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			<Text textformat="02"><![CDATA[After the Rain documents the creative processes of 10 contemporary art projects commissioned for the National Gallery of Australia's major recurrent exhibition dedicated to First Nations art and artists in Australia, the National Indigenous Art Triennial.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Longlisted, Australian Book Design Awards 2026, Best Designed Catalogue/Exhibition Book**</b></p><p><b>'As an artist I produce a visual journal for most of my works. The journal for</b> <b><i>After the Rain</i></b><b> became my tool for communicating with artists, highlighting the immersive potential of the exhibition spaces, and encouraging artists to utilise these fully.</b></p><p><b>As the first artist-led Triennial, thinking and working differently was important. The journal was a visual medium to express ideas, and the publication grew from that, becoming a deeper exploration and reflection of the exhibition.'</b></p><p><b> Tony Albert, Girramay/Yidinji/Kuku-Yalanji peoples</b></p><p><i>After the Rain</i> documents the creative processes of 10 contemporary art projects commissioned for the National Gallery of Australia's major recurrent exhibition dedicated to First Nations art and artists in Australia  the National Indigenous Art Triennial.</p><p>Edited by the Triennial's Artistic Director Tony Albert and long-time collaborator Sally Brand, the publication shares stories of artistic collaborations, longstanding friendships and generational practices from Erub, the most north-eastern island in Zenadth Kes/Torres Strait, to Ntaria/Hermannsburg in Central Australia and Naarm/Narrm/Melbourne.</p><p>Alongside artist profiles, the publication includes commissioned essays addressing legacies, identities and climate change by contributing First Nations writers Bruce Johnson McLean, Jilda Andrews, Daniel Browning and Yessie Mosby. Original portraits of the exhibition's artists by the celebrated Western Aranda painter Vincent Namatjira punctuate a vibrantly illustrated publication.</p><p>The publication is accompanied by a pull-out map created by Tony Albert showcasing his travels across Australia to meet with artists and their communities.</p><p><i>After the Rain</i> invites readers to engage with First Nations art and artists and acknowledge and celebrate the cultural warriors of the past, present and future.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Tony Albert</b> (Girramay/Yidinji/Kuku-Yalanji peoples, born 1981, Townsville, Queensland) is an established contemporary artist with a longstanding interest in the cultural misrepresentation of Aboriginal people. Drawing on both personal and collective histories, his multidisciplinary practice considers the ways in which optimism might be utilised to overcome adversity. His work poses crucial questions such as how do we remember, give justice to, and rewrite complex and traumatic histories?</p><p>Albert is acknowledged industry wide as a valued ambassador for Indigenous community and culture. He was recently announced as the inaugural Fondation Cartier pour l'art contemporain First Nations Curatorial Fellow. He is the first Indigenous Trustee for the Art Gallery of New South Wales, a member of the Art Gallery of New South Wales Indigenous advisory, a board member forthe City of Sydney's Public Art Panel and member of the Art &amp; Place Board at the Queensland Children's Hospital and in January 2023 he was awarded an Honorary Doctorate by Griffith University for his significant contribution to the arts.</p><p><b>Sally Brand</b> is Coordinator, National Indigenous Art Triennial at the National Gallery of Australia, a role that builds upon a long-standing professional relationship with Artistic Director Tony Albert.</p>]]></Text>
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			<Text textformat="02"><![CDATA[What drives someone to commit the unthinkable? In Running Amok, forensic psychiatrist Paul E. Mullen burrows into the minds of mass murderers to learn how and why they become spectres haunting modern communities.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Port Arthur 1996. Dunblane 1996. Utya 2011. Christchurch 2019. Lewiston 2023.</i></p><p>What drives someone to commit the unthinkable? In <i>Running Amok</i>, forensic psychiatrist Paul E. Mullen burrows into the minds of mass murderers to learn how and why they become spectres haunting modern communities.</p><p>Drawing on decades of experience assessing killers such as the perpetrator of the 1996 Port Arthur massacre in Australia, Mullen examines the key forces that unite them: obsessive rage, personal grievance, fascination with weapons and a quest for infamy  often culminating in suicide. Mullen reveals these killers not as incomprehensible monsters, but as deeply disturbed individuals shaped by knowable forces. Crucially, he offers guidance on recognising warning signs and improving threat assessment. He also explores the corrosive role of media sensationalism, which fuels grandiose fantasies and inspires copycat violence.</p><p><i>Running Amok</i> is both a searing investigation into mass murder and a call to action, urging society to confront these dark realities and prevent the next horror.</p><p><b>'A fascinating book into which Mullen crams decades of knowledge...enlightening.'  </b><b><i>The Spectator</i></b></p><p><b>'A devastating compendium of mass killings.'  </b><b><i>The Telegraph</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Paul E. Mullen</b> is a world authority on lone wolf mass killers and stalking. He is Professor Emeritus at Monash University, and has held prominent posts at the Institute of Psychiatry in London and the Victorian Institute of Forensic Psychiatry in Australia. He has published more than 200 journal articles and co-authored four books on forensic psychiatry, including a leading textbook on stalking that was awarded the American Psychiatric Association's Guttmacher Prize.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A revealing inside look at a brilliant creative partnership</b></p><p>This lively correspondence between celebrated poet Gwen Harwood and renowned composer Larry Sitsky, covering their creation of a series of acclaimed and at times controversial operas, gives an insight into a unique collaboration between two highly gifted Australian artists in the second half of the twentieth century. It brings to life the formation of six groundbreaking operatic works while giving a fascinating glimpse into the very different lives of two important Australian cultural figures.</p><p>Introduced by acclaimed biographer and scholar Ann-Marie Priest, these letters, collected together for the first time, reveal a dynamic creative partnership. Each chapter charts the development of a different work and offers historical and biographical context. The portrait that emerges is compelling, propulsive and illuminating, as the tensions and emerging affinities between the two artists set the stage for the creation of great works.</p><p><b>Praise for</b><b><i> My Tongue is My Own</i></b></p><p><b>'Gwen Harwood, that excellent poet and critic, deserves a sympathetic and lively biography. Ann-Marie Priest, to her credit, has just written that book.' - Ann Blainey, winner of 2009 National Biography Award</b></p><p><b>'This is a big book but it is a genuine thrill to read, a page-turner and a classic expression of the biographical form. It's an astonishing achievement.' - Rick Morton</b></p><p><b>'A fearless, fascinating account of rule breakers, rule makers and rule enforcers.' - Laura Jean McKay</b></p><p><b>'Priest gives us the full complexity of the different faces in what seems sometimes to have been a darkly revelatory mirror.' - Peter Craven,</b> <b><i>Spectator Australia</i></b></p><p><b>'...essential reading for anyone interested in Australian poetry and/or the situation endured by creative women before our allegedly more enlightened times.'</b> <b><i>- The Canberra Times</i></b></p><p><b>'An accessible account of Harwood's life, often filtered through and framed by an examination of Harwood's complex relationships.'</b> <b><i>- The Conversation</i></b></p><p><b>'Ann-Marie Priest has captured completely the sprite-like nature of one of Australia's finest poets ...Through these pages, the great poet feels so alive.'</b> <b><i>-</i></b> <b>Judges' comments, National Biography Award</b></p><p><b>'Read this meticulous biography with Harwood's poetry in hand, and chase down every poem that Priest cites.'</b> <b><i>- The Sydney Morning Herald</i></b></p><p><b>'Gwen Harwood's life story shows the familiar tension felt by a gifted poet who is also a dedicated wife and mother, but it is more complex than that division suggests. [A] fine biography.' - Brenda Niall, author of</b> <b><i>True North: The Story of Mary and Elizabeth Durack</i></b><b> and the multi-award-winning</b> <b><i>Mannix</i></b></p><p><b>'[An] accessible recounting of Gwen Harwood's crowded and emotionally vertiginous life, strengthened by many quotes from her witty correspondence. It should return readers to what matters: her poetry.' - Gig Ryan, award-winning poet</b></p><p><b>'Absolutely splendid ... [reveals] an extraordinary amount of research.' - Alison Hoddinott, author of</b> <b><i>Gwen Harwood: The Real and the Imagined World</i></b></p><p><b>'Admirably lucid...written with sensitivity.' - Gregory Kratzmann, editor of</b> <b><i>Gwen Harwood: Selected Poems</i></b></p><p><b>'An invaluable addition to the literature' -</b> <b><i>Sydney Review of Books</i></b></p><p><b>'A compelling biography' -</b> <b><i>Australian Book Review</i></b></p><p><b>'Priest's spirited biography does provide the occasion to hope we can be clear-sighted about the love stories and the ghost stories in the work of a poet.'</b> <b><i>- ArtsHub</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ann-Marie Priest</b> is the author of <i>My Tongue Is My Own: A Life of Gwen Harwood</i>, which won the 2023 National Biography Award and the 2024 Magarey Medal for Biography. She is a recipient of the Hazel Rowley Literary Fellowship and the author of several books, including <i>A Free Flame: Australian Women Writers and Vocation in the Twentieth Century</i>, which was a finalist in the Dorothy Hewett Award. A senior lecturer at Central Queensland University, she has been a Visiting Scholar at the Centre for Life Writing at Oxford University and the Institute for Ecumenical and Cultural Research at St John's University, Minnesota. She lives in rural Queensland.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The essays of<i> Apples &amp; Oranges</i> are selected from a decade of sustained enquiry into the possibilities for human &amp; more-than human poetics in the Anthropocene. Drawing on Cooke's experiences as a poet, critic, traveller and translator, the landscapes are predominantly Antarctic, Australasian, and North &amp; South American. New continental, intellectual and affective formations emerge here as hybrids of memoir, travelogue and literary criticism. Or a plethora of songs and signs are rescued from the wastelands of colonial imaginaries. Often, the search for meaning leads to poems; sometimes it leads to the contours of Cooke's own life. Indeed, the logics are poetic rather than sequential: allusion, collage, fragment and metaphor compose recurrent, occasionally symphonic structures.</p><p>In line with the book's title, the essays interrogate  and often transgress  boundaries between poetry &amp; prose, art &amp; science, and human &amp; non-human, and the general tenor is both exploratory and precautionary: as the planet cooks into catastrophe, leaf-cutter ants make symbiotic sculptures, lyrebirds make forest operas, steel becomes sentient, the Brazilian Amazon blends with the Australian Outback, and Roman ruins foreshadow giant bergs breaking from the Antarctic ice sheet.</p><p><b>'...Cooke is one of our more exciting writers on poetry...'  Caitlin Maling,</b> <b><i>Plumwood Mountain Journal</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Stuart Cooke</b> is a widely published poet, essayist and translator. His books include four collections of poems, a critical monograph, and works of translation from Spanish and Nyikina (from the West Kimberley). His poetry, essays and translations from Italian, Portuguese and Spanish have been published around the world, and he is the recipient of many prizes, grants and fellowships. He lives in Brisbane, on Yugerrah Country, where he is Associate Professor of Creative Writing &amp; Literary Studies at Griffith University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>When did we stop dreaming of a better future?</b></p><p><b>What happened to the sci-fi golden age of the 1950s, when futurism flourished as a discipline and drove innovation?</b></p><p>As a society, either we struggle to imagine something good for the times to come or we fail to picture any future at all. Our world is in polycrisis; we face climate breakdown, societal fracturing, governmental collapse, war, and rising inequality.</p><p>The exciting outcomes we dreamed of, from the space race to the wonder material plastic, have brought contingent problems of their own. We haven't yet developed mainstream and accessible new narratives to replace these failures, and if you ask someone to imagine 'the future', they'll probably still picture flying cars.</p><p><i>Designing Hope</i> resets expectations. Through the lens of four emerging futures, Sarah Housley shows us visions of hope that inspire action and critical thinking about how we'll live in the decades to come.</p><p><b>'We've stopped believing in or imagining a future. That's deadly. Housley's visionary yet bracingly practical book is an antidote to despair and a manual for our very survival.'  Charles Foster, author of </b><b><i>Cry of the Wild</i></b></p><p><b>'We need some adventure in the fight for a workable future  some stuff to be aiming at and dreaming about. This book will fire up your imagination!'  Bill McKibben</b></p><p><b>'</b><b><i>Designing Hope</i></b><b> by Sarah Housley is essential reading  an antidote to doomscrolling in an age of mounting crises. Housley offers a rare and spirited optimism, made all the more powerful by its grounding in fact. The book reminds us that, before we can build a better future, we must allow ourselves to imagine that it's possible. I finished the book with the sense that, if we can hope enough to try, human ingenuity will triumph.'  Emily Buchanan, author of </b><b><i>Send Flowers</i></b></p><p><b>'Many of us today feel trapped in the present; absorbed in the anxiety of consequences, resulting from the many failed promises of the industrial and technological age. Climate and ecological threats, layered with escalating armed conflicts and the inevitability of a techno-authoritarian abyss, obscure our ability to form collective pathways towards a world we want to live in and enjoy. </b><b><i>Designing Hope</i></b><b> offers us a powerful and pragmatic alternative to be part of a creative force imagining new horizons.'  Nick Breeze, author of </b><b><i>COPOUT</i></b><b>and host of the ClimateGenn podcast</b></p><p><b>'Through four emerging possible futures for the planet, the design futurist resets expectations on what the years to come might look like in this thought-provoking and eye-opening volume.'  Waterstones</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sarah Housley</b> is a design futurist and trend forecaster, and the former Head of Consumer Tech at WGSN. She has consulted for numerous brands on topics ranging from the future of water to our future relationships with robots, and spoken internationally at events including London Design Festival, iF Chengdu, and Dutch Design Week.</p><p>She has contributed to <i>BBC Radio 4</i>, as well as print and digital media including <i>The Financial Times, The Guardian, British Vogue</i> and <i>Stylist magazine</i>. She teaches Futures &amp; Innovation at the London College of Fashion.</p>]]></Text>
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			<SubjectHeadingText>Air; Al rihla; Alembert; Angles; Attractive; Ball; Barrier; Birds; Bit; Brazilian; Brazuca; Cardboard; Carlos; Cauchy; Connelly; Construct; Construction; Convex; Count; Cube; Cup; Curve; Designers; Dodecahedron; Drag; Drawn; Edges; Eiffel; Equation; Equilateral; Experiments; Faces; Flat; Flexible; Flexidron; Football; Force; Geometry; Glue; Goal; Goalkeeper; Greek; Hexagons; Icosahedron; Inflate; Internal; Jabulani; Kepler; Latin; Leather; Lengths; Lift; Mathematicians; Mathematics; Octahedron; Panels; Paper; Pentagons; Phenomenon; Plane; Platonic; Platonic solids; Players; Points; Polygons; Polyhedron; Pressure; Pretty; Pyramid; Rectangles</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><i>The Football</i> takes readers on an entertaining and fact-filled exploration of the mathematical secrets of the most popular spherical object on the planet. The football is familiar to billions of fans across the globe, but how many really look at it? Do footballs all have the same shape? Spoiler: not exactly. How does their shape affect how they play? With tienne Ghys as our guide, we discover why ballistics, friction, and air flow are key to scoring goals-and why the football is a mathematical problem that engineers are still trying to solve.</p><p>Ghys begins with the classic Telstar ball used in the 1970 World Cup in Mexico. Its twelve black pentagons and twenty white hexagons are what most of us picture when we think of the sport. Following the story through successive World Cups, he shows how engineers constantly challenge themselves to reinvent the ball, aiming for a perfect sphere while accounting for manufacturing requirements and aerodynamics. Along the way, Ghys introduces us to the mathematics of Platonic solids, symmetries, polyhedra, turbulence, roughness, drag, and spin. He paints engaging portraits of the engineers and sports insiders who study and apply these phenomena and explains how the skills of players factor into how the ball behaves, whether the game is being played in stadiums, schoolyards, or backyards.</p><p>Featuring a wealth of color illustrations, <i>The Football</i> blends a lively narrative with insights from a world-renowned geometer to tell a mathematical story unlike any other.</p><p><b>'Erudite and whimsical...A kick for fans and nonfans alike.'  </b><b><i>Kirkus</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The Wound Man - a medical diagram depicting a figure fantastically pierced by weapons and ravaged by injuries and diseases - was reproduced widely across the medieval and early modern globe. In this panoramic book, Jack Hartnell charts the emergence and endurance of this striking image, used as a visual guide to the treatment of many ailments. Taking readers on a remarkable journey from medieval Europe to eighteenth-century Japan, Hartnell explains the historic popularity of this gruesome image and why the Wound Man continues to intrigue us today.</p><p>Drawing on a wealth of original research, Hartnell traces the many lives of the Wound Man, from its origins in late medieval Bohemia to its vivid reincarnations in hundreds of manuscripts and printed books over more than three hundred years. Transporting readers beyond the specifics of bodily injury, Hartnell demonstrates how the Wound Man's body was at once an encyclopedic repository of surgical knowledge, a fantastic literary and religious muse, a catalyst for shifting media landscapes, and a cross-cultural artistic feat that reached diverse audiences around the world. The Wound Man, we discover, held profound importance not only for healers and patients but also for scribes, students, nuns, monks, printmakers, and poets.</p><p>Marvellously illustrated, <i>Wound Man</i> sheds light on the entwined histories of art and medicine, showing how premodern medical diagrams represent a unique site of contact between sickness, cure, painting, and print.</p><p><b>'This book offers a stunning three-hundred-year visual chronicle of surgical technique, procedure, instrumentation, and much else. Jack Hartnell brilliantly employs the remarkably persistent image of the Wound Man to explore learned and vernacular medicine, the fascinating landscape of early print, and increasingly aesthetic illustration practices in crowded book markets as the Wound Man is reproduced and recreated through seventeenth-century Europe and far beyond.' - Pamela H. Smith, author of </b><b><i>From Lived Experience to the Written Word: Reconstructing Practical Knowledge in the Early Modern World</i></b></p><p><b>'A brilliantly conceived and meticulously executed account of the varied contexts in which Wound Man appeared as a carrier of knowledge and mediator of healing practices. Jack Hartnell seamlessly stitches together medical history, medieval natural philosophy, the history of the book, and the history of the scientific image. Wound Man, the stuff of legends, has finally received a true hero's welcome.' - Mitchell Merback, author of </b><b><i>Perfection's Therapy: An Essay on Albrecht Drer's "Melencolia I"</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jack Hartnell</b> is Head of Research at the National Gallery, London. He is the author of <i>Medieval Bodies: Life, Death, and Art in the Middle Ages</i> (2018), a collaboration with the Wellcome Collection, London.</p>]]></Text>
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			<SubjectHeadingText>help communication improve life with silence and; japanese zen philosophy essays on how to pause; journey forest bathing creating awareness self; stillness japan culture tradition history; take a break breath mindfulness ganbatte ikigai</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b><i>'Ma - the emptiness in which time, space and thoughts are suspended-is an invitation to awareness.'</i></b><br/><br/>The traditional Japanese concept of ma refers to a pause or a space, "the moment of no action, the stillness and silence that is filled with more powerful energy than the moments of action" on the classic Noh stage. It also refers to the pauses taken in between notes by a shakuhachi flute player or the spaces between stones in a Zen garden which reveal unexpected vistas and perspectives.<br/><br/>The thought-provoking essays in this book are the work of sixteen talented writers and artists with vast experience in the fields of Japanese art, religion, music and philosophy. They show us how the experience of ma in the traditional Zen arts and practices can be used to create a greater awareness of our surroundings to vastly improve our lives in many other areas.<br/><br/><b>Highlights include:</b><br/></p><ul><li><i>The Unspoken Space We Share</i> by Pico Iyer, who reflects on our word choice, the way we speak to each other and the pauses in our everyday conversations</li><li><i>Some Gravel Some Stones</i> by Steven Mansfield, who explores deliberate spaces in Japanese garden design and how these provide us with moments of calm</li><li><i>Photographic Ma</i> by Robert van Koesveld, who draws our attention to the mysterious communicative power of "spaces" in photographic compositions that draw us in on a subconscious level</li><li>Between Form and Emptiness, an interview with artist Miya Ando, whose work in metal, canvas and sculpture is deeply rooted in Zen Buddhist philosophy and reflects the human experience of time, the seasons and ephemerality</li><li><i>Moments of Silence and Stillness</i> by Magda Rittenhouse, whose explorations of traditional Japanese design focus on the spaces between inside and outside, sacred and profane, the safe and the unfamiliar</li><li>Plus eleven other fascinating essays</li></ul><p>Illustrated with 80 stunning photographs, this book will appeal not just to those with an interest in Japanese culture and philosophy, but to anyone seeking to escape the stresses and challenges of daily life and develop a more balanced, meditative approach to the world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ken Rogers</b> (19522024) was a writer, editor, farmer, and longtime resident of Kyoto, best known as the co-founder of <i>Kyoto Journal</i>, an acclaimed international magazine exploring Japanese and Asian culture since 1987. Passionate about fostering cross-cultural dialogue, Ken edited numerous publications illuminating Japanese aesthetics, Buddhist philosophy, and daily life. Ken also emceed The Kyoto Connection, a monthly open mic event that helped nurture a vibrant community of writers and performers. He left behind a rich legacy of insightful storytelling and deep appreciation for the spaces between things.<br/><br/><b>John Einarsen</b> is a photographer, designer, and founding editor of <i>Kyoto Journal</i> alongside Ken Rogers. His books of photographs include <i>Kyoto: The Forest Within the Gate, Small Buildings of Kyoto</i>, and <i>This Very Moment</i> (2023). From 20132015 he served as an advisor to the <i>Japan Times</i> and in 2013 received the Commissioner's Award of the Japanese Cultural Affairs Agency. He lives near Kyoto's Nanzenji temple.<br/><br/><b>Compiled essays, illustrations and photographs by nineteen talented writers and artists including:</b> Alex Kerr; Gunter Nitschke; Pico Iyer; Steven Mansfield; Mark Hovane; Alexandre Avudulov; John McGee; Joshua Pearl; Edward A. Burger; Leanne Ogasawara; Nakajima Hiroyuki; Hikaru Hirata-Miyakawa; Magdalena Rittenhouse; Kit Nagamura; Alexander Bennett; Atticus Sims; Takafumi Kawakami; Robert van Koesveld; and Michael Dylan Welch.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Vik Muniz</b> (born in So Paulo, 1961) is a prolific, internationally recognised artist, whose signature style appropriates and reinterprets iconic images of our time. His work is featured in major collections, including the Art Institute of Chicago; Museum of Contemporary Art, Los Angeles; J. Paul Getty Museum, Los Angeles; Metropolitan Museum of Art, New York; Museum of Modern Art, New York; Museu de Arte Moderna de So Paulo; and Victoria and Albert Museum, London. He has published many books, including the Aperture titles Reflex: <i>A Vik Muniz Primer</i> (2005) and<i> Postcards from Nowhere</i> (2020). <i>Waste Land</i>, a documentary about his work in the favelas and landfills around Rio de Janeiro, was nominated for an Academy Award in 2010.</p><p><b>Lucas Blalock</b> is a Brooklyn-based photographer whose work is in the collections of the Dallas Museum of Art, Guggenheim Museum, Hammer Museum, Metropolitan Museum of Art, Museum of Fine Arts Boston, Portland Museum of Art, and the Whitney Museum of American Art, among many others. His work has been featured in publications including <i>Arforum,</i> the <i>New York Times, New Yorker, Art in America, Brooklyn Rail, BOMB Magazine, W Magazine, British Journal of Photography,</i> and <i>Time</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In this volume of <i>The Photography Workshop Series</i>, Graciela Iturbide - known for her portraits and landscapes imbued with poetic ambiguity and documentary truth - explores photographing in ways that employ a deeply personal vision, while also reflecting subjects' rich cultural backgrounds.</p><p>Aperture works with the world's top photographers to distil their creative approaches, teachings, and insights on photography - offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, Iturbide shares her creative process and artistic inspirations, and discusses a wide range of issues, from the importance of surprise and recognising what speaks to you, to capturing symbolism and meaning in the everyday.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Graciela Iturbide</b> (born in Mexico City, 1942), best known for her powerful photographs of Mexico, is one of the most celebrated and prolific figures in photography. Her work is collected in museums around the world, including the San Francisco Museum of Modern Art; Museum of Fine Arts, Houston; Tate Modern, London; and Centre Pompidou, Paris. She has published several monographs, including <i>Images of the Spirit</i> (Aperture, 1996), <i>Eyes to Fly With</i> (2006), and <i>Graciela Iturbide's Mexico</i> (2019). She has won the prestigious Hasselblad Award, as well as the Cornell Capa Lifetime Achievement Award.</p><p><b>Alfonso Morales Carrillo</b> is a writer, curator, and editor, known for his work organizing and researching photographic archives. He has written numerous articles and essays on photography in Mexico and coordinated national and international exhibitions on a wide range of topics related to Mexican popular culture, from circus to cinema. He graduated from Facultad de Ciencias Polticas y Sociales and Centro Universitario de Estudios Cinematogrficos at Universidad Nacional Autnoma de Mexico, Mexico City, and is a founding member of the Centro de Informacin Grfica at Archivo General de la Nacin, Mexico City.</p><p><b>Mauricio Maille</b> has developed audiovisual projects in photography and cinema for museums, public spaces, editorial publications, and digital platforms for twenty-five years. He has worked as an organiser, curator, editor, and exhibition designer; he has also served as director of visual arts at Fundacin Televisa, where he designed more than fifty exhibitions and collaborated in the creation of new museums and cultural spaces.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Dr. Faith's original hit, <i>Unfuck Your Brain</i>  with 5 million copies sold-in a new, illustrated format is appropriate for adult and young-adult readers alike.</p><p>Your brain has a mind of its own. And sometimes, even when it's doing its best, it can feel like it's out to get you. If you've ever had a meltdown in class, suffered emotions nobody understands, or found yourself shutting down at the worst time, you know this all too well. Thankfully, this graphic guide is here to help you understand your brain and retrain it to better respond to serious upheavals as well as everyday indignities.</p><p>This fresh take on the bestseller presents Dr. Faith's insights and neuroscientific nerdiness (and swearing) as a nonfiction graphic novel with artwork by Gerta O. Egy. If you're struggling with trauma, depression, anxiety, anger, grief, or addiction, or if you just want to have a more chill response to life, this guide will help you get your brain back on track so you can take on the world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>If someone you love deeply was embarking on a healing journey similar to what you are doing now, what would you say to them? How else would you support them?</i></p><p>Draw on the whip-smart affirmation and healing wisdom in this 60-card deck from Dr. Faith G. Harper, bestselling author of<i> Unfuck Your Brain, Unfuck Your Boundaries</i>, and many other books about getting your act together and being your best self.</p><p>Full of pithy observations and reminders to help you maintain perspective, heal from trauma, and improve your mental health and relationships-all written in Dr. Faith's kind, no-nonsense style-this deck distills the core lessons of her work.</p><p>Two types of cards are inside: healing cards prompt you to notice and reflect, while encouragement cards offer nontoxic messages to replace your brain's unhelpful narratives. Use as a daily practice, in therapy or group, or carry the deck in your pocket and draw a card whenever you need a reminder that unfuckening is totally possible.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Dragon Rune Oracle</i> is designed to help you connect to and work with the energy of the dragon collective. The deck contains twenty-eight cards and tells the story of the cyclical world of the dragons, helping us to connect to and decipher our own life-path questions.</p><p><b>The Power of Dragons in Your Hands</b></p><p><i>The Dragon Rune Oracle</i> is dedicated to connecting to and working with the energy of the ancient and powerful dragon collective overseen by the queen of dragons, Tiamat. Insight and information can be drawn through the swirling mists of the dragon's breath to help the reader as they navigate their path through this lifetime and the challenges that it holds.</p><p>This deck contains twenty-eight cards and tells the story of the cyclical world of the dragons, from their inception within the chaos of Ratanen and their battles to find magic in themselves in Sha'an. They travel onward to the peace and balance of Kaegos and the ultimate knowing of Nanen. The path of these runes can reflect our own personal journeys and challenges and therefore help us as we look for light in the darkness to understand the chaos.</p><p>Imagine yourself on a quest to find answers to the burning questions that play on your mind, that have danced in and out of your dreams for an age. You are told of an ancient cave where the all-knowing dragon lives and undertake a challenging and perilous journey to find this cave; finally, through the dense forest undergrowth, you spy said cave. You move slowly yet purposefully to its mouth and call to the dragon. 'Ddraig! Ddraig!' you shout and hear movement from within. You feel a huge, powerful presence come close to you from within the darkness. 'What would you ask of me?' a booming voice calls. So, what would you ask the dragon? Which questions do you really want the answers to? Remember, the dragon won't waste its time on trivialities; this is a chance to ask <i>big</i> questions, so think hard and ask wisely.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kieron Morgan</b>is a healer, teacher, Alchemyst, and Brother of Dragons. His roots are firmly planted in the old ways, with a deep love of Mother Earth, the elementals, and magic, but his head is in the stars, where he finds empowerment working with ascended masters, angels, and, of course, his beloved dragon collective. For the last decade, he's offered his work around the UK and Europe, being a guest reader and regular workshop facilitator at the College of Psychic Studies in London. He's also the master and founder of Pendragon Reiki, an energetic healing system that uses dragon energy for healing and protection.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Why is soy milk the perfect plant-based alternative to dairy?</i></b></p><p>Soy milk is not only delicious, smooth and creamy - but extremely friendly to the environment and the only plant-based milk that comes close to offering a protein content similar to dairy. It brings a broad range of health benefits including preventing anemia, reducing the risk of dementia, lowering cholesterol and strengthening the bones.</p><p>In this beautifully illustrated book, Chinese cookbook author and teacher Wu Wen shares her great passion for soy milk - a staple of the kitchens in China where she grew up.</p><p>Wu presents 55 delicious Asian recipes all based around this incredibly nutritious and versatile ingredient. They include:<br/></p><ul><li><b>Soy Milk Drinks</b> like Matcha Green Tea with Soy Milk and Soy Milk Cocoa</li><li><b>Soy Milk Soups</b> like Sweet Potato &amp; Miso Soup, Tofu Soup and Cauliflower Soup with Shrimp</li><li><b>Delicious Stews</b> like Pork, Clams &amp; Daikon in Soy Milk and Hotpot with Gyoza Dumplings</li><li><b>Noodle &amp; Pasta Dishes</b> like Pork &amp; Soy Ramen and Crab Udon with Soy Milk</li><li><b>Chinese-style Porridge</b> like Soy Milk Porridge with Scallops and Black Rice Soy Milk Porridge</li><li><b>Delicious Desserts</b> like Soy Milk Almond Jelly and Soft Soy Milk Cookies</li></ul><p>In addition to the recipes, the author provides a variety of fascinating essays on the health benefits of soy milk and how to maintain an active and balanced lifestyle by applying traditional Chinese health principles.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Wu Wen</b> was born in Beijing but moved to Japan in 1990. In 1997, she began giving cooking lessons in Tokyo presenting recipes based on traditional Chinese food wisdom and healthy home cooking. She not only introduces recipes, but a wide range of information about using and buying traditional Chinese ingredients and how to maintain a healthy lifestyle. She has been featured in magazines, newspapers and on television and is the author of several cookbooks published in Japan. This is her first book in English. See her on Instagram @wuwen_cookingsalon.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Chef Takashi Nakagawa has devoted his life to the art of making perfect tempura. He served a 17-year apprenticeship at the renowned Tempura Mikawa restaurant in Tokyo and for the past 20 years has been at the helm of his own restaurant, Tempura Nakagawa.</p><p>With the help of over 400 gorgeous colour photos and informative charts and diagrams, Nakagawa and his two co-authors, Hidemi Sato and Mitose Tsuchida present the full range of tempura recipes and techniques - from the best ingredients to use to making the perfect tempura batter and how to fry each ingredient to perfection, as well as how to present your finished tempura as part of an elegant Japanese meal.</p><p><b>This book provides a uniquely detailed look at the art of Japanese tempura, with sections on:</b><br/></p><ul><li>The history and development of tempura from its introduction to Japan by the Portuguese 500 years ago</li><li>A review of the key ingredients from vegetables, fish and seafood to oils and flours-and the importance of selecting and purchasing the correct ones</li><li>Methods used by professional tempura chefs to gut and clean fish and prepare vegetables</li><li>Pans, knives and other essential equipment - how to purchase, use and maintain them correctly</li><li>How to make the perfect batter and how to fry each ingredient under optimum conditions</li></ul><p>Detailed diagrams and charts illustrate everything from the ways seafood changes when fried, to the importance of carefully controlling the temperature of frying oil. Whether you're a professional chef, a lover of Japanese cuisine, or an avid tempura fan, this beautiful book will provide fascinating insights into the world of Japan's iconic national dish.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Takashi Nakagawa</b> aspired to become a chef since he was a child, and trained for 17 years beginning in 1987 at Tempura Mikawa, Tokyo. He opened his own restaurant, Tempura Nakagawa, in Tokyo's Tsukiji district in 2004. The restaurant is still going strong, and has gained a coveted entry in the Michelin Guide.<br/></p><p><b>Hidemi Sato</b> is a trained dietician and holds a doctorate in food science. After graduating from Yokohama International University, she worked in the culinary equipment industry for nine years. She then completed her Masters and Ph.D. at Ochanomizu University. She has written several books on the topic of food science.<br/></p><p><b>Mitose Tsuchida</b> graduated from Hiroshima University before receiving her doctorate from Ochanomizu University. She worked as an editor at the Japanese food magazines <i>Speciality Cooking</i> and <i>Culinary Kingdom</i> before becoming a freelancer. She writes and edits books and features on a wide variety of food subjects.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The first official puzzle book based on Netflix's blockbuster streaming phenomenon</b> <b><i>Squid Game</i></b><b>.</b></p><p>This massive puzzle collection is perfect for anyone who wants all the challenge and intellectual stimulation of participating in <i>Squid Game</i>without the risk of an ignominious death. Enjoy crosswords, word searches, sudoku variants, word logic puzzles, photo puzzles, and more, all inspired by your favourite games from <i>Squid Game</i> and <i>Squid Game: The Challenge</i> like Red Light Green Light, Tug of War, Glass Bridge, Sugar Honeycombs, Marbles, and more.</p><p><b>Step into the world of Netflix's deadliest competition with this comprehensive collection ofbrain games and puzzles, perfect for anyone in search of official</b><b><i>Squid Game</i></b><b>merchoractivity books for adults. With its rich variety of challenges, from classic crosswords and intricate sudoku variants to complex logic problems and otherbrain teasers,</b><b><i>Squid Game Book of Games</i></b><b>offers something for everyone who enjoyspuzzle books for adults, whether they're fans of the show or simply looking to test their mental prowess.</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Danielle Massi, LMFT</b> is the owner of The Wellness Collective, Philadelphia's first holistic healing center. A licensed psychotherapist and master shadow worker, she has been featured in major publications such as<i>New York</i>magazine,<i>Shape</i>, <i>Oprah Daily</i>, and <i>Shondaland</i>. She lives with her family in New Jersey.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Have you ever randomly looked at the clock and noted that it was 11:11? Then congratulations: you've received a message from the universe. Angel numbers, repeating numerical sequences with mystical significance tied to numerology, are a spiritual concept that is experiencing a surge of popularity.]]></Text>
