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				<TitleText>Biology of Skinks of the Genus Lampropholis</TitleText>
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			<SubjectHeadingText>Lampropholis; Phylogeny; skinks</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This book provides the first detailed summary of the biology of the genus Lampropholis, also known as Garden Skinks, Grass Skinks, Litter Skinks, Penny Lizards, and Sunskinks.]]></Text>
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			<Text textformat="02"><![CDATA[<p>This book provides the first detailed summary of the biology of the genus <i>Lampropholis</i>, also known as Garden Skinks, Grass Skinks, Litter Skinks, Penny Lizards, and Sunskinks.</p><p>This genus, an Australian endemic, includes two common, widespread species (one of which has been inadvertently introduced into Hawaii, New Zealand, and Lord Howe Island) and a group of satellite species with restricted geographic distributions. Much information about these lizards resides in obscure articles and unpublished theses. This book integrates those scattered data, providing the first comprehensive account of all aspects of the biology of the genus, including its life history, distribution, dispersal, ecology, behaviour, thermal biology, physiology, diet, predators, parasites and diseases, population biology, genetics, threats and conservation, taxonomy, phylogeny, and evolution.</p><p>This volume is essential reading for biologists in general and especially herpetologists, conservationists, naturalists, park rangers, managers of natural resources and wildlife, policy-makers involved with conservation, and anyone with an interest in Australian wildlife.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Shelley Burgin</b> is an Emeritus Professor at the University of Western Sydney, New South Wales (NSW), Australia. In the mid-1970s, as a mature-aged student, she undertook an undergraduate degree in Environmental Studies at Griffith University, Queensland. Her Masters thesis (University of Papua New Guinea) focused on crocodiles and her PhD thesis (Macquarie University) was on the taxonomic and phylogenetic relationships of <i>Lampropholis</i>. In 2001, she was inducted as a Fellow of the Royal Zoological Society of NSW and in 2018 as a Member (General Division) of the Order of Australia. She has in excess of 200 publications.</p><p><b>Harold Heatwole</b> is Adjunct Professor at the University of New England, NSW, Australia, and Professor Emeritus at North Carolina State University, USA. He has four doctorates and 376 scientific publications to his credit and edited <i>Ecology in Australia</i> (7 volumes) and <i>Amphibian Biology</i> (13 volumes). He was President of the Great Barrier Reef Committee (19801982), Foundation President of the Australian Coral Reef Society (19821983), and Editor-in-Chief of <i>Integrative and Comparative Biology</i> (20102014).</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book explores the migration of Greeks from the island of Ikaria to South Australia between 1900 and 1945. This little-researched diaspora is examined alongside the key themes of emigration, settlement, community building and integration.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Examines the little-known Ikarian Greek diaspora, focusing on Ikarians' emigration, settlement, community.</b></p><p>This scholarly monograph looks at a little-researched diaspora, originating on the Greek Aegean Island of Ikaria. Ikaria itself is a small, isolated island, close to the Turkish coast. It has had a long and independent history, with periods of autonomy and self-rule, including the short-lived Free State of Ikaria in 1912, which was the outcome of the Ikarian Revolution against the Ottoman Empire. Ikarians themselves remained quite insular until the nineteenth century, when they began emigrating. Ottoman port-cities and urban centres, as well as nearby Aegean islands, received the first Ikarian emigrants.</p><p>Eventually, Ikarians found themselves in growing hubs of migration such as Egypt and the United States. By 1910, the first Ikarians had arrived in Port Pirie, South Australia, beginning a long tradition of Ikarian migration and settlement in the state. This book explores the Ikarians in South Australia between 1900 and 1945  an under-researched period, and a contrast from most studies on Greeks in Australia, which have focused heavily on the mass migration post-World War II and post-Greek Civil War. This also leaves a gap for a later study on Ikarians in South Australia beyond 1945. The book positions itself around four key themes: emigration, settlement, community building and integration, with ideas such as localism and identity being explored as facets within those themes.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr. Yianni Cartledge</b> is a lecturer in Greek Studies (culture) at the College of Humanities, Arts &amp; Social Sciences, Flinders University. His research interests include migration and the migrant experience, diaspora studies, Mediterranean histories (particularly the British and Ottoman Empires), and the history of modern Greece.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>In solidarity, under suspicion</i></b><b> is the successor volume to </b><b><i>Against the grain</i></b><b> (2014) and </b><b><i>Waiting for the revolution</i></b><b> (2017), complementing analysis of the far left in Britain from 1956 until the present. In addition to new scholarship on hitherto under-researched groups and movements, the volume explores recent findings from the Undercover Policing Inquiry and provides historical context for developments in the British left during and after 'Corbynism'. </b>Chapters consider the far left's relationship to the state as well as to the Labour Party, and highlights attempts by far-left groups and activists both to intervene internationally and to transform themselves. With a range of different perspectives  activist and academic  In solidarity, under suspicion draws out the distinct ways that different far left groups and movements have responded to problems which remain salient today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Daniel Frost </b>is a Visiting Research Fellow at the Mile End Institute, Queen Mary University of London.</p><p><b>Evan Smith </b>is a Visiting Fellow at Flinders University, South Australia, and a Visiting Research Fellow at the University of Adelaide.