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			<Text textformat="02"><![CDATA[<p>Citizen science is involving the public in collecting and analysing scientific data and discovering new scientific knowledge. Approachable and inclusive, it is an excellent option for people looking for ways to get involved and make a difference, and there has never been a better time than now. </p><p><i>Exploring Nature through Citizen Science</i> introduces citizen science and showcases its benefits, with a focus on Australia, including urban environments. The book explores the various types of projects available, explaining how the data is used to create real-world impact and offering practical guidance on what photographs to take and which data to record for different groups of organisms. Example projects from across Australia range from activities you can do in your home to active data collection in more remote areas, making it easier than ever for people to get involved in citizen science.</p><p>With its friendly, accessible approach and many photographs, this book serves as a must-have guide for anyone looking to understand how best to get involved in citizen science in Australia.</p><p><b>'The Australian Citizen Science Association (ACSA) is proud to endorse this comprehensive book on citizen science. Whether you're new to citizen science, a seasoned practitioner, or simply curious about the power of community involvement in scientific discovery, this book offers something for everyone.'  Annie Lane, Former Chair, Australian Citizen Science Association (2022-2025)</b></p><p><b>'If you're a curious person who wants to make a difference from right where you are today, this book is for you."  Carrie Seltzer, PhD, Head of Engagement, iNaturalist.</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[Scholarly and beautifully illustrated, including up-close details of the tapestries, this magnificent hardback is the perfect way to experience ArthurBoyd's miraculous tapestries.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Scholarly and beautifully illustrated, including up-close details of the tapestries, this magnificent hardback is the perfect way to experience ArthurBoyd's miraculous tapestries.</b></p><p>A renowned figure in Australian art, Arthur Boyd is particularly well known for his paintings. His tapestries, however, are hidden gems that have received relatively little attention. Boyd's series of 20 textiles known as the Life of St Francis (197274) are particularly awe-inspiring in their vision, scale and artistry. On the occasion of the National Gallery exhibition <i>Arthur Boyd: tapestries</i>, which exhibits the cycle all together for the very first time, this stunningly illustrated book unpicks this textile cycle's fascinating context, and weaves the story of their miraculous creation through Boyd's collaboration with the renowned tapestry workshop Manufactura de Tapecarias de Portalegre in Portugal.</p><p>The book includes full reproductions of the tapestries and elucidates Boyd's idiosyncratic and humanist interpretation on the life of SaintFrancis. The first essay by Elspeth Pitt, Senior Curator, Australian Art, dives poetically into Boyd's background and his use of biblical and literary sources as vehicles for artistic expression. It also suggests that Boyd entwined the life of his father, the artist William Merric Boyd, with that of SaintFrancis, exploring them both as conflicted figures who resided at the peripheries of human society and experience.</p><p>The second essay by Adam Lindsay, Deputy Director, beautifully illuminates the technical brilliance of the tapestries and the intertwined challenges of their creation with the weavers' artistry. This process is brought to life through first-hand details, photos and archives from the Manufactura.</p><p>This is the definitive publication on Boyd's St Francis tapestries.</p>]]></Text>
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			<SubjectHeadingText>1177 B.C.: The Year Civilization Collapsed:; Aegean; After 1177 B.C.: The Survival of Civilizations; Assyrians; Babylonians; Canaanites; City of Solomon; Dark Age; Digging Deeper: How Archaeology Works; Digging Up Armageddon: The Search for the Lost; Egypt; Egyptians; Eric H. Cline; Hittites; Iron Age; Late Bronze Age; Minoans; Mycenaeans; Neo-Assyrians; Neo-Babylonians; Phoenicians; Revised and Updated; ancient Near East; collapse; resilience; resiliency theory</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>In this gripping sequel to his bestselling</b> <b><i>1177 B.C.,</i></b><b> Eric Cline tells the story of what happened after the Bronze Age collapsed  why some civilisations endured, why some gave way to new ones, and why some disappeared forever.</b></p><p>At the end of the acclaimed history <i>1177 B.C.</i>, many of the Late Bronze Age civilisations of the Aegean and Eastern Mediterranean lay in ruins, undone by invasion, revolt, natural disasters, famine, and the demise of international trade. An interconnected world that had boasted major empires and societies, relative peace, robust commerce, and monumental architecture was lost and the so-called First Dark Age had begun. Now, in <i>After 1177 B.C.</i>, Eric Cline tells the compelling story of what happened next, over four centuries, across the Aegean and Eastern Mediterranean world. It is a story of resilience, transformation, and success, as well as failures, in an age of chaos and reconfiguration.</p><p><i>After 1177 B.C.</i> tells how the collapse of powerful Late Bronze Age civilisations created new circumstances to which people and societies had to adapt. Those that failed to adjust disappeared from the world stage, while others transformed themselves, resulting in a new world order that included Phoenicians, Philistines, Israelites, Neo-Hittites, Neo-Assyrians, and Neo-Babylonians. Taking the story up to the resurgence of Greece marked by the first Olympic Games in 776 B.C., the book also describes how world-changing innovations such as the use of iron and the alphabet emerged amid the chaos.</p><p>Filled with lessons for today's world about why some societies survive massive shocks while others do not, <i>After 1177 B.C.</i> reveals why this period, far from being the First Dark Age, was a new age with new inventions and new opportunities.</p><p><b>'A landmark book: lucid, deep, and insightful...You cannot understand human civilisation and self-organisation without studying what happened on, before, and after 1177 B.C.'  Nassim Nicholas Taleb, bestselling author of</b> <b><i>The Black Swan</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Eric H. Cline</b> is professor of classics and anthropology at George Washington University. He is the author of <i>Three Stones Make a Wall: The Story of Archaeology</i>,<i> Digging Deeper: How Archaeology Works</i>,<i> 1177 B.C.: The Year Civilization Collapsed</i>(with Glynnis Fawkes) <i>1177 B.C.: A Graphic History of the Year Civilization Collapsed</i> (all Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From acclaimed archaeologist and bestselling author Eric Cline, a breathtaking account of how the collapse of an ancient civilised world ushered in the first Dark Ages&amp;nbsp;</b></p><p><i>In 1177 B.C.</i>, marauding groups known only as the 'Sea Peoples' invaded Egypt. The pharaoh's army and navy defeated them, but the victory so weakened Egypt that it soon slid into decline, as did most of the surrounding civilisations. Eric Cline tells the gripping story of how the end was brought about by multiple interconnected failures, ranging from invasion and revolt to earthquakes, drought, famine, and the cutting of international trade routes. Bringing to life a vibrant multicultural world, he draws a sweeping panorama of the empires of the age and shows that it may have been their very interdependence that hastened their dramatic collapse.&amp;nbsp;</p><p>Now revised and updated, 1177 B.C. sheds light on the complex ties that gave rise to, and eventually destroyed, the flourishing civilisations of the Late Bronze Age-and set the stage for the emergence of classical Greece and, ultimately, our world today.</p><p><b>'The memorable thing about Cline's book is the strangely recognisable picture he paints of this very faraway time...It was as globalised and cosmopolitan a time as any on record, albeit within a much smaller cosmos. The degree of interpenetration and of cultural sharing is astonishing.' - Adam Gopnik, <i>New Yorker</i></b></p><p><b>'Engaging...[An] absorbing tour of the Late Bronze Age.' - Josephine Quinn, London Review of Books</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Learn to fold incredible geometric origami models from &amp;#x27;The Queen of Modular Origami!&amp;#x27;</b><br/><br/>In this book, Tomoko Fuse -Japan&amp;#x27;s most famous living origami artist - shows you how to create amazing polyhedral models using the techniques of modular origami (where many paper sheets are folded then locked together without glue or tape).<br/><br/>Make 64 intriguing modular models, including:</p><ul><li><b>Stackable Modules</b> - The perfect starting point for novices, these simple constructions result in stunning three-dimensional forms</li><li><b>3-D Stars</b> - Dazzling decorative starbursts that look great on a Christmas tree, on your mantle - or even in an art gallery</li><li><b>Manifold Modulars</b> - &amp;#x27;Inception-like&amp;#x27; models in which individual modular constructions themselves become modules within a larger piece</li><li><b>Cubes and Boxes</b> - Perfect for gift giving-and there is no finer teacher for these than renowned origami box specialist Tomoko Fuse</li><li><b>And many more!</b></li></ul><p>*<i>Recommended for experienced folders and up</i>*</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Considered the most famous living origami master, Tomoko Fuse is known for her expertise in box-folding and other origami paper craft styles. The simple flat box, or <i>tato</i>, is a great introduction to the art of beginner origami and allows readers to start small, then build to more intricate pieces. Handmade paper boxes are an expression of origami crafts at their very best. Experiment with different thicknesses, textures, and paper designs for a truly one-of-a-kind presentation.</p><p>Step-by-step instructions and diagrams guide you from start to finish as you create:</p><ul><li>Flat boxes in several different shapes<br/></li><li>Boxes with multifaceted tops<br/></li><li>Box tops with spiralled flourishes<br/></li><li>And so much more.</li></ul><p>Origami box folding is a relaxing and satisfying craft for all levels of expertise and - with a little practice and this easy origami book - gift-giving will never be the same.</p><p>"<b>A terrific guide to learning or practicing origami</b>."&amp;nbsp;<b> Booklist</b></p><p><b>A link to&amp;nbsp;<b><a href="http://dai.ly/x5yma3d">Nova's&amp;nbsp;The Origami Revolution</a><i></i>&amp;nbsp;</b>featuring Tomoko Fuse<br/></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Tomoko Fuse, often referred to as 'the queen of origami,' discovered the art of folding paper at just seven years old. She has come a long way since then, having had her work highlighted in exhibitions around the world, including Paris Origami (Carrousel du Louvre, 1998), <i>On Paper</i> (Crafts Council London, 2002) and her solo show Yorokobi (Bauhaus Dessau, 2004).</p><p>&amp;nbsp;An artistic anthology of her most impressive work, <i>Tomoko Fuse's Origami Art</i> can serve multiple purposes: as inspiration for an experienced origami folder; as a truly impressive coffee table book for the artistically-minded; or as a push for intermediate folders to try their hand at modular origami models.</p><p><b>'Familiar or not with the works of origamiartist Tomoko Fuse, readers will be astonished and intrigued by the piecesgathered in this anthology of her designs. Abstract yet reminiscent of modernshapes and contemporary sculptures, her folded-paper art transcends the mediumof <i>kami</i>, the Japanese word for paper. Coauthor Brill, himself an origamipractitioner, wisely lets the art speak for itself, only categorizing it intofive sections that will help readers understand the differences: knot,tessellations, infinite folds, repetitive folding, lampshades...A science for artists; an art for scientists.'&amp;nbsp;-&amp;nbsp;<i>Booklist&amp;nbsp;</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Tomoko Fuse</b> is a leading origami artist, teacher.  She is also a prolific author who specializes in boxes and other forms of geometric, three-dimensional design.  She has been writing books on various forms of origami for over 35 years.  Her creations have been in many international exhibitions worldwide. She was a featured artist on the <i>Nova</i> episode "The Origami Revolution" (February 2017). Read about her work in Meher McArthur's <i>New Expressions in Origami Art: Masterworks from 25 Leading Paper Artists</i> (Tuttle Publishing 2017).<br/><br/><b>David Brill</b>, British origami artist, author of <i>Brilliant Origami</i> and long recognized as one of the world's leading creative folders, is honorary member and President of the British Origami Society. He has produced a stunning series of groundbreaking designs, all demonstrating his innate ability to design beautifully engineered solutions and to fill the model with life through deft touches at the closing stages. He was awarded the "Sidney French medal" by the British Origami Society for his outstanding contribution to origami.<br/><br/><b>Hideto Fuse</b> was born in 1960 in Japan, in the prefecture of Gunma. He graduated from the Academy of Fine Arts in Tokyo, where he obtained a Research Doctorate. As an art critic and anatomist, he has about 50 titles to his credit, including <i>No no naka no bijutsukan</i> ('The Museum in the Mind') and <i>Bi no hoteishiki</i> ('The Equation of Beauty'). His research focuses on a theory of aesthetics as a conjunction between science and art.<br/><br/><b>Robert Lang</b> has been deeply involved in origami since the age of six, when he discovered several instructions for traditional designs in a library book. This early beginning ignited a lifelong passion for the art. He is now considered one of the leading origami artists in the world, with hundreds of original creations to his credit, as well as 14 books authored, co-authored, or edited on the art, numerous articles and instructions published in origami periodicals, and he regularly lectures and teaches origami at conventions and workshops around the world. He has a Ph.D. in Applied Physics from Caltech, and has used his mathematical and engineering training to advance origami, both artistically and in its applications to science and technology. In his origami career, he has drawn upon many sources and influences, not least of which is the work of Yoshizawa-sensei. Yoshizawa's techniques, both technical and artistic, played a major role in Lang's own origami evolution, and he is honored to be able to contribute to this work of the master.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The follow-up to the bestselling <i>Wanderers</i>, Kerri Andrews' <i>Way Makers</i> is the first anthology of women's writing about walking. Moving from the eighteenth century to the present day, and across poetry, letters, diaries, novels and more, this anthology traces a long tradition of women's walking literature. Walking is, for the women included in this anthology, a source of creativity and comfort; it is a means of expressing grief, longing and desire. It is also a complicated activity: it represents freedom but is also sometimes tinged with danger and fear. What cannot be denied any longer is that walking was, and continues to be, an activity full of physical and emotional significance for women: this anthology is testament to the rich literary heritage created by generations of women walker-writers over the centuries.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kerri Andrews</b> is a reader in women's literature and textual editing at Edge Hill University. She has published widely on women's writing, especially Romantic-era authors, writing for the <i>Guardian</i>, <i>Trail</i> magazine, and others, and is a keen hill-walker and member of Mountaineering Scotland. She lives in Peebles, Scotland.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Canis dingo</i> is a captivating exploration of one of Australia's most iconic and polarising species. Drawing on two decades of scientific research, historical records and firsthand fieldwork, Bradley P. Smith traces how a wild canid became entangled in myth, law and livestock conflict, revealing what is at stake in the way Australia treats its apex predator.</p><p>As new scientific discoveries unsettle entrenched views, and awareness of the dingo's ecological and cultural value grows, Australia is being forced to confront uncomfortable questions. Is the dingo a native species or a feral intruder? A wild canid or domestic dog gone rogue? A threat to biodiversity or one of its last remaining guardians? The answers matter, because they flow into real-world decisions that determine whether dingoes are protected or killed across much of the continent.</p><p>Blending field science, published research, historical evidence and expert perspectives, this book cuts through longstanding myth and political noise to offer a deeper understanding of the dingo and its place in modern Australia.</p><p><b>'Beautifully written and literally bursting with factual information. Of all of the publications on dingoes...this is a standout for readability.'  Lyn Watson, FounderDirector of the Australian Dingo Foundation</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A tribute to the strength and agency of Indigenous women and families impacted by violence, <i>Defiant Resistance</i> is an act of Indigenous self-determination.</p><p>Through sharing women's stories in their own words, Marlene Longbottom enables them to take back their narrative and reclaim power. The title itself embodies a vital truth: the unwavering refusal by Indigenous women and their families to be silenced or ignored any longer.</p><p>With deeply personal narratives from Indigenous women who have faced violence, and Indigenous families who have endured profound loss, this book shatters the silence around their stories. Marlene Longbottom amplifies these voices, demanding systemic change that is long overdue and highlighting community-led pathways toward a life beyond violence.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr Marlene Longbottom</b> is a proud Yuin woman, from the Wandi Wandian and Wodi Wodi clans from Roseby Park Mission (Jerrinja) on the south coast of New South Wales. Currently Associate Professor at the Indigenous Education &amp; Research Centre at James Cook University, Marlene has been a dedicated advocate for Indigenous communities for more than 30 years, working as an Aboriginal Health Worker and in Indigenous policy and social justice across New South Wales and Queensland. Her practical experience grounds her academic work, ensuring that it remains deeply connected to the lived realities of the Indigenous communities she works alongside.</p><p><i>Defiant Resistance</i> stands as powerful example of this commitment, drawing upon her decade-long research into the violence and harm experienced by Indigenous women and families. For the past 17 years, she has led community-based research and evaluation projects in urban, regional and remote areas of New South Wales and Queensland. Marlene's deep commitment to Indigenous agency and self-determination has been recognised through prestigious honours including a Discovery Australian Aboriginal and Torres Strait Islander Award (DAATSIA) from the Australian Research Council.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A stunningly illustrated exploration of the lives of wolves around the world.</b></p><p>Hunted to near extinction, wolves evoke a sense of our planet's dwindling wildernesses. Rather than fear them, we should better understand the crucial role they play in ecosystems throughout the world. This engaging, fact-filled book shares insights into the family histories, relationships, and significant life challenges of wolves while linking them to broader questions about wildlife conservation and management. Written by a world-renowned expert in wolf behaviour and reintroduction, <i>Wolf: The Illustrated Biography</i> offers a unique perspective on these charismatic animals, charting the life stories of wolves in all their diversity and complexity.