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				<TitleText>The New Modernist Novel</TitleText>
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			<BiographicalNote textformat="05"><![CDATA[<p><b>Elizabeth Pender</b> has taught English Literature at the Universities of Sydney and Cambridge and has published articles in <i>Modernism/modernity</i> and <i>Critical Quarterly</i>. The collection <i>Shattered Objects: Djuna Barnes's Modernism</i> (2019) was co-edited with Cathryn Setz.</p>]]></BiographicalNote>
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			<SubjectHeadingText>Djuna Barnes; Mina Loy; Modernism; close reading; literary criticism; novel</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Considers relationships between modernist literature and literary criticism and argues that new modernist fiction can bring with it new modes of reading.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Since the late twentieth century, new understandings of modernism have come with new attention to a range of writers. </b>Yet if the academic study of modernism took shape around an older, narrower selection of writers and works, how can its modes of reading be relevant to newly recovered modernist writing? This book considers how close reading may change as the subjects of literary study change. Elizabeth Pender asks what reading meant for critics of modernist literature around 1930 and around 1960, and then what close reading might look like now for three new modernist novels. Djuna Barnes's <i>Nightwood</i>, John Rodker's <i>Adolphe 1920</i> and Mina Loy's <i>Insel</i> tend to resist some of the strategies of reading that helped construct a narrowed modernist canon at mid-century, such as the pursuit of coherence. These novels offer new thinking about the temporality of reading, style, and the ethics of narration. Reading these novels now suggests that other new modernist fiction, too, may require revisions to vocabularies with which modernist literature has sometimes been read.</p>]]></Text>
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			<SubjectHeadingText>Far Right; Hindu; Hindu nationalism; India; Indian Muslim politics; Indresh Kumar; Islamophobia; Muslim; Muslim Rashtriya Manch; Rashtriya Manch; Rashtriya Swayamsevak Sangh; bigotry; ethnic trangression; extremism; far-right strategies; liberal pluralism; minority recruitment; nationalism; pluralism; religious syncretism; weaponised pluralism</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Drawing on extensive fieldwork within the Hindu far-right and its Muslim wing, Weaponised Pluralism offers a new account of why far-right mobilisations recruit from the very communities they oppose.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Weaponised pluralism </i></b><b>takes a fine-grained lens to understand why far-right organisations recruit from the very minorities they oppose.</b> Why do these organisations seek to appear like pluralists? Building on his time with the Muslim wing of the Hindu far-right in India, Felix Pal proposes that bigots can strategically use what he calls weaponised pluralism. This political strategy counterintuitively uses progressive political performances to bolster bigoted political agendas. Basing his analysis in an Indian context, <i>Weaponised pluralism </i>nonetheless reveals much about contexts as varied as Palestinian soldiers in the Israeli army, Indigenous Australians on far-right television, and Black congressional candidates in the American Republican Party. Drawing on rare access to the Hindu far-right and its Muslim wing, Pal paints an evocative picture of the complexities of how far-right organising extends far beyond the pointy end of traditional bigotry.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Felix Pal</b> is a Lecturer in Political Science at the University of Western Australia.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book delves into the evolution of cultural diversity policies in Argentina, Brazil, and Peru. It highlights the struggles of marginalized groups for equality and explores how these policies challenge the monocultural narratives imposed by nation-states over the last 15 years.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book is a pioneering work that examines cultural diversity policies in Argentina, Brazil, and Peru over the past 15 years. The book offers a critical analysis of the rationalities and concepts underpinning these policies, exposing their inherent contradictions and the social forces that have both supported and resisted their implementation. By highlighting the struggles of marginalised groups in their pursuit of social, economic, and political equality, it reveals the deep intersections between culture, identity, and power.</b></p><p>The book situates these discussions within the broader context of Latin America's colonial legacy and ongoing decolonization efforts. It demonstrates how the region's nation-states, often founded on myths of cultural homogeneity, have grappled with the complex realities of diverse populations. Through detailed case studies, the book showcases how cultural diversity has become a powerful tool for social empowerment, particularly among racialised groups and other marginalised communities. It also offers insights into the evolution of these policies, tracing the ways in which they have responded to grassroots movements and the global discourse on cultural citizenship.</p><p>Furthermore, this work contributes to global debates by positioning Latin America as a key player in rethinking cultural policies that promote diversity, justice, and inclusion. It reflects on the lessons learned from observing these policies, urging readers to consider the broader implications for social cohesion and inclusive development. This work not only provides a thorough analysis of Latin America's unique contributions to cultural policy but also underscores the urgent need for more dynamic, intercultural approaches to address the challenges of the 21st century.