There was never enough hard evidence to lead to a prosecution but the stink of scandal has never gone away. </p><p>Passeri&amp;#x27;s granddaughter Chloe has come to England to hire the Vinyl Detective. She wants him to negotiate for a collection of her father&amp;#x27;s LPs. The mastertapes of the albums have been destroyed and she needs immaculate vinyl copies to provide the source for a series of reissues  Chloe&amp;#x27;s mission is to preserve her grandfather&amp;#x27;s heritage. And also, it transpires, to clear his name. </p><p>So it turns out that the Vinyl Detective&amp;#x27;s real job will be to find out who actually committed a murder  over half a century ago, in Swinging London. </p><p>But the real killer is not enchanted with the notion of being exposed. And, having killed once before, they see no problem in doing so again.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Andrew Cartmel</b> is a novelist, comics writer and screenwriter. His work includes a distinguished sojourn script editing <i>Doctor Who</i> for three years (search &amp;#x27;Cartmel masterplan&amp;#x27;), co-writing the <i>Rivers of London</i> graphic novels and plays. As a crime novelist, Andrew created the <i>Vinyl Detective</i> while listening to a lot of music, most of it good. Most of it very good. Andrew Cartmel lives in London with too many books, too many records and just enough cats.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'Original, compelling, witty and historically illuminating  hilarious and essential reading.'  Helen Lederer, comedian, actress and founder of Comedy Women in Print</b></p><p>Paris, 1940. The course of Fatiha Bin-Khalid's life is changed forever when she befriends the Muslim feminist Doria Shafik. But after returning to Egypt and dedicating years to the fight for women's rights, she struggles to reconcile her political ideals with the realities of motherhood.</p><p>Cairo, 1966. After being publicly shamed when her relationship with a bisexual boyfriend is revealed, Fatiha's daughter is faced with an impossible decision. Should Yasminah accept a life she didn't choose, or will she leave her home and country in pursuit of independence?</p><p>Bristol, 2011. British-born Nadia is battling with an identity crisis and a severe case of herpes. Feeling unfulfilled (and after a particularly disastrous one-night stand), she moves in with her old-fashioned Aunt Yasminah and realises that she must discover her purpose in the modern world before it's too late.</p><p>Following the lives of three women from the Bin-Khalid family, <i>Daughters of the Nile</i> is an original and darkly funny novel that examines the enduring strength of female bonds. These women are no strangers to adversity, but they must learn from the past and relearn shame and shamelessness to radically change their futures.</p><p>Everyone's talking about <i>Daughters of the Nile</i>...</p><p><b>'A writer to watch.'  @ElementaryMyDear_</b></p><p><b>'Mesmerising.'  @alicetheunique</b></p><p><b>'Not to be missed.'  @Silvia_reviews</b></p><p><b>'A true gem.'  @stratospherekawaiigirl</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A bold follow-up to the very popular <i>Damnable Tales</i>: Full of thrillingly chilling tales from Shirley Jackson, M. R. James, William Croft Dickinson and many more</p><p>This anthology contains work from both the established masters of Folk Horror, and some more surprising contributors: from Shirley Jackson and M. R. James to E. F. Benson and William Croft Dickinson. <i>Tales Accursed</i> will raise the hairs on your neck and keep you alert to the slightest rustle in the trees: through the chill splendour of moonlit nights come apparitions through the orchard; sea-witches perch on the sharp fangs of rocks as they weave their spells; fir-woods lie unnaturally still with no birdsong, no breeze, nor any undergrowth; and hooded creatures crouch on grey secluded beaches. This book combines ancient horrors from the wilderness with sinister shadows of the landscape to remind us of the settings of our ancestors.</p><p><i>Tales Accursed</i> is a gloriously creepy collection of chilling Folk Horror tales that is both thrilling and unnerving.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Richard Wells</b> is an illustrator and graphic designer and the designer and illustrator of the bestselling anthology <i>Damnable Tales</i>. Primarily working in the television industry, he has provided graphic props for the likes of <i>Poldark</i>, <i>Sherlock</i>, <i>Doctor Who</i>, and the 2020 BBC adaptation of Bram Stoker's <i>Dracula</i>. Outside of his television work, he makes and sells his own darkly folkloric artwork, often lino cut and hand-printed. His recent work includes a series of prints based on the ghost stories of M. R. James. He lives in Walsall, UK.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>From the author of<i>Last Words on Earth</i>  an reimagining of Roberto Bolao's life  comes a book articulating the final years of Aliocha Coll, one of Spain's most innovative writers as he completes his masterpiece,<i>Attila</i>(also available from Open Letter Books).