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			<SubjectHeadingText>1930s Korea; female workers; high-altitude protests; union activities; strikes; Japanese occupation; labor rights; independence fighter; Kang Juryong; liberation; solidarity; social movements; humorous; actions; gender; modernity</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[From the writer and translator duo of A Magical Girl Retires, a powerful historical novel about labour activism in Japanese-occupied Korea.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From the writer and translator duo of </b><b><i>A Magical Girl Retires</i></b><b>, a powerful historical novel about labour activism in Japanese-occupied Korea.</b></p><p>Set against the backdrop of Japanese-occupied Korea, <i>Capitalists Must Starve</i> follows a sharp-tongued, big-hearted heroine who dares to love, rebel, and carve out space for working-class women in a world determined to silence them. Echoing the unflinching narratives of <i>Alias Grace</i> and the sweeping historical vision of <i>Pachinko</i>, this feminist historical novel balances raw grit with unexpected tenderness and a defiant streak of dark humour.</p><p>A stirring portrait of resistance from below: fierce, funny, and full of fight.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Born in 1989, <b>Park Seolyeon</b> made her debut by winning the Silcheon Munhak New Writers Prize in 2015. She is the author of <i>A Magical Girl Retires</i> among other novels and short story collections. In 2018, she won the Hankyoreh Literature Prize for her novel <i>Capitalists Must Starve</i>. Her stories have been translated into Japanese, French, German, and English. She currently lives in Seoul.</p><p><b>Anton Hur</b> was born in Stockholm. He is the author of <i>Toward Eternity</i> and has been nominated for the International Booker Prize, the National Book Award, the National Book Critics Circle Award, and the Dublin Literary Award for his various translations including <i>Love in the Big City</i> by Sang Young Park and <i>A Magical Girl Retires</i> by Park Seolyeon. He lives in Seoul.</p>]]></Text>
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			<Text textformat="02"><![CDATA[In this mesmerising collection of stories, poems and essays from the award-winning team of Sweatshop Literacy Movement, you are invited to take a journey through dingy streets and pristine sunsets, delve deep into the tormented soul, and attempt to make sense of that big crazy thing called the human heart.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Love. It is a beautiful mess of complex, confusing and interconnecting emotions. For some, it means romance, for others, family. There are those who understand love as empowerment, resistance and existence; those who say it is created from nothing; and those who believe it is always there, binding the universe together, waiting for us to find it and grab on tight. </p><p>In this mesmerising collection of stories, poems and essays from the award-winning team of Sweatshop Literacy Movement, you are invited to take a journey through dingy streets and pristine sunsets, delve deep into the tormented soul, and attempt to make sense of that big crazy thing called the human heart.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Shirley Le</b> is a Vietnamese-Australian writer from Yagoona, Western Sydney. She holds a Bachelor of Arts from Macquarie University and has been a Creative Producer at Sweatshop Literacy Movement since 2020. Shirley's short stories and essays have been published in <i>Overland</i>, <i>SBS Voices</i>, <i>Griffith Review</i>, <i>Meanjin</i>, <i>The Guardian</i> and <i>The</i> <i>Sydney Morning Herald</i>. Shirley's debut novel, <i>Funny Ethnics</i> (Affirm Press, 2023) was shortlisted for <i>The Age</i> Book of the Year Award and the Readings Prize.</p>]]></Text>
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			<SubjectHeadingText>Japanese cat poetry; cat haiku; haiku for cat lovers; Japanese haiku collection; Basho haiku; Issa haiku; Soseki poetry; haiga illustrations; Japanese art book; William Scott Wilson translation; feline poetry; Japanese brush art; illustrated haiku; haiku with cats; Japanese literature; poetry gift book; cat gift idea; Zen haiku; Manda haiga paintings</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A lyrical celebration of cats  through the timeless beauty of Japanese haiku and brush art.</b></p><p>This beautifully illustrated collection brings together 82 cat-themed haiku by Japan's most celebrated poets  including Basho, Issa, Shiki, Buson, Soseki and many others  translated into English by bestselling author William Scott Wilson  with beautiful colour paintings by award-winning French artist Manda.</p><p><i>The passing year!<br/>The cat hunches down<br/>on my lap.</i><br/><b>-Natsume Soseki</b><br/><br/><i>A night of frost;<br/>opening the window to the cries<br/>of an abandoned cat.</i><br/><b>-Issa</b><br/><br/><i>The cat scampers into the mulberry field.<br/>A morning<br/>of high wind.</i><br/><b>-Hekigodo</b><br/><br/>The result is a book that will delight all poetry lovers and cat enthusiasts!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>William Scott Wilson</b> has published over twenty books including <i>The Lone Samurai: The Life of Miyamoto Musashi</i> and <i>The Life and Zen Haiku Poetry of Santoka Taneda.</i> His translation of the <i>Hagakure</i>, an 18th century treatise on samurai philosophy, was featured in the film <i>Ghost Dog</i> by the director Jim Jarmusch. Wilson was awarded a Commendation from the Foreign Ministry of Japan, and inducted into the Order of the Rising Sun by the Japanese emperor. He is also the author of <i>A Beginner's Guide to Japanese Haiku</i> and <i>The Illustrated Book of Japanese Haiku</i> (also in collaboration with Manda).</p><p>Thirty years ago, <b>Manda</b> felt the need to free herself from academic art and decided to travel to Japan. Frequent stays there gave her the opportunity to adopt new practices. She learned from Japanese masters the "art of the line" as well as the mysteries of <i>haiga</i>, compositions where painted elements and poetry emerge from the same brush, forming a single entity. She has published many books, notably the works of Basho and Santoka. Her art appears in <i>The Illustrated Book of Japanese Haiku</i>, a collaboration with William Scott Wilson.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A new and unabridged 3-book translation of Eiji Yoshikawa's bestselling novel about Miyamoto Musashi-the most famous swordfighter in Japanese history!]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A new and unabridged 3-book translation of Eiji Yoshikawa's bestselling novel about Miyamoto Musashi  the most famous swordfighter in Japanese history!</b></p><p>This is the first book of <i>Musashi: The Novel</i>, a sweeping three-book unabridged translation of Eiji Yoshikawa's bestselling masterpiece  Japan's most beloved historical novel. Masterfully translated for the first time in its entirety by Alexander Bennett, this vivid and fast-paced story reveals the exploits and inner life of a man who finds not only his true purpose but also his humanity.</p><p><i>Book One</i> opens in the year 1600 at the Battle of Sekigahara, a scene of unimaginable carnage where Musashi lies wounded on the battlefield. After being imprisoned for three years, he wanders the countryside aimlessly as a vagabond, desperate to make a name for himself. He becomes a dueling Ronin  a swordfighter without a master. And while his destiny seems clear, to achieve it he must leave his old life behind.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Eiji Yoshikawa</b> is Japan's bestselling novelist of all time. He published popular retellings of many Asian classics, however, his novelization of the life of Miyamoto Musashi is his most famous work, selling over 120 million copies. He was awarded the Cultural Order of Merit and the Order of the Sacred Treasure.</p><p><b>Alexander Bennett</b> is a Professor of Japanese History, Martial Arts, and Budo Theory at Kansai University. He is a Director General of the International Budo University's Budo Sports Research Institute. He co-founded and publishes Kendo World, the first English-language Kendo journal, and holds black belts in several martial arts. His published works include <i>The Complete Musash</i> and <i>Hagakure: The Secret Wisdom of the Samurai.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[Following the international success of her debut Riambel, Hein's heart-wrenching new novel reveals the violence and beauty inherent in her native Mauritius.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Tamarin Bay, Mauritius, is a travel agent's paradise: a tropical ocean, fishermen unloading their daily catch, children building sandcastles, surfers riding giant waves.</b></p><p>But just along the shoreline is the beach of La Preneuse, the taker of souls. The island is haunted with tragedy and the remnants of colonial rule.