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The main aim of this book is to contribute to theorising audiovisual translation in today's digital media culture as a means of self-expression and community building. An increasing number of people are participating in producing, consuming and disseminating media content among like-minded others in pursuit of their individual interests and agendas, as part of the so-called phenomenon of 'self-mediation'.</b></p><p>In today's networked society, such self-mediation may contribute to boosting the digital diaspora, facilitating the exploration and negotiation of shared interests among individuals from different lingua-cultural backgrounds, and enabling the formation of communities of affinity. </p><p>This book is the first monograph that explores translation on YouTube as part of the self-mediation phenomenon. By drawing on key concepts in affect theory, this book examines how audiovisual translation contributes to shaping today's participatory digital media culture.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Seryun Lee</b> is a Lecturer in Korean Studies at the University of Sydney. She holds a PhD in Translation and Intercultural Studies from the University of Manchester and has previously held positions at Hankuk University of Foreign Studies and the University of Queensland. Her research interests centre on translation in digital media culture, online communication, contemporary screen culture, and Korean culture and society. Her research has been published in a number of international peer-reviewed journals in media and cultural studies, including the <i>International Journal of Cultural Studies</i>, <i>Social Media + Society</i> and <i>Continuum: Journal of Media &amp; Cultural Studies.</i> </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dimitris Vardoulakis</b> is Professor of Philosophy at Western Sydney University. He is the author of <i>The Doppelgnger: Literature's Philosophy</i> (2010), <i>Sovereignty and its Other: Toward the Dejustification of Violence</i> (2013), <i>Freedom from the Free Will: On Kafka's Laughter</i> (SUNY, 2016) and <i>Stasis Before the State: Nine Theses on Agonistic Democracy</i> (2018). He has edited or co-edited numerous books, including <i>Spinoza Now</i> (2011) and <i>Spinoza's Authority</i> (two volumes, 2018). He is co-series editor of <i>Incitements</i> and founding editor of the journal <i>Philosophy, Politics and Critique</i>, both at Edinburgh University Press. </p>]]></Text>
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			<Text textformat="02"><![CDATA[Assesses the role of lesbian dress style in constructing lesbian characters on film.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>While there are a great many books on the Hollywood star system and its costuming, and a number of books on queer cinema, the role of lesbian dress styles in constructing lesbian characters has yet to be the subject of a discrete, detailed book study.</b></p><p><i>Lesbian Styles in Cinema</i> examines how dress constructs lesbian characters as a form of representation and visual communication in film. By focusing on a set of independent and studio films that highlight lesbian dress practices, from Leontine Segan's <i>Madchen in Uniform</i> (1931) and other lesbian classics such as Donna Dietch's <i>Desert Hearts</i> (1985) to the Wachowski sisters <i>Bound</i> (1996) and Rose Glass' <i>Love Lies Bleeding</i> (2024), this book unpacks the role of sartorial codes in producing narratives of lesbian subjectivities, representation and desire.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Vicki Karaminas</b> is Professor of Fashion at Massey University Aotearoa New Zealand. She was awarded the University Medal in the Social Sciences (1997) by the University of Technology Sydney and the Humanities Aronui Medal (2024) from the Royal Society Te Aprangi, Aotearoa New Zealand. She holds an honorary Professorial position at the University of Sydney and is an Honorary Fellow of the University of Melbourne. She has published over 20 books on fashion, gender and sexuality. Her latest book publication (with Adam Geczy) is the revised second edition of <i>Queer Style</i> (2024). Her work has been translated and published into several languages other than English.</p><p><b>Judith Beyer</b> is a teaching fellow at AMD Akademie Mode und Design, Germany. She earned her doctorate degree from Massey University Aotearoa New Zealand and is the recipient of the Dean's List (2023) for academic excellence. Her research focuses on the intersection of fashion and culture, and the concepts of gender fluidity, sexualities and masculinities in contemporary fashion. Her first monograph is titled <i>Antigender Fashion: The Possibilities of Gender-Fluid and Non-Binary Fashion Design</i> (2025). </p>]]></Text>
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			<SubjectHeadingText>Theory Of Creativity; Inspiration; Flow; Talent; Wisdom; Method; Creative Learning; Meditation; Filmmaking; Asian Theatre; Music Composition; Think Outside The Box; Writer'S Block; Motivation; Alternative Thinking; Brainstorming; Director; Playwright; Stan Lai; Creative Map Exercises; Training; Exercises; Teaching Creativity; Thinking Process; Decision Making</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Asia's legendary playwright- director Stan Lai has written one of the unique works of our time, explaining that the mysterious act of creativity is actually a traceable function of mind, and there is a path to learn creativity through un-learning many of our habits picked up in life.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Asia's creative guru Stan Lai has written one of the unique works of our time, explaining that the mysterious act of creativity is actually a traceable function of mind, and there is a path to learn creativity through un-learning many of our habits picked up in life. Through his extensive experience, the greatest living Asian playwright shows us how to cultivate a 'creative app' that works within us.</b></p><p>This book is a rewrite by the author of his best-selling work in Chinese that has become the most prominent work on creativity in China, used by artists as well as schools and corporations. Stan Lai is uniquely qualified to write on creativity, because he not only has four decades of creative experience, widely acclaimed as the greatest playwright in the Chinese language, but also over two decades of teaching experience in the performing arts.