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			<Text textformat="02"><![CDATA[<p>In the popular &amp;#x27;Little Bit of&amp;#x27; series: a fresh, accessible introduction to the practice of using pendulums.</p><p>With every swing of the pendulum, you can develop your spiritual energy. Dani Bryant, a green witch, provides an easy-to-follow guide that explains how to choose or craft your pendulum, and use it for dowsing and divination. You'll find rituals for clearing negativity, balancing chakras, making contact with the spirit world, meditation, generating accurate answers to your questions, and much more.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Discover the divine feminine with this introduction to the world of the goddess.</b></p><p>From seasonal celebrations to miracles and rebirth, this entry in the popular <i>Little Bit </i>of series explores the power, magic, and rituals of the goddess. Learn all about the Maiden, Mother, and Wise Woman archetypes, the SHE of clay and stars, and meditations connected with her  including ones for love and passion, success and wealth, protection and intuition, and health and creativity. Enter the inner temple, pore through a Goddess Directory, and see how to become part of the Goddess Community.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>An &amp;#x27;angelic&amp;#x27; entry in the popular LITTLE BIT OF series!</p><p>Angels will warn us, protect us, and enhance our lives  if we understand how to work with their energy.</p><p>But how do we ask our angelic guides for intervention? Or determine if their influence is<i> improving our lives?</i> Intuitive author Elaine Clayton presents an accessible introduction to the fascinating and perennially popular field of angelic intervention, with practical advice we can easily integrate into our day-to-day life.</p><p>See how angels can foster empathy, forgiveness, and creativity; attract your own personal angel; and communicate with your angels through dream journals.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Elaine Clayton</b> is an internationally known author, artist, intuitive reader and Reiki Master, practicing in NYC and CT. Her books on intuitive intelligence include <i>Making Marks: Discover the Art of Intuitive Drawing</i> (Simon and Schuster) and <i>Illuminara Intuitive Journal</i> [Schiffer]She is also the author and illustrator of dozens of books for children, and has provided art for books by Pulitzer Prize-winning author Jane Smiley and <i>Wicked</i> author Gregory Maguire, among others. Elaine teaches courses on the link between spiritual, intuitive development, visual imagery, and creative exploration at her studio, in libraries, schools, and museums.Elaine is a medium and has recorded angel sightings and experiences in sketchbooks for 30 years.You can learn more about her art, books, and readings by visiting elaineclayton.com.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In the popular &amp;#x27;<i>Little Bit of&amp;#x27;</i> series: a fresh, accessible introduction to the practice of chanting mantras.</p><p>Chanting a mantra repeatedly can actually affect your state of mind, elevating your consciousness, altering your emotions, and bringing you peace. <i>A Little Bit of Mantras</i> presents an introduction to these sacred, spiritually empowering words, phrases, and sounds. It explores the history of mantras and how they work, and gives you chants that you can use with your yoga, meditation, or other daily practice.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lily Cushman</b> is a teacher, musician, and author. Her work is a synthesis of the body practices of Classical Yoga, the heart practices of Bhakti Yoga, and the mind practices of Insight Meditation. For nearly a decade Lily was the Owner and Director of theBrooklyn Yoga School, a lineage-based school run entirely by donation, voted &amp;#x27;Best of New York&amp;#x27; by <i>New York Magazine</i>. Lily offers workshops and retreats around the country and serves as Director of Operations to world-renowned meditation teacherSharon Salzberg. Find her online atlilycushman.com.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In the <i>Little Bit of</i> series: a fresh, accessible introduction to the increasingly popular spiritual practice of mindfulness: being present and peaceful in the moment.</p><p>In these fast-paced modern times, mindfulness can keep us centred, calm, and energised  no matter how much the outside world keeps distracting us. Thanks to Amy Leigh Mercree's accessible introduction, beginners can master this spiritual practice. You'll learn methods for cultivating inner peace, accessing a deeper creativity, and creating a healthier body, along with rituals that support these mindfulness techniques.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Amy Leigh Mercree</b> is the bestselling author of six books including <i>The Compassion Revolution: 30 Days of Living from the Heart</i> (Llewellyn) and <i>ALittle Bit of Meditation: An Introductionto Mindfulness</i> (Sterling). <i>S</i>he also coauthored <i>A Little Bit of Chakras: An Introductionto Energy Healing</i> (Sterling).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Through the energetic power of numbers, it's possible to gain insights into the core of who we are and what specific gifts and challenges we are here to master. Practicing numerologist Novalee Wilder provides an overview of the ancient esoteric system of numerology, including its history and origins. A step-by-step guide shows how to calculate your essence by examining the numbers 1 through 9, and using the results to explore your personality, understand essential life lessons, and figure out goals. Wilder also discusses the concept of name vibrations, the Numeroscope (a numerologist&amp;#x27;s greatest tool), understanding others through numerology (using famous figures throughout history as examples), and applying this knowledge to your daily life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An expanded chronology charting Todd Hido's career, with ten years of new work.</b></p><p>Well known for his photography of landscapes and suburban housing, and for his use of detail and luminous colour, acclaimed American photographer Todd Hido casts a distinctly cinematic eye across all that he photographs, digging deep into his memory and imagination for inspiration. Newly revised and expanded, <i>Intimate Distance: Over Thirty Years of Photographs, A Chronological Album</i> includes ten years of new work since the book's first publication, including breathtaking new images from his travels to Iceland, Norway, and Japan, where he brings both a familiar eye and an expansive new vision.</p><p>Though Hido has published many smaller monographs of individual bodies of work, this gathers his most iconic images, along with many unpublished works to provide the most complete and comprehensive monograph charting his career. The book is organised chronologically, showing how his series overlap in exciting ways. David Campany introduces the work and looks at the kind of cinematic spectatorship the work demands. And Katya Tylevich muses on the making of each of Hido's major monographs, 'The photographs lead as far as human-made roads go. They reach the periphery of utility wires, footprints, and paths already taken.' From exterior to interior, surface observations to subconscious investigations, from landscapes to nudes, from America and beyond, this midcareer collection reveals how his unique focus has developed and shifted over time, yet the tension between distance and intimacy remains.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Todd Hido</b> (born in Kent, Ohio, 1968) is a San Francisco Bay Area-based artist whose work has been featured in <i>Artforum</i>, the <i>New York Times Magazine, Wired, Elephant, Foam</i>, and <i>Vanity Fair</i>. His photographs are in the permanent collections of over fifty museums, including the Getty Center, Los Angeles; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; San Francisco Museum of Modern Art; and Los Angeles County Museum of Art. He has authored over a dozen books, including <i>House Hunting</i> (2001), <i>Excerpts from Silver Meadows </i>(2013),<i> Todd Hido on Landscapes, Interiors, and the Nude</i> (Aperture, 2014), and<i> The End Sends Advance Warning</i> (2024). Hido is also an avid photobook collector with a library of over 8,500 titles.</p><p><b>David Campany </b>is one of the best-known and most accessible writers on photography. His books include <i>On Photographs </i>(2020), <i>A Handful of Dust </i>(2015), <i>The Open Road </i>(Aperture, 2014),<i> Walker Evans: The Magazine Work</i> (2013), <i>Jeff Wall: Picture for Women </i>(2011), and <i>Photography and Cinema </i>(2008). His essays have appeared in numerous books, and he contributes regularly to Aperture, Frieze, Source, and Tate Etc. magazine. He is based in New York City.</p><p><b>Katya Tylevich </b>is an arts and fiction writer. She is author of <i>Marina Abramovi: A Visual Biography </i>(2023) and <i>Gus Van Sant: The Art of Making Movies</i> (2021), among others. She is a longtime collaborator with Todd Hido and a frequent contributor to publications such as Elephant, Mark, Frame, Domus, and Pin-Up. With her brother Alexei she cofounded Friend &amp; Colleague, a platform for editions, fiction, and special projects. She is based in Los Angeles.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Artists have captured the marvels of ocean life throughout history. From fine art to scientific illustrations, these portrayals help us to appreciate and interpret the diversity of shapes, colours and patterns of the remarkable organisms that inhabit the oceans of the world. In Ocean Art, marine biologist and writer Helen Scales takes readers on a tour of ocean art, looking for the most striking and meaningful depictions of sea creatures, from ancient times to modern and from the coast to the deepest abyss, reflecting on how these works influence our view of life beneath the waves. This richly illustrated celebration of the beauty and wonders of ocean life is also a call to cherish and protect the endangered living seas.</p><p><b>'For lovers of the sea and of art, this book is a dream come true: a round-the-world, through-the-ages gallery tour in the company of one of the world's top experts on the lives of ocean creatures. Writing with both authority and affection, Scales makes canvasses, cave art, and sculpture literally come to life as she imbues the images with the animals' natural history - and the artists' viewpoints as well. This is a book to be savored and celebrated!'  Sy Montgomery, author of</b><b><i> The Soul of an Octopus</i></b></p><p><b>'In this brilliantly fun and expertly written book, Scales tells crucial human stories about the development of our relationship with the ocean. She takes us on a tour through some of the most compelling, rare, and diverse works of art that have been inspired by sea life, from ancient artifacts and found fossils to modern paintings and scientific illustrations. Marine biologists: this is the ideal book for your artsy side! Artists and historians: you'll find no more appealing way to learn more about all that grows, crawls, slithers, and swims in the ocean!'  Richard J. King, visiting associate professor of maritime history and literature, Sea Education Association, and author of </b><b><i>Ocean Bestiary </i></b><b>and </b><b><i>Sailing Alone</i></b></p><p><b>'In her latest book, Scales intricately intertwines the wonders of marine life with the power of art. Her expert knowledge and vivid storytelling masterfully weave together the beauty of the ocean and the creativity it inspires, making this an essential read for anyone passionate about art, nature, and the mysteries of the sea.'  Miranda Krestovnikoff, broadcaster, diver, and author of</b><b><i> The Sea: Exploring Our Blue Planet</i></b></p><p><b>'The oceanic world Scales has meticulously summoned in this exquisite book holds an extraordinary variety of species. Scales asks that we not only see this realm, but also listen to it, attuning ourselves to the memory of sound in water. For her, observation does not end on the page; rather, it evokes our capacity to enter salt water, that 'skin we are not in' which covers seven-tenths of the planet.'  Ellen Gallagher</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In this engaging memoir, Japanese art historian and curator Meher McArthur transports you into the extraordinary world of Japanese art - from ceramics, swords, prints and textiles to Buddhist art, folk painting, contemporary art and animation. One artwork and one language lesson at a time, we follow McArthur as she unspools a compelling narrative of curiosity and inspiration, personal and cultural growth, with heartbreak and resilience. This book will provide avid art lovers new ways of seeing and understanding the power of art, not only to inspire but to illuminate one's place in the world.<br/><br/>The author presents her art memoir in three parts:<br/><br/><b>Discovering and Learning</b><br/>Growing up in a small Scottish town as a multiracial child, McArthur often felt culturally out of place. Encouraged by her Persian and Scottish parents to embrace a global identity, she studied Japanese at Cambridge, eventually moving to Japan-where she fell in love with its language, temples, ceramics, and art traditions. Just as she found her passion, family upheaval challenged her sense of direction.<br/><br/><b>Becoming a Curator</b><br/>With a master's degree in Japanese art, McArthur forged a path as a museum curator in California, organizing exhibitions on folk art, sake, ceramics, and Buddhist calligraphy-while learning the rhythms of museum life and starting a family.<br/><br/><b>Curating Beyond the Museum</b><br/>Stepping away from the museum world, she became an independent curator, exploring new creative territory through origami, anime, and contemporary art-discovering fresh ways to connect with audiences and with herself.<br/><br/>Spanning continents and cultures, this is both an inspiring art memoir and a resonant reflection on cultural belonging. McArthur's story offers a warm, generous vision of how art can illuminate identity and bridge difference-inviting readers to fall in love with Japanese art and culture, and to embrace the idea that there's no single way to belong in the world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Meher McArthur</b> has decades of experience as an Asian art historian and curator specializing Japanese art. With degrees from Cambridge University and London University's School of Oriental and African Studies (SOAS), she has served as Curator of East Asian Art at Pacific Asia Museum, Creative Director for the Storrier Stearns Japanese Garden, Academic Curator for Scripps College and Art and Cultural Director for Japan House in Los Angeles. She has also taught courses in Asian art at the University of Southern California, Scripps College and Claremont Graduate University. She regularly lectures and trains docents at various museums in Southern California. For over a decade, McArthur has curated exhibitions for International Arts &amp; Artists (IA&amp;A) including <i>Washi Transformed: New Expressions in Japanese Paper and Kimono: Garment, Canvas, and Artistic Muse</i>. She also curated the exhibition <i>Shiki: The Four Seasons in Japanese Art</i> at the Sturt Haaga Gallery at Descanso Gardens. She lives in Pasadena, CA.<br/></p><p><b>Foreword by Pico Iyer</b>: A British-born essayist and novelist, educated at Eton, Oxford, and Harvard. Since 1987, he has been based in Western Japan, traveling everywhere from Bhutan to Easter Island and from North Korea to Los Angeles. He is the author of fifteen books, including the bestsellers <i>The Half Known Life: In Search of Paradise</i> (Penguin Random House, 2023), <i>A Beginner's Guide to Japan: Observations and Provocations</i> (Random House, 2020) and <i>The Art of Stillness: Adventures In Going Nowhere</i> (Simon &amp; Schuster, 2014). He has been a constant contributor for more than thirty years to <i>Time, The New York Times, Harper's Magazine, the Los Angeles Times</i> and more than 250 other periodicals worldwide. He has written the introductions to more than fifty other books, as well as screenplays, librettos and many liner-notes for Leonard Cohen. He speaks regularly everywhere from West Point to Davos and Shanghai to Bogota, and his four recent talks for TED have received more than ten million views.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Learn how to convert 'visual peak experiences'  moments of extraordinary natural beauty that evoke a sense of wonder and awe  into stunning photographs with Glenn Randall's expert guidance.</b></p><p>Whether you want to venture into the mountains for once-in-a-lifetime shots of raw nature or simply hone your landscape photography skills from the safety of your back deck, let best-selling author and experienced wilderness photographer Glenn Randall be your guide, as he explains the art, science, and craft behind creating stunning landscape photographs.</p><p>This fully updated edition includes nearly all new imagery throughout the book, as well as a new chapter, 'Refining Your Field Technique', that cover topics such as safety, how to best take advantage of the newest generation of mirrorless cameras in the field, why and how to use rear-button focus, dealing with cold weather, and how to work with a compass and maps. Additionally, this third edition takes into account how Randall's techniques have changed and evolved since the first two editions published  from photographic practices to how he uses smartphones and apps as important and powerful tools for landscape photography.</p><p>The book begins with a discussion of photographic essentials, then Randall focuses on the art of landscape photography. He describes his three-step process for composing a photograph and shows how good composition is an organic process that begins with rules but ultimately transcends them. Randall then explores the science behind successful landscape photographs, which requires understanding key concepts from geography, optics, vision, and psychology. These concepts include:</p><ul><li>How the position of the sun at sunrise and sunset varies throughout the year. This will help you plan when and where to shoot</li><li>Using optics to predict where rainbows will appear, how polarisers will interact with reflections, and where to find spectacular light</li><li>How to use topographic maps and computerised mapping tools to help you find promising shooting locations in the wilderness</li><li>Calculating exposures, achieving correct exposure in high-contrast lighting situations, and the best digital darkroom techniques</li></ul><p>With some practice and by applying the techniques that Randall teaches you, you will soon be ready to master the finer nuances of creating magnificent landscape photographs.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Originally a digital artist's resource website, <b>3dtotal</b> has grown into an industry-leading art-book publisher. Renowned for creating high-quality, inspirational, and practical tutorial books with some of the best artists working in the movie, games, animation, and publishing industries, 3dtotal Publishing sets the standard for modern art books.</p><p><b>Wayne Barlowe</b> is a world-renowned science-fiction and fantasy artist, born in New York and now living in New Jersey. He has created images for books, film, and galleries and also written novels, screenplays, and a number of art books - including the hugely successful<i>Expedition: Barlowe's Guide to Extraterrestrials</i>.He has created illustrations for magazines such as LIFE and TIME, and his designs can be seen in films such as<i>Galaxy Quest, Hellboy, Harry Potter and the Prisoner Of Azkhaban, Harry Potter and the Goblet Of Fire, Avatar, The Day the Earth Stood Still, Paradise Lost, John Carter,</i>and<i>Pacific Rim</i>. 2021 saw the release of his retrospective Hell art book,<i>PSYCHOPOMP</i>.</p><p><b>John Howe</b> is an internationally acclaimed fantasy artist, originally from Canada, now living in Switzerland. He is primarily known for illustrating many of the works of J. R. R. Tolkien. He was one of the chief conceptual designers on the<i>The Lord of the Rings</i>trilogy and<i>The Hobbit</i>film series. Most recently he has worked as a concept artist for<i>The Lord of the Rings: The Rings of Power</i>television series.</p><p>American artist <b>Terryl Whitlatch</b> is an iconic creature designer who has worked with LucasFilm on the<i>Star Wars</i>film series and also with Disney, Paramount, Sony, and more. She is currently Artist in Residence at Imagination International, Inc., and is a sought after lecturer and instructor in Creature Design and Animal Drawing.</p>]]></Text>
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			<SubjectHeadingText>International relations; predatory market; Communism; Chinese Economy; Communist Party; Economic History; Xi Jinping; China; Communist Economy; single-minded; The Party; One Party State; distorted market; President Xi Jinping; predatory government; State capitalism; hard-hitting expose; Orwell Prize; Three Body Problem; The Chinese Communist Party; Evergrande Bankrupcy; Evergrande Property; Middle Kingdom; Evergrande; Global Economics; vampire economy; Death Star Canteen; Economics; Hong Kong Watch; Benedict Rogers; Financial Times Books of the Year; Best Books on Economics; Rigged Markets; Market Manipulation; reform and opening; Ghost cities</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[In this book, Ian Williams tells the terrifying story of China's vampire economy and the single-minded and ruthless policy of the Party to bend economics and business to its own will. All this is part of realising President Xi Jinping's ambition of China becoming the world's pre-eminent economic, technological and military power.]]></Text>
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			<Text textformat="02"><![CDATA[<p>This isthe terrifying story of China's vampire economy.</p><p>State capitalism. Socialism with Chinese characteristics. A socialist market economy. There have been numerous descriptions of the Chinese economy. However, none seems to capture the predatory, at times surreal, nature of the economy of the world's most populous nation  nor the often bruising and mind-bending experience of doing business with the Middle Kingdom.</p><p>Rules and agreements mean little. Markets are distorted, statistics fabricated, foreign industrial secrets and technology systematically stolen. Companies and entrepreneurs, at home and abroad, are bullied  often with the collusion of the victims themselves. The Party is in every boardroom and lab, with businesses thriving or dying at its will.</p><p>All this is part of realising President Xi Jinping's ambition of China becoming the world's pre-eminent economic, technological and military power.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ian Williams </b>was foreign correspondent for Channel 4 News, based in Russia and then Asia. He then joined NBC News as Asia Correspondent. As well as reporting from China, he has also covered conflicts in the Balkans, the Middle East and Ukraine. He won an Emmy and BAFTA awards for his discovery and reporting on the Serb detention camps during the war in Bosnia. He is currently a doctoral student in the War Studies department at King's College, London, focusing on cyber issues.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Frederik Cryns</b> is Professor of Japanese History at the International Research Center for Japanese Studies, Kyoto, Japan. He is the author of several bestselling books in Japanese on the early interaction of the Western world with Japan. In addition to his academic work, Frederik appears regularly on Japanese television history programmes and supervised the historical aspects of the television series <i>Shgun</i> (2024).</p>]]></Text>
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			<Text textformat="02"><![CDATA[A novel economic interpretation of how religions have become so powerful in the modern world]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner of the Bronze Medal, Axiom Business Book Awards 2024, Business Commentary****</b></p><p>Religion in the twenty-first century is alive and well across the world, despite its apparent decline in North America and parts of Europe. Vigorous competition between and within religious movements has led to their accumulating great power and wealth. Religions in many traditions have honed their competitive strategies over thousands of years. Today, they are big business; like businesses, they must recruit, raise funds, disburse budgets, manage facilities, organise transportation, motivate employees, and get their message out. In <i>The Divine Economy</i>, economist Paul Seabright argues that religious movements are a special kind of business: they are platforms, bringing together communities of members who seek many different things from one another  spiritual fulfilment, friendship and marriage networks, even business opportunities. Their function as platforms, he contends, is what has allowed religions to consolidate and wield power.</p><p>This power can be used for good, especially when religious movements provide their members with insurance against the shocks of modern life, and a sense of worth in their communities. It can also be used for harm: political leaders often instrumentalise religious movements for authoritarian ends, and religious leaders can exploit the trust of members to inflict sexual, emotional, financial or physical abuse, or to provoke violence against outsiders. Writing in a nonpartisan spirit, Seabright uses insights from economics to show how religion and secular society can work together in a world where some people feel no need for religion, but many continue to respond with enthusiasm to its call.</p><p><b>'Seabright has produced an engaging and insightful book, which I found myself pondering long after I had read the last page.'  Jane Shaw, </b><b><i>Financial Times</i></b></p><p><b>'Enlightening.'  </b><b><i>The Economist</i></b></p><p><b>'Seabright has a great talent for addressing original questions. In this book, he reverses the familiar trope that religion is the antithesis of mere economics. On the contrary, he argues, religions are competing businesses: they attract people by providing services they value, from the mundane - a community in which to find a compatible mate - to the sublime - a sense of life's meaning.'  Martin Wolf, </b><b><i>Financial Times</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Paul Seabright</b> teaches economics at the Toulouse School of Economics, and until 2021 was director of the multidisciplinary Institute for Advanced Study in Toulouse. From 2021 to 2023, he was a Fellow of All Souls College at the University of Oxford. His books include <i>The War of the Sexes: How Conflict and Cooperation Have Shaped Men and Women from Prehistory to the Present</i>, and <i>The Company of Strangers: A Natural History of Economic Life</i> (both Princeton).</p>]]></Text>
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			<SubjectHeadingText>Alternative reproductive tactics; Arms race; Camouflage; Cheating; Communication; Deception; Delusion; Disinformation; Evolution; Free riding; Honest signaling; Illusion; Infidelity; Lying; Mimicry; Natural selection; Nest/brood parasitism; Placebo effect; Self-deception; Sexual selection</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Nature is rife with cheating. Possums play possum, feigning death to cheat predators. Crows cry wolf to scare off rivals. Amphibians and reptiles are inveterate impostors. Even genes and cells cheat. <i>The Liars of Nature and the Nature of Liars</i> explores the evolution of cheating in the natural world, revealing how dishonesty has given rise to wondrous diversity.</p><p>Blending cutting-edge science with a wealth of illuminating examples  from microscopic organisms to highly intelligent birds and mammals  Lixing Sun shows how cheating in nature relies on two basic rules. One is lying, by which cheaters exploit honest messages in communication signals and use them to serve their own interests. The other is deceiving, by which cheaters exploit the biases and loopholes in the sensory systems of other creatures. Sun demonstrates that cheating serves as a potent catalyst in the evolutionary arms race between the cheating and the cheated, resulting in a biological world teeming with complexity and beauty.</p><p>Brimming with insight and humour, <i>The Liars of Nature and the Nature of Liars</i> also looks at the prevalence of cheating in human society, identifying the kinds of cheating that spur innovation and cultural vitality and laying down a blueprint for combating malicious cheating such as fake news and disinformation.</p><p><b>'The world is full of liars, a fact brilliantly depicted in Lixing Sun's slender but important book about cheating and deception among animals and plants, as well as that hairless bipedal species that is the biggest deceiver of them all. . . . A tour de force of evolutionary biology...Fascinating.'  David P. Barash, </b><b><i>Wall Street Journal</i></b></p><p><b>'The accessible prose offers an eye-opening take on lying in the natural world and how evolutionary pressures to deceive impact human behavior. The smart parallels between humans and animals make for an insightful outing.'  </b><b><i>Publishers Weekly</i></b></p><p><b>'[An] intriguing introduction to the domain of dishonesty.'  Tony Miksanek, </b><b><i>Booklist</i></b></p><p><b>'Buckle up for a riveting journey into the wide world of deception.'  Marc Bekoff, </b><b><i>Psychology Today</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An eye-opening look at the rapidly rising growth of gaming and the companies  including Peloton, Burberry, the </b><b><i>New York Times</i></b><b>, BMW, and Chipotle </b> <b>that are using games to win over customers.</b></p><p>Today's consumers demand more than products  they crave immersive, personalized experiences. As a result, traditional marketing and engagement strategies have lost their edge. The new frontier? Gaming, where over three billion people worldwide spend their time, attention, and money.</p><p>In <i>Press Play</i>, Bastian Bergmann, cofounder and COO of Solsten, shows how visionary companies are capitalizing on gaming's unstoppable rise. Drawing on exclusive interviews and access to forward-thinking companies  ranging from Adidas and Puma to NASCAR and Unilever  Bergmann provides an insider's view of gaming's transformative power. He also delivers a practical road map for business leaders, offering strategies that range from low-risk partnerships to ambitious, full-scale gaming ventures.</p><p>Filled with cutting-edge insights and behind-the-scenes stories of iconic organisations and groundbreaking startups, <i>Press Play</i> will help you understand the lucrative world of video games and enable you to offer your customers what they really crave.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A powerful new edition of the </b><b><i>Wall Street Journal</i></b><b> bestseller that helps leaders build radically more human  and capable  organisations.</b></p><p>Now more than ever, we need organisations that are daring, resilient, and creative. Unfortunately, when confronted by unprecedented challenges, most companies and institutions prove to be timid, plodding, and orthodox. The culprit is bureaucracy. With its top-down power structures and rule-choked systems, bureaucracy hobbles ingenuity and innovation. In a time of upheaval, these long-tolerated impediments are fast becoming competitively and economically untenable. Humanity needs and deserves something better.</p><p>In <i>Humanocracy</i>, Gary Hamel and Michele Zanini make a passionate, data-driven argument for uninstalling bureaucracy and reinventing management as we know it. In this extensively updated and expanded edition, readers will find new and compelling case studies, the latest research findings, and a wealth of fresh and provocative insights.</p><p><i>Humanocracy</i> is both a manifesto for institutional renewal and a blueprint for building organisations that are as courageous, energetic, and ingenious as the people inside them. Essential building blocks include:</p><ul><li><b>Motivation:</b> Rallying colleagues to the challenge of reimagining management as usual</li><li><b>Models:</b> Leveraging the experience of vanguard organisations that have successfully disrupted the bureaucratic status quo</li><li><b>Mindsets:</b> Escaping the industrial-age thinking that undermines the quest to build radically more capable organisations</li><li><b>Mobilization:</b> Activating a pro-change coalition to hack outmoded management systems and processes</li><li><b>Migration:</b> Embedding the principles of humanocracy  ownership, markets, meritocracy, community, openness, experimentation, and paradox  in your organisation's DNA</li></ul><p>If you've finally run out of patience with bureaucratic bullshit; if you're eager to build an organisation that can outrun change and outperform expectations; if you believe every team member deserves the chance to do something extraordinary, then this book's for you.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A radical reinterpretation of the relationship between two states whose history has always been intertwined, particularly revisiting Germany's involvement in the Palestinian question.</p><p>According to common perception, the Federal Republic of Germany supported the formation of the Israeli state for moral reasons <b> </b>to atone for its Nazi past <b> </b>but did not play a significant role in the Arab-Israeli conflict. However, the historical record does not sustain this narrative.</p><p>Daniel Marwecki's pathbreaking analysis deconstructs the myths surrounding the odd alliance between Israel and post-war democratic Germany. Thorough archival research shows how German policymakers often had disingenuous, cynical or even partly antisemitic motivations, seeking to whitewash their Nazi past by supporting the new Israeli state. This is the true context of West Germany's crucial backing of Israel in the 1950s and '60s. German economic and military support greatly contributed to Israel's early consolidation and eventual regional hegemony. This initial alliance has affected Germany's role in the Israeli-Palestinian conflict to the present day.</p><p>Marwecki reassesses German foreign policymaking and identity-shaping, and raises difficult questions about German responsibility after the Holocaust, exploring the many ways in which the genocide of European Jews and the dispossession of the Palestinians have become tragically intertwined in the Middle East's international politics. This long overdue investigation sheds new light on a major episode in the history of the modern Middle East.</p><p><b>'Describes...moral absolution of a...still profoundly antisemitic Germany in return for cash and weapons.'  </b><b><i>London Review of Books</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Daniel Marwecki</b> is a lecturer in International Relations at the University of Hong Kong. He previously taught at the University of Leeds and at SOAS University of London, where he also received his PhD.</p>]]></Text>
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			<SubjectHeadingText>19th century; Australian democracy; Australian politics; Colonial Australia; Federation era; Graham Berry; Sean Scalmer; Victorian Parliament; Victorian history; Westminster system; community history; constitutional crisis; democractic history; democractic reform; land reform; mass political reform; parliament history; political biography; political imagination; political leadership; political legacy; populism; protectionism; public speaking; reform movement</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[London Times likened to a 'revolution'. ' Democratic Adventurer  Australian Book Review]]></Text>
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			<Text textformat="02"><![CDATA[<p>Graham Berry (1822-1904) was colonial Australia's most gifted, creative and controversial politician. A riveting speaker, a newspaper proprietor and editor, and the founder of Australia's first mass political party, he wielded these tools to launch an age of reform: spearheading the adoption of a 'protectionist' economic policy, the payment of parliamentarians, and the taxing of large landowners. He also sought the reform of the Constitution, precipitating a crisis that the <i>London Times</i>likened to a 'revolution'.</p><p>This book recovers Berry's forgotten and fascinating life. It explores his drives and aspirations, the scandals and defeats that nearly derailed his career, and his remarkable rise from linen-draper and grocer to adored popular leader. It establishes his formative influence on later Australian politics. And it also uses Berry's life to reflect on the possibilities and constraints of democractic politics, hoping thereby to enrich the contemporary political imagination.</p><p><b>'Berry used his popular following to plunge Victoria into its most profound constitutional crisis, and this book establishes his lasting legacy.'  Stuart Macintyre</b></p><p><b>'This is a historian at the top of his game. Democratic Adventurer will be required reading for those who study colonial Australia, but its clear focus, accessible style, and the excitement of the tale will attract a popular audience also.'  Benjamin T. Jones</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sean Scalmer</b> teaches History at the University of Melbourne. His books include <i>Dissent Events</i>, <i>The Little History of Australian Unionism</i> and <i>Gandhi in the West</i>. He is a co-editor of the journal Moving the Social. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Boost your language skills and discover contemporary Vietnam by reading real-life articles from Vietnamese newspapers, available in both Vietnamese and English!</b><br/><br/>This innovative language book features 30 authentic articles from Vietnamese newspapers, presented side-by-side in parallel Vietnamese and English texts. The articles are graded for beginners, intermediate learners, and advanced students, and are accompanied by vocabulary lists, grammar and cultural notes, exercises, and access to online native-speaker audio recordings. Perfect for classroom use or independent study, this book offers an immersive way to learn about Vietnam through its vibrant culture and everyday life.<br/><br/><b>Inside, readers will explore topics such as:</b><br/><br/></p><ul><li>Stunning caves with underground lakes, wavelike ceilings, stalactites, and stalagmites</li><li>A popular Ho Chi Minh City food stall where two sisters serve BBQ pork to night owls</li><li>Young people moving to a city with efficient public transport and attractive amenities</li><li>Former US and Vietnamese fighter pilots who fought in the Vietnam War and now meet regularly</li><li>And many more fascinating stories about contemporary life in Vietnam!</li></ul><p>Compiled and written by Professor Binh Ngo, a seasoned Vietnamese language instructor at Harvard University, this book is designed to deepen your understanding of both the language and the culture. Its a valuable addition to Tuttle's innovative series of language learning books, offering an engaging and enjoyable way to improve your language skills.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Binh Nhu Ngo</b> is emeritus Director of the Vietnamese Language Program at Harvard University where he taught Vietnamese from 1992 through 2022. He was born and educated in Hanoi and earned his Ph.D. in linguistics from the Russian Academy of Sciences in Moscow. He has also taught at the Southeast Asian Studies Summer Institute and at several universities and colleges in the United States. He served as the Vice President of the Council of Teachers of Southeast Asian Languages and Co-President of the Group of Universities for the Advancement of Vietnamese in America, representing Harvard at these organizations. He regularly delivers lectures in Vietnam. His other books include <i>Elementary Vietnamese</i> and <i>Continuing Vietnamese</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Explore the rich history and culture behind Tokyo's most interesting districts and iconic sites - on foot!</i></b></p><p>This is the first comprehensive walking guide to Tokyo, presenting 29 easy-to-follow tours through the city's most historic and lively precincts. Experience the true spirit and culture of Tokyo-the feudal capital of the Shogun in the era of samurais and geishas-as you wander historic back streets where remnants of the past survive in the shadow of shiny skyscrapers, a fascinating contrast of old and new!</p><p>You will learn about the founding of Tokyo, the celebrated geisha quarters of the "floating world" and the city's ancient samurai culture. Visit the sublime Imperial Palace Gardens and the glitzy shopping districts of Ginza and Shibuya. Then explore the traditional craft districts and temples of Asakusa - the beating heart of the old city.</p><p>This book is a labor of love by John and Phyllis Martin, historians and museum curators who taught courses in Japanese history and culture. They highlight unique temples, museums, gardens and shrines for quiet meditation, as well as meccas for lovers of Japanese art and popular culture.<br/><br/><b>Each step of the way, the Martins recount interesting stories from Tokyo's past. Among the many exciting places you'll visit are:</b></p><ul><li>Famous sites like the Senso-ji Temple, Tokyo Tower, Meiji Shrine and Tsukiji Fish Market</li><li>Unusual museums like the Sword Museum, Hokusai Museum and the Kite, Tobacco and Salt Museum</li><li>Spooky cemeteries where the famous 47 Ronin warriors are buried and the controversial Yasukuni Shrine to Japan's war dead</li><li>Trendy Harajuku, Omotesando and Akihabara where you can buy the latest fashions and geeky gear</li><li>Serene Japanese gardens nestling amidst the sleek skyscrapers in Tokyo's bustling business districts</li><li>Sacred shrines like the Hill of Masakado's Head, the Statue of Kiyomaro and the Yushima Tenjin Shrine</li><li>Scenic daytrips to nearby Yokohama, Kamakura, Hakone, Mt. Fuji, Nikko and Kawagoe ("Little Edo")</li></ul><p>This book is packed with invaluable information and illustrated with over 100 colour photos and 50 full-colour maps. Each walk has a QR code that loads it automatically into Google Maps on your phone!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kathy Wu</b>, PhD is a licensed psychologist who helps young people optimise their personal growth, creativity and wellbeing. Formerly a college professor, Dr. Wu is keen on applying education with trauma-informed and evidence-based approaches to mental health care.</p><p>Dr. Wu has worked formally since age seven, starting in her family's dumpling business, through to corporations, psychiatric hospitals, community health centers, public schools and universities. Dr. Wu currently has a thriving private practice. She feels most grounded when spending quality time with her friends and family.</p>]]></Text>
