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			<SubjectHeadingText>Aboriginal military service; Anti-war activism Australia; Anzac and national identity; Anzac legend critique; Anzac myth; Australian war historiography; Australian war memory; Charles Bean Anzac myth; Feminist war protest; Gallipoli cultural trauma; Indigenous soldiers WWI; Radical diggers; Veteran suicide history; War trauma and commemoration</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[The Anzac legend has shaped Australia's national identity for more than a century. Yet many experiences of war do not fit comfortably within this.]]></Text>
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			<Text textformat="02"><![CDATA[<p>The Anzac legend has shaped Australia's national identity for more than a century. Yet many experiences of war do not fit comfortably within this.</p><p>In <i>Challenging Anzac</i>, leading historians explore some of these stories: Aboriginal activists, deserters on the Western Front, veterans who took their own lives and soldiers who became radicalized by their service. They reveal how episodes in Australia's war history that unsettled the Anzac legend  from the relief of Tobruk, nuclear testing on Australian soil and feminist protests against war, to alleged atrocities in Afghanistan  have been elided or adapted to 'fit' the legend.</p><p>Edited by award-winning historians Mia Martin Hobbs, Carolyn Holbrook and Joan Beaumont, <i>Challenging Anzac</i> examines how the reality of warfare has always been at odds with mythic representation and considers why, despite this, the Anzac legend has survived. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mia Martin Hobbs</b> is an oral historian of war and conflict, with a research focus on the Vietnam War, War on Terror, gender, peace, security and postwar reconciliation. Her first book, Return to Vietnam: An Oral History of American and Australian Veterans' Journeys, won the Oral History Australia Book Award in 2022 and was highly commended for the Memory Studies First Book Award in 2023. She has written widely on anti-war veteran activism, war crimes and the impact of the Anzac revival on Australian veterans' war memory. She is presently an ARC DECRA fellow at Deakin University.</p><p><b>Carolyn Holbrook</b> is a historian at Deakin University. Her latest books are <i>Australia Fair? Democracy, Bureaucracy and the Making of Modern Australia</i> with James Walter, and <i>Gold Standard? Remembering the Hawke Government</i>, co-edited with Frank Bongiorno and Joshua Black. She is the director of the Australian Policy and History network and the Australian Health and History digital archive.</p><p><b>Joan Beaumont</b> is an internationally recognised historian of Australia in the two world wars, the history of prisoners of war, and the memory and heritage of war. Her publications include <i>Gull Force: Australian POWs on Ambon and Hainan, 194145; Australia's Great Depression: How a Nation Shattered by the Great War Survived the Worst Economic Crisis It Has Ever Faced</i>; and the critically acclaimed <i>Broken Nation: Australians in the Great War</i>, joint winner of the 2014 Prime Minister's Literary Award (Australian History), and winner of the 2014 NSW Premier's Award (Australian History), the 2014 Queensland Literary Award for History and the Australian Society of Authors' 2015 Asher Award.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A stellar lineup of historians, social scientists, politicians and journalists sheds valuable new light on the policies, politics and personalities of the Hawke Government.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Was the Hawke government 'the gold standard' for federal government in Australia? A stellar line-up of historians, social scientists, politicians and journalists sheds valuable new light on the policies, politics and personalities of the Hawke government and asks: What lessons can it offer in the art of reformist government? How do its legacies continue to shape Australian society?</p><p>Troy Bramston and Andrew Podger explain how Hawke masterfully managed the work of government and administration; Michelle Grattan and Meghan Hopper analyse how the government and prime minister dealt with the media; Frank Bongiorno shows how the Labor Party won four elections on the trot; while Marija Taflaga looks at how unprepared Hawke's opponents were for their period in the wilderness. Bruce Chapman and Liam Byrne discuss the competing legacies of the LaborUnion Accords of the 1980s; Meredith Edwards and Carolyn Holbrook demonstrate that social justice and health reform were still possible in the context of fiscal restraint; Marian Sawer shows how women's policy mattered; while Peter Yu recalls the major disappointments of the era for First Nations Australians. Gareth Evans and Ian Macphee offer their perspectives on the Hawke government's legacies and impact; Barrie Cassidy and Craig Emerson share their recollections of the Hawke office; and Joshua Black shows that memories of the Hawke era were not so rosy in its immediate aftermath.</p><p><b>'A thoughtful, readable collection on the ambitions, arguments, achievements and political courage of Australia's best post-war government.'  Judith Brett</b></p><p><b>'This multifaceted diagnosis of Australia's most revered government bristles with fresh insights and analysis. It is at once comprehensive in scope and yet brilliantly engaging. For anyone seeking to understand modern Australia's achievements and shortcomings, </b><b><i>Gold Standard?</i></b><b> is the place to start. Editors Bongiorno, Holbrook and Black have thoughtfully augmented their own expertise with a panoply of writers, some with unique experience within the Hawke government. The result makes for a telling prequel to the policy challenges and political paralysis bedevilling Australia today.'  Mark Kenny</b></p><p><b>'The Hawke government was a winning government  the winner of big public debates it initiated, persuasively framed and mustered public support for, and the winner of four elections in a row as a result. It excelled at both the substance and theatre of politics. This book shows how easily its winning playbook could be carried over and adapted by today's politicians to meet contemporary challenges with the deeper solutions Australians so clearly want. Compulsory reading.'  Chris Wallace</b></p><p><b>'This multidimensional analysis of Bob Hawke's skilful distributed leadership  responsibility delegated to talented individuals pursuing disparate objectives, deliberation debated and contested within a disciplined reformist framework  reminds us that formidable challenges can be transformed into opportunities for productive change. It is the antidote for our troubled times.'  James Walter</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Frank Bongiorno </b>is a historian at the University of Canberra and the author of books including <i>The Sex Lives of Australians: A History, The Eighties: The Decade that Transformed Australia, Dreamers and Schemers: A Political History of Australia</i> and, with Nick Dyrenfurth, <i>A Little History of the Australian Labor Party</i>.</p><p><b>Carolyn Holbrook</b> is a historian at Deakin University. Her latest books are <i>Challenging Anzac: Stories that Don't Fit the Legend</i>, co-edited with Mia Martin Hobbs and Joan Beaumont (2026), and <i>Australia Fair? Democracy, Bureaucracy and the Making of Modern Australia</i>, co-authored with James Walter (2026). She is the director of the Australian Policy and History network and the Australian Health and History digital archive.</p><p><b>Joshua Black</b> is a political historian, policy researcher and media adviser. His PhD on the history of Australian political memoir and autobiography was completed at the Australian National University in 2023. Josh has been a postdoctoral research fellow at the Australia Institute and a Palace Letters Fellow at the Whitlam Institute within Western Sydney University.</p>]]></Text>
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			<SubjectHeadingText>Activism Forms &amp; Strategies; Activist wisdom and knowledge transfer; Administrative activism; Anti-conscription movement; Anti-protest legislation (Roads and Crimes Act 2022); Artistic protest (music; Association for International Cooperation and Disarmament (AICD); Australian protest history; Biographical availability; Bob Gould; Civil disobedience in Australia; Climate activism parallels; Cold War activism; Collective identity; Communist Party of Australia (CPA); Conscientious objectors (COs); Contemporary Echoes &amp; Relevance; Decentralized protest networks; Digital activism and clicktivism; Disability and activism; Draft Resisters Union (DRU); Draft resistance and evasion; Ex-Services Human Rights Association of Australia (ESHRAA); Feminist historiography; Freda Brown; Fundraising as protest; Grassroots organizing; Intersectional activism; Invasion Day rallies; Jane Gray; Ken McLeod; Key Groups &amp; Individuals; Knitting Nannas; Legal support for activists; Letter-writing campaigns; Micro-protest and slacktivism; Moratorium Campaign 197071; National Service Act 1968; Non-traditional activism; Palestine solidarity protests; Political consumerism; Political repression and protest laws; Protest voting and minor parties; Public servant activism; Quiet protest; Radical empathy in archiving; Save Our Sons (SOS); School Strike 4 Climate; Social Movement Theory &amp; Participation; Social networks and mobilization; Teach-ins and sit-ins; Vietnam War protest Australia; Volunteerism and unpaid labor; Wearing protest (badges; Women's International League for Peace and Freedom (WILPF); armbands); film); poetry; theatre</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[A new history of protest told through the quiet activism of everyday Australians.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A new history of protest told through quiet activism.</b></p><p>The Vietnam War sparked the largest public demonstrations Australia had ever seen. Hundreds of thousands of citizens actively opposed the war in the 1960s and 70s.</p><p><i>Quiet Protest</i> uncovers a hidden side of this movement, telling the story of activism that was powered by letter-writing, legal aid, fundraising and everyday conversations. The public anti-Vietnam War protest movement was unprecedented, but so was the 'quieter' movement. By focusing on the anti-Vietnam War movement in NSW, this book offers a case study which re-imagines our understanding of protest.</p><p>These quieter acts of dissent reshaped political engagement and laid the groundwork for future movements  from feminist organising to climate justice. Historian Effie Karageorgos offers a captivating new perspective on what it means to protest, and who gets remembered. </p><p><b>'A new and original history of protests against the Vietnam War that also broadens our understanding of the meaning and forms of "protest" itself.'  Professor Sean Scalmer, University of Melbourne School of Historical and Philosophical Studies</b></p><p><b>'Effie Karageorgos dives deep in the archives, revealing the mechanics and diversities of a mass protest movement. There is nothing else like it.'  Rowan Cahill, historian and co-author of </b><b><i>Radical Sydney</i></b></p><p><b>'An absorbing history, this book sizzles with thought-provoking insights into opposition to Australia's role in the Vietnam War. It is history that evokes a tumultuous past and speaks to our troubled present.'  Ann Curthoys, historian and protester</b></p><p><b>'Effie Karageorgos takes us under the bonnet of the anti-Vietnam War protests to provide a fresh perspective on Australia's democracy. Behind the familiar names and big protests, there were many thousands of Australians quietly debating and donating, writing to the papers and signing petitions, maintaining silent vigils and offering conscientious objectors their sympathy, understanding and moral support. This is a vivid account of a living democracy confronting one of the biggest controversies of the twentieth century.'  Frank Bongiorno, Donald Horne Professor of History and Public Ideas, University of Canberra</b></p><p><b>'More than a history book, </b><b><i>Quiet Protest</i></b><b> provides great insights into how protests deliver wins for progressive movements.'  Lee Rhiannon, former Australian Greens Senator</b> </p>]]></Text>
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			<Text textformat="02"><![CDATA[The Papunya Literature Production Centre was the centre of community life at Papunya in the 1980s. Fuelled by youthful energy and guided by the community's Elders  among them pioneers of the Western Desert Art movement  the centre produced more than 300 Pintupi-Luritja readers in a little over ten years.]]></Text>
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			<Text textformat="02"><![CDATA[<p>The Papunya Literature Production Centre (PLPC) was the centre of community life at Papunya in the 1980s. Fuelled by youthful energy and guided by the community's Elders  among them pioneers of the Western Desert Art movement  the centre produced more than 300 Pintupi-Luritja readers in a little over ten years. These books hold accounts of moments of first contact, Dreaming stories, life in the community, plants, animals and more. They were written and illustrated on Country and in language. After the program ended, these readers lay boxed in a padlocked dark room...until Dr Samantha Disbray unearthed the key.</p><p>The Papunya readers are full of humour, as in <i>Kata yurilpa</i> (Bald Head), which is about a man who uses special plants to grow his hair for a Midnight Oil concert and turns up looking like a long-haired rocker, only to find that the lead singer has a bald head. And they are full of drama, as in the many stories about the first plane ever sighted by the Papunya community, which some believed was a 'stumpy winged devil', or in <i>Walypalalitju Lurtjurinytjaku</i> (Me and a Whitefella Meeting), which is a unique document of one man's personal journey from first contact.</p><p>In Pintupi-Luritja, Wangka Wakanutja (pronounced WUN-ka WUK-a-noo-tja) means 'the story has been told'. Richly illustrated with photos of the artists, authors and students in action, as well as artwork from the readers themselves, this is the definitive story of a radical bilingual literature movement, powered by collective creativity and cultural pride.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Sociologist Professor <b>Vivien Johnson</b>'s connection to Papunya, its artists and art movement spans more than four decades.</p><p><b>Charlotte Phillipus </b>is a retired teacher, community linguist, renowned artist and authority on Pintupi-Luritja. She was a leading writer for the PLPC and guided Vivien and Samantha in all stages of this book.</p><p><b>Dr Samantha Disbray</b> is a lecturer in endangered languages and involved with Indigenous language revitalisation.</p>]]></Text>
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			<SubjectHeadingText>Aboriginal art; Australian Indigenous language; Dreamtime stories; East Kimberley flora; East Kimberley language; First Nations language; Gija Country; Indigenous Knowledge; Warmun; Western Australia Aboriginal language; botanical guide; creation stories; ethnobotanical guide; native plant edibles; traditional medicine</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Gija Goowoolem Doo Minybernem  Gija trees and grasses shares ancestral stories, detailed plant knowledge and cultural wisdom from Gija Country in the East Kimberley, told by a senior Elder. It also serves as a stunning art catalogue featuring 72 acclaimed paintings.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Gija goowoolem doo minybernem </i> <i>Gija trees and grasses</i> is both a work of art and an extraordinary ethnobotanical achievement. At its heart are 72 stunning paintings by award-winning artist Birrmarriya Shirley Purdie which feature the significant flora found in Gija Country in the East Kimberley region of Western Australia. The paintings are accompanied by Birrmarriya's descriptions of each plant's traditional properties and uses  for food, medicine and object making  as well as their place in Gija culture and history. </p><p>The result is a rich botanical encyclopaedia informed by Ngarranggarni  'the Dreamtime' or 'creation time'  which both preserves and shares traditional knowledge, now and into the future. Birrmarriya and co-author, linguist, artist and gardener Frances Kofod, share a love for Gija Country and its flora. They collaborated over many years to create this richly layered book which includes stories in both Gija and English, new maps of Gija Country and useful appendices containing plant descriptions, species names and photographs. Birrmarriya Shirley Purdie won the Blake Prize in 2007. The paintings in this book are part of the collection of the Museum of Contemporary Art, Sydney. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Birrmarriya Shirley Purdie</b> is a Gija woman of Nangari skin who was born in 1947 at Gilban (Mabel Downs Station) in the East Kimblerley region of Western Australia. As a respected community elder and as part of her cultural responsibilities, Birrmarriya passes on her encyclopaedic knowledge of Gija language, cultural practices, the intrinsic ecological relationships of country, ethnobotanics, and flora and fauna identification with family, schools, seed collectors, scientists, environmentalists, miners, pastoralists and ranger groups. Birrmarriya has been painting since the early 1990s. She was awarded the Blake Prize for Religious Art in 2007 and her work is held in major national collections including at the Museum of Contemporary Art and the National Portrait Gallery.</p><p><b>Frances Kofod</b> was born in Sydney in 1948 and grew up there and in Armidale in northern New South Wales. In 1978, she completed her Master of Arts thesis on the Miriwoong language. Frances first met Birrmarrya Shirley Purdie in 1987 when working as a linguist in the Gija language program at Ngalangangpum School at Warrmarn. Frances's first recordings of Birrmarriya relating the stories of her paintings date from this time. From the late 1980s to the present, Frances continues to work on many language projects involving Miriwoong, Gija and Gajirrabeng languages, and was the main compiler of the <i>Gija Dictionary</i> (ASP, 2022).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Emily Kam Kngwarray </i>celebrates the timeless art of pre-eminent Australian artist and one of the world's most significant contemporary artists to emerge from the twentieth century. An Anmatyerr woman from Central Australia, Kngwarray devoted the last decades of her life to new artistic pursuits, creating works that encapsulate the experience and authority she gained throughout her extraordinary life.</p><p>Celebrating the landmark presentation of <i>Emily Kam Kngwarray</i> at Tate Modern, London, this vibrantly illustrated publication is reissued in paperback featuring Kngwarray's monumental <i>The Alhalker Suite</i>. </p><p>Offering insights into Emily Kam Kngwarray's life and work, the book features original research from curators and academics and reflections from the artist's Community. From early vibrant batiks to her later paintings on canvas, the publication brings together Kngwarray's most significant works. It includes rare archival images and a visual record of Community consultations and visits to Kngwarray's Country. </p><p><i>Emily Kam Kngwarray</i> is published following major retrospectives at the National Gallery of Australia and Tate Modern, London.</p>]]></Text>
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			<SubjectHeadingText>Annie Smithers; Australian food culture; Stephanie Alexander; bush foods; chef's journey; distillery craft; ethical eating; feminism; feminism and food; food memoir; food security; food sovereignty; food sustainability; gin; local producers; oyster farming; oysters; responsible consumption; slow food movement; wellness and resilience; wine; women in hospitality</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Disillusioned chef and sustainable food advocate Lucy Ridge is sick of the barked orders, the long hours, the inappropriate comments in a male-dominated hospitality environment. It's ruining her love for cooking. So she decides to go searching for a more meaningful relationship with food. Taking inspiration from her first female mentor in the kitchen, she seeks out other women working in food and farming across the country to teach her how to grow, make, harvest and live a different kind of life, with ethical food production at the centre.</p><p>Her kitchen sojourn takes her across the country: from wild-harvesting bush foods with an Indigenous Elder in Broome, cheese-making in country New South Wales and butchering pasture-raised pigs in Victoria, to stomping grapes in Tasmania and shucking oysters near Jervis Bay. As she develops a new understanding of the land and the women who work it, she finds herself transformed. <i>Fed Up</i> takes readers on a journey from paddock to plate, exploring the role of women in food production and prompting us to think more deeply about the people responsible for our dinner.</p><p><b>'Lucy gains new skills, meets some fascinating women and appreciates the effort and dedication required to champion quality above all. The careful reader will come away with new understanding of process and respect for these farmers and growers who demonstrate care for country at the same time as following their own passions.'  Stephanie Alexander, cook, restauranteur and food writer</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lucy Ridge</b> is a food writer, former chef and passionate food sustainability advocate living on Ngunnawal/Ngambri country. She has been published widely, including in <i>The Guardian</i>. This is her debut book.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Jane Ward Tost defied 19th century societal constraints to become one of England's leading naturalists and taxidermists. A peer of John Gould and John James Audubon, Jane's artistic talent and technical expertise captivated museum visitors around the globe. But Jane's incredible achievements were not easily won. She lived a highly eventful life, showing remarkable resilience in the face of profound difficulties.</p><p>Meticulously researched and beautifully written by museum curator, biologist and writer Jane Melville AM, this enthralling biography follows the extraordinary life of Jane Ward Tost (18161889), Australia's first salaried female museum employee. Forgotten by history, she left an indelible legacy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Reduce stress and enrich your life through the Japanese tea ritual!</b></p><p>This richly illustrated book by tea master Soryo Matsumura shows you how to use the ancient Japanese tea ceremony to reduce stress and live a more enriching life. It is written for complete novices and explains all aspects of the tea ceremony with a focus on three major themes:</p><ul><li>How to perform the tea ceremony both at home and in more formal gatherings</li><li>The stress reduction benefits this ritual provides, helping you to appreciate the little things in life</li><li>How the tea ceremony helps to connect us with others, transcending age, gender and creed</li></ul><p>As well as showing you all the basics  how to sit, what to wear and how to follow the etiquette of tea preparation, drinking and conversation  Matsumura explains in a warm and friendly tone how this meditative practice has wider benefits. He encourages you to reflect on the importance of things like:</p><ul><li>Keeping your surroundings clean and organised</li><li>Setting appropriate boundaries in personal relationships</li><li>Increasing your self-esteem and communicating well</li></ul><p>Filled with beautiful colour illustrations throughout, this book is perfect for anyone seeking to bring greater peace and mindfulness into their everyday life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Sisterly relationships feature prominently in some of our best-loved classic literature. From Jane and Elizabeth Bennet in<i> Pride and Prejudice</i> to Hasina and Nazneen in <i>Brick Lane</i>, they have provided inspiration for novelists over the centuries.</p><p>Sisters can be best friends, mother figures, rivals, heroes, sounding boards or partners in crime, depending on literary genre, era, or the demands of plot. They can bring into focus the changing roles of women in society, especially in literature that predates the twentieth century, such as <i>Middlemarch, The Woman in White</i> and<i> The Old Wives' Tale.</i> Their bonds with younger or older siblings, like those of Meg, Jo, Beth and Amy in <i>Little Women,</i> are often complex and nuanced, and occasionally devastating.</p><p>Covering childhood, adventure, affairs of the heart and mental health, this book explores the role of sisters in twenty individual entries, each one providing a synopsis and analysis of the work in question. Including writers as diverse as Charles Dickens, E. M. Forster, J. D. Salinger, Toni Morrison and Chimamanda Ngozi Adichie, it makes the perfect read for book-loving sisters whatever their connection.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Close friendships are a heart-warming feature of many of our best-loved works of fiction. This book explores 24 fictional friendships in succinct, structured entries, spanning 400 years, and writers as diverse as Jane Austen to John Steinbeck. Beautifully packaged, this is the ideal gift for your literature-loving friend.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Close friendships are a heart-warming feature of many of our best-loved works of fiction. From Jane Eyre and Helen Burns' poignant schoolgirl relationship to Tom Sawyer and Huckleberry Finn's adventures on the Mississippi, fictional friends have supported, guided, comforted, nursed and at times betrayed the heroes and heroines of our popular and influential plays and novels. </p><p>This book explores twenty-four literary friendships and, together with character studies and publication history, describes how each key relationship influences character, determines plot, promotes or disguises romance, preserves a reputation, sometimes results in betrayal, or underlines the theme of each literary work.  It shows how authors from William Shakespeare to Elena Ferrante have by turns celebrated, lamented or transformed friendships throughout the ages, and how some friends  Don Quixote and Sancho Panza, Holmes and Watson or even Bridget Jones and pals  have taken on creative lives beyond the bounds of their original narrative.</p><p>Including a broad scope of literature spanning a period of 400 years from writers as diverse as Jane Austen, Charles Dickens, George Eliot, Evelyn Waugh, John Steinbeck and Alice Walker, this book is the ideal gift for your literature-loving friend.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Cats have provided the inspiration for an incredible range of fiction, memoir and poetry, from ancient myths and fables to much-loved children's books, and from classic tales to contemporary novels. A must for all cat-lovers, this book celebrates the inspirational connections between our favourite feline friends and the literary imagination.]]></Text>
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			<Text textformat="02"><![CDATA[<p>'Everything you ever wanted to know about cats in books. A wonderful idea, beautifully executed.' - Viv Groskop</p><p>Cats have provided the inspiration for an incredible range of fiction, memoir and poetry, from ancient myths and fables to much-loved children's books, and from classic tales to contemporary novels.</p><p>Featuring such famous feline characters as Puss in Boots, Tom Kitten, Pangur Bn, the Cheshire Cat, Macavity, Pluto and Bob the street cat, this light-hearted book is a whirlwind journey through the history of literary cats, uncovering their domestication, early cultural beginnings and religious associations, exploring their roles in different literary genres and revealing some real-life authors' cats, including those belonging to Edgar Allen Poe, Ernest Hemingway, Patricia Highsmith and Muriel Spark. A section on cats in world literature introduces narrator cats and cat companions from Japan, Eastern Europe, France, Greece, Germany and Finland, demonstrating their enduring worldwide appeal.</p><p>A must for all cat-lovers, this book celebrates the inspirational connections between our favourite feline friends and the literary imagination.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Judith Robinson</b> is a Senior Lecturer at Bath Spa University's Business School and a PhD candidate at Humboldt University, Berlin. </p><p><b>Scott Pack</b> is a writer, editor and publisher.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>We have been domesticating animals for over ten thousand years. Why do we want tame wolves in our homes, subdued wild cats on our laps and snakes draped like scarves around our necks?</p><p>This great conversation between the wild and the tame is human history, human psychology, human politics and human sociology. Pets feature in art, poetry and some of our most popular stories. Is it because we ourselves are wild and so we want furry, feathered and scaly wildness in our lives? But on what terms? Have we tamed the wolves, or are wolves wilding us?</p><p><i>Pets and their People</i> looks at the strange rapport between humans and their pets  or pets and their humans  at each stage of our lives. It takes bearings from every era of human history, asking how the special bond between owners and their pets has evolved, and what that evolution tells us about our own changing identity. Do we look to animals as moral  or other  role models? Do pets help us to communicate? Do they teach us about birth and death? Can they show us who we really are?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Charles Foster</b> is a fellow of Exeter College, University of Oxford. His previous books include <i>Being a Beast</i>, <i>The Screaming Sky</i>, and <i>Cry of the Wild: Eight Animals Under Siege</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An exquisitely illustrated collection of historical guides to creating pigments from flowers and plants.</b></p><p>Flowering currant, ivy, Portuguese laurel, and woad might all have grown in a medieval garden, but it would have taken special expertise to extract and create rich blue and purple pigments from them. Humans have been extracting dyes and inks from natural materials for millennia, and the practice was firmly established during the medieval era, recorded in manuscripts that survive today. <i>Gold from Newton's Apple Tree</i> brings together recipes for making natural colours according to season, method, and ingredients.</p><p>This unique book takes its title from an ink recipe derived from a descendant of Sir Isaac Newton's apple tree, in which ingredients extracted from the bark are transformed, seemingly by magic, from brown to a yellow gold. But gold pigments can also be extracted from cornflower, crocus, greater celandine, myrrh, and turmeric. Nabil Ali shares his own accessible adaptations for preparing these and other recipes rooted in medieval craft traditions. Along the way, he provides an engaging and informative natural history of the plants used, alongside the broad spectrum of marvelous colors they produce.</p><p>Presenting original translations of medieval recipes taken from painters' and illuminators' technical manuscripts from the third century BCE through to the twenty-first century, alongside stunning botanical illustrations, <i>Gold from Newton's Apple Tree</i> is a captivating celebration of colors derived from nature.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nabil Ali</b> is a visual research artist and visiting tutor at the University of Cambridge, who regularly consults with conservation scientists on organic dyes and paint. He has taught popular workshops at the Cambridge University Botanic Garden, the Ferens Art Gallery, the Fitzwilliam Museum, the Radcliffe Observatory Quarter, the University of Oxford, and elsewhere.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A wonderfully illustrated history of geology from ancient times to the present day.</b></p><p>The geological processes that underlie all life on Earth can seem intimidatingly vast, ancient, and sometimes even alien. Our planet's dynamics have fascinated humans for millennia, yet only recently have we developed a clear picture of how they work. This book presents the discoveries and critical scientific advances that inform our understanding of Earth's origins and the forces driving geological change. Each chapter tells a key piece of the story, focusing on a major aspect of geology that shapes how we experience our world  time, energy, processes, use, and the interplay between geology and life.<i> Geology: An Illustrated History</i> takes readers from antiquity to the Anthropocene, providing an essential introduction to the subject.</p><ul><li>Discusses how the ancient Greeks, medieval Islamic thinkers, and figures of the Renaissance and Scientific Revolution conceptualised geological time</li><li>Profiles leading figures such as Leonardo da Vinci, Nicolas Steno, James Hutton, Lord Kelvin, Charles Lyell, Charles Darwin, Louis Agassiz, and Inge Lehmann</li><li>Covers topics ranging from the Santorini and Tambora eruptions to seismology, tectonics, erosion, mineralogy, and crystallography</li><li>Looks at geology in art and its role in Chinese history, the Industrial Revolution, and the atomic age</li><li>Explores how geology is guiding us to an understanding of life's origins and whether there might be life elsewhere in the universe</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>David Bainbridge</b> is Professor of Comparative Anatomy in the Department of Physiology, Development, and Neuroscience at the University of Cambridge and a fellow of St Catharine's College. His many books include <i>Paleontology: An Illustrated History</i> and <i>Stripped Bare: The Art of Animal Anatomy</i> (both Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[Phar Lap is one of Australia's best-loved icons. The story of the gangly foal who became one of the world's greatest racehorses has captured the hearts of Australians for generations.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Phar Lap is one of Australia's best-loved icons. The story of the gangly foal who became one of the world's greatest racehorses has captured the hearts of Australians for generations. Bobby, as he was affectionately known, gave hope and joy to many in the grim years of the Depression, winning an incredible 37 of his 51 races. His untimely death brought the nation to a standstill.</p><p>Today, Phar Lap continues to attract new generations of visitors to his home at Melbourne Museum. This anniversary edition of<i> Phar Lap: A True Legend</i> marks the occasion of Big Red's 100th birthday, bringing together memorabilia, letters and a wealth of photographs to celebrate this great horse.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Born and raised in Hobart, Tasmania, <b>Michael Reason</b> moved to Melbourne after studying History at the University of Tasmania. After a stint working in the financial sector, he happily gained a customer service position at the new Scienceworks Museum at Spotswood. Whilst there, he undertook a Graduate Diploma of Museum Studies at Deakin University, which helped him move in Collection Management work in Science and Technology and Social History Collections. Highlights included working with the 80,000 large format negatives of the Laurie Richards collection, which documented commercial life in Melbourne from the 1950s to the 1970s.</p><p>In the 2000s, Michael was able to move across to the Curatorial team; first as a generalist curator and then establishing his own area, which he was able to christen `Leisure and Social Spaces'. His areas of particular interest include post 1900 fashion, film and television production and distribution, festivals and events (such as Moomba, Olympic Games and Melbourne Cup), Australian toys and games and local jewellery design. Michael is also curatorially responsible for the museum's iconic Phar Lap and related exhibition.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From two of</b> <b><i>TIME'</i></b><b>s 100 Most Influential People in AI, what you need to know about AI  and how to defend yourself against bogus AI claims and products</b></p><p>Confused about AI and worried about what it means for your future and the future of the world? You're not alone. AI is everywhere  and few things are surrounded by so much hype, misinformation, and misunderstanding. In <i>AI Snake Oil</i>, computer scientists Arvind Narayanan and Sayash Kapoor cut through the confusion to give you an essential understanding of how AI works and why it often doesn't, where it might be useful or harmful, and when you should suspect that companies are using AI hype to sell AI snake oil  products that don't work, and probably never will.</p><p>While acknowledging the potential of some AI, such as ChatGPT, <i>AI Snake Oil</i> uncovers rampant misleading claims about the capabilities of AI and describes the serious harms AI is already causing in how it's being built, marketed, and used in areas such as education, medicine, hiring, banking, insurance, and criminal justice. The book explains the crucial differences between types of AI, why organisations are falling for AI snake oil, why AI can't fix social media, why AI isn't an existential risk, and why we should be far more worried about what people will do with AI than about anything AI will do on its own. The book also warns of the dangers of a world where AI continues to be controlled by largely unaccountable big tech companies.</p><p>By revealing AI's limits and real risks, <i>AI Snake Oil</i> will help you make better decisions about whether and how to use AI at work and home.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From British country homes to Republican Spain and civil rights America, the inspiring, wildly entertaining story of Jessica Mitford  investigative journalist, radical activist, renegade aristocrat.</b></p><p>Jessica 'Decca' Mitford was raised to marry well, not fight for others' rights. Yet she rejected her eccentric, blue-blooded roots, running away from England to become an anti-fascist and anti-racist. Why is this rebellious heroine less famous than her glamorous sisters, who ranged from naughty to Nazi?</p><p><i>Troublemaker </i>is the remarkable story of Decca's life in pursuit of justice, in the Spanish Civil War and the Communist Party USA; her intrepid social reporting, and her relentless antics. Carla Kaplan celebrates a fierce intellect and powerful ally who brought joy to the struggle, unearthing fascinating details through interviews with the Mitford family, and exploring Decca's thousands of witty letters. From Vietnam War dissident Dr Spock to Decca's close friend Maya Angelou, this Mitford sister's irreverent anti-authoritarianism deeply influenced American culture. Back home in Britain, her activism shamed those of her class  and her family  on the wrong side of history.</p><p>This passionate, often hilarious biography captures an extraordinary woman, and an extraordinary time in world history. Facing today's injustices, we need Decca's vibrant, committed example more than ever.</p><p></p><p><b>'Too much writing about the Mitfords has been trivia. But Carla Kaplan's impressive study of Jessica Mitford's troublemaking life and political activities on the American left proves once and for all that she was the only Mitford sister worth taking seriously.'  Polly Toynbee, </b><b><i>Guardian</i></b><b> columnist</b></p><p><b>'Jessica Mitford was the best, brightest and most dynamic of the Mitford sisters. Her commitment to social justice and civil rights meant she had more impact than all the rest.'  Baroness Helena Kennedy LT KC, leading international lawyer</b></p><p><b>'A perceptive, sympathetic biography of activist, unabashed communist, and muckraker Jessica Mitford [...] Kaplan captures Decca's energy and verve, her complicated relationship with her aristocratic family, and her unwavering devotion to fighting injustice, racism, and inequality. A brisk, engaging biography.'  </b><b><i>Kirkus Reviews</i></b><b>(starred review)</b></p><p><b>'A long overdue tome dedicated to putting Decca front and centre.'  </b><b><i>Town &amp; Country</i></b><b>, 'Must-Read Books of Fall 2025'</b></p><p><b>'Brilliantly researched. Every paragraph is a fit to the struggle for civil rights decency. Illuminating. Joyful!'  Blanche Wiesen Cook, award-winning author of</b><b><i>Eleanor Roosevelt</i></b><b>(3 vol.)</b></p><p><b>'Beautifully written, utterly transporting and relentlessly vivid by the recovery of amazing circumstances and astonishing human relationships, Carla Kaplan's remarkable biography of Jessica Mitford is a journey through the many social and political worlds contained in a single family, from British feudal aristocracy and pro-Hitler fascist enthusiasm to the American Civil Rights Movement and card-carrying American Communism. This captivating story  empathetic and yet clear-eyed  of a fascinating woman, her sisters and their lives in the twentieth century is a breathtaking and singular achievement.'  Jamie Raskin, congressman and No. 1 </b><b><i>New York Times</i></b><b> bestselling author of </b><b><i>Unthinkable: Trauma, Truth, and the Trials of American Democracy</i></b></p><p><b>'Marvelous, enchanting and hilarious. Carla Kaplan has triumphed, bringing to life the delightful odyssey of Jessica Mitford, the mischievous British aristocrat turned American radical and celebrated muckraker. An inspiring biography by a master biographer.'  Kai Bird, Pulitzer Prize-winning biographer and Executive Director of the Leon Levy Center for Biography</b></p><p><b>'Here's a book as infectious, stylish and hard-hitting as its subject  the glamorous and rebellious Jessica Mitford. Carla Kaplan writes with the flair of a novelist and backs it up with relentless research and keen insight. </b><b><i>Troublemaker</i></b><b> is one of those rare books produced from the marriage of a fascinating, timely story and a wonderful storyteller. An absolute treasure.'  Jonathan Eig, Pulitzer Prize-winning author of </b><b><i>King: A Life</i></b></p><p><b>'Carla Kaplan's deeply researched account chronicles Jessica Mitford's fascinating transformation from a British aristocrat to an American Communist, journalist, writer and educator. She unveils a unique angle of "good trouble" and civil rights allyship, told with the drama and humour of Mitford's unique personality.'  Tamara Payne, Pulitzer Prizewinning co-author of </b><b><i>The Dead Are Arising: The Life of Malcolm X</i></b></p><p><b>'A remarkable book about a remarkable woman. If you don't know a lot about Decca (and her exceptionally weird family), you're in for a treat. If you think you already know a lot about her, think again: you're in for a bracing helping of shock and awe. Because Kaplan's research is so impressively deep, and her prose so pleasingly fleet, her complicated and compelling subject now has the biography she has long deserved.'  Daniel Okrent, author of </b><b><i>The Guarded Gate</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Carla Kaplan</b> is an award-winning writer; the Davis Distinguished Professor of American Literature at Northeastern University; and a Guggenheim and 'Public Scholar' Fellow. She is the author of the <i>New York Times</i> Notable Books<i> Miss Anne in Harlem </i>and <i>Zora Neale Hurston: A Life in Letters</i>, among others.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>What does it mean to be a woman who dares to challenge the status quo? Whether by wielding power in patriarchal societies or rallying for peace, fighting for change has always put women in danger, but also led to remarkable stories of resistance.</p><p>Gathering 46 stories from writers around the globe, this collection explores the twin themes of women and daring through the lives of monarchs, prophets, suffragists, soldiers, scientists, activists and artists. From the infamous to the forgotten, these trailblazers have much to tell us about the dynamics, conflicts, identities and power relations with which women live today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The </b><b><i>Sakuteiki</i></b><b>, or 'Records of Garden Making', was written nearly a thousand years ago. It is the oldest existing text on Japanese gardening</b> <b> or any kind of gardening</b> <b></b> <b>in the world.</b></p><p>In this new edition, the authors provide an English-language translation of this classic work and an introduction to the cultural and historical context that led to the development of Japanese gardening accompanied by drawings, paintings and many new colour photographs.</p><p>The new foreword by Japanese garden expert Hugo Torii, the Garden Curator at Portland Japanese Garden, explains the sacred importance of stones in Japanese garden design.</p><p>Written by a Japanese court noble during the Heian period (794-1184), the <i>Sakuteiki</i> includes technical advice on gardening  much of it still followed by today's Japanese gardeners  and examines the four central threads of meaning which were central to Heian-era garden design. For those seeking inspiration to build a rock garden or just better understand the Japanese stone garden, the <i>Sakuteiki</i> is an enduring classic.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Thick thatched roofs and rough mud plaster walls. An intricately carved wood transom and a precisely woven tatami mat  each element of traditional Japanese architecture tells a story.</p><p>In <i>Japanese Architecture</i>, author Mira Locher explores how each of these stories encompasses the particular development, construction, function and symbolism inherent in historic architectural elements. From roofs, walls and floors to door pulls and kettle hangers,<i> Japanese Architecture</i> situates these elements firmly within the natural environment and traditional Japanese culture.</p><p>Japanese architecture developed with influences from abroad and particular socio- political situations at home. The resulting forms and construction materials  soaring roofs with long eaves, heavy timber structures of stout columns supporting thick beams, mud plaster walls flecked with straw and sand and the refined paper-covered lattice shoji screen  are recognisable as being of distinctly Japanese design. These constructed forms, designed with strong connections to the surrounding environment, utilise natural construction materials in ways that are both practical and inventive.</p><p>This fascinating architecture book provides a comprehensive perspective of traditional Japanese architecture, relating the historical development and context of buildings and the Japanese garden while examining the stories of the individual architectural elements, from foundation to roof.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mira Locher</b> is an architect and professor who works in the U.S. and Japan. She studied at Smith College before receiving her Master of Architecture degree from the University of Pennsylvania. After working for Team Zoo Atelier Mobile in Japan for seven years, she set up an architectural practice in the U.S. with Takayuki Murakami. Mira Locher is Dean of the Faculty of Architecture at the University of Manitoba (Canada). She is the author of <i>Super Potato Design, Zen Gardens</i> and <i>Zen Garden Design.