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			<Text textformat="02"><![CDATA[Scotland Street is back. Settle in and take a trip back to Scotland's favourite fictitious street, with Bertie, Irene, Big Lou, newcomer Galactica Macfee and all the rest. With customary charm and deftness, Alexander McCall Smith gives us another instalment in this popular series, where anything could happen to Bertie and the gang.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'It's like ice cream, Mr Flynn,' Bertie continued. 'When you have ice cream, you need to eat it straight away, otherwise it melts. If there are people who haven't got any, you should share it, if you can.'</i></p><p>When despair for the world grows, Bertie's theory of ice cream reminds us that it's the simple pleasures in life that we should hold onto. And everyone's favourite seven-year-old has a lot to put up with: at home, Irene is planning lessons on Irish Culture for Bertie; at school, he is forced to join Olive and Pansy's book group, and during a day out with his best friend Ranald Braveheart Macpherson, the boys find themselves unexpectedly invited to a wedding.</p><p>Meanwhile, Bruce's latest property venture goes horribly wrong after trying to move a flat's front door to give it a more prestigious address. At Nine Mile Burn, Matthew and the triplets try to adopt an unwillingly-vegan dog. And Sister Maria-Fiori dei Fiore Montagna discovers the missing part of the Stone of Scone in Drummond Place Gardens.</p><p>Filled with Alexander McCall Smith's trademark warmth and humour, this latest book in the series is a must-read.</p><p><b>'a toast to the importance of the simple joys of life at a time of global despair'  Sally McDonald / </b><b><i>Sunday Post</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexander McCall Smith</b>is the author of the highly successful<i>No. 1 Ladies' Detective Agency</i>series, which has sold over twenty-five million copies. Since then he has devoted his time to the writing of fiction and has seen his various series of books translated into over forty-six languages and become bestsellers throughout the world. These include the<i>44 Scotland Street</i>novels, first published as a serial novel in the<i>Scotsman</i>, the<i>Isabel Dalhousie</i>novels, the<i>Von Igelfeld</i>series and the<i>Corduroy Mansions</i>novels.</p>]]></Text>
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			<SubjectHeadingText>Hokusai Utamaro Kuniyoshi Kunisada Chikamatsu; Monzaemon Murasaki Shikibu Ihara Saikaku classic; kabuki theater Japan woodblock print Hiroshige; literature culture Genji performance operatic; stories love death; tale drama passion tragedy samurai folklore</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>This beautiful book celebrates the Japanese kabuki tradition-presenting fifteen classic tales of tragic love and fatal passion that are frequently performed on the kabuki stage in Japan. These dramatic tales are stunningly illustrated with full-color woodblock prints by master artists including Hiroshige, Hokusai, Utamaro, Kuniyoshi and Kunisada, along with photographs of modern kabuki performances.<br/><br/><b>The tales in this book include:</b></p><ul><li><i>The Love Suicides at Amijima </i> Jihei, a married merchant and Koharu, a prostitute, fall deeply in love. Jihei cannot afford to buy her out, so the only solution is for them to commit double suicide</li><li><i>The Tale of Genji </i> A stage version of Japan's classic <i>Tale of Genji</i> by Lady Murasaki Shikibu, which follows the romantic exploits of Genji, the son of Emperor Kiritsubo</li><li><i>The Magical Helmet</i>  Princess Yaegaki mourns for her dead husband Katsuyori but one day she notices a new samurai in the household who looks just like him. It is indeed Katsuyori, who has adopted a disguise to prevent himself being killed. Now Yaegaki must struggle to save him!</li><li>Plus 12 other stories</li></ul><p>The translations are by Ornella Civardi, a noted scholar of Japanese literature, who also provides an fascinating introduction to the popular kabuki theater tradition in Japan. The book will be treasured by kabuki aficionados as well anyone with an interest in the theatre or Japanese literature.</p><p><b><i>'Kabuki is action-packed, scenically thrilling and histrionically flamboyant' - The Guardian</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ornella Civardi</b> studied Oriental Languages and Literature at Ca' Foscari University in Venice and then won a scholarship to study at Keio University in Tokyo in 1989. She has translated classic works by Mishima, Kawabata and Ikkyu into her native Italian, and won the Alcantara Prize for translation in 2005. She has published numerous books on the subject of Japanese literature in Italian.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p> A curated selection drawn from the first five years of two indie bookseller-run projects  Madrid's Desperate Literature Short Fiction Prize and London's Brick Lane Bookshop Short Story Prize  these<i>22 Fictions</i> feature Purim celebrations, multiple Stuart Halls, a kidnapping, an aeroplane fleeing a volcano, gender injustice, a chicken shop menu, climate change, a shaved horse, activism, and muchbesides,all the while roaming from a Cornish farming village to a Paris basement, a hotel bar, an island with a steep hill, a location deep within the internet, a family dinner table and further.</p><p><b>Featuring work from:</b><br/><b>Shola Von Reinhold, Leeor Ohayon, Tom Benn, Alice Haworth-Booth, N. G. F. Clark, Danielle Giles, Francesca Reece, Melody Razak, Mariana Roa Oliva, Giovanna Iozzi, Suey Kweon, K. Lockwood Jefford, Katie Hale, Max Lury, Jay Gao, Aoife Inman, Andrea Mason, Aisha Phoenix, Isha Karki, Jack Houston, Siri Katinka Valdez, Rajasree Variyar.</b></p><p><b>Foreword by Joanna Walsh and an introduction by Wendy Erskine, former judges of the two prizes.</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kate Ellis</b> is a writer based in London. Her short fiction has been published in the <i>Open Pen Anthology, The Mechanics' Institute Review, 100 Voices, </i>and <i>The London Short Story Prize Anthology </i>among others. She runs the Brick Lane Bookshop Short Story Prize, hosts the <i>BLB Podcast, </i>works for Inpress Books, and one day might finish writing her short story collection.</p><p><b>Robert Loyko-Greer</b> is a writer based in London, where he works for the publisher Profile Books. He co-founded the Desperate Literature Short Fiction Prize in 2017.</p>]]></Text>
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			<SubjectHeadingText>Mystery and Thriller; Writer in Residence; Edinburgh Book Festival; Edinburgh Writer; Scottish Fiction; Best New Scottish Fiction; The Hebrides; Island Fiction; Scottish Island; Fiction set on an island; endless stairs; murder-mystery; thriller; fiction debut; debut novel; Brutal Murder; Poet Laurete London; psychological thriller; isolated setting; locked room mystery; Agatha Christie; Locked-Room Mystery; Doug Johnstone; Theresa Lola</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Whendecorated novelist Malcolm Furnivall is found brutally murdered in his study,and his invaluable unfinished novel missing, it falls to his protege - atroubled but talented young author named Euan - toventure deep into Malcolm's labyrinthine mansion to find the manuscript before it falls into the wrong hands.]]></Text>
