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			<BiographicalNote textformat="05"><![CDATA[<p><b>Adam Ouston's</b> debut novel <i>Waypoints</i> was listed for the Miles Franklin Literary Award, the ALS Gold Medal, and the Tasmanian Literary Prize for Fiction. He lives in Lutruwita/Tasmania. This is his second novel.</p>]]></BiographicalNote>
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			<Text textformat="02"><![CDATA[While searching for inspiration for what will be his final work, an unnamed poet and defender of Tasmania's wild places finds himself trapped down an abandoned mine in the island's mountain rainforests.]]></Text>
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			<Text textformat="02"><![CDATA[<p>'If he were to move there was the chance he might fall, perhaps this time to his death, there was no way to know, and for a long time his fear of the unknown kept him locked in place and counting; <i>come, come, come, </i>was it beckoning him over the precipice?'</p><p>While searching for inspiration for what will be his final work, an unnamed poet and defender of Tasmania's wild places finds himself trapped down an abandoned mine in the island's mountain rainforests. In the darkness he is visited by memories and voices both from his own past as well as the tortured history of the pillaged landscape to which he has devoted his life and work. Lost in a fever dream, in a single sentence that carries the reader effortlessly along, the poet journeys through a kaleidoscope of Tasmanian history, mining lore, hauntology, poetry, rain and rainbow trout, drilling deep into the contemporaneous horrors of the North Mount Lyell disaster and Mawson's expedition becoming trapped in Antarctic pack ice.</p><p>An unparalleled reading experience, <i>Mine</i> is at once wondrous, terrifying and haunting; a story of environmental vandalism and exploitation as well as a luminous paean to the beauty which persists in a world spinning out of control.</p><p><b>'A wild, ecstatic howl of a book, dense with ideas and emotion and written with a ferocious energy as mesmerising as it is exhilarating.' </b> <b>James Bradley</b></p><p><b>'Comprised of a single sentence, telling a tale that is both historical and hallucinatory, Adam Ouston's extraordinary novel</b> <b>is best described as an experience  a singular take on Tasmania's past of environmental violence, as well as a call to heed the earth's magic.'</b> <b></b> <b>Maria Takolander</b></p><p><b>'Ouston takes antipodean Oulipianism into new terrain, unfurling digression and conjuring connections while maintaining the restraint of a single sentence. The formal restriction is integral, simultaneously evoking the narrator's claustrophobic physical setting while creating room for the spiralling thought-patterns of a mind out of time, travelling everywhere in the terrifying present.'  Michael Winkler</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[Now, Autonomy is a novel about the echoes of the past in the present; about the way in which history repeats, even if the lyrics don't always rhyme.]]></Text>
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			<Text textformat="02"><![CDATA[<p>It's 2024. For Helen, things are going sideways at best. She used to manage a cinema; now she works in a bottle shop. She's moved from her chaotic sharehouse to an anonymous apartment with disaffected sound guy Pat, who only leaves the couch to go to gigs. Meanwhile, her former housemate Sunny continues to obsess over their 'anti-hardcore' band, and has moved in with their drummer, Sio, the only one of them who seems to have their life even halfway together. These characters' lives intertwine through the underground punk scenes of Sydney, a rising protest movement, and their endless efforts to find a creatively fulfilling life in a city which seems to have no interest in supporting any such thing. Then, out of the grimy air of one of the city's worst arterial roads, a dilapidated palace looms: an icon of faded glory, which promises the chance that one last radical act will cement their place in radical history.</p><p>Traversing anarchist collectives and experiments in autonomous living, political protest and DIY activism, Max Easton's third novel continues his thirty-year portrait of working-class life in subcultures and music scenes, exploring intergenerational political solidarity, and the ever-present risk of disillusionment under the heavy hand of the state. <i>Now, Autonomy</i> is a novel about the echoes of the past in the present; about the way in which history repeats, even if the lyrics don't always rhyme.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Helen, Walt and Duncan are looking for ways to entertain themselves in the sprawl of Sydney's western suburbs. Walt, scrappy and idealistic, wants to prove a point, and turns to petty vandalism. His friend Duncan sticks to his fledgling football career, and sexual encounters in strange houses. Walt's sister Helen, restless and seeking something larger than herself, is forced by scandal to leave the family home. As they move into adulthood they gravitate to the dingy glamour of the inner-city suburbs, to escape their families' complicated histories, and in search of new identities, artistic, sexual and political.</p><p><i>The Magpie Wing</i> is set on football fields, in punk gigs, and in dilapidated and gentrifying pubs, moving from the nineties to the present, and between the suburbs and the inner city. Max Easton's debut novel explores how, even in a city divided against itself, disparate communities - underground music scenes, rugby league clubs, communist splinter groups - share unexpected roots.</p><p><b>&amp;#x27;Max Easton's </b><b><i>The Magpie Wing</i></b><b> is a moving portrait of a city and region undergoing enormous change, told through the perspectives of three unique, sympathetic and vulnerable characters...an exciting debut that tells a compelling story...I recommend it to anyone who reads contemporary Australian literary fiction.&amp;#x27; - Brad Jefferies, Books+Publishing</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The new novel from the author of</b> <b><i>The Magpie Wing</i></b><b>, longlisted for the Miles Franklin Literary Award.</b></p><p>It's 2022 and Helen is starting again. Newly single, adrift in a hostile rental market, she finds a four-bedroom house flanked by apartment blocks that stare into the yard. Despite the lack of privacy, she fills its rooms with an unlikely group of residents looking for communal belonging: a zine maker working on a punk music archive; an activist writing about Australian anti-communism; a research scientist striving to put down roots; and a part-time rugby league player who has one chance to play for his country before retirement. Each is looking to build a future, each is haunted by their recent past.