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			<SubjectHeadingText>essays; philosophy; Philosophy of everyday life; Existential reflection; Thinking through habit and time; Literary phenomenology; Ethics of attention; Ontological unease; Capacity and transformation; Practising with Deleuze; Spinozan ethics in daily life; Critique of neoliberal subjectivity; Embodied awareness; Somatic thinking; Mindful routines and rituals; Stillness and presence; Yoga and philosophical inquiry; Conscious living in late capitalism; Emotional precision and fear; Anti-productivity critique; Neoliberal anxiety and resistance; Everyday life under capitalism; Political philosophy of care; Ethics of plainness; Radical kindness and critique; Unlearning optimization culture</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Antonia Pont's Plain Life presents a series of essays that think through central ideas of happiness, rest and relaxation, talking and allowing for silence, community and leadership.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>These days, it's easy to get the impression that people are really very anxious. Who? you ask. Well, people you hear about. People who tell you they are. Friends. Lovers. Acquaintances. Colleagues. The Youth. The term is around and people are applying it to themselves, or having it applied to them, willy-nilly.</i></p><p>What would it mean to be able to live a plain life? Would a plain life just be an unambitious one  a drab or routine life, without colour, variation, unknowing or luck? Or would a plain life be one in which we'd fret slightly less, suspect ourselves less, and thus listen to ourselves and others in new ways? We may not need to do more and be more  in the quiet spaces already within us, lurking in the interstices of our days and conversations, there are ways and choreographies to nurture a plainer, saner, odder, less reactive and therefore less terrifying life.</p><p>In <i>Plain Life</i>, Antonia Pont questions our thinking about capacities, virtue, envy, wanting, love and kindness  suggesting that it might be fine, more than enough, indeed so much, to live a plain life.</p><p><b>'Read this precise, wild and tender offering, and be sure to ask yourself how you feel after ...</b> <b><i>Plain Life</i></b><b> is challenging and generous.'  Debra Dank</b></p><p><b>'Fizzing with energy and ideas,</b> <b><i>Plain Life</i></b><b> is a practical, philosophical heart to heart with your most spirited friend. Alain de Botton for hot anti-capitalists.'  Briohny Doyle</b></p><p><b>'Deeply alert to the challenges of our times, and extraordinarily well read, Antonia Pont delivers us a handbook for life that is politically radical, refreshingly intellectual, and wholly attentive to embodiment and being. Informed and informing, it is a seriously joyful tour de force.'  Julienne van Loon</b></p><p><b>'An intriguing volume that is reminiscent of the works of Alain de Botton, Maggie Nelson and Rebecca Solnit.'  Heidi Maier,</b> <b><i>InDaily QLD</i></b></p><p><b>'Pont's elliptical, playful, philosophical style requires readers slow down and observe the workings of their own minds, be curious about the fears they've suppressed and dare to feel them, and become aware of how they collude in their own misery.' </b> <b><i>Sydney Morning Herald / The Age</i></b></p><p><b>'Mixing academic reflection with engaging prose,</b> <b><i>Plain Life</i></b><b> is a thought-provoking book.'  Jeff Popple,</b> <b><i>The Canberra Daily</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Antonia Pont</b> is Associate Professor in Writing, Literature and Culture at Deakin University, Australia. She publishes poetry, fiction and essays as well as theoretical work across writing, literature, philosophy and the creative arts. Her research is concerned with time, habit, ethical capacity, thought, movement and transformation. She is the author of <i>The Memory Library</i> (Spineless Wonders, 2024), <i>A Philosophy of Practising</i> (Edinburgh University Press, 2021) and a co-author of <i>Practising with Deleuze</i> (Edinburgh University Press, 2017). Her collection of poetry <i>You Will Not Know in Advance What You'll Feel</i> was published in 2019. She is the founder of Vijnana Yoga Australia (2009-), where she continues to practise, teach and lead retreats. Her essays have an international following, and have appeared in <i>Lit Hub</i>, <i>The Lifted Brow</i>, <i>Antithesis</i>, <i>Meanjin</i> and <i>Overland</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Fungi are nature's great networkers, weaving connections, driving transformation and thriving in the most unexpected places. <i>Planet Fungi: A Photographer's Foray</i> is a feast for the eyes, with stunning imagery and pioneering explorations that reveal the intricacies of fungal biology and their ecological significance.</p><p>It was a chance encounter in the forest with a purple mushroom that completely changed photographer Stephen Axford's view of the world. He became obsessed with documenting the largely unexplored kingdom of fungi and, alongside his partner, Catherine Marciniak, capturing the beauty and diversity of fungi in some of the most remote regions on Earth. There are an estimated 25 million species of fungi found all over the world, yet with only around 155,000 described so far, there is so much left to discover.</p><p>From glowing mushrooms in ancient forests to bizarre, alien-like forms, these extraordinary organisms will challenge how you see the natural world.</p><p><b>'A stunning exploration of a hidden world. These are among the most remarkable images of fungi I've ever seen, woven into relation by a series of writings that beautifully illuminate the mysteries and wonders of fungal life.'  Merlin Sheldrake, author of</b> <b><i>Entangled Life</i></b></p><p><b>'A wondrous journey through epic fungal encounters, with sublime photography and beautiful tales.'  Giuliana Furci, Founding Director, Fungi Foundation</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Catherine Marciniak</b> is an award-winning documentary filmmaker, photographer and journalist, co-wrote the IMAX documentary <i>Fungi: Web of Life</i> and directed and co-produced <i>Follow the Rain</i>. She is also a two-time finalist in the Walkley Awards for Excellence in Journalism.</p><p><b>Stephen Axford</b> is renowned for his macro fungi photography, which has been published and exhibited worldwide. His fungi time-lapses appear in award-winning documentaries such as <i>Planet Earth 2</i>, <i>Fantastic Fungi</i> and <i>Fungi: Web of Life</i>. He co-writes and presents Planet Fungi's documentaries, capturing the intricate beauty of fungi globally.</p><p><b>Dr Tom May</b> is a mycologist at Royal Botanic Gardens Victoria, Australia, with a distinguished research career and a passion for communicating and educating about fungi. Former President of Fungimap, he co-authored <i>Wild Mushrooming: A Guide for Foragers</i> and was awarded the Nancy T. Burbidge Medal and the Australian Natural History Medallion.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p> </p><p>Do trees talk to one another? Can a plant use up the oxygen in a room while you sleep? What is a native plant and what is a weed? Are some plants truly immortal? </p><p>Through 50 beautifully crafted essays, former director of preeminent botanic gardens and self-confessed plant punk Tim Entwisle shines a gentle light on everyday questions about plants and gardens, guiding the reader through fact and fiction. </p><p>Including the best of his contributions to gardening magazines and newspapers over four decades, as well as 24 pieces written specially for this book, <i>The Sceptical Botanist </i>is a tour de force of investigative writing from one of Australia's most thoughtful and inquisitive botanical minds. </p><p>Pick up <i>The Sceptical Botanist </i>and you'll never look at a plant or garden in the same way again! </p><p><b>'Entwisle is a confident explorer and guide. Whether he's exploring our relationships with plants, the way that scientists think, or the reasons for some very unnatural beliefs about nature, his humour, integrity and lightly-worn knowledge shine through.'  Professor Jonathan Drori, CBE </b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Museum Berggruen, part of Neue Nationalgalerie in Berlin, is one of the most exceptional modernist collections in the world. The collection, which was built across decades by the German American collector and art dealer Heinz Berggruen (19142007), includes masterpieces by Pablo Picasso, Paul Klee, Georges Braque, Paul Cezanne, Henri Matisse and Alberto Giacometti.</p><p>By putting this collection in dialogue with the National Gallery of Australia's rich collection of modernist artists, such as Cossington Smith, John Passmore, Grace Crowley, Hirschfeld Mack, Inge King and Rosemary Madigan, we can illuminate the electrifying way in which ideas, techniques and artists moved across the borders of space, time and culture.</p><p>This authoritative publication stages a conversation between European and Australian art across a period of revolution and reinvention throughout the twentieth century. A major collaborative essay researched and written by exhibition curators David Greenhalgh, Natalie Zimmer and Deirdre Cannon explores how these artists took inspiration from one other and the circulation of images, objects and artworks that marked the modern age. This curatorial team are joined by other scholars including Dr Gabriel Montua, Head of Museum Berggruen, Neue Nationalgalerie  Stiftung Preuischer Kulturbesitz and Simeran Maxwell also examine key artists and their works in details through a selection of annotated plates.</p><p>Featuring over 140 colour reproductions and a conveniently compact flat-reading format with gatefold, this rich publication not only demonstrates how these artists envisioned new ways of looking at the world, but provides a new way of seeing these artists within transnational contexts.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Portent, symbol, metaphor: from the Bunyip to the Slenderman, from Count Dracula to the (far more sinister) emotional vampire, monsters of all forms have offered us ways to express and exorcise our fears for thousands of years.</p><p><i>Griffith Review 89: Here Be Monsters</i> surveys beasts and bogeymen past and present, real and imagined, to peel back the layers of our social and cultural anxieties. What are we most afraid of? When is monstrosity alluring rather than frightening? And what form might the monsters of the future take?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Carody Culver</b> is a writer and editor. Her chapbook, <i>The Morgue I Think the Deader It Gets</i>, was published by Cordite in 2022, and she's been a featured Australian poet on the <i>Best American Poetry</i> blog. A former contributing editor for <i>Peppermint</i> magazine, she is currently the editor of <i>Griffith Review.</i></p><p><b>Lisa Fuller</b> is an award-winning Murri writer living on Ngunnawal and Ngambri lands (Canberra). She won the 2017 David Unaipon Award for an Unpublished Indigenous Writer and the 2018 Varuna Eleanor Dark Flagship Fellowship, and she was a joint winner of the 2018 Copyright Agency Fellowships for First Nations Writers. Lisa's young adult novel, <i>Ghost Bird</i>, won the Griffith University Young Adult Book Award in the Queensland Literary Awards, the Norma K Hemming Award and the Readings Young Adult Prize in 2020, and was shortlisted for the 2021 Ethel Turner Prize for Young People's Literature and 2022 Indigenous Writers' Prize at the NSW Premier's Literary Awards.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'Maki Itoh has succeeded in creating a treasure trove in her exploration of Japanese recipes and culinary traditions...Perfect for the Japanese food loving home cook.'  Elise Bauer, </b><b><i>Founder, SimplyRecipes.com</i></b></p><p><b>The first comprehensive cookbook to fully cover all aspects of Japanese cuisine  with 600 recipes!</b></p><p>This book has been a lifetime in the making. Bicultural author Makiko Itoh was born in Tokyo and grew up in New York, where her mother ran the leading Japanese restaurant for two decades. She has since developed a career as a successful bilingual food writer and translator, uniquely positioned to explain the cuisine to non-Japanese.</p><p>Her book answers all the questions foreigners typically have about one of the world's greatest cuisines, including:</p><ul><li>Why is Japanese food so unique? A full overview  from umami to seasonality to aesthetics</li><li>Essential ingredients like miso, mirin, dashi, sake and soy  how and why they are used</li><li>How to design a Japanese meal  from tableware to equipment to etiquette</li><li>Which recipes are right for you? The 600 recipes in this book cover everything from bento boxes to nimono simmered dishes to izakaya, sushi and hotpots. But which ones should you try?</li></ul><p>Itoh's mission is to demystify Japanese cuisine for non-Japanese. Her book contains 400 beautiful colour photos with clearly-presented recipes interspersed with fascinating essays and sidebars explaining all aspects of Japan's unique food culture. A must-read book for every Japanese food lover!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A marvelously illustrated look at everything we now know about the fearsome king of the dinosaurs.</b></p><p><i>Tyrannosaurus rex</i> is the world's favorite dinosaur, adored by the public and the subject of intense study and debate by paleontologists. This stunningly illustrated book brings together everything we have learned about <i>T. rex</i>  the 'King of the Tyrant Lizards'  since it was first given its famous name in 1905. It presents these creatures as science knows them rather than the version portrayed in movies, revealing them to be dramatically different, and far more amazing, than ever imagined. With numerous original paintings and diagrams by the author, <i>King Tyrant</i> draws on the latest discoveries to offer a modern understanding of <i>Tyrannosaurus</i>, pulling back the curtain of media hype that often obscures these extraordinary extinct animals while cementing their reputation as the most formidable carnivores of the Mesozoic.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mark P. Witton</b> is a paleontologist, author, and artist based at the University of Portsmouth. He designs and advises on extinct creatures for films and documentaries, including the hit Apple TV+ series <i>Prehistoric Planet</i>, and his artwork is widely featured in books and museums around the world. His books include <i>Pterosaurs: Natural History, Evolution, Anatomy</i> (Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In an age of existential threats for Australia and the world, what does society need from companies and how should companies respond? Corporate social responsibility (CSR) has a leading role to play in answering these fundamental questions. Yet current Australian and international debate remains stuck in polarised positions on CSR and related topics, including environmental, social and governance considerations (ESG), and diversity, equity and inclusion factors (DEI) for businesses.</p><p>In this groundbreaking book, Professor Bryan Horrigan provides a roadmap for navigating the complexity of CSR and the current controversies surrounding it. How is the corporate landscape changing for Australia and the world on corporate diversity, climate disclosures, and social and environmental harms? Do Australian businesses, the professions advising them, and even universities all have social licences to operate? Should they all speak and act publicly on controversial social and environmental issues, or stay out of the arena of partisan politics altogether?</p><p>How far should corporate governance standards for ASX-listed companies go in addressing social, environmental and climate issues? Do Australian company directors face legal liability for mismanaging climate risk and disclosure, and what safeguards can protect them? And how does the Trump administration's war on so-called 'wokeness' create ripple effects for corporate Australia, Australian politics and Australian universities?</p><p>In <i>Corporate Social Responsibility in an Age of Existential Threats</i>, Professor Horrigan brings a unique blend of academic, practical and policy expertise to his insightful and provocative discussion of these topics. This book is essential reading for those in the public, private, not-for-profit and university sectors whose work concerns business and corporations in society. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Professor Bryan Horrigan</b> holds a doctorate in law from Oxford University under a Rhodes Scholarship. He is an academic, published author, legal and governmental adviser, and public speaker. He has academic expertise, practical experience and an international reputation in public and corporate law and governance. His book <i>Corporate Social Responsibility in the 21st Century</i> was published internationally in 2010.</p><p>From 2013 to 2024, Professor Horrigan served as dean of the Faculty of Law at Monash University  the longest-serving dean in the sixty-year history of the faculty. He currently serves as one of only two Special Advisers to the vice-chancellor of the university. He is one of only a few Australian law deans to have more than twenty years' experience simultaneously in commercial legal practice, university management and the legal academy. In various roles, he has confidentially advised numerous leaders across the public, private and university sectors.</p><p>The Australian Government appointed Professor Horrigan to a three-member expert panel to review three major pieces of national business regulation in 201011. All of the panel's recommendations were accepted and became law. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The blue geometries of the seats of a departing train. Lightning striking twice out of the blue. The rhythm of faint blues.</i></p><p>Blue is the most mysterious and evocative of colours. It can signify the beginning of love and the end of life. It can evoke tranquillity or tension. For Ted Hughes, blue is a 'kindly spirit', an 'electrified', 'thoughtful...guardian'; for Joni Mitchell, it is a sigh-filled song, a 'foggy lullaby'. For Henry David Thoreau, the 'blue ground' is the source of 'new truth'. And Goethe writes: 'We love to contemplate blue, not because it advances us, but because it draws us after it.'</p><p>In the nineteenth edition of this creative anthology, writers from Monash University and beyond share pieces that span fiction, nonfiction, poetry and experimental forms. They explore shades of blue that ravish the senses, narratives saturated in melancholic hues, and poetry that hums with the electric charge of blue.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From one of the world's most celebrated thinkers on climate change comes a groundbreaking investigation into extreme weather.</b></p><p>Climate change does not affect everyone equally. While many scientists focus on studying climate change as a physics problem, Friederike Otto, one of the world's most renowned climate scientists, sees it as a symptom of the global crisis of inequality, not its cause. In this ambitious, fast-paced book, she offers concrete examples of how extreme weather events caused by climate change reveal uncomfortable truths about the failures of political and social infrastructures around the world.</p><p>Comparing eight extreme weather events  including heat waves in North America, floods in Pakistan, droughts in Madagascar, and wildfires in Australia  Otto reveals how climate change is affecting the world's most vulnerable, whether they are women working on farms in Ghana during heat waves, or elderly people who died during floods in Germany. In particular, Otto examines the Global North's extractionist view of the Global South, a view that ensures elites are protected while others bear the brunt of the climate disaster.</p><p><i>Climate Injustice</i> shares the stories of real people, shining a light on the real damage inflicted on real lives. Above all, it shows how racism, colonialism, sexism, and climate change are interconnected, and how positive changes on one level can lead to positive effects on another. Authored by the co-founder of World Weather Attribution, a cutting-edge scientific method that pinpointed the role of climate change in extreme weather events for the first time, <i>Climate Injustice</i> offers a groundbreaking view on the fires, floods, heatwaves, and storms that are wreaking havoc at an alarming pace.</p><p>Inequality and injustice are at the core of what makes climate change a problem for humanity. Fairness and global justice must therefore be at the core of the solution. Climate justice concerns everyone.</p><p><b>'I can't recommend this book highly enough. It will change how you think about the most important story of our time.'</b> <b></b> <b>Jeff Goodell, </b><b><i>New York Times</i></b><b> bestselling author of </b><b><i>The Heat Will Kill You First</i></b></p><p><b>'Searing in her clarity... Fredi Otto demonstrates, irrefutably, how the North's fossil-fuel-powered "extractivist" economic model drives global climate disruption at the expense of the living world. Climate Injustice prosecutes the case; all it needs now is a courtroom, preferably in The Hague.'</b> <b></b> <b>John Vaillant, author of </b><b><i>Fire Weather: A True Story from a Hotter World</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The hidden history of a nation sleepwalking its way into evil</b></p><p>Charlotte Beradt began having unsettling dreams after Adolf Hitler took power in 1933. She envisioned herself being shot at, tortured and scalped, surrounded by Nazis in disguise, and breathlessly fleeing across fields with storm troopers at her heels. Shaken by these nightmares and banned as a Jew from working, she began secretly collecting dreams from her friends and neighbours, both Jewish and non-Jewish. Disguising these 'diaries of the night' in code and concealing them in the spines of books from her extensive library, she smuggled them out of the country one by one.</p><p>Available again for the first time since its publication in the 1960s, this sensational book brings together this uniquely powerful dream record, offering a visceral understanding of how terror is internalised and how propaganda colonises the imagination. After Beradt herself fled Germany for New York, she collected these dream accounts and began to trace the common symbols and themes that appeared in the collective unconscious of a traumatised nation. The fear of dictatorship was ever-present. Dreams of thought control, even the prohibition of dreaming itself, bore witness to the collapse of outer and inner worlds.</p><p>Now in a haunting new translation by Damion Searls and with an incisive foreword by Dunya Mikhail, <i>The Third Reich of Dreams</i> provides a raw, unfiltered, and prophetic look inside the experience of living through Hitler's terror.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Charlotte Beradt</b> (1907-1986) was a Jewish journalist and communist activist based in Berlin during the Third Reich. She fled to New York in 1939 as a refugee, creating a gathering place for other German emigres, including Hannah Arendt.</p><p><b>Damion Searls</b> is an award-winning translator and writer whose translation of Jon Fosse's novel <i>A New Name</i> was shortlisted for the International Booker Prize.</p><p><b>Dunya Mikhail</b> is an Iraqi American poet whose books include <i>The War Works Hard</i> and <i>The Beekeeper: Rescuing the Stolen Women of Iraq</i>, which was longlisted for the National Book Award.</p>]]></Text>
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			<SubjectHeadingText>Tattoos; tattooing; tattoo artists; ancient tattooing; Indigenous Studies; Indigenous art; Indigenous tattoos; cultural heritage; medicinal tattoos; tattoo anthropology; mummies; art history; anthropology; religious studies; ontology; cultural studies; body studies; personhood; afterlife; ancestors; spirits; deities; ancient art; material culture studies.; Tattoo History; Tribal Tattoos; Tattoo designs; Body Art; Tattooists; Inked Design; Tattoo Symbols; Global Tattoo Practices; Tattoo Traditions; Ancestral Practices; Cultural History of Tattoos; Cultural Identity; Native American Tattoos; Tattoo Practices in Africa; Tattoos of South America; Tattoos of the South Seas; Tattoos of Japan; Siberian Tattoo Traditions; Tattoos and Spirituality; Tattoos in Southeast Asia; Tattoos of China; Tattoos of Siberia; Ancient Tattooing Practices; Papua New Guinea Tattoos; Tattooed Communities; Indigenous Body Art; tattoo traditions of asia; bodies of subversion; tatau; native american; sean mallon, ebastien galliot; margot mifflin</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A beautifully illustrated history of Indigenous tattooing practices around the world</b></p><p>Tattooing within Indigenous communities is a time-honored practice that binds the tattoo recipient to a deeply felt collective history. More than mere decoration, tattoos embody cultural values, ancestral ties, and spiritual beliefs. <i>Indigenous Tattoo Traditions</i> captures ancient tribal tattooing practices and their contemporary resurgence, highlighting a beautiful aspect of humanity's shared cultural heritage.</p><p>Transporting readers through history, Lars Krutak explores the art and customs of tattooing across numerous ancestral lands, including Africa, the Middle East, the Americas, the Arctic, Oceania, Japan, Southeast Asia, and Siberia. He illustrates how tattoos function as a form of writing that defines and structures community life, performing as rites of passage, symbols of rank, and signs of marital or religious devotion, among other facets of culture. We are introduced to the heavily tattooed Li women of China's Hainan Island with their elaborate facial and body tattoos, the bold indelible markings of Papua New Guinea's Indigenous peoples, and innovative cultural tattoo practitioners who are rebuilding a skin-marking legacy for future generations to come.</p><p>With numerous images published for the first time and an illuminating foreword by cultural historian Sean Mallon, <i>Indigenous Tattoo Traditions</i> opens a window onto one of the world's most vibrant yet misunderstood mediums of human expression.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lars Krutak</b> is an anthropologist, photographer, and writer. A research associate at the Museum of International Folk Art in Santa Fe, he is host of the Discovery Channel series <i>Tattoo Hunter</i> and the author of several books, including <i>Tattoo Traditions of Asia</i> and <i>Tattoo Traditions of Native North America</i>. </p><p><b>Sean Mallon</b> is senior curator of Pacific histories and cultures at the Museum of New Zealand Te Papa Tongarewa.</p>]]></Text>
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			<SubjectHeadingText>Adults; Animals; Aspects; Assumptions; battle-of-the-sexes; Behavior; bias; binary; Biological; Biology; Birth; bodies; boys; Brain; brains; Chromosomes; Cultural; Data; Develop; Development; Differences; Dynamics; Evidence; Evolution; Evolutionary; Females; Fusion; Gamete; Gamete producers; Gamete producing; Gender; Gender sex; Genetic; genitals; girls; gonads; Groups; Hair; Height; Homo; Hormones; Human; Individuals; Infants; Internal; Levels; LGBTQ.; Males; Mammals; men; Muscle; muscles; Organisms; Organs; Ovaries; Pair; Patterns; Physiological; Physiology; Primates; Processes; Produce; Producers; Range; Relative; reproduction; Reproductive; Research; Researchers; Roles</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Why human biology is far more expansive than the simple categories of female and male</b></p><p>Being human entails an astonishingly complex interplay of biology and culture, and while there are important differences between women and men, there is a lot more variation and overlap than we may realise. <i>Sex Is a Spectrum</i> offers a bold new paradigm for understanding the biology of sex, drawing on the latest science to explain why the binary view of the sexes is fundamentally flawed  and why having XX or XY chromosomes isn't as conclusive as some would have us believe.</p><p>In this lively and provocative book, leading biological anthropologist Agustn Fuentes begins by tracing the origin and evolution of sex, describing the many ways in the animal kingdom of being female, male, or both. Turning to humans, he presents compelling evidence from the fossil and archaeological record that attests to the diversity of our ancestors' sexual bonds, gender roles, and family and community structures, and shows how the same holds true in the lived experiences of people today. Fuentes tackles hot-button debates around sports and medicine, explaining why we can acknowledge that females and males are not the same while also embracing a biocultural reality where none of us fits neatly into only one of two categories.</p><p>Bringing clarity and reason to a contentious issue, <i>Sex Is a Spectrum</i> shares a scientist's perspective on why a binary view of sex and gender is not only misguided but harmful, and why there are multitudes of ways of being human.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Agustn Fuentes</b> is professor of anthropology at Princeton University. His books include <i>Race, Monogamy, and Other Lies They Told You: Busting Myths about Human Nature</i>; <i>The Creative Spark: How Imagination Made Humans Exceptional</i>; and <i>Why We Believe: Evolution and the Human Way of Being</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A concise new narrative history of Islam that draws on the transformative insights of recent research to emphasise the diversity and dynamism of the tradition</b></p><p>Today's Muslim world is in upheaval: legalists and mystics engage in intense debates, radical groups invoke Sharia, Muslim immigrants in the West face prejudice and discrimination, and Muslim feminists advocate new interpretations of the Koran. At the same time, Islam is mischaracterised as unitary and unchanging by people ranging from right-wing Western politicians claiming that Islam is incompatible with democracy to conservative Muslims dreaming of returning to the golden age of the prophet. Against this contentious backdrop, this book provides an essential and timely new history of the religion in all its astonishing richness and diversity as it has been practiced by Muslims around the world, from seventh-century Mecca to today.</p><p>Most popular histories of Islam continue to repeat conventional pietistic accounts. In contrast, John Tolan draws on decades of new historical research that has transformed knowledge of the origins and development of the Muslim faith. He shows how the youngest of the three great monotheisms arose in close contact with Jewish, Christian, and other religious traditions in a mixture of cultures, including Arab, Greek, Persian, and Turkish; how Islam spread across an enormous territory encompassing hundreds of languages and cultures; how Muslims have forged widely different beliefs and practices over fourteen centuries; and how Islamic history provides crucial context for understanding contemporary debates in the Muslim world.</p><p>At a time when much talk about Islam is filled with misunderstanding, stereotypes, and bias, this book provides a fresh and lucid portrait of the continuous and ongoing transformations of a religion of tremendous variety and complexity.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John Tolan</b> is professor emeritus of history at the University of Nantes. His books include <i>England's Jews</i>, <i>Faces of Muhammad</i> (Princeton), <i>Saint Francis and the Sultan</i>, and <i>Saracens</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[In The Poet and the Calligrapher, Hassan Massoudy brings timeless poetry to life through vibrant calligraphy. Featuring verses from Rumi to Shakespeare, this beautifully illustrated collection blends visual art with poetic wisdom - a celebration for lovers of words, colour and soul.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The poet is the prince of words, the calligrapher the choreographer.</i></p><p>Inspired by ancient classical poets, master calligrapher Hassan Massoudy homage to the depth of poetry through visual expression. In more than one hundred calligraphies, he responds to these timeless poems with his signature broad strokes and vibrant colours, capturing the words and wisdom of our greatest poets  from Al Mutanabbi, Rumi and Khalil Gibran, to Socrates, Shakespeare and Jacques Prevert. From evocations to the immensity of the desert to soulful expressions of unrequited love, Massoudy pays breathes new life into the classics with vibrant artistry.</p><p>Beautifully illustrated, <i>The Poet and the Calligrapher</i> is the perfect gift and journey for poets, art lovers and dreamers alike.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A magnificently illustrated guide to the bryophyte species found across the world.</b></p><p>Bryophytes are a highly diverse group of plants found in nearly all parts of the world and across a range of habitats. The term 'bryophyte' describes plants of three closely related lineages: the mosses, liverworts, and hornworts. Ancient in their makeup, bryophytes disperse by spores rather than seeds and grow no more than a few centimetres high, carpeting forest floors or clinging to rocks and tree trunks. Instead of conducting fluids internally (like vascular plants), they absorb water and nutrients externally across the whole body of the plant. Such strategies have enabled bryophytes to survive, and indeed thrive, through the millennia. <i>Mosses, Liverworts, and Hornworts of the World</i> makes sense of their miniature world, differentiating between the three lineages and delving into their evolution, anatomy, and life cycles. The result is an unprecedented in-depth look at these exquisitely beautiful and often overlooked organisms.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In the popular </b><b><i>Little Bit of</i></b><b> series: a fresh, accessible introduction to the practice of astrology.</b></p><p><i>Curious about astrology?</i></p><p>Take a deeper look at the zodiac and find out what it can reveal in this concise, accessible introduction.</p><p>Explore the zodiac, and see how it affects your life! Astrology is an ancient art in which the movements of the stars and planets can divine the future. Find out more about the practice, its history, and each of the 12 sun signs and then follow the detailed information on how to create a natal chart and use it to craft personalised horoscopes.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'Guided by fairy folk and Ventura's own botanical wisdom, this book is an enchanting walk on the path of green magic and folklore.' </b> <b>Coby Michael, author of </b><b><i>The Poison Path Herbal</i></b></p><p><b>From fairy tales to your garden,</b><b><i>Enchanted Plants</i></b><b>is an illustrated treasure trove of the lore and magic in the kingdom of plants.</b></p><p>Take a walk through mystical, magical, and folkloric gardens and discover the plants and flowers that have captured our hearts and minds for centuries. Will you dare to pick a golden apple or seize the perfect rose? Will you sneak through the gilded gates of the poison garden where plants both alluring and life-saving intertwine?From the baneful bog to the garden gate, plant lover and lover of the bizarre Varla Ventura brings together forgotten lore of plants for the ultimate romp through a botanical wonderland, including excerpts from fairy tales and a lively discussion of each plant's legendary magical and medicinal properties. Don't forget your scissors.</p><p><i>Enchanted Plants</i>is arranged by general environment:</p><ul><li>cultivated plants and edibles;</li><li>toxic plants;</li><li>meadowlands;</li><li>the woods;</li><li>marshes and swamps; and</li><li>tropical plants.</li></ul><p>Each chapter contains a cultivated selection of plants, arranged alphabetically by popular common name, with additional information including botanical name, common names, folklore, ethnobotanical properties, magical and occult properties, and modern usage if applicable.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This guide shows the traditional symbolism of the tarot in bold graphics, allowing readers to connect intuitively to the deeper aspects of the cards.</b></p><p>The <i>Tarot Disassembled Guidebook</i> provides fresh insight into interpreting the traditional symbolism found in the tarot. In this companion book to the <i>Tarot Disassembled</i> card deck, author and creator Jennifer Cooper Steidley has deconstructed the symbolism, presenting it in bold graphics, allowing the user to connect with the tarot in a completely intuitive way  free from any pictorial narrative around gender, skin colour, age, size, ability, or any other human constructs.</p><p>Sometimes we need to take something apart in order to appreciate what's in it. The same is true for the ingredients of the tarot: the individual symbols that make up the complex picture of a tarot card. There is potential for deep understanding that comes with the act of disassembling, and this guidebook deconstructs each of the seventy-eight cards. The Fool card is shown as a satchel, a dog, the sun, a feather, a flower, a mountain. Each card remains undeniably recognisable. The deconstructed simplicity allows tarot's rich symbolism to become clear, and readers can see how the symbols wind their way through each card in the deck.</p><p><i>Tarot Disassembled</i> is based on the symbology of the Rider-Waite-Smith tarot  arguably the most iconic and widely used deck in the world. Once the disassembling of tarot symbols is fully understood, you can begin to apply this deconstructing technique to other decks to find the inner patterns. This unique and innovative guidebook includes keywords, astrological and planetary associations, and elemental associations for each tarot card. It can be used with any deck based on the Rider-Waite system or as a companion to the <i>Tarot Disassembled</i> card deck, sold separately.</p>]]></Text>
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			<Text textformat="02"><![CDATA[In this book acclaimed author and presenter James Crawford introduces many forgotten places all over the country, from the ruins of prehistoric forts and ancient, arcane burial sites, to abandoned bothies and boathouses, and the derelict traces of old, faded industry.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted for The Great Outdoors Reader Awards**</b></p><p><b>**Longlisted for the Highland Book Prize**</b></p><p>You scramble up over the dunes of an isolated beach. You climb to the summit of a lonely hill. You pick your way through the eerie hush of a forest. And then you find them. The traces of the past. Perhaps they are marked by a tiny symbol on your map, perhaps not. There are no plaques to explain their fading presence before you, nothing to account for what they once were  who made them, lived in them or abandoned them. Now they are merged with the landscape. They are being reclaimed by nature. They are wild history.</p><p>In this book acclaimed author and presenter James Crawford introduces many such places all over the country, from the ruins of prehistoric forts and ancient, arcane burial sites, to abandoned bothies and boathouses, and the derelict traces of old, faded industry.</p><p><b>PRAISE FOR JAMES CRAWFORD</b></p><p><i>The Edge of the Plain: How Borders Make and Break Our World</i></p><p><b>'Crawford travels widely to make his points in a text reminiscent of those of Barry Lopez or Robert Macfarlane...A thoughtful consideration of the imaginary lines that hold meaning for so many'  </b><b><i>Kirkus Reviews</i></b></p><p><b>'Crawford's essays, through vivid accounts of historical episodes and contemporary problems, illuminate how the world acquired its current shape...Eye-opening' </b><i> </i><b><i>Literary Review</i></b></p><p><i>Fallen Glory: The Lives and Deaths of History's Greatest Buildings</i></p><p><b>'Conveys superbly these absorbing tales of hubris, power, violence and decay' </b> <b><i>Sunday Times</i></b></p><p><b>'Witty and memorable...moving as well as myth-busting'  Mary Beard, </b><b><i>Times Literary Supplement</i></b></p><p><i>Scotland from the Sky</i></p><p><b>'A stunning combination of aviation adventure and historical detective work'</b> <b></b><b><i> Press and Journal</i></b></p><p><b>'Crawford is a genuine, risk-taking adventurer'  </b><b><i>Daily Express</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>James Crawford</b> is a writer and broadcaster, and for over a decade he worked for and researched Scotland's national collection of architecture and archaeology. He is the author of nine books, including<i> Fallen Glory: The Lives and Deaths of History's Greatest Lost Buildings</i> and<i> The Edge of the Plain: How Borders Make and Break Our World</i>, both of which were shortlisted for Non-Fiction Book of the Year at Scotland's National Book Awards. He is the writer and presenter of the BBC One series <i>Scotland from the Sky</i>, the presenter of BBC Radio 4's Take Four Books and in 2024 he was appointed Chair of the Board of the Edinburgh International Book Festival.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A biologist's firsthand account of the hunt for life beneath earth's surface  and how new discoveries are challenging our most basic assumptions about the nature of life on Earth</b></p><p>Life thrives in the deepest, darkest recesses of Earth's crust  from methane seeps in the ocean floor to the highest reaches of Arctic permafrost  and it is unlike anything seen on the surface. <i>Intraterrestrials</i> shares what scientists are learning about these strange types of microbial life  and how research expeditions to some of the most extreme locales on the planet are broadening our understanding of what life is and how its earliest forms may have evolved.</p><p>Drawing on her experiences and those of her fellow scientists working in challenging and often dangerous conditions, Karen Lloyd takes readers on an adventure from the bottom of the ocean through the jungles of Central America to the high-altitude volcanoes of the Andes. Only discovered in recent decades, 'intraterrestrials'  subsurface beings that are truly alien  are demonstrating how life can exist in boiling water, pure acid, and bleach. They enable us to peer back to the very dawn of life on Earth, disclosing deep branches on the tree of life that push the limits of what we thought possible. Some can 'breathe' rocks or even electrons. Others may live for hundreds of thousands of years or longer. All of them are living in ways that are totally foreign to us surface dwellers.</p><p>Blending captivating storytelling with the latest science, <i>Intraterrestrials</i> reveals what microbes in Earth's deep subsurface biosphere can tell us about the prospects for finding life on other planets  and the future of life on our own.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>How the Middle East can achieve political change and social progress.</b></p><p>The Middle East is in upheaval: a widening chasm between state and society, the failure of governing elites to address citizens' genuine grievances, massive economic mismanagement  all made worse by repeated interventions by Western powers. Why has political change been so difficult to achieve? In <i>The Great Betrayal</i>, Fawaz Gerges argues that the convergence of political authoritarianism, meddling by the West, and the effects of prolonged regional conflicts have produced political paralysis and economic stagnation. The agency of everyday people has been thwarted by an authoritarian status quo that is maintained by a powerful partnership of external and internal forces.</p><p>Gerges traces more than a century of consequential events in the region, from the end of the Ottoman Empire and the European carve-up of the Middle East to the Iranian Revolution and the Arab Spring uprisings. He shows how the people of the Middle East have been systematically denied self-determination, political representation, and effective government. Gerges finds that the region, with its diversity, variability, and volatility, defies abstract grand theories; previous accounts that have attributed the Middle East's problems to any one cause such as modernism, ignore the complexity and specificity of the issues. What can we learn from the Middle East's vexed history? Gerges is optimistic, declaring that the region's future will be determined not by dictators and their superpower patrons but by a growing population of Arab and Muslim youth who demand to be treated as citizens and not as subjects.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Fawaz A. Gerges</b> is professor of international relations at the London School of Economics and Political Science. He is the author of <i>What Really Went Wrong: The West and the Failure of Democracy in the Middle East</i> and <i>Making the Arab World</i> (Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[How a revolution in Ukraine precipitated an international economic conflict affecting us all.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner of the Fletcher US  Russia Relations Book Prize**</b></p><p><b>**Selected as a </b><b><i>Financial Times</i></b><b> 'Book to Read'**</b></p><p>Vladimir Putin's first invasion of Ukraine, in 2014, set off a global economic clash, as the West used its clout with international markets to deter and penalise the Kremlin. The battlelines of this 'war by other means' traversed a series of deep economic connections, built up during Russia's oil, gas and commodities boom: global equity and capital markets, and transnational kleptocracy.