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			<Text textformat="02"><![CDATA[<p>When troubled but talented young author Euan meets decorated novelist Malcolm Furnivall, he feels his luck has finally changed. Malcolm takes Euan as a protege, vouching for him in the rarefied literary scene in the 1950s. But lately, Malcolm has not been himself. Consumed by his work, he cuts an increasingly isolated figure and has become convinced that something terrible will befall him. He summons his loved ones to his secluded island in the Hebrides and  to everyone's surprise  entrusts Euan with the task of completing his masterpiece.</p><p>Malcolm's suspicions soon prove well-founded; he is discovered brutally murdered in his study, and his invaluable unfinished novel has vanished. Cut off from the mainland, with the killer on the loose and the island's inhabitants circling, Euan feels both his mentor's legacy and his only chance at greatness slipping away. He must venture deep into Malcolm's labyrinthine mansion to find the manuscript before it falls into the wrong hands.</p><p>But what he doesn't yet know is that the closer he comes to solving the mystery, the tighter he will bind himself to a fate sealed in time...</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Chris Barkley</b> was appointed Writer in Residence by the Edinburgh Book Festival in 2022. He won the Oxford University Kellogg Writing Competition in 2021, as well as the Bedford International Writing Prize. He has been shortlisted for the Cambridge Short Story Prize and has had prose published in TSS, National Flash Fiction, Darling Axe, and the Writers of the Future 35th anthology. He lives in Edinburgh.</p>]]></Text>
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			<Text textformat="02"><![CDATA[With his signature lean, clean prose, Texan author Josh Rountree (The Legend of Charlie Fish) has penned a Frankenstein-inspired tale unlike any other.]]></Text>
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			<Text textformat="02"><![CDATA[<p>With his signature lean, clean prose, Texan author Josh Rountree (<i>The Legend of Charlie Fish</i>) has penned a Frankenstein-inspired tale unlike any other. With equal parts Cormac McCarthy, Mary Shelley, and Stephen Graham Jones, Rountree coalesces myth and legend into a dramatic tale of love, death, and its terrible aftermath.</p><p>Catherine Coldbridge is a complicated woman: a doctor, an occultist, and, briefly, a widow.</p><p>In 1879, Catherine's husband, Private Frank Humble, was killed in a Sioux attack. Consumed by grief, she used her formidable skills to resurrect her husband. But after the reanimation, Frank lost his soul, becoming a vicious undead monster.</p><p>Twenty-five years later, Catherine has decided she must make things right. She travels to Texas with a pair of hired killers. But Frank is no longer a monster. He has remade himself as the Unkillable Frank Lightning, traveling with the Wild West Show.</p><p>With his signature lean, clean prose reminiscent of Raymond Chandler, Josh Rountree (<i>The Legend of Charlie Fish</i>) has penned a Frankenstein-inspired tale unlike any other. With equal parts Cormac McCarthy and Stephen Graham Jones, Rountree coalesces myth and legend into a dramatic tale of love, death, and its terrible aftermath.</p><p><b>'With</b> <b><i>The Unkillable Frank Lightning</i></b><b>, Rountree solidifies himself as not only one of the best writers working today, but makes the case for being the best Western writer of our present century.'  C. S. Humble, author of</b> <b><i>That Light Sublime</i></b><b> trilogy</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Blessed Affliction</i> is an apt title to describe thirty years of the work of Mark Reid. From the hospital poems (in the footsteps perhaps of Webb and Mackenzie) of <i>Parochial </i>to the divine disputations of later works such as The Address Book sequence, filtered through the ironies and ambivalences of poets such as Berryman, Thomas (R.S.) and Donne, Reid matches despair with wit, in pitching the insurmountable questions of the infinite against the plain fact of the ordinary. Neither comes out on top. We are blessed. We are afflicted. Holding our world together is the necessity, the hope, of poetry. This volume presents the pick of Reid's first five published collections, along with the new book-length title collection: <i>The Blessed Affliction</i>.</p><p><b>'Reid's poems are arresting because their insights are both tactful and revealing; their hesitations, or admissions of doubt, are central. Their questioning of agency is a strength. More than easy celebration or affirmation, they are a poet's genuinely prayerful searching and praising. They are spiritual permissions. If we notice, if we are alert, we may know. Mark Reid is the finest Minimalist poet in Australia.'  Philip Salom</b></p><p><b>'...beneath such simplicity, these poems conceal depths of philosophical and religious thought that are revealed only in repeated readings. Blindside is a work of effortlessly superior intelligence...'  Judges' Report, 2019 Kenneth Slessor Award</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mark Reid's</b> second collection of poetry, <i>Parochial</i>, was winner of the 2000 West Australian Premier's Book Award for poetry. His third collection, <i>A Difficult Faith</i>, was shortlisted for the same award in 2006, while his fifth, <i>Blindside</i>, was shortlisted for the Kenneth Slessor Prize for Poetry In the NSW Premier's Literary Awards 2019. Variously employed in theatre, television, kitchens &amp; aged- care, he worked a decade on the wards of a public hospital. Resident in Western Australia for twenty years, he now resides in the NSW Central Tablelands town of Oberon. This volume presents his sixth collection, <i>The Blessed Affliction</i>, along with a generous selection from its five predecessors.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Isi Unikowski </b>is a Canberran poet who has been widely published in Australia and overseas. His previous collection, <i>Kintsugi, </i>was published by Puncher &amp; Wattmann in 2022. He has worked as a public servant and academic. He has a PhD in public policy from the Australian National University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Toupie</i> a French word meaning spinning toy/top, signifies the collection's themes: colour, movement and change.<i>Toupie</i> is Kathleen Bleakley's seventh collection is a showcase of movement and change in Bleakley's writing over three decades.</p><p><b>'Kathleen Bleakley expresses poignant and vivid feelings for a number of family members and friends in </b><b><i>Toupie</i></b><b> but the omphalos in this collection is her life with, and deep love for 'pling, her long-term partner, and photographer, who is in slow decline with lymphoma. The striking feature for me in this collection is her skilful and sensitive use of colour. She creates her own chakra-like system with her display of significant colours in a narrative that moves from earthly life to the astral, the afterlife.'  Joanne Burns</b></p><p><b>'Dazzling and polychromatic, Kathleen Bleakley's</b> <b><i>Toupie: new and selected poetry and prose,</i></b> <b>is a whirligig of memory and synaesthesia. In ee cumming-esque poems and prose, Bleakley uses fragments and fractured metaphors to explore the unreliability of memory and the poignant quotidian experience. Bleakley's</b> <b><i>Toupie</i></b><b> is a powder keg - it's like "Watch[ing] fireworks cascade.'  Cassandra Atherton</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>June is searching for her old friend, Mae, missing in Greece. Working from Mae's diaries, penned immediately prior to her disappearance, June travels to the island of Poros. Walking Mae's last-known steps, June scrutinises the diaries alongside memories of an intense bond-long-gone, achingly present. </p><p>This ruminative novella interrogates the impact of severance from those we love, lingering pasts and possible futures, the lives we live and might have lived. </p><p><br/><b>'Prendergast is a great observer of humans. She pulls no punches because she wants the truth.' - Bruce Pascoe  </b></p><p><b>'These stories shun the sentimental and embrace the taboo.' - Maria Takolander</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Julia Prendergast's</b> debut collection, <i>Bloodrust and other stories</i> was published in 2022. Her novel, <i>The Earth Does Not Get Fat</i> (2018) was finalist in the Indie Book Awards for debut fiction. Her short stories have been recognised and published: Lightship Anthology International Short Story Competition (UK), Ink Tears International Short Story Competition, Glimmer Train International Short Story Competition (US), Sean  Faolin International Short Story Competition, <i>TEXT, </i>Elizabeth Jolley Prize, Josephine Ulrick Prize.</p>]]></Text>
