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			<Text textformat="02"><![CDATA[<p><i>Exposure: A Photographic Memoir</i> is an intimate journey through Australia's bohemian art world, told by acclaimed photographer Greg Weight, whose lens has captured some of the nation's most iconic artists and cultural moments over the past five decades.</p><p>With wit and candour, Weight shares his encounters with Martin Sharp, Brett Whiteley, Reg Mombassa, Emily Kame Kngwarreye, Johnny Bell, John Olsen, Garry Shead, Margaret Olley, Luke Sciberras, Tracey Moffatt, Jeffrey Smart and others, bringing them to life in personal, often poignant settings. All the while, his own personal journey is revealed.</p><p>Trusted by artists to photograph both their portraits and their work, Weight became an artist in his own right, with John Olsen describing his gift as capturing 'the Weight moment'. This book is a beautifully produced memoir accompanied by over 65 photographs  some iconic, others never before seen.</p><p>Through award-winning portraits and landscapes, he reveals not only the likeness but the psyche of each subject, creating a vivid chronicle of Australia's art scene from the 1960s to the 2000s: its immense talent, tragedies, absurdities and hilarities. Playful, candid and revealing, this memoir takes readers to the front row of Sydney's creative world.</p><p>From his childhood discovery of light and shadow to formative years with Martin Sharp, The Yellow House collective and the Sydney Push, Weight's story unfolds in thirty-six 'exposures'  chapters echoing the frames of a roll of film.</p><p>Includes a foreword by artist Lin Utzon and endorsement from Reg Mombassa. This is the first fine art memoir published by Piper Press.</p><p><b>'This is a timely book and historical record of some of our greatest artists, many of whom are no longer with us. It provides deep detail about the connections Greg made and what he saw in the people he encountered. Qualities that maybe we didn't see in ourselves. Greg lifts the lid on his early years and takes us on a journey through a lifetime of stories: some poignant, absurd, or mischievous but all seen through the eye of a photographer and the heart of a friend.'  Reg Mombassa</b></p>]]></Text>
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			<SubjectHeadingText>Motherhood; Surrogacy; Miscarriage; Longing; Trauma; Addiction; Inheritance; Identity; Love; Loss; Grief; Displacement; Refuge; Legacy; Ancestry; Myth; Storytelling; Narrative; Selfhood; Peoplehood; Redemption; Crisis; Memory; Beirut; Palestine; Kuwait; Syria; Lebanon; Migration; Exile; Childhood; Adolescence; Womanhood; Scheherazade; Hope; Fear; Healing; Belonging; Estrangement; Family; History; Culture; Language; Tradition; Faith; Resilience; Transformation; Rebirth; Emotion; Conflict; Place</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[One of TIME's 100 Must-Read Books of 2025 and Electric Lit's Best Nonfiction of 2025The rich and deeply personal debut memoir of motherhood via surrogacy, by award-winning Palestinian-American poet and novelist Hala Alyan.]]></Text>
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			<Text textformat="02"><![CDATA[<p>At first, Hala's baby is the size of a poppyseed. Then a grain of rice, then a lime. After years of trying for a baby, with one miscarriage followed by another, Hala watches from afar as her daughter grows in the body of another woman, in another country.</p><p>Halais not just awaiting news from the surrogate. She is also holding her breath as Palestine and Lebanon, her estranged homelands, are under fire. She goes for long runs to distract herself. She remembers family stories of grandmothers mapping their lives through a tangle of borders; of eradicated villages, invading armies and places of refuge that proved only temporary; of men who left, women who stayed, and the legacies passed down from one to another.Haladecides to name her unborn child Leila, a thread connecting her daughter to<i>The Thousand and One Nights</i>and the women who save by storytelling.</p><p>A stunningly lyrical and honest quest for motherhood and peoplehood,<i>I'll Tell You When I'm Home</i>is a powerful story of unravelling and becoming, of destruction and redemption, and of homelands lost and recreated.</p><p> </p><p><b>'A beautiful and intimate memoir of a life in the embrace of stories, Alyan weaves the fine threads of torn and fragmented lives into an irresistible, intergenerational tapestry. I was spellbound from the first page.'  Naomi Klein</b></p><p><b>'A roaring cyclone of memory and imagination and harrowing tribulation. Surrogacy as metaphor for exile. Exile not as a dream for a better life, but as concession, a begrudging necessity. Gaza, San Miguel, Beirut, New York, Damascus  traveling with Alyan's prose is a thrill. </b><b><i>I'll Tell You When I'm Home</i></b><b> feels as rich and supersaturated as contemporary consciousness itself  I can't stop talking about it.'  Kaveh Akbar</b></p><p><b>'Gorgeously written and compelling, </b><b><i>I'll Tell You When I'm Home</i></b><b> connects the threads of personal and family histories as its author prepares for motherhood. Hala Alyan is a writer of astounding talent.'  Lisa Ko</b></p><p><b>'A story of the violence of exile over generations, a profound desire for motherhood, as well as surrogacy, addiction and the importance of remembering...a story of war and loss  of country, but also of friends, lovers and ultimately her marriage...questioning and lyrical.'  </b><b><i>The Guardian</i></b></p><p><b>'[A] gorgeous, lyrical memoir...</b><b><i>I'll Tell You When I'm Home</i></b><b> shows the power of even a single narrative to resist the deliberate erasure of a people and their homeland, the violence of colonisation.'  </b><b><i>The New York Times Book Review</i></b></p><p><b>'[A] lyrical memoir that explores the trauma of fractured identity.'  </b><b><i>Los Angeles Times</i></b></p><p><b>'A poignant exploration of her tumultuous path to parenthood, identity, and displacement...More than a story of motherhood and exile, </b><b><i>I'll Tell You When I'm Home</i></b><b> is a testimony of everything at once...a moving tribute to the strength of those forced from their homelands and ruthlessly exploited, as well as a celebration of women's determination to survive and thrive.'  </b><b><i>The New Arab</i></b></p><p><b>'Alyan's poetic prose encapsulates miles in each sentence and paragraph; joyfully, revisiting a passage is another chance at uncovering a new gift. Her nonfiction narrative voice allows the poet in her to shine, especially as each chapter is told in a series of short glimpses weaving together past and present, the old and the new Hala... With</b><b><i>I'll Tell You When I'm Home</i></b><b>, Alyan has created a record, a story to communicate with those departed and those new to life. In the process, her work is an antidote for others searching for a home they never asked to lose.'  </b><b><i>Chicago Review of Books</i></b></p><p><b>'Hala Alyan writes with sinew and tender force as she masterfully braids the delicate filaments that make a self body, home, labor, loss  in such a way that the reader can never again disentangle them. This book is a gift, an offering of abundant beauty, full of deep insight into the intricacies of motherhood.'  Alexandra Kleeman</b></p><p><b>'</b><b><i>I'll Tell You When I'm Home</i></b><b> is an exquisitely written and unforgettable memoir about what it means to live with the violence and theft of exile and one woman's devotion to restoring her daughter's inheritance through the power of narrative.'  Nadia Owusu</b></p><p><b>'A powerful, magnificently haunting memoir from a writer I always want to read. It's great luck to live in a time when Hala Alyan is writing. Get ready to be astonished.'  R. O. Kwon</b></p><p><b>'This memoir of pregnancy loss and surrogacy is frantic, intimate, brutal, tender and beautiful. Over the arc of a pregnancy by surrogate, the poet offers up her fragmented heartbreak and kaleidoscopic life. I kept gasping, wanting to close in around Hala, to protect her across time and space from the sharp edges of mother-need inside a body that cannot birth a living baby. She wants her readers in the wound with her, inside the stories that don't get told enough, inside the body-mind of a displaced woman struggling to create something bigger than herself. Brilliant.'  adrienne maree brown</b></p><p><b>'Alyan's writing doesn't offer easy answers; it gives voice to the ache and beauty of diasporic existence.'  </b><b><i>VOGUE Arabia</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Hala Alyan </b>is a Palestinian-American writer and poet. Her novels include <i>The Arsonists' City </i>and <i>Salt Houses</i>, winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a Chautauqua Prize finalist. Her work has been published by <i>The New Yorker, The New York Times, The Guardian </i>and <i>Guernica</i>. She lives in Brooklyn, where she works as a clinical psychologist and professor at New York University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Pulitzer Prize 2025**</b></p><p><b>**Winner, Pushkin House Russian Book Prize 2025**</b></p><p><b>A 'riveting history' (</b><b><i>Wall Street Journal</i></b><b>) of the Soviet dissident movement, which hastened the end of the USSR and still provides a model of opposition in Putin's Russia  and beyond</b></p><p><b>'A book about a past time that is very much a book for our time...A story from which we all stand to learn as we face a new wave of authoritarianism.' </b> <b><i>Los Angeles Review of Books</i></b></p><p>Beginning in the 1960s, the Soviet Union was unexpectedly confronted by a dissident movement that captured the world's imagination. Demanding that the Kremlin obey its own laws, an improbable band of Soviet citizens held unauthorised public gatherings, petitioned in support of arrested intellectuals, and circulated banned samizdat texts. Soviet authorities arrested dissidents, subjected them to bogus trials and vicious press campaigns, sentenced them to psychiatric hospitals and labour camps, sent them into exile  and transformed them into martyred heroes. Against all odds, the dissident movement undermined the Soviet system and hastened its collapse. Taking its title from a toast made at dissident gatherings, <i>To the Success of Our Hopeless Cause</i> is a definitive history of a remarkable group of people who helped change the twentieth century.</p><p>Benjamin Nathans's vivid narrative tells the dramatic story of the men and women who became dissidents  from Nobel laureates Andrei Sakharov and Alexander Solzhenitsyn to many others who are virtually unknown today. Drawing on diaries, memoirs, personal letters, interviews, and KGB interrogation records, <i>To the Success of Our Hopeless Cause</i> reveals how dissidents decided to use Soviet law to contain the power of the Soviet state. This strategy, as one of them put it, was 'simple to the point of genius: in an unfree country, they began to conduct themselves like free people.'</p><p>An extraordinary account of the Soviet dissident movement, <i>To the Success of Our Hopeless Cause</i> shows how dissidents spearheaded the struggle to break free of the USSR's totalitarian past, a struggle that continues in Putin's Russia  and that illuminates other struggles between hopelessness and perseverance today.</p><p><b>'[A] thoughtful, superbly researched and gracefully written study of the Russian dissident movement...When we Americans are ready for our own glasnost, Mr. Nathans's riveting history of those who returned to authenticity may inspire us to do the same.'  Gary Saul Morson,</b> <b><i>Wall Street Journal</i></b></p><p><b>'In a society that had been stultified for decades by fear, [Soviet dissidents] somehow found the strength not to be afraid.</b> <b><i>To the Success of Our Hopeless Cause</i></b><b> gives them their considerable due...An ambitious, elegant, and readable book about intrepid people and their persecutors...Engaging and entertaining.'  Robert G.Kaiser,</b> <b><i>New York Review of Books</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Benjamin Nathans</b> won the 2025 Pulitzer Prize in General Non-fiction for <i>To the Success of Our Hopeless Cause: The Many Lives of the Soviet Dissident Movement</i> (Princeton). He is also the author of <i>Beyond the Pale: The Jewish Encounter with Late Imperial Russia</i>, which was won the Koret Jewish Book Award, the Vucinich Book Prize, and the Lincoln Book Prize, and was a finalist for the National Jewish Book Award in History. A frequent contributor to <i>The New York Review of Books</i> and <i>The Times Literary Supplement</i>, Nathans is the Alan Charles Kors Endowed Term Professor of History at the University of Pennsylvania.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A curated collection of writings over the past half-century from the acclaimed professor of politics and gay rights activist.</b></p><p>From the publication of his pivotal first book, <i>Homosexual: Oppression and Liberation</i>, in 1971, Dennis Altman AO has been a leading voice in gay liberation movements in Australia and beyond. Across a career spanning more than 50 years, Altman has written about gay rights alongside other currents in Australian politics and society, identifying cultural shifts and exploring their impacts, as well as US politics, including under Trump. His books, including <i>Homosexual</i> and <i>Queer Wars</i>, are being embraced by a new generation of queer theorists worldwide, with editions in multiple languages.</p><p>This collection of his favourite nonfiction has been ordered chronologically to capture the sense of Australia as it was and as it is, charting the course of a conversation about civil rights and cultural change, while at the same time illuminating the persistence of prejudice. Interspersed with personal essays reflecting on Altman's cultural heritage, grief and ageing, <i>Writing My World</i> is a powerful and illuminating chronicle.</p><p><b>'This new book by Dennis Altman explains why he has been a hero most of my life. From university days to AIDS conferences, protests, the arts, national and international politics. Even occasional glimpses of sport, sex and pop culture. America has Gore Vidal. Australia presents (with a drum roll) the still extraordinary Dennis Altman.' </b> <b>The Hon. Michael Kirby AC CMG, former Justice of the High Court of Australia</b></p><p></p><p><b>Praise for</b><b><i> Unrequited Love</i></b><b> by Dennis Altman</b></p><p><b>'From Lyndon Johnson to Trump, Altman's diary takes us from the early days of AIDS to gay liberation against a backdrop of Australia's strange love for America.'  Gillian Triggs</b></p><p><b>'An ingenious combining of memoir and analysis, personal reflection and social science.'  Professor Frank Bongiorno</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dennis Altman</b> AO is the author of numerous books on homosexuality, HIV/AIDS and politics, including <i>Homosexual: Oppression &amp; Liberation</i>, which has been described as the first serious analysis to emerge from the gay liberation movement. He is a Vice Chancellor's Fellow and Professorial Fellow in the Institute for Human Security at La Trobe University in Melbourne. In 2008, Dennis was awarded the Member of the Order of Australia for service to education as an academic, social and political commentator, to the community through raising awareness of human rights issues, and as a contributor to the development of HIV/AIDS policy. He is Patron of the Australian Queer Archives and the Pride Foundation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Why liberalism is all you need to lead a good, fun, worthy, and rewarding life  and how you can become a better and happier person by</b> <b>taking your liberal beliefs more seriously</b></p><p>Where do you get your values and sensibilities from? If you grew up in a Western democracy, the answer is probably liberalism. Conservatives are right about one thing: liberalism is the ideology of our times, as omnipresent as religion once was. Yet, as Alexandre Lefebvre argues in <i>Liberalism as a Way of Life</i>, many of us are liberal without fully realizing it  or grasping what it means. Misled into thinking that liberalism is confined to politics, we fail to recognise that it's the water we swim in, saturating every area of public and private life, shaping our psychological and spiritual outlooks, and influencing our moral and aesthetic values  our sense of what is right, wrong, good, bad, funny, worthwhile, and more. This eye-opening book shows how so many of us are liberal to the core, why liberalism provides the basis for a good life, and how we can make our lives better and happier by becoming more aware of, and more committed to, the beliefs we already hold.</p><p>A lively, engaging, and uplifting guide to living well, the liberal way, <i>Liberalism as a Way of Life</i> is filled with examples from television, movies, stand-up comedy, and social media  from <i>Parks and Recreation</i> and <i>The Good Place</i> to the Borat movies and Hannah Gadsby. Along the way, you'll also learn about seventeen benefits of being a liberal  including generosity, humor, cheer, gratitude, tolerance, and peace of mind  and practical exercises to increase these rewards.</p><p>You're probably already waist-deep in the waters of liberalism. <i>Liberalism as a Way of Life</i> invites you to dive in.</p><p><b>&amp;#x27;An indispensable antidote to our prevailing condition of fashionable pessimism.&amp;#x27;  Scott Stevens,</b><b><i> The Australian Book Review </i></b></p><p><b>&amp;#x27;</b><b><i>Liberalism as a Way of Life</i></b><b> is one of the most original accounts of liberalism in a generation. With immense charm, insight, and lightly carried erudition, Lefebvre moves liberalism from a set of abstract claims to the art of living. It has the singular virtue of important books: it is serious fun.&amp;#x27;  Pratap Bhanu Mehta, Princeton University</b></p><p><b>&amp;#x27;Alexandre Lefebvre's brilliant book brings to light an important dimension of liberalism that is hidden, as it were, in plain sight. Liberalism is not only a procedural, political, or legal concept, but also a moral  and even spiritual  one that serves as a guide for social transformation. Given the dire situation that liberalism faces around the world today, this message is especially important, and the book deserves a wide readership.&amp;#x27;  Helena Rosenblatt, author of</b> <b><i>The Lost History of Liberalism</i></b></p><p><b>&amp;#x27;As liberalism increasingly comes under attack from both the left and the right, Alexandre Lefebvre mounts a deep and stirring defense, steeped in intellectual history and tied to contemporary culture. Lefebvre emphasizes the great joys and benefits that come from embracing reciprocity, freedom, and fairness, to live liberally; and he develops a set of spiritual exercises through which we can learn to succeed at liberalism as a way of life. This is philosophical self-help of the highest order  a literally extraordinary book.&amp;#x27;  Daniel Markovits, author of</b> <b><i>The Meritocracy Trap</i></b></p><p><b>&amp;#x27;The great virtue of Alexandre Lefebvre's book is that it concedes one of the key points of antiliberals: Liberalism isn't just a set of neutral procedures; it's a comprehensive way of life that shapes the way we live and think and work and love in innumerable ways. Yet he insists that it's a way of life worth robustly defending, which he does with a rare blend of cogency, grace, rigor, and wit. The more people who read this book, the better off we will be.&amp;#x27;  Damon Linker, University of Pennsylvania</b></p><p><b><i>&amp;#x27;Liberalism as a Way of Life</i></b><b> is a fresh and deeply original exploration of exactly what its title promises. Provocative and beautifully written, it will change how we think about liberalism and maybe also how we think about ourselves.&amp;#x27;  Stephen Macedo, author of</b> <b><i>Just Married</i></b></p><p><b>&amp;#x27;In his amiable and conversational style, Alexandre Lefebvre offers the most persuasive defense of what liberalism stands for in the modern world. Through an ingenious rereading of John Rawls, Lefebvre makes it clear that liberalism isn't neutral, as some of its advocates pretend, but is premised on a robust conception of the good life. This book is nothing short of thrilling.&amp;#x27;  Samuel Moyn, author of</b> <b><i>Liberalism against Itself</i></b></p><p><b>&amp;#x27;With wit and insight, this marvelous book tells you what it's like to be a liberal, and how to be a good liberal. It's written by a cheerful but highly reflective liberal, for liberals of all stripes  including the grumpy, the overconfident, and the wavering. But it can also be read with profit and enjoyment by nonliberals, antiliberals, and even by the harbingers of liberalism's doom.&amp;#x27;  Chandran Kukathas, author of</b> <b><i>The Liberal Archipelago</i></b></p><p><b>&amp;#x27;With force and subtlety, this groundbreaking book shows how everyday life inspires politics and values, and how these values are shared through popular culture. Indeed, one of the strengths of the book and what makes it so entertaining and instructive is the way Alexandre Lefebvre demonstrates how popular TV shows  not just highbrow ones  disseminate progressive ideas that have become quintessential to liberalism as a way of life and to the desire to defend it.&amp;#x27;  Sandra Laugier, Pantheon-Sorbonne University</b></p><p><b>&amp;#x27;It's hard to express just how much I loved this book. With great humanity and plenty of humor, Lefebvre shows how liberal values and practices can help each of us live with generosity, integrity, and joy. Beautifully written and genuinely original this is liberalism as you've never seen it before. I cannot recommend it highly enough.&amp;#x27;  Daniel Chandler, author of</b> <b><i>Free and Equal</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>AI for Business</i> is a practical guide for leaders who want to harness the power of artificial intelligence without getting lost in the hype. Drawing on decades of experience at the intersection of cutting-edge research, public policy and industry transformation, Jon Whittle shows how AI can create real, human-centred value in your organisation.</p><p>With clarity and pragmatism, the book demystifies AI for non-technical decision-makers. It offers a framework for thinking strategically about AI adoption, covering everything from defining the right use cases to building responsible governance, navigating ethics, understanding productivity impacts, and aligning AI with your values. Real-world examples bring the ideas to life and offer actionable insights you can apply right away.</p><p>Whether you are a CEO, policymaker, innovation lead or just AI-curious, this book empowers you to lead with confidence, curiosity and integrity in an AI-powered world. Because when AI works for people  not just profits  that's when it really delivers.</p><p><b>'Jon Whittle is the ideal coach for any executive looking to navigate the AI revolution.'  Robert Hillard, Consulting Businesses Leader, Deloitte Asia Pacific.</b></p><p><b>'Many leaders will try to use AI to cut costs, and this can be very effective in improving profitability, but you can't cut your way to success or growth. Jon's book teaches how to make AI a collaborator. Whether you're a CEO, Chairman, Manager, Scientist, or Student you should be embarking on your own personal AI revolution but read this book before it's too late.'  Dr Larry Marshall, former Chief Executive, CSIRO, Chair American Chamber of Commerce in Australia and Fortescue Innovation.</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Aboriginal peoples have deep connections with Australia's terrestrial invertebrates, going back millennia. This book focuses on these historical and cultural relationships, describing the role of insects and other arthropods as totemic ancestors and spirit beings. It also explores Aboriginal nomenclature, foraging techniques and the use of land-based arthropods and molluscs as food, medicine and for making artefacts.</p><p>Through the lens of ethnoentomology, Philip Clarke examines the cultural significance of invertebrates, highlighting their role in shaping Aboriginal identities and their interactions with the unique Australian environment, blending scientific and Indigenous sources. By taking a historical perspective, <i>Aboriginal Peoples and Terrestrial Invertebrates in Australia</i> examines the gaps between the knowledge systems of Indigenous peoples and Western science, to encourage further collaboration and acknowledgement in the future.</p><p>This is a companion work to the author's successful book <i>Aboriginal Peoples and Birds in Australia.</i></p>]]></Text>
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			<SubjectHeadingText>Anglo; Assembly; Athelflad; Athelstan; Authority; Battle; Bishops; Brother; Century; Chronicle; Church; Code; Coins; Community; Constantine; Continental; Court; Cumbria; Cuthbert; Death; Diplomas; Document; Eadgifu; Eadgyth; Edward; Edwin; Evidence; Frankish; Hywel; Kingdom; Kings; Land; Latin; Law; Louis; Malmesbury; Marriage; Mercia; Mercian; Ninth; Northumbria; Otto; Owain; Poem; Position; Power; Records; Reign; Relics; Religious; River; Royal; Saxon; Scandinavian; Scots; Sihtric; Sister; Sources; St; St cuthbert; Strathclyde; Tenth; Tenth century; Vikings; Wales; Welsh; Wessex; William; Witness; lf</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[The First King of England is a foundational biography of thelstan (d. 939), the early medieval king whose territorial conquests and shrewd statesmanship united the peoples, languages, and cultures that would come to be known as the 'kingdom of the English'.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From one of today's leading historians of the early medieval period, an enthralling chronicle of thelstan, England's founder king whose achievements of 927 rival the Norman Conquest of 1066 in shaping Britain as we know it.</b></p><p><i>The First King of England</i> is a foundational biography of thelstan (d. 939), the early medieval king whose territorial conquests and shrewd statesmanship united the peoples, languages, and cultures that would come to be known as the 'kingdom of the English'. In this panoramic work, David Woodman blends masterful storytelling with the latest scholarship to paint a multifaceted portrait of this immensely important but neglected figure, a man celebrated in his day as much for his benevolence, piety, and love of learning as he was for his ambitious reign.</p><p>Set against the backdrop of warring powers in early medieval Europe, <i>The First King of England</i> sheds new light on thelstan's early life, his spectacular military victories and the innovative way he governed his kingdom, his fostering of the church, the deft political alliances he forged with Europe's royal houses, and his death and enduring legacy. It begins with the reigns of Alfred the Great and Edward the Elder, thelstan's grandfather and father, describing how they consolidated and expanded the 'kingdom of the Anglo-Saxons'. But it was thelstan who would declare himself the first king of all England when, in 927, he conquered the viking kingdom at York, required the submission of a Scottish king, and secured an annual tribute from the Welsh kings.</p><p>Beautifully illustrated and breathtaking in scope, <i>The First King of England</i> is the most comprehensive, up-to-date biography of thelstan available, bringing a magisterial richness of detail to the life of a consequential British monarch whose strategic and political sophistication was unprecedented for his time.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>David Woodman</b> is Professor and Fellow in History at Robinson College, University of Cambridge. His books include <i>Edward the Confessor: The Sainted King</i> and <i>The Chronicle of John of Worcester, Volume IV: "Chronicula</i>." X: @DavidWoodman45 Bluesky: @davidwoodman45.bsky.social</p>]]></Text>
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			<Text textformat="02"><![CDATA[In How Progress Ends, Carl Benedikt Frey challenges the conventional belief that economic and technological progress is inevitable. For most of human history, stagnation was the norm, and even today progress and prosperity in the world's largest, most advanced economies  the United States and China  have fallen short of expectations.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Longlisted for the</b> <b><i>Financial Times</i></b><b> and Schroders Business Book of the Year Award**</b></p><p><b>How 1,000 years of global history show why technological and economic progress is often followed by stagnation and even collapse.</b></p><p>In <i>How Progress Ends</i>, Carl Benedikt Frey challenges the conventional belief that economic and technological progress is inevitable. For most of human history, stagnation was the norm, and even today progress and prosperity in the world's largest, most advanced economies  the United States and China  have fallen short of expectations. To appreciate why we cannot depend on any AI-fuelled great leap forward, Frey offers a remarkable and fascinating journey across the globe, spanning the past 1,000 years, to explain why some societies flourish and others fail in the wake of rapid technological change.</p><p>By examining key historical moments  from the rise of the steam engine to the dawn of AI  Frey shows why technological shifts have shaped, and sometimes destabilised, entire civilisations. He explores why some leading technological powers of the past  such as Song China, the Dutch Republic, and Victorian Britain  ultimately lost their innovative edge, why some modern nations such as Japan had periods of rapid growth followed by stagnation, and why planned economies like the Soviet Union collapsed after brief surges of progress. Frey uncovers a recurring tension in history: while decentralisation fosters the exploration of new technologies, bureaucracy is crucial for scaling them. When institutions fail to adapt to technological change, stagnation inevitably follows. Only by carefully balancing decentralisation and bureaucracy can nations innovate and grow over the long term  findings that have worrying implications for the United States, Europe, China, and other economies today.</p><p>Through a rich narrative that weaves together history, economics, and technology, <i>How Progress Ends</i> reveals that managing the future requires us to draw the right lessons from the past.</p><p><b>'[Frey's] broad yet deep survey of technology ranges across many nations and centuries, and pokes insightfully into myriad subjects, from Carolingian feudalism to patent law. The result is an incisive and stimulating consideration of a critical issue.' </b> <b><i>Publishers Weekly</i></b><b><br/>'A fascinating quasi-historical economic examination of why some societies flourish and others flounder amidst innovation.' </b> <b><i>Library Journal</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[Our ability to live for decades may seem like a modern luxury made possible by clean water and advances in medicine. In fact, human longevity is a legacy of our unique evolutionary path as a species. Seven Decades challenges the belief that life in the past was 'nasty, brutish, and short', tracing how our capacity for long life came to be and trans]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An anthropologist uncovers new evidence for the evolutionary origins of human longevity  and explains why growing old is an opportunity, not a burden.</b></p><p>Our ability to live for decades may seem like a modern luxury made possible by clean water and advances in medicine. In fact, human longevity is a legacy of our unique evolutionary path as a species. <i>Seven Decades</i> challenges the belief that life in the past was 'nasty, brutish, and short', tracing how our capacity for long life came to be and transforming how we think about aging.</p><p>Blending vivid storytelling with cutting-edge science, anthropologist Michael Gurven weaves tales from his years of field experience among Indigenous societies whose diet and traditional lifeways are closer to how we all lived prior to industrialisation, demonstrating how these communities are relatively free of the chronic diseases of aging such as heart disease, dementia, and diabetes. He provides compelling evidence that our longevity first evolved among our hunting and gathering ancestors and shows how the human body was built to last around seven decades. At a time when people are more likely to live to old age than ever before, Gurven discusses how we can harness this amazing evolutionary feat through a shift in societal values, one that balances self-reliance with interdependence, nurtures multigenerational ties, prioritises women's health and longevity, and enables us to rediscover the wisdom of our elders.</p><p>Sharing bold new perspectives on human aging, <i>Seven Decades</i> draws important lessons from our ancestral history, bridging the past with the present to reveal what healthy, happy, and productive old age could look like for all generations.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Kevin Le Gendre brings his considerable knowledge and experience to <i>The Philosophy of Jazz</i>, interpreting the mindset, outlook and ambition of the jazz musician and a form of music that has captured the imagination of international audiences for over a century.</p><p>This is not a straight history of this genre of music but an exploration of what it means to be a jazz musician and the alchemy between players and audience during a live-music session. While drawing on historical references, in terms of cultural touchstones in Black music and the Black experience, this fascinating book very much immerses itself in the current jazz scene and the interesting directions being explored. Along the way the greats of jazz are all covered  Joplin, Morton, Billie, Miles and Monk along with their influence and legacy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kevin Le Gendre</b> is a journalist, broadcaster and writer. He is deputy editor of Echoes and also contributes to <i>Jazzwise</i>, <i>Music Week, Vibrations</i>, as well as BBC 3's Jazz line-up and BBC 4's Front Row. He is the author of Don't Stop the Carnival: Black Music in Britain and Hear My Train A Comin': The Songs of Jimi Hendrix.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Witches have been culturally relevant for centuries, but where did our perception of witches  good and bad  come from? Steven Veerapen traces witches, witchcraft, and witch-hunters from the explosion of mass-trials under King James VI and I in the late sixteenth century to the death of the witch-hunting phenomenon in the early eighteenth century.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Witches  whether broomstick-riding spell-casters or Wiccan earth-worshippers  have been culturally relevant for centuries. For centuries, too, belief in the potency of witchcraft has been debated, accused witches have been hunted and punished, and film and TV productions have brought the witch and the witch-hunter to big and small screens.</p><p>But where did our perception of witches  good and bad  come from? What motivated wide-scale panics about witchcraft during certain periods? How were alleged witches identified, accused, and variously tortured and punished?</p><p>Steven Veerapen traces witches, witchcraft, and witch-hunters from the explosion of mass-trials under King James VI and I in the late sixteenth century to the death of the witch-hunting phenomenon in the early eighteenth century. Based on documents and the latest historical research, he explores what motivated widespread belief in demonic witchcraft throughout Britain as well as in continental Europe, what caused mass panics about alleged witches, and what led, ultimately, to the relegation of the witch  and the witch-hunter  to the realm of fantasy and the fringes of society.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Steven Veerapen</b> was born in Glasgow to a Scottish mother and a Mauritian father and raised in Paisley. Pursuing an interest in the sixteenth century, he was awarded a first-class Honours degree in English, focussing his dissertation on representations of Henry VIII's six wives. He is the author ofThe Wisest Fool: The Lavish Life of James VI and I, and lives in Glasgow.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Whether they breathe fire from above, spit poison on the land, or cause churning maelstroms in the sea, dragons can be found lurking in the margins of illuminated legend around the world. Their global ubiquity means they have many guises: primordial chaos-monsters to the ancients, wise and auspicious guardians in East Asian tradition, formidable foes to be slain by saints and knights, comic companions in 19th-century children's literature, and stand-ins for aerial warfare in modern fantasy.</p><p>The history of dragons is as slippery and twisting as their serpentine bodies; they are creatures constantly doubling back on themselves, shedding their dead skins for new, and coiling around our landscapes.</p><p>Featuring: Dragons of the Ancient World, Bestiary Dragons, Flying and Fiery Dragons, Creeping Dragons, Water Dragons and Sea-Serpents, Saints and Dragons, Dragons from Around the World, and Contemporary Dragons.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Carolyne Larrington</b> is emerita professor of medieval European literature at the University of Oxford. She writes on Old Norse-Icelandic literature, myths and legends, folklore and popular medievalism. Her most recent books include <i>All Men Must Die: Power and Passion in Game of Thrones</i> and <i>The Norse Myths that Shape the Way We Think.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Trolls have escaped from the black lava wastes of Iceland and the dense pine forests of Scandinavia to take on a new life in the collective global imagination. They may not steal goats and eat people quite so much, but they remain disruptive and dangerous, even if their limited imaginations sometimes make them comic and even quite likeable.</i></p><p>Emerging from Scandinavian mythology, trolls are contradictory creatures: fleshy in their desires but turning to stone in sunlight, as large as slumbering mountains or small enough to help you with your washing, charmingly charmless or genuine threat. They lurk in pine forests and peat bogs, overrunning homesteads, abducting princesses and generally nagging society with their troublesome presence.</p><p>Immortalised in the artworks of Theodor Kittelsen, John Bauer and Erik Werenskiold, this beautiful little book follows their journey from the dense forests of Norway to Middle-earth.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A fresh and vibrant reimagining of the classic 1909 Waite-Smith tarot.</b><br/><br/><i>The Weiser Tarot</i>is a new edition of the most popular and influential Tarot art ever created, the Rider-Waite-Smith deck, first published in 1909. The cards have been newly repainted-while, of course, preserving Pamela Colman Smith's original line art-creating a fresh, flowing aesthetic. Additionally, the cards provide Hebrew and astrological correspondences to the Major Arcana-not included in the original Rider-Waite-Smith deck-for those seekers who have interest in Qabalah and astrology.<br/><br/>The accompanying book includes:</p><ul><li>A brief history of the Tarot</li><li>A look at how the Rider-Waite-Smith deck came to be</li><li>The story behind the creation of<i>The Weiser Tarot</i></li><li>Keywords for interpreting the cards</li><li>Tarot spreads, including a new "Ankh" spread created especially for<b><i>The Weiser Tarot</i></b></li><li>An annotated list of recommended reading for further study</li></ul><p><br/><i>The Weiser Tarot</i>was created to speak to your own personal Tarot needs and desires. Whether you are new to the Tarot or a seasoned card reader, you can use <i>The Weiser Tarot</i> for divination, fortune-telling, self-transformation, spellcasting, or any other purpose.</p><p></p><p><b>&amp;#x27;There have been many re-workings of the classic Rider deck in recent years. This may be the best.&amp;#x27; - Rachel Pollack, author of</b> <b><i>78 Degrees of Wisdom</i></b></p><p><b>&amp;#x27;What a delight. What I most love about </b><b><i>The Weiser Tarot</i></b><b> is that it is nuanced and rich in hues.The subtle blues and purples give a deeper and more mysterious feel to the whole deck.It takes you into the realms of mystery with ease and speaks to the symbolism with more mood and immediacy. Bravo!&amp;#x27; - Alexandra Eldridge, co-creator of </b><b><i>The Radiant Tarot</i></b></p><p><b><i>&amp;#x27;The Weiser Tarot</i></b><b> is a gorgeous and much-needed update to an old classic. Vibrant watercolors add new life to the images, making it a pleasure to read. I especially love the color choices for the suits - this allows the reader to see patterns at a glance. Finally, a version of the RWS that everyone will love!&amp;#x27; - Theresa Reed, author of </b><b><i>Twist Your Fate: Manifest Success with Astrology and Tarot</i></b></p><p><b>&amp;#x27;There have been many re-workings of the classic Rider deck in recent years. This may be the best. Keeping Pamela Smith&amp;#x27;s original line drawings but using vivid watercolors brings the cards vibrantly to life. In addition, the changing of skin tones to move beyond strictly White European moves the deck firmly into the new century.&amp;#x27;  - Rachel Pollack, author of </b><b><i>78 Degrees of Wisdom: A Tarot Journey to Self-Awareness</i></b></p><p><b>&amp;#x27;Congratulations to Weiser Books for breathing new life into Pamela Colman Smith&amp;#x27;s vision with this thoughtful and extremely well-researched offering. </b><b><i>The Weiser Tarot</i></b><b> would be a welcome addition to any tarot lover&amp;#x27;s collection.&amp;#x27; - Rashunda Tramble, tarot reader and coauthor of </b><b><i>The Numinous Tarot Guide</i></b></p><p><b>&amp;#x27;A beautiful addition to anyone&amp;#x27;s tarot library, </b><b><i>The Weiser Tarot</i></b><b> stays true to the most crucial components of Pamela Colman Smith&amp;#x27;s illustrations while simultaneously creating room for a more diverse array of readers to find resonance with the cards.&amp;#x27; - Diana Rose Harper, co-creator of </b><b><i>The Rosebud Tarot</i></b></p><p><b>&amp;#x27;For fans of the original Rider-Waite-Smith illustrations, </b><b><i>The Weiser Tarot</i></b><b> offers a vivid and vibrant repainting with rich watercolors and an appealing palette. Readers who are craving a fresh take on Pamela Coleman Smith&amp;#x27;s line art will love the beautiful shades and textures, and the complementary hues linking suits and themes together make this an excellent tool for tarot seekers of all experience levels.&amp;#x27; - Meg Jones Wall, founder of 3am.tarot and author of </b><b><i>Finding the Fool</i></b></p><p><b>&amp;#x27;Ardent fans of the original 1909 Rider Waite Smith will welcome </b><b><i>The Weiser Tarot</i></b><b>. Updated with vibrant colors and the addition of astrological and Qabalah correspondences on the Major arcana, the deck provides a new view and interpretive layer. In the accompanying guidebook, the team at Weiser Books presents the deck&amp;#x27;s creation story, tarot history, and suggestions for the new reader in a concise and approachable manner.&amp;#x27; - Amber Highland, publisher, </b><b><i>The Cartomancer Magazine</i></b><b> </b></p><p><b>&amp;#x27;Beautifully done and poised to become the go-to tarot deck for the century to come, </b><b><i>The Weiser Tarot</i></b><b> is a vibrant and luminous refresh for the 1909 Rider-Waite-Smith that accentuates the elemental correspondences and updates this popular deck for modern readers.&amp;#x27; - Benebell Wen, author of </b><b><i>Holistic Tarot</i></b></p><p><b>&amp;#x27;I received a copy of </b><b><i>The Weiser Tarot</i></b><b> and may never use the Rider Waite again!&amp;#x27; - Michelle Tea, author of </b><b><i>Modern Tarot</i></b><b> </b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Since her LightWeb activation, <b>Joanna Hunter</b> has initiated hundreds of individuals into the LightWeb, teaching them the 333Magic framework. Additionally, she has appointed several remarkable women into the LightWeb priestesshood to coteach this technology. Joanna, a spiritual teacher since the age of twenty-three, channels transcendent wisdom from her spiritual guides, the collective consciousness of Skylar.</p><p><b>Stephanie Wicker-Campbell</b> is an intuitive illustrator driven by the essence of the soul, unraveling the enchantment within the ordinary. Born in the United States but residing in Sydney, Stephanie's passion for travel and adventure is just one of the many aspects from which she draws her artistic inspiration. Channeling a diverse array of palettes, her work covers a broad spectrum, making her a sought-after partner for published projects. Her spellbinding designs grace oracle decks, journals, and book covers, resonating with audiences worldwide.</p><p><b>Anna Babich</b> is a professional illustrator and designer specialising in creating artwork inspired by magic, celestial wonders, and fairy tales. With years of experience, she has crafted hundreds of illustrations, oracle decks, and digital clipart sets, all infused with her unique artistic vision and attention to detail. Anna works in an ethereal style and uses her own special energy, as she is a natural-born healer, channeling her healing magic into all of her creations. Anna is a loving mom and wife; she lives and works in the picturesque 'white town' of Balchik, Bulgaria.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Runes of Light is a multidimensional exploration of the runes intended to establish openness and flow. Through the symbols, this is a journey to commune with our deep unconscious, with the understanding that all answers are found in nature and that true knowledge arises by reconnecting to the depths of our inner being.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Runes of Light</i> is a multidimensional exploration of the runes intended to establish openness and flow. Through the symbols, this is a journey to commune with our deep unconscious, with the understanding that all answers are found in nature and that true knowledge arises by reconnecting to the depths of our inner being.</p><p>The runes are an ancient alphabetical system of writing and a sacred system of cosmology for understanding the order of how consciousness evolves. Each rune sign connects with a specific state of energy and reveals a spectrum of motifs to inspire imagination in the seer, bringing forth realisations through living experience.</p><p>Through the symbols, we journey into the parts of our deep unconscious to speak to the unseen and for the mysteries to speak to us. <i>Runes of Light</i> is a multidimensional exploration of the runes intended to establish openness and flow, understanding that all answers are found in nature and that true knowledge arises by reconnecting to the depths of our inner being.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Shirley Shantel</b> worked as a creative producer in media and advertising for over ten years, storytelling for brands, threading brand strategy, and working on creative conceptualization for the design of customer experience, producing world-class events and content. Today, she expresses her creative voice for what she believes in, exploring more of her music and art in increasinglyexperimental ways, dedicating her energies to focus on service to our beautiful planet Earth and the collective well-being. As a mystic, contemplation in stillness is her medicine, and she channels the inspired <i>flow</i> as an autistic digital artist expressing auditory-visual synesthesia. Her etheric and sometimes otherworldly artistic expressions stem from how she interprets the world as a synesthete  everything begins as a felt vibration and sound takes shapes in colors and flows into form through a multisensory experience.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The poison is fear</b> <b></b> <b>this book is the cure.</b></p><p>When the world wounds us with a metaphorical arrow, many of us spend our days chasing unanswerable questions:<i>Why was I hurt? Who is to blame? Will it happen again?</i>Beneath these restless inquiries lies a deeper truth: even though the event is now over, the fear it left behind is like a poison. It courses through our veins  whispering doubts, weaving prisons from old wounds, and painting the world in shades of threat and scarcity.</p><p>But there is an antidote.</p><p>In this transformative guide to overcoming fear, beloved Toltec teacher don Miguel Ruiz Jr. invites you to remove both the arrow and its poison. Through Toltec wisdom and timeless parable, you will learn to:</p><ul><li><b>Recognise fear's hidden influence</b>in your thoughts, words, and choices.</li><li><b>Break free from fear-based agreements</b>that keep you trapped in anxiety and unhappiness</li><li><b>Reclaim your power as the artist of your life,</b> creating a reality rooted in peace and authenticity</li></ul><p>With prose as tender as it is incisive, this book is not a map  it is a mirror. Look closely, and you may find that the antidote was always within you.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>don Miguel Ruiz Jr.</b> is a Nagual, a Toltec master of transformation. He is a direct descendant of the Toltecs of the Eagle Knight lineage and is the son of don Miguel Ruiz, author of <i>The Four Agreements</i>. By combining the wisdom of his family's tradition with the knowledge gained from his own personal journey, he now helps others realize their own path to personal freedom. Visit him at <i>www.miguelruizjr.com</i>.</p>]]></Text>