</p><p>But it is also home, where Anita Ram longs to be following the collapse of her marriage. After enduring a shocking betrayal and the sexism and racism of a cold Britain in the early twenty-first century, she finds comfort in simple things; her mother's cooking, her childhood bedroom, and a handsome architect.</p><p>Will these be enough for Anita to find happiness again, or will the ghosts of her past consume her?</p><p>Following the international success of her debut <i>Riambel</i>, Hein's heart-wrenching new novel reveals the violence and beauty inherent in her native Mauritius. </p><p><b>'Set against the lush beauty and brutal history of Mauritius, this novel explores heartbreak, homecoming, and healing with lyrical power.'  </b><b><i>Brittle Paper</i></b></p><p><b>'[a] vivid examination of love, generational trauma and how the impact of slavery still haunts Mauritian lives.'  </b><b><i>National Geographic Traveller</i></b></p><p><b>'A beautiful, melancholy story...A tale of longing and regret, of missed chances, of stillborn dreams.'  Ananda Devi, author of </b><b><i>Eve Out of Her Ruins</i></b></p><p><b>'The narrative of 'some exotic girl from a faraway island' could have easily fallen into cliche in the hands of a lesser writer. But in </b><b><i>Tamarin</i></b><b>, Priya Hein tells the story with such bravery, candour, and evocative detail that I often mistook it for a true account. Her Mauritius mirrors my Trinidad in ways that felt both familiar and thrilling to explore. Women everywhere will see themselves  their deepest loves and betrayals, and their most delicate relationships  reflected in these pages.'  Celeste Mohammed, author of</b><b><i>Ever Since We Small</i></b><b> and </b><b><i>Pleasantview</i></b><b>, winner of the OCM Bocas Prize 2022</b></p><p><b>'There are books whose characters haunt you long after you've turned the last page. Anita Ram gets under your skin without you even realising it. </b><b><i>Tamarin </i></b><b>is one of those books where even melancholy knows how to be coquettish. Priya Hein is a grain of sand that the Indian Ocean cannot ignore.'  Ari Gautier, author of </b><b><i>Lakshmi's Secret Diary</i></b></p><p><b>'</b><b><i>Tamarin </i></b><b>is a lush, gorgeous novel. Priya Hein's prose is transportive. It is impossible not to feel the sand, smell the incense, taste the khir. But beneath the sensory richness lies an achingly melancholic story of loss, betrayal, and the quiet, restorative power of coming back home.'  James Roseman, author of </b><b><i>Placeholders</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Priya Hein</b> is a Mauritian author whose first novel <i>Riambel </i>won the Prix Athena 2023 and The Jean-Fanchette Prize 2021. She was nominated for the 2017 Astrid Lindgren Memorial Award, shortlisted for the Prix de l'Atelier Litteraire in 2021 and the Miles Morland Scholarship in 2023, and participated in the 2024 Iowa IWP fall residency. Priya lives in Mauritius with her family.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Fifteen-year-old Noemi has no choice but to leave school and work in the house of the wealthy De Grandbourg family. Just across the road from the slums where she grew up, she encounters a world that is starkly different from her own  yet one which would have been all too familiar to her ancestors. Bewitched by a pair of green eyes and haunted by echoes, her life begins to mirror those of girls who have gone before her. Within Noemi&amp;#x27;s lament is also the herstory of Mauritius; the story of women who have resisted arrest, of teachers who care for their poorest pupils and encourage them to challenge traditional narratives, of a flawed Paradise undergoing slow but unstoppable change. </p><p>In <i>Riambel</i>, Priya Hein invites us to protest, to rail against longstanding structures of class and ethnicity. She shows us a world of natural enchantment contrasted with violence and the abuse of power. This seemingly simple tale of servitude, seduction and abandonment blisters with a fierce sense of injustice.</p><p><b>&amp;#x27;Priya Hein has given us a book that should be essential reading for all those who care about our history, in particular the devastating legacy of slavery; but what is extraordinary is that she tells this harrowing story in the most beautiful prose, luminous and musical, drawing in the reader before hitting them hard with the reality of her young narrator's life, and the humiliations and pain she endures because of this very legacy. Today more than ever, this story needs to be told; Priya Hein does so movingly and powerfully.'  Ananda Devi, author of </b><b><i>Eve Out of Her Ruins</i></b></p><p><b>'</b><b><i>Riambel</i></b><b> bravely grasps the complexity of ethnic relationships in Mauritius . . . displaying great art in the sense of shame blended with indignation and in the gaps in what is not said.'  J. M. G. Le Clezio, winner of the Nobel Prize for Literature</b></p><p></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p> </p><p><b>Priya Hein </b>was born in Mauritius. She has published several children's books and short stories, and has contributed to a number of anthologies. In 2017 she was nominated by the National Library of Mauritius for the Astrid Lindgren Memorial Award. She was selected for the Women's Creative Mentorship Project for the University of Iowa International Writing Program. Her debut manuscript Riambel won the 2021 Jean Fanchette Prize. Priya lives in Munich and Mauritius with her family. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>'Andrew Brooks's <i>Year of the Ox</i> is a constellation of images that chart the movement of history, not with the logic of linear progress but the dialectic of historical materialism. The poem takes what has been and flashes it together with the now, with blackberries, garden spiders, broccoli pasta and much else.</p><p>'Through this constellation we see, in silhouette, the historical shape of capitalism and its necessary mutation, imperialism. In a time of "No/politics but the politics of real/estate", the two long poems in this book offer us something rare: political poetry that moves, and demands movement.'  Andre Dao</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>I Do Know Some Things</i></b><b> is a brave book, both in content and method.</b></p><p>It is brave to write about childhood scars and the heartbreak the dead leave behind. It is brave to reconfigure one's life in the aftermath of a stroke. Richard Siken presents these subjects directly, without ornament, and with nothing to hide behind, confronting the fact that he can no longer manipulate the constructions of form, or speak lies that tell the truth. In spite of these limitations, Siken chooses to write these poems and release them into a dangerous world. Each image, each sentence, is as direct as the American artist Jasper Johns's shooting targets. Each poem is like a small room in a house, a room where you will be punched in the throat. As he claws himself back into a self, into a body, Siken has written a book that is unsettling and autobiographical by necessity, and its seventy-seven prose poems invite the reader to risk a difficult intimacy in search of yet deeper truths.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Richard Siken</b> is a poet, painter, and filmmaker. His book <i>Crush</i> won the 2004 Yale Series of Younger Poets prize, selected by Louise Glck, a Lambda Literary Award, a Thom Gunn Award, and was a finalist for the National Book Critics Circle Award. His other books are <i>War of the Foxes</i> (Copper Canyon Press, 2015) and <i>I Do Know Some Things</i> (Copper Canyon Press, 2025). Siken is a recipient of a Pushcart Prize, two Lannan Fellowships, two Arizona Commission on the Arts grants, and a fellowship from the National Endowment for the Arts. He lives in Tucson, Arizona.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>"This may be the most anticipated poetry book of the last decade...expect it to haunt you."-NPR.org</p><p><br/></p><p>"Richard Siken writes about love, desire, violence, and eroticism with a cinematic brilliance and urgency."-<i><b>Huffington Post</b></i></p><p>In reviewing Richard Siken's first book, Crush, the <b>New York Times</b>-are immediately complicated by concerns of morality, human capacity, and the ways we look to art for meaning and purpose while participating in its-and our own-invention.</p><p>"Slippery, magnetic riffs on the arbitrary divisions made by the human mind in light of the mathematical abstractions that delete them; poetry lovers will want to read."-Library Journal, starred review</p><p>"[P]oems of passion, examining what it means to love, to be, and to create."-Vanity Fair</p><p>"Siken's stark, startling collection focuses tightly on both the futility and the importance of creating art."-Booklist</p><p>"Poems primarily about painting and representation give way to images that become central characters in a sequence of fable-like pieces. Animals, landscapes, objects, and an array of characters serve as sites for big, human questions to play out in distilled form. Siken's sense of line has become more uniform, this steadiness punctuated by moments of cinematic urgency."