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			<Text textformat="02"><![CDATA[<p>Before Jekyll and Hyde, there was someone else ...</p><p><i>The Haunting of Mr and Mrs Stevenson</i> is a gothic delight. It tells the story of Robert Louis Stevenson's friendship with the charming Eugene Chantrelle and the murder mystery that contributed to Robert's need to create a novel focused on the dualistic nature of the psyche.</p><p>From a seance with the Shelleys at Boscombe Manor to a haunted wardrobe made by an infamous Scottish criminal, the novel is underscored by the story of two writers very much in love. Fanny and Robert were married in 1880, when she was forty and he was twenty-nine. An American who divorced her philandering husband to marry Robert, she was already the mother of children, a self-supporting writer, and with intelligence and wit very much the rock in their relationship. </p><p>Brilliantly told in Fanny's voice, this atmospheric novel is both the story of an unconventional literary relationship and a page-turning mystery that reveals the truth about the people, objects and events that inspired Stevenson to write <i>The Strange Case of Dr Jekyll and Mr Hyde</i>. </p><p><b>Praise for Belinda Lyons-Lee's Writing </b></p><p><b>'It's an exhilarating ride, and the writing is astute, and often elegant.' </b> <b>Thuy On, </b><b><i>Sydney Review of Books </i></b></p><p><b>'Lyons-Lee can absolutely craft a ripping yarn.' </b> <b>Jodie Sloan, </b><b><i>The AU Review </i></b></p><p><b>'Fully researched, but never lets the learning dominate. Rather the sense of a lost time is palpable ...'</b>   <b>Lucy Sussex, </b><b><i>The Australian </i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Belinda Lyons-Lee </b>was born in Geelong, Australia and still lives in the region with her husband and son. She has degrees in youth work, education, writing and literature. Belinda has been teaching English and creative writing in high schools for nearly twenty years and the nineteenth century has been an obsession of hers for even longer. Belinda has had various articles published that explore writing, vocation, mental health and creativity. <i>Tussaud,</i> her debut novel, was published in print and audio in 2021. You can find out more:  <a href="http://www.blyonslee.com">http://www.blyonslee.com</a></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A coming of age novel in a world marked by political turmoil and the threat of violence </b></p><p>As a child in Pakistan, Jahan was raised on her grandmother's stories, influenced by the demons of folklore, and the memory of violence and forced displacement caused by the British partition of India  tales that taught her to be wary of the world. But her grandmother's life, filled with quiet defiance, hints at another truth. Jahan rebels against the constraints she lives under as a young woman growing up in Lahore, and migrates to Australia, where she meets her husband, whose family is Arabic. As she reckons with the unruliness of her body after a miscarriage, and the bushfires which threaten their home and their horses on the rural outskirts of Sydney, she is forced to confront the violence that haunts her, against women, animals, and in nature</p><p>A feminist anti-tale, written in a unique, compelling and expressive style, <i>What Kept You?</i> explores survival, metamorphosis, and the radical freedom of choosing one's own ending. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Raaza Jamshed's</b> writing has appeared in <i>Guernica</i>, <i>Meanjin</i>, <i>Sydney Review of Books</i> and <i>Australian Book Review</i>. She holds a doctorate in Creative Arts from Western Sydney University where she is an Adjunct fellow. Her story, 'Miracle Windows', was a prize-winner in the 2019 <i>ABR</i> Elizabeth Jolley Short Story competition. In 2021 she launched <i>Guernica</i> magazine's Global Spotlights series as a fiction editor. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'If I must die, let it bring hope, let it be a tale.'</i></p><p>This rich, elegiac compilation of work from the late Palestinian poet and professor, Refaat Alareer, brings together his marvellous poetry and deeply human writing about literature, teaching, politics, and family.</p><p>The renowned poet and literature professor Refaat Alareer was killed by an Israeli airstrike in Gaza City alongside his brother, sister, and nephews in December 2023. He was just forty-four years old, but had already established a worldwide reputation that was further enhanced when, in the wake of his death, the poem that gives this book its title became a global sensation. "If I Must Die" is included here, alongside Refaat's other poetry.</p><p>Refaat wrote extensively about a range of topics: teaching Shakespeare and the way Shylock could be appreciated by young Palestinian students; the horrors of living under repeated brutal assaults in Gaza, one of which, in 2014, killed another of his brothers; and the generosity of Palestinians to each other, fighting, in the face of it all, to be the one paying at the supermarket checkout.