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			<Text textformat="02"><![CDATA[<p>Leonora has relocated to Melbourne from London and falls in love with Margaret, a fellow teacher who three years later dies of cancer. While still grieving for Margaret, Leonora meets and befriends Anna, the Polish woman who lives next door.</p><p><i>Crimson Light Polished Wood </i>illuminates with subtle ease the influence Leonora has on Anna's daughter, Lydia, introducing her to the world of literature and art.</p><p>This is a novel about the ways we all long for acceptance and how those we might feel most in touch with  including parents, siblings and mentors  can often have different values and views about us. As such it is a beautiful work about art, gender, inheritance, understanding and celebration.</p><p><b>'There is jealousy and deception in this strangely tender book that spans continents, generations and cultures. Pulsing with secrets, it stages the legacy of silence.'  Dominique Hecq</b></p><p><b>'Through her protagonist, Lydia, Monica Raszewski delicately uncovers the layers of a family friend's hidden past. This is a compassionate novel about aloneness, disappointment and betrayal; and it's about a heartfelt desire for intimacy, connectedness and belonging.'  Antoni Jach</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Monica Raszewski</b> is Melbourne-based novelist and playwright. Her first novel, <i>The Archaeology of a Dream City,</i> was published in 2021 by Balestier Press (U.K.). It was shortlisted in the NSW Premier's Literary Awards (New Writing) in 2022. Monica has had short stories published in literary journals including <i>Overland, Meanjin</i> and <i>Southerly</i> and several plays produced in Melbourne and in Sydney. Her radio plays, <i>Forest</i> and <i>Ghost Words</i>, were produced by the Australian Broadcasting Corporation and broadcast nationally.</p>]]></Text>
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			<Text textformat="02"><![CDATA[An incisive observer of Australian cultural life returns with a collection that satirically reimagines our era of chaos and chicanery.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An incisive observer of Australian cultural life returns with a collection that satirically reimagines our era of chaos and chicanery.</b></p><p>'the republic of letters / a veritable la la land' writes Keri Glastonbury in <i>51 Alterities</i>, a collection in which cacophony rhymes with simplicity, and device notifications rebound across the desert horizon. In her poems 'nepo boys are punching above their weight', haunted by the 'spectres of unreal estate'; the senate estimate's axe / 'falls in aggregates of joy' while budgies in their natural habitat have 'no idea they are suburban pretty boys'.</p><p>Keri Glastonbury's previous collection <i>Newcastle Sonnets</i> was written as a riposte to Ted Berrigan's New York-based <i>The Sonnets</i>, and <i>51 Alterities</i> began too as a loose adaptation, of British poet Sam Riviere's influential 2012 debut <i>81 Austerities</i>. Riviere's collection was written in response to the impact of conservative UK austerity measures on the arts, and as a reconsideration of the function of poetry in the internet age. Wrestling with Antipodean 'alterity' more than ten years later, as a female queer poet a decade older than Riviere's millennial male, Glastonbury's <i>51 Alterities</i> responds to the persistent threat of economic austerity, and to poetry's precarious place in a landscape dominated by billionaire tech bros and social media empires.</p><p><b>Praise for</b> <b><i>Newcastle Sonnets</i></b><b>:</b></p><p><b>'A post-industrial love song... Glastonbury's sonnets, far from stultifying, are energetic and playful as they enact the associative freedoms of everyday speech.'  Judges' citation, Prime Minister's Literary Awards</b></p><p><b>'A shifting and dangerously mesmerising simulacrum of contemporary Australian urban life... Through whip-smart core samples of observation, Glastonbury becomes the qwerty keyboard medium for social media within Newcastle and beyond.'  Judges' citation, Judith Wright Calanthe Award</b></p><p><b>'Her poems are wonderful repositories of Aussie argot  maggoted, grouse, fugly, bush doof, wheelie bins, sadcore, cankles, choofing and a chicken that's been stuffed up the jacksie all get a run  but just as soon as you settle in, she changes gears.'  Sarah Holland-Batt,</b> <b><i>The Australian</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Keri Glastonbury</b> is Associate Professor in Creative Writing at the University of Newcastle. Her poems have been widely published in magazines and collections. She has been the recipient of the Australia Council's BR Whiting Residency in Rome and an Asialink Literature Residency in India. Her poetry collection <i>Newcastle Sonnets</i>, published by Giramondo in 2018, was shortlisted for the Prime Minister's Literary Award and Judith Wright Calanthe Award. Her previous collections include <i>Grit Salute</i> (Papertiger, 2012).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Shakespeare fed us the myth of the Macbeths as murderous conspirators. But now Val McDermid drags the truth out of the shadows . . .</p><p>A thousand years ago in an ancient Scottish landscape, a woman is on the run with her three companions  a healer, a weaver and a seer. The men hunting her will kill her  because she is the only one who stands between them and their violent ambition. She is no lady: she is the first queen of Scotland, married to a king called Macbeth.</p><p>As the net closes in, we discover a tale of passion, forced marriage, bloody massacre and the harsh realities of medieval Scotland. At the heart of it is one strong, charismatic woman, who survived loss and jeopardy to outwit the endless plotting of a string of ruthless and power-hungry men. Her struggle won her a country. But now it could cost her life.</p><p>Part of Polygon's DARKLAND TALES series.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A pitch-black, magnetic, and unforgettable meditation on the nature of love, evil, and the power of redemption, Land of Hope mixes history and the myths of the English moors to tell a compelling modern English fable of serial killers at the end of the world.]]></Text>
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			<Text textformat="02"><![CDATA[The day before Murray McBride moves Jenny, his beloved wife of eighty years, into a memory care center, she convinces him to search for a case her grandfather buried long ago, said to contain "a treasure worth more than gold."]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The prequel to the Murray McBride series  by the author of the beloved</b> <b><i>USA Today</i></b><b> international bestselling novel</b> <b><i>The Five Wishes of Mr. Murray McBride</i></b><b>.</b></p><p>The day before Murray McBride moves Jenny, his beloved wife of eighty years, into a memory care center, she convinces him to search for a case her grandfather buried long ago, said to contain 'a treasure worth more than gold'. With the help of some new friends, Murray and Jenny retrace their steps from years before. Over the course of the day, Murray tenderly retells their love story  how they met, the challenges they faced and overcame, and their initial attempt at the quest.</p><p>But the closer they get to the treasure, the more clearly Murray remembers why they abandoned the search the first time. With the exhilaratingdiscovery at hand, Murray must decide whether to unearth the treasure, even if it means bringing up painful events from the past.</p><p>This heartwarming novel is perfect for fans of Fredrik Backman's <i>A Man Called Ove</i> and Lisa Wingate's<i>The Prayer Box.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'Patricia Donegan and Yoshie Ishibashi are to be deeply thanked for having given us with such articulate care a poetry major in any language and in any place or time.'  Robert Creeley, poet</b></p><p>Chiyo-ni (1703-1775), also known as Kaga no Chiyo, is Japan's most celebrated female haiku poet. A student of Basho's disciples, she worked in an age when haiku was largely a male domain. As a poet, painter, and Buddhist nun, she lived a vibrant life while creating poems of crystalline clarity and delicate sensuality. This volume presents more than one hundred of her finest seasonal haiku, renku (linked verse) and haibun (travel poems).</p><p>The collected poems include:</p><p><i>morning glory<br/>the well bucket entangled<br/>I ask for water</i></p><p><i>a hundred gourds<br/>from the heart<br/>of one vine</i></p><p><i>rouged lips<br/>forgotten-<br/>clear spring water</i></p><p>These luminous, lucidly translated 'haiku moments' give the reader an intimate experience of Chiyo-ni's remarkable vision  and bid us to stop and appreciate each moment of our lives. Handsomely illustrated with artwork by Chiyo-ni and others, the volume also includes illuminating essays on her life and art, informative notes, and a glossary of haiku-related terms.