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			<Text textformat="02"><![CDATA[In Deep History: Country and Sovereignty, edited by Jackie Huggins and Ann McGrath, leading historians and thinkers explore the First Nations histories of caring for places and people over millennia.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>What is deep history? How do histories make sovereignty on Country? What is history's future?</b></p><p>For Aboriginal people, the past is the present. Competing histories form and transform the lands, peoples and nations of Oceania, from the Pacific Islands, New Guinea and Aotearoa/New Zealand to Australia. In nations impacted by colonialism, such questions are particularly pertinent. First Nations peoples have long made history, living on their Country far longer than the colonial invaders.</p><p><i>In Deep History: Country and Sovereignty</i>, edited by Ann McGrath and Jackie Huggins, leading historians and thinkers explore Indigenous histories of caring for places and people over millennia. With contributions from Brenda L. Croft, Anna Clark, Lynette Russell and many more, <i>Deep History</i> considers how stories of the past and the future are inscribed on land, waterways and skies. Walking on Country, gardening and agriculture and rock art are historical practices that continue to play an important role in asserting sovereign rights.</p><p>While colonial powers crafted historical narratives of entitlement, First Nations people continue to perform deep histories of sovereignty. <i>Deep History</i> offers readers an invitation to walk the Country, to see how it reveals the most crucial of all histories for the planet.</p><p><b>'</b><b><i>Deep History</i></b><b> is a rousing insurrection against the continuing colonial policing of history in Australasia and the Pacific. Indigenous Australian and Pasifika scholars lead in the reframing of our historical narratives, recognising, alongside white scholars, the urgency of truth telling for respectful acknowledgement of First Nations' sovereignty. This postcolonial reframing of the space and tempo of past legacies and contemporary trajectories offers us new and deeper histories for better futures.'  Warwick Anderson, author of</b> <b><i>The Cultivation of Whiteness: Science, Health, and Racial Destiny in Australia</i></b></p><p><b>'</b><b><i>Deep History</i></b><b> attempts the timely, dicult, and often discomforting task of blasting open the allied academic disciplines of History and Archaeology to Indigenous ways of representing the past and their sovereign sense of Deep Time. Going beyond the peaceful co-existence models of what was once called "bi-cultural history" in Aotearoa New Zealand and drawing on experiences of settler-colonial rule in the wider world of Oceania, the essays here experiment with a variety of creative strategies to take this challenging conversation forward. The result is an exciting and courageous volume that will speak to all students of decolonisation of knowledge.'  Dipesh Chakrabarty, author of</b> <b><i>Provincializing Europe: Postcolonial Thought and Historical Difference</i></b></p><p><b>'This wonderful collection of essays displaying the challenges and achievements of Deep History, draws our attention to history's power, for good and ill, and its importance to the sovereignty of a people. From a rich and thought-provoking introduction to the series of exciting, informative, and well-written essays that follow we learn much about the very dierent forms deep history can take  a long walk, rock art, stories and practices that nourish Country, scientic studies of changes in land and sea, works of historical ction, and even the conventional historical archive. I came away with a heightened appreciation of the dierent ways that Indigenous and non-Indigenous histories can and sometimes do communicate with one another, and the vital importance of doing so.'  Ann Curthoys, co-author of</b> <b><i>Taking Liberty: Indigenous Rights and Settler Self-Government in Colonial Australia, 18301890</i></b></p><p><b>'</b><b><i>Deep History: Country and Sovereignty</i></b><b> has the capacity to open so many new eyes to the profound timelessness of Indigenous history and how it is embedded everywhere  in the land, seas and skies that surround us. It adds new understanding to the connection between the "everywhen" and human and spiritual experience. It is a gift to the children and grandchildren of settler societies.'  Paul Daley, author of</b> <b><i>Jesustown</i></b> <b>and</b> <b><i>Guardian</i></b> <b>writer</b></p><p><b>'A powerful collection of connections to history, Country and culture  oering new insights every Australian should read.'  Terri Janke, author of</b> <b><i>True Tracks: Respecting Indigenous knowledge and culture</i></b></p><p><b>'If you have ever wondered what it actually means when we say "sovereignty was never ceded", this expansive volume holds a wealth of answers. Sovereignties of time, place, law, language, knowledge, memory, history, identity, logic, governance and art are explored by some of contemporary scholarship's most critical and creative thinkers. Challenging, compelling, provocative and practical,</b> <b><i>Deep History</i></b><b> is a book for head and heart alike. Here is vital and vibrant reading for our truth-telling  and truth-listening  age.'  Clare Wright, Professor of History, La Trobe University and author of</b> <b><i>Nku Dhruk The Yirrkala Bark Petitions</i></b></p><p><b>'This landmark work is essential and fiercely relevant.'  Eman Mourad, </b><b><i>Books+Publishing</i></b></p><p><b>'</b><b><i>Deep History </i></b><b>is a work of high-level academic reflection and vibrant digression, and I thoroughly enjoyed reading it.'  Joe Murray, Readings</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>For the past seven years,<b> Ann McGrath AM</b>, who is the WK Hancock Chair at the Australian National University, has led a Laureate Program which, along with Indigenous knowledge holders, collaboratively explores the meanings of deep history. She has published various prize-winning books and held prestigious international fellowships, including at Princeton and the Rockefeller Centre, Bellagio.</p><p><b>Jackie Huggins</b> is a Bidjara Elder of the Carnarvon Gorge area of Central Queensland, and the recipient of knowledge passed on by her last surviving cultural knowledge holder Uncle Frederick Conway from Rockhampton. She has worked in Aboriginal affairs for over four decades in community, government and non-government in areas of reconciliation, social justice and women's issues. An historian and author she is currently Professor, Director of Indigenous Research, School of Medicine, University of Queensland, Herston campus. She is author of <i>Sister Girl: Reflections on Tiddaism, Identity and Reconciliation</i> (2022).</p>]]></Text>
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			<SubjectHeadingText>Acute misfortune; Australian artists; Erik Jensen; First Nations artists; Helen Brack; Mike Parr; Sally Gabori; Sebastian Smee; The Art of Rivalry; art criticism; contemporary art; literary nonfiction</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[A luminous collection of essays on art, obsession and creativity from one of Australia's best critics]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A luminous collection of essays on art, obsession and creativity from one of Australia's best critics</b></p><p>Why do we revere the figure of the artist? Is the drive to create an innate human instinct or a form of compulsion? Is the provocateur more lauded than the realist? Why do artists do what they do, day after day, in a display of discipline and will? </p><p>The twelve essays in this collection offer glimpses into the lives of some of Australia's best contemporary artists, exploring the impetus for creativity and the role of art in making meaning. Tied together by an enduring curiosity for how artists practice  what motivates them, what confounds them and what compels them to keep creating  these pieces span the islands of Carpentaria to suburban Perth, the streets of Malaysia to the deserts of the Northern Territory. What emerges is art as an act of wilful vision  of alternative ways of seeing that illuminate the otherwise invisible.  </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Quentin Sprague</b> is the author of <i>The Stranger Artist</i>, which won the 2021 Prime Minister's Literary Award for Nonfiction, and a monograph on the late Australian painter Ken Whisson. His art criticism appears widely, including regularly in <i>The Monthly</i>, as well as in monographs and exhibition catalogues published by the National Gallery of Victoria, Monash University Museum of Art and the Museum of Contemporary Art Australia. He has worked variously as a curator, an academic, an art coordinator and an artist, and lives in Canberra, on Ngunnawal Country. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Robert Garland</b> is the Roy D. and Margaret B. Wooster Professor Emeritus of the Classics at Colgate University. He is the author of many books, including <i>The Greek Way of Death</i>,<i> Wandering Greeks</i> (Princeton), and <i>Athens Burning</i>. He has also recorded six courses for the Great Courses, most recently <i>God against the Gods</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Both humorous and shocking, <i>Miracula </i>is filled with astonishing facts and stories drawn from ancient Greece and Rome that have rarely been retold in English. It explores &amp;#x27;the incredible&amp;#x27; as presented by little-known classical writers like Callimachus and Phlegon of Tralles. However, it offers much more: familiar authors such as Herodotus and Cicero often couldn&amp;#x27;t resist relating sensational, tabloid-worthy tales. The book also tackles ancient examples of topics still relevant today, such as racism, slavery and misogyny. The pieces are by turns absorbing, enchanting, curious, unbelievable, comical, astonishing, disturbing, and occasionally just plain daft. </p><p>An entertaining and sometimes lurid collection, this book is perfect for all those fascinated by the stranger aspects of the classical world, history enthusiasts, and anyone interested in classical history, society and culture.</p>]]></Text>
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			<SubjectHeadingText>agriculture; Bees; bees in culture; bees in history; bees in myth; ecology; evolution; morphology; natural enemies; natural history; social behavior.; Species; Nest; Honey; Pollen; Flowers; Brood; Cells; Workers; Eggs; Host; Colony; Males; Wasps; Females; Larvae; Food; Insects; Cuckoo; Bumble; Genus; Nectar; Eusocial; Colors; Stingless; Entrance; Enemies; Apis; Queens; Larva; Hive; Oil; Solitary; Genera; Metasoma; Hind; Organisms; Carpenter; Numerous; Flies; Wax; Pollen ball; Metallic; Floral; Ball; Pollination; Hemisphere; Apidae; Sperm; Fly; Sex; Stems; Tree; Morphological; Megachilidae; Societies; Branches; Resin; Pithy; Death</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>An enchanting, fact-filled treasury for the bee lover in all of us</b></p><p><i>Beepedia</i> is a one-of-a-kind celebration of bees, from A to Z. Featuring dozens of alphabetical entries on topics ranging from pollination and beekeeping to the peculiar lifestyles of cuckoo bees and carrion-eating vulture bees, this enticing, pocket-sized compendium takes you on an unforgettable journey into the remarkable world of bees.</p><p>Explore the many wonders of bee morphology, behaviour, and ecology, and learn about the role of bees in agriculture, art, literature, and religion. With more than 20,000 described species, bees can be found anywhere on the planet where flowering plants are pollinated by insects. With Laurence Packer as your guide, you will meet some of the most inquisitive and prolific bee experts who ever lived and marvel at the astonishing variety of wild bees and the creative methods scientists use to study them. Discover why bees have intrigued us for millennia, why Napoleon Bonaparte chose the bee as his emblem when he became emperor, where the expression 'the bee's knees' comes from, and much more.</p><p>With captivating drawings by Ann Sanderson, <i>Beepedia</i> is an informative and entertaining blend of fact, folklore, and fancy that will captivate anyone who has ever been curious about these amazing insects.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A strong higher education system is fundamental to civil society. The building of knowledge and the dissemination of information is vital to the proper functioning of our democracy. At the economic level, higher education is in the top three of our export industries; international students have become central to the hospitality, retail and agricultural economies; and the country desperately needs well-trained, knowledgeable citizens to shore up its future.</p><p>Yet, in February 2024, a detailed review of higher education in this country concluded that the system is broken and urgently needs fixing. The problems that afflict it are legion, including over-investment in international enrolment, an epidemic of casualisation and the burning out of a generation of academics, culture wars over the content and orientation of university research and teaching, the lack of sectoral coordination around the national interest, and the consequences of decades of funding cuts.</p><p>In <i>Broken</i>, Graeme Turner provides a reality check for those who imagine the academic life is one of privilege and leisure, laying bare the enormous challenges and lack of hope experienced by many in academia. He unearths the foundations of this crisis, then explains how the solution lies in an overhaul of the one-size-fits-all approach to university funding, the establishment of genuine full-time career paths, and the formation of an independent body to ensure our university system serves the national interest in both teaching and research, rather than the ferocious competitiveness of the marketplace.</p><p>Above all, we need to jettison the current economic focus on education, and re-embrace the idea that higher learning is a fundamental public good  and should be funded as such.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A timely essay collection on injustice in Australia</b></p><p>Australians love to talk about a 'fair go'. Yet inequality has been part of this sunburnt country since colonisation.</p><p>From Australia's treatment of its First Nations peoples to its refugees, from the prejudice suffered by the LGBTIQA+ community to the lack of support for returned soldiers, our country has not always treated its citizens with compassion and care. We have undervalued the land, causing damage to soil and waterways. What can this unenviable history teach us?</p><p>With a dazzling line-up of contributors including acclaimed thinkers Sheila Fitzpatrick, Joy Damousi, Jennifer Nadel, Uncle Russell Mullett, Leigh Boucher, Katie Wright and Justin Zobel, this collection asks: how can we make a fairer and more inclusive Australia?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Seumas Spark</b> is an adjunct fellow in history at Monash University. His books include (as co-editor) <i>Shadowline: The Dunera Diaries of Uwe Radok</i>, <i>'I Wonder': The Life and Times of Ken Inglis</i> and <i>Dunera Lives: A Visual History</i>. His work appears regularly in <i>Australian Book Review</i> and <i>Inside Story</i>, among other places.</p><p><b>Christina Twomey</b> is a professor of history at Monash University and chief research officer for the Australian Research Council. A prize-winning historian, Christina's research focuses on the social and cultural history of war. She is the author of several books, including, most recently, <i>The Battle Within: POWs in Postwar Australia</i> (2018).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A delicious feast of ancient Greek and Roman writings on living well by eating well</b></p><p>Today, we're stuffed with dietary recommendations from every direction. Social media, advertising, food packaging, diet books, doctors  all have advice on what, how much, and when to eat. This would have been no surprise to ancient Greeks and Romans. Their doctors were intensely interested in food, offered highly prescriptive dietary advice, and developed detailed systems to categorise foods and their health effects. <i>How to Eat</i> is a delectable anthology of Greco-Roman writings on how to eat, exercise, sleep, bathe, and manage your sex life for optimal health. It also gathers ancient opinions on specific foods of all sorts, from how to deploy onions to cure baldness and cabbage to get sober to whether lentils are healthy and why arugula increases your sex drive.</p><p>With lively new translations by Claire Bubb, and the original Greek and Latin texts on facing pages, <i>How to Eat</i> features voices from medicine, philosophy, natural history, agriculture, and cooking, including Hippocrates, Pliny the Elder, Galen, Seneca, Plutarch, and Cato.</p><p>While medicine and science have obviously changed enormously since the classical world, and some Greco-Roman beliefs about diet now appear hilariously off the mark, <i>How to Eat</i> reveals that much of their advice still resonates  and all of it is fascinating.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Claire Bubb</b> is assistant professor at the Institute for the Study of the Ancient World at New York University. She is the author of <i>Dissection in Classical Antiquity</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Inviting new translations of classical Buddhist texts about why the self is an illusion  and why giving it up can free us from suffering</b></p><p>From self-realisation and self-promotion to self-help and the selfie, the modern world encourages us to be self-obsessed. We are even told that finding ourselves is the key to happiness. Better to lose yourself! More than 2,500 years ago, the Buddha argued that the self is an illusion  and that our belief in it is the cause of most, if not all, of our suffering. <i>How to Lose Yourself</i> presents lively, accessible, and expert new translations of ancient Buddhist writings about the central, unique, and powerful Buddhist teaching of 'no-self'.