-Publishers Weekly</p><p>"War of the Foxes builds upon the lush and frantic magic of Richard Siken's first book, Crush. In this second book, Siken takes breathtaking control of the rich, varied material he has chosen...Siken paints and erases-the metaphor of painting with words allows him to leave those traces that mostly go unseen. He is the Trickster. If paint/then no paint. He does this with astonishing candor and passion."-The Rumpus</p><p>The Museum</p><p>Two lovers went to the museum and wandered the rooms.<br/>He saw a painting and stood in front of it<br/>for too long. It was a few minutes before she<br/>realized he had gotten stuck. He was stuck looking<br/>at a painting. She stood next to him, looking at his<br/>face and then the face in the painting. What do you<br/>see? she asked. I don't know, he said. He didn't<br/>know. She was disappointed, then bored. He was<br/>looking at a face and she was looking at her watch.<br/>This is where everything changed . . .</p><p>Richard Siken is a poet, painter, and filmmaker. His first book, Crush, won the Yale Younger Poets' prize. He lives in Tucson, Arizona.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A meeting of lost souls in the care of a headless coachman. An obsession with eugenics descends into a cruel madness. In 1911, the British writer, feminist and literary salon hostess Violet Hunt published her groundbreaking first collection of uncanny stories, <i>Tales of the Uneasy</i>, exploring psychological and ghostly hauntings shot through with tragedy. Seeking to promote Hunt's achievements as a writer  often obscured by the famous authors of her social set  literary historian Melissa Edmundson presents a new edition of her eeriest work, including material from Hunt's 1923 volume<i> More Tales of the Uneasy</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Violet Hunt </b>(18621942) was a British author and literary hostess. As an active feminist, she wrote many novels of the New Woman genre and founded the Women Writers' Suffrage League and participated in the founding of International PEN. She also authored two collections of supernatural stories, <i>Tales of the Uneasy </i>and <i>More Tales of the Uneasy</i>.</p><p><b>Melissa Edmundson</b> is a collector, scholar and anthologist specialising in strange and uneasy fiction  particularly by women writers of Victorian and Edwardian periods. She has published several collections of classic short stories with Victorian Secrets and Handheld Press including <i>Women's Weird </i>and <i>Women's Weird 2</i> in 2019 and 2020.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Including the contents of the classic collections Uncanny Stories (1923) and The Intercessor and Other Stories (1931), this new volume also features two rare strange tales from a third, lesser-known book which explore further facets of Sinclair's fascination with the uncanny.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>At that moment, in a flash that came like a shifting of her eyes, the world she looked at suffered a change... It was the same world, flat field for flat field and hill for hill; but radiant, vibrant, and, as it were, infinitely transparent.</i></p><p>Tales of eternal damnation, love, sexuality, death and supernatural talents form the core of May Sinclair's essential and groundbreaking oeuvre. Literary and still thrilling today, her stories explore the strangeness at the heart of human experience and relationships, where the mundane and the everyday meets lurking, otherworldly weirdness.</p><p>Including the contents of the classic collections Uncanny Stories (1923) and The Intercessor and Other Stories (1931), this new volume also features two rare strange tales from a third, lesser-known book which explore further facets of Sinclair's fascination with the uncanny.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>May Sinclair </b>(18631946) was a penname for Mary Amelia St. Clair, an English suffragist known for her extensive publications. These written works ranged from novels and short stories, to poetry and political criticisms. Her limited work in supernatural fiction has been highly celebrated for its delicacy and precision, making her a must- read author. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Martin Edwards</b> is series consultant for British Library Crime Classics. He is a CWA Diamond Dagger Award-winning crime writer and president of the Detection Club. He has researched and explored the history of the crime and mystery genre in titles such as <i>The Golden Age of Murder, The Story of Classic Crime in 100 Books</i>  published by the British Library  and <i>The Life of Crime</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Locked-room mysteries and other impossible crime stories have been relished by puzzle-lovers ever since the invention of detective fiction. Fiendishly intricate cases were particularly well suited to the cerebral type of detective story that became so popular during the 'golden age of murder' between the two world wars. But the tradition goes back to the days of Wilkie Collins, and impossible crime stories have been written by such luminaries as Arthur Conan Doyle, G.K. Chesterton, Dorothy L. Sayers and Margery Allingham. This anthology celebrates their work, alongside long-hidden gems by less familiar writers. Together these stories demonstrate the range and high accomplishment of the classic British impossible crime story over more than half a century.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Falling in love wasn't on the curriculum...</b></p><p>Lila Cartwright is thriving after dumping her toxic ex  well, mostly. That is, until she bumps into him and his new girlfriend, forcing her to grab the nearest man and introduce him as her boyfriend. Unfortunately, that man is her infuriatingly moody (yet undeniably attractive) colleague, Rhys Aubrey.</p><p>Rhys isn't Lila's biggest fan either, but when he needs to convince his family that he's excelling in both work and love, striking a deal with her suddenly makes sense. As their fake relationship unfolds, the lines between pretence and reality blur. Can they keep up the act, or is there something real beneath the rivalry?</p><p><b>Praise for </b><b><i>Carbon Dating</i></b><b>:</b></p><p><b>'Nate and Laurel will dig their way into your heart and leave you breathless. A must read!'  Ally Wiegand, author of</b> <b><i>First Base</i></b></p><p><b>'A laugh-out-loud, forced proximity romance that also delivers on the swoons and spice.'  Georgia Moore, author of</b> <b><i>Four Night Stand</i></b></p><p><b>'I came for the hot British archaeologist, but stayed for the strong female main character. I couldn't put it down.'  Leonie Mack, author of</b> <b><i>In Italy for Love</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[Edinburgh, 1930, and the world is on the brink of change. Leading the charge is the glamorous, free-spirited Miss Jean Brodie, schoolteacher at the Marcia Blaine Academy, whose guiding principle is 'Give me a girl at an impressionable age and she'll be mine for life.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Edinburgh, 1930, and the world is on the brink of change. Leading the charge is the glamorous, free-spirited Miss Jean Brodie, schoolteacher at the Marcia Blaine Academy, whose guiding principle is 'Give me a girl at an impressionable age and she'll be mine for life. I am dedicated to you in my prime.' While Miss Brodie manipulates and charms 'her girls'  known as the Brodie Set  with notions of romance and heroism, tragedy and a cruel betrayal beckon.</p><p>This is one of the 22 novels written by Muriel Spark in her lifetime.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Muriel Spark</b> was born in Edinburgh in 1918. A poet, essayist, biographer and novelist, she won much international praise, including being twice shortlisted for the Booker Prize. The Times placed her eighth in its list of the Fifty Greatest British Writers Since 1945. She died in Tuscany in 2006.</p><p><b>Alan Taylor</b> has contributed to numerous publications, including the <i>TLS, The New Yorker</i> and <i>The Melbourne Age</i>, and edited four acclaimed anthologies  <i>The Assassin's Cloak</i> (2000), <i>The Secret Annexe</i> (2004), <i>The Country Diaries</i> (2009) and most recently, <i>Glasgow: The Autobiography (</i>2016).</p><p></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>One of the best-known works of English literature, <i>Frankenstein </i>gave rise to the science-fiction and horror genres and has enthralled generations of readers since its publication in 1818.</p><p>The book follows the story of Victor Frankenstein and his monster: the result of his desire to create life. But his botched experiment is so grotesque that the doctor immediately regrets what he has done and abandons the monster, leaving him to fend for himself. The creature finds and confronts his maker pleading for a companion  his human right to happiness. Fearing what this may lead to, Victor refuses, causing the monster to vow to ruin any happiness in Victor's life.</p><p>A tragedy and a cautionary tale about the pitfalls of ambition and creation, Mary Shelley's masterpiece is more relevant now than ever.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The Strange Case of Dr Jekyll and Mr Hydefollows the story of respectable Dr Jekyll's strange association with the 'damnable young man' Edward Hyde. Dr Jekyll has discovered the ultimate drug: a chemical that can turn him into something else  his monstrous alter-ego. This new edition features an introduction by Denise Mina.]]></Text>