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			<Text textformat="02"><![CDATA[One of two crime novels written by famous children's author Nina Bawden showcasing her excellent storytelling and talent for gritty plotting. An atmospheric murder mystery full of gripping suspense, pulling the reader through London's seedy clubland of the 1950s and sides of the city rarely seen in fiction such as Paddington's Little Venice.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Rose has news for Celia  she is due to have a baby by Celia's husband, Humphrey. Soon after, the seeds of scandal bear a criminal fruit when a body is discovered in Little Venice along with Rose's handbag. Celia drafts in an old flame, Will, to root out the truth from suspicions of murder and blackmail, as the evidence starts to converge on the patrons and strange goings-on of the seedy Chelsea club, 'The Odd Flamingo'. </p><p>First published in 1954, this was one of two gritty and atmospheric crime novels written by the accomplished children's author Nina Bawden.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nina Bawden</b> (1925-2012) was an English novelist and Golden PEN Award-winner for her services to literature. Mostly known as a children's writer she won many awards such as the 1976 Guardian Children's Fiction Prize for <i>The Peppermint Pig</i> (1975) and was runner-up for the Carnegie Medal for <i>Carrie's War </i>(1973). She wrote two gritty and atmospheric crime novels.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Two titans of the Weird collide in this collaboration with the social media and publishing phenomenon Weird Walk, including notes and real-life walk recommendations for each story to help readers arrange their own journey into the rambling weird. Featuring absolute classics from Robert Aickman and Charlotte Riddell alongside lesser-known finds from the Library's collections.]]></Text>
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			<Text textformat="02"><![CDATA[<p>A remarkable blood-soaked stranger upends the lives of two Lake District ramblers; a lonely tavern offers its guests something much more disturbing than a post-walk pint; a night hike on the Fens takes a terrifying turn when the fog rolls in.</p><p>From the darkly humorous to the chillingly sinister, tales of the haunted trail are as old as time. We have always travelled on foot and our worst fears have often accompanied us. Whether walking for pleasure or necessity, the ramblers of these classic stories trip across unseen boundaries, plotting routes towards the numinous, the uncanny and the plain evil.</p><p>Featuring fifteen pieces from an intrepid band of writers including Robert Aickman, Charlotte Riddell, M. R. James and many more, this new anthology is a haunting trail mate, guiding you into the wild unknown.</p>]]></Text>
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			<SubjectHeadingText>American myth; Billy the Kid; Blood Meridian; Cormac McCarthy; Cowboy novels; Marlon Brando; No Country for Old Men; Northern California; Pat Garrett; Peckinpah; Ukraine writers; famous killers; famous outlaws; frontier; guns; serial killers; violence; western genre; wild west</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The 1950s classic that rewrote the myth of the American West and inspired its subsequent chroniclers from Sam Peckinpah to Marlon Brando to Cormac McCarthy.</b></p><p>Hendry Jones isn't quite Billy the Kid, but he's 'the Kid' all the same, and like Billy's his story doesn't take long to tell. He'll do a fair amount of killing, be done in by an old friend, then get turned into a myth before his body is cold. Years later, one of the Kid's last living partners in crime, 'Doc' Baker  old and less than sober  tries to set the record straight: who killed who and why, and how none of that old craziness is worth swooning over or rehashing. Except that Doc is a bit of a poet despite himself, and in drawing together what he knows and remembers about the Kid's last days, he winds up saying just about everything that needs to be said about the American West, about kids playing with guns, about boys playing at being men out on the frontier, where they thought no one was watching.</p><p>As Will Oldham  whose moniker as a musician, Bonnie 'Prince' Billy, was partly inspired by Billy the Kid  notes in his introduction, <i>Hendry Jones</i> served as fodder for a field of artists grappling with masculinity and violence in the West: Marlon Brando's <i>One-Eyed Jacks</i>, Sam Peckinpah's <i>Pat Garrett and Billy the Kid</i>, and Cormac McCarthy's <i>Blood Meridian</i> are all impossible to imagine without Neider's Kid having first blazed the trail. A concise and brutal modern masterpiece, <i>The Authentic Death of Hendry Jones</i> is one of the few Western novels worthy of the name.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Charles Neider</b> was born in Odessa, in what was then Russia, in 1915. His family emigrated to the United States when he was five years old, moving to Richmond, Virginia. In addition to being a novelist, Neider was an essayist, nature writer, and leading Mark Twain scholar. Over the course of his career, he published numerous books of fiction and nonfiction, edited collections of the work of Twain, Tolstoy, Robert Louis Stevenson, and Washington Irving, and made several trips to the Antarctic. He died in 2001.</p><p><b>Will Oldham</b> has released more than twenty studio albums, along with EPs, singles, and music for film and television, performing, variously, as himself, Palace Brothers, or Bonnie 'Prince' Billy. He is a longtime denizen of Louisville, Kentucky.</p>]]></Text>
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			<Text textformat="02"><![CDATA[When Lockwood seeks relief from a lashing storm in the surly hospitality of Heathcliff, master of Wuthering Heights, a grand house on the Yorkshire moors, he can't imagine the tale that he will soon hear.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>When Lockwood seeks relief from a lashing storm in the surly hospitality of Heathcliff, master of Wuthering Heights, a grand house on the Yorkshire moors, he can't imagine the tale that he will soon hear.</b></p><p>It is a tale of passion and revenge involving Heathcliff and Catherine Earnshaw, his childhood best friend and the love of his life who deals him a stunning betrayal. Reader and Lockwood both are held spellbound by the story of Heathcliff's quest for vengeance and his bitter acrimony which has devastating consequences for all.</p><p>For generations, Emily Bronte's novel of suspense and operatic intensity has enraptured and moved readers to fall in love with Heathcliff's dark moods and brooding intensity. Salient to this day, this novel is a surprisingly modern exploration of race, gender, class, and the ways that love is frustrated and thwarted by bigotry and prejudice.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Emily Bronte</b> (1818-1848) was an English novelist and poet who is best known for her only novel, <i>Wuthering Heights</i>.