</p><p>Can creativity be taught? Most of the books and training in this area deal with skills for jumpstarting alternative thinking, brainstorming and other exercises, but do not deal with creativity itself. They don't tackle the obvious question: What is creativity and how can I get it? Lai explains that the reason we don't think creativity can be taught is that we don't really understand what happens in the mysterious process. By slowing down the moment of inspiration, Lai lets us see exactly the elements involved in this complex process that lasts only an instant. Then he shows you how to prepare for this moment, through his unique Map of Creativity. This is a whole path of training in creativity, which he explains clearly and humour and compassion, and tailor-made exercises.</p><p><i>Creativitry </i>is a milestone in understanding and learning the creative act. Born in America, raised in Taiwan, with a career spanning the Chinese diaspora, Lai believes that we are all born creative, but the source to creativity has been blocked, by life. How to take down the barriers that are blocking the source from us is a task of un-learning many things that have become habits and put us into a so-called non-creative mode. Taking his cue from his Buddhist training that wisdom and method are both needed for success in any endeavour, he explains how 'wisdom' has mysteriously vanished from education systems all over. Most teaching in creativity focuses on method, which one learns in one's art. But we need another type of training, more urgently, the training for wisdom, which can only happen in the domain of life. To do, you must first be. To discover your creativity, you must first discover yourself.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Stan Lai</b> is 'The major contemporary Asian playwright of his time, perhaps of all time' (Robert Brustein), 'The best Chinese language playwright and director in the world' (BBC) and 'top theatre director' (Asiaweek). Lai is a cultural icon, considered the greatest living playwright in the Chinese world, some say the world, also a noted educator and creativity guru.</p>]]></Text>
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			<SubjectHeadingText>Truth; Interpretation; Responsibility; Reparation; Idealisation; Circumstance; Privacy; Purity; Pollution; Shame; Complicity; Literary Art; Violence; Sexuality; Gender Studies</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Sexual Violence and Literary Art addresses the complicity of representation in what is represented, and its creative transformations, by re-examining classic poetic, dramatic and fictional texts by men in light of women's philosophical, theoretical and critical responses to them.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Addresses the complicity of representation in what is represented, and its creative transformations, by re-examining classic poetic, dramatic and fictional texts by men in light of women's philosophical, theoretical and critical responses to them.</b></p><p>Written by a practising poet and novelist who has close experience of the subject matter and has published creative work in the areas being examined, <i>Sexual Violence and Literary Art</i> is a wide-ranging study, covering carefully selected works from Ovid through Shakespeare to Pope, Richardson, Shelley, Hardy, Nabokov and beyond. It addresses the necessary complicity of any representation in what is represented, by examining ways in which canonical male writers have attempted to evoke and address representations of sexual violence in poetry, prose fiction, and poetic drama in light of women's philosophical, theoretical and critical responses to these works of literary art.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Author of many books of poetry, translation, fiction and literary criticism,<b> Peter Robinson</b> is a professor of American literature at the University of Reading and poetry editor for Two Rivers Press.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The relationship that internationally renowned artist Ernst Gamperl (b. 1965) has developed with wood as a living material, together with the knowledge of the inescapable nature of serendipity, is a source of creative inspiration as well as the driving force behind his work  one revolving around the artist's deep connection with nature and respect for his raw material.</b></p><p>Trees are an integral part of creation, symbols of life and strength that Gamperl has studied for years in symbiosis with their essence and nature. His unconventional approach to the material, combined with a revolutionary technique and an original interpretation, results in works that are captivating in their elegance and charisma and stir the viewer, who discovers something never before encountered.</p><p>This monograph provides a comprehensive examination of the life and work of Ernst Gamperl in which individual chapters present various work groups, including his well-known Tree of Life project: from a massive oak, around 230 years old, that was uprooted by a hurricane. Ninety-seven vessels were created from its wood, extending a dignified afterlife to the venerable tree. Other chapters are devoted to the Houghton Oak Project, his work for Issey Miykae, and the current exhibition at Galerie Handwerk in Munich, among others.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This publication explores the extraordinary beauty of Chinese glazes through the classically inspired works of Royal Copenhagen stoneware studio, created between the 1930s and 1970s.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The deeply luminous, finely textured glazes of classic Chinese ceramics have long been fascinating to experts and collectors. At firing temperatures of 1300C, the ceramic body and the glaze are fused together into a new materiality of great aesthetic and emotional power. This volume, published in two language editions, illustrates this extraordinary beauty by way of the classically inspi-red works of the Royal Copenhagen stoneware studio, created between the 1930s and 1970s.</b></p><p>For the first time, the range of the various glaze effects is approached from the perspective of intensive, decades-long personal interaction with these objects. Chemical formulas and technical terms have been deliberately avoided.