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			<BiographicalNote textformat="05"><![CDATA[<p><b>Elizabeth Tynan</b> is professor in the Graduate Research School at James Cook University, Townsville. She is a prominent writer and researcher of the era of British atomic testing in Australia. Her book <i>Atomic Thunder: The Maralinga story</i> (NewSouth, 2016) won the Prime Minister's Literary Award (Australian History) and the CHASS Australia Book Prize in 2017. Her follow-up book <i>The Secret of Emu Field: Britain's forgotten atomic tests in Australia</i> was published by NewSouth in 2022.</p>]]></BiographicalNote>
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			<SubjectHeadingText>British and Australian ships; British nuclear testing; Monte Bello Islands; Mosaic tests; Nuclear Archipelago; Operation Hurricane; Operation Mosaic; Prime Minister Robert Menzies</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Nuclear Archipelago is the final book in Elizabeth Tynan's landmark trilogy on the history of British nuclear testing in Australia.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The final book in Elizabeth Tynan's landmark trilogy on the history of British nuclear testing in Australia.</b></p><p><i>Nuclear Archipelago</i> tells the shocking story of the two British atomic weapons test series held at Western Australia's Monte Bello Islands in 1952 and 1956. Operation Hurricane and Operation Mosaic took place at a rugged archipelago 100 kilometres off the Pilbara coast, and each of the three bombs sent fallout over vast distances across the country. One of the tests, Mosaic G2 in June 1956, the largest nuclear weapon test ever held in Australia, sparked panic at the time that it had been a nuclear accident. In both the Mosaic tests, the crew of a British ship was deliberately positioned in the path of fallout. The biodiverse natural environment of the islands was left contaminated and has never been cleaned up.</p><p>The book explores the politics, the secrecy and the controversies, including the true nature of Mosaic G2 and its role in the clandestine development of the British hydrogen bomb.</p><p><b>'An excoriating examination of nuclear politics, atomic colonialism and shameful cover-up  a definite must-read.'  Peter Garrett</b></p><p><b>'This multi-volume work must rate as one of the most significant projects currently being undertaken in the study of Australian history.'  Simon Caterson,</b> <b><i>The Australian</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[*Winner of the Prime Minister's Literary Award for Australian History 2017*]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>*Winner of the Prime Minister's Literary Award for Australian History 2017*</b></p><p><b>*Winner of the CHASS Australia Book Prize 2017*</b></p><p><b>In September 2016 it will be 60 years since the first British mushroom cloud rose above the plain at Maralinga in South Australia. The atomic weapons test series wreaked havoc on Indigenous communities and turned the land into a radioactive wasteland.</b></p><p>In 1950 Australian prime minister Robert Menzies blithely agreed to atomic tests that offered no benefit to Australia and relinquished control over them  and left the public completely in the dark. This book reveals the devastating consequences of that decision. After earlier tests at Monte Bello and Emu Field, in 1956 Australia dutifully provided 3200 square kilometres of South Australian desert to the British Government, along with logistics and personnel.</p><p>How could a democracy such as Australia host another country's nuclear program in the midst of the Cold War? In this meticulously researched and shocking work, journalist and academic Elizabeth Tynan reveals how Australia allowed itself to be duped. Maralinga was born in secret atomic business, and has continued to be shrouded in mystery decades after the atomic thunder stopped rolling across the South Australian test site. This book is the most comprehensive account of the whole saga, from the time that the explosive potential of splitting uranium atoms was discovered, to the uncovering of the extensive secrecy around the British tests in Australia many years after the British had departed, leaving an unholy mess behind.</p><p></p><p><b>'Just as witnesses to our A-bomb tests turned their backs on the blasts, Australia turned its back on the memory of one of the most diabolical times in our history. Compulsive reading? Make that compulsory. This is a brilliant book.'  Phillip Adams</b></p>]]></Text>
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			<SubjectHeadingText>British nuclear tests; Emu Field; Maralinga; atomic tests; atomic test victims; austerity bomb; Aboriginal deaths; uranium; Royal Commission; South Australia; Maralinga Tjarutja; 1950s; 1950s Australia; mushroom cloud; radiation</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Emu Field is overshadowed by Maralinga, the larger and much more prominent British atomic test site about 193 kilometres to the south. But Emu Field has its own secrets, and the fact that it was largely forgotten makes it more intriguing. Only at Emu Field in October 1953 did a terrifying black mist speed across the land after an atomic bomb detonation, bringing death and sickness to Aboriginal populations in its path. Emu Field was difficult and inaccessible. So why did the British go there at all, when they knew that they wouldn't stay? What happened to the air force crew who flew through the atomic clouds? And why is Emu Field considered the 'Marie Celeste' of atomic test sites, abandoned quickly after the expense and effort of setting it up?</p><p>Elizabeth Tynan, the award-winning author of <i>Atomic Thunder: The Maralinga Story</i>, reveals the story of a cataclysmic collision between an ancient Aboriginal land and the post-war Britain of Winston Churchill and his gung-ho scientific advisor Frederick Lindemann. The presence of local Aangu people did not interfere with Churchill's geopolitical aims and they are still paying the price. The British undertook Operation Totem at Emu Field under cover of extreme remoteness and secrecy, a shroud of mystery that continues to this day.</p><p></p><p><b>'A must-read to understand a cold war history, an arrogant officialdom and an unfathomable desecration of Aboriginal land.' - Larissa Behrendt</b></p><p><b>'This important book brings back from the far edges of living memory the extraordinary story of Britain's atomic bomb tests in Australia.' - Henry Reynolds</b></p><p>'<b>Tynan's razor-sharp prose and forensic level historical research ensure that Emu Field will be remembered alongside Maralinga as sites of treachery, suffering, and anxiety on the long road towards healing.' - Lynette Russell</b></p><p><b>'Fastidiously researched and brimming with detail' -</b> <b><i>Books+Publishing</i></b></p><p><b>'Tynan's deft study ensures another lesser-known aspect of Australia's role in the global history of nuclear testing remains accounted for.' Kyle Harvey,</b><b><i> History Australia</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Elizabeth Tynan</b> is associate professor in the Graduate Research School at James Cook University Townsville. A former science journalist, her book <i>Atomic Thunder: The Maralinga Story</i> (NewSouth 2016) won the Prime Minister's History Award and the CHASS Australia Book Prize in 2017.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Melbourne Airport, better known to locals as 'Tullamarine' or 'Tulla', was the first purpose-built Airport City in the world. Its facilities in 1970 were unsurpassed by any international airport  it had a golf course, hotel, conference centre, art gallery, cinema, bottle shop, exhibition centre, multiple bars and a VIP lounge, and a fine-dining restaurant headed by an executive chef on his way to being awarded three Michelin stars. These facilities were built into Tullamarine's plan by its principal planner and protagonist, Bill Bradfield, the son of John Bradfield, famous as the chief engineer of the Sydney Harbour Bridge.</p><p>Today, Tullamarine remains cutting-edge, with new and expanding terminals, upgraded car parks, more efficient roads, a third runway recently approved and a rail link in the works.</p><p>Discover the story of Tullamarine, from its planning and opening to its modern status as a benchmark for all international Airport Cities.</p><p><b>'This is the book that I had no idea that I needed! Now that I've found it, I can't let it go. It's magnificent!'  Tim Ross</b></p><p><b>'An outstanding contribution to Australia's cultural history, superbly illustrated and brilliantly written.'  Michael Buxton</b></p><p><b>'This is a dazzling and comprehensive account of Australia's, indeed the world's first purpose-built Airport City. Tullamarine (Melbourne Airport) shines here in its glory as never before. This pioneering development of the 1970s has long deserved such an intense study and Arun Chandu delivers a fascinating story of engineers, air travel, airport design, interior design and urban planning. Scholarly, engaging, rich in detail and full of stunning images, this is a must-read book for anyone interested in Australian ingenuity and the rocky romance of reaching for the skies.'  Philip Goad</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[The Hurt is the story of a first relationship at the age of eighteen. But is it?]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Hurt</i> is the story of a first relationship at the age of eighteen. But is it? In <i>The Hurt</i> time is reshuffled and mixed up. As Saint Phalle says, 'Pain ran through my thoughts like a wild animal, making nonsense of past, present and future.' The intriguing narrative is a beguiling mix of memoir and parable, infused with remarkable characters, humour and pathos, and Parisian light.</p><p>The author is drawn to the different and the marginalised. Her insight into herself and others arises from her deep understanding of the flawed nature of the human condition. And the company of great books. She writes 'books were my real teachers. I can't remember learning a single thing in a classroom. The craft of reading was the only one I really took away from that dreadful time.'</p><p>Just perhaps hurt can be both our undoing and our making, as this story of sliding time illuminates. <i>The Hurt</i> is a remarkably honest and captivating work of literature.</p><p><b>Praise for Saint Phalle's Writing</b></p><p><b>'Saint Phalle writes with a clear-eyed humanity and wisdom about human nature that is reminiscent of Nabokov's account of memory and childhood.'  Stella Judges</b></p><p><b>'The narrating voice of the book is intensely likeable  gentle, witty, well-read and highly articulate. Yet the story it unearths circles back and back to the bewildered innocence of a small girl who is lied to, neglected, palmed off on a hired minder, then suddenly, breathtakingly indulged in ways that only a city like Paris can provide.'  Helen Garner on</b> <b><i>Poum and Alexandre</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The archive has long been a form of collection, preservation and communication. As the internet and social media reshape what, why and how we record information, whether for personal or institutional means, the nature of the archive itself is also in flux. How does the archive mediate the relationship between public and private space? How do archives shape individual and collective memory? Should the archivist preserve without intervention? What will the archives of the future look like? And in what ways do other mediums  bodies, places, cultures  act as their own kinds of archive?</p><p>This edition of <i>Griffith Review</i> goes on the record to reveal the spoils and surprises of the archive.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Carody Culver</b> is a writer, editor and literary interviewer. Her work has appeared in<i> Australian Book Review, Meanjin, Sydney Review of Books, Kill Your Darlings</i> and elsewhere. Her chapbook, <i>The Morgue I Think the Deader It Gets</i>, was published by Cordite in 2022, and she's been a featured Australian poet on the<i> Best American Poetry</i> blog. A former contributing editor for <i>Peppermint</i> magazine, she is currently the editor of <i>Griffith Review</i>.</p><p><b>Nathan mudyi Sentance</b> is Wiradjuri man from the Mowgee clan who grew up on Darkinjung Country, NSW. Nathan works to ensure that First Nations stories being told cultural and memory institutions, such galleries, libraries, archives, and museums are being told and controlled by First Nations people. He is a member of the Indigenous Archive Collective.</p>]]></Text>
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			<SubjectHeadingText>Book of Documents; Buddhism; Chinese history; Classic of Changes; Classic of Poetry; Confucianism; Confucius; Emperor Wu; Five Classics; Guoyu; Han dynasty; Hegel; Hermann Hesse; James Legge; John Blofeld; Jorge Luis Borges; Jung's Red Book; King Wen; King Wen of Zhou; Leibniz; Man in the High Castle; Neo-Confucianism; Niels Bohr; Philip K. Dick; Richard John Lynn; Sonu Shamdasani; Tao Te Ching; Taoism; Ten Wings; Terence McKenna; Thomas Cleary; Thomas McClatchie; Trigram; Wu Xing; Xia dynasty; Yi Jing; Zhou dynasty; Zhou yi; Zhu Xi; Zuo zhuan; ancient China; ancient history; archetypes; augury; casting I Ching coins; divination; epigraphy; hexagram; ideogram; luck; mysticism; natural philosophy; new age philosophy; numerology; occultism; oracle; philology; philosophy; prediction; principle of complementarity; religion; synchronicity; tai chi; theism; yang; yarrow; yarrow stalks; yin; ying and yang; yoga</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>The human tragedy unfolding in Gaza has been made all the more tragic by the widespread denial and apathy expressed by much of the rest of the world. Here is an urgent first-hand account of life and death in Gaza, written not by a war correspondent, but an ordinary citizen whose life was upended when the genocide began.</p><p>In the midst of the chaos, Hassan began posting about his daily experiences on Reddit. Three activists, moved by his words, started collecting his posts without a clear plan  only the conviction that his story needed to be seen and that somehow, it might help raise funds for him. By chance, those posts found their way to award-winning author Yasuko Thanh, who helped Hassan frame them for a book.</p><p>Hassan's missives are a vivid, heartbreaking account of war and its toll  on families, on children, on innocent civilians. These are stories of hunger, survival, and death. These are stories that demand to be heard. And yet, stories like these are not being told: mainstream media has largely remained silent. Foreign journalists are barred from Gaza. Local journalists are being killed. In this vacuum, Hassan's voice manages to break through out of the darkness and into the light.</p><p><i>Pizza Before We Die </i>is literary journalism at its rawest and most urgent  clear-eyed, unflinching, and deeply humane. Hassan captures the unspeakable horror of the tragedy in Gaza with restraint and precision, never sensationalising, always bearing witness. It is a work of raw power and emotion, and a reminder that in the midst of chaos and tragedy, our shared humanity remains intact.</p><p>Yasuko Thanh, who edited this book, has also written the foreword.</p><p>A portion of proceeds from the sale of <i>Pizza Before We Die</i> will be donated to Doctors Without Borders / Medecins Sans Frontieres.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>On 23 August 1966, approximately 200 Gurindji stockmen and their families walked off Wave Hill Station in the Northern Territory, protesting against poor working conditions and the taking of their land by pastoralists.</p><p>Led by Vincent Lingiari, this landmark action in 1966 precipitated the equal wages case in the pastoral industry and the establishment of the Aboriginal Land Rights (Northern Territory) Act 1976.</p><p>While it is well known that the Walk-Off was driven by the poor treatment of Aboriginal workers, what is less well known is the previous decades of massacres and killings, stolen children and other abuses by early colonists.</p><p>Told in both English and Gurindji, these compelling and detailed oral accounts of the events that Gurindji Elders either witnessed or heard from their parents and grandparents, has ignited the interest of audiences nationally and internationally and challenged revisionist historians who question the extent of frontier battles and the legitimacy of the Stolen Generations.</p><p><b>'It is widely acknowledged that the 1966 Wave Hill Walk-Off  with Vincent Lingiari leading the Gurnidji people  was a seminal moment in the history of Aboriginal society's tragic encounters with the European occupiers of Australia. Still, up to now, few Gurindji voices have been heard, especially on the period preceding the Walk-Off. The 'new' history contained here: oral accounts, maps, paintings, photos and citations, does much to fill the chasm in our understanding of the circumstances preceding that fateful moment when Lingiari and Gurindji stood their ground. I highly commend this intimate, heart wrenching, and informative account of one of the single<br/> most important events in our recent past.'  Peter Garrett, musician, activist and former federal minister</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Felicity Meakins</b> is an Australian Research Council (ARC) Future Fellow in Linguistics at the University of Queensland and a Chief Investigator in the ARC Centre of Excellence for the Dynamics of Language. She is a field linguist who specialises in the documentation of Australian Indigenous languages in the Victoria River District of the Northern Territory and the effect of English on Indigenous languages. She has worked as a community linguist as well as an academic over the past 20 years, facilitating language revitalisation programs, consulting on native title claims and conducting research into Indigenous languages. She has compiled a number of dictionaries and grammars of traditional Indigenous languages and has written numerous papers on language change in Australia.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Available for the first time in English translation, this collection of songs is a powerful memorial to the victims of the Holocaust.</b></p><p>In June 1945, before the full devastation of the Holocaust had emerged, a team of researchers embarked on a remarkable project. While documenting the experiences of Jewish refugees, they began to collect songs composed and sung in the Nazi camps and ghettos. The resulting book, Mima'amakim (Out of the depths), was published in a short run of 500 copies. Today, only a handful survive.</p><p><i>Out of the Depths: The first collection of Holocaust songs</i> presents the contents of this extraordinary document for a new generation of readers. Based on a copy of <i>Mima'amakim </i>discovered in 2013, it contains not only the songs' melodies and lyrics, the latter in a new translation by Joseph Toltz, but also short biographies of the composers, drawn from painstaking original research. Introductory essays provide historical and musicological background, deepening our knowledge of this terrible event and the creative means by which the Jewish people responded to and endured it.</p><p>Described by the original editor, Yehuda Eismann, as a 'memorial stone for Polish Jewry', the songbook is a timeless document of a people's despair, hope and strength.</p>]]></Text>
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			<SubjectHeadingText>Apparent; Armour; Arms bearing; Arms production; Arquebuses; Arquebusiers; Artillery; Assassination; Battista; Battlefield; Bear arms; Borromeo; Brescian; Cannon; Cardinal; Cavalry; Cellini; Charles; Christian; Civic; Cosimo; Cosimo medici; Ducal; Emperor; Europe; Firearms; Florentine; Francesco; Gardone; Gardone val; Gardone val trompia; Giovanni; Gun laws; Gun ownership; Gun proliferation; Gunpowder; Gunpowder weapons; Guns; Handgun revolution; Handguns; Holy roman; Holy roman emperor; Il farina; Infantry; Italy; Licence; Matchlock; Medici; Military context; Military revolution; Military technology; Militia; Orsini; Ottoman; Ottoman empire; Palazzo; Palazzo vecchio; Papal; Peninsula; Pier luigi; Porcellaga; Portrait; Portuguese; arms exports; arms industry; arquebus; banditry; early modern; empire; gun control</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A groundbreaking account of how firearms changed Europe and the world.</b></p><p>In Renaissance Italy, the gun was not only a tool of war but also a desirable object, a luxury item carried at court. Guns were in use on the battlefield by 1440; later in that century Leonardo da Vinci sketched a design for a faster-firing, more portable handgun that could be hidden beneath a cloak. As the gun proliferated in society, it became both a means of self-defence and a threat to civic order. In <i>The Firearm Revolution</i>, historian Catherine Fletcher explores the emergence of firearms in Renaissance Italy and beyond, describing the social transformations that accompanied the evolution of the handgun from innovative military technology to widely used personal accessory.</p><p>Fletcher shows that as guns became smaller and the new wheellock mechanism made concealed carry possible, Italian states increasingly tried to control their use  even as they viewed firearms as necessary for their militias. In the end, Fletcher reports, the importance of civic defence trumped the concern for social order. As guns became ever more acceptable, stories of how firearms aided Europeans' overseas conquests created a new and more positive image for a weapon once considered the devil's work. Debates over the regulation of firearms five centuries ago  which included arguments over the restriction of gun ownership, the use of guns for self-defence and the regulation of an armed militia  in many ways anticipate discussions about gun control today. Fletcher's groundbreaking account sheds new light on how governments weighed the competing priorities of defence and social order as they set out to build empires.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Catherine Fletcher</b> is professor of history at Manchester Metropolitan University. She is the author of several books on early modern Italy, including <i>The Roads to Rome</i>, <i>The Beauty and the Terror: An Alternative History of the Italian Renaissance</i> and <i>The Black Prince of Florence: The Life of Alessandro de' Medici</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>How the ruthless contest among Julius Caesar's heirs ignited a global war that raged far beyond the borders of Rome.</b></p><p>The succession of civil wars that plagued the last years of the Roman Republic has often been portrayed as a settling of scores between Roman factions  Sulla against Marius, Caesar against Pompey, Octavian against Mark Antony  with foreign campaigns serving as a backdrop to the tragic spectacle. <i>The Roman World War</i> recasts the struggle for Rome as a global conflict that engulfed millions of non-Romans across Europe, Asia, and Northern Africa.</p><p>Shedding new light on the pivotal years spanning Caesar's assassination in 44 BCE and the suicides of Mark Antony and Cleopatra in 30 BCE, Giusto Traina introduces readers to lesser-known figures such as the Cilician dynast Tarcondimotus, the king of the Moors Bogud, and the Armenian king Artawazd, men who influenced Rome's politics and who played consequential roles in battles waged far beyond the borders of the <i>Imperium Romanum</i>. Traina demonstrates how the violence unleashed by Caesar's death was a direct consequence of his expansionist plans. From Spain to Mesopotamia, peoples such as Berbers, Hispanics, Gauls, Greeks, Thracians, and Armenians were drawn into a global war in which the fate of Rome was tied to their own.</p><p>A global, 'connected' history that transforms our understanding of the Republic's final years, <i>The Roman World War</i> demonstrates how foreign nations and peoples were not merely pawns in the Roman civil wars but active protagonists in a great power struggle that shook the ancient world for fourteen intense years.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From the world-renowned geobiologist and bestselling author of</b> <b><i>A Brief History of Earth</i></b><b>, the epic story of a planetary conversation four billion years in the making.</b></p><p>How did the world as we know it  from the soil beneath our feet to the air we breathe and the life that surrounds us  come to be? Geologists have proposed one set of answers while biologists have proposed another. <i>Earth and Life</i> is the first book to reveal why we need to listen to both voices  the physical and the biological  to understand how we and our planet became possible.</p><p>In this captivating book, Andrew Knoll traces how all life is sustained by Earth's geological and atmospheric dynamics, and how life itself shapes the physical environment. Taking readers on a thrilling journey across four billion years of Earth history, he shows how Earth and life interact to cycle the very elements of life from rocks, water, and air, and how these and related processes control our climate, regulate our atmosphere, and support the diversification of life-forms great and small. Along the way, Knoll explains how we can draw on this history as we navigate the challenges of the Anthropocene, and how it can aid our search for life elsewhere in the universe.</p><p>Blending cutting-edge science with illuminating insights from a leading expert, <i>Earth and Life</i> explains how this ongoing interplay holds vital lessons for us today as humanity becomes an increasingly major voice in the conversation.</p>]]></Text>
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			<SubjectHeadingText>AI; AI bias; AI ethics; AI in healthcare; AI tools; Ab tests; Algorithmic bias; Algorithms; Analytics; Artificial intelligence; Automation; Behavioral economics; Bias; Clinical trial; Clinical trials; Computability; Computation; Computer history; Control theory; Cybernetics; Cyborg decision-making; Decision; Decision automation; Decision frameworks; Decision making; Deep learning; Dynamic programming; Ethics; Forecasting; Game Theory; GameTheory; Heuristics; Human judgment; Ideal rational agent; Intelligence; Learning; Machine learning; MachineLearning; Mathematical optimization; Mathematical rationality; Modeling; Natural language processing; Neural networks; Optimization; Optimization theory; Predictably Irrational; Prediction; Predictive modeling; Privacy; Probabilistic reasoning; Quantitative methods; Randomized clinical trial; Randomized clinical trials; Rational; Rational agent; Rational decision; Rational decision-making; Rationality; Regulation; Risk analysis; Risk-based optimization; Simulation; Statistical prediction; Statistics; Technocratic rationality; digital bureaucracy; history of science; human expertise; philosophy of engineering; randomized experiments</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>How the computer revolution shaped our conception of rationality  and why human problems require solutions rooted in human intuition, morality, and judgement.</b></p><p>In the 1940s, mathematicians set out to design computers that could act as ideal rational agents in the face of uncertainty. <i>The Irrational Decision</i> tells the story of how they settled on a peculiar mathematical definition of rationality in which every decision is a statistical question of risk. Benjamin Recht traces how this quantitative standard came to define our understanding of rationality, looking at the history of optimisation, game theory, statistical testing, and machine learning. He explains why, now more than ever, we need to resist efforts by powerful tech interests to drive public policy and essentially rule our lives.</p><p>While mathematical rationality has proven valuable in accelerating computers, regulating pharmaceuticals, and deploying electronic commerce, it fails to solve messy human problems and has given rise to a view of a rational world that is not only overquantified but surprisingly limited. Recht shows how these mathematical methods emerged from wartime research and influenced fields ranging from economics to health care, drawing on illuminating examples ranging from diet planning to chess to self-driving cars.</p><p>Highlighting both the power and limitations of mathematical rationality, <i>The Irrational Decision</i> reveals why only humans can resolve fundamentally political or value-based questions and proposes a more expansive approach to decision making that is appropriately supported by computational tools yet firmly rooted in human intuition, morality, and judgment.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An intimate portrait of this fascinating country, capturing its contradictions and charms.</b></p><p>Though a founding member of NATO and the euro, Portugal is often overlooked, a small country on Europe's southwestern edge. In <i>The Portuguese</i>, veteran journalist Barry Hatton blends historical insight with personal anecdotes to explore this enigmatic nation.</p><p>During the 1400s and 1500s, Portuguese explorers led Europe into the Atlantic and helped connect Asia with Europe, creating a vast four-continent empire. This legacy still resonates today, particularly through the Portuguese language, spoken by over 220 million people worldwide. Hatton examines Portugal's vibrant yet turbulent past  from the 1755 Lisbon earthquake, which shook European thinking and began a long decline, through Antnio Salazar's dictatorship, to its end in the 1974 Carnation Revolution, briefly thrusting Portugal into Cold War geopolitics. Hatton also explores the country's complex ties with neighbouring Spain, and its oldest ally, England.</p><p>With diverse landscapes, rich cultural heritage, a love of food and fine wine, an easy-going lifestyle and a rebellious streak, the Portuguese are uniquely compelling. Hatton's portrait is intimate and revealing, capturing the charms and contradictions of a fascinating country.</p><p><b>'Engaging, delightful.' </b><b><i> Publishers Weekly</i></b></p><p><b>'A must-read for first-timers ... [and] a constant delight for those already well-versed in a fascinating nation.' </b> <b><i>Iberosphere</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>This elusive creature was originally thought to inhabit the edge of the known world. Biblical and classical material, travellers' tales, clerical writings and theological speculation influenced the perceived appearance of this noble beast, but the graceful white horse with a single long horn remains is most recognisable embodiment. The medieval unicorn became a potent symbol of religious and secular love which has continued to inspire poets, writers and artists.</p><p>As belief in the unicorn's reality waned, a renewed interest in the medieval past provided a context for it to flourish once again as a subject for art, literature and mystical meditation. Nineteenth- and twentieth-century medievalism infused pictorial and poetic unicorn imagery with an aura of romantic nostalgia that paved the way for its dramatic revival: it gained wings and took flight within the genre of fantasy literature. More recently unicorns have inspired a variety of contemporary trends, from merchandising to financial rhetoric, and the 'animal that never was' shows no sign of disappearing.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Benot Gallot</b> has been the curator of Pere Lachaise Cemetery since 2018 and was born into a family of grave stonemasons. His Instagram account, @la_vie_au_cimetiere, has attracted a growing community of followers captivated by his photographs of the animals that have made the Parisian landmark their home. He lives on the grounds of the cemetery with his family.<br/><br/><b>Arielle Aaronson</b> is a French-to-English translator of books, films, TV, and more. Her translations have been shortlisted for the 2023 Governor General's Literary Award and longlisted for the 2021 Canada Reads book of the year. She lives in Montreal, Quebec, with her family.<br/><br/></p>]]></Text>
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			<SubjectHeadingText>War; Islamic; Iranian; Revolution; Republic; Military; Khomeini; Defense; Security; Country; Shia; Power; Resistance; Economic; Khamenei; Leaders; Nuclear; Forward; Revolutionary; Syria; Arab; Religious; Rafsanjani; Strategy; Strategic; Threat; Shah; Economy; Regional; Attack; Foreign; Tehran; Pressure; Iraqi; Government; Ideological; Saddam; Goal; Sanctions; Politics; Development; Russia; Region; Ideology; Policy; Crisis; Regime; Sacred defense; Institutions; Leadership; Hezbollah; Soviet; Interests; Saudi; Relations; Supreme; Oil; Persian; Supreme leader; Sunni; Foreign policy; Israeli; Victory; Population; Qods; Arabia; Mossadegh; Militias; Khatami; Assad</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>From the</b> <b><i>New York Times</i></b><b> bestselling author of</b> <b><i>The Shia Revival</i></b></p><p><b>A gripping account that overturns simplistic portrayals of Iran as a theocratic pariah state, revealing how its strategic moves on the world stage are driven by two pervasive threats  external aggression and internal dissolution</b></p><p>Iran presents one of the most significant foreign policy challenges for America and the West, yet very little is known about what the country's goals really are. Vali Nasr examines Iran's political history in new ways to explain its actions and ambitions on the world stage, showing how, behind the veneer of theocracy and Islamic ideology, today's Iran is pursuing a grand strategy aimed at securing the country internally and asserting its place in the region and the world.</p><p>Drawing on memoirs, oral histories, and original in-depth interviews with Iranian decision makers, Nasr brings to light facts and events in Iran's political history that have been overlooked until now. He traces the roots of Iran's strategic outlook to its experiences over the past four decades of war with Iraq in the 1980s and the subsequent American containment of Iran, invasion of Iraq in 2003, and posture toward Iran thereafter. Nasr reveals how these experiences have shaped a geopolitical outlook driven by pervasive fear of America and its plans for the Middle East.</p><p>Challenging the notion that Iran's foreign policy simply reflects its revolutionary values or theocratic government, <i>Iran's Grand Strategy</i> provides invaluable new insights into what Iran wants and why, explaining the country's resistance to the United States, its nuclear ambitions, and its pursuit of influence and proxies across the Middle East.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Vali Nasr</b> is the Majid Khadduri Professor of International Affairs and Middle East Studies at Johns Hopkins University's School of Advanced International Studies. His books include <i>The Dispensable Nation: American Foreign Policy in Retreat</i>, <i>The Shia Revival: How Conflicts within Islam Will Shape the Future</i>, and (with Ali Gheissari) <i>Democracy in Iran: History and the Quest for Liberty</i>. His writing has appeared in leading publications such as the <i>New York Times</i>, the <i>Wall Street Journal</i>, and <i>Foreign Affairs</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>We often think of medieval medicine as strange, unhygienic and unscientific, but<i> The Medieval Guide to Healthy Living</i> reveals a far richer story. Long before modern wellness trends, people in the Middle Ages were actively thinking about how to live well. They followed detailed health regimens, balanced diet with exercise, considered the effects of emotions and sought to avoid illness through environmental awareness and routine care. This book sheds light on the practical and surprisingly relatable ways medieval individuals cared for body and mind. Drawing from historical sources that echo today's wellness concerns, it offers a fresh, thoughtful view of a misunderstood era. In understanding their world, we might see our own in a new, more connected light.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Museum of Imaginary Musical Instruments</i> is a guided tour through centuries of instruments that never existed. From ancient myths to futuristic media, these imagined devices appear in literature, theory, video games and art, at times echoing real instruments, other times pushing far beyond the bounds of technology. This book presents a wide-ranging collection of such creations, showing how they reflect changing ideas about sound, invention and the limits of the possible. At once a cultural history and a study of creative thought, it uncovers unexpected links between music, design and the human urge to make meaning through sound. These are not just fictional artefacts  they are windows into what music might mean, even when it cannot be played.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In this groundbreaking manual for longevity, leading longevity expert Jean-Marc Lemaitre reveals how the latest science can help you measure, slow, and even reverse biological aging at a</b> <b><i>cellular level</i></b><b>.</b></p><p>For generations, we've accepted aging as an inevitable decline, measuring our years by birthdays while ignoring the more crucial metric  our biological age. Traditional medicine continues to treat the symptoms of age-related diseases rather than addressing their root cause: cellular aging itself. Too often, healthcare systems intervene only after disease has taken hold, managing decline rather than preventing it.</p><p>In <i>Choose Your Age</i>, Jean-Marc Lemaitre  a renowned biogerontologist (a scientist of biological aging and age-related diseases)  presents a revolutionary alternative: a personalised, proactive approach to longevity that targets the fundamental mechanisms of aging before disease begins.</p><p>This is not speculation or trendy 'biohacking'  it's cutting-edge science: a comprehensive, evidence-based strategy for extending not just lifespan but healthspan, the years you spend free from disease and decline. Lemaitre's approach isn't prescriptive but educational, empowering you to understand the science of aging so you can make informed decisions about your health journey. In <i>Choose Your Age</i>, readers will discover:</p><ul><li>Why your chronological age is often misleading, and how new biological clocks can measure your true physiological age  revealing whether you're aging faster or slower than your peers</li><li>How telomeres, the protective caps on your chromosomes, influence aging, and what practical steps can help maintain their length and integrity</li><li>The revolutionary science of epigenetic reprogramming that could transform medicine's approach to aging by actually reversing cellular age</li><li>Why the Mediterranean diet and specific fasting protocols can dramatically impact longevity, and how to adapt these approaches to your unique biochemistry</li><li>How the lifestyles of centenarians in the world's 'Blue Zones' offer practical insights for extending your own healthspan</li><li>The emerging potential of senolytic therapies, metformin, and rapamycin in targeting senescent 'zombie cells' that accelerate aging</li><li>Why social connections, optimism, and time in nature are as crucial to longevity as any medical intervention  and how to incorporate them into your life</li></ul><p><i>Choose Your Age</i> provides a new paradigm for thinking about aging, transforming it from an inevitable decline into a manageable process that you can influence at every stage of life. With this roadmap in hand, you can chart a different course for your future  one where each decade brings not just more years, but better ones.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A leading neuroscientist describes the long evolutionary process that led to the human brain.</b></p><p>Our human brain is both unique and similar to that of other species. The only way we can trace its evolution is by comparing it to the brains of animals alive today. In this book, leading neuroscientist Rogier Mars offers an engaging account of the evolution of the brain by exploring the brains and cognitive capacities of animals from the humble sea squirt to the socially minded fox and the tiny shrew.</p><p>By examining the challenges that different animals and their ancestors faced, Mars shows that we can understand what drove the evolution of their brains. Early vertebrates became predators of the sea; mammals evolved a complex neocortex to deal with foraging for high-energy food; and social primates adapted to contend with a fast-changing environment in which groups of individuals team up to get food. Over the course of a long evolutionary road, the ancestors of present-day animals and their descendants continually adapted to challenges, modifying their brains again and again. For us humans, this process gradually led to a brain that is capable of so much, from inventing language to traveling into space.</p><p>Mars leads readers across eras and species, showing us how we resemble our animal cousins, how we differ from them, and how animals in one branch of the evolutionary tree did the hard evolutionary work of becoming human.</p>]]></Text>