</p><p>But if a rented house in Sydney could ever promise salvation, it would come with a coating of black mould. Against the backdrop of pandemic and war, of climate and housing crises, <i>Paradise Estate</i> finds its residents struggling against generational confusion, political indifference and social malaise. When isolation and atomisation are all we've been given, what can be made from building common ground? Written with ironic wit and an eye for contemporary events, Max Easton's second novel sets the pessimism of its times against the optimism of the will.</p><p><b>Praise for</b> <b><i>The Magpie Wing</i></b>:</p><p><b>'An original, exceptional novel.' -</b> <b><i>The Guardian</i></b></p><p><b>'An anxious novel about anxious characters in anxious times. It seeks to register this anxiety in all of its contradictions and complexities, but thankfully does not want to resolve it.' -</b> <b><i>Sydney Review of Books</i></b></p><p><b>'A moving portrait of a city and region undergoing enormous change, told through the perspectives of three unique, sympathetic and vulnerable characters.' -</b> <b><i>Books+Publishing</i></b></p>]]></Text>
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			<SubjectHeadingText>Ali Smith; Alternate history; Alternative history; Anne Carson; British Intelligence; Dark Lady; Edward St Aubyn; Elizabethan; Falstaff; George Bernard Shaw; Hamlet; Hamnet; Hans Fallada; Henry Henry; Henry IV; Hobohemians; Isabella Hammad; Jacobean; Marlowe; Paul Griffiths; Shakespeare; Shakespearean; Stephen Greenblatt; Stoppard; T. S. Eliot; Will in the World; World War II; bedsit; hamnet; modernism; modernist fiction; poets behaving badly; shakespeare in love; starving artists; the Bard</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Transposed into the early twentieth century, a nonentity named Shakespeare rails against poverty, mediocrity, and misunderstanding, in forgotten modernist Philip Owens's brilliant, one-of-a-kind satire.</b></p><p>Every year, there's a new crop of sad, dirty poet boys coming up to the city without a penny to their names. In six months' time, who on earth will remember these nobodies, with their so-called blank verse and their extravagant plots  this Marlowe, Kyd, and Will 'Shakespere'? (A pseudonym, surely!) Better that they write thrillers, or advertising copy, or speeches for the media baron John Falstaff, who looks to be running for office. Now there's a man with a strong hand, who'll keep us out of any nasty foreign wars!</p><p>Published in 1936 and soon forgotten in the chaos of World War II, <i>Picture of Nobody</i> is one of the strangest, most accomplished, and most remarkable one-offs in English fiction. A comic yet credible reimagining of the milieu of Elizabethan London in modernist dress, it transcends its premise to provide a poignant portrait, of a Shakespearean mind coming to grips with the twentieth century. Populated by an assortment of characters familiar from Will's life and writing both, it is as much a loving parody as a grim prophecy regarding the fate of genius in 'interesting times.'</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>H.K. Stubbs </b>is an Australian writer, climber, and creative producer. <i>Staerstone</i>, her debut novel, materialized from her obsessions with writing, reading and rock climbing. Helen's work features in <i>Apex Magazine, Nightmare Fuel Magazine, Kaleid otrope, Midnight Echo</i>, and books published by GSFG, Black Beacon Books and IFWG Publishing (<i>Nosferatu Unbound, Killer Creatures Down Under, Spawn I &amp; II, A Vindication of Monsters</i>, and more). She read Honours in Creative Writing at Griffith University and has run many writing community events and initiatives.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Two women far apart in time, a mysterious unsellable mansion in Milan that connects them: two lives that start to overlap as impossible parallels are revealed in this story of passion, betrayal, and selfish desire.</b></p><p><b>'A thrilling study of time that playfully intertwines birth and death, motherhood and human extinction.'- Kirkus Review</b></p><p>In the round house on Via Saterna, its Palladian square exterior nothing but a trompe-l'oeil, the sun pierces through the central skylight. Its rays pass three floors unobstructed, before reaching the circle below at the heart of the house: four fingers of water filling a little silver basin. It is here that young Lidia dies, setting an end to her clandestine love affair with the ambitious architect. It is this house that real-estate agent Irene is asked to sell, decades later, as the climate catastrophe escalates, cloaking the divided city in a permanent orange haze. Returning to her native Milan for the sale, Irene feels the brunt of her father's judgement. He is a proud Italian and prouder architect  how could his own daughter make a living selling cultural patrimony to the highest foreign bidder? As she faces this new Milan and the old family tensions she had avoided while living in Rome, Irene throws herself into the impossible sale, getting to know Via Saterna intimately  this space that is as unsettling as it is hostile, with the slowly emerging traces of Lidia's interrupted life. In every room of the house, the burden of a mysterious, unresolved past can be felt, remnants of a selfish and manipulative love.</p><p><i>The Perfect Circle</i> tackles themes like time, death, and repetition with depth and originality, while carrying its philosophy lightly. Through it all, the novel is a subtly disturbing page-turner, every new page adding a new layer and twist.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The story of a love triangle played out through mutual manipulation.</b></p><p>Giorgia was a talented actress before she abandoned her stage career and fell in love with Filippo. She settles into a life of quiet compromise - until one day she bumps into her old theater director, Mauro, who fans the acting flame back to life. But setting a restless soul on fire can be dangerous if she loses sight of the boundary between reality and fiction - and Giorgia collapses, ending up in a clinic. Filippo and Mauro find themselves both accomplices and adversaries, seduced by a dangerous game to heal and win back Giorgia: by writing the script for her perfect life. In this dazzling debut, Petrucci explores the ambiguous borders between love, possession, and control in clear, magnetic prose.