</p><p>Such pieces, some never before published, have been curated here by one of Refaat's closest friends and collaborators. This collection forms a fitting testament to a remarkable writer, educator, and activist, one whose voice will not be silenced by death but will continue to assert the power of learning and humanism in the face of barbarity.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Refaat Alareer</b>gained his PhD with a dissertation on the poetry of John Donne. He taught English Literature at the Islamic University of Gaza, now destroyed. He is the editor of two collections of writing by his students,<i>Gaza Writes Back</i>and<i>Gaza Unsilenced</i>(both published by Just World Books). His journalism featured in<i>The New York Times</i>,and he appeared on the BBC, ABC News,and Democracy Now. He was a volunteer at the Gaza Zoo.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Join the rebellion to burn down a cruel tyrant in this heartracing new fantasy duology, perfect for fans of <i>Shadow and Bone</i> and <i>The Wolf and the Woodsman</i>.</p><p>To cage a god is divine.</p><p>To be divine is to rule.</p><p>To rule is to destroy.</p><p>Using ancient secrets, Galina and Sera's mother grafted gods into their bones. Bound to brutal deities and granted forbidden power no commoner has held in a millennia, the sisters have grown up to become living weapons. Raised to overthrow an empire  no matter the cost.</p><p>With their mother gone and their country on the brink of war, it falls to the sisters to take the helm of the rebellion and end the cruel reign of a royal family possessed by destructive gods. Because when the ruling alurea invade, they conquer with fire and blood. And when they clash, common folk burn.</p><p>While Sera reunites with her estranged lover who now leads the rebellion, Galina infiltrates the palace. In this world of deception and danger, her only refuge is an isolated princess, whose whip-smart tongue and sharp gaze threaten to uncover Galina's secret. Torn between desire and duty, Galina must make a choice: work together to expose the lies of the empire-or bring it all down.</p><p><b>'A riveting world, a fierce heroine, and electrifying action  I burned through this sparkling debut!'  Sarah J. Maas,</b> <b><i>New York Times</i></b> <b>bestselling author</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Elizabeth May</b> is a<i> Sunday Times</i> bestselling author of science fiction and fantasy novels, including <i>Seven Devils, Seven Mercies,</i> and the <i>Falconer</i> trilogy, and historical romances under the pen name Katrina Kendrick. She writes about monsters and monster slayers, empire destroyers and rebellions, assassins and spies. Sometimes they live in palaces, and sometimes they live in the stars, and some of them fall in love. She Tweets @_ElizabethMay</p>]]></Text>
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			<Text textformat="02"><![CDATA[A true challenge to Golden Age fans, famous for its light-touch clues hidden through the narrative, and an ending that still resonates today. Set in the countryside of Dorset and Somerset, with lashings of international intrigue.]]></Text>
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			<Text textformat="02"><![CDATA[<p>John Waterhouse has died of some gastric complication. Exhumed at his brother's request, it transpires that he has been killed by arsenical poisoning, though nobody in the sleepy village of Anneypenny seems to have had a reason to do him ill. Rumours abound of Nazi intrigue and military skullduggery, but whatever the motive, the truth remains; this was murder.</p><p>Originally serialised as a competition with a prize for the readers that could answer Berkeley's direct challenge of 'who was the poisoner?', <i>Not to Be Taken</i> remains one of the most fiendish exercises in subtle cluework and detection from the Golden Age of Crime.</p><p><b>'...now we have Not to Be Taken, a compact and fascinating essay in the art of home detection.'  Torquemada in</b> <b><i>The Observer</i></b><b>, 1938</b></p><p><b>'The murder is by arsenic; and although the number of suspects is strictly limited the construction is so ingenious that to attain the correct solution of the problem requires all the reader's concentration; to skip is fatal.' </b> <b><i>Times Literary Supplement</i></b><b>, 1938</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Anthony Berkeley</b> was a pen name of Anthony Berkeley Cox (1893-1971), one of the most important figures in the history of British crime fiction. As well as being the author of many classic detective stories, Berkeley was the founder of the prestigious Detection Club for the finest crime writers.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The spiritual successor to the popular Tales of the Weird anthology Queens of the Abyss, published in 2020. An anthology delivering one of the core missions of the Tales of the Weird series  bringing unjustly forgotten authors of the genre back into the limelight.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Veteran anthology editor Mike Ashley returns with a collection of rare stories by women writers from the hayday of Weird Tales and its chilling pulp contemporaries.