</i></p><p><b>Ben Simmons</b> grew up in Columbus, Georgia. He studied photography and psychology in Upstate New York before completing a Master of Fine Arts in photography and art history at the University of Florida. Simmons taught photography at Penland School of Crafts in North Carolina before relocating to Japan. Ben Simmons Photography Inc. is based on the Miura Peninsula seacoast at Sagami Bay, just south of Tokyo. Ben specialises in photo essays and book projects. Recent books include<i> Tokyo Desire; Hong Kong: The City of Dreams; Thailand: 9 Days in the Kingdom; Platinum Images of Thai Buddhism, Tokyo Megacity and Kyoto: City of Zen</i>. Visit his website at www.bensimmonsphoto.com.</p><p><b>Kengo Kuma</b> was born in Kanagawa, Japan, and completed a major in architecture at the University of Tokyo. Kengo Kuma &amp; Associates, his own studio, was established in 1990. He also worked as a visiting professor on the faculty of environmental information at Keio University. In 1997 he won the prestigious Architectural Institute of Japan Award for his work on 'recovering the tradition of Japanese buildings' and reinterpreting it for the 21st century. In 2008, Kuma earned his Ph.D. from Keio University, and he is currently a professor on the faculty of science and technology there, in the department of system design engineering.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Provide afternoon tea.<i>Anxil</i></p><p>Weather is bad; wait until the storm is over.<i>Waylay</i></p><p>Baggage was not found.<i>Bagpiped</i></p><p>There will be no delay.<i>Dishonest</i></p><p>In the early days of railway transport, telegrams were an essential means of communication to keep trains running on time, manage passengers, organise freight transport and deal with unexpected events. Prearranged codes enabled railway staff around the world to communicate quickly with station masters, head office and guards. Each company developed its own code book in which these shorthand messages and corresponding descriptive words were published. The codes give a fascinating insight into the running of the railways at this time, such as the favourable weather for the liberation of pigeons, the spread of cholera, the glamour of Pullman dining cars and the involvement of the Pinkerton Detective Agency.</p><p>With sections on horses, weather, accidents, livestock, lost property and strikes, among many more, this quirky book, drawn from code books published in the UK, America, Australia and the former British Empire, gives us an intriguing glimpse into a world where communication was rapidly changing and all manner of life could be found on the railways.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Grab a sword and roll for initiative </b> <b>a queer DnD adventure is about to begin.</b></p><p>Since its inception decades ago, the fantasy roleplaying game Dungeons &amp; Dragons has offered an escape from the real world, the chance to enter distant realms, to walk in new shoes, and be part of immersive, imaginative tales as they unfold. For its LGBTQ+ players, it is also a vessel for exploration, joy, and self-discovery.</p><p>Journey on, adventurer, as Dungeon Master Thom James Carter invites you into DnD's exciting queer and utopian possibilities. Traverse its history and contemporary evolution, discover stories from queer players and the homebrewers making it their own, and unlock DnD's power to explore and examine identity  how people want to lead their lives in real and imagined worlds alike.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Thom James Carter</b> is a Scotland-based staff writer and researcher at <i>DIGIT</i>, and a frequent contributor to <i>In the Works</i>. He has contributed to <i>WIRED</i>, <i>The New Statesman</i>, <i>Current Affairs</i>, <i>Dirt</i>, <i>Insider</i>, <i>Metro</i>, <i>Wellcome Collection</i>, and many other publications.</p><p>He holds a B.A. in English and an M.A. in Creative Writing, both from Goldsmiths, University of London.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Sea of Stars: Throes of the Watchmaker  The Concept Art of Bryce Kho is the art book for the Sea of Stars DLC, an extremely successful fantasy role-playing game created by Sabotage Studio and illustrated by renowned concept artist Bryce Kho.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Sea of Stars: Throes of the Watchmaker  The Concept Art of Bryce Kho</i></b><b> is the art book for the </b><b><i>Sea of Stars</i></b><b> DLC, an extremely successful fantasy role-playing game created by Sabotage Studio and illustrated by renowned concept artist Bryce Kho.</b></p><p><i>Sea of Stars</i> was released on all platforms in August 2023. It has since been played by over 6 million players worldwide and won 'Best Independent Game' at The Game Awards 2023. <i>Throes of the Watchmaker</i> was released for free in May 2025 as a thank-you gift to the fans of the game who made it such a success.</p><p>Bryce Kho has been on the Sabotage Studio team as lead concept artist since 2020. Known for his colourful and complex, retro-anime inspired illustrations, it's no mystery as to why Bryce and Sabotage Studio collaborated to make this turn-based RPG inspired by the classics. <i>Sea of Stars: Throes of the Watchmaker  The Concept Art of Bryce Kho</i> showcases all the incredible characters that Bryce has lovingly brought to life through discussions with creative director Thierry Boulanger, and is a book to enjoy for gamers and art-lovers alike.</p><p>To find out more and buy the game, check out Sabotage's Steam page: https://store.steampowered.com/app/1244090/Sea_of_Stars/</p><p>The Sea of Stars game is also available on Nintendo Switch, PS4/5 and Xbox Series X|S + Xbox One.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Bryce Kho</b>, a concept illustrator and freelance mixed-media artist, is known for his vibrant and intricate anime-inspired illustrations that stir nostalgia. His portfolio spans a range of roles including illustrator and concept artist, contributing to projects such as Homestead Arcana and Aegis Defenders'. After a first collaboration with Sabotage doing illustrations for The Messenger, Bryce joined the team to handle all things concept art and character design on 'Sea of Stars,' a retro-inspired RPG that has captivated over 5 million players worldwide. Additionally, Bryce commands an impressive social media presence with nearly 500,000 followers across his accounts. He is based in Pasadena, California, US.</p><p><b>Sabotage Studio</b> is a Canadian development team founded in 2016. Committed to creating awe-inspiring original universes recalling the greatest moments in classic gaming, Sabotage Studio rethinks the conventions of well-established genres to unlock new potential, creating distinct, modernized titles that reach beyond traditional expectations of what a genre can offer. Creator of the critically lauded turn-based RPG Sea of Stars, voted Best Indie Game at the 2023 The Game Awards, and acclaimed sidescrolling action platformer The Messenger, winner of Best Debut Indie Game at the 2018 The Game Awards, Sabotage Studio has established itself as one of the gaming industry's most promising developers. Sabotage Studio is currently working on Sea of Stars' upcoming DLC, Throes of the Watchmaker, along with their unannounced next title. They are located in Quebec City, Canada.</p><p><b>Edited by 3dtotal Publishing</b>, who publish high-quality art books dedicated to bringing invaluable training to beginners, hobbyists, and professionals alike. Their books feature top industry professionals from around the globe who share their experience in skillfully written step-by-step tutorials and guides. Illustrated throughout with stunning artwork, these best-selling publications offer creative insight, expert advice, and essential motivation. They are based in Worcester, England, UK.</p>]]></Text>
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			<SubjectHeadingText>business case for four-day week; employee engagement; employee retention strategies; flexible work schedules; four-day workweek; future of work; human resources; modern workplace; modern workplace practices; productivity improvement; productivity strategies; progressive work models; progressive workplaces; redefining productivity; remote work trends; shortened workweek; shorter workweek; smarter work strategies; sustainable business practices; work-life balance; working fewer days; workplace efficiency; workplace innovation; workweek optimization; workweek transformation</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[The five-day workweek is a pillar of modern life, but it isn't backed by science, ancient wisdom, or divine decree. It's simply a relic of the industrial age  and it's time for an upgrade. What if we could accomplish more while working fewer days?]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An impassioned  and data-driven  case for a four-day workweek.</b></p><p>The five-day workweek is a pillar of modern life, but it isn't backed by science, ancient wisdom, or divine decree. It's simply a relic of the industrial age  and it's time for an upgrade. What if we could accomplish more while working fewer days?</p><p>A shortened workweek once seemed like a radical idea. Today, it's embraced by innovative business leaders, forward-thinking politicians, and a new generation of workers demanding more meaningful work.</p><p>In <i>Do More in Four</i>, Joe O'Connor, a pioneer in designing and leading four-day-workweek pilots around the globe, and journalist Jared Lindzon, whose work has appeared in the<i>New York Times</i>,<i>Fortune</i>, and<i>TIME</i>magazine, present a groundbreaking, data-driven exploration of why a four-day workweek isn't merely possible  it's necessary in the age of artificial intelligence.</p><p>O'Connor and Lindzon draw on extensive research, compelling case studies, and personal interviews with experts  including a Nobel Prizewinning economist and Bill Gates  to reveal how organizations are reimagining work. From a consumer products giant in New Zealand to a global nonprofit, a Canadian law firm, and a Midwestern architecture firm, they take readers inside the companies transforming their work models to improve employee outcomes while driving revenue growth.</p><p><i>Do More in Four</i>offers a battle-tested blueprint for a smarter, more humane approach to work.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rewire your organisation  and your leadership  for a world driven by projects.</b></p><p>It's time to stop treating projects as side work. In the age of constant transformation, projects are the primary way organisations create value and accelerate innovation. In this new paradigm  the project economy  traditional agile approaches are no longer enough. The next evolution is the project-driven organisation, where projects sit at the center of how companies are structured, led, and rewarded.</p><p><i>Powered by Projects: Leading Your Organization in the Transformation Age</i> explores this bold new model. Antonio Nieto-Rodriguez, the worldwide expert on project-based work, reveals the leadership styles and organisational structures necessary to drive success today. You'll learn to:</p><ul><li>Develop your organisation's transformation muscles to remain resilient, adaptive, and relevant</li><li>Sponsor projects actively and prioritise them ruthlessly to ensure resources are directed to high-value initiatives</li><li>Decentralise decision-making to empower people to break through the bottlenecks that slow down transformation</li><li>Engage your project teams and workforce more deeply to accelerate value creation</li><li>Build AI into projects to enable quicker decisions and proactive planning and to lower risk</li></ul><p>Filled with practical strategies and detailed case studies, this book is a new manifesto for CEOs, transformation drivers, and project leaders. Embrace the project-driven organization, become a project-driven leader, and turn your company into a highly engaged growth engine, powered by projects.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The most powerful force in business is not what you think it is </b> <b>and it's right in front of you as a leader, waiting to be unleashed.</b></p><p>Think about the last time you said, 'I <i>love</i> that'. Maybe it was about a product that exceeded expectations, a service experience that built instant loyalty, or a moment when your work brought out the best in you. That reaction isn't just emotional  it's electric. In the workplace, it fuels engagement, strengthens performance, and drives lasting success. Yet most leaders don't acknowledge it, let alone try to measure or make use of it.</p><p>In <i>Design Love In</i>, leading researcher on human performance and bestselling author Marcus Buckingham reveals how love  the deep connection that makes people feel seen, valued, and inspired  isn't a soft feeling but a practical, measurable force. He shows how leaders, as <i>experience makers</i>, can intentionally 'design love in' to everything we do: our interactions with team members, our company policies and practices, the products and services and experiences we create for those we lead and serve. When we do this, it not only generates positive feeling toward us and our products, it energizes our teams and organizations, strengthens the connections between us as humans, and creates a better world.</p><p>Featuring vivid stories of global brands, current research, and personal experiences, Buckingham illustrates that tapping this force is not simply about being more 'warm and fuzzy'  it's a concrete matter of utilizing loving experiences to drive behaviors to drive outcomes, and the book provides step-by-step advice on how to "design love in" to all your actions as a leader.</p><p>Love  it's the most powerful force in business. This book shows how you as a leader can unleash it.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>For over twenty-five years, <b>Marcus Buckingham</b> has been the world's leading researcher on strengths, engagement, and human performance. He began his career at Gallup and was the cocreator, with Donald O. Clifton, of StrengthsFinder. He is the <i>New York Times</i>bestselling author or coauthor of many books, including <i>First, Break All the Rules</i>; <i>Now, Discover Your Strengths</i>; <i>StandOut 2.0</i>; <i>Nine Lies about Work</i>; and <i>Love + Work</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Maintenance: Of Everything is a wide-ranging and provocative call to expand what we mean by 'maintenance'  not just the tiresome preventative tasks but the whole grand process of keeping a thing going. It invites us to understand not only the profound impact maintenance has on our daily lives but also why taking responsibility for maintaining some]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The first in-depth exploration of maintenance  and a powerful argument for its civilisational importance  from the author of</b> <b><i>How Buildings Learn</i></b><b> and creator of the</b> <b><i>Whole Earth Catalog.</i></b></p><p>Maintenance is what keeps everything going. It's what keeps life going. Yet it's also easy to shirk or defer  until the thing breaks, the system falters, and everything stops. The apparent paradox is profound: Maintenance is absolutely necessary and maintenance is optional.</p><p>The first in a multi-volume work, <i>Maintenance: Of Everything, Part One</i> offers a comprehensive overview of the civilisational importance of maintenance. The book begins with a dramatic contest of maintenance styles under life-critical conditions: the Golden Globe around-the-world solo sailboat race of 1968. It goes on to explore the insights that can be gleaned from vehicle maintenance, from the zeal of motorcycle maintainers to the maintenance philosophies that fought for dominance of the auto industry to the state of electric vehicle manufacturing today, with absorbing detours into the evolution of precision in manufacturing, the enduring importance of manuals, sustainment in the military, and the never-ending battle against corrosion.</p><p><i>Maintenance: Of Everything</i> is a wide-ranging and provocative call to expand what we mean by 'maintenance'  not just the tiresome preventative tasks but the whole grand process of keeping a thing going. It invites us to understand not only the profound impact maintenance has on our daily lives but also why taking responsibility for maintaining something  whether a motorcycle, a monument, or our very planet  can be a radical act.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Stewart Brand</b> is the cofounder and president of The Long Now Foundation and cofounder of Global Business Network, the Hackers Conference, and the WELL. He created and edited the National Book Award-winning <i>Whole Earth Catalog</i> from 1968 to 1998. His books include <i>The Media Lab</i> (1987), <i>How Buildings Learn</i> (1994), <i>The Clock of the Long Now</i> (1999), and <i>Whole Earth Discipline</i> (2009). He was the subject of the documentary <i>We Are As Gods</i> (2020). He graduated from Stanford with a degree in biology and served as an infantry officer in the US Army.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Talent Revolution</i> has been pivotal in exposing work-life longevity as the most influential driver transforming today's workplaces. It offers a competitive edge for organisations smart enough to capitalise on its lessons.</p><p>In a rare turn from the norm, this book positions older workers as revolutionaries and reveals how intergenerational organisations that engage employees across all life stages will outperform their competitors. In this updated paperback edition, authors Lisa Taylor and Fern Lebo draw on their expertise in leadership and career development to offer a timely picture of the post-pandemic modern workplace  defined by hybrid arrangements, shifting expectations, and evolving employee-employer dynamics. With clarity and precision, they describe new models, debunk commonly held myths about older workers, demolish justifications for traditional structures and attitudes, and build the case for a reset that will help smart companies profit from their most valuable assets, all while taking into consideration our current realities. Through case studies, metrics, strategies, and tactics, <i>The Talent Revolution</i> explores the impact of supercharged workforce demographics on the future of work, and offers new, actionable strategies for transforming an aging workforce into a competitive advantage.</p><p>Plotting new directions for both organisations and employees, Taylor and Lebo guide us towards the opportunities that come with leaving behind outdated career models and embracing longer working life expectancies in the workplace.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Innovation Navigator</i> returns with a revised edition and a fresh look at the shifting landscape of modern innovation.</p><p>With the rise of artificial intelligence, digital design, and collaborative platforms, organisations face new opportunities and challenges in managing their innovation processes. Renowned entrepreneurial academics Tucker Marion and Sebastian Fixson present a comprehensive update to their groundbreaking guide, including new chapters on AI's role in enhancing creativity, decision-making, and product development; new metrics for managing innovation; and thoughts on employee skill development. The second edition of <i>The Innovation Navigator</i> also features updated and illustrative case studies of companies such as Microsoft, Ford, Merck, and OpenAI.</p><p>This updated edition provides practical frameworks for applying AI across the original four key innovation modes  specialist, venture, community, and network  and offers insights on adopting multimodal strategies to stay ahead in today's competitive environment. Whether you're a corporate leader or a novice entrepreneur, this book will equip you with the tools to navigate the challenges of AI-driven digital transformation and seize new opportunities in a powerfully evolving market.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Breaking it off? Got dumped? Parting ways with a pal? Ouch, that hurts.</p><p>Even beyond the heartache, embarrassment, and logistical strain of the moment, breakups can summon up all our old baggage to come play havoc with our lives and heads.</p><p>Dr. Faith G. Harper, bestselling author of books like<i> Unfuck Your Brain</i> and<i> Unfuck Your Intimacy</i>, brings you a kind, relatable, and plain-language guide to all things break-up: deciding to do it (or not), doing the thing, and picking up the pieces afterward to build a life that suits you better than ever. Whether or not the breakup was your idea, whether the partnership was romantic, platonic, or a secret third thing, no matter the seriousness of the bond or the shared responsibilities and finances involved, parting ways can be a canon life event with powerful transformational potential as you rise from the wreckage.</p><p>And it's never too late to come back to your best self.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr. Faith G. Harper,</b> ACS, ACN, holds postdoctoral certifications in sexology and applied clinical nutrition and is trained in yoga, meditation, breathwork, mindful movement, and all of those other forms of care that make most people avoid her at parties. In the past, she has worked in academia, community mental health, and private practice as a licensed professional counselor. She maintains a connection with academia through her work with the Society of Indian Psychologists. She lives in San Antonio, TX, with her amazing friends and family and terrible rescue cats. She can be reached through her website, faithgharper.com.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Master the art of family, maternity, and newborn photography with proven lighting techniques and a systematic posing approach that works for subjects of all ages.</b></p><p>Family photography presents unique challenges that can leave even experienced photographers feeling overwhelmed. Capturing genuine connections while managing multiple subjects at different developmental stages requires technical skill, creative vision, and the ability to direct with confidence. Family photographers must master multiple skills that go far beyond simply understanding their camera settings.</p><p>In this comprehensive guide, photographer Sandra Coan draws from over two decades of professional experience to offer a proven system for creating beautiful, timeless family portraits. Through clear instruction and beautiful photographic examples, Sandra demonstrates how to develop a consistent, predictable routine that will help you work efficiently while producing exceptional results.</p><p>Whether you work in a studio, on location, or in clients' homes, you'll learn how to confidently pose and light subjects of all ages  from newborns and babies to children and their parents  while capturing authentic connections and creating images families will treasure for generations.</p><p>You'll learn:</p><ul><li>How to craft beautiful, natural-looking light using both window light and artificial light sources</li><li>A baby-led approach to newborn posing that prioritises comfort and safety while producing stunning results</li><li>Essential posing techniques for subjects at every developmental stage  from newborns to toddlers to school-aged children  and for both single subjects and groups</li><li>How to build a consistent posing flow that maximizes efficiency without compromising results</li><li>Composition techniques that will elevate your family portraiture and flatter your subjects</li><li>Methods for directing clients into poses that look and feel natural</li><li>Practical solutions for common challenges when photographing families</li><li>How to build your signature style through consistent lighting and posing techniques</li></ul><p>With Sandra's guidance and <i>The Complete Guide to Family Photography</i> by your side, you'll develop the skills and confidence you need to create beautiful, classic family portraits in any setting while providing an exceptional experience for the families you photograph.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Richard D. Wolff masterfully explains why Karl Marx's analysis of class struggle is fundamental to a proper understanding of capitalism and explores how to build a more sustainable democratic society.</p><p>Class struggle is everywhere, and it influences everything and everyone in our society. Marx is the person who first explained this struggle systematically. For Marx, capitalism signified not the end of history, but rather the latest phase of human development that leads ordinary people to rid themselves of 'all the muck of ages and become fitted to found society anew.'</p><p>Marx's theories are deeply prescient and relevant in our efforts to understand and cope with the crises of our time. Every day, we see more evidence that the capitalist system is both undermining itself and those whose labour it depends on, as Marx predicted.</p><p><i>Understanding Marxism</i>is an essential resource for looking at the power and usefulness of Marx's criticism of the capitalist economic system  and how we can move beyond it to a truly sustainable and democratic society based on workers' self-management.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>'Why does capitalism fail us?' Richard D. Wolff walks readers through this pressing question in a brilliant takedown of an economic system that benefits the few at the great expense of the many.</p><p><i>Understanding Capitalism</i>explores the different definitions of what capitalism is and is not, and dissolves the many myths that, Wolff argues, are designed to confuse and disorient us. Wolff doesn't simply identify the crises and harms manufactured by capitalism, he details a path forward by outlining alternative economic models that combat the exploitation and oppression inherent in capitalism.</p><p>Capitalism oftentimes feels as permanent as the sky above.<i> Understanding Capitalism</i> shows that our current economic system is only as strong as the ordinary people who enable its existence, and that capitalism's demise requires an organised, collective effort by those who can identify its vulnerabilities and limitations, but also understand that another world is indeed possible.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The Contradictions of Motherhood hopes to encourage individuals and households to think differently about motherhood, and to inform government perspectives and social policy on gender ideologies, families, workplaces, and the broader care deficit.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Modern motherhood in Australia and New Zealand is marked by contradiction. Recent decades have seen policy changes aimed at facilitating gender equality  such as enhanced paid parental leave and more generous childcare subsidies  alongside cultural shifts in the gendered division of domestic labour and women's workforce participation. Yet, despite these changes, motherhood continues to be a contested and divisive subject, as well as a site of inequality.</p><p>Many households and communities strive for egalitarian relationships and challenge the conflation of women with motherhood; however, essentialist notions of the maternal persist. Norms of 'good motherhood' continue to limit the identities available to mothers, and structural responses to gender inequities often fall short. Tensions are therefore present in cultural representations of women and families, workplace and sector policies and practices, government initiatives, and lived experiences of motherhood.</p><p>Intersectional inequalities compound these challenges. Indigenous, sole, and migrant mothers face additional barriers that workplace and welfare policies have failed to adequately address. The COVID-19 pandemic intensified these pressures, while simultaneously presenting opportunities to restructure work and care.</p><p>With contributions from scholars across a range of disciplines  including history, sociology, criminology, human geography, media and communication, and business and management  <i>Motherhood, Labour and Care in the 21stCentury: Contradictions in focus</i> interrogates these substantive themes in diverse communities across Australia and New Zealand. It offers a critical reflection on motherhood, labour and care, uncovering taken-for-granted assumptions about gender and family life, and redressing stubborn inequities.</p><p><i>Motherhood, Labour and Care in the 21stCentury</i> hopes to encourage individuals and households to think differently about motherhood, and to inform government perspectives and social policy on gender ideologies, families, workplaces, and the broader care deficit.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr Sheree Gregory</b> is Senior Lecturer of Human Resource Management in the Newcastle Business School. Her research explores contemporary issues and policy challenges surrounding work and families and in relation to gender in Australia.</p><p><b>Professor Kate Huppatz</b> is Associate Dean, Research (School of Social Sciences) at Western Sydney University. Her research explores the role of labour and culture in the production and reproduction of gender inequality, with a focus on workplaces and families. </p>]]></Text>
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			<Text textformat="02"><![CDATA[If you've ever left a tarot reading thinking, Now what? How can I improve my situation?, Briana Saussy's Making Tarot Magic provides the answers.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>If you've ever left a tarot reading thinking,</b> <b><i>Now what? How can I improve my situation?</i></b><b>, Briana Saussy's</b> <b><i>Making Tarot Magic</i></b><b> provides the answers.</b></p><p>In various traditions around the world, divination is not a stopping point; it's the beginning. A querent may come to tarot (or other forms of divination) to receive insight into their situation but also to glean a diagnosis and treatments to remedy problems. These 'treatments' are often magical rituals or ceremonies the querent could perform for themselves or have someone else perform on their behalf. Each tarot card has specific recommendations for what kind of magic and ritual might be appropriate to address a specific concern  you just need to learn how to read them with an eye to their inner magic.</p><ul><li>Each section of the book is dedicated to a single magical condition: abundance, healing, love, justice, and more.</li><li>Every tarot card has an interpretation seen through the lens of and with respect to the magical condition the section has focused on.</li><li>Techniques are given for the types of magical work best suited to a particular card's presence and meaning in a reading.</li><li>Suggested intentions provide guidelines for what attitude or spirit you may want to infuse your work with to produce the best result.</li><li>Includes magic basics, ritual and ceremonial suggestions, and recipes.</li><li>Learn to work with sacred vessels, candles and oil lamps, incense, sachets, spiritual baths, herbs and roots, magical words, prayers and petitions, sacred waters, textile magic, and spirits.<br/><i>Making Tarot Magic</i> teaches you how to tune in, interpret the issue, and find the remedy.</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Briana Saussy</b> is an author, storyteller, teacher, spiritual counselor, and founder of the Sacred Arts Academy, where she teaches magic, divination, ceremony, and other sacred arts for everyday life. She is well-grounded in the world's great religious and intellectual traditions, as well as Westernpsychological practices. She holds a BA and MA in Eastern and Western classics, philosophy, mathematics, and science and is a student of ancient Greek and Sanskrit. Briana's work has been featured in <i>The Paris Review, Yoga Journal, Enchanted Living,</i>and more.</p>]]></Text>
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			<SubjectHeadingText>A New History of Imperial State Formation; Alexander the Great; British India; Caliphate; Carolingian Empire; China; Formation; Holy Roman Empire; Kievan Rus; Maritime empires; Mongols; Persia; Princeton; Princeton University Press; Roman Empire; Rome; Russia; Self-generating and self-supporting; Shadow Empires; Shadow Empires: A New History of Imperial State; The Mongols and the Xiongnu; The premodern empires; Thomas Barfield; Western imperial history; Xiongnu; adjacent to ancient imperial states shadow Empires; ancient Athens; ancient Persia; ancient history; and students of empire to push their; comparative perspective and that invites scholars; creating formidable empires; dominant political organizations in Eurasia; emerged in Mongolia; empires; endogenous; established templates; exogenous empires; extort China rather than conquer it; global history; historians; history; imperial formations in the ancient world; imposed sophisticated central administration; inhabited by tens of millions of people; investigations beyond received categories and; military conquest; nomadic empires; nseeking wealth through extortion and ended up; one that adopts a broadly; periphery; premodern empires,; premodern political formations that arose on the; princeton university press; schematic account; territories spanning millions of square kilometers; used their powerful horse cavalry</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>An original study of empire creation and its consequences, from ancient through early modern times.</b></p><p>The world's first great empires established by the ancient Persians, Chinese, and Romans are well known, but not the empires that emerged on their margins in response to them over the course of 2,500 years. These counterempires or shadow empires, which changed the course of history, include the imperial nomad confederacies that arose in Mongolia and extorted resources from China rather than attempting to conquer it, as well as maritime empires such as ancient Athens that controlled trade without seeking territorial hegemony. In <i>Shadow Empires</i>, Thomas Barfield identifies seven kinds of counterempire and explores their rise, politics, economics, and longevity.</p><p>What all these counterempires had in common was their interactions with existing empires that created the conditions for their development. When highly successful, these counterempires left the shadows to become the world's largest empires  for example, those of the medieval Muslim Arabs and of the Mongol heirs of Chinggis Khan. Three former shadow empires  Manchu Qing China, Tsarist Russia, and British India  made this transformation in the late eighteenth century and came to rule most of Eurasia. However, the DNA of their origins endured in their unique ruling strategies. Indeed, world powers still use these strategies today, long after their roots in shadow empires have been forgotten.</p><p>Looking afresh at the histories of important types of empires that are often ignored, <i>Shadow Empires</i> provides an original account of empire formation from the ancient world to the early modern period.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Thomas Barfield</b> is professor of anthropology at Boston University. His books include <i>Afghanistan: A Cultural and Political History</i> (Princeton) and <i>The Perilous Frontier: Nomadic Empires and China</i>,<i> 221 BC to AD 1757</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Life Lines </i>is an ethnographic exploration of elder care as a creative and relational process, centred on the author's journey caring for his aging father. Over five years, these shared moments opened up new understandings of his father's inner world, revealing the social and personal forces that shaped his life, dreams, and disappointments.</p><p>Blending personal narrative with ethnographic insight, <i>Life Lines </i>invites readers to reflect on the profound and often challenging journey of caring for an aging parent. As generations age and more families navigate the realities of advanced old age, this book offers a hopeful vision: caregiving can be more than a duty  it can become an opportunity for parents and adult children to forge deeper, more emotionally enriching relationships.</p><p>Through art, conversation, and shared discovery, <i>Life Lines</i> shows how we can move beyond care fatigue and disconnection, transforming the later years of life into a time of renewed connection, understanding, and appreciation.</p>]]></Text>
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			<SubjectHeadingText>Anne Frank; Gad Beck; German history; Holocaust; Jewish history; Margot Heuman; Molly Applebaum; gender studies; genocide studies; homosexuality; identity; memory; queer history; queer studies</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[People Without History are Dust explores same-sex desire in the Holocaust, telling the gripping stories of queer Jews that have been long silenced by the homophobia of survivors.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Queerness remains one of the most stigmatised and overlooked aspects of Holocaust history, often erased due to the lingering homophobia of survivors. <i>People Without History Are Dust</i> challenges this silence, weaving together compelling stories of German, Dutch, Czech, and Polish Jewish Holocaust victims and survivors  including Anne Frank, Molly Applebaum, Margot Heuman, and Gad Beck  whose experiences help illuminate the hidden history of queerness in a time of genocide.</p><p>Drawing on extensive archival research, this groundbreaking book uncovers the lives of those who were doubly marginalised, not only persecuted as Jews but also as queer individuals. In doing so, it confronts the ways in which history has excluded or minimised their experiences, urging us to question normative accounts of the Holocaust.</p><p>By shedding light on these long-overlooked stories, <i>People Without History Are Dust</i> deepens our understanding of identity, survival, and memory, reminding us why an inclusive and complex approach to history is essential  not just for the sake of the past, but in service to the present and the future as well.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Anna Hjkov</b> is a reader of history at the University of Warwick.</p><p><b>William Ross Jones</b> is a freelance German-to-English translator and a historian of the Holocaust, gender and sexuality, and sexual violence, currently based at the University of Warwick.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A fresh portrait of Greece's forgotten Near Eastern identity, with old cultural, political and economic ties reforming in today's turbulent world.</p><p>Caught between wars raging in both Eastern Europe and the Middle East, Greece is an island of relative stability. Popularly considered the cradle of Western civilisation, this is a Christian Orthodox state on the edge of the Islamic world. And, after a half-century of integration into NATO and the EU, Greece is now reabsorbing into the Near East, as the West fractures and new Middle Eastern powers rise. The country's importance as a cultural and geopolitical hybrid is growing.</p><p>Travelling through the region, Sean Mathews explores at ground level the tectonic shifts reshaping Europe and the Middle East. He meets the last Greek merchants in Cairo, and hears from Istanbul's remaining Greeks about Turkey's break with the West. In Jerusalem, he discovers a budding alliance between Greece and Israel; and in a faded Ottoman port, he encounters football hooligans loyal to a Russian oligarch.</p><p>This bold reappraisal of Greece as a Near Eastern nation uncovers its Byzantine and Ottoman past as a key to survival in today's chaotic, shrinking world.</p><p> </p><p><b>'A major contribution to a slim field of books about modern Greece. Colourfully written and deeply researched, Mathews' travels through the country reveal a compelling cast of characters and a story about how a small country on the fringe of Europe is transforming itself into a cultural and diplomatic powerhouse.'</b> <b></b> <b>Hannah Lucinda Smith, Istanbul correspondent and author of</b><b><i>Erdoan Rising</i></b></p><p><b>'The eastern Mediterranean or greater Levant has been a pivotal region in imperial history and now again in postmodern geopolitics. Mathews expertly guides the reader through not only the sights and smells of the region, but its political and cultural layers. This is what travel writing is supposed to do: blend description with analysis.'  Robert D. Kaplan, author of </b><b><i>Waste Land: A World in Permanent Crisis</i></b></p><p><b>'A sweeping, historically rich and provocative book that will challenge conventional thinking about both geography and politics.'  David D. Kirkpatrick, </b><b><i>New Yorker</i></b><b>staff writer and author of </b><b><i>Into the Hands of Soldiers: Freedom and Chaos in Egypt and the Middle East</i></b></p><p><b>'Highly enjoyable. With sharp reporting and narrative flair, Mathews uncovers Greece's enduring entanglement with the Middle East. His fresh, insightful revelations made me want to book a flight immediately: Greece will never seem quite the same again.'  Erika Fatland, author of </b><b><i>The Border</i></b><b>,</b><b><i>Sovietistan</i></b><b>and </b><b><i>High</i></b></p><p><b>'A timely and colourful journey through Greece's oriental past and increasingly Middle Eastern future. The author identifies the new frontier between Europe and the Middle East and it runs through Greece.'  Michael Vatikiotis, author of </b><b><i>Lives Between the Lines: A Journey in Search of the Lost Levant</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A joyful, powerful oracle that will inspire you to start each day with a positive intention and to live in gratitude.</b></p><p>Each of the thirty-nine colourful cards in the <i>No Bad Days</i> oracle deck provides an affirmation as well as daily exercises. Further details are included in the accompanying guidebook, where you'll find suggestions for yoga positions, breathing techniques, an inspiring playlist, tips for personal development, prompts for intuitive writing, and more  so you can make the most of your message.</p><p>The deck is broken down into three themes referenced by the card's colour:</p><ul><li><b>Freedom</b> (orange) cards represent the past and are your foundation, your roots, the basis of your questioning.</li><li><b>Emergence</b> (pink) cards appeal to the present, convey your current state of mind, and shed light on your problem so you can move forward and shine!</li><li><b>Achievement</b> (blue) cards are the final path to personal fulfillment that we are all waiting for.</li></ul><p>Make this warm and sunny oracle part of your daily practice and let <i>No Bad Days</i> guide you with gentle wisdom toward joy, inner harmony, and a radiant sense of well-being.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ines Duhard</b> has a passion for life. She always sees the glass as half full and likes to get the best out of every experience. Between travel, van life, surfing, yoga, sports, social networking, and entrepreneurship, Ines likes to nourish herself with interests and live a passionate and creative life. People often ask her how she manages to be so positive and joyful despite the vagaries and worries of everyday life. Writing this oracle was her chance to offer a little guidance to finding a simpler, lighter, and more agreeable life. She lives in Mougins, France.</p>]]></Text>
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			<SubjectHeadingText>1980s; 1990s; Creation Records; Interviews; Isn't Anything; Kevin Shields; Loveless; MBV; My Bloody Valentine; Primal Scream; archival materials; behind the scenes; best albums ever; creativity; dream pop; firsthand accounts; indie; perfectionist; post- rock; shoegaze; sonic innovators</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Turn My Head Into Sound: A History Of Kevin Shields And My Bloody Valentine tells the story of one of the great sonic innovators of the late twentieth and early twenty-first centuries.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Turn My Head Into Sound: A History Of Kevin Shields And My Bloody Valentine</i></b><b> tells the story of one of the great sonic innovators of the late twentieth and early twenty-first centuries.</b></p><p>My Bloody Valentine have released only three albums in their forty-year career, but each of them has made a seismic impact. <i>Isn't Anything</i> (1988) is often cited as an Ur-text of shoegaze and dream rock; <i>Loveless</i> (1991) is an undisputed masterpiece heralded by many as the greatest album of the 1990s; <i>m b v</i> (2013) is one of the best-loved comeback albums in recent memory.</p><p>For those who know Kevin Shields and his work already, he is an indie-rock icon, but by other measures he's still a relatively obscure figure in the musical mainstream, and to date there has been no full-length appraisal of his work or his band's career. Until now.</p><p><i>Turn My Head Into Sound</i> is based on research gathered over decades as well as interviews with people who were there, some of them speaking on the record for the first time. Longtime fans of the band will find plenty of new information here, including the full story of the tumultuous period at Island Records following the release of Loveless.</p><p>Shields is truly a one-of-a-kind musician, and this book  which fills in the gaps, corrects errors, and takes an objective look at his and the band's entire career, warts and all  paints the full picture of one of the most revolutionary sonic artists of our time, including his work outside of MBV as an engineer, producer, remixer, and auxiliary member of Primal Scream, as well as his contributions to several films by Sofia Coppola.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Andrew Perer </b>is a music critic and researcher based in Los Angeles, California. This is his first book. For more information, visit turnmyheadintosound.com</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>More than eighty-five years after it ended in defeat for the Republicans and victory for the Nationalists headed by General Francisco Franco, the Spanish Civil War remains a subject of debate and contention. We live in a time of political polarisation, with opposing sides holding entrenched and unalterable positions and <i>War Without Mercy</i> sheds light on the consequences of such circumstances. It also presents a detailed but concise picture of this turbulent and pivotal moment in European history.</p><p>The Spanish Civil War was a war of firsts: the first in which civilians were targeted, through the bombing of cities. It was also the first 'photogenic' war in history, the growth in photo-journalism bringing images of the fighting and of the huge number of refugees that were created by the conflict to the newspapers and newsreels of other European countries. New weapons, technologies and strategies were tried out, rehearsing for the increasingly inevitable war on European soil.</p><p><i>War Without Mercy</i> examines the origins of this deadly conflagration which date back to the nineteenth century and which finds its causes in the issues of mass suffrage, social welfare reform, and land reform, as well as in the increasing tensions between urbanism and rural tradition. The course of the war is laid out, including descriptions of the major battles and incidents, incorporating details of the bombing of major cities, most harrowingly, of course, the bombing of civilians at Guernica, famously depicted in Pablo Picasso's painting of the atrocity. The reaction of the other nations of Europe is also examined  the 'non-intervention' promulgated by Great Britain and France, and the direct intervention of the fascist nations, Germany and Italy, in support of the Nationalist cause, support that took the form of troops, planes and armaments.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gordon Kerr </b>worked in bookselling and publishing before becoming a full-time writer. He is the author of several titles including <i>A Short History of Europe, A Short History of Africa, A Short History of China, A Short History of Brazil, A Short History of the First World War, A Short History of the Vietnam War, A Short History of the Middle East, A Short History of Religion </i>and <i>The War That Never Ended</i>. He divides his time between Dorset and Southwest France.</p>]]></Text>