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Federico Escribal</b>, professor at the Universidad Nacional de las Artes (Argentina), specialises in cultural policies and diversity. He holds an extensive experience in academia, public sector leadership, and private consultancy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A study in the literature of selfhood across time, this book analyzes how the Gnostics, the Romantics, Kierkegaard, Beckett, and Ashbery dramatize the self's struggle to fulfill an ideal of integrity and autonomy that will not let it go.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Explores how thinkers and writers from the Gnostics to Ashbery portray the self's profound uncertainty, revealing a paradoxical subject that longs to be whole yet persists in its fragmented search for identity.</b></p><p>It has been fashionable to declare that there is no self. Certainly the notion of the unitary subject  a transcendent subject linked to the traditional religious idea of the immortal soul  has not had currency in academic discourse for a very long time, perhaps as much as a century and a half. The psychologically unified subject and the universal subject of shared experience are also things of the past. But is there nothing left of the experience of selfhood? For the self can disenchant itself. But what does the subject feel about itself once it begins to doubt its own integrity? How does it experience its own 'decentering'? How does this 'who' that is left define itself, for itself? For selfhood is an existential condition, and no matter how elusive the self is to itself, it does not and cannot wholly lose itself. This book analyses how the Gnostics, the Romantics, Kierkegaard, Beckett, and Ashbery dramatise the self's self-doubt and what follows. The shared theme of these works, disparate as they are, is the bewilderment of selfhood, the pathos of subjectivity. The self encounters its own selfhood as puzzling and paradoxical. It wants to possess the qualities of an ideal self  to be whole, independent, and free  and it is disappointed to find it does not. Yet after the skeptical dismantling, something remains within, which represents itself as the self and continues to hear the (unfulfillable) call to selfhood. The self can neither become a self, nor cease to be agitated by the desire to become one.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Laura Quinney</b> teaches English and Comparative Literature at Brandeis University. She is the author of <i>Literary Power and the Criteria of Truth, The Poetics of Disappointment: Wordsworth to Ashbery, </i>and <i>William Blake on Self and Soul.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Explores how Ray Petri and the Buffalo collective revolutionised fashion photography in the 1980s by blending subcultural style, radical diversity, and gender politics to create a new cultural template still influential today.</b></p><p>Scottish-born stylist Ray Petri (19481989), founder of the maverick Buffalo collective, defined the look and feel of radical 1980s magazines such as The Face, i-D, and Arena. Harnessing the power of street style, sportswear, and club culture, Petri's vision took the sartorial vocabulary of subcultural styles into the mainstream. His radical casting of Black models and his genderplay marked a culturally reflexive, political approach to the relationship between fashion and identity. Challenging the policing of masculinity and sexuality in particular, Petri's imagery boldly toyed with the iconography of homoeroticism against the backdrop of gay rights activism and the AIDS crisis. Today, the Buffalo spirit endures in the countercultural references, cultural diversity, and post-gender conversation that underlies the most powerful of contemporary fashion imagery. This book traces how Petri and Buffalo created the template for modern fashion photography by advocating for a new cultural order.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Archipelagothic: The Gothic in Philippine Culture is an edited volume that brings together essays that examine the place of the gothic in Philippine culture. This groundbreaking volume, the first book on the topic, is appropriately comprehensive, covering a range of genres, historical periods, regions, and languages.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Archipelagothic: Studies in the Philippine Gothic</i></b><b> is an edited collection that brings together essays that examine the place of the gothic in Philippine culture. </b></p><p>This groundbreaking volume, the first book on the topic, is appropriately comprehensive, covering a range of genres, historical periods, regions, and languages. While the essays in this collection do not come to a consensus regarding the Gothic, they all refract the meaning of the term to expand its utility so that it may properly speak to the Philippines' longue duree of multiple colonialisms and various regional cultures that crowd under the umbrella of the nation. The various permutations of the gothic within the various regional cultures, languages, colonial histories, and uneven experiences of globalisation is what the editor of this volume refers to as 'archipelagothic'. The collection includes essays on the gothic in Philippine literature in English, Tagalog literature, regional literature, cinema, TV, and comics and graphic novels.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jeremy C. De Chavez</b> is an assistant professor of literature in English at the University of Macau.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book explores Raf Simons's revolutionary impact on fashion and modern masculinity, analyzing his collections and campaigns to uncover how his work challenges traditional masculine norms and creates new visual narratives in menswear.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Examines Raf Simons's groundbreaking impact on menswear, showing how his designs challenge gender norms and use fashion as cultural commentary on modern masculinity.