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Patricia Donegan</b> was a poet and translator. A professor of East-West poetics at Naropa University under Allen Ginsberg, she also studied with Japanese haiku master Seishi Yamaguchi. She received a Fulbright grant for her work on Chiyo-ni. She is the author of <i>Haiku Mind: 108 Poems to Cultivate Awareness</i> and <i>Open Your Heart and Haiku: Asian Arts for Creative Kids</i> as well as the collections <i>Bone Poems, Without Warning</i>, and <i>Hot Haiku</i>.</p><p><b>Yoshie Ishibashi</b> is a researcher and the co-translator of <i>Chiyo-jo's Haiku Seasons</i> and <i>The Classic Tradition of Haiku</i>, among other works.</p><p><b>Natalie Goldberg</b> is the author of 16 books, including <i>Writing Down the Bones</i> and, most recently, <i>Writing on Empty</i> (St. Martin's Press 2024) and <i>Three Simple Lines: A Writer's Pilgrimage into the Heart and Homeland of Haiku</i> (New World Library 2021) which includes haiku by Chiyo-ni. Natalie lives in northern New Mexico and has practiced zen for many years. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'One of the most respected and oft-quoted compilations of the Japanese poetic canon...A must-read for anyone interested in Japanese culture or poetry in general.</b><b><i>'</i></b><b>  William Scott Wilson, renowned translator of Japanese literature</b></p><p><i>In the pale dawn<br/>your coldness as we parted<br/>froze my heart<br/>nothing now so chills me<br/>as morning's early light</i><br/> Mibu no Tadamine</p><p>This completely new translation of the most famous collection of Japanese poetry ever produced, the Hyakunin Isshu ("A hundred poems by a hundred poets"), contains works written between the 7th and 8th centuries that were collected and published by the poet Fujiwara no Teika at the end of that era. The collection is still widely read in Japan today by school children and everyday people.</p><p>These poems provide insights on daily life in ancient Japan while addressing universal themes of love, loneliness, aging and the beauty of nature  all highly relevant today.</p><p>The poets whose works are featured here include:</p><ul><li>Sei Shonagon, author of <i>The Pillow Book</i></li><li>Lady Murasaki Shikibu, author of <i>The Tale of Genji</i></li><li>Emperor Gotoba, who ruled from 1193-1198</li><li>Sugiwara no Michizane, a renowned Confucian scholar</li></ul><p>Each poem is presented in the Japanese script with a Romanised version and English translation. An introduction by translator Michael Freiling provides essential information about the collection, an overview of the poems and poets, and reflections on why the work remains so popular in Japan today.</p><p>This new hardcover gift edition is illustrated in full-colour with stunning woodblock prints created for the poems by the famous 19th-century artists Hiroshige, Kuniyoshi and Kunisada. Free online audio recordings of all the poems are available in Japanese and English.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michael Freiling</b> studied computer science at the University of San Francisco, where he also found the time to take poetry classes and became interested in Japanese literature. In 1977, he received a Henry Luce scholarship and was assigned to study at Kyoto University for a year. He spent most of that time studying Japanese and translating Heian-era poetry. He returned to Kyoto years later, in 2014, where he began writing poetry in both English and Japanese. His work has been published in anthologies and in  the haiku journals <i>Seashores</i> and <i>Frogpond</i>. In 2018, he was asked to help translate a collection of senryu poems written by Japanese-Americans who were unlawfully imprisoned during World War II; it was published in 2023 under the title <i>They Never Asked</i> (Oregon State University Press).</p>]]></Text>
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				<TitleText>Into the Cthulhu-Universe</TitleText>
				<Subtitle>Lovecraftian Horrors in Other Literary Realities</Subtitle>
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			<Text textformat="02"><![CDATA[With his Cthulhu Mythos, H. P. Lovecraft's original and brilliant fusions of science fiction, supernatural horror and surreal fantasy often purposely crossed genres to mind boggling effect.]]></Text>
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			<Text textformat="02"><![CDATA[<p>With his Cthulhu Mythos, H. P. Lovecraft's original and brilliant fusions of science fiction, supernatural horror and surreal fantasy often purposely crossed genres to mind boggling effect. Since then, many of his contemporaries and modern writers alike have continued to grow the lore. Now, we throw the doors wide open on that combinative approach to bring you truly amazing tales where strange Lovecraftian ideas have spilled into the worlds of characters you know and love, like Alice's Wonderland, Tom Sawyer, Dracula, John Carter of Mars and more. Not mash-ups, but original stories in other literary landscapes. It doesn't mater how unlikely a setting for the macabre or fantastic your favourite literary genre might seem in this dazzling collection, the realms between realities melt and coalesce, the familiar becomes the unthinkable, the predictable becomes the startling! An astounding, horrific, thought provoking and entertaining buffet of modern fantasy, by some of the best writers in the field, from grandmasters to up-and-comers.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Steven Paulsen</b> is an award-winning speculative fiction writer and editor. His bestselling spooky children's book, <i>The Stray Cat</i>, illustrated by the acclaimed artist Shaun Tan, has seen publication in several English and foreign language editions. His horror, science fiction and dark fantasy short stories have appeared in books and magazines around the world. The best of his weird tales can be found in his short story collection,<i> Shadows on the Wall</i>, which won the Australian Shadows Award for Best Collected Work. His YA Historical Fantasy novel, <i>Dream Weaver</i>, set in 15th century Ottoman Turkey, was a finalist for Best Novel in the 2024 Ditmar Awards. Most recently he co-edited<i> Nosferatu Unbound</i> (IFWG Publishing) with Christopher Sequeira, an anthology of stories inspired by the classic 1922 silent movie <i>Nosferatu</i>. </p><p><b>Christopher Sequeira</b> is a conceptualist and commission ing editor of mystery, science fiction, horror and fantasy prose and comic-book anthologies, as well as being a writer himself. He has worked on such books as the four volume<i> Cthulhu: Deep Down Under series; Sherlock Holmes and Doctor Was Not; Sherlock Holmes: The Australian Casebook; Dracula Unfanged</i>; the all-star creator anthology <i>Caped Fear: Superhuman Horror Stories </i>(featuring Joe R. Lansdale, George R. R. Martin and others);<i> Kolchak the Night Stalker</i>  <i>Nosferatu;</i> and <i>Nosferatu </i>Unbound. His comic-book scripts include work on the franchises X-Men, Iron Man, Justice League, Star Trek, and The Human Fly, as well as original concepts of his own. He lives in Sydney with his family. His first novel, a crime thriller, debuts in 2026.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Lilith</i> is the heroine women have waited six thousand years for.</p><p><b>**One of </b><b><i>Stylist's </i></b><b>Best New Feminist Retellings to Read in 2023**</b></p><p>In the Garden of Eden, at the beginning of time, an outrageous lie is born: that women are inferior...</p><p>Lilith and Adam are equal and happy in the Garden of Eden. But when Adam decides Lilith should submit to his will and lie beneath him, she refuses  and is banished forever from Paradise. Demonised and sidelined, Lilith watches in fury as God creates Eve, the woman who accepts her submission. But Lilith has a secret: she has already tasted the fruit of the Tree of Knowledge. Endowed with Wisdom, she knows why Asherah  God's wife and equal, the Queen of Heaven  is missing. Lilith has a plan: she will rescue Eve, find Asherah, restore balance to the world and regain her rightful place in Paradise.</p><p><b>'Nikki Marmery's exquisite prose brings this compelling, highly relevant tale of Adam's first wife to life.'  Laura Shepperson,</b> <b><i>Sunday Times</i></b> <b>bestselling author of</b> <b><i>Phaedra</i></b></p><p><b>'Dynamite. I laughed loud, fumed louder. Nikki Marmery takes you upriver to the wellspring of sexism, but sends you floating back down on a little tide of hope.'  Meg Clothier, author of</b> <b><i>The Book of Eve</i></b></p><p><b>'</b><b><i>Lilith</i></b> <b>is a dark, enraging and enthralling story that reimagines a world free from the ancient clutches of patriarchy... utterly original and much-needed'  Jennifer Saint, author of</b> <b><i>Ariadne</i></b></p><p><b>'At long last we have the origin story women deserve. Furious and beautiful, rich and moving,</b> <b><i>Lilith</i></b> <b>is an astonishing achievement. A new heroine with an unforgettable tale to anger and heal.'  Miranda Malins, author of</b> <b><i>The Rebel Daughter</i></b></p><p><b>'</b><b><i>Lilith</i></b> <b>is a battle cry of a book. A rich, vividly written story of passion, betrayal and female rage.'  Sophie Keetch, author of</b> <b><i>Morgan is My Name</i></b></p>]]></Text>