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			<SubjectHeadingText>Party; Deng; Economic; Reform; Chinese; Hu; Policy; Power; Economy; Era; Government; Tiananmen; Leaders; Firms; Country; Soes; Jiang; Regime; Zhao; Market; War; Mao; Security; Leadership; Corruption; Central; Investment; Liberal; Soviet; Neo; Campaign; Conservatives; Forces; Democracy; Authoritarian; Ideological; Crackdown; Capital; Elite; Law; Domestic; Chen; Financial; Economic reform; Totalitarian; Strategic; Military; Party chief; Committee; Relations; Foreign trade; Politburo; Taiwan; Economic development; Rapid; Neo authoritarian; Foreign policy; Labor; Hardliners; Population; Hu jintao; Central committee; Modernization; Entrepreneurs; Industrial; Institutional; Xi jinping; Education; Crisis; Yaobang</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A provocative book that demystifies China's great democratic leap backward under Xi Jinping, revealing why the country's embrace of capitalism has given rise to hard authoritarianism, mass surveillance, and one-man rule instead of democracy as many in the West had hoped.</b></p><p>When China embarked on its transformative journey of modernisation in 1979, many believed the country's turn toward capitalism would put its totalitarian past to rest and mark the birth of a democratic, open society. Instead, China reverted to a neo-totalitarian state, one backed by one of the fastest-growing, most formidable economies on earth. <i>The Broken China Dream</i> pulls back the curtain on the regime of strongman Xi Jinping, revealing why the reforms of the post-Mao era have been reversed on nearly every front  and why the world failed to see it coming.</p><p>Exposing the truth behind China's economic ascendency after the Cultural Revolution, Minxin Pei shows how, following Mao's death in 1976, Deng Xiaoping strategically deployed the tools of capitalism to preserve the Chinese Communist Party. Deng kept intact the institutional foundations of totalitarianism even as he unleashed private entrepreneurship and courted foreign investment, giving China's one-party state control of a vast repressive apparatus and the most critical sectors of the economy. Only a fragile balance of power among dueling factions prevented the rise of a totalitarian leader in the two decades after the Tiananmen crackdown in 1989  but this temporary equilibrium collapsed.</p><p>Essential to understanding today's China, this meticulously researched book is a sobering account of why the country's reformers and institutions could not stop a shrewd and ruthless politician like Xi from resurrecting dormant totalitarian practices that, for the foreseeable future, have spelled the end of the dream of a free and prosperous China.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Minxin Pei</b> is the author of several acclaimed books on contemporary China, including <i>The Sentinel State: Surveillance and the Survival of Dictatorship in China</i>, <i>China's Crony Capitalism: The Dynamics of Regime Decay</i>, and <i>China's Trapped Transition: The Limits of Developmental Autocracy</i>. He is the Tom and Margot Pritzker '72 Professor of Government and a George R. Roberts Fellow at Claremont McKenna College.</p>]]></Text>
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			<SubjectHeadingText>active imagination; All books by C. G. Jung, particularly those; edited by the Philemon Foundation; amplification; C. G. Jung; case histories; collective unconscious; Consciousness and the Unconscious; Dream; Dream Symbols of the Individuation Process; dreams; Ernst Falzeder; History of Modern Psychology; Martin Liebscher; phantasies; Psychology of Yoga and Meditation; Suzanne Gieser; symbols; Patient; Freud; Impression; Death; Spirit; Stone; Room; Doctor; Relationship; Earth; Psychology; Sister; Human; Child; Jung; Soul; Evil; Spiritual; Water; Crazy; Grandfather; Sun; Century; Church; Imagine; Christ; Family; Secret; Ancient; Personality; Situation; Grail; Entire; Memory; Anima; Space; Animals; Alchemy; Mystery; Bollingen; Sexuality; Devil; Development; Religious; Christian; Psychic; Wonderful; Daughter; Incredible; Fantasies; Darkness; Analysis; Town</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>In 1957, at the age of eighty-one, C. G. Jung began a collaboration with his student and secretary Aniela Jaffe and the legendary publisher Kurt Wolff on a book about his life. <i>Memories, Dreams, Reflections</i> would become a bestseller, yet it draws from less than half of Jaffe's original interviews with Jung. Much of the material from these candid, wide-ranging conversations was left on the cutting-room floor. <i>Jung's Life and Work</i> presents these interviews in their entirety for the first time.</p><p>Marking the 150th anniversary of Jung's birth, this new English translation captures the cadence and subtlety of the brilliant psychologist in his own words, giving voice to a thinker and teacher who is by turns witty and intellectually daring but also vulnerable and humbled by the world's great mysteries. It restores numerous passages that were originally omitted or heavily edited and toned down for publication, 'auntified' as Jung himself put it. Taken together, these talks reveal Jung actively discovering meaningful new connections in his life's work. He shares his impressions of notable figures he encountered throughout his life  such as Sigmund Freud, William James, Albert Einstein, and H. G. Wells  and describes his striking visions, religious and paranormal experiences, and pioneering self-experimentation. Aided by Jaffe's skillful questioning, Jung reflects on subjects ranging from Christianity and Buddhism and the fate of the West to the experiences that led to the formulation of his signature concepts of the collective unconscious, archetypes, anima and animus, and the shadow as well as on karma, the afterlife, and much more.</p><p>With an introduction and extensive annotations by acclaimed Jung scholar Sonu Shamdasani that provide invaluable historical perspective, <i>Jung's Life and Work</i> includes previously unpublished extracts from Jung's letters and a completely reorganised text.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>C. G. Jung</b> (18751961) was one of the most important psychologists of the twentieth century and the founder of analytical psychology.<b> </b></p><p><b>Aniela Jaffe</b> (19031991) was an analyst and longtime collaborator with Jung. </p><p><b>Sonu Shamdasani</b> is Professor of Jung History and Co-Director of the Health Humanities Centre at University College London and the editor of Jung's <i>Red Book</i>. </p><p><b>Thomas Fischer</b> is an editor at the Foundation of the Works of C. G. Jung and a great-grandson of Jung. </p><p><b>Heather McCartney</b> is a Jungian analyst and the translator of <i>Analytical Psychology in Exile</i> (Princeton). </p><p><b>John Peck</b> is a Jungian analyst and acclaimed poet.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Entertain yourself and get inspired with the activities, tips, and bullet journalstyle trackers in this activity book designed for the sober curious  the perfect companion to a year of drinking less or zero alcohol!</b> </p><p>You've made the decision to explore what sober living is all about. Maybe you don't like how you feel after drinking, maybe you don't like who you become when you drink, or maybe you're just trying to be a little healthier. Whatever the reasons behind your decision, this activity book is here to help you stay entertained, inspired, and on the right track. The friendly advice, proven tips, fun activities and games, and convenient organisational tools will help you during your year of sober curious living. In a world that can seem completely centred around drinking, this little book can be something you come back to now and then, or something you incorporate into your weekly routine. No matter how you decide to use<i> The Sober Curious Activity Book</i>, it is the perfect thing to have on hand if you're looking for a bit of fun and friendly companionship on your journey!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Niesha Davis</b> is a Black American writer and editor currently residing in Chicago. As a health and wellness writer, her bylines include<i> Prism, Health, Women's Health, Everyday Health,</i> and <i>Livestrong.</i> Previously she was the digital and sex editor for the lifestyle-feminist publication BUST. Niesha grew up in Cleveland, Ohio, and received her BA in theatre and English from The New School. In addition to working in media, she is an avid traveller and vlogger. Keep up with her on Instagram @brwnandabroad.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Three Keys to a Harmonious Life</b></p><p><b>'The most powerful tools are not invented; they are rediscovered. Jorge Luis Delgado, one of my teachers, unearths a timeless, potent formula for a life of purpose:</b> <b><i>Love, Service, Wisdom</i></b><b>. This book will change how you see your place in the world.'  don Jose Ruiz,</b> <b><i>New York Times</i></b><b> bestselling coauthor of</b> <b><i>The Fifth Agreement</i></b></p><p>In the heart of the Andes, the ancient Inkas cultivated a spiritual philosophy that created one of the most harmonious and advanced civilisations on Earth. For them, the secrets to a life of meaning, purpose, and connection were found in three simple, yet profound principles: munay (love), llankay (service), and yachay (wisdom).</p><p>Author Jorge Luis Delgado was a modern man, determined to pursue material success and leave the 'old ways' behind. But the wisdom of his ancestors had other plans. From his beginnings as a suitcase-toting child on the streets of Peru to his awakening as a respected chakaruna  a bridge person between worlds  Delgado's extraordinary journey reveals how these timeless principles are not relics of the past, but urgently needed guides for navigating modern crisis and change. In this book, Delgado will teach you how to:</p><p><b>Cultivate munay</b>, the unconditional love that recognises the sacred in all beings.<br/><b>Practice llankay</b>, transforming your daily actions into a prayer of sacred service.<br/><b>Access yachay</b>, the deep wisdom that flows from your connection to the cosmos.</p><p>More than a philosophy, this is a practical path to inner and outer transformation. Through personal stories, insightful teachings, and accessible practices, you will discover how to build bridges  from your mind to your heart, from your personal life to the collective whole, and from a world of separation to one of unity.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>'Financial Sorcery</i></b><b> has so much in it that I've never seen in any book on the subject of money and magick, and I highly recommend it to anyone who wants to change their relationship with money and have it serve them, instead of the other way around.'  Mat Auryn, bestselling author,</b> <b><i>Psychic Witch</i></b></p><p><i>Financial Sorcery</i> will give you step-by-step instructions on how to improve your fiscal situation  combining timeless financial wisdom with enhanced sorcery. Author Jason Miller teaches not only magical exercises to improve your finances but also the mindset for financial wellness and tools for traditional financial planning so you can continue to grow your wealth.</p><p>This life-changing book goes far beyond simple 'money magic', sharing not only the magic skills needed to succeed but also the money mindset. This is a tome of true financial sorcery that will show you how to ensure success no matter what life throws at you.</p><ul><li>Stop using magic to fix emergency problems and start using it to build your dream life</li><li>Use times of economic uncertainty to create new opportunities rather than cause problems</li><li>Work joyfully with money as part of your spiritual discipline rather than as a necessary evil</li><li>Deploy strategic sorcery to kill your debt</li><li>Make offerings to help increase the flow of prosperity around you</li><li>Ditch old concepts and retrain your mind to make money in today's world</li></ul><p>This revised edition of <i>Financial Sorcery</i> contains a new introduction, an all-new chapter, and updates throughout.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jason Miller</b> (Inominandum) has devoted more than three decades to studying practical magick in its many forms. He is the author of six books, including the now classic <i>Protection &amp; Reversal Magick</i> as well as<i>Consorting with Spirits</i>, <i>Real Sorcery</i>, and <i>The Elements of Spellcrafting</i>. He teaches several courses online, including the Strategic Sorcery One-Year Course, the Sorcery of Hekate Training, and the Black School of Saint Cyprian. He lives with his wife and children in the mountains of Vermont. Find out more at <i>StrategicSorcery.net</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A reflection on the many manifestations of broken trust in nonmonogamous relationships, and how to heal from them.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A reflection on the many manifestations of broken trust in nonmonogamous relationships, and how to heal from them.</b></p><p>Nonmonogamy can assume many shapes, none of which can claim to be a 'safe' model of intimacy. The jet-setting passport paramour who fits the needs of many far-flung lovers into a single carryon has as many opportunities to do right or wrong by their partners as the members of a homebound triad who prefer raising a family to raising hell on the nightlife scene.</p><p>Even the most casual of connections requires trust, and where there is trust, there is the potential for betrayal. As long as there have been love stories, there has been love lost through deception, abandonment, or callous disregard of intimate bonds. Intimacy, exclusive or otherwise, can be exploratory or confined, collaborative or autonomous, but one thing it can never be is risk free.</p><p>Yes, there is cheating in nonmonogamous relationships. There are other forms of betrayal, too: the cliquish injustices of in-group bullying, the violation of having personal information shared by a trusted partner, the humiliation of seeing someone who claimed to love you 'trade up' for a partner with more social, sexual or plain old economic capital. Trust can be broken, and in turn break people, in a great number of ways.</p><p>In <i>Nonmonogamy and Betrayal</i>, Eve Rickert, co-author of <i>More Than Two, Second Edition: Cultivating Nonmonogamous Relationships with Kindness and Integrity</i>, explores a regrettable inclination among many who practise nonmonogamy: to downplay or minimise the destructive capacity of broken trust, both to the betrayed partner and to the larger community. <i>Nonmonogamy and Betrayal</i> not only unravels the varieties of betrayal that can occur in nonmonogamy, but explores pathways to recognition and healing.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Eve Rickert</b> is a Gen X, queer, solo polyamorous, relationship anarchist, neurodivergent cis woman living on unceded WSNE (Saanish) and lkn (Lekwungen) territory (Victoria, Canada). She is a professional writer, editor and mastermind, the author of <i>More Than Two, Second Edition: Cultivating Nonmonogamous Relationships with Kindness and Integrity,</i> curator of the<i> More Than Two Essentials</i> series and the website morethantwo.ca, and the founder of Thornapple Press. She very sporadically blogs at brighterthansunflowers.com.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Dark Shadow, Golden Shadow provides the tools and guidance necessary to embark on a journey of self-discovery and healing with the added benefit of using tarot and other magickal tools as a way to gently explore the depths of our psyches  both challenging (the dark) and positive (the golden).]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Dark Shadow, Golden Shadow</i></b><b> provides the tools and guidance necessary to embark on a journey of self-discovery and healing with the added benefit of using magickal tools as a way to gently explore the depths of our psyches  both challenging (the dark) and positive (the golden).</b></p><p>Shannon Knight's approach to shadow work is deeply rooted in secular, therapeutic, and psychological principles, but she recognised the valuable role that magick, archetypes, and symbolism play in this process.</p><p>Unlike other books on the subject, <i>Dark Shadow, Golden Shadow</i> incorporates the use of tarot as a prominent tool that serves as a method of self-reflection, offering a portal to our subconscious and helping us access parts of ourselves that we otherwise may have been unable to. The imagery and archetypes help facilitate a dialogue with our shadow, making it easier to converse with the repressed and hidden parts of ourselves.</p><p>To create harmony and reduce tension between the logical and mystical aspects of ourselves, we need to be curious about multiple ways of being, experimenting with how these impact us  for better or for worse  and then figuring out what to do with this information. Through exercises, techniques, and insights, <i>Dark Shadow, Golden Shadow</i> allows you to gently explore the depths of your psyche, uncover different parts of yourself, and navigate the path toward greater self-acceptance. It's the ultimate process of 'looking in the mirror'.</p>]]></Text>
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			<SubjectHeadingText>Actors; Adam smith; Affairs; Analysis; Analysts; Argument; Attitudes; Autonomy; Autonomy defense; Burden; Burden sharing; Capita; Categorization scheme; Century; Civil; Civil war; Cold war; Commerce; Commercial; Competitive pressures; Conceptual; Conceptual questions; Conflict; Country; Defense; Defense related production; Development; Domestic; Domestic economic; Economic; Economic costs; Economic development influences; Economic factors influence; Economic goals; Economic growth; Economic statecraft; Economic structure; Economy; Economy frameworks; Empirical; Factors influence security; Factors politics; Financial; Financial flows; Firms; Foreign; Foreign policy; Frameworks; Geographic dispersion; Gilpin; Globalization; Goals; Government; Influence; Interaction; Interests; Kirshner; Liberal; Liberalism; Likelihood; Literature; Martial spirit; Military; Military force; Military security; Military technology; Mncs; Oil; Pathways; Peace</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The complex and multifaceted relationship between economic factors and conflict.</b></p><p>In this book, Stephen Brooks provides a systematic empirical and theoretical examination of how economic factors influence security affairs. Empirically, he analyses how economic variables of all kinds affect interstate war, terrorism, and civil war; in total, sixteen pathways are examined. Brooks shows that the relationship between economic factors and conflict is complex and multifaceted; discrete economic factors  such as international trade, economic development, and globalised manufacturing, to name a few  are sometimes helpful for promoting peace and stability, but at other times are detrimental. Brooks also develops a stronger theoretical foundation for guiding future research on the economics-security interaction. Drawing on Adam Smith, he provides a more complete range of answers to the three key conceptual questions analysts must consider: how economic goals relate to security goals; what economic factors to focus on; and how economic actors influence security policies.</p><p>Combining an innovative theoretical understanding with empirical rigour, Brooks's account will reshape our understanding of the political economy of security.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Stephen G. Brooks</b> is professor of government at Dartmouth. He has written four other books, including <i>Producing Security</i> (Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The courtroom drama that denied the legitimacy of slavery in late medieval Europe.</b></p><p>In 1387, a young Muslim woman from North Africa was captured on a galley in the Bay of Naples and brought to Marseille as a slave. For more than ten years, she was held in bondage to a shipwright and privateer named Peire Huguet. Daniel Lord Smail tells the extraordinary story of Magdalena Coline, a woman who dared to file suit against the man who called himself her master, and whose passage from servitude to freedom raises tantalising questions about how the people of her time made sense of slavery as a social category.</p><p>In a masterful narrative that takes readers from the waters of the Mediterranean to the court of the Angevin King Louis II, claimant to the throne of Naples, Smail describes how Peire, pressed by Magdalena's supporters, reluctantly granted her a tacit manumission through her marriage to her first husband, whose death two years later placed her in a state of considerable ambiguity. In 1406, following her second marriage to an immigrant shoemaker, a dispute with Peire exploded in the law courts of Marseille, where it played out over two tumultuous years through numerous suits and appeals. In a dramatic turn of events, Magdalena traveled to the royal court in nearby Aix-en-Provence, where she successfully petitioned the king and returned home victorious.</p><p>Drawing on court records and an array of other archival sources from the period, <i>Magdalena Coline</i> brings these remarkable legal proceedings vividly to life, shedding new light on the ways slavery was understood and practiced in the late medieval Mediterranean world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Daniel Lord Smail</b> is Frank B. Baird, Jr., Professor of History at Harvard University. His books include <i>Legal Plunder: Households and Debt Collection in Late Medieval Europe</i> and <i>The Consumption of Justice: Emotions, Publicity, and Legal Culture in Marseille, 1264-1423</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The first full-length English translation of the 1909 book from the revolutionary Russian Marxist feminist Alexandra Kollontai on the state of the contemporary bourgeois women's movement and the role of working-class women in the struggle for women's equality.]]></Text>
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			<Text textformat="02"><![CDATA[<p>The first full-length English translation of the 1909 book from the revolutionary Russian Marxist feminist Alexandra Kollontai on the state of the contemporary bourgeois women's movement and the role of working-class women in the struggle for women's equality.</p><p>In this classic text from 1909, Alexandra Kollontai, a leading early figure in the Marxist feminist movement, discusses the history and socioeconomic roots of the struggle for women's equality. Examining the movement for women's equality in late 19th century Russia, she discusses how upper-class liberal feminists ignored or patronized working-class women. The interests of upper-class women and their focus on suffrage and philanthropy meant that their organisations and movements could not be reliable allies to women of the working class.</p><p>Many of the issues that Kollontai touches on in this book remain alive today, as the struggle for gender equality is dominated by liberal bourgeois groups while revolutionary leftists attempt to address intersecting systems of oppression without being co-opted by neoliberal feminism. Kollontai's argument that the feminist movement needs to be part of broader working class struggles for liberation is as important and powerful today as it was in the early twentieth century.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexandra Kollontai</b> (1872-1952) was a Russian revolutionary, politician, diplomat and Marxist thinker. Serving as the People's Commissar for Welfare in Vladimir Lenin's government in 1917-1918, she was a highly prominent woman within the Bolshevik party and the first woman in history to become an official member of a governing cabinet. She worked tirelessly all her life as a speaker, writer, and organizer for women's emancipation.</p><p><b>lise Hendrick</b> has been working as a freelance translator of a wide variety of medical, legal, technical, literary, and political material since the late 1990s. Her working languages include Russian, Japanese, German, Spanish, French, Italian, Norwegian, Dutch, Portuguese, English, Swedish, Danish, Flemish, Afrikaans, Bosnian, Serbian, Croatian, Bulgarian, Romanian, Korean, Catalan, and Yiddish, and are likely to expand soon to include Chinese (simplified and traditional) and Finnish.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A disturbing portrait of the fascist youth movements warping Russian society and politics.]]></Text>
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			<Text textformat="02"><![CDATA[<p>How did Vladimir Putin win Russians' support for his genocidal war in Ukraine and why are so many of them willing to embrace fascism? This vivid, bottom-up narrative reveals the dark realities of youth fascism in Russia  and the darker future awaiting the country if that hold cannot be broken.</p><p>Wartime Russia is drowning in fascist symbols. Zealous patriots attack journalists, opposition activists, and anyone suspected of betraying the motherland. Hordes of online trolls and sleek videos of angry young men urge citizens to join the cause. State television terrifies viewers with false tales of anti-Russian conspiracies and genocidal yearnings. Child soldiers proudly parade across Red Square. This is Russia in the 2020s: a land of performative rage and nationalist untruth, where pretence and broken promises are a way of life, and an apocalyptic mindset is seizing tomorrow's Russians.</p><p>As compelling as it is chilling, <i>Z Generation</i> shows how Russia has ended up here, and where its young people may be headed: a fascist generation more violent and ideological than anything the country has seen before.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ian Garner</b>'s research focuses on Soviet and Russian war propaganda. The author of <i>Stalingrad Lives: Stories of Combat and Survival</i>, he studied at the Universities of Bristol and Toronto, and at the St. Petersburg State Conservatory.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A searing indictment of how Afghan elites and the Western powers pulled the rug on the Afghan people, abandoning them to their fate.]]></Text>
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			<Text textformat="02"><![CDATA[<p>A searing indictment of how Afghan elites and the Western powers pulled the rug on the Afghan people, abandoning them to their fate.</p><p>The Taliban's takeover of Afghanistan in 2021 was the result of declining active support for the government, and of waste and inefficiency in aid delivery. Yet, while corrosive, these problems were not in themselves sufficient to have brought about a collapse. To a significant degree, they were the result of early failings in institutional design, reflecting an American inclination to pursue short-term policy approaches that created perverse incentives  thus interfering with the long-term objective of stability.</p><p>This book exposes the true factors underpinning Kabul's fall. The Afghan Republic came under relentless attack from Taliban insurgents who depended critically on Pakistani support. It also suffered a creeping invasion that put the government on the back foot as the US tried and failed to deal with Pakistan's perfidy. The fatal blow came when bored US leaders naively cut an exit deal with the enemy, fatally compromising the operation of the Afghan army and air force and triggering the final collapse, with top leaders at odds over whether to make a final stand in Kabul.</p><p>The Afghan Republic did not simply decline and fall. It was betrayed.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ahmad Shuja Jamal </b>is a lawyer, policy researcher and former Afghan senior civil servant. He was director-general for international relations and regional cooperation at Kabul's National Security Council (2019-2021), where he also served as director for peace and civilian protection. Formerly a researcher for Human Rights Watch, he was also director for development at the American University of Afghanistan. After leaving Afghanistan, he was head of policy, advocacy and communications at the Jesuit Refugee Service (Australia) and a special advisor at the Refugee Council of Australia, and is currently a lawyer at a top-tier Australian firm. William Maley is Emeritus Professor of Diplomacy at Australian National University, and the author of many books on Afghan politics and history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Living life on the edge  the memoir of a legendary AP war correspondent.</b></p><p>This is the remarkable life story of Denis D. Gray, born Zdenek Mecir in communist Czechoslovakia, who went on to a celebrated career as a foreign correspondent for the Associated Press.</p><p>From the front lines of the Vietnam War and the 'Killing Fields' of Cambodia to foxholes in Iraq and Afghanistan, Gray chronicles eight decades of upheaval and resilience in this highly personal memoir. He reflects on a world of relentless change and fleeting beauty, torn between the urge to seek a quiet refuge  a 'lost horizon' of peace  and the irresistible pull of life on the edge.</p><p><b>'In</b> <b><i>Lost Horizons</i></b><b>, I try to make sense of it all as best I can. I tell my story and those of others  not only people but cities, countries and conflicts  through imperfect eyes. I chose not to present these accounts as a strictly chronological narrative but by subject and theme. In so doing, I hope to have captured the unique period in history during which I lived, loved and lost.'  Denis D. Gray</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The remarkable story of the last Ottoman Caliph, exiled by Atatrk, who tried to recreate the Caliphate in the Indian princely state of Hyderabad.</p><p>Abdulmejid II was a talented painter, music enthusiast and Francophile. He was also the last Ottoman Caliph, expelled from Istanbul in March 1924 when Turkey abolished the 1,300-year-old Caliphate.</p><p>From his villa on the French Riviera, Abdulmejid launched a plan to resurrect the institution and transform world history. Indian politician Shaukat Ali brokered a marital alliance between the Ottomans and the Nizam of Hyderabad, the world's richest prince, who governed a state the size of Italy in the Indian subcontinent.</p><p>This saw the union of Islam's two greatest houses, and of the Islamic west and east. It cemented Hyderabad's status as a global Muslim capital, and left Abdulmejid's grandson, the Ottoman prince and the designated Nizam-in-waiting, perfectly placed to claim the Caliphate. But Partition in 1947 and the annexation of Hyderabad the following year spelled the end of this prospect.</p><p>Exploring the lives, cultures and sensibilities of an amazing cast of players, <i>The Indian Caliphate </i>details this extraordinary history, which for decades has been consigned to near oblivion. This story of the downfall of two Muslim dynasties reveals a forgotten fact: that India was, in many ways, the very epicentre of the Islamic world in the early twentieth century.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Marseille is a thoroughly ambiguous place. France's second city and its major sea-port, its impact on the national imagination is unparalleled. Yet it is also a frontier city, arguably capital of the Mediterranean, and with a traditionally suspect allegiance to the French nation. This apartness, and the city's long and rich history as home to migrants, workers and organised criminals, has cemented its association in the popular imagination with exoticism and illicit activity.</p><p>In this history, Nicholas Hewitt explores Marseille's extraordinary cultural wealth from the Revolution to the present century, charting the development of its bad reputation, its 'rogue status' within France, and its international importance. The narratives devoted to this great port city range from the legend of its football team to The Count of Monte Cristo. Hewitt discovers Marseille through the eyes of writers, painters and sculptors, film-makers, music hall stars, architects and rappers; from the viewpoints of French, German, British and American visitors; and as a celebration of its humane cosmopolitanism, often in contrast with national French sentiment.</p><p><i>Wicked City</i> is a vivid and complex portrait of one of the Mediterranean's great cities, going beyond the popular stereotypes to uncover the true Marseille in its full richness.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Investigates how Chinese state entities have compromised British business and politics at the highest levels.</b></p><p>In the 2010s, as China slid deeper into authoritarianism and the UK veered towards political uncertainty, the two countries declared a 'Golden Era' of relations. This challenge to the established international order came amid rising global concern around Chinese party-state intrusions abroad.</p><p><i>All That Glistens </i>peels away the shiny exterior of the Sino-British 'golden age' to reveal a relationship built on global capitalism, British corruption and Chinese Communist Party influence over UK affairs  to the disquiet of London's allies.</p><p>Drawing on his years on the ground in Beijing, as well as investigative research using open-source intelligence, Martin Thorley's timely book sheds light on a murky aspect of international relations. He reveals coordinated Chinese state actions reaching into the heart of Parliament, and the widespread compromise of British politics by Chinese commercial entities  particularly nuclear energy, property development and currency-trading enterprises. Exposing the close connections between Western financialisation and China's geopolitical interference, this book offers a cautionary tale for all liberal democracies.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An indispensable guide to Greenland  why it matters, who covets it and why this wilderness of 56,000 inhabitants could become the next global flashpoint.</b></p><p>Greenland is no ordinary island. From its discovery by Norsemen to its contemporary strategic significance, it has been a frontier for human exploration and empire, today emerging as a facilitator of geoeconomic competition. This book delves into the rich history and complex politics of Greenland, revealing how this icy expanse has shaped  and been shaped by  the world.</p><p>This short history begins with the Vikings, whose mysterious disappearance from Greenland in the 1400s remains one of history's great puzzles. It then explores the island's gradual transformation from a Danish possession to an autonomous territory, charting its role during the World Wars and its strategic importance during the Cold War.</p><p>Greenland finds itself at the centre of a renewed 'great game', balancing transatlantic ties, rising Chinese influence, and mounting domestic pressures for independence. And that's before President Trump's agenda is factored in.</p><p>Starting from Trump's plan to purchase Greenland, Elizabeth Buchanan dissects the island's contemporary role and poses four provocative scenarios for its future  from full independence to an icy geopolitical standoff with Denmark.<i>So You Want to Own Greenland? </i>is an essential read for anyone curious about the future of this frozen frontier and its place on the global stage.</p>]]></Text>
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			<SubjectHeadingText>Conscious Capitalism; Critical Realist Economics; Degrowth; Doughnut Economics; ESG; Ecological Economics; Economic Science; Emancipatory; Heterodox Economics; Post-Keynesian Environmentalism; Postgrowth; Regenerative Economics; Regenerative Finance; SDGs; Social Ecological Economics; Social Provisioning; Systems Thinking; Theory of Change; Whole Systems Approach</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Regenerative Economics is based on the deceptively simple idea that an economic system should emulate the process and patterns that define all life. This science-based next evolution of economics explains the root cause of the polycrisis and promises a hopeful pathway forward, rooted in unseen potential and abundance]]></Text>
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			<Text textformat="02"><![CDATA[<p>Transform how you see the economy  and what's possible. Discover a science-based, hopeful path beyond crisis thinking with a regenerative model that works like a living system, helping leaders, communities, and citizens navigate climate chaos, inequality, and ecological breakdown with clarity and purpose.</p><p>This groundbreaking book reveals why today's economic model is failing  and how a regenerative approach can unlock resilience, justice, and health for people and the planet. Instead of reacting to crisis after crisis, a regenerative economy creates the conditions for systems to thrive, adapt, and evolve.</p><p>This bold rethinking of economics for a world in crisis:</p><ul><li>Identifies the hidden fatal flaw driving today's polycrisis</li><li>Explains regenerative design principles rooted in living systems</li><li>Offers actionable steps and transformative policies for real change</li><li>Moves beyond sustainability, circularity, and degrowth toward whole-system health</li><li>Illuminates a path forward that aligns economic activity with ecological limits</li></ul><p><b>Why this book matters now</b><br/>As climate disruption, biodiversity loss, and inequality accelerate, this work provides a hopeful, rigorous framework for redesigning our economic future  one grounded in science, values, and the deep wisdom of natural systems.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John Fullerton</b> is an unconventional economist, impact investor, writer, and, some have said, philosopher. He is considered the architect of Regenerative Economics, first conceived in 2015 in the work <i>Regenerative Capitalism: How Universal Patterns and Principles Will Shape the New Economy.</i></p><p>After a successful 20-year career on Wall Street where he was a Managing Director of what he calls 'the old JPMorgan', John listened to a persistent inner voice and walked away in 2001 with no plan, but many questions. A few months later he experienced the events of 9/11 firsthand, and after the 2008 Financial Crisis, John created the Capital Institute to explore ever deepening questions about the future of capitalism.</p><p>John's revolutionary ideas have been met with wide, global acclaim through his writings, talks, and his 8-week online course 'Introduction to Regenerative Economics'. A member of the Club of Rome, John was featured in the 2021 award winning documentary, Going Circular, with James Lovelock. He lives in Stonington, CT.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Australian Business Book Awards 2025, Leadership Category**</b></p><p>Despite the surge of women into university, jobs and sitting in federal parliament, why are men still overwhelmingly running the show?</p><p>Fewer women are running governments, and the small proportion who make it as CEO has barely budged. The major culprit is right under our noses. Entrenched gender bias about who should be the boss means leadership is mainly seen as a masculine endeavour. And no matter how well qualified and experienced, women continue to be underestimated and face an obstacle course of sexism to get to the decision-making table.</p><p>In <i>Breaking the Boss Bias</i>, Catherine Fox sounds the alarm. She argues that toxic sexism woven through processes, beliefs, management, education and leadership norms is keeping privileged men in power, making decisions for us all. It's time for a new way to lead and to unlock the talent being wasted from boss bias.</p><p><b>'Forensically researched, tightly argued, suffused with Fox's trademark wit,</b> <b><i>Breaking the Boss Bias</i></b><b> presents a compelling case for more women leaders and asks the question  why are they still so rare?'  Jane Caro</b></p><p><b>'What a wake-up call! We are moving backwards on gender, and the stats for women who come from diverse backgrounds are staggering. This is compulsory reading for all leaders.'  Shirley Chowdhary</b></p><p><b>'No matter what they do or how high they fly, most women know what it feels like to be ignored or left out of decision-making. Instead of being fobbed off with excuses, this important and practical book outlines why it happens and what we can all do about it.'  Melissa Doyle AM</b></p><p><b>'This book isn't just about women but about building a better future for everyone. A powerful and important book for our times and must-read for all leaders.'  Kirstin Ferguson AM</b></p><p><b>'This meticulously researched case for change is exactly what we need to move us from incrementally playing around the edges to sustainable, systemic progress towards gender equality in leadership.'  Michelle Ryan</b></p><p><b>'Catherine cuts through the crippling stereotypes, exposes backlash and bias, delivers disruption and serves up seven steps for real change. She has proven to be Australia's corporate gender equality whisperer.'  Natasha Stott Despoja AO</b></p>]]></Text>
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			<SubjectHeadingText>Anti-colonial resistance; Asa Street; Bethlehem; British Mandate Palestine; Church of the Nativity; Cultural displacement; Diaspora; Diasporic identity; Dispossession and survival; Emotional cartography; Everyday life in exile; Exile and belonging; Family legacy; Historical trauma; Homeland and return; Intergenerational memory; Italian Hospital Amman; Jaffa Gate; Jerusalem; Jerusalem heritage; Language and heritage; Mamillah Road; Memory and resistance; Memory and storytelling; Middle Eastern conflict; Nakba and aftermath; Nakba narratives; Objects of memory; Palestine; Palestinian diaspora; Palestinian food culture; Palestinian history; Palestinian resilience; Palestinian-Australian; Photographs and archives; Ramallah; Recipes and rituals; Settler colonialism; Transnational identity; Visit Palestine poster; family memoir; migration</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Fixing its gaze on moments, places and objects  from the streets of Bethlehem to the Palestinian neighbourhoods of the New Jerusalem  Find me at the Jaffa Gate assembles a story of Palestinian diaspora, returning to the origins of violence in the Nakba.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Victorian Premier's Literary Awards 2026, Non-Fiction**</b></p><p><i>'If we were different people, to write down these words might be to leave them behind us. But words are our artifacts, and I am seeding a trail for the journey, home.'</i></p><p>What does the daughter of a Nakba survivor inherit? It is not property or tangible heirlooms, nor the streets and neighbourhoods of a father's childhood and the deep roots of family who have lived in one place, Jerusalem, for generation upon generation.</p><p>Fixing her gaze on moments, places and objects  from the streets of Bethlehem to the Palestinian neighbourhoods of the New Jerusalem  Micaela Sahhar assembles a story of Palestinian diaspora. <i>Find Me at the Jaffa Gate</i> is a book about the gaps and blank spaces that cannot be easily recounted, but which insists on the vibrant reality of chance, fragments and memory to reclaim a place called home.</p><p><b>'Micaela Sahhar's</b> <b><i>Find Me at the Jaffa Gate</i></b><b> is one of the most inventive, thought-provoking and captivating chronicles of Palestinian diasporic life I've had the pleasure of reading. It is a memoir written by a poet, poetry written by a novelist, literature written by an academic  it is all these things at once, insisting with a gentle yet unwavering confidence in the power of its unique, brilliantly evocative and genre-defying voice. Sahhar's love for her family, homeland, the details and intimacies of everyday life; for language, history, archives, photographs and the treasured ephemera of a life in diaspora, shine through every line. The result is a book in which every word is deliberate, each line commands attention, each chapter is a world within a world.'  Randa Abdel-Fattah, academic and writer, author of</b> <b><i>11 Words for Love</i></b></p><p><b>'Micaela Sahhar's family history has everything that makes any Palestinian family history worth telling and reading about. On the one hand, a rich culture that ranges from distinctive culinary practices to a distinctive sense of humour, and on the other hand, a tragic settler-colonial history of dispossession and oppression leading to a transnational diasporic existence, and that makes for a characteristic sense of space and place. But this is not any book about Palestine. Sahhar is a superior storyteller with a knack for highlighting evocative details. Storytelling, like any craft, embodies in different degrees the labour of the many people who have told stories about one's subject matter in the past. The more a writer is well-read the more this shows in the historical density and the social complexity of their storytelling. Sahhar's book is definitely dense and socially complex in this way. This could make for 'heavy' reading if it wasn't for Sahhar's superior writing skills. Indeed, I would say that more than anything else, this is a book for people who enjoy good writing, regardless of what the story is about. But of course, it matters what this story is about. This is a book about Palestine and Palestinians, and in the way the book is grounded in both the Palestinian tragedy and the Palestinian unlimited capacity to affirm life, the spirit of anti-colonial resistance animates every one of its pages. Sahhar finishes the book saying that like Mahmoud Darwish's father she hopes that one day she will be able to go to Palestine, to the streets where her family originates from, and shout</b> <b><i>I am I. And I am here</i></b><b>. But in a way, by writing this book, she already does that, if not from Palestine at least from the position she occupies within the transnational space of western colonialism.'  Ghassan Hage, professor of anthropology at the University of Melbourne and author of</b> <b><i>The Diasporic Condition: Ethnographic Explorations of the Lebanese in the World</i></b></p><p><b>'</b><b><i>Find Me at the Jaffa Gate</i></b><b> is an aching and tender study of diaspora, grief, memory and history. Sahhar has a masterful voice, playing subtly with tense and form to give agency to a beautifully layered narrative, interwoven with fragments, records and intimate moments of lives permanently changed by Nakba. Find Me at the Jaffa Gate tells an unmissable story of Palestinian survival and resistance across space and time.'  Evelyn Araluen, Bundjalung poet and author of</b> <b><i>Dropbear</i></b></p><p><b>'Sahhar chronicles the essential truths of Palestine with intricacy and finesse and in doing so, has crafted a mighty text that demands unbroken attention.</b> <b><i>Find Me at the Jaffa Gate</i></b><b> is a book that will be read, re-read, dog-eared, underlined and recited.'  Hasib Hourani, author of</b> <b><i>rock flight</i></b></p><p><b>'</b><b><i>Find Me at the Jaffa Gate</i></b> <b>opens with a recollection of the five-year-old Micaela bobbing off to preparatory school with pigtails, glasses and missing teeth. As she enters the classroom, her sense of self is shattered  in a nation that is home but not home, when a teacher butchers her family name and is visibly appalled when told the name is Palestinian. As the child of diaspora, born on the unceded lands of Australia, Micaela is ever conscious of the tension between being in exile on homelands now occupied; and living, working and writing on the occupied lands of Naarm  in colonial Australia  a site of invasion, and genocide.</b> <b><i>Find Me at the Jaffa Gate</i></b><b> writes of and to dispossession, displacement, trauma, loss, resilience and is testimony to the power of intergenerational story and memory that survives, and lives on so that all those who remain, and their children and children's children remember. In this polyphonic narrative, we hear many voices  some still living, others passed, now scattered across nations and continents, yet still connected through home  Palestine.'  Jeanine Leane, Wiradjuri writer, critic, poet and author of</b> <b><i>Gawimarra: Gathering</i></b></p><p><b>'At a time when Israel is literally trying to wipe Palestinians off the map, this book lands with a powerful thud of fury, beauty and resistance. Weaving personal stories with history in all its unvarnished details, Micaela Sahhar delivers a deeply affecting story that articulates one of the great outrages of our time.'  Antony Loewenstein, independent journalist, film-maker and author of</b> <b><i>The Palestine Laboratory</i></b></p><p><b>'</b><b><i>Find me at the Jaffa Gate</i></b> <b>is more than a lyrical memoir that binds personal storytelling with global history; Sahhar has built an archive for future generations. Readers interested in tales of migration and ancestral history will find a treasure trove in Sahhar's emotive and detailed offering.'  Hellai Gul,</b> <b><i>Books+Publishing</i></b></p><p><b>'</b><b><i>Find Me at the Jaffa Gate</i></b><b> has been one of my favourite books of the year.'  Alex Creece, author of</b> <b><i>Potty Mouth, Potty Mouth</i></b><b> and Online Editor at</b> <b><i>Archer</i></b></p><p><b>'</b><b><i>Find Me at the Jaffa Gate</i></b><b> is a story that traverses time and place, love and hate; it's a story of ongoing and unforgettable Palestinian survival.'  Readings</b></p><p><b>'[Through] beautiful prose, Sahhar pulls together a story, full of gaps and questions, about her Palestinian family, their memories and their connection to home.'  Celina Ribeiro,</b> <b><i>Guardian Australia</i></b></p><p><b>'This is a book that is about more than displacement  it's about resilience, truth-telling and the fragments of stories that are often forgotten but which form the bones and heart of what it means to Palestinian diaspora.'  Soaliha Iqbal,</b> <b><i>Missing Perspectives</i></b></p><p><b>'Author and poet Micaela Sahhar's lyrical story of generations of Palestinian diaspora is as timely as ever.'  Cheryl Akle,</b> <b><i>The Weekend Australian</i></b></p><p><b>'Sahhar not only reconstitutes an archive of her own family's past, she creates a new archive for the generations that follow.' </b> <b><i>This Week in Palestine</i></b></p><p><b>'Through the lens of her family's history Sahhar successfully immerses the reader in the big history and culture of Palestine, and the experience of being Palestinian.'  Rowan Cahill,</b> <b><i>Journal of Intercultural Studies</i></b></p><p><b>'One knows that</b> <b><i>Find Me at the Jaffa Gate</i></b><b> has been percolating for a long time when they read it. Within 48 short chapters, Micaela Sahhar pieces fragments of memory, speculation, and archival research to tell a story of both the construction of her selfhood and Palestinian family: 'not a story about wounds but about the preservation of something all its own'. It is a book full of brilliances even as occupation and exile cause history and geography to cut loose and spin around each other and as Sahhar herself asks, 'What does it mean to be exiled and how do we take our revenge?'</b> <b><i>Find Me at the Jaffa Gate</i></b><b> is a gift, a remarkable debut memoir that is simultaneously a work of poetry in its lyricism and feeling; humour, anger, warmth, grief and love eddy in a whirlpool to form a work about sumud and survival.'  VPLA judges' report</b></p><p><b>'No book is as essential for these past two years as Micaela Sahhar's</b> <b><i>Find Me at the Jaffa</i></b> <b>Gate.'  Winnie Dunn,</b> <b><i>Sydney Morning Herald</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Micaela Sahhar</b> is an AustralianPalestinian writer and educator living on Wurundjeri Country. Her essays, poetry and commentary have appeared in <i>Cordite</i>, <i>Meanjin</i>, <i>Overland</i>, <i>Rabbit</i> and <i>Sydney Review of Books</i>, among others. She is a Wheeler Centre Next Chapter Fellow (2021), a grant recipient from the Neilma Sidney Literary Travel Fund (2022), which enabled a trip to Jerusalem in the latter stages of writing this book, and was commended for the Peter Blazey Fellowship (2024).</p>]]></Text>