</p><p>Featuring a riot of monsters, murderesses and madness from a mixture of lesser-known writers and some surprises such as Lucy M. Montgomery, author of Anne of Green Gables, this new selection also includes a 1980s story by Tanith Lee, one of the great proponents of Weird Tales magazine's revival era, and a recently discovered tale by the fantasy writer Evangeline Walton.</p><p><b>'In addition to being one of the UK's foremost cultural institutions, the British Library has a publishing arm that is dedicated to resurrecting and reintroducing the works of forgotten and under-appreciated writers and it is them we have to thank for this fantastic volume of works by women writers whose literary endeavours fall squarely into that category.'</b> <b><i>In Daily</i></b><b>, QLD</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Edith Wharton</b> (1862-1937) was an American writer whose best-known works are <i>The House of Mirth</i> (1905) and <i>The Age of Innocence</i> (1920), for which Edith won the Pulitzer Prize, becoming the first woman ever to do so. As well as writing novels, she wrote over eighty short stories and published the celebrated collections of uncanny stories <i>Tales of Men and Ghosts</i> (1910), <i>Xingu and Other Stories</i> (1916) and her collection of personal favourites, <i>Ghosts</i> (1937).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>She knew now, with a sense of deep tranquil certainty, that terror and injury could not spring from love of this kind, no matter what Nurse said. But she could not put all this into words.</i></p><p>Set over the course of a summer,<i> The Spring Begins</i> follows the autonomous awakenings of three women at various stages of life and at different levels of employment within households. There's the young orphan Lottie, employed as a nursemaid to the wealthy Kellaway children and terrified by the world of men; the scullery maid Maggie, 19, and unafraid of seeking out pleasure where it is offered to her; and Hessy Price the older governess to a local clerical family whose worldview shatters when her younger sister becomes engaged. As each woman tries to navigate their physical desires alongside social propriety, the currency of beauty and youth alongside the toll domestic work and poverty takes on their bodies, each comes to find happiness in their own unique way.</p><p>This human drama is set against the Kellayway's beautiful country house, though the house is often little more than the anchor to the vast garden and the wild stretch of coast owned by the family. It is against the bloom of flowers and the crash of waves that these springs of attraction and longing play out.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>(Rhona) Katherine Dunning</b> (19001975) was born in Arklow, County Wicklow, and was the youngest of three artistically talented daughters. After the death of their father, the family moved to Sussex, England where Rhona began writing under the pen name Katherine Dunning to support the family. Between 1932 and 1952 she published five novels and numerous short stories.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A gripping and vividly imagined historical mystery set in 18th century London, from the author of acclaimed historical novel The Dazzle of the Light...]]></Text>
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			<Text textformat="02"><![CDATA[<p>London, June 1759. When a charmless civil servant takes his own life, few are interested in his death. But Lizzie Hardwicke, who plies her trade in the brothels of London whilst also working as an undercover sleuth for the magistrate, can see no reason why a man who had everything to look forward to would wish to end his life.</p><p>Lizzie's search for answers takes her from the smoke-filled rooms of fashionable gambling houses, where politicians mix ambition with pleasure, to the violent streets of Soho, ready to erupt with riots in the sultry summer heat. All the while, she is navigating her complicated feelings for the magistrate's trusted assistant, Will Davenport, and a disturbing situation at home.</p><p>Then a gambling house owner is brutally murdered, and Lizzie finds herself tangled in a chaos that she cannot control. The darkest of secrets threatens to turn Davenport against her forever; its exposure will send her to the gallows.</p><p> </p><p><b>Praise for Georgina Clarke</b></p><p><b>'A gripping page-turner with a sassy and fabulously original heroine in the form of Lizzie Hardwicke  I loved it!' - Annie Lyons, author of</b> <b><i>Eudora Honeysett is Quite Well, Thank You</i></b></p><p><b>'From sumptuous depravity to brutal murder,</b><b><i> Death and the Harlot</i></b><b> is a wild ride through the seedy side of 1750s London, while its heroine, Lizzie Hardwicke, is razor sharp and brilliantly original. I couldn't put it down' - Joe Heap, author of </b><b><i>When the Music Stops</i></b></p><p><b>'Fans of Sarah Waters and Kate Atkinson will adore this compelling, evocative and utterly gripping tale... It deserves to be huge' - </b><b><i>Red Magazine</i></b><b> on </b><b><i>The Dazzle of the Light</i></b></p><p><b>'A marvellous read... Two fabulous protagonists, you will be rooting for them both' - Prima on</b><b><i> The Dazzle of the