</b></p><p><i>Raf Simons: Fashion, Communication, and Modern Masculinity </i>offers an in-depth look at how Raf Simons, through his bold and boundary-pushing designs, has become a pivotal figure in reshaping the discourse on masculinity in fashion. Starting from his early collections to his leadership at renowned fashion houses like Jil Sander, Dior, and Calvin Klein, the book traces Simons's journey in using fashion as a platform to comment on societal pressures, identity, and modern manhood.</p><p>The book not only highlights Simons's ability to merge subcultural references with high fashion but also his unique talent for creating garments that convey complex narratives of masculinity, individuality, and rebellion. Through detailed analyses of his most iconic collections, Simons's work is positioned as a significant cultural force that speaks to the evolving perceptions of gender roles and self-expression in contemporary society.</p><p>Interviews with key collaborators and rare archival insights give readers an inside view of the creative processes behind Simons's groundbreaking designs. By connecting fashion with broader cultural and gender studies, the book invites a deeper understanding of how clothing can shape and reflect the changing definitions of masculinity today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dirk Reynders</b>, PhD, is a Belgian lecturer, writer, researcher, and cultural critic whose work explores how visual culture shapes  and is shaped by  gender, ethnicity, and power, bridging rigorous theory with practice-based collaborations. As Dean of the Media, Arts &amp; Design Faculty at PXL University College, he also teaches at KU Leuven and conducts research at the University of Johannesburg, publishing widely on the politics of images in photography, fashion, and media.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This volume makes an incisive contribution to the field of philosophy of culture in outlining the potential of Wittgenstein's philosophy for the study of popular culture, focusing on concrete examples: from detective fiction and comics, to TV series and football fandom.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This volume makes an incisive contribution to the field of philosophy of culture, filling a gap between the relevant scholarship in cultural studies and philosophy.</b></p><p>In outlining the potential of Wittgenstein's philosophy for the study and criticism of popular culture, it aims to establish his work as an alternative or addition to existing approaches (Marxist, post-structuralist, etc.) in the field of popular culture theory. The essays outline the methodological framework of Wittgensteinian approaches to philosophy and conceptual analysis. Each essay demonstrates their merits by looking at particular examples such as analyses of popular films and TV series, detective fiction, comics, or shared practices of fandom. Thus, we encounter varieties of what it means to engage with approaches to criticism of pop in a Wittgensteinian way.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Bernhard Stricker is postdoctoral researcher at TU Dresden, working on the intersections between philosophy and literary/cultural studies.</p><p>Martin Urschel is a film scholar and writer whose research focuses on genre conventions in films and television, patterns of (anti-)conformism, and the uses of Wittgenstein's philosophical method for film and media studies.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Dana Meyer's South Pacific Expedition</i></b><b> is a fascinating and at the same time unsettling art project that blurs the boundaries between authenticity and fiction, providing a fascinating insight into the world of entomological collecting.</b></p><p>Featuring numerous illustrations and 12 letters, this book tells not only of the passion of an insect collector but also of a perilous journey to the South Seas at the turn of the century. Published in this form for the first time, this collection is a fascinating and at the same time unsettling art project that blurs the boundaries between authenticity and fiction. The finely crafted sculptures are cold-formed from thin sheet steel and presented in preserving jars. The creatures appear deceptively real and at the same time their strange appearance is astonishing. <i>Meyer's South Pacific Expedition</i> offers the viewer the opportunity to imagine an exploration expedition 100 years ago and at the same time this series of works defies exact classification; the boundaries between nature, literature and art, reality and fantasy become blurred. Text in English and German.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dana Meyer </b>studied Modern and Contemporary History, American Literature and Cultural Studies, and German Linguistics at Chemnitz University of Technology.</p><p>She then pursued a degree in Sculpture and Metalwork at Burg Gie-bichenstein University of Art and Design Halle, graduating in 2011 with a diploma in Fine Arts, specializing in Sculpture and Metalwork. She lives and works in Ltzen and Leipzig.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Numerous Iron-Age nomadic alliances flourished along the 5000-mile Eurasian steppe route. From Crimea to the Mongolian grassland, nomadic image-making was rooted in metonymically conveyed zoomorphic designs, creating an alternative ecological reality.</b> The nomadic elite nucleus embraced this elaborate image system to construct collective memory in reluctant, diverse political alliances organised around shared geopolitical goals rather than ethnic ties. Largely known by the term 'animal style', this zoomorphic visual rhetoric became so ubiquitous across the Eurasian steppe network that it transcended border regions and reached the heartland of sedentary empires like China and Persia.</p><p>This book shows how a shared fluency in animal-style design became a status-defining symbol and a bonding agent in opportunistic nomadic alliances, and was later adopted by their sedentary neighbours to showcase worldliness and control over the "Other". In this study of enormous geographical scope, the author raises broader questions about the place of nomadic societies in the art-historical canon.