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			<SubjectHeadingText>devotion; horses; just kids; m train; music; musicans in their own words; new york city; patti smith; patti smith book; patti smith fans; punk musician; punk rock; songwriter; the coral sea; why I write; year of the monkey</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>From the moment Patti Smith burst onto the scene, chanting 'Jesus died for somebody's sins, but not mine', the irreverent opening line to <i>Horses</i>, her 1975 debut album, the punk movement had found its dissident intellectual voice. Yet outside the recording studio  Smith has released eleven studio albums  the punk poet laureate has been perhaps just as revelatory and rhapsodic in interviews, delivering off-the-cuff jeremiads that emboldened a generation of disaffected youth and imparting hard-earned life lessons. With her characteristic blend of bohemian intellectualism, antiauthoritarian poetry, and unflagging optimism, Smith gave them hope in the transcendent power of art. Her interview archive serves as a compelling counternarrative to the albums and books. Initially, interviewing Patti Smith was a censorship liability. Contemptuous of staid rules of decorum, no one knew what she might say, whether they were getting the romantic, swooning for Lorca and Blake, or the firebrand with no respect for an on-air seven-second delay. <i>Patti Smith on Patti Smith</i> is a compendium of profound and reflective moments in the life of one of the most insightful and provocative artists working today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[From Pulitzer Prize finalist Steven Nadler, a fascinating historical and philosophical narrative that unravels the mystery of whether Spinoza was an atheist.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From Pulitzer Prize finalist Steven Nadler, a fascinating historical and philosophical narrative that unravels the mystery of whether Spinoza was an atheist.</b></p><p>In 1656, a young Amsterdam merchant was excommunicated by his Portuguese-Jewish community in the harshest terms it had ever used. Baruch Spinoza was accused of unspecified 'horrifying heresies', but the precise reasons for his expulsion remain a mystery. When he published his <i>Theological-Political Treatise</i> in 1670, which was condemned as 'the most atheistic book ever written', he began to reveal to the world what his heresies may have been. Yet ever since the eighteenth century, most readers and scholars have assumed that Spinoza was a pantheist  even a 'God-intoxicated man', as the poet Novalis put it. After all, how could a person whose books are suffused with talk of God be an atheist? In <i>Spinoza, Atheist</i>, Steven Nadler, one of the world's leading authorities on the philosopher, aims to settle the question and show that that's exactly what he was.</p><p>Nadler makes a powerful case that there is no real divinity for Spinoza. God is Nature, and isn't an object of worshipful awe or religious reverence but can only be understood through philosophy and science. There is nothing supernatural  no mystery, ineffability, or sublimity. Spinoza does speak of 'blessedness' and 'salvation', but these, too, are to be understood in natural and rational terms, as the peace of mind and happiness that come from understanding ourselves and the world.</p><p>Whether Spinoza believed in God is a fascinating and enduring controversy. <i>Spinoza, Atheist</i> promises to transform our understanding of his views and to make clear just how radical a thinker he was and remains.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Steven Nadler</b> is Vilas Research Professor and the William H. Hay II Professor of Philosophy at the University of Wisconsin-Madison. His many books include <i>Rembrandt's Jews</i>, which was a finalist for the Pulitzer Prize, <i>Spinoza: A Life</i>, <i>Think Least of Death: Spinoza on How to Live and How to Die</i> (Princeton), and <i>A Book Forged in Hell: Spinoza's Scandalous Treatise and the Birth of the Secular Age</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A</b> <b><i>Financial Times</i></b> <b>Best Business Book of the Year</b></p><p><b>Named one of 10 Best New Management Books for 2022 by Thinkers50</b></p><p><b>Named as recommended reading by Fortune's</b> <b><i>CEO Daily</i></b></p><p>The ex-Unilever CEO who increased his shareholders' returns by 300% while ensuring the company ranked #1 in the world for sustainability for eleven years running has, for the first time, revealed how to do it. Teaming up with Andrew Winston, one of the world's most authoritative voices on corporate sustainability, Paul Polman shows business leaders how to take on humanity's greatest and most urgent challenges  climate change and inequality  and build a thriving business as a result.</p><p>In this candid and straight-talking handbook, Polman and Winston reveal the secrets of Unilever's success and pull back the curtain on some of the world's most powerful c-suites. <i>Net Positive</i> boldly argues that the companies of the future will profit by fixing the world's problems, not creating them.</p><p>Together the authors explode our most prevalent corporate myths: from the idea that business' only function is to maximise profits, to the nave hope that Corporate Social Responsibility will save our species from disaster. These approaches, they argue, are destined for the graveyard. Instead, they show corporate leaders how to make their companies 'Net Positive'  thriving by giving back more to the world than they take. Net Positive companies unleash innovation, build trust, attract the best people, thrill customers, and secure lasting success, all by helping create stronger, more inclusive societies and a healthier planet. Heal the world first, they argue, and you'll satisfy your investors as a result.</p><p>With ambitious vision and compelling stories, <i>Net Positive</i> will teach you how to find the inner purpose and courage you need to embrace the only business model that will matter in the years ahead. You will learn how to lead others and unlock your company's soul, while setting and delivering big and aggressive goals, and taking responsibility for all of your company's impacts. You'll find out the secrets to partnering with others, including your competition and critics, to drive transformative change from which you will prosper. You'll build a company that serves your people, your customers, your communities, your shareholders  and your children and grandchildren will thank you for it.</p><p>Is this win-win for business and humanity too good to be true? Don't believe it. The world's smartest CEOs are already taking their companies on the Net Positive journey and benefiting as a result. Will you be left behind?</p><p>Join the movement at netpositive.world</p><p><b>'An advocate of sustainable capitalism explains how it's done.' </b> <b><i>The Economist</i></b></p><p><b>'Polman's new book with the sustainable business expert Andrew Winston...argues that it's profitable to do business with the goal of making the world better.' </b> <b><i>The New York Times</i></b></p><p><b>'...Polman has been one of the most significant chief executives of his era and that his approach to business and its role in society has been both valuable and path-breaking.' </b> <b><i>Financial Times</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Paul Polman</b> works to accelerate action by business to achieve the UN Global Goals, which he helped develop. He was the CEO of Unilever from 2009 to 2019, the first from outside the company in its century-plus history, and has been described by the <i>Financial Times</i> as "a standout CEO of the past decade." He created a new framework for decision-making in the organization to focus the business on multiple stakeholders and long-term value creation, committing the company to doubling its sales while keeping its footprint flat, to touching one billion people, and to greatly improving the lives of suppliers around the world. Peers and experts have ranked Unilever as the most sustainable company-above long-standing, privately run leaders like Patagonia and IKEA-for eight years. Today, Polman is cofounder and Chair of IMAGINE, a for-benefit organization and foundation that mobilizes businesses around the UN Global Goals.</p><p><b>Andrew Winston</b> is one of the world's most widely read writers and leading thinkers on sustainable business. His books on sustainability strategy, including <i>Green to Gold</i> and <i>The Big Pivot</i>, have sold more than 150,000 copies in seven languages. Winston has also written cover stories for <i>Harvard Business Review</i> and published hundreds of articles in <i>HBR</i>, <i>MIT Sloan Management Review</i>, and other top publications. He was recently selected for the <i>Thinkers50 Radar 2020</i>, a list of "30 thinkers to watch out for in the coming year." His views on strategy have been sought after by many of the world's leading companies, including 3M, DuPont, HP, Ingersoll Rand, Johnson &amp; Johnson, Kimberly-Clark, Marriott, PepsiCo, PwC, and Unilever.</p><p>You can find more about Paul Polman at:<br/>imagine.one<br/>twitter.com/paulpolman<br/>linkedin.com/in/paulpolman</p><p>You can find more about Andrew Winston at:<br/>andrewwinston.com<br/>twitter.com/AndrewWinston<br/>linkedin.com/in/andrewwinston</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>OVER 4 MILLION COPIES SOLD<br/></b><b><i>WALL STREET JOURNAL</i></b><b> AND</b> <b><i>BUSINESSWEEK</i></b><b> BESTSELLER<br/>RECOGNISED AS ONE OF THE MOST ICONIC AND IMPACTFUL STRATEGY BOOKS EVER WRITTEN</b></p><p><b>The global phenomenon that has sold over 4 million copies, is published in a record-breaking 49 languages, and is a bestseller across 5 continents  now expanded with new case studies on Nvidia and Taylor Swift.</b></p><p>In this perennial bestseller, recognised as one of the most iconic and impactful business books ever written, W. Chan Kim and Renee Mauborgne challenge everything you thought you knew about the requirements for strategic success. Lasting success, they argue, comes not from battling competitors but from creating 'blue oceans'  untapped market spaces ripe for growth.</p><p>Now in its 20th anniversary, <i>Blue Ocean Strategy</i> is enhanced with timely, in-depth case studies on Nvidia and on Taylor Swift and a new preface from the authors that highlights the book's impact around the world and why the rise of AI only reinforces the importance of this monumental work today.</p><p><i>Blue Ocean Strategy</i> presents a systematic approach and a variety of tools that any organisation can use to create and capture blue oceans. This enhanced edition includes:</p><ul><li>A new preface by the authors, with highlights and insights from <i>Blue Ocean Strategy</i>'s enduring impact on business</li><li>'Nvidia's Market-Creating Blue Ocean Moves' case study, on how the company created a series of blue oceans across the semiconductor and AI industries and became one of the most valuable companies in the world</li><li>'Taylor Swift's Blue Ocean Strategic Moves' case study, on the strategies Swift used to stand out and succeed in the crowded red ocean of the music industry as well as establish herself as a major force in the broader entertainment industry</li></ul><p>An international phenomenon that upends traditional thinking about strategy, this landmark book will help you chart a bold new path into the future. Consider this your indispensable guide to creating uncontested market space  and making the competition irrelevant.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>W. Chan Kim</b> and <b>Renee Mauborgne</b> are professors of strategy at INSEAD and co-directors of the INSEAD Blue Ocean Strategy Institute. They are the authors of the global bestseller <i>Blue Ocean Strategy</i>, which is recognised as one of the most iconic and impactful strategy books ever written, with over 4 million copies sold, publication in a record-breaking 49 languages, and bestseller status across 5 continents. They are also the authors of <i>Blue Ocean Shift</i>, the <i>New York Times</i> and <i>#1 Wall Street Journal</i> bestseller, and the <i>USA Today</i> bestseller <i>Beyond Disruption</i>. In 2023, on its 100th anniversary, <i>Harvard Business Review</i> honoured Kim and Mauborgne as two of its four most influential authors for their contribution to management research and ideas. In 2019, they were named the most influential management thinkers in the world by Thinkers50. They are the founders of the Blue Ocean Global Network. For more on these authors, see blueoceanstrategy.com.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Change now, faster, smarter. The imperative to transform your business only gets more urgent. BCG leaders provide a science-based playbook for beating the odds and doing it right.</b></p><p> Market volatility. AI. Regulatory uncertainty. Geopolitical risk. Leaders know they must adapt faster than ever  yet most transformation programs still fail to deliver their expected outcomes, with enormous costs to companies, shareholders, and the broader economy.</p><p>But some companies succeed. In<i> How Change Really Works</i>, Boston Consulting Group experts Julia Dhar, Kristy Ellmer, and Philip Jameson show that these successes are not random  they are connected by a common set of principles and practices. Interweaving illuminating examples, decades of behavioural science research, and new interviews with executives and employees, as well as the authors' own experiences leading change with BCG, they offer seven principles that constitute the core of a truly human-centered approach to successful organisational change. These range from 'Get true agreement, not false alignment' to 'Give people agency, not just involvement' to 'Expect take-up to be earned, not automatic.'</p><p>The second part of the book shifts into execution mode, providing a five-phase practical manual for putting the principles to work that is filled with tips, checklists, advice, and smart hacks for helping your transformation beat the odds, succeed, and stick.</p><p>Change doesn't fail because people resist  it fails because leaders misunderstand how people really change. Whether you're launching a new initiative, stuck in a stalled transformation, or trying to rescue a failing one, <i>How Change Really Works</i> is your essential leader's guide.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>'Her life was a bridge from the nineteenth century to the twentieth, from the time-hallowed beauty and rigidity of a samurai household to the disorienting, forward-looking freedoms of the West.'</i></b> <b><i> Janice P. Nimura, from the foreword.</i></b></p><p>This classic memoir tells the story of a remarkable Asian-American woman navigating two very different cultures  a loyal wife, a widowed mother, and a bilingual breadwinner  who finds her voice in a strange new world.</p><p>Follow her journey as she:</p><ul><li>Witnesses her father prepare and perform ritual seppuku, and her mother burn down the ancestral home</li><li>Bids an emotional farewell and sails across the ocean to marry a wealthy merchant in a new land</li><li>Returns to Tokyo with her two daughters and mother-in-law, only to find her homeland as alien as America, forcing her to reinvent herself to provide for her family</li><li>Eventually returns to America with her children after the death of her mother-in-law</li></ul><p>An international bestseller when first published a century ago, <i>A Daughter of the Samurai</i> remains a testament to a woman's resolve, strength, and endurance. This edition includes a new foreword by 2022 Pulitzer Prize finalist Janice P. Nimura.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Etsu Inagaki Sugimoto</b> (1874-1950) was a Japanese-American writer and educator. She began writing essays on Japan for local Cincinnati newspapers to practice her English, then for the magazine <i>Asia</i>, which were later published in book form as <i>A Daughter of the Samurai</i>. This book became an international bestseller. Sugimoto went on to publish several other novels and eventually moved to New York where she taught Japanese language and history at Columbia University.</p><p><b>Janice P. Nimura</b> is the author of <i>Daughters of the Samurai: A Journey from East to West and Back</i>, a <i>New York Times Notable book</i> in 2015. More recently, she received a Public Scholar Award from the National Endowment for the Humanities in support of her work on<i> The Doctors Blackwell</i>, a finalist for the 2022 Pulitzer Prize in biography.</p><p>Christopher Morley<b> (1890-1957) was a journalist, author,</b> lecturer and theatrical producer best known for the novels <i>Parnassus on Wheels, The Haunted Bookshop</i> and <i>Kitty Foyle.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>All proceeds donated to Ajyal Foundation, providing long-term rehabilitation for children in Gaza and urgent support for displaced communities since October 2023.</p><p><i>Love is Resistance</i> is a collection of 77 commissioned posters by artists, musicians, writers, designers, filmmakers, actors, digital creators and voices from across the world standing in solidarity with Palestine. Each poster tells its own story  recalling iconic figures, pivotal moments, poems and personal acts of remembrance  and bears witness to grief while insisting on life, justice and liberation.</p><p>The posters can be torn out, framed and hung, taken to peaceful protests or kept together as an archive. This art book also includes a double-sided fold-out sticker insert, a signed set of Kyle Goen's iconic GAZA Love stamps and three posters drawn by children in Gaza, collected by the Ajyal Foundation.</p><p>Bold, heartbreaking and defiantly hopeful, <i>Love is Resistance</i> is a tribute to Palestinian resilience and a tool for global solidarity. This is art as resistance and solidarity in action.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Deepen your relationship with nature with this beautiful journal, based on M. Amos Clifford's bestselling book,</b> <b><i>Your Guide to Forest Bathing</i></b><b>, featuring fifty-two invitations for practice and introspection.</b></p><p>Each page of <i>Your Guide to Forest Bathing  A Journal</i> offers space to record your experiences, thoughts, and emotions as you engage in forest bathing, whether in the woods, a public park, or your own backyard.</p><ul><li>Tune in to your senses and the subtle rhythms of the natural world.</li><li>Bask in the wonderful sensory symphony of nature.</li><li>Become adept at discovering what invitations the forest is offering to you.</li><li>Track the evolution of your practice over time.</li></ul><p>Through regular practice, you will realise the full benefit of forest bathing. Whether you're just beginning or already rooted in the process, this journal supports you in finding presence and healing. It helps reawaken your senses and deepen your relationship with the more-than-human world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[In this lively polemic, Paul B. Jaskot confronts art history's ideological preoccupation with the art object. To unbind art history from this fixation, Jaskot proposes centring our art-historical inquiry on systems of power, rather than on the art object.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'It is by seeing the roles culture takes in various human struggles for power and resources that we can also make out the shape of systems in all of their oppressive structure. Let us put that at the centre of our art-historical analysis. Let us stop being affirmative. Let us examine the barbarism supported by and emanating from art.'</b> <b> Paul B. Jaskot</b></p><p>In this lively polemic, Paul B. Jaskot confronts art history's ideological preoccupation with the art object. To unbind art history from this fixation, Jaskot proposes centring our art-historical inquiry on systems of power, rather than on the art object. Modelling this shift, Jaskot asks: what might an art history of oppression, power and barbarism look like? The study that follows is divided into three parts  empire, war and labour  which each draw from a constellation of examples, ranging from the architecture of the early modern era to that of Nazi Germany, from the transatlantic slave trade to contemporary exhibition making.</p><p>Also featuring a photo essay by Steve Harp, this book presents a prescient case for how art history can make a meaningful contribution to understanding systems of power and why such a project is needed now more than ever.</p><p>Paul B. Jaskot's <i>The Tyranny of the Object</i> is the third title for Power Polemics, a series that puts art hard up against political and personal viewpoints from some of the leading thinkers and writers in the field today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Paul B. Jaskot</b> is Professor of Art History and German Studies at Duke University as well as the Director of the Digital Art History &amp; Visual Culture Research Lab. His scholarship focuses on National Socialist cultural policy and its postwar impact. His books include <i>The Architecture of Oppression: SS, Forced Labor and the Nazi Monumental Building Economy, The Nazi Perpetrator: Postwar German Art and the Politics of the Right</i>, as well as <i>New Approaches to an Integrated History of the Holocaust: Social History, Representation, Theory</i> (co-edited). He is a founding member of the international Holocaust Geographies Collaborative. He was the Andrew W. Mellon Professor in the Center for Advanced Study in the Visual Arts 20142016 (National Gallery of Art, Washington, DC) and the Ina Levine Invitational Scholar in the Mandel Center for Advanced Holocaust Studies 20202021 (US Holocaust Memorial Museum, Washington, DC).</p><p><b>Steve Harp</b> is an Associate Professor of Photography and Media Art in the Art School at DePaul University, where he teaches courses in studio practice as well as seminars on photography, contemporary art, cultural studies, and literature. His artwork primarily investigates questions of history, place, ephemerality, transience, and liminality. His work is most often presented in the form of the photographic artist's book.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The explosive, no-holds-barred account of the life of a globally renowned classical musician, Julian Lloyd Webber's autobiography lifts the lid on a world previously shrouded in mystery.</p><p>From vivid descriptions of Julian's childhood in one of the world's most famous musical dynasties to unfiltered stories from his collaborations with such stars as Elton John, Yehudi Menuhin, Stephane Grappelli, Philip Glass, and his brother, Andrew Lloyd Webber, Bows and Arrows reveals a cut-throat world of agents, promoters, record companies, violin dealers and substance abuse, laying bare the classical music profession as never before.</p><p>With refreshing honesty and humour, Julian recounts the break-up of three of his four marriages, his lifelong passion for ensuring that every child should have a chance to play a musical instrument and his devastation at the 2014 injury that forced him to stop playing and sell his Stradivarius cello. This earth-shattering loss, however, led to a new calling, prompting Julian's appointment as principal of a leading royal conservatoire and his re-emergence as a tireless champion of music education, working closely with politicians including Gordon Brown, Michael Gove and Boris Johnson.</p><p>Culminating in Julian's return to the stage for the first time in twelve years, this is a powerful story of passion, loss and a life reborn.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Vladimir Putin's full-scale invasion of Ukraine in 2022 has cast a spotlight on Russia'sburgeoningpartnership with Iran. Moscow looked to Tehran for drones and ammunition to fuel its so-called 'special military operation', and Iran's support for Russia's warreflected a decade-long strengthening of Russo-Iranian ties, beginning with the 2011 outbreak of the Syrian Civil War.</p><p>Despite a relationship historically marred by mistrust and unmet expectations, the two regimes have worked together to promote their common interests in Syria, where battlefield coordination soon developed into much deeper political alignment. Drawing on extensive Russian and Persian primary sources, and interviews with elites from both countries, Nicole Grajewski uncovers the drivers of ever-closer cooperation between the Kremlin and the Islamic Republic. Detailing the internal structures, shared anxieties and broader ambitions underpinning this alignment, she explores the genesis of Russia and Iran's mutual antagonism towards the Western-led global order; the impact of deep-seated leadership concerns over regime security and domestic protests; and the future trajectory of the partnership within the larger world order.</p><p>Examining both military dynamics and economic endeavours, as well as elaborate sanctions evasion schemes and collaboration within international organisations, this is the definitive account of contemporary Russia-Iran relations.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>This book explores the life of Muammar al-Qaddafi, the enigmatic Libyan leader, from his birth to his assassination in a drainage ditch outside the city of Sirte in October 2011. The first authoritative biography of Qaddafi, it aims to make sense of his remarkable life and times. Known for his idiosyncratic ideas and flamboyant dress, his persona was also a cloak he used to obscure his personal and professional life. Qaddafi created a repressive political system, supported terrorist movements abroad and suppressed basic human rights at home, while abusing hundreds of women.</p><p><i>Qaddafi: Beyond the Myth</i> provides a comprehensive look at the forces that shaped Qaddafi and enabled him to become the world's longest-ruling head of state. It also provides essential information for anyone attempting to understand the division, confusion and chaos that has dominated post-Qaddafi Libya.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An empirically powerful account of why interpersonal violence across the globe exacts a far greater cumulative cost on society than war and terrorism combined.</b></p><p>Civil wars, interstate wars, and terrorism receive a great deal of media and policy attention, for good reasons. By contrast, the major forms of interpersonal violence  homicide, intimate partner violence, and severe physical punishment of children  generally have a much lower profile.</p><p>In <i>Worse than War</i>, Anke Hoeffler and James Fearon assemble and analyze the data on the global prevalence and costs of collective and interpersonal violence. They show that interpersonal violence is vastly more widespread and imposes far greater societal costs than collective violence. Wars tend to be concentrated in a small number of countries, and often relatively small areas within them. By contrast, almost all countries have rates of homicide and nonfatal assault, particularly of women and children, that far exceed the global average rates of death and injury in wars and terrorism.</p><p>Hoeffler and Fearon argue that high rates of interpersonal violence are not simply fixed by culture or other structural factors. Evidence from a host of program evaluations, natural experiments, and longer-term social movements make it clear that rates of homicide, intimate partner violence, and severe physical punishment of children can be reduced if they are effectively targeted. Interventions that promote peace in civil wartorn countries are also possible, but the opportunities are few and increasingly far between. Drawing on ideas and methods from many fields  economics, political science, public health, psychology, sociology, and others  the authors show that money and policy efforts directed toward reducing interpersonal violence thus merit higher priority both within countries and by international donors.</p>]]></Text>
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			<Text textformat="02"><![CDATA[From the celebrated author of Limber, a luminous collection of essays about crisis, hope, and the decision to resist or embrace evolution  a book about time, for our time.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>'The Evolution of Fire</i></b><b> is stunningly written  vivid in imagery, in the braiding together of language, and in the honoring of every person it shines a light on.' - Hanif Abdurraqib, author of </b><b><i>There's Always This Year</i></b></p><p><b>From the celebrated author of </b><b><i>Limber</i></b><b>, a luminous collection of essays about crisis, hope, and the decision to resist or embrace evolution  a book about time, for our time.</b></p><p>Crisis is an agent of evolution, and Angela Pelster knows what it means to evolve. As a child, she burned grass to keep weeds at bay and watched tadpoles transform. She basked in the warmth of her father's love but was burned by his rage, and she witnessed a sudden, unnamable change occur in her older sister after an encounter with a stranger in a white van. In adulthood, she survived the explosion of her marriage, the destruction of her burning home, and a year spent as the single mother of a toddler without a home of their own. And like us all, she has weathered the upheaval of our current atmosphere  political instability, climate change, mass extinction.</p><p>But in spite of the world's violence, Pelster manages to remain open to its beauty, deciding not to resist change, but to give herself over to it and let evolution make her into a new animal. She plumbs the depths of ancestral knowledge to uncover the scale of our ancient capacity for adaptation, from humankind's early harnessing of fire to the grandmothers responsible for our continued existence.</p><p>Meditative and curious, pulsing with fascination, fear, and the untameable human spirit, <i>The Evolution of Fire</i> contemplates who we are now and what we still might become.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Angela Pelster</b> is the author of the essay collection <i>Limber</i>, a winner of the Great Lakes Colleges Association Award for nonfiction. She was a 2021 McKnight Artist Fellow chosen by Hanif Abdurraqib. Her writing has appeared in <i>LitHub</i>, <i>Orion</i>, <i>Ploughshares</i>, <i>Tin House</i>, <i>Granta</i>, <i>The Kenyon Review</i>, and <i>The Gettysburg Review</i>, among others. She's been a Katherine Bakeless Nason Bread Loaf Fellow in nonfiction, a Minnesota State Arts Board grantee, and was an Iowa Arts fellow during her MFA at the University of Iowa. She currently teaches at Hamline University and lives in St. Paul, Minnesota.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The Bone Caveis a vivid account of a month-long journey in the Scottish Highlands. Walking and occasionally hitching, Dougie Strang follows a series of folktales to the locations in which they're set, encountering along the way a depth of meaning to them that allows him to engage with the landscape from a different perspective.]]></Text>
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			<BiographicalNote textformat="05"><![CDATA[<p><b>Al Carroll</b> is Associate Professor of US, American Indian, and Latin American History at Northern Virginia Community College, and a former Senior Fulbright Scholar in Indonesia. His other books are: <i>Medicine Bags and Dog Tags: American Indian Veterans from Colonial Times to the Second Iraq War; Presidents' Body Counts: The Twelve Worst and Four Best American Presidents Based on How Many Lived or Died Because of Their Actions;</i> and<i> Survivors: Family Histories of Colonialism, Genocide, and War</i>. He has also written numerous articles that have appeared in <i>Academia.edu, Articles Base, Beacon, Bristle, Counterpunch, History News Network, Indian Country Today, LA Progressive, Southwestern Historical Quarterly, Truth Out, Wall Street Examiner, World News</i>, and short stories of science fiction, especially alternate history.</p>]]></BiographicalNote>