</p><p>Drawn from three important Buddhist traditions, these essential Indian, Tibetan, and Chinese writings provide a rich sampling of the ways Buddhist philosophers have understood the idea that we are selfless persons  and why this insight is so therapeutic. When we let go of the self, we are awakened to the presence of all things as they truly are, and we let go of the anxiety, fear, greed, and hatred that are the source of all suffering.<br/><br/>Complete with an introduction and headnotes to each selection, and the original texts on facing pages, <i>How to Lose Yourself</i> is a concise guide to a transformative idea.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jay L. Garfield</b> is the Doris Silbert Professor of Philosophy and Buddhist Studies at Smith College and a visiting professor of Buddhist philosophy at Harvard Divinity School. He is the author of <i>Losing Ourselves: Learning to Live without a Self</i> (Princeton). <b>Maria Heim</b> is the George Lyman Crosby 1896 &amp; Stanley Warfield Crosby Professor in Religion at Amherst College. She is the author of <i>Words for the Heart: A Treasury of Emotions from Classical India</i> (Princeton). <b>Robert H. Sharf</b> is the D. H. Chen Distinguished Professor of Buddhist Studies in the Department of East Asian Languages and Cultures at the University of California, Berkeley, where he chairs the Numata Center for Buddhist Studies. He is the author of <i>Coming to Terms with Chinese Buddhism</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Exploring death, religion, science and social crisis, a startling history of the occult between the world wars, when Spiritualism was truly an international obsession.</b></p><p>The interwar period was a golden age of the uncanny. Clairvoyants, fakirs, Theosophists, mind-readers, miracle-workers and jinn-summoners--all assured the masses that, just like the newly discovered invisible forces of electricity, radiation and magnetism, unseen spiritual powers commanded a realm of hidden human potential. This was a transnational movement of eccentrics, gurus and prophets, with East and West interacting in unexpected ways.</p><p>Drawing on untapped sources in Arabic as well as European records, Raphael Cormack follows two of the most unusual and charismatic figures of this age: Tahra Bey, who took 1920s Paris by storm as an 'Oriental' missionary; and Dr Dahesh, who harnessed Western science to create a pan-religious faith in Lebanon. Travelling between Cairo, New York and Jerusalem, Paris, Istanbul and Rio de Janeiro, the two mystics reflected the desires and anxieties of a troubled age. These forgotten holy men, who embodied the allure of the unexplained at a time of dramatic change, speak to our own unstable world today.</p><p><b>'Raphael Cormack is a brilliant archival sleuth and a riveting storyteller.'  Anna Della Subin, author of </b><b><i>Accidental Gods: On Men Unwittingly Turned Divine</i></b></p><p><b>'Rarely is cultural history presented with such mesmerizing legerdemain.'  Nile Green, author of </b><b><i>Empire's Son, Empire's Orphan: The Fantastical Lives of Ikbal and Idries Shah </i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Raphael Cormack</b> is an award-winning editor, translator and writer. The author of the widely acclaimed <i>Midnight in Cairo</i>, he is Assistant Professor of Modern Languages at Durham University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[From classical Greece to Roe v. Wade, a long-overdue history of abortion.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From classical Greece to Roe v. Wade, a long-overdue history of abortion.</b></p><p>An ancient entertainer unable to work while pregnant; a medieval holy woman performing a 'miraculous termination'; a Reformation-era abortion provider prosecuted as a witch; a Victorian midwife saving her patients from the workhouse. Women have always sought to end pregnancies, and long succeeded. This book tells their stories.</p><p>From enslaved and Indigenous herbal knowledge on Europe's colonial plantations to Planned Parenthood's unlikely alliance with postwar churches, Mary Fissell reveals abortion's long politics, tracing how Western societies have policed the practice  or chosen not to. For long periods in our past, abortion was widely tolerated by authorities and ordinary people, and far from straightforward in Christian morality: it was not a crime in Britain until 1803, nor a religious issue in America until the twentieth century.</p><p>Whether in France, Scotland, Germany or Italy, abortion controls have always sprung from wider panics around social change  whether times of war, revolution and economic upheaval, or patriarchal anxiety about women's growing independence. As restrictions tighten once more, this vividly illuminating history reminds us that such repression never endures.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mary Fissell</b> is the inaugural J. Mario Molina Professor in the History of Medicine at Johns Hopkins University, focusing on sex, gender and reproduction. The author of <i>Vernacular Bodies</i>, among others, she has featured on the BBC, and in <i>Vice, Slate, The Washington Post </i>and <i>The New York Times.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>How human institutions  markets, states, communities, religions, guilds and families  have helped both to control and to exacerbate epidemics throughout history.</b></p><p>How do societies tackle epidemic disease? In <i>Controlling Contagion</i>, Sheilagh Ogilvie answers this question by exploring seven centuries of pandemics, from the Black Death to Covid-19. For most of history, infectious diseases have killed many more people than famine or war, and in 2019 they still caused one death in four. Today, we deal with epidemics more successfully than our ancestors managed plague, smallpox, cholera or influenza. But we use many of the same approaches. Long before scientific medicine, human societies coordinated and innovated in response to biological shocks  sometimes well, sometimes badly.</p><p>Ogilvie uses historical epidemics to analyse how human societies deal with 'externalities'  situations where my action creates costs or benefits for others beyond those that I myself incur. Social institutions  markets, states, communities, religions, guilds, and families  help us manage the negative externalities of contagion and the positive externalities of social distancing, sanitation, and immunisation. Ogilvie shows how each institution enables us to coordinate, innovate and inspire each other to limit contagion. But each institution also has weaknesses that can make things worse. Markets shut down voluntarily during every epidemic in history  but they also brought people together, spreading contagion. States mandated quarantines, sanitation, and immunisation  but they also waged war and censored information, exacerbating epidemics. Religions admonished us to avoid infecting our neighbours  but they also preached against science and medical innovations. What decided the outcome, Ogilvie argues, was a temperate state, an adaptable market, and a strong civil society where a diversity of institutions played to their own strengths and checked each other's flaws.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Learn about Arabic culture while improving your language skills!</b></p><p>This fascinating book presents 28 traditional Arabic tales in parallel English and Arabic versions on facing pages with charming black &amp; white illustrations. The stories include:</p><ul><li>The Blue-Eyed Yamamah: A legendary blue-eyed woman has the amazing ability to predict the future and the problems that come with it!</li><li>Layla and the Wolf: A little girl faces grave danger and learns the true importance of family.</li><li>The Judge and the Talking Tree: A greedy man who, through the advice of a wise judge, learns to appreciate what he has and not take friendship for granted.</li><li>This Is Life: A man learns through experience that what is good for him might not be good for his neighbour.</li><li>And many more interesting tales from the Arabic-speaking world!</li></ul><p>Each story is accompanied by a vocabulary list, cultural notes, and exercises to help beginning students. The stories increase in length and complexity as the book progresses and free online audio recordings of the Arabic and English versions are available online.</p><p>This book is not only an accessible language resource for self-study, but it's also a wonderful book for anyone who wants to learn about Arabic culture through charming folktales!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Everything you need to learn the basic vocabulary of Tagalog (Filipino) in one handy language kit!</b></p><p>The cards in this volume contain the 1,000 most commonly used words and expressions in Tagalog  the national language of the Philippines. These cards are grouped thematically to enable easy memorisation and review. A sample sentence is provided in Tagalog and English on each card to illustrate how the main word is used, which is often a well-known Tagalog saying or idiom. Four additional words are also provided that are related to the main word.</p><p>On The Front Of Each Card:</p><ul><li>The main word, plus 4 related words and phrases to help you use it</li></ul><p>On The Back of Each Card:</p><ul><li>The English meanings of each of the 5 Tagalog words on the front</li><li>Plus a sample sentence in Tagalog with English translation to illustrate how the main word is used</li></ul><p>This kit includes:</p><ul><li>200 hole-punched flash cards featuring the most commonly-used characters</li><li>An organising ring to hold the cards you are actively studying</li><li>Audio recordings of over 1,200 words and phrases from a native speaker</li><li>A 32-page study booklet with sorting indexes and practice tips</li></ul><p>All media content is accessible on the Tuttle Publishing website.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Karen Llagas</b> is a poet, translator and lecturer in Tagalog/Filipino at the University of California, Berkeley. She is recipient of the prestigious Filamore Tabios Sr. Memorial Poetry Prize and a Hedgebrook Residency. Her first collection of poetry, <i>Archipelago Dust</i>, was published in 2010 and her poems have appeared in anthologies such as<i> Troubling Borders, The Place That Inhabits Us,</i> and<i> Field of Mirrors </i>among others. She earned her BA at the Ateneo de Manila in the Philippines and an MFA in Creative Writing at Warren Wilson College. She is the author of <i>Basic Tagalog.</i></p>]]></Text>
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			<SubjectHeadingText>Active imagination; Analogy; Analytical psychology; Answer to Job; Anthropomorphism; Antithesis; Archetype; Carl Jung; Conceptions of God; Consciousness; Cross-reference; Determination; Diagram; Dream interpretation; Enantiodromia; Evil; Explanation; Feeling; Femininity; God; Good and evil; Honorary degree; Image of God; Imagination; Individuation; Intellect; Kundalini yoga; Libido; Loneliness; Man and His Symbols; Memory; Morality; Mysterium Coniunctionis; Neurosis; Paracelsus; Participation mystique; Personal unconscious; Personality; Perversion; Phenomenon; Philosophy; Physician; Potentiality and actuality; Prejudice; Psychoanalysis; Psychological Types; Psychology; Psychology and Alchemy; Psychology of the Unconscious; Psychotherapy; Purusha; Reality; Reason; Religion; Religious experience; Self-knowledge (psychology); Sigmund Freud; Sonu Shamdasani; Suffering; Suggestion; Symbols of Transformation; Symptom; The Other Hand; The Stages of Life; Theory; Theory of Forms; Thought; Transference; Unconsciousness; Understanding</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The definitive one-volume collection of Jung quotations</b></p><p>C. G. Jung (1875-1961) was a preeminent thinker of the modern era. In seeking to establish an interdisciplinary science of analytical psychology, he studied psychiatry, religion, mysticism, literature, physics, biology, education, and criminology. He introduced the concepts of extraversion and introversion, and terms such as complex, archetype, individuation, and the collective unconscious. He stressed the primacy of finding meaning in our lives. <i>The Quotable Jung </i>is the single most comprehensive collection of Jung quotations ever assembled. It is the essential introduction for anyone new to Jung and the Jungian tradition. It will also inspire those familiar with Jung to view him in an entirely new way. </p><p><i>The Quotable Jung</i> presents hundreds of the most representative selections from the vast array of Jung's books, essays, correspondence, lectures, seminars, and interviews, as well as the celebrated Red Book, in which Jung describes his own fearsome confrontation with the unconscious. Organised thematically, this collection covers such topics as the psyche, the symbolic life, dreams, the analytic process, good and evil, creativity, alchemical transformation, death and rebirth, the problem of the opposites, and more. The quotations are arranged so that the reader can follow the thread of Jung's thought on these topics while gaining an invaluable perspective on his writings as a whole. </p><p>Succinct and accessible, <i>The Quotable Jung</i> also features a preface by Judith Harris and a detailed chronology of Jung's life and work. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Those They Called Idiots</i> traces the little-known lives of people with learning disabilities from the communities of eighteenth-century England to the nineteenth-century asylum and care in today&amp;#x27;s society. Using evidence from civil and criminal court-rooms, joke books, slang dictionaries, novels, art and caricature, it explores the explosive intermingling of ideas about intelligence and race, while bringing into sharp focus the lives of people often seen as the most marginalised in society.</p><p><b>'[A] magisterial history.'  Michael Fitzpatrick,</b><b><i> Daily Telegraph</i></b></p><p><b>'Simon Jarrett's elegant and provocative book brings into focus for the rst time the history of people with intellectual disabilities over three centuries.'  David Turner, Professor of History, Swansea University, and author of </b><b><i>Disability in Eighteenth-Century England</i></b></p><p><b>'We should be grateful to Simon Jarrett for telling this complex, compelling and frequently troubling story with such tremendous clarity and style. I can't recommend this wonderful book highly enough.'  Stephen Unwin, writer, playwright and director</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This new edition includes 11 new interviews and over 30 new profiles of even more incredible musicians, including Blondie, Neko Case, The Urge, Gang of Four, Pogues, Submission Hold, Fastbacks, Teen Idols, and many more.</b></p><p>In this far-reaching anthology, David Ensminger delves underground to explore the oft-overlooked community of badass women who shaped the punk scene. There is a common thread of women being excluded and gatekept from hardcore music; this book shows that women have been able to overcome those barriers, kick ass, and shred with the best of them. Biographies, interviews, band anecdotes, and never-before-published photos showcase the talent and artistry of bands like Bikini Kill, the Guttersluts, Bratmobile, Spitboy, the Germs, the Slits, and dozens more. With its intimate aesthetic analysis and raw, zine-like presentation, this is an essential resource for anyone looking to discover, rediscover, and cherish punk history.</p><p>Includes a foreword by Katy Otto of Trophy Wife and Exotic Fever Records.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Katie Milestone</b> is Senior Lecturer in Sociology at Manchester Metropolitan University, teaching and researching youth subcultures, music and identity. Her books include <i>Gender and Popular Culture</i> (2011).</p><p><b>Simon A. Morrison</b> is a writer, academic and Programme Leader for Music Journalism at the University of Chester. He has published widely on global music culture, and his books include <i>Danceoor-Driven Literature: The Rave Scene in Fiction</i> (2020).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Looking two hundred years in the past, an enlightening study of the neglected liberal tradition in Russian political thought with resonance for today.</b></p><p>On December 14, 1825, a group of young Russian army officers led three thousand troops to Senate Square in St. Petersburg, aiming to force the senate to adopt a liberal constitution and transform the Russian Empire. The Decembrist Revolt - as it came to be known - was suppressed, with a second uprising in the south meeting the same fate. Five leaders were executed, and many others exiled to Siberia. Why did so many young noblemen risk their lives for regime change, what was their vision for an alternative society, and what were the consequences for participants and their families? </p><p>This book highlights the often-neglected liberal tradition in Russian political thought and the experiences of Decembrist wives and fiancees, offering a fresh reinterpretation in the light of recent events in Russia.</p><p><b>'This is a fresh, knowledgeable, readable and timely addition to the literature on the Decembrists. It is written from a modern perspective and informed by recent as well as older scholarship. Rabow-Edling has provided a welcome reappraisal of the Decembrist Revolt to mark the bicentenary of this key moment in Russian political and intellectual history.'  Derek Offord, emeritus professor and senior research fellow, University of Bristol</b></p><p><b>'This is the most comprehensive English-language account of the Decembrist uprisings, their origins and their consequences to be published for many years. The fresh and nuanced analysis of the Decembrists' historical significances is brilliantly situated in both Russian and European contexts. The concluding section on the Decembrists' Siberian exile, and the extraordinary stoicism of their wives, is particularly graphic and poignant. The monograph is excellently researched and superbly written by an eminent Swedish historian of nineteenth-century Russia, and it will prove an indispensable addition to the literature.'  