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			<SubjectHeadingText>Autumn Equinoxgrimoire; Beltane; February first seasonal activities; Imbolc; Litha; Lughnasadh; Mabon; May day; November first; Ostara; Samhain; Spells for the seasons; Spring Equinox; Stirring the cauldron podcast; Summer Solstice; Winter Solstice; a witch's apothecary; all saints day; all souls day; ancestor; ancestral witchcraft; bloodline; book of holidays; book of shadows; books on magick; celebrate the seasons; celebrating the cycles of birth; death and rebirth; divination witchcraft; equinox; esbat; grandma sophie; inherited spells; lammas; life; magic; pagan sabbath days; pagan sabbats; passing of the seasons; pentagram; samhain oracle; seasonal recipes; seasons of the witch; solstice; spellcasting; wheel of the year; wicca; wiccan book of spells; witch; witch book; witch craft; witch tok; witchcraft book; witches; witchhcraft; witchtok; yule</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Spells for all seasons and all reasons.</p><p>Explore the seasons of the witch by way of magickal spells and practices for each turn of the Wheel of the Year. Offering a fresh approach to a lifestyle that focuses on mind, body, and spirit in the nature-based way that our ancestors practiced throughout the ages,<i>Magick for All Seasons</i> features over one hundred magic spells and incantations.</p><p>Brooks has divided this book into two parts. The first being the seasons, exploring the eight Wiccan and Pagan sabbats that comprise the traditional Wheel of the Year, beginning with Samhain. Each sabbat is detailed with information on the symbolism, activities, tools, incense, and gemstones used, along with specific workings.</p><p>The second part comprises a grimoire of spells for daily use. Included are exercises, crafts, and recipes to incorporate magic into daily life. Examples include:</p><ul><li>Creating a Personal Pentagram of Intent</li><li>Working with a Manifestation Box</li><li>Spell: Ring the Ancestral Bell</li><li>Creating an Energy Ball</li><li>Spell: Unclutter the Mind</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Marla Brooks</b> is the creator of <i>The Witch's Oracle</i> deck and has been the host of <i>Stirring the Cauldron</i> on the Para X Radio Network for the past fourteen years. She grew up knowing that there was more to this world than the naked eye could see and found the notion of ghosts and other things that go bump in the night rather fascinating. Of course, you might expect that from a witch. Marla didn't just decide one day that she wanted to be a witch. It's just part of who she is. Her great-grandmother Sophie was a witch, and these things often get passed down in the bloodline from generation to generation.</p><p>Before publicly coming out of the 'broom closet', she worked as a freelance entertainment writer for various national publications, mainly doing celebrity interviews, and is the author of several books in both the metaphysical and mainstream genres, including<i> The Ghosts of Hollywood</i> series, <i>Workplace Spells</i>, and <i>Animal Spells and Magick</i>; two fiction books, <i>A Bad Case of the Collywobbles</i> and <i>Soul Connection: A Deadly Obsession</i>; as well as two cookbooks. She lives in southern California.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Pissing Women, visual artist and photographer Sophy Rickett's influential series of portraits of women pissing in public, caused a storm in the art world in 1994. Now, thirty years later, these era-defining images are reproduced with testimonies from the writers, musicians, artists and creatives on whose work they have had a profound influence.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Pissing Women</i>, visual artist and photographer Sophy Rickett's influential series of portraits of women pissing in public, caused a storm in the art world in 1994. Now, thirty years later, these era-defining images are reproduced with testimonies from the writers, musicians, artists and creatives on whose work they have had a profound influence.</p><p>Featuring positioning essays from and interviews with musician St Vincent, poet Eileen Myles, artist Chila Burman, choreographer Holly Blakey, filmmaker Sophie Fiennes, actor Lily Cole, comedian Sophie Duker, photographer Juno Calypso and more, Rickett's pioneering exploration of female identity, memory and the upheaval of the post-Thatcher years is revisited here  and remains as remarkable in the 21st century as it did three decades ago.</p><p> <b>'Funny, weird [and] confrontational...</b><b><i>Pissing Women </i></b><b>has an intensity while also being deeply funny.'  </b><b><i>St Vincent</i></b></p><p><b>'Part desire...part social commentary, Rickett mixes the comic with the seditionary. Forget your better judgment and head for high rise enlightenment.'  </b><b><i>TimeOut</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[Curl up on the couch with Joe and Gina for a romp through their favorite horror movies, TV shows, and books from the 1930s to today, exploring their messages, meaning, and enduring appeal for queer audiences.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Don't be scared straight!</p><p>Curl up on the couch with Joe and Gina for a romp through their favourite horror movies, TV shows, and books from the 1930s to today, exploring their messages, meaning, and enduring appeal for queer audiences.</p><p>From <i>The Thing</i> to vampire porn, <i>The Exorcist</i> to paranormal television, <i>Goblin Market</i> to<i> Dr. Jekyll and Mr. Hyde</i>, these thoughtful, conversational essays will make you think, laugh, shiver, and see your favourite media in a new light (even if you have to cover your eyes for the scary parts).</p><p>Horror buffs and queer media mavens alike will enjoy this wide ranging journey through a genre often derided, dismissed, and misunderstood, but which offers rich opportunities to explore our culture's ideas about gender, sexuality, and desire.</p><p>Whether you relate to the monster or the final girl, enjoy sleuthing hidden queer themes, or just want recommendations for obscure, low-budget ghost movies, this book'll be a scream.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gina Brandolino</b> is a lecturer in the Department of English at the University of Michigan Ann Arbor. In addition to courses on early English literature, comics, and working class literature, she teaches a variety of courses on horror, including Classic Horror, Contemporary Horror, Creepy Kids, and Ghost Stories.</p><p><b>Joe Carlough</b> is a queer artist from Philadelphia. He runs Displaced Snail Quality DIY Records &amp; Zines and is a founding member of Consonant Collective. He has released over 40,000 copies of his zines, records, and books to date, most of which were created at home. He also owns and operates a restored 1937 Presto 6DSP record maker, and makes his own vinyl records in his home studio, the old fashioned way. To find out more about Joe, please visit displacedsnail.com and consonantcollective.com</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Assesses the substantial risk of strategic defeat for Washington in any war with China.</b></p><p>This is a detailed analysis of how the United States intends to fight a war against the People's Republic of China and why it risks strategic defeat  based on its doctrine, force structure and general 'way of war'. Franz-Stefan Gady contends that the US military's current approach to a potential war over Taiwan is flawed, relying heavily both on achieving rapid information superiority and on a decisive victory. This is unlikely to succeed, and may increase the risk of nuclear escalation between the world's only genuine superpowers.</p><p>A US-China war would more likely be characterised by prolonged attrition across multiple domains (cyber, space, air, sea and land)  a conflict for which America's military and society are ill-prepared. The US also lacks a viable blueprint, the military forces or the industrial capacity for a long war of attrition. This deficiency stems from a military culture prioritising advanced technology over mass, and the lack of political will or public readiness for the sacrifices such a conflict would require.</p><p>Gady's research and analysis, both of the highest order, reveal the significant risk of strategic defeat for the United States in a potential conflict with China, whether in the 2020s or 2030s.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A powerful collection of testimonies from Palestinians facing genocide and displacement in Gaza with hope and resistance.</p><p><i>Displaced in Gaza </i>aims to raise global awareness of how violent displacement has impacted the lives of Palestinians  students, mothers, fathers, grandparents, children, educators, and those who already survived the Nakba of 1948. In Gaza, 2.3 million Palestinians have been subjected to starvation, mass destruction, and targeted killing. Yet they endure.</p><p>This book is a commitment to the longstanding Palestinian tradition of storytelling, documenting both the horror of the genocide and the resilience of the Palestinian people. The stories in this collection are not merely accounts of suffering, they are assertions of humanity, resistance, hope, and the unbreakable bond that ties Palestinians to their homeland.</p><p><i>Displaced in Gaza</i> is a collaboration between the American Friends Service Committee and the Hashim Sani Center for Palestine Studies at Universiti Malaya.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A new intellectual biography of Goethe, examining the paradox of his thought.</b></p><p>Johann Wolfgang von Goethe (17491832) was a poet, a novelist, a scientist and an essayist on a dizzying range of topics. In the nineteenth century, he was widely regarded as one of the most important thinkers of modern Europe. In this important and ambitious work, Matthew Bell offers a wide-ranging intellectual biography of Goethe, tracing the evolution of his thought and reassessing its value. Bell examines the full spectrum of Goethe's writing, from his most well-known works, including the dramatic poem <i>Faust</i> and the novels <i>Wilhelm Meister</i> and <i>The Sorrows of Young Werther</i>, to lesser-known essays and reviews. Throughout, Bell draws on Goethe's letters and diaries, most of which are still only available in German, embedding Goethe's thought in his lived experience and in the cultural and intellectual life of Europe from the 1750s to the 1830s.</p><p>Bell presents new interpretations of Goethe's work as one of the first evolutionary biologists, describing discoveries that anticipated Darwin's, and of his political ideas, which pervade his literary work in ways that have not been fully recognised. Bell offers an original and illuminating explanation for the paradox of Goethe's thought, exploring how a radical individualist who espoused liberal and innovative ideas in some areas  in particular, religion, sexuality and science  could remain consistently conservative and authoritarian in his political outlook. Rereading Goethe through this new lens, Bell shows, reveals new dimensions of work we thought we knew well.</p><p><b>'The great scholarly achievement of this book lies in its synthesis of Goethe's personal writing (especially his letters) with his public work... An epic reassessment of the founder of modern German life and letters.' </b> <b><i>Kirkus Reviews,starred review</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Matthew Bell</b> is professor of German and comparative literature at King's College London. He is the author of <i>Goethe's Naturalistic Anthropology</i>; <i>The German Tradition of Psychology in Literature and Thought, 17001840</i>; and <i>Melancholia: The Western Malady</i>; and the editor of <i>The Essential Goethe</i> (Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[Ludovic Orlando garnered world acclaim for helping to rewrite the genomic history of horse domestication. Horses takes you behind the scenes of this ambitious genealogical investigation, revealing how he and an international team of scientists discovered the elusive origins of modern horses.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From one of today's leading experts on ancient DNA, a sweeping genetic history that unravels the mystery of where horses were first domesticated.</b></p><p>Ludovic Orlando garnered world acclaim for helping to rewrite the genomic history of horse domestication. <i>Horses</i> takes you behind the scenes of this ambitious genealogical investigation, revealing how he and an international team of scientists discovered the elusive origins of modern horses. Along the way, he shows how the domestication of the horse changed the trajectory of civilisation  with benefits and unforeseen consequences for the animals themselves.</p><p>Orlando brought together world-class experts in genomics, archaeology, and the history of peoples, languages, and migrations. Comparing the DNA of ancient horses to the genomes of dozens of modern horse breeds, these researchers reconstructed millennia of equine evolutionary history. They now believe that horses were first domesticated some 4,200 years ago on the steppes of the North Caucasus. Orlando discusses how selective breeding has significantly intensified over the past two centuries, giving rise to faster, stronger horses but also creating a severe decline in genetic diversity that has made horses more prone to genetic diseases. He looks at breeds throughout history and around the world, explaining how they have been bred for particular purposes or environments, from Botai and Przewalski's horses to the warhorses of the Vikings and Genghis Khan, Arabian horses, thoroughbreds, Himalayan steeds, and mules.</p><p>Blending panoramic storytelling with cutting-edge genetic science, <i>Horses</i> chronicles an unbreakable bond that was forged thousands of years ago on the windswept Eurasian Steppe, one that heralded a bold new era in the human drama  that of speed.</p><p><b>'Orlando, a French expert in ancient DNA, launches into the findings of a global investigation of the relationship between humans and horses that has shaped modern societies...Combing through artifacts and data, the author weaves together centuries of global history, following the beasts across nations as they accompany humans in pursuit of war, trade, food, and pleasure.' </b> <b><i>Kirkus Reviews</i></b></p><p><b>'Orlando's book will interest researchers and scholars in all areas because of his ability to simplify academic research and his innate storytelling ability, combining history with science.'  Steve Dixon,</b> <b><i>Library Journal, starred review</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Get to know the kingdom of Fungi like never before with this unique book that blends the science of mycology with lyrical prose and watercolour paintings.</b></p><p>Take an extraordinary expedition into the diverse and enchanting realm of fungi. <i>The Wonder of Mushrooms</i> is where science meets poetry, where ancient wisdom converges with modern discovery. Maya Jewell Zeller and Jenny deFouw Geuder guide you into the hidden world beneath our feet. With a blend of scientific insight and artistic appreciation, the authors portray the crucial role of mushrooms in our ecosystem and celebrate their profound cultural significance.</p><p>Learn about mushrooms' history and lore. Appreciate their myriad colors, shapes, and forms, as well as their vital role as nature's decomposers. Discover astonishing facts, such as how some bioluminescent species glow like fallen stars and where the extraordinary Humongous Fungus spans 2,385 acres. Perhaps most importantly, find out how fungi might prove to be humanity's unexpected saviors, offering solutions for everything from environmental pollution to sustainable architecture. Maya's lyrical prose pairs with Jenny's bright watercolours, creating an unparalleled ode to these foraging favorites that feels like both a scientific textbook and a beautiful gift book.</p><p>Whether you're an artist, naturalist, or someone who's simply curious about the natural world, this book presents a profound journey into the kingdom of Fungi, where beauty and science intertwine in unexpected ways.</p><p>Book Features:</p><ul><li>Lyrical prose that blends science with literary references and poetry</li><li>Professional watercolors that help make complex scientific concepts accessible</li><li>Wide range of topics, including anatomy, biology, and ecology</li><li>Educational tribute that promotes wonder and curiosity</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Maya Jewell Zeller</b> is the author of the poetry collection <i>Out Takes/Glove Box,</i> as well as the interdisciplinary collaboration <i>Alchemy for Cells &amp; Other Beasts,</i> and co-author of <i>Advanced Poetry: A Writer's Guide and Anthology.</i> When she's not teaching, Maya tromps around the Pacific Northwest forests and fields, floats the river on her paddle board, and embarks on various adventures with her two children.</p><p><b>Jenny deFouw Geuder</b> is an artist and educator from Michigan. She received her bachelor's and master's degrees in art education (and she minored in English). She has always loved nature and being outdoors. She especially loves gardening and hiking and, over time, began sketching the objects she discovered outside. She bought a bird feeder, and she was charmed by the many visitors. That one bird feeder grew to two, four, and now about eight  along with multiple bird baths! As she immersed herself in bird watching, she started fine-tuning her garden by introducing native plants that benefited birds and other wildlife.</p><p>By day, Jenny has taught art at the middle-school level for nearly 20 years. Each year, she includes an art lesson and project based on the famous prints of John James Audubon. Jenny emulated this work at home, and she began painting her backyard finds, everything from leaves and flowers to birds. This soon became one of her favourite pastimes. She loves observing, and she found herself constantly learning more about the subjects of her paintings. To record those discoveries, she started taking notes about her observations. That process led naturally to her debut book, <i>Drawn to Birds</i>. She has continued her own artistic interests in commissioned work and personal topics. She primarily works in watercolour, but she also enjoys oils, ceramics, and graphite.</p><p>Artists are professional observers, who tend to see things in a different way, by focusing on colors and shapes, textures or lines. But a person doesn't need to be a professionally trained artist to observe like one  or to make their own art. In fact, if her book projects have taught Jenny anything, it's that naturalists are a lot like artists in that they look more closely at the world and recognise all of the diversity that nature has to offer.</p><p>Jenny lives in the country with her husband, two boys, a dog, five cats, a hedgehog, chickens, and occasionally two ponies. She spends most of her summers at a rustic log cabin on a lake in northern Michigan, where she hikes, fishes, and enjoys the natural beauty of the area.</p>]]></Text>
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			<Text textformat="02"><![CDATA[In The Weirdness of the World, Schwitzgebel argues that the answers to these fundamental questions lie beyond our powers of comprehension. We can be certain only that the truth - whatever it is - is weird.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Do we live inside a simulated reality or a pocket universe embedded in a larger structure about which we know virtually nothing? Is consciousness a purely physical matter, or might it require something extra, something nonphysical? According to the philosopher Eric Schwitzgebel, it's hard to say. In <i>The Weirdness of the World</i>, Schwitzgebel argues that the answers to these fundamental questions lie beyond our powers of comprehension. We can be certain only that the truth  whatever it is  is weird. Philosophy, he proposes, can aim to open  to reveal possibilities we had not previously appreciated  or to close, to narrow down to the one correct theory of the phenomenon in question. Schwitzgebel argues for a philosophy that opens.</p><p>According to Schwitzgebel's 'Universal Bizarreness' thesis, every possible theory of the relation of mind and cosmos defies common sense. According to his complementary 'Universal Dubiety' thesis, no general theory of the relationship between mind and cosmos compels rational belief. Might the United States be a conscious organism  a conscious group mind with approximately the intelligence of a rabbit? Might virtually every action we perform cause virtually every possible type of future event, echoing down through the infinite future of an infinite universe? What, if anything, is it like to be a garden snail? Schwitzgebel makes a persuasive case for the thrill of considering the most bizarre philosophical possibilities.</p><p><b>'[Schwitzgebel] leads readers down a fascinating rabbit hole of metaphysics, ontology, theories of causation, and the science of cognition...It's an exuberant look at some of life's biggest questions.' </b> <b><i>Publishers Weekly</i></b></p><p><b>'Delightful and beautifully written...If you have read and enjoyed the work of Nick Bostrom or Phillip Goff, then this book is definitely for you. It is brilliant, thought-provoking, and very enjoyable.'  Edouard Machery,</b> <b><i>Science</i></b></p><p><b>'Entertaining.'  Andrew Robinson,</b> <b><i>Nature</i></b></p><p><b>'Schwitzgebel's combination of sharp intelligence and wonderment generates refreshingly humbling conclusions.'  Julian Baggini,</b> <b><i>Times Literary Supplement</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Eric Schwitzgebel</b> is professor of philosophy at the University of California, Riverside. He is the author of <i>A Theory of Jerks and Other Philosophical Misadventures</i>, <i>Perplexities of Consciousness</i>, and <i>Describing Inner Experience?</i> (with Russell T. Hurlburt).</p>]]></Text>
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			<Text textformat="02"><![CDATA[A practical and personal exploration of the transformative power of salons  in many cases, a next-level evolution of a book club  with hosting advice tailored for different goals, budgets, and personalities.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'Linda-Marie Barrett offers a generous, intelligent,and deeply loving guide to building spaces where real people can gather forreal conversation about real topics.Drawing upon her experience as abookseller and her own story ofhow bringing women together into literary salons elevated her own life fromanxiety and disconnection to vibrancy and joy, Barretthas written more than asimple how-to book here; she has delivered a call to reclaim the joy ofpresence, dialogue, and the transformative power of story.'  Elizabeth Gilbert, author of </b><b><i>Eat, Pray, Love</i></b></p><p><b>A practical and personal exploration of the transformative power of salons  in many cases, a next-level evolution of a book club  with hosting advice tailored for different goals, budgets, and personalities.</b></p><p>Salons are enjoying a renaissance worldwide. More structured than a hangout or casual dinner party, and oftentimes an evolution of a successful book club, salons can spark lively discussions and help develop a joyful, intentional community. Blending focused and informed advice with heartfelt reflection, book industry professional Linda-Marie Barrett shares her experience hosting salons at her home  the lessons learned as well as the life-changing connections she discovered  and guides readers through the whats, whys, and hows of creating their own salons.</p><p>Learn how to cultivate deep conversations and authentic connection using Barrett's clear guidelines and real-life examples, including helpful suggestions for handling even challenging scenarios. Readers will also hear directly from members of Linda-Marie's Black Swan Salon, who share their perspectives along with advice for how to build a better salon. As a bonus, this book includes 14 salon starter kits, each on a different theme, to help readers host with confidence.</p>]]></Text>
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			<SubjectHeadingText>Milky Way landscapes; astrophotography; deep sky; galaxies; landscape astrophotography; light painting; light streaks; lightroom; lunar; photographing orion; photographing star trails; photographing the aurora; photographing the city at night; photographing the milky way; photographing the moon; photoshop; scott kelby; solar; star trackers; urban noir photography</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[There's a whole other side to photography that many people shy away from  night photography. But if you can master just a few techniques and settings, you can harness the power of night photographyand excel at photographing subjects in low-light environments.]]></Text>
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			<Text textformat="02"><![CDATA[Scotland's largest city has always been one of the most vibrant, varied and fascinating places in the country. Published to coincide with the year-long celebrations of Glasgow 850 in 2025, bestselling historian Alistair Moffat delivers a concise and readable history, packed with fact and anecdote, telling the story of the city and its people.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Scotland's largest city has always been one of the most vibrant, varied and fascinating places in the country.</p><p>This new history of Glasgow begins with the river, for the Clyde made the city flourish. From prehistory to the Romans, to Mungo and the kingdom of Strathclyde, it's a rich, quirky and moving story that remembers the foundation of the burgh by the bishops and moves rapidly to the Union of 1707, when Edinburgh lost a parliament and Glasgow gained access to an empire and business boomed.</p><p>Immigrants began to arrive: Highlanders, Irish families fleeing the famine, Jews fleeing persecution and lately Asians who transformed tastes. Britain's favourite dish, chicken tikka masala, was invented in the city. Football, architecture, heavy industry, politics and a distinctive sense of humour are all celebrated. Glasgow has never hesitated to reinvent itself  because its greatest resource has always been its people.</p><p>They belong to Glasgow and Glasgow belongs to them. This is their story.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The past lies before us as a foreign, distant land.</b> <b><i>Sanderling</i></b> <b>is a personal journey of exploration into the past, and the fascinating world of Florens Christian Rang (1864-1924), written by his great grand-daughter Anne Weber, one of Germany's leading contemporary authors.</b></p><p>Rang, whom Weber nicknames Sanderling after the darting shorebird, began as a Protestant pastor stationed near Poznan in modern-day Poland, then part of Prussia. The church, which he subsequently abandoned, had a mission to 'Germanise' the local population. Weber draws parallels between this apparently benign ambition and the subsequent murderous intent of the Third Reich.</p><p>After his apostasy Sanderling became friends with several great early-twentieth-century thinkers, including Walter Benjamin, Hugo von Hofmannsthal and Martin Buber. It was during this time he joined a group of writers, artists and philosophers with whom he hoped to create a utopian society. Later on, his own son  Weber's grandfather  became a Nazi.</p><p>Anne Weber traces the contradictions and crises, the reckonings and departures of her great-grandfather by deciphering his letters and diaries, and travelling in his footsteps to Poland. Through the thicket of time and research, complex questions arise: how do you live with a history that you can't escape? What did it mean to be German one hundred years ago? And what is it like today?</p><p>With literary and philosophical references including Sontag, Sebald and Nietzsche, Weber combines her family history with a broader examination of ethics and morality to create a travel diary through time, reaching back to understand her ancestors.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Anne Weber</b> is an author, and a translator into both French and German. She studied in Paris and has worked for several publishers. She has written a dozen books, each in a German and French version.</p><p>Her book <i>Epic Annette</i> has been translated into 15 languages and won the 2020 German Book Prize. She has also been awarded the Annette-von-Droste-Hulshoff-Preis and the Joseph-Breitbach-Preis.</p><p><b>Neil Blackadder</b> translates prose and drama from German and French. His translations have been staged in London, New York and other cities, and he has received grants from the NEA, PEN, and the Howard Foundation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Everyone loves a story about people who beat the odds. But what about those who didn't?</p><p>In the years she spent hoping to conceive a child with her husband, Chloe Caldwell consumed everything she could find on infertility. No matter the book or reddit forum, her experiences seemed absent amid stories of IVF and miracle babies.</p><p>Bouncing between her job at a boutique selling 'life-changing pants' and the fertility clinic offering 'innovative ways to create your family', Caldwell ignored the sense that something else in her life was wrong  until she extracted a confession from her husband.</p><p>In this candid and intimate memoir, Caldwell confronts the irresolution and uncertainty of those denied their deepest desire to become a mother and discovers how, even in the depths of grief, new pleasures and possibilities can be found.</p><p>What begins as an account of trying to create life becomes a bold and brave journey to rebuild one's own. At once hilarious and heartbreaking, <i>Trying </i>reveals how, even when life blows up, sometimes it's only the beginning.</p><p><b>'The queen of irreverence and confessionalism Chloe Caldwell... gives readers a wide-eyed look at her life in a time of great uncertainty. With tenderness, humility, curiosity and familiarity that readers have come to expect from Caldwell, her latest memoir is a touching and liberating look into identity, fertility and becoming'</b> <b></b> <b>Felicia Reich,</b> <b><i>Paste Magazine</i></b></p><p><b>'Caldwell's compact and wide-ranging musings are wry surprising and fresh'</b> <b></b> <b>Amy Fusselman, author of</b> <b><i>The Means</i></b></p><p><b>'In</b> <b><i>Trying</i></b><b>, Caldwell shows  in the most hilarious, heartbreaking ways  how our culture drives women batshit crazy and then pretends this insanity is healthy adulthood. What a relief to watch a woman become truly sane: wild, free, spontaneous, slutty, unapologetic, fully alive'  Hannah Tennant-Moore, author of</b> <b><i>Wreck and Order</i></b></p><p><b>'When I finished reading the book, I began it again. I found pleasure in the limbo, in the between. I wanted to be in Caldwell's language forever' </b> <b>LA Warman</b></p><p><b>'A fearless ode to unrequited desire'  Steve Almond, author of</b> <b><i>Truth is the Arrow, Mercy is the Bow</i></b></p><p><b>'An intimate, engaging memoir' </b> <b><i>Kirkus Reviews</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Chloe Caldwell</b> is the author of <i>Women</i> (Fourth Estate reissue, 2024), the memoir <i>The Red Zone</i> (Soft Skull, 2022), and the essay collections<i> I'll Tell You in Person</i> (Emily Books/Coffee House Press, 2016) and <i>Legs Get Led Astray</i> (Short Flight/Long Drive reissue, 2017). Her essays have appeared in the <i>New York Times, Bon Appetit, the Cut, Autostraddle, Longreads,</i> and <i>Nylon</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The proven playbook for winning  now updated with a new preface and two bonus HBR articles.</b></p><p>Strategy is not complex. But it <i>is</i> hard. It's hard because it forces people and organisations to make specific choices about their future  something few companies do well.</p><p>In this contemporary business classic, now with a foreword by former <i>Harvard Business Review</i> editor in chief Adi Ignatius and insightful articles from HBR, two of today's most respected business thinkers explain what strategy is for, how to think about it, and how to get it done. And they use one of the most successful corporate turnarounds of the past century, which they achieved together, to prove their point.</p><p>A. G. Lafley, former CEO of Procter &amp; Gamble, in close partnership with strategic adviser Roger Martin, doubled P&amp;G's sales, quadrupled its profits, and increased its market value by more than $100 billion in just ten years. Drawing from their experiences, they explain how leaders in any organisation can guide everyday actions with strategic goals built around the essential elements that determine business success  <i>where to play</i> and <i>how to win</i>.</p><p>The result is a playbook for winning. At its core is a set of five integrated and essential strategic choices:</p><ul><li>What is our winning aspiration?</li><li>Where will we play?</li><li>How will we win?</li><li>What capabilities must we have in place to win?</li><li>What management systems are required to support our choices?</li></ul><p>The authors tell rich stories of iconic P&amp;G brands, such as Olay, Bounty, Gillette, and more, to clearly illustrate how deciding on a strategic approach  and then making the right choices to support it  can make the difference between just playing the game and actually winning.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The longtime CEO of Coach shares stories and strategies behind the company's stunning growth from a $6 million business to a $5 billion global brand.</b></p><p>Lew Frankfort knew nothing about fashion when he became assistant to the founder of Coach. By the time he left, Frankfort had spent 29 years as CEO, growing Coach from a scrappy maker of leather bags with a small cult following to a beloved lifestyle brand. Along the way, Coach created a new market segment  accessible luxury  that redefined an industry. In <i>Bag Man</i>, Frankfort explains how the son of a Bronx policeman, after working in city government, built a business that challenged conventions, grew it 1000%, and became recognised as one of the world's best CEOs.</p><p><i>Bag Man</i> offers lessons from both achievements and missteps as Coach reinvented itself over decades. Throughout, Frankfort considers a more personal aspect of leadership  how the double-edged sword of fear and drive can lead to success but also take a toll. He shares his struggles with a haunting fear of failure, including how it drove an obsession with consumer insights that made Coach unique in the industry.</p><p>Summing up Coach's philosophy in three words  'magic plus logic'  <i>Bag Man</i> shows how blending creativity and data-driven discipline can produce sustainable, profitable growth, helping to:</p><ul><li>Design and market products people love</li><li>Build a roster of talent and a performance-driven culture</li><li>Drive strategies that pair a brand's unique value with the right market opportunities</li><li>Scale the business to achieve next-level organic growth</li><li>Operate as a respected public company</li></ul><p>A riveting, candid business memoir, <i>Bag Man</i> traces an extraordinary leadership journey that built a legacy brand.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lew Frankfort</b> is Chairman Emeritus and former CEO of Coach, Inc. He has been recognised multiple times on <i>Barron's</i> 'World's Best CEOs' list and on <i>Institutional Investor</i>'s 'Best CEOs in America' list. Frankfort is a cofounder of Benvolio Group, an investment firm that focuses on early-stage, disruptive, consumer-facing brands. He and his wife, Bobbie, live in New York City.</p>]]></Text>