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			<Text textformat="02"><![CDATA[Historian and professor Al Carroll teaches us to listen critically to spot imposters and bigotry, while celebrating the explosion of Indigenous bands during the rise of thrash and later nu-metal, how Native artists in the so-called U.S. gained popularity and radio play overseas while their releases were censored in the States, and the 'harder than]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Adapt the dominant culture on your own terms.</b></p><p>Native artists have always been central to hard, heavy music: surf rock, hard rock, heavy funk, straight edge, thrash, rap metal, grunge, grind core, and especially black metal. Natives have made their own uniquely Indigenous hard music forms, pre-Hispanic metal in Latin America, Navajo rez metal, and experimental ambient metal in the far north.</p><p>Beginning with Link Wray's trailblazing guitar sound that gave birth to punk and metal as we know them today and culminating in contemporary acts like the all-female, Maori doom metal and punk band Death and Hatred to Mankind, this eye-opening, encyclopaedic history of Native bands and musicians spans the last 60 years. Historian and professor Al Carroll teaches us to listen critically to spot imposters and bigotry, while celebrating the explosion of Indigenous bands during the rise of thrash and later nu-metal, how Native artists in the so-called U.S. gained popularity and radio play overseas while their releases were censored in the States, and the 'harder than you' grit of bands originating on Pacific islands.</p><p>There's something in this book for every hard music fan. Pick it up if you're looking for a new way to see the music and culture around you or inspiration to create something of meaning to your own community and roots. Get ready to learn about your new favourite band, deepen your understanding of the music you love, and think critically about the dominant culture.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A magical tour of filmmaking fundamentals for creators of all ages and experience levels</b></p><p>Who says you need a film degree, fancy equipment, or studio backing to fulfil your filmmaking dreams? Make your own movies, music videos, documentaries, vlogs, and more with the expert guidance of this approachable, illustrated guide to doing it yourself.</p><p>This revised edition of the beloved classic  now with a new introduction  provides all the essential information a budding filmmaker needs, free of jargon or elitist obstacles. With Professor Know-It-All as your lively guide, you'll learn why movies move us, how film and video cameras work, how to light and expose shots, how to create eye-catching compositions, how to record crystal-clear sound, and more.</p><p>Designed for video artists, journalists, content creators, or anyone inspired to pick up a camera (including the one on your phone!), the Professor and his helpful cast of companions give you all the technical knowledge you need to bring your brightest ideas to life-and to the screen.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Reimagine our relationship with the natural world through the Welsh poetic tradition.</p><p>At a time of biodiversity loss and climate grief, we need to reset our relationship with the natural world. <i>Cynefin</i> helps us hear the voices of people down the centuries who have, through poetry, expressed a different way of connecting with the living world around us.</p><p>Carwyn Graves explores how the Welsh poetic tradition offers a different view of nature and connecting to our place in the world, and demonstrates its power to help us address the challenges we face.</p><p>Find fresh perspectives from themes of grief and loss mediated through snow and the cuckoo's song, to ecological sensibilities in medieval poems and the generosity of the water that drives the water wheel. In a thousand years of poetry we see the natural world portrayed not as a pristine realm but a human home; bittersweet as well as welcoming. Above all Carwyn invites us through these poems, to encounter the living world  in seagulls and sheepflocks, a lake or wheatfield  not in the abstract but in all its sparkling specificity</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The heart knows what the mind can't explain.</b></p><p>Follow your heart's wisdom with these artfully crafted and drop-dead-gorgeous tarot cards. This unique deck features beautiful, original illustrations incorporating the shape of the human heart and elements of the natural world into each tarot archetype. Rendered in a striking block print style, with rich textures and a black and red colour palette, the powerful imagery of these cards will call forth your heart's true interpretations. For readings, divination, inspiration, or as part of a creative practice, use this deck to <i>feel</i> into the answers you seek, with your heart as your wise guide.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Deepen and enhance your personal insight with this stunning deck that fuses traditional tarot wisdom with the transformative energy and power of crystals.</b></p><p>Anchored in the tradition of the Rider-Waite tarot deck, <i>Crystal Keys Tarot</i> pairs the symbolism of the cards with the colourful imagery of powerful crystals from all over the world. Each card, beautifully rendered as if seemingly carved from the stone itself, echoes the energy, aura, and texture of a crystal specifically chosen to match the card's archetype and imagery.</p><p>With <i>Crystal Keys Tarot</i>, the tarot reader will now learn about the metaphysical properties of a variety of crystals, while those interested in crystal healing can use the relationship with precious stones to learn the ways of all seventy-eight cards. By combining tarot and crystals, you can better comprehend the archetypes of each card and discover something new.</p><p>This deluxe boxed set contains 78 gilt-edged cards and a 176-page full-colour guidebook.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The ancient myths are not silent. They are calling you back to the fire.</b></p><p>In the wild, windswept lands of the North, myths were never mere stories. They were living wisdom  a map of the soul, a dialogue with the animate world, and a source of primal strength. Tales of Odin's quest for wisdom, Freyja's fierce magic, Thor's thunderous journeys, and the World Tree Yggdrasil connecting all realms were told not to escape reality, but to plunge more deeply into its vibrant, sacred heart.</p><p><i>Whispers of the Elder Gods</i> is an invitation to experience Norse mythology as it was meant to be  alive, transformative, and deeply personal. This is not a history book or an archaeological study. It is a practical guide to animistic spirituality and shamanic practice, rooted in the oldest traditions of Northern Europe. Here, you will learn how to:</p><ul><li><b>Hear the myths anew</b>  not as dusty relics, but as timeless mirrors for your own journey, asking <i>"Who am I?"</i> and <i>"What truly matters?"</i></li><li><b>Reconnect with the living world</b>  rediscovering the sacredness in stone, stream, tree, and creature through the lens of ancient animism.</li><li><b>Cultivate your own spirituality</b>  with hands-on exercises, altar-building, guided visualizations, and seasonal rituals to weave this ancient magic into your modern life.</li></ul><p><br/>Step out of the mundane and into the circle of the hearthfire. Let the whispers of the Elder Gods guide you back to your wild, wise, and untamed core.</p><p>Are you ready to answer the call?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A collection of ancient spells and incantations, translated and interpreted for today's reader, brings long-ago meanings closer for those engaged in magical practices of manifestation, prophecy, love, protection, healing, curses, and even vengeance.</b></p><p>Each page of <i>Ancient Spells and Incantations</i> holds verses adapted from text unearthed through extensive research  grimoires, letters, and trial transcripts from across the ages and around the world. Many of these were tucked away in university libraries not easily accessible even to one actively in search of them. Enid Baxter Ryce painstakingly researched this collection, finding fragments from across the centuries.</p><p>Translating some from Latin and Old English herself, Enid has made the spells accessible to today's witches. What was once whispered or chanted, spiraling in cursive, or carved in stone, still echoes like a song. The words that survived connect us to that ancient magic, and we can feel the truth and power.</p><p>As we marvel at these ancient magical words, we think of our ancestors. Thanks to them, scraps of papyrus, shards of pottery, secret books, and hissed recipes can, hundreds of years later, still show themselves to those who seek them.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Enid Baxter Ryce</b> is a writer, artist, and filmmaker who has exhibited at museums internationally, including the National Gallery of Art, the Getty, and the Arnolfini. A descendant of three Salem witches, she comes from a long family history of natural magic practice. Enid has an MFA in visual arts and studied at Cooper Union, Yale University, and Claremont Graduate University. She won the Elizabeth Kray Prize from the Society for American Poets when she graduated from Cooper Union. Enid is currently working on the Getty Foundation Art x Science Initiative project 'From the Ground Up: Nurturing Diversity in Hostile Environments,' a forward-looking ethnobotanical study undertaken as the basis of a forthcoming exhibition and an accompanying publication at Armory Center for the Arts. She is the community engagement director and a curator for the Philip Glass Center for Art, Science, and the Environment. Her latest film, <i>War and the Weather</i>,featuring the music of Philip Glass, premiered at the National Gallery of Art Theater in Washington, DC. Enid's work has been reviewed in<i>TheNew York Times, Artforum, ArtReview,</i> the <i>Los Angeles Times</i>, and many other publications.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An entertaining introduction to ancient Chinese thinkers  and what they can teach us about today's most pressing political questions in China and beyond.</b></p><p>China's most original, diverse, and fascinating political debates took place more than two millennia ago, but they have profoundly shaped Chinese political thinking and practice ever since and, remarkably, their influence on the country's leaders is only growing today. Yet these timeless debates  which are very likely to influence the answers to such questions as whether China should use military force to take control of Taiwan  are still far too little understood in the West. In this enlightening and entertaining book, Daniel Bell, a leading expert on Chinese political thought, takes the greatest thinkers from China's past  Confucius, Mencius, Xunzi, Shang Yang, Han Feizi, Zhuangzi, and Mozi  and puts them in dialogue with each other in modern settings. The result is a creative and engaging introduction to ancient Chinese political thought that reveals its relevance to the future of China and the rest of the world.</p><p>Before China's unification in 221 BCE, the brilliant political thinkers who founded Confucianism, Daoism, Legalism, and Mohism roamed from state to state, argued with each other, and tried to persuade rulers to follow their ideas. Bell draws on their debates  about such perennial issues as war, corruption, government involvement in family life, and whether the state should subsidise culture  to create vivid imaginative dialogues about important contemporary social and political controversies.</p><p>China's political thinking is rooted in its past. Understanding what ancient Chinese political thought can teach us about today's critical debates is essential to understanding the future of China and the world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Daniel A. Bell</b> is Chair Professor of Political Theory at the University of Hong Kong. He is the author of many books, including <i>The Dean of Shandong</i>, <i>The China Model</i>, <i>Just Hierarchy</i> (Wang Pei), <i>The Spirit of Cities</i> (Avner de-Shalit), <i>China's New Confucianism</i>, <i>Beyond Liberal Democracy</i>, and <i>East Meets West</i> (Princeton).</p>]]></Text>
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			<SubjectHeadingText>Adaptive; Animals; Argument; Arthropods; Biological; Biologists; Biology; Cambrian; Cell; Clades; Combinations; Cultural; Culture; Cumulative; Development; Developmental; Diversification; Diversity; Domains; Ecological; Economic; Environmental; Eukaryotes; Eukaryotic; Evidence; Evolution; Evolutionary; Evolutionary biologists; Evolutionary spaces; Fish; Formation; Fossil; Framework; Gene regulatory; Genetic; Growth; Human; Innovation; Interactions; Inventions; Lineages; Mammals; Mayr; Models; Modern; Morphological; Morphology; Mutations; Nature; Networks; Novel; Novelty; Opportunity; Organisms; Oxygen; Population; Proteins; Radiations; Rapid; Record; Regulatory; Research; Sequence; Significant; Simpson; Species; Spread; Technological; Technology; Transitions</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A visionary look at how novel attributes arise and become transformative innovations in nature, culture, and technology.</b></p><p><i>The Origins of the New</i> presents a revolutionary approach to evolutionary success in all realms of life. In this groundbreaking book, Douglas Erwin takes readers on a dazzling excursion across science and history to explore how evolution generates new and enduring features in biology, culture, and technology.</p><p>Erwin begins by tracing how thinkers from Darwin's time to the present day have sought to discover the driving mechanisms of evolutionary novelty. He then lays out compelling empirical evidence for separating novelty from innovation, showing how novelty involves the emergence of unique characteristics while innovation has to do with the success of those characteristics across time. Erwin develops a unifying conceptual framework for these powerful dynamics, demonstrating how they have shaped everything from the evolution of avian feathers and flight to the creation of human language and the breathtaking advances in digital computing we're witnessing today.</p><p>A landmark work that redefines our understanding of the changes happening all around us, <i>The Origins of the New</i> reveals how the forces of novelty and innovation are the same across nature and culture, continually producing new forms and refashioning the world as we know it.</p><p>Published in association with the Smithsonian National Museum of Natural History, Washington, DC.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Douglas H. Erwin</b> is a leading paleobiologist whose books include <i>Extinction: How Life on Earth Nearly Ended 250 Million Years Ago</i> (Princeton) and (with James W. Valentine) <i>The Cambrian Explosion: The Construction of Animal Biodiversity</i>. He is an external faculty member at the Santa Fe Institute and was for many years a senior scientist and curator at the Smithsonian National Museum of Natural History.</p>]]></Text>
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			<SubjectHeadingText>Ability; Ai systems; Algorithm; Alphago; Alphago zero; Analogy; Anthropomorphizing; Argument; Artificial; Artificial intelligence; Artificial neural networks; Artificial neuron; Axon; Bathtub; Biological; Bloom; Boolean; Brain simulation; Chatbot; Chatgpt; Chinese; Chinese room; Computational; Computationalism; Computer vision; Connection strength; Convolutional; Convolutional networks; Deep learning; Deep neural networks; Deepmind; Digital; Digital transformation; Emergence; Emergent; Equivalence; Equivalent; Evidence; Gradient descent; Gym; Hebbian; Hebbian learning; Hidden layer; How AI thinks; Human; Human brain; Intelligence; Interactions; Jeopardy; Judge; Layer; Learning algorithm; Machine learning; Mind-body problem; Network; Neural; Neural networks; Neurons; Neuroscience; Nigel Toon; Nodes; Numerical; Object recognition; Philosophical; Philosophy of AI; Philosophy of mind; Plausible; guide for thinking like humans; math behind modern AI:; melanie mitchell</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[In Thinking AI, MacCormick reveals a new landscape of emergent intelligence  a world in which computer programs can emulate many or all aspects of human thinking but humanity retains its meaning and purpose.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Can a computer program think like a human?</b></p><p>'Can machines think?' Ever since Alan Turing posed this question in an influential 1950 paper, it has been central to research in artificial intelligence. More than seventy-five years after Turing's paper, we grapple with it every time we wonder if Watson was actually smarter than <i>Jeopardy!</i> champions, or if ChatGPT really knows what it's talking about. In <i>Thinking AI</i>, computer scientist John MacCormick explores Turing's question from a perspective informed by a detailed understanding of the way modern AI systems work. MacCormick explains, in accessible fashion, the ideas behind the two main pillars of the twenty-first century AI revolution: deep neural networks and reinforcement learning.</p><p>MacCormick offers a tour of the most famous AI systems, including AlexNet and VGG16, deep neural networks for object recognition that led to a Nobel prize; DeepMind's AlphaGo, which shocked AI researchers with its superhuman performance in the game of Go; and OpenAI's ChatGPT, which stunned the world with its natural language capabilities. He describes how each system works, and points to parallels with human brain processes. Both human minds and computer programs, MacCormick explains, can induce intelligence through <i>emergence</i>: the capability for new phenomena to emerge from the interactions of many small, simple components. Does this mean that a computer program can think like a human? In many ways, MacCormick argues, the answer is <i>yes</i>. In<i> Thinking AI</i>, he reveals a new landscape of emergent intelligence  a world in which computer programs can emulate many or all aspects of human thinking but humanity retains its meaning and purpose.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John MacCormick</b> is professor of computer science at Dickinson College. He is the author of <i>Nine Algorithms That Changed the Future: The Ingenious Ideas That Drive Today's Computers</i> and <i>What Can Be Computed? A Practical Guide to the Theory of Computation</i> (both Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>America's beloved wolf historian and longtime Yellowstone park ranger shares his long-awaited biography  a story filled with true grit, laughter, and love for America's National Parks.</b></p><p>In this entertaining memoir, Rick McIntyre recounts his life spent amongst wild nature while working in the National Parks Service as a park ranger and shares the wisdom he has gained from spending nearly every day of his adult life in the presence of wolves.</p><p>McIntyre has calculated whether to outpace a grizzly or stand and face it. He has narrowly missed a charge by a moose. He has watched alpha wolves come up against each other in battles for territory  only to be surprised by their benevolent actions.</p><p>Throughout his career, McIntyre has used his experience in the great outdoors and through watching apex predators in the sights of his telescope to de-escalate fights between humans  even once helping to apprehend an armed man inside Yellowstone National Park by simply inviting him to his wolf talk later that evening.</p><p>This book chronicles Rick's journey, explains his values, and brings readers up to date on the latest dramas of the Junction Butte pack in Yellowstone. Along the way, this tale is threaded through with Rick's calm assertiveness in the face of conflict, his wise dealings with humans and animals alike, and his gentle sense of humour  like the time a woman excitedly thought she saw a grizzly bear through his telescope and Rick had to break it to her that what she saw was really an...Arctic ground squirrel.</p><p>'<b>There is literally no one else who could tell these stories.'  </b><b><i>NBC</i></b></p><p>'<b>The chief historian of the most famous wolf population in the world.'  </b><b><i>Washington Post</i></b></p><p>'<b>Like Darwin, McIntyre is an inclusionist and is thus able to enter the hearts and minds of wolves.' </b><b><i> Mountain Journal</i></b></p><p>'<b>Rick McIntyre is the ultimate guru of wolf behaviour.'  Jane Goodall</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[The landmark study of the first major woman painter of the Renaissance  now revised and expanded to include new discoveries.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The landmark study of the first major woman painter of the Renaissance  now revised and expanded to include new discoveries.</b></p><p>Since it was first published, <i>Sofonisba's Lesson</i> has ushered in a major reassessment of Sofonisba Anguissola (1532-1625), a remarkable painter who changed the image of women's education in Europe and transformed Western attitudes about who could be an artist. In this revised and expanded edition, Michael Cole reconsiders some central questions of authorship and shares the major discoveries that have been made since this influential book first came out.</p><p>The daughter of minor Lombard aristocrats who made the unprecedented decision to have her trained as a painter outside the family house, Sofonisba produced more self-portraits than any known painter before her. She was the first known artist to use her parents and siblings as primary subjects and may have painted the first group portrait featuring only women. Recent research also reveals her to have been not only a key model for painters around her but also the rare Italian Renaissance artist to take up a subject demonstrably related to the reform of the Catholic Church.</p><p>The expanded volume offers new assessments of paintings whose status has long been uncertain. Providing a comprehensive and up-to-date illustrated catalog of the more than two hundred known paintings and drawings that writers have associated with Sofonisba over the centuries, <i>Sofonisba's Lesson</i> will remain the definitive account of the artist and her work for decades to come.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michael W. Cole</b> is the Howard McP. Davis Professor of Art History at Columbia University. His books include <i>Leonardo, Michelangelo, and the Art of the Figure</i>; <i>Ambitious Form: Giambologna, Ammanati, and Danti in Florence</i> (Princeton); and <i>A New History of Italian Renaissance Art</i> (with Stephen J. Campbell).</p>]]></Text>
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			<SubjectHeadingText>aesthetics; Allen-Bradley; amusement park; assembly line; automata; automatic control; automation; Cold War; consumer; Disneyland; entertainment; Ford Motor Company; history of technology; Imagineering; immersive storytelling; industrial design; labor; leisure; magnetic tape; material handling; operations research; Programmable Logic Controller (PLC); roller coasters; simulation; theme parks; Walt Disney; World's Fair; Automation; Disney; Operations; Automatic; Walt; Amusement; Ford; Theme park; Amusement park; Magnetic; Car; Industrial; Zone; Audiences; Sensors; Operator; Space mountain; Roller coaster; Audio animatronics; Design; Sound; Diebold; Rouge; Coaster; Animatronics; Controls; Peoplemover; Station; Conveyor; Postwar; Ride vehicle; Goodyear; Disneyland rides; Railroad; Operations research; River rouge; Tramrail; Peter; Synonymous; Museum; Robots; Ride systems; Affordances</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A history of the engineering marvels behind one of America's most innovative and beloved entertainment experiences.</b></p><p>When Disneyland opened to the public in 1955, it demystified the hidden world of factory automation through its extraordinary new attractions. In this fascinating book, Roland Betancourt tells the story of how the visionary engineers and designers at Disney transformed the technologies of the postwar assembly line into an entertainment experience unlike anything the world had ever seen.</p><p><i>Disneyland and the Rise of Automation</i> traces the origins and evolution of these technical innovations during the theme park's first three decades in operation, exploring how engineers reimagined the systems and machines of industrial manufacturing and the military. The magnetic tape used to test ballistic missiles was repurposed to animate the talking macaws in the Enchanted Tiki Room. Programmable Logic Controllers, widely used on automotive assembly lines, brought to life the spectacular rides of the Matterhorn Bobsleds and Space Mountain. Betancourt shows how these and other attractions helped to allay fears about automation and job displacement in 1950s America. Along the way, he situates Disneyland's remarkable creations within a broader history of the technologies that increasingly order and construct the world around us, from the Fordist factory to artificial intelligence.</p><p>Essential reading for anyone interested in engineering, corporate histories, or popular culture, <i>Disneyland and the Rise of Automation</i> invites us to consider how technology and the logic of automation become integrated into our lives through entertainment.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A provocative history of Disney's rise to cultural dominance, pulling skeletons from the corporate closet to decode the political messages hidden in all of your favourite childhood movies.</b></p><p>Vicky Osterweil takes us on a quest to discover how Disney's 'imagineers' have made it impossible to reflect on the wonders of growing up without thinking of Disney's movies, amusement parks, and merchandising. Drawing on extensive interviews with filmmakers, screenwriters, union organisers, and Disney 'adults' alike, Osterweil unearths reactionary political commitments and maleficent legal manoeuvres so cartoonishly evil they would make one of Walt's own animated villains blush.</p><p>Along the way, Osterweil braids together corporate skullduggery with a not entirely unsympathetic analysis of some of Disney's most famous movies. The result is an entertaining and convincing case that Disney's entire business model has been built upon a ruthless and fanatical insistence on intellectual property rights  from <i>Steamboat Willie</i> to <i>Avengers: Infinity War</i> and beyond!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A new mapping of castrato afterlives in modern Rome.</b></p><p>Around 1830, opera houses stopped using castrati, and Rome and the Vatican became home to their glorious singing, engineered by surgery and intensive vocal training. Castrati were long mired in secrecy, obfuscations, and lies about their origin and conditions, not least the last of them, Alessandro Moreschi. Musicologist Martha Feldman declines to accept these deep-seated mysteries and concealments. After a decade and more of digging through archives and family histories comes her exciting transdisciplinary and quasi-cinematic account of Moreschi, whose recordings preserve the only sonic trace of a solo castrato.</p><p>Yet Moreschi's story extends far beyond him. It opens up intrigues, politics, and histories of the Vatican, everyday histories of nineteenth- and twentieth-century Rome, the world of Roman opera, the city's unique melange of sacred and vernacular tropes, and representations of Rome by iconic film director Federico Fellini. Moreschi and Fellini turn out to have been related by marriage, but also to share synergies grounded in Rome's persistent inclination to vernacularise the sacred. Far from telling of one anomalous figure, Feldman's gripping history convinces readers that Moreschi, like Fellini, can be read as an improbable index of Roman consciousness, both during his own life and well beyond.</p>]]></Text>
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			<SubjectHeadingText>Abolition; Abolition decree; Abolition slavery; Amis des; Barnave; Blacks; Brissot; Brulley; Campaign; Caribbean; Civil commissioners; Club massiac; Colonial; Colonial committee; Colonial deputies; Colonies; Colonists; Condorcet; Danton; Decree; Defenders; Deputies; Domingue; Domingue deputies; Dufay; Emancipation; Equality; Gouy; Guadeloupe; Humanity; Insurrection; Jacobin; Jacobin club; Julien raimond; Legislative assembly; Liberty; Louis xvi; Louverture; Metropole; Metropolitan; Milscent; Mirabeau; Moreau; Moreau saint; Napoleon; Negroes; Noirs; Page brulley; Plantation owners; Polverel; Port cities; Pro slavery; Racial; Radical; Raimond; Regime; Revolt; Revolution; Revolutionary; Rights color; Robespierre; Saint domingue colonists; Saint domingue deputies; Slave; Slave trade; Slavery; Sonthonax; Sonthonax polverel; Toussaint; Toussaint louverture</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[The First Emancipation is a dramatic account of how slavery and race profoundly influenced the course of the French Revolution and had a central impact on the lives of key leaders, including Mirabeau, Robespierre, Toussaint Louverture, and Napoleon.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A new history of slavery and the French Revolution.</b></p><p><i>The First Emancipation</i> is a dramatic account of how slavery and race profoundly influenced the course of the French Revolution and had a central impact on the lives of key leaders, including Mirabeau, Robespierre, Toussaint Louverture, and Napoleon. Acclaimed historian Jeremy D. Popkin brings this often-forgotten story to life, highlighting the arguments put forward by French abolitionists and their opponents and the profound repercussions of the first abolition of slavery in a Western empire.</p><p>When the French revolutionaries passed the Declaration of the Rights of Man and Citizen in 1789, they immediately faced a burning question: did that document's first article  "Men are born and remain free and equal in rights"  apply to the 800,000 enslaved Black people in the country's colonies? Over the next dozen years, revolutionary leaders fought over this question. <i>The First Emancipation</i> tells how French lawmakers initially protected slavery in their constitution but reversed themselves in 1794, making France the first western country to abolish slavery throughout its empire. Yet only eight years later, in 1802, Napoleon tried to force the emancipated Black populations of the colonies back into slavery. His decision led to his first major military defeat and to the proclamation of the independence of the Black nation of Haiti, but also to the reestablishment of slavery in other French colonies, where it would not finally be abolished until 1848.</p><p>The story of how France emancipated its enslaved people and declared them full citizens only to return many of them to bondage, <i>The First Emancipation</i> reveals that the course of abolition in the modern world was more winding and halting than is often remembered.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The lasting impact of historic Portuguese voyages of discovery is unquestionable. The slave trade, the diaspora of the Sephardic Jews, and the intercontinental spread of plants and animals all make clear these voyages' long-term global significance.</p><p><i>Navigations</i> reexamines these Portuguese quests by placing them in their medieval and Renaissance settings. It shows how these voyages grew out of a crusading ethos, as well as long-distance trade with Asia and Africa and developments in map-making and ship design. Malyn Newitt also narrates these voyages of discovery in the framework of Portuguese politics, describing the role of the Portuguese ruling dynasty  including its female members  in the flowering of the Portuguese Renaissance, the creation of the Renaissance state with its distinctive ideology, and in the cultural changes that took place within a wider European context.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>He's back! In this second travel memoir, The Man Without a Plan lands in Belize, a country about which he knows nada. But he quickly amasses an array of new friends  some of whom can even match his penchant for being in a near-constant buzz from industrial-quantity drugs and drink.</p><p>As ever, the characters with whom Steven ingratiates himself become his surrogate (dysfunctional) family. But Tracey, Devonais, Ask Bobby!, Valentino and a pack of kids led by the feral Molokai soon have Steven suspecting that his cheerfully transactional relationships are, in fact, ensnaring him in a web of scams. Will he be left for broke, stranded in this shabby paradise? Is his paranoia justifiable, or the result of continuous cocaine use? His response is to embark with the gang on a road trip along the coast, taking in shantytowns, hotels, beaches and, at a low ebb, jail.</p><p>Coarse, irresponsible and wilfully uninformed, Froelich is nevertheless observant and interested. <i>Belize</i> is about the ways in which chaotic, complex human beings find community, no matter where they're from or where they're headed.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An original conceptual approach to the study of war, attempting to capture the entire phenomenon of military adaptation  whether strategic, institutional or in the field.</b></p><p>The unravelling of the post-Cold War order has intensified geopolitical tensions, driving a global increase in defence spending. Most military organisations are engaged in a process of drastic transformation, trying to scale their activities, learn from contemporary battlefields, and improve readiness. Yet armed forces engaged in such reforms must solve a major dilemma: how to adapt to an uncertain future without losing their current identity, coherence or operational effectiveness.</p><p>In this incisive and timely study, Olivier Schmitt explores how modern militaries adapt, or fail to adapt, to evolving threats, technologies and political constraints. Drawing on global case-studies  from the trenches of Ukraine to the halls of the People's Liberation Army leadership  he investigates how social expectations, political constraints and organisational cultures collide in the worldwide quest to reform the military.</p><p>Essential reading for defence professionals, policymakers and scholars of international security, <i>Preparing for War</i> equips readers with the tools to grasp not only the 'how' but the 'why' behind military transformation. In an era of rising defence budgets and shrinking certainties, this book delivers crucial insights into the future of war  and the institutions that must be ready for it.</p><p><b>'Effective military change is central to success in war. Schmitt provides a powerful analytical framework for understanding how armed forces adapt and when they innovate. He shows how technology, civilmilitary relations and organisational flexibility interact to drive change. In the era of the Ukraine War, this book is indispensable.'</b> <b> Theo Farrell, Vice-Chancellor and President, La Trobe University</b></p><p><b>'Schmitt's dissection of the mechanics and dynamics of military transformation are particularly helpful for planners and practitioners. He offers a timeless analytical grid focusing on cognitive, institutional and relational structures applicable to our current context of major and multi-dimensional systemic change. A tall task and an original approach, masterfully accomplished.'</b> <b> Beatrice Heuser, Head of Strategy, General Staff College of the German Bundeswehr, and author of</b> <b><i>Flawed Strategy: Why Smart Leaders Make Bad Decisions</i></b></p><p><b>'A first-rate analysis of change across the full spectrum of war, from adapting to various types of conflict to understanding the influence of military cultures. Schmitt examines the latest developments for the integration of AI, dual-use technologies and future systems warfare: essential reading for the modern strategist.'</b> <b> Rob Johnson, Director of the Changing Character of War Centre, University of Oxford</b></p><p><b>'An indispensable guide for leaders who must resolve the enduring tension between exploiting existing capabilities and exploring novel solutions. Comprehensive yet practical, enthusiastically recommended for institutional leaders and students of innovation.'</b> <b> Frank Hoffman, author of</b> <b><i>Mars Adapting: Military Change During War</i></b></p><p><b>'In this incisive study, Olivier Schmitt, one of our most readable and informative scholars of modern warfare, explores how modern militaries adapt to evolving threats and technologies. Drawing on global case studies, he examines the collision of organisational culture and political constraints in the quest for transformation.'</b> <b> Peter J. Dombrowski, William B. Ruger Chair of National Security Economics, U.S. Naval War College</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Discover the art of magical figures. <i>On Pins and Needles</i> is a hands-on guide to crafting, empowering, and deploying poppets for real results. This book is rooted in tradition, enriched by personal practice, and designed to empower any witch's craft.</p><p><i>On Pins and Needles</i> is a practical, grounded guide to the powerful magic of poppets and dolls. Blending deep traditional roots with insights from years of personal work, Kamden Cornell offers a thorough exploration of the creation, empowerment, and use of magical figures across a wide range of practices.</p><p>Inside the book, you'll find overviews of materia, construction methods, activation techniques, and deployment strategies-everything needed to bring these magical constructs to life with purpose and precision. The author shares not only time-tested practices but also original charms and workings, many of which appear here for the first time, providing readers with fresh tools to add to their craft.</p><p>Whether you are new to doll magic or seeking to deepen an existing practice, <i>On Pins and Needles</i> serves as both a complete workbook and an inspiring source of ideas. Each page invites you to view effigies and simulacra not simply as vessels of intent but as living participants in your magical work.</p><p>Rooted in traditional frameworks while offering a contemporary, flexible approach, this book supports practitioners across different paths, including witchcraft, folk magic, ceremonial practice, and beyond. Through careful instruction and practical wisdom, it opens the door to a richer, more dynamic relationship with the figures you create and the forces you call upon.</p>]]></Text>
