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			<Text textformat="02"><![CDATA[<p>We are excited to introduce <i>Ferryman: The Life and Deathwork of Ephraim Finch</i>, an extraordinary narrative blending biography, memoir, and cultural history. Written with masterful prose, the book portrays Ephraim Finch OAM  a deathworker, community builder, and living repository of Jewish cultural memory. Drawing on his handwritten journals and moving interviews, Katia Ariel explores themes of grief, memory, celebrating life, ritual, and faith  all told with tenderness and wisdom.</p><p>Finch's journey from working-class Sydney, conversion to Orthodox Judaism and later, becoming the director of Melbourne's Jewish Burial Society (Chevra Kadisha), offers profound reflections on belonging, service, and the power of stories.</p><p>In his work over 34 years, Ephraim Finch provided unwavering support to bereaved families, including Holocaust survivors, and seamlessly navigated coroners, police, clergy, and medical professionals. In the process, he preserved sacred Jewish traditions whilst fostering understanding across religious and secular communities.</p><p>At a pivotal point in our history where cultural division and societal fractures threaten our sense of wellbeing and security, <i>Ferryman</i> is a story for our times  one of connection, service, and the sacredness of life.</p><p>With a foreword by Arnold Zable and praise from Hannah Kent, Rai Gaita, Chloe Hooper, and Kylie Moore-Gilbert, amongst others, <i>Ferryman</i> is an essential addition to our cultural and literary landscape.</p><p><b>'Ferryman is a compassionate portrait of a man who has spent a lifetime in service of his community. Katia Ariel's consideration of belonging, faith, and the way we are all inextricably woven into tapestries of time, place and history  both before and after death  is beautifully written and deeply moving.'  Hannah Kent</b></p><p><b>'A book full of wisdom by a writer of exquisite talent.'  Chloe Hooper</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Katia Ariel</b> is an award-winning author, book editor and educator from Melbourne/Naarm. She was born in Odesa, Ukraine. Her memoir, <i>The Swift Dark Tide</i>, was shortlisted for the 2024 Stella Prize and was the winner of the 2024 Society of Women Writers NSW Non-fiction Prize. Katia has been published in a variety of literary journals, including <i>Womankind</i>, <i>Archer</i> and <i>Antithesis</i>. She was the recipient of the Varuna Residential Fellowship (in 2022) and Bundanon Writing Residence (in 2024). <i>Ferryman: The Life and Deathwork of Ephraim Finch</i> is her second book</p>]]></Text>
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			<SubjectHeadingText>Kanagawa-oki Nami Ura Gaifu Kaisei red fuji; artist hokusai authentic artwork woodblock prints; famous; japanese art museum collection reference great; wave Kanagawa katsushika  thirty six views fine; wind clear morning thunderstorm beneath the summit</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The full set of 46 glorious prints of Mt Fuji by Japan's most famous artist!</b></p><p>This beautiful Japanese-bound volume presents the complete set of prints <i>Thirty-six Views of Fuji</i>, one of the most famous series created by Katsushika Hokusai (1760-1849), including ten prints he added to the series at a later date. Mt Fuji is magnificently represented by the master thanks to his highly personal conception that combines the sacred dimensions of the mountain with earthly views representing many different human activities. Each print is accompanied by a technical explanation that helps the reader to understand the image, with descriptions where possible of the actual places depicted.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Elisabetta Scantamburlo</b> is an art and design critic. She obtained her doctorate in East Asian Studies and carried out research at Keio University in Tokyo. She has curated exhibitions and collaborated with The International Hokusai Research Centre in Tokyo in the realisation of important exhibitions on Ukiyo-e woodblock prints. She is the author of<i> Shunga: Images of Desire in the Erotic Art of Japan.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Explore the nature of love in this charming new translation of selections from Plato's great dramatic work, the </b><b><i>Symposium.</i></b></p><p>What is love? In poetry, songs, fiction, movies, psychology, and philosophy, love has been described, admired, lamented, and dissected in endless ways. Is love based on physical attraction? Does it bring out our better selves? How does it relate to sex? Is love divine? Plato's <i>Symposium</i> is one of the oldest, most influential, and most profound explorations of such questions  it is even the source of the idea of 'Platonic love'. <i>How to Talk about Love</i> introduces and presents the key passages and central ideas of Plato's philosophical dialogue in a lively and highly readable new translation, which also features the original Greek on facing pages.</p><p>The <i>Symposium</i> is set at a fictional drinking party during which prominent Athenians engage in a friendly competition by delivering improvised speeches in praise of Eros, the Greek god of love and sex. The aristocrat Phaedrus, the legal expert Pausanias, the physician Eryximachus, the comic playwright Aristophanes, and the tragic poet Agathon  each by turn celebrates different aspects of love before Socrates proposes not to praise love but to tell the truth about it. In the final speech, the politician and libertine Alcibiades argues that Socrates himself is the epitome of love.</p><p>Deftly capturing the essence and spirit of Plato's masterpiece, <i>How to Talk about Love</i> makes the <i>Symposium</i> more accessible and enjoyable than ever before.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Armand D'Angour</b> is professor of classics at Jesus College, University of Oxford. He is the editor and translator of <i>How to Innovate: An Ancient Guide to Creative Thinking</i> (Princeton), <i>Socrates in Love</i>, and <i>The Greeks and the New</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An irresistible anthology of ancient Greek writings that explore queer desire and love</b></p><p><i>&amp;#x27;Eros, limb-loosening, whirls me about again,</i><br/><i>that bittersweet, implacable creature.&amp;#x27;</i><br/><i> </i>Sappho</p><p>The idea of sexual fluidity may seem new, but it is at least as old as the ancient Greeks, who wrote about queer experiences with remarkable frankness, wit, and insight. <i>How to Be Queer</i> is an infatuating collection of these writings about desire, love, and lust between men, between women, and between humans and gods, in lucid and lively new translations. Filled with enthralling stories, this anthology invites readers of all sexualities and identities to explore writings that describe many kinds of erotic encounters and feelings, and that envision a playful and passionate approach to sexuality as part of a rich and fulfilling life.</p><p><i>How to Be Queer</i> starts with Homer's <i>Iliad</i> and moves through lyric poetry, tragedy, comedy, philosophy, and biography, drawing on a wide range of authors, including Sappho, Plato, Anacreon, Pindar, Theognis, Aristophanes, and Xenophon. It features both beautiful poetry and thought-provoking prose, emotional outpourings and humorous anecdotes. From Homer's story of the relationship between Achilles and Patroclus, one of the most intense between men in world literature, to Sappho's lyrics on the pleasures and pains of loving women, these writings show the many meanings of what the Greeks called <i>eros</i>.</p><p>Complete with brief introductions to the selections, and with the original Greek on facing pages, <i>How to Be Queer</i> reveals what the Greeks knew long ago  that the erotic and queer are a source of life and a cause for celebration.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sarah Nooter</b> is professor of classics and theater and performance studies at the University of Chicago. She is the author of <i>Greek Poetry in the Age of Ephemerality</i>, <i>The Mortal Voice in the Tragedies of Aeschylus</i>, and<i> When Heroes Sing: Sophocles and the Shifting Soundscape of Tragedy</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Aristotle's <i>Nicomachean Ethics</i> is one of the greatest guides to human flourishing ever written, but its length and style have left many readers languishing. <i>How to Flourish</i> is a carefully abridged version of the entire work in a highly readable and colloquial new translation by Susan Sauve Meyer that makes Aristotle's timeless insights about how to lead a good life more engaging and accessible than ever before.<br/><br/>For Aristotle, flourishing involves becoming a good person through practice, and having a life of the mind. To that end, he draws vivid portraits of virtuous and vicious characters and offers sound practical advice about everything from eating and drinking to managing money, controlling anger, getting along with others, and telling jokes. He also distinguishes different kinds of wisdom that are essential to flourishing and offers an unusual perspective on how to appreciate our place in the universe and our relation to the divine.<br/><br/>Omitting Aristotle's digressions and repetitions and overly technical passages, <i>How to Flourish</i> provides connecting commentary that allows readers to follow the continuous line of his thought; it also features the original Greek on facing pages. The result is an inviting and lively version of an essential work about how to flourish and lead a good life.</p><p><b>&amp;#x27;This is a splendid introduction to Aristotle's conception of happiness, in his own words. The translation is at once elegant, readable, and precise, and Susan Sauve Meyer's crisp prefatory explanations highlight and clarify the essence of Aristotle's argument at each stage. The abbreviated text lets Aristotle's train of thought stand out clearly, and the omitted parts -digressions and the like - are briefly summarised. It is a remarkable achievement.&amp;#x27; - David Konstan, author of</b> <b><i>The Origin of Sin: Greece and Rome, Early Judaism and Christianity</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Susan Sauve Meyer</b> is professor of philosophy at the University of Pennsylvania and a specialist in Greek and Roman philosophy. Her books include <i>Ancient Ethics: An Introduction</i> and <i>Aristotle on Moral Responsibility</i>. More than 100,000 people around the world have enrolled in her open-access online courses on ancient philosophy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A modern translation of the ancient Roman poet Ovid's </b><b><i>Remedies for Love</i></b><b>  a witty and irreverent work about how to fall out of love</b></p><p>Breakups are the worst. On one scale devised by psychiatrists, only a spouse's death was ranked as more stressful than a marital split. Is there any treatment for a breakup? The ancient Roman poet Ovid thought so. Having become famous for teaching the art of seduction in <i>The Art of Love</i>, he then wrote <i>Remedies for Love</i> (<i>Remedia Amoris</i>), which presents thirty-eight frank and witty strategies for coping with unrequited love, falling out of love, ending a relationship, and healing a broken heart. <i>How to Get Over a Breakup</i> presents an unabashedly modern prose translation of Ovid's lighthearted and provocative work, complete with a lively introduction and the original Latin on facing pages.</p><p>Ovid's advice  which he illustrates with ingenious interpretations of classical mythology  ranges from the practical, psychologically astute, and profound to the ironic, deliberately offensive, and bizarre. Some advice is conventional  such as staying busy, not spending time alone, and avoiding places associated with an ex. Some is off-color, such as having sex until you're sick of it. And some is simply and delightfully weird  such as becoming a lawyer and not eating arugula.</p><p>Whether his advice is good or bad, entertaining or outrageous, <i>How to Get Over a Breakup</i> reveals an Ovid who sounds startlingly modern.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michael Fontaine</b> is professor of classics at Cornell University. His books include three other volumes in the Ancient Wisdom for Modern Readers series, <i>How to Grieve</i>, <i>How to Tell a Joke</i>, and <i>How to Drink</i> (all Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[A splendid new translation of one of the greatest books on friendship ever written.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A splendid new translation of one of the greatest books on friendship ever written.</b></p><p>In a world where social media, online relationships, and relentless self-absorption threaten the very idea of deep and lasting friendships, the search for true friends is more important than ever. In this short book, which is one of the greatest ever written on the subject, the famous Roman politician and philosopher Cicero offers a compelling guide to finding, keeping, and appreciating friends. With wit and wisdom, Cicero shows us not only how to build friendships but also why they must be a key part of our lives. For, as Cicero says, life without friends is not worth living.&amp;nbsp;</p><p>Filled with timeless advice and insights, Cicero's heartfelt and moving classic - written in 44 BC and originally titled<i> De Amicitia </i>- has inspired readers for more than two thousand years, from St. Augustine and Dante to Thomas Jefferson and John Adams. Presented here in a lively new translation with the original Latin on facing pages and an inviting introduction, <i>How to Be a Friend</i> explores how to choose the right friends, how to avoid the pitfalls of friendship, and how to live with friends in good times and bad. Cicero also praises what he sees as the deepest kind of friendship - one in which two people find in each other 'another self' or a kindred soul.&amp;nbsp;</p><p>An honest and eloquent guide to finding and treasuring true friends, <i>How to Be a Friend </i>speaks as powerfully today as when it was first written.</p><p><b>'[A]stutely translated...We learn that friendship is, in the end, an art form.'&amp;nbsp;-Tracy Lee Simmons,&amp;nbsp;<i>City Journal</i></b></p><p><b>'Originally written in 44 BC, the advice in this book is as timely as ever, perhaps even more so in view of the changing nature of friendship to include the online dimension.' - <i>Paradigm Explore</i><br/></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Philip Freeman</b> is the editor and translator of <i>How to Grow Old</i>, <i>How to Win an Election, </i>and <i>How to Run a Country</i> (all Princeton). He is the author of many books, including <i>Searching for Sappho</i> (Norton) and <i>Oh My Gods: A Modern Retelling of Greek and Roman Myths</i> (Simon &amp; Schuster). He holds the Fletcher Jones Chair of Western Culture at Pepperdine University and lives in Malibu, California.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A marvelously illustrated introductory guide to frogs and their natural history.</b></p><p>Frogs are among the most diverse and adaptable animals on the planet, with a rich evolutionary history and a vitally important role in global ecosystems. With more than 7,700 species known to exist, they come in all shapes, sizes, and colours, and can be found in habitats ranging from rainforests and frozen tundras to deserts and your own backyard. This unique guide explores the physiology, behaviour, ecology, and evolution of frogs, shedding invaluable light on every facet of their lives, both on land and in the water. Blending stunning photos and illustrations with engaging and informative profiles of selected species, <i>The Lives of Frogs</i> is an essential introduction to the natural history of these magnificent amphibians.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jim Labisko</b> is Lecturer in Biodiversity at University College London and a leading authority on temperate and tropical amphibians and reptiles.</p><p><b>Richard Griffiths</b> is Emeritus Professor of Biological Conservation at the University of Kent and the author (with Trevor Beebee) of <i>Amphibians and Reptiles</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The astonishing story of how animals use medicine and what it can teach us about healing ourselves</b></p><p>Ages before the dawn of modern medicine, wild animals were harnessing the power of nature's pharmacy to heal themselves. <i>Doctors by Nature</i> reveals what researchers are now learning about the medical wonders of the animal world. In this visionary book, Jaap de Roode argues that we have underestimated the healing potential of nature for too long and shows how the study of self-medicating animals could impact the practice of human medicine.