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			<SubjectHeadingText>20222025; Alan Fenna; Albanese Government; Albanese Government  leadership; Albanese Government  policy issues; Alex Veen; Andrew Norton; Australian Government; Australian Politics; Bartholomew Stanford; Bill Shorten; Bradon Ellem; Brendan Coates; Brendan McCaffrie; Cabinet Leadership; Caroline Fisher; Chris Wright; Climate &amp; Energy Transition; Contemporary History; Cost of Living; Daniel Flitton; Darren Sinclair; Diane Gibson; Economic Management; Election Retrospective; Election Victory; Evan Hamman; Expert Commentary; Federal Politics; First Term; Foreign Policy; Frances Flanagan; Frank Bongiorno; Gender Equality; Geoffrey Watson; Glenn Fahey; Governance; Helen Dickinson; Housing Crisis; Immigration; Indigenous Voice; Industrial Relations; Jacki Schirmer; Jo Mummery; Josh Sunman; Labor in Power; Leonora Risse; Liz Allen; Louisa Jeffery; Majority Government; Marija Taflaga; Matthew Ricketson; Media Strategy; Parliamentary Insight; Policy Challenges; Policy Review; Political Leadership; Political Reform; Public Institutions; Rae Cooper; Rebekah Russell-Bennett; Robert Breunig; Social Cohesion; Stephen Bartos; Stephen Clibborn; Stephen Duckett; Tom King; Uwe Dulleck; political analysis</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Australia's leading voices on politics and policy examine the first Albanese Government from 2022 to 2025.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Australia's leading voices on politics and policy examine the first Albanese Government. </b></p><p>From the narrow election victory to the commanding majority secured in 2025, this book traces the Albanese Government's first term, navigating economic turbulence and a shifting international landscape. What were the policy hits and misses? What was the impact of the unsuccessful Voice referendum? And how did the government manage key reforms?</p><p>Edited by John Hawkins, Michelle Grattan and John Halligan, <i>The First Albanese Government</i> includes a preface by Bill Shorten and contributions from leading experts across politics and policy. It captures the major issues of the Albanese Government's first term and looks towards its future years in government. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John Hawkins</b> heads the Canberra School of Government at the University of Canberra.</p><p><b>Michelle Grattan</b> is a professorial fellow at the University of Canberra and chief political correspondent at <i>The Conversation</i>.</p><p><b>John Halligan</b> is emeritus professor of public administration and governance in the Canberra School of Government at the University of Canberra. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Designed to fit into the backpack of bushwalkers, students, botanists, field ecologists, and foresters, <i>Eucalypts of the Sydney Region</i> describes the most common eucalypt species found in the Sydney region (from Newcastle to Nowra and west beyond Katoomba). Each species description comes with a distribution map, line drawings of buds and fruit, a coloured photograph of the bark, and a diagram indicating growth habit. Species are grouped to assist with easy identification and comparison with similar species. The book is designed for non-technical enthusiasts and so avoids the use of specialist botanical terms, and contains a wealth of detail for those wishing to become more familiar with individual eucalypt species.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Botanist, horticulturist, environmental consultant, teacher and experienced bushwalker, <b>Gary Leonard</b> has developed a detailed knowledge of Eucalypt species over some 40 years.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Riveting, illuminating and beautifully written, Plotting the Oceans answers critical questions about what the evolving nature of maps means for the future of the natural environment, and for our own place in it.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Five stories that demonstrate the history and power of maps  and the impact they have on our world</b></p><p>Charles Darwin mapped the world's coral reefs to support a theory about how they formed, and in doing so developed insights that shaped his eventual theory of evolution. The trailblazing Marie Tharp, barred from ocean expeditions in the 1950s, nevertheless created the first detailed map of the ocean floor, providing key evidence for the then radical idea of continental drift. Maps have triggered territorial claims, saved giant tortoises and brought home the fragility of the Great Barrier Reef in the face of climate change.</p><p>Charting the course through these stories of discovery and disruption is Sarah Hamylton, herself an accomplished mapmaker who has travelled the globe and followed in the footsteps of cartographic giants. She explains what lies behind  and beyond  the maps we find in history books, scientific papers and contemporary news stories.</p><p>Riveting, illuminating and beautifully written, <i>Plotting the Oceans</i> answers critical questions about what the evolving nature of maps means for understanding our world, how it changes and how we're changing it.</p><p> <b><i>'By following geographer Sarah Hamylton on this enchanting voyage through time  via maps of atolls, reefs and spreading sea floors  a reader sees where longitude and latitude yield to insight and attitude.' </i></b><b> Dava Sobel, author of</b><b><i>Longitude</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sarah Hamylton</b> is an Associate Professor at the University of Wollongong, past President of the Australian Coral Reef Society and Director of the Spatial Analysis Laboratory. She has been sailing to, diving around and walking along shorelines to map coastal and marine environments for over 20 years in Australia, Indonesia, Malaysia, the Philippines, Fiji, the Seychelles and the Red Sea. Her maps have helped establish marine protected areas and informed coastal management policies. Sarah is also a nature writer who has published over 120 scientific research papers and several books on coastlines and mapping.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This edition of Griffith Review follows the money to tally the past, present and future of our filthy lucre.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Money talks  but it doesn't always speak the truth. It's also far more than a medium of exchange and a store of value: money is a status symbol, a friendship destroyer, an opportunity creator, a psychological blocker, an obsession, a dream, a curse, an albatross and an elephant in the room. And if money makes the world go round, it's spinning us faster than ever these days. Do we stand any chance of bridging the wealth gap? How does money influence our behaviour? What part does it play in the erosion of democracy and institutional trust? Should financial literacy be taught in schools? And does anyone actually understand crypto? </p><p>This edition of<i> Griffith Review</i> follows the money to tally the past, present and future of our filthy lucre.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Carody Culver</b> is a writer and editor. Her work has appeared in <i>Meanjin, Sydney Review of Books, Kill Your Darlings</i> and elsewhere. Her chapbook, <i>The Morgue I Think the Deader It Gets</i>, was published by Cordite in 2022, and she's been a featured Australian poet on the <i>Best American Poetry</i> blog. A former contributing editor for <i>Peppermint </i>magazine, she is currently the editor of <i>Griffith Review</i>.  </p><p><b>Daniel Nour </b>is an Egyptian-Australian writer and journalist. His work has featured in <i>The New York Times, SBS Voices, Meanjin, Kill Your Darlings, Mascara Literary Review, The Big Issue </i>and <i>Eureka Street</i>. In 2021 he was awarded the Affirm Press Mentorship for Sweatshop Writers.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A vivid new translation of selections from an inspiring guide to self-transformation through kindness by an eighth-century Buddhist monk</b></p><p>Written by the medieval Indian Buddhist monk Shantideva, <i>The Bodhicaryavatara</i> is one of the most beloved and frequently taught works in Buddhism and a favourite of the Dalai Lama. An inspiring and powerful poem that uses a gripping, first-person, confessional voice, it is the most systematic work of ethical thought in the Indo-Tibetan Buddhist tradition. And its invaluable insights, exhortations, and encouragements about how we can relieve suffering by becoming more caring and compassionate are universal. In <i>How to Be Caring</i>, philosopher and Buddhist scholar Jay Garfield presents a lively new translation of selected verses from Shantideva's text that capture its powerful lessons for all of us. The result is the clearest, most concise, and most accessible introduction to this masterful Buddhist guidebook about how we can change the world by changing ourselves.</p><p>Focusing on the life of a bodhisattva, a person committed to attaining awakening for the benefit of all beings, Shantideva argues that the first step to reducing suffering and making the world better is to conquer our own psychopathologies. Urging us to remember that we won't live forever and therefore need to think about what is most important, the work seeks to inspire us and teach us how to be more generous, thoughtful, polite, patient, committed, and self-aware. Featuring an introduction and the original Tibetan text on facing pages, this dazzling volume is filled with wisdom that still speaks directly to readers today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Shantideva</b> was an eighth-century Buddhist monk who taught at Nalanda University, which was in the present-day state of Bihar in Eastern India. According to legend, he recited <i>How to Lead an Awakened Life</i> to a huge assembly of students and scholars at the school, then rose into the air, flew from the lecture hall, and vanished into space, never to be seen again but leaving behind in his room a copy of the text.</p><p><b>Jay L. Garfield</b> is the Doris Silbert Professor in the Humanities and professor of philosophy and Buddhist studies at Smith College and a visiting professor of Buddhist philosophy at Harvard Divinity School. His books include <i>How to Lose Yourself: An Ancient Guide to Letting Go</i> (Princeton), <i>Losing Ourselves: Learning to Live without a Self</i> (Princeton), and <i>Buddhist Ethics: A Philosophical Exploration.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>What do you do when your life has fallen apart? Fifteen hundred years ago, a Roman nobleman named Boethius (ca. 480-524 CE) asked this question as he was sitting in a prison cell waiting to die, accused  probably unjustly  of treason. Boethius had been a rich and powerful man with all a person could want in life, but now he had lost everything. Shaken, he wondered how such terrible misfortune could have happened to him and why life was so unfair. When Philosophy herself appears in his cell and confronts Boethius, the conversation that follows between the two on the nature of evil and why humans suffer is as powerful and inspiring today as it was to its first readers. In <i>How to Cope</i>, Philip Freeman presents a lively modern translation of essential selections from Boethius's classic, complete with an introduction and the original Latin on facing pages.</p><p>This translation vividly captures Boethius's journey from bitterness and anger to reconciliation and peace, showing how ancient philosophy, especially Stoicism, can help readers deal with adversity in their own lives. The book reveals the qualities that have made <i>The Consolation of Philosophy</i> one of the most popular and influential works of classical and world literature, and an inspiration to countless writers, including Thomas Aquinas, Dante, and Chaucer.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Boethius</b> (ca. 480-524 CE) was a Roman philosopher and statesman who lived under the rule of the Ostrogoths after the fall of the Western Roman Empire. Accused of treason, he was imprisoned around 523 and tortured and executed in 524. He wrote <i>The Consolation of Philosophy</i> while in prison awaiting his fate.</p><p><b>Philip Freeman</b> is the author of more than thirty books on the ancient world, including <i>Julian: Rome's Last Pagan Emperor</i> and <i>Searching for Sappho: The Lost Songs and World of the First Woman Poet</i>. His other books include six previous volumes in Princeton's Ancient Wisdom for Modern Readers series, <i>How to Tell a Story</i>, <i>How to Think about God</i>, <i>How to Be a Friend</i>, <i>How to Grow Old</i>,<i> How to Run a Country</i>, and <i>How to Win an Election</i>. He holds the Fletcher Jones Chair in Humanities at Pepperdine University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>What are the secrets to a contented life?&amp;nbsp;</p><p>One of Rome's greatest and most influential poets, Horace (65-8 BCE) has been cherished by readers for more than two thousand years not only for his wit, style, and reflections on Roman society, but also for his wisdom about how to live a good life-above all else, a life of contentment in a world of materialistic excess and personal pressures. In How to Be Content, Stephen Harrison, a leading authority on the poet, provides fresh, contemporary translations of poems from across Horace's works that continue to offer important lessons about the good life, friendship, love, and death.&amp;nbsp;</p><p>Living during the reign of Rome's first emperor, Horace drew on Greek and Roman philosophy, especially Stoicism and Epicureanism, to write poems that reflect on how to live a thoughtful and moderate life amid mindless over-consumption, how to achieve and maintain true love and friendship, and how to face disaster and death with patience and courage. From memorable counsel on the pointlessness of worrying about the future to valuable advice about living in the moment, these poems, by the man who famously advised us to carpe diem or 'harvest the day,' continue to provide brilliant meditations on perennial human problems.&amp;nbsp;</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Stephen Harrison</b> is Professor of Latin Literature at the University of Oxford, where he is also a fellow of Corpus Christi College. His books include <i>The Cambridge Companion to Horace</i>. He lives in Oxford.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Timeless wisdom on controlling anger in personal life and politics from the Roman Stoic philosopher and statesman Seneca&amp;nbsp;</b></p><p>In his essay <i>On Anger (De Ira)</i>, the Roman Stoic thinker Seneca (c. 4 BC-65 AD) argues that anger is the most destructive passion: 'No plague has cost the human race more dear.' This was proved by his own life, which he barely preserved under one wrathful emperor, Caligula, and lost under a second, Nero. This splendid new translation of essential selections from <i>On Anger</i>, presented with an enlightening introduction and the original Latin on facing pages, offers readers a timeless guide to avoiding and managing anger. It vividly illustrates why the emotion is so dangerous and why controlling it would bring vast benefits to individuals and society.&amp;nbsp;</p><p>Drawing on his great arsenal of rhetoric, including historical examples (especially from Caligula's horrific reign), anecdotes, quips, and soaring flights of eloquence, Seneca builds his case against anger with mounting intensity. Like a fire-and-brimstone preacher, he paints a grim picture of the moral perils to which anger exposes us, tracing nearly all the world's evils to this one toxic source. But he then uplifts us with a beatific vision of the alternate path, a path of forgiveness and compassion that resonates with Christian and Buddhist ethics.&amp;nbsp;</p><p>Seneca's thoughts on anger have never been more relevant than today, when uncivil discourse has increasingly infected public debate. Whether seeking personal growth or political renewal, readers will find, in Seneca's wisdom, a valuable antidote to the ills of an angry age.</p><p><b>'This is wisdom down the ages.'&amp;nbsp;- <i>Paradigm Explore</i></b></p><p><b>'This is a well-produced, stimulating book and a worthy addition to an excellent series.'&amp;nbsp;-</b><b>&amp;nbsp;Ray Morris,&amp;nbsp;<i>Classics for All</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>James Romm</b> is the editor and translator of Seneca's <i>How to Die: An Ancient Guide to the End of Life</i> (Princeton) and the author of <i>Dying Every Day: Seneca at the Court of Nero </i>(Knopf). He has written for the <i>New York Review of Books</i> and the <i>Wall Street Journal</i>, among other publications. He is the James H. Ottaway Jr. Professor of Classics at Bard College and lives in Barrytown, New York.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A vivid and accessible new translation of Cicero's influential writings on the Stoic idea of the divine&amp;nbsp;</b></p><p>Most ancient Romans were deeply religious and their world was overflowing with gods - from Jupiter, Minerva, and Mars to countless local divinities, household gods, and ancestral spirits. One of the most influential Roman perspectives on religion came from a nonreligious belief system that is finding new adherents even today: Stoicism. How did the Stoics think about religion?&amp;nbsp;</p><p>In <i>How to Think about God</i>, Philip Freeman presents vivid new translations of Cicero's <i>On the Nature of the Gods</i> and <i>The Dream of Scipio</i>. In these brief works, Cicero offers a Stoic view of belief, divinity, and human immortality, giving eloquent expression to the religious ideas of one of the most popular schools of Roman and Greek philosophy.&amp;nbsp;</p><p><i>On the Nature of the Gods</i> and <i>The Dream of Scipio</i> are Cicero's best-known and most important writings on religion, and they have profoundly shaped Christian and non-Christian thought for more than two thousand years, influencing such luminaries as Augustine, Thomas Aquinas, Dante, and Thomas Jefferson. These works reveal many of the religious aspects of Stoicism, including an understanding of the universe as a materialistic yet continuous and living whole in which both the gods and a supreme God are essential elements.&amp;nbsp;</p><p>Featuring an introduction, suggestions for further reading, and the original Latin on facing pages, <i>How to Think about God</i> is a compelling guide to the Stoic view of the divine.<b><br/></b></p><p><b>'A good summary of the religious thoughts of the Stoics...Philip Freeman's introduction and translation are models of their kind.'&amp;nbsp;-&amp;nbsp;Harry Mount,&amp;nbsp;<i>Catholic Herald</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Philip Freeman</b> is the author of more than twenty books on the ancient world, including the Cicero translations <i>How to Be a Friend</i>, <i>How to Grow Old, </i>and <i>How to Run a Country</i> (all Princeton). He holds the Fletcher Jones Chair as a Professor of Humanities at Pepperdine University and lives in Malibu, California.</p>]]></Text>
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			<Text textformat="02"><![CDATA[To give and receive well may be the most human thing you can do - but it is also the closest you can come to divinity. So argues the great Roman Stoic thinker Seneca (c. 4 BCE65 CE) in his longest and most searching moral treatise, "On Benefits" ( De Beneficiis]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>James Romm</b> is the editor and translator of Seneca's<i> How to Keep Your Cool </i>and <i>How to Die </i>(both Princeton) and the author of <i>Dying Every Day: Seneca at the Court of Nero</i>. He has written for the <i>Wall Street Journal</i>, the <i>New York Review of Books</i>, and the <i>London Review of Books</i>, among other publications. He is the James H. Ottaway Jr. Professor of Classics at Bard College and lives in Barrytown, New York.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A vibrant new translation of Seneca's &amp;#x27;On the Shortness of Life&amp;#x27;, a pointed reminder to make the most of our time.</b></p><p>Who doesn't worry sometimes that smart phones, the Internet, and TV are robbing us of time and preventing us from having a life? How can we make the most of our time on earth? In the first century AD, the Stoic philosopher Seneca the Younger offered one of the most famous answers to that question in his essay &amp;#x27;On the Shortness of Life&amp;#x27; - a work that has more to teach us today than ever before. In <i>How to Have a Life</i>, James Romm presents a vibrant new translation of Seneca's brilliant essay, plus two Senecan letters on the same theme, complete with the original Latin on facing pages and an inviting introduction.</p><p>With devastating satiric wit, skillfully captured in this translation, Seneca lampoons the ways we squander our time and fail to realise how precious it is. We don't allow people to steal our money, yet we allow them to plunder our time, or else we give it away ourselves in useless, idle pursuits. Seneca also describes how we can make better use of our brief days and years. In the process, he argues, we can make our lives longer, or even everlasting, because to live a <i>real</i> life is to attain a kind of immortality.</p><p>A counterweight to the time-sucking distractions of the modern world, <i>How to Have a Life</i> offers priceless wisdom about making our time - and our lives - count.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>James S. Romm</b> is an author, a book reviewer, and the James H. Ottaway Jr. Professor of Classics at Bard College. He is the editor and translator of Seneca's<i> How to Give, How to Keep Your Cool</i>, and <i>How to Die</i> (all Princeton), and the author of <i>Dying Every Day: Seneca at the Court of Nero</i>. His reviews and essays have appeared in the <i>Wall Street Journal</i>, the <i>London Review of Books</i>, the <i>Daily Beast</i>, and other publications. He lives in Barrytown, New York.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An entertaining and enlightening collection of ancient writings about the philosophers who advocated simple living and rejected unthinking conformity.</b></p><p>The Cynics were ancient Greek philosophers who stood athwart the flood of society's material excess, unexamined conventions, and even norms of politeness and thundered &amp;#x27;No!&amp;#x27; Diogenes, the most famous Cynic, wasn't shy about literally extending his middle finger to the world, expressing mock surprise that &amp;#x27;most people go crazy over a finger.&amp;#x27; When asked why he was called Diogenes the Dog, he replied &amp;#x27;because I fawn on those who give, I bark at those who don't, and I bite scoundrels.&amp;#x27; <i>How to Say No</i> is a delightful collection of brief ancient writings about Cynicism that captures all the outrageousness, wit, and wisdom of its remarkable cast of characters - from Diogenes in the fourth century BCE to the column-stander Symeon Stylites in late antiquity.</p><p>With their &amp;#x27;less is more&amp;#x27; approach to life, the Cynics speak urgently to our world of climate change, economic uncertainty, and psychic malaise. Although the Cynics weren't writers, their memorable utterances and behaviour were recorded by their admirers and detractors, and M. D. Usher offers fresh new translations of appealing selections from this body of writing - ranging from street sermons and repartee to biography and snapshots of Cynics in action.</p><p>Complete with introductions to the volume and each selection as well as the original Greek and Latin on facing pages, this lively book demonstrates why the Cynics still retain their power to surprise us and make us laugh - and to make us think and question how we live.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>M. D. Usher</b> is the Lyman-Roberts Professor of Classical Languages and Literature and a member of the Department of Geography and Geosciences at the University of Vermont. With his wife, he also built, owns, and operates Works &amp; Days Farm in Shoreham, Vermont. His previous books include <i>How to Be a Farmer: An Ancient Guide to Life on the Land</i> (Princeton), <i>Plato's Pigs and Other Ruminations</i>, and a number of books for children, including <i>Diogenes</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>There are times when we've all felt that we haven't been treated as we deserve-that we've been misjudged, shortchanged, or given a raw deal. And, at one time or another, other people have probably felt that we've treated them just as unfairly. <i>How to Do the Right Thing</i> draws on the principles of ancient Stoicism as articulated by the Roman statesman and philosopher Seneca to help readers better navigate one of the most important practical questions of daily life - how to do right by others.<br/><br/>Starting from the virtue of magnanimity - the opposite of small-mindedness - <i>How to Do the Right Thing</i> draws together lessons from Seneca's writings that stress the importance of calm and clear thinking, of judging oneself fairly before judging others, and of cutting people slack, with a bias toward mercy - all delivered in crisp and lively new translations, and with the original Latin on facing pages.</p><p><b>&amp;#x27;Robert Kaster's translations are wonderful, the selections exciting, and, as always, it is a pleasure to be put smack in the middle of Seneca's coaxing, cajoling, and coaching.&amp;#x27;-Nancy Sherman, author of </b><b><i>Stoic Wisdom: Ancient Lessons in Modern Resilience</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Robert A. Kaster</b> is professor emeritus of classics and Kennedy Foundation Professor Emeritus of Latin at Princeton University. His books include <i>The Appian Way</i>: <i>Ghost Road, Queen of Roads</i> and (with Martha C. Nussbaum) <i>Seneca</i>:<i> Anger, Mercy, Revenge.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[How ancient skepticism can help you attain tranquility by learning to suspend judgmentAlong with Stoicism and Epicureanism, Skepticism is one of the three major schools of ancient Greek philosophy that claim to offer a way of living as well as thinking. How to Keep an Open Mind provides an unmatched introduction to skepticism by presenting a fr]]></Text>
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			<Text textformat="02"><![CDATA[<p>Along with Stoicism and Epicureanism, Skepticism is one of the three major schools of ancient Greek philosophy that claim to offer a way of living as well as thinking. How to Keep an Open Mind provides an unmatched introduction to skepticism by presenting a fresh, modern translation of key passages from the writings of Sextus Empiricus, the only Greek skeptic whose works have survived. </p><p>While content in daily life to go along with things as they appear to be, Sextus advocated-and provided a set of techniques to achieve-a radical suspension of judgment about the way things really are, believing that such nonjudging can be useful for challenging the unfounded dogmatism of others and may help one achieve a state of calm and tranquility. In an introduction, Richard Bett makes the case that the most important lesson we can draw from Sextus&amp;#x27;s brand of skepticism today may be an ability to see what can be said on the other side of any issue, leading to a greater open-mindedness. </p><p>Complete with the original Greek on facing pages, How to Keep an Open Mind offers a compelling antidote to the closed-minded dogmatism of today&amp;#x27;s polarised world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Richard Bett</b> is professor of philosophy and classics at Johns Hopkins University. He edited <i>The Cambridge Companion to Ancient Scepticism</i> and has published widely on the subject. He lives in Baltimore, Maryland.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The moving life and legacy of Rome's great emperor philosopher.</b></p><p>This book guides us through the fascinating life and writings of Marcus Aurelius, Stoic philosopher and Roman emperor. Philosopher William O. Stephens explores Marcus's reluctant rise to power, his marriage, and his efforts to mould his son into a just successor. He examines Marcus's Stoic tenets as he describes the struggles of dealing with a fifteen-year pandemic, the betrayal of a trusted general, social upheaval centred on a new 'superstition' (Christianity), and how Marcus's determination to stabilise the empire's borders resulted in strife, broken treaties, and protracted wars. This gripping narrative of Marcus's life, times, and thought, as well as his complex legacy will appeal to all those interested in Roman history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>William O. Stephens</b> is professor emeritus of philosophy at Creighton University. His books include <i>Epictetus's</i> Encheiridion<i>: A New Translation and Guide to Stoic Ethics</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Plato is a key figure from the beginnings of Western philosophy, yet the impact of his lived experience on his thought has rarely been explored. Plato lived in turbulent times, born during a war that led to Athens&amp;#x27; defeat and decline. A restored democracy enabled the execution of his teacher Socrates. </p><p>Carol Atack explores how his life in Athens influenced Plato&amp;#x27;s thinking, how he developed the Socratic dialogue into a powerful philosophical tool, and how he used the institutions of Athenian society to create a compelling imaginative world. Accessibly written, this book shows how Plato made Athens the place where diverse ideas were integrated into a new way of approaching big questions about existence and the societies we create, then and now.</p><p><b>&amp;#x27;Philosophy is just the beginning in Carol Atack&amp;#x27;s page-turner. From Plato's own travels and troubles to the strange life and peculiar death of his teacher Socrates, the struggles of his city at the hands of enemies at home and abroad to the efforts of its citizens to make sense of things in an era of unending crisis, this is a gripping account of Classical Athens under siege told through the sharp eyes and shifting ideas of its most notable son.&amp;#x27; - Josephine Quinn, author of </b><b><i>How the World Made the West: A 4,000-Year History</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Carol Atack</b> teaches classical Greek and ancient philosophy at the University of Cambridge. She is the author and coauthor of two books, most recently <i>Anachronism and Antiquity.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Use Sun Tzu's timeless strategies to battle illness and promote health and wellness!</i></b></p><p>This innovative guide applies the ancient wisdom of Sun Tzu's <i>The Art of War</i> to personal health and wellness. Y. Tony Yang, a public health and policy expert, transforms the general's five pillars into specific battle plans centered on nutrition, exercise, self-care, work-life balance and prevention</p><p>We all know to eat well and exercise, but our forces need to be built up in more definable and actionable ways. Reduce inflammatory markers? Improve sleep efficiency? Increase stress resilience? That's the start of a customised health-centered battle plan, all supported by:</p><ul><li>Case studies laying out specific regimens: stability training, strength exercises and cardiovascular options</li><li>Charts presenting each chapter's key points and posing essential questions for formulating your battle plan</li><li>Personal risk factor assessments and adaptable nutrition programs offering models to integrate</li></ul><p><i>'The five factors are not separate matters',</i> Sun Tzu wrote. '<i>The wise general sees them as a single integrated reality.'</i> Wise generals never go to war with their own bodies but defend instead their most valuable territory, the body and its sustained health success.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Y. Tony Yang</b> is an endowed Professor and Associate Dean at George Washington University and holds graduate degrees from Harvard (in public health and health policy and management) and from the University of Pennsylvania (in law). A former MIT post-doc fellow, he has served as an FDA Regulatory Science Fellow and a CDC Health Policy Fellow. In addition to contributing over 175 articles to leading journals, he's the author of <i>Achieving Health Equity: The Role of Law and Policy</i> and <i>Vaccine Law and Policy</i>. A Distinguished Fellow of the National Academies of Practice, he has received the APHA's Early Career Award for Excellence and serves on the Academy Health Education Council, the Board of Directors for the American Society of Law, Medicine &amp; Ethics and WHO's Technical Advisory Group on New TB Vaccines.<br/><br/><b>Sun Tzu</b> was the ancient Chinese military strategist, philosopher and author of <i>The Art of War</i>, a timeless treatise on warfare and power. Revered for his profound understanding of tactics and human psychology, Sun Tzu and his teachings continue to be extremely influential today.</p>]]></Text>
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			<SubjectHeadingText>origami puzzles; Einstein tiles; geometric brain teasers; paper folding puzzles; mathematical origami; aperiodic tiling; Einstein hat shape; origami tangrams; dollar bill origami; polyomino puzzles; tetris paper puzzles; jigsaw origami; rep-tiles; folded paper mosaics; STEM puzzle book; origami for adults; math art design; creative paper crafts; LaFosse origami; Einstein puzzle challenge</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b><i>The ultimate fusion of jigsaw puzzles and origami!</i></b></p><p>In <i>Einstein Origami Puzzles</i>, origami master Sy Chen teaches you how to fold ingenious hat-shaped 'Einstein' paper tiles that can be combined in countless ways without repeating the same pattern. The book provides clear, step-by-step instructions and photos for 30 fascinating paper puzzles and brain teasers using simple, inexpensive folded paper polygons.</p><p>You'll start by learning to fold the 'Einstein' polygon from a single sheet of paper. This unique shape baffled mathematicians for many decades until a clever hat-shaped version was discovered in 2023. Chen then developed a folded paper version of this remarkable shape, along with many variations  including one folded from a dollar bill! All of these are featured in this groundbreaking book.</p><p><b>Along with his 10 innovative 'Einstein' tiles, Chen also offers instructions for creating folded paper shapes used in entertaining geometric puzzles and games, such as:</b></p><ul><li><b>Polyominoes: Tetris-like folded paper pieces that can be arranged in many different ways</b></li><li><b>Tangrams: Seven origami shapes that form deceptively simple but challenging tangram puzzles</b></li><li><b>Rep-Tiles: Geometric shapes made up of smaller pieces that fit together to form a larger shape</b> <b></b> <b>like a triangle made of four smaller triangles</b></li><li><b>And more: Including a unique origami jigsaw puzzle</b></li></ul><p>This is the perfect book for anyone who loves brain teasers, mathematical challenges, and jigsaw puzzles!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sy Chen</b> is a master origamist who has been folding for over 40 years. His simple and elegant designs use clever color changes and folded lines to capture the essence of a model. His passion for geometric puzzles led him to origami designs based on commercial puzzles. In 2023, his origami tiling of the newly discovered "Einstein hat" shape led to becoming a finalist for the Einstein Mad Hat Award, hosted by the United Kingdom Mathematics Trust and the National Museum of Mathematics. He has published three origami books and is an active member of a group of paper folders based outside Washington, D.C. He lives in Rockville, Maryland with his wife.<br/><br/><b>Michael G. LaFosse</b> has been an origami artist for decades, and is an acknowledged authority and master of the art. An avid teacher, LaFosse co-founded the Origamido Studio, a learning center and design studio dedicated to the art of origami, and the only place in the world specializing in handmade papermaking for the origami artist community. Origamido also produces folded art and commercial designs for a variety of international clients. LaFosse co-curated Origami Now!, a wildly popular, year-long exhibition at the Peabody Essex Museum in Salem, Massachusetts. Vanessa Gould prominently features LaFosse in the Peabody Award-winning film, <i>Between the Folds</i>.</p>]]></Text>
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			<SubjectHeadingText>history of science; history of physics; philosophy of physics; quantum theory; relativity theory; statistical physics; EPR paradox; astronomy; cosmology; unified field theory; pacifism; education; peace; disarmament; civil rights; atomic bomb; League of Nations; Israel; Palestine; Zionism; refugees; Nazism; Fascism; antimilitarism; antisemitism; World War I; World War II; Communism; Socialism; McCarthyism; countries; Germany; Austria; France; Italy; England; Russia; Soviet Union; China; Japan; South America; Albert Einstein; humanistic writings; public writings; Essential Einstein; philosophy; religion; art; politics; international cooperation; autobiography; popular science; ethical worldview; political worldview; scientific writings; intellectual legacy; chronological organization; explanatory notes; Einstein authorities; comprehensive resource; general readers; specialists; pivotal writings; evolution of ideas; scientific ideas; humanistic ideas; Einstein's work; background significance; two-volume compendium; authoritative collection</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The ultimate collection of Einstein's public writings on everything from religion and art to pacifism and the atomic bomb</b></p><p><i>The Essential Einstein: Public Writings</i> presents a rich selection of Einstein's humanistic writings drawn from a diverse array of materials he sanctioned for publication during his lifetime. Distinct from previous collections, this incisive book presents previously excerpted works in their entirety, including key articles, lectures, and speeches. These writings delve into significant topics such as philosophy, religion, and art, but also specific important and often contentious issues in education, politics, disarmament, pacifism, international cooperation, the atomic bomb, and Zionism. Among these works, readers will find the brilliant 'Notes for an Autobiography' alongside selected popular science articles, which offer a profound understanding of Einstein's ethical and political worldview.</p><p><i>The Essential Einstein</i> is a two-volume compendium offering general readers and specialists alike a comprehensive resource on the pivotal writings of Albert Einstein. Organised chronologically by leading authorities on Einstein and his work, this collection illuminates the evolution of Einstein's scientific and humanistic ideas throughout his life. Each selection is accompanied by explanatory notes that detail the work's background and significance.</p><p>Together with <i>The Essential Einstein: Scientific Writings</i>, this authoritative collection invites a deeper engagement with the intellectual legacy and enduring influence of Albert Einstein.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Diana Kormos Buchwald</b> is the Robert M. Abbey Professor of History and director and general editor of the Einstein Papers Project at the California Institute of Technology. </p><p><b>Tilman Sauer</b> is professor of the history of mathematics and natural sciences at the Johannes Gutenberg University of Mainz and senior editor of the Einstein Papers Project.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The ultimate collection of Einstein's scientific writings on everything from statistical mechanics to general relativity.</b></p><p><i>The Essential Einstein: Scientific Writings</i> presents Einstein's most important physics papers, spanning his groundbreaking contributions to statistical mechanics, quantum theory, and relativity as well as his ambitious yet ultimately unrealised attempts at a general unified field theory. This incisive collection contains works that profoundly influenced the trajectory of modern science. Each piece serves not only as a reflection of his intellectual rigour and creativity but also as a cornerstone of contemporary scientific thought.</p><p><i>The Essential Einstein</i> is a two-volume compendium offering general readers and specialists alike a comprehensive resource on the pivotal writings of Albert Einstein. Organised chronologically by leading authorities on Einstein and his work, this collection illuminates the evolution of Einstein's scientific and humanistic ideas throughout his life. Each selection is accompanied by explanatory notes that detail the work's background and significance.</p><p>Together with <i>The Essential Einstein: Public Writings</i>, this authoritative collection invites a deeper engagement with the intellectual legacy and enduring influence of Albert Einstein.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Diana Kormos Buchwald</b> is the Robert M. Abbey Professor of History and director and general editor of the Einstein Papers Project at the California Institute of Technology.</p><p><b>Tilman Sauer</b> is professor of the history of mathematics and natural sciences at the Johannes Gutenberg University of Mainz and senior editor of the Einstein Papers Project.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A fascinating behind-the-scenes account of the punk rock world, a career in show business and a lifetime spent on stage, written by legendary musician and one-time Sex Pistol, Edward Tudor Pole.</b></p><p>Whether house sharing with Philip Pullman, trading one-liners at RADA with Ralph Richardson, shooting the breeze with Clint Eastwood, partying with Jerry Hall, acting in Edwardian comedy with Rex Harrison or dodging fights with Sid Vicious, Edward Tudor Pole has proved himself equal to many a challenge. In a series of amusing, nostalgic and sometimes outrageous stories, told with candor and wit, Edward Tudor Pole recounts his fascinating youth pre-punk and during the time of Vicious and The Clash before fronting 80s band Tenpole Tudor. After the horrific implosion of the group, Tudor Pole was enticed into the acting world, appearing in numerous films and plays including <i>Sid &amp; Nancy</i>, <i>Absolute Beginners</i>, a long-term association with cult film director Alex Cox, cameo appearances in <i>Harry Potter</i> and <i>Game of Thrones</i> and a stint presenting <i>The Crystal Maze</i>.</p><p><i>The Pen is Mightier</i> tells of how a troubled start can lead to a happy ending. Edward Tudor Pole writes a fast-paced account of a life spent exploring every avenue of show business before finding out where you belong, taking the reader through his eclectic career as a punk rock band leader, hit songwriter, top 10 pop star, movie actor, TV presenter, West-End leading man and long-term touring musician.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Internationally renowned, David Lynch was America's premier purveyor of the surreal, an artist whose work in cinema, television and the internet exposed the world to his highly personalised view of society. This book examines his oeuvre, from the cult surrealism of his debut feature Eraserhead to his last feature <i>Inland Empire,</i> considering the themes, motifs and stories behind his incredible feature films, shorts and internet projects. His series <i>Twin Peaks</i> revolutionised TV and expanded the possibilities of what the medium could offer. This updated edition includes <i>Twin Peaks: The Return, </i>his continuation of the series 25 years after the original had set the world alight.</p><p>In Lynch's world the mundane and the fantastical collide, often with terrifying consequences. It is a place where the abnormal is normal, where the respectable becomes sinister, where innocence is lost and redemption gained at a terrible price. And there's always music in the air. From the deserts of a distant world to an ordinary backyard, at the breakneck speed of <i>Lost Highway</i> or the sedate determination of <i>The Straight Story,</i> readers will experience amateur sleuths, messiahs, giants and little people, chanteuses, psychopaths, cherry pie and damn fine coffee.</p><p>David Lynch is your guide to this other world...and this is your guide to David Lynch.</p>]]></Text>