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			<Text textformat="02"><![CDATA[In We Have Never Been Woke, Musa al-Gharbi argues that these trends are closely related, each tied to the rise of a new elite - the symbolic capitalists.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Society has never been more egalitarian - in theory. Prejudice is taboo, and diversity is strongly valued. At the same time, social and economic inequality have exploded. </p><p>In <i>We Have Never Been Woke</i>, Musa al-Gharbi argues that these trends are closely related, each tied to the rise of a new elite - the symbolic capitalists. In education, media, nonprofits, and beyond, members of this elite work primarily with words, ideas, images, and data, and are very likely to identify as allies of antiracist, feminist, LGBTQ, and other progressive causes. Their dominant ideology is 'wokeness' and, while their commitment to equality is sincere, they actively benefit from and perpetuate the inequalities they decry. Indeed, their egalitarian credentials help them gain more power and status, often at the expense of the marginalised and disadvantaged.</p><p><i>We Have Never Been Woke</i> details how the language of social justice is increasingly used to justify this elite - and to portray the losers in the knowledge economy as deserving their lot because they think or say the 'wrong' things about race, gender, and sexuality. Al-Gharbi's point is not to accuse symbolic capitalists of hypocrisy or cynicism. Rather, he examines how their genuine beliefs prevent them from recognising how they contribute to social problems - or how their actions regularly provoke backlash against the social justice causes they champion.</p><p>A powerful critique, <i>We Have Never Been Woke</i> reveals that only by challenging this elite's self-serving narratives can we hope to address social and economic inequality effectively.</p><p><b>'[</b><b><i>We Have Never Been Woke</i></b><b>] announces [al-Gharbi] as a rising intellectual star.'  David Brooks,</b> <b><i>New York Times</i></b></p><p><b>'A sharp, well-researched critique aimed at politically active readers who want to better understand why people believe what they believe.' </b> <b><i>Library Journal</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Musa al-Gharbi</b> is a sociologist and assistant professor in the School of Communication and Journalism at Stony Brook University. He is a columnist for <i>The Guardian</i> and his writing has also appeared in the <i>New York Times</i>, the <i>Washington Post</i>, and <i>The Atlantic</i>, among other publications.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Gaslighting' is suddenly in everyone's vocabulary. It's written about, talked about, tweeted about, even sung about (in 'Gaslighting' by The Chicks). It's become shorthand for being manipulated by someone who insists that up is down, hot is cold, dark is light - someone who isn't just lying about such things, but trying to drive you crazy.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A philosopher examines the complicated phenomenon of gaslighting.</b></p><p>'Gaslighting' is suddenly in everyone's vocabulary. It's written about, talked about, tweeted about, even sung about (in 'Gaslighting' by The Chicks). It's become shorthand for being manipulated by someone who insists that up is down, hot is cold, dark is light  someone who isn't just lying about such things, but trying to drive you crazy. The term has its origins in a 1944 film in which a husband does exactly that to his wife, his crazy-making efforts symbolised by the rise and fall of the gaslights in their home. In this timely and provocative book, Kate Abramson examines gaslighting from a philosophical perspective, investigating it as a distinctive moral phenomenon.</p><p>Gaslighting, Abramson writes, is best understood as a form of interpersonal interaction, a particular way of fundamentally undermining someone. The gaslighter, Abramson argues, aims to make his target experience herself as incapable of reasoning, perceiving, or reacting in ways that would allow her to form appropriate beliefs, perceptions, or emotions in the first place. He seeks not only to induce in her this unmoored sense of herself but also to make it a reality. Using examples and analysis, Abramson gives an account of gaslighting and its immorality, and argues that such a discussion can help us understand other aspects of social life  from racism and sexism to the structure of interpersonal trust.</p>]]></Text>
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			<Text textformat="02"><![CDATA[How philosophy can teach us to be less anxious about being anxious by understanding that it's an essential part of being human.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>How philosophy can teach us to be less anxious about being anxious by understanding that it's an essential part of being human.</b></p><p>Today, anxiety is usually thought of as a pathology, the most diagnosed and medicated of all psychological disorders. But anxiety isn't always or only a medical condition. Indeed, many philosophers argue that anxiety is a normal, even essential, part of being human, and that coming to terms with this fact is potentially transformative, allowing us to live more meaningful lives by giving us a richer understanding of ourselves. In <i>Anxiety</i>, Samir Chopra explores valuable insights about anxiety offered by ancient and modern philosophies  Buddhism, existentialism, psychoanalysis, and critical theory. Blending memoir and philosophy, he also tells how serious anxiety has affected his own life  and how philosophy has helped him cope with it.</p><p>Chopra shows that many philosophers  including the Buddha, Kierkegaard, Nietzsche, Freud, and Heidegger  have viewed anxiety as an inevitable human response to existence: to be is to be anxious. Drawing on Karl Marx and Herbert Marcuse, Chopra examines how poverty and other material conditions can make anxiety worse, but he emphasises that not even the rich can escape it. Nor can the medicated. Inseparable from the human condition, anxiety is indispensable for grasping it. Philosophy may not be able to cure anxiety but, by leading us to greater self-knowledge and self-acceptance, it may be able to make us less anxious about being anxious.</p><p>Personal, poignant, and hopeful, <i>Anxiety</i> is a book for anyone who is curious about rethinking anxiety and learning why it might be a source not only of suffering but of insight.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Samir Chopra</b> is a philosophical counselor and professor emeritus of philosophy at Brooklyn College and the Graduate Center of the City University of New York. He is the author and coauthor of many books, including <i>Shyam Benegal: Philosopher and Filmmaker</i>, <i>A Legal Theory for Autonomous Artificial Agents</i>, and <i>Eye on Cricket: Reflections on the Great Game.</i> His essays have appeared in the <i>Nation</i>, the <i>Los Angeles Review of Books</i>,<i> Aeon</i>, <i>Psyche</i>, and other publications.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>It's 50 years since the 'street couture' shop Acme Attractions opened  and November 1975 sees the 50th anniversary of the first SEX PISTOLS gig. Which makes it perfect timing for Phil Strongman's <i>Acme BOY</i>  the stunning inside story of Acme, BOY, PUNK and 'anti-fashion'; the London youth culture explosions of the 1970s and '80s - eruptions that ending up having global influence.</p><p>By turns amusing, intriguing and shocking, <i>Acme BOY</i> features not only the author's own story  and his involvement with the Pistols, The Clash, Malcolm McLaren and Vivienne Westwood  but also contains exclusive words from Acme Attractions founder John Krivine and BOY co-founder Steph Raynor. These two men had shops crammed with classic jukeboxes and staffed by film-maker and Radio 6 DJ Don Letts, Rough Trade boss Jeannette Lee, DJ Jay Strongman (relation) and stylist Eric Rose. Their customers included John Lydon, Sid Vicious, Bob Marley, Andy Warhol, Rudolf Nureyev, Peter O'Toole, Rod Stewart, Daryl Hall, Boy George, Joe Strummer, Chrissie Hynde, Billy idol, Patti Smith, Deborah Harry, Philip Sallon, Steve Strange and Adam Ant...And BOY clothing, now labelled BOY LONDON, continues to be worn by 21st century stars like Rihanna, Madonna, Cara Delevingne and Jessie J  yet the untold story of the brand's tangled roots are both revealing and fascinating.</p><p>Back in 1975 and 1976 King's Road proto-punk was initially dubbed The Big Sleaze by fashion mags before it rapidly became notorious as Punk, the shattering scene that shocked the UK, caused riots in Chelsea, raised questions in Parliament and basically invented the Indie genre; inspiring film-makers such as Quentin Tarantino and musicians REM, Nirvana, Dead Kennedys, Black Flag, Green Day and many others in the US, Europe, Japan, Korea and worldwide.</p><p>Post-Punk, Mod, New Romanticism, Two-Tone, Goth, Rockabilly, the Warehouse scene all followed in swift succession  writer and film-maker Strongman saw these movements develop and was deeply involved in many of them. He is unique in being the only person to have designed for Acme Attractions and BOY and Fans - whilst later managing bands, taking photos and supplying clothes to Sign of The Times, Ad Hoc, BOY and Vivienne Westwood. His designs have been worn by Anita Pallenberg, Roger Daltrey, Billy Connelly and Pamela Stephenson as well as hundreds of Punk, New Wave and Indie musicians.</p><p>With its gripping text and an array of rare and unseen photos, images and illustrations, <i>Acme BOY</i> is one of the most important, and personal, contemporary books to explore London fashion in general and the '70s Punk era in particular.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Phil Strongman</b> is an English author and film-maker. He started out as a teenage fashion designer and, decades later, was a clothing consultant on Disney's 2022 punk TV series <i>PISTOL</i>. Phil's own feature-length punk documentary film <i>ANARCHY! McLaren Westwood Gang</i> was critically acclaimed before being broadcast nationwide on Sky Arts TV in 2016 and 2017. His recent documentary films on Ukraine - <i>Kyiv Unbroken</i> and<i> Interview With A Deadman</i> - have also won awards.</p><p>His previous books include the best-selling novel <i>Cocaine</i> (Abacus) the nonfiction works <i>Pretty Vacant; A History of UK Punk</i> (Orion / Chicago Review Press) and <i>Metal Box: Stories of John Lydon &amp; PiL</i> (Helper Skelter) plus his two Lennon books; <i>John Lennon &amp; The FBI Files</i> (Sanctuary) and the updated <i>John Lennon: Life, Times &amp; Assassination</i> (Bluecoat). The latter titles now sell as ebooks via Lume.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The intelligent approach to learning the Japanese writing system that has helped thousands!</b></p><p>Japanese characters may seem mysterious and difficult, but <i>Read Japanese Today</i> explains the writing system in a way that's clear and easy to understand. This proven approach teaches you the essential characters you need to know, how they developed and what their basic components are, so you can quickly decipher and learn new characters that you encounter later!</p><p><b>This new edition includes:</b></p><ul><li>An introduction to the 142 hiragana and katakana phonetic characters every Japanese learner needs to know</li><li>Detailed, easy-to-understand descriptions of the 400 most common kanji characters complete with phonetic pronunciations, stroke order diagrams, and common words written with the character</li><li>Simple drawings that introduce each character to help you to remember it, explaining how it developed and what its various components are</li><li>Writing practice problems so you can test yourself on the new characters and words</li><li>A complete index to the English meanings and a summary table for all the characters is included at the back</li></ul><p>This is definitely the book to get if you want to learn the Japanese writing system quickly and easily!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From climate change to far-right politics, a captivating look at the Netherlands' modern challenges  and an homage to the timeless ingenuity of the Dutch.</b></p><p>From deeply unpromising marshy beginnings, the Netherlands grew into a naval, imperial, artistic, cultural, economic, scientific, agricultural and footballing superpower. How did it get there?</p><p>Journalist Nicholas Walton paints a vivid portrait of one of the world's most remarkable places. Drawing on interviews and his own years living in the Netherlands, as well as Dutch history and popular culture, he tells a story of floods and riots, engineering brilliance and wartime treachery. Through ten walks around their towns and cities, fields and beaches, he reveals how the Dutch built a system that organised politics and tamed the water. But now, the country faces an unpredictable future: sea levels are rising, and extreme weather is swelling the rivers that cut across this flat land. At the same time, farmers are protesting with their tractors on the streets and voters are voicing their discontent over everything from immigration and inequality to a dysfunctional housing market.</p><p>Amid the existential challenges of the twenty-first century, <i>Orange Sky, Rising Water</i> asks whether the extraordinary Dutch success story can continue  or will the country, its people and its way of life be swept away?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In her classic book <i>The Global Cit</i>y, Saskia Sassen tells how New York, London, and Tokyo became command centres of the global economy and, in the process, underwent massive and parallel changes. The book remakes the way we think about cities in the global economy and continues to provide lessons for the future.</p><p><b>'A very significant book indeed...A systematic detailed analysis of the three largest urban economies in the advanced world.'  Peter Hall, </b><b><i>International Journal of Urban and Regional Research</i></b></p><p><b>'[A] high-powered and at times horrific book. Sassen shows how dangerously city life has been affected by the influx of employees of the multinational firms which move into major cities and virtually colonize them, riving even greater wedges between the rich and poor.'  </b><b><i>The Observer</i></b></p><p><b>'The most detailed and sophisticated anatomy yet published of the functioning of the new producer services sector in the global economy.'  Mark Levine, </b><b><i>Urban Affairs Quarterly</i></b></p><p><b>'A multi-disciplinary tour de force that should be read not only by regional economists but also by urban geographers, sociologists, and planners.'  </b><b><i>Development and Change</i></b></p><p><b>'An exciting and persuasive work. It incorporates a herculean research effort.'  Susan Fainstein, </b><b><i>Journal of the American Planning Association</i></b></p><p><b>'The implications of Sassen's research...are sobering.'  Rudolf Klein, </b><b><i>Times Literary Supplement</i></b></p><p><b>'A landmark study in the political economy of cities.'  Anthony King, </b><b><i>Newsline</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Saskia Sassen</b> is the Robert S. Lynd Professor of Sociology at Columbia University. Her books include <i>Territory, Authority, Rights</i> (Princeton) and <i>A Sociology of Globalization.</i></p>]]></Text>
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			<SubjectHeadingText>how to support better technology policies; Tech; Rules; Information; Products; Attacks; Systems; Services; Infrastructure; Platforms; Online; Rights; Decisions; Protection; Principles; Content; Oversight; Ensure; Users; Regulatory; Lack; Technological; Transparency; Cases; Result; Commercial; Officials; Trust; Surveillance; Innovation; Authoritarianism; Big Tech; Companies; Data, Internet; Discrimination; Disinformation; Elections; Europe; Governance, Power; How Technology Broke Democracy: And What We Can; Do To Save it; How to Save Democracy from Silicon Valley; Marietje Schaake; Politics; Privacy; Rule of Law; Silcon; Social Media; tech legislation; technology in politics; The Tech Coup; Technology; Government; Data; Digital; Democratic; Law; Internet; Country; Regulation; Power; Security; Facebook; Policy; Democracy</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Over the past decades, under the cover of 'innovation', technology companies have successfully resisted regulation and have even begun to seize power from governments themselves. Facial recognition firms track citizens for police surveillance. Cryptocurrency has wiped out the personal savings of millions and threatens the stability of the global financial system. Spyware companies sell digital intelligence tools to anyone who can afford them. This new reality  here unregulated technology has become a forceful instrument for autocrats around the world  is terrible news for democracies and citizens.</p><p>In <i>The Tech Coup</i>, Marietje Schaake offers a behind-the-scenes account of how technology companies crept into nearly every corner of our lives and our governments. She takes us beyond the headlines to high-stakes meetings with human rights defenders, business leaders, computer scientists, and politicians to show how technologies  from social media to artificial intelligence  have gone from being heralded as utopian to undermining the pillars of our democracies. To reverse this existential power imbalance, Schaake outlines game-changing solutions to empower elected officials and citizens alike. Democratic leaders can  and must  resist the influence of corporate lobbying and reinvent themselves as dynamic, flexible guardians of our digital world.</p><p>Drawing on her experiences in the halls of the European Parliament and among Silicon Valley insiders, Schaake offers a frightening look at our modern tech-obsessed world  and a clear-eyed view of how democracies can build a better future before it is too late.</p><p><b>'Marietje Schaake...is an authoritative figure in the world of Big Tech...Her stance is simple and clearly expressed: The tech giants of Silicon Valley have become too big to fail and thus too big to regulate, causing harm to all of us. The ultimate result, she argues in this engaging and readable book, is the fundamental erosion of personal freedom and democratic norms.'  Kalpana Shankar,</b> <b><i>Science</i></b></p><p><b>'An assessment of the current state of the technology sector, which has avoided accountability for decades </b> <b>but there are signs of change.... Both alarming and hopeful, Schaake writes with hard-won experience and clear-minded intelligence.' </b> <b><i>Kirkus Reviews</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[Takes readers into the intriguing world of machine gambling, an increasingly popular and absorbing form of play that blurs the line between human and machine, compulsion and control, risk and reward.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An anthropologist traces the intimate connections between gambling addiction and casino industry design tactics.</b></p><p>Recent decades have seen a dramatic shift away from social forms of gambling played around roulette wheels and card tables to solitary gambling at electronic terminals. Slot machines, revamped by ever more compelling digital and video technology, have unseated traditional casino games as the gambling industry's revenue mainstay. <i>Addiction by Design</i> takes readers into the intriguing world of machine gambling, an increasingly popular and absorbing form of play that blurs the line between human and machine, compulsion and control, risk and reward.</p><p>Drawing on fifteen years of field research in Las Vegas, anthropologist Natasha Dow Schll shows how the mechanical rhythm of electronic gambling pulls players into a trancelike state they call the 'machine zone', in which daily worries, social demands, and even bodily awareness fade away. Once in the zone, gambling addicts play not to win but simply to keep playing, for as long as possible  even at the cost of physical and economic exhaustion. In continuous machine play, gamblers seek to lose themselves while the gambling industry seeks profit. Schll describes the strategic calculations behind game algorithms and machine ergonomics, casino architecture and 'ambience management', player tracking and cash access systems  all designed to meet the market's desire for maximum 'time on device'. Her account moves from casino floors into gamblers' everyday lives, from gambling industry conventions and Gamblers Anonymous meetings to regulatory debates over whether addiction to gambling machines stems from the consumer, the product, or the interplay between the two.</p><p><i>Addiction by Design</i> is a compelling inquiry into the intensifying traffic between people and machines of chance, offering clues to some of the broader anxieties and predicaments of contemporary life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A landmark account of the dynamics of living systems and the methods for studying them.</b><br/><i>Random Walks in Biology</i> provides a lucid, straightforward introduction to the concepts and techniques of statistical physics that students of biology, biochemistry, and biophysics must know. Howard Berg offers an essential foundation for understanding random motions of molecules, subcellular particles, and cells as well as the processes that are affected by such motions. Using the concept of 'random walks' of individual particles, Berg illuminates the physics involved in diffusion, sedimentation, electrophoresis, chromatography, and cell motility. With an engaging foreword by theoretical biophysicist William Bialek, this Princeton Science Library edition can serve as a supplementary text for courses on biochemistry, molecular biology, biomechanics, physiology, biophysics, and physical chemistry. It is also an ideal reference volume.</p><p><b>'A scholarly and pedagogically masterly introduction to diffusion, its physics and its statistics.'  Charles DeLisi,</b> <b><i>Nature</i></b></p><p><b>'I very strongly recommend this excellent book to students as a supplementary textbook in courses on biochemistry, physiology, and biophysics. Moreover, research scientists and scholars should enjoy reading it.'  Akira Okubo,</b> <b><i>Quarterly Review of Biology</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[How the idea of the author was born in the battleground of gender.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>How the idea of the author was born in the battleground of gender.</b></p><p>When Sappho sang her songs, the only word that existed to describe a poet was a male one  <i>aoidos</i>, or 'singer-man'. The most famous woman poet of ancient Greece, whose craft was one of words, had no words with which to talk about who she was and what she did. In <i>How Women Became Poets</i>, Emily Hauser rewrites the story of Greek literature as one of gender, arguing that the ways the Greeks talked about their identity as poets constructed, played with, and broke down gender expectations that literature was for men alone. Bringing together recent studies in ancient authorship, gender, and performativity, Hauser offers a new history of classical literature that redefines the canon as a constant struggle to be heard through, and sometimes despite, gender.</p><p>Women, as Virginia Woolf recognised, need rooms of their own in order to write. So, too, have women writers through history needed a name to describe what it is they do. Hauser traces the invention of that name in ancient Greece, exploring the archaeology of the gendering of the poet. She follows ancient Greek poets, philosophers, and historians as they developed and debated the vocabulary for authorship on the battleground of gender  building up and reinforcing the word for male poet, then in response creating a language with which to describe women who write. Crucially, Hauser reinserts women into the traditionally all-male canon of Greek literature, arguing for the centrality of their role in shaping ideas around authorship and literary production.</p><p><b>'Provocative...A brilliant book.'  Shadi Barsch,</b> <b><i>Times Literary Supplement</i></b></p><p><b>'[A]n exciting and elegant survey of the entire ancient Greek literary tradition as a male construction, [and] a book that forces the reader to rethink many common assumptions about "women's" poetry from antiquity to today.' </b> <b><i>Choice</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Emily Hauser</b> is a senior lecturer in classics and ancient history at the University of Exeter. She is the author of the bestselling <i>Mythica: A New History of Homer's World, Through the Women Written Out of It</i> and a critically acclaimed trilogy of novels that reimagines the women of Greek myth: <i>For the Most Beautiful</i>, <i>For the Winner</i>, and <i>For the Immortal.</i></p>]]></Text>
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			<SubjectHeadingText>Cognitive; Labor; Couples; Gender; Family; Husband; Partner; Household; Tasks; Decision; Housework; Relationship; Wife; Queer; Allocation; Parents; Stuff; Lot; Domestic; Role; Respondents; Spouses; Job; Childcare; Research; Patterns; Kids; Change; Issues; Hours; Inequality; Daughter; Primary; Career; Equality; Child; Kristen; Carrie; Plan; Interview; Schedule; Skills; Meredith; Ideal; Personality; Kurt; Instance; Activities; Jackie; Kathleen; Matthew; Earlier; Ronald; Calendar; Friends; Olga; Burden; Chris; Laborer; Domains; Responsibilities; Decision making; Nontraditional; Contributions; Essentialism; Maintenance; Superhuman; Andrea; Ethan; Bit</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The mental labor that keeps families afloat</b> <b> and why women do most of it.</b></p><p>Mothers and fathers use their time differently, with women spending roughly twice as many hours on family labour as men. But what about the gendered differences in the ways women and men think? <i>What's on Her Mind</i> provides an illuminating look at the cognitive labor that families depend on and reveals why this essential aspect of family life is disproportionately handled by women  even in couples that aspire to practice equality.</p><p>While most accounts of household labour centre on how people use their time, Allison Daminger focuses on a less visible and less easily quantifiable aspect of family life. She introduces readers to the concept of cognitive labour  anticipating, researching, deciding, and following up  and shows how women in different-gender couples do most of this critical work. She argues that cognitive labour has less to do with personality traits  for example, she's type A while he's laid-back  and more to do with learned skills that men and women deploy in distinct ways. Yet not all couples fall into the personality trap. Daminger looks at different-gender couples who achieve a more balanced cognitive allocation while also exploring how queer couples carve out unique relationships to the gender binary.</p><p>Drawing on original, in-depth interviews with members of different- and same-gender couples, <i>What's on Her Mind</i> points to new ways of understanding the interplay between who we are as individuals and the cognitive work we do on behalf of our families.</p><p><b>'An informative analysis...Daminger demonstrates that although many Americans endorse gender equality, a substantial majority of women do most of the cognitive (and more than their fair share of the physical) work. She explains why and suggests how a more balanced allocation of responsibilities might be achieved.' </b> <b>Glenn C. Altschuler,</b> <b><i>Psychology Today</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Allison Daminger</b> is assistant professor of sociology at the University of WisconsinMadison. Her work has been featured in leading publications such as the <i>New York Times</i>, the <i>Guardian</i>, <i>Psychology Today</i>, and the <i>Atlantic</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A lively account of the concealed faiths of the ancient world.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Secret Sacred </i>explores the hidden religious practices of the classical world. These cults, shrouded in secrecy, promised initiates a transformative afterlife. While many rituals remain mysterious, artworks and historical texts provide glimpses of their underlying beliefs. </p><p>The book examines Greco-Roman religious traditions and their divergence into mystery cults, including Bacchic ceremonies depicted in frescoes, Orphic gold tablets guiding souls in the underworld and the Eleusinian Mysteries celebrating Demeter and Persephone's cycle of rebirth. Eastern deities like Mithras, Isis and Cybele also feature in the cults discussed. The possible influence of mystery religions on early Christianity is also explored, drawing parallels with modern-day beliefs. Featuring the most recent archaeological discoveries and stunning museum artefacts, this is a lively account of the concealed faiths of the ancient world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Damien Stone</b> is an archaeologist who lives in Sydney, Australia. His books include <i>The Hittites: Lost Civilizations </i>(Reaktion Books, 2023).</p>]]></Text>
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			<Text textformat="02"><![CDATA[This oracle deck invites you into a world of vintage circus enchantment, where each card symbolizes a key aspect of life's journey. With whimsical imagery and evocative stories, the deck inspires self-discovery, insight, and growth, helping readers navigate life's challenges through the wisdom of a forgotten age.]]></Text>
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			<SubjectHeadingText>78 cards; Choosing a Talisman; Court Cards; Divination tools; Esoteric; How to read a Tarot spread; Major arcana; Minor arcana; Moon phases; Psychic abilities; Rune casting; Seasonal events; Setting Your Intention; Talismans book; Tarot; Tarot lovers; Traditional tarot; What is Tarot?; What is a Talisman?; add power to Tarot reading; add talismans to your Tarot practice; amplify my energy; amulet; amulet book; amulets; and jewelry; attract luck; best time to do your Tarot reading; book for tarot lovers; ceremonial; coins; combine talismans with tarot cards; crystals; daily card draws; daily ritual; devotional activity; dream big; dreams and desires; equinoxes; evil eye; found objects; gemstones; guardian angel pendant; inner guidance; interpretation of each tarot card; jewelry; luck; lucky charms; magic; magic and manifestation; magic studies; magical objects; magical ritual; manifest the intention I desire; manifest your intention; manifestation magic; manifesting goals; occult; pendants; protection from bad luck; protective charms; ritual; small figurines; solstices; symbolic images; symbols; tarot Keywords; tarot book; tarot reading; tarot spreads; the law of attraction; touchstone; using talismans with the tarot; ward off danger</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Talismans and Tarot offers tarot lovers a new way to add power to their practice! By combining magic, rituals, and the use of talismans alongside the cards, readers will find support in manifesting their goals, dreams, and desires.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'This isn't just another book about tarot or magical objects. It's an invitation to weave together two profound traditions in a way that makes both more powerful. It's a practical guide to creating lasting change, yes, but it's also something rarer: a reminder that magic doesn't require us to abandon reason but rather to expand upon it. </b><b><i>Talismans and Tarot</i></b><b> shows us that sometimes the most powerful magic comes from combining traditions in new ways.'  Benebell Wen, author of </b><b><i>Holistic Tarot</i></b></p><p>As our ancestors did before us, we often put our faith in lucky charms and talismans. Maybe you have a protective charm like a guardian angel pendant or an evil eye. Perhaps it is a family heirloom, a crystal, a small figurine, a foreign coin, or another fascinating object that brings you comfort and luck. We turn to these touchstones when we are fearful or in need of comfort. Or when we're inspired or ambitious and want to believe that anything is possible.</p><p>Incorporating talismans with tarot reading offers a powerful and lasting impact. It is a magical combination that helps to amplify intentions and attract positive energy.</p><p><i>Talismans and Tarot</i> offers guidance for hands-on practices that include setting intentions, choosing and consecrating your talisman, as well as when and how to do readings. Learn to confidently work your magic and how to carry the power of a tarot reading with you every day as it supports and guides you toward manifesting your intentions.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lori Lytle</b> provides mystical and practical guidance with tarot as @innergoddesstarot. She is an introvert, empath, nerd, solitary witch, high priestess, Gemini, overthinker, and devotee of cats and cards. Lori is the cocreator of the <i>Unifying Consciousness Tarot</i>.She has been a featured presenter at international tarot conferences, including theNorthwest Tarot Symposiumin Portland, theLight &amp; Love Tarot Reading Festivalin Montreal, and theWorld Divination Association's first virtual online conference. She is also an instructor in Ethony's popular Tarot Summer School. Lori's current work focuses on creating magical talismans with the support of the tarot, as well as tarot practices that are designed specifically to feed the sensitive introvert soul. Find out more about Lori and read her blog at<i>innergoddesstarot.com.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'With this book in your hands, you are guided by one of the most capable and experienced practitioners in the field of authentic spirit work.' </b> <b>Mat Auryn, author of</b><b><i>Psychic Witch, Mastering Magick,</i></b><b>and</b><b><i>The Psychic Art of Tarot</i></b></p><p><b>This newly revised spiritual classic gives you the keys to master the art of spirit communication.</b></p><p>If you practice magic, pray, or venerate your ancestors, you are working with spirits. If you seek information or guidance through channelling, through mediumship, or through the words and visions of mystics, you are also working with the beings of the subtle realms.</p><p><i>Spirit Speak</i> presents a unified system for understanding the broad range of nonphysical beings that we call spirits. Ivo Dominguez Jr is able to make complex ideas accessible, through analogy and example, without oversimplifying. This comprehensive book can be understood and appreciated by readers from all different faiths, backgrounds, and levels of experience. It explores concepts such as:</p><ul><li>spiritual lineage</li><li>the assumption of God-Forms</li><li>the mindset needed for proper spirit work</li><li>divine embodiment</li><li>the limits and potential for many spiritual practices</li></ul><p>This new edition of<i>Spirit Speak</i>contains a new foreword by Mat Auryn, fresh updates, and new chapters on plant spirits and aspecting.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ivo Dominguez Jr.</b> is a practitioner of a variety of esoteric disciplines. He has been active in Wicca and the Pagan community since 1978 and has been teaching since 1982. Ivo was a founding member and high priest of Keepers of the Holly Chalice, the first coven of the Assembly of the Sacred Wheel, a Wiccan syncretic tradition that draws inspiration from astrology, Qabala, the Western Magical Tradition, and the folk religions of Europe. Ivo's techniques and insights are rooted in a synthesis of traditional metaphysical teachings, modern science, and memories from past lives. He has taught at many gatherings, conferences, and venues across the United States and abroad. His books include the Witches Sun Sign series, <i>The Four Elements of the Wise</i>, and <i>Keys to Perception</i>.</p>]]></Text>
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			<SubjectHeadingText>Biointensive; Crop; Foradori; Grelinette; Growing; Intensive; Land; Microfarm; Organic; Plan; Profitable; Rial; Selling; Start; Yield; acre; beetroot; beginner; business; carrot; celery; diversified; farm; gardener; manage; management; market; method; model; non-mechanized; oca; parsnip; potato; produce; radish; root; rotation; salsify; small; sufficiency; swede; turnip; vegetable; yacon</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Living Soil: A Grower's Guide offers an illustrated, accessible resource on nurturing resilient crops and ecosystems through fertile, healthy soil. Jean-Martin Fortier shares his proven biointensive methods to help growers understand soil biology, improve fertility, and cultivate lasting abundance.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jean-Martin Fortier</b>, a distinguished farmer, author, and educator, has been spearheading a movement in ecological agriculture for over twenty years. Since 2004, he and his wife have been operating Les Jardins de la Grelinette, an efficient and productive 2-acre microfarm. This farm is often referred to as a blueprint for effective human-scale organic farming.</p><p>In 2015, Jean-Martin established La Ferme des Quatre-Temps, a research farm dedicated to training apprentices and developing new strategies for market gardening, including year-round production. His pioneering methods are taught worldwide through the Market Gardener Institute, which is present in more than 90 countries.</p><p>Jean-Martin is the author of <i>The Winter Market Gardener </i>and<i> The Market Gardener</i>, which have sold over a quarter of a million copies in nine languages. His contributions to organic farming and regenerative agriculture have earned him the Meritorious Service Cross from the Governor General of Canada. He farms and lives in Quebec, Canada.</p><p><b>Pierre Nessmann </b>was born to a family of Strasbourg market gardeners and holds a degree from the cole d'Horticulture de Geneve, in Switzerland. He has worked as a landscape gardener and a journalist for over 40 years. He is the assistant editor of the popular French gardening magazines <i>Rustica Pratique</i> and <i>Rustica Weekly,</i> covers gardening and DIY stories for the French television Network TF1, and currently hosts a gardening segment on the show Nous Voil Bien, on the French radio station RTL. He is the author of several books about vegetable growing, gardening, and landscaping. Pierre lives in Paris, France.</p><p><b>Flore Avram </b>is a freelance artist and graphic designer specialising in scientific and botanical illustration. She has collaborated extensively with the French language children's publisher KiloWatt Editions, and with<i> Inserm Magazine</i>, a quarterly journal which explores health and biomedical research. Flore has earned several professional certifications in graphic design and scientific illustration from L'Ecole Estienne, the Municipal Graduate School of the Arts and Printing Industry. She also works as a Mediatrice en botanique at Jardin des Serres d'Auteuil, a unique French natural heritage site and eco-garden. She is based in Paris, France.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Christina Conklin </b>is an artist, writer, and researcher whose work investigates the intersection of natural systems and belief systems, often using the ocean as both site and metaphor. Her essays, exhibitions, and installations consider our cultural responses to the intersecting ecological and social crises of our time. She holds an MFA from California College of the Arts and has exhibited internationally. She is currently working with thought leaders and activists around the world to help communities create regenerative cultural systems. She lives with her husband and two children in Half Moon Bay, California.</p><p><b>Marina Psaros </b>is a sustainability expert and has led climate action programs across public, private, and nonprofit organisations for over a decade. She isone of the creators of The King Tides Project, an international community science and education initiative. An amateur cartographer and ocean advocate, she lives in the San Francisco Bay Area.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Breaking into the world of independent filmmaking is one thing  getting your film seen is another.</b></p><p>In this essential guide, you'll discover how to navigate the often overlooked, yet critical, aspects of marketing and distribution, ensuring your project reaches the audience it deserves.</p><p>From crafting an effective publicity campaign on a tight budget to understanding the evolving digital landscape of VOD platforms, this book is packed with real-world insights and practical advice. Learn the importance of securing optimal cinema support, leveraging festival circuits strategically and mastering the art of audience engagement in a competitive market.</p><p>Featuring expert interviews with filmmakers and industry professionals, <i>Film Marketing &amp; Distribution: An Independent Filmmaker's Guide</i> offers a candid look at the challenges and opportunities awaiting independent filmmakers. Whether you're releasing your first feature or your third, fourth or fifth, this guide provides you with the tools to stand out in a crowded industry.</p><p>If you've poured your heart into making your film, this is the book that will help you get it seen. </p><p><b>'An indispensable guide for anyone beginning or furthering their expertise inthe highly skilled craft of identifying, understanding and communicating withyour audience through the media'  Chris Bird, MD of Amazon Prime Video</b></p><p><b>'This exhaustive book is film marketing 101. A must-read'  Rob Wilkerson, former CEO of Target Media</b></p><p><b>'An invaluable resource for independent filmmakers looking to get their work seen in a market that's more crowded - and more unpredictable - than ever'  Eddie Cunningham, President at Studio Distribution Services</b></p><p><b>'An invaluable peak behind the curtain at the business of getting films seen. A definitive guide on the process from finished film to getting "bums on seats"'  Zak Brilliant, Head of Sales &amp; Distribution at Met Film Group</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[As progressive as rugby has become many feel that rugby 'yesterday' was better than rugby today. But do the stats back this up? Do the ill-informed opinions of the book's author back that up? This book examines various aspects of the game, and judges whether rugby's best days are behind, or ahead of it.Let the debate commence . . .]]></Text>
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			<Text textformat="02"><![CDATA[<p>According to legend and a cursory look at Google, rugby was created in 1823. When William Webb Ellis allegedly picked up the ball, and ran with it, rugby was born. How true this is, we don't know. But what we can almost guarantee is that no matter how the game started, even after just one day of the sport being invented, some people will have said that it was better in the f***ing old days.</p><p>As progressive as rugby has become (both on and off the field) many feel that rugby 'yesterday' was better than rugby today. But do the stats back this up? Do the ill-informed opinions of the book's author back that up? This book examines various aspects of the game, and judges whether rugby's best days are behind, or ahead of it.</p><p>Let the debate commence...</p><p>Hilarious, off-beat and (surprisingly) insightful, this is the perfect gift for rugby fans all around the world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Parasites and parasitic relationships are fundamental to life on Earth and to human history.<i> Our Bodies, Our Planet </i>explores how vital they are. Unlike harmful pathogens, parasites may produce no ill effects and may even improve our well-being and the lives of the creatures that surround us. Marcus Hall shows how our fellow travellers have evolved to help keep us alive, else they themselves will perish.</p><p>Parasitism is a phenomenon of partnership, and the association of parasite and host has had far-ranging cultural, biological and possibly geophysical consequences. From Ascaris to Zika, we are instinctively repulsed by these little freeloaders, but what collateral effects do they have on our lives, lifestyles and imaginations? As Hall demonstrates, we disregard our parasites at our peril.</p><p><b>'An illuminating historical tour of the human microbiome...The most thought-provoking book I've read in ages.'  J. R. McNeill, author of </b><b><i>The Webs of Humankind</i></b></p><p><b>'Hall takes us on an exhilarating journey, upending preconceptions and accepted wisdom, and encouraging us to embrace our inner parasites.'  Nicole Boivin, Max Planck Institute for Geoanthropology and Honorary Professor, School of Social Science, University of Queensland</b></p><p><b>'An excellent and challenging book.'  James McCann, Professor Emeritus of History, Boston University</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Kim Il Sung ruled his country, North Korea, for longer and shaped it more profoundly than almost any other modern leader. He created a unique and seemingly bizarre and menacing political and social system, establishing a dynasty that has maintained it for two more generations.Yet he remains a curiously inaccessible, little understood figure, partly due to the closed and secretive nature of the state he founded.</p><p>Michael J. Seth puts together what we know of Kim's life from all available sources and places it in the context of Korean and modern world history to make both Kim and North Korea comprehensible. He looks at the unusual circumstances that contributed to Kim's rise to power and at the early experiences that help to explain the directions he took his country. Seth examines his impressive early achievements and his later failures, which left North Korea the isolated, impoverished half of a divided nation.</p><p>Kim was a charismatic and resourceful leader determined to reunify and modernise his country. But he pursued these aims with ruthlessness, egotism and extreme narrow-mindedness. Ultimately, his political inflexibility led to disaster.</p><p><b>'Seth's necessarily political biography is judicious, authoritative and unexpectedly readable.'  John Keay</b></p><p><b>'A fascinating look into the man that founded and transformed North Korea into an ultra-militaristic and highly repressive state.'  Benjamin R. Young, Author of </b><b><i>Guns, Guerillas, and the Great Leader</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Jean Baudrillard, once hailed as a 'historian of the future', remains a vital figure for understanding modern life. Famous for ideas like 'simulation' and the 'hyperreal', linked to postmodernism and The Matrix, Baudrillard was both celebrated and controversial, known for bold pronouncements about events like the Gulf War and 9/11. Yet the man himself was enigmatic, leading a public life while remaining personally elusive. </p><p>This first biography in English explores Baudrillard's life and work, tracing his journey from the early years and French intellectual prominence to his global influence as a thinker, photographer and public intellectual. Using newly uncovered material, it provides fresh insights into his major works and ideas, offering readers a clear guide to his singular, uncompromising philosophy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Emmanuelle Fantin</b> is Assistant Professor in Communication and Media Studies at Sorbonne Universite. Her books include<i> Le livre dont Jean Baudrillard est le heros </i>(with Camille Zehenne, 2023).</p><p><b>Bran Nicol</b> is Professor of English Literature at the University of Surrey. His books include The Cambridge Introduction to Postmodern Fiction (2009).</p>]]></Text>
