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			<SubjectHeadingText>War; colonists; invasion; massacre; resistance; warfare; Frontier Wars; Aboriginal resistance; Colonial violence; Guerrilla warfare; Settler expansionism; Truth-telling; Historical erasure; Military history; Colonial policy; Battle of Broken River; Waterloo Creek Massacre; Myall Creek Massacre; Battle of Meewah (One Tree Hill); Kilcoy Massacre; Murrumbidgee river conflict; Multuggerah; Moppy; Windradyne; Governor Gipps; Mounted Police; Wiradyuri; Gomeroi; Taungurung; Waywurru; Yaggara; Gunditjmara; ambushes; night raids; economic sabotage; Historians Ryan; Gammage; Milliss; Durrant; Kerkhove</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[The award-winning author of The Sydney Wars reveals the breadth of frontier resistance warfare]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The award-winning author of</b> <b><i>The Sydney Wars</i></b> <b>reveals the breadth of frontier resistance warfare.</b></p><p>The First Wiradyuri War of Resistance ended in 1824 with a series of massacres conducted by settlers in the Bathurst region. From the 1830s, colonists began occupying more and more Aboriginal land across western New South Wales and stocking it with sheep and cattle. By 1838, a dramatic fightback began across the entire frontier of the colony. What has been called the Second Wiradyuri War of Resistance, from 1839 to 1841, was, in fact, part of a vast arc of conflict from present-day northern Victoria through to southeast Queensland. At the time, it was seen by many contemporaries as a concerted and coordinated 'uprising'.</p><p>In <i>Uprising</i>, Stephen Gapps reveals the incredible story of this extensive frontier resistance warfare for the first time  a series of wars that were conducted along a huge area of the Murray-Darling river system, across many First Nations' lands, in a concerted defence of River Country.</p><p><b>'Stephen Gapps' work is a significant contribution to truth-telling in Australian history.'  Anita Heiss</b></p><p><b>'A great and much needed account. And yet another loud cry to break the great Australian silence.'  John Maynard</b></p><p><b>'For all Australians to truly understand their history, the Australian Wars need to be a prominent part of our national story. At a time when we need to think deeply about how the past impacts our future,</b> <b><i>Uprising</i></b> <b>is essential reading.'  Rachel Perkins</b></p><p><b>'This is a must-read!</b> <b><i>Uprising</i></b> <b>is a landmark book at the forefront of the new and exciting scholarship about the Australian Wars. In a brilliant synthesis, Gapps draws together his deep research with extensive consultation with Elders and local knowledge holders and, just as importantly, his detailed understanding of the country in contention.'  Henry Reynolds</b></p><p><b>'[An] outstanding work for communities and historians.'  Heidi Norman,</b> <b><i>The Conversation Australia</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Stephen Gapps</b> is a public historian working to bring Frontier War histories into broader recognition as Australia's First Wars. In 2011, he was awarded the NSW Premier's History Award for regional and community history. Stephen's <i>The Sydney Wars: Conflict in the early colony 17881817</i> was the inaugural winner of the Les Carlyon Award for the writing of military history (2020). He is also the author of <i>Gudyarra: The first Wiradyuri war of resistance  The Bathurst War, 18221824</i> (2021), and is an editor of <i>The Australian Wars</i>, the book of the award-winning documentary series, forthcoming.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Acclaimed historian Joan Beaumont tells the story of Gull Force, the soldiers who were held as prisoners of war by the Japanese on Ambon and Hainan during the Second World War.]]></Text>
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			<Text textformat="02"><![CDATA[<p>The members of the Australian battalion of Gull Force endured some of the harshest prisoner-of-war conditions of any Australian during the Second World War.</p><p>In February 1942, on the remote island of Ambon in Indonesia, 1131 Australian soldiers were preparing for invasion by Japanese forces. Outnumbered and ill-equipped, theirs was an impossible mission. After their defeat, over 200 Australians were massacred. The survivors faced three-and-a-half years of harsh work, beatings, disease and starvation on Ambon and the Chinese island of Hainan. Along with the brutal conditions came a crisis of leadership, with Australian officers accused of devising their own systems of punishment and handing men over to the Japanese. The prisoners on Ambon were tormented by two catastrophic raids by 'friendly' Allied air forces. Over 800 survived to endure years of captivity; only 302 returned home.</p><p>Acclaimed historian Joan Beaumont tells the full story of this tragedy and its aftermath. A powerful account of suffering, death, endurance and memory, the story of Gull Force is one that must not be forgotten<i>.</i></p><p><b>'A compelling account of the tragedy and complexity of captivity by Australia's pre-eminent historian of war.'  Christina Twomey</b></p><p><b>'Revealing afresh an episode in Australia's POW history that deserves to be better known and understood.'  Peter Stanley</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Joan Beaumont</b> is Professor Emerita at the Strategic and Defence Studies Centre, Australian National University. She is one of Australia's pre-eminent scholars on Australian prisoners of war and is the author of <i>Broken Nation: Australians in the Great War</i>, the critically acclaimed account of Australia's experience of the First World War, which was joint winner of the Prime Minister's Literary Award for Australian History and winner of the NSW Premier's Prize for Australian History. She is also the author of <i>Australia's Great Depression: How a Nation Shattered by the Great War Survived the Worst Economic Crisis It Has Ever Faced</i> and co-editor with Allison Cadzow of <i>Serving Our Country: Indigenous Australians, War, Defence and Citizenship</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A lyrical work of creative nonfiction, Human/Nature is an exploration of how and why we think about the natural world the way we do.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Longlisted, Australian Book Design Awards 2026, Best Designed Non-Fiction Cover**</b></p><p>Several years ago, Jane Rawson packed up her beloved inner-city home and moved to the bush. Scared about what climate change would do to the big city, and keen to meet more animals, she found a new home in a cottage in the Huon Valley. But in a place where nature never really leaves you alone, she had to confront her uncomfortable relationship with the outdoors.</p><p>A lyrical work of creative nonfiction, <i>Human/Nature</i> is an exploration of how and why we think about the natural world the way we do. If you've ever asked yourself whether humans are ruining nature, whether there's a better way for us to belong, or whether it's possible to love both the environment and your cat, you're not alone. This exquisite, contemplative book is for anyone who has ever wondered where they fit in the natural world.</p><p><b>'In this funny, provocative and profoundly moving book, Jane Rawson brilliantly unravels the myths about the boundaries of the human and the non-human, the natural and the unnatural, and love and death that shape our thinking about not just the environment, but our history and the future that is already overtaking us. Read it: it's utterly marvellous.'  James Bradley, author of</b> <b><i>Deep Water</i></b></p><p><b>'Idiosyncratic and wily, big-hearted and brave,</b> <b><i>Human/Nature</i></b><b> is an exhilarating deep dive into what is deemed "nature", what is worth saving, and who gets to decide. Part confessional, part philosophical inquiry, part lament, this book takes us on a rollicking ride.'  Jessie Cole, author of</b> <b><i>Desire</i></b><b> and</b> <b><i>Staying</i></b></p><p><b>'A sense of possibility and connection can be elusive in these challenging days yet Jane Rawson offers them to us, using language that is beautiful, wise, clear and true.'  Sophie Cunningham, author of</b> <b><i>City of Trees</i></b></p><p><b>'I love this book. I love this writer  her brilliance, wit, tenderness, and keen eyes (and ears and mind). The pages of</b> <b><i>Human/Nature</i></b><b> are threaded with delight and grief, wonder and questions, joy and love. Read this beautiful book and remember your nature.'  Sarah Sentilles, author of</b> <b><i>Stranger Care</i></b></p><p><b>'</b><b><i>Human/Nature</i></b> <b>could well inspire its readers to help bring about worthwhile change. It is a significant contribution towards a better world.'  Erich Mayer,</b><b><i> ArtsHub</i></b></p><p><b>'This engaging and ultimately optimistic book sympathetically blends personal experience and thoughtful enquiry to challenge the way we see ourselves and the world around us. It deserves to be high on the reading list of all committed conservationists.'  Ted Lefroy,</b> <b><i>The Skeptic</i></b></p><p><b>'[Rawson's] attention dwells in the subtlety and complexity of the forward-slash that cuts between Human and Nature in her title, and the typographic slippage of Nature onto a line below. Each chapter in this book, which reads like a chain of interlinked essays, invites a new slide, down and across, into a playfully serious unsettling of assumptions.'  David Carlin,</b> <b><i>The Conversation</i></b></p><p><b>'With levity, beauty and deep contemplation</b> <b><i>Human/Nature</i></b><b> interrogates how our own ideas of purity, intelligence, care (for starters) affect how we impact, ignore, undermine and protect all the wild things which are not human.'  Celina Ribeiro,</b> <b><i>The Guardian</i></b></p><p><b>'This is a book full of wisdom, fascination and wonder for the world we live in, even as it acknowledges the sadness and desperation in our situation.'  Jess Gately,</b> <b><i>The AU Review</i></b></p><p><b>'Jane Rawson regards much of our thinking about nature as tangled in a thicket of misconceptions and false binaries.</b> <b><i>Human/Nature: On life in a wild world</i></b><b> is the machete she sharpens to chop us free.'  Geordie Williamson,</b> <b><i>The Saturday Paper</i></b></p><p><b>'[Rawson] comes to no neat conclusions, but her informed and probing questions about why we lament the extinction of some species but not others, or how we justify killing for conservation, are like the ripples from a stone tossed into the water. They unsettle, but in a good way, inspiring unexpected hopefulness.' </b> <b><i>Sydney Morning Herald / The Age</i></b></p><p><b>'Rawson attends to the divisions that we ourselves draw between humanity and the natural world. She also pulls us together, highlighting contamination and interspecies collaboration, describing a world humanity is not distinct from.'  James Gobbey,</b> <b><i>Mascara Literary Review</i></b></p><p><b>'Perhaps the most honest appraisal of the nature/culture divide that I've read: a myth-busting almanac in the form of warmly humorous personal essays and meditations.'  Geordie Williamson,</b> <b><i>The Saturday Paper</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jane Rawson</b> is the author of novels <i>A History of Dreams</i>, <i>From the Wreck</i> and <i>A Wrong Turn at the Office of Unmade Lists</i>, a novella, <i>Formaldehyde</i>, and, with James Whitmore, the non-fiction book <i>The Handbook: Surviving &amp; Living with Climate Change</i>. You can read her essays in <i>Living with the Anthropocene</i>; <i>Fire, Flood, Plague</i>; and <i>Reading Like an Australian Writer</i>. She is the managing editor at <i>Island</i> magazine and lives in south-east Lutruwita/Tasmania.</p>]]></Text>
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			<SubjectHeadingText>Official History of Australia in the Second World War; Second World War; general editor; war correspondent; Australian military history; Official war historion Charles Bean; World War II; Australian War Memorial; Historical methodology; war correspondence; defence journalism; Anzac legend; Bardia; Tobruk; Greece; Crete; New Guinea; Bougainville; Singapore campaign; Australian POWs; Censorship; Objectivity; truth in war history; National memory and identity; Challenges of historiography; Legacy of official historians; Ethics of historical writing</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>GAVIN LONG FINALLY GETS THE BIOGRAPHY HE RICHLY DESERVES.</p><p>While Charles Bean is the subject of several major biographies, this is the first life story of his acolyte, war correspondent and editor and principal author of the official history of the Second World War, Gavin Long.</p><p>In <i>Great at Heart</i>, Garry Hills traces Long's career as a newspaper correspondent during the 1920s and as a defence correspondent for the <i>Sydney Morning Herald</i> until the outbreak of war in 1939. The book covers Long's experiences as a war correspondent attached to the British Expeditionary Force in Europe until the evacuation at Dunkirk in 1940 and then with the 2nd AIF in North Africa, the Middle East and Greece.</p><p>In 1941, when Charles Bean began advocating for an official history of the war then in progress, he was influential in having his protege Long appointed General Editor  a role Long discharged with considerable dedication, courage and self-sacrifice between 1943 and 1963, overseeing the development of all 22 volumes and writing three of them himself.</p><p><b>'Gavin Long was one of Australia's most eminent historians, creating, with others, the 22-volume history of Australia in the Second World War. His extraordinary achievement was largely forgotten until Garry Hills rescued Long's reputation. In this highly readable, moving and generous account of Long's life, Hills has fashioned a tale that all those interested in the story of Australia will want to read.'  Dr Michael McKernan, Historian</b></p><p><b>'Garry Hills has done the right thing by Gavin Long. He succeeds in getting inside Long's ways of thinking and working, showing that he was indeed "great at heart".'  Professor Peter Stanley, author of</b><b><i> Beyond The Broken Years</i></b></p><p><b>'It is a rare privilege to recommend a book that is both timely and important.</b> <b><i>Great at Heart</i></b><b> is both. Gavin Long's legacy has waited too many years for a biography worthy of its significance, but the wait is over. I recommend this fine work to all readers  from professional scholars to all who seek to understand Australia's past. And it's a ripping read to boot!'  Professor Craig Stockings, Official Historian of Australian Operations in Iraq and Afghanistan, and Australian Peacekeeping Operations in East Timor, UNSW Canberra</b></p><p><b>'This is an important landmark work on Gavin Merrick Long, a self-effacing national observer who Hills rightly calls "a national treasure".'  Ken Haley,</b> <b><i>InReview Queensland</i></b></p><p><b>'[Hill's] elegant prose is neither stuffy nor pompous but delightfully refreshing to read, thoroughly befitting the study of a man of words whose reputation is ripe for revival.' Paul Skrebels,</b> <b><i>Sabretache Journal</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Garry Hills</b> is the President of the Queensland Air Museum, Australia's largest and most diverse aviation collection dedicated to preserving Australia's aviation heritage. After many years as a local church pastoral minister, with a degree in theology, he dedicated himself to the primary care needs of his disabled son, a period in his life which he considers the most consequential. His passion for the preservation of history extends to a profound admiration for Gavin Long, whose quiet, self-eacing dedication is evident in the legacy he gave the Australian people  the 22-volume series <i>Australia in the War of 19391945</i>.</p>]]></Text>
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			<SubjectHeadingText>Aboriginal culture; Aboriginal dance; Aboriginal songs; Dreaming; Indigenous knowledge; Tanami; TanamiAillowra; Warlpiri; Warlpiri language; art history; body designs; jukurrpa; visual anthropology; women's ceremony</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Warlpiri people commemorate and maintain their relationship with their ancestors and the natural order of the cosmos by re-enacting the events of the Jukurrpa (the Dreaming). They do this, in part, by painting up while singing pertinent songs, as well as performing dances and ritual actions sanctioned by the Jukurrpa.</p><p>From May 1981 to June 1982, ethnochoreologist Megan Morais lived in Willowra in the Northern Territory, working with the Warlpiri community. The Warlpiri women and Megan worked as an impromptu team documenting their dances as performed in yawulyu  women's ceremony  as well as documenting traditional movement patterns.</p><p>Warlpiri women in Willowra generously and with trust, shared their music, songs, dances, designs and associated knowledge of yawulyu which is now being returned to them.</p><p>A recent collaboration between Megan and musicologist Myfany Turpin and the Willowra community has resulted in this book which provides the means for current and future generations to access the knowledge shared by the Warlpiri women.</p><p>Women of land-owning groups who have inherited sovereignty, and other important women in the community, have granted permission to publish the designs, songs and jukurrpa stories in this book. More than that, they urged publication so they would have a resource to teach their children and grandchildren. The co-authors each contributed to the book according to their authority, knowledge and strengths.</p><p>Proceeds from sales of this book will be returned to the Warlpiri community.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Megan Morais</b> is an ethnochoreologist and teacher of dance and religion. Through various grants, she has documented dances of several Indigenous Australian groups, including Nunggubuyu, Wanindilyaugwa (Anindilyakwa), Antikirinya, Yanyuwa and Warlpiri. She was a visiting researcher at the University of New England and The University of Sydney and has published several articles in academic journals and encyclopedias.</p><p>The late<b> Lucy Nampijinpa Martin</b> was an integral part of the women's business (ritual ceremony and activity) documented in 1981-82. She has been essential in the repatriation of materials to the community. As one of the leading business women in Willowra she was the one who knew the songs, designs and dances. Lucy's work features throughout this book  it includes the designs she drew from 1981-82 and the songs she sang then, and sang later for recording purposes. Sadly, Lucy passed away in 2024. Her legacy lives on in the ceremonial knowledge she has shared in this book</p><p><b>Myfany Turpin</b> is a musicologist, linguist and associate professor at The University of Sydney where she conducts fieldwork on languages and songs of Central Australia. She has published extensively on Aboriginal song-poetry and publishes in the fields of music, linguistics and ethnobiology. She is the co-author of <i>Yaru! Gudjal learner's guide and dictionary</i> (Aboriginal Studies Press 2023).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Aristotle claimed that 'all human beings want to know'. Yet we also want not to know. Centuries after the Enlightenment, mesmerised crowds still follow preposterous prophets; irrational rumours trigger fanatical acts; and magical thinking crowds out common sense and expertise. Where does this will to ignorance originate, and how does it shape our lives today?</p><p>Acclaimed essayist and historian of ideas Mark Lilla offers an absorbing intellectual travelogue of the human will not to know. He ranges with brio from the Book of Genesis and Plato's dialogues to Sufi parables and Sigmund Freud, revealing the paradoxes of hiding truth from ourselves. Lilla also exposes the illusions that this impulse can lead us to entertain: our belief in the ecstasies of prophet figures as a gateway to truth, the myth of children's wise simplicity, and the yearning for vanished, allegedly purer civilisations.</p><p><b>'An exuberant, inexhaustible storyteller.'  Stephen Greenblatt</b></p><p><b>'A highly original study of what our desire not to know means for our lives.'  John Gray</b></p><p><b>'In these murky days when we all seem to be at sea, Lilla's elegant and perceptive handbook serves both as a compass and a hopeful sail.'  Alberto Manguel</b></p><p><b>'At a time when our politics is debauched with lies and fake news, Lilla asks a question which challenges our alibis: what if the root of the problem lies not with our leaders, but with us?'  Michael Ignatieff</b></p>]]></Text>
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			<SubjectHeadingText>Luke Howard; clouds; atmospheric science; storm clouds; cloud iridescence; cloud condensation nuclei; meteorology; cloud dynamics; cloud levels; cloud physics; cumulus; cloud droplets; new clouds; mother clouds; The International Cloud Atlas; hydrometeors; ice haloes; tornadoes; precipitation; cumulonimbus; cirrus; stratus; Cloud; cloud radiation; the atmosphere; lenticularis; cloud classification; cloud droplet collision &amp; coalescence.; cloud light &amp; shadow; stratocumulus</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Through a selection of detailed expert essays and some 40 spotlight studies, Medieval Women reveals a rich and complex picture of their world, full of colourful characters and intriguing stories. This title accompanies the British Library Exhibition and showcases incredible items from the Library's archive as well as major European collections.]]></Text>
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			<Text textformat="02"><![CDATA[<p>This beautifully illustrated, large format volume accompanies the British Library&amp;#x27;s major Autumn exhibition which seeks to recover women&amp;#x27;s voices, visions and experiences in Britain and Europe from around 1100 to 1500. Women of this period, whether as authors, artists, scribes, patrons, readers, wives, mothers, daughters, leaders, workers, makers, traders and more, tell their histories through their own words and reveal them through their own images, artworks and documents.</p><p>Through a selection of detailed expert essays and some 40 spotlight studies, <i>Medieval Women </i>reveals a rich and complex picture of their world, full of colourful characters and intriguing stories from famous personalities such as Christine de Pizan, Joan of Arc and Julian of Norwich, to lesser-known figures such as Sibilla von Bondorff, Clemence of Barking and Margaret Paston. Both the exhibition, and this accompanying book, will showcase star items from the British Library and major European collections as well as bringing to light little-known, deeply resonant, and highly personal, gems and keepsakes from this fascinating era.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A trans essayist with a checkered past takes on the big questions of human existence</b></p><p><b>Move over Michel de Montaigne, there's a new girl in town</b></p><p>Set against a backdrop of trans life that begins with her own transition in the 1960s, Vivian Blaxell takes us on a witty and expansive sweep through history, from Australia to Japan, to Hawai'i to Mexico, to heretofore unmapped regions of the mind. In seven devastatingly intelligent parts, her essay covers a vast range in time and space - from the arson of a Japanese temple to a transformative encounter with a coral reef, from Nietzsche and Hegel to Indigenous metaphysics, from a perplexing relationship with a beautiful man to the unknowable minds of animals. Fleshy and philosophical, searching and exalted, utterly distinctive and assured, <i>Worthy of the Event</i> belatedly establishes Vivian Blaxell as one of the major writers of her generation.</p><p><b>'At a time where trans rights and bodily autonomy are under threat, it's voices like Vivian's which we need to platform and listen to.'  Soaliha Iqbal,</b> <b><i>Missing Perspectives</i></b></p><p><b>'</b><b><i>Worthy of the Event</i></b> <b>will strike you as the work of a lifetime.'  Elese Dowden,</b> <b><i>Overland</i></b></p><p><b>'These essays span years  the book seems to contain a whole library of experience.'  Torrey Peters, author of</b> <b><i>Stag Dance</i></b><b> and</b> <b><i>Detransition Baby</i></b></p><p><b>'Blaxell's sentences buck and slither, even as they feel like talking, like taking a walk. It's kinetic; it's intimate too.'  Agnes Borinsky,</b> <b><i>LA Review of Books</i></b></p><p><b>'An illuminating and unique addition to the essay form.</b><b><i> Worthy of the Event</i></b><b> is unabashedly poetic and lyrical in its tender descriptions of the worst and best things in Blaxell's life of up-and-down multitudes,while maintaining the exacting analysis of an essay by a philosophical academic.' </b><b><i> Honi Soit</i></b></p><p><b>'There is a propulsive ongoingness to [Blaxell's] sentences, stockpiling clauses in an infectious style that is thrilling, vertiginous, teetering on the brink of too-much-ness, dense with poetry and ideas.'  Rebecca Harkins-Cross, </b><b><i>The Saturday Paper  </i></b></p><p><b>'Seldom have trans women allowed themselves the montage-cut intellect claimed so readily by the prime literary flneurs; trans womanhood has signified too much body, too much history, too much too-much, to be so fleet-footed. Blaxell writes close to the transgender body, but shows that this is never in tension with truly existential and world-historical scope.'  Amelia C. Winter, </b><b><i>Meanjin</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>The Art of Kelogsloops: From Sketch to Finish</i></b> <b>is the debut art book from the popular mixed-media artist.</b></p><p>Though Hieu is based in Melbourne, Australia, his incredible artwork has been showcased in exhibitions around the world, including Los Angeles, Berlin, San Francisco, and Sydney. Known for both digital and watercolour paintings, Hieu masterfully blends his love of surreal-art styles and Japanese anime. In this stunning art book, Hieu takes readers through his journey as an artist, from being taught a simple way to draw manga art by his older sister aged five, to reaching over a million followers on Instagram as &amp;#x27;Kelogsloops&amp;#x27; and achieving commercial success.</p><p>Primarily a watercolour artist, Hieu creates delicate yet vibrant paintings that create an emotional connection with the viewer. His work is driven by the everyday feelings that come with being human, such as love, grief, and nostalgia  those things that can often only be communicated through art. Readers will find joy in discovering how Hieu is inspired to create his work, and the process behind each piece. This is a must-have book for any fan of Kelogsloops, or any art fan in general. The production value is incredibly high, making this a book to keep on your coffee table or bookshelf for years to come.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In the 1970s and 1980s, the Pilbara iron ore industry was a bastion of militant unionism  'union power'. Today, it is almost completely un-unionised.</p><p>Labour historian and industrial relations scholar Alexis Vassiley charts the rise and fall of this union power over the decades. He explores the hard-won breakthroughs workers made in pay, conditions and safety, and analyses the conflict between rank-and-file unionists and trade union officials that drove tension between the two groups. He examines how the strength of the unions was undone, delving into the Robe River dispute, and looks at the consequences of the loss of unionism today, including mental health issues and sexual harassment.</p><p>Based on archival research and interviews with participants, including rank-and-file union members, shop stewards and organisers, <i>Striking Ore</i> centres the actions of workers themselves to answer the questions of how this union power came about, what it meant for the workers and their communities, how it was destroyed and what is the legacy of the unions' defeat.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexis Vassiley</b> is a labour historian and industrial relations scholar who has published on union strategy. He is a lecturer at Edith Cowan University (ECU) in Perth, and a research team member for the Mental Awareness, Respect and Safety Centre  an ECU industry collaboration centre for the mining sector.</p><p>Alexis is an associate editor of <i>Labour History</i> and chief investigator on the funded project 'Learning from past union revivals: rebuilding trade unionism in early 20th century Australia'. He is also a recipient of the Eric Fry Labour History Scholarship.</p>]]></Text>
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			<SubjectHeadingText>adaptations; biology; conservation; distribution; ecology; environmental impacts; evolution; habitats; habits; human interactions; lifestyle; reptiles; snakes; Snakes; threats; venom; venomous.; vertebrates; zoology; Species; Prey; Vipers; Scales; Eggs; Python; Lizards; Islands; Habitat; Populations; Pits; Water; Females; Venom; Sea; Boa; Color; Temperature; Desert; Animals; Humans; Eat; Regions; Coral; Heat; Tree; Venomous; Males; Fish; Birds; Fangs; Families; Predators; Bitis; Adder; Skin; Mouth; Teeth; Markings; Sand; Alamy stock; Coloration; Pit viper; Arboreal; Clutch; Crotalus; Mammals; Highly; Genus; Bodies; Family</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A richly illustrated introduction to the marvelous world of snakes.</b></p><p>Descended from prehistoric lizards, snakes have been slithering across the earth for more than a hundred million years. There are some 4,100 species known to exist, and many are venomous, but many more are not. Snakes experience the world in unique ways, smelling the air with their tongues and relying on signs of movement for orientation. They are ectothermic, needing external heat for energy, and must shed their skin to grow. This guide offers a unique look at the lives of snakes, exploring their life cycles, diets, defenses, locomotive strategies, and more. Written by an internationally recognised herpetologist and informed by the latest science, <i>The Lives of Snakes</i> blends captivating photos with engaging, fact-filled profiles of selected species to provide an invaluable introduction to these splendid reptiles.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A spellbinding collection of twenty-four divinatory techniques from around the world exploring our need to appeal to powers beyond our realm for prediction and clarification.]]></Text>
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			<Text textformat="02"><![CDATA[<p>The past, present and future are full of tantalising mysteries: questions about our own and other people's lives that we long to answer. Across history, human cultures have devised a wide range of methods to discover what might lie ahead or to understand past events.</p><p>This fascinating book features twenty-four divinatory techniques from around the world that have been and are still used to uncover hidden information: from astrology, palmistry, and Tarot to egg divination and Chinese Yijing. Each chapter is beautifully illustrated with a wide range of associated objects, such as cards, dice, altars, candles and texts, and even mathematical tools including astrolabes and astronomical tables. While these practices are often seen as light-hearted entertainment, a soothsayer's uncannily accurate reading can catapult a client from scepticism to serious engagement.</p><p>From ancient times to the present day, this spellbinding collection explores our need to appeal to powers beyond the realm of our day-to-day understanding for prediction and clarification, and how the questions we ask can reveal more than the answers we are given.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michelle Pfeffer </b>is a research fellow at Magdalen College, Oxford, and a historian of early modern science and religion.</p><p><b>David Zeitlyn</b> is Professor of Social Anthropology at the University of Oxford and an initiated Mambila gam d spider diviner.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In the popular &amp;#x27;<i>Little Bit of&amp;#x27;</i> series: a fresh, accessible introduction to the practice of chanting mantras.</p><p>Chanting a mantra repeatedly can actually affect your state of mind, elevating your consciousness, altering your emotions, and bringing you peace. <i>A Little Bit of Mantras</i> presents an introduction to these sacred, spiritually empowering words, phrases, and sounds. It explores the history of mantras and how they work, and gives you chants that you can use with your yoga, meditation, or other daily practice.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lily Cushman</b> is a teacher, musician, and author. Her work is a synthesis of the body practices of Classical Yoga, the heart practices of Bhakti Yoga, and the mind practices of Insight Meditation. For nearly a decade Lily was the Owner and Director of theBrooklyn Yoga School, a lineage-based school run entirely by donation, voted &amp;#x27;Best of New York&amp;#x27; by <i>New York Magazine</i>. Lily offers workshops and retreats around the country and serves as Director of Operations to world-renowned meditation teacherSharon Salzberg. Find her online atlilycushman.com.</p>]]></Text>