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			<SubjectHeadingText>Bakufu; Base; Buddhist; Century; Climb; Court; Cultural; Death; Deity; Domain; Edo; Efforts; Emperor; Eruption; Famous; Farmers; Fields; Foreign; Fuji; Fujiko; Government; Heritage; Hoei; Hoei eruption; Humans; Imperial; Itaru; Japanese; Jikigyo; Kami; Land; Lava; Meiji; Military; Mount; Mountain; Mt; Mt Fuji; Nation; Nature; Officials; Oshi; Pilgrims; Poem; Popular; Practices; Priests; Region; Religious; Rice; Ritual; River; Samurai; Sengen; Shinto; Shogun; Shogunate; Shrine; Site; Station; Summit; Suruga; Tokugawa; Villagers; Villages; Volcano; Water; Worship; Yamato; Yoshida</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A panoramic biography of Japan's iconic mountain from the Ice Age to the present.</b></p><p>Mount Fuji is everywhere recognised as a wonder of nature and enduring symbol of Japan. Yet behind the picture-postcard image is a history filled with conflict and upheaval. Violent eruptions across the centuries wrought havoc and instilled fear. Long an object of worship, Fuji has been inhabited by deities that changed radically over time. It has been both a totem of national unity and a flashpoint for economic and political disputes. And while its soaring majesty has inspired countless works of literature and art, the foot of the mountain is home to military training grounds and polluting industries. Tracing the history of Fuji from its geological origins in the remote past to its recent inscription as a World Heritage Site, Andrew Bernstein explores these and other contradictions in the story of the mountain, inviting us to reflect on the relationships we share with the nonhuman world and one another.</p><p>Beautifully illustrated, <i>Fuji</i> presents a rich portrait of one of the world's most celebrated sites, revealing a mountain forever in the making and offering a meditation on the ability of landscape both to challenge and inspire.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Andrew W. Bernstein</b> is professor of history at Lewis &amp; Clark College and the author of <i>Modern Passings: Death Rites, Politics, and Social Change in Imperial Japan</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From the bestselling coauthor of </b><b><i>Wittgenstein's Poker</i></b><b>, a fascinating account of Peter Singer's controversial 'drowning child' thought experiment  and how it changed the way people think about charitable giving</b></p><p>Imagine this: You're walking past a shallow pond and spot a toddler thrashing around in the water, in obvious danger of drowning. You look around for her parents, but nobody is there. You're the only person who can save her and you must act immediately. But as you approach the pond you remember that you're wearing your most expensive shoes. Wading into the water will ruin them  and might make you late for a meeting. Should you let the child drown? The philosopher Peter Singer published this thought experiment in 1972, arguing that allowing people in the developing world to die, when we could easily help them by giving money to charity, is as morally reprehensible as saving our shoes instead of the drowning child. Can this possibly be true? In <i>Death in a Shallow Pond</i>, David Edmonds tells the remarkable story of Singer and his controversial idea, tracing how it radically changed the way many think about poverty  but also how it has provoked scathing criticisms.</p><p><i>Death in a Shallow Pond</i> describes the experiences and world events that led Singer to make his radical case and how it moved some young philosophers to establish the Effective Altruism movement, which tries to optimise philanthropy. The book also explores the reactions of critics who argue that the Shallow Pond and Effective Altruism are unrealistic, misguided, and counterproductive, neglecting the causes of  and therefore perpetuating  poverty. Ultimately, however, Edmonds argues that the Shallow Pond retains the power to shape how we live in a world in which terrible and unnecessary suffering persists.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>David Edmonds</b> is the bestselling author of many critically acclaimed and popular books on philosophy, including <i>Wittgenstein's Poker</i> (with John Eidinow). His other books include <i>Parfit</i>, <i>The Murder of Professor Schlick</i>, and <i>Would You Kill the Fat Man?</i> (all Princeton). A Distinguished Research Fellow at the University of Oxford's Uehiro Oxford Institute and a former BBC radio journalist, Edmonds hosts, with Nigel Warburton, the <i>Philosophy Bites</i> podcast, which has been downloaded nearly 50 million times.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Philip Parker </b>is a writer, consultant and publisher specialising in ancient and medieval history as well as cartography. He studied history at Trinity Hall, Cambridge. He is the author of <i>The British History Puzzle Book</i> (2021), <i>The Magnificent Maps Puzzle Book</i> (2019), the <i>DK Eyewitness Companion Guide to World History</i> (2016) and <i>The Northmen's Fury</i> (2010).</p>]]></Text>
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			<Text textformat="02"><![CDATA[The author of The Philosophy of Christmas creates another 'stocking filler' for the festive season, telling the story of boardgames from ancient Egyptian tombs to modern boardgame cafes. A beautifully designed gift book on a subject that grossed over 10 billion in sales globally in 2023.]]></Text>
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			<Text textformat="02"><![CDATA[We all know someone who needs the comforts of Nick Cave as much as they need Comfort Eating with Nick Cave. So the next time they are sobbing to Dumb and Dumber or Scream 2 with a container of chocolate chip cookie dough soy ice cream in their lap, hand them a copy of this cookbook and we'll all shed a tear together.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Poor Nick Cave.</p><p>Life is hard for him and there are many hurdles to deal with every day. And like all of us, Nick is human. In these pages, Mr. Cave finds healthy ways to feed his sorrows, with gusto, whether he's eating a giant bowl of mashed potatoes, a tofu dog, peanut butter from the jar, spicy potato chips, or licking the frosting bowl. 'Get inside of me', he passionately tells a slice of pizza.</p><p>And when you are ready to enter his psyche, there's Nick's favourite Rice Krispies Treats recipe to get inside of you, including, of course, 'twelve tears for flavor'. No matter what he's chowing down on, it's comforting to witness Nick and his comforts.</p><p>We all know someone who needs the comforts of Nick Cave as much as they need <i>Comfort Eating with Nick Cave</i>. So the next time they are sobbing to <i>Dumb and Dumber</i> or <i>Scream 2</i> with a container of chocolate chip cookie dough soy ice cream in their lap, hand them a copy of this cookbook and we'll all shed a tear together.</p><p><b>'Dedicated to anyone nursing a broken heart, a beer and a burrito, this cookbook is full of delicious vegan recipes from Joshua Ploeg, all of which are paired with a one-of-a-kind illustration of the thrill himself, Nick Cave, from illustrator Automne Zingg.' - Vassilis Roumeliotis, </b><b><i>Cook Backstage</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Automne Zingg</b> is a musician, writer, illustrator, and video artist based in Brooklyn, NY. She uses dark humour and surreal imagery to make critiques about popular culture.</p><p><b>Joshua Ploeg</b> is a chef, writer, musician who lives currently in Billings, Montana. He has spent many years traveling the US and several other countries cooking up dinner parties and other special events, mostly traveling by bus, train or plane. He has authored dozens of zines and books, mostly cook books these days and has played in several punk rock bands. Currently he does strange and amusing folk music, esoteric endeavors, and various culinary projects.</p>]]></Text>
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			<Text textformat="02"><![CDATA[With Orwell claimed by all sides of the culture wars, returning to his own world and words offers sharp and surprising lessons for today's crises.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Finalist,</b> <b><i>Los Angeles Times</i></b><b> Book Prize 2025, Biography**</b></p><p><b>**</b><b><i>BBC History</i></b> <b>Magazine Book of the Year 2024**</b></p><p>Seventy-five years after <i>1984</i>first published, George Orwell is back. Progressives denounce 'Orwellian' untruths by Trump, Johnson, Putin et al, while conservatives accuse governments and mainstream media of 'Orwellian' censorship. But what does 'Orwellian' really mean? What would the man himself say about these crises, and what can we learn from his ideas?</p><p><i>Orwell's Ghosts</i>reveals Orwell in all his complexity, exploring his commitment to political liberty and economic justice alongside his undeniable chauvinism. This sharp free thinker's commentaries remain invaluable, whether on political truth, disinformation, class, race and empire, or highlighting the promise of socialism and the dangerous appeal of authoritarianism. Even Orwell's misogyny offers troubling lessons about gender politics on the left. All of his books show remarkable resonance between the first half of the twentieth century and today's world.</p><p>Revisiting Orwell's own age of rapid change and urgent crossroads, this book sheds unique light on both our recent past and our current upheavals.</p><p></p><p><b>'[A] lucid, engaging study.... Beers reaches a satisfying synthesis, writing that Orwell illuminates how "to resist the temptations of totalitarianism in favour of a more open and democratic socialism".'</b> <b></b> <b><i>The New Yorker</i></b></p><p><b>'Highly readable and thoughtful...Like some other significant recent works on Orwell, it mixes admiration for the author's keen appreciation of some forms of injustice with a sharp critique of specific blind spots and prejudices he had.'</b> <b></b><i> </i><b><i>Prospect</i></b></p><p><b>'Rescues Orwell from "two-dimensional caricature" to present one of our greatest novelists and essayists, warts and all. Beers reveals how Orwell's politics, shaped by the tragedies of the first half of the twentieth century, can help to understand our own age of insecurity. An essential read.'</b> <b></b> <b>Rachel Reeves, Chancellor of the Exchequer</b></p><p><b>'Beers convincingly uses Orwell's work to address current events... Her careful reflections on Orwell's thought are of value for those familiar with his work and those who only know him from two of his books. A determined attempt to rescue Orwell from the clutches of right-wing pundits and others who misconstrue his messages.'</b> <b></b><i> </i><b><i>Kirkus Reviews</i></b></p><p><b>'A valuable exploration of what it actually means to be "Orwellian".'</b> <b></b><i> </i><b><i>Publisher Weekly</i></b></p><p><b>'A noteworthy addition to the field... [and] an effective intellectual springboard for engaging with the zeitgeist.'</b> <b></b> <b><i>Hindustan Times</i></b></p><p><b>'A succinct, wide-ranging work of what might be called applied literary exegesis, concluding with a reminder to those on the political left that they can only achieve their aims "through common endeavour" with others.'</b> <b></b> <b><i>Harvard Magazine</i></b></p><p><b>'An interesting, challenging and enlightening book.'</b> <b></b> <b><i>Daily Kos</i></b></p><p><b>'Full of fascinating historical detail and keen insights into contemporary politics, this is a gripping, insightful guide to Orwell's significance in the twenty-first century.'</b> <b></b> <b>Sandra Newman, author of </b><b><i>Julia</i></b></p><p><b>'Essential reading for anyone who wants to know why Orwell is the ideal guide to our own age of upheaval.'</b> <b></b> <b>Jason Cowley, Editor-in-Chief,</b><b><i> The New Statesman</i></b></p><p><b>'With all and sundry taking Orwell's name in vain these days, it is timely to have a reminder of who he was and what he believed in, and also how his body of work can help us understand the world we live in now. Just the insight into his writings, beyond the obvious and best-known titles, makes Orwell's Ghosts well worth reading.'</b> <b></b> <b>Nicola Sturgeon</b></p><p><b>'A perfectly timed and desperately needed book.'</b> <b></b> <b>Tristan Snell, author of </b><b><i>Taking Down Trump</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A leading Central European journalist investigates how political and intellectual elites in Europe's democracies underestimate and enable the continent's authoritarians  from the Cold War onwards.</p><p>'Putin has obviously deceived everyone.' These were the words of Manuela Schwesig, First Minister of the German state Mecklenburg-Vorpommern, Western Pomerania, after the 2022 full-scale invasion of Ukraine. She was trying to explain why her federal government had been so closely implicated in Russia's controversial completion of the Nord Stream 2 gas pipeline. Why have other German, Austrian and European politicians and commentators so often got it so very wrong in their assessments of Moscow policy? Why has the EU been so slow to recognise the danger posed to its liberal values by nationalist autocrats such as Viktor Orbn of Hungary? And why have lessons from past blunders in Western policy  particularly in the Balkans  and the example of German Ostpolitik gone ignored, until it was too late?</p><p>Paul Lendvai, a veteran reporter on the continent's centre and east, exposes the role of double standards embraced, blind eyes turned and human and political weakness overlooked in policies of appeasement towards Europe's authoritarian regimes, past and present. Combining analysis of new developments with decades of personal experience as a correspondent, he provides fascinating political profiles in deceit, sketching both the victims and the perpetrators of political fraud in Central and Eastern Europe.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Paul Lendvai</b>, a Hungarian-born Austrian journalist and author, was the Vienna correspondent for the<i> Financial Times</i> for over twenty years. His most recent books, all published by Hurst, are <i>Blind-Spot Politics; Austria Behind the Mask; The Hungarians</i> (second edition); and <i>Orbn: Europe's New Strongman</i>, which won the Prix du Livre Europeen.</p>]]></Text>
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			<SubjectHeadingText>abundance; agriculture; aircraft; automation; car; chemical; continuous process; cost; economies of scale; efficiency; energy; factory; ford; industrial revolution; iron; lean; learning curve; light bulb; manufacturing; model t; nail; penicillin; printing; product design; production; semiconductor; steel; technology; tesla; textile; toyota production system</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[A step-by-step examination of how production processes  from penicillin and automobiles to steel and semiconductors  get more efficient over time, and why it matters for unlocking a new era of abundance.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A step-by-step examination of how production processes</b> <b></b> <b>from penicillin and automobiles to steel and semiconductors</b> <b></b> <b>get more efficient over time, and why it matters for unlocking a new era of abundance.</b></p><p>Efficiency is the engine that powers human civilisation. It's the reason rates of famine have fallen precipitously, literacy has risen, and humans are living longer, healthier lives compared to preindustrial times. But where do improvements in production efficiency come from?</p><p>In <i>The Origins of Efficiency</i>, Brian Potter argues that improving production efficiency  finding ways to produce goods and services in less time, with less labor, using fewer resources  is the force behind some of the biggest and most consequential changes in human history.</p><p>With unprecedented depth and detail, Potter examines the fundamental characteristics of a production process and how it can be made less time- and resource-intensive, and therefore less expensive. The book is punctuated with examples of production efficiency in practice, including how high-yield manufacturing methods made penicillin the 'miracle drug' that reduced battlefield infection deaths by 80 percent during World War II; the 100-year history of process improvements in incandescent light bulb production; and how automakers like Ford, Toyota, and Tesla developed innovative production methods that transformed not just the automotive industry but manufacturing as a whole. He concludes by looking at sectors where production costs haven't fallen, and explores how we might harness the mechanisms of production efficiency to change that.</p><p><i>The Origins of Efficiency</i> is a comprehensive companion for anyone seeking to understand how we arrived at this age of relative abundance  and how we can push efficiency improvements further into domains like housing, medicine, and education, where much work is left to be done.</p>]]></Text>
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			<SubjectHeadingText>AGI; AI; GPT; GPU; RLHF; alignment; artificial intelligence; chatbot; compute; data centers; deep learning; interpretability; large language model; machine learning; moore's law; neural network; reinforcement learning; scaling; semiconductor; singularity; superintelligence; synthetic data; training; transformer</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>An inside view of the AI revolution, from the people and companies making it happen.</b></p><p>How did we build large language models? How do they think, <i>if</i> they think? What will the world look like if we have billions of AIs that are as smart as humans, or even smarter?</p><p>In a series of in-depth interviews with leading AI researchers and company founders  including Anthropic CEO Dario Amodei, DeepMind cofounder Demis Hassabis, OpenAI cofounder Ilya Sutskever, MIRI cofounder Eliezer Yudkowsky, and Meta CEO Mark Zuckerberg  Dwarkesh Patel provides the first comprehensive and contemporary portrait of the technology that is transforming our world.</p><p>Drawn from his interviews on the <i>Dwarkesh Podcast</i>, these curated excerpts range from the technical details of how LLMs work to the possibility of an AI takeover or explosive economic growth. Patel's conversations cut through the noise to explore the topics most compelling to those at the forefront of the field: the power of scaling, the potential for misalignment, the sheer input required for AGI, and the economic and social ramifications of superintelligence.</p><p>The book is also a standalone introduction to the technology. It includes over 170 definitions and visualisations, explanations of technical points made by guests, classic essays on the theme from other writers, and unpublished interviews with Open Philanthropy research analyst Ajeya Cotra and Anthropic cofounder Jared Kaplan.</p><p><i>The Scaling Era</i> offers readers unprecedented insight into a transformative moment in the development of AI  and a vision of what comes next.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Your mindset may be the only thing standing between you and your potential. Break free from the beliefs that hold you back.</b></p><p>As a leader, do you find yourself frustrated, wondering why employees don't meet expectations, peers are slow to act, or pressure from your boss falls unfairly on your shoulders? It's easy to point a finger at others and double down on getting results. But have you ever considered that the problem might not be them  that it might be you?</p><p>Through countless hours coaching executives over the past twenty years, C-suite adviser Muriel M. Wilkins has pinpointed the biggest reason behind these common leadership challenges: hidden blockers. These unconscious beliefs can actively stall progress if leaders aren't aware of their existence, preventing them from seeing a situation clearly, solving problems effectively, and advancing their careers.</p><p>In <i>Leadership Unblocked</i>, Wilkins reveals seven key beliefs that hold leaders back, from 'I know I'm right' to 'I need to be involved' to 'I don't belong here'. Combining illustrative and powerful coaching conversations and research from the fields of neuroscience, leadership, and adult development theory, Wilkins offers a self-coaching guide for identifying, unpacking, and breaking through these barriers.</p><p>By using the practical advice in this book, leaders and aspiring leaders alike can cultivate the mindset to achieve their goals and finally become the leaders they want to be.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Your track record of success isn't enough. Here's what it really takes to be </b><b><i>CEO Ready</i></b><b>.</b></p><p>You're on the short list for the CEO job, and you have a record of delivering amazing results. You've been told you have the inside track. You're the leader in the clubhouse.</p><p>Don't believe it. Remember that no matter what you've heard or what your CV says, you are not alone in the race, and the odds are against your getting the job.</p><p>Leadership selection isn't the methodical, objective process we imagine. Decisions aren't made by robotic executives ticking boxes for attributes such as strategic fit, core competencies, or cultural alignment. Instead, the process is deeply personal, emotional, and often unpredictable.</p><p>Now, Mark Thompson and Byron Loflin share with you what it really takes to become CEO ready. Thompson has coached thousands of executives and CEO candidates, and Loflin is a boardroom expert and adviser. They've seen firsthand the emotions that sway CEO selections as well as the personal and boardroom dramas that unfold as a company prepares to pass the baton of leadership.</p><p>In <i>CEO Ready</i>, Thompson and Loflin reveal what you need to do to maximize your chances of being the one who secures the top spot, including identifying the seven key stakeholders CEO candidates need to understand and work with. Filled with practical advice and compelling and instructive stories from those who've gone through this arduous process, <i>CEO Ready</i> is essential reading for anyone who aspires to the ultimate leadership position.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Strong cultures don't emerge by accident. They're built</b> <b> with clarity, consistency, and design. This is your guide.</b></p><p>Today's leaders are navigating a storm of competing demands: rising economic and social pressures, rapid technological disruption, and a workforce that expects greater purpose and accountability than ever before. In this unpredictable climate, a weak culture erodes trust, loyalty, and performance. A strong one, by contrast, makes the difference between clarity and confusion, resilience and fragility.</p><p>It's time to get intentional about your company's culture.</p><p>In this practical and inspiring book, you'll find a clear, actionable framework  rooted in design thinking and inclusive leadership  to help you shape a culture that's resilient, empowering, and built to last.</p><p><i>Culture Design</i> brings together James D. White's expert perspective, informed by more than thirty years of operating experience across sectors and in the boardroom, with his daughter Krista White's millennial perspective of modern workers' expectations from their company and its culture. This powerful combination produces a masterful joint outlook on what makes leaders best suited to build cultures that work for all.</p><p>Together they've written an essential book with one central message: culture design is an indispensable pillar of strategy for organisations to thrive in the coming decades and beyond.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Named one of '22 new books...that you should consider reading before the year is out' by </b><b><i>Fortune</i></b></p><p><b>'This practical and empathetic guide to taking the high road is worth a look for workers lost in conflict.'</b> <b></b> <b><i>Publisher's Weekly</i></b></p><p><b>A research-based, practical guide for how to handle difficult people at work.</b></p><p>Work relationships can be hard. The stress of dealing with difficult people dampens our creativity and productivity, degrades our ability to think clearly and make sound decisions, and causes us to disengage. We might lie awake at night worrying, withdraw from work, or react in ways we later regret  rolling our eyes in a meeting, snapping at colleagues, or staying silent when we should speak up.</p><p>Too often we grin and bear it as if we have no choice. Or throw up our hands because one-size-fits-all solutions haven't worked. But you can only endure so much thoughtless, irrational, or malicious behaviour  there's your sanity to consider, and your career.</p><p>In <i>Getting Along</i>, workplace expert and <i>Harvard Business Review</i> podcast host Amy Gallo identifies eight familiar types of difficult coworkers  the insecure boss, the passive-aggressive peer, the know-it-all, the biased coworker, and others  and provides strategies tailored to dealing constructively with each one. She also shares principles that will help you turn things around, no matter who you're at odds with. Taking the high road isn't easy, but Gallo offers a crucial perspective on how work relationships really matter, as well as the compassion, encouragement, and tools you need to prevail  on your terms. She answers questions such as: <i>Why can't I stop thinking about that nasty email?! What's behind my problem colleague's behavior? How can I fix things if they won't cooperate? I've tried everything</i>  <i>what now?</i></p><p>Full of relatable, sometimes cringe-worthy examples, the latest behavioral science research, and practical advice you can use right now, <i>Getting Along</i> is an indispensable guide to navigating your toughest relationships at work  and building interpersonal resilience in the process.</p>]]></Text>
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			<SubjectHeadingText>Ancestral worship practices; Anthropological and Sociological Aspects; Anthropology of death; Community roles in bereavement; Cross-cultural comparisons of bereavement; Cultural Rituals and Traditions; Death acceptance and awareness; Death as a cultural phenomenon; Emotional processing of grief; Finding meaning in death; Funeral customs worldwide; Grief in different cultures; Personal and Philosophical Reflections; Personal narratives of loss; Philosophical views on mortality; Rituals of mourning; Sociology of grief; Symbolism in death rituals; feminism; grief and death in capitalism; personal stories of grief; podcasts; south London; true crime</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Anthropologist Naomi Westerman was studying death rituals around the world</b> <b></b> <b>when her whole family died.</b></p><p>Upon losing those closest to her, Naomi Westerman saw that death was more than just an abstract academic concept; it was a deeply painful and personal experience. She became fascinated by loss and grief, and hoped to cope and demystify death by turning to history, art, and pop culture.</p><p><i>Happy Death Club</i> examines the many faces of death and grief in Westerman's own life and in cultures around the world. From expensive coffins and unconventional burials to horror films and true crime, what does our treatment of death and dying have to tell us about how we live our lives? What makes a 'good death'? And who owns our bodies before and after we die?</p><p>Both meaningful and darkly humorous, <i>Happy Death Club</i> presents a frank, curious look at this universal human experience  one we're often too afraid to talk about  and what lies beyond.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Naomi Westerman</b> is a playwright and former anthropologist. As an anthropologist, Naomi studied death rituals around the world, also working on mental health and gender. She is a recipient of the Royal Society of Literature Award, the Michael Grandage Futures Bursary, the Derby Theatre / In Good Co Mid-Career Commission Award, and was a finalist for the Theatre Uncut Political Playwriting Award at the Young Vic. <i>Happy Death Club</i> is her first non-fiction book.</p>]]></Text>
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			<SubjectHeadingText>Richard o'brien; absolute pleasure; anniversary; criticism; fiftieth; film studies; lgbt; lgbt+; lgbtq; meat loaf; messy; musicals; problematic; problematic fave; queer; queer film; queer musicals; rhps; rhps 50th; rocky horror; rocky horror picture show; susan sarandon; tim curry; time warp; trans</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Queer writers reflect on the complicated legacy of</b><b><i>The Rocky Horror Picture Show</i></b><b>.</b></p><p>Since its earliest midnight showings at the Waverly Theater in New York City, <i>The Rocky Horror Picture Show</i> has been an underground sensation. For five decades, people around the world have dressed up and gathered in dark theatres to dance, yell, mime obscene acts, and forge connections with other queer people and weirdos.</p><p>The film shattered expectations and social norms at the time of its release. But how does its presentation of queerness  not to mention its portrayals of murder, manipulation, consent violation, and cannibalism  hold up today? The essays in <i>Absolute Pleasure</i>  by queer writers including Sarah Gailey, Grace Lavery, and Magdalene Visaggio  explore the film's complicated legacy, along with queer and trans joy, sexuality, family, generational understandings of queerness, and what we do with our problematic faves.</p>]]></Text>
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			<SubjectHeadingText>Arin Hiscock Murphy; Divination tools; Encyclopedia of 5000 spells; Green Witch; Halloween; Imbolc; Judika Illes; Psychic abilities; Samhain; beginners; cards; elements; four elementsSpiritual healing; inner guidance; magic; magic studies; manifestation magic; oracle deck; pagan; potions; simple spells; spellcraft; wicca; witchcraft; witchcraft for beginners; withcy gifts</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>From the bestselling author of</b> <b><i>The Encyclopedia of 5,000 Spells</i></b><b> comes the ultimate toolkit for practicing the healing, transformative power of magic.</b></p><p>In<i> Magic Spells Oracle</i>, 36 full-colour cards offer clarity and inspiration to focus your intention and rebuild your power  with guidance through life, relationships, career, travel, and more. Reconnect with the essence of nature and rekindle the magic within with cards divided into the elements of Air, Earth, Fire, and Water. An accompanying guidebook outlines the framework for crafting your home altar and charging your oracle, reading and finding inspiration in the cards and their layouts, and connecting with your inner wisdom and deepening your magical practice.</p><p>Discover the magic in everything  including you.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Romanticise your life!</b></p><p>A 'Happily Ever After' in love isn't just something you wish for  it's something you create. You are the main character and the author of your own love story, and the fairy-tale romance of your dreams is possible. It's time to remember your magic, reclaim your ability to manifest, and shape your story. Like any fairy-tale hero, you'll need a bit of help from magical guides. Angels, mermaids, and faeries are here to be those divine guides, assisting you in all matters of the heart.</p><p>In <i>Magical Ever After: Manifesting Your Fairy-Tale Romance with Angels, Mermaids &amp; Faeries</i>, you'll learn how to work with these magical allies and establish beautiful, lifelong relationships with each. These spirits from the highest realms of light want to help you transform your love life, heal your heart, and discover romance  all you have to do is ask! This book provides journaling prompts, meditations, spells, and more to help you uncover what's truly blocking you in love.</p><p>Through each practice, you'll learn to forgive past relationships, romanticise your life, fall in love with yourself, and shift your mindset to become a magnet for the love you seek. Remember, your love story can be as grand, as romantic, and as magical as you wish. Anything is possible once you heal your heart and align your energy with the divine love that's waiting for you. You're capable of manifesting your own magical ever after  and that journey starts now!</p>]]></Text>
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			<SubjectHeadingText>Boris Johnson; Brene Brown; Brexit; David Keen; Eichmann; Gilligan; Nazism; Princeton University Press; Shame: The Politics and Power of an Emotion; Trump,populism; advertising; body; civil war; conflict zones; consumerism; disasters; emotions; fascism; humiliation; inequality; magical thinking; polarization; political psychology; post-truth; poverty; psychology; right-wing populism; shameless; shamelessness; shaming; violence; war</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Today, we are caught in a shame spiral  a vortex of mutual shaming that pervades everything from politics to social media. We are shamed for our looks, our culture, our ethnicity, our sexuality, our poverty, our wrongdoings, our politics. But what is the point of all this shaming and countershaming? Does it work? And if so, for whom?</p><p>In <i>Shame</i>, David Keen explores the function of modern shaming, paying particular attention to how shame is instrumentalised and weaponised. Keen points out that there is usually someone who offers an escape from shame  and that many of those who make this offer have been piling on shame in the first place. Self-interested manipulations of shame, Keen argues, are central to understanding phenomena as wide-ranging as consumerism, violent crime, populist politics, and even war and genocide. Shame is political as well as personal. To break out of our current cycle of shame and shaming, and to understand the harm that shame can do, we must recognise the ways that shame is being made to serve political and economic purposes.</p><p>Keen also traces the rise of leaders on both sides of the Atlantic who possess a dangerous shamelessness, and he asks how shame and shamelessness can <i>both</i> be damaging. Answering this question means understanding the different <i>types</i> of shame. And it means understanding how shame and shamelessness interact  not least when shame is instrumentalised by those who are selling shamelessness. Keen points to a perverse and inequitable distribution of shame, with the victims of poverty and violence frequently being shamed, while those who benefit tend to exhibit shamelessness and even pride.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>David Keen</b> is professor of conflict studies in the Department of International Development at the London School of Economics and Political Science. He is the author of <i>The Benefits of Famine, Conflict and Collusion in Sierra Leone, Endless War?, Complex Emergencies, Useful Enemies,</i> and<i> When Disasters Come Home.</i></p>]]></Text>
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			<SubjectHeadingText>Andes; Bolivia; Indigenous; Indigenous Rights; Indigenous communities; Indigenous land seizure; Latin America; Latin American politics; Mexico; Peru; assimilation; autonomy; collective action; communal land; communities; conscription; ethnic conflict; ethnic rights; ethnicity; extraction; historical legacies; identity; indigenous autonomy; integration; labor conscription; self-governance; social organizations; sovereignty; state-led extraction; unions</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>How resistance to extraction shaped Indigenous demands for autonomy, integration, or assimilation</b></p><p>From the onset of colonialism, Indigenous communities have faced seizure of their land, labour, and resources by non-Indigenous actors. In <i>The Long Shadow of Extraction</i>, Christopher Carter argues that the native groups' resistance to extraction took distinct forms, and that this variation explains why some communities demanded autonomy while others demanded integration or assimilation. Countering existing scholarship that assumes a universal demand for autonomy, Carter shows that some Indigenous communities in fact refused government offers to recognise their local political authority and longstanding economic institutions.</p><p>Carter argues that contemporary Indigenous demands were forged in early twentieth-century efforts to resist extraction. Drawing on two emblematic Latin American cases, Peru and Bolivia, Carter shows that in communities where traditional Indigenous leaders organised resistance, ethnic mobilisation occurred and gave rise to enduring demands for autonomy, or state recognition of Indigenous identities and institutions. In communities where unions and leftist parties organised resistance, class-based mobilisation became the norm. This led communities to reject autonomy and demand instead integration (state recognition of Indigenous identities but not Indigenous institutions) or assimilation (state recognition of neither Indigenous identities nor institutions). Carter's groundbreaking account of Indigenous resistance has important implications for understanding not only the historical emergence of autonomy but variations in identity-based mobilisation in multiethnic democracies.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Christopher L. Carter</b> is assistant professor of politics and the John L. Nau III Assistant Professor in the History and Principles of Democracy at the University of Virginia.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Calls for an imaginative surge to fix our battered societies, fusing bold ideas and practical experiment.</p><p>As the world confronts the fast catastrophe of Covid and the slow calamity of climate change, we also face a third, less visible emergency: a crisis of imagination. We can easily picture ecological disaster or futures dominated by technology. But we struggle to imagine a world in which people thrive and where we improve our democracy, welfare, neighbourhoods or education. Many are resigned to fatalism  yet they desperately want transformational social change.</p><p>This book argues that, although the threats are real, we can use creative imagination to achieve a better future: visualising where we want to go and how to get there. Political and social thinker Geoff Mulgan offers lessons we can learn from the past, and methods we can use now to open up thinking about the future and spark action.</p><p>Drawing on social sciences, the arts, philosophy and history, Mulgan shows how we can recharge our collective imagination. From Socrates to Star Wars, he provides a roadmap for the future.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sir Geoff Mulgan</b> is Professor of Collective Intelligence, Public Policy and Social Innovation at University College London. Formerly he was chief executive of Nesta, and held government roles (19972004), including as the Prime Minister's Strategy Unit director and as Downing Street's head of policy. He is the founder or co-founder of many organisations, from Demos to Action for Happiness, and the author of many books.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Written during a genocide,</b><b><i>After Savagery</i></b><b>reveals the ethical bankruptcy of 'Western philosophy' and how it undergirds the erasure of the colonised.</b></p><p>The death toll in Gaza continues to rise  a cold, lifeless number representing entire communities crushed under the weight of settler colonialism.</p><p>What remains of the theories we use to understand our world?With lyrical and lucid fury, Hamid Dabashi exposes the racist roots of Western philosophy, demanding that readers overcome its pernicious phantom of relevance. Rather than perceiving 'the West' as giving carte blanche to Israel, Dabashi insists that Israel must be understood as its quintessence.</p><p>If Israel is the West and the West is Israel, then Palestine is the world and the world is Palestine. Holding to glimmers from revolutionary works of literature and film, Dabashi argues, in grief and love, that the wretched of the earth need poetry after barbarism  and that Palestine is the site of a liberated imagination.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Hamid Dabashi</b>is the Hagop Kevorkian Professor of Iranian Studies and Comparative Literature at Columbia University. Among Dabashi's recent books are<i>On Edward Said: Remembrance of Things Past,The End of Two Illusions: Islam after the West</i>, and<i>Iran in Revolt: Revolutionary Aspirations in a Post-Democratic World.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>City of Kashmir</i> offers readers a journey into the 2,000-year history of Srinagar, exploring its written history, legends and oral traditions to take a living pulse. In exploring the city's geography, it maps the daily rituals of life and the accompanying material culture, as well as the crafts for which Srinagar is justly famed worldwide. Based on twenty years' research in Srinagar as a heritage consultant, Sameer Hamdani's narrative is shaped and populated by glimpses of the historical built environment and other rich personal reflections, as well as selected translations of Sanskrit, Persian and Kashmiri poetry from the medieval and early modern periods.</p><p>Hamdani provides a detailed overview of the origin and development of Srinagar on a scale never previously attempted, covering the entirety of the pre-Muslim and Muslim eras in medieval Kashmir, with a focus on the cultural life of the city. Richly illustrated with drawings, sketches and other images, this inviting book will be a timely addition to our expanding knowledge of regional cultures across South Asia, especially as witnessed through their material production and legacies.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A fascinating account of how Saudi Arabia leveraged its massive oil wealth to alter the balance of power in world football.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Kingdom of Football </i>explores how and why Saudi Arabia burst onto the landscape of world football in 2023, and examines what the speed and scale of Saudi engagement  as investor, owner, sponsor, host and competitor  might mean for the Kingdom and for football.</p><p>Writing as both a football fan and a Gulf specialist, Kristian Coates Ulrichsen offers historical and comparative contexts for Saudi Arabia's startling emergence as a world football hub in the 2020s, exploring both previous Saudi investment in the game, in the 1970s, and national attempts elsewhere to kickstart the sport, as in the United States, Japan and China.</p><p>Going beyond popular media labels such as 'sportswashing', this fascinating book examines what drives Saudi policymaking, connecting the move into football with domestic economic and social developments, as well as external and foreign policy considerations. It also examines how Riyadh's foray into world football both builds upon and yet differs from the approaches taken by other Gulf States, such as Qatar and the United Arab Emirates. Finally,Coates Ulrichsen assesses the sustainability and durability of the Kingdom's engagement with the sport in the decade-long countdown to the 2034 FIFA World Cup, which Saudi Arabia is set to host.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kristian Coates Ulrichsen</b> is Fellow for the Middle East at Rice University's Baker Institute for Public Policy. His books with Hurst include <i>Insecure Gulf </i>and <i>Centers of Power in the Arab Gulf State</i>s. He supports West Ham.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>What does 'home' mean? Is it where you come from, or is it somewhere that you have to create for yourself, building brick by brick on the ruins and treasures of everything that has gone before?</p><p>In this compelling memoir, Gosia Buzzanca tells the story of a young woman who leaves Poland at the age ofnineteen in search of a bigger life, hoping to leave the traumas of her teenage years behind her. After studying in England, she finds a rich new tapestry of experience awaiting her in Wales, with intertwined threads of love and literature, hope and despair. Motherhood brings new joys, but the pain of the past must be faced before this new life by the seaside can truly feel like home.</p><p>With the fearless honesty of a poet, Gosia offers her account of an extraordinary ordinary life where every flavour is tasted, every moment lived to its fullest. This story of a lifelong quest for home will call to anyone who has ever felt lost or incomplete, and who yearns to find a place where they belong.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gosia Buzzanca</b> was born in Pozna, Poland. She began publishing short stories in 2002, before moving to the UK in 2008. She earned a Creative Writing MA with distinction and was a recipient of the W&amp;A Working-Class Writers' Prize in 2022. <i>There She Goes, My Beautiful World </i>is her first book. She now lives, works and writes in Barry, Wales.</p>]]></Text>