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This is the first book to consider Gerwig as a writer-director. </b>It argues that her three feature films to date  <i>Lady Bird</i> (2017), <i>Little Women</i> (2019) and <i>Barbie</i> (2023)  engage with debates about feminism and femininity through cinematic aesthetics. Her films are linked by heightened attention to material culture  through costume, production and set design. They meticulously recreate imagined worlds that resonate with viewers in the present for what they have to say about identity and relationships in contemporary culture, particularly how our lives, especially those of women, are fashioned through clothing, decor and architecture. They feature women who rebel by fashioning independent lives as fabricators  those who shape their worlds rather than being shaped by them. Considered together, Gerwig's three features form a developing oeuvre tracing the contours of feminist refashioning.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>With an interdisciplinary agenda, <i>Film Phenomenologies</i> investigates the emerging field of film phenomenology, linking the fundamental significance of early thinkers and related methods of phenomenological investigation to newer emphases and diverse voices, such as Gaston Bachelard, Karen Barad, Simone de Beauvoir, bell hooks, Iris Murdoch and Hermann Schmitz.</p><p>Established scholars consider various themes, including colonial duration and the politics of refusal, feeling feminist time, the exchange of play, scalar theory and scattered bodies, spectatorship and the entanglement of montage, disability, dance and speculative embodiment, AI phenomenology and breath gestures, cinematic atmospheres, the precarious intimacy of the film screen, stardom and biopics, and Black lived experience.</p><p>Divided into three parts, <i>Film Phenomenologies</i> offers a collective combination of phenomenological approaches, braiding classic and critical methods to explore aesthetic, embodied, ethical, and political perspectives. It is the first collection to provide a substantial engagement with diverse and inclusive directions in the field of film and media studies.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Many critics classify Vladimir Nabokov as a highbrow humourist, a refined wordsmith overly fond of playful puzzles and private in-jokes whose art appeals primarily to an intellectually-sophisticated readership.</b> This study presents a more balanced portrait, placing equal emphasis on the broader, earthier humour that is such a marked feature of Nabokov's writing, which draws on the human body and all things physical for its laughs: sex and scatology, farce and slapstick. Moving between the metaphysical and the physical, the cosmic and the comic, mind and matter, it presents Nabokov as a writer at home in both high and low forms of humour, a comedian who is capable of producing as many belly laughs as brainteasers, and of appealing to a much wider readership than is commonly supposed.</p>]]></Text>
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			<SubjectHeadingText>Apocalypse of Paul; Christianity-hell; Gospel of Nicodemus; Middle Welsh; North Sea; Old English; Old Irish; Old Norse; apocrypha; eschatology; future life; hell; hell-comparative studies; identity; medieval literature; translation theory; vernacular theology</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>In the Middle Ages, hell was useful because it was vaguely defined. Canonical scriptures scarcely mention hell, leaving much to the imaginations of early Christians, who used it to sort out who belonged within the faith. </b>This book explores how hell became a place for literary experiments with local challenges in theology and identity. Following the reception and transformations of two popular hell apocrypha, it argues that they served as this role because of their liminal textual authority. As noncanonical scriptures, apocrypha afforded medieval writers space to revise their hells (since they were not actually scripture), while also encouraging readers to revere those experiments as valid (since they seemed like scripture). The book brings together adaptations from early medieval England, Iceland, Ireland, and Wales, placing the early vernacular theologies of the North Sea in comparative conversation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Stephen Hopkins</b> is Assistant Professor of English Literature at the University of Virginia.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This study of Voltairine de Cleyre's transnational anarchism focuses on her work as pedagogue and translator to reveal the originality of her thought. Close reading of her writing, including personal correspondence, provides new insight into a key, unjustly neglected and altogether contemporary figure in American anarchist history.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Despite a growing interest in her life and work, Voltairine de Cleyre's contribution to anarchist studies, women studies, and American literature is still mostly unacknowledged. </b>Described by Emma Goldman as 'the most gifted and brilliant anarchist woman America ever produced', de Cleyre authored poems, prose sketches, lectures and translations which radiate with her vision of the world, meticulous use of language, and iconoclastic vigour. Drawing on her copious correspondence with family members, friends and comrades, this monograph provides novel insight into the most significant events of her life while investigating the aesthetic concern characterising all of her writing. Constantly shifting across languages, she established cosmopolitan networks within immigrant communities at home and beyond the ocean, always believing, until her untimely death, in universal solidarity and the ultimate non-existence of national, ethnic and linguistic barriers.</p>]]></Text>