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			<Text textformat="02"><![CDATA[An astonishing history of the priests and missionaries whose 'special ops' serve the Holy See and 1.3 billion Catholics worldwide.]]></Text>
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			<Text textformat="02"><![CDATA[<p>'Officially' the Vatican has no espionage service; but does no one carry out intelligence operations on its behalf? During the Second World War and Cold War, Rome was teeming with spies. A band of undercover monsignors and priests hunted for Vatican 'moles', led clandestine diplomacy, investigated assassinations of priests and other scandals threatening the Church, and conducted high-risk missions behind the Iron Curtain.</p><p>Drawing on freshly released archives of foreign services that worked with or against the Holy See,<i>Vatican Spies</i>reveals eighty years of shadow wars and dirty tricks. These include infiltrating Russian-speaking priests into the Soviet Union; secret negotiations between John XXIII and Khrushchev; the future Paul VI's close relationship with the CIA; the Vatican's infiltration by Eastern Bloc intelligence; the battles between the Jesuits and Opus Dei; and the secret bank funds channelled first to fight communism in South America, then to support Solidarity in Poland.</p><p>This entertaining book journeys right to the present, uncovering startling machinations under Benedict XVI and, today, Pope Francis.</p><p><b>'An intriguing book...an informative resource on the modern papacy. It will certainly satisfy all those who, after watching </b><b><i>Conclave</i></b><b>, want to learn more about intrigue in the Holy See.'  </b><b><i>The Sunday Times</i></b></p><p><b>'A no-holds-barred account of the Vatican's covert operations...is revelatory...The Vatican is so secretive that the book becomes a modern history of the Holy See. There is much blood on the carpet.'  </b><b><i>The Observer</i></b></p><p><b>'</b><b><i>Vatican Spies</i></b><b> has it all; murder, blackmail, betrayal, deceit, treachery, with even priests inside the Vatican acting as double agents  through blackmail because of some sexual misdemeanour or personal greed. There is so much noir here it would have provided John le Carre with rich material for a lengthy second career, had he lived...[</b><b><i>Vatican Spies</i></b><b>] is a compelling, even compulsive read. This book is, quite literally, unputdownable.'  </b><b><i>The Irish Times</i></b></p><p><b>'Candid [and] wide-ranging...</b><b><i>Vatican Spies</i></b><b> is a tale of remarkable machinations  ones that apparently continue to the current reign of Pope Francis  and a story rich in betrayals, sacrifices, compromises, "damage control" dirty tricks and even murders.'  </b><b><i>The Independent</i></b><b>, 'December Books of the Month'</b></p><p><b>'"Blockbuster" and "rollercoaster" are words commonly associated with novels, but they also apply to this exceptional work of non-fiction...This riveting history of the Vatican encompasses a breathtaking tumult of events, names and scandals.'  </b><b><i>The Scotsman</i></b></p><p><b>'An impressive and rigorous narrative.' </b> <b><i>Le Figaro</i></b></p><p><b>'This book finally reveals the secret service of the Vatican and uncovers some of its most relevant operations.' </b> <b><i>Le Point</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Yvonnick Denoel</b> is a French historian, publisher and intelligence specialist who has written on the CIA, Mossad, and espionage in the twentieth century. <i>Vatican Spies</i> has appeared in German and Italian translations.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In this short and powerful book, celebrated philosopher Martha C. Nussbaum makes a passionate case for the importance of the liberal arts at all levels of education.</p><p>Historically, the humanities have been central to education because they have been seen as essential for creating competent democratic citizens. But recently, Nussbaum argues, thinking about the aims of education has gone disturbingly awry in the United States and abroad. We increasingly treat education as though its primary goal were to teach students to be economically productive rather than to think critically and become knowledgeable, productive, and empathetic individuals. This shortsighted focus on profitable skills has eroded our ability to criticise authority, reduced our sympathy with the marginalised and different, and damaged our competence to deal with complex global problems. And the loss of these basic capacities jeopardises the health of democracies and the hope of a decent world.</p><p>In response to this dire situation, Nussbaum argues that we must resist efforts to reduce education to a tool of the gross national product. Rather, we must work to reconnect education to the humanities in order to give students the capacity to be true democratic citizens of their countries and the world.</p><p>Translated into twenty-five languages, <i>Not For Profit</i> draws on the stories of troubling  and hopeful  global educational developments. Nussbaum offers a manifesto that should be a rallying cry for anyone who cares about the deepest purposes of education.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>AI has the potential to transform leadership and the human experience of work  or to lead us into an automated and uninspiring work reality. Which one will it be?</p><p>Humans have always been good at inventing tools that change the way we live and work  though not always good at adapting to those changes. Consider how the internet has given us instant access to gigabytes of data and yet has made us more distracted. Or how social media has enabled us to be more connected than ever, and yet it can also alienate or isolate us. Will the power of AI create a new era of robotic, impersonal efficiency, or will it catalyse a renaissance, redefining leadership and the world of work?</p><p>So far, that question has mostly prompted a wave of anxiety about the disappearance of jobs and the loss of humanness in our work lives. But as founder and Managing Partner of Potential Project Rasmus Hougaard and Senior Partner Jacqueline Carter show in this essential book, that&amp;#x27;s a very limited perspective on the impact of AI, leaving out a crucial point: AI has the power to transform leadership for the better  the key is in how leaders use it.</p><p>By delegating tasks to AI and using it to augment skills and behaviors, leaders have an opportunity to unlock a truly human experience of work while enhancing organisational performance. The AI-augmented leader moves beyond a focus on the technology itself to constantly probe how it can enhance and deepen the core qualities of human-centred leadership: awareness, wisdom, and compassion. In this way, AI can help leaders and organisations become more human.</p><p>With deep insight and rigorous research, <i>More Human</i> will help leaders navigate our AI-enabled future.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The ultimate Japanese soul food  a steaming bowl of miso soup paired with delicious seasoned rice!</p><p>Onigiri rice and miso soup are Japan&amp;#x27;s answer to the classic soup and sandwich combo  but a whole lot healthier!</p><p>In these 100 amazing recipes, nutritionist Megumi Fujii combines fresh seasonal ingredients with traditional Japanese superfoods to create deeply nourishing meals  the perfect antidote to modern ultra-processed foods.</p><p>In this book, you&amp;#x27;ll find 48 delicious and easy-to-prepare meals like:</p><ul><li>Broccoli and Salmon Onigiri + Miso Soup with Clams and Mushrooms</li><li>Onigiri Rice with Nori and Sesame + Mackerel and Kimchee Miso Soup</li><li>Hijiki Seaweed Onigiri + Miso Soup with Ground Chicken and Carrots</li><li>Bright Green Onigiri + Miso Soup with Tofu and Shiitake Mushrooms</li><li>Oyster Onigiri + Pork and Turnip Miso Soup</li><li>Plus 43 other incredible combinations!</li></ul><p>Filled with beautiful photographs, the book showcases the limitless possibilities of two classic Japanese homestyle dishes. Fujii highlights the nutritional benefits of the ingredients in each recipe and introduces to all sorts of ways to use healthy Japanese superfoods like seaweed and miso that are now available everywhere.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Megumi Fujii</b> is a registered dietician and recipe developer in Japan. A graduate of Kagawa Nutrition University, she has worked on television cooking programs and as a food coordinator. Her books include <i>Warming Sauces to Boost Your Immune System, Two-Dish Meals to Stay Healthy After 50, Main Dish Salads, Super Tasty Low-Cal Appetizers, 200 Essential Homestyle Recipes</i>, and<i> 100 Simple Bentos</i>, all from Shufu to Seikatsu Sha Co.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>With the advent of print in the fifteenth century, Europe's cultural elite assembled personal libraries as refuges from persecutions and pandemics. Andrew Hui tells the remarkable story of the Renaissance studiolo  a &amp;#x27;little studio&amp;#x27;  and reveals how these spaces dedicated to self-cultivation became both a remedy and a poison for the soul.</p><p>Blending fresh, insightful readings of literary and visual works with engaging accounts of his life as an insatiable bookworm, Hui traces how humanists from Petrarch to Machiavelli to Montaigne created their own intimate studies. He looks at imaginary libraries in Rabelais, Cervantes, Shakespeare, and Marlowe, and discusses how Renaissance painters depicted the Virgin Mary and St. Jerome as saintly bibliophiles. Yet writers of the period also saw a dark side to solitary reading. It drove Don Quixote to madness, Prospero to exile, and Faustus to perdition. Hui draws parallels with our own age of information surplus and charts the studiolo's influence on bibliographic fabulists like Jorge Luis Borges and Umberto Eco.</p><p>Beautifully illustrated, <i>The Study</i> is at once a celebration of bibliophilia and a critique of bibliomania. Incorporating perspectives on Islamic, Mughal, and Chinese book cultures, it offers a timely and eloquent meditation on the ways we read and misread today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Andrew Hui</b> is associate professor of humanities at Yale-NUS College, Singapore. He is the author of <i>A Theory of the Aphorism: From Confucius to Twitter</i> (Princeton) and <i>The Poetics of Ruins in Renaissance Literature</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The broken rung is more pervasive than the glass ceiling in holding women back from career success. Three McKinsey senior partners offer strategies for overcoming it and fulfilling your potential.</p><p>Women around the world do extremely well when it comes to their education. They graduate at higher rates than men and have higher average GPAs. But then a strange thing happens: upon entering the workforce, they immediately lose their advantage. When the first promotions come around, the slide continues. For every 100 men promoted to manager, only 81 women overall and 77 women of color get promoted.</p><p>This is what McKinsey senior partners Kweilin Ellingrud, Lareina Yee, and Mara del Mar Martnez call &amp;#x27;the broken rung&amp;#x27;, and its effects compound throughout women&amp;#x27;s careers, causing them to fall behind at the start and keeping them from catching up. In this groundbreaking book, the authors reveal the problem&amp;#x27;s underlying cause: while about half of a person&amp;#x27;s lifetime earnings come from education and half from work experience, men get more value from their experience than women do. It is also here, in one&amp;#x27;s work experience, that the solution lies: women need to build their &amp;#x27;experience capital&amp;#x27; to level the playing field and maximise their earning potential.</p><p>The book combines over a decade of research, personal conversations with more than fifty remarkable leaders, and the authors&amp;#x27; own rich experiences as leaders at McKinsey. They weave data on the potential pitfalls with inspiring and instructive stories of women who have climbed over the broken rung using strategies that increased their experience capital.</p><p>Leaders and companies must do more to address gender inequalities in the workplace. But you don&amp;#x27;t have to wait. <i>The Broken Rung</i> is your guide, right now, for moving up the career ladder and reaching your full potential at work.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kweilin Ellingrud, Lareina Yee, </b>and <b>Mara del Mar Martnez</b> are friends, colleagues, and passionate advocates for advancing women in business and society. They are senior partners at McKinsey &amp; Company, supporting clients in different industries and geographies. Each has served as McKinsey&amp;#x27;s chief diversity and inclusion officer.</p>]]></Text>
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			<SubjectHeadingText>psychology; innovation; culture; leading teams; workplace culture; human resources; employee engagement; change; resilient teams; organization psychology; transformation; strategy; teams; leadership; workplace motivation; pandemic; motivation; burnout; employee wellbeing; mental health; management; resilience; engagement; work-life balance</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A deeply human exploration of how our relationship with work has evolved</b>  <b>and a guide for leaders who aim to make things right  from the author of </b><b><i>The Burnout Epidemic</i></b><b>.</b></p><p>Work has recently undergone profound changes, not all for the better.</p><p>AI&amp;#x27;s acceleration has led to worker fears and uncertainties around job security. DEI initiatives are underfunded or cancelled. The debate over remote, hybrid, and in-person work is growing more heated. And study after study confirms a widespread sense of employee unhappiness in the workplace.</p><p>Workers are left to reexamine their relationship with work, asking themselves, Why are we here?</p><p>Workplace expert Jennifer Moss, author of <i>The Burnout Epidemic</i>, takes readers to the front lines of this historic shift. Through extensive interviews, she uncovers why work has changed and highlights the leaders and organizations who have managed to build cultures that everyone really wants.</p><p>Packed with fresh insights, new research, and compelling stories, <i>Why Are We Here?</i> illuminates this turbulent time and offers inspiration and practical guidance for leaders navigating our complex, ever-changing world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jennifer Moss</b> specialises in future-focused leadership development, expertly balancing employee well-being with performance. As an award-winning writer and internationally acclaimed keynote speaker, she specializes in transforming workplace culture using data-driven leadership strategies. Her book <i>The Burnout Epidemic</i> tackled employee burnout and was among Thinkers50's 10 Best New Management Books for 2022.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Building upon the approach to reading literature pioneered by Dr Bruce Gardiner at the University of Sydney for over four decades, Literature and Pedagogy is devoted to the way that texts, literary texts in particular, seek to instruct us.</p><p>Bruce Gardiner has inspired generations of professionals in the field of literary criticism. He stands, if you like, for a scholarly ethos, which is at risk of disappearing. His distinctive academic career, which was almost entirely devoted to teaching, invites us to think about the relationships between literary studies and pedagogy. It also invites us to ask what role a unique pedagogical style plays in the evolution of a discipline. How does intergenerational transmission between teacher and student play out both with and beyond disciplinary boundaries?</p><p>This collection explores these questions as a contribution to efforts to resist the neo-liberalisation and neo-conservatism of contemporary academic culture. Contributors draw from inspiring encounters with Bruce Gardiner to reflect upon the reading of pedagogy in literary works, put this method into practice by offering new interpretations of pedagogical mechanisms employed within important literary works and cultural phenomena, and present pieces inspired by Gardiner such as poetry, art, translation and creative non-fiction.</p><p>Techniques and methodologies of education are traditionally believed to offer students the keys with which to unlock the secrets of literature and foster its appreciation. Literature and Pedagogy offers a new perspective, showing teachers and students of both education and literature how literary works present their own methods for reflecting critically upon how and why we learn, read and teach.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Anthony Cordingley</b> is is Robinson Fellow at the University of Sydney, on secondment from the Universit. Paris 8, France, where he is Associate Professor in English and Translation. He teaches across modernist literature, comparative literature, translation studies, and his work has appeared in journals such as <i>Comparative Literature</i>, <i>Modern Philology</i>, <i>PMLA</i>, <i>Twentieth- Century Literature</i> and <i>Translation Studies</i>.</p>]]></Text>
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			<SubjectHeadingText>social capital; COVID-19; labour; culture; social class; social mobility; social reproduction; work; DEI; cultural participation; cultural exclusion; working class writers; Kerry Husdon; cultural workers; community regeneration; Index of Multiple Deprivation; cultural matching; Arts Emergency; Great British Class Survey; UK City of Culture; economic capital; Pierre Bourdieu; British Social Attitudes Survey; Creative Health; Kit de Waal; gender; career development schemes; cultural accessibility; working class; exclusion; Changing Lives; industry; social justice; people of colour; Social Mobility Commission; British film industry; Audience Finder; cultural capital; DCMS; racism; race; media; cultural production; inequality; cultural consumption; cultural and creative industries; cultural work; structural inequality; inclusion</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The revised and updated edition of this popular title shines a light on the precarious situation of art workers today.</b></p><p>Culture keeps you fit and healthy. Culture brings communities together. Culture improves your education. This is the message endlessly repeated by the government and arts organisations. But as this ground-breaking book explains, we need to be cautious about culture.</p><p><i>Culture is Bad For You</i> presents an unflinching portrait of the cultural landscape in the UK today. It reveals how women, people of colour and those from working-class backgrounds are systematically excluded, despite the claims of cultural institutions and businesses. Updated to provide a report on the situation after COVID, this edition reveals that despite grand promises from those at the top, exclusion and precarity remain the norm.</p><p>While inequalities of workforce and audience remain unaddressed, the positive contribution culture makes to society can never be fully realised. This book offers a powerful call to transform cultural and creative industries.</p><p><b>'If you'd like something to wave in the face of naysayers who think the cream always rises to the top, this is it.'  Kit de Waal, author of </b><b><i>My Name is Leon</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Orian Brook</b> is a Chancellor's Fellow in Social Policy at the University of Edinburgh.</p><p><b>Dave O'Brien</b> is a Professor of Cultural and Creative Industries at the University of Sheffield.</p><p><b>Mark Taylor</b> is a Senior Lecturer in Quantitative Methods at the University of Sheffield.</p>]]></Text>
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			<Text textformat="02"><![CDATA[An eye-opening account of the British terror attacks you've never heard of--because the perpetrators were caught in time.]]></Text>
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			<Text textformat="02"><![CDATA[<p>An eye-opening account of the British terror attacks you've never heard of  because the perpetrators were caught in time.</p><p>Since 2017, the UK has seen fifteen terrible terrorist attacks. But the atrocities on our evening news are the tip of a vast iceberg. Security services are striving to contain a staggering 3,000 jihadists, far-right extremists and other potential threats. We are in a new age of terror, with self-radicalising, hard-to-categorise individuals planning violence  but each one caught by the British state tells us something about British society.</p><p>For every successful plot in the six years since Westminster Bridge, more than twice as many have been foiled. Some were thwarted by nerve-wracking undercover operations; others were narrowly averted by heroic citizens, or ruined by the absurd mistakes of would-be attackers. Invariably, the all-too-human stories of these failed terrorists reveal the true picture of UK extremism.</p><p>Through interviews with senior counter-terror figures and astonishing court testimony, <i>Plotters</i> unpacks how and why British terror attacks happen  and don't. From dating websites and prison cells to Telegram networks and Tesco knives, Lizzie Dearden's deep dive offers one disturbing certainty: the plotters will keep coming. To confront them, we need to understand them.</p><p><b>'A useful overview of the demographic and ideological composition of the current terrorist threat... This is, of course, a serious book, but it is also darkly funny.'  </b><b><i>The Guardian</i></b></p><p><b>'A disturbing, powerful account of the changing profile of the terrorist.'  </b><b><i>The Independent</i></b></p><p><b>'A meticulously researched and extremely readable deep dive into the motivations and methods of our growing population of thwarted violent extremists.'  </b><b><i>CapX</i></b></p><p><b>'A well-researched and compelling book.'  </b><b><i>Morning StarSince</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lizzie Dearden</b> is <i>The Independent</i>&amp;#x27;s&amp;#x27; Home Affairs Editor. She has been covering terror attacks, prosecutions and extremism of all kinds in the UK, in depth, since 2017. Lizzie is also a long-term observer of global terrorism trends; she previously reported on Isis-inspired attacks in Europe and elsewhere.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Astrology as a tool for inner transformation.</p><p>Just as caterpillars transform into butterflies, humans are born with an innate need to evolve. Each of us arrives on Earth with a unique astrological imprint  a cosmic map that guides our soul's journey through this lifetime.</p><p>In <i>Soul Growth Astrology: A Workbook for Realizing Your Heart's True Desires</i>, bestselling author and expert astrologer Molly McCord will teach you how an advanced understanding of your astrological chart can support your personal growth and transformation.</p><p>Featuring clear and concise language, real-life examples, and reflective exercises, this workbook is an invitation to embark on a voyage of self-discovery beyond your Sun sign and discover how understanding the energies of other signs in your chart can deepen your self-awareness and align you with your soul's true purpose.</p><p>With McCord's help, you can demystify the intricate layers of your astrological blueprint and uncover your deepest desires for this lifetime. Readers are invited to dive into this exploration with an open heart and a willingness to evolve.</p><p>Your soul growth journey awaits...</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>&amp;#x27;A tender, beautifully written essay collection that is about so much more than parenting a child with a disability.&amp;#x27;  Erin Pepler, author of</b><b><i> Send Me Into The Woods Alone</i></b></p><p>A raw and intimate<i> </i>portrait of family, love, life, relationships, and disability parenting through the eyes of a mother to a daughter with Down syndrome.</p><p>With the arrival of her daughter with Down syndrome, Adelle Purdham began unpacking a lifetime of her own ableism.</p><p>In a society where people with disabilities remain largely invisible, what does it mean to parent such a child? And simultaneously, what does it mean as a mother, a writer, and a woman to truly be seen?</p><p>The candid essays in <i>I Don't Do Disability and Other Lies I've Told Myself </i>glimmer with humanity and passion, and explore ideas of motherhood, disability, and worth. Purdham delves into grief, rage, injustice, privilege, female friendship, marriage, and desire in a voice that is loudly empathetic, unapologetic, and true. While examining the dichotomies inside of herself, she leads us to consider the flaws in society, showing us the beauty, resilience, chaos, and wild within us all.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Avian Oracle</i> takes you on a journey into the cultural history associated with birds as well as their function in religious practices, magic, and ritual. Forty-five birds serve as guides to help interpret and personalise the messages they bring and aid you in discovering how to work with their energy for spells, dream work, and ritual, as well as spiritual and personal growth. Great or small, every bird has its own particular wisdom and magic that can enrich your life.</p><p><i>The Avian Oracle</i> brings the reader into the world of birds  their uniqueness and the special affinity humans have with them. For thousands of years, birds have epitomised freedom and served as a symbol of the soul. Because they have been associated with some of the most powerful deities and sometimes represented the Divine, it is no surprise that they touch the soul and bring meaning to people's lives. The book provides background material for understanding the long, historical association humans have had with birds. Regarded as messengers of gods and goddesses, birds were believed to provide information about everyday matters through the ancient art of ornithomancy and many forms of divination. For everyone from Greek and Roman army generals and rulers to ordinary fishermen, birds served as guides that could help in many aspects of life. For the Druids, the Anglo-Saxons, Germanic tribes of Northern Europe, medieval Christian theologians, and Jewish mystics, birds were an integral part of beliefs and practices. Working with<i> The Avian Oracle</i> aids in uniting the personal with the mystical and magical, the mundane with the sacred.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Devin Elle Kurtz,</b> based inBurbank, California, USA.Devin Elle Kurtz is a digital illustrator, visual development artist, and background painter working in Photoshop CC. Her focus is magical scenes that combine fantasy elements with environments that feel visceral and real. She has worked in the animation industry as a background painter/designer and visual development artist since 2017. She was the lead background painter on "Disenchantment" at Rough Draft Studios from 2019-2021. She has illustrated for a number of publications including Dark Horse (<i>Beasts of the Four Nations</i>), HarperCollins (<i>Breda's Island, How to Heal a Gryphon</i>), and Simon and Schuster (<i>Escape from Atlantis</i> series). Other past clients include Netflix, Disney, and SyFy. She has a huge fanbase, with over 858K followers on Instagram.</p><p>Edited by<b> 3dtotal Publishing</b>, based in Worcester, UK. We publish high-quality art books dedicated to bringing invaluable training to beginners, hobbyists, and professionals alike. Our books feature top industry professionals from around the globe who share their experience in skilfully written step-by-step tutorials and guides. Illustrated throughout with stunning artwork, these best-selling publications offer creative insight, expert advice, and essential motivation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Whether you're interested in growing your own seeds for farm use, selling seed on contract, or scaling up for retail sales, The Seed Farmer is the essential resource you need to integrate organic seed production into your small-scale farm or market garden sustainably, profitably, and successfully.]]></Text>