</p><p>Maximilian Hess's startling book lifts the lid on Russia's response to Western sanctions, and the ensuing skirmishes in London's courts, on Swiss trading desks and in boardrooms in New Delhi. He explores how pipelines, mines, loans and crypto-markets were weaponised. This narrative sets the stage for Putin's all-out assault on Kyiv in February 2022, which turned financial, food and fuel markets into bona fide battlefields, bringing the fight into everyone's home, from Pennsylvania to Pakistan.</p><p>Rather than a 'new Cold War', we are witnessing a conflict over finance, energy and capital markets. How such economic warfare turns out will determine the future of liberalism and democracy; it will also set a precedent for economic relations between the West and China, as the two diverge into rival spheres of influence and power.</p><p><b>'Hess examines how Russia's response to the west's economic sanctions following the first invasion of Ukraine in 2014 helped to set the stage for [the current] conflict.'  </b><b><i>Financial Times</i></b></p><p><b>'Timely.'  </b><b><i>Diplomatic Courier</i></b></p><p><b>'Much has been said about Putin's background in the KGB, but Hess makes a convincing case that his days in the St. Petersburg government, when he served as a liaison between the city, foreign business and, occasionally, criminal underworld, were just as formative.'  </b><b><i>The Washington Post</i></b></p><p><b>'An outstanding account, filled with insights and details. If you want to understand why we are already in an age of Global Conflict, there is no better place to start.'  Peter Frankopan</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Maximilian Hess</b> is a political risk analyst and consultant, as well as a fellow at the Foreign Policy Research Institute. Max speaks German, Russian, Georgian and Spanish, and has written for the <i>Financial Times,</i> the <i>New Statesman</i> and <i>Foreign Policy</i>, alongside a regular column for Al Jazeera.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A proven approach used by today's best professional service partners to win, retain, and grow client relationships.</b></p><p>There is a growing problem in the professional services industry that is often acknowledged but rarely discussed: clients  even long-standing ones for whom firms have consistently delivered unquestioned value  are much less loyal to those firms and partners than they once were. This dramatic shift in client behaviour has rendered traditional approaches to business development not only ineffective but counterproductive.</p><p>But top performers have figured out a radical new approach that is redefining what it means to be a rainmaker in today's professional services market.</p><p>Drawing on a comprehensive, quantitative study of nearly three thousand partners  spanning law, accounting, consulting, investment banking, executive search, and public relations  <i>The Activator Advantage</i> identifies five types of partners found across the professional services landscape and shows how only one of them  the Activator  drives consistent growth.</p><p>Activators deeply embed business development habits into their daily workflow, aggressively leverage their internal and external networks, and proactively deliver both business and personal value to clients  all of which not only helps shield them from the vagaries of modern client buying behaviour but also lays the groundwork for more loyal, longer-lasting relationships.</p><p>Packed with eye-opening data, counterintuitive insights, and robust case examples, <i>The Activator Advantage</i> provides the road map for any professional services partner or firm leader looking to chart a path to greater client engagement, internal collaboration, and firm profitability in the new era of fading client loyalty.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Your people have a fundamental need to be seen, heard, and valued.</b></p><p>Increasingly, people report feeling overlooked, ignored, and underappreciated at work. Simply put, they don't feel like they matter to their leaders or organisations  and it's taking a toll. This hidden epidemic of insignificance is fueling a mental health crisis, intensifying loneliness, and, for organisations, driving disengagement, turnover, and low performance.</p><p>The good news is that leaders can learn the skills to ensure that everyone around them feels valued and knows how they add value at work. Through a captivating exploration of the emerging science of mattering and drawing from hands-on work in hundreds of diverse industries and organisations, researcher and speaker Zach Mercurio reveals how mattering to others is a fundamental  yet often overlooked  requirement for thriving.</p><p>He introduces a simple yet effective framework for making daily interactions with your people more meaningful:</p><ul><li>Noticing: the practice of seeing and hearing others</li><li>Affirming: the practice of showing people how their unique gifts make a difference</li><li>Needing: the practice of showing people they're relied on and indispensable</li></ul><p>Filled with practical advice, helpful exercises, and inspiring real-world examples, <i>The Power of Mattering</i> equips leaders at all levels with the tools they need to revitalise their teams  and entire organisations  by showing people that they matter.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From the inner sanctum of Silicon Valley and short-term capitalism comes the story of a VC who lived it, then left it and found a better way to build great companies.</b></p><p>Dave Whorton was John Doerr's associate partner at high-flying Kleiner Perkins Caufield &amp; Byers during Silicon Valley's big shift, when he witnessed the VC industry pivot from a proven forty-year playbook of managing risk to something much more aggressive: 'get-big-fast'. Don't worry about profitability. Cash out and find another venture.</p><p>For a while, Whorton took part in this whirlwind as he pursued his dream of becoming the next Hewlett or Packard, starting two companies himself. But soon it all got to be too much. Whorton recognised that if get-big-fast was the formula for building a great technology company in the twenty-first century, that just wasn't for him.</p><p>That could have been the end of the story, but instead it turned out to be the beginning of another, deeply inspiring one. Whorton went on a journey to find a better way to build companies, a way focused on long-term stability and steady growth, funded through profitability; a way in which leaders were committed to a purpose beyond personal wealth generation, to putting their people first, and to setting up their companies to endure. He calls these companies 'Evergreen'. <i>Another Way</i> combines Whorton's inspiring story with his Evergreen 7Ps framework, designed to guide more entrepreneurs and business leaders to follow his path.</p><p>Full of revelations, practical advice, and real-world examples of companies going Evergreen, <i>Another Way</i> is as instructive as it is inspiring at showing capitalism at its best.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Challenging the restrictive and relativistic intellectual and cultural orthodoxies on the left that engulfed universities, the media, and big tech in the 2010s, the Intellectual Dark Web  a loose collective of politically diverse intellectuals, commentators, and scholars critical of political correctness, identity politics, and cancel culture  relied on alternative platforms like podcasts, digital magazines, and YouTube to advocate for free speech, universal rights, and individual liberty.</p><p>While the term is most commonly identified with Jordan Peterson, Sam Harris, Ben Shapiro, Claire Lehmann, Douglas Murray, and Joe Rogan, the group's concerns extended more broadly to include a wide range of individuals, including Steven Pinker, Jonathan Haidt, and Elon Musk.</p><p>Although its coherence began to unravel in the early 2020s due to internal differences, such as over the response to COVID-19 and climate change, it played a determining role in changing the politico-cultural landscape, influencing both electorally successful right-wing platforms and playing a major role in the rise of an independent media ecosystem that is today in many ways more influential than mainstream media.</p><p><b>'A thorough, thoughtful and charitable overview of that ambiguous phenomenon known as 'The Intellectual Dark Web.' Jamie Roberts accessibly presents the political, philosophical, epistemological and ethical concerns that underlie the IDW. In doing so, he clarifies the objections of this ideologically diverse group to Critical Social Justice (wokeness).</b> <b><i>The Intellectual Dark Web</i></b><b> will be of value both for those too entrenched in their corner of the Culture Wars to see the patterns within this unlikely collective, and for the more sensible people who would like a detailed overview without wading in too far.' </b> <b>Helen Pluckrose, author of</b> <b><i>The Counterweight Handbook</i></b></p><p><b>'What is the Intellectual Dark Web? Even though I am one of the early founding members I was not really sure what it was I belonged to  beyond my own characterization of it as "a commitment to the search for truth and free speech as the royal road to it"</b> <b></b> <b>until I read Jamie Roberts" fair and thoughtful analysis that covers all the major players and ideas associated with the IDW. A masterful work of cultural history in this unique moment.'  Michael Shermer,publisherof</b><b><i>Skeptic Magazine,</i></b><b>author of</b> <b><i>Conspiracy: Why the Rational Believe the Irrational</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr Jamie Q. Roberts</b> is a lecturer in the Department of Government and International Relations at the University of Sydney. He specialises in international relations with a focus on international security and popular culture. More broadly, he is a 'first principles' political philosopher who is interested in the relationship between the individual and the group, the nature of progress, and the creation of knowledge. Additional interests include exploring the political insights we can gain from literature.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Unveiling the Untold Stories of Women in the Middle Ages</b></p><p>For centuries, medieval history books have told the stories of noble queens, dutiful housewives, and cloistered nuns  but what about the single women who lived, worked, and thrived in medieval Europe?<i> The Secret Lives of Single Medieval Women</i> reveals the overlooked yet fascinating lives of middle age women who did not fit the conventional mold. From unmarried tradeswomen and widows to vowesses and nuns, these women carved their own paths in a world that often sought to define them by their marital status.</p><p>Single, independent, and often underestimated  these women left their mark on history. While medieval and Middle Ages society dictated that a woman's worth was tied to marriage and family, countless single women built lives of resilience and ingenuity. Some ran successful businesses, others devoted themselves to education or faith, and many simply found ways to survive within a rigid social structure. This book sheds light on their stories, proving that history is far richer and more complex than the narratives we've been told.</p><p>Discover the vibrant and often surprising lives of single women in the Middle Ages. Whether running businesses, navigating religious life, or simply surviving societal expectations, these women played a crucial role in shaping medieval society. Rich with historical records, poetry, and legal documents, this medieval history book brings to light the personal stories of those often left out of traditional narratives.</p><p>Blending meticulous research with engaging storytelling, <i>The Secret Lives of Single Medieval Women </i>challenges outdated perceptions and brings history's forgotten women back to life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rosalie Gilbert</b> is passionate about living history, experimental archaeology, and women in the Middle Ages. She is a member of the Queensland Living History Federation.</p><p>She has been a guest speaker on medieval feminine hygiene and<i> The Very Secret Sex Lives Of Medieval Women </i>at the Abbey Museum of Art and Archaeology, the Queensland Museum's After Dark Program for the British Museum's <i>Medieval Power: Symbols and Splendor </i>exhibition, the University of The Third Age's Winterschool Program, the University Pavilion at the Abbey Medieval Festival, and various women's social groups.</p><p>She works in medical imaging in a busy city hospital in Australia. Her hobbies include historical sewing, curating her collection of medieval artifacts, lying about being at work so she can stay home with her rescue kitty, and eating nachos  not especially in that order.</p>]]></Text>
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			<Text textformat="02"><![CDATA[As the geopolitical importance of Taiwan grows, this history provides a guide to the country.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>As the geopolitical importance of Taiwan grows, this history provides a guide to the country.</b></p><p>Huang Chin-tao was born in 1926, when Taiwan was still part of the Japanese Empire. By the time he died in 2019, Taiwan was a bustling, high-tech democracy  and Huang had lived through every twist and turn along the way. He served as a Japanese soldier in China during World War II; joined an armed uprising against Taiwan's Chinese Nationalist post-war government; spent twenty-four years imprisoned during the island's decades of martial law; and finally emerged to help lead the pro-democracy movement of the 1980s in his hometown, Taichung.</p><p>Drawing upon archives, memoirs, interviews and more, Anna Beth Keim tells the story of Taiwan through the journey of one extraordinary individual. From his childhood scuffling with Japanese children to his transformation into a 'democracy farmer', Huang's life vividly reflects contemporary Taiwanese history, and continues to inspire young Taiwanese today who are fighting to keep their home independent.</p><p>Over roughly a century, the island transitioned from an imperial outpost to an authoritarian state to a democracy  one still at risk of being snuffed out by China. This story is uniquely Taiwanese, yet illuminates experiences shared by countries everywhere: of colonisation and its aftermath, and the ongoing struggle to be free.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Anna Beth Keim</b> is a freelance writer and translator, who has been reporting on Taiwan since 2015. Her work has appeared in <i>ChinaFile, Foreign Policy, YaleGlobal </i>and <i>The Foreign Service Journal</i>. This is her first book.</p>]]></Text>
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			<Text textformat="02"><![CDATA['Some people say, "How can you live without knowing?" I do not know what they mean. I always live without knowing. That is easy. How you get to know is what I want to know.'  Richard P. Feynman]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'Some people say, "How can you live without knowing?" I do not know what they mean. I always live without knowing. That is easy. How you get to know is what I want to know.'  Richard P. Feynman </i></p><p>Nobel Prize-winning physicist Richard P. Feynman (1918-88) was that rarest of creatures  a towering scientific genius who could make himself understood by anyone and who became as famous for the wit and wisdom of his popular lectures and writings as for his fundamental contributions to science. <i>The Quotable Feynman </i>is a treasure-trove of this revered and beloved scientist's most profound, provocative, humorous, and memorable quotations on a wide range of subjects. </p><p>Carefully selected by Richard Feynman's daughter, Michelle Feynman, from his spoken and written legacy, including interviews, lectures, letters, articles, and books, the quotations are arranged under two dozen topics  from art, childhood, discovery, family, imagination, and humour to mathematics, politics, science, religion, and uncertainty. These brief passages  about 500 in all  vividly demonstrate Feynman's astonishing yet playful intelligence, and his almost constitutional inability to be anything other than unconventional, engaging, and inspiring. The result is a unique, illuminating, and enjoyable portrait of Feynman's life and thought that will be cherished by his fans at the same time that it provides an ideal introduction to Feynman for readers new to this intriguing and important thinker. </p><p>The book features a foreword in which physicist Brian Cox pays tribute to Feynman and describes how his words reveal his particular genius, a piece in which cellist Yo-Yo Ma shares his memories of Feynman and reflects on his enduring appeal, and a personal preface by Michelle Feynman. It also includes some previously unpublished quotations, a chronology of Richard Feynman's life, some twenty photos of Feynman, and a section of memorable quotations about Feynman from other notable figures. </p><p>Some notable quotations of Richard P. Feynman:</p><ul><li>'The thing that doesn't fit is the most interesting.'</li><li>'Thinking is nothing but talking to yourself inside.'</li><li>'It is wonderful if you can find something you love to do in your youth which is big enough to sustain your interest through all your adult life. Because, whatever it is, if you do it well enough (and you will, if you truly love it), people will pay you to do what you want to do anyway.'</li><li>'I'd hate to die twice. It's so boring.'</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Richard P. Feynman</b> (1918-1988) was a Nobel Prize-winning American theoretical physicist. His popular books included <i>The New York Times</i> bestseller <i>Surely You're Joking, Mr. Feynman!</i> and <i>What Do You Care What Other People Think?</i> </p><p><b>Michelle Feynman,</b> the daughter of Richard P. Feynman, is the editor of <i>Perfectly Reasonable Deviations from the Beaten Track: The Letters of Richard P. Feynman</i> and <i>The Art of Richard P. Feynman: Images by a Curious Character</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The father of existentialism, Soren Kierkegaard (1813-1855) was a philosopher who could write like an angel. Drawing from the authoritative Princeton editions of Kierkegaard's writings, this book presents a selection of his wit and wisdom, as well as a stimulating introduction to his life and work.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'Why I so much prefer autumn to spring is that in the autumn one looks at heaven  in the spring at the earth.'  Soren Kierkegaard </i></p><p>The father of existentialism, Soren Kierkegaard (1813-1855) was a philosopher who could write like an angel. With only a sentence or two, he could plumb the depths of the human spirit. In this collection of some 800 quotations, the reader will find dazzling bon mots next to words of life-changing power. Drawing from the authoritative Princeton editions of Kierkegaard's writings, this book presents a broad selection of his wit and wisdom, as well as a stimulating introduction to his life and work. </p><p>Organised by topic, this volume covers notable Kierkegaardian concerns such as anxiety, despair, existence, irony, and the absurd, but also erotic love, the press, busyness, and the comic. Here readers will encounter both well-known quotations ('Life must be understood backward. But then one forgets the other principle, that it must be lived forward') and obscure ones ('Beware false prophets who come to you in wolves' clothing but inwardly are sheep  i.e., the phrasemongers'). Those who spend time in these pages will discover the writer who said, 'my grief is my castle', but who also taught that 'the best defense against hypocrisy is love.' </p><p>Illuminating and delightful, this engaging book also provides a substantial portrait of one of the most influential of modern thinkers. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sren Kierkegaard</b> (1813-1855) was a Danish philosopher, theologian, and writer who is often considered the father of existentialism. His best-known books include <i>Either/Or</i>, <i>Fear and Trembling</i>, <i>The Sickness Unto Death</i>, and <i>The Concept of Anxiety</i>.</p><p><b>Gordon Marino</b> is professor of philosophy at St. Olaf College. His books include <i>The Existentialist's Survival Guide</i> and <i>Kierkegaard in the Present Age</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A collection of insightful and revealing quotations on a wide range of subjects from the father of modern politics</b></p><p>Niccol Machiavelli (1469-1527) is the father of modern political thought, but he is also one of the greatest writers of the Renaissance and his wisdom and style extend far beyond politics to encompass a compelling philosophy of life as well. In <i>The Quotable Machiavelli</i>, Maurizio Viroli, one of the world's leading Machiavelli scholars, offers a rich collection of the Florentine's most memorable words on a wide range of subjects, including politics, the human condition, religion, love and happiness, antiquity and history, patriotism, and virtue. Drawing on Machiavelli's entire body of writings, and including little-known quotations as well as famous passages, the book shows the full scope of his thought and belies the cliche that he was a 'Machiavellian' cynic. </p><p>In addition to Machiavelli's own words on dozens of subjects of perennial interest, the book includes some almost unknown texts in which his contemporaries describe him. Complete with a biographical introduction, the book serves as a handy reference and a smart and lively introduction to a masterly thinker and writer. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Niccol Machiavelli</b> (1469-1527) was a Florentine statesman, writer, and political philosopher. His most famous writings are <i>The Prince</i>, <i>The Discourses</i>, <i>The Florentine Histories</i>, and <i>The Art of War</i>. </p><p><b>Maurizio Viroli</b> is professor emeritus of politics at Princeton University, professor of government at the University of Texas, Austin, and professor of political communication at the University of Italian Switzerland in Lugano. His many books include <i>Niccol's Smile: A Biography of Machiavelli</i> and <i>How to Choose a Leader: Machiavelli's Advice to Citizens</i> (Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A cerebral, intricate study of loneliness from an acclaimed Scandinavian writer.</b></p><p>Far beyond a personal difficulty, loneliness has grown into a problem that plagues whole societies. Many countries, including the United States, Canada, and the United Kingdom, have gone as far to declare a loneliness epidemic. Loneliness can lead to depression and anxiety, and can even increase your chance of death by 26%. But what defines loneliness, and is it true that we are lonelier now than we have ever been?</p><p>As COVID-19 forced entire populations into isolation in 2020, author Hilde stby set out to investigate loneliness in all its forms. To frame this huge, multidisciplinary undertaking, she turned to the <i>Moomin</i> novels by revered Norwegian children's author Tove Jansson. Under the watchful eye of such Jansson creations as the tragically alienated Groke, this fascinating book recounts stby's own struggles with the condition and her many conversations with researchers, artists, and journalists who have looked closely at the myriad faces of loneliness and the ways it can be overcome.</p><p>Again and again, she returns to the nightmarish events of the 2011 Utya terrorist attacks, a collective trauma for Norwegian society that stby views as permeated with loneliness, in both its causes and effects. This is a deeply personal and yet universally relevant book about the costs to all when some are pushed out of society. But it is also a book about the incredible capabilities of human beings  how resilient we are, and how we survive and find ourselves through our relationships with others.</p><p><b>'Loneliness is one of the most important and difficult topics of our time, and this book is a beautiful meditation on it, taking us from The Moomins to the far right. Inspiring and original.'  Johann Hari, </b><b><i>New York Times</i></b><b>-bestselling author of </b><b><i>Lost Connections</i></b><b> and </b><b><i>Stolen Focus</i></b></p><p><b>Praise for Hilde tsby:</b></p><p><b>'stby's thoroughly researched offering is a joy to read...Curiosity seekers will be enlightened.'  </b><b><i>Publishers Weekly</i></b><b> on </b><b><i>The Key to Creativity</i></b></p><p><b>'An accessible book, which makes it all the more joyful.'  NYLON on </b><b><i>Adventures in Memory</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Hilde stby</b> is the author of <i>The Key to Creativity</i>, <i>My Belly</i>, and the co-author of <i>Adventures in Memory</i>, which was translated into twenty-one languages. She has worked as a literary critic for Norway's biggest newspaper and published fiction to critical acclaim. She has a master's degree in the history of ideas and lives in Oslo, Norway.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>How recent breakthroughs in longevity research offer clues about human aging</b></p><p>All of us would like to live longer, or to slow the debilitating effects of age. In<i> How We Age</i>, Coleen Murphy shows how recent research on longevity and aging may be bringing us closer to this goal. Murphy, a leading scholar of aging, explains that the study of model systems, particularly simple invertebrate animals, combined with breakthroughs in genomic methods, have allowed scientists to probe the molecular mechanisms of longevity and aging. Understanding the fundamental biological rules that govern aging in model systems provides clues about how we might slow human aging, which could lead in turn to new therapeutics and treatments for age-related disease.</p><p>Among other vivid examples, Murphy describes research that shows how changing a single gene in the nematode worm <i>C. elegans</i> doubles its lifespan, extending not only the end of life but also the youthful, healthy part of life. Drawing on work in her own lab as well as other recent research, Murphy chronicles the history and current state of the field, explaining longevity's links to reproduction and mating, sensory and cognitive function, inheritances from our ancestors, and the gut microbiome. Written with clarity and wit, <i>How We Age</i> provides a guide to the science: what we know about aging, how we know what we know, and what we can do with this new knowledge.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Coleen T. Murphy</b> is director of the Lewis Sigler Institute of Genomics and professor of genomics and molecular biology at Princeton University. She is also director of Princeton's Glenn Foundation for Research on Aging and the director of the Simons Collaboration on Plasticity in the Aging Brain.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>How only violence and catastrophes have consistently reduced inequality throughout world history.</b></p><p>Are mass violence and catastrophes the only forces that can seriously decrease economic inequality? To judge by thousands of years of history, the answer is yes. Tracing the global history of inequality from the Stone Age to today, Walter Scheidel shows that inequality never dies peacefully. Inequality declines when carnage and disaster strike and increases when peace and stability return. <i>The Great Leveler</i> is the first book to chart the crucial role of violent shocks in reducing inequality over the full sweep of human history around the world.</p><p>Ever since humans began to farm, herd livestock, and pass on their assets to future generations, economic inequality has been a defining feature of civilisation. Over thousands of years, only violent events have significantly lessened inequality. The 'Four Horsemen' of leveling  mass-mobilisation warfare, transformative revolutions, state collapse, and catastrophic plagues  have repeatedly destroyed the fortunes of the rich. Scheidel identifies and examines these processes, from the crises of the earliest civilisations to the cataclysmic world wars and communist revolutions of the twentieth century. Today, the violence that reduced inequality in the past seems to have diminished, and that is a good thing. But it casts serious doubt on the prospects for a more equal future.</p><p>An essential contribution to the debate about inequality, <i>The Great Leveler</i> provides important new insights about why inequality is so persistent  and why it is unlikely to decline anytime soon.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>How understanding our genetic imperfections can change our view of evolution and enrich what it means to be human</b></p><p>If we start with the presumption that evolution is a constantly improving process, some aspects of our evolution just do not make sense. We have a high rate of genetic diseases, for example, and much of our DNA seems to be pointless. In <i>The Evolution of Imperfection</i>, Laurence Hurst explores our apparently rotten genetic luck.</p><p>Hurst, a leading authority on evolution and genetics, argues that our evolutionary imperfections proceed directly from two features: the difficulties of pregnancy and the fact that historically there are relatively few of us. In pregnancy, natural selection can favor chromosomes that kill embryos in species (including ours) that continuously receive resources from the mother. Most fertilised eggs don't make it, and incompatibilities between the fetus and mother can lead to lethal disorders of pregnancy. The historically small population size enhances the role of chance, which in turn leads to both accumulation of unnecessary DNA and more mutation.</p><p>So what can save us? One answer may lie in genetic medicine, which has given us therapies that make killer conditions preventable and even curable.</p><p>Hurst suggests that our seeming imperfections could be the key to a new way to understand evolution itself. Looking at circumstances that seem to defy explanation, we might come to a richer understanding of how evolution really works, and what it means to be human.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Richard Sorge is one of history's most famous spies. This hard-drinking, womanising, motorcycle-crashing Soviet officer penetrated the German embassy in Tokyo during the 1930s and gathered intelligence credited with changing the course of the Second World War. It is an intriguing tale; but Sorge's spy ring was just one chapter in a much longer history of Russian and Soviet espionage in and against Japan.</p><p><i>Cracking the Crab</i> tells the extraordinary full story of Russian intrigue targeting Japan, from first encounters in the eighteenth century to the Soviet declaration of war in August 1945. Colourful episodes include Gojong, King of Korea, being smuggled into the Russian legation dressed as a woman in 1896; the 1927 'Tanaka Memorial', an infamous forgery purporting to be Japan's hidden plan for world domination; and the secret intelligence of 'Nero', a Soviet agent supplying invaluable insight into Japanese strategy during the Second World War.</p><p>From Russians murdered in broad daylight in Meiji Tokyo to Soviet honey traps and 'white magic' at the Battle of Nomonhan, this is a landmark history of the covert struggle between two great powers of the modern age.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>James D. J. Brown </b>is Professor of Political Science at Temple University, Japan. He is a specialist on East Asian politics and a regular media contributor, including for the <i>BBC</i>. His books include <i>Japan, Russia and their Territorial Dispute</i>; and <i>Japan's Foreign Relations in Asia and The Abe Legacy </i>(both co-edited).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jean-Martin Fortier</b>, a distinguished farmer, author, and educator, has been spearheading a movement in ecological agriculture for over twenty years. Since 2004, he and his wife have been operating Les Jardins de la Grelinette, an efficient and productive 2-acre microfarm. This farm is often referred to as a blueprint for effective human-scale organic farming.</p><p>In 2015, Jean-Martin established La Ferme des Quatre-Temps, a research farm dedicated to training apprentices and developing new strategies for market gardening, including year-round production. His pioneering methods are taught worldwide through the Market Gardener Institute, which is present in more than 90 countries.</p><p>Jean-Martin is the author of <i>The Winter Market Gardener</i> and<i> The Market Gardener</i>, which have sold over a quarter of a million copies in nine languages. His contributions to organic farming and regenerative agriculture have earned him the Meritorious Service Cross from the Governor General of Canada. He farms and lives in Quebec, Canada.</p><p><b>Pierre Nessmann</b> was born to a family of Strasbourg market gardeners and holds a degree from the cole d'Horticulture de Geneve, in Switzerland. He has worked as a landscape gardener and a journalist for over 40 years. He is the assistant editor of the popular French gardening magazines Rustica Pratique and Rustica Weekly, covers gardening and DIY stories for the French television Network TF1, and currently hosts a gardening segment on the show Nous Voil Bien, on the French radio station RTL. He is the author of several books about vegetable growing, gardening, and landscaping. Pierre lives in Paris, France.</p><p><b>Flore Avram</b> is a freelance artist and graphic designer specialising in scientific and botanical illustration. She has collaborated extensively with the French language children's publisher KiloWatt Editions, and with Inserm Magazine, a quarterly journal which explores health and biomedical research. Flore has earned several professional certifications in graphic design and scientific illustration from L'Ecole Estienne, the Municipal Graduate School of the Arts and Printing Industry. She also works as a Mediatrice en botanique at Jardin des Serres d'Auteuil, a unique French natural heritage site and eco-garden. She is based in Paris, France.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Often overlooked by home and market gardeners alike, tools are essential to growing success. Vegetable Garden Tools: A Grower's Guide will help you select the right equipment for your situation based on the principles of 'The Fortier Method', Jean-Martin Fortier's proven formula for small-scale, high-yield microfarming.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Essential tools for successful vegetable growers.</b></p><p>Often overlooked by both home and market gardeners, the right farm and garden tools are essential for cultivating success. <i>Vegetable Garden Tools: A Grower's Guide </i>will help you select the appropriate equipment for your unique situation, drawing on 'The Market Gardener Method'. This method, developed by Jean-Martin Fortier, is a proven formula for successful, small-scale, high-yield microfarming.</p><p>This highly accessible, succinct, and beautifully illustrated full-colour handbook features:</p><ul><li>Recommendations for garden tools and implements for every stage of cultivation  from soil preparation and sowing to planting, crop maintenance, and harvesting.</li><li>A focus on 'low-tech' hand tools that are inexpensive, sustainable, and allow for working the soil while respecting biodiversity. These tools increase productivity and efficiency, and improve ergonomics.</li><li>Detailed information on the function, benefits, and operation of each piece of equipment, accompanied by over 100 explanatory drawings.</li><li>Specific advice and tips to get the most out of your garden tools and farm equipment, whether you are using them in a family garden or on a diversified market farm.</li></ul><p><i>Vegetable Garden Tools: A Grower's Guide</i> is a keystone title in the <i>Grower's Guides from the Market Gardener</i> series. This curated collection of practical handbooks is designed to provide everyone from novice gardeners to seasoned horticulturalists and farmers with the information they need to grow better using Jean-Martin Fortier's principles of biointensive, regenerative agriculture at a human scale.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jean-Martin Fortier</b>, a distinguished farmer, author, and educator, has been spearheading a movement in ecological agriculture for over twenty years. Since 2004, he and his wife have been operating Les Jardins de la Grelinette, an efficient and productive 2-acre microfarm. This farm is often referred to as a blueprint for effective human-scale organic farming.</p><p>In 2015, Jean-Martin established La Ferme des Quatre-Temps, a research farm dedicated to training apprentices and developing new strategies for market gardening, including year-round production. His pioneering methods are taught worldwide through the Market Gardener Institute, which is present in more than 90 countries.</p><p>Jean-Martin is the author o<i>f The Winter Market Gardener </i>and <i>The Market Gardener</i>, which have sold over a quarter of a million copies in nine languages. His contributions to organic farming and regenerative agriculture have earned him the Meritorious Service Cross from the Governor General of Canada. He farms and lives in Quebec, Canada.</p><p><b>Pierre Nessmann</b> was born to a family of Strasbourg market gardeners and holds a degree from the cole d'Horticulture de Geneve, in Switzerland. He has worked as a landscape gardener and a journalist for over 40 years. He is the assistant editor of the popular French gardening magazines Rustica Pratique and Rustica Weekly, covers gardening and DIY stories for the French television Network TF1, and currently hosts a gardening segment on the show Nous Voil Bien, on the French radio station RTL. He is the author of several books about vegetable growing, gardening, and landscaping. Pierre lives in Paris, France.</p><p><b>Flore Avram </b>is a freelance artist and graphic designer specialising in scientific and botanical illustration. She has collaborated extensively with the French language children's publisher KiloWatt Editions, and with Inserm Magazine, a quarterly journal which explores health and biomedical research. Flore has earned several professional certifications in graphic design and scientific illustration from L'Ecole Estienne, the Municipal Graduate School of the Arts and Printing Industry. She also works as a Mediatrice en botanique at Jardin des Serres d'Auteuil, a unique French natural heritage site and eco-garden. She is based in Paris, France.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A guide to your spiritual journey of transformation using the Enneagram.</b></p><p><b>'</b><b><i>The Enneagram of the Soul</i></b><b> invites us on a journey of profound self-discovery.'  from the foreword by Russ Hudson, bestselling coauthor of </b><b><i>The Wisdom of the Enneagram</i></b></p><p><i>The Enneagram of the Soul</i> is inspired by over two decades of inner and outer work with the Enneagram by leading expert Nhien Vuong. Nhien provides a path to wholeness for the self, enabling the reader to be steered gently yet firmly away from the trap of solely identifying with their personality type, so they can live more fully from their divine nature.</p><p>This book is divided into two parts. Part 1 shares nine Enneagram-informed principles that guide one's journey of transformation using the Enneagram, nine contemplative practices to propel and support the transformational process, and nine prayers to lend heart to the journey. Part 2 offers forty activations, which consist of very brief questions, reminders, or practices on forty different themes customised for each of the nine Enneagram personality types. When we begin to access the wholeness of all nine Enneagram energies working in concert, we experience a greater sense of inner peace, purpose, and fulfillment.</p><p><b>'An important and uniquely useful contribution to the Enneagram literature in that she provides a pathway for the types, built around practices and principles.'  Beatrice Chestnut, author of </b><b><i>The Enneagram Guide to Waking Up</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[The Cosmic Wealth Codes Journal is your guide to realising wealth as your divine birthright. Drawing on collaboration with Artemis and Arrow, it unlocks the wealth frequencies within oneself. With reflective prompts, affirmations, card spreads, and celestial art, it's a portal to self-discovery and alignment with cosmic abundance.]]></Text>
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			<Text textformat="02"><![CDATA[<p>The<i> Cosmic Wealth Codes Journal</i> is your guide to realising wealth as your divine birthright. Drawing on collaboration with Artemis and Arrow, it unlocks the wealth frequencies within oneself. With reflective prompts, affirmations, card spreads, and celestial art, it's a portal to self-discovery and alignment with cosmic abundance.</p><p>The <i>Cosmic Wealth Codes Journal</i> serves as a vessel for your cosmic evolution, leading you toward a reality where wealth isn't just a distant dream but your easily accessible divine birthright. Crafted through collaboration between the author and spiritual entities Artemis and Arrow, this journal delves deep into the core of the channeled wealth codes within the <i>Cosmic Wealth Codes Affirmation Deck</i>. It acts as a guide, helping you unearth the hidden treasures of abundance nestled within your consciousness.</p><p>Within its pages, you'll find a treasure trove of tools and insights designed to activate and amplify the wealth frequencies lying dormant within you. Reflective prompts, activating affirmations, card spreads tailored for abundance, and captivating otherworldly art come together to create a transformative experience. Each page invites you to embark on a journey of self-discovery and transformation, exploring the boundless potential of your cosmic being. Through introspective inquiries and soulful contemplation, you'll delve into the depths of your subconscious, shedding limiting beliefs and aligning with the abundant flow of the universe.</p><p>Whether incorporated into your daily rituals, utilised during moments of reflection, or integrated into your manifestation practices, this journal serves as a steadfast companion on your path to prosperity. By learning to speak the language of the cosmos and aligning with its abundance, you'll begin to cocreate with the universe the wealth you desire. The <i>Cosmic Wealth Codes Journal</i> offers a sacred space for you to cultivate a deeper connection with abundance, empowering you to step into your divine birthright and manifest a reality filled with prosperity and fulfillment.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An essential pizza book from Brooklyn's beloved Paulie Gee's pizzeria that reveals the secrets behind their most celebrated pies, alongside heartwarming stories from their decades-long culinary adventure.</b></p><p>This cookbook is a love story between Paulie, Mary Ann, and pizza. In 2010, at the age of 56, Paulie left a career in corporate IT to turn his backyard culinary pursuit into his retirement plan. Now that passion is Paulie Gee's  a thriving pizzeria business with restaurants and slice shops in cities all over the US. In this highly anticipated first cookbook,Paulieand Mary Ann share their secrets not only for making their inventive, addictive pies at home, but also the lessons they've learned during their 45-year marriage and 15-year restaurant partnership. (In both food and love, watch the salt.) This book featuresover 100 recipes for their insanely popular pizzas like the Hellboy (asoppressata pie topped with hot honey), the Mo Cheeks (a tomato and pecorino pie with guanciale), and the In Ricotta da Vegan (a ricotta pie made with vegan sausage and cheese). There are also family recipes from their home kitchen (including their famous vegetarian French onion soup and Paulie's signature Penne a la Jack Daniels), and a selection of drinks (includingthe restaurant's famous limoncello) and desserts. Also included are recipes featuring collaborations with some of New York's other beloved institutions, such as the Brisket-Five-O, a pizza collaboration with a local BBQ spot. The pizza recipes include instructions for cooking in a conventional home oven as well as a wood-fired pizza oven.</p><p>Level up your pizza night with this debut book from Brooklyn's famous Paulie Gee's, featuring over 100 recipes that bring their innovative combinations and time-tested techniques to home kitchens everywhere. More than just a pizza cookbook, this collection weaves together their 45-year love story with hard-won restaurant wisdom, featuring both beloved menu items from Paulie Gee's and cherished family recipes that showcase the couple's culinary journey from backyard experimenters to celebrated restaurateurs.</p>]]></Text>