Patrick O'Meara, emeritus professor of Russian, Durham University</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A research-based deep dive into a growing phenomenon  companies allowing employees to work from anywhere  and how those who adopt this model can boost talent, innovation, and productivity.</b></p><p>As the debate around remote versus in-office work rages on, leaders in a wide range of industries continue to implement radically flexible work practices, allowing most, if not all, of their employees to work from anywhere. Why? They understand that geographic flexibility offers a competitive advantage: the ability to attract and retain top talent globally.</p><p>In <i>The World Is Your Office</i>, Harvard Business School professor Prithwiraj Choudhury, who has been studying this phenomenon for over a decade, takes readers inside the trailblazing companies that are going all-in on work-from-anywhere (WFA) policies. From startups and nonprofits to government agencies and large corporations, Choudhury's research shows why and how these organizations  and their employees  are benefiting.</p><p>Drawing insights from this pioneering research, Choudhury also provides an extensive playbook for implementing successful WFA policies, offering leaders concrete strategies to:</p><ul><li>Use WFA as a means of hiring and retaining the best talent</li><li>Effectively manage WFA teams, share knowledge, and combat isolation</li><li>Leverage AI and automation to extend WFA into manufacturing and other deskless roles</li><li>Design programs that attract talent to different regions</li></ul><p>Filled with actionable insights and extensive case studies, <i>The World Is Your Office</i> empowers leaders to embrace the future of work.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A smart, page-turning exploration of the business and creative decisions that transformed Taylor Swift into an unprecedented modern cultural phenomenon.</b></p><p><b>Named one of 'Thirty books we're excited to read in the first half of 2025' by </b><b><i>The Sydney Morning Herald</i></b></p><p><b>Named to the </b><b><i>Financial Times</i></b><b> 'What to Read in 2025' list</b></p><p>Singer-songwriter. Trailblazer. Mastermind. The Beatles of her generation. From her genre-busting rise in country music as a teenager to the economic juggernaut that is the Eras Tour, Taylor Swift has blazed a path that is uniquely hers.</p><p>But how exactly has she managed to scale her success  multiple times  while dominating an industry that cycles through artists and stars like fashion trends? How has she managed to make and remake herself time and again while remaining true to her artistic vision? And how has she managed to master the constant disruption in the music business that has made it so hard for others to adapt and endure?</p><p>In <i>There's Nothing Like This</i>, Kevin Evers, a senior editor at <i>Harvard Business Review</i>, answers these questions in riveting detail. With the same thoughtful analysis usually devoted to iconic founders, game-changing innovators, and pioneering brands, Evers chronicles the business and creative decisions that have defined each phase of Swift's career.</p><p>Mixing business and art, analysis and narrative, and pulling from research in innovation, creativity, psychology, and strategy, <i>There's Nothing Like This</i> presents Swift as the modern and multidimensional superstar that she is  a songwriting savant and a strategic genius.</p><p>Swift's fans will see their icon from a fresh perspective. Others will gain more than a measure of admiration for her ability to stay at the top of her game. And everyone will come away understanding why, even after two decades, Swift keeps winning.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An updated and expanded collection of more than 350 quotes from Taylor Swift, pop culture icon and one of the bestselling musicians of all time. Part of the</b><b><i> In Their Own Words </i></b><b>series.</b></p><p>This collection of quotes, curated from Swift's numerous public statements  interviews, op-eds, social media posts, and more  has been updated to include Swift's thoughts on all her latest record-breaking achievements: new music, new ventures, and an iconic tour. It's a comprehensive picture of her meteoric rise to the top, her ever-savvy business sense, and her increasingly vocalized perspective on the music world and beyond.</p><p>Swift's catchy, chart-topping songs have propelled her to become one of the bestselling musicians of all time. In the nearly two decades she's been making music, she has amassed enough power to buck the norms of an industry notorious for controlling the images of its often very young female artists. Through an unprecedented record deal she has championed the rights of artists to earn fair royalties, and through social media she has inspired tens of thousands of fans to register to vote. She has also earned the status of feminist icon due to her vocal stance against gender inequality in the music industry and her empowerment of young women through her music and public actions.</p><p>Since the release of the first edition of <i>Taylor Swift: In Her Own Words</i> in 2019, Swift's achievements have continued to soar. She has released four more critically acclaimed albums that broke streaming records and won multiple Grammy Awards. In 2023, she embarked on the historic Eras Tour, which shattered records for the highest-grossing tour in history and culminated in a movie that became the highest-grossing concert film of all time.</p><p>Swift's activism and business acumen have earned her spots on both <i>Forbes</i>'s Most Powerful Women and <i>Time</i>'s 100 Most Influential People lists. Now, for the first time, you can find her latest, most inspirational, thought-provoking quotes in one place.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A collection of more than 150 quotes from Taylor Swift, pop culture icon and one of the bestselling musicians of all time, providing young readers a unique look into the mind of one of the most recognizable and influential women of our era. Part of the In Their Own Words: Young Reader Edition series.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Get inside the head of one of the most influential musicians of our time, a pop music phenomenon turned titan of industry and cultural icon: Taylor Swift.</p><p>This collection of quotes has been carefully curated from Swift's numerous public statements  interviews, op-eds, social media posts, and more, specifically geared toward middle and high school readers. It's a comprehensive picture of her meteoric rise to the top, her ever-savvy business sense, and her increasingly outspoken perspective on the music world and beyond. This edition includes educational materials and resources for lesson plans designed to provoke discussion and thought for readers in grades 712 about Taylor Swift's ideas.</p><p>Swift's catchy, chart-topping songs have propelled her to become one of the bestselling musicians of all time. But in the nearly 20 years she's been making music, she has also amassed enough power to buck the norms of an industry notorious for controlling the images of its often very young female artists.</p><p>Her latest, unprecedented record deal gives her ownership of all her master records, the ability to dictate the terms of her albums' streaming releases in order to maximise her profits, and a requirement that her label share proceeds from the sale of its stake in Spotify with its musicians. She has championed the rights of artists to earn fair royalties, and more recently, she has inspired tens of thousands of fans to register to vote.</p><p>Swift's achievements have earned her spots on both <i>Forbes</i>'s Most Powerful Women and <i>Time</i>'s 100 Most Influential People lists. Now, for the first time, young readers find her most inspirational, thought-provoking quotes in one place.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Helena Hunt</b> is an editor living in Chicago, IL.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Why do we use eighty-year-old metrics to understand today's economy?</b></p><p>The ways that statisticians and governments measure the economy were developed in the 1940s, when the urgent economic problems were entirely different from those of today. In <i>The Measure of Progress</i>, Diane Coyle argues that the framework underpinning today's economic statistics is so outdated that it functions as a distorting lens, or even a set of blinkers. When policymakers rely on such an antiquated conceptual tool, how can they measure, understand, and respond with any precision to what is happening in today's digital economy? Coyle makes the case for a new framework, one that takes into consideration current economic realities.</p><p>Coyle explains why economic statistics matter. They are essential for guiding better economic policies; they involve questions of freedom, justice, life, and death. Governments use statistics that affect people's lives in ways large and small. The metrics for economic growth were developed when a lack of physical rather than natural capital was the binding constraint on growth, intangible value was less important, and the pressing economic policy challenge was managing demand rather than supply. Today's challenges are different. Growth in living standards in rich economies has slowed, despite remarkable innovation, particularly in digital technologies. As a result, politics is contentious and democracy strained.</p><p>Coyle argues that to understand the current economy, we need different data collected in a different framework of categories and definitions, and she offers some suggestions about what this would entail. Only with a new approach to measurement will we be able to achieve the right kind of growth for the benefit of all.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A fascinating collection</b> <b>of questions and answers  about courtship, marriage, love, and sex  from a seventeenth-century periodical</b></p><p>The <i>Athenian Mercury  </i>a one-page, two-sided periodical published in 1690s London  included the world's first personal advice column. Acclaimed historian and Pulitzer Prizefinalist Mary Beth Norton's "<i>I Humbly Beg Your Speedy Answer</i>" is a remarkable collection of questions and answers drawn from this groundbreaking publication.</p><p>In these exchanges, anonymous readers look for help with their most intimate romantic problems  about courting, picking a spouse, getting married, securing or avoiding parental consent, engaging in premarital sex and extramarital affairs, and much more. Spouses ask how to handle contentious marriages and tense relationships with in-laws. Some correspondents seek ways to ease a conscience troubled by romantic and sexual misbehaviour. The lonely wonder how to meet a potential partner  or how to spark a warmer relationship with someone they already have an eye on. And both men and women inquire about how to extract themselves from relationships turned sour. Many of these concerns will be familiar to readers of today's advice columns. But others are delightfully strange and surprising, reflecting forgotten social and romantic customs and using charmingly unfamiliar language in which, for example, 'kissing is a luscious diet', a marriage might provide 'much love and moderate conveniency', and an 'amorous disposition' can lead to trouble.</p><p>Delightful and entertaining, "<i>I Humbly Beg Your Speedy Answer</i>" provides a unique, intriguing, and revealing picture of what has  and hasn't  changed over the past three centuries when it comes to love, sex, and relationships.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mary Beth Norton</b> is the Mary Donlon Alger Professor Emerita of American History at Cornell University. Her books include the Pulitzer Prizefinalist <i>Founding Mothers &amp; Fathers: Gendered Power in the Forming of American Society</i>;<i> 1774: The Long Year of Revolution</i>, winner of the George Washington Prize;<i> In the Devil's Snare: The Salem Witchcraft Crisis of 1692</i>; and <i>Liberty's Daughters: The Revolutionary Experience of American Women</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Mummified explores the curious, unsettling and controversial cases of mummies held in French and British museums. From powdered mummies eaten as medicine to mummies unrolled in public, dissected for racial studies and DNA-tested in modern laboratories, there is a lot more to these ancient remains than first meets the eye.]]></Text>
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			<Text textformat="02"><![CDATA[<p>The unsettling stories of how Egyptian mummies came to be held in British and French museums.</p><p>We all know what a mummy is  or do we? In <i>Mummified</i>, Angela Stienne explores the little-known stories behind the Ancient Egyptian remains displayed in British and French museums.</p><p>Taking the reader on a journey between Egypt, Paris and London, Stienne exposes a murky world of grave-robbing, theft and callously treated human remains. Mummies have been unrolled in public, dissected for race studies and even eaten for their supposed health-giving properties. But does the fact they are thousands of years old mean they can be treated as objects, or do we owe them the same respect we would any other human body?</p><p>Investigating matters of life and death and the ethics of collection and display, <i>Mummified </i>offers a fresh perspective on these ancient bodies, which have fascinated Europeans for centuries.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr Angela Stienne</b> is a cultural historian, museum researcher and storyteller. In 2016 she created the website Mummy Stories, which aims to reshape the discussion around human remains in museums by collecting people's stories of their own encounters.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Cleanliness is Next to Godliness is the first scholarly work that presents the archaeology of Victorian social conventions as evidence of something more than respectability manifested as socio-economic status, manners and etiquette.]]></Text>
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			<Text textformat="02"><![CDATA[<p>For more than 30 years, archaeologists have recorded and studied the colonial past of Parramatta, the second-oldest European settlement in New South Wales. Archaeological investigations provide a wealth of information that contributes to the interpretation of the landscape, the history of the town's development and our understanding of the people who lived there. <i>Cleanliness is Next to Godliness</i> uses archaeological assemblages generated by these investigations as the basis for exploring what these mainly British settlers and their descendants held as societal beliefs, principles and norms (termed 'Victorian values'), which emerged concerning cleanliness and health-related issues.</p><p>Dr E. Jeanne Harris explores the ways in which the colonial population of New South Wales was heavily influenced by 'Victorian values', which encouraged good health practices through a clean lifestyle. Eight residential sites were chosen for examination based on the following four criteria:</p><ul><li>sealed rubbish deposits</li><li>a long 19th-century date range</li><li>a cross-section of social classes</li><li>identified resident(s) associated with the location and deposits</li></ul><p>Synthesising these findings, <i>Cleanliness is Next to Godliness</i> analyses the evidence for social reforms that promoted both public health initiatives and personal health practices, providing insight into the everyday lives of those who lived in Parramatta in the 19th century.</p><p><i>Cleanliness is Next to Godliness</i> is the first scholarly work that presents the archaeology of Victorian social conventions as evidence of something more than respectability manifested as socio-economic status, manners and etiquette.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr E. Jeanne Harris</b> has over 35 years' experience in cultural heritage and resource management in the USA and Australia. She is the owner of UrbanAnalysts, a consultancy specialising in the analysis of historical artefacts.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The story of the women, financiers, and other unsung figures who helped to shape the post-Napoleonic global order</b></p><p>In 1814, after decades of continental conflict, an alliance of European empires captured Paris and exiled Napoleon Bonaparte, defeating French military expansionism and establishing the Concert of Europe. This new coalition planted the seeds for today's international order, wedding the idea of a durable peace to multilateralism, diplomacy, philanthropy, and rights, and making Europe its centre. Glenda Sluga reveals how at the end of the Napoleonic wars, new conceptions of the politics between states were the work not only of European statesmen but also of politically ambitious aristocratic and bourgeois men and women who seized the moment at an extraordinary crossroads in history.</p><p>In this panoramic book, Sluga reinvents the study of international politics, its limitations, and its potential. She offers multifaceted portraits of the leading statesmen of the age, such as Tsar Alexander, Count Metternich, and Viscount Castlereagh, showing how they operated in the context of social networks often presided over by influential women, even as they entrenched politics as a masculine endeavor. In this history, figures such as Madame de Stael and Countess Dorothea Lieven insist on shaping the political transformations underway, while bankers influence economic developments and their families agitate for Jewish rights.</p><p><b>'Wonderfully rich and nuanced. Sluga explores the complex and often contradictory ways in which novel practices of diplomacy and peacemaking in the period after Napoleon were socially and transnationally embedded, and shows how the gendered boundaries of modern international politics were affecting whose voices and views were heard.'  Andrew Hurrell, author of</b> <b><i>On Global Order: Power, Values, and the Constitution of International Society</i></b></p><p><b>'An insightful account of how the modern international order was invented at the end of the Napoleonic wars.'  Naoko Shimazu, author of</b> <b><i>Japanese Society at War: Death, Memory, and the Russo-Japanese War</i></b></p><p><b>'Highly elegant and concise. Sluga brings to life not only the statesmen, monarchs, and diplomats who shaped the post-Napoleonic world, but also the bankers who facilitated this new order and the women who used their networks, wealth, reputations, and standing as</b> <b><i>salonnieres</i></b><b> and</b> <b><i>ambassadrices</i></b><b>.'  Beatrice de Graaf, author of</b> <b><i>Fighting Terror after Napoleon: How Europe Became Secure after 1815</i></b></p>]]></Text>