Light</i></b></p><p><b>'A vibrant story of survival, feminism, misogyny and living life on the edge' - Sunday Express S Magazine on </b><b><i>The Dazzle of the Light</i></b></p><p><b>'Cinematic' - </b><b><i>Daily Mail</i></b><b> on</b><b><i> The Dazzle of the Light</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Georgina Clarke</b> has a degree in theology and completed a PhD in history part-time, while working as a parish priest. Her love of the past is at the heart of her fiction: her Lizzie Hardwicke crime series is set in the mid-eig18th century, and her latest novel  <i>The Dazzle of the Light </i> unfolds in 1920s London and is inspired by the real-life activities of the women-led Forty Thieves crime syndicate. In 2021, Georgina began working as a tutor at The Queen's Foundation in Birmingham, training clergy. When she's not working, she enjoys dressmaking, running and mooching.</p>]]></Text>
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			<SubjectHeadingText>1960s fiction; 20th Century Ireland; An Apology for Roses; Arts Council of Ireland; Athlone; County Westmeath; Irish Catholic; Irish Fiction; LGBTQ+ fiction; London Irish; McNally Jackson Books; Sarah McNally; The Pride of Summer; The Trial of Father Dillingham; arthritis; banned books; banned novels; black comedy; catholic satire; claire keegan; edna o'brien; erotic novels; gay fiction; modern Irish literature; pilgrimage to Lourdes; psychological suspense; queer stories; small town ireland; theocracy; twist ending</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[An erotic nightmare of Catholic longing, guilt, and desire and a banned classic of modern Irish literature.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An erotic nightmare of Catholic longing, guilt, and desire and a banned classic of modern Irish literature.</b></p><p>Wealthy and devout, Michael and Julia Glynn are the envy of their neighbors and the model Irish Catholic couple, bearing Michael's increasingly painful and crippling arthritis with stoicism. In hope of a miracle, their priest suggests a family pilgrimage to Lourdes. Yet these pious holiday plans are thrown into disarray when anonymous, obscene letters begin to arrive, full of terrible accusations.</p><p>Banned in Ireland on its first publication in 1961, Broderick's debut arrived 'like an incendiary device' (<i>Sunday Independent</i>). <i>The Pilgrimage</i> anticipated the deep shifts that would soon turn the country's theocratic society upside down. It is a darkly comic, blasphemous, and sexually charged chamber drama laying bare the hypocrisies of a small Irish town 'as watchful as the jungle', and teetering on the brink of catastrophe. In the words of Colm Tibn, in his foreword to this edition, <i>The Pilgrimage</i> 'cleared a space in the jungle so that its wildness could be more easily seen'.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John Broderick</b> (19241989) was born in Athlone, County Westmeath, Ireland and died in Bath, England. He worked as a journalist and was author of numerous novels including<i> An Apology for Roses</i> (1973),<i> The Pride of Summer </i>(1976),<i> London Irish </i>(1979) and <i>The Trial of Father Dillingham </i>(1982).</p><p><b>Colm Tibn</b> is the author of eleven novels, including <i>Long Island; The Magician</i>, winner of the Rathbones Folio Prize; <i>The Master,</i> winner of the Los Angeles Times Book Prize;<i> Brooklyn</i>, winner of the Costa Book Award; <i>The Testament of Mary</i>; and <i>Nora Webster</i>; as well as two story collections and several books of criticism. He is the Irene and Sidney B. Silverman Professor of the Humanities at Columbia University and has been named as the Laureate for Irish Fiction for 20222024 by the Arts Council of Ireland. Three times shortlisted for the Booker Prize, Tibn lives in Dublin and New York.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>When Bunny Linden abandons her three children with her older sister, Jayne, in 1972, she knows Jayne will be the perfect mother. The mother Bunny, a teen runaway, could never be.</p><p>As months turn into years without word, Jayne and her husband, Rodger, a rising star of New York's journalism scene, strive to give the children the opportunity to flourish and feel loved. When Jayne and Rodger finally have a child of their own, a seemingly stable home is built. But then, after nearly a decade, Bunny resurfaces and sets a chain of events in motion that detonates all their lives.</p><p>As adults, their children try to reassemble the pieces and solve the mystery that has always haunted them: who were their parents? What really happened between them? And who is ultimately to blame for the destruction?