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			<SubjectHeadingText>A Tea Witch's Grimoire; Moostone; Nicholas pearson; S.M.Harlow; Tea lover; amethyst; black tea; crystal book; crystal grids; crystal patterns; crystals; crystals and tea; gemstones; herbal teas; judy hall; magick; quartz; recipes; rituals; sabat; sacred geometry; tea; tea and crystals; tea blends; tea book; tea brewing; tea magic; tea magic and crystal grids; tea magick; the tea witch; wellness; witch; witchcraft; witchy gifts</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Empower your magickal teas with crystal grids.</b></p><p>The author of the popular <i>A Tea Witch's Grimoire</i> takes tea magick to a new level as she brings you into the enchanting realm where the art of tea-making intertwines with the power of crystal grids, creating a harmonious fusion of energies that will elevate your magickal practice.</p><p>Tea magick has a profound connection to nature, mindfulness, and spiritual transformation. Here you'll learn how to select and prepare teas that align with your intentions, harnessing their unique properties to enhance your rituals and meditations. But the enchantment doesn't stop there. <i>A Tea Witch's Crystal Brews</i> unveils the captivating realm of crystal grids, where carefully selected gemstones are arranged in geometric patterns to amplify intention and manifest desires. Explore the world of crystals and unlock their hidden powers as you discover the intricate interplay between crystals and tea magick. Along with rituals and recipes in this book, you'll unravel the secrets of combining these two ancient practices, creating a synergy that enhances your spiritual journey. As you explore the symbiotic relationship between specific teas and corresponding crystals, you'll gain insight into the sacred geometry behind crystal grids and learn how to design your own layouts that align with your intentions.</p><p><i>A Tea Witch's Crystal Brews</i> offers step-by-step instructions, enchanting rituals, recipes, meditations, and practical tips that allow you to infuse your daily life with the transformative energies of tea magick and crystal grids.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>S. M. Harlow</b> discovered her love of wildcraft over two decades ago. When she is not writing, Susana is studying to become a doctor of traditional naturopathy. She lives just outside Birmingham, Alabama, with her husband and son. She is the author of <i>A Tea Witch's Grimoire: Magickal Recipes for Your Tea Time.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From the</b> <b><i>New York Times</i></b><b> bestselling author of</b> <b><i>The Shia Revival</i></b></p><p><b>A gripping account that overturns simplistic portrayals of Iran as a theocratic pariah state, revealing how its strategic moves on the world stage are driven by two pervasive threats  external aggression and internal dissolution</b></p><p>Iran presents one of the most significant foreign policy challenges for America and the West, yet very little is known about what the country's goals really are. Vali Nasr examines Iran's political history in new ways to explain its actions and ambitions on the world stage, showing how, behind the veneer of theocracy and Islamic ideology, today's Iran is pursuing a grand strategy aimed at securing the country internally and asserting its place in the region and the world.</p><p>Drawing on memoirs, oral histories, and original in-depth interviews with Iranian decision makers, Nasr brings to light facts and events in Iran's political history that have been overlooked until now. He traces the roots of Iran's strategic outlook to its experiences over the past four decades of war with Iraq in the 1980s and the subsequent American containment of Iran, invasion of Iraq in 2003, and posture toward Iran thereafter. Nasr reveals how these experiences have shaped a geopolitical outlook driven by pervasive fear of America and its plans for the Middle East.</p><p>Challenging the notion that Iran's foreign policy simply reflects its revolutionary values or theocratic government, <i>Iran's Grand Strategy</i> provides invaluable new insights into what Iran wants and why, explaining the country's resistance to the United States, its nuclear ambitions, and its pursuit of influence and proxies across the Middle East.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Vali Nasr</b> is the Majid Khadduri Professor of International Affairs and Middle East Studies at Johns Hopkins University's School of Advanced International Studies. His books include <i>The Dispensable Nation: American Foreign Policy in Retreat</i>, <i>The Shia Revival: How Conflicts within Islam Will Shape the Future</i>, and (with Ali Gheissari) <i>Democracy in Iran: History and the Quest for Liberty</i>. His writing has appeared in leading publications such as the <i>New York Times</i>, the <i>Wall Street Journal</i>, and <i>Foreign Affairs</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In this landmark book, Scott Page redefines the way we understand ourselves in relation to one another. <i>The Difference</i> is about how we think in groups  and how our collective wisdom exceeds the sum of its parts. Why can teams of people find better solutions than brilliant individuals working alone? And why are the best group decisions and predictions those that draw upon the very qualities that make each of us unique? The answers lie in diversity  not what we look like outside, but what we look like within, our distinct tools and abilities.</p><p><i>The Difference</i> reveals that progress and innovation may depend less on lone thinkers with enormous IQs than on diverse people working together and capitalising on their individuality. Page shows how groups that display a range of perspectives outperform groups of like-minded experts. Diversity yields superior outcomes, and Page proves it using his own cutting-edge research. Moving beyond the politics that cloud standard debates about diversity, he explains why difference beats out homogeneity, whether you're talking about citizens in a democracy or scientists in the laboratory. He examines practical ways to apply diversity's logic to a host of problems, and along the way offers fascinating and surprising examples, from the redesign of the Chicago 'El' to the truth about where we store our ketchup.</p><p>Page changes the way we understand diversity  how to harness its untapped potential, how to understand and avoid its traps, and how we can leverage our differences for the benefit of all.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Scott E. Page</b> is the John Seely Brown Distinguished University Professor of Complexity, Social Science, and Management and the Williamson Family Professor of Business Administration at the University of Michigan. His books include <i>The Model Thinker: What You Need to Know to Make Data Work for You.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A celebration of trees with beautiful botanical art at its centre, along with entertaining and informative text. Paintings by botanical artist Masumi Yamanaka illustrate the oldest and finest trees at Kew Gardens, showing flowers, foliage and fruit at different stages throughout the year. The artist's preface describes the artistic process from sketch to finished work.</p><p>Christina Harrison's introductory chapter on the history of tree collecting and introduction highlights their importance, from their practical applications to the sheer wonder of their beauty. Some trees featured were planted in the 18th century, with many now rare in the wild.</p><p>Each tree is accompanied by the artist's commentary on her personal experience with it and writing by Martyn Rix describing natural distribution and cultivation history, and points of interest including uses and associated wildlife.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Christina Harrison</b> is the former editor of <i>Kew</i> magazine and author of several books.</p><p><b>Martyn Rix</b> is a renowned horticulturalist, author and editor of <i>Curtis's Botanical Magazine.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A historical, literary, and philosophical study that transforms our understanding of reading</b></p><p>'Peter Szendy offers a subtle, persuasive, and unprecedented account of the time of reading and its scene of address, one that is as archaic as it is contemporary. When we read, are we listening to a voice or being read to? If it is not a private and monologic exercise, how do we understand the populated scene of reading? What reads when we read, and how does reading push and pull between temporalities and voices? Why do we keep leaving the text when we seek to obey the injunction to stay within its terms?</p><p>Questions such as these produce a fresh, even startling, consideration of a wide range of literary and popular texts, including Hobbes' <i>Leviathan</i>, Flaubert's <i>Madame Bovary</i>, Kant's moral injunctions, Sade, Valery, Blanchot, and de Certeau, but also modern fiction, film, audiobooks, and hypertext. The power of reading turns out to belong to its surprising engagement with time and direction: the deliberate reader stays close but strays, tries to fill in the gaps but gets pushed back by a countercurrent. The key to the text is sought 'outside' only to be led back to the text and its failure to deliver a final answer. Equally at odds with older versions of literary formalism that insist on the self-referentiality of the text as well as contextualists who scour an external social order to discover the truth of the text, Szendy approaches that very conflict as an oscillation constitutive of reading itself. Paradoxically, reading is sustained precisely by what interrupts its teleological flow.</p><p>The result is a comic, profound, and timely reconceptualisation of reading which rushes forward only to find itself pushed back into the heart of the text, which discovers that this incessant breaking from the text, this headlong rushing ahead to the world outside the text is a sequence of overreach, delay, and return that forms the ragged rhythm of reading itself. <i>Powers of Reading</i> is a patient, brilliant, and illuminating inquiry into the crosscurrents of voice and address, one that speaks to the speed and complexity of our time, how we are upended by our forward propulsions, to consider how multiple voice, action, and passivity are all rearranged in the scene of reading.'  Judith Butler, Distinguished Professor in the Graduate School, University of California, Berkeley</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Peter Szendy</b> is the David Herlihy Professor of Humanities and Comparative Literature at Brown University. His books include <i>For an Ecology of Images</i>; <i>The Supermarket of the Visible: Toward a General Economy of Images</i>; <i>Of Stigmatology: Punctuation as Experience</i>; and <i>All Ears: The Aesthetics of Espionage</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Turn your tarot deck into your own personal helpline and get the answers you've been looking for in Dorothy Morrison's classic title, <i>Everyday Tarot Magic</i>.Follow Dorothy's expertise as she guides you through each exercise and ritual, with over 140 spells, charms, and activities to choose from. Use numerology to help determine special cards, like your spirit card, your lesson card, or your personal year card. Connect with the spirit world and learn the fundamentals of tarot in this fantastic book for both the beginner and the advanced reader.</p><p>Everything you need to successfully make magic with your tarot deck is found here within <i>Everyday Tarot Magic</i>.</p><p>This book was previously published in 2003.</p><p><b>'Dorothy Morrison, Wiccan High Priestess, bestselling author of </b><b><i>Everyday Magic</i></b><b>, applies her craft to the Tarot deck in </b><b><i>Everyday Tarot Magic</i></b><b>. Building on the popularity of Tarot, Morrison shows readers how to get started with Tarot, how to find the right deck, and how to understand the various cards and where they fit into the system. The second half of the book explores 'Tarot magic,' helping readers use the cards to deal with specific situations such as anxiety, forgiveness, healing, new endeavors, travel, and unwanted guests. There's even a special charm for finding a parking place. Morrison cautions that people are often searching for 'the best case scenario' when reading their own cards, and that it's more accurate to have an objective outsider interpret the cards for them.'  </b><b><i>Publishers Weekly</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Dubbed by <i>Publishers Weekly</i> as 'a witch to watch', <b>Dorothy Morrison</b> is the award-winning author of numerous books on the ancient arts and has become a favorite of readers and critics from all walks of life. Some say it's because of the easily appreciated conversational tone she applies to her work. Others say it's her down-to-earth and humorous approach to the subject matter. But regardless of the debate, all agree on one thing: whether in her writing or her interaction with the public, it's Morrison's personal style that makes her memorable.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Once upon a time, minister, lecturer, and astronomer Rev. Timothy Harley published Moon Lore, a culmination of his understanding of the moon and its many myths. Now lovingly updated and reproduced for a modern audience, this book is the perfect reference for everything about lunar folklore.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Explore the Magic of the Moon.</b></p><p>Once upon a time, minister, lecturer, and astronomer Rev. Timothy Harley published <i>Moon Lore</i>, a culmination of his understanding of the moon and its many myths. Now lovingly updated and reproduced for a modern audience, this book is the perfect reference for everything about lunar folklore. Contained within are different concepts about the moon that span time, religion, and nationality, covering many different interpretations of the moon's entities and inhabitants. A charming addition to any library, <i>The Old Lore of the Moon</i> stands out among older books as a highly readable, informative, and entertaining entry.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Timothy Patrick Harley</b> (18451904) was an English-born Baptist minister and lecturer as well as an astronomer, elected as a Fellow of the Royal Astronomical Society in 1883, who authored two books on the moon, the most notable being <i>Moon Lore</i> (<i>The Old Lore of the Moon</i>).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A feast for the senses: an illustrated cookbook inspired by classic and contemporary Gothic texts.</p><p>This literary inspired cookbook is composed of thirteen divinely delicious chapters, each focusing on a different story and discussing its edible motifs before bringing them to life  and to your table  with approachable, easy-to-follow recipes and hand-drawn illustrations.</p><p>Inspired by Alessandra Pino's academic studies into how food manifests itself on the pages of Gothic literature, and combining her knife-sharp analysis with Ella Buchan's experience as a food writer and recipe developer, <i>A Gothic Cookbook</i> pays homage to the most appetising cuts of the genre, featuring over sixty original recipes illustrated by Lee Henry.</p><p>Dracula lulls protagonist Jonathan Harker into a false sense of security with cold cuts and a spicy, smoky, peppery stew. Frankenstein's &amp;#x27;monster&amp;#x27; starts out as a benign vegetarian, while Mrs Poole's overindulgence in <i>Mother's Ruin</i> triggers Mr Rochester's downfall in<i> Jane Eyre</i>  and a bitter tangerine signals a sharp, yet unheeded, warning against marriage and Manderley in <i>Rebecca</i>. Notice, too, how a ghostly presence craves sugar and burnt bread in Toni Morrison's <i>Beloved</i>...</p><p>In this interplay between supper and the supernatural, you'll learn to pick your desserts carefully: chocolate mousses foreshadow impending doom, yet the humble seed cake is a gesture of kindness.</p><p>With a foreword from acclaimed writer, editor and academic, Leone Ross, <i>A Gothic Cookbook</i> is the perfect culinary companion for those of you who enjoy a slice of the macabre with your dinner.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kevin Jon Davies</b> grew up enthralled with Doctor Who and The Goon Show. The Hitchhiker's Guide radio series in 1978 combined the best of both, so the young art student sought out its little-known author Douglas Adams, recording an early fanzine interview. Following a career in film and tv, he went on to direct The Making of Hitchhiker, the 1993 documentary for BBC Video. Adams then invited Davies to art-direct The Illustrated Hitchhiker, a large-format book with pioneering digital composites. Since then he has contributed to a number of Adams-related projects, including as researcher into Adams' archives for The Hexagonal Phase (2018); the final radio series of The Hitchhiker's Guide to the Galaxy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From the creator and publisher behind the viral sensation </b><b><i>Cain's Jawbone: A Very Novel Mystery</i></b><b>, is a collection of 112 difficult cryptic crossword puzzles.</b></p><p>Before Edward Powys Mathers wrote the world's most fiendishly difficult literary puzzle, he was a cryptic crossword creator. Under his pseudonym 'Torquemada', his puzzles would taunt readers for days. He created his first cryptic crossword puzzle in 1924 and went on to set them for the Saturday Westminster and the Observer for the next 15 years. His true identity was only revealed when he died in 1939.</p><p>As well as earning the reputation for setting the world's toughest crosswords, Torquemada - or 'Torq' as he was often referred to - was also delightfully creative: with many puzzles written in perfectly constructed verse, or delivered as mini-narratives to their solvers. There's even a version where the clues are knock-knock jokes.</p><p>For many years cryptic crosswords were simply known as puzzles in the 'Torquemada style'. This selection of Torquemada's best crosswords was originally published in 1942 and contains three short accounts of Torquemada's life and achievements, including one by his widow, R.C. Mathers. The successful revival of Cain's Jawbone has inspired a new generation of puzzle solvers. Here then is the next challenge for Torquemada's fans - dare you take it on?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Fair or Foul</i> considers different aspects of ambition and its place in our lives. It asks: what does success mean? When is enough enough? And is Lady Macbeth right to suggest that only those with the 'illness' of ambition achieve the highest goals?</p><p>Stefan Stern draws on the major themes of <i>Macbeth</i> and discusses how they can be applied to ambition in modern life. From the success of the first US woman vice president, Kamala Harris, the obstacles she faced and the possibilities that still lie ahead, to Boris Johnson's young aspirations to be 'world king' and the pathological intensity of his ambition, Stern considers the careers and personal lives of politicians, sports stars and business people, to name a few, to illuminate this strange and powerful driver. Expect to discover how ambition and success work together, how attitudes have shifted over time, and how gender roles have an impact on our goals.</p><p>Incisive, contemporary and accessible, this book is for anyone who is looking for a change of direction or emphasis on how to move forward. It will also provide consolation, amusement and plenty of insightful meditations on the complex nature of ambition.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A groundbreaking deep dive into the history, politics and lived experiences of three often-misunderstood identities:Asexuality, Aromanticism and Agender.</p><p>How did asexual identity form? What is aromanticism? How does agender identity function? Researcher and writer Michael Paramo explores these misunderstood experiences, from the complex challenge of coming out to navigating the western lens of attraction. Expertly mapping their history, Paramo traces the emergence of vital online communities to the origins of the Victorian binaries that still restrict us today.</p><p>Powerfully persuasive and thought-provoking, Ending the Pursuit asks us to reimagine sexuality, romance and gender without the borders imposed by society.</p><p>With a groundbreaking blend of memoir and poetry, online articles and discussions, <i>Ending the Pursuit</i> is a much-needed addition to the cultural conversation. It encourages us to end the search for 'normalcy' and gives voice to an often-misunderstood community.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michael Paramo</b> is a Xicanx researcher, writer, poet, and artist born and raised in the suburbs of southern California (on Tongva land) in a Mexican-American family. They created AZE (azejournal.com) in 2016, a platform that publishes the writing and artwork of asexual, aromantic, and agender authors. AZE has been recognized for its work in books and by several universities, whilst Paramo's own writing has been published in the Video Game Art Reader and cited in the Handbook for Human Sexuality Counseling. Their visual art has been published in the University of New Mexico's Blue Mesa Review and they release music under the name COZMECA. Michael lives inPlacentia, California.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Zelda, Nora, Vera, and now Eileen  this is the story of George Orwell's first wife, a woman who shaped, supported and even saved the life of one of twentieth century's greatest writers.</b></p><p>This is the never-before-told story of George Orwell's first wife, Eileen, a woman who shaped, supported, and even saved the life of one of the twentieth century's greatest writers.</p><p>In 1934, Eileen O'Shaughnessy's futuristic poem, 'End of the Century, 1984', was published. The next year, she would meet George Orwell, then known as Eric Blair, at a party. 'Now that is the kind of girl I would like to marry!' he remarked that night. Years later, Orwell would name his greatest work, <i>Nineteen Eighty-Four</i>, in homage to the memory of Eileen, the woman who shaped his life and his art in ways that have never been acknowledged by history, until now.</p><p>From the time they spent in a tiny village tending goats and chickens, through the Spanish Civil War, to the couple's narrow escape from the destruction of their London flat during a German bombing raid, and their adoption of a baby boy, <i>Eileen</i> is the first account of the Blairs' nine-year marriage. It is also a vivid picture of bohemianism, political engagement, and sexual freedom in the 1930s and '40s.</p><p>Through impressive depth of research, illustrated throughout with photos and images from the time, this captivating and inspiring biography offers a completely new perspective on Orwell himself, and most importantly tells the life story of an exceptional woman who has been unjustly overlooked.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>One woman's hilarious and fascinating quest to expose the truth behind fraudulent Twitter profiles: romance scammers beware, you have met your match!</b></p><p>Online romance fraud is a problem across the globe. It causes financial and emotional devastation, yet many people refuse to take it seriously. This is the story of one middle-aged woman in a cardigan determined to understand this growing phenomenon.</p><p>No other woman has had so many online romances  from Keanu Reeves to Brad Pitt to Prince William  and Becky Holmes is a favourite among peacekeeping soldiers and oil rig workers who desperately need iTunes vouchers. By winding up scammers and investigating the truth behind their profiles, Becky shines a revealing, revolting and hilarious light on a very shady corner of the internet.</p><p>Featuring first-hand accounts of victims, examples of scripts used by fraudsters, a look into the psychology of fraud and of course plenty of Becky's hysterical interactions with scammers, this is a must-read for anyone who needs a reminder that Keanu Reeves is NOT in love with them.</p><p><b>'Clever, pertinent and very, very funny...Striking journalism.' -Danny Finkelstein</b></p><p><b>'A funny, sweary, absurd delight that knows just when to take the subject seriously too. I loved it.' - Dave Gorman</b></p><p><b>'A brilliant read. Moves effortlessly between hilarious and informative and back again.' - Ed Byrne</b><br/></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Becky Holmes</b> is the creator of and voice behind the popular Twitter account @deathtospinach. Having been on the receiving end of an annoying number of direct messages from online romance scammers, Becky started to enjoy wasting their time and then publicly 'outing' their accounts. No other woman has had so many online romances  from Keanu Reeves to Brad Pitt to Prince William. She is a firm favorite with brave US peacekeeping soldiers stationed around the world, and oil rig workers - all who eventually need iTunes vouchers or Amazon gift cards. Becky's book, <i>Keanu Reeves Is Not In Love With You,</i> looks at all aspects of romance fraud, from the heartbreaking to the hilarious, the academic to the anecdotal.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'Women have won their political independence. Now is the time for them to achieve their economic freedom too.'</i></p><p>This was the great rallying cry of the pioneers who, in 1919, created the Women's Engineering Society. Spearheaded by Katharine and Rachel Parsons, a powerful mother and daughter duo, and Caroline Haslett, whose mission was to liberate women from domestic drudgery, it was the world's first professional organisation dedicated to the campaign for women's rights.</p><p><i>Magnificent Women and their Revolutionary Machines</i> tells the stories of the women at the heart of this group - from their success in fanning the flames of a social revolution to their significant achievements in engineering and technology. It centres on the parallel but contrasting lives of the two main protagonists, Rachel Parsons and Caroline Haslett - one born to privilege and riches whose life ended in dramatic tragedy; the other who rose from humble roots to become the leading professional woman of her age and mistress of the thrilling new power of the twentieth century: electricity.</p><p>In this fascinating book, acclaimed biographer Henrietta Heald also illuminates the era in which the society was founded. From the moment when women in Britain were allowed to vote for the first time, and to stand for Parliament, she charts the changing attitudes to women's rights both in society and in the workplace.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A practical guide to human rights work and being a good ally, from internet sensation Bilbo the Cat.</p><p><i>'Bboy' means 'boy' in a very particular form of internet cat-speak. You can pronounce it 'boy', 'buh-boy' or 'bee-boy', whatever makes your heart happiest.</i></p><p>It's not always easy to live your life with kindness, but Ellen Murray and her cat Bilbo are doing their best to spread messages of positivity to their followers. As an LGBT+ and disability activist, Ellen's goal has always been to make love, care and safety a reality for all  but fighting for your own rights or standing as an ally to others can be daunting, intimidating and confusing work.</p><p><i>How to Be a Good Bboy</i> is an accessible guide to understanding what human rights work is all about: how to get involved, navigate the inevitable pitfalls, overcome imposter syndrome and own your vulnerability and power.</p><p>It is about Bilbo, and about Ellen. About her work, and about how Bilbo's online presence is not just an accessory to that work but a way to channel the greater goals of her activism to a wider audience. It is about dignity, respect and justice, and ultimately how to be a very good bboy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ellen Murray</b> is an international human rights activist who has worked since 2013 to progress trans rights in Northern Ireland. She is Executive Director of TransgenderNI, researches anti-gender activism worldwide and specialises in the intersections between LGBTI and disability rights. She has a large orange cat son Bilbo, who has over a hundred thousand adoring fans online, and who is the inspiration for much of her work. Ellen studies international disability law at NUI Galway and has a number of hobbies including amateur radio, electronics and writing.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>YouTube sensation Stuart Ashen is back with his second instalment of terrible old computer games you've probably never heard of.</p><p><i>Attack of the Flickering Skeletons</i> is even bigger than the original <i>Terrible Old Games You've Probably Never Heard Of</i>  this second excavation of gaming's buried past will not only unearth more appalling excuses for digital entertainment, but also feature guest contributors and several special interest chapters not based around single specific games.</p><p>These are NOT the games you've heard of a million times in YouTube videos. This is a compilation of truly obscure and dreadful games. Dripping with wry humour and featuring the best, worst graphics from the games themselves, this book encapsulates the atrocities produced in the days of tight budgets and low quality controls.</p><p>These are even more appalling games that leaked from the industry's tear ducts, taken down from the dusty shelves of history by the man who has somehow made a living by sticking rubbish on a sofa and talking about it.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>&amp;#x27;ABC&amp;#x27;, as perfect as anything I&amp;#x27;ve ever witnessed up until that point in my tiny little life. Three minutes of divine delirium.</p><p>In 1972, when Robert Elms was thirteen years old, he saw the Jackson 5 play live at the Empire Pool. At some point during the performance, he found himself in a state of otherworldly perfect synchronicity with everything happening around him. This single event would set him off on an endless pursuit for that same height of pleasure.</p><p>Since then, Robert has lived his life through live music, from pub rock to jazz funk, punk to country, and everything in between. Each gig is memorable in its own way, and his snapshots of musicians past and present are both evocative and startlingly concise: Tom Waits showboating with an umbrella, Grace Jones vogueing with a mannequin, Amy shimmying shamelessly like a little girl at a wedding, Gil Scott-Heron rapping with a conga drum.</p><p>While in our changed times, Robert notes that we have found new ways of listening - of being part of something special by uniting fans with their favourite performers online - there is not, nor can there ever be, anything quite like the live experience. <i>Live!: Why We Go Out</i> is a memoir and a musing on why experiencing live music really matters.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A celebration of the joys of live music from BBC Radio London's<b> Robert Elms.</b></p><p>For nearly 40 years Elms has been one of the most distinctive faces and voices in the British media. A journalist, author and presenter, his multi-award winning daily radio show on BBC London, covering all aspects of life in the metropolis, including his passion for great music, is the most listened to programme on British local radio.</p><p>The start of the 1980s also saw the start of The Face, the pioneering style bible, where Elms instantly found a niche for his diatribes on the intricacies of young urban life. Becoming an editor of The Face in his early twenties, he also contributed regularly to international magazines as well as most of the prestigious British newspapers. He began broadcasting for the BBC, most notably as part of the team of Loose Ends on Radio 4 where he won his first Sony.</p><p>In 1986 he combined two ambitions by going to live in Spain to write his debut novel.<i> In Search Of The Crack</i> was a Penguin original when he was just 27. He also began travel writing for the<i> Sunday Times</i>, who regularly printed his portraits of places as diverse as Venice and Buenos Aires, Istanbul and New Orleans. Elms continued his obsession with Iberia by writing his second book <i>Spain: A Portrait After The General </i>which was nominated as travel book of the year in 1992.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'The ultimate Ted Talk on comedy...Joel Morris has finally invented "being funny whilst talking about being funny"'  Caitlin Moran</b></p><p>Comedy is a game that all humans play. There are big social prizes if you win, but it is easy to end up with custard pie on your face...or worse.</p><p>Comedy can soothe our pain, vent our anger, make us feel less alone and provide the answer to life's most difficult questions, such as, 'What do you call a man with a seagull on his head?' It's a social glue but it can also be divisive, and the joke is on us if we don't understand how it works.</p><p>So, what are the rules? How does comedy do its magic and why does it matter? Join professional comedy writer Joel Morris on a hilarious journey into the hidden world of shared laughter where he reveals the mechanisms that make jokes work and what comedy can teach us about ourselves. Offering astute analysis of everything from stand-up to slapstick and sitcom to spoof, Morris examines comedic patterns, rhythms and dynamics to uncover the algorithms that secretly underpin comedy.</p><p>Packed with gags and examples of comedy at its best  plus some invaluable tips on how to master that b'dum tish timing  <i>Be Funny or Die</i> is a fascinating investigation into how our species has developed and mastered this essential art form where laughter is the universal language and only the funniest survive.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Joel Morris</b> is a BAFTA-winning comedy writer. A long-time collaborator with Charlie Brooker and the co-creator of dimwit pundit Philomena Cunk, he has written for countless TV and radio shows, including Mitchell and Webb, Miranda and Murder in Successville, as well as the Paddington films. He co-created cult spoof newspaper <i>The Framley Examiner</i>, the hit <i>Bollocks to Alton Towers</i> tourist guides and the chartbusting <i>Ladybird Books for Grown-Ups</i>. Joel lives in London, UK.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>&amp;#x27;Endlessly informative and leaning hard into the British Isles' reputation for the off-beat, this is a delight.&amp;#x27;  Publisher&amp;#x27;s Weekly</b></p><p>Folklorist Ben Gazur guides you through the dark alleys of British history to uncover how our food habits have been passed down through generations of folklore.</p><p>Who was the first person to throw salt over their shoulder? Why do we think carrots can help us see in the dark? When did we start holding village fairs to honour gigantic apple pies? Or start hurling ourselves down hills in pursuit of a wheel of cheese? Gazur investigates the origins of famous food superstitions as well as much more bizarre and lesser-known tales too, from what day the devil urinates on blackberries to how to stop witches using eggshells as escape boats.</p><p>Hilarious and fascinating, <i>A Feast of Folklore</i> will introduce you to the gloriously eccentric folk who aren't often noticed by historians. Here lies a smorgasbord of their dark remedies and deadly delicacies, waiting to be discovered.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'Unapologetic about the cross-over of cultures, it's bright, vibrant and dynamic.'  Vivek Singh</b></p><p><b>"Packed full of approachable and inspiring recipes...thoroughly modern and highly rewarding.'  Ravinder Bhogal</b></p><p><b>"Every recipe is packed with flavour.'  Dan Lepard</b></p><p><i>Sanjana Feast</i>s is a collection of dazzling recipes of modern Indian diaspora vegetarian and vegan food.</p><p>Sanjana Modha's flavourful and vibrant recipes are rooted in her Indian heritage, East African family background, and Yorkshire childhood. This book showcases the varied ingredients and unique combinations that are authentic to Sanjana's upbringing, and includes signature dishes such as Ruffled Biryani, Madras Mac and Cheese with Naan Crumbs, Desi-inspired French Bread Pizza and Sticky Toffee Gulab Jamun, as well as delicious Indian classics.</p><p>Over the last few years Sanjana has seen a visible shift in the Western understanding of what Indian food is. It's gone from curry-house creations, to an exploration of regional food, to fusion cuisine and more recently, an appreciation of street food and casual dining. Today, Indian food is a cacophony of all these elements and more, and Sanjana is forging yet another new direction with the food of diasporic communities, and the flavours of a new generation.</p><p><i>Sanjana Feasts</i> will inspire you both to incorporate these delicious recipes into your everyday cooking, and to raise your game in the kitchen with her tips for the classics.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A manifesto for Gentle Protest: how to change our world one stitch at a time.</p><p>Award-winning campaigner and founder of the global Craftivist Collective Sarah Corbett shows how to respond to injustice not with apathy or aggression, but with gentle, effective protest.</p><p>This is a manifesto  for a more respectful and contemplative activism; for conversation and collaboration where too often these is division and conflict; for using craft to engage, empower and encourage us all to be the change we wish to see in the world.</p><p>Sarah&amp;#x27;s craftivism has helped change laws and business policies as well as hearts and minds; here, with thoughtful principles and practical examples, she shows that quiet action can speak as powerfully as the loudest voice.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Afon Hafren, the river Severn, is a mighty Welsh river. She has shaped many histories and is part of many stories. In Celtic traditions, water is a source of wisdom. In a time of ecological crisis, how can we listen to the wisdom of Hafren?]]></Text>
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			<Text textformat="02"><![CDATA[<p>Afon Hafren, the river Severn, is a mighty Welsh river. She has shaped many histories and is part of many stories. In Celtic traditions, water is a source of wisdom. In a time of ecological crisis, how can we listen to the wisdom of Hafren?   </p><p>Sarah Sin Chave takes us on a journey from Hafren's source to the sea, following Hafren's route from Pumlumon in Wales and meandering through England, before she finds her way back home to Wales and to the sea. The journey weaves together Celtic myths, historical and personal narratives as well as Welsh words and ideas.  </p><p><i>Hafren </i>not only speaks to the wisdom of this river, but of all rivers, encouraging readers to understand better their place as part of nature. This book will appeal to those interested in nature, sustainability and ecology, and also to those interested in Celtic and Welsh traditions, histories and myths. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sarah Sin Chave</b> has over thirty years' experience as a teacher and researcher in further and higher education. She is currently an associate of the education and creativity network at the University of Exeter. Her passions are sustainability, social justice and encouraging educational spaces for exploring new ways of being in the world together. Raised by a Welsh mother in the English Midlands, she enjoys learning about and connecting with her Welsh roots. She now lives in the south west of England near Hafren's banks, which she loves to explore accompanied by family and friends. </p>]]></Text>
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			<SubjectHeadingText>stocking filler; pocket gift; scottish lore; Scottish heritage; Heritage; scottish traditions; scottish customs; customs; perfect gift; Tourist gift; History of Scotland; Local history; scottish culture; Festival History; Scottish Festival; Social History</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This book is an enthralling journey through the year and the pageants, parades, festivals and fairs which have played a huge part in Scottish life. It introduces the customs, traditions, lore and crafts associated with them, making it the ideal companion for anyone interested in this fascinating and rich aspect of Scotland's cultural story.]]></Text>
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			<Text textformat="02"><![CDATA[<p>The origins of many Scottish festivals, such as Beltane and Hallowe'en, lie deep in the pagan past, and although the significance of many festivals may now be long forgotten, they have continued to evolve and evolve to satisfy the needs of the time.</p><p>Including extracts from prose, poetry and historical documents, this book is an enthralling journey through the year and the pageants, parades, festivals and fairs which have played a huge part in Scottish life. It introduces the customs, traditions, lore and crafts associated with them, making it the ideal companion for anyone interested in this fascinating and rich aspect of Scotland's cultural story.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sheila Livingstone </b>was a Scottish author who wrote widely on the subject of Scottish culture and history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Names are very important and can unlock vast amounts of information about places and their origins. The placename of Scotland are a goldmine of information about times past and the lives of early inhabitants.This comprehensive book features more than 300 names and is an essential book for all interested in Scottish history and culture.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Names are very important and can unlock vast amounts of information about places and their origins. The placename of Scotland are a goldmine of information about times past and the lives of early inhabitants. The different languages of their origin  Gaelic, Pictish, Cumbric, Old Norse and Old English  reflect the many cultures that have been part of Scotland's story and preserve the memory of those who gave names to the wild and beautiful landscapes in which they lived. Other names date back to prehistoric times and are the only link to a world now lost to us forever.</p><p>This comprehensive book features more than 500 placenames and is an essential book for all interested in Scottish history and culture.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>David Ross</b> has written numerous books on aspects of Scottish history and culture, some serious and some less so. His most recent is <i>The Killing Time</i>, a study of Scotland between the Covenant of 1638 and the Union of 1707. Scottish humour is a particular interest, and he is compiler and editor of the best-selling Awa' an' Bile Yer Heid, an anthology of choice Scottish insults. He is currently working on anthology of Scottish humour from its earliest appearances to the present day.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>A Croft in the Hills</i>, first published in 1960, is now acknowledged as a classic among Highland books. It captures, in simple, moving descriptions, what it was really like trying to make a living out of a hill croft near Loch Ness fifty years ago. A couple and their young daughter, fresh from city life, immerse themselves in the practicalities of looking after sheep, cattle and hens, mending fences, baking bread and surviving the worst that Scottish winters can throw at them.</p><p>Their neighbours are few, but among them they find the generosity and community spirit that has survived in the Highlands for generations. Working as a tight family unit, they learn to cope, and in time grow to love their little croft.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Katharine Stewart</b>was born in 1914 in Reading. Following the Second World War and after a spell running a hotel in Edinburgh she movedwith her husband, Sam Stewart, and daughter Hilda, to the croft at Abriachan near Loch Ness, where she began her writing career with<i>A Croftin the Hills.</i> Later she trained as a teacher before, on the death of her husband, becoming the local postmistress at Abriachan. She died in2013 and is survived by her daughter, Hilda.</p><p><b>Annie Worsley </b>is a writer, geographer, grandmother and crofter who lives in North West Scotland. Her first book, Windswept, was published in August 2023.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Shortlisted for the EAA Book Prize and theCurrent Archaeology Book of the Year Award</p><p>The Picts have fascinated for centuries. They emerged c. ad 300 to defy the might of the Roman empire only to disappear at the end of the first millennium ad, yet they left major legacies. They laid the foundations for the medieval Scottish kingdom and their captivating carved stones are some of the most eye-catching yet enigmatic monuments in Europe. Until recently the Picts have been difficult to trace due to limited archaeological investigation and documentary sources, but innovative new research has produced critical new insights into the culture of a highly sophisticated society which defied the might of the Roman Empire and forged a powerful realm dominating much of northern Britain.</p><p>This is the first dedicated book on the Picts that covers in detail both their archaeology and their history. It examines their kingdoms, culture, beliefs and everyday lives from their origins to their end, not only incorporating current thinking on the subject, but also offering innovative perspectives that transform our understanding of the early history of Scotland.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Gordon Noble is Professor in Archaeology at the University of Aberdeen and has undertaken award-winning landscape research and field projects, working on projects from the Mesolithic to Medieval periods. He is author of Neolithic Scotland: Timber, Stone, Earth and Fire (Edinburgh University Press 2006), Woodland in the Neolithic of Northern Europe: The Forest As Ancestor (Cambridge University Press 2017) and co-author of King in the North: The Pictish Realms of Fortriu and Ce (Birlinn 2019). He works on two current major projects: Northern Picts and Comparative Kingship, the research for which won the Current Archaeology Research Project of the Year 2021, a highly prestigious accolade. His research has featured on BBC 2 Digging for Britain, BBC Radio 4 In Our Time and many other media outlets.</p><p>Nicholas Evans is a Research Fellow on the Leverhulme Trust funded Comparative Kingship: the Early Medieval Kingdoms of Northern Britain and Ireland project at the University of Aberdeen. He is a historian whose research and teaching have focussed on the medieval Celtic-speaking societies of Britain and Ireland. He is the author of The Present and the Past in Medieval Irish Chronicles (Boydell Press, 2010), A Historical Introduction to the Northern Picts (Aberdeen University/Tarbat Discovery Centre, 2014) and co-author of King in the North: The Pictish Realms of Fortriu and Ce (Birlinn 2019).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In 1381, a large army of people marched through the south-east of England to London, demanding an end to unfair taxation and threatening the rule of the boy-king, Richard II. During the eighteenth century, food riots, riots in protest at land enclosure, and riots targeting religious groups and foreigners regularly occurred. In the following century, mass gatherings demanded reform of the electoral system which allowed only a tiny proportion of the population to vote. In the early twentieth century, suffragettes chained themselves to railings, took part in huge demonstrations and endured prison sentences in pursuit of the vote for women. Recent decades have seen tens of thousands of people take to the streets of London and other cities to protest against the Iraq War and, in the last year, the war in Gaza.</p><p>The only power otherwise powerless people possess lies in their numbers. <i>Riots and Rebels</i> is an examination of how they have exercised that power over the centuries and how governments have reacted to it. From the so-called Peasants' Revolt to Just Stop Oil, via the anti-Catholic Gordon Riots of 1780, Luddites breaking machinery which threatened their livelihood, the infamous Peterloo Massacre of 1819, the Chartist demonstrations of the 1830s and 1840s, 1887's Bloody Sunday and many other, often violent events, Nick Rennison provides a concise, compelling account of popular protest in Britain.</p><p><b>Praise for Nick Rennison:</b></p><p><b>'Entertaining and thoroughly readable canter through the events of a century ago... Fascinating'</b><b><i> - Observer</i></b></p><p><b>'A delightful book... Intelligent and lively'</b><b><i> - Scotsman</i></b></p><p><b>'Hugely entertaining... often wryly amusing... plenty of light entertainment and colourful anecdote' </b><b><i>- Mail on Sunday</i></b></p><p><b>'Rennison proves a chatty and amiable guide and offers an enjoyable and evocative ramble down memory lane'</b><b><i> - Telegraph </i></b></p><p><b>'Fascinating and highly readable'</b><b><i> - Daily Mail</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nick Rennison</b> is a writer, editor and bookseller with a particular interest in the Victorian era and in crime fiction. He is the editor of six anthologies of short stories for No Exit Press, plus <i>A Short History of Polar Exploration</i>, <i>Peter Mark Roget: A Biography, Freud and Psychoanalysis, Robin Hood: Myth, History &amp; Culture</i> and <i>Bohemian London</i>, published by Oldcastle Books. He is a regular reviewer for both <i>The Sunday Times</i> and<i> BBC History Magazine.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A long-awaited collection of superb and distinctive essays moving between Ireland and the Balkans, often considering parallels between Belfast and Sarajevo in such well-known work as 'A Week in Sarajevo', 'Weather Report: Good Friday Week, 1998', 'Troubled Belfast', 'A Day with the VJ', 'The Ethnic Basis of Irish Poetry' and 'The View from the Lagan'. An immigrant and distinguished poet, Agee brings a unique perspective to life in Ireland and the Balkans with their communal and sectarian histories. </p><p>Agee is a writer particularly concerned with the 'ethical imagination' as exemplified by his 'poetic work of nonfiction' <i>Trump Rant</i>, a nuanced exploration of authoritarian drift and thwarted democratic aspiration in a number of world-historical  contexts, from Belfast to the Balkans to the formerly Confederate South. He divides his time between Ireland, Scotland and Croatia.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Chris Agee</b> is a poet, essayist and editor. He is the author of<i> Next to Nothing</i>, shortlisted in Britain for the 2009 Ted Hughes Award for <i>New Work in Poetry, Blue Sandbar Moon </i>and <i>Trump Rant.</i></p>]]></Text>