</p><p><b>Derrick Austin</b> is the author of <i>Tenderness </i>(BOA Editions, 2021), winner of the 2020 Isabella Gardner Poetry Award, and Trouble the Water (BOA Editions, 2016), a finalist for the Kate Tufts Discovery Award, Thom Gunn Award for Gay Poetry, Lambda Literary Award for Gay Poetry, and the Norma Faber First Book Award. His third collection, <i>This Elegance</i>, is forthcoming from BOA Editions in Spring 2026. A Cave Canem fellow, he is the recipient of a Ron Wallace Poetry Fellowship at the Wisconsin Institute of Creative Writing, a Stegner Fellowship, and an Amy Lowell Poetry Traveling Scholarship. In 2016, he was a Hub City Writer in Residence. He has had poems and essays commissioned by The Madison Museum of Contemporary Art, The New Museum, Craft Contemporary, The Jule Collins Smith Museum of Fine Arts, LAXART, and The Museum of Contemporary Art Los Angeles.</p><p><b>Noreen Masud </b>is a Lecturer in English Literature at the University of Bristol, and an AHRC/BBC New Generation Thinker. Her memoir-travelogue,<i> A Flat Place </i>(Hamish Hamilton [Penguin] and Melville House Press, 2023), was shortlisted for the Women's Prize for Non-Fiction, the<i> Sunday Times </i>Charlotte Aitken Trust Young Writer of the Year Award, the Jhalak Prize, the RSL Ondaatje Prize and the Books are my Bag Reader Awards.</p><p><b>Allison Miriam Smith</b> is a co-founder of Smith &amp; Taylor Classics. She is also an Acquiring Editor and Publishing &amp; Publicity Manager for Unnamed Press. She graduated with a Bachelor of Arts in English &amp; Creative Writing from the University of Southern California where she was an assistant curator for the USC Doheny Library George Cassady Lewis Carroll Special Collection. She later went on to earn a Masters in 18th &amp; 19th c. Literature from the University of Edinburgh, Scotland, working nights at the library. Before Unnamed Press, she was a bookseller at Skylight Books in Los Angeles, CA.</p><p><b>Brandon Taylor </b>is the author of the novels<i> Minor Black Figures, The Late Americans</i> and <i>Real Life</i>, which was shortlisted for the Booker Prize and the National Book Critics Circle John Leonard Prize, and named a<i> New York Times </i>Book Review Editors' Choice and a Science + Literature Selected Title by the National Book Foundation. His collection<i> Filthy Animals</i>, a national bestseller, was awarded The Story Prize and shortlisted for the Dylan Thomas Prize. He is the 2022-2023 Mary Ellen von der Heyden Fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers. He is an Acquiring Editor at Unnamed Press and co-founder of Smith &amp; Taylor Classics. He lives in NYC.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The Mexican board game of Lotera is a game of chance  similar to bingo. However, in Lotera instead of matching up numbers on a game board, players match up images.</p><p>There are 54 cards in the Lotera game, and for this short story collection you will find one unique story per card based on a Latin American myth, folklore, superstition, or belief  with a slant towards the paranormal and horrific. In this deck of cards you will find murderers, ghosts, goblins and ghouls. This collection features creatures and monsters, vampires, werewolves and more.</p><p>Many of these legends existed long before their European counterparts  passed throughout the Americas via word of mouth, collected just like the tales the Brothers Grimm. These are indeed fairy tales  Latin American fairy tales  but with a horrifying slant.</p>]]></Text>
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			<SubjectHeadingText>Jhumpa Lahiri; autobiography; biographical fiction; brancati prize; domestic; experimental fiction; house; identity collage; if you kept a record of sins; italian fiction; italy; jhumpa lahiri; lo stsraniero prize; memory; memory house; memory palace; metafiction; premio campiello; premio strega; prizewinning fiction; recanati prize; super mondello prize; symbolic; transformation; translated; translation</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[In a darkening, post-COVID world, fearless investigative reporter Shona Sandison is seeking meaning  and her next big story. A secret contact inside the government has promised her something huge, but she has no idea of the danger she is in.Philip Miller's new mystery depicts the reality of the modern fight against a looming state oppression.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Shona Sandison might be about to get her biggest scoop yet  if she can make it to the end of the investigation alive.</p><p>In a darkening, post-COVID world, fearless investigative reporter Shona Sandison is seeking meaning  and her next big story. A secret contact inside the government has promised her something huge, but she has no idea of the danger she is in. Meanwhile, her old friend Hector Stricken has taken on a position in communications for a new state agency, where he stumbles across a sinister, top-secret project codenamed 'Grendel'. And on the Scottish coast, an ageing spy chief, living in seclusion, grieves his murdered son  and contemplates revenge.</p><p>Connecting them all is an insidious conspiracy within the UK's most powerful institutions, a rot so deep that the only way to cure it may be to cut it out  or burn the whole thing down.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Philip Miller </b>lives in Edinburgh. An award-winning journalist for twenty years, he is now a civil servant. His previous novels include<i> The Blue Horse </i>and<i> All the Galaxies</i>, and his poetry has been published online and in print.</p>]]></Text>
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			<SubjectHeadingText>Lorraine Hansberry; Sarah Schulman; anais nin; anna dorn; august clarke; dyke; erotica; grace byron; h.a. clarke; historical fiction; lesbian; lesbian crime fiction; lesbian erotica; lesbian pulp; lesbian romance; noir; pulp fiction; queer; queer pulp; queer romance</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A collection of reinvented queer pulp fiction by writers like Sarah Schulman and Lorraine Hansberry that's so edgy it draws blood.</b></p><p>Lesbian pulp fiction thrived in the oppressive 1950s, telling subversive stories of lonely sapphic women who find connection, passion, and revenge. In<i>The New Lesbian Pulp</i>, editors Sarah Fonseca and Octavia Saenz revive the genre for today, layering nuance into classic tropes while dialing up the melodrama, romantic peril, and collateral damage.</p><p>In these pages  which pair revived classics from Lorraine Hansberry and Alice Dunbar Nelson with new stories from Sarah Schulman, Grace Byron, Shamim Sharif, and more  vigilante lesbians gather roadkill for revenge, a woman and her former high school bully hook up and commit murder, Brooklyn witches cruise kink parties for human sacrifice, and a sinister kidnapping goes horribly wrong (or horribly right).</p><p>Here, gathered just for you, are some of today's best lesbian pulp stories. Don't be afraid. Pick them up.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sarah Fonseca </b>is a writer, editor, and film programmer based in New York City who has dispatched from Cannes, New York Film Festival, and Sundance. With one eye on queer cinema history and the other on its future potential, Sarah has contributed a volume of interviews, reviews, and critical essays to LGBT and mainstream film publications including Conde Nast's them, <i>The Advocate, Film Comment</i>, and Museum of the Moving Image's <i>Reverse Shot. </i>She has also published short fiction with<i>Evergreen Review,Bosie Magazine</i>,Cleis Press, and <i>Math Magazine</i>. Currently, Sarah is pursuing graduate studies in history at The City College of New York and printed matter studies at UCLA's California Rare Book School. Find her at @sontagians and sarahfonseca.com.</p><p><b>Octavia Saenz</b> (she/they) is an editor and cartoonist based in El Paso, TX. She creates speculative fiction and visual narratives about queer life and temporality. Octavia grew up in Puerto Rico and has a BFA in Creative Writing and Illustration from Ringling College, as well as a Lambda Fellowship. Find her on Twitter and Instagram @shrimpwonder.