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			<BiographicalNote textformat="05"><![CDATA[<strong>Ada Lim&amp;#243;n</strong><span>&amp;#160;is the twenty-fourth U.S. Poet Laureate as well as the author of&amp;#160;</span><em>The Hurting Kind&amp;#160;</em><span>and&amp;#160;five other collections of poems. These include, most recently,&amp;#160;</span><em>The Carrying</em><span>, which won the National Book Critics Circle Award and was named a finalist for the PEN/Jean Stein Book Award, and&amp;#160;</span><em>Bright Dead Things</em><span>, which was named a finalist for the National Book Award, the National Book Critics Circle Award, and the Kingsley Tufts Award. Lim&amp;#243;n is a recipient of a Guggenheim Fellowship, and her work has appeared in the&amp;#160;</span><em>New Yorker</em><span>, the&amp;#160;</span><em>New York Times</em><span>,&amp;#160;and&amp;#160;</span><em>American Poetry Review</em><span>, among others.&amp;#160;</span>Born and raised in California, she now lives in Lexington, Kentucky.<span></span>]]></BiographicalNote>
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			<Text textformat="02"><![CDATA[<p><b>Published in associationwith the Library of Congress and edited by the twenty-fourth Poet Laureate of the United States, a singular collection of poems reflecting on our relationship to the natural world by fifty of our most celebrated contemporary writers.</b></p><p>For many years, 'nature poetry' has evoked images of Romantic poets standing on mountain tops. But our poetic landscape has changed dramatically, and so has our planet. Edited and introduced by the twenty-fourth Poet Laureate of the United States, Ada Limn, this book challenges what we think we know about 'nature poetry', illuminating the myriad ways our landscapes  both literal and literary  are changing.</p><p><i>You Are Here</i> Each poem engages with its author's local landscape  be it the breathtaking variety of flora in a national park, or a lone tree flowering persistently by a bus stop  offering an intimate model of how we relate to the world around us and a beautifully diverse range of voices from across the United States.</p><p>Joyful and provocative, wondrous and urgent, this singular collection of poems offers a lyrical reimagining of what 'nature' and 'poetry' are today, inviting readers to experience both anew.</p><p><b>'Whoever you are, you will find yourself and your own world in the expansiveness of this collection.'  Margaret Renkl,</b><b><i>New York Times</i></b></p><p><b>'A lovely book to take with you to read at the end of your next hike.' </b><b><i> Los Angeles Times</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ada Limn</b>is the twenty-fourth U.S. Poet Laureate as well as the author of<i>The Hurting Kind</i>andfive other collections of poems. These include, most recently,<i>The Carrying</i>, which won the National Book Critics Circle Award and was named a finalist for the PEN/Jean Stein Book Award, and<i>Bright Dead Things</i>, which was named a finalist for the National Book Award, the National Book Critics Circle Award, and the Kingsley Tufts Award. Limn is a recipient of a Guggenheim Fellowship, and her work has appeared in theNew Yorker, theNew York Times,andAmerican Poetry Review, among others.Born and raised in California, she now lives in Lexington, Kentucky.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A unique collection focusing on an important but overlooked stretch of the ritual year, and the surprising wealth of fiction devoted to the uncanny and liminal time of May Day Eve, Walpurgis Night and the Summer Solstice.]]></Text>
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			<Text textformat="02"><![CDATA[<p>May Day Eve, Walpurgis Night and Midsummer Eve  or the Summer Solstice. Tales of these fated days and nights, and their riotous rituals and feasts, have rung down the centuries, and yet in today's world those that observe their ancient ways are few.</p><p>Setting out on a mission to re-weird this lost stretch of the ritual year, Johnny Mains returns with a collection of tales of the bizarre, the beastly and the brutal to welcome the summer and raise the cry: <i>Wyrd is Icumen in!</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'This extraordinary novel combines the story of one young man's existential quest with the precision of the best historical novels and the thrilling imagination of sci-fi books.'  Francesc Miralles, author of </b><b><i>Love in Small Letters</i></b><b> and co-author of </b><b><i>The Ikigai Journey</i></b></p><p><b>Would you risk everything and travel back in time to find the love you thought you'd lost forever?</b></p><p>Nathan leads a solitary life centring around his passion for antique watches. One day, he chances across an old photograph of Mia, his high school crush, who moved to Japan many years ago with her family, then died under suspicious circumstances. Or did she?</p><p>Not long after, Nathan receives text messages from someone named Mia. Are these a hoax or is she alive? He vows to find out, which leads him to Kyoto and a mysterious organisation called the Taira Corporation who seem to know everything about him, and offer to transport Nathan into the past in search of Mia. But along the way he must fight off the rival Genji Corporation-who will stop at nothing to destroy Nathan and his friends.</p><p><i>Eternity in Kyoto</i> is a fast-paced techno thriller set against the backdrop of ancient Japan that takes the reader on an exciting journey to 12th-century Kyoto. It weaves together a touching love story with profound revelations about the essential foundations of our shared humanity.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>When a Hollywood producer comes to Oriana at the end of her life to propose a movie, the story unfolds of her gutsy career rise as a journalist, her tragic love, and her greatest regret.</b></p><p>When a Hollywood producer visits Oriana Fallaci at the end of her life to propose a movie, the story unfolds of her trailblazing career as a journalist, her tragic love, and her greatest regret.</p><p>Oriana was born in Italy, moved to Manhattan, and shot to international fame for her provocative interviews of world leaders and celebrities. At her peak in 1973, Oriana was called 'the best reporter in the world'. That's when she fell in love with Alexander Panagoulis, Greek hero and poet. He was ten years younger and lived in a different country, but Oriana didn't care. She had finally found what she longed for: a full life. Can a woman ever have it all, or does life always exact a price?</p><p>Christiane Amanpour calls Oriana her role model, saying, 'I wanted to be her!'</p><p>Oriana holds a place alongside Mike Wallace and Barbara Walters as a legendary interviewer. But her story is little-known in America, until now.</p><p>The first biographical novel of the glamorous Italian, the iconic journalist, the woman in love.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Anastasia Rubis</b>'s writing has appeared in the <i>New York Times</i>, <i>Huffington Post</i>, <i>New York Observer</i>, <i>Creative Nonfiction</i>, <i>North American Review</i>, <i>[PANK]</i>, <i>Fiction International</i>, and <i>Literary Mama</i>. One of her stories, 'Girl Falling', was named a Notable Essay in Best Essays of 2014. Another, 'Blue Pools', was included in the anthology <i>Oh, Baby</i> published by Creative Nonfiction and edited by Lee Gutkind. She co-wrote and co-directed a 13-minute documentary titled <i>Breakfast Lunch Dinner: The Greek Diner Story</i> on YouTube. She earned a BA magna cum laude from Brown University and an MA from Montclair State University, where she taught essay writing. She lives in New Jersey with her husband and daughter and spends summers in Greece, where her parents were born.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lauren Cook's</b><b><i>I Love Shopping</i></b> <b> beloved on the Internet and IRL  is back in print.</b></p><p>Chickens have a collective soul. Heaven is full of the skateboarders you kissed in middle school. If the algorithm is its own hell, Lauren Cook, author of the critically (and uncritically) acclaimed <i>Sex Goblin</i>, stands in front of it fully armored.<i>I Love Shopping</i>invites its readers to inhabit a world just like ours, reflected through a big, benevolent funhouse mirror.