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			<SubjectHeadingText>Allied Troops; Allies; Anti-Nazi resistance; Auschwitz; Concentration camps; Forced labour; Fossano; Ghetto; Ghetto uprisings; Hitler; Holocaust; Holocaust survivors; Jewish; Lorenzo Perrone; Nazi; Partisans; Piedmont; Primo Levi; Resistance; Resistance fighters; Righteous Among Nations; Underground movement; Warsaw; World War II; bombing; bricklayer; builder; forced labour; hard-working; human rights; labourer; occupation; partisan; slave; starvation; the Blitz; volunteer worker; working-class</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[A Man of Few Words tells the remarkable true story of Lorenzo Perrone, the humble bricklayer who saved Primo Levi's life in Auschwitz by secretly sharing food. Carlo Greppi traces Perrone's quiet heroism and lasting friendship with Levi in this moving portrait of courage, dignity and enduring human connection.]]></Text>
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			<Text textformat="02"><![CDATA[<p>'Nobody knows how much I owe that man,' Primo Levi said of the bricklayer who saved his life at Auschwitz. 'I could never repay him.' Levi was referring to Lorenzo Perrone, who for six months risked his own life to smuggle food, letters and clothing to Levi, providing him with the sustenance he needed to survive.</p><p>In <i>A Man of Few Words</i>, Carlo Greppi pieces together the life of Perrone, a near destitute labourer with little formal education. Despite their stark differences, Levi and Perrone's friendship survived the Holocaust and continued until Perrone's tragic death. As Perrone withdrew from the world, Levi tried persistently to preserve the memory of this man of few words who had saved his life, but who left few traces of his own behind.</p><p>This is a universal story about an individual who kept hope alive in one of the darkest times and places known to man</p><p><b>'Greppi's biography of this elusive figure is intriguing...Greppi suggests that Perrone's untutored altruism answers the deepest question of Levi's oeuvre: what it means to be human. Because Perrone's solidarity had neither motive nor reason. It was simply instinctive. And there's something beautifully poetic in the fact that such instinct was revealed through a man who was so simple and so troubled.'  </b><b><i>The Observer</i></b></p><p><b>'Greppi's biography, from start to finish a marvel of sympathetic insight, is a valuable addition to Levi's writings on the human infamy that was Auschwitz.'   </b><b><i>Times Literary Supplement</i></b></p><p><b>'This is a great book: scrupulously researched and superbly written.'  Ian Thomson</b></p><p><b>'A thoroughly moving read. Out of utter degradation, this inspiring story emerges to remind us that the spark of human decency can never be crushed.'  Julia Boyd</b></p><p><b>'A story for all stories: Greppi has rescued it from oblivion...Inch by inch, Lorenzo Perrone has taken a little bit of evil out of the world'  </b><b><i>Rolling Stone</i></b></p><p><b>'Sheds light on an unsung hero...a fluent retelling'  </b><b><i>The Jewish Chronicle</i></b></p><p><b>'Levi's greatest piece of luck in Auschwitz was meeting Lorenzo, who kept him alive when he was hanging on to life by a thread.'  </b><b><i>Literary Review</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Carlo Greppi</b> is an award-winning historian and author. He is the author of fourteen books, including<i> Un uomo di poche parole (A Man of Few Words)</i>, which has been translated into six languages and sold more than 20,000 copies in Italy.</p><p><b>Howard Curtis</b> is a translator from Italian and French. His accolades include the Premio Campiello Europa, as well as numerous shortlistings for the John Florio Prize and the Oxford-Weidenfeld Translation Prize.</p>]]></Text>
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			<SubjectHeadingText>Arab History; Arabs; Genocide; Grand Mufti; Hamas; Holocaust; Jerusalem; Nakba; Palestine; Second World War; allia; alliances; anti-Semitism; boundaries; colonialism; conflict; crises; diplomacy; displacement; divisions; identity; ideologies; influence; legacies; mandates; memory; migration; movements; narratives; nationalism; occupation; perspectives; policies; populations; propaganda; reconciliation; refugees; resistance; strategies; struggles; tensions; trauma; uprisings</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Gilbert Achcar explores the clash of narratives between the Holocaust and the Nakba, tracing Arab responses to the Holocaust from WWII to today. This incisive work examines how history is politicised, shaping the ArabIsraeli conflict and hindering ArabWestern understanding.]]></Text>
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			<Text textformat="02"><![CDATA[<p>The Arab-Israeli conflict goes far beyond the wars waged on Middle Eastern battlefields. There is also a war of narratives revolving around the two defining traumas of the conflict: the Holocaust and the Nakba. One side is charged with Holocaust denial, the other with exploiting a tragedy while denying the tragedies of others.</p><p>In this path-breaking book, eminent political scientist Gilbert Achcar explores these conflicting narratives and considers their role in today's Middle East dispute. He analyses the various Arab responses to the Holocaust, from the earliest intimations of the genocide, through the creation of Israel and the occupation of Palestine, and up to our own time, critically assessing the political and historical context for these responses.</p><p>Achcar offers a unique ideological mapping of the Arab world, in the process defusing and international propaganda war that has become a major stumbling block in the path of ArabWestern understanding.</p><p><b>'A magisterial study of breath-taking empathy, examining one of the most painful and emotion-laden topics in the modern world with dispassion, sensitivity and high erudition'  Rashid Khalidi, Edward Said Professor of Modern Arab Studies, Columbia University</b></p><p><b>'An erudite, perceptive, and highly original study'  Avi Shlaim</b></p><p><b>'A volume of tremendous historical importance'  Robert Fisk, </b><b><i>Independent on Sunday</i></b></p><p><b>'A fascinating, subtle and original analysis of Israeli and Arab historical narratives' Simon Sebag Montefiore, </b><b><i>BBC History Magazine</i></b></p><p><b>'This exhaustive survey of Arabic sources is particularly important in correcting the many distortions circulated by polemicists seeking to paint Arabs and Muslims as anti-Semites.'  Eugene Rogan, </b><b><i>Times Literary Supplement</i></b></p><p><b>'A refreshing and original study, showing clearly that Muslim anti-Semitism is neither universal, nor inevitable, nor subject to pat explanations.'  </b><b><i>The Economist</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gilbert Achcar</b> is Professor of Development Studies and International Relations at the School of Oriental and African Studies, University of London. He has written extensively on politics and development economics, as well as social change and social theory. His publications include <i>The Clash of Barbarisms: September 11 and the Making of the New World Disorder</i>, published in fifteen languages; <i>Perilous Power: The Middle East and US Foreign Policy</i>, with Noam Chomsky; <i>The People Want: A Radical Exploration of the Arab Uprising</i>; and <i>Morbid Symptoms: Relapse in the Arab Uprisings</i>; and <i>The New Cold War: The United States, Russia and China, from Kosovo to Ukraine</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Daybreak in Gaza captures the resilience of Gaza's people and culture amidst devastation. Through the stories of artists, doctors, students, and more, it showcases the vibrant cultural landscape of a place often reduced to statistics. This poignant record stands as a testament to Gaza's enduring spirit and resistance.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'A city so rich in trees it looks like a cloth of brocade spread out upon the land.'</i> <i>Shamsaddin al-Dimashqi, geographer (1256-1327)</i></p><p>This is Gaza  a place of humanity and creativity, rich in culture and industry. A place now utterly devastated, its entire population displaced by a seemingly endless onslaught, its heritage destroyed.</p><p><i>Daybreak in Gaza</i> is a record of an extraordinary place and people, and of a culture preserved by the people themselves. Vignettes of artists, acrobats, doctors, students, shopkeepers and teachers offer stories of love, life, loss and survival. They display the wealth of Gaza's cultural landscape and the breadth of its history.</p><p><i>Daybreak in Gaza</i> humanises the people dismissed as statistics. It stands as a mark of resistance to the destruction and as a testament to the people of Gaza.</p><p><b>'An extraordinary, vital, urgent book.' </b> <b><i>The Guardian</i></b></p><p><b>'This is a book that carries the promise of a new day, or a dawning  a book that looks forward, but does so also by looking back over 4,000 years of history. [</b><b><i>Daybreak in Gaza</i></b><b>] is a collection of brave, resilient, heartbreaking, defiant, scared stories. ... If this extraordinary volume tells us anything, it is that Gaza and Palestine will endure, the monuments will be restored and one day Palestinians will again watch the day break in peace.' </b> <b><i>The Spectator</i></b></p><p><b>'</b><b><i>Daybreak in Gaza</i></b><b> is therefore an important attempt to preserve a culture under attack and will be an early contribution to a body of literature that will likely be studied for decades to come.'  </b><b><i>Middle East Eye</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>After Zionism</i> brings together some of the world's leading thinkers on the most pressing issue of our time. In essays that challenge our assumptions, distinguished contributors with distinct and divergent perspectives dissect the century-long conflict between Zionism and the Palestinians.</p><p>Time has run out for the two-state solution because of the unending and permanent Israeli colonisation of Palestinian land. The Hamas attacks of 7 October 2023 and Israel's subsequent devastation of Gaza have given renewed urgency to the discussion. <i>After Zionism</i> explores possible forms of a one-state solution and a future that honours and respects the rights of all who live in Palestine and Israel.</p><p>This timely new edition includes a new preface and essays by Omar Barghouti, Jonathan Cook, Joseph Dana, Jeremiah Haber, Jeff Halper, Ghada Karmi, Antony Loewenstein, Saree Makdisi, John Mearsheimer, Ilan Pappe, Sara Roy and Phil Weiss.</p><p><b>'Nothing will change until we are capable of imagining a radically different future. By bringing together many of the clearest and most ethical thinkers about the IsraeliPalestinian conflict, this book gives us the intellectual tools we need to do just that. Courageous and exciting.'  Naomi Klein</b></p><p><b>'Thought-provoking ... an uncompromising book which boldly relinquishes nationalism in favour of human rights.' </b> <b><i>Ceasefire Magazine</i></b></p><p><b>'A stimulating and much needed critique of the present reality in the Holy Land.' </b> <b><i>Washington Report on Middle Eastern Affairs</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>When conventional language does not equip us with the tools to speak about ourselves, we create our own. Slang expresses words and feelings thatbreak down boundaries. It is a form of protest and fills in the gaps.</p><p><i>The Queer Arab Glossary</i> is the first published collection of Arabic LGBTQ+ slang. This bold guide captures the lexicon of the queer Arab community in all its differences, quirks and felicities. Featuring fascinating facts and anecdotes, it contains more than 300 terms in both English and Arabic, ranging from the humorous to the harrowing, serious to tongue-in-cheek, pejorative to endearing. Here, leading queer Arab artists, academics, activists and writers offer insightful essays situating this groundbreaking glossary in a modern social and political context.</p><p>With beautiful, witty illustrations, <i>The Queer Arab Glossary</i> is a powerful response to pervasive myths and stereotypes around sexuality and an invitation to take a journey into queerness throughout the Arab world.</p><p>Contributors include Saqer Almarri, Nisrine Chaer, Sophie Chamas, Rana Issa, Adam HajYahia, Suneela Mubayi, Mejdulene Bernard Shomali, Hamed Sinno and Abdellah Taa.</p><p><i>The Queer Arab Glossary</i> was made possible with the generous support of the Arab Fund for Arts and Culture  AFAC, Mophradat, Bashar Assaf and Mohammed Fakhro.</p><p><b>'The spicy guide to queer Arab slang ... </b><b><i>The Queer Arab Glossary</i></b><b> [is] a playfully illustrated compendium of words from the affectionate to the derogatory.' </b> <b><i>The Guardian</i></b></p><p><b>'A little masterpiece.' </b> <b>Owen Jones</b></p><p><b>'</b><b><i>The Queer Arab Glossary</i></b><b> brilliantly brings together Arab LGBTQ+ slang, drawing on words from the past and present to create the queer language of the Arab region.' </b> <b><i>L'Orient Le Jour</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Marwan Kaabour</b> is a graphic designer, artist and writer, and the founder of Takweer  an online archive of queer narratives in Arab history and popular culture. His interdisciplinary practice builds pathways between communication and publication design, curation, pedagogy and political activism. Alongside his independent projects, Kaabour works with non-profit institutions, companies and individuals in the art and culture sector, such as the V&amp;A, Art Basel, National Gallery, Serpentine Galleries, Hayward Gallery and Banksy. He designed the much-celebrated <i>Rihanna</i> book, a <i>Time</i> magazine Best Photo Book of 2019. Kaabour was born in Beirut and currently lives and works in London</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>This ground-breaking anthology features the compelling and courageous memoirs of eighteen queerArab writers  some internationally bestselling, others using pseudonyms. Here, we find heart-warming connections and moments of celebration alongside essays exploring the challenges of being LGBTQ+ and Arab.</p><p>From a military base in the Gulf to loving whispers caught between the bedsheets; and from touring overseas as a drag queen to a concert in Cairo where the rainbow flag was raised to a crowd of thousands, this collection celebrates the true colours of a vibrant Arab queer experience.</p><p><b>Contributors:</b></p><p>Khalid Abdel-Hadi, Amna Ali, Madian Aljazeera, Mona Eltahawy, Raja Farah, Saleem Haddad, Zeyn Joukhadar, Amrou Al-Kadhi, Dima Mikhayel Matta, Hasan Namir, Danny Ramadan, Tania Safi, Omar Sakr, Anbara Salam, Hamed Sino and Ahmed Uma</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Elias Jahshan</b> (he/him) is a Palestinian-Lebanese-Australian journalist and writer. He is a former editor of Star Observer, Australia's longest-running LGBTQ+ media outlet, and a former board member of the Arab Council Australia. His short memoir 'Coming Out Palestinian' was anthologised in<i> Arab Australian Other: Stories on Race and Identity</i>, and he has written freelance for outlets including <i>The Guardian, SBS Voices, My Kali</i> and <i>The New Arab</i>. Born and raised in western Sydney, he now lives in London.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Palestine in Black and White</i> is an intimate and powerful portrayal of life under occupation from one of the most talented cartoonists working today. </p><p>Mohammad Sabaaneh has gained worldwide renown for his black and white sketches. His stark geometric figures and landscapes are rich with Palestinian visual traditions and symbols, while his haunting figures depict a vivid perspective of the occupation. This first collection brings together one hundred of Sabaaneh's most striking works, including cartoons that portray the experience of Palestinian prisoners, drawn while Sabaaneh himself was detained in an Israeli prison. </p><p>The drawings do not flinch from revealing the reality that confronts Palestinians, from Israel's injustices in the West Bank to their military operations on Gaza.</p><p><b>'</b><b><i>Palestine in Black and White</i></b><b> is an intense communication of Palestinian life; bludgeoned, displaced, yet still resisting.' </b> <b><i>Middle East Monitor</i></b></p><p><b>'Narrates real stories of Palestinians' </b> <b><i>The Daily Star Lebanon</i></b></p><p><b>'The cartoons themselves cry out for a different future where both occupied and occupier can break out of their current patterns and frames, past walls and ribbons, into a freer life.'  </b><b><i>Qantara</i></b></p><p><b>'Each of Mohammad Sabaaneh's powerful drawings is like a gut punch that gets straight to the essence of the stark reality of Palestinian life under Israeli occupation. This is how an artist resists.' </b> <b>Joe Sacco</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mohammad Sabaaneh </b>is a Palestinian painter and caricaturist living in Ramallah in the West Bank. Sabaaneh has a daily cartoon in the Palestinian newspaper <i>al-Hayat al-Jadida</i> and his work is published in newspapers across the Arab world. He is the Middle East representative for Cartoonist Rights Network International and the Palestinian ambassador for United Sketches, an international association for freedom of expression and cartoonists in exile. His work has been exhibited in solo and group shows around the world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[An essential guide to understanding the divide that has come to define Islam and the Muslim world and how this divide has the capacity to result in violence across the Arab and Muslim world]]></Text>