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			<Text textformat="02"><![CDATA[We're thinking about agriculture all wrong. Feed Us with Trees breaks down the stories trapping us in today's ruinous food system and destroying our ecological health-and reminds us that all over the Northern Hemisphere, humans once grew our staple foods on perennial nut trees such as oaks, chestnuts, and hazelnuts.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A new and ancient story about perennial nut trees, our ecological role as humans, and the future of food.</b></p><p>The day Elspeth Hay learned that we can eat acorns, stories she'd believed her whole life began to unravel.</p><p>Until then she'd always believed we must grow our staple foods in farmed fields  the same fields wreaking havoc on our land, air, and water. But all over the Northern Hemisphere, Hay learned, humans once grew our staple foods in forest gardens centred on perennial nut trees: oaks, chestnuts, and hazelnuts. In <i>Feed Us with Trees</i>, Hay brings us along as she gets to know dozens of nut growers, scientists, Indigenous knowledge-keepers, researchers, and food professionals  and discovers that in tending these staple trees, we once played a vital environmental role as one of Earth's keystone species.</p><p><i>Feed Us with Trees</i> is Hay's hopeful manifesto about a brighter, more abundant world  and a critical look at the long-held stories we'll need to rewrite to build it. It will appeal to environmentalists, regenerative farmers, permaculture enthusiasts, agroforesters, locavores, and anyone hungry for a more vibrant future.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Understanding, loving and protecting butterflies  in all their enchantments.</b></p><p>Butterflies have enchanted and intrigued us for centuries. From the eighteenth-century 'aurelians', through the Victorian 'golden age' of collecting to the twentieth-century focus on conservation, humans have chased glimpses of these beautiful but elusive creatures. Winding through literature, art, music, and dreams,<i> The Butterfly: Flights of Enchantment </i>uncovers why butterflies continue to inhabit such a profound place in our imagination. Today, the art of butterfly-watching can be a mindfulness practice for many; a Romantic escape from our industrialised existences.</p><p>A first of its kind in combining the history of human interest in butterflies with a guide to practical observation, this pocket guide encourages us to nurture our curiosity and head out into our local environment, focusing on edgeland habitats that are home to many species.</p><p>It is perhaps because butterflies are so fragile and fleeting that we are so beguiled by them. But now, as numbers dwindle, they have never been more difficult to spot.</p><p><i>The Butterfly</i> paves the way toward uncovering the history of our fascination with butterflies and learning how to spot and identify them.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nigel Andrew</b> was educated at the University of Cambridge, after which he spent some yearsas a reference librarian, while also working as a critic and a feature writer for publications including t<i>he Times, Listener, Sunday Times</i>, and<i>Guardian/Observer</i>. He then joined the staff of<i>Radio Times</i>before moving on to a full-time position at the<i>Daily Mail</i>. He now concentrates on his blog (Nigeness: A Hedonic Resource) and contributes to<i>Literary Review</i>and<i>Slightly Foxed</i>. His book,<i>The Mother of Beauty: On the Golden Age of English Church Monuments, and Other Matters of Life and Death</i>(2019) was described as 'a wonderful book in every way, perfect for anyone interested in churches, in the lost corners of England, or in meditating on mortality'.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An absorbing journey through a region caught between history, geography and ideology.</b></p><p>What is 'Central Europe'? Where do its borders lie? Does it even exist? Attempts to define it usually yield more questions than answers. But perhaps the wrong questions are being asked.</p><p>Luka Ivan Jukic disentangles the enigma of Central Europe through its birth, death and rebirth. Today, Poland, Croatia and even Ukraine proudly align themselves with it, and so with Western civilisation. But the term originally described an unrecognisably different world  one formed in the eighteenth century by the unique inheritance of the Habsburg dynasty across Germany and a sprawling Danubian realm; by the rise of standard High German; and by its intermediate position between an 'advanced West' and 'backwards East'.</p><p>Two devastating world wars shattered this extraordinary civilisation, reducing it to a Cold War frontier. Its unexpected reincarnation in the 1980s, as an ideological antidote to the Soviet East, spawned myths and polemics, but little clarity. Yet 'Central Europe' seems to feature in every contemporary crisis, from Russian aggression to European disunity. Why is it still such a powerful political idea?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Luka Ivan Jukic</b> is a journalist and historian based in London. His work has appeared in The <i>Atlantic</i>, the<i> Financial Times, New Lines Magazine, Engelsberg Ideas, Foreign Policy, History Today</i>, and other publications.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Whether you want to dance the tango in Buenos Aires, sip wine in Mendoza, or explore the glacial terrain of Patagonia, the local Fodor's travel experts in Argentina are here to help! <i>Fodor's Essential Argentina With the Wine Country, Uruguay &amp; Chilean Patagonia</i> guidebook is packed with maps, carefully curated recommendations, and everything else you need to simplify your trip-planning process and make the most of your time. This new edition has been fully-redesigned with an easy-to-read layout, fresh information, and beautiful color photos.</p><p>Fodor's "Essential" guides were named by Booklist as the Best Travel Guide Series of 2020!</p><p>Fodor's Essential Argentina travel guide includes:</p><ul><li>AN ILLUSTRATED ULTIMATE EXPERIENCES GUIDE to the top things to see and do</li><li>MULTIPLE ITINERARIES to effectively organize your days and maximize your time</li><li>MORE THAN 35 DETAILED MAPS to help you navigate confidently</li><li>COLOR PHOTOS throughout to spark your wanderlust!</li><li>HONEST RECOMMENDATIONS FROM LOCALS on the best sights, restaurants, hotels, nightlife, performing arts, activities, side-trips, and more</li><li>PHOTO-FILLED 'BEST OF' FEATURES on 'Argentina's Natural Wonders' 'Argentina's Best Outdoor Activities', 'What to Eat and Drink in Argentina', and more</li><li>TRIP-PLANNING TOOLS AND PRACTICAL TIPS including when to go, getting around, beating the crowds, and saving time and money</li><li>HISTORICAL AND CULTURAL INSIGHTS providing rich context on the local people, politics, art, architecture, cuisine, dance, geography, and more</li><li>SPECIAL FEATURES on 'Igaz Falls', 'Touring the Quebrada de Humahuaca', 'Wines of Chile and Argentina', 'Argentina's History', 'Dance of Buenos Aires' 'Cowboy's At World's End', 'Fly Fishing', 'What to Watch, Read, and Listen to', and 'Into the Patagonian Wild'.</li><li>LOCAL WRITERS to help you find the under-the-radar gems</li><li>Spanish LANGUAGE PRIMER with useful words and essential phrases</li><li>UP-TO-DATE COVERAGE ON: Buenos Aires, Igaz Falls, Mendoza wine country, Quebrada de Humahuaca, gaucho country, tango dancing, Patagonia, Perito Moreno Glacier, El Calafate, the Lake District, Bariloche, Aconcagua, Salta, Ushuaia, Uruguay, Parque Nacional Torres del Paine, Tierra del Fuego, and more</li></ul><p>Planning on visiting other destinations in South America? Check ou<i>t Fodor's Essential Chile, Rio de Janeiro &amp; Sao Paolo, </i>and<i> Essential Peru.</i></p><p>*Important note for digital editions: The digital edition of this guide does not contain all the images or text included in the physical edition.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Indonesia, the world's largest archipelago, is a true diver's paradise!</i></b></p><p>The tropical seas around Indonesia's 17,000 islands span several ecological zones and host the greatest variety of marine life and biodiversity found anywhere on this planet. These warm, crystal-clear waters are home to stunning coral reefs, deep trenches and shipwrecks-not to mention majestic creatures ranging from seahorses to fish, whales, dolphins, sharks and manta rays.</p><p><i>The Ultimate Guide to Diving in Indonesia</i> is the first and only comprehensive guidebook dedicated entirely to Indonesia's unique and exciting dive sites and facilities. Seasoned dive instructor and long-time Bali resident Sarah Ann Wormald presents descriptions and photos for each major dive site, including recommendations for the best operators and services to use. Maps of each area, marine life and conservation stories, and detailed travel tips from a local expert help to guide you in planning your visit.</p><p>This updated and expanded third edition features many new photos, dive operators and dive sites that have surfaced over the past few years. Unique highlights include the burgeoning night-time blackwater diving scene, wall diving around Selayar Island and whale and dolphin watching off the coast of Alor.<br/><br/><b>Wormald covers each major region in Indonesia in detail, among them:</b></p><ul><li><b>Bali</b> - "The Island of the Gods," famous for its marine life and the USS Liberty shipwreck off Tulamben</li><li><b>North Sulawesi</b> - Where active volcanoes tower over lush plateaus and gorgeous coral reefs</li><li><b>Nusa Tenggara</b> - The vast region from Lombok to Timor featuring everything from submerged seamounts, walls and drop-offs to freshwater caves, slopes and sandy muck diving bays</li><li><b>Maluku</b> - An often overlooked but unique sites that host the perfect combination of reefs and critters</li><li><b>Raja Ampat and West Papua</b> - Quickly becoming the "mecca" for Indonesian diving, with beautiful landscapes, white sand beaches and shallow water corals which make it the postcard trip of a lifetime</li></ul><p>Whether you are a first-timer or an experienced diver, this book has everything you need to plan and fully enjoy the magic of Indonesia's tropical diving paradise.</p>]]></Text>
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			<SubjectHeadingText>1551 book of emblems by Claude Paradin; Claude Paradin; Egyptian magic; Greek tarot; Renaissance court; Rider-Waite-Smith; Roman tarot; accessible tarot deck; allegorical tarot; ancient mythology; ancient tarot images; animals; card deck; clouds; coins; destiny; divination system; emblem collector; emblemata; flowers; gemstone rings; gilded cards; gilded tarot cards; gold foil cards; helmets; iconic tarot images; inimate illustrations; magical and mystical tarot deck; medieval bestiaries; occult llustrations; oracular meanings of the cards; original Latin mottos; plumes; ribbon lift; self knowledge; spiritual gnosis; swords; symbolic tarot; symbolism of tarot emblems; talismans; tarot archetypes; tarot cards; tarot cards meaning; tarot deck; tarot guidebook; tarot interpretations; tarot of Renaissance; trees; use emblems for divination; wands; wreaths</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>'This deck teaches us to look beyond the surface, to engage with a gaze of awe, admiration, and reverence.'  Laetitia Barbier, author of </b><b><i>Tarot and Divination Cards: A Visual Archive</i></b></p><p><i>Tarot Emblemata</i> is a magical and mystical tarot deck based on the 1551 book of emblems by Claude Paradin. Renaissance emblems are intimate illustrations with accompanying mottos that allegorically and symbolically express sentiments, concepts, societal concerns, and parables. These Renaissance emblems are a didactic genre of interpretive art and, within them, author and creator Nitasia Roland has discovered that their enigmatic imagery and 'mottos' correspond dynamically and align perfectly with the seventy cards of the Major and Minor Arcana of the tarot.</p><p>Among the many ancient and iconic images this deck portrays  plumes, helmets, swords, gemstone rings, coins, wands, clouds, wreaths, flowers, animals, and trees  Roland sees the evolution of tarot's wands, swords, cups, and coins, as well as evocative glimmers of the Major Arcana archetypes. Both secular and religious, Renaissance emblems were meant to crystallise virtue or vice and cover every sphere of early modern knowledge: ethics, natural philosophy, politics, science, religion, love, war, and everyday life, very much in the same way that modern tarot imagery provides insight and clarity today.</p><p>The <i>Tarot Emblemata</i> deck will help readers expand on their path of embodiment, spiritual gnosis, inspired destiny, and empowerment. The accompanying guidebook presents tarot interpretations and elucidations on the symbolism of the emblems. <i>Tarot Emblemata</i> features a ribbon lift and gilded cards. It is an accessible deck for beginners and those familiar with the Rider-Waite-Smith system, while more experienced readers will enjoy a new and refreshing perspective.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nitasia Roland</b> is a writer, poet, digital artist, and independent researcher and publisher of esoterica. She has an interdisciplinary master's degree in English, poetry, printmaking, and design as well as an MFA in creative writing. She has an extensive background in handmade textiles, book arts, teaching Photoshop, and editing and publishing small-press journals. She practices magic/theurgy and divination and is an avid tarot card reader and astrology enthusiast.</p>]]></Text>
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			<SubjectHeadingText>Anthropocene; biodiversity; capitalism; climate change; domination.; ecological economics; ecology; eco-Marxism; economics; eco-socialism; environment; existentialism; externalities; feminism; freedom; labor; markets; Marxism; nature; Nature; political economy; socialist feminism; sustainability; Labor; Human; Production; Capitalism; Capital; Market; Material; Freedom; Power; Capitalist; Marx; Relations; Nonhuman; Wage; Action; Workers; Relationships; Commodity; Argues; Ecosystem; Economic; Matter; Domination; Industrial; Kinds; Price; Services; Costs; Processes; Gifts; Rule; Exchange; Earth; Ecological; Effects; Goods; Moral; Economists; Force; Critique; Factory; Requires; Politics; Machine; Pollution; Produce; Housework</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[A timely new critique of capitalism's persistent failure to value nature.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Capitalism is typically treated as a force for relentless commodification. Yet it consistently fails to place value on vital aspects of the nonhuman world, whether carbon emissions or entire ecosystems. </p><p>In <i>Free Gifts</i>, Alyssa Battistoni explores capitalism's persistent failure to value nature, arguing that the key question is not the moral issue of why some kinds of nature <i>shouldn't</i> be commodified, but the economic puzzle of why they <i>haven't</i> been. To understand contemporary ecological problems from biodiversity collapse to climate change, she contends, we have to understand how some things come to have value under capitalism-and how others do not. To help us do so, Battistoni recovers and reinterprets the idea of the free gift of nature used by classical economic thinkers to describe what we gratuitously obtain from the natural world, and builds on Karl Marx's critique of political economy to show how capitalism fundamentally treats nature as free for the taking. This novel theory of capitalism's relationship to nature not only helps us understand contemporary ecological breakdown, but also casts capitalism's own core dynamics in a new light.</p><p>Battistoni addresses four different instances of the free gift in political economic thought, each in a specific domain: natural agents in industry, pollution in the environment, reproductive labor in the household, and natural capital in the biosphere. In so doing, she offers new readings of major twentieth-century thinkers, including Friedrich Hayek, Simone de Beauvoir, Garrett Hardin, Silvia Federici, and Ronald Coase. </p><p>Ultimately, she offers a novel account of freedom for our ecologically troubled present, developing a materialist existentialism to argue that capitalism limits our ability to be responsible for our relationships to the natural world, and imagining how we might live freely while valuing nature's gifts.</p><p><b>'What a stunning book! As scholarly as it is urgent, sweeping as it is detailed, gorgeously written as it is analytically precise, </b><b><i>Free Gifts</i></b><b> asks and answers a question fundamental to a future for earthly life: Why can't capitalism value nonhuman nature, and how does this failure imbricate exploitative productive work, subordinated reproductive work, and ecological destruction?'-</b> <b>Wendy Brown, author of</b> <b><i>In the Ruins of Neoliberalism: The Rise of Antidemocratic Politics in the West</i></b><br/></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alyssa Battistoni</b> is assistant professor of political science at Barnard College. She is the coauthor of <i>A Planet to Win: Why We Need a Green New Deal</i>. Her writing has appeared in <i>The Nation</i>, <i>The Guardian</i>, <i>Boston Review</i>, <i>n+1</i>, <i>Dissent</i>, <i>TheNew Statesman</i>, <i>Jacobin</i>, and <i>New Left Review</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Join the millions of cyclists who swear by the name Zinn.</b> <b><i>Zinn &amp; the Art of Mountain Bike Maintenance</i></b><b> is the world's best-selling guide to the maintenance and repair of mountain bikes, hybrids, and fat bikes.</b></p><p>Lennard Zinn is the world's leading expert on bike maintenance and repair. His friendly step-by-step guide explains the tools and parts you'll need to repair new and old mountain bikes, alongside everything from guidelines on wheel size selection for your frame size, suspension settings, and travel to procedures for mounting and sealing tubeless tire systems and more. Over 500 pages and more than 750 hand-drawn illustrations and exploded-parts diagrams show just the right level of detail to lead you through every mountain bike repair task, including:</p><ul><li>Basics: How to fix a flat tire, lube a bicycle chain, adjust the brakes</li><li>Emergency repairs: How to fix a broken chain, tighten loose spokes, repair a bent derailleur</li><li>Easy shifting: How to adjust shifters, derailleurs, and cables for clean and smooth shifting</li><li>Wheels: How to true a wheel, install a new tire, change a cassette, replace broken spokes, build your own wheels</li><li>Overhauls: How to service and replace pedals, chains and chainrings, saddles, handlebars, stems, headsets, forks, and bottom brackets</li><li>New tech: How to maintain 1x-speed systems, electronic, and wireless shifters and complete info on the new 11-speed and SRAM 12-speed drivetrains</li><li>Troubleshooting: How to figure out what's wrong with any bike and fix it</li></ul><p><i>Zinn &amp; the Art of Mountain Bike Maintenance</i> makes bicycle repair and maintenance easy, quick, affordable, and fun. Whether you're riding a classic Stumpjumper or a carbon-fiber race machine, with Zinn at your side, you'll know how to keep your bicycle running smoothly for years.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An engaging and accessible presentation of the most famous algorithms and applications of quantum computing.</b></p><p><i>The Joy of Quantum Computing</i> introduces quantum computing succinctly, and with minimal mathematical formalism. Engagingly written-a feast for the reader's inner nerd-it presents the most famous algorithms and applications of quantum computing and quantum information science, including the "killer apps," Grover's search algorithm, and Shor's factoring algorithm. The only prerequisite is precalculus; readers need no knowledge of quantum physics. Matrices are relegated to the (completely optional) final two chapters. The book shows readers that quantum information science is about more than just high-speed calculations and data security. It is also about the fundamental meaning of quantum mechanics and the ultimate nature of reality.</p><p><i>The Joy of Quantum Computing</i> is suitable for classroom use or independent study by questing autodidacts.</p><ul><li>Offers detailed explanations of quantum circuits, quantum algorithms, and quantum mysteries</li><li>Explains how to apply quantum information science to cryptography (and how Shor's algorithm menaces classical cryptography)</li><li>Introduces the mystifying topics of quantum teleportation and the no-cloning theorem</li><li>Discusses Bell inequalities, which permit experimental tests of philosophical assumptions</li><li>Presents a simple model of quantum decoherence, shedding light on Schrdinger's mysterious cat</li></ul><p><b>'This book provides detailed example-based explanations of fundamental topics in quantum information, with connections to the coding experience, in a storytelling-style narrative. The many details will be helpful for curious audiences without physics/computer science backgrounds.'  Xiaodi Wu, University of Maryland, College Park</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>How can today's liberal democracies withstand the illiberal wave sweeping the globe? What can revive our waning faith in constitutional democracy? <i>Tocqueville's Dilemmas, and Ours</i> argues that Alexis de Tocqueville, one of democracy's greatest champions and most incisive critics, can guide us forward.<br/><br/>Drawing on Tocqueville's major works and lesser-known policy writings, Ewa Atanassow shines a bright light on the foundations of liberal democracy. She argues that its prospects depend on how we tackle three dilemmas that were as urgent in Tocqueville's day as they are in ours: how to institutionalise popular sovereignty, how to define nationhood, and how to grasp the possibility and limits of global governance. These are pivotal but often neglected dimensions of Tocqueville's work, and this fresh look at his writings provides a powerful framework for addressing the tensions between liberalism and democracy in the twenty-first century.<br/><br/>Recovering a richer liberalism capable of weathering today's political storms, <i>Tocqueville's Dilemmas, and Ours</i> explains how we can reclaim nationalism as a liberal force and reimagine sovereignty in a global age - and do so with one of democracy's most discerning thinkers as our guide.</p><p><b>'Atanassow provides an excellent account of Tocqueville's thought and of nineteenth-century views on democracy more broadly. This exhaustively researched book is an important contribution to the literature on Tocqueville.' - Arthur Goldhammer, Harvard University<br/></b></p><p><b>'This beautifully realized book resonates with contemporary purpose. Focusing on protean problems for liberal democracy, Atanassow deploys her rigorous and creative craft to discern how Tocqueville's provocative insights can shape a much-needed political imagination.' - Ira Katznelson, Columbia University<br/></b></p><p><b><i>'Tocqueville's Dilemmas, and Ours</i></b><b> is political philosophy at its best-original, thoughtful, nuanced, relevant, and also elegantly written. It is a work that makes us realize that today's problems of democracy are also yesterday's problems of democracy, and tomorrow's, too.' - Ivan Krastev, author of</b> <b><i>After Europe</i></b><b><br/></b></p><p><b>'In this novel and important book, Atanassow draws lessons from Tocqueville to help us understand the present crisis of liberalism. She gives us, with the aid of Tocqueville, a theoretical framework for thinking about the challenges that we face.' - Helena Rosenblatt, author of</b> <b><i>The Lost History of Liberalism: From Ancient Rome to the Twenty-First Century</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ewa Atanassow</b> is Professor of Politics at Bard College Berlin. Her books include (with Thomas Bartscherer and David A. Bateman) <i>When the People Rule: Popular Sovereignty in Theory and Practice</i>, (with Alan S. Kahan) <i>Liberal Moments: Reading Liberal Texts</i>, and (with Richard Boyd) <i>Tocqueville and the Frontiers of Democracy</i>.</p>]]></Text>
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			<SubjectHeadingText>German idealism; German thought; Hegel; Hegel's World Revolutions; Political thought; Princeton; Richard Bourke Princeton University Press; eighteenth-century thought; enlightenment; great thinkers; history; history of ideas; intellectual history; liberalism; modernity; nineteenth-century thought; philosophy; philosophy of history; political ideas; political philosophy; political theory; religion; revolution; romanticism; universal history; world history</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[A new account of the relevance of Hegel's ideas for today's world, countering the postwar anti-Hegel "insurgency"]]></Text>
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			<Text textformat="02"><![CDATA[<p>G.W.F. Hegel was widely seen as the greatest philosopher of his age. Ever since, his work has shaped debates about issues as varied as religion, aesthetics and metaphysics. His most lasting contribution was his vision of history and politics. In <i>Hegel's World Revolutions</i>, Richard Bourke returns to Hegel's original arguments, clarifying their true import and illuminating their relevance to contemporary society. Bourke shows that central to Hegel's thought was his anatomy of the modern world. </p><p>On the one hand he claimed that modernity was a deliverance from subjection, but on the other he saw it as having unleashed the spirit of critical reflection. Bourke explores this predicament in terms of a series of world revolutions that Hegel believed had ushered in the rise of civil society and the emergence of the constitutional state.<br/><br/>Bourke interprets Hegel's thought, with particular reference to his philosophy of history, placing it in the context of his own time. He then recounts the reception of Hegel's political ideas, largely over the course of the twentieth century. Countering the postwar revolt against Hegel, Bourke argues that his disparagement by major philosophers has impoverished our approach to history and politics alike. </p><p>Challenging the condescension of leading thinkers - from Heidegger and Popper to Levi-Strauss and Foucault - the book revises prevailing views of the relationship between historical ideas and present circumstances.</p><p><b>'Few, if any, have got the gist of the </b><b><i>Geist</i></b><b>. Until now, that is. In </b><b><i>Hegel's World Revolutions</i></b><b>, Richard Bourke offers a major re-evaluation of not only Hegel's philosophy of history but also the history of his philosophy...To understand Hegel, you must read Bourke.'  Daniel Johnson, </b><b><i>The Critic</i></b></p><p><b>'Richard Bourke is a formidably talented political historian...</b><b><i>Hegel's World Revolutions</i></b><b> displays a knowledge of its protagonist's thought which may well be unequalled in Britain. Its mountain of secondary sources is just as impressive.'  Terry Eagleton, </b><b><i>London Review of Books</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Richard Bourke</b> is professor of the history of political thought and a fellow of King's College at the University of Cambridge. He is the author of a number of books, including <i>Empire and Revolution: The Political Life of Edmund Burke</i> (Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The pioneering Dutch microbiologist Antoni van Leeuwenhoek uncovered hidden worlds of minuscule life. With his ingenious, self-made microscopes, he observed inconceivably tiny creatures and structures everywhere, in well water, sperm, pimples and many other unlikely things besides. In the seventeenth century his discoveries opened the door to realms previously unseen, making him a renowned researcher. </p><p><i>Myriad, Microscopic and Marvellous</i> explores Van Leeuwenhoek's brilliant and sometimes peculiar ideas, setting them in the context of his time. Geertje Dekkers reveals how Van Leeuwenhoek's curiosity and inventions propelled the study of nature in surprising new directions, leaving a legacy that is still admired three centuries later.</p><p><b>'This book is by far the best biography of van Leeuwenhoek to date. It is thoroughly documented, very well written (at times very funny), and [strikes] the right balance between academic discourse and the commonsense approach so cherished by van Leeuwenhoek...A must-read for anyone interested in van Leeuwenhoek and, more generally, the cultural world of the Dutch seventeenth century.'  Eric Jorink, senior researcher at the Huygens Institute and co-editor of</b><b><i> Newton and the Netherlands</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[An epic deep history of the Indigenous peoples of North America, covering more than 20,000 years of astonishing diversity, adaptation, resilience, and continuity.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Native America</i> presents an infinitely surprising and fascinating deep history of the continent's Indigenous peoples. Kenneth Feder, a leading expert on Native American history and archaeology, draws on archaeological, historical, and cultural evidence to tell the ongoing story, more than 20,000 years in the making, of an incredibly resilient and diverse mixture of peoples, revealing how they have ingeniously adapted to the many changing environments of the continent, from the Arctic to the desert Southwest.<br/><br/>Richly illustrated, <i>Native America</i> introduces close to a hundred different peoples, each with their own language, economic and social system, and religious beliefs. Here, we meet the Pequot, Tunxis, Iroquois, and Huron of the Northeast; the Navajo, Hopi, Zuni, and Apache of the Southwest; the Hidatsa, Mandan, and Lakota of the Northern Plains; the Haida, Kwakiutl, Nootka, and Salish of the Northwest Coast; the Tule River and Mohave of Southern California; the Cherokee, Creek, and Seminole of the Southeast; and the Inuit and Kalaallit of the Arctic. We learn about hunters of enormous Ice Age beasts; people who raised stone toolmaking to the level of art; a Native American empire ruled by a king and queen, with a huge city at its center and colonies hundreds of miles away; a society that made the desert bloom by designing complex irrigation networks; brilliant architects who built fairy castles in sandstone cliffs; and artists who produced beautiful and moving petroglyphs and pictographs that reflect their deep thinking about history, the sacred, the land, and the sky.<br/><br/><i>Native America</i> is not about peoples of the past, but vibrant, living ones with an epic history of genius and tenacity - a history that everyone should know.</p><p><b>'It's not hard to believe that [Feder's] college students thoroughly enjoyed his lectures - as most readers will this fascinating book...An entertaining and enlightening survey of what archaeology tells us about the first Americans.' </b> <b><i>Kirkus Reviews</i></b><b>, starred review</b></p>]]></Text>
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			<SubjectHeadingText>A provocative case; David Beaver; Jason Stanley; The Politics of Language; affect; communication; democracy; first amendment; free speech; information; language; new view of language; political; politics; powerful speech; pragmatics; semantics; social identity; speech; the inherently political nature of language; theory of meaning; why speech matters</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>In <i>The Politics of Language</i>, David Beaver and Jason Stanley present a radical new approach to the theory of meaning, offering an account of communication in which political and social identity, affect, and shared practices play as important a role as information. This new view of language, they argue, has dramatic consequences for free speech, democracy, and a range of other areas in which speech plays a central role.</p><p>Drawing on a wealth of disciplines, <i>The Politics of Language</i> argues that the function of speech - whether in dialogue, larger group interactions, or mass communication - is to attune people to something, be it a shared reality, emotion, or identity. Reconceptualising the central ideas of pragmatics and semantics, Beaver and Stanley apply their account to a range of phenomena that defy standard frameworks in linguistics and philosophy of language - from dog whistles and covert persuasion to echo chambers and genocidal speech. The authors use their framework to show that speech is inevitably political because all communication is imbued with the resonances of particular ideologies and their normative perspectives on reality.</p><p>At a time when democracy is under attack, authoritarianism is on the rise, and diversity and equality are being demanded, <i>The Politics of Language</i> offers a powerful new vision of the language of politics, ideology, and protest.</p><p><b>'[An] important book by two prominent scholars.'  </b><b><i>Choice</i></b></p><p><b>'</b><b><i>The Politics of Language</i></b><b> is a massive accomplishment - novel, nuanced, and timely. It is especially impressive for its rich synthesis of disparate literatures from outside of analytic philosophy, ranging from information theory to social identity and critical race theories...It thereby offers a fertile resource for explaining a wide range of phenomena that are typically ignored by philosophers and linguists, such as gestures, music, and monuments. It also offers a powerful tool for illuminating the politics of language, understood not just as speech produced by politicians or about politics, but all speech  indeed all action  that involves communal coordination and contestation.'  Elisabeth Camp, </b><b><i>Mind</i></b></p><p><b>'[Stanley and Beaver] have taken it upon themselves to forge a connection between semantic theory and the intellectual outside world. Where many have speculated, they have done the work and come away with a concrete theory of the thing. What is more, they have made a sustained interdisciplinary case for the importance of properly linguistic notions in the analysis of meaning and politics...The book is sure to be a key reference for scholars working on lexical semantics, philosophy of language, linguistic ideology, and meaning writ large for years to come." Nicholas Fleisher, </b><b><i>Language'  </i></b><b>Nicholas Fleisher, </b><b><i>Language</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>David Beaver</b> is professor of linguistics and philosophy at the University of Texas at Austin and director of the UT Cognitive Science Program. His books include <i>Presupposition and Assertion in Dynamic Semantics</i> and <i>Sense and Sensitivity: How Focus Determines Meaning</i>. <b>Jason Stanley</b> is the Jacob Urowsky Professor of Philosophy at Yale University. He is the author of <i>How Fascism Works: The Politics of Us and Them</i> and <i>How Propaganda Works</i> (Princeton), among other books.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Eleanor of Aquitaine (1124-1204), the legendary queen of France and later England, has captivated historians for centuries. Heiress to the duchy of Aquitaine, wife to King Henry II and mother to Richard the Lionheart and King John, her life was marked by power, influence and myth. This concise, accessible history sheds new light on Eleanor, cutting through the hearsay and slander with a close reading of primary sources. It highlights the family bonds that shaped her power and identity, tracing her roots to the Loire rather than the Occitan south. Lindy Grant demonstrates that Eleanor's story is one of resilience: like Churchill, she saved England during a national crisis, though her political judgement could be equally erratic.</p><p><b>'Rejecting the rose-tinted, make-believe version of Eleanor, Lindy Grant here tells the queen's story as it has never been told before. The outcome is not only the best short biography of Eleanor, but of any medieval queen.'  Nicholas Vincent, professor of medieval history, University of East Anglia</b></p><p><b>'Who can resist the idea of comparing Eleanor of Aquitaine with Winston Churchill? Not me! Certainly not when the thought comes from Lindy Grant, world-renowned authority on French politics and culture and author of </b><b><i>Blanche of Castile, Queen of France</i></b><b>, the modern study on Eleanor's granddaughter and one of France's greatest queens.'  John Gillingham, London School of Economics and Political Science</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In today's 'experience society', everything is judged by personal experience, from online shopping to funerals. </b></p><p>Value is measured by how satisfying an individual finds their experience, and the experience economy thrives on this desire for entertainment and fulfilment. Yet debates often reach an impasse when reduced to subjective feelings - whether offence is taken or criticisms are dismissed. Svend Brinkmann explores this cultural shift, examining how our reliance on subjective experience limits meaningful discussions and social cohesion. He argues for reclaiming a shared, objective reality, essential for tackling the major issues of our time, and for fostering genuine understanding beyond personal perceptions.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Prime Minister's Literary Awards 2025, Australian history**</b></p><p><b>Bonzer. Arvo. Tucker. Sickie. Pash. Illywhacker.</b></p><p>There are plenty of words to choose from to tell the story of Australia  from iconic Australianisms like <i>mateship</i>, <i>fair dinkum</i>, and <i>bogan</i> to <i>drop bears</i>, <i>budgie smugglers</i>, and <i>bin chickens</i>.</p><p>And while you aren't likely to hear <i>crikey</i>, <i>cobber</i>, or <i>wowser</i> walking down the street, you will hear <i>no worries</i>, <i>mate</i>, and <i>yeah nah</i>. Words underpin myths and stereotypes of Australian identity; they have also obscured harsh realities and inequalities. Together, these words shine a spotlight on our culture, past and present.</p><p>Historian and Director of the Australian National Dictionary Centre Amanda Laugesen brings us an innovative linguistic history of Australia.</p><p><b>'From drop bears to bin chickens, raw prawns to faceless men, Laugesen has wrangled every telling word in the Australian menagerie. Far more than 100 words, this gathering of Australian language is an eavesdropping of our ongoing conversation.'  David Astle</b></p><p><b>'A culture and a history unpacked through 100 words and phrases. What a brilliantly conceived and thoroughly engaging book from one of the country's most creative social and cultural historians  who also happens to be its leading scholar of Australian English.'  Frank Bongiorno</b></p><p><b>'Amanda Laugesen has unlocked Australia's culturally rich wordhoard to track the life-story of 100 unique expressions, and, as a skilled historian and lexicographer, she is just the right person to do this. Words themselves have special storytelling powers, and her selection has many fascinating tales to tell. From the democracy sausage to the halal snack pack, from marngrook to Mabo </b> <b><i>Australia in 100 Words</i></b><b> is a treasure box for anyone passionate about the history of the language, and a must-read for those interested in the interplay between language, culture and society.'  Kate Burridge</b></p><p><b>'Language is culture. If you want to understand Australia, you can't afford to miss Amanda Laugesen's '100 Words'  linguistic sly grog for Antipodean etymologists everywhere.'  Chris Wallace</b></p><p><b>'In an increasingly homogenised world, Laugesen is confident Oz usage will continue to reinvent itself.' </b> <b><i>Sydney Morning Herald/The Age</i></b></p><p><b>'This is a slang dictionary with a difference: depth, substance and stories from yesteryear.' </b> <b><i>The Australian Women's Weekly</i></b></p><p><b>'An impeccably researched book by an expert in the field,</b> <b><i>Australia in 100 Words</i></b><b> is highly informative, written in an engaging, readable style and recommended for anyone interested in linguistics or Australian history.'  ArtsHub</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Amanda Laugesen</b> is a historian, lexicographer, and author. She is director of the Australian National Dictionary Centre at ANU and chief editor of the Australian National Dictionary: Australian words and their origins. She has published extensively on US and Australian history. Her most recent book is <i>Rooted: An Australian history of bad language</i> (2020).</p>]]></Text>
