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			<Text textformat="02"><![CDATA[<p><i>Exposure: A Photographic Memoir</i> is an intimate journey through Australia's bohemian art world, told by acclaimed photographer Greg Weight, whose lens has captured some of the nation's most iconic artists and cultural moments over the past five decades.</p><p>With wit and candour, Weight shares his encounters with Martin Sharp, Brett Whiteley, Reg Mombassa, Emily Kame Kngwarreye, Johnny Bell, John Olsen, Garry Shead, Margaret Olley, Luke Sciberras, Tracey Moffatt, Jeffrey Smart and others, bringing them to life in personal, often poignant settings. All the while, his own personal journey is revealed.</p><p>Trusted by artists to photograph both their portraits and their work, Weight became an artist in his own right, with John Olsen describing his gift as capturing 'the Weight moment'. This book is a beautifully produced memoir accompanied by over 65 photographs  some iconic, others never before seen.</p><p>Through award-winning portraits and landscapes, he reveals not only the likeness but the psyche of each subject, creating a vivid chronicle of Australia's art scene from the 1960s to the 2000s: its immense talent, tragedies, absurdities and hilarities. Playful, candid and revealing, this memoir takes readers to the front row of Sydney's creative world.</p><p>From his childhood discovery of light and shadow to formative years with Martin Sharp, The Yellow House collective and the Sydney Push, Weight's story unfolds in thirty-six 'exposures'  chapters echoing the frames of a roll of film.</p><p>Includes a foreword by artist Lin Utzon and endorsement from Reg Mombassa. This is the first fine art memoir published by Piper Press.</p><p><b>'This is a timely book and historical record of some of our greatest artists, many of whom are no longer with us. It provides deep detail about the connections Greg made and what he saw in the people he encountered. Qualities that maybe we didn't see in ourselves. Greg lifts the lid on his early years and takes us on a journey through a lifetime of stories: some poignant, absurd, or mischievous but all seen through the eye of a photographer and the heart of a friend.'  Reg Mombassa</b></p>]]></Text>
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			<SubjectHeadingText>Motherhood; Surrogacy; Miscarriage; Longing; Trauma; Addiction; Inheritance; Identity; Love; Loss; Grief; Displacement; Refuge; Legacy; Ancestry; Myth; Storytelling; Narrative; Selfhood; Peoplehood; Redemption; Crisis; Memory; Beirut; Palestine; Kuwait; Syria; Lebanon; Migration; Exile; Childhood; Adolescence; Womanhood; Scheherazade; Hope; Fear; Healing; Belonging; Estrangement; Family; History; Culture; Language; Tradition; Faith; Resilience; Transformation; Rebirth; Emotion; Conflict; Place</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[One of TIME's 100 Must-Read Books of 2025 and Electric Lit's Best Nonfiction of 2025The rich and deeply personal debut memoir of motherhood via surrogacy, by award-winning Palestinian-American poet and novelist Hala Alyan.]]></Text>
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			<Text textformat="02"><![CDATA[<p>At first, Hala's baby is the size of a poppyseed. Then a grain of rice, then a lime. After years of trying for a baby, with one miscarriage followed by another, Hala watches from afar as her daughter grows in the body of another woman, in another country.</p><p>Halais not just awaiting news from the surrogate. She is also holding her breath as Palestine and Lebanon, her estranged homelands, are under fire. She goes for long runs to distract herself. She remembers family stories of grandmothers mapping their lives through a tangle of borders; of eradicated villages, invading armies and places of refuge that proved only temporary; of men who left, women who stayed, and the legacies passed down from one to another.Haladecides to name her unborn child Leila, a thread connecting her daughter to<i>The Thousand and One Nights</i>and the women who save by storytelling.</p><p>A stunningly lyrical and honest quest for motherhood and peoplehood,<i>I'll Tell You When I'm Home</i>is a powerful story of unravelling and becoming, of destruction and redemption, and of homelands lost and recreated.</p><p> </p><p><b>'A beautiful and intimate memoir of a life in the embrace of stories, Alyan weaves the fine threads of torn and fragmented lives into an irresistible, intergenerational tapestry. I was spellbound from the first page.'  Naomi Klein</b></p><p><b>'A roaring cyclone of memory and imagination and harrowing tribulation. Surrogacy as metaphor for exile. Exile not as a dream for a better life, but as concession, a begrudging necessity. Gaza, San Miguel, Beirut, New York, Damascus  traveling with Alyan's prose is a thrill. </b><b><i>I'll Tell You When I'm Home</i></b><b> feels as rich and supersaturated as contemporary consciousness itself  I can't stop talking about it.'  Kaveh Akbar</b></p><p><b>'Gorgeously written and compelling, </b><b><i>I'll Tell You When I'm Home</i></b><b> connects the threads of personal and family histories as its author prepares for motherhood. Hala Alyan is a writer of astounding talent.'  Lisa Ko</b></p><p><b>'A story of the violence of exile over generations, a profound desire for motherhood, as well as surrogacy, addiction and the importance of remembering...a story of war and loss  of country, but also of friends, lovers and ultimately her marriage...questioning and lyrical.'  </b><b><i>The Guardian</i></b></p><p><b>'[A] gorgeous, lyrical memoir...</b><b><i>I'll Tell You When I'm Home</i></b><b> shows the power of even a single narrative to resist the deliberate erasure of a people and their homeland, the violence of colonisation.'  </b><b><i>The New York Times Book Review</i></b></p><p><b>'[A] lyrical memoir that explores the trauma of fractured identity.'  </b><b><i>Los Angeles Times</i></b></p><p><b>'A poignant exploration of her tumultuous path to parenthood, identity, and displacement...More than a story of motherhood and exile, </b><b><i>I'll Tell You When I'm Home</i></b><b> is a testimony of everything at once...a moving tribute to the strength of those forced from their homelands and ruthlessly exploited, as well as a celebration of women's determination to survive and thrive.'  </b><b><i>The New Arab</i></b></p><p><b>'Alyan's poetic prose encapsulates miles in each sentence and paragraph; joyfully, revisiting a passage is another chance at uncovering a new gift. Her nonfiction narrative voice allows the poet in her to shine, especially as each chapter is told in a series of short glimpses weaving together past and present, the old and the new Hala... With</b><b><i>I'll Tell You When I'm Home</i></b><b>, Alyan has created a record, a story to communicate with those departed and those new to life. In the process, her work is an antidote for others searching for a home they never asked to lose.'  </b><b><i>Chicago Review of Books</i></b></p><p><b>'Hala Alyan writes with sinew and tender force as she masterfully braids the delicate filaments that make a self body, home, labor, loss  in such a way that the reader can never again disentangle them. This book is a gift, an offering of abundant beauty, full of deep insight into the intricacies of motherhood.'  Alexandra Kleeman</b></p><p><b>'</b><b><i>I'll Tell You When I'm Home</i></b><b> is an exquisitely written and unforgettable memoir about what it means to live with the violence and theft of exile and one woman's devotion to restoring her daughter's inheritance through the power of narrative.'  Nadia Owusu</b></p><p><b>'A powerful, magnificently haunting memoir from a writer I always want to read. It's great luck to live in a time when Hala Alyan is writing. Get ready to be astonished.'  R. O. Kwon</b></p><p><b>'This memoir of pregnancy loss and surrogacy is frantic, intimate, brutal, tender and beautiful. Over the arc of a pregnancy by surrogate, the poet offers up her fragmented heartbreak and kaleidoscopic life. I kept gasping, wanting to close in around Hala, to protect her across time and space from the sharp edges of mother-need inside a body that cannot birth a living baby. She wants her readers in the wound with her, inside the stories that don't get told enough, inside the body-mind of a displaced woman struggling to create something bigger than herself. Brilliant.'  adrienne maree brown</b></p><p><b>'Alyan's writing doesn't offer easy answers; it gives voice to the ache and beauty of diasporic existence.'  </b><b><i>VOGUE Arabia</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Hala Alyan </b>is a Palestinian-American writer and poet. Her novels include <i>The Arsonists' City </i>and <i>Salt Houses</i>, winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a Chautauqua Prize finalist. Her work has been published by <i>The New Yorker, The New York Times, The Guardian </i>and <i>Guernica</i>. She lives in Brooklyn, where she works as a clinical psychologist and professor at New York University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Pulitzer Prize 2025**</b></p><p><b>**Winner, Pushkin House Russian Book Prize 2025**</b></p><p><b>A 'riveting history' (</b><b><i>Wall Street Journal</i></b><b>) of the Soviet dissident movement, which hastened the end of the USSR and still provides a model of opposition in Putin's Russia  and beyond</b></p><p><b>'A book about a past time that is very much a book for our time...A story from which we all stand to learn as we face a new wave of authoritarianism.' </b> <b><i>Los Angeles Review of Books</i></b></p><p>Beginning in the 1960s, the Soviet Union was unexpectedly confronted by a dissident movement that captured the world's imagination. Demanding that the Kremlin obey its own laws, an improbable band of Soviet citizens held unauthorised public gatherings, petitioned in support of arrested intellectuals, and circulated banned samizdat texts. Soviet authorities arrested dissidents, subjected them to bogus trials and vicious press campaigns, sentenced them to psychiatric hospitals and labour camps, sent them into exile  and transformed them into martyred heroes. Against all odds, the dissident movement undermined the Soviet system and hastened its collapse. Taking its title from a toast made at dissident gatherings, <i>To the Success of Our Hopeless Cause</i> is a definitive history of a remarkable group of people who helped change the twentieth century.</p><p>Benjamin Nathans's vivid narrative tells the dramatic story of the men and women who became dissidents  from Nobel laureates Andrei Sakharov and Alexander Solzhenitsyn to many others who are virtually unknown today. Drawing on diaries, memoirs, personal letters, interviews, and KGB interrogation records, <i>To the Success of Our Hopeless Cause</i> reveals how dissidents decided to use Soviet law to contain the power of the Soviet state. This strategy, as one of them put it, was 'simple to the point of genius: in an unfree country, they began to conduct themselves like free people.'</p><p>An extraordinary account of the Soviet dissident movement, <i>To the Success of Our Hopeless Cause</i> shows how dissidents spearheaded the struggle to break free of the USSR's totalitarian past, a struggle that continues in Putin's Russia  and that illuminates other struggles between hopelessness and perseverance today.</p><p><b>'[A] thoughtful, superbly researched and gracefully written study of the Russian dissident movement...When we Americans are ready for our own glasnost, Mr. Nathans's riveting history of those who returned to authenticity may inspire us to do the same.'  Gary Saul Morson,</b> <b><i>Wall Street Journal</i></b></p><p><b>'In a society that had been stultified for decades by fear, [Soviet dissidents] somehow found the strength not to be afraid.</b> <b><i>To the Success of Our Hopeless Cause</i></b><b> gives them their considerable due...An ambitious, elegant, and readable book about intrepid people and their persecutors...Engaging and entertaining.'  Robert G.Kaiser,</b> <b><i>New York Review of Books</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Benjamin Nathans</b> won the 2025 Pulitzer Prize in General Non-fiction for <i>To the Success of Our Hopeless Cause: The Many Lives of the Soviet Dissident Movement</i> (Princeton). He is also the author of <i>Beyond the Pale: The Jewish Encounter with Late Imperial Russia</i>, which was won the Koret Jewish Book Award, the Vucinich Book Prize, and the Lincoln Book Prize, and was a finalist for the National Jewish Book Award in History. A frequent contributor to <i>The New York Review of Books</i> and <i>The Times Literary Supplement</i>, Nathans is the Alan Charles Kors Endowed Term Professor of History at the University of Pennsylvania.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A curated collection of writings over the past half-century from the acclaimed professor of politics and gay rights activist.</b></p><p>From the publication of his pivotal first book, <i>Homosexual: Oppression and Liberation</i>, in 1971, Dennis Altman AO has been a leading voice in gay liberation movements in Australia and beyond. Across a career spanning more than 50 years, Altman has written about gay rights alongside other currents in Australian politics and society, identifying cultural shifts and exploring their impacts, as well as US politics, including under Trump. His books, including <i>Homosexual</i> and <i>Queer Wars</i>, are being embraced by a new generation of queer theorists worldwide, with editions in multiple languages.</p><p>This collection of his favourite nonfiction has been ordered chronologically to capture the sense of Australia as it was and as it is, charting the course of a conversation about civil rights and cultural change, while at the same time illuminating the persistence of prejudice. Interspersed with personal essays reflecting on Altman's cultural heritage, grief and ageing, <i>Writing My World</i> is a powerful and illuminating chronicle.</p><p><b>'This new book by Dennis Altman explains why he has been a hero most of my life. From university days to AIDS conferences, protests, the arts, national and international politics. Even occasional glimpses of sport, sex and pop culture. America has Gore Vidal. Australia presents (with a drum roll) the still extraordinary Dennis Altman.' </b> <b>The Hon. Michael Kirby AC CMG, former Justice of the High Court of Australia</b></p><p></p><p><b>Praise for</b><b><i> Unrequited Love</i></b><b> by Dennis Altman</b></p><p><b>'From Lyndon Johnson to Trump, Altman's diary takes us from the early days of AIDS to gay liberation against a backdrop of Australia's strange love for America.'  Gillian Triggs</b></p><p><b>'An ingenious combining of memoir and analysis, personal reflection and social science.'  Professor Frank Bongiorno</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dennis Altman</b> AO is the author of numerous books on homosexuality, HIV/AIDS and politics, including <i>Homosexual: Oppression &amp; Liberation</i>, which has been described as the first serious analysis to emerge from the gay liberation movement. He is a Vice Chancellor's Fellow and Professorial Fellow in the Institute for Human Security at La Trobe University in Melbourne. In 2008, Dennis was awarded the Member of the Order of Australia for service to education as an academic, social and political commentator, to the community through raising awareness of human rights issues, and as a contributor to the development of HIV/AIDS policy. He is Patron of the Australian Queer Archives and the Pride Foundation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Why liberalism is all you need to lead a good, fun, worthy, and rewarding life  and how you can become a better and happier person by</b> <b>taking your liberal beliefs more seriously</b></p><p>Where do you get your values and sensibilities from? If you grew up in a Western democracy, the answer is probably liberalism. Conservatives are right about one thing: liberalism is the ideology of our times, as omnipresent as religion once was. Yet, as Alexandre Lefebvre argues in <i>Liberalism as a Way of Life</i>, many of us are liberal without fully realizing it  or grasping what it means. Misled into thinking that liberalism is confined to politics, we fail to recognise that it's the water we swim in, saturating every area of public and private life, shaping our psychological and spiritual outlooks, and influencing our moral and aesthetic values  our sense of what is right, wrong, good, bad, funny, worthwhile, and more. This eye-opening book shows how so many of us are liberal to the core, why liberalism provides the basis for a good life, and how we can make our lives better and happier by becoming more aware of, and more committed to, the beliefs we already hold.</p><p>A lively, engaging, and uplifting guide to living well, the liberal way, <i>Liberalism as a Way of Life</i> is filled with examples from television, movies, stand-up comedy, and social media  from <i>Parks and Recreation</i> and <i>The Good Place</i> to the Borat movies and Hannah Gadsby. Along the way, you'll also learn about seventeen benefits of being a liberal  including generosity, humor, cheer, gratitude, tolerance, and peace of mind  and practical exercises to increase these rewards.</p><p>You're probably already waist-deep in the waters of liberalism. <i>Liberalism as a Way of Life</i> invites you to dive in.</p><p><b>&amp;#x27;An indispensable antidote to our prevailing condition of fashionable pessimism.&amp;#x27;  Scott Stevens,</b><b><i> The Australian Book Review </i></b></p><p><b>&amp;#x27;</b><b><i>Liberalism as a Way of Life</i></b><b> is one of the most original accounts of liberalism in a generation. With immense charm, insight, and lightly carried erudition, Lefebvre moves liberalism from a set of abstract claims to the art of living. It has the singular virtue of important books: it is serious fun.&amp;#x27;  Pratap Bhanu Mehta, Princeton University</b></p><p><b>&amp;#x27;Alexandre Lefebvre's brilliant book brings to light an important dimension of liberalism that is hidden, as it were, in plain sight. Liberalism is not only a procedural, political, or legal concept, but also a moral  and even spiritual  one that serves as a guide for social transformation. Given the dire situation that liberalism faces around the world today, this message is especially important, and the book deserves a wide readership.&amp;#x27;  Helena Rosenblatt, author of</b> <b><i>The Lost History of Liberalism</i></b></p><p><b>&amp;#x27;As liberalism increasingly comes under attack from both the left and the right, Alexandre Lefebvre mounts a deep and stirring defense, steeped in intellectual history and tied to contemporary culture. Lefebvre emphasizes the great joys and benefits that come from embracing reciprocity, freedom, and fairness, to live liberally; and he develops a set of spiritual exercises through which we can learn to succeed at liberalism as a way of life. This is philosophical self-help of the highest order  a literally extraordinary book.&amp;#x27;  Daniel Markovits, author of</b> <b><i>The Meritocracy Trap</i></b></p><p><b>&amp;#x27;The great virtue of Alexandre Lefebvre's book is that it concedes one of the key points of antiliberals: Liberalism isn't just a set of neutral procedures; it's a comprehensive way of life that shapes the way we live and think and work and love in innumerable ways. Yet he insists that it's a way of life worth robustly defending, which he does with a rare blend of cogency, grace, rigor, and wit. The more people who read this book, the better off we will be.&amp;#x27;  Damon Linker, University of Pennsylvania</b></p><p><b><i>&amp;#x27;Liberalism as a Way of Life</i></b><b> is a fresh and deeply original exploration of exactly what its title promises. Provocative and beautifully written, it will change how we think about liberalism and maybe also how we think about ourselves.&amp;#x27;  Stephen Macedo, author of</b> <b><i>Just Married</i></b></p><p><b>&amp;#x27;In his amiable and conversational style, Alexandre Lefebvre offers the most persuasive defense of what liberalism stands for in the modern world. Through an ingenious rereading of John Rawls, Lefebvre makes it clear that liberalism isn't neutral, as some of its advocates pretend, but is premised on a robust conception of the good life. This book is nothing short of thrilling.&amp;#x27;  Samuel Moyn, author of</b> <b><i>Liberalism against Itself</i></b></p><p><b>&amp;#x27;With wit and insight, this marvelous book tells you what it's like to be a liberal, and how to be a good liberal. It's written by a cheerful but highly reflective liberal, for liberals of all stripes  including the grumpy, the overconfident, and the wavering. But it can also be read with profit and enjoyment by nonliberals, antiliberals, and even by the harbingers of liberalism's doom.&amp;#x27;  Chandran Kukathas, author of</b> <b><i>The Liberal Archipelago</i></b></p><p><b>&amp;#x27;With force and subtlety, this groundbreaking book shows how everyday life inspires politics and values, and how these values are shared through popular culture. Indeed, one of the strengths of the book and what makes it so entertaining and instructive is the way Alexandre Lefebvre demonstrates how popular TV shows  not just highbrow ones  disseminate progressive ideas that have become quintessential to liberalism as a way of life and to the desire to defend it.&amp;#x27;  Sandra Laugier, Pantheon-Sorbonne University</b></p><p><b>&amp;#x27;It's hard to express just how much I loved this book. With great humanity and plenty of humor, Lefebvre shows how liberal values and practices can help each of us live with generosity, integrity, and joy. Beautifully written and genuinely original this is liberalism as you've never seen it before. I cannot recommend it highly enough.&amp;#x27;  Daniel Chandler, author of</b> <b><i>Free and Equal</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>AI for Business</i> is a practical guide for leaders who want to harness the power of artificial intelligence without getting lost in the hype. Drawing on decades of experience at the intersection of cutting-edge research, public policy and industry transformation, Jon Whittle shows how AI can create real, human-centred value in your organisation.</p><p>With clarity and pragmatism, the book demystifies AI for non-technical decision-makers. It offers a framework for thinking strategically about AI adoption, covering everything from defining the right use cases to building responsible governance, navigating ethics, understanding productivity impacts, and aligning AI with your values. Real-world examples bring the ideas to life and offer actionable insights you can apply right away.</p><p>Whether you are a CEO, policymaker, innovation lead or just AI-curious, this book empowers you to lead with confidence, curiosity and integrity in an AI-powered world. Because when AI works for people  not just profits  that's when it really delivers.</p><p><b>'Jon Whittle is the ideal coach for any executive looking to navigate the AI revolution.'  Robert Hillard, Consulting Businesses Leader, Deloitte Asia Pacific.</b></p><p><b>'Many leaders will try to use AI to cut costs, and this can be very effective in improving profitability, but you can't cut your way to success or growth. Jon's book teaches how to make AI a collaborator. Whether you're a CEO, Chairman, Manager, Scientist, or Student you should be embarking on your own personal AI revolution but read this book before it's too late.'  Dr Larry Marshall, former Chief Executive, CSIRO, Chair American Chamber of Commerce in Australia and Fortescue Innovation.</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Aboriginal peoples have deep connections with Australia's terrestrial invertebrates, going back millennia. This book focuses on these historical and cultural relationships, describing the role of insects and other arthropods as totemic ancestors and spirit beings. It also explores Aboriginal nomenclature, foraging techniques and the use of land-based arthropods and molluscs as food, medicine and for making artefacts.</p><p>Through the lens of ethnoentomology, Philip Clarke examines the cultural significance of invertebrates, highlighting their role in shaping Aboriginal identities and their interactions with the unique Australian environment, blending scientific and Indigenous sources. By taking a historical perspective, <i>Aboriginal Peoples and Terrestrial Invertebrates in Australia</i> examines the gaps between the knowledge systems of Indigenous peoples and Western science, to encourage further collaboration and acknowledgement in the future.</p><p>This is a companion work to the author's successful book <i>Aboriginal Peoples and Birds in Australia.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[The First King of England is a foundational biography of thelstan (d. 939), the early medieval king whose territorial conquests and shrewd statesmanship united the peoples, languages, and cultures that would come to be known as the 'kingdom of the English'.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From one of today's leading historians of the early medieval period, an enthralling chronicle of thelstan, England's founder king whose achievements of 927 rival the Norman Conquest of 1066 in shaping Britain as we know it.</b></p><p><i>The First King of England</i> is a foundational biography of thelstan (d. 939), the early medieval king whose territorial conquests and shrewd statesmanship united the peoples, languages, and cultures that would come to be known as the 'kingdom of the English'. In this panoramic work, David Woodman blends masterful storytelling with the latest scholarship to paint a multifaceted portrait of this immensely important but neglected figure, a man celebrated in his day as much for his benevolence, piety, and love of learning as he was for his ambitious reign.</p><p>Set against the backdrop of warring powers in early medieval Europe, <i>The First King of England</i> sheds new light on thelstan's early life, his spectacular military victories and the innovative way he governed his kingdom, his fostering of the church, the deft political alliances he forged with Europe's royal houses, and his death and enduring legacy. It begins with the reigns of Alfred the Great and Edward the Elder, thelstan's grandfather and father, describing how they consolidated and expanded the 'kingdom of the Anglo-Saxons'. But it was thelstan who would declare himself the first king of all England when, in 927, he conquered the viking kingdom at York, required the submission of a Scottish king, and secured an annual tribute from the Welsh kings.</p><p>Beautifully illustrated and breathtaking in scope, <i>The First King of England</i> is the most comprehensive, up-to-date biography of thelstan available, bringing a magisterial richness of detail to the life of a consequential British monarch whose strategic and political sophistication was unprecedented for his time.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>David Woodman</b> is Professor and Fellow in History at Robinson College, University of Cambridge. His books include <i>Edward the Confessor: The Sainted King</i> and <i>The Chronicle of John of Worcester, Volume IV: "Chronicula</i>." X: @DavidWoodman45 Bluesky: @davidwoodman45.bsky.social</p>]]></Text>