</p><p>Living alone in Paris, estranged from his family, suffering from heartbreak and possibly madness, Alioscha Coll works with saintly intensity on what will be his final manuscript:<i>Attila</i>. Once the final words have been written, he vows to end his life, convinced that his existence will lose all purpose.</p><p>Told through the viewpoint of a literary critic and journalist,<i>Attila</i>expands Javier Serena's investigation into artists who remained dedicated to their art, to their aesthetic vision in the face of complete dismissal by the publishing world and reading public. In the case of<i>Last Words on Earth</i> and Ricardo Funes (the stand in for Bolao in that novel), things work out and he briefly becomes the star of the literary world  could the same happen for Alioscha Coll?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Javier Serena</b>was born in Pamplona, Spain in 1982. He has published<i>Las torres de El Carpio</i>,<i>La estacin balda</i>,<i>Last Words on Earth</i>, and<i>Attila</i>. He has stayed at writers residences with the Fundacin Antonio Gala (Crdoba, Spain) and Les Recollets (Paris, France).</p><p><b>Katie Whittemore</b>translates from the Spanish. Her translations include novels by Sara Mesa, Javier Serena, Aroa Moreno Durn, Lara Moreno, Nuria Labari, Katixa Agirre, Jon Bilbao, Juan Gmez Brcena, Almudena Snchez, Aliocha Coll, and Pilar Adn. She received an NEA Translation Fellowship in 2022 for Lara Moreno's<i>In Case We Lose Power</i>, and has been a finalist for the Spain-USA Foundation Translation Prize and the Queen Sofa Spanish Institute Translation Prize, and longlisted for the National Translation Award.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>'My life will not make any sense when <i>Attila </i>is finished,' declared Aliocha Coll about his mesmerising final novel. In this groundbreaking 'untranslatable' work, he channels Joycean experimentalism to explore the fragility of empires, the future of the city, and the weight of legacy.</p><p>Attila the Hun, reimagined as a visionary leader, contemplates the fate of his people at the gates of Rome. His son, Quijote, is caught between empires and ideals, forced to choose between his father's vision of a Hunnic utopia and the decaying allure of Roman civilisation. As Rome burns, Quijote journeys through both real and surreal landscapes, encountering psychedelic visions, mystical revelations, and existential dilemmas.</p><p>Quijote's journey blurs the lines between past and future, uniting Biblical, Classical, and Buddhist traditions while moving between planes of existence. <i>Attila</i>is an intricate and elusive masterpiece from the explosive and disorienting imagination of Aliocha Coll, where characters from myth and history intermingle in a stunning labyrinth of allegory and metaphor.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The pseudonym of Javier Coll Mata (Madrid, May 6, 1948-Paris, November 15, 1990),<b>Aliocha Coll</b>was a Spanish writer and translator raised in Barcelona who spent several years of his adult life in Paris, where he committed suicide after completing<i>Attila</i>. He is the subject of 'Everything Bad Comes Back' by Javier Maras, and believed in<i>Finnegans Wake</i>as the 'starting point' for contemporary literature. In addition to<i>Attila</i>, he wrote a couple novels, a play, and several essays, but the majorityhis work was either published posthumously or remains unpublished, despite Spanish super agent Carmen Balcells backing him throughout her life as the future of Spanish literature.</p><p><b>Katie Whittemore</b> translates from the Spanish. Her translations include novels by Sara Mesa, Javier Serena, Aroa Moreno Durn, Lara Moreno, Nuria Labari, Katixa Agirre, Jon Bilbao, Juan Gmez Brcena, Almudena Snchez, Aliocha Coll, and Pilar Adn. She received an NEA Translation Fellowship in 2022 for Lara Moreno's <i>In Case We Lose Power</i>, and has been a finalist for the Spain-USA Foundation Translation Prize and the Queen Sofa Spanish Institute Translation Prize, and longlisted for the National Translation Award.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>What a study in contrasts is the friendship between Henry Jekyll and his boon companion, Edward Hyde. Where Jekyll is a handsome and respected man of science, Hyde is a surly and brutish misanthrope. Nevertheless, Jekyll has allowed Hyde free access to his home and laboratory and, surprisingly, made him the sole beneficiary of his will. Given the closeness of their bond, it seems peculiar that no one has ever seen the two men together in public. And yet they share a remarkable chemistry... </p><p>First published in 1886, <i>The Strange Case of Dr. Jekyll and Mr. Hyde</i> is Robert Louis Stevenson's classic tale of the duality of human nature and his iconic presentation of what would come to be referred to as the 'split personality'.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This Side of Paradisetells the story of Amory Blaine, the only child of wealthy parents, whose journey from adolescence to adulthood follows him from prep school through to Princeton University, where his literary talents flourish, in contrast to his academic failure.]]></Text>