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			<Text textformat="02"><![CDATA[Fifty years ago, a group of striking Aboriginal stockmen in the remote Northern Territory ofAustralia heralded a revolution in the cattle industry and a massive shift in Aboriginal affairs. Now,after many years of research,  A Handful of Sand A Handful of Sand]]></Text>
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			<Text textformat="02"><![CDATA[Punk Rock Entrepreneur is a guide to launching your own business using DIY methods that allow you to begin from wherever you are, right now. Caroline Moore talks (and illustrates!) you through the why and how of business operations that she learned over years booking bands, organising fests, sleeping on couches, and making a little go a long way.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Punk Rock Entrepreneur</i> is a guide to launching your own business using DIY methods that allow you to begin from wherever you are, right now. Caroline Moore talks (and illustrates!) you through the why and how of business operations that she learned over years booking bands, organising fests, sleeping on couches, and making a little go a long way.</p><p>Engaging stories and illustrations show you the ropes, from building a network and working distribution channels to the value of community and being authentic.</p><p>With first hand accounts from touring bands and small business owners, this book gives you the inspiration and down-to-earth advice you'll need to get started working for yourself.</p><p>The second edition features a new introduction by Lookout Records co-founder Larry Livermore.</p><p><b>'Caroline Moore offers the best kind of hope for anyone who hopes not to spend the rest of her or his life grinding out boredom in an office cubicle.</b> <b><i>Punk Rock Entrepreneur</i></b><b> shows musicians and other artists how to make a living (or part of one) out of creativity without resorting to the loathsome selling-out that kills your soul. It won't be easy. It might not work. But it</b> <b><i>can</i></b><b> be done.'  Ted Rall, cartoonist and author of</b> <b><i>Bernie</i></b><b> and</b> <b><i>Snowden</i></b></p><p><b>'An inviting, practical, no-nonsense guide to getting a DIY business off the ground. Moore is like your smart big sister, business mentor, and life coach guiding you through the ups and downs of entrepreneurship. And she's really funny and really real.'  Eleanor Whitney, author of</b> <b><i>Grow: How to Take Your DIY Passion and Project to the Next Level and Quit Your Job</i></b></p><p><b>'A weeklong ride in a van drinking too much coffee and just talking about everything, feeling inspired and wishing somebody would write it all down...that's what this book feels like.'  Jason Chandler, author and illustrator for Horrible Comics, lead singer for punk band the Frustrators</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Caroline Moore</b> is a writer, designer, and photographer living in Brownsville, Pennsylvania. She has spoken at the Open Source &amp; Feelings conference, Weapons of Mass Creation Fest, Podcamp Pittsburgh, and Dare Conference in London. Her debut book, <i>Punk Rock Entrepreneur</i>, was published by Microcosm, and her work has also appeared in <i>Offbeat Bride, The Vinyl District,</i> and<i> Alternative Press.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Navigate death and grieving with greater openness, honesty, and preparation thanks to the supportive expertise of Singapore's leading 'life celebrant'.</p><p>Growing up with a hardworking undertaker father known as the Coffin King, death was the family business for Angjolie Mei  but that didn't make it any easier to understand, or grief any easier to feel. When her father died unexpectedly, leaving debts but no end of life instructions, Mei found herself taking up his funeral director business, not only to provide for her family, but to help others see death as an opportunity for dignity and celebration.</p><p>'A funeral', she writes, 'is life's graduation ceremony', and we should honour it and plan for it accordingly.</p><p>Striving to shift cultural perspectives on death and grief as well as to address common questions too often shrouded in mystery and taboo, Mei shares her craft's most important lessons with wit and grace, from the process of embalming to helping children understand a loved one's passing, taking care to include customs from diverse religious and cultural traditions.</p><p>This candid and thoughtful glimpse behind the morgue's curtain affirms the importance of grieving and ritual, acknowledging that death is part of any life well-lived.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Shadows of Tarot is an illuminating tarot spread journal for delving into your subconscious and confronting hidden truths. Featuring sixty-six spreads designed to illuminate shadow aspects, this journal encourages deep inner work. Journaling your journey aids in understanding, healing, and embracing your shadow self.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Shadows of Tarot</i> is an illuminating tarot spread journal for delving into your subconscious and confronting hidden truths. Featuring sixty-six spreads designed to illuminate shadow aspects, this journal encourages deep inner work. Journalling your journey aids in understanding, healing, and embracing your shadow self.</p><p>This tarot spread journal is your mystical gateway to unlocking the veiled depths of your subconscious. This enchanting tarot spread journal invites you to confront hidden truths and explore the shadowy realms of your psyche. With sixty-six spellbinding spreads and four intriguing challenges, you'll embark on a transformative journey like no other. Venturing into the golden shadows reveals your latent potential, while the taboo shadows dare you to confront societal and personal boundaries. The enlightenment spreads illuminate these shadow aspects, integrating them into your conscious awareness. The shadow-self spreads, meanwhile, beckon you to explore and embrace the darker corners of your soul.</p><p>Whether you're new to journaling with tarot or a seasoned expert, <i>Shadows of Tarot</i> caters to all levels of experience. It offers basic spreads for beginners, guiding you gently into the mystical practice of shadow work. For the adept tarot practitioner, extended spreads provide a deeper, more intricate exploration of your inner world. But this journal is more than a collection of spreads. With pages dedicated to creating your own personalised layouts, <i>Shadows of Tarot</i> encourages a bespoke journey into the mysterious depths of your being. Each page serves as a canvas for your spiritual exploration, offering unique insights and transformative practices. As you chronicle your experiences in these pages, you'll find that journaling becomes a powerful tool for understanding, healing, and transforming your shadow self. It's an adventure into the unknown, where each revelation guides you closer to holistic integration and self-awareness. Unveil the mysteries within and embrace the full spectrum of your shadow self. <i>Shadows of Tarot</i> is your enigmatic companion, ready to support every step of your enlightening journey.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'</b><b><i>Imagine</i></b><b>is a tool kit and the permission slip we all need to trust ourselves more deeply.'  Elaine Welteroth,</b><b><i>New York Times</i></b><b>bestselling author of</b><b><i>More Than Enough</i></b><b>, journalist, and TV host</b></p><p><b>Your intuitive mind has been dormant for years</b> <b> isn't it time to wake it up?</b><b><i>Imagine</i></b><b>is for those eager and excited to transform, manifest their best life, and get their power back though the power of visualisation.</b></p><p>Do you yearn for a life less burdened by pressure, insecurity, and anxiety? <i>Imagine</i> stepping into a world where you</p><ul><li>prioritise your well-being and connect with your intuition;</li><li>express yourself with confidence and authenticity;</li><li>feel seen, valued, and cherished, both by yourself and others;</li><li>wake up each day filled with hope, purpose, and a sense of fulfillment; and</li><li>manifest the life your soul truly desires, piece by piece.</li></ul><p><i>Imagine</i>unveils this transformative world through the power of visualization. This comprehensive guide, crafted by spiritual teachers Deganit Nuur and Tim Murphy  your supportive companions on this journey  offers seven unique techniques to help you</p><ul><li>leave behind the crippling cycle of overthinking and indecision,</li><li>awaken your intuitive wisdom and discover the answers within,</li><li>effortlessly access a state of deep relaxation and insight,</li><li>reprogram your brain for less fear and greater trust, and</li><li>embrace your authentic self and unlock your full potential.</li></ul><p>Forget the endless search for external answers.<i>Imagine</i>empowers you to tap into your inner wisdom and unlock the power that lies dormant within. Are you ready to experience greater clarity, confidence, and calm? Embark on this journey of self-discovery and start imagining the life you deserve.</p>]]></Text>
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			<SubjectHeadingText>forgiveness; Conflict; Relationships; Polarization; Political Divisions; Reconciliation; Regret; Canceling; Love; Family; Repair; Reckoning; Emotions; Social Philosophy, Political Philosophy; Moral Psychology; Philosophy of Race; Africana Philosophy, Feminist Philosophy; Safe space; grief; sadness; anger; anger moderators; anger eradicators; goodwill extenders; resentment; contempt; letting go; police violence; apartheid; compassion; attidude; retribution; victim; responsibility; cognitive; behavioral; relief; release; negative feelings; martin luther king jr; moral operators; remorse; sympathy; respect; communication; apology; guilt trip; manipulaton; gaslighting; empowerment; morality; The Case for Rage; abusive; abused; Failures of Forgiveness; What We Get Wrong about forgiveness; How to Do forgiveness Better; Myisha Cherry; Princeton University Press; how to forgive; why forgive; should I forgive; forgive; cherry; books about forgiveness; stories of forgivenss; race conflict; cultural meaning of forgiveness; religion and forgiveness</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[In Failures of Forgiveness, Myisha Cherry argues that these beliefs couldn't be more wrong - and that the ways we think about and use forgiveness, personally and as a society, can often do more harm than good.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Philosopher Myisha Cherry teaches us the right ways to deal with wrongdoing in our lives and the world.</b></p><p>Sages from Cicero to Oprah have told us that forgiveness requires us to let go of negative emotions and that it has a unique power to heal our wounds. In <i>Failures of Forgiveness</i>, Myisha Cherry argues that these beliefs couldn't be more wrong  and that the ways we think about and use forgiveness, personally and as a society, can often do more harm than good. She presents a new and healthier understanding of forgiveness  one that will give us a better chance to recover from wrongdoing and move toward 'radical repair'.</p><p>Cherry began exploring forgiveness after some relatives of the victims of the mass shooting at Emanuel A.M.E. Church in Charleston, South Carolina, forgave what seemed unforgivable. She was troubled that many observers appeared to be more inspired by these acts of forgiveness than they were motivated to confront the racial hatred that led to the killings. That is a big mistake, Cherry argues. Forgiveness isn't magic. We can forgive and still be angry, there can be good reasons not to forgive, and forgiving a wrong without tackling its roots solves nothing. Examining how forgiveness can go wrong in families, between friends, at work, and in the media, politics, and beyond, Cherry addresses forgiveness and race, cancelling versus forgiving, self-forgiveness, and more. She takes the burden of forgiveness off those who have been wronged and offers guidance both to those deciding whether and how to forgive and those seeking forgiveness.</p><p>By showing us how to do forgiveness better, <i>Failures of Forgiveness</i> promises to transform how we deal with wrongdoing in our lives, opening a new path to true healing and reconciliation.</p><p><b>'A first rate work from a penetrating mind.' </b> <b><i>Publishers Weekly</i></b><b>, starred review</b></p><p><b>'[Cherry] is especially insightful on the asymmetry of forgiveness requests following incidents of racial violence...[A] nuanced view of how one might both cultivate possibilities of forgiveness  as requesters and extenders  and learn to live with its lack.' </b> <b>Rhoda Feng,</b> <b><i>Times Literary Supplement</i></b></p><p></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Myisha Cherry</b> is assistant professor of philosophy at the University of California, Riverside, where she also directs the Emotion and Society Lab. She is the author of <i>The Case for Rage: Why Anger Is Essential to Anti-Racist Struggle</i> and<i> UnMuted: Conversations on Prejudice, Oppression, and Social Justice</i>which draws on her popular podcast <i>UnMute</i>. She has been widely featured in the media, including the <i>Los Angeles Times</i>,<i> The New Yorker,</i> the <i>Atlantic,</i> BET, and the podcast <i>Pod Save the People</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Wonder and awe lie at the heart of life's most profound questions. Wonderstruck shows how these emotions respond to our fundamental need to make sense of ourselves and everything around us, and how they enable us to engage with the world as if we are experiencing it for the first time.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A philosopher explores the transformative role of wonder and awe in an uncertain world.</b><br/><br/>Wonder and awe lie at the heart of life's most profound questions. <i>Wonderstruck</i> shows how these emotions respond to our fundamental need to make sense of ourselves and everything around us, and how they enable us to engage with the world as if we are experiencing it for the first time.<br/><br/>Drawing on the latest psychological insights on emotions, Helen De Cruz argues that wonder and awe are emotional drives that motivate us to inquire and discover new things, and that humanity has deliberately nurtured these emotions in cultural domains such as religion, science, and magic. Tracing how wonder and awe unify philosophy, the humanities, and the sciences, De Cruz provides new perspectives on figures such as Plato, Aristotle, Adam Smith, William James, Rachel Carson, Maurice Merleau-Ponty, Jean-Paul Sartre, and Abraham Heschel. Along the way, she explains how these singular emotions empower us to be open-minded, to experience joy and hope, and to be resilient in the face of personal troubles and global challenges.<br/><br/>Taking inspiration from Descartes's portrayal of wonder as 'that sudden surprise of the soul,' this illuminating book reveals how wonder and awe are catalysts that can help us reclaim what makes life worth living and preserve the things we find wonderful and valuable in our lives.</p><p><b>'De Cruz constructs a persuasive and nuanced case for looking through the 'everydayness' of the world to see the 'strange and paradoxical' lurking in plain sight. [</b><b><i>Wonderstruck</i></b><b> is] an expertly fashioned analysis of what it means to perceive the world anew.' </b> <b><i>Publishers Weekly,</i></b> <b>starred review</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[From northern Europe's earliest inhabitants to the search for security in the twenty-first century, Kalnins sweeps through the full story of a remarkable Baltic state.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From northern Europe's earliest inhabitants to the search for security in the twenty-first century, Kalnins sweeps through the full story of a remarkable Baltic state.</b></p><p>The history of the Latvian people begins some four and a half millennia ago, with the arrival of the proto-Baltic Indo-Europeans in northern Europe. Over the following centuries of domination by successive European powers, the land's inhabitants preserved a powerful sense of identity, fostered by their ancient language, oral literature, songs and customs. These in turn informed and spurred the rise of national consciousness in the nineteenth century, and the political activities of the twentieth, which brought the modern nation-state of Latvia into being.</p><p>This book traces the genesis and growth of that nation, its endurance over centuries of conquest and oppression, the process by which it achieved its independence, and its status as a member of the European community in the twenty-first century.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A deeply considered reappraisal of Pakistani politics as a permanent state of struggle and contention between actors, mindsets and interests.]]></Text>
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			<Text textformat="02"><![CDATA[<p> <b>A deeply consideredreappraisal of Pakistanipolitics as a permanentstate of struggle andcontention betweenactors, mindsets andinterests.</b> </p><p>This book is a major reinterpretation of Pakistani politics. Its focus is conflict among groups, communities, classes, ideologies and institutions, which has shaped the country's political dynamics. Mohammad Waseem analyses the millennium-long conflict between Hindus and Muslims as separate nations but intermingled faiths, and the Hindu, Muslim and Sikh renaissances that created a twentieth-century clash of communities and led to partition.</p><p><i>Political Conflict in Pakistan</i> addresses multiple clashes: between the high culture as a mission to transform society, and the low culture of the land and the people; between those committed to the establishment's institutional constitutional framework and those seeking to dismantle the 'colonial' state; between the corrupt and those seeking to hold them to account; between the political class and the middle class; and between civil and military power. Waseem exposes how the ruling elite centralised power through the militarisation and judicialisation of politics, rendering the federalist arrangement an empty shell and grossly alienating the provinces. He sets all this within the contexts of education and media as breeders of conflict, the difficulties of establishing an anti-terrorist regime, and the state's pragmatic attempts at conflict resolution, under pressure from minorities. This is a wide-ranging account of a country of contestations.</p><p><b>'[Waseem] exceptionally deciphers the nature and origin of the internal conflicts in Pakistan.'  </b><b><i>International Affairs</i></b></p><p><b>'[A]n excellent volume on Pakistan's crisis from a sociological perspective.'  </b><b><i>The Muslim World Book Review</i></b></p><p><b>'This book will be a highly valuable source for people interested in the politics of Pakistan and in the potential of political conflict as a truly transformative variable.'  </b><b><i>Bloomsbury Pakistan</i></b></p><p><b>'Waseem's pathbreaking book successfully exposes the historical fault-lines that continually generate political tremors in Pakistan. Breathtaking in its scope and synthesis, it is essential reading for comprehending the colonial legacy in South Asia. An extraordinary achievement.'  Mustapha Kamal Pasha, Chair in International Politics, Aberystwyth University</b></p><p><b>'Mohammad Waseem is among the most insightful analysts of Pakistan politics. His book is outstanding, and the range of knowledge and sources is absolutely of the highest order. Essential reading.'  Philip K. Oldenburg, Adjunct Associate Professor of Political Science at the South Asia Institute, Columbia University</b></p><p><b>'A panoramic and deeply researched account of the roots of political conflict in Pakistan. In this cleareyed and scrupulously honest discussion, Waseem unpacks Pakistan's contested historical inheritance and its fractured cultural landscape to show how conflict has shaped and reshaped this troubled country. A unique achievement.'  Farzana Shaikh, author of </b><b><i>Making Sense of Pakistan</i></b></p><p><b>'Waseem, an astute analyst of Pakistan's history and politics, focuses on the conflict between the middle class and the "political class" to identify the sources of power in Pakistan, and the challenges in a polity that has effectively excluded much of its population since independence.'  Katharine Adeney, Professor of Comparative Politics, University of Nottingham, and author of </b><b><i>Federalism and Ethnic Conflict Regulation in India and Pakistan</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mohammad Waseem</b>is Professor Emeritus in the Department of Humanities and Social Sciences, Lahore University of Management Sciences. Formerly a Fulbright fellow at Columbia and the Brookings Institute, and Pakistan chair at St Antony's College, Oxford, he specialises in Pakistan's ethnic, constitutional, electoral, sectarian, military and militant politics. His books include<i>Democratization in Pakistan.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Are we confronting a new culture  global, online, individualistic? Or is our existing concept of culture in crisis, as explicit, normative systems replace implicit, social values?</p><p>Olivier Roy's new book explains today's fractures via the extension of individual political and sexual freedoms from the 1960s. For Roy, twentieth-century youth culture disconnected traditional political protest from class, region or ethnicity, fashioning an identity premised on repudiation rather than inheritance of shared history or values. Having spread across generations under neoliberalism and the internet, youth culture is now individualised, ersatz.</p><p>Without a shared culture, everything becomes an explicit code of how to speak and act, often online. Identities are now defined by socially fragmenting personal traits, creating affinity-based sub-cultures seeking safe spaces: universities for the left, gated communities and hard borders for the right.</p><p>Increased left- and right-wing references to 'identity' fail to confront this deeper crisis of culture and community. Our only option, Roy argues, is to restore social bonds at the grassroots or citizenship level.</p><p><b>'This is by far the best analysis I have read of the culture wars and identity politics that besets our time.'  Faisal Devji, Professor of Indian History, University of Oxford</b></p><p><b>'It brings order to a world not at ease with itself.' </b><b><i> Financial Times</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Olivier Roy</b> is Professor at the European University Institute in Florence. Six of his highly acclaimed books on religion and politics are published by Hurst, including<i>Globalised Islam</i>; <i>Jihad and Death; Holy Ignorance;</i>and<i>Is Europe Christian?</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A groundbreaking exploration of justice, democracy and Islamophobia, inviting us to reconsider our assumptions and build a more equitable future.</b></p><p>Change has run amok! Technology advances by the minute, and much of what we think we know about the world fades in front of our eyes. How we are, how we know, how we live our daily lives  all shifting quicker than we can cope with.</p><p>Anwar Ibrahim, Malaysia's tenth Prime Minister, asks how we might rethink ourselves for these confusing, uncertain and volatile times, and shape fairer, more sustainable futures. Anwar's passion is rooted in experience: he spent, in total, over a decade behind bars after three separate miscarriages of justice, from his days as a student activist to his time as Leader of the Opposition.</p><p>Alongside reflections on his time in prison are critical investigations into truth, justice, post-colonialism, Islamophobia, democracy and global order. Anwar assembles ideas from East and West, North and South, to explore how we can create a new inclusive synthesis  for a good society and world. Vividly expressed, expertly dissected, this is a timely book for our turbulent age.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Anwar Ibrahim</b>, Malaysia's Prime Minister, is a public intellectual and founder of the People's Justice Party. He endured a decade of imprisonment for his staunch anti- corruption and reformist politics. Formerly based at the University of Oxford, and Georgetown and Johns Hopkins Universities, he is the author of <i>The Asian Renaissance.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An all-in-one deep dive into the Atlantic herring and its far-reaching dominions.</b></p><p>This book contains almost everything you didn't know you needed to know about Atlantic herrings. (Pacific and Baltic varieties are in there too.) Herrings make the world bigger: with spawnings seen from space, a trillion individuals make this one of the tastiest and most abundant vertebrates on Earth.</p><p>From 'A Beginning' to 'Zuiderzee', count the wars fought over herrings; don't forget Scotland vs the Holy Roman Empire. The herring's high-pitched farts were logged as Soviet submarines, and one herring joke featured in a Jonson play, four Shakespeare plays and the glorious, suppressed fantasia Nashes Lenten Stuffe. Herrings mock taxonomists; physically change with sea temperature and salinity; stuff predators full to bursting, then swim away.</p><p>The Great Sardine Litigation? The true history of kippers? Bloaters? Reds? Chopped herring? Shuba? All this and more. Between sustainable fishery genetics, sixteenth-century Bavaria's 'Herrings, herrings, stinking herrings', and Van Gogh's ear, every entry is a story, a comic journey, an adventure. Some even come with recipes.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Graeme Rigby</b>'s encyclopaedia grew out of a BBC Radio 4 series on preserved fish,<i> Rigby's Red Herrings</i>, and the blogs and podcasts website herripedia.com. Part of Amber Film Photography Collective for nearly twenty years, his allotment documentary book <i>Peaceable Kingdoms</i> was a collaboration with photographer Peter Fryer.</p>]]></Text>
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			<Text textformat="02"><![CDATA[How can parents, caregivers, and educators ignite the next generation's connection to nature and community? Grounded in science-based research and Indigenous wisdom, The Wild Path Home provides a wealth of practical strategies for empowering young people to become engaged, resilient advocates for a healthy planet.]]></Text>
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			<Text textformat="02"><![CDATA[<p>On the pathway to stewardship and kinship  an experiential approach to fostering environmental connection from birth to the teen years.</p><p>In a technologically saturated world, how can we ignite the next generation's connection to their ecological and human communities? Grounded in science-based research and Indigenous wisdom, <i>The Wild Path Home </i>offers an abundance of practical strategies for fostering respect, reciprocity, and responsibility  empowering young people to become resilient, passionate advocates for the planet.</p><p>This essential guide combines creative outdoor learning with supportive mentorship to create a powerful framework that can be adapted to any setting. Award-winning environmental educators Jacob Rodenburg and Cathy Dueck provide a simple, accessible roadmap for nurturing future nature stewards at every stage of their development, including:</p><ul><li>A comprehensive list of key stewardship principles that are both timeless and universal</li><li>30 age-appropriate actions or 'Landmarks', designed to inspire, activate, and equip children and youth to create healthier communities and a vibrant, more sustainable world</li><li>Context, background, and relevant climate change connections, along with a wealth of hands-on activities to support each action</li></ul><p>From toddlers discovering the world through their senses, to teens championing environmental and social justice while honing their leadership skills, this engaging guide has something for everyone. With its strong emphasis on the benefits of unstructured outdoor time, <i>The Wild Path Home </i>is an antidote to the anxiety, depression, and alienation faced by many young people today. Required reading for parents, caregivers, educators, and community leaders.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jacob Rodenburg </b>is an award-winning educator with over 35 years' experience and a master's degree in education. He is the executive director of Camp Kawartha, an innovative summer camp and leading outdoor education center, and has taught environmental education at Trent University for two decades. Jacob has helped to develop nearly 100 outdoor and environmental programs, has published dozens of articles, led scores of workshops and training programs, and has taught more than 100,000 students. He is author of The Book of Nature Connection and co-author of <i>The Big Book of Nature Activities</i>. Jacob's passion is finding creative ways to connect children with nature. He lives in Peterborough, Ontario.</p><p><b>Cathy Dueck</b> is a lifelong naturalist who has worked in community-based environmental education for over 35 years. She is founder of the Peterborough Ecology Park where she oversaw the development and delivery of children's programs. Cathy taught in the School of the Environment at Trent University for 15 years and holds a B.A. in Environmental Science and a Master's in Canadian and Indigenous Studies. She served as lead writer, researcher, and co-ordinator for the Kawartha Region's Pathway to Stewardship and Kinship project, where she shared her passion for fostering community connection and environmental stewardship with people of all ages. Cathy has received many local, provincial, and national awards. She lives in Havelock, Ontario.</p>]]></Text>
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			<Text textformat="02"><![CDATA[From the author of The Zen of Climbing and The Craft of Bouldering, a manifesto for a new approach to connecting meaningfully with the wildness around and within us.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From the author of</b> <b><i>The Zen of Climbing</i></b><b> and</b> <b><i>The Craft of Bouldering</i></b><b>, a manifesto for a new approach to connecting meaningfully with the wildness around and within us.</b></p><p>In recent years, we have woken up to the crucial role that nature plays in our well-being. As we live increasingly urbanised lives, we seek out wilderness and green space in times of hardship and turmoil, or simply during our leisure time. In the process of exploring and understanding more about the benefits of being in nature, many of us have taken up swimming, forest bathing, cycling, hiking and running in the open air. But when we spend this time in the wild are we really connected to it?</p><p>Francis Sanzaro argues that we often obscure opportunities for real connection through our attachment to screens, our anxieties about our 'everyday' lives, or simply through our egos. When we observe nature, we rarely do so without subconsciously filtering out the parts that don't fit into the perfect snapshot we crave.</p><p>To foster a genuine connection with the natural world, and to better protect it, we must embrace its contradictions as well as the surface beauty. Through deeper engagement with our environment, we can discover the wild within ourselves, too.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Francis Sanzaro</b> (Ph.D.) is a climber, academic, speaker, and the author of books on philosophy, climbing, athletic theory and comparative religion. His essays, poetry and fiction have appeared in<i> The New York Times, Outside, Huffington Post, Climbing, Adventure Journal, The Baltimore Post Examiner, Continental Philosophy Review, Vol. 1 Brooklyn</i> and <i>Rock and Ice</i>, among a dozen others. His books include<i> The Zen of Climbing; The Craft of Bouldering;</i> and <i>Society Elsewhere: Why the Gravest Threat to Humanity Will Come From Within</i>. He appeared at TEDx Ascend in Colorado speaking on approaches to risk and our relationship with the natural world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In </b><b><i>Live Life Rich</i></b><b>, speaker and financial coach Marissa Nehlsen helps readers and entrepreneurs locate the elements within their businesses that trip owners up and steal their freedom. She helps business owners focus on building a 'financial freedom plan' so they can live the life they've always wanted to live.</b></p><p>For many entrepreneurs and business owners, starting and growing a business isn't just about making money. It's about finding freedom. It's about experiencing the fulfillment that comes from a successful enterprise. And it's about living a rich life. But the reality is that while your business can give you a rich life, it also has the potential to ruin it. Success often comes at the expense of sanity. It is possible that you're working harder than ever, you're paying everyone else first, yet you're in a prison of your own making.</p><p>The secret isn't simply getting more customers, scaling up, or putting your hard-earned cash 'back into the business'. The quest for genuine freedom, flexibility, and financial well-being demands crafting a plan  a financial freedom plan. As a seasoned money and mindset coach, and founder of an eight-figure financial firm, Marissa Nehlsen believes that when the vision is clear, the decisions become easy.</p><p>Her guide will show you how to:</p><ul><li>Set a clear vision for your business, finances, and life, and gain the freedom you want</li><li>Make money your best employee, no matter what size your business</li><li>Open up connections, opportunities, and networks</li><li>Fire your worst business partner  the tax collector</li><li>Prepare a legacy plan and pass on a masterpiece, instead of a mess</li></ul><p>Say goodbye to the grind and say hello to freedom. It's time to start living life on your own terms. And live life rich!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Brandy Clements</b> <b>&amp; David Klingler</b> are the co-owners of Silver River Center forChair Caning, the nation's only chair weaving school &amp; museum. The school is an Official Education Center of the Southern Highland Craft Guild. Brandy is a 4th generation chair caner and the couple are highly regarded in their field as chair caning ambassadors (aka Chair Nerds). They teach and speak at conferences, museums, craft schools and craft shows, and travel the US &amp; Europe to study the heritage craft. They have taught hundreds of students of all ages from across the globe and helped launch 30+ small businesses. They have been published in <i>Mother Earth News</i>, have been featured in <i>American Craft Magazine</i> and other regional publications, as well as on television including <i>CBS, PBS</i>, and <i>The Travel Channel</i>. They love to chat with podcasters about chairs and the chair nerd community, and continue to restore chairs and collaborate with furniture makers alongside their golden retriever, Rosie in Asheville, North Carolina. Find them online at www.SilverRiverChairs.com or @SilverRiverChairs on Instagram and YouTube.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Elizabeth Currie</b> teaches at Central Saint Martins, University of the Arts London. She has published widely on the history of fashion and textiles, including the edited volume<i> A Cultural History of Dress and Fashion in the Renaissance</i> (2017).</p>]]></Text>