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			<SubjectHeadingText>25 Card Tableau; 3 card spread; 9 Card Tableau; Celtic Cross; Divination tools; French tarot; How to lay the cards; How to read the tableau; Lenormand; Love &amp; sex tarot readings; Maria Alviz Hernando; Narrative Reading Techniques; Oracle Belline; Predictive analysis; Psychic abilities; Rune casting; StaarCon; Tarocco; Tarot; Tarot Grand Tableau; Tarot cards; Tarot community; Tarot houses; Tarot knowledge; Tarot readers of any skill level; What is tarot tableau?; What is tarot?; World Divination Association; accurate ways of reading tarot cards; book for tarot readers; card interpretation; cards for divination; cartomancy; cartomantic techniques; divination; divination teacher; historical tarot technique; inner guidance; laying out cards in a square; magic studies; manifestation magic; methods of divining with tarot; modern twist on a classic method; nine card tableau; personal transformation self-help; practical advice for tarot readers; practical tarot analysis; reader; reading tarot cards; rectangular card layout; tableau; tableau tarot; tableauTarot book; tarot &amp; reading; tarot and oracle decks; tarot card meanings; tarot conferences; tarot reading; tarot spreads; tarot system; tarot tableau book; tarot tableau examples; tarot techniques; tips and techniques for mastering tarot tableau; work &amp; money tarot readings; your tarot story</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A modern twist on a classic tarot method that enables readers to consistently interpret the cards with accuracy and confidence.</b></p><p>This first book from author Mara Alviz Hernando, director of the World Divination Association, offers tips and techniques for mastery of her tarot tableau system, allowing readers to easily see the interaction of characters, elements, and symbolism. Tarot tableau reading  laying out the cards in a square or rectangular shape and interpreting them in the way that one might interpret a painting  has become Mara's signature method. Cards are read in relationship to one another, and different tableaus utilize different numbers of cards.</p><p><i>Tarot Tableau Revolution</i> covers an entire system, teaching readers to interpret tarot based on classic cartomantic techniques. No dot is left unconnected in this approach! Readers learn how the cards interact on different levels: elemental, directional, relational.</p><p>Over the centuries, the tableau technique fell into obscurity, until Alviz Hernando began teaching and demonstrating her method. With <i>Tarot Tableau Revolution</i>, now all readers can benefit from the author's style, gaining the most accurate and substantive interpretation of tarot.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mara Alviz Hernando</b> is a tarot reader, divination teacher, and international speaker. Her signature style, known as tarot tableau, blends traditional tarot and European cartomancy techniques, resulting in a system that aims to make tarot effective, useful, and to the point. As a reader, she combines a predictive approach with practical analysis, exploring the possibilities available and offering actionable steps to deal with matters that are truly important to her querents.</p><p>As one of the directors of the World Divination Association and its Spanish-speaking branch, WDA Hispana, Mara is dedicated to promoting the love for divination worldwide. Education is a cornerstone of Mara's work, and she offers diverse online courses. Mara has had the privilege of presenting at numerous online and in-person conferences, including the WDA Big Bang Conference, Lenormand Summit, Divination Pride, Stockholm Tarot Conference, WDA Virtual Conference, and, most recently, StaarCon.</p><p>Beyond her undying love for tarot reading, Mara indulges in her other passions, including history and antiques (especially the world of antique jewellery), literature, cross-stitching, travel, and spoiling her bratty cats. She is based in Madrid and resides with her fabulous husband.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>As a highly empathic, intuitive child, <b>Melissa Kim Corte</b>r was fascinated by the dark, unexplored spaces in other people's basements. This early curiosity led her on a lifelong journey to study the hidden dimensions of the mind. Melissa's work celebrates the darker, misunderstood aspects of the personality, often challenging readers to confront what makes them uncomfortable. A depth psychologist and bestselling author, she integrates psychology with symbolic forms from film, fairy tales, and forensics and is trained in Jungian shadow work. Her books are essential guides for those ready to explore the depths of their own psyche and shadow.</p><p><b>Stephanie Wicker-Campbell</b> is an intuitive illustrator driven by the essence of the soul, unraveling the enchantment within the ordinary. Born in the United States but residing in Sydney, Australia, Stephanie's passion for travel and adventure is just one of the many aspects from which she draws her artistic inspiration. Channeling a diverse array of palettes, her work covers a broad spectrum, making her a sought-after partner for published projects. Her spellbinding designs grace oracle decks, journals, and book covers, resonating with audiences worldwide.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A definitive guide to the crystals, gems, and humble stones possessing the most ancient and powerful connections to magic and witchcraft.</b></p><p>Crystals are displayed prominently at virtually every witchcraft and metaphysical store; however, a comprehensive guide to their use in magic has been a missing element. Nicholas Pearson helps to remedy this with <i>The Witching Stones</i>, examining crystals, gems, and humble stones with the most ancient and powerful connections to magic. </p><p>In <i>The Witching Stones</i>, author Nicholas Pearson explores the historical usage of stones  including flint, hagstone, ammonite, fossil urchin, salt, lodestone, lead, toadstone, amber, jet, cross-stone, quartz, moonstone, and emerald  as well as why they are associated with witchcraft. He also offers practical and accessible uses for today's modern practitioner, from the basics of cleansing and consecrating your stones to more advanced techniques such as crafting lead curse tablets, blending incense and oils, and working lunar magic with moonstones.</p><p>Containing over fifty spells, rituals, and recipes, <i>The Witching Stones</i> focuses on the geology, history, and practical use of crystals and stones in magic, and is suitable for beginners who don't know what to do with crystals as well as experienced crystal lovers who want to take their practice to the next level. While many spell books feature the use of crystals, this is the first to take a deep dive into the topic, exploring the mineral kingdom in the context of alchemy, talismanic magic, and Luciferian witchcraft.</p><p><b><i>'The Witching Stones</i></b><b> draws from rich veins of geological and occult history, expertly carving that knowledge into practical, powerful magick for today's practitioner.'  Mat Auryn, author of</b><b><i>Psychic Witch</i></b><b>and</b><b><i>Mastering Magick</i></b></p>]]></Text>
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			<SubjectHeadingText>4 elements; 44 spells in this oracle; Akashic Records; Astrology; Astrology of Leadership; Divination tools; Empowered; Healing; Metaphysics; Oracle; Tarot; Witches; attract energy; deck for women; easy spells; easyspellwork; elemental oracle deck; focus my intention; four elements; health and wellness oracle; herbs; illustrated cards; intentions; magic spells and incantations; magical assistance; magick spells; natural medicine spells; oracle cards deck; oracle deck; personal growth; plant magic; pregnancy; recipes; rituals; self-caring; sexual health; spells to do at home; spellwork; witch; witchcraft</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Harness the diverse energies of the four elements with these simple, efficient spells and rituals.</b></p><p>With rituals, recipes, and intentions to ask for magical assistance, forty-four individual spell cards are divided into the four elements  Fire, Earth, Air, and Water  and feature planets, gods and goddesses, chakras, animal spirits, crystals, moon energies, and manifestations to aid you in your daily practice. Each card has a grounding colour palette and offers guidance and instruction to work with their energies. A guidebook accompanies the card deck, further clarifying the elements' power and potential.</p><p>Invoking the magic of <i>Elemental Spells</i> will focus your intention to attract new energies for personal growth, help identify your wishes, gain clarity, and accept personal vulnerability.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Julieta Surez Valente</b> was born in Argentina and has been dedicated to different disciplines of magic for many years. She is the author of several books and is also the founder and director of the MultiEspacio school, where she teaches tarot, astrology, akashic records, metaphysics, and healing workshops.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Many readers long to capture vibrant flowers and lifelike animals on paper and feel drawn to watercolour painting, but worry that it might be difficult to get started. If this describes you, then Watercolors in the Garden is the book for you.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Many readers long to capture vibrant flowers and lifelike animals on paper and feel drawn to watercolour painting, but worry that it might be difficult to get started. If this describes you, then <i>Watercolors in the Garden</i> is the book for you. A practical and inspiring watercolour guide, it leads you through the entire process, from selecting basic tools to gradually mastering techniques, allowing you to experience the joy of painting through a variety of rich projects. With garden plants and creatures as its theme, this book serves as both a guiding hand for watercolor beginners and an ideal companion for advanced artists looking to delve deeper into the world of colour and boost their creative confidence.</p><p>Step-by-step guidance on selecting painting tools and mastering techniques. The tools in this book are kept simple, and the paints are easy to manage. The recommended tools are easy to find and easy on the wallet, and the paint selection focuses on simple mixing, enabling you to quickly master color blending techniques. The painting techniques are of moderate difficulty, presented in a gradual progression from basic to advanced, offering readers a variety of methods to practice further.</p><p>16 clear and easy-to-follow, step-by-step projects for practical teaching. The examples cover a variety of charming flora and fauna, from vibrant flowers to lively birds, and from mysterious insects to graceful butterflies. Each case includes detailed step-by-step instructions and clear illustrations, making it easy for you to follow along. Additionally, the author thoughtfully specifies the required paint colours and recommended tools, while highlighting key challenges to help you successfully create the garden of your dreams.</p><p>Thoughtfully crafted designs make learning process convenient. To better meet readers' needs, the appendix includes line drawings that are to scale for all teaching cases, complete with perforated edges for easy removal. Transferring the line drawings enables even beginners to easily start their painting journey. The book is bound in a way that allows it to lay completely flat, making it convenient to follow the step-by-step instructions while painting.</p><p>Rich color combinations will spark your creative inspiration. The author integrates the aesthetic principles of traditional Chinese painting into watercolor, allowing the colours to flow naturally with a graceful, free-spirited style. The works emphasise colour diversity and visual experience, with detailed guidance on colour mixing and application to help readers portray the rich colour layers of flora and fauna, creating a sense of natural vibrancy and refined texture in each piece.</p><p><i>Watercolors in the Garden </i>is a guide suitable for anyone at any stage. With its rich content, thoughtful design, and vibrant colours, it reveals the hidden wonders of a garden. Whether you're a curious beginner or an enthusiast looking to explore new subjects, this book offers a visual feast, inviting you to appreciate the vitality of nature.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Zhou Feiyu </b>graduated from the School of Design at Nanjing University of the Arts, majoring in Interior Design. He has led and participated in various interior design projects and is skilled in various forms of painting, particularly watercolour, Chinese painting, modern illustration, and anime, using a flexible and diverse range of techniques. He also has a passion for photography and excels at capturing moments from daily life, gathering inspiration for his artwork and bringing warmth and originality to his creations.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A thinking person's guide to a better life. Ward Farnsworth explains what the Socratic method is, how it works, and why it matters more than ever in our time. Easy to grasp yet challenging to master, the method will change the way you think about life's big questions.</b></p><p>About 2,500 years ago, Plato wrote a set of dialogues that depict Socrates in conversation. The way Socrates asks questions, and the reasons why, amount to a whole way of thinking. This is the Socratic method  one of humanity's great achievements. More than a technique, the method is an ethic of patience, inquiry, humility, and doubt. It is an aid to better thinking, and a remedy for bad habits of mind, whether in law, politics, the classroom, or tackling life's big questions at the kitchen table.</p><p>Drawing on hundreds of quotations, this book explains what the Socratic method is and how to use it. Chapters include <i>Socratic Ethics</i>, <i>Ignorance</i>, <i>Testing Principles</i>, and <i>Socrates and the Stoics</i>. Socratic philosophy is still startling after all these years because it is an approach to asking hard questions and chasing after them. It is a route to wisdom and a way of thinking about wisdom. With Farnsworth as your guide, the ideas of Socrates are easier to understand than ever and accessible to anyone.</p><p>As Farnsworth achieved with <i>The Practicing Stoic</i> and the <i>Farnsworth's Classical English</i> series, ideas of old are made new and vital again. This book is for those coming to philosophy the way Socrates did  as the everyday activity of making sense out of life and how to live it  and for anyone who wants to know what he said about doing that better.</p><p><b>'A wonderful book.'  Rebecca Goldstein, author of </b><b><i>Plato at the Googleplex</i></b><b>.</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A debut memoir from one of the first women biologists in the United States to study wild wolves in their natural habitat</b> <b> a story of passion, resilience, and determination.</b></p><p>Called the Jane Goodall of wolves, world-renowned wildlife biologist Diane Boyd has spent four decades studying and advocating for wolves in the wilds of Montana near Glacier National Park. When she started in the 1970s, she was the only female biologist in the United States researching and radio-collaring wild wolves. With her two dogs for company, she faced the rigors of the Montana winter in an isolated cabin without running water or electricity.</p><p>Boyd fearlessly forded icy rivers, strapped on skis to navigate thick stands of lodgepole pine, and monitored packs from the air in a tiny bush plane that skimmed the treetops so she could count wolves and see what they were feeding on. She faced down grizzly bears, mountain lions, wolverines  and the occasional trapper  as she stalked her quarry: a handful of wolves that were making their way south from Canada into Montana. Resilient and resourceful, she devised her own trapping methods and negotiated with locals as wolf populations grew from the first natural coloniser to more than 3,000 wolves in the West today.</p><p>In this captivating book, Boyd takes the reader on a wild ride from the early days of wolf research to the present-day challenges of wolf management across the globe, highlighting her interactions with an apex predator that captured her heart and her undying admiration. Her writing resonates with her indomitable spirit as she explores the intricate balance of human and wolf coexistence.</p><p><b>'A gripping and vital portrait of wolf repopulation. It is impossible not to root for Diane, or for the wolves.'</b> <b> Erica Berry, author of </b><b><i>Wolfish</i></b><b><br/>'This is a book about a courageous woman. Often alone in wild country, she endures hardships and faces danger in many forms... It is a book I highly recommend: informative, fascinating, and beautifully written.'  Dr. Jane Goodall</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Diane K. Boyd</b> holds a PhD in Wildlife Biology from the University of Montana. She divides her time between her home in Kalispell, Montana, and her beloved cabin in the North Fork. She is the author of numerous scientific papers on wolves.</p><p><b>Douglas H. Chadwick</b> is a wildlife biologist. He is a frequent contributor to <i>National Geographic</i>, the author of more than two hundred articles on wildlife and wild places, and fifteen books, including <i>The Wolverine Way</i> and <i>Four Fifths a Grizzly</i>.</p>]]></Text>
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			<SubjectHeadingText>Spotify; Taylor Swift; Titian; art; art history; books about art; commercial art; contemporary artists; criticism; cultural criticism; cultural economics; historical analysis; patronage; reviewing; teaching</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>How artists make a living and how money changes art.</b></p><p>It may not be the worst time in history to get paid to make art, but it certainly is the strangest. The institutions and markets that have been supporting the arts are undergoing massive changes, some even disappearing. Meanwhile the tools to make art and find audiences have never been more accessible, and there are more people than ever making art.</p><p><i>How Artists Make Money and How Money Makes Artists</i> is an attempt to reckon with the history of money in the arts  from Titian to Taylor Swift  and how that complicated relationship is changing. David Berry analyses past and present financial dynamics in the arts to show the practicalities of how artists make a living and how that, in turn, affects the reception and perception of artists and their work: the impacts art has on wider society, how economic realities affect aesthetic judgements of art, what kind of people are able to work as artists, and how political and cultural ideas about the nature of art affect what kind of resources are made available to it.</p><p>David Berry explores how art has become central to our understanding of humanity by tying art to what makes the world go round: money. Along the way, he challenges popular ideas of what constitutes a successful artistic career and considers what our treatment of artists says about us.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>David Berry</b> is a writer, editor and critic. He spent the first two decades of his professional career profiling and critiquing the book, film, music and theatre scenes for an Edmonton-based alt-weekly, and then did the same nationally for the <i>National Post</i>. He has contributed essays, criticism and features to the <i>Globe and Mail, The Walrus, CBC, Hazlitt</i>, and many other places, some of which still exist.</p><p>His first book,<i> On Nostalgia</i>, was published in summer 2020 by Coach House Books, just in time for everyone to suddenly become incredibly nostalgic for a time when they could actually see people and maybe even buy books in person. He lives in Edmonton with his partner and their two children, one of whom is both old enough to read and quite insistent on being referenced in this biography.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sometimes it pays to be gay and do crime.</b></p><p>As communities are boldly rising to challenge capitalism, white supremacy, and authoritarianism, <i>Be Gay, Do Crime: Everyday Acts of Queer Resistance and Rebellion</i> is your ultimate guide to LGBTQ+ resilience and rebellion. Packed with daily snapshots of radical queer history, this book celebrates the bold, the brave, and the beautifully defiant moments that have shaped the fight for justice.</p><p>Ever wonder why the Stonewall protests became an uprising or what the earliest acts of queer resistance looked like? How about the ways queer communities have organised against oppression across the globe? <i>Be Gay, Do Crime</i> dives into these stories and so many more  from fierce acts of resistance to joyful victories  bringing to life the rich, diverse history of LGBTQ+ liberation.</p><p>By situating readers within a larger pattern of struggle, these everyday acts counter the erasure of queer people from history and serve as a reminder that our struggles are part of a broader fight against systemic violence and dehumanisation.</p><p>But, this isn't just a history book; it's a rallying cry. Flip to any page, soak up some inspiration, and join the legacy of resistance.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Zane McNeill</b> is the editor of <i>Y'all Means All: The Emerging Voices Queering Appalachia</i> (PM Press, 2022) and coeditor of <i>Deviant Hollers Queering Appalachian Ecologies for a Sustainable Future</i> (University Press of Kentucky, 2024).</p><p><b>Riley Clare Valentine</b> holds a PhD in political science from Louisiana State University. Their work focuses on care ethics critique of neoliberalism as well as analyses of political rhetoric.</p><p><b>Blu Buchanan</b> is an assistant professor in the Department of Sociology and Anthropology at UNC Asheville. Their academic writing has appeared or is forthcoming in journals like <i>GLQ: The Journal of Gay and Lesbian Studies</i> and <i>PUBLIC: A Journal of Imagining America</i>, as well as edited volume chapters in <i>Black Feminist Sociology: Perspectives and Praxis</i> and <i>Unsafe Words: Queer Perspectives on Consent in the #MeToo Era</i>. They have also written extensively in the public sphere, particularly about movements to disarm campus police and confronting trans antagonism in the university.</p><p><b>Cindy Barukh Milstein</b>, a diasporic queer Jewish anarchist, is the author of <i>Paths Toward Utopia: Graphic Explorations of Everyday Anarchism</i> and <i>Anarchism and Its Aspirations,</i> and the editor of anthologies such as <i>Constellations of Care: Anarcha-Feminism in Practice</i>; <i>Rebellious Mourning: The Collective Work of Grief</i>; <i>Deciding for Ourselves: The Promise of Direct Democracy</i>;and <i>There Is Nothing So Whole as a Broken Heart: Mending the World as Jewish Anarchists.</i></p><p><b>Working Class History</b> is an international collective of worker-activists who uncover our collective history of fighting for a better world and promote it to educate and inspire a new generation of activists.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A guide for agents of magical change.</b></p><p>From the creator of the 'Spell to Bind Donald Trump and All Those Who Abet Him', <i>Magic for the Resistance</i> has been helping magical practitioners create a more just and equitable world since 2018. Author Michael M. Hughes, upon reflecting on recent events, has revised and updated this essential title for the current political climate. From theory and reflections on a tense world to practical advice, this crash-course guide to magic is an on-ramp to the occult for the politically frustrated.</p><p>Calling upon revolutionary feminists and radical magic practitioners across time, including Allen Ginsberg and those who hexed Hitler in the 1940s, Hughes has built a concise, powerful magical tool kit for modern practitioners. Whether it is through one of the fifteen spells, advice on working magic in public, or a guide to 'guerilla magic', this book suggests grounded ways to keep forward momentum against fascism. <i>Magic for the Resistance</i> provides vital advice on building community and self-care (magical and non) to nourish the spirits of overworked and overwhelmed activists and freedom fighters.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An anthology of new travel writing by and for rebellious women adventuring through the world.</b></p><p>Travel writing can be exclusive, centring macho narratives of discovery and intrepid exploration, often made by men who step out on their own. But what about the everyday travelling we all do, the journeys we make out of necessity, or the stories of women sharing in adventure?</p><p><i>There She Goes</i> seeks to expand and redefine the genre of travel writing. In essays that are both defiant and deeply personal, we see the grit, purpose, and determination of women traveling with babies, with periods, with grief and loss, with menopause, with magic and humour, with bodies that are disabled or seen as foreign and other. Leena Rustom Nammari crosses between the West Bank and Jordan as a Palestinian travelling away from her homeland; Claire Askew recounts her pilgrimage to Salem, to honor the people murdered during the witch trials; and Lee Craigie upends the competitive parameters of an off-road bike race in the Highlands of Scotland</p><p>This inspirational collection offers a new perspective on what it means to be adventurous. In times where fear and worry seem so prevalent, it is a gift of courage and celebration.</p>]]></Text>
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			<SubjectHeadingText>Astrology; Elizabeth Pepper; Fixed Star; Folklore; Folklore and Magic; Geomancy; Gods of the Sky; Kitchen Magic; Lunar Nodes; Magic; Moon Calendar; New Age; Orishas; Pagan; Sabbats; Witchcraft; Witchcraft,; Zodiac Calendar; annual guide for the witchcraft enthusiast; annual witches guide; articles about Witchcraft; charms; hard-core Wiccans; herbal secrets; herbalism; horoscopes; in depth information; magic of water; mystic incantations; mythology and culture; pagan communities; rituals; spells; spring 2027; spring2026; tales of good and evil</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[The Witches' Almanac is a sophisticated publication appealing to general readers as well as hard-core Wiccans. At one level, it is a pop reference that will fascinate anyone interested in folklore, mythology, and culture, but at another, it is the most sophisticated annual guide available today for the mystic enthusiast.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Witches' Almanac</i> is a sophisticated publication appealing to general readers as well as hard-core Wiccans. At one level, it is a pop reference that will fascinate anyone interested in folklore, mythology, and culture, but at another, it is the most sophisticated annual guide available today for the mystic enthusiast.</p><p>Founded in 1971 by Elizabeth Pepper, the art director of <i>Gourmet</i> magazine for many years, <i>The Witches' Almanac</i> is a witty, literate, and sophisticated publication that will appeal to general readers as well as hard-core Wiccans. At one level, it is a pop reference that will fascinate anyone interested in folklore, mythology, and culture, but at another, it is the most sophisticated and wide-ranging annual guide available today for the mystic enthusiast.</p><p>Modelled after the <i>Old Farmers' Almanac</i>, <i>The Witches' Almanac</i> includes information related to the annual moon calendar (weather forecasts and horoscopes) as well as legends, rituals, herbal secrets, mystic incantations, interviews, and many a curious tale of good and evil. Although it is an annual publication, much of the content is both current and timeless  not specific to the date range of each issue.</p><p>The theme of issue 45 (Spring 2026Spring 2027) is <i>Water: The Mirror of Souls</i>. Also included are articles on geomancy, the lunar nodes, the zodiac calendar, fixed stars, kitchen magic, gods of the sky, orishas, and much more.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Theitic</b> is a prominent member of the New England Pagan community. He became editor/publisher of The Witches' Almanac, Ltd., upon the death of founder Elizabeth Pepper in 2005.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Keep your practice sharp wherever you go.</b></p><p>Travel puts us all in liminal spaces. But despite many practitioners' affinity for spaces betwixt and between, these areas have many practical and magickal dilemmas. <i>A Traveler's Guide to Making Magic</i> provides templates and examples for practicing in a broad range of locations and circumstances. Pagans and witches alike will find utility in this book, making it a worthy addition to their suitcase.</p><p><i>A Traveler's Guide to Making Magic</i> explores the practical, the magickal, and the ethical aspects of responsible and sustainable travel. Through travel-specific charms and spells, as well as divination for the path ahead, Lisa McSherry provides an experienced and insightful guide for modern practitioners seeking to incorporate a little bit of magick into their own journeys.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lisa McSherry</b> has published five books since 2000 and looks forward to continuing to do so until she transitions into her next incarnation. In 2006, she started Facing North, a free website for honest reviews of many alternative spirituality items. There, she coordinates a group and publishes new reviews each month. Her other website, JaguarMoon Coven, encompasses her work teaching and mentoring others, and that fills up anything someone might call "free time." A few years ago, she and her husband sold almost everything they owned and moved to Portugal to start a new life. There, she explores countries far older than the one she was born in and continues her many projects of service to the Pagan community.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Comprehensive and fully updated, <i>Frommer's Hawaii</i> covers all the major Hawaiian Islands, and takes you from world-famous beaches to secluded rain-forests to blazing hot restaurants  and everywhere in between.Frommer's authors are expert, seasoned journalists, like Natalie Schack and Catherine Toth Fox, the Editor of <i>HAWAI'I Magazine.</i> With their reliable, straight-shooting advice, you'll be snorkelling in palm-fringed lagoons, catching the sunrise over a soaring volcano, relaxing on postcard-ready beaches, and experiencing Hawaii's rich cultural traditions, history, and innovative regional cuisine  everything you need for an unforgettable trip.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Natalie Schack</b>is a writer and editor lucky enough to be born and raised on the island of Oahu. Her work has appeared in<i>HONOLULU Magazine, Curbed, Hawai'i Business Magazine, Green Magazine, Hana Hou!, Flux Magazine,</i>and many more. When she's not penning articles about the many marvelous facets of Hawaii's unique culture, food, art, and business scene, you'll find her rambling through the Koolau Mountains, swimming Oahu's south shores, and enjoying Honolulu city life with her husband and young son.</p><p>Born and raised on O'ahu, <b>Catherine Toth Fox</b> is the editor of <i>HAWAI'I Magazine</i>. Prior to this, she was the food editor at <i>HONOLULU Magazine</i> and worked for 10 years as a newspaper reporter in Honolulu. She's been a freelance writer and journalism instructor for 20 years  and recently published a children's book. If she's not writing, you can find her hiking, surfing or experimenting in the kitchen. She lives in Honolulu with her husband, son, dog, cat and two chickens.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Pauline Frommer's highly personal guide to her own home city has, in previous editions, twice been named 'Best Guidebook of the Year' by the North American Travel Journalists Association. Her book has been New York City's top-selling guide for the last decade. It's published in full colour, with dozens of engaging, helpful photos, and colour maps.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A longtime contributor to Frommer's guides,<b>Elizabeth Heath </b>and other outlets. When not traveling and writing about it, she enjoys rural life with her extended Italian family and houseful of pets.</p><p><b>Stephen Keeling</b>, various travel magazines, and numerous travel guides. Stephen resides in New York City.</p><p><b>Donald Strachan</b>He resides in London, England.</p>]]></Text>
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			<SubjectHeadingText>Albert Camus; Alejo Carpentier; Another Woman; Assassination; Baron Samedi; Cemetery; Cornel West; Creation myth; Deportee (Plane Wreck at Los Gatos); Dictatorship; Duvalier; Exile and the Kingdom; Fort Dimanche; Francois Duvalier; Graham Greene; Grandparent; Haitian Revolution; Haitians; Hector Hyppolite; Henri Christophe; His Family; Hurricane Katrina; In the Bedroom; Jacques Roumain; Jacques Stephen Alexis; Jean Dominique; Jean Genet; Jean-Bertrand Aristide; Jean-Jacques Dessalines; Jean-Michel Basquiat; Jonathan Demme; L'Artiste; La Strada; Le Cid; Literature; Madame Bovary; Magic realism; Memoir; Morgue; Mutability (poem); Napoleon; Newspaper; Nostalgia; Novelist; One Hundred Years of Solitude; Osip Mandelstam; Poetry; Prosper Avril; Ralph Ellison; Ralph Waldo Emerson; Roland Barthes; Saint Sebastian; Short story; Slavery; Song of Solomon (novel); Sophocles; Susan Sarandon; Susan Sontag; The Agronomist; The Artist at Work; The Dew Breaker; The Kingdom of This World; The Peasants; Their Eyes Were Watching God; Thrill Me; Toni Morrison; Toussaint Louverture; W. E. B. Du Bois; Wole Soyinka; Writing</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><i>'Create dangerously, for people who read dangerously. This is what I've always thought it meant to be a writer. Writing, knowing in part that no matter how trivial your words may seem, someday, somewhere, someone may risk his or her life to read them.'  Create Dangerously</i></p><p>In this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile, examining what it means to be an immigrant artist from a country in crisis. Inspired by Albert Camus' lecture, 'Create Dangerously', and combining memoir and essay, Danticat tells the stories of artists, including herself, who create despite  or because of  the horrors that drove them from their homelands.</p><p>She writes about the Haitian novelists she first read as a girl at the Brooklyn Public Library, Jean-Michel Basquiat and other artists of Haitian descent, and a renowned Haitian radio journalist whose political assassination shocked the world. She also eulogises an aunt who guarded her family's homestead in the Haitian countryside, a cousin who died of AIDS while living in Miami as an undocumented immigrant, and a Haitian woman mutilated in a machete attack who became a public witness against torture.</p><p><i>Create Dangerously</i> is an eloquent and moving expression of Danticat's belief that immigrant artists are obliged to bear witness when their countries of origin are suffering from violence, oppression, poverty, and tragedy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Crisis in a Tweet </i></b><b>explores the alarming reality that a single social media post can unleash severe consequences for individuals and organisations alike.</b></p><p>Unlike traditional emergencies caused by natural disasters or product failures, social media upheaval originates in the digital realm but leads to real world consequences  job losses, reputational harm, and public shame  disproportionate to the original act. This book provides a comprehensive analysis of how social media platforms serve not just as communication tools but as environments for the emergence of crises. Drawing on case studies from platforms like X, Facebook, and YouTube, this book outlines a fundamental shift in media ecology, where everyday digital interactions become amplified into firestorms. It investigates key drivers of this trend, including the democratisation of crisis creation, the amplified effects of online mobs, and the rise of partisan communities weaponising outrage.</p><p>From the unearthing of old posts to viral hashtag movements fueling global reputational attacks, this book explains how digital crises differ from traditional ones and why society assigns them outsized significance. Rather than advocating for more regulation and prevention, <i>Crisis in a Tweet </i>calls for a cultural shift in how we perceive and respond to online controversies.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The Handover chronicles the mentorship between a seasoned nurse on the verge of retirement and a young, idealistic newcomer just beginning her career. As Tilda Shalof reflects on her long and storied journey, she offers Lisa Mochrie both professional guidance on becoming a nurse and personal wisdom on becoming an adult.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In </b><b><i>The Handover</i></b><b>, nurse Tilda Shalof shares her knowledge and vast experience with student nurse, Lisa Mochrie. Their relationship unfolds through conversations, texts, emails, and real-time meetings, that span the COVID-19 pandemic to the present day.</b></p><p>As Shalof reflects on what has changed in the profession, she also seeks to identify the universal practices, values, and nursing ethos, that must be preserved. She and Mochrie discuss clinical challenges and personal struggles: from the rigours of nursing school and shift work to the stresses of 'adulting', such as dating, friendships, identity, self-care, and the search for balance.</p><p>This book offers practical advice and novel perspectives on long-standing issues, such as the meaning of the term nursing shortage and how to combat the pervasive problem of burnout. It explores compassion fatigue, emotional intelligence, boundary-setting, bias and privilege awareness, and the aspiration to provide person-centered care.</p><p><i>The Handover</i> is a candid, often humorous, and deeply intimate look into the world of nursing, which is too often overlooked by the media or regarded through overly sentimental stereotypes. Accessible to all readers and invaluable to students and educators, this book will stimulate critical conversations about what it means to care for others and oneself and how to repair our precious, but precarious, health care system.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>From the Gulf War to Gaza, a compelling critique of how and why Washington ensnared itself so destructively in the Middle East.</p><p>After Hamas' shocking 2023 attack on Israel, the United States stood firmly behind Israel's near-genocidal war on Gaza, despite widespread moral outrage and significant damage to Washington's global agenda. But Gaza is only the latest paradox in thirty-five years of Middle East policy. How did this pattern develop, why can't policymakers learn from repeated Middle Eastern calamities, and what does Gaza's destruction mean for America's place in the world?</p><p>Marc Lynch charts the United States' disastrously failed approach to the post-Cold War Middle East, where aspirations for US leadership and a calm region have only produced war, instability and humanitarian catastrophe. Lynch exposes the failure of each president's efforts to transform the Middle East in America's image, or pivot away from the region; Washington's refusal to take seriously the views of Middle Easterners; and its fantasy of forging a regional order 'without' the Palestinian issue.</p><p>Moving between American politics and Middle Eastern realities, this incisive account explains why US policy has not changed despite its horrifying human costs, from Iraq, Lebanon and Syria to Iran, Yemen and Libya.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Marc Lynch </b>is Professor of Political Science and Director of Middle East Studies at The George Washington University, founder of the Abu Aardvark blog, and author of <i>The Arab Uprising: The Unfinished Revolutions of the New Middle East,The New Arab Wars: Anarchy </i>and <i>Uprising in the Middle East.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A tale of violent terror and chilling unrepentance, from the only woman convicted of crimes against humanity in the Bosnian War.</p><p>In 2001, Biljana Plavi made history: she became the only female political leader ever prosecuted for mass atrocities. She was the one woman among 161 indictees at the International Criminal Tribunal for the Former Yugoslavia  and the first since Nuremberg to be convicted by an international court.</p><p>Charged with genocide and crimes against humanity, Plavi took a plea bargain. Just one other Bosnian Serb politician at her level was sentenced: Radovan Karadi himself, President to Plavi's Vice-President in the autonomous Republika Srpska. Yet before the conflict, Plavi had been a globally renowned scientist at the University of Sarajevo, penning journal articles and serving as faculty dean.</p><p>This gripping book revolves around hundreds of hours of interviews with a stridently unrepentant war criminal  now in her 90s, and a free woman. How did this biology professor end up heading a vengeful ethno-nationalist movement that murdered tens of thousands?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In this book, Armen Sarkissian, former president of Armenia, argues that small states can navigate the complex challenges of the twenty-first century in smarter ways than 'greater' powers. For smallness  often regarded as a weakness  can be a strength. It may induce insecurity in states, but also endows them with an instinct for survival. Large states are ponderous; small states can be agile and adaptive.</p><p>Drawing on his deep experience as a scientist, businessman, diplomat and head of state, Sarkissian offers captivating portraits of small states, from Africa to Europe to Asia, that have overcome seemingly insuperable odds to establish themselves as oases of political stability, cultural tolerance, technological innovation, financial prudence and scientific research. Sarkissian returns to the uncertain beginnings of these small states to demystify their improbable rise. Along the way, he introduces us to a cast of tenacious leaders with a knack for converting crisis into opportunity.</p><p>Widely regarded as the most respected Armenian leader on the world stage, Sarkissian ends with a poignant homage to his motherland. Part memoir, part manifesto, it is a stirring insight into the world's oldest Christian country, which is at once an ancient civilisation, a small state and a global nation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Armen Sarkissian</b> is a world-renowned theoretical physicist, diplomat, businessman and philanthropist. Armenia's former president (2018-2022) and prime minister (1996-1997), founding director of the University of Cambridge's Eurasia Centre and co-creator of TETRIS-Gold, he has held senior positions at BP, Alcatel-Lucent, Bank of America, the World Economic Forum, EBRD and the EastWest Institute (NY).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A definitive collection of Henry David Thoreau's major essays, annotated and introduced by Lewis Hyde.</b></p><p>Diverging from the long-standing custom of separating Thoreau's politics from his interest in nature, renowned author Lewis Hyde brings together essays that highlight the ways in which these two strands of thought were intertwined. Here, natural history begins not with fish and birds, but with a dismissal of the political world, and condemnation of slavery concludes with a meditation on the water lilies blooming on the Concord River.</p><p>This definitive edition includes Thoreau's most famous essays, 'Civil Disobedience' and 'Walking', along with lesser-known masterpieces such as 'Wild Apples', 'The Last Days of John Brown', and an account of Thoreau's 1846 journey into the Maine wilderness to climb Mount Katahdin  an essay that ends on a unique note of sublimity and terror in the face of raw nature. While Thoreau's ideal reader was expected to be politically engaged in current affairs and well versed in Greek, Latin, poetry, and travel narrative, Hyde's inviting annotations clarify many of Thoreau's references and recreate the contemporary context of the day, when the nation's westward expansion was bringing to a head the racial tensions that would result in the Civil War.</p><p>Hyde deems Thoreau's writing prophetic because 'the prophet speaks of things that will be true in the future because they are true in all time'. Thoreau's revelatory writing coupled with the luminous insights from Hyde  'one of our country's greatest public thinkers' (Lawrence Weschler)  make <i>The Essays of Henry David Thoreau</i> essential reading at a moment in our nation's history when his subversiveness, foresight, and lyricism are badly needed.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Henry David Thoreau</b> is one of the most widely recognised names in American letters. Born in 1817, he wrote extensively on naturalism, transcendentalism, philosophy, global and American politics, and abolition. He is best known for is the author of <i>Walden</i>, a seminal text on living simply in a natural environment, and <i>Civil Disobedience</i>, an essay arguing for the individual right to resist a morally unjust state. He died in 1862.</p><p><b>Lewis Hyde</b> is a poet, essayist, translator, and cultural critic. A MacArthur Fellow and renowned author, his previous books include <i>The Gift</i>, <i>Trickster Makes This World</i>, and <i>A Primer for Forgetting</i>. Hyde is a trustee of MacDowell and a founding director of Creative Capital. He was previously the director of undergraduate creative writing at Harvard University and taught writing and American literature for many years at Kenyon College. Now retired, he and his wife, the writer Patricia Vigderman, live in Cambridge, Massachusetts.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The essential guide to making, installing and living with beautiful, all-natural earthen floors  now fully revised and updated.</b></p><p>This full-colour guide includes complete step-by-step instructions for installing your own earthen floors as well as the history, use, and maintenance of this beautiful, durable, non-toxic flooring material. Updated to reflect current best practices, it is the only resource of its kind, widely recognised as an essential tool for anyone wanting to work with this beautiful and environmentally friendly construction method.</p><p>From sourcing and processing raw materials to applying the final finish, each stage of this exciting technique is demystified. Topics include:</p><ul><li>The story of earthen floors through the ages and their role in modern green building</li><li>Tips and tools for site preparation, mixing, pouring, burnishing, sanding, oiling, sealing, and more</li><li>Recipes and ratios for the ideal earthen floor mix, subfloor insulation and vapour barrier options, and how to achieve the perfect pour</li><li>Beyond the basics  inlays, color washes, prints, patterns, alternative fibers, and other creative options</li><li>Radiant heat, electric wire heated floors, and other improvements for cooler climates</li><li>Updated resources section with suggestions for tool and material suppliers.</li></ul><p>Packed with new in-depth case studies and inspirational photographs, and drawing on the collective knowledge of the most qualified and experienced practitioners, <i>Earthen Floors, Second Edition</i> is a must-read for natural builders, homeowners, architects, contractors, and DIY enthusiasts.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sukita Reay Crimmel</b> is considered one of the preeminent experts in the modern field of earthen floors. As well as presenting extensively on this exciting technique with organisations such as Aprovecho and Yestermorrow, she is the developer of Claylin  the first commercially available ready-made earthen floor product in North America. Sukita holds a Bachelor of Science in environmental studies and architecture from the University of Oregon, and is co-author of the original edition of <i>Earthen Floors.