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			<Text textformat="02"><![CDATA[<p>F. Scott Fitzgerald's debut novel of love and greed, now repackaged with a beautifully designed jacket by noted illustrator Malika Favre.</p><p><i>This Side of Paradise</i>tells the story of Amory Blaine, the only child of wealthy parents, whose journey from adolescence to adulthood follows him from prep school through to Princeton University, where his literary talents flourish, in contrast to his academic failure. A sequence of love affairs with beautiful young women is fatally damaged by the collapse of his family's fortune, and the novel ends with him poised to face the challenge of making his own way in the world.</p>]]></Text>
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			<SubjectHeadingText>20th century; african american; african american women; classics; colorism; dark skin; discrimination; fiction; harlem; harlem renaissance; historical; idaho; intraracial racism; new york; nightlife; race relations; racism; rent parties; university of southern california; wallace thurman; women</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A groundbreaking, yet controversial novel of the Harlem Renaissance about a young, dark-skinned Black woman reckoning with colourism as she navigates 1920s Harlem, reissued and repackaged for th</b><b><i>e Herald Classics</i></b><b> line.</b></p><p>Emma Lou Morgan's dark complexion is a source of sorrow and humiliation  not only to herself, but also to her lighter-skinned family members and the white community of her hometown, Boise, Idaho. Hoping to find a safe haven, Emma travels to New York's Harlem, the Black Mecca of the 1920s. Wallace Thurman brings to life this legendary time and place in rich detail, describing Emma's visits to nightclubs, dance halls, and house-rent parties, her sex life and catastrophic love affairs, her dreams and her disillusions  and the momentous decision she makes to survive.</p><p>A lost classic of Black American literature, <i>The Blacker the Berry</i> is a compelling portrait of the destructive depth of intra-racial bias in the Black community.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner of the 2021 European Union Literature Prize**</b></p><p>One apartment, three women, one man. One of the women is dead. When the emergency personnel arrive, they realise: Elisabeth starved to death, encouraged by her roommates.</p><p>In the middle of a summer night, Elisabeth, the oldest resident of the Sound &amp; Love Commune, dies. Her sister Melodie and their two other housemates are arrested: the group's attempts to stop eating and start living on light and love alone appears to have been fatal to Elisabeth. From unworldly idealists on the fringes of society, the three suddenly become suspects in a criminal case. Through the eyes of the night, the neighbors, doubt, the scent of an orange, and many other characters and entities, we see how each of those involved gives a different answer to the question of how Elisabeth came to die. Who is to blame? And does the commune still have a future? <i>We Are Light</i> is a highly original and entertaining novel about manipulation, vulnerability, and trying to be better.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>T. Kingfisher</b> is the adult fiction pseudonym of Ursula Vernon. She is an author and illustrator based in North Carolina who has won multiple Hugo, Nebula, and Dragon awards. Her debut adult horror novel, <i>The Twisted Ones</i>, won the 2020 Dragon Award for Best Horror Novel, and was followed by the critically acclaimed <i>The Hollow Places.</i></p>]]></Text>
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			<SubjectHeadingText>Neil Clarke; Clarkesworld; anthology; science fiction anthology; short fiction anthology; short science fiction stories; anthologies; short stories; best science fiction; best sci-fi; Clarkesworld magazine; science fiction short stories; best science fiction short stories; science fiction authors; far future; transhumanism; singularity; space travel; near-future; technology; science fiction collection; sci fi collection; scifi short stories; speculative fiction; apocalyptic novel; military; dystopia; world building; artifical intelligence; AI; genre bending; genre blending; genre bender; alien; alien species; space opera; science fiction; sci fi; sf; lavie tidhar; Karin lowachee; aliette de bodard; tobias s. buckell; karen lord; sarah pinsker; an owomoyela; ken liu; Carolyn ives gilman; Martin Shoemaker; Sam J Miller; Seth Dickinson; Chen Quifan; Seanan McGuire; Hao Jingfiang; Geoff Ryman; John Chu; Paul McAuley; Naomi Kritzer; Carrie Vaughn; Ann Leckie; Yoon Ha Lee</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Keeping up-to-date with the most buzzworthy and cutting-edge science fiction requires sifting through countless magazines, e-zines, websites, blogs, original anthologies, single-author collections, and more  a task that can be accomplished by only the most determined and voracious readers. For everyone else, Night Shade Books is proud to present the latest volume of <i>The Best Science Fiction of the Year</i>, a yearly anthology compiled by Hugo and World Fantasy Award-winning editor Neil Clarke, collecting the finest that the genre has to offer, from the biggest names in the field to the most exciting new writers.