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			<SubjectHeadingText>Carceral feminism; Manosphere; Racial capitalism; Resource extraction; Sexual violence; Slavery; Social reproduction; Technofeudalism; Witch hunts; necropolitics</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This book explores the relationships between sexual violence and racial capitalism. Sexual violence, Alison Phipps argues, facilitates the enclosure of bodies, the extraction of labour, the expropriation of land and resources, and the disposal of unwanted populations.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Most texts on sexual violence treat capitalism as backdrop or afterthought. </b>In contrast, political economy is the core of this book. Phipps explores the centrality of sexual violence to racial capitalist processes: the enclosure of bodies, the extraction of labour, the expropriation of land and resources, and the disposal of unwanted populations. Importantly, she argues that both sexual violence and sexual fear create social control and surplus value. Through a framework called the coloniality of sexual violence, Phipps conjoins acts of sexual violence and ideas of sexual threat in an analysis of gendered and raced property relations and the split colonial/modern psyche. She argues that fantasies of sexual danger represent the infolded violence of racial capitalism, which is why fear of revolution is often fear of rape. Revolution, however, is always imminent: violence is necessary because power is incomplete.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alison Phipps </b>is professor of political sociology and Head of SPIRE at York St John University, and honorary professor in the Centre for Women's Studies at the University of York.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Russo-Soviet imperialist hauntings conceptualizes neo-Gothic texts from the former Eastern Bloc countries and Soviet republics in postcolonial terms. It maps virtually untouched aspects of cultural decolonisation, focusing on the uncanny return of repressed and unsettling 'hauntings' of unresolved memory traces of Russo-Soviet domination.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Russo-Soviet imperialist hauntings</i></b><b> attempts to capture some of the ghosts of the colonial and totalitarian past that have been proliferating in international political and cultural landscapes after the collapse of the USSR. </b>By conflating postcolonial, post-totalitarian, postcommunist, and Gothic discourses, it maps virtually untouched aspects of cultural decolonisation, focusing on unsettling 'hauntings' of unresolved memory traces of Russo-Soviet domination in the former Eastern Bloc countries and Soviet republics. Operating within a vast intertextual field of social, cultural, and ideological discourses, the volume enables a productive exchange across distinct (inter)disciplinary boundaries and represents a range of voices from Europe and North America. The contributors' diverse interests draw on transmedia (literature, visual arts, and film), transnational, and translingual (diasporic literature) approaches, providing insights into a variety of forms that the Gothic has taken in the (late) twentieth and twenty-first centuries, and demonstrating its consistent engagement with history, ideology, and politics.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Svitlana (Lana) Krys is Associate Professor of English and Comparative Literature at MacEwan University, Canada<br/><br/>Maryna Romanets is Professor of English at the University of Northern British Columbia, Canada</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This volume offers a unique transnational and transhistorical exploration of the relationship between women and the Gothic in Spain and the Americas. </b>By examining how women writers have reimagined Gothic conventions, the book delves into the intersection of gender, culture, and fear. It highlights how themes such as domestic abuse, alienation, and death have been transformed over time, with particular attention to feminist perspectives and shifting degrees of agency. Contributors analyse a diverse range of authors, from the 19th century to the present, revealing how women's Gothic narratives challenge societal norms and offer new possibilities for empowerment. Exploring historical, ecological, and cultural concerns, this volume is an essential resource for anyone interested in the evolving role of women in the Gothic.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Megan DeVirgilis is Associate Professor of Spanish at Morgan State University<br/>Sandra Garca Gutierrez is Junior Distinguished Professor Beatriz Galindo at the University of Len</p>]]></Text>
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			<Text textformat="02"><![CDATA[The moral problem of authority is the challenge of reconciling legitimate authority (the right to rule) with the demands of freedom and rationality. In this book, it is argued that authority can have legitimacy, but when it does it generates a moral dilemma, where the obligation to obey comes at some cost to freedom and reason.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Massacres in Early Modern Drama</i></b> <b>analyses the dynamically ambivalent meanings constructed by the language and action of massacre on the early modern stage.</b> Informed by theories drawn from massacre studies, the monograph challenges orthodoxies about senseless violence, illuminates archaic forms of massacres, and attests to their brutally diverse stage representations.</p><p>Anchored by the contention that the St Bartholomew's Day Massacre in Paris (1572) was instrumental to early modern understandings of massacre, the book uses this atrocity, and its most famous dramatic depiction  Christopher Marlowe's The Massacre at Paris  as a hook to explore larger concerns about massacre in plays by Robert Greene, George Chapman, John Fletcher, and William Shakespeare.</p><p>Thus,<i> Massacres in Early Modern Drama</i> considers how early modern drama forms part of a continual cultural process of trying to piece together the contentious and traumatic phenomenon of massacre.</p>]]></Text>