</p><p>Drawing on illuminating interviews with leading scientists from around the globe as well as his own pioneering research on monarch butterflies, de Roode demonstrates how animals of all kinds  from ants to apes, from bees to bears, and from cats to caterpillars  use various forms of medicine to treat their own ailments and those of their relatives. We meet apes that swallow leaves to dislodge worms, sparrows that use cigarette butts to repel parasites, and bees that incorporate sticky resin into their hives to combat pathogens. De Roode asks whether these astonishing behaviours are learned or innate and explains why, now more than ever, we need to apply the lessons from medicating animals  it can pave the way for healthier livestock, more sustainable habitats for wild pollinators, and a host of other benefits.</p><p><i>Doctors by Nature</i> takes readers into a realm often thought to be the exclusive domain of humans, exploring how scientists are turning to the medical knowledge of the animal kingdom to improve agriculture, create better lives for our pets, and develop new pharmaceutical drugs.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jaap de Roode</b> is Samuel Candler Dobbs Professor of Biology at Emory University, where he is director of the Infectious Diseases across Scales Training Program, which trains graduate students in interdisciplinary science to study and control infectious disease.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'A brilliantly written, autobiographically structured meditation on Australia's pre-eminent novelist Patrick White. Karalis' small volume reflects eloquently on a lifetime of reading, writing, and translating.</b> <b><i>On Patrick White's Dilemmas</i></b><b> casts a sceptical eye on the grandiosity and hysteria of literary critics and critical theorists. It explores the highs and lows of the twentieth-century novel in a dazzling manner while dissecting White's singularity: his startling use of language, defiance of fad and ideology, mastery of ambiguity, irony and mystery, quotidian drollness, and complex mythopoetic storytelling. Karalis' book is remarkable  the most important examination of White's divine comedy of disturbing human quandaries that has appeared to date.'  Professor Peter Murphy, La Trobe University</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Vrasidas Karalis</b> holds the Chair of Sir Nicholas Laurantos in Modern Greek and Byzantine Studies at the University of Sydney. He has translated Patrick White's <i>Voss</i> and <i>The Vivisector</i>. He is the editor of <i>Modern Greek Studies</i> (Australia and New Zealand). His main publications in English include, <i>A History of Greek Cinema</i> (Continuum 2012), <i>Realism in Greek Cinema</i> (I.B. Tauris, 2017), <i>Recollections of Mr Manoly Lascaris</i> (Brandl &amp; Schlesinger, 2007),<i> The Demons of Athens</i> (Brandl &amp; Schlesinger, 2013), <i>Reflections on Presence</i> (re.Press, 2016), <i>Farewell to Robert</i> (Brandl &amp; Schlesinger, 2023). He has also edited the collections <i>Cornelius Castoriadis and the Project of Radical Democracy</i> (Brill, 2013), <i>Martin Heidegger and the Aesthetics of Being</i> (Cambridge Scholars Publishing, 2008),<i> Power, Judgment and Political Evil  In Conversation with Hannah Arendt</i> (Routledge, 2012).</p>]]></Text>
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			<Text textformat="02"><![CDATA[A.D. (Alec) Hope (1907-2000) was one of the most significant Australian poets of the twentieth century: satirist, scholar, master at once of erotic verse and of the discursive mode.]]></Text>
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			<Text textformat="02"><![CDATA[<p>A. D. (Alec) Hope (1907-2000) was one of the most significant Australian poets of the twentieth century: satirist, scholar, master at once of erotic verse and of the discursive mode, author of poems ('Australia', 'The Death of the Bird') that, along with the works of Patrick White, Judith Wright and Manning Clarke, scripted Australian thought for decades. David Brooks, forty-six years his junior, first met Hope when, as a student, the ANU asked him to photograph the poet for a building they'd just named after him. A friendship formed that lasted twenty-five years, saw Brooks become Hope's editor, and eventually give the poet's eulogy. Penetrating, surprising, and supported by an intimate knowledge both of the poetry and of the man himself, this memoir of their relationship is a must for readers of Hope and of Brooks alike.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>David Brooks</b> is a poet, novelist, short-fiction writer and essayist. He has taught literature at various Australian universities, and from 1999 until 2018 was co-editor of <i>Southerly</i>, Australia's premier journal of Australian literature and new Australian writing. He is a vegan and animal rights advocate, and lives in the Blue Mountains of New South Wales. In 2014 he was awarded an Australia Council Fellow ship for his distinguished contribution to Australian and international literature.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An exploration of cuteness and its immense hold on us, from emojis and fluffy puppies to its more uncanny, subversive expressions</b></p><p>Cuteness has taken the planet by storm. Global sensations Hello Kitty and Pokemon, the works of artists Takashi Murakami and Jeff Koons, Heidi the cross-eyed opossum and E.T<i>.</i>  all reflect its gathering power. But what does 'cute' mean, as a sensibility and style? Why is it so pervasive? Is it all infantile fluff, or is there something more uncanny and even menacing going on  in a lighthearted way? In <i>The Power of Cute</i>, Simon May provides nuanced and surprising answers.</p><p>We usually see the cute as merely diminutive, harmless, and helpless. May challenges this prevailing perspective, investigating everything from Mickey Mouse to Kim Jong-il to argue that cuteness is not restricted to such sweet qualities but also beguiles us by transforming or distorting them into something of playfully indeterminate power, gender, age, morality, and even species. May grapples with cuteness's dark and unpindownable side  unnerving, artful, knowing, apprehensive  elements that have fascinated since ancient times through mythical figures, especially hybrids like the hermaphrodite and the sphinx. He argues that cuteness is an addictive antidote to today's pressured expectations of knowing our purpose, being in charge, and appearing predictable, transparent, and sincere. Instead, it frivolously expresses the uncertainty that these norms deny: the ineliminable uncertainty of who we are; of how much we can control and know; of who, in our relations with others, really has power; indeed, of the very value and purpose of power.</p><p><i>The Power of Cute</i> delves into a phenomenon that speaks with strange force to our age.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Simon May</b> is visiting professor of philosophy at King's College London. His books include <i>Jump! A New Philosophy for Conquering Procrastination</i>,<i> How to Be a Refugee</i>, and <i>Love: A New Understanding of an Ancient Emotion</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An illuminating look at the adaptive nature of our memories  and how their flexibility and fallibility help us survive and thrive</b></p><p>We tend to think of our memories as impressions of the past that remain fully intact, preserved somewhere inside our brains. In fact, we construct and reconstruct our memories every time we attempt to recall them. <i>Memory Lane</i> introduces readers to the cutting-edge science of human memory, revealing how our recollections of the past are constantly adapting and changing, and why a faulty memory isn't always a bad thing.</p><p>Shedding light on what memory is and what it evolved to do, Ciara Greene and Gillian Murphy discuss the many benefits of our flexible yet fallible memory system, including helping us to maintain a coherent identity, sustain social bonds, and vividly imagine possible futures. But these flexible and easily distorted memories can also result in significant harm, leading us to provide erroneous eyewitness testimony or fall victim to fake news. Greene and Murphy explain why our flawed memories are not a failure of evolution but rather a byproduct of the perfectly imperfect way our minds have evolved to solve problems. They also grapple with important ethical questions surrounding the study and manipulation of memory.</p><p>Blending engaging storytelling with the latest science, the authors demonstrate how our continuous reconstruction of the past makes us who we are, helps us to interpret our experiences, and explains why no two trips down memory lane are ever quite the same.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ciara Greene</b> is associate professor in the School of Psychology at University College Dublin, where she leads the Attention and Memory Laboratory.</p><p><b>Gillian Murphy</b> is associate professor in the School of Applied Psychology at University College Cork and a funded investigator at Lero, the Science Foundation Ireland Research Centre for Software.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In this book, novelist Colm Tibn offers a deeply personal introduction to the work and life of one of his most important literary influences  the American poet Elizabeth Bishop. Ranging across her poetry, prose, letters, and biography, Tibn creates a vivid picture of Bishop while also revealing how her work has helped shape his sensibility as a novelist and how her experiences of loss and exile resonate with his own. What emerges is a compelling double portrait that will intrigue readers interested in both Bishop and Tibn. </p><p>For Tibn, the secret of Bishop's emotional power is in what she leaves unsaid. Exploring Bishop's famous attention to detail, Tibn describes how Bishop is able to convey great emotion indirectly, through precise descriptions of particular settings, objects, and events. He examines how Bishop's attachment to the Nova Scotia of her childhood, despite her later life in Key West and Brazil, is related to her early loss of her parents  and how this connection finds echoes in Tibn's life as an Irish writer who has lived in Barcelona, New York, and elsewhere.</p><p>Beautifully written and skillfully blending biography, literary appreciation, and descriptions of Toibin's travels to Bishop's Nova Scotia, Key West, and Brazil, <i>On Elizabeth Bishop </i>provides a fresh and memorable look at a beloved poet even as it gives us a window into the mind of one of today's most acclaimed novelists.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Colm Tibn</b> is the author of eight novels, three of which have been shortlisted for the Man Booker Prize: <i>The Blackwater Lightship</i><b>,</b> <i>The Master</i> (the <i>Los Angeles Times</i> Novel of the Year), and <i>The Testament of Mary</i>. His other novels include <i>Nora Webster</i> and <i>Brooklyn</i>. He is the Irene and Sidney B. Silverman Professor of the Humanities at Columbia University, a regular contributor to the <i>New York Review of Books</i>, and a contributing editor at the <i>London Review of Books</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Perfect Victims is an urgent affirmation of the Palestinian condition of resistance and refusal  an ode to the steadfastness of a nation.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Perfect Victims</i></b> <b>is an urgent affirmation of the Palestinian condition of resistance and refusal  an ode to the steadfastness of a nation.</b></p><p>Palestine is a microcosm of the world: on fire, stubborn, fragmented, dignified. While a settler colonial state continues to inflict devastating violence, fundamental truths are deliberately obscured  the perpetrators are coddled while the victims are blamed and placed on trial.</p><p>Why must Palestinians prove their humanity? And what are the implications of such an infuriatingly impossible task? With fearless prose and lyrical precision, Mohammed El-Kurd refuses a life spent in cross-examination. Rather than asking the oppressed to perform a perfect victimhood, El-Kurd asks friends and foes alike to look Palestinians in the eye, forgoing both deference and condemnation.</p><p>How we see Palestine reveals how we see each other; how we see everything else. Masterfully combining candid testimony, history, and reportage, <i>Perfect Victims</i> presents a powerfully simple demand: dignity for the Palestinian.</p><p><b>'Mohammed El-Kurd has written a new Discourse on Colonialism for the twenty-first century.'  Robin D. G. Kelley</b></p><p><b>'El-Kurd is a wordsmith with the power to change the minds of all but those with a heart of stone.'  Louise Adler,</b><b><i> Sydney Morning Herald/The Age</i></b></p><p><b>'El-Kurd has become a critical voice in colonial discourse  especially at a time where people are prone to either demonising or fetishising Palestinians. </b><b><i>Perfect Victims</i></b><b> is Mohammed El-Kurd refusing to exist in this binary, challenging depictions of Palestinians on our phones and in our minds which insist they perform perfect victimhood in order to deserve liberation.'  Soaliha Iqbal, </b><b><i>Missing Perspectives</i></b></p>]]></Text>
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			<SubjectHeadingText>Alfred Russel Wallace; Asa Gray; Autobiography; Brachiopod; Charles Darwin; Charles Kingsley; Charles Lyell; Christianity; Coral reef; Darwinism; Division of labour; Domestic pigeon; Down House; Emma Darwin; Erasmus Darwin; Evolution; Explanation; Female; Francis Galton; Frog; Fuegians; George Romanes; Hermaphrodite; Hypothesis; Insect; John van Wyhe; Josiah Wedgwood II; Lecture; Life and Letters; Marine iguana; Morality; Mr.; Natural selection; On the Origin of Species; Orchidaceae; Organism; Ornithology; Pangenesis; Parricide; Philosopher; Physiology; Publication; Retching; Robert FitzRoy; Secretion; Sediment; Selfishness; Sex; Sexual selection; Shyness; Slavery; Stazione Zoologica; Struggle for existence; Superiority (short story); Survival of the fittest; The Complete Works of Charles Darwin Online; The Descent of Man,; The Various; The Voyage of the Beagle; The Way of All Flesh; Thomas Henry Huxley; Thought; Thunderstorm; Transmutation of species; Treatise; Warfare; Water cure (torture); Wealth; Writing; Zoology; Zoonomia; and Selection in Relation to</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A treasure trove of illuminating and entertaining quotations from the legendary naturalist</b> </p><p>Here is Charles Darwin in his own words  the naturalist, traveler, scientific thinker, and controversial author of <i>On the Origin of Species</i>, the book that shook the Victorian world. Featuring hundreds of quotations carefully selected by world-renowned Darwin biographer Janet Browne, The Quotable Darwin draws from Darwin's writings, letters to friends and family, autobiographical reminiscences, and private scientific notebooks. It offers a multifaceted portrait that takes readers through his youth, the famous voyage of the Beagle, the development of his thoughts about evolution, his gradual loss of religious faith, and the time spent turning his ideas into a well-articulated theory about the natural origin of all living beings  a theory that dangerously included the origin of humans. </p><p><i>The Quotable Darwin </i>also includes many of the key responses to Darwin's ideas from figures across the social spectrum, scientists and nonscientists alike  and criticism too. We see Darwin as an innovative botanist and geologist, an affectionate husband and father, and a lively correspondent who once told his cousin that he liked to play billiards because 'it drives the horrid species out of my head'. This book gives us an intimate look at Darwin at work, at home, as a public figure, and on his travels. Complete with a chronology of Darwin's life by Browne, <i>The Quotable Darwin</i> provides an engagingly fresh perspective on a remarkable man who was always thinking deeply about the natural world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Charles Darwin</b> (1809-1882) was an English naturalist, geologist, and biologist who developed the revolutionary theory of evolution by natural selection. His books included <i>On the Origin of Species</i> and <i>The Voyage of the "Beagle</i>." </p><p><b>Janet Browne</b> is the Aramont Professor Emeritus of the History of Science at Harvard University. Her books include the acclaimed two-volume biography of Darwin, <i>Charles Darwin: Voyaging</i> and <i>Charles Darwin: The Power of Place</i> (both Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'</b><b><i>Open Play</i></b> <b>challenges the patriarchal system that has dictated women's participation in sport around the world...This book is not just a must-read  it should become foundational in the future of women's sport from the grassroots to professional levels.'  