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			<Text textformat="02"><![CDATA[Critical Care paints a vivid and nuanced picture of HIV and AIDS nursing and sheds light on an unexamined aspect of Australia's AIDS crisis.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Prime Minister's Literary Awards 2025, Australian history**</b></p><p><b>**Shortlisted, NSW History Awards 2025, NSW Community and Regional History Prize**</b></p><p><b>**Highly Commended, Ernest Scott Prize 2025**</b></p><p><b>**Highly Commended, Oral History Australia Book Award 2024**</b></p><p>HIV and AIDS devastated communities across Australia in the 1980s and 1990s. In the midst of this profound health crisis, nurses provided crucial care to those living with and dying from the virus. They negotiated homophobia and complex family dynamics as well as defending the rights of their patients.</p><p>Bringing together stories from across the country, historian Geraldine Fela documents the extraordinary care, compassion and solidarity shown by HIV and AIDS nurses. <i>Critical Care</i> unearths the important and unexamined history of nurses and nursing unions as caregivers and political agents who helped shape Australia's response to HIV and AIDS.</p><p><b>'Drawing on the frontline experience of nurses, Fela has written an insightful and moving history of the tragedy and triumphs of Australia's response to the AIDS epidemic.'  Dennis Altman, Vice Chancellor's Fellow, La Trobe University</b></p><p><b>'</b><b><i>Critical Care</i></b><b> shows how Australia's AIDS crisis aroused fear, hatred and homophobia and yet forged new bonds of care, community and love. This beautifully told story of the nursing profession's response to acute suffering and great tragedy  borne predominantly by gay men  is among the most moving Australian histories I have read. It will be essential for anyone interested in health, the professions, gender, sexuality and the shifting emotional landscape of the nation.'  Frank Bongiorno, Professor of History, Australian National University</b></p><p><b>'This outstanding book chronicles the role of nurses in addressing the AIDS pandemic, after the arrival of HIV. The old approach to epidemics was strict control and isolation. But something new was required by the nature of this unexpected crisis. Fortunately, in Australasia, healthcare professionals and lawmakers rose to the occasion. The special challenge of coping with patients needing care, often when they were profoundly sick and dying; where no vaccine was available; and no drugs were effective at first to turn the tide, put huge pressure on nurses on the front line. They helped lead our community to address the AIDS paradox. This book tells a heroic story. I honour the author and those whose work she describes so that their lessons will not be forgotten.'  The Hon. Michael Kirby, Past Justice of The High Court of Australia and Patron of The Kirby Institute</b></p><p><b>'As well as being a pleasure to read, this book shines new light on previously hidden stories in the Australian HIV response; that of nurses, trade unions and First Nations people. Fela's insightful narrative brings to life the unique and vital role played by nurses who provided care in environments that were too often marked by intense fear and shame.'  Jennifer Power, Associate Professor and Principal Research Fellow, La Trobe University</b></p><p><b>'In this insightful book, Geraldine Fela revisits the Australian response to the HIV/AIDS epidemic and unearths the important and untold contribution of nurses. Nurses were on the frontlines of care during the epidemic and Fela beautifully brings forth their experiences, perspectives and voices. In her attention to labour history, gender and the impact of colonisation, Fela highlights less-told stories of the epidemic that help us re-evaluate the Australian response to HIV/AIDS. This is an important and often moving book.'  Robert Reynolds, Professor of Modern History, Macquarie University</b></p><p><b>'In the worst years of the AIDS crisis, nurses were the frontline of healthcare. Geraldine Fela's compelling, myth-busting book shows how Australian nurses challenged stigma and transformed healthcare relationships and practices. Fela illuminates different healthcare approaches across states, and between city and country, and how nurses ensured effective responses to HIV in Indigenous communities.'  Alistair Thomson, President Oral History Australia and Emeritus Professor in History, Monash University</b></p><p><b>'In this marvellous book, Geraldine Fela reveals the day-to-day work of nurses and their unions in responding to the HIV/AIDS crisis in Australia. Through interviews and archival research, she shows how in caring, educating, advocating, they saved lives, eased suffering and reshaped our medical system from the ground up.'  Graham Willett, Historian, Arch-tivist, Publisher</b></p><p><b>'This book honours those who bathed the sweat from the exhausted brows of sufferers; who cared for people abandoned by their families and the community; who stood up for those who could no longer stand up for themselves. Bravo, bravo, bravo.'  Caroline Overington,</b> <b><i>The Australian</i></b></p><p><b>'</b><b><i>Critical Care</i></b><b> is an optimistic and galvanising read that celebrates the power of activism.'  Jinghua Qian, ABC ARTS</b></p><p><b>'The author skilfully weaves the professional, personal and political to make visible the often-invisible work of those lower down in the hospital hierarchy who braved fear, hate and ignorance to deliver a service that recognised people's humanity.</b> <b><i>Critical Care</i></b> <b>is a challenging read, but its reward is insight into the power of love, courage and solidarity.'  Judges' comments, NSW History Awards</b></p><p><b>'This inspiring history of progressive public health strategy should be cause for national pride. Characterised by a collaborative, community-based education approach  rather than isolating and controlling patients  nurses played an important role, centring the rights of affected communities.In the age when public health is a matter of urgent concern,</b> <b><i>Critical Care</i></b><b> is both an original and revealing history of Australia's response to AIDS and a valuable source of guidance for the future.'  Judges' comments, Prime Minister's Literary Awards</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Geraldine Fela</b> is a Postdoctoral Research Fellow in the Department of History and Archaeology at Macquarie University. Her research and teaching traverses histories of gender and sexuality, labour, social movements and medicine. She has been widely awarded for her work examining the role of nurses during Australia's HIV and AIDS crisis and has appeared in both scholarly and popular outlets. <i>Critical Care</i> is her first book.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Reveals the alt-right's project to claim science fiction and  by extension  the future.</b></p><p>Fascists such as Richard Spencer interpret science fiction films and literature as saying only white men have the imagination required to invent a high-tech future. Other white nationalists envision racist utopias filled with Aryan supermen and all-white space colonies. <i>Speculative Whiteness</i> traces these ideas through the entangled histories of science fiction culture and white supremacist politics, showing that debates about representation in science fiction films and literature are struggles over who has the right to imagine and inhabit the future. Although fascists insist that tomorrow belongs to them, they have always been and will continue to be contested by antifascist fans willing to fight for the future.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jordan S. Carroll</b> is author of <i>Reading the Obscene: Transgressive Editors and the Class Politics of US Literature,</i> which won the MLA Prize for Independent Scholars.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A celebration of the seemingly simple idea that allowed us to imagine the world in new dimensions - sparking both controversy and discovery.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, NSW History Awards 2025, General History Prize**</b></p><p><i>'The story I'll tell here is about the evolution of the way we humans record and make sense of all the data that swirl around us...'</i></p><p><i>Vector</i> takes readers on an extraordinary 5000-year journey through the human imagination. The stars of this book, vectors and tensors, are unlikely celebrities. Yet mathematician and science writer Robyn Arianrhod shows how they enabled physicists and mathematicians to think in a brand-new way. They inspired James Clerk Maxwell to usher in the wireless electromagnetic age; Albert Einstein to predict the curving of space-time and the existence of gravitational waves; Paul Dirac to create quantum field theory; and Emmy Noether to connect mathematical symmetry and the conservation of energy. Today, you're likely relying on vectors or tensors each time you pick up your mobile phone, use a GPS, or search online.</p><p>In <i>Vector</i>, Robyn Arianrhod shows the genius required to reimagine the world - and how a clever mathematical construct can dramatically change discovery's direction.</p><p><b>'In</b> <b><i>Vector</i></b><b>, Arianrhod shows, with beautiful ease, that maths is not some foreign world only geeks inhabit. It</b> <b><i>is</i></b><b> the world around us.'  Adam Spencer, author of</b> <b><i>Adam Spencer's Big Book of Numbers: Everything you wanted to know about the numbers 1 to 100</i></b></p><p><b>'Arianrhod's</b> <b><i>Vector</i></b><b>, a masterpiece of science exposition, reads as a welcoming cognitive cliffhanger tour of vectors, their generalizations, and their accompanying symbolic tools of mathematical physics, all dovetailing through germane history vignette accounts of astonishing connections and applications.'  Joseph Mazur, author of</b> <b><i>The Clock Mirage: Our Myth of Measured Time</i></b></p><p><b>'A vector is quantity that has magnitude and, crucially, direction. This idea has enabled physicists and mathematicians to imagine and describe the world in new dimensions. The author traces the influence of vectors over the past 5,000 years, and why vectors (and tensors) are still relevant today.' </b> <b><i>The Bookseller</i></b></p><p><b>'There have been lots of books about the evolution of modern physics: from Newton to Maxwell to Einstein and on to quantum theory. But seldom does an author pay attention to the mathematical revolutions that made those physical theories possible. Only as the mathematical toolkit expanded from simple scalars to include such tools and ideas as quaternions and vectors and tensors could physicists and mathematicians find the language to describe an increasingly bewildering universe. Arianrhod does a remarkable job telling the story of the mathematical revolution under the hood, the engine that drove the physics revolutions of the nineteenth and twentieth centuries; the result is a book well worth your time.' - Charles Seife, author of</b> <b><i>Zero: The Biography of a Dangerous Idea</i></b></p><p><b>'"If all mathematics disappeared," physicist Richard Feynman opined, "it would set physics back precisely one week." To which mathematician Mark Kac retorted, "Precisely the week in which God created the world." Arianrhod persuades us that vectors and tensors are among those creations. Students and teachers should read this excellent book together.' - Marjorie Senechal, editor-in-chief of</b> <b><i>The Mathematical Intelligencer</i></b></p><p><b>'With a flair for exposition that makes the complex simple, and a gift for storytelling, Arianrhod is without peer in conveying the beauty, and power, of mathematics. William Rowan Hamilton, James Clerk Maxwell, and Albert Einstein come alive in this dramatic tale of a simple idea that changed our world.' - Amir Alexander, author of</b> <b><i>Infinitesimal: How a Dangerous Mathematical Theory Shaped the Modern World</i></b></p><p><b>'Everyone understands what it means to move at some particular speed in some particular direction. But it took a long time to start thinking of such behavior in terms of a single clarifying concept, the vector. Arianrhod's lively and detailed chronicle explains why vectors and tensors are at the heart of our best ways to think about the universe.' - Sean Carroll, author of</b> <b><i>The Biggest Ideas in the Universe</i></b></p><p><b>'...mathematician Robyn Arianrhod tells the story beautifully...a very human story of how men and women explored and refined pure maths and physics, their friendships and rivalries, frustration and insights. Dr Arianrhod is most effective in describing collaboration across time and nationalities, as well trained minds and curious mavericks picked up the challenge to understand our universe.' - Robyn Douglass,</b> <b><i>The Daily Telegraph</i></b></p><p><b>'Written with wit and impressive scholarship in both history and mathematics.' - Peter Main</b></p><p><b>'Arianrhod has an encyclopedic knowledge of the history of physics and mathematics, as well as a deep understanding of often very technical subject matter...Arianrhod's deep research and attention to neglected figures in the history of science, many of them women, is refreshing...</b><b><i>Vector</i></b> <b>is a fascinating read.' - Michael Lucy,</b> <b><i>Australian Book Review</i></b></p><p><b>'This book expanded my imagination by showing how even the simplest of concepts can have a fascinating and far from simple history...Whether you are interested in popular history of science or would like to know more about the details of how vectors and the laws of physics developed together, I recommend this book.'  Thomas Britz,</b> <b><i>Parabola</i></b></p><p><b>'Few books can claim to be able to engage historians in mathematics and mathematicians in history, but Robyn Arianrhod's </b><b><i>Vector </i></b><b>is just such a rare book. It takes extremely complex concepts from mathematics and the natural sciences and turns them into a fascinating and highly personal journey through the history of the thinkers who made the hallmark inventions of the modern world possible...Both a towering display of erudition and a deeply engaging, charming and intimate retelling of the lives and times of its subjects and their work.'  Judges' comments, NSW History Awards</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Robyn Arianrhod</b> has a PhD in the theory of general relativity and taught mathematics at Monash University; she's currently an Affiliate in Monash's School of Mathematics. She writes about maths and science for the interested general reader - her books have been translated into several languages and shortlisted for national literary awards, and her articles have appeared in various outlets, including <i>Best Australian Science Writing</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Gadigal country, Woolloomooloo Farm, Riley Estate, Burdekin's paddock, Burlington Picture Palace, First Church of Christ Scientist, party mansion, Yirranma Place  the many transformations of 262 Liverpool Street Darlinghurst reflect the long and layered history of Sydney.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, NSW History Awards 2025, NSW Community and Regional History Prize**</b></p><p><b>Gadigal Country, Woolloomooloo Farm, Riley Estate, Burdekin's paddock, Burlington Picture Palace, First Church of Christ Scientist, party mansion, Yirranma Place.</b></p><p>The many transformations of 262 Liverpool Street, lying at the corner of Forbes Street in Darlinghurst, reflect the long and layered history of Sydney. Now named Yirranma Place, it's a site that has been constantly recreated.</p><p>Historian Alana Piper takes episodes from the history of Yirranma Place and its surrounds to provide a window into Sydney's past, particularly the city's experiences of power and hardship. Bringing together local and social history, this visually rich exploration of a corner in Darlinghurst combines deep research with revealing stories.</p><p><b>'</b><b><i>Yirranma Place</i></b><b> is a literary and visual tour de force of an inner-city Sydney neighbourhood that stretches from First Nations experiences in pre-contact times through to the present day. Alana Piper delivers her rigorously researched history in graceful prose, complete with accompanying maps, photographs and paintings that play an integral role in the story. In a series of thematic chapters, she draws attention to the people, issues and relationships that defined this place across eras and generations.'  Judges' comments, NSW History Awards</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alana Piper</b> is an academic at the Australian Centre for Public History at the University of Technology Sydney. She researches widely across Australian social and cultural history, with a particular focus on issues of crime and gender. She has published in international publications such as the <i>Journal of Interdisciplinary History, Women's History Review, Journal of Social History, History Workshop Journal, Law and History Review</i> and the<i> Journal of Legal History</i>. She also co-edited<i> Gender Violence inAustralia: Historical Perspectives.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>How do waves break and what makes good surf?</b></p><p><b>What are dangerous rip currents and how do you spot one?</b></p><p><b>What would you do if you got caught in one?</b></p><p>Australia's best-known surf scientist, Rob 'Dr Rip' Brander, takes you on a fascinating and entertaining journey to uncover how our beaches form and behave, the science of waves and currents, how beaches respond to storms and climate change, as well as some of the hazards to watch out for, from tsunamis to the (unlikely) event you find yourself swimming with a shark.</p><p>Whether you're a surfer looking for the perfect wave or enjoying the beach with friends and family, this book is a must-read for all ocean lovers.</p><p></p><p><b>'So good, it should be compulsory reading at school, and in planes flying to Australia.' - Dr. Karl</b> <b>Kruszelnicki</b></p><p><b>'Dr Rip is well-respected by Bondi Lifeguards. His knowledge of how beaches work has helped save many lives.' - Bruce Hopkins, Chief Lifeguard at Bondi, Bronte and Tamarama beaches and star of</b> <b><i>Bondi Rescue</i></b></p><p><b>'The beach is a fun but dangerous place. Everyone who loves the surf should read this fantastic book.' - Mick Fanning, three-time surfing world champion</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Longlisted, Australian Book Design Awards 2025, Best Designed Non-Fiction Cover**</b></p><p><i>Swimming Sydney</i> is a tale of 52 swims in and around Sydney that take place over a calendar year. From Palm Beach to Cronulla, Mount Druitt to Bondi, Chris Baker swims at iconic beaches, municipal pools, harbour baths, tidal rock pools, bushland lakes and a backyard pool.</p><p>Taking his weekly plunges, Baker reflects on friendship, history and family, and how swimming can help us better understand ourselves.</p><p><i>Swimming Sydney</i> is a valentine to the beautiful obsession of swimming in the world's most beautiful city. It's a book for everyone who loves swimming, who loves Sydney, and who understands that storytelling is the best way to navigate life's emotional currents.</p><p><b>'Part travel guide and part memoir, these 52 immersive essays  one a week  remind us how inextricably Australian culture is linked to water and our bodies. Immerse yourself and emerge invigorated, like the best swims leave you feeling.'  Benjamin Law</b></p><p><b>'A poetic ode to the water that will have you reaching for your goggles and leaping into the blue. Chris Baker may swim like a fish, but he also writes like a dream.</b> <b><i>Swimming Sydney</i></b><b> is a beguiling portrait of love, loss, community and identity in the world's most swimmable city.'  Yves Rees</b></p><p><b>'Chris Baker takes a deep dive into the watery history of Sydney, focusing by turns on its conflicted history, ravishing beauty and salty present. His eye for detail is sharper than a gull's, and while his love of the liquid landscapes he traverses is palpable and at times nostalgic, it is never sentimental. Reading his 52 swims made me long to don my togs and to get away from my own daily comfort pool. I ached to rush to a dive-in, to slurp a Sunnyboy or chomp a pluto pup, and above all, to immerse in the "dignified consolation" that he offers in every chapter. This book is both a keeper and a giver, an invitation and a challenge, a guide and a gift; it's a love song to the caress of watery wonder.'  Ailsa Piper</b></p><p><b>'Essential to the immersive pleasure of this work is the natural beauty of the coastal and submarine environment. And for water lovers not familiar with Sydney's many swim spots, this guide is an ideal introduction.' </b> <b><i>Sydney Morning Herald</i></b> <b>/</b> <b><i>The Age</i></b></p><p><b>'This is a lovely book regardless of whether or not you live within a bull's roar of Sydney.' </b><b><i> The Canberra Times</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A lifelong swimmer, educator and writer, <b>Chris Baker</b> was born and raised in Sydney. He has spent much of his professional life overseas, living and working in Vancouver, Prague, Hong Kong and Berlin. Chris was lured back to Sydney by its beautiful beaches, superb municipal pools, wild swimming holes and world-famous ocean baths. He is the author of <i>Swimming Sydney: A tale of 52 Swims</i> (NewSouth).</p><p>Chris' work has been published by the <i>Sydney Morning Herald, Weekend Australian, The Guardian Australia, Time Out, SBS Online</i> and <i>Vogue Australia.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Darryl Jones, author of</b> <b><i>Feeding the Birds at Your Table</i></b><b>, reveals the not-so-secret lives of the most common birds that share our towns and cities.</b></p><p>Despite the noise, heat, dust and fumes, the ceaseless movement, light and toxins, many birds successfully live their lives among us. And not just furtively in the shadows. Ibis steal our lunch, brush-turkeys rearrange gardens and magpies chase us from near their nest.</p><p>From blackbirds and sparrows in his childhood country town to brush-turkeys in the suburbs, Darryl Jones shares a fascinating story of curiosity, discovery, adventure and conflict, played out in the streets and backyards of Australia. He also provides rare insights into the intimate lives of some of our most beloved and feared, despised and admired neighbours. Magpies, curlews, ibis, lorikeets and cockatoos will never seem the same again.</p><p><b>'What happens when nature comes to town? Darryl Jones has written a witty, rollicking account of his encounters with the ingenious creatures that make our urban homes their own. A wild, wonderful journey in the spirit of Gerald Durrell, unexpected and delightful, full of insight, humour and humility. Anyone who loves birds, nature and superb storytelling will love this book!'  Jennifer Ackerman, author of</b> <b><i>The Genius of Birds</i></b></p><p><b>'As rare a delight as the urban curlews of the title, this is a thoroughly enjoyable account of the value that all birds, even the common ones we see every day, bring to our lives. We often talk about why birds matter. Darryl Jones shows how even backyard birds have the capacity to enrich and bring wonder to our lives.'  Sean Dooley, author of</b> <b><i>The Big Twitch</i></b></p><p><b>'Darryl Jones confirms what many people suspect, that ecologists lead fun lives.'  Tim Low, author of</b> <b><i>Where Song Began</i></b></p><p><b>'Jones's enthusiasm for his avian subjects and the thrill of scientific discovery should appeal most to fellow bird lovers, watchers and counters - or anyone who dabbled in the habit during the long pandemic lockdowns.'  Kim Thomson,</b> <b><i>Books+Publishing</i></b></p><p><b>'A charming ornithological memoir.'  Phil Brown,</b> <b><i>Courier Mail</i></b></p><p><b>'Jones casts a wry eye over all his subjects and their behaviours, whether they be birds, academics or himself, in this playful, engaging tale.' -</b> <b><i>The Sydney Morning Herald</i></b></p><p><b>'Jones makes for a knowledgeable and curious-minded guide.' </b> <b><i>The West Australian</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p></p><p><b>Darryl Jones</b> is a Professor of Ecology at Griffith University in Brisbane, where he has been investigating the many ways that people and wildlife interact for over 30 years. He is particularly interested in why some species are extremely successful in urban landscapes, while many others are not, and how best to deal with the ensuing conflicts. More recently, he has been trying to understand more about the humans that also live in cities in large numbers, and how they engage with nature. This has led him into the strange and fascinating world of wild bird feeding and has resulted in collaborations with other researchers all over the world. He has published six books, including <i>The Birds at My Table</i> and <i>Feeding the Birds at My Table</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In <i>Sydney</i>, acclaimed playwright and writer Louis Nowra  author of <i>Kings Cross</i> and <i>Woolloomooloo</i>  expands his gaze to explore the energy, beauty, vulgarity, dynamism and pulsating sense of self-importance of his adopted city. This big, bustling portrait of Sydney is told through a cast of criminals and premiers, ordinary folk, entertainers, artists, thieves and visionaries.</p><p>Along with its people Nowra surveys the city's landscape, its architecture, and its global identity. And as Sydney's history unfolds throughout the twentieth century and beyond, Nowra revels in its neon lights, music, skyscrapers, sense of optimism and the many disparate elements that shape Sydneysiders' view of themselves.</p><p><b>'Nowra captures the everchanging spirit of what is arguably  to most, inarguably to Nowra  Australia's pre-eminent city.' </b> <b><i>Books+Publishing</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Louis Nowra</b> is a playwright, novelist, essayist and screen-writer. Some of his plays are <i>Inner Voices</i>, <i>The Golden Age</i>, <i>Inside the Island</i>, <i>The Boyce Trilogy</i>, <i>Radiance</i> and <i>The Lewis Trilogy</i> (<i>Summer of the Aliens</i>, <i>Cos</i>, <i>This Much is True</i>). Screen credits include <i>Map of the Human Heart</i>, <i>Radiance</i>, <i>Black and White</i>, <i>Heaven's Burning</i>, <i>K-19: The Widowmaker</i> and <i>Cos</i>. His novels are <i>The Misery of Beauty</i>, <i>Palu</i>, <i>Red Nights</i>, <i>Abaza</i> and<i> Ice</i>. He has written two memoirs, <i>The Twelfth of Never</i> and <i>Shooting the Moon</i>. With Mandy Sayer, he co-edited the influential anthology about Kings Cross, <i>In the Gutter...Looking at the Stars</i>. His recent non-fiction includes <i>Kings Cross: a biography</i> (2013), <i>Woolloomooloo:</i> <i>a biography</i> (2017). He lives on the border between Kings Cross and Woolloomooloo and is married to the writer Mandy Sayer.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Yves Rees rewrites the story of AustralianUS relations by spotlighting ten trailblazing women whose extraordinary lives have largely been forgotten.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A celebrity decorator with blue hair. A single mother who advised JFK in the Oval Office. A Christian nudist with a passion for almond milk.</b></p><p>A century ago, ten Australian women did something remarkable. Throwing convention to the wind, they headed across the Pacific to make their fortune. In doing so, they reoriented Australia towards the United States years before politicians began to lumber down the same path.</p><p>For the artist Mary Cecil Allen, this meant spreading the word about American abstract expressionism. For the naturopath Alice Caporn, it meant evangelising fruit juices and salads. For the swimmer Isabel Letham, it was teaching synchronised swimming. Others imported the latest thinking in dentistry, fashion, design, economics, law, music, medicine and more. They were rebels, they were trailblazers, they were disruptors. Individually, they have extraordinary stories; together, they change the narrative of Australian history.</p><p><b>'Thoughtful and curious, critical and kind, Yves Rees's study of these globetrotting Australian women richly renders their lives and times, as well as contemplating how we reach across time to read them today.'  Anna Clark, Australian Research Council Future Fellow, University of Technology Sydney</b></p><p><b>'Fresh, captivating, and full of fantastic women. Yves has somehow managed to assemble the greatest fantasy dinner party you never knew you needed, whilst also uncovering a fascinating and untold side of our history. A real treat.'  Zoe Coombs Marr, comedian, performer and actor</b></p><p><b>'Yves Rees has the remarkable ability to bring history into the present, reminding us all that the only thing that really separates the generations is a linear notion of time.</b> <b><i>Travelling to Tomorrow</i></b> <b>gives voice to the women at the forefront of Australia's own "American Revolution". What I love most about Yves is how they bring an unwavering commitment to human rights in their exploration of history, the language of equality ever-present in their handling of the past. In Rees, we have found a historian of rare skill  they possess the ability to tell us something we didn't know about something we thought we did.'  Clementine Ford, feminist writer, columnist and broadcaster</b></p><p><b>'This book is a knockout. Yves Rees is that rare historian who thinks like a scholar and writes like a dream  the literary equivalent to floating like a butterflying and stinging like a bee. You will want to meet these fearless and feisty women: women not only before their time in forging new geocultural paths to independence but also making their times by putting flesh to the bones of modernity. Rees gives us their stories in full-bodied, hot-blooded fashion. A sheer delight.'  Professor Clare Wright OAM, Professor of History, La Trobe University</b></p><p><b>'</b><b><i>Travelling to Tomorrow</i></b><b> is a rollicking, bouncing read.'  Rachelle Unreich,</b> <b><i>SMH/The Age</i></b> <b>(Book of the Week)</b></p><p><b>'Accessible, entertaining...Rees has a storyteller's knack for engaging the reader.'  Kirsten Tranter,</b> <b><i>Australian Book Review</i></b></p><p><b>'a cracking, never-before-told tale.'  Nicole Abadee, Spectrum</b></p><p><b>'Rees&amp;#x27; narrative voice is chatty, empathetic, [and] wise. The reader feels like a charming guide is leading a tour of interwar America. All of this makes the book an engrossing read.'  </b><b><i>Inside Story</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Yves Rees</b> (they/them) is a writer, historian and podcaster based on unceded Wurundjeri land. Yves is a Senior Lecturer in History at La Trobe University, the co-host of Archive Fever history podcast (with Clare Wright), and author of the memoir <i>All About Yves: Notes from a Transition</i>. They are also co-editor of <i>Nothing to Hide: Voices of Trans and Gender-Diverse Australia.</i></p>]]></Text>
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			<SubjectHeadingText>climate change; Bruce Pascoe; Nature Conservancy Prize; Autralian nature writing; Tim Winton; Dave Witty; Don Watson; desert; Australian outback; ocean; flora and fauna; flora; anthology; Tim Flannery; travel</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Many of us gain inspiration, solace, beauty and a sense of wonder from our interactions with nature, and writers have long plumbed and explored these depths.</p><p>At the same time as many of us tune in to natural landscapes, our environment is imperilled as never before. We are in the midst of a climate emergency that is challenging the future of our species, and all living creatures we share the earth with.</p><p>This unique collection of Australia's best new nature writing gathers together some of our most widely known and most original voices to reflect on our relationship with nature.</p><p>These pieces, by turns compelling, urgent, poignant and passionate, offer an insight into the wonder of the natural world around us, and form a clarion call for its protection.</p><p>With an introduction from Dave Witty, and featuring contributors including Tim Winton, Bruce Pascoe and Inga Simpson, this collection makes the perfect summer read or gift for the nature-lover in your life.</p><p><b>Praise for</b> <b><i>What the Trees See</i></b><b>:</b></p><p>'Fascinating and revelatory'  Kate Holden</p><p>'The story of learning a landscape'  Billy Griffiths</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dave Witty</b> is the author of the acclaimed <i>What the Trees See: a wander through millennia of natural history in Australia</i>, which examines aspects of Australia's history through our indigenous and non-indigenous trees. He is the recipient of the 2021 Rosina Joy Buckman Award in the Nature Conservancy Nature Writing Prize, and his work appears widely in Australian literary journals and publications.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A brief guide to the real science of interstellar travel.</b></p><p>With known exoplanets now numbering in the thousands and initiatives like 100 Year Starship and Breakthrough Starshot advancing the idea of interstellar travel, the age-old dream of venturing forth into the cosmos and perhaps even colonising distant worlds may one day become a reality. <i>A Traveler's Guide to the Stars</i> reveals how.</p><p>Les Johnson takes you on a thrilling tour of the physics and technologies that may enable us to reach the stars. He discusses the latest exoplanet discoveries, promising interstellar missions on the not-so-distant horizon, and exciting new developments in space propulsion, power, robotics, communications, and more. But interstellar travel will not be easy, and it is not for the faint of heart. Johnson describes the harsh and forbidding expanse of space that awaits us, and he addresses the daunting challenges  both human and technological  that we will need to overcome in order to realise tomorrow's possibilities.</p><p><i>A Traveler's Guide to the Stars</i> is your passport to the next great frontier of human discovery, providing a rare inside look at the remarkable breakthroughs in science and technology that will help tomorrow's space travellers chart a course for the stars.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The modernist RSL club, the Art Deco cinema, the stilted Queenslander or the elaborate Edwardian. The iconography of Australia's regional towns is familiar to many of us, whether we live, work and play in these places, or just journey through. A distinctive Australian architecture has developed, less glamorous or coherent than the grand public buildings in the capital cities, but no less classic or important to our sense of identity.</p><p>The images in this book are a snapshot of the Australian town, from Warrnambool to Broome, captured by the National Library of Australia's photographers in the 1990s. Each building is a reflection of the local climate, history, landscape and people, and yet there are commonalities. When we make a pitstop at a town on our summer pilgrimage to the coast or to visit relatives, recognise the surf lifesaving club, the public pool, a milkbar because we know the architectural language. These are our towers and spires.</p><p>An Australian town might contain more or fewer Victorian, Edwardian, Federation, Colonial, Italianate, Modernist, Contemporary and Art Deco buildings. Its suburbs might have been built in a gold rush fervour in the 1850s or have sprawled in the 1960s or big blocks and old homes replaced with blocks of flats in the 1980s. But the design mishmash that so upset Robin Boyd in the 1960s today can move us and make us feel at home. Here is the Great Australian Beauty of our towns, in all its nostalgic, iconic, recognisable glory.</p><p></p><p>List of towns included in <i>Our Streets: The Regional Cities and Major Towns Project:</i></p><p>ALBANY, ALBURY, ALICE SPRINGS, ARMIDALE, BAIRNSDALE, BALLARAT, BATHURST, BEGA, BENDIGO, BERRIMA, BOWEN, BRAIDWOOD, BROKEN HILL, BROOME, BUNBURY, BUNDABERG, BURNIE, BURRA, CAIRNS, CARNARVON, CHARTERS TOWERS, CLONCURRY, COFFS HARBOUR, COOBER PEDY, COOTAMUNDRA, DENILIQUIN, DERBY, DEVONPORT, DUBBO, ECHUCA, GAWLER, GEELONG, GERALDTON, GOULBURN, GUNNING, GYMPIE, HAMILTON, HERMANNSBURG, HOLBROOK, HORSHAM, KALGOORLIE, KATHERINE, LAUNCESTON, LISMORE, MACKAY, MAITLAND, MARYBOROUGH, MENINDEE, MITTAGONG, MOE, MURRAY BRIDGE, NARRABRI, NEW NORFOLK, NEWCASTLE, ORANGE, PORT LINCOLN, PORT PIRIE, QUEENSTOWN, RENMARK, ROCKHAMPTON, SHEPPARTON, SWAN HILL, TAMWORTH, TOWNSVILLE, TUMUT, VICTOR HARBOUR, WAGGA WAGGA, WARRNAMBOOL, WARWICK, WHYALLA, WINTON, WOLLONGONG, WYCHEPROOF, WYNDHAM, YASS, YOUNG</p>]]></Text>
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			<Text textformat="02"><![CDATA[Aboriginal art practices in southeast Australia are celebrated in ngargee where each of the nine chapters is the result of an intercultural collaboration. Art is at the centre of the book, particularly the creative practice of influential matriarch Maree Clarke.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Aboriginal art practice in southeast Australia is dynamic, innovative and powerful. This is clear from the diverse artworks in this book which celebrate contemporary Aboriginal artists and their continuation of Ancestral knowledge. The artworks shown are accompanied by commentary and analysis unpacking complex issues related to First Nations art-making and culture-making.</p><p>A guiding theme is the creative practice of internationally renowned artist Maree Clarke (Mutti Mutti/ Wamba Wamba/ Yorta Yorta/ Boonwurrung). Maree's talent for collaborations and passion for reclaiming and reviving arts practices over almost forty years has seen her recognised as a leading southeast Australian artist, with invitations to work in France, Italy, Japan, Cuba, UK, Canada and the USA.</p><p><i>ngargee </i>is a collection of intercultural partnerships that prioritise learning with and about First Nations artists to support Indigenous knowledge systems. These engagements take us from possum skin cloak-making in modern-day Melbourne, to 19th century German paintings, to sharing the knowledge and art of feather flower-making revivified in Maree's backyard. Each chapter showcases southeast Australian contemporary Aboriginal creatives with international and Australian co-producers.</p><p><i>ngargee</i> presents a model of intercultural collaboration led by Aboriginal artists and knowledge holders. Southeast Australian Aboriginal art here receives the attention and celebration it so richly deserves. This vibrant and multivocal collection is an indispensable resource for all Australian museums and galleries, and anyone who wants to learn more about contemporary First Nations art.</p><p><i>ngargee</i> means coming together to celebrate in Boonwurrung language, where celebrations are accompanied and demonstrated through the act of making art. Just as art and culture cannot be separated, neither can celebration and art-making.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Frances Edmonds </b>is an interdisciplinary scholar working mainly in the field of anthropology. Her work is collaborative, participatory and community based. Her research interests include art and wellbeing; decolonising methodologies; the creative use of digital technologies; visual studies; oral history and storytelling; cultural revitalisation and the archival and ethnographic record; and the intersection between Indigenous and Western knowledge systems. She was the senior research fellow on the Australian Research Council (ARC) Indigenous Discovery Project, 'Storytelling and the Living Archive of Aboriginal Knowledge' (2020-24). Between 2014 and 2017, she worked closely with First Nations young people at Korin Gamadji Institute, Melbourne, supporting collaborative research throughout the ARC Linkage project 'Aboriginal Young People and Digital Storytelling'.</p><p><b>Sabra Thorner</b> is a cultural anthropologist who has worked with Indigenous Australians for more than twenty years, focusing on photography, digital technologies and archiving as forms of cultural activism. In the past few years, her work has increasingly turned towards collaborative and decolonising methodologies in both research/writing and in teaching/learning. She is especially interested in contemporary arts and cultural production, matriarchal forms of knowledge transmission, and storytelling as an expression of Indigenous sovereignty. She's held fellowships from AIATSIS, Fulbright, Mellon, the Smithsonian and Wenner-Gren, and has published her work in Museum Anthropology, AnthroVision, The Journal of Material Culture, Oceania and Visual Anthropology Review. She is an assistant professor at Mount Holyoke College.</p><p><b>Maree Clarke </b>(Yorta Yorta/Wamba Wamba/Mutti Mutti/Boonwurrung) is an artist and curator who grew up in Mildura (northwest Victoria), on the banks of the Murray River, and who has been living and working in Melbourne for over 30 years. She has become a pivotal figure in the revitalisation of southeast Australian Aboriginal art and cultural practices. This includes possum skin cloaks, kangaroo teeth necklaces, eel traps, kopi mourning caps and much more  in both traditional materials and contemporary, such as glass and 3D printing. Her practice includes lenticular prints, 3D photographs and photographic holograms, as well as painting, sculpture and video installation. The through line of her work is to facilitate intercultural dialogue and collaboration about the ongoing effects of colonisation, while simultaneously providing space for Aboriginal people and communities to engage with and mourn the impact of dispossession and loss. She is deeply committed to transmitting knowledge to younger generations (and anyone else who is willing to learn). Clarke has exhibited her work widely in Australia and beyond, and her work is held by the Koorie Heritage Trust, Museums Victoria and the National Gallery of Australia. In 2021, her work was featured in a major retrospective, Ancestral Memories, at the National Gallery of Victoria. </p>]]></Text>
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			<Text textformat="02"><![CDATA[Meticulously researched and beautifully presented, A Matter of Taste takes   you on an entertaining, nostalgic and insightful culinary journey through   Australian food, culture and history.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Since its inception in 1933, <i>The Australian Women's Weekly</i> has been Australia's highest-selling women's magazine, in large part due to its hugely   popular cookery section and companion cookbooks. From birthday cakes to   barbecues, mock meat to Chinese food, the <i>Weekly</i> taught generations of Australians what to eat and how to cook it at home. Yet despite this, the magazine and its influence on Australian cooking has been overlooked in histories of Australian food. <i>A Matter of Taste </i>restores the <i>Weekly</i> to its rightful place at the centre of Australia's food culture.</p><p>Drawing on recipes, food editorials and readers' memories, <i>A Matter of Taste</i> is a celebration of the<i> Weekly</i>'s vital role in the development of Australian food culture, debunking the myth that Australian food was 'bland' and 'boring' prior to postwar migration, and illuminating important relationships between food, culture and identity. It shows that the magazine encouraged its readers (mostly women) to be adventurous, to experiment in the kitchen, and to try new ingredients and flavours, stimulating an eclectic, Australian way of eating, which is still reflected on our tables today.</p><p>Meticulously researched and beautifully presented, <i>A Matter of Taste</i> takes   you on an entertaining, nostalgic and insightful culinary journey through   Australian food, culture and history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr Lauren Samuelsson </b>holds a PhD in history from the University of Wollongong, Australia, where she is an Honorary Fellow. Lauren's research interests include cultural history, the history of food and drink, the history of popular culture and gender history. Her award-winning work has been published in <i>History Australia</i> and <i>Australian Historical Studies</i>. She has also published in <i>The Conversation</i> and is a regular guest on Australian radio, where she shares her love of food history with people nationwide. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>With appeal to more than just punk history obsessives, <i>Orstralia</i> offers an unprecedented snapshot of an underacknowledged segment of Australian life and history.</p><p>Far from punk's more modish North Atlantic core in the late 1970s, discontented youth in Australia were enacting similar musical and cultural reckonings. Yet in spite of the Australia&amp;#x27;s purported &amp;#x27;laid-back&amp;#x27; national demeanour, punks there were routinely met with insult, fist, or the police baton.</p><p>More subterranean than the national scandal that was punk back in &amp;#x27;homeland&amp;#x27; Britain, Australia's own bands nonetheless came to be heralded internationally. <i>Orstralia</i> represents the first definitive account of the country's initial years, from progenitors the Saints and Radio Birdman in the mid-70s, through the emergence of hardcore in the 1980s, to the stylistic diffusion that accompanied transition to the 1990s.</p><p>Based on over 130 interviews, <i>Orstralia</i> documents the most renowned to the most fleeting and obscure acts the nation produced. Included are equally engrossing and shocking personal narratives befitting such a passionate and intemperate cultural form, as well as punk's placement within broader Australian society at the time.</p><p><b>&amp;#x27;Australia has some claim to being a punk founder nation, most obviously through the influence of the Saints and Radio Birdman. In </b><b><i>Orstralia</i></b><b>, Tristan Clark explores the wider terrain to recover a vibrant prepunk, punk, and postpunk history that captures the vibrancy and excitement of a culture brimming with ingenuity and teenage verve. A brilliant book and essential reading for all those interested in punk&amp;#x27;s cultural past.&amp;#x27;  Matthew Worley, author of </b><b><i>No Future: Punk Politics and British Youth Culture, 197684</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Tristan Clark</b> is a Melbourne-based educator, musician, and writer. His involvement in punk has spanned over three decades and encompassed a near gamut of roles: band member, roadie, merch person, show organiser, Food Not Bombs volunteer, community radio DJ, as well as having written sporadically for local zines and other publications. He now routinely encounters the young students he spends his week working with at local DIY shows and is heartened by punk's continued ability to self-reproduce.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From the writer and translator duo of </b><b><i>A Magical Girl Retires</i></b><b>, a powerful historical novel about labour activism in Japanese-occupied Korea.</b></p><p>Set against the backdrop of Japanese-occupied Korea, <i>Capitalists Must Starve</i> follows a sharp-tongued, big-hearted heroine who dares to love, rebel, and carve out space for working-class women in a world determined to silence them. Echoing the unflinching narratives of <i>Alias Grace</i> and the sweeping historical vision of <i>Pachinko</i>, this feminist historical novel balances raw grit with unexpected tenderness and a defiant streak of dark humour.</p><p>A stirring portrait of resistance from below: fierce, funny, and full of fight.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Born in 1989, <b>Park Seolyeon</b> made her debut by winning the Silcheon Munhak New Writers Prize in 2015. She is the author of <i>A Magical Girl Retires</i> among other novels and short story collections. In 2018, she won the Hankyoreh Literature Prize for her novel <i>Capitalists Must Starve</i>. Her stories have been translated into Japanese, French, German, and English. She currently lives in Seoul.</p><p><b>Anton Hur</b> was born in Stockholm. He is the author of <i>Toward Eternity</i> and has been nominated for the International Booker Prize, the National Book Award, the National Book Critics Circle Award, and the Dublin Literary Award for his various translations including <i>Love in the Big City</i> by Sang Young Park and <i>A Magical Girl Retires</i> by Park Seolyeon. He lives in Seoul.</p>]]></Text>