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			<Text textformat="02"><![CDATA[Critical Care paints a vivid and nuanced picture of HIV and AIDS nursing and sheds light on an unexamined aspect of Australia's AIDS crisis.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Prime Minister's Literary Awards 2025, Australian history**</b></p><p><b>**Shortlisted, NSW History Awards 2025, NSW Community and Regional History Prize**</b></p><p><b>**Highly Commended, Ernest Scott Prize 2025**</b></p><p><b>**Highly Commended, Oral History Australia Book Award 2024**</b></p><p>HIV and AIDS devastated communities across Australia in the 1980s and 1990s. In the midst of this profound health crisis, nurses provided crucial care to those living with and dying from the virus. They negotiated homophobia and complex family dynamics as well as defending the rights of their patients.</p><p>Bringing together stories from across the country, historian Geraldine Fela documents the extraordinary care, compassion and solidarity shown by HIV and AIDS nurses. <i>Critical Care</i> unearths the important and unexamined history of nurses and nursing unions as caregivers and political agents who helped shape Australia's response to HIV and AIDS.</p><p><b>'Drawing on the frontline experience of nurses, Fela has written an insightful and moving history of the tragedy and triumphs of Australia's response to the AIDS epidemic.'  Dennis Altman, Vice Chancellor's Fellow, La Trobe University</b></p><p><b>'</b><b><i>Critical Care</i></b><b> shows how Australia's AIDS crisis aroused fear, hatred and homophobia and yet forged new bonds of care, community and love. This beautifully told story of the nursing profession's response to acute suffering and great tragedy  borne predominantly by gay men  is among the most moving Australian histories I have read. It will be essential for anyone interested in health, the professions, gender, sexuality and the shifting emotional landscape of the nation.'  Frank Bongiorno, Professor of History, Australian National University</b></p><p><b>'This outstanding book chronicles the role of nurses in addressing the AIDS pandemic, after the arrival of HIV. The old approach to epidemics was strict control and isolation. But something new was required by the nature of this unexpected crisis. Fortunately, in Australasia, healthcare professionals and lawmakers rose to the occasion. The special challenge of coping with patients needing care, often when they were profoundly sick and dying; where no vaccine was available; and no drugs were effective at first to turn the tide, put huge pressure on nurses on the front line. They helped lead our community to address the AIDS paradox. This book tells a heroic story. I honour the author and those whose work she describes so that their lessons will not be forgotten.'  The Hon. Michael Kirby, Past Justice of The High Court of Australia and Patron of The Kirby Institute</b></p><p><b>'As well as being a pleasure to read, this book shines new light on previously hidden stories in the Australian HIV response; that of nurses, trade unions and First Nations people. Fela's insightful narrative brings to life the unique and vital role played by nurses who provided care in environments that were too often marked by intense fear and shame.'  Jennifer Power, Associate Professor and Principal Research Fellow, La Trobe University</b></p><p><b>'In this insightful book, Geraldine Fela revisits the Australian response to the HIV/AIDS epidemic and unearths the important and untold contribution of nurses. Nurses were on the frontlines of care during the epidemic and Fela beautifully brings forth their experiences, perspectives and voices. In her attention to labour history, gender and the impact of colonisation, Fela highlights less-told stories of the epidemic that help us re-evaluate the Australian response to HIV/AIDS. This is an important and often moving book.'  Robert Reynolds, Professor of Modern History, Macquarie University</b></p><p><b>'In the worst years of the AIDS crisis, nurses were the frontline of healthcare. Geraldine Fela's compelling, myth-busting book shows how Australian nurses challenged stigma and transformed healthcare relationships and practices. Fela illuminates different healthcare approaches across states, and between city and country, and how nurses ensured effective responses to HIV in Indigenous communities.'  Alistair Thomson, President Oral History Australia and Emeritus Professor in History, Monash University</b></p><p><b>'In this marvellous book, Geraldine Fela reveals the day-to-day work of nurses and their unions in responding to the HIV/AIDS crisis in Australia. Through interviews and archival research, she shows how in caring, educating, advocating, they saved lives, eased suffering and reshaped our medical system from the ground up.'  Graham Willett, Historian, Arch-tivist, Publisher</b></p><p><b>'This book honours those who bathed the sweat from the exhausted brows of sufferers; who cared for people abandoned by their families and the community; who stood up for those who could no longer stand up for themselves. Bravo, bravo, bravo.'  Caroline Overington,</b> <b><i>The Australian</i></b></p><p><b>'</b><b><i>Critical Care</i></b><b> is an optimistic and galvanising read that celebrates the power of activism.'  Jinghua Qian, ABC ARTS</b></p><p><b>'The author skilfully weaves the professional, personal and political to make visible the often-invisible work of those lower down in the hospital hierarchy who braved fear, hate and ignorance to deliver a service that recognised people's humanity.</b> <b><i>Critical Care</i></b> <b>is a challenging read, but its reward is insight into the power of love, courage and solidarity.'  Judges' comments, NSW History Awards</b></p><p><b>'This inspiring history of progressive public health strategy should be cause for national pride. Characterised by a collaborative, community-based education approach  rather than isolating and controlling patients  nurses played an important role, centring the rights of affected communities.In the age when public health is a matter of urgent concern,</b> <b><i>Critical Care</i></b><b> is both an original and revealing history of Australia's response to AIDS and a valuable source of guidance for the future.'  Judges' comments, Prime Minister's Literary Awards</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Geraldine Fela</b> is a Postdoctoral Research Fellow in the Department of History and Archaeology at Macquarie University. Her research and teaching traverses histories of gender and sexuality, labour, social movements and medicine. She has been widely awarded for her work examining the role of nurses during Australia's HIV and AIDS crisis and has appeared in both scholarly and popular outlets. <i>Critical Care</i> is her first book.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Highly Commended, NSW History Awards 2025, NSW Community and Regional History Prize**</b></p><p>Surveyor Thomas Scott Townsend (18121869) is an elusive, almost legendary figure, closer to folklore than to history. His name is given to the country's second highest mountain, but the details of his career are obscure and his personal identity has remained a mystery.</p><p>Yet, if you live in southern New South Wales or Victoria, there is a good chance that your town or district has been influenced by his work: he covered a huge extent of territory and worked furiously hard in a career that spanned two decades.</p><p><i>Townsend of the Ranges</i> is a sensitively told, surprisingly dramatic biography of Townsend's life, from his early days as a junior surveyor in Australia to his time living as a recluse in London before his death. Dr Crowley has engaged in extensive research of primary sources, relying on letters from estranged family members, Townsends employers and Townsend himself to map the story of his life.</p><p>Accompanied by original maps drawn by Townsend, this book is a beautifully written portrait of a young man fighting loneliness in the wilderness, mapping the watershed crests of the Dividing Ranges and the contours of south-eastern Australia. The narrative also reveals a picture of destruction and violence as settlers and squatters moved across the land.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr. Peter Crowley</b> is a medical doctor, a fellow of the Royal College of Pathologists of Australasia and an historical researcher. He attended school in Gippsland and lived for several years in the Strzelecki Ranges, a place of steep hills, eerie mists and occasional snow falls. Peter has been married to Rasika, a teacher, for over thirty years and the couple have two adult sons, Tom and Dan. He lives in Melbourne on Wurundjeri Land and feels most at home close to the Yarra River. <i>Townsend of the Ranges</i> is his first book</p>]]></Text>
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			<Text textformat="02"><![CDATA[Gadigal country, Woolloomooloo Farm, Riley Estate, Burdekin's paddock, Burlington Picture Palace, First Church of Christ Scientist, party mansion, Yirranma Place  the many transformations of 262 Liverpool Street Darlinghurst reflect the long and layered history of Sydney.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, NSW History Awards 2025, NSW Community and Regional History Prize**</b></p><p><b>Gadigal Country, Woolloomooloo Farm, Riley Estate, Burdekin's paddock, Burlington Picture Palace, First Church of Christ Scientist, party mansion, Yirranma Place.</b></p><p>The many transformations of 262 Liverpool Street, lying at the corner of Forbes Street in Darlinghurst, reflect the long and layered history of Sydney. Now named Yirranma Place, it's a site that has been constantly recreated.</p><p>Historian Alana Piper takes episodes from the history of Yirranma Place and its surrounds to provide a window into Sydney's past, particularly the city's experiences of power and hardship. Bringing together local and social history, this visually rich exploration of a corner in Darlinghurst combines deep research with revealing stories.</p><p><b>'</b><b><i>Yirranma Place</i></b><b> is a literary and visual tour de force of an inner-city Sydney neighbourhood that stretches from First Nations experiences in pre-contact times through to the present day. Alana Piper delivers her rigorously researched history in graceful prose, complete with accompanying maps, photographs and paintings that play an integral role in the story. In a series of thematic chapters, she draws attention to the people, issues and relationships that defined this place across eras and generations.'  Judges' comments, NSW History Awards</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alana Piper</b> is an academic at the Australian Centre for Public History at the University of Technology Sydney. She researches widely across Australian social and cultural history, with a particular focus on issues of crime and gender. She has published in international publications such as the <i>Journal of Interdisciplinary History, Women's History Review, Journal of Social History, History Workshop Journal, Law and History Review</i> and the<i> Journal of Legal History</i>. She also co-edited<i> Gender Violence inAustralia: Historical Perspectives.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[A celebration of the seemingly simple idea that allowed us to imagine the world in new dimensions - sparking both controversy and discovery.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, NSW History Awards 2025, General History Prize**</b></p><p><i>'The story I'll tell here is about the evolution of the way we humans record and make sense of all the data that swirl around us...'</i></p><p><i>Vector</i> takes readers on an extraordinary 5000-year journey through the human imagination. The stars of this book, vectors and tensors, are unlikely celebrities. Yet mathematician and science writer Robyn Arianrhod shows how they enabled physicists and mathematicians to think in a brand-new way. They inspired James Clerk Maxwell to usher in the wireless electromagnetic age; Albert Einstein to predict the curving of space-time and the existence of gravitational waves; Paul Dirac to create quantum field theory; and Emmy Noether to connect mathematical symmetry and the conservation of energy. Today, you're likely relying on vectors or tensors each time you pick up your mobile phone, use a GPS, or search online.</p><p>In <i>Vector</i>, Robyn Arianrhod shows the genius required to reimagine the world - and how a clever mathematical construct can dramatically change discovery's direction.</p><p><b>'In</b> <b><i>Vector</i></b><b>, Arianrhod shows, with beautiful ease, that maths is not some foreign world only geeks inhabit. It</b> <b><i>is</i></b><b> the world around us.'  Adam Spencer, author of</b> <b><i>Adam Spencer's Big Book of Numbers: Everything you wanted to know about the numbers 1 to 100</i></b></p><p><b>'Arianrhod's</b> <b><i>Vector</i></b><b>, a masterpiece of science exposition, reads as a welcoming cognitive cliffhanger tour of vectors, their generalizations, and their accompanying symbolic tools of mathematical physics, all dovetailing through germane history vignette accounts of astonishing connections and applications.'  Joseph Mazur, author of</b> <b><i>The Clock Mirage: Our Myth of Measured Time</i></b></p><p><b>'A vector is quantity that has magnitude and, crucially, direction. This idea has enabled physicists and mathematicians to imagine and describe the world in new dimensions. The author traces the influence of vectors over the past 5,000 years, and why vectors (and tensors) are still relevant today.' </b> <b><i>The Bookseller</i></b></p><p><b>'There have been lots of books about the evolution of modern physics: from Newton to Maxwell to Einstein and on to quantum theory. But seldom does an author pay attention to the mathematical revolutions that made those physical theories possible. Only as the mathematical toolkit expanded from simple scalars to include such tools and ideas as quaternions and vectors and tensors could physicists and mathematicians find the language to describe an increasingly bewildering universe. Arianrhod does a remarkable job telling the story of the mathematical revolution under the hood, the engine that drove the physics revolutions of the nineteenth and twentieth centuries; the result is a book well worth your time.' - Charles Seife, author of</b> <b><i>Zero: The Biography of a Dangerous Idea</i></b></p><p><b>'"If all mathematics disappeared," physicist Richard Feynman opined, "it would set physics back precisely one week." To which mathematician Mark Kac retorted, "Precisely the week in which God created the world." Arianrhod persuades us that vectors and tensors are among those creations. Students and teachers should read this excellent book together.' - Marjorie Senechal, editor-in-chief of</b> <b><i>The Mathematical Intelligencer</i></b></p><p><b>'With a flair for exposition that makes the complex simple, and a gift for storytelling, Arianrhod is without peer in conveying the beauty, and power, of mathematics. William Rowan Hamilton, James Clerk Maxwell, and Albert Einstein come alive in this dramatic tale of a simple idea that changed our world.' - Amir Alexander, author of</b> <b><i>Infinitesimal: How a Dangerous Mathematical Theory Shaped the Modern World</i></b></p><p><b>'Everyone understands what it means to move at some particular speed in some particular direction. But it took a long time to start thinking of such behavior in terms of a single clarifying concept, the vector. Arianrhod's lively and detailed chronicle explains why vectors and tensors are at the heart of our best ways to think about the universe.' - Sean Carroll, author of</b> <b><i>The Biggest Ideas in the Universe</i></b></p><p><b>'...mathematician Robyn Arianrhod tells the story beautifully...a very human story of how men and women explored and refined pure maths and physics, their friendships and rivalries, frustration and insights. Dr Arianrhod is most effective in describing collaboration across time and nationalities, as well trained minds and curious mavericks picked up the challenge to understand our universe.' - Robyn Douglass,</b> <b><i>The Daily Telegraph</i></b></p><p><b>'Written with wit and impressive scholarship in both history and mathematics.' - Peter Main</b></p><p><b>'Arianrhod has an encyclopedic knowledge of the history of physics and mathematics, as well as a deep understanding of often very technical subject matter...Arianrhod's deep research and attention to neglected figures in the history of science, many of them women, is refreshing...</b><b><i>Vector</i></b> <b>is a fascinating read.' - Michael Lucy,</b> <b><i>Australian Book Review</i></b></p><p><b>'This book expanded my imagination by showing how even the simplest of concepts can have a fascinating and far from simple history...Whether you are interested in popular history of science or would like to know more about the details of how vectors and the laws of physics developed together, I recommend this book.'  Thomas Britz,</b> <b><i>Parabola</i></b></p><p><b>'Few books can claim to be able to engage historians in mathematics and mathematicians in history, but Robyn Arianrhod's </b><b><i>Vector </i></b><b>is just such a rare book. It takes extremely complex concepts from mathematics and the natural sciences and turns them into a fascinating and highly personal journey through the history of the thinkers who made the hallmark inventions of the modern world possible...Both a towering display of erudition and a deeply engaging, charming and intimate retelling of the lives and times of its subjects and their work.'  Judges' comments, NSW History Awards</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Robyn Arianrhod</b> has a PhD in the theory of general relativity and taught mathematics at Monash University; she's currently an Affiliate in Monash's School of Mathematics. She writes about maths and science for the interested general reader - her books have been translated into several languages and shortlisted for national literary awards, and her articles have appeared in various outlets, including <i>Best Australian Science Writing</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[How do you write a memoir when your memories have been taken? She awakens in hospital, greeted by nurses and patients she doesn't recognise, but who address her with familiarity. She decides to untangle the clues.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, 2025 Shalom Collective Australian Jewish Writer Awards, Leslie and Sophie Caplan Award for Jewish Non-Fiction**</b></p><p><b>**Shortlisted, 2025 Shalom Collective Australian Jewish Writer Awards, The Jewish Independent Award for Young Jewish Writers**</b></p><p><b>**Shortlisted, 2024 Queensland Literary Awards, </b><b><i>The Courier-Mail </i></b><b>People's Choice Queensland Book of the YearAward**</b></p><p><b>I want to know what it was like to have crossed into the realm of madness. After all, I did it. I went mad. Why can't I have the secret knowledge that comes with it?</b></p><p>How do you write a memoir when your memories have been taken? She awakens in hospital, greeted by nurses and patients she doesn't recognise, but who address her with familiarity. She decides to untangle the clues.</p><p><i>How to Knit a Human</i> is Anna's quest to find her self and her memory after experiencing psychosis and Electroconvulsive therapy in 2011, at the age of twenty-three. As the memory barriers begin to crumble, Anna weaves her experiences around the gaps of memories that are still not accessible. Anna writes and creates art on her own terms. This book is a reclamation of story and self.</p><p><b>'</b><b><i>How to Knit a Human</i></b><b> is a precise and searching memoir that illuminates the fragile balance that can exist between memory and one's sense of self. The writing reflects superbly on the profound impact of memory loss caused by psychosis and its treatment, and shows us how storytelling can form part of healing through the sharing of experiences and a deeper understanding of them.' - Kri Gslason</b></p><p><b>'In this wise, wry and moving memoir Anna Jacobson reclaims her self from the institutions that sought to define her. As she asks vital questions about care, memory and inheritance, Jacobson reminds us of the recuperative joy of creative life.' - Mireille Juchau</b></p><p><b>'This book is a revelation. If Leonora Carrington teamed up with Janet Frame you might get something close to the kind, gentle, weird and brutal brilliance of</b> <b><i>How to Knit a Human</i></b><b>. Anna Jacobson has shifted my perspective on art and illness. 100 stars. Bravo!' - Kris Kneen</b></p><p><b>'</b><b><i>How to Knit a Human</i></b> <b>is a visceral and immersive memoir  carefully crafted as well as genre-bending. Jacobson delves deep into her own unquiet mind only to emerge artistically victorious. A triumph.' - Lee Kofman</b></p><p><b>'Blazing, incantatory and furious, this is a work of unshakeable witness. Jacobson sorts through the shapes and shades of memory, dropped stitches and invisible repairs, to forge a blazing work of consolation and recuperation, a paean to resilience and creativity.' - Felicity Plunkett</b></p><p><b>'In</b> <b><i>How to Knit a Human</i></b><b>, Anna Jacobson gives us a sheaf of home made X-rays that net interior light. Her ability to stand both inside and outside of memory as an encased form has allowed Anna a rare set of insights, something akin to planting seeds in the air, that initially subsist then quietly grow under the moisture in her own breath. As writer, artist and musician, it is fortunate that Anna has the intellectual, emotional, familial and spiritual machinery to approach memory (as itself and herself), in a way that she can watch the pieces of the existential jigsaw move inside the box without her even touching them.' - Nathan Shepherdson</b></p><p><b>'This is a warmly engaging story that doesn't shy from the harsh realities, but weaves it all into a satisfying fabric...Jacobson writes and creates art to help herself heal, and with</b> <b><i>How To Knit A Human</i></b><b>, she hopes to help others who struggle "feel less alone" with their experiences. With this work, I think she's achieved both.' -</b> <b><i>Tasmanian Times</i></b></p><p><b>'It's through her creative practice, through knitting together the threads of art and memory, that she is able to assert her lost autonomy - and to write this moving memoir.' - Catriona Menzies-Pike,</b> <b><i>The Guardian</i></b></p><p><b>'A concentrated, strikingly poetic portrait of someone descending into what she calls her "madness". For much of the book [Jacobson] employs the third person and refers to herself as "she", a distancing strategy that often chillingly accentuates the eerie, intensity of the experience. Like a kind of magic lantern show, Jacobson takes the reader inside the mind of the subject, to hauntingly powerful effect.' - Steven Carroll,</b> <b><i>Sydney Morning Herald / The Age</i></b></p><p><b>'</b><b><i>How to Knit a Human</i></b> <b>is a meticulously constructed documentation of "madness", institutions and the reclamation of one's memories.' - Fiona Murphy,</b> <b><i>The Saturday Paper</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Anna Jacobson</b> is an award-winning writer and artist from Meanjin (Brisbane). Her poetry collection <i>Amnesia Findings</i> (UQP) won the 2018 Thomas Shapcott Poetry Prize. Anna's second illustrated poetry collection, <i>Anxious in a Sweet Store</i> was published with Upswell in 2023. She holds a Doctor of Philosophy in Creative Writing from the Queensland University of Technology. Anna won the 2020 Nillumbik Prize for Contemporary Writing and the 2018 Queensland Premier's Young Publishers and Writers Award. Her poetry chapbook <i>The Last Postman</i> (Vagabond Press, 2018) was published as part of the deciBel 3 series. She was a finalist in the Brisbane Portrait Prize, Blake Art Prize, Olive Cotton Award, and Marie Ellis OAM Prize for Drawing. Her website is www.annajacobson.com.au</p>]]></Text>
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			<Text textformat="02"><![CDATA[A visual love letter, in Funga Obscura ecologist Alison Pouliot brings guides us through the forrest to share stunning photographs and writing on fungi across Australia and the globe.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Longlisted, Indie Book Awards 2026, Illustrated Non-Fiction**</b></p><p><i>'I scanned the forest floor around me. I couldn't yet see fungi, but I could smell them. Lowering my nose to the ground, I inhaled a distinctive fungal funk. I rolled over some bark and there they were! Gossamer threads of mycelia wended their way through the layers, weaving them together. Soon these furtive fungi would fashion their mycelia into mushrooms and heave their way through the earth.'</i></p><p>This book is about fungi, and the photography of fungi. The title  <i>Funga Obscura</i>  unites the two. Beginning in elemental landscapes of ice and rock, the book traces the evolutionary path of fungi as enablers of life on land, and creators of soils and forests. Crossing continents and ecosystems, we navigate lichen-covered landscapes, crawl in the fungal undergrowth, scale glacial extremes and duck between rainforest shadows.</p><p>Alison Pouliot, ecologist and environmental photographer, captures these remarkable lifeforms in this visual love letter to fungi.</p><p><b>'A gallery of exquisite photographic artworks; a celebration of the diversity, eccentricity, beauty and resilience of fungi; a meditation on relationships between all living things, and an invitation to wonder about our own place in the natural world.'  Jeanette Miller, Mornington Peninsula Landcare</b></p><p><b>'This festival of fungi encompasses the cute and the creepy and reminds us that fungus is a vital component of life on Earth.' </b> <b><i>Newcastle Herald</i></b></p><p><b>'</b><b><i>Funga Obscura</i></b><b> is a tour de force that celebrates the beauty and complexity of fungi while challenging readers to look more closely at the world around them. Alison Pouliot has crafted a work that is as educational as it is inspiring, as artistic as it is scientific.' </b> <b><i>Australian Garden History Society</i></b></p><p><b>'Who'd have thought fungi could be so...fabulous? Ecologist and environmental photographer Alison Pouliot has a focus on fungi and her pictures take us across continents and hemispheres...This festival of fungi encompasses the cute and the creepy and reminds us that fungus is a vital component of life on Earth.' </b> <b><i>The Canberra Times</i></b></p><p><b>'</b><b><i>Funga Obscura</i></b><b> is a beautifully crafted book that explores the world of fungi through a blend of storytelling and photography. It features Pouliot's stunning, high-quality photographs of fungi  each thoughtfully composed-paired with personal reflections and engaging insights into her deep passion for fungi and the art of capturing them on camera...</b><b><i>Funga Obscur</i></b><b>a invites you to wander into nature and study fungi for yourself.' </b> <b><i>The Tasmanian Times</i></b></p><p><b>'Pouliot's [new book] showcases some of the most striking members of this often-overlooked kingdom of life.'</b><b><i>  New Scientist</i></b></p><p><b><i>'Funga Obscura</i></b><b> has a focus far beyond images. Interspersed between the photographs, we find brief but thought-provoking essays on nature, global cultures, the mycellium-based foundations of forest ecology, and the long and varied history and future of fungi.' </b><b><i></i></b><b> </b><b><i>Oregon Mycological Newsletter </i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alison Pouliot</b> is an ecologist and environmental photographer with a focus on fungi. Her journeys in search of fungi span northern and southern hemispheres, ensuring two autumns and a double dose of fungi each year. Alison is the author of <i>Underground Lovers</i> (NewSouth, 2023, published as <i>Meetings with Remarkable Mushrooms</i> by Chicago University Press, 2023), <i>The Allure of Fungi</i> and co-author of <i>Wild Mushrooming</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>What's it like to study polar bears in the wild? How do you raise children among large carnivores? And how do you find a frog that no-one has seen for 40 years?</p><p>From deserts to rainforests and even the polar Arctic, scientists venture into the field to collect, observe and study the world's organisms and the environments they live in. But even with the best planning, unexpected weather, unpredictable animals and unforeseen encounters can occur.</p><p><i>Wild Science: Unexpected Encounters When Working in Nature</i> explores the precarious, hilarious and thought-provoking stories 'behind the science'. It shows the value of these experiences, even when things don't go right, and the importance of fieldwork for understanding our own place in the world.</p><p>With contributions from Cara Penton, Terrah Guymala and Warddeken Rangers; Christopher R. Dickman; Laura Kojima; Pamela Catcheside; Euan G. Ritchie; Neil Jordan; Leonardo Guida; Manu E. Saunders; David M. Watson; Jessica Marsh; Erika M. Roper; Laura M. Skates; Andrew E. Derocher; Isabel Castro; David G. Hamilton; Abi T. Vanak; Jodi J. L. Rowley; Wayne Boardman; Robert Heinsohn; Jo Isaac; Lydia McLean; Tracy Ainsworth; Dieter F. Hochuli; and Bradley P. Smith.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Do you wonder if that family legend your grandparents told was true? Or have you never known much about your family history and would like to find out more?</b></p><p><i>The Family History Book</i> takes you through the steps of researching and building a family tree, finding records of births, deaths and marriages, looking up newspaper archives and probate records, researching immigration and shipping, examining military records, as well as discovering your story through DNA testing. Whether you're just beginning or have already made a start, this book guides you through all the places you can learn about genealogy in Australia.</p><p>Filled with tools, tips and tricks, and featuring interviews with experts in the field, Cassie and Shaun Gilmartin share everything you need to unlock the story of your past.</p><p><b>'Now your frequent cry, "I'd write the family history if I knew where to start", is silenced. This book is so rich in example and so charming that it will not only tell you exactly where to start and proceed but will also entertain and enthuse you. Your descendants in 2524 are crying for you to follow this guide and leave them a history that makes their forebears enchanting.'  Tom Keneally</b></p><p><b>'An invaluable resource. This is a book guaranteed to inspire, educate and support experienced and budding family historians alike. It's gloriously user-friendly  not least because the Gilmartins are so friendly  not only keeping up with all the modern trends in digital research, but also staying true to the timeless, compulsive motivations of family history: curiosity, creativity and love.'  Clare Wright</b></p><p><b>'An extraordinarily helpful guide  up to date on techniques and sources that simply weren't available a decade ago. Cassie and Shaun are lively and reliable guides to an absorbing and popular historical endeavour that can so easily trick and mislead the unwary.'  Peter Stanley</b></p><p><b>'A very accessible guide on how to get started  and keep going  with your family history.'  Brad Argent, Ancestry Studios</b></p><p><b>'An exceptional level of detail on the records and sources for each chapter. Cassie and Shaun should be congratulated on an excellent work.'  Ruth Graham, Society of Australian Genealogists</b></p><p><b>'An excellent new resource for anyone seeking to trace their family tree, or do historical research.'  </b><b><i>The Australian </i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Indigenous artists from across the planet provide truth-telling about the past and inspiration to imagine better futures.</b></p><p><i>marramarra</i> (a Wiradjuri word meaning to create, make or do) explores how contemporary Indigenous artists and their communities are revealing hidden histories and finding pathways to healing.</p><p><i>marramarra</i> shares conversations with leading contemporary artists, including Tuppy Ngintja Goodwin (Pitjantjatjara, Arrernte, Australia), Judy Watson (Waanyi, Australia), Rebecca Belmore (Anishinaabe, Canada), Nicholas Galanin (Tlingit and Unangax, Alaska) and Pauliina Feodoroff (Skolt Smi, Finland). Indigenous Elders and knowledge holders also provide insights about important community projects, places of memory and history lessons about colonisation.</p><p>Led by Indigenous voices and presenting ground-breaking artworks from the Pacific, Turtle Island (North and Central America), Brazil, Finland, Taiwan, Afghanistan and beyond, <i>marramarra</i> provides new ways to think about the past and imagine a planet that is bright for Indigenous futures  a place that is better for all.</p><p><b>'Groundbreaking, trailblazing, revolutionary.'  </b><b><i>The Australian Women's Weekly</i></b></p><p><b>'This is art as activism that seeks to open the eyes and hearts of its audience to the vibrancy and wisdom of Indigenous culture, the wrongs of the past and the holistic worldview of these diverse peoples.'  </b><b><i>Sydney Morning Herald/The Age</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Documentary photography offers one way of looking, but this type of looking is also about feeling. It is a style of making photographs designed to draw people into the world and activate their interest in something beyond themselves.</b></p><p>Australian documentary photography was at its height from the 1950s to 1970s. A time of great flux  social, political and cultural  was reflected in the photographs of Max Dupain, Carol Jerrems, William Yang, Rennie Ellis, David Moore, Mervyn Bishop, Sue Ford and others. A time when the gritty documentary photography that emerged in the US after World War II, hand-held film cameras, instamatic colour film, Polaroid cameras and the arrival of television all pushed photography in a revolutionary new direction. <i>Imagining a Real Australia</i> is a stunning testament to a time when photographers turned their lenses on real people living real lives.</p><p><b>'The photos in Zagala's book brilliantly capture the period and the sense of change that was occurring at the time. Highly recommended.'  </b><b><i>Canberra Weekly</i></b></p><p><b>'Step back in time with Zagala, before influencers and selfies, to a period when photographers captured real people in all their messy, marvellous glory.'  </b><b><i>Australian Women's Weekly</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Stephen Zagala</b> has curated more than 60 exhibitions including 'Bill Henson shuffles the deck', Museum of Australian Photography 2014; 'Tracey Moffatt: Narratives', Art Gallery of South Australia 2011 (with Maria Zagala) and 'Afterglow: performance art and photography', Museum of Australian Photography 2011. He was principle curator at the Museum of Australian Photography between 2006 and 2017, and a research fellow at the South Australian Museum between 2017 and 2024.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The modernist RSL club, the Art Deco cinema, the stilted Queenslander or the elaborate Edwardian. The iconography of Australia's regional towns is familiar to many of us, whether we live, work and play in these places, or just journey through. A distinctive Australian architecture has developed, less glamorous or coherent than the grand public buildings in the capital cities, but no less classic or important to our sense of identity.</p><p>The images in this book are a snapshot of the Australian town, from Warrnambool to Broome, captured by the National Library of Australia's photographers in the 1990s. Each building is a reflection of the local climate, history, landscape and people, and yet there are commonalities. When we make a pitstop at a town on our summer pilgrimage to the coast or to visit relatives, recognise the surf lifesaving club, the public pool, a milkbar because we know the architectural language. These are our towers and spires.</p><p>An Australian town might contain more or fewer Victorian, Edwardian, Federation, Colonial, Italianate, Modernist, Contemporary and Art Deco buildings. Its suburbs might have been built in a gold rush fervour in the 1850s or have sprawled in the 1960s or big blocks and old homes replaced with blocks of flats in the 1980s. But the design mishmash that so upset Robin Boyd in the 1960s today can move us and make us feel at home. Here is the Great Australian Beauty of our towns, in all its nostalgic, iconic, recognisable glory.</p><p></p><p>List of towns included in <i>Our Streets: The Regional Cities and Major Towns Project:</i></p><p>ALBANY, ALBURY, ALICE SPRINGS, ARMIDALE, BAIRNSDALE, BALLARAT, BATHURST, BEGA, BENDIGO, BERRIMA, BOWEN, BRAIDWOOD, BROKEN HILL, BROOME, BUNBURY, BUNDABERG, BURNIE, BURRA, CAIRNS, CARNARVON, CHARTERS TOWERS, CLONCURRY, COFFS HARBOUR, COOBER PEDY, COOTAMUNDRA, DENILIQUIN, DERBY, DEVONPORT, DUBBO, ECHUCA, GAWLER, GEELONG, GERALDTON, GOULBURN, GUNNING, GYMPIE, HAMILTON, HERMANNSBURG, HOLBROOK, HORSHAM, KALGOORLIE, KATHERINE, LAUNCESTON, LISMORE, MACKAY, MAITLAND, MARYBOROUGH, MENINDEE, MITTAGONG, MOE, MURRAY BRIDGE, NARRABRI, NEW NORFOLK, NEWCASTLE, ORANGE, PORT LINCOLN, PORT PIRIE, QUEENSTOWN, RENMARK, ROCKHAMPTON, SHEPPARTON, SWAN HILL, TAMWORTH, TOWNSVILLE, TUMUT, VICTOR HARBOUR, WAGGA WAGGA, WARRNAMBOOL, WARWICK, WHYALLA, WINTON, WOLLONGONG, WYCHEPROOF, WYNDHAM, YASS, YOUNG</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Cressida Campbell celebrates the career of an exceptional Australian colourist who has worked between painting and printmaking for over forty years. Combining keen observation with formal design, Campbell uses an innovative technique to create woodblock paintings and unique woodcut prints that take direct inspiration from the humble beauty of the everyday. Moving between still-life arrangements, domestic interiors, gardens and coastal panoramas, her stylised compositions intertwine life and art. Their astonishing detail and technical virtuosity are testament to Campbell's artistic vision and commitment.</p><p>This book offers new insights into Cressida Campbell's life and work, featuring original research and reflections from curators, artists, poets and writers, as well the artist's own autobiographical notes. Generously illustrated, the publication will locate Campbell within the lineage of significant Australian contemporary artists.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Don't steal this</i></p><p><i>Book if you do I will</i></p><p><i>Beat your Brains</i></p><p><i>Out</i></p><p>Have you ever wanted to protect your books from forgetful borrowers, merciless page-folders or outright thieves? Perhaps you have even wished harm on those who have damaged your books, but would you threaten them with hellfire, hanging or the plague?</p><p>This book contains a collection of some of the most ferocious and humorous book curses ever inscribed, from fearsome threats discovered emblazoned on stone monuments from the ancient Near East, to elaborate manuscript maledictions and chilling warnings scribbled in printed books. Book curses are entertaining writings in themselves, but they also offer a tantalising insight into how passionately texts and books have been valued by their owners and readers over the centuries. </p><p>Here you will find an engaging introduction to the history and development of the book curse and perhaps some inspiration to pen a few of your own.</p>]]></Text>