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			<Text textformat="02"><![CDATA[<p>One of the Guardian's novels everyone must read.</p><p>This new edition ofStevenson's renowned gothicmasterpiece has a specially writtenintroduction by Denise Mina.</p><p>In <i>The Strange Case of Dr Jekyll and Mr Hyde</i>, London lawyer Gabriel John Utterson investigates a series of sinister events involving his seemingly respectable friend Dr Henry Jekyll and the dangerous and violent criminal known as Edward Hyde. The shocking revelation about their hidden connection has enthralled generations of readers since the book's first publication in 1886; it is still regarded as one of the most important and influential stories ever written.</p><p>A morality tale of good and evil, the book explores the multi-faceted complexities of human nature, duality and class  themes that continue to fascinate and intrigue us today.</p><p><b>&amp;#x27;An important book...written with great economy, tension and wit&amp;#x27; Ian Rankin</b></p><p><b>&amp;#x27;An exciting and unexpected read, even for those who think they know the story already&amp;#x27; Louise Welsh</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[A new edition of this vitally important political novel from George Orwell. First published in 1945,Animal Farm the history of a revolution that went wrong  is Orwell's brilliant satire on the corrupting influence of power. Features an exclusive introduction by Alan Johnson.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A new edition of this vitally important political novel from George Orwell. First published in 1945,</b><b><i>Animal Farm</i></b><b>- the history of a revolution that went wrong - is Orwell's brilliant satire on the corrupting influence of power. </b></p><p><i>'All animals are equal. But some animals are more equal than others.'</i></p><p>Mr Jones of Manor Farm is so lazy and drunken that one day he forgets to feed his livestock. The ensuing rebellion under the leadership of the pigs Napoleon and Snowball leads to the animals taking over the farm. Vowing to eliminate the terrible inequities of the farmyard, the renamed Animal Farm is organised to benefit all who walk on four legs. But as time passes, the ideals of the rebellion are corrupted, then forgotten. And something new and unexpected emerges...</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>George Orwell (19031950) is one of England's most famous writers and social commentators. He is the author of the classic political satire Animal Farm and the dystopian masterpiece Nineteen Eighty-Four. He is also well known for his essays and journalism, particularly his works covering his travels and his time fighting in the Spanish Civil War. His writing is celebrated for its piercing clarity, purpose and wit and his books continue to be bestsellers all over the world.</p><p>Alan Johnson was General Secretary of the Communication Workers Union before entering Parliament as Labour MP for Hull West and Hessle in 1997. He served as Home Secretary from June 2009 to May 2010. Before that, he filled a wide variety of cabinet positions in both the Blair and Brown governments. His childhood memoir This Boy (Bantam Press, 2013) won the Royal Society of Literature Ondaatje Prize, and the Orwell Prize. His second memoirPlease Mr Postman(2014) won the National Book Club award for Best Biography. The Long and winding Road,the final book in his memoir trilogy, won the Parliamentary Book Award for Best Memoir.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Presenting a wide variety of genres and tones, The Sugar Kremlin lays out a frightening vision of speculative mercilessness and carnivalesque political horror.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Presenting a wide variety of genres and tones, </b><b><i>The Sugar Kremlin</i></b><b> lays out a frightening vision of speculative mercilessness and carnivalesque political horror.</b></p><p><i>The Sugar Kremlin</i> is the follow-up to Vladimir Sorokin's <i>Day of the Oprichnik</i>, taking place in the same New Medieval universe over the course of fifteen chapters that all return to the object of the title: replicas of the Moscow Kremlin made of sugar. Thousands of these creations are given away to children during the holidays, then make their way through each stratum of Russian society. We follow the trajectories of these candied gifts from the hands of harried paupers to secret political dissidents, from torture-obsessed civil servants to sex workers in a nearby bordello...</p><p>As Sorokin shifts from story to story and style to style, he draws the reader through grotesquely Russian scenes, creating an aberrantly metaphysical encyclopedia of the New Medieval 'Russian soul'. The candy's sweetness is deceptive  underneath it, you may detect notes of blood.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Vladimir Sorokin</b> was born in a small town outside of Moscow in 1955. He trained as an engineer at the Moscow Institute of Oil and Gas, but turned to art and writing, becoming a major presence in the Moscow underground of the 1980s. In 1992, Sorokin's <i>Collected Stories</i> was nominated for the Russian Booker Prize; in 1999, the publication of the controversial novel <i>Blue Lard</i>, which included a sex scene between clones of Stalin and Khrushchev, led to public demonstrations against the book and to demands that Sorokin be prosecuted as a pornographer. His award-winning works have been translated throughout the world, most recently by Dalkey Archive Press and NYRB Classics.</p><p><b>Max Lawton</b> is a translator, novelist, and musician. He has translated many books by Vladimir Sorokin, including <i>Blue Lard</i> (NYRB Classics), <i>Their Four Hearts</i>, and <i>Dispatches from the District Committee</i> (both from Dalkey Archive Press).</p><p><b>Joshua Cohen</b> was born in 1980 in Atlantic City.Called 'a major American writer' by the <i>New York Times</i>, and 'an extraordinary prose stylist, surely one of the most prodigious at work in American fiction today' by the <i>New Yorker</i>). He was named one of Granta's Best Young American Novelists, and his awards include the Matanel Prize, the National Jewish Book Award, and the Pulitzer Prize for Fiction.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Barefoot strangers crashing a beloved cat's funeral leads to horrified pearl clutching, wacky adventures, and blossoming friendships in Megan Okonsky's hilariously irreverent debut.</b></p><p>Tombstone, Texas, has never seen anything like the barefoot travelers who barrel in one afternoon, looking like they just stepped out of the seventies. They appear right in the middle of Pinky Elizabeth Swear's eulogy for her beloved rescue cat, Sweet Potato Grace (may she rest in eternal peace and abundance of goat cheese). To be honest, Pinky is relieved at the interruption. She'd planned to use the second half of her eulogy to come out of the closet. Now, she doesn't have to.</p><p>Are the newcomers a circus troupe? Revolutionaries? A sinister cult? While the town grows suspicious and rumor mills churn, Pinky finds herself drawn to the charisma of the barefoot strangers. Perhaps, she starts to think, the wrath of Tombstone is a thing worth risking in order to be true to oneself.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Megan Okonsky</b> is a ghostwriter, novelist, and murder mystery party host. Known for her conversational voice and wit, Okonsky specialises in helping business leaders uncover their 'hero's journey', As a novelist, she writes about cats and queer joy. Her work has appeared in <i>Reductress</i> and <i>Mantra Wellness</i>. Her short story, 'The Five Stages of Grieving My Attention Span', was a finalist in Southern New Hampshire University's 2024 Fall Fiction Contest. Okonsky is a proud member of the Writers' League of Texas and the Association of Ghostwriters. She lives in Austin, Texas, with her wife and their cat, Funny Business.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>January 1965.</b> The orphaned O'Leary siblings  Tom, Jack, Anna and Peggy  arrive in the village of Ballycrea, tight-lipped about their troubled past and desperate for a fresh start.</p><p>After being met with suspicion from most of the locals, the family are thrilled when they're taken under the wing of their well-respected neighbours, Bill and Betty Nevan, who offer them work, companionship and an opportunity to fit in.</p><p>But for one of the O'Learys, this new friendship sparks an intense attachment that makes the dynamic dangerous for all. It's difficult to bury secrets, but almost impossible to bury feelings...