</p><p>First published in a limited edition, this will be the first trade edition of the cult classic.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A weird, wild ride across non-narrative vignettes and dryly funny aphorisms exploring the shared intensity of violence and the erotic.</p><p>As if hauled up squirming from the bowels of the internet,<i> Sex Goblin</i> metabolizes sex writing, popular culture, and autofiction to present the real and the imagined as equally surreal possibilities. In the narrator's childlike voice, all things become both mundane and strange  a child and their dog fused after a car accident, moments of tenderness amidst frat hazing, witches, and hiking accidents. At turns charming and bizarre, <i>Sex Goblin</i> channels sexual violence through the lens of the absurd to alchemize shame and abuse into something that registers differently than trauma. <i>Sex Goblin</i> is a barely factual but deeply felt field guide to relationships and relatability.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lauren Cook </b>is a transsexual naturalist and the author of<i> I Love Shopping</i> (Glo Worm Press, 2019). He lives in Asheville, North Carolina.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Finally, a book for men!</b></p><p>Have you ever engaged in totally normal male behaviour like:</p><p>Stealing porn magazines?<br/>Hooking up with guys on Grindr?<br/>Attempting to work in an open-pit mine despite having no relevant job experience?<br/>Crossdressing as a woman?<br/>Attending Gnostic Mass?<br/>Running for government office?</p><p>Then this is a book for you!</p><p>It is definitely not a deeply felt collection of transsexual short stories, engaged in dissident metaphysical investigation of the normative tenets of gender in our society! Bro, how could you say that? It is very dramatic and exciting, yes, but it is not metaphysical at all. In fact, it is <i>Realistic Fiction.</i></p><p>As if Charlie Chaplin re-wrote the works of Kafka, and he was a Russian trans man, Anton Solomonik brings a funny, heartbreaking, and startlingly unique new voice to contemporary short fiction.</p><p><b>'Outrageously funny.'  Paul Harding</b></p><p><b>'There is </b><b><i>nobody</i></b><b> doing it like Anton.'  Tuck Woodstock</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'Original, compelling, witty and historically illuminating  hilarious and essential reading.'  Helen Lederer, comedian, actress and founder of Comedy Women in Print</b></p><p>Paris, 1940. The course of Fatiha Bin-Khalid's life is changed forever when she befriends the Muslim feminist Doria Shafik. But after returning to Egypt and dedicating years to the fight for women's rights, she struggles to reconcile her political ideals with the realities of motherhood.</p><p>Cairo, 1966. After being publicly shamed when her relationship with a bisexual boyfriend is revealed, Fatiha's daughter is faced with an impossible decision. Should Yasminah accept a life she didn't choose, or will she leave her home and country in pursuit of independence?</p><p>Bristol, 2011. British-born Nadia is battling with an identity crisis and a severe case of herpes. Feeling unfulfilled (and after a particularly disastrous one-night stand), she moves in with her old-fashioned Aunt Yasminah and realises that she must discover her purpose in the modern world before it's too late.</p><p>Following the lives of three women from the Bin-Khalid family, <i>Daughters of the Nile</i> is an original and darkly funny novel that examines the enduring strength of female bonds. These women are no strangers to adversity, but they must learn from the past and relearn shame and shamelessness to radically change their futures.</p><p>Everyone's talking about <i>Daughters of the Nile</i>...</p><p><b>'A writer to watch.'  @ElementaryMyDear_</b></p><p><b>'Mesmerising.'  @alicetheunique</b></p><p><b>'Not to be missed.'  @Silvia_reviews</b></p><p><b>'A true gem.'  @stratospherekawaiigirl</b></p>]]></Text>
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			<SubjectHeadingText>Beowulf Seamus Heaney; English; Guinevere; King Arthur; Knights of the Round Table; Lancelot; Simon Armitage; Sir Gawain and the Green Knight; alliterative Morte Arthure; battle; chivalry; legend; medieval; myth; poetry; translation; war</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>A new translation of the classic English poem that inspired Malory, stunningly illustrated with linocuts by the author.</p><p><i>King Arthur's Death</i> (commonly referred to as the <i>Alliterative Morte Arthure</i>) is a Middle English poem that was written in Lincolnshire at the end of the fourteenth century. A source work for Malory's later Morte d'Arthur, it is an epic tale which documents the horrors of war, the loneliness of kingship and the terrible price paid for arrogance.</p><p>This magnificent poem tells of the arrival of emissaries from Imperial Rome demanding that Arthur pays his dues as a subject. It is Arthur's refusal to accept these demands, and the premise of foreign domination, which leads him on a quest to confront his foes and challenge them for command of his lands.</p><p>Combining heroic action, probing insight into human frailty and a great attention to contemporary detail, <i>King Arthur's Death</i> is not only a lesson in effective kingship, it is also an astonishing mirror on our own times, highlighting the folly of letting stubborn dogma drive political decisions.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>It is New Year at Camelot and a mysterious green knight appears at King Arthur's court. Challenging the knights of the Round Table to a Christmas game, he offers his splendid axe as a prize to whoever is brave enough to behead him with just one strike. The condition is that his challenger must seek him out in a year and a day to have the deed returned. Sir Gawain accepts and decapitates the stranger, only to see him pick up his head, walk out of the hall and ride away on his horse. Now Gawain must complete his part of the bargain, search for his foe and confront what seems his doom...</p><p>Michael Smith's translation of this magnificent Arthurian romance draws on his intimate experience of the North West of England and his knowledge of mediaeval history, culture and architecture. He takes us back to the original poetic form of the manuscript and brings it alive for a modern audience, while revealing the poem's historic and literary context.</p><p>The book is beautifully illustrated throughout with detailed recreations of the illuminated lettering in the original manuscript and the author's own linocut prints, each meticulously researched for contemporary accuracy. This is an exciting new edition that will appeal both to students of the Gawain-poet and the general reader alike.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A bold follow-up to the very popular <i>Damnable Tales</i>: Full of thrillingly chilling tales from Shirley Jackson, M. R. James, William Croft Dickinson and many more</p><p>This anthology contains work from both the established masters of Folk Horror, and some more surprising contributors: from Shirley Jackson and M. R. James to E. F. Benson and William Croft Dickinson. <i>Tales Accursed</i> will raise the hairs on your neck and keep you alert to the slightest rustle in the trees: through the chill splendour of moonlit nights come apparitions through the orchard; sea-witches perch on the sharp fangs of rocks as they weave their spells; fir-woods lie unnaturally still with no birdsong, no breeze, nor any undergrowth; and hooded creatures crouch on grey secluded beaches. This book combines ancient horrors from the wilderness with sinister shadows of the landscape to remind us of the settings of our ancestors.</p><p><i>Tales Accursed</i> is a gloriously creepy collection of chilling Folk Horror tales that is both thrilling and unnerving.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Richard Wells</b> is an illustrator and graphic designer and the designer and illustrator of the bestselling anthology <i>Damnable Tales</i>. Primarily working in the television industry, he has provided graphic props for the likes of <i>Poldark</i>, <i>Sherlock</i>, <i>Doctor Who</i>, and the 2020 BBC adaptation of Bram Stoker's <i>Dracula</i>. Outside of his television work, he makes and sells his own darkly folkloric artwork, often lino cut and hand-printed. His recent work includes a series of prints based on the ghost stories of M. R. James. He lives in Walsall, UK.