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			<SubjectHeadingText>1960s and 1970s Buenos Aires; 1960s and 1970s Paris; 1960s and 1970s Rome; 20th-century art history; Alina Szapocznikow; Argentina; Argentine military dictatorship; Beato Angelico; Carla Accardi; Contemporary feminist art history; Feminist art history; Italy; Lea Lublin; Lucy Lippard; Pierre Restany; Sicofoil; art in France; ecological impact of art; exhibition history; images of motherhood; industrial materials in art; materiality of plastics; new materials and ancient techniques; plastic weaving; plastics in sculpture; toxic art materials</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Feminist substances considers why and how women artists engaged with plastics as artistic materials in the 1960s and 1970s. Discussing the works of Carla Accardi, Lea Lublin and Alina Szapocznikow, the book explores the feminist potential of these controversial materials, addressing questions of social reproduction, motherhood, desire and illness.]]></Text>
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			<Text textformat="02"><![CDATA[This book provides the first extensive history of feminism and ecology in performance. It proposes 'composting' as a new method for writing feminist history, re-reading canonical artists and analysing contemporary practices to show how performance challenges ecocidal culture from 1962 to the present.]]></Text>
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			<Text textformat="02"><![CDATA[Reframing Margaret Thatcher charts how contemporary British film and TV revisit and rewrite the cliched Iron Lady. It demonstrates how the apparent depoliticization of British film makes visible new relations between genre, cinematic form, and imaginations of the past.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Against the backdrop of Britain's historically anti-Thatcherite films of the 1980s and 1990s, </b><b><i>Reframing Margaret Thatcher</i></b><b> outlines a decisive shift in the collective imagination of Thatcher. </b>Drawing on genre theory, trauma and queer studies, it demonstrates how post-Thatcherite films reflect upon their own entanglement in the polarisation of the Thatcher years but also rewrite the cliched Iron Lady. Chapters on<i> The Iron Lady, This is England, Doomsday, 9 Dead Gay Guys</i>, and the<i> Sherlock </i>TV series investigate various Thatcher imaginations, ranging from Thatcher as a lesbian mob boss, as prime minister in apocalyptic England, to Thatcher as an empty bust. This innovative study shows how the apparent depoliticisation of British film makes visible new relations between genre, cinematic form, and imaginations of the past and offers fresh perspectives that both critique and reinterpret Thatcher's enduring impact.</p>]]></Text>
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			<SubjectHeadingText>Christian hegemony; EU border; EU subsidies; Europe; Mediterranean; Mediterranean Sea; Melilla; Morocco; Muslims; Spain; border enclaves; border regime; border security; border spectacle; borders; children; citizenship; colonial legacy; colonial military; commerce; development; disconnection; dislocation; displaced; employment; ethnography; governance; informal economy; journey; media; migrants; migration; nation state; offshore borderland; regulatory regimes; sovereignty; territorial enclaves; trade; undocumented; urban segregation; workers; young people</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b><i>Border enclaves</i></b> <b>examines the Spanish enclave of Melilla as a prism for understanding Europe's contemporary dislocations.</b> Based on over a decade of ethnographic research, it explores how borders are enforced, contested and inhabited in a city suspended between Africa and Europe, colonial legacies and modern regimes. Through a polyphonic narrative following smugglers, migrants, teachers and politicians, it reveals how everyday practices and symbolic performances shape life in the enclave. Selective visibility  who is seen or erased  structures authority and exclusion.</p><p>Situating Melilla within broader processes like Spain's colonial history and Europe's border restructuring, the book argues that its fragmented sovereignties and external dependencies make it a paradigmatic site for grasping Europe's precarious margins. It calls for an ethnographic lens attuned to dislocation as both lived experience and analytic tool.</p>]]></Text>
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			<SubjectHeadingText>,; 100 greatest British television programmes; Antony Royle; Barbara Royle; Britain's Best Sitcom; British comedy; British sitcoms; Caroline Aherne; Channel 4; Charlie Higson; Comedy,; Craig Cash; Dave Best; Denise Best; Dossa and Joe; Fast Show; Henry Normal; Jim Royle; Lize Smith; Manchester; Mrs Merton,; Norma Speakman; Our Janine; Paul Whitehouse; Poula Fisch; Pound Shop Wars; Ralph Little; Renee; Ricky Tomlinson; Royle Family; Scorchio!; Sue Johnston; TV comedy; Television Studies; The Fattest Man in Britain; The Security Men; UK comedy; classic comedy; kitchen sink drama</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A thoughtful exploration of the work of this unique comedian and writer.</b></p><p>Caroline Aherne was one of the most influential and beloved of British comedians. In this book David Scott explores Aherne's comedic artistry and creative legacy, focusing on her iconic characters and ground-breaking TV shows.</p><p>Scott dives into Aherne's most beloved creations, from the sharp-tongued Mrs Merton to the quietly revolutionary <i>The Royle Family</i>. Drawing on the tales of collaborators and telling behind-the-scenes stories, he provides an intimate glimpse into the creative processes that brought these iconic works to life. At the same time, he examines the social and cultural influences that shaped Aherne's work, from the rich traditions of Northern working-class humour to the experiences of Irish migrants.