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			<Text textformat="02"><![CDATA[<p>The comprehensive grower's guide to seed production</p><p>The Seed Farmer is required reading for any grower who cares about being part of a truly sustainable local food system.</p><p>Whether you're interested in growing your own seeds for on-farm use, or scaling up for retail or commercial sales, this comprehensive manual will help you ensure reliable access to quality seed stock adapted to your own climate and bioregion. Coverage includes:</p><ul><li>The journey to self-sufficiency  how to extricate yourself from the modern seed distribution industry and develop varieties adapted to your location and climate</li><li>When to worry about cross-pollination, crop timing, and poor seed genetics and when to ignore these issues on your small farm or market garden</li><li>Detailed profiles and practical, hands-on growing and harvesting techniques for dozens of vegetable and flower crops</li><li>The economics of seed production, and the business case for scaling up and selling seeds into local, retail, or wholesale channels</li><li>Farm planning, sowing schedules, projected crop yields, and other considerations</li></ul><p>With everything you need to help integrate seed production into your small-scale farm or market garden simply, profitably, and successfully, this unique and exciting guide proves that going to seed is easier than you think!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dan Brisebois </b>is a founding member of Tourne-Sol co-operative farm, which supplies weekly farm baskets for 500 families and operates a thriving retail and wholesale seed business. He earned a B.Sc in Agricultural Engineering from McGill University and has over two decades of experience as both a market farmer and a seed producer. Dan is a founding member of the Eastern Canadian Organic Seed Growers network, former board member of SeedChange, and past president of Canadian Organic Growers. As well as writing and teaching extensively, he mentors farmers in the art of effective planning, systems design, and time management at the Farmer Spreadsheet Academy, and hosts the popular Seed Growers podcast. Dan is co-author of the COG Practical Skills Handbook<i> Crop Planning for Organic Vegetable Growers</i>. He lives and farms in Les Cedres, Quebec.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Sourdough Culture presents the history and rudimentary science of sourdough bread baking from its discovery more than six thousand years ago to its still-recent displacement by the innovation of dough-mixing machines and fast-acting yeast.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Sourdough bread fuelled the labor that built the Egyptian pyramids. The Roman Empire distributed free sourdough loaves to its citizens to maintain political stability. More recently, amidst the Covid-19 pandemic, sourdough bread baking became a global phenomenon as people contended with being confined to their homes and sought distractions from their fear, uncertainty, and grief. In <i>Sourdough Culture</i>, environmental science professor Eric Pallant shows how throughout history, sourdough bread baking has always been about survival.</p><p><i>Sourdough Culture</i> presents the history and rudimentary science of sourdough bread baking from its discovery more than six thousand years ago to its still-recent displacement by the innovation of dough-mixing machines and fast-acting yeast. Pallant traces the tradition of sourdough across continents, from its origins in the Middle East's Fertile Crescent to Europe and then around the world. Pallant also explains how sourdough fed some of history's most significant figures, such as Plato, Pliny the Elder, Louis Pasteur, Marie Antoinette, Martin Luther, and Antonie van Leeuwenhoek, and introduces the lesser-known  but equally important  individuals who relied on sourdough bread for sustenance: ancient Roman bakers, medieval housewives, Gold Rush miners, and the many, many others who have produced daily sourdough bread in anonymity.</p><p>Each chapter of <i>Sourdough Culture</i> is accompanied by a selection from Pallant's own favourite recipes, which span millennia and traverse continents, and highlight an array of approaches, traditions, and methods to sourdough bread baking. <i>Sourdough Culture</i> is a rich, informative, engaging read, especially for bakers  whether skilled or just beginners. More importantly, it tells the important and dynamic story of the bread that has fed the world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>YouTube sensation Stuart Ashen is back with his second instalment of terrible old computer games you've probably never heard of.</p><p><i>Attack of the Flickering Skeletons</i> is even bigger than the original <i>Terrible Old Games You've Probably Never Heard Of</i>  this second excavation of gaming's buried past will not only unearth more appalling excuses for digital entertainment, but also feature guest contributors and several special interest chapters not based around single specific games.</p><p>These are NOT the games you've heard of a million times in YouTube videos. This is a compilation of truly obscure and dreadful games. Dripping with wry humour and featuring the best, worst graphics from the games themselves, this book encapsulates the atrocities produced in the days of tight budgets and low quality controls.</p><p>These are even more appalling games that leaked from the industry's tear ducts, taken down from the dusty shelves of history by the man who has somehow made a living by sticking rubbish on a sofa and talking about it.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Stuart Ashen</b> makes videos for YouTube and writes comedy scripts and sometimes acts in things. He lives in Norwich, in a house filled with all sorts of useless items that he tells himself he needs for work. He is obsessed with old video games and things that aren&amp;#x27;t quite good enough for their intended purpose. On his YouTube channel he reviews the best of the worst tat that the world has to offer, showing an equal amount of commitment and enthusiasm for both. He has produced over 440 YouTube videos over an eight-year period. In 2013 he raised $73,000 for the production of a feature film <i>Ashens and the Quest for the GameChild</i> starring Warwick Davis and Robert Llewellyn. The film has been watched over 500,000 times on YouTube and is also available on DVD and Blu-Ray.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Taking care of yourself doesn&amp;#x27;t just mean focusing on your body  it also means looking after your brain. <i>The MIND Diet</i>, 2nd Edition uses approachable and easy-to-understand language to explain the science behind how you can improve your brain health through nutrition and lifestyle habits. Written by best-selling author Maggie Moon, this fully updated edition offers brand-new content, including: </p><p>New healthy recipes inspired by cultures from around the world</p><ul><li>Meal-planning guides</li><li>Shopping lists</li><li>Food swaps and alternatives</li><li>Portion control strategies</li></ul><p>This second edition of the original classic is perfect for longtime MIND diet fans and for anyone looking to make a lifestyle change to keep their brain healthy!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Maggie Moon</b>, MS, RD, is a highly acclaimed nutritionist specialising in brain health. She is a Columbia University-educated, culinary-school trained, accredited registered dietitian with clinical training from top-ranked New York Presbyterian Hospital of Columbia and Cornell Universities. She has consulted with government agencies, national nonprofits, and global brands.</p><p>Moon is lead author of the Neurologic Disorders chapter in <i>Krause and Mahan's Food and the Nutrition Care Process</i>, a renowned resource in university nutrition programs worldwide. Additionally, she authored the Brain Health chapter in <i>The Culinary Medicine Textbook</i>, a comprehensive guide for community health initiatives. Her book, <i>The MIND Diet</i>, offers practical nutrition solutions to enhance cognitive resilience through food for optimal brain health.</p><p>As a globally sought-after nutrition expert, Moon has shared her expertise with millions through international conferences, TV interviews, and publications such as <i>Eating Well, Good HouseKeeping, Men's Health, Prevention, RealSimple, Well+Good, Women's Health</i>, and <i>Yahoo! </i>She is based in Los Angeles, where she enjoys hiking, cooking with her octogenarian mom, and creating content for @minddietmeals.</p>]]></Text>
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			<SubjectHeadingText>rilke; expression; bill jay; why people photograph; robert adams; david ulrich; war of art; philosophy and photography; philosophy and art; art essays; letters to a young poet; zen camera; minor white; art and fear; david duchemin; creativity; landscape photography; making art; nature photography; photography essays; roland barthes; photography and art; camera lucida; susan sontag; on photography</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>An inspiring, educational, and practical book about philosophy and art, and finding a personally meaningful life.</p><p>Teacher, philosopher, and author Guy Tal has written several best-selling books on photography, creativity, and expression. While it would be understandable to label Guy a &amp;#x27;photographer&amp;#x27;, it is more accurate to call him a philosopher and artist who has forged a creative life on his own terms: a life shaped by his love of nature, his interest in science and philosophy, his individualistic temperament, and his desire to create art that is expressive and significant in the ways most meaningful to him.</p><p>In <i>Be Extraordinary: Philosophical Advice for Photographic and Other Artists</i>, Guy shares his knowledge of philosophy and art, then offers advice on how to implement it into your own work. In the first part, &amp;#x27;Foundations&amp;#x27;, Guy lays out a conceptual framework for the book with short essays about philosophy and art. In the second part, &amp;#x27;Practical Advice&amp;#x27;, he offers a series of brief essays aiming to enable and empower you to apply the foundational philosophies to your own life and work. Together, the two parts demonstrate how Guy has carefully fashioned his own perspective on philosophy, art, and life, and offer you a set of tools for finding your own path.</p><p>This is not a how-to book of techniques and tips. The goal of the book is to make you think, to pose hard questions, to challenge you to question common beliefs and attitudes, to nudge you out of your comfort zone, and to help you find the courage to become who you  and only you  are. And in so doing, to create a life and art that is meaningful in the deepest ways that life and art can be meaningful, which is to say: meaningful to you.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>This winter, <i>Aperture</i> presents<i> Image Worlds to Come: Photography &amp; AI,</i> a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images. Moving beyond hype and hysteria, the essays, interviews, and artist portfolios in this issue provide a crucial resource for understanding the ways in which this fast-evolving technology is reshaping photography's relationship to creativity, authorship, and truth.</p><p>To weigh the risks and possibilities of this transformative change, <i>Aperture</i> has turned to some of the leading thinkers in the field. Artist Trevor Paglen and researcher Kate Crawford demystify the "intelligence" of AI and outline its threats to privacy, democracy, and the planet. Pioneering media theorist Fred Ritchin and journalist Brian Palmer unravel the implications of artificial intelligence on the photographer's role as a credible witness. Cultural critic Nora N. Khan explains why we need new criteria to interpret generative images. Rob Horning argues for a more complex understanding of photography's relationship to reality, exposing how the idea of a &amp;#x27;real photo&amp;#x27; has always been incoherent, while Peter J. Karol delves into the bizarre realm of AI copyright law, examining the unlikely precedents used to develop legal frameworks in the United States.</p><p>&amp;#x27;The field of photography continually shifts due to emergent technologies, and AI is a big one,&amp;#x27; says Michael Famighetti, <i>Aperture</i>'s editor in chief. &amp;#x27;It felt important for us to assemble some of the leading voices grappling with the questions, ideas, opportunities, risks, and problems posed by AI. These issues are significant, and they are here to stay. We hope this issue will be a useful reference and resource for our readers.&amp;#x27;</p><p><i>Image Worlds to Come</i> looks at the past as much as the future. Art historian Noam M. Elcott and technologist Tim Trombley train their own AI model on the Farm Security Administration's vast and storied archive, mimicking photographers like Dorothea Lange and Gordon Parks with revelatory precision. Artist Minne Atairu examines the racial biases of AI systems in beguiling portraits and imagined continuations of the contested Benin Bronzes, exposing how legacies of colonialism are perpetuated in the datasets of mainstream platforms like Midjourney. And photographer Charlie Engman contributes a portfolio of indelible &amp;#x27;cursed images&amp;#x27; inspired by a feeling of being &amp;#x27;nostalgic for the present&amp;#x27;.</p><p>The cover of <i>Aperture</i> issue 257 features a work by Trevor Paglen from his 2017 series<i> It Began as a Military Experiment</i>. The project, focusing on machine learning, consists of images taken of US military employees in the mid-1990s that the Department of Defense used to train early facial recognition software, technology that is now embedded in everyday life.</p><p>&amp;#x27;Photography is the paradigm of human-technology interfaces&amp;#x27;, Paglen tells art historian Sarah M. Miller in an extensive interview. &amp;#x27;People who think critically about photographs have a great deal to contribute, in terms of trying to conceive of and implement the kind of world that we want to live in, because the world is increasingly hard to distinguish from photography&amp;#x27;.</p><p><i>Image Worlds to Come</i> begins to map a transformative moment for the medium, as we enter an era that will require us to look harder and deeper at photographs than ever before.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The Essential Wedding Planner Book of Lists offers strategies and checklists for every aspect of organizing a wedding. Originally published in 2002 and repackaged in 2013, it is now updated with a fresh new design and inclusivity by wedding expert Amy Nebens.]]></Text>
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			<Text textformat="02"><![CDATA[Whether you want to heal from patriarchal trauma or connect with yourself in a new way, this is the empowering, feminist resource you need to reclaim your cycle, take control of your symptoms, and achieve a transformative mind-body connection.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Your period doesn&amp;#x27;t have to ruin your life. Sometimes our menstrual symptoms prevent us from showing up the way we want to, and there is not a lot of information about how to feel better. You may have had trouble finding resources that explain what&amp;#x27;s happening in your body and mind. You may have even been disbelieved or blamed.</p><p><i>Our Sacred Cycle</i> was created to help. Written by a therapist who specialises in premenstrual syndrome (PMS), premenstrual dysphoric disorder (PMDD), and other forms of hormonal dysregulation, this workbook offers accessible information and reflective exercises to help you understand the physiology of the menstrual cycle and how it affects you, harness your power, and live in harmony with your body.</p><p>Whether you want to heal from patriarchal trauma or connect with yourself in a new way, this is the empowering, feminist resource you need to reclaim your cycle, take control of your symptoms, and achieve a transformative mind-body connection. You can feel better!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mary McDonald</b> is a California registered therapist and licensed teacher, earning a master&amp;#x27;s degree in both fields. Mary studied counseling psychology at Pacifica Graduate Institute, which trains their therapists to attune to what influences people without their conscious awareness. She speaks about and specializes in treating people who struggle with women&amp;#x27;s issues including trauma, premenstrual syndrome (PMS), premenstrual dysphoric disorder (PMDD), and hormonal dysregulation. Using a feminist approach to psychotherapy, she has helped those who struggle with patriarchal oppression find their voice, strength, and inner wisdom. Through her own personal journey to work through PMDD, bulimia, and depression, she found that art, ritual, and depth therapy were necessary tools in empowering her to overcome the side effects of hormonal dysregulation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In the aftermath of Germany&amp;#x27;s defeat in World War I and the failed November Revolution of 191819, the conservative government of Bavaria identified Jews with left-wing radicalism. Munich became a hotbed of right-wing extremism, with synagogues under attack and Jews physically assaulted in the streets. It was here that Adolf Hitler established the Nazi movement and developed his antisemitic ideas. Michael Brenner provides a gripping account of how Bavaria&amp;#x27;s capital city became the testing ground for Nazism and the Final Solution.</p><p>In an electrifying narrative that takes readers from Hitler&amp;#x27;s return to Munich following the armistice to his calamitous Beer Hall Putsch in 1923, Brenner demonstrates why the city&amp;#x27;s transformation is crucial for understanding the Nazi era and the tragedy of the Holocaust. Brenner describes how Hitler and his followers terrorised Munich&amp;#x27;s Jews and were aided by politicians, judges, police, and ordinary residents. He shows how the city&amp;#x27;s Jews responded to the antisemitic backlash in many different ways  by declaring their loyalty to the state, by avoiding public life, or by abandoning the city altogether.</p><p>Drawing on a wealth of previously unknown documents, <i>In Hitler&amp;#x27;s Munich</i> reveals the untold story of how a once-cosmopolitan city became, in the words of Thomas Mann, &amp;#x27;the city of Hitler&amp;#x27;.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michael Brenner</b> is the Seymour and Lillian Abensohn Chair in Israel Studies and director of the Center for Israel Studies at American University and professor of Jewish history and culture at Ludwig Maximilian University in Munich. His many books include <i>In Search of Israel: The History of an Idea</i> and <i>A Short History of the Jews</i> (both Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Secret Formula</i> tells the story of two Renaissance mathematicians whose jealousies, intrigues, and contentious debates led to the discovery of a formula for the solution of the cubic equation. Niccolo Tartaglia was a talented and ambitious teacher who possessed a secret formula-the key to unlocking a seemingly unsolvable, two-thousand-year-old mathematical problem. He wrote it down in the form of a poem to prevent other mathematicians from stealing it. Gerolamo Cardano was a physician, gifted scholar, and notorious gambler who would not hesitate to use flattery and even trickery to learn Tartaglia&amp;#x27;s secret. </p><p>Set against the backdrop of sixteenth-century Italy, <i>The Secret Formula</i> provides new and compelling insights into the peculiarities of Renaissance mathematics while bringing a turbulent and culturally vibrant age to life. It was an era when mathematicians challenged each other in intellectual duels held outdoors before enthusiastic crowds. Success not only enhanced the winner&amp;#x27;s reputation, but could result in prize money and professional acclaim. After hearing of Tartaglia&amp;#x27;s spectacular victory in one such contest in Venice, Cardano invited him to Milan, determined to obtain his secret by whatever means necessary. Cardano&amp;#x27;s intrigues paid off. In 1545, he was the first to publish a general solution of the cubic equation. Tartaglia, eager to take his revenge by establishing his superiority as the most brilliant mathematician of the age, challenged Cardano to the ultimate mathematical duel. </p><p>A lively and compelling account of genius, betrayal, and all-too-human failings, <i>The Secret Formula</i> reveals the epic rivalry behind one of the fundamental ideas of modern algebra.</p>]]></Text>
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			<SubjectHeadingText>Marcel Duchamp; Robert Frost; John Masefield; A Season in Hell; Richard Aldington; Joseph Moncure March; Caresse Crosby; The Egoist (periodical); E. M. Forster; Tristan Tzara; Charles Reznikoff; Revolution; Floyd Dell; Demimonde; Conrad Aiken; Assonance; De Profundis (letter); Thus Spoke Zarathustra; Vorticism; Nian Rebellion; John Middleton Murry; F. L. Lucas; Gelett Burgess; Hugh Selwyn Mauberley; Charles Baudelaire; Hector Berlioz; Lytton Strachey; Existentialism; Imagism; Arthur Rimbaud; Essay; Pierre Leroux; The Birth of Tragedy; James Huneker; W. B. Yeats; Wyndham Lewis; Manifesto of Futurism; Blaise Cendrars; Rosicrucianism; Fredric Wertham; Malcolm Cowley; James Abbott McNeill Whistler; Louis MacNeice; Arthur Symons; Jeremiad; Darius Milhaud; D. H. Lawrence; Aldous Huxley; Randall Jarrell; John Crowe Ransom; Louis Untermeyer; Georg Wilhelm Friedrich Hegel; Symbolist Manifesto; Guillaume Apollinaire; Eustace Mullins; Arnaut Daniel; Poetry; W. H. Auden; T. E. Hulme; William Empson; John Peale Bishop; Venusberg (mythology); Ford Madox Ford; Karl Shapiro; Ezra Pound; Dada; Hart Crane; Arthur Cravan; Kurt Schwitters; Robert Bridges</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>When T. S. Eliot published <i>The Waste Land</i> in 1922, it put the thirty-four-year-old author on a path to worldwide fame and the Nobel Prize. &amp;#x27;But&amp;#x27;, as Jed Rasula writes, &amp;#x27;<i>The Waste Land</i> is not only a poem: it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem that unequivocally declared that the ancient art of poetry had become modern&amp;#x27;. In <i>What the Thunder Said</i>, Rasula tells the story of how <i>The Waste Land</i> changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music.</p><p>From its famous opening, &amp;#x27;April is the cruellest month, breeding / Lilacs out of the dead land&amp;#x27;, to its closing Sanskrit mantra, &amp;#x27;Shantih shantih shantih&amp;#x27;, <i>The Waste Land</i> combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound's injunction to &amp;#x27;make it new&amp;#x27;. <i>What the Thunder Said</i> traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. Along the way, we learn about Eliot's storied circle, including Wyndham Lewis, Virginia Woolf, and Bertrand Russell, and about poets like Mina Loy and Marianne Moore, whose innovations have proven as consequential as those of the &amp;#x27;men of 1914&amp;#x27;.</p><p>Filled with fresh insights and unfamiliar anecdotes, <i>What the Thunder Said</i> recovers the explosive force of the twentieth century's most influential poem.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jed Rasula</b> is the Helen S. Lanier Distinguished Professor at the University of Georgia. He is the author of nine scholarly books and three poetry collections and the coeditor of two anthologies. His recent books include <i>Destruction Was My Beatrice: Dada and the Unmaking of the Twentieth Century</i> and <i>History of a Shiver: The Sublime Impudence of Modernism</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Folklorist Ben Gazur guides you through the dark alleys of British history to uncover how our food habits have been passed down through generations of folklore.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>&amp;#x27;Endlessly informative and leaning hard into the British Isles' reputation for the off-beat, this is a delight.&amp;#x27;  Publisher&amp;#x27;s Weekly</b></p><p>Folklorist Ben Gazur guides you through the dark alleys of British history to uncover how our food habits have been passed down through generations of folklore.</p><p>Who was the first person to throw salt over their shoulder? Why do we think carrots can help us see in the dark? When did we start holding village fairs to honour gigantic apple pies? Or start hurling ourselves down hills in pursuit of a wheel of cheese? Gazur investigates the origins of famous food superstitions as well as much more bizarre and lesser-known tales too, from what day the devil urinates on blackberries to how to stop witches using eggshells as escape boats.</p><p>Hilarious and fascinating, <i>A Feast of Folklore</i> will introduce you to the gloriously eccentric folk who aren't often noticed by historians. Here lies a smorgasbord of their dark remedies and deadly delicacies, waiting to be discovered.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ben Gazur</b> has a PhD in Biochemistry but has given up the glitz and glamour of life in the laboratory for a career as a writer. He has written about everything from Mudlarking for <i>Mental Floss</i> to terrible TV for the <i>Guardian</i>. His work has also appeared in <i>All About History</i>, <i>i-D</i>, the BBC and <i>Fortean Times</i>. He runs the Twitter account @FolkloreThursday and he can often be found in the British Library searching for folklore among a pile of dusty books before whipping up a Whirlin Cake worthy of the Devil himself. He has written three books, <i>Epicurus and his Influence on History</i>, <i>Strangest Deaths in History</i> and <i>A Feast of Folklore</i>. He lives in London, UK.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jeanne Cooper</b> grew up listening to songs and stories of Hawaii from her mother, who lived in Oahu as a teen. She began writing about Hawaii and its diverse cultures for the<i>San Francisco Chronicle</i>and SFGate.com in 2002. Her travel stories have also been published in numerous U.S. and international newspapers, magazines, and websites. She lives on Hawaii Island with her triathlete husband, two mutts, and two cats and always enjoys learning about more about Hawaii's lovely islands with visiting family and friends.</p><p><b>Natalie Schack</b>is a writer and editor lucky enough to be born and raised on the island of Oahu. Her work has appeared in<i>HONOLULU Magazine, Curbed, Hawaii Business Magazine, Green Magazine, Hana Hou!, Flux Magazine,</i>and many more. When she&amp;#x27;s not penning articles about the many marvelous facets of Hawaii&amp;#x27;s unique culture, food, art, and business scene, you&amp;#x27;ll find her rambling through the Koolau Mountains, swimming Oahu&amp;#x27;s south shores, and enjoying Honolulu city life with her husband and young son.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Whether you want to surf in Manuel Antonio, zip-line through the Monteverde Cloud Forest, or hike around Arenal Volcano, the local Fodor&amp;#x27;s travel experts in Costa Rica are here to help! <i>Fodor&amp;#x27;s Essential Costa Rica </i>guidebook is packed with maps, carefully curated recommendations, and everything else you need to simplify your trip-planning process and make the most of your time. This new edition has been fully-redesigned with an easy-to-read layout, fresh information, and beautiful color photos. Fodor&amp;#x27;s &amp;#x27;Essential&amp;#x27; guides were named by Booklist as the Best Travel Guide Series of 2020!</p><p><i>Fodor&amp;#x27;s Essential Costa Rica</i> travel guide includes:</p><ul><li>An illustrated ultimate experiences guide to the top things to see and do</li><li>Multiple itineraries to effectively organise your days and maximise your time</li><li>More than 30 detailed maps and a free pull-out map to help you navigate confidently</li><li>Colour photos throughout to spark your wanderlust!</li><li>Honest recommendations from locals on the best sights, restaurants, hotels, nightlife, shopping, performing arts, activities, side-trips, and more</li><li>Photo-filled &amp;#x27;best of&amp;#x27; features on &amp;#x27;Best Beaches&amp;#x27;, &amp;#x27;Best Eco-Lodges&amp;#x27;, &amp;#x27;Best Outdoor Adventures&amp;#x27;, &amp;#x27;Best Surfing&amp;#x27;, and more</li><li>Trip-planning tools and practical tips including when to go, getting around, beating the crowds, and saving time and money</li><li>Historical and cultural insights providing rich context on the local people, politics, art, architecture, cuisine, music, geography and more</li><li>Special features on &amp;#x27;Ecotourism in Costa Rica&amp;#x27;, &amp;#x27;Weddings and Honeymoons in Costa Rica&amp;#x27;, &amp;#x27;What to Watch and Read Before You Visit&amp;#x27;, and &amp;#x27;What to Eat and Drink&amp;#x27;</li><li>Local writers to help you find the under-the-radar gems</li><li>Spanish-language primers with useful words and essential phrases</li><li>Up-to-date coverage on: San Jose, Arenal Volcano, La Fortuna, Cara National Park, Cano Negro National Wildlife Refuge, Manuel Antonio National Park, Monteverde Cloud Forests, Guanacaste, surfing, beaches, sloth sanctuaries, and more</li></ul><p>Planning on visiting Belize? Check out Fodor&amp;#x27;s Belize.</p><p>*Important note for digital editions: The digital edition of this guide does not contain all the images or text included in the physical edition.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>For over 80 years,<b> Fodor&amp;#x27;s Travel</b> has been a trusted resource offering expert travel advice for every stage of a traveller&amp;#x27;s trip. We hire local writers who know their destinations better than anyone else, allowing us to provide the best travel recommendations for all tastes and budgets in over 7,500 worldwide destinations. Our books make it possible for every trip to be a trip of a lifetime.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, National Trust (NSW) Heritage Awards 2024, Resources and Publications**</b></p><p><b>**Highly Commended, Art Writing and Publishing Awards 2024, Best Large Exhibition Catalogue**</b></p><p><b>The incredible painting collection of the State Library of New South Wales is documented for the first time.</b></p><p>The State Library of New South Wales holds an unrivalled collection of oil paintings. Unlike an art gallery where the focus is usually on aesthetic excellence, the rationale behind the Library's collecting is broad and often eclectic. It features works from artists such as Conrad Martens and John Glover, and others of variable quality, execution and skill, with a range of formats and diversity of subjects that tell us much about Australia.</p><p><i>Reading the Rooms</i> reveals this little-known  but rich and highly significant  collection. It delivers a fascinating and authoritative account of hundreds of paintings, and a compelling argument for their importance.</p><p><b>'A piquant sense of history's stones being lifted, letting the sun shine once more on lives and times long gone, is the thread that runs through this gorgeous book. Gifted researchers and writers have done all the work. We have only to luxuriate in the images, and wonder at the mysteries and surprises contained within their eloquently related backstories.'  Elizabeth Fortescue</b></p><p><b>'A wonderful companion to the rich, diverse and sometimes overlooked collections of the State Library, this book and its trove of faces, places and talents is testament to the vision of state librarians, past and present, their curators, their generous benefactors and generations of scholarship. In its beautifully illustrated pages and through new analyses of artworks both familiar and (often) unfamiliar, the complex, sometimes difficult and always intriguing history of New South Wales and its communities emerges in fresh and engaging ways.'  Mark Ledbury</b></p><p><b>&amp;#x27;This is a book to read in detail.&amp;#x27;  Susan Wyndham,</b> <b><i>The Sydney Morning Herald/The Age</i></b></p><p><b>&amp;#x27;This weighty tome is a marvellous exploration of the significant collection of oil paintings in the State Library of New South Wales  a rich and important national treasure that is insufficiently known until now.  The catalogue is extremely well-researched  with fifty contributors providing scholarly accounts of the works under the broad headings of People, Place, Power, Providers, Pastimes and Posterity.  As these themes make clear, the State Library has acquired these paintings not simply as works of art, but as historical documents in their own right that shed fresh light on New South Wales'  and our nation's  complex story.  The design is of very high quality with emphasis on visually engaging the reader through the beautifully illustrated text  both longer sectional essays and shorter commentaries on individual works of art. All in all, an impressive publication that is a great testament to the State Library's outstanding collection of paintings.&amp;#x27;  2024 AWAPAs judges</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Richard Neville</b>, a graduate of the University of Sydney, is the Mitchell Librarian and Director, Engagement at the State Library of New South Wales. With a research background in 19th-century Australian art and culture, he has curated numerous exhibitions and published widely on colonial art and society. He has also been extensively involved in the acquisition, arrangement, description and promotion of the Library's renowned Australian research collections. He is the author of <i>Mr JW Lewin: Painter and Naturalist</i> (2012).</p><p><b>Rachel Franks</b> is the coordinator of scholarship at the State Library of New South Wales. She holds PhDs in Australian crime fiction (Central Queensland University) and in true crime texts (University of Sydney). A qualified educator and librarian, her extensive work on crime fiction, true crime, popular culture and information science has been presented at numerous conferences, as well as on radio and television. An award-winning writer, her research can be found in a wide variety of books, journals, magazines and online resources. She is the author of <i>An Uncommon Hangman: The Life and Deaths of Robert 'Nosey Bob' Howard</i> (2022).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>There have been dozens of books about the Russian President since he launched his illegal invasion of Ukraine in February 2022. Some have examined the historical aspects of the conflict, others have analysed its military and geopolitical importance. However, none so far have looked purely at the legal consequences of that disastrous action.</p><p>This remarkable survey by one of our most celebrated human rights lawyers examines how the war in effect destroys the purpose of the UN by exposing the fatal flaw in its 1945 Charter which entrusts the duty to five permanent members with a veto on any Security Council action. Russia may not even be expelled for breaching the Charter from the General Assembly without a Security Council recommendation, which Russia itself can veto!</p><p>It looks at the difficulties of bringing Putin to trial, and why the popular campaign for a court to try him in absentia would not work; gives an explanation of the ICC charges he already faces, and surmises that any future peace agreement would include an amnesty for Putin (though, that amnesty would not be valid in international law).</p><p>Putin is plainly guilty of the crime of aggression. But, asks Robertson, does the Bush doctrine of 'Pre-emptive self-defence', developed to justify his invasion of Iraq, provide Putin with an opt-out; and could the 'Tu Quoque' defence ('I did it, but you did it first') be raised at Putin's trial, as it was for Admiral Doenitz at Nuremberg?</p><p>This brilliant deep-dive into international law offers a unique perspective onto an unjust war that has cost the lives of hundreds of thousands of people and threatens to overturn the accepted world order, through the lens of its key protagonist.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>GEOFFREY ROBERTSON QC</b> has had a distinguished career as a trial and appellate counsel in Britain and in international courts, and as a UN appeal judge, the first president of its war crimes court in Sierra Leone. He is founder and joint head of Doughty Street Chambers, Europe's largest human rights practice, a master of the Middle Temple and a former trustee of the Institute of Contemporary Arts. His book <i>Crimes Against Humanity: The Struggle for Global Justice</i> has been an inspiration for the global justice movement, and in 2011 he received the New York Bar Association's Award for Distinction in International Law and Affairs. In 2018, he was awarded the Order of Australia for services to human rights. His autobiography, <i>Rather His Own Man: In Court with Tyrants, Tarts and Troublemakers</i>, was published by Biteback (UK) and Penguin Random House (Australia) in 2018.