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			<Text textformat="02"><![CDATA[In this mesmerising collection of stories, poems and essays from the award-winning team of Sweatshop Literacy Movement, you are invited to take a journey through dingy streets and pristine sunsets, delve deep into the tormented soul, and attempt to make sense of that big crazy thing called the human heart.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Love. It is a beautiful mess of complex, confusing and interconnecting emotions. For some, it means romance, for others, family. There are those who understand love as empowerment, resistance and existence; those who say it is created from nothing; and those who believe it is always there, binding the universe together, waiting for us to find it and grab on tight. </p><p>In this mesmerising collection of stories, poems and essays from the award-winning team of Sweatshop Literacy Movement, you are invited to take a journey through dingy streets and pristine sunsets, delve deep into the tormented soul, and attempt to make sense of that big crazy thing called the human heart.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Shirley Le</b> is a Vietnamese-Australian writer from Yagoona, Western Sydney. She holds a Bachelor of Arts from Macquarie University and has been a Creative Producer at Sweatshop Literacy Movement since 2020. Shirley's short stories and essays have been published in <i>Overland</i>, <i>SBS Voices</i>, <i>Griffith Review</i>, <i>Meanjin</i>, <i>The Guardian</i> and <i>The</i> <i>Sydney Morning Herald</i>. Shirley's debut novel, <i>Funny Ethnics</i> (Affirm Press, 2023) was shortlisted for <i>The Age</i> Book of the Year Award and the Readings Prize.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A lyrical celebration of cats  through the timeless beauty of Japanese haiku and brush art.</b></p><p>This beautifully illustrated collection brings together 82 cat-themed haiku by Japan's most celebrated poets  including Basho, Issa, Shiki, Buson, Soseki and many others  translated into English by bestselling author William Scott Wilson  with beautiful colour paintings by award-winning French artist Manda.</p><p><i>The passing year!<br/>The cat hunches down<br/>on my lap.</i><br/><b>-Natsume Soseki</b><br/><br/><i>A night of frost;<br/>opening the window to the cries<br/>of an abandoned cat.</i><br/><b>-Issa</b><br/><br/><i>The cat scampers into the mulberry field.<br/>A morning<br/>of high wind.</i><br/><b>-Hekigodo</b><br/><br/>The result is a book that will delight all poetry lovers and cat enthusiasts!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>William Scott Wilson</b> has published over twenty books including <i>The Lone Samurai: The Life of Miyamoto Musashi</i> and <i>The Life and Zen Haiku Poetry of Santoka Taneda.</i> His translation of the <i>Hagakure</i>, an 18th century treatise on samurai philosophy, was featured in the film <i>Ghost Dog</i> by the director Jim Jarmusch. Wilson was awarded a Commendation from the Foreign Ministry of Japan, and inducted into the Order of the Rising Sun by the Japanese emperor. He is also the author of <i>A Beginner's Guide to Japanese Haiku</i> and <i>The Illustrated Book of Japanese Haiku</i> (also in collaboration with Manda).</p><p>Thirty years ago, <b>Manda</b> felt the need to free herself from academic art and decided to travel to Japan. Frequent stays there gave her the opportunity to adopt new practices. She learned from Japanese masters the "art of the line" as well as the mysteries of <i>haiga</i>, compositions where painted elements and poetry emerge from the same brush, forming a single entity. She has published many books, notably the works of Basho and Santoka. Her art appears in <i>The Illustrated Book of Japanese Haiku</i>, a collaboration with William Scott Wilson.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A new and unabridged 3-book translation of Eiji Yoshikawa's bestselling novel about Miyamoto Musashi  the most famous swordfighter in Japanese history!</b></p><p>This is the first book of <i>Musashi: The Novel</i>, a sweeping three-book unabridged translation of Eiji Yoshikawa's bestselling masterpiece  Japan's most beloved historical novel. Masterfully translated for the first time in its entirety by Alexander Bennett, this vivid and fast-paced story reveals the exploits and inner life of a man who finds not only his true purpose but also his humanity.</p><p><i>Book One</i> opens in the year 1600 at the Battle of Sekigahara, a scene of unimaginable carnage where Musashi lies wounded on the battlefield. After being imprisoned for three years, he wanders the countryside aimlessly as a vagabond, desperate to make a name for himself. He becomes a dueling Ronin  a swordfighter without a master. And while his destiny seems clear, to achieve it he must leave his old life behind.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Eiji Yoshikawa</b> is Japan's bestselling novelist of all time. He published popular retellings of many Asian classics, however, his novelization of the life of Miyamoto Musashi is his most famous work, selling over 120 million copies. He was awarded the Cultural Order of Merit and the Order of the Sacred Treasure.</p><p><b>Alexander Bennett</b> is a Professor of Japanese History, Martial Arts, and Budo Theory at Kansai University. He is a Director General of the International Budo University's Budo Sports Research Institute. He co-founded and publishes Kendo World, the first English-language Kendo journal, and holds black belts in several martial arts. His published works include <i>The Complete Musash</i> and <i>Hagakure: The Secret Wisdom of the Samurai.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Tamarin Bay, Mauritius, is a travel agent's paradise: a tropical ocean, fishermen unloading their daily catch, children building sandcastles, surfers riding giant waves.</b></p><p>But just along the shoreline is the beach of La Preneuse, the taker of souls. The island is haunted with tragedy and the remnants of colonial rule.</p><p>But it is also home, where Anita Ram longs to be following the collapse of her marriage. After enduring a shocking betrayal and the sexism and racism of a cold Britain in the early twenty-first century, she finds comfort in simple things; her mother's cooking, her childhood bedroom, and a handsome architect.</p><p>Will these be enough for Anita to find happiness again, or will the ghosts of her past consume her?</p><p>Following the international success of her debut <i>Riambel</i>, Hein's heart-wrenching new novel reveals the violence and beauty inherent in her native Mauritius. </p><p><b>'Set against the lush beauty and brutal history of Mauritius, this novel explores heartbreak, homecoming, and healing with lyrical power.'  </b><b><i>Brittle Paper</i></b></p><p><b>'[a] vivid examination of love, generational trauma and how the impact of slavery still haunts Mauritian lives.'  </b><b><i>National Geographic Traveller</i></b></p><p><b>'A beautiful, melancholy story...A tale of longing and regret, of missed chances, of stillborn dreams.'  Ananda Devi, author of </b><b><i>Eve Out of Her Ruins</i></b></p><p><b>'The narrative of 'some exotic girl from a faraway island' could have easily fallen into cliche in the hands of a lesser writer. But in </b><b><i>Tamarin</i></b><b>, Priya Hein tells the story with such bravery, candour, and evocative detail that I often mistook it for a true account. Her Mauritius mirrors my Trinidad in ways that felt both familiar and thrilling to explore. Women everywhere will see themselves  their deepest loves and betrayals, and their most delicate relationships  reflected in these pages.'  Celeste Mohammed, author of</b><b><i>Ever Since We Small</i></b><b> and </b><b><i>Pleasantview</i></b><b>, winner of the OCM Bocas Prize 2022</b></p><p><b>'There are books whose characters haunt you long after you've turned the last page. Anita Ram gets under your skin without you even realising it. </b><b><i>Tamarin </i></b><b>is one of those books where even melancholy knows how to be coquettish. Priya Hein is a grain of sand that the Indian Ocean cannot ignore.'  Ari Gautier, author of </b><b><i>Lakshmi's Secret Diary</i></b></p><p><b>'</b><b><i>Tamarin </i></b><b>is a lush, gorgeous novel. Priya Hein's prose is transportive. It is impossible not to feel the sand, smell the incense, taste the khir. But beneath the sensory richness lies an achingly melancholic story of loss, betrayal, and the quiet, restorative power of coming back home.'  James Roseman, author of </b><b><i>Placeholders</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Priya Hein</b> is a Mauritian author whose first novel <i>Riambel </i>won the Prix Athena 2023 and The Jean-Fanchette Prize 2021. She was nominated for the 2017 Astrid Lindgren Memorial Award, shortlisted for the Prix de l'Atelier Litteraire in 2021 and the Miles Morland Scholarship in 2023, and participated in the 2024 Iowa IWP fall residency. Priya lives in Mauritius with her family.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Fifteen-year-old Noemi has no choice but to leave school and work in the house of the wealthy De Grandbourg family. Just across the road from the slums where she grew up, she encounters a world that is starkly different from her own  yet one which would have been all too familiar to her ancestors. Bewitched by a pair of green eyes and haunted by echoes, her life begins to mirror those of girls who have gone before her. Within Noemi&amp;#x27;s lament is also the herstory of Mauritius; the story of women who have resisted arrest, of teachers who care for their poorest pupils and encourage them to challenge traditional narratives, of a flawed Paradise undergoing slow but unstoppable change. </p><p>In <i>Riambel</i>, Priya Hein invites us to protest, to rail against longstanding structures of class and ethnicity. She shows us a world of natural enchantment contrasted with violence and the abuse of power. This seemingly simple tale of servitude, seduction and abandonment blisters with a fierce sense of injustice.</p><p><b>&amp;#x27;Priya Hein has given us a book that should be essential reading for all those who care about our history, in particular the devastating legacy of slavery; but what is extraordinary is that she tells this harrowing story in the most beautiful prose, luminous and musical, drawing in the reader before hitting them hard with the reality of her young narrator's life, and the humiliations and pain she endures because of this very legacy. Today more than ever, this story needs to be told; Priya Hein does so movingly and powerfully.'  Ananda Devi, author of </b><b><i>Eve Out of Her Ruins</i></b></p><p><b>'</b><b><i>Riambel</i></b><b> bravely grasps the complexity of ethnic relationships in Mauritius . . . displaying great art in the sense of shame blended with indignation and in the gaps in what is not said.'  J. M. G. Le Clezio, winner of the Nobel Prize for Literature</b></p><p></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p> </p><p><b>Priya Hein </b>was born in Mauritius. She has published several children's books and short stories, and has contributed to a number of anthologies. In 2017 she was nominated by the National Library of Mauritius for the Astrid Lindgren Memorial Award. She was selected for the Women's Creative Mentorship Project for the University of Iowa International Writing Program. Her debut manuscript Riambel won the 2021 Jean Fanchette Prize. Priya lives in Munich and Mauritius with her family. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>'Andrew Brooks's <i>Year of the Ox</i> is a constellation of images that chart the movement of history, not with the logic of linear progress but the dialectic of historical materialism. The poem takes what has been and flashes it together with the now, with blackberries, garden spiders, broccoli pasta and much else.</p><p>'Through this constellation we see, in silhouette, the historical shape of capitalism and its necessary mutation, imperialism. In a time of "No/politics but the politics of real/estate", the two long poems in this book offer us something rare: political poetry that moves, and demands movement.'  Andre Dao</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'The poetic prose mixed with the intense subject matter creates an undertow that will pull readers in.'  </b><b><i>Booklist</i></b></p><p><b>'A modern-day fairy tale that is both ghastly and beautiful.'  </b><b><i>Kirkus</i></b></p><p>Mother and daughter mermaids navigate starting over and finding their place in the world in Lara Ehrlich's debut novel.</p><p>The youngest siren sister, Ceto is weary of an existence driven by hunger, no better than a fish. She trades her tail for legs, marries the first man she meets, and bears a daughter  only to find domesticity as suffocating as the sea. Craving more, Ceto flees with her daughter Naia back to the ocean, where she reinvents herself as the star of a mermaid burlesque, performing in a lavish tank carved into the limestone cliffs above the waves.</p><p>At Sirenland, Ceto's sensual performances and the erotic allure of her trained sirens transform the seaside attraction into a national sensation  a glittering empire where spectacle, desire, and female power reign.But as Naia comes of age and begins to question her mother's vision, the boundary between empowerment and exploitation grows dangerously thin. When a shocking death rocks Sirenland, Ceto's rule is threatened, and mother and daughter must reckon with the cost of performance on their already tenuous bond.</p><p><i>Bind Me Tighter Still</i> is a lush, provocative exploration of power, sex, sacrifice, and motherhood  a celebration of female strength in a world determined to tame it.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lara Ehrlich</b>, a conversation series devoted to dismantling the myth of 'having it all' and offering writer-moms solidarity, support, and advice. Lara is the founder and director of <i>Thought Fox Writers Den, </i>which builds community and supports writers of all levels with in-person and virtual workshops, coaching, events, and more. She lives in Gales Ferry, Connecticut. www.LaraEhrlich.com</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A short story collection about women's transformations from girls into wives, mothers, and monsters</b></p><p>'In villages where women bore most of the weight of a constricted life, witches flew by night on broomsticks,' said Italo Calvino of the way imagination bridges the gap between everyday existence and an idealised alternative.</p><p>The fifteen stories of&amp;nbsp;<em>Animal Wife&amp;nbsp;</em>are unified by girls and women who cross this threshold seeking liberation from family responsibilities, from societal expectations, from their own minds. A girl born with feathers undertakes a quest for the mother who abandoned her. An indecisive woman drinks Foresight, only to become stymied by the futures branching before her. A proofreader cultivates a cage-fighting alter ego. A woman becomes psychologically trapped in her car. A girl acts on her desire for a childhood friend as a monster draws closer to the shore. A widow invites a bear to hibernate in her den.&amp;nbsp;</p><p><em>Animal Wife</em>&amp;nbsp;was selected as the winner of the Red Hen Fiction Award by&amp;nbsp;<em>New York Times</em>&amp;nbsp;bestselling author Ann Hood, who says of the collection, 'From the first sentence&amp;nbsp;<em>Animal Wife</em>&amp;nbsp;grabbed me and never let go. Sensual and intelligent, with gorgeous prose, it made me dizzy with its exploration and illumination of the inner and outer lives of girls and women.'</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>I Do Know Some Things</i></b><b> is a brave book, both in content and method.</b></p><p>It is brave to write about childhood scars and the heartbreak the dead leave behind. It is brave to reconfigure one's life in the aftermath of a stroke. Richard Siken presents these subjects directly, without ornament, and with nothing to hide behind, confronting the fact that he can no longer manipulate the constructions of form, or speak lies that tell the truth. In spite of these limitations, Siken chooses to write these poems and release them into a dangerous world. Each image, each sentence, is as direct as the American artist Jasper Johns's shooting targets. Each poem is like a small room in a house, a room where you will be punched in the throat. As he claws himself back into a self, into a body, Siken has written a book that is unsettling and autobiographical by necessity, and its seventy-seven prose poems invite the reader to risk a difficult intimacy in search of yet deeper truths.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>"This may be the most anticipated poetry book of the last decade...expect it to haunt you."-NPR.org</p><p><br/></p><p>"Richard Siken writes about love, desire, violence, and eroticism with a cinematic brilliance and urgency."-<i><b>Huffington Post</b></i></p><p>In reviewing Richard Siken's first book, Crush, the <b>New York Times</b>-are immediately complicated by concerns of morality, human capacity, and the ways we look to art for meaning and purpose while participating in its-and our own-invention.</p><p>"Slippery, magnetic riffs on the arbitrary divisions made by the human mind in light of the mathematical abstractions that delete them; poetry lovers will want to read."-Library Journal, starred review</p><p>"[P]oems of passion, examining what it means to love, to be, and to create."-Vanity Fair</p><p>"Siken's stark, startling collection focuses tightly on both the futility and the importance of creating art."-Booklist</p><p>"Poems primarily about painting and representation give way to images that become central characters in a sequence of fable-like pieces. Animals, landscapes, objects, and an array of characters serve as sites for big, human questions to play out in distilled form. Siken's sense of line has become more uniform, this steadiness punctuated by moments of cinematic urgency."-Publishers Weekly</p><p>"War of the Foxes builds upon the lush and frantic magic of Richard Siken's first book, Crush. In this second book, Siken takes breathtaking control of the rich, varied material he has chosen...Siken paints and erases-the metaphor of painting with words allows him to leave those traces that mostly go unseen. He is the Trickster. If paint/then no paint. He does this with astonishing candor and passion."-The Rumpus</p><p>The Museum</p><p>Two lovers went to the museum and wandered the rooms.<br/>He saw a painting and stood in front of it<br/>for too long. It was a few minutes before she<br/>realized he had gotten stuck. He was stuck looking<br/>at a painting. She stood next to him, looking at his<br/>face and then the face in the painting. What do you<br/>see? she asked. I don't know, he said. He didn't<br/>know. She was disappointed, then bored. He was<br/>looking at a face and she was looking at her watch.<br/>This is where everything changed . . .</p><p>Richard Siken is a poet, painter, and filmmaker. His first book, Crush, won the Yale Younger Poets' prize. He lives in Tucson, Arizona.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A meeting of lost souls in the care of a headless coachman. An obsession with eugenics descends into a cruel madness. In 1911, the British writer, feminist and literary salon hostess Violet Hunt published her groundbreaking first collection of uncanny stories, <i>Tales of the Uneasy</i>, exploring psychological and ghostly hauntings shot through with tragedy. Seeking to promote Hunt's achievements as a writer  often obscured by the famous authors of her social set  literary historian Melissa Edmundson presents a new edition of her eeriest work, including material from Hunt's 1923 volume<i> More Tales of the Uneasy</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Violet Hunt </b>(18621942) was a British author and literary hostess. As an active feminist, she wrote many novels of the New Woman genre and founded the Women Writers' Suffrage League and participated in the founding of International PEN. She also authored two collections of supernatural stories, <i>Tales of the Uneasy </i>and <i>More Tales of the Uneasy</i>.</p><p><b>Melissa Edmundson</b> is a collector, scholar and anthologist specialising in strange and uneasy fiction  particularly by women writers of Victorian and Edwardian periods. She has published several collections of classic short stories with Victorian Secrets and Handheld Press including <i>Women's Weird </i>and <i>Women's Weird 2</i> in 2019 and 2020.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Including the contents of the classic collections Uncanny Stories (1923) and The Intercessor and Other Stories (1931), this new volume also features two rare strange tales from a third, lesser-known book which explore further facets of Sinclair's fascination with the uncanny.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>At that moment, in a flash that came like a shifting of her eyes, the world she looked at suffered a change... It was the same world, flat field for flat field and hill for hill; but radiant, vibrant, and, as it were, infinitely transparent.</i></p><p>Tales of eternal damnation, love, sexuality, death and supernatural talents form the core of May Sinclair's essential and groundbreaking oeuvre. Literary and still thrilling today, her stories explore the strangeness at the heart of human experience and relationships, where the mundane and the everyday meets lurking, otherworldly weirdness.</p><p>Including the contents of the classic collections Uncanny Stories (1923) and The Intercessor and Other Stories (1931), this new volume also features two rare strange tales from a third, lesser-known book which explore further facets of Sinclair's fascination with the uncanny.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>May Sinclair </b>(18631946) was a penname for Mary Amelia St. Clair, an English suffragist known for her extensive publications. These written works ranged from novels and short stories, to poetry and political criticisms. Her limited work in supernatural fiction has been highly celebrated for its delicacy and precision, making her a must- read author. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Martin Edwards</b> is series consultant for British Library Crime Classics. He is a CWA Diamond Dagger Award-winning crime writer and president of the Detection Club. He has researched and explored the history of the crime and mystery genre in titles such as <i>The Golden Age of Murder, The Story of Classic Crime in 100 Books</i>  published by the British Library  and <i>The Life of Crime</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Together these stories demonstrate the range and high accomplishment of the classic British impossible crime story over more than half a century.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Locked-room mysteries and other impossible crime stories have been relished by puzzle-lovers ever since the invention of detective fiction. Fiendishly intricate cases were particularly well suited to the cerebral type of detective story that became so popular during the 'golden age of murder' between the two world wars. But the tradition goes back to the days of Wilkie Collins, and impossible crime stories have been written by such luminaries as Arthur Conan Doyle, G.K. Chesterton, Dorothy L. Sayers and Margery Allingham. This anthology celebrates their work, alongside long-hidden gems by less familiar writers. Together these stories demonstrate the range and high accomplishment of the classic British impossible crime story over more than half a century.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Martin Edwards is an award-winning crime writer best known for two series of crime novels set in Liverpool and the Lake District. He is series consultant for British Library Crime Classics and the editor of six previous anthologies in the series, as well as being Vice Chair of the Crime Writers' Association and President of the Detection Club. The Golden Age of Murder, his study of the Detection Club, has won several awards since its publication in 2015.</p>]]></Text>
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			<SubjectHeadingText>African-American history; American myth; Great black writers; Howard University; Nappy Hair; Snowdon family; The Color Purple; Toni Morrison; Washington DC; apocalyptic; dystopian fiction; epic novels; erotic; family secrets; ghost story; historical saga; incest; race; racial justice; slavery; taboo; trauma</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[By turns a poetic epic, a ghost story, a historical saga, and a chilling dystopian fable, Thereafter Johnnie is a unique and uniquely American fusion of myth and hard-bitten reality: an erotic, horrifying, and even hopeful reckoning with centuries of injustice.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Family trauma, race, and the destiny of a nation corrupted by slavery, cast in the light of epic myth: 'More than a saga of Black revitalization...Part vision, part parable, it is a story for all America.' (</b><b><i>The New York Times Book Review</i></b><b>)</b></p><p>The Snowdon family stands as a pinnacle of Black excellence in Washington, D.C.: educated, affluent, and influential. John Christopher, the patriarch, saves lives as a heart surgeon and is revered by his students at Howard University. His wife, Camille, governs an elegant house overlooking Rock Creek Park and devotes herself to reading, gardening, and raising their three daughters  Cynthia, Patricia, and Eva  to attend the very best schools and roam the world on a whim.</p><p>Theirs ought to be a story of success and empowerment, but something is rotten in the house of Snowdon. Years later, when John Christopher's granddaughter Johnnie comes to seek the truth about her own parentage, she unveils a legacy of unspeakable family secrets tangled up in America's original sin. What begins as a quest for identity spirals into an apocalyptic vision of a nation on the brink of ruin.</p><p>By turns a poetic epic, a ghost story, a historical saga, and a chilling dystopian fable, <i>Thereafter Johnnie</i> is a unique and uniquely American fusion of myth and hard-bitten reality: an erotic, horrifying, and even hopeful reckoning with centuries of injustice.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Falling in love wasn't on the curriculum...</b></p><p>Lila Cartwright is thriving after dumping her toxic ex  well, mostly. That is, until she bumps into him and his new girlfriend, forcing her to grab the nearest man and introduce him as her boyfriend. Unfortunately, that man is her infuriatingly moody (yet undeniably attractive) colleague, Rhys Aubrey.</p><p>Rhys isn't Lila's biggest fan either, but when he needs to convince his family that he's excelling in both work and love, striking a deal with her suddenly makes sense. As their fake relationship unfolds, the lines between pretence and reality blur. Can they keep up the act, or is there something real beneath the rivalry?</p><p><b>Praise for </b><b><i>Carbon Dating</i></b><b>:</b></p><p><b>'Nate and Laurel will dig their way into your heart and leave you breathless. A must read!'  Ally Wiegand, author of</b> <b><i>First Base</i></b></p><p><b>'A laugh-out-loud, forced proximity romance that also delivers on the swoons and spice.'  Georgia Moore, author of</b> <b><i>Four Night Stand</i></b></p><p><b>'I came for the hot British archaeologist, but stayed for the strong female main character. I couldn't put it down.'  Leonie Mack, author of</b> <b><i>In Italy for Love</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jen Smith</b> has an MA in Medieval History and loves writing about the trials and tribulations of falling in love, finding your person and overcoming everything that life throws at you, together.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Edinburgh, 1930, and the world is on the brink of change. Leading the charge is the glamorous, free-spirited Miss Jean Brodie, schoolteacher at the Marcia Blaine Academy, whose guiding principle is 'Give me a girl at an impressionable age and she'll be mine for life.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Muriel Spark</b> was born in Edinburgh in 1918. A poet, essayist, biographer and novelist, she won much international praise, including being twice shortlisted for the Booker Prize. The Times placed her eighth in its list of the Fifty Greatest British Writers Since 1945. She died in Tuscany in 2006.</p><p><b>Alan Taylor</b> has contributed to numerous publications, including the <i>TLS, The New Yorker</i> and <i>The Melbourne Age</i>, and edited four acclaimed anthologies  <i>The Assassin's Cloak</i> (2000), <i>The Secret Annexe</i> (2004), <i>The Country Diaries</i> (2009) and most recently, <i>Glasgow: The Autobiography (</i>2016).</p><p></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mary Shelley</b> (1797-1851) was a novelist who is best known for writing the Gothic novel <b>Frankenstein</b> (1818). She is considered to be a key figure of the Romantic movement, significant for her literary achievement and for being one of the first writers on the rights of women.</p><p><b>Dr Jenni Fagan</b> is an award-winning poet, novelist and screenwriter. She is the author of the bestselling <i>Hex</i>, and<i> A Swan&amp;#x27;s Neck on the Butcher&amp;#x27;s Block</i>, her seventh collection of poetry.</p>]]></Text>
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			<SubjectHeadingText>Classic rediscovered; university course text; RL Stevenson; best Scottish books; books everyone should read; trailblazing books; duality; Victorian Novel; Scottish Classic Novels; new introduction; dual identity; College Text; University Learning; split personality; gothic novel; new edition; Masterpiece; New Scottish Classics; Dark side; Scottish Classics; New classics; Robert Louis Stevenson; best new editions; Jekyll and Hyde; Halloween 2024; dark psychology; Halloween Read; Dr Jekyll and Mr Hyde; Classic Fiction; Denise Mina; New Edition of Stevenson's renowned Gothic</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[The Strange Case of Dr Jekyll and Mr Hydefollows the story of respectable Dr Jekyll's strange association with the 'damnable young man' Edward Hyde. Dr Jekyll has discovered the ultimate drug: a chemical that can turn him into something else  his monstrous alter-ego. This new edition features an introduction by Denise Mina.]]></Text>
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			<Text textformat="02"><![CDATA[<p>One of the Guardian's novels everyone must read.</p><p>This new edition ofStevenson's renowned gothicmasterpiece has a specially writtenintroduction by Denise Mina.</p><p>In <i>The Strange Case of Dr Jekyll and Mr Hyde</i>, London lawyer Gabriel John Utterson investigates a series of sinister events involving his seemingly respectable friend Dr Henry Jekyll and the dangerous and violent criminal known as Edward Hyde. The shocking revelation about their hidden connection has enthralled generations of readers since the book's first publication in 1886; it is still regarded as one of the most important and influential stories ever written.</p><p>A morality tale of good and evil, the book explores the multi-faceted complexities of human nature, duality and class  themes that continue to fascinate and intrigue us today.</p><p><b>&amp;#x27;An important book...written with great economy, tension and wit&amp;#x27; Ian Rankin</b></p><p><b>&amp;#x27;An exciting and unexpected read, even for those who think they know the story already&amp;#x27; Louise Welsh</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[It is here that he meets and falls in love with Julia. They start a secret, forbidden affair - but nothing can be kept secret, and they are forced to face consequences more terrifying than either of them could have ever imagined.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An intricate, metaphysical, ambitious 'psychogeography of the self' that both disrupts and elevates the 21st century vision of the novel.</b></p><p>Our narrator is held in complete darkness and isolation. His endless thoughts are turned into the book we are reading  <i>Schattenfroh  </i>directed by none other than the narrator's mysterious jailer by the same name. Undulating through explorations of Renaissance art, the German reformation, time-defying esoterica, the printing process in the 16th century, Kabbalistic mysticism, and beyond, <i>Schattenfroh</i> is a remarkable book that, in turn, asks the remarkable of its readers.</p><p>Interruptions, breaks, and annotations both buoy and deceive, and endless historical references, literary allusions, and wordplay construct a baroque, encyclopedic quest. <i>Schattenfroh</i>'s publication in English marks a seminal moment in the history of the literary form.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Presenting a wide variety of genres and tones, </b><b><i>The Sugar Kremlin</i></b><b> lays out a frightening vision of speculative mercilessness and carnivalesque political horror.</b></p><p><i>The Sugar Kremlin</i> is the follow-up to Vladimir Sorokin's <i>Day of the Oprichnik</i>, taking place in the same New Medieval universe over the course of fifteen chapters that all return to the object of the title: replicas of the Moscow Kremlin made of sugar. Thousands of these creations are given away to children during the holidays, then make their way through each stratum of Russian society. We follow the trajectories of these candied gifts from the hands of harried paupers to secret political dissidents, from torture-obsessed civil servants to sex workers in a nearby bordello...</p><p>As Sorokin shifts from story to story and style to style, he draws the reader through grotesquely Russian scenes, creating an aberrantly metaphysical encyclopedia of the New Medieval 'Russian soul'. The candy's sweetness is deceptive  underneath it, you may detect notes of blood.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Vladimir Sorokin</b> was born in a small town outside of Moscow in 1955. He trained as an engineer at the Moscow Institute of Oil and Gas, but turned to art and writing, becoming a major presence in the Moscow underground of the 1980s. In 1992, Sorokin's <i>Collected Stories</i> was nominated for the Russian Booker Prize; in 1999, the publication of the controversial novel <i>Blue Lard</i>, which included a sex scene between clones of Stalin and Khrushchev, led to public demonstrations against the book and to demands that Sorokin be prosecuted as a pornographer. His award-winning works have been translated throughout the world, most recently by Dalkey Archive Press and NYRB Classics.</p><p><b>Max Lawton</b> is a translator, novelist, and musician. He has translated many books by Vladimir Sorokin, including <i>Blue Lard</i> (NYRB Classics), <i>Their Four Hearts</i>, and <i>Dispatches from the District Committee</i> (both from Dalkey Archive Press).</p><p><b>Joshua Cohen</b> was born in 1980 in Atlantic City.Called 'a major American writer' by the <i>New York Times</i>, and 'an extraordinary prose stylist, surely one of the most prodigious at work in American fiction today' by the <i>New Yorker</i>). He was named one of Granta's Best Young American Novelists, and his awards include the Matanel Prize, the National Jewish Book Award, and the Pulitzer Prize for Fiction.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Barefoot strangers crashing a beloved cat's funeral leads to horrified pearl clutching, wacky adventures, and blossoming friendships in Megan Okonsky's hilariously irreverent debut.</b></p><p>Tombstone, Texas, has never seen anything like the barefoot travelers who barrel in one afternoon, looking like they just stepped out of the seventies. They appear right in the middle of Pinky Elizabeth Swear's eulogy for her beloved rescue cat, Sweet Potato Grace (may she rest in eternal peace and abundance of goat cheese). To be honest, Pinky is relieved at the interruption. She'd planned to use the second half of her eulogy to come out of the closet. Now, she doesn't have to.</p><p>Are the newcomers a circus troupe? Revolutionaries? A sinister cult? While the town grows suspicious and rumor mills churn, Pinky finds herself drawn to the charisma of the barefoot strangers. Perhaps, she starts to think, the wrath of Tombstone is a thing worth risking in order to be true to oneself.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>January 1965.</b> The orphaned O'Leary siblings  Tom, Jack, Anna and Peggy  arrive in the village of Ballycrea, tight-lipped about their troubled past and desperate for a fresh start.</p><p>After being met with suspicion from most of the locals, the family are thrilled when they're taken under the wing of their well-respected neighbours, Bill and Betty Nevan, who offer them work, companionship and an opportunity to fit in.</p><p>But for one of the O'Learys, this new friendship sparks an intense attachment that makes the dynamic dangerous for all. It's difficult to bury secrets, but almost impossible to bury feelings...</p><p>Like Howarth's acclaimed debut, <i>Heap Earth Upon It</i> explores rural Irish life at a specific moment in time and delves into claustrophobic relationships and tangled identities, leaving you wondering who to trust until the very last page.</p><p><b>'</b><b><i>Heap Earth Upon It</i></b><b> is a tense and claustrophobic novel with gothic atmosphere which seeps into your bones like fog. It's a fascinating look at mid-century rural Irish life, and a brutal exploration of the corrosive impact of shame and secrecy. Chloe Michelle Howarth knows her sapphic yearning!'  Rachel Dawson, author of</b> <b><i>Neon Roses</i></b></p><p><b>'Dark, passionate and poised. A remarkable story of the way rural Ireland haunts and is haunted. Intense and thrilling.'  Soula Emmanuel, author of</b> <b><i>Wild Geese</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A long-awaited, comprehensive collection of renowned poet and performance artist Jayne Cortez's poetry.</b></p><p>Like the jazz rhythms that inspired and punctuated her practice, Jayne Cortez improvised her way through and across disciplines, bridging poetry and performance with music and the visual arts to create a unique body of work. Consciously rupturing the boundaries between art and politics, Cortez's practice uneasily fits within literary movements of the 20th century, residing everywhere and nowhere between the Black Arts Movement, Surrealism, feminism, and early performance art. As intersectional as it is interdisciplinary, her work is consistently visceral and fearless, acting as a powerful expression of collective rage on behalf of the disenfranchised and dispossessed. In the words of historian Robin D.G. Kelley, 'her poetry was never "protest" but a complete revolt, a clarion call for a new way of life.'</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Ned Kelly Award for Best Debut Crime 2025**</b></p><p>Set between the Blue Mountains and a Sydney hospital, Lisa Kenway's <i>All You Took From Me</i> is a thriller brimming with great characters and nail-biting tension.</p><p>Anaesthetist Clare Carpenter has just lost her husband and her memory in a single-vehicle accident. So why is a stranger following her? After questioning patients about their dreams, she becomes convinced that an anaesthetic drug might help her access missing memories. But there's no way to be certain without jeopardising her career or her life.</p><p>As unexplained threats escalate, Clare realises she must take matters into her own hands to learn the uncomfortable truth about her secretive husband, his connection to a mysterious club and what she did to trigger a stranger's crusade for vengeance. But how far will she go?</p><p><b>'Truly exciting. It's a rare treat to read a book that I am still thinking about long after the last page - the surprising reveals are both earned and satisfying. Readers are destined to fall in love with the ways Kenway brings such expertise and a unique perspective to the psychological thriller genre.' - Shelley Burr, author of</b> <b><i>Wake</i></b><b> and</b> <b><i>Ripper</i></b></p><p><b>'A taut psychological thriller with a driving plot,</b> <b><i>All You Took From Me</i></b><b> interrogates the limits of memory, both lost and recovered. From its compelling opening mystery, every page bristles with threat and intrigue.' - Ashley Kalagian Blunt, bestselling author of</b> <b><i>Dark Mode</i></b></p><p><b>'Kenway brings an exciting level of insider authenticity to this simmering drama about an anaesthetist struggling to make sense of a life unspooling in the aftermath of a tragic accident. Tense, twisty and unique, this is an unforgettable debut.' - Anna Downes, author of</b> <b><i>The Safe Place</i></b><b> and</b> <b><i>Red River Road</i></b></p><p><b>'I found myself first pulled in by the prose - Kenway writes like a dream - but soon I was consumed by the mystery at the heart of the story  the question of where we go and what happens to us under the narcotic oblivion of anaesthesia. Charged with menace and paranoia, this is a masterfully plotted psychological thriller.' - J. P. Pomare, author of</b> <b><i>In</i></b> <b><i>The Clearing</i></b> <b>and</b> <b><i>17 Years Later</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lisa Kenway</b> is an Australian writer and anaesthetist, and her debut novel was inspired by her longstanding fascination with memory and consciousness. An earlier version of<i> All You Took From Me</i> was listed for the 2020 Richell Prize and was runner-up in the 2022 CYA conference competition (stories for adults). Lisa was awarded a Katharine Susannah Prichard Writers' Centre fellowship for 2023 and was highly commended in the 2022 Writing NSW Varuna fellowships. Her work has been published widely in journals and anthologies including <i>Island Online</i>, the <i>Meanjin</i> blog and<i> Meniscus Literary Journal</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Moving nimbly between the granular and the broad view, The Oblong Plot, Chris Andrews' third collection, takes in paint splotches on a sawhorse and a star named Fang, life-wasting systems and means of escape.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, NSW Literary Awards 2025, Kenneth Slessor Prize for Poetry**</b></p><p>Moving nimbly between the granular and the broad view, <i>The Oblong Plot,</i> Chris Andrews' third collection, takes in paint splotches on a sawhorse and a star named Fang, life-wasting systems and means of escape. These faceted, echoing poems observe the world's shifting arrangements while rearranging their own letters, sounds, syllables, words and lines. <i>The Oblong Plot</i> invites the reader to join in its serious play.</p><p><b>'I loved this exhilarating, brilliant book. The poems in</b><b><i> The Oblong Plot</i></b><b> have style and wit to burn, and strike like a tuning fork, reverberating and reshaping the air around us. They are sharply attuned to the ironies and absurdities of contemporary life, finding linguistic torque and wry humour in cityscapes and their inhabitants' waking lives, dreams and aspirations. In seemingly effortless but technically dazzling syllabics, time and again Andrews punctures through the surface of things to find something much stranger and more surreal sitting under the day's skin. He is a relentlessly surprising and inventive poet whose vast linguistic gifts - including an electrifying skill at toggling between the vernacular and the poetically charged, "between / the dreamwarp and the cybercapsule" - remind us that language can both unmake and remake the world around us.</b> <b><i>The Oblong Plot</i></b><b> is a gift to all who turn to poetry seeking to find our language recharged and refreshed.' - Sarah Holland-Batt</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Chris Andrews</b> lives on unceded Wangal land. He taught at the Universities of Melbourne and Western Sydney. His previous collections of poetry are <i>Lime Green Chair</i> (Waywiser, 2012) and<i> Cut Lunch</i> (Indigo / Ginninderra, 2002). His study of the Oulipo, <i>How to Do Things with Forms</i>, was published by McGill-Queen's University Press in 2022. The books of prose fiction that he has translated from Spanish and French include Liliana Colanzi's <i>You Glow in the Dark</i> (New Directions, 2024), Kaouther Adimi's <i>A Bookshop in Algiers</i> (Serpent's Tail, 2020), Cesar Aira's <i>The Lime Tree</i> (And Other Stories, 2017) and Roberto Bolao's<i> By Night in Chile</i> (Harvill, 2003).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Judith Beveridge's much-anticipated new collection of poems, the first since her prize-winning new and selected, </b><b><i>Sun Music</i></b><b>, in 2018.</b></p><p>The poems in <i>Tintinnabulum</i> focus on animals, people, and places, though you could say that the real subject matter is the power of poetry, since the book explores how metaphor, simile, imagery and sound can reveal connections that are imaginative, revelatory and sometimes threatening. Beveridge's creative use of language is most evident in the section of the book titled 'Bizarre Bazaar' - where she plays on lines and titles by Wallace Stevens (a fitting companion), and offers linguistic elaborations on familiar objects, and strange beliefs and customs. Each detail leads to others through association, there is multiplicity everywhere, and movement and energy, and this is as true of the poems which capture the particular features of animals, the transient effects of landscape, or the memories of people and places, as it is of the language-oriented poems.