</p><p>The catalogue section has been divided into 13 parts, each dealing with one particular kind of glaze, preceded by a short introductory description. The main section is dedicated to the magical aspects of glazes. It goes into the causes of the optical and haptic effects, so too the significance of nature as a model. The decorative potential of technical deviations is also explored, as well as the formation of contrasts and, finally, the physical tension between the ceramic body and the glaze. Artists' signatures and two systems of dating codes are part of the addendum.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jrg Schwandt</b> is a collector, author, and former gallerist. He has published extensively on German applied arts, Danish silver, and Danish silver jewellery. Collecting and exploring Danish artist stoneware for well over 50 years, the author now reveals the exceptional, almost overwhelming aesthetic properties of ceramic glazes inspired by classic Chinese traditions.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Berlin Deko </i></b><b>is the first comprehensive English-lan-guage overview of German and Central European furniture design of the early 20th century. Various essays and numerous illustrations show that there was no direct linear development of style between Jugendstil and Bauhaus. With a special focus on the period between 1910 and 1930, a diverse continuum of styles is revealed, including the previously overlooked 'Expressionist Rococo', which flourished in Berlin at the time.</b></p><p>The book highlights Berlin's role as a center for fur-niture and interior design that attracted international artists. Key figures such as Leo Nachtlicht, Oskar Kaufmann, Bruno Paul, Jean Krmer, Fritz August Breuhaus de Groot, Paul Thiersch, Emil Fahrenkamp, Eduard Pfeiffer, and Lajos Kozma played important roles. </p><p><i>Berlin Deko</i> reexamines and celebrates Berlin's le-gacy as a creative center, revealing a richer, more nuanced narrative of German design history. One that celebrates diversity, individual expression, and the enduring influence of Berlin as a creative hub.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Gertraud Moehwald (1929-2022) was a renowned German sculptor and ceramicist, whose expressive figurative works earned her international acclaim. This book provides insight into her creative process, showcasing selected works and unpublished texts. Text in German.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'I was born in Dresden in 1929. After leaving school I did an apprenticeship there as a stone sculptor. From 1950 to 1954 I studied sculpture, and 1959 to 1964 ceramics at Burg Giebichenstein in Halle. In 1979-89 I worked there as a teacher. I am married to a painter and have four children.'</b></p><p>The ceramicist and sculptor Gertraud Mhwald, who was renowned far beyond the borders of Germany, gave this personal statement two years before her death in December 2002. The emotional expression of her figurative works can be understood by people across the globe. But who is this sculptor with the impressive ability to critically observe herself and the world? Who is this woman who struggles to find space and time for her own artistic work while trying to fulfil her role as a wife and mother? Who is this ceramicist who knows how to draw positives even from adverse circumstances? This book provides the answers in images of selected works and numerous hitherto unpublished texts by the artist.</p>]]></Text>
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			<SubjectHeadingText>German history; Germany; Habsburgs; Holy Roman Empire; Reformation; late medieval; legal history; political culture; social history; translated sources</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>This book offers a selection of edited and translated sources that shed light on law, society and political culture in Germany between the mid-fourteenth and mid-sixteenth centuries, enabling readers to discover the tumultuous late medieval and Reformation era in the Holy Roman Empire in unprecedented depth.</b> The selection includes all the major legislation issued in the Empire from the Golden Bull of 1356 to the Peace of Augsburg in 1555. Most of these laws, which have shaped the constitutional development of Germany in its various incarnations down to the twenty-first century, are translated into English here for the first time. Thematic chapters cover the unique elective monarchy, imperial diets, plans for imperial and ecclesiastical reform, alliances and associations, warfare and arbitration and lordship and administration at local levels. Each theme is contextualised by the author's detailed interpretive prefaces.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Duncan Hardy</b> is Associate Professor of History at the University of Central Florida.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Re-evaluates the mechanics and decline of serfdom in medieval England, casting new light on the nature of its economy and society, and the impact of the Black Death.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mark Bailey</b> is Professor of Later Medieval History at the University of East Anglia.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Marina Tarlinskaja</b> is Professor Emerita in the Department of Linguistics at University of Washington.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This intimate collection explores the life and work of Joanna Frueh. Featuring previously unpublished texts from her career, A Practice of Pleasure offers a candid, scholarly, and personal meditation on female, sexual, and everyday pleasures, embodying Frueh's unique approach to art and life.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>A Practice of Pleasure</i></b><b> is an intimate and panoramic entree into the life and work of Joanna Frueh (1948-2020), an art historian and performance practitioner for whom life and art were inseparable. </b>Written during a key transitional moment in her life and work (2005-2012), the volume makes available primarily unpublished performance texts and writings that give an intimate insight both into Frueh's everyday life and the thinking of an artist and scholar well known for offering her personal experiences as a means of embodying and speaking about pleasure. A self-described 'pleasure activist', Frueh's book offers a highly original perspective on pleasure  frank, scholarly, philosophical, romantic, and conversational. Taken together, the texts comprising <i>A Practice of Pleasure</i> are an ode to pleasure in the widest sense: female pleasure, sexual pleasure, and the pleasures of prosaic and domestic beauties, such as enjoying the reality of her own body and the luxurious simplicities of the senses.