</p><p>Like Howarth's acclaimed debut, <i>Heap Earth Upon It</i> explores rural Irish life at a specific moment in time and delves into claustrophobic relationships and tangled identities, leaving you wondering who to trust until the very last page.</p><p><b>'</b><b><i>Heap Earth Upon It</i></b><b> is a tense and claustrophobic novel with gothic atmosphere which seeps into your bones like fog. It's a fascinating look at mid-century rural Irish life, and a brutal exploration of the corrosive impact of shame and secrecy. Chloe Michelle Howarth knows her sapphic yearning!'  Rachel Dawson, author of</b> <b><i>Neon Roses</i></b></p><p><b>'Dark, passionate and poised. A remarkable story of the way rural Ireland haunts and is haunted. Intense and thrilling.'  Soula Emmanuel, author of</b> <b><i>Wild Geese</i></b></p><p><b>'It's a clever and mysterious book that never collapses into ordinariness, and possesses an eerie, liminal, orphaned quality that lingers in the mind.'  Cameron Woodhead, </b><b><i>The Sydney Morning Herald</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Seth Insua</b> is an Anglo-Spanish writer and artist. He was born in Kent in 1989. He graduated from the University of Oxford with a First in English Language and Literature. He has been shortlisted for the Bridport Prize and The London Magazine&amp;#x27;s Short Story Competition and was a semi-finalist in the BlueCat Screenplay Competition. He currently lives with his husband, David, between Newcastle upon Tyne and Madrid.<i> Human, Animal</i> is his first novel.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lisa Kenway</b> is an Australian writer and anaesthetist, and her debut novel was inspired by her longstanding fascination with memory and consciousness. An earlier version of<i> All You Took From Me</i> was listed for the 2020 Richell Prize and was runner-up in the 2022 CYA conference competition (stories for adults). Lisa was awarded a Katharine Susannah Prichard Writers' Centre fellowship for 2023 and was highly commended in the 2022 Writing NSW Varuna fellowships. Her work has been published widely in journals and anthologies including <i>Island Online</i>, the <i>Meanjin</i> blog and<i> Meniscus Literary Journal</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Moving nimbly between the granular and the broad view, The Oblong Plot, Chris Andrews' third collection, takes in paint splotches on a sawhorse and a star named Fang, life-wasting systems and means of escape.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, NSW Literary Awards 2025, Kenneth Slessor Prize for Poetry**</b></p><p>Moving nimbly between the granular and the broad view, <i>The Oblong Plot,</i> Chris Andrews' third collection, takes in paint splotches on a sawhorse and a star named Fang, life-wasting systems and means of escape. These faceted, echoing poems observe the world's shifting arrangements while rearranging their own letters, sounds, syllables, words and lines. <i>The Oblong Plot</i> invites the reader to join in its serious play.</p><p><b>'I loved this exhilarating, brilliant book. The poems in</b><b><i> The Oblong Plot</i></b><b> have style and wit to burn, and strike like a tuning fork, reverberating and reshaping the air around us. They are sharply attuned to the ironies and absurdities of contemporary life, finding linguistic torque and wry humour in cityscapes and their inhabitants' waking lives, dreams and aspirations. In seemingly effortless but technically dazzling syllabics, time and again Andrews punctures through the surface of things to find something much stranger and more surreal sitting under the day's skin. He is a relentlessly surprising and inventive poet whose vast linguistic gifts - including an electrifying skill at toggling between the vernacular and the poetically charged, "between / the dreamwarp and the cybercapsule" - remind us that language can both unmake and remake the world around us.</b> <b><i>The Oblong Plot</i></b><b> is a gift to all who turn to poetry seeking to find our language recharged and refreshed.' - Sarah Holland-Batt</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Chris Andrews</b> lives on unceded Wangal land. He taught at the Universities of Melbourne and Western Sydney. His previous collections of poetry are <i>Lime Green Chair</i> (Waywiser, 2012) and<i> Cut Lunch</i> (Indigo / Ginninderra, 2002). His study of the Oulipo, <i>How to Do Things with Forms</i>, was published by McGill-Queen's University Press in 2022. The books of prose fiction that he has translated from Spanish and French include Liliana Colanzi's <i>You Glow in the Dark</i> (New Directions, 2024), Kaouther Adimi's <i>A Bookshop in Algiers</i> (Serpent's Tail, 2020), Cesar Aira's <i>The Lime Tree</i> (And Other Stories, 2017) and Roberto Bolao's<i> By Night in Chile</i> (Harvill, 2003).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Judith Beveridge's much-anticipated new collection of poems, the first since her prize-winning new and selected, </b><b><i>Sun Music</i></b><b>, in 2018.</b></p><p>The poems in <i>Tintinnabulum</i> focus on animals, people, and places, though you could say that the real subject matter is the power of poetry, since the book explores how metaphor, simile, imagery and sound can reveal connections that are imaginative, revelatory and sometimes threatening. Beveridge's creative use of language is most evident in the section of the book titled 'Bizarre Bazaar' - where she plays on lines and titles by Wallace Stevens (a fitting companion), and offers linguistic elaborations on familiar objects, and strange beliefs and customs. Each detail leads to others through association, there is multiplicity everywhere, and movement and energy, and this is as true of the poems which capture the particular features of animals, the transient effects of landscape, or the memories of people and places, as it is of the language-oriented poems.</p><p>There is a range of styles, lyrical, dramatic and narrative, which build on the achievements of poems in Beveridge's previous collections. There is also an emotional range to the poems: some poems are joyous, celebratory, ecstatic - others humorous, elegiac, nostalgic - but the overall feeling is of the joy and richness of language.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Kangaroo Unbound is a collection of 50 poems that take their titles and inspiration from legendary Australian artist Garry's Shead's iconic 'D.H. Lawrence' series of paintings, which he produced in the early 90s in response to Lawrence's 1923 novel Kangaroo.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Kangaroo Unbound</i> is a collection of 50 poems that take their titles and inspiration from legendary Australian artist Garry's Shead's iconic 'D.H. Lawrence' series of paintings, which he produced in the early 90s in response to Lawrence's 1923 novel <i>Kangaroo</i>. Like the paintings, the poems range from the heavily influenced (those that lean into the source text with strong ekphrastic fidelity) to those that offer more abstracted and personal renderings. Traversing a range of forms from free verse to concrete, villanelle and sonnet, the poems draw from a host of readily identifiable national motifs in their effort toward a contemporary Australian mythology grounded in 'Benevolence, Humour and Divine Mystery'.   </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Luke Johnson</b> is a writer and academic from Wollongong, NSW. His poems, stories, essays and criticism are widely published in Australia and have won or been listed for numerous national prizes, including the AAWP Chapter One Prize, the Elizabeth Jolley Award, the Josephine Ulrick Award, the Katharine Susannah Prichard Award as well as several development fellowships. He is the author of the short story collection<i> Ferocious Animals</i> (Recent Work Press 2021) and a senior lecturer in creative writing at the University of Wollongong. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A sequence of inter-connected narratives from pre-World War One to the 2020s, <i>Mixed Business </i>is Alan Wearne's latest contribution to the verse novel genre. Propelled at times (though never exclusively) by politics, there is of course plenty of room for satire, though the scope of the tales being told ranges from tragedy to tragicomedy to comedy to farce, with all the muses contributing. Given there are over one hundred characters in the cast, this is a book to be seen as a risky, imaginative, large-scale history of 20th and 21st Century urban Australia.</p><p><b>&amp;#x27;</b><b><i>Mixed Business </i></b><b>offers a broad sweep across Melbourne's past century. It is sharply observed, written as a fine verse novel, poet Alan Wearne exhibiting a rare historical and sociological imagination. Wearne brilliantly succeeds in his aim of &amp;quot;trying to capture how Australians yap/ with use of rhyme to give that extra snap.