</p><p><b>'Kraus perfectly captures the ache and stretch of adolescence, the grief and rage of middle age and the loss and doubt that form the drumbeat beneath it all. Consistently surprising in all the best ways, this book is a beacon!' - Catherine Newman, author of </b><b><i>Sandwich</i></b></p><p><b>'A unique, deeply moving story told with heart, depth and humor' - Rebecca Serle, author of </b><b><i>In Five Years</i></b></p><p><b>'So heartbreaking and so good I couldn't stop reading... Like Ann Patchett, Kraus gets at the heart of how people can disconnect from their truest selves, and how, if they're lucky, they can find their way back' - Caroline Leavitt, author of </b><b><i>Pictures of You</i></b></p><p><b>'Writing with grace and intelligence, Kraus explores the complex intersection of memory and loyalty in a sweeping story about a broken family and the women who knit together the remains. Perfect for book clubs' - Sarah Pekkanen, author of</b><b><i> House of Glass</i></b></p><p><b>'Kraus deftly shows how the fog of generational trauma can finally give way to clarity and understanding when the grown children in a uniquely blended family learn how their mothers' painful pasts shaped them all' - Laura Zigman, author of</b><b><i> Small World</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A small farming village in North Sudan wakes up one morning to the news that a little boy has drowned. Soon after, the animals die of a mysterious illness and the date gardens catch fire and burn to the ground. The villagers whisper of a sorceress who dwells at the foot of the mountains. It is the dry season. The men have places to go, the women have work to do, the children play at the place where the river runs over its own banks. Sixteen-year-old Fatima yearns to leave the village for Khartoum.</p><p>In Khartoum, a single mother makes her way in a world that wants to keep girls and women back. As civil war swells, the political intrudes into the personal and her position in the capital becomes untenable. She must return to the village.</p><p><i>A Mouth Full of Salt</i> uncovers a country on the brink of seismic change as its women decide for themselves which traditions are fit for purpose  and which prophecies it's time to rewrite.</p><p><b>'Lively and engaging ...Gaafar's village characters are vivid and skilfully drawn ...</b> <b><i>A Mouth Full of Salt</i></b><b> gives up its secrets slowly, a trait that only enhances the reading pleasure of this intricate jewel of a novel.' </b> <b><i>New Internationalist</i></b></p><p><b>'</b><b><i>A Mouth Full of Salt</i></b><b> skillfully recounts the nuanced history of two countries that were divided long before they had any say in the matter. Gaafar approaches this narrative with compassion, confronting uncomfortable truths head-on.' </b> <b><i>The New Arab</i></b></p><p><b>'Insightful, elegant and compelling, with a profound sense of place. Gaafar shows brilliance in the ways she weaves destinies together.'  Karen Jennings, author of</b> <b><i>Crooked Seeds</i></b></p><p><b>'An impressive debut. I was gripped until the very last sentence.'  Leila Aboulela, author of</b> <b><i>River Spirit</i></b></p><p><b>'It's in times like these that Sudanese storytelling must be elevated more than ever  so these stories are not forgotten.'  Soaliha Iqba,</b><b><i> Missing Perspectives </i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Reem Gaafar</b> is a writer, physician and filmmaker. Her writing has appeared in <i>African Arguments, African Feminism, Teakisi Magazine, Andariya</i> and <i>500 Words Magazine</i>, among others. Her short story 'Light of the Desert' was published in <i>I Know Two Sudans</i> (Gipping Press UK, 2014) where it was awarded an Honourable Mention. Her short story 'Finding Descartes' was published in <i>Relations: An Anthology of African and Diaspora Voices</i> (HarperVia, 2023). <i>A Mouth Full of Salt</i> is her debut novel and Winner of the Island Prize 2023. Gaafar lives in Canada with her husband and three sons.</p>]]></Text>
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			<SubjectHeadingText>poetry; prose; Arab; writers; mystical; Qur'an; imagery; stories; longing; translated; excerpts; authors; significance; collection; literary; heritage; vibrant; distinctive; beauty; expression; thought; world; literature; gems; captivating; powerful; verses; history; culture; translation; influence; tradition; storytelling; passion; emotion; connection; exploration; identity; wisdom; philosophy; profound; timeless; reflection; legacy; voices; experience; masterpiece</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[A compelling landmark anthology by two of the world's leading scholars of Arabic literature, it will become the key reference text of our age. With translated extracts of works by famous and lesser known but equally significant authors, it will appeal to those with an interest in world literatures and in Arab culture and history.]]></Text>