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			<Text textformat="02"><![CDATA[In How Progress Ends, Carl Benedikt Frey challenges the conventional belief that economic and technological progress is inevitable. For most of human history, stagnation was the norm, and even today progress and prosperity in the world's largest, most advanced economies  the United States and China  have fallen short of expectations.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Longlisted for the</b> <b><i>Financial Times</i></b><b> and Schroders Business Book of the Year Award**</b></p><p><b>How 1,000 years of global history show why technological and economic progress is often followed by stagnation and even collapse.</b></p><p>In <i>How Progress Ends</i>, Carl Benedikt Frey challenges the conventional belief that economic and technological progress is inevitable. For most of human history, stagnation was the norm, and even today progress and prosperity in the world's largest, most advanced economies  the United States and China  have fallen short of expectations. To appreciate why we cannot depend on any AI-fuelled great leap forward, Frey offers a remarkable and fascinating journey across the globe, spanning the past 1,000 years, to explain why some societies flourish and others fail in the wake of rapid technological change.</p><p>By examining key historical moments  from the rise of the steam engine to the dawn of AI  Frey shows why technological shifts have shaped, and sometimes destabilised, entire civilisations. He explores why some leading technological powers of the past  such as Song China, the Dutch Republic, and Victorian Britain  ultimately lost their innovative edge, why some modern nations such as Japan had periods of rapid growth followed by stagnation, and why planned economies like the Soviet Union collapsed after brief surges of progress. Frey uncovers a recurring tension in history: while decentralisation fosters the exploration of new technologies, bureaucracy is crucial for scaling them. When institutions fail to adapt to technological change, stagnation inevitably follows. Only by carefully balancing decentralisation and bureaucracy can nations innovate and grow over the long term  findings that have worrying implications for the United States, Europe, China, and other economies today.</p><p>Through a rich narrative that weaves together history, economics, and technology, <i>How Progress Ends</i> reveals that managing the future requires us to draw the right lessons from the past.</p><p><b>'[Frey's] broad yet deep survey of technology ranges across many nations and centuries, and pokes insightfully into myriad subjects, from Carolingian feudalism to patent law. The result is an incisive and stimulating consideration of a critical issue.' </b> <b><i>Publishers Weekly</i></b><b><br/>'A fascinating quasi-historical economic examination of why some societies flourish and others flounder amidst innovation.' </b> <b><i>Library Journal</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[Our ability to live for decades may seem like a modern luxury made possible by clean water and advances in medicine. In fact, human longevity is a legacy of our unique evolutionary path as a species. Seven Decades challenges the belief that life in the past was 'nasty, brutish, and short', tracing how our capacity for long life came to be and trans]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An anthropologist uncovers new evidence for the evolutionary origins of human longevity  and explains why growing old is an opportunity, not a burden.</b></p><p>Our ability to live for decades may seem like a modern luxury made possible by clean water and advances in medicine. In fact, human longevity is a legacy of our unique evolutionary path as a species. <i>Seven Decades</i> challenges the belief that life in the past was 'nasty, brutish, and short', tracing how our capacity for long life came to be and transforming how we think about aging.</p><p>Blending vivid storytelling with cutting-edge science, anthropologist Michael Gurven weaves tales from his years of field experience among Indigenous societies whose diet and traditional lifeways are closer to how we all lived prior to industrialisation, demonstrating how these communities are relatively free of the chronic diseases of aging such as heart disease, dementia, and diabetes. He provides compelling evidence that our longevity first evolved among our hunting and gathering ancestors and shows how the human body was built to last around seven decades. At a time when people are more likely to live to old age than ever before, Gurven discusses how we can harness this amazing evolutionary feat through a shift in societal values, one that balances self-reliance with interdependence, nurtures multigenerational ties, prioritises women's health and longevity, and enables us to rediscover the wisdom of our elders.</p><p>Sharing bold new perspectives on human aging, <i>Seven Decades</i> draws important lessons from our ancestral history, bridging the past with the present to reveal what healthy, happy, and productive old age could look like for all generations.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Kevin Le Gendre brings his considerable knowledge and experience to <i>The Philosophy of Jazz</i>, interpreting the mindset, outlook and ambition of the jazz musician and a form of music that has captured the imagination of international audiences for over a century.</p><p>This is not a straight history of this genre of music but an exploration of what it means to be a jazz musician and the alchemy between players and audience during a live-music session. While drawing on historical references, in terms of cultural touchstones in Black music and the Black experience, this fascinating book very much immerses itself in the current jazz scene and the interesting directions being explored. Along the way the greats of jazz are all covered  Joplin, Morton, Billie, Miles and Monk along with their influence and legacy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kevin Le Gendre</b> is a journalist, broadcaster and writer. He is deputy editor of Echoes and also contributes to <i>Jazzwise</i>, <i>Music Week, Vibrations</i>, as well as BBC 3's Jazz line-up and BBC 4's Front Row. He is the author of Don't Stop the Carnival: Black Music in Britain and Hear My Train A Comin': The Songs of Jimi Hendrix.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Witches have been culturally relevant for centuries, but where did our perception of witches  good and bad  come from? Steven Veerapen traces witches, witchcraft, and witch-hunters from the explosion of mass-trials under King James VI and I in the late sixteenth century to the death of the witch-hunting phenomenon in the early eighteenth century.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Witches  whether broomstick-riding spell-casters or Wiccan earth-worshippers  have been culturally relevant for centuries. For centuries, too, belief in the potency of witchcraft has been debated, accused witches have been hunted and punished, and film and TV productions have brought the witch and the witch-hunter to big and small screens.</p><p>But where did our perception of witches  good and bad  come from? What motivated wide-scale panics about witchcraft during certain periods? How were alleged witches identified, accused, and variously tortured and punished?</p><p>Steven Veerapen traces witches, witchcraft, and witch-hunters from the explosion of mass-trials under King James VI and I in the late sixteenth century to the death of the witch-hunting phenomenon in the early eighteenth century. Based on documents and the latest historical research, he explores what motivated widespread belief in demonic witchcraft throughout Britain as well as in continental Europe, what caused mass panics about alleged witches, and what led, ultimately, to the relegation of the witch  and the witch-hunter  to the realm of fantasy and the fringes of society.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Trolls have escaped from the black lava wastes of Iceland and the dense pine forests of Scandinavia to take on a new life in the collective global imagination. They may not steal goats and eat people quite so much, but they remain disruptive and dangerous, even if their limited imaginations sometimes make them comic and even quite likeable.</i></p><p>Emerging from Scandinavian mythology, trolls are contradictory creatures: fleshy in their desires but turning to stone in sunlight, as large as slumbering mountains or small enough to help you with your washing, charmingly charmless or genuine threat. They lurk in pine forests and peat bogs, overrunning homesteads, abducting princesses and generally nagging society with their troublesome presence.</p><p>Immortalised in the artworks of Theodor Kittelsen, John Bauer and Erik Werenskiold, this beautiful little book follows their journey from the dense forests of Norway to Middle-earth.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A fresh and vibrant reimagining of the classic 1909 Waite-Smith tarot.</b><br/><br/><i>The Weiser Tarot</i>is a new edition of the most popular and influential Tarot art ever created, the Rider-Waite-Smith deck, first published in 1909. The cards have been newly repainted-while, of course, preserving Pamela Colman Smith's original line art-creating a fresh, flowing aesthetic. Additionally, the cards provide Hebrew and astrological correspondences to the Major Arcana-not included in the original Rider-Waite-Smith deck-for those seekers who have interest in Qabalah and astrology.<br/><br/>The accompanying book includes:</p><ul><li>A brief history of the Tarot</li><li>A look at how the Rider-Waite-Smith deck came to be</li><li>The story behind the creation of<i>The Weiser Tarot</i></li><li>Keywords for interpreting the cards</li><li>Tarot spreads, including a new "Ankh" spread created especially for<b><i>The Weiser Tarot</i></b></li><li>An annotated list of recommended reading for further study</li></ul><p><br/><i>The Weiser Tarot</i>was created to speak to your own personal Tarot needs and desires. Whether you are new to the Tarot or a seasoned card reader, you can use <i>The Weiser Tarot</i> for divination, fortune-telling, self-transformation, spellcasting, or any other purpose.</p><p></p><p><b>&amp;#x27;There have been many re-workings of the classic Rider deck in recent years. This may be the best.&amp;#x27; - Rachel Pollack, author of</b> <b><i>78 Degrees of Wisdom</i></b></p><p><b>&amp;#x27;What a delight. What I most love about </b><b><i>The Weiser Tarot</i></b><b> is that it is nuanced and rich in hues.The subtle blues and purples give a deeper and more mysterious feel to the whole deck.It takes you into the realms of mystery with ease and speaks to the symbolism with more mood and immediacy. Bravo!&amp;#x27; - Alexandra Eldridge, co-creator of </b><b><i>The Radiant Tarot</i></b></p><p><b><i>&amp;#x27;The Weiser Tarot</i></b><b> is a gorgeous and much-needed update to an old classic. Vibrant watercolors add new life to the images, making it a pleasure to read. I especially love the color choices for the suits - this allows the reader to see patterns at a glance. Finally, a version of the RWS that everyone will love!&amp;#x27; - Theresa Reed, author of </b><b><i>Twist Your Fate: Manifest Success with Astrology and Tarot</i></b></p><p><b>&amp;#x27;There have been many re-workings of the classic Rider deck in recent years. This may be the best. Keeping Pamela Smith&amp;#x27;s original line drawings but using vivid watercolors brings the cards vibrantly to life. In addition, the changing of skin tones to move beyond strictly White European moves the deck firmly into the new century.&amp;#x27;  - Rachel Pollack, author of </b><b><i>78 Degrees of Wisdom: A Tarot Journey to Self-Awareness</i></b></p><p><b>&amp;#x27;Congratulations to Weiser Books for breathing new life into Pamela Colman Smith&amp;#x27;s vision with this thoughtful and extremely well-researched offering. </b><b><i>The Weiser Tarot</i></b><b> would be a welcome addition to any tarot lover&amp;#x27;s collection.&amp;#x27; - Rashunda Tramble, tarot reader and coauthor of </b><b><i>The Numinous Tarot Guide</i></b></p><p><b>&amp;#x27;A beautiful addition to anyone&amp;#x27;s tarot library, </b><b><i>The Weiser Tarot</i></b><b> stays true to the most crucial components of Pamela Colman Smith&amp;#x27;s illustrations while simultaneously creating room for a more diverse array of readers to find resonance with the cards.&amp;#x27; - Diana Rose Harper, co-creator of </b><b><i>The Rosebud Tarot</i></b></p><p><b>&amp;#x27;For fans of the original Rider-Waite-Smith illustrations, </b><b><i>The Weiser Tarot</i></b><b> offers a vivid and vibrant repainting with rich watercolors and an appealing palette. Readers who are craving a fresh take on Pamela Coleman Smith&amp;#x27;s line art will love the beautiful shades and textures, and the complementary hues linking suits and themes together make this an excellent tool for tarot seekers of all experience levels.&amp;#x27; - Meg Jones Wall, founder of 3am.tarot and author of </b><b><i>Finding the Fool</i></b></p><p><b>&amp;#x27;Ardent fans of the original 1909 Rider Waite Smith will welcome </b><b><i>The Weiser Tarot</i></b><b>. Updated with vibrant colors and the addition of astrological and Qabalah correspondences on the Major arcana, the deck provides a new view and interpretive layer. In the accompanying guidebook, the team at Weiser Books presents the deck&amp;#x27;s creation story, tarot history, and suggestions for the new reader in a concise and approachable manner.&amp;#x27; - Amber Highland, publisher, </b><b><i>The Cartomancer Magazine</i></b><b> </b></p><p><b>&amp;#x27;Beautifully done and poised to become the go-to tarot deck for the century to come, </b><b><i>The Weiser Tarot</i></b><b> is a vibrant and luminous refresh for the 1909 Rider-Waite-Smith that accentuates the elemental correspondences and updates this popular deck for modern readers.&amp;#x27; - Benebell Wen, author of </b><b><i>Holistic Tarot</i></b></p><p><b>&amp;#x27;I received a copy of </b><b><i>The Weiser Tarot</i></b><b> and may never use the Rider Waite again!&amp;#x27; - Michelle Tea, author of </b><b><i>Modern Tarot</i></b><b> </b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Since her LightWeb activation, <b>Joanna Hunter</b> has initiated hundreds of individuals into the LightWeb, teaching them the 333Magic framework. Additionally, she has appointed several remarkable women into the LightWeb priestesshood to coteach this technology. Joanna, a spiritual teacher since the age of twenty-three, channels transcendent wisdom from her spiritual guides, the collective consciousness of Skylar.</p><p><b>Stephanie Wicker-Campbell</b> is an intuitive illustrator driven by the essence of the soul, unraveling the enchantment within the ordinary. Born in the United States but residing in Sydney, Stephanie's passion for travel and adventure is just one of the many aspects from which she draws her artistic inspiration. Channeling a diverse array of palettes, her work covers a broad spectrum, making her a sought-after partner for published projects. Her spellbinding designs grace oracle decks, journals, and book covers, resonating with audiences worldwide.</p><p><b>Anna Babich</b> is a professional illustrator and designer specialising in creating artwork inspired by magic, celestial wonders, and fairy tales. With years of experience, she has crafted hundreds of illustrations, oracle decks, and digital clipart sets, all infused with her unique artistic vision and attention to detail. Anna works in an ethereal style and uses her own special energy, as she is a natural-born healer, channeling her healing magic into all of her creations. Anna is a loving mom and wife; she lives and works in the picturesque 'white town' of Balchik, Bulgaria.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Runes of Light</i> is a multidimensional exploration of the runes intended to establish openness and flow. Through the symbols, this is a journey to commune with our deep unconscious, with the understanding that all answers are found in nature and that true knowledge arises by reconnecting to the depths of our inner being.</p><p>The runes are an ancient alphabetical system of writing and a sacred system of cosmology for understanding the order of how consciousness evolves. Each rune sign connects with a specific state of energy and reveals a spectrum of motifs to inspire imagination in the seer, bringing forth realisations through living experience.</p><p>Through the symbols, we journey into the parts of our deep unconscious to speak to the unseen and for the mysteries to speak to us. <i>Runes of Light</i> is a multidimensional exploration of the runes intended to establish openness and flow, understanding that all answers are found in nature and that true knowledge arises by reconnecting to the depths of our inner being.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Shirley Shantel</b> worked as a creative producer in media and advertising for over ten years, storytelling for brands, threading brand strategy, and working on creative conceptualization for the design of customer experience, producing world-class events and content. Today, she expresses her creative voice for what she believes in, exploring more of her music and art in increasinglyexperimental ways, dedicating her energies to focus on service to our beautiful planet Earth and the collective well-being. As a mystic, contemplation in stillness is her medicine, and she channels the inspired <i>flow</i> as an autistic digital artist expressing auditory-visual synesthesia. Her etheric and sometimes otherworldly artistic expressions stem from how she interprets the world as a synesthete  everything begins as a felt vibration and sound takes shapes in colors and flows into form through a multisensory experience.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The poison is fear</b> <b></b> <b>this book is the cure.</b></p><p>When the world wounds us with a metaphorical arrow, many of us spend our days chasing unanswerable questions:<i>Why was I hurt? Who is to blame? Will it happen again?</i>Beneath these restless inquiries lies a deeper truth: even though the event is now over, the fear it left behind is like a poison. It courses through our veins  whispering doubts, weaving prisons from old wounds, and painting the world in shades of threat and scarcity.</p><p>But there is an antidote.</p><p>In this transformative guide to overcoming fear, beloved Toltec teacher don Miguel Ruiz Jr. invites you to remove both the arrow and its poison. Through Toltec wisdom and timeless parable, you will learn to:</p><ul><li><b>Recognise fear's hidden influence</b>in your thoughts, words, and choices.</li><li><b>Break free from fear-based agreements</b>that keep you trapped in anxiety and unhappiness</li><li><b>Reclaim your power as the artist of your life,</b> creating a reality rooted in peace and authenticity</li></ul><p>With prose as tender as it is incisive, this book is not a map  it is a mirror. Look closely, and you may find that the antidote was always within you.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>don Miguel Ruiz Jr.</b> is a Nagual, a Toltec master of transformation. He is a direct descendant of the Toltecs of the Eagle Knight lineage and is the son of don Miguel Ruiz, author of <i>The Four Agreements</i>. By combining the wisdom of his family's tradition with the knowledge gained from his own personal journey, he now helps others realize their own path to personal freedom. Visit him at <i>www.miguelruizjr.com</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Spells for all seasons and all reasons.</p><p>Explore the seasons of the witch by way of magickal spells and practices for each turn of the Wheel of the Year. Offering a fresh approach to a lifestyle that focuses on mind, body, and spirit in the nature-based way that our ancestors practiced throughout the ages,<i>Magick for All Seasons</i> features over one hundred magic spells and incantations.</p><p>Brooks has divided this book into two parts. The first being the seasons, exploring the eight Wiccan and Pagan sabbats that comprise the traditional Wheel of the Year, beginning with Samhain. Each sabbat is detailed with information on the symbolism, activities, tools, incense, and gemstones used, along with specific workings.</p><p>The second part comprises a grimoire of spells for daily use. Included are exercises, crafts, and recipes to incorporate magic into daily life. Examples include:</p><ul><li>Creating a Personal Pentagram of Intent</li><li>Working with a Manifestation Box</li><li>Spell: Ring the Ancestral Bell</li><li>Creating an Energy Ball</li><li>Spell: Unclutter the Mind</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Marla Brooks</b> is the creator of <i>The Witch's Oracle</i> deck and has been the host of <i>Stirring the Cauldron</i> on the Para X Radio Network for the past fourteen years. She grew up knowing that there was more to this world than the naked eye could see and found the notion of ghosts and other things that go bump in the night rather fascinating. Of course, you might expect that from a witch. Marla didn't just decide one day that she wanted to be a witch. It's just part of who she is. Her great-grandmother Sophie was a witch, and these things often get passed down in the bloodline from generation to generation.</p><p>Before publicly coming out of the 'broom closet', she worked as a freelance entertainment writer for various national publications, mainly doing celebrity interviews, and is the author of several books in both the metaphysical and mainstream genres, including<i> The Ghosts of Hollywood</i> series, <i>Workplace Spells</i>, and <i>Animal Spells and Magick</i>; two fiction books, <i>A Bad Case of the Collywobbles</i> and <i>Soul Connection: A Deadly Obsession</i>; as well as two cookbooks. She lives in southern California.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Pissing Women, visual artist and photographer Sophy Rickett's influential series of portraits of women pissing in public, caused a storm in the art world in 1994. Now, thirty years later, these era-defining images are reproduced with testimonies from the writers, musicians, artists and creatives on whose work they have had a profound influence.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Pissing Women</i>, visual artist and photographer Sophy Rickett's influential series of portraits of women pissing in public, caused a storm in the art world in 1994. Now, thirty years later, these era-defining images are reproduced with testimonies from the writers, musicians, artists and creatives on whose work they have had a profound influence.</p><p>Featuring positioning essays from and interviews with musician St Vincent, poet Eileen Myles, artist Chila Burman, choreographer Holly Blakey, filmmaker Sophie Fiennes, actor Lily Cole, comedian Sophie Duker, photographer Juno Calypso and more, Rickett's pioneering exploration of female identity, memory and the upheaval of the post-Thatcher years is revisited here  and remains as remarkable in the 21st century as it did three decades ago.</p><p> <b>'Funny, weird [and] confrontational...</b><b><i>Pissing Women </i></b><b>has an intensity while also being deeply funny.'  </b><b><i>St Vincent</i></b></p><p><b>'Part desire...part social commentary, Rickett mixes the comic with the seditionary. Forget your better judgment and head for high rise enlightenment.'  </b><b><i>TimeOut</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sophy Rickett</b> is an award-winning artist and writer whose work has been exhibited internationally, including at the Victoria and Albert Museum, London, and the Centre Pompidou, Paris. Her work is held in major public and private collections such as the UK Government Art Collection and the Federal Reserve, Washington D.C. It has also been featured in mainstream media outlets including <i>The Observer</i> and <i>Liberation</i>. Her ground-breaking series <i>Pissing Women</i> (1995) was first published in a limited-edition monograph by Climax Books (2023). In addition to her artistic practice, she is a Reader at the University of the Arts London.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Curl up on the couch with Joe and Gina for a romp through their favorite horror movies, TV shows, and books from the 1930s to today, exploring their messages, meaning, and enduring appeal for queer audiences.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Don't be scared straight!</p><p>Curl up on the couch with Joe and Gina for a romp through their favourite horror movies, TV shows, and books from the 1930s to today, exploring their messages, meaning, and enduring appeal for queer audiences.</p><p>From <i>The Thing</i> to vampire porn, <i>The Exorcist</i> to paranormal television, <i>Goblin Market</i> to<i> Dr. Jekyll and Mr. Hyde</i>, these thoughtful, conversational essays will make you think, laugh, shiver, and see your favourite media in a new light (even if you have to cover your eyes for the scary parts).</p><p>Horror buffs and queer media mavens alike will enjoy this wide ranging journey through a genre often derided, dismissed, and misunderstood, but which offers rich opportunities to explore our culture's ideas about gender, sexuality, and desire.</p><p>Whether you relate to the monster or the final girl, enjoy sleuthing hidden queer themes, or just want recommendations for obscure, low-budget ghost movies, this book'll be a scream.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gina Brandolino</b> is a lecturer in the Department of English at the University of Michigan Ann Arbor. In addition to courses on early English literature, comics, and working class literature, she teaches a variety of courses on horror, including Classic Horror, Contemporary Horror, Creepy Kids, and Ghost Stories.</p><p><b>Joe Carlough</b> is a queer artist from Philadelphia. He runs Displaced Snail Quality DIY Records &amp; Zines and is a founding member of Consonant Collective. He has released over 40,000 copies of his zines, records, and books to date, most of which were created at home. He also owns and operates a restored 1937 Presto 6DSP record maker, and makes his own vinyl records in his home studio, the old fashioned way. To find out more about Joe, please visit displacedsnail.com and consonantcollective.com</p>]]></Text>