</p><ul><li>Profiles wolves from North America, Europe, and Asia, describing their key characteristics, habitats, distinguishing features, common prey, and distinctive behaviours</li><li>Discusses evolutionary history, biology, ecology, taxonomy, and past and current geographical distribution</li><li>Covers key stages in the lives of wolves, from pregnancy and den building to birth and adolescence, play fights and learning to hunt, traveling with and leaving the pack, social hierarchy and bonds within packs, communication, territoriality, and more</li><li>Emphasises the leadership role of alpha females in the everyday life of the pack</li><li>Explores the complex relationship between wolves and humans throughout history</li><li>Considers the prospects for wolf populations in an age of accelerating environmental degradation</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Douglas W. Smith</b> has been studying wolves for more than four decades. He was the senior wildlife biologist and project leader of the Yellowstone Wolf Project at Yellowstone National Park, and prior to that worked on the pioneering Isle Royale wolf study. He is the coauthor of <i>Decade of the Wolf: Returning the Wild to Yellowstone</i> and the coeditor of <i>Yellowstone's Birds: Diversity and Abundance in the World's First National Park</i> (Princeton) and <i>Yellowstone Wolves: Science and Discovery in the World's First National Park</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A highly illustrated and authoritative introduction to the world's Orthoptera.</b></p><p>Grasshoppers, locusts, crickets, bush crickets, and katydids make up the order of insects known as Orthoptera. Although there are about 30,000 species of Orthoptera around the world, many people pay little attention to them and even scientists know relatively little about them. Yet the world of grasshoppers is a fascinating and diverse one. In this richly illustrated book, leading researchers from around the world detail the many facets of these insects, including their evolution, life cycles, and mating behaviour. The book presents interesting facts and stories about species such as monkey hoppers, Cooloola monsters, king crickets, wetas, and sandgropers. It also describes efforts to protect grasshoppers and the relationship between humans and these insects.</p><p>The book features four main sections:</p><ul><li>Orthoptera in space and time: fossil record, evolution, and systematics</li><li>The biology of Orthoptera: life cycle, ecology, and bioacoustics</li><li>The diversity of Orthoptera by geographic region</li><li>Orthoptera and humans: locusts, Orthoptera as food, Orthoptera as pets, and conservation</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Martin Husemann</b> is scientific director of the Natural History Museum Karlsruhe in Karlsruhe, Germany. He studies the evolution of biodiversity, especially in rapidly diverging and species-rich systems.</p><p><b>Oliver Hawlitschek</b> is a lecturer who teaches about the biodiversity of invertebrates at the University of Zurich. His research focuses on evolutionary biology, biodiversity, and species conservation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Twenty pivotal moments in anime filmmaking</b> <b></b> <b>and the untold drama behind them. From secret production battles to box-office triumphs,</b><b><i> Japan's Anime Revolution </i></b><b>reveals how each landmark film transformed Japanese animation.</b></p><p>Anime expert Jonathan Clements presents game changing moments in Japanese film history  from Japan's first black-and-white animated feature to modern blockbusters which have redefined the art form. From box-office hits to career-threatening flops, each of these case studies has changed the anime world in its own unique way, influencing developments in content, production methods, or distribution, capturing all the vibrancy and diversity of this world-beating medium.</p><p>This illuminating book describes the twenty most notable films in anime history, including:</p><ul><li><i>Momotaro </i> Released at the end of World War II, this was Japan's first feature-length anime</li><li><i>My Neighbor Totoro</i>  Miyazaki's iconic work, consciously created as an alternative to formulaic animated films with no conflict or antagonist</li><li><i>Ghost in the Shell</i>  The influential sci-fi feature that inspired <i>The Matrix</i></li><li>Spirited Away  The first Oscar-winning anime  and highest-grossing Japanese film of all time!</li><li><i>A Silent Voice</i>  Adapted from a popular manga, an essential entry from a woman director</li><li>Plus 14 other landmark films!</li></ul><p>Clements reveals behind-the-scenes decisions that changed the course of Japanese animation. Which movie was finished by a staff of out-of-work waitresses? Which animator hated his work so much that he threatened to shave off his own eyebrows? How did a maverick producer enlist fans to drive his movie to box-office gold? Which director learned his trade by watching <i>The Bad News Bears</i> ten times?</p><p>Illustrated with full-colour images, this fascinating book is a must-read for every devoted anime fan!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Journey through Japan's illustrated history and discover the roots of manga before it took the world by storm.</b></p><p>In this compelling survey, art historian Andreas Marks traces the development of Japanese illustrated books in premodern times. As early as the 17th century, Japanese publishers were producing thousands of illustrated titles on subjects ranging from religion and poetry to celebrated beauties, famous kabuki actors, farting warriors, and adventure tales. This flourishing book culture laid the foundation for the vibrant manga and comics industry of today.</p><p><b>Marks explores this evolution through five key works, including:</b></p><ul><li><b>Kitagawa Utamaro's </b><b><i>Picture Book of Crawling Creatures</i></b><b> (1788)</b>  a beautifully illustrated collection of plants and animals paired with poetry</li><li><b>Hokusai's Sketchbooks (early 1800s)</b>  featuring hundreds of innovative drawing and design ideas by Katsushika Hokusai, whose work influenced many renowned European artists</li><li><b><i>The New Illustrated Water Margin</i></b>  Hokusai's adaptation of a Chinese novel about a band of fictional heroes with superpowers, offering a bold reimagining of the story</li><li><b><i>The Tale of Shiranui</i></b><b> (1849 - 1910)</b>  an adventure novel serialised over six decades</li><li><b>The early-20th-century </b><b><i>Current Affairs Manga</i></b>  the first periodical to use the word 'manga' in its title, providing illustrated commentary on contemporary political events</li></ul><p><i>Japan's Manga Revolution</i> offers the first comprehensive overview of Japan's rich tradition of illustrated storytelling and its lasting impact on visual culture worldwide.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The true spirit of Japanese ikebana as revealed by two great masters.</b></p><p>Step into a world of quiet beauty through the floral artistry of Japan. Written by the director of a renowned Osaka tea utensils shop and an ikebana master, this richly illustrated book celebrates the harmony between nature, art, and ritual.</p><p>Each of the twelve chapters corresponds to a month of the year, with reflections on the changing seasons, personal stories of flowers and vases, and poetic insights into the spirit of chabana  the art of tea flowers. Alongside these lyrical essays you'll find practical advice to guide you in the subtle art of selecting, cutting, and placing flowers.</p><p>Lavishly illustrated with over 187 full-colour photographs, this book offers a rich visual journey through the sensual beauty of tea ceremony flower arrangements, including the vessels, tools and painted scrolls used to complete each display. More than a guide, it invites readers see the world more deeply in a new way  one flower at a time.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nominated for the Glenfiddich Food Book of the Year Award</b> <b></b> <b>now with hundreds of full colour photographs!</b></p><p><i>The Illustrated Dictionary of Japanese Food</i> helps food lovers around the world understand all the intricacies and nuances of Japanese food ingredients and culture. Definitions of Japanese food terms found online and in standard dictionaries are misleading and often simply wrong. Richard Hosking eliminates this problem by giving each term a concise English definition with rich cultural and historical notes.</p><p>This new and expanded edition has 240 colour photographs along with 100 black and white drawings for easy identification. These allow readers to identify everything from abura-age fried tofu to zeusai red-bean soup. A series of fascinating appendices address critical elements of Japanese cuisine  from how miso and sake are made to the keycomponents of a Japanese meal.</p><p>Newly typeset and featuring a foreword by cookbook author Debra Samuels, <i>The Illustrated Dictionary of Japanese Food</i> helps food lovers and visitors discover the wonders of one of the world's truly great cuisines.</p><p><b>'A must for anyone interested in the cuisine of Japan.'  </b><b><i>Saveur Magazine</i></b></p><p><b>'Newly typeset and featuring a fascinating and informative new foreword by Japanese cookbook author Debra Samuel, </b><b><i>The Illustrated Dictionary of Japanese Food</i></b><b> will continue to help both food lovers and visitors to Japan discover the wonders of one of the world's great cuisines.'  </b><b><i>BooksAboutFood.com</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Richard Hosking</b> holds an M.A. from Cambridge and was Professor of Sociology and English at Hiroshima Shudo University. He lived in Japan for many decades and lectured on Japanese food at the Oxford Symposium on Food and Cookery, the Symposium of Australian Gastronomy, and elsewhere around the world.<br/><br/><b>Debra Samuels</b> has written about food for over three decades. After owning and operating a successful catering firm in the 1980s called "Eats Meets West" she developed the popular "Kids Are Cooking" series on food, culture and nutrition for Boston's Children's Museum. Samuels worked for many years as a food writer and food stylist for The Boston Globe. She has written extensively about Italian, Indian, Korean and Japanese cuisines, with a particular focus on the latter. In 2020, she was awarded the John Thayer Award from the Japan Society in Boston, which recognizes outstanding contributions to understanding and friendship between the U.S. and Japan. Samuels leads the program content and curriculum development for TABLE FOR TWO USA. Currently, she travels around the country teaching hands on workshops on bento, the Japanese lunchbox. She is the author of Tuttle Publishing's <i>My Japanese Table</i>, and co-author of <i>The Korean Table</i> and <i>Japanese Cooking with Kids</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'A smorgasbord of scandals'  </b><b><i>Tatler </i></b></p><p><b>'The revelations are as juicy as can be'  </b><b><i>Harper's Bazaar </i></b></p><p>What really makes the royal family tick? </p><p>It's a question that royal watchers have pondered for as long as the monarchy has existed. And who better to ask than the army of servants and staff past and present who feed and clothe the royals, organise their days, polish their shoes, carry the deer they shoot and even put the toothpaste on their toothbrushes? </p><p>From medieval times, when the Groom of the Stool oversaw the monarch's lavatorial exploits, and courtiers accompanied the king and queen to bed on their wedding night and made bawdy remarks until ushered out of the room, below-stairs staff have had a unique insight into the lives of their royal masters. </p><p>In this lively and colourful history, now updated in paperback, royal expert Tom Quinn goes behind palace doors to give a compelling glimpse of Britain's royals, ancient and modern. Here you will find the tales of the equerry who threatened to throw Queen Victoria out of her own stables, the junior footman who had to change his name on the orders of the queen, and the lady in waiting who, with Prince Philip's mother Princess Alice, regularly set fire to her rooms at Buckingham Palace. </p><p>Perhaps most intriguing of all, we see, through the eyes of serving and recently retired staff, how today's royals live  including how the relationship between Meghan and Harry and William and Kate started with high hopes and descended into bitterness and anger, and how the former Prince Andrew's life has changed since being cast out by the royal family. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Assisted dying is one of Britain's most pressing and divisive social issues. Should terminally ill people in pain be allowed to choose death on their own terms? This timely and accessible book lays out the moral, legal and practical dimensions of the debate. It draws on real-life experiences, explores opposing viewpoints with sensitivity and examines the wider social and ethical implications. Designed for readers of all beliefs and backgrounds, it presents the facts with clarity and compassion. A pioneering section also offers the first guide to meaningful ceremonies at the time of an assisted death, helping families honour life and ease grief. Whether you support, oppose or are unsure about assisted dying, this essential book provides insight and guidance on a deeply personal issue.</p>]]></Text>
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			<SubjectHeadingText>Death; Animals; Concept; Concept death; Behaviour; Species; Human; Predators; Chimpanzees; Prey; Reactions; Instance; Reason; Individuals; Mechanisms; Ants; Minimal; Dog; Cases; Corpse; Capable; Functionality; Infant; Minimal concept; Cognitive; Notion; Minimal concept death; Emotion; Tend; Lack; Elephants; Attack; Functions; Emotional; Allows; Baby; Kill; Primates; Usually; Grief; Concrete; Nature; Intention; Authors; Objects; Expect; Comparative; Mothers; Carry; Monkeys; Thanatology; Evidence; Carcass; Reactions death; Stereotypical; Beliefs; Food; Irreversibility; Intentionality; Mortality; Majority; Happen; Tree; Cat; Smell; Distinguish; Contrast; Presence; Studies; Corpses</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>How animals conceive of death and dying  and what it can teach us about our own relationships with mortality.</b></p><p>When the opossum feels threatened, she becomes paralysed. Her body temperature plummets, her breathing and heart rates drop to a minimum, and her glands simulate the smell of a putrefying corpse. <i>Playing Possum</i> explores what the opossum and other creatures can teach us about how we and other species understand mortality, and demonstrates that the concept of death, far from being a uniquely human attribute, is widespread in the animal kingdom.</p><p>With humour and empathy, Susana Mons tells the stories of ants who attend their own funerals, chimpanzees who clean the teeth of their dead, dogs who snack on their caregivers, crows who avoid the places where they saw a carcass, elephants obsessed with collecting ivory, and whales who carry their dead for weeks. Mons, one of today's leading experts on animal cognition and ethics, shows how there are more ways to conceive of mortality than the human way, and challenges the notion that the only emotional reactions to death worthy of our attention are ones that resemble our own.</p><p>Blending philosophical insight with new evidence from behavioral science and comparative psychology, <i>Playing Possum</i> dispels the anthropocentric biases that cloud our understanding of the natural world, and reveals that, when it comes to death and dying, we are just another animal.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Susana Mons</b> is associate professor of philosophy in the Department of Logic, History, and Philosophy of Science at the National Distance Education University (UNED) in Madrid.</p>]]></Text>
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			<Text textformat="02"><![CDATA[On the eve of the bicentenary of the great eruption, this title tells the story of the weather chaos it wrought, weaving the climate science with the social history of this frightening period to offer a cautionary tale about the potential tragic impacts of drastic climate change in our own century.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A global history of the climate catastrophe caused by the Tambora eruption.</b></p><p>When Indonesia's Mount Tambora erupted in 1815, it unleashed the most destructive wave of extreme weather the world has witnessed in thousands of years. The volcano's massive sulfate dust cloud enveloped the Earth, cooling temperatures and disrupting major weather systems for more than three years. Communities worldwide endured famine, disease, and civil unrest on a catastrophic scale.</p><p>Here, Gillen D'Arcy Wood traces Tambora's global and historical reach: how the volcano's three-year climate change regime initiated the first worldwide cholera pandemic, expanded opium markets in China, and plunged the United States into its first economic depression. Bringing the history of this planetary emergency to life, <i>Tambora</i> sheds light on the fragile interdependence of climate and human societies to offer a cautionary tale about the potential tragic impacts of drastic climate change in our own century. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gillen D'Arcy Wood</b> is the Robert W. Schaefer Professor of Liberal Arts and Sciences at the University of Illinois, Urbana-Champaign. He is the author of <i>The Wake of HMS Challenger</i> and <i>Land of Wondrous Cold</i> (both Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ancient Greece was rich with stories of queer love and genderfluid identity</b> <b></b> <b>but what can these ancient stories tell us about our contemporary world?</b></p><p>Tales as old as antiquity  whether the love affair of Achilles and Patroclus, the genderfluid Tiresias, or the infamous Heracles  are still capturing our imaginations thousands of years later. But was antiquity's relationship with queer folk more complicated than we now imagine? Historian Jean Menzies dives into the world of queer readings and retellings of Greek mythology, inviting readers to discover the power to be found in remaking these narratives, time and again.</p><p>From explorations of gender and identity across millennia, to celebrating queer love in its many forms, <i>All the Violet Tiaras</i> carves a space for queer stories to be told with all the complexity and tenderness they deserve  and a goddess or two thrown in for good measure.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A raw and lyrical exploration of the confining expectations of womanhood and, if we dare, what lies beyond those limitations, from a writer Roxane Gay calls 'vibrant and thoughtful.']]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A raw and lyrical exploration of the confining expectations of womanhood and, if we dare, what lies beyond those limitations, from a writer Roxane Gay calls 'vibrant and thoughtful.'</b></p><p>Across time and location, women were raised to be agreeable and 'good'. Hyper-visible as sexual objects but invisible as full people. Living in a physical world created by men for men. Taking on the ultimate role of birth-giver and caretaker, yet seeing it remain an unsung act, even as it's a God-like creation. Only in midlife did Nolan begin to realise she was capable of living outside these cages of conditioning so slyly insidious that they're nearly invisible.</p><p><i>Good Woman</i> elegantly probes the knotty conditions themselves, the costs of adhering to them, and what happens when one refuses to comply. The twelve stunning and unforgettable essays blend memoir, reportage, and history to create a collection that is alternately bold, brash, and explosive, and ravishingly tender, sensual, and joyous. Nolan takes aim at big and old ideas, and she does not miss. Hers is a testimony to witness and to savour.</p><p><b>'A stone cold, knock-out punch delivered with the caress of a silk glove.'  Brittany Cooper</b></p><p><b>'If you love the essays of Roxane Gay or Rebecca Solnit, Nolan's book will be your brilliant new companion.'  Sarah Rhul</b></p><p><b>'Poetic, fierce, tender, sexy, and scholarly'  Tracy Clark-Flory</b></p><p><b>'This good woman thinks boldly and writes with exhilarating passion. Whatever the subject  gender, sex, race, class, art, politics  she disrupts piety and honours complexity. These are smart and daring essays to learn from and revel in.'  Margo Jefferson</b></p><p><b>'</b><b><i>Good Woman</i></b><b> is everything we have come to expect from Nolan: blisteringly intelligent, well-honed, sharp arguments laid next to the softest and most tender parts of herself  bared to us, encouraging us to do the same...arresting, sobering, electrifying work.'  Eirinie Carson</b></p><p><b>'Electrifying... Startlingly clear-eyed... Stunning in scope... Revelatory... Crafted with Nolan's intellectually curious, animated narration,</b><b><i>Good Woman</i></b><b>will resonate with readers who sense that things are not working out quite the way they should.'  </b><b><i>Shelf Awareness</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Learn to sketch and paint adorable cats in dozens of exciting ways!</b></p><p>In this charming book, professional Japanese cat illustrator Sayo Koizumi shows you how to create expressively cute cat sketches, drawings and paintings using a wide variety of different styles and media. Packed with hundreds of colourful examples and helpful tips, it enables artists at all levels to sketch and paint their favourite felines in anatomically correct poses as well as adorably cute cartoons!</p><p>Detailed tutorials walk you through the entire process from A to Z, including:</p><ul><li>The basics of drawing cats  Selecting your tools and materials, the basics of cat anatomy, tracing techniques and how to begin your cat sketches</li><li>Depicting cat shapes realistically  Understanding cat anatomy and poses, exploring different drawing styles, drawing unique cat faces and trying out various expressions, patterns and textures</li><li>Techniques for different media  Use pencils, pens, colored pencils, watercolors and acrylic paints to create your own unique cat illustrations  from simple cartoons to realistic portraits</li><li>Finishing and presenting your art  Creating backgrounds and collages; adding titles; framing your artwork; making cat-themed gifts, textiles, cards and comics; and posting your art online</li><li>And much more  Including sidebar features on the author's favourite cat expressions, most beloved pet memories and even her rescue cat adoption advice!</li></ul><p>Discover the endless joys of drawing cats right meow!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sayo Koizumi</b> is a talented illustrator and lifelong cat lover who has developed a successful career depicting cats in her native Japan. She has illustrated numerous books about cats including <i>I Want to Go Home to a House with Cats</i> and <i>All the Important Things, I Learned from Cats</i>. Her work also frequently appears in magazines and in solo exhibitions of her work.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Man on the Run paints an illuminating picture: from McCartney's nervous breakdown following the Beatles' split through his apparent victimisation by the authorities to the rude awakening of his imprisonment for marijuana possession in Japan in 1980 and the shocking wake-up call of John Lennon's murder.]]></Text>