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			<SubjectHeadingText>Asian Contributions to Agriculture; Asian Contributions to Commerce; Assimilation; Barunga Statement; Black Pioneers; Chinese Diaspora; Colonial Conquest; Colonisation; Cultural Survival; Customary Law; Decolonisation; Deportation; Eugenics; Expulsion Policies; Federal Council for Aboriginal Advancement; First Nations; Frontier Violence; Guerrilla Resistance; Historical Revisionism; ILO Convention 107; Indigenous Sovereignty; International Covenant on Civil and Political Rights; International Law; Japanese Pearl Divers; Land Rights; Legal Reform; Mabo Decision; Meriam Nations; Multicultural Labor; Multiracial Towns; Native Title; North Australia; Northern Australia; Northern Territory Land Rights Act; Pacific Islander Labor Trade; Pastoral Leases; Protectors of Aborigines; Racial Discrimination Act; Sovereignty Never Ceded; Tent Embassy; Terra Nullius; Tiwi; UN Declaration on the Rights of Indigenous Peoples; UN Human Rights Framework; Uluru Statement from the Heart; White Australia Policy; Wik Decision; Yolu</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Acclaimed historian Henry Reynolds turns Australian history on its axis in a ground-breaking exploration of how colonisation north of the Tropic of Capricorn was very different to the southern states.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Victorian Premier's Literary Awards 2026, Non-Fiction**</b></p><p><b>Henry Reynolds' ground-breaking re-examination of Australian colonisation from the north down.</b></p><p>When acclaimed historian Henry Reynolds moved from Hobart to Townsville to teach Australian history in the 1960s, he discovered the books of the period covered very little about northern Australia and First Nations peoples. He set out to help remedy the situation and ended up transforming Australian history in ways he could never have imagined.</p><p>In <i>Looking from the North</i>, Reynolds again turns Australian history on its axis with an exploration of colonisation north of the Tropic of Capricorn. Reynolds tells the stories of the European, Chinese, Japanese and Pacific Islander people who were vital to the settlement of the north. Along with the experience of First Nations peoples, from employment on stations and as native police to the land rights and homelands movements, Reynolds shows how the colonisation of the north, officially beginning in 1861, was a very different venture to settlement in the south. He argues that it provides profoundly important lessons for the world we live in today.</p><p><b>'This book is another masterpiece by Henry Reynolds. It combines the personal with the professional historiography that trademarks his work. The skilful and meticulous detail of his writing will once again inform Australians that truth can heal this nation.'  Jackie Huggins</b></p><p><b>'Henry Reynolds was at the vanguard of young historians who burst onto the scene in the 1970s to shake the foundations of Australian history.</b> <b><i>Looking from the North</i></b><b> explores "national history from the north down", yet again challenging Australia's past. Meticulously researched and written, this latest work by Reynolds deserves its place alongside his other groundbreaking histories.'  John Maynard</b></p><p><b>'Henry Reynolds' map-flipping, mind-bending, gravity-defying book turns our colonial and national history on its stubborn head. By geolocating the axis of Australia's imperial enterprise in the continent's north, Reynolds challenges conventional assumptions of centre and margin; the value-laden hierarchy of proximate and remote. In doing so, the master storyteller changes the status of the people, power and perspectives that have shaped the nation's political trajectory. A radical revision of the past and a timely cartographic and conceptual blueprint for repositioning future relationships to law, sovereignty and country.'  Clare Wright</b></p><p><b>'What we call history is a thing greatly influenced by perspective. In his extraordinary career, historian Henry Reynolds has done more than most to change the perspectives that have led to accepted accounts of post-colonial Australia that have ignored the true and often violent nature of colonial occupation and dispossession in this country. With this new book,</b> <b><i>Looking from the North</i></b><b>, he flips the map to show just how much of the story of Australian colonialism and Indigenous post-colonial history is told from the vantage point of south eastern Australia. Looked at from north of the Tropic of Capricorn a new, revelatory and profoundly significant perspective emerges. That is the story of this remarkable book.'  VPLA judges' report</b></p><p><b>'This book is yet another of Reynolds' deeply rewarding studies.'  Raymond Evans, </b><b><i>The Conversation</i></b></p><p><b>'I can't recommend this book highly enough.'  Judith Brett, </b><b><i>The Saturday Paper</i></b></p><p><b>'In </b><b><i>Looking from the North</i></b><b>, Reynolds returns to his point of departure. What began in 1965 as the researching, writing, and teaching of 'local history' gradually came to spur the rewriting of the nation's history.'  Mark McKenna, </b><b><i>ABR</i></b></p><p><b>'</b><b><i>Looking from the North</i></b><b> is hailed as an immediate classic.'  Glyn Davis, </b><b><i>Inside Story</i></b></p><p><b>'The shift in perspective induced by this revelatory work of Australian history is nothing short of vertiginous.'  </b><b><i>The Sydney Morning Herald</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Henry Reynolds'</b> trailblazing work has changed the way we see the intertwining of black and white history in Australia. His books with NewSouth include T<i>he Other Side of the Frontier</i> (reissue); <i>What's Wrong with Anzac?</i> (as co-author); <i>Forgotten War</i>, which won the Victorian Premier's Award for Non-Fiction; <i>Unnecessary Wars</i>; <i>This Whispering in Our Hearts Revisited</i>; <i>Truth-Telling: History, Sovereignty and the Uluru Statement</i>; and, most recently, <i>Tongerlongeter: First Nations Leader and Tasmanian War Hero</i> (as co-author).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In 1975, the fight was alive. It was the year the United Nations declared International Women's Year as a marker of progress and aspiration. Fifty years on, award-winning journalist Virginia Haussegger shines a light on the feminist revolution in Australia, capturing its spirited momentum and a fatigued lag.</p><p><i>Unfinished Revolution</i> tells a fresh story of feminist action in this country, from the largest women's protest rally  March4Justice in 2021  to the dynamic Australian Women's Liberation Movement of the 1970s. With a focus on gender and power in politics and the media, from national consciousness raising to shifting media narratives, this book is an exploration of what feminist change looks like.</p><p><b>'Here is contemporary history at its best. Virginia Haussegger presents Australian feminism as a promise of liberation that gutsy, passionate and brilliant women have pursued not in waves but persistently, across eras and generations.</b> <b><i>Unfinished Revolution</i></b><b> should be compulsory reading for anyone serious about understanding, in its historical and global context, Australia's own #MeToo "moment" of 2021 as well as the wider possibilities for a resurgent feminism amid continuing gender discrimination, male violence against women and anti-feminist backlash.'  Frank Bongiorno AM</b></p><p><b>'Virginia Haussegger is not just a brilliant journalist, but an original and insightful thinker and feminist. I will read anything she writes. And I recommend you do too.'  Jane Caro AM</b></p><p><b>'In</b><b><i> Unfinished Revolution</i></b><b>, Virginia Haussegger stares down a terrifying global swing to the far-right and yells: Enough. This is the battle cry we desperately need right now, one that refuses to be watered down into niceties that ask politely for equity. This is a book that dares to fight back, and pulls no punches.'  Hannah Ferguson</b></p><p><b>'At a time of global backlash against women and the women's movement,</b> <b><i>Unfinished Revolution</i></b><b> is a spirited piece of feminist scholarship. It practically hums with righteous fury. For those who were at the pointy end of some of the historical changes in the Australian cultural zeitgeist that it charts, it is a timely reminder of what can, and has been, achieved. It acknowledges that there have been some painful moments along the way. That change is not always linear, that setbacks abound, but none of these things are cause for despondency and complacency. There is a relentless, almost bloody-minded optimism in these pages. It feels like a book which urges women to pick themselves up, dust themselves off, and just keep marching.'  Louise Milligan</b></p><p><b>'A brilliant read. And a reminder that feminist change is possible and it's happening right now.</b> <b><i>Unfinished Revolution</i></b><b> honours the Australian feminist movements past and present that have shaped our lives today. A must-read for every young Australian woman ready to build the next chapter of the feminist fight.'  Yasmin Poole</b></p><p><b>'There are fascinating stories here, celebrating revolutions and revolutionaries small and large...Haussegger has done her research thoroughly.'  Marian Quartly, </b><b><i>Inside Story</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A celebrity decorator with blue hair. A single mother who advised JFK in the Oval Office. A Christian nudist with a passion for almond milk.</b></p><p>A century ago, ten Australian women did something remarkable. Throwing convention to the wind, they headed across the Pacific to make their fortune. In doing so, they reoriented Australia towards the United States years before politicians began to lumber down the same path.</p><p>For the artist Mary Cecil Allen, this meant spreading the word about American abstract expressionism. For the naturopath Alice Caporn, it meant evangelising fruit juices and salads. For the swimmer Isabel Letham, it was teaching synchronised swimming. Others imported the latest thinking in dentistry, fashion, design, economics, law, music, medicine and more. They were rebels, they were trailblazers, they were disruptors. Individually, they have extraordinary stories; together, they change the narrative of Australian history.</p><p><b>'Thoughtful and curious, critical and kind, Yves Rees's study of these globetrotting Australian women richly renders their lives and times, as well as contemplating how we reach across time to read them today.'  Anna Clark, Australian Research Council Future Fellow, University of Technology Sydney</b></p><p><b>'Fresh, captivating, and full of fantastic women. Yves has somehow managed to assemble the greatest fantasy dinner party you never knew you needed, whilst also uncovering a fascinating and untold side of our history. A real treat.'  Zoe Coombs Marr, comedian, performer and actor</b></p><p><b>'Yves Rees has the remarkable ability to bring history into the present, reminding us all that the only thing that really separates the generations is a linear notion of time.</b> <b><i>Travelling to Tomorrow</i></b> <b>gives voice to the women at the forefront of Australia's own "American Revolution". What I love most about Yves is how they bring an unwavering commitment to human rights in their exploration of history, the language of equality ever-present in their handling of the past. In Rees, we have found a historian of rare skill  they possess the ability to tell us something we didn't know about something we thought we did.'  Clementine Ford, feminist writer, columnist and broadcaster</b></p><p><b>'This book is a knockout. Yves Rees is that rare historian who thinks like a scholar and writes like a dream  the literary equivalent to floating like a butterflying and stinging like a bee. You will want to meet these fearless and feisty women: women not only before their time in forging new geocultural paths to independence but also making their times by putting flesh to the bones of modernity. Rees gives us their stories in full-bodied, hot-blooded fashion. A sheer delight.'  Professor Clare Wright OAM, Professor of History, La Trobe University</b></p><p><b>'</b><b><i>Travelling to Tomorrow</i></b><b> is a rollicking, bouncing read.'  Rachelle Unreich,</b> <b><i>SMH/The Age</i></b> <b>(Book of the Week)</b></p><p><b>'Accessible, entertaining...Rees has a storyteller's knack for engaging the reader.'  Kirsten Tranter,</b> <b><i>Australian Book Review</i></b></p><p><b>'a cracking, never-before-told tale.'  Nicole Abadee, Spectrum</b></p><p><b>'Rees&amp;#x27; narrative voice is chatty, empathetic, [and] wise. The reader feels like a charming guide is leading a tour of interwar America. All of this makes the book an engrossing read.'  </b><b><i>Inside Story</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The Whitlam government transformed Australia. And yet the scope and scale of the reforms for Australian women are often overlooked.</p><p>The Whitlam government of 197275 appointed a women's advisor to national government - a world first - and reopened the equal pay case. It extended the minimum wage for women, introduced the single mother's benefit and paid maternity leave in the public service, ensured cheap and accessible contraception, funded women's refuges and women's health centres, introduced accessible, no-fault divorce and the Family Court, and much more.</p><p><i>Women and Whitlam</i> brings together three generations - including Elizabeth Evatt, Eva Cox, Patricia Amphlett, Elizabeth Reid, Tanya Plibersek, Heidi Norman, Blair Williams and Ranuka Tandan - to revisit the Whitlam revolution and to build on it for the future.</p><p></p><p><b>&amp;#x27;Political history at its best.' - Jenny Hocking</b></p><p><b>&amp;#x27;... a reminder that politics can be radical, feminist and one that we can be proud of.' - Yasmin Poole</b></p><p><b>'Invaluable ... a clarion call to younger generations.' - Virginia Haussegger</b></p><p><b>'This very readable volume documents a pivotal, revolutionary period in our history.' - Steven Carroll,</b> <b><i>Sydney Morning Herald/The Age</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Warlpiri people commemorate and maintain their relationship with their ancestors and the natural order of the cosmos by re-enacting the events of the Jukurrpa (the Dreaming). They do this, in part, by painting up while singing pertinent songs, as well as performing dances and ritual actions sanctioned by the Jukurrpa.</p><p>From May 1981 to June 1982, ethnochoreologist Megan Morais lived in Willowra in the Northern Territory, working with the Warlpiri community. The Warlpiri women and Megan worked as an impromptu team documenting their dances as performed in yawulyu  women's ceremony  as well as documenting traditional movement patterns.</p><p>Warlpiri women in Willowra generously and with trust, shared their music, songs, dances, designs and associated knowledge of yawulyu which is now being returned to them.</p><p>A recent collaboration between Megan and musicologist Myfany Turpin and the Willowra community has resulted in this book which provides the means for current and future generations to access the knowledge shared by the Warlpiri women.</p><p>Women of land-owning groups who have inherited sovereignty, and other important women in the community, have granted permission to publish the designs, songs and jukurrpa stories in this book. More than that, they urged publication so they would have a resource to teach their children and grandchildren. The co-authors each contributed to the book according to their authority, knowledge and strengths.</p><p>Proceeds from sales of this book will be returned to the Warlpiri community.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Megan Morais</b> is an ethnochoreologist and teacher of dance and religion. Through various grants, she has documented dances of several Indigenous Australian groups, including Nunggubuyu, Wanindilyaugwa (Anindilyakwa), Antikirinya, Yanyuwa and Warlpiri. She was a visiting researcher at the University of New England and The University of Sydney and has published several articles in academic journals and encyclopedias.</p><p>The late<b> Lucy Nampijinpa Martin</b> was an integral part of the women's business (ritual ceremony and activity) documented in 1981-82. She has been essential in the repatriation of materials to the community. As one of the leading business women in Willowra she was the one who knew the songs, designs and dances. Lucy's work features throughout this book  it includes the designs she drew from 1981-82 and the songs she sang then, and sang later for recording purposes. Sadly, Lucy passed away in 2024. Her legacy lives on in the ceremonial knowledge she has shared in this book</p><p><b>Myfany Turpin</b> is a musicologist, linguist and associate professor at The University of Sydney where she conducts fieldwork on languages and songs of Central Australia. She has published extensively on Aboriginal song-poetry and publishes in the fields of music, linguistics and ethnobiology. She is the co-author of <i>Yaru! Gudjal learner's guide and dictionary</i> (Aboriginal Studies Press 2023).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'I know it's a daring suggestion, but I'll make it anyway.'</i></p><p>Charmian Clift was a writer ahead of her time. Lyrical and fearless, her essays seamlessly blended the personal and the political.</p><p>In 1964, Charmian Clift and her husband George Johnston returned to Australia after living and writing for many years in the cosmopolitan community of artists on the Greek island of Hydra. Back in Sydney, Clift found her opinions were far more progressive than those of many of her fellow Australians.</p><p>This new edition of Charmian Clift's essays, selected and introduced by her biographer Nadia Wheatley, is drawn from the weekly newspaper column Clift wrote through the turbulent and transformative years of the 1960s. In these 'sneaky little revolutions', as Clift once called them, she supported the rights of women and migrants, called for social justice for Aboriginal and Torres Strait Islander people, opposed conscription and the war in Vietnam, acknowledged Australia's role in the Asia-Pacific, fought censorship, called for a local film industry - and much more. In doing so, she set a new benchmark for the form of the essay in Australian literature.</p><p><b>'My regard for Charmian Clift veers uncomfortably close to veneration, which appals me. The figure of Clift as a messy morality tale about what happens when you run off to be a writer comes at the expense of the work she produced, which is to the contrary searing in its clarity. This collection is a reminder of the work behind the legend: her bent, her conviction, and her cool. And the sentences! Clift's essays evince an ardent attention to life in all its vagaries, which is really the most a person can give.' - Ellena Savage, author of</b> <b><i>Blueberries</i></b></p><p><b>'Charmian Clift was ahead of her time and yet also representative of them. Her essays are a fascinating, thoughtful  sometimes judgemental, sometimes lyrical  window into an Australia on the brink of change. Whether you always agree with her opinions or not, she writes like a dream and her voice is wry, insightful and self-aware. It is lovely to see her gaining the recognition she has long deserved.' - Jane Caro,</b> <b>Walkley Award winning columnist and author</b></p><p><b>'When I first stumbled on Clift's essays, twenty or more years ago, these trashy essays written for a disposable occasion seemed to me to have more lightning and quicksilver, more brilliance and more skill of execution, than any Australian writing other than the great novels of Patrick White and Christina Stead.' - Peter Craven,</b> <b><i>Sydney Morning Herald</i></b></p><p><b>'Reading these essays, it's easy to see why Clift became a cult figure. The chatty, charming and sometimes slightly dippy persona distracts attention just enough from the steely intelligence, the sophisticated sentence structure and the passion for causes that characterise these pieces but might otherwise rather have alarmed her readers ... In an era that hadn't yet thought too much about these things, her columns demonstrated that a woman ... could and should be an active citizen of the world.' - Kerryn Goldsworthy,</b> <b><i>Australian Book Review</i></b></p><p><b>'From the women's pages of the</b> <b><i>Sydney Morning Herald</i></b><b>, among advertisements for wrinkle cream and mini-skirts ... Clift challenged a complacent society, fashioned a sly and elegant sedition: opposing Vietnam, unmasking materialism, championing equality for women.' - Mark Tredinnick,</b> <b><i>The Book Bulletin</i></b></p><p><b>'These are essays unabashed in their sensuality and liveliness, keenly curious and attuned to mystery and marvel, and they are almost always full of joy.' - Fiona Wright,</b> <b><i>Sydney Review of Books</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Charmian Clift</b> was born in the coastal town of Kiama, New South Wales, on 31 August 1923. After serving as a lieutenant in the Australian Army, she joined the staff of the Melbourne <i>Argus</i> newspaper, and in 1947 married fellow-journalist George Johnston. The next year, the couple's collaborative novel <i>High Valley</i> won the <i>Sydney Morning Herald</i> prize. Fleeing the political claustrophobia of Australia under the Menzies government, in 1952 Charmian and George headed to London. Two years later, they escaped even further, to the Greek islands, where over the next decade they raised three children and created a legend. During this period, Clift wrote the memoirs, <i>Mermaid Singing</i> and <i>Peel Me A Lotus</i>, and her two novels, <i>Honour's Mimic</i> and <i>Walk to the Paradise Gardens.</i> After the family returned to Australia in 1964, Charmian Clift began writing a weekly column that appeared in the Women's Section of the <i>Sydney Morning Herald</i>. In these 'sneaky little revolutions', as Clift once called her essays, she supported the rights of women and migrants, called for social justice for Aboriginal and Torres Strait Islander peoples, opposed conscription and the war in Vietnam acknowledged our role in Asia, fought censorship, called for an Australian film industry  and much more. Although Charmian Clift died in 1969, her message of liberation was so far ahead of her time that her little revolutions continue to win new readers.</p><p><b>Nadia Wheatley</b> is the author of <i>The Life and Myth of Charmian Clift.</i> Described by critic Peter Craven as 'one of the greatest Australian biographies,' this was the <i>Age</i> Non-Fiction Book of the Year, 2001, and won the NSW Premier's Australian History Prize (2002). After twenty years it remains the classic account of the life and work of this transformational Australian writer. Nadia Wheatley's other works include the award-winning memoir <i>Her Mother's Daughter</i>. Her most recent book, <i>Radicals  Remembering the Sixties,</i> written in partnership with Meredith Burgmann, was published by NewSouth in 2021</p>]]></Text>
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			<SubjectHeadingText>Adele Pankhurst Walsh; Christian Jollie Smith; Christina Stead; Communism; Communist Party of Australia; Dulcie Deamer; Dymphna Cusack; Guido Baracchi; Jean Devanny; Katharine Susannah Prichard; Kylie Tennant; Lesbia Keogh; Marie Pitt; Marjorie Barnard; Mary Gilmore; Nettie Palmer; Vida Goldstein; Willna Macpherson; Australian feminist biography; Women writers and activism; Communism and censorship in Australia; Literary history of Australia; Indigenous rights and literature; Miles Franklin; Kath Walker; Oodgeroo Noonuccal; Faith Bandler; Ruth Park; Eleanor Dark; Dorothy Hewett; Australian women in literature; Political activism and feminism; Historical biography of writers; Communist Party and literary resistance; ASIO surveillance of authors; Spanish Civil War and Australian writers; Evolution of feminist thought in Australia; Interwar literary movements; Women's writing and social change; censorship and banned books in Australia</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Acclaimed biographer Jacqueline Kent traces the social and political issues that inspired  and often hampered  Australian radical women writers and their desire to change the world.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Australia's crusaders for women's voting rights and the radical feminists of the 1970s changed lives across the country and around the globe. But what about the generation in between?</p><p>Throughout the twentieth century, a group of trailblazing women writers challenged the nation's status quo. Miles Franklin's forceful voice invigorated the emerging women's movement, Mary Gilmore was a groundbreaking feminist journalist, and novelists Katharine Susannah Prichard and Eleanor Dark explored the colonial displacement of Australia's Indigenous people. Kylie Tennant spoke up for battlers during the Depression. Dymphna Cusack, Katharine Susannah Prichard and Dorothy Hewett, all members of Australia's Communist Party, advocated for social reform. Ruth Park's <i>The Harp in the South</i> jolted the NSW government into developing slum clearance programs. And the work of First Nations poet and activist Kath Walker (later Oodgeroo Noonuccal) was crucial in achieving constitutional reform for Indigenous peoples.</p><p>Acclaimed biographer Jacqueline Kent traces these women's stories, shaped by the seismic social and political events of their time, and illuminates their immense courage and principled determination to change the world.</p><p><b>'Kent brings her cast of writers effortlessly to life.'  Jason Steger</b></p><p><b>'Each of these seven women writers set out, in her own way, to change the world, and this well-researched and engagingly written book makes clear their individual and collective bravery, curiosity and fearlessness.'  Heidi Maier,</b> <b><i>InDaily</i></b></p><p><b>'Highly informed, engaging, often wittily observed, this is also an impressively orchestrated study of groundbreaking writers and the tumultuous times they mirrored and interpreted.' </b><b><i> Sydney Morning Herald / The Age</i></b></p><p><b><i>'Inconvenient Women</i></b> <b>is a fluent stream of fascinating detail. It brings to the fore names half-remembered now, their collaborations with activist men such as Guido Baracchi and Egon Kisch as well as other women, and the political environment they all operated in. Once begun, it is difficult to put down: you'll finish with dozens of notes to follow up.'  Miriam Cosic,</b> <b><i>The Saturday Paper</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jacqueline Kent</b> is a Sydney-based writer of non-fiction and biography, as well as young adult fiction, general articles and literary journalism. Her working background includes radio interviewing, print journalism, radio and TV scriptwriting, editing books, ghost- writing, teaching editing and creative writing, and arts administration. She is the author of <i>A Certain Style</i>, the National Biography Award-winning biography of acclaimed book editor Beatrice Davis, as well as <i>An Exacting Heart</i>, the story of pianist and social activist Hephzibah Menuhin, and <i>TheMaking of Julia Gillard</i>, the only full biography of Australia's first woman prime minister. Her most recent book is<i> Bonjour, Mademoiselle!</i> (with Tom Roberts), the biography of trans pioneer April Ashley. She holds a Doctorate of Creative Arts from UTS, Sydney.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In <i>Bold Types</i>, Patricia Clarke recounts the chequered journey of women journalists in the fight for gender equality from 1860 to the end of World War II. These were independent, adventurous women who ventured far and wide in search of news, relevance and equality.</p><p>Together, stories of women from Anna Blackwell and Flora Shaw to Janet Mitchell and Caroline Isaacson, illustrate the gains and setbacks of women journalists over nearly a century. In each successive story, the tenacious determination of these women stands clear against the background of the prevailing patriarchy.</p><p>Patricia Clarke was a trailblazer herself as the only woman on the Melbourne staff at the Australian News and Information Bureau in the early 1950s. In a detailed epilogue, Patricia shares stories of her own life and career in the days of crowded newsrooms, clattering typewriters, and overflowing cigarette trays.</p><p>The book also features an introduction by Amy Remeikis, political reporter at Guardian Australia, who reflects on the struggles and achievements of her early counterparts as well as the current working environment for women journalists.</p><p><i>Bold Types</i> is a book that will resound with and inspire today's audience, in a world where women are still fighting for equal rights and often, respect in the workplace.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The revelatory and urgent story of how an explosion of misogyny is driving a surge of mass and far-right violence throughout the West</b> <b> from an internationally recognised extremism expert and media commentator.</b></p><p>What two things do most mass shooters, terrorists, or violent extremists have in common? Most of us know the first: they are almost always men or boys. But the second? They are almost always virulent misogynists, homophobes, or transphobes  even if they are also motivated by racism, antisemitism, or xenophobia. The antigovernment militiamen charged with plotting to kidnap and execute Michigan governor Gretchen Whitmer used language saturated with misogyny, with one telling an FBI informant, 'Just grab the bitch'. The men who killed scores at Virginia Tech, the Pulse nightclub, and a Maryland newsroom all had prior reports of stalking, domestic violence, or harassment of women. And in dozens of other incidents  from North America to Norway to New Zealand  an increasing number of misogynist incel (involuntary celibate) and male supremacist attackers have explicitly targeted and killed women, blaming feminism or sexual frustration with women as motivation for their attacks.</p><p>Yet, despite all evidence, the bright red thread of misogyny running through these attacks is barely acknowledged by the media or even experts  and this failing leaves us powerless to stop the violence. In <i>Man Up</i>, Cynthia Miller-Idriss, a leading expert on extremism, addresses this crucial oversight head-on, revealing how an epidemic of misogyny  both online and off    and a patriarchal backlash are driving an exponential rise in mass and far-right violence. She also offers essential strategies that all of us  including parents, teachers, and counselors  can use to fight the rising tide of violence, beginning with recognising the misogyny that pervades our everyday lives. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Cynthia Miller-Idriss</b> is a sociologist and professor in the School of Public Affairs and the School of Education at American University, where she is the founding director of the Polarization and Extremism Research and Innovation Lab (PERIL). An MSNBC columnist and a regular commentator in US and international media, Miller-Idriss is the author of <i>Hate in the Homeland: The New Global Far Right</i> (Princeton),<i> The Extreme Gone Mainstream: Commercialization and Far Right Youth Culture in Germany</i> (Princeton), and <i>Blood and Culture: Youth, Right-Wing Extremism, and National Belonging in Contemporary Germany</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[In the spirit of Dr Neela Janakiramanan's The Registrar, Sarah Malik's Desi Girl and Anita Rani's The Right Sort of Girl, this is a story of grit and determination, hope and self-discovery.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Dr SA. If you saw my initials you would not know what they represent except that I am a doctor.</i><br/> <i>My first name is Sarah. So now you know that I am a female doctor.</i><br/> <i>What if I told you that my last name was Arachchi? Would you ask me how me to pronounce it, and later where it originated from?</i><br/> <i>What if, when I spoke, you heard my thick Australian accent? Would you wonder how I got here?</i><br/> <i>What if you saw the colour of my skin  would you ask me where I am from?</i></p><p>Sarah is a brown female doctor who emigrated to Australia in the 1990s. Her journey to becoming a paediatrician has been challenging, right from the schoolyard. As a minority, she was perceived as different. She tried hard to blend in, but she was unfamiliar to her peers. No brown heroines in the fairytales she was exposed to left her with few role models. As an adult, a graduate in the medical world, she experienced a new kind of obstacle: being female in a male-driven hospital environment.</p><p>When she eventually walked across the stage to get her paediatric letters, with a drip in her arm, a pregnant belly, a toddler on her hip and heels that could shatter a glass ceiling, victory was bittersweet.</p><p>In the spirit of Dr Neela  Janakiramanan's <i>The Registrar</i>, Sarah Malik's <i>Desi Girl</i> and Anita Rani's <i>The Right Sort of Girl</i>, this is a story of grit and determination, hope and self-discovery. It is a powerful call for social change and a greater acceptance of diversity.</p>]]></Text>
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			<Text textformat="02"><![CDATA[From the ancient Sumerian beer goddess to Black South African micro-brewers today, a page-turning history of women and drink.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Strawberry daiquiris. Skinny martinis. Vodka sodas with lime. These are the cocktails that come in sleek-stemmed glasses, bright colours and fruity flavours - these are the Girly Drinks.</p><p>From the earliest days of civilization, alcohol has been at the centre of social rituals and cultures worldwide. But when exactly did drinking become a gendered act? And why have bars long been considered 'places for men' when, without women, they might not even exist?</p><p>With whip-smart insight and boundless curiosity, <i>Girly Drinks</i> unveils an entire untold history of the female distillers, drinkers and brewers who have played a vital role in the creation and consumption of alcohol, from ancient Sumerian beer goddess Ninkasi to iconic 1920s bartender Ada Coleman. Filling a crucial gap in culinary history, O'Meara dismantles the long-standing patriarchal traditions at the heart of these very drinking cultures, in the hope that readers everywhere can look to each celebrated woman in this book - and proudly have what she's having.</p><p></p><p>'<i>Girly Drinks</i> is anything but - a raw shot of boozy history that stings as well as it soothes!' <b>- Patton Oswalt</b></p><p>'[A] thorough, and thoroughly entertaining, history... Elegantly woven into each cheeky chapter is rigorous historical context... O'Meara glides easily from the 17th-century pulquerias of Mexico to the feminine 'fern bars' of the 1970s, making sure to not to forget the queen of girly drinks: the Cosmopolitan. Provoking both thought and laughter, this serves as bracing refreshment from a master textual mixologist.' <b><i> Publishers Weekly, starred review</i></b></p><p>'At last, the feminist history of booze we've been waiting for!' <b>- Amy Stewart, author of</b> <b><i>The Drunken Botanist</i></b></p><p>'Feminist and very funny... O&amp;#x27;Meara deftly blends in equal measures of social history, gossip, and solid research, and adds enjoyable footnotes... women have discovered, invented, advanced, championed, and celebrated alcohol.'<b><i>  Booklist</i></b></p><p>'This is a book that should be on any beverage alcohol enthusiast's shelf.'<b><i>  American Whiskey Magazine</i></b></p><p>'[In <i>Girly Drinks</i>] Mallory O'Meara... returns to the realm of historically overlooked women who did extremely cool sh*t with a feminist history of drinking through the ages.' <b><i> Lit Hub</i></b></p><p>'An insightful, entertaining feminist history of women and alcohol through the ages.'  <b><i>USA Today</i></b></p><p>'With this lively book Mallory O'Meara has provided a real service, giving us not only a long-overdue new perspective on a great many familiar issues, but also raising all kinds of other issues that are unfamiliar and shouldn't be.' <b>- David Wondrich, author of</b> <b><i>Imbibe</i></b></p><p>'Cheers to Mallory O'Meara and her serious yet seriously entertaining treatise on the history of gendered drinks. <i>Girly Drinks</i> will introduce you to queens and nuns, bootleggers and bartenders, telling their stories and proving the point that <i>all</i> drinks are girly drinks.' <b>- Jeanette Hurt, author of</b> <b><i>Wisconsin Cocktails</i></b> <b>and</b> <b><i>Drink Like a Woman</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From the author of</b> <b><i>Abolish the Family</i></b><b>, a provocative compendium of the feminisms we love to dismiss and making the case for the bold, liberatory feminist politics we'll need to stand against fascism, nationalism, femmephobia, and cisness.</b></p><p>In recent years, 'white feminism' and girlboss feminism have taken a justified beating. We know that leaning in won't make our jobs any more tolerable and that white women have proven to be, at best, unreliable allies. But in a time of rising fascism, ceaseless attacks on reproductive justice, and violent transphobia, we need to reckon with what Western feminism has wrought if we have any hope of building the feminist world we need.</p><p>Sophie Lewis offers an unflinching tour of enemy feminisms, from 19th century imperial feminists and police officers to 20th century KKK feminists and pornophobes to today's anti-abortion and TERF feminists. Enemy feminisms exist. Feminism is not an inherent political good. Only when we acknowledge that can we finally reckon with the ways these feminisms have pushed us toward counterproductive and even violent ends. And only then can we finally engage in feminist strategising that is truly antifascist.</p><p>At once a left transfeminist battlecry against cisness, a decolonial takedown of nationalist womanhoods, and a sex-radical retort to femmephobia in all its guises, <i>Enemy Feminisms</i> is above all a fierce, brilliant love letter to feminism.</p><p><b>'Touring different feminisms over time like those that are steeped in transphobia and anti-sex sentiment, Lewis asserts that not all feminism is net good, and we need to watch out for the types that are counterproductive at best, violent and hateful at worst.'  Soaliha Iqbal, </b><b><i>Missing Perspectives</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sophie Lewis</b> is a writer. Her books,<i>Full Surrogacy Now: Feminism Against Family,</i>and<i>Abolish the Family: A Manifesto for Care and Liberation</i>, have been translated into nine languages. Sophie grew up in France, half-British, half-German, but now lives in Philadelphia and teaches online courses on utopian theory at the Brooklyn Institute for Social Research. She also has a visiting affiliation with the Center for Research on Feminist, Queer and Transgender Studies at the University of Pennsylvania. She studied English Literature at Oxford University before pursuing graduate and postgraduate study in environmental theory, political science, and human geography, respectively at Oxford, the New School, and Manchester University. However, Lewis now counts herself an ex-academic. Although her writing still appears in journals like<i>Feminist Theory</i>,<i>TSQ,</i>and<i>Signs,</i>she is making her living writing free-lance for magazines like<i>n+1</i>,<i>Harper's</i>, and the<i>LRB</i>, newspapers like the<i>New York Times</i>, and art websites like<i>e-flux</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>How a field built on the intellectual labour and expertise of women erased them.</b></p><p>The academic field of international relations presents its own history as largely a project of elite white men. And yet women played a prominent role in the creation of this new cross-disciplinary field. In <i>Erased</i>, Patricia Owens shows that, since its beginnings in the early twentieth century, international relations relied on the intellectual labour of women and their expertise on such subjects as empire and colonial administration, anticolonial organising, non-Western powers, and international organisations. Indeed, women were among the leading international thinkers of the era, shaping the development of the field as scholars, journalists, and public intellectuals  and as heterosexual spouses and intimate same-sex partners.</p><p>Drawing on a wide range of archival sources, and weaving together personal, institutional, and intellectual narratives, Owens documents key moments and locations in the effort to forge international relations as a separate academic discipline in Britain. She finds that women's ideas and influence were first marginalised and later devalued, ignored, and erased. Examining the roles played by some of the most important women thinkers in the field, including Margery Perham, Merze Tate, Eileen Power, Margaret Cleeve, Coral Bell, and Susan Strange, Owens traces the intellectual and institutional legacies of misogyny and racism. She argues that the creation of international relations was a highly gendered and racialised project that failed to understand plurality on a worldwide scale. Acknowledging this intellectual failure, and recovering the history of women in the field, points to possible sources for its renewal.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Patricia Owens</b> is professor of international relations at Oxford University and a fellow of Somerville College. She is the author of <i>Between War and Politics: International Relations and the Thought of Hannah Arendt</i> and <i>Economy of Force</i>, and the coeditor of <i>Women's International Thought: A New History</i> and <i>Women's International Thought: Toward a New Canon</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A father who has been abducted by aliens; a mother who sees the spirits of dead people; a sister who communicates with angry dogs; and 29-year-old Noah Grey, whose life has gone off the rails.</p><p>In Tasmania, strange lights appear in the skies every summer, signalling we're part of something bigger than the world of our worries. Bigger even than our hopes. When economic pressures force the Greys to live together for one season  the first time in 12 years since Noah left home after college  tensions are high.</p><p>Things get weird as locals become increasingly convinced the residents at this Hobart address have been targeted for alien abduction. As the summer unfolds Noah accepts things will never be normal again, even though his measure is the simplest of all. Family love.</p><p>Brendan Colley's <i>The Season for Flying Saucers</i> is strange, alluring and tender  a love letter to hope.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>When their mother calls with news that their MAGA-pilled, conspiracy-theorist father has gone missing, the newly unemployed queer narrator of <i>Make Sure You Die Screaming </i>does what anyone would do: steals their ex-boyfriend's BMW and races from Chicago to deep-red Arkansas on a mission to kidnap their estranged father and bring him home.</p><p>Now, with a bottle of premixed margarita jiggling in the cupholder and the narrator's brand-new garbage goth bestie, Yivi, screaming through night terrors in the passenger seat, our hero hurtles toward a family reunion from hell. Along the way, they experiment with Yivi's mystery pills, elude a relentless stalker and outrun some cops who believe the narrator committed a tragic murder.</p><p>An unflinching interrogation of class rage, economic (im)mobility, gender expression, the rot at the heart of capitalism and the political bloodbath dividing so many American families, <i>Make Sure You Die Screaming</i> is the loud, funny, suspenseful road trip novel of our times.</p><p><b>'</b><b><i>Make Sure You Die Screaming</i></b><b> roars to life from page one and never lets up. It's a </b><b><i>Fear and Loathing</i></b><b> for the generation devastated by the generation that brought us </b><b><i>Fear and Loathing</i></b><b>.'  Torrey Peters, author of</b> <b><i>Detransition, Baby</i></b></p><p><b>'Zee Carlstrom's chaotic joyride had me holding on for dear life. This iconic road-trip novel is a balm for a bleak, uncertain world.'  Vanessa Walters, author of</b> <b><i>The Lagos Wife</i></b></p><p><b>'I loved every loud, messy page. Zee Carlstrom is the first writer to make me feel better about my own life choices.'  Sam Irby, author of</b> <b><i>Wow, No Thank You</i></b></p><p><b>'</b><b><i>Make Sure You Die Screaming</i></b><b> is the debut novel our country needs (but doesn't deserve). It's a tight little banger about the shared delusion of family that left my heart, as Zee Carlstrom's head-wounded narrator would say, "as full as my bladder", because putting it down long enough to pee was out of the question.'  Ruth Madievsky, bestselling author of</b> <b><i>All-Night Pharmacy</i></b></p><p><b>'Zee Carlstrom's debut blends asphalt-black comedy with the greasy darkness pervading the nuclear family, the workplace, and the US itself. They should hand this book to anyone who leaves a hair salon with a mullet on purpose.'  Calvin Kalsulke, author of</b> <b><i>Several People Are Typing</i></b></p><p><b>'Whether you're grieving a person or a country,</b> <b><i>Make Sure You Die Screaming</i></b><b> is the novel for you.'  Holly Wilson, author of</b> <b><i>Kittentits</i></b></p>]]></Text>