Flo Lloyd-Hughes, sports writer and broadcaster</b></p><p>Sheree Bekker and Stephen Mumford argue that the category of 'women's sport' is not the feminist win some would have you believe. Instead, the segregation of women in sport is just one of the many ways in which women are told to expect less from society. Women had to fight to be included in sport in the first place, and are now only included under far less favourable terms than those enjoyed by men. There are better ways to ensure safety and fairness than segregation by gender. And this matters deeply: ending gender segregation would encourage a more equitable distribution of resources, increase women's participation in sport and challenge outdated, sexist myths about women and their bodies.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sheree Bekker</b> is Associate Professor in the Department for Health at the University of Bath. Her work centres on feminist perspectives in sport and she is co-lead of the Feminist Sport Lab.</p><p><b>Stephen Mumford</b> is a philosopher at Durham University. His many books include <i>Football: The Philosophy Behind the Game</i> (2019) and <i>A Philosopher Looks at Sport</i> (2021), and he is also co-lead of the Feminist Sport Lab.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A major new biography of the brilliant naturalist, traveller, humanitarian, and codiscoverer of natural selection</b></p><p>Alfred Russel Wallace (18231913) was perhaps the most famed naturalist of the Victorian age. His expeditions to remote Amazonia and southeast Asia were the stuff of legend. A collector of thousands of species new to science, he shared in the discovery of natural selection and founded the discipline of evolutionary biogeography.</p><p><i>Radical by Nature</i> tells the story of Wallace's epic life and achievements, from his stellar rise from humble origins to his complicated friendship with Charles Darwin and other leading scientific lights of Britain to his devotion to social causes and movements that threatened to alienate him from scientific society.</p><p>James Costa draws on letters, notebooks, and journals to provide a multifaceted account of a revolutionary life in science as well as Wallace's family life. He shows how the self-taught Wallace doggedly pursued bold, even radical ideas that caused a seismic shift in the natural sciences, and how he also courted controversy with nonscientific pursuits such as spiritualism and socialism. Costa describes Wallace's courageous social advocacy of women's rights, labour reform, and other important issues. He also sheds light on Wallace's complex relationship with Darwin, describing how Wallace graciously applauded his friend and rival, becoming one of his most ardent defenders.</p><p>Weaving a revelatory narrative with the latest scholarship, <i>Radical by Nature</i> paints a mesmerising portrait of a multifaceted thinker driven by a singular passion for science, a commitment to social justice, and a lifelong sense of wonder.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>James T. Costa</b> is professor of biology and executive director of the Highlands Biological Station at Western Carolina University. His books include <i>Darwin's Backyard: How Small Experiments Led to a Big Theory</i>; <i>Wallace, Darwin, and the Origin of Species</i>; and <i>The Annotated "Origin."</i> He is a recipient of the Alfred Russel Wallace Medal and other honors.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From the acclaimed author of </b><b><i>Blue</i></b><b> and other colour histories, the beautifully illustrated story of pink, from the first ancient pigments to Barbie.</b></p><p>Pink has such powerful associations today that it's hard to imagine the colour could ever have meant anything different. But it's only since the introduction of the <i>Barbie </i>doll in 1959 that pink has become decisively feminised. Indeed, in the eighteenth century, pink was frequently masculine, and the colour has signified many things beyond gender over the course of its long history  from the prim to the vulgar, and from the romantic to the eccentric. In this richly illustrated book, Michel Pastoureau, a celebrated authority on the history of colours, presents a fascinating visual, social, and cultural history of pink in the West, from antiquity to today.</p><p>Pink pigments first appear in ancient Macedonian paintings, but it was not until the eighteenth century that vivid, saturated pinks were developed for dyeing and painting. At the same time, a popular new flower  the pink rose  finally gave the colour a standard name, and pink, assuming a place in everyday life, began to acquire its own symbolism, distinct from that of red, yellow, or white. Bringing the story up to the twentieth and twenty-first centuries, <i>Pink</i> describes how the colour, both adored and detested, became associated with many other things, from softness and pleasure to nudity and sex.</p><p>Illustrated throughout with a wealth of captivating images, <i>Pink</i> is an entertaining and enlightening account of the evolving role and significance of the colour in art, fashion, literature, religion, science, and everyday life across the millennia.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The most comprehensive, in-depth picture yet of workplace wellbeing and its key drivers, providing new perspective on the intersection of happiness, productivity, and organisational success.</p><p>Most of us spend a third of our waking lives at work. Work sets our schedules, influences our relationships, shapes our identities, and drives our economies. But is it actually making us happy?</p><p>This is a deep and profoundly important question, and now leading Oxford researchers Jan-Emmanuel De Neve and George Ward provide the richest, most comprehensive picture yet of workplace wellbeing. In <i>Why Workplace Wellbeing Matters</i>, the authors provide clarity on what workplace wellbeing is (and is not), and how to think about and approach it as a business.</p><p>Mining a variety of the largest and most in-depth data sources  including a unique, massive dataset gathered in partnership with the jobs platform Indeed  the book illustrates the remarkable ways in which wellbeing at work varies across workers, companies, industries, and geographies. It also provides new, data-driven insights into the origins of workplace happiness and how to effectively move the needle on improving our working lives.</p><p>Drawing on work in economics, psychology, sociology, management, and other disciplines, the authors explain that workplace wellbeing includes both how we think about our work as a whole and how we feel while we're at work. They show, using innovative new data and empirical methods, that improving wellbeing can help raise productivity as well as aid in the retention and recruitment of talent  ultimately leading to companies' better financial performance.</p><p>With keen insight and nuanced analysis, <i>Why Workplace Wellbeing Matters</i> dispels myths and tests assumptions that have arisen amidst an often-confusing cacophony of voices on wellbeing at work. It also provides a firm foundation and indispensable resource for leaders as they shape the future of work.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Get your mind unstuck.</b></p><p>It can be challenging to be mindful when you're trapped in your own head. Overthinking comes in many forms  overanalysis, perfectionism, worry, rumination  and each of these can be harmful to your productivity and well-being at work.</p><p>This book will teach you how to understand what type of overthinking you are experiencing, realise when you're cycling in a mental loop, and break free so that you can trust your gut, make a decision, and move forward with confidence.</p><p>This volume includes the work of:</p><ul><li>Alice Boyes</li><li>Melody Wilding</li><li>Thomas H. Davenport</li><li>Sian Beilock</li></ul><p>HOW TO BE HUMAN AT WORK. <i>The HBR Emotional Intelligence Series </i>features smart, essential reading on the human side of professional life from the pages of <i>Harvard Business Review</i>. Each book in the series offers proven research showing how our emotions impact our work lives, practical advice for managing difficult people and situations, and inspiring essays on what it means to tend to our emotional well-being at work. Uplifting and practical, these books describe the social skills that are critical for ambitious professionals to master.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>How our image of the Renaissance's most famous artist is a modern myth.</b></p><p>Leonardo da Vinci (1452-1519) never signed a painting, and none of his supposed self-portraits can be securely ascribed to his hand. He revealed next to nothing about his life in his extensive writings, yet countless pages have been written about him that assign him an identity: genius, entrepreneur, celebrity artist, outsider. Addressing the ethical stakes involved in studying past lives, Stephen J. Campbell shows how this invented Leonardo has invited speculation from figures ranging from art dealers and curators to scholars, scientists, and biographers, many of whom have filled in the gaps of what can be known of Leonardo's life with claims to decode secrets, reveal mysteries of a vanished past, or discover lost masterpieces of spectacular value.</p><p>In this original and provocative book, Campbell examines the strangeness of Leonardo's words and works, and the distinctive premodern world of artisans and thinkers from which he emerged. Far from being a solitary genius living ahead of his time, Leonardo inhabited a vibrant network of artistic, technological, and literary exchange. By investigating the politics and cultural tensions of the era as well as the most recent scholarship on Leonardo's contemporaries, workshop, and writings, Campbell places Leonardo back into the milieu that shaped him and was shaped by him. He shows that it is in the gaps and contradictions of what we know of Leonardo's life that a less familiar and far more historically significant figure appears.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Stephen J. Campbell</b> is the Henry and Elizabeth Wiesenfeld Professor in the Department of the History of Art at Johns Hopkins University. His books include <i>Andrea Mantegna: Humanist Aesthetics, Faith, and the Force of Images</i> and <i>The Endless Periphery: Toward a Geopolitics of Art in Lorenzo Lotto's Italy</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>How do power and beauty join forces to determine who is considered ugly? What role does that ugliness play in fomenting hatred? Moshtari Hilal, an Afghan-born author and artist who lives in Germany, has written a touching, intimate, and highly political book. Dense body hair, crooked teeth, and big noses: Hilal uses a broad cultural lens to question norms of appearance  ostensibly her own, but in fact everyone's. She writes about beauty salons in Kabul as a backdrop to the U.S. invasion of Afghanistan, Darwin's theory of evolution, Kim Kardashian, and a utopian place in the shadow of her nose. With a profound mix of essay, poetry, her own drawings, and cultural and social history of the body, Hilal explores notions of repulsion and attraction, taking the reader into the most personal of realms to put self-image to the test. Why are we afraid of ugliness?</p><p><b>'A sweeping meditation on a subject rarely addressed...Hilal takes on our beauty-worshipping celebrity culture and the beauty industry for...keeping women in an expensive prison of self-doubt...</b><b><i>Ugliness</i></b><b> makes a 'big picture' argument, panning outward from one young woman's life to some of the largest issues we confront globally  hence to all of our lives.'  Rhonda Garelick in </b><b><i>The New York Times</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Unravel the fascinating history of the turban, from its origins to its religious uses and its appearance in contemporary fashion and culture.</p><p>A turban is a strip of cloth folded and wrapped around the head; however, this description includes multifarious forms across space and time. This book follows the turban as it moves from the Arabian Peninsula through the Ottoman Empire to Europe and the Americas. It directs the reader's gaze from traditional and religious uses of the turban into the realms of international trade, Renaissance art and contemporary fashions. Turbans, as this book shows, have moved in and out of Western culture, at times considered archaic and forgotten, then noticed and reinstated as major accessories. Today Sikh men are recognized by their distinctive headwraps, and the turban remains an important part of Black culture. This book explores the turban's many adaptations worldwide.</p><p><b>'I'm impressed by the scope of this study, from the turban as a marker of religious affiliation to a prop for Rembrandt to a distinctive fashion for women. Headgear off to Filstrup and Merrill.'  Gay Talese, journalist and author</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Chris Filstrup</b> was Chief of the Oriental Division at the New York Public Library and Dean of Libraries at Stony Brook University. He is co-author, with Jane Merrill, of <i>The Wedding Night</i> (2011), among other titles. He lives in Alexandria, Virginia.</p><p><b>Jane Merrill</b> has written for many national u.s. magazines and is the author of <i>The Showgirl Costume</i> (2018) and other cultural histories. She lives in Saint George, Maine.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>As a child growing up in Mumbai, Arati Kumar-Rao's parents instilled in her an abiding love for the natural world and a passion for storytelling. Years later, adrift in a corporate job and concerned by the unbridled development of her country, she asked herself, 'When will you stop doing what you can do and start doing what you really want to do?'</p><p>Animated by an instinctive sense that our fate is bound to that of the earth and the more-than-human world, Kumar-Rao sets out on a journey across India, listening along the way to stories the land and its people share with her. In the Thar Desert, often reduced to the value of extractable commodities, she learns about ancient methods of harvesting rainwater from shepherds with deep ancestral memories. In the delta formed by the confluence of the Ganges, Brahmaputra, and Meghna Rivers at the Bay of Bengal, she walks ancient shorelines and mangrove forests with a marine biologist, exploring tidepools and learning of the extent to which this astonishingly diverse ecology is increasingly endangered by commercial trawlers and overfishing. And on India's northernmost plateau, surrounded by the Himalaya and home to snow leopards, ibex, and numerous endangered species of eagles and owls, she finds glaciers disappearing at an alarming rate and meets with inhabitants who play little role in creating climate change but now bear the brunt of it.</p><p>Richly illustrated with the author's photographs and drawings, <i>Marginlands</i> is a vibrant and compelling account of the changes reshaping India today. Engaging and urgent, infused with wonder and profound empathy, this is a work of love and hope, inspiring readers across the world to preserve and protect the world around us.</p><p><b>'</b><b><i>Marginlands</i></b><b> is a tour de force, a magnificent first book about India's marginalised landscapes and inhabitants, written with compassion, compressed elegance of observation, and urgent political force.'  Robert Macfarlane</b></p>]]></Text>