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			<SubjectHeadingText>Alice Cooper; Arnold Palmer; Babe Zaharias; Ben Hogan; Bobby Jones; Byron Nelson; Chi-Chi Rodrigues; Gary Player; Guinness World Records; Jack Nicklaus; John Daly; LPGA; Moe Norman; PGA TOUR; Scotland; St. Andrews; The Masters; Tiger Woods; U.S. Presidents; Willie Nelson; bogey; exclusive golf courses; fashion; golf balls; golf clubs; golf courses; golf equipment; golf facts; golf gear; golf history; golf stories; hole-in-one; island greens; moon; mulligan; rules; space; trivial pursuit</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Tee off your season with 101 delightful trivia on the greatest game.</b></p><p>Did you know a Canadian coined the term 'mulligan'  a noun meaning 'do-over'  which many recreational golfers take on the first tee after an errant drive? Or that the creators of one of the greatest board games ever, Trivial Pursuit, also built a devilish golf course north of Toronto? How about this fact: the world's most expensive public golf course will set you back $1,000 to play just one round. Here's one more: Scotland, where golf was invented in the Middle Ages, later banned the sport  not just once, but three times.</p><p>In <i>101 Fascinating Golf Facts</i>, author, historian, and award-winning golf journalist David McPherson shares these stories and 97 more fascinating and fun tales that illustrate the sport's rich history, entertaining both golf lovers and trivia buffs alike.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>David McPherson</b> is the author of the acclaimed <i>Legendary Horseshoe Tavern, Massey Hall, </i>and <i>101 Fascinating Canadian Music Facts</i>. Over a twenty-five-year career as a golf journalist and a past president of the Golf Journalists Association of Canada, David's bylines have included <i>SCOREGolf, PGATOUR.com, Golf Canada, </i>and <i>Golf Course Architecture</i>. He lives in Waterloo, Ontario.</p>]]></Text>
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			<SubjectHeadingText>Beauty; Temple; Gods; Divine; Greek; Archaic; Human; Aesthetic; Sanctuary; Apollo; Mortals; Century; Votive; Aphrodite; Deities; Objects; Zeus; Charis; Statue; Visual; Homer; Goddess; Athena; Power; Ancient; Immortal; Hymn; Odysseus; Architecture; Homeric; Hesiod; Nature; Material; Epic; Water; Archaic greek; Ornament; Chorus; Architectural; Plato; Deity; Seventh; Korai; Statuette; Poet; Hera; Seventh century; Worship; Artemis; Phidias; Literature; Poetry; Worshippers; Art; Charites; Flowers; Orthia; Kalos; Hephaestus; Dance; Character; Iliad; Roof; Divinity; History; Sources; Achilles; Nymphs; Ivory; Mantiklos</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>How ideas and experiences of beauty informed human relationships with the divine in ancient Greece</b></p><p>Beginning with the earliest Greek literature, the epics of Homer and Hesiod, beauty was seen as having a special connection with the divine. The gods of ancient Greece were defined by their exceptional beauty; even today, 'to look like a Greek god' is proverbial for human beauty. In <i>Beauty and the Gods</i>, Hugo Shakeshaft explores the relationship between the beautiful and divine in ancient Greece, principally in the Archaic period (ca. 750-480 BCE). Analysing evidence that ranges from poetry, art, and philosophical texts to architecture and the natural landscape, Shakeshaft shows how ideas and experiences of beauty shaped Greek relations with the divine.</p><p>With a powerful call for the place of beauty and aesthetics in the writing of history, Shakeshaft uncovers the cultural dialogue between beauty and the gods in a variety of contexts in the Archaic Greek world: in forms of divine worship; in poetry, music, and dance; in attitudes to the natural environment; and in architecture and art. This early chapter of Greek history, he argues, holds an unrecognised key to understanding some long-running threads in the histories of religion, art, and aesthetics, from Plato's aesthetic theories to beauty's status in contemporary discourse. Beauty's deep past and divine connection in ancient Greece can help us see beauty now in sharper focus.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Hugo Shakeshaft</b> is the A. W. Mellon Postdoctoral Fellow at the Center for the Advanced Study of the Visual Arts at the National Gallery of Art in Washington, D.C. He previously held fellowships at the Kunsthistorisches Institut in Florence and the University of Oxford and in 2023 received the College Art Association's Arthur Kingsley Porter Prize.</p>]]></Text>
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			<Text textformat="02"><![CDATA[After Sir John Franklin and his ships disappeared in the Arctic while seeking the Northwest Passage, 39 rescue missions were launched, including one by the HMS Resolute. In 1854, it became locked in the ice and was abandoned. A year later, American whalers discovered the Resolute drifting 1,200 miles away and steered it to Connecticut.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Few know that the president's desk in the Oval Office plays a part in one of the world's most extraordinary sagas; in</b> <b><i>Resolute</i></b><b>, noted historian Martin Sandler brings the story to light.</b></p><p>After Sir John Franklin and his ships disappeared in the Arctic while seeking the Northwest Passage, 39 rescue missions were launched, including one by the <i>Resolute</i>, the Royal Navy's finest vessel. In 1854, it became locked in the ice and was abandoned. A year later, a Connecticut whaling ship discovered it drifting 1,200 miles away, a 600-ton ghost ship. The whalers boarded the <i>Resolute</i> and steered it through a ferocious hurricane back to Connecticut. The US government re-outfitted the ship and returned it to Queen Victoria, who, in 1879, had its best timbers made into a desk for President Rutherford B. Hayes  a desk still in use today. Rare photographs, paintings, engravings, and maps illustrate the book throughout. This edition is updated with a new chapter on the discovery of Franklin's ships, the HMS <i>Erebus</i> and the HMS <i>Terror</i>, in 2014 and 2016 in the Canadian Arctic Archipelago.</p><p>This legendary maritime epic is perfect for fans of David Grann's <i>The Wager</i> and Hampton Sides's <i>The Wide Wide Sea</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Martin Sandler</b> has received many honors, including winning the 2019 National Book Award for Young People's Literature for <i>1919: The Year That Changed America;</i> two Pulitzer Prize nominations; a Boston Horn Book Award for <i>The Story of American Photography</i>; and seven Emmys. His Library of Congress American History series has been a national bestseller with more than 500,000 copies sold, and he is one of the few historians to have published with the Library of Congress. Sandler was creator and cowriter for the acclaimed twelve-part This Was America tv series. He has taught American history and American studies at the University of Massachusetts and Smith College. Sandler lives in Cotuit, MA.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Once again, Patricia Telesco has provided a treasury of knowledge in her green-thumb-approved book, Gardening with the Goddess.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Enchant Your Garden with the Power of the Goddess!</b></p><p>Once again, Patricia Telesco has provided a treasury of knowledge in her green-thumb-approved book, <i>Gardening with the Goddess</i>. Gardening has never been more magical! Explore different plants and their associations with the Goddess, create gardens timed around the moon and astrological signs, use crystals to enhance your power, and much more. Especially designed to accommodate the large backyard and small back porch planters, there's something for every witch in <i>Gardening with the Goddess</i>.</p><p>This title was previously published in 2001.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Discover the roadmap to attaining financial independence, growing your wealth, and climbing the corporate ladder  all while living your best life!</p><p>In a world of instant gratification where the American Dream is quickly fading and the push toward entrepreneurship as a means of stability grows ever greater, let it be known that there is still a way to live abundantly on the 9 to 5 grind. Tailored for trailblazing Black women and women of colour, <i>The Financial Abundance Blueprint</i> blends personal anecdotes, actionable advice, and a touch of humour.</p><p>From dispelling myths around building wealth to revealing corporate's unwritten rules, this transformative guide will teach you the basics of:</p><ul><li>Working systemically vs. smarter and harder</li><li>Creating your personal brand</li><li>Networking with mentors and colleagues</li><li>Maximising corporate benefits</li><li>Starting a business or side hustle</li><li>And more!</li></ul><p>Whether you're a Gen-Zer taking the first steps into adulthood or a millennial working your way through life, <i>The Financial Abundance Blueprint</i> is the perfect roadmap on the journey to achieving financial freedom!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Amanda Henry</b>, a Black first-generationIvy League graduate, devoted wife, and mother, brings her seasoned corporate experience to empower emerging leaders. Her debt-free journey while tackling corporate America sparked a realisation  abundant living on a 9 to 5 is possible. As founder of Living in the Abundance (LITA), a vibrant 15,000+ member community, Amanda educates and elevates young adults transitioning into adulthood on the art of navigating the corporate workplace and their personal finances for an abundant life. Amanda holds a BSin economics from The Wharton School, University of Pennsylvania, and an MSin global marketing management from Boston University.Amanda blends academic prowess with practical insights. She is the author of <i>The Financial Abundance Blueprint</i> and a featured speaker, having impacted thousands of young professionals through collaborations with top tech companies and conferences. Discover Amanda's full biography, LITA impact, and herservices at AmandaJHenry.com.</p>]]></Text>
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			<SubjectHeadingText>lions; rugby union; scotland; scottish; hastings; kicker; legend; british and irish lions; tour; leadership; lessons; True Stories; Best Books on British Rugby; South Africa; New Zealand; Australia; Rugby Legends; Gavin Hastings; Self improvement books; Life Goals; Life Lessons; Business Lessons; Lions Tour 2025; British Rugby History; coaching</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Based on interviews with an array of past and present greats of the game,Legacy of the Lionsexplores leadership lessons learned in one of the most challenging environments in the sporting world: touring with the British &amp; Irish Lions.]]></Text>
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			<Text textformat="02"><![CDATA[<p>A British &amp; Irish Lions tour presents one of the greatest challenges in sport.</p><p>Rugby is a game that rewards creative expression, toil, teamwork and a never-say-die attitude. It can be joyful, vibrant and beautiful. Equally, it can brutally expose human flaws and frailties  even more so in the hugely pressurised environment of a Lions tour. Every team, no matter how talented, will find itself in dark and difficult situations both on and off the field; the successful ones are those with a leadership group that can navigate these challenging moments.</p><p>In<i>Legacy of the Lions</i>, former Lions captain Gavin Hastings draws on his own experiences in the famous red jersey and interviews other greats of the game  including, among many others, Sam Warburton, Warren Gatland, Paul O'Connell, Brian O'Driscoll, Martin Johnson, Finlay Calder and Sir Ian McGeechan, plus a selection of their illustrious opponents, such as Kieran Read, John Smit and John Eales  to explore how to forge a successful team in this most rarefied of environments, the difficulties they each encountered and what leadership lessons they learned.</p><p>Inspiring, humorous and illuminating,Legacy of the Lionscasts a unique light on leadership, team-building and elite performance and reveals a new perspective on touring with  and playing against  The British &amp; Irish Lions in the modern era.</p><p><b>'An intriguing study of the minds of some of rugby's greatest leaders' Tom English,</b> <b><i>BBC Sport</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>For most people, their twenties and thirties are the busiest times of their life, a period of new careers, new friends, new cities, new families. What few count on is that they might also be called to additional responsibilities as caregivers of parents, grandparents, or other family members.</b></p><p>Rachael Piltch-Loeb was juggling a young family and a flourishing academic career when her father was diagnosed with early-onset Alzheimer's. Her experience was the inspiration for <i>The Millennial Caregiver</i>, a heartfelt and practical guide for millennials balancing early adulthood with the demands of caregiving. The book explores challenges unique to the millennial generation  from emotional strain and financial pressures to social isolation and role reversal  and provides insightful strategies to manage these issues. It also highlights the role technology can play for digital natives in caregiving, offering tips for utilising digital tools and building support networks.</p><p>Millennials represent a large and growing portion of today's caregiving population. <i>The Millennial Caregiver</i> is a beacon of hope and a valuable resource for younger people navigating the complex terrain of caring for loved ones while forging their own path.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Discover the power of relationship-building to enhance your leadership, boost your team's well-being, and drive organisational success.</b></p><p>In today's dynamic business environment, the success of any organisation is deeply rooted in the quality of its internal relationships. In <i>The Relationship-Driven Leader</i>, psychologist and organisational behaviour expert Dr. Karen Bridbord offers a revolutionary guide to career success and advancement, regardless of your industry, your company's size, or your role. This groundbreaking book sheds light on how nurturing strong work relationships can lead to unmatched productivity and greater overall wellness throughout the organisation and among its staff. Through compelling research and insightful case studies, Bridbord reveals the detrimental impact dysfunctional relationships can have on both personal and business achievements, and how to come back from 'relationship system failure'. By rethinking workplace relationships, you can foster deeper connections within your team, resulting in enhanced cohesion and well-being for all members.</p><p><i>The Relationship-Driven Leader</i> explores the profound influence of everyday interactions on team experience and team performance. Bridbord emphasises the importance of 'micro-moments' in leadership to spark significant improvements. This book empowers you to take the first step toward becoming the leader everyone aspires to work with by enhancing your leadership skills, boosting workplace productivity, and mastering innovative conflict-management techniques. By focusing on well-being through relationship-building, you can create a healthier, more engaged, and more productive team.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A pathbreaking book about world history, global justice, and the climate crisis  featuring a new preface by the author. </p><p>A clear, new case for reparations as a 'constructive', future-oriented project that responds to the weight of history's injustices with the equitable distribution of benefits and burdens. Centuries ago, Tw explains, European powers engineered the systems through which advantages and disadvantages still flow. Colonialism and transatlantic slavery forged schemes of injustice on an unprecedented scale, a world order he calls 'global racial empire'. The project of justice must meet the same scope.</p><p>Tw's analysis not only discourages despair, it demands global resistance. <i>Reconsidering Reparations</i> suggests policies, goals, and organising strategies. And it leaves readers with clear and powerful advice: act like an ancestor. Do what we can to shape the world we want our moral descendants to inherit, and have faith that they will continue the long struggle for justice. This understanding, Tw shows, has deep roots in the thought of Black political thinkers such as James Baldwin, Martin Luther King, Jr., Cedric Robinson, and Nkechi Taifa.</p><p><i>Reconsidering Reparations</i> is a book with profound implications for our views of justice, racism, the legacies of slavery and colonialism, and climate change policy. </p><p><b>'Coursing with moral urgency and propelled by brilliant prose, this is more than argument. It's how we build the power needed to win.'  Naomi Klein</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Olfmi O. Tw</b> is Associate Professor of Philosophy at Georgetown University and a fellow at the Climate and Community Institute. He is the author of the critically acclaimed book <i>Elite Capture</i>, a contributor to Greta Thunberg's <i>The Climate Book</i>, and a past recipient of a Marguerite Casey Freedom Scholar fellowship. Tw's public philosophy, including articles exploring intersections of climate justice and colonialism, has been featured in <i>The Guardian</i>, <i>The New Yorker</i>, <i>The New Republic</i>, <i>The Nation</i>, <i>Boston Review</i>, <i>Dissent</i>, <i>Al Jazeera</i>, <i>Foreign Policy</i>, <i>Hammer &amp; Hope</i> (where he is a member of the Editorial Team). His writings have been translated into Brazilian Portuguese, French, German, Italian, and Korean, among other languages.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A New Statesman Book of the Year</b></p><p><b>A Financial Times Summer Read</b></p><p>The story of our National Debt told through key events in British history.</p><p>While it is central to today's politics, few people fully understand the National Debt and its role in shaping the course of British history. Without it, Britain would not have gained  and lost  two empires, nor won its wars against France and Germany. But Britain has also been moulded by attempts to break free of the Debt, from postwar Keynesian economics to today's austerity.</p><p>Martin Slater writes a vivid tale coloured with some of the most dramatic incidents and personalities of Britain's past  from clashes between King and Parliament, American independence and war in Europe, to the abolition of slavery, the development of the Union and the role of leading figures such as Pitt, Gladstone, Adam Smith and Keynes.</p><p>From medieval times to the 2008 financial crash and beyond, The National Debt explores the changing fortunes of the Debt, and so of Great Britain.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Martin Slater </b>was an economics fellow at St Edmund Hall, University of Oxford, for over thirty years, retiring in 2013. He also served as Oxford's economics sub-faculty chair and as a managing editor of Oxford Economic Papers. Principally an industrial economist, he is also interested in the peculiarities of debt.</p>]]></Text>
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			<SubjectHeadingText>Bourgeoisie; Capitalism; Catharine MacKinnon; Civil and political rights; Civil society; Commodification; Critical theory; Criticism; Critique; Dialectic; Emancipation; Ethos; Exclusion; Femininity; Feminism; Feminism (international relations); Feminist theory; Hannah Arendt; Hegemony and Socialist Strategy; Historical materialism; Household; Identity politics; Ideology; Individualism; Institution; Intellectual; Judith Butler; Late modernity; Liberalism; Marxism; Masculism; Metonymy; Michel Foucault; Modernity; Morality; Nancy Hartsock; Narrative; Oppression; Paternalism; Patriarchy; Person of color; Personhood; Political economy; Political freedom; Political philosophy; Politics; Pornography; Post-structuralism; Postmodernism; Postmodernity; Prerogative; Privatization; Public sphere; Regime; Ressentiment; Routledge; Sexism; Slavery; Social constructionism; Social exclusion; Social relation; Social theory; Sovereignty; State (polity); State of nature; Subjectivity; Subversion; Unfreedom; Welfare state; Women's studies</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A landmark work from one of our leading political theorists</b></p><p>A sympathetic critique that attempts to free Left politics from its own snares, <i>States of Injury</i> explores how woundedness became a basis for contemporary political identity. Without condemning identity politics, Wendy Brown carefully probes the varied historical forces generating them today and the ways these formative conditions constrain emancipatory desire. Along the way, she advances a novel feminist critical theory of liberalism and the liberal democratic state. She also develops an original theoretical practice that weaves together Nietzsche, Marx, Weber, Foucault, and cultural theories of gender and race to analyse contemporary political predicaments. In a new preface, Brown places <i>States of Injury</i> in political and intellectual context, including the rise of neoliberalism, and addresses the book's renewed relevance in today's political landscape. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Wendy Brown</b> is the UPS Foundation Professor in the School of Social Science at the Institute for Advanced Study. Her books include <i>Nihilistic Times</i>, <i>In the Ruins of Neoliberalism</i>, and <i>Undoing the Demos.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>How an event once considered the greatest of all political dangers came to be seen as a solution to all social problems</b></p><p>Political thinkers from Plato to John Adams saw revolutions as a grave threat to society and advocated for a constitution that prevented them by balancing social interests and forms of government. <i>The Revolution to Come</i> traces how evolving conceptions of history ushered in a faith in the power of revolution to create more just and reasonable societies.</p><p>Taking readers from Greek antiquity to Leninist Russia, Dan Edelstein describes how classical philosophers viewed history as chaotic and directionless, and sought to keep historical change  especially revolutions  at bay. This conception prevailed until the eighteenth century, when Enlightenment thinkers conceived of history as a form of progress and of revolution as its catalyst. These ideas were put to the test during the French Revolution and came to define revolutions well into the twentieth century. Edelstein demonstrates how the coming of the revolution leaves societies divided over its goals, giving rise to new forms of violence in which rivals are targeted as counterrevolutionaries.</p><p>A panoramic work of intellectual history, <i>The Revolution to Come</i> challenges us to reflect on the aims and consequences of revolution and to balance the value of stability over the hope for change in our own moment of fear and upheaval.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An invaluable guide for scholars stifled by the traditional academic route</b></p><p>In the increasingly competitive world of academia, simply mastering your discipline is no longer enough to guarantee career success or personal fulfillment. <i>The Entrepreneurial Scholar</i> challenges scholars at all stages  from doctoral students to tenured professors  to break free from conventional academic pathways by adopting an entrepreneurial mindset. What opportunities can you create based on who you are, what you know, and who you know?</p><p>Drawing on her experiences in higher education, start-ups, and management consulting, as well as interviews with a range of academics and entrepreneurs, Ilana Horwitz provides a road map for those stifled by traditional academic norms and expectations. This book calls on scholars to create ideas  not just consume them. It offers strategies to thrive in academia with limited resources and in the face of uncertainty. Embracing an entrepreneurial mindset entails viewing yourself as a knowledge producer, enhancing collaboration, creatively identifying resources, and effectively sharing your ideas.</p><p>Horwitz empowers all scholars  particularly women and first-generation, low-income, and BIPOC individuals  to see themselves as proactive agents in their educational and career trajectories, despite structural constraints, unclear expectations, or unresponsive advisors. With actionable advice, real-world applications, and inspiring success stories, this guide is vital for anyone aspiring to excel within and beyond the ivory tower.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ilana M. Horwitz</b> is assistant professor of Jewish studies and sociology and the Fields-Rayant Chair in Contemporary Jewish Life at Tulane University. She is the author of <i>God, Grades, and Graduation: Religion's Surprising Impact on Academic Success</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Gustav Mahler's status as an icon of fin-de-siecle Viennese music is assured, with his works now staples of the concert repertoire. His life story has been told in numerous biographies, films and novels, yet he remains an ambiguous, provocative figure. Mahler was a composer who challenged musical form and style but identified with German Enlightenment and Romantic culture, disliking many contemporary artistic trends. He was a Jewish conductor who reached the pinnacle of his profession in antisemitic Vienna. He was supposedly haunted by death, trapped in a torrid marriage, and his brief meeting with Freud has spurred posthumous psychoanalytical speculations. This book, reflecting the latest research, constructs a fresh interpretation of Mahler's music in relation to his life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[An award-winning critical biography of Finland's towering leader, charting his statecraft, his political journey and his strategic bravado, carving out independence between Stalin and Hitler.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Field marshal and statesman Gustaf Mannerheim (1867-1951) was the most acclaimed and the most hated Finn of the twentieth century.</b></p><p>After three decades of loyal and distinguished service in the Russian Tsarist army, he returned to his homeland in 1917 to defend its new independence. This iconic figure led the Finnish forces as Commander-in-Chief during both World Wars, then ended his career as President of Finland.</p><p>This new critical biography sets Mannerheim's entire life's work, and his often nerve-wracking decisions as a Finnish leader on the world stage, against the backdrop of his elite upbringing and lifestyle, his adventurous imperial career, his outspoken anti-communism, and his keen instincts for great power politics. Painful details emerge about Mannerheim's private life, and myths and rumours are scrutinised, as Henrik Meinander charts the complex legacy of this nationalist cosmopolitan who found himself fighting on the same side as Hitler.</p><p>Meinander paints his portrait with strong contrasts and bright colours. This is the story of a multicultural Russian empire, a newborn nation-state treading warily between Europe's military titans, a front of the Second World War not easily reduced to moral binaries  and, above all, a shrewd political operator playing many a dangerous game.</p><p><b>'Authoritative and accessible to general readers...Finland does owe a great debt to Mannerheim. As with Churchill or de Gaulle, a proper assessment of his historical importance requires us to strip away the myths and focus on the facts of his career  a task Meinander fulfils admirably.'  </b><b><i>Financial Times</i></b></p><p><b>'[Meinander] has succeeded handsomely. </b><b><i>Mannerheim</i></b><b> oozes good sense and generosity to its predecessors and deserves to become the new standard popular book on its subject.'  </b><b><i>The Times</i></b><b> </b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Henrik Meinander</b> is Professor of History at the University of Helsinki, formerly curator of Helsinki's Mannerheim Museum and head of the Finnish Institute in Stockholm. His many books on Finnish and Nordic history include <i>A History of Finland</i>, also published by Hurst, which has been translated into sixteen languages.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A captivating journey into the heart of divine communion and spiritual evolution, through the lives of Christian mystics  from the early Church to the 1900s.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A captivating journey into the heart of divine communion and spiritual evolution, through the lives of Christian mystics  from the early Church to the 1900s.</b></p><p>At the core of the Christian faith lies the spiritual journey to the heart of ultimate reality, or God  described by some mystics as a 'dazzling darkness'. For over 2,000 years, certain women and men have experienced various degrees of direct communion with God, from mild illuminations to a union in which the will of the mystic has been consumed.</p><p>This book explores such spiritual figures' lives and teachings, alongside their personal and historical backgrounds, from early Christendom to modern mystics such as Simone Weil and Thomas Merton. It reveals that the English anchoress Julian of Norwich grew up while the Black Death was devastating Europe; that the beguine Marguerite Porete lived at a time when the Church was particularly primed to burn 'heretics'  a fate she suffered; and that Pierre Teilhard de Chardin developed his idea of spiritual evolution with Charles Darwin's theories in the air.</p><p>Comprehensive, deeply researched and highly engaging, <i>Dazzling Darkness</i> tells the stories of towering figures like Hildegard of Bingen, Teresa of vila and John of the Cross. Its pages also highlight many lesser-known mystics, including Mary of Egypt, Seraphim of Sarov and Charles de Foucauld, allowing their voices to sing out to future generations.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>James Harpur</b> is a poet, author and translator who lives in Ireland. He was the 2023 Writer Fellow at the Trinity Oscar Wilde Centre for Irish Writing, Trinity College, Dublin. His debut novel, <i>The Pathless Country</i>, won the J G Farrell Award and was shortlisted for the John McGahern Prize.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Easwaran is a leading authority on the Bhagavad Gita  his best-selling translation of this well-known Indian scripture is accessible and reliable, and is preceded by a unique, comprehensive introduction to the timeless teachings of this classic wisdom text.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The Bhagavad Gita is the best known of all the Indian scriptures, and Eknath Easwaran's best-selling translation is reliable, readable, and profound.</b><br/>Easwaran's 55-page introduction places the Bhagavad Gita in its historical setting, and brings out the universality and timelessness of its teachings. Chapter introductions clarify key concepts, and notes and a glossary explain Sanskrit terms.<br/> Easwaran grew up in the Hindu tradition in India, and learned Sanskrit from a young age. He was a professor of English literature before coming to the West on a Fulbright scholarship. A gifted teacher, he is recognized as an authority on the Indian classics and world mysticism.<br/> The Bhagavad Gita opens, dramatically, on a battlefield, as the warrior Arjuna turns in anguish to his spiritual guide, Sri Krishna, for answers to the fundamental questions of life. Yet, as Easwaran points out, the Gita is not what it seems  it's not a dialogue between two mythical figures at the dawn of Indian history. "The battlefield is a perfect backdrop, but the Gita's subject is the war within, the struggle for self-mastery that every human being must wage if he or she is to emerge from life victorious."<br/>Arjuna's struggle in the Bhagavad Gita is acutely modern. He has lost his way on the battlefield of life and turns to find the path again by asking direct, uncompromising questions of his spiritual guide, Sri Krishna, the Lord himself. Krishna replies in 700 verses of sublime instruction on living and dying, loving and working, and the nature of the soul.<br/>Easwaran shows the Gita's relevance to us today as we strive, like Arjuna, to do what is right.<br/><i>"No one in modern times is more qualified  no, make that 'as qualified'  to translate the epochal Classics of Indian Spirituality than Eknath Easwaran. And the reason is clear. It is impossible to get to the heart of those classics unless you live them, and he did live them. My admiration of the man and his works is boundless."</i>  Huston Smith, author of <i>The World's Religions.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Eknath Easwaran</b> grew up in the Hindu tradition in India, and learned Sanskrit from a young age. He was a professor of English literature before coming to the West on a Fulbright scholarship. A gifted teacher, he is recognized as an authority on the Indian classics and world mysticism.</p>]]></Text>
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			<BiographicalNote textformat="05"><![CDATA[<b>Bernie Clark</b> loves learning about and then sharing the things that fascinate him. As a child, he enjoyed studying the world and how it works, and as a teen, he loved thinking about the mind and the soul.  The seemingly contradictory interests in science and spirituality continued to shape his philosophy of life well into his adult years. With one foot in the commercial world of space and computer technologies and another in the realm of meditation and yoga, he sought bridges between Eastern and Western maps of reality.  These maps and bridges are described in his teachings and writings with the hope that others who share his fascinations will be able to enjoy what he has learned, without having to go through the labor of detailed research.<br/><br/>Bernie has a degree in science and spent 30 years as a senior executive in the high-tech/space industry. He embarked upon meditation in the 1970s and began teaching yoga in the 1990s. He conducts yoga teacher trainings several times a year in Vancouver, Canada. To stay informed of Bernie's activities, visit his website, www.YinYoga.com, where you can subscribe to his Yinsights newsletter.]]></BiographicalNote>
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			<BiographicalNote textformat="05"><![CDATA[<b>Sarah Powers</b> began teaching in 1987. She is the founder and author of Insight Yoga, which interweaves the insights and practices of Yoga, Buddhism, Taoism, and Transpersonal Psychology into an integral practice to discover and enliven the body, heart and mind. Her yoga style blends both a Yin sequence of floor poses to enhance the meridian and organ systems, combined with an alignment-based slow flow or Yang practice, influenced by Viniyoga, Ashtanga, Iyengar teachings, and QI gong. Sarah feels that enlivening the physical and pranic bodies, as well as learning to meet our psychological reactivity is paramount for preparing one to deepen and nourish insights into one's essential nature  a natural state of awareness. She has completed level 3 of Internal Family Systems Therapy training and has been a student of Transpersonal Psychology for 28 years. She also draws from her in-depth training in the Vipassana, Tantric and Dzogchen practices of Buddhism. Her main influences have been Tsoknyi Rinpoche, Jennifer Welwood, Lama Tsultrim Allione, Bhante Gunaratana, Lama Pema Dorje, Stephen and Martine Batchelor, B. Alan Wallace, and Anam Thubten.]]></BiographicalNote>
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			<SubjectHeadingText>yoga; yin yoga; yin; bernie clark; paul grilley; health; meridians; chi; fascia; daoism; taosim; asanas; meditation; mindfulness; Bestselling guide; detailed descriptions; photographs; how to; passive posture; deeper meditiation journey; mental and emotional benefits of yoga; yoga for stress relief; mental clarity; body awareness and alignment; breathwork; relaxation; mind body connection; spiritual growth</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>This second edition of this bestseller provides an in-depth look at the philosophy and practice of Yin Yoga with illustrated how-to sections, including detailed descriptions and photographs of more than 30 asanas.</b></p><p>This is an updated version of the book that has become the go-to resource for Yin Yoga teachers all over the world and has been required reading in many teacher training programs. All forms of yoga can provide benefits physically, emotionally, and mentally, however Yin Yoga works the deeper levels of the body/heart/mind: the yin tissues of fascia, tendons, ligaments, joints and bones, as well as the energetic channels of the meridians, nerves and blood system. One big difference noticed by students of Yin Yoga is the long-held, passive nature of the posture, which gives time for a deeper journey to unfold, a journey into the meditative aspects of yoga, a bridge to living life mindfully. The second edition includes-a more functional approach to the practice of yoga, emphasising the concept of targeted areas; the importance of stress in reducing fragility and building antifragility; understanding the nature of creep and the importance of counterposes, with a revised list of effective counterpostures; many new photographs of the postures and their variations for different body types; a more current overview of the physiology of tissues and the energy body reflecting new understanding in the science of fascia and cellular signaling; and many other enhancements. As in the first edition, the book presents comprehensive information on how to do the practice, including how to get into and out of the pose, contraindications and warnings for those who may have trouble with particular aspects of the posture, and other important information. Why we do the practice is discussed by looking at its benefits in three main sections: the physiological, energetic and mental/emotional benefits.</p><p><b>'Bernie Clark's <i>The Complete Guide to Yin Yoga</i> is one of the best yoga resources now available.' - Paul Grilley, author of <i>Yin Yoga: Outline of a Quiet Practice</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Baddawi</i>is the story of a young boy struggling to find his place in the world. Raised in a refugee camp called Baddawi in northern Lebanon, Ahmad is just one of the many thousands of refugee children born to Palestinians who fled their homeland after the war in 1948 established the state of Israel.</p><p>In the style and spirit of<i>Maus</i>by Art Spiegelman or Marjane Satrapi&amp;#x27;s<i>Persepolis</i>, Leila Abdelrazaq explores her father&amp;#x27;s childhood in the 1960s and &amp;#x27;70s from a boy&amp;#x27;s eye view as he witnesses the world crumbling around him and attempts to carry on, forging his own path in the midst of terrible uncertainty.</p><p><b>'Leila Abdelrazaq tells a coming of age story that is funny, angry and deeply human.&amp;#x27; - Molly Crabapple</b></p><p><b><br/>'The story of the Palestinian refugees is one we need to know. Leila Abdelrazaq tells this tale with love andhumour.' -Seth David Tobocman</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Victorian Premier's Literary Awards 2025, Non-Fiction**</b></p><p>Warm and wry, mixing high culture and suburban realism, the laconic and the artful, <i>Anything Can Happen</i> is a memoir from one of Australia's literary trailblazers. Funny, heartbreaking, it has exactly the arc of a good story, with a theme about storytelling and lies and how truth and memory are complex. It keeps in play so many things: irony and spirituality, a slice of social history of Sydney's inner west, a farm in Victoria, a lesbian subculture, Mardi Gras, the literary pleasures of teaching writing. Juxtaposition is her gift, as is the very natural speaking voice. With the eye of a poet, and the dry drollery of someone who has experienced it all, straight and married, gay and married, mother, friend, lover, writer, this is a raw and powerful account of a life lived fully.</p><p><b>'I love this memoir - it's the sort of writing Hampton excels at. There's no-one else I know who can hit that dry, droll, edgy note and conjure place and time and character and the random nature of memory and story-telling.'  Kim Mahood</b></p><p><b>'Alive and compelling, and served up in perfect mouthfuls, like an antipasto plate . . . Honesty, great sentences, good flow. Surprises, escalation, energy, digression and return, causation.'  Gail Bell</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Susan Hampton</b> has won many grants and awards for her work. <i>The Penguin Book of Australian Women Poets</i>, which she co-edited, became a set text on many writing courses. <i>Surly Girls</i>, performance pieces and short stories, won the Steele Rudd Award in 1990 (A&amp;R/Collins Imprint, 1989). <i>The Kindly Ones</i>, (Five Islands Press, 2005) has been described as '... a weird satirical travelogue written by one of the Furies...'. It is an extraordinary poem: bold, bitter, intelligent and fantastical.' It won the 2006 Judith Wright Award and was shortlisted for the NSW and Victorian Premiers' Awards for poetry, the <i>Age</i> Book of the Year Award, and the ACT Book of the Year Award.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Publishing Triangle Awards 2025, Amber Hollibaugh Award for LGBTQ+ Social Justice Writing**</b></p><p>The long-awaited essay collection from one of the most influential voices in disability activism that detonates a bomb in our collective understanding of care and illness, showing us that sickness is a fact of life.</p><p>In the wake of the 2014 Ferguson riots, and sick with a chronic condition that rendered them housebound, Johanna Hedva turned to the page to ask: How do you throw a brick through the window of a bank if you can't get out of bed? It was not long before this essay, 'Sick Woman Theory', became a seminal work on disability, because in reframing illness as not just a biological experience but a social one, Hedva argues that under capitalism  a system that limits our worth to the productivity of our bodies  we must reach for the revolutionary act of caring for ourselves and others.</p><p><i>How to Tell When We Will Die</i> expands upon Hedva's paradigm-shifting perspective in a series of slyly subversive and razor-sharp essays that range from the theoretical to the personal  from Deborah Levy and Susan Sontag to wrestling, kink, mysticism, death, and the color yellow. Drawing from their experiences with America's byzantine healthcare system, and considering archetypes they call The Psychotic Woman, The Freak, and The Hag in Charge, Hedva offers a bracing indictment of the politics that exploit sickness  relying on and fueling ableism  to the detriment of us all.</p><p>With the insight of Anne Boyer's <i>The Undying</i> and Leslie Jamison's <i>The Empathy Exams</i>, and the wit of Samantha Irby, Hedva's debut collection upends our collective understanding of disability. In their radical reimagining of a world where care and pain are symbiotic, and our bodies are allowed to live free and well, Hedva implores us to remember that illness is neither an inconvenience or inevitability, but an enlivening and elemental part of being alive.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Johanna Hedva</b> (they/them) is a Korean American writer, artist, and musician who was raised in Los Angeles by a family of witches and now lives in LA and Berlin. They are the author of the novels <i>Your Love Is Not Good</i> and<i> On Hell</i>, and the collection of poetry, performances, and essays,<i> Minerva the Miscarriage of the Brain.</i> Their artwork has been shown internationally, and their albums are <i>Black Moon Lilith in Pisces in the 4th House</i> and <i>The Sun and The Moon.</i></p>]]></Text>