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>CLAUDIA PETRUCCI</b> studied Modern Letters in Milan before moving to Perth, Australia. Her reportages and short stories-which range from realistic to experimental to science fiction-have been published on <i>Cadillac, minima&amp;moralia,</i> and elsewhere. <i>The Performance</i> is her debut novel. It was shortlisted for the John Fante Award and won the prestigious Premio Flaiano Giovani, for writers under 30. It was also book of the day on Fahrenheit, an Italian radio program, and has so far been translated into German and French.</p><p><b>ANNE MILANO APPEL</b>, based in California, has translated works by a number of leading Italian authors for a variety of publishers in the US and UK. Her most recent translations include works by the award-winning Antonio Scurati and Paolo Maurensig. Her awards include the Italian Prose in Translation Award, the John Florio Prize for Italian Translation, and the Northern California Book Award for Translation. Her website is: amilanoappel.com.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This is the much anticipated third poetry collection from Alexander McCall Smith. InThe Kind Company of Others he guides the reader by the hand and takes them through time and place, exploring the majestic themes of nature and the complexities of relationships and what it is that makes us human with his trademark warmth and humour.]]></Text>
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			<Text textformat="02"><![CDATA[<p>A poet's skill lies in their ability to distil complex themes into a few paragraphs; to pick out the fundamental quality in people that make us unique; they can describe nature in a way that makes us see its majesty. The poet traverses contents and political divides; they help us understand where we have come from which in turn allows us to figure out where we are going.</p><p>And no one does this better than Alexander McCall Smith. He has brought  through his novels  many wonderful characters to vivid life and entertained readers all over the globe. And in his third collection of poetry, he guides the reader by the hand and takes them through time and place exploring the majestic themes of nature and the complexities of relationships and what it is that makes us human with his trademark warmth and humour.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexander McCall Smith </b>is the author of the highly successful <i>No. 1 Ladies' Detective Agency</i> series, which has sold over twenty-five million copies. Since then he has devoted his time to the writing of fiction and has seen his various series of books translated into over forty-six languages and become bestsellers throughout the world. These include the <i>44 Scotland Street</i> novels, first published as a serial novel in the <i>Scotsman</i>, the <i>Isabel Dalhousie</i> novels, the <i>Von Igelfeld</i> series and the <i>Corduroy Mansions</i> novels.</p><p><b>Iain McIntosh</b> has illustrated many of Alexander McCall Smith's books, including the <i>No. 1 Ladies' Detective Agency</i> and the <i>44 Scotland Street</i> series.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>This new collection is a fascinating journey into the heart of each of us- from the author of<i>The No.1 Ladies&amp;#x27; Detective Agency</i>and the<i>44 Scotland Street </i>series.</p><p>In<i>I Think of You</i>, the reader travels through literary Edinburgh in summer, heartbreak in a rain-drenched glen in the Highlands, a voyage on theArgo in Ancient Greece, and from Dallas to Helsinki and home again. Throughout this collection, the author explores various themes of love, kindness and friendship, as well as the philosophy of food, the idiosyncrasies of language and the importance of canonical hours. Each poem is a journey of the soul that interrogates what it is to love and to be alive.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexander McCall Smith</b>is the author of the highly successfulN<i>o. 1 Ladies' Detective Agency</i>series, which has sold over twenty-five million copies. Since then he has devoted his time to the writing of fiction and has seen his various series of books translated into over forty-six languages and become bestsellers throughout the world. These include the<i>44 Scotland Street</i>novels, first published as a serial novel in the<i>Scotsman</i>, the<i>Isabel Dalhousie</i>novels, the<i>Von Igelfeld</i>series and the<i>Corduroy Mansions</i>novels.</p>]]></Text>
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			<SubjectHeadingText>Palestinian poetry; Middle Eastern poetry; bilingual anthology; cultural resistance; cultural memory; Palestinian culture; lyrical poetry; cosmic imagery; romantic poetry; Mahmoud Darwish; Tawfiq Zayyad; Salma al-Jayyusi; Walid al-Halis; A.M. Elmessiri; revolutionary poetry; war poetry; elegy; exile; belonging; resistance; steadfastness; Palestinian heritage; Arab literature; modern Arabic poetry; Middle East history; national identity; poetic tradition; liberation poetry; diaspora; contemporary</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[A century of Palestinian poetry  voices of resistance, love, and longing. This bilingual anthology, edited by A.M. Elmessiri, gathers 21 poets whose words celebrate identity and endurance across themes of revolution, war, elegy and belonging.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Poetry has long been Palestine's most vital art form  a space where memory is safeguarded and resistance given voice. Spanning a century of upheaval and endurance, The Palestinian Wedding brings together twenty-one major poets in a powerful bilingual anthology.</p><br/><p>From the charged lyricism of Tawfiq Zayyad to the expansive imagery of Walid al-Halis; from the romantic cadences of Salma al-Jayyusi to the profound rootedness of Mahmoud Darwish, these poems chart the emotional and political landscape of modern Palestine. Together, they reveal a tradition in which love of land, grief, defiance and hope are inseparable.</p><br/><p>Edited and introduced by the eminent scholar A.M. Elmessiri, the collection is arranged around six central themes  revolution, war, elegy, belonging, resistance and steadfastness  offering readers both an essential literary archive and a vital lens on Palestinian cultural history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>'It almost seemed that the murder, if it was a murder, must have been committed by someone who could rise up unsupported in the air...'</p><p>When Miles Hammond is invited to a meeting of the Murder Club in London, he is met instead with just two other guests and is treated to a strange tale of an impossible crime in France from years before; the murder of a man on a tower with only one staircase, under watch at the time at which the murder took place. With theories of levitating vampires abounding, the story comes home to Miles when he realises that the librarian he has just hired for his home is none other than Fay Seton, a woman whose name still echoes from the heart of this bizarre and unsolved murder of the past.