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			<SubjectHeadingText>choice; choice architects; choosing; commonplacing; consumer culture; decision making; democracy; feminism; freedom; human rights; liberalism; menu of options; neoliberalism; right to choose; shopping; social dance; social dance/social dancing; social dancing; Sophia Rosenfeld; The Choice Is Yours: A History of Freedom in; Modern Life; voting; Choice; Freedom; Ballot; Election; Abortion; Suffrage; Sexes; Secret ballot; Politics; Feminist; Sexual; Albeit; Consumer choice; Expression; Conscience; Pontefract; Atlantic; Dance cards; Psychology; Autonomy; Feminism; Independence; Economists; Roe; Rational; Ballroom; Protestant; Economicus; Homo; Democratic; Contrary; Homo economicus; Abortion rights; Dancing masters; Consumer goods; Shop windows; Parliamentary elections; Commonplace books; Voting booth; Dance floor; Supreme court; Casting vote; Ballot boxes; Luxury goods; Religious freedom; Century wore; Jane austen; Commercial culture; Century novels</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A sweeping history of the rise of personal choice in the modern world and how it became equated with freedom.</b></p><p>Choice touches virtually every aspect of our lives, from what to buy and where to live to whom to love, what profession to practice, and even what to believe. But the option to choose in such matters was not something we always possessed or even aspired to. At the same time, we have been warned by everybody from marketing gurus to psychologists about the negative consequences stemming from our current obsession with choice. It turns out that not only are we not very good at realising our personal desires, we are also overwhelmed with too many possibilities and anxious about what best to select. There are social costs too. How did all this happen? <i>The Age of Choice</i> tells the long history of the invention of choice as the defining feature of modern freedom.</p><p>Taking readers from the seventeenth century to today, Sophia Rosenfeld describes how the early modern world witnessed the simultaneous rise of shopping as an activity and religious freedom as a matter of being able to pick one's convictions. Similarly, she traces the history of choice in romantic life, politics, and the ideals of human rights. Throughout, she pays particular attention to the lives of women, those often with the fewest choices, who have frequently been the drivers of this change. She concludes with an exploration of how reproductive rights have become a symbolic flashpoint in our contemporary struggles over the association of liberty with choice.</p><p>Drawing on a wealth of sources ranging from novels and restaurant menus to the latest scientific findings about choice in psychology and economics, <i>The Age of Choice</i> urges us to rethink the meaning of choice and its promise and limitations in modern life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sophia Rosenfeld</b> is the Walter H. Annenberg Professor of History at the University of Pennsylvania. She is the author of <i>Democracy and Truth: A Short History</i> and <i>Common Sense: A Political History</i>, among other books. Her writing has also appeared in leading publications such as the <i>New York Times</i>, the <i>Washington Post</i>, and the<i> Nation</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**A BBC Radio Book of the Week**</b></p><p><b>**Winner, Saltire Society First Book of the Year Award**</b></p><p>When Russian tanks rolled into Ukraine, millions of lives changed in an instant.</p><p>Millions of people were suddenly on the move. In this great flow of people was a reporter from the north of Scotland. Jen Stout left Moscow abruptly, ending up on a border post in southeast Romania, from where she began to cover the human cost of Russian aggression. Her first-hand, vivid reporting brought the war home to readers in Scotland as she reported from front lines and cities across Ukraine. Stories from the night trains, birthday parties, military hospitals and bunkers: stories from the ground, from a writer with a deep sense of empathy, always seeking to understand the bigger picture, the big questions of identity, history, hopes and fears in this war in Europe.</p><p><i>Night Train to Odesa</i> begins in Russia and continues to focus on people, relationships and individuals in Ukraine. It is the account of a young female reporter with no institutional backup or security. Both in language and themes, it is accessible and highly readable.</p><p><b>'Jen Stout is very brave. And she is a storyteller of supreme gifts. I am in awe of her resourcefulness and courage'  Fergal Keane</b></p><p><b>'This account is honest, intelligent, and visceral; it is independent reporting at its finest'  Quentin Sommerville</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A compelling collection of the life-changing writings of William James.</b></p><p>William James  psychologist, philosopher, and spiritual seeker  is one of those rare writers who can speak directly and powerfully to anyone about life's meaning and worth, and whose ideas change not only how people think but how they live. The thinker who helped found the philosophy of pragmatism and inspire Alcoholics Anonymous, James famously asked, 'is life worth living?' Bringing together many of his best and most popular essays, talks, and other writings, this anthology presents James's answer to that and other existential questions, in his own unique manner  caring, humorous, eloquent, incisive, humble, and forever on the trail of the 'ever not quite.'</p><p>Here we meet a James perfectly attuned to the concerns of today  one who argues for human freedom, articulates a healthy-minded psychology, urges us to explore the stream of consciousness, presents a new definition of truth based on its practical consequences, and never forecloses the possibility of mystical transcendence. Introduced by John Kaag and Jonathan van Belle, these compelling and accessible selections reveal why James is one of the great guides to the business of living.</p><p><b>'Want to get to know William James, America's most-beloved  and perhaps most widely influential  philosopher? This wonderful collection gives us James at his best  provocative, lyrical, inspirational. Whether you are meeting James in an easy chair, in a classroom, or on a 'ramble,' as James called the mountain hikes he loved, the encounter will leave you richly rewarded.'  James T. Kloppenberg, Harvard University</b></p><p><b>'A great collection that lets readers experience James's philosophy as epistemological tonic, moral orientation, and spiritual regeneration. The brief introductions to the individual selections are compelling and written in sparkling prose.'  Jennifer Ratner-Rosenhagen, author of</b> <b><i>The Ideas That Made America</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Desi Queers</i> reveals how diasporic South Asians have shaped LGBTQ+ movements and communities in Britain, from the 1970s to the present day. Weaving the history of 1980s anti-racism with the emergence of Black LGBTQ+ and feminist coalitions, this book highlights landmark moments in British queer life and culture through South Asian lives, and illuminates British histories of colour through queer politics and creativity.</p><p>From the Gay Black Group to Haringey Council's pioneering Lesbian and Gay Unit, desi queers were at the centre of anti-homophobic direct action in the 1980s, including the historic 'Smash the Backlash' demo against bigotry. This activism birthed key grassroots groups of the 1980s and 1990s, such as Shakti and Naz, whose founders and early members opened a path of creative resistance to the intersecting violence of racism and homophobia  a path of solidarity echoing through the twenty-first century.</p><p>These spaces and networks have been a refuge for people doubly marginalised in Britain  by experiences of homophobia within South Asian communities, and by the whiteness of mainstream queer scenes. Drawing on artistic creations, archives and oral history,<i> Desi Queers </i>celebrates rich traditions of social and cultural activism alongside stories of everyday life among Britain's LGBTQ+ South Asians.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Churnjeet Mahn</b> is Professor of English Literature at the University of Strathclyde. Her research focuses on experiences of racism and homophobia in travel writing and accounts of displacement. She has worked on a range of creative research projects related to post-Partition memory, and queer displacement. </p><p><b>Rohit K. Dasgupta</b>is Associate Professor of Gender and Sexuality at the London School of Economics. He researches queer cultures, digital media and cultural industries in South Asia. He is also Honorary Senior Research Fellow at the University of Glasgow. </p><p><b>D. J. Ritu</b> is a pioneering EDI activist, international turntablist, Rough Guides contributor and BBC Radio presenter. In the 1980s, she established Shakti Disco at the London Lesbian and Gay Centre, before co-founding both the legendary Club Kali, in 1995, and the queer SWANA (South-West Asian and North African) music club Hoppa. In 2023, Ritu was awarded an MBE for services to music and broadcasting.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A masterful new biography of North Korea's despotic founding father and his enduring impact on his country today.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Kim Il-sung was the enigmatic architect of North Korea. His life is an extraordinary tale of improbable success: once a barely educated guerrilla fighter, he rose to lead the nation at the young age of 33. Against all odds, he established a horrifyingly stable dictatorial regime, one that still struggles to provide for its people, yet could obliterate Hollywood, Silicon Valley and much of East Asia in nuclear strikes.</p><p>Based on extensive new sources in Korean, Russian, Chinese and Japanese, Fyodor Tertitskiy tells the unlikely story of one of the twentieth century's most brutal but little-known dictators, from his early life in Japanese Korea to the lasting repercussions of his autocratic rule today. Tertitskiy showcases Kim's political prowess in gaining autonomy from the USSR; explores how his inept economic policy led to catastrophic famine; and highlights how he implemented a system of hereditary rule, paving the way for today's 'Supreme Leader', Kim Jong-un, to assume power and continue his grandfather's vision.</p><p><i>Accidental Tyrant </i>serves as a stark cautionary tale, underscoring that the triumph of liberty is never guaranteed. Met with insufficient resistance, even the most unlikely leader can build a regime of repression and privation that long outlives its founder.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Fyodor Tertitskiy</b> has been living in South Korea for more than a decade, where he researches North Korean political, social and military history. He has authored several books in English and Korean, including <i>Soviet-North Korean Relations During the Cold War</i> and<i> The North Korean Army: History, Structure, Daily Life.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In <i>Alchemy of Chaos</i>, Christine Owenell offers a radical guide for harnessing the power of the unknown by applying alchemical principles to the chaotic gauntlets of modern leadership and soulful flourishing.</p><p>Chaos. Destruction. Disorder. Confusion. It's everything most try to avoid.</p><p>But should it be? Are you willing to entertain another perspective? As a sought-after executive advisor to visionary leaders and power brokers in business, entertainment, and culture, Christine Owenell explores an unconventional approach to leadership that utilises chaos  both internal and external  as a tool to support growth, expand perspective, and hone mastery.</p><p>Her debut book, <i>Alchemy of Chaos</i>, aims to crystalise and develop what is required to lead in times of uncertainty. It reframes chaos as an essential natural phenomenon that can be leveraged to create new pathways of thought, action, and possibility.</p><p>Drawing upon archetypal psychology, ancient wisdom, ontological philosophy, and personal insights, she posits that a full embrace of the turbulent unknown will drive our evolution as individuals and as a society.</p><p><i>Alchemy of Chaos</i> is a book brimming with the possibility of a robust experience found within unexpected avenues. It guides you through an exploration of these avenues so you may mobilise your best resources and walk your unique path of self-actualisation no matter the circumstances.</p><p>Learning how to harness the power of the unknown is fundamentally transformative. On this pathway, you discover that true innovation happens in provocative ways, and that to create from beyond the known, you must first see what is here. This is a journey of paradox and perspective.</p><p>Mystery activates us. Contrast defines us. Wonder moves us. All these things are the fabric of chaos.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Christine Owenell</b> is an executive advisor to CxOs, visionaries, public figures, and high net worth individuals. She also works in an organizational consultative capacity with Fortune 500 clients, innovative high-growth startups, and family offices. She has served as a mentor to the Kauffman Fellows and as a Global Shaper with the World Economic Forum.</p><p>Christine provides a gateway to access unrealised human potential by weaving together elements of business strategy, archetypal psychology, and modern mysticism. Her work centers around rediscovering and redefining impact, influence, and legacy from the inside out.</p><p>Her career has spanned academia as a Clinton Scholar in the Middle East, to a research practicum centering on hostage negotiation and counter terrorism, to living on four continents, to acting as senior vice president of a billion-dollar investment firm, to co-founding an impact fund. Through it all, she has nurtured a fascination with the psychology of the human condition and how elements of mindset can be activated for personal growth and magnetism.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Full of wealth-building advice and firsthand accounts of those who have built their wealth from nothing, Unleash Your Financial Superpowers contains the keys to helping readers unlock their own 'financial superpowers' that Greg Luken believes resides in all of us.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Full of wealth-building advice and firsthand accounts of those who have built their wealth from nothing, <i>Unleash Your Financial Superpowers</i> contains the keys to helping readers unlock their own 'financial superpowers' that Greg Luken believes resides in all of us.</p><p>The first-generation wealthy are a type of modern superhero. From humble beginnings to unexpected heights of success, these men and women have changed their lives, families, communities, and futures forever. They've fought the hard battles, they've suffered big losses, they've overcome fierce adversaries, and they've lived to tell the tale.</p><p>But what is it that makes them so successful? How did they turn several generations of financial struggle into lasting generational wealth? And more importantly, how can the rest of us do what they've done? How can we become financial superheroes ourselves?</p><p>In <i>Unleash Your Financial Superpowers</i>, investment manager and wealth coach Gregory Luken draws on his four decades of working with the first-generation wealthy to reveal the secrets behind their enduring financial triumphs and their strategies for overcoming the 'Seven Deadly Financial Villains' that rose up against them.</p><p>You'll also:</p><ul><li>Discover the keys to unlocking your three key Financial Superpowers: the Power of Purpose, the Power of Plan, and the Power of Execution</li><li>Understand the emotional and mental obstacles that often hinder financial progress</li><li>Learn how to identify your own financial origin story and see the impact it has had on your decisions</li><li>Articulate your financial why, the driving force behind all your efforts</li><li>Create a concrete plan for reaching your goals, no matter how big and scary they may seem</li></ul><p>Through real-life examples and actionable steps, Luken guides you on a journey to achieve financial mastery, create a life of purpose, and ultimately attain the ultimate asset: Enough.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Founder of Luken Investment Analytics, <b>Gregory Luken</b> began developing math-based investment solutions for clients in the early 1990s. For more than four decades, he has been working primarily with first-generation wealthy  men and women who have built their own wealth from nothing. Along with leading a wealth management and investment analytics firm, Luken founded a broker/dealer, an online institutional analysis platform, and created published indexes. Luken has served as a mutual fund portfolio manager and received his first securities registration in 1988.</p><p>The author of several books, Luken has been published in<i> Forbes, Financial Advisor Magazine, Wealth Management Magazine, ThinkAdvisor, Tampa Medical News, Nashville Medical News, The Nashville Business Journal,</i> and <i>The Tennessean.</i> He has also been a member of the Forbes Financial Counsel. Luken has been a guest on global financial networks, including Fox Business News, CNBC, Reuters TV, and Bloomberg Radio.</p><p>Luken enjoys playing music, skiing, hiking and occasionally obsessing about exercise. He is active in his church and is a graduate of Elizabethtown High and Baylor University (Go Big E! Sic' 'Em, Bears!). He resides in Tennessee with his wife, a few motorcycles, too many guitars, and their two dogs.</p>]]></Text>
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			<SubjectHeadingText>terrorism; pan am; megrahi; scotland; Netflix; international law; terrorist attacks; Colin Firth; The Lockerbie Bombing; True Stories; Lockerbie Bombing; Sky BBC mini series; Victims of Terrorism; Family Justice; intimidation; Lockerbie Trial; Abdelbaset al-Megrahi; grief and loss; shocking stories; personal tragedy; FBI; Search for Justice; Pan Am Flight 103; plane crash; Flora Swire; UK Terrorism; Otto Bathurst; Peaky Blinders; David Harrower; Catherine McCormack; Jane Swire; In the Name of the Father; Jim Sheridan; Sky TV; Dr Jim Swire; Starring Colin Firth; My Left Foot</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[The Lockerbie Bombing is co-written by Dr Jim Swire, whose daughter Flora died when Pan Am Flight 103 was bombed. This is his searing story, which has taken over three decades and across several continents to find the truth behind the atrocity.]]></Text>