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				<TitleText>How the United States Would Fight China</TitleText>
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			<Text textformat="02"><![CDATA[A stark warning: Washington is at real risk of strategic defeat in any war with China.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Assesses the substantial risk of strategic defeat for Washington in any war with China.</b></p><p>This is a detailed analysis of how the United States intends to fight a war against the People's Republic of China and why it risks strategic defeat  based on its doctrine, force structure and general 'way of war'. Franz-Stefan Gady contends that the US military's current approach to a potential war over Taiwan is flawed, relying heavily both on achieving rapid information superiority and on a decisive victory. This is unlikely to succeed, and may increase the risk of nuclear escalation between the world's only genuine superpowers.</p><p>A US-China war would more likely be characterised by prolonged attrition across multiple domains (cyber, space, air, sea and land)  a conflict for which America's military and society are ill-prepared. The US also lacks a viable blueprint, the military forces or the industrial capacity for a long war of attrition. This deficiency stems from a military culture prioritising advanced technology over mass, and the lack of political will or public readiness for the sacrifices such a conflict would require.</p><p>Gady's research and analysis, both of the highest order, reveal the significant risk of strategic defeat for the United States in a potential conflict with China, whether in the 2020s or 2030s.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A powerful collection of testimonies from Palestinians facing genocide and displacement in Gaza with hope and resistance.</p><p><i>Displaced in Gaza </i>aims to raise global awareness of how violent displacement has impacted the lives of Palestinians  students, mothers, fathers, grandparents, children, educators, and those who already survived the Nakba of 1948. In Gaza, 2.3 million Palestinians have been subjected to starvation, mass destruction, and targeted killing. Yet they endure.</p><p>This book is a commitment to the longstanding Palestinian tradition of storytelling, documenting both the horror of the genocide and the resilience of the Palestinian people. The stories in this collection are not merely accounts of suffering, they are assertions of humanity, resistance, hope, and the unbreakable bond that ties Palestinians to their homeland.</p><p><i>Displaced in Gaza</i> is a collaboration between the American Friends Service Committee and the Hashim Sani Center for Palestine Studies at Universiti Malaya.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Yousef Aljamal,</b> born in the Al-Nusierat refugee camp in Gaza, works as the Gaza coordinator at the Palestine Activism Program at the American Friends Service Committee and recently received his PhD at Sakarya University in Turkey.</p><p><b>Norma Hashim</b>is treasurer of Viva Palestina Malaysia, a nongovernmental organization focused on raising awareness of the Israeli occupation in Palestine and providing relief to Palestinians, primarily in Gaza.</p><p><b>Noor Nabulsi</b>serves as the communications specialist for the American Friends Service Committee's Apartheid-free Communities initiative.</p><p><b>Zoe Jannuzi</b> works as the Palestine Activism program coordinator at the American Friends Service Committee.</p><p><b>Ahmed Alnaouq</b> is director and co-founder of We Are Not Numbers. He grew up in Gaza, where he earned a bachelor's degree in English literature from al-Azher University, but currently he is based in London. Ahmed was the inspiration for, and original project manager of, We Are Not Numbers. He later won the UK's prestigious Chevening scholarship and earned a Master's degree in international journalism from Leeds University. Today, in addition to his role as a Steering Committee member of We Are Not Numbers, he is cofounder of Border Gone, a media project that tells stories from Gaza in Hebrew. He also serves as advocacy and outreach officer for the Euro-Mediterranean Human Rights Monitor. Ahmed's writings have been published by the Gulf News, New Arab and other websites.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A new intellectual biography of Goethe, examining the paradox of his thought.</b></p><p>Johann Wolfgang von Goethe (17491832) was a poet, a novelist, a scientist and an essayist on a dizzying range of topics. In the nineteenth century, he was widely regarded as one of the most important thinkers of modern Europe. In this important and ambitious work, Matthew Bell offers a wide-ranging intellectual biography of Goethe, tracing the evolution of his thought and reassessing its value. Bell examines the full spectrum of Goethe's writing, from his most well-known works, including the dramatic poem <i>Faust</i> and the novels <i>Wilhelm Meister</i> and <i>The Sorrows of Young Werther</i>, to lesser-known essays and reviews. Throughout, Bell draws on Goethe's letters and diaries, most of which are still only available in German, embedding Goethe's thought in his lived experience and in the cultural and intellectual life of Europe from the 1750s to the 1830s.</p><p>Bell presents new interpretations of Goethe's work as one of the first evolutionary biologists, describing discoveries that anticipated Darwin's, and of his political ideas, which pervade his literary work in ways that have not been fully recognised. Bell offers an original and illuminating explanation for the paradox of Goethe's thought, exploring how a radical individualist who espoused liberal and innovative ideas in some areas  in particular, religion, sexuality and science  could remain consistently conservative and authoritarian in his political outlook. Rereading Goethe through this new lens, Bell shows, reveals new dimensions of work we thought we knew well.</p><p><b>'The great scholarly achievement of this book lies in its synthesis of Goethe's personal writing (especially his letters) with his public work... An epic reassessment of the founder of modern German life and letters.' </b> <b><i>Kirkus Reviews,starred review</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Matthew Bell</b> is professor of German and comparative literature at King's College London. He is the author of <i>Goethe's Naturalistic Anthropology</i>; <i>The German Tradition of Psychology in Literature and Thought, 17001840</i>; and <i>Melancholia: The Western Malady</i>; and the editor of <i>The Essential Goethe</i> (Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[Ludovic Orlando garnered world acclaim for helping to rewrite the genomic history of horse domestication. Horses takes you behind the scenes of this ambitious genealogical investigation, revealing how he and an international team of scientists discovered the elusive origins of modern horses.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From one of today's leading experts on ancient DNA, a sweeping genetic history that unravels the mystery of where horses were first domesticated.</b></p><p>Ludovic Orlando garnered world acclaim for helping to rewrite the genomic history of horse domestication. <i>Horses</i> takes you behind the scenes of this ambitious genealogical investigation, revealing how he and an international team of scientists discovered the elusive origins of modern horses. Along the way, he shows how the domestication of the horse changed the trajectory of civilisation  with benefits and unforeseen consequences for the animals themselves.</p><p>Orlando brought together world-class experts in genomics, archaeology, and the history of peoples, languages, and migrations. Comparing the DNA of ancient horses to the genomes of dozens of modern horse breeds, these researchers reconstructed millennia of equine evolutionary history. They now believe that horses were first domesticated some 4,200 years ago on the steppes of the North Caucasus. Orlando discusses how selective breeding has significantly intensified over the past two centuries, giving rise to faster, stronger horses but also creating a severe decline in genetic diversity that has made horses more prone to genetic diseases. He looks at breeds throughout history and around the world, explaining how they have been bred for particular purposes or environments, from Botai and Przewalski's horses to the warhorses of the Vikings and Genghis Khan, Arabian horses, thoroughbreds, Himalayan steeds, and mules.</p><p>Blending panoramic storytelling with cutting-edge genetic science, <i>Horses</i> chronicles an unbreakable bond that was forged thousands of years ago on the windswept Eurasian Steppe, one that heralded a bold new era in the human drama  that of speed.</p><p><b>'Orlando, a French expert in ancient DNA, launches into the findings of a global investigation of the relationship between humans and horses that has shaped modern societies...Combing through artifacts and data, the author weaves together centuries of global history, following the beasts across nations as they accompany humans in pursuit of war, trade, food, and pleasure.' </b> <b><i>Kirkus Reviews</i></b></p><p><b>'Orlando's book will interest researchers and scholars in all areas because of his ability to simplify academic research and his innate storytelling ability, combining history with science.'  Steve Dixon,</b> <b><i>Library Journal, starred review</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Get to know the kingdom of Fungi like never before with this unique book that blends the science of mycology with lyrical prose and watercolour paintings.</b></p><p>Take an extraordinary expedition into the diverse and enchanting realm of fungi. <i>The Wonder of Mushrooms</i> is where science meets poetry, where ancient wisdom converges with modern discovery. Maya Jewell Zeller and Jenny deFouw Geuder guide you into the hidden world beneath our feet. With a blend of scientific insight and artistic appreciation, the authors portray the crucial role of mushrooms in our ecosystem and celebrate their profound cultural significance.</p><p>Learn about mushrooms' history and lore. Appreciate their myriad colors, shapes, and forms, as well as their vital role as nature's decomposers. Discover astonishing facts, such as how some bioluminescent species glow like fallen stars and where the extraordinary Humongous Fungus spans 2,385 acres. Perhaps most importantly, find out how fungi might prove to be humanity's unexpected saviors, offering solutions for everything from environmental pollution to sustainable architecture. Maya's lyrical prose pairs with Jenny's bright watercolours, creating an unparalleled ode to these foraging favorites that feels like both a scientific textbook and a beautiful gift book.</p><p>Whether you're an artist, naturalist, or someone who's simply curious about the natural world, this book presents a profound journey into the kingdom of Fungi, where beauty and science intertwine in unexpected ways.</p><p>Book Features:</p><ul><li>Lyrical prose that blends science with literary references and poetry</li><li>Professional watercolors that help make complex scientific concepts accessible</li><li>Wide range of topics, including anatomy, biology, and ecology</li><li>Educational tribute that promotes wonder and curiosity</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Maya Jewell Zeller</b> is the author of the poetry collection <i>Out Takes/Glove Box,</i> as well as the interdisciplinary collaboration <i>Alchemy for Cells &amp; Other Beasts,</i> and co-author of <i>Advanced Poetry: A Writer's Guide and Anthology.</i> When she's not teaching, Maya tromps around the Pacific Northwest forests and fields, floats the river on her paddle board, and embarks on various adventures with her two children.</p><p><b>Jenny deFouw Geuder</b> is an artist and educator from Michigan. She received her bachelor's and master's degrees in art education (and she minored in English). She has always loved nature and being outdoors. She especially loves gardening and hiking and, over time, began sketching the objects she discovered outside. She bought a bird feeder, and she was charmed by the many visitors. That one bird feeder grew to two, four, and now about eight  along with multiple bird baths! As she immersed herself in bird watching, she started fine-tuning her garden by introducing native plants that benefited birds and other wildlife.</p><p>By day, Jenny has taught art at the middle-school level for nearly 20 years. Each year, she includes an art lesson and project based on the famous prints of John James Audubon. Jenny emulated this work at home, and she began painting her backyard finds, everything from leaves and flowers to birds. This soon became one of her favourite pastimes. She loves observing, and she found herself constantly learning more about the subjects of her paintings. To record those discoveries, she started taking notes about her observations. That process led naturally to her debut book, <i>Drawn to Birds</i>. She has continued her own artistic interests in commissioned work and personal topics. She primarily works in watercolour, but she also enjoys oils, ceramics, and graphite.</p><p>Artists are professional observers, who tend to see things in a different way, by focusing on colors and shapes, textures or lines. But a person doesn't need to be a professionally trained artist to observe like one  or to make their own art. In fact, if her book projects have taught Jenny anything, it's that naturalists are a lot like artists in that they look more closely at the world and recognise all of the diversity that nature has to offer.</p><p>Jenny lives in the country with her husband, two boys, a dog, five cats, a hedgehog, chickens, and occasionally two ponies. She spends most of her summers at a rustic log cabin on a lake in northern Michigan, where she hikes, fishes, and enjoys the natural beauty of the area.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An engaging and thought-provoking introduction to river science.</b></p><p>When we look at a river, either up close or while flying over a river valley, what are we really seeing? <i>Following the Bend</i> takes readers on a majestic journey by water to find answers, along the way shedding light on the key concepts of modern river science, from hydrology and water chemistry to stream and wetland ecology.</p><p>In this accessible and uniquely personal book, Ellen Wohl explains how to 'read' a river, blending the latest science with her own personal experiences as a geologist and naturalist who has worked on rivers for more than three decades. She charts how water travels through the hydrologic cycle around the globe and downstream to distribute energy, move sediment, and shape river channels, and how living organisms adapt to life in flowing water to create vibrant river ecosystems. Wohl looks at the role of disturbances such as floods and droughts and discusses how geologists interpret the sedimentary records of past river processes. She illustrates how river networks interact with Earth's surface and considers issues for rivers in the future, such as progressive drying, river restoration, and advocating for the legal personhood of a river to maintain its distinctive spirit, identity, and integrity.</p><p><b>Sharing a new understanding of how rivers function as both physical systems and ecosystems,</b> <b><i>Following the Bend</i></b><b> enables us to observe rivers with fresh eyes and more fully appreciate the beauty, vibrancy, and complexity of our planet's vital waterways.</b></p><p><b>'An impassioned guide to interpreting rivers...[Wohl's] accessible scientific explanations alternate with lyrical passages that pack an emotional punch.' </b> <b><i>Publishers Weekly</i></b></p><p><b>'Wohl's passion for her subject shines through throughout...A thorough primer on understanding rivers.'  Genevieve Williams,</b> <b><i>Library Journal</i></b></p><p><b>'A veritable source of wonder for me. Ellen Wohl is a distinguished scientist who has received many awards throughout her illustrious career, yet in this book she presents herself as a story teller, delivering a pleasing combination of history, geography, geology, hydrology and personal recollection...She eschews the use of arcane terminology unless it is critical to the text, but makes sure always to accompany it with an explanation when she does.'  David Gascoigne,</b> <b><i>Travels with Birds</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[In The Weirdness of the World, Schwitzgebel argues that the answers to these fundamental questions lie beyond our powers of comprehension. We can be certain only that the truth - whatever it is - is weird.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Do we live inside a simulated reality or a pocket universe embedded in a larger structure about which we know virtually nothing? Is consciousness a purely physical matter, or might it require something extra, something nonphysical? According to the philosopher Eric Schwitzgebel, it's hard to say. In <i>The Weirdness of the World</i>, Schwitzgebel argues that the answers to these fundamental questions lie beyond our powers of comprehension. We can be certain only that the truth  whatever it is  is weird. Philosophy, he proposes, can aim to open  to reveal possibilities we had not previously appreciated  or to close, to narrow down to the one correct theory of the phenomenon in question. Schwitzgebel argues for a philosophy that opens.</p><p>According to Schwitzgebel's 'Universal Bizarreness' thesis, every possible theory of the relation of mind and cosmos defies common sense. According to his complementary 'Universal Dubiety' thesis, no general theory of the relationship between mind and cosmos compels rational belief. Might the United States be a conscious organism  a conscious group mind with approximately the intelligence of a rabbit? Might virtually every action we perform cause virtually every possible type of future event, echoing down through the infinite future of an infinite universe? What, if anything, is it like to be a garden snail? Schwitzgebel makes a persuasive case for the thrill of considering the most bizarre philosophical possibilities.</p><p><b>'[Schwitzgebel] leads readers down a fascinating rabbit hole of metaphysics, ontology, theories of causation, and the science of cognition...It's an exuberant look at some of life's biggest questions.' </b> <b><i>Publishers Weekly</i></b></p><p><b>'Delightful and beautifully written...If you have read and enjoyed the work of Nick Bostrom or Phillip Goff, then this book is definitely for you. It is brilliant, thought-provoking, and very enjoyable.'  Edouard Machery,</b> <b><i>Science</i></b></p><p><b>'Entertaining.'  Andrew Robinson,</b> <b><i>Nature</i></b></p><p><b>'Schwitzgebel's combination of sharp intelligence and wonderment generates refreshingly humbling conclusions.'  Julian Baggini,</b> <b><i>Times Literary Supplement</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Eric Schwitzgebel</b> is professor of philosophy at the University of California, Riverside. He is the author of <i>A Theory of Jerks and Other Philosophical Misadventures</i>, <i>Perplexities of Consciousness</i>, and <i>Describing Inner Experience?</i> (with Russell T. Hurlburt).</p>]]></Text>
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			<SubjectHeadingText>Artistic Exploration; Authentic Connections; Black Swan Salon; Building Relationships; Collaboration; Community; Connection; Conversation Starters; Creativity; Cultural Exchange; Curating Experiences; Discussions; Emotional Growth; Empathy; Entertaining; Etiquette; Facilitating Dialogue; Gathering Ideas; Group Dynamics; Healing; Home Gatherings; Hosting Salons; Inclusive Spaces; Inspiration; Intimate Gatherings; Life Lessons; Mindfulness; Networking; Personal Development; Personal Reflection; Practical Advice; Purposeful Conversations; Salons; Self-discovery; Self-expression; Social Change; Social Spaces; Southern Independent Booksellers Alliance; Thought-provoking Topics; Transformative Experiences; Visionary Ideas</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[A practical and personal exploration of the transformative power of salons  in many cases, a next-level evolution of a book club  with hosting advice tailored for different goals, budgets, and personalities.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'Linda-Marie Barrett offers a generous, intelligent,and deeply loving guide to building spaces where real people can gather forreal conversation about real topics.Drawing upon her experience as abookseller and her own story ofhow bringing women together into literary salons elevated her own life fromanxiety and disconnection to vibrancy and joy, Barretthas written more than asimple how-to book here; she has delivered a call to reclaim the joy ofpresence, dialogue, and the transformative power of story.'  Elizabeth Gilbert, author of </b><b><i>Eat, Pray, Love</i></b></p><p><b>A practical and personal exploration of the transformative power of salons  in many cases, a next-level evolution of a book club  with hosting advice tailored for different goals, budgets, and personalities.</b></p><p>Salons are enjoying a renaissance worldwide. More structured than a hangout or casual dinner party, and oftentimes an evolution of a successful book club, salons can spark lively discussions and help develop a joyful, intentional community. Blending focused and informed advice with heartfelt reflection, book industry professional Linda-Marie Barrett shares her experience hosting salons at her home  the lessons learned as well as the life-changing connections she discovered  and guides readers through the whats, whys, and hows of creating their own salons.</p><p>Learn how to cultivate deep conversations and authentic connection using Barrett's clear guidelines and real-life examples, including helpful suggestions for handling even challenging scenarios. Readers will also hear directly from members of Linda-Marie's Black Swan Salon, who share their perspectives along with advice for how to build a better salon. As a bonus, this book includes 14 salon starter kits, each on a different theme, to help readers host with confidence.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Scotland's largest city has always been one of the most vibrant, varied and fascinating places in the country.</p><p>This new history of Glasgow begins with the river, for the Clyde made the city flourish. From prehistory to the Romans, to Mungo and the kingdom of Strathclyde, it's a rich, quirky and moving story that remembers the foundation of the burgh by the bishops and moves rapidly to the Union of 1707, when Edinburgh lost a parliament and Glasgow gained access to an empire and business boomed.</p><p>Immigrants began to arrive: Highlanders, Irish families fleeing the famine, Jews fleeing persecution and lately Asians who transformed tastes. Britain's favourite dish, chicken tikka masala, was invented in the city. Football, architecture, heavy industry, politics and a distinctive sense of humour are all celebrated. Glasgow has never hesitated to reinvent itself  because its greatest resource has always been its people.</p><p>They belong to Glasgow and Glasgow belongs to them. This is their story.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Sanderling is a moving biography of Florens Christian Rang (1864-1924), written by his great grand-daughter Anne Weber.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The past lies before us as a foreign, distant land.</b> <b><i>Sanderling</i></b> <b>is a personal journey of exploration into the past, and the fascinating world of Florens Christian Rang (1864-1924), written by his great grand-daughter Anne Weber, one of Germany's leading contemporary authors.</b></p><p>Rang, whom Weber nicknames Sanderling after the darting shorebird, began as a Protestant pastor stationed near Poznan in modern-day Poland, then part of Prussia. The church, which he subsequently abandoned, had a mission to 'Germanise' the local population. Weber draws parallels between this apparently benign ambition and the subsequent murderous intent of the Third Reich.</p><p>After his apostasy Sanderling became friends with several great early-twentieth-century thinkers, including Walter Benjamin, Hugo von Hofmannsthal and Martin Buber. It was during this time he joined a group of writers, artists and philosophers with whom he hoped to create a utopian society. Later on, his own son  Weber's grandfather  became a Nazi.</p><p>Anne Weber traces the contradictions and crises, the reckonings and departures of her great-grandfather by deciphering his letters and diaries, and travelling in his footsteps to Poland. Through the thicket of time and research, complex questions arise: how do you live with a history that you can't escape? What did it mean to be German one hundred years ago? And what is it like today?</p><p>With literary and philosophical references including Sontag, Sebald and Nietzsche, Weber combines her family history with a broader examination of ethics and morality to create a travel diary through time, reaching back to understand her ancestors.