</p><p>There is a range of styles, lyrical, dramatic and narrative, which build on the achievements of poems in Beveridge's previous collections. There is also an emotional range to the poems: some poems are joyous, celebratory, ecstatic - others humorous, elegiac, nostalgic - but the overall feeling is of the joy and richness of language.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Judith Beveridge </b>is the author of seven previous collections of poetry, most recently <i>Sun Music: New and Selected Poems</i>, which won the 2019 Prime Minister's Prize for Poetry. Many of her books have won or been shortlisted for major prizes, and her poems widely studied in schools and universities. She taught poetry at the University of Sydney from 2003-2018 and was poetry editor of <i>Meanjn</i> 2005-2016. She is a recipient of the Philip Hodgins Memorial Medal and the Christopher Brennan Award for lifetime achievement.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Kangaroo Unbound is a collection of 50 poems that take their titles and inspiration from legendary Australian artist Garry's Shead's iconic 'D.H. Lawrence' series of paintings, which he produced in the early 90s in response to Lawrence's 1923 novel Kangaroo.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Kangaroo Unbound</i> is a collection of 50 poems that take their titles and inspiration from legendary Australian artist Garry's Shead's iconic 'D.H. Lawrence' series of paintings, which he produced in the early 90s in response to Lawrence's 1923 novel <i>Kangaroo</i>. Like the paintings, the poems range from the heavily influenced (those that lean into the source text with strong ekphrastic fidelity) to those that offer more abstracted and personal renderings. Traversing a range of forms from free verse to concrete, villanelle and sonnet, the poems draw from a host of readily identifiable national motifs in their effort toward a contemporary Australian mythology grounded in 'Benevolence, Humour and Divine Mystery'.   </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Luke Johnson</b> is a writer and academic from Wollongong, NSW. His poems, stories, essays and criticism are widely published in Australia and have won or been listed for numerous national prizes, including the AAWP Chapter One Prize, the Elizabeth Jolley Award, the Josephine Ulrick Award, the Katharine Susannah Prichard Award as well as several development fellowships. He is the author of the short story collection<i> Ferocious Animals</i> (Recent Work Press 2021) and a senior lecturer in creative writing at the University of Wollongong. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A sequence of inter-connected narratives from pre-World War One to the 2020s, <i>Mixed Business </i>is Alan Wearne's latest contribution to the verse novel genre. Propelled at times (though never exclusively) by politics, there is of course plenty of room for satire, though the scope of the tales being told ranges from tragedy to tragicomedy to comedy to farce, with all the muses contributing. Given there are over one hundred characters in the cast, this is a book to be seen as a risky, imaginative, large-scale history of 20th and 21st Century urban Australia.</p><p><b>&amp;#x27;</b><b><i>Mixed Business </i></b><b>offers a broad sweep across Melbourne's past century. It is sharply observed, written as a fine verse novel, poet Alan Wearne exhibiting a rare historical and sociological imagination. Wearne brilliantly succeeds in his aim of &amp;quot;trying to capture how Australians yap/ with use of rhyme to give that extra snap.&amp;quot;'  Jim Davidson</b></p><p><b>&amp;#x27;Alan Wearne's </b><b><i>Mixed Business </i></b><b>is an epic adventure, its energies tied poetically to the everyday. Wearne introduces a cast of characters whose voices, and those of their descendants, speak to each other across the manuscript's over-a-100-year span. Each narrative, whether a domestic or political saga, has its own social and cultural imprint  a reader is guided down streams of consciousness where Wearne's subtlety with the natural rhythms of vernacular registers plays into and against the intellectual toughness of his satire. With discursive shifts between the charming and the garrulous Wearne's lens is, as always, on the social contract between individuals, its harmonies and disruptions.&amp;#x27;  Michelle Borzi</b></p><p><b>&amp;#x27;Of Australia's poets Wearne may be most like Banjo Paterson, without regional pretensions and with fewer animals. Or he may be a late last flowering of social realism, albeit in a liberal-democratic key. Whatever Wearne is and to whom, this is an odd book, in the best sense, that is sure to startle the younger generations. And you&amp;#x27;re probably in it.&amp;#x27;  A J Carruthers</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alan Wearne</b> has been writing poetry since at least high school. Best known for his large-scale verse novels and sequences, he has been a major voice in Australian Poetry since the late 1960s when he was, with John Scott and Laurie Duggan, the Monash contingent in the 'Generation of '68'. For eighteen and a half years he taught at the University of Wollongong. Since 2011 he has been the publisher of Grand Parade Poets.<i> Near Believing</i>, his selected monologues and narratives, was published in 2022.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Honour's Mimic combines the authentic Greek setting of Charmian Clift's travel memoirs with the fine writing that has caused her to be described as Australia's greatest essayist.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>We are alike, Kathy thought. You are a desperate one, too. She was incredulous that she could be so happy when it was so perfectly clear that the situation was impossible, could not possibly last, and that in any case this man was doomed already.</i></p><p>In this novel, Charmian Clift broke the rules of the romance genre by her representation of a relationship between a middle class Australian woman and a Greek sponge diver who is an outcast even within his own society. Both are 'desperate'  trapped in loveless marriages and overcome by a sense of nameless dread. But when these twin souls fall in love in the ruins of an ancient citadel above the port-town of a remote and poverty-stricken Greek island, 'honour' becomes 'mimic'  a false imitation of itself  and is cast aside, together with unhappiness and fear.</p><p><i>Honour's Mimic</i> combines the authentic Greek setting of Charmian Clift's travel memoirs with the fine writing that has caused her to be described as Australia's greatest essayist.</p><p><b>'Charmian Clift broke the rules of the romance genre with this representation of a relationship between a middle-class Australian woman and a Greek sponge diver who is an outcast even within his own society.' </b> <b><i>Readings Monthly</i></b></p><p><b>'The [writing] is but it is distinctive in its potency, and for the way the love story is interwoven with the brutal realities of class, immigration, and mid-century morality. We devoured it.' </b> <b><i>The Paris End</i></b></p><p><b>'</b><b><i>Honour's Mimic</i></b> <b>is a superbly realised portrait of the links between true love and mortality. It is about how being in another country can unmoor and perhaps free you to find "a passionate affirmation of that old lost desire to face challenge and danger, to be brave, to dare for the truth".'  Declan Fry</b></p><p><b>'At the heart of </b><b><i>Honour's Mimic</i></b><b> is a transgressive, all-consuming love story that also offers an incisive, often chilling, indictment of the measures and strictures of class and society.'  Heidi Maier, </b><b><i>INDaily </i></b></p><p><b>'With the compelling flavour of a grotesque and shimmering fairytale that carries no consoling ending, </b><b><i>Honour's Mimic </i></b><b>casts a potent spell.'  Carmel Bird, </b><b><i>The Saturday Paper </i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Charmian Clift</b> was born in the coastal town of Kiama, New South Wales, on 31 August 1923. After serving as a lieutenant in the Australian Army, she joined the staff of the Melbourne Argus newspaper, and in 1947 married fellow journalist George Johnston. The next year, the couple's collaborative novel <i>High Valley</i> won the <i>Sydney Morning Herald</i> prize. Fleeing the political claustrophobia of Australia under the Menzies government, in 1952 Charmian and George headed to London. Two years later, they escaped even further, to the Greek islands, where over the next decade they raised three children and created a legend. During this period, Clift wrote the memoirs <i>Mermaid Singing</i> and <i>Peel Me A Lotus</i>, and her two novels, <i>Honour's Mimic</i> and <i>Walk to the Paradise Gardens</i>. After the family returned to Australia in 1964, Charmian Clift began writing a weekly column that appeared in the <i>Melbourne Herald</i> and the <i>Sydney Morning Herald</i>. Charmian Clift died in 1969.</p><p><b>Nadia Wheatley</b> is the editor of <i>Sneaky Little Revolutions</i>: Selected essays of Charmian Clift and <i>The End of the Morning: The never-before-published novel by Charmian Clift</i>. She is also the author of <i>The Life and Myth of Charmian Clift</i>. Described by critic Peter Craven as 'one of the greatest Australian biographies', this was the Age Non-Fiction Book of the Year, 2001, and won the NSW Premier's Australian History Prize (2002). After twenty years it remains the classic account of the life and work of this transformational Australian writer. Nadia Wheatley's other works include the award-winning memoir <i>Her Mother's Daughter</i> and <i>Radicals  Remembering the Sixties,</i> written in partnership with Meredith Burgmann.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The never-before-published novel by Charmian Clift.</b></p><p><i>'In those days the end of the morning was always marked by the quarry whistle blowing the noon knock-off.</i></p><p><i>Since everybody was out of bed very early, morning then was a long time, or even, if you came to think about it, a round time - symmetrical anyway, and contained under a thin, radiant, dome shaped cover...'</i></p><p>During the years of the Great Depression, Cressida Morley and her eccentric family live in a weatherboard cottage on the edge of a wild beach. Outsiders in their small working-class community, they rant and argue and read books and play music and never feel themselves to be poor. Yet as Cressida moves beyond childhood, she starts to outgrow the place that once seemed the centre of the world. As she plans her escape, the only question is: who will she become?</p><p><i>The End of the Morning</i> is the final and unfinished autobiographical novel by Charmian Clift. Published here for the first time, it is the book that Clift herself regarded as her most significant work. Although the author did not live to complete it, the typescript left among her papers was fully revised and stands alone as a novella. It is published here alongside a new selection of Clift's essays and an afterword from her biographer Nadia Wheatley.</p><p><b>'</b><b><i>The End of the Morning</i></b><b> is full of feeling, animated by that formless, aching questioning of childhood, and a fascinating glimpse of the forces that shaped Clift as a person and a writer.' - Fiona Wright</b></p><p><b>'Reading her, even a glimpsed paragraph of her, is like quaffing the finest champagne on earth.' - Peter Craven,</b> <b><i>Sydney Morning Herald</i></b></p><p><b>'Forthright, funny and with an indefinable flair, Charmian Clift's writing plays second fiddle to nobody.' - Richard Cotter,</b> <b><i>Sydney Arts Guide</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Charmian Clift</b> was born in 1923 in Kiama, on the New South Wales south coast. Describing herself as coming from a family of 'liars and embroiderers', from an early age she began transforming her home and childhood into fiction.</p><p>After serving as a lieutenant in the Australian Army, in 1946 Clift joined the staff of Melbourne's <i>Argus</i> newspaper, where she met fellow journalist George Johnston. Over the next twenty-three years, the couple raised three children, produced thirty books, and created a legend.</p><p>While living in Greece, Clift wrote the travel memoirs <i>Mermaid Singing</i> and <i>Peel Me a Lotus</i>, and the novels <i>Walk to the Paradise Gardens</i> and <i>Honour's Mimic</i>. She also began the autobiographical novel titled <i>The End of the Morning</i>, which she regarded as her major work.</p><p>Returning to Australia in 1964, Charmian Clift set her novel aside so that she could devote her time to her weekly newspaper column and to her family commitments. Although she resumed work on <i>The End of the Morning</i> in 1968, she died a year later, before the book was completed.</p><p>For more information, see: www.charmianclift.com.au</p><p><b>Nadia Wheatley</b> is the editor of <i>Sneaky Little Revolutions: Selected Essays of Charmian Clift</i> and the author of <i>The Life and Myth of Charmian Clift</i>. Described by critic Peter Craven as 'one of the greatest Australian biographies', this was acclaimed as the Age Non-Fiction Book of the Year, 2001, and was awarded the NSW Premier's Australian History Prize in 2002. It remains the classic account of the life and work of this transformational Australian writer.</p><p>For more information, see: www.nadiawheatley.com</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Davitt Awards 2025, Adult novels**</b></p><p>An exhilarating and unforgettable love song for our world. Heartbroken and in fear for his life, corporate whistle blower, Jagger Eckerman, escapes to hide out in a remote cave, but kick-arse radical, Nia Moretti, is furious a 'capitalist suit' has taken over her cave. It is hatred at first sight.</p><p>Yet Nia is hiding for reasons of her own, ones that drag Jagger closer to death as they are forced on the run together and he is unwittingly pulled deeper into Nia's reckless mission to help save the planet. But who can save Jagger from the relentless pursuit of the man who wants him dead?</p><p>Both an electrifying cat-and-mouse-chase and an odd couple love story, <i>The Rewilding</i> captures the essence of what it means to be alive today in this cusp of change pulsing with possibilities<i>.</i></p><p>It is a passionate intimation of hope.</p><p></p><p><b>'A breathless chase thriller with a warm ecological heart.' - Inga Simpson, author of</b> <b><i>The Last Woman in the World</i></b></p><p><b>'Fiction at its rebellious, fast-paced best with hope as its touchstone, making</b> <b><i>The Rewilding</i></b><b> an urgent novel for our times.' - Sally Piper, author of</b> <b><i>Bone Memories</i></b></p><p><b>'A genre-bending page-turner from an author of the highest calibre: Cameron's writing is rich, evocative and comes straight from the heart</b><b><i>.'</i></b><b>  Anna Downes, author of</b> <b><i>The Safe Place</i></b> </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Donna M Cameron</b> is a playwright and AWGIE nominated radio dramatist who now writes novels. Her debut, <i>Beneath the Mother Tree</i> (2018, Midnight Sun) was listed as a top Australian fiction read in The Advertiser's yearly round up and was selected for the 2019 QWC/Screen QLD's Adaptable program. The manuscript of <i>The Rewilding</i>, won her a KSP Fellowship, was runner up in a Writing NSW award and gained her a 2021 Varuna Fellowship. Donna was recently accorded a Regional Arts Development Fund grant to work on her third novel, <i>Bloomfield</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Russell Prize for Humour Writing 2025**</b></p><p>After living in a Singapore dog shelter for five years, Gucci  a vaguely Dalmatian-like crossbred  is losing hope of ever being rescued. One day to his surprise he is adopted by <i>her,</i> a writer<i>,</i> and moves to inner city Sydney. On arrival, however, an anti-dog war breaks out in their apartment block; Gucci's owner receives a letter threatening the possibility of 'euthanasia'. The incident triggers nightmares in<i> her</i> and brings back distressing childhood memories.</p><p><i>My Name Is Gucci</i> is a charming novel about the relationships between pets and their owners and about how the past shapes the present. This bold ex-shelter dog narrated fable beautifully unravels Gucci's and his adopter /guardian's secrets, which have been intertwined for decades through their recurring reincarnations.</p><p>Sun Jung understands the deep connections that exist between animals and humans. You won't need to be a dog lover to be entranced by this story; it is brimming with warmth, wit and wisdom.</p><p><b>'A comic and moving Homeric odyssey about Gucci the dog, who must deal with, and outwit, the most problematic species of all  humans.'  Louis Nowra, author of</b> <b><i>Sydney: A Biography</i></b></p><p><b>'A magical novel that will capture your heart.'  Andrea Carter, author of</b> <b><i>A Body Falls</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>The beginning was the last day before the summer holidays. The beginning was a song on the radio. The beginning was big plans.</i></b></p><p>Fourteen-year-old Billie rarely crosses the boundaries of her high-rise housing estate. By the end of the month their money just about stretches to pasta with ketchup, but her mother, Marika, lights up Billie's world with her imagination and big heart.</p><p>One day they receive an unwelcome visit from her Hungarian grandmother, and Billie loses much more than the colourful everyday life she shared with her mother. No longer able to ask Marika questions, Billie sets off alone in their old Nissan  determined to meet the father she never knew and find out why she keeps dreaming about the sea, even though she's never been there.</p><p>Longlisted for the German Book Prize 2023, <i>Paradise Garden</i> is a spellbinding journey and a deeply affecting story of class, resilience and belonging.</p><p><b>'Elena Fischer writes so lovingly about sadness that it is comforting.'  Alina Bronsky</b></p><p><b>'An accomplished debut about the courage to get to know one's own origins and to accept them as they are.'  Ursula Nowak for </b><b><i>Deutschlandfunk</i></b><b>, Cologne</b></p><p><b>'This novel is a small miracle  and a big surprise.'  Claudio Armbuster / </b><b><i>ZDF</i></b><b>, Mainz</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Elena Fischer</b> studied comparative literature and film in Mainz, where she lives with her family. In 2019 and 2020, she participated in the Darmstadt Text Workshop, led by Kurt Drawert. In 2021 she was a finalist at the 29th Open Mike with an extract from her debut novel <i>Paradise Garden</i> and won the Mainz provincial government's prize for young authors.</p><p>Elena Fischer has been nominated for the German Book Prize and for the Harbour Front Literary Festival's Debut Prize 2023.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner of The Yomiuri Prize for Literature, 2012**</b></p><p>The Japanese novel comes of age in this gripping story of love, art and life as a group of architects competes to design the new National Library of Modern Literature in Tokyo.</p><p>In 1980s Japan, newly-graduated Toru Sakanishi joins a small, prestigious architecture firm founded by a former student of Frank Lloyd Wright. As the sweltering summer months approach, the team migrates from the bustling centre of Tokyo to the beautiful rural surroundings of Mount Asama, where several love stories are woven together and Sakanishi encounters four remarkable women who change the course of his life.</p><p>From honouring ancestors to illustrating the complexities of the living, <i>Summer at Mount Asama</i> is a prize-winning novel beautifully translated by National Book Award winner Margaret Mitsutani, offering a moving and elegant portrait of the clash of modernity and tradition.</p><p><b>'Packed with ideas about art, life, and love.' </b> <b><i>Kirkus Reviews</i></b></p><p><b>'The more I read, the more I fell in love with this beautiful novel.'  Hiromi Kawakami</b></p><p><b>'Expertly-crafted.'  Mariko Ozak</b>i</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Masashi Matsuie</b> began his literary career as a fiction editor for the Shinchosha Publishing Company, where he worked with writers such as Yoko Ogawa, Banana Yoshimoto, and Haruki Murakami and launched Shincho Crest Books.</p><p>His debut novel, <i>Summer at Mount Asama</i>, received the Yomiuri Prize for Literature.</p><p><b>Margaret Mitsutani</b> is a translator of Yoko Tawada and Japan's 1994 Nobel Prize laureate Kenzabur e. She was a finalist for the National Book Award and winner of the National Book Award for her translation of Yoko Tawada's <i>The Emissary.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[A powerful coming-of-age story for our times, interrogating masculinity and queerness in the digital age as well as offering a fresh take on desire and intimacy, adolescent obsession and dangerous first love....]]></Text>
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			<Text textformat="02"><![CDATA[<p>After inexperienced seventeen-year-old Isaac loses his virginity through a dating app  a disappointing yet addictive experience  he spends his final months before university escaping into a dizzying new world of casual sex with forgettable men. This all changes when he meets twenty-eight-year-old Harrison at a party.</p><p>Isaac is immediately infatuated by the handsome, charismatic artist, but while they grow closer, his sense of self becomes increasingly hazy. Harrison&amp;#x27;s demands shift constantly, and after Isaac tries everything to prove his worthiness, he must take a hard look at his ideas about love, sex and men, and his relationship with himself.</p><p><b>&amp;#x27;So vivid and real, it brought a thousand memories rushing back&amp;#x27; - Russell T Davies</b></p><p><b>&amp;#x27;Truly impressive: funny, melancholic and acutely real. Isaac takes me back to my own adolescence in London, to being on the precipice of adult life... bracing and uncensorious&amp;#x27; - James Cahill, author of</b> <b><i>Tiepolo Blue</i></b></p><p><b>&amp;#x27;Carefully written, sexually candid but full of warmth and longing, Isaac is deeply satisfying in its elegance and tenderness&amp;#x27; - Niamh Campbell, author of</b> <b><i>This Happy</i></b></p><p><b>&amp;#x27;A luminous and beautiful debut about coming-of-age in London today. An instant queer classic&amp;#x27; - Jon Ransom, author of</b> <b><i>The Gallopers</i></b></p><p><b>&amp;#x27;Garner writes like a queer, twenty-first century Richard Yates: honest, uncompromising, fearless, and completely engrossing&amp;#x27; - Alex Pheby, author of</b> <b><i>Playthings</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Curtis Garner</b> was born in Cornwall in 1996. When he was eighteen, he moved to London to study Creative Writing and English Literature at the University of Greenwich. He graduated in 2017 and has been working in publishing since. In 2020, he also received an MA with Distinction from the Manchester Writing School, where much of Isaac was written. In his spare time, he reviews novels on Instagram (@queer_novels). He lives in Hackney.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In this latest instalment of<i>The Perfect Passion Company</i>, Katie Donald, with the help of her enigmatic neighbour, William, continues her unwavering endeavour to help lonely hearts find love.</p><p>After facilitating a handful of successful romances, Katie Donald is eager to continue helping the lovelorn find connection. Word of her expertise spreads quickly, and more people than ever are flocking to the Perfect Passion Company seeking Katie's advice. With each client's distinctive quirks and unique personalities, Katie finds herself seeking new and creative solutions to locate their perfect match.</p><p>With the tenderness of which only McCall Smith is capable,<i>The Perfect Passion Company</i> charmingly illuminates the fascinating psychology of matchmaking, the universal search for love and compassion, and the mysterious spark of attraction that can, at times, catch hold of us all.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexander McCall Smith</b>is the author of the highly successfulNo. 1 <i>Ladies' Detective Agency</i>series, which has sold over twenty-five million copies. Since then he has devoted his time to the writing of fiction and has seen his various series of books translated into over forty-six languages and become bestsellers throughout the world. These include the<i>44 Scotland Street</i>novels, first published as a serial novel in the<i>Scotsman</i>, the<i>Isabel Dalhousie</i>novels, the<i>Von Igelfeld</i>series and the<i>Corduroy Mansions</i>novels.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The Perfect Passion Dating Company at No. 24 Mouse Lane in Edinburgh&amp;#x27;s New Town is run by Katie Donald who has an innate instinct for bringing people together. She has developed a skill for finding out what it is that people really want. Along the way, Katie learns profound lessons about her own desires as she works at better understanding others. Although Katie has little in the way of direct experience, with the help of her amiable and handsome office neighbour William Kidd, she soon finds herself making matches for the lonely hearts tired of meeting online  and who want a more personal touch.</p><p>For fans of Alexander McCall Smith&amp;#x27;s many beloved series and romantic standalone novels, <i>The Perfect Passion Company</i> shows him at his most perceptive, playful, and generous. In the way that only McCall Smith can, this novel offers a glimpse inside the psychology of matchmaking, the search for love and companionship, and the mysterious spark of attraction that can, at times, catch hold of us all.</p><p></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ammar Kalia</b> is a writer, musician and journalist living in London. Since 2019, he has been the <i>Guardian's </i>Global Music Critic and he has written for publications including the <i>Observer,</i> BBC, <i>Dazed, Mixmag, Economist, Downbeat </i>and<i> Crack Magazine.</i> In 2020 he published a collection of poetry and an accompanying album,<i> Kintsugi: Jazz Poems for Musicians Alive And Dead</i>, and in 2022 his essay on music and identity was included in the collection Haramacy. <i>A Person Is A Prayer</i> is Kalia's debut novel and was shortlisted for the Unbound Firsts Prize in 2022.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Previously a primary school teacher, <b>Diane Jackson Hill</b> is an award-winning children's author. She lives along the southern coast of Australia and is strongly drawn to the beauty of its plants and animals.</p><p>Diane is passionate about connecting children to the beauty of our incredible world and encouraging their awareness of its fragility.</p><p><i>Platypus Bend</i> is the fourth title in Diane and Craig's environmental book partnership-three of them in collaboration with Museums Victoria. </p><p>Previous titles include <i>Chooks in Dinner Suits, Windcatcher </i>and <i>Saving Seal: the plastic predicament</i>. All three have received CBCA Notable awards, with <i>Chooks in Dinner Suits</i> also winning the Wilderness Society's Environment Award for Children's Literature in Picture Fiction in 2017, <i>Saving Seal</i> shortlisted for the same award in 2022, and <i>Windcatcher </i>winning a Whitley Award in 2020.</p><p><b>Craig Smith</b> was raised in country South Australia, later training at the South Australian School of Art in Adelaide. In a forty year career he has illustrated many beloved and award-winning books for children.</p><p>Craig spends a great deal of time out in nature, whether he's tending his garden or venturing further afield to camp, bushwalk or ride his bike.</p><p>One compelling theme in front of Australians now is the need to pay attention to the environment. To learn more about it. To try and understand. To take responsibility for a patch of it. To be in it, enjoy it, and share it.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>*CBCA 2022 Notable Book: Eve Pownall Award*</b></p><p><b>Age range 6 to 9</b></p><p>Seal has made his home in the waters of a coastal village, but he often finds himself trapped and ensnared in the plastic rubbish filling the Bay. Fortunately, he is rescued by Lizzie and Grandpa Dave.</p><p>Lizzie and Grandpa Dave are motivated to do something about cleaning up their Bay and saving the marine life who are being threatened more and more by the rubbish found in the Bay and on their beaches. They encourage the towns people to join them in their fight against plastic pollution devastating their beaches and harming marine life.</p><p>This is a story about how we can make a change, about cooperation and making the right choices and making them now.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Cats have always fascinated us!</p><p>When human beings first encountered wild cats, they could see things in the dark that our eyes couldn't, and their hunting helped keep pests away. Eventually, they became our companions, and joined us on journeys across the sea to faraway lands. Soon, the whole world became obsessed with cats!</p><p>Over the centuries and all around the world, the cat has appeared in myths, legends, superstitions and stories. From the time we first admired cats in ancient Egypt, to the creation of cat cafes in Korea in the present day, cats continue to fascinate and intrigue us. While they allow us to understand some things about them, cats have still managed to retain an aura of mystery even today. Do any of us really know what's going on in their heads?</p><p>Based on extensive research, this narrative nonfiction picture book traces the special relationship between humans and these furry felines  a purr-fect introduction for the youngest of readers to the mysterious world of cats! Includes backmatter with further information on the cat breeds featured in the book. A companion book to <i>Dogs and Us.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Learn how to cook delicious, nutritious, and dragon-friendly recipes with this cookbook for kids that melds kitchen skills with dragonology.</b></p><p>Embark on a culinary adventure with the most delicious dragon book for kids.</p><p><i>How to Cook for a Dragon</i> is not your ordinary cookbook  it's a fantastical journey through a realm where every meal is an exciting quest and every recipe is a treasure to be unearthed. This dragon-themed cookbook is filled with fun, tasty, and nutritious recipes that kids will love to both make and eat, from the 'Dragon Egg in a Cave' that will tickle their taste buds to the 'Traveler's Mini Pizzas' that will have them breathing imaginary fire. </p><p><b>What's Inside?</b></p><ul><li><b>Enchanted recipes: </b>Each page is a new discovery with easy-to-follow step-by-step instructions that will guide your little ones in creating magical dishes fit for any dragon's appetite</li><li><b>Dragon lore and fun facts: </b>Learn about the dragons of lore with fun dragon facts included with every recipe to keep your kids engaged and reading</li><li><b>Magical Illustrations: </b>Dive into a richly illustrated world where dragons roam free and the kitchen is a portal to another realm</li></ul><p><b>Perfect for Families and Kids Aged 512</b></p><p><i>How to Cook for a Dragon</i> is designed to bring families together in the kitchen. It's a perfect introduction to cooking for children, teaching them valuable skills while sparking their imaginations. The recipes are simple enough for kids to follow with just a little help from an adult, making the book a special activity for family bonding.</p><p><b>Special Features for Young Chefs:</b></p><ul><li>A 'Dragon Chef's Oath' to inspire and set the stage for a magical cooking experience</li><li>Tips for cooking safely, so your little ones can navigate the kitchen with confidence</li><li>A customisable Table of Contents where young chefs can write down their own discoveries and recipe tweaks</li></ul><p>Don't miss out on the chance to make cooking a magical journey with <i>How to Cook for a Dragon </i> the ultimate dragon book for kids. Grab your copy, don your chef's hat, and prepare for a fantastical feast that will make your kitchen the most magical place on Earth!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Samuel 'Fact' Kaplan</b> is an author, psychologist, and humorist based in Oakland, California. As a psychologist, he works with families and kids with disabilities, using humour, art, music, and games to create connections and help kids heal from complex traumas. He is the coauthor of the books <i>Goodnight Dorm Room, Everybody Poops 410 Pounds a Year</i>, and <i>The MANual.</i> Samuel is very fast. His speed is comparable to that of a shark crossed with a baby tuna that is also being chased by the aforementioned shark.</p><p><b>Keith Riegert</b> is an author and the CEO at Ulysses Press. He is also a cofounder of the book publicity and digital marketing firm Pacific &amp; Court and teaches Analytics and Consumer Insights at NYU's School of Professional Studies in the Center for Publishing.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 1 to 4</b></p><p>Sometimes kids - and little trucks - need to be reassured of a parent&amp;#x27;s love. In<i>I Love You, Little Truck,</i>Big Truck loves Little Truck with a full heart - but Little Truck can&amp;#x27;t help but wonder. &amp;#x27;Little Truck smiled, then it sank to a frown. / &amp;#x27;But what about times I might let you down? / Like when I spill oil or get grease on the rugs. / Even then, will you give me your kisses and hugs?&amp;#x27; In a heartwarming exchange featuring favourite construction trucks, Big Truck shows how a parent&amp;#x27;s love overcomes oil spills, cement, and even the deepest of holes. Adorable illustrations from Natasha Mollins complement the simple, rhyming text to convey an endearing message that kids will want to hear - and feel - again and again.</p><p>A heartwarming <i>I Love You </i>book for kids who love trucks.</p><p>Thick, sturdy artcard and a protective, glossy coating ensures the book will last for many more readings!</p><p><b>&amp;#x27;Sure to be a hit with young construction lovers, and comforting for any child worried about all those 'What ifs.&amp;#x27;-</b><b><i>School Library Journal</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>David Miles</b> is an award-winning and bestselling author and illustrator of over 40 books, including <i>?The Side-by-Side Declaration of Independence,</i> <i>Book</i>, <i>The Interactive Constitution, Allegro, Unicorn and Horse,</i> and other titles. He has worked as a designer, illustrator, and creative director, and he now runs Bushel &amp; Peck Books with his wife, Stephanie. He&amp;#x27;s been named a CYBILS Award Finalist, Publishers Weekly Star Watch Nominee, Trvst Changemaker, New York Book Show Award Winner, and Bill Fisher Award Finalist, among other accolades. He lives in Fresno, California, with his family.</p><p><b>Stephanie Mile</b>s is the author of several books for kids and has worked as a preschool teacher and special education aide. She graduated from Fresno State University with a degree in child development. Stephanie is also a warrior. In 2011, she was diagnosed with multiple sclerosis (MS). In her free time, she loves to cycle, garden, decorate, and count her son&amp;#x27;s freckles. She and her family live in California.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 2 to 5</b></p><p>In a smart and silly picture book enriched with preschool-friendly facts and activities, Lynn Leitch and the acclaimed Scot Ritchie propose the perfect modes of transport for eight charismatic dinosaurs</p><p><b>A witty and whimsical picture book for young fans of dinosaurs and vehicles alike.</b></p><p>What kind of a car would a tiny Velociraptor drive? Perhaps a mini car? But what would suit a vegetarian Iguanodon or a pack of rowdy Triceratops? What would an ideal vehicle be for a T-rex? Whatever it is, it had better come with an adjustable steering wheel for those short arms!</p><p>Illustrated by award-winning artist Scot Richie, this humorous picture book helps dinosaurs find their perfect way to get around. Carnotaurus, Brachiosaurus, Diplodocus, and more, ride around on a variety of vehicles that suit their style, anatomy, and nature. At story time, readers will ask themselves the inevitable question: out of all the things that go, what would my favourite dinosaur drive?</p><p>Scot Richie's fun and witty dinosaurs will have children laughing at the absurdity of a T-rex in a monster truck, while they simultaneously learn the names of these prehistoric creatures. Author Lynn Leitch includes preschooler-friendly dinosaur facts that help readers to go beyond the story. A closing page of activities is included to further enrich the reading experience.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Born in Vancouver, British Columbia, <b>Lynn Leitch</b> is a children's author with a passion for stories that lead to giggles. After graduating from Queen's University and Dalhousie, Lynn worked at the Bank of Montreal before becoming a freelance writer. Her debut picture book brings together eight humorous dinosaurs with their ideal modes of transport. Lynn lives in Burlington, Ontario.</p><p><b>Scot Ritchie</b> is an award-winning illustrator and author with more than 60 books to his credit, including most recently <i>On the Line</i>. His books have been translated into French, Korean, Indonesian, Polish, Finnish, Arabic and Dutch. Scot has worked with the National Film Board of Canada and has had his illustrations exhibited at the National Gallery of Canada. He lives in Vancouver, British Columbia.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A new art book edition of the original vampire novel. The book that inspired Stoker's</b> <b><i>Dracula</i></b><b> and pioneered depictions of queer longing in contemporary fiction, now elaborately illustrated and presented as a breathtaking slipcase-housed coffee table book.</b></p><p>The award-winning illustrator and graphic novelist Rosemary Valero O'Connell (<i>Laura Dean Keeps Breaking Up With Me</i>) brings a tender and menacing touch to a classic 19th century gothic horror novel suffused with unfulfilled romantic yearning between two young women. This sleek and hypnotic new edition features a captivating suite of full-page and spot illustrations, as well as an original introduction from the renowned author of dark fictions Poppy Z. Brite.</p><p>A stunning new entry in Beehive Books award-winning <i>Illuminated Editions</i> series, this oversized volume is housed in a foiled, die-cut, sculpturally embossed slipcase, printed on uncoated acid-free paper, and published in a 9" x 12" trim format.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Joseph Thomas Sheridan Le Fanu</b> (1814-1873) was a pioneer of Victorian ghost stories and Gothic fiction. His most famous works centered women and explored cultural taboos of sexuality, gender non-normativity, and mental illness, His life ended in 1873, when he supposedly 'died of fright', his death seeming to take after the stories he wrote. A master of craft, his stories continue to haunt audiences generations later.</p><p><b>Rosemary Valero-O'Connell</b> is a cartoonist and illustrator born in Minneapolis, raised in Zaragoza, and currently residing in Brooklyn, New York. She received her BFA in Comic Art from the Minneapolis College of Art and Design in 2016, and has been making comics full time ever since. Her work has received two Eisner awards, four Ignatz awards, a Harvey, a Prism, a Society of Illustrators Gold Medal, and a Printz Honor.</p><p><b>Poppy Z. Brite</b> is the longtime pen name of Billy Martin. Since beginning his career in the small-press magazine <i>The Horror Show</i> in 1985, he has published eight novels including<i> Lost Souls, Exquisite Corpse,</i> and the <i>Liquor</i> series, as well as several short story collections and assorted nonfiction work. Brite is also the editor of the erotic horror anthologies <i>Love in Vein</i> and <i>Love in Vein 2.</i> He lives in New Orleans with his husband, the artist Grey Cross, and their cats.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Debating Authenticity</i></b><b> merges phenomenology, paratextual analysis, genre studies, cultural theory, and trans scholarship to investigate emerging debates regarding trans media's authorship, authenticity, and aesthetics across the first two decades of the twenty-first century.</b></p><p>By questioning how trans people, both on-and offscreen, are deployed within mainstream cultural industries as representatives of political and cultural progressiveness Paige Macintosh interrogates consultancy roles and their authorship status. Building on trans scholars' new attention to trans aesthetics, they also consider how scholars might productively counter the charged debates currently informing trans media scholarship by reconsidering the categorisation of trans media and beginning to reroute the power of canonisation from cis industry elites to trans viewers. Looking to genre studies  particularly the intersections of gothic horror, science fiction, and spectacle-driven genres like the musical or melodrama  Macintosh outlines their own variation of trans aesthetics, one that is capable of countering trans cinemas melancholic tendencies.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Paige Macintosh</b> is a trans media scholar based in Aotearoa New Zealand. They completed their doctorate in Film Studies at Te Herenga Waka  University of Wellington in 2023. Previous work published in <i>Global Storytelling</i> and <i>The New Review of Film and Television Studies</i> demonstrates an ongoing interest in merging industrial, paratextual and textual analysis, while more recent scholarship is attentive to evocations of trans embodiment in genre filmmaking, particularly science fiction body horror. They currently serve as a steering committee member for Te Herenga Waka's Rainbow Research Network.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This volume makes an exceptional contribution not only to the history of bookbinding, but also to the study of the Italian book, enhancing our understanding of book-use and patronage, trade, craft and art in Renaissance Italy; it is both a tribute to Anthony Hobson and an essential reference tool for anyone working on the history of the Italian Ren]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Anthony Hobson (1921-2014), former Director of Sotheby's, devoted a lifetime of observation, travel and study to the history of decorated bookbindings produced in Italy during the late fifteenth and sixteenth centuries.</b></p><p>This volume draws together Hobson's studies of workshops located outside Rome and Venice, comprising updated versions of previously published articles as well as wholly new work. It has been supplemented by the editors, Edward Potten and Mirjam Foot, with full bibliographical descriptions, extended provenances and citations to published literature. The catalogue is arranged by location covering twelve centres of production and listing bindings attributed by Hobson to more than seventy workshops. It includes indices to current locations, provenances, and places of binding and binders. At least one binding from each workshop is illustrated in colour, showing as wide a variety of distinctive tools as possible.</p><p>This volume makes an exceptional contribution not only to the history of bookbinding, but also to the study of the Italian book, enhancing our understanding of book-use and patronage, trade, craft and art in Renaissance Italy; it is both a tribute to Anthony Hobson and an essential reference tool for anyone working on the history of the Italian Renaissance.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The Wealth of a Nation sheds light on how external factors such as war gave rise to institutional arrangements that facilitated finance, banking, and investment, and offers a conceptual framework for further research into the origins and consolidation of capitalism in England.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>How the development of legal and financial institutions transformed Britain into the world's first capitalist country.</b></p><p>Modern capitalism emerged in England in the eighteenth century and ushered in the Industrial Revolution, though scholars have long debated why. Some attribute the causes to technological change while others point to the Protestant ethic, liberal ideas, and cultural change. <i>The Wealth of a Nation</i> reveals the crucial developments in legal and financial institutions in the seventeenth and eighteenth centuries that help to explain this dramatic transformation.</p><p>Offering new perspectives on the early history of capitalism, Geoffrey Hodgson describes how, for the emerging British economy, pressures from without were as important as evolution from within. He shows how intensive military conflicts overseas forced the state to undertake major financial, administrative, legal, and political reforms. The resulting institutional changes not only bolstered the British war machine - they fostered the Industrial Revolution. Hodgson traces how Britain's war capitalism led to an expansion of its empire and a staggering increase in the slave trade, and how the institutional innovations that radically transformed the British economy were copied and adapted by countries around the world.</p><p>A landmark work of scholarship, <i>The Wealth of a Nation</i> sheds light on how external factors such as war gave rise to institutional arrangements that facilitated finance, banking, and investment, and offers a conceptual framework for further research into the origins and consolidation of capitalism in England.</p><p><b>'Geoffrey M. Hodgson's book is a groundbreaking, in-depth analysis of the ever-discussed history of English capitalism. Well-written and accessible even to broader readers, the book contributes actively to the ongoing debate about the rise of modern capitalism in Europe and worldwide.'  Giampaolo Conte,</b> <b><i>The Journal of European Economic History</i></b><b><br/>'Hodgson's book is a substantial contribution to the field of economic history, providing a nuanced understanding of the complex interplay between state power, military needs, financial innovations and the institutional foundations of capitalism.'  Mugur Tolici,</b> <b><i>Central Banking</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Only about a century old, fascism  bogeyman of ideologies  has been both over- and under-attributed to various political phenomena. </b>While the baseline cases of Hitler's Germany and Mussolini's Italy are generally agreed upon, once these two forces were defeated, it was nigh impossible to believe that such a compulsion would ever return in a more enlightened future  let alone be ushered in by the children of those who defeated the fascist regimes. Today, card-carrying fascist forces grab ever more political power across the US and Europe, even in the European Parliament itself, and around the globe. Yet, while there's a reason for Godwin's Law  the longer an online conversation continues, the more likely someone is to invoke Hitler and the Nazis  we must find ways to discern the fascist wheat from the garden-variety nationalist chaff. This issue looks at today's tidal wave, and asks how to ensure that such forces are not allowed to tear the world asunder once more.</p><p>About <i>Critical Muslim</i>: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Khalid Tinasti </b>is a research associate at the Centre on Conflict, Development and Peacebuilding at the Geneva Graduate Institute and a David F. Musto Visiting Scholar at the International Centre for Drug Policy Studies at Shanghai University.</p>]]></Text>