</p><p><b>Trish Bendix</b> is a GLAAD-nominated writer and regular contributor to the <i>New York Times</i>. Her book <i>Sappho Was a Pop Star</i> is forthcoming from St. Martin's Press in 2027.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This groundbreaking anthology brings together one hundred deaf, disabled and neurodivergent poets from across the international arena, from emerging voices to world-renowned authors, and offers an urgent redress, unpicking many misapprehensions and misrepresentations.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This groundbreaking anthology brings together one hundred deaf, disabled and neurodivergent poets from across the international arena, from emerging voices to world-renowned authors, and offers an urgent redress, unpicking many misapprehensions and misrepresentations.</b></p><p>The word versus means one thing pitched against another. To be versus versus, therefore, is a paradox, but paradox can be helpful  it can open a space for deeper thought. This anthology aims to be such a space.Here, the reader will encounter poems of love and pain, self-care and companionship; poems which challenge cultural, medical and political agendas and policies. There are war poems, poems as acts of witness and solidarity, poems which address the impacts of the climate emergency. There are humorous poems, nature poems, and much more. The selection also draws together poetry in a wide variety of styles and forms, and from different traditions, such as haiku, renga, sonnet, villanelle, prose poem, performance poem, and sign language. Building on the work of decades of disability justice advocacy, Versus Versus offers a poetry of assertiveness and immense vitality.</p><p>The anthology draws upon a wide range of voices from across the globe, including many indigenous poets and poets of color. Writer based in the US include:Agha Shahid Ali,Threa Almontaser, Kay Ulanday Barrett, John Lee Clarke, Meg Day, Kwame Dawes, Anita Endrezze, Megan Fernandes, torrin a. greathouse, Ona Gritz, Stephanie Heit, Linda Hogan, Cynthia Huntington, Rachael Johnson, Cyree Jarelle Johnson, I.S. Jones,Fady Joudah, Ilya Kaminsky,Tsipi Keller,Jane Kenyon, Petra Kuppers, Stephen Kuusisto, Adrienne Leddy, Ada Limn,Ibtihal Rida Mahmood,Airea D. Matthews, Lateef McLeod, Erica Mena, Leroy F. Moore Jr., Naomi Ortiz, Saleem Hue Penny, Lucia Perillo, Leah Lakshmi Piepzna-Samarasinha and heidi andrea restrepo rhodes.</p><p>This anthology was prepared with the help of an Advocacy and Advisory Panel: grateful thanks to Karthika Nar, Chisom Okafor and Daniel Sluman. Many thanks to the Royal Society of Literature and to the judges of the 2023 Literature Matters Awards for selecting this anthology as one of the winning entries.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rachael Boast</b> is a British writer, editor and disability advocate, navigating Ichthyosis and related conditions. She has published four collections of poetry with <i>Picador, Sidereal</i> (2011),<i> Pilgrim's Flower </i>(2013), <i>Void Studies </i>(2016) and <i>Hotel Raphael </i>(2021). Her poems have been anthologised in <i>Stairs and Whispers: D/deaf and Disabled Poets Write Back </i>(Nine Arches, 2017), <i>Staying Human</i> (Bloodaxe Books, 2020) and <i>100 Poems to Save the Earth</i> (Seren, 2021). She co-edited <i>The Echoing Gallery: Bristol Poets and Art in the City </i>(Redcliffe Press, 2013) and<i> The Caught Habits of Language: An Entertainment for W.S. Graham for Him Having Reached One Hundred </i>(Donut Press, 2018). She is a Fellow of the Royal Society of Literature.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>A dark and funny short story collection that reveals poignant truths about queer chosen family</i></b></p><p>A lesbian mother feels out of place taking her daughter to a princess party; a gay couple turns to unconventional means to create their baby; a grieving man winds up on a date with a centaur; an agoraphobic must make an impossible choice before time runs out. This is the unnerving world of <i>Runs in the Blood</i>, Matthew J. Trafford's story collection, and it pulses with humour, anxiety, and profound disquiet.</p><p>Darkly satirical and unflinchingly human, the stories of <i>Runs in the Blood</i> unsettle our notions of family, whether biological or chosen. Careening through the space beyond nature versus nurture, its characters  betrayed, wounded, unequipped  wrangle with their own worst instincts and the grotesqueries of the modern world, attempting to create families worth holding on to and to protect the children they love.</p><p>Delightful and disarming, odd and audacious, <i>Runs in the Blood</i> reveals the work of a bold and fearless writer.</p><p><b>'What I love about </b><b><i>Runs in the Blood</i></b><b>  aside from Trafford's masterful writing  is the way the stories unravel to reveal such tenderness, horror, and heartbreak. I've never read a collection of stories with this unique focus on families. This book and these characters feel like a revelation.'  Brian Francis, author of </b><b><i>Fruit</i></b></p><p><b>'</b><b><i>Runs in the Blood</i></b><b> is a collection of stories that traces the lines of our darkest thoughts with intimate care. I found myself drawn to each complex and complicated character, whether beast or human, yearning to know more, ferociously consuming every single story.'  Daniel Zomparelli, co-editor of</b><b><i> Queer Little Nightmares</i></b></p><p><b>'Trafford's stories are intimate and imaginative, written with a blend of delicate observation and a ruthless curiosity about the origins and outcomes of desire. </b><b><i>Runs in the Blood</i></b><b> is full of passion, secrets, the tenderness and agonies of love, and an often disturbing vitality.'  Naben Ruthnum, author of </b><b><i>Helpmeet</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Matthew J. Trafford</b> (he/him) holds an MFA in creative writing from the University of British Columbia. His first collection of stories, <i>The Divinity Gene</i> (Douglas &amp; McIntyre), garnered critical acclaim in the US and Canada. He continues to write and teach fiction and has recently developed a fibre arts practice, knitting and designing knitwear as Fairy Godfather Knits. He lives in Toronto, Canada. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A tender debut poetry collection that examines the queer, sick body as a reaction to an ill world and asks it how to move on toward hope.</p><p>Jason Purcell's debut collection of poems rests at the intersection of queerness and illness, staking a place for the queer body that has been made sick through living in this world. Part poetic experiment and part memoir, <i>Swollening</i> attempts to diagnose what has been undiagnosable, tracing an uneven path from a lifetime of swallowing bad feelings-homophobia in its external and internalized manifestations, heteronormativity, anxiety surrounding desire, aversion to sex-to a body in revolt.</p><p>In poems that speak using the grammar and logics of sickness, Purcell offers a dizzying collision of word and image that is the language of pain alongside the banality of living on. Beginning by reading his own life and body closely and slowly zooming out to read illness in the world, Purcell comes to ask: how might a sick, queer body forgive itself for a natural reaction to living in a sick world and go on toward hope? In <i>Swollening</i>, Purcell coughs up his own poetics of illness, his own aesthetics of pain, to form a tender collection that lands straight in the gut. </p>]]></Text>