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			<SubjectHeadingText>Alternative credentials; Ben Wildavsky Princeton University Press; Career guidance; Career preparation; College advice; College guidance; College value; Credential value; Credentials,; Education ROI; Higher education; Networking; Norton Field Guide to Writing; Princeton; Social capital; The Career Arts: Making the Most of College,; Upward mobility; Vocational training; Workforce development; Workforce education; after college; and Connections; badges; career prep; college classes; college success; college tips; credentials; getting a job; graduation; graduation gifts; linkedin learning</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A persuasive case for building career success through broad education, targeted skills, and social capital.</b></p><p>Young people coming out of high school today can expect to hold many jobs over the course of their lives, which is why they need a range of essential skills. <i>The Career Arts</i> provides a corrective to the widespread and misleading notion that there is a direct trade-off between going to college and acquiring practical job skills. Ben Wildavsky cuts through the noise and anxiety surrounding this issue to offer sensible, clear-eyed guidance for anyone who is making decisions about education and career preparation with a view to getting ahead in the workforce.</p><p>Drawing on evidence-based research, illuminating case studies, and in-depth interviews, Wildavsky shares the most vital lessons of what he calls the career arts, which include cultivating a mix of broad and targeted skills, taking advantage of employer-funded education benefits, and preparing for the world as it is, not as you wish it could be. He explains why college remains the gold standard of credentials, and presents the most promising high-quality supplements and alternatives to college that can help learners combine general and job-specific skills. He shows how building social capital is also critical to success, particularly for disadvantaged students.</p><p>An invaluable guidebook for students, parents, counsellors, and educators, <i>The Career Arts</i> reveals why college education and job preparation are not either-or propositions and identifies the blend of education and networking needed to support real-world career aspirations.</p>]]></Text>
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			<SubjectHeadingText>Addiction; Addiction by Design: Machine Gambling in Las Vegas; addition; alcohol Anonymous; bond; bonding; community; compulsive; connective; dependency; gathering; guilt; hobby; isolation; judgement; mexico city; narcotics Anonymous; OCD; pastime; pleasure; replacement therapy; shame; solitary; vice; Drug; Refrescos; Renata; Annie; Dolores; Nacolandia; Annemarie; Friends; Devotion; Clemente; Naco; Nati; Colonia; Periferico; Colonia periferico; Panic; Coke; Possessive; Klonopin; Devotional; Plastic; Violence; Yankee; Addictive; Sra nati; Cristian; Activo; Soda; Judgement; Kitchen; Alma; Candace; Anxiety; Ponies; Cream; Inner yankee; Bottle; Carmen; Band; Mexican; Fruit; Coca cola; Ice cream; Solitude; Heroin; Belem</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A transformative way of understanding addiction  and an invitation to find connection in the pleasures of life we know are bad for us.</b></p><p>Elizabeth Roberts has experienced the suffering wrought by addiction: her sister's destructive alcoholism and dependency on prescription drugs, her mother's hoarding, and her own struggles with binge eating. As for so many of us, addiction brought about self-loathing, reflecting her individual failure to exercise self-control, to keep it together. But during her fieldwork studying chemical exposure in Mexico City, her sense of addiction got turned upside down. She witnessed her neighbours, both young and old, defiantly celebrate their compulsive dependencies on alcohol, drugs, and junk food instead of hiding them in shame. Roberts began to wonder if everything she thought she knew about addiction was wrong.</p><p><i>In Praise of Addiction</i> shares the unexpected journey that led Roberts to a new understanding of addiction. Taking lessons from her years in Mexico City as well as from addiction researchers, harm reduction activists, and scholars of religion, philosophy, and anthropology, Roberts pays close attention to the external forces that so often fuel the damage of addiction. As her neighbors in Mexico City suggest, the adverse health effects brought on by their dependencies on Coca-Cola, processed foods, drugs, and alcohol have more to do with the ongoing effects of the drug war and NAFTA than any personal failings. Taking up this ecological framework, Roberts draws a line between vice that isolates and addiction that connects, a distinction she movingly integrates into her own life and family, making a case for sharing in the pleasures  and suffering  of dependency.</p><p>Provocative and deeply humane, <i>In Praise of Addiction</i> invites readers to cast aside the shame, self-hatred, and judgment associated with addiction and discover how dependency can serve as a binding force worthy of our most profound devotion.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An inside look at the work lives of college interns and their uncertain path to paid employment.</b></p><p>While generations of young adults used to spend their summers working as lifeguards or camp counsellors, college students today are more likely to seek office experience as interns. <i>Blame the Intern</i> takes readers into the workspaces of the music industry to show how internships, especially unpaid ones, are problematic introductions to the working world that often provide little valuable training and are unlikely to lead to a job.</p><p>Since the 1980s, shifts in labour markets and careers have made employers less prone to invest in training entry-level employees who may quickly change jobs anyway. In recent decades, higher education has filled the gap, fuelling an explosive growth of internships to facilitate the transition from college to a career. Drawing on in-depth interviews with interns, record label employees, and college personnel, as well as his own experiences as an unpaid intern at two music industry firms in New York City, Alexandre Frenette sheds light on who benefits from the intern economy, who suffers, and why. He finds that internships are rife with ambiguity because employers are neither trained nor greatly rewarded to mentor and colleges are ill-equipped to provide workplace guidance. As a result, there is little consensus about what interns should be doing or what benefits they should be gaining from their experience, which can often lead to inequality, exploitation, and disappointment.</p><p>Timely and provocative, <i>Blame the Intern</i> demonstrates how employers and institutions of higher learning are redefining what it means to break in  and reveals what happens when few can.</p>]]></Text>
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			<SubjectHeadingText>Accumulation; Aesthetic; Allegory; Animal; Apparatus; Arena; Artistic; Artwork; Bees; Beuys; Beuysian; Capital; Capitalism; Capitalist; Circulation; Commodity; Concept art; Conceptual; Concrete; Copper; Death; Deine; Democratic; Ecological; Economic; Exhibition; Fond; Gestaltung; Guggenheim; Honey; Honigpumpe; Iconography; Interpretation; Kunst; Labor; Marx; Metabolism; Metaphor; Metaphorical; Mimesis; Mimetic; Museum; Myth; Nazi; Notion; Oeuvre; Opposition; Pedagogical; Politics; Postwar; Pump; Retrospective; Revolution; Sal; Sculptural; Sculpture; Socialism; Socioplasticity; Symbolic; Tallow; Totality; Trauma; Universal; Unschlitt; Unschlitt tallow; Vitrine; Wax; Wunde; Zeige; Zeige deine</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A groundbreaking study of one of the most important and influential artists of the postwar period.</b></p><p>Joseph Beuys (1921-1986) was one of the most significant artists of the twentieth century  and one of the most controversial. Working in Germany in the aftermath of World War II, he explored a radically expanded concept of art through a practice that ranged from performative actions to large-scale sculptural ensembles. While some contemporaries found his claim that 'everyone is an artist' liberating, even revolutionary, others accused him of fostering a dangerous cult of personality. In <i>Joseph Beuys and History</i>, the first rigorous art historical study of the artist in English, Daniel Spaulding presents a striking new interpretation of Beuys's work and career.</p><p>By putting Beuys in the context of Germany's postwar recovery, Spaulding shows that the artist's superimposed biological, political, and economic metaphors offered a powerful way to think about the trajectory of human freedom, the place of art in capitalist modernity, and the possibility of an ecological aesthetics. At the same time, his oeuvre's disquieting echoes of the Nazi past suggest that not everything could be reconciled in what Beuys called 'social sculpture.'</p><p>A definitive account of an often-misunderstood figure, <i>Joseph Beuys and History</i> proposes an ambitious rewriting of the dominant narrative of modern and contemporary art, drawing from Marxian value-form theory, Hans Blumenberg's 'metaphorology,' and ecological thought. Precisely because Beuys went to the extremes of art, the book demonstrates, he belongs at the center of its history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Daniel Spaulding</b> is assistant professor of modern and contemporary art at the University of Wisconsin-Madison. He is a founding editor of the art history journal <i>Selva</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[An illuminating account of how new knowledge about human respiration impacted architectural design in the early twentieth century.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An illuminating account of how new knowledge about human respiration impacted architectural design in the early twentieth century.</b><br/><i>Breathing Space</i> is a compelling and wide-ranging analysis of pneumatic phenomena in modern culture. Architect and historian Tim Altenhof brilliantly explores the physiology of breathing and its reciprocal relationship to bodies and buildings, both of which share a common atmosphere. Because breathing is controlled by the autonomic nervous system and cannot be willfully overridden, it takes place unconsciously and involuntarily  most of the time. However, beginning in the mid-nineteenth century, attitudes toward breathing changed significantly. Breathing became a widely investigated cultural and physiological phenomenon and was the basis for techniques and bodily practices that heightened pulmonary awareness. New understandings of air pollution and disease stimulated a widespread preoccupation with ventilation, impacting architecture in countless ways. Altenhof's close readings of built structures show how the science of breathing was incorporated into architecture, whether in the design of factories, residences, or medical facilities. The lungs form a major part of the respiratory system and like no other organ tie the living body directly to its surroundings. Yet the role of lungs also poses a topological problem: engaging in atmospheric transfer, they dissolve the division between inside and outside, and despite being an internal organ, they sustain a permanent and living connection to the external world. This ambiguity and permeability constitute the spatial dimension of breathing.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Tim Altenhof</b> is an architect and senior scientist in the Department for Architectural Theory and History at the University of Innsbruck.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>How Third World women seized the means of knowledge production to fight against rising authoritarianism and imagine a future freer than our present.</b></p><p>Beginning in the 1970s, women of the decolonising world offered new visions of liberation that centred the ideas and lives of women. Galvanised by International Women's Year in 1975 and the UN's Decade of Women, Third World women developed novel ideas of equality and self-determination, building a new internationalism in opposition to neocolonialism and postcolonial authoritarianism. In <i>The Future That Was</i>, feminist historian Durba Mitra offers a pathbreaking account of how these women wrote Third World feminism into being, catalysing a momentous expansion of knowledge about women, gender, and sexuality that transformed emancipatory politics across the globe.</p><p>Mitra shows how women from former colonies in South Asia, Africa, the Caribbean, and beyond envisioned a radically just world  and did so by insisting that research on the world's women lay at the heart of debates about global inequality, development, and human rights. Women gathered at international conferences, wrote reports on the dangers facing women, and took to the streets in protest, building a world of knowledge that contested the devastating effects of patriarchy and colonialism. Yet, despite hundreds of laws, institutions, and publications created through the efforts of these women, the future they imagined was never fully realised. <i>The Future That Was</i> transforms the story of decolonisation and its aftermath through the history and ideas of women. By excavating these vital pasts, Mitra shows how we might envision a future of our own that is freer than the present.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An unprecedented art-historical account of practices of image ingestion from ancient Egypt to the twentieth century.</b></p><p>Eating and drinking images may seem like an anomalous notion but, since antiquity, in the European and Mediterranean worlds, people have swallowed down frescoes, icons, engravings, eucharistic hosts stamped with images, heraldic wafers, marzipan figures, and other sculpted dishes. Either specifically made for human consumption or diverted from their original purpose so as to be ingested, these figured artifacts have been not only gazed upon but also incorporated  taken into the body  as solids or liquids.</p><p>How can we explain such behaviour? Why take an image into one's own body, devouring it at the risk of destroying it, consuming rather than contemplating it wisely from a distance? What structures of the imagination underlie and justify these desires for incorporation? What are the visual configurations offered up to the mouth, and what are their effects? What therapeutic, religious, symbolic, and social functions can we attribute to these forms of relations with icons? These are a few of the questions raised in this investigation into iconophagy.</p><p><i>Iconophages</i> aims to retrace, for the first time, the history of iconophagy. Jeremie Koering examines this unexplored facet of the history of images through an interdisciplinary approach that ranges across art history, cultural and material history, anthropology, philosophy, and the history of the body and the senses. He analyses the human investment, in terms of culture and imagination, at stake in this seemingly paradoxical way of experiencing images. Beyond the hidden knowledge unearthed here, these pages bring to light a new way of understanding images, just as they illuminate the occasionally outlandish relations we maintain with them.</p>]]></Text>
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			<Text textformat="02"><![CDATA[McDonald invites us to examine what the huge moods of midlife are really telling us. She offers tools to pick apart the facts behind our feelings from the internalised patriarchal messages that lead us to mistrust and mistreat our bodies and minds.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Finding Our True Selves Amidst Hormonal Chaos, Depression, and Rage</b></p><p>Perimenopause is a time when our souls long for change. The mood swings and physical discomfort can make it feel like our bodies and brains are betraying and victimising us. <i>Our Sacred Cycle</i> author Mary McDonald, a therapist who works with people with PMS, PMDD, trauma, and other reproductive health issues, reframes that betrayal as an intervention. With inclusive language and compassionate, practical understanding, she brings affirmation, insight, and science to help us navigate our out-of-control emotions, let go of what no longer serves us, and step fully into our power and wisdom.</p><p>McDonald invites us to examine what the huge moods of midlife are really telling us. She offers tools to pick apart the facts behind our feelings from the internalised patriarchal messages that lead us to mistrust and mistreat our bodies and minds. The map she draws for our journey is one of shadow work and soul retrieval, a hero's journey in which we stop trying to 'fix' ourselves and rediscover the person we were supposed to be. The greatest prize is to finally get to meet the wise, experienced, and unapologetically authentic soul we were always meant to become.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mary McDonald</b> is a Licensed Clinical Professional Counselor in Montana, a California registered therapist, and a licensed teacher with master's degrees in counseling psychology and culturally responsive pedagogy. Mary studied depth psychology at Pacifica Graduate Institute, where she learned how psychological healing can occur through exploring the rejected and repressed parts of the self. She speaks about and specialises in treating people who struggle with women's issues including trauma, premenstrual syndrome (PMS), premenstrual dysphoric disorder (PMDD), and hormone imbalance. Using a feminist approach to psychotherapy, she has helped those who struggle with patriarchal oppression find their voice, strength, and inner wisdom. Through her own personal journey to work through PMDD, bulimia, and depression, she found that art, ritual, and depth therapy were necessary tools in empowering her to manage the side effects of hormonal imbalance.</p><p>You can find her online at alpenglowdepththerapy.com</p>]]></Text>
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			<SubjectHeadingText>Addiction; Adolescence; Ancestry; Beirut; Belonging; Childhood; Conflict; Crisis; Culture; Displacement; Emotion; Estrangement; Exile; Faith; Family; Fear; Grief; Healing; History; Hope; Identity; Inheritance; Kuwait; Language; Lebanon; Legacy; Longing; Loss; Love; Memory; Migration; Miscarriage; Motherhood; Myth; Narrative; Palestine; Peoplehood; Place; Rebirth; Redemption; Refuge; Resilience; Scheherazade; Selfhood; Storytelling; Surrogacy; Syria; Tradition; Transformation; Trauma; Womanhood</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[One of TIME's 100 Must-Read Books of 2025 and Electric Lit's Best Nonfiction of 2025The rich and deeply personal debut memoir of motherhood via surrogacy, by award-winning Palestinian-American poet and novelist Hala Alyan.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Finalist, Pulitzer Prize 2026, Memoir or Biography**</b></p><p>At first, Hala's baby is the size of a poppyseed. Then a grain of rice, then a lime. After years of trying for a baby, with one miscarriage followed by another, Hala watches from afar as her daughter grows in the body of another woman, in another country.</p><p>Halais not just awaiting news from the surrogate. She is also holding her breath as Palestine and Lebanon, her estranged homelands, are under fire. She goes for long runs to distract herself. She remembers family stories of grandmothers mapping their lives through a tangle of borders; of eradicated villages, invading armies and places of refuge that proved only temporary; of men who left, women who stayed, and the legacies passed down from one to another.Haladecides to name her unborn child Leila, a thread connecting her daughter to<i>The Thousand and One Nights</i>and the women who save by storytelling.</p><p>A stunningly lyrical and honest quest for motherhood and peoplehood,<i>I'll Tell You When I'm Home</i>is a powerful story of unravelling and becoming, of destruction and redemption, and of homelands lost and recreated.</p><p><b>'A beautiful and intimate memoir of a life in the embrace of stories, Alyan weaves the fine threads of torn and fragmented lives into an irresistible, intergenerational tapestry. I was spellbound from the first page.'  Naomi Klein</b></p><p><b>'A roaring cyclone of memory and imagination and harrowing tribulation. Surrogacy as metaphor for exile. Exile not as a dream for a better life, but as concession, a begrudging necessity. Gaza, San Miguel, Beirut, New York, Damascus  traveling with Alyan's prose is a thrill.</b> <b><i>I'll Tell You When I'm Home</i></b><b> feels as rich and supersaturated as contemporary consciousness itself  I can't stop talking about it.'  Kaveh Akbar</b></p><p><b>'Gorgeously written and compelling,</b> <b><i>I'll Tell You When I'm Home</i></b><b> connects the threads of personal and family histories as its author prepares for motherhood. Hala Alyan is a writer of astounding talent.'  Lisa Ko</b></p><p><b>'A story of the violence of exile over generations, a profound desire for motherhood, as well as surrogacy, addiction and the importance of remembering...a story of war and loss  of country, but also of friends, lovers and ultimately her marriage...questioning and lyrical.' </b> <b><i>The Guardian</i></b></p><p><b>'[A] gorgeous, lyrical memoir...</b><b><i>I'll Tell You When I'm Home</i></b><b> shows the power of even a single narrative to resist the deliberate erasure of a people and their homeland, the violence of colonisation.' </b> <b><i>The New York Times Book Review</i></b></p><p><b>'[A] lyrical memoir that explores the trauma of fractured identity.' </b> <b><i>Los Angeles Times</i></b></p><p><b>'A poignant exploration of her tumultuous path to parenthood, identity, and displacement...More than a story of motherhood and exile,</b> <b><i>I'll Tell You When I'm Home</i></b><b> is a testimony of everything at once...a moving tribute to the strength of those forced from their homelands and ruthlessly exploited, as well as a celebration of women's determination to survive and thrive.' </b> <b><i>The New Arab</i></b></p><p><b>'Alyan's poetic prose encapsulates miles in each sentence and paragraph; joyfully, revisiting a passage is another chance at uncovering a new gift. Her nonfiction narrative voice allows the poet in her to shine, especially as each chapter is told in a series of short glimpses weaving together past and present, the old and the new Hala... With</b><b><i>I'll Tell You When I'm Home</i></b><b>, Alyan has created a record, a story to communicate with those departed and those new to life. In the process, her work is an antidote for others searching for a home they never asked to lose.' </b> <b><i>Chicago Review of Books</i></b></p><p><b>'Hala Alyan writes with sinew and tender force as she masterfully braids the delicate filaments that make a self body, home, labor, loss  in such a way that the reader can never again disentangle them. This book is a gift, an offering of abundant beauty, full of deep insight into the intricacies of motherhood.'  Alexandra Kleeman</b></p><p><b>'</b><b><i>I'll Tell You When I'm Home</i></b><b> is an exquisitely written and unforgettable memoir about what it means to live with the violence and theft of exile and one woman's devotion to restoring her daughter's inheritance through the power of narrative.'  Nadia Owusu</b></p><p><b>'A powerful, magnificently haunting memoir from a writer I always want to read. It's great luck to live in a time when Hala Alyan is writing. Get ready to be astonished.'  R. O. Kwon</b></p><p><b>'This memoir of pregnancy loss and surrogacy is frantic, intimate, brutal, tender and beautiful. Over the arc of a pregnancy by surrogate, the poet offers up her fragmented heartbreak and kaleidoscopic life. I kept gasping, wanting to close in around Hala, to protect her across time and space from the sharp edges of mother-need inside a body that cannot birth a living baby. She wants her readers in the wound with her, inside the stories that don't get told enough, inside the body-mind of a displaced woman struggling to create something bigger than herself. Brilliant.'  adrienne maree brown</b></p><p><b>'Alyan's writing doesn't offer easy answers; it gives voice to the ache and beauty of diasporic existence.' </b> <b><i>VOGUE Arabia</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Hala Alyan</b> is a Palestinian-American writer and poet. Her novels include <i>The Arsonists' City</i> and <i>Salt Houses</i>, winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a Chautauqua Prize finalist. Her work has been published by <i>The New Yorker, The New York Times, The Guardian</i> and <i>Guernica</i>. She lives in Brooklyn, where she works as a clinical psychologist and professor at New York University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[After the Rain documents the creative processes of 10 contemporary art projects commissioned for the National Gallery of Australia's major recurrent exhibition dedicated to First Nations art and artists in Australia, the National Indigenous Art Triennial.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Highly commended, Australian Book Design Awards 2026, Best Designed Catalogue/Exhibition Book**</b></p><p><b>'As an artist I produce a visual journal for most of my works. The journal for</b> <b><i>After the Rain</i></b><b> became my tool for communicating with artists, highlighting the immersive potential of the exhibition spaces, and encouraging artists to utilise these fully.</b></p><p><b>As the first artist-led Triennial, thinking and working differently was important. The journal was a visual medium to express ideas, and the publication grew from that, becoming a deeper exploration and reflection of the exhibition.'</b></p><p><b> Tony Albert, Girramay/Yidinji/Kuku-Yalanji peoples</b></p><p><i>After the Rain</i> documents the creative processes of 10 contemporary art projects commissioned for the National Gallery of Australia's major recurrent exhibition dedicated to First Nations art and artists in Australia  the National Indigenous Art Triennial.</p><p>Edited by the Triennial's Artistic Director Tony Albert and long-time collaborator Sally Brand, the publication shares stories of artistic collaborations, longstanding friendships and generational practices from Erub, the most north-eastern island in Zenadth Kes/Torres Strait, to Ntaria/Hermannsburg in Central Australia and Naarm/Narrm/Melbourne.</p><p>Alongside artist profiles, the publication includes commissioned essays addressing legacies, identities and climate change by contributing First Nations writers Bruce Johnson McLean, Jilda Andrews, Daniel Browning and Yessie Mosby. Original portraits of the exhibition's artists by the celebrated Western Aranda painter Vincent Namatjira punctuate a vibrantly illustrated publication.</p><p>The publication is accompanied by a pull-out map created by Tony Albert showcasing his travels across Australia to meet with artists and their communities.</p><p><i>After the Rain</i> invites readers to engage with First Nations art and artists and acknowledge and celebrate the cultural warriors of the past, present and future.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Everywhen</i> asks how knowledge systems of Aboriginal people can broaden our understanding of the past and of history. Indigenous ways of knowing, narrating, and re-enacting the past in the present blur the distinctions of time, making all history now, with questions of time and language at the heart of Indigenous sovereignty.</p><p>Edited by Ann McGrath, Laura Rademaker, and Jakelin Troy, this collection draws attention to <i>every</i> when showing us that history is not as straightforward as some might think.</p><p><b>'"Everywhen" is a term less known to most Australians than its close relation, "The Dreaming", but it evokes something of the richness of Indigenous understandings of time, place and spirit. This impressive collection of essays</b> <b>-</b> <b>the work of Indigenous and non-Indigenous authors writing from a range of fields and perspectives</b> <b>-</b> <b>invites us to rethink how we imagine not only Australian history but the nature, meaning and purpose of history itself.' - Frank Bongiorno</b></p><p><b>'A timely book that challenges ways of thinking about the past and of historical practice. It speaks to the individual via first-person narratives and the collective</b> <b>-</b> <b>discussing groups and populations, and weaves the two together in a meaningful, informative manner.</b> <b><i>Everywhen</i></b> <b>offers a fresh reflection on languages, histories and practices that readers will find interesting and informative.' - Bronwyn Fredericks</b></p><p><b>'A powerful book about the inter-connectedness of story, language, time, Country, and heart.' - Terri Janke</b></p><p><b>'At the cutting edge of contemporary scholarship,</b> <b><i>Everywhen</i></b> <b>highlights the limitations of conventional history and significantly expands our understanding of Indigenous concepts of time. This is a path-breaking collection of essays that is essential reading for Australian and international scholars.' - Mark McKenna</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ann McGrath</b> is the Kathleen Fitzpatrick Australian Research Council Laureate Fellow and a Distinguished Professor at Australian National University. She is co-editor of <i>Routledge Companion to Global Indigenous History</i>.</p><p><b>Laura Rademaker</b> is Australian Research Council Discovery Early Career Research Fellow at the Australian National University. She is the author of <i>Found in Translation: Many Meanings on a North Australian Mission</i>.</p><p><b>Jakelin Troy</b> is the director of Indigenous research at the University of Sydney. She is editor in chief of <i>ab-Original: Journal of Indigenous Studies and First Nations and First Peoples' Cultures</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Acclaimed historian Henry Reynolds turns Australian history on its axis in a ground-breaking exploration of how colonisation north of the Tropic of Capricorn was very different to the southern states.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Victorian Premier's Literary Awards 2026, Non-Fiction**</b></p><p><b>Henry Reynolds' ground-breaking re-examination of Australian colonisation from the north down.</b></p><p>When acclaimed historian Henry Reynolds moved from Hobart to Townsville to teach Australian history in the 1960s, he discovered the books of the period covered very little about northern Australia and First Nations peoples. He set out to help remedy the situation and ended up transforming Australian history in ways he could never have imagined.</p><p>In <i>Looking from the North</i>, Reynolds again turns Australian history on its axis with an exploration of colonisation north of the Tropic of Capricorn. Reynolds tells the stories of the European, Chinese, Japanese and Pacific Islander people who were vital to the settlement of the north. Along with the experience of First Nations peoples, from employment on stations and as native police to the land rights and homelands movements, Reynolds shows how the colonisation of the north, officially beginning in 1861, was a very different venture to settlement in the south. He argues that it provides profoundly important lessons for the world we live in today.</p><p><b>'This book is another masterpiece by Henry Reynolds. It combines the personal with the professional historiography that trademarks his work. The skilful and meticulous detail of his writing will once again inform Australians that truth can heal this nation.'  Jackie Huggins</b></p><p><b>'Henry Reynolds was at the vanguard of young historians who burst onto the scene in the 1970s to shake the foundations of Australian history.</b> <b><i>Looking from the North</i></b><b> explores "national history from the north down", yet again challenging Australia's past. Meticulously researched and written, this latest work by Reynolds deserves its place alongside his other groundbreaking histories.'  John Maynard</b></p><p><b>'Henry Reynolds' map-flipping, mind-bending, gravity-defying book turns our colonial and national history on its stubborn head. By geolocating the axis of Australia's imperial enterprise in the continent's north, Reynolds challenges conventional assumptions of centre and margin; the value-laden hierarchy of proximate and remote. In doing so, the master storyteller changes the status of the people, power and perspectives that have shaped the nation's political trajectory. A radical revision of the past and a timely cartographic and conceptual blueprint for repositioning future relationships to law, sovereignty and country.'  Clare Wright</b></p><p><b>'What we call history is a thing greatly influenced by perspective. In his extraordinary career, historian Henry Reynolds has done more than most to change the perspectives that have led to accepted accounts of post-colonial Australia that have ignored the true and often violent nature of colonial occupation and dispossession in this country. With this new book,</b> <b><i>Looking from the North</i></b><b>, he flips the map to show just how much of the story of Australian colonialism and Indigenous post-colonial history is told from the vantage point of south eastern Australia. Looked at from north of the Tropic of Capricorn a new, revelatory and profoundly significant perspective emerges. That is the story of this remarkable book.'  VPLA judges' report</b></p><p><b>'This book is yet another of Reynolds' deeply rewarding studies.'  Raymond Evans, </b><b><i>The Conversation</i></b></p><p><b>'I can't recommend this book highly enough.'  Judith Brett, </b><b><i>The Saturday Paper</i></b></p><p><b>'In </b><b><i>Looking from the North</i></b><b>, Reynolds returns to his point of departure. What began in 1965 as the researching, writing, and teaching of 'local history' gradually came to spur the rewriting of the nation's history.'  Mark McKenna, </b><b><i>ABR</i></b></p><p><b>'</b><b><i>Looking from the North</i></b><b> is hailed as an immediate classic.'  Glyn Davis, </b><b><i>Inside Story</i></b></p><p><b>'The shift in perspective induced by this revelatory work of Australian history is nothing short of vertiginous.'  </b><b><i>The Sydney Morning Herald</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Henry Reynolds'</b> trailblazing work has changed the way we see the intertwining of black and white history in Australia. His books with NewSouth include T<i>he Other Side of the Frontier</i> (reissue); <i>What's Wrong with Anzac?</i> (as co-author); <i>Forgotten War</i>, which won the Victorian Premier's Award for Non-Fiction; <i>Unnecessary Wars</i>; <i>This Whispering in Our Hearts Revisited</i>; <i>Truth-Telling: History, Sovereignty and the Uluru Statement</i>; and, most recently, <i>Tongerlongeter: First Nations Leader and Tasmanian War Hero</i> (as co-author).</p>]]></Text>
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			<SubjectHeadingText>Aboriginal Land Rights; Aboriginal Land Rights Act 1983; NSW Aboriginal history; land councils; land rights; local area land councils; Aboriginal land rights; Aboriginal Land Councils; water management; people; cultural; Indigenous; government; planning; ALRA; Aboriginal Land Rights Act; heritage; land title; native title; community; development; state; NSWALC; economic management; colonial dispossession; land restitution; land claim; self-determination; Treaty</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Land Back tells the story of the work that has been done, and is yet to be done, to get land back.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Aboriginal land rights recognition in 1983 came after nearly 200 years of violent colonial dispossession and the near complete loss of land. For over 40 years, NSW Aboriginal people have worked to restore their Country and people.</p><p>The Aboriginal Land Rights Act in NSW includes unique features that remain unrealised in other parts of the country. The laws announced the policy of self-determination, compensation for loss, a land claims process, support for enterprises and the establishment of a network of land councils. Today there are 120 land councils that operate across the state.</p><p>Yet significant features of the land rights promise remain outstanding. Less than 1 per cent of the state has been restituted to Aboriginal land councils, with tens of thousands of land claims yet to be determined.</p><p>In <i>Land Back</i>, Professor Heidi Norman, a leading expert on Aboriginal political history, has brought together voices at the forefront of the land rights movement, including lawyers, NSW Aboriginal Land Council Youth Committee members, students, academics, activists and organisers, to share the successes, failures and possible futures of NSW land rights.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Heidi Norman</b> is a descendant of the Gomeroi people of north-western NSW. She is a professor at UNSW and a leading researcher in the field of Australian Aboriginal political history. She has published widely on histories of Aboriginal land rights, Aboriginal participation in Rugby League, studies of media representation, the history of Aboriginal working life in cities and political history of Aboriginal affairs administration. She is the director of the Indigenous Land and Justice Research Group and has advised government and Aboriginal peak bodies. Most recently, she contributed to development of the Australian Government's First Nations Clean Energy Strategy.</p>]]></Text>