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A celebrity decorator with blue hair. A single mother who advised JFK in the Oval Office. A Christian nudist with a passion for almond milk.</b></p><p>A century ago, ten Australian women did something remarkable. Throwing convention to the wind, they headed across the Pacific to make their fortune. In doing so, they reoriented Australia towards the United States years before politicians began to lumber down the same path.</p><p>For the artist Mary Cecil Allen, this meant spreading the word about American abstract expressionism. For the naturopath Alice Caporn, it meant evangelising fruit juices and salads. For the swimmer Isabel Letham, it was teaching synchronised swimming. Others imported the latest thinking in dentistry, fashion, design, economics, law, music, medicine and more. They were rebels, they were trailblazers, they were disruptors. Individually, they have extraordinary stories; together, they change the narrative of Australian history.</p><p><b>'Thoughtful and curious, critical and kind, Yves Rees's study of these globetrotting Australian women richly renders their lives and times, as well as contemplating how we reach across time to read them today.'  Anna Clark, Australian Research Council Future Fellow, University of Technology Sydney</b></p><p><b>'Fresh, captivating, and full of fantastic women. Yves has somehow managed to assemble the greatest fantasy dinner party you never knew you needed, whilst also uncovering a fascinating and untold side of our history. A real treat.'  Zoe Coombs Marr, comedian, performer and actor</b></p><p><b>'Yves Rees has the remarkable ability to bring history into the present, reminding us all that the only thing that really separates the generations is a linear notion of time.</b> <b><i>Travelling to Tomorrow</i></b> <b>gives voice to the women at the forefront of Australia's own "American Revolution". What I love most about Yves is how they bring an unwavering commitment to human rights in their exploration of history, the language of equality ever-present in their handling of the past. In Rees, we have found a historian of rare skill  they possess the ability to tell us something we didn't know about something we thought we did.'  Clementine Ford, feminist writer, columnist and broadcaster</b></p><p><b>'This book is a knockout. Yves Rees is that rare historian who thinks like a scholar and writes like a dream  the literary equivalent to floating like a butterflying and stinging like a bee. You will want to meet these fearless and feisty women: women not only before their time in forging new geocultural paths to independence but also making their times by putting flesh to the bones of modernity. Rees gives us their stories in full-bodied, hot-blooded fashion. A sheer delight.'  Professor Clare Wright OAM, Professor of History, La Trobe University</b></p><p><b>'</b><b><i>Travelling to Tomorrow</i></b><b> is a rollicking, bouncing read.'  Rachelle Unreich,</b> <b><i>SMH/The Age</i></b> <b>(Book of the Week)</b></p><p><b>'Accessible, entertaining...Rees has a storyteller's knack for engaging the reader.'  Kirsten Tranter,</b> <b><i>Australian Book Review</i></b></p><p><b>'a cracking, never-before-told tale.'  Nicole Abadee, Spectrum</b></p><p><b>'Rees&amp;#x27; narrative voice is chatty, empathetic, [and] wise. The reader feels like a charming guide is leading a tour of interwar America. All of this makes the book an engrossing read.'  </b><b><i>Inside Story</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The Whitlam government transformed Australia. And yet the scope and scale of the reforms for Australian women are often overlooked.</p><p>The Whitlam government of 197275 appointed a women's advisor to national government - a world first - and reopened the equal pay case. It extended the minimum wage for women, introduced the single mother's benefit and paid maternity leave in the public service, ensured cheap and accessible contraception, funded women's refuges and women's health centres, introduced accessible, no-fault divorce and the Family Court, and much more.</p><p><i>Women and Whitlam</i> brings together three generations - including Elizabeth Evatt, Eva Cox, Patricia Amphlett, Elizabeth Reid, Tanya Plibersek, Heidi Norman, Blair Williams and Ranuka Tandan - to revisit the Whitlam revolution and to build on it for the future.</p><p></p><p><b>&amp;#x27;Political history at its best.' - Jenny Hocking</b></p><p><b>&amp;#x27;... a reminder that politics can be radical, feminist and one that we can be proud of.' - Yasmin Poole</b></p><p><b>'Invaluable ... a clarion call to younger generations.' - Virginia Haussegger</b></p><p><b>'This very readable volume documents a pivotal, revolutionary period in our history.' - Steven Carroll,</b> <b><i>Sydney Morning Herald/The Age</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Sexual harassment, domestic violence and date rape had not been named, although they certainly existed, when<i>Damned Whores and God's Police</i>was first published in 1975. That was before the Sex Discrimination Act of 1984 and before large numbers of women became visible in employment, in politics and elsewhere across society. It's hard to imagine an Australia where these abuses were not yet fully understood as obstacles to women's equality, yet that was Australia in 1975.</p><p>It was in this climate that Anne Summers identified 'damned whores' and 'God's police', the stereotypes that characterised all women as being either virtuous mothers whose function was to civilise society or bad girls who refused, or were unable, to conform to that norm and who were thus spurned and rejected by mainstream Australia.</p><p>These stereotypes persist to this day, argues Anne Summers in this updated version of her classic book which, in the 40 years since it was first published, has sold well over 100,000 copies and been set on countless school and university syllabuses. Who are today's damned whores? And why do women themselves still want to be God's Police? And although sexual harassment, domestic violence and date rape are well understood today they are nevertheless still with us and seem to be increasing. The fight is far from over.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Australian Business Book Awards 2025, Leadership Category**</b></p><p>Despite the surge of women into university, jobs and sitting in federal parliament, why are men still overwhelmingly running the show?</p><p>Fewer women are running governments, and the small proportion who make it as CEO has barely budged. The major culprit is right under our noses. Entrenched gender bias about who should be the boss means leadership is mainly seen as a masculine endeavour. And no matter how well qualified and experienced, women continue to be underestimated and face an obstacle course of sexism to get to the decision-making table.</p><p>In <i>Breaking the Boss Bias</i>, Catherine Fox sounds the alarm. She argues that toxic sexism woven through processes, beliefs, management, education and leadership norms is keeping privileged men in power, making decisions for us all. It's time for a new way to lead and to unlock the talent being wasted from boss bias.</p><p><b>'Forensically researched, tightly argued, suffused with Fox's trademark wit,</b> <b><i>Breaking the Boss Bias</i></b><b> presents a compelling case for more women leaders and asks the question  why are they still so rare?'  Jane Caro</b></p><p><b>'What a wake-up call! We are moving backwards on gender, and the stats for women who come from diverse backgrounds are staggering. This is compulsory reading for all leaders.'  Shirley Chowdhary</b></p><p><b>'No matter what they do or how high they fly, most women know what it feels like to be ignored or left out of decision-making. Instead of being fobbed off with excuses, this important and practical book outlines why it happens and what we can all do about it.'  Melissa Doyle AM</b></p><p><b>'This book isn't just about women but about building a better future for everyone. A powerful and important book for our times and must-read for all leaders.'  Kirstin Ferguson AM</b></p><p><b>'This meticulously researched case for change is exactly what we need to move us from incrementally playing around the edges to sustainable, systemic progress towards gender equality in leadership.'  Michelle Ryan</b></p><p><b>'Catherine cuts through the crippling stereotypes, exposes backlash and bias, delivers disruption and serves up seven steps for real change. She has proven to be Australia's corporate gender equality whisperer.'  Natasha Stott Despoja AO</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Walkley Awardwinning journalist <b>Catherine Fox</b> spent two decades at the <i>Financial Review</i>, writing the popular Corporate Woman column, and has consulted to many of Australia's largest organisations, including the ADF. She is the author of <i>Better than Sex</i> (with Helen Trinca), <i>Women Kind</i> (with Kirstin Ferguson), <i>The F Word</i> (with Jane Caro),<i> 7 Myths about Women and Work</i> and <i>Stop Fixing Women</i>. In 2022 she was made a member of the Order of Australia for services to journalism and gender equity.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>If my hatred of my belly was a person, she would be old enough to have completed a lengthy education and given me grandchildren.</i></p><p>An unflinching and feminist portrait of one woman's obsession with her belly and the cultural and social norms that feed that obsession  for readers of Nora Ephron's classic memoir <i>I Feel Bad About My Neck</i>.</p><p>Hilde stby is an acclaimed cultural critic and successful writer living in Norway. At the start of <i>My Belly</i>, she is on tour in London, promoting her latest book about the culture and science of memory. As she poses for a photograph for the <i>London Times</i>, she silently worries about how her belly will look on the front page of the Arts section. Later, she realises how ridiculous this is: she's being celebrated for an intellectual achievement, and yet all she can focus on is her belly.</p><p>How did a girl from an academic home, where intellect came before looks, find herself in this position? As Hilde approaches her 45th birthday, she calculates that she's spent 30 years obsessing over her belly. If she had spent that time writing books instead, she would have written the equivalent of Knaussgard's <i>My Struggle</i>. All six volumes.</p><p>How can we stop obsessing over our bodies and claim back our time? We can start by understanding who and what led us to this place. In <i>My Belly</i>, Hilde explores the original reason she began hating her body: at fifteen, she was sexually abused. She also examines patriarchal attitudes towards women's bodies, and delves into diets, revealing that by the time most women reach her age, they have tried 61 diets.</p><p>Drawing on philosophy, neurology, sociology, literature, and popular culture, as well as her own dark truths, Hilde offers an honest look at an obsession that seems to have plagued women for centuries. Readers will come away with laughter, anger, tears, and a new perspective on their own unique struggles.</p><p><b>&amp;#x27;Hilde stby says she&amp;#x27;s never entered a room without thinking about her belly. She can&amp;#x27;t stand it...So [she] decided to really examine why she spent most of her adult life hating how she looked.&amp;#x27;  NPR Weekend Edition</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Hilde stby</b> is the author of the international nonfiction bestseller, <i>Adventures in Memory</i>, with her sister Ylva, and, most recently, <i>The Key to Creativity</i>. Her books have been translated into twenty different languages. She lives in Oslo, Norway.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This provocative, deeply personal book explores how women experience mental health care differently than men  and lays out how the system must change for women to flourish.]]></Text>
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			<Text textformat="02"><![CDATA[<p>This provocative, deeply personal book explores how women experience mental health care differently than men  and lays out how the system must change for women to flourish.</p><p>Why are so many women feeling anxious, stressed out, and depressed, and why are they not getting the help they need? Over the past decade, mood disorders have skyrocketed among women, who are twice as likely to be diagnosed as men. Yet in a healthcare system steeped in gender bias, women's complaints are often dismissed, their normal emotions are pathologized, and treatments routinely fail to address the root causes of their distress. Women living at the crossroads of racial, economic, and other identities face additional barriers. How can we pinpoint what's wrong with women's mental health, and what needs to change?</p><p>In <i>All in Her Head</i>, science writer Misty Pratt embarks on a crucial investigation, painting a picture of a system that is failing women on multiple levels. Pratt, who shares her own history of mental illness, explores the stereotypes that have shaped how we understand and treat women's distress, from the Ancient Greek concept of 'hysteria' to today's self-help solutions. Weaving together science and women's personal stories, <i>All in Her Head</i> debunks mental health myths and challenges misconceptions, addressing the following questions:</p><ul><li>When did normal emotions become symptoms of a disorder?</li><li>What are specific risk factors for common mental disorders that disproportionately affect women?</li><li>How did 'burnout' become a women's disease?</li><li>What can we do to make peace with our moods and embrace the gifts of our emotions?</li></ul><p>Pratt also tackles the thorny topic of medication, taking a nuanced and evidence-based approach. Women who present at their doctor's office with depression, anxiety, or stress are often prescribed antidepressants as a first-line treatment: at least one in four American women are now taking these medications. Antidepressants have a real effect that can be helpful for some individuals; however, Pratt persuasively argues that our current approach ignores the underlying causes of most women's depressive symptoms.</p><p>Today, a rising movement of women is demanding better when it comes to mental health treatment. Armed with the latest science, insight from those who have been through the therapeutic system, and enough humour to lighten the load, <i>All in Her Head</i> provides women with hope and courage to reframe and reclaim their mental health.</p>]]></Text>
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			<SubjectHeadingText>bohemianism; 20th century; 1984; political engagement; sexual freedom; English novelist; social injustice; democratic socialism; Big Brother; Thought Police; mind control; Anna Funder Wifedom; George Orwell's first wife; Eileen O'Shaughnessy biography; Eric Blair; wartime; Ministry of Food in London</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Zelda, Nora, Vera, and now Eileen  this is the story of George Orwell's first wife, a woman who shaped, supported and even saved the life of one of twentieth century's greatest writers.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Zelda, Nora, Vera, and now Eileen  this is the story of George Orwell's first wife, a woman who shaped, supported and even saved the life of one of twentieth century's greatest writers.</b></p><p>This is the never-before-told story of George Orwell's first wife, Eileen, a woman who shaped, supported, and even saved the life of one of the twentieth century's greatest writers.</p><p>In 1934, Eileen O'Shaughnessy's futuristic poem, 'End of the Century, 1984', was published. The next year, she would meet George Orwell, then known as Eric Blair, at a party. 'Now that is the kind of girl I would like to marry!' he remarked that night. Years later, Orwell would name his greatest work, <i>Nineteen Eighty-Four</i>, in homage to the memory of Eileen, the woman who shaped his life and his art in ways that have never been acknowledged by history, until now.</p><p>From the time they spent in a tiny village tending goats and chickens, through the Spanish Civil War, to the couple's narrow escape from the destruction of their London flat during a German bombing raid, and their adoption of a baby boy, <i>Eileen</i> is the first account of the Blairs' nine-year marriage. It is also a vivid picture of bohemianism, political engagement, and sexual freedom in the 1930s and '40s.</p><p>Through impressive depth of research, illustrated throughout with photos and images from the time, this captivating and inspiring biography offers a completely new perspective on Orwell himself, and most importantly tells the life story of an exceptional woman who has been unjustly overlooked.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'Women have won their political independence. Now is the time for them to achieve their economic freedom too.'</i></p><p>This was the great rallying cry of the pioneers who, in 1919, created the Women's Engineering Society. Spearheaded by Katharine and Rachel Parsons, a powerful mother and daughter duo, and Caroline Haslett, whose mission was to liberate women from domestic drudgery, it was the world's first professional organisation dedicated to the campaign for women's rights.</p><p><i>Magnificent Women and their Revolutionary Machines</i> tells the stories of the women at the heart of this group - from their success in fanning the flames of a social revolution to their significant achievements in engineering and technology. It centres on the parallel but contrasting lives of the two main protagonists, Rachel Parsons and Caroline Haslett - one born to privilege and riches whose life ended in dramatic tragedy; the other who rose from humble roots to become the leading professional woman of her age and mistress of the thrilling new power of the twentieth century: electricity.</p><p>In this fascinating book, acclaimed biographer Henrietta Heald also illuminates the era in which the society was founded. From the moment when women in Britain were allowed to vote for the first time, and to stand for Parliament, she charts the changing attitudes to women's rights both in society and in the workplace.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The 2022 recipient of the Patrick White Literary Award, the late Antigone Kefala was one of the first writers to open Australian fiction to a diversity of voices. She is known for her nuanced and evocative prose style, which portrays the full gamut of the immigrant experience, the fleeing from war, the resettlement in foreign countries, the difficult negotiation of personal relationships, the hauntings of memory and dream. This collection brings together Kefala's three early novellas <i>The First Journey, The Boarding House</i> and <i>The Island</i>, which have long been out of print, and her three later novellas, published together as<i> Summer Visit</i> by Giramondo in 2022. It also includes her childhood fable <i>Alexia: A Tale of Two Cultures</i> and ten short stories, previously only published in literary magazines, dating back to the beginnings of her career at the end of the 1950s.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In addition to her works of fiction,<b> Antigone Kefala</b> published five poetry collections, <i>The Alien</i>, <i>Thirsty Weather</i>, <i>European Notebook</i>, <i>Absence: New and Selected Poems</i> and <i>Fragments</i>, which won the 2017 Judith Wright Calanthe Award and was shortlisted for the Prime Minister's Award for Poetry. She is also renowned as a writer of journals  these were published by Giramondo in two collections, <i>Sydney Journals</i> (2008), and her last book, <i>Late Journals</i> (2022). In November 2022 she received the Patrick White Literary Award, in recognition of her contribution to Australian literature. She died in December 2022, at the age of 91.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Poetry</i> brings together all the published poems of the late Antigone Kefala, one of the most distinctive voices in contemporary Australian literature. Her mixed background  in Romania, Greece, New Zealand and Australia  gave her lyric poetry a unique richness and grace. Her writing was informed by literary traditions that allowed her to achieve powerful effects by apparently simple means. Her poems are carefully worked, minimal yet resonant, evocative in their use of implication and understatement, startling in their imagery. They confront loss and grief and displacement, particularly as the consequences of war and migration. They excoriate pretension. They also express delight in the present moment, in newly discovered forms of experience and nature.</p><p><i>Poetry</i> includes all the poems in Kefala's six previous poetry books, published over fifty years, from <i>The Alien </i>(1973) and <i>Thirsty Weather </i>(1978), to <i>European Notebook</i> (1988), <i>Absence: New and Selected Poems</i> (1992, 1998), <i>Fragments</i> (Giramondo, 2016) and <i>Journeys</i> (2019). <i>Fragments</i> won the prestigious Judith Wright Calanthe Award and was shortlisted for the Prime Minister's Award for Poetry. But most of her poetry has been out of print for many years.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Antigone Kefala </b>was also a distinguished writer of prose. She published six novellas, gathered in <i>The First Journey</i>,<i> The Island</i> and<i> Summer Visit</i>, a childhood fable <i>Alexia: A Tale of Two Cultures</i>, and two collections of journals, a form in which she excelled, <i>Sydney Journals</i> (2008), and her last book, <i>Late Journals </i>(2022). In November 2022 she received the Patrick White Literary Award, in recognition of her contribution to Australian literature. She died in December 2022, at the age of 91 </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Exceptional short stories featuring young millennial women, blending dark fantasy and quasi-horror with humour and intellectual dash</p><p>Announcing the arrival of a major talent, <i>I HOPE YOU'RE HAPPY</i> is more a warning than a wish.</p><p>Photos of women eating go viral, a cookie communicates a threat, and women working dead-end jobs become entangled in the performances around them. Everyday experiences of friendship, family, dating and desire catapult the reader into a creepy vortex of horror. Characters reveal themselves in slippery glimpses, through positive affirmations, social media accounts and secret appetites.</p><p>With this collection of haunting and haunted stories, Marni Appleton immerses us in a world of fleeting encounters, empty couplings, break ups, bust ups, threesomes and ghosts, giving us a kaleidoscopic overview of twenty-first century life.</p><p><b>'These beautifully written, female-focused stories stayed with me long past closing the cover. Sensual, alive and haunting. Dark wisps of womanhood.'  Lucy Prebble, Executive Producer and writer on the Bafta, Golden Globe and Emmy award-winning HBO drama</b> <b><i>Succession</i></b></p><p><b>'This collection of wry and incisive stories explores navigating the sticky, glorious and more-often-than-not absolutely horrific terrain of late girlhood and early womanhood.' Ayesha Manazir Siddiqi, author of</b> <b><i>The Centre</i></b></p><p><b>'Truthful, dark, and walking the line between delicious and disturbing,</b> <b><i>I HOPE YOU'RE HAPPY</i></b> <b>is a rich and haunting read. Savour or gorge, this is a very special collection of deceptively cutting stories.' </b><b><i></i></b><b>Lottie Hazell, author of</b> <b><i>Piglet</i></b></p><p><b>'Smart, surprising, and witty, these stories are a joy to read.'  Naomi Booth, author of</b> <b><i>Animals at Night</i></b></p><p><b>'These tense stories of the zeitgeist show how the conditions of late capitalism promise women freedom while keeping them trapped in their economic and social circumstances. Clever, convincing and wry, they bowled me over. Like Mary Gaitskill and Miranda July before her, Marni Appleton writes about how it is to live now.'  Julia Bell, author of</b> <b><i>Hymnal</i></b><b>and</b> <b><i>Radical Attention</i></b></p><p><b>'Marni Appleton writes with insight, honesty and inventiveness into the raw, brutal spaces of girlhood and early womanhood. A powerful, political collection that maps intimately the minds and bodies of its characters, these stories stayed with me long after I'd finished.'  Fran Littlewood, author of</b> <b><i>Amazing Grace Adams</i></b></p><p><b>'Such a wonderful collection, the writing so sharp, witty, dark, carefully observed and full of the realities of present day life.'  Gerard Woodward, author of</b><b><i>Legoland</i></b><b>and</b><b><i>I'll Go to Bed at Noon</i></b></p><p><b>'Raw, fluid, intimate and believable.'  Mariel Franklin, author of</b> <b><i>Bonding</i></b></p><p><b>'Deliciously dark, incisive and original, Marni Appleton has clearly mastered the short story, but more than that, she has mastered the art of winding her readers in ribbons of mess and mundanity that make up both fantastical and real life in a truly compelling collection.'  Ore Agbaje-Williams, author of</b> <b><i>The Three of Us</i></b></p><p><b>'Glittering behind every fixed-on smile in this collection is a crystallised seam of horror. An illegally acquired cocktail of weirdness, body laughs, love and spite. I could not have liked it more.'  Ben Pester, author of</b> <b><i>Am I in the Right Place?</i></b></p><p><b>'Tender, skewed and affecting stories told with a keen eye for the absurd and unsettling nature of being alive. A bewitching and twisted kaleidoscope of stories.'  Isy Suttie, award-winning comedian and writer</b></p><p><b>'Appleton knows all the ways that women are seen, surveilled, and regarded. These excellent stories stare right back, and they brim over with insight and sharp intelligence.' </b><b><i></i></b><b>Manuel Muoz, author of</b><b><i>The Consequences</i></b></p><p><b>'Marni Appleton's debut collection of short stories is like a shot fired across the bow of contemporary feminism. Prophetic and profound at once, her stories are oblique glimpses of girls' and womens' lives in the age of Instagram, anxiety and heightened scrutiny of women  and especially of their bodies. Fresh, surprising and invigorating, Appleton's stories resonate long after finishing them with a restless energy and a humane heart.' </b><b><i></i></b><b>Jean McNeil, author of</b><b><i>Day for Night: A Novel</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Marni Appleton</b> is a writer living in London. She holds a PhD in creative-critical writing from the University of East Anglia.</p><p>Her writing has been published in literary and academic journals including <i>Banshee, The Tangerine, Contemporary Women's Writing</i> and<i> Comparative American Studies.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Every Halloween, Satan&amp;#x27;s Affair will come to you.</p><p>We travel the country, offering terrifying haunted houses, thrilling rides and the tastiest food. And with every passing town, I cleanse this world, one execution at a time.</p><p>I hide within the walls, casting my judgement for those that reek of evil, singing lullabies to their rotting souls.</p><p>Once you&amp;#x27;ve been chosen, there&amp;#x27;s no escaping my henchmen  they cater to my every desire.</p><p>You can run and you can hide, but it only excites me.</p><p>Come.</p><p>Take a walk through my dollhouse, where your screams will blend and your cute little pleas will go unanswered.</p><p>But I can&amp;#x27;t promise it&amp;#x27;ll be over quickly...</p><p>Recommended Reading Order for the <i>C&amp;M</i> Universe:<br/><i>Satan&amp;#x27;s Affair</i><br/><i>Haunting Adeline</i><br/><i>Hunting Adeline</i><br/><i>Where&amp;#x27;s Molly</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>&amp;#x27;Formally consecutive but radically paratactical, these lines are never let loose portentously to dilate. While Wakeling's poems may aim to nullify Larkin and bog men, archaeologies of cultural inheritance, neither do the poems' Japanese intertexts serve any smug distortion from empty mind to Western mindfulness, a 'porcelain pseudo-history' glazed with ego delusory in vaunted self-denial.</b></p><p><b>That's what these poems offer  old lyric technology turning against its partiality to lull, to wrap up, the poems are fast as ice. I go outside and at the top of the street, it is bitterly cold and at the bottom sweltering, humid. Here is the street, here is the weather at every extreme. Transit becomes transit.&amp;#x27;  John Wilkinson</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Corey Wakeling</b> is a writer, scholar, and translator living in Tokyo. He was born in Lancashire, England, and grew up in Perth, Western Australia. Publishing in Perth magazines in his teens, he committed to writing poems when he moved to Melbourne in early 2009. He took up a lectureship in English literature at Kobe College in 2015 and has lived in Japan since then.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>After being violently warned off a story, investigative journalist Adam Osprey has pretty much resigned himself to the easy life of lifestyle journalism, eating and drinking for a living. But his old instincts are triggered when a mysterious message on his computer interrupts his research for an article on Sydney's best restaurant toilets.  </p><p>Justine has returned to Sydney after a stint working in Africa as an aid worker. Many of her friends are beginning to get married and have babies.  She is getting itchy feet when a chance meeting with an old lover in a pub leads to a dangerous, somewhat repulsive mission.   </p><p>Roger Houston, Minister for Development in the Sporty Party, is one of the old school, whose career in politics has followed a buffet logic of hedonism and self-enrichment. But just when it looks as if he has succeeded in becoming the master puppeteer, the disappearance of Alexander Parker MP sets in train a surprising series of events. </p><p><i>The Guts</i> is a sharp literary thriller about Sydney's power, politics and lifestyle obsessions as the internet began to change everything. </p>]]></Text>