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			<SubjectHeadingText>War; colonists; invasion; massacre; resistance; warfare; Frontier Wars; Aboriginal resistance; Colonial violence; Guerrilla warfare; Settler expansionism; Truth-telling; Historical erasure; Military history; Colonial policy; Battle of Broken River; Waterloo Creek Massacre; Myall Creek Massacre; Battle of Meewah (One Tree Hill); Kilcoy Massacre; Murrumbidgee river conflict; Multuggerah; Moppy; Windradyne; Governor Gipps; Mounted Police; Wiradyuri; Gomeroi; Taungurung; Waywurru; Yaggara; Gunditjmara; ambushes; night raids; economic sabotage; Historians Ryan; Gammage; Milliss; Durrant; Kerkhove</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[The award-winning author of The Sydney Wars reveals the breadth of frontier resistance warfare]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The award-winning author of</b> <b><i>The Sydney Wars</i></b> <b>reveals the breadth of frontier resistance warfare.</b></p><p>The First Wiradyuri War of Resistance ended in 1824 with a series of massacres conducted by settlers in the Bathurst region. From the 1830s, colonists began occupying more and more Aboriginal land across western New South Wales and stocking it with sheep and cattle. By 1838, a dramatic fightback began across the entire frontier of the colony. What has been called the Second Wiradyuri War of Resistance, from 1839 to 1841, was, in fact, part of a vast arc of conflict from present-day northern Victoria through to southeast Queensland. At the time, it was seen by many contemporaries as a concerted and coordinated 'uprising'.</p><p>In <i>Uprising</i>, Stephen Gapps reveals the incredible story of this extensive frontier resistance warfare for the first time  a series of wars that were conducted along a huge area of the Murray-Darling river system, across many First Nations' lands, in a concerted defence of River Country.</p><p><b>'Stephen Gapps' work is a significant contribution to truth-telling in Australian history.'  Anita Heiss</b></p><p><b>'A great and much needed account. And yet another loud cry to break the great Australian silence.'  John Maynard</b></p><p><b>'For all Australians to truly understand their history, the Australian Wars need to be a prominent part of our national story. At a time when we need to think deeply about how the past impacts our future,</b> <b><i>Uprising</i></b> <b>is essential reading.'  Rachel Perkins</b></p><p><b>'This is a must-read!</b> <b><i>Uprising</i></b> <b>is a landmark book at the forefront of the new and exciting scholarship about the Australian Wars. In a brilliant synthesis, Gapps draws together his deep research with extensive consultation with Elders and local knowledge holders and, just as importantly, his detailed understanding of the country in contention.'  Henry Reynolds</b></p><p><b>'[An] outstanding work for communities and historians.'  Heidi Norman,</b> <b><i>The Conversation Australia</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Stephen Gapps</b> is a public historian working to bring Frontier War histories into broader recognition as Australia's First Wars. In 2011, he was awarded the NSW Premier's History Award for regional and community history. Stephen's <i>The Sydney Wars: Conflict in the early colony 17881817</i> was the inaugural winner of the Les Carlyon Award for the writing of military history (2020). He is also the author of <i>Gudyarra: The first Wiradyuri war of resistance  The Bathurst War, 18221824</i> (2021), and is an editor of <i>The Australian Wars</i>, the book of the award-winning documentary series, forthcoming.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Aboriginal land rights recognition in 1983 came after nearly 200 years of violent colonial dispossession and the near complete loss of land. For over 40 years, NSW Aboriginal people have worked to restore their Country and people.</p><p>The Aboriginal Land Rights Act in NSW includes unique features that remain unrealised in other parts of the country. The laws announced the policy of self-determination, compensation for loss, a land claims process, support for enterprises and the establishment of a network of land councils. Today there are 120 land councils that operate across the state.</p><p>Yet significant features of the land rights promise remain outstanding. Less than 1 per cent of the state has been restituted to Aboriginal land councils, with tens of thousands of land claims yet to be determined.</p><p>In <i>Land Back</i>, Professor Heidi Norman, a leading expert on Aboriginal political history, has brought together voices at the forefront of the land rights movement, including lawyers, NSW Aboriginal Land Council Youth Committee members, students, academics, activists and organisers, to share the successes, failures and possible futures of NSW land rights.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Heidi Norman</b> is a descendant of the Gomeroi people of north-western NSW. She is a professor at UNSW and a leading researcher in the field of Australian Aboriginal political history. She has published widely on histories of Aboriginal land rights, Aboriginal participation in Rugby League, studies of media representation, the history of Aboriginal working life in cities and political history of Aboriginal affairs administration. She is the director of the Indigenous Land and Justice Research Group and has advised government and Aboriginal peak bodies. Most recently, she contributed to development of the Australian Government's First Nations Clean Energy Strategy.</p>]]></Text>
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			<SubjectHeadingText>assimilation; activisim; politics; AIM; citizenship; petition; Stolen Generations; aboriginal; lobbying; dispossession; missions; right to vote; land rights; Worimi; Aborigines Protection Board; child removal; Aboriginal Progressive Association; AAPA; 1967 referendum; racism; enfranchisement; history; relocation; reserves; legislation; rights</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Opposition to the British colonisation of Australia did not spring from the Mabo decision or the Native Title Act, nor was it born in the vibrant 1960s which culminated in the famous Aboriginal tent embassy in 1972.</p><p>Rather, the first politically organised and united all-Aboriginal activist group was the Australian Aboriginal Progressive Association (AAPA), begun in 1924 under the leadership of Frederick Maynard.</p><p>For the first time Aboriginal people voiced their disapproval in public in a well-organised way. They opened offices in Sydney, held street rallies, conducted public meetings, gained newspaper coverage, wrote letters and petitions to Government at all levels, and collaborated with the international black labour movement. The AAPA's demands still resonate today. They centred on Aboriginal rights to land, stopping Aboriginal children being taken from their families, the acquisition of citizenship rights, and defending a distinct Aboriginal cultural identity.</p><p>This form of resistance and organised action has now endured for more than 100 years. In this exploration of the life and times of his grandfather, John Maynard uncovers the AAPA's invaluable legacy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John Maynard</b> is a Worimi historian, researcher and commentator from the Port Stephens region of New South Wales. He has worked with urban, rural and remote Aboriginal communities. His previous 15 books explore Aboriginal political and social history, and Australian race relations and include Aboriginal Stars of the Turf, Fight for Liberty and Freedom, The Aboriginal Soccer Tribe, Aborigines and the Sport of Kings, True Light and Shade Living with the Locals and Socceroos a World Cup Odyssey Vol 1 &amp; 2. He has held several major positions and served on prominent organisations and committees, including Deputy Chair of the Executive Committee of the Australian Historical Association. He was the recipient of the Aboriginal History (Australian National University) Stanner Fellowship 1996, and the New South Wales Premier's Indigenous History Fellow 2003, University of Newcastle Researcher of the Year 2008 and 2012. He is a member of the Australian Social Sciences Academy and a Fellow of the Australian Academy of the Humanities.</p>]]></Text>
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			<SubjectHeadingText>museum studies; Aboriginal; Arnhem Land; visual anthropology; art-making; culture-making; intercultural collaborations; kangaroo tooth necklace; Ngukurr; possum skin cloak making; return to cultural heritage; archives; truth telling; art history; Art</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Aboriginal art practices in southeast Australia are celebrated in ngargee where each of the nine chapters is the result of an intercultural collaboration. Art is at the centre of the book, particularly the creative practice of influential matriarch Maree Clarke.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Aboriginal art practice in southeast Australia is dynamic, innovative and powerful. This is clear from the diverse artworks in this book which celebrate contemporary Aboriginal artists and their continuation of Ancestral knowledge. The artworks shown are accompanied by commentary and analysis unpacking complex issues related to First Nations art-making and culture-making.</p><p>A guiding theme is the creative practice of internationally renowned artist Maree Clarke (Mutti Mutti/ Wamba Wamba/ Yorta Yorta/ Boonwurrung). Maree's talent for collaborations and passion for reclaiming and reviving arts practices over almost forty years has seen her recognised as a leading southeast Australian artist, with invitations to work in France, Italy, Japan, Cuba, UK, Canada and the USA.</p><p><i>ngargee </i>is a collection of intercultural partnerships that prioritise learning with and about First Nations artists to support Indigenous knowledge systems. These engagements take us from possum skin cloak-making in modern-day Melbourne, to 19th century German paintings, to sharing the knowledge and art of feather flower-making revivified in Maree's backyard. Each chapter showcases southeast Australian contemporary Aboriginal creatives with international and Australian co-producers.</p><p><i>ngargee</i> presents a model of intercultural collaboration led by Aboriginal artists and knowledge holders. Southeast Australian Aboriginal art here receives the attention and celebration it so richly deserves. This vibrant and multivocal collection is an indispensable resource for all Australian museums and galleries, and anyone who wants to learn more about contemporary First Nations art.</p><p><i>ngargee</i> means coming together to celebrate in Boonwurrung language, where celebrations are accompanied and demonstrated through the act of making art. Just as art and culture cannot be separated, neither can celebration and art-making.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Frances Edmonds </b>is an interdisciplinary scholar working mainly in the field of anthropology. Her work is collaborative, participatory and community based. Her research interests include art and wellbeing; decolonising methodologies; the creative use of digital technologies; visual studies; oral history and storytelling; cultural revitalisation and the archival and ethnographic record; and the intersection between Indigenous and Western knowledge systems. She was the senior research fellow on the Australian Research Council (ARC) Indigenous Discovery Project, 'Storytelling and the Living Archive of Aboriginal Knowledge' (2020-24). Between 2014 and 2017, she worked closely with First Nations young people at Korin Gamadji Institute, Melbourne, supporting collaborative research throughout the ARC Linkage project 'Aboriginal Young People and Digital Storytelling'.</p><p><b>Sabra Thorner</b> is a cultural anthropologist who has worked with Indigenous Australians for more than twenty years, focusing on photography, digital technologies and archiving as forms of cultural activism. In the past few years, her work has increasingly turned towards collaborative and decolonising methodologies in both research/writing and in teaching/learning. She is especially interested in contemporary arts and cultural production, matriarchal forms of knowledge transmission, and storytelling as an expression of Indigenous sovereignty. She's held fellowships from AIATSIS, Fulbright, Mellon, the Smithsonian and Wenner-Gren, and has published her work in Museum Anthropology, AnthroVision, The Journal of Material Culture, Oceania and Visual Anthropology Review. She is an assistant professor at Mount Holyoke College.</p><p><b>Maree Clarke </b>(Yorta Yorta/Wamba Wamba/Mutti Mutti/Boonwurrung) is an artist and curator who grew up in Mildura (northwest Victoria), on the banks of the Murray River, and who has been living and working in Melbourne for over 30 years. She has become a pivotal figure in the revitalisation of southeast Australian Aboriginal art and cultural practices. This includes possum skin cloaks, kangaroo teeth necklaces, eel traps, kopi mourning caps and much more  in both traditional materials and contemporary, such as glass and 3D printing. Her practice includes lenticular prints, 3D photographs and photographic holograms, as well as painting, sculpture and video installation. The through line of her work is to facilitate intercultural dialogue and collaboration about the ongoing effects of colonisation, while simultaneously providing space for Aboriginal people and communities to engage with and mourn the impact of dispossession and loss. She is deeply committed to transmitting knowledge to younger generations (and anyone else who is willing to learn). Clarke has exhibited her work widely in Australia and beyond, and her work is held by the Koorie Heritage Trust, Museums Victoria and the National Gallery of Australia. In 2021, her work was featured in a major retrospective, Ancestral Memories, at the National Gallery of Victoria. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Emily Kam Kngwarray </i>celebrates the timeless art of pre-eminent Australian artist and one of the world's most significant contemporary artists to emerge from the twentieth century. An Anmatyerr woman from Central Australia, Kngwarray devoted the last decades of her life to new artistic pursuits, creating works that encapsulate the experience and authority she gained throughout her extraordinary life.</p><p>Celebrating the landmark presentation of <i>Emily Kam Kngwarray</i> at Tate Modern, London, this vibrantly illustrated publication is reissued in paperback featuring Kngwarray's monumental <i>The Alhalker Suite</i>. </p><p>Offering insights into Emily Kam Kngwarray's life and work, the book features original research from curators and academics and reflections from the artist's Community. From early vibrant batiks to her later paintings on canvas, the publication brings together Kngwarray's most significant works. It includes rare archival images and a visual record of Community consultations and visits to Kngwarray's Country. </p><p><i>Emily Kam Kngwarray</i> is published following major retrospectives at the National Gallery of Australia and Tate Modern, London.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>It's here!</b></p><p><b>Ikuntji Artists presents</b><b><i> Ikuntji Textiles</i></b><b>, a book about the development of the designs, their stories and the artists behind them, and the collaborations.</b></p><p>This full colour publication gives an insight into our range of wearable art textiles. Texts included range from interviews with our artists in Luritja and English, expert voices in the field of textile design, collaborators and our staff who have been on this journey with us.</p><p>This book is the result of years of artistic workshops and the recording of stories with the artists. It is self published by Ikuntji Artists through the support of donors. The research is funded by Indigenous Languages and Arts funding.</p>]]></Text>
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			<SubjectHeadingText>Aboriginal culture; Aboriginal dance; Aboriginal songs; Dreaming; Indigenous knowledge; Tanami; TanamiAillowra; Warlpiri; Warlpiri language; art history; body designs; jukurrpa; visual anthropology; women's ceremony</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Warlpiri people commemorate and maintain their relationship with their ancestors and the natural order of the cosmos by re-enacting the events of the Jukurrpa (the Dreaming). They do this, in part, by painting up while singing pertinent songs, as well as performing dances and ritual actions sanctioned by the Jukurrpa.</p><p>From May 1981 to June 1982, ethnochoreologist Megan Morais lived in Willowra in the Northern Territory, working with the Warlpiri community. The Warlpiri women and Megan worked as an impromptu team documenting their dances as performed in yawulyu  women's ceremony  as well as documenting traditional movement patterns.</p><p>Warlpiri women in Willowra generously and with trust, shared their music, songs, dances, designs and associated knowledge of yawulyu which is now being returned to them.</p><p>A recent collaboration between Megan and musicologist Myfany Turpin and the Willowra community has resulted in this book which provides the means for current and future generations to access the knowledge shared by the Warlpiri women.</p><p>Women of land-owning groups who have inherited sovereignty, and other important women in the community, have granted permission to publish the designs, songs and jukurrpa stories in this book. More than that, they urged publication so they would have a resource to teach their children and grandchildren. The co-authors each contributed to the book according to their authority, knowledge and strengths.</p><p>Proceeds from sales of this book will be returned to the Warlpiri community.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Megan Morais</b> is an ethnochoreologist and teacher of dance and religion. Through various grants, she has documented dances of several Indigenous Australian groups, including Nunggubuyu, Wanindilyaugwa (Anindilyakwa), Antikirinya, Yanyuwa and Warlpiri. She was a visiting researcher at the University of New England and The University of Sydney and has published several articles in academic journals and encyclopedias.</p><p>The late<b> Lucy Nampijinpa Martin</b> was an integral part of the women's business (ritual ceremony and activity) documented in 1981-82. She has been essential in the repatriation of materials to the community. As one of the leading business women in Willowra she was the one who knew the songs, designs and dances. Lucy's work features throughout this book  it includes the designs she drew from 1981-82 and the songs she sang then, and sang later for recording purposes. Sadly, Lucy passed away in 2024. Her legacy lives on in the ceremonial knowledge she has shared in this book</p><p><b>Myfany Turpin</b> is a musicologist, linguist and associate professor at The University of Sydney where she conducts fieldwork on languages and songs of Central Australia. She has published extensively on Aboriginal song-poetry and publishes in the fields of music, linguistics and ethnobiology. She is the co-author of <i>Yaru! Gudjal learner's guide and dictionary</i> (Aboriginal Studies Press 2023).</p>]]></Text>
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			<SubjectHeadingText>half-truths; personal will; resistance leader; false declaration of Indigenous Tasmanian extinction; Tomeginee woman; Colonial history; Fanny Cochrane; conciliation missions; Mary Ann Arthur; contemporary Indigenous politics; pro-colonial propaganda; Aboriginal Studies; white sealers; Oyster Cove; Flinders Island; colonial lens; George Augustus Robinson; Tasmania; Bass Strait; Tarenootairer; autonomy; internment; colonisation; massacre; reclaim; abduction; fight; Country; determination; Tasmanian History; Aboriginal; social justice; Australian History; slave; tragedy; damage; historical record; communities; family history; Indigenous Studies</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p></p><p>Tarenootairer (c.180658) was still a child when a band of white sealers bound her and forced her onto a boat. From there unfolded a life of immense cruelty inflicted by her colonial captors. As with so many Indigenous women of her time, even today the historical record of her life remains a scant thread embroidered with half-truths and pro-colonial propaganda.</p><p>But Joel Stephen Birnie grew up hearing the true stories about Tarenootairer, his earliest known ancestral grandmother, and he was keen to tell his family's history without the colonial lens. Tarenootairer had a fierce determination to survive that had a profound effect on the course of Tasmanian history. Her daughters, Mary Ann Arthur (c.182071) and Fanny Cochrane Smith (c.18321905), shared her activism: Mary Ann's fight for autonomy influenced contemporary Indigenous politics, while Fanny famously challenged the false declaration of Indigenous Tasmanian extinction.</p><p>Together, these three extraordinary women fought for the Indigenous communities they founded and sparked a tradition of social justice that continues in Birnie's family today.</p><p>From the early Bass Strait sealing industries to George Augustus Robinson's 'conciliation' missions, to Aboriginal internment on Finders Island and at Oyster Cove, <i>My People's Songs</i> is both a constellation of the damage wrought by colonisation and a testament to the power of family. Revelatory, intimate and illuminating, it does more than assert these women's place in our nation's story  it restores to them a voice and a cultural context.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Joel Stephen Birnie</b> is an academic, visual artist and filmmaker. Raised predominantly by his Indigenous Tasmanian family, he proudly embraces a multi-ethnic heritage from across the globe. Joel's creative work has been exhibited in galleries and festivals across Australia, including in Darwin, Sydney, Adelaide and at the Koori Heritage Trust in Melbourne. He holds a Bachelor of Arts in Indigenous Studies and a Master of Fine Arts, and in 2019 completed a PhD at Monash, which focused on deconstructing and reconstructing the 150 years of European colonisation in Tasmania from a familial (Indigenous) perspective.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Leonora has relocated to Melbourne from London and falls in love with Margaret, a fellow teacher who three years later dies of cancer. While still grieving for Margaret, Leonora meets and befriends Anna, the Polish woman who lives next door.</p><p><i>Crimson Light Polished Wood </i>illuminates with subtle ease the influence Leonora has on Anna's daughter, Lydia, introducing her to the world of literature and art.</p><p>This is a novel about the ways we all long for acceptance and how those we might feel most in touch with  including parents, siblings and mentors  can often have different values and views about us. As such it is a beautiful work about art, gender, inheritance, understanding and celebration.</p><p><b>'There is jealousy and deception in this strangely tender book that spans continents, generations and cultures. Pulsing with secrets, it stages the legacy of silence.'  Dominique Hecq</b></p><p><b>'Through her protagonist, Lydia, Monica Raszewski delicately uncovers the layers of a family friend's hidden past. This is a compassionate novel about aloneness, disappointment and betrayal; and it's about a heartfelt desire for intimacy, connectedness and belonging.'  Antoni Jach</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[An incisive observer of Australian cultural life returns with a collection that satirically reimagines our era of chaos and chicanery.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An incisive observer of Australian cultural life returns with a collection that satirically reimagines our era of chaos and chicanery.</b></p><p>'the republic of letters / a veritable la la land' writes Keri Glastonbury in <i>51 Alterities</i>, a collection in which cacophony rhymes with simplicity, and device notifications rebound across the desert horizon. In her poems 'nepo boys are punching above their weight', haunted by the 'spectres of unreal estate'; the senate estimate's axe / 'falls in aggregates of joy' while budgies in their natural habitat have 'no idea they are suburban pretty boys'.</p><p>Keri Glastonbury's previous collection <i>Newcastle Sonnets</i> was written as a riposte to Ted Berrigan's New York-based <i>The Sonnets</i>, and <i>51 Alterities</i> began too as a loose adaptation, of British poet Sam Riviere's influential 2012 debut <i>81 Austerities</i>. Riviere's collection was written in response to the impact of conservative UK austerity measures on the arts, and as a reconsideration of the function of poetry in the internet age. Wrestling with Antipodean 'alterity' more than ten years later, as a female queer poet a decade older than Riviere's millennial male, Glastonbury's <i>51 Alterities</i> responds to the persistent threat of economic austerity, and to poetry's precarious place in a landscape dominated by billionaire tech bros and social media empires.</p><p><b>Praise for</b> <b><i>Newcastle Sonnets</i></b><b>:</b></p><p><b>'A post-industrial love song... Glastonbury's sonnets, far from stultifying, are energetic and playful as they enact the associative freedoms of everyday speech.'  Judges' citation, Prime Minister's Literary Awards</b></p><p><b>'A shifting and dangerously mesmerising simulacrum of contemporary Australian urban life... Through whip-smart core samples of observation, Glastonbury becomes the qwerty keyboard medium for social media within Newcastle and beyond.'  Judges' citation, Judith Wright Calanthe Award</b></p><p><b>'Her poems are wonderful repositories of Aussie argot  maggoted, grouse, fugly, bush doof, wheelie bins, sadcore, cankles, choofing and a chicken that's been stuffed up the jacksie all get a run  but just as soon as you settle in, she changes gears.'  Sarah Holland-Batt,</b> <b><i>The Australian</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[Dark academia meets cosmic horror in this murderous tale of betrayal and broken hearts at an elite academy for the gods and monsters of the world, perfect for fans of The Atlas Six, If We Were Villains and Bury Our Bones in the Midnight Soil.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Cassandra Khaw </b>is the USA Today bestselling author of<i> Nothing But Blackened Teeth</i> and the Bram Stoker Award-winner, <i>Breakable Things</i>. Other notable works of theirs are<i> The Salt Grows Heavy </i>and British Fantasy Award and Locus Award finalist,<i> Hammers on Bone.</i> Khaw's work can be found in places like <i>The Magazine of Fantasy &amp; Science Fiction, Year's Best Science Fiction and Fantasy</i>, and <i>Reactor</i>. Khaw is also the co-author of <i>The Dead Take the A Train</i>, co-written with bestselling author Richard Kadrey.</p>]]></Text>
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			<SubjectHeadingText>1989; Darkland Tales; Scottish Highlands; Highlands; Best of Scottish Fiction; Scottish Fiction; Scotland; 11th Century; Alternate History; Retelling; William Shakespeare; Sunday Times; Val McDermid; Hex; Rizzio; Darkland Tale; To Be or Not to Be; Hamlet; femme fatale; Shakespeare; Retelling Scotland; The Darkland Tales; Sunday Times Bestseller; Reinventing; Reimagining; Scottish historical fiction; Best New Scottish Fiction; correcting history; rewriting history; patriarchal prejudices; Crossbows; Thelma and Louise; Nicola Sturgeon; Christmas 2024; Lady Macbeth</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[A pitch-black, magnetic, and unforgettable meditation on the nature of love, evil, and the power of redemption, Land of Hope mixes history and the myths of the English moors to tell a compelling modern English fable of serial killers at the end of the world.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Has the land come to mimic us vile deeds, or have we only mimicked the land?</i></b></p><p>Daughter. Mother. Glory. Wife of The Devil O' Th' Moor. Hope Gleason has many names. The child of a shepherd raised in the remote moors of Northern England, Hope has always understood the satanic brutality of the land.</p><p>But when an ear-splitting, unknowable sound destroys the nearby village, Hope must embark on a dangerous journey to survive through the ravaged land with a lad, newly orphaned and alone, under her wing.</p><p>As they trek the wilds together to find her husband, her violent past chases her at every turn and long-buried memories begin to resurface.</p><p>A pitch-black, magnetic, and unforgettable meditation on the nature of love, evil, and the power of redemption, <i>Land of Hope</i> mixes history and the myths of the English moors to tell a compelling modern English fable of serial killers at the end of the world.</p><p><b>'Cate Baum has exceptional talent.' Claire Fuller, author of</b><b><i>Unsettled Ground</i></b></p><p><b>'Cate Baum's writing takes you into a mysterious, murderous, sometimes frightening world and never lets go. A journey through many extraordinary emotions with one abiding feeling: hope. An extraordinary book.' Jonathan Myerson, Oscar-nominated writer of</b> <b><i>The Canterbury Tales</i></b><b> and</b> <b><i>Nuremberg</i></b></p><p><b>'This muscular, disquieting twist on survival stories such as</b> <b><i>The Road</i></b><b> asks whether the end of the world is a chance for a new beginning, or whether some acts stain the soul too deeply ever to be left behind.' </b><b><i> The Guardian</i></b></p><p><b>'</b><b><i>Land of Hope</i></b><b> folds a dystopian fable into an Emily Bronte-like gothic novel. It's a fascinating idea for a crossover, and the central character, Hope Gleason, seems to emanate from the wild and windswept moors as if she were a ghost already.'  </b><b><i>Sydney Morning Herald </i></b><b>/</b><b><i> The Age</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Cate Baum</b> was born in Cambridge to a magician and a big band singer. She grew up in the East Anglian countryside, spending summers roaming the wilds of the UK.</p><p>She attended UCLA to study Screenwriting, and then City University, London, gaining a Masters with Distinction in Creative Writing. There, she was mentored by Claire Fuller (<i>The Memory of Animals</i>), Clare Allan (<i>Poppy Shakespeare</i>) and Jonathan Myerson (<i>Nuremberg</i>). She now lives in Spain.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The day before Murray McBride moves Jenny, his beloved wife of eighty years, into a memory care center, she convinces him to search for a case her grandfather buried long ago, said to contain "a treasure worth more than gold."]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The prequel to the Murray McBride series  by the author of the beloved</b> <b><i>USA Today</i></b><b> international bestselling novel</b> <b><i>The Five Wishes of Mr. Murray McBride</i></b><b>.</b></p><p>The day before Murray McBride moves Jenny, his beloved wife of eighty years, into a memory care center, she convinces him to search for a case her grandfather buried long ago, said to contain 'a treasure worth more than gold'. With the help of some new friends, Murray and Jenny retrace their steps from years before. Over the course of the day, Murray tenderly retells their love story  how they met, the challenges they faced and overcame, and their initial attempt at the quest.</p><p>But the closer they get to the treasure, the more clearly Murray remembers why they abandoned the search the first time. With the exhilaratingdiscovery at hand, Murray must decide whether to unearth the treasure, even if it means bringing up painful events from the past.</p><p>This heartwarming novel is perfect for fans of Fredrik Backman's <i>A Man Called Ove</i> and Lisa Wingate's<i>The Prayer Box.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The prequel to the </b><b><i>NYT</i></b><b> Bestselling </b><b><i>Cat &amp; Mouse Duet </i></b><b>is here...</b></p><p><b>The married woman of the manor. The stranger outside. An intoxicating novel of dark temptation and dangerous desire by the </b><b><i>New York Times</i></b><b> and </b><b><i>USA Today</i></b><b> bestselling author of the </b><b><i>Cat and Mouse Duet.</i></b></p><p>November 12, 1944. This house holds on to souls for a lifetime. I thought I had given it to my husband when I vowed to love him until the end of time. I lied. Nothing could have prepared me for the day my phantom appeared outside my window. He was terrifying, yet hypnotising, and I couldn't deny my intrigue. I never intended to fall into a whirlwind romance with my stalker. Especially because he's so much more than that. A criminal. A mobster. The man who offers me solace from the monster in Parsons Manor. There are many that haunt these halls, yet it's only my husband I fear.</p><p>Recommended Reading Order for the C&amp;M Universe:<br/><b><i>Satan's Affair</i></b><br/><b><i>Haunting Adeline</i></b><br/><b><i>Hunting Adeline</i></b><br/><b><i>Where's Molly</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Every Halloween, Satan&amp;#x27;s Affair will come to you.</p><p>We travel the country, offering terrifying haunted houses, thrilling rides and the tastiest food. And with every passing town, I cleanse this world, one execution at a time.</p><p>I hide within the walls, casting my judgement for those that reek of evil, singing lullabies to their rotting souls.</p><p>Once you&amp;#x27;ve been chosen, there&amp;#x27;s no escaping my henchmen  they cater to my every desire.</p><p>You can run and you can hide, but it only excites me.</p><p>Come.</p><p>Take a walk through my dollhouse, where your screams will blend and your cute little pleas will go unanswered.</p><p>But I can&amp;#x27;t promise it&amp;#x27;ll be over quickly...</p><p>Recommended Reading Order for the <i>C&amp;M</i> Universe:<br/><i>Satan&amp;#x27;s Affair</i><br/><i>Haunting Adeline</i><br/><i>Hunting Adeline</i><br/><i>Where&amp;#x27;s Molly</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'Patricia Donegan and Yoshie Ishibashi are to be deeply thanked for having given us with such articulate care a poetry major in any language and in any place or time.'  Robert Creeley, poet</b></p><p>Chiyo-ni (1703-1775), also known as Kaga no Chiyo, is Japan's most celebrated female haiku poet. A student of Basho's disciples, she worked in an age when haiku was largely a male domain. As a poet, painter, and Buddhist nun, she lived a vibrant life while creating poems of crystalline clarity and delicate sensuality. This volume presents more than one hundred of her finest seasonal haiku, renku (linked verse) and haibun (travel poems).</p><p>The collected poems include:</p><p><i>morning glory<br/>the well bucket entangled<br/>I ask for water</i></p><p><i>a hundred gourds<br/>from the heart<br/>of one vine</i></p><p><i>rouged lips<br/>forgotten-<br/>clear spring water</i></p><p>These luminous, lucidly translated 'haiku moments' give the reader an intimate experience of Chiyo-ni's remarkable vision  and bid us to stop and appreciate each moment of our lives. Handsomely illustrated with artwork by Chiyo-ni and others, the volume also includes illuminating essays on her life and art, informative notes, and a glossary of haiku-related terms.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Patricia Donegan</b> was a poet and translator. A professor of East-West poetics at Naropa University under Allen Ginsberg, she also studied with Japanese haiku master Seishi Yamaguchi. She received a Fulbright grant for her work on Chiyo-ni. She is the author of <i>Haiku Mind: 108 Poems to Cultivate Awareness</i> and <i>Open Your Heart and Haiku: Asian Arts for Creative Kids</i> as well as the collections <i>Bone Poems, Without Warning</i>, and <i>Hot Haiku</i>.</p><p><b>Yoshie Ishibashi</b> is a researcher and the co-translator of <i>Chiyo-jo's Haiku Seasons</i> and <i>The Classic Tradition of Haiku</i>, among other works.</p><p><b>Natalie Goldberg</b> is the author of 16 books, including <i>Writing Down the Bones</i> and, most recently, <i>Writing on Empty</i> (St. Martin's Press 2024) and <i>Three Simple Lines: A Writer's Pilgrimage into the Heart and Homeland of Haiku</i> (New World Library 2021) which includes haiku by Chiyo-ni. Natalie lives in northern New Mexico and has practiced zen for many years. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'One of the most respected and oft-quoted compilations of the Japanese poetic canon...A must-read for anyone interested in Japanese culture or poetry in general.</b><b><i>'</i></b><b>  William Scott Wilson, renowned translator of Japanese literature</b></p><p><i>In the pale dawn<br/>your coldness as we parted<br/>froze my heart<br/>nothing now so chills me<br/>as morning's early light</i><br/> Mibu no Tadamine</p><p>This completely new translation of the most famous collection of Japanese poetry ever produced, the Hyakunin Isshu ("A hundred poems by a hundred poets"), contains works written between the 7th and 8th centuries that were collected and published by the poet Fujiwara no Teika at the end of that era. The collection is still widely read in Japan today by school children and everyday people.</p><p>These poems provide insights on daily life in ancient Japan while addressing universal themes of love, loneliness, aging and the beauty of nature  all highly relevant today.</p><p>The poets whose works are featured here include:</p><ul><li>Sei Shonagon, author of <i>The Pillow Book</i></li><li>Lady Murasaki Shikibu, author of <i>The Tale of Genji</i></li><li>Emperor Gotoba, who ruled from 1193-1198</li><li>Sugiwara no Michizane, a renowned Confucian scholar</li></ul><p>Each poem is presented in the Japanese script with a Romanised version and English translation. An introduction by translator Michael Freiling provides essential information about the collection, an overview of the poems and poets, and reflections on why the work remains so popular in Japan today.</p><p>This new hardcover gift edition is illustrated in full-colour with stunning woodblock prints created for the poems by the famous 19th-century artists Hiroshige, Kuniyoshi and Kunisada. Free online audio recordings of all the poems are available in Japanese and English.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michael Freiling</b> studied computer science at the University of San Francisco, where he also found the time to take poetry classes and became interested in Japanese literature. In 1977, he received a Henry Luce scholarship and was assigned to study at Kyoto University for a year. He spent most of that time studying Japanese and translating Heian-era poetry. He returned to Kyoto years later, in 2014, where he began writing poetry in both English and Japanese. His work has been published in anthologies and in  the haiku journals <i>Seashores</i> and <i>Frogpond</i>. In 2018, he was asked to help translate a collection of senryu poems written by Japanese-Americans who were unlawfully imprisoned during World War II; it was published in 2023 under the title <i>They Never Asked</i> (Oregon State University Press).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>With his Cthulhu Mythos, H. P. Lovecraft's original and brilliant fusions of science fiction, supernatural horror and surreal fantasy often purposely crossed genres to mind boggling effect. Since then, many of his contemporaries and modern writers alike have continued to grow the lore. Now, we throw the doors wide open on that combinative approach to bring you truly amazing tales where strange Lovecraftian ideas have spilled into the worlds of characters you know and love, like Alice's Wonderland, Tom Sawyer, Dracula, John Carter of Mars and more. Not mash-ups, but original stories in other literary landscapes. It doesn't mater how unlikely a setting for the macabre or fantastic your favourite literary genre might seem in this dazzling collection, the realms between realities melt and coalesce, the familiar becomes the unthinkable, the predictable becomes the startling! An astounding, horrific, thought provoking and entertaining buffet of modern fantasy, by some of the best writers in the field, from grandmasters to up-and-comers.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The archaeological discovery of a lifetime...but her sworn enemy is digging it.</p><p>When Laurel Fletcher's meticulously ordered world is upended by the discovery of a possible Anglo-Saxon burial site on her beloved family farm, the last person she expects to see is Dr. Nate Daley  the man she hoped never to encounter again.</p><p>As old university resentments resurface, Nate is baffled by Laurel's hostility and strives to build a friendship with her. As they reconnect, Laurel and Nate realise their feelings run deeper than they initially thought. But just as they start to envision a future together, unexpected revelations threaten to tear them apart. Can they overcome their past to build a future together?</p><p>Perfect for fans of:  Forced Proximity  Enemies to lovers  Only one bed  Workplace romance</p><p><b>'I came for the hot British archaeologist, but stayed for the strong female main character. I absolutely loved it. I was swept up in the chemistry and couldn't put it down.'  Leonie Mack, author of</b> <b><i>In Italy for Love</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Lilith</i> is the heroine women have waited six thousand years for.</p><p><b>**One of </b><b><i>Stylist's </i></b><b>Best New Feminist Retellings to Read in 2023**</b></p><p>In the Garden of Eden, at the beginning of time, an outrageous lie is born: that women are inferior...</p><p>Lilith and Adam are equal and happy in the Garden of Eden. But when Adam decides Lilith should submit to his will and lie beneath him, she refuses  and is banished forever from Paradise. Demonised and sidelined, Lilith watches in fury as God creates Eve, the woman who accepts her submission. But Lilith has a secret: she has already tasted the fruit of the Tree of Knowledge. Endowed with Wisdom, she knows why Asherah  God's wife and equal, the Queen of Heaven  is missing. Lilith has a plan: she will rescue Eve, find Asherah, restore balance to the world and regain her rightful place in Paradise.</p><p><b>'Nikki Marmery's exquisite prose brings this compelling, highly relevant tale of Adam's first wife to life.'  Laura Shepperson,</b> <b><i>Sunday Times</i></b> <b>bestselling author of</b> <b><i>Phaedra</i></b></p><p><b>'Dynamite. I laughed loud, fumed louder. Nikki Marmery takes you upriver to the wellspring of sexism, but sends you floating back down on a little tide of hope.'  Meg Clothier, author of</b> <b><i>The Book of Eve</i></b></p><p><b>'</b><b><i>Lilith</i></b> <b>is a dark, enraging and enthralling story that reimagines a world free from the ancient clutches of patriarchy... utterly original and much-needed'  Jennifer Saint, author of</b> <b><i>Ariadne</i></b></p><p><b>'At long last we have the origin story women deserve. Furious and beautiful, rich and moving,</b> <b><i>Lilith</i></b> <b>is an astonishing achievement. A new heroine with an unforgettable tale to anger and heal.'  Miranda Malins, author of</b> <b><i>The Rebel Daughter</i></b></p><p><b>'</b><b><i>Lilith</i></b> <b>is a battle cry of a book. A rich, vividly written story of passion, betrayal and female rage.'  Sophie Keetch, author of</b> <b><i>Morgan is My Name</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In a former life, <b>Nikki Marmery</b> worked as a financial journalist. She now writes fiction from a small village near Amersham, where she lives with her husband and three children. Her first novel, <i>On Wilder Seas</i>, was shortlisted for the Historical Novel Society's New Novel Award and selected for the Wilbur &amp; Niso Smith Foundation's #AdventureSociety book club.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John Shen Yen Nee</b> is a highly experienced transmedia executive and entrepreneur with 30 years of experience in comics and book publishing, video games, tabletop games, and collectables. He specialises in building and directing teams to develop and deploy IP across multiple mediums, with an emphasis on growing and maintaining strong fan communities. He is the ex-Publisher of Marvel Comics and ex-Senior Vice President of DC Comics. Twitter/X: @johnnee</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>S. J. Rozan</b> has won multiple awards, including the Edgar, Shamus, Anthony, Nero, Macavity; Japanese Maltese Falcon; and the Private Eye Writers of America Life Achievement Award. She&amp;#x27;s served on the national boards of Mystery Writers of America and Sisters in Crime, and as President of Private Eye Writers of America. She was born in the Bronx and lives in Manhattan. Twitter/X: @SJRozan; Instagram: @sjrozan</p><p><b>John Shen Yen Nee</b> is a highly experienced transmedia executive and entrepreneur with 30 years of experience in comics and book publishing, video games, tabletop games, and collectables. He specialises in building and directing teams to develop and deploy IP across multiple mediums, with an emphasis on growing and maintaining strong fan communities. He is the ex-Publisher of Marvel Comics and ex-Senior Vice President of DC Comics. Twitter/X: @johnnee</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Published in associationwith the Library of Congress and edited by the twenty-fourth Poet Laureate of the United States, a singular collection of poems reflecting on our relationship to the natural world by fifty of our most celebrated contemporary writers.</b></p><p>For many years, 'nature poetry' has evoked images of Romantic poets standing on mountain tops. But our poetic landscape has changed dramatically, and so has our planet. Edited and introduced by the twenty-fourth Poet Laureate of the United States, Ada Limn, this book challenges what we think we know about 'nature poetry', illuminating the myriad ways our landscapes  both literal and literary  are changing.</p><p><i>You Are Here</i> Each poem engages with its author's local landscape  be it the breathtaking variety of flora in a national park, or a lone tree flowering persistently by a bus stop  offering an intimate model of how we relate to the world around us and a beautifully diverse range of voices from across the United States.</p><p>Joyful and provocative, wondrous and urgent, this singular collection of poems offers a lyrical reimagining of what 'nature' and 'poetry' are today, inviting readers to experience both anew.</p><p><b>'Whoever you are, you will find yourself and your own world in the expansiveness of this collection.'  Margaret Renkl,</b><b><i>New York Times</i></b></p><p><b>'A lovely book to take with you to read at the end of your next hike.' </b><b><i> Los Angeles Times</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>'Caroline, too, stared out at the restless traffic, her mind's eye revolted by the memory of Ivan Sweet's pale cold face and the explosive malice that had seethed behind his dead brown eyes...'</p><p>On the eve of Elaine Southey's 21st birthday, Ivan Sweet has been found dead in his flat in the basement of the Southeys' historic north London home. A slick charmer to some of the tenants  and a loathsome young scoundrel to others  his death doesn't draw out many tears among the house's residents and neighbours. And yet the sordid truth starts to seep into the heart of their small community  a murder is living among them, and who's to say when they might strike again? The shrewd Oxford man Superintendent Paul Grainger finds himself faced with a small circle of suspects whose connections and hidden motives heap complexity upon complexity in this tightly wrought mystery, shot through with a chilling touch of the macabre.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'This extraordinary novel combines the story of one young man's existential quest with the precision of the best historical novels and the thrilling imagination of sci-fi books.'  Francesc Miralles, author of </b><b><i>Love in Small Letters</i></b><b> and co-author of </b><b><i>The Ikigai Journey</i></b></p><p><b>Would you risk everything and travel back in time to find the love you thought you'd lost forever?</b></p><p>Nathan leads a solitary life centring around his passion for antique watches. One day, he chances across an old photograph of Mia, his high school crush, who moved to Japan many years ago with her family, then died under suspicious circumstances. Or did she?</p><p>Not long after, Nathan receives text messages from someone named Mia. Are these a hoax or is she alive? He vows to find out, which leads him to Kyoto and a mysterious organisation called the Taira Corporation who seem to know everything about him, and offer to transport Nathan into the past in search of Mia. But along the way he must fight off the rival Genji Corporation-who will stop at nothing to destroy Nathan and his friends.</p><p><i>Eternity in Kyoto</i> is a fast-paced techno thriller set against the backdrop of ancient Japan that takes the reader on an exciting journey to 12th-century Kyoto. It weaves together a touching love story with profound revelations about the essential foundations of our shared humanity.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Hector Garcia</b> was born in Spain but has lived in Japan for over two decades. An engineer by training, he now makes a living as a writer. His www.kirainet.com blog has won several awards and is one of the go-to sites for information on contemporary Japanese pop culture. He is the author of <i>A Geek in Japan, The Book of Ichigo Ichie and Ikigai</i>, co-written with Francesc Miralles, an international bestseller published in 57 languages.</p>]]></Text>