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			<Text textformat="02"><![CDATA[<p>The most famous living rock musician on the planet, Paul McCartney is now regarded as a slightly cosy figure, an (inter)national treasure. Back in the 1970s, however, McCartney cut a very different figure. He was, literally, a man on the run. Desperately trying to escape the shadow of the Beatles, he became an outlaw hippy millionaire, hiding out on his Scottish farmhouse in Kintyre before travelling the world with makeshift bands and barefoot children. It was a time of numerous drug busts and brilliant, banned and occasionally baffling records. For McCartney, it was an edgy, liberating and sometimes frightening period of his life that has largely been forgotten.</p><p><i>Man on the Run</i> paints an illuminating picture: from McCartney's nervous breakdown following the Beatles' split through his apparent victimisation by the authorities to the rude awakening of his imprisonment for marijuana possession in Japan in 1980 and the shocking wake-up call of John Lennon's murder. Ultimately, it poses the question: if you were one quarter of the Beatles, could you really outrun your past?</p>]]></Text>
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			<SubjectHeadingText>BlackRock; Blackstone; Brett Christophers; GP practices; Our Lives in Their Portfolios; Rentier Capitalism; The Price Is Wrong; UK government; UK model; affordable housing; asset management; corporate profits; cost of living crisis; development policy; energy; energy poverty; finance capital; financial extraction; financialisation; fundamental needs; health; hedge funds; housing; infrastructure; late capitalism; neoliberalism; privatisation; public utilities; public-private partnerships; social justice; stakeholder capitalism; water; wealth management</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This short, powerful book exposes how our essential services have become the assets of international finance, with devastating implications for the future.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A powerful expose of how finance turns our basic human needs into assets.</b></p><p>We have entered a new era of turbo-charged financial extraction. Having amassed huge reserves, global finance capital is seeking out fresh areas for profitable investments. Virtually all aspects of our lives are now targeted by someone seeking to make a profit.</p><p>In<i> Privatising humanity</i>, Kate Bayliss shows how wealthy investors, including asset managers, target our essential services. When it comes to investments in these sectors, shareholder profits are funded by us, the end-users and tax-payers who simply wish to meet our basic human needs for water, warmth and shelter. We have no alternative but to pay into these structures that often generate massive returns for investors and dysfunctional systems for society.</p><p>Unpacking the details of these processes in three sectors in the UK  water, energy and housing  Bayliss exposes the devastating consequences of this model, which is contributing to deepening inequality.</p>]]></Text>
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			<SubjectHeadingText>Aleksandr Solzhenitsyn; Ambiguity; Ambivalence; Archaeology; Bureaucrat; Career; Central Committee; Collectivism; Communism; Comrade; Criticism; Dacha; Deleuze and Guattari; Deterritorialization; Dichotomy; Discourse; Discourse analysis; Dissident; Employment; Everyday life; Genre; Hegemony; Humour; Ideology; Institution; Intelligentsia; Krokodil; Lecture; Leonid Brezhnev; Linguistics; Literature; MarxismLeninism; Metadiscourse; Mikhail Bakhtin; Narrative; Narrative structure; Newspaper; Nikita Khrushchev; Noun phrase; Perestroika; Philology; Phrase; Poetry; Politburo; Politics; Postmodernism; Pro forma; Public sphere; Publication; Result; Rhetoric; Samizdat; Sarcasm; Scientist; Seminar; Shortwave radio; Slang; Socialist state; Sovereignty; Soviet Union; Soviet people; Speechwriter; Stalinism; State socialism; Stilyagi; Suggestion; Technology; Voting; World War II; Writing</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A fascinating exploration of 'hypernormalisation' in a political system that seemed powerful and eternal  even when it was on the verge of collapse.</b></p><p>Soviet socialism was based on paradoxes that were revealed by the peculiar experience of its collapse. To the people who lived in that system the collapse seemed both completely unexpected and completely unsurprising. At the moment of collapse it suddenly became obvious that Soviet life had always seemed simultaneously eternal and stagnating, vigorous and ailing, bleak and full of promise. Although these characteristics may appear mutually exclusive, in fact they were mutually constitutive. This book explores the paradoxes of Soviet life during the period of 'late socialism' (1960s-1980s) through the eyes of the last Soviet generation.</p><p>Focusing on the major transformation of the 1950s at the level of discourse, ideology, language, and ritual, Alexei Yurchak traces the emergence of multiple unanticipated meanings, communities, relations, ideals, and pursuits that this transformation subsequently enabled. His historical, anthropological, and linguistic analysis draws on rich ethnographic material from Late Socialism and the post-Soviet period.</p><p>The model of Soviet socialism that emerges provides an alternative to binary accounts that describe that system as a dichotomy of official culture and unofficial culture, the state and the people, public self and private self, truth and lie  and ignore the crucial fact that, for many Soviet citizens, the fundamental values, ideals, and realities of socialism were genuinely important, although they routinely transgressed and reinterpreted the norms and rules of the socialist state.</p><p><b>'[An] extraordinary book.'  Brian Eno</b></p><p><b>'One of the best books about the U.S.S.R. in its late stage.'  Alexei Navalny, from</b> <b><i>Patriot: A Memoir</i></b></p><p><b>'Not just history, but a pleasure to read, a true work of art.'  Slavoj iek</b></p><p><b>'Extraordinary and brilliant.'  Adam Curtis, director of</b> <b><i>HyperNormalisation</i></b></p>]]></Text>
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			<SubjectHeadingText>Auk and the Discovery of Extinction; C. Darwin; Great auk; Gsli Plsson; The Last of Its Kind: The Search for the Great; birds,extinction; cabinets (of curiosities); endlings; evolution; reflexivity; relationality; time</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Blending a richly evocative narrative with rare, unpublished material as well as insights from ornithology, anthropology, and Plsson's own North Atlantic travels, The Last of Its Kind reveals how the saga of the great auk opens a window onto the human causes of mass extinction.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Shortlisted, Royal Society Trivedi Science Book Prize 2024</b></p><p><b>How an iconic bird's final days exposed the reality of human-caused extinction.</b></p><p>The great auk is one of the most tragic and documented examples of extinction. A flightless bird that bred primarily on the remote islands of the North Atlantic, the last of its kind were killed in Iceland in 1844. Gsli Plsson draws on firsthand accounts from the Icelanders who hunted the last great auks to bring to life a bygone age of Victorian scientific exploration while offering vital insights into the extinction of species.</p><p>Plsson vividly recounts how British ornithologists John Wolley and Alfred Newton set out for Iceland to collect specimens only to discover that the great auks were already gone. At the time, the Victorian world viewed extinction as an impossibility or trivialised it as a natural phenomenon. Plsson chronicles how Wolley and Newton documented the fate of the last birds through interviews with the men who killed them, and how the naturalists' Icelandic journey opened their eyes to the disappearance of species as a subject of scientific concern  and as something that could be caused by humans.</p><p>Blending a richly evocative narrative with rare, unpublished material as well as insights from ornithology, anthropology, and Plsson's own North Atlantic travels, <i>The Last of Its Kind</i> reveals how the saga of the great auk opens a window onto the human causes of mass extinction.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gsli Plsson</b> is professor emeritus of anthropology at the University of Iceland. His books include <i>The Human Age</i>, <i>Down to Earth</i>, and <i>The Man Who Stole Himself.</i></p>]]></Text>
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			<SubjectHeadingText>AI and Creativity; AI and Society; AI Automation; AI Fairness; AI Governance; AI Power Dynamics; AI Regulation; AI Risks; Artificial Intelligence (AI); Bias in AI; Ethical AI; Generative AI; Human Intelligence; Human-AI Interaction; Large Language Models (LLMs); Machine Learning; Responsible AI; Social Impact of AI; Superintelligence; Sustainable AI Development; Human; Intelligence; Technology; Regulation; Ethical; Ai systems; Bias; Machine; Societal; Artificial; Ability; Tools; Innovation; Algorithms; Governance; Fairness; Capabilities; Broader; Decision making; Paradox; Artificial intelligence; Ai development; Technological; Accountability; Crucial; Applications; Transparency; Technical; Principles; Cognitive; Standards; Justice; Outcomes; Computational; Influence; Ai; Brain; Tech; Llms; Regulatory; Ai technologies; Economic; Privacy; Et al; Machine learning; Democratic; Frameworks; Implications; Deployment; Ai models</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A user's guide to navigating the intricate, often contradictory relationship between artificial intelligence and human intelligence.</b></p><p>Artificial intelligence will shape our future in unforeseen ways, and it is easy to fall into the trap of thinking that it could someday dictate the terms of our very existence. But the fact is, the more that AI can do, the more it underscores the irreplaceable qualities of human creativity, empathy, and moral reasoning. This is one of the eight paradoxes of AI that Virginia Dignum explores in this revelatory book. Drawing on her decades of experience in AI research and governance, Dignum cuts through the hype and sensationalism that often surround AI and reveals why the most profound questions it raises are not about technology but ourselves.</p><p><i>The AI Paradox</i> is a guide to seeing complexity with clarity, questioning the seemingly inevitable, and using AI in ways that prioritise our collective values. Each paradox explored in this book illuminates a particular dimension of these emerging technologies while prompting us to reevaluate our most common preconceptions about them. Can they truly replicate human decision making or do they simply magnify our blind spots and biases? Is AI the ultimate problem-solving tool or does it introduce more problems? Is justice for all achievable when it comes to AI? Who does AI serve, big tech or the common good? How do we even define AI?</p><p>With thought-provoking examples and paradoxical insights, this powerful little book challenges us to reimagine the role of these technologies in our lives, advocating for a collaborative, transparent, and inclusive approach that keeps humanity at the core of AI innovation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Fascism was a distinct movement in European history that left deep scars across the continent, but the term 'fascist' is now more broadly applied to those on the political right, especially the new populists who have seized power across much of the globe in recent years. Although most far-right populists vocally disavow historic fascism, many critics see worrying parallels with the earlier movement. Could we be witnessing a return to the fascist politics of Mussolini, Franco and Hitler? </p><p>Maximiliano Fuentes Codera and Javier Rodrigo have written both an assessment of the current crisis of democracy and a brief history of fascism and far-right populism around the world. By illuminating the historical record, this book will help readers better understand the distinctive, twenty-first-century challenges faced by our democracies.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>This book exposes the history and the future of the Wagner Group, Russia's notorious and secretive mercenary army, revealing details of their operations never documented before. Using extensive leaks, first-hand accounts, and the byzantine paper trail left in the group's wake, Jack Margolin traces the Wagner Group from its roots as a battlefield rumour to a private military enterprise tens of thousands-strong that eventually comes to threaten Putin himself. He follows individual commanders and foot soldiers within the group as they fight in Ukraine, Syria, and Africa, sometimes alongside fellow military contractors from the United Kingdom and the United States. He shows Wagner mercenaries committing atrocities, plundering oil, diamonds, and gold, and changing the course of conflicts from Europe to Africa in the name of the Kremlin's strategic aims.</p><p>In documenting the Wagner Group's story up to the dramatic demise of its chief director, Evgeniy Prigozhin, Margolin demonstrates that Wagner was not an aberration, but a manifestation of the new geopolitical order of global capital, global crime, and of the entrepreneurs that thrive in it.</p><p>'<b>At once deeply researched and as readable as a thriller.'  Mark Galeotti</b></p><p><b>'An important book about the world's most dangerous mercenary outfit. Margolin unearths new details that will surprise readers.'  Sean McFate</b></p><p><b>'Margolin takes readers deep into the shadowy underworld...A must read.'  Clarissa Ward, CNN</b></p><p><b>'A tale of violence and political intrigue that reads like a Tom Clancy novel written by Fyodor Dostoyevsky.' </b> <b><i>The Wall Street Journal</i></b></p><p><b>'Riveting...It's a vital window onto the weird world of secretive, privatized modern warfare.' </b> <b><i>Publishers Weekly</i></b> <b>(starred review)</b></p>]]></Text>
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			<SubjectHeadingText>Adam; Ancient; Apocalyptic; Ascetic; Augustine; Authority; Bishops; Blood; Christ; Christian history; Christianity; Church; Constantine; Cult; Culture; Death; Demons; Divine; Earth; Emperor; Empire; Flesh; Gentile; Gnosticism; Gospel; Greek; Heaven; Heretics; Human; Imperial; Jesus; Jewish; Jews; Justin; Kingdom; Law; Marcion; Martyrs; Orthodox; Pagan; Paul; Persecution; Redemption; Religion; Religious; Resurrection; Rhetoric; Ritual; Roman; Sacrifices; Scriptures; Sin; Soul; Spirit; Temple; Tertullian; Testament; Theological; Traditions; Urban; Virgins; Worship; asceticism; desert fathers; history of theology; late Roman Empire; monastery; monks; patristics; women in early Christianity</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>How, over the course of five centuries, one particular god and one particular Christianity came to dominate late Roman imperial politics and piety.</b></p><p>The ancient Mediterranean teemed with gods. For centuries, a practical religious pluralism prevailed. How, then, did one particular god come to dominate the politics and piety of the late Roman Empire? In <i>Ancient Christianities</i>, Paula Fredriksen traces the evolution of early Christianity  or rather, of early Christianities  through five centuries of Empire, mapping its pathways from the hills of Judea to the halls of Rome and Constantinople. It is a story with a sprawling cast of characters: not only theologians, bishops, and emperors, but also gods and demons, angels and magicians, astrologers and ascetics, saints and heretics, aristocratic patrons and millenarian enthusiasts. All played their part in the development of what became and remains an energetically diverse biblical religion.</p><p>The New Testament, as we know it, represents only a small selection of the many gospels, letters, acts of apostles, and revelations that circulated before the establishment of the imperial church. It tells how the gospel passed from Jesus, to the apostles, thence to Paul. But by using our peripheral vision, by looking to noncanonical and paracanonical texts, by availing ourselves of information derived from papyri, inscriptions, and archaeology, we can see a different, richer, much less linear story emerging. Fredriksen brings together these many sources to reconstruct the lively interactions of pagans, Jews, and Christians, tracing the conversions of Christianity from an energetic form of Jewish messianism to an arm of the late Roman state.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>How Christianity both abolished and absorbed sacrifice</b></p><p>From the beginning, sacrifice lived a double life in Christianity, both abandoned and essential. Christ's death on the cross was the sacrifice to end all sacrifice, eclipsing the temple sacrifices of Judaism and paganism. And yet at the centre of the lived faith was the repetition of sacrifice: the offering of Christ's body, the sacrifices of ancient patriarchs, and the sacrifices of martyrs woven through liturgy, theology, and popular devotion.</p><p>But this double life collapsed in the Reformation. Quarrelling heirs to Christian truth discovered that the sacrifices they once called Christian might be nothing of the sort. To build their new faiths  to discover the truth of Christian sacrifice  they turned to the past, learning from Christianity as it was how Christianity ought to be.</p><p>In <i>On the Altar</i>, Jonathan Sheehan offers a new account of sacrifice both sacred and secular. His story is in part a history of the Christian imagination across the centuries of the Reformation, when new martyrs and holy warriors fought for the truth of their sacrifices, when the empire of New World sacrifice was recruited to settle Christian conflicts, and when the sacrifices of the ancient Hebrews were weaponised for orthodoxy. But it is a history of the secular imagination as well, as the vast archive of Christian sacrifice was dispersed and applied to things that humans make, their religions, politics, and societies. With <i>On the Altar</i>, Sheehan reveals a new history of both Christianity and the secular world in which we still live.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jonathan Sheehan</b> is the Sidney Hellman Ehrman Professor of European History at the University of California, Berkeley. He is the author of <i>The Enlightenment Bible: Translation, Scholarship, Culture </i>and the coauthor of <i>Invisible Hands: Self-Organization and the Eighteenth Century</i>.</p>]]></Text>