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			<SubjectHeadingText>assimilation; activisim; politics; AIM; citizenship; petition; Stolen Generations; aboriginal; lobbying; dispossession; missions; right to vote; land rights; Worimi; Aborigines Protection Board; child removal; Aboriginal Progressive Association; AAPA; 1967 referendum; racism; enfranchisement; history; relocation; reserves; legislation; rights</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Opposition to the British colonisation of Australia did not spring from the Mabo decision or the Native Title Act, nor was it born in the vibrant 1960s which culminated in the famous Aboriginal tent embassy in 1972.</p><p>Rather, the first politically organised and united all-Aboriginal activist group was the Australian Aboriginal Progressive Association (AAPA), begun in 1924 under the leadership of Frederick Maynard.</p><p>For the first time Aboriginal people voiced their disapproval in public in a well-organised way. They opened offices in Sydney, held street rallies, conducted public meetings, gained newspaper coverage, wrote letters and petitions to Government at all levels, and collaborated with the international black labour movement. The AAPA's demands still resonate today. They centred on Aboriginal rights to land, stopping Aboriginal children being taken from their families, the acquisition of citizenship rights, and defending a distinct Aboriginal cultural identity.</p><p>This form of resistance and organised action has now endured for more than 100 years. In this exploration of the life and times of his grandfather, John Maynard uncovers the AAPA's invaluable legacy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John Maynard</b> is a Worimi historian, researcher and commentator from the Port Stephens region of New South Wales. He has worked with urban, rural and remote Aboriginal communities. His previous 15 books explore Aboriginal political and social history, and Australian race relations and include Aboriginal Stars of the Turf, Fight for Liberty and Freedom, The Aboriginal Soccer Tribe, Aborigines and the Sport of Kings, True Light and Shade Living with the Locals and Socceroos a World Cup Odyssey Vol 1 &amp; 2. He has held several major positions and served on prominent organisations and committees, including Deputy Chair of the Executive Committee of the Australian Historical Association. He was the recipient of the Aboriginal History (Australian National University) Stanner Fellowship 1996, and the New South Wales Premier's Indigenous History Fellow 2003, University of Newcastle Researcher of the Year 2008 and 2012. He is a member of the Australian Social Sciences Academy and a Fellow of the Australian Academy of the Humanities.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Beyond the generalisations of national and colonial history, what can we know about how Aboriginal nations interacted with the British settlers who invaded their country, the men appointed by the imperial and colonial governments to protect them, and each other?</p><p>In The Good Country Bain Attwood makes a major contribution to our knowledge of this period by providing a superbly researched, finely grained local history of the Djadja Wurrung people of Central Victoria.</p><p>The story is a shocking one, of destruction, decimation and dispossession, but, equally powerfully, it is not one of unceasing conflict. With reference to an unusually rich historical record, concepts such as the frontier and resistance emerge as inadequate in this context. Attwood recovers a good deal of the modus vivendi that the Djadja Wurrung reached with sympathetic protectors, pastoralists and gold diggers, showing how they both adopted and adapted to these intruders to remain in their own country, at least for a time.</p><p>Finally, drawing past and present together, Attwood relates the remarkable story of the revival of the Djadja Wurrung in recent times as they have sought to become their own historians.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Bain Attwood</b> is Professor of History at Monash University and has held fellowships at the University of Cambridge and Harvard University. In 2010 his book <i>Possession: Batman's Treaty and the Matter of History</i> won the Ernest Scott Prize for the most distinguished contribution to the history of Australia or New Zealand or colonial history. He has written many books, including the acclaimed biography <i>William Cooper: An Aboriginal Life Story,</i> about the inspirational Aboriginal leader William Cooper, and co-edited <i>Telling Stories: Indigenous History and Memory in Australia and New Zealand</i> and <i>Protection and Empire: A Global History</i>.</p>]]></Text>
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			<BiographicalNote textformat="05"><![CDATA[Steven Dixon Japanangka was a senior Warlpiri Elder who was involved in community programs such as those to prevent family violence. He lived in Lajamanu community with his family, and passed away in 2023.]]></BiographicalNote>
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			<Text textformat="02"><![CDATA[*Yuupurnju: A Warlpiri song cycle *documents a ceremonial song cycle situated within the traditional kurdiji "shield" ceremony, as sung by Warlpiri Elder Henry Cooke Anderson Jakamarra at Lajamanu, Northern Territory, in 2013.The song cycle relates to a women's jukurrpa *Dreaming narrative, and tells the story of a group of ancestral women on a journey across the country. Jakamarra performed the songs (recorded by Carmel O'Shannessy) to make them available to the Warlpiri community and the wider public. *Yuupurnju: A Warlpiri song cycle includes the words of the songs in Warlpiri, interpretation in English as given by the singer, Jakamarra, and Warlpiri Elders Jerry Patrick Jangala OAM, Wanta Stephen Patrick Pawu-Kurlpurlurnu Jampijinpa and Steven Dixon Japanangka, and detailed musical notation by ethnomusicologist Myfany Turpin. It includes a foreword by two senior custodians, Jerry Patrick Jangala OAM, and Wanta Jampijinpa.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Yuupurnju: A Warlpiri song cycle</i> documents a ceremonial song cycle situated within the traditional <i>kurdiji</i> "shield" ceremony, as sung by Warlpiri Elder Henry Cooke Anderson Jakamarra at Lajamanu, Northern Territory, in 2013.</p><p>The song cycle relates to a women's jukurrpa Dreaming narrative, and tells the story of a group of ancestral women on a journey across the country. Jakamarra performed the songs (recorded by Carmel O'Shannessy) to make them available to the Warlpiri community and the wider public.</p><p><i>Yuupurnju: A Warlpiri song cycle</i> includes the words of the songs in Warlpiri, interpretation in English as given by the singer, Jakamarra, and Warlpiri Elders Jerry Patrick Jangala OAM, Wanta Stephen Patrick Pawu-Kurlpurlurnu Jampijinpa and Steven Dixon Japanangka, and detailed musical notation by ethnomusicologist Myfany Turpin. It includes a foreword by two senior custodians, Jerry Patrick Jangala OAM, and Wanta Jampijinpa</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Henry Cook Anderson Jakamarra</b> was a senior Warlpiri knowledge holder who lived in the Tanami Desert, maintaining and teaching traditional Warlpiri knowledges.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>What the Colonists Never Knew</i> paints a vivid picture of what it was like to grow up Aboriginal in Sydney, alongside the colonists, from 1788 to the present.</b></p><p>Dennis, the grandson ofClarice Malinda Lougher, the last practising matriarch of the Gai-mariagal clan, was immersed in cultural knowledge and lore from an early age.Through his eyes we see a Sydney of totemic landscapes resonating with ceremonial sites and ancestral activity, song-lines and walking tracks, habitat caves and middens, and share memories of what has been lost.</p><p>At Narrabeen camp in the 1950s we meet Uncle Willie de Serve, a man who wore the scarifications of his ritual life and mentored the young Dennis. 'His face was alive with a thousand stories.'</p><p>Dennis also introduces us to Nanna Watson, who lived in a little humpy at Car-rang gel (North Head). 'On a hot summer's afternoon, she would hitch her dress up round her knees and wriggle around in the sand to get a couple of ugaries (pipis), chew one up and spit it into the water and put the other one on the line, and before you knew it she'd have a big whiting or a bream.'</p><p>Through the stories so generously told we may reflect on what it means to be a stolen child and one of the 'silent generations', and to fight to safeguard culture and identity. We can sense the responsibility of being the senior Gai-mariagal and the last of the storytellers, and the urgency to document and share the knowledge bestowed on him by generations of his family.</p> <p><b>'This is a mesmerising read. It flows from rich anecdotal remembrance loaded with song and lore to incisive commentary about legislation and then slips seamlessly into detailed evocation of pre-colonial life. I have always loved Foley's ability to bring a story to life and Read's measured but uncompromising analysis ... I love this bloody book.' - Bruce Pascoe, author of <i>Dark Emu</i></b></p><p><b>'There has never been a book like this before. Dazzling, revelatory, unheralded.' - Melissa Lucashenko, author of <i>Mullumbimby </i>and <i>Too Much Lip</i></b></p><p><b>'Come into this book to find a Sydney that many of us have never seen. This is a Sydney which to this day belongs to a network of vivid, tenacious, funny and courageous Aboriginal people. Dennis and Peter are both master storytellers and they bring to us the rich and moving stories of people who lived on and travelled around the paths and waterways of the city, to keep close to the people and country they cared about.' - Heather Goodall, author of <i>Invasion to Embassy</i>&amp;nbsp;and <i>Rivers and Resilience</i></b></p><br/> <br/>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Redtails in the Sunset</i> follows the story of an Aussie rules football team from Central Australia fighting to enter the game's final frontier and play in the Premier League in Darwin.</p><p>This book tells the gripping tale of a mighty four-year effort to take a rag-tag bunch of footy part-timers and community Countrymen head-to-head against their semi-professional city-cousin counterparts.</p><p>Coming up against the 'butterfly effect' of a rising bloc of south Asian nations, a footy chief whose inbox was redlining, flight timetable changes and a Red Centre 'jewel' that sat so close yet so agonisingly far, local representative football has never been so thrilling.</p><p>Wadjarri-Tharrgari man and long-time sportswriter Darren Moncrieff brings together his journalistic skills, love for Australian rules football and keen eye for humour to tell the inspiring story of the Redtails.</p><p>To this day, the Redtails legacy lives on through the Redtails Pinktails Right Tracks Foundation, which mentors and helps young people in Alice Springs, Tennant Creek and remote communities gain employment and become community leaders. Now a Central Australian success story, this is where its story began.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Aboriginal art practices in southeast Australia are celebrated in ngargee where each of the nine chapters is the result of an intercultural collaboration. Art is at the centre of the book, particularly the creative practice of influential matriarch Maree Clarke.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Aboriginal art practice in southeast Australia is dynamic, innovative and powerful. This is clear from the diverse artworks in this book which celebrate contemporary Aboriginal artists and their continuation of Ancestral knowledge. The artworks shown are accompanied by commentary and analysis unpacking complex issues related to First Nations art-making and culture-making.</p><p>A guiding theme is the creative practice of internationally renowned artist Maree Clarke (Mutti Mutti/ Wamba Wamba/ Yorta Yorta/ Boonwurrung). Maree's talent for collaborations and passion for reclaiming and reviving arts practices over almost forty years has seen her recognised as a leading southeast Australian artist, with invitations to work in France, Italy, Japan, Cuba, UK, Canada and the USA.</p><p><i>ngargee </i>is a collection of intercultural partnerships that prioritise learning with and about First Nations artists to support Indigenous knowledge systems. These engagements take us from possum skin cloak-making in modern-day Melbourne, to 19th century German paintings, to sharing the knowledge and art of feather flower-making revivified in Maree's backyard. Each chapter showcases southeast Australian contemporary Aboriginal creatives with international and Australian co-producers.</p><p><i>ngargee</i> presents a model of intercultural collaboration led by Aboriginal artists and knowledge holders. Southeast Australian Aboriginal art here receives the attention and celebration it so richly deserves. This vibrant and multivocal collection is an indispensable resource for all Australian museums and galleries, and anyone who wants to learn more about contemporary First Nations art.</p><p><i>ngargee</i> means coming together to celebrate in Boonwurrung language, where celebrations are accompanied and demonstrated through the act of making art. Just as art and culture cannot be separated, neither can celebration and art-making.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Frances Edmonds </b>is an interdisciplinary scholar working mainly in the field of anthropology. Her work is collaborative, participatory and community based. Her research interests include art and wellbeing; decolonising methodologies; the creative use of digital technologies; visual studies; oral history and storytelling; cultural revitalisation and the archival and ethnographic record; and the intersection between Indigenous and Western knowledge systems. She was the senior research fellow on the Australian Research Council (ARC) Indigenous Discovery Project, 'Storytelling and the Living Archive of Aboriginal Knowledge' (2020-24). Between 2014 and 2017, she worked closely with First Nations young people at Korin Gamadji Institute, Melbourne, supporting collaborative research throughout the ARC Linkage project 'Aboriginal Young People and Digital Storytelling'.</p><p><b>Sabra Thorner</b> is a cultural anthropologist who has worked with Indigenous Australians for more than twenty years, focusing on photography, digital technologies and archiving as forms of cultural activism. In the past few years, her work has increasingly turned towards collaborative and decolonising methodologies in both research/writing and in teaching/learning. She is especially interested in contemporary arts and cultural production, matriarchal forms of knowledge transmission, and storytelling as an expression of Indigenous sovereignty. She's held fellowships from AIATSIS, Fulbright, Mellon, the Smithsonian and Wenner-Gren, and has published her work in Museum Anthropology, AnthroVision, The Journal of Material Culture, Oceania and Visual Anthropology Review. She is an assistant professor at Mount Holyoke College.</p><p><b>Maree Clarke </b>(Yorta Yorta/Wamba Wamba/Mutti Mutti/Boonwurrung) is an artist and curator who grew up in Mildura (northwest Victoria), on the banks of the Murray River, and who has been living and working in Melbourne for over 30 years. She has become a pivotal figure in the revitalisation of southeast Australian Aboriginal art and cultural practices. This includes possum skin cloaks, kangaroo teeth necklaces, eel traps, kopi mourning caps and much more  in both traditional materials and contemporary, such as glass and 3D printing. Her practice includes lenticular prints, 3D photographs and photographic holograms, as well as painting, sculpture and video installation. The through line of her work is to facilitate intercultural dialogue and collaboration about the ongoing effects of colonisation, while simultaneously providing space for Aboriginal people and communities to engage with and mourn the impact of dispossession and loss. She is deeply committed to transmitting knowledge to younger generations (and anyone else who is willing to learn). Clarke has exhibited her work widely in Australia and beyond, and her work is held by the Koorie Heritage Trust, Museums Victoria and the National Gallery of Australia. In 2021, her work was featured in a major retrospective, Ancestral Memories, at the National Gallery of Victoria. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>It's here!</b></p><p><b>Ikuntji Artists presents</b><b><i> Ikuntji Textiles</i></b><b>, a book about the development of the designs, their stories and the artists behind them, and the collaborations.</b></p><p>This full colour publication gives an insight into our range of wearable art textiles. Texts included range from interviews with our artists in Luritja and English, expert voices in the field of textile design, collaborators and our staff who have been on this journey with us.</p><p>This book is the result of years of artistic workshops and the recording of stories with the artists. It is self published by Ikuntji Artists through the support of donors. The research is funded by Indigenous Languages and Arts funding.</p>]]></Text>
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		<ContributorStatement>Megan Morais, Lucy Nampijinpa Martin, Peggy Nampijinpa Martin, Marilyn Nampijinpa Martin, Leah Nampijinpa Martin, Helen Napurrurla Morton, Janet Nakamarra Long, Maisie Napaljarri Kitson, Maureen Nampijinpa O'Keefe, Clarrie Kemarr Long, Jeannie Nampijinpa Presley, Marjorie Nampijinpa Brown, Selina Napanangka Williams, Myfany Turpin</ContributorStatement>
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			<SubjectHeadingText>Aboriginal culture; Aboriginal dance; Aboriginal songs; Dreaming; Indigenous knowledge; Tanami; TanamiAillowra; Warlpiri; Warlpiri language; art history; body designs; jukurrpa; visual anthropology; women's ceremony</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Warlpiri people commemorate and maintain their relationship with their ancestors and the natural order of the cosmos by re-enacting the events of the Jukurrpa (the Dreaming). They do this, in part, by painting up while singing pertinent songs, as well as performing dances and ritual actions sanctioned by the Jukurrpa.</p><p>From May 1981 to June 1982, ethnochoreologist Megan Morais lived in Willowra in the Northern Territory, working with the Warlpiri community. The Warlpiri women and Megan worked as an impromptu team documenting their dances as performed in yawulyu  women's ceremony  as well as documenting traditional movement patterns.</p><p>Warlpiri women in Willowra generously and with trust, shared their music, songs, dances, designs and associated knowledge of yawulyu which is now being returned to them.</p><p>A recent collaboration between Megan and musicologist Myfany Turpin and the Willowra community has resulted in this book which provides the means for current and future generations to access the knowledge shared by the Warlpiri women.</p><p>Women of land-owning groups who have inherited sovereignty, and other important women in the community, have granted permission to publish the designs, songs and jukurrpa stories in this book. More than that, they urged publication so they would have a resource to teach their children and grandchildren. The co-authors each contributed to the book according to their authority, knowledge and strengths.</p><p>Proceeds from sales of this book will be returned to the Warlpiri community.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Megan Morais</b> is an ethnochoreologist and teacher of dance and religion. Through various grants, she has documented dances of several Indigenous Australian groups, including Nunggubuyu, Wanindilyaugwa (Anindilyakwa), Antikirinya, Yanyuwa and Warlpiri. She was a visiting researcher at the University of New England and The University of Sydney and has published several articles in academic journals and encyclopedias.</p><p>The late<b> Lucy Nampijinpa Martin</b> was an integral part of the women's business (ritual ceremony and activity) documented in 1981-82. She has been essential in the repatriation of materials to the community. As one of the leading business women in Willowra she was the one who knew the songs, designs and dances. Lucy's work features throughout this book  it includes the designs she drew from 1981-82 and the songs she sang then, and sang later for recording purposes. Sadly, Lucy passed away in 2024. Her legacy lives on in the ceremonial knowledge she has shared in this book</p><p><b>Myfany Turpin</b> is a musicologist, linguist and associate professor at The University of Sydney where she conducts fieldwork on languages and songs of Central Australia. She has published extensively on Aboriginal song-poetry and publishes in the fields of music, linguistics and ethnobiology. She is the co-author of <i>Yaru! Gudjal learner's guide and dictionary</i> (Aboriginal Studies Press 2023).</p>]]></Text>
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			<SubjectHeadingText>First Nations; Indigenous; architecture; ceremony; colonisation; contemporary art; genocide; installation; landscapes; memorials; painting; performance; photography; sculpture; truth-telling; walking; war</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[marramarra highlights contemporary Indigenous art from across the planet and how artists and their communities are providing truth-telling about the past and inspiration to imagine better futures.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Indigenous artists from across the planet provide truth-telling about the past and inspiration to imagine better futures.</b></p><p><i>marramarra</i> (a Wiradjuri word meaning to create, make or do) explores how contemporary Indigenous artists and their communities are revealing hidden histories and finding pathways to healing.</p><p><i>marramarra</i> shares conversations with leading contemporary artists, including Tuppy Ngintja Goodwin (Pitjantjatjara, Arrernte, Australia), Judy Watson (Waanyi, Australia), Rebecca Belmore (Anishinaabe, Canada), Nicholas Galanin (Tlingit and Unangax, Alaska) and Pauliina Feodoroff (Skolt Smi, Finland). Indigenous Elders and knowledge holders also provide insights about important community projects, places of memory and history lessons about colonisation.</p><p>Led by Indigenous voices and presenting ground-breaking artworks from the Pacific, Turtle Island (North and Central America), Brazil, Finland, Taiwan, Afghanistan and beyond, <i>marramarra</i> provides new ways to think about the past and imagine a planet that is bright for Indigenous futures  a place that is better for all.</p><p><b>'Groundbreaking, trailblazing, revolutionary.'  </b><b><i>The Australian Women's Weekly</i></b></p><p><b>'This is art as activism that seeks to open the eyes and hearts of its audience to the vibrancy and wisdom of Indigenous culture, the wrongs of the past and the holistic worldview of these diverse peoples.'  </b><b><i>Sydney Morning Herald/The Age</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[While searching for inspiration for what will be his final work, an unnamed poet and defender of Tasmania's wild places finds himself trapped down an abandoned mine in the island's mountain rainforests.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'If he were to move there was the chance he might fall, perhaps this time to his death, there was no way to know, and for a long time his fear of the unknown kept him locked in place and counting; come, come, come, was it beckoning him over the precipice?'</i></p><p>While searching for inspiration for what will be his final work, an unnamed poet and defender of Tasmania's wild places finds himself trapped down an abandoned mine in the island's mountain rainforests. In the darkness he is visited by memories and voices both from his own past as well as the tortured history of the pillaged landscape to which he has devoted his life and work. Lost in a fever dream, in a single sentence that carries the reader effortlessly along, the poet journeys through a kaleidoscope of Tasmanian history, mining lore, hauntology, poetry, rain and rainbow trout, drilling deep into the contemporaneous horrors of the North Mount Lyell disaster and Mawson's expedition becoming trapped in Antarctic pack ice.</p><p>An unparalleled reading experience, <i>Mine</i> is at once wondrous, terrifying and haunting; a story of environmental vandalism and exploitation as well as a luminous paean to the beauty which persists in a world spinning out of control.</p><p><b>'A wild, ecstatic howl of a book, dense with ideas and emotion and written with a ferocious energy as mesmerising as it is exhilarating.' </b> <b>James Bradley</b></p><p><b>'Comprised of a single sentence, telling a tale that is both historical and hallucinatory, Adam Ouston's extraordinary novel</b> <b>is best described as an experience  a singular take on Tasmania's past of environmental violence, as well as a call to heed the earth's magic.'</b> <b></b> <b>Maria Takolander</b></p><p><b>'Ouston takes antipodean Oulipianism into new terrain, unfurling digression and conjuring connections while maintaining the restraint of a single sentence. The formal restriction is integral, simultaneously evoking the narrator's claustrophobic physical setting while creating room for the spiralling thought-patterns of a mind out of time, travelling everywhere in the terrifying present.'  Michael Winkler</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[Now, Autonomy is a novel about the echoes of the past in the present; about the way in which history repeats, even if the lyrics don't always rhyme.]]></Text>
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			<Text textformat="02"><![CDATA[<p>It's 2024. For Helen, things are going sideways at best. She used to manage a cinema; now she works in a bottle shop. She's moved from her chaotic sharehouse to an anonymous apartment with disaffected sound guy Pat, who only leaves the couch to go to gigs. Meanwhile, her former housemate Sunny continues to obsess over their 'anti-hardcore' band, and has moved in with their drummer, Sio, the only one of them who seems to have their life even halfway together. These characters' lives intertwine through the underground punk scenes of Sydney, a rising protest movement, and their endless efforts to find a creatively fulfilling life in a city which seems to have no interest in supporting any such thing. Then, out of the grimy air of one of the city's worst arterial roads, a dilapidated palace looms: an icon of faded glory, which promises the chance that one last radical act will cement their place in radical history.</p><p>Traversing anarchist collectives and experiments in autonomous living, political protest and DIY activism, Max Easton's third novel continues his thirty-year portrait of working-class life in subcultures and music scenes, exploring intergenerational political solidarity, and the ever-present risk of disillusionment under the heavy hand of the state. <i>Now, Autonomy</i> is a novel about the echoes of the past in the present; about the way in which history repeats, even if the lyrics don't always rhyme.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Helen, Walt and Duncan are looking for ways to entertain themselves in the sprawl of Sydney's western suburbs. Walt, scrappy and idealistic, wants to prove a point, and turns to petty vandalism. His friend Duncan sticks to his fledgling football career, and sexual encounters in strange houses. Walt's sister Helen, restless and seeking something larger than herself, is forced by scandal to leave the family home. As they move into adulthood they gravitate to the dingy glamour of the inner-city suburbs, to escape their families' complicated histories, and in search of new identities, artistic, sexual and political.</p><p><i>The Magpie Wing</i> is set on football fields, in punk gigs, and in dilapidated and gentrifying pubs, moving from the nineties to the present, and between the suburbs and the inner city. Max Easton's debut novel explores how, even in a city divided against itself, disparate communities - underground music scenes, rugby league clubs, communist splinter groups - share unexpected roots.</p><p><b>&amp;#x27;Max Easton's </b><b><i>The Magpie Wing</i></b><b> is a moving portrait of a city and region undergoing enormous change, told through the perspectives of three unique, sympathetic and vulnerable characters...an exciting debut that tells a compelling story...I recommend it to anyone who reads contemporary Australian literary fiction.&amp;#x27; - Brad Jefferies, Books+Publishing</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p></p><p><b>Max Easton</b> is a writer from south-west Sydney. He is the creator of the underground music podcast <i>Barely Human</i>, and the arts journal <i>Tempered</i>. His writing has appeared in <i>Sydney Review of Books</i>,<i> Meanjin</i>,<i> The Lifted Brow</i> and<i> Mess+Noise</i>. He has played in six Sydney punk bands, runs a DIY record label, and appeared in an under-seventeens development squad for the Western Suburbs Magpies in 2003. <i>The Magpie Wing</i> is his first novel.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The new novel from the author of</b> <b><i>The Magpie Wing</i></b><b>, longlisted for the Miles Franklin Literary Award.</b></p><p>It's 2022 and Helen is starting again. Newly single, adrift in a hostile rental market, she finds a four-bedroom house flanked by apartment blocks that stare into the yard. Despite the lack of privacy, she fills its rooms with an unlikely group of residents looking for communal belonging: a zine maker working on a punk music archive; an activist writing about Australian anti-communism; a research scientist striving to put down roots; and a part-time rugby league player who has one chance to play for his country before retirement. Each is looking to build a future, each is haunted by their recent past.</p><p>But if a rented house in Sydney could ever promise salvation, it would come with a coating of black mould. Against the backdrop of pandemic and war, of climate and housing crises, <i>Paradise Estate</i> finds its residents struggling against generational confusion, political indifference and social malaise. When isolation and atomisation are all we've been given, what can be made from building common ground? Written with ironic wit and an eye for contemporary events, Max Easton's second novel sets the pessimism of its times against the optimism of the will.</p><p><b>Praise for</b> <b><i>The Magpie Wing</i></b>:</p><p><b>'An original, exceptional novel.' -</b> <b><i>The Guardian</i></b></p><p><b>'An anxious novel about anxious characters in anxious times. It seeks to register this anxiety in all of its contradictions and complexities, but thankfully does not want to resolve it.' -</b> <b><i>Sydney Review of Books</i></b></p><p><b>'A moving portrait of a city and region undergoing enormous change, told through the perspectives of three unique, sympathetic and vulnerable characters.' -</b> <b><i>Books+Publishing</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Max Easton</b> is a writer from Sydney. His work has appeared in <i>Mess+Noise</i>, <i>The Lifted Brow</i>, <i>Meanjin</i> and <i>Sydney Review of Books</i>. He is the creator of <i>Barely Human</i>, a zine and podcast series exploring underground music's ties to counterculture and subculture. His first novel, <i>The Magpie Wing</i>, was longlisted for the 2022 Miles Franklin Literary Award. <i>Paradise Estate</i> is his second work of fiction.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>INTERNATIONAL BOOKER PRIZE SHORTLISTED 2026</b></p><p>On land where enslaved people were once tortured and murdered, the state built a penal colony in the wilderness, where inmates could be rehabilitated, but never escape. Now, decades later, and having only succeeded in trapping men, not changing them for the better, its operations are winding down. But in the prison's waning days, a new horror is unleashed: every full-moon night, the inmates are released, the warden is armed with rifles, and the hunt begins. Every man plans his escape, not knowing if his end will come at the hands of a familiar face, or from the unknown dangers beyond the prison walls.</p><p>Ana Paula Maia has once again delivered a bracing vision of our potential for violence, and our collective failure to account for the consequences of our social and political action, or inaction. No crime is committed out of view for this novelist, and her raw, brutal power enlists us all as witness.</p>]]></Text>
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			<Text textformat="02"><![CDATA[In Brooklyn, retired doctor Sami drifts into dementia, reliving his life in Iraq. Omar, a scarred deserter seeking a new start, hides his past. When their paths cross, buried memories resurface in this poignant story of exile, war, and the struggle to remember and belong.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Sami, a retired doctor, lives with his son and grandchildren in Brooklyn. But Sami keeps losing his way. Every day he sinks deeper into dementia and old memories of life in Iraq before the war.</p><p>Omar arrives in the US with a fake identity and no friends or family. Having run away from the Iraqi army, he has been branded a deserter and his ear brutally cut off. Omar carries this mark of shame with him and refuses to talk about the past. He dreams of getting his ear, and his dignity, back.</p><p>When their paths cross at least one of them knows that they have met before  if only he could remember where. Exploring the aftermath of war and how the past haunts new beginnings, <i>Notes from a Lost Country</i> creates a moving portrait of life in exile.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>A charming look in poetry and art at the inspirational moments our cats provide us with!</i></b><br/><br/>This beautiful hardcover gift book presents 84 irresistible cats in all their moods, accompanied by original art and haiku poems highlighting the vital life lessons that we can learn from our furry friends.<br/><br/>you've only nine lives;<br/>don't squander even one<br/>on trying to behave!<br/><br/>sniff and walk away;<br/>casual indifference<br/>is so compelling!<br/><br/>curiosity is the<br/>key ingredient to<br/>any life well lived<br/><br/>Meet the rowdy wanderer cat: a model of fearless curiosity. Then there's the mewler, whose piercing cries cannot be ignored   reminding us to be bold and assertive when we need to be. And you'll surely recognize the free spirit feline, who teaches us to follow our fancies wherever they may lead us. Plus dozens of other inspirational cat characters and personalities!</p><p><br/><b>Acclaimed artist C. B. Fraser uses India ink and antique Japanese prints to create her inspiring cat collages. This one-of-a-kind tribute will be treasured by cat lovers and poetry fans alike!</b></p>]]></Text>