</p><p>The best science fiction scrutinises our culture and politics, examines the limits of the human condition, and zooms across galaxies at faster-than-light speeds, moving from the very near future to the far-flung worlds of tomorrow in the space of a single sentence. Clarke, publisher and editor-in-chief of the acclaimed and award-winning magazine <i>Clarkesworld</i>, has selected the short science fiction (and <i>only</i> science fiction) best representing the previous year's writing, showcasing the talent, variety, and awesome &amp;#x27;sensawunda&amp;#x27; that the genre has to offer.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Neil Clarke</b>) is the multi-award-winning editor of <i>Clarkesworld Magazine</i> and over a dozen anthologies. A ten-time finalist and the 2022 winner of the Hugo Award for Best Editor Short Form, he is also the three-time winner of the Chesley Award for Best Art Director. In 2019, Clarke received the SFWA Kate Wilhelm Solstice Award for distinguished contributions to the science fiction and fantasy community. He currently lives in New Jersey with his wife and two sons, and you can visit him at his website, www.neil-clarke.com.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Calvaria Fell</i> is a stunning collaborative collection of weird tales from two acclaimed authors, Kaaron Warren and Cat Sparks. It features previously published stories from both authors, along with a new novella by Kaaron Warren and four new stories by Cat Sparks.</p><p>The collection offers a glimpse into a chilling future world that is similar to our own. Readers will be drawn into experiences at once familiar and bizarre, where our choices have far-reaching consequences and the environment is a force to be reckoned with.</p><p>The title of the collection tethers these stories to a shared space. The calvaria is the top part of the skull, comprising five plates that fuse together in the first few years of life. Story collections work like this; disparate parts melding together to make a robust and sturdy whole. The calvaria tree, also known as the dodo tree, adapted to being eaten by the now-extinct dodo bird; its seeds need to pass through the bird' s digestive tract in order to germinate. In a similar way, the stories in <i>Calvaria Fell </i>reflect the idea of adaptation and the consequences of our actions in a changing world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Aurealis Awards 2024, Best science fiction novella**</b></p><p>A thrilling, propulsive story of escape as a small-time crook goes on the run across Australia with a stolen secret that will change the world, perfect for fans of William Gibson's <i>All Tomorrow's Parties</i>, Richard Morgan and <i>Ghost in the Shell</i>.</p><p>Jackson Nguyen is a petty crook living slim on the mean streets of Melbourne. When he crosses paths with a desperate, but wealthy, Chinese dissident, begging for his help, Jack responds in the only natural way: he steals her shoes.</p><p>And yet, despite every effort to mind his own damn business, a wild spiral into the worst kind of trouble begins - Murder, mayhem, fast cars, fast-talking, bent cops, and long straight highways into the terrible beauty of the vast Australian Outback.</p><p>In Jack's world, taking a stand against the ruling class is the shortest path to a shallow grave. But when an Earth-shattering technology falls into his hands, he must do everything he can to stop the wrong people taking it. In a world of pervasive government surveillance and oppressive corporate control, it's up to a small-time criminal to keep the spark of human rebellion alive.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Set in the same universe as the acclaimed <i>All the Murmuring Bones</i> and <i>The Path of Thorns</i> (one of Oprah Daily&amp;#x27;s Top 25 Fantasy Novels of 2022), this beautifully told Gothic fairy tale of ghosts, witches, deadly secrets and past sins, will be perfect for fans of Hannah Whitten and Ava Reid.</p><p>Ellie Briar is the first non-witch to be born into her family for generations. The Briar family of witches run the town of Silverton, caring for its inhabitants with their skills and magic. In the usual scheme of things, they would be burnt for their sorcery, but the church has given them dispensation in return for their protection of the borders of the Darklands, where the much-feared Leech Lords hold sway.</p><p>Ellie is being trained as a steward, administering for the town, and warding off the insistent interest of the church. When her grandmother dies suddenly, Ellie's cousin Audra rises to the position of Briar Witch, propelling Ellie into her new role. As she navigates fresh challenges, an unexpected new ability to see and speak to the dead leads her to uncover sinister family secrets, stories of burnings, lost grimoires and evil spells. Reeling from one revelation to the next, she seeks answers from the long dead and is forced to decide who to trust, as a devastating plot threatens to destroy everything the Briar witches have sacrificed so much to build.</p><p>Told in the award-winning author&amp;#x27;s trademark gorgeous, addictive prose, this is an intricately woven tale of a family of witches struggling against the bonds of past sins and persecution.