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			<Text textformat="02"><![CDATA[<p>A unique and extraordinary collection, <i>Desert Songs of the Night</i> presents some of the finest poetry and prose by Arab writers, from the Arab East to Andalusia, over the last 1,500 years. </p><p>From the mystical imagery of the Qur'an and the colourful stories of <i>The Thousand and One Nights</i>, to the powerful verses of longing of Mahmoud Darwish and Nazik al-Mala'ika, this captivating collection includes translated excerpts of works by the major authors of the period, as well as by lesser known writers of equal significance. </p><p><i>Desert Songs of the Nigh</i>t showcases the vibrant and distinctive literary heritage of the Arabs. Beautifully produced, this is the ideal book for lovers of world literature and for those who seek an acquaintance with gems of Arab thought and expression.</p><p><b>'</b><b><i>Desert Songs of the Night</i></b><b> is a wonderful introduction to fifteen centuries of a literature still largely unknown in the West, without which much of our civilizations would not have developed as they have, from the rediscovery of Aristotle by Arab commentators to the lyric poetry of Europe, from the magical world of the Arabian Nights to the modern revolutionary poets of Palestine. Absolutely essential reading for our troubled times.'  Alberto Manguel, author of</b> <b><i>A History of Reading</i></b></p><p><b>'At a time when the world is obsessing about violence and bloodletting in the Arab world, this remarkable anthology, which spans 1,500 years of Arab literary genius, is a stark reminder of the real story we keep missing about the region.' </b> <b>Hanan al-Shaykh, author of</b> <b><i>One Thousand and One Nights</i></b></p><p><b>'This is a beautiful-looking book and inside the romance and beauty continue ... a valuable volume' </b> <b><i>Sunday Herald</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Suheil Bushrui</b> is a distinguished author, poet, critic and translator, particularly revered as an authority on the works of W. B. Yeats and Kahlil Gibran. A university professor for the last 56 years, Bushrui has taught at universities in Europe, the Middle East, Africa and North America. He is currently the Emeritus Professor and first incumbent of the George and Lisa Zakhem Kahlil Gibran Chair for Values and Peace at the University of Maryland, where he is also a Senior Scholar of Peace with the Center for International Development and Conflict Management. The recipient of many awards, Bushrui's publications are extensive in both English and Arabic, and include <i>Desert Songs of the Night: 1500 Years of Arabic Literature</i>, <i>The Wisdom of the Arabs</i>, <i>The Prophet: A New Annotated Edition</i> and <i>The Spiritual Heritage of the Human Race</i>.</p>]]></Text>
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			<SubjectHeadingText>Arabic; bilingual; desire; feminism; love; poetry; romance; sexuality; wit; women; women poets</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Classical Poems by Arab Women spans 5,000 years, showcasing over fifty female poets from pre-Islamic to Andalusian periods. Featuring poems from Khansa's sorrowful eulogies to Wallada bint al-Mustakfi's scornful verses, this bilingual collection celebrates the bold, often suppressed voices of Arab women in literary history.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Arab women poets have been around since the earliest of times, yet their diwans (collected poems) were not given the same consideration as their male counterparts'.<br/><br/>Spanning 5,000 years, from the pre-Islamic to the Andalusian periods, <i>Classical Poems by Arab Women</i> presents rarely seen work by over fifty women writers for the first time. From the sorrowful eulogies of Khansa to the gleeful scorn of Wallada bint al-Mustakfi, this collection exclusively features the work of Arab women who boldly refused to be silenced. The poems are excursions into their vibrant world whose humanity has been suppressed for centuries by religious and political bigotry.<br/><br/>With poems in both English and Arabic, this remarkable anthology celebrates feminine wit and desire, and shows the significant contribution Arab women made to the literary tradition.</p><p><b>'This is some of the most beautiful poetry in the world ... Timeless.'  Tracey Emin</b></p><p><b>'The range of female poets from radically different eras is extraordinary, as is how fearlessly they speak about their desires'  Mona Eltahawy</b></p><p><b>'A unique anthology that transcends love and liberation'  Moris Farhi</b></p><p><b>'An outspoken and controversial book that provides many moments for both enjoyment and reflection.'  Denys Johnston-Davies</b></p><p><b>'The very process of anthologizing the names of so many unfamiliar poets has provided a useful historical survey.'  Roger Allen</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Abdullah al-Udhari </b>was born in Taiz, Yemen, in 1941, and has lived in London since 1962. He studied classical Arab literature and Sabaean epigraphy at London University, where he also received a doctorate for his pioneering study, <i>Jahili Poetry before Imru al-Qais [4000 BCE500 CE]</i>, which established him as an authority on early Jahili literature. In 1974 he founded and edited <i>TR</i>, an Anglo-Arab literary and arts magazine. He is a literary historian, poet and storyteller, editor of <i>Classical Poems by Arab Women</i> (Saqi Books), and author of <i>Voice Without Passport</i>, <i>The Arab Creation Myth</i>, <i>Victims of a Map</i>, and <i>Modern Poetry of the Arab World</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner of the T. S. Eliot Prize 2021 and the Polari Prize 2022**</b></p><p><b>A</b> <b><i>New Statesman</i></b><b>,</b> <b><i>TLS</i></b> <b>and</b> <b><i>White Review</i></b> <b>Book of the Year</b></p><p>The female body is a political space.