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			<SubjectHeadingText>Ago; Ancestors; Ancient; Animals; Apes; Babies; Baby; Birth; Bonobos; Brains; Care-giving; Century; Child; Chimpanzees; Circuits; Competition; Cues; Eager; Eggs; Evolution; Evolutionary; Family; Father Time: A Natural History of Men and Babies; Fathers; Females; Fish; Food; Genes; Genetic; Groups; Hominin; Homo; Human; Hunters; Husband; Infant; Infanticide; Kin; Language; Levels; Line; Males; Mammals; Mate; Maternal; Meat; Milk; Monkeys; Months; Mothers; Nature; Neural; Newborn; Oxytocin; Parental; Parents; bias in science; books; childcare; deep history of the human family; fatherhood; fathers day; feminism; human evolution; male care; masculinity; men's studies; mothers day; parenting; parenting roles</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A sweeping account of male nurturing, explaining how and why men are biologically transformed when they care for babies.</b> </p><p>It has long seemed self-evident that women care for babies and men do other things. Hasn't it always been so? When evolutionary science came along, it rubber-stamped this venerable division of labour: mammalian males evolved to compete for status and mates, while females were purpose-built to gestate, suckle, and otherwise nurture the victors' offspring. But come the twenty-first century, increasing numbers of men are tending babies, sometimes right from birth. How can this be happening? Puzzled and dazzled by the tender expertise of new fathers around the world  several in her own family  celebrated evolutionary anthropologist and primatologist Sarah Blaffer Hrdy set out to trace the deep history of male nurturing and explain a surprising departure from everything she had assumed to be 'normal.'</p><p>In <i>Father Time</i>, Hrdy draws on a wealth of research to argue that this ongoing transformation in men is not only cultural, but profoundly biological. Men in prolonged intimate contact with babies exhibit responses nearly identical to those in the bodies and brains of mothers. They develop caring potential few realised men possessed. In her quest to explain how men came to nurture babies, Hrdy travels back through millions of years of human, primate, and mammalian evolution, then back further still to the earliest vertebrates  all while taking into account recent economic and social trends and technological innovations and incorporating new findings from neuroscience, genetics, endocrinology, and more. The result is a masterful synthesis of evolutionary and historical perspectives that expands our understanding of what it means to be a man  and what the implications might be for society and our species.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sarah Blaffer Hrdy</b> is professor emerita of anthropology at the University of California, Davis. She is the author of <i>The Woman That Never Evolved</i>, <i>Mother Nature</i>, and <i>Mothers and Others: The Evolutionary Origins of Mutual Understanding</i>.</p>]]></Text>
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			<SubjectHeadingText>,; Can Heal Us,; Harm Us; Health Crises; It's Not Just Mushrooms: The Amazing Ways Fungi; Nicholas P. Money; and Even Solve Our Worst; antifungal; asthma; candidiasis; cheese; dandruff; death cap; ergot; fermentation; fungal biology; hallucinogen; immunology; medical mycology; medicinal mushrooms; microbiome; mold; mould; mycobiome; mycologist; mycology; mycoprotein; mycorrhiza; mycoses; psilocybin; rhinitis; ringworm; yeast</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The incredible, hidden role of fungi in our lives.</b></p><p>From beneficial yeasts that aid digestion to toxic moulds that cause disease, we are constantly navigating a world filled with fungi. <i>Fungi and Human Life</i> explores the amazing ways fungi interact with our bodies, showing how our health and well-being depend on an immense ecosystem of yeasts and molds inside and all around us.</p><p>Nicholas Money takes readers on a guided tour of a marvellous unseen realm, describing how our immune systems are engaged in continuous conversation with the teeming mycobiome inside the body, and how we can fall prey to serious and even life-threatening infections when this peaceful coexistence is disturbed. He also sheds light on our complicated relationship with fungi outside the body, from wild mushrooms and cultivated moulds that have been staples of the human diet for millennia to the controversial experimentation with magic mushrooms in the treatment of depression.</p><p>Drawing on the latest advances in mycology, <i>Fungi and Human Life</i> reveals what scientists are learning about the importance of fungi to our lives, from their vital role in supporting the ecosystems on which we depend to their emerging uses in lifesaving medicine.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nicholas P. Money</b> is professor of biology at Miami University in Ohio and the author of many books, including <i>The Rise of Yeast: How the Sugar Fungus Shaped Civilization</i>, <i>Mushrooms: A Natural and Cultural History</i>, and <i>Microbiology: A Very Short Introduction</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This beautiful art book comes from Canadian artist Audra Auclair, whose work has spanned across many years and many mediums.</b></p><p>Countless fans have fallen in love with her artwork thanks to her attempts to express the complexities of human emotion, and the merging of fantastical elements, nature, and stunning vibrant colours situations in her work. She has built up almost half a million followers on her Instagram account and runs a very popular Patreon, where she shares WIPs and access to her personal sketchbook. She also sells prints and products featuring her artwork from her online store.</p><p>In this exclusive book, Audra takes readers on a journey through her creative history, opening up about her early years, childhood influences, struggles, and ambitions. She then shows us behind the scenes in her studio and discusses her personal techniques, including how she uses a sketchbook and conceptualises. Then, presenting something a little different to other available 'Art of' books, Audra has written a chapter on an artist's relationship with art and provided some self-help-esque discussions for fellow creatives. From seeing creation as a spiritual force to being able to draw boundaries and maintain artistic confidence, this section is invaluable for artists of any ability.</p><p>We then have beautiful galleries of Audra's complete work in various mediums, plus step-by-step tutorials for readers to follow  on topics including gouache painting, redrawing old art, creating digital art, drawing something in your own style, and mixing media.</p><p>This is a highly interesting, ever-inspiring collection of art and writings from a thoughtful, hugely talented creative artist.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The fascinating science and history of radiation.</b></p><p>More than ever before, radiation is a part of our modern daily lives. We own radiation-emitting phones, regularly get diagnostic x-rays, such as mammograms, and submit to full-body security scans at airports. We worry and debate about the proliferation of nuclear weapons and the safety of nuclear power plants. But how much do we really know about radiation? And what are its actual dangers? An accessible blend of narrative history and science, <i>Strange Glow</i> describes mankind's extraordinary, thorny relationship with radiation, including the hard-won lessons of how radiation helps and harms our health. Timothy Jorgensen explores how our knowledge of and experiences with radiation in the last century can lead us to smarter personal decisions about radiation exposures today.</p><p>Jorgensen introduces key figures in the story of radiation  from Wilhelm Roentgen, the discoverer of x-rays, and pioneering radioactivity researchers Marie and Pierre Curie, to Thomas Edison and the victims of the recent Fukushima Daiichi nuclear power plant accident. Tracing the most important events in the evolution of radiation, Jorgensen explains exactly what radiation is, how it produces certain health consequences, and how we can protect ourselves from harm. He also considers a range of practical scenarios such as the risks of radon in our basements, radiation levels in the fish we eat, questions about cell-phone use, and radiation's link to cancer. Jorgensen empowers us to make informed choices while offering a clearer understanding of broader societal issues.</p><p>Investigating radiation's benefits and risks, <i>Strange Glow</i> takes a remarkable look at how, for better or worse, radiation has transformed our society. </p>]]></Text>
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			<SubjectHeadingText>1755 Lisbon earthquake; 181112 New Madrid earthquakes; 1906 San Francisco earthquake; 1923 Great Kanto earthquake; 1989 Loma Prieta earthquake; Active fault; After the quake; Andean civilizations; Augusto Cesar Sandino; Battle of Armageddon (Left Behind); Calaveras Fault; Cape Mendocino; Cataclysm (Dragonlance); Conflagration; Conglomerate (geology); Continental crust; Crust (geology); Dead Sea; Debris flow; Disaster; Earth; Earthquake; Earthquake prediction; Fault (geology); Fire department; Foreshock; Fracture; Fracture zone; Geologist; Igneous rock; Judea (Roman province); Landslide; Lava; Metamorphic rock; Mid-Atlantic Ridge; Natural disaster; New Madrid Seismic Zone; Nicaragua; North America; North American Plate; Oil field; Pacific Ocean; Pacific Plate; Plate tectonics; Richter magnitude scale; Rockfall; Rocky Mountain Arsenal; Sagami Bay; Salt dome; San Andreas Fault; Sandinista National Liberation Front; Sediment; Sedimentary rock; Seismic gap; Seismic hazard; Seismic wave; Seismology; Seismometer; Structural engineer; Subduction; Subsidence; Tenskwatawa; Thermopylae; Tropical cyclone; Tsunami; Types of volcanic eruptions; United States Geological Survey; Volcanic rock; Volcano; Yokohama</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[On November 1, 1755  All Saints' Day  a massive earthquake struck Europe's Iberian Peninsula and destroyed the city of Lisbon. Churches collapsed upon thousands of worshippers celebrating the holy day. This title tells the story of that calamity and other epic earthquakes.]]></Text>
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			<Text textformat="02"><![CDATA[<p>On November 1, 1755  All Saints' Day  a massive earthquake struck Europe's Iberian Peninsula and destroyed the city of Lisbon. Churches collapsed upon thousands of worshippers celebrating the holy day. <i>Earthquakes in Human History</i> tells the story of that calamity and other epic earthquakes. The authors, Jelle Zeilinga de Boer and Donald Theodore Sanders, recapture the power of their previous book, <i>Volcanoes in Human History</i>. They vividly explain the geological processes responsible for earthquakes, and they describe how these events have had long-lasting aftereffects on human societies and cultures. Their accounts are enlivened with quotations from contemporary literature and from later reports.</p><p>In the chaos following the Lisbon quake, government and church leaders vied for control. The Marques de Pombal rose to power and became a virtual dictator. As a result, the Roman Catholic Jesuit Order lost much of its influence in Portugal. Voltaire wrote his satirical work <i>Candide</i> to refute the philosophy of 'optimism', the belief that God had created a perfect world. And the 1755 earthquake sparked the search for a scientific understanding of natural disasters.</p><p>Ranging from an examination of temblors mentioned in the Bible, to a richly detailed account of the 1906 catastrophe in San Francisco, to Japan's Great Kanto Earthquake of 1923, to the Peruvian earthquake in 1970 (the Western Hemisphere's greatest natural disaster), this book is an unequaled testament to a natural phenomenon that can be not only terrifying but also threatening to humankind's fragile existence, always at risk because of destructive powers beyond our control. </p>]]></Text>
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			<SubjectHeadingText>aesthetics; Alexis Wright; Antarctica; Antjie Krog; Aotearoa New Zealand; Australasia; Captain James Cook; Charles Darwin; colonial and postcolonial writing; geographical imagination; global literature; Global South; Herman Melville; Hispanophone world literature; Indigenous Australian writing; J.L. Borges; J.M. Coetzee; Lus Vaz de Cames; maps and mapping; national literatures; navigational writing; Pacific Islands; Samuel Taylor Coleridge; Sea; South America; Southern Africa; Southern Hemisphere; southern starscapes; transnational writing; Tupaia; World literature in English; Hemisphere; Continent; Antarctic; Cames; Ancient; Colonial; Route; Gama; Coleridge; Settler; Whale; Mariner; Afrikaans; Pole; Portuguese; Wright; Scott; Melville; Navigators; Horizon; Country; Death; Constellations; Planet; Final; Imaginative; Schreiner; Polar; Rime; Epic; Lusads; Oceanic; Poetry; Parabolic; Mansfield; Travel; Landscape; Maori; Baughan</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A new compass for global reading: looking at the world from the far southern latitudes.</b></p><p>A northern viewpoint is most often the default, while the south  the far southern latitudes occupied by Australia, New Zealand, Argentina and southern Africa, among others  seems far away and ignorable. In <i>Southern Imagining</i>, Elleke Boehmer offers an alternative perspective, using literary, scientific and cultural material to explore how we look at the world from the south. Reading, she argues, is a transformative means of reversing our usual planetary orientation and rearranging our perceptual geography. Boehmer examines writing from across southern continents and islands, considering how we imaginatively inhabit the farthest reaches of our planet. Creators ranging from the Portuguese epic poet Lus de Cames to Samuel Taylor Coleridge, Charles Darwin, Katherine Mansfield, Jorge Luis Borges and ancient Indigenous storytellers capture the edgy and austere experiences of the far south.</p><p>For Boehmer, imaginative work stimulates and shapes our phenomenological understanding. Southerners often see themselves as far away from where things count, as outsiders, internalising the wider global sense of their relative insignificance. Conversely, when northerners read or hear legends, narratives, songs and poems from the south, it is as if they are located in the south, at least for the duration of the reading or listening. Boehmer suggests that the south-tilted world map<b>,</b> re-centred through song and story, invites us to claim a more involved sense of belonging to our planet, both its north and its south. The writers of the south disrupt conventional ways of seeing and invite us to inhabit our globe differently.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Elleke Boehmer</b> is Professor of World Literature in English at the University of Oxford. Since 2023, she has been an Extraordinary Professor in English at the University of Pretoria and in 2024 she was Visiting International Fellow at the University of Adelaide. She is the author of, among other books, <i>Postcolonial Poetics</i>; <i>Indian Arrivals 1870-1915,</i> winner of the ESSE Book Award; and the field-defining <i>Colonial and Postcolonial Literature: Migrant Metaphors;</i> as well as the collection of short stories <i>To the Volcano</i> and the novel <i>The Shouting in the Dark</i>, winner of the Olive Schreiner Prize. She is a Fellow of the Royal Society of Literature and a Fellow of the Royal Historical Society.</p>]]></Text>
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			<SubjectHeadingText>Appearance; Ardern; Articles; Audiences; Authentic; Germany; global politics; Government; Hard; Human; Hungarian; Hungary; Icon; illiberalism; image; Instagram; Foreign; Focus; Facebook; Everyday; Environment; Door; Diplomatic; Diplomacy; democracy; Deception; Coverage; Country; Community; Communication; Communicate; Charming interaction; Charm: How Magnetic Personalities Shape Global; Politics; Charm offensive; Charm; Charismatic; Charisma; Campaigns; Boundaries; Biden; Interaction; Nuclear deal; Obama; Official; Orbn; Outlets; Perception; personal magnetism; personality; Platforms; Policy; Politicians; international politics; Iran; Iranian; Jong; Journalists; Julia Sonnevend; Kim; Kim jong; Kindness; Korean; Leader; Leadership; Magic; Magnetism; Media; Media environment; Merkel; Moments</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The utilisation  and weaponisation  of charm in contemporary global politics.</b></p><p>Politics is a site of performance, and contemporary politicians often perform the role of a regular person  perhaps someone we would like to have a beer with. They win elections not because of the elevated rhetorical performances we often associate with charisma ('ask not what your country can do for you'), but because of something more ordinary and relatable. The everyday magic spell that politicians cast using mass and social media is what sociologist Julia Sonnevend calls 'charm'. In this engaging and enlightening book, Sonnevend explores charm (and the related 'charm offensive') as a keyword of contemporary global politics. Successful political leaders deploy this form of personal magnetism  which relies on proximity to political tribes and manifests across a variety of media platforms  to appear authentic and accessible in their quest for power.</p><p>Sonnevend examines the mediated self-representations of a set of liberal, illiberal, and authoritarian political leaders, past and present: New Zealand's Jacinda Ardern, Hungary's Viktor Orbn, Iran's Mohammad Javad Zarif, North Korea's Kim Jong-un, and Germany's Angela Merkel. She considers how charm (or the lack of it) is wielded as a political tool, and the ways charm is weaponised to shape the international image of a country, potentially influencing decisions about military aid, trade, and even tourism. Sonnevend argues that charm will shape the future of democracy worldwide, as political values will be increasingly embodied by mediated personalities. These figures will rise and fall, often fading into irrelevance; but if we do not understand charm's political power, we cannot grasp today's fragile political moment.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Julia Sonnevend</b> is associate professor of sociology and communications at The New School. She is the author of <i>Stories Without Borders: The Berlin Wall and the Making of a Global Iconic Event</i>.</p>]]></Text>
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			<SubjectHeadingText>1606: Shakespeare and the Year of Lear; A Midsummer Night's Dream; Anne Hathaway; Ben Jonson; Christopher Marlowe; Edward Alleyn; Edward de Vere; Elizabethan England; First Folio; Hamlet; Hamnet; Henry V; James Shapiro; Jessie Buckley; Julius Caesar; King Lear; London; Lord Chamberlain's Men; Macbeth; Maggie O'Farrell; Much Ado about Nothing; New Place; Othello; Paul Mescal; Prospero; Richard III; Shakespeare authorship controversy; Shakespeare's Globe; Sir Francis Bacon; Stanley Wells; Stratford-upon-Avon; Stuart England; The Merchant of Venice; The Taming of the Shrew; The Tempest; Thomas Kyd; Twelfth Night; What Was Shakespeare Really Like; Who Was William Shakespeare?; William Shakespeare; William Shakespeare: A Very Short Introduction; William Stanley; anti-Stratfordians; authorship question; early modern drama; early modern theatre; playwrights; the Bard; the Bard of Avon; the Globe Theatre; the King's Men; the stage</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[In What's in a name?, historian Susan Amussen traces William Shakespeare's life through early modern England to show how a glover's son could have become the world's greatest author.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A compelling tour of Shakespeare's England that makes a powerful contribution to the 'authorship question'.</b></p><p>How do we know Shakespeare was Shakespeare? Could a glover's son who left school at fifteen really be the author behind such masterpieces as <i>Hamlet, King Lear</i> and <i>The Tempest</i>?</p><p>Yes! says historian Susan Amussen. She transports readers back to early modern England, to travel the path that carried William Shakespeare from humble origins in Stratford to literary greatness on the London stage. This was a society undergoing rapid change. Grammar schools made education in Latin and Greek available to commoners, while touring players brought the latest dramatic productions to the masses. And in London, a metropolis filled with European visitors, ordinary people had the opportunity to see courtly life up close.</p><p>No serious historian doubts that Shakespeare was the author of the plays that bear his name. Susan Amussen shares what they know: that Shakespeare's England was a complex and cosmopolitan place, with everything a talented young playwright needed to develop his craft and furnish his imagination.</p><p><b>'As compelling as it is well-informed, this is a must-read for all Shakespeare and theatre lovers!'  Chris Laoutaris, author of </b><b><i>Shakespeare's Book: The Intertwined Lives Behind the First Folio</i></b></p><p><b>'If you've ever wanted a "making of" guide to our expanding library of Shakespeare biographies, Susan Dwyer Amussen's </b><b><i>What's in a name?</i></b><b>is for you.'  Will Tosh, author of </b><b><i>Straight Acting:The Many Queer Lives of William Shakespeare</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Susan D. Amussen</b> is Distinguished Professor of History at the University of California, Merced. She is the author of several books, most recently <i>Gender, Culture and Politics in England,</i> <i>1560-1603: Turning the World Upside Down</i> (2017). She serves as co-editor of volume III of <i>The New Cambridge History of Britain</i> (2025). While her primary work has been as a social historian focused on gender, race and class, her research has been used extensively by literary scholars, with whom she has been in conversation for over thirty years.</p>]]></Text>