&amp;quot;'  Jim Davidson</b></p><p><b>&amp;#x27;Alan Wearne's </b><b><i>Mixed Business </i></b><b>is an epic adventure, its energies tied poetically to the everyday. Wearne introduces a cast of characters whose voices, and those of their descendants, speak to each other across the manuscript's over-a-100-year span. Each narrative, whether a domestic or political saga, has its own social and cultural imprint  a reader is guided down streams of consciousness where Wearne's subtlety with the natural rhythms of vernacular registers plays into and against the intellectual toughness of his satire. With discursive shifts between the charming and the garrulous Wearne's lens is, as always, on the social contract between individuals, its harmonies and disruptions.&amp;#x27;  Michelle Borzi</b></p><p><b>&amp;#x27;Of Australia's poets Wearne may be most like Banjo Paterson, without regional pretensions and with fewer animals. Or he may be a late last flowering of social realism, albeit in a liberal-democratic key. Whatever Wearne is and to whom, this is an odd book, in the best sense, that is sure to startle the younger generations. And you&amp;#x27;re probably in it.&amp;#x27;  A J Carruthers</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alan Wearne</b> has been writing poetry since at least high school. Best known for his large-scale verse novels and sequences, he has been a major voice in Australian Poetry since the late 1960s when he was, with John Scott and Laurie Duggan, the Monash contingent in the 'Generation of '68'. For eighteen and a half years he taught at the University of Wollongong. Since 2011 he has been the publisher of Grand Parade Poets.<i> Near Believing</i>, his selected monologues and narratives, was published in 2022.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>We are alike, Kathy thought. You are a desperate one, too. She was incredulous that she could be so happy when it was so perfectly clear that the situation was impossible, could not possibly last, and that in any case this man was doomed already.</i></p><p>In this novel, Charmian Clift broke the rules of the romance genre by her representation of a relationship between a middle class Australian woman and a Greek sponge diver who is an outcast even within his own society. Both are 'desperate'  trapped in loveless marriages and overcome by a sense of nameless dread. But when these twin souls fall in love in the ruins of an ancient citadel above the port-town of a remote and poverty-stricken Greek island, 'honour' becomes 'mimic'  a false imitation of itself  and is cast aside, together with unhappiness and fear.</p><p><i>Honour's Mimic</i> combines the authentic Greek setting of Charmian Clift's travel memoirs with the fine writing that has caused her to be described as Australia's greatest essayist.</p><p><b>'Charmian Clift broke the rules of the romance genre with this representation of a relationship between a middle-class Australian woman and a Greek sponge diver who is an outcast even within his own society.' </b> <b><i>Readings Monthly</i></b></p><p><b>'The [writing] is but it is distinctive in its potency, and for the way the love story is interwoven with the brutal realities of class, immigration, and mid-century morality. We devoured it.' </b> <b><i>The Paris End</i></b></p><p><b>'</b><b><i>Honour's Mimic</i></b> <b>is a superbly realised portrait of the links between true love and mortality. It is about how being in another country can unmoor and perhaps free you to find "a passionate affirmation of that old lost desire to face challenge and danger, to be brave, to dare for the truth".'  Declan Fry</b></p><p><b>'At the heart of </b><b><i>Honour's Mimic</i></b><b> is a transgressive, all-consuming love story that also offers an incisive, often chilling, indictment of the measures and strictures of class and society.'  Heidi Maier, </b><b><i>INDaily </i></b></p><p><b>'With the compelling flavour of a grotesque and shimmering fairytale that carries no consoling ending, </b><b><i>Honour's Mimic </i></b><b>casts a potent spell.'  Carmel Bird, </b><b><i>The Saturday Paper </i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Charmian Clift</b> was born in the coastal town of Kiama, New South Wales, on 31 August 1923. After serving as a lieutenant in the Australian Army, she joined the staff of the Melbourne Argus newspaper, and in 1947 married fellow journalist George Johnston. The next year, the couple's collaborative novel <i>High Valley</i> won the <i>Sydney Morning Herald</i> prize. Fleeing the political claustrophobia of Australia under the Menzies government, in 1952 Charmian and George headed to London. Two years later, they escaped even further, to the Greek islands, where over the next decade they raised three children and created a legend. During this period, Clift wrote the memoirs <i>Mermaid Singing</i> and <i>Peel Me A Lotus</i>, and her two novels, <i>Honour's Mimic</i> and <i>Walk to the Paradise Gardens</i>. After the family returned to Australia in 1964, Charmian Clift began writing a weekly column that appeared in the <i>Melbourne Herald</i> and the <i>Sydney Morning Herald</i>. Charmian Clift died in 1969.</p><p><b>Nadia Wheatley</b> is the editor of <i>Sneaky Little Revolutions</i>: Selected essays of Charmian Clift and <i>The End of the Morning: The never-before-published novel by Charmian Clift</i>. She is also the author of <i>The Life and Myth of Charmian Clift</i>. Described by critic Peter Craven as 'one of the greatest Australian biographies', this was the Age Non-Fiction Book of the Year, 2001, and won the NSW Premier's Australian History Prize (2002). After twenty years it remains the classic account of the life and work of this transformational Australian writer. Nadia Wheatley's other works include the award-winning memoir <i>Her Mother's Daughter</i> and <i>Radicals  Remembering the Sixties,</i> written in partnership with Meredith Burgmann.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The never-before-published novel by Charmian Clift.</b></p><p><i>'In those days the end of the morning was always marked by the quarry whistle blowing the noon knock-off.</i></p><p><i>Since everybody was out of bed very early, morning then was a long time, or even, if you came to think about it, a round time - symmetrical anyway, and contained under a thin, radiant, dome shaped cover...'</i></p><p>During the years of the Great Depression, Cressida Morley and her eccentric family live in a weatherboard cottage on the edge of a wild beach. Outsiders in their small working-class community, they rant and argue and read books and play music and never feel themselves to be poor. Yet as Cressida moves beyond childhood, she starts to outgrow the place that once seemed the centre of the world. As she plans her escape, the only question is: who will she become?</p><p><i>The End of the Morning</i> is the final and unfinished autobiographical novel by Charmian Clift. Published here for the first time, it is the book that Clift herself regarded as her most significant work. Although the author did not live to complete it, the typescript left among her papers was fully revised and stands alone as a novella. It is published here alongside a new selection of Clift's essays and an afterword from her biographer Nadia Wheatley.</p><p><b>'</b><b><i>The End of the Morning</i></b><b> is full of feeling, animated by that formless, aching questioning of childhood, and a fascinating glimpse of the forces that shaped Clift as a person and a writer.' - Fiona Wright</b></p><p><b>'Reading her, even a glimpsed paragraph of her, is like quaffing the finest champagne on earth.' - Peter Craven,</b> <b><i>Sydney Morning Herald</i></b></p><p><b>'Forthright, funny and with an indefinable flair, Charmian Clift's writing plays second fiddle to nobody.' - Richard Cotter,</b> <b><i>Sydney Arts Guide</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Charmian Clift</b> was born in 1923 in Kiama, on the New South Wales south coast. Describing herself as coming from a family of 'liars and embroiderers', from an early age she began transforming her home and childhood into fiction.</p><p>After serving as a lieutenant in the Australian Army, in 1946 Clift joined the staff of Melbourne's <i>Argus</i> newspaper, where she met fellow journalist George Johnston. Over the next twenty-three years, the couple raised three children, produced thirty books, and created a legend.</p><p>While living in Greece, Clift wrote the travel memoirs <i>Mermaid Singing</i> and <i>Peel Me a Lotus</i>, and the novels <i>Walk to the Paradise Gardens</i> and <i>Honour's Mimic</i>. She also began the autobiographical novel titled <i>The End of the Morning</i>, which she regarded as her major work.</p><p>Returning to Australia in 1964, Charmian Clift set her novel aside so that she could devote her time to her weekly newspaper column and to her family commitments. Although she resumed work on <i>The End of the Morning</i> in 1968, she died a year later, before the book was completed.