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			<SubjectHeadingText>Le Befana; Mari Lwyd; Pere Fouettard; holiday gift; Cosplay; Zwarte Piet; Karakoncolos; Yule Cat; Yule Lads; Gryla; creepy; St. Nicholas; macabre; supernatural; Krampus; monsters; Christmas horror book; Story of Christmas; Holiday gift book; Costume party; Red One; Christmas gift book; holiday; Holiday horror book; Belsnickel; demon; Christmas Devil; paranormal; folklore; mythology; Christmas book; devil; Pagan; Yule; Krampus Night; Christmas; The Rock; Tomte; creepmas; Krampusnacht; goth culture; tomten; halloween; Yuletide; Saturnalia</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Step into the dark roots of Christmas past where the Krampus punishes the bad boys and girls.</b><br/><br/>Christmas time is truly the darkest and creepiest time of the year filled with devilish creatures lurking in the shadows waiting to get us. Best known is the Krampus who has been the subject of films and songs. There was a time in the late 1800s when people sent Krampus cards, <i>not</i> holiday greetings. There are other violent and dangerous monsters from all over northern climes who have been hunting naughty children for centuries. From shapeshifters to mountain trolls, to elves, to heavy-handed cohorts of Saint Nicholas, the Christmas holiday has been filled with ghosts and monsters ready to dole out punishment to those who need it.<br/><br/><i>The Fright Before Christmas</i><b><i></i></b>will delve into the folklore of Krampus and his friends with the elf-like Tomten and the goblinesque Karakoncolas. The Belsnickel is ready to hit us with his switch of sticks and Gryla may drag you back to her mountain lair. And watch out for the Yule Cat ready to pounce!These are just a few of the yuletide beasties coming for us in <i>The Fright Before Christmas</i> in the hope they can save us from ourselves. <br/><br/>The folklore roots of Christmas under its many other guises (Yule, the Winter Solstice, Saturnalia) is examined in a different, darker light.The Winter Solstice is a time to be afraid. It's the shortest day of the year. The longest night. In some parts of the world, the sun doesn't rise at all. It's dark, and we have to wonder if the sun will ever come back at all. Christmas has always been creepy and with<i>The</i> <i>Fright</i> <i>Before Christmas</i> you&amp;#x27;ll see the other side. This is a book for everyone who loves a little darkness around the holidays.<br/><br/> Be good or the Krampus will get you!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jeff Belanger</b> is one of the most visible and prolific researchers of legends and lore today. A natural storyteller, he's the award-winning, Emmy-nominated host, writer, and producer of the <i>New England Legends</i> series on PBS and Amazon Prime, and is the author of over a dozen books (published in six languages). He also hosts the award-winning <i>New England Legends</i> weekly podcast, which has garnered over 4 million downloads since its launch, and ranks in the top 1/2 percent of all podcasts for popularity according to Listen Notes. His books include the best sellers: <i>The World's Most Haunted Places</i>, <i>Weird Massachusetts</i>, <i>Our Haunted Lives</i>, <i>The Call of Kilimanjaro</i>, and <i>Who's Haunting the White House?</i>. He founded Ghostvillage.com in 1999-one of the Web's most popular paranormal destinations-and he's a noted speaker and media personality. He was featured in the 100th episode of <i>Stories from the Stage</i> on PBS, he's given a TEDx talk in New York City, and he spoke at MENSA's national conference. Belanger has written for newspapers like <i>The Boston Globe</i> and <i>USA Today</i>, and has served as the writer and researcher on numerous television series including every single episode of <i>Ghost Adventures</i> (25 seasons and counting), <i>Paranormal Challenge</i>, and <i>Aftershocks</i> on the Travel Channel, and <i>Amish Haunting</i> on Destination America.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Scotland Street is back. Settle in and take a trip back to Scotland's favourite fictitious street, with Bertie, Irene, Big Lou, newcomer Galactica Macfee and all the rest. With customary charm and deftness, Alexander McCall Smith gives us another instalment in this popular series, where anything could happen to Bertie and the gang.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'It's like ice cream, Mr Flynn,' Bertie continued. 'When you have ice cream, you need to eat it straight away, otherwise it melts. If there are people who haven't got any, you should share it, if you can.'</i></p><p>When despair for the world grows, Bertie's theory of ice cream reminds us that it's the simple pleasures in life that we should hold onto. And everyone's favourite seven-year-old has a lot to put up with: at home, Irene is planning lessons on Irish Culture for Bertie; at school, he is forced to join Olive and Pansy's book group, and during a day out with his best friend Ranald Braveheart Macpherson, the boys find themselves unexpectedly invited to a wedding.</p><p>Meanwhile, Bruce's latest property venture goes horribly wrong after trying to move a flat's front door to give it a more prestigious address. At Nine Mile Burn, Matthew and the triplets try to adopt an unwillingly-vegan dog. And Sister Maria-Fiori dei Fiore Montagna discovers the missing part of the Stone of Scone in Drummond Place Gardens.</p><p>Filled with Alexander McCall Smith's trademark warmth and humour, this latest book in the series is a must-read.</p><p><b>'a toast to the importance of the simple joys of life at a time of global despair'  Sally McDonald / </b><b><i>Sunday Post</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexander McCall Smith</b>is the author of the highly successful<i>No. 1 Ladies' Detective Agency</i>series, which has sold over twenty-five million copies. Since then he has devoted his time to the writing of fiction and has seen his various series of books translated into over forty-six languages and become bestsellers throughout the world. These include the<i>44 Scotland Street</i>novels, first published as a serial novel in the<i>Scotsman</i>, the<i>Isabel Dalhousie</i>novels, the<i>Von Igelfeld</i>series and the<i>Corduroy Mansions</i>novels.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>This beautiful book celebrates the Japanese kabuki tradition-presenting fifteen classic tales of tragic love and fatal passion that are frequently performed on the kabuki stage in Japan. These dramatic tales are stunningly illustrated with full-color woodblock prints by master artists including Hiroshige, Hokusai, Utamaro, Kuniyoshi and Kunisada, along with photographs of modern kabuki performances.<br/><br/><b>The tales in this book include:</b></p><ul><li><i>The Love Suicides at Amijima </i> Jihei, a married merchant and Koharu, a prostitute, fall deeply in love. Jihei cannot afford to buy her out, so the only solution is for them to commit double suicide</li><li><i>The Tale of Genji </i> A stage version of Japan's classic <i>Tale of Genji</i> by Lady Murasaki Shikibu, which follows the romantic exploits of Genji, the son of Emperor Kiritsubo</li><li><i>The Magical Helmet</i>  Princess Yaegaki mourns for her dead husband Katsuyori but one day she notices a new samurai in the household who looks just like him. It is indeed Katsuyori, who has adopted a disguise to prevent himself being killed. Now Yaegaki must struggle to save him!</li><li>Plus 12 other stories</li></ul><p>The translations are by Ornella Civardi, a noted scholar of Japanese literature, who also provides an fascinating introduction to the popular kabuki theater tradition in Japan. The book will be treasured by kabuki aficionados as well anyone with an interest in the theatre or Japanese literature.</p><p><b><i>'Kabuki is action-packed, scenically thrilling and histrionically flamboyant' - The Guardian</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[A selection of works from two industry-leading programmes for the short story form that  have helped foster the next generation of truly interesting literary writers.]]></Text>
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			<Text textformat="02"><![CDATA[<p> A curated selection drawn from the first five years of two indie bookseller-run projects  Madrid's Desperate Literature Short Fiction Prize and London's Brick Lane Bookshop Short Story Prize  these<i>22 Fictions</i> feature Purim celebrations, multiple Stuart Halls, a kidnapping, an aeroplane fleeing a volcano, gender injustice, a chicken shop menu, climate change, a shaved horse, activism, and muchbesides,all the while roaming from a Cornish farming village to a Paris basement, a hotel bar, an island with a steep hill, a location deep within the internet, a family dinner table and further.</p><p><b>Featuring work from:</b><br/><b>Shola Von Reinhold, Leeor Ohayon, Tom Benn, Alice Haworth-Booth, N. G. F. Clark, Danielle Giles, Francesca Reece, Melody Razak, Mariana Roa Oliva, Giovanna Iozzi, Suey Kweon, K. Lockwood Jefford, Katie Hale, Max Lury, Jay Gao, Aoife Inman, Andrea Mason, Aisha Phoenix, Isha Karki, Jack Houston, Siri Katinka Valdez, Rajasree Variyar.</b></p><p><b>Foreword by Joanna Walsh and an introduction by Wendy Erskine, former judges of the two prizes.</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kate Ellis</b> is a writer based in London. Her short fiction has been published in the <i>Open Pen Anthology, The Mechanics' Institute Review, 100 Voices, </i>and <i>The London Short Story Prize Anthology </i>among others. She runs the Brick Lane Bookshop Short Story Prize, hosts the <i>BLB Podcast, </i>works for Inpress Books, and one day might finish writing her short story collection.</p><p><b>Robert Loyko-Greer</b> is a writer based in London, where he works for the publisher Profile Books. He co-founded the Desperate Literature Short Fiction Prize in 2017.</p>]]></Text>
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			<SubjectHeadingText>Mystery and Thriller; Writer in Residence; Edinburgh Book Festival; Edinburgh Writer; Scottish Fiction; Best New Scottish Fiction; The Hebrides; Island Fiction; Scottish Island; Fiction set on an island; endless stairs; murder-mystery; thriller; fiction debut; debut novel; Brutal Murder; Poet Laurete London; psychological thriller; isolated setting; locked room mystery; Agatha Christie; Locked-Room Mystery; Doug Johnstone; Theresa Lola</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Whendecorated novelist Malcolm Furnivall is found brutally murdered in his study,and his invaluable unfinished novel missing, it falls to his protege - atroubled but talented young author named Euan - toventure deep into Malcolm's labyrinthine mansion to find the manuscript before it falls into the wrong hands.]]></Text>
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			<Text textformat="02"><![CDATA[<p>When troubled but talented young author Euan meets decorated novelist Malcolm Furnivall, he feels his luck has finally changed. Malcolm takes Euan as a protege, vouching for him in the rarefied literary scene in the 1950s. But lately, Malcolm has not been himself. Consumed by his work, he cuts an increasingly isolated figure and has become convinced that something terrible will befall him. He summons his loved ones to his secluded island in the Hebrides and  to everyone's surprise  entrusts Euan with the task of completing his masterpiece.</p><p>Malcolm's suspicions soon prove well-founded; he is discovered brutally murdered in his study, and his invaluable unfinished novel has vanished. Cut off from the mainland, with the killer on the loose and the island's inhabitants circling, Euan feels both his mentor's legacy and his only chance at greatness slipping away. He must venture deep into Malcolm's labyrinthine mansion to find the manuscript before it falls into the wrong hands.</p><p>But what he doesn't yet know is that the closer he comes to solving the mystery, the tighter he will bind himself to a fate sealed in time...</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Chris Barkley</b> was appointed Writer in Residence by the Edinburgh Book Festival in 2022. He won the Oxford University Kellogg Writing Competition in 2021, as well as the Bedford International Writing Prize. He has been shortlisted for the Cambridge Short Story Prize and has had prose published in TSS, National Flash Fiction, Darling Axe, and the Writers of the Future 35th anthology. He lives in Edinburgh.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>With his signature lean, clean prose, Texan author Josh Rountree (<i>The Legend of Charlie Fish</i>) has penned a Frankenstein-inspired tale unlike any other. With equal parts Cormac McCarthy, Mary Shelley, and Stephen Graham Jones, Rountree coalesces myth and legend into a dramatic tale of love, death, and its terrible aftermath.</p><p>Catherine Coldbridge is a complicated woman: a doctor, an occultist, and, briefly, a widow.</p><p>In 1879, Catherine's husband, Private Frank Humble, was killed in a Sioux attack. Consumed by grief, she used her formidable skills to resurrect her husband. But after the reanimation, Frank lost his soul, becoming a vicious undead monster.</p><p>Twenty-five years later, Catherine has decided she must make things right. She travels to Texas with a pair of hired killers. But Frank is no longer a monster. He has remade himself as the Unkillable Frank Lightning, traveling with the Wild West Show.</p><p>With his signature lean, clean prose reminiscent of Raymond Chandler, Josh Rountree (<i>The Legend of Charlie Fish</i>) has penned a Frankenstein-inspired tale unlike any other. With equal parts Cormac McCarthy and Stephen Graham Jones, Rountree coalesces myth and legend into a dramatic tale of love, death, and its terrible aftermath.</p><p><b>'With</b> <b><i>The Unkillable Frank Lightning</i></b><b>, Rountree solidifies himself as not only one of the best writers working today, but makes the case for being the best Western writer of our present century.'  C. S. Humble, author of</b> <b><i>That Light Sublime</i></b><b> trilogy</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Josh Rountree</b> is a novelist and short story writer who writes across multiple genres, and focuses mostly on horror and dark fantasy. His novel, <i>The Legend of Charlie Fish</i>, released by Tachyon Publications to wide acclaim in 2023, selected for the Locus Recommended Reading List and named one of Los Angeles Public Library's best books of the year. More than seventy of Rountree's short stories have been published in a variety of venues, including <i>The Deadlands, Beneath Ceaseless Skies, Bourbon Penn, Realms of Fantasy, PseudoPod, Weird Horror</i>, and <i>The Year's Best Dark Fantasy &amp; Horror</i>. Several collections of his short fiction have been published, most recently, <i>Death Aesthetic</i>. Rountree lives in the greater Austin, Texas, metropolitan area with his lovely wife of many years and a pair of half-feral dogs who command his obedience.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>First published in 1996, <i>HEAT </i>is a literary magazine dedicated to publishing essays, fiction and poetry by Australian and overseas writers of the highest quality. Recent contributors include Antigone Kefala, Eliot Weinberger, Xi Xi, Katerina Gibson, Lena Andersson, Paul Muldoon, Fiona Kelly McGregor, Mariana Enrquez, David Sornig, Max Easton, Isabella Trimboli, Eda Gunaydin, Noemi Lefebvre, Gareth Morgan, Ender Baskan, Jenny Erpenbeck, Oliver Driscoll, Mary Jean Chan, Amitava Kumar, Fiona Wright, Oscar Schwartz, Zang Di, Hanne rstavik, Katharina Volckmer, Kate Middleton, and Noelle Janaczewska. <i>HEAT's </i>third series (2022) is edited by Anna Thwaites and designed by award-winning designer Jenny Grigg.</p><p><b>Recent praise for HEAT: </b></p><p><b>'The revival of </b><b><i>HEAT</i></b><b> journal has been one of the high points of the year. In the 1990s and 2000s, </b><b><i>HEAT </i></b><b>was the most exciting, forward-looking literary magazine in the country. After more than a decade on ice, this new series has raised the bar once again. Elegantly designed and thoughtfully curated, and including work from canonical Australian writers to emerging voices to authors in translation, the journal reminds us how crucial such organs are to the vigour and health of our literary ecosystem.'  Geordie Williamson,</b><b><i> The Saturday Paper's</i></b><b> 'Best of 2022'</b></p><p><b>'So slender and elegant, nothing wasted, nothing grandiose  and beautiful work.'  Helen Garner</b></p><p><b>'</b><b><i>HEAT </i></b><b>magazine was a trailblazer from the day it was launched...[The new series is] still dedicated to publishing non-Anglophone views of the world, alternatives to the mainstream and points of view that are both thought-provoking and expressed in high literary style.'  </b><b><i>Openbook</i></b><b>,</b><b><i> NSW State Library Magazine</i></b></p><p><b>'A very beautiful and stylish object...long may this new series of </b><b><i>HEAT </i></b><b>continue!'  Sarah Holland-Batt</b></p><p><b>'I welcome the return of </b><b><i>HEAT</i></b><b>. Readers and writers alike will revel in its daring audacity, bold exploration and innovative celebration of literature.'  Alexis Wright</b></p><p><b>'</b><b><i>HEAT </i></b><b>is eclectic and eccentric, bold and often feisty, and above all else, it is a journal that always gives a freer rein to its writers, that we might gallop wherever we will.'  Fiona Wright</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Anna Thwaites </b>has had nearly fifteen years of editorial experience in Australian publishing. She started out as assistant editor at the political and cultural <i>Arena Magazine</i>, and then worked as editor and assistant to the publisher at Scribe Publications from 2014 to 2020<i>.</i> More recently she has been co-editor of the live event and chapbook series <i>Slow Canoe</i> (with Oliver Driscoll) and of the micro-journal <i>Paragraph</i> (with Caitie Lawless), where she has commissioned and developed work from new and established writers around the world<i>.</i> Alongside these projects and a lively and various freelance editing career, she has worked at two of Melbourne's best independent bookshops, Readings and The Paperback. She has an Honours degree in literature and philosophy from ANU and a postgraduate qualification in editing and publishing from RMIT. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>First published in 1996, <i>HEAT </i>is a literary magazine dedicated to publishing essays, fiction and poetry by Australian and overseas writers of the highest quality. Recent contributors include Antigone Kefala, Eliot Weinberger, Xi Xi, Katerina Gibson, Lena Andersson, Paul Muldoon, Fiona Kelly McGregor, Mariana Enrquez, David Sornig, Max Easton, Isabella Trimboli, Eda Gunaydin, Noemi Lefebvre, Gareth Morgan, Ender Baskan, Jenny Erpenbeck, Oliver Driscoll, Mary Jean Chan, Amitava Kumar, Fiona Wright, Oscar Schwartz, Zang Di, Hanne rstavik, Katharina Volckmer, Kate Middleton, and Noelle Janaczewska. HEAT's third series (2022) is edited by Anna Thwaites and designed by award-winning designer Jenny Grigg.</p><p><b>'The revival of </b><b><i>HEAT</i></b><b> journal has been one of the high points of the year. In the 1990s and 2000s, </b><b><i>HEAT </i></b><b>was the most exciting, forward-looking literary magazine in the country. After more than a decade on ice, this new series has raised the bar once again. Elegantly designed and thoughtfully curated, and including work from canonical Australian writers to emerging voices to authors in translation, the journal reminds us how crucial such organs are to the vigour and health of our literary ecosystem.'  Geordie Williamson, </b><b><i>The Saturday Paper's </i></b><b>'Best of 2022'</b></p><p><b>'So slender and elegant, nothing wasted, nothing grandiose  and beautiful work.'  Helen Garner</b></p><p><b>'</b><b><i>HEAT </i></b><b>magazine was a trailblazer from the day it was launched...[The new series is] still dedicated to publishing non-Anglophone views of the world, alternatives to the mainstream and points of view that are both thought-provoking and expressed in high literary style.'  </b><b><i>Openbook</i></b><b>,</b><b><i> NSW State Library Magazine</i></b></p><p><b>'A very beautiful and stylish object...long may this new series of </b><b><i>HEAT</i></b><b> continue!'  Sarah Holland-Batt</b></p><p><b>'I welcome the return of </b><b><i>HEAT</i></b><b>. Readers and writers alike will revel in its daring audacity, bold exploration and innovative celebration of literature.'  Alexis Wright</b></p><p><b>'</b><b><i>HEAT</i></b><b> is eclectic and eccentric, bold and often feisty, and above all else, it is a journal that always gives a freer rein to its writers, that we might gallop wherever we will.'  Fiona Wright</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Anna Thwaites</b> has had nearly fifteen years of editorial experience in Australian publishing. She started out as assistant editor at the political and cultural <i>Arena Magazine</i>, and then worked as editor and assistant to the publisher at Scribe Publications from 2014 to 2020<i>.</i> More recently she has been co-editor of the live event and chapbook series <i>Slow Canoe</i> (with Oliver Driscoll) and of the micro-journal <i>Paragraph</i> (with Caitie Lawless), where she has commissioned and developed work from new and established writers around the world<i>.</i> Alongside these projects and a lively and various freelance editing career, she has worked at two of Melbourne's best independent bookshops, Readings and The Paperback. She has an Honours degree in literature and philosophy from ANU and a postgraduate qualification in editing and publishing from RMIT. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Blessed Affliction</i> is an apt title to describe thirty years of the work of Mark Reid. From the hospital poems (in the footsteps perhaps of Webb and Mackenzie) of <i>Parochial </i>to the divine disputations of later works such as The Address Book sequence, filtered through the ironies and ambivalences of poets such as Berryman, Thomas (R.S.) and Donne, Reid matches despair with wit, in pitching the insurmountable questions of the infinite against the plain fact of the ordinary. Neither comes out on top. We are blessed. We are afflicted. Holding our world together is the necessity, the hope, of poetry. This volume presents the pick of Reid's first five published collections, along with the new book-length title collection: <i>The Blessed Affliction</i>.</p><p><b>'Reid's poems are arresting because their insights are both tactful and revealing; their hesitations, or admissions of doubt, are central. Their questioning of agency is a strength. More than easy celebration or affirmation, they are a poet's genuinely prayerful searching and praising. They are spiritual permissions. If we notice, if we are alert, we may know. Mark Reid is the finest Minimalist poet in Australia.'  Philip Salom</b></p><p><b>'...beneath such simplicity, these poems conceal depths of philosophical and religious thought that are revealed only in repeated readings. Blindside is a work of effortlessly superior intelligence...'  Judges' Report, 2019 Kenneth Slessor Award</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mark Reid's</b> second collection of poetry, <i>Parochial</i>, was winner of the 2000 West Australian Premier's Book Award for poetry. His third collection, <i>A Difficult Faith</i>, was shortlisted for the same award in 2006, while his fifth, <i>Blindside</i>, was shortlisted for the Kenneth Slessor Prize for Poetry In the NSW Premier's Literary Awards 2019. Variously employed in theatre, television, kitchens &amp; aged- care, he worked a decade on the wards of a public hospital. Resident in Western Australia for twenty years, he now resides in the NSW Central Tablelands town of Oberon. This volume presents his sixth collection, <i>The Blessed Affliction</i>, along with a generous selection from its five predecessors.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Re:Vision will take you from Canberra's spectacular countryside to old industrial sites in Melbourne; from King's Cross as a modern-day Troy to Galileo atop his tower, and to the cities and suburbs of our imagination, our past and our dreams, conveying them all with his trademark allusiveness, humour and craft.]]></Text>
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			<Text textformat="02"><![CDATA[<p>What would make the name of a road in Canberra or a Melbourne street as evocative as their more famous counterparts overseas? asks Isi Unikowski in this new collection. The answer lies in his singular perception of what takes place there: whether on the larger canvas of war, racism and decline, to the intimate dramas of childhood, parenthood and ageing. Including many prize-winning poems and poems published in leading magazines in Australia and overseas,<i> Re:Vision </i>will take you from Canberra's spectacular countryside to old industrial sites in Melbourne; from King's Cross as a modern-day Troy to Galileo atop his tower, and to the cities and suburbs of our imagination, our past and our dreams, conveying them all with his trademark allusiveness, humour and craft.</p><p><b>'In </b><b><i>Re: Vision</i></b><b>, Isi Unikowski explores the complex histories of places and objects and the people and movements inhabiting them with a lively curiosity, tenderness and deep contemplation. Unikowski's writing "momentarily catches the sunlight" and arrives at the centre of what it is to be human.'  Amanda Anasti</b></p><p><b>'Unikowski's poetry captivates the reader with its masterful imagery and emotional clarity. Many of these poems launch from a recognisable, safe, suburban world, but few finish there. Some swerve away into near-surrealism or the landscape of strange dreams. Others gently draw the reader beyond the workaday surface, into a deeper or sidelong contemplation. In its evocation of the Australia that was, and is, this book is pitch-perfect.' </b><b><i> Penelope Layland</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Isi Unikowski </b>is a Canberran poet who has been widely published in Australia and overseas. His previous collection, <i>Kintsugi, </i>was published by Puncher &amp; Wattmann in 2022. He has worked as a public servant and academic. He has a PhD in public policy from the Australian National University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Toupie</i> a French word meaning spinning toy/top, signifies the collection's themes: colour, movement and change.<i>Toupie</i> is Kathleen Bleakley's seventh collection is a showcase of movement and change in Bleakley's writing over three decades.</p><p><b>'Kathleen Bleakley expresses poignant and vivid feelings for a number of family members and friends in </b><b><i>Toupie</i></b><b> but the omphalos in this collection is her life with, and deep love for 'pling, her long-term partner, and photographer, who is in slow decline with lymphoma. The striking feature for me in this collection is her skilful and sensitive use of colour. She creates her own chakra-like system with her display of significant colours in a narrative that moves from earthly life to the astral, the afterlife.'  Joanne Burns</b></p><p><b>'Dazzling and polychromatic, Kathleen Bleakley's</b> <b><i>Toupie: new and selected poetry and prose,</i></b> <b>is a whirligig of memory and synaesthesia. In ee cumming-esque poems and prose, Bleakley uses fragments and fractured metaphors to explore the unreliability of memory and the poignant quotidian experience. Bleakley's</b> <b><i>Toupie</i></b><b> is a powder keg - it's like "Watch[ing] fireworks cascade.'  Cassandra Atherton</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kathleen Miriam Bleakley</b> (kmb) was born in Morocco; and has lived and travelled in diverse places - OS and Oz. kmb writes poetry, and prose including micro stories and 'factions'. kmb's ekphrastic writing (responding to other art forms) and artistic collaborations reflect her creative arts background. <i>Toupie</i> is her seventh collection.</p>]]></Text>
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			<SubjectHeadingText>Golden Age; bibliomystery; detective; inspector; literary; london; soho; traditional British mystery; westend; whodunit</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[One of two crime novels written by famous children's author Nina Bawden showcasing her excellent storytelling and talent for gritty plotting. An atmospheric murder mystery full of gripping suspense, pulling the reader through London's seedy clubland of the 1950s and sides of the city rarely seen in fiction such as Paddington's Little Venice.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Rose has news for Celia  she is due to have a baby by Celia's husband, Humphrey. Soon after, the seeds of scandal bear a criminal fruit when a body is discovered in Little Venice along with Rose's handbag. Celia drafts in an old flame, Will, to root out the truth from suspicions of murder and blackmail, as the evidence starts to converge on the patrons and strange goings-on of the seedy Chelsea club, 'The Odd Flamingo'. </p><p>First published in 1954, this was one of two gritty and atmospheric crime novels written by the accomplished children's author Nina Bawden.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nina Bawden</b> (1925-2012) was an English novelist and Golden PEN Award-winner for her services to literature. Mostly known as a children's writer she won many awards such as the 1976 Guardian Children's Fiction Prize for <i>The Peppermint Pig</i> (1975) and was runner-up for the Carnegie Medal for <i>Carrie's War </i>(1973). She wrote two gritty and atmospheric crime novels.</p>]]></Text>
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			<Text textformat="02"><![CDATA[First published in 1934, this novel is now extremely rare, and is long overdue its rediscovery.]]></Text>
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			<Text textformat="02"><![CDATA[<p>The discovery of Sir Robert Boniface's body on the floor of his blue limousine was made quite accidentally on a sultry Friday evening towards the end of June. The industrial and financial tycoon, and former stalwart of the British Cabinet, had been shot in the head and left in the quiet Vale of Health alongside London's Hampstead Heath. Nearby, a rejected portrait of Sir Robert is found riddled with bullets in the studio of the now- missing romantic artist Matt Caldwell.</p><p>As it hurtles towards its feverish denouement under the bells of the capital's most famous clock, this closely observed and stylish study of both character and motive transports the reader from the Stock Exchange to Scotland Yard. It asks the question of what it means to be crooked and how immense power corrupts.</p><p>First published in 1934, this novel is now extremely rare, and is long overdue its rediscovery.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>**David Magarshack **(18991977) was an author and translator, best-known for his translations of Dostoevsky, Gogol, Tolstoy and Chekhov in the 1950s. Born in Riga, in present-day Latvia, Magarshack came to Britain to study at University College London, was naturalised as a British citizen in 1931 and wrote three crime novels in the 1930s.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The spiritual successor to the popular Tales of the Weird anthology The Haunted Trail. This collection takes the reader to wilder spaces and into some more modern horror, weird pieces hailing from 1879-2014.]]></Text>
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			<Text textformat="02"><![CDATA[<p>'Come to-night', I heard the old man say, 'come to me to-night into the Wood of the Dead'.</p><p>Join Weird Walk for a new journey into the ghostly and bizarre, striking out from the shelter of the inn for the places where the path begins to fade, from the sublime wilderness of mountains, coasts and ravines to forbidden, ancient tracts of woodland.</p><p>Featuring disorientating classics from John Buchan and Algernon Blackwood alongside modern, thrilling (and sometimes violent) warnings to the intrepid from Lisa Tuttle and Dorothy K. Haynes, The Wayfarer's Weird leads you towards fae dangers, down lost tracks in time and deep into the liminal spaces of Britain and beyond.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Weird Walk</b> began as three friends walking an ancient trackway across southern England wearing incorrect footwear. Since then, by walking the ancient paths, visiting the sacred sites, and immersing themselves in the folklore and customs of the British Isles, they have worked to promote the magic at the heart of rambling via their zine, social media, music and podcast. Their self-titled book,<i> Weird Walk: Wanderings and Wonderings</i> through the British Ritual Year was published in 2023.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Two titans of the Weird collide in this collaboration with the social media and publishing phenomenon Weird Walk, including notes and real-life walk recommendations for each story to help readers arrange their own journey into the rambling weird. Featuring absolute classics from Robert Aickman and Charlotte Riddell alongside lesser-known finds from the Library's collections.]]></Text>
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			<Text textformat="02"><![CDATA[<p>A remarkable blood-soaked stranger upends the lives of two Lake District ramblers; a lonely tavern offers its guests something much more disturbing than a post-walk pint; a night hike on the Fens takes a terrifying turn when the fog rolls in.</p><p>From the darkly humorous to the chillingly sinister, tales of the haunted trail are as old as time. We have always travelled on foot and our worst fears have often accompanied us. Whether walking for pleasure or necessity, the ramblers of these classic stories trip across unseen boundaries, plotting routes towards the numinous, the uncanny and the plain evil.</p><p>Featuring fifteen pieces from an intrepid band of writers including Robert Aickman, Charlotte Riddell, M. R. James and many more, this new anthology is a haunting trail mate, guiding you into the wild unknown.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The 1950s classic that rewrote the myth of the American West and inspired its subsequent chroniclers from Sam Peckinpah to Marlon Brando to Cormac McCarthy.</b></p><p>Hendry Jones isn't quite Billy the Kid, but he's 'the Kid' all the same, and like Billy's his story doesn't take long to tell. He'll do a fair amount of killing, be done in by an old friend, then get turned into a myth before his body is cold. Years later, one of the Kid's last living partners in crime, 'Doc' Baker  old and less than sober  tries to set the record straight: who killed who and why, and how none of that old craziness is worth swooning over or rehashing. Except that Doc is a bit of a poet despite himself, and in drawing together what he knows and remembers about the Kid's last days, he winds up saying just about everything that needs to be said about the American West, about kids playing with guns, about boys playing at being men out on the frontier, where they thought no one was watching.</p><p>As Will Oldham  whose moniker as a musician, Bonnie 'Prince' Billy, was partly inspired by Billy the Kid  notes in his introduction, <i>Hendry Jones</i> served as fodder for a field of artists grappling with masculinity and violence in the West: Marlon Brando's <i>One-Eyed Jacks</i>, Sam Peckinpah's <i>Pat Garrett and Billy the Kid</i>, and Cormac McCarthy's <i>Blood Meridian</i> are all impossible to imagine without Neider's Kid having first blazed the trail. A concise and brutal modern masterpiece, <i>The Authentic Death of Hendry Jones</i> is one of the few Western novels worthy of the name.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Charles Neider</b> was born in Odessa, in what was then Russia, in 1915. His family emigrated to the United States when he was five years old, moving to Richmond, Virginia. In addition to being a novelist, Neider was an essayist, nature writer, and leading Mark Twain scholar. Over the course of his career, he published numerous books of fiction and nonfiction, edited collections of the work of Twain, Tolstoy, Robert Louis Stevenson, and Washington Irving, and made several trips to the Antarctic. He died in 2001.</p><p><b>Will Oldham</b> has released more than twenty studio albums, along with EPs, singles, and music for film and television, performing, variously, as himself, Palace Brothers, or Bonnie 'Prince' Billy. He is a longtime denizen of Louisville, Kentucky.</p>]]></Text>