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			<Text textformat="02"><![CDATA[<p>The 1400-year-old schism between Sunnis and Shi'is is currently reflected in the destructive struggle for hegemony between Saudi Arabia and Iran - with no apparent end in sight. But how did this conflict begin, and why is it now the focus of so much attention? </p><p>In this definitive account, John McHugo charts the history of Islam from the lifetime of the Prophet Muhammad to the present day. He describes the conflicts that raged over the succession to the Prophet, how Sunnism and Shi'ism evolved as different sects during the Abbasid caliphate, and how the rivalry between the empires of the Sunni Ottomans and Shi'i Safavids ensured that the split would continue into the modern age. In recent decades, this centuries-old divide has acquired a new toxicity resulting in violence across the Arab and Muslim world.</p><p><b>'An important corrective ... a clear-headed appraisal of the modern Middle East.'  </b><b><i>Times Literary Supplement</i></b> </p><p><b>'Crucial and timely ... It is marvellous to have a single book that sets out [Islam's] history.'  </b><b><i>Asian Affairs</i></b></p><p><b>'In lucid and accessible prose, McHugo shows that there is nothing inevitable about the Sunni-Shi'i divide.'  Madawi Al-Rasheed</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John McHugo</b> is an honorary Senior Fellow at the Centre for Syrian Studies at St Andrews, a board member of the Council for Arab-British Understanding and the British Egyptian Society, and a trustee of the Balfour Project. After reading Arabic and Islamic studies at Oxford University and the American University in Cairo in the early 1970s, McHugo's career as an international lawyer took him to a number of countries in the Middle East, including Egypt, Oman and Bahrain, over a period of more than a quarter of a century. His other publications include the acclaimed <i>A Concise History of the Arabs and Syria: A Recent History. </i>www.johnmchugo.com</p>]]></Text>
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			<SubjectHeadingText>Saladin; Middle Ages; Arab history; Islamic history; Muslim perspective; medieval warfare; Holy Land; Jerusalem; Richard the Lionheart; Islamic victory; European invasion; Arab chroniclers; cultural clash; East-West relations; historical narrative; Arab identity; Islamic consciousness; medieval Middle East; siege; battle; jihad; chivalry; diplomacy; conquest; resistance; invasion; Frankish kingdoms; knights; sultan; caliphate; empire; poetry; prophecy; leadership; alliances; fortresses; armies</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Drawing on vivid Arab chronicles, Amin Maalouf retells the Crusades from the Muslim perspective  an era of fierce resistance, Saladin's triumph, and a lasting cultural memory that still shapes Arab identity and views of the West today.]]></Text>
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			<Text textformat="02"><![CDATA[<p>European and Arab versions of the Crusades have little in common. For Arabs, the twelfth and thirteenth centuries were years of strenuous efforts to repel a brutal and destructive invasion by barbarian hordes. </p><p>In <i>The Crusades Through Arab Eyes</i>, Amin Maalouf has sifted through the works of a score of contemporary Arab chroniclers of the Crusades, eyewitnesses and often participants in the events. He retells their stories in their own vivacious style, giving us a vivid portrait of a society rent by internal conflicts, and shaken by a traumatic encounter with an alien culture. He retraces two critical centuries of Middle Eastern history, and offers fascinating insights into some of the forces that shape Arab and Islamic consciousness today.</p><p><b>'Well-researched and highly readable.'</b>  <b><i>Guardian</i></b></p><p><b>'A useful and important analysis adding much to existing western histories ... worth recommending to George Bush.' </b> <b><i>London Review of Books</i></b></p><p><b>'Maalouf tells an inspiring story ... very readable ... warmly recommended.'  </b><b><i>Times Literary Supplement</i></b></p><p><b>'A wide readership should enjoy this vivid narrative of stirring events.' </b> <b><i>The Bookseller</i></b></p><p><b>'Very well done indeed ... Should be put in the hands of anyone who asks what lies behind the Middle East's present conflicts.' </b> <b><i>Middle East International</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'A person can only be born in one place. However, he may die several times elsewhere: in the exiles and prisons, and in a homeland transformed by occupation and oppression into a nightmare. Poetry is perhaps what teaches us to nurture the charming illusion: how to be reborn out of ourselves over and over again, and use words to construct a better world, a fictitious world that enables us to sign pact for a permanent and comprehensive peace ... with life.'</i></p><p>Mahmoud Darwish was one of the most acclaimed contemporary poets in the Arab world, and is often cited as the poetic voice of the Palestinian people. During the tumultuous summer of 2006, as Israel attacked Gaza and Lebanon, Darwish was in Ramallah.</p><p>He recorded his observations and feelings in writing included in<i> A River Dies of Thirst</i>, some of his last work. In this collection Darwish writes of love, loss, and the pain of exile in bittersweet poems and diary entries leavened with hope and joy.</p><p><b>'Lyrical, imagistic, plaintive, haunting, always passionate and elegant  and never anything less than free.' </b> <b>Naomi Shihab Nye</b></p><p><b>'These translations sway delicately between mystery and clarity, giving a rendition of the master's voice.' </b> <b><i>The Guardian</i></b></p><p><b>'Rarely have the personal and the political been so plainly intertwined as in Darwish's poetry, and this book is no exception.'</b>  <b><i>The Bloomsbury Review</i></b></p><p><b>'Mahmoud Darwish is one of the greatest poets of our time. In his poetry Palestine becomes the map of the human soul.' </b> <b>Elias Khoury</b></p><p><b>'There are two maps of Palestine that politicians will never manage to forfeit: the one kept in the memories of Palestinian refugees, and that which is drawn by Darwish's poetry.' </b> <b>Anton Shammas</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mahmoud Darwish</b> (1941-2008) was born in the village of al-Birweh in Galilee, Palestine. His family fled to Lebanon in 1948 when the Israeli Army destroyed their village. He has written over twenty books of poetry and several books of essays, including <i>Memory for Forgetfulness: August, Beirut, 1982</i>. He has won the Lenin Peace Prize, the Lannan Prize for Cultural Freedom, the Chevalier des Arts et des Lettres from France and the Prince Claus Award from the Netherlands.</p>]]></Text>
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			<SubjectHeadingText>female body; myths; folklore; superstition; Mother Earth; creation; fertility; patriarchy; control; taming; witches; breasts; hymens; vagina dentata; demon daughter; New Mexico; Japan; breast puddings; Europe; festivals; art; literature; storytelling; archetypes; symbols; empowerment; absurdity; danger; taboo; sexuality; gender; culture; ritual; tradition; narrative; discourse; stereotypes; motherhood; witchcraft; demonization; femininity; body power; global; cross-cultural; mythmaking; religion</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Wild and strange stories have circulated about the female body since antiquity. While legends of poisoned hymens and fanged vaginas circulated, the first female figure  Mother Earth  was recreated as a crooked rib. Ranging from the absurd to the empowering, these myths not only survive but continue to wield power today.</p><p>The Shrinking Goddess brings together myths about the female form and traces the subsequent male efforts to 'tame' it. Mineke Schipper examines how women's bodies have been represented since records began  the first Venus and vulva figures date to 40,000 BCE  and around the world.</p><p>Drawing together the vast reservoir of myths, proverbs, art, science and scripture that shape how women are seen in the present day, Schipper reclaims the female body as a source of power.</p><p>Readers of Angela Davis, Mary Beard, Audre Lorde, Betty Friedan and Germaine Greer will want to read this book.</p><p><b>'Mineke Schipper provides a fascinating and wide-ranging compendium of fact and fiction through the ages.' J. M. Coetzee</b></p><p><b>'Fascinatingly researched, clearly written and wonderfully illustrated, </b><b><i>The Shrinking Goddess </i></b><b>takes back the story of the female body and sexuality from patriarchal mythmakers, fearmongerers, and misogynists, both ancient and modern. Doing so, Mineke Schipper opens the way for a dialogue among people of all genders and sexualities seeking to topple the usual hierarchies and find another way, another world.' Jane Caputi</b></p><p><b>'A cultural and anthropological study of misogyny via global artworks, texts, myths and proverbs. Only by seeing what has been done can we undo it.'  </b><b><i>New Statesman</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mineke Schipper </b>is a cultural historian and writer. She is the author of seven critically acclaimed works including <i>Never Marry a Woman with Big Feet: Women in Proverbs from Around the World</i> and <i>Naked or Covered: A History of Dressing and Undressing Around the World.</i></p><p>Her writing has been published in <i>The Times, El Mundo</i> and the <i>Los Angeles Times</i>, among others. Schipper was foreign secretary of Dutch PEN, chair of Index on Censorship Nederland and currently serves as Emeritus Professor of Intercultural Literary Studies at the University of Leiden, with visiting professorships in Nigeria, Kenya, Zimbabwe, Burkina Faso and China. She received a Royal Order of Knighthood for her contribution to social and cultural studies. She lives in the Netherlands.</p>]]></Text>
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			<SubjectHeadingText>Arab; Christian; English; Islamic; ancestry; belonging; borders; boundaries; colonialism; connection; culture; diaspora; displacement; exile; fragmentation; heritage; history; home; hybridity; identity; imagination; influence; intersections; journeys; landscapes; memory; migration; modernity; mythology; narratives; natural environment; nostalgia; origins; pastoral; place; reconstruction; remembrance; representation; roots; storytelling; symbolism; territory; tradition; transformation</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[In Babylon, Albion, Dalia Al-Dujaili explores the concept of belonging through nature, blending Arab and Islamic mythology with English pastoral traditions. She reflects on the land's heritage, from oak trees to date palms, offering a lyrical meditation on identity, land and the creatures we share it with.]]></Text>
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			<Text textformat="02"><![CDATA[<p>I have ancient land inside of me.</p><p>Inside of me, there is a river.</p><p>In fact, rivers.</p><p>Inside of me, the Euphrates and the Tigris and the Nile converge to meet the pebbles of Brighton Beach, where my mother taught me the pure pleasure of a 99p Flake.</p><p>Whoever said nature is still has not borne witness to the migration of the seasons.</p><p>In this striking exploration of identity and place, Dalia Al-Dujaili considers what it means to belong in your land. Tracing the rich heritage of both the oak and the date palm, Iraqi marshes and Loch Ness monsters, Al-Dujaili marries Arab and Islamic mythology with the English and Christian pastoral. She draws from a rich array of sources to consider in a new light the communal lush, wild  and at times, dark  places we share.</p><p>A love song to Britain, Iraq and the body of earth we hold in common, Babylon, Albion is an urgent reimaging of what it means to be native.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dalia Al-Dujaili</b> is an Iraqi-British writer, editor and producer based in London. She is the online editor of <i>The British Journal of Photography.</i> Her writing has appeared in <i>The Guardian,</i> <i>Dazed, GQ, WePresent, Aperture, Atmos, It's Nice That, Elephant Art</i> and more. She is the founder of <i>The Road to Nowhere Magazine</i> and in 2023 she was the Producer of Refugee Week. Dalia holds an MA Hons in English Literature from the University of Edinburgh.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Revelations of China's global influence and intentions, from one of its most respected foreign policy analysts.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Revelations of China's global influence and intentions, from one of its most respected foreign policy analysts.</b></p><p>For Washington, China is a strategic competitor: the only country with both the will to reshape the world order and, increasingly, the means to do so. For Europe, the People's Republic is a 'partner for cooperation, an economic competitor and a systemic rival'. For NATO, it is a 'decisive enabler' of Russia's war against Ukraine. Yet Beijing's image is far more positive in the Global South, of which the PRC considers itself a part.</p><p>Zhou Bo's essays unpack China's own view of its role today. The PRC is operating not only in a world becoming less Western, but  more importantly  a West becoming less Western; and the key to its outlook lies in Africa, the Middle East and the Indo-Pacific as much as in Europe and the White House.</p><p>Are Moscow and Beijing really so closely aligned? Where are Sino-Indian relations headed? Is China a new Cold War foe for the West? Or will economic ties inevitably bring the two powers closer together?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A poignant reflection on grief, empowerment and feminism through the lives of three women who shaped Ziauddin Sardar's destiny.</b></p><p><i>Three Begums</i> revolves around the lives of three ordinary women  Hamida, Merryl and Saliha  who lived extraordinary, interwoven lives of fabulous joy, fierce pain, and untold trauma. Like many who came before them, they loved and dreamed. Although born in different times and places, they were united through their dedication to bettering the lives of all around them. Each fell victim to disease and premature death, without fulfilling their desires; but, like all desires, these continue beyond their lifetimes.</p><p>Flowing seamlessly between the biographical and autobiographical, Ziauddin Sardar captures the complexities of everyday living, human relationships and raw emotion, weaving lives and ambitions together. The great story of human societies unfolds through the eyes of an individual, with each chapter struggling to fulfil the aspirations of the last. Sardar shows how his own life was shaped by these women, and how their collective life undulated, sea-like, to the rhythms of Urdu poetry. This genre-defying book takes readers on a journey that is inimitably personal, yet reverberates universally.</p><p>Powerful and unforgettable,<i> Three Begums</i> is a profound reminder that, in a good life, the only thing that matters is virtue  particularly the virtue of compassion, and working for something greater than oneself.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>How a field built on the intellectual labour and expertise of women erased them.</b></p><p>The academic field of international relations presents its own history as largely a project of elite white men. And yet women played a prominent role in the creation of this new cross-disciplinary field. In <i>Erased</i>, Patricia Owens shows that, since its beginnings in the early twentieth century, international relations relied on the intellectual labour of women and their expertise on such subjects as empire and colonial administration, anticolonial organising, non-Western powers, and international organisations. Indeed, women were among the leading international thinkers of the era, shaping the development of the field as scholars, journalists, and public intellectuals  and as heterosexual spouses and intimate same-sex partners.</p><p>Drawing on a wide range of archival sources, and weaving together personal, institutional, and intellectual narratives, Owens documents key moments and locations in the effort to forge international relations as a separate academic discipline in Britain. She finds that women's ideas and influence were first marginalised and later devalued, ignored, and erased. Examining the roles played by some of the most important women thinkers in the field, including Margery Perham, Merze Tate, Eileen Power, Margaret Cleeve, Coral Bell, and Susan Strange, Owens traces the intellectual and institutional legacies of misogyny and racism. She argues that the creation of international relations was a highly gendered and racialised project that failed to understand plurality on a worldwide scale. Acknowledging this intellectual failure, and recovering the history of women in the field, points to possible sources for its renewal.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A scientist's personal reflections on how to harness creativity and curiosity to generate new ideas and discover the unexpected</b></p><p>Like any creative endeavour, science can be a messy and chaotic affair. <i>On the Art and Craft of Doing Science</i> shares the creative process of an innovative and accomplished scientist, taking readers behind the scenes of some of his most pioneering investigations and explaining why the practice of science, far from being an orderly exercise in pure logic, is a form of creative expression like any other art.</p><p>Kenneth Catania begins by discussing how ideas set the stage for scientific breakthroughs and goes on to describe ways to approach experimental design. He sheds light on the importance of art in making discoveries and demonstrates how to find and tell a compelling story about a scientific result while accurately communicating its findings. What role does failure play in science? Is it possible to fail better? How do you define success? Catania provides insights to these and other questions, along the way sharing the lessons he's learned from diverse figures ranging from science philosopher Thomas Kuhn to novelist Stephen King.</p><p>Blending illuminating historical examples with insights from Catania's own groundbreaking research in biology and neuroscience, <i>On the Art and Craft of Doing Science</i> draws parallels with art and writing to reveal the creative side to the practice of good science.</p>]]></Text>