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			<SubjectHeadingText>Gobsmacked!: The British Invasion of American; English; Phrase; Dictionary; Citation; Line; Viewer; Bit; Quote; Century; Slang; Ngram; Sport; Writer; Blog; Language; Game; Reader; Examples; Books; Definition; Magazine; Noobs; Google; Page; Piece; Sound; Quotation; Adjective; Version; Verb; Clever; Style; Character; Sources; Oed citation; Noun; Yorker; Novel; Country; War; Twentieth; Dictionary slang; Origin; Marks; Stop; Pronunciation; Popularity; Quotation marks; Google books; Newspaper; Queue; Atlantic; Decades; Review; Piss; Note; Po; Columnist; Soccer; Editor; Paper; Toltz; Twentieth century; Letter; Story; Band; Equivalent; Twitter; Website; Pretty</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>The British love to complain that words and phrases imported from America  from <i>French fries</i> to <i>Awesome, man!</i>  are destroying the English language. But what about the influence going the other way? Britishisms have been making their way into the American lexicon for more than 150 years, but the process has accelerated since the turn of the twenty-first century. From acclaimed writer and language commentator Ben Yagoda, <i>Gobsmacked!</i> is a witty, entertaining, and enlightening account of how and why scores of British words and phrases  such as <i>one-off</i>, <i>go missing</i>, <i>curate</i>, <i>early days</i>, <i>kerfuffle</i>, <i>easy peasy</i>, and <i>cheeky</i>  have been enthusiastically taken up by Yanks.</p><p>After tracing Britishisms that entered the American vocabulary in the nineteenth century and during the world wars, <i>Gobsmacked!</i> discusses the most-used British terms in America today. It features chapters on the American embrace of British insults and curses, sports terms, and words about food and drinks. The book also explores the American adoption of British spellings, pronunciations, and grammar, and cases where Americans have misconstrued British expressions (for example, changing <i>can't be arsed</i> to <i>can't be asked</i>) or adopted faux-British usages, like pronouncing <i>divisive</i> as 'divissive'. Finally, the book offers some guidance on just how many Britishisms an American can safely adopt without coming off like an <i>arse.</i></p><p>Rigorously researched and documented but written in a light, conversational style, this is a book that general readers and language obsessives will love. Its revealing account of a surprising and underrecognised language revolution might even leave them, well, gobsmacked.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ben Yagoda</b> has published more than a dozen books, including <i>Will Rogers: A Biography</i>; <i>About Town: "The New Yorker" and the World It Made</i>; <i>When You Catch an Adjective, Kill It: The Parts of Speech, for Better and/or Worse</i>; and <i>The Sound on the Page: Style and Voice in Writing</i>. He is professor emeritus of English at the University of Delaware. His blog, <i>Not One-Off Britishisms</i>, has been visited more than 3 million times.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A world-renowned physicist seeks gravity's true nature and finds wisdom in embracing its force in her life.</b></p><p>Claudia de Rham has been playing with gravity her entire life. As a diver, experimenting with her body's buoyancy in the Indian Ocean. As a pilot, soaring over Canadian waterfalls on dark mornings before beginning her daily scientific research. As an astronaut candidate, dreaming of the experience of flying free from Earth's pull. And as a physicist, discovering new sides to gravity's irresistible personality by exploring the limits of Einstein's general theory of relativity. In <i>The Beauty of Falling</i>, de Rham shares captivating stories about her quest to gain intimacy with gravity, to understand both its feeling and fundamental nature. Her life's pursuit led her from a twist of fate that snatched away her dream of becoming an astronaut to an exhilarating breakthrough at the very frontiers of gravitational physics.</p><p>While many of us presume to know gravity quite well, the brightest scientists in history have yet to fully answer the simple question: what exactly is gravity? De Rham reveals how great minds  from Newton and Einstein to Stephen Hawking, Andrea Ghez, and Roger Penrose  led her to the edge of knowledge about this fundamental force. She found hints of a hidden side to gravity at the particle level where Einstein's theory breaks down, leading her to develop a new theory of 'massive gravity.' De Rham shares how her life's path turned from a precipitous fall to an exquisite flight toward the discovery of something entirely new about our surprising, gravity-driven universe.</p>]]></Text>
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			<SubjectHeadingText>Africa; Asia; Caribbean; Enlightenment; Europe; Europeans; Monticello; Versailles; beliefs; biology; civilization; classification; colonialism; context; deb; discourse; dominance; empire; ethics; exploration; hierarchy; humanity; identity; ideology; inequality; intellectuals; intolerance; justice; legacy; liberty; moralism; oppression; philosophy; plantations; power; progress; race; reason; science; secularism; segregation; slavery; species; taxonomy; thinkers; universalism; violence; xenophobia</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[A gripping reassessment of the Enlightenment, exploring how leading thinkers who championed liberty also shaped modern racial ideologies  tracing their lives across empires, plantations, and palaces in a powerful story of ideas, power and exclusion.]]></Text>
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			<Text textformat="02"><![CDATA[<p>In the early eighteenth century, Christianity began to lose its hold on the story of humankind. Yet centuries of xenophobia, religious intolerance and emerging biological ideas did not simply disappear. Instead, secular thinkers reshaped them as they looked to redefine what it meant to be human. By century's end, naturalists and philosophers had divided humankind into racial categories using methods associated with the Enlightenment era.</p><p>In <i>The Race Makers</i>, Enlightenment specialist Andrew S. Curran traces the emergence of race through thirteen pivotal figures, including Louis XIV, Buffon, Carl Linnaeus, Voltaire, David Hume, Adam Smith, Immanuel Kant and Thomas Jefferson. From the gilded halls of Versailles to the slave plantations of the Caribbean, and from the court of the Mughal Empire to the drawing rooms of Monticello, Curran reveals how the pursuit of knowledge became entangled with  and often drove  systems of empire and oppression. The result is a bold reappraisal of the Enlightenment's most celebrated luminaries.</p><p>Combining rigorous scholarship with vivid storytelling, <i>The Race Makers</i> offers a sweeping and unsettling account of how modern concepts of race were born  and why they still matter.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Andrew S. Curran </b>is the William Armstrong Professor of the Humanities at Wesleyan University. His work explores the intersections of race, science and Enlightenment thought, and has appeared in <i>The New York Review of Books, The New York Times, The Guardian, </i>and <i>Time Magazine</i>. He is the author of <i>The Anatomy of Blackness: Science and Slavery in an Era of Enlightenment; Who's Black and Why?</i> (with Henry Louis Gates, Jr.), nominated for an NAACP image award; and Diderot and the <i>Art of Thinking Freely</i>, named one of the best biographies of 2019 by<i> Kirkus Reviews, The Australian </i>and <i>The Irish Times.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Global institutions have failed to adapt to today's political-economic realities. What went wrong, and how can we reverse our descent into chaos?</b></p><p>The United States is no longer the world's undisputed superpower. China and India increasingly flex their economic muscle, as the West's share of global GDP steadily declines  and America's rules-based system risks becoming irrelevant. In business, competition brings efficiency, balance, and innovation. But not in the marketplace for global power.</p><p>Acclaimed economist Eswar S. Prasad argues that the very forces expected to stabilise the world order are fueling disarray. Globalisation has deepened inequality in many countries, stoked political backlash and triggered trade wars. Economic institutions like the IMF and WTO are no longer fit for purpose. The rise of 'middle powers' like South Africa, Brazil, and Indonesia once suggested multipolar stability; but today, such economies are forced to pick sides in the intensifying USChina struggle for hegemony.</p><p>Prasad's clear-eyed, bracing prose contends that we are caught in a destructive feedback loop between economics, domestic politics, and geopolitics. With instability the new status quo, we need radical solutions to reinvigorate the world economy, prioritise common aspirations  and halt the downward spiral.</p><p><b>Praise for </b><b><i>The Future of Money</i></b></p><p>'<b>A road map for money managers, market strategists, and others seeking to understand this new world.' </b><b><i> Barron's</i></b></p><p><b>'Money shapes economies, economies shape nations, nations shape history. It follows that the future of money is profoundly important. Here is a definitive report on where we are and where we are going.'  Lawrence H. Summers, former Secreta ry of the Treasury</b></p><p><b>'Prasad manages to make the financial system intelligible and interesting without resorting to shortcuts and exaggeration...Previous overhauls mainly improved existing systems, he notes. The end of cash  likely within a decade or two  is revolutionary.'  </b><b><i>Economist</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A writer's quest to understand the deep past and uncertain future of his homeland.</b></p><p>After inheriting the miner's safety lamp that belonged to his great-grandfather, Jake Morris-Campbell sets out on a pilgrimage across his homeland. Travelling from the Holy Island of Lindisfarne to Durham Cathedral, he asks what new ways might be made through the old north.</p><p>This region, a hub of early Christian Britain and later strongly defined by industry and class, now faces an uncertain future. But it remains a unique and starkly beautiful part of the country, with a deep history that is intimately entwined with the idea of Englishness. Jake's journey along the 'Camino of the North' sees him explore the shifting nature of individual and regional identity across thirteen-hundred years of social change. At the same time, it challenges him to reconsider his own calling as a writer and how it relates to the lives of the people he meets along the way.</p><p><i>Between the salt and the ash</i> asks what stories the North East can tell about itself in the wake of Christianity and coal. Rejecting the damaging trope of 'left behind' communities, Jake uncovers neglected seams of culture and history, while offering a heartfelt celebration of the place he calls hyem.</p><p><b>'Beautifully written'  Brian Groom, author of </b><b><i>Northerners: A History</i></b></p><p><b>'It should be read by us all, wherever we live.'  David Almond, author of </b><b><i>Skellig</i></b></p><p><b>'Beautifully crafted'  Robert Colls, </b><b><i>The New Statesman</i></b></p><p><b>'A tender Northumbrian camino through England's own land of saints and scholars.'  Dan Jackson, author of </b><b><i>The Northumbrians</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The irresistible story of a one-man cultural phenomenon.</b></p><p>Minister for the Counterculture, Mancunian mainstay and alternative national treasure John Robb has lived a life in music. In this book he charts his adventures on the cultural frontline, chronicling the making of a DIY icon.</p><p>Robb's quest began in his hometown of Blackpool  where punk was a battle against the odds  and went international when he toured the world with his band. The first person to interview Nirvana, he also discovered The Stone Roses for weekly newspaper <i>Sounds </i>and did early interviews with The Jesus and Mary Chain and The Manics, before moving on to legends such as Mark E. Smith, Nick Cave and Patti Smith. Along the way, he became an on-screen commentator and author of bestselling books.</p><p>Robb's memoir tells of deep friendships with figures from Poly Styrene to Chris Packham. Packed with riotous stories, it provides an alternative account of British musical and cultural history and a triumphant blueprint for a punk rock life.</p><p><b>'John Robb writes about music and culture with the insight of someone who loves it from the outside and lives it from the inside.'  Johnny Marr</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[In the rush of modern life, many of us have become disconnected from the natural world and the rich, spiritual reality that lies just beneath its surface. But the ancient Celts knew that connecting with the land provided a vital source of meaning, strength, and contentment.]]></Text>
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			<Text textformat="02"><![CDATA[The Left Hand Path of Tarot offers the perspective of the outsiders, the outcasts, the marginalised, the nonconforming, and all who live on the fringes of what society labels as 'civilised', 'acceptable', or 'canon'.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Left Hand Path of Tarot</i> offers the perspective of the outsiders, the outcasts, the marginalised, the nonconforming, and all who live on the fringes of what society labels as 'civilised', 'acceptable', or 'canon'. Cards with a negative reputation, like The Tower or The Devil, acquire a completely new layer of meaning that has extensive and relevant shadow-work applications and extremely practical advice in matters that are often frowned upon by spiritualists, such as kink, self-branding, monetisation, body transformation, glamour, and self-defense.</p><p><i>The Left Hand Path of Tarot</i> suggests a paradigm shift for tarot archetypes that goes beyond classic interpretation of the major arcana. It's the chaos, subversion, and alchemy of the self in the left-hand path of tarot that challenges social norms and leads you to explore the deepest parts of your soul. It is the torch that lights the fire through which we must all walk in order to transcend and achieve the highest victory a human being can aspire to complete: self-love.</p><p><b>'Truly,</b> <b><i>The Left-Hand Path of Tarot</i></b><b> serves as a tarot for our times, one that invites us to direct contemplation of the eerie trickster dimensions of phenomenal reality and of our own souls, so that we might learn to more deeply enjoy our wholeness.'  from the foreword by Carolyn Elliott</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>It's closing time for an alarming number of gay bars in cities around the globe  but it's definitely not the last dance.</b></p><p>In this exhilarating journey into underground parties, pulsating with life and limitless possibility, acclaimed author Amin Ghaziani unveils the unexpected revolution revitalising urban nightlife.</p><p>Far from the gay bar with its largely white, gay male clientele, here is a dazzling scene of secret parties  club nights  wherein culture creatives, many of whom are queer, trans, and racial minorities, reclaim the night in the name of those too long left out. Episodic, nomadic, and radically inclusive, club nights are refashioning queer nightlife in boundlessly imaginative and powerfully defiant ways.</p><p>Drawing on Ghaziani's immersive encounters at underground parties in London and more than one hundred riveting interviews with everyone from bar owners to party producers, revelers to rabble-rousers, <i>Long Live Queer Nightlife</i> showcases a spectacular, if seldom-seen, vision of a queer world shimmering with self-empowerment, inventiveness, and joy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Amin Ghaziani</b> is professor of sociology and Canada Research Chair in Urban Sexualities at the University of British Columbia. He is the award-winning author of <i>The Dividends of Dissent</i>, <i>Sex Cultures</i>, and <i>There Goes the Gayborhood?</i> (Princeton). His work has been featured widely in international media outlets, including the <i>New Yorker</i>, the <i>Financial Times</i>, the <i>Los Angeles Times</i>, the <i>Guardian</i>, <i>USA Today</i>, and <i>British Vogue</i>.</p>]]></Text>
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			<SubjectHeadingText>Darwin; Romain Brette; adaptive systems; anti-reductionism; artificial intelligence; artificial intelligence critique; biological cognition; biological computation; biological design; biological foundations; biological intelligence; biological modeling; biological processes; biological realism; biological systems; brain as computer; brain function; brain organization; brain theory; cognitive architecture; cognitive biology; cognitive processes; cognitive science; community of entities; complex systems; computation; computational brain; computational neuroscience; computationalism; computer metaphor; consciousness; deep learning; development; embodied cognition; emergence; engineering metaphors; evolution; evolutionary biology; information; information processing; interdisciplinary approach; life and cognition; living organisms; living systems; machine metaphor; mechanistic view; mental phenomena; mind-brain relationship; natural cognition; natural selection; neural development; neural models; neural networks; neural representations; neuroscience; optimization; organic computation; philosophy of mind; prediction; predictive processing; purposiveness; representations; reverse-engineering; scientific methodology; self-organization; teleology; theoretical critique; theoretical frameworks; theoretical neuroscience; vitalism</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Why engineering and computational analogies are poorly suited to the study of biological cognition.</b></p><p>Mainstream theories of the brain are often expressed through engineering concepts  computation, code, control, reverse-engineering, optimisation. These theories cast the living organism as a machine and the brain as a computer. The fact that cognition is a biological phenomenon seems merely anecdotal; biology is considered just 'implementation'. In <i>The Brain, In Theory</i>, Romain Brette argues that the brain is not a 'biological computer' because living organisms are not engineered. Engineering is the use of knowledge to solve technical problems, to build an artifact with a plan. But, Brette reminds us, Darwin's insight is precisely that evolution is <i>not</i> a case of engineering. Unlike engineering, evolution has no predetermined goals, plans, or knowledge.</p><p>Brette reviews the main theoretical frameworks for thinking about the brain, including computation, neural representations, information, and prediction, and finds them poorly suited to the study of biological cognition. He proposes understanding the brain as a self-organised, developing community of living entities rather than an optimised assembly of machine components. With this new perspective, Brette brings life back to the study of the brain and cognition.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Romain Brette</b> is a neuroscientist at the Institute of Intelligent Systems and Robotics, Paris. He has worked on neuronal biophysics, neuroinformatics, auditory neuroscience, philosophy of neuroscience, and recently on the behavior and physiology of protists.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Character Design Quarterly </i></b><b>(</b><b><i>CDQ</i></b><b>) is a lively, creative magazine bringing inspiration, expert insights, and leading techniques from professional illustrators, artists, and character art enthusiasts worldwide.</b></p><p>Each issue provides detailed tutorials on creating diverse characters, enabling you to explore the processes and decision making that go into creating amazing characters. Learn new ways to develop your own ideas, and discover from the artists what it is like to work for prolific animation studios such as Disney, Warner Bros., and DreamWorks.</p><p>The cover for issue 35 is byMaxine Vee (313K Instagram followers), a freelance illustrator based in Canada. Her cosy, fantasy-inspired characters and environments have led to work with Walt Disney Studios, Penguin Random House, Bloomsbury, and many more. She takes readers step by step through the creation of her stunning cover art, then answers our questions on her career journey and current creative projects.</p><p>Another great feature in this issue is an in-depth look at using Risograph to create characters. Natalie Andrewson, an American freelance illustrator and author (based in Los Angeles) speaks to us about how she came to work in this unique medium and creates a brand-new character, walking us through her process. Her work has featured in graphic novels, animation, gallery shows, and more. She has 193K followers on Instagram.