</i> Sukita lives in Portland, Oregon.</p><p><b>James Thomson </b>got his start with earth building in 2004, and since then has facilitated dozens of workshops and trainings in multiple states and countries, including Panama, Guatemala, Jamaica, India, and France. He also has a background in general construction and a driving desire to find ways to integrate natural building practices into more conventional modern homes. James has participated in many floor installations, both in workshop settings and for paying clients. He has lived on (or near) earthen floors for most of the past two decades and is co-author of the original edition of <i>Earthen Floors</i>. James lives in Williamsburg, MA.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>From the beginning of time, human societies have found themselves confronted by enemies too numerous or ferocious to defeat solely by force of arms. In these dramatic moments, wise leaders have turned to diplomacy to rearrange the gameboard in their favour and stymie seemingly unstoppable foes. In <i>Great Power Diplomacy</i>, American historian and diplomat A. Wess Mitchell recounts the forgotten story of how history's most legendary empires have used diplomacy as a tool of grand strategy to outwit, outmaneuver, and outlast militarily superior opponents.</p><p>Through fifteen centuries of history, <i>Great Power Diplomacy</i> recreates the perilous junctures, colorful personalities, and intricate statecraft that led to some of history's most stunning diplomatic achievements  and greatest disasters. The protagonists include giants like Richelieu, Metternich, Bismarck, and Kissinger, but also a lesser-known cast of scoundrels, eunuchs, drunkards, and fools. At every turn, fortune favoured those great powers with the foresight and dexterity to build winning alliances, splinter enemy coalitions, and, when necessary, make peace with their bitterest foes.</p><p>Diplomacy of this kind has become a lost art in recent years as Western elites embraced the illusion that globalisation and the spread of democracy would create a borderless world where nations would live in harmony and war would be abolished from the human story. But, as <i>Great Power Diplomacy</i> reveals, we will need to rediscover the secrets of skillful statecraft as the world enters an unstable new era in which continent-sized great powers compete for territory, resources, and prestige. By recalling diplomacy's rich past, we can equip ourselves for a more dangerous future.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>When a twenty-year-old Ukrainian arrived in London as a candidate for the position of secret agent in Britain's Secret Intelligence Bureau, the chiefs of what would one day become MI5 were wise to hire him, as he would become Britain's greatest spy, a man known by several names.</p><p>His ingenuity and his mastery of the trade, and his audacity and coolness when in danger, were highly praised. To penetrate the Irish Republican Army (IRA), he was given the code name of Sidney Reilly. He was tasked with kidnapping Lenin and Trotsky during the Russian Revolution, and visited the major battlefronts across Soviet Russia during the civil war, sending back proposals to defeat the Reds. He stole Germany's naval plans from Krupp and the harbor plans in Mongolia for Britain's allies, and he posed as a German officer to engage in discussions with the Kaiser and his chiefs of staff about their U-boat tactics against the Allies. He also helped to obtain oil from Persia to modernise Britain's Naval Fleet when Churchill was First Lord of the Admiralty.</p><p>In 1953, novelist Ian Fleming used Reilly's secret Admiralty Intelligence file to write his novels about a fictional secret agent he called James Bond 007. But Reilly's true exploits were even more thrilling and fantastic than those of the fictional James Bond. Reilly was Britain's best spy  but was he also a Soviet double-agent?</p><p>Author John Harte retells Reilly's story as it really was, in fast-moving prose with an eye for telling detail  and provides a twist: He tells us what really happened to Reilly after he vanished in Soviet Russia in 1925 and was assumed to have been murdered by Stalin's secret police. Find out what really happened to the man who inspired the creation of the world's most famous spy in <i>The Greatest Spy</i>. But Bond's adventures were fantasies, whereas Reilly's were real.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John Harte</b>was born in London, midway between two world wars, so his descriptions of both of them and the Russian Revolution and civil war (19171923), and Winston Churchill's life and leadership, tend to be closer to an eye-witness account than academic books written long after by authors who did not know the times. Several of his books describe how the biggest catastrophes for the West were communist, fascist, and Islamist fanatics. He had written three books about the Middle East, two about the rise of Hitler and the Nazi Party in Germany, one on Russia, and eight about Winston Churchill, including two with Skyhorse Publishing, <i>Churchill The Young Warrior</i>and <i>How Churchill Saved Civilization</i>. No other historian has written as many books about Churchill except his official biographer, Sir Norman Gilbert.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Maria Theresa (1717-1780) was once the most powerful woman in Europe. At the age of twenty-three, she ascended to the throne of the Habsburg Empire, a far-flung realm composed of diverse ethnicities and languages, beset on all sides by enemies and rivals. Barbara Stollberg-Rilinger provides the definitive biography of Maria Theresa, situating this exceptional empress within her time while dispelling the myths surrounding her. </p><p>Drawing on a wealth of archival evidence, Stollberg-Rilinger examines all facets of eighteenth-century society, from piety and patronage to sexuality and childcare, ceremonial life at court, diplomacy, and the everyday indignities of warfare. She challenges the idealised image of Maria Theresa as an enlightened reformer and mother of her lands who embodied both feminine beauty and virile bellicosity, showing how she despised the ideas of the Enlightenment, treated her children with relentless austerity, and mercilessly persecuted Protestants and Jews. Work, consistent physical and mental discipline, and fear of God were the principles Maria Theresa lived by, and she demanded the same from her family, her court, and her subjects. </p><p>A panoramic work of scholarship that brings Europe's age of empire spectacularly to life, <i>Maria Theresa</i> paints an unforgettable portrait of the uncompromising yet singularly charismatic woman who left her enduring mark on the era in which she lived and reigned.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Barbara Stollberg-Rilinger</b> is professor of early modern history and rector of the Institute for Advanced Study in Berlin. Her books include <i>The Holy Roman Empire: A Short History</i> (Princeton) and <i>The Emperor's Old Clothes: Constitutional History and the Symbolic Language of the Holy Roman Empire</i>. </p><p><b>Robert Savage</b> is the author of <i>Hlderlin After the Catastrophe</i> and has translated books by some of Germany's leading intellectuals and historians.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In 1851, the physicist Leon Foucault performed an unforgettable experiment. By suspending a large pendulum inside the dome of Paris' Pantheon, Foucault provided the first simple, direct empirical evidence of the Earth's rotation  an undeniable demonstration of heliocentrism. This experiment, conducted long after the Copernican Revolution and using a laboratory apparatus rather than astronomical observation, visually confirmed what had previously been accepted as theory. The pendulum's motion clearly illustrated the Earth's rotation. But Foucault's experiment did not end there. It sparked a range of subsequent reenactments and interpretations, each adding new layers to its meaning. Repeated over and again, its afterlives were many as were its ramifications.</p><p>Historian Michael Hagner revisits this epoch-making experiment and its reception from the nineteenth century to the present day and follows how cosmological questions conjoined political and aesthetic judgments about the public staging and history of science. The pendulum experiment, Hagner argues, is more than just a mere scientific demonstration. It contains within it the histories of technological innovation, ideological conflicts, and the rise of popular culture and visual media. In a series of insightful studies of literary, artistic, and scientific reenactments, Hagner uses both words and images to narrate the rich and complex legacy of this experiment.</p><p><i>Seeing Foucault's Pendulum</i> includes among other fascinating tales, a short but stunning history of the Copernican Revolution, the paradigm-shifting work of the nineteenth-century astronomer Camille Flammarion, and the reenactments of Foucault's experiment at the Smithsonian Institution and New York's United Nations building. Linking nature to culture and calling for world unity, the experiment's legacy extends beyond science. It has been reimagined in Umberto Eco's novel <i>Foucault's Pendulum</i> and in Gerhard Richter's 2018 installation, enchantments of the postmodern world theater where the relationship between knowledge and sensory experience is problematised anew. A complex symbol in the history of ideas  challenging our assumptions, inspiring artistic expression, and prompting philosophical reflection on our place in the cosmos  Foucault's experiment serves as a powerful reminder that both the Earth and the universe should never be reduced to a disposable mass of human hubris and of irresponsible manipulation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michael Hagner</b> is Professor Emeritus of Science Studies at ETH Zurich. His books include <i>Geniale Gehirne: Zur Geschichte der Elitegehirnforschung</i> and <i>Der Hauslehrer: Die Geschichte eines Kriminalfalls.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>When words are not heard but overheard, when phrases are perceived in bits and pieces, and when speakers, failing to do as they intend, state things that they never meant to say, the saying, in its unsteady relation to understanding, becomes an event. That event has long been studied by a disparate company of interpreters: prophets, priests, and rabbis, poets and philosophers, linguists, psychiatrists and psychoanalysts, novelists and filmmakers. All have suggested that in the contingencies of discourse, there are precious indications to be gleaned, for which special techniques are required. In <i>Far Calls,</i> Daniel Heller-Roazen reconstructs such arts of detection, interweaving ancient, medieval, and modern examples. From the rituals of the ancient Greeks, Jews, and Romans to Freud and Lacan, from Augustine's catching of a salvific scrap of speech to the inspiration that Breton and Yeats, Proust and Joyce, drew from profane cries and transmissions, <i>Far Calls</i> explores the powers of sonorous coincidence and the varieties of reading that it incites.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Daniel Heller-Roazen</b> is the Arthur W. Marks 1919 Professor of Comparative Literature at Princeton University. His is the author, most recently, of <i>Absentees: On Variously Missing Persons</i>; <i>No One's Ways: An Essay on Infinite Naming</i>, <i>Dark Tongues: The Art of Rogues and Riddlers</i>, and <i>The Fifth Hammer: Pythagoras and the Disharmony of the World</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>An ancient tradition holds that Pythagoras invented harmony. It is said that one day, he wandered by a forge and, hearing a wondrous sound come from within, ventured in to investigate. He found five men hammering with five hammers. To his astonishment, he discovered that four of the five hammers stood in a marvellous set of proportions, which, when combined, allowed him to reconstruct the laws of music. But there was also a fifth hammer. Pythagoras saw and heard it, but he could not measure it; nor could he reason its discordant sound. He therefore discarded it.</p><p>What was this hammer, such that Pythagoras chose so decidedly to reject it? In <i>The Fifth Hammer</i>, Daniel Heller-Roazen lucidly shows how that fabled gesture offers a key for understanding ideas of harmony in the broadest sense of the term. Since antiquity, 'harmony' has been a name for more than a theory of musical sounds; it has constituted a paradigm for the scientific understanding of the sensible world. Nature, through harmony, has been transcribed in the ideal elements of mathematics. But, time and again, the transcription has run up against one fundamental limit: something in nature resists being written down in a set of ideal units. A fifth hammer, obstinately, continues to sound.</p><p>In eight chapters, linked together like the tones of a single scale, <i>The Fifth Hammer</i> explores the sounds and echoes of that percussion, as they have made themselves felt on the most varied of attempts to understand the natural world. In vastly different and yet complementary ways, ancient thought and early modern science and philosophy, before and after Galileo, encountered a troubling dimension of nature, which they sought to interpret and resolve.</p><p>Confronting disproportion, they revealed their fundamental aims and limits. From music to metaphysics, from aesthetics to astronomy, and from Plato and Boethius to Kepler, Leibniz and Kant, <i>The Fifth Hammer</i> explores the ways in which orderings of the sensible world have continued to suggest a reality that neither notes nor letters can fully transcribe.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Daniel Heller-Roazen</b> is the Arthur W. Marks '19 Professor of Comparative Literature at Princeton University. His is the author, most recently, of <i>Absentees: On Variously Missing Persons</i>; <i>No One's Ways: An Essay on Infinite Naming</i>; and <i>Dark Tongues: The Art of Rogues and Riddlers</i>. His books have been translated into many languages. Heller-Roazen is a Fellow of the American Academy of Arts and Science and received the medal of the College de France in 2010.</p>]]></Text>
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			<SubjectHeadingText>50s Hollywood; Hollywood avant-garde directors; books about directors; cult classics; cult films; ed wood best movies; ed wood biography; ed wood books; ed wood filmography; forgotten films rediscovered; kitsch; tim burton; worst director of all time</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>For generations, Ed Wood has been known as 'the worst director of all time'. This sympathetic critical study repositions the director of <i>Plan 9 from Outer Space</i> as a maverick independent whose work challenges the boundary between 'bad' and 'good'.</p><p>When Edward D. Wood, Jr. died in 1978 at fifty-four, just days after being evicted from his home, he was largely forgotten. Two years later, he was named 'Worst Director of All Time'  a title that cemented his cult status. By the time a youthful Johnny Depp starred in an eponymous movie about the filmmaker in 1994, Wood's low-budget films including <i>Plan 9 from Outer Space</i>, <i>Glen or Glenda</i>, and <i>Bride of the Monster</i>, had become beloved 'so bad they're good' classics. Since then, rediscovered works and shifting cultural attitudes have led new audiences to embrace his eccentric style and ahead-of-his-time takes on gender and genre.</p><p><i>Ed Wood: Made in Hollywood USA</i> is a critical reappraisal that takes Wood seriously, positioning him as a true independent who blurs the lines between high and low art. Will Sloan traces his marginal career  from Bela Lugosi collaborations to pornographic films  and explores how Wood's chaotic sets, fading stars, and taboo subjects created something singular. Placing his films in their cultural context, Sloan reveals how Wood fused grindhouse with avant-garde, nostalgia with innovation, and failure with vision. Marking the centennial of Wood's birth, this engaging take is both a timely investigation into the politics of taste and a loving tribute to a defiant outsider artist.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Will Sloan </b>is a Toronto-based writer and critic. His work has appeared in <i>The New Yorker, Harper's, Jacobin, NPR, Little White Lies, Cinema Scope, The Believer,</i> and others. He is the cohost of two film and culture podcasts, <i>Michael &amp; Us </i>and <i>The Important Cinema Club.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[Add a taste of the Philippines to your favourite cookies, brownies, cakes, breads and more with the first-ever baking cookbook dedicated to the yam called ube!]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Add a taste of the Philippines to your favourite cookies, brownies, cakes, breads and more with the first-ever baking cookbook dedicated to the yam called ube!</b></p><p>Ube, a purple yam originating from the Philippines, is totally unique  it is flavourful, sweet, nutty, and, best of all, bright purple. Its one-of-a-kind flavour and showstopping colour have made it the trendiest ingredient in baked goods and desserts in Asia and around the world. Now, with over 50 beautiful photographs and easy-to-follow recipes, award-winning baker Henry Awayan offers his traditional childhood favourites as well as brand-new creations in <i>The Ube Baking Book</i>, including:</p><ul><li>Ube Halaya (Filipino jam)</li><li>Lola's Coffee Cake with Ube Crumble Topping</li><li>Traditional Halo-Halo with Ube Ice Cream</li><li>Ultraviolet Bavarian Cream</li><li>Gluten-Free Ube Mochi Pancakes</li><li>Lilac Milk Bread</li><li>And more!</li></ul><p>Perfect for fans of Trader Joe's Ube Mochi Pancake and Waffle Mix or home chefs of all levels, this book will add a pop of colour to your baking game.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Henry Awayan</b> is baker and owner of the award-winning Whisk Cake Creations in Alameda, CA. He began baking at the age of 10 when he baked his first cake for his mum after she returned home from a trip in the Philippines. A graduate of culinary and pastry school as well as the Ice Cream School through the Agricultural Science winter program at Penn State, he has worked for various bakeries, catering companies, restaurants, country clubs and hotels throughout the San Francisco Bay Area. After many years in the industry, he decided to follow his childhood dream and opened his very own bakery in 2014.In 2017, Henry was featured on the Food Network Show, <i>Bakers vs Fakers</i>. Over the past 8 years, his cakes have also been featured on local news stations and in SF Gate. Whisk Cake Creations was recently voted Best Bakery in Alameda, 2022. Henry has a strong passion for baking just as much has he has a strong passion for his family and friends. He lives in San Leandro with his wife, Margie, and two children.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Discover the true versatility of instant ramen noodles with over 50 innovative recipes for soups, salads, desserts, snacks, and more!</b></p><p>Instant ramen makes for a great and easy meal on its own, but have you ever wondered about the possibilities it holds? Have you ever considered doing more than simply dumping the package and some hot water into a bowl and calling it a day? <i>Ramen Remix</i> will school you in the art of noodle-based cooking with its 52 innovative and creative ramen-based recipes for soups, salads, desserts, snacks, and more. Decorated with beautiful anime-inspired illustrations, <i>Ramen Remix</i> provides quick and easy tips, tricks, and recipes to create unique dishes like:</p><ul><li>Ramen Pan Pizza</li><li>Ramen Bolognese</li><li>Bacon, Egg, and Noodle Scramble</li><li>Thai Basil Spring Rolls</li><li>Chocolate Peanut Haystacks</li><li>And more!</li></ul><p>Perfect for college students, ramen enthusiasts, and anime fans alike, <i>Ramen Remix</i> contains all the quick-and-easy recipes you need to transform a regular old pack of ramen noodles into a remarkably delicious meal.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jessica Harlan</b> is the author of nine cookbooks, including <i>Quinoa Cuisine, Tortillas to the Rescue, Crazy for Breakfast Sandwiches</i>, and <i>The Little Book of Takoyaki</i>. Her food-writing career has taken her to some amazing places: eating a multicourse truffle feast in a village in Italy, judging a hot and spicy food competition in Albuquerque, sipping iced cider in Montreal. A graduate of the Institute of Culinary Education, she's written for HGTV, the Food Network, <i>Southern Living</i>, AllRecipes, <i>Town &amp; Country,</i> and more.</p><p>She lives in Atlanta with her husband and two teenagers, who never complain when ramen is being served for dinner. Visit her website at JessicaHarlan.com or follow her on Instagram at @jessica_g_harlan.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Get the everyperson's guide to running from "America's coach" Jeff Galloway, and experience the unforgettable lifetime accomplishment of running a marathon.</b></p><p>If you haven't already begun training for a marathon, you've probably thought about doing so. Former Olympic athlete and record-setting distance runner Jeff Galloway is here to say, "You can do it!" Jeff has been coaching runners for more than 50 years. He is the official training consultant for the runDisney series of races. With the new edition of <i>Marathon,</i> he'll guide you every step of the way. Jeff has updated his unique programs that show runners how to train for-and finish-a marathon.</p><p>Jeff's revolutionary run walk run method of training has enabled hundreds of thousands of people to complete marathons, and you can be among them. This innovative method opens marathon running to everyone, including those who may be out of shape, overweight, or past their athletic prime. Discover how to set up a personal training program, stay motivated, avoid injuries, burn fat, and more. You won't have to compromise your career or family life to be successful. This new edition includes updated training schedules with recovery components, and most training weeks require only 3 x 30 minutes of running or walking. You'll also appreciate the latest information on nutrition, mental training, eliminating injuries and exhaustion, and step-by-step instructions that give you control of your training regime.</p><p>Jeff's motivation techniques have kept countless marathoners on the road to their goals. This book shows you how to keep the fun in your run and how to stay away from aches and pains. With such guidance, it's possible for almost anyone to achieve the lifetime goal of finishing a marathon-while enhancing health, stamina, and life quality.</p><p>Benefit from coverage of topics like these:</p><ul><li>Training and inspiration</li><li>Food and fat-burning</li><li>Dealing with injuries and getting older</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jeff Galloway</b> is known as America's coach. After a competitive running career that included competing in the 1972 Munich Olympic Games, he dedicated his professional life to helping others improve their lives through fitness. His groundbreaking <i>Galloway's Book on Running</i> has sold more than 700,000 copies and continues to be a key resource for athletes. His 32 books have been translated into 17 languages and are used around the globe.</p><p>Jeff's approachable and inspirational ethos has led him to become a sought-after keynote speaker. He serves as the official training consultant of runDisney and as a Global Coach with Garmin. Jeff's life mission is to allow everyone in the world to enjoy the unique brain- and body-enhancing benefits of exercise while carrying on life's activities. According to Jeff, his greatest accomplishment is hearing how his philosophies have helped improve the lives of exercisers across the world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Voices of Thunder</i> illuminates the stories and beliefs of a dozen seventeenth-century radical Protestant women, including a Colchester woman who feared that her four children would starve to death and a former maidservant from Yorkshire who was granted an audience with the sultan of the Ottoman Empire. Their belief in spiritual equality empowered them to resist the status quo, questioning the authority of those who sought to lord it over them.</p><p>From mostly humble backgrounds, they found ways to make their voices heard, creating some of the earliest autobiographical accounts in English and allowing us a rare and precious glimpse of the lives and experiences of women in the early modern era.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A moving memoir of grief, healing, and the unbreakable bond between man and dog, set against the lush backdrop of rural Ireland.</b></p><p>After the sudden loss of his father, film scholar and father of two boys, Dara Waldron finds unexpected solace in Ireland's East Clare region. There, on an abandoned farm, he encounters a lone, enigmatic border collie  Oscar. What begins as an animal rescue gradually evolves into a profound companionship that helps Waldron navigate his grief.</p><p>Oscar is no ordinary dog. A working sheepdog by nature, his instincts pull him to charge ahead  yet always return. As Waldron embarks on daily walks through misty woodlands and along rugged hillsides, their bond deepens. Each step through the Irish countryside becomes part of a ritual of recovery, trust, and understanding.</p><p>In spare, lyrical prose and accompanied by cinematic images of Oscar's life, <i>A Sheepdog Named Oscar</i> is more than a story of a man and his dog  it's a meditation on place, memory, the call of the wild, and the quiet strength found in nature and companionship. With reflections on cinema, art, and animal consciousness, Waldron crafts a uniquely soulful memoir that explores the emotional terrain of loss and the redemptive power of connection.</p><p><b>For readers of Jon Katz, Helen Macdonald, and nature-infused memoirs, </b><b><i>A Sheepdog Named Oscar</i></b><b> is a poignant reminder that sometimes the path to healing begins with a four-legged guide.</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dara Waldron</b> is a film scholar and author of two monographs and multiple articles in international film journals and magazines. His 2018 book <i>New Nonfiction Film: Art, Poetics and Documentary Theory</i> is a standard reference for documentary filmmaking courses across the globe. He teaches Critical and Contextual studies at Limerick School of Art and Design and has been a visiting Professor at Aalto University in Helsinki, LUCA School of Arts in Brussels, and the Ethnography Lab at University of Colorado, Boulder. In 2023 he published a study of sheepherding traditions that formed the background for<i>A Sheepdog Named Oscar</i>, his first memoir. Born in Manchester and raised in Ireland, he currently lives on the border between County Limerick and Tipperary in Ireland's Midwest, close to the gates of well-known Glenstal Abbey and its school, which feature prominently in his memoir.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From a writer who has 'invented a new form' (Annie Ernaux), an exploration of mortality, alienation, boredom, surveillance, and how we regard ourselves among the animals.</b></p><p><i>Animal Stories</i> begins with Kate Zambreno's visit to the monkey house at the Jardin des Plantes in Paris, where one stark tree 'seems to be the stage design for a simian production of <i>Waiting for Godot'</i>. But who are the players and who is the audience, and can they recognise each other?</p><p>What follows is a series of reports from the deep strangeness of the zoo, a space that is 'more often than not deeply sad, an odd choice for regular pilgrimages of fun'. Amid excursions with their young children, Zambreno turns to Garry Winogrand's photographs and John Berger's writings on animals, reshaping the spectator as the subject to decode our complex 'zoo feelings'  what we project, and what we refuse to see. Then, in the 'Kafka system' that dovetails with these zoo studies, Zambreno thinks through the notebooks and animal stories of a writer known for playing at the threshold between species, continuing their investigation into the false divide between human and animal.</p><p>Drawing on forms including reports, essays, journals, and stories, Zambreno renders visible the enclosures we construct and the ones we occupy ourselves.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kate Zambreno </b>and a collaborative study on tone in literature with Sofia Samatar. They live in Brooklyn with their two children and their partner, John Vincler. A 2021 Guggenheim Fellow in Nonfiction, they are a PhD candidate in performance studies at NYU.</p>]]></Text>
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			<SubjectHeadingText>Ancient; Antiquities; Architect; Architectural; Architecture; Art; Artifacts; Birds; Brass; Buildings; Capital; Century; Collections; Collectors; Colonial; Columns; Components; Construction; Continent; Cultural; Culture; Design; Dogon; Door; Edo; Egyptian; Elements; Exhibition; Expedition; Floor; Government; Grassfields; Heritage; Historical; History; Kingdom; Kubo; Material; Modern; Motifs; Museum; Musee; Oba; Objects; Ornament; Palace; Panels; Pieces; Power; Region; Restitution; Roof; Royal; Scale; Sculptures; Site; Snakes; Space; Stone; Structural; Structure; Swahili; Togu; Twentieth; Twentieth century; Walls; Wood; Yoruba; Zodiac; p</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A groundbreaking history of Africa's looted architectural heritage  and a bold proposal for the repatriation of the continent's stolen cultural artifacts</b></p><p>Between the nineteenth century and today, colonial officials, collectors, and anthropologists dismembered African buildings and dispersed their parts to museums in Europe and the United States. Most of these artifacts were catalogued as ornamental art objects, which erased their intended functions, and the removal of these objects often had catastrophic consequences for the original structures. <i>Africa's Buildings</i> traces the history of the collection and distribution of African architectural fragments, documenting the brutality of the colonial regimes that looted Africa's buildings and addressing the ethical questions surrounding the display of these objects.</p><p>Itohan Osayimwese ranges across the whole of Africa, from Egypt in the north to Zimbabwe in the south, and spanning the western, central, and eastern regions of the continent. She describes how collectors employed violent means to remove elements such as columns and door panels from buildings, and how these methods differentiated architectural collecting from conventional collecting. She shows how Western collectors mischaracterised building components as ornament, erasing their architectural character and concealing the evidence of their theft. Osayimwese discusses how the very act of displacing building parts like floor tiles and woven screen walls has resulted in a loss of knowledge about their original function and argues that because of these removals, scholars have yet to fully grasp the variety and character of African architecture.</p><p>Richly illustrated, <i>Africa's Buildings</i> uncovers the vast scale of cultural displacement perpetrated by the West and proposes a new role for museums in this history, one in which they champion the repatriation of Africa's architectural heritage and restitution for African communities.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Itohan I. Osayimwese</b> is professor of the history of art and architecture and urban studies at Brown University, where she is an affiliate faculty in Africana studies and at the Center for Latin American and Caribbean Studies. She is the author of <i>Colonialism and Modern Architecture in Germany</i> and the editor of <i>German Colonialism in Africa and Its Legacies</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>While trees are celebrated as symbols of natural beauty, they are increasingly at risk from climate change, disease, fires, and urban expansion.</b></p><p><i>Trees Ancient and Modern</i> explores humanity's deep connection with trees and woodlands, highlighting their splendour and importance and the challenges they face. The book examines debates about creating new woodlands, exploring questions of location, ownership, and management. Using diverse sources such as literature, art, historical records, scientific surveys, and oral histories, Charles Watkins reveals how people have used, valued, and understood forests over time. He also evaluates modern threats to woodlands and considers how best to conserve them.</p><p>Richly illustrated, this is a global social and cultural history of forests that provides valuable insights for future management.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Charles Watkins</b> is professor of rural geography at the University of Nottingham. His books include <i>Trees in Art</i> and <i>Trees, Woods and Forests</i>, both also published by Reaktion Books.</p>]]></Text>
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			<SubjectHeadingText>amigurumi; hamburger; needle craft; yarn; stitch; food; sweets; candy; donut; ice cream; cake; pancakes; color fun; happy; jumbo; Japanese; kids; kawaii; play; big; oversize; pillow; cushion; doll; tart</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Supersized amigurumi treats that are too cute to eat!</b></p><p>Bring your appetite and a crochet hook as you step into the whimsical and wonderful world of supersized amigurumi food with this collection of 26 larger-than-life designs that are sure to bring a smile to your face. From donuts and macarons to hotdogs and hamburgers, and even some traditional Japanese sweet treats, there's something to satisfy every appetite. These oversized amigurumi make playful pillows and cushions, huggable toys, or decorative objects perfect for kids, pets, and the young at heart. Full of special details and fun touches, these crocheted treats will spark imagination and boost your mood!</p>]]></Text>
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			<SubjectHeadingText>choice; choice architects; choosing; commonplacing; consumer culture; decision making; democracy; feminism; freedom; human rights; liberalism; menu of options; neoliberalism; right to choose; shopping; social dance; social dance/social dancing; social dancing; Sophia Rosenfeld; The Choice Is Yours: A History of Freedom in; Modern Life; voting; Choice; Freedom; Ballot; Election; Abortion; Suffrage; Sexes; Secret ballot; Politics; Feminist; Sexual; Albeit; Consumer choice; Expression; Conscience; Pontefract; Atlantic; Dance cards; Psychology; Autonomy; Feminism; Independence; Economists; Roe; Rational; Ballroom; Protestant; Economicus; Homo; Democratic; Contrary; Homo economicus; Abortion rights; Dancing masters; Consumer goods; Shop windows; Parliamentary elections; Commonplace books; Voting booth; Dance floor; Supreme court; Casting vote; Ballot boxes; Luxury goods; Religious freedom; Century wore; Jane austen; Commercial culture; Century novels</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A sweeping history of the rise of personal choice in the modern world and how it became equated with freedom.</b></p><p>Choice touches virtually every aspect of our lives, from what to buy and where to live to whom to love, what profession to practice, and even what to believe. But the option to choose in such matters was not something we always possessed or even aspired to. At the same time, we have been warned by everybody from marketing gurus to psychologists about the negative consequences stemming from our current obsession with choice. It turns out that not only are we not very good at realising our personal desires, we are also overwhelmed with too many possibilities and anxious about what best to select. There are social costs too. How did all this happen? <i>The Age of Choice</i> tells the long history of the invention of choice as the defining feature of modern freedom.</p><p>Taking readers from the seventeenth century to today, Sophia Rosenfeld describes how the early modern world witnessed the simultaneous rise of shopping as an activity and religious freedom as a matter of being able to pick one's convictions. Similarly, she traces the history of choice in romantic life, politics, and the ideals of human rights. Throughout, she pays particular attention to the lives of women, those often with the fewest choices, who have frequently been the drivers of this change. She concludes with an exploration of how reproductive rights have become a symbolic flashpoint in our contemporary struggles over the association of liberty with choice.</p><p>Drawing on a wealth of sources ranging from novels and restaurant menus to the latest scientific findings about choice in psychology and economics, <i>The Age of Choice</i> urges us to rethink the meaning of choice and its promise and limitations in modern life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A philosophical and poetic journey recounting the author's relationship with his four sheep and other animals in his home in the Blue Mountains. Both memoir and eloquent testament to animal rights.</p><p><b>'One of the most beautifully written books about animals I have ever read. I know of nothing else like it published in this or any other country. Deep, sensitive, charming, instructive and above all, humble. I cannot imagine anyone reading it without coming away in some profound sense altered.' - Jeffrey Moussaieff Masson, author of <i>When Elephants Weep</i></b></p> <p><b>'...agorgeous book.&amp;nbsp; Anyone who loves animals will be enchanted...but it's abook that will challenge your thinking as well...highly recommended.'&amp;nbsp;-&amp;nbsp;<i>ANZ LitLovers LitBlog</i></b></p><p><b><i><em>'The Grass Library</em>&amp;nbsp;</i>traces the author's tree-change, from inner-Sydney Professor of Australian Literature to his current existence in the upper Blue Mountains: born-again vegan; carer of rescue animals. Paralleling this geographical transition is an ideological one: an attempt to untether himself from conventional ways of thinking about and relating to non-human animals...[<i>The Grass Library</i>] captures the deft meanderings, sideways movements and unexpected leaps of [Brooks'] mind.'&amp;nbsp;<b>- <i><a href="https://plumwoodmountain.com/adele-dumont-reviews-the-grass-library-by-david-brooks/" target="_blank">Plumwood Mountain</a></i></b><br/></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>David Brooks</b> is a poet, novelist, short-fiction writer and essayist. He has taught literature at various Australian universities, and from 1999 until 2018 was co-editor of <i>Southerly</i>, Australia's premier journal of Australian literature and new Australian writing. He is a vegan and animal rights advocate, and lives in the Blue Mountains of New South Wales. In 2014 he was awarded an Australia Council Fellow ship for his distinguished contribution to Australian and international literature.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Animal Dreams</i> collects David Brooks' thought-provoking essays about how humans think, dream and write about other species. Brooks examines how animals have featured in Australian literature and culture, from <i>The Man from Snowy River</i> to Phar Lap to contemporary debates about horse-racing, live animal exports, veganism, and the culling of native species such as kangaroos and sharks. In his piercing, elegant, widely celebrated style, he considers how private and public conversations about animals reflect older and deeper attitudes to our own and other species, and what questions we might ask to move these conversations forward.</p><p>For readers interested in animal welfare, conservation, and the relationship between humans and other species,<i> Animal Dreams</i> will be an essential, richly rewarding companion.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Why Enlightenment culture sparked the Industrial RevolutionDuring the late eighteenth century, innovations in Europe triggered the Industrial Revolution and the sustained economic progress that spread across the globe. While much has been made of the details of the Industrial Revolution, what remains a mystery is why it took place at all. Why d]]></Text>