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			<Text textformat="02"><![CDATA[Kangaroo Unbound is a collection of 50 poems that take their titles and inspiration from legendary Australian artist Garry's Shead's iconic 'D.H. Lawrence' series of paintings, which he produced in the early 90s in response to Lawrence's 1923 novel Kangaroo.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Kangaroo Unbound</i> is a collection of 50 poems that take their titles and inspiration from legendary Australian artist Garry's Shead's iconic 'D.H. Lawrence' series of paintings, which he produced in the early 90s in response to Lawrence's 1923 novel <i>Kangaroo</i>. Like the paintings, the poems range from the heavily influenced (those that lean into the source text with strong ekphrastic fidelity) to those that offer more abstracted and personal renderings. Traversing a range of forms from free verse to concrete, villanelle and sonnet, the poems draw from a host of readily identifiable national motifs in their effort toward a contemporary Australian mythology grounded in 'Benevolence, Humour and Divine Mystery'.   </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In <i>Schoolgirl</i>, a wealthy housewife, dogged by ennui, struggles to connect with her teenage daughter, who turns to YouTube to vent her frustration with the climate crisis and muse about her day-to-day life in Tky. Through the fog of generational tension and unresolved ethics, mother and daughter find a shared connection in Osamu Dazai's 1939 novella <i>Schoolgirl</i>.</p><p>In <i>Bad Music</i>, a music teacher named Sonata, the daughter of a famous composer, contemplates the path she has taken. Through correspondence with her roommate Sae, a painter, she discovers art's capacity to exceed the boundaries of acceptable behaviour  or perhaps, to stay within them. As she plots something perverse enough to risk her job, Sonata considers how truth is lost  or found  through performance.</p><p>Darkly funny and stunningly mysterious, these two novellas pinpoint the effects of technology, conflicting desires, and the shifts and rifts in relationships. Rie Qudan, winner of one of Japan's most prestigious literary awards, the Akutagawa Prize, explores the affectation and compromise required of us all, providing a disquieting view of the many faces of modern life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Set against the enchanting background of post war Vienna, with its beautiful palaces and gardens, its disenchanted residents and scars of war, E. C. R. Lorac constructs a characteristic detective story, sure to puzzle and excite.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>After all, under its gaiety and brilliance Vienna has always been a centre of intrigue. </i></p><p>The distinguished industrialist, the fair girl and the aggressive young man  although Superintendent McDonald tried to avoid studying his fellow-passengers, he simply couldn't help it. For him, it was difficult to adjust to being on holiday. He turned away deliberately. These people weren't his problem, he was on holiday  or so he thought.</p><p>Set against the enchanting background of post war Vienna, with its beautiful palaces and gardens, its disenchanted residents and scars of war, E. C. R. Lorac constructs a characteristic detective story, sure to puzzle and excite.</p><p>This exceedingly rare mystery, first published in 1956, makes its triumphant return to print for the first time since its original appearance.</p><p>First published in 1956, this classic mystery leaps out of rarity to join the British Library<i> Crime Classics series</i>. Inspector McDonald ventures abroad into Ally occupied Vienna on this busman's holiday.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>E. C. R. Lorac</b> was a penname of Edith Caroline Rivett (1894-1958), who also wrote as Carol Carnac. She was a prolific author of Golden Age mysteries publishing over 60 novels throughout the 1930s, 40s and 50s. She was also a member of the famous Detection Club. Her books include <i>Crossed Skis, Post After Post-Mortem </i>and <i>Murder by Matchlight</i>, all available as British Library Crime Classics.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Featuring Bowen's trademark authentic historical detail, evoking Germany and its haunting folklore in the 1800s, this lost novel from one of the great writers of twentieth-century Weird returns to print for the first time since 1921. This title includes a new introduction by the writer and critic Michael Dirda.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The wine looked a thick amber colour, powdered with gold. Lally thought of the doctor&amp;#x27;s story of the two men who had followed this woman to the forest and afterwards died miserably. Perhaps it was here that she had brought them.</i></p><p>Following a scandal in the Duke&amp;#x27;s court, roguish officer Lally Duchene is dismissed to a new post at a small monastery and asylum deep in the forests of the Rheingau. Disregarding the local superstitions about the dangers of ghosts and nixies in the woods and vineyards, his days slip by in a haze of daydreams.</p><p>But there something stirring in this woodland idyll. Among the patients is a woman possessing an overpowering, otherworldly aura, and the vestiges of a sinister paganism leer from beneath the holy facades. As the wine harvest approaches and figures from Lally&amp;#x27;s past find themselves drawn to the monastery, the forces of nature awaken and the countryside erupts in an intoxicating carnage of ancient rites.</p><p>First published in 1921, this rare historical mystery of pagan weirdness rife in nineteenth-century Germany returns to print for the first time since it&amp;#x27;s original publication.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Marjorie Bowen</b> (1885-1952) was the principle pen-name for Margaret Campbell de Vere Long, a prolific English author best known for her dark historical romances, strange and literary novels and weird short stories. She also wrote under the pseudonyms of 'Joseph Shearing', 'Robert Paye' and 'George R. Preedy'. Describing herself as an 'enchantress of dread', her writing was highly regarded by contemporary critics and writers such as Graham Greene, who listed her as a chief influence.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>You will hear loud raps, you will have your faces touched by cold, damp, unseen fingers  THINGS will be all round you, and a frightful white face will come out of nowhere, and peer into yours!</p><p>Through the electric silence of the seance, a terrible, hurtling force draws near. A play with the planchette invites a diabolical visitor to Radley Manor. A medium's summoning of a lost child pitches them into mortal peril.</p><p>In this haunting new collection, Emily Vincent presents fourteen chilling classics and lost gems of seance fiction which evoke the most thrilling and thought-provoking aspects of the popular Victorian movement of spiritualism. Featuring tales by practising mediums, sceptics and ghost-seekers including Arthur Conan Doyle, H. G. Wells, Florence Marryat and F. Scott Fitzgerald, this volume is a suffusion of spectral frights and satirical skewerings, destined to linger with the reader long after the door to the seance has closed.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Vengeful spirits, mysterious revenants and haunted objects stalk the pages of Wilkie Collins&amp;#x27; short fiction, and yet his reputation as a sensation and detective novelist has long overshadowed his inventive contributions to the ghost story genre.</p><p>Drawing from across the writer&amp;#x27;s career, Xavier Aldana Reyes presents eight stories of the strange and uncanny to celebrate this lesser-known side of the Collins&amp;#x27; imaginative and ground-breaking fiction, guiding the reader into a candlelit night in which unearthly forces  and inescapable doom  lie in wait.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Following the lives of three women from the Bin-Khalid family, Daughters of the Nile is an original and darkly funny novel that examines the enduring strength of female bonds.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'Original, compelling, witty and historically illuminating  hilarious and essential reading.'  Helen Lederer, comedian, actress and founder of Comedy Women in Print</b></p><p>Paris, 1940. The course of Fatiha Bin-Khalid's life is changed forever when she befriends the Muslim feminist Doria Shafik. But after returning to Egypt and dedicating years to the fight for women's rights, she struggles to reconcile her political ideals with the realities of motherhood.</p><p>Cairo, 1966. After being publicly shamed when her relationship with a bisexual boyfriend is revealed, Fatiha's daughter is faced with an impossible decision. Should Yasminah accept a life she didn't choose, or will she leave her home and country in pursuit of independence?</p><p>Bristol, 2011. British-born Nadia is battling with an identity crisis and a severe case of herpes. Feeling unfulfilled (and after a particularly disastrous one-night stand), she moves in with her old-fashioned Aunt Yasminah and realises that she must discover her purpose in the modern world before it's too late.</p><p>Following the lives of three women from the Bin-Khalid family, <i>Daughters of the Nile</i> is an original and darkly funny novel that examines the enduring strength of female bonds. These women are no strangers to adversity, but they must learn from the past and relearn shame and shamelessness to radically change their futures.</p><p>Everyone's talking about <i>Daughters of the Nile</i>...</p><p><b>'A writer to watch.'  @ElementaryMyDear_</b></p><p><b>'Mesmerising.'  @alicetheunique</b></p><p><b>'Not to be missed.'  @Silvia_reviews</b></p><p><b>'A true gem.'  @stratospherekawaiigirl</b></p>]]></Text>
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			<SubjectHeadingText>Osamu Dazai new modern english translation famous; masterpiece Japanese literature fiction classic; stray dogs no longer human flowers of buffoonery; emotional world war 2 II WW2 WWII post-war Japan; Haruki Murakami Sayaka murata Soseki natsume bungo</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>This book is a completely new translation of Dazai&amp;#x27;s classic novel, considered by many to be his masterpiece. Set in the aftermath of World War II, the story opens as Kazuko and her mother flee the devastated capital to their country home. Once wealthy, they have now lost everything and Kazuko has to work in the fields while looking after her sick mother. She is also dealing with the stigma of a recent divorce and the trauma of giving birth to a stillborn child.</p><p>Things take a turn for the better when Kazuko&amp;#x27;s brother Naoji returns from the battlefields in the Pacific, but it soon transpires that he is addicted to opium. Kazuko finds solace in a love affair with a novelist, although he turns out to be an alcoholic and incapable of sustaining a relationship. When Kazuko falls pregnant, she vows to raise the child alone, and moves confidently forward, finally liberated from outdated notions of morality.</p><p>The works of Osamu Dazai (1909-1948) have seen a huge surge in popularity thanks to the success of the manga and film series <i>Bungo Stray Dogs</i>, whose protagonist is a detective named Osamu Dazai, closely based on the real-life author. Fans of the series have turned to the writings of the real Dazai, whose themes of alienation and the split between inner and outer appearances resonate strongly with young readers today and have inspired generations of modern Japanese authors.</p><p><b>&amp;#x27;Dazai&amp;#x27;s best novel [...] the story focuses on a woman forced to deal with the consequences of heedless, Dazai-like behavior&amp;#x27; </b><b><i> The New York Times</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Osamu Dazai</b> (1909-1948) was the pen name of Shuji Tsushima, the tenth of eleven children born to a wealthy landowner and politician in the far north of Japan. Dazai studied French literature at the University of Tokyo, but never received a degree. He first attracted attention in 1933 when magazines began to publish his work. Between 1930 and 1937, he made three suicide attempts, a subject he deals with in many of his short stories. Despite his troubled life and rebellious spirit, Dazai wrote in simple and colloquial style, conveying his personal torments through literature. Dazai&amp;#x27;s life ended early in a double suicide with a married lover.</p><p><b>Juliet Winters Carpenter</b> is an American translator of modern Japanese literature. She studied Japanese literature at the University of Michigan and the Inter-University Centre for Japanese Language Studies in Tokyo. After completing her studies, she returned to Japan where she became involved in translation and teaching. She is professor emeritus at Doshisha Women&amp;#x27;s College of Liberal Arts in Kyoto and has received numerous awards for her translation work including the 2019-2020 William F. Sibley Memorial Award for Japanese Translation for Mizumura Minae&amp;#x27;s An I-Novel and the 2021-2022 Lindsey and Masao Miyoshi Translation Prize for a lifetime of achievement as a translator of modern Japanese literature.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A classic of Japanese literature, brought to life in manga for the first time!</b></p><p>This is the first manga edition in English of <i>The Setting Sun</i>, Osamu Dazai&amp;#x27;s classic novel, often considered his masterpiece.</p><p>Set in the aftermath of World War Two, this is the story of Kazuko, a strong-willed young woman from an aristocratic family that has fallen into poverty since the war. The book follows Kazuko&amp;#x27;s journey as she and her family struggle to survive and adapt to the harsh new conditions of their life. In addition to having to move from Tokyo to the countryside, where she has to work in the fields to support the family, she has to deal with her divorce, the birth of a stillborn child, and the return of her drug-addicted brother from the war.</p><p>A gripping and inspiring portrait of one woman&amp;#x27;s determination to survive in a society that is in the grip of a social and moral crisis, this classic manga will appeal to fans of <i>Bungo Stray Dogs</i> as well as to anyone who is fascinated by Japan.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Osamu Dazai</b> (1909 - 1948) was the pen name of Shuji Tsushima, the tenth of eleven children born to a wealthy landowner and politician. Dazai studied French literature at the University of Tokyo, eventually leaving without a degree. He first attracted attention in 1933 when magazines began to publish his work. Between 1930 and 1937, he made three suicide attempts, a subject he dealt with in many of his short stories. Despite his troubled life and rebellious spirit, Dazai wrote in simple and colloquial style, conveying his own experiences in his best work. Dazai&amp;#x27;s life ended early in a double suicide with a married lover.</p><p>Retold and Illustrated by <b>Cocco Kashiwaya</b>, born 1970, is a Tokyo-based manga artist. In 2010, her manga serial <i>Rikon Dokyo</i> was made into a national TV drama in Japan.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Mrs. Pauline Manford is a busy woman, as any upstanding New York society lady should be.</p><p>To manage a modern household is to hold the family together, staying on trend with all things helpful, but her daughter has horrible taste in married men, her ex-husband is unwell, and her son is struggling to forge a career for himself while his postpartum wife refuses to settle down from lavish partying. Pauline can't decide if she should bob her hair, redecorate, or get a face lift, and she surely doesn't have time to notice her current husband's wandering eye as anything other than harmless flirtations.</p><p>When a rakish Italian actor bound for Hollywood and a scandal with the local wellness guru threaten to tear her perfectly constructed life apart, Pauline moves on to new spiritually medicinal treatments, and the Manfords must navigate the fraught tensions that bind them together. Hopefully a vacation from NYC's ruthless grind to their quiet country house will deter any further worries. <i>Twilight Sleep</i> (1927), named for the early anesthetic that predates epidural and induces memory loss, is Edith Wharton's oft-forgotten novel of modern motherhood and the pressures that lead women to reconstruct or completely escape their lives. Sharp and humorous, it feels as relevant today as it did in the 1920s.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Edith Wharton</b> was an American writer and designer. Wharton drew upon her insider&amp;#x27;s knowledge of the upper-class New York &amp;#x27;aristocracy&amp;#x27; to portray realistically the lives and morals of the Gilded Age. In 1921, she became the first woman to win the Pulitzer Prize in Fiction for her novel<i> The Age of Innocence.</i></p><p><b>Brandon Taylor</b> is the author of the novels <i>The Late Americans </i>and <i>Real Life</i>, which was shortlisted for the Booker Prize and the National Book Critics Circle John Leonard Prize, and named a <i>New York Times </i>Book Review Editors' Choice and a Science + Literature Selected Title by the National Book Foundation. His collection <i>Filthy Animals,</i> a national bestseller, was awarded The Story Prize and shortlisted for the Dylan Thomas Prize. He is the 2022-2023 Mary Ellen von der Heyden Fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers. He is an Acquiring Editor at Unnamed Press and co-founder of Smith &amp; Taylor Classics.</p><p><b>Allison Miriam Smith</b> is a co-founder of Smith &amp; Taylor Classics. She is also an Acquiring Editor and Publishing &amp; Publicity Manager for Unnamed Press. She graduated with a Bachelor of Arts in English &amp; Creative Writing from the University of Southern California where she was an assistant curator for the USC Doheny Library George Cassady Lewis Carroll Special Collection. She later went on to earn a Masters in 18th &amp; 19th c. Literature from the University of Edinburgh, Scotland, working nights at the library. Before Unnamed Press, she was a bookseller at Skylight Books in Los Angeles, CA.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>When their father's death leaves them with no money and a dim future, the Madden sisters, Alice, Virginia, and Monica, must negotiate the gender roles and class constraints of 1890s Victorian London.</p><p>Virginia and Alice have aged out of the possibility of marriage and seemingly the idea of love itself. They find themselves with few prospects and little hope. Remaindered in the marriage equation, these &amp;#x27;odd women&amp;#x27; face a great deal of scrutiny, stigma, and social pressure  it's at this time that Rhoda Nunn, childhood friend to the Madden sisters, arrives in London to challenge accepted norms and mores around the role of women in society. Rhoda's strong feminist passion draws a sharp contrast to the middle-class respectability of the Madden sisters' upbring, as the sisters watch a new world emerge around them.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>George Gissing</b> (1857-1903) was an English novelist, who published twenty-three novels between 1880 and 1903. Meagrely successful in his lifetime, by the 1940s he had been recognized as a literary genius, with George Orwell pronouncing that &amp;#x27;England has produced few better novelists&amp;#x27;.</p><p><b>Merve Emre</b> is the Shapiro-Silverberg Professor of Creative Writing and Criticism at Wesleyan University and a contributing writer at <i>The New Yorker.</i></p><p><b>Adam Dalva's </b>writing has appeared in <i>The New Yorker, The Paris Review, The Atlantic</i>, and <i>The New York Review of Books</i>. He is a Contributing Fiction Editor of the<i> Yale Review</i> and serves on the board of the National Book Critics Circle. Adam is an Assistant Professor of Creative Writing at Rutgers University.</p><p><b>Allison Miriam Smith</b> is a co-founder of Smith &amp; Taylor Classics. She is also an Acquiring Editor and Publishing &amp; Publicity Manager for Unnamed Press. She graduated with a Bachelor of Arts in English &amp; Creative Writing from the University of Southern California where she was an assistant curator for the USC Doheny Library George Cassady Lewis Carroll Special Collection. She later went on to earn a Masters in 18th &amp; 19th c. Literature from the University of Edinburgh, Scotland, working nights at the library. Before Unnamed Press, she was a bookseller at Skylight Books in Los Angeles, CA.</p><p><b>Brandon Taylor</b> is the author of the novels <i>The Late Americans</i> and <i>Real Life,</i> which was shortlisted for the Booker Prize and the National Book Critics Circle John Leonard Prize, and named a <i>New York Times Book Review </i>Editors' Choice and a Science + Literature Selected Title by the National Book Foundation. His collection Filthy Animals, a national bestseller, was awarded The Story Prize and shortlisted for the Dylan Thomas Prize. He is the 2022-2023 Mary Ellen von der Heyden Fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers. He is an Acquiring Editor at Unnamed Press and co-founder of Smith &amp; Taylor Classics.</p>]]></Text>
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			<SubjectHeadingText>Victor Hugo; classic; french literature; 19th century; literary; translated; The Hunchback of Notre Dame; Les Miserables; France; sea story; sailors; fishermen; rescue; wrecked ship; shipwreck; shipowners daughter; sea monster; octopus; adventure; action; political; economic revlution; European; reimagined; contemporary authors; modern conversation; afterword; relevent topics</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[The Toilers of the Sea tells the fairytale-esque story of Gilliatt, an outcast fisherman who must rescue an engine from a wrecked steamship.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>&amp;#x27;No character was ever thrown into such strange relief as Gilliatt...here, indeed, the true position of man in the universe.&amp;#x27;  Robert Louis Stevenson</b></p><p><i>The Toilers of the Sea</i> tells the fairytale-esque story of Gilliatt, an outcast fisherman who must rescue an engine from a wrecked steamship. If successful, he will win the hand of the shipowner&amp;#x27;s beautiful daughter, Deruchette. He will brave the harsh rocks, the freezing waves, and even the grasp of a sea monster to prove his worth.</p><p>A richly detailed study of early nineteenth-century Guernsey, <i>The Toilers of the Sea</i> is the oft-forgotten novel that completes a trilogy with Hugo's famed <i>The Hunchback of Notre Dame</i> and <i>Les Miserables</i>. It is a tribute to the drama of nature and the insignificance of man against it, to solitude in exile, and the light we choose to carry in the darkness.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Victor Hugo</b> (1802-1885) was born in Besancon, France on February 26, 1802. Originally on track to become a lawyer, he instead became France's revered Romantic poet, novelist, and dramatist. He is the author of <i>The Hunchback of Notre Dame</i> and<i> Les Miserables</i>, among countless others. For fifteen years, Hugo lived on the island of Guernsey in political exile following the 1851 coup d'etat by Napoleon III. There he wrote The Toilers of the Sea, published in 1866. When Hugo died in 1885, he was given a national funeral and burial in Paris' Pantheon.</p><p><b>Andrew Chater</b> is a broadcaster, storyteller and cultural explorer. The winner of six BAFTA awards for his history programming in the UK, he now lectures in History and Literature at the University of Southern California, Los Angeles, where he leads students on a series of classes exploring regional cultures through the medium of classic and contemporary fiction  a format he calls &amp;#x27;bookpacking&amp;#x27; (www.bookpackers.com).</p><p><b>Maya Weeks</b> is a geographer, writer, and artist from rural California working on feminist environmental justice. A first-generation college student, she holds her B.A. in Language Studies (Spanish) from the University of California in Santa Cruz and her M.F.A. in Creative Writing (Poetry) from Mills College. She earned her Ph.D. in Geography at the University of California in Davis, where she wrote her dissertation on marine pollution, gender, and feminist political economy using qualitative and creative methods. Recent poetry has been published in Space on Space and recent nonfiction has been published in Zcalo Public Square. A record, Tethers, is out on Full Spectrum Records. She has exhibited at Vague Research Studios and performed at Historical Materialism. She is the author of a poetry chapbook,<i> How to Be on the Outside of Every Inside/How to Be Inside Every Outside</i> (these signals press, 2016). Residencies include Konstepidemin, The Arctic Circle, Mustarinda, Norton Island, and more. Maya lives and works on unceded Chumash land.</p><p><b>Allison Miriam Smith</b> is a co-founder of Smith &amp; Taylor Classics. She is also an Acquiring Editor and Publishing &amp; Publicity Manager for Unnamed Press. She graduated with a Bachelor of Arts in English &amp; Creative Writing from the University of Southern California where she was an assistant curator for the USC Doheny Library George Cassady Lewis Carroll Special Collection. She later went on to earn a Masters in 18th &amp; 19th c. Literature from the University of Edinburgh, Scotland, working nights at the library. Before Unnamed Press, she was a bookseller at Skylight Books in Los Angeles, CA.</p><p><b>Brandon Taylor</b> is the author of the novels The Late Americans and Real Life, which was shortlisted for the Booker Prize and the National Book Critics Circle John Leonard Prize, and named a New York Times Book Review Editors' Choice and a Science + Literature Selected Title by the National Book Foundation. His collection Filthy Animals, a national bestseller, was awarded The Story Prize and shortlisted for the Dylan Thomas Prize. He is the 2022-2023 Mary Ellen von der Heyden Fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers. He is an Acquiring Editor at Unnamed Press and co-founder of Smith &amp; Taylor Classics.</p><p><b>William Moy Thomas</b> (1828-1910) was an English journalist, literary editor, translator, and author of <i>When the Snow Falls</i> (1859), <i>Pictures in a Mirror</i> (1861), and<i> A Guild Clerk&amp;#x27;s Tale</i> (1895) among others.</p>]]></Text>
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			<SubjectHeadingText>Sarah Orne Jewett; classic; literature; literary; women's fiction; small town fiction; nameless writer; community; coastal maine; residents; love; scandals; slow pace; 19th century; american; historical; nature; description; reimagined; contemporary authors; modern conversation; afterword; relevent topics</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>A nameless writer has come to Dunnet Landing, a small town on the coast of Maine, for the summer in order to finish her manuscript.</p><p>Compared to the hectic pace of the city she&amp;#x27;s left behind, she finds herself absorbed in the slow rhythms of her new daily life. Her observations of the residents of Dunnet Landing  their loves, their fights, their occupation with sky and sea and land, their tall tales, and quiet secrets  comprise <i>The Country of the Pointed Firs</i>. It is a novel seemingly made from the very fabric of community. Jewett's beautiful, delicate descriptions and her wonderfully natural dialogue bring the whole town and its many inhabitants to life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sarah Orne Jewett </b>(1849-1909) was an American novelist, short story writer, and poet. As a young child she was diagnosed with rheumatoid arthritis and encouraged to take frequent nature walks. Today she is best known for her nature writing and regional works set along the coast of Maine. At nineteen, Jewett had a short story published in<i> The Atlantic</i>. She is the author of <i>Deephaven </i>(1877), <i>Old Friends and New </i>(1879), <i>Country By-Ways</i> (1881),<i> A White Heron and Other Stories</i> (1886), and <i>A Native of Winby and Other Tales</i> (1893). Her novels include <i>A Country Doctor</i> (1884) and <i>The Country of the Pointed Firs</i> (1896). For most of her adult life, Jewett lived with Annie Adams Field in what was then termed a &amp;#x27;Boston marriage&amp;#x27;.</p><p><b>Brandy Jensen </b>is a writer and editor. She lives in New Orleans with her two dogs. Stephanie Insley Hershinow is an associate professor of English at Baruch College and the Graduate Center, CUNY. She lives in Jersey City with her family.</p><p><b>Allison Miriam Smith </b>is a co-founder of Smith &amp; Taylor Classics. She is also an Acquiring Editor and Publishing &amp; Publicity Manager for Unnamed Press. She graduated with a Bachelor of Arts in English &amp; Creative Writing from the University of Southern California where she was an assistant curator for the USC Doheny Library George Cassady Lewis Carroll Special Collection. She later went on to earn a Masters in 18th &amp; 19th c. Literature from the University of Edinburgh, Scotland, working nights at the library. Before Unnamed Press, she was a bookseller at Skylight Books in Los Angeles, CA.</p><p><b>Brandon Taylor</b> is the author of the novels The Late Americans and Real Life, which was shortlisted for the Booker Prize and the National Book Critics Circle John Leonard Prize, and named a New York Times Book Review Editors' Choice and a Science + Literature Selected Title by the National Book Foundation. His collection <i>Filthy Animals,</i> a national bestseller, was awarded The Story Prize and shortlisted for the Dylan Thomas Prize. He is the 2022-2023 Mary Ellen von der Heyden Fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers. He is an Acquiring Editor at Unnamed Press and co-founder of Smith &amp; Taylor Classics.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Hunkeler, now a retired inspector of the Basel police force, is hospitalised and sharing a room with Stephan Fankhauser, an old acquaintance terminally ill with cancer. One night, a groggy Hunkeler wakes up to see a young nurse administering an injection to his friend. The following day Fankhauser is found dead.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Hansjrg Schneider </b>(born 1938) lives in Basel and began his professional career as a journalist and essayist. He is the author of a number of highly acclaimed plays and of the bestselling Hunkeler crime series, now with ten titles published. "The Basel Killings" was awarded The Friedrich Glauser Prize, Germany's most prestigious crime fiction prize. </p><p><b>Mike Mitchell</b> lives in Scotland and has published over eighty translations from German and French, including all the Friedrich Glauser Sergeant Studer novels and Gustav Meyrink&amp;#x27;s five novels. His translation of Rosendorfer&amp;#x27;s 'Letters Back to Ancient China' won the 1998 Schlegel-Tieck Translation Prize.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Nosferatu began his reign of stark, silent, chiaroscuro terror over the public consciousness in 1922, when he first crawled onto cinema screens. No glamourous, cultured European vampire like the literary gothic titan whose legend he was trying to usurp. No: he was a thing of blade-like, angled animal talon and fang; hideous by any measure.</p><p>Inspired by F. W. Murnau's masterpiece of German Expressionist cinema, supported by Max Schreck's sinister portrayal of Nosferatu  an unauthorised adaptation of Bram Stoker's 1897 novel <i>Dracula </i> this book presents a powerful collection of fiction by some of the best voices in contemporary horror. Look inside and be astounded.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Steven Paulsen</b> (editor) is an award-winning speculative fiction writer and editor. His bestselling spooky children' s book, <i>The Stray Cat</i>, illustrated by the acclaimed artist Shaun Tan, has seen publication in several English and foreign language editions. His horror, science fiction and dark fantasy short stories have appeared in books and magazines around the world. The best of his weird tales can be found in his short story collection, <i>Shadows on the Wall</i>, which won the Australian Shadows Award for Best Collected Work.</p><p><b>Christopher Sequeira</b> (editor) is an award-winning fiction editor and anthologist (and also a writer himself), specialising in comic-book and prose material in the mystery, horror, science fiction and fantasy genres. Previous anthologies for IFWG Publishing International include <i>Cthulhu Deep Down Under</i> (Vols 1 to 3); <i>Cthulhu Land of the Long White Cloud</i>; <i>Caped Fear</i>: <i>Superhuman Horror Stories</i>; <i>Sherlock Holmes and Doctor Was Not</i>; <i>Dracula Unfanged</i>, and the forthcoming comic book chapter-novel anthology <i>Superhumanity Vol 1: The SuperAustralians</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Black Days &amp; Bloody Nights</i>, a collection of Greg Chapman's acclaimed and original fiction: Is the world coming to an end, or is it all in Marion's head? Would you let in a monster to save your child? A writer's son is his most horrifying creation. A videotape captures murder in a cemetery and threatens a detective. A mother's last will and testament reveals a diabolical pact. A corpse and an eclipse usher in the end of all things.</p><p>In these stories, you'll discover how the end comes to those who wait, and those who seek it out. Also included are Chapman's acclaimed novellas, <i>Torment</i> and <i>The Followers</i>, and the short story, &amp;#x27;The Yellow House&amp;#x27;.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Two-time Bram Stoker Award<sup></sup> and multiple Australian Shadows Award nominee <b>Greg Chapman</b> is a horror author and artist based in Brisbane, Australia. Greg is the author of several novels, novellas and short stories, including his award-nominated debut novel, <i>Hollow House</i> and collections, <i>Vaudeville and Other Nightmares</i> (Specul8 Publishing) and <i>This Sublime Darkness and Other Dark Stories</i> (Things in the Well Publications). His works have been well-received by readers and critics alike, with many praising his ability to create gripping and atmospheric horror stories.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Curated by Deborah Sheldon, this second volume follows the multi-award-winning and multi-award-nominated anthology of Australian dread, <i>Spawn: Weird Horror Tales About Pregnancy, Birth and Babies. Spawn 2</i> interprets and reinterprets pregnancy, birth and babies in a myriad of unexpected ways that will frighten, shock, disgust, horrify, surprise, and move you. </p><p>Penned by established authors and fresh new voices, these stories range from the folkloric and phantasmagorical, through sci-fi and cybernetics, to historical and the occult. Prepare for an intimate, anxious, eviscerating read.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Explore the universe in this anthology of short stories collected from Star Trek Explorer magazine!