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			<SubjectHeadingText>Alexander Panagoulis; Arafat; Florence; Gaddafi; Greece; Greek dictatorship; Hollywood; Ingrid Bergman; Italian; Italian Resistance; Italy; Journalism; Khomeini; Manhattan; Meir; Mike Wallace; Nazis; New York City; Robert Kennedy; Rome; Vietnam War; abortion; adultery; autobiographical fiction; career; celebrities; correspondent; glass ceiling; groundbreaking; interviewer; journalist; love affair; rebel; reporter; suicide; trailblazer; women; writer</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>When a Hollywood producer comes to Oriana at the end of her life to propose a movie, the story unfolds of her gutsy career rise as a journalist, her tragic love, and her greatest regret.</b></p><p>When a Hollywood producer visits Oriana Fallaci at the end of her life to propose a movie, the story unfolds of her trailblazing career as a journalist, her tragic love, and her greatest regret.</p><p>Oriana was born in Italy, moved to Manhattan, and shot to international fame for her provocative interviews of world leaders and celebrities. At her peak in 1973, Oriana was called 'the best reporter in the world'. That's when she fell in love with Alexander Panagoulis, Greek hero and poet. He was ten years younger and lived in a different country, but Oriana didn't care. She had finally found what she longed for: a full life. Can a woman ever have it all, or does life always exact a price?</p><p>Christiane Amanpour calls Oriana her role model, saying, 'I wanted to be her!'</p><p>Oriana holds a place alongside Mike Wallace and Barbara Walters as a legendary interviewer. But her story is little-known in America, until now.</p><p>The first biographical novel of the glamorous Italian, the iconic journalist, the woman in love.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Anastasia Rubis</b>'s writing has appeared in the <i>New York Times</i>, <i>Huffington Post</i>, <i>New York Observer</i>, <i>Creative Nonfiction</i>, <i>North American Review</i>, <i>[PANK]</i>, <i>Fiction International</i>, and <i>Literary Mama</i>. One of her stories, 'Girl Falling', was named a Notable Essay in Best Essays of 2014. Another, 'Blue Pools', was included in the anthology <i>Oh, Baby</i> published by Creative Nonfiction and edited by Lee Gutkind. She co-wrote and co-directed a 13-minute documentary titled <i>Breakfast Lunch Dinner: The Greek Diner Story</i> on YouTube. She earned a BA magna cum laude from Brown University and an MA from Montclair State University, where she taught essay writing. She lives in New Jersey with her husband and daughter and spends summers in Greece, where her parents were born.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lauren Cook's</b><b><i>I Love Shopping</i></b> <b> beloved on the Internet and IRL  is back in print.</b></p><p>Chickens have a collective soul. Heaven is full of the skateboarders you kissed in middle school. If the algorithm is its own hell, Lauren Cook, author of the critically (and uncritically) acclaimed <i>Sex Goblin</i>, stands in front of it fully armored.<i>I Love Shopping</i>invites its readers to inhabit a world just like ours, reflected through a big, benevolent funhouse mirror.</p><p>First published in a limited edition, this will be the first trade edition of the cult classic.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lauren Cook</b> is a transsexual naturalist and the author of <i>I Love Shopping</i> (Glo Worm Press, 2019; Nightboat Books, 2025) and <i>Sex Goblin</i> (Nightboat Books, 2024). He is from upstate New York</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A weird, wild ride across non-narrative vignettes and dryly funny aphorisms exploring the shared intensity of violence and the erotic.</p><p>As if hauled up squirming from the bowels of the internet,<i> Sex Goblin</i> metabolizes sex writing, popular culture, and autofiction to present the real and the imagined as equally surreal possibilities. In the narrator's childlike voice, all things become both mundane and strange  a child and their dog fused after a car accident, moments of tenderness amidst frat hazing, witches, and hiking accidents. At turns charming and bizarre, <i>Sex Goblin</i> channels sexual violence through the lens of the absurd to alchemize shame and abuse into something that registers differently than trauma. <i>Sex Goblin</i> is a barely factual but deeply felt field guide to relationships and relatability.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lauren Cook </b>is a transsexual naturalist and the author of<i> I Love Shopping</i> (Glo Worm Press, 2019). He lives in Asheville, North Carolina.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Finally, a book for men!</b></p><p>Have you ever engaged in totally normal male behaviour like:</p><p>Stealing porn magazines?<br/>Hooking up with guys on Grindr?<br/>Attempting to work in an open-pit mine despite having no relevant job experience?<br/>Crossdressing as a woman?<br/>Attending Gnostic Mass?<br/>Running for government office?</p><p>Then this is a book for you!</p><p>It is definitely not a deeply felt collection of transsexual short stories, engaged in dissident metaphysical investigation of the normative tenets of gender in our society! Bro, how could you say that? It is very dramatic and exciting, yes, but it is not metaphysical at all. In fact, it is <i>Realistic Fiction.</i></p><p>As if Charlie Chaplin re-wrote the works of Kafka, and he was a Russian trans man, Anton Solomonik brings a funny, heartbreaking, and startlingly unique new voice to contemporary short fiction.</p><p><b>'Outrageously funny.'  Paul Harding</b></p><p><b>'There is </b><b><i>nobody</i></b><b> doing it like Anton.'  Tuck Woodstock</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>The Office</i></b><b>meets</b><b><i>Six Feet Under</i></b><b>meets</b><b><i>About a Boy</i></b><b>in this coming-of-middle-age tale about having asecond chance to write your life's story.</b></p><p>Bud Stanley is an obituary writer who is afraid to live. Yes, his wife recently left him for a 'far more interesting' man. Yes, he goes on a particularly awful blind date with a woman who brings her ex. And yes, he has too many glasses of Scotch one night and proceeds to pen and publish his own obituary. The newspaper wants to fire him. But now the company's system has him listed as dead. And the company can't fire a dead person. The ensuing fallout forces him to realise that life may be actually worth living.</p><p>As Bud awaits his fate at work, his life hangs in the balance. Given another shot by his boss and encouraged by his best friend, Tim, a worldly and wise former art dealer, Bud starts to attend the wakes and funerals of strangers to learn how to live.</p><p>Thurber Prize-winner and<i>New York Times</i>bestselling author John Kenney tells a funny, touching story about life and death, about the search for meaning, about finding and never letting go of the preciousness of life.</p><p><b>'Razor-sharp, darkly comedic, and emotionally piercing. With the satirical bite of Richard Russo's</b><b><i>Straight Man</i></b><b>, the introspection of Fredrik Backman's</b><b><i>A Man Called Ove</i></b><b>, and the reinvention of Andrew Sean Greer's</b><b><i>Less</i></b><b>, Kenney's vivid prose transforms the mundane into unexpected hilarity.'</b> <b> </b><b><i>Booklist</i></b><b>(starred review)</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[The Vinyl Detective plunges into the world of Italian movie soundtrack music in his eighth adventure that is sure to delight those who love whimsical British cosy crime. Expect laughs, LPs, cats and the return of fan favourites, Nevada, Tinkler, Stinky Stanmer and more.]]></Text>
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			<Text textformat="02"><![CDATA[<p>The Vinyl Detective plunges into the world of Italian movie soundtrack music in his eighth adventure that is sure to delight those who love whimsical British cosy crime. Expect laughs, LPs, cats and the return of fan favourites, Nevada, Tinkler, Stinky Stanmer and more. </p><p>Some of the greatest (and grooviest) music ever committed to vinyl has come out of Italy.</p><p>And some of the greatest music to come out of Italy is the rich diversity of soundtracks composed for the indigenous film industry - particularly for gruesome thrillers known as &amp;#x27;gialli&amp;#x27;. The maestros who composed for these include Ennio Morricone, Piero Piccioni, Armand Trovajoli... </p><p>And Valerius Passeri. </p><p>He was one of the finest composers of this genre and his original LPs from his 1960s heyday fetch a fortune from collectors. </p><p>No one disputes that Passeri was a genius... </p><p>The argument is whether or not he was a murderer. </p><p>Passeri&amp;#x27;s mistress was killed in London in the 1960s while he was here on location for a film shoot. There was never enough hard evidence to lead to a prosecution but the stink of scandal has never gone away. </p><p>Passeri&amp;#x27;s granddaughter Chloe has come to England to hire the Vinyl Detective. She wants him to negotiate for a collection of her father&amp;#x27;s LPs. The mastertapes of the albums have been destroyed and she needs immaculate vinyl copies to provide the source for a series of reissues  Chloe&amp;#x27;s mission is to preserve her grandfather&amp;#x27;s heritage. And also, it transpires, to clear his name. </p><p>So it turns out that the Vinyl Detective&amp;#x27;s real job will be to find out who actually committed a murder  over half a century ago, in Swinging London. </p><p>But the real killer is not enchanted with the notion of being exposed. And, having killed once before, they see no problem in doing so again.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Andrew Cartmel</b> is a novelist, comics writer and screenwriter. His work includes a distinguished sojourn script editing <i>Doctor Who</i> for three years (search &amp;#x27;Cartmel masterplan&amp;#x27;), co-writing the <i>Rivers of London</i> graphic novels and plays. As a crime novelist, Andrew created the <i>Vinyl Detective</i> while listening to a lot of music, most of it good. Most of it very good. Andrew Cartmel lives in London with too many books, too many records and just enough cats.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'Original, compelling, witty and historically illuminating  hilarious and essential reading.'  Helen Lederer, comedian, actress and founder of Comedy Women in Print</b></p><p>Paris, 1940. The course of Fatiha Bin-Khalid's life is changed forever when she befriends the Muslim feminist Doria Shafik. But after returning to Egypt and dedicating years to the fight for women's rights, she struggles to reconcile her political ideals with the realities of motherhood.</p><p>Cairo, 1966. After being publicly shamed when her relationship with a bisexual boyfriend is revealed, Fatiha's daughter is faced with an impossible decision. Should Yasminah accept a life she didn't choose, or will she leave her home and country in pursuit of independence?</p><p>Bristol, 2011. British-born Nadia is battling with an identity crisis and a severe case of herpes. Feeling unfulfilled (and after a particularly disastrous one-night stand), she moves in with her old-fashioned Aunt Yasminah and realises that she must discover her purpose in the modern world before it's too late.</p><p>Following the lives of three women from the Bin-Khalid family, <i>Daughters of the Nile</i> is an original and darkly funny novel that examines the enduring strength of female bonds. These women are no strangers to adversity, but they must learn from the past and relearn shame and shamelessness to radically change their futures.</p><p>Everyone's talking about <i>Daughters of the Nile</i>...</p><p><b>'A writer to watch.'  @ElementaryMyDear_</b></p><p><b>'Mesmerising.'  @alicetheunique</b></p><p><b>'Not to be missed.'  @Silvia_reviews</b></p><p><b>'A true gem.'  @stratospherekawaiigirl</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Zahra Barri</b> is an Irish-Egyptian writer and stand-up comedian. Growing up in Saudi Arabia and attending both Muslim and Catholic schools has given her a unique insight into living in multiple religious environments. She has featured on Channel 4's <i>Only Jokes a Muslim Can Tell</i>, BBC Radio and BBC Asian Network. In 2020 she was named a runner-up in the Comedy Women in Print Unpublished Prize and she is currently doing a PhD in Creative Writing at the University of Hertfordshire. Her work is supported by the Society of Authors. She lives in Rochester, Kent.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In this dark trans thriller, a closeted trans girl infiltrates anunderground forced feminisation facility and decides, with the help of someone on the inside, to exploit it for free transition healthcare.</p><p>What if the only way to fix toxic masculinity were to erase it entirely?</p><p>Mark Vogel is like the older brother Stefan never had, but one day he disappears without a trace. A year later, after encountering a woman who looks near-identical to Mark, Stefan becomes obsessed. He finds that dozens of young men have disappeared over the years, many of them students at the Royal College of Saint Almsworth, and most of them troubled or unruly. Why are students going missing? Who are these women who bear striking resemblances to them? And what is their connection to the selective student accommodation on the edge of campus, Dorley Hall?</p><p>Stefan starts studying at Saint Almsworth for one reason and one reason only: to find out exactly what happened to the women who live at Dorley Hall, and to get it to happen to him, too.</p><p>An electrifying debut by Alyson Greaves, <i>Welcome to Dorley Hall</i> is an intense exploration of gender and society.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alyson Greaves</b> is a trans woman living in London in a very small flat, where she writes far too much and doesn't sleep nearly enough. She originally serialized her debut series, <i>The Sisters of Dorley</i>, on AO3, Scribblehub and Patreon and self-published the books on Amazon before she was signed by Neem Tree Press in 2024. She has amassed a fast-growing online cult following, with community forums, fan fiction, and fan-made merch.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A new translation of the classic English poem that inspired Malory, stunningly illustrated with linocuts by the author.</p><p><i>King Arthur's Death</i> (commonly referred to as the <i>Alliterative Morte Arthure</i>) is a Middle English poem that was written in Lincolnshire at the end of the fourteenth century. A source work for Malory's later Morte d'Arthur, it is an epic tale which documents the horrors of war, the loneliness of kingship and the terrible price paid for arrogance.</p><p>This magnificent poem tells of the arrival of emissaries from Imperial Rome demanding that Arthur pays his dues as a subject. It is Arthur's refusal to accept these demands, and the premise of foreign domination, which leads him on a quest to confront his foes and challenge them for command of his lands.</p><p>Combining heroic action, probing insight into human frailty and a great attention to contemporary detail, <i>King Arthur's Death</i> is not only a lesson in effective kingship, it is also an astonishing mirror on our own times, highlighting the folly of letting stubborn dogma drive political decisions.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michael Smith</b> comes from Cheshire and read history at the University of York, specialising in English and European mediaeval history. In later years, he studied as a printmaker at the Curwen Print Study Centre near Cambridge. He lives in Ware, Hertfordshire.His first book, a translation of <i>Sir Gawain and the Green Knight</i>, was published by Unbound in 2018.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>It is New Year at Camelot and a mysterious green knight appears at King Arthur's court. Challenging the knights of the Round Table to a Christmas game, he offers his splendid axe as a prize to whoever is brave enough to behead him with just one strike. The condition is that his challenger must seek him out in a year and a day to have the deed returned. Sir Gawain accepts and decapitates the stranger, only to see him pick up his head, walk out of the hall and ride away on his horse. Now Gawain must complete his part of the bargain, search for his foe and confront what seems his doom...</p><p>Michael Smith's translation of this magnificent Arthurian romance draws on his intimate experience of the North West of England and his knowledge of mediaeval history, culture and architecture. He takes us back to the original poetic form of the manuscript and brings it alive for a modern audience, while revealing the poem's historic and literary context.</p><p>The book is beautifully illustrated throughout with detailed recreations of the illuminated lettering in the original manuscript and the author's own linocut prints, each meticulously researched for contemporary accuracy. This is an exciting new edition that will appeal both to students of the Gawain-poet and the general reader alike.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A bold follow-up to the very popular <i>Damnable Tales</i>: Full of thrillingly chilling tales from Shirley Jackson, M. R. James, William Croft Dickinson and many more</p><p>This anthology contains work from both the established masters of Folk Horror, and some more surprising contributors: from Shirley Jackson and M. R. James to E. F. Benson and William Croft Dickinson. <i>Tales Accursed</i> will raise the hairs on your neck and keep you alert to the slightest rustle in the trees: through the chill splendour of moonlit nights come apparitions through the orchard; sea-witches perch on the sharp fangs of rocks as they weave their spells; fir-woods lie unnaturally still with no birdsong, no breeze, nor any undergrowth; and hooded creatures crouch on grey secluded beaches. This book combines ancient horrors from the wilderness with sinister shadows of the landscape to remind us of the settings of our ancestors.</p><p><i>Tales Accursed</i> is a gloriously creepy collection of chilling Folk Horror tales that is both thrilling and unnerving.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kelsey Ramsay</b> is a comic artist and illustrator from London, UK. She has works featured in JOAN JETT AND THE BLACK HEARTS Bad Reputation/ I love Rock &amp;#x27;n&amp;#x27; Roll (Z2 Comics)and FAB BREAKOUT BOOK : MAD WORLD (StoryWorld Media). She is currently working on IDW title DARK SPACES: GOOD DEEDS. She is a traditional artist that can&amp;#x27;t ink without an eclectic collection of music and loves all things books.</p><p><b>Dan Watters</b> is a British comic book writer who has written several titles, including <i>Dark Souls: Legends of the Flame, Wolfenstein, Assassin&amp;#x27;s Creed: Uprising</i> for Titan Comics and Limbo for Image Comics.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>From the author of<i>Last Words on Earth</i>  an reimagining of Roberto Bolao's life  comes a book articulating the final years of Aliocha Coll, one of Spain's most innovative writers as he completes his masterpiece,<i>Attila</i>(also available from Open Letter Books).</p><p>Living alone in Paris, estranged from his family, suffering from heartbreak and possibly madness, Alioscha Coll works with saintly intensity on what will be his final manuscript:<i>Attila</i>. Once the final words have been written, he vows to end his life, convinced that his existence will lose all purpose.</p><p>Told through the viewpoint of a literary critic and journalist,<i>Attila</i>expands Javier Serena's investigation into artists who remained dedicated to their art, to their aesthetic vision in the face of complete dismissal by the publishing world and reading public. In the case of<i>Last Words on Earth</i> and Ricardo Funes (the stand in for Bolao in that novel), things work out and he briefly becomes the star of the literary world  could the same happen for Alioscha Coll?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>'My life will not make any sense when <i>Attila </i>is finished,' declared Aliocha Coll about his mesmerising final novel. In this groundbreaking 'untranslatable' work, he channels Joycean experimentalism to explore the fragility of empires, the future of the city, and the weight of legacy.</p><p>Attila the Hun, reimagined as a visionary leader, contemplates the fate of his people at the gates of Rome. His son, Quijote, is caught between empires and ideals, forced to choose between his father's vision of a Hunnic utopia and the decaying allure of Roman civilisation. As Rome burns, Quijote journeys through both real and surreal landscapes, encountering psychedelic visions, mystical revelations, and existential dilemmas.</p><p>Quijote's journey blurs the lines between past and future, uniting Biblical, Classical, and Buddhist traditions while moving between planes of existence. <i>Attila</i>is an intricate and elusive masterpiece from the explosive and disorienting imagination of Aliocha Coll, where characters from myth and history intermingle in a stunning labyrinth of allegory and metaphor.</p>]]></Text>
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			<Text textformat="02"><![CDATA[First published in 1886, The Strange Case of Dr. Jekyll and Mr. Hyde is Robert Louis Stevenson's classic tale of the duality of human nature and his iconic presentation of what would come to be referred to as the 'split personality'.]]></Text>
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			<Text textformat="02"><![CDATA[<p>What a study in contrasts is the friendship between Henry Jekyll and his boon companion, Edward Hyde. Where Jekyll is a handsome and respected man of science, Hyde is a surly and brutish misanthrope. Nevertheless, Jekyll has allowed Hyde free access to his home and laboratory and, surprisingly, made him the sole beneficiary of his will. Given the closeness of their bond, it seems peculiar that no one has ever seen the two men together in public. And yet they share a remarkable chemistry... </p><p>First published in 1886, <i>The Strange Case of Dr. Jekyll and Mr. Hyde</i> is Robert Louis Stevenson's classic tale of the duality of human nature and his iconic presentation of what would come to be referred to as the 'split personality'.</p>]]></Text>
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			<SubjectHeadingText>20th century; african american; african american women; classics; colorism; dark skin; discrimination; fiction; harlem; harlem renaissance; historical; idaho; intraracial racism; new york; nightlife; race relations; racism; rent parties; university of southern california; wallace thurman; women</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Emma Lou Morgan's dark complexion is a source of sorrow and humiliation-not only to herself, but also to her lighter-skinned family members and the white community of her hometown, Boise, Idaho.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A groundbreaking, yet controversial novel of the Harlem Renaissance about a young, dark-skinned Black woman reckoning with colourism as she navigates 1920s Harlem, reissued and repackaged for th</b><b><i>e Herald Classics</i></b><b> line.</b></p><p>Emma Lou Morgan's dark complexion is a source of sorrow and humiliation  not only to herself, but also to her lighter-skinned family members and the white community of her hometown, Boise, Idaho. Hoping to find a safe haven, Emma travels to New York's Harlem, the Black Mecca of the 1920s. Wallace Thurman brings to life this legendary time and place in rich detail, describing Emma's visits to nightclubs, dance halls, and house-rent parties, her sex life and catastrophic love affairs, her dreams and her disillusions  and the momentous decision she makes to survive.</p><p>A lost classic of Black American literature, <i>The Blacker the Berry</i> is a compelling portrait of the destructive depth of intra-racial bias in the Black community.</p>]]></Text>
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			<SubjectHeadingText>herman Koch; manson murders; Boekenweek; Wild Wild Country; dutch literature; latter day saints; manson family; scientology; going clear; Jon Krakauer; manson; jim jones; FLDS; Prophets prey; Warren Jeffs; Cult; Jonestown; Charles manson; the Electric Kool-Aid Acid Test; under the banner of heaven; sam brower; Lawrence Wright; Rev. Jim Jones; Merry Pranksters; emma cline; cults</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>**Winner of the 2021 European Union Literature Prize**</b></p><p>One apartment, three women, one man. One of the women is dead. When the emergency personnel arrive, they realise: Elisabeth starved to death, encouraged by her roommates.</p><p>In the middle of a summer night, Elisabeth, the oldest resident of the Sound &amp; Love Commune, dies. Her sister Melodie and their two other housemates are arrested: the group's attempts to stop eating and start living on light and love alone appears to have been fatal to Elisabeth. From unworldly idealists on the fringes of society, the three suddenly become suspects in a criminal case. Through the eyes of the night, the neighbors, doubt, the scent of an orange, and many other characters and entities, we see how each of those involved gives a different answer to the question of how Elisabeth came to die. Who is to blame? And does the commune still have a future? <i>We Are Light</i> is a highly original and entertaining novel about manipulation, vulnerability, and trying to be better.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gerda Blees</b> is a Dutch author and poet. She taught at various universities for several years while doing linguistic research on Dutch-German lingua receptiva - conversations in which each person speaks their own language. <i>We Are Light</i>, Blees's debut novel, won the EU Literature Prize as well as the prestigious Dutch Booksellers Award in 2021. It was also shortlisted for the Libris Literature Award. The author recently completed a bachelor's degree in fine arts at the Gerrit Rietveld Academie in Amsterdam while living with her family in Woerden.</p><p><b>Michele Hutchison</b> studied at UEA, Cambridge, and Lyon universities and worked in publishing for a number of years. In 2004, she moved to Amsterdam. Among the many works she has translated are <i>La Superba</i> by Ilja Leonard Pfeijffer, <i>Slaves to Fortune</i> by Tom Lanoye, both <i>Craving</i> and <i>Roxy</i> by Esther Gerritsen, and <i>Stadium IV</i> by Sander Kollaard, for which she received the Vondel Translation Prize 2020. In the same year, her translation of Marieke Lucas Rijneveld's novel <i>The Discomfort of Evening</i> was awarded the International Booker Prize. She also co-authored the successful parenting book, <i>The Happiest Kids in the World.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Keeping up-to-date with the most buzzworthy and cutting-edge science fiction requires sifting through countless magazines, e-zines, websites, blogs, original anthologies, single-author collections, and more  a task that can be accomplished by only the most determined and voracious readers. For everyone else, Night Shade Books is proud to present the latest volume of <i>The Best Science Fiction of the Year</i>, a yearly anthology compiled by Hugo and World Fantasy Award-winning editor Neil Clarke, collecting the finest that the genre has to offer, from the biggest names in the field to the most exciting new writers.</p><p>The best science fiction scrutinises our culture and politics, examines the limits of the human condition, and zooms across galaxies at faster-than-light speeds, moving from the very near future to the far-flung worlds of tomorrow in the space of a single sentence. Clarke, publisher and editor-in-chief of the acclaimed and award-winning magazine <i>Clarkesworld</i>, has selected the short science fiction (and <i>only</i> science fiction) best representing the previous year's writing, showcasing the talent, variety, and awesome &amp;#x27;sensawunda&amp;#x27; that the genre has to offer.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Neil Clarke</b>) is the multi-award-winning editor of <i>Clarkesworld Magazine</i> and over a dozen anthologies. A ten-time finalist and the 2022 winner of the Hugo Award for Best Editor Short Form, he is also the three-time winner of the Chesley Award for Best Art Director. In 2019, Clarke received the SFWA Kate Wilhelm Solstice Award for distinguished contributions to the science fiction and fantasy community. He currently lives in New Jersey with his wife and two sons, and you can visit him at his website, www.neil-clarke.com.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Calvaria Fell</i> is a stunning collaborative collection of weird tales from two acclaimed authors, Kaaron Warren and Cat Sparks. It features previously published stories from both authors, along with a new novella by Kaaron Warren and four new stories by Cat Sparks.</p><p>The collection offers a glimpse into a chilling future world that is similar to our own. Readers will be drawn into experiences at once familiar and bizarre, where our choices have far-reaching consequences and the environment is a force to be reckoned with.</p><p>The title of the collection tethers these stories to a shared space. The calvaria is the top part of the skull, comprising five plates that fuse together in the first few years of life. Story collections work like this; disparate parts melding together to make a robust and sturdy whole. The calvaria tree, also known as the dodo tree, adapted to being eaten by the now-extinct dodo bird; its seeds need to pass through the bird' s digestive tract in order to germinate. In a similar way, the stories in <i>Calvaria Fell </i>reflect the idea of adaptation and the consequences of our actions in a changing world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Cat Sparks</b> is a multi-award-winning Australian author, editor and artist. Cat' s debut novel, <i>Lotus Blue</i> (Skyhorse, 2017) was shortlisted for the Compton Crook, Aurealis and Ditmar Awards. Her collections, <i>The Bride Price </i>(Ticonderoga, 2013) and <i>Dark Harvest </i>(Newcon, 2020) were nominated for Aurealis Awards and won Ditmars for Best Collected Work in their respective years. Eighty of her short stories have been published since the turn of the millennium and her 25 awards for writing, editing and art include winning the Peter McNamara Conveners' Award twice.</p><p>Shirley Jackson award-winner<b> Kaaron Warren</b> has published five multi-award winning novels (<i>Slights, Walking the Tree, Mistification, The Grief Hole </i>and <i>Tide of Stone</i>) and seven short story collections, including the multi-award winning <i>Through Splintered Walls</i>. Her most recent short story collection is <i>A Primer to Kaaron Warren</i> from Dark Moon Books. Her most recent novella, <i>Into Bones Like Oil </i>(Meerkat Press), was shortlisted for a Shirley Jackson Award and the Bram Stoker Award, winning the Aurealis Award. Her stories have appeared in multiple Year's Best anthologies.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Aurealis Awards 2024, Best science fiction novella**</b></p><p>A thrilling, propulsive story of escape as a small-time crook goes on the run across Australia with a stolen secret that will change the world, perfect for fans of William Gibson's <i>All Tomorrow's Parties</i>, Richard Morgan and <i>Ghost in the Shell</i>.</p><p>Jackson Nguyen is a petty crook living slim on the mean streets of Melbourne. When he crosses paths with a desperate, but wealthy, Chinese dissident, begging for his help, Jack responds in the only natural way: he steals her shoes.</p><p>And yet, despite every effort to mind his own damn business, a wild spiral into the worst kind of trouble begins - Murder, mayhem, fast cars, fast-talking, bent cops, and long straight highways into the terrible beauty of the vast Australian Outback.</p><p>In Jack's world, taking a stand against the ruling class is the shortest path to a shallow grave. But when an Earth-shattering technology falls into his hands, he must do everything he can to stop the wrong people taking it. In a world of pervasive government surveillance and oppressive corporate control, it's up to a small-time criminal to keep the spark of human rebellion alive.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Set in the same universe as the acclaimed <i>All the Murmuring Bones</i> and <i>The Path of Thorns</i> (one of Oprah Daily&amp;#x27;s Top 25 Fantasy Novels of 2022), this beautifully told Gothic fairy tale of ghosts, witches, deadly secrets and past sins, will be perfect for fans of Hannah Whitten and Ava Reid.</p><p>Ellie Briar is the first non-witch to be born into her family for generations. The Briar family of witches run the town of Silverton, caring for its inhabitants with their skills and magic. In the usual scheme of things, they would be burnt for their sorcery, but the church has given them dispensation in return for their protection of the borders of the Darklands, where the much-feared Leech Lords hold sway.</p><p>Ellie is being trained as a steward, administering for the town, and warding off the insistent interest of the church. When her grandmother dies suddenly, Ellie's cousin Audra rises to the position of Briar Witch, propelling Ellie into her new role. As she navigates fresh challenges, an unexpected new ability to see and speak to the dead leads her to uncover sinister family secrets, stories of burnings, lost grimoires and evil spells. Reeling from one revelation to the next, she seeks answers from the long dead and is forced to decide who to trust, as a devastating plot threatens to destroy everything the Briar witches have sacrificed so much to build.</p><p>Told in the award-winning author&amp;#x27;s trademark gorgeous, addictive prose, this is an intricately woven tale of a family of witches struggling against the bonds of past sins and persecution.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Angela Slatter</b> has won a World Fantasy Award, a British Fantasy Award, a Ditmar, an Australian Shadows Award and six Aurealis Awards for her short stories. She has an MA and a PhD in Creative Writing, is a graduate of Clarion South 2009 and the Tin House Summer Writers Workshop 2006. Angela's short stories have appeared in many Best Of anthologies, and her work has been translated into many languages. She teaches creative writing and lives in Brisbane, Australia.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Step into another alternate reality crafted by Ryo Yoshigami, as the Psycho-Pass writer weaves a compelling story amidst constant conflict.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Step into another alternate reality crafted by Ryo Yoshigami, as the Psycho-Pass writer weaves a compelling story amidst constant conflict.</p><p>In a Japan transformed by drugs, accompany the 'D-Unit' as they battle addicts with destructive powers. Like the 'Dopemen', readers are addicted and unable to put the novel down.</p><p>Dangers lurk at every turn in <i>Dopeman Volume 1</i>. Ryo Yoshigami eradicates the metropolitan Japan that we know, as it has now become a warzone for the authorities and a new enemy.</p><p>The legalisation of narcotics unleashed a wave of supernatural powers among drug addicts. To battle the new enemies, the 'D-Unit' is formed comprising of detectives, who alongside the reader, are plunged into a superhuman doping conflict.</p><p>The gripping story unfolds in a dark dystopia reminiscent of the hit anime Psycho-Pass, which Yoshigami also had a hand in creating as a screenwriter of the third season and author of the franchise's short novels. Now, fans have the chance to delve even deeper into his immersive worlds, exploring moral dilemmas and complex characters.</p><p>Readers will quickly find themselves captivated by the conflict they are immediately thrown into, but perhaps also be morally torn. While it may be 'right' to side with the 'D-Unit', who are attempting to restore law and order, the powerful and cunning 'Dopemen' have a swagger about them as they wreak havoc across Japan.</p><p>While narcotics have bestowed fascinating and destructive powers, it will be adrenaline coursing through the reader's veins as they are consumed by the mayhem wrought in 'Dopeman'. Against the backdrop of a Japan corrupted by drugs, the stage is set for epic confrontations and devastating battles.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Yuhei Ogino</b> is a versatile artist, whose work knows no boundaries having worked on titles of various genres. From horror to Sci-Fi, to romance, the creative has illustrated titles such as Aku no Higan, Zetsubou no Rakuen, Kodoku no Immortal, and Tobaku no Kyojin. Ryo Yoshigami, born in Saitama in 1989, ignited his passion for writing after receiving positive feedback from peers when writing a novel as a guest for the cultural festival. He then spent two years in college creating visual novels, and eventually published his debut; <i>The Panzer Clown Faces</i>. Since then, he has established himself as a light novel author, as well as being a screenwriter for the <i>Psycho-Pass</i> anime, as well as writing novels for the successful franchise.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>There is healing in this poetry.</i></p><p><i>These are our words.</i></p><p><i>From our country.</i></p><p><i>Our lands. Our spirits.</i></p><p><i>For all the troubles we face every day, we are a passionate people.</i></p><p><i>When we hear these poems, we know, we are lovers of life.</i></p><p>After selling out its first three print runs and having poems selected for Best of Australian Poems 2021 by Australian Poetry, a second edition of this beautiful anthology was needed! It is being released on the new imprint of Running Water Community Press (formerly Ptilotus Press) from Mparntwe Alice Springs and features poems written by over twenty Arrernte women around the refreshing Arrernte concept of Lyapirtneme.</p><p>This second edition includes an additional poem by local heroines, Margaret Kemarre Turner (Arrernte Elder and author) and Maureen Jipiyiliya Nampijinpa O'Keefe (Warlpiri/Kaytetye author), as well as a reinvigorated design by award winning book designer, Gemma Banks. It is an important contribution to the growing body of First Nations literature, particularly from remote Australia.</p><p><b>&amp;#x27;Even amongst the extraordinary body of one hundred poems that constitute the first volume of a new annual 'best of' series, Best of Australian Poems, the two poems by Arrente poets, Theresa Penangke Alice and Shirley Kngwarraye Turner, shimmer. Two completely different poems, 'Metal bird' and 'Family are like rocks', but both emanating a profound generosity of knowledge and voice. We are gratefully richer for such 'Women's Talk' gifts, but for myself, as a reader, I actually feel life-changed.&amp;#x27; - Jacinta Le Plastrier, CEO Australian Poetry</b></p><p><b>&amp;#x27;Lyapirtneme is an Arrernte word that means growing back, returning. It's like if a bushfire went through the land, and all the trees burnt down, and the roots underground are still alive. When the rain comes you see little shoots growing out of the bottom of the tree, growing back again.