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			<Text textformat="02"><![CDATA[Nina, a drifter from southern Spain, comes to London in search of experience, only to find that the strangest of stories is hiding in her father's loft inAlmera...]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nina, a drifter from southern Spain, comes to London in search of experience, only to find that the strangest of stories is hiding in her father's loft inAlmera...</b></p><p>A playfully concocted, fast-paced novel committed to the irresistible pleasure of reading, both a celebration and a critique of our relationship to objects (from fetishes, to curios, to commodities, to objectum sexuality, to our becoming cyborgs through our addiction to technology), Philosophical Toys travels through different times, countries and experiences as chance leads Nina to encounter time and again the enigmatic nature of things, which end up transforming her into that most rare of species: a female philosopher.</p><p>Witty and elegiac,<i> Philosophical Toys </i>takes the reader on a tour of fetishism, late capitalist culture, Buuel's films, psychoanalysis, Alzheimer's disease, as well as the avatars of belonging to two cultures, an experience increasingly shared by a myriad of expatriates.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Susana Medina</b>is the author of <i>Philosophical Toys</i>, the offspring of which are the short films<i> Buuel's Philosophical Toys</i> and <i>Leather-bound Stories</i> (co-directed with Derek Ogbourne); <i>Red Tales</i> (bilingual ed. co-translated with Rosie Marteau); <i>Souvenirs del Accidente</i>; and <i>Rebel Rebel: An Emergency Dialogue</i> (co-written with Roc Sandford). Her work has appeared in numerous publications and anthologies, including <i>Best European Fiction2014</i> (Dalkey Archive Press). She has been awarded the Max Aub Short Story International Prize and an ACE Writing Grant for <i>Spinning Days of Night</i>. Medina has collaborated extensively with artists, exhibited at Tate Modern and is a climate activist.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Suicide cannot be read as simply another novel  it is, in a sense, the author's own oblique, public suicide note, a unique meditation on this most extreme of refusals.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Suicide</i></b><b> cannot be read as simply another novel </b> <b>it is, in a sense, the author's own oblique, public suicide note, a unique meditation on this most extreme of refusals.</b></p><p>Presenting itself as an investigation into the suicide of a close friend  perhaps real, perhaps fictional  more than twenty years earlier, Leve gives us, little by little, a striking portrait of a man, with all his talents and flaws, who chose to reject his life, and all the people who loved him, in favor of oblivion. Gradually, through Leve's casually obsessive, pointillist, beautiful ruminations, we come to know a stoic, sensible, thoughtful man who bears more than a slight psychological resemblance to Leve himself. But <i>Suicide</i> is more than just a compendium of memories of an old friend; it is a near-exhaustive catalog of the ramifications and effects of the act of suicide, and a unique and melancholy farewell to life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>douard Leve</b>(1965-2008), born in Neuilly-sur-Seine, was a writer, photographer, and visual artist. Leve was the author of four books of writing  <i>Oeuvres</i>,<i>Journal</i>,<i>Autoportrait</i>, and<i>Suicide</i>  as well asthree books of photography.</p><p><b>Jan Steyn</b> is Associate Professor and the Director of the MFA in Literary Translation at the University of Iowa.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Emily Dickinson</b> (18301886) was born in Amherst, Massachusetts, into a prominent family. Dickinson briefly attended the Mount Holyoke Female Seminary before returning to her family's home, spending the majority of her life in isolation and only corresponding with friends through letters. While she is regarded as one of the most prominent figures in American poetry today, most of her poems were published after her death.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Donna M Cameron</b> is a playwright and AWGIE nominated radio dramatist who now writes novels. Her debut, <i>Beneath the Mother Tree</i> (2018, Midnight Sun) was listed as a top Australian fiction read in The Advertiser's yearly round up and was selected for the 2019 QWC/Screen QLD's Adaptable program. The manuscript of <i>The Rewilding</i>, won her a KSP Fellowship, was runner up in a Writing NSW award and gained her a 2021 Varuna Fellowship. Donna was recently accorded a Regional Arts Development Fund grant to work on her third novel, <i>Bloomfield</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Ned Kelly Award for Best Debut Crime 2025**</b></p><p>Set between the Blue Mountains and a Sydney hospital, Lisa Kenway's <i>All You Took From Me</i> is a thriller brimming with great characters and nail-biting tension.</p><p>Anaesthetist Clare Carpenter has just lost her husband and her memory in a single-vehicle accident. So why is a stranger following her? After questioning patients about their dreams, she becomes convinced that an anaesthetic drug might help her access missing memories. But there's no way to be certain without jeopardising her career or her life.</p><p>As unexplained threats escalate, Clare realises she must take matters into her own hands to learn the uncomfortable truth about her secretive husband, his connection to a mysterious club and what she did to trigger a stranger's crusade for vengeance. But how far will she go?</p><p><b>'Truly exciting. It's a rare treat to read a book that I am still thinking about long after the last page - the surprising reveals are both earned and satisfying. Readers are destined to fall in love with the ways Kenway brings such expertise and a unique perspective to the psychological thriller genre.' - Shelley Burr, author of</b> <b><i>Wake</i></b><b> and</b> <b><i>Ripper</i></b></p><p><b>'A taut psychological thriller with a driving plot,</b> <b><i>All You Took From Me</i></b><b> interrogates the limits of memory, both lost and recovered. From its compelling opening mystery, every page bristles with threat and intrigue.' - Ashley Kalagian Blunt, bestselling author of</b> <b><i>Dark Mode</i></b></p><p><b>'Kenway brings an exciting level of insider authenticity to this simmering drama about an anaesthetist struggling to make sense of a life unspooling in the aftermath of a tragic accident. Tense, twisty and unique, this is an unforgettable debut.' - Anna Downes, author of</b> <b><i>The Safe Place</i></b><b> and</b> <b><i>Red River Road</i></b></p><p><b>'I found myself first pulled in by the prose - Kenway writes like a dream - but soon I was consumed by the mystery at the heart of the story  the question of where we go and what happens to us under the narcotic oblivion of anaesthesia. Charged with menace and paranoia, this is a masterfully plotted psychological thriller.' - J. P. Pomare, author of</b> <b><i>In</i></b> <b><i>The Clearing</i></b> <b>and</b> <b><i>17 Years Later</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Mary Gilmore Award 2025**</b></p><p><b>**Winner, NSW Literary Awards 2025, Kenneth Slessor Prize for Poetry**</b></p><p><b>**Shortlisted, Prime Minister's Literary Awards 2025, Poetry**</b></p><p><b>**Shortlisted, NSW Literary Awards 2025, Glenda Adams Award for New Writing**</b></p><p><b>**Shortlisted, Victorian Premier's Literary Awards 2025, Poetry**</b></p><p><b>A moving testament to the displacement and dispossession of the Palestinian people.</b></p><p><i>rock flight</i> is a book-length poem that, over five chapters, follows a personal and historical narrative, to compose an understated yet powerful allegory of Palestine's occupation. The poem uses refrains of suffocation, rubble, and migratory bird patterns to address the realities of forced displacement, economic restrictions and surveillance technology that Palestinians face both within and outside Palestine. It depicts a restlessness brought about by dispossession, and a determination to find significance in fleeting objects and fragments. It looks to the literary form as an interactive experience, and the book as an object in flux, inviting the reader to embark on an exploration of space, while limited by the box-like confines of the page. Formally claustrophobic, the poem morphs into irony, declaring everything a box while refusing to exist within one.