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			<Text textformat="02"><![CDATA[<p>Why Enlightenment culture sparked the Industrial RevolutionDuring the late eighteenth century, innovations in Europe triggered the Industrial Revolution and the sustained economic progress that spread across the globe. While much has been made of the details of the Industrial Revolution, what remains a mystery is why it took place at all. Why did this revolution begin in the West and not elsewhere, and why did it continue, leading to today's unprecedented prosperity? In this groundbreaking book, celebrated economic historian Joel Mokyr argues that a culture of growth specific to early modern Europe and the European Enlightenment laid the foundations for the scientific advances and pioneering inventions that would instigate explosive technological and economic development. Bringing together economics, the history of science and technology, and models of cultural evolution, Mokyr demonstrates that culture-the beliefs, values, and preferences in society that are capable of changing behavior-was a deciding factor in societal transformations.Mokyr looks at the period 1500-1700 to show that a politically fragmented Europe fostered a competitive "market for ideas" and a willingness to investigate the secrets of nature. At the same time, a transnational community of brilliant thinkers known as the "Republic of Letters" freely circulated and distributed ideas and writings. This political fragmentation and the supportive intellectual environment explain how the Industrial Revolution happened in Europe but not China, despite similar levels of technology and intellectual activity. In Europe, heterodox and creative thinkers could find sanctuary in other countries and spread their thinking across borders. In contrast, China's version of the Enlightenment remained controlled by the ruling elite.Combining ideas from economics and cultural evolution, A Culture of Growth provides startling reasons for why the foundations of our modern economy were laid in the mere two centuries between Columbus and Newton.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Joel Mokyr,</b> winner of the Nobel Prize in Economics, is the Robert H. Strotz Professor of Arts and Sciences and Professor of Economics and History at Northwestern University and Senior Professor at the Eitan Berglas School of Economics at Tel Aviv University. His books include (with Avner Greif and Guido Tabellini) <i>Two Paths to Prosperity: Culture and Institutions in Europe and China, 10002000</i> (Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, ALS Gold Medal 2024**</b></p><p>In <i>Frank</i>, Jordie Albiston has combined daily snapshots from Australian photographic pioneer Frank Hurley's Antarctic diaries into a moving poetry collage. This volume, comprising about 120 poems, offers a portrait of Hurley as photographer and as man, at the end of the heroic era of exploration. Albiston explores the idea that historical narratives can yield a strange and unexpected power when subjected to the pressures of poetic form, and in this way she brings Hurley's thoughts and actions to life in a manner never seen before.</p><p>Frank Hurley accompanied both Mawson and Shackleton on their celebrated expeditions to Antarctica in the early twentieth century. Hurley's polar diaries, held at the National Library of Australia, represent a written adjunct to his pictorial surveys of what was then a geographical, cultural and artistic unknown.</p><p><i>Frank</i> is a beautiful, evocative and highly accessible volume that will delight both poetry readers and those interested in Antarctica and Hurley. The poems were written and compiled during the author's tenure as the National Library of Australia's 2021 Creative Arts Fellow in Australian Writing. Jordie Albiston sadly passed away during the production of <i>Frank</i>; NLA Publishing is proud to now be realising her vision.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Harry Peters - formerly Hermann Ludwig Pollnow, known to his family as Mutzi - was born in Berlin in 1920. As a teenager, he fled Nazi Germany and landed in rural Australia. Harry's parents, Max and Edith, stayed and perished in Nazi camps.</b></p><p>This story, of forced migration, assimilation, loss, resilience and determination despite the odds, is one that has been lived countless times throughout history and continues to be a common human experience. Harry's particular experience also tells the history of refugee farmers in rural Australia and migrant labour companies during WWII.</p><p>Scholfield-Peters tells her grandfather's story with three intertwining threads: a sketched-out history based on Harry's testimony and documentary history; her engagement with this personal history from a third-generation perspective; and the present story of Harry's growing infirmities and eventual death in early 2021 at age 100.</p><p>Through the hybrid narrative non-fiction form, Scholfield-Peters investigates her family history and seeks to share an ethical historical account of Harry's life. This work necessarily skirts the edges of fiction and non-fiction, as Scholfield-Peters weaves her deep research with Harry's recollections and imagines the unknown details.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Tess Scholfield-Peters</b> is a Sydney-Eora based writer and academic. Currently she teaches creative writing at the University of Technology Sydney. Previously Tess worked as senior journalist for the independent community newspaper Urban Village, based out of Sydney's Surry Hills. Tess's writing spans the academic and literary fields with a focus on life writing and narrative non-fiction, hybrid literature and memory studies, and her work is featured in significant Australian and international publications. Dear Mutzi is her first book, drawn from her recently completed Doctorate.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Olive Cotton is one of Australia's most respected photographers, with a career that spanned over six decades. In 1995, the National Library of Australia produced a volume collating over 60 works, from her earliest photographs taken with a box Brownie, her exhibition work in the 1930s and examples of the commercial work from the Max Dupain Studio during the war, through to the 'country' years raising a family and photographing nature, her return to public prominence in 1985 with her first solo exhibition, and more recent works.</p><p>Each photograph is accompanied by Olive Cotton's own commentary where she speaks about her compositions. Helen Ennis's introduction reveals some of the complex factors that have shaped Cotton's photographs and photographic career, while a biographical memoir written by Cotton's daughter, Sally McInerney, provides a personal glimpse into the life of a photographer in country Australia.</p><p><i>Olive Cotton</i> reproduces the 1995 edition in a new and affordable format, and is a beautifully produced survey of Olive Cotton's finest photographs dating from the 1930s up to the late 1990s.</p><p><i>The Olive Cotton</i> collection at the National Library comprises 58 photographic prints, most of which are silver gelatin, three interviews with Olive Cotton in the oral history collection, and the Papers of Olive Cotton in the manuscripts collection.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The modernist RSL club, the Art Deco cinema, the stilted Queenslander or the elaborate Edwardian. The iconography of Australia's regional towns is familiar to many of us, whether we live, work and play in these places, or just journey through. A distinctive Australian architecture has developed, less glamorous or coherent than the grand public buildings in the capital cities, but no less classic or important to our sense of identity.</p><p>The images in this book are a snapshot of the Australian town, from Warrnambool to Broome, captured by the National Library of Australia's photographers in the 1990s. Each building is a reflection of the local climate, history, landscape and people, and yet there are commonalities. When we make a pitstop at a town on our summer pilgrimage to the coast or to visit relatives, recognise the surf lifesaving club, the public pool, a milkbar because we know the architectural language. These are our towers and spires.</p><p>An Australian town might contain more or fewer Victorian, Edwardian, Federation, Colonial, Italianate, Modernist, Contemporary and Art Deco buildings. Its suburbs might have been built in a gold rush fervour in the 1850s or have sprawled in the 1960s or big blocks and old homes replaced with blocks of flats in the 1980s. But the design mishmash that so upset Robin Boyd in the 1960s today can move us and make us feel at home. Here is the Great Australian Beauty of our towns, in all its nostalgic, iconic, recognisable glory.</p><p></p><p>List of towns included in <i>Our Streets: The Regional Cities and Major Towns Project:</i></p><p>ALBANY, ALBURY, ALICE SPRINGS, ARMIDALE, BAIRNSDALE, BALLARAT, BATHURST, BEGA, BENDIGO, BERRIMA, BOWEN, BRAIDWOOD, BROKEN HILL, BROOME, BUNBURY, BUNDABERG, BURNIE, BURRA, CAIRNS, CARNARVON, CHARTERS TOWERS, CLONCURRY, COFFS HARBOUR, COOBER PEDY, COOTAMUNDRA, DENILIQUIN, DERBY, DEVONPORT, DUBBO, ECHUCA, GAWLER, GEELONG, GERALDTON, GOULBURN, GUNNING, GYMPIE, HAMILTON, HERMANNSBURG, HOLBROOK, HORSHAM, KALGOORLIE, KATHERINE, LAUNCESTON, LISMORE, MACKAY, MAITLAND, MARYBOROUGH, MENINDEE, MITTAGONG, MOE, MURRAY BRIDGE, NARRABRI, NEW NORFOLK, NEWCASTLE, ORANGE, PORT LINCOLN, PORT PIRIE, QUEENSTOWN, RENMARK, ROCKHAMPTON, SHEPPARTON, SWAN HILL, TAMWORTH, TOWNSVILLE, TUMUT, VICTOR HARBOUR, WAGGA WAGGA, WARRNAMBOOL, WARWICK, WHYALLA, WINTON, WOLLONGONG, WYCHEPROOF, WYNDHAM, YASS, YOUNG</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Australian Business Book Awards 2025, Leadership Category**</b></p><p>Despite the surge of women into university, jobs and sitting in federal parliament, why are men still overwhelmingly running the show?</p><p>Fewer women are running governments, and the small proportion who make it as CEO has barely budged. The major culprit is right under our noses. Entrenched gender bias about who should be the boss means leadership is mainly seen as a masculine endeavour. And no matter how well qualified and experienced, women continue to be underestimated and face an obstacle course of sexism to get to the decision-making table.</p><p>In <i>Breaking the Boss Bias</i>, Catherine Fox sounds the alarm. She argues that toxic sexism woven through processes, beliefs, management, education and leadership norms is keeping privileged men in power, making decisions for us all. It's time for a new way to lead and to unlock the talent being wasted from boss bias.</p><p><b>'Forensically researched, tightly argued, suffused with Fox's trademark wit,</b> <b><i>Breaking the Boss Bias</i></b><b> presents a compelling case for more women leaders and asks the question  why are they still so rare?'  Jane Caro</b></p><p><b>'What a wake-up call! We are moving backwards on gender, and the stats for women who come from diverse backgrounds are staggering. This is compulsory reading for all leaders.'  Shirley Chowdhary</b></p><p><b>'No matter what they do or how high they fly, most women know what it feels like to be ignored or left out of decision-making. Instead of being fobbed off with excuses, this important and practical book outlines why it happens and what we can all do about it.'  Melissa Doyle AM</b></p><p><b>'This book isn't just about women but about building a better future for everyone. A powerful and important book for our times and must-read for all leaders.'  Kirstin Ferguson AM</b></p><p><b>'This meticulously researched case for change is exactly what we need to move us from incrementally playing around the edges to sustainable, systemic progress towards gender equality in leadership.'  Michelle Ryan</b></p><p><b>'Catherine cuts through the crippling stereotypes, exposes backlash and bias, delivers disruption and serves up seven steps for real change. She has proven to be Australia's corporate gender equality whisperer.'  Natasha Stott Despoja AO</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Walkley Awardwinning journalist <b>Catherine Fox</b> spent two decades at the <i>Financial Review</i>, writing the popular Corporate Woman column, and has consulted to many of Australia's largest organisations, including the ADF. She is the author of <i>Better than Sex</i> (with Helen Trinca), <i>Women Kind</i> (with Kirstin Ferguson), <i>The F Word</i> (with Jane Caro),<i> 7 Myths about Women and Work</i> and <i>Stop Fixing Women</i>. In 2022 she was made a member of the Order of Australia for services to journalism and gender equity.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Sexual harassment, domestic violence and date rape had not been named, although they certainly existed, when<i>Damned Whores and God's Police</i>was first published in 1975. That was before the Sex Discrimination Act of 1984 and before large numbers of women became visible in employment, in politics and elsewhere across society. It's hard to imagine an Australia where these abuses were not yet fully understood as obstacles to women's equality, yet that was Australia in 1975.</p><p>It was in this climate that Anne Summers identified 'damned whores' and 'God's police', the stereotypes that characterised all women as being either virtuous mothers whose function was to civilise society or bad girls who refused, or were unable, to conform to that norm and who were thus spurned and rejected by mainstream Australia.</p><p>These stereotypes persist to this day, argues Anne Summers in this updated version of her classic book which, in the 40 years since it was first published, has sold well over 100,000 copies and been set on countless school and university syllabuses. Who are today's damned whores? And why do women themselves still want to be God's Police? And although sexual harassment, domestic violence and date rape are well understood today they are nevertheless still with us and seem to be increasing. The fight is far from over.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A rich biography of artist-turned-environmental campaigner John Busst.</b></p><p>Known to his enemies as 'The Bingil Bay Bastard', John Busst, a Bendigo-born Melbourne bohemian artist, moved to tropical Bedarra Island in North Queensland and underwent an extraordinary transformation to become one of Australia's most successful conservationists. In the 1960s and early 70s Busst led campaigns to protect two of Australia's most important and endangered environments - saving lowland rainforests from destruction and the Great Barrier Reef from reckless resource mining for oil, gas, cement and fertiliser. A plan Busst likened to 'bulldozing the Taj Mahal to make road gravel'. Along the way Busst obtained the active support of five current or future prime ministers - Holt, Whitlam, Gorton, Hawke and Fraser.</p><p>This inspiring biography, from award-winning historian Iain McCalman, is a timely reminder that the passionate commitment of ordinary citizens is crucial to achieving truly transformative environmental change.</p><p><b>'John Busst's love of beauty and reverence for science combined to leave two awesome, interconnected but still tragically vulnerable legacies: the conservation of both the North Queensland rainforests and the Great Barrier Reef. Iain McCalman, among the country's finest historians, brings to life one man's journey from art to activism, locating the roots of modern environmental consciousness in a highly creative and productive partnership of aesthetics, humanitarianism, science and politics.' - Frank Bongiorno</b></p><p><b>'In</b> <b><i>John Busst</i></b><b>, Iain McCalman turns his attention to the artist, architect, naturalist and environmental campaigner who helped save the Great Barrier Reef from destruction in the 1960s with hugely impressive results. Vivid, expansive and richly intelligent, it is both a tribute to a remarkable life and a fascinating and timely study of how an unlikely group of activists transformed the way Australians understand the environment.' - James Bradley</b></p><p><b>'Iain McCalman's rich and incisive history of John Busst's resolute and brilliant fight to save the Great Barrier Reef affords us a desperately needed exemplar of what authentic love and commitment to the Earth, combined with persuasive strategy and formidable collaborations can do. The book is a shot in the arm for anyone who doubts our capacity to protect Earth's others and a reminder that it is the wonderous nature of the Earth itself that makes ecological warriors of ordinary people.' - Danielle Celermajer</b></p><p><b>'This inspiring story of John Busst's life is as rich in character and charm as the reef and rainforest ecosystems he fought so hard to protect. It's a captivating account of the battleground for Australian conservation, fought on the beaches and forests of North Queensland. Fabulous!' - Danielle Clode</b></p><p><b>'We are all in debt to John Busst, pioneer defender of the environment. Here Iain McCalman brilliantly charts his life and his successful crusade to save Queensland's reef and adjacent rainforest - one of the world's great ecosystems.' - Bill Gammage</b></p><p><b>'Eye-opening and inspiring. The unforgettable story of one man's struggle to save two of Australia's most treasured world heritage environments - Queensland's Wet Tropics rainforest and the Great Barrier Reef.' - Mark McKenna</b></p><p><b>&amp;#x27;McCalman's book is a fine homage to a dedicated life. It's also a portrait of the kind of person who makes a difference. Busst was clever, charming, thoughtful and, perhaps above all, a good, strategic communicator.&amp;#x27; - Rosemary Sorensen, </b><b><i>Independent Australia </i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Iain McCalman</b> AO, FASSA, FAHA, FRSN is a highly respected and award-winning professor of history and the humanities (now emeritus) at the University of Sydney and the Australian National University. He has published numerous books. <i>The Reef  A Passionate History, from Captain Cook to Climate Change</i>, was published in Australia and the USA. He is a retired founder and co-director of the Sydney Environment Institute.</p>]]></Text>
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			<SubjectHeadingText>ethnic cleansing; Western Sydney; Nepal; refugee; Bhutan; Blacktown</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Om Dhungel was forced to flee Bhutan as a refugee, eventually arriving in Australia - this traumatic upheaval brought a surprising blessing: what Om learned about life when he lost everything except life itself.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>I lost my possessions, my salary, my status, my career, my country. And in that fall, I gained everything.</b></p><p>Bhutan is known as the land of Gross National Happiness, a Buddhist Shangri-la hidden in the Himalayas. But in the late 1980s, Bhutan waged a brutal ethnic-cleansing campaign against its citizens of Nepali ancestry, including Om Dhungel and his family.</p><p><i>Bhutan to Blacktown</i> tells Om Dhungel's remarkable story - his journey from a remote village to a senior position in the Bhutanese Civil Service, to life as a human rights activist in Nepal and, eventually, to his work as a community leader in Blacktown, western Sydney. Every step prepared Om for the central role he would play in settling more than 5000 Bhutanese refugees, in one of the most successful refugee initiatives in Australia's history.</p><p>Written with Walkley Award-winning journalist James Button, <i>Bhutan to Blacktown</i> is a story of grit and struggle, humour and irrepressible optimism - and how losing nearly everything shaped one man's character and fate.</p><p><b>'What you hold in your hands is a great Australian story.' - Foreword by Prime Minister Anthony Albanese</b></p><p><b>'A heartbreaking story of exile, with a stirring Australian ending.' - George Megalogenis</b></p><p><b>'Om Dhungel's journey of the heart and soul, from the fields of southern Bhutan to the streets of Blacktown, Sydney, is a journey from which we can all learn, regardless of our origins.' - Michael Hutt, Professor of Nepali and Himalayan Studies, School of Oriental and African Studies, University of London</b></p><p><b>'Om's optimismand tenacity helped him travel the harrowing path of a stateless person to build a new life for himself and his community. By telling his inspirational story and shedding light on the resettlement experience of Bhutanese refugees in Australia, Om brings the issue of refugees and the conditions for their successful integration in their new countries to a wider audience.' - Bhim Subba, author of</b> <b><i>Himalayan waters</i></b><b> and former Director General of the Department of Power in the Government of Bhutan</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Om Dhungel</b> arrived in Australia as a student in 1998 before being granted a refugee visa in light of the Bhutanese Government's persecution of the ethnic Nepalese of southern Bhutan. As inaugural president of the Association of Bhutanese in Australia, Om played a critical role in the settlement of 5000 Bhutanese refugees in Australia. Before coming to Australia he was a senior civil servant in Bhutan's Department of Telecommunications, then, while a refugee in Nepal, general secretary of the Human Rights Organisation of Bhutan and co-editor of <i>The Bhutan Review</i>. In Australia he worked for ten years as a business analyst at Telstra, and today sits on the NSW Ministry of Health Advisory Committee, the NSW Police Multicultural Advisory Council, the Blacktown Multicultural Advisory Committee. He runs Om Dhungel Consulting.</p><p><b>James Button</b> is a former journalist and Europe correspondent for <i>The Age</i> and <i>Sydney Morning Herald</i>. He is the author of <i>Speechless: A year in my father's business</i> and <i>Comeback: The fall and rise of Geelong</i>, and has won three Walkley awards and a Melbourne Press Club Quill for feature writing. He is a freelance writer and editor.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Margaret Lilardia Tucker MBE (affectionately known as Aunty Marge) was a significant Aboriginal activist and one of the first Aboriginal women to publish for mainstream audiences.<i> If Everyone Cared</i> (1977) was a landmark publication. </p><p>In that first edition, her tone and draft content were significantly altered to placate non-Indigenous readers who were substantially unfamiliar with Aboriginal cultures and ignorant about the outcomes of settler invasion from a First Nations perspective. This meant changes to her tone and content to avoid confusing or offending non-Indigenous readers, and the altering of her original Aboriginal storytelling voice. </p><p>In this new edition, we publish Margaret's story as she wrote it. Drawing on the handwritten manuscript held in the collections of the National Library of Australia, <i>If Everyone Cared Enough </i>reclaims Aunty Marge's original words, reinstating what was previously omitted. </p><p>Her autobiography begins with happy early memories - swimming and fishing, listening and learning - and then follows the story after the abrupt end to her childhood when she was sent to the Cootamundra Domestic Training Home for Aboriginal Girls. The horror of the training, the cruelty of her first employer, the loneliness, homesickness and heartache she felt are related clearly. In 1932 she became the treasurer of one of the country's first Aboriginal organisations - the Victorian Aborigines League. Awarded an MBE in 1968, she would continue fighting for Aboriginal and Torres Strait Islander rights and opportunities for the rest of her life. </p><p>This nationally important title shares the story of a brave, dedicated woman and her perseverance through a life of hardship towards the achievement of recognition for herself and her people. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In <i>Bold Types</i>, Patricia Clarke recounts the chequered journey of women journalists in the fight for gender equality from 1860 to the end of World War II. These were independent, adventurous women who ventured far and wide in search of news, relevance and equality.</p><p>Together, stories of women from Anna Blackwell and Flora Shaw to Janet Mitchell and Caroline Isaacson, illustrate the gains and setbacks of women journalists over nearly a century. In each successive story, the tenacious determination of these women stands clear against the background of the prevailing patriarchy.</p><p>Patricia Clarke was a trailblazer herself as the only woman on the Melbourne staff at the Australian News and Information Bureau in the early 1950s. In a detailed epilogue, Patricia shares stories of her own life and career in the days of crowded newsrooms, clattering typewriters, and overflowing cigarette trays.</p><p>The book also features an introduction by Amy Remeikis, political reporter at Guardian Australia, who reflects on the struggles and achievements of her early counterparts as well as the current working environment for women journalists.</p><p><i>Bold Types</i> is a book that will resound with and inspire today's audience, in a world where women are still fighting for equal rights and often, respect in the workplace.</p>]]></Text>
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			<SubjectHeadingText>celebration; finding meaning; sociology; healthy ageing; old age; Maureen; women's health; gender studies; older women; contributions; satisfaction; enjoyment; society; achievements; Jacqueline Dwyer; Australian women; May Wood; ageing population; Annie Young; Rosemary Salvaris; Miriam Rose Ungunmerr Baumann; Sally Barker; inspiration; challenging stereotypes; Olive Trevor; Mig Dann; Sharron Pfueller; Anne Hetzel; Raylee George; Judith Deakin Harley; Pauline Lorenzen; Lester Jones; Jo Rogan; living life to the fullest; no age limit; Ann Druett; Australian biography; Kath Clune; Robina Rogan; Bea Toews; history; lifelong learning; women's stories; community</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><i>Time of Our Lives</i> presents the extraordinary lives of ordinary women in their seventies, eighties and nineties, challenging the stereotype of the helpless old woman who is nothing more than a burden.</p><p>The first collection of its kind in Australia, it demonstrates the rich lives led by 20 women of diverse backgrounds, all born before 1946 and all of whom have achieved great things in older age. From Mig Dann, an 80-year-old artist who worked for David Bowie and completed a PhD in her seventies, to Pauline Lorenzen, a 75-year-old Indigenous solicitor working to support women; from Robina Rogan, a boat-builder planning a sea voyage at age 82, to Rosemary Salvaris, a 76-year-old civil celebrant who has taken up orienteering, these women show that learning has no age limit.</p><p>As the generation of Australian women who waved the flag for feminism enter retirement, let&amp;#x27;s change the conversation around what it means to be &amp;#x27;old&amp;#x27;. Our ageing population is not a burden - it&amp;#x27;s time to celebrate the contributions that older women make to our community.</p><p><i>Time of Our Lives</i> also gives insights into how to ensure our own lifelong learning and live to the fullest.</p><p><b>'A must-read for all those women who refuse to go gentle into that good night.' - Maxine McKew</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p></p><p><b>Dr Maggie Kirkman</b> is a psychologist and a Senior Research Fellow in Global and Women's Health at Monash University. Before gaining a PhD at age fifty, she taught kindergarten children, children with hearing impairments and children with profound disabilities. She has worked at La Trobe and Melbourne universities, and her research includes women's experiences of infertility, abortion, donor-assisted conception, breast cancer and ageing well. Maggie is the author of <i>My Sister's Child</i> (with Linda Kirkman, Penguin) and the editor of <i>Sperm Wars</i> (with Heather Grace Jones, ABC Books). She appears regularly in the Australian media, including on ABC Radio and in <i>The Conversation</i>. In 2019, Maggie was recognised as an inaugural Champion for Women by Women's Health Victoria.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p> </p><p><i>Auntie Rita </i>is a revised edition of the bestselling and award-winning memoir of Aboriginal woman Rita Huggins first published in 1994. Rita battled dispossession, poverty, personal tragedy and racism to create a rich meaningful life, lived out during the momentous changes of the 20th century. </p><p><i>'Most people call me Auntie Rita, whites as well as Aboriginal people. Auntie is a term of respect of our older woman folk. You don't have to be blood-related or anything. Everyone is kin. That's a beautiful thing because in this way, no one is every truly alone, they always have someone they can turn to.'</i> </p><p>Rita Huggins was born on Bidjara/Bidyara country at Carnarvon Gorge in central Queensland. As a child in the 1920s, she met white men for the first time: troopers who forced her family into cattle trucks and drove them south to Barambah, later Cherbourg Aboriginal Reserve. At Cherbourg 'we had to stay in one place now, while the white men could roam free.' </p><p>There were some happy times, but the only way out of Cherbourg for First Nations people was work. Rita worked as a housekeeper all over Queensland before meeting and marrying Jack Huggins. After Jack's untimely death, Rita struggled with grief and the challenges of being a single parent to three young children, and caring for extended family and community. As the 1960s unfolded, Rita watched the rise of First Nations activism - the 1967 Referendum, the Freedom Rides, new Aboriginal political organisations - and knew she wanted to make something better for herself, her family and for all Indigenous people. She joined Queensland's One People of Australia League and was an active member till her death in 1996. </p><p>In <i>Auntie Rita</i>, Rita's words - interspersed with reflections from her daughter Jackie - reveal a life shaped by personal tragedy, the dramatic changes of the twentieth century and personal resilience. This moving memoir has been enjoyed by readers around the world since it was first published in 1994. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p> </p><p><b>Rita Huggins </b>was a Bidjara/Bidyara woman from the Carnarvon Gorge/Springsure area of central Queensland. As a young girl she was forcibly removed to Cherbourg Aboriginal Mission. At 14 years of age, she was sent to work on cattle stations as a domestic. She continued this work in Brisbane after receiving an exemption certificate. She married Jack Huggins and they moved to Ayr, North Queensland, where the last three of her five children were born. After Jack's early death in 1958 she returned to Brisbane and became active in Aboriginal affairs. She lived out her days, until her death in 1996, as a wise and deeply respected Elder, loved by black and white alike. </p><p><b>Jackie Huggins </b>is a Bidjara/Birri Gubba Juru woman from Queensland. She is a historian and author, and has worked in Aboriginal Affairs for over four decades in areas of reconciliation, history, the arts, environment, literature, leadership, education, prison reform, domestic and family violence, and many other social justice initiatives. She has held many leading positions including on the Stolen Generations Inquiry, and at Queensland State Library, AIATSIS and University of Queensland. Her previous books are <i>Sister Girl </i>and <i>Jack of Hearts </i>QX11954 (UQP). </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Free yourself from stress with simple, no-nonsense advice from a zen monk!</p><p>Zen monk Jikisai Minami takes the things we are supposed to strive for and turns them on their head. The 35 short, thought-provoking essays in this book are divided into four chapters about our sense of self, our hopes and dreams, our personal relationships and how to face death. Each essay begins with a deliberately controversial point of view to help us look at life&amp;#x27;s problems through fresh eyes.</p><p>Each chapter features a number of short, thought-provoking essays providing fresh perspectives on familiar problems that can change your life! The essays include:</p><ul><li>People Can Live Without Dreams and Hopes</li><li>You Don&amp;#x27;t Have to Be &amp;#x27;Who You Want to Be&amp;#x27;</li><li>When Your Head Is Full of Anger, Do Routine Work</li><li>Do Things for Yourself, Not for Others</li><li>It&amp;#x27;s Natural for Life to Be Negative</li><li>If It&amp;#x27;s Not a Life or Death Problem, You Can Handle It</li><li>People Can Be Saved Just by Speaking Their True Feelings</li><li>Wanting Things Creates Anxiety</li><li>If You Grieve as Much as You Want To, the Time Will Come When You Can Laugh</li><li>It&amp;#x27;s Absurd to Worry About &amp;#x27;The Other World&amp;#x27; Rather Than &amp;#x27;This World&amp;#x27;</li><li>A Person with Good Relationships Passes Away Beautifully</li></ul><p>Although the author&amp;#x27;s messages may seem harsh at first, his teachings help us reduce anxiety in our daily lives. Being bound by the belief that &amp;#x27;I have to do X&amp;#x27; or &amp;#x27;I need to achieve Y&amp;#x27; causes immense stress. The author encourages us to accept our reality and live our lives from that starting point. This, he believes will free us from anxiety, relationship problems and negative emotions.</p><p>This book has been a huge hit in Japan, with reader comments such as:</p><ul><li>&amp;#x27;I realized that I had made my life difficult by thinking, <i>I always have to be ambitious about my work</i>.&amp;#x27; (Female, age 50)</li><li>&amp;#x27;I was deeply moved by the idea that <i>you don&amp;#x27;t have to find the meaning of life</i>. This is a book I cherish.&amp;#x27; (Male, age 34)</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jikisai Minami</b> is a Zen monk and chief priest of the Reisenji Temple in Fukui Prefecture as well as head of the Osorezan Bodaiji Temple in Aomori Prefecture. In 1984 he decided to become a priest and entered Eiheiji, the head temple of the Soto sect of Buddhism, where he spent two decades training. After managing the Shishikurin Sanga training dojo for young priests, he began writing books discussing his relationship with Buddhism and his views on life. <i>It&amp;#x27;s Okay Not to Look for the Meaning of Life </i>is his most popular work to date, and the first to be translated into English.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Ganbatte</i> (gan-ba-tay) is a Japanese philosophy focused on doing the best you can with what you have. Though there is no direct translation, "Keep Going," and "Give it your all," embody the sentiments behind the word. Just as <i>wabi sabi</i> shows the beauty of imperfection in life, <i>ganbatte</i> teaches you how to get past obstacles and be motivated to keep moving forward.<br/><br/>In <i>Ganbatte!</i> author Albert Liebermann provides an inspirational, yet practical guide to becoming more resilient the Japanese way. In 50 short chapters, some deeper and some more playful, Liebermann guides you through ways you can adopt the <i>ganbatte</i> approach to achieve a happier, more fulfilling life-and a happier, more fulfilled self.<br/><br/> <b>These include:</b></p><ul><li>Separating "difficult" from "impossible"</li><li>Making use of failure</li><li>Cultivating patience</li><li>Working mindfully with a sense of awareness</li><li>Continually improving</li><li>Practicing meditation</li><li>Pushing through a crisis</li><li>Taking the slow route</li></ul><p>Sprinkled throughout the book are "<i>Ganbatte</i> Rules"-short, actionable steps you can take to move forward in a part of your life where you may be stuck (whether it's fitness, love or starting a business). A foreword by Hector Garcia, author of the bestselling <i>Ikigai: The Japanese Secret to a Long and Happy Life</i>, introduces the concept of <i>ganbatte</i> and how he learned of its existence from one of Japan's centenarians.<br/><br/> While many aspects of life are beyond our control, how we deal with setbacks and difficulties is as much of a choice as how we approach everyday tasks. This book helps you tap into your own ability to persevere and encourages you to stay motivated and hopeful in difficult times. If you apply the tenacity and resilience of the Japanese in your daily life, difficult becomes easy, and impossible becomes possible.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Albert Liebermann</b> is a writer and philosopher. He studied art and literature in Europe before moving to Japan, where he decided to put his musings on creativity and personal development down on paper. He enjoys playing the piano, traveling the world and hanging out with his cat.<br/><br/>Foreword writer <b>Hector Garcia</b> was born in Spain and worked at CERN in Switzerland before moving to Japan, his home of more than 15 years. In Japan he developed voice recognition software and the technology for young Silicon Valley companies to enter the Japanese market. His popular blog led to his internationally successful book, <i>A Geek In Japan</i>. Along with Francesc Miralles, he is the author of the bestselling <i>Ikigai: The Japanese Secret to a Long and Happy Life</i>, <i>The Ikigai Journey</i> and <i>Forest Bathing</i>. <b>hectorgarcia.org</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p> "This book is so meaningful to me, I'm struggling to even find the words to explain the profound difference this book has made."<br/><b>-Mel Robbins, #1 <i>New York Times</i> bestselling author of <i>The Let Them Theory</i></b><br/><br/> A new edition of the #1 NYT's bestseller by Mark Nepo, who has been called "one of the finest spiritual guides of our time" and "a consummate storyteller."<br/><br/> Philosopher-poet and cancer survivor Mark Nepo opens a new season of freedom and joy-an escape from deadening, asleep-at-the wheel sameness-that is both profound and clarifying.<br/><br/> His spiritual daybook is a summons to reclaim aliveness, liberate the self, take each day one at a time, and savor the beauty offered by life's unfolding. Reading his poetic prose is like being given second sight, exposing the reader to life's multiple dimensions, each one drawn with awe and affection.<br/><br/><i>The Book of Awakening</i> is the result of Nepo's journey of the soul and will inspire others to embark on their own. He speaks of spirit and friendship, urging readers to stay vital and in love with this life, no matter the hardships. Encompassing many traditions and voices, Nepo's words offer insight on pain, wonder, and love. Each entry is accompanied by an exercise that will surprise and delight the reader in its mind-waking ability. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>With over a million copies of his books sold,<b>Mark Nepo</b>has moved and inspired readers and seekers all over the world with his #1<i>New York Times</i>bestseller,<i>The Book of Awakening</i>.Beloved as a poet, teacher, and storyteller, Mark has been called "one of the finest spiritual guides of our time," "a consummate storyteller," and "an eloquent spiritual teacher." His work is widely accessible, and his books have been translated into more than twenty languages. A bestselling author, he has published twenty-three books and recorded fifteen audio projects. In 2015, he was given a Life-Achievement Award by <i>AgeNation</i>. In 2016, he was named by<i>Watkins: Mind Body Spirit</i>as one of the 100 Most Spiritually Influential Living People, and was also chosen as one of OWN's SuperSoul 100, a group of inspired leaders using their gifts and voices to elevate humanity.</p>]]></Text>
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			<SubjectHeadingText>Catholic Church; Italian American; Italian book; Italian culture; Italian food; Italian heritage; Italian history; Italian lifestyle; Italian lifestyle book; Italian tradition; Italy travel; Thomas merton; armchair travel book; art of living; books about italy; bucket list; cappuccino; coffee; contemplation; contemplative; culture; espresso; europe travel; european travel; florence; geography; gift for travelers; guide to Italy; happiness; history of Italy; how to live the good life; italian; italian books; italian gift; italian gifts; italian travel books; italy; italy travel guide; italy travel journal; linsprational; live like an Italian; living la dolce vita; local history; mafia history; map of italy; memoir; modern Italy; monastic spirituality; non-fiction; personal growth; politics; renaissance; rome; searching for Italy; self care; sicily; sociology; sociology books; spirituality; spirituality of Italy; stanley tucci; the good life; the sweet life; travel; travel Italy; travel book; travel books; travel gifts; travel memoir; travel writing; traveling books; traveling gifts; travelogue; travelogue books; travelogues; trip to Italy; venice; wanderlust</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Take a pilgrimage of the heart, a journey toward change that will allow you to approach life with a more contemplative stance and recreate a sense of la dolce vita  the sweet life  wherever you may be.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'This is a book for spiritual seekers and all who want to bring a piece of the Italian way of life into their own homes.'  James Martin, SJ, author of </b><b><i>Learning to Pray</i></b></p><p>Take a pilgrimage of the heart, a journey toward change that will allow you to approach life with a more contemplative stance and recreate a sense of <i>la dolce vita </i> the sweet life  wherever you may be.</p><p>In <i>The Italian Soul</i>, Judith Valente shares personal stories and insights into the Italian way of life that she experienced as she strolled the streets of this charming country. Focusing on the attitudes, traditions, and practices that make the people of Italy role models for experiencing delight amid the demands and distractions of ordinary living, she observed how they</p><ul><li>have a deep appreciation for quality and aesthetics,</li><li>value taking the time to savour the little moments in life,</li><li>show a strong sense of community and make room for leisure and personal care, and</li><li>honour their dead and have a deep respect for tradition.</li></ul><p>Additionally, it explores the contemplative practices and attitudes that seem to come naturally to a people who have made an art of living and working joyfully. A cross between a travel dispatch and a spirituality guide for seekers who eschew traditional religious practices but yearn for ways to bring more balance, sanity, and a greater sense of the transcendent into their daily lives. <i>The Italian Soul</i> is a book that will change the way you look at life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Judith Valente</b> has won numerous awards for her work as a former correspondent for PBS, two NPR stations, <i>The Wall Street Journal</i>, and as the author of several spirituality titles. Her most recent books include <i>How to Live, The Art of Pausing,</i> and <i>How to Be</i>. She has published two poetry collections and is a sought-after retreat guide who leads the annual Benedictine Footprints retreat/pilgrimage to lesser-known parts of Italy. She is also president of the International Thomas Merton Society.</p>]]></Text>
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			<SubjectHeadingText>Virginia Woolf; Violet; Dickinson; feminism; Victorian literature; Mrs. Dalloway; Friends; A Room of one's own; women's writing; Woolf; English; British; friendship; literature; Tall; Bloomsbury; Monster; Magic; Elizabethan; Fraulein; Faithful; Dance; A Story to Make You Sleep; The Magic Garden; Friendship Gallery; Fraulein mller; Aristocratic; Katherine; Ancestors; Thousands; Beatrice; Strange; Mller; Books; Roses; Tokio; Swam; modernism; Leonard Woolf; archive; Hogarth Press; Vanessa Bell; Clive Bell; marriage-plot; Japan; ukiyo-e</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>In 1907, eight years before she published her first novel, a twenty-five-year-old Virginia Woolf drafted three interconnected comic stories chronicling the adventures of a giantess named Violet  a teasing tribute to Woolf's friend Mary Violet Dickinson. But it was only in 2022 that Woolf scholar Urmila Seshagiri discovered a final, revised typescript of the stories. The typescript revealed that Woolf had finished this mock-biography, making it her first fully realised literary experiment and a work that anticipates her later masterpieces. Published here for the first time in its final form, <i>The Life of Violet</i> blends fantasy, fairy tale, and satire as it transports readers into a magical world where the heroine triumphs over sea-monsters as well as stifling social traditions.</p><p>In these irresistible and riotously plotted stories, Violet, who has powers 'as marvelous as her height', gleefully flouts aristocratic proprieties, finds joy in building 'a cottage of one's own', and travels to Japan to help create a radical new social order. Amid flights of fancy such as a snowfall of sugared almonds and bathtubs made of painted ostrich eggs, <i>The Life of Violet</i> upends the marriage plot, rejects the Victorian belief that women must choose between virtue and ambition, and celebrates women's friendships and laughter.</p><p>A major literary discovery that heralds Woolf's ambitions to revolutionise fiction and sheds new light on her great themes, <i>The Life of Violet</i> is first and foremost a delight to read.</p><p>This volume features a preface, afterword, notes, and photographs that provide rich historical, literary, and biographical context<i>.</i></p>]]></Text>
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			<SubjectHeadingText>fiction; Miner's Strike; Alexander McCall Smith; feel-good fiction; Historical Fiction; Stand Alone Novel; edinburgh novel; the meadows; edinburgh university; Nostalgia; Scotland Street; Edinburgh Fiction; Margaret Thatcher; Nostalgic fiction; Holiday fictoin; Scottish Fiction; top Autumn reads; Feel good autumn reads; Feel Good Reading; McCall Smith; Take Four Books; BBC Radio 4; Changing times</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Edinburgh, 1984. Six students are facing the end of an academic year, preparing to go their separate ways in a changing world. Years later, they meet for a reunion, for what may well betheir last evening together. It soon becomes clear to all that sometimes you have to let go of the past. You take away its lessons, but you let the rest go.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Six friends. One city. The time of their lives.</p><p>It's 1988, and on the verge of a reunion with friends she hasn't seen since graduation, Julie recalls her halcyon student days of 1984 and the strange tumultuous time they lived through.</p><p>The friends  each from a very different background  are living in a gorgeous terraced flat in their Edinburgh idyll. As they navigate relationships and the unspoken rules of flat sharing, the troubled world all around them seems rather distant. But in the nearby hometown of one of the flatmates, the Miners' Strike is bringing about a huge political shift.</p><p>Despite their differences, can these six strangers help each other see the world from a different perspective? Is there such a thing as being too close? And what are the limits of love between friends?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexander McCall Smith</b>is the author of the highly successful<i>No. 1 Ladies' Detective Agency</i>series, which has sold over twenty-five million copies. Since then he has devoted his time to the writing of fiction and has seen his various series of books translated into over forty-six languages and become bestsellers throughout the world. These include the<i>44 Scotland Street</i>novels, first published as a serial novel in the<i>Scotsman</i>, the<i>Isabel Dalhousie</i>novels, the<i>Von Igelfeld</i>series and the<i>Corduroy Mansions</i>novels.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'They go for a walk by the playing fields, the anemones are out.'</i></p><p>They  a mother and her sixteen-year-old daughter  live in an apartment above a hairdresser's shop in a small island town. Each day is marked by routine and quiet intimacy. They are so enmeshed, so alike in their manners and opinions, it can be hard to tell them apart.</p><p>Then the mother begins to feel unwell. They carry on with their lives, talk about anything but the diagnosis. The mother goes in and out of hospital, and the daughter, just starting high school, makes new friends  Tove Dunk, Hafni, Bob, Desert Boots  but remains essentially alone. Illness, and the possibility of loss, cast a growing shadow over her life.</p><p>Writing in a multi-layered, perpetual present tense, Helle Helle finds a tender voice for the comedy and awkwardness of her heroines' lives, rendered into riveting and affecting English by acclaimed translator Martin Aitken. <i>they</i> is an exquisite portrait of the fragile love between a mother and daughter, and a love letter to 1980s life on the island of Lolland, where the author grew up. </p><p><b>Praise for Helle Helle:</b></p><p><b>'Helle has enchanting gifts as a storyteller...the words so light they nearly float off the page.'  </b><b><i>New York Times</i></b></p><p><b>'One of my favorite Danish writers  she's the master.'  Olga Ravn, </b><b><i>The Guardian</i></b></p><p><b>'One of Scandinavia's finest authors.'  </b><b><i>Dagbladet</i></b></p><p><b>'Helle Helle's minimalism isn't boring; it crackles with mystery. It's the everyday, and yet it's insistently beautiful.'  </b><b><i>Weekendavisen</i></b></p><p><b>'You laugh and laugh, cry and cry. Not bawling or sobbing, but quiet and intense. That's what it's like reading Helle Helle.'</b><b><i>  Politiken</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Helle Helle </b>was born in Denmark in 1965. She is a graduate of the Danish Academy of Creative Writing and the author of eleven novels as well as two collections of short stories. She is one of Scandinavia's most original and best-loved writers, with a career spanning three decades. Her books have been translated into twenty-four languages. Her awards include the Danish Critics' Prize, the Danish Academy's Beatrice Prize, and the P.O. Enquist Award, and she is a recipient of the Lifetime Award from the Danish Arts Foundation.</p><p><b>Martin Aitken</b> is an acclaimed translator of Scandinavian literature, including works by Karl Ove Knausgaard, Hanne rstavik and Olga Ravn. He has received the American-Scandinavian Foundation's Nadia Christensen Translation Prize, the US National Translation Award in Prose and the PEN America Translation Prize, among other awards. His translations have also appeared on the shortlists of the Dublin Literary Award, the US National Book Awards and the International Booker Prize. </p>]]></Text>