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			<SubjectHeadingText>Emily Bronte; classic literature; English; 19th century; literary; gothic; women's fiction; romance; small town; Lockwood; Heathcliff; Yorkshire moors; mansion; passion; revenge; Catherine Earnshaw; Childhood best friend; betrayal; suspense; dark; love; gender; race; class; conflicts; issues; bigotry; prejudice; revisited; reimagined; contemporary authors; modern conversation; afterword; relevent topics</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Emily Bronte</b> (1818-1848) was an English novelist and poet who is best known for her only novel, <i>Wuthering Heights</i>.</p><p><b>Derrick Austin</b> is the author of <i>Tenderness </i>(BOA Editions, 2021), winner of the 2020 Isabella Gardner Poetry Award, and Trouble the Water (BOA Editions, 2016), a finalist for the Kate Tufts Discovery Award, Thom Gunn Award for Gay Poetry, Lambda Literary Award for Gay Poetry, and the Norma Faber First Book Award. His third collection, <i>This Elegance</i>, is forthcoming from BOA Editions in Spring 2026. A Cave Canem fellow, he is the recipient of a Ron Wallace Poetry Fellowship at the Wisconsin Institute of Creative Writing, a Stegner Fellowship, and an Amy Lowell Poetry Traveling Scholarship. In 2016, he was a Hub City Writer in Residence. He has had poems and essays commissioned by The Madison Museum of Contemporary Art, The New Museum, Craft Contemporary, The Jule Collins Smith Museum of Fine Arts, LAXART, and The Museum of Contemporary Art Los Angeles.</p><p><b>Noreen Masud </b>is a Lecturer in English Literature at the University of Bristol, and an AHRC/BBC New Generation Thinker. Her memoir-travelogue,<i> A Flat Place </i>(Hamish Hamilton [Penguin] and Melville House Press, 2023), was shortlisted for the Women's Prize for Non-Fiction, the<i> Sunday Times </i>Charlotte Aitken Trust Young Writer of the Year Award, the Jhalak Prize, the RSL Ondaatje Prize and the Books are my Bag Reader Awards.</p><p><b>Allison Miriam Smith</b> is a co-founder of Smith &amp; Taylor Classics. She is also an Acquiring Editor and Publishing &amp; Publicity Manager for Unnamed Press. She graduated with a Bachelor of Arts in English &amp; Creative Writing from the University of Southern California where she was an assistant curator for the USC Doheny Library George Cassady Lewis Carroll Special Collection. She later went on to earn a Masters in 18th &amp; 19th c. Literature from the University of Edinburgh, Scotland, working nights at the library. Before Unnamed Press, she was a bookseller at Skylight Books in Los Angeles, CA.</p><p><b>Brandon Taylor </b>is the author of the novels<i> Minor Black Figures, The Late Americans</i> and <i>Real Life</i>, which was shortlisted for the Booker Prize and the National Book Critics Circle John Leonard Prize, and named a<i> New York Times </i>Book Review Editors' Choice and a Science + Literature Selected Title by the National Book Foundation. His collection<i> Filthy Animals</i>, a national bestseller, was awarded The Story Prize and shortlisted for the Dylan Thomas Prize. He is the 2022-2023 Mary Ellen von der Heyden Fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers. He is an Acquiring Editor at Unnamed Press and co-founder of Smith &amp; Taylor Classics. He lives in NYC.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>My visions were of shipwreck and famine; of death or captivity among barbarian hordes; of a lifetime dragged out in sorrow and tears, upon some gray and desolate rock, in an ocean unapproachable and unknown.</i></p><p>In his only novel, <i>The Narrative of Arthur Gordon Pym of Nantucket</i> (1838), Edgar Allan Poe carries his knack for the mysterious and macabre, spilt blood and cryptic messages onto the South Seas. Aboard a whaling ship, stowaway Pym will endure starvation, cannibalism, whirlpools, mad dogs and premature burials on a journey toward the frozen expanse of Antarctica.</p><p>Published the year full emancipation was legalised by the UK's Slavery Abolition Act of 1833, <i>Arthur Gordon Pym</i> captures the relentless anxiety and violence of pre-Civil War American expansion. Allegorical, tragic, and based on real events, this adventure story went on to inspire many authors from Herman Melville and Jules Verne, to H. G. Wells and Vladmir Nabokov. This edition also includes accompanying selected letters, essays, and criticism from Poe himself.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Edgar Allan Poe </b>(1809-1849) was a Boston-born American writer, editor, poet, and literary critic  credited with pioneering the short story genre, inventing detective fiction, and contributing to the development of science fiction. Known primarily for his haunting poetry and short stories, Poe continues to stand as a central figure of Romanticism in American literature. He died in Baltimore under mysterious circumstances.</p><p><b>Nathan Wolff</b> is Associate Professor and Director of Graduate Studies in the English Department at Tufts University. He is the author of <i>Not Quite Hope and Other Political Emotions in the Gilded Age</i> (Oxford University Press, 2019), which provides a literary prehistory of today's emotional politics: the cynicism and exhaustion of democratic life in an age of inequality and corruption. His writing has appeared in <i>American Literary History, English Literary History, J19: The Journal of Nineteenth-Century Americanists, Leviathan: A Journal of Melville Studies</i>, and<i> The Washington Post.</i></p><p><b>Joseph Rezek</b> received his PhD in English from the University of California, Los Angeles, and his B. A. from Columbia University. His area of expertise is British and American literature from 1750 to 1850, and his research focuses on early Black Atlantic literature, transatlantic studies, and the history of race and racism. He teaches at Boston University.</p><p><b>Allison Miriam Smith</b> is a co-founder of Smith &amp; Taylor Classics. She is also an Acquiring Editor and Publishing &amp; Publicity Manager for Unnamed Press. She graduated with a Bachelor of Arts in English &amp; Creative Writing from the University of Southern California where she was an assistant curator for the USC Doheny Library George Cassady Lewis Carroll Special Collection. She later went on to earn a Masters in 18th &amp; 19th c. Literature from the University of Edinburgh, Scotland, working nights at the library. Before Unnamed Press, she was a bookseller at Skylight Books in Los Angeles, CA.</p><p><b>Brandon Taylor </b>is the author of the novels <i>Minor Black Figures, The Late Americans </i>and <i>Real Life,</i> which was shortlisted for the Booker Prize and the National Book Critics Circle John Leonard Prize, and named a <i>New York Times</i> <i>Book Review </i>Editors' Choice and a Science + Literature Selected Title by the National Book Foundation. His collection<i> Filthy Animals,</i> a national bestseller, was awarded The Story Prize and shortlisted for the Dylan Thomas Prize. He is the 2022-2023 Mary Ellen von der Heyden Fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers. He is an Acquiring Editor at Unnamed Press and co-founder of Smith &amp; Taylor Classics. He lives in NYC.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The Mexican board game of Lotera is a game of chance  similar to bingo. However, in Lotera instead of matching up numbers on a game board, players match up images.</p><p>There are 54 cards in the Lotera game, and for this short story collection you will find one unique story per card based on a Latin American myth, folklore, superstition, or belief  with a slant towards the paranormal and horrific. In this deck of cards you will find murderers, ghosts, goblins and ghouls. This collection features creatures and monsters, vampires, werewolves and more.</p><p>Many of these legends existed long before their European counterparts  passed throughout the Americas via word of mouth, collected just like the tales the Brothers Grimm. These are indeed fairy tales  Latin American fairy tales  but with a horrifying slant.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Cynthia Pelayo</b> is a Bram Stoker Award winning and International Latino Book Award winning author and poet. She writes fairy tales that blend genre and explore concepts of grief, mourning, and cycles of violence. She is the author of<i>Loteria</i>,<i>Santa Muerte</i>,<i>The Missing</i>,<i>Poems of My Night</i>,<i>Into the Forest and All the Way Through</i>,<i>Children of Chicago</i>,<i>Crime Scene</i>,<i>The Shoemaker's Magician</i>, as well as dozens of standalone short stories and poems.</p>]]></Text>
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			<SubjectHeadingText>Jhumpa Lahiri; autobiography; biographical fiction; brancati prize; domestic; experimental fiction; house; identity collage; if you kept a record of sins; italian fiction; italy; jhumpa lahiri; lo stsraniero prize; memory; memory house; memory palace; metafiction; premio campiello; premio strega; prizewinning fiction; recanati prize; super mondello prize; symbolic; transformation; translated; translation</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>From prizewinning Italian author Andrea Bajani: the secrets of a man and his country as seen through the eyes of the homes that have guarded them.</b></p><p><i>The Book of Homes</i> is the story of a man and his friendships, his upbringing, his discovery of sex and poetry, his detachment from a self-destructive family, and his liberation from the furniture that has followed him through 20 years of moves. His story jumps from home to home, upstairs to downstairs, each home a piece of the puzzle of his life. In its extraordinary, ambitious architecture, this novel brings to light all the stories hidden in the silence of domestic spaces.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Andrea Bajani</b> was born in Rome in 1975. He is the author of many award-winning novels, including, in English translation, <i>If You Kept A Record of Sins</i> (Archipelago, 2021) and <i>Every Promise</i> (Maclehose Press, 2013). He is currently a writer in residence at Rice University in Houston, Texas.</p><p><b>Elizabeth Harris</b> is a literary translator specializing in contemporary Italian fiction. She is the author of multiple award-winning full-length translations include works by Giulio Mozzi (Open Letter Books), Antonio Tabucchi (Archipelago Books) and Mario Rigoni Stern (Autumn Hill Books).</p>]]></Text>
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			<Text textformat="02"><![CDATA[In a darkening, post-COVID world, fearless investigative reporter Shona Sandison is seeking meaning  and her next big story. A secret contact inside the government has promised her something huge, but she has no idea of the danger she is in.Philip Miller's new mystery depicts the reality of the modern fight against a looming state oppression.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Shona Sandison might be about to get her biggest scoop yet  if she can make it to the end of the investigation alive.</p><p>In a darkening, post-COVID world, fearless investigative reporter Shona Sandison is seeking meaning  and her next big story. A secret contact inside the government has promised her something huge, but she has no idea of the danger she is in. Meanwhile, her old friend Hector Stricken has taken on a position in communications for a new state agency, where he stumbles across a sinister, top-secret project codenamed 'Grendel'. And on the Scottish coast, an ageing spy chief, living in seclusion, grieves his murdered son  and contemplates revenge.</p><p>Connecting them all is an insidious conspiracy within the UK's most powerful institutions, a rot so deep that the only way to cure it may be to cut it out  or burn the whole thing down.</p>]]></Text>
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			<SubjectHeadingText>Lorraine Hansberry; Sarah Schulman; anais nin; anna dorn; august clarke; dyke; erotica; grace byron; h.a. clarke; historical fiction; lesbian; lesbian crime fiction; lesbian erotica; lesbian pulp; lesbian romance; noir; pulp fiction; queer; queer pulp; queer romance</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A collection of reinvented queer pulp fiction by writers like Sarah Schulman and Lorraine Hansberry that's so edgy it draws blood.</b></p><p>Lesbian pulp fiction thrived in the oppressive 1950s, telling subversive stories of lonely sapphic women who find connection, passion, and revenge. In<i>The New Lesbian Pulp</i>, editors Sarah Fonseca and Octavia Saenz revive the genre for today, layering nuance into classic tropes while dialing up the melodrama, romantic peril, and collateral damage.</p><p>In these pages  which pair revived classics from Lorraine Hansberry and Alice Dunbar Nelson with new stories from Sarah Schulman, Grace Byron, Shamim Sharif, and more  vigilante lesbians gather roadkill for revenge, a woman and her former high school bully hook up and commit murder, Brooklyn witches cruise kink parties for human sacrifice, and a sinister kidnapping goes horribly wrong (or horribly right).</p><p>Here, gathered just for you, are some of today's best lesbian pulp stories. Don't be afraid. Pick them up.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sarah Fonseca </b>is a writer, editor, and film programmer based in New York City who has dispatched from Cannes, New York Film Festival, and Sundance. With one eye on queer cinema history and the other on its future potential, Sarah has contributed a volume of interviews, reviews, and critical essays to LGBT and mainstream film publications including Conde Nast's them, <i>The Advocate, Film Comment</i>, and Museum of the Moving Image's <i>Reverse Shot. </i>She has also published short fiction with<i>Evergreen Review,Bosie Magazine</i>,Cleis Press, and <i>Math Magazine</i>. Currently, Sarah is pursuing graduate studies in history at The City College of New York and printed matter studies at UCLA's California Rare Book School. Find her at @sontagians and sarahfonseca.com.</p><p><b>Octavia Saenz</b> (she/they) is an editor and cartoonist based in El Paso, TX. She creates speculative fiction and visual narratives about queer life and temporality. Octavia grew up in Puerto Rico and has a BFA in Creative Writing and Illustration from Ringling College, as well as a Lambda Fellowship. Find her on Twitter and Instagram @shrimpwonder.</p><p><b>Trish Bendix</b> is a GLAAD-nominated writer and regular contributor to the <i>New York Times</i>. Her book <i>Sappho Was a Pop Star</i> is forthcoming from St. Martin's Press in 2027.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This groundbreaking anthology brings together one hundred deaf, disabled and neurodivergent poets from across the international arena, from emerging voices to world-renowned authors, and offers an urgent redress, unpicking many misapprehensions and misrepresentations.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This groundbreaking anthology brings together one hundred deaf, disabled and neurodivergent poets from across the international arena, from emerging voices to world-renowned authors, and offers an urgent redress, unpicking many misapprehensions and misrepresentations.</b></p><p>The word versus means one thing pitched against another. To be versus versus, therefore, is a paradox, but paradox can be helpful  it can open a space for deeper thought. This anthology aims to be such a space.Here, the reader will encounter poems of love and pain, self-care and companionship; poems which challenge cultural, medical and political agendas and policies. There are war poems, poems as acts of witness and solidarity, poems which address the impacts of the climate emergency. There are humorous poems, nature poems, and much more. The selection also draws together poetry in a wide variety of styles and forms, and from different traditions, such as haiku, renga, sonnet, villanelle, prose poem, performance poem, and sign language. Building on the work of decades of disability justice advocacy, Versus Versus offers a poetry of assertiveness and immense vitality.</p><p>The anthology draws upon a wide range of voices from across the globe, including many indigenous poets and poets of color. Writer based in the US include:Agha Shahid Ali,Threa Almontaser, Kay Ulanday Barrett, John Lee Clarke, Meg Day, Kwame Dawes, Anita Endrezze, Megan Fernandes, torrin a. greathouse, Ona Gritz, Stephanie Heit, Linda Hogan, Cynthia Huntington, Rachael Johnson, Cyree Jarelle Johnson, I.S. Jones,Fady Joudah, Ilya Kaminsky,Tsipi Keller,Jane Kenyon, Petra Kuppers, Stephen Kuusisto, Adrienne Leddy, Ada Limn,Ibtihal Rida Mahmood,Airea D. Matthews, Lateef McLeod, Erica Mena, Leroy F. Moore Jr., Naomi Ortiz, Saleem Hue Penny, Lucia Perillo, Leah Lakshmi Piepzna-Samarasinha and heidi andrea restrepo rhodes.</p><p>This anthology was prepared with the help of an Advocacy and Advisory Panel: grateful thanks to Karthika Nar, Chisom Okafor and Daniel Sluman. Many thanks to the Royal Society of Literature and to the judges of the 2023 Literature Matters Awards for selecting this anthology as one of the winning entries.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rachael Boast</b> is a British writer, editor and disability advocate, navigating Ichthyosis and related conditions. She has published four collections of poetry with <i>Picador, Sidereal</i> (2011),<i> Pilgrim's Flower </i>(2013), <i>Void Studies </i>(2016) and <i>Hotel Raphael </i>(2021). Her poems have been anthologised in <i>Stairs and Whispers: D/deaf and Disabled Poets Write Back </i>(Nine Arches, 2017), <i>Staying Human</i> (Bloodaxe Books, 2020) and <i>100 Poems to Save the Earth</i> (Seren, 2021). She co-edited <i>The Echoing Gallery: Bristol Poets and Art in the City </i>(Redcliffe Press, 2013) and<i> The Caught Habits of Language: An Entertainment for W.S. Graham for Him Having Reached One Hundred </i>(Donut Press, 2018). She is a Fellow of the Royal Society of Literature.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>A dark and funny short story collection that reveals poignant truths about queer chosen family</i></b></p><p>A lesbian mother feels out of place taking her daughter to a princess party; a gay couple turns to unconventional means to create their baby; a grieving man winds up on a date with a centaur; an agoraphobic must make an impossible choice before time runs out. This is the unnerving world of <i>Runs in the Blood</i>, Matthew J. Trafford's story collection, and it pulses with humour, anxiety, and profound disquiet.</p><p>Darkly satirical and unflinchingly human, the stories of <i>Runs in the Blood</i> unsettle our notions of family, whether biological or chosen. Careening through the space beyond nature versus nurture, its characters  betrayed, wounded, unequipped  wrangle with their own worst instincts and the grotesqueries of the modern world, attempting to create families worth holding on to and to protect the children they love.</p><p>Delightful and disarming, odd and audacious, <i>Runs in the Blood</i> reveals the work of a bold and fearless writer.</p><p><b>'What I love about </b><b><i>Runs in the Blood</i></b><b>  aside from Trafford's masterful writing  is the way the stories unravel to reveal such tenderness, horror, and heartbreak. I've never read a collection of stories with this unique focus on families. This book and these characters feel like a revelation.'  Brian Francis, author of </b><b><i>Fruit</i></b></p><p><b>'</b><b><i>Runs in the Blood</i></b><b> is a collection of stories that traces the lines of our darkest thoughts with intimate care. I found myself drawn to each complex and complicated character, whether beast or human, yearning to know more, ferociously consuming every single story.'  Daniel Zomparelli, co-editor of</b><b><i> Queer Little Nightmares</i></b></p><p><b>'Trafford's stories are intimate and imaginative, written with a blend of delicate observation and a ruthless curiosity about the origins and outcomes of desire. </b><b><i>Runs in the Blood</i></b><b> is full of passion, secrets, the tenderness and agonies of love, and an often disturbing vitality.'  Naben Ruthnum, author of </b><b><i>Helpmeet</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Matthew J. Trafford</b> (he/him) holds an MFA in creative writing from the University of British Columbia. His first collection of stories, <i>The Divinity Gene</i> (Douglas &amp; McIntyre), garnered critical acclaim in the US and Canada. He continues to write and teach fiction and has recently developed a fibre arts practice, knitting and designing knitwear as Fairy Godfather Knits. He lives in Toronto, Canada. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A tender debut poetry collection that examines the queer, sick body as a reaction to an ill world and asks it how to move on toward hope.</p><p>Jason Purcell's debut collection of poems rests at the intersection of queerness and illness, staking a place for the queer body that has been made sick through living in this world. Part poetic experiment and part memoir, <i>Swollening</i> attempts to diagnose what has been undiagnosable, tracing an uneven path from a lifetime of swallowing bad feelings-homophobia in its external and internalized manifestations, heteronormativity, anxiety surrounding desire, aversion to sex-to a body in revolt.</p><p>In poems that speak using the grammar and logics of sickness, Purcell offers a dizzying collision of word and image that is the language of pain alongside the banality of living on. Beginning by reading his own life and body closely and slowly zooming out to read illness in the world, Purcell comes to ask: how might a sick, queer body forgive itself for a natural reaction to living in a sick world and go on toward hope? In <i>Swollening</i>, Purcell coughs up his own poetics of illness, his own aesthetics of pain, to form a tender collection that lands straight in the gut. </p>]]></Text>
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			<Text textformat="02"><![CDATA[Nina, a drifter from southern Spain, comes to London in search of experience, only to find that the strangest of stories is hiding in her father's loft inAlmera...]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nina, a drifter from southern Spain, comes to London in search of experience, only to find that the strangest of stories is hiding in her father's loft inAlmera...</b></p><p>A playfully concocted, fast-paced novel committed to the irresistible pleasure of reading, both a celebration and a critique of our relationship to objects (from fetishes, to curios, to commodities, to objectum sexuality, to our becoming cyborgs through our addiction to technology), Philosophical Toys travels through different times, countries and experiences as chance leads Nina to encounter time and again the enigmatic nature of things, which end up transforming her into that most rare of species: a female philosopher.</p><p>Witty and elegiac,<i> Philosophical Toys </i>takes the reader on a tour of fetishism, late capitalist culture, Buuel's films, psychoanalysis, Alzheimer's disease, as well as the avatars of belonging to two cultures, an experience increasingly shared by a myriad of expatriates.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Susana Medina</b>is the author of <i>Philosophical Toys</i>, the offspring of which are the short films<i> Buuel's Philosophical Toys</i> and <i>Leather-bound Stories</i> (co-directed with Derek Ogbourne); <i>Red Tales</i> (bilingual ed. co-translated with Rosie Marteau); <i>Souvenirs del Accidente</i>; and <i>Rebel Rebel: An Emergency Dialogue</i> (co-written with Roc Sandford). Her work has appeared in numerous publications and anthologies, including <i>Best European Fiction2014</i> (Dalkey Archive Press). She has been awarded the Max Aub Short Story International Prize and an ACE Writing Grant for <i>Spinning Days of Night</i>. Medina has collaborated extensively with artists, exhibited at Tate Modern and is a climate activist.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Suicide</i></b><b> cannot be read as simply another novel </b> <b>it is, in a sense, the author's own oblique, public suicide note, a unique meditation on this most extreme of refusals.</b></p><p>Presenting itself as an investigation into the suicide of a close friend  perhaps real, perhaps fictional  more than twenty years earlier, Leve gives us, little by little, a striking portrait of a man, with all his talents and flaws, who chose to reject his life, and all the people who loved him, in favor of oblivion. Gradually, through Leve's casually obsessive, pointillist, beautiful ruminations, we come to know a stoic, sensible, thoughtful man who bears more than a slight psychological resemblance to Leve himself. But <i>Suicide</i> is more than just a compendium of memories of an old friend; it is a near-exhaustive catalog of the ramifications and effects of the act of suicide, and a unique and melancholy farewell to life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>douard Leve</b>(1965-2008), born in Neuilly-sur-Seine, was a writer, photographer, and visual artist. Leve was the author of four books of writing  <i>Oeuvres</i>,<i>Journal</i>,<i>Autoportrait</i>, and<i>Suicide</i>  as well asthree books of photography.</p><p><b>Jan Steyn</b> is Associate Professor and the Director of the MFA in Literary Translation at the University of Iowa.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Andrew Dennis Biersack </b>is the singer of Black Veil Brides and performs as a solo artist under the name Andy Black. He's acted in both film and television, conceived the graphic novel<i> The Ghost of Ohio</i>, and co-created <i>The Andy Show</i> podcast. Andy has appeared on the covers of tastemaker rock music publications like<i> Kerrang!, Alternative Press, Rock Sound,</i> and <i>Revolver </i>and shares content with millions of followers across social media. He was the host and head writer of the 2017 Journeys Alternative Press Music Awards. His memoir, <i>They Don't Need to Understand: Stories of Hope, Fear, Family, Life</i>, <i>and Never Giving In</i>, was released in 2020. He lives in Southern California with his wife, singer Juliet Simms, and their three pets.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>L. Frank Baum</b> (18561919) was an American author born in Chittenango, New York. At fifteen, Baum's father bought him a small printing press, on which he and his brother produced their own newspaper, <i>The Rose Lawn Home Journal</i>. By his late teens, Baum had developed an interest in theater and was made the manager of his father's opera houses. Throughout his career, Baum wrote more than eighty novels for children. He is best known for <i>The Wonderful Wizard of Oz</i> and its many sequels.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Davitt Awards 2025, Adult novels**</b></p><p>An exhilarating and unforgettable love song for our world. Heartbroken and in fear for his life, corporate whistle blower, Jagger Eckerman, escapes to hide out in a remote cave, but kick-arse radical, Nia Moretti, is furious a 'capitalist suit' has taken over her cave. It is hatred at first sight.</p><p>Yet Nia is hiding for reasons of her own, ones that drag Jagger closer to death as they are forced on the run together and he is unwittingly pulled deeper into Nia's reckless mission to help save the planet. But who can save Jagger from the relentless pursuit of the man who wants him dead?</p><p>Both an electrifying cat-and-mouse-chase and an odd couple love story, <i>The Rewilding</i> captures the essence of what it means to be alive today in this cusp of change pulsing with possibilities<i>.</i></p><p>It is a passionate intimation of hope.</p><p></p><p><b>'A breathless chase thriller with a warm ecological heart.' - Inga Simpson, author of</b> <b><i>The Last Woman in the World</i></b></p><p><b>'Fiction at its rebellious, fast-paced best with hope as its touchstone, making</b> <b><i>The Rewilding</i></b><b> an urgent novel for our times.' - Sally Piper, author of</b> <b><i>Bone Memories</i></b></p><p><b>'A genre-bending page-turner from an author of the highest calibre: Cameron's writing is rich, evocative and comes straight from the heart</b><b><i>.'</i></b><b>  Anna Downes, author of</b> <b><i>The Safe Place</i></b> </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Ned Kelly Award for Best Debut Crime 2025**</b></p><p>Set between the Blue Mountains and a Sydney hospital, Lisa Kenway's <i>All You Took From Me</i> is a thriller brimming with great characters and nail-biting tension.</p><p>Anaesthetist Clare Carpenter has just lost her husband and her memory in a single-vehicle accident. So why is a stranger following her? After questioning patients about their dreams, she becomes convinced that an anaesthetic drug might help her access missing memories. But there's no way to be certain without jeopardising her career or her life.</p><p>As unexplained threats escalate, Clare realises she must take matters into her own hands to learn the uncomfortable truth about her secretive husband, his connection to a mysterious club and what she did to trigger a stranger's crusade for vengeance. But how far will she go?</p><p><b>'Truly exciting. It's a rare treat to read a book that I am still thinking about long after the last page - the surprising reveals are both earned and satisfying. Readers are destined to fall in love with the ways Kenway brings such expertise and a unique perspective to the psychological thriller genre.' - Shelley Burr, author of</b> <b><i>Wake</i></b><b> and</b> <b><i>Ripper</i></b></p><p><b>'A taut psychological thriller with a driving plot,</b> <b><i>All You Took From Me</i></b><b> interrogates the limits of memory, both lost and recovered. From its compelling opening mystery, every page bristles with threat and intrigue.' - Ashley Kalagian Blunt, bestselling author of</b> <b><i>Dark Mode</i></b></p><p><b>'Kenway brings an exciting level of insider authenticity to this simmering drama about an anaesthetist struggling to make sense of a life unspooling in the aftermath of a tragic accident. Tense, twisty and unique, this is an unforgettable debut.' - Anna Downes, author of</b> <b><i>The Safe Place</i></b><b> and</b> <b><i>Red River Road</i></b></p><p><b>'I found myself first pulled in by the prose - Kenway writes like a dream - but soon I was consumed by the mystery at the heart of the story  the question of where we go and what happens to us under the narcotic oblivion of anaesthesia. Charged with menace and paranoia, this is a masterfully plotted psychological thriller.' - J. P. Pomare, author of</b> <b><i>In</i></b> <b><i>The Clearing</i></b> <b>and</b> <b><i>17 Years Later</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Leah Kaminsky</b>, a family physician and award-winning poet and novelist, is the author of twelve books. <i>Disorders of the Blood</i> is her third poetry collection. Her latest novel <i>Doll's Eye</i> was released in 2023 (Vintage). Her debut novel <i>The Waiting Room</i> won the Voss Literary Prize and was shortlisted for the Helen Asher Award. <i>The Hollow Bones</i> won the 2019 International Book Awards in both Historical Fiction &amp; Literary Fiction categories. Her poetry collection <i>Stitching Things Together</i> was highly commended in the Anne Elder and IP Picks Awards. She is the former Poetry &amp; Fiction Editor of the Medical Journal of Australia. She has been the recipient of the Eleanor Dark Flagship fellowship, Cove Park fellowship (Scotland), McCraith fellowship, Bundanon fellowship, and has published essays, poetry and fiction internationally. She holds an MFA in Creative Writing from Vermont College of Fine Arts (USA) and a BA in Literature from Deakin University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A moving testament to the displacement and dispossession of the Palestinian people.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Mary Gilmore Award 2025**</b></p><p><b>**Winner, NSW Literary Awards 2025, Kenneth Slessor Prize for Poetry**</b></p><p><b>**Shortlisted, Prime Minister's Literary Awards 2025, Poetry**</b></p><p><b>**Shortlisted, NSW Literary Awards 2025, Glenda Adams Award for New Writing**</b></p><p><b>**Shortlisted, Victorian Premier's Literary Awards 2025, Poetry**</b></p><p><b>A moving testament to the displacement and dispossession of the Palestinian people.</b></p><p><i>rock flight</i> is a book-length poem that, over five chapters, follows a personal and historical narrative, to compose an understated yet powerful allegory of Palestine's occupation. The poem uses refrains of suffocation, rubble, and migratory bird patterns to address the realities of forced displacement, economic restrictions and surveillance technology that Palestinians face both within and outside Palestine. It depicts a restlessness brought about by dispossession, and a determination to find significance in fleeting objects and fragments. It looks to the literary form as an interactive experience, and the book as an object in flux, inviting the reader to embark on an exploration of space, while limited by the box-like confines of the page. Formally claustrophobic, the poem morphs into irony, declaring everything a box while refusing to exist within one.</p><p><b>'Here is a poetry of passion; a poetry of necessity; a poetry of survival, and a poetry-triumphant.'  Maxine Beneba Clarke</b></p><p><b>'</b><b><i>rock flight</i></b><b> is a work of timelessness, rigour, precision, relationality and guts  just like its poet. A must-read for all of us who yearn and stretch and reach for a world beyond colonies, and an even more urgent read for those who don't.'  Alison Whittaker</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Hasib Hourani</b> is a Lebanese-Palestinian writer, editor, arts worker and educator living in Warrane-Sydney. His work has been published in <i>Meanjin</i>, <i>Overland</i>, <i>Australian Poetry</i> and <i>Cordite</i>, among others. He is a 2020 recipient of The Wheeler Centre's Next Chapter Scheme and his 2021 essay, 'when we blink' was shortlisted for The LIMINAL &amp; Pantera Press Nonfiction prize and published in their 2022 anthology, <i>Against Disappearance</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Strange things happen on the dark wintry nights of December. Welcome to a new collection of haunting Christmas tales, ranging from traditional Victorian chillers to weird and uncanny episodes by twentieth-century horror masters including Daphne du Maurier and Robert Aickman.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Martin Edwards is series consultant for British Library Crime Classics. He is an award-winning crime writer; Chair of the Crime Writers' Association and President of the Detection Club. The Golden Age of Murder, his study of the Detection Club, was published in 2015 to international acclaim, and won the Edgar, Agatha, H.R.F. Keating and Macavity awards for the year's best book about the genre. The Story of Classic Crime in 100 Books was published by the British Library in 2017.</p>]]></Text>
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			<Text textformat="02"><![CDATA[From the troves of the British Library collections comes a new volume for Christmas nights-when the boundary between the mundane and the unearthly is ever so thin-ushering in a new throng of revenants, demons, spectres and shades drawn to the glow of the hearth.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>"But something odd does happen here at Christmas time. When I first heard the story, I thought it was an old wives' tale, but-well, these old houses-you hear strange things-" He lifted his shoulders and stared into the fire...</i></p><p>From the troves of the British Library collections comes a new volume for Christmas nights-when the boundary between the mundane and the unearthly is ever so thin-ushering in a new throng of revenants, demons, spectres and shades drawn to the glow of the hearth.</p><p>Included within are eighteen classic stories ranging from 1864 to 1974, with vintage Victorian chillers nestled alongside unsettling modern pieces from L. P. Hartley and Mildred Clingerman; lost tales from rare anthologies and periodicals; weird episodes from unexpected authors such as Winston Graham and D. H. Lawrence; stories simmering with a twisted humour from Elizabeth Bowen and Celia Fremlin and many more haunting seasonal treats. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>TANYA KIRK</b> is Lead Curator for the period 16011900. She co-curated the exhibition <i>Terror &amp; Wonder: The Gothic Imagination</i>, and has edited the Tales of the Weird collections <i>Spirits of the Season</i> (2018), <i>Chill Tidings</i> (2020) and (with Lucy Evans) <i>Sunless Solstice</i> (2021).</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book introduces readers to some of the finest Christmas detective stories of the past. Martin Edwards' selection blends festive pieces from much-loved authors with one or two stories which are likely to be unfamiliar even to diehard mystery fans]]></Text>
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			<Text textformat="02"><![CDATA[<p>Christmas is a mysterious, as well as magical, time of year. Strange things can happen, and this helps to explain the hallowed tradition of telling ghost stories around the fireside as the year draws to a close. Christmas tales of crime and detection have a similar appeal. When television becomes tiresome, and party games pall, the prospect of curling up in the warm with a good mystery is enticing - and much better for the digestion than yet another helping of plum pudding. Crime writers are just as susceptible as readers to the countless attractions of Christmas. Over the years, many distinguished practitioners of the genre have given one or more of their stories a Yuletide setting. The most memorable Christmas mysteries blend a lively storyline with an atmospheric evocation of the season. Getting the mixture right is much harder than it looks.This book introduces readers to some of the finest Christmas detective stories of the past. Martin Edwards' selection blends festive pieces from much-loved authors with one or two stories which are likely to be unfamiliar even to diehard mystery fans. The result is a collection of crime fiction to savour, whatever the season.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A Christmas party on a private Scottish island gets off to a bad start in the latest addition to the British Library Crime Classics. This theatrical Christmas murder, truly lost in the British Library collection, will provide entertainment throughout the festive season.]]></Text>
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			<Text textformat="02"><![CDATA[<p>She could imagine the headlines all too well...</p><p>DEATH ON POSSETT ISLAND</p><p>Well-known Playwright Found Dead on Christmas Tree.</p><p>Dimpson McCabe - Dimpsie - has invited all of his closest friends of the theatre world to join him for Christmas at his castle on a private island some hours' drive from Edinburgh. The festivities have barely had a chance to begin when poor Dimpsie is found draped atop the Christmas tree, electrocuted by the lights with which it is festooned.</p><p>The Sherriff's Court yields a verdict of Accidental Death, but in the swirling snow suspicion is dancing among the flakes. Through Dimpsie's cadre of directors, producers, actors and agents runs a hot streak of hidden grievances and theatrical scheming, and as the group return to London the dogged Inspector Smith begins to circle, seeking to find the leading man or prima donna responsible for this ghoulish crime.</p><p>First published in 1948 and lost for over 75 years, this lost Christmas novel returns to bedazzle a fresh audience of mystery-lovers.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Elizabeth Anthony was the pen name of Barbara Rubien, nee Courlander (19061996), an author, pianist and composer who wrote two classic crime novels: Dramatic Murder (1948) and Made for Murder (1950). While Barbara's sister Nancy Courlander  who wrote as Shelley Smith  remains famous today, the Elizabeth Anthony books have been lost since their first publication  until now.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Crimson Snow brings together a dozen vintage crime stories set in winter]]></Text>
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			<Text textformat="02"><![CDATA[<p>Crimson Snow brings together a dozen vintage crime stories set in winter. Welcome to a world of Father Christmases behaving oddly, a famous fictional detective in a Yuletide drama, mysterious tracks in the snow----, and some very unpleasant carol singers. The mysterious events chronicled by a distinguished array of contributors in this volume frequently take place at Christmas. There's no denying that the supposed season of goodwill is a time of year that lends itself to detective fiction. On a cold night, it's tempting to curl up by the fireside with a good mystery. And more than that, claustrophobic house parties, when people may be cooped up with long-estranged relatives, can provide plenty of motives for murder.Including forgotten stories by great writers such as Margery Allingham, as well as classic tales by less familiar crime novelists, each story in this selection is introduced by the great expert on classic crime, Martin Edwards. The resulting volume is an entertaining and atmospheric compendium of wintry delights.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Martin Edwards is an award-winning crime writer best known for two series of novels set in Liverpool and the Lake District. He is series consultant for British Library Crime Classics and the editor of five previous anthologies in the series, as well as being Vice Chair of the Crime Writers' Association, and President of the Detection Club. The Golden Age of Murder, his study of the Detection Club, was published in 2015.</p>]]></Text>