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Stories of the Stones</i> explores how ancient monuments  standing stones, megaliths and earthworks  have been reimagined across the centuries in folklore, literature, art and popular culture. From medieval myths to Romantic fascination and from folk-horror cinema to Julian Cope, the powerful stories inspired by these enigmatic sites reflect the beliefs and anxieties of each era. Spanning Britain, Ireland and Brittany, the book includes iconic places such as Stonehenge and Newgrange, as well as lesser-known sites steeped in local lore. While the monuments' original meanings remain mysterious, our interpretations reveal deep emotional and cultural connections to the ancient landscape. Richly illustrated and wide-ranging, this book is ideal for readers interested in prehistoric monuments, storytelling traditions and the enduring power of place.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>How does an adopted person construct their identity? In this collection of essays, Ben Wildsmith relates the key events of a turbulent life and considers the factors that shaped his nature.</p><p>Examining notions of culture, belonging, authenticity and family, <i>Whose Song to Sing? </i>takes us from 1970s Birmingham to South Wales in the 2020s, via America, Australia and Thailand.</p><p>Wildsmith offers an adoptee's take on society  ironic and occasionally caustic  as he struggles to carve out a space within it. As family life disintegrates, he seeks refuge in culture, always returning to the songs and stories of the Valleys, the gift of his adoptive grandfather.</p><p>We follow a path from childhood privilege to addiction and despair, before the healing power of community offers a route to happiness.</p><p>Unflinching and frequently comic, <i>Whose Song to Sing?</i> shows how establishing a viable identity from uncertain materials can be a creative act, and a life's work.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Whether you want to visit the Colosseum in Rome, see the Duomo in Florence, or take a gondola ride in Venice, the local Fodor's travel experts in Italy are here to help!<i> Fodor's Best of Italy</i> guidebook is packed with maps, carefully curated recommendations, and everything else you need to simplify your trip-planning process and make the most of your time.This new edition has an easy-to-read layout, fresh information, and beautiful colour photos.</p><p><i>Fodor's Best of Italy</i> travel guide includes:</p><ul><li>An illustrated ultimate experiences guide to the top things to see and do</li><li>Multiple itineraries to effectively organise your days and maximise your time</li><li>More than 40 detailed maps  and a free pull-out map to help you navigate confidently</li><li>Colour photos throughout to spark your wanderlust!</li><li>Honest recommendations from locals on the best sights, restaurants, hotels, nightlife, shopping, performing arts, activities, side-trips, and more</li><li>Photo-filled 'best of' features on 'The Best Museums in Rome', 'Architectural Wonders in Venice', 'Best Hilltop Villages in Tuscany', and more</li><li>Trip-planning tools and practical tips including when to go, getting around, beating the crowds, and saving time and money</li><li>Historical and cultural insights providing rich context on the local people, politics, art, architecture, cuisine, music, geography and more</li><li>Special features on 'The Sistine Chapel', 'Cruising the Grand Canal', and 'Who's Who in Renaissance Art'</li><li>Local writers to help you find the under-the-radar gems</li><li>Italian language primers with useful words and essential phrases</li><li>Up-to-date coverage on: Rome, Vatican City, Venice, Milan, Verona, Florence, Tuscany and Umbria, and more</li></ul><p>Planning on visiting nearby European countries? Check out <i>Fodor'sEssential France, Fodor's Essential Spain</i>, and<i> Fodor's Essential Switzerland</i>.For a more comprehensive Italy guidebook check out <i>Fodor's Essential Italy.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Fully re-researched and updated,</b><b><i>Frommer's Amsterdam Day By Day</i></b><b>allows users to map their own adventure with a variety of suggested daily itineraries, vibrant photos, and multiple maps.</b></p><p><b>This portable, up-to-date guide is all about maximising the time you have to spend in Amsterdam. Written by veteran travel journalistDonald Strachan, the book hits all of the city's highlights </b> <b>as well as hidden gems  with plans crafted for visitors with a variety of needs and interests.</b></p><p>Packed with colour photos, this bestselling guide offers dozens of itineraries that show you how to see Amsterdam's top attractions in a short time, with bulleted maps leading the way from sight to sight. Featuring a full range of thematic and neighbourhood tours plus dining, lodging, shopping, nightlife, and practical visitor info, <i>Frommer's Amsterdam Day by Day</i> is the only guide that helps travellers organise their time to get the most out of a trip.</p><p>Inside this book you'll find:</p><ul><li>Full-colour images throughout, with hundreds of photos and dozens of maps</li><li>One-to-three-day itineraries, including Amsterdam for Art Lovers, Touring Amsterdam by Canal Bike, Architectural Amsterdam, Strolling in Vondelpark, the Jordaan, De Pijp, Alteration Amsterdam, the Jewish Quarter, Amsterdam-Noord &amp; the IJ, and more</li><li>Star ratings for all hotels, restaurants, and attractions to quickly surface the best finds and values</li><li>Advice for how to plan romantic getaways in the city, as well as how to see Amsterdam with kids or on a budget</li><li>A tear-resistant foldout map in a handy, re-closable plastic wallet</li><li>Reliable, impartial reviews based on the author's visits to the city's best shops, restaurants, nightlife, and hotels. No entity has paid to be in this guide  or any Frommer's guide  nor has AI been used. At Frommer's we pride ourselves on over six decades of journalistic integrity</li><li>Helpful planning advice for getting there, getting around, saving money, and getting the most from your trip</li></ul><p>About Frommer's: There's a reason that Frommer's has been the most trusted name in travel for more than 60 years. Arthur Frommer created the bestselling guide series in 1957 to help American service members fulfill their dreams of travel in Europe. Since then, we have published thousands of titles, becoming a household name by helping millions upon millions of people realise their own dreams of seeing our planet. Travel is easy with Frommer's.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Shows how state surveillance of left-wing individuals and groups was normalised in Cold War Britain, under the guise of upholding democracy.</b> </p><p>For much of the twentieth century, relations between Britain and the Soviet Union were defined by mutual hostility and distrust. From the Bolshevik Revolution until the end of the Cold War, the British establishment was deeply concerned about Soviet-inspired subversion, and secretly monitored thousands of its own citizens due to their real or perceived links to communism, the Soviet Union or both.</p><p><i>Enemy of the State</i> reveals how Britain's intelligence services carried out mass spying operations on the grounds of protecting democracy. Using phone taps, hidden microphones, mail interception and covert break-ins, they investigated trade unionists, scientists, politicians, actors, anti-nuclear and anti-apartheid protesters, and more. But the culture of secrecy permeating British institutions has meant that the extent of these activities is little known. Drawing on recently declassified files from the British government and MI5, Oliver Price argues that while communism gained little traction in domestic politics, fear of left-wing radicalism led to the widespread monitoring of individuals and political groups  many of whom posed no threat to the British state.</p><p>Britain was long considered a country in which 'political policing' was resisted. But Price shows how the tumultuous events of the last century reshaped official attitudes and normalised surveillance.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Oliver Price</b> is a historian of modern Britain. He completed his PhD in 2024 and has had work featured in publications including <i>Contemporary British History; Modern British History </i>and <i>History Today</i>. This is his first book.</p>]]></Text>
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			<SubjectHeadingText>10 Books that Belong on Every Golfer's Shelf; 1920s; Britain; Catriona Matthew; Christmas Golf Gifts; Early 20th Century; Glenna Collett; Golf Gifts; Golf history; Golfing history; History of Golf; International rivalry; Iona Stephen; Joyce Wethered; Old Course St Andrews; Royal Troon; Sky Sports; SkySports; Sport History; Suffragettes; The Old Course hotel; United states; Wall Street Journal; Women's History; Women's Rights; Women's Sport; history of women's sport; sporting women; women in golf; women in sport; womens' game</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Acclaimed golf author and historian Stephen Proctor tells the story of the rise of women's golf in Britain and the U.S. through the rivalry that developed in the 1920s between Joyce Wethered and Glenna Collett.Matchlesstells the story of these two incomparable golfers - women who personified the ambitions of their age.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, USGA Herbert Warren Wind Book Award 2025**</b></p><p><i>Matchless</i> tells the story of women's golf against the backdrop of the intense rivalry between two players who set a new standard for performance  American Glenna Collet and England's Joyce Wethered. That head-to-head competition spanned a decade, from their first meeting at Troon in 1925 through to Wethered's tour of the US in 1935. The key moment, and the dramatic focal point for this unique account, is their match at St Andrews in 1929 in the final of the Ladies Amateur Championship. It is widely considered to be the defining moment in women's golf.</p><p>Stephen Proctor delves deep into the story of that golden period and the colourful history of the women's golf up to that point and beyond, charting the remarkable characters who graced the fairways and blazed a trail for today's superstars of the sport. Through the achievements and tribulations of Isette Pearson, Cecil Leitch, Alexa Stirling and a cast of key protagonists the reader is transported back to a pivotal time in the development of the game.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Longlisted, William Hill Sports Book of the Year 2025**</b></p><p>In the 1980s, politicians declared war on football; football supporters declared war on each other inside crumbling stadiums that resembled bomb sites and the '82 and '86 World Cups were played against the backdrop of the Falklands conflict. It was a decade in which some fans died watching the game they loved, and at times, the 'slum sport' seemed set to implode. Yet, remarkably, the game was on the cusp of morphing into the behemoth it has become today.</p><p>Set against a backdrop of economic recession, rampant hooliganism and suspect fashion,<i> Go To War</i> tells the story of how triumph and tragedy shaped English football during the 1980s. Throughout this explosive book, author Jon Spurling delves into the stories behind the successes and strife.</p><p>Thirty years in the making,<i> Go To War</i> draws on interviews conducted with '80s icons including Terry Butcher, Graeme Sharp and Ray Wilkins, managerial legends like Howard Kendall and Bobby Robson and FA Cup heroes Ricky Villa and Norman Whiteside. Like its precursor, the bestselling <i>Get It On, Go To War</i> provides a unique insight into a pivotal footballing decade.</p><p><b>'Enthralling...Another tour de force.' </b> <b><i>Backpass magazine</i></b></p><p><b>'A tremendously readable chronicle of English football in its darkest age, brimming with evocative anecdotes. From the violence on the terraces to the high drama on the pitch,</b> <b><i>Go To War</i></b><b> perfectly captures the moodiness of the 1980s. I enjoyed it enormously.'  Dominic Sandbrook</b></p><p><b>'A beautifully crafted book on a pivotal footballing era.'  Jim Rosenthal</b></p><p><b>'Jon Spurling's eye for detail and character makes him the perfect writer to chronicle a decade when football was about so much more than what happened on the pitch. Not just the best book about '80s football but one of the best books I've read about '80s Britain.'  Josh Widdicombe</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In his inimitable prose, Prunier conveys how one of the world's newest nations came into being and survived, against all odds.</b></p><p>The Somali people are fiercely nationalistic. Colonialism split them into five segments divided between four different powers. Thus decolonisation and pan-Somalism became synonymous.</p><p>In 1960 a partial reunification took place between British Somaliland and Somalia Italiana. Africa Confidential wrote at the time that the new Somali state would never be beset by tribal division but this discounted the existence of powerful clans within Somali society and the persistence of colonial administrative cultures. The collapse of parliamentary democracy in 1969 and the resulting army  and clanic  dictatorship that followed led to a civil war in the 'perfect' national state. It lasted fourteen years in the 'British' North and is still raging today in the 'Italian' South.</p><p>Somaliland 're-birthed' itself through an enormous solo effort but the viable nation so recreated within its former colonial borders was never internationally recognised and still struggles to exist economically and diplomatically.</p><p>This book recounts an African success story where the peace so widely acclaimed by the international community has had no reward but its own lonely achievement.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gerard Prunier</b>is a renowned historian of contemporary Africa, and author of, inter alia, the acclaimed<i>The Rwanda Crisis: History of a Genocide, The Country That Does Not Exist:A History of Somaliland, Colonialism Devours Itself</i> and<i>Darfur:The Ambiguous Genocide,</i>all available from Hurst.</p>]]></Text>
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			<Text textformat="02"><![CDATA[From the Victorian era to Partition, Mukherjee uncovers the unique experiences of the very youngest South Asian migrants to Britain.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From the Victorian era to Partition, Mukherjee uncovers the unique experiences of the very youngest South Asian migrants to Britain.</b></p><p>Between 1857 and 1947, over 28 million Indians left the subcontinent to live, work and study elsewhere. Today, India has the largest diaspora in the world, with approximately 18 million Indians living overseas. Though often absent from historical narratives, migrant children were instrumental during the time of the British Empire in the development not only of Indian national and diasporic identities, but of British identity too. These children were marginalised by their political status, their race and their age; yet they were fundamental to historical change, from the 1830s through to independence in 1947.</p><p><i>Imperial Footprints</i> vividly charts this history of emigration from British India to the imperial heartland, through the eyes of its youngest participants. From pupils sent to English boarding schools and runaway servants, to sailor children and refugees of war or Partition, Sumita Mukherjee reveals that these child migrants were crucial players in founding Indian communities abroad. Drawing on archival records and firsthand accounts, she offers a portrait of migration to Britain that pre-dated the larger waves of arrivals post-war.</p><p><i>Imperial Footprints</i> challenges the assumptions of the historical voices we often foreground; reflects on post-colonial legacies; and offers a fascinating new perspective on migration and empire.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sumita Mukherjee</b> is Professor of Modern History at the University of Bristol. A fellow of the Royal Historical Society, she is an expert on the histories of South Asian migration and has written widely on this topic. Her books include <i>Indian Suffragettes: Female Identities and Transnational Networks.</i></p>]]></Text>
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			<BiographicalNote textformat="05"><![CDATA[<p><b>Malyn Newitt,</b> the first Charles Boxer Chair in the History Department of King's College London, has authored more than twenty books on African and Portuguese colonial history, including<i> A Short History of Mozambique</i> and <i>The Zambezi: A History,</i> both published by Hurst.</p>]]></BiographicalNote>
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			<Text textformat="02"><![CDATA[The first general history of the archipelago available in English, set within a broader regional, oceanic and global tapestry.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The first general history of the archipelago available in English, set within a broader regional, oceanic and global tapestry.</b></p><p>The Cabo Verde Islands are now a popular tourist destination but, guide books apart, there is little in print in English that covers their history and culture. This book offers a readable account not only of the islands' past, but also of their place in the wider story of the South Atlantic's Portuguese-speaking communities.</p><p>First settled in the fifteenth century, the inhabitants of Cabo Verde were of diverse origins. Some came from Portugal, others arrived as slaves from mainland Africa, and a third element comprised Jewish exiles from the Iberian Peninsula. From the earliest days, the islanders developed a mixed Creole culture with its own Creole Portuguese language. They had close relations with people of the upper Guinea coast, where many of them settled, and with the Guinea islands. Meanwhile the archipelago became a hub of the Atlantic slave trade.</p><p>Cabo Verde has also had a strategic importance  its history has to be seen in a global context, broader than simply that of the Portuguese imperial story. Malyn Newitt also fills a major gap in the bibliography of Atlantic history, slavery and the history of the African diaspora in the Atlantic.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Malyn Newitt</b>, the first Charles Boxer Chair in the History Department of King's College London, has authored more than twenty books on African and Portuguese colonial history, including <i>A Short History of Mozambique</i> and <i>The Zambezi: A History</i>, both published by Hurst.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The seminal role of the Anunnaki in shaping human civilisation is unveiled, revealing the mystical roots of esoteric knowledge and its impact on secret societies and the evolution of consciousness.</b></p><p>The Anunnaki  one of the most enigmatic groups in history  played a heavy role in early human civilisation. But where did they come from, and who were they?</p><p>In <i>Anunnaki Revelation</i>, author Heather Lynn, PhD, shares evidence that the Anunnaki's influence extends beyond the realms of mythology and religion, shaping the very foundations of our understanding of reality, consciousness, and the nature of the self. By exploring the connections between the Anunnaki, shamanic practices, psychedelic experiences, and modern pursuits such as artificial intelligence and transhumanism, <i>Anunnaki Revelation</i> aims to trace the origins and trajectory of the transformative impact these gods had on the human experience.</p><ul><li>Who were the Anunnaki? Were they benevolent guides or malevolent manipulators, and what will the answer mean for our understanding of the nature of reality?</li><li>Was the Anunnaki's wisdom transmitted to early civilisations, then preserved and passed down through secret societies and occult practices?</li><li>Were psychedelics, shamanic practices, and altered states of consciousness used to communicate with the Anunnaki and other entities? Are they still?</li><li>Did the Anunnaki influence the development of ancient technology, and what can we learn from their mastery of sacred arts like acoustics, geometry, alchemy, and astrotheology?</li><li>How could the Anunnaki's claims of mastery over death inform our approach to artificial intelligence, longevity, and the transhumanist quest for immortality? </li></ul><p><i>Anunnaki Revelation</i> examines the Anunnaki in a new light, as discarnate entities who played a crucial role in the development of human consciousness and civilisation by communicating advanced knowledge to the leaders of a lost civilisation.</p>]]></Text>