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Step into another alternate reality crafted by Ryo Yoshigami, as the Psycho-Pass writer weaves a compelling story amidst constant conflict.</p><p>In a Japan transformed by drugs, accompany the 'D-Unit' as they battle addicts with destructive powers. Like the 'Dopemen', readers are addicted and unable to put the novel down.</p><p>Dangers lurk at every turn in <i>Dopeman Volume 1</i>. Ryo Yoshigami eradicates the metropolitan Japan that we know, as it has now become a warzone for the authorities and a new enemy.</p><p>The legalisation of narcotics unleashed a wave of supernatural powers among drug addicts. To battle the new enemies, the 'D-Unit' is formed comprising of detectives, who alongside the reader, are plunged into a superhuman doping conflict.</p><p>The gripping story unfolds in a dark dystopia reminiscent of the hit anime Psycho-Pass, which Yoshigami also had a hand in creating as a screenwriter of the third season and author of the franchise's short novels. Now, fans have the chance to delve even deeper into his immersive worlds, exploring moral dilemmas and complex characters.</p><p>Readers will quickly find themselves captivated by the conflict they are immediately thrown into, but perhaps also be morally torn. While it may be 'right' to side with the 'D-Unit', who are attempting to restore law and order, the powerful and cunning 'Dopemen' have a swagger about them as they wreak havoc across Japan.</p><p>While narcotics have bestowed fascinating and destructive powers, it will be adrenaline coursing through the reader's veins as they are consumed by the mayhem wrought in 'Dopeman'. Against the backdrop of a Japan corrupted by drugs, the stage is set for epic confrontations and devastating battles.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Yuhei Ogino</b> is a versatile artist, whose work knows no boundaries having worked on titles of various genres. From horror to Sci-Fi, to romance, the creative has illustrated titles such as Aku no Higan, Zetsubou no Rakuen, Kodoku no Immortal, and Tobaku no Kyojin. Ryo Yoshigami, born in Saitama in 1989, ignited his passion for writing after receiving positive feedback from peers when writing a novel as a guest for the cultural festival. He then spent two years in college creating visual novels, and eventually published his debut; <i>The Panzer Clown Faces</i>. Since then, he has established himself as a light novel author, as well as being a screenwriter for the <i>Psycho-Pass</i> anime, as well as writing novels for the successful franchise.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>There is healing in this poetry.</i></p><p><i>These are our words.</i></p><p><i>From our country.</i></p><p><i>Our lands. Our spirits.</i></p><p><i>For all the troubles we face every day, we are a passionate people.</i></p><p><i>When we hear these poems, we know, we are lovers of life.</i></p><p>After selling out its first three print runs and having poems selected for Best of Australian Poems 2021 by Australian Poetry, a second edition of this beautiful anthology was needed! It is being released on the new imprint of Running Water Community Press (formerly Ptilotus Press) from Mparntwe Alice Springs and features poems written by over twenty Arrernte women around the refreshing Arrernte concept of Lyapirtneme.</p><p>This second edition includes an additional poem by local heroines, Margaret Kemarre Turner (Arrernte Elder and author) and Maureen Jipiyiliya Nampijinpa O'Keefe (Warlpiri/Kaytetye author), as well as a reinvigorated design by award winning book designer, Gemma Banks. It is an important contribution to the growing body of First Nations literature, particularly from remote Australia.</p><p><b>&amp;#x27;Even amongst the extraordinary body of one hundred poems that constitute the first volume of a new annual 'best of' series, Best of Australian Poems, the two poems by Arrente poets, Theresa Penangke Alice and Shirley Kngwarraye Turner, shimmer. Two completely different poems, 'Metal bird' and 'Family are like rocks', but both emanating a profound generosity of knowledge and voice. We are gratefully richer for such 'Women's Talk' gifts, but for myself, as a reader, I actually feel life-changed.&amp;#x27; - Jacinta Le Plastrier, CEO Australian Poetry</b></p><p><b>&amp;#x27;Lyapirtneme is an Arrernte word that means growing back, returning. It's like if a bushfire went through the land, and all the trees burnt down, and the roots underground are still alive. When the rain comes you see little shoots growing out of the bottom of the tree, growing back again.&amp;#x27; - Therese Perrurle Ryder, Arrernte Elder</b></p><p><b>&amp;#x27;I love this book. It holds so much value. Each poem is a gift and it has been put together with so much care.&amp;#x27;  Ellen van Neerven, Mununjali poet</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Published to commemorate the author's 100th birthday, this wide-ranging and thoughtful collection reflects on history, colonisation, family, childhood, Aboriginal Dreaming, traditions and storytelling, working lives and people.</p><p>Sometimes wistful, melancholic, poignant, at times the author's wry sense of fun and humour shines through.