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			<SubjectHeadingText>Ali Smith; Alternate history; Alternative history; Anne Carson; British Intelligence; Dark Lady; Edward St Aubyn; Elizabethan; Falstaff; George Bernard Shaw; Hamlet; Hamnet; Hans Fallada; Henry Henry; Henry IV; Hobohemians; Isabella Hammad; Jacobean; Marlowe; Paul Griffiths; Shakespeare; Shakespearean; Stephen Greenblatt; Stoppard; T. S. Eliot; Will in the World; World War II; bedsit; hamnet; modernism; modernist fiction; poets behaving badly; shakespeare in love; starving artists; the Bard</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Transposed into the early twentieth century, a nonentity named Shakespeare rails against poverty, mediocrity, and misunderstanding, in forgotten modernist Philip Owens's brilliant, one-of-a-kind satire.</b></p><p>Every year, there's a new crop of sad, dirty poet boys coming up to the city without a penny to their names. In six months' time, who on earth will remember these nobodies, with their so-called blank verse and their extravagant plots  this Marlowe, Kyd, and Will 'Shakespere'? (A pseudonym, surely!) Better that they write thrillers, or advertising copy, or speeches for the media baron John Falstaff, who looks to be running for office. Now there's a man with a strong hand, who'll keep us out of any nasty foreign wars!</p><p>Published in 1936 and soon forgotten in the chaos of World War II, <i>Picture of Nobody</i> is one of the strangest, most accomplished, and most remarkable one-offs in English fiction. A comic yet credible reimagining of the milieu of Elizabethan London in modernist dress, it transcends its premise to provide a poignant portrait, of a Shakespearean mind coming to grips with the twentieth century. Populated by an assortment of characters familiar from Will's life and writing both, it is as much a loving parody as a grim prophecy regarding the fate of genius in 'interesting times.'</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Two women far apart in time, a mysterious unsellable mansion in Milan that connects them: two lives that start to overlap as impossible parallels are revealed in this story of passion, betrayal, and selfish desire.</b></p><p><b>'A thrilling study of time that playfully intertwines birth and death, motherhood and human extinction.'- Kirkus Review</b></p><p>In the round house on Via Saterna, its Palladian square exterior nothing but a trompe-l'oeil, the sun pierces through the central skylight. Its rays pass three floors unobstructed, before reaching the circle below at the heart of the house: four fingers of water filling a little silver basin. It is here that young Lidia dies, setting an end to her clandestine love affair with the ambitious architect. It is this house that real-estate agent Irene is asked to sell, decades later, as the climate catastrophe escalates, cloaking the divided city in a permanent orange haze. Returning to her native Milan for the sale, Irene feels the brunt of her father's judgement. He is a proud Italian and prouder architect  how could his own daughter make a living selling cultural patrimony to the highest foreign bidder? As she faces this new Milan and the old family tensions she had avoided while living in Rome, Irene throws herself into the impossible sale, getting to know Via Saterna intimately  this space that is as unsettling as it is hostile, with the slowly emerging traces of Lidia's interrupted life. In every room of the house, the burden of a mysterious, unresolved past can be felt, remnants of a selfish and manipulative love.</p><p><i>The Perfect Circle</i> tackles themes like time, death, and repetition with depth and originality, while carrying its philosophy lightly. Through it all, the novel is a subtly disturbing page-turner, every new page adding a new layer and twist.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The story of a love triangle played out through mutual manipulation.</b></p><p>Giorgia was a talented actress before she abandoned her stage career and fell in love with Filippo. She settles into a life of quiet compromise - until one day she bumps into her old theater director, Mauro, who fans the acting flame back to life. But setting a restless soul on fire can be dangerous if she loses sight of the boundary between reality and fiction - and Giorgia collapses, ending up in a clinic. Filippo and Mauro find themselves both accomplices and adversaries, seduced by a dangerous game to heal and win back Giorgia: by writing the script for her perfect life. In this dazzling debut, Petrucci explores the ambiguous borders between love, possession, and control in clear, magnetic prose.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>CLAUDIA PETRUCCI</b> studied Modern Letters in Milan before moving to Perth, Australia. Her reportages and short stories-which range from realistic to experimental to science fiction-have been published on <i>Cadillac, minima&amp;moralia,</i> and elsewhere. <i>The Performance</i> is her debut novel. It was shortlisted for the John Fante Award and won the prestigious Premio Flaiano Giovani, for writers under 30. It was also book of the day on Fahrenheit, an Italian radio program, and has so far been translated into German and French.</p><p><b>ANNE MILANO APPEL</b>, based in California, has translated works by a number of leading Italian authors for a variety of publishers in the US and UK. Her most recent translations include works by the award-winning Antonio Scurati and Paolo Maurensig. Her awards include the Italian Prose in Translation Award, the John Florio Prize for Italian Translation, and the Northern California Book Award for Translation. Her website is: amilanoappel.com.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A poet's skill lies in their ability to distil complex themes into a few paragraphs; to pick out the fundamental quality in people that make us unique; they can describe nature in a way that makes us see its majesty. The poet traverses contents and political divides; they help us understand where we have come from which in turn allows us to figure out where we are going.</p><p>And no one does this better than Alexander McCall Smith. He has brought  through his novels  many wonderful characters to vivid life and entertained readers all over the globe. And in his third collection of poetry, he guides the reader by the hand and takes them through time and place exploring the majestic themes of nature and the complexities of relationships and what it is that makes us human with his trademark warmth and humour.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexander McCall Smith </b>is the author of the highly successful <i>No. 1 Ladies' Detective Agency</i> series, which has sold over twenty-five million copies. Since then he has devoted his time to the writing of fiction and has seen his various series of books translated into over forty-six languages and become bestsellers throughout the world. These include the <i>44 Scotland Street</i> novels, first published as a serial novel in the <i>Scotsman</i>, the <i>Isabel Dalhousie</i> novels, the <i>Von Igelfeld</i> series and the <i>Corduroy Mansions</i> novels.</p><p><b>Iain McIntosh</b> has illustrated many of Alexander McCall Smith's books, including the <i>No. 1 Ladies' Detective Agency</i> and the <i>44 Scotland Street</i> series.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>This new collection is a fascinating journey into the heart of each of us- from the author of<i>The No.1 Ladies&amp;#x27; Detective Agency</i>and the<i>44 Scotland Street </i>series.</p><p>In<i>I Think of You</i>, the reader travels through literary Edinburgh in summer, heartbreak in a rain-drenched glen in the Highlands, a voyage on theArgo in Ancient Greece, and from Dallas to Helsinki and home again. Throughout this collection, the author explores various themes of love, kindness and friendship, as well as the philosophy of food, the idiosyncrasies of language and the importance of canonical hours. Each poem is a journey of the soul that interrogates what it is to love and to be alive.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A century of Palestinian poetry  voices of resistance, love, and longing. This bilingual anthology, edited by A.M. Elmessiri, gathers 21 poets whose words celebrate identity and endurance across themes of revolution, war, elegy and belonging.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Poetry has long been Palestine's most vital art form  a space where memory is safeguarded and resistance given voice. Spanning a century of upheaval and endurance, The Palestinian Wedding brings together twenty-one major poets in a powerful bilingual anthology.</p><br/><p>From the charged lyricism of Tawfiq Zayyad to the expansive imagery of Walid al-Halis; from the romantic cadences of Salma al-Jayyusi to the profound rootedness of Mahmoud Darwish, these poems chart the emotional and political landscape of modern Palestine. Together, they reveal a tradition in which love of land, grief, defiance and hope are inseparable.</p><br/><p>Edited and introduced by the eminent scholar A.M. Elmessiri, the collection is arranged around six central themes  revolution, war, elegy, belonging, resistance and steadfastness  offering readers both an essential literary archive and a vital lens on Palestinian cultural history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[First published in 1946, in later years Carr considered this novel one of his finest works. It shows the masterful author at the height of his powers, boasting an ingenious plot delivered with an astounding pace and striking characters including none other than the great detective, Dr Gideon Fell.]]></Text>
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			<Text textformat="02"><![CDATA[<p>'Come to-night', I heard the old man say, 'come to me to-night into the Wood of the Dead'.</p><p>Join Weird Walk for a new journey into the ghostly and bizarre, striking out from the shelter of the inn for the places where the path begins to fade, from the sublime wilderness of mountains, coasts and ravines to forbidden, ancient tracts of woodland.</p><p>Featuring disorientating classics from John Buchan and Algernon Blackwood alongside modern, thrilling (and sometimes violent) warnings to the intrepid from Lisa Tuttle and Dorothy K. Haynes, The Wayfarer's Weird leads you towards fae dangers, down lost tracks in time and deep into the liminal spaces of Britain and beyond.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A literary novel about two poverty-stricken young female lovers in early nineteenth-century England who commit petty crime to stay alive and are transported to Australia. A gripping, atmospheric tale, based on a true story, that brings to life the forgotten voices of the past in the face of prejudice and ill-fortune.]]></Text>
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			<Text textformat="02"><![CDATA[<p>SHORTLISTED: NEW ANGLE PRIZE</p><p>'Soft, swelling story-telling'Australian Women's Weekly</p><p>'A well-crafted and intensely dramatic novel, with characters you care about facing circumstances so dire a contemporary audience might strain to fully imagine them'Sydney Morning Herald</p><p>'The Low Roadis a beautifully written novel ... testament to Quarmby's dedication to her craft and her commitment to delivering an immersive and captivating story'The Tasmanian Times</p><p>'A darkly gripping picaresque tale of cruelty, courage and kindness as an orphaned girl survives poverty and injustice to seek love on the other side of the world' Maggie Gee</p><p>'An engrossing and beautifully written novel. All sorts of horrors are to be found here, but also love and bravery and hope. A must for lovers of historical fiction' Adele Geras</p><p>Norfolk, 1813. In the quiet Waveney Valley, the body of a woman  Mary Tyrell  is staked through the heart after her death by suicide. She had been under arrest for the suspected murder of her newborn child. Mary leaves behind a young daughter, Hannah, who is sent away to the Refuge for the Destitute in London, where she will be trained for a life of domestic service.</p><p>It is at the refuge that Hannah meets Annie Simpkins, a fellow resident, and together they forge a friendship that deepens into passionate love. But the strength of this bond is put to the test when the girls are caught stealing from the refuge's laundry, and they are sentenced to transportation to Botany Bay, setting them on separate paths that may never cross again.</p><p>Drawing on real events, The Low Road is a gripping, atmospheric tale that brings to life the forgotten voices of the past  convicts, servants, the rural poor  as well as a moving evocation of love that blossomed in the face of prejudice and ill-fortune.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>SHORTLISTED: Nero Book Awards</p><p>SHORTLISTED: East Anglian Book Awards</p><p>'A beautiful novel about the beautiful game' Jonathan Pearce</p><p>For ten months of the year, two men are drawn to adjacent seats in a stadium, carrying the burdens of life and pouring all their hopes into their beloved but ailing team.</p><p>Fatherless and fretful, the Young Man is trying to nurture a precarious new relationship and to find his place in the world. The Old Man, an increasingly isolated carer for his fading wife, knows he has little left to look forward to. Neither fan is a comfortable talker. However, in a slow-motion play of nods, silences and guarded chats, they strike up a tentative friendship across the generational gap.</p><p>Told through thirty-eight chapters  one for each game of the Premier League campaign  Season is a lyrical, hypnotic and gently uplifting study of loneliness and modern masculinity. About much more than football, it celebrates the healing, unifying and maddening role of ritualised sport in the lives of ordinary people.</p>]]></Text>
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			<SubjectHeadingText>contemporary British satire; dark comic thriller; culture clash novel; freedom of speech fiction; corrupt institutions; gangland crime UK; witness protection programme; cancel culture satire; church and politics; organised crime fiction UK; Russian oligarch in London; London political thriller; culture wars satire; media manipulation; satirical political fiction</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[An ingenious, fast-moving satire about oligarchs, art fraudsters and cats and dogs at the communion rail, with a touch of AI, that captures the barking-mad spirit of our age]]></Text>
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			<Text textformat="02"><![CDATA[<p>'Hilarious, joyous and astute'  Nicholas Coleridge</p><p>Mild-mannered editor Ben Fairweather is horrified when his genteel religious magazine is taken over by a fanatical movement that believes animals are closer to God than humans and should receive Holy Communion. Amid a national religious revival, this belief becomes mainstream and he is cancelled as a petphobic bigot.</p><p>Reinventing himself as a nightclub pianist, Ben meets journalist Anita Scott, who is bent on exposing a newly ennobled Russian oligarch as a cultural vandal. But Lord Ogorodnikov's agenda is far more sinister than they realise, and together they are drawn into a world of spies, art forgery and murder, with their own lives on the line.</p><p>Anthony Gardner ingeniously blends intrigue with sharp satire in a story that is both thrilling and darkly funny.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Anthony Gardner is an Irish author and journalist based in London. He was the founding editor of the Royal Society of Literature Review, has written for a wide variety of publications including The Sunday Times Magazine, the Irish Times and The Economist, and is the former deputy editor of Harpers &amp; Queen.He is the author of two previous novels  The Rivers of Heaven and Fox  and two collections of poetry, The Pool and Other Poems and The Moss in Lanthwaite Wood (longlisted for the Rathbones Folio Prize).</p>]]></Text>
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			<SubjectHeadingText>children's home; Polari Prize; rent boys; homophobia; outing; tabloid press; MI5; Peter Morrison; Wrexham; counterfactual; politics; Tommy Wildeblood; child sex abuse; political thriller; LGBT; lesbian and gay; Section 28; AIDS; 1980s; Conservative Party; Margaret Thatcher</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[When Margaret Thatcher tries to crack down on the 'promotion' of homosexuality with Section 28, ex-rent boy Tommy Wildeblood discovers secrets that could bring her government down. With his trademark blend of historical research and 'what if' fiction, Adam Macqueen lifts the lid on the Eighties political establishment's murkiest secrets]]></Text>
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			<Text textformat="02"><![CDATA[<p>In the age of AIDS and Section 28: a secret that could change political history<br/> It is 1987, and Tommy Wildeblood has put his days as a Piccadilly Circus rent boy long behind him. Slightly to his own surprise, he is now a rookie teacher at a South London comprehensive.<br/> But when Margaret Thatcher's government launches a chilling attack on the 'promotion' of homosexuality in a new law known as Section 28, Tommy can't stay silent  especially when he realises he may have information about one of Thatcher's key lieutenants that could change the political situation completely.<br/> Forming an uneasy alliance with a sharp-elbowed tabloid journalist, and delving deep into his past on the 'Dilly', he puts everything on the line  both for himself and his old friends  in a desperate bid to expose the truth.<br/> With his trademark blend of historical research and 'what if' fiction, Adam Macqueen captures the spirit of a frightening age in another spellbinding case that lifts the lid on the Eighties political establishment's murkiest secrets.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Adam Macqueen is a senior journalist onPrivate Eyeand co-presents its podcast, Page 94. He is the author of three counterfactual political thrillers featuring his ex-rent boy hero Tommy Wildeblood. His non-fiction books include the bestselling history of the magazine, and political miscellaniesThe Prime Minister's Ironing BoardandThe Lies of the Land: An Honest History of Political Deceit.He has also been on the editorial team ofPopbitchandThe Big Issue. He lives on the South Coast with his husband, artist Michael Tierney.</p>]]></Text>
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			<BiographicalNote textformat="05"><![CDATA[<p><b>Masanori Takatsuka</b>, a graduate of Hiroshima Koshi, and <b>David C. Stubbs</b>, a graduate of Florida State University, were both faculty members of Kwansei Gakuin University in Nishinomiya, Japan.</p>]]></BiographicalNote>
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			<Text textformat="02"><![CDATA[The culmination of Saikaku's perceptive genius, the 20 short stories within This Scheming World recount raucous events and incidents on New Year's Eve as everyone tries to settle their debts for the year, as is the New Year's custom.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A great classic of Japanese literature and the masterpiece of novelist Ihara Saikaku  now in a completely new and revised edition with introduction by noted scholar David J. Gundry.</b><br/><br/>The culmination of Saikaku's perceptive genius, the 20 short stories within <i>This Scheming World</i> recount raucous events and incidents on New Year's Eve as everyone tries to settle their debts for the year, as is the New Year's custom. Crafty money lenders attempt to collect their money from equally crafty debtors, and Saikaku portrays his characters with so lifelike a touch that, even though three centuries have passed since his time, it seems as if they were our contemporaries.<br/><br/>The new Introduction by Saikaku expert David J. Gundry explains how and why this entertaining work still resonates with modern readers today.<br/><br/><b>The finely-crafted tales include stories of:</b></p><ul><li>Philanderers who slip off to hide in the homes of their mistresses</li><li>Hustlers who leave town suddenly on 'very important' business trips</li><li>Connivers who become actors for a day to hide-in-plain-sight on stage</li></ul><p><b><i>'The New Year's Eve is more precious than a thousand pieces of gold. It is the Great Divide between winter and spring, which none can pass over without copper and silver.' Ihara Saikaku</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ihara Saikaku</b> (1641-1693) has been called "the greatest popular Japanese novelist of the 17th century." He began as a successful merchant in the up-and-coming city of Osaka. The tragedy of losing his wife and daughter moved him to abandon his business and become a roving Buddhist monk and for twenty years he wrote haiku verse and prose. Saikaku founded the <i>Ukiyo-zoshi</i> (Floating World) genre of literature, which flourished between the 1680s and the 1770s.<br/><br/><b>Masanori Takatsuka</b>, a graduate of Hiroshima Koshi, and <b>David C. Stubbs</b>, a graduate of Florida State University, were both faculty members of Kwansei Gakuin University in Nishinomiya, Japan.<br/><br/><b>David J. Gundry</b> is Associate Professor of Japanese at the University of California, Davis. He has published numerous articles on Japanese literature as well as the book <i>Parody, Irony and Ideology in the Fiction of Ihara Saikaku</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>INDIE PRESS TOP 40 BESTSELLER</b></p><p><b>'Swashbuckling and captivating.'- bestselling author, A.K. Mulford</b></p><p><b>Lu watched the love of his life walk the plank and sink into the inky-black depths of the sea. Nnenna was dead...or so he thought.</b></p><p>Five years later, Lieutenant 'Lu' Ortega, dutiful fleet officer, embarks on a mission to hunt down a powerful talisman now in the hands of a runaway mermaid. On his quest, he discovers the impossible: Nnenna is still alive. Fierce and cunning, and as breathtaking as ever, Nnenna 's won enough bloody sword fights as a pirate captain to earn the nickname 'Devil of the Deep.' She has come to reject the system of order that Lu clings to, and worse, she's protecting the very quarry he's tracking: Pearl Highwater, who has defied the all-powerful sea god and might hold a valuable key to finding her people's lost island.</p><p>When the tides and fates bring them together, Nnenna, Lu, and Pearl must choose their loyalties, find their courage, and race to protect the island from false gods and forces of evil  or risk unleashing an ancient curse that could destroy them all.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Keisuke Itagaki</b> is a manga artist and writer who is best known for creating the <i>Baki the Grappler</i> series. He is a practitioner of both boxing and Shorinji Kempo, Itagaki channeled his life-long passion for the martial arts into <i>Baki</i>, which is widely regarded as one of the most influential fighting manga ever made. Itagaki's works have made him into one of Japan's best-selling and most respected creators, with <i>Baki</i> being frequently cited as the direct inspiration for countless movies, anime and video games that followed it.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The first book in Antonio Moresco's colossally disruptive </b><b><i>Games of Eternity</i></b><b> (</b><b><i>Giochi dell'eternit</i></b><b>)trilogy, translated into English for the first time.</b></p><p>Upon its publication in Italy, <i>The Beginnings </i>was exactly that: the dawning of a new era. Like a photo-negative of Franz Kafka, or Virginia Woolf, Moresco's sweeping novel turns the stream-of-consciousness inside out, and offers nothing interior. Here, much like in real life, you will not be privy to the thoughts and feelings of others. Everything must be experienced as it happens.</p><p>From our narrator's undergraduate years in seminary school, to his activities as a member of various Italian political factions, to his attempts to become a writer, <i>The Beginnings </i>is a shapeshifting journey across the 20th century, and across all of literature itself.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Antonio Moresco was born in Mantua and lives in Milan. Considered one of the founders of modern Italian literature, The Beginnings is his second book to be published by Deep Vellum, after Clandestinity, a collection of short stories. He has gone on to publish several more books, among them the short novel La cipolla (The Onion), the autobiographical Lettere a nessuno (Letters to No One), and Distant Light, which was published by Archipelago in 2013.</p><p>Max Lawton</p><p> is a writer, musician, and translator. He iscurrently working in close collaborationwith Vladimir Sorokin to publish all of his untranslated works in English. His translation of Michael Lentz's<i>Schattenfroh</i>was one of the most anticipated English-language titles of 2025. Max is also currently working on or has plans to translate works by Antonio Moresco, Stefano D'Arrigo, Alberto Laiseca, Fyodor Dostoevsky, Eduard Limonov, Louis-Ferdinand Celine, Hans Henny Jahnn, and Miquel de Palol. His first novel<i>Progress</i>is coming out with Verso in 2027. His translations have appeared in<i>The New Yorker</i>,<i>n+1</i>,<i>Harper's</i>,<i>The Baffler</i>,<i>The White Review</i>, and<i>Joyland</i>. He lives in Los Angeles, where, when he isn't writing, he plays heavy metal and noise music.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>What does the future hold for the evolution of our species? </b></p><p><b>The first-ever English language print edition of the online cult sensation. </b></p><p><b>Prepare to embark on a speculative odyssey in </b><b><i>All Tomorrows</i></b><b>: an extraordinary exploration of the potentials and pitfalls of human evolution. </b></p><p>In this visionary classic, author and artist C.M. Kosemen imagines how life will be shaped by genetic manipulation, alien intervention and the relentless forces of evolutionary change. From the colonisation of Mars to the ultimate destiny of humanity, the future is bound to unfold in unexpected and unsettling ways... </p><p><i>All Tomorrows</i> is a thrilling tale of survival and a breathtaking work of imagination that catalogues the progress of new human species and documents the trials they face on distant worlds. Some will flourish while others fade into oblivion, but the vital essence of humanity persists against all odds. </p><p>This print edition of Kosemen's cult classic features his original illustrations and bonus material including a special commentary, sketchbook excerpts and never-before-seen artwork.</p>]]></Text>
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			<BiographicalNote textformat="05"><![CDATA[<p>Martin Shaw is a writer, storyteller and teacher who lives on Dartmoor. He founded the Oral Tradition and Mythic Life courses at Stanford University, and is director of the Westcountry School of Myth in the UK.</p><p>He is the author of the award-winning Mythteller trilogy: A Branch from the Lightning Tree, Snowy Tower and Scatterlings. Recent books include Smokehole, Courting the Wild Twin (both published by Chelsea Green), All Those Barbarians, Wolf Milk, Cinderbiter (with Tony Hoagland) and his Lorca translations, Courting the Dawn (with Stephan Harding).</p><p>Dr Shaw has introduced thousands of people to mythology and how it penetrates modern life. For twenty years, he has been a wilderness rites of passage guide, working with at-risk youth, the sick, returning veterans and many women and men seeking a deeper life.</p>]]></BiographicalNote>
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			<Text textformat="02"><![CDATA[<p><b><i>Bardskull</i></b> <b>is the record of three journeys made by Martin Shaw, the celebrated storyteller and interpreter of myth, in the year before he turned fifty. It is unlike anything he has written before. This is not a book about myth or narrative: rather, it is a sequence of incantations, a series of battles.</b></p><p>Each of the three journeys sees Shaw walk alone into a Dartmoor forest and wait. What arrive are stories  fragments of myth that he has carried within him for decades: the deep history of Dartmoor itself; the lives of distant family members; Arthurian legend; and tales from India, Persia, Lapland, the Caucasus and Siberia. But these stories and their tellers don't arrive as the bearers of solace or easy wisdom. As with all quests, Shaw is entering a domain of traps and tests. Bardskull can be read as a fable, as memoir, as auto-fiction or as an attempt to undomesticate myth. It is a magnificent, unclassifiable work of the imagination.</p><p><b>'Martin Shaw's work is so very beautiful. A new animal. His love of images is deep and contagious. In the passion of his search he makes up new words that seem as though we've always known them. His language is tasty and surprising. This elegant combination of very fresh, free verse storytelling, and a deep untangling of myth feels so alive. What will it do next?' - Coleman Barks, author of</b> <b><i>The Essential Rumi</i></b></p><p><b>'Martin Shaw is a teacher of profound cultural knowledge, and is a master artist at transmitting it. Those transmissions are subtle and profound. We desperately need his work.' - Tony Hoagland, author of</b> <b><i>Application For Release From The Dream</i></b></p><p><b><br/>'Shaw encourages and illuminates the mythic in our own lives. He is a modern-day bard.' - Madeline Miller<br/></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Martin Shaw</b> is a writer, storyteller and teacher who lives on Dartmoor. He founded the Oral Tradition and Mythic Life courses at Stanford University, and is director of the Westcountry School of Myth in the UK. He is the author of the award-winning Mythteller trilogy: A Branch from the Lightning Tree, Snowy Tower and Scatterlings. Recent books include <i>Smokehole, Courting the Wild Twin</i> (both published by Chelsea Green), <i>All Those Barbarians, Wolf Milk, Cinderbiter</i> (with Tony Hoagland) and his Lorca translations, <i>Courting the Dawn</i> (with Stephan Harding). Dr Shaw has introduced thousands of people to mythology and how it penetrates modern life. For twenty years, he has been a wilderness rites of passage guide, working with at-risk youth, the sick, returning veterans and many women and men seeking a deeper life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A gripping historical mystery where a young leader is thrust into a world of murky politics and dark secrets  written by award-winning BAFTA scriptwriter and film director, Mario Theodorou.</p><p>London, 1904.</p><p>Edward VII sits on the throne, the economy is faltering, and one of the youngest Prime Ministers in history has been thrust into office on the crest of a populist wave. Battling self-doubt and fierce opposition within the Commons, Felix Grey is plunged into a world of murky politics and hidden secrets when a lord is mysteriously abducted from a gentlemen's club.</p><p>With tensions rising between the government and trade unions amidst a series of fatal factory disasters, Felix must quickly connect the dots between the missing politicians and the growing chaos in the country. A rapidly escalating chain of events is threatening to tear apart Parliament and Nation...</p><p>Can Felix crack the case and protect his country, or will he bear witness to a grim repetition of history?</p><p>Readers can't get enough of Felix Grey. . .</p><p>'Reminiscent of Dickens' London with the air of a Sherlock Holmes novel' Karla_bookishlife</p><p>'Brilliant twists and revelations that keep you glued to the pages' The Strawberry Post</p><p>'In Felix Grey I have found a new favourite character' LdLoz</p>]]></Text>
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			<Text textformat="02"><![CDATA[Stories are living things. They are viral. They enter us through our eyes and our ears and they take up residence inside us.    Unriddling the World is a collection of fifty traditional narratives - stories from the winding track that leads from nursery rhyme to the great tales of creation and redemption, by way of ballads, riddles, folk tales, legends, epics and myths. They've been shaped by countless voices and they've stood the test of time. They are concentrations of human experience and they speak in the enigmatic picture-language of dreams.    These Fifty Wonder Tales form the heart of Hugh Lupton's repertoire: from 'The Stone Monkey' to the 'Oil of Mercy', from 'The Pottle of Brains' to the 'Pool of Dharma', they are a gift from the past to the future, shaped for retelling by a master storyteller. They're alive . . . and they're waiting to be told again.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Raw, tender, and darkly comic,The Abyssis widely considered a masterpiece from Jeyamohan, a writer whosebody of work has shaped modern Tamil literature.</p><p>Pothivelu Pandaram is known as a successful, God-fearing man about town: he has a loyal wife, three daughters, and money to pay for their dowries. However, it's an open secret that his success is fueled by a trade that is as profitable as it is cruel: he owns-and breeds-a group of physically deformed beggars and places them outside temples to collect money.</p><p>There is Mangandi Samy, with just one arm, no legs, and "a little head on top," who only speaks in divine songs he himself invents; Ahmedkutty, an intellectual whose testicles hang to the floor "like two great pumpkins"; Muthammai, mother to eighteen children. To Pandaram, they are only "items," to be bought and sold like cattle. But when he makes an impulsive trade, his luck turns.</p><p>Written with an unflinching eye and suffused with a deep existential longing,The Abyssis an extraordinary novel-for its terrain, its fundamental questions about humanity, and its depiction of human suffering and liberation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jeyamohan</b>is a preeminent writer in modern Tamil literature. His works of fiction examine fundamental human questions while being rooted in the spiritual, cultural and literary traditions of India.<i>Venmurasu</i>, his reimagination of the epic<i>Mahabharata</i>over a novel-series of twenty-six parts, is considered one of the longest literary works in the world. His other major works include the novels<i>Vishnupuram</i>,<i>Kottravai</i>,<i>Pin Thodarum Nizhalin Kural</i>,<i>Kaadu</i>and<i>EzhaamUlagam</i>(<i>The Abyss</i>). He is the founder of several important cultural initiatives in Tamil, including a literary organization called the Vishnupuram Literary Circle, an encyclopedia of Tamil culture called Tamil Wiki, and an institute that offers courses in philosophy, cultural and religious studies called Nityavanam.<i>The Abyss</i>is his second work to be available in English, following his short story collection<i>Stories of the True</i>which was a finalist for the National Translation Award in 2023. Jeyamohan lives in Nagercoil, India.</p><p><b>Suchitra</b>writes fiction in Tamil and translates between Tamil and English. Her work has appeared in literary magazines including<i>Asymptote</i>and<i>Narrative Magazine</i>. She won the Asymptote Close Approximations Prize for Fiction Translation in 2017.<i>The Abyss</i>is her first full-length translated work. Suchitra lives in Bengaluru, India.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The much-anticipated follow-up to acclaimed graphic novelist Lee Lai's Stella-shortlisted Stone Fruit, a funny, dark, emotionally turbulent slice of friendship strife.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Carol Shields Prize for Fiction 2026**</b></p><p><b>**Shortlisted, Stella Prize 2026**</b></p><p><b>**Shortlisted, Victorian Premier's Literary Awards 2026, Fiction**</b></p><p><b>The much-anticipated follow-up to acclaimed graphic novelist Lee Lai's Stella-shortlisted</b> <b><i>Stone Fruit</i></b><b>, a funny, dark, emotionally turbulent slice of friendship strife.</b></p><p>We arrive to wreckage  a restaurant smashed to rubble, with tables and chairs upended riotously. Under the swampy nighttime cover of a Montreal heatwave, we meet our protagonist, Cannon, dripping in beads of regret sweat. She was supposed to be closing the restaurant for the night, but instead, she destroyed it. The horror-scape left in her wake is not unlike the films Cannon and her best friend, Trish, watch together. Cooking dinner and digging into deep cuts of Australian horror movies on their scheduled weekly hangs has become the glue in their relationship. In high school, they were each other's lifeline  two queer second-generation Chinese nerds trapped in the suburbs. Now, on the uncool side of their twenties, the essentialness of one another feels harder to pin down. Yet when our stoic and unbendingly well-behaved Cannon finds herself very uncharacteristically surrounded by smashed plates, it is Trish who shows up to pull her out</p><p>In <i>Cannon</i>, Lee Lai's follow-up to the critically acclaimed and award-winning <i>Stone Fruit</i>, the full palette of a nervous breakdown is just a part of what is on offer. Lai's sharp sense of humour and sensitive eye produce a story that explores the intimacy of queer friendship and weight of family responsibility, and breaks open the question of what we owe both to each other and to ourselves.</p><p><b>'In</b> <b><i>Cannon</i></b><b>, Lee Lai has performed a rare and powerful act of alchemy  the images, narrative, and writing not only capture a life, but combine so that the book itself feels alive.'  Torrey Peters</b></p><p><b>'Beguilingly drawn,</b> <b><i>Cannon</i></b><b> depicts a wide spectrum of adulthood with nuance and complexity. From one story unravels many stories, about friendships, situationships, work, familial obligations. I was struck by its attention and care.'  Ling Ma</b></p><p><b>'A beautifully drawn slice of life, filled with the kind of intimate, specific details that make the best fiction seem autobiographical.'  Adrian Tomine</b></p><p><b>'It's rare, and precious, when a moment in a movie, in a poem, in a comic surges up at you as being True. And in</b> <b><i>Cannon</i></b><b>, Lee Lai does it again and again.'  