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			<SubjectHeadingText>DNA; Dale Greenwalt The revolution in science; Darwin; Princeton University Press; Remnants of Ancient Life; The New Science of Old Fossils; ancient history; ancient life; ancient viruses; biomolecules; dinosaurs; dinosaurs  color; discovery; emerging science; evolution; fossils; genetic material; is transforming our understanding of extinct life; life on Earth; living organisms; mammoths; molecular traces; new dinosaur facts; new dinosaur research; new discoveries; new science; pigments; prehistoric; proteins; rock and minerals; science; study; tens of millions of years ago</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The revolution in science that is transforming our understanding of extinct life.</b></p><p>We used to think of fossils as being composed of nothing but rock and minerals, all molecular traces of life having vanished long ago. We were wrong. <i>Remnants of Ancient Life</i> reveals how the new science of ancient biomolecules  pigments, proteins, and DNA that once functioned in living organisms tens of millions of years ago  is opening a new window onto the evolution of life on Earth.</p><p>Paleobiologists are now uncovering these ancient remnants in the fossil record with increasing frequency, shedding vital new light on long-extinct creatures and the lost world they inhabited. Dale Greenwalt is your guide to these astonishing breakthroughs. He explains how ancient biomolecules hold the secrets to how mammoths dealt with the bitter cold, what colours dinosaurs exhibited in mating displays, how ancient viruses evolved to become more dangerous, and much more. Each chapter discusses different types of biomolecules and the insights they provide about the physiology, behaviour, and evolution of extinct organisms, many of which existed long before the age of dinosaurs.</p><p>A marvellous adventure of discovery, <i>Remnants of Ancient Life</i> offers an unparalleled look at an emerging science that is transforming our picture of the remote past. You will never think of fossils in the same way again.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The remarkable scientific story of how Earth became an oxygenated planet</b></p><p>The air we breathe is twenty-one percent oxygen, an amount higher than on any other known world. While we may take our air for granted, Earth was not always an oxygenated planet. How did it come to be this way? Donald Canfield covers this vast history, emphasising its relationship to the evolution of life and the evolving chemistry of Earth. He guides readers through the various lines of scientific evidence, considers some of the wrong turns and dead ends along the way, and highlights the scientists and researchers who have made key discoveries in the field. Now with an incisive new preface by the author, <i>Oxygen</i> takes readers on an astonishing journey of discovery, telling the story of how our planet became oxygenated.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Is there a universal theory for the conduct of war?</b></p><p>The question of whether there is a general, universal theory for the conduct of war has long preoccupied military thinkers, army personnel and students of conflict. Warfare has been radically transformed throughout history, under the influence of technological change. But is there anything enduring that can be determined about it, taught in military schools and applied in practice?</p><p>Azar Gat offers a fresh look at the relationship between politics and war, examining the meanings of 'victory', offence and defence, and the significance and role of concepts like the 'principles of war' and military 'doctrine'. He analyses the successive military innovations of modernity, including the advent of nuclear weapons and the ongoing cyber and robotics revolutions of our own times. He also explains why guerrilla warfare and terrorism have grown increasingly important, and where they are heading.</p><p>With China and Russia posing a growing challenge to the global order today, Gat asks if war is truly in our nature  or if it is, in fact, declining. This is a vital text for all students of war, whether in academia, in the military or among the public at large.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A historically grounded account, from de Gaulle onwards, of how France's neocolonial influence crumbled in Africa, with devastating and unforeseen consequences.</b></p><p>France is the only country that never decolonised its colonies, emotionally, financially or strategically. In the aftermath of losing the Second World War, notwithstanding de Gaulle's attempts to convince his people otherwise, the French knew the game was up. (The Resistance fighters were heroes; but heroes are lonely.) For France, after 1945, the Second World War blended into the early Cold War, which Paris jumped into the day before it began. It fought in Indochina, and lost again. The independence war dragged on in Algeria. Then France lost there, too  painfully, with millions of its ordinary citizens expelled to a homeland that many of them hardly knew.</p><p>But Sub-Saharan Africa was still there. France produced a postcolonial antidote: 'Francafrique', France's sphere of influence (or 'backyard') over its former West and Central African colonies. France loved Africa. Some Frenchmen died for 'Francafrique'; others made millions from it.</p><p>The entire toxic edifice is now crumbling away. Young Africans are happy about this  but not so many of their parents, who often live in France. In his inimitable style, Gerard Prunier recounts a tragic transcultural saga, with one leg in the past and one in the future: the end of 'Francafrique'.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A panoramic global history of Africa in the age of imperialism]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A panoramic global history of Africa in the age of imperialism</b></p><p>Africa's long nineteenth century was a time of revolutionary ferment and cultural innovation for the continent's states, societies, and economies. Yet the period preceding what became known as 'the Scramble for Africa' by European powers in the decades leading up to World War I has long been neglected in favour of a Western narrative of colonial rule. <i>The African Revolution</i> demonstrates that 'the Scramble' and the resulting imperial order were as much the culmination of African revolutionary dynamics as they were of European expansionism.</p><p>In this monumental work of history, Richard Reid paints a multifaceted portrait of a continent on the global stage. He describes how Africa witnessed the emergence of new economic and political dynamics that were underpinned by forms of violence and volatility not unlike those emanating from Europe. Reid uses a stretch of road in what is now Tanzania  one of the nineteenth century's most vibrant commercial highways  as an entry point into this revolutionary epoch, weaving a broader story around characters and events on the road. He integrates the African experience with new insights into the deeper currents in European societies before and after conquest, and he shows how the Africans themselves created opportunities for European expansion.</p><p>Challenging the portrayal of Africa's transformative nineteenth century as a mere prelude to European colonialism, <i>The African Revolution</i> reveals how this turbulent yet hugely creative era for Africans intersected with global intrusions to shape the modern age.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Richard Reid</b> is professor of African history at the University of Oxford and a fellow of St Cross College. His many books include <i>Shallow Graves: A Memoir of the Ethiopia-Eritrea War</i>; <i>A History of Modern Uganda</i>; and <i>Warfare in African History</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The essential role of ethnographic thought in the Roman empire and how it evolved in Late Antiquity</b></p><p>Ethnography is indispensable for every empire, as important as armies, tax collectors, or ambassadors. It helps rulers articulate cultural differences, and it lets the inhabitants of the empire, especially those who guide its course, understand themselves in the midst of enemies, allies, and friends. In <i>The Conqueror's Gift</i>, Michael Maas examines the ethnographic infrastructure of the Roman Empire and the transformation of Rome's ethnographic vision during Late Antiquity. Drawing on a wide range of texts, Maas shows how the Romans' ethnographic thought evolved as they attended to the business of ruling an empire on three continents.</p><p>Ethnography, the 'conqueror's gift', gave Romans structured ways of finding a place for foreigners in the imperial worldview and helped justify imperial action affecting them. In Late Antiquity, Christianity revolutionised the imperial ethnographic infrastructure by altering old concepts and introducing credal models of community. The Bible became a source for organising the Roman world. At the same time, many previously unseen collective identities emerged across Western Eurasia in reaction to the diminution of Roman power. These changes deeply affected the Empire's ethnographic infrastructure and vision of the world. Maas argues that a major consequence of these developments was the beginning of a sectarian age, as individuals and political communities came to identify themselves primarily in terms of religion as well as ethnicity. As they adjusted to changing ethnographic realities, Romans understood their place among the peoples of the world in new ways. Willingly or not, we continue to be recipients of the conqueror's gift today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michael Maas</b> is the William Gaines Twyman Professor of History at Rice University. His most recent book, <i>Empires and Exchanges in Eurasian Late Antiquity: Rome, China, Iran, and the Steppe, ca. 250750</i>, edited with Nicola Di Cosmo, won a <i>CHOICE</i> Academic Book of the Year Award.</p>]]></Text>
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			<Text textformat="02"><![CDATA[An expansive, darkly funny, and deeply personal reflection on the reality of living with  and dying from  metastatic breast cancer.]]></Text>
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			<Text textformat="02"><![CDATA[<p>An expansive, darkly funny, and deeply personal reflection on the reality of living with  and dying from  metastatic breast cancer.</p><p>Deena stepped out of the shower and opened her towel in the steam. 'Does my breast look weird?'These words irrevocably change the lives of writer Ariel Gore and her wife. As they descend into a world of doctors and tests, medications and insurance, sickness and treatments and hope and pain and more, they discover just how little they truly knew  despite the awareness campaigns and hyper-visible pink ribbons  about the reality of breast cancer. Over the four years following Deena's terminal diagnosis, Gore does what she always does, no matter how difficult or personal the subject: she writes about it.</p><p>With keen insights, empathy, and humor, Ariel Gore braids together the story of Deena's experience, her own role as a caretaker, narratives from others living with breast cancer, literary reflections on illness, and reportage on the history of breast cancer and the $200 billion industry that capitalises on and profits from breast cancer screenings and treatments.Rehearsals for Dyinginvestigates and challenges everything we think we know about breast cancer. It goes beyond awareness to knowledge, presenting a rich, nuanced, heartbreaking, and hopeful portrait of what it is to be diagnosed with, treat, and live with breast cancer in the twenty-first century.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Why 'hopeful pessimism' is not a contradiction in terms but a powerful source of moral and political commitment</b></p><p>The climate debate is rife with calls for optimism. While temperatures rise and disasters intensify, we are asked to maintain optimism and hope, as if the real threat is pessimism and despair. In this erudite and engaging book, Mara van der Lugt argues that this is a mistake: crude optimism can no longer be a virtue in a breaking world, and may well prove to be our besetting vice. In an age of climate change and ecological devastation, the virtue we need is hopeful pessimism.</p><p>Drawing on thinkers that range from J. R. R. Tolkien and Mary Shelley to Albert Camus and Jonathan Lear, van der Lugt invites us to rethink what we thought we knew about optimism and pessimism, hope and despair, activism and grief. She shows that pessimism is closely linked to a tradition of moral and political activism, and offers a different way to think about pessimism: not as synonymous with despair but as compatible with hope. Gently yet fiercely, van der Lugt argues that what we need to avoid is not pessimism but fatalism or self-serving resignation. Pessimism does not imply the loss of courage or the lack of a desire to strive for a better world; on the contrary, these are the very gifts that pessimism can bestow.</p><p>What <i>Hopeful Pessimism</i> asks instead is that we strive for change without certainties, without expecting anything from our efforts other than the knowledge that we have done what we are called upon to do as moral agents in a time of change.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mara van der Lugt</b> is lecturer in philosophy at the University of St Andrews. She is the author of <i>Dark Matters: Pessimism and the Problem of Suffering</i>, <i>Begetting: What Does It Mean to Create a Child?</i> (both Princeton), and <i>Bayle, Jurieu, and the "Dictionnaire Historique et Critique</i>.<i>"</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Thanks to his prolific movie career (seventy-eight movies and counting) and endearing real-life persona, Keanu Reeves has become the universal screen saver of pop culture-nobody can go a few days without some reference to Keanu or his movies popping up. But Reeves is much more than box office receipts and internet memes, and <i>Much Ado About Keanu</i> provides the in-depth look at his art, identity, and ethnicity that this oft-misunderstood cultural icon deserves.</b><br/><br/> Despite the sometimes-mocking estimations of his acting skills-and his seven Razzie nominations-Keanu Reeves is one of the most thoughtful and talented performers of his generation, and during his forty-year career he has made huge strides for Asian and Indigenous representation in spite of his identity often being whitewashed.<br/><br/> Pop culture sociologist and Reeves devotee Sezin Devi Koehler explores all of this, presenting insightful essays that critically examine Reeves's creative output from an interdisciplinary and intersectional perspective. Those who code Reeves as white miss how his multiracial identity informs so many of his mainstream films, often subverting their most straightforward themes. Criticisms of his acting overlook the popularity and the reach of his work.<br/><br/> Koehler's essays challenge how audiences engage with Keanu's movies, highlighting the importance of Keanu as a multitalented artist and trailblazer, not only for racial representation but for intersectional, queer, and feminist readings of cinema as well.<br/><br/><i>Much Ado About Keanu</i> connects existing media studies around various themes in Reeves's films-particularly Asian and Indigenous representation, gender studies, philosophy, technology, and sexuality studies-in a "Critical Reeves Theory" sure to engage not just fans but all of us who live in Keanu's world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sezin Devi Koehler</b>the <i>Daily Beast</i>, <i>Scalawag</i> magazine, <i>Black Girl Nerds</i>, <i>Certified Forgotten</i>, <i>Bitch</i> magazine both in print and online, <i>Teen Vogue</i>, Shudder's <i>The Bite</i>, <i>Horror Homeroom</i>, <i>Looper</i>, <i>Crooked Marquee</i>, and many others. She currently writes for <i>Entertainment Weekly</i>'s movies and television sections, and has published two indie horror novels.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Utagawa Hiroshige </b>was born in Edo (now Tokyo) in 1797. Born as Tokutaro Ando into a minor samurai family, his artistic talents went largely unnoticed until his breakthrough series of prints 'The 53 Stations of the Tokaido' (1832-1833). In the series, he captured the popular journey along the Tokaido road  the main road between Edo (modern day Tokyo) and Kyoto. He produced some 8,000 works, which can now be seen throughout the world, including at the Metropolitan Museum of Art, Victoria &amp; Albert Museum &amp; the Tokaido Hiroshige Art Museum.</p><p><b>Tuttle Studio</b> draws inspiration from the modern and traditional cultures of Asia to create its language workbooks and resources, journals, stationery, gift wrapping products and origami paper. It is a division of Tuttle Publishing, a leading publisher of books on the languages, history, art and cultures of Asia. The company was founded in 1832 in Rutland, Vermont (USA) and opened a branch in Tokyo, Japan in 1948.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Learn the secrets to becoming a successful fashion designer in one stylish and accessible course!</b></p><p>Fashion design is a glamorous and imaginative endeavor that allows you to create wearable art. But the fashion industry involves much more than simply envisioning and crafting garments and accessories. Students of fashion know that working in the field also requires knowledge of textiles, fashion illustration, branding, merchandising, and how to create and present a portfolio. <i>Fashion School in a Book</i>offers these lessons and more  author and fashion design instructor Zoe Hong teaches all the practical knowledge you need to get started in (or find new inspiration for) your career in fashion.