</p><p>When he arrived in Sydney in the 1960s, Bigambul man, Uncle Wes, was not allowed to tell his stories at schools. He set up a fire bucket in his backyard and invited families and children from the local Aboriginal community to come to sit around the fire and share his stories. It did not take long for the police to arrive and arrest him for hosting an unlawful gathering  he spent two days in lock-up for sharing his stories.</p><p>Uncle Wes is a living treasure of Aboriginal storytelling wisdom. Through his poems Uncle Wes invites the reader to join him by the fire as he generously shares his reflections and reminiscences on one hundred years.</p><p><b>&amp;#x27;It is my pleasure to honour Uncle Wes for his work in retaining the age-old storytelling tradition of our people. It is important to maintain this tradition of our Elders sharing their knowledge and insight through story and verse. Thank you Uncle Wes, for sharing your poems with us as you celebrate your 100th year.&amp;#x27; - Dr Anne Pattel-Gray: Head of the Australia First Nations Program, World Vision Australia</b></p><p><b>&amp;#x27;Uncle Wes Marne has a unique ability to allow the reader to see through his experienced eyes. The power and wisdom of his words is now more than ever important for the future generations to understand the time and place they exist in.&amp;#x27; - Ben Bowen: CEO, Indigenous Literacy Foundation</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Miles Franklin Literary Award 2024**</b></p><p><b>**Winner, Stella Prize 2024**</b></p><p><b>**Winner, Queensland Literary Awards, Fiction Book Award**</b></p><p><b>**Winner, The James Tait Black Prize, Fiction 2024**</b></p><p><b>**Winner, ALS Gold Medal 2024**</b></p><p>**<b>Shortlisted, The Dublin Literary Award 2024**</b></p><p><b>**Shortlisted, Queensland Literary Awards 2023, Work of State Significance**</b></p><p><b>**Shortlisted, Margaret and Colin Roderick Literary Award 2024**</b></p><p><b>The new novel from the internationally acclaimed, award-winning Australian author Alexis Wright.</b></p><p><i>Praiseworthy</i> is an epic set in the north of Australia, told with the richness of language and scale of imagery for which Alexis Wright has become renowned. In a small town dominated by a haze cloud, which heralds both an ecological catastrophe and a gathering of the ancestors, a crazed visionary seeks out donkeys as the solution to the global climate crisis and the economic dependency of the Aboriginal people. His wife seeks solace from his madness in following the dance of butterflies and scouring the internet to find out how she can seek repatriation for her Aboriginal/Chinese family to China. One of their sons, called Aboriginal Sovereignty, is determined to commit suicide. The other, Tommyhawk, wishes his brother dead so that he can pursue his dream of becoming white and powerful. This is a novel which pushes allegory and language to its limits, a cry of outrage against oppression and disadvantage, and a fable for the end of days.</p><p><b>&amp;#x27;Monumental...calls to mind the work of Thomas Bernhard or the quiet rage of Dostoyevsky...</b><b><i>Praiseworthy</i></b><b>blew me away.&amp;#x27; </b><b><i>Australian Book Review</i></b></p><p><b>Praise for Alexis Wright:</b></p><p><b>'The writing is the best in the country, some of the best in the world; we call to mind Alexis Wright when they talk about our country's great literary voice.' - Tara June Winch</b></p><p><b>'I'm awed by the range, experiment and political intelligence of [Alexis Wright's] work, from fiction such as</b> <b><i>Carpentaria</i></b> <b>and</b> <b><i>The Swan Book</i></b><b>, to her "collective memoir" of an Aboriginal elder in</b> <b><i>Tracker</i></b><b>. As essayist, activist, novelist and oral historian she is vital on the subject of land and people.' - Robert Macfarlane,</b> <b><i>New York Times Book Review</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexis Wright</b> is a member of the Waanyi nation of the southern highlands of the Gulf of Carpentaria. The author of the novels <i>Carpentaria</i>, winner of the Miles Franklin Award, and <i>The Swan Book</i>, winner of the ALS Gold Medal, Wright has published three works of non-fiction: <i>Take Power</i>, an oral history of the Central Land Council; <i>Grog War</i>, a study of alcohol abuse in the Northern Territory; and <i>Tracker</i>, a collective memoir of Aboriginal leader, Tracker Tilmouth which won the Stella Prize. Her books have been published widely overseas, including in China, the US, the UK, Italy, France and Poland. She held the position of Boisbouvier Chair in Australian Literature at the University of Melbourne, and is now an Adjunct Professor at Western Sydney University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>One of the classics of Australian literature, Alexis Wright's Miles Franklin award-winning novel is being rereleased in a new edition designed by Jenny Grigg.</b></p><p><b>Accompanies the April release of</b> <b><i>Praiseworthy</i></b><b>, Wright's first work of fiction since 2014.