</p><p><b>'Here is a poetry of passion; a poetry of necessity; a poetry of survival, and a poetry-triumphant.'  Maxine Beneba Clarke</b></p><p><b>'</b><b><i>rock flight</i></b><b> is a work of timelessness, rigour, precision, relationality and guts  just like its poet. A must-read for all of us who yearn and stretch and reach for a world beyond colonies, and an even more urgent read for those who don't.'  Alison Whittaker</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Hasib Hourani</b> is a Lebanese-Palestinian writer, editor, arts worker and educator living in Warrane-Sydney. His work has been published in <i>Meanjin</i>, <i>Overland</i>, <i>Australian Poetry</i> and <i>Cordite</i>, among others. He is a 2020 recipient of The Wheeler Centre's Next Chapter Scheme and his 2021 essay, 'when we blink' was shortlisted for The LIMINAL &amp; Pantera Press Nonfiction prize and published in their 2022 anthology, <i>Against Disappearance</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Strange things happen on the dark wintry nights of December. Welcome to a new collection of haunting Christmas tales, ranging from traditional Victorian chillers to weird and uncanny episodes by twentieth-century horror masters including Daphne du Maurier and Robert Aickman.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Like any other boy I expected ghost stories at Christmas, that was the time for them. What I had not expected, and now feared, was that such things should actually become real.</i></p><p>Strange things happen on the dark wintry nights of December. Welcome to a new collection of haunting Christmas tales, ranging from traditional Victorian chillers to weird and uncanny episodes by twentieth-century horror masters including Daphne du Maurier and Robert Aickman.</p><p>Lurking in the blizzard are menacing cat spirits, vengeful trees, malignant forces on the mountainside and a skater skirting the line between the mortal and spiritual realms. Wrap up warm  and prepare for the longest nights of all.</p>]]></Text>
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			<Text textformat="02"><![CDATA[With neglected stories by John Bude and E. C. R. Lorac, as well as tales by little-known writers of crime fiction, Martin Edwards blends the cosy atmosphere of the fireside story with a chill to match the temperature outside. This is a gripping seasonal collection sure to delight mystery fans.]]></Text>
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			<Text textformat="02"><![CDATA[<p>A Christmas party is punctuated by a gunshot under a policeman's watchful eye. A jewel heist is planned admist the glitz and glamour of Oxford Street's Christmas shopping. Lost in a snowstorm, a man finds a motive for murder. This collection of mysteries explores the darker side of the festive season - from unexplained disturbances in the fresh snow, to the darkness that lurks beneath the sparkling decorations. With neglected stories by John Bude and E. C. R. Lorac, as well as tales by little-known writers of crime fiction, Martin Edwards blends the cosy atmosphere of the fireside story with a chill to match the temperature outside. This is a gripping seasonal collection sure to delight mystery fans.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Martin Edwards is series consultant for British Library Crime Classics. He is an award-winning crime writer; Chair of the Crime Writers' Association and President of the Detection Club. The Golden Age of Murder, his study of the Detection Club, was published in 2015 to international acclaim, and won the Edgar, Agatha, H.R.F. Keating and Macavity awards for the year's best book about the genre. The Story of Classic Crime in 100 Books was published by the British Library in 2017.</p>]]></Text>
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			<Text textformat="02"><![CDATA[From the troves of the British Library collections comes a new volume for Christmas nights-when the boundary between the mundane and the unearthly is ever so thin-ushering in a new throng of revenants, demons, spectres and shades drawn to the glow of the hearth.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>"But something odd does happen here at Christmas time. When I first heard the story, I thought it was an old wives' tale, but-well, these old houses-you hear strange things-" He lifted his shoulders and stared into the fire...</i></p><p>From the troves of the British Library collections comes a new volume for Christmas nights-when the boundary between the mundane and the unearthly is ever so thin-ushering in a new throng of revenants, demons, spectres and shades drawn to the glow of the hearth.</p><p>Included within are eighteen classic stories ranging from 1864 to 1974, with vintage Victorian chillers nestled alongside unsettling modern pieces from L. P. Hartley and Mildred Clingerman; lost tales from rare anthologies and periodicals; weird episodes from unexpected authors such as Winston Graham and D. H. Lawrence; stories simmering with a twisted humour from Elizabeth Bowen and Celia Fremlin and many more haunting seasonal treats. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>TANYA KIRK</b> is Lead Curator for the period 16011900. She co-curated the exhibition <i>Terror &amp; Wonder: The Gothic Imagination</i>, and has edited the Tales of the Weird collections <i>Spirits of the Season</i> (2018), <i>Chill Tidings</i> (2020) and (with Lucy Evans) <i>Sunless Solstice</i> (2021).</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book introduces readers to some of the finest Christmas detective stories of the past. Martin Edwards' selection blends festive pieces from much-loved authors with one or two stories which are likely to be unfamiliar even to diehard mystery fans]]></Text>
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			<Text textformat="02"><![CDATA[A Christmas party on a private Scottish island gets off to a bad start in the latest addition to the British Library Crime Classics. This theatrical Christmas murder, truly lost in the British Library collection, will provide entertainment throughout the festive season.]]></Text>
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			<Text textformat="02"><![CDATA[<p>She could imagine the headlines all too well...</p><p>DEATH ON POSSETT ISLAND</p><p>Well-known Playwright Found Dead on Christmas Tree.</p><p>Dimpson McCabe - Dimpsie - has invited all of his closest friends of the theatre world to join him for Christmas at his castle on a private island some hours' drive from Edinburgh. The festivities have barely had a chance to begin when poor Dimpsie is found draped atop the Christmas tree, electrocuted by the lights with which it is festooned.</p><p>The Sherriff's Court yields a verdict of Accidental Death, but in the swirling snow suspicion is dancing among the flakes. Through Dimpsie's cadre of directors, producers, actors and agents runs a hot streak of hidden grievances and theatrical scheming, and as the group return to London the dogged Inspector Smith begins to circle, seeking to find the leading man or prima donna responsible for this ghoulish crime.</p><p>First published in 1948 and lost for over 75 years, this lost Christmas novel returns to bedazzle a fresh audience of mystery-lovers.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Elizabeth Anthony was the pen name of Barbara Rubien, nee Courlander (19061996), an author, pianist and composer who wrote two classic crime novels: Dramatic Murder (1948) and Made for Murder (1950). While Barbara's sister Nancy Courlander  who wrote as Shelley Smith  remains famous today, the Elizabeth Anthony books have been lost since their first publication  until now.</p>]]></Text>