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Goncalo M. Tavares</b> was born in Luanda in 1970 and teaches Theory of Science in Lisbon. His work has already received an impressive amount of literary awards, among them the Prix Litteraire Europeen, the Prix du Meilleur Livre tranger 2010, which has so far been given to authors like Salman Rushdie, John Updike, and Philip Roth. Other awards inculde the Saramago Prize, the Premio Portugal Telecom de Literatura em Lngua Portuguesa, the SPA Author's Prize, the Premio Melhor Narrativa Ficcional da Sociedade Portuguesa de Autores and the Premio Literrio Fundaco Ines de Castro.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The residents of a desolate town nestled in the Ecuadorian Andes are forced to reckon with the legend of Mildred, a girl wronged by the town years ago</b></p><p>Cocun, a desolate town nestled between the hot jungle and the frigid Andes, is about to slip away from memory. This is where Mildred was born, and where everything she had  her animals, her home, her lands  was taken from her after her mother's death. Years later, a series of strange events, disappearances, and outbursts of collective delirium will force its residents to reckon with the legend of old Mildred. Once again, they will feel the shadow of death that has hung over the town ever since she was wronged. The voices of nine characters  Mildred, Ezequiel, Agustina, Manzi, Carmen, Vctor, Baltasar, Hermosina, and Filatelio  tell us of the past and present of that doomed place and Mildred's fate. Natalia Garca Freire's vivid language blurs the lines between dreams and reality and transports the reader to the hypnotic Andean universe of Ecuador.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Natalia Garca Freire</b> was born in Cuenca, Ecuador, in 1991. She teaches Creative Writing at Escuela de Escritores de Madrid. Garca Freire's debut novel, <i>This World Does Not Belong to Us</i>, was published in English by World Editions and One World in 2022. <i>This World Does Not Belong to Us</i> won the English PEN Translation Award, was nominated for the Tigre Juan Award and selected by the <i>New York Times</i> as one of the best Spanish-language books of 2019. It has been translated into Italian, French, Turkish, and Danish. <i>A Carnival of Atrocities</i> is Natalia Garca Freire's second novel published by World Editions.</p><p><b>Victor Meadowcroft</b> is a translator from Spanish and Portuguese and a graduate of the University of East Anglia's master's programme in literary translation. His published translations include stories by Agustina Bessa-Lus in <i>Take Six: Six Portuguese Women Writers</i> (co-translation with Margaret Jull Costa, Dedalus Books, 2018) and <i>Too the Infallible</i> by Evelio Rosero (co-translation with Anne McLean, New Directions, 2022), which was shortlisted for the PEN Translation Prize in 2023 and longlisted for the Queen Sofa Spanish Institute of Translation Prize in the same year. His translation of Natalia Garca Freire's <i>This World Does Not Belong to Us</i> was published by World Editions in 2022 and was shortlisted for the TA First Translation Prize and the Premio Valle Incln.</p>]]></Text>
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			<BiographicalNote textformat="05"><![CDATA[<b>Katie Whittemore</b> translates from the Spanish. Her translations include novels by Sara Mesa, Javier Serena, Aroa Moreno Dur&amp;#225;n, Lara Moreno, Nuria Labari, Katixa Agirre, Jon Bilbao, Juan G&amp;#243;mez B&amp;#225;rcena, Almudena S&amp;#225;nchez, Aliocha Coll, and Pilar Ad&amp;#243;n. She received an NEA Translation Fellowship in 2022 for Lara Moreno&amp;#8217;s <i>In Case We Lose Power</i>, and has been a finalist for the Spain-USA Foundation Translation Prize and the Queen Sof&amp;#237;a Spanish Institute Translation Prize, and longlisted for the National Translation Award.]]></BiographicalNote>
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			<Text textformat="02"><![CDATA[<p>From the author of<i>Last Words on Earth</i>  an reimagining of Roberto Bolao's life  comes a book articulating the final years of Aliocha Coll, one of Spain's most innovative writers as he completes his masterpiece,<i>Attila</i>(also available from Open Letter Books).</p><p>Living alone in Paris, estranged from his family, suffering from heartbreak and possibly madness, Alioscha Coll works with saintly intensity on what will be his final manuscript:<i>Attila</i>. Once the final words have been written, he vows to end his life, convinced that his existence will lose all purpose.</p><p>Told through the viewpoint of a literary critic and journalist,<i>Attila</i>expands Javier Serena's investigation into artists who remained dedicated to their art, to their aesthetic vision in the face of complete dismissal by the publishing world and reading public. In the case of<i>Last Words on Earth</i> and Ricardo Funes (the stand in for Bolao in that novel), things work out and he briefly becomes the star of the literary world  could the same happen for Alioscha Coll?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Javier Serena</b>was born in Pamplona, Spain in 1982. He has published<i>Las torres de El Carpio</i>,<i>La estacin balda</i>,<i>Last Words on Earth</i>, and<i>Attila</i>. He has stayed at writers residences with the Fundacin Antonio Gala (Crdoba, Spain) and Les Recollets (Paris, France).</p><p><b>Katie Whittemore</b>translates from the Spanish. Her translations include novels by Sara Mesa, Javier Serena, Aroa Moreno Durn, Lara Moreno, Nuria Labari, Katixa Agirre, Jon Bilbao, Juan Gmez Brcena, Almudena Snchez, Aliocha Coll, and Pilar Adn. She received an NEA Translation Fellowship in 2022 for Lara Moreno's<i>In Case We Lose Power</i>, and has been a finalist for the Spain-USA Foundation Translation Prize and the Queen Sofa Spanish Institute Translation Prize, and longlisted for the National Translation Award.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>'My life will not make any sense when <i>Attila </i>is finished,' declared Aliocha Coll about his mesmerising final novel. In this groundbreaking 'untranslatable' work, he channels Joycean experimentalism to explore the fragility of empires, the future of the city, and the weight of legacy.</p><p>Attila the Hun, reimagined as a visionary leader, contemplates the fate of his people at the gates of Rome. His son, Quijote, is caught between empires and ideals, forced to choose between his father's vision of a Hunnic utopia and the decaying allure of Roman civilisation. As Rome burns, Quijote journeys through both real and surreal landscapes, encountering psychedelic visions, mystical revelations, and existential dilemmas.</p><p>Quijote's journey blurs the lines between past and future, uniting Biblical, Classical, and Buddhist traditions while moving between planes of existence. <i>Attila</i>is an intricate and elusive masterpiece from the explosive and disorienting imagination of Aliocha Coll, where characters from myth and history intermingle in a stunning labyrinth of allegory and metaphor.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The pseudonym of Javier Coll Mata (Madrid, May 6, 1948-Paris, November 15, 1990),<b>Aliocha Coll</b>was a Spanish writer and translator raised in Barcelona who spent several years of his adult life in Paris, where he committed suicide after completing<i>Attila</i>. He is the subject of 'Everything Bad Comes Back' by Javier Maras, and believed in<i>Finnegans Wake</i>as the 'starting point' for contemporary literature. In addition to<i>Attila</i>, he wrote a couple novels, a play, and several essays, but the majorityhis work was either published posthumously or remains unpublished, despite Spanish super agent Carmen Balcells backing him throughout her life as the future of Spanish literature.</p><p><b>Katie Whittemore</b> translates from the Spanish. Her translations include novels by Sara Mesa, Javier Serena, Aroa Moreno Durn, Lara Moreno, Nuria Labari, Katixa Agirre, Jon Bilbao, Juan Gmez Brcena, Almudena Snchez, Aliocha Coll, and Pilar Adn. She received an NEA Translation Fellowship in 2022 for Lara Moreno's <i>In Case We Lose Power</i>, and has been a finalist for the Spain-USA Foundation Translation Prize and the Queen Sofa Spanish Institute Translation Prize, and longlisted for the National Translation Award.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This Side of Paradisetells the story of Amory Blaine, the only child of wealthy parents, whose journey from adolescence to adulthood follows him from prep school through to Princeton University, where his literary talents flourish, in contrast to his academic failure.]]></Text>