</b></p><p><i>Carpentaria</i> is an epic of the Gulf country of north-western Queensland. Its portrait of life in the precariously settled coastal town of Desperance centres on the powerful Phantom family, leader of the Westend Pricklebush people, and its battles with old Joseph Midnight's renegade Eastend mob 2007 on the one hand, and the white officials of Uptown and the neighbouring Gurfurrit mine on the other. Wright's storytelling is operatic and surreal: a blend of myth and scripture, politics and farce.</p><p><i>Carpentaria</i> was the 2007 winner of the Miles Franklin Literary Award, ALS Gold Medal, Queensland Premier's Literary Award and Victorian Premier's Literary Award. It has been published in the US, UK, France, Italy and China.</p><p><b>'a swelling, heaving tsunami of a novel: stinging, sinuous, salted with outrageous humour, sweetened by spiralling lyricism and swaggering with the confident promise of a tale dominated by risk, roguery and revelation.' - </b><b><i>The Australian</i></b></p><p><b>'Wright breaks all the rules of grammar and syntax to sweep us along on a great torrent of language that thrills and amazes with its inventiveness and humour and with the sheer power of its storytelling. It's brutal and confronting and it's sad and funny at the same time.' - </b><b><i>Sydney Morning Herald</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexis Wright</b> is a member of the Waanyi nation of the southern highlands of the Gulf of Carpentaria. The author of the prize-winning novels <i>Carpentaria</i> and <i>The Swan Book</i>, Wright has published three works of non-fiction: <i>Take Power</i>, an oral history of the Central Land Council; <i>Grog War</i>, a study of alcohol abuse in the Northern Territory; and <i>Tracker</i>, an award-winning collective memoir of Aboriginal leader, Tracker Tilmouth. Her books have been published widely overseas, including in China, the US, the UK, Italy, France and Poland. She holds the position of Boisbouvier Chair in Australian Literature at the University of Melbourne. Wright is the only author to win both the Miles Franklin Award (in 2007 for <i>Carpentaria</i>) and the Stella Prize (in 2018 for <i>Tracker</i>). Alexis Wright's fourth novel, <i>Praiseworthy</i>, will be published in early 2023.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Originally published in 2014, Alexis Wright's classic novel </b><b><i>The Swan Book</i></b><b> is being rereleased in a new edition designed by Jenny Grigg.</b></p><p><b>Accompanies the April release of </b><b><i>Praiseworthy</i></b><b>, Wright's first work of fiction since 2014.</b></p><p><i>The Swan Book</i> is set in the future, with Aboriginal people still living under the Intervention in the north, in an environment fundamentally altered by climate change. It follows the life of a mute young woman called Oblivia, the victim of gang rape by petrol-sniffing youths, from the displaced community where she lives in a hulk, in a swamp filled with rusting boats, and thousands of black swans, to her marriage to Warren Finch, the first Aboriginal president of Australia, and her elevation to the position of First Lady, confined to a tower in a flooded and lawless southern city. <i>The Swan Book</i> offers an intimate awareness of the realities facing Aboriginal people; the energy and humour in her writing, which draws freely on myth and legend, finds hope in the bleakest situations.</p><p><i>The Swan Book</i> was the winner of the ALS Gold Medal and the Kate Challis RAKA Award, and shortlisted for Miles Franklin Literary Award, Stella Prize, NSW Premier's and Victorian Premier's Literary Awards. </p><p><b>'This is not myth as Western culture understands it: not an imagined dimension, but a literal if incorporeal one that bisects and animates the physical world; it makes for marvellous theatre.' - Elizabeth Lowry, </b><b><i>London Review of Books</i></b></p><p><b>'This is a novel written out of the very thing it describes: sovereignty, the sheer taken-for-granted fact of it...</b><b><i>The Swan Book</i></b><b> is about the ethics of hope in our post-apocalyptic world.' - </b><b><i>Sydney Morning Herald</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexis Wright</b> is a member of the Waanyi nation of the southern highlands of the Gulf of Carpentaria. The author of the prize-winning novels <i>Carpentaria </i>and <i>The Swan Book</i>, Wright has published three works of non-fiction: <i>Take Power</i>, an oral history of the Central Land Council; <i>Grog War</i>, a study of alcohol abuse in the Northern Territory; and <i>Tracker</i>, an award-winning collective memoir of Aboriginal leader, Tracker Tilmouth. Her books have been published widely overseas, including in China, the US, the UK, Italy, France and Poland. She holds the position of Boisbouvier Chair in Australian Literature at the University of Melbourne. Wright is the only author to win both the Miles Franklin Award (in 2007 for <i>Carpentaria</i>) and the Stella Prize (in 2018 for <i>Tracker</i>). Alexis Wright's fourth novel, <i>Praiseworthy</i>, will be published in early 2023.