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			<SubjectHeadingText>Chapter 1- The Revenant West: Gothic and Spectral; Chapter 2- Ghost Riders in the Lonesome West: The; Chapter 3- Dead Men Walking; Chapter 4- Desolation Road; Decolonisation of stereotyped imaginary; Ethnographic museums; Homely and the Un-Homely; Indigenous peoples in Brazil; Interpreting collections of indigenous artifacts; Introduction- The Western as Eco-Gothic; Landscapes; Objects' biography; Part One- The Savage West; Part Three- The New Viscera in the 21st Century; Part Two- To the Boneyard; Scientific expeditions in the Modern Age; Western</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The publication </b><b><i>Courtly Pleasures</i></b><b> explores how porcelain figurines and miniature landscapes served as table decorations from the Baroque to early 19th century. </b></p><p>Scenes of gardens and of love, idyllic hunting parties, picturesque farms, and lifelike animal figurines in porcelain were popular motifs in table decoration from the Baroque to the beginning of the 19th century. These 'worlds in miniature' were intended to initiate conversation among the table guests  and of course attest to the discerning taste of the hosts. The decorative pieces were, for all intents and purposes, part of the furnishing scheme and finished off the room's interior as a total work of art down to the last detail. Central to this was the artisanal sophistication and the perfect mastery of the latest techniques, which breathed new life into the miniatures.</p><p>Following on from <i>Courtly Companions: Pugs and Other Dogs in Porcelain and Faience</i>, now <i>Courtly Pleasures</i> presents the most beautiful table decorations produced by a variety of manufactories  including Meissen, Frstenberg, Delft or Vienna  all from the abundant treasures of a southwest German private collection. In addition, the authors place the pieces in their historical context by taking a look at Baroque table culture or exoticised depictions of foreign countries.</p><p>Text in English and German.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Dr. Gun-Dagmar Helke</p><p>Studied art history, classical archaeology and Byzantine art history followed by her doctorate with dissertation on the Augsburg etcher Johann Esaias Nilson. Intern and assistant curator at the Museum fr Kunst und Gewerbe Hamburg. From 2006 conservator of the Collection at Gut Hohen Luckow; since 2012 art historian and manager of the Familienstiftung Ruth Merckle. </p><p>Research focus on ceramics, antique carpets and prints from the seventeenth to nineteenth century.</p><p>Hela Schandelmaier, MA</p><p>Studied art history, German language and literature, and Italian literature. Assistant curator at the Museum August Kestner in Hanover, where she inventoried and restructured the Ceramics Department. Expert appraiser in ceramics from the eighteenth to twentieth century. </p><p>Worked twenty-five years on the board of directors at the Gesellschaft der Keramikfreunde e. V. and on freelance exhibition and publication projects.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Queer Gothic: An Edinburgh Companion</i></b><b> features sixteen essays that interrogate queer theory's intersections with the Gothic. </b></p><p>By re-visiting the usefulness of the term 'queer' and pushing queer theoretical frameworks into new territory, this volume explores the ways that Gothic and queer work alongside each other: one as a marginalised genre and the other as a marginalised identity. Considering both major and lesser-known Gothic works, and ranging from the canonical (poetry and fiction) to the popular (film, video games, music, and visual and performance art), it offers queer and trans perspectives on a wide selection of Gothic modes, genres and texts from fiction such as Hugh Walpole's <i>The Castle of Otranto</i> to Jeanette Winterson's <i>The Daylight Gate</i>, films from <i>Nosferatu</i> to <i>The Cured</i> and TV shows including <i>In the Flesh</i> and <i>Pose</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr. Ardel Haefele-Thomas</b> is the Chair of LGBT Studies at City College of San Francisco. They have published numerous essays on queer and trans Gothic themes including 'Gothic, AIDS, and Sexuality, 1981- present' for <i>Cambridge History of the Gothic</i> edited by Catherine Spooner and Dale Townshend (Cambridge University Press, 2021) and 'That Dreadful Thing That Looked Like a Beautiful Girl: Trans Anxiety/Trans Possibility in Three Late Victorian Werewolf Tales' for <i>Transgothic in Literature and Culture</i> edited by Jolene Zigarovich (Routledge Press, 2018). Dr. Haefele-Thomas is also the author of <i>Introduction to Transgender Studies</i> (Columbia University Press, 2019) and <i>Queer Others in Victorian Gothic: Transgressing Monstrosity</i> (University of Wales Press, 2012). They are currently working on a monograph on AIDS Gothic for the University of Wales Press as well as a four volume set of archival, rare, and hard to find nineteenth century British LGBTQI+ materials for Routledge Press. Both projects are forthcoming in 2024.</p>]]></Text>
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			<SubjectHeadingText>Iran; Iranian culture; Iranian music; Iranian studies; Islam and music; Islamic music; Persian culture; Persian music; Qajar; Safavids; Timurids; Zand; courtesan culture; ethnomusicology; history of music; music; music in Muslim Contexts; music theory; musical composition; musicology; song</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Examines the music of Iran in its historical and social contexts from the Timurid period up until the end of the Qajar period (15th to early 20th centuries).]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Music Making in Iran from the 15th to the Early 20th Century</i></b><b> looks at the change and evolution of music in Iran from both social and theoretical perspectives. </b></p><p>Amir Hosein Pourjavady scrutinises the emergence and development of modal entities, rules for modulation, the formation of court repertoires, the progress of rhythmic structures, vocal and instrumental genres and forms of composition. Through this lens, Hosein investigates how Iranian music has been impacted by Western influence, socio-political developments and contact with other musical cultures.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Amir Hosein Pourjavady earned his Ph.D. in ethnomusicology from CUNY, Graduate Center where he studied with Stephen Blum. He taught at the University of Tehran as well as UCLA for many years. His publications include the edition of several musical treatises, numerous articles, encyclopedia entries, book reviews and CDs. Dr. Pourjavady is also an accomplished Persian setr player and has performed widely with celebrated Iranian musicians.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Showcases how the Tudor printed edition can help us to relearn our assumptions about, and imagined relationships with, the ideal readers of early modern fiction.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Who do we imagine we are reading 'with' when we read alone? </b><b><i>Early Modern Reading and the Imagined Self</i></b><b> proposes that we cannot responsibly read early modern texts without self-awareness of our own reading habits. </b></p><p>Moreover, we cannot be fully self-aware of our own reading habits if we do not understand the ways they continue to be shaped by the social dynamics supported and proliferated by early modern texts. Analysing key sixteenth-century printed editions, including <i>Utopia</i>, <i>The Boke of the Cyte of Ladyes</i>, <i>Titus Andronicus</i>, and <i>Politeuphuia</i>, this study provides examples of how printed Tudor fiction encourages readers to position themselves in relation to imagined others, often in ways that critique the exclusive communities associated with Tudor humanism. Subsequent editions also encouraged audiences to read 'with' a wide range of speculative fellow readers, yet also created new opportunities to exercise implicit bias against people of their own making.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rebecca Olson </b>is Associate Professor of English at Oregon State University, where she oversees the student-edited open textbook <i>Romeo and Juliet</i>. She is the author of <i>Arras Hanging: The Textile that Determined Early Modern Literature and Drama</i> (2013) as well as a number of articles on Shakespeare, early modern textiles, and inclusive pedagogy.<br/> </p>]]></Text>
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			<SubjectHeadingText>AKP; Balkan studies; Instabul; Islam; Middle Eastern Politics; Public Space; Religion; Turkey; Turkish Politics; Urban Anthropology; Urban Sociology; Urban Space</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Explores the momentous shifts in power during a crucial decade in Turkish history, 2010-2020, by analyzing how these events have produced shifts in the physical landscape of Istanbul.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Over the past decade, the AKP, under the leadership of Recep Tayyip Erdoan, has decisively turned Turkish politics in the direction of conservative Islamic national identity. </b></p><p>A specific ideological framework undergirded the AKP's conception of the built environment, the plans it implemented to transform it and the forms of resistance that these plans generated. This framework is termed Erdoanian Neo-Ottomanism and describes AKP's use of the power of the state to shape public surroundings in their social and ideological image. By utilising an interdisciplinary approach that incorporates religion, politics and space, Courtney Dorroll and Philip Dorroll focus on the role of the Turkish state under the AKP in the restoration of traditional Islamic and Neo-Ottoman imagery and iconography.</p><p>This book explores the momentous shifts in power during this crucial decade in Turkish history through an analysis of four case studies. The 2010 designation of Istanbul as the European Capital of Culture, the 2013 Gezi Park protests, the Monument to the Martyrs of July 15 and associated memorial practices related to the 2016 coup attempt and the transition of Hagia Sophia from museum to mosque in 2020  these are identified as the most prominent ways in which the AKP has restructured public spaces in Istanbul to reflect its values. The authors scrutinise this phenomenon and intentional transformation of the physical landscape through an accessible but interpretive method that uncovers issues crucial to understanding Turkey's most recent history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Courtney Dorroll </b>is an Associate Professor of Religion and founding Coordinator of the Middle Eastern and North African Studies (MENA) Program at Wofford College where she teaches courses on Middle Eastern Studies, ethnography and self-care. She dedicates time to the scholarship of teaching and learning, finding ways to make classrooms more inclusive and sustainable, and self-care as a form of leadership and a pedagogical approach. She was an invited research fellow and subsequent Teach@Tubingen instructor at the University of Tubingen and research fellow at the Max Planck Institute of Economics' Entrepreneurial, Growth and Public Policy Group. Courtney is driven to innovate and internationalise higher education. She is a 2022-2023 American Council on Education Fellow.</p><p><b>Philip Dorroll </b>is an Associate Professor of Religion at Wofford College and Co-Chair of the Eastern Orthodox Studies Unit of the American Academy of Religion. He teaches courses on Islamic Studies and Eastern Christian Studies, such as Introduction to Islam, Premodern Islam, Contemporary Islam, Eastern Christianity, and Christian and Islamic Theology in Comparative Perspective. His published research has focused on the history of Islamic theology in classical Arabic and modern Turkish, the history of Eastern Christian theology in classical Arabic, and the historical relationship between Muslims and Eastern Orthodox Christians. His current work focuses on issues of human rights and comparative theology in the study of Islam and Orthodox Christianity, especially with a view toward understanding what these traditions' interactions with one another can teach us about the possibilities of pluralism and the advancement of human rights in contemporary societies. His other published work includes Islamic Theology in the Turkish Republic from Edinburgh University Press and the edited volume Mturd Theology: A Bilingual Reader from Mohr Siebeck (with Lejla Demiri and Dale Correa). He is currently co-chair of the Eastern Orthodox Studies Unit of the American Academy of Religion and a member of the editorial board for the journal SALT: An Orthodox Journal of Cross-Cultural Theology, Dialogue, and Mission.He received his B.A. from Purdue University, his M.A. from Indiana University and his Ph.D. from Emory University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Transgressive Art Films</i></b><b> offers a holistic approach to the way we consider controversial and extreme cinema  not just as individual or grouped texts for analysis  but as artefacts that ought to be considered within a complex network of social factors. This book provides a rigorous framework for understanding some of the most controversial films of the past twenty-five years.</b></p><p>The term 'transgressive art film' designates the phenomenon of a small number of controversial films recuperated each year by the cinema art world as part of an expansion of the definition of film art. Rather than seeing controversial films as aberrations, this book suggests that transgressive art films should be understood as a socio-cultural phenomenon and a central plank of cinema's need for newness, innovation, and renewal. By paying attention to all scales of cinema, from close analysis of individual frames, through the discourse constructed around them, up to global distribution and film-festival networks, <i>Transgressive Art Films</i> details how certain kinds of cinematic transgression gain wide-ranging institutional support rather than being ignored or forgotten.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Velvet Curtains and Gilded Frames</i></b><b> explores the intermedial context of early cinema. It tackles the first European feature films' intricate relationship with its sister arts to reveal that the period referred to by historians as the 'long nineteenth century' was one in which Bourgeois Realism reigned supreme. </b></p><p>The nineteenth-century rise of the middle class coincided with realism becoming the dominant artistic mode in both form and content, leading to a revival of genre painting in the art academies; the supremacy of the social melodrama on the stage; and the advent of Pictorialism in photography. In its quest for artistic legitimacy, European filmmakers sought to win over middle-class audiences with films based on popular works of art  the first 'art films'  by employing similar visual and narrative strategies as its artistic counterparts.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Felicia Chan</b> is Senior Lecturer in Screen Studies at the University of Manchester where she researches the construction of national, cultural and cosmopolitan imaginaries in film and media. She is author of <i>Cosmopolitan Cinema: Cross Cultural Encounters in East Asian Film</i> (2017), co-editor of <i>Chinese Cinemas: International Perspectives</i> (2016) and founding member of the Manchester-based Chinese Film Forum UK.</p><p><b>Fraser Elliott </b>is Lecturer of Film, Exhibition and Curation at the University of Edinburgh and a member of the Chinese Film Forum UK. His research specialises in the circulation of Chinese-language film in the UK and the histories of Hong Kong cinema. He is a member of the Chinese Film Forum UK, Festival Consultant for the Taiwan Film Festival Edinburgh; collaborator with the Hong Kong Film Festival UK; and co-editor of<i> Full-throttle Franchise: The Culture, Business and Politics of Fast &amp; Furious</i> (2023).</p><p><b>Andy Willis</b> is Professor of Film Studies at the University of Salford, UK and Senior Visiting Curator: Film at HOME, Manchester. Amongst his publications he is the co-editor, with Jonathan Wroot, of <i>Cult Media: Re-packaged, Re-released and Restored</i> and <i>DVD, Blu-ray and Beyond: Navigating Formats and Platforms within Media Consumption</i> (2017), with Felicia Chan, o<i>f Chinese Cinemas, International Perspectives</i> (2016) and with Wing Fai Leung, of<i> East Asian Film Stars</i> (2014). In addition he has curated a number of seasons and programmes of East Asian films, including, <i>CRIME: Hong Kong Style </i>(2016) and <i>The Original Ass Kickers: Hong Kong Cinema's Female Action Heroes </i>(2019), and with Sarah Perks, <i>Made in Hong Kong </i>(2007) and<i> Visible Secrets: Hong Kong's women filmmakers</i> (2009).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book examines how journalists should deal with the growing tide of political disinformation and public scepticism towards news media.</b></p><p>Informed by the latest research from the UK and around the world, the book draws on a series of UK-based studies over a six-year period between 2019-2024, systematically analysing over 4000 news items and sources across fact-checking sites and broadcast programming. It examines audiences through a survey of more than 1,000 people, a news diary study of 200 participants, and fourteen focus groups, in addition to interviewing some of the most prominent news editors and journalists in broadcast news.</p><p>The authors look beyond disinformation emanating from online and social media platforms to identify where and how misinformation can spread across mainstream media. To enhance the legitimacy of journalism and better serve the public, they argue that news reporting should more regularly and robustly confront false and misleading information from politicians.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Stephen Cushion</b> is Professor at the School of Journalism, Media and Culture, Cardiff University.</p><p><b>Maria Kyriakidou</b> is a Reader at the School of Journalism, Media and Culture, Cardiff University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Goda Klumbyt</b> is a postdoctoral researcher at the Participatory IT Design department at the University of Kassel, Germany. Her research engages feminist new materialism, posthumanism, human-computer interaction and algorithmic systems design, with the focus on ethics, explainability and transdisciplinary methods in AI and machine learning. Klumbyt co-edited <i>More Posthuman Glossary</i> with R. Braidotti and E. Jones (Bloomsbury, 2022), and published work in <i>Posthuman Glossary</i> (Braidotti &amp; Hlavajova, Bloomsbury, 2018), <i>New Perspectives in Critical Data Studies</i> (Hepp et al. 2022) <i>Everyday Feminist Research Praxis</i> (Leurs &amp; Olivieri, Camrbidge Scholars, 2015), journals <i>Online Information Review</i>, <i>Digital Creativity</i> and <i>ASAP,</i> as well as presented at informatics conferences such as ACM's CHI, nordiCHI and FAccT. </p><p><b>Emily Jones</b> is a Newcastle University Academic Track (NUAcT) Fellow based in Newcastle Law School, Newcastle University. Dr Jones' interdisciplinary research broadly examines modes of resistance and hope in relation to the theory and practice of public international law, drawing on feminist, queer, posthuman, postcolonial and critical disability studies in that aim. Dr Jones' is the author of <i>Feminist Theory and International Law: Posthuman Perspectives (Routledge,</i> <i>2023). She also</i> co-authoed <i>The Law of War and Peace: A Gender Analysis, Volume One,</i> (Bloomsbury, 2021) and has co-edited two volumes: <i>International Law &amp; Posthuman Theory</i> (Routledge, 2024) and the <i>More Posthuman Glossary</i> (Bloomsbury, 2022).</p><p><b>Rosi Braidotti </b>is a Distinguished University Professor Emerita at Utrecht University in the Netherlands and Honorary Professor at the Royal Melbourne Institute of Technology. She is a feminist Continental philosopher and she holds degrees in philosophy from the ANU and the Sorbonne and Honorary Degrees from Helsinki, (2007) and Linkoping (2013). She is an Honorary Fellow of the Australian Academy of the Humanities (FAHA) and also a Member of the Academia Europaea. In 2022 she received the Humboldt Research Award for life-long contribution to scholarship. Her publications include: <i>Nomadic Subjects</i> (2011), and <i>Nomadic Theory</i> (2011); <i>The Posthuman</i> (2013), <i>Posthuman Knowledge</i> (2019); <i>Posthuman Feminism</i> (2022); <i>The Posthuman Glossary</i> (2018) and <i>More Posthuman Glossary</i> (2022).<br/> </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Is emotional truth a damaging literary and cultural ideal? </b><b><i>The Artifice of Affect</i></b><b> proposes that valuing affective authenticity risks creating a homogenised self, encouraged to comply only with accepted moral beliefs. </b></p><p>Similarly, when emotional truth is made the primary value of literature, literary texts too often become agents of conformity. Nowhere is this risk explored more fully than in a range of American realist texts from the Cold War to the twentieth century's end. For the works of writers such as James Baldwin, Saul Bellow, John Cheever, Kathleen Collins, Paula Fox, Ralph Ellison, or Richard Yates, formulate trenchant critiques of true feeling's aesthetic and social imperatives. The arguments at the heart of this book aim to re-frame emotional processes as visceral constructions, which should not be held to the standards of static ideals of accuracy, legitimacy, or veracity.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nicholas Manning</b> is Professor of American Literature at Universite Grenoble Alpes and a fellow of the Institut universitaire de France. His most recent monograph is <i>The Artifice of Affect: American Realist Literature and Emotional Truth</i> (2023).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A ground-breaking exploration of how art responds to democratic crisis.</b><br/><br/>Is democracy over? Did we ever really have it? Most people would agree that today democracy finds itself in crisis. As this crisis has intensified, art has emerged as an important means of experimenting with new democratic processes and possibilities.<br/><br/>In <i>Model collapse</i>, a brilliant group of art historians and theorists investigate the relationship between art and democracy since the 1990s. Exploring a wide range of artistic responses, from interactive public sculptures to autonomous curatorial projects, critical engagement with electoral politics and creative street protest, they offer fresh insights into the limits of representation, the appeal of collaboration and the role of the nation-state in post-national frameworks.<br/><br/>'Model collapse' is what happens when large language models start learning from their own generated data and lose all connection to reality. This book examines the multiple, intersecting crises that shape the conditions for artistic practice and define its socio-political aims. It advances our understanding of how art can contribute to one of the most vital political issues of our time.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Erasmus's </b><b><i>Annotations </i></b><b>began as marginal comments in his own copy of the New Testament and were subsequently published in 1516 as a supplement to the </b><b><i>Novum Instrumentum</i></b><b>. </b>His annotations were intended to justify his changes based on the Greek text. In each successive edition, published between 1516 and 1535, the <i>Annotations </i>grew in size and scope, providing Erasmus with the opportunity to defend his translations in the face of growing criticism from orthodox Catholic theologians. His notes reveal a man of the Renaissance, a man with a humanist instinct, and an obsessively humanist mind.</p><p>This volume of the <i>Collected Works of Erasmus</i> notes the editorial changes made in the five editions and also provides the reader with information about the patristic, medieval, and contemporary sources consulted by Erasmus, and about the evolving relations with contemporary critics.</p><p>This book highlights how<i> Annotation on Acts </i>played a pivotal role in the development of sixteenth-century biblical exegesis and mark a significant stage in the evolution of humanist biblical scholarship. The annotations in this volume intrigue with their method, delight with their apparent self-confidence, charm with their personal allusions whether laudatory or contemptuous, and illuminate the text of <i>Acts </i>for the modern reader.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Desiderius Erasmus </b>(c. 14661536), a Dutch humanist, Catholic priest, and scholar, was one of the most influential Renaissance figures. A professor of divinity and Greek, Erasmus wrote, taught, and travelled, meeting with Europe's foremost scholars. Erasmus was a prolific author, writing on both ecclesiastic and general human interest subjects.</p><p><b>Robert D. Sider</b> is General Editor of the New Testament Scholarship for the<i> Collected Works of Erasmus.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[An excellent teaching resource and a first-of-its-kind textbook in English, Medieval East Central and Eastern Europe by Florin Curta and Sebastien Rossignol focuses on medieval history in East Central, Southeastern, and Eastern Europe.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From Bohemia to Rus' and from the White Sea to the Balkans, </b><b><i>Medieval East Central and Eastern Europe</i></b><b> by Florin Curta and Sebastien Rossignol covers the medieval history of a large area. This groundbreaking textbook is an important introduction for students and an essential tool for instructors of courses on the Middle Ages and the entire eastern half of Europe.</b></p><p>With elements of medieval archaeology, <i>Medieval East Central and Eastern Europe</i> includes dynastic characters, political legacies, and a list of suggested readings for anyone interested in learning more about the history of these regions. Written in an accessible style that appeals to a general reader, this textbook explicates the diversity of historical experiences available in these parts of Europe during the Middle Ages  from the influence of Byzantine traditions in the Balkans to the integration of Western cultures and the impact of the Eurasian steppe lands. This text highlights the distinct social and cultural characteristics that shaped these societies, including the persistence of nomadic groups, the limited reach of feudalism, and the enduring presence of pagan, Jewish, and Muslim communities.</p><p>Structured with chronological overviews and thematic chapters, <i>Medieval East Central and Eastern Europe </i>is an invaluable resource on underrepresented regions for specialists and non-specialists alike.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Florin Curta</b> is a professor in the Department of History at the University of Florida.</p><p><b>Sebastien Rossignol</b> is an associate professor in the Department of History at Memorial University of Newfoundland.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Mediatic Shakespeare explores how Shakespeare's plays and poems engaged with the volatile media dynamic of his time, when orality was still a powerful cultural force, albeit deeply impacted by script, and both were being remediated by print.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Shakespeare produced his works during a media shift that was unmatched  until our own.</b></p><p><i>Mediatic Shakespeare</i> by media theorist Richard Cavell examines how Shakespeare's writing engaged with the cultural upheaval of an era shifting rapidly from spoken traditions towards print materials. Cavell argues that print was an active cultural force that was in the process of reshaping Shakespeare's world and work. Nostalgic for oral communality, Shakespeare engaged guardedly with print, producing a media dynamic that resonates throughout his work.</p><p>Drawing on media theorists from Marshall McLuhan to Friedrich Kittler and Bernhard Siegert, Cavell traces Shakespeare's engagement with the effects of a media ecology in which knowing and being were aggressively in flux.</p><p>Structured across four chapters, <i>Mediatic Shakespeare</i> explores Shakespeare's media ecology, the unsettling interfaces of orality and literacy, the breakdown of the sensus communis, and the implications for his work of the printing involution.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Richard Cavell</b> is a professor in the Department of English Language and Literatures at the University of British Columbia and co-founder of their media studies program.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This collection celebrates emerging scholars in Indigenous studies, featuring student essays that explore Indigenous justice, ethics, and environmental justice, while highlighting a decade of collaboration with RAVEN, a legal defence organisation.</b></p><p>Named after the Respecting Aboriginal Values and Environmental Needs (RAVEN) nonprofit organisation, <i>The RAVEN Essays</i> is an anthology that celebrates a decade of prize-winning student essays. Since 2012, RAVEN has awarded an annual essay prize to honour students who champion the vital importance of Indigenous rights and self-determination, both in Canada and globally. The essays featured in this collection highlight exceptional student work while reflecting on the evolving relationship between Indigenous politics and academia. From issues like fishing rights and the Trans Mountain Pipeline to challenges of sexism and conservation policy, these essays capture a transformative period in Indigenous struggles, offering insights that resonate far beyond the Canadian settler state.</p><p>The anthology also includes contributions from prominent scholars such as Glen Coulthard, Dara Culhane, Michael Fabris, Sarah Hunt, and Heather Dorries. Five complementary essays explore various aspects of structural change, institutional constraints, and broader commitments to Indigenous knowledge within university settings. Aimed at readers in Indigenous law, environmental studies, anthropology, and geography, <i>The RAVEN Essays</i> is a book created by students for students, and by academics for the academy.</p><p>Together, the contributors reflect on the powerful formation and enactment of Indigenous law, environmental stewardship, place-based knowledge, pedagogy, and literacy  both within the academy and in the broader community, across land, water, and culture.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Racism evolves. Black theology must be adaptable. For this reason, </b><b><i>Black Theology and the Menace of Racial Apocalypse</i></b><b> argues that racism must take centre stage in Black theology because racism is an existential dread that inevitably confronts the Black person in their existential situation.</b></p><p>This book unfolds in two interwoven steps. First, it delves into the complex history of Black theology, examining its development across its first, second, and third waves. This critical study exposits the discomforting idea that something is missing and that this 'something' makes Black theology seem a little deficient, as noted in the pioneering works of James Baldwin and other contemporary thinkers, challenging the hesitation to engage with ideas outside Black experience. The second step draws from multidisciplinary sources, including brain research on cognitive bias and psychological works on implicit bias and microaggressions. Effectively utilising the methodological work of Bernard Lonergan, the book argues that incorporating 'white' sources can enhance Black theology's articulation against racism.</p><p>In doing so, the book demonstrates how this interpretative mechanism can help overcome societal ideological differences, as well as help meaningfully address the ever-evolving problem of racism for Christian theology.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Last Impressions</i></b><b> critically examines the conclusions of Jane Austen's novels, uncovering intricate patterns and interconnections among the final chapters that provoke and challenge readers' interpretations of the overarching narratives.</b></p><p>Jane Austen's conclusions have often perplexed her readers, who at times perceive her novels' endings as hasty or overly simplistic. However, a closer examination reveals that her final chapters are meticulously crafted, serving as critical touchstones that redefine the entire narrative. <i>Last Impressions</i> offers an in-depth analysis of the literary strategies Austen employs to conclude her novels.</p><p>This work explores recurring techniques, such as securing parental consent, the absence of dramatized scenes, and the use of rhetorical devices like Socratic irony and metalepsis, uncovering meaningful patterns that highlight Austen's artistry. By illuminating the intentionality behind the endings of all six of Austen's major novels, as well as her epistolary novella <i>Lady Susan</i>, this book provides valuable insights into her narrative architecture. In a literary landscape that has frequently dismissed Austen's conclusions, <i>Last Impressions</i> asserts that her final chapters demand critical engagement, challenging readers to reconsider their interpretations and appreciate her enduring complexity.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Quixotic Quests explores the publication of the special 1946 edition of Don Quixote illustrated by Salvador Dal, analysing the artist's didactic compositions, revealing the book's material history, and tracing the mid-century reception of both.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Salvador Dal illustrated Miguel de Cervantes's Don Quixote for the first time while living in exile in the United States in the 1940s, collaborating with Random House to produce a special edition that was published in 1946. </b><i>Quixotic Quests</i> examines the material history of this 1946 edition by bridging art history, book history, literature, and narratology, while exploring Dal's role as its illustrator and the reception of both by mid-century popular culture, art historians, and literary scholars.</p><p>Positing that much of Dal's life was quixotic in nature, the book investigates his quest to illustrate the novel with an unprecedented level of pictorial didacticism, despite challenges that the artist and Random House faced during and after the Second World War. It details his resolute passion to integrate surrealism with classicism, visual art with narrative, sexuality with sublimation, and privacy with public persona. Contrasting Dal's visual achievements with other artists and stylistic movements, <i>Quixotic Quests</i> sheds new light on the niche that Dal created for himself as a surrealist illustrator of <i>Don Quixote</i>. Consulting his autobiographical narratives, the book analyses Dal's unique artistic contributions to the four-hundred-year print history of the novel, while emphasising the artist's heartfelt appreciation and respect for his book illustrations.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Daniel Holcombe</b> is an associate professor of Spanish at Georgia College &amp; State University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Across Europe and North America, far-right parties have strategically framed immigration as a threat to national identity and security, capitalising on public anxieties around cultural change and economic pressure.</b></p><p>Part of the groundbreaking <i>ethnoGRAPHIC</i> series, <i>Crossing Lines</i> is a graphic anthology about human migration that challenges the rise of anti-immigrant populism. Research shows that it is difficult to counter these 'us-versus-them' narratives with evidence alone. Blending visual and textual storytelling, this collection moves beyond traditional forms of communication to engage readers emotionally with the complex realities of migration.</p><p>Emerging out of a workshop held at the University of British Columbia's Centre for Migration Studies in 2022, this graphic anthology features eight powerful narratives, collaboratively created by migration scholars and comics artists. <i>Crossing Lines</i> considers the personal and social impacts of migration, offering nuanced perspectives accessible to a wide audience. Each comic is paired with discussion questions and annotated further readings to encourage dialogue and understanding in the face of polarising public discourse.</p><p><i>Crossing Lines</i> is a timely and indispensable resource for scholars, educators, and readers seeking to better understand migration in today's globalised world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Queer Print Cultures</i></b><b> explores the intersections of queer studies, book history, and visual culture, challenging traditional narratives about printed objects and their cultural significance.</b> This collection of essays examines how printed materials illuminate histories of gendered and sexual embodiment, revealing the complex interactions between texts, their creators, and their readers.</p><p>With essays from scholars, librarians, archivists, and activists, the volume amplifies voices often excluded from mainstream discussions, focusing on individuals marginalised by gender, sexuality, race, and class. Contributors investigate how queer communities have utilised various forms of media  from science fiction and romance novels to zines and social media  to articulate queer identities and navigate questions of kinship and citizenship.</p><p>In a time when expressions of identity are becoming increasingly diverse, <i>Queer Print Cultures </i>serves as an essential resource on the transformative power of print in shaping queer experiences and resisting societal norms.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Javier Samper Vendrell</b> is an assistant professor of German and core faculty in the Program in Gender, Sexuality, and Women's Studies at the University of Pennsylvania. </p><p><b>Vance Byrd</b> is a Presidential Associate Professor of Germanic Languages and Literatures at the University of Pennsylvania.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>For author Janna Klostermann, reaching her limits and resigning from care work felt like a crisis of self. In the aftermath of this upheaval, this is the book she needed to write.</b><b><i> At the Limits of Care</i></b><b> will change how you think about care work and about the women who provide it.</b><br/>Now an assistant professor in sociology and a radical care scholar, Klostermann interrogates women's counter-stories of reaching their limits, crossing ethical lines, and stepping back from paid or unpaid care work roles. She uncovers gendered power dynamics and their constraining effects on women's lives, transforming the ways we think about ourselves and our relationships.<br/>The book makes a major contribution in how and what constitutes care research. Drawing on in-depth life history interviews with women ages twenty-seven to seventy-eight in Ontario, Canada, Klostermann enacts a 'counter politics of care' approach that centres untold and lesser-told stories of care work. She pushes readers to rethink gendered power dynamics, question prevailing tropes of care, and imagine more equitable, emancipatory futures.<br/> challenges dominant narratives around women and care through a blend of feminist sociological analyses and memoir.</p>]]></Text>
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