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The proven playbook for winning  now updated with a new preface and two bonus HBR articles.</b></p><p>Strategy is not complex. But it <i>is</i> hard. It's hard because it forces people and organisations to make specific choices about their future  something few companies do well.</p><p>In this contemporary business classic, now with a foreword by former <i>Harvard Business Review</i> editor in chief Adi Ignatius and insightful articles from HBR, two of today's most respected business thinkers explain what strategy is for, how to think about it, and how to get it done. And they use one of the most successful corporate turnarounds of the past century, which they achieved together, to prove their point.</p><p>A. G. Lafley, former CEO of Procter &amp; Gamble, in close partnership with strategic adviser Roger Martin, doubled P&amp;G's sales, quadrupled its profits, and increased its market value by more than $100 billion in just ten years. Drawing from their experiences, they explain how leaders in any organisation can guide everyday actions with strategic goals built around the essential elements that determine business success  <i>where to play</i> and <i>how to win</i>.</p><p>The result is a playbook for winning. At its core is a set of five integrated and essential strategic choices:</p><ul><li>What is our winning aspiration?</li><li>Where will we play?</li><li>How will we win?</li><li>What capabilities must we have in place to win?</li><li>What management systems are required to support our choices?</li></ul><p>The authors tell rich stories of iconic P&amp;G brands, such as Olay, Bounty, Gillette, and more, to clearly illustrate how deciding on a strategic approach  and then making the right choices to support it  can make the difference between just playing the game and actually winning.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A. G. Lafley</b> is the former Chairman of the Board, President, and CEO of Procter &amp; Gamble, which experienced unprecedented growth and success under his leadership. Today, he consults on business and innovation strategy, advises on CEO succession and executive leadership development, and coaches experienced, new, and potential CEOs.</p><p><b>Roger L. Martin</b> is a professor emeritus at the Rotman School of Management at the University of Toronto, where he served as dean from 1998 to 2013. In 2017 he was named the world's number one management thinker by Thinkers50. He is the author of many books and is a trusted strategy adviser to the CEOs of companies worldwide, including Procter &amp; Gamble, Lego, Ford, BHP, and Verizon.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The longtime CEO of Coach shares stories and strategies behind the company's stunning growth from a $6 million business to a $5 billion global brand.</b></p><p>Lew Frankfort knew nothing about fashion when he became assistant to the founder of Coach. By the time he left, Frankfort had spent 29 years as CEO, growing Coach from a scrappy maker of leather bags with a small cult following to a beloved lifestyle brand. Along the way, Coach created a new market segment  accessible luxury  that redefined an industry. In <i>Bag Man</i>, Frankfort explains how the son of a Bronx policeman, after working in city government, built a business that challenged conventions, grew it 1000%, and became recognised as one of the world's best CEOs.</p><p><i>Bag Man</i> offers lessons from both achievements and missteps as Coach reinvented itself over decades. Throughout, Frankfort considers a more personal aspect of leadership  how the double-edged sword of fear and drive can lead to success but also take a toll. He shares his struggles with a haunting fear of failure, including how it drove an obsession with consumer insights that made Coach unique in the industry.</p><p>Summing up Coach's philosophy in three words  'magic plus logic'  <i>Bag Man</i> shows how blending creativity and data-driven discipline can produce sustainable, profitable growth, helping to:</p><ul><li>Design and market products people love</li><li>Build a roster of talent and a performance-driven culture</li><li>Drive strategies that pair a brand's unique value with the right market opportunities</li><li>Scale the business to achieve next-level organic growth</li><li>Operate as a respected public company</li></ul><p>A riveting, candid business memoir, <i>Bag Man</i> traces an extraordinary leadership journey that built a legacy brand.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Society has never been more egalitarian - in theory. Prejudice is taboo, and diversity is strongly valued. At the same time, social and economic inequality have exploded. </p><p>In <i>We Have Never Been Woke</i>, Musa al-Gharbi argues that these trends are closely related, each tied to the rise of a new elite - the symbolic capitalists. In education, media, nonprofits, and beyond, members of this elite work primarily with words, ideas, images, and data, and are very likely to identify as allies of antiracist, feminist, LGBTQ, and other progressive causes. Their dominant ideology is 'wokeness' and, while their commitment to equality is sincere, they actively benefit from and perpetuate the inequalities they decry. Indeed, their egalitarian credentials help them gain more power and status, often at the expense of the marginalised and disadvantaged.</p><p><i>We Have Never Been Woke</i> details how the language of social justice is increasingly used to justify this elite - and to portray the losers in the knowledge economy as deserving their lot because they think or say the 'wrong' things about race, gender, and sexuality. Al-Gharbi's point is not to accuse symbolic capitalists of hypocrisy or cynicism. Rather, he examines how their genuine beliefs prevent them from recognising how they contribute to social problems - or how their actions regularly provoke backlash against the social justice causes they champion.</p><p>A powerful critique, <i>We Have Never Been Woke</i> reveals that only by challenging this elite's self-serving narratives can we hope to address social and economic inequality effectively.</p><p><b>'[</b><b><i>We Have Never Been Woke</i></b><b>] announces [al-Gharbi] as a rising intellectual star.'  David Brooks,</b> <b><i>New York Times</i></b></p><p><b>'A sharp, well-researched critique aimed at politically active readers who want to better understand why people believe what they believe.' </b> <b><i>Library Journal</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Musa al-Gharbi</b> is a sociologist and assistant professor in the School of Communication and Journalism at Stony Brook University. He is a columnist for <i>The Guardian</i> and his writing has also appeared in the <i>New York Times</i>, the <i>Washington Post</i>, and <i>The Atlantic</i>, among other publications.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Gaslighting' is suddenly in everyone's vocabulary. It's written about, talked about, tweeted about, even sung about (in 'Gaslighting' by The Chicks). It's become shorthand for being manipulated by someone who insists that up is down, hot is cold, dark is light - someone who isn't just lying about such things, but trying to drive you crazy.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A philosopher examines the complicated phenomenon of gaslighting.</b></p><p>'Gaslighting' is suddenly in everyone's vocabulary. It's written about, talked about, tweeted about, even sung about (in 'Gaslighting' by The Chicks). It's become shorthand for being manipulated by someone who insists that up is down, hot is cold, dark is light  someone who isn't just lying about such things, but trying to drive you crazy. The term has its origins in a 1944 film in which a husband does exactly that to his wife, his crazy-making efforts symbolised by the rise and fall of the gaslights in their home. In this timely and provocative book, Kate Abramson examines gaslighting from a philosophical perspective, investigating it as a distinctive moral phenomenon.</p><p>Gaslighting, Abramson writes, is best understood as a form of interpersonal interaction, a particular way of fundamentally undermining someone. The gaslighter, Abramson argues, aims to make his target experience herself as incapable of reasoning, perceiving, or reacting in ways that would allow her to form appropriate beliefs, perceptions, or emotions in the first place. He seeks not only to induce in her this unmoored sense of herself but also to make it a reality. Using examples and analysis, Abramson gives an account of gaslighting and its immorality, and argues that such a discussion can help us understand other aspects of social life  from racism and sexism to the structure of interpersonal trust.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kate Abramson</b> is associate professor of philosophy at Indiana University Bloomington.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>How philosophy can teach us to be less anxious about being anxious by understanding that it's an essential part of being human.</b></p><p>Today, anxiety is usually thought of as a pathology, the most diagnosed and medicated of all psychological disorders. But anxiety isn't always or only a medical condition. Indeed, many philosophers argue that anxiety is a normal, even essential, part of being human, and that coming to terms with this fact is potentially transformative, allowing us to live more meaningful lives by giving us a richer understanding of ourselves. In <i>Anxiety</i>, Samir Chopra explores valuable insights about anxiety offered by ancient and modern philosophies  Buddhism, existentialism, psychoanalysis, and critical theory. Blending memoir and philosophy, he also tells how serious anxiety has affected his own life  and how philosophy has helped him cope with it.</p><p>Chopra shows that many philosophers  including the Buddha, Kierkegaard, Nietzsche, Freud, and Heidegger  have viewed anxiety as an inevitable human response to existence: to be is to be anxious. Drawing on Karl Marx and Herbert Marcuse, Chopra examines how poverty and other material conditions can make anxiety worse, but he emphasises that not even the rich can escape it. Nor can the medicated. Inseparable from the human condition, anxiety is indispensable for grasping it. Philosophy may not be able to cure anxiety but, by leading us to greater self-knowledge and self-acceptance, it may be able to make us less anxious about being anxious.</p><p>Personal, poignant, and hopeful, <i>Anxiety</i> is a book for anyone who is curious about rethinking anxiety and learning why it might be a source not only of suffering but of insight.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Samir Chopra</b> is a philosophical counselor and professor emeritus of philosophy at Brooklyn College and the Graduate Center of the City University of New York. He is the author and coauthor of many books, including <i>Shyam Benegal: Philosopher and Filmmaker</i>, <i>A Legal Theory for Autonomous Artificial Agents</i>, and <i>Eye on Cricket: Reflections on the Great Game.</i> His essays have appeared in the <i>Nation</i>, the <i>Los Angeles Review of Books</i>,<i> Aeon</i>, <i>Psyche</i>, and other publications.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In this thought-provoking new work, historian Justin M. Jacobs challenges the widely accepted belief that much of Western museums' treasures were acquired by imperialist plunder and theft. </p><p>The account re-examines the allegedly immoral provenance of Western collections, advocating for a nuanced understanding of how artefacts reached Western shores. Jacobs examines the perspectives of Chinese, Egyptian and other participants in the global antiquities trade over the past two and a half centuries, revealing that Western collectors were often willingly embraced by locals. This collaborative dynamic, largely ignored by contemporary museum critics, unfolds a narrative of hope and promise for a brighter, more equitable future  a compelling reassessment of one of the institutional pillars of the Enlightenment.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Justin M. Jacobs</b> is associate professor of history at American University. He is the author of<i> Indiana Jones in History</i> and <i>Xinjiang and the Modern Chinese State</i>. He also serves as editor of <i>The Silk Road</i> journal and hosts <i>Beyond Huaxia,</i> a podcast on East Asian history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>It's 50 years since the 'street couture' shop Acme Attractions opened  and November 1975 sees the 50th anniversary of the first SEX PISTOLS gig. Which makes it perfect timing for Phil Strongman's <i>Acme BOY</i>  the stunning inside story of Acme, BOY, PUNK and 'anti-fashion'; the London youth culture explosions of the 1970s and '80s - eruptions that ending up having global influence.</p><p>By turns amusing, intriguing and shocking, <i>Acme BOY</i> features not only the author's own story  and his involvement with the Pistols, The Clash, Malcolm McLaren and Vivienne Westwood  but also contains exclusive words from Acme Attractions founder John Krivine and BOY co-founder Steph Raynor. These two men had shops crammed with classic jukeboxes and staffed by film-maker and Radio 6 DJ Don Letts, Rough Trade boss Jeannette Lee, DJ Jay Strongman (relation) and stylist Eric Rose. Their customers included John Lydon, Sid Vicious, Bob Marley, Andy Warhol, Rudolf Nureyev, Peter O'Toole, Rod Stewart, Daryl Hall, Boy George, Joe Strummer, Chrissie Hynde, Billy idol, Patti Smith, Deborah Harry, Philip Sallon, Steve Strange and Adam Ant...And BOY clothing, now labelled BOY LONDON, continues to be worn by 21st century stars like Rihanna, Madonna, Cara Delevingne and Jessie J  yet the untold story of the brand's tangled roots are both revealing and fascinating.</p><p>Back in 1975 and 1976 King's Road proto-punk was initially dubbed The Big Sleaze by fashion mags before it rapidly became notorious as Punk, the shattering scene that shocked the UK, caused riots in Chelsea, raised questions in Parliament and basically invented the Indie genre; inspiring film-makers such as Quentin Tarantino and musicians REM, Nirvana, Dead Kennedys, Black Flag, Green Day and many others in the US, Europe, Japan, Korea and worldwide.</p><p>Post-Punk, Mod, New Romanticism, Two-Tone, Goth, Rockabilly, the Warehouse scene all followed in swift succession  writer and film-maker Strongman saw these movements develop and was deeply involved in many of them. He is unique in being the only person to have designed for Acme Attractions and BOY and Fans - whilst later managing bands, taking photos and supplying clothes to Sign of The Times, Ad Hoc, BOY and Vivienne Westwood. His designs have been worn by Anita Pallenberg, Roger Daltrey, Billy Connelly and Pamela Stephenson as well as hundreds of Punk, New Wave and Indie musicians.</p><p>With its gripping text and an array of rare and unseen photos, images and illustrations, <i>Acme BOY</i> is one of the most important, and personal, contemporary books to explore London fashion in general and the '70s Punk era in particular.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The intelligent approach to learning the Japanese writing system that has helped thousands!</b></p><p>Japanese characters may seem mysterious and difficult, but <i>Read Japanese Today</i> explains the writing system in a way that's clear and easy to understand. This proven approach teaches you the essential characters you need to know, how they developed and what their basic components are, so you can quickly decipher and learn new characters that you encounter later!</p><p><b>This new edition includes:</b></p><ul><li>An introduction to the 142 hiragana and katakana phonetic characters every Japanese learner needs to know</li><li>Detailed, easy-to-understand descriptions of the 400 most common kanji characters complete with phonetic pronunciations, stroke order diagrams, and common words written with the character</li><li>Simple drawings that introduce each character to help you to remember it, explaining how it developed and what its various components are</li><li>Writing practice problems so you can test yourself on the new characters and words</li><li>A complete index to the English meanings and a summary table for all the characters is included at the back</li></ul><p>This is definitely the book to get if you want to learn the Japanese writing system quickly and easily!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In her classic book <i>The Global Cit</i>y, Saskia Sassen tells how New York, London, and Tokyo became command centres of the global economy and, in the process, underwent massive and parallel changes. The book remakes the way we think about cities in the global economy and continues to provide lessons for the future.</p><p><b>'A very significant book indeed...A systematic detailed analysis of the three largest urban economies in the advanced world.'  Peter Hall, </b><b><i>International Journal of Urban and Regional Research</i></b></p><p><b>'[A] high-powered and at times horrific book. Sassen shows how dangerously city life has been affected by the influx of employees of the multinational firms which move into major cities and virtually colonize them, riving even greater wedges between the rich and poor.'  </b><b><i>The Observer</i></b></p><p><b>'The most detailed and sophisticated anatomy yet published of the functioning of the new producer services sector in the global economy.'  Mark Levine, </b><b><i>Urban Affairs Quarterly</i></b></p><p><b>'A multi-disciplinary tour de force that should be read not only by regional economists but also by urban geographers, sociologists, and planners.'  </b><b><i>Development and Change</i></b></p><p><b>'An exciting and persuasive work. It incorporates a herculean research effort.'  Susan Fainstein, </b><b><i>Journal of the American Planning Association</i></b></p><p><b>'The implications of Sassen's research...are sobering.'  Rudolf Klein, </b><b><i>Times Literary Supplement</i></b></p><p><b>'A landmark study in the political economy of cities.'  Anthony King, </b><b><i>Newsline</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Saskia Sassen</b> is the Robert S. Lynd Professor of Sociology at Columbia University. Her books include <i>Territory, Authority, Rights</i> (Princeton) and <i>A Sociology of Globalization.</i></p>]]></Text>
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			<SubjectHeadingText>how to support better technology policies; Tech; Rules; Information; Products; Attacks; Systems; Services; Infrastructure; Platforms; Online; Rights; Decisions; Protection; Principles; Content; Oversight; Ensure; Users; Regulatory; Lack; Technological; Transparency; Cases; Result; Commercial; Officials; Trust; Surveillance; Innovation; Authoritarianism; Big Tech; Companies; Data, Internet; Discrimination; Disinformation; Elections; Europe; Governance, Power; How Technology Broke Democracy: And What We Can; Do To Save it; How to Save Democracy from Silicon Valley; Marietje Schaake; Politics; Privacy; Rule of Law; Silcon; Social Media; tech legislation; technology in politics; The Tech Coup; Technology; Government; Data; Digital; Democratic; Law; Internet; Country; Regulation; Power; Security; Facebook; Policy; Democracy</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Over the past decades, under the cover of 'innovation', technology companies have successfully resisted regulation and have even begun to seize power from governments themselves. Facial recognition firms track citizens for police surveillance. Cryptocurrency has wiped out the personal savings of millions and threatens the stability of the global financial system. Spyware companies sell digital intelligence tools to anyone who can afford them. This new reality  here unregulated technology has become a forceful instrument for autocrats around the world  is terrible news for democracies and citizens.</p><p>In <i>The Tech Coup</i>, Marietje Schaake offers a behind-the-scenes account of how technology companies crept into nearly every corner of our lives and our governments. She takes us beyond the headlines to high-stakes meetings with human rights defenders, business leaders, computer scientists, and politicians to show how technologies  from social media to artificial intelligence  have gone from being heralded as utopian to undermining the pillars of our democracies. To reverse this existential power imbalance, Schaake outlines game-changing solutions to empower elected officials and citizens alike. Democratic leaders can  and must  resist the influence of corporate lobbying and reinvent themselves as dynamic, flexible guardians of our digital world.</p><p>Drawing on her experiences in the halls of the European Parliament and among Silicon Valley insiders, Schaake offers a frightening look at our modern tech-obsessed world  and a clear-eyed view of how democracies can build a better future before it is too late.</p><p><b>'Marietje Schaake...is an authoritative figure in the world of Big Tech...Her stance is simple and clearly expressed: The tech giants of Silicon Valley have become too big to fail and thus too big to regulate, causing harm to all of us. The ultimate result, she argues in this engaging and readable book, is the fundamental erosion of personal freedom and democratic norms.'  Kalpana Shankar,</b> <b><i>Science</i></b></p><p><b>'An assessment of the current state of the technology sector, which has avoided accountability for decades </b> <b>but there are signs of change.... Both alarming and hopeful, Schaake writes with hard-won experience and clear-minded intelligence.' </b> <b><i>Kirkus Reviews</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An anthropologist traces the intimate connections between gambling addiction and casino industry design tactics.</b></p><p>Recent decades have seen a dramatic shift away from social forms of gambling played around roulette wheels and card tables to solitary gambling at electronic terminals. Slot machines, revamped by ever more compelling digital and video technology, have unseated traditional casino games as the gambling industry's revenue mainstay. <i>Addiction by Design</i> takes readers into the intriguing world of machine gambling, an increasingly popular and absorbing form of play that blurs the line between human and machine, compulsion and control, risk and reward.</p><p>Drawing on fifteen years of field research in Las Vegas, anthropologist Natasha Dow Schll shows how the mechanical rhythm of electronic gambling pulls players into a trancelike state they call the 'machine zone', in which daily worries, social demands, and even bodily awareness fade away. Once in the zone, gambling addicts play not to win but simply to keep playing, for as long as possible  even at the cost of physical and economic exhaustion. In continuous machine play, gamblers seek to lose themselves while the gambling industry seeks profit. Schll describes the strategic calculations behind game algorithms and machine ergonomics, casino architecture and 'ambience management', player tracking and cash access systems  all designed to meet the market's desire for maximum 'time on device'. Her account moves from casino floors into gamblers' everyday lives, from gambling industry conventions and Gamblers Anonymous meetings to regulatory debates over whether addiction to gambling machines stems from the consumer, the product, or the interplay between the two.</p><p><i>Addiction by Design</i> is a compelling inquiry into the intensifying traffic between people and machines of chance, offering clues to some of the broader anxieties and predicaments of contemporary life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A landmark account of the dynamics of living systems and the methods for studying them.</b><br/><i>Random Walks in Biology</i> provides a lucid, straightforward introduction to the concepts and techniques of statistical physics that students of biology, biochemistry, and biophysics must know. Howard Berg offers an essential foundation for understanding random motions of molecules, subcellular particles, and cells as well as the processes that are affected by such motions. Using the concept of 'random walks' of individual particles, Berg illuminates the physics involved in diffusion, sedimentation, electrophoresis, chromatography, and cell motility. With an engaging foreword by theoretical biophysicist William Bialek, this Princeton Science Library edition can serve as a supplementary text for courses on biochemistry, molecular biology, biomechanics, physiology, biophysics, and physical chemistry. It is also an ideal reference volume.</p><p><b>'A scholarly and pedagogically masterly introduction to diffusion, its physics and its statistics.'  Charles DeLisi,</b> <b><i>Nature</i></b></p><p><b>'I very strongly recommend this excellent book to students as a supplementary textbook in courses on biochemistry, physiology, and biophysics. Moreover, research scientists and scholars should enjoy reading it.'  Akira Okubo,</b> <b><i>Quarterly Review of Biology</i></b></p>]]></Text>