</p><p><i>C+nto</i> enters the private lives of women from the butch counterculture, telling the inside story of the protests they led in the '90s to reclaim their bodies as their own  their difficult balance between survival and self-expression. History, magic, rebellion, party and sermon vibrate through Joelle Taylor's cantos to uncover these underground communities forged by women.</p><p>Part-memoir and part-conjecture, Taylor explores sexuality and gender in poetry that is lyrical, expansive, imagistic, epic and intimate. <i>C+nto</i> is a love poem, a riot, a late night and an honouring.</p><p><b>'This writing is visionary ... I loved it.'  Hollie McNish</b></p><p><b>'Joelle Taylor has produced one of the most astonishing and original poetry collections of recent years.' </b> <b>Bernardine Evaristo,</b> <b><i>New Statesman Book of the Year</i></b></p><p><b>'A real treat ... in the vivid bar-set poems, Taylor brings a close-knit community to life ... inventive, powerfully moving work.' </b> <b><i>The Telegraph </i></b></p><p><b>'Absolutely incredible ... A celebration and a tribute to the dyke bars and the butches who left their mark, this book reminds the reader that to exist as we do is a form of protest. This is work that should not be missed.' </b> <b><i>Diva Magazine, Book of the Month</i></b></p><p><b>'Joelle Taylor is a fighter on the page ... Bold, combative and moving ... There is swank, swagger and firecracker protest in [Taylor's] writing... powerful.' </b> <b><i>The Observer</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Joelle Taylor</b> is an award-winning poet, playwright and author. A fellow of the Royal Society of Literature and a Saboteur Spoken Word Artist of the Year (2022), Taylor is the host and co-curator of Out-Spoken, the UK's premier poetry and music club, currently resident at the Southbank Centre. A former UK slam champion, she founded SLAMbassadors, the UK's youth slam championships, in 2001 and was its Artistic Director and National Coach until 2018. Taylor is the author of three plays, a forthcoming novel and four poetry collections, including <i>C+nto &amp; Othered Poems</i>, which won the 2021 T. S. Eliot Prize and was longlisted for the 2021 Ondaatje Prize. Her documentary <i>Butch</i> was recently featured on BBC Radio 4.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This ground-breaking collection from Tomoka Shibasaki, author of the acclaimed novel Spring Garden, pushes the short story to a new level.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This ground-breaking collection from Tomoka Shibasaki, author of the acclaimed novel </b><b><i>Spring Garden</i></b><b>, pushes the short story to a new level.</b></p><p>In these stories of human connection in a contemporary, alienated world, people come together to share pieces of their lives, then part. We meet the women who share a house after the outbreak of war before going their separate ways once it is over; the man who lives in a succession of rooftop apartments; the diverging lives of two brothers who are raised as latch-key kids by factory workers; the old ramen restaurant that endures despite the demolition of all surrounding buildings; people who watch a new type of spaceship lift off from a pier that once belonged to an island resort; and more.</p><p>These 34 tales from all over the planet have the compulsive power of news reports, narrated in a crisp yet allegorical style.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Tomoka Shibasaki</b> published her debut in 2000 when she was 27; it was adapted by Isao Yukisada and released as a film in 2004 (A Day on the Planet). Her 2007 novel <i>Sono machi no ima wa </i>(<i>That Town Today</i>) was awarded the Geijutsu Sensho Newcomers Prize, the Sakunosuke Oda Award, and the Sakuya Konohana Award. In 2010, her novel <i>Asako I &amp; II </i>received the Noma Newcomer's Award; the book was subsequently adapted for film by Ryusuke Hamaguchi and screened at Cannes. In 2014, Shibasaki won the Akutagawa Prize for her novel <i>Spring Garden</i>, now translated into many languages, including English (published by Pushkin Press).</p><p><b>Polly Barton </b>is an award-winning translator based in the UK. Her translations include <i>Spring Garden</i> by Tomoka Shibasaki (Pushkin Press, 2017), <i>Where the Wild Ladies Are</i> by Aoko Matsuda (Tilted Axis / Soft Skull Press, 2020), <i>There's No Such Thing as an Easy Job </i>by Kikuko Tsumura (Bloomsbury, 2021), and <i>So We Look to the Sky </i>by Misumi Kubo (Arcade, 2021). After being awarded the 2019 Fitzcarraldo Editions Essay Prize, in 2021 she published Fifty Sounds, her reflections on the Japanese language. Her translations of stories by Aoko Matsuda, Tomoka Shibasaki, and Kikuko Tsumura appear in MONKEY New Writing from Japan.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Ichabod Crane, a schoolteacher, came to Tarry Town in the glen of Sleepy Hollow to ply his trade in educating young minds. He was a gullible and excitable fellow, often so terrified by locals' stories of ghosts that he would hurry through the woods on his way home, singing to keep from hysterics. Until late one night, he finds that maybe they're not just stories. What is that dark, menacing figure riding behind him on a horse? And what does it have in its hands? And why wasn't schoolteacher Crane ever seen in Sleepy Hollow again?<br/><br/> This edition also includes Washington Irving's other short stories, including <i>Rip van Winkle</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Vengeful fury and Viking lore meet manga: Endorsed by Vinland Saga's Mokoto Yukimura.   Unleash the wrath of the 'War-Wolf'  epic battles between mighty warriors in a bygone era.]]></Text>