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			<Text textformat="02"><![CDATA[<p>F. Scott Fitzgerald's debut novel of love and greed, now repackaged with a beautifully designed jacket by noted illustrator Malika Favre.</p><p><i>This Side of Paradise</i>tells the story of Amory Blaine, the only child of wealthy parents, whose journey from adolescence to adulthood follows him from prep school through to Princeton University, where his literary talents flourish, in contrast to his academic failure. A sequence of love affairs with beautiful young women is fatally damaged by the collapse of his family's fortune, and the novel ends with him poised to face the challenge of making his own way in the world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>F. Scott Fitzgerald</b>(18961940) was born in St. Paul, Minnesota. He attended Princeton University, joined the United States Army during World War I, and published his first novel, <i>This Side of Paradise</i>, in 1920. That same year he married Zelda Sayre, and for the next decade the couple lived in New York, Paris, and on the French Riviera. Fitzgerald's masterpieces include <i>The Beautiful and Damned</i>, <i>The Great Gatsby</i>, and <i>Tender Is the Night</i>. He died at the age of forty-four while working on <i>The Last Tycoon</i>. Fitzgerald's fiction has secured his reputation as one of the most important American writers of the twentieth century.</p>]]></Text>
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			<SubjectHeadingText>20th century; african american; african american women; classics; colorism; dark skin; discrimination; fiction; harlem; harlem renaissance; historical; idaho; intraracial racism; new york; nightlife; race relations; racism; rent parties; university of southern california; wallace thurman; women</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A groundbreaking, yet controversial novel of the Harlem Renaissance about a young, dark-skinned Black woman reckoning with colourism as she navigates 1920s Harlem, reissued and repackaged for th</b><b><i>e Herald Classics</i></b><b> line.</b></p><p>Emma Lou Morgan's dark complexion is a source of sorrow and humiliation  not only to herself, but also to her lighter-skinned family members and the white community of her hometown, Boise, Idaho. Hoping to find a safe haven, Emma travels to New York's Harlem, the Black Mecca of the 1920s. Wallace Thurman brings to life this legendary time and place in rich detail, describing Emma's visits to nightclubs, dance halls, and house-rent parties, her sex life and catastrophic love affairs, her dreams and her disillusions  and the momentous decision she makes to survive.</p><p>A lost classic of Black American literature, <i>The Blacker the Berry</i> is a compelling portrait of the destructive depth of intra-racial bias in the Black community.</p>]]></Text>
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			<SubjectHeadingText>herman Koch; manson murders; Boekenweek; Wild Wild Country; dutch literature; latter day saints; manson family; scientology; going clear; Jon Krakauer; manson; jim jones; FLDS; Prophets prey; Warren Jeffs; Cult; Jonestown; Charles manson; the Electric Kool-Aid Acid Test; under the banner of heaven; sam brower; Lawrence Wright; Rev. Jim Jones; Merry Pranksters; emma cline; cults</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>**Winner of the 2021 European Union Literature Prize**</b></p><p>One apartment, three women, one man. One of the women is dead. When the emergency personnel arrive, they realise: Elisabeth starved to death, encouraged by her roommates.</p><p>In the middle of a summer night, Elisabeth, the oldest resident of the Sound &amp; Love Commune, dies. Her sister Melodie and their two other housemates are arrested: the group's attempts to stop eating and start living on light and love alone appears to have been fatal to Elisabeth. From unworldly idealists on the fringes of society, the three suddenly become suspects in a criminal case. Through the eyes of the night, the neighbors, doubt, the scent of an orange, and many other characters and entities, we see how each of those involved gives a different answer to the question of how Elisabeth came to die. Who is to blame? And does the commune still have a future? <i>We Are Light</i> is a highly original and entertaining novel about manipulation, vulnerability, and trying to be better.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gerda Blees</b> is a Dutch author and poet. She taught at various universities for several years while doing linguistic research on Dutch-German lingua receptiva - conversations in which each person speaks their own language. <i>We Are Light</i>, Blees's debut novel, won the EU Literature Prize as well as the prestigious Dutch Booksellers Award in 2021. It was also shortlisted for the Libris Literature Award. The author recently completed a bachelor's degree in fine arts at the Gerrit Rietveld Academie in Amsterdam while living with her family in Woerden.</p><p><b>Michele Hutchison</b> studied at UEA, Cambridge, and Lyon universities and worked in publishing for a number of years. In 2004, she moved to Amsterdam. Among the many works she has translated are <i>La Superba</i> by Ilja Leonard Pfeijffer, <i>Slaves to Fortune</i> by Tom Lanoye, both <i>Craving</i> and <i>Roxy</i> by Esther Gerritsen, and <i>Stadium IV</i> by Sander Kollaard, for which she received the Vondel Translation Prize 2020. In the same year, her translation of Marieke Lucas Rijneveld's novel <i>The Discomfort of Evening</i> was awarded the International Booker Prize. She also co-authored the successful parenting book, <i>The Happiest Kids in the World.</i></p>]]></Text>
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			<SubjectHeadingText>Neil Clarke; Clarkesworld; anthology; science fiction anthology; short fiction anthology; short science fiction stories; anthologies; short stories; best science fiction; best sci-fi; Clarkesworld magazine; science fiction short stories; best science fiction short stories; science fiction authors; far future; transhumanism; singularity; space travel; near-future; technology; science fiction collection; sci fi collection; scifi short stories; speculative fiction; apocalyptic novel; military; dystopia; world building; artifical intelligence; AI; genre bending; genre blending; genre bender; alien; alien species; space opera; science fiction; sci fi; sf; lavie tidhar; Karin lowachee; aliette de bodard; tobias s. buckell; karen lord; sarah pinsker; an owomoyela; ken liu; Carolyn ives gilman; Martin Shoemaker; Sam J Miller; Seth Dickinson; Chen Quifan; Seanan McGuire; Hao Jingfiang; Geoff Ryman; John Chu; Paul McAuley; Naomi Kritzer; Carrie Vaughn; Ann Leckie; Yoon Ha Lee</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Keeping up-to-date with the most buzzworthy and cutting-edge science fiction requires sifting through countless magazines, e-zines, websites, blogs, original anthologies, single-author collections, and more  a task that can be accomplished by only the most determined and voracious readers. For everyone else, Night Shade Books is proud to present the latest volume of <i>The Best Science Fiction of the Year</i>, a yearly anthology compiled by Hugo and World Fantasy Award-winning editor Neil Clarke, collecting the finest that the genre has to offer, from the biggest names in the field to the most exciting new writers.</p><p>The best science fiction scrutinises our culture and politics, examines the limits of the human condition, and zooms across galaxies at faster-than-light speeds, moving from the very near future to the far-flung worlds of tomorrow in the space of a single sentence. Clarke, publisher and editor-in-chief of the acclaimed and award-winning magazine <i>Clarkesworld</i>, has selected the short science fiction (and <i>only</i> science fiction) best representing the previous year's writing, showcasing the talent, variety, and awesome &amp;#x27;sensawunda&amp;#x27; that the genre has to offer.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Neil Clarke</b>) is the multi-award-winning editor of <i>Clarkesworld Magazine</i> and over a dozen anthologies. A ten-time finalist and the 2022 winner of the Hugo Award for Best Editor Short Form, he is also the three-time winner of the Chesley Award for Best Art Director. In 2019, Clarke received the SFWA Kate Wilhelm Solstice Award for distinguished contributions to the science fiction and fantasy community. He currently lives in New Jersey with his wife and two sons, and you can visit him at his website, www.neil-clarke.com.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Calvaria Fell</i> is a stunning collaborative collection of weird tales from two acclaimed authors, Kaaron Warren and Cat Sparks. It features previously published stories from both authors, along with a new novella by Kaaron Warren and four new stories by Cat Sparks.</p><p>The collection offers a glimpse into a chilling future world that is similar to our own. Readers will be drawn into experiences at once familiar and bizarre, where our choices have far-reaching consequences and the environment is a force to be reckoned with.