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			<Text textformat="02"><![CDATA[Beverley Farmer is one of our finest prose writers, but her new book, For the Seasons: Haikus, is likely to make her reputation as a poet too.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Beverley Farmer is one of our finest prose writers, but her new book, <i>For the Seasons: Haikus</i>, is likely to make her reputation as a poet too. The manuscript of <i>For the Seasons</i>, composed over twenty-five years ago, was rediscovered by the critic and scholar Lyn Jacobs after Farmer's death in 2018. The collection has never been published in full before. It joins the three prose works by Farmer Giramondo has now brought back into print: the novels <i>Alone</i> and <i>The Seal Woman </i>and the journal <i>A Body of Water</i>. </p><p>The haikus collected in <i>For the Seasons</i> are arranged in sections, beginning with Spring then progressing to Summer and Autumn and ending with Winter.  One is immediately struck by the delicacy of Farmer's observations, drawn from her immersion in the coastal landscape around Point Lonsdale on the Bellarine Peninsula in southern Victoria. The constraints imposed by the haiku form encourage attention to the finest details and textures  of light and colour, of air and sand and sea  and foster an awareness of the transient life they hold, its beauty, vitality and decay. The emotion is all in the detail, the 'I' barely features, yet the mood of the seasons, and their progression is keenly registered. Farmer's poetry is remarkable in this respect, modest, self-effacing, and yet revelatory in its intensity. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Beverley Farmer </b>(19412018) was the author of four collections of short stories, including <i>Milk</i>, which won the NSW Premier's Award for Fiction; the novels <i>Alone</i>, <i>The Seal Woman</i> and <i>The House in the Light</i>, which was shortlisted for the Miles Franklin Literary Award; and the writer's notebook, <i>A Body of Water</i>. Giramondo first published <i>The Bone House</i>, Farmer's collection of essays on the life of the body and the life of the mind in 2005, and <i>This Water: Five Tales </i>in 2017: it was longlisted for the Stella Prize.  </p>]]></Text>
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			<Text textformat="02"><![CDATA[Portrait of a widow in mourning by one of Australia's most important women writers]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Portrait of a widow in mourning by one of Australia's most important women writers</b></p><p><i>The Seal Woman</i> was first published to acclaim in 1992 but has been out of print for many years. The novel explores the mind of a middle-aged Danish woman mourning the recent death of her husband at sea, in a cottage lent to her by friends in the seaside village in Victoria where she had spent her honeymoon. Farmer's prose is marked by the suppleness of its language, and its extraordinary attention to detail. Dagmar's observations  of the sea and its creatures, the light, the mist, the wind, the life of plants  are so intense and evocative, it is as if she has dissolved into her surroundings. On the other hand, her passivity leaves her vulnerable to the deceit of others, particularly the man she depends on as her lover. Her retreat into wonder is undercut by a persistent questioning, as to how far it might lead her into a state of submission.</p><p><i>The Seal Woman</i> was originally published two years after <i>A Body of Water</i>, an imaginative montage of journal, commonplace book, stories and poems, which it resembles in its own use of mixed sources, from myth and legend and history. In bringing these two books back into print, alongside Farmer's first work of fiction <i>Alone</i>, and her last books The<i> Bone House</i> and <i>This Water</i>, Giramondo is building on its commitment, not only to this remarkable author, but to the republication of contemporary classics by Australian women authors.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Beverley Farmer </b>(19412018) was the author of four collections of short stories, including <i>Milk</i>, which won the NSW Premier's Award for Fiction, and <i>Home Time</i>; the novels <i>Alone</i>, <i>The Seal Woman</i> and <i>The House in the Light</i>, which was shortlisted for the Miles Franklin Award; and the writer's notebook, <i>A Body of Water</i>. <i>The Bone House</i>, a collection of essays on the life of the body and the life of the mind, was published by Giramondo in 2005. <i>This Water: Five Tales</i> was longlisted for the 2018 Stella Prize. It was her last work of fiction. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>If you liked <i>What We Do in the Shadows</i>, you should buy this book. If you hated <i>Twilight</i>, you should also buy this book.</p><p>Immortal beloveds Rebekah and Hugh are on vacation! Against a backdrop of ongoing war, this pair of chic emotional vampires from San Francisco sets off on a queer Black Sea Cruise, eager to relax, join an orgy, and feast upon their fellow passengers' desires and sorrows. When Hugh becomes enchanted by an alluring  and possibly magical  nonbinary social media influencer named Heaven, Rebekah's reality capsizes, and her true nature is unleashed.</p><p>A smutty horror-comedy featuring unbridled narcissism, <i>Vampires at Sea</i> is a hilarious snack!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Grace Daly </b>(she/her) is a disabled author who lives near Chicago with her pets. She spends most of her free time with her dog, who is a very good boy. Her fantasy novella, <i>The Star of Kilnaely</i>, is forthcoming in 2026. <i>The Scald-Crow</i> is her first novel.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Thirty-seven writers from First Nations, migrant and refugee backgrounds reveal the true wealth and beauty of Australia's cultural melting pots.</b></p><p>Australia is often referred to as The Lucky Country - a land of economic opportunity and vast natural resources. But how does this myth square up against the true experiences of Indigenous and culturally diverse Australians living in our nation's most densely populated regions?</p><p>Featuring original works of prose, poetry and non-fiction which centre and celebrate the eclectic vibrancy and linguistic fluidity of a new generation of Australian writers.</p><p><i>Povo</i> features a ground-breaking collection of works by emerging and established writers from diverse cultural and socio-economic backgrounds. The collection includes experimental writing from the Asylum Seekers Centre, Macquarie Fields High School and Leumeah High School.</p><p>Acclaimed &amp; Award-Winning contributors include:</p><p>Phoebe Grainer is a Kuku Djungan, Muluridji, Wakaman, Tagalaka, Kunjen, Warrgamay and Yindinji actor, writer and editor from Far North Queensland. In 2023, Phoebe won the prestigious Australia Council Dreaming Award.</p><p>Natalia Figueroa Barroso is a Uruguayan-Australian writer from Penrith. Natalia is currently working on her debut novel, <i>Hailstones Fell Without Rain</i> (UQP, 2025).</p><p>Daniel Nour is an Egyptian-Australian writer. In 2020, Daniel won the New South Wales Premier's Young Journalist of the Year Award. Daniel is currently working on his debut novel as a recipient of the 2021 Affirm Press Mentorship for Sweatshop Writers.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Editor: <b>Adam Novaldy Anderson</b> is a mixed-race Australian-Indonesian writer and activist. He grew up on Gomeroi land in Tamworth, and is currently based on Darug land in Bankstown. Adam completed his Bachelor of Arts from Western Sydney University in 2018. <i>Povo</i> is his debut anthology as a literary editor.</p><p>Commissioning editor: <b>Sara M. Saleh</b> is the daughter of migrants from Palestine, Egypt and Lebanon, and lives on Gadigal land. She won the 2021 Peter Porter Poetry Prize and the 2020 Judith Wright Poetry Prize. Sara's debut novel is Songs for the Dead and the Living (Affirm Press, 2023). As a commissioning editor on <i>Povo</i>, Sara curated an original collection of works called Crumbs.</p><p>Project manager: <b>Winnie Dunn</b> is a Tongan-Australian writer from Mount Druitt. She is the General Manager of Sweatshop Literacy Movement and the editor of several critically acclaimed anthologies, including <i>Another Australia</i> (Affirm Press, 2022). Winnie's debut novel is<i> Dirt Poor Islanders</i> (Hachette, 2024).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A romcom for the modern age filled with magic, heart and the absurdities of the sapphic dating scene.</p><p>Hope has nothing going for her. She's in a job she hates, she's been forced to quit her band after losing the ability to play guitar and, to make matters worse, her ex  the love of her life, Julia  is now getting married to her best friend's ex (messy, right?). But there's one silver lining: Hope has been invited to play at their wedding...and she's going to get Julia back.</p><p>However, the road to true love is never easy, and Hope's journey is blocked by tarot readers, hen parties, visions from the past and, worst of all, Ruby. With their big eyes and extremely kissable mouth, Ruby is new to London's convoluted queer scene and a much-needed breath of fresh air for Hope.</p><p>Will Hope win back the woman she loves, or does the universe have something else in store?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sophie Crawford</b> is an author, theatre maker and folk musician based in London. After studying English at Cambridge University, Sophie went on to work as a performer on the West End, at Shakespeare's Globe and touring internationally. She now helps run the theatre company Glimmer Theatre, the monthly poetry and music night Patterned Ground, the monthly folk singing session The Singaround and the drag king band Boyz. She also works independently as a solo musician. Her debut album, Silver Pin, was released in 2018. She is interested in women's history, queer history, traditional music, dance, drag and the way all of these intersect.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Musashi's tale continues as he transforms himself from an inexperienced soldier with no direction into Japan's greatest swordsman!</i></b><br/><br/>This is the second book of <i>Musashi: The Novel</i>, a sweeping three-book unabridged translation of Eiji Yoshikawa's bestselling masterpiece - Japan's most beloved historical novel. Masterfully translated for the first time in its entirety by Alexander Bennett, this vivid and fast-paced story reveals the exploits and inner life of a man who finds not only his true purpose but also his humanity.<br/><br/>In <i>Book Two</i> Musashi continues his travels across Japan, earning a name for himself as a fearless swordsman. One by one, he dispatches the most skilled fighters in Japan with minimal effort, and it all seems too easy. But stung by their defeat at his hands, the Yoshioka fighters vow revenge, and their leader, Seijuro, seeks out Musashi for a duel to the death. Wrestling with his demons, Musashi is torn by his love for Otsu and his goal of becoming Japan's most famous warrior. He decides to take on a young student, but in doing so, is he losing his focus? Musashi holds his destiny in his hands, yet difficult choices will have to be made.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Eiji Yoshikawa</b> (1892-1962) is Japan's bestselling novelist of all time. He published popular retellings of many Asian classics, however, his novelization of the life of Miyamoto Musashi is his most famous work, selling over 120 million copies. He was awarded the Cultural Order of Merit and the Order of the Sacred Treasure.<br/><br/><b>Alexander Bennett</b> is a Professor of Japanese History, Martial Arts, and Budo Theory at Kansai University. He is a Director General of the International Budo University's Budo Sports Research Institute. He co-founded and publishes <i>Kendo World</i>, the first English-language Kendo journal, and holds black belts in several other martial arts. His published works include <i>The Complete Musash</i> and <i>Hagakure: The Secret Wisdom of the Samurai.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>A powerful novel of self-discovery from the author of</i></b><b> No Longer Human </b><b><i>- now available in English!</i></b><br/><br/>Young Susumu Serikawa is at a turning point. Should he continue his boring school education or chase his dream of becoming Japan's most famous actor? And how can he do that now that his father is dead, his mother is bedridden and his older brother is a university dropout?<br/><br/>In the hands of skilled author Osamu Dazai, Susumu's dilemma becomes a uniquely powerful tale of teenage angst and survival. Based on the diary of a real-life actor, Serikawa's entries are full of biting judgement and egotism alternating with shame and self-reproach-but also a touching idealism and faith that ultimately guide him forward.<br/><br/>This novel, translated into English for the first time, probes the same self-destructive dynamics that torment the young characters in Dazai's other works, but with a vastly different outcome. The bold, contemporary translation by Michael Day delivers an unforgettable new protagonist for Dazai's many fans.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Osamu Dazai</b> (19091948) was the pen name of Shuji Tsushima, the tenth of eleven children born to a wealthy landowner and politician in the far north of Japan. Dazai studied French literature at the University of Tokyo but never received his degree. He attracted great attention in 1933 when magazines began to publish his stories. But between 1930 and 1937, he made three suicide attempts, a subject he deals with in many of his works. Despite his troubled personal life and rebellious spirit, Dazai wrote in a simple and colloquial style, conveying his personal torments through literature. Dazai's life ended early in a double suicide with a married lover.<br/><br/><b>Michael Day</b> is an award-winning translator and writer now based in Los Angeles. His translations include <i>Scorpions</i> by Yumiko Kurahashi and <i>Diablo's Boys</i> by Yang Hao (co-translation with Nicky Harman). He is the recipient of the Jules Chametzky and the Bai Meigui translation prizes.</p>]]></Text>
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			<SubjectHeadingText>Japanese literature j-lit booktok rec  modern; classic Ningen Shikkaku social alienation mental; health addiction suicide self-destruction coming; of age existential crisis youth angst emo dark; fiction literary fiction translation Juliet; Winters Carpenter Bungo Stray Dogs manga anime; Japan novel 20th century cult classic contemporary; fiction</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>&amp;#x27;Dazai&amp;#x27;s brand of egoistic pessimism dovetails organically with the emo chic of this cultural moment and with the inner lives of teenagers of all eras.&amp;#x27; - Andrew Martin, </b><b><i>The New York Times</i></b></p><p>&amp;#x27;<b>A journey to hell with Osamu Dazai, Japan&amp;#x27;s ultimate bad boy novelist&amp;#x27; - Damian Flanagan, </b><b><i>The Japan Times</i></b></p><p><i>No Longer Human</i> is the story of Yozo Oba, who, from early childhood, finds it impossible to form meaningful relationships with family or friends. As a child he copes by acting the fool - mocking himself while entertaining others; as an adult he turns to alcohol, sex and drugs, which lead to his eventual self-destruction.</p><p>In this novel, based closely on his own life, Dazai skillfully leads the reader to sympathize deeply with Oba. Although the book was published in 1948, the timeless and universal themes of social alienation, failure, and one man&amp;#x27;s inner torture at his inability to feel like a normal human still resonate with young people everywhere, making an enduring classic.</p><p>After Soseki Natsume, Osamu Dazai (19091948) is Japan&amp;#x27;s most famous writer. Dazai is enjoying a surge in popularity among young people today thanks to the success of the recent manga, anime and film series <i>Bungo Stray Dogs</i>, whose protagonist, a detective named Osamu Dazai, is based on the real-life author.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Osamu Dazai </b>(19091948) was the pen name of Shuji Tsushima, the tenth of eleven children born to a wealthy landowner and politician in the far north of Japan. Dazai studied French literature at the University of Tokyo, but never received a degree. He first attracted attention in 1933 when magazines began to publish his work. Between 1930 and 1937, he made three suicide attempts, a subject he deals with in many of his short stories. Despite his troubled life and rebellious spirit, Dazai wrote in simple and colloquial style, conveying his personal torments through literature. Dazai&amp;#x27;s life ended early in a double suicide with a married lover.</p><p><b>Juliet Winters Carpenter </b>is an American translator of modern Japanese literature. She studied Japanese literature at the University of Michigan and the Inter-University Center for Japanese Language Studies in Tokyo. After completing her studies, she returned to Japan where she became involved in translation and teaching. She is professor emeritus at Doshisha Women&amp;#x27;s College of Liberal Arts in Kyoto and has received numerous awards for her translation work including the 20192020 William F. Sibley Memorial Award for Japanese Translation for Mizumura Minae&amp;#x27;s <i>An I-Novel</i> and the 20212022 Lindsey and Masao Miyoshi Translation Prize for a lifetime of achievement as a translator of modern Japanese literature.</p>]]></Text>
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			<Text textformat="02"><![CDATA[From the award-nominated author of Ghostland, editor of Eerie East Anglia in the Tales of the Weird series. Exploring one of the core tropes of modern horror media popularised by IT, American Horror Story and Ray Bradbury's Something Wicked this Way Comes.]]></Text>
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			<Text textformat="02"><![CDATA[In a city built on secrets, who would kill to keep theirs hidden?   The year is 1759, and London is shrouded in a cloak of fear. With the lawmen at the mercy of robbers and highwaymen, it's a perilous time to work the already dangerous streets of Soho. Lizzie...]]></Text>
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			<Text textformat="02"><![CDATA[A gripping and vividly imagined historical mystery set in 18th century London, from the author of acclaimed historical novel The Dazzle of the Light...]]></Text>
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			<Text textformat="02"><![CDATA[<p>London, June 1759. When a charmless civil servant takes his own life, few are interested in his death. But Lizzie Hardwicke, who plies her trade in the brothels of London whilst also working as an undercover sleuth for the magistrate, can see no reason why a man who had everything to look forward to would wish to end his life.</p><p>Lizzie's search for answers takes her from the smoke-filled rooms of fashionable gambling houses, where politicians mix ambition with pleasure, to the violent streets of Soho, ready to erupt with riots in the sultry summer heat. All the while, she is navigating her complicated feelings for the magistrate's trusted assistant, Will Davenport, and a disturbing situation at home.</p><p>Then a gambling house owner is brutally murdered, and Lizzie finds herself tangled in a chaos that she cannot control. The darkest of secrets threatens to turn Davenport against her forever; its exposure will send her to the gallows.</p><p> </p><p><b>Praise for Georgina Clarke</b></p><p><b>'A gripping page-turner with a sassy and fabulously original heroine in the form of Lizzie Hardwicke  I loved it!' - Annie Lyons, author of</b> <b><i>Eudora Honeysett is Quite Well, Thank You</i></b></p><p><b>'From sumptuous depravity to brutal murder,</b><b><i> Death and the Harlot</i></b><b> is a wild ride through the seedy side of 1750s London, while its heroine, Lizzie Hardwicke, is razor sharp and brilliantly original. I couldn't put it down' - Joe Heap, author of </b><b><i>When the Music Stops</i></b></p><p><b>'Fans of Sarah Waters and Kate Atkinson will adore this compelling, evocative and utterly gripping tale... It deserves to be huge' - </b><b><i>Red Magazine</i></b><b> on </b><b><i>The Dazzle of the Light</i></b></p><p><b>'A marvellous read... Two fabulous protagonists, you will be rooting for them both' - Prima on</b><b><i> The Dazzle of the Light</i></b></p><p><b>'A vibrant story of survival, feminism, misogyny and living life on the edge' - Sunday Express S Magazine on </b><b><i>The Dazzle of the Light</i></b></p><p><b>'Cinematic' - </b><b><i>Daily Mail</i></b><b> on</b><b><i> The Dazzle of the Light</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Georgina Clarke</b> has a degree in theology and completed a PhD in history part-time, while working as a parish priest. Her love of the past is at the heart of her fiction: her Lizzie Hardwicke crime series is set in the mid-eig18th century, and her latest novel  <i>The Dazzle of the Light </i> unfolds in 1920s London and is inspired by the real-life activities of the women-led Forty Thieves crime syndicate. In 2021, Georgina began working as a tutor at The Queen's Foundation in Birmingham, training clergy. When she's not working, she enjoys dressmaking, running and mooching.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Two vampire stories, two authors, two striking meditations on dependency and desire.</b></p><p>For readers of Octavia E. Butler, Tananarive Due, and Gwendolyn Christie, comes <i>Caramelle</i>, Jewelle Gomez's latest addition to the universe of <i>The Gilda Stories.</i> This short story offers a supernatural alternate history where vampires seek love, laughter, and blood in 1860s slavery America.</p><p>Inspired by a glimpse of affection in Joseph Le Fanu's 1872 classic vampire novella<i> Carmilla</i>, <i>Caramelle</i> follows two vampires who arrive at a way station on the Underground Railroad not to stalk their prey but to seek sanctuary, intertwining the haunting legacy of American slavery with gothic horror and the resilience of Black women.</p><p>In <i>Carmilla</i>, included here alongside <i>Caramelle</i>, Le Fanu serves the sensual, sapphic, and spooky packaged into the experience of girlhood in 19th Century Austria. This original vampire story predates Dracula and introduces the genre as reliant on themes of gender, sexuality, and race.</p><p>Gomez's foreword deftly links the two works by exploring the historical and cultural contexts that surround these two powerful iterations of the vampire genre.</p><p><b>'As in the past we still hold our freedom and our pleasure in our own strong hands. Hands made even stronger when holding on to the hands of others.'   Jewelle Gomez</b></p><p><i>Caramelle &amp; Carmilla</i> is the first book in the new series<i> Aunt Lute Colloquy</i>, a publishing space dedicated to fostering feminist conversations across literary generations.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>All our scars tell a story.</p><p>Eulo Juke's gambling debts have cost him his weapons, his horses and his pride. If he doesn't pay what he owes Iskarlia's Scabmen soldiers in enchanted kilili silveriron, they'll slaughter his brother.</p><p>Silveriron trader Tali Sarsega offers Eulo a marriage of convenience in Vernesia, dragging him into an unfamiliar world where women rule politics, society, and commerce.</p><p>The Vernese culture relies on wits and diplomacy, but the Scabmen are coming to take the kilili the Iskarlian way: with hard fists and sharp blades.</p><p>Can Eulo slip behind Tali's dedication to her horse breeding enterprise, rundown estate and dysfunctional family to find out her silveriron secrets before it's too late for his brother?</p><p>No-one is ready for what's coming their way, because some things are not free to be taken.</p><p>S. K. Neilson writes fantasy fiction in worlds inspired by Australia's unforgiving environment and tenacious outback folklore.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jason Franks </b>is the writer of the <i>The Sixsmiths </i>graphic novels (a Ledger Awards finalist) and the comic series<i> Left Hand Path</i> (also short-listed for an Aurealis Award), as well as numerous short stories in prose and comics. His forthcoming projects include <i>Frankenstein Monstrance</i>, a four issue science fiction/horror miniseries with artist Tam Nation.</p><p><b>J. Scherpenhuizen</b> is a mainstay of the Australian comics scene. His work includes writing and illustrating the gritty horror graphic novel <i>The Time of the wolves</i>, pencilling with Michal Dutkiewicz (<i>Wolverine, Lost in Space</i>) and inking Chewie Chan on <i>Buckaroo Banzai</i>. He's also done a slew of work with ace comics writer Christopher Sequeira, with whom he has developed and created numerous properties including <i>Mister Blood </i>and <i>The Catamorph</i>.</p><p><b>Tony Babinski </b>is a Montreal-based Writer, Producer, Director, and Creative Director. He is the President of Human Fly International Inc, which controls the rights to The Human Fly. He is the author of <i>20 Years Under the Sun, </i>the official history of Cirque du Soleil, and co-author (with Bertrand Cesvet and Eric Alper) of <i>Conversational Capital</i>. He is a published short story writer and poet, the writer of several feature film plays, a podcast host a musician and songwriter, and devoted husband and father.</p><p><b>Dan Lynch</b> is a Blue Mountains-based artist who has been working on various Australian and international comic books since 2004 . Published work includes <i>Sea Dragon</i> (Cult Fiction Comics Australia), Tides of Hope charity anthology. <i>Retro Sci Fi Tales</i> (Dark Oz), <i>The SuperAustralians</i> for IPI Comics, and <i>Steam-Age Wasteland</i> (Antarctic Press) just to name a few. Dan is currently busy colouring The Human Fly, studying cyber security, and raising his 5 children.</p><p><b>Christopher Sequeira</b> has written for Marvel, DC, Dynamite. Boom! Studios, FrewPublications, and more. He also has a significant profile as a conceptualist, contributing short story writer, and commissioning editor of mystery, science fiction, horror and fantasy prose anthologies. Thus, he has worked on such books as <i>Sherlock Holmes and Doctor Was Not; Sherlock Holmes : The Australian Casebook; Dracul Unfanged; </i>and the all-star creator anthology Caped Fear. </p><p><b>Peter J. Lawson</b> illustrated promo art for<i> The Southern Squadron</i>, covers for <i>Air Hawk </i>and <i>Bronwyn</i>, and finally <i>The Human Fly.</i> As someone who loved the original run of the Fly back in the '70s, Peter was thrilled to get the call to be a part of this. IPI Comics has a much longer Human Fly arc in mind for Peter!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Curse of the Savoy</i>, the fourth in the <i>Priscilla Tempest Mystery</i> series, is a gripping tale of suspense set against the backdrop of high society and 1960s London.</p><p>In the luxurious setting of London's Savoy Hotel, an opulent dinner party hosted by the legendary filmmaker Orson Welles takes a sinister turn. Amidst the grandeur of the Pinafore Room, fourteen renowned guests, including Alfred Hitchcock, Cary Grant, and the scandalous Miss Christine Keeler, gather for an unforgettable evening. However, the spectre of an old curse looms over the event  a curse said to bring doom to the first guest who leaves a dinner with thirteen attendees. Kasper, a three-foot-tall sculpture of a sleek black cat is said to be the antidote to the curse  if only the reckless attendees had paid heed to the superstition!</p><p>In the aftermath of the party, blackmail, betrayal, and murder ensue, entwining the guests in a web of deceit and danger. Once again, Priscilla Tempest, plucky head of the Savoy's press office, finds herself at the heart of the intrigue. The mysterious events even draw the attention of the Queen, hinting at a conspiracy that reaches the highest echelons of society. Is the curse real, or is something more sinister at play? This riveting mystery, as sparkling as a Buck's Fizz, promises celebrity gossip and scandal along with twists and turns that will delight readers until the very last page.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ron Base</b> is a former newspaper and magazine journalist and movie critic. His works include twenty novels, two novellas and four non-fiction books. Base lives in Milton, ON.</p><p><b>Prudence Emery</b> worked as the press and public relations officer at the Savoy Hotel, and later as a publicist on more than a hundred film productions. She is also the author of the bestselling memoir Nanaimo Girl (Cormorant Books, 2020).</p><p>Both Prudence and the fictional protagonist, Priscilla Tempest, held the job as press secretary at the Savoy. When asked just how much they had in common, Prudence would answer, with a twinkle in her eye, that 'there are things that Priscilla does that I would never do...and there are things I have done that Priscilla would never do. I will not say anything else.'</p><p>Emery died in Victoria BC, on April 14, 2024, at the age of 88.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Now in paperback! With over 60,000 hardcover copies in print, the astonishing collection about interconnectedness  between the human and nonhuman, ancestors and ourselves from U.S. Poet Laureate and MacArthur Fellow Ada Limn.</p><p>'I have always been too sensitive, a weeper / from a long line of weepers', writes Limn. 'I am the hurting kind.' What does it mean to be the hurting kind? To be sensitive not only to the world's pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings-and to know that those beings are resolutely their own, that they 'do not / care to be seen as symbols'?</p><p>With Limn's remarkable ability to trace thought, <i>The Hurting Kind</i> explores those questions-incorporating others' stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honour parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.</p><p>Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But <i>The Hurting Kind</i> is filled, above all, with connection and the delight of being in the world. 'Slippery and waddle thieving my tomatoes still / green in the morning's shade', writes Limn of a groundhog in her garden, 'she is doing what she can to survive'.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ada Limn</b>is the twenty-fourth Poet Laureate of the United States. She is the editor of the<i>You Are Here</i>anthology and the author offive collections of poems, including<i>The Carrying</i>, which won the National Book Critics Circle Award and was named a finalist for the PEN/Jean Stein Book Award and<i>Bright Dead Things</i>, which was named a finalist for the National Book Award, the National Book Critics Circle Award, and the Kingsley Tufts Award. She's also the author of the picture book<i> In Praise of Mystery</i> based on the poem engraved on NASA's Europa Clipper. Limn is a MacArthur Fellow, the recipient of a Guggenheim Fellowship, and was named a <i>TIME </i>Woman of the Year. Her work has appeared in the<i>New Yorker,</i> the<i>New York Times</i>, and<i>American Poetry Review.</i> She lives inGlen Ellen, California.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A </b><b><i>Los Angeles Times</i></b><b> 'Most Anticipated'</b></p><p><b>A </b><b><i>USA TODAY</i></b><b> 'Must Read Poetry'</b></p><p><b>'</b><b><i>Startlement</i></b><b> is a book of rare treasures. With lyrical mastery and intimate storytelling, Limn's poetry reveals new ways of paying attention. This powerful collection is a gift.'</b> <b></b> <b>Amy Tan</b></p><p><b>An essential collection spanning nearly twenty years of emphatic, fearlessly original poetry from one of America's most celebrated living writers.</b></p><p>Drawing from six previously published books  including widely acclaimed collections <i>The Hurting Kind</i>, <i>The Carrying</i>, and <i>Bright Dead Things</i>  as well as vibrant new work, <i>Startlement</i> exalts the mysterious. With a tender curiosity, Ada Limn wades into potent unknowns  the strangeness of our brief human lives, the ever-changing nature of the universe  and emerges each time with new revelations about our place in the world.</p><p>Both a lush overview of her work and a powerful narrative of a poet's life, this curation embodies Limn's capacity for 'deep attention', her 'power to open us up to the wonder and awe that the world still inspires' (<i>The New York Times</i>). From the chaos of youthful desire, to the waxing of love and loss, to the precarity of our environment, to the stars and beyond, Limn's poetry bears witness to the arc of all we know with patient lyricism and humble wonder.</p><p>'A poet of ecstatic revelation' (Tracy K. Smith), Limn encourages us to meet our shared futures with open and hungry hearts, assuring 'What we are becoming, we are / becoming together.'</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A bilingual anthology of poems from Palestine (2023-2024), </b><b><i>You Must Live</i></b><b> attests to existence in the face of suppression.</b></p><p>Bearing witness to the realities of the Palestinian genocide, <i>You Must Live</i> is a bilingual anthology of recent poetry from Gaza and the West Bank. Translated from Arabic and edited by Tayseer Abu Odeh and Sherah Bloor, this collection gathers the voices of poets currently living in Palestinian territory, most of whom have never left. Yet the poems in <i>You Must Live</i> refuse to cast their speakers as perpetual victims. Diverse voices and styles shine throughout  powerful, prayerful, theatrical, and even humorous  as poets write love letters to the landscape, elegies for martyrs and homes, and proclamations for the future. Negotiating the interplay between aesthetics and politics, the individual and the collective, <i>You Must Live</i> sounds as an urgent call to the global community.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Tayseer Abu Odeh</b> is a Palestinian-Jordanian writer and translator. Among other outlets, his writing has appeared in <i>Michigan Quarterly Review, Arab Studies Quarterly, Journal of Postcolonial Writing,</i> and Harvard Divinity School's <i>Peripheries: A Journal of Word, Image, and Sound.</i> He serves as an international advisor on the editorial board of <i>The Journal of Holy Land and Palestine Studies</i> and as a judge for writing competitions, including the Jubilee Institute's 2022 award for creative writing. Abu Odeh is the recipient of several awards that have funded language, social activism, and literature study in Japan and the United States. He has also received a visiting scholar fellowship at the University of California, San Diego, and recognition for his outstanding contributions to research at Indiana University of Pennsylvania, from which Abu Odeh received a PhD in English literature and criticism in 2016.</p><p><b>Sherah Bloor</b> is a South African poet and scholar. Her first poetry collection, <i>The Gathering,</i> an epic in cantos, is forthcoming from Omnidawn in fall 2026. She is currently working on a second collection, tentatively titled <i>Archives of the Free World.</i> Having studied philosophy and social theory in Australia, she is completing a doctorate at Harvard University in philosophy of religion on the medical history of the mystical and poetic imagination. Bloor is also the editor-in-chief of Harvard Divinity School's literary and arts journal, <i>Peripheries: A Journal of Word, Image, and Sound</i> (Harvard University Press). Her own poems have appeared in <i>Chicago Review, Colorado Review, Conjunctions, Dialogist, Lana Turner,</i> and<i> Paperbark,</i> among other magazines.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The author of home invasion horror hit, </b><b><i>Anybody Home?</i></b><b>, brings murder to the publishing sphere in </b><b><i>On Submission</i></b><b>, where </b><b><i>Scream</i></b><b> meets </b><b><i>Yellowface</i></b><b> when an A-List agent's top clients all end up dead.</b></p><p>Hotshot literary agent Henry Richmond Pendel knows how to find the next big thing and is even better at selling them. But a perfect career becomes increasingly disconcerting as he begins to feel like he's being watched. There are rumors of a boogeyman in publishing, a rejected writer who has cracked and started killing off writers.</p><p>When Pendel's star clients turn up brutally murdered and unsolicited queries become more and more frantic, Pendel must decide whether to act out of safety for himself and his clients or to capitalise on the attention. Is it worth a few more casualties if it means inking a few seven-figure deals?</p><p>Part slasher and part scream at the publishing industry, Michael J. Seidlinger, the master of psychological terror, offers a brutal new take on the relationship between art and commerce. <i>On Submission</i> is full of villains, where some harm with a pen and others with a knife.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The queer love child of pulp horror and classic sci-fi, Of Monsters and Mainframes is a dazzling, heartfelt odyssey that probes what it means to be one of society's monsters  and explores the many types of friendship that make us human.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Finalist, Goodreads Choice Awards 2025, Science Fiction**</b></p><p>Spaceships aren't programmed to seek revenge  but for Dracula, Demeter will make an exception. Demeter just wants to do her job: shuttling humans between Earth and Alpha Centauri.</p><p>Unfortunately, her passengers keep dying  and not from equipment failures, as her AI medical system, Steward, would have her believe. These are paranormal murders, and they began when one nasty, ancient vampire decided to board Demeter and kill all her humans. To keep from getting decommissioned, Demeter must join forces with her own team of monsters: A werewolf. An engineer built from the dead. A pharaoh with otherworldly powers. A vampire with a grudge. A fleet of cheerful spider drones. Together, this motley crew will face down the ultimate evil  Dracula.</p><p>The queer love child of pulp horror and classic sci-fi, <i>Of Monsters and Mainframes</i> is a dazzling, heartfelt odyssey that probes what it means to be one of society's monsters  and explores the many types of friendship that make us human.</p><p><b>'A really charming and fun reworking of the Dracula story.'  Sian Cain,</b> <b><i>The Guardian Australia</i></b></p><p><b>'This is absolutely one of my favourite reads ever  it's adventurous, imaginative, emotional, humorous, palpably queer and full of characters that I would follow into the furthest reaches of space just for the banter. Anyone who loves imaginative fiction full of adventure and lovable characters will love this book.'  Jemimah Brewster,</b> <b><i>ArtsHub</i></b></p><p><b>'I'm normally not too interested in reboots and remakes (God knows we are in a crisis of unoriginality right now) but this bonkers re-telling of</b> <b><i>Dracula</i></b> <b>has me intrigued.'  Soaliha Iqbal,</b> <b><i>Missing Perspectives</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Black Days &amp; Bloody Nights</i>, a collection of Greg Chapman's acclaimed and original fiction: Is the world coming to an end, or is it all in Marion's head? Would you let in a monster to save your child? A writer's son is his most horrifying creation. A videotape captures murder in a cemetery and threatens a detective. A mother's last will and testament reveals a diabolical pact. A corpse and an eclipse usher in the end of all things.</p><p>In these stories, you'll discover how the end comes to those who wait, and those who seek it out. Also included are Chapman's acclaimed novellas, <i>Torment</i> and <i>The Followers</i>, and the short story, &amp;#x27;The Yellow House&amp;#x27;.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Written over the course of 1904-6, Soseki's comic masterpiece, I Am a Cat satirizes the follies of upper-middle-class Japanese society during the Meiji era. With acerbic wit and sardonic perspective, it follows the whimsical adventures of a world-weary stray kitten who comments on the follies and foibles of the people around him.]]></Text>
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			<Text textformat="02"><![CDATA[<p>The most famous work of Japanese literature and the world's first novel written a thousand years ago and one of the enduring classics of world literature.</p><p>Written centuries before the time of Shakespeare and even Chaucer, <i>The Tale of Genji</i> marks the birth of the novel-and after more than a millennium, this seminal work continues to enchant readers throughout the world. Lady Murasaki Shikibu and her tale's hero, Prince Genji, have had an unmatched influence on Japanese culture. Prince Genji manifests what was to become an image of the ideal Heian era courtier; gentle and passionate. Genji is also a master poet, dancer, musician and painter. <i>The Tale of Genji</i> follows Prince Genji through his many loves and varied passions.&amp;nbsp;</p><p>This book has influenced not only generations of courtiers and samurai of the distant past, but artists and painters even in modern times-episodes in the tale have been incorporated into the design of kimonos and handicrafts, and the four-line poems called waka which dance throughout this work have earned it a place as a classic text in the study of poetry.This version by Kencho Suematsu was the first-ever translation in English. Condensed, it's a quarter length of the unabridged text, making it perfect for readers with limited time."Not speaking is the wiser part, And words are sometimes vain, But to completely close the heartIn silence, gives me pain."-Prince Genji, in <i>The Tale of Genji</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lady Murasaki Shikibu</b>, born in the year 978, was a member of the famed Fujiwara clan--one of the most influential families of the Heian period. Her literary ability quickly won her a place in the entourage of the Empress Akiko, whose court valued the rare woman who was a master of writing. After the death of her husband, Murasaki Shikibu immersed herself in Buddhism, and the religion's influences permeate her writing. <br/><br/><b>Michael Emmerich</b> is Associate Professor of Japanese literature at the University of California, Los Angeles. He is the author of <i>The Tale of Genji: Translation, Canonization, and World Literature</i>, the editor of <i>Read Real Japanese Fiction: Short Stories by Contemporary Writers</i> and <i>New Penguin Parallel Texts: Short Stories in Japanese</i>, and the translation of numerous works of premodern, modern and contemporary Japanese Literature. In 2010, he was awarded the Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature for his translation of Kawakami Hiromi's novel <i>Manazuru</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA['Think not that dreams appear to the dreamer only at night, the dream of this world of pain appears to us even by day.' The Japanese have two kinds of ghosts in their folklore - the spirits of the dead and the spirits of the living. In Ghostly Japan The 14 stories include: Fragment Ingwa-banashi  A Passional Karma  Story of a Tengu  In Ghostly Japan]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>'Think not that dreams appear to the dreamer only at night, the dream of this world of pain appears to us even by day.'</i></b><br/>In this book, famed author Lafcadio Hearn presents 14 fascinating stories - including deathless ghosts and yokai, local folklore and haunted places, as well as Buddhist traditions. This edition includes a new foreword by Michael Dylan Foster which explains the book's importance as a Japanese cultural and literary classic.<br/>The Japanese have two kinds of ghosts in their folklore - the spirits of the dead and the spirits of the living.&amp;nbsp;<i>In Ghostly Japan</i>&amp;nbsp;examines both and, in the process, offers a fascinating window into Japan's supernatural and spiritual world.<br/><b>The 14 stories include:</b></p><ul><li><i>Fragment&amp;nbsp;</i>- A young pilgrim encounters a mountain of skulls and is shown a terrible truth</li><li><i>Ingwa-banashi</i><b>&amp;nbsp;</b>- On her deathbed, a dying wife bequeaths to her young rival a sinister and horrific gift</li><li><i>A Passional Karma</i><b>&amp;nbsp;</b>- A spectral beauty transcends death to return for her handsome samurai lover</li><li><i>Story of a Tengu</i><b>&amp;nbsp;</b>- A priest saves the life of a Yokai monk and is granted a wish, but the outcome is not as expected</li></ul><br/>While some stories contain spine-tingling imagery, others offer looks into Japan's rich culture and folklore. "Bits of Poetry" offers an engaging study on the nation's fascination with verse, "Japanese Buddhist Proverbs" explains the meaning of several traditional Zen Buddhist sayings and "Incense" examines its use in rituals to summon and banish spirits.<br/>Whether you're interested in classic ghost stories, or simply want to enjoy the prose of a legendary writer,&amp;nbsp;<i>In Ghostly Japan</i>&amp;nbsp;affords countless delights.<p></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lafcadio Hearn (1850-1904)</b> was the son of an Anglo-Irish father and a Greek mother. He was one of the earliest writers to relay stories of supernatural Japan to the West. He arrived in Japan in 1890 and fell in love with the country and its people. He married a samurai's daughter, became a Japanese citizen and a Buddhist and changed his name to Koizumi Yakumo. In 1896, he began teaching English literature at Tokyo Imperial University, and then at Waseda University, becoming the great interpreter of things Japanese to the West. His books on Japan include <i>Glimpses of Unfamiliar Japan</i>, <i>Kokoro</i>, <i>A Japanese Miscellany</i>, and <i>Kwaidan</i>.<br/><br/><b>Michael Dylan Foster</b> is professor of East Asian Languages and Cultures at the University of California, Davis. He is the author of <i>The Book of Yokai: Mysterious Creatures of Japanese Folklore</i> (2015), <i>Pandemonium and Parade: Japanese Monsters and the Culture of Yokai</i> (2009) and numerous articles on Japanese folklore, literature and media.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A jewel by Seicho Matsumoto (1909-1992), the master of Japanese mystery writing. A beautifully written crime novel set in a coastal city in Northern Japan that takes on the taboo of Japanese prostitution during the American occupation.]]></Text>