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			<Text textformat="02"><![CDATA[<p>The book of the Sky Original miniseries, starringColin Firthas Jim Swire and directed by Otto Bathurst.</p><p>The destruction of Pan Am Flight 103 over the Scottish town of Lockerbie in December 1988 was the largest attack on Britain since World War Two. 259 passengers and 11 townsfolk of Lockerbie were murdered. Libyan Abdelbaset al-Megrahi was convicted of the crime. He maintained his innocence until his death in 2012.</p><p>Among the passengers was Flora, beloved daughter of Dr Jim Swire. Jim accepted American claims that Libya was responsible, but during the Lockerbie Trial he began to distrust key witnesses and supposed firm evidence. Since then it has been revealed that the USA paid millions of dollars to two central identification witnesses, and the only forensic evidence central to the prosecution has been discredited.</p><p>The book takes us along Dr. Swire's journey as his initial grief and loss becomes a campaign to uncover the truth behind not only a personal tragedy but one of the modern world's most shocking events.</p><p>'A shattering tale of grief and love' Daily Mail</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Bread &amp; Roses Award, 2024 Radical Publishing**</b></p><p><b>**Longlisted, Moore Prize for Human Rights Writing, 2023**</b></p><p>Rohingya men, women and children have been fleeing their homes for forty years. The tipping point came in August 2017, when almost 700,000 were wrung from Myanmar in a single military operation. Today, very few members of this Muslim minority remain in the country. Instead, they live mostly in Bangladesh's refugee camps; or precariously in Malaysia, India, Thailand, Saudi Arabia and elsewhere.</p><p>With the Rohingya almost entirely in exile,<i> I Feel No Peace</i> is the first book-length exploration of their lives abroad, drawing on hundreds of hours of interviews and long-standing relationships within the diaspora. Kaamil Ahmed speaks to the families of snatched children, and people kidnapped to feed the human trafficking nourished by Rohingya suffering. Most disturbingly, he reveals the complicity of NGOs and the UN in the refugees' plight.</p><p>But Ahmed also uncovers resilience and hope; stories of how a scattered community survives. The lives uncovered in<i> I Feel No Peace</i> are complex, heart-breaking and unforgettable.</p><p>'<b>This book goes to the heart of the eternal and under-reported suffering of the Rohingya. Forced out of what once was Burma and now is Myanmar, most are in exile in Bangladesh and beyond. An important story of our times.'  Jon Snow</b></p><p><b>'This book paints a deep, complicated and appalling picture: of one million people who have fled danger but now face immense risks from those they thought would protect them. While documenting the harm done by the UN and the Bangladeshi state, Ahmed humanises those normally dehumanised  the refugees.'  Aditya Chakrabortty,</b> <b><i>The Guardian</i></b></p><p><b>'A haunting and poetic, yet incisive and grounded, account of the tragedies that have befallen the Rohingya, of the realities of a people living almost entirely in exile, and of their struggles to maintain dignity and hope in the face of persecution and betrayal.'  Kenan Malik, author, broadcaster and</b> <b><i>Observer</i></b> <b>columnist</b></p><p><b>'Kaamil Ahmed's book fills a glaring void in the literature on one of the world's worst examples of cruelty and dispossession. It promises to bring much-needed attention to the catastrophe of the Rohingya and deserves to be widely read.'  Christopher Lamb, President, Australia Myanmar Institute</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A new history of the Celts that reveals how this once-forgotten people became a pillar of modern national identity in Britain, Ireland, and France</b></p><p>Before the Greeks and Romans, the Celts ruled the ancient world. They sacked Rome, invaded Greece, and conquered much of Europe, from Ireland to Turkey. Celts registered deeply on the classical imagination for a thousand years and were variously described by writers like Caesar and Livy as unruly barbarians, fearless warriors, and gracious hosts. But then, in the early Middle Ages, they vanished. In <i>The Celts</i>, Ian Stewart tells the story of their rediscovery during the Renaissance and their transformation over the next few centuries into one of the most popular European ancestral peoples.</p><p><i>The Celts</i> shows how the idea of this ancient people was recovered by scholars, honed by intellectuals, politicians, and other thinkers of various stripes, and adopted by cultural revivalists and activists as they tried to build European nations and nationalisms during the eighteenth and nineteenth centuries. Long-forgotten, the Celts improbably came to be seen as the ancestors of most western Europeans  and as a pillar of modern national identity in Britain, Ireland, and France.</p><p>Based on new research conducted across Europe and in the United States, <i>The Celts</i> reveals when and how we came to call much of Europe 'Celtic', why this idea mattered in the past, and why it still matters today, as the tide of nationalism is once again on the rise.</p>]]></Text>
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			<Text textformat="02"><![CDATA[In this deeply personal book, the last one she wrote before her death in 2018, Deborah Bird Rose explores the shimmer of life - the iridescent pulse of beauty and power, the processes of transition and transformation - that flows across and between generations, grounded in her work with flying foxes in Australia.]]></Text>
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			<Text textformat="02"><![CDATA[<p>I was called to flying-foxes. My research questions led me into multispecies ethnographic work involving wildlife carers and academically trained scientists in eastern Australia. The people I met were at the front line in the work of holding flying-foxes back from the edge of extinction. I continued to visit the north, and I revisited my notebooks from several decades of research with Aboriginal people. </p><p>The research was exhilarating, and then again at times deeply disheartening. I was to encounter more passion, intimacy, cruelty, horror, complexity, generosity and wild beauty than I could ever have imagined. Living with flying-foxes, I came to understand, takes us straight to the heart of every big question facing Earth life in the 21st century.' </p><p>In this deeply personal book, the last one she wrote before hear death in 2018, Deborah Bird Rose explores the shimmer of life  the iridescent pulse of beauty and power, the processes of transition and transformation  that flows across and between generations. Grounded within this insight, she develops and advocates for an ethics of attention that is in the world within everyday practices, and in this case for and with flying foxes and their worlds.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Deborah Bird Rose (1946-2018) was a world-renowned anthropologist and leading figure in the emergence and shaping of the interdisciplinary environmental humanities. Over the course of a career spanning almost 40 years, Rose published many widely read, cited, award-winning and often-reprinted books, including<i> Hidden Histories</i> (1991),<i> Dingo Makes Us Human</i> (1992), <i>Nourishing Terrains</i> (1996),<i> Country of the Heart</i> (2002), <i>Reports from a Wild Country </i>(2004) and <i>Wild Dog Dreaming</i> (2011). She also edited numerous significant volumes, including<i> Aboriginal Australians and Christian Missions</i> (1988), <i>Manifesto for Living in the Anthropocene</i> (2015), and <i>Extinction Studies</i> (2017), and co-founded the journal Environmental Humanities. Through this work Rose made major contributions in a range of important fields: from the environmental humanities, and the anthropology of indigenous Australia, to extinction studies, animal and multispecies studies, and philosophies of ethics, justice, religion, temporality and place. Rose was a Fellow of the Australian Social Sciences Academy (ASSA) and was for most of her career based at the Australian National University (1995-2008) and Macquarie University (2008-2013).</p>]]></Text>
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			<Text textformat="02"><![CDATA[Inspired by poets from John Donne to Hlderlin, and philosophers from Nietzsche to Heidegger,Scottish poet Kenneth White and Australian philosopher Jeff Malpasreflect onthe world, place, narrative, language and politics. The volume closes with a set of three new philosophical poems by White.]]></Text>
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			<Text textformat="02"><![CDATA[<p>The Scottish poet Kenneth White and the Australian philosopher Jeff Malpas came together by chance when Malpas heard an interview with White on ABC radio. Malpas contacted White, and from there they exchanged books and ideas. They arranged to meet at White's place on the Breton coast, where a conversation about poetry and philosophy developed over four days. Inspired by poets from John Donne to Hlderlin, and philosophers from Nietzsche to Heidegger, they discussed the world, place, narrative, language and politics. This book records that conversation.</p><p><i>The Fundamental Field</i> is made up of two essays: the first is by White on Malpas; the second is by Malpas on White. The volume closes with a set of three new philosophical poems by White.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jeff Malpas </b>is an Australian philosopher and is currently Emeritus Distinguished Professor at the University of Tasmania in Hobart and Distinguished Visiting Professor at LaTrobe University in Melbourne. He was founder, and until 2005, Director, of the University of Tasmania's Centre for Applied Philosophy and Ethics. His work is grounded in post-Kantian thought, especially the hermeneutical and phenomenological traditions, as well as in analytic philosophy of language and mind, and draws on the thinking of a diverse range of thinkers and writers including, most notably, Albert Camus, Donald Davidson, Martin Heidegger and Hans-Georg Gadamer. A Fellow of the Australian Academy of Humanities, he is the author, among other works, of <i>Place and Experience</i> (Routledge, 2018) and <i>Heidegger's Topology</i> (MIT, 2006). He lives in the Huon Valley in Tasmania.</p><p><b>Kenneth White</b> was a Scottish poet, academic and writer. He published numerous works of poetry and prose, with volumes and essays in French as well as English. His work has also been translated into several languages. He was the recipient of many awards and honours, in Europe and Scotland, including the Grand Prix du Rayonnement Francais by the Academie francaise for his work as a whole (1985), the douard Glissant prize from the University of Paris VIII for his 'openness to the cultures of the world' (2004) and Prix de poesie Alain Bosquet for Les Archives du Littoral, a bilingual poetry collection (2011).</p>]]></Text>
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			<Text textformat="02"><![CDATA[The first book of its kind, Being Palestinian draws together the voices of 102 well-known academics, poets, writers, faith leaders and singers, alongside ordinary Palestinians in North America and the United Kingdom, to explore in heartfelt personal reflections what it means to be Palestinian in diaspora.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Draws together the voices of 102 well-known academics, poets, writers, faith leaders and singers, alongside ordinary Palestinians in North America and the United Kingdom, to explore in heartfelt personal reflections what it means to be Palestinian in diaspora.</b></p><p>How does it feel when you cannot find Palestine under 'P' in the encyclopaedia your father brings home? Why cultivate fig and orange trees in the Arizona desert? What does it mean to know every inch of a village you have never seen, a village that no longer exists?</p><p>In this groundbreaking volume, 102 Palestinians in North America and the United Kingdom reflect in their own words on what it means to be Palestinian in the diaspora. Men and women, young and old, Christians and Muslims, including well-known academics, poets, writers, faith leaders and singers, reveal their tangled ties to 'home' and 'homeland', exploring how Palestine in the diaspora can be both lost and found, bereaved and celebrated, lived and longed-for.</p><p>Touching, often troubling, but full of character and wit, the reflections in <i>Being Palestinian</i> offer a radically fresh look at the modern Palestinian experience in the West. And the time-honoured issues of identity, exile and diaspora give acute sense to these very personal reflections </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Professor <b>Yasir Suleiman</b> is the first holder of His Majesty Sultan Qaboos Bin Sa'id Chair of Modern Arabic Studies and a Fellow of King's College, Cambridge. His many published works include <i>A War of Words: Language and Conflict in the Middle East </i>(2004), <i>The Arabic Language and National Identity: A Study in Ideology</i> (2003), <i>The Arabic Grammatical Tradition: A Study in Tal'liil </i>(1999), <i>Literature and Nation in the Middle East</i> (edited with Ibrahim Muhawi, 2006), <i>Language and Society in the Middle East and North Africa </i>(editor, 1999), <i>Arabic Grammar and Linguistics</i> (editor, 1998), <i>Language and Identity in the Middle East and North Africa </i>(editor, 1996) and <i>Arabic Sociolinguistics: Issues and Perspectives</i> (editor, 1994).</p>]]></Text>
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			<Text textformat="02"><![CDATA[Follow this vividly recounted ghostly trail through spooky stories from the past and present by Ann Radcliffe, Washington Irving, Emily Bronte, Nathaniel Hawthorne, Henry James, M. R. James and Susan Hill.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Considers the ways ghost stories appeal to our uneasy relationship with conventional good sense.</b></p><p>What do they want, the ghosts that, even in the age of science, still haunt our storytelling? Catherine Belsey's answer to the question traces Gothic writing and tales of the uncanny from the ancient past to the present  from Homer and the Icelandic sagas to <i>Lincoln in the Bardo</i>.</p><p>Taking Shakespeare's Ghost in <i>Hamlet</i> as a turning point in the history of the genre, she uncovers the old stories the play relies on, as well as its influence on later writing. This ghostly trail is vividly charted through accredited records of apparitions and fiction by such writers as Ann Radcliffe, Washington Irving, Emily Bronte, Nathaniel Hawthorne, Henry James, M. R. James and Susan Hill. In recent blockbusting movies, too, ghost stories bring us fragments of news from the unknown.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Catherine Belsey</b> was a critic and cultural historian. After an academic career at Cambridge, Cardiff and Swansea, she visited the University of Derby for discussions with the students. She lived in Cambridge and chaired a range of reading groups in the area on an occasional basis. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The ultimate guide to learning how to capture action and dynamic movement in figure drawings.</b></p><p>A vital step in developing drawing skills, gesture drawing helps aspiring artists get more comfortable with studying the human body and learning how to depict its connections, curves, and movements. Noted drawing instructor and best-selling author Michael Hampton shares all the secrets for developing gesture and figure drawing skills.</p><p>Geared towards the novice and experienced artist alike, this book aims to clarify and explain the ambiguous concept of gesture drawing. Pulling from formal principles of line, rhythm, shape, and perspective, Gesture Drawing slows down the often rapidly executed practice of gesture and clarifies each step. Featuring examples and a wide range of exercises, this book will help anyone become a stronger and more confident artist.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A collection of more than 300 quotes from Dwayne 'The Rock' Johnson: pro wrestling phenom, actor, businessman, and cultural icon, providing a unique look into the mind of one of the most recognisable and influential figures of our era. Part of the <i>In Their Own Words </i>series.</p><p>This collection of quotes has been curated from Dwayne Johnson's numerous public statements  interviews, social media posts, television appearances, and more. It's a comprehensive picture of his legacy as one of the world's most recognisable and influential celebrities. The quotes in this collection touch on football, wrestling, Hollywood, building a business, heritage, activism, and more.