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			<SubjectHeadingText>Poet; Sappho; Gender; Muses; Poetry; Aoidos; Poetic; Feminine; Poietes; Masculine; Homer; Euripides; Bard; Greek; Identity; Nightingale; Hesiod; Plato; Relationship; Aristophanes; Speech; Singer; Agathon; Connection; Noun; Authorship; Contrast; Ancient; Vocabulary; Herodotus; Aner; Language; Poem; Literature; Chorus; Role; Nossis; Hermes; Epigram; Tradition; Tortoise; Socrates; Anth; Epic; Diotima; Helen; Masculinity; Aoidoi; Birth; Lyre; Lament; Power; Daughter; Therapon; Discourse; Instances; Oracle; Metaphor; Audience; Hymn; Century; Homeric; Verb; Performance; Hellenistic; Mousopoios; Hom; Adjective; History; Occurs</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>How the idea of the author was born in the battleground of gender.</b></p><p>When Sappho sang her songs, the only word that existed to describe a poet was a male one  <i>aoidos</i>, or 'singer-man'. The most famous woman poet of ancient Greece, whose craft was one of words, had no words with which to talk about who she was and what she did. In <i>How Women Became Poets</i>, Emily Hauser rewrites the story of Greek literature as one of gender, arguing that the ways the Greeks talked about their identity as poets constructed, played with, and broke down gender expectations that literature was for men alone. Bringing together recent studies in ancient authorship, gender, and performativity, Hauser offers a new history of classical literature that redefines the canon as a constant struggle to be heard through, and sometimes despite, gender.</p><p>Women, as Virginia Woolf recognised, need rooms of their own in order to write. So, too, have women writers through history needed a name to describe what it is they do. Hauser traces the invention of that name in ancient Greece, exploring the archaeology of the gendering of the poet. She follows ancient Greek poets, philosophers, and historians as they developed and debated the vocabulary for authorship on the battleground of gender  building up and reinforcing the word for male poet, then in response creating a language with which to describe women who write. Crucially, Hauser reinserts women into the traditionally all-male canon of Greek literature, arguing for the centrality of their role in shaping ideas around authorship and literary production.</p><p><b>'Provocative...A brilliant book.'  Shadi Barsch,</b> <b><i>Times Literary Supplement</i></b></p><p><b>'[A]n exciting and elegant survey of the entire ancient Greek literary tradition as a male construction, [and] a book that forces the reader to rethink many common assumptions about "women's" poetry from antiquity to today.' </b> <b><i>Choice</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Emily Hauser</b> is a senior lecturer in classics and ancient history at the University of Exeter. She is the author of the bestselling <i>Mythica: A New History of Homer's World, Through the Women Written Out of It</i> and a critically acclaimed trilogy of novels that reimagines the women of Greek myth: <i>For the Most Beautiful</i>, <i>For the Winner</i>, and <i>For the Immortal.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The mental labor that keeps families afloat</b> <b> and why women do most of it.</b></p><p>Mothers and fathers use their time differently, with women spending roughly twice as many hours on family labour as men. But what about the gendered differences in the ways women and men think? <i>What's on Her Mind</i> provides an illuminating look at the cognitive labor that families depend on and reveals why this essential aspect of family life is disproportionately handled by women  even in couples that aspire to practice equality.</p><p>While most accounts of household labour centre on how people use their time, Allison Daminger focuses on a less visible and less easily quantifiable aspect of family life. She introduces readers to the concept of cognitive labour  anticipating, researching, deciding, and following up  and shows how women in different-gender couples do most of this critical work. She argues that cognitive labour has less to do with personality traits  for example, she's type A while he's laid-back  and more to do with learned skills that men and women deploy in distinct ways. Yet not all couples fall into the personality trap. Daminger looks at different-gender couples who achieve a more balanced cognitive allocation while also exploring how queer couples carve out unique relationships to the gender binary.</p><p>Drawing on original, in-depth interviews with members of different- and same-gender couples, <i>What's on Her Mind</i> points to new ways of understanding the interplay between who we are as individuals and the cognitive work we do on behalf of our families.</p><p><b>'An informative analysis...Daminger demonstrates that although many Americans endorse gender equality, a substantial majority of women do most of the cognitive (and more than their fair share of the physical) work. She explains why and suggests how a more balanced allocation of responsibilities might be achieved.' </b> <b>Glenn C. Altschuler,</b> <b><i>Psychology Today</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Allison Daminger</b> is assistant professor of sociology at the University of WisconsinMadison. Her work has been featured in leading publications such as the <i>New York Times</i>, the <i>Guardian</i>, <i>Psychology Today</i>, and the <i>Atlantic</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This oracle deck invites you into a world of vintage circus enchantment, where each card symbolizes a key aspect of life's journey. With whimsical imagery and evocative stories, the deck inspires self-discovery, insight, and growth, helping readers navigate life's challenges through the wisdom of a forgotten age.]]></Text>
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			<Text textformat="02"><![CDATA[<p>This oracle deck invites you into a world of vintage circus enchantment, where each card symbolises a key aspect of life's journey. With whimsical imagery and evocative stories, the deck inspires self-discovery, insight, and growth, helping readers navigate life's challenges through the wisdom of a forgotten age.</p><p><i>Road Show Wisdom</i> invites you into the enchanting world of vintage circuses and traveling shows, where each card is a portal to life's rich tapestry of lessons and emotions. Drawing on the imagery of whimsical performers, majestic animals, and the curiosities of the road, every card encourages thoughtful reflection and personal growth. The evocative artwork brings to life timeless archetypes  each a guide offering insights into relationships, career choices, and personal dilemmas. Inspired by the transformative nature of the circus, the deck emphasises adaptability, resilience, and the wisdom found in embracing both joy and challenges. It's a journey that allows you to step outside the everyday and see your life from a fresh, elevated perspective. Whether you are facing a crossroad or seeking deeper self-awareness, these cards provide an intimate, guiding voice for introspection and enlightenment.</p><p>Much like the performers who find grace in movement and balance in risk, the deck reflects the ever-changing dance of life. It encourages you to find clarity in the midst of chaos, strength in vulnerability, and joy in unexpected moments. The deck's structure blends playfulness with depth, making it both an inviting tool for beginners and a profound resource for seasoned readers. It offers an intuitive road map to navigate complex emotions and decisions, drawing from both the wonder of circus life and the universal themes of personal evolution. With each reading, you are invited to step into the magic of the circus  where growth and insight unfold through the art of performance, storytelling, and the timeless wisdom of the road.</p>]]></Text>
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			<SubjectHeadingText>78 cards; Choosing a Talisman; Court Cards; Divination tools; Esoteric; How to read a Tarot spread; Major arcana; Minor arcana; Moon phases; Psychic abilities; Rune casting; Seasonal events; Setting Your Intention; Talismans book; Tarot; Tarot lovers; Traditional tarot; What is Tarot?; What is a Talisman?; add power to Tarot reading; add talismans to your Tarot practice; amplify my energy; amulet; amulet book; amulets; and jewelry; attract luck; best time to do your Tarot reading; book for tarot lovers; ceremonial; coins; combine talismans with tarot cards; crystals; daily card draws; daily ritual; devotional activity; dream big; dreams and desires; equinoxes; evil eye; found objects; gemstones; guardian angel pendant; inner guidance; interpretation of each tarot card; jewelry; luck; lucky charms; magic; magic and manifestation; magic studies; magical objects; magical ritual; manifest the intention I desire; manifest your intention; manifestation magic; manifesting goals; occult; pendants; protection from bad luck; protective charms; ritual; small figurines; solstices; symbolic images; symbols; tarot Keywords; tarot book; tarot reading; tarot spreads; the law of attraction; touchstone; using talismans with the tarot; ward off danger</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Talismans and Tarot offers tarot lovers a new way to add power to their practice! By combining magic, rituals, and the use of talismans alongside the cards, readers will find support in manifesting their goals, dreams, and desires.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'This isn't just another book about tarot or magical objects. It's an invitation to weave together two profound traditions in a way that makes both more powerful. It's a practical guide to creating lasting change, yes, but it's also something rarer: a reminder that magic doesn't require us to abandon reason but rather to expand upon it. </b><b><i>Talismans and Tarot</i></b><b> shows us that sometimes the most powerful magic comes from combining traditions in new ways.'  Benebell Wen, author of </b><b><i>Holistic Tarot</i></b></p><p>As our ancestors did before us, we often put our faith in lucky charms and talismans. Maybe you have a protective charm like a guardian angel pendant or an evil eye. Perhaps it is a family heirloom, a crystal, a small figurine, a foreign coin, or another fascinating object that brings you comfort and luck. We turn to these touchstones when we are fearful or in need of comfort. Or when we're inspired or ambitious and want to believe that anything is possible.</p><p>Incorporating talismans with tarot reading offers a powerful and lasting impact. It is a magical combination that helps to amplify intentions and attract positive energy.</p><p><i>Talismans and Tarot</i> offers guidance for hands-on practices that include setting intentions, choosing and consecrating your talisman, as well as when and how to do readings. Learn to confidently work your magic and how to carry the power of a tarot reading with you every day as it supports and guides you toward manifesting your intentions.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lori Lytle</b> provides mystical and practical guidance with tarot as @innergoddesstarot. She is an introvert, empath, nerd, solitary witch, high priestess, Gemini, overthinker, and devotee of cats and cards. Lori is the cocreator of the <i>Unifying Consciousness Tarot</i>.She has been a featured presenter at international tarot conferences, including theNorthwest Tarot Symposiumin Portland, theLight &amp; Love Tarot Reading Festivalin Montreal, and theWorld Divination Association's first virtual online conference. She is also an instructor in Ethony's popular Tarot Summer School. Lori's current work focuses on creating magical talismans with the support of the tarot, as well as tarot practices that are designed specifically to feed the sensitive introvert soul. Find out more about Lori and read her blog at<i>innergoddesstarot.com.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'With this book in your hands, you are guided by one of the most capable and experienced practitioners in the field of authentic spirit work.' </b> <b>Mat Auryn, author of</b><b><i>Psychic Witch, Mastering Magick,</i></b><b>and</b><b><i>The Psychic Art of Tarot</i></b></p><p><b>This newly revised spiritual classic gives you the keys to master the art of spirit communication.</b></p><p>If you practice magic, pray, or venerate your ancestors, you are working with spirits. If you seek information or guidance through channelling, through mediumship, or through the words and visions of mystics, you are also working with the beings of the subtle realms.</p><p><i>Spirit Speak</i> presents a unified system for understanding the broad range of nonphysical beings that we call spirits. Ivo Dominguez Jr is able to make complex ideas accessible, through analogy and example, without oversimplifying. This comprehensive book can be understood and appreciated by readers from all different faiths, backgrounds, and levels of experience. It explores concepts such as:</p><ul><li>spiritual lineage</li><li>the assumption of God-Forms</li><li>the mindset needed for proper spirit work</li><li>divine embodiment</li><li>the limits and potential for many spiritual practices</li></ul><p>This new edition of<i>Spirit Speak</i>contains a new foreword by Mat Auryn, fresh updates, and new chapters on plant spirits and aspecting.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ivo Dominguez Jr.</b> is a practitioner of a variety of esoteric disciplines. He has been active in Wicca and the Pagan community since 1978 and has been teaching since 1982. Ivo was a founding member and high priest of Keepers of the Holly Chalice, the first coven of the Assembly of the Sacred Wheel, a Wiccan syncretic tradition that draws inspiration from astrology, Qabala, the Western Magical Tradition, and the folk religions of Europe. Ivo's techniques and insights are rooted in a synthesis of traditional metaphysical teachings, modern science, and memories from past lives. He has taught at many gatherings, conferences, and venues across the United States and abroad. His books include the Witches Sun Sign series, <i>The Four Elements of the Wise</i>, and <i>Keys to Perception</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Living Soil: A Grower's Guide offers an illustrated, accessible resource on nurturing resilient crops and ecosystems through fertile, healthy soil. Jean-Martin Fortier shares his proven biointensive methods to help growers understand soil biology, improve fertility, and cultivate lasting abundance.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Christina Conklin </b>is an artist, writer, and researcher whose work investigates the intersection of natural systems and belief systems, often using the ocean as both site and metaphor. Her essays, exhibitions, and installations consider our cultural responses to the intersecting ecological and social crises of our time. She holds an MFA from California College of the Arts and has exhibited internationally. She is currently working with thought leaders and activists around the world to help communities create regenerative cultural systems. She lives with her husband and two children in Half Moon Bay, California.</p><p><b>Marina Psaros </b>is a sustainability expert and has led climate action programs across public, private, and nonprofit organisations for over a decade. She isone of the creators of The King Tides Project, an international community science and education initiative. An amateur cartographer and ocean advocate, she lives in the San Francisco Bay Area.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Breaking into the world of independent filmmaking is one thing  getting your film seen is another.</b></p><p>In this essential guide, you'll discover how to navigate the often overlooked, yet critical, aspects of marketing and distribution, ensuring your project reaches the audience it deserves.</p><p>From crafting an effective publicity campaign on a tight budget to understanding the evolving digital landscape of VOD platforms, this book is packed with real-world insights and practical advice. Learn the importance of securing optimal cinema support, leveraging festival circuits strategically and mastering the art of audience engagement in a competitive market.</p><p>Featuring expert interviews with filmmakers and industry professionals, <i>Film Marketing &amp; Distribution: An Independent Filmmaker's Guide</i> offers a candid look at the challenges and opportunities awaiting independent filmmakers. Whether you're releasing your first feature or your third, fourth or fifth, this guide provides you with the tools to stand out in a crowded industry.</p><p>If you've poured your heart into making your film, this is the book that will help you get it seen. </p><p><b>'An indispensable guide for anyone beginning or furthering their expertise inthe highly skilled craft of identifying, understanding and communicating withyour audience through the media'  Chris Bird, MD of Amazon Prime Video</b></p><p><b>'This exhaustive book is film marketing 101. A must-read'  Rob Wilkerson, former CEO of Target Media</b></p><p><b>'An invaluable resource for independent filmmakers looking to get their work seen in a market that's more crowded - and more unpredictable - than ever'  Eddie Cunningham, President at Studio Distribution Services</b></p><p><b>'An invaluable peak behind the curtain at the business of getting films seen. A definitive guide on the process from finished film to getting "bums on seats"'  Zak Brilliant, Head of Sales &amp; Distribution at Met Film Group</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[As progressive as rugby has become many feel that rugby 'yesterday' was better than rugby today. But do the stats back this up? Do the ill-informed opinions of the book's author back that up? This book examines various aspects of the game, and judges whether rugby's best days are behind, or ahead of it.Let the debate commence . . .]]></Text>
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			<Text textformat="02"><![CDATA[<p>According to legend and a cursory look at Google, rugby was created in 1823. When William Webb Ellis allegedly picked up the ball, and ran with it, rugby was born. How true this is, we don't know. But what we can almost guarantee is that no matter how the game started, even after just one day of the sport being invented, some people will have said that it was better in the f***ing old days.</p><p>As progressive as rugby has become (both on and off the field) many feel that rugby 'yesterday' was better than rugby today. But do the stats back this up? Do the ill-informed opinions of the book's author back that up? This book examines various aspects of the game, and judges whether rugby's best days are behind, or ahead of it.</p><p>Let the debate commence...</p><p>Hilarious, off-beat and (surprisingly) insightful, this is the perfect gift for rugby fans all around the world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Jean Baudrillard, once hailed as a 'historian of the future', remains a vital figure for understanding modern life. Famous for ideas like 'simulation' and the 'hyperreal', linked to postmodernism and The Matrix, Baudrillard was both celebrated and controversial, known for bold pronouncements about events like the Gulf War and 9/11. Yet the man himself was enigmatic, leading a public life while remaining personally elusive. </p><p>This first biography in English explores Baudrillard's life and work, tracing his journey from the early years and French intellectual prominence to his global influence as a thinker, photographer and public intellectual. Using newly uncovered material, it provides fresh insights into his major works and ideas, offering readers a clear guide to his singular, uncompromising philosophy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Punk Rock Entrepreneur is a guide to launching your own business using DIY methods that allow you to begin from wherever you are, right now. Caroline Moore talks (and illustrates!) you through the why and how of business operations that she learned over years booking bands, organising fests, sleeping on couches, and making a little go a long way.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Punk Rock Entrepreneur</i> is a guide to launching your own business using DIY methods that allow you to begin from wherever you are, right now. Caroline Moore talks (and illustrates!) you through the why and how of business operations that she learned over years booking bands, organising fests, sleeping on couches, and making a little go a long way.</p><p>Engaging stories and illustrations show you the ropes, from building a network and working distribution channels to the value of community and being authentic.</p><p>With first hand accounts from touring bands and small business owners, this book gives you the inspiration and down-to-earth advice you'll need to get started working for yourself.</p><p>The second edition features a new introduction by Lookout Records co-founder Larry Livermore.</p><p><b>'Caroline Moore offers the best kind of hope for anyone who hopes not to spend the rest of her or his life grinding out boredom in an office cubicle.</b> <b><i>Punk Rock Entrepreneur</i></b><b> shows musicians and other artists how to make a living (or part of one) out of creativity without resorting to the loathsome selling-out that kills your soul. It won't be easy. It might not work. But it</b> <b><i>can</i></b><b> be done.'  Ted Rall, cartoonist and author of</b> <b><i>Bernie</i></b><b> and</b> <b><i>Snowden</i></b></p><p><b>'An inviting, practical, no-nonsense guide to getting a DIY business off the ground. Moore is like your smart big sister, business mentor, and life coach guiding you through the ups and downs of entrepreneurship. And she's really funny and really real.'  Eleanor Whitney, author of</b> <b><i>Grow: How to Take Your DIY Passion and Project to the Next Level and Quit Your Job</i></b></p><p><b>'A weeklong ride in a van drinking too much coffee and just talking about everything, feeling inspired and wishing somebody would write it all down...that's what this book feels like.'  Jason Chandler, author and illustrator for Horrible Comics, lead singer for punk band the Frustrators</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Caroline Moore</b> is a writer, designer, and photographer living in Brownsville, Pennsylvania. She has spoken at the Open Source &amp; Feelings conference, Weapons of Mass Creation Fest, Podcamp Pittsburgh, and Dare Conference in London. Her debut book, <i>Punk Rock Entrepreneur</i>, was published by Microcosm, and her work has also appeared in <i>Offbeat Bride, The Vinyl District,</i> and<i> Alternative Press.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Navigate death and grieving with greater openness, honesty, and preparation thanks to the supportive expertise of Singapore's leading 'life celebrant'.</p><p>Growing up with a hardworking undertaker father known as the Coffin King, death was the family business for Angjolie Mei  but that didn't make it any easier to understand, or grief any easier to feel. When her father died unexpectedly, leaving debts but no end of life instructions, Mei found herself taking up his funeral director business, not only to provide for her family, but to help others see death as an opportunity for dignity and celebration.</p><p>'A funeral', she writes, 'is life's graduation ceremony', and we should honour it and plan for it accordingly.</p><p>Striving to shift cultural perspectives on death and grief as well as to address common questions too often shrouded in mystery and taboo, Mei shares her craft's most important lessons with wit and grace, from the process of embalming to helping children understand a loved one's passing, taking care to include customs from diverse religious and cultural traditions.</p><p>This candid and thoughtful glimpse behind the morgue's curtain affirms the importance of grieving and ritual, acknowledging that death is part of any life well-lived.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Shadows of Tarot is an illuminating tarot spread journal for delving into your subconscious and confronting hidden truths. Featuring sixty-six spreads designed to illuminate shadow aspects, this journal encourages deep inner work. Journaling your journey aids in understanding, healing, and embracing your shadow self.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Shadows of Tarot</i> is an illuminating tarot spread journal for delving into your subconscious and confronting hidden truths. Featuring sixty-six spreads designed to illuminate shadow aspects, this journal encourages deep inner work. Journalling your journey aids in understanding, healing, and embracing your shadow self.</p><p>This tarot spread journal is your mystical gateway to unlocking the veiled depths of your subconscious. This enchanting tarot spread journal invites you to confront hidden truths and explore the shadowy realms of your psyche. With sixty-six spellbinding spreads and four intriguing challenges, you'll embark on a transformative journey like no other. Venturing into the golden shadows reveals your latent potential, while the taboo shadows dare you to confront societal and personal boundaries. The enlightenment spreads illuminate these shadow aspects, integrating them into your conscious awareness. The shadow-self spreads, meanwhile, beckon you to explore and embrace the darker corners of your soul.</p><p>Whether you're new to journaling with tarot or a seasoned expert, <i>Shadows of Tarot</i> caters to all levels of experience. It offers basic spreads for beginners, guiding you gently into the mystical practice of shadow work. For the adept tarot practitioner, extended spreads provide a deeper, more intricate exploration of your inner world. But this journal is more than a collection of spreads. With pages dedicated to creating your own personalised layouts, <i>Shadows of Tarot</i> encourages a bespoke journey into the mysterious depths of your being. Each page serves as a canvas for your spiritual exploration, offering unique insights and transformative practices. As you chronicle your experiences in these pages, you'll find that journaling becomes a powerful tool for understanding, healing, and transforming your shadow self. It's an adventure into the unknown, where each revelation guides you closer to holistic integration and self-awareness. Unveil the mysteries within and embrace the full spectrum of your shadow self. <i>Shadows of Tarot</i> is your enigmatic companion, ready to support every step of your enlightening journey.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'</b><b><i>Imagine</i></b><b>is a tool kit and the permission slip we all need to trust ourselves more deeply.'  Elaine Welteroth,</b><b><i>New York Times</i></b><b>bestselling author of</b><b><i>More Than Enough</i></b><b>, journalist, and TV host</b></p><p><b>Your intuitive mind has been dormant for years</b> <b> isn't it time to wake it up?</b><b><i>Imagine</i></b><b>is for those eager and excited to transform, manifest their best life, and get their power back though the power of visualisation.</b></p><p>Do you yearn for a life less burdened by pressure, insecurity, and anxiety? <i>Imagine</i> stepping into a world where you</p><ul><li>prioritise your well-being and connect with your intuition;</li><li>express yourself with confidence and authenticity;</li><li>feel seen, valued, and cherished, both by yourself and others;</li><li>wake up each day filled with hope, purpose, and a sense of fulfillment; and</li><li>manifest the life your soul truly desires, piece by piece.</li></ul><p><i>Imagine</i>unveils this transformative world through the power of visualization. This comprehensive guide, crafted by spiritual teachers Deganit Nuur and Tim Murphy  your supportive companions on this journey  offers seven unique techniques to help you</p><ul><li>leave behind the crippling cycle of overthinking and indecision,</li><li>awaken your intuitive wisdom and discover the answers within,</li><li>effortlessly access a state of deep relaxation and insight,</li><li>reprogram your brain for less fear and greater trust, and</li><li>embrace your authentic self and unlock your full potential.</li></ul><p>Forget the endless search for external answers.<i>Imagine</i>empowers you to tap into your inner wisdom and unlock the power that lies dormant within. Are you ready to experience greater clarity, confidence, and calm? Embark on this journey of self-discovery and start imagining the life you deserve.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Deganit Nuur, DACM</b>, is a world-renowned spiritual teacher, celebrity clairvoyant intuitive, acupuncturist and resident healer at The Four Seasons NYC and LA, writer, and speaker. Founder of Nuurvana Clairvoyant Healing, Nuur has been named one of the "Top 15 Intuitives Worldwide" by Gwyneth Paltrow's publication, <i>goop</i>, and has been featured on the <i>Today Show</i>, <i>Good MorningAmerica</i>, and written up in the <i>New York Times</i>, <i>Forbes</i>, <i>Vogue</i>, and <i>Vanity Fair</i> amongst many other reputable publications.</p><p><b>Tim Murphy, PhD</b>, is an empirical scientist with a specialisation in cultural anthropology. Tim has been awarded for his excellence in teaching courses on social inequality, empathy, and belonging, and has presented his research in the US and abroad. His first book,<i>Queerly Cosmopolitan</i>, is an ethnography of belonging in urban Brazil.</p>]]></Text>