</p><p>Aherne's work is celebrated for its sharp wit, warmth and ability to find comedy in adversity. This book offers an exploration and celebration of one of comedy's most inventive minds, revealing how she reshaped the British comedy landscape.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>David Scott</b> is a BBC Radio Manchester presenter, a poet, podcaster, Youtuber and author. His first book, <i>Mancunians</i> was published by Manchester University Press in 2022.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Why has Russia's military struggled to adapt to the challenges of contemporary warfare?</b></p><p>Despite years of attempts to improve its military capabilities, Russia's full-scale invasion of Ukraine in 2022 revealed a crippling lack of skill, discipline and equipment. Non-material factors, in particular the power struggle between military and civilian leaderships, have hindered reform of its armed forces: with officers dominating defense policy, the Kremlin has struggled to implement the necessary changes.</p><p>Kirill Shamiev explores the political reasons behind Russia's poor military preparedness for the war in Ukraine. He demonstrates how a seemingly obedient military has frequently blocked civilian reforms, taking advantage of weak oversight mechanisms. The Kremlin's efforts to centralise control and make the armed forces personally accountable to President Vladimir Putin harmed institutional learning, cementing a conservative civilmilitary status quo. While this protected the military from civil society interference and ensured Putin's autocratic rule, it ultimately limited the pace and scope of change.</p><p>Analysing three cases of reform between 2000 and 2021, <i>Imperfect Equilibrium</i> offers critical insights into the relationship between civilian control and military effectiveness in Russia. Drawing on extensive qualitative and quantitative evidence  including interviews, parliamentary speeches, media reports and surveys  it shows how unchecked autonomy can undermine military development, even in authoritarian contexts.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A timely, interdisciplinary collection that investigates the role of dossier-based surveillance in society, this book explores how dossiers are used by various regimes as a key bureaucratic technique linked to violence, reputational harm and human rights violations.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Surveillance and the Dossier</i></b><b> delves into how dossiers, both paper-based and digital, have been used by governments both historically and in contemporary times to inflict various forms of violence upon the public, including psychological, physical, and reputational.</b></p><p>This volume establishes dossier creation as the foundational practice of all bureaucracies, despite differences in how it has been weaponized as a technique of power by different systems. In nine case studies, ranging from police dossiers in Nazi Germany to China's Hukou family dossier system, this book examines the evolution of surveillance in societies. Surveillance and society researchers Cristina Plamadeala and zgn Erdener Topak engage in a diverse yet comprehensive study of this surveillance tool, looking at examples such as dossiers implicating former members of Zimbabwe's Central Intelligence Organization (CIO), dossiers used in Cold War-era Australia to monitor migrants from the Soviet Union, dossiers of colonial Japan's Unit 731, deployed in Manchukuo, in Northeast China, and dossiers mobilized for Canada's World War II conscription program. Deeply relevant and imperative, <i>Surveillance and the Dossier</i> seeks to understand the links between the infliction of state-violence and surveillance.</p><p>This book demonstrates that dossiers serve as a valuable platform for understanding the past and present of surveillance societies across governments and countries. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This volume examines American horror films as key sites for exploring contemporary anxieties around gender, power and trauma. </b>In this groundbreaking study, the author traces the resurgence of demon-possession narratives in US cinema following the 2008 financial crisis  a period marked by intensified misogyny, the rise of fourth-wave feminism, and shifting representations of sexual violence. Through incisive analysis of films such as<i> Deliver Us from Evil </i>(2014), <i>The Neon Demon </i>(2016) and <i>The Scary of Sixty-First</i> (2021), this study explores how the possessed body, particularly the possessed female body, emerges as a battleground for cultural fears about sexuality, violence and agency. Demon Possession demonstrates how demon-possession films reflect, reproduce and sometimes challenge dominant narratives about sexual violence and victimhood. Reframing possession as more than merely a horror trope, this book offers a vital lens for understanding gender and sexual politics in an age of economic precarity and social reckoning.</p>]]></Text>