</p><p>Featuring tales by acclaimed Star Trek authors, Una McCormack, Keith R.A. DeCandido, Jake Black, David Mack, Rich Handley, Chris Dows, Michael Dismuke, John Peel, Greg Cox, and cast member from the Original Series, Walter Koenig (Pavel Chekov)!</p><p>This incredible collection features original illustrated stories starring iconic characters from Star Trek series including <i>Star Trek : The Original Series, Star Trek: The Next Generation, Star Trek: Voyager and Star Trek: Deep Space Nine.</i></p><p>For the first time ever, the book will feature stories including characters from Star Trek: Discovery, Star Trek: Lower Decks, and Star Trek: Picard!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The official magazine of the <i>Star Wars</i> saga presents an amazing collection of exclusive illustrated <i>Star Wars: The High Republic</i> short stories, written by <i>The New York Times</i>&amp;#x27; best-selling authors Charles Soule, Justina Ireland, and Cavan Scott and including concept art illustration and original art by Louie De Martinis.</p><p>Now in a special digest edition! Experience the galaxy centuries before the struggle of the rebel alliance against the galactic empire! A compendium of stories from the High Republic era, collected from the pages of Star Wars Insider for the first time! Characters such as Joss and Pikka Adren, Burryaga Agaburry, Avar Kriss, Nib Assek, and Mikkel Sutmani feature in a variety of adventures aboard the Starlight Beacon.</p><p>Written by <i>The New York Times</i>&amp;#x27; best-selling authors Charles Soule, Justina Ireland, and Cavan Scott. Plus in-depth interviews with the story architects behind the bestselling multimedia project. Stories included: <i>Go Together</i> by Charles Soule, <i>First Duty</i> by Cavan Scott, <i>Hidden Danger</i> by Justina Ireland, <i>Past Mistakes</i> by Cavan Scott and<i> Shadows Remain</i> by Justina Ireland</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jacob Johnston</b> was the visual development coordinator/producer on<i> Thor, Captain America: The First Avenger, The Avengers, Iron Man 3, Thor: The Dark World, Captain America: The Winter Soldier, Guardians of the Galaxy, 10 episodes of Daredevil, Avengers: Age of Ultron, Ant-Man, 12 episodes of Jessica Jones, Captain America: Civil War, Doctor Strange, Guardians of the Galaxy Vol. 2, Spider-Man: Homecoming, Thor: Ragnarok and Avengers: Infinity War.</i> Based in Oklahoma.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>&amp;#x27;A helter-skelter rush of delights...a slapstick horror-fantasy romp that sometimes achieves real depth and poignancy&amp;#x27;  Alan Moore</b></p><p>William S. Burroughs is dead and buried, but he can find no rest. His ghost is roaming the backstreets of Tangier in search of a missing manuscript. During his chaotic years there in the 1950s Burroughs not only wrote <i>Naked Lunch</i>, he also spewed out a mass of much darker material he then lost  hundreds of pages in which he wrestled with his demons. He fears his longtime nemesis, the Ugly Spirit, has been lurking in those pages ever since  and is now emerging from its slumber.</p><p>To help him find and destroy the infected manuscript before the Ugly Spirit can spread its evil in the world, Burroughs enlists fellow ghosts and old Tangier pros Paul Bowles and Brion Gysin, Joseph Dean and Brian Jones, as well as an inept witch, an elderly sorcerer, and a gang of macaque monkeys. Their adventures  often comic, sometimes ghastly  involve vanishing corpses, a magic carpet, giant black centipedes  and a word virus about to go pandemic.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mark Terrill</b> is the author of several collections of poems and prose poems, including <i>Bread &amp; Fish</i> and <i>Great Balls of Doubt</i>. He shipped out as a merchant seaman, and later traveled extensively as tour manager for bands such as American Music Club and the Mekons. He participated in the School of Visual Arts Writing Workshop taught by Paul Bowles in Tangier in 1982, and has written about his experiences there in his recently republished memoir, <i>Here to Learn: Remembering Paul Bowles</i>.</p><p><b>Francis Poole </b>is a writer and the editor of BLADES magazine. He lived in Morocco in the 1980s while teaching at the American School of Tangier, where he became friends with Paul Bowles. His publications include <i>Tangier and the Beats: Sanctuary of Noninterference</i>,<i> Everybody Comes to Dean's</i>, and a collection of his poems, <i>Snakeskin Raincoat</i>.</p><p>In addition to co-authoring Ultrazone, Terrill and Poole have published two collaborative chapbooks of poetry, <i>The Spleen of Madrid </i>and<i> A Pair of Darts.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>What the Earth Seemed to Say</i>gathers together more than three decades of profound, luminous poetry from one of America's most daring and courageous poets. With its 'radical simplicity and seriousness of purpose, along with a fearless interest in autobiography and its tragedies and redemptions' (Matthew Zapruder, <i>New York Times Magazine</i>), Marie Howe's poetry transforms penetrating observations of everyday life into sacred, humane miracles. This essential volume draws from each of her four previous collections  including <i>Magdalene</i> (2017), a spiritual and sensual exploration of contemporary womanhood, and <i>What the Living Do</i> (1997), a haunting chronicle of personal loss  and contains 20 new poems. Whether speaking in the voice of the goddess Persephone or thinking about ageing while walking the dog, Howe is 'a light-bearer, an extraordinary poet of our human sorrow and ordinary joy' (Dorianne Laux).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Marie Howe</b> is the author of five books of poetry. Her retrospective, <i>What the Earth Seemed to Say: New &amp; Selected Poems</i> (Bloodaxe Books, 2024), draws on four collections published in the US: <i>Magdalene</i> (W.W. Norton, 2017), which was longlisted for the National Book Award;<i>The Kingdom of Ordinary Time</i>(W.W. Norton, 2009), which was a finalist for theLos Angeles Times Book Prize;<i>What the Living Do</i> (W.W. Norton, 1998); and <i>The Good Thief</i> (Persea Books, 1988), which was selected by Margaret Atwood for the 1987 National Poetry Series.<i>What the Living Do</i> is in many ways an elegy for Marie Howe's brother John, who died from AIDS in 1989. Stanley Kunitz selected her for a Lavan Younger Poets Award from the Academy of American Poets in 1988. Her other awards include grants from the John Simon Guggenheim Foundation, the Bunting Institute, and the National Endowment for the Arts. She served as the first Poet Laureate of New York State from 2012 to 2014, and is poet in residence at The Cathedral Church of St John the Divine in New York City. She has taught at Tufts University and Dartmouth College, among other institutions. In 2018 she was elected a Chancellor of the Academy of American Poets. She currently teaches at Sarah Lawrence.</p>]]></Text>
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			<SubjectHeadingText>Tomoka Shibasaki; Adam Ehrlich Sachs; Haruki Murakami; contemporary fiction; Hiromi Kawakami; Kelly Link; Aoko Matsuda; Hiroko Oyamada; Laird Hunt; Japanese literature; Satoshi Kitamura; graphic narratives</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>For fans of Japanese literature (Haruki Murakami and more) and readers who want to be introduced to exciting new writers.</p><p><i>MONKEY New Writing from Japan</i> is an annual anthology that showcases the best of contemporary Japanese literature. Volume 5 celebrates <b>CREATURES</b>, from ants to bears, frogs to gazelles, and fish to birds. MONKEY offers short fiction and poetry by writers such as Haruki Murakami, Hiromi Kawakami, Aoko Matsuda, Hiroko Oyamada, Kikuko Tsumura, and Hideo Furukawa; graphic stories by Satoshi Kitamura; new translations of modern classics; and contributions from American authors Kelly Link, Laird Hunt, Adam Ehrlich Sachs, and more.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ted Goossen</b> is a literary translator, professor emeritus at York University in Toronto, and one of the founding editors of <i>Monkey Business </i>and <i>MONKEY New Writing from Japan.</i> He is the editor of<i> The Oxford Book of Japanese Short Stories</i>. He translated Haruki Murakami's <i>Wind/Pinball </i>and<i> The Strange Library</i>, and co-translated (with Philip Gabriel)<i> Men Without Women </i>and <i>Killing Commendatore</i>. His translations of Hiromi Kawakami's <i>People from My Neighborhood </i>and Naoya Shiga's <i>Reconciliation </i>were published in 2020. His translation of the story collection <i>Dragon Palace </i>by Hiromi Kawakami was published under the MONKEY imprint with Stone Bridge Press in 2023.</p><p><b>Motoyuki Shibata</b> translates American literature and runs the Japanese literary journal <i>MONKEY</i>. He has translated Paul Auster, Rebecca Brown, Stuart Dybek, Steve Erickson, Brian Evenson, Laird Hunt, Kelly Link, Steven Millhauser, and Richard Powers, among others. His translation of Mark Twain's <i>Adventures of Huckleberry Finn</i> was a bestseller in Japan in 2018. His recent translations include Eric McCormack's <i>Cloud </i>and Jonathan Swift's <i>Gulliver's Travels.</i> He is professor emeritus at the University of Tokyo.</p>]]></Text>
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			<SubjectHeadingText>Arabic; Gaza; Israel; Jordan; Middle East; Nakba; Palestine; Palestinian; collective memory; ethnic cleansing; exile; history; identity; journalism; journalist; memory; multiple narrators; political; political consciousness; polyvocal; satire; theatrical; tragicomic; translation</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>A sardonic, thrilling fable about collective memory and the many ways it can be saved or subverted.</p><p>Four young, Palestinian journalists at a Jordanian newspaper are tasked, on account of their heritage, with profiling one of the last living witnesses of the <i>Nakba</i>, the violent expulsion of native Palestinians by the nascent state of Israel in 1948. Confident that the old man will be all too happy to go on record, the reporters are nonplussed when they are repeatedly, and obscenely, rebuffed. This living witness to history, this secular saint, has no desire to be interviewed, no desire for his memories to be preserved, no desire to serve as an inspiration for the youth of tomorrow. What he wants is to be left alone.</p><p>As threats from the team's editor-in-chief put more and more pressure on the journalists, they must decide just how far they're willing to go to get the old man on the record. After all, what possible weight can one stubborn demand for privacy have when balanced against the imperative to bear witness?</p><p>Omar Khalifah's debut novel <i>Sand-Catcher</i> is at once a polyphonic satire and a tightly plotted tale of suspense. Walking the line between gallows humour, rage, and depthless heartbreak, it is a unique reflection of contemporary Palestinian identity in all its facets.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Omar Khalifah</b> is a novelist and short story writer in Arabic. His book, <i>Nasser in the Egyptian Imaginary</i>, was published in English by Edinburgh University Press in 2017. His collection <i>Ka'annani Ana</i> (<i>As If I Were Myself</i>) was published in Amman, Jordan in 2010, and his novel <i>Qabid al-Raml</i> (<i>Sand-Catcher</i>) was published in 2020. His articles have appeared in <i>Middle East Critique</i> and <i>Journal of World Literature</i>. A Fulbright scholar, Khalifah is assistant professor of Arabic Literature and Culture at Georgetown School of Foreign Service in Qatar.</p><p><b>Barbara Romaine</b> is an academic and literary translator. She has published translations of five novels, most recently <i>Waiting for the Past</i> (Syracuse University Press, 2022), by the Iraqi novelist Hadiya Hussein. She has held two NEA fellowships in translation, one of which was for her work on Radwa Ashour's <i>Spectres</i> (Interlink Books, 2011). <i>Spectres</i> went on to place second in the 2011 Saif Ghobash-Banipal international translation competition. Romaine's translations of essays, short stories, and classical poetry have appeared in a variety of literary periodicals.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>&amp;#x27;A child will make two dishes at an entertainment for friends; and when the family dines alone, the fore or hind quarter will make a reasonable dish, and seasoned with a little pepper or salt will be very good boiled on the fourth day, especially in winter.&amp;#x27;</i></p><p>Among Jonathan Swift&amp;#x27;s essays, the most notable piece is a later work <i>A Modest Proposal</i> (1729), which stands out for its sharp satire of the Irish upper classes' ignorance and disregard for the impoverished. The author is known worldwide, however, for his novel <i>Gulliver's Travels</i> (1726)a tale widely admired for its nuance and allegorical potency.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jonathan Swift</b> (1667-1745) was a largely satirical author, journalist and priest born in Ireland. He received his education at Trinity College Dublin and later a Masters degree at Oxford. Swift often visited London and became a politically keen pamphleteer. He also edited a Tory newspaper <i>The Examiner</i> between 171014 and was a part of the so-called Scriblerus Club, which included the most outstanding Augustan literati such as Alexander Pope and John Gay. Swift was unable to advance to the position he anticipated within the Church of England as the misinterpretation of his 1704 work <i>A Tale of a Tub</i> came to haunt him stigmatizing Swift as a profane author. Consequently, he had to exile back to Ireland. Among his essays, the most notable piece is a later work <i>A Modest Proposal</i> (1729), which stands out for its sharp satire of the Irish upper classes' ignorance and disregard for the impoverished. The author is known worldwide, however, for his novel <i>Gulliver's Travels</i> (1726)a tale widely admired for its nuance and allegorical potency.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Celebrate 25 years of the universe created by Gorillaz star Jamie Hewlett, in the iconic style that spearheads the band's success, with this silver jubilee compilation of comics, scripts, and an assortment of behind-the-scenes material of the franchise.]]></Text>
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			<Text textformat="02"><![CDATA[The historical heroes continue to battle for dominance in this all new volume of Tengen Hero Wars! History obsessed high schooler Oda Nobunaga and his young sister encounter the legendary Spartacus and William Tell, in this manga perfect for fans of action and history!]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Miles Franklin Literary Award 2024**</b></p><p><b>**Winner, Stella Prize 2024**</b></p><p><b>**Winner, Queensland Literary Awards, Fiction Book Award**</b></p><p><b>**Winner, The James Tait Black Prize, Fiction 2024**</b></p><p><b>**Winner, ALS Gold Medal 2024**</b></p><p>**<b>Shortlisted, The Dublin Literary Award 2024**</b></p><p><b>**Shortlisted, Queensland Literary Awards 2023, Work of State Significance**</b></p><p><b>**Shortlisted, Margaret and Colin Roderick Literary Award 2024**</b></p><p><b>The new novel from the internationally acclaimed, award-winning Australian author Alexis Wright.</b></p><p><i>Praiseworthy</i> is an epic set in the north of Australia, told with the richness of language and scale of imagery for which Alexis Wright has become renowned. In a small town dominated by a haze cloud, which heralds both an ecological catastrophe and a gathering of the ancestors, a crazed visionary seeks out donkeys as the solution to the global climate crisis and the economic dependency of the Aboriginal people. His wife seeks solace from his madness in following the dance of butterflies and scouring the internet to find out how she can seek repatriation for her Aboriginal/Chinese family to China. One of their sons, called Aboriginal Sovereignty, is determined to commit suicide. The other, Tommyhawk, wishes his brother dead so that he can pursue his dream of becoming white and powerful. This is a novel which pushes allegory and language to its limits, a cry of outrage against oppression and disadvantage, and a fable for the end of days.</p><p><b>&amp;#x27;Monumental...calls to mind the work of Thomas Bernhard or the quiet rage of Dostoyevsky...</b><b><i>Praiseworthy</i></b><b>blew me away.&amp;#x27; </b><b><i>Australian Book Review</i></b></p><p><b>Praise for Alexis Wright:</b></p><p><b>'The writing is the best in the country, some of the best in the world; we call to mind Alexis Wright when they talk about our country's great literary voice.' - Tara June Winch</b></p><p><b>'I'm awed by the range, experiment and political intelligence of [Alexis Wright's] work, from fiction such as</b> <b><i>Carpentaria</i></b> <b>and</b> <b><i>The Swan Book</i></b><b>, to her "collective memoir" of an Aboriginal elder in</b> <b><i>Tracker</i></b><b>. As essayist, activist, novelist and oral historian she is vital on the subject of land and people.' - Robert Macfarlane,</b> <b><i>New York Times Book Review</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The never-before-published novel by Charmian Clift.</b></p><p><i>'In those days the end of the morning was always marked by the quarry whistle blowing the noon knock-off.</i></p><p><i>Since everybody was out of bed very early, morning then was a long time, or even, if you came to think about it, a round time - symmetrical anyway, and contained under a thin, radiant, dome shaped cover...'</i></p><p>During the years of the Great Depression, Cressida Morley and her eccentric family live in a weatherboard cottage on the edge of a wild beach. Outsiders in their small working-class community, they rant and argue and read books and play music and never feel themselves to be poor. Yet as Cressida moves beyond childhood, she starts to outgrow the place that once seemed the centre of the world. As she plans her escape, the only question is: who will she become?</p><p><i>The End of the Morning</i> is the final and unfinished autobiographical novel by Charmian Clift. Published here for the first time, it is the book that Clift herself regarded as her most significant work. Although the author did not live to complete it, the typescript left among her papers was fully revised and stands alone as a novella. It is published here alongside a new selection of Clift's essays and an afterword from her biographer Nadia Wheatley.</p><p><b>'</b><b><i>The End of the Morning</i></b><b> is full of feeling, animated by that formless, aching questioning of childhood, and a fascinating glimpse of the forces that shaped Clift as a person and a writer.' - Fiona Wright</b></p><p><b>'Reading her, even a glimpsed paragraph of her, is like quaffing the finest champagne on earth.' - Peter Craven,</b> <b><i>Sydney Morning Herald</i></b></p><p><b>'Forthright, funny and with an indefinable flair, Charmian Clift's writing plays second fiddle to nobody.' - Richard Cotter,</b> <b><i>Sydney Arts Guide</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Charmian Clift</b> was born in 1923 in Kiama, on the New South Wales south coast. Describing herself as coming from a family of 'liars and embroiderers', from an early age she began transforming her home and childhood into fiction.</p><p>After serving as a lieutenant in the Australian Army, in 1946 Clift joined the staff of Melbourne's <i>Argus</i> newspaper, where she met fellow journalist George Johnston. Over the next twenty-three years, the couple raised three children, produced thirty books, and created a legend.</p><p>While living in Greece, Clift wrote the travel memoirs <i>Mermaid Singing</i> and <i>Peel Me a Lotus</i>, and the novels <i>Walk to the Paradise Gardens</i> and <i>Honour's Mimic</i>. She also began the autobiographical novel titled <i>The End of the Morning</i>, which she regarded as her major work.</p><p>Returning to Australia in 1964, Charmian Clift set her novel aside so that she could devote her time to her weekly newspaper column and to her family commitments. Although she resumed work on <i>The End of the Morning</i> in 1968, she died a year later, before the book was completed.</p><p>For more information, see: www.charmianclift.com.au</p><p><b>Nadia Wheatley</b> is the editor of <i>Sneaky Little Revolutions: Selected Essays of Charmian Clift</i> and the author of <i>The Life and Myth of Charmian Clift</i>. Described by critic Peter Craven as 'one of the greatest Australian biographies', this was acclaimed as the Age Non-Fiction Book of the Year, 2001, and was awarded the NSW Premier's Australian History Prize in 2002. It remains the classic account of the life and work of this transformational Australian writer.</p><p>For more information, see: www.nadiawheatley.com</p>]]></Text>
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			<SubjectHeadingText>Transit of Venus; Francis Steegmuller; Patrick White; Down in the City; Shirley Hazzard; Sidney Nolan; Elizabeth Harrower; Australian literature; In Certain Circles; The Catherine Wheel; A Few Days in the Country; The Great Fire; The Bay of Noon; The Watch Tower; Cynthia Nolan; The Long Prospect</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Shirley Hazzard and Elizabeth Harrower met in person for the first time in London in 1972, six years after they began a correspondence that would span four decades. They exchanged letters, cards and telegrams, and made occasional phone calls between Harrower's home in Sydney and Hazzard's apartments in New York, Naples and Capri. The two women wrote to each other of their daily lives, of impediments to writing, their reading, politics and world affairs, and in Hazzard's case, her travels. And they wrote about Hazzard's mother, for whose care Harrower took increasing - and increasingly reluctant - responsibility from the early 1970s (precisely the period when she herself virtually stopped writing).</p><p>Edited by Brigitta Olubas, Hazzard's official biographer, and Susan Wyndham, who interviewed both Hazzard and Harrower, this is an extraordinary account of two literary luminaries, their complex relationship and their times.</p><p><b>'</b><b><i>Hazzard and Harrower</i></b><b> is a book to keep close and return to often.'  Michelle de Kretser</b></p><p><b>'Vital, compelling, terrifying, revelatory  and a literary pleasure in its own right.'  Anna Funder</b></p><p><b>'Beautiful, wise and unflinching. Will we ever have a chance like this again to eavesdrop on two great writers as they talk books, people and the world for forty years?'  David Marr</b></p><p><b>'An engrossing portrayal of forty years of complicated friendship between two writers, only one of whom has the steel  or is it the ruthlessness?  to put her art before everything else.'  Charlotte Wood</b></p><p><b>'I read these letters with mounting excitement. There is a righteous delight in seeing female talent reclaimed: two great Australian writers finally treated with the care and rigour they deserve.'  Diana Reid</b></p><p><b>&amp;#x27;This volume of letters  copious, lively and affectionate  is the latest work in the devoted re-presentation of both women.&amp;#x27;  Gail Jones,</b> <b><i>Sydney Morning Herald/The Age</i></b></p><p><b>&amp;#x27;Letter writing is almost a lost art, but this collection of letters exchanged for 40 years between two of Australia's most erudite authors shows what an important part of social history it is.&amp;#x27;  Jennifer Somerville,</b> <b><i>GoodReading</i></b></p><p><b>&amp;#x27;This collection...is sure to delight the uninformed and entertain existing fans of Hazzard's and Harrower's work.&amp;#x27;  Vanessa Francesca, </b><b><i>Meanjin</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Brigitta Olubas</b> is professor of English at the University of New South Wales. She is the acknowledged expert on the writing of Shirley Hazzard and is Hazzard's authorised biographer. She coedited the first collection of essays on the writing of Elizabeth Harrower and is the author of <i>Shirley Hazzard: A writing life</i> and <i>Shirley Hazzard: Literary expatriate and cosmopolitan humanist</i>.</p><p><b>Susan Wyndham</b> is a journalist and writer. As New York correspondent for <i>The Australian</i> newspaper and literary editor of the<i> Sydney Morning</i> <i>Herald</i> she interviewed Shirley Hazzard and Elizabeth Harrower. She is the author of <i>Life in His Hands: The true story of a</i> <i>neurosurgeon and a pianist</i> and editor of <i>My Mother, My Father: On losing a</i> <i>parent</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In the one tumultuous day, Ch'anzu loses hir job and finds wife Scarlet in bed with a stranger. As life unexpectedly spirals out of control, Ch'anzu turns to hir charismatic Aunt Mae for comfort and wisdom, and makes the bold move to work on a project in Serengotti, a migrant African outpost in rural Australia.</p><p>In a novel haunted by the strangeness and yearnings of a displaced community  both beautiful and fractured  Ch'anzu is forced to confront hir many demons. Back in the city, brother Tex has gone missing. In Serengotti violence and infidelity simmer.</p><p>This is a novel bathed in sensuous, original language, a love letter to the strong women who bind families together despite everything. It's also a tender remembrance of the many who haven't or couldn't survive the dislocations and tragedies of their turbulent pasts.</p><p><b>&amp;#x27;Thrillingly alive, visceral, funny, and poetic, this is a story of what happens after your world falls apart, and you are forced to piece together a new one - a bittersweet tale of love, desire and kin, of what we carry and what holds us afloat. A novel that dances with a haunted grace, with characters who will sear themselves into your memory.&amp;#x27; - David Carlin, award-winning author and editor of eight books, including</b> <b><i>The After-Normal</i></b><b>,</b> <b><i>Our Father Who Wasn't There</i></b><b> and</b><b><i> AZ of Creative Writing Method</i></b></p><p><b>'An energetic, provocative exploration of racial identity, sexuality and the crucial need for community. The novel brilliantly combines crime and romance, gritty realist dialogue and sumptuous language, caustic humour and emotional gravity, to evoke different and unexpected ways of seeing and being in the world.&amp;#x27; - Susan Midalia, award-winning author of</b> <b><i>A History of the Beanbag</i></b><b>,</b> <b><i>An Unknown Sky</i></b><b> and</b> <b><i>Feet to the Star</i></b></p><p><b>'Bacon's voice is unique. Her African Australian perspective resonates ... Characters living on the edge, love lost and found, here's a story of striking honesty.' - Anne Maria Nicholson, journalist and author of</b> <b><i>Poker Protocol</i></b><b>,</b> <b><i>Pliny's Warning</i></b><b> and</b> <b><i>Weeping Water</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[Mourning a Breast was heralded as the first Chinese-language book to cast off the stigma of writing about illness and to expose the myths associated with breast cancer]]></Text>
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			<Text textformat="02"><![CDATA[<p>In 1989, the Hong Kong cult classic writer Xi Xi was diagnosed with breast cancer and began writing in order to make sense of her diagnosis and treatment. <i>Mourning a Breast</i>, published two and a half years later, is a disarmingly honest and deeply personal account of the author's experience of a mastectomy and of her subsequent recovery.</p><p>The book opens with her gently rolling up a swimsuit. A beginning swimmer, she loves going to the pool, eavesdropping on conversations in the changing room, shopping for swimsuits. As this routine pleasure is revoked, the small loss stands in for the greater one. But Xi Xi's mourning begins to take shape as a form of activism. In a conversational, even humorous, manner, she describes her previous blinkered life of the mind before she came into her body and learned its language.</p><p>Addressing her reader as frankly and unashamedly as an old friend, she coaxes and confesses, confronts society's failings, and advocates for a universal literacy of the body. <i>Mourning a Breast</i> was heralded as the first Chinese-language book to cast off the stigma of writing about illness and to expose the myths associated with breast cancer. A radical and generous book about creating in the midst of mourning.  </p><p><b>'Using language that was deceptively simple, almost childlike, Xi Xi infused her fiction and poetry with eclectic references to literature, cinema, art, architecture and fairy tales...Her work captured the unease of Hong Kong's transition to Chinese rule, gave voice to the city's children and working-class residents, and helped put it on the literary map.' - </b><b><i>New York Times</i></b></p>]]></Text>