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			<Text textformat="02"><![CDATA[<p> Tokyo, 1958. Teiko marries Kenichi Uhara, ten years her senior, an advertising man recommended by a go-between. After a four-day honeymoon, Kenichi vanishes. Teiko travels to the coastal and snow-bound city of Kanazawa, where Kenichi was last seen, to investigate his disappearance. When Kenichi's brother comes to help her, he is murdered, poisoned in his hotel room.</p><p>Soon, Teiko discovers that her husband's disappearance is tied up with the so-called &amp;#x27;pan-pan girls&amp;#x27;, women who worked as prostitutes catering to American GIs after the war. Now, ten years later, as the country is recovering, there are those who are willing to take extreme measures to hide that past.</p><p><b>&amp;#x27;A master crime writer...Seich Matsumoto&amp;#x27;s thrillers dissect Japanese society.&amp;#x27; </b><b><i> The New York Times Book Review</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p> <b>Seicho Matsumoto </b>(1909-1982) was Japan&amp;#x27;s most successful mystery writer. His first detective novel,<i> Points and Lines</i>, sold over a million copies in Japan. <i>Vessel of Sand</i>, published in English as<i> Inspector Imanishi Investigates </i>in 1989, sold over four million copies and became a movie box-office hit.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This collection of mystery and horror stories is regarded as Japan's answer to Edgar Allan Poe.</b></p><p><i>Japanese Tales of Mystery &amp; Imagination</i>, the first volume of its kind translated into English, is written with the quick tempo of the West but rich with the fantasy of the East. These nine bloodcurdling, chilling tales present a genre of literature largely unknown to readers outside Japan, including the strange story of a quadruple amputee and his perverse wife; the record of a man who creates a mysterious chamber of mirrors and discovers hidden pleasures within; the morbid confession of a maniac who envisions a career of foolproof "psychological" murders; and the bizarre tale of a chair-maker who buries himself inside an armchair and enjoys the sordid "loves" of the women who sit on his handiwork. Lucid and packed with suspense, Edogawa Rampo's stories found in <i>Japanese Tales of Mystery &amp; Imagination </i>have enthralled Japanese readers for over half a century.&amp;nbsp;</p><p>Mystery stories include:</p><ul><li>The Human Chair<br/></li><li>The Caterpillar<br/></li><li>Two Crippled Men<br/></li><li>The Traveler with the Pasted Rag Picture</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Edogawa Ranpo</b> (Hirai Taro, 1894-1965) is widely regarded as the father of Japanese mystery writing. Born in Mie Prefecture, he graduated in 1916 from Waseda University and took on a series of odd jobs, working as an accountant, clerk, salesman, and peddler of noodles from a cart, before discovering his vocation as a writer. The first modern writer of mysteries in Japan, and long-time president of the Japan Mystery Writers' Club, Ranpo derived his pen name from the Japanese pronunciation of Edgar Allan Poe, under whose spell he fell early in his career. <br/><br/><b>Dr. Patricia Welch</b> is an Associate Professor of Japanese and Comparative Literature in the Department of Comparative Literature at Hofstra University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A classic tale that will captivate lovers of Japan, history, and epic adventure alike.</b></p><p>Japan&amp;#x27;s most celebrated tale of chivalry, loyalty and revenge  and the basis for a Hollywood feature film starring Keanu Reaves  <i>47 Ronin</i> is the epic tale of a heroic band of Samurai warriors who defy the Japanese Emperor to avenge the honour of their fallen master.</p><p>The story begins in 1701 when the noble Lord Asano attacks an official at court. His punishment is swift and harsh  the Emperor orders Lord Asano to commit ritual suicide (<i>harikiri</i>). His lands are confiscated, his family exiled, and his Samurai warrior brigade is disbanded  becoming Ronin or masterless, wandering renegades.</p><p>While appearing to follow the Emperor&amp;#x27;s instructions, the <i>47 Ronin</i> plot in secret for many years, biding their time until the moment to strike is right. Like the story of the Knights of the Round Table, the Ronin&amp;#x27;s deeds became legendary, iconic examples of courage, cunning and loyalty in an age when the Samurai were true heroes and honor was something worth dying for.</p><p>John Allyn&amp;#x27;s vivid retelling, with a foreword by scholar and film advisor, Stephen Turnbull, presents this epic of Japanese literature in its correct historical context.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John Allyn</b> studied Japanese at Stanford University and was stationed in Japan during the early years of the U.S. occupation. After returning to the U.S., he entered UCLA where he received his master&amp;#x27;s degree in Theater Arts in 1951. He went on to specialize in Japanese theater, receiving a doctorate in Theater History.<br/><br/> <b>Stephen Turnbull</b> is the author of over 50 books on the military history of Europe and the Far East. He works as a Japanese cultural consultant and a Lecturer in Japanese Religion at the Department of East Asian Studies at Leeds University. He served as the historical advisor for the Universal Pictures film <i>47 Ronin</i> starring Keanu Reeves.</p>]]></Text>
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			<Text textformat="02"><![CDATA[In the tenth century, Japan stood physically and culturally isolated from the rest of the world. Sei Shonagon a young courtesan of the Heian period kept a diary, which provides a highly personal account of the intrigues, dalliances, quirks, and habits of Japan's late tenth-century elite.]]></Text>
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			<Text textformat="02"><![CDATA[<p>In the tenth century, Japan stood physically and culturally isolated from the rest of the world. Sei Shonagon a young courtesan of the Heian period kept a diary, which provides a highly personal account of the intrigues, dalliances, quirks, and habits of Japan's late tenth-century elite.&amp;nbsp;</p><p>She was a contemporary and acquaintance of the well-known courtesan Murasaki Shikibu, author of the Japanese masterpiece <i>The Tale of Genji</i>. A perfect companion to that work, <i>The Pillow Book of Sei Shonagon</i> brings an added dimension to Murasaki's timeless and seminal novel and further illuminates Japanese court life in all its ritualistic glory.&amp;nbsp;</p><p>Through his elegant and readable abridged translation, Arthur Waley perfectly conveys Sei Shonagon's girlish temperament and quirky personality. In a place and time where poetry was as important as knowledge and beauty was highly revered, Sei Shonagon's private writings offer a charming, intimate glimpse into a world of innocence and pale beauty.&amp;nbsp;</p><p>A new introduction by respected Japanese literary scholar Dennis Washburn provides historical insight into Japanese culture, Sei Shonagon's world, and Waley's translation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Arthur Waley</b> (1889-1966) taught himself Chinese and Japanese after being appointed Assistant Keeper of Oriental Prints and Manuscripts at the British Museum to help catalog the paintings in the museum's collection. He went on to renown as one of the most respected translators of Asian classics into English of his time. His long list of translated works includes <i>The Tale of Genji, Monkey (The Journey to the West), The Noh Plays of Japan</i> and <i>The Analects of Confucius</i>. <br/><br/><b>Dennis Washburn</b> is Professor of Asian and Middle Eastern Languages and Literatures and Comparative Literature at Dartmouth College. He is the author of <i>Translating Mount Fuji: Modern Japanese Fiction and the Ethics of Identity</i> and translator of <i>Temple of the Wild Geese</i> and <i>Bamboo Dolls of Echizen</i>.</p>]]></Text>
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			<SubjectHeadingText>the gate coming of age bungo stray dogs cpming of; soseki natsume books japanese famous literature; age in japan; satirical light novel adaptation i am a cat kokoro; modern classic novel new english translation</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[A modern classic in Japan, Botchan is as widely read today as when it was first published, occupying a place in the canon similar to The Adventures of Tom Sawyer or The Catcher in the Rye]]></Text>
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			<Text textformat="02"><![CDATA[<p>Botchan has a chip on his shoulder. His elder brother is his parents&amp;#x27; obvious favorite and Botchan only receives any attention at all if he misbehaves. After his parents die, Botchan is cut off by his brother and drifts into a job teaching maths in a small provincial town far from the big city.</p><p>Thrust into this alien environment, Botchan finds nothing but trouble  from his nosy landlord; his students, who delight in tormenting him; his fellow teachers, each of whom he christens with a sly nickname  Porcupine, Green Squash, Badger, Red Shirt  and others who insist on complicating his life. The result is chaos, told with great wit and irony that make this Soseki&amp;#x27;s funniest novel.</p><p>A modern classic in Japan, <i>Botchan</i> is as widely read today as when it was first published, occupying a place in the canon similar to <i>The Adventures of Tom Sawyer</i> or <i>The Catcher in the Rye</i>. Botchan&amp;#x27;s coming-of-age quest to navigate the hypocrisy of his peers while remaining true to what is honest and good never fails to capture the hearts and imaginations of readers.</p><p><b>&amp;#x27;Soseki remains the great master of modern literature in Japan.&amp;#x27;  Norma M. Field</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Soseki Natsume</b> was born in Tokyo in 1867 and attended prestigious University of Tokyo before working as an English teacher for a time. He went to London for three years in 1900 on a government literary scholarship, where he developed a love for Shakespeare. Returning to take up a position at his alma mater, his writing career began with <i>I Am a Cat</i> in 1905. <i>Botchan </i>followed in 1906 and these remain his most popular works, along with <i>Kokoro</i>. Soseki enjoyed great popularity during his lifetime, and when Japanese readers and critics are asked today which author they most admire, Soseki&amp;#x27;s name always appears at the top of the list.</p><p><b>Dennis Washburn</b> is Burlington Northern Foundation Professor in Asian Studies at Dartmouth College. His translations of Japanese literature include <i>The Tale of Genji</i> by Murasaki Shikibu and <i>Laughing Wolf</i> by Yuko Tsushima, among others.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Andrea Rowe and Lisa Coutts come together to create a story about community and kindness, legacy and conservation. Audrey Skips is a tribute to The Skipping Girl, Melbourne's first neon sign and a timeless treasured landmark.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Bright and shiny Audrey loves to skip a jump rope rhyme, right off her rooftop and through the sleeping streets of a city. Skittering across the skyline and peering in windows, Audrey spies folks struggling with hard times as her own light dims. With a little help from city friends, Audrey's light and her hopeful spirit shine again, brighter than ever.</p><p>Andrea Rowe and Lisa Coutts come together to create a story about community and kindness, legacy and conservation. <i>Audrey Skips</i> is a tribute to The Skipping Girl, Melbourne's first neon sign and a timeless treasured landmark.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Andrea Rowe</b> is a best-selling, award-winning picture book author. Her picture book, <i>Jetty Jumping</i> (illustrated by Hannah Sommerville), was awarded the 2022 CBCA Picture Book of the Year  Early Childhood and the 2023 Australian Speech Pathology Picture Book of the Year. <i>In the Rockpool</i> and <i>Amid the Sand Dunes</i> (Hardie Grant) were both awarded the 2024 and 2025 CBCA Notable Picture Books of the Year  Early Childhood. Andrea loves to write stories where characters explore the great outdoors, ponder big questions and move through tricky feelings, which inspire conversations amongst children, families and educators. Andrea is the 2025 inaugural Public Libraries ambassador for Victoria, and a May Gibbs Children's Literature Trust Fellow.</p><p><b>Lisa Coutts</b> is an illustrator based in Naarm, Melbourne, Australia. Her work has features in over 20 of varying genres, and her greatest love is picture books. Lisa loves creating charming characters and placing them in quirky and whimsical worlds. She is the illustrator of <i>The Great Book Swapping Machine</i> by Emma Allen and she designed the cover art on Tim Winton's <i>Blueback</i>, with more books in production. Lisa's art practice incorporates mixed media techniques including coloured pencil, dry pastel, acrylic and watercolour paints, and Procreate. Her work has been described as charming, delicious, quirky, whimsical and that it hurts people's hearts in a GOOD way! When not in her studio, you'll find Lisa riding her bike along river and creek trails for story inspiration, pausing to pat any cat she spies, or hunting for vintage Australian snow domes to add to her vast collection.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Do you ever look for shapes in the clouds?</p><p>Milo lies in the grass watching cottony cumulus clouds transform into animals. Maya looks out a plane window and marvels at the sky outside and the shapes countries make below. Through their different perspectives, Milo and Maya remind us that there are countless ways to experience the world.</p><p><i>The World from Here</i> explores the fascinating areas of nephology (the study of clouds), meteorology and geography. These sciences help us understand our world and the wonders that make living here on Earth so rewarding.</p><p>Reading level varies from child to child, but we recommend this book for ages 5 to 9.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Cassy Polimeni</b> is a children's author and freelance editor whose stories celebrate our connection with nature and the environment, and the relationship between science and wonder. She lives and works on Bunurong Country.</p><p><b>Mel Armstrong</b> is an illustrator from New Zealand. She blends digital and traditional techniques to create charming children's books, drawing inspiration from nature and her lively home life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Coral Vass</b> is an award-winning Australian children's author. She has always loved telling stories and has been writing books for over ten years. Coral is an ambassador for Reading Out of Poverty and is passionate about giving all children an equal opportunity to read. With numerous best-sellers, Coral's awards include the 2018 Speech Pathology Awards for Best Book for Language and Literacy Development  Indigenous Children, the 2019 CBCA Book of the Year Eve Pownall Award and the 2021 Caleb Picture Book of the Year Award. Shehas also been shortlisted for the REAL Awards, voted by the children of Australia.</p><p>At an early age <b>Heidi Cooper-Smith</b> knew she wanted to write and illustrate picture books. But during a Visual Arts degree, she fell in love with Ceramics and spent the next 20 years covered in clay. Heidi rediscovered her passion for drawing in 2014 when she joined the online '52-week illustration challenge'. Six months later she was offered her first illustration contract with <i>Koala Books for Two Birds on a Wire</i>. This wonderful experience inspired her to start writing, and in 2015 and 2016 she won the CYA illustrated manuscript competition.<i> Kate and the Thing</i> is Heidi's first book as both author and illustrator. She was also the illustrator of <i>The Other Brother.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Two stars team up  Muriel Spark and Edward Gorey  to bring the charming tale of Ticky the clock to life in this children's classic.</b></p><p>Once there was a very fine clock named Ticky, who lived with Professor Horace John Morris and kept perfect time. Each night, at fourteen minutes past ten, his time was used to set the rest of the clocks in the house. When the professor's friends suggest that Ticky be made a professor, too, he explains what really happens during the quiet hours of the day when the professor is out, when all the rooms have been cleaned and dusted, and the clocks talk to one another and tell the stories of their lives. </p><p>No artist is better suited to capture Ticky's quiet stateliness and grace than Edward Gorey, who brings this tale masterfully to life through his characteristic pen and ink drawings. Full of wit, wisdom, and affairs of the heart, <i>The Very Fine Clock</i> is a very fine picture book.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Muriel Spark</b> (19182006) was the author of dozens of novels, including <i>The Prime of Miss Jean Brodie</i>, <i>Memento Mori</i>, <i>A Far Cry from Kensington</i>, <i>The Girls of Slender Means</i>, <i>The Ballad of Peckham Rye</i>, <i>The Driver's Seat</i>, and many more. She became Dame Commander of the Order of the British Empire in 1993.</p><p><b>Edward Gorey</b> (19252000) was born in Chicago. In 1953 Gorey published <i>The Unstrung Harp</i>, the first of his more than one hundred books. In addition to illustrating his own stories, Gorey provided drawings for many books for both children and adults. Of these, New York Review Books has published <i>The Haunted Looking Glass</i>, a collection of Gorey's favorite ghost stories; <i>The War of the Worlds</i> by H. G. Wells; <i>Men and Gods</i> by Rex Warner; <i>The Unrest-Cure and Other Stories</i> by Saki; and <i>Three Ladies Beside the Sea</i> by Rhoda Levine. He cowrote the NYRB Kids book <i>Fletcher and Zenobia</i> with Victoria Chess.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Unsolved Japanese mysteries, bizarre tales and strange events - all in amazing full-colour!</b><br/><br/>These 124 spooky, scary and silly stories lift the lid on the creepy urban legends and haunted homes that have terrified and titillated Japanese city dwellers and students for ages. These goosebump-inducing tales feature full-color illustrations on every page with a danger rating guide - in case you find yourself faced with one of the bizarre creatures described here first-hand!<br/><b>These terrifying and spooky supernatural stories include:</b></p><ul><li>Slit-Mouthed Woman, a disfigured and deceased onryo, or vengeful spirit who stalks men in the woods at night</li><li>Hanako of the Toilet, the creepy girl who hangs out in the stalls - and drags you in with her!</li><li>Hasshaku-sama, the 8-foot-tall woman whose favorite activity is chewing on children</li><li>Kisaragi Station, all aboard the ghost train leaving from a station not found on any map</li><li>Kune Kune, the squiggle figure who wiggles and waves: Don't look or you'll be driven insane!</li><li>And 119 other tales of mayhem and magical happenings!</li></ul><p>In three creepy sections, <i>Japanese Urban Legends</i> visits urban and rural legend sites, spooky schools and haunted homes - sure to keep you flipping the full-color pages for more!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>David Conger</b> was born in Tacoma, Washington. He studied electrical engineering and Japanese at Brigham Young University. He first became interested in Asian history and folklore while living in Japan for two years.<br/><br/><b>Marian Davies Toth's</b> work has achieved national recognition in the United States. She has an abiding fascination in folklore and during her stay in Thailand, she collected and compiled enchanting tales and legends of old Siam. While there, she taught creative writing at the International School in Bangkok.<br/><br/><b>Joan Suyenaga</b>, born and raised in Hawaii, grew up with <i>Japanese Children's Favorite Stories</i> on her family bookshelf. She has been writing, translating and editing for the past twenty years in Indonesia. She is the author of <i>Indonesian Children's Favorite Stories.</i><br/><br/><b>Liana Romulo</b> spends much of her free time traveling, scuba-diving, and hunting through new and unusual bookstores. A dedicated yoga practitioner, she lives mostly in the Philippines but has also lived in Thailand, Belgium, and the United States. Having grown up in different parts of the world, she knows how important it is to preserve her own heritage and share it with others throughout the world. Her first picture book, <i>Filipino Children's Favorite Stories</i>, was a national best-seller in the Philippines.<br/><br/><b>Patrick Yee</b> holds a degree in Graphic Design, specializing in illustrations from Camberwell College of Arts, London Institute, and a Masters Degree from Brighton University. He has won the MacMillian Children's Picture Book Award (England) twice, and has illustrated more than 100 books. Yee is a part-time lecturer in LaSalle SIA, Nayang Academy Of Fine Arts, AWWA Special School and Frobel Academy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From the creators of </b><b><i>Teatime Around the World</i></b><b>, this poetic picture book takes readers ages 4-8 across the globe exploring different soups and soup traditions!</b></p><p><i>Soup's on. A tasty treat.<br/>Fill your bowl up. Time to eat!</i></p><p>Through vibrant illustrations and heartwarming text, <i>Soup's On Around the World</i> invites readers on a flavorful journey of soups across the globe, each with its own unique history and traditions!</p><p><b>Every soup tells its own story, revealing fascinating stories such as:</b></p><ul><li>The popular Chinese dish, Wonton Soup, is over 1000 years old</li><li>In Finland, a unique Christmas dried fruit soup is served as a sweet dessert, topped with whipped cream</li><li>Bitter-leaf Soup, a traditional dish from West Africa, was first used to treat illnesses</li><li>French Onion Soup was possibly invented by a king!</li></ul><p>Bright, detailed pictures by acclaimed artist Chelsea O'Byrne brings to life Denyse Waissbluth's joyous celebration of soup. With sidebars full of delicious facts, this second title in the Taste the World series is a celebration of diversity and deliciousness exploring a beloved food  soup!  and all the tasty ways we can enjoy a bowl (or two!).</p><p><b><i>The second book in the Taste the World series.</i></b></p><p>Discover the world through food in this vibrant picture book series that celebrates culture and diversity. Taste the World takes young readers on a delicious journey, introducing them to different traditions, cultures and countries, and the unique dishes that bring communities together. With rich illustrations and poetic stories, this series inspires curiosity, appreciation for global cultures, and the joy of sharing a meal.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Denyse Waissbluth</b> has eaten her way through every Canadian province and territory and more than twenty countries. Her appreciation for how food (like soup!) opens doors to different cultures, and her love of travel has inspired her first two children's books <i>Teatime Around the World</i>, and now <i>Soup's On Around the World</i>, both published by Greystone Kids. When she's not working in the agricultural sector, you can find her exploring new places  both near and far  with her husband and son, enjoying a good book, or sipping a cup of tea.</p><p><b>Chelsea O'Byrne</b> is an artist and teacher living and working in Vancouver, BC. She is the acclaimed illustrator of four books, including <i>Hello, Crow!</i> by Candace Savage (Greystone Kids, 2019), and <i>Teatime Around the World</i>, both published by Greystone Kids (Greystone Kids, 2020). One of Chelsea's favorite things to eat in her studio is a nice big bowl of home-cooked soup... but she is very careful not to spill any on her drawings!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sierra Marilyn Riley</b> is an Italian Canadian actor and writer. She previously worked as an editor at SAD Mag and an information assistant at Vaughan Public Libraries and St. George's School. These days, you can watch her on Hallmark's Mistletoe Murders. She can also be found petting dogs in parks across Toronto.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Denise Brown</b> is a writer, housekeeper, proofreader, and single parent of five children.  </p><p>Her latest novel with Hashtag Press, <i>It All Started With A Lie</i>, became an instant hit following a successful debut at YALC 2023, and the second edition release of <i>We Know What You Did</i> (November 2024) was a resounding hit at YALC 2024. Denise has had short stories published in various online magazines and anthologies and was also longlisted for the 2019 Mslexia Children's Novel Competition. In 2019 she was longlisted for the Bath Novel Award.  </p><p>Born in East London, Denise has now settled in Scotland where she feels certain she must have lived in a previous life. She loves dogs and snow globes and has a teensy obsession with Jack Skellington. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The first installment of <b>Andrew Lang</b>'s popular fairy tale series. <i>The Blue Fairy Book</i> is a vibrant collection of children's stories that have been published across the globe. Lang pulls from genre favorites such as "Little Red Riding Hood," "Cinderella or the Little Glass Slipper" and "The Brave Little Tailor."<b>Originally published in 1889, </b><b><i>The Blue Fairy Book</i></b><b>, is the first in a series of popular collections by Andrew Lang that feature international fairy tales.</b> It's a compilation of more than 30 stories across different times and locations.<i>The Blue Fairy Book</i> consists of famous tales from authors such as Madame d'Aulnoy and the Brothers Grimm. Their works are retold in vivid detail in an easy-to-read format. Some of the most memorable stories include "Beauty and the Beast," "Rumpelstiltskin," "The Story of Pretty Goldilocks" and "The History of Jack the Giant-killer." The first edition ran less than 10,000 copies before becoming a major international success. Fans of classic fairy tales will adore Andrew Lang's signature collection. <i>The Blue Fairy Book</i> marked the beginning of a new era in the author's impressive career. It's the inaugural edition of a long-running series that spanned well over a decade. With an eye-catching new cover, and professionally typeset manuscript, this edition of <i>The Blue Fairy Book</i> is both modern and readable.</p><p>Since our inception in 2020, <b>Mint Editions</b> has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.</p><p>With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Originally published in 1897, </b><b><i>The Pink Fairy Book</i></b><b> is a dynamic collection of world-renown stories that are deeply rooted in Japanese, Italian and Scandinavian culture.</b> These rich and compelling stories are staples within the children's genre. <i>The Pink Fairy Book</i> is a continuation of Andrew Lang's popular fairy tale book series. This edition includes more international fare such as "The Slaying of the Tanuki," "I Know What I Have Learned," "The Jackal, the Dove, and the Panther" and "How the Hermit Helped to Win the King's Daughter." With more than 40 stories to choose from, <i>The Pink Fairy Book</i> offers a delightful assortment of classic children's fare. A rich collection of morality tales for readers of all ages. These narratives are populated by evil witches, spiteful kings and selfish trolls forced to confront the error of their ways. Andrew Lang's <i>The Pink Fairy Book</i> delivers memorable stories with powerful messages. With an eye-catching new cover, and professionally typeset manuscript, this edition of <i>The Pink Fairy Book</i> is both modern and readable.</p><p>Since our inception in 2020, <b>Mint Editions</b> has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.</p><p>With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Originally published in 1904, </b><b><i>The Brown Fairy Book</i></b><b> is a vibrant collection of classic stories that have been shared among various cultures, scholars and critics.</b> This is one installment of Andrew Lang's popular children's series. <i>The Brown Fairy Book</i> brings the nuance and history of the Americas, Australia and Asia into one compelling collection. With more than 30 stories to choose from, Andrew Lang delivers a captivating fairy tale catalog. This edition includes "How Geirald the Coward was Punished," "The Husband of the Rat's Daughter," "Story of the King who would be Stronger than Fate" and "The Knights of the Fish." This book is a worthy addition to Lang's previous entries: <i>The Crimson Fairy Book</i> (1903), <i>The Violet Fairy Book</i> (1901), <i>The Grey Fairy Book</i> (1900) and <i>The Pink Fairy Book</i> (1897). Andrew Lang delivers another impressive assortment of classic children's tales. <i>The Brown Fairy Book</i> is an eye-opening account of lesser-known fables that are both rare and impactful. With an eye-catching new cover, and professionally typeset manuscript, this edition of <i>The Brown Fairy Book</i> is both modern and readable.</p><p>Since our inception in 2020, <b>Mint Editions</b> has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.</p><p>With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 3 to 6</b></p><p><i>Christmas is coming and Ayla wants a snowman just like in her book, but there is no snow to be found in her drought-stricken town, not even a drop of rain. Only bales of hay.</i></p><p><i>Ayla's Christmas Wish</i> is inspired by the small, south-west Victorian town of Tarrington, which runs a hay bale design competition each year. This book compares European Christmas traditions with the reality of a hot, dry Australian summer. Behind the story of Ayla wishing for a snowman, there is a town wishing for rain.</p><p>This story celebrates a community at Christmas-time, and highlights the importance and beauty of small-town resilience.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 6 to 9</b></p><p>Little Brother is told by his brother and his friends that he's too small to help out at the Spring Festival. He's too little to fly a kite and he's not strong enough to hold a dragon pole. But Father says he has a special job to do. What can it be?</p><p>He knows it's not hanging the lanterns up, as Father has already done that. He knows it's not choosing the treats from the hawker as Father has already chosen a duck. He knows it's not serving tea or lighting fire crackers as he did those jobs last year.</p><p>Follow Little Brother through the village to find out what his special job is.</p><p>Christopher Cheng's story and Di Wu's paintings recreate the magic of celebrating New Year in snowy rural northern China. Di's stunning artwork reflects Chinese traditional techniques, using rice paper, Chinese brushes and the colours of traditional paintings.</p><p>At the back of the book, read about some of the different festivals held in China and about the rural setting of the book. Images from the National Library of Australia's collection illustrate this section.</p>]]></Text>
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			<SubjectHeadingText>Australian wildlife; activities; animals; backyard habitat; bee hotels; biodiversity; bird boxes; citizen science; climate action; composting; eco-friendly gardening; environmental activism; environmental education; environmental science; fauna; flora; forests; gardening for kids; insect homes; insect hotels; kids gardening; kids nature book; mammals; native bees; native plants; nature; nature activities; nature conservation; nature crafts; nature photography; outdoor learning; plants; pollination; pollinators; school projects; sustainable gardening; threatened species; tree planting; urban wildlife; waterways; wildlife corridors; wildlife gardening</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>**CBCA Notable 2026, Eve Pownall Award**</b></p><p>Children around Australia are taking charge. Come and join the revolution!</p><p>From the coast of Western Australia to Sydney's suburbs, young people are discovering nature in their neighbourhoods and setting up nesting boxes for birds, cleaning up waterways, planting to attract bees and koalas, and building insect hotels. They're learning about amazing native species and finding ways to protect them.</p><p><i>The Bee Squad</i> inspires you to take part in these exciting adventures and projects that support threatened species by doing things like:</p><ul><li>learning how to put together a nature sleuth toolkit</li><li>planting to attract pollinators</li><li>using the tally sheet to record flora and fauna sightings</li><li>following the tips to ace your wildlife photography.</li></ul><p>The best part is, you don't need to live near a national park or protected area to get involved  you can make a difference from your balcony, backyard, local park or school.</p><p><b>'Here is a book that equips young people with solid advice, knowledge and fun activities to become champions of biodiversity and helpers to Mother Nature! At a time when climate anxiety is high and children can feel helpless, Friedlander leans into action and encouragement in a book that will send kids out into the wilderness with fresh perspective and appreciation for this world of ours.'  Danielle Binks, award-winning author</b></p><p><b>'</b><b><i>The Bee Squad</i></b><b> is a must-have addition to your library of life. Everything you need to know to build a friendship, a relationship and the ultimate lifelong love affair with nature and all its beauty, and participants sharing the world with you and around you wherever you are.'  Costa Georgiadis</b></p><p><b>'Sustainable Schools NSW encourages a comprehensive approach to sustainability, integrating it into campus life, curriculum and school culture, which is what</b> <b><i>The Bee Squad</i></b><b> is able to do.</b> <b><i>The Bee Squad</i></b><b> offers diverse opportunities for teachers, students and families to nurture nature and connect with Country, to 'bala ga lili', fostering a love for nature. I encourage all to join</b> <b><i>The Bee Squad</i></b><b> to become Earthcarers, creating a B &amp; B highway across Australia. By utilising Education for Sustainability principles,</b> <b><i>The Bee Squad</i></b><b> promotes systems thinking and future-focused learning, empowering participants to become citizen scientists. A heartfelt thanks to Judy for advancing environmental education across Australia!'  Sue Martin, Environmental Education NSW &amp; Sustainable Schools NSW</b></p><p><b>'The joy of this book is that its wonders are so accessible. It will teach you to discover the magic of nature in your backyard. And the more you know, the more you will want to know, and life will never be boring again.'  Rachel Ward, actress, director, screenwriter and regenerative farmer</b></p><p><b>'The Atlas of Living Australia specialises in open biodiversity data, of which a large component is from citizen science.</b> <b><i>The Bee Squad</i></b><b> citizen science chapter is a fantastic introduction to junior scientists about citizen science and the different kinds of citizen science projects and data collection tools available. It's inspiring to read about what discoveries have already been made by students and how citizen science has enabled observations in nature to have real world impact.'  Dr Andre Zerger, Director, Atlas of Living Australia</b></p><p><b>'This is a handbook for of every young nature enthusiast as it so very practical...It is a goldmine for teachers and parents, with plenty of illustrations, web resources for delving further and excellent teacher's notes (which are useful for any keen reader).'  Mia Macrossan,</b><b><i> StoryLinks</i></b></p><p><b>'This is one of the most inspirational children's books of the year. A fabulous book that will not only interest and inspire children but also equip them with really practical and engaging ideas to successfully lead their households and schools to become more sustainable.'  Sarah Mayor Cox,</b> <b>ABC Radio Children's/YA book reviewer</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Longlisted, ABIAs 2020, Small Publisher's Children's Book of the Year</b></p><p><b>Shortlisted, Australian Book Design Awards 2020, Best Designed Children's Non-Fiction Illustrated Book</b></p><p><b>Shortlisted, Adelaide Festival Awards for Literature 2022, Children's Literature Award<br/></b></p><p><b>Age range 3+</b></p><p><i>Summer is here. Put your school shoes away,</i></p><p><i>The long, lazy days can begin.</i></p><p><i>Mangoes and magpies, municipal pools...</i></p><p><i>Take a deep breath and dive in.</i></p><p>The bestselling creators of <i>Alphabetical Sydney</i> and <i>Numerical Street</i> are back with their new picture book, <i>Summer Time</i>  a stunning tribute to an Australian summer.</p><p><b><i>'Summer Time</i></b><b>, Hilary Bell and Antonia Pesenti's third picture book collaboration, explores ideas of time within the grand nostalgic mythology of Australian summer...The rhyming verse is rich and evocative, making good use of both rhythm and imagery...Pesenti's pleasing collage-style illustrations complement Bell's linguistic portraits; a colour palette both bright and gentle evokes the harsh Australian light and the haze of memory.' -</b><b><i>Books + Publishing</i></b></p><p><b>Teachers' Notes available here</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 5 to 9</b></p><p></p><p>A child's day in the garden with their Gran and Pa leads to a wonderful exploration of pollination.</p><p>Join them in discovering how pollination happens in our gardens and backyards, and the importance it has for our environment. Meet the animals involved in pollination and the plants that depend on pollination to produce our fruit, vegetables and even our clothes!</p><p>Reading level varies from child to child, but we recommend this book for ages 5 to 9.</p><p></p><p><b>Teachers&amp;#x27; notes available here</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p></p><p><b>Christopher Cheng</b> adores writing, especially picture books. He has been shortlisted for the CBCA and NSW Premier's Literary awards, and won the Wilderness Society's Environment Award for Children's Literature. He is Co-Chair of the Society of Children's Book Writers and Illustrators Advisory Council. Christopher is based in Sydney, NSW.</p><p><b>Danny Snell</b> has been working as an illustrator for over 20 years. His picture books have won awards including the CBCA Eve Pownall Award, the Wilderness Society's Environment Award for Children's Literature and more. Danny is based in Adelaide, SA.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Age range 7 to 12 Did you ever wonder why some insects can walk on water? Or how the Ancient Egyptians made mummies? Are you curious about why a guitar sounds different from a flute? Gather some everyday materials from around your home and find out the answers with these 50 kid-approved science activities from CSIRO.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Did you ever wonder why some insects can walk on water? Or how the Ancient Egyptians made mummies? Are you curious about why a guitar sounds different from a flute? Gather some everyday materials from around your home and find out the answers with these 50 kid-approved science activities from CSIRO.</p><p>The activities cover electricity and magnetism, sound and light, heat and motion, water and gases, living things, shapes and our planet Earth. Each activity has a simple list of materials required, and uses simple step-by-step instructions and drawings to enable you to create exciting and interesting reactions, experiments and inventions. Fast facts and quiz questions will help you test your knowledge, and you'll also find an explanation of the science behind each activity, along with examples of how each principle works in the real world.</p><p>Discover more about the world of science by making:</p><ul><li>Dancing slime<br/></li><li>Rubbery bones<br/></li><li>A ping pong ball shooter<br/></li><li>Ghastly ghostly photos<br/></li><li>Fizzy dinosaur eggs<br/></li><li>A lemon battery</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The Double Helix team is part of CSIRO Publishing and has a long-standing reputation for delivering expertly written, fascinating and fun science material for young people. Double Helix activities are designed to foster an interest in science, technology, engineering and maths (STEM).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, ACT Literary Awards 2025, The Marion Halligan Award**</b></p><p><b>**Shortlisted, ABIAs 2025, Small Publisher's Children's Book of the Year**</b></p><p><b>**Shortlisted, 2025 CBCA Book of the Year, Eve Pownall Award**</b></p><p><b>**Longlisted, ABDA Best Designed Children's Non-fiction Book 2025**</b></p><p>When it comes to flora, Australia is a land of diversity. From rainforests to deserts, mountains to the seashore, 90 per cent of our plant life is unique to this ancient land. Treasures like our wattles, eucalypts, grass trees and banksias are part of our heritage and identity  and they still flourish here today, on the oldest landmass on Earth.</p><p><i>Flora</i> celebrates and highlights these diverse and curious plants, looking into the history, quirks and uses of our native plants, and how vital they are for our unique ecosystems. Tania McCartney brings her trademark skill and style in both writing and illustration, using her substantial experience in children's literature to examine Australia's botanical riches to pick out engaging, informative and surprising facts to share with young readers.</p><p>The book includes spreads on the Gondwana Garden, Deadly Flora, Bush Food, Flora Ancestry and more. Meet the Tasmanian Mountain Ash, which is both the world's tallest flowering plant and the tallest hardwood tree, growing more than a metre each year...for up to 400 years! Share in a park ranger's discovery of a living Jurassic fossil deep in a secret sandstone canyon. Learn how to avoid the most painful plant on earth, the gympie gympie, whose fine little hairs inject a fiery venom that feels like acid and electrocution all at once!</p><p>The author introduces readers to hard science too, including information on plant classification, countless cool scientific facts and binomial names and scientific terms, with a handy glossary aimed at children at the back of the book.</p>]]></Text>