</p><p>The title of the collection tethers these stories to a shared space. The calvaria is the top part of the skull, comprising five plates that fuse together in the first few years of life. Story collections work like this; disparate parts melding together to make a robust and sturdy whole. The calvaria tree, also known as the dodo tree, adapted to being eaten by the now-extinct dodo bird; its seeds need to pass through the bird' s digestive tract in order to germinate. In a similar way, the stories in <i>Calvaria Fell </i>reflect the idea of adaptation and the consequences of our actions in a changing world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Cat Sparks</b> is a multi-award-winning Australian author, editor and artist. Cat' s debut novel, <i>Lotus Blue</i> (Skyhorse, 2017) was shortlisted for the Compton Crook, Aurealis and Ditmar Awards. Her collections, <i>The Bride Price </i>(Ticonderoga, 2013) and <i>Dark Harvest </i>(Newcon, 2020) were nominated for Aurealis Awards and won Ditmars for Best Collected Work in their respective years. Eighty of her short stories have been published since the turn of the millennium and her 25 awards for writing, editing and art include winning the Peter McNamara Conveners' Award twice.</p><p>Shirley Jackson award-winner<b> Kaaron Warren</b> has published five multi-award winning novels (<i>Slights, Walking the Tree, Mistification, The Grief Hole </i>and <i>Tide of Stone</i>) and seven short story collections, including the multi-award winning <i>Through Splintered Walls</i>. Her most recent short story collection is <i>A Primer to Kaaron Warren</i> from Dark Moon Books. Her most recent novella, <i>Into Bones Like Oil </i>(Meerkat Press), was shortlisted for a Shirley Jackson Award and the Bram Stoker Award, winning the Aurealis Award. Her stories have appeared in multiple Year's Best anthologies.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A thrilling, propulsive story of escape as two small-time crooks and best friends go on the run to save an AI in its infancy, perfect for fans of William Gibson's All Tomorrow's Parties,  Richard Morgan and Ghost in the Shell.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>There is healing in this poetry.</i></p><p><i>These are our words.</i></p><p><i>From our country.</i></p><p><i>Our lands. Our spirits.</i></p><p><i>For all the troubles we face every day, we are a passionate people.</i></p><p><i>When we hear these poems, we know, we are lovers of life.</i></p><p>After selling out its first three print runs and having poems selected for Best of Australian Poems 2021 by Australian Poetry, a second edition of this beautiful anthology was needed! It is being released on the new imprint of Running Water Community Press (formerly Ptilotus Press) from Mparntwe Alice Springs and features poems written by over twenty Arrernte women around the refreshing Arrernte concept of Lyapirtneme.</p><p>This second edition includes an additional poem by local heroines, Margaret Kemarre Turner (Arrernte Elder and author) and Maureen Jipiyiliya Nampijinpa O'Keefe (Warlpiri/Kaytetye author), as well as a reinvigorated design by award winning book designer, Gemma Banks. It is an important contribution to the growing body of First Nations literature, particularly from remote Australia.</p><p><b>&amp;#x27;Even amongst the extraordinary body of one hundred poems that constitute the first volume of a new annual 'best of' series, Best of Australian Poems, the two poems by Arrente poets, Theresa Penangke Alice and Shirley Kngwarraye Turner, shimmer. Two completely different poems, 'Metal bird' and 'Family are like rocks', but both emanating a profound generosity of knowledge and voice. We are gratefully richer for such 'Women's Talk' gifts, but for myself, as a reader, I actually feel life-changed.&amp;#x27; - Jacinta Le Plastrier, CEO Australian Poetry</b></p><p><b>&amp;#x27;Lyapirtneme is an Arrernte word that means growing back, returning. It's like if a bushfire went through the land, and all the trees burnt down, and the roots underground are still alive. When the rain comes you see little shoots growing out of the bottom of the tree, growing back again.&amp;#x27; - Therese Perrurle Ryder, Arrernte Elder</b></p><p><b>&amp;#x27;I love this book. It holds so much value. Each poem is a gift and it has been put together with so much care.&amp;#x27;  Ellen van Neerven, Mununjali poet</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A ground-breaking collection of First Nations Australia LGBTQIA+ poets, writers and storytellers published to commemorate Sydney WorldPride being held on the unceded lands of the Gadigal, Cammeraygal, Bidigal, Dharawal and Dharug Nations.</p><p>Edited by Alison Whitaker, Gomeroi poet and academic, and Steven Lindsay Ross, Wamba Wamba writer, curator and producer.</p><p><b>&amp;#x27;It is freeing and glorious to see these expressions of unbridled sexuality, vulnerability and invincible spirit in print from First Nations poets... As you read, you will be struck by the boldness of the writers' audacious self-love, and the deep reverence and restorative love contained within the work for themselves and each other.&amp;#x27; - Arlie Alizzi</b></p><p><b>POETS INCLUDE:</b> Ellen van Neerven, Natalie Harkin, Jazz Money, Gary Lee, John Mukky Burke, Steven Oliver, Yvette Henry Holt, Alison Whittaker, Steven Lindsay Ross, Luke Patterson, Lay Maloney, Tyberius Larking, Jacyn de Santis, Alita Morgan, Kirli Saunders, David Hardy, Sandy O'Sullivan, Elijah Manis, Latoya Aroha Rule, Bebe Backhouse, Colin Kinchela, Nekia Lehman, Domenic Guerrera, Ari Mills, Ellen O'Brien, Vika Mana, Samuel Barsah, Gavin Ivey, Ella Noah Bancroft, Keith Quayle, Laniyuk and Andrew Farrell.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Published to commemorate the author's 100th birthday, this wide-ranging and thoughtful collection reflects on history, colonisation, family, childhood, Aboriginal Dreaming, traditions and storytelling, working lives and people.</p><p>Sometimes wistful, melancholic, poignant, at times the author's wry sense of fun and humour shines through.</p><p>When he arrived in Sydney in the 1960s, Bigambul man, Uncle Wes, was not allowed to tell his stories at schools. He set up a fire bucket in his backyard and invited families and children from the local Aboriginal community to come to sit around the fire and share his stories. It did not take long for the police to arrive and arrest him for hosting an unlawful gathering  he spent two days in lock-up for sharing his stories.</p><p>Uncle Wes is a living treasure of Aboriginal storytelling wisdom. Through his poems Uncle Wes invites the reader to join him by the fire as he generously shares his reflections and reminiscences on one hundred years.</p><p><b>&amp;#x27;It is my pleasure to honour Uncle Wes for his work in retaining the age-old storytelling tradition of our people. It is important to maintain this tradition of our Elders sharing their knowledge and insight through story and verse. Thank you Uncle Wes, for sharing your poems with us as you celebrate your 100th year.&amp;#x27; - Dr Anne Pattel-Gray: Head of the Australia First Nations Program, World Vision Australia</b></p><p><b>&amp;#x27;Uncle Wes Marne has a unique ability to allow the reader to see through his experienced eyes. The power and wisdom of his words is now more than ever important for the future generations to understand the time and place they exist in.&amp;#x27; - Ben Bowen: CEO, Indigenous Literacy Foundation</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Miles Franklin Literary Award 2024**</b></p><p><b>**Winner, Stella Prize 2024**</b></p><p><b>**Winner, Queensland Literary Awards, Fiction Book Award**</b></p><p><b>**Winner, The James Tait Black Prize, Fiction 2024**</b></p><p><b>**Winner, ALS Gold Medal 2024**</b></p><p>**<b>Shortlisted, The Dublin Literary Award 2024**</b></p><p><b>**Shortlisted, Queensland Literary Awards 2023, Work of State Significance**</b></p><p><b>**Shortlisted, Margaret and Colin Roderick Literary Award 2024**</b></p><p><b>The new novel from the internationally acclaimed, award-winning Australian author Alexis Wright.</b></p><p><i>Praiseworthy</i> is an epic set in the north of Australia, told with the richness of language and scale of imagery for which Alexis Wright has become renowned. In a small town dominated by a haze cloud, which heralds both an ecological catastrophe and a gathering of the ancestors, a crazed visionary seeks out donkeys as the solution to the global climate crisis and the economic dependency of the Aboriginal people. His wife seeks solace from his madness in following the dance of butterflies and scouring the internet to find out how she can seek repatriation for her Aboriginal/Chinese family to China. One of their sons, called Aboriginal Sovereignty, is determined to commit suicide. The other, Tommyhawk, wishes his brother dead so that he can pursue his dream of becoming white and powerful. This is a novel which pushes allegory and language to its limits, a cry of outrage against oppression and disadvantage, and a fable for the end of days.