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			<SubjectHeadingText>forgiveness; Conflict; Relationships; Polarization; Political Divisions; Reconciliation; Regret; Canceling; Love; Family; Repair; Reckoning; Emotions; Social Philosophy, Political Philosophy; Moral Psychology; Philosophy of Race; Africana Philosophy, Feminist Philosophy; Safe space; grief; sadness; anger; anger moderators; anger eradicators; goodwill extenders; resentment; contempt; letting go; police violence; apartheid; compassion; attidude; retribution; victim; responsibility; cognitive; behavioral; relief; release; negative feelings; martin luther king jr; moral operators; remorse; sympathy; respect; communication; apology; guilt trip; manipulaton; gaslighting; empowerment; morality; The Case for Rage; abusive; abused; Failures of Forgiveness; What We Get Wrong about forgiveness; How to Do forgiveness Better; Myisha Cherry; Princeton University Press; how to forgive; why forgive; should I forgive; forgive; cherry; books about forgiveness; stories of forgivenss; race conflict; cultural meaning of forgiveness; religion and forgiveness; Jesus</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[In Failures of Forgiveness, Myisha Cherry argues that these beliefs couldn't be more wrong - and that the ways we think about and use forgiveness, personally and as a society, can often do more harm than good.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Philosopher Myisha Cherry teaches us the right ways to deal with wrongdoing in our lives and the world.</b></p><p>Sages from Cicero to Oprah have told us that forgiveness requires us to let go of negative emotions and that it has a unique power to heal our wounds. In <i>Failures of Forgiveness</i>, Myisha Cherry argues that these beliefs couldn't be more wrong  and that the ways we think about and use forgiveness, personally and as a society, can often do more harm than good. She presents a new and healthier understanding of forgiveness  one that will give us a better chance to recover from wrongdoing and move toward 'radical repair'.</p><p>Cherry began exploring forgiveness after some relatives of the victims of the mass shooting at Emanuel A.M.E. Church in Charleston, South Carolina, forgave what seemed unforgivable. She was troubled that many observers appeared to be more inspired by these acts of forgiveness than they were motivated to confront the racial hatred that led to the killings. That is a big mistake, Cherry argues. Forgiveness isn't magic. We can forgive and still be angry, there can be good reasons not to forgive, and forgiving a wrong without tackling its roots solves nothing. Examining how forgiveness can go wrong in families, between friends, at work, and in the media, politics, and beyond, Cherry addresses forgiveness and race, cancelling versus forgiving, self-forgiveness, and more. She takes the burden of forgiveness off those who have been wronged and offers guidance both to those deciding whether and how to forgive and those seeking forgiveness.</p><p>By showing us how to do forgiveness better, <i>Failures of Forgiveness</i> promises to transform how we deal with wrongdoing in our lives, opening a new path to true healing and reconciliation.</p><p><b>'A first rate work from a penetrating mind.' </b> <b><i>Publishers Weekly</i></b><b>, starred review</b></p><p><b>'[Cherry] is especially insightful on the asymmetry of forgiveness requests following incidents of racial violence...[A] nuanced view of how one might both cultivate possibilities of forgiveness  as requesters and extenders  and learn to live with its lack.' </b> <b>Rhoda Feng,</b> <b><i>Times Literary Supplement</i></b></p><p></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Myisha Cherry</b> is assistant professor of philosophy at the University of California, Riverside, where she also directs the Emotion and Society Lab. She is the author of <i>The Case for Rage: Why Anger Is Essential to Anti-Racist Struggle</i> and<i> UnMuted: Conversations on Prejudice, Oppression, and Social Justice</i>which draws on her popular podcast <i>UnMute</i>. She has been widely featured in the media, including the <i>Los Angeles Times</i>,<i> The New Yorker,</i> the <i>Atlantic,</i> BET, and the podcast <i>Pod Save the People</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A philosopher explores the transformative role of wonder and awe in an uncertain world.</b><br/><br/>Wonder and awe lie at the heart of life's most profound questions. <i>Wonderstruck</i> shows how these emotions respond to our fundamental need to make sense of ourselves and everything around us, and how they enable us to engage with the world as if we are experiencing it for the first time.<br/><br/>Drawing on the latest psychological insights on emotions, Helen De Cruz argues that wonder and awe are emotional drives that motivate us to inquire and discover new things, and that humanity has deliberately nurtured these emotions in cultural domains such as religion, science, and magic. Tracing how wonder and awe unify philosophy, the humanities, and the sciences, De Cruz provides new perspectives on figures such as Plato, Aristotle, Adam Smith, William James, Rachel Carson, Maurice Merleau-Ponty, Jean-Paul Sartre, and Abraham Heschel. Along the way, she explains how these singular emotions empower us to be open-minded, to experience joy and hope, and to be resilient in the face of personal troubles and global challenges.<br/><br/>Taking inspiration from Descartes's portrayal of wonder as 'that sudden surprise of the soul,' this illuminating book reveals how wonder and awe are catalysts that can help us reclaim what makes life worth living and preserve the things we find wonderful and valuable in our lives.</p><p><b>'De Cruz constructs a persuasive and nuanced case for looking through the 'everydayness' of the world to see the 'strange and paradoxical' lurking in plain sight. [</b><b><i>Wonderstruck</i></b><b> is] an expertly fashioned analysis of what it means to perceive the world anew.' </b> <b><i>Publishers Weekly,</i></b> <b>starred review</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Frommer's books aren't written by committee, by AI, or by travel writers who simply pop in briefly to a destination and then consider the job done. We employ the best local experts to author our guides, like longtime Paris resident Anna E. Brooke. In this innovative, easy-to-carry, itinerary-based guide she shows readers how to see the best of the City of Lights  in the smartest, most time-efficient way. Insider lists of the city's highlights.</p><ul><li>Local knowledge on the best places to eat, shop, and stay and how to avoid tourist traps. No entity has paid to be in this guide  or any Frommer's guide. At Frommer's, we pride ourselves on decades of journalistic integrity.</li><li>Detailed maps marked with attractions, hotels, restaurants, and Metro stops</li><li>Exact pricing for hotels, restaurants, attractions, tours so that there's never any guessing</li><li>Invaluable advice about what you'll need to reserve in advance, and what time of day to visit the top sights in order to avoid crowds</li><li>Full-colour Paris Metro map</li><li>Fun, self-guided walking tours spanning the city, with maps</li><li>A chapter of useful phrases including a pronunciation guide</li><li>Fascinating and easy-to-read background on the culture, history and art of the City of Light</li><li>Picks in all price categories, so you can splurge or be frugal, using the Frommer's star rating system</li><li>Full section on suggested side-trips to Giverny, Versailles, Disneyland Paris, and more</li><li>Helpful planning advice for getting there, getting around, getting the best price on lodgings, and getting the most from your trip</li><li>PLUS! A handy pull-out, indexed map of Paris</li></ul><p>About Frommer's: There's a reason that Frommer's has been the most trusted name in travel for more than 65 years. Arthur Frommer created the bestselling guide series in 1957 to help American service members fulfill their dreams of travel in Europe. Since then, we have published thousands of titles, becoming a household name by helping millions upon millions of people realize their own dreams of seeing our planet. Travel is easy with Frommer's.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From northern Europe's earliest inhabitants to the search for security in the twenty-first century, Kalnins sweeps through the full story of a remarkable Baltic state.</b></p><p>The history of the Latvian people begins some four and a half millennia ago, with the arrival of the proto-Baltic Indo-Europeans in northern Europe. Over the following centuries of domination by successive European powers, the land's inhabitants preserved a powerful sense of identity, fostered by their ancient language, oral literature, songs and customs. These in turn informed and spurred the rise of national consciousness in the nineteenth century, and the political activities of the twentieth, which brought the modern nation-state of Latvia into being.</p><p>This book traces the genesis and growth of that nation, its endurance over centuries of conquest and oppression, the process by which it achieved its independence, and its status as a member of the European community in the twenty-first century.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A deeply considered reappraisal of Pakistani politics as a permanent state of struggle and contention between actors, mindsets and interests.]]></Text>
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			<Text textformat="02"><![CDATA[<p> <b>A deeply consideredreappraisal of Pakistanipolitics as a permanentstate of struggle andcontention betweenactors, mindsets andinterests.</b> </p><p>This book is a major reinterpretation of Pakistani politics. Its focus is conflict among groups, communities, classes, ideologies and institutions, which has shaped the country's political dynamics. Mohammad Waseem analyses the millennium-long conflict between Hindus and Muslims as separate nations but intermingled faiths, and the Hindu, Muslim and Sikh renaissances that created a twentieth-century clash of communities and led to partition.</p><p><i>Political Conflict in Pakistan</i> addresses multiple clashes: between the high culture as a mission to transform society, and the low culture of the land and the people; between those committed to the establishment's institutional constitutional framework and those seeking to dismantle the 'colonial' state; between the corrupt and those seeking to hold them to account; between the political class and the middle class; and between civil and military power. Waseem exposes how the ruling elite centralised power through the militarisation and judicialisation of politics, rendering the federalist arrangement an empty shell and grossly alienating the provinces. He sets all this within the contexts of education and media as breeders of conflict, the difficulties of establishing an anti-terrorist regime, and the state's pragmatic attempts at conflict resolution, under pressure from minorities. This is a wide-ranging account of a country of contestations.</p><p><b>'[Waseem] exceptionally deciphers the nature and origin of the internal conflicts in Pakistan.'  </b><b><i>International Affairs</i></b></p><p><b>'[A]n excellent volume on Pakistan's crisis from a sociological perspective.'  </b><b><i>The Muslim World Book Review</i></b></p><p><b>'This book will be a highly valuable source for people interested in the politics of Pakistan and in the potential of political conflict as a truly transformative variable.'  </b><b><i>Bloomsbury Pakistan</i></b></p><p><b>'Waseem's pathbreaking book successfully exposes the historical fault-lines that continually generate political tremors in Pakistan. Breathtaking in its scope and synthesis, it is essential reading for comprehending the colonial legacy in South Asia. An extraordinary achievement.'  Mustapha Kamal Pasha, Chair in International Politics, Aberystwyth University</b></p><p><b>'Mohammad Waseem is among the most insightful analysts of Pakistan politics. His book is outstanding, and the range of knowledge and sources is absolutely of the highest order. Essential reading.'  Philip K. Oldenburg, Adjunct Associate Professor of Political Science at the South Asia Institute, Columbia University</b></p><p><b>'A panoramic and deeply researched account of the roots of political conflict in Pakistan. In this cleareyed and scrupulously honest discussion, Waseem unpacks Pakistan's contested historical inheritance and its fractured cultural landscape to show how conflict has shaped and reshaped this troubled country. A unique achievement.'  Farzana Shaikh, author of </b><b><i>Making Sense of Pakistan</i></b></p><p><b>'Waseem, an astute analyst of Pakistan's history and politics, focuses on the conflict between the middle class and the "political class" to identify the sources of power in Pakistan, and the challenges in a polity that has effectively excluded much of its population since independence.'  Katharine Adeney, Professor of Comparative Politics, University of Nottingham, and author of </b><b><i>Federalism and Ethnic Conflict Regulation in India and Pakistan</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mohammad Waseem</b>is Professor Emeritus in the Department of Humanities and Social Sciences, Lahore University of Management Sciences. Formerly a Fulbright fellow at Columbia and the Brookings Institute, and Pakistan chair at St Antony's College, Oxford, he specialises in Pakistan's ethnic, constitutional, electoral, sectarian, military and militant politics. His books include<i>Democratization in Pakistan.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Are we confronting a new culture  global, online, individualistic? Or is our existing concept of culture in crisis, as explicit, normative systems replace implicit, social values?</p><p>Olivier Roy's new book explains today's fractures via the extension of individual political and sexual freedoms from the 1960s. For Roy, twentieth-century youth culture disconnected traditional political protest from class, region or ethnicity, fashioning an identity premised on repudiation rather than inheritance of shared history or values. Having spread across generations under neoliberalism and the internet, youth culture is now individualised, ersatz.</p><p>Without a shared culture, everything becomes an explicit code of how to speak and act, often online. Identities are now defined by socially fragmenting personal traits, creating affinity-based sub-cultures seeking safe spaces: universities for the left, gated communities and hard borders for the right.</p><p>Increased left- and right-wing references to 'identity' fail to confront this deeper crisis of culture and community. Our only option, Roy argues, is to restore social bonds at the grassroots or citizenship level.</p><p><b>'This is by far the best analysis I have read of the culture wars and identity politics that besets our time.'  Faisal Devji, Professor of Indian History, University of Oxford</b></p><p><b>'It brings order to a world not at ease with itself.' </b><b><i> Financial Times</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Olivier Roy</b> is Professor at the European University Institute in Florence. Six of his highly acclaimed books on religion and politics are published by Hurst, including<i>Globalised Islam</i>; <i>Jihad and Death; Holy Ignorance;</i>and<i>Is Europe Christian?</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A groundbreaking exploration of justice, democracy and Islamophobia, inviting us to reconsider our assumptions and build a more equitable future.</b></p><p>Change has run amok! Technology advances by the minute, and much of what we think we know about the world fades in front of our eyes. How we are, how we know, how we live our daily lives  all shifting quicker than we can cope with.</p><p>Anwar Ibrahim, Malaysia's tenth Prime Minister, asks how we might rethink ourselves for these confusing, uncertain and volatile times, and shape fairer, more sustainable futures. Anwar's passion is rooted in experience: he spent, in total, over a decade behind bars after three separate miscarriages of justice, from his days as a student activist to his time as Leader of the Opposition.</p><p>Alongside reflections on his time in prison are critical investigations into truth, justice, post-colonialism, Islamophobia, democracy and global order. Anwar assembles ideas from East and West, North and South, to explore how we can create a new inclusive synthesis  for a good society and world. Vividly expressed, expertly dissected, this is a timely book for our turbulent age.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Anwar Ibrahim</b>, Malaysia's Prime Minister, is a public intellectual and founder of the People's Justice Party. He endured a decade of imprisonment for his staunch anti- corruption and reformist politics. Formerly based at the University of Oxford, and Georgetown and Johns Hopkins Universities, he is the author of <i>The Asian Renaissance.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An all-in-one deep dive into the Atlantic herring and its far-reaching dominions.</b></p><p>This book contains almost everything you didn't know you needed to know about Atlantic herrings. (Pacific and Baltic varieties are in there too.) Herrings make the world bigger: with spawnings seen from space, a trillion individuals make this one of the tastiest and most abundant vertebrates on Earth.</p><p>From 'A Beginning' to 'Zuiderzee', count the wars fought over herrings; don't forget Scotland vs the Holy Roman Empire. The herring's high-pitched farts were logged as Soviet submarines, and one herring joke featured in a Jonson play, four Shakespeare plays and the glorious, suppressed fantasia Nashes Lenten Stuffe. Herrings mock taxonomists; physically change with sea temperature and salinity; stuff predators full to bursting, then swim away.</p><p>The Great Sardine Litigation? The true history of kippers? Bloaters? Reds? Chopped herring? Shuba? All this and more. Between sustainable fishery genetics, sixteenth-century Bavaria's 'Herrings, herrings, stinking herrings', and Van Gogh's ear, every entry is a story, a comic journey, an adventure. Some even come with recipes.</p>]]></Text>
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			<Text textformat="02"><![CDATA[How can parents, caregivers, and educators ignite the next generation's connection to nature and community? Grounded in science-based research and Indigenous wisdom, The Wild Path Home provides a wealth of practical strategies for empowering young people to become engaged, resilient advocates for a healthy planet.]]></Text>
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			<Text textformat="02"><![CDATA[<p>On the pathway to stewardship and kinship  an experiential approach to fostering environmental connection from birth to the teen years.</p><p>In a technologically saturated world, how can we ignite the next generation's connection to their ecological and human communities? Grounded in science-based research and Indigenous wisdom, <i>The Wild Path Home </i>offers an abundance of practical strategies for fostering respect, reciprocity, and responsibility  empowering young people to become resilient, passionate advocates for the planet.</p><p>This essential guide combines creative outdoor learning with supportive mentorship to create a powerful framework that can be adapted to any setting. Award-winning environmental educators Jacob Rodenburg and Cathy Dueck provide a simple, accessible roadmap for nurturing future nature stewards at every stage of their development, including:</p><ul><li>A comprehensive list of key stewardship principles that are both timeless and universal</li><li>30 age-appropriate actions or 'Landmarks', designed to inspire, activate, and equip children and youth to create healthier communities and a vibrant, more sustainable world</li><li>Context, background, and relevant climate change connections, along with a wealth of hands-on activities to support each action</li></ul><p>From toddlers discovering the world through their senses, to teens championing environmental and social justice while honing their leadership skills, this engaging guide has something for everyone. With its strong emphasis on the benefits of unstructured outdoor time, <i>The Wild Path Home </i>is an antidote to the anxiety, depression, and alienation faced by many young people today. Required reading for parents, caregivers, educators, and community leaders.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jacob Rodenburg </b>is an award-winning educator with over 35 years' experience and a master's degree in education. He is the executive director of Camp Kawartha, an innovative summer camp and leading outdoor education center, and has taught environmental education at Trent University for two decades. Jacob has helped to develop nearly 100 outdoor and environmental programs, has published dozens of articles, led scores of workshops and training programs, and has taught more than 100,000 students. He is author of The Book of Nature Connection and co-author of <i>The Big Book of Nature Activities</i>. Jacob's passion is finding creative ways to connect children with nature. He lives in Peterborough, Ontario.</p><p><b>Cathy Dueck</b> is a lifelong naturalist who has worked in community-based environmental education for over 35 years. She is founder of the Peterborough Ecology Park where she oversaw the development and delivery of children's programs. Cathy taught in the School of the Environment at Trent University for 15 years and holds a B.A. in Environmental Science and a Master's in Canadian and Indigenous Studies. She served as lead writer, researcher, and co-ordinator for the Kawartha Region's Pathway to Stewardship and Kinship project, where she shared her passion for fostering community connection and environmental stewardship with people of all ages. Cathy has received many local, provincial, and national awards. She lives in Havelock, Ontario.</p>]]></Text>