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			<SubjectHeadingText>akti; Absolute freedom; iva; Alchemical; Alchemy; Archaic; Aryan; Ascetic; Asceticism; Ascetics yogins; Bhagavad; Bhagavad gita; Brahman; Buddha; Buddhism; Buddhist; Concentration; Cosmic; Cosmos; Cult; Dasgupta; Dasgupta obscure religious; Doctrines toga; Ecstasy; Eliade shamanism; Exercises; Gita; Gorakhnath; Hatha; Hatha yoga; Hatha yogic; Hinduism; Holding breath; Immortality; Indo aryan; La vallee; Liberation; Lotus; Magical; Magical flight; Magical powers; Magico religious; Mandala; Meditation; Metaphysical knowledge; Miraculous powers; Mohenjo daro; Mystical devotion; Mystical physiology; Mystical syllable; Nirvana; Obscure religious; Obscure religious cults; Patafijali; Philosophy; Poussin; Prakrti; Pranayama; Primordial; Profane; Psychomental; Purusa; Religious; Religious cults; Respiration; Rg veda; Rhys davids; Rope trick; Saipkhya; Salvation</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The foundational work on shamanism from an influential historian of religion.</b></p><p><i>Shamanism</i> is an essential account of this mysterious and fascinating phenomenon. The founder of the modern study of the history of religion, Mircea Eliade surveys the shamanic tradition through two and a half millennia of human history, moving from Siberia and Central Asia  where shamanism was first observed  to North and South America, Indonesia, Tibet, China, and beyond. This authoritative account illuminates the magico-religious life of societies that give primacy to the figure of the shaman  at once magician and medicine man, healer and miracle-doer, priest, mystic, and poet. Synthesising the approaches of psychology, sociology, and ethnology, <i>Shamanism</i> is an essential study of an important practice.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mircea Eliade</b> (19071986) was the Sewell L. Avery Distinguished Service Professor of the History of Religions at the University of Chicago. His books include <i>Images and Symbols</i>, <i>The Myth of the Eternal Return</i>, and <i>Yoga</i> (all Princeton). <b>Wendy Doniger</b> is the Mircea Eliade Distinguished Service Professor Emerita of the History of Religions at the University of Chicago. Her books include <i>The Hindus</i> and <i>The Ring of Truth</i>.</p>]]></Text>
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			<SubjectHeadingText>Cosmic; Archaic; Mythical; Archetypes; Gestures; Existence; Primordial; Primitive; Periodic; Death; Cosmogonic; Profane; Christian; Cyclical; Archetypal; Ceremonial; Tempore; Celestial; Trans; Terror; Yahweh; Babylonian; Cosmogony; Insofar; Ceremonies; Hegel; Illo; Cosmic cycles; Equivalent; Divinity; Theories; Doctrine; Illo tempore; Resurrection; Temple; Combat; Altar; Eschatological; Catastrophes; Exemplary; Infinitum; Iranian; Dragon; Periodic regeneration; Hierogamy; Lunar; Orgy; Archetypal gesture; Reactualization; Ontology; Tammuz; Veda; Yuga; Consecration; Patai; Cosmogonic myth; Judaeo christian; Illud tempus; Historical personage; Greco oriental; Ab origine; Mythico ritual; Ilk tempore; Satapatha brhmana; Death resurrection; Secret societies; Atharva veda; Paradigmatic gestures; Cyclical theories; Archaic ontology</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A landmark work in the history of religions from a pioneer in the field.</b></p><p>First published in English in 1954, this founding work in the historical study of religions secured the North American reputation of the Romanian emigre-scholar Mircea Eliade. Referring to an astonishing number of cultures and drawing on scholarship in no fewer than half a dozen European languages, <i>The Myth of the Eternal Return</i> illuminates the religious beliefs and rituals of a wide variety of ancient cultures and argues that understanding them still has the power to enrich our conception of what it means to be human.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A landmark account of the Dionysos myth as an archetypal expression of indestructible life.</b></p><p>No other god of the Greeks is as widely present in the monuments and ritual practices of antiquity as Dionysos. In this book, acclaimed mythologist and historian of religion Carl Kerenyi presents an engaging history of the religion of Dionysos from its beginnings in the Minoan culture to its transition to a cosmic and cosmopolitan religion of late antiquity under the Roman Empire. From the wealth of Greek literary, epigraphic, and monumental traditions, Kerenyi constructs a vivid picture of Dionysian worship, bringing to life the secret cult scenes of the women's mysteries both within and beyond Attica, the mystic sacrificial rite at Delphi, and the great public Dionysian festivals at Athens. He shows how tragedy and New Comedy are high spiritual forms of the Dionysian religion and how the Dionysian element itself represents an important chapter in the religious history of Europe.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A landmark account of the Prometheus story as myth and archetype.</b></p><p>The god Prometheus stole fire from heaven and bestowed it on humans. In punishment, Zeus chained him to a rock, where an eagle clawed unceasingly at his liver until Herakles freed him. For the Greeks, the myth of Prometheus's release reflected a primordial law of existence and the fate of humankind. Carl Kerenyi examines the story of Prometheus and the very process of mythmaking as a reflection of the archetypal function and seeks to discover how this primitive tale was invested with a universal fatality, first in the Greek imagination and then in the Western tradition of Romantic poetry. Kerenyi traces the evolving myth from Hesiod and Aeschylus, and in its epic treatment by Goethe and Shelley. He goes on to consider the myth from the perspective of Jungian psychology as the archetype of human daring signifying the transformation of suffering into the mystery of the sacrifice.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A landmark account of the divine physician of the Greeks in myth and archetype.</b></p><p>To the physicians of classical antiquity, Asklepios was the ideal of their existence as healers. In this book, acclaimed mythologist and historian of religion Carl Kerenyi takes readers on a tour of the sacred sites of the Greek god of medicine to investigate the origins and archetypal significance of Asklepios as the divine physician. Drawing on mythology to trace the obscure beginnings of the cult, Kerenyi argues that Asklepios was an aspect of his father, the god Apollo, closely associated with the light of rising sun and embodying the qualities of a healing deity. He shows how the Greeks revered Asklepios as the divine ancestor and prototype of mortal physicians and explores the role of the Asklepios archetype in modern psychology.</p>]]></Text>
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