</p><p>First published in 1946, in later years Carr considered this novel one of his finest works. It shows the masterful author at the height of his powers, boasting an ingenious plot delivered with an astounding pace and striking characters including none other than the great detective, Dr Gideon Fell.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Marion Fox (18851973) was an English poet and novelist who wrote historical romances and innovative ghost stories. Between 1910 and 1928 she published seven novels, including Ape's Face, The Mystery Keepers and The Luck of the Town, in which supernatural forces from the past return to haunt and destabilise the modern world. In The Week magazine, 2016, China Mieville listed Ape's Face as one of his six favourite novels.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>SHORTLISTED: NEW ANGLE PRIZE</p><p>'Soft, swelling story-telling'Australian Women's Weekly</p><p>'A well-crafted and intensely dramatic novel, with characters you care about facing circumstances so dire a contemporary audience might strain to fully imagine them'Sydney Morning Herald</p><p>'The Low Roadis a beautifully written novel ... testament to Quarmby's dedication to her craft and her commitment to delivering an immersive and captivating story'The Tasmanian Times</p><p>'A darkly gripping picaresque tale of cruelty, courage and kindness as an orphaned girl survives poverty and injustice to seek love on the other side of the world' Maggie Gee</p><p>'An engrossing and beautifully written novel. All sorts of horrors are to be found here, but also love and bravery and hope. A must for lovers of historical fiction' Adele Geras</p><p>Norfolk, 1813. In the quiet Waveney Valley, the body of a woman  Mary Tyrell  is staked through the heart after her death by suicide. She had been under arrest for the suspected murder of her newborn child. Mary leaves behind a young daughter, Hannah, who is sent away to the Refuge for the Destitute in London, where she will be trained for a life of domestic service.</p><p>It is at the refuge that Hannah meets Annie Simpkins, a fellow resident, and together they forge a friendship that deepens into passionate love. But the strength of this bond is put to the test when the girls are caught stealing from the refuge's laundry, and they are sentenced to transportation to Botany Bay, setting them on separate paths that may never cross again.</p><p>Drawing on real events, The Low Road is a gripping, atmospheric tale that brings to life the forgotten voices of the past  convicts, servants, the rural poor  as well as a moving evocation of love that blossomed in the face of prejudice and ill-fortune.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>SHORTLISTED: Nero Book Awards</p><p>SHORTLISTED: East Anglian Book Awards</p><p>'A beautiful novel about the beautiful game' Jonathan Pearce</p><p>For ten months of the year, two men are drawn to adjacent seats in a stadium, carrying the burdens of life and pouring all their hopes into their beloved but ailing team.</p><p>Fatherless and fretful, the Young Man is trying to nurture a precarious new relationship and to find his place in the world. The Old Man, an increasingly isolated carer for his fading wife, knows he has little left to look forward to. Neither fan is a comfortable talker. However, in a slow-motion play of nods, silences and guarded chats, they strike up a tentative friendship across the generational gap.</p><p>Told through thirty-eight chapters  one for each game of the Premier League campaign  Season is a lyrical, hypnotic and gently uplifting study of loneliness and modern masculinity. About much more than football, it celebrates the healing, unifying and maddening role of ritualised sport in the lives of ordinary people.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>'Hilarious, joyous and astute'  Nicholas Coleridge</p><p>Mild-mannered editor Ben Fairweather is horrified when his genteel religious magazine is taken over by a fanatical movement that believes animals are closer to God than humans and should receive Holy Communion. Amid a national religious revival, this belief becomes mainstream and he is cancelled as a petphobic bigot.</p><p>Reinventing himself as a nightclub pianist, Ben meets journalist Anita Scott, who is bent on exposing a newly ennobled Russian oligarch as a cultural vandal. But Lord Ogorodnikov's agenda is far more sinister than they realise, and together they are drawn into a world of spies, art forgery and murder, with their own lives on the line.</p><p>Anthony Gardner ingeniously blends intrigue with sharp satire in a story that is both thrilling and darkly funny.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In the age of AIDS and Section 28: a secret that could change political history<br/> It is 1987, and Tommy Wildeblood has put his days as a Piccadilly Circus rent boy long behind him. Slightly to his own surprise, he is now a rookie teacher at a South London comprehensive.<br/> But when Margaret Thatcher's government launches a chilling attack on the 'promotion' of homosexuality in a new law known as Section 28, Tommy can't stay silent  especially when he realises he may have information about one of Thatcher's key lieutenants that could change the political situation completely.<br/> Forming an uneasy alliance with a sharp-elbowed tabloid journalist, and delving deep into his past on the 'Dilly', he puts everything on the line  both for himself and his old friends  in a desperate bid to expose the truth.<br/> With his trademark blend of historical research and 'what if' fiction, Adam Macqueen captures the spirit of a frightening age in another spellbinding case that lifts the lid on the Eighties political establishment's murkiest secrets.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The culmination of Saikaku's perceptive genius, the 20 short stories within This Scheming World recount raucous events and incidents on New Year's Eve as everyone tries to settle their debts for the year, as is the New Year's custom.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ihara Saikaku</b> (1641-1693) has been called "the greatest popular Japanese novelist of the 17th century." He began as a successful merchant in the up-and-coming city of Osaka. The tragedy of losing his wife and daughter moved him to abandon his business and become a roving Buddhist monk and for twenty years he wrote haiku verse and prose. Saikaku founded the <i>Ukiyo-zoshi</i> (Floating World) genre of literature, which flourished between the 1680s and the 1770s.