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			<SubjectHeadingText>holidays; Golden Age; mystery; murder; thriller; festive; Santa Claus; poison; crime</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[First published in 1944, Murder After Christmas is a lively riot of murder, mince pies and misdirection, cleverly twisting the tropes of Golden Age detective fiction to create a pacey, light-hearted package admirably suited for the holiday season.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>"A war's on and a murder has been committed-and we sit here talking nonsense about almond whirls and mince pies!"</i></p><p>Good old Uncle Willie-rich, truculent and seemingly propped up by his fierce willpower alone-has come to stay with the Redpaths for the holidays. It is just their luck for him to be found dead in the snow on Boxing Day morning, dressed in his Santa Claus costume and seemingly poisoned by something in the Christmas confectionery. As the police flock to the house, Willie's descendants, past lovers and distant relatives are drawn into a perplexing investigation to find out how the old man met his fate, and who stands to gain by such an unseasonable crime. </p><p>First published in 1944, <i>Murder After Christmas</i> is a lively riot of murder, mince pies and misdirection, cleverly twisting the tropes of Golden Age detective fiction to create a pacey, light-hearted package admirably suited for the holiday season.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>RUPERT LATIMER was the pen name used by Algernon Victor Mills (19051953), an English author who wrote a handful of novels following his career as a stage actor. Though his books received favourable reviews, the author's declining health curtailed his work and his name faded from the limelight. Now, over seventy years since the first publication of Murder After Christmas, Rupert Latimer is due his rediscovery.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Aunt Mildred declared that no good could come of the Melbury family Christmas gatherings at their country residence Flaxmere. So when Sir Osmond Melbury, the family patriarch, is discovered - by a guest dressed as Santa Klaus - with a bullet in his head on Christmas Day, the festivities are plunged into chaos.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Aunt Mildred declared that no good could come of the Melbury family Christmas gatherings at their country residence Flaxmere. So when Sir Osmond Melbury, the family patriarch, is discovered - by a guest dressed as Santa Klaus - with a bullet in his head on Christmas Day, the festivities are plunged into chaos. Nearly every member of the party stands to reap some sort of benefit from Sir Osmond's death, but Santa Klaus, the one person who seems to have every opportunity to fire the shot, has no apparent motive. Various members of the family have their private suspicions about the identity of the murderer, and the Chief Constable of Haulmshire, who begins his investigations by saying that he knows the family too well and that is his difficulty, wishes before long that he understood them better. In the midst of mistrust, suspicion and hatred, it emerges that there was not one Santa Klaus, but two. The Santa Klaus Murder is a classic country-house mystery that is now being made available to readers for the first time since its original publication in 1936.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>M. Doriel Hay (1894-1979) was a novelist of the golden age of British crime fiction. Her three detective novels were published in the 1930s and are now rare and highly collectable books. She was an expert on rural handicraft and wrote several books on the subject.</p>]]></Text>
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			<Text textformat="02"><![CDATA[To all outside appearances, Edna Pontellier is a respectable married woman, but one lazy summer vacation and an apparently harmless infatuation will push Edna beyond this quiet, settled life, placing her directly at odds with society's expectations of what a woman should be.]]></Text>
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			<Text textformat="02"><![CDATA[The Age of Innocencebegins with Newland Archer  gentleman-lawyer and scion of one of New York's most privileged families  anticipating his marriage to the gentle, lovely, and equally privileged May Welland.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The Pulitzer Prize-winning novel about love and the constraints of privilege, and the basis for Martin Scorsese&amp;#x27;s outstanding, award-winning 1993 adaptation, now freshly repackaged for the Union Square &amp; Co. </b><b><i>Signature Classics</i></b><b> Line.</b></p><p><i>The Age of Innocence</i>begins with Newland Archer  gentleman-lawyer and scion of one of New York&amp;#x27;s most privileged families  anticipating his marriage to the gentle, lovely, and equally privileged May Welland. But when Newland meets May&amp;#x27;s cousin, the beautiful and scandal-ridden Countess Ellen Olenska, he begins to doubt his choice of bride and his place within the shallow, gilded cage of society life. If the Countess Olenska can dare to leave her disastrous marriage, can defy the unspoken, iron-clad rules that have shaped her life  what freedoms are possible for him? And what does true innocence look like in a world strangled by hollow custom, trivial squabbles, and the appearance of goodness?<i>The Age of Innocence</i>is one of Edith Wharton&amp;#x27;s greatest novels and a true classic that continues to inspire and transfix readers today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Edith Wharton</b>(1862-1937) won the Pulitzer Prize for<i>The Age of Innocence</i>, making her the first female recipient of the award. Wharton was born into a life of wealth and privilege in the upper echelons of New York society. Her knowledge of this &amp;#x27;old money&amp;#x27; world formed the backdrop of her best-known novels,<i>The House of Mirth</i>(1905),<i>The Custom of the Country</i>(1913), and<i>The Age of Innocence</i>(1920). Wharton lived out her final years in Europe.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The Graveyard Girls navigate an evil smart home, public humiliation, and turbulent middle school friendships in this consuming fourth installment by</b><b><i>New York Times</i></b><b>bestselling authors Lisi Harrison and Daniel Kraus.</b></p><p>The Graveyard Girls are back together but they've never felt further apart.The excitement offindingSilas Hoke's bones quickly fadesas tension between the five friends threatens the future of their beloved club.</p><p>Frannie secretly struggles with life-changing news and unexpected Internet fame.Sophie betrays her bestie to get ahead.Gemma's plan to win Zuzu's love backfires.Whisper can't balance her new friendship with Paisley, her old one with the Graveyard Girls, and her latest crush.And Zuzu's Spirit Squad summons herto find out<i>what</i>  or<i>who</i>  has possessedFrannie's new 'smart' house.</p><p>Can the fighting friends put their differences aside and banish the evil force threatening Frannie's home? Or will their club  and lives  be gone for good?</p><p><b>Fans of author Lisi Harrison's</b> <b><i>Monster High</i></b><b> books and Daniel Kraus's</b><b><i>Trollhunters</i></b><b>will devour this clownishly creepy installment in the</b> <b><i>Graveyard Girls</i></b><b> series. Young readers looking for scary stories for kids ages 8 to 12 will delight in this frightfully fun mystery series.</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lisi Harrison</b>has written forty YA and middle grade novels including the #1<i>New York Times</i>bestselling series The Clique, which has sold more than eight million copies, and the Monster High series. In 2021, Harrison launched two new middle grade book series, Girl Stuff and The Pack. Lisi lives in California, and in addition to her work as an author, she is the cofounder of House of Thrive, a wellness center that teaches tweens, teens, and parents how to have healthy, drama-free friendships. Visit her at lisiharrison.com or Thrive@myhouseofthrive.com.<br/><br/><b>Daniel Kraus</b>is a<i>New York Times</i>bestselling writer and coauthor of bothTrollhuntersandThe Shape of Waterwith Guillermo del Toro. Kraus has won a Scribe Award, the Bram Stoker Award, and two Odyssey Awards, and he has had his work named as a Library Guild selection, a YALSA Best Fiction for Young Adults recipient, and more. His work has been translated into more than twenty languages. Daniel lives in Chicago. Visit him at danielkraus.com.</p>]]></Text>
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			<Text textformat="02"><![CDATA[#1 New York Times bestselling authors Lisi Harrison and Daniel Kraus deliver a slightly scary, extremely addictive, contemporary middle-grade book series. This first installment of Graveyard Girls is part mystery book and part friendship story, centered around five young teen girls in for the fright of their lives.  Meet Whisper, Frannie, Sophie, Gemma, and Zuzu, five friends who tell eerie tales by night and navigate middle school drama by day. In Misery Falls, Oregon, it is the 100th anniversary of the electrocution of the town's most infamous killer, Silas Hoke, and the town is abuzz. When a mysterious text message leads the girls to the cemetery-where Silas Hoke is buried!-life can't get any creepier. Except, yes, it can, thanks to the surprise storyteller who meets them at the cemetery, inspires the first-ever meeting of the Graveyard Girls, and sets the stage for a terrifying tale from Whisper that they'll never forget. Book one in a five-book series, Graveyard Girls blends popular scary books for kids (think: Goosebumps) with strong teen girl characters into a fresh, genre-blending middle-grade series. For kids ages 912 in search of girl friendship stories and mystery books, you'll find horror and heartfelt relationships in 1-2-3-4, I Declare a Thumb War.  Hardcover with dust jacket; 256 pages; 5.5 x 8.3 in. Illustrations by Flavia Sorrentino.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 9 to 12</b></p><p><b>#1 </b><b><i>New York Times</i></b><b> bestselling authors Lisi Harrison and Daniel Kraus deliver a slightly scary, extremely addictive, contemporary middle-grade book series. This first installment of </b><b><i>Graveyard Girls</i></b><b> is part mystery book and part friendship story, centred around five young teen girls in for the fright of their lives.</b></p><p>Meet Whisper, Frannie, Sophie, Gemma, and Zuzu, five friends who tell eerie tales by night and navigate middle school drama by day. In Misery Falls, Oregon, it is the 100th anniversary of the electrocution of the town's most infamous killer, Silas Hoke, and the town is abuzz. When a mysterious text message leads the girls to the cemetery - where Silas Hoke is buried! - life can't get any creepier. Except, yes, it can, thanks to the surprise storyteller who meets them at the cemetery, inspires the first-ever meeting of the Graveyard Girls, and sets the stage for a terrifying tale from Whisper that they'll never forget.</p><p>Book one in a five-book series, <i>Graveyard Girls</i> blends popular scary books for kids (think: <i>Goosebumps</i>) with strong teen girl characters into a fresh, genre-blending middle-grade series. For kids ages 912 in search of girl friendship stories and mystery books, you'll find horror and heartfelt relationships in <i>1-2-3-4, I Declare a Thumb War</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[It's been a month since the Graveyard Girls-Gemma, Whisper, Sophie, Frannie, and Zuzu-discovered Silas Hoke's empty grave. A month, and no answers. That changes when messages from the other side start to creep up on the Graveyard Girls. Who is trying to reach them . . . and why?  Meanwhile, straight-A Sophie is spending way more time hanging out with "Danger Me" and way less time with the Graveyard Girls and her schoolwork. Will her scary story be enough to win back her pals, or will her picture-perfect life become the ultimate photo bomb?]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 8 to 12</b></p><p><b>The second entry in the slightly scary, extremely addictive contemporary middle-grade series from</b> <b><i>New York Times</i></b><b> bestselling authors Lisi Harrison and Daniel Kraus - perfect for fans of scary stories for kids, like R. L. Stine's Goosebumps, or books for preteens, like Ann M. Martin's The Babysitters Club.</b><br/><br/>It's been a month since the events of <i>1-2-3-4, I Declare a Thumb War</i>, when the Graveyard Girls - Gemma, Whisper, Sophie, Frannie, and Zuzu - discovered Silas Hoke's empty grave. A month, and no answers. That changes when messages from the other side start to creep up on the Graveyard Girls. Gemma's good-luck charm. The skull in Whisper's spilled milk. Sophie's vanishing phone. Frannie's theater curse. And Zuzu's possessed Jurnal. Who is trying to reach them...and why?<br/><br/>The good news: There might be one person with some answers. The bad news: She's a mortician...with a deadly secret.<br/><br/>Speaking of bad news, straight-A Sophie is quickly sliding down the scale to becoming a B-flat friend. She is spending <i>way</i> more time hanging out with &amp;#x27;Danger Me&amp;#x27; and <i>way</i> less time with the Graveyard Girls and her schoolwork. Will her scary story be enough to win back her pals, or will her picture-perfect life become the ultimate photo bomb?<br/><br/><b>Fans of author Lisi Harrison's</b><b><i> Monster High</i></b><b> books will enjoy this new entry in the Graveyard Girls series of mystery books for kids. Anyone looking for scary books for 10-year-old girls will find exactly what they need in this thrilling sequel to</b> <b><i>1-2-3-4, I Declare a Thumb War</i></b><b>.</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[Although the folklore of King Arthur and his Knights of the Round Table is centuries old, their spirited adventures continue to capture the hearts of young readers today. Camelot, Merlin, Morgana, the Holy Grail-all originating from Arthurian legend-have been widely adapted in media and modern fantasy world-building.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The heroic legends of King Arthur and his brave Knights of the Round Table is now available in an unabridged, paperback volume in Union Square and Co.'s </b><b><i>Signature Editions </i></b><b>series.</b></p><p>Although the folklore of King Arthur and his Knights of the Round Table is centuries old, their spirited adventures continue to capture the hearts of young readers today. Camelot, Merlin, Morgana, the Holy Grail  all originating from Arthurian legend  have been widely adapted in media and modern fantasy world-building.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Howard Pyle</b> (18531911) was an American author and illustrator. In 1900, he founded his own art school in Delaware, named the Howard Pyle School of Illustration Art. Some of his best-known works are <i>The Merry Adventures of Robin Hood</i> and <i>The Story of King Arthur and His Knights</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 3 to 6</b></p><p><i>Christmas is coming and Ayla wants a snowman just like in her book, but there is no snow to be found in her drought-stricken town, not even a drop of rain. Only bales of hay.</i></p><p><i>Ayla's Christmas Wish</i> is inspired by the small, south-west Victorian town of Tarrington, which runs a hay bale design competition each year. This book compares European Christmas traditions with the reality of a hot, dry Australian summer. Behind the story of Ayla wishing for a snowman, there is a town wishing for rain.</p><p>This story celebrates a community at Christmas-time, and highlights the importance and beauty of small-town resilience.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Pamela Jones</b> is a British-born Australian children's author, poet and podcast host. She co-hosts and edits the podcast Middle Grade Mavens for which she has interviewed some of the UK and Australia's most successful children's authors. Her poetry and short stories have appeared on the Australian Children's Poetry website and in <i>The School Magazine</i> and she has written for various publications about expat living, motherhood and home education. Pamela lives in Melbourne/Naarm with her family and far too many books and old ballet shoes. This is her debut book.</p><p><b>Lucia Masciullo</b> is an award-winning children's book illustrator born and bred in Livorno, Italy. She moved to Australia in 2007 and she now lives and works on the beautiful Gold Coast. Her last book with the National Library of Australia was <i>The Imagineer</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Age range 5+ The Tea and Sugar train only came once a week on aThursday. But the special Christmas train only came once a year. Today was Sunday. Four more days without sugar. Four more days until the Christmas train. Please,please be on time. Please don't be late.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 5+</b></p><p><b>*WINNER ABIA Small Publisher Children&amp;#x27;s Book of the Year*</b></p><p><b>*WINNER MAPDA Children&amp;#x27;s Book Design Award*</b></p><p><b>*SHORTLISTED CBCA Eve Pownall Award for Information Books*</b></p><p><b>*NOTABLE BOOK CBCA Picture Book*</b></p><p><b>*NOTABLE BOOK CBCA Younger Readers*</b></p><p><i>The Tea and Sugar train only came once a week on a Thursday. But the special Christmas train only came once a year.<br/>Today was Sunday.<br/>Four more days without sugar.<br/>Four more days until the Christmas train. Please, please be on time. Please don&amp;#x27;t be late.</i></p><p>For 81 years, from 1915 to 1996, the Tea and Sugar Train travelled from Port Augusta to Kalgoorlie once a week.It serviced the settlements along the Nullarbor Plain, a 1050-long rail link. It was a lifeline.There were no shops or services in these settlements. The train carried everything they needed-household goods, groceries, fruit and vegetables, a butcher&amp;#x27;s van, banking facilities and at one time even a theatrette car for showing films.The biggest excitement for the children was the first Thursday of December every year, when Father Christmas travelled the line. He distributed gifts to all the children on the way, including those of railway workers, those in isolated communities, and station kids.</p><p>Join Kathleen in the outback as she eagerly awaits the Christmas Tea and Sugar train. Will she meet Father Christmas? Will she receive a Christmas gift from him?A delightful, heart-warming story from the National Library of Australia that will intrigue, captivate and introduce readers to a slice of the past.Wonderful sensitive illustrations, including a beautiful double fold-out image showing the shops inside all the carriages.</p><p><b><br/></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>The Jungle Book</i></b><b>,one of the most famous children's books today, buoyed by multiple Disney film adaptations, is now available in an unabridged paperback edition including Rudyard Kipling's fantastical short story collection</b> <b><i>Just So Stories</i></b><b>.</b></p><p><i>This Children's Signature Classics</i> edition will include both <i>The Jungle Book</i> and <i>Just So Stories</i>, a thatwhimsically explores animals' origins, like how the zebra got its stripes. <i>The Jungle Book</i>'s story of survival, belonging, and growing up is perfect for young readers' libraries.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The Turn of the Screw, a novella written by Henry James in 1898, is perhaps one of the most widely read ghost stories in classrooms across the country. The story's ambiguity and characters' unreliability also mark the book as a work of impressionism, an important literary movement that's often left out of the children's literary "canon." While best-known for The Turn of the Screw, James wrote many ghost stories during his illustrious career. "The Romance of Certain Old Clothes" and "The Ghostly Rental" are two of those short stories included in this edition that young readers will enjoy reading, featuring accessible plots and writing.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Turn of the Screw</i>, a novella written by Henry James in 1898, is perhaps one of the most widely read ghost stories in classrooms across the country. The story's ambiguity and characters' unreliability also mark the book as a work of impressionism, an important literary movement that's often left out of the children's literary &amp;#x27;canon.&amp;#x27;</p><p>While best-known for <i>The Turn of the Screw,</i> James wrote many ghost stories during his illustrious career. &amp;#x27;The Romance of Certain Old Clothes&amp;#x27; and &amp;#x27;The Ghostly Rental&amp;#x27; are two of those short stories that young readers will enjoy reading, featuring relatively accessible plots and writing.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Henry James </b>(18431916) was born in New York City, but spent most of his adult life in England. As a modernist author, he was especially adept at exploring his characters' inner thoughts. James is well known for his ghost stories like <i>The Turn of the Screw</i> and transatlantic novels like <i>The Ambassadors</i> and <i>The Portrait of a Lady.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[When Mary Lennox begins living with her uncle in the English countryside, she feels bored and lonely. Before long, however, she discovers many mysteries hiding within the walls of the estate. What will it take for Mary to unearth these secrets?]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 8+</b></p><p><b>New friendships and new beginnings abound in</b> <b><i>The Secret Garden</i></b><b>, now available as an unabridged paperback edition for today's young readers.</b></p><p>When Mary Lennox begins living with her uncle in the English countryside, she feels bored and lonely. Before long, however, she discovers many mysteries hiding within the walls of the estate. What will it take for Mary to unearth these secrets?</p><p>This unabridged edition of the beloved twentieth-century classic is perfect for young readers' libraries.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Frances Eliza Hodgson Burnett</b> (18491924) was a British novelist and playwright. She is best known for the three children's novels <i>Little Lord Fauntleroy</i> (published in 188586), <i>A Little Princess</i> (1905), and <i>The Secret Garden</i> (1911).</p>]]></Text>
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			<Text textformat="02"><![CDATA[For most children, reading the fairy tales of the Brothers Grimm is an essential experience when growing up. Grimm's Fairy Tales collects some of the best-known fairy and folk tales set down by the Brothers Grimm, including "Sleeping Beauty," "Snow White and the Seven Dwarfs," "Little Red Riding Hood," "Hansel and Gretel," "The Frog-Prince," and "Rumpelstiltskin."]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jakob Ludwig Grimm</b> and <b>Wilhelm Karl Grimm</b> were born in Hanau, Germany, in 1785 and 1786, respectively. The brothers were part of a family of nine children who lived in the countryside. When the father died suddenly, the harsh circumstances the family endured greatly influenced the way the brothers Grimm eventually interpreted and wrote their tales. At the University of Marburg to study law, the brothers Grimm developed a love of folk poetry. Their first volume of fairy tales (from which this book takes its content), <i>Children's and Household Stories,</i> was published in 1812. A collection of stories told to them by peasants and villagers, it was created as a collaborative effort: Jakob did the research behind the stories, and Wilhelm crafted these stories for children.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Follow the exciting and whimsical adventures of Peter Rabbit and some of his most famousfeathery, furry, andfroggy friends!</p><p>This colossal volume features all four original stories featuring the famous bunny, including <i>The Tale of Peter Rabbit</i>, <i>The Tale of Benjamin Bunny</i>, <i>The Tale of Mr. Tod</i>, and <i>The Tale of the Flopsy Bunnies</i>as well as some of Potter&amp;#x27;s lesser-known, but equally-as-charmingyarns, including<i>The Tale of Tom Kitten</i>, <i>The Tale of Jemima Puddle-Duck</i>, <i>The Tale of Mr. Jeremy Fisher</i>, <i>The Tailor of Gloucester</i>, and <i>The Tale of Squirrel Nutkin.</i></p><p>The basis for countless television shows, films, and spin-offs,<i>Peter Rabbit</i> has been hailed as one of the bestselling stories of all time.The original story features a young rebellious rabbit who, despite his mother's wishes, enters the dangerous garden of Mr. McGregor to feast on its endless bounty. From there on out, he gets himself into all kinds of trouble and learns a valuable lesson.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Two Winnie the Pooh Classics in One Beautiful Box Set!</b> </p><p><b><i>Winnie the Pooh</i></b><b> (Book 1)</b></p><p><b>A fully revitalised editionof the 1926 classic, featuring full-colour versions ofthe original illustrations by E. H. Shepherd. A great gift for children and readers of any age!</b> </p><p><i>Winnie the Pooh</i>has enchanted readers of all ages for nearly one hundred years with its relatable, heartwarming adventures that follow the famously friendly and lovable teddy bear. In this classic collection, Winnie navigates the Hundred Acre Wood with Christopher Robin, Eeyore, Piglet, Owl, and Rabbit, learning the true meaning of friendship and the value of accepting everyone exactly as they are.</p><p>Now you can own the original 1926 classic by A. A. Milne with all of the illustrations fully colourised by Diego Jourdan Pereira, which bring new life to these time-honoured and beloved tales.</p><p>This beautiful edition is great for bedtime or any time, and is the perfect addition to any bookshelf for readers both young and old.</p><p><b><i>The House at Pooh Corner</i></b><b> (Book 2)</b></p><p><b>More Pooh stories! A fully revitalised editionof the 1928 classic sequel to</b> <b><i>Winnie the Pooh</i></b> <b>by A.A. Milne, with full-colour versions ofthe original illustrations by E.H. Shepherd.</b> </p><p><b>The first book in the series featuring the beloved character Tigger!</b></p><p><i>Winnie the Pooh</i>has enchanted readers of all ages for nearly one hundred years with its relatable, heartwarming adventures that follow the famously friendly and lovable teddy bear.</p><p>Now you can own the original 1928 classic with all of the E.H. Shepherd illustrations fully colourised by Diego Jourdan Pereira, which bring new life to these timeless and beloved tales.</p><p>In this classic sequel to the original book, Winnie navigates the Hundred Acre Wood with Christopher Robin, Eeyore, Piglet, Owl, Rabbit, and  for the first time in the series  Tigger! Together, in a multitude of classic tales, they learn the value of friendship and what it means to grow up.</p><p>This series of stories and poems can be read independently, but also feature a common coming-of-age theme and a nostalgia for childhood. Great for bedtime or any time, it is the perfect addition to any bookshelf for readers both young and old.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 7+</b></p><p><b>More Pooh stories! A fully revitalised editionof the 1928 classic sequel to</b> <b><i>Winnie the Pooh</i></b><b> by A.A. Milne, with full-colour versions ofthe original illustrations by E.H. Shepherd.</b></p><p><b>The first book in the series featuring the beloved character Tigger!</b></p><p><i>Winnie the Pooh</i>has enchanted readers of all ages for nearly one hundred years with its relatable, heartwarming adventures that follow the famously friendly and lovable teddy bear.</p><p>Now you can own the original 1928 classic with all of the E.H. Shepherd illustrations fully colourised by Diego Jourdan Pereira, which bring new life to these timeless and beloved tales.</p><p>In this classic sequel to the original book, Winnie navigates the Hundred Acre Wood with Christopher Robin, Eeyore, Piglet, Owl, Rabbit, and - for the first time in the series - Tigger! Together, in a multitude of classic tales, they learn the value of friendship and what it means to grow up.</p><p>This series of stories and poems can be read independently, but also feature a common coming-of-age theme and a nostalgia for childhood. Great for bedtime or any time, it is the perfect addition to any bookshelf for readers both young and old.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A. A. Milne</b> was an English author, poet, and essayist. Throughout his career, he wrote more than ten books, numerous essays and articles, as well as a few short story collections, most notably the Winnie the Pooh series, which was inspired by his son Christopher Robin Milne&amp;#x27;s stuffed animals. Milne passed away in January of 1956.<br/><br/><b>E. H. Shepard</b> was a prolific English artist and book illustrator, most well known for his work in <i>Winnie the Pooh</i> and <i>Aesop&amp;#x27;s Fables</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book provides the first detailed summary of the biology of the genus Lampropholis, also known as Garden Skinks, Grass Skinks, Litter Skinks, Penny Lizards, and Sunskinks.]]></Text>
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			<Text textformat="02"><![CDATA[<p>This book provides the first detailed summary of the biology of the genus <i>Lampropholis</i>, also known as Garden Skinks, Grass Skinks, Litter Skinks, Penny Lizards, and Sunskinks.</p><p>This genus, an Australian endemic, includes two common, widespread species (one of which has been inadvertently introduced into Hawaii, New Zealand, and Lord Howe Island) and a group of satellite species with restricted geographic distributions. Much information about these lizards resides in obscure articles and unpublished theses. This book integrates those scattered data, providing the first comprehensive account of all aspects of the biology of the genus, including its life history, distribution, dispersal, ecology, behaviour, thermal biology, physiology, diet, predators, parasites and diseases, population biology, genetics, threats and conservation, taxonomy, phylogeny, and evolution.</p><p>This volume is essential reading for biologists in general and especially herpetologists, conservationists, naturalists, park rangers, managers of natural resources and wildlife, policy-makers involved with conservation, and anyone with an interest in Australian wildlife.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Shelley Burgin</b> is an Emeritus Professor at the University of Western Sydney, New South Wales (NSW), Australia. In the mid-1970s, as a mature-aged student, she undertook an undergraduate degree in Environmental Studies at Griffith University, Queensland. Her Masters thesis (University of Papua New Guinea) focused on crocodiles and her PhD thesis (Macquarie University) was on the taxonomic and phylogenetic relationships of <i>Lampropholis</i>. In 2001, she was inducted as a Fellow of the Royal Zoological Society of NSW and in 2018 as a Member (General Division) of the Order of Australia. She has in excess of 200 publications.</p><p><b>Harold Heatwole</b> is Adjunct Professor at the University of New England, NSW, Australia, and Professor Emeritus at North Carolina State University, USA. He has four doctorates and 376 scientific publications to his credit and edited <i>Ecology in Australia</i> (7 volumes) and <i>Amphibian Biology</i> (13 volumes). He was President of the Great Barrier Reef Committee (19801982), Foundation President of the Australian Coral Reef Society (19821983), and Editor-in-Chief of <i>Integrative and Comparative Biology</i> (20102014).</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book explores the migration of Greeks from the island of Ikaria to South Australia between 1900 and 1945. This little-researched diaspora is examined alongside the key themes of emigration, settlement, community building and integration.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Examines the little-known Ikarian Greek diaspora, focusing on Ikarians' emigration, settlement, community.</b></p><p>This scholarly monograph looks at a little-researched diaspora, originating on the Greek Aegean Island of Ikaria. Ikaria itself is a small, isolated island, close to the Turkish coast. It has had a long and independent history, with periods of autonomy and self-rule, including the short-lived Free State of Ikaria in 1912, which was the outcome of the Ikarian Revolution against the Ottoman Empire. Ikarians themselves remained quite insular until the nineteenth century, when they began emigrating. Ottoman port-cities and urban centres, as well as nearby Aegean islands, received the first Ikarian emigrants.</p><p>Eventually, Ikarians found themselves in growing hubs of migration such as Egypt and the United States. By 1910, the first Ikarians had arrived in Port Pirie, South Australia, beginning a long tradition of Ikarian migration and settlement in the state. This book explores the Ikarians in South Australia between 1900 and 1945  an under-researched period, and a contrast from most studies on Greeks in Australia, which have focused heavily on the mass migration post-World War II and post-Greek Civil War. This also leaves a gap for a later study on Ikarians in South Australia beyond 1945. The book positions itself around four key themes: emigration, settlement, community building and integration, with ideas such as localism and identity being explored as facets within those themes.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>In solidarity, under suspicion</i></b><b> is the successor volume to </b><b><i>Against the grain</i></b><b> (2014) and </b><b><i>Waiting for the revolution</i></b><b> (2017), complementing analysis of the far left in Britain from 1956 until the present. In addition to new scholarship on hitherto under-researched groups and movements, the volume explores recent findings from the Undercover Policing Inquiry and provides historical context for developments in the British left during and after 'Corbynism'. </b>Chapters consider the far left's relationship to the state as well as to the Labour Party, and highlights attempts by far-left groups and activists both to intervene internationally and to transform themselves. With a range of different perspectives  activist and academic  In solidarity, under suspicion draws out the distinct ways that different far left groups and movements have responded to problems which remain salient today.</p>]]></Text>
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			<SubjectHeadingText>YouTube; affect; audiovisual translation; digital media culture; self-mediation; subtitling</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The main aim of this book is to contribute to theorising audiovisual translation in today's digital media culture as a means of self-expression and community building. An increasing number of people are participating in producing, consuming and disseminating media content among like-minded others in pursuit of their individual interests and agendas, as part of the so-called phenomenon of 'self-mediation'.</b></p><p>In today's networked society, such self-mediation may contribute to boosting the digital diaspora, facilitating the exploration and negotiation of shared interests among individuals from different lingua-cultural backgrounds, and enabling the formation of communities of affinity. </p><p>This book is the first monograph that explores translation on YouTube as part of the self-mediation phenomenon. By drawing on key concepts in affect theory, this book examines how audiovisual translation contributes to shaping today's participatory digital media culture.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Seryun Lee</b> is a Lecturer in Korean Studies at the University of Sydney. She holds a PhD in Translation and Intercultural Studies from the University of Manchester and has previously held positions at Hankuk University of Foreign Studies and the University of Queensland. Her research interests centre on translation in digital media culture, online communication, contemporary screen culture, and Korean culture and society. Her research has been published in a number of international peer-reviewed journals in media and cultural studies, including the <i>International Journal of Cultural Studies</i>, <i>Social Media + Society</i> and <i>Continuum: Journal of Media &amp; Cultural Studies.</i> </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Political theory influenced by philosophy examines the political as the sphere of human interaction that is distinct from politics, the sphere of political institutions and parties. The political is usually described in conflictual terms, such as Marx's </b><b><i>class struggle</i></b><b>, Heidegger's </b><b><i>polemos</i></b><b>, Ranciere's </b><b><i>dissensus</i></b><b>, or the discourse of agonistic democracy.</b></p><p>This book challenges the premise of such constructions of agonism, namely, that the political is essentially distinct from means and ends calculations. He argues that this premise is derived from the critique of instrumental reason, which assumes that utilitarianism is correct that instrumental ends are measurable. This forgets an ancient tradition that describes phronesis as the primary ethical and political virtue because it calculates the good, which is however impossible to measure with any certainty.</p><p><i>The Agonistic Condition</i> shows that a new consideration of phronesis can help political philosophy and theory to develop more robust conceptions of power that better describe the world we live in.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dimitris Vardoulakis</b> is Professor of Philosophy at Western Sydney University. He is the author of <i>The Doppelgnger: Literature's Philosophy</i> (2010), <i>Sovereignty and its Other: Toward the Dejustification of Violence</i> (2013), <i>Freedom from the Free Will: On Kafka's Laughter</i> (SUNY, 2016) and <i>Stasis Before the State: Nine Theses on Agonistic Democracy</i> (2018). He has edited or co-edited numerous books, including <i>Spinoza Now</i> (2011) and <i>Spinoza's Authority</i> (two volumes, 2018). He is co-series editor of <i>Incitements</i> and founding editor of the journal <i>Philosophy, Politics and Critique</i>, both at Edinburgh University Press. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Vicki Karaminas</b> is Professor of Fashion at Massey University Aotearoa New Zealand. She was awarded the University Medal in the Social Sciences (1997) by the University of Technology Sydney and the Humanities Aronui Medal (2024) from the Royal Society Te Aprangi, Aotearoa New Zealand. She holds an honorary Professorial position at the University of Sydney and is an Honorary Fellow of the University of Melbourne. She has published over 20 books on fashion, gender and sexuality. Her latest book publication (with Adam Geczy) is the revised second edition of <i>Queer Style</i> (2024). Her work has been translated and published into several languages other than English.</p><p><b>Judith Beyer</b> is a teaching fellow at AMD Akademie Mode und Design, Germany. She earned her doctorate degree from Massey University Aotearoa New Zealand and is the recipient of the Dean's List (2023) for academic excellence. Her research focuses on the intersection of fashion and culture, and the concepts of gender fluidity, sexualities and masculinities in contemporary fashion. Her first monograph is titled <i>Antigender Fashion: The Possibilities of Gender-Fluid and Non-Binary Fashion Design</i> (2025). </p>]]></Text>