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			<SubjectHeadingText>holidays; Golden Age; mystery; murder; thriller; festive; Santa Claus; poison; crime</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[First published in 1944, Murder After Christmas is a lively riot of murder, mince pies and misdirection, cleverly twisting the tropes of Golden Age detective fiction to create a pacey, light-hearted package admirably suited for the holiday season.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>"A war's on and a murder has been committed-and we sit here talking nonsense about almond whirls and mince pies!"</i></p><p>Good old Uncle Willie-rich, truculent and seemingly propped up by his fierce willpower alone-has come to stay with the Redpaths for the holidays. It is just their luck for him to be found dead in the snow on Boxing Day morning, dressed in his Santa Claus costume and seemingly poisoned by something in the Christmas confectionery. As the police flock to the house, Willie's descendants, past lovers and distant relatives are drawn into a perplexing investigation to find out how the old man met his fate, and who stands to gain by such an unseasonable crime. </p><p>First published in 1944, <i>Murder After Christmas</i> is a lively riot of murder, mince pies and misdirection, cleverly twisting the tropes of Golden Age detective fiction to create a pacey, light-hearted package admirably suited for the holiday season.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>RUPERT LATIMER was the pen name used by Algernon Victor Mills (19051953), an English author who wrote a handful of novels following his career as a stage actor. Though his books received favourable reviews, the author's declining health curtailed his work and his name faded from the limelight. Now, over seventy years since the first publication of Murder After Christmas, Rupert Latimer is due his rediscovery.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Aunt Mildred declared that no good could come of the Melbury family Christmas gatherings at their country residence Flaxmere. So when Sir Osmond Melbury, the family patriarch, is discovered - by a guest dressed as Santa Klaus - with a bullet in his head on Christmas Day, the festivities are plunged into chaos.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Aunt Mildred declared that no good could come of the Melbury family Christmas gatherings at their country residence Flaxmere. So when Sir Osmond Melbury, the family patriarch, is discovered - by a guest dressed as Santa Klaus - with a bullet in his head on Christmas Day, the festivities are plunged into chaos. Nearly every member of the party stands to reap some sort of benefit from Sir Osmond's death, but Santa Klaus, the one person who seems to have every opportunity to fire the shot, has no apparent motive. Various members of the family have their private suspicions about the identity of the murderer, and the Chief Constable of Haulmshire, who begins his investigations by saying that he knows the family too well and that is his difficulty, wishes before long that he understood them better. In the midst of mistrust, suspicion and hatred, it emerges that there was not one Santa Klaus, but two. The Santa Klaus Murder is a classic country-house mystery that is now being made available to readers for the first time since its original publication in 1936.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>M. Doriel Hay (1894-1979) was a novelist of the golden age of British crime fiction. Her three detective novels were published in the 1930s and are now rare and highly collectable books. She was an expert on rural handicraft and wrote several books on the subject.</p>]]></Text>
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			<Text textformat="02"><![CDATA[To all outside appearances, Edna Pontellier is a respectable married woman, but one lazy summer vacation and an apparently harmless infatuation will push Edna beyond this quiet, settled life, placing her directly at odds with society's expectations of what a woman should be.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The Pulitzer Prize-winning novel about love and the constraints of privilege, and the basis for Martin Scorsese&amp;#x27;s outstanding, award-winning 1993 adaptation, now freshly repackaged for the Union Square &amp; Co. </b><b><i>Signature Classics</i></b><b> Line.</b></p><p><i>The Age of Innocence</i>begins with Newland Archer  gentleman-lawyer and scion of one of New York&amp;#x27;s most privileged families  anticipating his marriage to the gentle, lovely, and equally privileged May Welland. But when Newland meets May&amp;#x27;s cousin, the beautiful and scandal-ridden Countess Ellen Olenska, he begins to doubt his choice of bride and his place within the shallow, gilded cage of society life. If the Countess Olenska can dare to leave her disastrous marriage, can defy the unspoken, iron-clad rules that have shaped her life  what freedoms are possible for him? And what does true innocence look like in a world strangled by hollow custom, trivial squabbles, and the appearance of goodness?<i>The Age of Innocence</i>is one of Edith Wharton&amp;#x27;s greatest novels and a true classic that continues to inspire and transfix readers today.</p>]]></Text>
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			<SubjectHeadingText>limited edition books; leatherbound classic book; classic books; frankenstein; wordsworth collectors edition; leather books classics; classic horror books; classic literature books; classic novels; special edition books; bram stoker's dracula; weird; vampire; illustrated edition; books with sprayed edges; bram stoker's dracula book; frankinstein book; classic books hardcover; macabre; frankenstien; dracula hardcover; edward gorey; dracula book hardcover; classic book set; dracula bram stoker; deluxe edition books; dracula book; leather bound books classics; clothbound classics; dracula leather bound; bram stokers dracula book; gothic books; dracula book penguin classics; classic novels for adults; classic poetry books; frankenstien book; hardcover books; dracula bram stoker book; classic books for adults; anne rice; dracula deluxe; dracula special edition; dracula gift edition; transylvania; gothic; bram stoker; classic literature; classic book</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[A restless tomboy with a wild imagination, Jo March bridles against societal conventions. She has no interest in becoming a lady; she will become a writer. Fortunately for Jo, her family supports her ambitions and understands her eccentricities.]]></Text>
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			<Text textformat="02"><![CDATA[<p>A restless tomboy with a wild imagination, Jo March bridles against societal conventions. She has no interest in becoming a lady; she will become a writer. Fortunately for Jo, her family supports her ambitions and understands her eccentricities. With their father serving as a chaplain in the Union Army and little money coming in, Jo and her three sisters work hard to help their mother keep the household afloat.</p><p>Immensely popular from the day it was published, <i>Little Women</i> struck a chord with generations of young American women, demonstrating that women can pursue their dreams freely without compromising their values.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Louisa May Alcott</b> (1832-1888) was the second of four daughters of Abigail May Alcott and Bronson Alcott, the prominent Transcendentalist social reformer.</p>]]></Text>
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