Eleanor Davis</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lee Lai</b> is an Australian cartoonist living in Tiohtia:ke (colonially known as Montreal, Canada). In 2021, she was shortlisted for the Stella Prize and selected as one of the National Book Foundation's 5 Under 35 for her debut graphic novel, <i>Stone Fruit</i>, which went on to win several awards, including the Lambda Literary Award, the Cartoonist Studio Prize, the Lynd Ward Graphic Novel Prize, and two Ignatz Awards. Her comics have appeared on <i>The New Yorker</i>, <i>McSweeney's</i>, <i>New York Times</i>, <i>Granta</i>, and the Museum of Modern Art's <i>Magazine</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rozie Kelly</b> is a prose writer based in West Yorkshire, England. After reading English Literature and Creative Writing she now works for the Arvon Foundation, hosting creative writing courses. She was shortlisted for the PFD Queer Fiction Prize 2023 and is one of the eight participants in the inaugural Prototype Development Programme, which offers extended support and career development to emerging writers and artists. She won the 2024 NorthBound Book Award for <i>Kingfisher</i>, her debut novel.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>There is healing in this poetry.</i></p><p><i>These are our words.</i></p><p><i>From our country.</i></p><p><i>Our lands. Our spirits.</i></p><p><i>For all the troubles we face every day, we are a passionate people.</i></p><p><i>When we hear these poems, we know, we are lovers of life.</i></p><p>After selling out its first three print runs and having poems selected for Best of Australian Poems 2021 by Australian Poetry, a second edition of this beautiful anthology was needed! It is being released on the new imprint of Running Water Community Press (formerly Ptilotus Press) from Mparntwe Alice Springs and features poems written by over twenty Arrernte women around the refreshing Arrernte concept of Lyapirtneme.</p><p>This second edition includes an additional poem by local heroines, Margaret Kemarre Turner (Arrernte Elder and author) and Maureen Jipiyiliya Nampijinpa O'Keefe (Warlpiri/Kaytetye author), as well as a reinvigorated design by award winning book designer, Gemma Banks. It is an important contribution to the growing body of First Nations literature, particularly from remote Australia.</p><p><b>&amp;#x27;Even amongst the extraordinary body of one hundred poems that constitute the first volume of a new annual 'best of' series, Best of Australian Poems, the two poems by Arrente poets, Theresa Penangke Alice and Shirley Kngwarraye Turner, shimmer. Two completely different poems, 'Metal bird' and 'Family are like rocks', but both emanating a profound generosity of knowledge and voice. We are gratefully richer for such 'Women's Talk' gifts, but for myself, as a reader, I actually feel life-changed.&amp;#x27; - Jacinta Le Plastrier, CEO Australian Poetry</b></p><p><b>&amp;#x27;Lyapirtneme is an Arrernte word that means growing back, returning. It's like if a bushfire went through the land, and all the trees burnt down, and the roots underground are still alive. When the rain comes you see little shoots growing out of the bottom of the tree, growing back again.&amp;#x27; - Therese Perrurle Ryder, Arrernte Elder</b></p><p><b>&amp;#x27;I love this book. It holds so much value. Each poem is a gift and it has been put together with so much care.&amp;#x27;  Ellen van Neerven, Mununjali poet</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A ground-breaking collection of First Nations Australia LGBTQIA+ poets, writers and storytellers published to commemorate Sydney WorldPride being held on the unceded lands of the Gadigal, Cammeraygal, Bidigal, Dharawal and Dharug Nations.</p><p>Edited by Alison Whitaker, Gomeroi poet and academic, and Steven Lindsay Ross, Wamba Wamba writer, curator and producer.</p><p><b>&amp;#x27;It is freeing and glorious to see these expressions of unbridled sexuality, vulnerability and invincible spirit in print from First Nations poets... As you read, you will be struck by the boldness of the writers' audacious self-love, and the deep reverence and restorative love contained within the work for themselves and each other.&amp;#x27; - Arlie Alizzi</b></p><p><b>POETS INCLUDE:</b> Ellen van Neerven, Natalie Harkin, Jazz Money, Gary Lee, John Mukky Burke, Steven Oliver, Yvette Henry Holt, Alison Whittaker, Steven Lindsay Ross, Luke Patterson, Lay Maloney, Tyberius Larking, Jacyn de Santis, Alita Morgan, Kirli Saunders, David Hardy, Sandy O'Sullivan, Elijah Manis, Latoya Aroha Rule, Bebe Backhouse, Colin Kinchela, Nekia Lehman, Domenic Guerrera, Ari Mills, Ellen O'Brien, Vika Mana, Samuel Barsah, Gavin Ivey, Ella Noah Bancroft, Keith Quayle, Laniyuk and Andrew Farrell.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Published to commemorate the author's 100th birthday, this wide-ranging and thoughtful collection reflects on history, colonisation, family, childhood, Aboriginal Dreaming, traditions and storytelling, working lives and people.</p><p>Sometimes wistful, melancholic, poignant, at times the author's wry sense of fun and humour shines through.</p><p>When he arrived in Sydney in the 1960s, Bigambul man, Uncle Wes, was not allowed to tell his stories at schools. He set up a fire bucket in his backyard and invited families and children from the local Aboriginal community to come to sit around the fire and share his stories. It did not take long for the police to arrive and arrest him for hosting an unlawful gathering  he spent two days in lock-up for sharing his stories.</p><p>Uncle Wes is a living treasure of Aboriginal storytelling wisdom. Through his poems Uncle Wes invites the reader to join him by the fire as he generously shares his reflections and reminiscences on one hundred years.</p><p><b>&amp;#x27;It is my pleasure to honour Uncle Wes for his work in retaining the age-old storytelling tradition of our people. It is important to maintain this tradition of our Elders sharing their knowledge and insight through story and verse. Thank you Uncle Wes, for sharing your poems with us as you celebrate your 100th year.&amp;#x27; - Dr Anne Pattel-Gray: Head of the Australia First Nations Program, World Vision Australia</b></p><p><b>&amp;#x27;Uncle Wes Marne has a unique ability to allow the reader to see through his experienced eyes. The power and wisdom of his words is now more than ever important for the future generations to understand the time and place they exist in.&amp;#x27; - Ben Bowen: CEO, Indigenous Literacy Foundation</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Miles Franklin Literary Award 2024**</b></p><p><b>**Winner, Stella Prize 2024**</b></p><p><b>**Winner, Queensland Literary Awards, Fiction Book Award**</b></p><p><b>**Winner, The James Tait Black Prize, Fiction 2024**</b></p><p><b>**Winner, ALS Gold Medal 2024**</b></p><p>**<b>Shortlisted, The Dublin Literary Award 2024**</b></p><p><b>**Shortlisted, Queensland Literary Awards 2023, Work of State Significance**</b></p><p><b>**Shortlisted, Margaret and Colin Roderick Literary Award 2024**</b></p><p><b>The new novel from the internationally acclaimed, award-winning Australian author Alexis Wright.</b></p><p><i>Praiseworthy</i> is an epic set in the north of Australia, told with the richness of language and scale of imagery for which Alexis Wright has become renowned. In a small town dominated by a haze cloud, which heralds both an ecological catastrophe and a gathering of the ancestors, a crazed visionary seeks out donkeys as the solution to the global climate crisis and the economic dependency of the Aboriginal people. His wife seeks solace from his madness in following the dance of butterflies and scouring the internet to find out how she can seek repatriation for her Aboriginal/Chinese family to China. One of their sons, called Aboriginal Sovereignty, is determined to commit suicide. The other, Tommyhawk, wishes his brother dead so that he can pursue his dream of becoming white and powerful. This is a novel which pushes allegory and language to its limits, a cry of outrage against oppression and disadvantage, and a fable for the end of days.</p><p><b>&amp;#x27;Monumental...calls to mind the work of Thomas Bernhard or the quiet rage of Dostoyevsky...</b><b><i>Praiseworthy</i></b><b>blew me away.&amp;#x27; </b><b><i>Australian Book Review</i></b></p><p><b>Praise for Alexis Wright:</b></p><p><b>'The writing is the best in the country, some of the best in the world; we call to mind Alexis Wright when they talk about our country's great literary voice.' - Tara June Winch</b></p><p><b>'I'm awed by the range, experiment and political intelligence of [Alexis Wright's] work, from fiction such as</b> <b><i>Carpentaria</i></b> <b>and</b> <b><i>The Swan Book</i></b><b>, to her "collective memoir" of an Aboriginal elder in</b> <b><i>Tracker</i></b><b>. As essayist, activist, novelist and oral historian she is vital on the subject of land and people.' - Robert Macfarlane,</b> <b><i>New York Times Book Review</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexis Wright</b> is a member of the Waanyi nation of the southern highlands of the Gulf of Carpentaria. The author of the novels <i>Carpentaria</i>, winner of the Miles Franklin Award, and <i>The Swan Book</i>, winner of the ALS Gold Medal, Wright has published three works of non-fiction: <i>Take Power</i>, an oral history of the Central Land Council; <i>Grog War</i>, a study of alcohol abuse in the Northern Territory; and <i>Tracker</i>, a collective memoir of Aboriginal leader, Tracker Tilmouth which won the Stella Prize. Her books have been published widely overseas, including in China, the US, the UK, Italy, France and Poland. She held the position of Boisbouvier Chair in Australian Literature at the University of Melbourne, and is now an Adjunct Professor at Western Sydney University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner of the Queensland Literary Awards, Judith Wright Calanthe Award for a Poetry Collection**</b></p><p><b>**Shortlisted, NSW Premier&amp;#x27;s Literary Awards 2023, Indigenous Writers&amp;#x27; Prize**</b></p><p><b>**Shortlisted, Prime Minster's Literary Awards, Poetry 2023**</b></p><p><i>Harvest Lingo</i> is the fourteenth collection of poems by Lionel Fogarty, a Murri man with traditional connections to the Yugambeh people from south of Brisbane and the Kudjela people of north Queensland. He is a leading Indigenous rights activist, and one of Australia's foremost poets, and this collection displays all of the urgency, energy and linguistic audacity for which Fogarty is known.</p><p>At the centre of the collection is a series of poems written in India. Deeply empathetic, these poems are remarkable for the connections they draw between the social problems the poet encounters in this country - poverty, class division, corruption - and those he sees in contemporary Australia, besetting his own people.</p><p>Other poems tell of encounters between people and between cultures, address historical and cultural issues and political events, and pay tribute to important Indigenous figures. There are intensely felt lyrics of personal experience, and poems which contemplate Fogarty's own position as a poet and an activist, speaking with and for his community.</p><p>Fogarty's poems are bold and fierce, at times challenging and confronting, moved by strong rhythms and a remarkable freedom with language. They are an expression of the 'harvest lingo' which gives the collection its title.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lionel Fogarty</b> was born on Wakka Wakka land, at Cherbourg Aboriginal Reserve in south-east Queensland in 1957. Throughout the 1970s he worked as an activist for Aboriginal Land Rights, and in the 1990s, after the death of his brother Daniel Yock, protesting against Aboriginal Deaths in Custody. His poetry collections date from the early 1980s; his most recent collections are <i>Connection Requital; Mogwie-Idan: Stories of the Land; Eelahroo (Long Ago) Nyah (Looking) Mobo-Mobo (Future)</i>, all with Vagabond Press, and <i>Lionel Fogarty: Selected Poems 1980-2017</i>, published by re.press<i>.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Kuracca</i> - meaning white sulphur crested cockatoo - is a multi-lingual anthology featuring eleven Aboriginal and Torres Strait Islander women writing poetry, prose, songs and stories about their unique lives. All contributors are members of Canberra's longest running Indigenous writers group called 'Us Mob Writing' and this book is dedicated to the late Wiradjuri Elder and award-winning writer, Kerry-Reed Gilbert. With a strong focus on inspiring people to write, the anthology includes both emerging and award-winning writers, a preface by Chairperson Us Mob Writing, Marissa McDowell and a foreword by Chairperson First Nations Australia Writers Network, Yvette Holt.</p><p><b>&amp;#x27;The poetry and prose awaiting your creative cultural engagement, all sixty-five poems in content equates to some sixty-five thousand years and beyond of what it means to be here in the now, as Aboriginal and Torres Strait Islander women representing their families, communities, heritage, their shadows, their promise, their matriarch, themselves - it is within these pages you shall find what it means for all of us to be alive and thriving through chapters of millennia as spoken and written by Us Mob Writing.&amp;#x27; - Yvette Holt</b></p><p><b>&amp;#x27;Powerful and palpable,</b> <b><i>Kuracca</i></b> <b>honours the work of a cultural powerhouse and matriarch in style. The book showcases the strengths and fresh and exciting writing of a tightly bonded group. This is healing.&amp;#x27; - Ellen van Neerven</b></p><p><b>&amp;#x27;Through the liberating words written on these pages, women are sharing their own stories and truth. Such inspiration is the legacy of Aunty Kerry Reed-Gilbert RIP.&amp;#x27; - Ali Cobby Eckermann</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Coral Vass</b> is an award-winning Australian children's author. With a background in media, Coral has always delighted in telling stories and has been writing books for more than ten years. Her titles include bestselling <i>Goodnight Possum</i> and the 2019 CBCA Book of the Year Eve Pownall winner,<i> Sorry Day</i> (illustrated by Dub Leffler). She loves to visit schools, often running writing workshops and inspiring young people with a love for literature. Coral is an ambassador for Reading Out of Poverty and is passionate about giving all children an equal opportunity to read. You can find her on: Facebook @coralvassauthor, Instagram @coralvass and Twitter @coralvass. Website: www.coralvass.com</p><p><b>Tull Suwannakit</b> is an Australian book illustrator and author for children with a background in animation and fine art. After receiving a BA degree from The Savannah College of Art and Design in Georgia, USA, he began his artistic career as a set designer and character sculptor for animation studios in New York City. He then migrated to Australia, where he got a distinction on the Master of Fine Art program at The Royal Melbourne Institute of Technology. His books have been published in Australia, the US, the UK and Thailand, as well as being translated into numerous languages throughout the world. Working predominantly with watercolour, graphite and coloured pencils, Tull's books have been featured in <i>The Sydney Morning Herald, ABC Mornings Radio, Play School on ABC4Kids</i> and <i>The New York Times</i>. His clients include Scholastic Press, Ford Street Publishing, Walker Books, Candlewick Press and New Frontier Publishing. When Tull is not writing and illustrating his books, he runs art classes and workshops for children and adults at his art school in Melbourne. His book, <i>Higher Ground</i>, published by New Frontier Publishing, has been longlisted for the Carnegie Medal for Illustration as well as winning the Australian Aurealis Awards for Best Graphic Novel and Illustrated Work. The book has also been selected for the 2026 Read for Empathy collection. Tull can be contacted on Instagram: @tull_suwannakit or on his website: www.tullsuwannakit.net</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>An irresistible collection of Korean stories from award-winning author and illustrator Julie Kim.</i></b></p><p><br/>Experience the wisdom and humour of Korean folklore in this vibrant new collection of ten traditional stories. Julie Kim's expressive watercolour paintings burst with magic, warmth and cultural detail, while her retellings are lightly updated to appeal to modern kids. Included in the collection are:</p><ul><li><b>The Singing Lump:</b> An old man is rewarded for his wit by a band of music-loving dokkebi ogres</li><li><b>The Weeping Princess and the Beggar Boy:</b> An independent princess sees past surface appearances to find happiness</li><li><b>The Little Contrarian Frog:</b> A mischievous frog and his mother get into trouble by trying to predict what the other will do</li><li><b>And seven other favourite tales</b></li></ul><p>Memorable characters like a tree that comes to life to repay the kindness of an old farmer convey gentle lessons about the importance of generosity, honesty and independent thinking. Families and educators will want to share this beautiful bilingual collection with heritage language learners and young readers of any background.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A perfect Father's Day gift  and a year-round favourite for silly storytime fun!</b></p><p>Get ready to giggle with <i>My Dad Knows Best (Sometimes!)</i>, a hilarious and heartwarming lift-the-flap board book starring an inquisitive Baby Panda and their loveable, know-it-all Dad. Whether it's answering big questions like 'Why is the sky blue?' or solving everyday mysteries like 'Where did my sock go?', Dad always has an answer... even if it's not exactly right!</p><p>With sturdy flaps on every page and playful surprises underneath, this interactive book invites toddlers to explore, laugh, and bond with Dad through silly questions and even sillier answers.</p><p>Warning: May cause excessive giggles. (Thanks, Dad!)</p><ul><li><b>Laugh and Learn Together</b>  A playful board book that celebrates the silly, sweet, and sometimes surprising wisdom of dads</li><li><b>Lift-the-Flap Surprises</b>  Sturdy flaps on every page keep toddlers engaged as they guess what dad will say next</li><li><b>Perfect Father's Day Gift</b>  A heartwarming and humorous gift for dads, grandpas, or father figures  great for storytime all year long</li><li><b>Built for Little Hands</b>  Durable board book format designed for ages 1-3, ideal for repeated reading and interactive play.</li><li><b>Encourages Curiosity and Connection</b>  Supports early learning, emotional bonding, and joyful parent-child moments</li><li><b>Part of</b> <b>The Panda Family</b> <b>series</b>  A delightful collection celebrating everyday moments with love and laughter. Collect the set and share the joy!</li></ul><p>For more than 75 years, Albatros Media has been crafting original and innovative children's books that are both playful and educational, fostering curiosity and a thirst for knowledge in young minds. We deliver the highest quality children's books from novelty, picture, pop-up, and how-to books to nonfiction and fairy tales.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Hilary Robinson</b> is an author, radio producer, broadcaster and feature writer. She was born in Devon and brought up in Nigeria and England. The author of over forty books for children, she is best known for <i>Mixed Up Fairy Tales</i>. Her books have been translated into a number of languages and are sold across the world. She lives and works in London and Yorkshire. You can find Hilary on her Instagram: @hilaryrobinsonauthor and website: www.hilaryrobinson.co.uk</p><p><b>Mandy Stanley</b> is an award-winning illustrator, author and designer who has published more than 200 picture, story and activity books for children. Before discovering her passion for writing and illustrating children's books, Mandy worked in the fashion industry, designing clothes, toys and nursery products. She still uses her 3D design skills, learnt from her fashion training, in the design of her books. As well as authoring and illustrating her own books, Mandy offers freelance professional illustration for publishers and runs workshops and talks for schools aimed at both primary and secondary classes. You can find Mandy on her Instagram: @mandystanley_art and website: www.mandystanley.com</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A 2021 </b><b><i>New York Times</i></b><b>/New York Public Library Best Illustrated Children's Book</b><br/><br/>'<b>Absorbing storytelling.'  </b><b><i>Publishers Weekly</i></b><b> STARRED Review</b><br/><br/>'<b>A riveting read.'  </b><b><i>Kirkus Reviews</i></b><b> STARRED Review</b><br/><br/>What's on the other side of the forest? A young rabbit and his father are determined to find out in this modern picture book that 'feels like a vintage gem' (<i>New York Times</i>), calling to mind the tender work of Beatrix Potter.<br/><br/>Some say that wolves, ogres, and giant badgers live in the forest beside Arthur's house. That's why no one ever goes in there, to see what's on the other side. But one day, Arthur's dad has an idea  a magnificent idea! Build a tower to look over the treetops! But a magnificent idea takes a lot of work. Will the villagers join and help them? And when the tower takes shape, what will they see on the other side?</p><p><br/><b>This wonderful, heartwarming story reminiscent of classic children's books, is perfect for:</b></p><ul><li>Teaching kids about cooperation and teamwork  and how they help us achieve our dreams!</li><li>A fun and creative Easter or Spring-themed gift for kids</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>For fans of </b><b><i>Narwhal and Jelly</i></b><b>, this hilarious graphic novel explores the beautifully diverse ecosystem created by nurse logs.</b><br/><br/><b>The second graphic novel in the Little Habitats series, following the beloved </b><b><i>Barnacle Bay</i></b><b>. Each book in this series explores a different ecosystem, from oceans to forests, and more!</b><br/><br/>When a tree falls in the forest, Fern is determined to step up and lead a rescue mission to raise it back up to its grand height. With the help of her quirky and ambitious forest friends  Millipede, Moth, Slug, Lichen, and Mushroom  the crew springs to action in search of LOG-ical solutions to restore the tree to its upright position. Will they succeed in their mission? You'll never be-LEAF what happens next!</p><p><br/><b>Designed for kids aged 6-9, </b><b><i>Fiddlehead Forest</i></b><b> features:</b><br/></p><ul><li>Science-based information about nurse logs and forest biodiversity reviewed by experts</li><li>Fun facts about the unique and connected creatures  big and small  in forests</li><li>Hilarious and brightly coloured graphic style illustrations</li></ul><p>Packed with humour, playful puns, and fun facts about nurse logs and forests, this beautifully illustrated graphic novel dives into the fascinating world hidden within this tiny and important ecosystem.</p><p><br/><b>Book 2 in the Little Habitats series!</b><br/><br/>This series of graphic novels for young readers introduces children to nature's small and vital ecosystems. Full of humour and hijinks, each book in the series features a heartwarming story set in a different habitat, with accompanying fact pages throughout.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jana Curll</b> is a children's illustrator based on the rainy west coast of Canada and is grateful to live on the traditional lands of the shshlh Nation with her family. She is inspired by the creatures and environment of the local rainforests and the ocean and spends her spare time wandering through winding trails and along rocky beaches. She likes doodling funny maps and sipping strong coffee while her large cat sleeps on her lap. She's also the author-illustrator of <i>Barnacle Bay</i>, the first book in the Little Habitats series also published by Greystone Kids.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>For fans of <i>Narwhal and Jelly</i>, this hilarious new graphic novel from the Little Habitats series explores the ecosystem of a bay and the marine creatures and plant life that call it home.</p><p>Crab is fed up with the bay. Each day is the same; nobody cares for him or appreciates his sense of humor. So he's leaving. Just when he is about to go, he bumps into Larva, who is looking for a home. Crab agrees to show Larva around the bay, exploring its many places and residents, on his way out.</p><p>Together, Crab and Larva visit the sea kelp, a fine shell-ection of oysters, mussels, clams, and a bickering group of sea anemones, amongst many more neighbors in the bay.</p><p>Will Larva find the perfect spot to settle here? And if he does, what will Crab do?</p><p>Designed for kids aged 6-9, <i>Barnacle Bay</i> features:</p><ul><li>Science-based information about marine life reviewed by experts</li><li>Fun facts about underwater creatures and plant life</li><li>Brightly coloured graphic style illustrations</li><li>Packed with humour, playful jokes, and fun facts about marine life, this beautifully illustrated graphic novel dives into the fascinating world hidden within this tiny, often overlooked, ecosystem.</li></ul><p><b>Book 1 in the Little Habitats series!</b></p><p>In a big world, we can often overlook the importance of being little! This series of graphic novels for young readers aims to introduce children to nature's small and vital ecosystems. Full of humour and hijinks, each book in the series features a heartwarming story set in a different habitat, with accompanying fact pages throughout. The familiar becomes fantastic as we zoom in on these overlooked creatures and communities, and prepare to laugh out loud as we explore the environments that they inhabit.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jana Curll</b> (she/her) is an illustrator and graphic designer based on the West Coast of Canada. She wanders, creates and raises her family on the traditional territories of the shishlh Nation, on the coastline of the Salish Sea. She has worked as a designer at Science World, Vancouver, and as an associate art director at Kidzsmart Communications. Her illustrators have appeared on books, magazines, toys, activity books, apps, maps, and everything in between. Jana is the 2021 winner of the SCBWI's Don Freeman illustrator grant.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Uncover everything you never knew about the beautiful game in this full colour, illustrated soccer compendium  from the science of a perfect backspin to soccer heroes who changed the sport forever.</b></p><p>Colourful illustrations, fun infographics, and supercool trivia reveal all about the most popular sport in the world. Begin with the game's startling origins or turn to any short chapter and dive in! You'll discover historic firsts, trailblazing athletes, and the weirdest soccer records. Read unforgettable stories about players who pushed the boundaries of the game  sometimes by bending the rules  and learn why soccer had to become more welcoming before it could truly bring people together. Packed with charts, timelines, and further reading, <i>Soccerology</i> is a must-have that's equally fascinating for soccer newbies and diehard fans.</p><p>Written by former sports broadcaster and award-winning children's book author and illustrator Kevin Sylvester, <i>Soccerology</i> is a book about the Beautiful Game like nothing else!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>John Grahame, called 'Bonnie Dundee', was the Jacobite hero. Although devoted to duty, he casts ambition aside to stand alone for his King and the Stuart dynasty in leading the Highland clans to an astounding victory at Killiecrankie in 1689.</p><p>From the quagmires of treachery and self-interest, the heroic soldier is described in this vivid glimpse of one man's determined genius and bravery in the face of cruelty and destruction. In this portrayal of the first Jacobite, John Grahame of Claverhouse, Jane Lane presents both the violence and colour of Jacobite rebellion.</p><p><b>'I read Jane Lane's books with mounting admiration for both their content and style...Merging fact and fiction into essential truth, she has produced novels of quite extraordinary emotional power and exciting narrative pace.'  Author John Prebble</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The dry central western region of New South Wales is Wiradjuri Country. Here, the landscape slips from one weather cycle into another as hot, dry and windy times soften into crisp chill.</p><p>Meet the animals you can find on Wiradjuri Country in this intricately illustrated introduction to the Wiradjuri Language by two Wiradjuri creatives.</p><p>In<i> giwang,</i> Wiradjuri animals are shown along with Wiradjuri Language and English translations. Belinda Bridge's words weave an unpredictable cycle onto the page against beautiful paintings by Wiradjuri artist Peta-Joy Williams.</p><p>This evocative resource speaks to readers of all ages. It is rich with cultural meaning and is a significant Wiradjuri title to add to bookshelves.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Belinda Bridge</b> is a proud Wiradjuri woman living in Western Sydney, with strong Matriarchal lines across Wiradjuri Country. She is a mother always learning more of her Language and Culture. As a teacher, Belinda shares that knowledge  teaching Wiradjuri Language at TAFE and across all age groups. She has a degree in Creative Writing and Professional Writing and a postgraduate qualification in Wiradjuri Language, Heritage, and Culture.</p><p>Belinda's inspiration to learn and speak Wiradjuri Language comes from her family and a deep desire to stay connected to her Ancestors.</p><p><b>Peta-Joy Williams</b> is a proud Wiradjuri Yinaa (woman), born in Sydney, whose identity bridges the inland rivers of her ancestors and the saltwater cultures of the place she calls home. Drawing inspiration from both, PJ creates artwork that reflects the richness and diversity of her ancestry.</p><p>Encouraged by her Wiradjuri grandmother Eileen, she began painting Aboriginal art early in life and has since formalised her practice with a Certificate IV in Aboriginal Art and Cultural Practices and a Diploma in Fine Arts. Formerly a cultural arts teacher, PJ is now a full-time artist and the founder of Wiradjuri Wave.</p><p>Her work has been exhibited in major galleries across Australia, and her large-scale murals feature throughout New South Wales.</p>]]></Text>
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			<SubjectHeadingText>indigenous; aboriginal; alphabet book; indigenous art; indigenous language; south coast; braidwood; nowra; yuin; language revival; narooma; new south wales; dhurga; dhurga language; native animal illustration; ulladullafirst nations; marine animal illustration; araluen; picture book</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b><i>G is for Gugunyal: A Dhurga alphabet book</i></b><b> helps new speakers pronounce the 24 sounds used in Dhurga language. It complements</b> <b><i>The Dhurga Dictionary and Learner's Grammar: A south-east coast NSW Aboriginal language</i></b><b>.</b></p><p>Dhurga is one of four traditional languages of the south coast of New South Wales. It was spoken by Yuin (Yuwinj) people between Nowra and Narooma, and as far inland as Braidwood and Araluen. Our language connects us to our people and our physical world. Traditional languages are being reclaimed and spoken across Australia. Fragments of Dhurga were kept by Elders and in books. Dhurga was sleeping; but is now being taught, learned and spoken by Yuin people.</p><p>The beautiful illustrations help readers to learn the 24 Dhurga sounds. They also introduce important land and marine animals, and other creatures of the south coast that are part of local creation and dreaming stories, and Lore.</p><p>A QR code allows readers to hear the book's Dhurga sounds and words spoken by a Yuin Elder.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Leanne Brook</b> is a proud Murramarang Yuin woman living in Ulladulla, New South Wales. She is a contemporary artist, illustrator and author, and uses her art to connect with her culture, land, people and language.</p><p>Leanne began learning Dhurga after starting work at Ulladulla Local Aboriginal Land Council. She felt she was regaining something that had been missing, for her, her community and especially for her mother and Dhurga Elders. 'Now I feel a sense of responsibility and a calling to help my community restore and teach our native tongue,' says Leanne.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p></p><p><b>Winner of the 2019 CBCAEve Pownall Award for Information Books</b></p><p><b>Age range 7+</b></p><p><i>There was a hum of excitement.<br/>Flags flickered in the breeze as Maggie&amp;#x27;s heart danced with delight.<br/>&amp;#x27;This is a very special day!&amp;#x27; her mother said.</i></p><p>Maggie holds tight to her mother as they await the long anticipated apology to show a willingness to reconcile the past for future generations. In the excitement of the crowd Maggie loses touch of her mother&amp;#x27;s hand as is lost.</p><p><i>In a time &amp;#x27;long ago and not so long ago&amp;#x27; children were taken from their parents, their &amp;#x27;sorrow echoing across the land&amp;#x27;.</i></p><p>As the Prime Minister&amp;#x27;s speech unfolds Maggie is reunited with her mother. But the faces and memories of the stolen generation are all around them.</p><p>Two stories entwine in this captivating retelling of the momentous day when the then Prime Minister of Australia, Kevin Rudd, acknowledged the sorrows of past and said &amp;#x27;Sorry&amp;#x27; to the generation of children who were taken from their homes.</p><p>The book includes a foreword from Lee Joachim; Chair of Rumbalara Aboriginal Cooperative and Director of Research and Development for Yorta Yorta Nation Aboriginal Corporation.</p><p><b>Teachers&amp;#x27; notes available here</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mathew A. Frith</b> is an Australian economist specialising in American protectionist thought. He received his PhD from Federation University Australia in 2024 and is currently an economics lecturer at the University of New England (Australia).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Why do some democracies self-destruct?</b> Using the collapse of democracy in ancient Athens and the Weimar Republic, as well as the uncertain fate of democratic rule in the United States and China today as illustrative examples, Mark Chou examines the conditions and characteristics of democracy that make it prone to self-destruct. In drawing out the political lessons from these past collapses, he explains how a democracy can, simply by being democratic, sow the seeds of its own destruction.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Environments of power</i></b><b> provides unique case studies of environmental inclusion and exclusion across the Americas, Africa, Japan, India, and the South-Pacific.</b></p><p>Using more-than-human and Indigenist approaches, chapters focus on Indigenous environmental resistance, marginalisation across social and physical environments, ecology as art, and how local communities are caught up in and resist development and infrastructure projects. The book demonstrates how environments influence which bodies and other matter belong (or not) in certain places.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Offers a comprehensive interpretation of Wittgenstein's </b><b><i>Tractatus Logico-Philosophicus</i></b><b>, examining its analysis of language and logic alongside its concluding reflections on ethics and value.</b></p><p>The book provides a reading of <i>Wittgenstein's Tractatus</i>, focusing on its treatment of sense, language, and logic, then examines its ethical and value-oriented themes. It analyses the work's concluding remarks on ethics, situating them within its scientific worldview and highlighting parallels with authors Wittgenstein read and admired, presenting an enduring conception of the ethical.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Explores how open-source technologies and digital commons can transform the economy, using case studies of alternative business models</b></p><p>This book explores the transformative role of open-source technologies and digital commons in fostering a cooperative and sustainable economy. Built upon the research project 'Techno-Social Innovation in the Collaborative Economy,' the study investigates innovative, grassroots economic models that leverage digital technologies for community-driven governance and decentralised value creation.</p><p>The book presents a multi-case study approach, featuring organisations such as Tzoumakers, Open Food Network, CoopCycle, and Circles UBI. These cases exemplify how platform cooperativism, cosmolocalism, and open cooperativism redefine traditional business structures, emphasizing sustainability, fairness, and democratic ownership. The discussion extends to blockchain-enabled DAOs and their impact on labor, governance, and wealth distribution.