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			<SubjectHeadingText>Annie Ernaux; Antigone; Athens; Beckett; Camus; Cephalonia; Circe; Clytemnestra; Deborah Levy; Electra; Greek Authors; Greek drama; Janet Frame; Kamila Shamsie Home Fires; Katie Kitamura; Madeline Miller The Song of Achilles; Margaret Atwood The Penelopiad; Natalia Ginzburg; Oedipus; Outline trilogy; Philoctetes; Rachel Cusk Second Place,; Retold classics; Sartre; Sophoclean canon; Sophocles; Tove Ditlevsen; Vita Sackville-West; existentialist novels; feminist fiction; midcentury fiction; minimalist fiction; modern Greece; myth retelling; novels set in the 1950s; women's lives; writers under Nazi occupation; young women</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[First published in 1961, The Way to Colonos recasts three seminal plays by Sophocles into tales of modern women and warfare, probing their characters with savage intimacy. Antigone  a stylish woman in her thirties  wheeling her father, Oedipus, onto the ferry to Colonos, is disgusted by his self-absorption, guilt, and evasions.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A fiery modern retelling of three Greek tragedies, 'written in an ageless prose that instantly strikes the reader as the work of a master.' (Rachel Cusk, from the foreword)</b></p><p>First published in 1961, <i>The Way to Colonos</i> recasts three seminal plays by Sophocles into tales of modern women and warfare, probing their characters with savage intimacy. Antigone  a stylish woman in her thirties  wheeling her father, Oedipus, onto the ferry to Colonos, is disgusted by his self-absorption, guilt, and evasions. A suburban Electra dreams of a bloody confrontation with her mother, Clytemnestra, that may never come to pass. Philoctetes, a castaway soldier, navigates shifting allegiances in a guerrilla war that divided Greece after World War II.</p><p>As Rachel Cusk writes in her foreword to this new edition, Cicellis was a woman before her time, whose work  written in English, her second language  offers particularly 'shocking insight into the secret lives of young women' and is only now 'free to reach readers with an appetite for female artistic authority, who wish to see the world through sharp fresh eyes.'</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kay Cicellis</b> (19262001) was born to Greek parents in Marseilles, where she spent her first nine years. Having learned French and English in the nursery, she spent her later childhood in Athens and on her father's native island of Cephalonia. Her first stories, smuggled out of Athens during the Nazi occupation, were published in the British military press when she was a teenager. Her first story collection, <i>The Easy Way</i>, appeared with an introduction by Vita Sackville-West in 1950. After <i>The Way to Colonos</i>, Cicellis published a second collection, <i>Death of a Town</i>, and two novels,<i> Ten Seconds from Now</i> and <i>No Name in the Street.</i> She went on to become known as the preeminent Greek-English translator of her time, while working actively to oppose the right-wing dictatorship that ruled Greece from 1967 to 1974.</p><p><b>Rachel Cusk </b>is the author of <i>Second Place</i>, the <i>Outline </i>trilogy, the memoirs <i>A Life's Work</i> and <i>Aftermath</i>, and several other works of fiction and nonfiction. She is a Guggenheim Fellow. She lives in Paris.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Zarah Butcher-McGunnigle's Leaves Fall Off to Create Drama is a collection of prose poems that invites the reader to consider the relationships between internalised beliefs and the development of illness, drawing on psychology texts and the language of self-help, and the exploration of character traits and dramatic tropes.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>What are the appropriate emotions. Even with a map, it was difficult to determine. An ache which means let go. If she didn't have the thought, she wouldn't have the feeling.</i></p><p>Zarah Butcher-McGunnigle's <i>Leaves Fall Off to Create Drama</i> is a collection of prose poems that invites the reader to consider the relationships between internalised beliefs and the development of illness, drawing on psychology texts and the language of self-help, and the exploration of character traits and dramatic tropes. <i>Wheels fall off to create drama.</i> Through shifting frames of reference, wordplay, aphorism, and inversions, the poems reform, unfold and rebound to create a collage of melancholy and comic transformations. <i>One thing leads to a mother.</i> Butcher-McGunnigle's poems explore the relationship between unexamined subconscious thinking and physical and mental health, resisting singular, fixed meanings and inviting the reader to reflect on their own experiences.</p><p><b>Praise for</b> <b><i>Nostalgia Has Ruined My Life</i></b><b>:</b></p><p><b>'Full of moments that, to me, are perfect...consummately whole, exactly right, every element in glowering harmony, as densely fixed as a neutron star.'  Ursula Robinson-Shaw,</b> <b><i>Sydney Review of Books</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Zarah Butcher-McGunnigle</b> is a writer and counsellor from Auckland, currently living in Melbourne. She is the author of <i>Autobiography of a Marguerite</i>, <i>Nostalgia Has Ruined My Life</i> and <i>Leaves Fall Off to Create Drama</i>. With David Jalal Motamed, she co-runs the reading series <i>Bad Flneur.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>We are made up of stories, but which ones belong to us? What are the boundaries between our bodies and the outside world? <i>Autobiography of a Marguerite</i> is a profound, book-length poetic work about chronic illness, family dysfunction, and identity, and how they can shape one another. The narrator struggles with the effects of her autoimmune illness, and struggles to separate herself from her troubled mother. A doctor tells the narrator that there is 'no cause and no cure' to her ailment, but the book attempts to explore how familial environments might contribute to the development of ill health. Butcher-McGunnigle's experimentation with form  overlapping voices, footnotes, fragments, found text and photographs  illustrate the struggle for autonomy and a sense of self, the repressed grief of chronic illness and its disruptive effect on the sufferer's sense of time's passage. The poems make visible the often-hidden experience of disability, and the reader becomes both a witness and an actor, piecing together a narrative that challenges what an autobiography can be.</p><p><b>'One of the most innovative New Zealand books published in recent years.'  Siobhan Harvey,</b><b><i> Booknotes</i></b> <b>'Books of the Year 2014'</b></p><p><b>'Astonishing...This poetry is unlike anything I have seen.'  Paula Green</b></p><p><b>'A grand achievement. The writing goes to the aching heart of disconnection and of longing for repair...Butcher-McGunnigle has created a crooked beauty out of shards.'  Sue Wootton,</b> <b><i>Takahe</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Zarah Butcher-McGunnigle</b> is a writer and counsellor from Auckland, currently living in Melbourne. She is the author of <i>Autobiography of a Marguerite</i>, <i>Nostalgia Has Ruined My Life</i> and <i>Leaves Fall Off to Create Drama</i>. With David Jalal Motamed, she co-runs the reading series <i>Bad Flneur.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[This rich, elegiac compilation of work from the late Palestinian poet and professor, Refaat Alareer, brings together his marvellous poetry and deeply human writing about literature, teaching, politics, and family.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'If I must die, let it bring hope, let it be a tale.'</i></p><p>This rich, elegiac compilation of work from the late Palestinian poet and professor, Refaat Alareer, brings together his marvellous poetry and deeply human writing about literature, teaching, politics, and family.</p><p>The renowned poet and literature professor Refaat Alareer was killed by an Israeli airstrike in Gaza City alongside his brother, sister, and nephews in December 2023. He was just forty-four years old, but had already established a worldwide reputation that was further enhanced when, in the wake of his death, the poem that gives this book its title became a global sensation. 'If I Must Die' is included here, alongside Refaat's other poetry.</p><p>Refaat wrote extensively about a range of topics: teaching Shakespeare and the way Shylock could be appreciated by young Palestinian students; the horrors of living under repeated brutal assaults in Gaza, one of which, in 2014, killed another of his brothers; and the generosity of Palestinians to each other, fighting, in the face of it all, to be the one paying at the supermarket checkout.</p><p>Such pieces, some never before published, have been curated here by one of Refaat's closest friends and collaborators. This collection forms a fitting testament to a remarkable writer, educator, and activist, one whose voice will not be silenced by death but will continue to assert the power of learning and humanism in the face of barbarity.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Refaat Alareer</b>gained his PhD with a dissertation on the poetry of John Donne. He taught English Literature at the Islamic University of Gaza, now destroyed. He is the editor of two collections of writing by his students,<i>Gaza Writes Back</i>and<i>Gaza Unsilenced</i>(both published by Just World Books). His journalism featured in<i>The New York Times</i>,and he appeared on the <i>BBC, ABC News,</i>and <i>Democracy Now.</i> He was a volunteer at the Gaza Zoo.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A work of rare beauty and wisdom, Lamentations is both a hymn to water and a quiet reckoning with what it means to belong  to a place, to another, and to the earth itself.]]></Text>
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			<Text textformat="02"><![CDATA[<p>In <i>Lamentations</i>, Subhash Jaireth composes a river of voices  philosophical, tender, and reverent  flowing through landscapes of memory, loss, and renewal. Part meditation, part love story, and part elegy for the natural world, these prose poems move between rivers and deserts, Bash and Hafez, Australia and Persia, tracing how water remembers, how language listens, and how grief transforms into grace.</p><p>Through the dialogue of two consciousnesses  intimate, questioning, and profoundly attuned  Jaireth explores the porous boundaries between the human and the elemental. Rivers become voices, rocks become listeners, and words themselves turn liquid, carrying echoes of the world's oldest stories.</p><p>A work of rare beauty and wisdom, <i>Lamentations</i> is both a hymn to water and a quiet reckoning with what it means to belong  to a place, to another, and to the earth itself.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Subhash Jaireth</b> was born in Punjab, India. Between 1969 and 1978 he spent nine years in Russia studying geology and Russian literature. In 1986 he migrated to Australia. He has published poetry in Hindi, English and Russian.</p><p>His published works include three books of poems: <i>Golee Lagne se Pahle</i> (Before the Bullet Hit Me) (Vani Prakashan, 1994);<i> Unfinished Poems for Your Violin</i> (Penguin Australia, 1996);<i> Yashodhara: Six Seasons Without You</i> (Wild Peony, 2003); and five books of prose fiction and non-fiction: <i>To Silence: Three Autobiographies</i> (Puncher &amp; Wattmann, 2011); <i>After Love</i> (Transit Lounge, 2012); <i>Moments</i> (Puncher &amp; Wattmann, 2014); <i>Incantations</i> (Recent Work Press, 2016).</p><p>His most recent books include a collection of essays titled <i>Spinoza's Overcoat: Travels with Writers and Poets</i> (Transit Lounge, 2020), which won the 2021 ACT Book of the Year, a book of translation from Hindi, <i>Rain Clouds: Love Songs of Meerabai</i> (Recent Work Press, 2020), <i>Aflame</i> (Gazebo Books/Life Before Man, 2021), and <i>George Orwell's Elephant and Other Essays</i> (Gazebo Books, 2024).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A return to one's childhood home unearths lost memories. A family spends an evening together listening to Grandma's stories about their faraway homeland. A mother dreams about a daughter she's never met. A piece of lace blurs the line between past, present and future.</p><p><i>A Little Better Elsewhere</i> is a poignant anthology that grapples with the complexities of nostalgia. From intimate reflections on childhood innocence to powerful depictions of grief, love and change, this collection of short stories, essays and poetry celebrates the diverse insights of Australia's emerging writers.</p><p>With a foreword written by Sarah Ayoub, <i>A Little Better Elsewhere</i> weaves together experiences of joy, longing, sadness and comfort, challenging us to consider whether nostalgia helps us make peace with the past or keeps us trapped in its shadow.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Trouble is brewing once more for the Hoggetts and their friend Chief Inspector Macdonald in Lunesdale, deep in the Lancashire fell country. The treacherous slopes and still waters of a quarry pool have become the backdrop for strange happenings by night, and after an architect surveying the area is nearly hoisted into the cold waters by an unseen assailant, the suspicions of local farmers become a matter for the CID. Lorac's authentic writing of the Lunesdale countryside is paired with a twisting plot in this classic of lake district crime fiction, first published in 1949.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>E. C. R. Lorac</b> was a penname of Edith Caroline Rivett (1894-1958), who also wrote as Carol Carnac. She was a prolific author of <i>Golden Age</i> mysteries publishing over sixty novels throughout the 1930s, 40s and 50s. She was also a member of the famous Detection Club. Her books include<i> Crossed Skis, Post After Post-Mortem </i>and <i>Crook o' Lune</i>, all available as British Library Crime Classics.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A truly lost novel from 1927 rediscovered from the British Library collections, not republished since its first appearance and with the remaining copies extremely scarce.]]></Text>
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			<Text textformat="02"><![CDATA[<p>John Travers has been hanged for the murder of his mother-in-law Helga, but to those who knew him something is amiss. Driven by justice and a sense of uncanny forces at work, John's friend Doctor Toogood recounts a haunting tale of love and jealousy under the fell influence of a shadowy and implacable evil. </p><p>First published in 1927, this novel by husband-and-wife writing duo Rosalie and Edward Synton (real surname Corse-Scott) has been lost for nearly a century and returns now from the Library collections to deliver its occult thrills anew.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rosalie and Edward Synton</b> was the joint pseudonym used by the married couple Rosalie (1889-1939) and Edward (1883-1943) Corse-Scott, two writers who emigrated to New Zealand from their home 'Little Synton', near Verwood in Dorset. Rosalie was born in Ireland; Edward to a British family in India. Edward published poetry collections under his own name and books and music under the 'Synton' pen name  <i>Possessed </i>appears to be their only foray into the world of weird fiction, though research continues.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This new edition of an overlooked classic, features a handful of Bowen short stories that chime with the dark themes of the main novella. A twentieth-century forerunner of the popular subgenres of Gothic romance and witchcraft fiction.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'I hear from Mrs Barlow, who is a good gossip, that your mother and your sister are both ill. You must, then, have very little company.' </i></p><p><i>'Very little human company,' she replied.</i></p><p>On a moonlit night, a wearied traveller dressed as the Devil calls at the mossy gates of Holcot Grange. Fleeing some bloody misadventure in London, the stranger claims to be heir to the manor which for generations has remained lordless. But among its benighted tenants the enthralling beauty Julia Roseingrave has been waiting  and now her means of escape has arrived. As whispers of witchcraft echo through the grounds and the boundaries between lord and servant fray, a cursed romance begins to smoulder  and the spectre of death draws near.</p><p>First published in 1933, this historical novella of Gothic love returns to print alongside six deliciously dark short tales from the British Library vaults, bubbling with wickedness and the occult.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>'A landmark book that will redefine Nakahara's place on the international stage.'</i></b><b> </b> <b>Paul Perry, novelist and poet</b></p><p>This definitive bilingual edition of Chuya Nakahara (1907-1937) brings the most dynamic voice in Japanese early Modernist poetry to English-language readers. <i>Goat Songs</i> and <i>Songs of Bygone Days</i>  the two volumes that Chuya prepared for publication during his brief lifetime  are presented in luminous translations by poet Christian Nagle that capture the music, formal integrity and soul of the original poems.</p><p>With an extensive biographical and critical introduction, foreword by leading Chuya scholar Mikiro Sasaki, rare archival photographs and informative notes, this volume offers an indispensable gateway to one of Japan's most brilliant writers.</p><p>With free online audio recordings of the poems in Japanese and English.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Chuya Nakahara</b> (1907-1937) was the coddled eldest son of an army physician in western Honshu. When he was eight, the death of his brother Tsuguro spurred him to begin writing poetry. In Kyoto he encountered the poetry of Arthur Rimbaud and other French Symbolists, which he translated, and which profoundly influenced his own poetry. He soon moved to Tokyo and became active in literary circles. His first poetry collection, <i>Goat Songs</i> was published in 1932 but sold only fifty copies. His second collection, <i>Songs of Bygone Days</i>, was published in 1938, shortly after his death at age thirty from tuberculosis. His poems gained great acclaim after the war and were later published in a six-volume collection.</p><p><b>Christian Nagle, PhD</b>, is a poet, musician and filmmaker. His award-winning work has appeared in <i>Esquire, The Paris Review, The Kenyon Review, Raritan, Subtropics, AGNI</i>, and other leading publications. For more than two decades he has divided his time between Tokyo and Alexandria, Virginia, translating the poetry of Chuya Nakahara and co-directing The Brothers Murasaki film group, whose documentaries about Japanese culture include <i>Carriers</i> and <i>Six Beats to Heaven.</i></p><p><b>Mikiro Sasaki</b> is a poet and leading authority on Chuya Nakahara. He is the editor of Chuya's collected works and the author of <i>Chuya Nakahara: The Music of Silence</i>, as well as over ten volumes of poetry, essays and criticism.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Considered to be one of America's first ghost stories, the 1820 short story follows a schoolteacher who is competing against a farmer for a woman's hand.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'Villainy wears many masks, none so dangerous as the mask of virtue'</i></p><p>Considered to be one of America's first ghost stories, the 1820 short story follows a schoolteacher who is competing against a farmer for a woman's hand. One night, he is haunted by the ghost of a headless horseman.</p><p>Inspired by folk stories he'd heard when travelling abroad, Washington Irving incorporated themes of superstition and greed into the short story. The legend has been celebrated for 200 years, and every Halloween, the headless horseman can be seen in the village of Sleepy Hollow.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Washington Irving</b>, born in New York in 1783, became one of the most celebrated American writers of the nineteenth century. He began writing essays at the age of 19 and went on to author some of the nation's most enduring stories, including<i> Rip Van Winkle</i> and <i>The Legend of Sleepy Hollow</i>. In addition to his fiction, he wrote an extensive biography of George Washington. Irving passed away in 1859, shortly after the publication of Life of George Washington.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Clare Pollard thumbs her nose at Dr Johnson's all-male Lives of the Poets in chronicling her own life and theirs in her Lives of the Female Poets.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Clare Pollard thumbs her nose at Dr Johnson's all-male </b><b><i>Lives of the Poets</i></b><b> in chronicling her own life and theirs in her </b><b><i>Lives of the Female Poets</i></b><b>.</b></p><p>These portraits and self portraits offer glimpses into the poet's own everyday life  from nit-combing and laundry to pollen counts and cocktails, watching school plays to shopping on Rye Lane  all whilst in conversation with female poets through the ages.Playing with forms from the version to the <i>glosa</i>, these are poems that remix, adapt and channel figures from Enheduanna, the first recorded poet, through to Wanda Coleman. Probing the idea of the 'Poetess' over time, there are also poems about writers' lives  sonnets for Anne Locke, who wrote the first English sonnet sequence; a sestina for Elizabeth Bishop; a series of prose poems about Emily Bronte; and a look at the tragic life of L.E.L.</p><p>Whether imagining a 'three-martini afternoon' at the Ritz with Sylvia Plath and Anne Sexton, or exploring the ways women writers have been erased from the canon in the book's long, closing poem, Clare Pollard's playful sixth collection celebrates and commemorates all those female poets who have come before.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Clare Pollard</b> was born in Bolton in 1978 and lives in London. She is a poet, editor and translator and has published five collections with Bloodaxe: <i>The Heavy-Petting Zoo</i> (1998), which she wrote while still at school; <i>Bedtime</i> (2002); <i>Look, Clare! Look!</i> (2005); <i>Changeling</i> (2011), a Poetry Book Society Recommendation,<i>Incarnation</i> (2017) and<i>Lives of the Female Poets</i> (2025).She has also written an illustrated book for children, non-fiction and two novels for adults.Her debut novel <i>Delphi</i> (Fig Tree, 2022; Avid Reader, US, 2022) has been translated into German, Dutch and Spanish.She won the Tadeusz Bradecki Prize in 2025 for her novel <i>The Modern Fairies</i> (2024), an award given to works that combine storytelling fiction and non-fiction in original ways, encompassing a range of artistic genres, disciplines, cultures and subjects. Clare Pollard was Editor of <i>Modern Poetry in Translation</i> from 2017 to 2022 and was appointed Artistic Director of the Winchester Poetry Festival in 2022.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Set against a backdrop of Australia's central deserts, The Dingo's Noctuary explores themes of identity, belonging, and the fragile threads that connect all living beings]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Highly Commended, Victorian Premier's Literary Awards 2026, Poetry**</b></p><p>Set against a backdrop of Australia's central deserts, <i>The Dingo's Noctuary</i> explores themes of identity, belonging, and the fragile threads that connect all living beings. At the heart of the tale is a soul's dark night, the flight of a lady motorcyclist, in the prime of her invisibility, and her mongrel dingo Moon, into the Tanami desert. She's searching for a caravan of miraculous dog-headed beings, glimpsed in dreams and the dementia tales of an old desert lady.</p><p><i>The Dingo's Noctuary</i> is an illustrated verse novel, complete at 70,500 words. It includes accurate hand drawn maps of the Australian central deserts, pressings of rare plants, and forty-seven lumachrome glass prints, afterlife portraits of animals and birds. The story unfolds through combinations of poetry and prose, alongside visual images- maps of land and stars, plant pressings, and forty-seven afterlife portraits of animals and birds. It is a single-authored book in which the images and texts are equally weighted. The book was written over thirty-seven desert crossings, sometimes on the motorcycle with the dog on the back. The entire second half of the book was written on a typewriter after a motorcycle crash (the unsuccessful 37th crossing) left me unable to use a computer. I made a motorcycle blog about one of the journeys in this book here https://judithnangalacrispin.medium.com.</p><p>Work from <i>The Dingo's Noctuary</i> has received a number of awards and prizes including the 2023 Sunshine Coast Art Prize and the 2020 Blake Prize for Poetry. It was highly commended in the 2023 Mullins Conceptual Photography Prize and shortlisted for the 2023 Milburn Art Prize, the 2023 and 2025 Ravenswood Prizes for Australian Women's Art, and the 2019 Olive Cotton Prize. Images and texts from this book were included in the Lunar Codex time-capsule which was deposited on the moon as part of the Blue Ghost mission in 2024. A mock-up of the complete book was shortlisted for the 2023 Arles Luma Recontres Dummy Book Prize.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Judith Nangala Crispin</b> is an acclaimed poet, visual artist, motorcyclist and volunteer firefighter, who lives on unceded Ngunnawal/Ngambri Country near Braidwood on the NSW Southern Tablelands. Her poetry has won the Blake Prize, been nominated for a Pushcart Prize, and been shortlisted for many awards including the Peter Porter Prize. Her visual art has won her residencies, awards, and wide acclaim, here and overseas. She has published two collections of poetry, <i>The Myrrh-Bearers</i> and <i>The Lumen Seed</i>. Judith is a descendant of Bpangerang people from the Murray River and acknowledges heritage from Scotland, Ireland, France, Mali, Senegal and the Ivory Coast. She spends part of each year living and working with the Warlpiri, her adopted people, in the Northern Tanami Desert.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Victorian Premier's Literary Awards 2026, Poetry**</b></p><p>Ender Bakan's debut poetry collection depicts the intensity of life as a parent of young children. It maps the shifting trains of thought which go with the experience of being a new parent, when one's attention is drawn in many different directions  between child-rearing and house-keeping, domestic crises, the need to earn a living, and the responsibilities you have to the past as well as to the future, to your own parents and grandparents, as well as to your children. Work, friendships, social life and creative practice are all altered. The poet reflects on his own childhood, and his grandparents' exile from their homeland in Turkey, to which he returns several times in the course of the book, with his own young family. But there is also an increased awareness of the future, not only to the world his children will grow up in, but to the kind of world that is being built right now, in homes, workplaces, and in social and political allegiances.</p><p>Perhaps most tellingly, since Ender Bakan is a poet, he is subsumed in the flood of language, as it emerges from the mouths of his youngsters, indeed from his own mouth, as he talks to them. Words and sounds and the effects of language come to the fore. The imagination of children lends its own wonder and surrealism to that of the poet. His writing is direct, playful, absurd, staunch and political. In these respects, Bakan follows in the footsteps of the previous generation of Australia's poets of migrant background, all of them masters of language  Pi.O., Chris Mann, Antigone Kefala and above all the late Ania Walwicz, his close friend and mentor.</p><p><b>'</b><b><i>Two Hundred Million Musketeers</i></b><b> is a compelling debut which weaves the idiosyncrasies of the world into its pages. Bakan's poetics are lively and utterly ungovernable, in his refusal to bend to the idea of what a poetry collection should be. Bakan's spirited stream-of-consciousness invites the reader into the family of this collection, by drawing from the imaginative language of children, the peculiarities of waged labour and the return to his ancestral home of Turkey. The lived world, with its clamour and complexity, spills out of the book in unexpected ways.'  VPLA judges' report</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ender Bakan</b> is a Melbourne-based poet, novelist, small-press publisher and bookseller. The the winner of the 2021 <i>Overland</i> Judith Wright Poetry Prize, his poems have been published in HEAT, <i>Meanjin</i>, <i>Cordite</i>, <i>Unusual Work</i> and <i>Best of Australian Poems</i>. He has also published a novel, <i>A Portrait of Alice as a Young Man</i>. He is the co-founder of Vre Books press, Agog poetry readings and Study experimental space.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Victorian Premier's Literary Awards 2026, Poetry**</b></p><p><i>KONTRA</i> enacts a poetics of clashing decadences, testing the tightrope between 'feminine' goodness and deviance, desire and refusal, reverence and repulsion. It casts a female gaze on the <i>kontrabida</i>  a Filipina soap opera villain stuck in a rise-and-fall cycle. The poet reimagines the kontrabida as a figure driven not by revenge, but by wild desire. Oscillating in and out of character, Andrada navigates the tension between poet and persona. Alongside the shapeshifting, spectral force of the kontrabida, the poet invokes a chorus of voices to trace a lineage of opposition and the alternate futures it holds.</p><p>The collection is in the form of a narrative triptych. The opening section 'KONTRA' explores the power and fate of the oppositional figure. In 'OPER', two characters speak alongside each other to excise painful histories of domination and sexual assault; which moves us forward to the final section 'BIDA', to a more genuine, queer persona that is free from domination.</p><p><b>Praise for Eunice Andrada:</b></p><p><b>'Brilliant and devastating,</b> <b><i>TAKE CARE</i></b><b> is no doubt one of the most important poetry releases in years, weaving complex themes with intelligence and innovation of form...A poet whose courage is necessary and whose words we all need.'  Ellen van Neerven</b></p><p><b><i>'TAKE CARE</i></b><b> is the live wire of poetry that does not spare us...each poem both a surrender and a severing, each page an urgent demand we do not look away from violence, from its banal to its most grotesque, and each word filled with as much purpose and energy as it is with tenderness and care.'  Sara Saleh</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Eunice Andrada</b> is a poet and educator. Her first collection <i>Flood Damages</i> (Giramondo, 2018) won the Anne Elder Award and was shortlisted for both the Victorian Premier's Award for Poetry and the Dame Mary Gilmore Award. Her second poetry collection <i>TAKE CARE</i> (2021) was shortlisted for the Judith Wright Calanthe Award, the Stella Prize, the Australian Literature Society Gold Medal, and two NSW Premier's Literary Awards. <i>KONTRA</i> is her third poetry collection with Giramondo.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The much-anticipated follow-up to acclaimed graphic novelist Lee Lai's Stella-shortlisted Stone Fruit, a funny, dark, emotionally turbulent slice of friendship strife.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Victorian Premier's Literary Awards 2026, Fiction**</b></p><p><b>The much-anticipated follow-up to acclaimed graphic novelist Lee Lai's Stella-shortlisted</b> <b><i>Stone Fruit</i></b><b>, a funny, dark, emotionally turbulent slice of friendship strife.</b></p><p>We arrive to wreckage  a restaurant smashed to rubble, with tables and chairs upended riotously. Under the swampy nighttime cover of a Montreal heatwave, we meet our protagonist, Cannon, dripping in beads of regret sweat. She was supposed to be closing the restaurant for the night, but instead, she destroyed it. The horror-scape left in her wake is not unlike the films Cannon and her best friend, Trish, watch together. Cooking dinner and digging into deep cuts of Australian horror movies on their scheduled weekly hangs has become the glue in their relationship. In high school, they were each other's lifeline  two queer second-generation Chinese nerds trapped in the suburbs. Now, on the uncool side of their twenties, the essentialness of one another feels harder to pin down. Yet when our stoic and unbendingly well-behaved Cannon finds herself very uncharacteristically surrounded by smashed plates, it is Trish who shows up to pull her out</p><p>In <i>Cannon</i>, Lee Lai's follow-up to the critically acclaimed and award-winning <i>Stone Fruit</i>, the full palette of a nervous breakdown is just a part of what is on offer. Lai's sharp sense of humour and sensitive eye produce a story that explores the intimacy of queer friendship and weight of family responsibility, and breaks open the question of what we owe both to each other and to ourselves.</p><p><b>'In</b> <b><i>Cannon</i></b><b>, Lee Lai has performed a rare and powerful act of alchemy  the images, narrative, and writing not only capture a life, but combine so that the book itself feels alive.'  Torrey Peters</b></p><p><b>'Beguilingly drawn,</b> <b><i>Cannon</i></b><b> depicts a wide spectrum of adulthood with nuance and complexity. From one story unravels many stories, about friendships, situationships, work, familial obligations. I was struck by its attention and care.'  Ling Ma</b></p><p><b>'A beautifully drawn slice of life, filled with the kind of intimate, specific details that make the best fiction seem autobiographical.'  Adrian Tomine</b></p><p><b>'It's rare, and precious, when a moment in a movie, in a poem, in a comic surges up at you as being True. And in</b> <b><i>Cannon</i></b><b>, Lee Lai does it again and again.'  Eleanor Davis</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lee Lai</b> is an Australian cartoonist living in Tiohtia:ke (colonially known as Montreal, Canada). In 2021, she was shortlisted for the Stella Prize and selected as one of the National Book Foundation's 5 Under 35 for her debut graphic novel, <i>Stone Fruit</i>, which went on to win several awards, including the Lambda Literary Award, the Cartoonist Studio Prize, the Lynd Ward Graphic Novel Prize, and two Ignatz Awards. Her comics have appeared on <i>The New Yorker</i>, <i>McSweeney's</i>, <i>New York Times</i>, <i>Granta</i>, and the Museum of Modern Art's <i>Magazine</i>.</p>]]></Text>
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			<SubjectHeadingText>,; ,Diversity,Identity; Dark humor; Interstellar space travel,; Neurodiversity; Platonic queer romance; Sentient AI; Unlikely friendships; Vampires and werewolves; and belonging; equality; inclusion</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[The queer love child of pulp horror and classic sci-fi, Of Monsters and Mainframes is a dazzling, heartfelt odyssey that probes what it means to be one of society's monsters  and explores the many types of friendship that make us human.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Finalist, Goodreads Choice Awards 2025, Science Fiction**</b></p><p>Spaceships aren't programmed to seek revenge  but for Dracula, Demeter will make an exception. Demeter just wants to do her job: shuttling humans between Earth and Alpha Centauri.</p><p>Unfortunately, her passengers keep dying  and not from equipment failures, as her AI medical system, Steward, would have her believe. These are paranormal murders, and they began when one nasty, ancient vampire decided to board Demeter and kill all her humans. To keep from getting decommissioned, Demeter must join forces with her own team of monsters: A werewolf. An engineer built from the dead. A pharaoh with otherworldly powers. A vampire with a grudge. A fleet of cheerful spider drones. Together, this motley crew will face down the ultimate evil  Dracula.</p><p>The queer love child of pulp horror and classic sci-fi, <i>Of Monsters and Mainframes</i> is a dazzling, heartfelt odyssey that probes what it means to be one of society's monsters  and explores the many types of friendship that make us human.</p><p><b>'A really charming and fun reworking of the Dracula story.'  Sian Cain,</b> <b><i>The Guardian Australia</i></b></p><p><b>'This is absolutely one of my favourite reads ever  it's adventurous, imaginative, emotional, humorous, palpably queer and full of characters that I would follow into the furthest reaches of space just for the banter. Anyone who loves imaginative fiction full of adventure and lovable characters will love this book.'  Jemimah Brewster,</b> <b><i>ArtsHub</i></b></p><p><b>'I'm normally not too interested in reboots and remakes (God knows we are in a crisis of unoriginality right now) but this bonkers re-telling of</b> <b><i>Dracula</i></b> <b>has me intrigued.'  Soaliha Iqbal,</b> <b><i>Missing Perspectives</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Barbara Truelove</b> is an Australian author and game designer who writes about werewolves, monsters, space,and sometimes other things. Her interactive novel, <i>Blood Moon</i>, released in 2023. When she's not writing, she's adding to her motley collection of rocks.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Set against a pseudo-medieval post-apocalyptic backdrop reminiscent of Cormac McCarthy, Angela Carter and Missouri Williams, this bestselling novel shines with the inner radiance of good deed in a naughty world that will leave you haunted, horrified, and completely riveted.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Can an eleven-year-old boy succeed where others have failed? Can he recover a kidnapped child, disprove a false accusation of assault or win a sleep-deprivation competition that has driven others mad with tragic consequences?</p><p>He can, if he is accompanied by a black rooster, his protector and friend. And if he is Martin, orphaned after a massacre, full of wisdom, courage and a pure heart. Too good for the selfish and idiotic villagers around him, his integrity entrances an itinerant painter with whom he departs on a quest. His heroic adventures through a morally abhorrent landscape, physically ravaged by war and famine, keep the reader cheering for him and his companion as this fairy tale for adults unfolds.</p><p>Set against a pseudo-medieval post-apocalyptic backdrop reminiscent of Cormac McCarthy, Angela Carter and Missouri Williams, this bestselling novel shines with the inner radiance of good deed in a naughty world that will leave you haunted, horrified, and completely riveted.</p><p><b>'This novel is a danse macabre, a memento mori, a vision of good and evil pared down to the bones. </b><b><i>Boy with a Black Rooster </i></b><b>beckons the reader into a nightmare landscape of war, famine, plague and madness, and Stefanie vor Schulte's storytelling verve is such that we make the journey gladly.'  Sam Thompson, author of </b><b><i>Communion Town</i></b><b>, Longlisted for the Man Booker Prize 2012</b></p><p><b>'Wow, what a book! Fabular but true, this meticulously crafted and deceptively simple tale stole my heart, broke it, and put it back together again. Vor Schulte is unflinching in her depiction of the worst of humankind, its cruelty and violence, but she also shows how love and kindness can flourish in even the darkest times. A beautiful, heart-rending book.' Victoria MacKenzie, author of </b><b><i>For Thy Great Pain Have Mercy On My Little Pain</i></b></p><p><b>'This appears light as a feather, yet elaborately crafted all the same.' </b> <b>Rose-Maria Gropp</b></p><p><b>'It feels like an old story, one of those that stays with you forever, but every part of it is surprising and wonderful. I want to go straight back and read it all again.'  Sin Hughes, author of</b><b><i> Pearl</i></b></p><p><b>'A debut that is both admirable and truly unique.'  Jean-Baptiste Hamelin, Page des Libraires</b></p><p><b>'Halfway between macabre tale and surrealist epic.'  Camille Thomine,</b><b><i> Lire</i></b><b> magazine litteraire</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Stefanie vor Schulte</b>, born in Hanover in 1974, studied stage and costume design. She lives in Marburg with her husband and four children. Her first novel <i>Junge mit schwarz Hahn</i> was awarded the Mara Cassens Prize for the best German-language debut in 2021.</p><p><b>Alexandra Roesch</b> studied languages and business and worked in banking before becoming a literary translator. In 2018, she was long-listed for the Goethe Institute's Helen &amp; Kurt Wolff Prize. Previously translated authors include Hans Fallada, Seraina Kobler and Merle Krger.</p>]]></Text>
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			<SubjectHeadingText>Arabic; Gaza; Israel; Jordan; Middle East; Nakba; Palestine; Palestinian; collective memory; ethnic cleansing; exile; history; identity; journalism; journalist; memory; multiple narrators; political; political consciousness; polyvocal; satire; theatrical; tragicomic; translation</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>A sardonic, thrilling fable about collective memory and the many ways it can be saved or subverted.</p><p>Four young, Palestinian journalists at a Jordanian newspaper are tasked, on account of their heritage, with profiling one of the last living witnesses of the <i>Nakba</i>, the violent expulsion of native Palestinians by the nascent state of Israel in 1948. Confident that the old man will be all too happy to go on record, the reporters are nonplussed when they are repeatedly, and obscenely, rebuffed. This living witness to history, this secular saint, has no desire to be interviewed, no desire for his memories to be preserved, no desire to serve as an inspiration for the youth of tomorrow. What he wants is to be left alone.</p><p>As threats from the team's editor-in-chief put more and more pressure on the journalists, they must decide just how far they're willing to go to get the old man on the record. After all, what possible weight can one stubborn demand for privacy have when balanced against the imperative to bear witness?</p><p>Omar Khalifah's debut novel <i>Sand-Catcher</i> is at once a polyphonic satire and a tightly plotted tale of suspense. Walking the line between gallows humour, rage, and depthless heartbreak, it is a unique reflection of contemporary Palestinian identity in all its facets.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Omar Khalifah</b> is a novelist and short story writer in Arabic. His book, <i>Nasser in the Egyptian Imaginary</i>, was published in English by Edinburgh University Press in 2017. His collection <i>Ka'annani Ana</i> (<i>As If I Were Myself</i>) was published in Amman, Jordan in 2010, and his novel <i>Qabid al-Raml</i> (<i>Sand-Catcher</i>) was published in 2020. His articles have appeared in <i>Middle East Critique</i> and <i>Journal of World Literature</i>. A Fulbright scholar, Khalifah is assistant professor of Arabic Literature and Culture at Georgetown School of Foreign Service in Qatar.</p><p><b>Barbara Romaine</b> is an academic and literary translator. She has published translations of five novels, most recently <i>Waiting for the Past</i> (Syracuse University Press, 2022), by the Iraqi novelist Hadiya Hussein. She has held two NEA fellowships in translation, one of which was for her work on Radwa Ashour's <i>Spectres</i> (Interlink Books, 2011). <i>Spectres</i> went on to place second in the 2011 Saif Ghobash-Banipal international translation competition. Romaine's translations of essays, short stories, and classical poetry have appeared in a variety of literary periodicals.</p>]]></Text>