</p><p>Johnson, a third-generation wrestler, rose to prominence in the late 1990s as one of the most electrifying and charismatic performers in the history of professional wrestling. Debuting in the World Wrestling Federation (WWF, now WWE) as Rocky Maivia, he quickly gained attention for his athleticism, microphone skills, and larger-than-life persona. Embracing the moniker 'The Rock', he became a cornerstone of the Attitude Era, and his unparalleled ability to connect with audiences propelled him to multiple WWE Championships. His catchphrases and signature moves became iconic in wrestling lore and garnered mainstream attention beyond the world of wrestling as well.</p><p>After achieving superstardom in the ring, Johnson transitioned to Hollywood, eventually becoming one of the highest-paid actors in the world and starring in blockbuster films including <i>The Mummy</i> and <i>Jumanji</i>, as well as appearing in DC Comics franchise films and voicing Maui in the Disney hit <i>Moana</i>, a nod to his Samoan heritage that he proudly touts as central to his identity. Beyond acting, he has built a business empire that spans multiple enterprises, including a production company, a premium tequila brand, sportswear, and a digital content platform.</p><p>Johnson's entrepreneurial spirit and versatility beyond his entertainment career earned him a nod as one of <i>Time</i>'s 100 Most Influential People in 2019. Now, <i>Dwayne "The Rock" Johnson: In His Own Words</i> offers a unique look into the mind of one of the world's most captivating and beloved personas.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In this groundbreaking work of investigative journalism and true crime, Stacy Horn sheds light on how the subprime mortgage scandal of the 1970s and a long history of white-collar crime slowly devastated East New York, a Brooklyn neighbourhood that would come to be known as the Killing Fields.</p><p>On a warm summer evening in 1991, seventeen-year-old Julia Parker was murdered in the Brooklyn neighbourhood of East New York. An area known for an exorbitant level of violence and crime, East New York had come to be known as the Killing Fields. In the six months after Julia Parker's death, 62 more people were murdered in the same area. In the early 1990s, murder rates in the neighbourhood climbed to the highest in NYPD history. East New York was dying.</p><p>But how did this once thriving, diverse, family neighbourhood fall into such ruin? The answer can be found two decades earlier. In response to redlining and discriminatory housing practices, the Johnson administration passed the Housing and Urban Development Act in 1968. The Federal Housing Authority aimed to use this piece of legislation to help low-income families of colour finally achieve homeownership. But they could never have predicted how banks, lenders, realtors, and corrupt FHA officials themselves would use the newly passed law to make victims of the very people they were supposed to help, and the devastation they would leave in their wake.</p><p>A compulsively readable hybrid of true crime and investigative journalism, <i>The Killing Fields of East New York</i> reveals how white-collar crime reduced a prospering neighbourhood to abandoned buildings and empty lots. Following the dual threads of the hunt for the network of criminals behind the first subprime mortgage scandal and the ensuing downfall of East New York, Stacy Horn weaves a compelling narrative of government failure, a desperate community, and ultimately the largest series of mortgage fraud prosecutions in American history. <i>The Killing Fields of East New York</i> deftly demonstrates how different types of crime are profoundly entangled, and how the crimes committed in nice suits and corner offices are just as destructive as those committed on the street.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Stacy Horn</b> is a journalist and author of nonfiction books, including <i>Damnation Island: Poor, Sick, Mad &amp; Criminal in 19th Century New York</i> and <i>The Restless Sleep: Inside New York City's Cold Case Squad</i>. Her last book, described on<i> The Bowery Boys</i> podcast as 'your page-turning horror read for the summer', turned out to be excellent preparation for the horror read she was to write next. Mary Roach has hailed her for 'combining awe-fueled curiosity with topflight reporting skills', while others have described her work as 'immaculately researched' and 'several notches above the typical reporter's insights'. Horn's commentaries have been heard on NPR's <i>All Things Considered</i>, and she lives in New York City.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A revelatory collection of the artist's sketches and preparatory drawings, featuring many that have never been published before</b></p><p>The great Russian modernist painter and theorist Wassily Kandinsky was one of the pioneers of abstraction in Western art. Few documents provide more insight into his evolution from figural to abstract art  or into the development of abstraction in the early twentieth century  than the pages of his sketchbooks. Featuring previously unpublished drawings, <i>Wassily Kandinsky: The Sketchbooks</i> is a comprehensive selection of hundreds of sketches from twelve notebooks Kandinsky kept between 1889 and 1935. Beginning with early figure studies, architectural sketches, and landscapes, the notebooks reveal a process of exploration that would lead Kandinsky from his first experiments in geometric abstraction to paintings that reshaped modernism.</p><p>Demonstrating Kandinsky's mastery of colour, line, shape, composition, and movement, the book includes notes and preparatory studies for major paintings, such as the 'analytical drawing' for <i>Composition VII</i> (1913), the first study for <i>Several Circles</i> (1926), and <i>Study for Composition IX</i>, a preliminary working of his 1936 masterpiece. Visually stunning, the book offers a remarkable, intimate look at how Kandinsky sought to discover nothing less than a spiritually transcendent form of art.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Wassily Kandinsky</b> (1866-1944) was a Russian painter and art theorist and one of the pioneers of pure abstraction in early twentieth-century art. </p><p><b>Larry Warsh</b> has been active in the art world for more than thirty years as a publisher and artist-collaborator, and was a founding member of the Basquiat Authentication Committee. He is the editor of the ISMs series, including <i>Holzer-isms</i> and <i>Abramovi-isms</i>, as well as Basquiat's <i>The Notebooks</i> and <i>James Rosenquist: Collages, Drawings, and Paintings in Process</i> (all Princeton), among many other books. </p><p><b>Dieter Buchhart</b> is a curator and art critic who has organised exhibitions at museums around the world, including the Guggenheim Bilbao, Fondation Louis Vuitton, and Musee d'Art Moderne de Paris. He writes frequently for <i>Kunstforum International.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Celebrate the artistry of Indonesian Batik with this lined journal, featuring a design rooted in tradition and cultural heritage.</b></p><p>This lined, paperback journal from Tuttle Publishing features cover art of from the <i>Sarong Buketan</i>, made in The Tie Siet workshop, Pekalongan (1920-1930s).</p><p>Original Art found in <i>Batik:Traditional Textiles of Indonesia from The Rudolf Smend &amp; Donald Harper Collections</i>. This cover print may be found in the book<i> Batik, Traditional Textiles of Indonesia</i> (Tuttle Publishing).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr. Lisa Orbe-Austin </b>is a licensed psychologist and executive coach. She earned her doctorate in counseling psychology from Columbia University. Her expertise on impostor syndrome is regularly sought by the media and she has appeared in outlets such as <i>Financial Times</i>, the <i>Today Show, Good Morning America, Forbes, Huffington Post</i>, and <i>Refinery29</i>. She has also been honored twice as a Top Voice on LinkedIn in the areas of Job Search and Careers and Mental Health. Dr. Orbe-Austin has been an invited speaker at various national conferences. She recently gave a TEDx talk entitled 'The Impostor Syndrome Paradox: Unleashing the Power of You'.</p><p>Trained as a clinician and researcher, her work is focused on providing practical, achievable results through research-backed science. She is a contributor to The American Psychological Association's volume on Imposter Phenomenon entitled <i>The Impostor Phenomenon: Psychological Research, Theory, and Interventions</i> (APA Press, 2024).</p><p>Her first book, <i>Own Your Greatness: Overcome Impostor Syndrome, Beat Self-Doubt, and Succeed in Life </i>(Ulysses Press, 2020) coauthored with her partner, Dr. Richard Orbe-Austin, was released in April 2020. Their book was a finalist for the Foreword INDIES Book Award. Her second book, <i>Your Unstoppable Greatness: Break Free of Impostor Syndrome, Cultivate Your Agency, and Achieve Your Ultimate Career Goals </i>(Ulysses Press, 2022) is focused on dealing with the systemic dynamics in workplaces and cultures that keep impostor syndrome in place and how to directly combat those dynamics.</p><p><b>Dr. Richard Orbe-Austin</b> is a licensed psychologist, executive coach, and consultant. He earned his PhD in counseling psychology from Fordham University's Graduate School of Education and his BA in psychology from NYU.  In his practice, Dr. Orbe-Austin works with executives, senior leaders, and mid-career professionals to overcome impostor syndrome, identify their best-fit career options, advance their career goals, and strengthen their leadership skills. He also regularly consults to academic institutions, corporations, and nonprofit organisations on issues related to leadership, diversity, equity and inclusion, anti-racist practice, burnout prevention, impostor syndrome, and creating healthy workplaces. </p><p>Dr. Orbe-Austin's opinions and writings have appeared in a variety of publications and academic journals, including<i> Forbes, Fast Company, ThriveGlobal, Diversity Executive, </i>the <i>Journal of Multicultural Counseling &amp; Development and the Handbook of Racial-Cultural Counseling and Psychology</i>. He is a TEDx speaker and the author of the book <i>Own Your Greatness: Overcome Impostor Syndrome, Beat Self-Doubt, and Succeed in Life</i> (Ulysses Press, 2020), coauthored with his partner, Dr. Lisa Orbe-Austin. The goal of the book is to provide a systematic formula to eliminate impostor syndrome and to assist readers to own their talents and power in order to fully realise their goals and lead a more balanced life. It was a Foreword INDIES Book Award Finalist. His second book<i> Your Unstoppable Greatness: Break Free from Impostor Syndrome, Cultivate Your Agency, and Achieve Your Ultimate Career Goals</i> (Ulysses Press, December 2022), also coauthored with his partner, focuses on how to sustain your impostor syndrome-free life, reduce burnout, and improve healthy leadership skills while conquering toxic work cultures. He is also a contributor to the American Psychological Association's volume on impostor phenomenon, entitled <i>The Impostor Phenomenon: Psychological Research, Theory, and Interventions</i> (APA Press, March 2024). </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Save money, save the planet, and craft a sustainable domestic life without relying on smelly, toxic, expensive consumer products.</p><p>This handwritten and hand-drawn book of charming tutorials for natural housekeeping and home repair, organic gardening and food preservation, herbal first aid, and mending clothes is both fun and accessible. It's full of simple skills that anyone can and should learn.</p><p>From creating healthy tinctures and salves to preserving excess food to fixing a leaky faucet, this book is great if you're looking to live more simply, create a comfortable nest, and truly do it yourself. Combining the power of Raleigh Briggs's bestselling <i>Make Your Place</i> and <i>Make It Last</i> to form a complete guide to everything you need to consume less and live more in line with your values.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A compelling rumination on detritus as an essential, meaningful, yet often problematic facet of human existence.</p><p>This book starts with the premise that waste is inevitable in human society. The Idea of Waste explores how we have grappled with both the material reality and the spectre of this shape-shifting phenomenon throughout history  utilising it, dreaming of overcoming it, yet never escaping it. John Scanlan explores what waste is and why it seems to be intrinsic to human life, at every turn, in every age and epoch. Finally, he demonstrates how waste never disappears, but rather only proliferates anew. The compelling narrative shows waste to be both an enduring material consequence of human activity and an idea or state of being.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Told with unflinching honesty and a touch of gallows humour, <i>Clay and Bones</i> is the personal memoir of the first female forensic sculptor in the FBI. </p><p>Lisa Bailey never considered a career working in death until she saw the FBI job posting for a forensic artist. The idea of using her artistic skill to help victims of crime was too compelling to pass up. </p><p>Soon she was documenting crime scenes, photographing charred corpses, and digitally retouching the disembodied heads of suicide bombers. But it was facial approximation  sculpting a face from the remnants of an unidentified victim's skull  that intrigued her the most. Bailey knew that if she could capture that person's likeness in clay, she just might help them be identified, and that might help law enforcement track down their killer. </p><p>Bailey worked on hundreds of cases and grew to become a subject matter expert in the field. It was the most challenging and fulfilling work she could have imagined, and she never thought of leaving. But her life changed when she became the target of sexual discrimination and harassment. She was stunned when FBI management protected the abusers and retaliated with threats, slander, and an arsenal of lawyers. Trapped in an increasingly hostile work environment, and infuriated at the hypocrisy of the FBI's tactics, Bailey decided to fight back. </p><p><i>Clay and Bones</i> is a memoir with a mission, and a fascinating exploration into the surreal and satisfying work of a forensic artist.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The poignant and very human drama of a 1914 maritime disaster that claimed the lives of more passengers than the Titanic.</b></p><p> On May 28, 1914, the RMS Empress of Ireland began her 192nd trip across the Atlantic from Quebec City, Canada, en route to Liverpool, England, carrying 1,056 passengers and a crew of 423. In the early hours of May 29, fog descended on the St. Lawrence River, and the ocean liner was rammed by the Storstad, a Norwegian coal ship. In the fourteen minutes it took for the Empress of Ireland to sink, there was time to launch only four of the forty lifeboats, and rather than women and children first, it was everyone for themselves. </p><p>Over a thousand people died that night, claiming the lives of more passengers than either the Titanic or the Lusitania, and the tragedy stands as the worst maritime disaster during peacetime in Canadian history. </p><p>Investigative journalist and author Eve Lazarus draws on a trove of historical documents, including small-town newspaper reports, the Wreck Commissioner's Inquiry, and first-hand accounts passed down through personal letters and family lore, to tell the story of the wreck and its aftermath through the eyes of the survivors. Through these records, as well as interviews with experts and descendants of the passengers, Lazarus recounts the story from both a Canadian and a Norwegian perspective and investigates why many of the accounts regurgitated in newspapers and books for over a hundred years are wrong. The result is an absorbing and utterly stirring narrative that uncovers tales of heroism and sacrifice, human endurance, and modern-day shipwreck hunters. </p><p><i>Beneath Dark Waters</i> is an epic chronicle that restores the Empress of Ireland  largely forgotten in the shadow of the Titanic disaster  as well as its survivors and victims to their rightful place in maritime history. With black-and-white photos.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A high-level insider's account of how China and India are locked in an ongoing struggle for supremacy in Asia.]]></Text>