&amp;#x27; - Therese Perrurle Ryder, Arrernte Elder</b></p><p><b>&amp;#x27;I love this book. It holds so much value. Each poem is a gift and it has been put together with so much care.&amp;#x27;  Ellen van Neerven, Mununjali poet</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A ground-breaking collection of First Nations Australia LGBTQIA+ poets, writers and storytellers published to commemorate Sydney WorldPride being held on the unceded lands of the Gadigal, Cammeraygal, Bidigal, Dharawal and Dharug Nations.</p><p>Edited by Alison Whitaker, Gomeroi poet and academic, and Steven Lindsay Ross, Wamba Wamba writer, curator and producer.</p><p><b>&amp;#x27;It is freeing and glorious to see these expressions of unbridled sexuality, vulnerability and invincible spirit in print from First Nations poets... As you read, you will be struck by the boldness of the writers' audacious self-love, and the deep reverence and restorative love contained within the work for themselves and each other.&amp;#x27; - Arlie Alizzi</b></p><p><b>POETS INCLUDE:</b> Ellen van Neerven, Natalie Harkin, Jazz Money, Gary Lee, John Mukky Burke, Steven Oliver, Yvette Henry Holt, Alison Whittaker, Steven Lindsay Ross, Luke Patterson, Lay Maloney, Tyberius Larking, Jacyn de Santis, Alita Morgan, Kirli Saunders, David Hardy, Sandy O'Sullivan, Elijah Manis, Latoya Aroha Rule, Bebe Backhouse, Colin Kinchela, Nekia Lehman, Domenic Guerrera, Ari Mills, Ellen O'Brien, Vika Mana, Samuel Barsah, Gavin Ivey, Ella Noah Bancroft, Keith Quayle, Laniyuk and Andrew Farrell.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Published to commemorate the author's 100th birthday, this wide-ranging and thoughtful collection reflects on history, colonisation, family, childhood, Aboriginal Dreaming, traditions and storytelling, working lives and people.</p><p>Sometimes wistful, melancholic, poignant, at times the author's wry sense of fun and humour shines through.</p><p>When he arrived in Sydney in the 1960s, Bigambul man, Uncle Wes, was not allowed to tell his stories at schools. He set up a fire bucket in his backyard and invited families and children from the local Aboriginal community to come to sit around the fire and share his stories. It did not take long for the police to arrive and arrest him for hosting an unlawful gathering  he spent two days in lock-up for sharing his stories.</p><p>Uncle Wes is a living treasure of Aboriginal storytelling wisdom. Through his poems Uncle Wes invites the reader to join him by the fire as he generously shares his reflections and reminiscences on one hundred years.</p><p><b>&amp;#x27;It is my pleasure to honour Uncle Wes for his work in retaining the age-old storytelling tradition of our people. It is important to maintain this tradition of our Elders sharing their knowledge and insight through story and verse. Thank you Uncle Wes, for sharing your poems with us as you celebrate your 100th year.&amp;#x27; - Dr Anne Pattel-Gray: Head of the Australia First Nations Program, World Vision Australia</b></p><p><b>&amp;#x27;Uncle Wes Marne has a unique ability to allow the reader to see through his experienced eyes. The power and wisdom of his words is now more than ever important for the future generations to understand the time and place they exist in.&amp;#x27; - Ben Bowen: CEO, Indigenous Literacy Foundation</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Miles Franklin Literary Award 2024**</b></p><p><b>**Winner, Stella Prize 2024**</b></p><p><b>**Winner, Queensland Literary Awards, Fiction Book Award**</b></p><p><b>**Winner, The James Tait Black Prize, Fiction 2024**</b></p><p><b>**Winner, ALS Gold Medal 2024**</b></p><p>**<b>Shortlisted, The Dublin Literary Award 2024**</b></p><p><b>**Shortlisted, Queensland Literary Awards 2023, Work of State Significance**</b></p><p><b>**Shortlisted, Margaret and Colin Roderick Literary Award 2024**</b></p><p><b>The new novel from the internationally acclaimed, award-winning Australian author Alexis Wright.</b></p><p><i>Praiseworthy</i> is an epic set in the north of Australia, told with the richness of language and scale of imagery for which Alexis Wright has become renowned. In a small town dominated by a haze cloud, which heralds both an ecological catastrophe and a gathering of the ancestors, a crazed visionary seeks out donkeys as the solution to the global climate crisis and the economic dependency of the Aboriginal people. His wife seeks solace from his madness in following the dance of butterflies and scouring the internet to find out how she can seek repatriation for her Aboriginal/Chinese family to China. One of their sons, called Aboriginal Sovereignty, is determined to commit suicide. The other, Tommyhawk, wishes his brother dead so that he can pursue his dream of becoming white and powerful. This is a novel which pushes allegory and language to its limits, a cry of outrage against oppression and disadvantage, and a fable for the end of days.</p><p><b>&amp;#x27;Monumental...calls to mind the work of Thomas Bernhard or the quiet rage of Dostoyevsky...</b><b><i>Praiseworthy</i></b><b>blew me away.&amp;#x27; </b><b><i>Australian Book Review</i></b></p><p><b>Praise for Alexis Wright:</b></p><p><b>'The writing is the best in the country, some of the best in the world; we call to mind Alexis Wright when they talk about our country's great literary voice.' - Tara June Winch</b></p><p><b>'I'm awed by the range, experiment and political intelligence of [Alexis Wright's] work, from fiction such as</b> <b><i>Carpentaria</i></b> <b>and</b> <b><i>The Swan Book</i></b><b>, to her "collective memoir" of an Aboriginal elder in</b> <b><i>Tracker</i></b><b>. As essayist, activist, novelist and oral historian she is vital on the subject of land and people.' - Robert Macfarlane,</b> <b><i>New York Times Book Review</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexis Wright</b> is a member of the Waanyi nation of the southern highlands of the Gulf of Carpentaria. The author of the novels <i>Carpentaria</i>, winner of the Miles Franklin Award, and <i>The Swan Book</i>, winner of the ALS Gold Medal, Wright has published three works of non-fiction: <i>Take Power</i>, an oral history of the Central Land Council; <i>Grog War</i>, a study of alcohol abuse in the Northern Territory; and <i>Tracker</i>, a collective memoir of Aboriginal leader, Tracker Tilmouth which won the Stella Prize. Her books have been published widely overseas, including in China, the US, the UK, Italy, France and Poland. She held the position of Boisbouvier Chair in Australian Literature at the University of Melbourne, and is now an Adjunct Professor at Western Sydney University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>One of the classics of Australian literature, Alexis Wright's Miles Franklin award-winning novel is being rereleased in a new edition designed by Jenny Grigg.</b></p><p><b>Accompanies the April release of</b> <b><i>Praiseworthy</i></b><b>, Wright's first work of fiction since 2014.</b></p><p><i>Carpentaria</i> is an epic of the Gulf country of north-western Queensland. Its portrait of life in the precariously settled coastal town of Desperance centres on the powerful Phantom family, leader of the Westend Pricklebush people, and its battles with old Joseph Midnight's renegade Eastend mob 2007 on the one hand, and the white officials of Uptown and the neighbouring Gurfurrit mine on the other. Wright's storytelling is operatic and surreal: a blend of myth and scripture, politics and farce.</p><p><i>Carpentaria</i> was the 2007 winner of the Miles Franklin Literary Award, ALS Gold Medal, Queensland Premier's Literary Award and Victorian Premier's Literary Award. It has been published in the US, UK, France, Italy and China.</p><p><b>'a swelling, heaving tsunami of a novel: stinging, sinuous, salted with outrageous humour, sweetened by spiralling lyricism and swaggering with the confident promise of a tale dominated by risk, roguery and revelation.' - </b><b><i>The Australian</i></b></p><p><b>'Wright breaks all the rules of grammar and syntax to sweep us along on a great torrent of language that thrills and amazes with its inventiveness and humour and with the sheer power of its storytelling. It's brutal and confronting and it's sad and funny at the same time.' - </b><b><i>Sydney Morning Herald</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Originally published in 2014, Alexis Wright's classic novel </b><b><i>The Swan Book</i></b><b> is being rereleased in a new edition designed by Jenny Grigg.</b></p><p><b>Accompanies the April release of </b><b><i>Praiseworthy</i></b><b>, Wright's first work of fiction since 2014.</b></p><p><i>The Swan Book</i> is set in the future, with Aboriginal people still living under the Intervention in the north, in an environment fundamentally altered by climate change. It follows the life of a mute young woman called Oblivia, the victim of gang rape by petrol-sniffing youths, from the displaced community where she lives in a hulk, in a swamp filled with rusting boats, and thousands of black swans, to her marriage to Warren Finch, the first Aboriginal president of Australia, and her elevation to the position of First Lady, confined to a tower in a flooded and lawless southern city. <i>The Swan Book</i> offers an intimate awareness of the realities facing Aboriginal people; the energy and humour in her writing, which draws freely on myth and legend, finds hope in the bleakest situations.</p><p><i>The Swan Book</i> was the winner of the ALS Gold Medal and the Kate Challis RAKA Award, and shortlisted for Miles Franklin Literary Award, Stella Prize, NSW Premier's and Victorian Premier's Literary Awards. </p><p><b>'This is not myth as Western culture understands it: not an imagined dimension, but a literal if incorporeal one that bisects and animates the physical world; it makes for marvellous theatre.' - Elizabeth Lowry, </b><b><i>London Review of Books</i></b></p><p><b>'This is a novel written out of the very thing it describes: sovereignty, the sheer taken-for-granted fact of it...</b><b><i>The Swan Book</i></b><b> is about the ethics of hope in our post-apocalyptic world.' - </b><b><i>Sydney Morning Herald</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexis Wright</b> is a member of the Waanyi nation of the southern highlands of the Gulf of Carpentaria. The author of the prize-winning novels <i>Carpentaria </i>and <i>The Swan Book</i>, Wright has published three works of non-fiction: <i>Take Power</i>, an oral history of the Central Land Council; <i>Grog War</i>, a study of alcohol abuse in the Northern Territory; and <i>Tracker</i>, an award-winning collective memoir of Aboriginal leader, Tracker Tilmouth. Her books have been published widely overseas, including in China, the US, the UK, Italy, France and Poland. She holds the position of Boisbouvier Chair in Australian Literature at the University of Melbourne. Wright is the only author to win both the Miles Franklin Award (in 2007 for <i>Carpentaria</i>) and the Stella Prize (in 2018 for <i>Tracker</i>). Alexis Wright's fourth novel, <i>Praiseworthy</i>, will be published in early 2023.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner of the Queensland Literary Awards, Judith Wright Calanthe Award for a Poetry Collection**</b></p><p><b>**Shortlisted, NSW Premier&amp;#x27;s Literary Awards 2023, Indigenous Writers&amp;#x27; Prize**</b></p><p><b>**Shortlisted, Prime Minster's Literary Awards, Poetry 2023**</b></p><p><i>Harvest Lingo</i> is the fourteenth collection of poems by Lionel Fogarty, a Murri man with traditional connections to the Yugambeh people from south of Brisbane and the Kudjela people of north Queensland. He is a leading Indigenous rights activist, and one of Australia's foremost poets, and this collection displays all of the urgency, energy and linguistic audacity for which Fogarty is known.</p><p>At the centre of the collection is a series of poems written in India. Deeply empathetic, these poems are remarkable for the connections they draw between the social problems the poet encounters in this country - poverty, class division, corruption - and those he sees in contemporary Australia, besetting his own people.</p><p>Other poems tell of encounters between people and between cultures, address historical and cultural issues and political events, and pay tribute to important Indigenous figures. There are intensely felt lyrics of personal experience, and poems which contemplate Fogarty's own position as a poet and an activist, speaking with and for his community.</p><p>Fogarty's poems are bold and fierce, at times challenging and confronting, moved by strong rhythms and a remarkable freedom with language. They are an expression of the 'harvest lingo' which gives the collection its title.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lionel Fogarty</b> was born on Wakka Wakka land, at Cherbourg Aboriginal Reserve in south-east Queensland in 1957. Throughout the 1970s he worked as an activist for Aboriginal Land Rights, and in the 1990s, after the death of his brother Daniel Yock, protesting against Aboriginal Deaths in Custody. His poetry collections date from the early 1980s; his most recent collections are <i>Connection Requital; Mogwie-Idan: Stories of the Land; Eelahroo (Long Ago) Nyah (Looking) Mobo-Mobo (Future)</i>, all with Vagabond Press, and <i>Lionel Fogarty: Selected Poems 1980-2017</i>, published by re.press<i>.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>This second edition of The Cherry Picker's Daughter is an exquisite portrait of growing up Aboriginal on the fringes of outback towns in NSW in the mid-twentieth century. Its an important book for school libraries and classrooms, with profound insights into the extraordinary strength, resilience and ingenuity of Aboriginal families to overcome extreme poverty, persecution, racism and cultural genocide.</p><p>The strength of family ties in Aboriginal communities is clearly evident when three-month-old Kerry and her brother lost both parents. Her father, Kevin Gilbert - later to become a famous activist and artist - killed their mother and was jailed for many years. Her father's sister, whom she always called 'Mummy', raised Kerry and her brother, along with her own children and others within the extended family. The book is a tribute to this truly remarkable woman, who not only loved them selflessly and worked tirelessly to support them, but also managed to keep them from being taken/'stolen' by the 'Welfare'.</p><p>Told in the child's voice and in the vernacular of her Mob, activist, artist, poet and author, Aunty Kerry, tells her story of love and loss, of dispossession and repeated dislocation growing up in corrugated tin huts, tents and run-down train carriages, of helping her family earn 'an honest living' through fruit picking, and the impact of life as an Aboriginal state ward living under the terror of Protection Laws.</p><p><b>'A wonderful yarn by an Aboriginal Elder about a bygone way of life.' -&amp;nbsp;</b><b>Melissa Lucashenko, author of Miles Franklin Award-winning<i> Too Much Lip</i></b></p><p><b>'Australia has waited too long to read this book of courage and truth. It heralds a timely change in our thinking of Aboriginal activism.'&amp;nbsp;</b><b>- Jeanine Leane, Wiradjuri writer and academic</b></p><p><b>'Thank you, Kerry, for sharing your story - so much pain and hurt, but such life-affirming strength and love, too.'&amp;nbsp;</b><b>- Kate Grenville, author</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Kuracca</i> - meaning white sulphur crested cockatoo - is a multi-lingual anthology featuring eleven Aboriginal and Torres Strait Islander women writing poetry, prose, songs and stories about their unique lives. All contributors are members of Canberra's longest running Indigenous writers group called 'Us Mob Writing' and this book is dedicated to the late Wiradjuri Elder and award-winning writer, Kerry-Reed Gilbert. With a strong focus on inspiring people to write, the anthology includes both emerging and award-winning writers, a preface by Chairperson Us Mob Writing, Marissa McDowell and a foreword by Chairperson First Nations Australia Writers Network, Yvette Holt.</p><p><b>&amp;#x27;The poetry and prose awaiting your creative cultural engagement, all sixty-five poems in content equates to some sixty-five thousand years and beyond of what it means to be here in the now, as Aboriginal and Torres Strait Islander women representing their families, communities, heritage, their shadows, their promise, their matriarch, themselves - it is within these pages you shall find what it means for all of us to be alive and thriving through chapters of millennia as spoken and written by Us Mob Writing.&amp;#x27; - Yvette Holt</b></p><p><b>&amp;#x27;Powerful and palpable,</b> <b><i>Kuracca</i></b> <b>honours the work of a cultural powerhouse and matriarch in style. The book showcases the strengths and fresh and exciting writing of a tightly bonded group. This is healing.&amp;#x27; - Ellen van Neerven</b></p><p><b>&amp;#x27;Through the liberating words written on these pages, women are sharing their own stories and truth. Such inspiration is the legacy of Aunty Kerry Reed-Gilbert RIP.&amp;#x27; - Ali Cobby Eckermann</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jackie French AM</b> is an author, historian, ecologist and honorary wombat, part time. She has written over 300 books, with over 100 awards and shortlistings in Australia and overseas. Some of her books have been bestsellers and others have been eaten by the wombats. She has been Senior Australian of the Year, Australian Children's Laureate, Australian Literacy Ambassador, and is an Adjunct Professor of the University of Queensland in 'any area you want to be' because she works in so many fields. As well as successfully campaigning to change the way young people are taught to read and preserving authors' and publishers' copyright, she works with literacy programmes in Australia and overseas and has set up a conservation reserve in the valley that is her home, for the wombats and many endangered species. The wombats were not grateful. Wombats never are. She is still not dead. Jackie also really loves trains, and Central Station. You can contact Jackie on Facebook: @jackiefrenchauthor, X: @jackie_french and her website: www.jackiefrench.com</p><p><b>Martina Heiduczek</b> grew up in a small village on the Baltic Sea in Germany. Here you could find her galloping with flying pigtails through the forests on her     Shetland pony, drawing or reading. These days she lives in Australia and works as an illustrator. Her illustrations are a mixture of digital and traditional media. With a passion for colour and textures, she aims to create happy images to evoke emotion and thought in young and old minds alike. She has received numerous awards for her books, including, <i>What do you call your grandma? </i>(2022 CBCA shortlisted in Early Childhood category), <i>We Are Wolves</i> (2021 Winner ABDA Best Designed Children's Fiction Book), <i>What do you call your grandpa?</i> (2021 CBCA Notable Book) and <i>Duck, Apple, Egg</i> (2020 Speech Pathology Australia Book of the Year Awards  shortlisted in Birth to 3 Years category). You can contact Martina on her website: www.martinaheiduczek.com and Instagram: @martina_illustrates</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p> </p><p><i>Each day the Great Dawn Choir </i></p><p><i>greets the morning sun. </i></p><p><i>Together in the growing light,</i></p><p><i>their voices join as one.</i> </p><p><i>The Great Dawn Choir </i>celebrates the dawn chorus and the beautiful native Australian birds that take part in it each morning. </p><p>Discover the chorus members, and find out what inspires them to sing and call with such passion as the sun rises on a new day. </p><p>Reading level varies from child to child, but we recommend this book for ages 5 to 9. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sarah Speedie</b> is an internationally published children's author. She loves to write inspiring and uplifting stories that entertain and spark the imagination. </p><p><b>Cindy Lane</b> is an award-winning artist and illustrator, with a passion for the ocean and its inhabitants. Nature provides Cindy with inspiration as well as materials to make her own paints, which she has used in this book. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Vesper Jones and her cat use a dream controller to banish Scary Things from their dreams.</p><p>Vesper Jones has grown tired of Scary Things entering her dreams. So, with the help of her trusty Dream Changer and brave cat, Marshmallow, Vesper decides it is time to take control. But when Scary Things enter her dreams again, Vesper becomes fearful and must use her imagination and courage to send them away. Can Vesper and Marshmallow outsmart the Scary Things and fill their dreams with fun and magic instead? <i>Vesper Jones and Marshmallow</i> is an empowering story about confronting fears which features powerful and expressive illustrations.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>What if your favorite scary story was real?</i></b></p><p>With eerie illustrations and chilling creepypasta interstitials, <i>The Doomsday Archives: The Wandering Hour</i> by Zack Loran Clark and Nick Eliopulos is the first in a deliciously creepy series, perfect for readers of Jonathan Stroud, Christian McKay Heidicker, and <i>Scary Stories to Tell in the Dark</i>.</p><p>New Rotterdam is no place for a kid  and that's what Emrys Houtman likes about it. Emrys obsessively documents his town's urban legends and cryptid sightings in a Wiki, along with his neighbors and fellow horror fans Hazel and Serena. It's all in good fun until one day, the trio stumbles upon the Doomsday Archives, a collection of relics with dazzling powers and dangerous consequences.</p><p>When a mysterious blood-red hourglass begins appearing around town and children begin to go missing, the trio must band together to stop the horrors plaguing New Rotterdam, or risk losing their home...and possibly their lives. Because after all this time hunting monsters, the kids have realised the monsters are now hunting them back.</p><p><b>'A superb choice for fans of Jonathan Stroud's</b><b><i> Lockwood &amp; Co.</i></b><b> series, Tom Booth's Eerie-on-Sea books, and creepypastas.'  </b><b><i>Booklist</i></b><b>, Starred Review</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[Aven Green was born without arms-so when her dad takes a job running a dying western theme park in Arizona, she knows she'll become the center of unwanted attention at her new school. But she bonds with Connor, a classmate with his own disability to conquer. Then they discover a room at the park that holds bigger secrets than Aven ever could have imagined. Can Aven face her fears, solve a mystery, and help her friend, too?]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>*Winner of the William Allen White Children&amp;#x27;s Book Award for Grades 3-5*</b></p><p><b>*Winner of the 2020 March Book Madness Middle Grade*</b></p><p><b>*Shortlisted for The Reading the West Book Awards*</b></p><p><b>*Nominated for the Minnesota Youth Reading Awards -2021 Maud Hart Lovelace award*</b></p><p><b>*Nominated for the 2021 Colorado Children&amp;#x27;s Book Award for the Junior Book category*</b></p><p>The paperback edition of the bestselling middle grade novel about a spunky girl born without arms and a boy with Tourette syndrome navigating the challenges of middle school, disability, and friendship - all while solving a mystery in a western theme park. Aven Green loves to tell people that she lost her arms in an alligator wrestling match, or a wildfire in Tanzania, but the truth is she was born without them. And when her parents take a job running Stagecoach Pass, a rundown western theme park in Arizona, Aven moves with them across the country knowing that she&amp;#x27;ll have to answer the question over and over again.</p><p>Her new life takes an unexpected turn when she bonds with Connor, a classmate who also feels isolated because of his own disability, and they discover a room at Stagecoach Pass that holds bigger secrets than Aven ever could have imagined. It&amp;#x27;s hard to solve a mystery, help a friend, and face your worst fears. But Aven&amp;#x27;s about to discover she can do it all...even without arms.</p><p><b><br/></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 9 to 12</b></p><p><i>&amp;#x27;High School. Two words that struck fear into the heart of every armless middle schooler I knew. Which was me. And like two people online.&amp;#x27;</i></p><p>This sequel to the critically acclaimed<i> Insignificant Events in the Life of a Cactus</i>, now in paperback, follows Aven Green as she confronts yet another challenge: high school.</p><p>Just as Aven starts to feel comfortable in Stagecoach Pass, with her friends and schoolmates accustomed to her lack of &amp;#x27;armage,&amp;#x27; everything changes once again. She&amp;#x27;s about to begin high school... with 3,000 new kids to stare at her. And no matter how much Aven tries to play it cool, nothing prepares her for the reality. In a year filled with confusion, humiliation, and just maybe love, can Aven manage to stay true to herself?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A near-future war novel, where neurodiverse teenagers who escaped an attack on their school become the last hope of freeing the British people.</p><p>One million cloned soldiers. A nation imprisoned. A group of neurodiverse rebels fighting back.</p><p>Britain as we know it lies destroyed. In the aftermath of the most daring military coup in history, the surviving population is crammed inside giant Citadels, watched over by an army of cloned soldiers. The hope of a nation lies in a tiny number of freedom fighters hidden in the abandoned countryside  most of whom are teenagers who escaped the attack on their special school.</p><p>Seen by many as no more than misfits and 'problem children', this band of fighters could never have imagined the responsibility that now rests on their shoulders. But perhaps this war needs a different kind of hero. After a lifetime of being defined by their weaknesses, the teenagers must learn how to play to their strengths, and become the best they can be in a world that has never been on their side.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A powerful debut that combines historical fiction with fantasy and explores themes of enslavement and empire.</b></p><p>The year is 1748. Elewa, known as 'the Daughter of Peace', bears a heavy responsibility on her young shoulders: to maintain the fragile truce between the warring peoples of her West African kingdom.</p><p>But as she begins to understand her role in the peace negotiations, even greater pressures emerge. Elewa discovers that she has Yeseni, a powerful gift that allows her to see events from any point in time, and to travel into the past and future.</p><p>When she experiences horrific visions of life aboard a slave ship, she realises she has to face the ultimate crossroads. She could use her gift to intervene in the past and try to prevent the transatlantic slave trade ever taking place. But that means she, as the Daughter of Peace, would be leaving her village behind at a precarious moment in the reconciliation process.</p><p>Whichever path she chooses to take, the future of her people lies on her shoulders.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>This book is not meant to be read from cover to cover.</p><p>Instead, it is a book for dreamers. Its purpose? To ease the soul.</p><p>From award-winning writer/illustrator Jackie Morris, on the heels of 2020's <i>The Lost Spells</i>, is a book that enters the realm of dreaming. With its combination of lush illustration and creative storytelling, this book is destined to become a classic.</p><p>The paintings between these covers were worked in the between times - between waking and dreaming, during the unwinding of the soul, when the pressures of work were too much.</p><p>Half-story, half-fairytale, Jackie Morris has created an enchanting tome, to keep on the bedside table, to give as a gift to young and old alike.</p><p>Threaded through the curious world of <i>The Unwinding</i> are words, there to set the reader's mind adrift from their own troubles and the into peaceful harbours where imagination can stretch, and where quiet reflection can bring peace.</p><p><i>The Unwinding</i> is designed to be a companion, a talisman to be turned to again and again and a place of respite from an increasingly frenetic and complex world.</p><p>Dreams and wishes are the inspiration at times like this.<br/></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 5 to 10</b></p><p>He had been waiting all his life, hoping to hear the hare's song...</p><p>The boy and his family are special. While others hunt the hares, his family search for leverets orphaned by the hunt and keep them safe. When the hares begin to move across the land, the boy and his sister know that their greatest challenge has begun. They must follow and watch and wait until the time comes for the old queen to leave and her child to reign in her place.</p><p>But others are searching for the golden queen of the hares, a hunter with two hounds, one silver, one black. Can two children, on their own, keep the golden queen safe from the man and his hounds?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jackie Morris</b> is an author and illustrator. She studied illustration at Hereford College of Art and Bath Academy and has written and illustrated more than fifteen books. <i>The Lost Words</i>, co-authored with Robert Macfarlane, won the Kate Greenaway Medal 2019 and Morris was nominated again for The Unwinding in 2021. She lives in Pembrokeshire.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Both caregivers and children can benefit from this workbook offering helpful guidance on essential emotional regulation skills such as co-regulation, frustration tolerance, expressing feelings, caregiver reflection, and child self-control, through fun and engaging activities.</b></p><p>Written by experienced child therapists who are parents themselves, this workbook uses the foremost knowledge and methods to help both caregivers and children build strong relationships and instill useful regulation tools in their everyday lives. Follow along with fun activities used to teach caregivers how to realistically adapt to meet children's emotional needs. Activities and guidance include:</p><ul><li>How to use play and connection as a baseline approach</li><li>Naming and noticing feelings</li><li>Guidance for building emotional resilience and reflection in your child</li><li>Emotion regulation strategies for the caregiver to use during tough moments</li><li>How to use parent reflection to better understand and respond to challenging child behaviors</li><li>How to set limits and repair ruptures</li><li>Guidance from enduring theory and research on child emotion regulation</li><li>And so much more!</li></ul><p><i>The Self Regulation Workbook for Children Ages 5 to 8</i> can be used as a family activity, a child-caregiver activity, a caregiver-only intervention, and a child-only activity that fosters confidence in those striving to provide an emotionally supportive environment for children.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kahlila Robinson</b>, PhD, is a psychologist in private practice in New York City. She received her doctoral training from the Graduate Center, City University of New York. She has worked with people from across the life span, and from all walks of life. She has specialised training and experience working with children and families, in parent mental health, and with adults with relational trauma. She has worked in hospital and clinic settings, as a mental health consultant in preschools, and as diirector of parent mental health of a nationally recognised early intervention program in the Bronx, NY. She is a supervising psychologist for child and adult psychology graduate students at City College. She is an advocate for the availabilty of high-quality mental health services for underserved and vulnerable populations. She lives with her husband and children in New York City.</p><p><b>Sarah Gerstenzang </b>is passionate about healthy human development. She currently works as a therapist with foster and adoptive families and previously held policy and administrative positions in child welfare. She holds a master's degree in social work from Columbia University. She is the board president of the Adoptive and Foster Family Coalition of NY and has served on numerous advisory committees, including Fostering Families Today magazine, the Effects of Early Life Adversity on Brain Development (NIMH grant with Nim Tottenham, PhD) and on the National Adoption Competency Mental Health Training Initiative. Sarah has been a foster and kinship parent and one of her three children was adopted from the New York City foster care system.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The sensible Secretary Bird wants nothing more than to get on with their job of properly narrating a classic nursery rhyme book. But something is afoot in the orderly land of nursery rhymes . . . a zippy little Weasel has entered the scene!]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In this laugh-out-loud spin on a classic nursery rhyme collection, a feisty weasel continuously interrupts the narrator's carefully prepared recitation</b> <b> adding exuberant mischief to the timeless rhymes we all know and love.</b></p><p>The sensible Secretary Bird wants nothing more than to get on with their job of properly narrating a classic nursery rhyme book. But something is afoot in the orderly land of nursery rhymes...a zippy little Weasel has entered the scene! As the Secretary Bird tries to get through the rhymes  from Little Miss Muffet to Jack and Jill  the Weasel bursts in, throwing everything into a comical tailspin. Can the Secretary Bird put an end to the chaos?</p><p>In <i>POP! Goes the Nursery Rhyme</i>, influential children's librarian Betsy Bird and acclaimed illustrator Andrea Tsurumi remix beloved nursery rhymes, serving up a classic-in-the-making packed with hilarious surprises that will have little listeners riveted.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Betsy Bird</b> is the collection development manager of Evanston Public Library and writes the blog <i>A Fuse #8 Production</i> for <i>School Library Journal</i>. Betsy is also the author of the picture books <i>Giant Dance Party</i> and <i>The Great Santa Stakeout</i> and the middle-grade novel <i>Long Road to the Circus</i>, illustrated by Caldecott-winning illustrator David Small. She lives in Illinois.</p><p><b>Andrea Tsurumi</b> (they/them) is the author and illustrator of the picture books <i>Accident!</i>, <i>Crab Cake</i>, and <i>I'm on It!</i> (Elephant &amp; Piggie Like Reading!) and the illustrator of books including <i>My Head Has a Bellyache</i> (written by Chris Harris), <i>Mr. Watson's Chickens</i> (written by Jarrett Dapier), and the Kondo &amp; Kezumi series (written by David Goodner). They live in Philadelphia, PA. Visit Andrea at andreatsurumi.com.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>From acclaimed picture-book artist Thao Lam comes a joyful celebration of an oft-maligned body part  the belly!</p><p>Maddie and her mom spend a sunny day at the local public pool where she meets and greets friends and neighbours. Maddie is waist-high on most of them, and she knows there's an interesting person behind every belly she passes  like Jackie, the artist with a splatter of ice cream across their belly. Maddie's splatter painting often leaves Mama speechless, too!</p><p>The poolside belly parade keeps Maddie musing: How bellies can make excellent tables, how hard some people work to keep their bellies flat when Maddie prefers her belly full, and how you should never, ever stick your hands in other people's bellies, no matter how soft and doughy they might look. (Maddie's cat taught her that the hard way.)</p><p>As Maddie dances, swims and makes the long climb up to the diving board, Thao Lam's celebrated cut-paper collage portrays bellies and bodies of all shapes and sizes  bellies with scars, tattooed bellies, growing bellies, growling bellies, bellies with six-packs, stretch marks, insulin monitors, freckles and more  proving that every belly deserves its place in the sun.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 5 to 10</b></p><p><i>Dja Dja Wurrung Ancestors' stories as told to me by my mother, my grandmother, my great-grandmother and my great-great-grandmother before her.</i></p><p><i>How did Wabbee, the freshwater crayfish, get its bright red spots? Why does Wehla, the ringtail possum, have a curly tail?</i></p><p><i>How were Waripi Yaluk, the backwaters of Bulatjal Yaluk Woodlar, the Loddon River, formed? Why does Yern, the moon, light up the night sky? Bunjil, the all-powerful, knows the answers.</i></p><p>'BurWhela' Ros Kneebone-Dodson learned these kiki - these stories of Malamiyayu Gurang, the Dreamtime - from her mother, Mooie. BurWhela's words and images bring to vivid life these stories of her Ngurar Gurrk, her Ancestors, from Djandak, the Country of the Loddon River of Central Victoria.</p><p><b>'Our storytelling teaches how to live in harmony, how to care for and preserve the land and all living on it. It is lore for living'. - 'Burwhela' Ros Kneebone-Dodson</b></p><p>Teachers&amp;#x27; notes available <b>here</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>niyakara is leaving the village to hunt tara, kangaroo.</i></p><p><i>On his mind is the chief's daughter, tuminana, who is at the water with the women, collecting shells and working.</i></p><p><i>But down on the beach, niyakara hears three thuds...</i></p><p><i>boom boom boom</i></p><p>With rhythmic intensity,<i> luwa tara luwa waypa</i> tells the captivating story of niyakara's journey from boy to man, a story of courage and transformation.</p><p>Dave mangenner Gough's powerful words and Samantha Campbell's expressive artwork bring to vivid life the ancestral spirit and enduring strength of the palawa people of Tasmania.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dave mangenner Gough</b> is a celebrated artist, curator and cultural practitioner dedicated to practising and demonstrating Tasmanian Aboriginal culture for all Australian people, to bring communities together and preserve our traditional culture. As a proud trawlwoolway - descended from Bungana (chief), manalargenna's oldest daughter, woretemoeteyemer of north-east Tasmania - Dave has a strong personal connection to lutruwita Tasmania and its people.</p><p>As an artist, he has exhibited nationally and internationally. He has also curated a number of significant exhibitions. With Dave as writer, director, producer, performer, <i>luwa tara luwa waypa</i> has been performed in Tasmania as part of mapali dawn gathering, launching the 2021 Ten Days on The Island art festival.</p><p><b>Samantha Campbell</b> grew up in the Northern Territory and lives in Alice Springs. She is descended from the Dagoman people from Katherine and as a child lived in remote communities across the Top End. Her first book, <i>Alfred's War</i>, written by Rachel Bin Salleh, was shortlisted for the NSW Premier's Literary Awards and the Speech Pathology Australia Awards. Her other books include <i>Aunty's Wedding</i> by Miranda Tapsell and Joshua Tyler, <i>Brother Moon</i> by Maree McCarthy Yoelu and<i> Freedom Day</i> by Rosie Smiler and Thomas Mayor.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p> </p><p><i>Exploration Magnetics </i>provides a comprehensive review of the application of magnetisation and magnetic field studies to mineral exploration. It investigates how subsurface models of magnetisation properties and distribution can be derived from magnetic field data. The book also covers geological controls on magnetisation, including linkage between magnetisation and mineralisation, illustrates the magnetic field expression of those magnetisations and explains how to recognise them. </p><p>Understanding rock magnetism and its relationship to mineralisation is more important than ever, given the difficulties of migration to areas of deeper cover in the search for new deposits, as well as the search for different styles of mineralisation involving the critical metals of the future. </p><p>Magnetic methods are at the forefront of mineral exploration in Australia, and the editors of <i>Exploration Magnetics </i>are world-class experts who have led the development and application of mineral exploration techniques, methods and adaption of new technologies. Drawing information from multiple sources, the contributing authors focus on the practical solution of problems, present extensive case study applications and explore the recovery of source magnetisation direction from magnetic field data. They also outline adaption of these magnetic methods for future off-world exploration. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An oversized, slipcase-housed, elaborately illustrated art book edition of</b> <b><i>THE INFERNO</i></b><b>, one of the great towering texts of world literature. Welcome to a strange new Hell. Abandon all expectations, you who enter here.</b></p><p>British linocut artist Sophy Hollington brings her singular vision to Dante Alighieri's manificent funnel of retribution and suffering. And in that strange upside-down city, abandoned by God, she finds hope and humor amidst the darkness. This vivid and gorgeous edition features Henry Wadsworth Longfellow's poetic translation of the landmark Italian poem, alongside a visionary suite of illustrations depicting Hell's vast architecture, an exclusive introduction from the renowned Ukrainian poet Ilya Kaminsky, and an original essay from the Dante scholar Kristina Olson.</p><p>A stunning new entry in Beehive Books award-winning Illuminated Editions series, this volume is housed in a shimmering die-cut sculpturally embossed slipcase, printed on uncoated acid-free paper, and published in an oversized 9x12" trim format.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dante Alighieri</b> (1265-1321) was an Italian poet, philosopher, and author of the epic poem 'Divine Comedy', considered one of the greatest works in world literature.</p><p><b>Sophy Hollington</b> is a British artist and illustrator living in rural East Sussex whose main body of work is created using the lengthy relief printmaking process of linocutting. She weaves arcane and folkloric forms in to intricate, symbolically rich compositions which toe the line between feeling like archaic objects and futuristic visions. She is the creator of Autonomic Tarot, a collaboration with writer David Keenan, published by Rough Trade books in 2018.</p><p><b>Ilya Kaminsky</b> was born in Odesa, Ukraine in 1977, and arrived in the United States in 1993, when his family was granted asylum by the American government. He is the author of <i>Deaf Republic</i> (Graywolf Press) and <i>Dancing In Odessa</i> (Tupelo Press) His work was the finalist for The National Book Award and won The Los Angeles Times Book Award, The Anisfield-Wolf Book Award, The National Jewish Book Award, the Guggenheim Fellowship, The Whiting Award, the American Academy of Arts and Letters' Metcalf Award, Lannan Fellowship, Academy of American Poets' Fellowship, NEA Fellowship, Poetry magazine's Levinson Prize, and was also shortlisted for National Book Critics Circle Award, Neustadt International Literature Prize, and T.S. Eliot Prize (UK).</p><p><b>Kristina M. Olson</b> is the author of<i> Courtesy Lost: Dante, Boccaccio and the Literature of History</i> (University of Toronto Press, 2014) and co-editor of <i>Approaches to Teaching Dante's Divine Comedy</i> (Modern Language Association, 2020) and <i>Boccaccio 1313-2013</i> (Ravenna: Longo Editore, 2015). She is Associate Editor for Digital Dante and serves on the Editorial Boards of Dante Studies and Bibliotheca Dantesca. She served as the President (2020-23), Vice President (2017-20), and Treasurer (2014-17) of the American Boccaccio Association, and Vice President of the Dante Society of America (2016-18).</p>]]></Text>