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			<SubjectHeadingText>Reindeer herding; Yoik; Inherited sorrow; Historicide; Memory; History; Sweden; Sami; Land; Indigenous people; Silence; Norway</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The deep and personal story-told through history, poetry, and images-of the forced displacement of the Smi people from their homeland in northern Norway and Sweden and its reverberations today</b><br/></p><p> More than a hundred years have passed since the Smi were forcibly displaced from their homes in northern Norway and Sweden, a hundred years since Elin Anna Labba's ancestors and relations drove their reindeer over the strait to the mainland for the last time. The place where they lived has remained empty ever since. <i>We carry our homes in our hearts, </i>Labba shares, citing the Smi poet illoha. How do you bear that weight if you were forced to leave? In a remarkable blend of historical reportage, memoir, and lyrical reimagining, Labba travels to the lost homeland of her ancestors to tell of the forced removal of the Smi in the early twentieth century and to reclaim a place in history, and in today's world, for these Indigenous people of northern Scandinavia. </p><p> When Norway became a country independent from Sweden in 1905, the two nations came to an agreement that called for the displacement of the Northern Smi, who spent summers on the Norwegian coast and winters in Sweden. This "dislocation," as the authorities called it, gave rise to a new word in Smi language, <i>bggojohtin, </i>forced displacement. The first of the <i>sirdolaat, </i>or "the displaced," left their homes fully believing they would soon return. Through stories, photographs, letters, and joik lyrics, Labba gathers a chorus of Smi expression that resonates across the years, evoking the nomadic life they were required to abandon and the immense hardship and challenges they endured: children left behind with relatives, reindeer lost when they returned to familiar territory, sorrow and estrangement that linger through generations. </p><p> Starkly poetic and emotionally heart-wrenching, this dark history is told through the voices of the <i>sirdolaat, </i>echoing the displacements of other Indigenous people around the world as it depicts the singular experience of the Northern Smi. For her extraordinary work, Labba was awarded Sweden's most important national book prize in 2020, the August Prize for Best Nonfiction. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p> Elin Anna Labba is a Smi journalist and was previously editor-in-chief of the magazine <i>Nuorat</i>.She received Sweden's August Prize for Best Nonfiction as well as the prestigious Norrland Literature Prize. </p><p> Fiona Graham is a British translator living in Belgium. She translated Elisabeth sbrink's <i>1947: When Now Begins, </i>which was an English PEN award winner and a National Public Radio Best Book of the Year. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**2021 Nordic Council Literature Prize Finalist**</b></p><p>The stories in <i>Purity</i> take the reader through cities and suburbs, apartments and streets, to find characters struggling to survive in modern society: a man has an outburst on a bus; a fugitive finds insight in a colour wheel; a social realist kills his friend with a hammer; a thief finds himself in books. And cleaners reluctantly go on cleaning.</p><p>With gravity and humor, against the backdrop of a violent civilisation, people are depicted as fallen, or waiting to fall, rendered by Tich with the fury, compassion and emotional complexity of Kendrick Lamar.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Andrzej Tich</b>(b. 1978) was born in Prague to a Polish mother and a Czech father and has lived in Sweden since 1981. He is the author of five novels, a story collection and a wide range of nonfiction and criticism. Tich has received critical acclaim for his work, and is widely recognised as one of the most important novelists of his generation. His novel <i>Wretchedness</i>, a post-political foray into modern day Swedish society, won the 2021 Oxford-Weidenfeld Prize, and was longlisted for the 2021 International Booker Prize and shortlisted for the 2021 Bernard Shaw Prize. His latest short story collection <i>Purity</i>was nominated for the Nordic Council Literary Prize.</p><p><b>Nichola Smalley</b> is a translator of Swedish and Norwegian literature. Her translation of Andrzej Tich's novel <i>Wretchedness</i> won the 2021 Oxford-Weidenfeld Prize, and was longlisted for the 2021 International Booker Prize and shortlisted for the 2021 Bernard Shaw Prize. She has a PhD in the use of slang in contemporary Swedish and English literature.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Ned Kelly Award for Best Debut Crime 2025**</b></p><p>Set between the Blue Mountains and a Sydney hospital, Lisa Kenway's <i>All You Took From Me</i> is a thriller brimming with great characters and nail-biting tension.</p><p>Anaesthetist Clare Carpenter has just lost her husband and her memory in a single-vehicle accident. So why is a stranger following her? After questioning patients about their dreams, she becomes convinced that an anaesthetic drug might help her access missing memories. But there's no way to be certain without jeopardising her career or her life.</p><p>As unexplained threats escalate, Clare realises she must take matters into her own hands to learn the uncomfortable truth about her secretive husband, his connection to a mysterious club and what she did to trigger a stranger's crusade for vengeance. But how far will she go?</p><p><b>'Truly exciting. It's a rare treat to read a book that I am still thinking about long after the last page - the surprising reveals are both earned and satisfying. Readers are destined to fall in love with the ways Kenway brings such expertise and a unique perspective to the psychological thriller genre.' - Shelley Burr, author of</b> <b><i>Wake</i></b><b> and</b> <b><i>Ripper</i></b></p><p><b>'A taut psychological thriller with a driving plot,</b> <b><i>All You Took From Me</i></b><b> interrogates the limits of memory, both lost and recovered. From its compelling opening mystery, every page bristles with threat and intrigue.' - Ashley Kalagian Blunt, bestselling author of</b> <b><i>Dark Mode</i></b></p><p><b>'Kenway brings an exciting level of insider authenticity to this simmering drama about an anaesthetist struggling to make sense of a life unspooling in the aftermath of a tragic accident. Tense, twisty and unique, this is an unforgettable debut.' - Anna Downes, author of</b> <b><i>The Safe Place</i></b><b> and</b> <b><i>Red River Road</i></b></p><p><b>'I found myself first pulled in by the prose - Kenway writes like a dream - but soon I was consumed by the mystery at the heart of the story  the question of where we go and what happens to us under the narcotic oblivion of anaesthesia. Charged with menace and paranoia, this is a masterfully plotted psychological thriller.' - J. P. Pomare, author of</b> <b><i>In</i></b> <b><i>The Clearing</i></b> <b>and</b> <b><i>17 Years Later</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lisa Kenway</b> is an Australian writer and anaesthetist, and her debut novel was inspired by her longstanding fascination with memory and consciousness. An earlier version of<i> All You Took From Me</i> was listed for the 2020 Richell Prize and was runner-up in the 2022 CYA conference competition (stories for adults). Lisa was awarded a Katharine Susannah Prichard Writers' Centre fellowship for 2023 and was highly commended in the 2022 Writing NSW Varuna fellowships. Her work has been published widely in journals and anthologies including <i>Island Online</i>, the <i>Meanjin</i> blog and<i> Meniscus Literary Journal</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Crying Room</i> movingly explores family boundaries and stories, finding original ways to express the contradictory experience of belonging to a family, and being an individual at the same time.</p><p>When Bernie Rodgers and her husband move to the coastal town of Ballina, she finds that there is more than a physical distance separating her from her adult daughters. Bernie loves her daughters, but the problem she realises is with the <i>way</i> she loved them.</p><p>Bernie's daughter Susie is professionally successful, but her feelings remain distant, even to herself. When she takes on the responsibility for caring for her niece, the pieces of her life finally snap into place. The inexplicable disappearance of an aeroplane though, plunges her life into mystery once again.</p><p>Morally acute and dazzlingly accomplished, this is an affecting novel about loneliness, love, family and the need to feel.</p><p><b>'Deeply rewarding. Shirm dances with a light step across the delicate territory between laughing and weeping.' - Helen Garner </b></p><p><b>'Deft, original and clever; this novel unfolds a drama of family distance, kindness and the surprising endurance of love.' - Gail Jones </b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In the one tumultuous day, Ch'anzu loses hir job and finds wife Scarlet in bed with a stranger. As life unexpectedly spirals out of control, Ch'anzu turns to hir charismatic Aunt Mae for comfort and wisdom, and makes the bold move to work on a project in Serengotti, a migrant African outpost in rural Australia.</p><p>In a novel haunted by the strangeness and yearnings of a displaced community  both beautiful and fractured  Ch'anzu is forced to confront hir many demons. Back in the city, brother Tex has gone missing. In Serengotti violence and infidelity simmer.</p><p>This is a novel bathed in sensuous, original language, a love letter to the strong women who bind families together despite everything. It's also a tender remembrance of the many who haven't or couldn't survive the dislocations and tragedies of their turbulent pasts.</p><p><b>&amp;#x27;Thrillingly alive, visceral, funny, and poetic, this is a story of what happens after your world falls apart, and you are forced to piece together a new one - a bittersweet tale of love, desire and kin, of what we carry and what holds us afloat. A novel that dances with a haunted grace, with characters who will sear themselves into your memory.&amp;#x27; - David Carlin, award-winning author and editor of eight books, including</b> <b><i>The After-Normal</i></b><b>,</b> <b><i>Our Father Who Wasn't There</i></b><b> and</b><b><i> AZ of Creative Writing Method</i></b></p><p><b>'An energetic, provocative exploration of racial identity, sexuality and the crucial need for community. The novel brilliantly combines crime and romance, gritty realist dialogue and sumptuous language, caustic humour and emotional gravity, to evoke different and unexpected ways of seeing and being in the world.&amp;#x27; - Susan Midalia, award-winning author of</b> <b><i>A History of the Beanbag</i></b><b>,</b> <b><i>An Unknown Sky</i></b><b> and</b> <b><i>Feet to the Star</i></b></p><p><b>'Bacon's voice is unique. Her African Australian perspective resonates ... Characters living on the edge, love lost and found, here's a story of striking honesty.' - Anne Maria Nicholson, journalist and author of</b> <b><i>Poker Protocol</i></b><b>,</b> <b><i>Pliny's Warning</i></b><b> and</b> <b><i>Weeping Water</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p></p><p><b>Eugen Bacon</b> is an African Australian author of several novels and fiction collections. She's a finalist in the 2022 World Fantasy Award. Eugen was announced in the honour list of the 2022 Otherwise Fellowships for 'doing exciting work in gender and speculative fiction'. Her short story collection <i>Danged Black Thing</i> made the 2021 Otherwise Honor List. Eugen has won, been longlisted or commended in international awards, including the Aurealis Award, Foreword Indies, Bridport Prize, Copyright Agency Prize, Horror Writers Association Diversity Grant, Otherwise, Rhysling, Elgin, Australian Shadows, Ditmar Award and Nommo Awards for Speculative Fiction by Africans. Visit her website at eugenbacon.com and Twitter feed @EugenBacon</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>One woman, two men. What if she doesn't have to choose?</p><p>Overcome with guilt about a love affair she can't give up, Anna confesses to her husband, Brendan. He is shocked and devastated but makes the unusual decision to try to accept the lover, Jeremy, as part of their family.</p><p>Told from three perspectives, <i>Double Happiness</i> is a story about sex, honesty and jealousy  and the challenges of forging a new kind of romance.</p><p>Set in Melbourne over seven years, this lyrical contemporary love story explores the complexities of non-monogamy with humour and heart, asking what it's like to love two, or more, people equally but differently. What is the effect of time on erotic love? And what happens when your new lover wants someone else too</p><p><b>'Fascinating, fearless and frank.'  Paul Dalgarno, author of</b> <b><i>A Country of Eternal Light</i></b></p><p><b>'Rochelle Siemienowicz dissects with surgical precision the murky territory of the 'happily ever after', and does so with wisdom, humour and grace. Her lyrical and oh-so-sexy novel does what best novels do  makes you think deeper about how to live your own life.</b> <b><i>Double Happiness</i></b><b> is a sophisticated, mature debut and Siemienowicz is a dazzling writer.'  Lee Kofman, author of</b> <b><i>The Writer Laid Bare</i></b><b>,</b> <b><i>The Dangerous Bride</i></b></p><p><b>'Wise, affecting and damned sexy.'  Dmetri Kakmi, author of</b> <b><i>The Door and Other Uncanny Tales</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rochelle Siemienowicz</b> is a writer, editor and arts journalist. Her first book was <i>Fallen</i> (Affirm Press, 2015), a memoir about sex, religion and marrying too young. Her work has been published widely, including in <i>The Age, SBS, Kill Your Darlings, The Big Issue, Metro</i> and<i> ArtsHub</i>. She has a PhD in Australian cinema and was for many years a film and TV critic and columnist. She lives in Melbourne with her two partners, her son and a beloved but incontinent rescue dog. <i>Double Happiness</i> (MidnightSun, September 2024) is her first novel.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In 1989, the Hong Kong cult classic writer Xi Xi was diagnosed with breast cancer and began writing in order to make sense of her diagnosis and treatment. <i>Mourning a Breast</i>, published two and a half years later, is a disarmingly honest and deeply personal account of the author's experience of a mastectomy and of her subsequent recovery.</p><p>The book opens with her gently rolling up a swimsuit. A beginning swimmer, she loves going to the pool, eavesdropping on conversations in the changing room, shopping for swimsuits. As this routine pleasure is revoked, the small loss stands in for the greater one. But Xi Xi's mourning begins to take shape as a form of activism. In a conversational, even humorous, manner, she describes her previous blinkered life of the mind before she came into her body and learned its language.</p><p>Addressing her reader as frankly and unashamedly as an old friend, she coaxes and confesses, confronts society's failings, and advocates for a universal literacy of the body. <i>Mourning a Breast</i> was heralded as the first Chinese-language book to cast off the stigma of writing about illness and to expose the myths associated with breast cancer. A radical and generous book about creating in the midst of mourning.  </p><p><b>'Using language that was deceptively simple, almost childlike, Xi Xi infused her fiction and poetry with eclectic references to literature, cinema, art, architecture and fairy tales...Her work captured the unease of Hong Kong's transition to Chinese rule, gave voice to the city's children and working-class residents, and helped put it on the literary map.' - </b><b><i>New York Times</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Ockham New Zealand Book Awards 2024, Mary and Peter Briggs Award for Poetry**</b></p><p><b>**Winner, Victorian Prize for Literature 2024**</b></p><p><b>**Winner, Victorian Premier's Literary Awards 2024, Poetry**</b></p><p>When Ping leaves Hong Kong to live in the South Island of Aotearoa New Zealand, she discovers that life in the Land of the Long White Cloud is not the prosperous paradise she was led to believe it would be. Every day she works in a rat-infested shop frying fish, and every evening she waits for her wayward husband, armed with a vacuum cleaner to 'suck all the bad thing out'. Her four children are a brood of monolingual aliens. Eldest daughter Cherry struggles with her mother's unhappiness and the responsibility of caring for her younger siblings, especially the rage-prone, meat-cleaver-wielding Baby Joseph.</p><p><i>Chinese Fish</i> is a family saga that spans the 1960s through to the 1980s. Narrated in multiple voices and laced with archival fragments and scholarly interjections, it offers an intimate glimpse into the lives of women and girls in a community that has historically been characterised as both a 'yellow peril' menace and an exotic 'model minority'.</p><p><b>&amp;#x27;a major poetic work of feminist, so-called 'minority' writing, its originality and brilliance more than earning its space alongside such works as Kathleen Fallon's Working Hot, Gloria Anzalda's Borderlands, and Alison Whittakers's BlakWork.&amp;#x27; - Marion May Campbell</b></p><p><b>&amp;#x27;As visually provocative as it is poetic, Chinese Fish portrays the fractured, multilayered, imperiled body of the immigrant story in a stunning work of genre-bending prose poetry. Yee has given the Chin family a literary resting place as complex and as searing as the New Zealand in which they survived.&amp;#x27; - Juli Min</b></p><p><b>&amp;#x27;an unflinchingly honest look at life behind closed doors, where resentment simmers, generations clash, and individual dreams are set aside for the interests of family.&amp;#x27; - Chris Tse, New Zealand Poet Laureate</b></p><p><b>&amp;#x27;There's a wry humour to the book, sometimes shocking, but often subtle. The narrative is epic, fragmentary and suggestive.&amp;#x27; - Andy Jackson,</b> <b><i>Meanjin</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Book of X</i> tells the tale of Cassie, a girl born with her stomach twisted in the shape of a knot. From childhood with her parents on the family meat farm, to a desk job in the city, to finally experiencing love, she grapples with her body, men, and society, all the while imagining a softer world than the one she is in.</p><p>Twining the drama of the everyday  school-age crushes, paying bills, the sickness of parents  with the surreal  rivers of thighs, men for sale, and fields of throats  Cassie&amp;#x27;s realities alternate to create a blurred, fantastic world of haunting beauty.</p><p><b>&amp;#x27;I loved every page of this gorgeous, grotesque, heartbreaking novel.&amp;#x27;  Carmen Maria Machado, author of</b> <b><i>Her Body and Other Parties</i></b></p><p><b>&amp;#x27;</b><b><i>The Book of X</i></b><b> traverses the mundane and the surreal  from grocery lists to blooming meat, menstrual blood to a jealousy removal shop  laying bare the absurdities of womanhood. A truly original writer, Etter continues to push the boundaries of her imagination...and ours.&amp;#x27;  Melissa Broder, author of</b> <b><i>Death Valley</i></b></p><p><b>&amp;#x27;Utterly unique and remarkable...Sarah Rose Etter takes the surreal and expertly shapes it into a portrait that is as beautiful and compelling as it is horrifying and unbearable...Etter brilliantly, viciously lays bare what it means to be a woman in the world, what it means to hurt, to need, to want, so much it consumes everything.&amp;#x27;  Roxane Gay, author of</b> <b><i>Bad Feminist</i></b></p><p><b>&amp;#x27;Insightful and incisive, this book cuts deep into the failing heart of the feminine mystique.&amp;#x27;  Amelia Gray, author of</b> <b><i>Isadora</i></b></p><p><b>&amp;#x27;Sarah Rose Etter is a visionary. Perfectly paced, structurally audacious, and endlessly inventive,</b> <b><i>The Book of X</i></b><b> is our new Revelation.&amp;#x27;  Scott McCLanahan, author of</b><b><i> The Sarah Book</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Sarah Rose Etter is the author of the chapbook <i>Tongue Party</i> and the novels <i>The Book of X</i> and <i>Ripe</i>. Her work has appeared in <i>Time, Guernica, BOMB, The Bennington Review, The Cut, VICE</i>, and elsewhere. She earned her MFA in fiction from Rosemont College. She lives in Los Angeles.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This entertaining novel is full of acute and humorous observations of male and female attitudes to love and marriage. Sally is a spirited heroine, who is determined to settle into a comfortable life now that she is in her early thirties. But in securing her future, Sally must also face her past.]]></Text>
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			<Text textformat="02"><![CDATA[<p>When her bohemian life in Paris falls flat at the beginning of the First World War, Sally Lunton returns to the care of her guardian in Little Crampton to find a husband. With some encouragement from the local busybody, she makes a play for Mr Bingley, the bank manager, although she has a rival in Mrs Dalton, a widow with a young daughter to raise. These two ladies form a quiet alliance, recognising that the prize isn't really worth fighting over but respecting the other's pursuit of financial security. Sally aims to win but is distracted by her unsettling emotions for a soldier tortured by his experience at the Front.</p><p>This entertaining novel is full of acute and humorous observations of male and female attitudes to love and marriage. Sally is a spirited heroine, who is determined to settle into a comfortable life now that she is in her early thirties. But in securing her future, Sally must also face her past.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Winifred Boggs</b> (18741931) was the author of more than a dozen novels under her own name and two pseudonyms. She was often listed on the cover as 'By the author of "The Sale of Lady Daventry"', which was published in 1914. <i>Sally on the Rocks</i>followed in 1915. Her last novel appeared in 1930.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Miss Cullen finds herself in a dreadful predicament. Four years from retirement, she can no longer meet the educational standards expected nor control her pupils at Besley High School for girls. She knows that no other school will hire her now, but if she is sacked or doesn't work until she's 60, she will lose her pension. Her only hope is to hang on. But her poor exam results affect the standing of the whole school. Her colleagues embark on a campaign against her to save their own positions and she retaliates by involving the school inspector. Into this hostile environment comes Viola Kennedy, a young new teacher full of optimism and ideas, who instead gets caught up in the conspiracies and swirling resentments. A quietly devastating novel about the realities of life for single working women in the 1920s and the systems that failed them.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Eleanor Scott </b>(18931965) was born Helen Madeleine Leys. She initially became a teacher before turning to writing. War Among Ladies (1928) was the first novel she published under the pen name Eleanor Scott. She is best known today for her collection of weird short stories, Randalls Round, published in the British Library Tales of the Weird series in 2021.</p>]]></Text>
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			<Text textformat="02"><![CDATA[David Tompkins thinks it is a splendid idea to open a tea garden at his Kentish cottage. His wife, Germayne, is not so sure. The local villagers are divided on the matter, and not necessarily supportive, particularly Mr Perch at the Dolphin, who sees it as direct competition to Mrs Perch's own tea garden.]]></Text>
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			<Text textformat="02"><![CDATA[First published in 1945, Loft's masterful storytelling manages to weave lighter comedic moments into this darker tale. A suspenseful thriller that will leave the reader guessing in the final pages, this mystery is a fantastic addition to the British Library Women Writers series, now featuring over 25 titles.]]></Text>
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			<Text textformat="02"><![CDATA[<p>And now, in this low and critical moment, something in Penelope, something which had understood courage and resource and action, though she herself had never been brave or resourceful or active, stirred and shook itself.</p><p>Penelope Shadow is quite hopeless at female pursuits, such as housework, looking after children or darning a sock. One day she buys a typewriter and realises that she has a flare for writing romantic novels. As one bestseller after another springs from her fertile mind, she is able to buy a house and live a comfortable life.</p><p>Being equally inept at managing staff, she loses a number of housekeepers before employing a capable and attentive young man. When local gossip ensues, he declares his love and they are married. But are his motives true? Is she in danger? As events twist and turn, she has to summon the strength of her feisty heroines to work out what they would do in the novel's denouement.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The sky dugongs are in danger, but Captain Scree Barnacle is determined to save them.</p><p>Her voyage to overturn an ancient hunting law means sailing the perilous Starstruck Straits  and dealing with sabotage. But who is threatening Scree's mission, and are others in danger too?</p><p>Can the Wildkin captain and Patch, her plucky ship's mate, untangle a magical plot, help the lost creatures find their way home, and save the animals?</p><p><i>Dugongs of the Sky</i> is an exciting seafaring adventure for middle-grade readers about magic, mystery and friendship.</p><p>In the Realm of Tides, hunters threaten the gentle flying dugongs and Captain Scree Barnacle is determined to save them. But on her voyage to petition the Wavebearers' Council, misfortunes plague the crew. The ship's artist is injured, secrets abound, and the timid ship's boy is more than he seems. Who is threatening Scree's mission, and are others in danger too? Can the Wildkin captain and Patch, her plucky ship's mate, untangle a magical plot, help lost creatures find their way home, and save the animals?</p><p><i>Dugongs of the Sky</i> is about friendship, animals and the meaning of courage. It's ideal for readers who love the high adventure of Claire Fayers's<i> The Accidental Pirates</i> duology and the magical whimsy of Liz Flanagan's <i>Wildsmith</i> series. It's an exciting seafaring adventure with magic, mystery and friendship. And, of course, flying dugongs! <i>Dugongs of the Sky</i> is great for animal lovers and everyone who loves twists and turns! It will soar into your heart.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Emily Larkin</b> is a Queensland author and academic who holds a Doctor of Creative Arts (Writing) from the University of the Sunshine Coast. She loves teaching Writing and Literature at the University of Queensland.</p><p>Emily writes in a variety of genres and is the author of the picture book<i> The Whirlpool</i>, illustrated by Helene Magisson and published by Wombat Books (2017), and the young-adult dystopian novel <i>Within the Ward</i>, published by Rhiza Edge (2021). Her short fiction and poetry features in Australian and international literary journals, including <i>Meniscus, Idiom 23, Seizure, Trove, Literary Orphans, The Write Launch, Number Eleven Magazine, Flumes, The Zodiac Review, Sad Girls Club, Streetlight Magazine, After the Pause</i>, and<i> Black Fox Literary</i> Magazine. Emily has also contributed short stories to the Rhiza Edge anthologies <i>Crossed Spaces, Dust Makers</i> and<i> Stepping Sideways</i>, and co-edited <i>Stepping Sideways</i> with author Lynne Stringer.</p><p>In her spare time, Emily enjoys being with family members (both human and animal), playing Dungeons and Dragons, and reading and writing.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>They're all here...every kid in the class has their own poem. The pushy one, the shy one. The whizz kid and the daydreamer. The best-friender and the kid who runs in his wheelchair. The tough kid, the poet. And not forgetting the class hamster.</p><p>This collection from an outstanding poet, Rachel Rooney, winner of the CLiPPA Award, is perfectly matched by the amazing witty and inventive illustrations by Chris Riddell, the former UK Children's Laureate.</p><p><b>'This moreish collection of poems about a class full of characters is beautifully written and illustrated and will ring bells with all children about their own behaviour and that of their schoolmates.' </b> <b><i>The Sunday Times</i></b></p><p><b>'Rooney evokes children's perspectives with empathy. The poignancy and humour of these character sketches are heightened by their illustrations.' </b> <b><i>Guardian</i></b></p><p><b>'I absolutely love this children's poetry book.'  David Walliams</b></p><p><b>'Thought-provoking and fun.' </b> <b><i>The Week Junior</i></b></p><p><b>'Full of both emotion, and knowledge of the classroom, this is a superb collection, brilliantly illustrated. Poetry has never seemed more alive and more relevant.' </b> <b><i>Minerva Reads</i></b></p><p><b>'There is not one weak point in this wonderful collection.' </b> <b><i>Poetry Zone</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Let me tell you something, something about a bear...</p><p>Here are eight majestic wildbears, brought to life in breathtakingwatercolour paintings. Brown Bear, Black Bear, Polar Bear, Sloth Bear, Spectacled Bear, Sun Bear, Moon Bear. All are gloriously depicted, with lyrical descriptions of their lives in the wild.</p><p>But of all thebearsin the wild, wide world, which is the bestbearof all? Your teddy bear, of course!</p><p>Kate Greenaway medallist Jackie Morris, acclaimed illustrator of the international bestseller, The Lost Words,has created this spectacular gallery ofbearsto instil a love of wild places and a respect for all creatures.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Imagine a time when all the world stops,</i></p><p><i>when all of the clocks no longer tick-tock.</i></p><p><i>and all of the maps are starting to fade,</i></p><p><i>as the need to be somewhere drifts far away.</i></p><p>A glorious celebration of nature's healing powers and a timely reminder for us all to slow down.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Small poems are fabulous fun<br/>So I thought I would write this one<br/>It will not be too long I think<br/>Cos my pen has run out of</i></p><p>Only Neal Zetter could create a collection of short poems that includes 'The Loooooooooongest Poem in the Universe'. His new volume makes a great introduction to the fun, enjoyment and new understandings that poetry can bring. All are short, direct and entertaining. Whether reading with a single child or a group, they arouse immediate interest and are perfect for reading aloud. Year 6 children in a London primary school foolowed the production from draft to publication: here are some of the things they said about it. 'A book where you go up and down and swirl around', 'Neal's poems challenge me, but I enjoy figuring out the jokes', 'His poems inspire me and make me want to ROAR with joy".</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Neal Zetter</b> is a children's poet in great demand for performances and workshops. His interactive, rhythmic verses work wonders in developing literacy, confidence, creativity and communication. He is author of <i>The Universal Zoo </i>and <i>The Shape of Rainbows</i>, also published by Otter-Barry Books. Neal lives in London.</p><p><b>Will Hughes</b> is an illustrator and author of children's books. His strongly graphic, comic images perfectly complement Neal's poems.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The first in a funny and lively new chapter book series  <i>Maple Street</i>.</p><p>Written for first readers, about a Black British extended family  Jake, older sister Ellie, little brother Sam, Mum, Dad and Grandad, all living in Maple Street.<i>Jake in the Middle</i> has four delightful interlinked stories about home and school life  Shoes, Shoes, Shoes! where naughty Sam runs off with Jake's new trainers;Catchof the Day, where a favourite toy falls into the pigsty at the city farm; The Class Museum, featuring a special fossil Jake'borrowed' from Ellie's bedroom; and All Fall Down, where Grandpa displays his amazing cricket skills.</p><p><b>'Brilliant new chapter book for early readers, with a collection of four interlinked stories set around home and school life. Delightfully illustrated by Shanarama, the antics of middle-sibling Jake and his extended Black-British family are written with warmth and humour.'  </b><b><i>The Bookseller</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Everyone thinks Lulu is a bulldog.</i></p><p><i>But she knows that can't be true!</i></p><p><i>Because Lulu is a rhinoceros!</i></p><p><b>Kids will love this inspiring and funny picture book about a spunky bulldog who has the courage to be herself. </b></p><p>Lulu knows she is a rhinoceros. She may have soft, fuzzy fur and a little nub that wiggles when she's happy  but in her heart, she has thick gray skin and a tail that whips and twirls. And more than anything, Lulu would like her very own rhinoceros horn! <i>&amp;#x27;If only I had my horn, they would finally see the REAL me!&amp;#x27;</i></p><p>As Lulu sets out to find her horn, she meets all sorts of dogs and even pigeons who don't understand her. To <i>them</i>, Lulu does not <i>look</i> like a rhinoceros! But Lulu doesn't let others stand in her way. Soon, she meets a small friend that makes a big difference in her life. With help from her new friend, Lulu realizes that the courage to be herself was inside her all along...</p><p>The first picture book in a new series, <i>Lulu is a Rhinoceros</i> takes readers on an adventure through New York City and into Central Park Zoo to fetch and retrieve the most important possession Lulu owns  her <i>identity</i>! With adorable and vibrant artwork by acclaimed illustrator Sophie Corrigan, <i>Lulu is a Rhinoceros</i> conveys gentle messages for young readers about diversity, tolerance, self-expression, radical acceptance, and interdependence.</p><p><b>&amp;#x27;The perfect storyline to talk to kids about so many topics!&amp;#x27;  </b><b><i>Neuroclastic</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From the winner of the </b><b><i>New York Times</i></b><b> Best Illustrated Book Prize and the American Indian Youth Literature Award</b></p><p><i>I'd like to tell you a rather true story about a big black cat who started out gray. Her name was May.</i></p><p>Margaux and her cat May became friends when Margaux was just six years old. They grew up together, sharing countless memories along the way. But one day, May is late coming home. Where is May? Is she under the porch? Maybe on the roof?</p><p>Margaux's nitsis (the Cree word for auntie) helps search for May in the tall grass. But soon nitsis needs to leave: she's moving away to the big city, and has to pack her things into boxes. Margaux helps nitsis, but she can't take her mind off May. Will she ever return? nitsis is worried, too. But little do they know, May has a surprise in store for both of them!</p><p>This fun and heartwarming story with a surprise happy ending invites readers to share their own cat stories. <i>My Friend May</i> is a tribute to love and the balance between all beings, and the experiences and emotions that connect us all.</p><p><b><i>My Friend May</i></b><b> features:</b></p><ul><li>A glossary of Cree words used throughout the book</li><li>Backmatter content that includes a pronunciation guide</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Julie Flett</b> is a Cree-Metis author, illustrator, and artist who has received numerous awards for her books, including two Governor General's Awards, the American Indian Youth Literature Award, and the TD Canadian Children's Literature Award. Her books have been selected for Best of the Year lists by dozens of media outlets, including the <i>Washington Post</i>, <i>Publishers Weekly</i>, the <i>Horn Book</i>, <i>School Library Journal</i>, the <i>Globe and Mail</i>, and <i>Kirkus Reviews</i>. Her critically acclaimed picture books <i>Birdsong</i>, <i>We All Play</i>, and <i>Let's Go!</i> are also published by Greystone Kids.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 4 to 8</b></p><p><b>Let's go on an insect expedition for kids ages 4 to 8! This adventure into the extraordinary world of bugs is inspired by David Suzuki's adventures with his own grandkids.</b></p><p>It's time for the twins to go on a nature expedition with Bompa. What marvellous place will they explore this time? Tidepools at the sea? The pond full of frogs' eggs? Maybe deep in the forest? But to their disappointment, they are just exploring outside the door. Yet, as they begin to search for insects, they find world-champion flyers, eaters, and weightlifters. And more tiny surprises at every turn!</p><p>With their Bompa at their side, they find a way to recognise the amazing feats and important role of all insects...even the annoying ones! Featuring gorgeous art by Qin Leng, this picture book is a lush, colourful tour through a world we too often overlook.</p><p>This exciting and educational tribute to bugs features:</p><ul><li><b>Amazing facts about insects,</b> including backmatter pages</li><li><b>Information on how kids can help bugs thrive</b></li><li><b>A celebration of grandparents:</b> depicts the fun two children have with their grandfather</li></ul><p>After reading <i>Bompa's Insect Expedition</i>, kids will come away understanding how essential bugs are to our world.</p><p><b>Published in Partnership with the David Suzuki Institute.</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 4 to 10</b></p><p><b>From the extraordinary Hans Christian Andersen award winner Suzy Lee comes an inventive retelling of a Korean folk tale about a young traveler who outwits a rich, selfish man to ensure that villagers will always be able to rest in the shade of a magnificent tree.</b></p><p>Villagers like to come to rest and cool down in the shade of a huge, old tree. But when a young traveler decides to join them one day, a rich man on whose land the tree stands demands they leave because he owns the tree and therefore its shade. Thinking fast, the traveler strikes a deal: one that will enable him to outsmart the rich man - and ensure that the villagers will always have access to the shade tree's shade, wherever it may fall.</p><p>With simple, elegant illustrations, <i>The Shade Tree</i> is a striking story about one person's quest to combat greed for the greater good.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 8 to 12</b></p><p><b>**Winner of the 2023 AAAS/Subaru Prize for Excellence in Science Books**</b></p><p><b>An illustrated book about the digestive system and microbiome for young readers, from famous (and funny) scientist Dr. Jennifer Gardy.</b></p><p>Everybody eats, and everybody poops. Pretty ordinary stuff, right?</p><p>But what happens in between is far from ordinary! That's where your digestive system-also known as your gut-works its magic.</p><p><i>It Takes Guts</i> is an excellent, science-based resource for classroom learning and home-schooling for kids age 9 to 13, with information about:</p><ul><li>The surprising role that food and digestion play in your mood and immune system</li><li>The amazing tools your body uses to break down food including acids, which do their thing without burning a hole in your stomach!</li><li>The incredible truth that not all bacteria is bad! Billions of 'helpful bacteria' belong in your gut</li><li>And so much more!</li></ul><p>Dr. Jennifer Gardy also takes stomach-turning detours to investigate the science behind burps, barfs, and farts, proving that learning about the wonderful world of your gut - takes guts!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 13+</b></p><p>Sixteen-year-old Grace lives under a bridge in Melbourne's CBD. It's cold and wet, but hidden. Safe, at least, until she can go home.</p><p>When winter drives her to the City Library one morning, Grace meets Louie, a weird kid with his own problems, and discovers a community piano. The piano reminds Grace of her mum, a celebrated pianist whose mental illness makes life a rollercoaster - and not always a fun one.</p><p>When Grace comes up with a plan to find the help she and Mum need, life begins to look up. But things don't work out as Grace imagines and suddenly her world's turned upside down again, and maybe for good this time.</p><p><i>A Way Home</i> is a big-hearted novel that explores the complexities of growing up with a parent who is struggling, and about the places and people we call home.</p><p><b>'A page-turning, gritty story full of hope and compassion. The writing is assured and gripping, and Grace is a memorable and compelling character, beautifully realised.</b> <b><i>A Way Home</i></b><b> is a riveting story of resilience and hope against the odds, both insightful and heartbreakingly real.' - Mark Smith, award-winning author of the Winter Trilogy</b></p><p><b>'A gritty and moving novel about a vulnerable young woman's capacity to endure, and to find courage, despite the shocking dysfunction in the lives of those she depends on.' - Ingrid Laguna, award-winning writer of</b> <b><i>Kit and Arlo</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Emily Brewin</b> is a Melbourne author, copywriter, and learning designer. Her first novel, <i>Hello, Goodbye</i>, was published in 2017 and her second, <i>Small Blessings</i>, in 2019. <i>A Way Home</i> is her first YA novel. Her short stories have appeared in anthologies, <i>Into Your Arms: Nick Cave's Songs Reimagined</i> by Fremantle Press, <i>We'll Stand In That Place and Other Stories</i> by Margaret River Press and the <i>Bristol Short Story Anthology - Volume 10</i>. She has written for <i>The Age, ABC Education, news.com.au, Meanjin, Kill Your Darlings, Archer, Feminartsy, The Victorian Writer, Screen Education,</i> and <i>Mamamia</i>. She is currently working on her fourth novel.</p>]]></Text>
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			<Text textformat="02"><![CDATA[My name is Ava Spark, and I probably speak in a different way to you. Come and join me and my friends as we welcome the super awesome new girl, Liv, to our school. Are you ready? Because I am and I'm here!]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>If you believe in legends ...</i></p><p>This non-fiction picture book brings to life the fascinating but little-known story of Jessie Hickman (18901936), Australia's so-called 'Lady Bushranger'.</p><p>A women who lived outside the norms of her time, Jessie was a brave and formidable woman, with a life full of adventure, action and danger. At the age of 8, she joined a travelling bush circus, learning to perform as a whip cracker, sharpshooter and rough rider. She would perform dangerous feats, like tightrope walking or handstands on bare-backed ponies. When the circus closed, became an outlaw and cattle rustler, famous for her daring escapes.</p><p>The endmatter includes information on travelling circuses in Australia, bushrangers and buckjumping, as well as a timeline of Jessie's life and accomplishments accompanied by historic images.</p><p>This lavishly illustrated picture book immerses the reader in the wilderness of what is now the Wollemi National Park as Jessie's life unfolds with every turn of the page.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mark Greenwood</b> is an author with a passion for history. He enjoys imaginatively reconstructing stories that celebrate the characters and events that have played an important role in defining our past.</p><p><b>Frane Lessac</b> is an author and illustrator of over 50 books in the UK, US and Australia. She has won numerous awards, including the Muriel Barwell Award for Distinguished Service to Children's Literature in 2010.</p><p>Mark and Frane frequently collaborate to produce wonderful stories, such as <i>Simpson and His Donkey</i> and <i>Midnight  the Story of a Light Horse</i> and the <i>Our Country</i> series. Their award-winning books tackling Australian bushranger legends include <i>Ned Kelly and the Green Sash</i> and <i>The Legend of Moondyne Joe</i>. Their latest collaboration is <i>The Legend of Jessie Hickman</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A collection of more than 150 quotes from Taylor Swift, pop culture icon and one of the bestselling musicians of all time, providing young readers a unique look into the mind of one of the most recognizable and influential women of our era. Part of the In Their Own Words: Young Reader Edition series.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Get inside the head of one of the most influential musicians of our time, a pop music phenomenon turned titan of industry and cultural icon: Taylor Swift.</p><p>This collection of quotes has been carefully curated from Swift's numerous public statements  interviews, op-eds, social media posts, and more, specifically geared toward middle and high school readers. It's a comprehensive picture of her meteoric rise to the top, her ever-savvy business sense, and her increasingly outspoken perspective on the music world and beyond. This edition includes educational materials and resources for lesson plans designed to provoke discussion and thought for readers in grades 712 about Taylor Swift's ideas.</p><p>Swift's catchy, chart-topping songs have propelled her to become one of the bestselling musicians of all time. But in the nearly 20 years she's been making music, she has also amassed enough power to buck the norms of an industry notorious for controlling the images of its often very young female artists.</p><p>Her latest, unprecedented record deal gives her ownership of all her master records, the ability to dictate the terms of her albums' streaming releases in order to maximise her profits, and a requirement that her label share proceeds from the sale of its stake in Spotify with its musicians. She has championed the rights of artists to earn fair royalties, and more recently, she has inspired tens of thousands of fans to register to vote.</p><p>Swift's achievements have earned her spots on both <i>Forbes</i>'s Most Powerful Women and <i>Time</i>'s 100 Most Influential People lists. Now, for the first time, young readers find her most inspirational, thought-provoking quotes in one place.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Examines how artificial intelligence is transforming global influence, offering theoretical insights and practical perspectives on diplomacy, culture, conflict, and governance.</b></p><p><i>Soft Power and Public Diplomacy in the Age of AI </i>explores how AI is reshaping the dynamics of influence in international affairs. Bridging theory and practice, the Handbook examines the close relationship between soft power and public diplomacy through the lens of AI's expanding role. Covering themes of theory, narrative, conflict, culture, and governance, the volume features contributions from leading international scholars as well as fresh voices introducing cutting-edge ideas. Topics range from bioelectronic measures of attraction to AI's impact on digital diplomacy, narrative warfare, and cultural projection. This timely resource will appeal to students, researchers, practitioners, and policymakers who want to understand how influence, persuasion, and power are being transformed in our digitally networked world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Naren Chitty</b> is professor emeritus and inaugural director of the Soft Power Analysis and Resource Centre (SPARC) at Macquarie University, Australia.</p><p><b>Craig Hayden</b> chairs the Security Studies Department at the Marine Corps University (USA). He co-edited The Routledge Handbook of Soft Power (2016).</p><p><b>Hendrik Ohnesorge</b> is Managing Director, Center for Global Studies, University of Bonn (Germany). His latest book is titled Soft Power and the Future of US Foreign Policy (2023).</p><p><b>Chenjun Wang</b> teaches at Sydney University (Australia) and is a researcher at the SPARC at Macquarie University (Australia) where she is a PhD candidate in international studies.</p>]]></Text>