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			<Text textformat="02"><![CDATA[<p>The term 'Asian century' was first coined by the US Senate Foreign Relations Committee in 1985 when discussing the Asian economic leap forward. From 1988, diplomats and the media also started using the term, further to the successful Deng Xiaoping-Rajiv Gandhi summit held that December in Beijing, for which Vappala Balachandran, under Prime Minister Gandhi's express directions, led a small team of officials for more than a year of discreet 'off-line' talks with key Chinese counterparts  separate from the official diplomatic engagement.</p><p>The Chinese-Indian thaw, which lasted until 1998, prompted highly optimistic visions of a 'China-India Century of Cooperation' enabling both powers to compete with the US and EU in terms of trade and military capacity. None of this happened, and instead the China-India relationship is highly rancorous, punctuated by trade spats and border skirmishing between the People's Liberation Army and the Indian Army. New Delhi has gravitated towards the US in the hope of checkmating an assertive Beijing's pursuit of global military and trade dominance. This book offers a comprehensive analysis of India and China's comparative strategic capabilities, sharing many insights drawn from the author's first-hand engagement with and research into the questions discussed.</p><p><i>The opinions expressed in this book are personal and do not represent those of the Government of India.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Vappala Balachandran</b> is a columnist, former special secretary for the Indian Cabinet Secretariat, and author of four books on Indian security, strategy and intelligence. In 1987 he led a two-member Indian team to revamp the security set-up of an Indian Ocean country, at its president's request. In 1993 and 1994 he headed the Indian interagency intelligence groups for annual dialogue with US agencies on terrorism. In 1995 he organised the first discreet talks between Prime Minister P.V. Narasimha Rao and the chief 'rebel' Naga group, paving the way for a ceasefire.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Like its African neighbours, Eritrea attained colonial statehood under a European power, in this case Italy. Yet, during decolonisation, its people were singularly excluded from the right to self- determination, for external reasons: superpower rivalry over the country's strategic position on the Red Sea; a mistaken notion of irreconcilable sectarian differences within Eritrea's population, invoked in order to brand it a society unfit for statehood; and Ethiopia's imperial claim, based on mythical historical connections.</p><p>The Ethiopian call for Eritrea's return, supported by the UK and the US, sealed its fate at the international level. First, in the early 1950s, the UN General Assembly federated Eritrea as an autonomous unit under Ethiopian sovereignty; a decade later, Addis Ababa annexed it as a province  in neither case was the population consulted, sparking a liberation war.</p><p>This vital book traces the genesis of the Eritrean independence struggle through hitherto unexplored local sources, both written and oral, analysed against the rather scanty existing literature on this period. Alemseged Tesfai refocuses the narrative on the actions, reactions and expectations of a relatively small nation, in both size and population, as it set out to right an international wrong, imposed by the Great Powers of the day.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Internationally renowned philosopher Giorgio Agamben's bold redefinition of methodological inquiry into the human sciences</b></p><p><i>The Signature of All Things</i> is Giorgio Agamben's sustained reflection on method. To reflect on method implies for Agamben an archeological vigilance: a persistent form of thinking whose path is to expose, examine, and elaborate that which remains obscure, unthematised, even unsaid, in an author's thought. To be archeologically vigilant, then, is to return to, even invent, a method attuned to a 'world supported by a thick plot of resemblances and sympathies, analogies and correspondences.'</p><p>The range of authors and of topics Agamben collects in this slim but dense volume exemplifies this search to create a science of signatures that exceeds either a semiology or hermeneutics vainly attempting to determine the pure and unmarked signs that signify univocally, neutrally, and eternally.</p><p>Three conceptual figures organise this treatise and the advent of Agamben's own new method: the paradigm, the signature, and archeology. Each chapter is devoted to an investigation of one of these concepts whose genealogy Agamben carefully constructs transhistorically and from an interdisciplinary perspective. And at each moment of the text, Agamben pays tribute to Michel Foucault whose methods he rethinks and effectively uses to reformulate the logic of the concepts he isolates. <i>The Signature of All Things</i> reveals once again, how and why, Agamben is one of the most innovative thinkers writing today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Few composers have enjoyed such critical acclaim  or longevity  as Jean Sibelius, who died in 1957 aged 91. Always more than simply a Finnish national figure, an 'apparition from the woods' as he ironically described himself, Sibelius's life spanned turbulent and tumultuous events, and his work is central to the story of late nineteenth and early twentieth-century music. This book situates Sibelius within a rich interdisciplinary environment, paying attention to his relationship with architecture, literature, politics and the visual arts. Drawing on the latest developments in Sibelius research, it is intended as an accessible and rewarding introduction for the general reader, and also offers a fresh and provocative interpretation for those more familiar with his music.</p><p><b>'A brief, thoughtful biography [and] a welcome addition to the literature on a creative master who continues to stand apart.'  Tim Page,</b> <b><i>Wall Street Journal</i></b></p><p><b>'A wide-ranging yet taut narrative, in which the musical works are balanced with the life story. And while this is far from the first Sibelius biography, [Daniel M. Grimley] adds something new by meticulously drawing on relevant cultural, artistic, historical and political context.' </b><b><i> BBC Music</i></b><b> magazine</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'The Aramaic translations of Klotz cut through the rote and bring us to the deeper meanings of Jesus's teaching that can still touch our hearts, move our souls, and ignite our action.'  Matthew Fox, author of </b><b><i>Original Blessing</i></b></p><p>Neil Douglas-Klotz, bestselling author of <i>Revelations of the Aramaic Jesus</i>, offers new translations from Jesus's native language in the form of a meditation a day, an oracle, or a guide for a forty-day retreat. Through expansions of Aramaic's multiple meanings as well as guided contemplations, <i>The Aramaic Jesus Book of Days</i> provides a guide to transformation through the way of the prophet. It shows how the deepest teachings of Jesus address contemporary challenges, such as our relationships with nature and each other, as well as the purpose of life itself.</p><p>In short chapters, the book takes up life themes you're facing and offers meditations to address them. Each chapter is introduced with a short saying and keyword of Jesus, heard with 'Aramaic ears', and then proceeds to show how this applies to a life issue today. This book offers a unique perspective on Jesus's teachings that can help you to connect with them on a deeper level and live a more authentic, fulfilling, and compassionate life.</p>]]></Text>
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			<SubjectHeadingText>Cabot Tradition; Copper Cauldron; LBGTQ; LGBTQIA; Salem; Temple of Witchcraft; Will; Wisdom; Witch; Witchcraft; alchemy; astrology; community; empowerment; full moon; gay; healing; herbalism; magic; magick; magickal tradition; modern witch; mystery school; occult; occultism; plants; psychic; queer; ritual; spell work; spiritual connection; spirituality; witchtok</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[In Gay Witchcraft, Penczak's clearheaded theory and practice combine to create a classic book of Witchcraft focused on the perspective of the gay community.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'</b><b><i>Gay Witchcraft</i></b><b> is an opportunity for queer Witches to claim our rightful place in our own magical practices without sacrificing who we truly are, as well as just being a solid introductory book on the Craft...For queer Witches of all stripes, this is our history, these are our stories, and this is something for us to treasure.'  from the foreword by Storm Faerywolf</b></p><p>When Christopher Penczak was introduced to Witchcraft, he found a spiritual path through which he could honour and embrace his homosexuality. In <i>Gay Witchcraft</i>, Penczak's clearheaded theory and practice combine to create a classic book of Witchcraft focused on the perspective of the gay community.</p><p>Penczak's writing has made it much easier for gay, lesbian, bisexual, transgender, and queer people interested in practising any form of Witchcraft. His willingness to share his own personal journey and the foundations that made the Craft accessible allows readers to find their own ways of practice. This book explores the history of Paganism and offers a compendium of spells, meditations, ceremonies, and affirmations that will enrich both the novice and the experienced practitioner seeking out new views of myth, ritual, and healing.</p><p><b>This new Weiser Classics edition replaces a previously published edition. The Weiser Classics series offers essential works and foundational texts from renowned authors and spiritual teachers, as well as introductory guides on an array of topics by contemporary writers and practitioners.</b></p><p><b>Weiser Books, esoteric and occult teachings since 1957.</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Christopher Penczak</b> is an award-winning author, teacher, and healing practitioner. He has written over twenty books, including <i>The Three Rays of Witchcraft, Ascension Magick, Spirit Allies, City Magick, Magick of Reiki</i>, and <i>The Inner Temple of Witchcraft</i>. As an advocate for the timeless wisdom of the ages, Penczak is rooted firmly in the traditions of modern witchcraft and Earth-based religions but draws from a wide range of spiritual traditions. He is a certified herbalist, flower essence practitioner, and avid gardener who sees his relationship with the plant world as a key part of his spiritual practice. For more information visit <i>christopherpenczak.com</i> and <i>templeofwitchcraft.org</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Why human nature is an aesthetic phenomenon  and why we need art and philosophy to understand ourselves.</b></p><p>In <i>The Entanglement</i>, philosopher Alva Noe explores the inseparability of life, art, and philosophy, arguing that we have greatly underestimated what this entangled reality means for understanding human nature.</p><p>Life supplies art with its raw materials, but art, Noe argues, remakes life by giving us resources to live differently. Our lives are permeated with the aesthetic. Indeed, human nature is an aesthetic phenomenon, and art  our most direct and authentic way of engaging the aesthetic  is the truest way of understanding ourselves. All this suggests that human nature is not a natural phenomenon. Neither biology, cognitive science, nor AI can tell a complete story of us, and we can no more pin ourselves down than we can fix or settle on the meaning of an artwork. Even more, art and philosophy are the means to set ourselves free, at least to some degree, from convention, habit, technology, culture, and even biology. In making these provocative claims, Noe explores examples of entanglement  in artworks and seeing, writing and speech, and choreography and dancing  and examines a range of scientific efforts to explain the human.</p><p>Challenging the notions that art is a mere cultural curiosity and that philosophy has been outmoded by science, <i>The Entanglement</i> offers a new way of thinking about human nature, the limits of natural science in understanding the human, and the essential role of art and philosophy in trying to know ourselves.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A definitive biography of the U.S. diplomat and prize-winning historian George F. Kennan.</b></p><p>The diplomat and historian George F. Kennan (1904-2005) ranks as one of the most important figures in American foreign policy  and one of its most complex. Drawing on many previously untapped sources, Frank Costigliola's authoritative biography offers a new picture of a man of extraordinary ability and ambition whose idea of containing the Soviet Union helped ignite the Cold War but who spent the next half century trying to extinguish it. Always prescient, Kennan in the 1990s warned that the eastward expansion of NATO would spur a new cold war with Russia.</p><p>Even as Kennan championed rational realism in foreign policy, his personal and professional lives were marked by turmoil. And though he was widely respected and honoured by presidents and the public, he judged his career a failure because he had been dropped as a pilot of U.S. foreign policy. Impossible to classify, Kennan was a sui generis thinker, a trenchant critic of both communism and capitalism, and a pioneering environmentalist. Living between Russia and the United States, he witnessed firsthand Stalin's tightening grip on the Soviet Union, the collapse of Europe during World War II, and the nuclear arms race of the Cold War.</p><p>An absorbing portrait of an eloquent, insightful, and sometimes blinkered iconoclast whose ideas are still powerfully relevant, <i>Kennan</i> invites us to imagine a world that Kennan fought for but was unable to bring about  one not of confrontations and crises but of dialogue and diplomacy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A house is more than four walls and a roof. From its design and production to the way it is sold, used, resold, and eventually demolished, it is crisscrossed by conflict.</b></p><p><i>The Housing Monster</i> is a scathing graphic guide that takes one seemingly simple, everyday thing  a house  and looks at the social relations that surround it. Moving from intensely personal thoughts and interactions to large-scale political and economic forces, it reads alternately like a worker's diary, a short story, a psychology of everyday life, a historical account, an introduction to Marxist critique of political economy, and an angry flyer someone would pass you on the street.</p><p>Starting with the construction site and the physical building of houses, the book slowly builds and links more and more issues together: from gentrification and city politics to gender roles and identity politics, from subcontracting and speculation to union contracts and negotiation, from individual belief, suffering, and resistance to structural division, necessity, and instability. What starts as a look at housing broadens into a critique of capitalism as a whole. The text is accompanied by clean black-and-white illustrations that are mocking, beautiful, and bleak.</p><p>This new edition includes analysis situating and exploring the text's impact around the world by Lazo Ediciones in Argentina, Ben Kritikos in Scotland, and Sean KB of the <i>Antifada</i> podcast in the US.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The anonymous author who posts manifestos on <b>prole.info</b> has lived in half a dozen different countries and has had a lot of different jobs  all of which were...shit. His texts are an attempt to bring this personal experience of living in capitalist society into contact with history and theory he's read. He writes anonymously for practical reasons but also on principle. Ideas are no one's property, and even original thinkers are only putting possibilities from the real world into words. The point is not to build up an authorial persona. Ideas or arguments shouldn't be judged on if the author has (or doesn't have) academic credentials, working-class credentials, or militant credentials.The point is to try to learn from other people today and in the past, to recognise how things work today, so that we change them.</p><p><b>Lazo Ediciones</b> is a group who write, translate, and publish communist, anarchist, and working-class texts in Spanish. Their members also participate in the Biblioteca y Archivo Alberto Ghiraldo, Biblioteca La Caldera, the magazine Cuadernos de Negacin, the newsletter<i> Oveja Negra</i>, the podcast <i>Temperamento</i>, as well as other projects. They are mainly located in the geographical region controlled by the Argentinian state.</p><p><b>Ben Kritikos</b> is a writer, broadcaster, and worker based in Glasgow, UK. He co-hosts the podcast <i>Spaghetti for Brains</i>, as well as writing and hosting the radio show <i>Red White Blues: an Anthology of America's Music</i>, which explores the history of American power and its reliance on petroleum through the lens of jazz records. He's provided voiceover for film, radio, and audiobooks, including the audiobook version of <i>The Housing Monster</i>. He regularly publishes cultural histories through his newsletter<i> Spaghetti for Brains</i> and elsewhere.</p><p><b>Sean KB </b>is a union construction worker in New York City and co-host of the popularcommunist podcast the <i>Antifada</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Rayguns and rockets! Spacesuited heroes caught in the tentacles of evil insectoid aliens! Who could resist such wonders? Science fiction paperbacks exploded over the 1940s and '50s literary landscape with the force of an alien gamma bomb.</p><p>Titles such as<i> Rodent Mutation, The Human Bat vs The Robot Gangster, Dawn of the Mutants </i>and <i>Mushroom Men from Mars </i>appeared from fly-by-night publishers making the most of the end of post-war paper rationing. They were brash and seductive  for around a shilling the future was yours. The stories were often conceived around a pre-commissioned cover and a title suggested by the publisher, and the writers were paid by the word, and sometimes not paid at all. Titles were knocked out at a key-pounding pace, sometimes over a weekend, by authors now lost to literary history (plus a few professionals who could spot an opportunity) who were forced to write under pseudonyms like Ray Cosmic, Steve Future, Vector Magroon or Vargo Statten.</p><p>Despite the tight deadlines and poor pay, the books' cover artists still managed to produce works of multi-hued, brain-bending brilliance, and collected here is an overview of their output during an unparalleled period of brash optimism and experimentation in publishing.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rian Hughes</b> is an award-winning graphic designer, illustrator, comic artist, writer, and typographer who has worked extensively for the British and American advertising, music, and comic book industries. His previous books include <i>Logo-a-gogo, Custom Lettering of the '20s and '30s</i>,<i> Soho Dives, Soho Divas, The Black Locomotive</i> and <i>XX</i>. He has an extensive collection of Thunderbirds memorabilia, a fridge full of vodka, and a stack of easy listening albums which he plays very quietly in his home in London.</p>]]></Text>