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			<Text textformat="02"><![CDATA[From the author of The Zen of Climbing and The Craft of Bouldering, a manifesto for a new approach to connecting meaningfully with the wildness around and within us.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From the author of</b> <b><i>The Zen of Climbing</i></b><b> and</b> <b><i>The Craft of Bouldering</i></b><b>, a manifesto for a new approach to connecting meaningfully with the wildness around and within us.</b></p><p>In recent years, we have woken up to the crucial role that nature plays in our well-being. As we live increasingly urbanised lives, we seek out wilderness and green space in times of hardship and turmoil, or simply during our leisure time. In the process of exploring and understanding more about the benefits of being in nature, many of us have taken up swimming, forest bathing, cycling, hiking and running in the open air. But when we spend this time in the wild are we really connected to it?</p><p>Francis Sanzaro argues that we often obscure opportunities for real connection through our attachment to screens, our anxieties about our 'everyday' lives, or simply through our egos. When we observe nature, we rarely do so without subconsciously filtering out the parts that don't fit into the perfect snapshot we crave.</p><p>To foster a genuine connection with the natural world, and to better protect it, we must embrace its contradictions as well as the surface beauty. Through deeper engagement with our environment, we can discover the wild within ourselves, too.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Francis Sanzaro</b> (Ph.D.) is a climber, academic, speaker, and the author of books on philosophy, climbing, athletic theory and comparative religion. His essays, poetry and fiction have appeared in<i> The New York Times, Outside, Huffington Post, Climbing, Adventure Journal, The Baltimore Post Examiner, Continental Philosophy Review, Vol. 1 Brooklyn</i> and <i>Rock and Ice</i>, among a dozen others. His books include<i> The Zen of Climbing; The Craft of Bouldering;</i> and <i>Society Elsewhere: Why the Gravest Threat to Humanity Will Come From Within</i>. He appeared at TEDx Ascend in Colorado speaking on approaches to risk and our relationship with the natural world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In </b><b><i>Live Life Rich</i></b><b>, speaker and financial coach Marissa Nehlsen helps readers and entrepreneurs locate the elements within their businesses that trip owners up and steal their freedom. She helps business owners focus on building a 'financial freedom plan' so they can live the life they've always wanted to live.</b></p><p>For many entrepreneurs and business owners, starting and growing a business isn't just about making money. It's about finding freedom. It's about experiencing the fulfillment that comes from a successful enterprise. And it's about living a rich life. But the reality is that while your business can give you a rich life, it also has the potential to ruin it. Success often comes at the expense of sanity. It is possible that you're working harder than ever, you're paying everyone else first, yet you're in a prison of your own making.</p><p>The secret isn't simply getting more customers, scaling up, or putting your hard-earned cash 'back into the business'. The quest for genuine freedom, flexibility, and financial well-being demands crafting a plan  a financial freedom plan. As a seasoned money and mindset coach, and founder of an eight-figure financial firm, Marissa Nehlsen believes that when the vision is clear, the decisions become easy.</p><p>Her guide will show you how to:</p><ul><li>Set a clear vision for your business, finances, and life, and gain the freedom you want</li><li>Make money your best employee, no matter what size your business</li><li>Open up connections, opportunities, and networks</li><li>Fire your worst business partner  the tax collector</li><li>Prepare a legacy plan and pass on a masterpiece, instead of a mess</li></ul><p>Say goodbye to the grind and say hello to freedom. It's time to start living life on your own terms. And live life rich!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The definitive guide to restoring and repair woven chairs from the nation's only chair caning school and museum.</b></p><p>Brandy Clements and Dave Klingler, the duo behind Silver River Chairs Center for Chair Caning, have co-authored <i>The Woven Chair</i> to bring their expertise in this ancient art to crafters. Each project is guided with in-depth instructions and step-by-step photography that demonstrates the complex beauty of each chair.</p><p>Discover how to bring old or damaged chairs back to life by restoring them and adding a personal touch with new fiber materials or weaving patterns that complement the style. Learn the techniques of a skilled craftsman at your own pace, from prepping the chair, gathering the necessary materials, and finishing just as you would in their classes.</p><p>Projects include restoring everything from iconic Mid-Century modern pieces, to more traditional Shaker Tape weavings and repairing laced cane chairs. The techniques you learn here will help you breathe new life into your heirloom furniture.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Brandy Clements</b> <b>&amp; David Klingler</b> are the co-owners of Silver River Center forChair Caning, the nation's only chair weaving school &amp; museum. The school is an Official Education Center of the Southern Highland Craft Guild. Brandy is a 4th generation chair caner and the couple are highly regarded in their field as chair caning ambassadors (aka Chair Nerds). They teach and speak at conferences, museums, craft schools and craft shows, and travel the US &amp; Europe to study the heritage craft. They have taught hundreds of students of all ages from across the globe and helped launch 30+ small businesses. They have been published in <i>Mother Earth News</i>, have been featured in <i>American Craft Magazine</i> and other regional publications, as well as on television including <i>CBS, PBS</i>, and <i>The Travel Channel</i>. They love to chat with podcasters about chairs and the chair nerd community, and continue to restore chairs and collaborate with furniture makers alongside their golden retriever, Rosie in Asheville, North Carolina. Find them online at www.SilverRiverChairs.com or @SilverRiverChairs on Instagram and YouTube.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In late sixteenth-century Rome, artists found inspiration in bustling streets and taverns, depicting soldiers, Romani fortune tellers, sex workers and servants among the city's poorest inhabitants. <i>Street Style</i> explores these hidden lives, uncovering how the stories of ordinary people are preserved through their clothing and appearances in art. Written records highlight the harsh conditions faced by marginalised groups, while prints and paintings often promoted visual stereotypes. With fresh interpretations of notable works by Caravaggio and his followers, this book reveals the complex social meanings of dress and the ways art captured and shaped the real-life struggles of early modern Italy's lower classes.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Elizabeth Currie</b> teaches at Central Saint Martins, University of the Arts London. She has published widely on the history of fashion and textiles, including the edited volume<i> A Cultural History of Dress and Fashion in the Renaissance</i> (2017).</p>]]></Text>
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			<Text textformat="02"><![CDATA[Critical Care paints a vivid and nuanced picture of HIV and AIDS nursing and sheds light on an unexamined aspect of Australia's AIDS crisis.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Prime Minister's Literary Awards 2025, Australian history**</b></p><p><b>**Shortlisted, NSW History Awards 2025, NSW Community and Regional History Prize**</b></p><p><b>**Highly Commended, Ernest Scott Prize 2025**</b></p><p><b>**Highly Commended, Oral History Australia Book Award 2024**</b></p><p>HIV and AIDS devastated communities across Australia in the 1980s and 1990s. In the midst of this profound health crisis, nurses provided crucial care to those living with and dying from the virus. They negotiated homophobia and complex family dynamics as well as defending the rights of their patients.</p><p>Bringing together stories from across the country, historian Geraldine Fela documents the extraordinary care, compassion and solidarity shown by HIV and AIDS nurses. <i>Critical Care</i> unearths the important and unexamined history of nurses and nursing unions as caregivers and political agents who helped shape Australia's response to HIV and AIDS.</p><p><b>'Drawing on the frontline experience of nurses, Fela has written an insightful and moving history of the tragedy and triumphs of Australia's response to the AIDS epidemic.'  Dennis Altman, Vice Chancellor's Fellow, La Trobe University</b></p><p><b>'</b><b><i>Critical Care</i></b><b> shows how Australia's AIDS crisis aroused fear, hatred and homophobia and yet forged new bonds of care, community and love. This beautifully told story of the nursing profession's response to acute suffering and great tragedy  borne predominantly by gay men  is among the most moving Australian histories I have read. It will be essential for anyone interested in health, the professions, gender, sexuality and the shifting emotional landscape of the nation.'  Frank Bongiorno, Professor of History, Australian National University</b></p><p><b>'This outstanding book chronicles the role of nurses in addressing the AIDS pandemic, after the arrival of HIV. The old approach to epidemics was strict control and isolation. But something new was required by the nature of this unexpected crisis. Fortunately, in Australasia, healthcare professionals and lawmakers rose to the occasion. The special challenge of coping with patients needing care, often when they were profoundly sick and dying; where no vaccine was available; and no drugs were effective at first to turn the tide, put huge pressure on nurses on the front line. They helped lead our community to address the AIDS paradox. This book tells a heroic story. I honour the author and those whose work she describes so that their lessons will not be forgotten.'  The Hon. Michael Kirby, Past Justice of The High Court of Australia and Patron of The Kirby Institute</b></p><p><b>'As well as being a pleasure to read, this book shines new light on previously hidden stories in the Australian HIV response; that of nurses, trade unions and First Nations people. Fela's insightful narrative brings to life the unique and vital role played by nurses who provided care in environments that were too often marked by intense fear and shame.'  Jennifer Power, Associate Professor and Principal Research Fellow, La Trobe University</b></p><p><b>'In this insightful book, Geraldine Fela revisits the Australian response to the HIV/AIDS epidemic and unearths the important and untold contribution of nurses. Nurses were on the frontlines of care during the epidemic and Fela beautifully brings forth their experiences, perspectives and voices. In her attention to labour history, gender and the impact of colonisation, Fela highlights less-told stories of the epidemic that help us re-evaluate the Australian response to HIV/AIDS. This is an important and often moving book.'  Robert Reynolds, Professor of Modern History, Macquarie University</b></p><p><b>'In the worst years of the AIDS crisis, nurses were the frontline of healthcare. Geraldine Fela's compelling, myth-busting book shows how Australian nurses challenged stigma and transformed healthcare relationships and practices. Fela illuminates different healthcare approaches across states, and between city and country, and how nurses ensured effective responses to HIV in Indigenous communities.'  Alistair Thomson, President Oral History Australia and Emeritus Professor in History, Monash University</b></p><p><b>'In this marvellous book, Geraldine Fela reveals the day-to-day work of nurses and their unions in responding to the HIV/AIDS crisis in Australia. Through interviews and archival research, she shows how in caring, educating, advocating, they saved lives, eased suffering and reshaped our medical system from the ground up.'  Graham Willett, Historian, Arch-tivist, Publisher</b></p><p><b>'This book honours those who bathed the sweat from the exhausted brows of sufferers; who cared for people abandoned by their families and the community; who stood up for those who could no longer stand up for themselves. Bravo, bravo, bravo.'  Caroline Overington,</b> <b><i>The Australian</i></b></p><p><b>'</b><b><i>Critical Care</i></b><b> is an optimistic and galvanising read that celebrates the power of activism.'  Jinghua Qian, ABC ARTS</b></p><p><b>'The author skilfully weaves the professional, personal and political to make visible the often-invisible work of those lower down in the hospital hierarchy who braved fear, hate and ignorance to deliver a service that recognised people's humanity.</b> <b><i>Critical Care</i></b> <b>is a challenging read, but its reward is insight into the power of love, courage and solidarity.'  Judges' comments, NSW History Awards</b></p><p><b>'This inspiring history of progressive public health strategy should be cause for national pride. Characterised by a collaborative, community-based education approach  rather than isolating and controlling patients  nurses played an important role, centring the rights of affected communities.In the age when public health is a matter of urgent concern,</b> <b><i>Critical Care</i></b><b> is both an original and revealing history of Australia's response to AIDS and a valuable source of guidance for the future.'  Judges' comments, Prime Minister's Literary Awards</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Geraldine Fela</b> is a Postdoctoral Research Fellow in the Department of History and Archaeology at Macquarie University. Her research and teaching traverses histories of gender and sexuality, labour, social movements and medicine. She has been widely awarded for her work examining the role of nurses during Australia's HIV and AIDS crisis and has appeared in both scholarly and popular outlets. <i>Critical Care</i> is her first book.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Reveals the alt-right's project to claim science fiction and  by extension  the future.</b></p><p>Fascists such as Richard Spencer interpret science fiction films and literature as saying only white men have the imagination required to invent a high-tech future. Other white nationalists envision racist utopias filled with Aryan supermen and all-white space colonies. <i>Speculative Whiteness</i> traces these ideas through the entangled histories of science fiction culture and white supremacist politics, showing that debates about representation in science fiction films and literature are struggles over who has the right to imagine and inhabit the future. Although fascists insist that tomorrow belongs to them, they have always been and will continue to be contested by antifascist fans willing to fight for the future.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A celebration of the seemingly simple idea that allowed us to imagine the world in new dimensions - sparking both controversy and discovery.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, NSW History Awards 2025, General History Prize**</b></p><p><i>'The story I'll tell here is about the evolution of the way we humans record and make sense of all the data that swirl around us...'</i></p><p><i>Vector</i> takes readers on an extraordinary 5000-year journey through the human imagination. The stars of this book, vectors and tensors, are unlikely celebrities. Yet mathematician and science writer Robyn Arianrhod shows how they enabled physicists and mathematicians to think in a brand-new way. They inspired James Clerk Maxwell to usher in the wireless electromagnetic age; Albert Einstein to predict the curving of space-time and the existence of gravitational waves; Paul Dirac to create quantum field theory; and Emmy Noether to connect mathematical symmetry and the conservation of energy. Today, you're likely relying on vectors or tensors each time you pick up your mobile phone, use a GPS, or search online.</p><p>In <i>Vector</i>, Robyn Arianrhod shows the genius required to reimagine the world - and how a clever mathematical construct can dramatically change discovery's direction.</p><p><b>'In</b> <b><i>Vector</i></b><b>, Arianrhod shows, with beautiful ease, that maths is not some foreign world only geeks inhabit. It</b> <b><i>is</i></b><b> the world around us.'  Adam Spencer, author of</b> <b><i>Adam Spencer's Big Book of Numbers: Everything you wanted to know about the numbers 1 to 100</i></b></p><p><b>'Arianrhod's</b> <b><i>Vector</i></b><b>, a masterpiece of science exposition, reads as a welcoming cognitive cliffhanger tour of vectors, their generalizations, and their accompanying symbolic tools of mathematical physics, all dovetailing through germane history vignette accounts of astonishing connections and applications.'  Joseph Mazur, author of</b> <b><i>The Clock Mirage: Our Myth of Measured Time</i></b></p><p><b>'A vector is quantity that has magnitude and, crucially, direction. This idea has enabled physicists and mathematicians to imagine and describe the world in new dimensions. The author traces the influence of vectors over the past 5,000 years, and why vectors (and tensors) are still relevant today.' </b> <b><i>The Bookseller</i></b></p><p><b>'There have been lots of books about the evolution of modern physics: from Newton to Maxwell to Einstein and on to quantum theory. But seldom does an author pay attention to the mathematical revolutions that made those physical theories possible. Only as the mathematical toolkit expanded from simple scalars to include such tools and ideas as quaternions and vectors and tensors could physicists and mathematicians find the language to describe an increasingly bewildering universe. Arianrhod does a remarkable job telling the story of the mathematical revolution under the hood, the engine that drove the physics revolutions of the nineteenth and twentieth centuries; the result is a book well worth your time.' - Charles Seife, author of</b> <b><i>Zero: The Biography of a Dangerous Idea</i></b></p><p><b>'"If all mathematics disappeared," physicist Richard Feynman opined, "it would set physics back precisely one week." To which mathematician Mark Kac retorted, "Precisely the week in which God created the world." Arianrhod persuades us that vectors and tensors are among those creations. Students and teachers should read this excellent book together.' - Marjorie Senechal, editor-in-chief of</b> <b><i>The Mathematical Intelligencer</i></b></p><p><b>'With a flair for exposition that makes the complex simple, and a gift for storytelling, Arianrhod is without peer in conveying the beauty, and power, of mathematics. William Rowan Hamilton, James Clerk Maxwell, and Albert Einstein come alive in this dramatic tale of a simple idea that changed our world.' - Amir Alexander, author of</b> <b><i>Infinitesimal: How a Dangerous Mathematical Theory Shaped the Modern World</i></b></p><p><b>'Everyone understands what it means to move at some particular speed in some particular direction. But it took a long time to start thinking of such behavior in terms of a single clarifying concept, the vector. Arianrhod's lively and detailed chronicle explains why vectors and tensors are at the heart of our best ways to think about the universe.' - Sean Carroll, author of</b> <b><i>The Biggest Ideas in the Universe</i></b></p><p><b>'...mathematician Robyn Arianrhod tells the story beautifully...a very human story of how men and women explored and refined pure maths and physics, their friendships and rivalries, frustration and insights. Dr Arianrhod is most effective in describing collaboration across time and nationalities, as well trained minds and curious mavericks picked up the challenge to understand our universe.' - Robyn Douglass,</b> <b><i>The Daily Telegraph</i></b></p><p><b>'Written with wit and impressive scholarship in both history and mathematics.' - Peter Main</b></p><p><b>'Arianrhod has an encyclopedic knowledge of the history of physics and mathematics, as well as a deep understanding of often very technical subject matter...Arianrhod's deep research and attention to neglected figures in the history of science, many of them women, is refreshing...</b><b><i>Vector</i></b> <b>is a fascinating read.' - Michael Lucy,</b> <b><i>Australian Book Review</i></b></p><p><b>'This book expanded my imagination by showing how even the simplest of concepts can have a fascinating and far from simple history...Whether you are interested in popular history of science or would like to know more about the details of how vectors and the laws of physics developed together, I recommend this book.'  Thomas Britz,</b> <b><i>Parabola</i></b></p><p><b>'Few books can claim to be able to engage historians in mathematics and mathematicians in history, but Robyn Arianrhod's </b><b><i>Vector </i></b><b>is just such a rare book. It takes extremely complex concepts from mathematics and the natural sciences and turns them into a fascinating and highly personal journey through the history of the thinkers who made the hallmark inventions of the modern world possible...Both a towering display of erudition and a deeply engaging, charming and intimate retelling of the lives and times of its subjects and their work.'  Judges' comments, NSW History Awards</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Robyn Arianrhod</b> has a PhD in the theory of general relativity and taught mathematics at Monash University; she's currently an Affiliate in Monash's School of Mathematics. She writes about maths and science for the interested general reader - her books have been translated into several languages and shortlisted for national literary awards, and her articles have appeared in various outlets, including <i>Best Australian Science Writing</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Gadigal country, Woolloomooloo Farm, Riley Estate, Burdekin's paddock, Burlington Picture Palace, First Church of Christ Scientist, party mansion, Yirranma Place  the many transformations of 262 Liverpool Street Darlinghurst reflect the long and layered history of Sydney.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, NSW History Awards 2025, NSW Community and Regional History Prize**</b></p><p><b>Gadigal Country, Woolloomooloo Farm, Riley Estate, Burdekin's paddock, Burlington Picture Palace, First Church of Christ Scientist, party mansion, Yirranma Place.</b></p><p>The many transformations of 262 Liverpool Street, lying at the corner of Forbes Street in Darlinghurst, reflect the long and layered history of Sydney. Now named Yirranma Place, it's a site that has been constantly recreated.</p><p>Historian Alana Piper takes episodes from the history of Yirranma Place and its surrounds to provide a window into Sydney's past, particularly the city's experiences of power and hardship. Bringing together local and social history, this visually rich exploration of a corner in Darlinghurst combines deep research with revealing stories.</p><p><b>'</b><b><i>Yirranma Place</i></b><b> is a literary and visual tour de force of an inner-city Sydney neighbourhood that stretches from First Nations experiences in pre-contact times through to the present day. Alana Piper delivers her rigorously researched history in graceful prose, complete with accompanying maps, photographs and paintings that play an integral role in the story. In a series of thematic chapters, she draws attention to the people, issues and relationships that defined this place across eras and generations.'  Judges' comments, NSW History Awards</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alana Piper</b> is an academic at the Australian Centre for Public History at the University of Technology Sydney. She researches widely across Australian social and cultural history, with a particular focus on issues of crime and gender. She has published in international publications such as the <i>Journal of Interdisciplinary History, Women's History Review, Journal of Social History, History Workshop Journal, Law and History Review</i> and the<i> Journal of Legal History</i>. She also co-edited<i> Gender Violence inAustralia: Historical Perspectives.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>How do waves break and what makes good surf?</b></p><p><b>What are dangerous rip currents and how do you spot one?</b></p><p><b>What would you do if you got caught in one?</b></p><p>Australia's best-known surf scientist, Rob 'Dr Rip' Brander, takes you on a fascinating and entertaining journey to uncover how our beaches form and behave, the science of waves and currents, how beaches respond to storms and climate change, as well as some of the hazards to watch out for, from tsunamis to the (unlikely) event you find yourself swimming with a shark.</p><p>Whether you're a surfer looking for the perfect wave or enjoying the beach with friends and family, this book is a must-read for all ocean lovers.</p><p></p><p><b>'So good, it should be compulsory reading at school, and in planes flying to Australia.' - Dr. Karl</b> <b>Kruszelnicki</b></p><p><b>'Dr Rip is well-respected by Bondi Lifeguards. His knowledge of how beaches work has helped save many lives.' - Bruce Hopkins, Chief Lifeguard at Bondi, Bronte and Tamarama beaches and star of</b> <b><i>Bondi Rescue</i></b></p><p><b>'The beach is a fun but dangerous place. Everyone who loves the surf should read this fantastic book.' - Mick Fanning, three-time surfing world champion</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Longlisted, Australian Book Design Awards 2025, Best Designed Non-Fiction Cover**</b></p><p><i>Swimming Sydney</i> is a tale of 52 swims in and around Sydney that take place over a calendar year. From Palm Beach to Cronulla, Mount Druitt to Bondi, Chris Baker swims at iconic beaches, municipal pools, harbour baths, tidal rock pools, bushland lakes and a backyard pool.</p><p>Taking his weekly plunges, Baker reflects on friendship, history and family, and how swimming can help us better understand ourselves.</p><p><i>Swimming Sydney</i> is a valentine to the beautiful obsession of swimming in the world's most beautiful city. It's a book for everyone who loves swimming, who loves Sydney, and who understands that storytelling is the best way to navigate life's emotional currents.</p><p><b>'Part travel guide and part memoir, these 52 immersive essays  one a week  remind us how inextricably Australian culture is linked to water and our bodies. Immerse yourself and emerge invigorated, like the best swims leave you feeling.'  Benjamin Law</b></p><p><b>'A poetic ode to the water that will have you reaching for your goggles and leaping into the blue. Chris Baker may swim like a fish, but he also writes like a dream.</b> <b><i>Swimming Sydney</i></b><b> is a beguiling portrait of love, loss, community and identity in the world's most swimmable city.'  Yves Rees</b></p><p><b>'Chris Baker takes a deep dive into the watery history of Sydney, focusing by turns on its conflicted history, ravishing beauty and salty present. His eye for detail is sharper than a gull's, and while his love of the liquid landscapes he traverses is palpable and at times nostalgic, it is never sentimental. Reading his 52 swims made me long to don my togs and to get away from my own daily comfort pool. I ached to rush to a dive-in, to slurp a Sunnyboy or chomp a pluto pup, and above all, to immerse in the "dignified consolation" that he offers in every chapter. This book is both a keeper and a giver, an invitation and a challenge, a guide and a gift; it's a love song to the caress of watery wonder.'  Ailsa Piper</b></p><p><b>'Essential to the immersive pleasure of this work is the natural beauty of the coastal and submarine environment. And for water lovers not familiar with Sydney's many swim spots, this guide is an ideal introduction.' </b> <b><i>Sydney Morning Herald</i></b> <b>/</b> <b><i>The Age</i></b></p><p><b>'This is a lovely book regardless of whether or not you live within a bull's roar of Sydney.' </b><b><i> The Canberra Times</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A lifelong swimmer, educator and writer, <b>Chris Baker</b> was born and raised in Sydney. He has spent much of his professional life overseas, living and working in Vancouver, Prague, Hong Kong and Berlin. Chris was lured back to Sydney by its beautiful beaches, superb municipal pools, wild swimming holes and world-famous ocean baths. He is the author of <i>Swimming Sydney: A tale of 52 Swims</i> (NewSouth).