<br/><br/><b>Masanori Takatsuka</b>, a graduate of Hiroshima Koshi, and <b>David C. Stubbs</b>, a graduate of Florida State University, were both faculty members of Kwansei Gakuin University in Nishinomiya, Japan.<br/><br/><b>David J. Gundry</b> is Associate Professor of Japanese at the University of California, Davis. He has published numerous articles on Japanese literature as well as the book <i>Parody, Irony and Ideology in the Fiction of Ihara Saikaku</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The first book in Antonio Moresco's colossally disruptive </b><b><i>Games of Eternity</i></b><b> (</b><b><i>Giochi dell'eternit</i></b><b>)trilogy, translated into English for the first time.</b></p><p>Upon its publication in Italy, <i>The Beginnings </i>was exactly that: the dawning of a new era. Like a photo-negative of Franz Kafka, or Virginia Woolf, Moresco's sweeping novel turns the stream-of-consciousness inside out, and offers nothing interior. Here, much like in real life, you will not be privy to the thoughts and feelings of others. Everything must be experienced as it happens.</p><p>From our narrator's undergraduate years in seminary school, to his activities as a member of various Italian political factions, to his attempts to become a writer, <i>The Beginnings </i>is a shapeshifting journey across the 20th century, and across all of literature itself.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Bardskull</i></b> <b>is the record of three journeys made by Martin Shaw, the celebrated storyteller and interpreter of myth, in the year before he turned fifty. It is unlike anything he has written before. This is not a book about myth or narrative: rather, it is a sequence of incantations, a series of battles.</b></p><p>Each of the three journeys sees Shaw walk alone into a Dartmoor forest and wait. What arrive are stories  fragments of myth that he has carried within him for decades: the deep history of Dartmoor itself; the lives of distant family members; Arthurian legend; and tales from India, Persia, Lapland, the Caucasus and Siberia. But these stories and their tellers don't arrive as the bearers of solace or easy wisdom. As with all quests, Shaw is entering a domain of traps and tests. Bardskull can be read as a fable, as memoir, as auto-fiction or as an attempt to undomesticate myth. It is a magnificent, unclassifiable work of the imagination.</p><p><b>'Martin Shaw's work is so very beautiful. A new animal. His love of images is deep and contagious. In the passion of his search he makes up new words that seem as though we've always known them. His language is tasty and surprising. This elegant combination of very fresh, free verse storytelling, and a deep untangling of myth feels so alive. What will it do next?' - Coleman Barks, author of</b> <b><i>The Essential Rumi</i></b></p><p><b>'Martin Shaw is a teacher of profound cultural knowledge, and is a master artist at transmitting it. Those transmissions are subtle and profound. We desperately need his work.' - Tony Hoagland, author of</b> <b><i>Application For Release From The Dream</i></b></p><p><b><br/>'Shaw encourages and illuminates the mythic in our own lives. He is a modern-day bard.' - Madeline Miller<br/></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Martin Shaw</b> is a writer, storyteller and teacher who lives on Dartmoor. He founded the Oral Tradition and Mythic Life courses at Stanford University, and is director of the Westcountry School of Myth in the UK. He is the author of the award-winning Mythteller trilogy: A Branch from the Lightning Tree, Snowy Tower and Scatterlings. Recent books include <i>Smokehole, Courting the Wild Twin</i> (both published by Chelsea Green), <i>All Those Barbarians, Wolf Milk, Cinderbiter</i> (with Tony Hoagland) and his Lorca translations, <i>Courting the Dawn</i> (with Stephan Harding). Dr Shaw has introduced thousands of people to mythology and how it penetrates modern life. For twenty years, he has been a wilderness rites of passage guide, working with at-risk youth, the sick, returning veterans and many women and men seeking a deeper life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A gripping historical mystery where a young leader is thrust into a world of murky politics and dark secrets  written by award-winning BAFTA scriptwriter and film director, Mario Theodorou.</p><p>London, 1904.</p><p>Edward VII sits on the throne, the economy is faltering, and one of the youngest Prime Ministers in history has been thrust into office on the crest of a populist wave. Battling self-doubt and fierce opposition within the Commons, Felix Grey is plunged into a world of murky politics and hidden secrets when a lord is mysteriously abducted from a gentlemen's club.</p><p>With tensions rising between the government and trade unions amidst a series of fatal factory disasters, Felix must quickly connect the dots between the missing politicians and the growing chaos in the country. A rapidly escalating chain of events is threatening to tear apart Parliament and Nation...</p><p>Can Felix crack the case and protect his country, or will he bear witness to a grim repetition of history?</p><p>Readers can't get enough of Felix Grey. . .</p><p>'Reminiscent of Dickens' London with the air of a Sherlock Holmes novel' Karla_bookishlife</p><p>'Brilliant twists and revelations that keep you glued to the pages' The Strawberry Post</p><p>'In Felix Grey I have found a new favourite character' LdLoz</p>]]></Text>
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			<SubjectHeadingText>Paul Auster; Randall Major; Serbia; Svetislav Basara; absurd; absurdist; disease; eclectic; kafkaesque; literary; literary fiction; metatextual; parkinson's; parkinson's disease; soviet; translation</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Exploring sanity and insanity, truth and untruth,</b><b><i>The Rise and Fall of Parkinson's Disease</i></b><b>is Svetislav Basara's unblinking and unforgettable deconstruction of the Soviet psyche.</b></p><p>Told as an eclectic collection of appropriated testimonies, treatises, missives, and police files, <i>The Rise and Fall of Parkinson's Disease</i> follows the progression of the contagion's patient zero, a Soviet citizen (sometimes) named Demyan Lavrentyevich Parkinson, as he ascends from hellish health to the sacred illness.</p><p>Hailed as one of Serbia's most influential living writers, Svetislav Basara's scathing, irreverent critiques of authoritarianism have twice won him Serbia's prestigious NIN Award.In<i> The Rise and Fall of Parkinson's Disease</i>, Basara lives up to this reputation with a book as formally ambitious as it is intellectually sophisticated. His blend of grotesque absurdism and wry humour evokes the paranoid, vexing worlds of Franz Kafka's novels and the meta-textual assemblages of Paul Auster. Told from a colourful range of perspectives, the novel is a multifaceted, crystalline account of truth, lies, and history, a sprawling case study of humans in an inhuman society.