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			<SubjectHeadingText>Anti-colonial resistance; Asa Street; Bethlehem; British Mandate Palestine; Church of the Nativity; Cultural displacement; Diaspora; Diasporic identity; Dispossession and survival; Emotional cartography; Everyday life in exile; Exile and belonging; Family legacy; Historical trauma; Homeland and return; Intergenerational memory; Italian Hospital Amman; Jaffa Gate; Jerusalem; Jerusalem heritage; Language and heritage; Mamillah Road; Memory and resistance; Memory and storytelling; Middle Eastern conflict; Nakba and aftermath; Nakba narratives; Objects of memory; Palestine; Palestinian diaspora; Palestinian food culture; Palestinian history; Palestinian resilience; Palestinian-Australian; Photographs and archives; Ramallah; Recipes and rituals; Settler colonialism; Transnational identity; Visit Palestine poster; family memoir; migration</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Fixing its gaze on moments, places and objects  from the streets of Bethlehem to the Palestinian neighbourhoods of the New Jerusalem  Find me at the Jaffa Gate assembles a story of Palestinian diaspora, returning to the origins of violence in the Nakba.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Victorian Premier's Literary Awards 2026, Non-Fiction**</b></p><p><b>**Shortlisted, NSW Literary Awards 2026, Douglas Stewart Prize for Non-Fiction**</b></p><p><b>**Shortlisted, NSW Literary Awards 2026, Multicultural NSW Award**</b></p><p><b>**Shortlisted, NSW Literary Awards 2026,</b> <b>UTS Glenda Adams Award for New Writing**</b></p><p><b>**Longlisted, Stella Prize 2026**</b></p><p><i>'If we were different people, to write down these words might be to leave them behind us. But words are our artifacts, and I am seeding a trail for the journey, home.'</i></p><p>What does the daughter of a Nakba survivor inherit? It is not property or tangible heirlooms, nor the streets and neighbourhoods of a father's childhood and the deep roots of family who have lived in one place, Jerusalem, for generation upon generation.</p><p>Fixing her gaze on moments, places and objects  from the streets of Bethlehem to the Palestinian neighbourhoods of the New Jerusalem  Micaela Sahhar assembles a story of Palestinian diaspora. <i>Find Me at the Jaffa Gate</i> is a book about the gaps and blank spaces that cannot be easily recounted, but which insists on the vibrant reality of chance, fragments and memory to reclaim a place called home.</p><p><b>'Micaela Sahhar's</b> <b><i>Find Me at the Jaffa Gate</i></b><b> is one of the most inventive, thought-provoking and captivating chronicles of Palestinian diasporic life I've had the pleasure of reading. It is a memoir written by a poet, poetry written by a novelist, literature written by an academic  it is all these things at once, insisting with a gentle yet unwavering confidence in the power of its unique, brilliantly evocative and genre-defying voice. Sahhar's love for her family, homeland, the details and intimacies of everyday life; for language, history, archives, photographs and the treasured ephemera of a life in diaspora, shine through every line. The result is a book in which every word is deliberate, each line commands attention, each chapter is a world within a world.'  Randa Abdel-Fattah, academic and writer, author of</b> <b><i>11 Words for Love</i></b></p><p><b>'Micaela Sahhar's family history has everything that makes any Palestinian family history worth telling and reading about. On the one hand, a rich culture that ranges from distinctive culinary practices to a distinctive sense of humour, and on the other hand, a tragic settler-colonial history of dispossession and oppression leading to a transnational diasporic existence, and that makes for a characteristic sense of space and place. But this is not any book about Palestine. Sahhar is a superior storyteller with a knack for highlighting evocative details. Storytelling, like any craft, embodies in different degrees the labour of the many people who have told stories about one's subject matter in the past. The more a writer is well-read the more this shows in the historical density and the social complexity of their storytelling. Sahhar's book is definitely dense and socially complex in this way. This could make for 'heavy' reading if it wasn't for Sahhar's superior writing skills. Indeed, I would say that more than anything else, this is a book for people who enjoy good writing, regardless of what the story is about. But of course, it matters what this story is about. This is a book about Palestine and Palestinians, and in the way the book is grounded in both the Palestinian tragedy and the Palestinian unlimited capacity to affirm life, the spirit of anti-colonial resistance animates every one of its pages. Sahhar finishes the book saying that like Mahmoud Darwish's father she hopes that one day she will be able to go to Palestine, to the streets where her family originates from, and shout</b> <b><i>I am I. And I am here</i></b><b>. But in a way, by writing this book, she already does that, if not from Palestine at least from the position she occupies within the transnational space of western colonialism.'  Ghassan Hage, professor of anthropology at the University of Melbourne and author of</b> <b><i>The Diasporic Condition: Ethnographic Explorations of the Lebanese in the World</i></b></p><p><b>'</b><b><i>Find Me at the Jaffa Gate</i></b><b> is an aching and tender study of diaspora, grief, memory and history. Sahhar has a masterful voice, playing subtly with tense and form to give agency to a beautifully layered narrative, interwoven with fragments, records and intimate moments of lives permanently changed by Nakba. Find Me at the Jaffa Gate tells an unmissable story of Palestinian survival and resistance across space and time.'  Evelyn Araluen, Bundjalung poet and author of</b> <b><i>Dropbear</i></b></p><p><b>'Sahhar chronicles the essential truths of Palestine with intricacy and finesse and in doing so, has crafted a mighty text that demands unbroken attention.</b> <b><i>Find Me at the Jaffa Gate</i></b><b> is a book that will be read, re-read, dog-eared, underlined and recited.'  Hasib Hourani, author of</b> <b><i>rock flight</i></b></p><p><b>'</b><b><i>Find Me at the Jaffa Gate</i></b> <b>opens with a recollection of the five-year-old Micaela bobbing off to preparatory school with pigtails, glasses and missing teeth. As she enters the classroom, her sense of self is shattered  in a nation that is home but not home, when a teacher butchers her family name and is visibly appalled when told the name is Palestinian. As the child of diaspora, born on the unceded lands of Australia, Micaela is ever conscious of the tension between being in exile on homelands now occupied; and living, working and writing on the occupied lands of Naarm  in colonial Australia  a site of invasion, and genocide.</b> <b><i>Find Me at the Jaffa Gate</i></b><b> writes of and to dispossession, displacement, trauma, loss, resilience and is testimony to the power of intergenerational story and memory that survives, and lives on so that all those who remain, and their children and children's children remember. In this polyphonic narrative, we hear many voices  some still living, others passed, now scattered across nations and continents, yet still connected through home  Palestine.'  Jeanine Leane, Wiradjuri writer, critic, poet and author of</b> <b><i>Gawimarra: Gathering</i></b></p><p><b>'At a time when Israel is literally trying to wipe Palestinians off the map, this book lands with a powerful thud of fury, beauty and resistance. Weaving personal stories with history in all its unvarnished details, Micaela Sahhar delivers a deeply affecting story that articulates one of the great outrages of our time.'  Antony Loewenstein, independent journalist, film-maker and author of</b> <b><i>The Palestine Laboratory</i></b></p><p><b>'</b><b><i>Find me at the Jaffa Gate</i></b> <b>is more than a lyrical memoir that binds personal storytelling with global history; Sahhar has built an archive for future generations. Readers interested in tales of migration and ancestral history will find a treasure trove in Sahhar's emotive and detailed offering.'  Hellai Gul,</b> <b><i>Books+Publishing</i></b></p><p><b>'</b><b><i>Find Me at the Jaffa Gate</i></b><b> has been one of my favourite books of the year.'  Alex Creece, author of</b> <b><i>Potty Mouth, Potty Mouth</i></b><b> and Online Editor at</b> <b><i>Archer</i></b></p><p><b>'</b><b><i>Find Me at the Jaffa Gate</i></b><b> is a story that traverses time and place, love and hate; it's a story of ongoing and unforgettable Palestinian survival.'  Readings</b></p><p><b>'[Through] beautiful prose, Sahhar pulls together a story, full of gaps and questions, about her Palestinian family, their memories and their connection to home.'  Celina Ribeiro,</b> <b><i>Guardian Australia</i></b></p><p><b>'This is a book that is about more than displacement  it's about resilience, truth-telling and the fragments of stories that are often forgotten but which form the bones and heart of what it means to Palestinian diaspora.'  Soaliha Iqbal,</b> <b><i>Missing Perspectives</i></b></p><p><b>'Author and poet Micaela Sahhar's lyrical story of generations of Palestinian diaspora is as timely as ever.'  Cheryl Akle,</b> <b><i>The Weekend Australian</i></b></p><p><b>'Sahhar not only reconstitutes an archive of her own family's past, she creates a new archive for the generations that follow.' </b> <b><i>This Week in Palestine</i></b></p><p><b>'Through the lens of her family's history Sahhar successfully immerses the reader in the big history and culture of Palestine, and the experience of being Palestinian.'  Rowan Cahill,</b> <b><i>Journal of Intercultural Studies</i></b></p><p><b>'One knows that</b> <b><i>Find Me at the Jaffa Gate</i></b><b> has been percolating for a long time when they read it. Within 48 short chapters, Micaela Sahhar pieces fragments of memory, speculation, and archival research to tell a story of both the construction of her selfhood and Palestinian family: 'not a story about wounds but about the preservation of something all its own'. It is a book full of brilliances even as occupation and exile cause history and geography to cut loose and spin around each other and as Sahhar herself asks, 'What does it mean to be exiled and how do we take our revenge?'</b> <b><i>Find Me at the Jaffa Gate</i></b><b> is a gift, a remarkable debut memoir that is simultaneously a work of poetry in its lyricism and feeling; humour, anger, warmth, grief and love eddy in a whirlpool to form a work about sumud and survival.'  VPLA judges' report</b></p><p><b>'No book is as essential for these past two years as Micaela Sahhar's</b> <b><i>Find Me at the Jaffa</i></b> <b>Gate.'  Winnie Dunn,</b> <b><i>Sydney Morning Herald</i></b></p><p><b><i>'Find Me at the Jaffa Gate: An encyclopaedia of a Palestinian family</i></b><b> is a deeply moving, confronting and life-affirming book. Innovative and poetic, it is both a political testimony and a nuanced tribute to a family displaced and torn apart by the Nakba. Micaela Sahhar writes with fierce intelligence and heart, forging a work of complex feeling, memory and exploration, a particularly notable achievement given that this is Sahhar's first book.'  Douglas Stewart Prize for Non-Fiction Judges' comments</b></p><p><b>'Micaela Sahhar's debut,</b><b><i> Find Me at the Jaffa Gate: An encyclopaedia of a Palestinian family</i></b><b>, harnesses evocative storytelling to tell the reader about the Palestinian diaspora in Australia and Sahhar's memories of her roots and heritage. As much as it is a Palestinian tragedy of colonisation and dispossession, the book is also an affirmation of the spirit that survives and lives on.'  Multicultural NSW Award Judges' comments</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Micaela Sahhar</b> is an AustralianPalestinian writer and educator living on Wurundjeri Country. Her essays, poetry and commentary have appeared in <i>Cordite</i>, <i>Meanjin</i>, <i>Overland</i>, <i>Rabbit</i> and <i>Sydney Review of Books</i>, among others. She is a Wheeler Centre Next Chapter Fellow (2021), a grant recipient from the Neilma Sidney Literary Travel Fund (2022), which enabled a trip to Jerusalem in the latter stages of writing this book, and was commended for the Peter Blazey Fellowship (2024).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>What can snorkelling at Shark Bay teach us about humanity? Will the secrets of our sex lives be uncovered by stick insects? What do whale societies reveal about kindness? And why did we evolve to spend a third of our life asleep?</b></p><p>Some questions have nipped at humanity's heels for as long as we've been...well, humans. In <i>Why Are We Like This?</i> science journalist Zoe Kean takes us behind the scenes of the evolutionary paradoxes that make up life on this planet. Exploring with scientists, from freezing in Tasmanian sleet to a laboratory of sleeping sharks in North Queensland, we see how these evolutionary mysteries might just uncover the secrets of a better life for humans and the creatures we share the planet with.</p><p>The ancient ancestors of life on Earth faced the same challenges we do, so let's learn a lesson or two about how they dealt with them.</p><p><b><i>'Why Are We Like This?</i></b><b> is a witty and inquisitive exploration of humans' place in the web of life. It takes readers on a journey through the history of life on Earth  full of wonder, curiosity and tenderness.'  Tegan Taylor</b></p><p><b>'Evolution is not perfect, just good enough. This book brilliantly guides you through this complexity, showing us how we evolved to be marvellously imperfect. Why do we have sex? Why does cancer happen, why do dogs age and sharks sleep? Read this book, and get learned up.'  Dr Karl Kruszelnicki</b></p><p><b>'[a] bold, scientifically savvy and nuanced work.' </b> <b><i>Sydney Morning Herald / the Age</i></b></p><p><b>'Kean's book paints a compelling picture of contemporary understandings of evolution, and how it relates to our humanity.' </b> <b><i>Readings Monthly</i></b></p><p><b>'Overall, this book offers a wonderful opportunity to learn about what life is and why we are what we are. As Dr Kruszelnicki is quoted as saying on the cover, it is a "brilliant guide to how we evolved to be marvellously imperfect". Not only does it provide many thought-provoking observations into evolution, it challenges the very way we've always thought about the concept; it is a marvellous and instructive read.'  Erich Mayer, Arts Hub</b></p><p><b>'</b><b><i>Why Are We Like This?</i></b><b> is profound, philosophical and insightful within science's sensible and reliable parameters.'  Mark Parry,</b> <b><i>Good Reading Magazine</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Zoe Kean</b> lives in lutruwita/Tasmania, an island at the bottom of the world. An award-winning science writer with a focus on evolution, ecology, and the environment, she has published in <i>The Guardian</i>, the ABC online, <i>The Best Australian Science Writing 2022</i>, <i>2023</i>, and <i>2024</i>, <i>Cosmos</i> magazine and with the BBC. Zoe honed her writing and radio skills with the best at the ABC Science Unit as the Darren Osborne Regional Science Cadet (2019). Her love for science cannot be contained to the page. Zoe also gives talks, makes science TikTok videos and regularly appears on live radio.</p>]]></Text>
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			<Text textformat="02"><![CDATA[An award-winning and landmark joint biography of Elizabeth and John Macarthur, from one of Australia's most respected historians.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, 2023 Ernest Scott Prize **</b></p><p><b>**Winner, 2023 NSW Premier&amp;#x27;s History Awards, Australian History Prize**</b></p><p><b>**Shortlisted, 2023 Prime Minister&amp;#x27;s Literary Awards, Australian History Prize**</b></p><p><b>A landmark and revealing joint biography of Elizabeth and John Macarthur, from one of Australia's most respected historians.</b></p><p>Elizabeth and John Macarthur were the first married couple to travel voluntarily from Europe to Australia, arriving in 1790, both aged 23, within three years of the initial invasion. John Macarthur soon became famous in New South Wales and beyond as a wool pioneer, a politician, and a builder of farms at Parramatta and Camden. For a long time, Elizabeth's life was regarded as contingent on John's and, more recently, John's on Elizabeth's. </p><p>In the multi-award-winning <i>Elizabeth and John</i>, acclaimed historian Alan Atkinson draws on his work on the Macarthur family over 50 years to explore the dynamics of their strong and sinewy marriage, and family life across two generations. With the truth of Elizabeth and John Macarthur's relationship much more complex and deeply human than other writers have suggested, Atkinson provides a finely drawn portrait of a powerful partnership.  </p><p><b>'Based on fifty years of research and reflection by one of this country's most original and creative scholars and finest writers, here is the story of the world made by settler Australia's greatest family, the Macarthurs. No Australian historian has ever explored the inner lives of a married couple, their family and their milieu with such skill, passion and intensity. No one has brought to any subject in Australian history deeper insight into dreams, ambitions and tragedy that the British occupation of this continent entailed. </b><b><i>Elizabeth and John</i></b><b> is a stunning achievement by one of Australia's greatest-ever historians.'  Frank Bongiorno</b></p><p><b>'Professor Atkinson's portrait is intimate and affectionate. It reads well while maintaining the highest standards of academic rigour.'  </b><b><i>The Canberra Times</i></b></p><p><b>'Through this remarkable study of two key figures in the history of early colonial New South Wales and especially of their marriage, Alan Atkinson here conducts a master class in connecting the personal, the intimate and the local with worldwide processes of colonisation, migration and capitalist expansion. In his capacious historical vision, family life and connections in all their complexity become the thread that holds colonial history, and perhaps history generally, together.'  Ann Curthoys</b></p><p><b>'This magisterial work takes us into a captivating world of 19th-century Australia through a compelling, eloquent, and beautifully drawn study of the remarkable lives of John and Elizabeth Macarthur.'  Joy Damousi</b></p><p><b>'Nobody sees as far into the minds and hearts of the early Australian colonists as Alan Atkinson. In this fascinating double-portrait, based on a lifetime's research, he reveals Australia's first power-couple as never before: together and apart; as they saw themselves and as they were seen by their friends and enemies; at the apex of a fast-developing colony and at the far edge of global networks of family affection, commercial ambition and imperial power. A tour de force of scholarship, imagination, and literary power.'  Graeme Davison</b></p><p><b>'With trademark lyricism, Alan Atkinson builds a rich and moving picture of the social, intellectual and material world of the Macarthurs. </b><b><i>Elizabeth and John</i></b><b> transforms our understanding of early New South Wales and two of its most significant figures.'  Lisa Ford</b></p><p><b>'The Macarthurs have long been the subjects of caricature, even wilful distortion. In this superb book, Alan Atkinson has restored their humanity, exploring their characters, their relationships between themselves and with others, the ideas and influences that shaped them and how they in turn helped shape colonial Australia. This is history at its best, based on vast research and deep understanding.'  Stephen Foster</b></p><p><b>'This was evidently a labour of love and a fascination for Atkinson. The reader is treated to such a detailed level of knowledge and understanding that one could easily think Atkinson knew Elizabeth and John, personally. Possibly, after all his research, Atkinson felt he did.'  </b><b><i>Hearsay</i></b></p><p><b>'As with a novel, I found myself wondering what the characters were doing while I was away from the book.'  </b><b><i>Inside Story</i></b></p><p><b>'Enthralling and powerful. Alan Atkinson writes with the easy, lyrical elegance that comes of deep historical understanding and fine, slow history. In </b><b><i>Elizabeth and John</i></b><b> he weaves together the lives of the Macarthurs with the life of the mind, and brilliantly navigates the mysterious mirror maze between them.'  Grace Karskens</b></p><p><b>'</b><b><i>Elizabeth and John</i></b><b> is a truly amazing work of history. A triumph. This is historical scholarship at its dazzling best. Beautifully produced and written, Alan Atkinson's intimate portrait of Elizabeth and John Macarthur's marriage also opens windows on to the wider worlds of 19th-century England, the European Enlightenment and early New South Wales during the years of the British invasion and occupation. Attentive to his subjects' inner selves and sensibilities and the imperatives of an imperial and patriarchal order, Atkinson's book is truly a tour de force.'  Marilyn Lake</b></p><p><b>'At once intimate and epic, inspired and deeply compassionate, this is the kind of book that can only come from a lifetime of close reading. Meticulously researched, imaginatively conceived and breathtaking in its ability to retrieve past worlds  both private and public. An exceptional work of biography and history written by one of Australia's most original historians.'  Mark McKenna</b></p>]]></Text>