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Joanna Frueh</b> (1948-2020) was a performance artist, writer, scholar, and teacher. For more than twenty-five years, she performed one-woman shows throughout the United States and abroad. She was Professor of the Practice of Art at the University of Arizona and Professor of Art History Emerita at the University of Nevada, Reno. Her authored works include<i> Swooning Beauty: A Memoir of Pleasure</i>;<i> Monster/Beauty: Building the Body of Love</i>;<i> Erotic Faculties</i>; and <i>Hannah Wilke: A Retrospective</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[What are the human consequences of conflict and what are the appropriate service responses? This book provides answers to these important questions, drawing on over twenty-five years of work by the author in Northern Ireland and elsewhere.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A powerful guide for dealing with traumatised communities in the wake of conflict and disaster.</b></p><p>What are the human consequences of conflict, and how should healthcare and social services respond? In this book, David Bolton provides an answer to these urgent questions, drawing on more than twenty-five years of service experience in Northern Ireland and elsewhere.</p><p>Focusing on the work he undertook with colleagues following the devastating Omagh bombing in 1998, Bolton reveals how needs were assessed and how evidence-based services were put in place. He describes the training and education programmes that were developed to assist first those communities directly affected by the bombing and later the wider population traumatised by the years of conflict. Crucially, he places the mental-health needs of affected communities at the heart of the political and peace processes that follow.</p><p> The second edition of this clear and practical book includes new chapters on the challenges of promoting justice and reconciliation in a post-conflict situation. It is essential reading for those planning for and responding to conflict-related disasters, policy makers, service commissioners and providers, politicians, civil servants and peace makers.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>David Bolton</b> is a trauma researcher, writer and practitioner. He trained as a social worker in Belfast from 1974 to 1978, during some of the worst years of the civil conflict. At the time of the Omagh bombing of 1998 he coordinated the immediate and longer-term responses of community services, including establishing the Omagh Community Trauma and Recovery Team. In 2002 he became the founding director of the Northern Ireland Centre for Trauma and Transformation, which closed in 2011. He lives in County Fermanagh in Northern Ireland.</p>]]></Text>
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			<SubjectHeadingText>Aleksandr Sorokin; American Trail Running Association; Anton Krupicka; Appalachian trail; Astley Belt; Ben Nevis; Bob Graham Round; Boston Marathon; Brandon Sybrowsky; Centurion Track 100; Courtney Dauwalter; David Goggins; Dipsea; Earl Shaffer; Edward Rayner; Foster Powell; Francois D'Haene; Freetrail; Grandma Gatewood; Hardrock 100; IAU 24-Hour World Championships; Inov8; Jasmin Paris; Jim Walmsley; Karl Meltzer; Katie Schide; Krissy Moehl; Lake District; Lakeland 24-hour challenge; London marathon; London to Brighton race; Long Distance Walkers Association; MUT running; Montrail; Mount Marathon; New York marathon; Niki Kimball; Olympic Games; Pacific Crest trail; Road Runners Club; Rory Bosio; Runner's World; Sierra Nevada; Speedgoat; TGR; The Green Runners; Tim Tollefson; Topher Gaylord; Trail Running Magazine; USA Track and Field conference; USATF; UTMB; Ultimate Direction; Ultra-Trail du Mont-Blanc; Western States Endurance Run; Zach Miller; amateur sports; athletics; distance running; fell running; grass-root sports; hill running; iRunFar; marathons; mountain running; mountaineering; pedestrianism; running shoes; the wellness industry; trail chic; trail running; transcontinental races; ultra running; ultra-marathons; wellness</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Dirtbag dreams explores the rise of mountain, ultra and trail running from niche pastime to mainstream sport. Tracing 200 years of history, Carl Morris uncovers eccentric origins, iconic races and vibrant personalities. A must-read for anyone fascinated by the culture, evolution, and endurance of this unique sport.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The first book to share the untold story of this unique sport, from its origins in the Victorian era to the present day.</b></p><p>Over the past two decades, mountain, ultra and trail running has experienced a massive boom in participation, media attention and corporate consumerism. Once little more than an oddball recreation for mountain athletics romantics, the sport has become a mass activity in ways that were previously unimaginable.</p><p>In <i>Dirtbag dreams</i>, Carl Morris offers the first complete account of mountain, ultra and trail running in North America and Britain. Revealing the sport's eccentric Victorian origins, he traces its development through 200 years of history, travelling from the Sierra Nevada and the English Lake District to the streets of London and New York.</p><p>Packed with gripping races and colourful characters,<i> Dirtbag dreams</i> is the essential companion for anyone who wants to understand this unique endurance sport.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Carl Morris</b> is a sociologist, historian and social psychologist at the University of Lancashire. He has spent much of his life climbing and moving through the mountains, and over the last decade has become a committed fell and ultra runner.</p>]]></Text>