</p><p><i>Fashion School in a Book</i>is a course designed to outline the workflow for creating a fashion collection. You'll learn:</p><ul><li>Merchandising and brand direction</li><li>Fashion illustration basics</li><li>How to create a design-process journal by completing the book's useful exercises</li><li>Portfolio creation for clients and employers</li></ul><p>Author Zoe Hong is a former fashion university instructor and popular teacher on YouTube with a practical approach to learning the business and artistry of fashion. Her teachings both inspire students creatively and prepare them for professional work in the field. Whether you're a fashion student, a hobbyist designer looking to learn about the fashion industry, or an aspiring designer or fashion illustrator,<i>Fashion School in a Book</i>lays out the path to New York, Paris, or Milan. Design your collection, present your portfolio, define and market your brand, and better understand the fashion workflow with <i>Fashion School in a Book</i>!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'The most insightful guide to getting moving I've ever read.'  Kelly McGonigal, author of </b><b><i>The Joy of Movement</i></b></p><p><b>Break down the common everyday mental blocks to moving your body, and turn your mind from an adversary into an ally in the quest to feel better in your body.</b></p><p>"I know I should move my body more, but...</p><ul><li>I'm on my feet all day for work and I'm exhausted!'</li><li>I'm addicted to my phone.'</li><li>I'm great at starting movement programs, just lousy at sticking with them.'</li><li>My body jiggles and embarrasses me in public.'</li><li>Movement is sooooo boring!'</li></ul><p>Sound familiar? If not, it probably means you have another perfectly good excuse of your own. We all have our reasons for not getting the physical activity we know is good for us  reasons which stubbornly defy the same old tired prescriptive advice about hours of weekly cardio or numbers of steps. Adding insult to injury, these same excuses contribute to you feeling bad or guilty when you fail to move as much as you know you 'should'.</p><p>That's why Diana Hill and Katy Bowman have put together this simple guide to changing the way you think to change how much you move.</p><p>Diana is a modern psychologist, expert in Acceptance and Commitment Therapy (ACT), and host of the Wise Effort podcast. Her mission is to help her clients and readers grow the psychological flexibility needed to get moving in directions that matter to them. Katy is a biomechanist, author, and trailblazing movement teacher who has spent a career helping people integrate more movement into their lives. In <i>I Know I Should Exercise, But...</i>, the two join forces to help you challenge your barriers to movement in a new way. Katy translates her understanding of the obstacles that keep people sedentary  including dozens of real-world examples from readers and clients  into 44 essential impediments to movement. Diana responds to those common barriers, while introducing you to acceptance and commitment therapy (ACT), behavioural psychology, and self-compassion: evidence-based-approaches for cultivating flexibility and aligning actions with values.</p><p>Whether your internal barrier is born of fear, malaise, inertia, embarrassment, or difficulty managing competing priorities, you will learn how to disempower it by applying effective science-based tools for changing the way you think.</p><p>You'll learn to identify your resistance  whether it's an unhelpful thought, a misplaced motivation, or a contextual barrier  and respond wisely and effectively, using tools and techniques that can be applied to other areas of your life as well, including:</p><ul><li>urge surfing</li><li>motivational interviewing</li><li>behavioral stretching</li><li>strengthening your acceptance muscle</li></ul><p>This is a must-have book for anyone struggling with the mental barriers to moving more and an essential resource for personal trainers, fitness instructors, and mental health professionals wanting to better connect with their clients.</p><p>Stretch your mind, connect with what is truly important to you, and stop talking yourself out of the movement you need!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Diana Hill, PhD</b>, is a clinical psychologist and an internationally recognized expert in Acceptance and Commitment Therapy (ACT) and compassion. As the host of the "Wise Effort" podcast and author of <i>The Self-Compassion Daily Journal</i>, <i>ACT Daily Journal</i>, and the upcoming <i>Wise Effort</i>, Diana helps individuals and organizations cultivate psychological flexibility to lead fulfilling and impactful lives.</p><p>With over 20 years of meditation and yoga experience, Diana combines her deep personal practice with with the latest psychological research to make well-being approachable and relevant to everyday life. Her work has been featured by NPR, <i>The Wall Street Journal</i>, <i>Woman's Day</i>, <i>Real Simple</i>, and other media outlets, and she contributes regularly to Insight Timer, MIndful.org, and <i>Psychology Today</i>.</p><p>When not walking and talking with therapy clients, you'll find Diana digging in her garden, bee-keeping, and taking sunrise ocean swims with her two boys.</p><p><b>Katy Bowman, M.S.</b> is a biomechanist, movement teacher, and bestselling author who has changed the way many move and think about their need for movement. Her 11 books, including the groundbreaking <i>Move Your DNA</i>, have sold more than 300,000 copies in English and been translated into 16 languages worldwide. Named one of Maria Shriver's 'Architects of Change' and an America Walks 'Woman of the Walking Movement', Bowman teaches movement globally and speaks about sedentarism and movement ecology to academic and scientific audiences. Her work is regularly featured by diverse national and international media including <i>The New York Times</i>, <i>The Guardian</i>, NPR, CBC Radio, <i>Seattle Times</i>, <i>Good Housekeeping, Outside,</i> The Today Show. She has also worked with companies like Patagonia, Nike, and Google, as well as a wide range of non-profits and other communities to create greater access to her 'movement as nutrition' message.</p><p>Founder of the movement education company Nutritious Movement and host of the Move Your DNA podcast, Bowman lives in Washington State, where she spends as much time as she can moving outside with her family.</p>]]></Text>
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			<SubjectHeadingText>agrarianism; bandits; Bosnia; central Europe; collectivization; Croatia; eastern Europe; First World War; Habsburg Empire; history; Jakub Bene; Peasant; peasants; Poland; revol; Second World War; Serbia; Slovenia; The Last Peasant War: Violence and Revolution in; East Central Europe, 1917-1945; Yugoslavia, communism; Party; War; Village; Deserters; Land; Rural; Cadres; Central; Villagers; Agrarian; Czech; Government; Habsburg; Authorities; Republic; Forces; Town; Communist; Croatian; Military; Leaders; Countryside; Soldiers; Polish; Region; Hungarian; Estate; Agricultural; Organization; Slovene; Urban; Slovak; Cent; Forests; Territory; Officials; District; Jewish; Russian; Violence; Reform; Century; Units; Family; Yugoslavia; Soviet; Caruga; Czechoslovak; Revolution; Gendarmes</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A history of the largely forgotten peasant revolution that swept central and eastern Europe after World War I  and how it changed the course of interwar politics and World War II</b></p><p>As the First World War ended, villages across central and eastern Europe rose in revolt. Led in many places by a shadowy movement of army deserters, peasants attacked those whom they blamed for wartime abuses and long years of exploitation  large estate owners, officials, and merchants, who were often Jewish. At the same time, peasants tried to realise their rural visions of a reborn society, establishing local self-government or attempting to influence the new states that were being built atop the wreckage of the Austro-Hungarian and Russian Empires. In <i>The Last Peasant War</i>, Jakub Bene presents the first comprehensive history of this dramatic and largely forgotten revolution and traces its impact on interwar politics and the course of the Second World War.</p><p>Sweeping large portions of the countryside between the Alps and the Urals from 1917 to 1921, this peasant revolution had momentous after-effects, especially among Slavic peoples in the former lands of the Austro-Hungarian Empire. It enabled an unprecedented expansion of agrarian politics in the interwar period and provided a script for rural resistance that was later revived to resist Nazi occupation and to challenge Communist rule in east central Europe.</p><p>By shifting historical focus from well-studied cities to the often-neglected countryside, <i>The Last Peasant War</i> reveals how the movements and ambitions of peasant villagers profoundly shaped Europe's most calamitous decades.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Rough Music</i> explores transgression and shame in British folklore and customs. It takes in a wide array of examples including Bonfire Night, Wassail, Morris dancing, Mari Lwyd and Twelfth Night, along with events like the Cooper's Hill Cheese-Rolling and Wake, and street football. </p><p>Liz Williams explores the roots and roles of violence, mockery, protest and public shaming. She also addresses alternative culture and modern protests, such as the Battle of the Beanfield and the Stonehenge Free Festival. The interaction between racism and traditions involving blackface, alongside the emergence of all-female Morris sides, is also examined. Finally, it looks at folklore's evolution in the digital age, highlighting new developments such as ghost bikes. This engaging book offers an entertaining yet rigorous look at British folklore and culture.</p><p><b>'A lively and well-informed account of traditional British popular customs, with a novel and valuable pair of twists: showing the close relationship of those customs with subversion and disorder, and following their observance up into the current time. It is thus a revealing commentary on both past and present.'  Ronald Hutton, professor of history, University of Bristol, and author of </b><b><i>Pagan Britain</i></b></p><p><b>'Williams casts a refreshing twenty-first-century eye over a range of vibrant customs and traditions, questioning ideas of timelessness and exploring the relevance of folklore in society today. Her book is an engaging and thoughtful contribution to the current New Wave of folklore studies in Britain.'  Owen Davies, professor of social history, University of Hertfordshire, and author of </b><b><i>Art of the Grimoire: An Illustrated History of Magic Books and Spells</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Liz Williams</b> is a writer and journalist. She lives in Glastonbury. Her books include<i> Miracles of Our Own Making: A History of Paganism</i> (2020), also published by Reaktion Books.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A history of the chapter from its origins in antiquity to today</b> </p><p>Why do books have chapters? With this seemingly simple question, Nicholas Dames embarks on a literary journey spanning two millennia, revealing how an ancient editorial technique became a universally recognised component of narrative art and a means to register the sensation of time.</p><p>Dames begins with the textual compilations of the Roman world, where chapters evolved as a tool to organise information. He goes on to discuss the earliest divisional systems of the Gospels and the segmentation of medieval romances, describing how the chapter took on new purpose when applied to narrative texts and how narrative segmentation gave rise to a host of aesthetic techniques. Dames shares engaging and in-depth readings of influential figures, from Sterne, Goethe, Tolstoy, and Dickens to George Eliot, Machado de Assis, B. S. Johnson, Agnes Varda, Uwe Johnson, Jennifer Egan, and Lszl Krasznahorkai. He illuminates the sometimes tacit, sometimes dramatic ways in which the chapter became a kind of reckoning with time and a quiet but persistent feature of modernity.</p><p>Ranging from ancient tablets and scrolls to contemporary fiction and film, <i>The Chapter</i> provides a compelling, elegantly written history of a familiar compositional mode that readers often take for granted and offers a new theory of how this versatile means of dividing narrative sculpts our experience of time.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Play cards and learn to identify marine life of the Atlantic Ocean, Pacific Ocean, and Gulf of Mexico.</b></p><p>Anyone who enjoys nature, wildlife, and trips to the beach will love these cards for playing your favorite games or to use as flash cards. Inspired by Stan Minasian's quick guide to whale-watching, this gorgeous deck of playing cards features professional photographs of 54 of the most notable species of marine mammals in North America, including dolphins, porpoises, and whales, as well as manatees, seals, and more. Each card depicts a full-color photograph of such marine mammals as bottlenose dolphins, humpback whales, and orcas  so you can begin to learn what 54 different species look like.</p><p>Play games like blackjack, poker, rummy, and solitaire while learning more about marine life. Get the <i>Whales, Dolphins, &amp; Marine Mammals Playing Cards</i> for yourself, and you can also give this deck of cards as a fun and thoughtful gift.</p><p>Card Features</p><ul><li>54 of the most notable marine mammals</li><li>Beautiful photograph on every card</li><li>Ideal for card games or as flash cards</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Stan Minasian</b> is an author, lecturer, Emmy Award-winning documentary film producer, and environmental educator. He has written, edited, and produced 16 documentaries on marine mammals and natural history issues, which have been broadcast on the Discovery Channel, Outdoor Life Network, National Geographic TV, Turner Broadcasting Systems, Animal Planet, PBS, and internationally.</p><p>Stan is a marine mammal authority, former member of the US Coast Guard Special Forces, certified diver, and surface and underwater cinematographer. He was senior author of <i>Whale-Watching on the Pacific Coast, The World's Whales: A Complete Illustrated Guide,</i> and <i>One Dolphin's Story: The Life and Times of an Eastern Tropical Pacific Spinner Dolphin.</i></p><p>From his home in the San Francisco Bay Area, Stan has led more than 200 whale-watching trips. His educational website has garnered more than 2.7 million visitors.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Play cards and learn to identify various types of fossils throughout North America.</b></p><p>Anyone who enjoys geology, history, and paleontology will love these cards for playing your favorite games or to use as flash cards. Inspired by Adventure Publications' guides to rocks, minerals, and fossils, this gorgeous deck of playing cards by geologist, paleontology expert, and debut author James St. John features professional photographs of 54 of the most representative fossils found in the United States and Canada. Suits are organized chronologically, and each card depicts a full-colour photograph, including everything from billion-year-old stromatolites and dinosaurs like the famed <i>Tyrannosaurus rex</i> to more recent finds that are bound to surprise. So you can begin to learn what 54 different variations of fossils look like.</p><p>Play games such as blackjack, poker, rummy, and solitaire while learning more about paleontology. Get the <i>Fossils Playing Cards</i> for yourself, and you can also give this deck of cards as a fun and thoughtful gift.</p><p>Card Features:</p><ul><li>54 of the most notable fossils</li><li>Beautiful photograph on every card</li><li>Ideal for card games or as flash cards</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>First Aid for Broken HeartsTarot</i> is a useful tool and consolation for those grappling with the shattered fragments of a broken heart and seeking immediate respite and healing. Being heartbroken is a perplexing experience, often leaving us with limited mental and intellectual resources to navigate the grief. Much like reaching for a first aid kit to address physical wounds and stop the bleeding, this deck is crafted with the same intention  to bring you solace and support during challenging times.</p><p>The deck adheres to the original structure and meanings of the Rider-Waite-Smith tarot while incorporating a surreal dreamscape infused with contemporary sensibilities and perspectives. Within its seventy-eight cards lie myriad symbols, each imaginatively associated to provide you with immediate guidance and solace. Keywords, serving as the first aid, are inscribed on the cards; then one can delve into deeper interpretations through the accompanying guidebook. <i>First Aid for Broken HeartsTarot</i> is an invitation to mend aching hearts, nurturing courage to embrace uncertainty, take bold risks, and embark on transformative new beginnings.</p><p>Whether you are well versed in the realm of divination or a novice exploring the mystical world of tarot, this compassionate tool serves as an unwavering source of inspiration and visual affirmation. Through its seamless blend of aesthetic harmony and balance, it offers a sanctuary of comfort and renewal amidst the tumultuous seas of heartbreak.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>NONARA (Min-Jung Jonsson)</b> is the creator behind <i>First Aid for Broken HeartsTarot</i>. With a rich background as a curator in contemporary art, specializing in photography and public art, Min has fostered collaborations with renowned artists, prestigious museums, and leading galleries worldwide during her tenure as director of exhibitions at various Swedish institutions.</p><p>Throughout her career, she has curated and produced over seventy shows, driven by her steadfast mission to honor creativity across diverse disciplines. Min, originally from South Korea, has resided and worked in France, Belgium, and Sweden, immersing herself in diverse cultures and experiences that have profoundly affected her belief in the interconnectedness of art, science, spirituality, and the universe as a whole.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Classic Rituals for Modern Times</b></p><p>From the mind of Patricia Telesco comes <i>A Witch's Book of Ceremonies &amp; Rituals</i>,a phenomenal collection of workings that you can perform to celebrate the wheel of the year as well as bring powerful changes to your life. Create rituals for all sorts of occasions: birthdays, separations, forgiveness, employment, and more. Learn the history of the traditional pagan holidays and the fascinating folklore behind them, and mark monumental moments with special ceremonies like handfasting. A great book for beginners and experienced practitioners alike, <i>A Witch's Book of Ceremonies &amp; Rituals</i> is a timeless go-to for any situation.</p><p>This title was previously published in 1999.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Patricia Telesco</b> has been a part of the neo-pagan community for over thirty years. During that time, she has penned many memorable titles, including <i>A Victorian Grimoire</i>;<i> A Witch's Book of Wisdom</i>; <i>Spinning Spells, Weaving Wonder</i>;<i> A Floral Grimoire</i>and <i>Mastering Candle Magic</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The essential compendium of spells and rituals for health, happiness, and prosperity.</b></p><p>Let this beautiful and practical grimoire help you find and empower the connection you've been craving in your craft. Amplify your bond with nature and infuse your intentions with the divine energy of the earth.</p><p>Within these pages, you'll be guided by the wisdom of green witchcraft as it reveals the secret healing and magickal powers of plants, animals, insects, and minerals. This knowledge comes from generations of people who have tended to their relationships with the natural world, earnestly learning about each element.</p><p><i>Naturally Modern Magick</i> offers gratifying practices and everyday solutions for witches. This practical guide contains charms, spells, and rituals using natural objects and elements like herbs, crystals, flowers, earth, and water. Learn magick for protection, happiness, love, passion, health, healing, work, success, divination, spirituality, and more. Immerse yourself in these spells and rituals, and they will become your spiritual companions, magnifying the power that already resides within you.</p>]]></Text>