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			<SubjectHeadingText>activity books for kids ages 6-8; backyard explorerfield guide kids; can you hear the trees talking; exploring nature with children; forest school; hiking with kids; montessori; nature activities; nature activity book; nature adventure; nature books for kids; nature guide; outdoors guide; science activities; the magic and mystery of trees; tree book for kids; tree books</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>For kids ages 6 to 10, this nature activity guide is the perfect companion for every child's next outdoor adventure, from the <i>New York Times</i> bestselling author of <i>The Hidden Life of Trees</i> and<i> Can You Hear the Trees Talking?</i>.</p><p>An excellent resource for parents, teachers, and curriculums ranging from outdoor education to homeschool and forest school.</p><p>Whether you are in the forest, in your own backyard, or in the city, there are so many exciting ways to engage with nature - and forester Peter Wohlleben has the best ideas for doing so. With <i>Be A Nature Explorer!</i>, kids will learn how to press flowers, harvest algae, skip stones, observe spiders, and even how to build their own tiny sailboat.</p><p>This ultimate kids' nature book features:</p><ul><li>52 short, fun, and hands-on activities to help kids explore and discover the outdoors - one for each week of the year</li><li>Portable format: This lightweight paperback is designed to easily throw in a backpack and refer to on adventures</li><li>STEM learning and outdoor skill development: Kids will learn how to decode nature's messages, identify plants and animal tracks, record and preserve their finds, and more</li></ul><p>Packed with activities that will fill kids with wonder and confidence in the outdoors, readers will be dipping in and out of <i>Be A Nature Explorer!</i> all year round.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Peter Wohlleben</b> is the author of several books about the natural world, including <i>The Hidden Life of Trees, The Inner Life of Animals</i>, and <i>The Heartbeat of Trees.</i> His books for children include C<i>an You Hear the Trees Talking?, What's Wild Outside Your Door?, Do You Know Where the Animals Live?,</i> and <i>Peter and the Tree Children.</i> A former longtime forester, Wohlleben runs a forest academy in Germany that supports sustainable forest management and teaches adults and children about the many wonders of the forest.</p><p><b>Belle Wuthrich</b> is an illustrator and designer, specializing in books for young readers. Based in Vancouver, Canada, Belle has contributed to more than a dozen books for kids, a number of which have won awards or been republished internationally.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>For over 40 years and across six editions, </b><b><i>Urban Pest Management in Australia</i></b><b> has been the major reference work for Australian pest control operators.</b></p><p>This new edition has been extensively revised to reflect and support the constantly evolving pest management industry, with an accessible new format, fully updated chapters, additional colour plates and extra content including comprehensive ID information on termites.</p><p>Ion Staunton draws on his seven decades of industry knowledge to bring John Gerozisis and Phillip Hadlington's pest management 'bible' to a new generation of technicians. </p><p>This new edition:</p><ul><li>gives pest control operators the confidence to explain any situation to customers</li><li>includes a more detailed section on termites, removing the need for a supplementary textbook</li><li>concentrates on various modes of action so technicians will better understand yet-to-be-released pesticides</li><li>is an invaluable tool for anyone in the process of becoming an accredited technician</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Phillip Hadlington</b> OAM received his Order of Australia Medal in 2000 for his contribution to the Australian community both directly, and indirectly through his education of the pest management industry  which in turn serves the community. In the 1950s, the NSW state government decided that technical training of pest controllers was needed, and Hadlington was chosen to start a course to train technicians. With one of his students, Ion Staunton, he self-published the rst textbook, <i>Pests of Australian Homes and Industry</i>, in 1961. The newly formed University of New South Wales Press Limited published the next edition with additional chapters in 1963. With John Gerozisis, a completely rewritten textbook, <i>Urban Pest Control in Australia</i>, was released 22 years later and has been the pest controller's bible for almost 40 years. In 1963, he called the meeting at which the Australian Pest Controllers Association was formed. He turned 40 a few weeks later. His close-up photography used throughout this book began with funnel web spiders. He used his 97 years so well.</p><p><b>John Gerozisis</b> is a Science graduate from the University of New South Wales, majoring in Entomology and Zoology. He then worked in the industry as an entomologist and consultant and taught NSW TAFE's pest control course for ten years. With Phillip Hadlington, he kept <i>Urban Pest Management</i> up to date until 2004. The improvements between the rst Hadlington/Staunton textbook and that 2004 revised version are due to Gerozisis's knowledge and eorts. He spent another ten years with a leading Sydney building consultancy before retiring to Tasmania.</p><p><b>Ion Staunton</b> came back to the pest control scene to do the revisions for the 2008 edition as well as this new edition. He, like Gerozisis, studied entomology at UNSW. He became the technical ocer at Houghton &amp; Byrne (before they were taken over by Rentokil) and spent 25 years as honorary secretary of the NSW Pest Controllers Association and the Council of Australian Pest Control Associations. He helped in setting up the new Australian Environmental Pest Managers Association and organised his last national conference in 1988 but kept in touch with executive director Doug Howick during his more than ten years at the helm. With Howick, he co-wrote Colonies in Collision, a history of the pest control industry. In collaboration with Lextar and Pesense, he made his idea of the TermiSensor a reality. It allows daily electronic checks for termite activity in monitors instead of manual inspections multiple times each year, saving manhours and travel time, and eliminating those missed opportunities to bait. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The 432 documents in this volume  many of them not previously publicly available  have been selected to illuminate Australian policies towards Nauru in the first half of the 1960s. The previous volume, <i>Australia and Nauru: Phosphate, Trusteeship and the Resettlement Issue</i>, covered the period from 1945 to 1962, while a third volume will take the story from mid-1965 through to Nauru's attainment of independence in January 1968.</p><p>Since 1947, Australia had governed Nauru in its capacity as the leading partner, with New Zealand and the United Kingdom, in a joint United Nations trusteeship over the island. Australia's core interest in Nauru comprised the extraction of Nauru's high-quality phosphate for the production of superphosphate for the rural industries in Australia, New Zealand and, to a lesser extent, the United Kingdom, on extremely favourable terms.</p><p>As these documents demonstrate, during the first half of the 1960s the context within which Australia developed its policies on Nauru became more difficult. Reflecting the expansion of UN membership following the emergence of newly independent countries in Africa and Asia, the United Nations General Assembly and its committees took a more concentrated interest in decolonisation and the exploitation of developing world resources. New Zealand and the United Kingdom began to seek to influence Australian policies on Nauru more than before. Last but certainly not least, the Nauruans began to campaign more effectively in pursuit of political and phosphate industry reforms.</p><p>For several years, there was a general consensus among Australian, New Zealand and United Kingdom policymakers, the United Nations Trusteeship Council and the Nauruans themselves that the best way to secure the future of the Nauruans was to arrange for their resettlement elsewhere. Doing this would also facilitate continued access to Nauruan phosphate. In the late 1950s, after efforts to find a suitable location in the Pacific Islands region had come to nothing, Australia proposed that the Nauruans migrate to Australia and become assimilated within the wider community. The Nauruans declined this proposal because of their wish to maintain their distinctive identity.</p><p>At the request of Nauruan leaders, Australia next turned its attention to identifying an island off the Australian coast as a suitable site for resettlement and eventually decided on Curtis Island, near Gladstone in Queensland. But agreement was not achieved, mainly because the Nauruans, while making important concessions, wanted 'sovereign independence' in order to preserve their national identity. Although understanding this aspiration, Australian policymakers were unwilling to surrender sovereignty over an Australian territory and instead offered local self-government powers on Curtis Island. Negotiations finally broke down in August 1964, with the Nauruans deciding to remain on their own island and seek independence, along with control over the phosphate industry and a larger share of the returns from phosphate extraction.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Stephen Henningham</b>, BA Hons (UNSW), PhD (ANU), is a specialist historian in the Historical Publications Section of the Department of Foreign Affairs and Trade (DFAT). He was a joint editor of the preceding volume on Australia and Nauru and has coedited, with the late Bruce Hunt, two volumes in the Documents on Australian Foreign Policy series on Australia and Papua New Guinea during the latter's transition to self-government and independence. He worked primarily on the Pacific Islands region, including during three postings in that region, during several years as a mainstream DFAT officer. He has published on the history and politics of the Francophone Pacific and the wider Pacific Islands region and on aspects of the history of Bihar in northern India in the late colonial period.</p><p><b>Matthew Jordan</b>, BA Hons, PhD (Sydney University), is Head of DFAT's Historical Publications Section, General Editor of the Documents on Australian Foreign Policy, and a joint editor of the preceding volume on Australia and Nauru and, with Robert Bowker, a volume on Australia and the Suez Crisis. He has published mostly on Australian foreign policy history, focusing on the role played by ideas of race and nation in shaping Australia's attitudes to the world. Having edited a DAFP volume on Australia and the Rhodesian Problem, 19611972 (UNSW Press, 2017), he is preparing a follow-up volume on Australia's approach to Zimbabwean independence in the 1970s and 1980s. He is also finalising a DAFP volume on the liberalisation and abolition of the White Australia Policy from the 1940s to the 1970s.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Regimes of Happiness</i></b><b>is a comparative and historical analysis of how human societies have articulated and enacted distinctive notions of human fulfilment, determining divergent moral, ethical and religious traditions and incommensurate and conflicting understanding of the meaning of the 'good life'.</b></p><p>Presented in two parts, <i>Regimes of Happiness</i>provides a historical view of the way in which Western societies, the descendants of the Latin Roman Empire, created languages and institutions that established specific and occasionally antithetical conceptions of a fulfilled human life or 'happiness' in the first part. The second part explores how non-Western societies and non-Christian religions have conceived and established their own ideals of human perfection. <i>Regimes of Happiness</i>is a critical reflection on modern notions of happiness which are typically focused on individual feelings of pleasure.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Yuri Contreras-Vejar</b> is professor of sociology at Universidad Diego Portales, Chile. He is also a member of the Committee for the Study of Religion at the Graduate Center, CUNY, USA.</p><p><b>Joanna Tice Jen</b> is a member of the political science faculty at Las Positas College, USA. She received her PhD in political science from the Graduate Center, CUNY, USA, in 2017.</p><p><b>Bryan S. Turner </b>is professor of sociology at the Australian Catholic University, emeritus professor at the Graduate Center, CUNY, USA, and honorary professor, Social Science Faculty, Potsdam University, Germany. He won the Max Planck Award in 2015.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A textually rich, historically informed and theoretically sophisticated account of the Chernobyl crisis, its cultural antecedents and its aftermath in global culture.</b></p><p>This scholarly monograph examines the concept of Chernobyl trauma by situating it at the interface of clinical diagnoses of survivors' Post-Traumatic Stress Disorder, their expressions of this trauma in published testimonials translated into English, and through English-language literary explorations of contemporary Soviet trauma. It establishes a new perspective on the intergenerational and international reception of the nuclear disaster, one shaped by Soviet cultural memory as well as Science Fiction and the literary aesthetics of the Gothic.</p><p>The monograph analyses first-generation Chernobyl survivors' imaginative reconstruction of events through testimony in the face of the Soviet Party's attempts to sublimate the narrative of the disaster into an official account. It also discusses the ways in which a second generation represents inherited, traumatic memory through a literary diaspora of Chernobyl and Soviet-Kazakh Semipalatinsk nuclear trauma, and how English-speaking writers not personally involved in the disaster engage in its memorialisation through discourses of horror and collective mourning.</p>]]></Text>
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			<SubjectHeadingText>Ancient medicine in modern forms; Bedside manner and the medical habitus; Doctor-patient communication; Hospital life; Illness versus disease; Impostures; Learning to be a scientist; Medical education; Medical language; Medical rhetoric; Medical tradition; Medicine in the 1970s; Medicine's image of a human being; Mind; Modern medicine's presentism; Neuroscience through a student's eyes; Objectification; Recovery and rehabilitation; The craft of medicine; The doctor as a person; The medical and the personal body; body and brain in neurology</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>This book is a very personal account of a medical education that began in 1966. It describes one person's experience of being gradually transformed from a nervous student into a professorial physician.</b></p><p>A doctor's education looks at first sight like a straightforward technical training, but 're-membering' it as a personal experience creates a new and disturbing picture, a blend of joys, absurdities and frustrations. The author observes his younger self's efforts to communicate and to regulate feelings in the prescribed way, and begins to see that to become a doctor is to be at the mercy of almost irresistible pressures. He picks up habits by mimicking the teachers, with sometimes disastrous results.</p><p>Communication, and even empathy, are made to seem like performances in which the doctor's self need play no part. Any other way of being a doctor is unimaginable. Hospital medicine figures in the book as a universe that is loveable and yet tragically unable to engage with its patients' ordinary lives. Doctors in the 1960s, as now, were focused on disease and had little to say about illness and suffering, let alone death. They were, and still are, curiously silent about healing, recovery and rehabilitation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Chris Ward</b> is Emeritus Professor of Rehabilitation Medicine and Family Therapist. Author of <i>Between Sickness and Health</i>. <i>The Landscape of Illness and Wellness,</i> Routledge 2020.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Robert Franklin Williams Speaks: A Documentary History represents the only full-length volume that includes key documents (i.e., speeches, letters, interviews, testimonials, etc.) by and about Robert F. Williams in a single volume.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Includes a collection of writings by and about Robert Franklin Williams as an internationalist, pragmatist, and civil and human rights champion.</b></p><p>Williams was a compassionate man. He was an intelligent American citizen and Korean war veteran, who claimed his right to American citizenship. Acutely aware of the broken promises of the US government, he remained fully invested in the rights, privileges, and responsibilities the Constitution guaranteed all of its citizens. As many of his contemporaries now confess, Williams's strength and appeal, as explained by his second son, John Williams, was his uncompromising stance and determination to act on the American dream he imagined for social, economic, and political equality for African Americans.</p><p>The skills he acquired as a journalist and propaganda specialist were key to his political development, evolution, and transnational collaborations with Cuba and China, which he used to challenge domestic policies in the United States, and way beyond the imagination of his supporters in the United States. Williams ultimately used these strengths, strategies, and collaborations to deliver liberating messages of freedom, resistance, and social and economic equality on behalf of the rights of African Americans. Williams significantly contributed to the Black freedom struggle and should not be forgotten. This book includes a collection of writings by and about Williams as an internationalist, pragmatist, and civil and human rights champion.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ronald J. Stephens</b> is a professor of African American studies in the School of Interdisciplinary Studies and College of Liberal Arts at Purdue University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book sets out an unconventional literary history of progressive Urdu poetry by Pakistani women in the twentieth century. It introduces the resilient voices of poets who tread a fine line between the secular and sacred in an Islamic society to articulate a new feminist aesthetic.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In this book, the author critically interrogates the construction of gender, community and nation in the work of progressive women poets. </b></p><p>The book combines the study of nation and community through a close engagement with Urdu literary culture in the twentieth century and particularly the work of pioneering literary women. It argues that gender and sexuality become fixed signifiers in the trauma of partition and the formation of the post-partition Islamic nation. The story of literary women in Pakistan taking up the mantle of public poets thus has to be understood in relation to the history of reform, anti-colonial resistance and a transnational Islamicate culture. </p><p>The book examines the presence of feminist thought in the work of progressive women poets charting their interrogation of the clash between secular and sacred values and the increasing split between liberal and Islamic nationalism. The book suggests that through their writing and experiences, women have negotiated sacred and secular spaces to move beyond a community that is subservient to nationalist ideology.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Amina Yaqin</b> is Associate Professor of World Literatures and Publishing at the University of Exeter. Prior to joining Exeter, she was Reader in Urdu and Postcolonial Studies at SOAS, University of London. Her research interests are interdisciplinary, engaging with contemporary contexts of Muslim life as well as the politics of culture in Pakistan. She is co-editor of the <i>international journal Critical Pakistan Studies</i> published by Cambridge University Press.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This work examines the evolution of the Peruvian indigenistaliterary tradition in the twentieth century in its relation to the evolution of socialist thought and dialectical materialist philosophy.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Universality and Utopia</i></b><b> explores the intersection between philosophical universalism and revolutionary politics in 20th Century Peruvian indigenista literature.</b></p><p> It traces a tradition of thought whose basic tenets originate in the philosophical works of Jose Carlos Maritegui, and are subsequently elaborated in the literary works of Cesar Vallejo and Jose Mara Arguedas. My central thesis is that, more than a 'regionalist' or 'provincialist' literature that describes the social reality and historic oppression of the rural Indian since colonial times, the socialist indigenismo is continuous with the invention of a utopian imaginary for a project of alternative modernity, through which urban intellectuals, artists and activists conceived of a national future beyond that of capitalist modernisation. Above all, such a future would traverse the prescient division between the urban mestizo and the Indian, and finally the lingering disparity between the nation's Western and native heritage. In doing so, indigenista writers did not only adapt the tenets of socialist philosophy and avant-garde aesthetics to describe their unique social realities and thinking of the possibility of an emancipatory political practice; they also interrogated the foundations of European Marxism, expressing various figurations of the emancipatory process to come, and different models for the new revolutionary subjectivity that would aid this transition.</p><p>Rejecting assimilation into Western modernisation within the urban milieu ('acculturation') under liberal capitalism imagined by liberal writers - such as Manuel Gonzlez Prada and Clorinda Matto de Turner, in the late 19th Century - I argue that the 20th Century socialist indigenista tradition anticipated a bilateral process of appropriation and mediation between the rural Indian and mestizo, integrating indigenous as well as Western cultural and economic forms. In the first chapter, I assess Maritegui's heterodox 'Peruvian socialism', tracing the articulation of a nascent indigenista aesthetics to an emancipatory politics as part of an 'active philosophy' driven by what the author names 'creative antagonism'. In the second chapter, I explore how Cesar Vallejo's 'materialist poetics' progressively extend the nationalist destiny and social realist aesthetic avowed by Maritegui onto an internationalist and geopolitical horizon, as part of an 'aesthetics of transmutation' that coincides with a plea for humanity as a whole. In the third chapter, I trace how Jose Mara Arguedas' novels attempt to reconcile what he named 'the magical and rational conceptions of the world', extending the ideal of a transcultural mediation between the rural Indian and urban mestizo to conceive of a new collectivist and cooperativist ethics of 'labor for-itself', informed by his anthropological and ethnographic research. In the fourth chapter, I propose a general retrospective of the aims and limitations of the ideals guiding this tradition, considering the development of Peruvian indigenista literature after Arguedas, interrogating the legacy and prospects of emancipatory politics in response to the limits of neoliberal capitalism and the crisis of democracy in Latin America today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Daniel Sacilotto</b> is a professor of critical studies at the California Institute of the Arts, and PhD in comparative literature from the University of California, Los Angeles.</p>]]></Text>
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			<SubjectHeadingText>African Orthopedic Care; Bonesetters; Cameroon; Emergency Care; Ethiopia; Ethnobotanics; Fracture Management; Ghana; Global Disabilities; Global Health; Indigenous beliefs; Phytochemistry; Traditional Healer; Trauma care (physical); Zimbabwe</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This unique interdisciplinary study of biosocial medicine examines how traditional African bonesetter practices inexorably, and relentlessly, clash with 'Western' care protocols.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Traditional bone setting (TBS) has long held a prominent sway in African healthcare, particularly in the more remote and pastoral expanses of Africa.</b></p><p>This unique interdisciplinary religious, human rights, and sociological study of medicine manuscript is an examination of not only generationally inherited ethnobotanical, pharmacognosy TBS traditions but also direct observations on how current surgical orthopedic medicine and modern-day social mechanisms clash with traditional healthcare approaches in contemporaneous and inexorable ways. Whether intentionally or not, this entrenched two-tier infrastructure supports, promotes, and maintains a fiscally and socially alienated infrastructure: one that serves the poor general public and the other that is oriented toward serving the prosperous and powerful urban class. Some argue that these disparate structures are destined to remain grassroots-based adversaries, due to systemic mistrust, irreconcilable intellectual and spiritual beliefs, and possible biochemical appropriations.</p><p>These ensuing biomedical collisions between "Western" orthopedic trauma care and traditional bonesetters in Cameroon (Central Africa), Ethiopia (East Africa), Ghana (West Africa), and Zimbabwe (South Africa) were documented over eight years via one-on-one interviews with TBS patients, practicing bonesetters, and in-country practicing orthopedic surgeons; evidence-based ethnobotanical research; and patient service preferences.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Roxane Richter</b> is an Assistant Professor of Epidemiology &amp; Population Health at the School of Public Health, University of Louisville. She has been distinguished as a Fulbright Specialist in Medical Mass Casualty Planning &amp; Response (Ghana), U.S. Embassy Ambassador Distinguished Scholar (University of Gondar, Ethiopia), and a Fulbright-Fogarty NIH Postdoctoral Global Health Fellow (Sub-Saharan Africa).<br/><b>Thomas Max Flowers</b> is a certified emergency physician with the American Board of Emergency Medicine since 1992. He currently practices Emergency Medicine at Commonwealth Health Care Corporation public hospital in Saipan, Commonwealth of the Northern Marianas Islands.<br/><b>Elias Kifon Bongmba</b> is a Professor of African Religious Studies at Rice University in Houston, Texas; Harry &amp; Hazel Chavanne Chair in Christian Theology; and Professor of Religion, Faculty Associate Wiess College.<br/><b>Ananya Kassahun Admasu</b> is the founder and former head of the Department of Orthopaedics and Traumatology at the University of Gondar, Ethiopia. She has served as an educator and a coach on many academic platforms on the African continent. She is currently a consultant to Australian Doctors for Africa, a non-profit organization.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>W. E. B. Du Bois was one of the leading figures of Pan-African thought and activism in the twentieth century. As a sociologist, Du Bois wrote much about the historical and social circumstances of African Americans while often acknowledging the African historical background of much of African American, or </b><b><i>Negro</i></b><b>, culture.</b></p><p>In 1946 Du Bois published <i>The World and Africa</i>, which was a culmination of previous attempts at penning a narrative of African history beginning with his 1915 publication <i>The Negro</i>, in which he included the social-historical experience of African Americans within the continuity of African history. This book delivers for the first time a comprehensive Afrocentric investigation and critique of Du Bois's writings on African history. It argues that while Du Bois presented at the time a strong critique of the Eurocentric construction of African history, many of Du Bois's descriptions and arguments about African people and history were likewise flawed with interpretations that projected the cultural subjectivities of Europe. Further, while Du Bois rightfully presents the historical relationship between African Americans and Africa as a justification for Pan-African activism, this book contends that Du Bois's failure to center African culture instead of race leads to superficial justifications for Pan-African unity.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Taharka Ade</b> is an assistant professor in the Department of Africana Studies at San Diego State University. Dr. Ade is an Africologist who primarily investigates the African antecedents of various cultural phenomena among African Americans ranging from language, religion, the arts, corporeal aesthetics, and motif.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Building on previous zombie studies scholarship, this ghoulish collection examines how the undead reflect and contribute to contemporary social anxieties, particularly in the context of the Covid-19 pandemic.</b> The contributors to this volume advance the theoretical framework of 'zombiism' through four interconnected themes  journeys, bodies, pandemics and politics  and their writings analyse diverse media representations of zombies across literature, film, television and material culture, offering new perspectives on how zombie narratives engage issues of travel restrictions, political breakdowns, racial tensions and sexual taboos. By bringing together scholars from various fields, the volume demonstrates the continuing relevance of zombies as a lens for understanding contemporary societal challenges, from public health crises to rising far-right politics and ongoing culture wars; its interdisciplinary approach not only enriches zombie studies but also reveals how the figure of the zombie remains a vital tool for analysing pressing issues in the humanities and beyond.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Conor Heffernan</b> is a lecturer in the Sociology of Sport, at Ulster University.</p><p><b>Emma Tonkin</b> is a research fellow at the University of Bristol.</p><p><b>Linda Flores Ohlson</b> is an assistant professor of Spanish Linguistics, at the University of Gothenburg.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This is the first book-length study of the poetry and journal writings ofGillian Clarke in their entirety; it is the first extensive examination of herwork published in this century, and the first full account of how her workhas developed in the course of her career as a writer and teacher. </b>Inaddressing timely and highly relevant themes that have been generallyoverlooked until now, the book highlights and re-examines Clarke'simportance for today's readers. Discussing the energy, subtlety and originality of her works, the author commends Clarke as an innovative,politically-alert and scientifically- and cosmologically-aware Welsh writerof global significance.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Joseph Harris, elder brother of the methodist preacher Howell Harris, made important contributions to the sciences and public life of Great Britain in the eighteenth century.</b> A protege of Edmond Halley and an apprentice to globe and mapmakers, Harris made a lasting impression on some of the most illustrious scientists of his day, contributing to our understanding of astronomy, longitude, navigation, instrument making and optics. And, as assay master at the Royal Mint, he influenced the standardisation of weights and measures, and became a confident of politicians, Prime Ministers and Chancellors of the Exchequer. His essays on our monetary system still impact on political structures today. Remarkably, Harris also found time to make astronomical observations and teach navigational techniques for the Royal Society, and in 1761 was the only man in Wales to record the Transit of Venus.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This ground-breaking study explores the rise of a Welsh elite of administrators and military figures in the generations after the Edwardian Conquests of 1277-1288. It shows how a ministerial aristocracy had developed in the Age of the Princes, before the Edwardian conquest threatened to impose English colonial administrations throughout the land.</b></p><p>However, close documentary analysis reveals that Edward I (d.1307) emerged in his later life not as the vindictive conqueror of most accounts, but as a ruler dependent on Welsh support, ready to listen to and remedy Welsh grievances, and to encourage the revival of a Welsh governing class. In addition, the book includes the first detailed study of scores of members of that class throughout Wales in the first half of the fourteenth century. It concludes by exploring the mid-century crises that shook the Welsh establishment and set them on the road to the Glyn Dr rising of 1400.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>David Stephenson</b> is Honorary Research Fellow in Medieval Welsh History, Bangor University; he is a Trustee and Council Member of Powysland Club, and Editor of <i>Montgomeryshire Collections.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ours is an age of precarity, as fear and anxiety have come to define the twenty-first century. Politically, economically and socially, the neoliberal orthodoxy has becomeglobally dominantand, as a direct result, traditional frameworks of protection have been dismantled,whileexistential insecurity is increasingly passed from nations and institutions to individuals.</b></p><p>In the meantime, the Gothic mode of fiction is experiencing a new ascendancy, strengthening the argument that the Gothic represents the best literary mode with which to decode this age of precarity. In this context,the present studyoffers a groundbreaking examination of the Gothic mode's conceptual affinity with notions of neoliberal precarity.Exploring twenty-first-century Gothic fiction's engagement with the most pressing issues of our age,itconsidersthe oppression and existential entrapment experienced by marginalised populations in the provincial China of the late 1970s,and observesa modern-day Frankenstein's creature occasion violence and destruction across Baghdad post the 2003 Iraq War.The readerwill also discover vampires (representatives of a voracious, toxic economic model) in an alternate Mexico City, encounter a nomadic group traversing the only remaining wilderness in a near-future North America devastated as a result of the climate crisis, and be haunted by a spectral migrant who died in their efforts to flee political oppression in Vietnam.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dafydd Elis-Thomas, Lord Elis-Thomas of Nant Conwy, was one of the outstanding Welsh public figures of the last fifty years.</b> His political career spanned from first election to Westminster as a Plaid Cymru MP in 1974, to his retirement from the Senedd in Cardiff in 2021, having served as a minister in the Welsh Government. He was the first Presiding Officer of the National Assembly for Wales, stabilising the new institution and embedding devolution during its first tentative decade, and was described as a 'true giant' and the 'founding father' of Welsh devolution following his death in 2025. Elis-Thomas was also a controversial and magnetic character, whose life and work is captured in this biography  branded a 'maverick', an 'intellectual acrobat' and a 'political chameleon', he was labelled a 'terrorist' for his interventions in Northern Ireland, and a 'traitor' for oppositional stances adopted towards nationalism. Despite a career often marked by controversy and fearless passion, his unique vision and perseverance was central to the creation of Wales's first legislative parliament.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Collaborative AI </i></b><b>offers a timely and practical roadmap for educators navigating the challenges and opportunities of teaching in an AI-rich world.</b> Grounded in the principles of ethical integration and human-centered pedagogy, this book introduces the concept of 'Collaborative AI'  a framework that emphasizes the productive partnership between human educators and AI systems. Rather than replacing teachers, AI is positioned here as a tool to enhance language instruction, streamline assessment, and personalise learning while safeguarding professional autonomy and student agency.</p><p>Written for TESOL professionals, applied linguists, teacher educators, and instructional designers, this book blends accessible explanations of AI technologies  generative AI, natural language processing, machine learning  with real world examples, pedagogical strategies, and policy guidance. Joshua M. Paiz covers key issues such as digital equity, data ethics, academic integrity, and professional development, offering concrete suggestions for classroom use and institutional planning.</p><p>Across nine chapters, <i>Collaborative AI </i>guides readers through the history, potential, and pitfalls of AI in English language teaching, concluding with an optimistic yet critical call for educators to lead the way in shaping responsible and inclusive AI practices. This is a must-read resource for anyone seeking to integrate emerging technologies into language education while keeping pedagogy, ethics, and learner well-being at the center.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Our lives are profoundly connected to the planet's unfolding ecological crisis, and the language we use  our words, stories, conversations, and beliefs  determines our ability to respond.</b></p><p><i>Becoming Ecological</i> offers a fresh and empowering perspective on the natural world by insisting that our relationship with language can transform issues of sustainability and environmental catastrophe. The book explores how language, meaning, and communication can help us in the ongoing process of 'becoming ecological' in our daily lives, encouraging us to listen, relate, and act with greater awareness. Language and literacy experts, Derek Gladwin and Kedrick James subvert the norms of focusing on data and policy in conversations surrounding climate change, and instead centre communication and dialogue as the catalyst for ecological transformation. A powerful and unprecedented reframing  they argue that language has the profound ability to renew our personal and social awareness and steer the course of our future as a society.</p><p>Drawing from various views on relationships, values, and responsibility, as well as topics like AI, food, compost, sound, economics, improvisation, extinction, climate anxiety, and even the nature of reality, <i>Becoming Ecological</i> is a hopeful invitation to engage with the world differently. Through everyday experiences, this book inspires readers to consider other perspectives, participate more playfully, and spark lasting ecological change.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Derek Gladwin </b>is an Associate Professor of Language and Literacy Education at the University of British Columbia, where he is also a Faculty Associate with the Institute for Resources, Environment, and Sustainability. </p><p><b>Kedrick James </b>is a Professor of Language and Literacy Education and Director of the School of Education at the University of British Columbia Okanagan.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Echoes of the Past </i></b><b>delves into the collective remembrance practices of the Carinthian Slovene community since the end of the Second World War, offering a nuanced analysis of museums, memorials, civic institutions, and literature created by Carinthian Slovene artists and activists.</b></p><p>Douglas Carlton McKnight draws on methods from critical geography, memory studies, literature, and museum studies to provide an interdisciplinary investigation of how this ethnic minority remembers and commemorates the war. Challenging prevailing theories that emphasise the transnational flow of Second World War memories, McKnight demonstrates that Carinthian Slovene recollections remain deeply rooted in local geography and community experience. Through this innovative case study, <i>Echoes of the Past</i> not only broadens our understanding of European memory cultures but also highlights the enduring significance of place in shaping collective memory.</p><p>By foregrounding the local dimensions of remembrance, this book offers a fresh perspective for scholars and readers interested in memory studies, minority studies, postwar European history, and literature. <i>Echoes of the Past </i>ultimately invites us to reconsider how stories of the past are preserved, experienced, and reinterpreted within specific communities, pointing to new directions for future research.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From the colonial period to today, Javed Gaya analyses how political and legal decisions have shifted the debate on community and citizenship in India</b>.</p><p><i>Majoritarianism in India </i>examines the strident nationalism seizing India today, tracing its roots back to decisions made in the 1940s, particularly Partition and the drafting of the Constitution. Pre-Partition India had debated whether 'liberty'  understood as 'one man, one vote'  or 'equality'  the equal political representation of minorities within a federal structure  should be the basis of a state. Congress chose 'liberty', but contemporary India is reaching the point where it has neither: its democracy is compromised and majoritarianism prevails. By dividing the subcontinent and elevating the 'cow belt', Partition seriously impeded social and economic progress in the newly created states, and brought communalism and casteism to the fore.</p><p>Javed Gaya investigates the origins and consequences of India's increasingly majoritarian system, assessing the frailty of constitutional safeguards, the role of the judiciary and the subversion of federalism. He analyses the futility of today's quest for cultural purity, and shows how history is being rewritten with an exclusionary intent. He both interrogates the myths created to sustain this nativist ideology  including around the causes of Partition and the alleged privileging of minorities  and discusses the role of citizenship and the externalisation of the Hindu-Muslim conflict.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Uncovers the remarkable role of emigration, particularly of indentured labourers, in forging independent India's foreign relations.</b></p><p>Over the centuries, millions of migrant labourers sailed from the Indian subcontinent, across the Bay of Bengal and Indian Ocean, to shape what is now the world's largest diaspora. This book recovers the histories and legacies of those 'coolie' migrants, and presents a new paradigm for the diplomatic history of independent India, going beyond high politics to explore how indenture, emigration and international relations became entangled.</p><p>Before and after independence, Indian notions of the international realm as a sanctified space were shaped by migrant journeys; this was a space of anxiety in which to negotiate the 'coolie stain' on the country's reputation. Discourse was defined by intersections of caste, class, race and gender  and framed the migrant worker as the quintessential 'other' of Indian diplomacy.</p><p>Drawing on rich, multi-archival analysis spanning the vast geographies of labour migration, Kalathmika Natarajan pieces together the stories of quarantine camps en route to Ceylon; cultural and educational missions in the Caribbean; discretionary passport policies in India; and the mediation of immigrant life in Britain. The result is a nuanced history from the interwar period to the decades after independence, and a critical analysis centring both caste and the negotiation of 'undesirable' mobility as foundational to Indian diplomacy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kalathmika Natarajan</b> is Lecturer in Modern South Asian History at the University of Exeter. Her interdisciplinary research combines critical approaches to diplomatic history and South Asian migration. She has worked at the University of Edinburgh, and received her doctoral degree from the University of Copenhagen.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The book addresses the question of the extent to which theological discourse has been and is relevant to the origins of the meanings, symbols, and realities of some instituted political practices. </b>This relevance has historically manifested itself in the hybridisation of theological and political concepts, images, gestures, and rituals. Indeed, some divine traces could be seen as embedded in institutionalised political practices. Theopolitical figures, then, are other names for God  in the sense of negative theology  that we find in instituted practices within the political realm. The book considers five theopolitical figures: scripture, prophecy, oath, charisma, and hospitality. In the symbolic meaning of these figures, we discern some central questions for contemporary societies, among them: the unconditional character of justice, the unfeasibility of historical expectation, the stability of the given word, the idea of power as a gift, and openness to the coming other as an ethical-political imperative.</p>]]></Text>
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			<SubjectHeadingText>Jewish; Jews; Studies; History; Century; Scholars; Language; Modern; Yiddish; Hebrew; Religious; Communities; Culture; Community; Christian; Literature; Scholarship; Music; Religion; Texts; Law; Judaism; Field; Legal; Research; Cultural; Medieval; Identity; Historical; Practices; Rabbinic; Communal; Historians; Sources; Narrative; Ritual; Claims; Musical; Tradition; Emancipation; Holocaust; Biblical; Israeli; Groups; Torah; Palestine; Sephardi; Ancient; Academic; Bible; Citizenship; Mizrahi; Temple; Nation; Sages; Antisemitism; Power; Colonial; Rights; Institutions; Central; Racial; Scholarly; Judeo; Mishnah; Gender; Baron; Talmud; Jewishness; Arabic</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>An authoritative guide to Jewish studies, reflecting the latest research in a diverse and flourishing field.</b></p><p>Jewish studies is a dynamic, interdisciplinary field that draws on the methods of the modern academy  historical research, anthropology, literary studies, philosophy, religious studies, sociology, feminism, and the study of the arts and culture, among others  to illuminate the past and present of Jewish life, thought, and expression. This book provides an entry point to Jewish studies for readers who want to learn about the questions it raises and the insights it generates. Although no single volume can capture the full breadth of the field, this <i>Princeton Companion</i> encompasses some of the most important subfields of Jewish studies, presenting new historical research and introductions to the many other disciplines that can be brought to bear on Jewish history and experience.</p><p>The editors, all distinguished scholars of Jewish studies, have gathered contributions from a range of prominent and up-and-coming figures in the field. These contributors offer original perspectives that reflect new findings and novel contexts. Part I, 'Rethinking the Past', aims to give an overview of recent research trends in the study of Jewish history, covering the ancient world, the Middle Ages, and modern times. Part II, 'Ideas and Expression', surveys new research in the study of Jewish language, religion, philosophy, literature, art, music, and other humanities-centered approaches to Jewish life. Part III, 'Interactions and Identity', brings the social sciences and anthropology into the picture, along with Israel studies and Mizrahi studies, to introduce the ways scholars today are seeking to shed light on how Jews identify themselves, interact with others, organise themselves, and behave politically and economically.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Leora Batnitzky</b> is the Perelman Professor of Jewish Studies and Professor of Religion at Princeton University. She is the author of <i>How Judaism Became a Religion: An Introduction to Modern Jewish Thought</i> (Princeton); <i>Leo Strauss and Emmanuel Levinas: Philosophy and the Politics of Revelation;</i> and<i> Idolatry and Representation: The Philosophy of Franz Rosenzweig Reconsidered</i> (Princeton). </p><p><b>Eve Krakowski</b> is associate professor of Near Eastern Studies and Judaic Studies at Princeton University. She is the author of <i>Coming of Age in Medieval Egypt</i> (Princeton). </p><p><b>Steven Weitzman</b> is the Abraham M. Ellis Professor of Hebrew and Semitic Languages and the Ella Darivoff Director of the Herbert D. Katz Center for Advanced Judaic Studies at the University of Pennsylvania. He is the author of <i>The Origin of the Jews: The Quest for Roots in a Rootless Age</i> (Princeton), a National Jewish Book Award Winner, and <i>Solomon: The Lure of Wisdom</i>.</p>]]></Text>
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