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			<SubjectHeadingText>1960s; Australian literature; equality; essays; feminism; journalism; revolutionary writing; women's writing; social justice; Australian identity; post-war Australia; Aboriginal and Torres Stait Islander rights; Vietnam war; anti-war; 1960s activism; George Johnston; Hydra writers; Australian women authors; women's studies; Sydney Morning Herald; women's pages</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[From her wild bohemian years on Hydra to her radical feminist writings, Charmian Clift is a larger-than-life personality of Australian literature.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'I know it's a daring suggestion, but I'll make it anyway.'</i></p><p>Charmian Clift was a writer ahead of her time. Lyrical and fearless, her essays seamlessly blended the personal and the political.</p><p>In 1964, Charmian Clift and her husband George Johnston returned to Australia after living and writing for many years in the cosmopolitan community of artists on the Greek island of Hydra. Back in Sydney, Clift found her opinions were far more progressive than those of many of her fellow Australians.</p><p>This new edition of Charmian Clift's essays, selected and introduced by her biographer Nadia Wheatley, is drawn from the weekly newspaper column Clift wrote through the turbulent and transformative years of the 1960s. In these 'sneaky little revolutions', as Clift once called them, she supported the rights of women and migrants, called for social justice for Aboriginal and Torres Strait Islander people, opposed conscription and the war in Vietnam, acknowledged Australia's role in the Asia-Pacific, fought censorship, called for a local film industry - and much more. In doing so, she set a new benchmark for the form of the essay in Australian literature.</p><p><b>'My regard for Charmian Clift veers uncomfortably close to veneration, which appals me. The figure of Clift as a messy morality tale about what happens when you run off to be a writer comes at the expense of the work she produced, which is to the contrary searing in its clarity. This collection is a reminder of the work behind the legend: her bent, her conviction, and her cool. And the sentences! Clift's essays evince an ardent attention to life in all its vagaries, which is really the most a person can give.' - Ellena Savage, author of</b> <b><i>Blueberries</i></b></p><p><b>'Charmian Clift was ahead of her time and yet also representative of them. Her essays are a fascinating, thoughtful  sometimes judgemental, sometimes lyrical  window into an Australia on the brink of change. Whether you always agree with her opinions or not, she writes like a dream and her voice is wry, insightful and self-aware. It is lovely to see her gaining the recognition she has long deserved.' - Jane Caro,</b> <b>Walkley Award winning columnist and author</b></p><p><b>'When I first stumbled on Clift's essays, twenty or more years ago, these trashy essays written for a disposable occasion seemed to me to have more lightning and quicksilver, more brilliance and more skill of execution, than any Australian writing other than the great novels of Patrick White and Christina Stead.' - Peter Craven,</b> <b><i>Sydney Morning Herald</i></b></p><p><b>'Reading these essays, it's easy to see why Clift became a cult figure. The chatty, charming and sometimes slightly dippy persona distracts attention just enough from the steely intelligence, the sophisticated sentence structure and the passion for causes that characterise these pieces but might otherwise rather have alarmed her readers ... In an era that hadn't yet thought too much about these things, her columns demonstrated that a woman ... could and should be an active citizen of the world.' - Kerryn Goldsworthy,</b> <b><i>Australian Book Review</i></b></p><p><b>'From the women's pages of the</b> <b><i>Sydney Morning Herald</i></b><b>, among advertisements for wrinkle cream and mini-skirts ... Clift challenged a complacent society, fashioned a sly and elegant sedition: opposing Vietnam, unmasking materialism, championing equality for women.' - Mark Tredinnick,</b> <b><i>The Book Bulletin</i></b></p><p><b>'These are essays unabashed in their sensuality and liveliness, keenly curious and attuned to mystery and marvel, and they are almost always full of joy.' - Fiona Wright,</b> <b><i>Sydney Review of Books</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Charmian Clift</b> was born in the coastal town of Kiama, New South Wales, on 31 August 1923. After serving as a lieutenant in the Australian Army, she joined the staff of the Melbourne <i>Argus</i> newspaper, and in 1947 married fellow-journalist George Johnston. The next year, the couple's collaborative novel <i>High Valley</i> won the <i>Sydney Morning Herald</i> prize. Fleeing the political claustrophobia of Australia under the Menzies government, in 1952 Charmian and George headed to London. Two years later, they escaped even further, to the Greek islands, where over the next decade they raised three children and created a legend. During this period, Clift wrote the memoirs, <i>Mermaid Singing</i> and <i>Peel Me A Lotus</i>, and her two novels, <i>Honour's Mimic</i> and <i>Walk to the Paradise Gardens.</i> After the family returned to Australia in 1964, Charmian Clift began writing a weekly column that appeared in the Women's Section of the <i>Sydney Morning Herald</i>. In these 'sneaky little revolutions', as Clift once called her essays, she supported the rights of women and migrants, called for social justice for Aboriginal and Torres Strait Islander peoples, opposed conscription and the war in Vietnam acknowledged our role in Asia, fought censorship, called for an Australian film industry  and much more. Although Charmian Clift died in 1969, her message of liberation was so far ahead of her time that her little revolutions continue to win new readers.</p><p><b>Nadia Wheatley</b> is the author of <i>The Life and Myth of Charmian Clift.</i> Described by critic Peter Craven as 'one of the greatest Australian biographies,' this was the <i>Age</i> Non-Fiction Book of the Year, 2001, and won the NSW Premier's Australian History Prize (2002). After twenty years it remains the classic account of the life and work of this transformational Australian writer. Nadia Wheatley's other works include the award-winning memoir <i>Her Mother's Daughter</i>. Her most recent book, <i>Radicals  Remembering the Sixties,</i> written in partnership with Meredith Burgmann, was published by NewSouth in 2021</p>]]></Text>
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			<Text textformat="02"><![CDATA[Meticulously researched and beautifully presented, A Matter of Taste takes   you on an entertaining, nostalgic and insightful culinary journey through   Australian food, culture and history.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Since its inception in 1933, <i>The Australian Women's Weekly</i> has been Australia's highest-selling women's magazine, in large part due to its hugely   popular cookery section and companion cookbooks. From birthday cakes to   barbecues, mock meat to Chinese food, the <i>Weekly</i> taught generations of Australians what to eat and how to cook it at home. Yet despite this, the magazine and its influence on Australian cooking has been overlooked in histories of Australian food. <i>A Matter of Taste </i>restores the <i>Weekly</i> to its rightful place at the centre of Australia's food culture.</p><p>Drawing on recipes, food editorials and readers' memories, <i>A Matter of Taste</i> is a celebration of the<i> Weekly</i>'s vital role in the development of Australian food culture, debunking the myth that Australian food was 'bland' and 'boring' prior to postwar migration, and illuminating important relationships between food, culture and identity. It shows that the magazine encouraged its readers (mostly women) to be adventurous, to experiment in the kitchen, and to try new ingredients and flavours, stimulating an eclectic, Australian way of eating, which is still reflected on our tables today.</p><p>Meticulously researched and beautifully presented, <i>A Matter of Taste</i> takes   you on an entertaining, nostalgic and insightful culinary journey through   Australian food, culture and history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr Lauren Samuelsson </b>holds a PhD in history from the University of Wollongong, Australia, where she is an Honorary Fellow. Lauren's research interests include cultural history, the history of food and drink, the history of popular culture and gender history. Her award-winning work has been published in <i>History Australia</i> and <i>Australian Historical Studies</i>. She has also published in <i>The Conversation</i> and is a regular guest on Australian radio, where she shares her love of food history with people nationwide. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Time of Our Lives</i> presents the extraordinary lives of ordinary women in their seventies, eighties and nineties, challenging the stereotype of the helpless old woman who is nothing more than a burden.</p><p>The first collection of its kind in Australia, it demonstrates the rich lives led by 20 women of diverse backgrounds, all born before 1946 and all of whom have achieved great things in older age. From Mig Dann, an 80-year-old artist who worked for David Bowie and completed a PhD in her seventies, to Pauline Lorenzen, a 75-year-old Indigenous solicitor working to support women; from Robina Rogan, a boat-builder planning a sea voyage at age 82, to Rosemary Salvaris, a 76-year-old civil celebrant who has taken up orienteering, these women show that learning has no age limit.</p><p>As the generation of Australian women who waved the flag for feminism enter retirement, let&amp;#x27;s change the conversation around what it means to be &amp;#x27;old&amp;#x27;. Our ageing population is not a burden - it&amp;#x27;s time to celebrate the contributions that older women make to our community.</p><p><i>Time of Our Lives</i> also gives insights into how to ensure our own lifelong learning and live to the fullest.</p><p><b>'A must-read for all those women who refuse to go gentle into that good night.' - Maxine McKew</b></p>]]></Text>
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			<SubjectHeadingText>Coalition; teal; campaign; rural; candidates; power; how to; tactics; Grassroots; voting; electorate; community based politics; Canberra; safe seat; Indi 27; independent politician; Wangaratta; activitism; Wodonga; listening to voters; seat of Indi; Australian crossbench; political strategies; National Party; voice in parliament; approaching voters; election; surviving; federal; dirty; negotiating; Liberal; biography; female; Victorian; standing; women; handbook; learning; political biography; Labor</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>In 2013 Cathy McGowan became the first female independent to sit on the crossbench, where she would represent the Victorian rural electorate of Indi for six years. Winning the seat of Indi, after the Coalition had held the seat for eighty-two years, was a watershed moment. Indi became 'Exhibit A' for future political campaigns  from Kerryn Phelps as the Member for Wentworth to Zali Steggall in Warringah.</p><p><i>Cathy Goes to Canberra</i> tells both the story of the campaign to win Indi around the community's kitchen tables and the subsequent realities of negotiating good policy with the major political parties. This is a handbook  a 'how to be elected' and a 'how to survive' Canberra, and a manifesto for an alternative community-based politics.</p><p>In 2004 McGowan was made an Officer of the Order of Australia 'for service to the community through raising awareness of and stimulating debate about issues affecting women in regional, rural and remote areas.' McGowan was also a recipient of the Centenary Medal in 2001.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Cathy McGowan</b> came to national attention when she won the seat of Indi as an independent in 2013, becoming the first female independent to sit on the crossbench. The community backed McGowan again in 2016 for a second term, including during the minority government of Scott Morrison where, together with the crossbench, she held the balance of power. In 2019 she was thrilled to be part of the campaign that saw Dr Helen Haines elected as Indi's second female independent, a win that made Australian political history.</p><p>During her time as a politician, Cathy actively worked in parliament to develop policy around regional development, a national integrity commission, a code of conduct for politicians, as well as drought policy. In 2019 she was awarded <i>The Accountability Round Table</i> award for political integrity. She is an Officer of the Order of Australia, a Churchill fellow and lives very happily on her farm in the Indigo Valley in northeastern Victoria.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>What happens when, in the middle of a happy heterosexual marriage, a woman falls in love with another woman?</p><p><i>The Swift Dark Tide</i> is a story of selfhood and desire, of careful listening to an ungovernable heart.</p><p>Part memoir, part love letter, <i>The Swift Dark Tide</i> is also a chronicle of life by the sea, journeying between Melbourne's St Kilda and the Black Sea town of Odessa. Katia Ariel introduces us to a lineage of soulful, strident women and beautifully nuanced men. She invites us into home and heart to witness love, loss and joy, motherhood, daughterhood and the urgent wildness of the body.</p><p><b>Praise for </b><b><i>The Swift Dark Tide:</i></b></p><p><b>'A lyrical memoir of family, inheritance and queer becoming. Ariel writes with the eyes of a poet and the heart of a true romantic. Her sentences are crystalline marvels, gifts to be savoured and held up to the light.' </b><b><i>-</i></b><b> Yves Rees, author of </b><b><i>All About Yves</i></b></p><p><b>'Alive with passion and pain, exquisitely metaphorical, Ariel's memoir is a stunning feat of honesty. Not only a captivating story of one relationship and its breathtaking beginnings, it is also a journey of family, migration, motherhood, and entrusting ourselves to our hearts and bodies. The writing pulses with love, drawing meticulous connections between place, family and desire spanning continents, bodies and generations. Immerse yourself in Ariel's richly poetic world and savour its visceral impact.' </b><b><i>-</i></b><b> Katherine Brabon, author of </b><b><i>The Shut Ins</i></b><b> and </b><b><i>The Memory Artist</i></b></p><p><b>'Rich and raw, lyrical, philosophical but also deeply moving, </b><b><i>The Swift Dark Tide</i></b><b> is that rare thing: an unforgettable memoir.' </b><b><i>-</i></b><b> Nigel Featherstone, author of </b><b><i>My Heart is a Little Wild Thing</i></b><b> and </b><b><i>Bodies of Men</i></b></p>]]></Text>
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				<PriceAmount>34.99</PriceAmount>
				<Tax>
					<TaxType>02</TaxType>
					<TaxRateCode>S</TaxRateCode>
					<TaxRatePercent>15</TaxRatePercent>
				</Tax>
				<CurrencyCode>NZD</CurrencyCode>
				<Territory>
					<CountriesIncluded>NZ</CountriesIncluded>
				</Territory>
			</Price>
		</SupplyDetail>
	</ProductSupply>
</Product>
</ONIXMessage>