</p><p>For more information, see: www.charmianclift.com.au</p><p><b>Nadia Wheatley</b> is the editor of <i>Sneaky Little Revolutions: Selected Essays of Charmian Clift</i> and the author of <i>The Life and Myth of Charmian Clift</i>. Described by critic Peter Craven as 'one of the greatest Australian biographies', this was acclaimed as the Age Non-Fiction Book of the Year, 2001, and was awarded the NSW Premier's Australian History Prize in 2002. It remains the classic account of the life and work of this transformational Australian writer.</p><p>For more information, see: www.nadiawheatley.com</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Russell Prize for Humour Writing 2025**</b></p><p>After living in a Singapore dog shelter for five years, Gucci  a vaguely Dalmatian-like crossbred  is losing hope of ever being rescued. One day to his surprise he is adopted by <i>her,</i> a writer<i>,</i> and moves to inner city Sydney. On arrival, however, an anti-dog war breaks out in their apartment block; Gucci's owner receives a letter threatening the possibility of 'euthanasia'. The incident triggers nightmares in<i> her</i> and brings back distressing childhood memories.</p><p><i>My Name Is Gucci</i> is a charming novel about the relationships between pets and their owners and about how the past shapes the present. This bold ex-shelter dog narrated fable beautifully unravels Gucci's and his adopter /guardian's secrets, which have been intertwined for decades through their recurring reincarnations.</p><p>Sun Jung understands the deep connections that exist between animals and humans. You won't need to be a dog lover to be entranced by this story; it is brimming with warmth, wit and wisdom.</p><p><b>'A comic and moving Homeric odyssey about Gucci the dog, who must deal with, and outwit, the most problematic species of all  humans.'  Louis Nowra, author of</b> <b><i>Sydney: A Biography</i></b></p><p><b>'A magical novel that will capture your heart.'  Andrea Carter, author of</b> <b><i>A Body Falls</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>The beginning was the last day before the summer holidays. The beginning was a song on the radio. The beginning was big plans.</i></b></p><p>Fourteen-year-old Billie rarely crosses the boundaries of her high-rise housing estate. By the end of the month their money just about stretches to pasta with ketchup, but her mother, Marika, lights up Billie's world with her imagination and big heart.</p><p>One day they receive an unwelcome visit from her Hungarian grandmother, and Billie loses much more than the colourful everyday life she shared with her mother. No longer able to ask Marika questions, Billie sets off alone in their old Nissan  determined to meet the father she never knew and find out why she keeps dreaming about the sea, even though she's never been there.</p><p>Longlisted for the German Book Prize 2023, <i>Paradise Garden</i> is a spellbinding journey and a deeply affecting story of class, resilience and belonging.</p><p><b>'Elena Fischer writes so lovingly about sadness that it is comforting.'  Alina Bronsky</b></p><p><b>'An accomplished debut about the courage to get to know one's own origins and to accept them as they are.'  Ursula Nowak for </b><b><i>Deutschlandfunk</i></b><b>, Cologne</b></p><p><b>'This novel is a small miracle  and a big surprise.'  Claudio Armbuster / </b><b><i>ZDF</i></b><b>, Mainz</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Elena Fischer</b> studied comparative literature and film in Mainz, where she lives with her family. In 2019 and 2020, she participated in the Darmstadt Text Workshop, led by Kurt Drawert. In 2021 she was a finalist at the 29th Open Mike with an extract from her debut novel <i>Paradise Garden</i> and won the Mainz provincial government's prize for young authors.</p><p>Elena Fischer has been nominated for the German Book Prize and for the Harbour Front Literary Festival's Debut Prize 2023.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner of The Yomiuri Prize for Literature, 2012**</b></p><p>The Japanese novel comes of age in this gripping story of love, art and life as a group of architects competes to design the new National Library of Modern Literature in Tokyo.</p><p>In 1980s Japan, newly-graduated Toru Sakanishi joins a small, prestigious architecture firm founded by a former student of Frank Lloyd Wright. As the sweltering summer months approach, the team migrates from the bustling centre of Tokyo to the beautiful rural surroundings of Mount Asama, where several love stories are woven together and Sakanishi encounters four remarkable women who change the course of his life.</p><p>From honouring ancestors to illustrating the complexities of the living, <i>Summer at Mount Asama</i> is a prize-winning novel beautifully translated by National Book Award winner Margaret Mitsutani, offering a moving and elegant portrait of the clash of modernity and tradition.</p><p><b>'Packed with ideas about art, life, and love.' </b> <b><i>Kirkus Reviews</i></b></p><p><b>'The more I read, the more I fell in love with this beautiful novel.'  Hiromi Kawakami</b></p><p><b>'Expertly-crafted.'  Mariko Ozak</b>i</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Masashi Matsuie</b> began his literary career as a fiction editor for the Shinchosha Publishing Company, where he worked with writers such as Yoko Ogawa, Banana Yoshimoto, and Haruki Murakami and launched Shincho Crest Books.</p><p>His debut novel, <i>Summer at Mount Asama</i>, received the Yomiuri Prize for Literature.</p><p><b>Margaret Mitsutani</b> is a translator of Yoko Tawada and Japan's 1994 Nobel Prize laureate Kenzabur e. She was a finalist for the National Book Award and winner of the National Book Award for her translation of Yoko Tawada's <i>The Emissary.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In 1970s Switzerland, high up in the Valais mountains, is a village where everyone knows everything, and no one says anything.</p><p>Jeanne learns from an early age to dodge her father&amp;#x27;s abuse, but her mother and sister resign themselves to his brutality. One day when she is eight he attacks her viciously, angered by her self-assurance. Convinced that the village doctor will put an end to their nightmare, she is shocked by his silence.</p><p>From then on, Jeanne&amp;#x27;s hatred of her father and her disgust at the doctor&amp;#x27;s cowardice drive her on. At boarding school she experiences five years of respite, but is then triggered by an unbearable replica of the violence that started it all. Moving to Lausanne, unable to come to terms with her past and to engage fully with life, she nevertheless finds solace in the arms of lovers and in the waters of Lake Geneva, while further tragedy fuels her rage.</p><p><i>My Favourite</i> is a powerful novel about departure and return, of love, guilt and shame, and the paralysing effects of trauma. Sarah Jollien-Fardel forcefully describes the price to be paid for Jeanne&amp;#x27;s hard-won emancipation, as history inexorably repeats itself.</p><p><b>'This book is a remarkable debut.'  </b><b><i>LE MONDE DES LIVRES</i></b></p><p><b>'</b><b><i>My Favourite</i></b><b> is exceptional, moving and fierce, proud of its often elliptical style, reflecting its title.'  </b><b><i>LIBRATION</i></b></p><p><b>'Sarah Jollien-Fardel demonstrates her mastery and composure during the implacable outcome of events and human behaviour.'  L'EXPRESS</b></p><p><b>'A poignant story, narrated with finesse and boldness.'  Nataliya Deleva, author of </b><b><i>Arrival</i></b><b> and </b><b><i>Four Minutes</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[What is motherhood in the midst of uncertainty, buried trauma and an unravelling America? What it's always been - a love song....]]></Text>
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			<Text textformat="02"><![CDATA[<p>What is motherhood in the midst of uncertainty, buried trauma and an unravelling America? What it&amp;#x27;s always been  a love song.</p><p>Our narrator is a gifted photographer, an uncertain wife, an infertile mother, a biracial woman in an America that&amp;#x27;s coming undone. As she grapples with a lifetime of ambivalence about motherhood, yet another act of police brutality makes headlines, and this time the victim is Noah, a boy in her photography class.</p><p>Unmoored by the grief of a recent, devastating miscarriage and Noah&amp;#x27;s fight for his life, she worries she can no longer chase the hope of having a child, no longer wants to bring a Black body into the world. Yet her husband Asher  contributing white Jewish genes alongside her Black-Japanese ones to any potential child - is just as desperate to keep trying.</p><p>Throwing herself into a new documentary on motherhood and making secret visits to Noah in the hospital, this is when she learns she is, impossibly, pregnant. As life shifts once more, she must decide what she dares hope for the shape of her future to be.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>TIFFANY CLARKE HARRISON </b>writes about your feelings. The ones that feel good, the ones that don&amp;#x27;t, and definitely the ones you don&amp;#x27;t want anyone to know. Writing novels has always been the goal, and<i> Blue Hour</i> is her debut. She graduated from Salisbury University with a BA in English, Creative Writing Concentration, and holds an MFA in Creative Writing (Fiction) from Queens University of Charlotte. Tiffany lives with her husband and two children in North Carolina.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A powerful coming-of-age story for our times, interrogating masculinity and queerness in the digital age as well as offering a fresh take on desire and intimacy, adolescent obsession and dangerous first love....]]></Text>