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			<SubjectHeadingText>Theory Of Creativity; Inspiration; Flow; Talent; Wisdom; Method; Creative Learning; Meditation; Filmmaking; Asian Theatre; Music Composition; Think Outside The Box; Writer'S Block; Motivation; Alternative Thinking; Brainstorming; Director; Playwright; Stan Lai; Creative Map Exercises; Training; Exercises; Teaching Creativity; Thinking Process; Decision Making</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Asia's legendary playwright- director Stan Lai has written one of the unique works of our time, explaining that the mysterious act of creativity is actually a traceable function of mind, and there is a path to learn creativity through un-learning many of our habits picked up in life.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Asia's creative guru Stan Lai has written one of the unique works of our time, explaining that the mysterious act of creativity is actually a traceable function of mind, and there is a path to learn creativity through un-learning many of our habits picked up in life. Through his extensive experience, the greatest living Asian playwright shows us how to cultivate a 'creative app' that works within us.</b></p><p>This book is a rewrite by the author of his best-selling work in Chinese that has become the most prominent work on creativity in China, used by artists as well as schools and corporations. Stan Lai is uniquely qualified to write on creativity, because he not only has four decades of creative experience, widely acclaimed as the greatest playwright in the Chinese language, but also over two decades of teaching experience in the performing arts.</p><p>Can creativity be taught? Most of the books and training in this area deal with skills for jumpstarting alternative thinking, brainstorming and other exercises, but do not deal with creativity itself. They don't tackle the obvious question: What is creativity and how can I get it? Lai explains that the reason we don't think creativity can be taught is that we don't really understand what happens in the mysterious process. By slowing down the moment of inspiration, Lai lets us see exactly the elements involved in this complex process that lasts only an instant. Then he shows you how to prepare for this moment, through his unique Map of Creativity. This is a whole path of training in creativity, which he explains clearly and humour and compassion, and tailor-made exercises.</p><p><i>Creativitry </i>is a milestone in understanding and learning the creative act. Born in America, raised in Taiwan, with a career spanning the Chinese diaspora, Lai believes that we are all born creative, but the source to creativity has been blocked, by life. How to take down the barriers that are blocking the source from us is a task of un-learning many things that have become habits and put us into a so-called non-creative mode. Taking his cue from his Buddhist training that wisdom and method are both needed for success in any endeavour, he explains how 'wisdom' has mysteriously vanished from education systems all over. Most teaching in creativity focuses on method, which one learns in one's art. But we need another type of training, more urgently, the training for wisdom, which can only happen in the domain of life. To do, you must first be. To discover your creativity, you must first discover yourself.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Stan Lai</b> is 'The major contemporary Asian playwright of his time, perhaps of all time' (Robert Brustein), 'The best Chinese language playwright and director in the world' (BBC) and 'top theatre director' (Asiaweek). Lai is a cultural icon, considered the greatest living playwright in the Chinese world, some say the world, also a noted educator and creativity guru.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Uses an evolutionary perspective and interpretative methods to explore economic and social transformations in the United States and China, highlighting the roles of culture, institutions and entrepreneurship in policy change.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Uses an evolutionary perspective and interpretative methods to explore economic and social transformations in the United States and China, highlighting the roles of culture, institutions and entrepreneurship in policy change.</b></p><p>This book highlights the roles of culture and institutions on economic change. In particular, it compares cultures between the United States and China and examines their impacts on entrepreneurship, innovation capabilities, and economic and social changes. It also covers their impacts on everyday life performance.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Diana S. Kwan</b> is currently community placements administrator at the Faculty of Medical Sciences, University College London.</p><p><b>Fu-Lai Tony Yu</b> was former adjunct professor at the Department of Land Management, Feng Chia University, and emeritus professor at Hong Kong Shue Yan University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Sexual Violence and Literary Art addresses the complicity of representation in what is represented, and its creative transformations, by re-examining classic poetic, dramatic and fictional texts by men in light of women's philosophical, theoretical and critical responses to them.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The relationship that internationally renowned artist Ernst Gamperl (b. 1965) has developed with wood as a living material, together with the knowledge of the inescapable nature of serendipity, is a source of creative inspiration as well as the driving force behind his work  one revolving around the artist's deep connection with nature and respect for his raw material.</b></p><p>Trees are an integral part of creation, symbols of life and strength that Gamperl has studied for years in symbiosis with their essence and nature. His unconventional approach to the material, combined with a revolutionary technique and an original interpretation, results in works that are captivating in their elegance and charisma and stir the viewer, who discovers something never before encountered.</p><p>This monograph provides a comprehensive examination of the life and work of Ernst Gamperl in which individual chapters present various work groups, including his well-known Tree of Life project: from a massive oak, around 230 years old, that was uprooted by a hurricane. Ninety-seven vessels were created from its wood, extending a dignified afterlife to the venerable tree. Other chapters are devoted to the Houghton Oak Project, his work for Issey Miykae, and the current exhibition at Galerie Handwerk in Munich, among others.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A sourcebook illustrative of the legal, political, social and cultural history of the German lands of the Holy Roman Empire in the late medieval and Reformation era (c. 13501550). It includes translations of all the major laws issued in the Empire in this period, as well as sources focused on local elites and ordinary men and women.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book offers a selection of edited and translated sources that shed light on law, society and political culture in Germany between the mid-fourteenth and mid-sixteenth centuries, enabling readers to discover the tumultuous late medieval and Reformation era in the Holy Roman Empire in unprecedented depth.</b> The selection includes all the major legislation issued in the Empire from the Golden Bull of 1356 to the Peace of Augsburg in 1555. Most of these laws, which have shaped the constitutional development of Germany in its various incarnations down to the twenty-first century, are translated into English here for the first time. Thematic chapters cover the unique elective monarchy, imperial diets, plans for imperial and ecclesiastical reform, alliances and associations, warfare and arbitration and lordship and administration at local levels. Each theme is contextualised by the author's detailed interpretive prefaces.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Duncan Hardy</b> is Associate Professor of History at the University of Central Florida.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book makes a powerful contribution to the debate on the UK water system, exposing the problems and arguing that a radical overhaul is crucial for a sustainable future.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Essential reading for anyone concerned with the future of our most vital resource.</b></p><p>Our water system is a mess. Rising bills and rivers full of sewage grab the headlines, but the greater threat is climate crisis, bringing increased drought and flooding.</p><p>This book exposes the many problems with our unsustainable water system. Unfair charges limit spending on infrastructure, while financial extraction has turned the water companies into debt-burdened zombies in an increasingly fragmented system.</p><p>Reforming regulation and tinkering with tariffs will not be enough, and public ownership is just the first step. <i>Murky water</i> shows that the system can only be made sustainable through a radical overhaul of how it is owned, managed, funded and planned. We need a new kind of water management, with national and catchment planning and coordinated action by landowners, local authorities and water companies.</p><p>Westminster and Whitehall currently stand in the way. To overcome their resistance and secure a sustainable future, we must ignite a social movement capable of challenging power.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Eleanor Collins</b> is Acquisitions Editor in Literature at Oxford University Press, and Co-Ordinating Editor of The Malone Society.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Marina Tarlinskaja</b> is Professor Emerita in the Department of Linguistics at University of Washington.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>To mark its 60th anniversary, Alliance Manchester Business School is publishing a collection of thought-provoking essays co-authored by eminent AMBS academics and business leaders outlining how business schools can play a significant role in confronting the global challenges of today. It also looks at how the School can equip the next generation of business leaders with the skills they need to embrace these challenges, and outlines ideas for policy development.</b></p><p>The blueprint deliberately reaches out to the wider public, informing public and political debate on the role of business in both the causes and solutions to the world's biggest challenges, and reimagining the role of business in society. It also outlines how business and management research cannot just help address grand challenges such as climate change and regional inequalities, but also generate economic growth, inform policy development, and define business thinking.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book provides a comprehensive examination of conservative and right-wing responses to the Edwardian crisis in Britain (1901-1914).</b> It stresses how the upsurge of right-wing extremism within and outside the Conservative party was accompanied by the crystallisation of a culture of violence. The preparation, instigation or threatening of violent acts against all those who appeared to threaten the organic nature and vigour of the national community found expression in a myriad of ultra-nationalist organisations, citizen policing groups, private military associations, and paramilitary formations. The book innovatively reconstructs the belief system and the practices of those right-wing actors, which pursued the goals of military preparedness, 'racial regeneration' and imperial unity, while defending the amorphous goals of authority, order and 'national efficiency' against the forces of radicalism and socialism. The book helps to cast light on the bellicose and authoritarian reflexes that traversed British conservatism in the turbulent prewar years.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This intimate collection explores the life and work of Joanna Frueh. Featuring previously unpublished texts from her career, A Practice of Pleasure offers a candid, scholarly, and personal meditation on female, sexual, and everyday pleasures, embodying Frueh's unique approach to art and life.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>A Practice of Pleasure</i></b><b> is an intimate and panoramic entree into the life and work of Joanna Frueh (1948-2020), an art historian and performance practitioner for whom life and art were inseparable. </b>Written during a key transitional moment in her life and work (2005-2012), the volume makes available primarily unpublished performance texts and writings that give an intimate insight both into Frueh's everyday life and the thinking of an artist and scholar well known for offering her personal experiences as a means of embodying and speaking about pleasure. A self-described 'pleasure activist', Frueh's book offers a highly original perspective on pleasure  frank, scholarly, philosophical, romantic, and conversational. Taken together, the texts comprising <i>A Practice of Pleasure</i> are an ode to pleasure in the widest sense: female pleasure, sexual pleasure, and the pleasures of prosaic and domestic beauties, such as enjoying the reality of her own body and the luxurious simplicities of the senses.</p>]]></Text>
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			<Text textformat="02"><![CDATA[What are the human consequences of conflict and what are the appropriate service responses? This book provides answers to these important questions, drawing on over twenty-five years of work by the author in Northern Ireland and elsewhere.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A powerful guide for dealing with traumatised communities in the wake of conflict and disaster.</b></p><p>What are the human consequences of conflict, and how should healthcare and social services respond? In this book, David Bolton provides an answer to these urgent questions, drawing on more than twenty-five years of service experience in Northern Ireland and elsewhere.</p><p>Focusing on the work he undertook with colleagues following the devastating Omagh bombing in 1998, Bolton reveals how needs were assessed and how evidence-based services were put in place. He describes the training and education programmes that were developed to assist first those communities directly affected by the bombing and later the wider population traumatised by the years of conflict. Crucially, he places the mental-health needs of affected communities at the heart of the political and peace processes that follow.</p><p> The second edition of this clear and practical book includes new chapters on the challenges of promoting justice and reconciliation in a post-conflict situation. It is essential reading for those planning for and responding to conflict-related disasters, policy makers, service commissioners and providers, politicians, civil servants and peace makers.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>David Bolton</b> is a trauma researcher, writer and practitioner. He trained as a social worker in Belfast from 1974 to 1978, during some of the worst years of the civil conflict. At the time of the Omagh bombing of 1998 he coordinated the immediate and longer-term responses of community services, including establishing the Omagh Community Trauma and Recovery Team. In 2002 he became the founding director of the Northern Ireland Centre for Trauma and Transformation, which closed in 2011. He lives in County Fermanagh in Northern Ireland.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The first book to share the untold story of this unique sport, from its origins in the Victorian era to the present day.</b></p><p>Over the past two decades, mountain, ultra and trail running has experienced a massive boom in participation, media attention and corporate consumerism. Once little more than an oddball recreation for mountain athletics romantics, the sport has become a mass activity in ways that were previously unimaginable.</p><p>In <i>Dirtbag dreams</i>, Carl Morris offers the first complete account of mountain, ultra and trail running in North America and Britain. Revealing the sport's eccentric Victorian origins, he traces its development through 200 years of history, travelling from the Sierra Nevada and the English Lake District to the streets of London and New York.</p><p>Packed with gripping races and colourful characters,<i> Dirtbag dreams</i> is the essential companion for anyone who wants to understand this unique endurance sport.</p>]]></Text>
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			<SubjectHeadingText>#MeToo; Amber Heard; Austentatious; Biddulph; Bridgerton; Cecilia,or,; Chanel Miller; Clarissa,Or,; Credit and Credibility; Eliot Rogers; Emma novel; Evelina; Frances Burney; Frances Sheridan; Harvey Weinstein; Invisible Women; Jane Austen; Larry Nassar; Maria Edgeworth; Mary Wollstonecraft; Me Too; MeToo; Men Who Hate Women; Old Bailey rape trials; PTSD; Regency; Rogue Agent; Samuel Richardson; Sense and Sensibility; The Archers; The Continuation of the Memoirs of Miss Sidney; The History of Ophelia; The History of a Young Lady; The Victim of Prejudice; The Wrongs of Woman; Unwell Women; Vindications of the Rights of Women; date rape; gender roles; incels; rape; rape culture; sexism; sexual assault; sexual coercion; sexual consent; sexual violence; toxic masculinity; tradwife</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Drawing parallels with the #MeToo movement, this book explores how a series of brilliant female authors in the eighteenth and nineteenth centuries cleverly used the novel as a vehicle for ground-breaking discussions about consent.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>What do #MeToo and Jane Austen have in common? More than you might think.</b></p><p>Ever since the novel was invented, women have used it as a platform for sharing ideas about sexual consent. Dr Zoe McGee reveals how Jane Austen, Frances Burney and their now-overlooked contemporaries used their stories to try to change society's mind about rape culture  and to reassure survivors they were not alone.</p><p><i>Courting Disaster</i> takes a timely deep-dive into a series of classic novels, comparing them with both historic court records and current events to show that our arguments about consent are not a new phenomenon. With the wit and wryness of a courtship novel, McGee reads between the lines to unveil a quiet feminist movement that still resonates today. Because every novel about marriage is also a novel about consent. </p><p>In an era that's clamouring for a return to the values of the past, <i>Courting Disaster</i> asks what that would really mean, and whether anyone actually liked it back then anyway...</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Zoe McGee </b>has a PhD from Queen Mary University of London and an MSt in eighteenth-century studies from the University of Oxford. She has spoken at conferences internationally and now performs at very nerdy stand-up comedy nights. Among other things, she has worked as a university teacher, a bookseller and a professional board-game-explainer. She owns too many books and is a competitive ballroom dancer in her spare time.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The New York School of Poets has, since its inception, been centred on peoples' meeting, rubbing off on, knowing, collaborating with, being inspired by, and most of all  talking  to other people, many of whom happened to be artists and poets.</b> In this vibrant and insightful collection, twenty-five New York School poets are given an opportunity to explore and define the milieu they wrote from and to shed light on their journeys through New York and through poetry. Collected over a three-year period, these fascinating and compelling conversations tackle, reframe and probe the question of what constitutes the New York School.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Yasmine Shamma </b>is Professor of Literature at the University of Hull. She is the author of <i>Spatial Poetics: Second Generation New York School Poetry</i> (2018), editor of <i>Joe Brainard's Art</i> (2019) and lead editor of <i>Migration Culture and Identity</i> (2023). Alongside Rona Cran, she is co-founder of the Network for New York School Studies.</p><p><b>Rona Cran</b> is Associate Professor of Twentieth-Century American Literature at the University of Birmingham. Their publications include <i>I Remember Kim</i> (2023) and <i>Collage in Twentieth-Century Art, Literature, and Culture</i> (2014). They are the founding co-director of the Network for New York School Studies with Yasmine Shamma. </p>]]></Text>
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			<SubjectHeadingText>Christian fundamentalism; LGBQI+; LGBQI+ politics; anti-feminism; anti-gender; culture war; emancipation; far-right; feminism; fundamentalism; gender equality; nationalism; political discourse culture war; sexual and reproductive rights; sexual diversity</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Ten chapters from five continents (Asia, Australia, Europe, Latin America, Africa) provide a global perspective on current anti-feminism and anti-gender discourses]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In recent years, issues of gender and sexuality have become a political battlefield on which far-right, religious and conservative actors wage their war against liberal and left-wing ideas, as well as emancipatory movements. </b>'Anti-Gender' crusades, which had originally been launched by the Vatican, deeply impacted societies and politics especially as these discourses were adopted by the secular far-right. Campaigns against sexual and reproductive rights, against gender equality and sexual diversity were waged from Russia to the United States and from Latin America to Japan.</p><p>This new book brings together research and analyses from five continents in order to promote a global perspective on the thoroughly global phenomenon of the current culture wars around sex and gender. The contributions show how transnational networks spread discourses, which were developed in the Global North, and how theybecome re-articulated in different national, political and religious contexts.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Judith Goetz</b> holds degrees in Comparative Literature and Political Science and is currently pursuing a Ph.D position in the Department for Education at the University of Innsbruck. She is also a member of FIPU (Research group ideologies and policies of inequality, www.fipu.at ) and the German Research Network 'women and right-wing extremism'. Her interests and research focuses on right-wing extremism and women* / gender and anti-feminism. Most recently, she co-edited the anthologies (in German) <i>Right-wing Extremism as a Challenge for Journalism</i> (2021) and <i>Continuities of the Stigmatisation of 'Asociality': Perspectives of Socio-critical Political Education</i> (2021).</p><p><b>Stefanie Mayer</b> is a Researcher at Institute of Conflict Research (Institut fr Konfliktforschung) in Vienna, Austria. She previously worked in research projects on a number of topics, including the history of migration discourses in Austria, intersectionality in feminist activism and feminist theory and right-wing populist (online) discourses. Her English-language publications include with Ajanovic, Edma and Sauer, Birgit (2020), <i>Man, Woman, Family. Gender and the Limited Modernization of Right-Wing Extremism in Austria</i>. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>What experiences constitute 'girlhood'? What personal and social pathways are available to girls in contemporary American fiction? </b>These questions lie at the heart of this book, which argues that emancipatory new representations of girlhood have emerged in novels published between 1990-2020, in response to the social and cultural transformations that have been catalysed by the girl-centric agendas of contemporary feminism. Through analysing how twelve contemporary novelists depict girlhood as an expansive period during which girls can fulfil a range of personal and socio-political agendas  from pursuing intellectual ambitions at university, to achieving self-realisation through solo travel  this book investigates how contemporary fiction asks readers to view girlhood anew, by reimagining the personal, narrative and social possibilities of American girlhood.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Andrea Smith</b> is Lecturer in English and Creative Writing at the University of Suffolk. Her research focuses on audio interpretations of early modern plays, listening to how they transform something for the stage into something for the ear. She brings her research into her teaching and outreach work, using audio clips to help people understand Shakespeare's texts and inspire their own creative work. Her research has been published in <i>Shakespeare Survey</i>, <i>Shakespeare</i>, <i>Women's History Today</i> and <i>Radio Journal</i>. She has also discussed her research in the short documentary series, <i>The Beeb and the Bard</i> on BBC Radio 3, as well as participating in the network's discussion programme, <i>Free Thinking</i>. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Across Asia, courts are taking a variety of approaches to digital transformations. This book documents the diversity and complexity of the ways in which judiciaries are seeing the promise, as well as the perils, of digital transformations.</b></p><p>Through in-depth case studies, the book brings together contributions from those with experience in the administration of technology in courts itself to those who are actively finding ways to develop technology as a tool for adjudication. It also includes reflections from those who are challenging the effects of technology in terms of court processes and arguing for the need for care and caution to ensure digital justice. The pieces take the form of institutional, policy, empirical studies that each analyse the non-linearity of digital transformations. In doing so, they offer practical pathways, as well as critical reflections, which bridge theory and practice, and highlight the uniqueness of Asia as a location for innovation, as well as critical reflection around the digital transformations of courts.</p>]]></Text>
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			<SubjectHeadingText>Late Byzantine; Medieval History; aristocracy; elite; inequality; social stratification</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>This book provides an in-depth analysis of the social structure of Late Byzantine society (mid 13th-mid 15th c.), including the norms and ideas that governed social relations, and the Byzantine perceptions of their society.</b> It includes an analysis of all social groups, the social networks and the patron-client relations proliferating in this period, and the distribution of social and political power between the different social groups and the state. The deficiencies inherent in Byzantine society are recognised as one of the main factors behind the fragmentation and the collapse of the Byzantine empire.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Christos Malatras</b> has graduated from the University of Crete in Greece (BA and MPhil) and the University of Birmingham in 2013 (Phd). He has since then received fellowships in different institutions in Turkey, Greece, USA and Germany. He has taught Byzantine History in the Democritus University of Thracethe, the University of Thessaly and the University of Ioannina. He has published on social and political history in Late Byzantium, on middle Byzantine provincial administration and sigillography, and on Byzantine identity. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book contributes to the growing scholarship on the political dimensions of Ottoman Sufi thought and practice by examining the intersections of self-representation and religious authority in the writings of Ismail Hakki Bursevi (1653-1725), a prolific Sufi master, well-known Qur'an exegete, and advisor to Ottoman officials. </b>The book highlights the political aspirations of this prominent early-modern Sufi through a focus on Bursevi's self-portraits as one of the most important religious figures of his age. By paying attention to the individual, communal, and institutional aspects of his authority construction, the book sheds light on how intellectuals like Bursevi navigated an increasingly competitive market of religious ideas in the Ottoman late seventeenth and early eighteenth century. More broadly, <i>Sufism and Power</i> challenges the notion that Sufi authority is necessarily charismatic and argues that the social context in which Bursevi lived points to alternative theorizations of religious authority as a discourse.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kameliya Atanasova</b> is an Assistant Professor of Religion and History at Washington &amp; Lee University (Lexington, VA). She holds a Ph.D. in Religious Studies from the University of Pennsylvania. She has conducted archival research in the US, Germany, and Turkey which has been sponsored by the Mellon Foundation, DAAD (German Academic Exchange Service) and The Manuscript Society. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book showcases how football and religion are increasingly coming together in Muslim contexts to interact with and influence both identity and society. </b>The first part of the volume is devoted to issues of identity, showing how football aids in its construction, maintenance and subversion. The second part reveals the deep-rooted connections between football and political and religious establishments by demonstrating how these establishments frequently use the game to disseminate or propagate their larger messages. Taken together, the book reveals how football has increasingly become a site for confrontations and negotiations over different understandings of religion  as a racial category, as gendered power, and as it is invested in issues of state politics.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Aaron W. Hughes</b> is Dean's Professor of the Humanities and the Philip S. Bernstein Professor of Religion at the University of Rochester. Hughes specialises in three fields: Islamic Studies, Jewish Studies and Theory and Method in the Study of Religion, and has written numerous books in all three. He is co-editor of the book series Advances in the Study of Islam at Edinburgh University Press and of the <i>Journal of Religious Minorities Under Muslim Rule</i>.</p><p><b>Leif Stenberg</b> is Professor in Islamic Studies at the Aga Khan University Institute for the Study of Muslim Civilisations (AKU-ISMC) and a visiting professor at Karlstad University. He is the co-editor of <i>What is Islamic Studies? European and North American Approaches to a Contested Field</i>, also in the<i> Exploring Muslim Contexts</i> series at Edinburgh University Press.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This is a book about the social in Highland entanglements with Empire  the networks, relationships and identities that made it possible for Highland Scots to access the Empire and its benefits. It explores  from a range of perspectives  the impact that these Scots had, as sojourners and settlers, on the different places they encountered. It is also a book about the present-day legacies of their engagements with Empire, and of the ongoing process of forging social and cultural identities with Highland roots.</b> </p><p>The volume presents rigorous and insightful new research from both well-established and early career scholars, accompanied by commentary on the research and the issues it raises from a range of academic and non-academic voices. The book represents a significant contribution our understanding of the role of Highland Scots, influenced significantly by their culture and language, in creating the Empire and its legacies. It advances knowledge of just how diverse the impacts of Highland Scots were on forging landscapes and lifescapes across the Atlantic, and how their exposure to the colonial world influenced and reshaped their Diasporic identities. While the British Empire was a collaboration of diverse interests, this book will shed light on one important interest: the Highland one.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>S. Karly Kehoe</b> is Professor of History and Canada Research Chair in Atlantic Canada Communities at Saint Mary's University in Nova Scotia. Prior to coming to Saint Mary's, she lived and worked in Scotland. She is a fellow of the Royal Historical Society, a member of the Global Young Academy and the Royal Society of Canada's College of New Scholars, Artists and Scientists, and an alumna of the Royal Society of Edinburgh's Young Academy of Scotland. Her work concentrates on Scottish and Irish Catholic settlement and colonisation in the north Atlantic, but she is also interested in sustainable development and rural change in Nova Scotia and the Scottish Highlands.</p><p><b>Annie Tindley</b> is Professor of British and Irish Rural History at Newcastle University and Head of the School of History, Classics &amp; Archaeology. Her work interrogates land issues in the modern period including ownership, management and reform. In 2015 she established and became the first director of the Centre for Scotland's Land Futures, an inter-institutional and interdisciplinary research centre, and is the series editor for Scotland's Land, an interdisciplinary book series published by Edinburgh University Press. She is the author of <i>The Sutherland Estate, 1850-1920</i> (Edinburgh University Press, 2010), and <i>Lachlan Grant of Ballachulish, 1871-1945</i> (co-edited with Ewen A. Cameron, Birlinn, 2015). </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A consideration of how some recent British films are defined by their atmospheres of unease, which grow out of a bold and distinctive treatment of landscape. </b>An uncertain tendency in recent British cinema has been to conjure atmospheres of eerie unease, depicting landscapes through which lost figures wander. The films of, among others, Andrea Arnold, Clio Barnard, Paddy Considine, Shane Meadows and Ben Wheatley play out against these landscapes, which are formed of abandoned sites that are neither rural nor urban, but somewhere in between. These liminal spaces are disorientating enclosures from which the viewer infers something malign: the pestilence in the ditch. These contaminated metaphysical spaces are travelled by the films' characters and viewers alike.</p>]]></Text>
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			<SubjectHeadingText>Rule; Plato; Role; Laws; Constitution; Officeholders; Offices; Socrates; Dialogue; Greek; Power; Republic; Statesman; Guardians; Democratic; Constitutional; Wages; Nature; Taxis; Athenian; Narrative; Grube; Kallipolis; Freedom; Reeve; Expertise; Tyrant; Education; Contrast; Citizens; Visitor; Relationship; Verb; Arche; Platonic; Soul; Principle; Thrasymachus; Tyrannical; Tyranny; Speech; Macro; Epitactic; Broadly; Century; Virtue; Translation; Democracy; Timocratic; Argument; Language; Legal; Micro; Philosophers; Knowledge; Noun; Oligarchic; Cities; Money; Civic; Kings; Glaucon; Function; Archein; Slavery; Accountable; Obedience; Broader; Plural; Kai</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[A constitutionalist reading of Plato's political thought.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Plato famously defends the rule of knowledge. Knowledge, for him, is of the good. But what is rule? In this study, Melissa Lane reveals how political office and rule were woven together in Greek vocabulary and practices that both connected and distinguished between rule in general and office as a constitutionally limited kind of rule in particular. </b></p><p>In doing so, Lane shows Plato to have been deeply concerned with the roles and relationships between rulers and ruled. Adopting a longstanding Greek expectation that a ruler should serve the good of the ruled, Plato's major political dialogues - the <i>Republic</i>, the <i>Statesman</i>, and <i>Laws</i> - explore how different kinds of rule might best serve that good. With this book, Lane offers the first account of the clearly marked vocabulary of offices at the heart of all three of these dialogues, explaining how such offices fit within the broader organisation and theorising of rule.</p><p>Lane argues that taking Plato's interest in rule and office seriously reveals tyranny as ultimately a kind of anarchy, lacking the order as well as the purpose of rule. When we think of tyranny in this way, we see how Plato invokes rule and office as underpinning freedom and friendship as political values, and how Greek slavery shaped Plato's account of freedom. Reading Plato both in the Greek context and in dialogue with contemporary thinkers, Lane argues that rule and office belong at the center of Platonic, Greek, and contemporary political thought.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Melissa Lane</b> is the Class of 1943 Professor of Politics and a faculty member of the Program in Classical Philosophy at Princeton University. Her books include <i>Eco-Republic</i>: <i>What the Ancients Can Teach Us about Ethics, Virtue, and Sustainable Living</i> and <i>The Birth of Politics: Eight Greek and Roman Political Ideas and Why They Matter</i> (both Princeton) and <i>Method and Politics in Plato's "Statesman."</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>This second edition of the essential reference book for plant identification in winter is updated with new illustrations and fully revised text.</p><p>To many plant lovers winter seems like lost time, but a glance at the twigs of trees and shrubs shows that this does not need not be the case. Using bud and twig characters, deciduous trees and shrubs can be classified reliably in winter, which is particularly important during planting time.</p><p>Author Bernd Schulz's unrivalled masterpiece is a practical guide to identifying trees and shrubs in winter. Comprehensive and easy to use, it contains over 700 species identifiable via their winter buds and twigs. The illustrated identification keys are easy to use, and a summary set of keys are provided as an appendix. Detailed descriptions are accompanied with 1,900 illustrations.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Bernd Schulz </b>has worked at the Department of Biology at the Institute of Botany, Dresden, since 1993. He is known for his artful drawings of woody features.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Your guide to learning InDesign CC, including a course and a long-term reference all in one!</b></p><p>The book you're reading about right now was created with Adobe InDesign CC. And that's the case no matter which reading format you prefer  whether it's the physical book made of plant fiber and ink, or the digital version made of electrons in an e-reader. In fact, most of the books, magazines, posters, and brochures you see were likely made with InDesign as well. It's all around you.</p><p><i>Adobe InDesign CC: A Complete Course and Compendium of Features</i> is your guide to building publications great or small in this ubiquitous page layout application. This second edition has been fully revised and updated to cover the newest features of InDesign.</p><p>First, with a complete Course that includes a new set of projects and lessons derived from the curriculum of award-winning and Adobe Certified Instructor Steve Laskevitch, you will learn the procedures needed to use InDesign professionally. Dozens of lessons are included that can be applied to any document you have in mind: engineering proposals, marketing collateral, spec sheets, magazines, newsletters, books, and more. Through these step-by-step lessons, you'll be exposed to all of InDesign's features in practical contexts and its best practices for publishing workflows. We'll supply lesson documents and their assets to download, and you can use your Course creations as starting points for your own projects.</p><p>The updated Compendium provides even greater depth of knowledge and serves as an in-depth reference you can rely on long after the course is done. With each topic easy to access, you can find and explore all of InDesign's key features and concepts in depth. With cross references between the Course and Compendium, the two parts of the book complement each other perfectly.</p><p>Learn step by step how to:</p><ul><li>Create documents from postcards and posters to large books</li><li>Take control of typography and more with styles</li><li>Combine images with text for compelling layouts</li><li>Use colour with predictable results</li><li>Prepare documents for both print and electronic output</li><li>And much more!</li></ul>]]></Text>
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