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner of the Queensland Literary Awards, Judith Wright Calanthe Award for a Poetry Collection**</b></p><p><b>**Shortlisted, NSW Premier&amp;#x27;s Literary Awards 2023, Indigenous Writers&amp;#x27; Prize**</b></p><p><b>**Shortlisted, Prime Minster's Literary Awards, Poetry 2023**</b></p><p><i>Harvest Lingo</i> is the fourteenth collection of poems by Lionel Fogarty, a Murri man with traditional connections to the Yugambeh people from south of Brisbane and the Kudjela people of north Queensland. He is a leading Indigenous rights activist, and one of Australia's foremost poets, and this collection displays all of the urgency, energy and linguistic audacity for which Fogarty is known.</p><p>At the centre of the collection is a series of poems written in India. Deeply empathetic, these poems are remarkable for the connections they draw between the social problems the poet encounters in this country - poverty, class division, corruption - and those he sees in contemporary Australia, besetting his own people.</p><p>Other poems tell of encounters between people and between cultures, address historical and cultural issues and political events, and pay tribute to important Indigenous figures. There are intensely felt lyrics of personal experience, and poems which contemplate Fogarty's own position as a poet and an activist, speaking with and for his community.</p><p>Fogarty's poems are bold and fierce, at times challenging and confronting, moved by strong rhythms and a remarkable freedom with language. They are an expression of the 'harvest lingo' which gives the collection its title.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>This second edition of The Cherry Picker's Daughter is an exquisite portrait of growing up Aboriginal on the fringes of outback towns in NSW in the mid-twentieth century. Its an important book for school libraries and classrooms, with profound insights into the extraordinary strength, resilience and ingenuity of Aboriginal families to overcome extreme poverty, persecution, racism and cultural genocide.</p><p>The strength of family ties in Aboriginal communities is clearly evident when three-month-old Kerry and her brother lost both parents. Her father, Kevin Gilbert - later to become a famous activist and artist - killed their mother and was jailed for many years. Her father's sister, whom she always called 'Mummy', raised Kerry and her brother, along with her own children and others within the extended family. The book is a tribute to this truly remarkable woman, who not only loved them selflessly and worked tirelessly to support them, but also managed to keep them from being taken/'stolen' by the 'Welfare'.</p><p>Told in the child's voice and in the vernacular of her Mob, activist, artist, poet and author, Aunty Kerry, tells her story of love and loss, of dispossession and repeated dislocation growing up in corrugated tin huts, tents and run-down train carriages, of helping her family earn 'an honest living' through fruit picking, and the impact of life as an Aboriginal state ward living under the terror of Protection Laws.</p><p><b>'A wonderful yarn by an Aboriginal Elder about a bygone way of life.' -&amp;nbsp;</b><b>Melissa Lucashenko, author of Miles Franklin Award-winning<i> Too Much Lip</i></b></p><p><b>'Australia has waited too long to read this book of courage and truth. It heralds a timely change in our thinking of Aboriginal activism.'&amp;nbsp;</b><b>- Jeanine Leane, Wiradjuri writer and academic</b></p><p><b>'Thank you, Kerry, for sharing your story - so much pain and hurt, but such life-affirming strength and love, too.'&amp;nbsp;</b><b>- Kate Grenville, author</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Kuracca</i> - meaning white sulphur crested cockatoo - is a multi-lingual anthology featuring eleven Aboriginal and Torres Strait Islander women writing poetry, prose, songs and stories about their unique lives. All contributors are members of Canberra's longest running Indigenous writers group called 'Us Mob Writing' and this book is dedicated to the late Wiradjuri Elder and award-winning writer, Kerry-Reed Gilbert. With a strong focus on inspiring people to write, the anthology includes both emerging and award-winning writers, a preface by Chairperson Us Mob Writing, Marissa McDowell and a foreword by Chairperson First Nations Australia Writers Network, Yvette Holt.</p><p><b>&amp;#x27;The poetry and prose awaiting your creative cultural engagement, all sixty-five poems in content equates to some sixty-five thousand years and beyond of what it means to be here in the now, as Aboriginal and Torres Strait Islander women representing their families, communities, heritage, their shadows, their promise, their matriarch, themselves - it is within these pages you shall find what it means for all of us to be alive and thriving through chapters of millennia as spoken and written by Us Mob Writing.&amp;#x27; - Yvette Holt</b></p><p><b>&amp;#x27;Powerful and palpable,</b> <b><i>Kuracca</i></b> <b>honours the work of a cultural powerhouse and matriarch in style. The book showcases the strengths and fresh and exciting writing of a tightly bonded group. This is healing.&amp;#x27; - Ellen van Neerven</b></p><p><b>&amp;#x27;Through the liberating words written on these pages, women are sharing their own stories and truth. Such inspiration is the legacy of Aunty Kerry Reed-Gilbert RIP.&amp;#x27; - Ali Cobby Eckermann</b></p>]]></Text>
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