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Raw, tender, and darkly comic,The Abyssis widely considered a masterpiece from Jeyamohan, a writer whosebody of work has shaped modern Tamil literature.</p><p>Pothivelu Pandaram is known as a successful, God-fearing man about town: he has a loyal wife, three daughters, and money to pay for their dowries. However, it's an open secret that his success is fueled by a trade that is as profitable as it is cruel: he owns-and breeds-a group of physically deformed beggars and places them outside temples to collect money.</p><p>There is Mangandi Samy, with just one arm, no legs, and "a little head on top," who only speaks in divine songs he himself invents; Ahmedkutty, an intellectual whose testicles hang to the floor "like two great pumpkins"; Muthammai, mother to eighteen children. To Pandaram, they are only "items," to be bought and sold like cattle. But when he makes an impulsive trade, his luck turns.</p><p>Written with an unflinching eye and suffused with a deep existential longing,The Abyssis an extraordinary novel-for its terrain, its fundamental questions about humanity, and its depiction of human suffering and liberation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jeyamohan</b>is a preeminent writer in modern Tamil literature. His works of fiction examine fundamental human questions while being rooted in the spiritual, cultural and literary traditions of India.<i>Venmurasu</i>, his reimagination of the epic<i>Mahabharata</i>over a novel-series of twenty-six parts, is considered one of the longest literary works in the world. His other major works include the novels<i>Vishnupuram</i>,<i>Kottravai</i>,<i>Pin Thodarum Nizhalin Kural</i>,<i>Kaadu</i>and<i>EzhaamUlagam</i>(<i>The Abyss</i>). He is the founder of several important cultural initiatives in Tamil, including a literary organization called the Vishnupuram Literary Circle, an encyclopedia of Tamil culture called Tamil Wiki, and an institute that offers courses in philosophy, cultural and religious studies called Nityavanam.<i>The Abyss</i>is his second work to be available in English, following his short story collection<i>Stories of the True</i>which was a finalist for the National Translation Award in 2023. Jeyamohan lives in Nagercoil, India.</p><p><b>Suchitra</b>writes fiction in Tamil and translates between Tamil and English. Her work has appeared in literary magazines including<i>Asymptote</i>and<i>Narrative Magazine</i>. She won the Asymptote Close Approximations Prize for Fiction Translation in 2017.<i>The Abyss</i>is her first full-length translated work. Suchitra lives in Bengaluru, India.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The much-anticipated follow-up to acclaimed graphic novelist Lee Lai's Stella-shortlisted Stone Fruit, a funny, dark, emotionally turbulent slice of friendship strife.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Carol Shields Prize for Fiction 2026**</b></p><p><b>**Shortlisted, Stella Prize 2026**</b></p><p><b>**Shortlisted, Victorian Premier's Literary Awards 2026, Fiction**</b></p><p><b>The much-anticipated follow-up to acclaimed graphic novelist Lee Lai's Stella-shortlisted</b> <b><i>Stone Fruit</i></b><b>, a funny, dark, emotionally turbulent slice of friendship strife.</b></p><p>We arrive to wreckage  a restaurant smashed to rubble, with tables and chairs upended riotously. Under the swampy nighttime cover of a Montreal heatwave, we meet our protagonist, Cannon, dripping in beads of regret sweat. She was supposed to be closing the restaurant for the night, but instead, she destroyed it. The horror-scape left in her wake is not unlike the films Cannon and her best friend, Trish, watch together. Cooking dinner and digging into deep cuts of Australian horror movies on their scheduled weekly hangs has become the glue in their relationship. In high school, they were each other's lifeline  two queer second-generation Chinese nerds trapped in the suburbs. Now, on the uncool side of their twenties, the essentialness of one another feels harder to pin down. Yet when our stoic and unbendingly well-behaved Cannon finds herself very uncharacteristically surrounded by smashed plates, it is Trish who shows up to pull her out</p><p>In <i>Cannon</i>, Lee Lai's follow-up to the critically acclaimed and award-winning <i>Stone Fruit</i>, the full palette of a nervous breakdown is just a part of what is on offer. Lai's sharp sense of humour and sensitive eye produce a story that explores the intimacy of queer friendship and weight of family responsibility, and breaks open the question of what we owe both to each other and to ourselves.</p><p><b>'In</b> <b><i>Cannon</i></b><b>, Lee Lai has performed a rare and powerful act of alchemy  the images, narrative, and writing not only capture a life, but combine so that the book itself feels alive.'  Torrey Peters</b></p><p><b>'Beguilingly drawn,</b> <b><i>Cannon</i></b><b> depicts a wide spectrum of adulthood with nuance and complexity. From one story unravels many stories, about friendships, situationships, work, familial obligations. I was struck by its attention and care.'  Ling Ma</b></p><p><b>'A beautifully drawn slice of life, filled with the kind of intimate, specific details that make the best fiction seem autobiographical.'  Adrian Tomine</b></p><p><b>'It's rare, and precious, when a moment in a movie, in a poem, in a comic surges up at you as being True. And in</b> <b><i>Cannon</i></b><b>, Lee Lai does it again and again.'  Eleanor Davis</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lee Lai</b> is an Australian cartoonist living in Tiohtia:ke (colonially known as Montreal, Canada). In 2021, she was shortlisted for the Stella Prize and selected as one of the National Book Foundation's 5 Under 35 for her debut graphic novel, <i>Stone Fruit</i>, which went on to win several awards, including the Lambda Literary Award, the Cartoonist Studio Prize, the Lynd Ward Graphic Novel Prize, and two Ignatz Awards. Her comics have appeared on <i>The New Yorker</i>, <i>McSweeney's</i>, <i>New York Times</i>, <i>Granta</i>, and the Museum of Modern Art's <i>Magazine</i>.</p>]]></Text>