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			<SubjectHeadingText>#MeToo; Amber Heard; Austentatious; Biddulph; Bridgerton; Cecilia,or,; Chanel Miller; Clarissa,Or,; Credit and Credibility; Eliot Rogers; Emma novel; Evelina; Frances Burney; Frances Sheridan; Harvey Weinstein; Invisible Women; Jane Austen; Larry Nassar; Maria Edgeworth; Mary Wollstonecraft; Me Too; MeToo; Men Who Hate Women; Old Bailey rape trials; PTSD; Regency; Rogue Agent; Samuel Richardson; Sense and Sensibility; The Archers; The Continuation of the Memoirs of Miss Sidney; The History of Ophelia; The History of a Young Lady; The Victim of Prejudice; The Wrongs of Woman; Unwell Women; Vindications of the Rights of Women; date rape; gender roles; incels; rape; rape culture; sexism; sexual assault; sexual coercion; sexual consent; sexual violence; toxic masculinity; tradwife</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Drawing parallels with the #MeToo movement, this book explores how a series of brilliant female authors in the eighteenth and nineteenth centuries cleverly used the novel as a vehicle for ground-breaking discussions about consent.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>What do #MeToo and Jane Austen have in common? More than you might think.</b></p><p>Ever since the novel was invented, women have used it as a platform for sharing ideas about sexual consent. Dr Zoe McGee reveals how Jane Austen, Frances Burney and their now-overlooked contemporaries used their stories to try to change society's mind about rape culture  and to reassure survivors they were not alone.</p><p><i>Courting Disaster</i> takes a timely deep-dive into a series of classic novels, comparing them with both historic court records and current events to show that our arguments about consent are not a new phenomenon. With the wit and wryness of a courtship novel, McGee reads between the lines to unveil a quiet feminist movement that still resonates today. Because every novel about marriage is also a novel about consent. </p><p>In an era that's clamouring for a return to the values of the past, <i>Courting Disaster</i> asks what that would really mean, and whether anyone actually liked it back then anyway...</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Zoe McGee </b>has a PhD from Queen Mary University of London and an MSt in eighteenth-century studies from the University of Oxford. She has spoken at conferences internationally and now performs at very nerdy stand-up comedy nights. Among other things, she has worked as a university teacher, a bookseller and a professional board-game-explainer. She owns too many books and is a competitive ballroom dancer in her spare time.</p>]]></Text>
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			<SubjectHeadingText>20th century poetry; Abstract Expressionism; American Poetry; Avant-Garde; Coterie; ekphrasis; Image; Movements; New York School; postmodernism; Schools; Text; Tulsa School</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The New York School of Poets has, since its inception, been centred on peoples' meeting, rubbing off on, knowing, collaborating with, being inspired by, and most of all  talking  to other people, many of whom happened to be artists and poets.</b> In this vibrant and insightful collection, twenty-five New York School poets are given an opportunity to explore and define the milieu they wrote from and to shed light on their journeys through New York and through poetry. Collected over a three-year period, these fascinating and compelling conversations tackle, reframe and probe the question of what constitutes the New York School.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Yasmine Shamma </b>is Professor of Literature at the University of Hull. She is the author of <i>Spatial Poetics: Second Generation New York School Poetry</i> (2018), editor of <i>Joe Brainard's Art</i> (2019) and lead editor of <i>Migration Culture and Identity</i> (2023). Alongside Rona Cran, she is co-founder of the Network for New York School Studies.</p><p><b>Rona Cran</b> is Associate Professor of Twentieth-Century American Literature at the University of Birmingham. Their publications include <i>I Remember Kim</i> (2023) and <i>Collage in Twentieth-Century Art, Literature, and Culture</i> (2014). They are the founding co-director of the Network for New York School Studies with Yasmine Shamma. </p>]]></Text>
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			<SubjectHeadingText>Christian fundamentalism; LGBQI+; LGBQI+ politics; anti-feminism; anti-gender; culture war; emancipation; far-right; feminism; fundamentalism; gender equality; nationalism; political discourse culture war; sexual and reproductive rights; sexual diversity</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Ten chapters from five continents (Asia, Australia, Europe, Latin America, Africa) provide a global perspective on current anti-feminism and anti-gender discourses]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In recent years, issues of gender and sexuality have become a political battlefield on which far-right, religious and conservative actors wage their war against liberal and left-wing ideas, as well as emancipatory movements. </b>'Anti-Gender' crusades, which had originally been launched by the Vatican, deeply impacted societies and politics especially as these discourses were adopted by the secular far-right. Campaigns against sexual and reproductive rights, against gender equality and sexual diversity were waged from Russia to the United States and from Latin America to Japan.</p><p>This new book brings together research and analyses from five continents in order to promote a global perspective on the thoroughly global phenomenon of the current culture wars around sex and gender. The contributions show how transnational networks spread discourses, which were developed in the Global North, and how theybecome re-articulated in different national, political and religious contexts.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Judith Goetz</b> holds degrees in Comparative Literature and Political Science and is currently pursuing a Ph.D position in the Department for Education at the University of Innsbruck. She is also a member of FIPU (Research group ideologies and policies of inequality, www.fipu.at ) and the German Research Network 'women and right-wing extremism'. Her interests and research focuses on right-wing extremism and women* / gender and anti-feminism. Most recently, she co-edited the anthologies (in German) <i>Right-wing Extremism as a Challenge for Journalism</i> (2021) and <i>Continuities of the Stigmatisation of 'Asociality': Perspectives of Socio-critical Political Education</i> (2021).