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			<SubjectHeadingText>Adele Pankhurst Walsh; Christian Jollie Smith; Christina Stead; Communism; Communist Party of Australia; Dulcie Deamer; Dymphna Cusack; Guido Baracchi; Jean Devanny; Katharine Susannah Prichard; Kylie Tennant; Lesbia Keogh; Marie Pitt; Marjorie Barnard; Mary Gilmore; Nettie Palmer; Vida Goldstein; Willna Macpherson; Australian feminist biography; Women writers and activism; Communism and censorship in Australia; Literary history of Australia; Indigenous rights and literature; Miles Franklin; Kath Walker; Oodgeroo Noonuccal; Faith Bandler; Ruth Park; Eleanor Dark; Dorothy Hewett; Australian women in literature; Political activism and feminism; Historical biography of writers; Communist Party and literary resistance; ASIO surveillance of authors; Spanish Civil War and Australian writers; Evolution of feminist thought in Australia; Interwar literary movements; Women's writing and social change; censorship and banned books in Australia</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Australia's crusaders for women's voting rights and the radical feminists of the 1970s changed lives across the country and around the globe. But what about the generation in between?</p><p>Throughout the twentieth century, a group of trailblazing women writers challenged the nation's status quo. Miles Franklin's forceful voice invigorated the emerging women's movement, Mary Gilmore was a groundbreaking feminist journalist, and novelists Katharine Susannah Prichard and Eleanor Dark explored the colonial displacement of Australia's Indigenous people. Kylie Tennant spoke up for battlers during the Depression. Dymphna Cusack, Katharine Susannah Prichard and Dorothy Hewett, all members of Australia's Communist Party, advocated for social reform. Ruth Park's <i>The Harp in the South</i> jolted the NSW government into developing slum clearance programs. And the work of First Nations poet and activist Kath Walker (later Oodgeroo Noonuccal) was crucial in achieving constitutional reform for Indigenous peoples.</p><p>Acclaimed biographer Jacqueline Kent traces these women's stories, shaped by the seismic social and political events of their time, and illuminates their immense courage and principled determination to change the world.</p><p><b>'Kent brings her cast of writers effortlessly to life.'  Jason Steger</b></p><p><b>'Each of these seven women writers set out, in her own way, to change the world, and this well-researched and engagingly written book makes clear their individual and collective bravery, curiosity and fearlessness.'  Heidi Maier,</b> <b><i>InDaily</i></b></p><p><b>'Highly informed, engaging, often wittily observed, this is also an impressively orchestrated study of groundbreaking writers and the tumultuous times they mirrored and interpreted.' </b><b><i> Sydney Morning Herald / The Age</i></b></p><p><b><i>'Inconvenient Women</i></b> <b>is a fluent stream of fascinating detail. It brings to the fore names half-remembered now, their collaborations with activist men such as Guido Baracchi and Egon Kisch as well as other women, and the political environment they all operated in. Once begun, it is difficult to put down: you'll finish with dozens of notes to follow up.'  Miriam Cosic,</b> <b><i>The Saturday Paper</i></b></p>]]></Text>
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			<SubjectHeadingText>20th century Australian fiction; A Few Days in the Country and Other Stories; Alice; Australian literary history; Australian literature; Australian women writers; Christina Stead; Cynthia Nolan; Domestic violence; Down in the City; Elizabeth Harrower; Elizabeth Harrower biography; Emotional trauma; Feminist literary criticism; In Certain Circles; Judah Waten; Kit Hazzard; Kylie Tennant; Literary biography; Literary neglect; Literary reclusion; Margaret Dick; Mental health in fiction; NewSouth books; Patrick White; Postwar Australia; Psychological Fiction; Publishing history; Richard Kempley; Shirley Hazzard; Susan Wyndham author; The Beautiful Climate; The Catherine Wheel; The Fun of the Fair; The Long Prospect; The Retrospective Grandmother; The Watch Tower; The Watch Tower novel; UNSW Press; Women writers; Writer's block; domestic violence novels; emotional trauma in literature; feminist literature; literary biography Australia; literary rediscovery</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><i>'At last I read her books, reminding myself to breathe, wondering if her characters could extricate themselves from her finely spun web of psychological torment. I seized my chance to interview Elizabeth Harrower again...'</i></p><p>Elizabeth Harrower wrote some of the most intense, original and highly regarded novels of the twentieth century. Then she abruptly stopped writing in the 1970s and became one of the most puzzling mysteries of Australian literature. Why didn't she continue? Harrower gave evasive answers to friends and interviewers, and only since her death in 2020 has a deeper search been possible. </p><p>In this definitive biography, renowned journalist and writer Susan Wyndham grapples with the elusive Harrower. She immerses us in the author's tumultuous family, her complex friendships with Patrick White, Christina Stead, Kylie Tennant and Shirley Hazzard, and her timeless probing of the human spirit in five remarkable novels.</p><p>Drawing on time spent with Harrower, revealing analysis of her fiction and new research, Wyndham unmasks a literary legend. </p><p><b>'</b><b><i>Elizabeth Harrower: The woman in the watch tower</i></b> <b>is the first (and perhaps final) word on one of Australia's most brilliant and bedevelling writers. Like Harrower's, Wyndham's prose is meticulously observed, emotionally attuned and full of grace, insight and vision. It's a fantastic achievement.'  Dominic Amerena</b></p><p><b>'This is an extraordinary biography of one of the finest, and most important, Australian writers, Elizabeth Harrower. In a braiding so skilled you can't see it, Susan Wyndham takes us from Harrower's life into her work and her friendships, and then back into her work and life. This is a deceptively simple, beautifully detailed, psychologically acute portrait worthy of its subject.'  Anna Funder</b></p><p><b>'This is a wonderful book. It gives us the complexities of Harrower's life and of her fascinating character  so nave and at the same time so intelligent, her prickly diffidence coupled with a kind of gormless passion. And it sets her compellingly into the decades when modern Australian literature was coming into being. An indispensable contribution to Australian writing.'  Brigitta Olubas</b></p><p><b>'This much-awaited biography peels back the layers on Australian literary legend Elizabeth Harrower, who died in 2020 after decades as an enigmatic figure.'  Melanie Kembrey,</b> <b><i>SMH/The Age</i></b></p><p><b>'A sympathetic and illuminating exploration of the life and work of one of post-war Australia's most significant writers.'  </b><b><i>Books + Publishing</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Susan Wyndham</b> is a writer and journalist who has been New York correspondent for<i>The Australian</i> newspaper and literary editor of the<i>Sydney MorningHerald</i>. Her most recent book, co-edited with Brigitta Olubas, is <i>Hazzard and Harrower: The letters</i>. In 2024 she was awarded a National Library of Australia Fellowship to research the life of Elizabeth Harrower.</p>]]></Text>
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			<SubjectHeadingText>Aboriginal art fraud; Australian art crime; Australian curators; Brett Whiteley; Eddie Burrup; Elizabeth Durack; Grace Cossington Smith; Margaret Olley; Rupert Bunny; William Dobell; art and commerce; art crime; art curatorship; art forgery; art fraud; art subterfuge; art theft; art vandalism; colonial art; cultural history; ethics of cultural production; museum ethics</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A riveting look at art thefts, fakes, forgeries, vandalism, 'disappeared works' and more</b></p><p>The Australian art world is often host to crime, including theft, fraud and forgeries. <i>Unseen</i> offers a unique insight into art crime in Australia from colonisation to today, focusing on those stories that have often escaped mainstream attention. From the many offences committed against William Dobell's work (including a painting listed on the FBI's National Stolen Art File since 1949) to the mysterious re-emergence of Rupert Bunny's <i>Girl in Sunlight</i> twenty-three years after it disappeared, from fraudulently sold Aboriginal art to climate activists spray-painting a famous Frederick McCubbin, Australian art has been a hotbed of revolt, recrimination and even robbery since European contact.</p><p>This is the story of art at the nexus of culture and commerce: art plus money can lead to deceit and dashed dreams. <i>Unseen</i> captures the stories of many artworks, artists and collectors at the centre of our nation's most enduring art scandals. It also looks at works hidden from public sight, now deemed colonial embarrassments or curatorial burdens, that were once of social and cultural significance. Ultimately, it explores how our conception of artistic value changes over time, and what that reveals about Australian society.</p><p><b>'No one knows more about art crime in Australia than Penelope Jackson. She's the continent's go-to scholar and teller of riveting tales within this subgenre. I eagerly anticipate each of her books, and this one is brilliant. The perfect read for anyone interested in cultural heritage crimes in the land down under.'  Dr Noah Charney, bestselling author of </b><b><i>The Thefts of the Mona Lisa</i></b></p><p><b>'Throughout </b><b><i>Unseen </i></b><b>the reader is taken on a journey through aspects of Australian art crime from its earliest days of settlement to contemporary events. In her writing, Jackson seeks to redress the parallel paths Australian art history and Australian art crime have taken: to present an "intercourse" between the two.' </b> <b>Dr Pamela James, Adjunct Fellow, Art Crime and Art History, University of Western Sydney</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr Penelope Jackson</b> MNZM is an award-winning art historian. She has published three books about art crime, including <i>The Art of Copying Art</i> (Palgrave Macmillan), which won Best Book in the 2023 Art Writing and Publishing Awards in the Art Association of Australia and New Zealand. A former public art gallery director and curator, Jackson was awarded a Sir William Dobell Fellowship at the Australian National University in 2024 and was made a Member of the New Zealand Order of Merit in 2023 for her services to art crime research and the visual arts. She is an Adjunct Research Associate at Charles Sturt University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'Their years in the Aegean may have been half perfect at best, but it was on Hydra that they connected to a place, a lifestyle and a community that allowed them to live and express themselves intensely, and as they wished. They refused to believe their dreams were an illusion, or that boldness, ambition and a leap-of-faith might not allow them to reach beyond the constraints of their birthright'.</i></p><p><i>Half the Perfect World</i> tells the story of the post-war international artist community that formed on the Greek island of Hydra. Most famously, it included renowned singer-songwriter Leonard Cohen and his partner Marianne Ihlen, as well as many other artists and writers including the Australian literary couple, Charmian Clift and George Johnston, who fostered this fabled colony.</p><p>Drawing on many previously unseen letters, manuscripts and diaries, and richly illustrated by the eyewitness photographs of <i>LIFE</i> magazine photo-journalist James Burke, <i>Half the Perfect World</i> reveals the private lives and relationships of the Hydra expatriates. It charts the promise of a creative life that drew many of them to the island, and documents the fracturing of the community as it came under pressure from personal ambitions and wider social changes. For all the unrealised youthful ambitions, internal strife and personal tragedy that attends this story, the authors nonetheless find that the example of these writers, dreamers and drifters continues to resonate and inspire.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The Australian cubist and potter Anne Dangar (18851951) has occupied a unique position in art history as one of the country's most important yet underacknowledged modern artists. The National Gallery is honoured to present <i>Anne Dangar</i>, a publication accompanying a major retrospective exhibition celebrating Dangar's life and art through previously unknown works, new scholarship and perspectives on her practice.</p><p>Rebecca Edwards, Curator, Australian Art, provides a detailed and engaging account of Dangar's art and life, tracing her beginnings in Kempsey, NSW, her studies in Sydney and Paris, and her subsequent journey to Moly-Sabata, Sablons, France. There she established her international reputation as a cubist artist. Featuring contributions by Elena Taylor, Angela Goddard, Anne O'Hehir, ADS Donaldson and the late Peter Brooke, the publication surveys Dangar's art, networks and legacy.</p><p>With over 150 of the artist's works reproduced, as well as previously unpublished archival material, this richly illustrated book is a comprehensive record of Dangar's impressive artistic output and impact on Australian modernism.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Spowers &amp; Syme</i> celebrates the artistic friendship of Melbourne artists Ethel Spowers and Eveline Syme. Their prints, drawings and paintings  remarkable for their expressive energy  capture the zeitgeist of the interwar years. This beautifully illustrated catalogue traces their stories as two women from rival media families who pioneered modern printmaking in Australia.</p><p>Spowers and Syme were part of a newly independent generation of women artists able to travel widely and study with avant-garde teachers in England and France during the 1920s and 1930s. They brought back to Australia the spirit and knowledge of modern European art movements and techniques, which they shared through the expanding networks of art societies and private women's clubs in Melbourne and Sydney.</p><p>These remarkable women supported each other's aspiration to become professional artists in a changing world and are now recognised for their significance as progressive artists dedicated to producing art that was truly of its time.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In this richly woven tapestry of stories, nine Arab women share their deeply personal journeys of migration to Australia, each reflecting on the legacies of their homelands and the complexities of forging new lives.</p><p>In their own voices, they explore the challenges of adaptation, the resilience born from adversity, moments of joy, and the enduring ties to their heritage. With unique perspectives, they examine Australian culture while confronting some of the world's most pressing political injustices through the lens of lived experience.</p><p>A powerful testament to individuality and community, <i>Don't Ask the Trees for Their Names</i> seeks to dismantle stereotypes in a world that too often simplifies identity. This compelling collection inspires us all to rise above the barriers of sexism and racism, offering an urgent and unapologetic chorus of truth.</p><p>Contributions by: Mariam Maatooq, Loubna Haikal, Mary Hanoun Khilla, Sivine Tabbouch, Hend Saab, Kilda Eid, Camilia Naim, Oula Ghannoum, Nouha El-Khoury Francis.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p></p><p><b>Oula Ghannoum</b> was born in Tripoli, Lebanon, and is currently a Professor of Plant Biology at Western Sydney University. An internationally renowned expert in plant photosynthesis, her research addresses the twin challenges of food security and climate change. She has published over 100 scientific articles. Beyond science, Oula is passionate about Sufism and storytelling as integrative forms of knowledge. She is currently working on a trilogy exploring her own and her family's migration to Gadigal Land, Australia.</p><p><b>Loubna Haikal</b> was born in Beirut, Lebanon, and migrated to Australia as a teenager. A trained medical doctor, she worked as a GP before turning to writing. She is the author of <i>Seducing Mr. Maclean</i> (Picador, 2002), along with several short stories and plays. A mother of three sons and a grandmother, Loubna lives on the land of the Gadigal people in Merro-berah.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Filled with reverence and wonder for the natural world, this captivating book reveals the secret life of sea turtles, one of the oldest living creatures on Earth, and the story of one female scientist's fight to save their future.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'A WONDERFUL READ...Christine's deep love for turtles comes through on each page.'  CRAIG FOSTER,</b> <b><i>MY OCTOPUS TEACHER</i></b></p><p><b>'Will appeal to anyone interested in the world around us.'  DR. JANE GOODALL</b></p><p>Filled with reverence and wonder for the natural world, this captivating book reveals the secret life of sea turtles, one of the oldest living creatures on Earth, and the story of one female scientist's fight to save their future.</p><p>In 2015, a team of researchers carefully removed a plastic straw from a sea turtle's nostril off the coast of Costa Rica. The disturbing incident, which was captured on video, went viral, leading to corporate straw bans around the world. In this evocative book, reminiscent of Jane Goodall's memoir <i>In the Shadow of Man</i>, the marine biologist behind the camera, Christine Figgener, recounts her own life spent studying and protecting sea turtles.</p><p>From the time she was a young girl, Figgener was determined to become a biologist, and study the marvels of the marine world. In <i>My Life With Sea Turtles</i>, she shares how she went from a small, gray town on the edge of industry to the lush coastline of Costa Rica, where she fell in love with the local environment and its famous residents: the sea turtles.</p><p>Figgener describes patrolling the beach at night, swimming with turtles in the open ocean, watching tiny turtles emerge from sandy nests, and risking her life during tropical storms. We learn about her experience as a woman in conservation, a male dominated space where she struggles to be taken seriously. Through discovering the fascinating science of sea turtles and the threats they face today, readers will be inspired to live their own lives differently to ensure the survival of these magnificent creatures.</p>]]></Text>
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			<SubjectHeadingText>history; women; renaissance; feminism; class; exhibition; womens studies; social; culture; european; medieval</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Through a selection of detailed expert essays and some 40 spotlight studies, Medieval Women reveals a rich and complex picture of their world, full of colourful characters and intriguing stories. This title accompanies the British Library Exhibition and showcases incredible items from the Library's archive as well as major European collections.]]></Text>
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			<Text textformat="02"><![CDATA[<p>This beautifully illustrated, large format volume accompanies the British Library&amp;#x27;s major Autumn exhibition which seeks to recover women&amp;#x27;s voices, visions and experiences in Britain and Europe from around 1100 to 1500. Women of this period, whether as authors, artists, scribes, patrons, readers, wives, mothers, daughters, leaders, workers, makers, traders and more, tell their histories through their own words and reveal them through their own images, artworks and documents.</p><p>Through a selection of detailed expert essays and some 40 spotlight studies, <i>Medieval Women </i>reveals a rich and complex picture of their world, full of colourful characters and intriguing stories from famous personalities such as Christine de Pizan, Joan of Arc and Julian of Norwich, to lesser-known figures such as Sibilla von Bondorff, Clemence of Barking and Margaret Paston. Both the exhibition, and this accompanying book, will showcase star items from the British Library and major European collections as well as bringing to light little-known, deeply resonant, and highly personal, gems and keepsakes from this fascinating era.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Eleanor Jackson</b> and <b>Julian Harrison</b> are curators from the British Library's Western Heritage division.</p>]]></Text>
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