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			<Text textformat="02"><![CDATA[<p>After inexperienced seventeen-year-old Isaac loses his virginity through a dating app  a disappointing yet addictive experience  he spends his final months before university escaping into a dizzying new world of casual sex with forgettable men. This all changes when he meets twenty-eight-year-old Harrison at a party.</p><p>Isaac is immediately infatuated by the handsome, charismatic artist, but while they grow closer, his sense of self becomes increasingly hazy. Harrison&amp;#x27;s demands shift constantly, and after Isaac tries everything to prove his worthiness, he must take a hard look at his ideas about love, sex and men, and his relationship with himself.</p><p><b>&amp;#x27;So vivid and real, it brought a thousand memories rushing back&amp;#x27; - Russell T Davies</b></p><p><b>&amp;#x27;Truly impressive: funny, melancholic and acutely real. Isaac takes me back to my own adolescence in London, to being on the precipice of adult life... bracing and uncensorious&amp;#x27; - James Cahill, author of</b> <b><i>Tiepolo Blue</i></b></p><p><b>&amp;#x27;Carefully written, sexually candid but full of warmth and longing, Isaac is deeply satisfying in its elegance and tenderness&amp;#x27; - Niamh Campbell, author of</b> <b><i>This Happy</i></b></p><p><b>&amp;#x27;A luminous and beautiful debut about coming-of-age in London today. An instant queer classic&amp;#x27; - Jon Ransom, author of</b> <b><i>The Gallopers</i></b></p><p><b>&amp;#x27;Garner writes like a queer, twenty-first century Richard Yates: honest, uncompromising, fearless, and completely engrossing&amp;#x27; - Alex Pheby, author of</b> <b><i>Playthings</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Curtis Garner</b> was born in Cornwall in 1996. When he was eighteen, he moved to London to study Creative Writing and English Literature at the University of Greenwich. He graduated in 2017 and has been working in publishing since. In 2020, he also received an MA with Distinction from the Manchester Writing School, where much of Isaac was written. In his spare time, he reviews novels on Instagram (@queer_novels). He lives in Hackney.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Hi. My name is Julia. I'm a Synth. And I'm here to find love... Julia Walden - a Synth - was designed for one reason: to compete on The Proposal and claim the heart of bachelor Josh LaSala. Her casting is controversial, but Julia seems to get her fairy-tale ending when Josh gets down on one knee....]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Hi. My name is Julia. I'm a Synth. And I'm here to find love..</b>.</p><p>Julia Walden  a Synth  was designed for one reason: to compete on The Proposal and claim the heart of bachelor Josh LaSala. Her casting is controversial, but Julia seems to get her fairy-tale ending when Josh gets down on one knee.</p><p>Fast-forward fifteen months, and Julia and Josh are married and raising their baby in small-town Indiana. But with haters around every corner, Julia's life is a far cry from the domestic bliss she imagined. Then her splintering world shatters: Josh goes missing, and she becomes the prime suspect in his murder.</p><p>With no one left she can trust, Julia takes the investigation into her own hands. But the explosive truths she uncovers will drive her to her breaking point  and isn't that where a person's true nature is revealed? That is...if Julia truly is a person.</p><p></p><p><b><i>'The Bachelor</i></b><b> meets</b> <b><i>Black Mirror</i></b> <b>(with a splash of</b><b><i> Barbie</i></b><b> gone dark) in this captivating, empowering, and wildly original thriller... A spectacular debut.'  Megan Collins, author of</b> <b><i>Thicker Than Water</i></b></p><p><b>'A deftly crafted, stunningly original debut. I loved it from the clever first pages all the way to the jaw-dropping conclusion.'  Andrea Bartz, author of</b> <b><i>The Spare Room</i></b></p><p><b>'</b><b><i>Made for You</i></b><b> is a thrill ride that never stops twisting and turning. With its smart fusion of reality TV, murder mystery, and social commentary, this story promises an addictive and thought-provoking reading experience, while feeling unlike any other book you've ever read.'  Laurie Elizabeth Flynn, author of</b> <b><i>The Girls Are All So Nice Here</i></b></p><p><b>'It's Mary Shelley in the</b><b><i> Bachelor</i></b><b> era, as unpredictable as it is inevitable, and feminist as hell.'  Katie Gutierrez, author of</b> <b><i>More Than You'll Ever Know</i></b></p><p><b>'A genre-blending romp that kept me riveted. Satterthwaite has established herself as a force in the mystery universe, and I can't wait to see what she does next.'  Kristen Bird, author of</b><b><i> Watch It Burn</i></b></p><p><b>'A Black Mirror-esque story combining AI, reality TV drama and a murder mystery...'   Soaliha Iqbal, </b><b><i>Missing Perspectives</i></b></p>]]></Text>
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			<SubjectHeadingText>1989; Darkland Tales; Scottish Highlands; Highlands; Best of Scottish Fiction; Scottish Fiction; Scotland; 11th Century; Alternate History; Retelling; William Shakespeare; Sunday Times; Val McDermid; Hex; Rizzio; Darkland Tale; To Be or Not to Be; Hamlet; femme fatale; Shakespeare; Retelling Scotland; The Darkland Tales; Sunday Times Bestseller; Reinventing; Reimagining; Scottish historical fiction; Best New Scottish Fiction; correcting history; rewriting history; patriarchal prejudices; Crossbows; Thelma and Louise; Nicola Sturgeon; Christmas 2024; Lady Macbeth</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Shakespeare fed us the myth of the Macbeths as murderous conspirators. But now Val McDermid drags the truth out of the shadows . . .</p><p>A thousand years ago in an ancient Scottish landscape, a woman is on the run with her three companions  a healer, a weaver and a seer. The men hunting her will kill her  because she is the only one who stands between them and their violent ambition. She is no lady: she is the first queen of Scotland, married to a king called Macbeth.</p><p>As the net closes in, we discover a tale of passion, forced marriage, bloody massacre and the harsh realities of medieval Scotland. At the heart of it is one strong, charismatic woman, who survived loss and jeopardy to outwit the endless plotting of a string of ruthless and power-hungry men. Her struggle won her a country. But now it could cost her life.</p><p>Part of Polygon's DARKLAND TALES series.</p>]]></Text>
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			<Text textformat="02"><![CDATA[An intensely moving, lyrical and often funny novel about a family whose story of migration from Kenya and India to England is told over three separate days, across six decades....]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**A 2024 literary highlight in </b><b><i>Esquire, Vogue, GQ, i-D, </i></b><b>and </b><b><i>Dazed</i></b><b>**</b></p><p>Bedi and Sushma's marriage is arranged. When they first meet, they stumble through a faltering conversation about happiness and hope and agree to go in search of these things together. But even after their children Selena, Tara and Rohan are grown up and have their own families, Bedi and Sushma are still searching.</p><p>Years later, the siblings attempt to navigate life without their parents. As they travel to the Ganges to unite their father's ashes with the opaque water, it becomes clear that each of them has inherited the same desire to understand what makes a life happy, the same confusion about this question and the same enduring hope.</p><p><i>A Person is a Prayer </i>plumbs the depths of the spaces between family members and the silence that rushes in like a flood when communication deteriorates. It is about how short a life is and how the choices we make can ripple down generations.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ammar Kalia</b> is a writer, musician and journalist living in London. Since 2019, he has been the <i>Guardian's </i>Global Music Critic and he has written for publications including the <i>Observer,</i> BBC, <i>Dazed, Mixmag, Economist, Downbeat </i>and<i> Crack Magazine.</i> In 2020 he published a collection of poetry and an accompanying album,<i> Kintsugi: Jazz Poems for Musicians Alive And Dead</i>, and in 2022 his essay on music and identity was included in the collection Haramacy. <i>A Person Is A Prayer</i> is Kalia's debut novel and was shortlisted for the Unbound Firsts Prize in 2022.</p>]]></Text>
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