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			<SubjectHeadingText>LGBTQ; Women's Prize; Women's Prize for Fiction 2026; Women's Prize for Fiction 2026 Shortlist; anti-hero; art; complicated characters; coping with illness; dark comedy; dark humor; debut novel; difficult relationships; eliza clark; falling in love; grief; illness; interior life; morally ambiguous; open relationships; otessa moshfegh; polyamory; queer fiction; sarcastic narrator; unreliable narrator; writing poetry</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Women's Prize for Fiction 2026**</b></p><p><b>An electrifying debut novel about grief, power and desire  and the tangles in between that make up a life.</b></p><p>When a creative writing academic becomes infatuated with his colleague  the poet  his fascination soon begins to threaten his relationship with his partner, Michael. Michael is beautiful. Michael is safe. But the poet is everything he isn't; she has everything he wants. While he writes about steel and sex, she dreams about the movements of swallows. While he tends to his budding career, she writes from her big, white house in the woods.</p><p>Meanwhile, his homophobic and spiteful mother  who cast a shadow over his childhood  is continuing to make his life difficult. As he is pulled back and forth between these two different worlds, his fixation on the poet, his Kingfisher, grows into something more powerful. She becomes his sole focus. He is hypnotised.</p><p>But when simultaneous illnesses threaten to destroy the precarious reality he clings to, he's forced to question what he can and cannot take from someone.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rozie Kelly</b> is a prose writer based in West Yorkshire, England. After reading English Literature and Creative Writing she now works for the Arvon Foundation, hosting creative writing courses. She was shortlisted for the PFD Queer Fiction Prize 2023 and is one of the eight participants in the inaugural Prototype Development Programme, which offers extended support and career development to emerging writers and artists. She won the 2024 NorthBound Book Award for <i>Kingfisher</i>, her debut novel.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>There is healing in this poetry.</i></p><p><i>These are our words.</i></p><p><i>From our country.</i></p><p><i>Our lands. Our spirits.</i></p><p><i>For all the troubles we face every day, we are a passionate people.</i></p><p><i>When we hear these poems, we know, we are lovers of life.</i></p><p>After selling out its first three print runs and having poems selected for Best of Australian Poems 2021 by Australian Poetry, a second edition of this beautiful anthology was needed! It is being released on the new imprint of Running Water Community Press (formerly Ptilotus Press) from Mparntwe Alice Springs and features poems written by over twenty Arrernte women around the refreshing Arrernte concept of Lyapirtneme.</p><p>This second edition includes an additional poem by local heroines, Margaret Kemarre Turner (Arrernte Elder and author) and Maureen Jipiyiliya Nampijinpa O'Keefe (Warlpiri/Kaytetye author), as well as a reinvigorated design by award winning book designer, Gemma Banks. It is an important contribution to the growing body of First Nations literature, particularly from remote Australia.</p><p><b>&amp;#x27;Even amongst the extraordinary body of one hundred poems that constitute the first volume of a new annual 'best of' series, Best of Australian Poems, the two poems by Arrente poets, Theresa Penangke Alice and Shirley Kngwarraye Turner, shimmer. Two completely different poems, 'Metal bird' and 'Family are like rocks', but both emanating a profound generosity of knowledge and voice. We are gratefully richer for such 'Women's Talk' gifts, but for myself, as a reader, I actually feel life-changed.&amp;#x27; - Jacinta Le Plastrier, CEO Australian Poetry</b></p><p><b>&amp;#x27;Lyapirtneme is an Arrernte word that means growing back, returning. It's like if a bushfire went through the land, and all the trees burnt down, and the roots underground are still alive. When the rain comes you see little shoots growing out of the bottom of the tree, growing back again.&amp;#x27; - Therese Perrurle Ryder, Arrernte Elder</b></p><p><b>&amp;#x27;I love this book. It holds so much value. Each poem is a gift and it has been put together with so much care.&amp;#x27;  Ellen van Neerven, Mununjali poet</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Published to commemorate the author's 100th birthday, this wide-ranging and thoughtful collection reflects on history, colonisation, family, childhood, Aboriginal Dreaming, traditions and storytelling, working lives and people.</p><p>Sometimes wistful, melancholic, poignant, at times the author's wry sense of fun and humour shines through.</p><p>When he arrived in Sydney in the 1960s, Bigambul man, Uncle Wes, was not allowed to tell his stories at schools. He set up a fire bucket in his backyard and invited families and children from the local Aboriginal community to come to sit around the fire and share his stories. It did not take long for the police to arrive and arrest him for hosting an unlawful gathering  he spent two days in lock-up for sharing his stories.</p><p>Uncle Wes is a living treasure of Aboriginal storytelling wisdom. Through his poems Uncle Wes invites the reader to join him by the fire as he generously shares his reflections and reminiscences on one hundred years.</p><p><b>&amp;#x27;It is my pleasure to honour Uncle Wes for his work in retaining the age-old storytelling tradition of our people. It is important to maintain this tradition of our Elders sharing their knowledge and insight through story and verse. Thank you Uncle Wes, for sharing your poems with us as you celebrate your 100th year.&amp;#x27; - Dr Anne Pattel-Gray: Head of the Australia First Nations Program, World Vision Australia</b></p><p><b>&amp;#x27;Uncle Wes Marne has a unique ability to allow the reader to see through his experienced eyes. The power and wisdom of his words is now more than ever important for the future generations to understand the time and place they exist in.&amp;#x27; - Ben Bowen: CEO, Indigenous Literacy Foundation</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[The new novel from the internationally acclaimed, award-winning Australian author Alexis Wright]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Miles Franklin Literary Award 2024**</b></p><p><b>**Winner, Stella Prize 2024**</b></p><p><b>**Winner, Queensland Literary Awards, Fiction Book Award**</b></p><p><b>**Winner, The James Tait Black Prize, Fiction 2024**</b></p><p><b>**Winner, ALS Gold Medal 2024**</b></p><p>**<b>Shortlisted, The Dublin Literary Award 2024**</b></p><p><b>**Shortlisted, Queensland Literary Awards 2023, Work of State Significance**</b></p><p><b>**Shortlisted, Margaret and Colin Roderick Literary Award 2024**</b></p><p><b>The new novel from the internationally acclaimed, award-winning Australian author Alexis Wright.