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			<SubjectHeadingText>Aboriginal people; Australia and New Zealand; British empire; East India Company; First Nations; George Fife Angas; Historical legacies; Indigenous peoples; Labour regimes; Lachlan Macquarie; Legacies of slavery; Pacific Islanders; Slave-ownership; Slavery; Slavery and Australia; Slavery and capitalism; Swan River colony; Western Australia?; abolition; collective biography; colonial governance; colonial governors; emancipation; free labour; imperial families; imperial networks; labour regime; legacy of slavery; pastoralism; race; racial hierarchy; racialisation; settler colonialism; slave money; slave ownership; slavery compensation; sugar plantations; transatlantic slavery</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A collection of case studies investigating the crimes of the powerful, the social harms caused and the perpetuation of inequalities through lack of prosecution.</b></p><p>This book explores fourteen case studies of state crime, crimes/immoralities of the powerful, including disasters caused by neglect, pharmaceutical fraud, state sponsored or instigated crime, corporate crime, organisational crime and state terrorism. The book offers a valuable contribution to critical social science perspectives on criminality, providing analysis which explores issues of accountability and social harm and linking these to wider structural contexts, particularly the role of neoliberal ideologies. At the same time, the book will provide a critical perspective on historical case studies which continue to have legacies in the present, and which help to shed light on histories of domination and inequalities and to illustrate continuities and changes in crimes of the powerful over time.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Claudia Radiven is a final year PhD student at the University of Leeds researching de-radicalisation and colonial racial governance in the UK.</p><p>Simon Prideaux is an assistant professor of social welfare and crime in the School of Sociology and Social Policy at the University of Leeds.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A collection of wide-ranging essays written throughout the 1990s, On the Body in General and the Figure in Particular covers an array of genres and styles to propose an original method of cinematic analysis and interpretation foregrounding film's formal and plastic qualities in all their multifaceted materiality and aesthetics.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>These wide-ranging essays covering an array of film genres and styles propose a method of cinematic analysis and interpretation that foregrounds film's formal and plastic qualities.</b></p><p>Films fill our imagination with figures, figurines, and talismans. They ceaselessly rework the same archetypes and invent troubling prototypes  especially when they establish a deeper relationship to reality. How do we understand these presences that are both so characteristic and so diverse in cinema? How does film deal with bodies, movements, and gestures? Why are we so drawn to these shadows, silhouettes, and hypothetical beings? What organises the figurative values at work in a film? How do cinematic creatures circulate from film to film and image to image? How does film articulate the links between the abstract and figurative? Is it possible to write a history of figurative forms? Starting from films themselves and works that are both classical (Sergei Eisenstein, Roberto Rossellini, Orson Welles) and contemporary (Abel Ferrara, Brian DePalma, Patricia Mazuy), celebrated (Robert Bresson, John Cassavetes, Ken Jacobs, Paul Sharits) and overlooked (Al Razutis, Jean Genet, Monte Hellman, and John Travolta), from auteurs as well as aesthetic questions (representations of dance, the naked body, character development...), the essays in this volume, most available for the first in English, aim to open a field that has been neglected by analysis, while also suggesting the tools necessary to understanding figurative phenomena specific to cinema.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Explores the turbulent lives and ideas of 20th-century Polish thinkers shaped by war, totalitarianism, and ideological struggle, culminating in a reflection on Marxism and liberalism's enduring influence.</b></p><p>The philosophical biography penned by the eminent Polish philosopher and translator Professor Piotr Nowak presents the difficult fate of Polish thinkers who reflected and created their philosophies in the 20th century  the century of three Polands, three wars, and two totalitarian regimes. Building his narrative around three key words, the author presents the lives and work of Wadysaw Tatarkiewicz, Tadeusz Kroski, Leszek Koakowski, Andrzej Walicki, Adam Schaff, Bronisaw Baczko, Krzysztof Pomian, Zbigniew Kuderowicz, Stefan Amsterdamski, Jerzy Szacki, Zygmunt Bauman, Jan Garewicz, Barbara Skarga, Juliusz Domaski, Ryszard Legutko, Krzysztof Michalski, Marek J. Siemek, Jzef Tischner, Roman Ingarden, Henryk Elzenberger, Tadeusz Kotarbiski, Kazimierz Adjunkiewicz, Marian Przecki, Bogusaw Wolniewicz, Jzef Maria Bocheski, Alfred Tarski, Leon Chwistek, and Stanisaw Ignacy Witkiewicz. The book concludes with a transcript of a conversation between Zbigniew Janowski (an American philosopher of Polish descent) and the author of this book, discussing the influence of two powerful ideologies born in the 19th century, Marxism and liberalism, on the intellectual and political life of contemporary nations.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book examines the definitional differences between classical and modern political theory pertaining to the constituent parts of justice.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Explores how modern redefinitions of key concepts such as nature, freedom, and virtue have reshaped our understanding of justice and altered how states assess right and wrong.</b></p><p>This book examines the definitional differences between classical and modern political theory as they relate to the constituent parts of justice. Since the earliest days of political philosophy, justice has been understood as the goal of the state. And most thinkers have spent a considerable time addressing the components of justice  nature, happiness, freedom, equality, and virtue. This book looks at these terms using both the classical and modern conceptions and argues that modern thinkers' redefinition of the terms has changed the way we conceive of justice and thus, transformed the ways states evaluate issues of right and wrong.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Explores how Beethoven's iconic ''Ode to Joy" theme and the finale of his Ninth Symphony encapsulate a masterclass in tonal composition, grounded in his rigorous training and deep theoretical knowledge.</b></p><p>Beethoven's Freude theme  or 'Ode to Joy'  is perhaps the most iconic melody ever created. This book sets out to show why the Freude theme has acquired this almost mythic status and what its use in the finale of the Ninth Symphony reveals about the mechanics of tonal composition. The book explains how the finale of the Ninth Symphony offers a crash course in music theory made possible by Beethoven's extensive training with Neefe, Haydn, Albrechtsberger, and others, and his enormous library of theory treatises, by the likes of Fux, C. P. E. Bach, Riepel, and Koch. That course covers everything from the basics of tonal voice leading and motivic development to advanced topics such as double counterpoint, canon, and ars combinatoria. The book also draws on details from his own students such as Ries and Czerny.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The only edited collection that provides the first accessible, introductory but critical guide to law and humanities; explores law and humanities field by field; and represents a major work in the development of law and humanities as well as interdisciplinary legal studies generally.</b></p><p>In the last thirty to forty years, interdisciplinary scholarship on law has significantly increased. Law has a number of different potential disciplinary bed fellows. It can be seen as a social science but also as part of the humanities.</p><p>Given how ubiquitous social scientific theories and methods are within legal studies, this collection explores law's place within the humanities. It examines a number of 'law and' interactions in turn with the aim of exploring what these different fields can learn from each other and what this reveals about the law and humanities approach in general.</p><p><i>Law and Humanities</i> provides the first accessible, introductory but critical guide to this emerging area of scholarship. Unlike the existing works that adopt a thematic approach, this is the only edited collection that explores law and humanities field by field. Experts in each 'law and field' will analyse the nature, development and future of their respective fields, placing this within the law and humanities context for the first time. Each chapter provides a seminal contribution to the respective field while the volume as a whole will represent a major work in the development of law and humanities, as well as to interdisciplinary legal studies generally.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Daniel Newman</b> is Reader in Law at Cardiff University. His research focuses on access to justice.</p><p><b>Russell Sandberg</b> is Professor of Law at Cardiff University. His research interrogates the interaction between law and humanities, with particular reference to law and religion and legal history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book investigates how pre-nationalist ties between Mediterranean cultures have been inherited, repurposed and rejected by nationalist movements from 1815 until the present day.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Explores how nationalist projects in the modern Mediterranean absorbed, reshaped or erased shared intercultural identities, offering five historical case studies from Italy, Greece, Turkey, Lebanon and Libya.</b></p><p>The study of modern Mediterranean history and society has long featured debates over cross-cultural values, norms and perspectives in the region. The rise of nationalism in the Mediterranean in the 19th and early 20th centuries has led scholars to explore the tension between national and transnational group identities across the sea and its basin. As numerous Mediterranean sub-regions entered the nationalist era expressing intercultural characteristics, many questions remain to be answered about, first, the repurposing of pre-nationalist shared identities for nation-building causes and, second, attempts by nationalist forces to divide and erase those same shared identities. This book engages in this debate and provides five historical case studies, centred on the national experiences of Italy, Greece, Turkey, Lebanon and Libya.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Leslie Rogne Schumacher, FRSA, FRHistS, is a scholar of history, international relations and leadership. He holds positions at Harvard University, Cornell University and the Foreign Policy Research Institute.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Aiming to contribute to the literature of what works to make peace, this volume examines the roles of land, water and mineral resources in conflict and peacemaking. The analysis focuses on six cases of prolonged, ethno-national, asymmetric conflict and six cases of special interest.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Examines the roles of land, water and mineral resources in conflict and peacemaking, by analysing six cases of prolonged, ethnonational, asymmetric conflict and six cases of special interest.</b></p><p>Aiming to contribute to the literature of what works to make peace, this volume examines the roles of land, water and mineral resources in conflict and peacemaking. The analysis focuses on six cases of prolonged, ethno-national, asymmetric conflict and six cases of special interest. Land, water and natural resources were causes of conflict, sources of funding to combatants, weapons of war, reasons to make peace and incentives to make peace. Nine of the cases ended in a negotiated, written peace accord which lasted more than 5 years. While some of the conflict areas saw a resurgence of armed conflict, other cases are exemplars of lasting peace agreements. The analysis shows what was successfully addressed in peace accords, as related to land and natural resources; what was addressed in aspirational terms that were never fully implemented; and what decisions were left to political processes that were agreed to, ending extensive armed conflict.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Dr. Nancy E. Boyer (editor) is an adjunct assistant professor, University of Delaware, and scholar/practitioner/educator on building peace with justice and democracy in multiple contexts.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The volume explores the development of systems of social institutions in a variety of historical and regional contexts and traces the influence of certain key principles and common factors on social and political developments throughout human history.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>To show the non-linear nature of social evolution, it is crucially important to discuss cases from different cultural areas and different historical periods, including our time, as well as different levels of overall sociocultural complexity.</b></p><p>This anthology includes chapters that explore case studies covering a wide range of societies of the Old and the New World ranging from ancient to modern contexts. Respectively, the chapters are based on different kinds of sources  archaeological, historical, anthropological (ethnographic), and sociological. This analysis of pre-modern and modern societies sheds valuable light on the variety of ways in which social institutions were developing through time and space and of how these institutions may have fostered social evolution. Therefore, this publication may enhance our understanding of social evolution at the world-system, regional, and local-culture levels via the integration of various kinds of evidence within a unified conceptual framework.</p><p>Societies are systems composed of a great number of various social institutions. Societies change as a result of emergence, transformation, and interaction of institutions. As systems of social institutions, societies have a fundamental characteristic that can be called a 'basic principle of societal organization'. The principle of organisation a society embodies depends on the way its institutions are arranged with respect to one another. Two basic principles can be distinguished: heterarchical, at which institutions interact being unranked with respect to one another or can be ranked in different ways, and the opposite principle, homoarchical, at which institutions interact being rigidly ranked in the only way and have no or very limited potential for being unranked or ranked in other ways. Societies of the same level of overall cultural complexity and with the same basic principle of organization can take different specific forms, as alternativeness exists not only between but also within the heterarchical and homoarchical macrogroups of societies. The division of societies into predominantly heterarchical and homoarchical is a constant fact of human sociocultural history. The dichotomy of heterarchy and homoarchy has considerably determined the non-linear and alternative nature of the global sociocultural process.</p><p>Transformations in the ways social institutions and their sets, societal subsystems, are ranked (homoarchically or heterarchically) on one hand and changes in the overall sociocultural complexity on the other are two different, largely unrelated processes. Homoarchy and heterarchy are not evolutionary lines: a society can pass from a predominantly heterarchical way of ranking institutions to predominantly homoarchical or vice versa, and can do it both with and without a change in level of complexity. At any level of overall cultural complexity, one can observe both heterarchical and homoarchical societies, because an equal level of complexity (which makes it possible to solve equally difficult problems societies face) can be achieved in various forms on essentially different (though intersecting in the history of many societies and regions) principles of societal organisation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dmitri M. Bondarenko</b>, PhD, Dr. Habil., is Professor and Corresponding Member of the Russian Academy of Sciences and Deputy Director of the Institute of Oriental Studies of the Russian Academy of Sciences.</p><p><b>Gleb V. Aleksandrov</b>, PhD, is Deputy Director of the International Centre of Anthropology, National Research University Higher School of Economics.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This textbook is designed to introduce the reader to important and emerging issues in contemporary environmental law, policy, and economics, and environmental science. It addresses both classical chemical pollutants and greenhouse gases, explains the major environmental law statutes.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Introduces key issues in environmental law, policy, economics, and science, focusing on the roles of various governmental bodies in addressing pollution, greenhouse gasses, environmental protection, and sustainability.</b></p><p>This textbook is designed to introduce the reader to important and emerging issues in contemporary environmental law, policy, economics, and science. It explains the roles and interactions of Congress, federal agencies, state governments, and the courts in protecting the environment and public health from pollution. Topics include common law; administrative law; the role of environmental impact assessments and endangered species protection; and the principal legislation and court decisions dealing with greenhouse gas emissions, conventional and toxic air pollution, water pollution, the control of toxic chemicals and hazardous waste, pollution prevention and primary accident prevention, and community right-to-know. The text also explores various alternatives to regulation and concludes with a brief treatise on sustainability.<br/> The evolving role of science and economics in legislative, regulatory, and judicial decision making is explored. The text analyzes pollution as an economic problem and a failure of markets, discusses the role of technological innovation and the concept of "dynamic" economic equilibrium, and evaluates economic incentives as an alternative or supplement to regulation. The book also provides an introduction to basic legal skills: how to read and understand judicial opinions, regulations, and statutes; how to discover the current state of the law in a specific area; and how to take action toward resolution of environmental problems. Throughout, the role of national and local politics in shaping and implementing environmental policy is acknowledged and evaluated.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Nicholas A. Ashford holds a PhD in chemistry and a law degree from the University of Chicago, where he also received graduate training in economics. He is professor of technology and policy in the School of Engineering at the Massachusetts Institute of Technology.</p><p>Charles C. Caldart holds a law degree from the University of Washington and a master's degree in public health from Harvard University. He is a lecturer in civil and environmental engineering at the Massachusetts Institute of Technology and the litigation director of the National Environmental Law Center in Boston and Seattle.</p>]]></Text>
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			<SubjectHeadingText>Bilderberg Group; Bill Gates Ukraine farmland; Davos man meaning; Fracking shale gas; Gates Foundation; Genetically modified crops; Global elites; Hillary Clinton Ukraine 2014; Hillary and Bill Clinton Foundation; Hunter Biden Burisma; Hunter Biden Ukraine; IMF and World Bank; Joe Biden Ukraine 2014; NGOs and International Organisations; Russian aggression; Russian invasion of Ukraine; Social network analysis; Transnational capitalist class; US foreign policy; Ukraine regime change 2014; Victoria Nuland 2014; Victoria Nuland phone call; What happened in Ukraine; biotechnology; genetically modified organisms; transnational corporations</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This book provides a great backstory of what is happening in Ukraine. It contextualises Ukraine's 2014 EU-IMF aid deal and provides up to date empirical information and analysis through the lens of a socially connected global elite network. It contributes to the understanding of how power operates in international politics.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Analyses the role of global elite networks in shaping Ukraine's EU-IMF deal during the Euromaidan period, focusing on the intersections between corporate, political and institutional actors, and exploring how these networks influenced key outcomes like GM agriculture, fracking and regime change, offering a new perspective on power dynamics in international relations.</b></p><p>This book provides a great backstory of what is happening in Ukraine. It contextualises Ukraine's 2014 EU-IMF aid deal and provides up to date empirical information and analysis through the lens of a socially connected global elite network. It contributes to the understanding of how power operates in international politics.</p><p>Using as case studies the three key outcomes during Ukraine's Euromaidan moment (late 2013  early 2014)  namely, the introduction of GM agriculture; the opening up of the country's energy industry to TNC-led fracking (shale gas extraction); and, the sudden and violent 'regime change'  this book examines the processes by which such foreign policy and international development outcomes came about; it does so by focussing on configurations of multiple influential actors  political, corporate, philanthropic, and intellectual actors (e.g., academics, researchers at think tanks)  all of whom are connected by various combinations of social, personal, structural, and political ties.</p><p>More specifically, these outcomes are best explained by focusing on global webs of diverse social relations between elites spanning governments, international institutions, philanthropic foundations, research institutions and think tanks, 'civil society' organisations, and multi-national corporations. Some of the actors in this global elite network may be state or corporate actors, but their connections are not based just on 'national interest' or structural affiliation, and their primary allegiance is to the global elite network. Elites can exercise forms of power within policy settings, but only a global elite network can influence policy to the extent that all three of these outcomes were produced.</p><p>The overall outcomes were broken down into the processes and the events that produced them. These events include conferences, parties, business meetings and mergers, political speeches, policies, etc. The key players in each of these events are identified and analysed, along with the multiple types of connections that link the various actors. The connections that link the different types of nodes into a cohesive global elite network were generated into maps as a visual aid to help follow the strong analysis of these relations and interactions.</p><p>First, this book details the multiple types of relationships, especially social and personal that enabled the outcomes. This is crucial in demonstrating how sensitive information flows along informal ties in a network. For example, social relations allow for the transfer of insider knowledge that is unregulated and has no oversight- information that the rest of the population (the masses) is not privy to. Social relations can allow for collusion, including in ways that may be legal, but unethical and thus potentially damaging in the public domain. This book also deploys a groundbreaking definition of the term "gatekeepers" used throughout the analysis. Gatekeepers link people together, they link think tanks, corporations, politicians, and foundations together, and also link nodes in different industries and sectors together (e.g., the development and foreign policy sectors, the philanthropic and corporate sectors, etc.). They bridge multiple industries, sectors, events, and processes.</p><p>Second, this book focuses on the spaces where these social connections were fostered, revealing the key places for global elites to convene, align diverse agendas, collaborate, and thus produce outcomes and agendas. Such spaces are crucial in enabling structural connections to become social connections. Mutual membership to think tanks and foundations and attending the same conferences/panels at places like Davos or Bilderberg, can serve as a space for meetings, exchange of information and ideas outside of a state capacity context and regulation.Third, this book explains how the official narrative surrounding the unusual outcome differs from the motives and actions of the members of the global elite network. There are discrepancies with expressed intent in narratives and the outcome.</p><p>Questioning political narratives with a focus on relations helps to explore how political elites can control the mainstream narrative. Identifying the linkages of political actors (social, personal, financial, professional, and political) outwards to TNCs, organisations, institutions, councils, and other elites reveals the process by which a dominant narrative is re/produced, and thus shows an alternate reality behind political and development narratives. It is important to study these connections to understand how opposition groups are forced to exist within a dualistic narrative so that anything going against the mainstream and accepted narrative is not only wrong, but also suppressed and sometimes erased.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Stephanie Hale</b> has a PhD in International Politics from SOAS University of London (UK), a MSc in International Politics from SOAS University of London (UK), and a BA in Government and Sociology from Hamilton College (New York, USA). She lives in London.</p>]]></Text>
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			<SubjectHeadingText>Gothic; anxiety; documentary; eco-horror*; epistemology; found-footage; gothumentary; horror; hypermediation; mockumentary; pseudo-documentary*; realism; screenlife</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This study traces a Gothic realism in the dark, sensorial epistemologies emerging from intersections of documentary and horror cinema.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Examines Gothic realism in documentary and horror cinema, highlighting how films evoke archival anxiety and unsettling realities, from gothumentaries exploring ineffable subjects to mockumentaries and found-footage films addressing modernity's overwhelming and mediated nature.</b></p><p>This study concerns a Gothic realism in the dark, sensorial epistemologies emerging from intersections of documentary and horror cinema. From the ineffable subjects of horror documentaries and pseudo-documentaries, to the obsessive chroniclers of mockumentary horror cinema, the films examined here express generalized millennial and 21st-century archival anxiety around an unsettled and unsettling hypermediated reality. Part I focuses on gothumentaries, nonfiction works evoking the Gothic's unreadable subjects and undetected realities. Case studies show key documentary films such as <i>Capturing the Friedmans, Cropsey,</i> and <i>The Hellstrom Chronicle</i> bringing Gothic-horror tropes and conventions to bear upon documentary subject matter to produce skepticism of American environmental, social, and national stability from the 1970s onward. Part II explores mockumentary, fake found-footage, and screenlife horror cinema that turns to strategies of documentary and factual discourse to express an archival anxiety around human interaction with recording technologies. Case studies of pivotal films such as <i>The Blair Witch Project, Diary of the Dead, Lake Mungo, Unfriended, Sickhouse,</i> and <i>We Are All Going to the World's Fair</i> turn to Gothic reflexivity as a way of expressing the subject's relationship to, and experience of, a modernity that overwhelms in terms of its immensity, speed, and recordability.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kristopher Woofter</b>, PhD, is a faculty member of the English Department at Dawson College, Montreal. His recent publications include the collections <i>Shirley Jackson: A Companion</i> (2021), <i>American Twilight: The Cinema of Tobe Hooper</i> (2021) and <i>The Weird: A Companion</i> (2025). He is editor of the journal <i>Monstrum</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Uses an evolutionary perspective and interpretative methods to explore economic and social transformations in the United States and China, highlighting the roles of culture, institutions and entrepreneurship in policy change.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Uses an evolutionary perspective and interpretative methods to explore economic and social transformations in the United States and China, highlighting the roles of culture, institutions and entrepreneurship in policy change.</b></p><p>This book highlights the roles of culture and institutions on economic change. In particular, it compares cultures between the United States and China and examines their impacts on entrepreneurship, innovation capabilities, and economic and social changes. It also covers their impacts on everyday life performance.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Diana S. Kwan</b> is currently community placements administrator at the Faculty of Medical Sciences, University College London.</p><p><b>Fu-Lai Tony Yu</b> was former adjunct professor at the Department of Land Management, Feng Chia University, and emeritus professor at Hong Kong Shue Yan University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[From the mid-1740s on, imaginative depictions of mining scenes increasingly adorned vessels from the Meissen Royal Porcelain Manufactory. This publication explores the Middelschulte collection at the Deutsches Bergbau-Museum. Text in German.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Presents masterpieces from the Middelschulte collection at the German Mining Museum in Bochum.</b></p><p>From the mid-1740s on, imaginative depictions of mining scenes increasingly adorned vessels from the Meissen Royal Porcelain Manufactory. Prior to this, sculptural depictions of mining folk can even be found on Boettger stoneware and Boettger porcelain  with artists George Fritzsche Sr (probably 1697-1756) and Johann Joachim Kaendler (1706-1775) later each dedicating a series to them. The unique combination of mining and porcelain also informed and inspired other manufactories in the German-speaking realm, for example in Berlin, Furstenberg and Vienna.</p><p>Achim and Beate Middelschulte have assembled what is probably the world's most extensive collection of porcelain featuring the subject of mining. A significant selection of this has been transferred to a foundation and incorporated as a permanent loan into the collection at the Deutsches Bergbau-Museum Bochum (German Mining Museum in Bochum). An in-depth presentation of these pieces is now available in this publication.</p><p>Text in German.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Artist Fabian Gatermann uses light as the key material for his installations, objects, and multiples. He disengages from the classic scientific engineering system of testing; his works are unconventional experiments. Text in English and German.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Artist Fabian Gatermann uses light as the key material for his installations, objects, and multiples. He disengages from the classic scientific engineering system of testing; his works are unconventional experiments.</b></p><p>If we understand 'transcendence' as a multidimensional experience, can light as a medium grant us access to invisible realms? The artist Fabian Gatermann uses light as the key material for his installations, objects, and multiples in order to investigate new dimensions. Over the course of his work, Gatermann disengages himself from the classic scientific engineering system of testing; instead his works can be seen as open-ended unconventional experiments. During this creative process, light oscillates between amorphous and crystalline states, taking the viewer on a transcendental voyage of discovery. The central reference throughout remains the human being: the works provoke active participation and invite the viewer to become part of a multi-perspective game of light and space. Text in English and German.</p>]]></Text>
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			<Text textformat="02"><![CDATA[With this publication the Museum of Applied Arts, Cologne, presents around 60 jewellery works by some 40 internationally renowned female visual artists from the 1920s to the present day.  Text in English and German.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>From Louise Bourgeois to Yoko Ono</i></b><b> presents around 85 jewellery works by some 45 internationally renowned female visual artists from the 1920s to the present day.</b></p><p>Their jewellery pieces open up new, often surprising perspectives on their artistic production. Some pieces captivate with minimalist elegance, others with their expressive, sculptural presence or playful humour, with each unique work consolidating an artistic vision into a small personal statement. With its exhibition of the same name, the Museum fr Angewandte Kunst Kln (MAKK; Museum of Applied Arts, Cologne) deliberately focuses on female standpoints, thus breaking with the male-dominated perception of avant-garde art jewellery.</p><p>Artists featured include: Lynda Benglis; Pierrette Bloch; Barbara Bloom; Katinka Bock; Louise Bourgeois; Helen Britton; Barbara Chase-Riboud; Claudia Comte; Sheila Concari; Sonia Delaunay; Nathalia Edenmont; Aube Elleouet; Claire von Falkenstein; Ruth Francken; Marcia Grostein; Jenny Holzer; Rebecca Horn; Annabelle d'Huart; Leiko Ikemura; Jacqueline de Jong; Yayoi Kusama; Alicja Kwade; Claude Lalanne; Liliane Lijn; Rita McBride; Blanca Munos; Brigitte Nahon; Eva Renee Nele [E. R. Nele]; Louise Nevelson; Michele Oka Doner; Yoko Ono; Meret Oppenheim; Francoise Petrovitch; Niki de Saint Phalle; Armelle de Sainte Marie; Elodie Seguin; Mailys Seydoux-Dumas; Kiki Smith; Sophie Taeuber-Arp; Dorothea Tanning; Sissel Tolaas; Rosemarie Trockel; Paloma Varga Weisz; Sophia Vari; Joana Vasconcelos; Zhou Yiyan.</p><p>Text in English and German.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Reading Espionage Fiction: Narrative, Conflict and Commitment from World War I to the Contemporary Era</i></b><b> probes the ways in which the struggles and loyalties of political modernity have been portrayed in the espionage story over the course of the twentieth and twenty-first centuries. </b>Reading works by authors such as Somerset Maugham, Helen MacInnes, John le Carre, Sam E. Greenlee and Gerald Seymour as popular literature deserving of sustained attention, this book shows how these narratives have both created a modern genre and, at the same time, sought an escape from its limitations. Martin Griffin takes up the importance of plot and character and argues that, in this branch of fiction, the personal has always and ever been political.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Cinema and Machine Vision</i></b><b> unfolds the aesthetic, epistemic, and ideological dimensions of machine-seeing films and television using computers. </b>With its critical-technical approach, this book presents to the reader key new problems that arise as AI becomes integral to visual culture. It theorises machine vision through a selection of aesthetics, film theory, and applied machine learning research, dispelling widely held assumptions about computer systems designed to watch and make images on our behalf.</p><p>At its heart, <i>Cinema and Machine Vision</i> is an invitation for film and media scholars to critically engage with AI at a technical level, a prompt for scientists and engineers working with images and cultural data to critically reflect on where their assumptions about vision come from, and a joint recognition of the fruitful problems of working together to understand the algorithmic governance of the visual.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In the decades following the USSR's collapse, the US has gone from unrivalled hegemon to a position of relative decline. </b>With America 'triumphant' after 1991, its culture, like its diplomatic, military and economic power, remained unmatched. Such favourable circumstances seemed to undercut the need for cultural diplomacy. Why should the US government sell a product that was already selling so well? After 9/11, however, it was apparent the US image was less popular than previously assumed. To reverse this negative image, cultural diplomacy was revived. Despite being beset by internal and external challenges, US officials supported various cultural initiatives and partnerships to promote the American brand globally. Along the way, cultural diplomacy has made use of new forms of expression to promote American culture and build positive foreign relations. The arrival of the second Trump administration in 2025 has clearly signalled an end to using cultural diplomacy to further causes of empowerment and diversity, making the future uncertain for this field of activity.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jeffrey H. Michaels </b>is the IEN Senior Fellow at the Institut Barcelona d'Estudis Internacionals.</p><p><b>Giles Scott-Smith</b> is Professor of Transnational Relations and New Diplomatic History and Dean of Leiden University College, Leiden University.</p>]]></Text>
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			<SubjectHeadingText>'genius' and 'madness'; Andre Breton; Claude Cahun; Disability Studies; Dora Maar; Frida Kahlo; Leonora Carrington; Mad Studies; Meret Oppenheim; Sonja Sekula; Unica Zrn; female mental illness; fetishization of mental illness; lived experience of mental illness; problematic art histories; psychosis and art; romanticising mental illness; schizophrenia and art; women artists; women surrealists'; ngeles Santos</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Jenny Anger </b>is Professor of Art History at Grinnell College, Iowa.</p>]]></Text>
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			<SubjectHeadingText>Food; South Africa; South African food cultures; capital; class; consumerism; critical food studies; culinary taste; cultural capital; cultural politics; culture; decolonised food systems; environment; food inequality; food waste; gender; global south; health; heritage; identity; indigenous; indigenous food; inequality; mediated food cultures; social media; social practices of food and eating; waste</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Food is both a material system of nourishment, necessary for human survival, and a communicative system that signifies multiple meanings across human cultures. </b>This book explores the cultural politics of food in the South African context, bringing together a range of disciplinary perspectives on the links between media, nourishment, and inequality. The chapters all highlight the multiplicity of meanings that food has in South African society. These include historical perspectives on the impact of colonialism, migration and apartheid had on food and foodways in South Africa; sociological interventions on food and society; aesthetic practices in relation to food; and mediated food cultures in South Africa. Taken together, the book critically explores the multiple ways in which food is never just food, and always linked to complex and shifting modalities of meaning and knowledge in the South African context.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mehita Iqani </b>isProfessor of Communications in the Journalism Department and SARCHi Chairholder at Stellenbosch University.</p><p><b>Sarah Gibson</b> is Associate Professor in the Centre for Communication and Media in Society at the University of KwaZulu-Natal.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>The dreadful name of Henry Hills</i></b><b> re-examines the life of one of the most provocative printers operating in seventeenth-century England.</b> Rather than offering a more conventional cradle-to-grave biographical narrative, however, this compelling book explores how Henry Hills's reputation, his notoriety, and his legacy has evolved over time. Richly illustrated and thoroughly researched, <i>The dreadful name</i> contributes fresh insights into Hills's life and afterlife, and it offers new perspectives on how early modern book-trade agents, and printers in particular, might be remembered and reinterpreted in contemporary book historical scholarship.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A bold analysis that exposes the racist policing of Black music.</b></p><p>The emergence of UK drill music made headline news, portraying it as a criminal enterprise instead of recognising it as an art form. This new rap subgenre, however, is neither the first nor the only Black music to be targeted this way.</p><p><i>Policing the beats </i>rewinds the tape to demonstrate how music has been used as an instrument for policing Black people, from the era of colonial slavery to the present day, revealing the racist legal processes that make crimes out of rhymes. </p><p>This original and readable book offers the first in-depth account of the policing of Black music in Britain, highlighting the relationship between politics, culture and criminal (in)justice and inviting music lovers, scholars and activists to tune in.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lambros Fatsis</b> (aka Boulevard Soundsystem) is a lover of Black music(s) who lectures on the history of police racism and the criminalisation of Afro-diasporic music culture at City St. George's University of London.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Railway imperialism in China: A political biography </i></b><b>is the first and most comprehensive book on history and politics of all major railways in China from the late Qing to the post-Mao era.</b> It investigates the transformation of railways from a bete noire within discussions about reform to the emblematic 'engines for empire' as foreign powers used it to carve out spheres of control, and as an instrument of nation making for Chinese regimes. The book introduces new archival sources and a wide range of secondary materials. Boldly conceived, it situates the making of modern China in the context of British, Russian, German, Japanese, French, Belgium and American expansion. It traces China's metamorphosis from a victim of railway imperialism in the Age of Empire to a railway expansionist in the twenty-first century.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Racism and the cultural politics of punishment onalyses the 2011 English 'riots' and the state's startlingly punitive response. Drawing on original research inside the criminal justice system, it exposes the denial and ignorance underpinning contemporary politics of law and order and offers insight into today's crisis.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Racism and the cultural politics of punishment </i></b><b>examines the narratives, claims, and imaginaries that legitimise punitive and discriminatory criminal justice policies and practices.</b> Centring on the state's startlingly harsh response to the English 'riots' of 2011, the book combines unique insights from interviews with prosecutors, sentencers, defence lawyers, policymakers with analysis of media and political debates. It examines constructions of the unrest, its causes and how society should respond. In doing so, it explores the forms of ignorance and unknowing mobilised to justify the inequitable punishment of the 'rioters': from amnesia about police racism and Britain's long history of unrest to widespread denial of the violence of the prison system.</p><p>Looking to recent events in Britain and beyond, the book offers timely insight into the cultural processes underpinning the punitive systems that disproportionately harm racially minoritised and marginalised communities.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Chloe Peacock</b> is a Lecturer in Criminology at the University of Sheffield.</p>]]></Text>