</p><p><b>&amp;#x27;Monumental...calls to mind the work of Thomas Bernhard or the quiet rage of Dostoyevsky...</b><b><i>Praiseworthy</i></b><b>blew me away.&amp;#x27; </b><b><i>Australian Book Review</i></b></p><p><b>Praise for Alexis Wright:</b></p><p><b>'The writing is the best in the country, some of the best in the world; we call to mind Alexis Wright when they talk about our country's great literary voice.' - Tara June Winch</b></p><p><b>'I'm awed by the range, experiment and political intelligence of [Alexis Wright's] work, from fiction such as</b> <b><i>Carpentaria</i></b> <b>and</b> <b><i>The Swan Book</i></b><b>, to her "collective memoir" of an Aboriginal elder in</b> <b><i>Tracker</i></b><b>. As essayist, activist, novelist and oral historian she is vital on the subject of land and people.' - Robert Macfarlane,</b> <b><i>New York Times Book Review</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexis Wright</b> is a member of the Waanyi nation of the southern highlands of the Gulf of Carpentaria. The author of the novels <i>Carpentaria</i>, winner of the Miles Franklin Award, and <i>The Swan Book</i>, winner of the ALS Gold Medal, Wright has published three works of non-fiction: <i>Take Power</i>, an oral history of the Central Land Council; <i>Grog War</i>, a study of alcohol abuse in the Northern Territory; and <i>Tracker</i>, a collective memoir of Aboriginal leader, Tracker Tilmouth which won the Stella Prize. Her books have been published widely overseas, including in China, the US, the UK, Italy, France and Poland. She held the position of Boisbouvier Chair in Australian Literature at the University of Melbourne, and is now an Adjunct Professor at Western Sydney University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexis Wright</b> is a member of the Waanyi nation of the southern highlands of the Gulf of Carpentaria. The author of the prize-winning novels <i>Carpentaria</i> and <i>The Swan Book</i>, Wright has published three works of non-fiction: <i>Take Power</i>, an oral history of the Central Land Council; <i>Grog War</i>, a study of alcohol abuse in the Northern Territory; and <i>Tracker</i>, an award-winning collective memoir of Aboriginal leader, Tracker Tilmouth. Her books have been published widely overseas, including in China, the US, the UK, Italy, France and Poland. She holds the position of Boisbouvier Chair in Australian Literature at the University of Melbourne. Wright is the only author to win both the Miles Franklin Award (in 2007 for <i>Carpentaria</i>) and the Stella Prize (in 2018 for <i>Tracker</i>). Alexis Wright's fourth novel, <i>Praiseworthy</i>, will be published in early 2023.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner of the Queensland Literary Awards, Judith Wright Calanthe Award for a Poetry Collection**</b></p><p><b>**Shortlisted, NSW Premier&amp;#x27;s Literary Awards 2023, Indigenous Writers&amp;#x27; Prize**</b></p><p><b>**Shortlisted, Prime Minster's Literary Awards, Poetry 2023**</b></p><p><i>Harvest Lingo</i> is the fourteenth collection of poems by Lionel Fogarty, a Murri man with traditional connections to the Yugambeh people from south of Brisbane and the Kudjela people of north Queensland. He is a leading Indigenous rights activist, and one of Australia's foremost poets, and this collection displays all of the urgency, energy and linguistic audacity for which Fogarty is known.</p><p>At the centre of the collection is a series of poems written in India. Deeply empathetic, these poems are remarkable for the connections they draw between the social problems the poet encounters in this country - poverty, class division, corruption - and those he sees in contemporary Australia, besetting his own people.</p><p>Other poems tell of encounters between people and between cultures, address historical and cultural issues and political events, and pay tribute to important Indigenous figures. There are intensely felt lyrics of personal experience, and poems which contemplate Fogarty's own position as a poet and an activist, speaking with and for his community.</p><p>Fogarty's poems are bold and fierce, at times challenging and confronting, moved by strong rhythms and a remarkable freedom with language. They are an expression of the 'harvest lingo' which gives the collection its title.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lionel Fogarty</b> was born on Wakka Wakka land, at Cherbourg Aboriginal Reserve in south-east Queensland in 1957. Throughout the 1970s he worked as an activist for Aboriginal Land Rights, and in the 1990s, after the death of his brother Daniel Yock, protesting against Aboriginal Deaths in Custody. His poetry collections date from the early 1980s; his most recent collections are <i>Connection Requital; Mogwie-Idan: Stories of the Land; Eelahroo (Long Ago) Nyah (Looking) Mobo-Mobo (Future)</i>, all with Vagabond Press, and <i>Lionel Fogarty: Selected Poems 1980-2017</i>, published by re.press<i>.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>This second edition of The Cherry Picker's Daughter is an exquisite portrait of growing up Aboriginal on the fringes of outback towns in NSW in the mid-twentieth century. Its an important book for school libraries and classrooms, with profound insights into the extraordinary strength, resilience and ingenuity of Aboriginal families to overcome extreme poverty, persecution, racism and cultural genocide.</p><p>The strength of family ties in Aboriginal communities is clearly evident when three-month-old Kerry and her brother lost both parents. Her father, Kevin Gilbert - later to become a famous activist and artist - killed their mother and was jailed for many years. Her father's sister, whom she always called 'Mummy', raised Kerry and her brother, along with her own children and others within the extended family. The book is a tribute to this truly remarkable woman, who not only loved them selflessly and worked tirelessly to support them, but also managed to keep them from being taken/'stolen' by the 'Welfare'.</p><p>Told in the child's voice and in the vernacular of her Mob, activist, artist, poet and author, Aunty Kerry, tells her story of love and loss, of dispossession and repeated dislocation growing up in corrugated tin huts, tents and run-down train carriages, of helping her family earn 'an honest living' through fruit picking, and the impact of life as an Aboriginal state ward living under the terror of Protection Laws.</p><p><b>'A wonderful yarn by an Aboriginal Elder about a bygone way of life.' -&amp;nbsp;</b><b>Melissa Lucashenko, author of Miles Franklin Award-winning<i> Too Much Lip</i></b></p><p><b>'Australia has waited too long to read this book of courage and truth. It heralds a timely change in our thinking of Aboriginal activism.'&amp;nbsp;</b><b>- Jeanine Leane, Wiradjuri writer and academic</b></p><p><b>'Thank you, Kerry, for sharing your story - so much pain and hurt, but such life-affirming strength and love, too.'&amp;nbsp;</b><b>- Kate Grenville, author</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Kuracca</i> - meaning white sulphur crested cockatoo - is a multi-lingual anthology featuring eleven Aboriginal and Torres Strait Islander women writing poetry, prose, songs and stories about their unique lives. All contributors are members of Canberra's longest running Indigenous writers group called 'Us Mob Writing' and this book is dedicated to the late Wiradjuri Elder and award-winning writer, Kerry-Reed Gilbert. With a strong focus on inspiring people to write, the anthology includes both emerging and award-winning writers, a preface by Chairperson Us Mob Writing, Marissa McDowell and a foreword by Chairperson First Nations Australia Writers Network, Yvette Holt.</p><p><b>&amp;#x27;The poetry and prose awaiting your creative cultural engagement, all sixty-five poems in content equates to some sixty-five thousand years and beyond of what it means to be here in the now, as Aboriginal and Torres Strait Islander women representing their families, communities, heritage, their shadows, their promise, their matriarch, themselves - it is within these pages you shall find what it means for all of us to be alive and thriving through chapters of millennia as spoken and written by Us Mob Writing.&amp;#x27; - Yvette Holt</b></p><p><b>&amp;#x27;Powerful and palpable,</b> <b><i>Kuracca</i></b> <b>honours the work of a cultural powerhouse and matriarch in style. The book showcases the strengths and fresh and exciting writing of a tightly bonded group. This is healing.&amp;#x27; - Ellen van Neerven</b></p><p><b>&amp;#x27;Through the liberating words written on these pages, women are sharing their own stories and truth. Such inspiration is the legacy of Aunty Kerry Reed-Gilbert RIP.&amp;#x27; - Ali Cobby Eckermann</b></p>]]></Text>
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