</b></p><p><i>Praiseworthy</i> is an epic set in the north of Australia, told with the richness of language and scale of imagery for which Alexis Wright has become renowned. In a small town dominated by a haze cloud, which heralds both an ecological catastrophe and a gathering of the ancestors, a crazed visionary seeks out donkeys as the solution to the global climate crisis and the economic dependency of the Aboriginal people. His wife seeks solace from his madness in following the dance of butterflies and scouring the internet to find out how she can seek repatriation for her Aboriginal/Chinese family to China. One of their sons, called Aboriginal Sovereignty, is determined to commit suicide. The other, Tommyhawk, wishes his brother dead so that he can pursue his dream of becoming white and powerful. This is a novel which pushes allegory and language to its limits, a cry of outrage against oppression and disadvantage, and a fable for the end of days.</p><p><b>&amp;#x27;Monumental...calls to mind the work of Thomas Bernhard or the quiet rage of Dostoyevsky...</b><b><i>Praiseworthy</i></b><b>blew me away.&amp;#x27; </b><b><i>Australian Book Review</i></b></p><p><b>Praise for Alexis Wright:</b></p><p><b>'The writing is the best in the country, some of the best in the world; we call to mind Alexis Wright when they talk about our country's great literary voice.' - Tara June Winch</b></p><p><b>'I'm awed by the range, experiment and political intelligence of [Alexis Wright's] work, from fiction such as</b> <b><i>Carpentaria</i></b> <b>and</b> <b><i>The Swan Book</i></b><b>, to her "collective memoir" of an Aboriginal elder in</b> <b><i>Tracker</i></b><b>. As essayist, activist, novelist and oral historian she is vital on the subject of land and people.' - Robert Macfarlane,</b> <b><i>New York Times Book Review</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexis Wright</b> is a member of the Waanyi nation of the southern highlands of the Gulf of Carpentaria. The author of the novels <i>Carpentaria</i>, winner of the Miles Franklin Award, and <i>The Swan Book</i>, winner of the ALS Gold Medal, Wright has published three works of non-fiction: <i>Take Power</i>, an oral history of the Central Land Council; <i>Grog War</i>, a study of alcohol abuse in the Northern Territory; and <i>Tracker</i>, a collective memoir of Aboriginal leader, Tracker Tilmouth which won the Stella Prize. Her books have been published widely overseas, including in China, the US, the UK, Italy, France and Poland. She held the position of Boisbouvier Chair in Australian Literature at the University of Melbourne, and is now an Adjunct Professor at Western Sydney University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner of the Queensland Literary Awards, Judith Wright Calanthe Award for a Poetry Collection**</b></p><p><b>**Shortlisted, NSW Premier&amp;#x27;s Literary Awards 2023, Indigenous Writers&amp;#x27; Prize**</b></p><p><b>**Shortlisted, Prime Minster's Literary Awards, Poetry 2023**</b></p><p><i>Harvest Lingo</i> is the fourteenth collection of poems by Lionel Fogarty, a Murri man with traditional connections to the Yugambeh people from south of Brisbane and the Kudjela people of north Queensland. He is a leading Indigenous rights activist, and one of Australia's foremost poets, and this collection displays all of the urgency, energy and linguistic audacity for which Fogarty is known.</p><p>At the centre of the collection is a series of poems written in India. Deeply empathetic, these poems are remarkable for the connections they draw between the social problems the poet encounters in this country - poverty, class division, corruption - and those he sees in contemporary Australia, besetting his own people.</p><p>Other poems tell of encounters between people and between cultures, address historical and cultural issues and political events, and pay tribute to important Indigenous figures. There are intensely felt lyrics of personal experience, and poems which contemplate Fogarty's own position as a poet and an activist, speaking with and for his community.</p><p>Fogarty's poems are bold and fierce, at times challenging and confronting, moved by strong rhythms and a remarkable freedom with language. They are an expression of the 'harvest lingo' which gives the collection its title.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lionel Fogarty</b> was born on Wakka Wakka land, at Cherbourg Aboriginal Reserve in south-east Queensland in 1957. Throughout the 1970s he worked as an activist for Aboriginal Land Rights, and in the 1990s, after the death of his brother Daniel Yock, protesting against Aboriginal Deaths in Custody. His poetry collections date from the early 1980s; his most recent collections are <i>Connection Requital; Mogwie-Idan: Stories of the Land; Eelahroo (Long Ago) Nyah (Looking) Mobo-Mobo (Future)</i>, all with Vagabond Press, and <i>Lionel Fogarty: Selected Poems 1980-2017</i>, published by re.press<i>.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Kuracca</i> - meaning white sulphur crested cockatoo - is a multi-lingual anthology featuring eleven Aboriginal and Torres Strait Islander women writing poetry, prose, songs and stories about their unique lives. All contributors are members of Canberra's longest running Indigenous writers group called 'Us Mob Writing' and this book is dedicated to the late Wiradjuri Elder and award-winning writer, Kerry-Reed Gilbert. With a strong focus on inspiring people to write, the anthology includes both emerging and award-winning writers, a preface by Chairperson Us Mob Writing, Marissa McDowell and a foreword by Chairperson First Nations Australia Writers Network, Yvette Holt.</p><p><b>&amp;#x27;The poetry and prose awaiting your creative cultural engagement, all sixty-five poems in content equates to some sixty-five thousand years and beyond of what it means to be here in the now, as Aboriginal and Torres Strait Islander women representing their families, communities, heritage, their shadows, their promise, their matriarch, themselves - it is within these pages you shall find what it means for all of us to be alive and thriving through chapters of millennia as spoken and written by Us Mob Writing.&amp;#x27; - Yvette Holt</b></p><p><b>&amp;#x27;Powerful and palpable,</b> <b><i>Kuracca</i></b> <b>honours the work of a cultural powerhouse and matriarch in style. The book showcases the strengths and fresh and exciting writing of a tightly bonded group. This is healing.&amp;#x27; - Ellen van Neerven</b></p><p><b>&amp;#x27;Through the liberating words written on these pages, women are sharing their own stories and truth. Such inspiration is the legacy of Aunty Kerry Reed-Gilbert RIP.&amp;#x27; - Ali Cobby Eckermann</b></p>]]></Text>
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