</p><p>Chris' work has been published by the <i>Sydney Morning Herald, Weekend Australian, The Guardian Australia, Time Out, SBS Online</i> and <i>Vogue Australia.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Darryl Jones, author of</b> <b><i>Feeding the Birds at Your Table</i></b><b>, reveals the not-so-secret lives of the most common birds that share our towns and cities.</b></p><p>Despite the noise, heat, dust and fumes, the ceaseless movement, light and toxins, many birds successfully live their lives among us. And not just furtively in the shadows. Ibis steal our lunch, brush-turkeys rearrange gardens and magpies chase us from near their nest.</p><p>From blackbirds and sparrows in his childhood country town to brush-turkeys in the suburbs, Darryl Jones shares a fascinating story of curiosity, discovery, adventure and conflict, played out in the streets and backyards of Australia. He also provides rare insights into the intimate lives of some of our most beloved and feared, despised and admired neighbours. Magpies, curlews, ibis, lorikeets and cockatoos will never seem the same again.</p><p><b>'What happens when nature comes to town? Darryl Jones has written a witty, rollicking account of his encounters with the ingenious creatures that make our urban homes their own. A wild, wonderful journey in the spirit of Gerald Durrell, unexpected and delightful, full of insight, humour and humility. Anyone who loves birds, nature and superb storytelling will love this book!'  Jennifer Ackerman, author of</b> <b><i>The Genius of Birds</i></b></p><p><b>'As rare a delight as the urban curlews of the title, this is a thoroughly enjoyable account of the value that all birds, even the common ones we see every day, bring to our lives. We often talk about why birds matter. Darryl Jones shows how even backyard birds have the capacity to enrich and bring wonder to our lives.'  Sean Dooley, author of</b> <b><i>The Big Twitch</i></b></p><p><b>'Darryl Jones confirms what many people suspect, that ecologists lead fun lives.'  Tim Low, author of</b> <b><i>Where Song Began</i></b></p><p><b>'Jones's enthusiasm for his avian subjects and the thrill of scientific discovery should appeal most to fellow bird lovers, watchers and counters - or anyone who dabbled in the habit during the long pandemic lockdowns.'  Kim Thomson,</b> <b><i>Books+Publishing</i></b></p><p><b>'A charming ornithological memoir.'  Phil Brown,</b> <b><i>Courier Mail</i></b></p><p><b>'Jones casts a wry eye over all his subjects and their behaviours, whether they be birds, academics or himself, in this playful, engaging tale.' -</b> <b><i>The Sydney Morning Herald</i></b></p><p><b>'Jones makes for a knowledgeable and curious-minded guide.' </b> <b><i>The West Australian</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p></p><p><b>Darryl Jones</b> is a Professor of Ecology at Griffith University in Brisbane, where he has been investigating the many ways that people and wildlife interact for over 30 years. He is particularly interested in why some species are extremely successful in urban landscapes, while many others are not, and how best to deal with the ensuing conflicts. More recently, he has been trying to understand more about the humans that also live in cities in large numbers, and how they engage with nature. This has led him into the strange and fascinating world of wild bird feeding and has resulted in collaborations with other researchers all over the world. He has published six books, including <i>The Birds at My Table</i> and <i>Feeding the Birds at My Table</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In <i>Sydney</i>, acclaimed playwright and writer Louis Nowra  author of <i>Kings Cross</i> and <i>Woolloomooloo</i>  expands his gaze to explore the energy, beauty, vulgarity, dynamism and pulsating sense of self-importance of his adopted city. This big, bustling portrait of Sydney is told through a cast of criminals and premiers, ordinary folk, entertainers, artists, thieves and visionaries.</p><p>Along with its people Nowra surveys the city's landscape, its architecture, and its global identity. And as Sydney's history unfolds throughout the twentieth century and beyond, Nowra revels in its neon lights, music, skyscrapers, sense of optimism and the many disparate elements that shape Sydneysiders' view of themselves.</p><p><b>'Nowra captures the everchanging spirit of what is arguably  to most, inarguably to Nowra  Australia's pre-eminent city.' </b> <b><i>Books+Publishing</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Louis Nowra</b> is a playwright, novelist, essayist and screen-writer. Some of his plays are <i>Inner Voices</i>, <i>The Golden Age</i>, <i>Inside the Island</i>, <i>The Boyce Trilogy</i>, <i>Radiance</i> and <i>The Lewis Trilogy</i> (<i>Summer of the Aliens</i>, <i>Cos</i>, <i>This Much is True</i>). Screen credits include <i>Map of the Human Heart</i>, <i>Radiance</i>, <i>Black and White</i>, <i>Heaven's Burning</i>, <i>K-19: The Widowmaker</i> and <i>Cos</i>. His novels are <i>The Misery of Beauty</i>, <i>Palu</i>, <i>Red Nights</i>, <i>Abaza</i> and<i> Ice</i>. He has written two memoirs, <i>The Twelfth of Never</i> and <i>Shooting the Moon</i>. With Mandy Sayer, he co-edited the influential anthology about Kings Cross, <i>In the Gutter...Looking at the Stars</i>. His recent non-fiction includes <i>Kings Cross: a biography</i> (2013), <i>Woolloomooloo:</i> <i>a biography</i> (2017). He lives on the border between Kings Cross and Woolloomooloo and is married to the writer Mandy Sayer.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A celebrity decorator with blue hair. A single mother who advised JFK in the Oval Office. A Christian nudist with a passion for almond milk.</b></p><p>A century ago, ten Australian women did something remarkable. Throwing convention to the wind, they headed across the Pacific to make their fortune. In doing so, they reoriented Australia towards the United States years before politicians began to lumber down the same path.</p><p>For the artist Mary Cecil Allen, this meant spreading the word about American abstract expressionism. For the naturopath Alice Caporn, it meant evangelising fruit juices and salads. For the swimmer Isabel Letham, it was teaching synchronised swimming. Others imported the latest thinking in dentistry, fashion, design, economics, law, music, medicine and more. They were rebels, they were trailblazers, they were disruptors. Individually, they have extraordinary stories; together, they change the narrative of Australian history.</p><p><b>'Thoughtful and curious, critical and kind, Yves Rees's study of these globetrotting Australian women richly renders their lives and times, as well as contemplating how we reach across time to read them today.'  Anna Clark, Australian Research Council Future Fellow, University of Technology Sydney</b></p><p><b>'Fresh, captivating, and full of fantastic women. Yves has somehow managed to assemble the greatest fantasy dinner party you never knew you needed, whilst also uncovering a fascinating and untold side of our history. A real treat.'  Zoe Coombs Marr, comedian, performer and actor</b></p><p><b>'Yves Rees has the remarkable ability to bring history into the present, reminding us all that the only thing that really separates the generations is a linear notion of time.</b> <b><i>Travelling to Tomorrow</i></b> <b>gives voice to the women at the forefront of Australia's own "American Revolution". What I love most about Yves is how they bring an unwavering commitment to human rights in their exploration of history, the language of equality ever-present in their handling of the past. In Rees, we have found a historian of rare skill  they possess the ability to tell us something we didn't know about something we thought we did.'  Clementine Ford, feminist writer, columnist and broadcaster</b></p><p><b>'This book is a knockout. Yves Rees is that rare historian who thinks like a scholar and writes like a dream  the literary equivalent to floating like a butterflying and stinging like a bee. You will want to meet these fearless and feisty women: women not only before their time in forging new geocultural paths to independence but also making their times by putting flesh to the bones of modernity. Rees gives us their stories in full-bodied, hot-blooded fashion. A sheer delight.'  Professor Clare Wright OAM, Professor of History, La Trobe University</b></p><p><b>'</b><b><i>Travelling to Tomorrow</i></b><b> is a rollicking, bouncing read.'  Rachelle Unreich,</b> <b><i>SMH/The Age</i></b> <b>(Book of the Week)</b></p><p><b>'Accessible, entertaining...Rees has a storyteller's knack for engaging the reader.'  Kirsten Tranter,</b> <b><i>Australian Book Review</i></b></p><p><b>'a cracking, never-before-told tale.'  Nicole Abadee, Spectrum</b></p><p><b>'Rees&amp;#x27; narrative voice is chatty, empathetic, [and] wise. The reader feels like a charming guide is leading a tour of interwar America. All of this makes the book an engrossing read.'  </b><b><i>Inside Story</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Many of us gain inspiration, solace, beauty and a sense of wonder from our interactions with nature, and writers have long plumbed and explored these depths.</p><p>At the same time as many of us tune in to natural landscapes, our environment is imperilled as never before. We are in the midst of a climate emergency that is challenging the future of our species, and all living creatures we share the earth with.</p><p>This unique collection of Australia's best new nature writing gathers together some of our most widely known and most original voices to reflect on our relationship with nature.</p><p>These pieces, by turns compelling, urgent, poignant and passionate, offer an insight into the wonder of the natural world around us, and form a clarion call for its protection.</p><p>With an introduction from Dave Witty, and featuring contributors including Tim Winton, Bruce Pascoe and Inga Simpson, this collection makes the perfect summer read or gift for the nature-lover in your life.</p><p><b>Praise for</b> <b><i>What the Trees See</i></b><b>:</b></p><p>'Fascinating and revelatory'  Kate Holden</p><p>'The story of learning a landscape'  Billy Griffiths</p>]]></Text>
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			<SubjectHeadingText>Astronomical unit; Solar eclipse; Project Gemini; Propulsion; Interstellar medium; Interstellar travel; Space telescope; Voyager 2; Propellant; Orbit; Rocket propellant; Photon; Astronaut; Eris (dwarf planet); Astronomer; Astronomical object; Celestial navigation; Astronomy; Comet tail; Colonization of Mars; Space vehicle; Hubble Space Telescope; Antimatter; Interplanetary mission; Nebula; Rocket launch; Andromeda Galaxy; Photon rocket; Elongation (astronomy); Mars and Beyond; Local Interstellar Cloud; Outer planets; Galactic Center; Orbital mechanics; 100 Year Starship; Gravity of Earth; Space Odyssey; Dwarf planet; Astrobiology; Voyager 1; Planet; Exploration of Mars; Saturn; Newton's law of universal gravitation; Gamma ray; Interstellar probe; Meteoroid; Star Drive; Asteroid belt; SpaceX; Alpha Centauri; Space Age; Science fiction; Space Launch System; Spacecraft propulsion; Mars 2; Planetary flyby; Technology; Trantor; Spacecraft; Exoplanet; Space exploration; To the Moon; Solid-fuel rocket; Uranus; Intercontinental ballistic missile; Star cluster; Orbital spaceflight; Extraterrestrial intelligence; Voyager program</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A brief guide to the real science of interstellar travel.</b></p><p>With known exoplanets now numbering in the thousands and initiatives like 100 Year Starship and Breakthrough Starshot advancing the idea of interstellar travel, the age-old dream of venturing forth into the cosmos and perhaps even colonising distant worlds may one day become a reality. <i>A Traveler's Guide to the Stars</i> reveals how.</p><p>Les Johnson takes you on a thrilling tour of the physics and technologies that may enable us to reach the stars. He discusses the latest exoplanet discoveries, promising interstellar missions on the not-so-distant horizon, and exciting new developments in space propulsion, power, robotics, communications, and more. But interstellar travel will not be easy, and it is not for the faint of heart. Johnson describes the harsh and forbidding expanse of space that awaits us, and he addresses the daunting challenges  both human and technological  that we will need to overcome in order to realise tomorrow's possibilities.</p><p><i>A Traveler's Guide to the Stars</i> is your passport to the next great frontier of human discovery, providing a rare inside look at the remarkable breakthroughs in science and technology that will help tomorrow's space travellers chart a course for the stars.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Les Johnson</b> is a physicist whose many books include <i>Graphene: The Superstrong, Superthin, and Superversatile Material That Will Revolutionize the World</i>; <i>Solar Sails: A Novel Approach to Interplanetary Travel</i>; and <i>The Spacetime War</i>. He serves as principal investigator for NASA's first interplanetary solar sail space missions, Near-Earth Asteroid Scout and Solar Cruiser, and lives in Madison, Alabama.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The modernist RSL club, the Art Deco cinema, the stilted Queenslander or the elaborate Edwardian. The iconography of Australia's regional towns is familiar to many of us, whether we live, work and play in these places, or just journey through. A distinctive Australian architecture has developed, less glamorous or coherent than the grand public buildings in the capital cities, but no less classic or important to our sense of identity.</p><p>The images in this book are a snapshot of the Australian town, from Warrnambool to Broome, captured by the National Library of Australia's photographers in the 1990s. Each building is a reflection of the local climate, history, landscape and people, and yet there are commonalities. When we make a pitstop at a town on our summer pilgrimage to the coast or to visit relatives, recognise the surf lifesaving club, the public pool, a milkbar because we know the architectural language. These are our towers and spires.</p><p>An Australian town might contain more or fewer Victorian, Edwardian, Federation, Colonial, Italianate, Modernist, Contemporary and Art Deco buildings. Its suburbs might have been built in a gold rush fervour in the 1850s or have sprawled in the 1960s or big blocks and old homes replaced with blocks of flats in the 1980s. But the design mishmash that so upset Robin Boyd in the 1960s today can move us and make us feel at home. Here is the Great Australian Beauty of our towns, in all its nostalgic, iconic, recognisable glory.</p><p></p><p>List of towns included in <i>Our Streets: The Regional Cities and Major Towns Project:</i></p><p>ALBANY, ALBURY, ALICE SPRINGS, ARMIDALE, BAIRNSDALE, BALLARAT, BATHURST, BEGA, BENDIGO, BERRIMA, BOWEN, BRAIDWOOD, BROKEN HILL, BROOME, BUNBURY, BUNDABERG, BURNIE, BURRA, CAIRNS, CARNARVON, CHARTERS TOWERS, CLONCURRY, COFFS HARBOUR, COOBER PEDY, COOTAMUNDRA, DENILIQUIN, DERBY, DEVONPORT, DUBBO, ECHUCA, GAWLER, GEELONG, GERALDTON, GOULBURN, GUNNING, GYMPIE, HAMILTON, HERMANNSBURG, HOLBROOK, HORSHAM, KALGOORLIE, KATHERINE, LAUNCESTON, LISMORE, MACKAY, MAITLAND, MARYBOROUGH, MENINDEE, MITTAGONG, MOE, MURRAY BRIDGE, NARRABRI, NEW NORFOLK, NEWCASTLE, ORANGE, PORT LINCOLN, PORT PIRIE, QUEENSTOWN, RENMARK, ROCKHAMPTON, SHEPPARTON, SWAN HILL, TAMWORTH, TOWNSVILLE, TUMUT, VICTOR HARBOUR, WAGGA WAGGA, WARRNAMBOOL, WARWICK, WHYALLA, WINTON, WOLLONGONG, WYCHEPROOF, WYNDHAM, YASS, YOUNG</p>]]></Text>
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			<Text textformat="02"><![CDATA[Aboriginal art practices in southeast Australia are celebrated in ngargee where each of the nine chapters is the result of an intercultural collaboration. Art is at the centre of the book, particularly the creative practice of influential matriarch Maree Clarke.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Aboriginal art practice in southeast Australia is dynamic, innovative and powerful. This is clear from the diverse artworks in this book which celebrate contemporary Aboriginal artists and their continuation of Ancestral knowledge. The artworks shown are accompanied by commentary and analysis unpacking complex issues related to First Nations art-making and culture-making.</p><p>A guiding theme is the creative practice of internationally renowned artist Maree Clarke (Mutti Mutti/ Wamba Wamba/ Yorta Yorta/ Boonwurrung). Maree's talent for collaborations and passion for reclaiming and reviving arts practices over almost forty years has seen her recognised as a leading southeast Australian artist, with invitations to work in France, Italy, Japan, Cuba, UK, Canada and the USA.</p><p><i>ngargee </i>is a collection of intercultural partnerships that prioritise learning with and about First Nations artists to support Indigenous knowledge systems. These engagements take us from possum skin cloak-making in modern-day Melbourne, to 19th century German paintings, to sharing the knowledge and art of feather flower-making revivified in Maree's backyard. Each chapter showcases southeast Australian contemporary Aboriginal creatives with international and Australian co-producers.</p><p><i>ngargee</i> presents a model of intercultural collaboration led by Aboriginal artists and knowledge holders. Southeast Australian Aboriginal art here receives the attention and celebration it so richly deserves. This vibrant and multivocal collection is an indispensable resource for all Australian museums and galleries, and anyone who wants to learn more about contemporary First Nations art.</p><p><i>ngargee</i> means coming together to celebrate in Boonwurrung language, where celebrations are accompanied and demonstrated through the act of making art. Just as art and culture cannot be separated, neither can celebration and art-making.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Frances Edmonds </b>is an interdisciplinary scholar working mainly in the field of anthropology. Her work is collaborative, participatory and community based. Her research interests include art and wellbeing; decolonising methodologies; the creative use of digital technologies; visual studies; oral history and storytelling; cultural revitalisation and the archival and ethnographic record; and the intersection between Indigenous and Western knowledge systems. She was the senior research fellow on the Australian Research Council (ARC) Indigenous Discovery Project, 'Storytelling and the Living Archive of Aboriginal Knowledge' (2020-24). Between 2014 and 2017, she worked closely with First Nations young people at Korin Gamadji Institute, Melbourne, supporting collaborative research throughout the ARC Linkage project 'Aboriginal Young People and Digital Storytelling'.</p><p><b>Sabra Thorner</b> is a cultural anthropologist who has worked with Indigenous Australians for more than twenty years, focusing on photography, digital technologies and archiving as forms of cultural activism. In the past few years, her work has increasingly turned towards collaborative and decolonising methodologies in both research/writing and in teaching/learning. She is especially interested in contemporary arts and cultural production, matriarchal forms of knowledge transmission, and storytelling as an expression of Indigenous sovereignty. She's held fellowships from AIATSIS, Fulbright, Mellon, the Smithsonian and Wenner-Gren, and has published her work in Museum Anthropology, AnthroVision, The Journal of Material Culture, Oceania and Visual Anthropology Review. She is an assistant professor at Mount Holyoke College.</p><p><b>Maree Clarke </b>(Yorta Yorta/Wamba Wamba/Mutti Mutti/Boonwurrung) is an artist and curator who grew up in Mildura (northwest Victoria), on the banks of the Murray River, and who has been living and working in Melbourne for over 30 years. She has become a pivotal figure in the revitalisation of southeast Australian Aboriginal art and cultural practices. This includes possum skin cloaks, kangaroo teeth necklaces, eel traps, kopi mourning caps and much more  in both traditional materials and contemporary, such as glass and 3D printing. Her practice includes lenticular prints, 3D photographs and photographic holograms, as well as painting, sculpture and video installation. The through line of her work is to facilitate intercultural dialogue and collaboration about the ongoing effects of colonisation, while simultaneously providing space for Aboriginal people and communities to engage with and mourn the impact of dispossession and loss. She is deeply committed to transmitting knowledge to younger generations (and anyone else who is willing to learn). Clarke has exhibited her work widely in Australia and beyond, and her work is held by the Koorie Heritage Trust, Museums Victoria and the National Gallery of Australia. In 2021, her work was featured in a major retrospective, Ancestral Memories, at the National Gallery of Victoria. </p>]]></Text>
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			<Text textformat="02"><![CDATA[Meticulously researched and beautifully presented, A Matter of Taste takes   you on an entertaining, nostalgic and insightful culinary journey through   Australian food, culture and history.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Since its inception in 1933, <i>The Australian Women's Weekly</i> has been Australia's highest-selling women's magazine, in large part due to its hugely   popular cookery section and companion cookbooks. From birthday cakes to   barbecues, mock meat to Chinese food, the <i>Weekly</i> taught generations of Australians what to eat and how to cook it at home. Yet despite this, the magazine and its influence on Australian cooking has been overlooked in histories of Australian food. <i>A Matter of Taste </i>restores the <i>Weekly</i> to its rightful place at the centre of Australia's food culture.</p><p>Drawing on recipes, food editorials and readers' memories, <i>A Matter of Taste</i> is a celebration of the<i> Weekly</i>'s vital role in the development of Australian food culture, debunking the myth that Australian food was 'bland' and 'boring' prior to postwar migration, and illuminating important relationships between food, culture and identity. It shows that the magazine encouraged its readers (mostly women) to be adventurous, to experiment in the kitchen, and to try new ingredients and flavours, stimulating an eclectic, Australian way of eating, which is still reflected on our tables today.</p><p>Meticulously researched and beautifully presented, <i>A Matter of Taste</i> takes   you on an entertaining, nostalgic and insightful culinary journey through   Australian food, culture and history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr Lauren Samuelsson </b>holds a PhD in history from the University of Wollongong, Australia, where she is an Honorary Fellow. Lauren's research interests include cultural history, the history of food and drink, the history of popular culture and gender history. Her award-winning work has been published in <i>History Australia</i> and <i>Australian Historical Studies</i>. She has also published in <i>The Conversation</i> and is a regular guest on Australian radio, where she shares her love of food history with people nationwide. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>With appeal to more than just punk history obsessives, <i>Orstralia</i> offers an unprecedented snapshot of an underacknowledged segment of Australian life and history.</p><p>Far from punk's more modish North Atlantic core in the late 1970s, discontented youth in Australia were enacting similar musical and cultural reckonings. Yet in spite of the Australia&amp;#x27;s purported &amp;#x27;laid-back&amp;#x27; national demeanour, punks there were routinely met with insult, fist, or the police baton.</p><p>More subterranean than the national scandal that was punk back in &amp;#x27;homeland&amp;#x27; Britain, Australia's own bands nonetheless came to be heralded internationally. <i>Orstralia</i> represents the first definitive account of the country's initial years, from progenitors the Saints and Radio Birdman in the mid-70s, through the emergence of hardcore in the 1980s, to the stylistic diffusion that accompanied transition to the 1990s.</p><p>Based on over 130 interviews, <i>Orstralia</i> documents the most renowned to the most fleeting and obscure acts the nation produced. Included are equally engrossing and shocking personal narratives befitting such a passionate and intemperate cultural form, as well as punk's placement within broader Australian society at the time.</p><p><b>&amp;#x27;Australia has some claim to being a punk founder nation, most obviously through the influence of the Saints and Radio Birdman. In </b><b><i>Orstralia</i></b><b>, Tristan Clark explores the wider terrain to recover a vibrant prepunk, punk, and postpunk history that captures the vibrancy and excitement of a culture brimming with ingenuity and teenage verve. A brilliant book and essential reading for all those interested in punk&amp;#x27;s cultural past.&amp;#x27;  Matthew Worley, author of </b><b><i>No Future: Punk Politics and British Youth Culture, 197684</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Tristan Clark</b> is a Melbourne-based educator, musician, and writer. His involvement in punk has spanned over three decades and encompassed a near gamut of roles: band member, roadie, merch person, show organiser, Food Not Bombs volunteer, community radio DJ, as well as having written sporadically for local zines and other publications. He now routinely encounters the young students he spends his week working with at local DIY shows and is heartened by punk's continued ability to self-reproduce.</p>]]></Text>
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