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			<SubjectHeadingText>1989; Darkland Tales; Scottish Highlands; Highlands; Best of Scottish Fiction; Scottish Fiction; Scotland; 11th Century; Alternate History; Retelling; William Shakespeare; Sunday Times; Val McDermid; Hex; Rizzio; Darkland Tale; To Be or Not to Be; Hamlet; femme fatale; Shakespeare; Retelling Scotland; The Darkland Tales; Sunday Times Bestseller; Reinventing; Reimagining; Scottish historical fiction; Best New Scottish Fiction; correcting history; rewriting history; patriarchal prejudices; Crossbows; Thelma and Louise; Nicola Sturgeon; Christmas 2024; Lady Macbeth</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>**Longlisted, Australian Book Design Awards 2026, Best Designed Children's Non-Fiction Book**</b></p><p><i>How to be a</i> <i><s>fantastic</s></i> <i><s>sensational</s></i><i> good enough kid</i> is the book children, parents and teachers have been waiting for. Alice Peel, co-founder of Grow Your Mind  a ground-breaking wellbeing program that helps children develop resilience  takes on the life skills and emotional dilemmas 'good enough' kids face every day. Packed with great advice on how to be mentally fit and resilient and how to deal with jealousy among other emotions, <i>How to be a</i> <i><s>fantastic</s></i> <i><s>sensational</s></i><i> good enough kid</i> also includes 'non-painful' ideas on practising gratitude, and is chock-a-block with fascinating brain facts and inspiring stories. It's the only guide you'll ever need to be a good enough kid.</p><p><b>'Wow! This book will be SO helpful for SO many!!! Reading it was like a warm hug. It's informative and entertaining and there are so many gold nuggets  it will be such an important companion for those young people who are trying to make sense of their world, their relationships and themselves. I can't wait to recommend it to so many of the kids I work with.'  Charlotte Board, School Psychologist</b></p><p><b>'The book helped me to validate my parenting and provide reassurance that all that is needed is to do one's best, acknowledge and celebrate mistakes and just try to have a jolly good time along the way.</b> <b><i>How to be a</i></b> <b><i><s>fantastic</s></i></b> <b><i><s>sensational</s></i></b><b><i> good enough kid</i></b><b> is now my go-to gift for families, teachers and my recovering perfectionist friends!' </b> <b>Natalie Hay, Registered Social Worker</b></p><p><b>'This is the book I wish I had when I was a kid. I'm loving to read it as an adult and I'm so grateful it is here for my children and clients. It is a life-changing book where the reader learns new skills to navigate life's ups and downs with perspective, resilience and at times joy.'  Lizzy Kirby, Counsellor</b></p><p><b>'This book is a game-changer for kids! It transforms evidence-based psychological tools and contemporary neuroscience into a captivating, practical read. Packed with relatable examples, creative metaphors and fun activities, it empowers young readers (and their parents and teachers) to understand emotions, build resilience, and thrive in the face of challenges.'  Dr Sarah McKay, Neuroscientist</b></p><p><b>'This is a book that should be in the hands of every primary school child. Humorous, informative, and with enriching follow-on learning tasks.'  Nicole Molloy, Principal, Green Square Public School</b></p><p><b>'I wish I had</b> <b><i>How to be a</i></b> <b><i><s>fantastic</s></i></b> <b><i><s>sensational</s></i></b><b><i> good enough kid</i></b><b> as my guide when I was a kid. Growing up is hard  big emotions, big decisions, big friendships, all the things to navigate. Alice strikes the right balance of fun, playfulness and essential information to help every kid learn that they are good enough and that they can get through the big stuff. I hope every kid gets a copy of this book!'  Dr Addie Wootten, Smiling Mind</b></p><p><b>'A gem of a book with loads of practical strategies for young people.'  Karen Young, Anxiety Consultant</b></p><p><b>'A great addition to any home, school or library.'  Forest Hill College Library</b></p><p><b>'This is a wonderful resource for your 8-15yr old and is something we're using in our home to help facilitate better resilience and mental wellbeing.'  lovefourreading</b></p><p><b>'If you have a child who could do with a bit of support or if you are a parent looking for some guidance and ideas, this book is a great place to start.'  Emily Ross,</b> <b><i>Good Reading Magazine</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Tossing his mane, the Colt from old Regret tears through the scrub. Stones clatter and crimson rosellas shriek as he canters higher.</i></p><p>You may have heard the story of the man from Snowy River and his fearless ride through the mountains. This is Colt's story, of nickering mares and a rearing stallion. How did Colt escape the man? What did Colt see, feel and smell as he charged through the bush?</p><p>Beloved children's author Dianne Wolfer responds to<i> The Man from Snowy River</i>, creating an essential companion to the original poem. It is illustrated with exquisite collages by Erica Wagner, which convey the depth of emotion with great tenderness. They encapsulate the mood of Wolfer's text, transporting the reader into the Snowy Mountains.</p><p>Endmatter includes the full text of Paterson's poem, along with additional information on Paterson himself, brumbies and the Snowy Mountains, and bush poetry. All gathered together, this is a new Australian classic in the making.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dianne Wolfer</b> is an award-winning author of 25 books, including the acclaimed Light series, <i>The Dog With Seven Names</i> and<i> The Last Light Horse</i>. Most recently, Diane's book<i> Scout and the Rescue Dogs</i> won the Children's Book of the Year at the Western Australian Premier's Literary Awards. Dianne completed PhD research into anthropomorphism at UWA, and loves talking about animal characters in children's literature.</p><p><b>Erica Wagner</b> is a painter and collage artist, book publisher and creative consultant to storytellers. She has worked on many ground-breaking and award-winning books for children and young adults. Erica's first book, <i>Hope is the Thing</i> (2023), written by Johanna Bell, won the 2024 CBCA New Illustrator Award as well as the Wilderness Society Environment Awards for Children's Literature for Picture Fiction. Erica loves spending time in nature and continues to develop her art practice alongside her publishing and mentoring work. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Join us on a colourful journey of discovery to every corner of our amazing world. From the vibrant red rocks of Australia, to the glittering gold dunes of Morocco, to the tropical blue oceans of Fiji, our earth is awash with a dazzling rainbow of natural colours. <i>Our Beautiful World </i>is a lyrical celebration of the many cultures and colours found on this awe-inspiring planet that we call home.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sarah Speedie</b> is a children's book author from Melbourne, Australia. She loves to write stories that uplift and entertain. Her stories are often inspired by her own life experiences, as a child who was fascinated by creatures of all shapes and sizes (she still is!), as an adult who loves to travel and explore our beautiful planet, and as a parent, seeing the world through the eyes of her own children. When Sarah isn't writing or dreaming up her next big idea, she visits schools, kindergartens and libraries to run story times and writing workshops and she is a Writer in Residence for children's charity, Ardoch. You can contact Sarah on her website: www.sarahspeedie.com or follow her on Instagram @sarahspeedie_author.</p><p><b>Margeaux Davis </b>is a children's book illustrator as well as a soft toy and sewing pattern designer. She has a background in environmental education, working as a National Parks Ranger. She spends her days drawing, painting and sewing from a tiny cabin studio in her garden, surrounded by macadamia nut farms and cow paddocks, on the far north coast of New South Wales, Australia. You can contact Margeaux on her website: www.willowynn.com/illustration or follow her on Instagram @margeauxdavis.illustration</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Iconic Artists</i> highlights the origin and contributions of some of the world's most remarkable and gifted artists throughout history.</p><p>Bold, whimsical illustrations by David Lee Csicsko along with concise, engaging bios celebrate a diverse group of artists from the past 200 years. <i>Iconic Artists</i> features historical giants of the art world like Pablo Picasso and Henri Matisse alongside 20th-century artists such as Sister Corita Kent and Andy Warhol. Showcasing a wide range of artistic talents and exhibiting a wide number of genders, races, and nationalities, <i>Iconic Artists</i> celebrates 50 artists who have influenced the art world and collectively broadened its scope.</p><p>Featured artists include: Henri de Toulouse-Lautrec, Suzanne Valadon, Henri Matisse, Alice Bailly, Piet Mondrian, Paul Klee, Pablo Picasso, Amedeo Modigliani, Robert and Sonia Delaunay, Tarsila do Amaral, Tsuguharu Foujita, Diego Rivera, Frida Kahlo, Marcel Duchamp, Georgia O'Keeffe, Sophie Taeuber-Arp, Lyubov Popova, Egon Schiele, Archibald Motley, Fortunato Depero, Henry Darger, Pauline Simon, Tamara de Lempicka, Alexander Calder, Rene Magritte, Louise Nevelson, William Henry Johnson, Wifredo Lam, Joseph Cornell, Salvador Dal, Los Mailou Jones, Lee Godie, Lee Krasner, Jackson Pollock, Remedios Varo, Gertrude Abercrombie, Corita Kent, Ruth Asawa, Andy Warhol, Marisol Escobar, Baya Mahieddine, Nam June Paik, Ed Paschke, ORLAN, Mr. Imagination, David McDermott &amp; Peter McGough, Keith Haring, Nick Cave, Jean-Michel Basquiat, Mickalene Thomas, Bisa Butler, and Salman Toor.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 9+</b></p><p>A dazzling collection of poems from an emerging poet, illustrated by Chris Riddell</p><p>Scottish poet Simon Lamb delivers a debut collection for children of fifty luminous poems, each written in exactly fifty words, with subjects ranging from family, identity and growing up, to the need for hope, the wonder of nature, and the very concept of poetry itself. Drawing on his experiences as a teacher, Lamb offers his poems as small nuggets of wisdom, warmth and wit to help young readers navigate their lives. Always present is a three-dimensional sense of drama and interaction with the reader, and a sure-footed playfulness with words and how they are presented on the page.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Simon Lamb</b> is a Scottish poet, performer and storyteller. With a background in education, he also works extensively in schools to ignite and inspire young learners. He lives in Prestwick, Ayrshire, where he holds the role of Scriever, the Writer-in-Residence at the Robert Burns Birthplace Museum.</p><p><b>Chris Riddell</b>, a former Children's Laureate, is creator of an extraordinary range of books and winner of many awards including three Greenaway medals. He lives in Brighton.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 7+</b></p><p><b>Join our Poetry Street party and get creative!</b></p><p>Do you like stringing words together to see what they look like and what they sound like?</p><p>Do you have rhythms dancing in your head as you drift through the day?</p><p>Do you rhyme all the time while your feet tap a beat?</p><p>If you answered YES to all or most of these questions then you're pretty much hooked on words.</p><p>Now  together  let's take a walk down Poetry Street!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Maddy spent her early years in the Northern Territory before her family moved back to Western Australia. Maddy's love of the sea and everything in it was nurtured by her beloved grandfather who would take her fishing and snorkelling in the ocean off Busselton, south of Perth. On these trips he would regale her with his many stories of shipwrecks around the coast and share his great curiosity in the natural and human-made world.</p><p>Still only a 14-year-old teenager and already a certified SCUBA diver, her passion for maritime archaeology in particular, was sparked by a lecture she attended in Busselton where her family had finally settled. A maritime archaeologist from the Museum of Western Australia in Perth told the gathering the story of the shipwreck of a cargo ship <i>Georgette</i>, that occurred in 1876, south of Busselton. At great risk to themselves, two courageous young people who lived in the area, Indigenous man Sam Isaacs and 16-year-old Grace Bussell, rode their horses into the boiling surf to rescue survivors.</p><p>Dr Maddy McAllister is now the Senior Curator of Maritime Archaeology at Queensland Museum Network and is based in the Museum of Tropical Queensland in Townsville. Her PhD research was on the notorious Batavia shipwreck of 1629 in the Houtman Abrolhos Islands of Western Australia.</p>]]></Text>
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			<SubjectHeadingText>women biographies; teen nonfiction; ya; ya reading; science; aeronautics; astronautics; space science; aviation; science and technology; us military; stem; stem careers; feminism; tammy duckworth; katie higgins cook; blue angels; good night stories for rebel girls; air and space science; space; technology; ya biography; young adult biography; women in stem; women of power; women in space; teen and young adult air and space science</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[These diverse high-flyers are dreamers and doers who believed, despite the odds, that soaring is possible.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>These 15 women fly outside the lines.</b></p><p>Soar beside Black Hawk helicopter pilot turned politician Tammy Duckworth, hot air balloonist Edgora McEwan, or medevac pilot Dede Murawsky. Higher up, meet commercial and military aviators such as the Coast Guard's Ronaqua Russell, the first African American female to receive the prestigious Air Medal for her rescue efforts during Hurricane Harvey.</p><p>Next, ride along with Tammie Jo Shults, whose story includes a harrowing catastrophic engine failure while in command of 148 people aboard Southwest's Flight 1380. Others share their experiences in military high-performance jets, the Stratotanker, or while flying for the Blue Angels.</p><p>Reaching past the bounds of Earth are astronauts who have launched in the cramped Russian rocket, the <i>Soyuz</i>, orbited Earth while conducting critical science experiments, or lived aboard the International Space Station.</p><p>In all cases, the women in this book faced obstacles. Throughout their rise to incredible accomplishment, these courageous go-getters persevered and endured, <i>insisting</i> on success. Ultimately, each succeeded on her path to flight.</p><p><b>These diverse high-flyers are dreamers and doers who believed, despite the odds, that soaring is possible.</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ann McCallum Staats</b> is the author of <i>Thrill Seekers</i>,<i>Women Heroes of the US Army</i>, <i>The Secret Life of Math</i> - which won <i>ForeWord's</i> INDIE Gold Book of the Year - and the Eat Your Homework series. She holds a BA in Education from University of Victoria, BC, and an MA in Education from the University of Maryland. She is currently an ESOL high school teacher and a member of SCBWI and the Children's Book Guild of Washington, DC.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Fifteen-year-old Emma is woken up by her dad's nightmares. Again.</p><p>On Friday evenings they go running at East Point Reserve to escape. Escape the ripples of grief that still chase them three years after her mum's death; escape Emma's autism diagnosis; escape her dad's work as an emergency room doctor.</p><p>At school, Emma has won a spot on the beach volleyball Sports Institute program. The spot that her best friend Summer desperately wanted. And Summer's family are moving to the other side of town. Their friendship has kept Emma going since her mum's death but now things are changing between them  and change isn't something Emma can outrun.</p><p>Set in tropical Darwin,<i> White Noise</i> is an achingly true portrayal of girlhood, grief, and autism from the authentic and gripping voice of debut author Raelke Grimmer.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 13+</b></p><p>Sixteen-year-old Grace lives under a bridge in Melbourne's CBD. It's cold and wet, but hidden. Safe, at least, until she can go home.</p><p>When winter drives her to the City Library one morning, Grace meets Louie, a weird kid with his own problems, and discovers a community piano. The piano reminds Grace of her mum, a celebrated pianist whose mental illness makes life a rollercoaster - and not always a fun one.</p><p>When Grace comes up with a plan to find the help she and Mum need, life begins to look up. But things don't work out as Grace imagines and suddenly her world's turned upside down again, and maybe for good this time.</p><p><i>A Way Home</i> is a big-hearted novel that explores the complexities of growing up with a parent who is struggling, and about the places and people we call home.</p><p><b>'A page-turning, gritty story full of hope and compassion. The writing is assured and gripping, and Grace is a memorable and compelling character, beautifully realised.</b> <b><i>A Way Home</i></b><b> is a riveting story of resilience and hope against the odds, both insightful and heartbreakingly real.' - Mark Smith, award-winning author of the Winter Trilogy</b></p><p><b>'A gritty and moving novel about a vulnerable young woman's capacity to endure, and to find courage, despite the shocking dysfunction in the lives of those she depends on.' - Ingrid Laguna, award-winning writer of</b> <b><i>Kit and Arlo</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The <i>Australian Beetles</i> series represents a comprehensive treatment of the beetles of Australia, a relatively under-studied fauna that includes many unusual and unique evolutionary lineages found nowhere else on Earth.</p><p>Volume 3 (Polyphaga, Part 2) contains 12 chapters, providing critical information and identification keys to the genera of the Australian beetle families included in superfamily Curculionoidea (Nemonychidae, Anthribidae, Belidae, Attelabidae, Caridae, Brentidae and Curculionidae) and one subfamily of Cerambycidae (Lamiinae). Each chapter is richly illustrated with black and white photographs, high-resolution images and drawings. The book also includes colour habitus figures for 900 Australian beetle genera belonging to the families treated in this volume. The chapters have been written by 11 contributors from Australia, Poland and the USA.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Hermes E. Escalona</b> is the Zimmerman Fellow and curator at the Australian National Insect Collection, CSIRO. He is interested in systematics, morphological and molecular evolution of beetles with a current focus on weevils (Curculionidae) and small beetle families. He is the author of more than 50 research publications and co-author of books on Australian longhorn beetles.</p><p><b>Adam Slipinski</b> is the Senior Principal Research Scientist and curator at the Australian National Insect Collection, CSIRO. His research concentrates on the phylogeny and higher classification of beetles. He is the author of nearly 200 research publications, the editor of a two-volume book on the phylogeny and classification of beetles, and an author of books on Australian ladybird and longhorn beetles.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The Australian democratic system has long been regarded as one of the most stable and predictable in the world, with an entrenched two-party duopoly, compulsory voting ensuring high levels of electoral participation and relatively high levels of satisfaction with the democratic process. </b></p><p>Yet the ways Australians engage with, and participate in, their democracy have shifted substantially in recent times. While a record proportion of Australians are now on the electoral roll, less than 1% belong to a political party, and the share of Australians that have always voted for the same party in Federal elections has declined from 72% in 1967 to 37% in 2022. Turnout in the 2022 Federal Election fell below 90% for the first time since the introduction of compulsory voting in 1924. Over 50% of voters cast their ballots early in 2022, up from around 10% in 2004. The advent of social media has afforded Australians a range of opportunities for political engagement but has also given rise to serious concerns surrounding the dissemination of misinformation. And Australians have also recently been afforded several historically rare opportunities for direct participation in the lawmaking process  particularly, the 2017 same-sex marriage plebiscite and the 2023 referendum on the Aboriginal and Torres Strait Islander Voice to Parliament.</p><p>These developments give rise to a wide range of deep, difficult questions for Australian democracy, many of which have been under-explored. What, for instance, does the failure of the referendum on the Aboriginal and Torres Strait Islander Voice to Parliament mean for Australian democracy? What sorts of opportunities ought to be afforded to Australians for direct participation in government? How might climate change impact Australian democracy in the coming decades? How might the rise in early voting impact the character of Australian democracy? What opportunities do Australians have for engagement in civic life, and what obstacles do they face in exercising them?</p><p>This edited collection brings together specialists in the democratic process to consider such questions, alongside many others. Moreover, the collection is uniquely interdisciplinary, insofar as the contributors are drawn from a diverse range of fields  law, philosophy, political science and sociology. The chapters each help bring us a broader understanding of civic participation in Australian democracy, in order that we might evaluate the status quo, and gauge where it might be headed, in the future.</p>]]></Text>
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			<SubjectHeadingText>metering; focus; mirrorless camera; camera reference; Fuji X100VI; X100V; X100; exposure; field guide; camera guide; street photography; Fuji; mirrorless; pocket guide; landscape; portrait</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Learn all you need to master your Fuji X100VI camera!</b></p><p>This book is a quick and effective guide to photography with the X100VI, Fujifilm&amp;#x27;s iconic premium compact camera. Renowned Fuji &amp;#x27;X-Pert&amp;#x27; Rico Pfirstinger has compiled over 130 useful tips and tricks andlots of exclusive information that you won&amp;#x27;t find anywhere else. It will help you understand and use the X100VI in a way that elevates your photography and gets you the best results without delay.After a brief overview of the camera's basic functions, Rico cuts to the chase and provides a plethora of tips and practical insights that go way beyond the user's manual. Fujifilm&amp;#x27;s legendary film simulations and JPEG settings are also covered in detail to ensure that you can achieve fantastic images straight out of the camera.</p><p>What's inside:</p><ul><li>Master the hybrid autofocus system with auto/manual focus, face detection and object detection</li><li>Make the most of the ISO-less sensor and expose optimally in all situations, at all times</li><li>Maximise the camera&amp;#x27;s dynamic range</li><li>Shoot with film simulations and create stylish analog looks</li><li>Use the built-in and external ND filters for long exposures</li><li>Configure function buttons, custom user settings and menu shortcuts for quick and easy access</li><li>Learn how to convert RAWs in-camera for optimal results</li><li>Use the built-in flash or external flash units</li><li>Use accessories such as filters, adapters and converter lenses properly  and much more</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rico Pfirstinger</b> studied communications and has been working as a journalist, publicist, and photographer since the mid-&amp;#x27;80s. He has written numerous books on a diverse range of topics, from computing technology to digital desktop publishing to sled dog racing. He worked as the department head of special assignments for Hubert Burda Media in Munich, Germany, where he also served as chief editor for a winter sports website.</p><p>After eight years as a freelance film critic in Los Angeles, Rico now lives in Schwabach, Germany, and devotes his time to digital photography and compact camera systems.</p><p>Rico writes the popular <i>X-Pert Corner</i>blog on FujiRumors.com and leads workshops called Fuji X Secrets where he offers tips and tricks on using the FujifilmX-series cameras.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Today, genocide has almost entirely lost its meaning. Either its occurrence is denied into oblivion, or its frequency allows it to fall on stone-deaf ears in a world on fire. As our newsfeeds inundate us with the agony of the Palestinians, the Rohingyas, the Uighurs and a seemingly endless list of minority, marginalised communities, where does one draw the line? Even the UN Convention on Genocide has its own murky past. While endless committees and talking heads get lost in the technicalities, we experience global numbness in the face of others' suffering, and genocide becomes no more than a word whose definition can be negotiated. This issue of<i>Critical Muslim</i>asks: can we learn the lessons demanded by our past; and can we find a new, open approach to this destructive devastation, for the sake of all our futures?</p><p>About <i>Critical Muslim</i>: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ziauddin Sardar</b> is an award-winning, internationally renowned writer, futurist and cultural critic. A former <i>New Statesman </i>columnist and Equality and Human Rights Commissioner, he has authored many books, including <i>Desperately Seeking Paradise: Journeys of a Sceptical Muslim</i>;<i> Reading the Qur&amp;#x27;an</i>; and <i>Mecca: The Sacred City</i>. He is editor of the influential quarterly <i>Critical Muslim</i>.</p>]]></Text>
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			<SubjectHeadingText>Empowering Workplace Culture; Strategic Thinking; Neuropsychology of Leadership; Continuous Professional Development; Mindful Leadership; Transformational Leadership; Responsible Management Practices; Leadership Philosophy; Critical Thinking in Business; Organizational Accountability; Lifelong Learning Strategies; Emotional Intelligence in Management; Rational Decision-Making; Ethical Leadership</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This book is both a standalone and/or sequel to The Value of Voice in Shared Leadership and Organizational Behavior and Management and Leadership Skills That Affect Small Business Survival: A Resource Guide for Small Businesses Everywhere.]]></Text>
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			<Text textformat="02"><![CDATA[<p>This book is both a standalone and/or sequel to <i>The Value of Voice in Shared Leadership and Organizational Behavior and Management and Leadership Skills That Affect Small Business Survival: A Resource Guide for Small Businesses Everywhere.</i> These three books can work together to support the sales of multiple books or independently from one another. The book is unique in that it combines the ideas of management, leadership, shared voice, organisational behaviour, and historical philosophy viewpoints that are easily understood by anyone who reads this book, so it can create a responsibility of reason that is required to help all businesses/organisations/schools and government agencies succeed beyond the dreaded 5 year failure point that has plagued many businesses since their inception.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr. Jamey M. Long </b>is a professor at George Mason University and a business teacher at Prince William County Schools. He has been nominated for faculty member of the year. Dr. Long owns two small businesses and serves in his community.<br/><b>Dr. Joe Pisani</b>, author and educator focused on organisational leadership and the systems, used to be an impactful and dynamic leader.</p>]]></Text>
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			<SubjectHeadingText>Time; Reading; Marcel Proust; Plot; Nature; Memory; Tom Mccarthy; Literature; Life; Immanuel Kant; Joris-Karl Huysmans; Rachel Cusk; Chance; Atmosphere; Aesthetic Experience</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This book examines the novels of Joris-Karl Huysmans, Marcel Proust, Tom McCarthy and Rachel Cusk to reconsider aesthetic experience as it has been articulated in Western philosophy.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book examines the question of aesthetic experience in the novels of Joris-Karl Huysmans, Marcel Proust, Tom McCarthy and Rachel Cusk in order to propose a reconsideration of aesthetic experience informed by literature and philosophy in equal measure. </b></p><p>The introduction suggests an alternative four moments (of aesthetic experience) to Kant's four moments of aesthetic judgement, derived in part from my four literary authors respectively: curation, quietness, violence and disconnection. Taken collectively, the four moments show the danger of becoming too invested or interested in aesthetic experience, as well as patience and openness toward the creative act of writing. While these four moments are not meant as determinations, taken together, they offer a picture of aesthetic experience as involuntary, subject to chance and resistant to calculation on the part of the aesthetic subject. Besides contributing to the scholarship on each of the four novelists, this book advances a theory of the aesthetic that shifts away from the framework of judging objects to focus instead on experience and how it is articulated both within and beyond literature. It is here that the theory of aesthetic experience benefits from literature's singularity: no one text or passage can serve as an example that would adequately circumscribe the field of aesthetic experience, just as no one philosophical example could, and yet the reflective nature of the literary text demands a rigorous look at aesthetic experience without the restrictions of a totalising philosophical system.</p><p>The two 'negative' moments  represented by Huysmans's  rebours and McCarthy's Remainder  besides ending poorly for the protagonists, wind up with a foreclosure of aesthetic experience. For Huysmans's Des Esseintes, who attempts to sustain aesthetic experience at will via curation, the fantasy falls apart, leaving him ill and necessitating his dreaded return to society. For McCarthy's unnamed narrator who is engaged throughout the novel with various projects of re-enactments, the story ends violently, with bloodshed and a plane hijacking. Theoretically, these novels provide a cautionary tale about the impulse to seek out and even domesticate the aesthetic object.</p><p>On the contrary, the two 'positive' moments  represented by Proust's Recherche and Cusk's Outline trilogy  each involve narrators and characters who are invested in the creative act of writing. Two particular critically underrepresented passages from Proust can help articulate the 'quiet' moment of aesthetic experience: without relying on works of art, they are theoretically compelling in their refusal to theorise themselves, unlike the more popular passages from the novel. Cusk's novels present the moment of disconnection  that is, the sense of an experience being dislodged from any particular narrative or plot. And yet, each of the characters in question are creative writers, meaning that this everyday feeling of alienation tends to factor into a productive, artistic impulse.</p><p>In conclusion, these four moments are tied together as they pertain to the nature (and boundaries) of aesthetic experience in general. Just as Kant's four moments of aesthetic judgement seem to be grouped in pairs  disinterest and purposiveness without purpose on one hand, and universality and necessity on the other hand  these four moments can be grouped and set apart to help reconsider what we mean when we talk about aesthetic experience.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Bryan Counter </b>completed his PhD in Comparative Literature at SUNY Buffalo and currently teaches in the English departments at Western New England University and Framingham State University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[In this era, when climate change is the biggest global challenge to humanity, it is crucial to investigate the relationship between humans and the environment.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Violence impregnates human life in many ways. We do violence to individuals or groups. We do violence to plants and animals. We do violence to the planet Earth.</b></p><p>However, Nature will not survive our arrogance and patterns of exploiting and destroying the biosphere if we do not break the cycle of violence. As such, any moral effort to stop barbaric consumerism and chaotic nihilism is simultaneously the possibility of making life and biodiversity flourish on Earth. The moral imperative is thus also an ecological imperative. Therefore, the question is: how can we talk about non-violence in the current ecological crisis? Put differently, we can also ask: how can non-violence be brought to our ecological concerns? Martin Luther King, Jr. once said, 'Injustice anywhere is a threat to justice everywhere'. The notion of injustice becomes all the more crucial when applied to excluding animals and plants from the history of our planet. This eco-moral crisis must become more public as the ecological trajectory of the Earth foreshadows a very troublesome future.</p><p>Non-violence and Ecological Imperative is a contribution to the relevance and potential of the philosophy of non-violence in showing clearly that our viable ecological future depends on attitudes and strategies that are rooted in the Gandhian moment of civilising humanity as an antidote to the violent modern techno-industrial way of life. The interdependence and cooperation between humans and nature are inevitable. Non-exploitative and non-violent prerequisites of Gandhian ideology entail that interdependence and cooperation must be based on altruistic values and not on self-interest and materialistic values. This signifies immeasurable love not only among humans but also with nature. Thus, absolute love substitutes greed. Non-possession from an absolute love revolutionises the socio-ecological paradigm of human civilisation. Various ecological scientists and economists have asserted the need for revisiting the harmony between human activities and nature.</p><p>Stern et.al (1998) concluded that economic growth would never result in improvement in environmental quality. Arrow et.al (1995) concluded that economic growth is not a panacea for environmental quality. Meadows et al. (1972) in his book The Limits to Growth claimed that environmental limits would cause the collapse of the world economic system. Against this backdrop, Gandhi advocated the process of recycling and minimising waste so that humans adopt a lifestyle that integrates with the ecosystem. Humans must dwell in a life that converges with the law of nature and maintains ecological harmony. This notion of continuity of life is inspired by the Gandhian philosophy of non-violence and absolute love. The moment there is a break in continuity, it results in violence leading to unrest or conflict, dismantling the process of continuity.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ramin Jahanbegloo</b> is an Iranian-Canadian political philosopher. He is presently the Executive Director of the Mahatma Gandhi Centre for Nonviolence and Peace Studies and the Vice-Dean of the School of Law at Jindal Global UniversityDelhi, India.</p><p><b>Pooja Sharma</b> is an associate professor, the Department of Economics, Daulat Ram College, University of Delhi. An avid Gandhian, her contribution varies in the fields of energy security, energy transition, renewable energy, human capital and Gandhian perspective on energy transition.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mexico-US, Serbia-EU Border Lives and Works is an interdisciplinary, accessible, and comprehensive study of Mexico-US and Serbia-EU border practices and policies.</b></p><p>Our interdisciplinary, collaborative team of scholars, artists, and migration practitioners tackle crucial questions about how these borders impact people on the move, host communities, and the nations that grapple with the borders they enforce, politicise, celebrate, and mourn. Through chapters rooted in the growing fields of critical forced displacement studies and critical border studies, this edited volume considers the spaces inhabited by migrants in Mexico and the Western Balkans, the manifestations of various forms of violence (structural and physical), the models of care implemented at these sites, the protests and activism they inspire and forms of creativity that emerge and survive in border regimes.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Marina Lazetic</b> is the director of programs at the Center on Forced Displacement at Boston University and a PhD candidate at the Fletcher School, whose research focuses on civil society response to migration and securitisation of borders.</p><p><b>Carrie J. Preston</b> is a professor of English and Women's, Gender, &amp; Sexuality Studies and associate director of the Center on Forced Displacement at Boston University. Her current writing advocates for the field of critical forced displacement studies as a rubric for understanding art and activism in an age of global mobilities.</p><p><b>Muhammad H. Zaman</b> is an HHMI professor of Biomedical Engineering and Global Health and the director of the Center on Forced Displacement at Boston University. His current research focuses on health systems, barriers, and access to healthcare among forcibly displaced communities.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Toyin Falola is one of modern Africa's most prolific public intellectuals. This project seeks to illuminate the mind of this modern master in an age of transnationalisation.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Toyin Falola's astounding intellectual production must be one of the mysteries in the intellectual world. It has transcended the confined world of historical research into broader horizons that include the role of the public intellectual.</b></p><p>The present study would undertake a rigorous analysis of the origins, continuities and discontinuities of this transformation. This means we have to recast the debates regarding who is a public intellectual from a multiplicity of discursive situations and historical and cultural contexts. We have to employ methodological parallels from North Atlantic intellectual traditions. How did the role of the public intellectual emerge in the first place in world intellectual history? Addressing this question would enrich this research endeavour immensely.</p><p>In interrogating comparative discursive formations, we shall re-evaluate the roles, functions and achievements of continental intellectuals such as Betrand Russell, Jean-Paul Sartre, Andre Malraux, Albert Camus, Michel Foucault, Edward Said, Wole Soyinka and Pierre Bourdieu. Again, this discursive element will give this study a global appeal and range.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sanya Osha</b> has published prose, poetry and works of philosophy. He was a frequent contributor to Africa Review of Books/Revue Africaine des Livres. His other work has appeared in <i>Gadfly Online, Transition, Los Angeles Review of Books, World Literature Today, Journal of World Philosophies, Evergreen Review, 3AM Magazine, Johannesburg Review of Books, The Elephant Online </i>and<i> Research in African Literatures</i>. Professor Osha has worked at universities in Africa, Europe and the United States and is currently an adjunct professor at CLEA, University of Fort Hare, South Africa.</p>]]></Text>