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			<SubjectHeadingText>,; ,Class; Brexit; British Politics; Democracy: Ed Miliband; Ed Miliband; Electoral strategy; Electoral system; General Election; Government; Jeremy Corbyn; Keir Starmer; Labour; Leadership; New Labour; Organisational; Party management; Party system; Political economy; Social democracy,; change; cohesion; conflict; control; managerial control; managerial pluralism; party leadership; structure</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This book, written by two authors with longstanding familiarity with the party, provides an in-depth and nuanced analysis of the different managerial strategies pursued by three Labour leaders, Ed Miliband, Jeremy Corbyn and Keir Starmer, in the tumultuous years of opposition from 2010 to 2024.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book provides the first nuanced and systematic study of Labour's internal politics in the years in opposition, between 2010 and 2024, under the leaderships of Ed Miliband, Jeremy Corbyn and Keir Starmer.</b> Written by two authors equipped with an intimate knowledge of the party, it offers an authoritative exploration of the politics of party management in one of the most strife-ridden and turbulent periods of the party's history, the Corbyn leadership, and furnishes a timely analysis of the character, purposes and underpinnings of the Starmer managerial regime. In so doing, it shines new light on often ill-understood controversies over antisemitism, the Israel/Palestine issue, and Brexit while reflecting on the tension between centralisation and pluralism is a party which continues to define itself as a democratic, membership organisation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Emmanuelle Avril</b> is Professor of British Politics and Society at the Sorbonne Nouvelle.</p><p><b>Eric Shaw</b> is Hon. Research Fellow at the University of Stirling.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Identity conflicts between and within nation states assume many forms in a fast-changing world. If the resulting fragmentation is not to be resolved through violence then social actors must relearn how to manage their differences through negotiation. Contributors to this book offer insights into the practical elements of such negotiations.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rapid systemic change within and across nations disrupts traditional identity formation processes, and how identity groups manage their differences.</b> Fragmentation  a breakdown at many levels along many divides  is the consequence of a world now of multiple identity groups making maximalist claims on their governments and each other. At an international level a new tripolar imperialism is in evidence, globalisation is fading in the face of US tariffs and the capacity of the United Nations to deliver to its mission has been fundamentally eroded. At the level of individual states after a brief surge, democracy has been in retreat for two decades. Some states are building physical and cyber walls to keep 'others' out; some are actively pushing vulnerable groups out; some are refusing minorities autonomy; some minorities resist majority governance. Many governments struggle to achieve policy coherence as a divided citizenry competes for sectional recognition. Traditional religions are torn by questions of sexual orientation, the role of women in churches and over human rights. Both traditionally dominant groups and minorities claim discrimination and feel under threat. Intolerance reduces interest in mutual accommodation...and negotiation. Some relearning, and rethinking is needed about diplomacy, the design of political systems and identity accommodation in a world being reshaped by cyber communications and AI.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mark Anstey</b> is a professor emeritus of Nelson Mandela University in South Africa.</p><p><b>Paul Meerts</b> is deputy general-director emeritus of Clingendael Institute in The Hague.</p><p>The editors are members of the Processes of International Negotiations (PIN) Steering Committee at the Geneva Centre for Security Policy (GCSP: www.pin-negotiation.org).</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book presents six medieval biographies of bishops from the German Empire, translated into English for the first time. The texts span the tenth to thirteenth centuries, and offer fascinating windows onto politics and society in the central Middle Ages.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book presents biographies of six bishops from the medieval German empire, translated into English for the first time.</b> The bishop was a ubiquitous figure across medieval Europe, providing leadership to the community of Christians within dioceses and linking day-to-day life to centres of political power and ecclesiastical authority. They were particularly prominent in the kingdom of Germany, where the most powerful churchmen led armies and advised kings. The texts collected here, originating in the tenth to thirteenth centuries, offer readers a lively entree to medieval social, religious and political conditions, as well as fascinating biographical details and information about law, architecture, warfare and government. They have been chosen to illustrate changes in the role of bishop over time; and the individuality, in character and activity, of each figure.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jonathan Lyon </b>is Professor of History of the High and Late Middle Ages at the University of Vienna, Austria.</p><p><b>Simon MacLean </b>is Professor in Medieval History at the University of St Andrews, Scotland.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Soviet materialities rethinks Soviet history and culture through the lens of materiality, exploring how humans and objects co-shaped identity, ideology, and social life. This interdisciplinary volume bridges Soviet-era thought with theoretical insights from New Materialism, offering a groundbreaking approach to the study of the Soviet past.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Soviet materialities </i></b><b>explores how material transforms our understanding of Soviet culture, from the textures of domestic space in 1960s apartment blocks to Gulag labour on the Moscow canal, and from avant-garde literary theory in the 1920s to conceptual art under perestroika.</b> It starts from the ethos that the material world shapes people and society. Taking a material approach  or a range of material approaches  can therefore illuminate aspects of the cultural production and lived experiences of Soviet socialism that are not reflected in other kinds of historical records. This edited volume brings cutting-edge research by emerging scholars together with the established voices who have broken the ground in this sub-field over the last twenty years and promises to make a major intervention in the study of Soviet history and culture.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mollie Arbuthnot</b> is Assistant Professor of History at Nazarbayev University.</p><p><b>Christianna Bonin</b> is Assistant Professor of Art History and Theory at American University of Sharjah.</p><p><b>Gabriella A. Ferrari</b> is an independent scholar of Russian and Soviet visual culture.</p>]]></Text>
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			<SubjectHeadingText>Catholicism; Delhi; Portrait; The Sardhana Mansion; architectural camouflage; burial; courtesans; diplomacy; gift-giving; history of empire; history of patronage; hospitality; palanquins; patronage and power; procession; purdah; tombs; urban spectacle; women and money; women and power; women city planners; women patrons</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This book explores the remarkable life of Begum Samru (c. 17501836), a North Indian ruler who rose from courtesan to sovereign, using art and architecture to navigate power in early modern India. Through her story, the book reveals how women defied gender norms to shape public and political spheres in innovative ways.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Begum Samru (b. circa 1750-d. 1836) was a north Indian woman ruler who used art and architecture to facilitate her social, political, and financial station in early modern India.</b> Rising from the ranks of courtesans in Mughal Delhi to become the commander of her own mercenary army, she later became the ruler of an independent territory of Sardhana (60 km northwest of Delhi). The begum (Urdu/ Hindustani title for noblewoman) was a trusted ally to the Mughal emperor and the English East India Company, two of the dominant political powers in north India at the time. As a sovereign ruler, she corresponded with two popes and King Louis Philippe of France, exchanging portraits, architectural drawings, and letters with these powerful men in addition to her Mughal counterparts in India. Art and architecture played a key role in establishing Begum Samru as a powerful but non-threatening ruler; as an upholder and patron of the Catholic faith in India; as a political ally to several European and Indian factions that were vying for power; and as ruling matriarch of a cosmopolitan household, court, and army. In narrating the story of a single woman in nineteenth-century India, this book offers a path to think of the creative ways in which women participated in public and political spheres. It also illustrates how women without pedigree, women who did not bear biological children or produce male heirs, and women who lived in contravention of gendered norms found alternative methods of recognition, dignity, power, and sometimes, as in the case of Begum Samru, global visibility.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mrinalini Rajagopalan</b> is Chair and Associate Professor in the Department of History of Art and Architecture at the University of Pittsburgh.</p>]]></Text>
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			<SubjectHeadingText>19th century legal history; 20th-century legal history; American poetry; BIEM,GEMA,; CISAC; Collecting societies; Collective management organizations (CMOs); Copyright history; Copyright law; Creative IPR; Cultural history; David Lehman; John Ashbery; Music industry; Music rights; Organizational forms; Pasternak; Rights management; Technological change; apothegm; artists' rights; collective management organisation; collective rights management; history of copyright; intellectual property; sexuality</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Veronique Pouillard </b>is Professor of Modern International History at the Department of Archaeology, Conservation and History, University of Oslo.</p><p><b>Marius Buning</b> is Professor of European History at the University of Oslo.</p><p><b>Mala Loth </b>is a postdoctoral fellow at ARENA Centre for European Studies at the University of Oslo.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A critical examination of the Nordic model and its claims to exceptionalism, exploring how Nordic welfare states have both shaped and been shaped by global events since 1970-from Cold War tensions and globalization to the COVID-19 pandemic-through diverse case studies and perspectives.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The five Nordic countries (Denmark, Finland, Iceland, Norway and Sweden) frequently attract attention as examples of a 'Nordic model'.</b> The meanings of the term vary, but especially since the global financial crisis of 2008-2009 the Nordic countries have often been portrayed positively, as examples of economic dynamism, innovation and social equality. Studies of these images of the Nordic countries and their international circulations have opened new horizons for understanding the global influences upon the Nordic model. This volume explores how the Nordic model has been shaped by global entanglements, in exchange not only with Western Europe and North America, but also with the Global South. Drawing on selected case studies, the volume offers new perspectives on the meanings of the Nordic model and Nordic exceptionalism in a global context during the half century since c. 1970.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mary Hilson</b> is professor at the Department of History and Classical Studies, Aarhus University.</p><p><b>Carl Marklund</b> is affiliated scholar at Institute of Contemporary History, Sdertrn University, and senior researcher at Faculty of Humanities and Social Sciences, University of Jyvskyl.</p><p><b>Andreas Mrkved Hellenes</b> is a post-doctoral researcher at the Department of Technology Management and Economics at Chalmers University of Technology in Gothenburg, and research fellow at Clare Hall, University of Cambridge.</p><p><b>Byron Zachary Rom-Jensen</b> is post-doctoral researcher at the Department of Archaeology, Conservation and History, University of Oslo.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Aimed at researchers interested in engaging the public with their research and postgraduate students exploring the practical aspects of research communication, this book provides a theoretically grounded introduction to a wide range of approaches to public engagement and research communication. </b>Split into three sections, the reader first explores the historical approaches and current drivers for public engagement with research, including inclusivity. Part II explores practical approaches to research engagement, from face-to-face communication in novel settings, such as festivals, through to artistic approaches and digital tools, as well as citizen science approaches and methods for co-creation. Each practical chapter is theoretically grounded, exploring issues such as audience, interactivity, and impact. The final section explores the developing professionalism within the field, including ethical considerations and the role of communication in creating research impact. Finally, we argue for the need to disseminate the success (or otherwise) of novel approaches to public engagement to wider groups, including public engagement practitioners.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Despite his professed disdain for actors, this book argues that Hitchcock's films show a fascination with acting, and also contain many exceptional performances.</b></p><p>In this collection, the first on this subject, a group of distinguished film scholars analyse some key performances in Hitchcock's work, covering his career from the British silent era to the last years of the Hollywood studio system. The actors covered range from Ivor Novello to Tippi Hedren, with classic, and less well-known films discussed including <i>Notorious, Stage Fright, Strangers on a Train </i>and <i>The Man Who Knew Too Much.</i></p><p>This book reflects the growing academic interest in film performance, and opens new perspectives on the films of Alfred Hitchcock.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Adrian Garvey</b> is a film historian.</p><p><b>Victoria Lowe</b> is Senior Lecturer in Drama and Film Studies, University of Manchester.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>This is a cutting-edge exploration of black urban politics in Parisian racialised working class and working poor districts, the formation of abolition geography, and the possibilities of new forms of political blackness.</p><p>In <i>Black Socialities: urban resistance and the struggle beyond recognition in Paris</i>, Vanessa E. Thompson argues that black urban politics in the French banlieues are multi-racial and spatially grounded towards abolition. Based on a close engagement with urban black activist practices against racial imagery in the city, policing and state racism, and housing insecurity, she shows how radical anti-racism goes beyond struggles for recognition and unfolds alongside new formations of political blackness that is based on urban conviviality.</p><p>This form of black politics has much to teach us in this current conjuncture of liberal anti-racism and state recognition politics.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Vanessa E. Thompson</b> is Assistant Professor and Distinguished Professor of Black Studies and Social Justice at Queen's University, Canada.</p>]]></Text>
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			<SubjectHeadingText>China; East Asia; Eurocentrism; Japan; Korea; Malaysia; Marxism; Southeast Asia; Vietnam; anthropocentrism; artistic remediation; artivism; biodiversity advocacy; colonialism; community activism; community engagement; contemporary art; decolonialisation; disrupted ecosystems; eco-education; ecoaesthetics; ecofeminism; ecological concerns; ecological illiteracy; ecological imperialism; environmental activism; environmental justice; fragile ecosystems; infra-aesthetics; material reclamation; non-human perspective; place construction; planet Earth; policy influence; social justice integration; sustainability; sustainable practices; toxic sublime; unprecedented ecological crises</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>This anthology, presenting new research from fourteen scholars, delves into the interplay between contemporary art and ecological concerns in East and Southeast Asia.</b></p><p>Focused on the concept of artistic remediation, the book unravels the diverse capacities of art to combat systemic anthropogenic destruction to the environment and ecology. At its core, the book articulates the ongoing ecological transformation in art and art history that embraces a paradigm shift in human-nature relationships, emphasising interconnectedness of all life forms of the Earth. Bridging art studies, activism, and environmental studies, the book examines how artistic practices in the region have engaged with ecocritical reflection, biodiversity advocacy, sustainable practices, and environmental justice, among others. Providing a platform for critical and timely analysis of artistic interventions in the face of existential crises, the book acknowledges diverse voices of scholars who have situated their scholarship in the cultural and artistic specificities of various societies, locales, and communities in the region.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Meiqin Wang</b> specialises in modern and contemporary Chinese art and teaches Asian art history courses in the Art Department at California State University, Northridge</p>]]></Text>
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			<SubjectHeadingText>Aktual; Alex Mlynrcik; Central Europe; Jan Mlcoch; Karel Miller; Local contexts; Luba Lauffov; Petr tembera; Prague troika; Prask trojka; aesthetics and politics of performance art; artistic strategies of resistance; centre and periphery; control and policing of art; decolonial art history; implicit censorship of the art market; performing populism; pluralising history of art; revisionist geography; rural context</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Abnormal peripheries traces an early history of performance art from the former Czechoslovakia, telling a unique story of localised resistance to a monolithic public sphere through artistic intervention, a closely knit community, artistic exchange, and agonistic reframing of socialism as a philosophy rather than state ideology]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book traces an early history of performance art from the former Czechoslovakia, which emerged in the 1960s and 1970s in the context of the Prague Spring and the subsequent policy of Normalization that brought on cultural censorship, prosecution, and state violence against artists.</b></p><p>The book draws on Czech and Slovak scholarship as well as primary research in archives, interviews, and fieldwork to dispel misreadings of visual and cultural idioms in pre-existing Anglophone scholarship about the region. Although the former Soviet Bloc is often equated with repression and lack of experimental art in public spaces, performance artists within the former Socialist Czechoslovakia often used public, semi-public and clandestine spheres to create their performances. By analysing both works of established artists such as Aktual, Alex Mlynrcik, Petr tembera, Jan Mlcoch, as well as under-theorised practitioners including Luba Lauffov, Karel Miler, Temporary Society of Intense Living, and Crusaders School of Pure Humour with no Joke, this book analyses how performance can survive and sometimes even thrive on the background of a politically oppressive regime. Cermak tells a unique story of localised resistance to a monolithic public sphere through artistic intervention, a closely knit community, artistic exchange, and agonistic reframing of socialism as a philosophy rather than state ideology.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sam Cermk</b> is a Lecturer in Drama at the University of Manchester.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An acclaimed biography of poet, pacifist and political firebrand Eva Gore-Booth.</b></p><p>The Irish poet and activist Eva Gore-Booth (1870-1926) led a life defiantly at odds with her aristocratic origins. Choosing to live and work among the poor of Manchester, she campaigned on behalf of barmaids, circus performers, flower sellers and pit-brow lasses, her partner, Esther Roper, at her side.</p><p>Gore-Booth was tireless in her pursuit of justice. She was a militant pacifist during the First World War, a champion of Irish independence and a pioneering thinker on gender and sexuality. She was also a prolific author, publishing nineteen volumes of poetry and prose that reflect the full force of her radical convictions.</p><p>Featuring a new preface that situates Gore-Booth's life and work in the context of our current political climate, this biography reclaims her place as a significant figure of Anglo-Irish letters and an unsung hero of LGBT+ history.</p><p><b>'We are all so indebted to Sonja Tiernan...Eva Gore-Booth's extraordinary path of engagement is one that remains deeply inspiring to us today.'  Michael D. Higgins, President of Ireland</b></p><p><b>'A well-researched and illuminating first full biography.'  Caitriona Crowe, </b><b><i>Irish Times</i></b></p><p><b>'Sensational anecdotes and quirky details abound... [a] magisterial and definitive study.'  Maureen O'Connor, </b><b><i>New Hibernia Review</i></b></p><p><b>'A deeply researched, important and readable account of Gore-Booth's life which links many of the issues of her day.'  Carla King, </b><b><i>Irish Literary Supplement</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A beautifully illustrated compendium of LGBTIQ+ life.</b></p><p><i>A queer scrapbook</i> offers a treasure trove of LGBTIQ+ histories from across Britain and Ireland. Packed with materials, from interviews and newspaper articles to photographs and flyers, the book explores urban, rural and regional queer life since 1945.</p><p>Commentaries and short essays introduce a changing queer landscape, spotlighting four broad themes: home and family, sex and socialising, arts and culture and politics and activism. The book delves into the meaning and experiences of domesticity and parenting and explores the sometimes unexpected places LGBTIQ+ people met to have fun. It examines the importance of creative work in forming community and identity and shows how people fought injustice and advocated for equal rights.</p><p>Collecting has been a way for the marginalised to explore and assert identity and community<i>. A queer scrapbook</i> vividly illustrates the diversity of queer and trans lives across the British and Irish isles since the Second World War.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Justin Bengry</b> is an independent historian.</p><p><b>Matt Cook</b> is Jonathan Cooper Professor of the History of Sexuality at the University of Oxford<br/>Rebecca Jennings is Associate Professor of Modern Gender History at University College London.</p><p><b>E. J. Scott</b> is Senior Lecturer in Culture, Criticism and Curation, Central Saint Martins, University of the Arts London.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The story of AI isn't finished yet. The question is: how will you be part of it?</p><p>With the unprecedented adoption of artificial intelligence and its far-reaching implications, people everywhere are witnessing the world change around them. <i>Artificially Intelligent </i>answers today's most pressing questions about AI  from the fundamental to the futuristic  offering readers a new, informed worldview.</p><p>In an age of unparalleled innovation and change, artificial intelligence has become the heart of our fears, discussions, and debates. Thus, AI researcher and award-winner David Eliot takes readers on a journey through the key moments and decisions that have shaped its creation and our world. A socially driven history, the book explores its technical breakthroughs and the social forces that made them possible.</p><p>But this book isn't just about the past  it's about you. <i>Artificially Intelligent</i> invites readers to find their place in the story of AI, to understand its impact on their lives, and to decide what kind of future they want to help create.</p><p><i>Artificially Intelligent </i>tells the story of the technology the way it was meant to be told: not as an exhaustive retelling of history, nor as a prophecy of doom and gloom, but as a human story that is not yet complete.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Written in Blood, by physician and author Brodie Ramin, draws on lessons from past disasters to argue that proactive, preventative strategies can reduce risks and help avert crises  in our personal lives, our organizations, and society at large.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Written in Blood </i></b><b>is an urgent exploration of how disasters happen  and how they can be prevented.</b></p><p>Award-winning author and physician Brodie Ramin, trained in prevention through his work in primary care and addiction, explores how we can scale up preventative strategies and apply them at a societal level: from the wreckage of plane crashes and pandemics to nuclear catastrophes, industrial accidents, and natural disasters.</p><p>Through gripping case studies  from the Notre Dame fire to Fukushima  Ramin dissects the human errors, systemic failures, and overlooked warning signs that lead to catastrophe. At its core, the book argues that prevention is not only possible but essential  we must act before disaster strikes, rather than learning only in its aftermath. Drawing on frameworks like James Reason's Swiss cheese model of error and insights from high-reliability organisations, Ramin shows how risk compounds when safeguards fail  and how layered defenses can save lives. He offers a critical intervention: by adopting a prevention mindset and overcoming our cognitive biases, we can proactively solve problems in our personal lives, our organisations, and our society, before the next crisis unfolds.</p><p>Blending history, psychology, and public policy, <i>Written in Blood </i>is a compelling call to rethink how we manage risk, before it's too late.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr. Brodie Ramin</b> practices family medicine, HIV primary care, and addiction medicine, and is an assistant professor at the University of Ottawa. He speaks and teaches on addiction medicine, exercise and health, and prevention science. His book <i>The Age of Fentanyl</i> was shortlisted for the Donner Prize. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Wigmore on Carbon Monoxide</i></b><b> offers a compelling exploration of the history and medicolegal aspects of carbon monoxide, humanity's ancient and silent killer. </b>Odourless, non-irritating, and invisible, carbon monoxide (CO) has haunted human civilisation since the discovery of fire. For centuries, unexplained nighttime deaths were attributed to witchcraft or demons, rather than the insidious effects of poor ventilation and combustion.</p><p>Despite advances in technology, CO poisoning remains a persistent threat today, arising from water heaters, gas stoves, charcoal barbecues, Zambonis, camp stoves, tent heaters, diesel generators, and power washers. <i>Wigmore on Carbon Monoxide</i> provides a comprehensive, well-organised, and thought-provoking examination of this deadly gas, tracing its impact on humans from antiquity to the present. Backed by over 600 studies, long-time forensic toxicologist James G. Wigmore presents complex information in an easily understandable manner for professionals such as lawyers, judges, scientists, coroners, unexplained death investigators, police officers, and students.</p><p>Through historical accounts, scientific discoveries, and medicolegal cases, this book illuminates the enduring dangers of carbon monoxide and underscores the importance of awareness and prevention in our modern world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In this poignant and riveting personal narrative, Julia Kwong, distinguished professor emerita of sociology, explores her own experience of receiving a breast cancer diagnosis while her father is in the last stage of metastasised prostate cancer. In <i>Crossing the Phantom Pass</i>, she reflects on the medical process and her own emotional roller coaster in encountering this daunting illness in a dual sense.</p><p>With academic rigour and accessible prose, Kwong documents the ordinary fears, worries, and urgencies of cancer treatment. She takes readers through the emotional turmoil of her experiences as she undergoes complex surgery and radiation treatment. Kwong manages to complete her treatment just in time to return to Hong Kong and see her father one last time.</p><p><i>Crossing the Phantom Pass</i> explores the uniqueness, as well as the commonalities, embedded in each cancer patient's experience. Centring knowledge as power and resilience, Kwong integrates practical information and unfiltered realities into the emotional narrative of the book.</p><p>Questions of hope, death, and grief intertwine with critiques and commentary on the healthcare system, offering an honest portrayal of one woman's journey  and a source of solace for others facing similar trials. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Karen Bermann grew up in the mad orbit of her father, Fritz, the rebellious child of a Viennese Orthodox Jewish family who fled Europe alone as an adolescent in the late 1930s. An irreverent, comic, rageful man with three names, who spoke three languages, lived on three continents, and always kept his papers in order, Fritz lived a life shaped by survival. In this memoir, told in alternating voices in brief, lyrical episodes, Bermann explores not only the mystery of her father but also the inheritance he passed on: intergenerational trauma, fragile familial bonds, and a fraught sense of belonging. </p><p><i>The Art of Being a Stranger</i> is a darkly funny narrative told in poetry, prose, and mixed-media drawings. While her father taught her how to save herself, Bermann realised early on that what she truly needed was to be saved from him. Set against the backdrop of 1960s and 1970s New York City, <i>The Art of Being a Stranger</i> is a poignant comic-drama that offers an intimate, layered exploration of parents and children in the shadow of history. </p>]]></Text>
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			<Text textformat="02"><![CDATA[The business of medicine increasingly prioritizes profits over people, leading to widespread patient harm and clinician burnout. This collection explores the global consequences of this phenomenon, revealing its threats to the humanity in healthcare  and demonstrates a vision for a more sustainable path forward.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The business of medicine is a complex mix of thorns and roses  where the reality of profit-driven priorities from corporations and insurance companies clashes with the compassion of clinicians providing care at great personal cost.</b></p><p>Through the perspectives of patients, physicians, clinicians, medical students, and nurses, <i>The Making of a Doctor</i> highlights the challenges faced by both patients and healthcare providers. This collection of essays uncovers pivotal moments  from the denial of essential medical care by insurance companies to the emotional toll that this work has had on clinicians, some of whom have considered leaving medicine due to the pressures they face  to demonstrate the dire state of our medical systems.</p><p><i>The Making of a Doctor</i> sheds light on the harmful impact of a system that prioritizes profits over people, exposing the widespread issues of patient neglect and clinician burnout seen in healthcare systems around the world. Despite these challenges, the collection also points to a path forward  offering solutions for reform and a sustainable approach to providing medical care that places humanity at the centre of the practice. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In <i>Whitewash</i>, Jan Grabowski brings to light the dangerous practice of Holocaust distortion through the lens of the Polish political landscape. Of the three million Polish Jews who found themselves under German occupation during World War Two, no more than 1 per cent survived the war. Poland was left with a singular burden: the responsibility to safeguard the memory of this immeasurable tragedy. Instead, Poland has emerged as a global leader in Holocaust denial and distortion, all in service of preserving the myth of an unblemished national identity.</p><p>Deeply personal and brutally honest, this extended analysis intertwines Grabowski's experiences and those of his family in Poland with a sharp critique of the state's long-standing policy of Holocaust distortion. Carried out over decades by successive political parties, this campaign has become a powerful unifying force in Polish society. To protect the narrative of 'political innocence' during the Holocaust, Poland has enacted criminal and civil laws designed to silence independent scholars, including Grabowski, who was sued for defamation in Polish court. In <i>Whitewash</i>, Grabowski examines Holocaust envy, distortion, denial, and de-Judaisation in a searing call to protect the integrity of Holocaust memory.</p><p><i>Whitewash </i>effectively weaves together the history and politics of Holocaust distortion, grounding them in Grabowski's own lived experience to underscore the immediate need for collective reckoning and action.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In <i>Zaidy's Band</i>, Aron Heller chronicles his extensive journey with his grandfather Mickey Heller  his Zaidy  to uncover Mickey's mysterious wartime past and the untold stories of his Jewish Canadian band of brothers.</p><p>Through many trips, calls, and emails to his Zaidy, Heller uncovers dozens of previously unknown stories of lost friendships, personal tragedies, acts of heroism, and emotional reunions. These men played key roles in the defining events of their time  fighting against Nazism and contributing to the establishment of Israel. Their voices, however, are not mere relics of the past. The dilemmas they faced  faith, belonging, courage, and sacrifice  continue to resonate today.</p><p>Part memoir, part historical biography, and part mystery, <i>Zaidy's Band </i>reveals how even the humblest acts of World War II service shaped a generation of men and left a lasting impact on their families for years to come.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Automata </i></b><b>examines how AI and advanced robotics are rapidly surpassing human abilities in fields once thought uniquely ours  from playing chess to discovering new antibiotics to fraud detection. </b>As Automata  AI integrated with advanced robotics  become superior at more tasks, the question is no longer if machines will replace workers, but how we can stay relevant in a world shaped by intelligent automation. This book explores the profound transformation ahead, drawing on real-world trends and technologies already beginning to reshape our lives. </p><p>With most of these changes expected within the next decade or two, <i>Automata</i> offers timely use cases and practical strategies to help individuals and organisations navigate this new era. It highlights needed changes in education  such as the importance of learning-to-learn and emotional intelligence  to help society prepare for this new age.</p><p><i>Automata</i> is a vital guide for anyone seeking to thrive  rather than just survive  as human work, society, and daily life are redefined by the rise of machine intelligence. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Affect as Cultural Critique</i></b><b> assembles leading anthropologists, affect theorists, and artist-activist scholars to ask, what if the most constructive response to moments of ethnographic puzzlement was not the formulation of an answer but the cultivation of a feeling? </b>What if understanding the powerful effects of discourses requires somatic rather than semiotic exercises? And where habits of academic professionalism prohibit experiencing possible worlds  what if anthropology as a discipline could leverage affect to differently connect and cultivate collaboration with others?</p><p>In line with growing movements to decolonize the academy, the essays in Affect as Cultural Critique feature ethnographic accounts of people actively describing, experimenting with, and otherwise exercising affect in ways that challenge the academy's inherited models for analyzing emotional life. Through an experimental collection of traditional ethnographic essays and artist-activist-generated critiques, this volume explores how everyday modes of feeling function as methods of knowing. By centering non-academic and non-Western affective practices as answers to traditional theoretical problems generated primarily by Western theorists, <i>Affect as Cultural Critique </i>seeks new trajectories for the discipline through a reciprocal practice of uncovering itself as a guiding professional aim, as methodological inspiration, and as a source of reflexive critique of the discipline's philosophical and theory-heavy analytics.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Daniel White i</b>s an associate fellow at the Leverhulme Centre for the Future of Intelligence at the University of Cambridge. </p><p><b>Emma E. Cook</b> is a professor of Modern Japanese Studies at Hokkaido University. </p><p><b>Andrea De Antoni</b> is an associate professor in cultural anthropology at Kyoto University and research coordinator of the Italian School of East Asian Studies (ISEAS) in Kyoto.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>An emphatic deep dive into the continual movement required of migrants, <i>The Horizon Line </i>studies a relatively recent and little-explored social and migratory phenomenon.</p><p>For about a decade, the somewhat unprecedented occurrence of double migration has been observed in Italian Bangladeshis engaging in a second move to London. Told through the lens of a fictionalised ethnographer and presented in the form of accessible and captivating comics, this book traces the concept of onward migration and the lives shaped by it.</p><p>Through interviews with Italian Bangladeshis who made the difficult decision to re-uproot their lives in search of better, social scientists and comic artists Francesco Della Puppa, Francesco Matteuzzi, and Francesco Saresin come together to highlight the joys and struggles of this new (e)migration. The authors offer insights on the dynamism of these 'new Italian citizens' and on the migration routes shaped by the continuous global transformations, and on the social, political, and economic situation of Italy and the Southern European countries. Moreover, by following the trajectories of Stefano the researcher, the book provides valuable insight into the modalities, processes, difficulties and turning points of conducting ethnographic research.<br/> gives voice to diasporic communities and sheds light on their most current trials and tribulations.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Set against the shattered landscape of post-war Berlin, Death in the Rubble follows a nurse battling addiction who murders her victims to buy gifts for her lover  a married police detective.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Set against the shattered landscape of post-war Berlin, </b><b><i>Death in the Rubble</i></b><b> follows a nurse battling addiction who murders her victims to buy gifts for her lover  a married police detective.</b></p><p>In 1949, the year of the Berlin airlift and the founding of the two post-war German states, Elisabeth Kusian (nurse, black marketeer, morphine and methamphetamine addict, and pathological liar) garroted and dismembered two people in a mini crime spree. Her actions both fascinated and terrified the public  how could this woman, a nurse, commit such a violent act?</p><p>West Berlin detectives attempted to run an efficient investigation under new democratic rules. Their East Berlin counterparts, newly structured along Soviet lines, employed their restricted resources to solve the case and prove the advantages of their socialist system. Both tried to use the investigation to demonstrate their distance from the Third Reich and build a brighter future.</p><p>Based on the true story of Elisabeth Kusian, <i>Death in the Rubble</i> explores shifting identities, evolving gender expectations, post-fascist politics and norms, and the violence lurking beneath a city struggling to redefine itself.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Richard Bodek</b> is a professor of history at the College of Charleston.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Rescuing Reason argues that reimagining history education in Canada's schools is essential for fostering civic reasoning, empathy, and engagement, offering a practical roadmap to strengthen democracy through citizens who are better equipped to engage with pressing contemporary issues.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Rescuing Reason</i></b><b> tackles the pressing crisis of civic engagement and public deliberation, drawing on Canadian and international examples, with a particular emphasis on Canada's democratic landscape. </b>The book argues that K-12 public education has become too narrowly focused on utilitarian aims  such as financial literacy and job preparation  at the expense of the humanities, especially history. Educators Alan Sears and Carla L. Peck contend that this shift has undermined the cultivation of well-rounded citizens equipped for meaningful participation in civic life.</p><p>This book proposes that a renewed emphasis on history education, taught with depth and rigour, can foster civic reason, empathy, and a shared sense of civic truth. Through detailed frameworks and practical approaches, the book outlines how history can be taught to develop students' abilities in civic reasoning and engagement, ultimately strengthening democracy.</p><p><i>Rescuing Reason</i> makes a compelling case for the vital role of history education in nurturing civic competencies. The book offers a clear, actionable plan for educators, policymakers, and the public to reorient education towards preparing students not just for the workforce, but for active, thoughtful citizenship in a complex democratic society.</p>]]></Text>
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			<SubjectHeadingText>Galicia; Jewish culture; Joseph Roth; Soma Morgenstern; german-language literature; Eastern Europe; modernity; tradition; urbanization; secularization; shtetl; Galician Jews; literary imagination; emancipation; Holocaust</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Galicia as a Literary Idea explores the relationship of Jewish tradition and modernity in literary works by Joseph Roth and Soma Morgenstern, two German-language writers from the former Habsburg province of Galicia.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In the decades following the dissolution of Austria-Hungary, the former province of Galicia inspired the literary imagination of two German-language natives of this region, Joseph Roth and Soma Morgenstern. Galicia as a Literary Idea explores what their engagement with Galicia means for modern Jewish culture, history, and memory.</b></p><p>For Roth and Morgenstern, Galicia encapsulates the rich interplay between contemporary developments  including urbanisation, secularisation, embourgeoisement, political self-determination, and new technologies  and traditional Jewish life in Eastern European villages and shtetls, characterised by tight-knit families and communities, religious observance and ritual, Yiddish language and culture, and Hasidic belief systems. Despite the tensions between these elements, this book presents them as a complex network rather than a battle between old and new, east and west, or tradition and modernity. German and Jewish studies scholar, Kata Gellen, also traces the shifting attachments of Galician Jews to German, a language that symbolised emancipation, culture, empire, and, ultimately, disillusionment and persecution.</p><p>Through original readings of well-known and neglected works by Roth and Morgenstern, Gellen shows how the literary idea of Galicia is shaped by continuous struggle and emergent hope, whether as earthly possibility or redemptive promise. This book thereby uncovers the complex relationship between center and periphery in Jewish modernity and reanimates a dimension of modern Jewish literary history that has been obscured by the dark shadow of the Holocaust.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Once out of active service, many former spies have turned to writing spy fiction. They drop the dagger and pick up the pen. Some are very successful, like James Bond's creator Ian Fleming or the novelists John Le Carre and Graham Greene. Their Soviet counterparts have rarely been afforded the same attention or examination.</b></p><p>Drawing on materials from KGB archives and Soviet publications long out of print, <i>KGB Literati</i> offers the first-ever account of spy fiction written, frequently with institutional support, by Soviet intelligence and counterintelligence officers. Spy fiction can give insights into the operational workings of clandestine agencies and the personal dimensions of secret service work. By analysing the literary output of KGB spies and counterspies, the book shows that for the KGB, this type of intervention into Soviet popular culture was a crucial component of their overall counterintelligence strategy. These texts played an instrumental role in the Soviet state's efforts to neutralise and counter Western cultural influences on the Soviet population.</p><p>Filip Kovacevic's research is of great relevance today, given that a large segment of the Russian ruling elite is still composed of former KGB officers, including Russian president Vladimir Putin. <i>KGB Literati</i> illuminates the deep-seated KGB myths, values, aspirations, and fears that continue to have a profound impact on the foreign and domestic policies of the Russian Federation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p> Democracy isn't broken  it's stuck. Around the world, people are growing angry and polarised  not because they've stopped caring, but because democracy has stopped evolving. The result isn't apathy  it is a rising sense of political futility.</p><p>In <i>Democracy's Second Act</i>, Peter MacLeod and Richard Johnson argue that the First Act of democracy  anchored in voting rights and representative government  achieved extraordinary gains. Free elections, near-universal suffrage, and the peaceful transfer of power reshaped societies and expanded human freedom. But these achievements represent the promise of democracy, not its completion.</p><p>Their book offers a hopeful, clear-eyed vision for what comes next. Drawing on ground-breaking citizens' assemblies in Ireland, Canada and France  as well as democratic innovations from more than a dozen countries  MacLeod and Johnson show how we can build on the legacy of the First Act by creating new institutions that tap into the talents, judgement, and capabilities of ordinary people. They make the case that the public isn't a risk to be managed, but a powerful resource ready to be harnessed and that the future depends on giving citizens real responsibility, not just a periodic vote.</p><p>Smart, story-driven, and deeply grounded in political theory and practice, <i>Democracy's Second Act</i> is for change-makers ready to move beyond cynicism and rebuild democracy for a new era. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In</b><b><i> Stained Glass</i></b><b>, Flora Cassen offers a deeply personal and intellectually rich exploration of Jewish life in Europe, from the shadows of the medieval past to the aftermath of the Holocaust and into the present. Blending memoir, family history, and historical analysis, she illuminates how old myths and prejudices about Jews continue to shape Jewish identity today.</b></p><p>Drawing from her upbringing in Antwerp's Jewish community and her later life in America, Cassen weaves together historical events, family narratives, and contemporary challenges to paint a vivid portrait of Jewish experience in modern Europe. At once intimate and analytical, she reflects on childhood fears of being identified as Jewish, connecting these anxieties to the trauma of historical persecution and the Holocaust.</p><p>The book also offers a comparative analysis of Jewish life in Europe and America, highlighting the vibrancy of American Judaism while acknowledging rising concerns about antisemitism in the United States. By juxtaposing these experiences,<i> Stained Glass </i>invites readers to reflect on the future of Jewish communities in a world that is increasingly fractured and uncertain.</p>]]></Text>
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