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			<Text textformat="02"><![CDATA[This volume is a collaborative work of ficto-critical ecopolitics written by two Australian scholar-poets based in the Western Australian Wheatlands (John Kinsella) and Germany's south-western Wrttemberg (Russell West-Pavlov).]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Delves into the intricate concept of 'per se', examining its essence as both the intrinsic nature of things and the intricate web of relationships linking them.</b></p><p>This volume is a collaborative work of ficto-critical eco-politics written by two Australian scholar-poets based in the Western Australian Wheatlands (John Kinsella) and Germany's south-western Wurttemberg (Russell West-Pavlov).</p><p><i>Contestatory and Creative Poetics for a Time of Climate Catastrophe: Volume 1: Per Se</i> is an extended narrative meditation upon the meaning of per se, which generally denotes the thing-in-itself, for its own sake  but that, upon closer examination, transpires to be a high tensile composite of the 'thing' (se) and a relationship (per) that always links it to something else  and indeed, in relations of internal complexity, to itself. Per se, in the book's multiple parsings of the term, is a moniker for the infinite relationality of the world and the relationality of each thing in itself. Per se also denotes the endless fractal embedding of bundles of relationality at the successive levels of thing-ness from the infinitesimally minute nano-scale to the unimaginably distant outer reaches of the sideral. Per se becomes an exploration of the way commodities, cut loose from their context of production and floating on sea of oscillating (exchange) values, never cease to morph back into artefacts defined by the socially intensive use-values their fellow actants discover in them.</p><p>The book thus focalises a politicised effort to revision the rampant multiscalar individualism, solipsism and apartheid-like segregation of our age. Instead, it searches for possibilities or community in every aspect of the world we have learnt to see through a relentlessly atomising and hypostatising filter. The volume claims that every act of perception is political, reestablishing obfuscated connections, thereby seeking to repair the shredded fabric of the ecosphere below the threshold of myopic common-sense. Yet it also celebrates the myriad acts of citizen defiance, visible and invisible, that constitute activist agendas around the world, sending signals  both practical and exemplary, symbolic and literary  that shore up communities of resistance everywhere. The book does not hesitate to interrogate the fractal responsiveness to its own nature, meditating repeatedly on the political character of writing, and more significantly, of the teaching of writing.</p><p>Central to its concerns are various avatars of trees, from the pirogue that hangs above a bar in Lille, and one that is crafted as part of an Italian artist's global collaboration on the periphery of this volume's emergence, via the jacarandas of post-apartheid South Africa, to a wood-chipped pine forest that has become a memorial library in Oslo  to name only a few of the topics taken up by the book's many silvan micro-fictions. Looming over all these concerns are two contemporary silvan catastrophes: the megablazes that destroyed forests in Amazonia, Australia, California, Siberia and the Mediterranean during the period when the book was being written and the deforestation that has allowed zoogenic diseases to jump from once secluded animal species to the humans that would never have been their neighbours if naturally occurring forest-barriers had been left intact.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John Kinsella</b> is the author of over seventy books of poetry, fiction, criticism, plays, edited works and collaborative works. He is an extraordinary fellow of Churchill College, Cambridge University, and emeritus professor of Literature and Environment at Curtin University. He has recently been a DAAD visiting professor at the University of Tbingen (2021-2024).</p><p><b>Russell West-Pavlov</b> is a professor of Anglophone Literature and co-convenor of the Interdisciplinary Centre for Global South Studies at the University of Tbingen, Germany. His recent book publications include <i>Eastern African Literatures</i> (2018), <i>German as Contact Zone</i> (2019), <i>AfrikAffekt</i> (2020) and, as editor, <i>The Global South and Literature</i> (2018).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The potential of biohumanities as a foundation for antiracist critique of the human.</b><br/><br/><i>The Racial Cage</i> delivers a spirited and polyvocal analysis of how race is materialized through both metaphorical and literal cages. It theorizes the cage, fence, dragnet, and tube as materialsemiotic sites for racialization and for iteratively redefining the humananimal boundary. A collaborative conversation across continents, this work examines the racial cage as an important part of the practice of social division and bodily containment. The deeply considered result is an empirical and theoretical approach to biohumanities that productively interrogates its linkages to critical theories of race and racism.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Nadine Ehlers is associate professor of sociology at the University of Sydney.</p><p>Anthony Ryan Hatch is professor of science and technology studies at Wesleyan University.</p><p>Amade Aouatef M'charek is professor of anthropology of science at the University of Amsterdam.</p><p>Anne Pollock is professor of global health and social medicine at King's College London.</p>]]></Text>
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				<TitleText>The Many-Worlds Interpretation of Quantum Mechanics</TitleText>
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			<SubjectHeadingText>Measurement; Quantum mechanics; Many-worlds interpretation; Quantum superposition; Interpretations of quantum mechanics; Theory; Quantum gravity; Expectation value (quantum mechanics); Quantum realm; Quantum system; Measurement in quantum mechanics; Quantum field theory; Eigenvalues and eigenvectors; Universal wavefunction; Probability; Eigenfunction; Classical physics; Theoretical physics; Special relativity; Statistical ensemble (mathematical physics); Einstein notation; Spin (physics); Modern physics; Renormalization; Superposition principle; State function; Wave function; Joint probability distribution; Experimental physics; Degrees of freedom (physics and chemistry); Hilbert space; MaxwellBoltzmann distribution; Statistical mechanics; Elementary particle; Scale factor (cosmology); Phase space; Quantity; Classical mechanics; Probability theory; Hidden variable theory; Markov process; Heisenberg picture; Axiom; Probability distribution; Fermion; Photon; Celestial mechanics; Physics; Degrees of freedom (mechanics); Variable (mathematics); Second law of thermodynamics; Physicist; Markov chain; Schrdinger equation; Probability measure; Ergodic theory; Degeneracy (mathematics); Massive particle; Psychophysical parallelism; Probability interpretations; Shape of the universe; Equation; A priori probability; Random variable; Stochastic process; Density matrix; Unitary transformation; Commutative property; Orthonormal basis; Orthonormality</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A landmark book on the influential many-worlds interpretation of quantum mechanics</b></p><p>In 1957, Hugh Everett proposed a novel interpretation of quantum mechanics  a view that eventually became known as the many-worlds interpretation. This book presents Everett's two landmark papers on the idea  '"Relative State"' Formulation of Quantum Mechanics' and 'The Theory of the Universal Wave Function'  as well as further discussion of the idea in papers from a number of other physicists: J. A. Wheeler, Bryce DeWitt, L. N. Cooper and D. Van Vechten, and Neill Graham.</p><p>In his interpretation, Everett denies the existence of a separate classical realm and asserts the propriety of considering a state vector for the whole universe. Because this state vector never collapses, reality as a whole is rigorously deterministic. This reality, which is described jointly by the dynamical variables and the state vector, isn't the reality customarily perceived; rather, it's a reality composed of many worlds. By virtue of the temporal development of the dynamical variables, the state vector decomposes naturally into orthogonal vectors, reflecting a continual splitting of the universe into a multitude of mutually unobservable but equally real worlds, in each of which every good measurement has yielded a definite result, and in most of which the familiar statistical quantum laws hold. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Bryce S. DeWitt </b>(1923-2004) was a prize-winning theoretical physicist and professor emeritus of physics at the University of Texas at Austin. </p><p><b>Neill Graham</b> (1941-2015) was a physicist and writer.</p>]]></Text>
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			<SubjectHeadingText>Composer; Semiosis; Ludwig van Beethoven; Phrase (music); Romantic music; Sturm und Drang; Tonality; Romanticism; Analogy; Prolongation; Gavotte; Minuet; Classicism; Singing; Music Is; Theory; Semiotics; Genre; Melodic (magazine); Sensibility; Allusion; The Classical Style; Ritornello; Writing; Explanation; Tonic (music); Rhythm; Utterance; Musical composition; Parody; Music theory; Schenkerian analysis; Foregrounding; Generative theory of tonal music; Antithesis; Cantus firmus; Diminished triad; Semantics; Alberti bass; Motif (music); Musical language; Narrative; Modulation (music); Turkish music (style); Ambiguity; Elaine Sisman; Dichotomy; Weighting; Joseph Kerman; Exposition (narrative); Dialectic; School of thought; Musical form; Fanfare; The New Grove Dictionary of Music and Musicians; Historicism; Musical analysis; Oratorio; Music criticism; Defamiliarization; Sarabande; Italian opera; Clinical trial; Rationality; Ornament (music); Donald Tovey; Nominalism; Johann Mattheson; Quarter note; Degree (music)</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[An award-winning account of the importance of semiotic play in Classic instrumental music, including that of Mozart, Haydn, and Beethoven]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An award-winning account of the importance of semiotic play in Classic instrumental music, including that of Mozart, Haydn, and Beethoven</b></p><p>Of all the repertories of Western Art music, none is as explicitly listener-oriented as that of the late eighteenth and early nineteenth centuries. Yet few attempts to analyse the so-called Classic Style have embraced the semiotic implications of this fact. In <i>Playing with Signs</i>, Kofi Agawu proposes a listener-oriented theory of Classic instrumental music that encompasses its two most fundamental communicative dimensions: expression and structure.</p><p>Units of expression, defined in reference to topoi, are shown here to interact with, confront, and merge into units of structure, defined in terms of the rhetorical conventions of beginning, continuing, and ending. The book draws on examples from works by Mozart, Haydn, and Beethoven to show that the explicitly referential, even theatrical, surface of Classic music derives from a play with signs. Although addressed primarily to readers interested in musical analysis, the book opens fruitful avenues for further research into musical semiotics, aesthetics, and Classicism. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>V. Kofi Agawu</b> is Distinguished Professor of Music at the City University of New York Graduate Center. His books include <i>On African Music</i>; <i>The African Imagination in Music</i><b>;</b> <i>Music as Discourse</i>; and <i>Representing African Music.</i></p>]]></Text>
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			<SubjectHeadingText>Pop Music And Linguistics; Pop Music And Society; Pop Music And Gender; Pop Music And Culture; Album Art; How To Separate Art From Artist; How To Listen To Songs; Music Video; Lyrics And Storytelling; Why Song Lyrics And Poetry Are Different; Popular Music And Multimodality; Popular Music; Song Lyrics</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Dr. Glenn Fosbraey</b> is Associate Dean of Humanities and Social Sciences at The University of Winchester and has published widely on the academic study of song lyrics.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Moving towards, not away from, the vexing array of discouraging crises of our time and drawing on a number of innovative but congruent concepts, this short book offers to focus our path towards deep accountability for the life of complex human ecosystems.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Moving towards, not away from, the vexing array of discouraging crises of our time and drawing on a number of innovative but congruent concepts, this short book offers to focus our path towards deep accountability for the life of complex human ecosystems.</b></p><p>The long-awaited convergence of climate, economic, political, intellectual, faith and social failures gives many reasons for despair. The authors of this volume have spent their lives around the trauma of race and poverty in South Africa and the United States working with Nobel prize winners and those in townships and tenements. We have learned that hope is not delusional and accountability not nave. But one must think clearly and deeply, untethered from the inadequate simplicities and false choices. We must be here now, with eyes wide open for when systems break down, as so many are today, knowing that they also break open new space for creative action.</p><p>The authors lead the global web of thinker-doers through the Leading Causes of Life Initiative and national networks in Africa, Europe and the United States. They find coherence among profound thinking from fields never brought into alignment before drawn from by economists, mycelial researchers, anthropologists and health sciences working in the Arctic to South Africa, and the tough neighbourhoods in between. This includes a consideration of the human capacities that allow us to act in and transform the world we inhabit, of the radical nature of joy in the face of despair, of the judgement of Nemesis on hubris and privilege, of the 'value of everything' contra price as definitive, of the idea of involution as distinguished from evolution, of the concept of 'meshworks' in our entanglement with others, and, finally, of the 'theatre of the soul' as the unity of the physical, the psychological, the political and the spiritual.</p><p>Sharply sensitive to the urgency of careful thought and wise action, the authors help us see that life does find a way towards deep accountability for the life of complex human ecosystems. They ask us to take responsibility for this as a key to human flourishing and well-being.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gary R. Gunderson</b> (MDiv, DMin, DDiv h.c.) is Professor of Faith and the Health of the Public, School of Divinity, Wake Forest University; Secretary of Hold.Health; and a beekeeper.</p><p><b>James R. Cochrane </b>(BSc, MDiv, PhD, DDiv h.c.) is emeritus professor (religion) and Senior Scholar (School of Public Health) at the University of Cape Town and convenor of the Leading Causes of Life Initiative collaboration.</p>]]></Text>
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			<Text textformat="02"><![CDATA[In this era, when climate change is the biggest global challenge to humanity, it is crucial to investigate the relationship between humans and the environment.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Violence impregnates human life in many ways. We do violence to individuals or groups. We do violence to plants and animals. We do violence to the planet Earth.</b></p><p>However, Nature will not survive our arrogance and patterns of exploiting and destroying the biosphere if we do not break the cycle of violence. As such, any moral effort to stop barbaric consumerism and chaotic nihilism is simultaneously the possibility of making life and biodiversity flourish on Earth. The moral imperative is thus also an ecological imperative. Therefore, the question is: how can we talk about non-violence in the current ecological crisis? Put differently, we can also ask: how can non-violence be brought to our ecological concerns? Martin Luther King, Jr. once said, 'Injustice anywhere is a threat to justice everywhere'. The notion of injustice becomes all the more crucial when applied to excluding animals and plants from the history of our planet. This eco-moral crisis must become more public as the ecological trajectory of the Earth foreshadows a very troublesome future.</p><p>Non-violence and Ecological Imperative is a contribution to the relevance and potential of the philosophy of non-violence in showing clearly that our viable ecological future depends on attitudes and strategies that are rooted in the Gandhian moment of civilising humanity as an antidote to the violent modern techno-industrial way of life. The interdependence and cooperation between humans and nature are inevitable. Non-exploitative and non-violent prerequisites of Gandhian ideology entail that interdependence and cooperation must be based on altruistic values and not on self-interest and materialistic values. This signifies immeasurable love not only among humans but also with nature. Thus, absolute love substitutes greed. Non-possession from an absolute love revolutionises the socio-ecological paradigm of human civilisation. Various ecological scientists and economists have asserted the need for revisiting the harmony between human activities and nature.</p><p>Stern et.al (1998) concluded that economic growth would never result in improvement in environmental quality. Arrow et.al (1995) concluded that economic growth is not a panacea for environmental quality. Meadows et al. (1972) in his book The Limits to Growth claimed that environmental limits would cause the collapse of the world economic system. Against this backdrop, Gandhi advocated the process of recycling and minimising waste so that humans adopt a lifestyle that integrates with the ecosystem. Humans must dwell in a life that converges with the law of nature and maintains ecological harmony. This notion of continuity of life is inspired by the Gandhian philosophy of non-violence and absolute love. The moment there is a break in continuity, it results in violence leading to unrest or conflict, dismantling the process of continuity.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ramin Jahanbegloo</b> is an Iranian-Canadian political philosopher. He is presently the Executive Director of the Mahatma Gandhi Centre for Nonviolence and Peace Studies and the Vice-Dean of the School of Law at Jindal Global UniversityDelhi, India.</p><p><b>Pooja Sharma</b> is an associate professor, the Department of Economics, Daulat Ram College, University of Delhi. An avid Gandhian, her contribution varies in the fields of energy security, energy transition, renewable energy, human capital and Gandhian perspective on energy transition.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An account of Marius Petipa's ballets produced on the Russian stage between 1847 and 1910.</b></p><p><i>The Petersburg Noverre</i> accounts for Marius Petipa's ballets produced on the Russian stage between 1847 and 1910. It is organised by year starting from the early 1860s, records details of his life and the action and reception of his ballets, obscure and famous.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Today the Northeast of Scotland is the picture of peace and tranquillity. Some of the highest quality agricultural land is to be found here. But it was not always like this. </b></p><p>Although the area lacks the scenic grandeur and dramatic mountains found elsewhere in Scotland, the record of the rocks here bear witness to countless apocalyptic geological events that helped to shape the landscape we see today.</p><p>The area is bounded to the south by The Highland Line, which played a key role in the assembly of Scotland from a collection of previously unrelated continental fragments 420 million years ago. In more recent times, the land that became Northeast Scotland was covered by desert sands. Primitive lizard-like reptiles roamed the parched plains, leaving their footprints in the sand and impressions of their bones as trace fossils embedded in the rock. The landscape was shaped into its current distinctive form in more recent geological times by the passage of ice.</p><p>Written for the non-expert and including stunning photographs and diagrams, this is the essential introduction to the geology and landforms of this fascinating part of Scotland.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book provides an audit of fourteen years of Conservative government in Britain, from 2010 to 2024. It examines the rise of populism, the politics of Brexit, the UK's response to the pandemic and the steady erosion of public trust.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A unflinching audit of the damage done by fourteen years of Conservative government.</b></p><p>What went wrong with Britain? presents a comprehensive account of the devastating legacy left by the Conservative government. Shining a light into every dark corner, the book exposes the full extent of the damage inflicted on the country's economy, social fabric and political integrity.</p><p>When the Conservatives were voted out of government in July 2024, they left behind a miserable record of rising poverty, inequality and division. This book reveals the forces that have driven the country to the point of crisis, from austerity and economic mismanagement to sheer political dysfunction. Each chapter offers new insights into the far-reaching consequences of government policies that prioritised ideology, personal ambition and party politics over the public good.</p><p>Examining the rise of populism, the politics of Brexit, the UK's response to the pandemic and the steady erosion of public trust, this shocking account of the legacy of Conservative government from 2010 to 2024 is a must-read for anyone who wants to understand exactly what went wrong with Britain.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Steven Kettell </b>is a Reader in Politics and International Studies at the University of Warwick. He is a founder and co-executive editor of the journal British Politics.</p><p><b>Peter Kerr</b> is an Associate Professor in Politics at the University of Birmingham. He is a founder and co-executive editor of the journal British Politics.</p><p><b>Daniela Tepe</b> is a Senior Lecturer in Political Economy at the University of Liverpool. Her recent publications include <i>The Fault Lines of Inequality and the Politics of Financialization </i>(2022).</p>]]></Text>
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			<SubjectHeadingText>Central Africa; Rabat; West Africa; agency; border-crossing; bordering; bordering regimes; epic journeys; ethnography; fortress Europe; gender; hope; hostile environment; illegalisation; illegality; imaginaries; men; migrants; migration; migration crisis; moral; postcolonial; sub-Saharan migration; temporality; transit migration</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This ethnographic study examines the moral, gendered, affective, social, and political dimensions of irregular migrants' experiences of entrapment, uncertainty, and violence in Morocco. To counter dehumanising narratives of a crisis, the book is articulated around the emic notion of 'the adventure' as a quest to carve out a better life and future.]]></Text>
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			<Text textformat="02"><![CDATA[How did the experiences and emotions of unhappy mothers come to light in postwar Britain? This history looks at the role of five communities in drawing attention to the struggles of early mothering, unpicking the professional, political and social motivations that drove efforts to break silences around this critical subject.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In the decades following the Second World War, mothers' experiences of loneliness, boredom and unhappiness were increasingly widely acknowledged.</b> The language of postnatal depression came to be attached to this, but mothers organised around their own discontent in ways that challenged the medical model. <i>Unhappy mothers</i> draws attention to the social, political, and professional contexts within which knowledge about unhappy mothering developed. Drawing upon an extensive range of archival material, the book addresses themes around expertise, feminism, and the value given to lived experience.</p>]]></Text>
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			<SubjectHeadingText>animal skin; art history; baldness; clothing; cosmetics; cultural history of skin; depictions of skin; early modern Europe; early modern period; fashion history; history of medicine; history of microscopy; history of science; history of skin colour and race; history of slavery; Jean Michelin; Joachim Beuckelaer; material culture; Mattia Giegher; medical humanities; Pieter Aertsen; Pieter Bruegel the Younger; pox; Rembrandt van Rijn; Renaissance art; Renaissance Europe; skin; skin diseases; smallpox; tanning; the Renaissance; Titian; Wellcome Trust Senior Investigator Award; Wenceslaus Hollar; Wolfson History Prize</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A magnificently illustrated study of skin in Renaissance Europe.</b></p><p>People in the Renaissance saw skin differently from how we do today. The Europe of 1500 to 1700 was a world of humours, and skin  the clothing of the body  was thought to be dangerously porous.</p><p>In this landmark book, Evelyn Welch explores Renaissance skin as a bodily surface, as physical matter and as a generator of new knowledge. Ranging across anatomy, surgery and sausage making, she reveals how skin was managed by physicians as well as by glovemakers, butchers and parchment makers. How did people protect their health in a changing global environment, one where the air itself could be pathogenic? How did they see their bodies in a world where there was suddenly a multiplicity of skin colours and decorations?</p><p>Addressing these questions and more, Welch show us what happens when you see skin differently, either in the marketplace, where men and women from far-away lands were put on display, or under the microscope. In doing so, she reveals that the past had a distinctive and very different way of understanding bodily experiences.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Evelyn Welch</b> is Professor of Renaissance Studies at the University of Bristol. Her book <i>Shopping in the Renaissance: Consumer Cultures in Italy, 1400-1600 </i>was a winner of the 2006 Wolfson History Prize. Her other publications include <i>Making and Marketing Medicine in Renaissance Florence </i>(2011) and <i>Fashioning the Early Modern: Dress, Textiles and Innovation in Europe, 1500-1800</i> (2017).</p>]]></Text>
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			<SubjectHeadingText>First World War; Great War literature; Mass Observation; Second World War; conscription; masculinity; memory; military enlistment; oral history; veterans</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Joining up explores men's encounters with representations of the First World War in interwar Britain, and illuminates how these informed their understandings of the First World War and how those understandings shaped their attitudes to Second World War enlistment and their conceptions of masculinity in wartime Britain.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book connects the First and Second World Wars.</b></p><p>It uses oral histories and Mass Observation material to explore men's attitudes to Second World War enlistment and the relationship they perceived between military service and masculinity, and how these were influenced by understandings of the First World War. Locating the cultural legacy of First World War in the subjectivities of men who participated in the Second World War demonstrates the breadth of sources that informed men's understandings of the First World War in interwar Britain. Its cultural legacy was omnipresent and diverse, and informed young men's attitudes and service preferences, but it reinforced Edwardian conceptions of wartime masculinity as often as it undermined them. Two decades after the First World War ended, they remained resilient in the subjective understandings of men who grew up in the Great War's shadow.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Joel Morley</b> is an oral historian specialising in the cultural and social history of war and gender in twentieth-century Britain.</p>]]></Text>
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			<SubjectHeadingText>Azov Battalion; Battle of Donbas; Battle of Donetsk Airport; Donetsk People's Republic; Great Fatherland War; Great Victory; Kharkiv; Kherson; Liddell Hart; Mariupol Offensive; NATO enlargement; Operation Barbarossa; Red Army; Russian strategy; Russo-Ukrainian War; Victory Day; Vladimir Putin; Volodymyr Zelenskyy; Wagner Group; Yevgeny Prigozhin; asymmetric warfare; blitzkrieg; cyber warfare; cyberattack; great power competition; holistic territorial defence; human rights violations; hybrid warfare; integral commander; invasion of Ukraine; lightning war; occupation of Crimea; special military operation; state mobilisation; unified war doctrine; war doctrine; war science; way in war</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Blitzkrieg and the Russian art of war moves beyond discussions of 'hybrid' warfare to offer a broad account of contemporary Russian thinking on war. Exploring key concepts in Russian military thinking, it contributes to the debate about Russia's role in international affairs and the challenge the country poses to the international order.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A cutting-edge investigation of how Russia makes war.</b></p><p>Russian strategy in the twenty-first century has been described in terms of 'hybrid' warfare, an approach characterised by measures short of war, such as cyberattacks and disinformation campaigns. But as the invasion of Ukraine has brutally demonstrated, conventional armed violence remains a key element of Russian power.</p><p>In Blitzkrieg and the Russian art of war, Andrew Monaghan offers a high-level view of Russian thinking about warfare. Drawing on extensive Russian sources, he addresses important questions that have been overlooked by most Western commentators: what is the military leadership's distinctive idea of twenty-first-century blitzkrieg? How does it understand holistic territorial defence? How does it manage the shifting balance between offence and defence</p><p>Introducing key concepts from Russian military thinking, <i>Blitzkrieg and the Russian art of war </i>is a crucial resource for understanding Russia's resurgent role on the global stage and the devastating threat the country poses to the international order.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Andrew Monaghan</b> is Director of the Russia Research Network. He is a Global Fellow at the Wilson Center's Kennan Institute in Washington, DC and a Senior Associate Fellow at the Royal United Services Institute in London. His previous books include<i> The New Politics of Russia </i>(2024), <i>The Sea in Russian Strategy</i> (2023) and <i>Dealing with the Russians </i>(2019).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A clear-eyed portrayal of the audacious Renaissance sculptor Benvenuto Cellini.</b></p><p>The art history public has long been both fascinated and repelled by renowned Renaissance sculptor Benvenuto Cellini. He was a murderer, thief, lover of all genders, servant and rival of popes and princes, as well as an ingenious artist. In his legendary autobiography, the Vita, Cellini describes his activities vividly and in lurid detail. Often, the most disturbing passages were dismissed as fiction. In this clear-eyed portrayal, Andreas Beyer argues that these sensational accounts of body, sex and extreme experiences are not only entertaining but authentic. They reveal the true depth of Cellini's character: an artist who embraced life's full spectrum and shattered all boundaries. This book asserts that the roots of artistic autonomy in modernism can be traced back to Cellini's audacious life and work.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Andreas Beyer</b> is Professor of Modern Art History at the University of Basel and was previously Director of the Centre allemand d'histoire de l'art in Paris. He has published widely on art history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The Liminal House straddles a similar threshold between West Vancouver's natural stony seashore and its suburban residential neighborhood.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Where something begins and ends</i></p><p>The liminal is a transformational state between the position where something meets, mixes, and merges. <i>The Liminal House </i>straddles a similar threshold between West Vancouver's natural stony seashore and its suburban residential neighborhood. Courtyards, cantilevers, and the extension of floor area over exterior space dismantles boundaries  between the house and the natural environment in which it exists and a strategy of mixing and merging, where light is reflected and landscapes are invited towards the interior of the home, collapses a normal reading of interior space. The house is animated by the ever-changing outdoor atmosphere; expansive walls of sliding glass open to a dark pool that reflects and extends the environment near the ocean. Concrete, black stained Accoya wood, and coated aluminum plate are the only exterior materials as they are tough and long-wearing in harsh and everchanging environments.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Aaron Betsky </b>was a Professor at Virginia Tech. Previously, he was President of the School of Architecture at Taliesin.</p><p>Botanica Design is a landscape design/build studio founded in 1998 and located in Vancouver British Columbia.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book draws on data gathered during eighteen months of ethnographic fieldwork in the Chubut Province of Patagonia, Argentina. It focuses on the formation of Welsh subjectivity through sight and sound, seeking to unpack the multiple and multisensory ways in which identity is constructed in this context.]]></Text>
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			<Text textformat="02"><![CDATA[<p>This book draws on data gathered during eighteen months of ethnographic fieldwork in the Chubut Province of Patagonia, Argentina. It focuses on the formation of Welsh subjectivity through sight and sound, seeking to unpack the multiple and multisensory ways in which identity is constructed in this context. The chapters analyse a series of encounters, in choir rehearsals, the Eisteddfod and in film nights, to consider the usefulness and limitations of theoretical concepts that have been developed and used to theorise the self. This is a book about power, music, tourism and the self. It argues that the creation of Welshness in Y Wladfa was not only explicitly foregrounded in performances for tourists under an imagined Welsh gaze, but also for a Welsh ear, with subjectivities created and re-created through musical encounters. It is the first anthropological monograph of its kind that provides an insight into the significance of music in the Welsh Patagonian context.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lucy Trotter </b>was born in Exeter and grew up in Aberystwyth, where she attended Welsh-medium primary and secondary schools, before studying for a BA, MSc, and PhD in Social Anthropology at the London School of Economics. Since the completion of her PhD in 2021, she has worked as a lecturer in Education at Aberystwyth University. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book is the first extended study of the importance of Gothic for an appreciation of the Brontes' writing. </b></p><p>It resituates Gothic from the mode that gives the pleasing sensation of terror to being the source of the Brontes' deepest preoccupations  it is the mode they use to register anxieties and fears. This monograph, through a consideration of Gothic states and places, explores the Brontes' creative work with the genre. The author argues that to read the Brontes as Gothic poets and novelists is also to read them as post-Romantics, as they respond to the Gothic imaginations of such Romantic poets as Wordsworth, Coleridge and Shelley. Gothic in the Brontes, then, is not merely a collection of tropes or even an aesthetic, but a way in which they read the world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A call for a radical reassessment of development, its origins and its goals.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A call for a radical reassessment of development, its origins and its goals.</b></p><p>Imagining a better future is at the heart of development. But mainstream development models are driven by a very narrow, Western-centric set of ideas about what it means to be human. What could be possible if we let ourselves imagine differently?</p><p>As our world continues to evolve at breakneck speed and faces unprecedented crises  from the decaying environment to cascading inequality  the need for bold new directions for development has never been greater. Peter Sutoris and Uma Pradhan put a spotlight on the thought-provoking visions of leading theorists, activists and practitioners for rethinking development as a political project towards more equitable futures. Questioning top-down economic frameworks, they explore transformative ideas  from degrowth to indigenous knowledge  that may enable us to address the complexities of our rapidly changing global landscape. They consider how the world can chart a path towards reconciling the moral case for eradicating poverty with these critical perspectives to advance a more ethical approach, one that is sensitive to history, diversity, and the challenges and opportunities of this moment.</p><p>If development is to remain relevant today, it must reinvent itself  and finally listen to voices on the ground.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Peter Sutoris</b> is Lecturer in Climate and Development at the University of Leeds, and the author of <i>Visions of Development</i> (also published by Hurst) and<i> Educating for the Anthropocene.</i></p><p><b>Uma Pradhan</b> is Lecturer in Education and International Development at University College London, and the author of <i>Simultaneous Identities: Language, Education and the Nepali Nation.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[A rigorous exploration of the roots of sectarianism in the Middle East, analysing how the social category of sect has been reinvented as a basis for political identity.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A rigorous exploration of the roots of sectarianism in the Middle East, analysing how the social category of sect has been reinvented as a basis for political identity.</b></p><p>This volume analyses the transformation of social sectarianism into political sectarianism across the Arab world. Using a framework of social theories and socio-historical analysis, the book distinguishes between 'ta'ifa', or 'sect', and modern 'ta'ifiyya', 'sectarianism', arguing that sectarianism itself produces 'imaginary sects'. It charts and explains the evolution of these phenomena and their development in Arab and Islamic history, as distinct from other concepts used to study religious groups within Western contexts.</p><p>Bishara documents the role played by internal and external factors and rivalries among political elites in the formulation of sectarian identity, citing both historical and contemporary models. He contends that sectarianism does not derive from sect, but rather that sectarianism resurrects the sect in the collective consciousness and reproduces it as an imagined community under modern political and historical conditions.</p><p><i>Sectarianism Without Sects</i> is a vital resource for engaging with the sectarian crisis in the Arab world. It provides a detailed historical background to the emergence of sect in the region, as well as a complex theoretical exploration of how social identities have assumed political significance in the struggle for power over the state.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Azmi Bishara</b> is one of the Arab world's most prominent scholars, a critic of authoritarianism and colonialism, and a staunch supporter of democratic transition in the region. He has published on political thought, state formation theory, social theory and philosophy. His books include <i>Palestine: Matters of Truth and Justice;</i> and <i>Arduous Paths: On the Theory and Practice of Democratic Transition</i> (all published by Hurst); as well as <i>Religion and Secularism in Historical Context; The Question of the State: Philosophy, Theory, and Context</i>; and <i>On Salafism.</i></p>]]></Text>
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			<SubjectHeadingText>,; ,Abdalla; Hamdok; Sudan,; Sudanese politics; Umar al-Bashir; debt,; political economy; politics of debt</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Reveals how international finance has kept its grip in post-independence Sudan.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Reveals how international finance has kept its grip in post-independence Sudan.</b></p><p>In 2019, a people's revolution ended the thirty-year reign of Sudan's military president Umar al-Bashir. A transitional government took power, led by esteemed international economist Abdalla Hamdok and promising a return to civilian rule. But Sudan's new government quickly imposed a shock therapy programme of cuts, privatisations and devaluation, following the diktat of foreign lenders. In 2021, as Sudan grew poorer, the army seized on popular discontent to launch a coup, burying hopes for a democratic transition. But why did Sudan's first civilian government in more than a quarter-century bend to the will of creditors at this crucial moment in the country's history? The answer lies in an unwieldy and unpayable debt burden that has long constricted Sudanese politics and society.</p><p>Undoing a Revolution narrates the history of sovereign debt in Sudan from independence to the present, revealing the innovative policies adopted by Sudanese governments to manage their place in the global economy. But it also shows how external actors have leveraged the power of debt to impose their will and wreak havoc. With Sudan embroiled in civil war since 2023, Harry Cross explores the political implications of sovereign debt for states and societies across Africa, and around the world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Harry Cross</b> specialises in the economic and financial systems of contemporary Sudan. He has taught at Prince Mohammad bin Fahd University in Saudi Arabia, and the University of Liverpool. Currently working on the response to Sudan's civil war for the research charity Impact, he holds a doctorate from Durham University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Analyses of state power in Morocco have always been mired in exoticism or exceptionalism. The Kingdom is said to be a prototype of political immobility; a country caught in the authoritarian and conservative grip of its monarch, known as the 'Commander of the Faithful'; a state in need of democratisation, but also a bastion of moderate Islam.</b></p><p>Drawing on thirty years of fieldwork, interviews and extensive primary documentation, Beatrice Hibou and Mohamed Tozy reveal how demographic, political and cultural changes have transformed Morocco's government and modes of domination, from its pre-colonial past to the present. Interrogating the ideas of 'Empire' and 'Nation-state' as particular forms of rule, they examine the legacy of the centuries-long Sharifian Empire, in relation to the contemporary neoliberal government. They show how imperial traditions and the modern state co-exist today, in an intricate tapestry of seemingly contradictory power relations, different understandings of legitimacy, and competing visions of authority, sovereignty and responsibility.</p><p>Drawing on the work of Max Weber and Michel Foucault, <i>Weaving Political Time in Morocco</i> is a comprehensive, comparative examination of the evolution and continuities of state power in this complex North African country.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Beatrice Hibou</b> is CNRS Director of Research at CERI Sciences Po, Paris. Her books include <i>The Force of Obedience</i> and <i>The Political Anatomy of Domination.</i></p><p><b>Mohamed Tozy</b>, previously at Hassan II University of Casablanca, is Professor at Sciences Po (Aix) and the author of<i> Monarchie et islam politique au Maroc.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[How did a small post-Soviet state become a digital powerhouse, producing world-leading tech companies and pioneering policies for remote citizenship?]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>How did a small post-Soviet state become a digital powerhouse, producing world-leading tech companies and pioneering policies for remote citizenship?</b></p><p>Three decades after gaining independence from the Soviet Union, Estonia is a nation transformed. Today, the country is known worldwide as a startup hub, boasting billion-dollar companies including Wise, Veriff and Bolt  but even more impressive are Tallinn's pioneering efforts in e-government. With 99 per cent of government services digitalised and accessible online, citizens can vote via computer, or file their taxes online in minutes; and Estonia's use of artificial intelligence to enhance and automate its offering to citizens long predates ChatGPT.</p><p>Drawing on his experience as a former official for the Republic of Estonia, Joel Burke offers unique insight into the country's rapid rise as a tech and e-government powerhouse since the turn of the century. From the founding of Skype to the future of the e-state, he unveils the tactics and stories behind Estonia's spectacular journey  after years of Soviet occupation and mismanagement to global tech leadership. For those hoping to learn from Estonia's incredible journey, Burke offers insights into the government's use of AI, its creation of a digital society, and its cultivation of a culture driving public-sector creativity and innovation. Rebooting a Nation is an informative and entertaining masterclass in Estonia's modern history.</p><p><i>Rebooting a Revolution</i>is part of our  New Perspectives on Eastern Europe and Eurasiaseries</p><p><b>'[A] timely book ... on Estonia's transformation into a thriving tech hub.' - </b><b><i>Financial Times</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Joel Burke</b> is a technologist and Georgetown University alumnus based in Washington D.C. With experience working on four continents, he has advised startups and governments  most notably, leading a team for the Republic of Estonia's e-Residency programme, and advising members of the United States Congress on tech and AI policy.</p>]]></Text>
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