</p><p>Through theoretical and empirical insights, <i>The Model of Open Cooperativism</i> bridges political economy and digital innovation, providing practical strategies for policymakers, activists, and scholars. It highlights the success and challenges of grassroots-driven initiatives, offering a roadmap for transitioning toward a commons-based, post-capitalist economy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Reveals new layers of the 1944 film</b> <b><i>Laura</i></b><b> by using a filmmaker-like, detail-focused method to uncover its hidden complexities and reimagine the classic as a mysterious, ever-unfolding work.</b></p><p><i>Laura Investigations in Classic Hollywood</i> focuses on <i>Laura</i>, the beloved, award-winning 1944 classic Hollywood detective drama, fondly remembered by audiences and critics alike for its noir elements, enchanting portrait, engaging performances, and romantic musical score. This book shows there are other ways to think about <i>Laura</i> by paying more attention to the film's details than is required or expected. At once an exemplar of classic Hollywood's finest achievements, <i>Laura</i> is also a film whose strangeness and mystery hint at something more. <i>Laura Investigations in Classic Hollywood</i> argues that we can shed light on this fascinating movie by thinking like filmmakers ourselves. Such an investigation requires a new method, a practical method, which we introduce and demonstrate, closely analyzing <i>Laura's</i> images and sounds. We use details and moments to analyze scenes, imagine alternate filmmaking possibilities, ask unexpected questions, and speculate about events happening off-screen, both in the fictional world and in the real world of the filmmakers and viewers. Each line of inquiry results in transforming a well-known, award-winning film into a series of glimpses at a rather unknown film, one that we fall further in love with as we explore its mysteries. By the book's end, we realise our investigation of <i>Laura</i> has uncovered the hidden complexities we overlook while watching any movie.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The Dutch art historian and jewellery expert Marjan Unger died back in 2018, at the age of seventy-two. Through her teaching and her myriad projects, exhibitions and publications, she influenced generations of jewellery artists and theorists in the applied disciplines. Yet one of her perhaps most enduring legacies is her doctoral thesis, Sieraad in Context, which she submitted in 2010.</p><p>Hitherto published only in Dutch, the text was for a long time only accessible to a small group of people. Theo Smeets, professor at the Trier University of Applied Sciences specialising in gemstone and jewellery design, was keenly aware, however, that this is a 'must read' and had made great efforts during Marjan Unger's lifetime to produce an English edition, now available in its entirety  and with her permission.</p><p>In her work, she endeavours to formulate a general definition of jewellery. Yet above all she also analyses to what extent jewellery is associated across the globe with different, sometimes contrary issues: in that all human fears but also desires have, in a sense, materialised around the world as objects of adornment.</p><p>This comprehensive approach aimed not least to develop a solid theoretical framework to aid the study of jewellery. Thus the text can already be seen as an outright standard reference work, indispensable for all prospective jewellery artists, and experts too will also discover while reading new perspectives on the phenomenon of jewellery.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The name Marzee refers to intertwined identities. There is Marie-Jose van den Hout (known as Marzee), the dealer whose drive and passion makes everything possible. There is Galerie Marzee, the institution with a rich backstory, a fabulous building, and enviable programs. And there is the Marzee Collection, more than 2,500 objects that track the history of Marzee the individual and Marzee the gallery.</p><p>This book, with a foreword by Petra Hlscher, chapters by Susan Cummins, Flos Wildschut, and Lizzie Atkins, and photographs by Michiel Heffels, tells the story of the dealer, the gallery, and the collection. In 1978 Marie-Jose opened the first Galerie Marzee in an old butcher's shop in Nijmegen, the Netherlands; today the gallery occupies an impressively renovated grain warehouse on the river Waal. Imbued with the powerful minimalism of the building, <i>Marzee</i> the book presents over 300 pieces from the Marzee Collection that have been chosen and arranged by Marie-Jose van den Hout herself.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Helen Williams Drutt is an American gallerist, collector, mediator, and promoter of contemporary art jewellery. In homage to this grande dame of international studio jewellery and her 60 years of collecting, the publication presents selected works by American and German artists in a combination never before seen. Representing the diversity of American art jewelry are 140 examples from the last 70 years, from modernist minimalist or narrative works to objects with a strong sociopolitical message. The display of almost 100 works by German jewellery artists impressively documents the various developments in contemporary jewellery in both countries, as well as mutual influences and commonalities. The works testify to Helen Williams Drutt's great devotion to and engagement with art jewellery. Moreover, they represent her friendship with artists from both the USA and Germany and, not least, the close cultural and artistic connection between these two countries.</p><p>SELECTED ARTISTS:</p><p>USA: Melanie Bilenker, Ken Cory, Aaron Decker, Claire Falkenstein, William Harper, Robin Kranitzky &amp; Kim Overstreet, Stanley Lechtzin, Keith Lewis, Albert Paley, Joyce C. Scott, Helen Shirk, Olaf Skoogfors, Kiff Slemmons, Don Tompkins, Merrily Tompkins, J. Fred Woell</p><p>Germany: Manfred Bischoff, Helen Britton, Claus Bury, Georg Dobler, Christiane Frster, Mirjam Hiller, Hermann Jnger, Falko Marx, Dorothea Prhl, Gerd Rothmann, Bettina Speckner</p>]]></Text>
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			<Text textformat="02"><![CDATA[Unruly Subjects takes readers to the epicentre of Europe's intensifying border struggles -the Aegean islands in Greece, where thousands of 'undesirable' migrants have been warehoused and violently abandoned in EU-funded refugee camps.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Unruly Subjects</i></b><b> takes readers to the epicentre of Europe's intensifying border struggles  the Aegean islands in Greece, where thousands of 'undesirable' migrants have been warehoused and violently abandoned in EU-funded refugee camps.</b></p><p>Drawing on nearly a decade of research, Ludek Stavinoha reveals the subterranean corners in which resistance brews and solidarity takes hold, tracing migrants' everyday struggles for dignity and their rights, alongside grassroots volunteers who have built vital infrastructures of support. At the heart of the book are the creative, if precarious and ambivalent, solidarities forged between volunteers and refugees, citizens and non-citizens, as they unsettle racialised boundaries and logics of control, in defiance of state-sanctioned violence, criminalisation, and neglect.</p><p>Urgent and compelling, <i>Unruly Subjects </i>illuminates how people navigate and subvert Europe's increasingly hostile border regime, and the alternative...</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Dr Ludek Stavinoha is Associate Professor in Media and Global Development at the University of East Anglia</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book introduces a new framework for understanding how the radical right reimagines demographic change as an existential threat.</b></p><p>Across Europe and the Americas, low birth rates, immigration, and gender equality are reframed as signs of civilisational decline. This volume explores how radical right actors mobilise fears around fertility, migration, race, family, and sexuality through narratives of crisis, ethnic purity, and control over borders, reproduction, and social norms. It examines conspiracy thinking fuelled by demographic anxiety to justify attacks on gender and sexual rights and reinforce exclusionary ideas of national belonging. Grounded in empirical case studies and interdisciplinary approaches, this book reveals how these narratives converge to reinforce dominance of a native, heteronormative, Christian population. In linking domains often treated separately, it provides a timely and critical perspective on the evolving logic of radical right politics worldwide.</p>]]></Text>
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			<SubjectHeadingText>Aphra Behn; Cambyses; Elizabeth Polwhele; Elkanah Settle; Francis Fane; John Dryden; John Milton; Love in a Wood; Restoration drama; Restoratiopn politics; Samson Agonistes; The Amorous Prince; The Amorous Widow; The Conquest of Granada; The The Forc'd Marriage; Thomas Betterton; Thomas Shadwell; William Davenant; William Wycherley; letters diaries of Andrew Marvell John Evelyn; print culture</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>This book shows that Max Horkheimer's program of critical theory and his research throughout his career as a university professor and thinker are rooted in the cogency of philosophical questions and an in-depth knowledge of the historical development of philosophical problems in their close correlation with the socio-economic framework which shaped the 'bourgeois society' and the Modern Era.</b></p><p>Indeed, his analyses of modern philosophers allows us to understand how the bourgeoisie seeks legitimisation and consolidation of its position, partly through the voices of its thinkers. In this way, in his investigation of early modern philosophy problems, and through constant dialogue with his colleagues Adorno, Marcuse, Pollock and Fromm, Horkheimer expresses a profound awareness of the critical force inherent in thought which, admittedly, is ever vulnerable to crisis and weakening, but which can always be reactivated.</p>]]></Text>
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			<SubjectHeadingText>Flappers; Irish Countrywomen's Association; New Woman: Women's Institutes; all-island; cinema; dancing; fashion; gender; intersectionality; interwar; jazz; jazz age; leisure; lived experiences; magazines; material culture; modern girls; modernity; nation-building; post-partition Ireland; recreation; space; student entertainment; swimming; women's agency</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This book offers fascinating new insights into women's leisure in 1920s-30s Ireland and Northern Ireland. Using a feminist, intersectional lens, it challenges stereotypes of these women's lives as insular and passive, instead presenting more complex images of agentic, pleasure-seeking subjects who were influenced by the international 'modern girl'.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>People's ordinary, everyday lives  and more specifically, their leisure activities  are often obscured within existing academic research on 1920s-30s Ireland. </b></p><p>This book seeks to redress that neglect by exploring the relationship between identity, recreation, and culture both North and South of the border, with particular attention to women's lived experiences.</p><p>Leisurely pursuits during this period were commonly overshadowed by religious Influence and the nation-building projects in post-partition Ireland. Nevertheless, there existed alternative spaces, where people enjoyed dancing, singing, listening to music, shopping, glamour, reading magazines, swimming, travelling, and going to the cinema. Such activities reflected international trends beyond national borders.</p><p>This book documents those activities and spaces through a feminist lens and intersectional analysis of gender, class, religion and rural/urban identities.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Eileen Hogan</b> is Lecturer in Social Policy at the School of Applied Social Studies, University College Cork, Ireland.<br/><b>Louise Ryan</b> is Senior Professor of Sociology and Director of the Global Diversities and Inequalities Research Centre at London Metropolitan University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>The melody and rhythm of speech: General and Swedish prosody</i></b><b> is the only book of its kind on the market.</b></p><p>It deals with features of speech that together with consonants and vowels contribute to create meaning in utterances and contribute to give speech its maximal strength as means of human communication. The book deals with prosody at all levels, from the word to text and dialogue and presents models for rhythmic and tonal prominence using an Autosegmental Metrical theoretical approach. On the practical side, the book also describes methods for carrying out prosodic analysis and for transcribing prosody. Aspects of applied prosody are also taken up, including dysprosody, language acquisition, and speech technology. The book gives a coherent and pedagogical presentation of speech prosody by Gsta Bruce, one of the most outstanding international experts on prosody of our time.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gsta Bruce</b> (1947-2010) was Professor of Phonetics at Lund University, Sweden.</p><p><b>Merle Horne</b> is Professor Emerita of Linguistics, Lund University, Sweden.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Cinematic Nightscapes</i></b> <b>explores how the darkness of night in contemporary Cuba becomes a powerful site for political expression, cultural imagination and artistic experimentation.</b></p><p>As the rhythms of the day give way to night, a different Cuba emerges, one where protests take shape, marginalized voices reclaim space, and filmmakers reimagine ethnographic and documentary storytelling.</p><p>This book offers a sensorial and creative journey through Cuban documentary films that engage with the night not just as backdrop, but as a central character shaping emotions, aesthetics and socio-political discourse. Blending theory with rich visual analysis, <i>Cinematic Nightscapes</i> asks: How does the night alter ethnographic practice? How do Cuban filmmakers use the night to imagine new futures? Through a reflexive, multimodal approach, the book invites readers to experience the complexities of nocturnal life in Cuba, where darkness illuminates new possibilities.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Looks at cultures of deterrence and 'war-ending' weapons and suggests their longer role within the development and stasis of the Anglosphere.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In this book, Michael Gardiner suggests that the conception of the 'war-ending' weapon was tied up with a longer commitment to unified space and singular progress. </b>The mission for total weapons can be seen rising with the highly-technical defensive war of the later nineteenth century, and passing through twentieth century atomic research, then the targeting of the outsides of commercial empire, and the post-war consensus with deterrence as its foundation. The end of the Cold War brought an opportunity to fully naturalise deterrence, but also brought a tacit acceptance of nuclear violence while forms of violence against the individual were rigorously sought out. If the world-unifying role of deterrence has always been undermined by the rise of rival empires, it has also been questioned by critical communities including the consensus-sceptics of the 1950s-60s, 1980s-90s Nuclear Criticism and readers of 'nuclearism', millennial campaigns for Scottish independence, and twenty-first century descriptions of nuclear colonialism. Recently it has become more obvious that an Anglosphere concept of 'worldly' deterrence was bound to a singular and ultimately nihilistic idea of progress.</p>]]></Text>
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			<BiographicalNote textformat="05"><![CDATA[<p><b>Gerri Kimber</b> is Visiting Professor in the Department of English at the University of Northampton. She is co-editor of Katherine Mansfield Studies, and the author of <i>Katherine Mansfield: A Hidden Life</i> (2025), <i>Katherine Mansfield  The Early Years</i> (2016), <i>Katherine Mansfield and the Art of the Short Story</i> (2015), and <i>Katherine Mansfield: The View from France</i> (2008). She is the Series Editor of the 4-volume <i>Edinburgh Edition of the Collected Works of Katherine Mansfield</i> (2012-16). Together with Claire Davison, she has edited the 4-volume edition of Katherine Mansfield's complete letters for EUP (2020-25).</p>]]></BiographicalNote>
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			<Text textformat="02"><![CDATA[<p><b>Penelope Anderson's original study changes our understanding both of the masculine Renaissance friendship tradition and of the private forms of women's friendship of the eighteenth century and after. </b>It uncovers the latent threat of betrayal lurking within politicized classical and humanist friendship, showing its surprising resilience as a model for political obligation undone and remade. Incorporating authors from Cicero to Abraham Cowley and Margaret Cavendish to Mary Astell, the book focuses on two extraordinary women writers, the royalist Katherine Philips and the republican Lucy Hutchinson. And it explores the ways in which they appropriate the friendship tradition in order to address problems of conflicting allegiances in the English Civil Wars and Restoration. As Penelope Anderson suggests, their writings on friendship provide a new account of women's relation to public life, organised through textual exchange rather than bodily reproduction.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Previously only available as edited excerpts or as largely unedited transcriptions, Katherine Mansfield's diaries and notebooks have been re-transcribed and minutely edited for the first time, and are presented in this volume with precise historical, cultural and biographical contextual information.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Resituates Katherine Mansfield as an observant diarist, chronicler of her times and erudite reader of English and European literatures.</b></p><p>Previously only available as edited excerpts or as largely unedited transcriptions, Katherine Mansfield's diaries and notebooks have been re-transcribed and minutely edited for the first time, and are presented in this volume with precise historical, cultural and biographical contextual information. The entries show Mansfield's evolution as a writer as well as the impact of her era on early drafts of her mature writings. This volume also contains fascinating new material never previously published  poem-cycles, letters, Mansfield's own illustrations, and the last materials she was working on in the final weeks of her life. A detailed index facilitates cross-reading and referencing for scholars and general readers alike.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Meghan Marie Hammond shows how five exemplary writers (Henry James, Dorothy Richardson, Katherine Mansfield, Ford Madox Ford, and Virginia Woolf) tackle the so-called 'problem of other minds' in ways that reflect and enrich early twentieth-century discourses of fellow feeling.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Shows how </b><b><i>fin de siecle</i></b><b> conceptions of empathy are woven into the fabric of literary modernism.</b></p><p>Empathy is a cognitive and affective structure of feeling, a bridge across interpersonal distance. Coined in 1909 to combine English 'sympathy' and German 'Einfhlung,' 'empathy' is a specifically twentieth-century concept of fellow feeling. <i>Empathy and the Psychology of Literary Modernism</i> looks into the little-known history of empathy, revealing how this multi-faceted concept had a profound effect on literary modernism.</p><p>Meghan Marie Hammond shows how five exemplary writers (Henry James, Dorothy Richardson, Katherine Mansfield, Ford Madox Ford, and Virginia Woolf) tackle the so-called 'problem of other minds' in ways that reflect and enrich early twentieth-century discourses of fellow feeling. Hammond argues that these authors reconfigure notions of intersubjective experience; their writings mark a key shift away from sympathetic forms of literary representation toward empathic forms that strive to provide an immediate sense of another's thoughts and feelings. But while literary modernism values empathic experience as an ideal, it is also teeming with voices that recognise potential for danger, even violence, in acts of empathy. These voices illuminate our culture's ongoing concern with empathy's limits.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Explores Chinese artistic and stylistic influences on Modernist practice in early-twentieth century Britain.</b></p><p>This volume examines the ways in which an intellectual vogue for a mythic China was a constituent element of British Modernism. Traditionally defined as a decorative style that conjured a fanciful and idealised notion of China, chinoiserie was revived among London's avant-garde circles, the Bloomsbury group, the Vorticists and others, who like their eighteenth-century forebears, turned to China as a cultural and aesthetic utopia.</p><p>As part of Modernism's challenge to the 'universality' of so-called Western values and aesthetics, the turn to China would contribute much more than has been acknowledged to Modernist thinking. As these 10 new chapters demonstrate, China as an intellectual and aesthetic utopia dazzled intellectuals and aesthetes. At the same time the consumption of Chinese exoticism became commercialised. The essays show that from cutting-edge Modernist chic to mass culture and consumer products, the vogue for chinoiserie style and motifs permeated the art and design of the period.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Irony in International Politics</i></b><b> investigates ironic language in international politics, focusing on how political leaders use irony to articulate failures of the liberal international order. </b>Underlining the political, performative, and affective nature of irony in international politics, the book introduces a novel typology of four forms of irony: justice-seeking irony, hegemony-seeking irony, recognition-seeking irony, and disruption-seeking irony. Irony is typically understood as a tool of the underdog who seeks to reveal the hypocritical nature of the powerful, but <i>Irony in International Politics</i> shows that irony is increasingly used by the powerful who expose that there is a wide gap between the ideal and the actual in international politics. Studying cases from Turkey, the United Kingdom, Hungary, the United States, Sweden, Germany, Greece, and Russia, the book illustrates how the post-Cold War era represents a distinct scene of irony with its particular identity struggles and power asymmetries that have prompted ironic reactions.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In this book, Studebaker develops a theory of legitimacy to explain the crisis of liberal democracy in established democracies, like the United Kingdom and the United States.</b> In these countries there is deep dissatisfaction with political procedures, yet no credible alternatives have emerged. Without alternatives, the crisis cannot produce revolution. Instead, Studebaker suggests that the disagreements that ordinarily lead to political violence instead proliferate throughout the state and society. As the distinction between legitimacy and ideology blurs, efforts to generate legitimacy instead generate greater inequality, pluralism, and gridlock. As different factions try to save democracy in radically different ways, diverse advocates of democracy get in each other's way and even begin to appear authoritarian to one another. In <i>Legitimacy in Liberal Democracies,</i> Studebaker depicts a legitimacy crisis rife with state capacity problems, in which citizens tell each other many conflicting legitimation stories as they search for ways to live with a dissatisfying political system they cannot replace. The result is a legitimation hydra  a state that is burdened by an excess of narratives, that struggles to take any action at all.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>David Foster Wallace and the Question of Scepticism</i></b><b> examines the role of scepticism and doubt in Wallace's work, showing that they are of fundamental importance to his writing in its form and its themes.</b> Wallace's work articulates a deep ambivalence about the value of scepticism, on the one hand presenting practical and moral arguments for the value of conviction and belief, while on the other hand being committed to a sceptical project of opposing certainty and dogma. On a formal level, Wallace's writing both solicits the reader's trust and provokes the reader's scepticism. This dynamic is responsible for the polarised responses of absolute trust and dissenting scepticism that characterise the work's reception. By putting these responses into dialogue with the work's internal treatment of the question of scepticism, this book illuminates the core philosophical investments that drive the work, and the dynamics that have so far governed its reception.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The Arabic novel has taken shape in the intercultural networks of exchange between East and West, past and present. Wen-chin Ouyang shows how this has created a politics of nostalgia which can be traced to discourses on aesthetics, ethics and politics relevant to cultural and literary transformations of the Arabic speaking world in the 19th and 20th centuries. She reveals nostalgia and madness as the tropes through which the Arabic novel writes its own story of grappling with and resisting the hegemony of both the state and cultural heritage.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Postmodernism has come and gone, but the belief that artists and works of art are exceptional is alive and well. </b><i>Post-Exceptionalism</i> speculates that this is so because postmodernism, when it declared the death of the author and celebrated the copy, failed to name political theology as its fundamental target. In a time when sovereignty is experiencing a dubious global revival, the moment has come to reconsider the artist and the work of art after political theology in search for a new, worldly, and emancipatory politics of aesthetics.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Motherhood is a recurrent theme in Virginia Woolf's writing yet Woolf scholarship has often overlooked this dynamic subject. </b>Exploring how Woolf engaged with themes of motherhood as a socially and politically motivated writer and a woman, this book grounds her work in the maternal discourses of her time. By reading Woolf's texts in dialogue with contemporary writing, socio-political events and medical and scientific advances, <i>Virginia Woolf and Motherhood</i> establishes the significance of maternity across Woolf's <i>oeuvre</i> and exposes how public and personal matters of motherhood informed the links she drew between maternity, femininity, self-worth and artistry. With novel analysis of Woolf's writing on war, eugenics, food and psychoanalysis, Charlotte Taylor Suppe demonstrates the substantive influence maternal discourses had on shaping Woolf's feminism, political beliefs and creative practices.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The women represented in this volume as both authors and protagonists exert power by resisting the social paradigms that govern how they 'should' behave  by thwarting expectations of typical 'feminine' conduct (whether in relation to female corporeality and sexuality) or by their (non)adherence to the institutions of marriage and motherhood. However, they also claim power by espousing more conventionally 'feminine' roles, recuperating and revaluing those that entail caring and nurturing. They emphasise, in ways consistent with the growing body of feminist work on care relations, the positive, life-affirming potential that such roles embody. This volume focuses on women who, through smaller and larger acts of empowerment, seek to exert influence over their life choices. Its diverse contributions acknowledge the contextual, historical and intersectional specificities governing every woman's power to choose her own present and future, and the important role played by even incremental changes in contributing to a greater sense of personal independence and self-knowledge, without which there can be no meaningful political change.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>This is the first scholarly study of Britain's oldest pilgrimage site in continuous use, St Winefride's Well. Since the martyrdom of its titular saint in the seventh century, pilgrims have flocked to the shrine in Holywell, north Wales, in search of healing and help in its icy waters. The shrine survived the ravages of the Reformation, and remained popular in an era when pilgrimage was suppressed; it exploded in popularity during the second half of the nineteenth century, when stories of miraculous cures and mass pilgrimages filled the columns of national and international newspapers. By the 1890s, St Winefride's Well was being called the Lourdes of Wales. This book charts centuries of changing pilgrimage practices to the well  from the journeys to reach it, to the actions of pilgrims in and around the water, and their post-pilgrimage lives  alongside accounts of how the shrine has been attacked, defended, restored and promoted over time.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Introducing the Medieval Bear examines how medieval people represented bears across virtually every written source from the time, including Old Norse sagas, French romances, Latin saints' lives, German comic tales, and chronicles and hunting manuals from multiple languages.]]></Text>
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			<Text textformat="02"><![CDATA[<p>For medieval people, bears were not objects of eliminationist predation, as they often became in later years, or environmentalist pity, as they are today. Instead, they were subjects like human beings, whom they were thought to resemble to an uncanny degree. A human being might become a bear, and a bear might become a human being. A bear might mate with a woman and have children with her, even founding the royal dynasties of Denmark, Norway, and England. Given their great strength and courage, bears were believed to be eager participants in bearbaiting contests. <i>Introducing the Medieval Bear</i> examines how medieval people represented bears across virtually every written source from the time, including Old Norse sagas, French romances, Latin saints' lives, German comic tales, and chronicles and hunting manuals from multiple languages. In doing so, this study asks us to imagine  as medieval sources ask us to imagine  the bear as someone of equal dignity to ourselves.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Karen Sullivan</b> is Irma Brandeis Professor of Romance Culture and Literature at Bard College. She is the author of several books on medieval literature and history, most published by the University of Chicago Press.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Photographic Field Guide to the Grasses of Madagascar</i> is the first photographic compilation of information on Madagascar's Poaceae, featuring around half of the known species. Compiled by a team of Malagasy and international botanists lead by the Royal Botanic Gardens, Kew, Kew Madagascar, and partner institutions, it consolidates expert-generated and expert-verified information in Malagasy and English. This book contains information on 269 species of grasses, with a general introduction and an index to Malagasy common names as well as Latin names. Researchers are continuing the considerable work of assessing the current biodiversity, distribution, uses, and evolution of the grasses of Madagascar.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The contentious life and times of the most widely cited book of the New Testament.</b></p><p>Written some two thousand years ago, the Gospel of John is the only Christian Gospel to place Jesus at the creation of the world, and the only one where we find the stories of the raising of Lazarus, the woman taken in adultery, and the changing of water into wine at the wedding in Cana. The Gospel of John also points an accusing finger at Jesus's Jewish opponents and has been used by medieval crusaders, Protestant reformers, and white supremacists to legitimise antisemitic violence. Kim Haines-Eitzen traces the legacy of this complex, beautiful, and at times deeply troubling work, from its composition in the late first century to its enduring power today.</p><p>Haines-Eitzen sheds light on the book's reception by early Christian gnostic and patristic commentators, its use in the Crusades and Reformation, its revered status among American evangelicals, and the many ways it has inspired novels, films, music, and art. The earliest papyrus fragment of an identifiably Christian Gospel is a fragment of John, and John is the only canonical Gospel that depicts Jesus as a savior who teaches openly about his divinity. Haines-Eitzen shows how John simultaneously carries a message of inclusion and intolerance, and how its story teaches us about the nature and enormous influence of scriptural religions.</p><p>Compelling and provocative, <i>The Gospel of John</i> reveals how this dynamic, malleable biblical work has both unified and divided Christians over centuries of translation, interpretation, and creative reimagining.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kim Haines-Eitzen</b> is the Hendrix Memorial Professor of Early Christianity and Early Judaism at Cornell University. Her books include <i>Sonorous Desert: What Deep Listening Taught Early Christian Monks  and What It Can Teach Us</i> (Princeton) and <i>The Gendered Palimpsest: Women, Writing, and Representation in Early Christianity</i>. She appeared in National Geographic's <i>The Story of God with Morgan Freeman</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>'<b>A rounded, gently critical, always interesting portrait of this unique personality.'- Joseph Campbell, author of</b> <b><i>The Hero with a Thousand Faces</i></b></p><p><b>A biography of Ananda K.</b> <b>Coomaraswamy, the pioneering interpreter of Indian art, philosophy, and mythology.</b></p><p>Ananda K. Coomaraswamy (1877-1947) was a pioneer in Indian art history and in the cultural meeting of East and West in the twentieth century. A scholar in the tradition of the great Indian grammarians and philosophers, an art historian convinced that the ultimate value of art transcends history, and a social thinker influenced by William Morris, Coomaraswamy was a unique figure. Finding a universal tradition in past cultures ranging from the Hellenic and Christian to the Indian, Islamic, and Chinese, he wrote many influential books and essays in which he explored his ideas about ancient symbols and wisdom. In this biography, Roger Lipsey chronicles the development of Coomaraswamy's ideas and the career that led him from geology to art history and metaphysics, and from Ceylon (now Sri Lanka) to England and the United States.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A graduate-level, mathematically rigorous introduction to the tools, methods, and approaches used in contemporary quantitative finance.</b></p><p>This book offers a theory-oriented introduction to investments, asset pricing, and derivatives. Designed for a quantitative master's program in finance, it is grounded by what works in the classroom. Presenting its topics in a unified, self-contained framework, the book is specifically appropriate for courses in asset pricing and derivatives pricing but may also be used for courses in investments, asset management, and portfolio management. Students will learn how to make decisions under uncertainty and over time, how to choose an investment portfolio, and how to characterise the prices and returns of financial assets in equity, bond, and derivative markets. The book focuses on a number of classical models and theories in quantitative finance and covers selected advanced and newer topics in its final section. Proofs and in-depth theoretical results within quantitative finance appear throughout the book along with examples and end-of-chapter exercises to facilitate and support the learning process.</p><ul><li>Part I covers the capital asset pricing model, the Lucas model, the static Arrow-Debreu model, consumption-based asset pricing, and the arbitrage pricing theory, and introduces preliminary theories of decision-making and portfolio choice</li><li>Part II covers no-arbitrage theory, with applications to derivatives and bond markets, beginning with a static economy and then gradually moving to the continuous-time setting; it includes the advanced mathematical tools needed for continuous-time finance</li><li>Part III covers selected advanced and newer topics, including equilibrium models in continuous time, the variance gamma option pricing model, and the Ross recovery theorem</li><li>An appendix presents mathematical concepts and results from set theory, topology, linear algebra, matrix theory, and analysis</li></ul>]]></Text>
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