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			<SubjectHeadingText>Mazeppa; Jewish Studies; Black Studies; Marginalia; Freemasonry; Ukraine; Stael; Pushkin; Mickiewicz; Foscolo; Shelley; Moore; Byron</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This book considers how Byron's cosmopolitanism, mobility, and chameleon style influenced Byron's identity in West and Eastern Europe. Transformed by French translations, Byron's work was read by Thomas Moore, Ugo Foscolo, Lady Mosergan, Madame de Stael, Adam Mickiewicz and Alexander Pushkin. His ironic style in "The Island" anticipated themes explored by Harlem Renaissance writers such as Countee Cullen and Russian poet Marina Tsvetaeva, while his death in Greece shaped how Adam Mickiewicz and Alexander Pushkin chose to live and end their lives.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Byron concealed himself in various literary disguises, a process he called 'mobility'.</b></p><p>In this study of influences on Byron's verse and Byron's European impact, I explore these borrowings and transformations as they manifested themselves in his reading. At issue is the very concept of romantic poetic voice. Framing himself in the tradition of the Irish yet cosmopolitan Thomas Moore, Byron adopted continental guises, imitating both Italian writers and political heroes, such as Dante, Machiavelli, and Tasso. In establishing an Italian identity, Byron relied upon the Italian writers he translated (Pulci, Dante), Thomas Moore's 'Fudge Family in Paris', and Shelley's 'Julian and Maddalo', as well as Goethe's Faust. </p><p>This Europeanisation of Byron should not conceal the fact that Byron adopted poses from his predecessors, such as Walter Scott, in order to fashion himself as a Scottish poet who also happened to be English. Byron became the writers he read: Moore, Shelley, Wordsworth, Scott, Foscolo, Lady Morgan, and Madame de Stael. Those who imitated Byron, particularly Alexander Pushkin and Adam Mickiewicz, became the best interpreters of his literary example, and explained what it meant to be a Harold in Muscovite Cloak, or a Polish Byron, to be both delimited and emancipated by Byron's example.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jonathan Gross</b> is Professor of English at DePaul University. He is the author of<i> Byron: The Erotic Liberal, The Life of Anne Damer: Portrait of a Regency Artist</i>, and <i>Byron's Corbeau Blanc: The Life and Letters of Lady Melbourne.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[The purpose of this volume is not simply to compile yet another wearying chronicle of the horrors that have been committed by our fellow human beings. It is intended to give the needed context to understand why such violence has been perpetrated in the past and why it continues to occur so frequently in the contemporary world.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The purpose of this volume is not simply to compile yet another wearying chronicle of the horrors that have been committed by our fellow human beings.</b></p><p>Most students who register for a course on Genocide assume that it will focus, perhaps exclusively, on the Holocaust  the case with which they are most familiar. Many of them have read Elie Wiesel's eloquent masterpiece <i>Night</i> in secondary school, and some may have read <i>The Diary of Anne Fran</i>k. A few students might even know that a genocide occurred in Rwanda or Darfur. Like most people, however, they equate genocide simply with mass killing, and assume that genocide must by definition entail millions of deaths.</p><p>Raphael Lemkin, who coined the word &amp;#x27;genocide&amp;#x27;  meaning literally &amp;#x27;to kill a people&amp;#x27;  originally defined it &amp;#x27;a colonial crime of destroying the national patterns of the oppressed and imposing the national patterns of the oppressors&amp;#x27;. This was a process, Lemkin said, deliberately intending to destroy a people's culture that could sometimes but not necessarily always result in mass murder. Students need to know that after World War II the great powers undermined and co-opted the process of writing the 1948 Genocide Convention at the UN  because these nations did not want their own colonial crimes, oppression of minorities,and destructions of cultures to be included in the definition.</p><p>Instead, they simply used the Holocaust as a template and succeeded in distorting what Lemkin originally meant by &amp;#x27;genocide&amp;#x27;  the murder of a people by destroying their social and cultural connections.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Thomas Earl Porter</b> is Professor of Russian and Modern European History at North Carolina A&amp;T State University, Greensboro, NC.</p><p><b>John Cox</b> is Associate Professor of History and Global Studies at the University of North Carolina Charlotte.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An inspiring guide that carves your path in environmental psychology by exploring the journeys of leading scholars and practitioners.</b></p><p>This book explores the interdisciplinary pathways that leading environmental psychologists have taken to become educators, researchers, consultants, and professionals in this highly applied and growing field. Environmental psychology examines the transactions between people and the built and natural settings in which they inhabit. Despite this broad scope, few direct avenues to careers in environmental psychology exist, and students must forge varied and individualised routes to becoming scholars and practitioners in this important area of study.</p><p>The aim of the book is to serve as an inspiring supplemental resource for those who wish to know more about how leading thinkers established themselves as environmental psychologists. Individuals with backgrounds in architecture, urban planning, and geography, as well as in the health sciences, describe how they discovered environmental psychology. In each chapter, the author describes their inspirations, decisions about undergraduate and graduate courses, particular schools, and professional connections that have made a difference to their careers  with the hope that others will follow in their footsteps.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Discusses EU member state institutions that take their decisions either by unanimity or by qualified majority (about two-thirds).</b></p><p>This book discusses EU member state institutions that take all their decisions by unanimity (i.e., individual countries can and do hold all others hostage in order to extract concessions for their vote). On the other end of the spectrum are EU institutions that take most of their votes by so-called qualified majority. In this case, the former hostage holders can now simply be outvoted. Hence, the latter EU institutions could be a likely candidate for a practical solution to the unanimity-voting quagmire.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>We all die at the end</i> offers a survey of contemporary end-of-the-world fiction, spanning literature, children's fiction, video games, theatre and film. It draws on eco-critical philosophy and narrative theory to show ways in which the climate crisis is reorienting storytelling in the face of foreseeable human extinction. In the process, it argues that such stories have a role to play in helping us come to terms with the severity and scale of the crisis that we face.</p>]]></Text>
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			<SubjectHeadingText>transnationalism; affect theory; colonialism and imperialism; Phebe Gibbes; British women's fiction; British Romanticism; Jane Austen; narrative theory; Anglo-India; the long eighteenth century</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Centralising the prolific English novelist, Phebe Gibbes, in a lineage of women writers of the revolutionary period, this study traces Gibbes' evolution from satire to irony through detailed discussion of five novels representing women's struggle for agency in the context of a shifting British patriarchy and its growing global imperialism.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Through the Fiction of Phebe Gibbes </i>places this prolific, newly recovered English writer at the centre of the revolutionary period. Gibbes's novels mark the struggles of women for agency in an expanding British empire, from the Seven Years' War to revolutions in American, Haiti and France. With Gibbes as a nexus in a lineage of women writers from Aphra Behn to Jane Austen, Kathryn S. Freeman offers a valuable perspective on the &amp;#x27;long eighteenth century&amp;#x27;, with Gibbes' own evolution mirroring that of the larger period. The study traces the development of Gibbes' authorial voice from satire to irony through a range of female characters subverting patriarchal oppression. Freeman guides the reader through patterns of narrative voice, concerns with gender and sexuality, and elements of wordplay through detailed discussion of five novels representing Gibbes' evolving representation of a subversive female subjectivity.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Based upon over 300 personal testimonies, the book traces the everyday experiences of teenage girls of the post-war period, illuminating how matters of romance, sex and intimacy shaped their young lives. In doing so, it reveals the pivotal role that young women played in changing English sexual culture in the 1950s, 1960s and 1970s.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Teenage Intimacies</i> offers a new account of 'sexual revolution' in mid-twentieth century England. Rather than focusing on 'Swinging London', the book reveals the transformations in social life that took place in school playgrounds, local cinemas, and suburban bedrooms.<br/>Based on over 300 personal testimonies,<i> Teenage Intimacies</i> traces the everyday experiences of teenage girls, illuminating how romance, sex and intimacy shaped their young lives. The book shows how sex became embedded in ideas about 'growing up' and explores how heterosexuality influenced young women's social lives and vice versa. It offers new explanations of why sexual mores shifted in this period, revealing the pivotal role that young women played in changing sexual values, cultures and practices in the 1950s, 1960s and 1970s.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Hannah Charnock</b> is a Senior Lecturer in Modern British History at the University of Bristol.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In <i>Straight Nation</i>, Pavan Mano reveals the logic of straightness that sits at the heart of postcolonial nationalism in Singapore. Mano rejects the romantic notion of the nation as a haven of belonging, showing it to be a relentless force that is allied with heteronormativity to create a host of minoritised and xenologised figures. Through meticulous exploration and close reading of a swathe of texts, Mano unveils the instrumental role of sexuality in structuring the national imaginary. The book adroitly demonstrates how queerness is rendered foreign in postcolonial Singapore and functions alongside technologies of &amp;#x27;race&amp;#x27;, gender, and class. A provocative critique of narrow contemporary identity politics and its concomitant stymying of a more ambitious political critique, <i>Straight Nation</i> sets out an argument that moves beyond the negativity of traditional critique into a space of (re)thinking, (re)building and (re)imagining.</p>]]></Text>
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			<SubjectHeadingText>M/F; The End of the World News; Earthly Powers; cultural criticism and the novel; Mikhail Bakhtin; Enderby; 20th century literature; British literature; Anthony Burgess; American literature</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This book is a critical biography and literary cultural analysis of Burgess's interactions with the United States of America and American society, using newly discovered documents, archival research and Burgess's entire canon to investigate the profound influence of America on Burgess's life and work.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Anthony Burgess and America</i> is a biographical and critical analysis of Burgess's commentary on and relationship with the United States of America.</p><p>Utilising Burgess's entire canon and newly discovered materials to assess Burgess's views on America, this book also evaluates the American inspirations in five Burgess novels. This essential addition to Burgess scholarship tells the story of a nearly unexplored area of Burgess's life. For the first time ever, Burgess's American experiences, work, and documented communication, lectures, interviews and public utterances are brought together to assess where these commentaries overlapped with his fiction. </p><p>The result is a complex personal and public history about one of Britain's greatest twentieth century authors and their immersion into and interaction with American culture in the second half of the twentieth century.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A writer's quest to understand the deep past and uncertain future of his homeland.</b></p><p>After inheriting the miner's safety lamp that belonged to his great-grandfather, Jake Morris-Campbell sets out on a pilgrimage across his homeland. Travelling from the Holy Island of Lindisfarne to Durham Cathedral, he asks what new ways might be made through the old north.</p><p>This region, a hub of early Christian Britain and later strongly defined by industry and class, now faces an uncertain future. But it remains a unique and starkly beautiful part of the country, with a deep history that is intimately entwined with the idea of Englishness. Jake's journey along the 'Camino of the North' sees him explore the shifting nature of individual and regional identity across thirteen-hundred years of social change. At the same time, it challenges him to reconsider his own calling as a writer and how it relates to the lives of the people he meets along the way.</p><p><i>Between the salt and the ash</i> asks what stories the North East can tell about itself in the wake of Christianity and coal. Rejecting the damaging trope of 'left behind' communities, Jake uncovers neglected seams of culture and history, while offering a heartfelt celebration of the place he calls hyem.</p><p><b>'Beautifully written'  Brian Groom, author of </b><b><i>Northerners: A History</i></b></p><p><b>'It should be read by us all, wherever we live.'  David Almond, author of </b><b><i>Skellig</i></b></p><p><b>'Beautifully crafted'  Robert Colls, </b><b><i>The New Statesman</i></b></p><p><b>'A tender Northumbrian camino through England's own land of saints and scholars.'  Dan Jackson, author of </b><b><i>The Northumbrians</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jake Morris-Campbell</b> was born in South Shields in 1988. His collection of poetry <i>Corrigenda for Costafine Town</i> (2021) was longlisted for the RSL Ondaatje Prize. A BBC New Generation Thinker, he regularly appears on Radio 3. Recent commissions include writing for the Lindisfarne Gospels exhibition at The Laing Gallery, Newcastle and for the After Dark Festival at The Glasshouse, Gateshead. He is co-editor of <i>Marratide: Selected Poems of William Martin</i> (2025) and currently works as Teaching Fellow in Creative Writing at Liverpool John Moores University.</p>]]></Text>
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			<SubjectHeadingText>Royal Bank of Canada; Canadian banking; government spending; Canadian capitalism; 2008 financial crisis; bank nationalization; Canadian economic policies; global finance and banking; globalization</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>The aftermath of the 2008 financial crisis produced diverse solutions, from nationalising banks to increasing government spending and taxing capital. However, these proposals all faced significant obstacles in being realised. Industry lobbying has since weakened reforms, leading to ineffective policies, raising the larger question of how to understand our current period of globalisation where older strategies are ineffective but new solutions seem unattainable.</p><p>In <i>Royal Histories</i>, Joel Z. Garrod presents a historical analysis of the Royal Bank of Canada, illustrating how Canadian capitalism and the Canadian banking industry have transformed as they have consolidated nationally and expanded abroad. Emphasising how national institutions and rules are increasingly becoming capabilities for transnational forms of capital accumulation, the book draws on extensive primary and secondary sources to document the transformation of the assemblage of territory, authority, and rights that have supported the bank's activities over time.</p><p>Linking the bank's history to the policy regimes of the welfare state and neoliberalism, Garrod contends that our present period of globalisation is constituted by a novel organising dynamic that severely limits the extent to which nation-states can absorb capitalist crises or be a site of successful social reform. Connecting the Canadian experience to the wider transformation of global capitalism,<i> Royal Histories</i> illuminates the effects of globalisation and the changing landscape of banking and finance.</p>]]></Text>
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			<SubjectHeadingText>home ownership; immigration; social inequality; Toronto home owners; Canadian neighbourhoods; urban planning; suburbs and cities; public health; city planning; disadvantaged neighbourhoods; population density</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[The Rise of the Neighbourhood in Canada provides a comprehensive account of how Canadian neighbourhoods have evolved in character and importance over time.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Neighbourhoods matter now more than ever before. They sustain fewer social connections, but in an era of great social inequality and high levels of immigration, they have become vital as places for homeowner investment and educational opportunity for children.<i> The Rise of the Neighbourhood in Canada, 1880s2020s </i>traces the changing character and significance of Canadian urban neighbourhoods, city and suburban, since the 1880s.</p><p>The book highlights patterns in neighbourhood life, particularly noticeable in larger urban areas, which are especially important for the least mobile people: workers, lower income households, immigrants, women, children, and the elderly. It explores how the physical and social characteristics of neighbourhoods affect public health, crime rates, social capital, and job opportunities while shaping the lifelong prospects of children. Analysing long-term trends, the book examines the importance of communications technology in the context of rising inequality and immigration. It shows how, as homeownership rose, neighbourhoods became vital settings for investment, increasingly financialized, reducing affordability. Using examples from all types of neighbourhoods in cities small and large, from St. John's through Montreal and Winnipeg to Victoria, The Rise of the Neighbourhood in Canada argues that the current prominence of neighbourhoods will persist.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Richard Harris </b>is a professor emeritus of urban geography at McMaster University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book demonstrates the integral role music played in Nazi statecraft and ideology, from the personal obsessions of the Nazi leadership to the harrowing use of musical sadism in the Holocaust.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Music was an integral part of statecraft and identity formation in the Third Reich. Structured thematically and semiotically around the Wagnerian tetralogy of the Ring cycle, <i>Hitler's Twilight of the Gods </i>provides a sonic read of the Second World War and the Holocaust.</p><p>Alexandra Birch sheds light on the specific type of music promoted under Nazism, linked to larger Teutonic mythologies and histories espoused in rhetoric and personal styling. The book explores the musical fixation of the command as it was extended to the ordinary troops of the Wehrmacht and SS in instances of musical sadism and destruction during the Holocaust. It reveals how, in constructing what was &amp;#x27;German&amp;#x27;, this process also intentionally fashioned a subaltern other with an assigned set of music and aesthetics.</p><p>The book draws on analysis of testimony and perpetrator documents to reveal the execution of this binary identity and the inclusion of music even in extreme genocidal conditions. From drinking games in the interwar period, to musical sadism in the Holocaust, to the final delusions of the command in collapse, <i>Hitler's Twilight of the Gods</i> illuminates how music was a component of camaraderie, identity, masculinity, and warfare.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Drawing on decades of medical practice and research, A Return to Healing reveals how today's doctors prioritise numbers over patients and offers empowering solutions for reforming the American health care system towards better patient-centred care.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Drawing from their extensive experience in primary care and backed by decades of academic research, primary care physicians Andy Lazris, MD, and Alan Roth, DO, unravel the complexities of the modern health care system in A Return to Healing. Through a wealth of patient stories and meticulous research, they dig into the roots of American health care challenges and seek its cure.</p><p>Utilising poignant patient narratives and rigorous analysis, Lazris and Roth expose the flaws in our modern approach to health care. The book dissects the current philosophy of medical care, addressing foundational issues in health care infrastructure, the pitfalls of screening, the dishonesty of the pharmaceutical industry, and a lack of common sense among health care providers. By exploring common diseases and medical scenarios, demonstrating how doctors arrive at their conclusions, and focusing on the perverse incentives and outdated training that drive doctors to rely on protocols and numerical-based care, Lazris and Roth demonstrate what is wrong with the system and reveal how to fix it.</p><p>Advocating for patient empowerment, the book offers a road map for reform that is accessible to patients and policymakers alike. This solution-oriented approach aims to dismantle barriers to patient-centred care and foster informed decision-making. In this compelling critique and call to action, A Return to Healing provides a clear path towards a more equitable and effective health care system.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Andy Lazris</b>, MD, is a physician practising primary care and geriatric medicine in Maryland. As a Certified Medical Director, he orchestrates medical care and provides education for several long-term care facilities, frequently giving talks about health issues throughout the community. He is a Baltimore Top-Doc multiple years running and regularly writes op-eds and scholarly articles about our health care system, working to make it more sensible for patients and physicians. He has written multiple books, including<i> Curing Medicare </i>and, with Erik Rifkin, <i>Utilizing Effective Risk Communication in COVID-19</i>.</p><p><b>Alan Roth</b>, DO, is a physician practising family medicine and palliative care in New York. He is chairman of the MediSys Health Network Department of Family Medicine and Ambulatory Care. He is the recipient of numerous awards, including &amp;#x27;NY Magazine Best Doctor&amp;#x27;, and was featured in <i>TIME </i>magazine as a Guardian of Healthcare during the COVID-19 pandemic. He is a professor of family medicine at NYIT's College of Osteopathic Medicine and an assistant professor of social and family medicine at Albert Einstein College of Medicine.</p>]]></Text>
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			<SubjectHeadingText>Arthur Avalon; Easter; Hindu; Tantrist; Liber Novus; Psychological Club; Jungians; Psychotherapie; Nuremberg Laws; Chinese; Shakti; Hypnerotomachia; Berlin Seminar; Navajo Indians; Bad Nauheim; Allgemeine rztliche Gesellschaft; Gnostics; Hatha Yoga; General Medical Society; Artistic Form; Navajo; Dream Analysis; Hofmannsthal; Christ; Kundalini Yoga; Tantric; Latin; Swahili; Apuleius; Bollingen Foundation; Brahma; Taoist; Minotaur; Spanish; Socrates; Aryan; Eranos; Palestine; Christian; Gesellschaft; Kundalini; Jericho; Sonne; Vishnu; Satan; Theseus; Buddhist; Catholic; Mediterranean; Isis; Krishna; Jesus; Jews; Greek; Freud; Tibetan; Nazi; Christmas; Basque; Kunstform; Sushumna; Eranos Conferences; Swiss; Analytische Psychologie; Germanic; Shiva; Sanskrit; Jewish; Great Liberation; Mountain Chant</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Jung's landmark seminar on the symbolism of yoga and its applications to dream analysis.</b></p><p>In the summer of 1933, C. G. Jung conducted a seminar in Berlin attended by a large audience of some 150 people, including several Jewish Jungians who would soon leave Germany. Hitler had begun consolidating his position as dictator and these students were distressed at Jung's recent decision to accept the presidency of a German professional psychotherapy society that was rapidly becoming Nazified and purged of Jews. <i>On Dreams and the East</i> makes these seminar sessions widely available for the first time, offering tantalising insights into Jung's evolving understanding of yoga and the realisation of the self.</p><p>The seminar commences with a presentation on the psychology of yoga by noted Indologist and linguist Heinrich Zimmer, whose collaboration in these talks reflects Jung's growing engagement with the Hindu tradition, particularly Tantric yoga. Jung analyses a series of dreams of a middle-aged male patient, focusing on mandalas and the centering process. He reflects on related motifs in alchemical symbolism, Navaho healing drawings, Mithraism, baptism symbolism, the foundation of Rome, ecclesiastic dances, and labyrinths, drawing connections with the symbolism of yoga and Tantra.</p><p>Featuring a richly documented introduction by Giovanni Sorge, <i>On Dreams and the East</i> opens a window on Jung's deepening exploration of Eastern thought and the comparative study of the individuation process at a critical juncture in his life and work.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Giovanni V. R. Sorge</b> is an editor at the Philemon Foundation and an independent researcher who has collaborated with the University of Zurich and with ETH Zurich. He specialises in the history of Jungian analytical psychology and of psychoanalysis and has written extensively on Jung.</p>]]></Text>
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			<SubjectHeadingText>Action; Ages; Ancient; Antiquity; Armies; Assembly; Authority; Behavior; Bishops; Byzantine; Carolingian; Century; Charlemagne; Christian; Church; Cities; Communities; Community; Consensus; Contio; Councils; Crowd; Demographic; Density; Discourse; Economic; Eighth; Eighth century; Eleventh; Eleventh century; Elites; Empire; Figures; Frankish; Germanic; Greek; Gregory; Groups; Historians; History; Imperial; Justice; Labor; Language; Latin; Law; Legitimacy; Liturgical; Mass; Medieval; Medieval crowd; Military; Monastery; Monks; Moral; Multitude; Multitudo; Ninth; Numbers; Palace; Peasants; Politics; Populations; Populus; Positive; Power; Priests; Regime; Relics; Religious</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The importance of collective behavior in early medieval Europe.</b></p><p>By the fifth and sixth centuries, the bread and circuses and triumphal processions of the Roman Empire had given way to a quieter world. And yet, as Shane Bobrycki argues, the influence and importance of the crowd did not disappear in early medieval Europe. In <i>The Crowd in the Early Middle Ages</i>, Bobrycki shows that although demographic change may have dispersed the urban multitudes of Greco-Roman civilisation, collective behaviour retained its social importance even when crowds were scarce.</p><p>Most historians have seen early medieval Europe as a world without crowds. In fact, Bobrycki argues, early medieval European sources are full of crowds  although perhaps not the sort historians have trained themselves to look for. Harvests, markets, festivals, religious rites, and political assemblies were among the gatherings used to regulate resources and demonstrate legitimacy. Indeed, the refusal to assemble and other forms of &amp;#x27;slantwise&amp;#x27; assembly became a weapon of the powerless. Bobrycki investigates what happened when demographic realities shifted, but culture, religion, and politics remained bound by the past. The history of crowds during the five hundred years between the age of circuses and the age of crusades, Bobrycki shows, tells an important story  one of systemic and scalar change in economic and social life and of reorganisation in the world of ideas and norms.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Shane Bobrycki</b> is assistant professor of history at the University of Iowa.</p>]]></Text>
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