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			<Text textformat="02"><![CDATA[<p>The writer and artist <b>Chihiro Yoshioka</b> would be an extremely elusive figure if it weren't for their passion for soccer and art. As a devout soccer fan, it is no surprise that Yoshioka created <i>Football Alchemist</i>; a thrilling soccer story that keeps fans on their toes. They then boast their wonderful and versatile artistic and storytelling skills by completely switching genres for<i> Farewell, My Odin</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Wherever men live, be they nomads or city dwellers, there they must have law and a man to enforce it. Meet Detective John Law of Crossroads City. Strong, decent, hardworking and hard-nosed. He's a man who believes in the law and order. He's the last of a dying breed.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Wherever men live, be they nomads or city dwellers, there they must have law and a man to enforce it. Meet Detective John Law of Crossroads City. Strong, decent, hardworking and hard-nosed. He's a man who believes in the law and order. He's the last of a dying breed.</p><p>In 1948, Will Eisner produced the first issue of 'John Law Detective', which he intended to add to a line of self-published comics. However, after Eisner's 'Baseball Comics', 'Kewpies', and 'Pirate Comics' failed to find an audience, John Law never made it to the newsstand and was quietly dropped, with much of the original artwork reworked in 1950 for his most famous creation,<i> The Spirit</i>.</p><p>Featuring original stories by Will Eisner, Gary Chaloner's award-winning reboot from 2004, including a previously unpublished John Law Story, and a forward by long-time Eisner publisher Denis Kitchen, this is a must-have for not just Eisner fans but comic collectors of all ages.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gary Chaloner</b> is an Australian cartoonist, writer and artist. Born in March 30, 1963. He's worked on Mike Baron's <i>Badger</i>, <i>Ninja High School, Planet of the Apes, Breckinridge Elkins,</i> Robert E. Howard's <i>Savage Sword</i> and<i> Astro City.</i> He's also a publisher.</p><p><b>Will Eisner.</b> Born March 6, 1917. Cartoonist, writer, and entrepreneur. He was one of the earliest cartoonists to work in the American comic book industry, and his series<i> The Spirit</i> (1940-1952) was noted for its experiments in content and form. In 1978, he popularised the term 'graphic novel' with the publication of his book<i> A Contract with God</i>. He was an early contributor to formal comics studies with his book <i>Comics and Sequential Art</i> (1985). The Eisner Award was named in his honour and is given to recognize achievements each year in the comics medium; he was one of the three inaugural inductees to the Will Eisner Comic Book Hall of Fame.</p>]]></Text>
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			<Text textformat="02"><![CDATA[From the Shirley Jackson and Bram Stoker Award-winning author of The Devil Takes You Home, a group of five teenage boys in Puerto Rico seek vengeance after one of their mothers is murdered. Set during a vicious hurricane, a Latinx Stand By Me with a haunted, dark heart.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>For childhood friends Gabe, Xavier, Tavo, Paul, and Bimbo, death has always been close. Hurricanes. Car accidents. Gang violence. Suicide.</b></p><p>Estamos rodeados de fantasmas was Gabe&amp;#x27;s grandmother&amp;#x27;s refrain. We are surrounded by ghosts. But this time is different. Bimbo&amp;#x27;s mom has been shot dead. We&amp;#x27;re gonna kill the guys who killed her Bimbo swears. And they all agree. Feral with grief, Bimbo has become unrecognisable, taking no prisoners in his search for names. Soon, they learn Maria was gunned down by guys working for the drug kingpin of Puerto Rico. No one has ever gone up against him and survived. As the boys strategise, a storm gathers far from the coast. Hurricanes are known to carry evil spirits in their currents and bring them ashore, spirits which impose their own order.</p><p>Blurring the boundaries between myth, mysticism, and the grim realities of our world, <i>House of Bone and Rain</i> is a harrowing coming of age story; a doomed tale of devotion, the afterlife of violence, and what rolls in on the tide.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gabino Iglesias</b> is a writer, journalist, professor, and literary critic living in Austin, TX. He is the author of the Bram Stoker and Shirley Jackson Award-winning<i> The Devil Takes You Home</i>.</p>]]></Text>
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