</p><p><b>Stefanie Mayer</b> is a Researcher at Institute of Conflict Research (Institut fr Konfliktforschung) in Vienna, Austria. She previously worked in research projects on a number of topics, including the history of migration discourses in Austria, intersectionality in feminist activism and feminist theory and right-wing populist (online) discourses. Her English-language publications include with Ajanovic, Edma and Sauer, Birgit (2020), <i>Man, Woman, Family. Gender and the Limited Modernization of Right-Wing Extremism in Austria</i>. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>What experiences constitute 'girlhood'? What personal and social pathways are available to girls in contemporary American fiction? </b>These questions lie at the heart of this book, which argues that emancipatory new representations of girlhood have emerged in novels published between 1990-2020, in response to the social and cultural transformations that have been catalysed by the girl-centric agendas of contemporary feminism. Through analysing how twelve contemporary novelists depict girlhood as an expansive period during which girls can fulfil a range of personal and socio-political agendas  from pursuing intellectual ambitions at university, to achieving self-realisation through solo travel  this book investigates how contemporary fiction asks readers to view girlhood anew, by reimagining the personal, narrative and social possibilities of American girlhood.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Angelica De Vido</b> is the Gardiner Fellow at New York Historical Society, where she is a scholar of twentieth and twenty-first century literature, feminist studies and the history of urban America. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Taking you inside Shakespeare's plays on the radio  how they sound and how they change and evolve  Andrea Smith provides an innovative history of Shakespearean performance. </b>Based on meticulous new research using documentary evidence and archive audio recordings, Smith explores what it means to present Shakespeare as audio and how this can help us to gain a greater understanding of the plays themselves and the art of performing them. The BBC's remit to 'inform, educate and entertain' has led to assumptions that these plays were presented as scholarly works rather than showbiz. Wrong! They feature all the careful crafting of any other production of Shakespeare's work. This book puts these audio productions on a par with other forms of Shakespearean performance and offers detailed case studies to further the readers' understanding of Shakespeare's texts on air.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Siddharth Peter de Souza</b> is an Assistant Professor at the Centre for Interdisciplinary Methodologies, University of Warwick, UK, and Founder of Justice Adda, a law and design social venture in India.</p><p><b>Julia Wellhausen</b> is a civil and criminal law judge (appointed in 2005 and 2010) and (first) public prosecutor (appointed in 2008 and 2017) by the Bavarian Minister of Justice. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book contributes to the growing scholarship on the political dimensions of Ottoman Sufi thought and practice by examining the intersections of self-representation and religious authority in the writings of Ismail Hakki Bursevi (1653-1725), a prolific Sufi master, well-known Qur'an exegete, and advisor to Ottoman officials. </b>The book highlights the political aspirations of this prominent early-modern Sufi through a focus on Bursevi's self-portraits as one of the most important religious figures of his age. By paying attention to the individual, communal, and institutional aspects of his authority construction, the book sheds light on how intellectuals like Bursevi navigated an increasingly competitive market of religious ideas in the Ottoman late seventeenth and early eighteenth century. More broadly, <i>Sufism and Power</i> challenges the notion that Sufi authority is necessarily charismatic and argues that the social context in which Bursevi lived points to alternative theorizations of religious authority as a discourse.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kameliya Atanasova</b> is an Assistant Professor of Religion and History at Washington &amp; Lee University (Lexington, VA). She holds a Ph.D. in Religious Studies from the University of Pennsylvania. She has conducted archival research in the US, Germany, and Turkey which has been sponsored by the Mellon Foundation, DAAD (German Academic Exchange Service) and The Manuscript Society. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book showcases how football and religion are increasingly coming together in Muslim contexts to interact with and influence both identity and society. </b>The first part of the volume is devoted to issues of identity, showing how football aids in its construction, maintenance and subversion. The second part reveals the deep-rooted connections between football and political and religious establishments by demonstrating how these establishments frequently use the game to disseminate or propagate their larger messages. Taken together, the book reveals how football has increasingly become a site for confrontations and negotiations over different understandings of religion  as a racial category, as gendered power, and as it is invested in issues of state politics.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Aaron W. Hughes</b> is Dean's Professor of the Humanities and the Philip S. Bernstein Professor of Religion at the University of Rochester. Hughes specialises in three fields: Islamic Studies, Jewish Studies and Theory and Method in the Study of Religion, and has written numerous books in all three. He is co-editor of the book series Advances in the Study of Islam at Edinburgh University Press and of the <i>Journal of Religious Minorities Under Muslim Rule</i>.</p><p><b>Leif Stenberg</b> is Professor in Islamic Studies at the Aga Khan University Institute for the Study of Muslim Civilisations (AKU-ISMC) and a visiting professor at Karlstad University. He is the co-editor of <i>What is Islamic Studies? European and North American Approaches to a Contested Field</i>, also in the<i> Exploring Muslim Contexts</i> series at Edinburgh University Press.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Reveals the importance of social networks and identities to defining Highland Scots' engagements with Empire and its lasting legacies]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This is a book about the social in Highland entanglements with Empire  the networks, relationships and identities that made it possible for Highland Scots to access the Empire and its benefits. It explores  from a range of perspectives  the impact that these Scots had, as sojourners and settlers, on the different places they encountered. It is also a book about the present-day legacies of their engagements with Empire, and of the ongoing process of forging social and cultural identities with Highland roots.</b> </p><p>The volume presents rigorous and insightful new research from both well-established and early career scholars, accompanied by commentary on the research and the issues it raises from a range of academic and non-academic voices. The book represents a significant contribution our understanding of the role of Highland Scots, influenced significantly by their culture and language, in creating the Empire and its legacies. It advances knowledge of just how diverse the impacts of Highland Scots were on forging landscapes and lifescapes across the Atlantic, and how their exposure to the colonial world influenced and reshaped their Diasporic identities. While the British Empire was a collaboration of diverse interests, this book will shed light on one important interest: the Highland one.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>S. Karly Kehoe</b> is Professor of History and Canada Research Chair in Atlantic Canada Communities at Saint Mary's University in Nova Scotia. Prior to coming to Saint Mary's, she lived and worked in Scotland. She is a fellow of the Royal Historical Society, a member of the Global Young Academy and the Royal Society of Canada's College of New Scholars, Artists and Scientists, and an alumna of the Royal Society of Edinburgh's Young Academy of Scotland. Her work concentrates on Scottish and Irish Catholic settlement and colonisation in the north Atlantic, but she is also interested in sustainable development and rural change in Nova Scotia and the Scottish Highlands.</p><p><b>Annie Tindley</b> is Professor of British and Irish Rural History at Newcastle University and Head of the School of History, Classics &amp; Archaeology. Her work interrogates land issues in the modern period including ownership, management and reform. In 2015 she established and became the first director of the Centre for Scotland's Land Futures, an inter-institutional and interdisciplinary research centre, and is the series editor for Scotland's Land, an interdisciplinary book series published by Edinburgh University Press. She is the author of <i>The Sutherland Estate, 1850-1920</i> (Edinburgh University Press, 2010), and <i>Lachlan Grant of Ballachulish, 1871-1945</i> (co-edited with Ewen A. Cameron, Birlinn, 2015). </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A consideration of how some recent British films are defined by their atmospheres of unease, which grow out of a bold and distinctive treatment of landscape. </b>An uncertain tendency in recent British cinema has been to conjure atmospheres of eerie unease, depicting landscapes through which lost figures wander. The films of, among others, Andrea Arnold, Clio Barnard, Paddy Considine, Shane Meadows and Ben Wheatley play out against these landscapes, which are formed of abandoned sites that are neither rural nor urban, but somewhere in between. These liminal spaces are disorientating enclosures from which the viewer infers something malign: the pestilence in the ditch. These contaminated metaphysical spaces are travelled by the films' characters and viewers alike.</p>]]></Text>
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			<SubjectHeadingText>Rule; Plato; Role; Laws; Constitution; Officeholders; Offices; Socrates; Dialogue; Greek; Power; Republic; Statesman; Guardians; Democratic; Constitutional; Wages; Nature; Taxis; Athenian; Narrative; Grube; Kallipolis; Freedom; Reeve; Expertise; Tyrant; Education; Contrast; Citizens; Visitor; Relationship; Verb; Arche; Platonic; Soul; Principle; Thrasymachus; Tyrannical; Tyranny; Speech; Macro; Epitactic; Broadly; Century; Virtue; Translation; Democracy; Timocratic; Argument; Language; Legal; Micro; Philosophers; Knowledge; Noun; Oligarchic; Cities; Money; Civic; Kings; Glaucon; Function; Archein; Slavery; Accountable; Obedience; Broader; Plural; Kai</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Plato famously defends the rule of knowledge. Knowledge, for him, is of the good. But what is rule? In this study, Melissa Lane reveals how political office and rule were woven together in Greek vocabulary and practices that both connected and distinguished between rule in general and office as a constitutionally limited kind of rule in particular. </b></p><p>In doing so, Lane shows Plato to have been deeply concerned with the roles and relationships between rulers and ruled. Adopting a longstanding Greek expectation that a ruler should serve the good of the ruled, Plato's major political dialogues - the <i>Republic</i>, the <i>Statesman</i>, and <i>Laws</i> - explore how different kinds of rule might best serve that good. With this book, Lane offers the first account of the clearly marked vocabulary of offices at the heart of all three of these dialogues, explaining how such offices fit within the broader organisation and theorising of rule.</p><p>Lane argues that taking Plato's interest in rule and office seriously reveals tyranny as ultimately a kind of anarchy, lacking the order as well as the purpose of rule. When we think of tyranny in this way, we see how Plato invokes rule and office as underpinning freedom and friendship as political values, and how Greek slavery shaped Plato's account of freedom. Reading Plato both in the Greek context and in dialogue with contemporary thinkers, Lane argues that rule and office belong at the center of Platonic, Greek, and contemporary political thought.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Melissa Lane</b> is the Class of 1943 Professor of Politics and a faculty member of the Program in Classical Philosophy at Princeton University. Her books include <i>Eco-Republic</i>: <i>What the Ancients Can Teach Us about Ethics, Virtue, and Sustainable Living</i> and <i>The Birth of Politics: Eight Greek and Roman Political Ideas and Why They Matter</i> (both Princeton) and <i>Method and Politics in Plato's "Statesman."</i></p>]]></Text>
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