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			<SubjectHeadingText>ChatGPT; Technomancer; ai; artificial intelligence; book of spells; chaos magick; crafting spells with AI; frontier magic; healing; jacki smith; magic; magick; midjourney; occult; peter carroll; prompt crafting; promptcraft; prosperity; protection; sigil magic; spell book; spellwork; technoshamanism; tools of magick; witchcraft</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>'Chaos magic offers a great deal of inspiration for creative freedom and innovation in magic, but it also outrages many people who liked to think of themselves as guardians of ancient traditions. This new book seems destined to do exactly the same for the next generation of magicians. Its publication may well prove a seminal moment in the history of magic.'  from the foreword by Peter J. Carroll</b></p><p>Magic workers have long used the tools at hand for crafting spells and rituals. AI technology has opened a new frontier for magic. Some of the most powerful tools at a magician's fingertips today are computers and smart devices.</p><p><i>Magical AI Grimoire</i> helps you to understand how to work with technology  creatively and ethically  in the practice of your magic. Whether you're trying to use promptcraft to perfect a spell, ChatGPT to outline and strengthen a ritual, or generative image software to recreate what you've only seen on the astral plane, Davezilla is your guide.</p><p>Around the world, witches and magicians are finding that technology has a spiritual essence and a mind of its own. Witches and magicians have been using computers to organise sabbats and ceremonies since the early days of electronic communication. Astrology apps were some of the first applications written, and in most covens, it's a good bet that one or more of the members work with computers. Davezilla provides context and history for the evolving uses of AI  from Alexa to Spotify to ChatGPT and beyond  and leads the pioneering, curious magician through a new magical realm with responsibility and clarity of insight.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A thoroughly researched biography of the influential and bestselling author of </b><b><i>King Solomon's Mines</i></b><b>, shining light on his formative years in South Africa.</b></p><p>H. Rider Haggard (18561925), author of <i>King Solomon's Mines, Allan Quatermain </i>and <i>She</i>, was no stranger to the continent where his bestsellers were set. He lived in southern Africa from 1875 to 1881, a period that witnessed Britain's attempted confederation of the sub-continent, the Anglo- Zulu War of 1879, and the final subjugation of its indigenous peoples. In this new biography, the South African aspect of Haggard's life is explored in hitherto unrecorded detail. The success of <i>King Solomon's Mines</i> saw him relinquish a legal career to write full-time; he also became a respected agricultural expert and social commentator, receiving a knighthood for his public service.</p><p>Haggard wrote over seventy books, fiction and non-fiction. His African adventure stories feature strong black characters, and the majority of his novels assertive female ones, not least She. Haggard's unwitting expression of the Victorian sub-conscious attracted the interest of both Freud and Jung. Haunted by a lost love, the tragic death of his only son and frequent bouts of depression, he endlessly probed the conundrums of life and death.</p><p>Containing much new material, this biography explores Haggard's personal and public life to resurrect the writer whom Graham Greene, an admirer, called 'the buried man'.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From the authors of</b> <b><i>Cocktails in Color</i></b><b> comes a revolutionary celebration of the women who have shaped the spirits industry from ancient times to today.</b></p><p>Alcohol and spirits has long been thought of as a male-dominated field, but the truth is that women have been serving it up for centuries. (Literally - the first distilling technology is believed to have been invented by a woman in 100 CE.)Today, many women are shaking up the industry, from distillers and blenders to bar owners and spirits educators. In this fun, feminist, vividly illustrated book, bar professional Sammi Katz and illustrator Olivia McGiff celebrate the spirit and spirits of 55 of these groundbreaking women with profiles and recipes, in three areas of the industry: Makers (women who are directly involved in the development and production of spirits); Shakers (mixologists and bar owners); and Trailblazers (women who have influenced the spirits world in other ways, such as historians, authors, and entrepreneurs). Each profile is paired with a cocktail recipe that highlights each woman's story, including the Title IX (a favorite at Portland's female-owned sports bar The Sports Bra); Casual Brilliance (a take on a Sazerac, inspired by a whiskey distiller in Australia); and Le Donne (which features an amaro revived from near extinction by a family of Italian women).This colourful book of unsung heroines joyfully raises a glass to the dame and the dram!</p><p><b>This gorgeously illustrated cocktail book celebrates centuries of women's contributions to spirits and cocktail culture, from the invention of distilling to today's innovative bar programs. Perfect for anyone in search of drinking gifts for women, this comprehensive bartender book illuminates the often-overlooked stories of women who have revolutionized every aspect of the spirits industry.</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book is an informative celebration of one of the most beloved cocktail categories: sours.</b></p><p>This collection of 100 beautifully balanced recipes for both classic and new cocktails demonstrates the irresistible allure of citrus and sours when paired with spirits. The fascinating history and lore of iconic and universally beloved beverages such as the daiquiri, sidecar, margarita, whiskey sour, and cosmopolitan are mixed with recipes to teach you how to make each of these classic drinks. Every aspect of these legendary drinks-including special ingredients and all the ways to riff on this delicious and versatile flavor palette-is explored in this essential collection for any spirits enthusiast.</p><p><b><i>Sours</i></b><b> is perfect for both the seasoned and new at-home bar mixologists, who would benefit from an extensive and knowledgeable guide to the basics of sours, from one of the most trusted names in the cocktail world.</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Philip Greene</b> is the author of <i>Cheers!</i> (2022), <i>The Manhattan</i> (2016), <i>To Have and Have Another</i> (2012), and<i> A Drinkable Feast</i> (2018), the latter the winner of the 13th Annual Spirited Award for Best New Book on Drinks Culture, History or Spirits at the prestigious Tales of the Cocktail Festival in 2019. He is one of the founders of the Museum of the American Cocktail in New Orleans and a contributing columnist for The Daily Beast. Greene is a sought-after speaker on cocktail history and has been a presenter at notable venues, such as Tales of the Cocktail in New Orleans, the Smithsonian and Kennedy Center in Washington, D.C., and the Astor Center and The Dead Rabbit in New York City. He is also a mixology consultant for numerous bars and restaurants around the world. He lives in Washington, D.C.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Scots Kitchen</i>, first published in 1929, gives a delightful account of eating and drinking in Scotland throughout the ages, with definitive recipes for all the traditional national dishes.</p><p>Cookery writer and broadcaster Catherine Brown describes the impact this pioneering book has had on the whole of Scottish cuisine and traces the fascinating life story of Marian McNeill herself. Notes explain how to use the book so that its treasure trove of recipes, covering the whole gamut of Scottish cuisine, can be explored in the modern kitchen.</p><p>The contents includes:</p><p>Soups * Brose and Kail * Fish * Game and Pultry * Meat * Vegetables * Sauces * Snacks and Savouries * Puddings and Pies * Sweets * Bannocks, Scones and Tea-breads * Cakes and Shortbreads * Preserves * Sweeties * Beverages</p><p></p><p><b><i>'</i></b><b>Charming'  Delia Smith</b></p><p><b>'Another classic work on the cookery of these islands'  Elizabeth David</b></p>]]></Text>
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			<SubjectHeadingText>Avalon goddess temple; Courtney Weber; Glastonbury; Llewellyn; Witchcraft book; animal spirits; boudicca; celtic; celtic Gods; celtic magick; celtic witch; celtic witchcraft; celtic witchcraft book; forest bathing; green witchcraft; hedgewitch; hedgewitch book; liminal space; magick; masks; mat auryn; modern hedgewitch; morrigan; nature; ogham; plant spirits; shadow; shadow self; spirits; spirituality; starry eyed supplies; starry eyed witch; thorne mooney; wildcrafting; witch; witchcraft</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Weaving together Morris's personal witchcraft gnosis, Celtic Hedge Witchery focuses on embracing the shadows within ourselves as a reflection of sacred spaces]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'An invaluable tool for anyone wanting to deepen their connection not only to themselves but also to nature and the spirits that are all around. Joey Morris provides practical advice and techniques that offer a diverse and different way of connecting to the three worlds that are associated with Celtic beliefs.'  Jane Matthews, director of the World Divination Association</b></p><p>A revolutionary take on hedge witchery that focuses on what it means to reconnect with the sacred hedge in a modern world, <i>Celtic Hedge Witchery-A Modern Approach</i> teaches the ways, ideas, and methods of the hedgerow, so they become accessible even to those who cannot visit the physical locations themselves. Delving into secret liminal spaces, Morris expands the knowledge and understanding of what it means to truly embody the witchcraft life. She connects readers to the wildcrafting elements of plants and natural remedies, realigning the soul to the vibrations of the spiritual ecosystem to reconnect with the Earth and all her spirits. In a time when modernity, technology, and disconnection from the land has caused so many of us to feel lost and disheartened, Morris helps foster our kinship with the land.</p><p>Weaving together Morris's personal witchcraft gnosis, <i>Celtic Hedge Witchery</i> focuses on embracing the shadows within ourselves as a reflection of sacred spaces. Morris offers a revolutionary take on what it means to be a hedge witch in the modern era and empowers us to 'come home' to both the Earth and to ourselves. Spell work, recipes, meditative guides, and evocative poetry help guide us in connecting with Celtic deities of land, sea, and sky and in crossing the hedge into the Otherworld.</p><ul><li><b>Learn how to connect to your own natural witchcraft</b></li><li><b>Find the sacred landscape within yourself</b></li><li><b>Connect with plant and animal spirit allies within the hedge and benefit from their spiritual power</b></li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Herbs are powerful medicine. Cultures around the world have cultivated relationships with healing plants for thousands of years, respecting them not just for their physical medicinal properties, but also for their spiritual power.</p><p>In this book, you will enter the world of what author and licensed medical herbalist Wendy Dooner calls Plant Spirit Herbalism  a rich, colourful landscape populated by benevolent plant spirits. Each chapter focuses on a specific herb, exploring its history, healing properties, and role as a spiritual ally. Every herb discussed grows in the world around you, from the humble dandelion to the stately rose.</p><p>Dooner's unique combination of scientific rigour and intuitive insight provides a holistic approach to working with herbs that honours both their capacity for physical healing and their power for spiritual transformation. With her expert guidance, you will:</p><ul><li>Create herbal preparations, including tinctures and flower essences</li><li>Develop a personal connection to plant spirits, accessing their unseen healing properties</li><li>Deepen your relationship with specific herbs through rituals and practical medicine-making</li><li>Undertake plant spirit journeys to deepen your relationship with specific herbs</li></ul><p>Let Dooner be your guide on this journey as <i>Plant Spirit Herbalism</i> provides a fresh perspective on the natural world, inviting you to form deep and lasting relationships with the nurturing plant spirits which already surround you.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Banish pesky goblins and reclaim your home and garden with this whimsical guide to fairy defence.</b></p><p>Is your hen cottage plagued by foul goblins? Help is on the way! In the tradition of Lemony Snicket and Roald Dahl, <i>Goblinproofing One's Chicken Coop</i> shows how to banish those pesky dark fairy creatures who are ready to thwart every last pleasure, be it gardening, country hikes, or even getting a good night's sleep.</p><p>In this charming guide, 'fairy hunter' Reginald Bakeley offers practical instructions to clear your home and garden of these unsettling inhabitants and banish them from your chicken coop and kitchen cupboard forever!</p><p>In <i>Goblinproofing One's Chicken Coop</i>, readers will discover:</p><ul><li>Why a bustle in one's hedgerow may be cause for alarm</li><li>Why a garden fumigator may come in handy during evenings at the pub</li><li>Why a toy merchant, a butcher, and a Freemason are among your best allies in the fight against themalicious fairies</li></ul><p><i>Goblinproofing One's Chicken Coop</i> is the only complete manual on how to identify, track, defend, and destroy those bothersome brownies, goblins, dwarves, scheming flower fairies, and other nasty members of the fairy realm. Get the upper hand before they get your hen!</p><p>This book was previously published in paperback.</p><p><b>'A must-have for everyone with a garden, dog house, window boxes, or even rustic decor.'  Anna Jedrziewski, </b><b><i>Retailing Insight</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Take a dark descent into a world of supernatural evil! Explore true horrors of sinister spirits, ominous ghosts, angry souls, menacing monsters, malicious demons, and cursed creatures in this collection of the malevolent paranormal!</b></p><p>Sometimes the monsters are monsters  swimming the murky waters of Loch Ness, stalking their victims the streets of small town America, or hunting innocents across the desolate British moors. At other times, the darkness lies within the human soul itself  the falsely accused who were executed for witchcraft in Salem, those hounded to their graves (and beyond) by cruel pursuers, or those cursed by all forms of vile spirits. Then there are the devils and demons lurking in the darkness, capable of possessing and tormenting the living.</p><p>Master storyteller and seasoned paranormal investigator Richard Estep presents sinister hordes of evil in <i>Dark Spirits: Monsters, Demons, and Devils</i>. This fright-filled read spans the darkest realms of the paranormal, including...</p><ul><li>Shapeshifters such as the menacing Skinwalkers of native mythology and ravenous, slavering werewolves</li><li>Dreaded ghosts and ominous hauntings, including John Wayne Gacy's ghost, the Amityville haunting, and the Villisca Axe Murder House</li><li>Dark and evil curses, from the curse of Superman and Steven Spielberg's <i>Poltergeist</i> to the tomb of Egypt's pharaoh Tutankhamun</li><li>Deadly demons and devils, like Dozmary Pool's deal with the devil; Ronald Hunkeler, the <i>Exorcist</i> Boy; and the inhabitants of the Ammons demon house</li><li>Vampires and vampirism from Vlad the Impaler to Elizabeth Bathory, killer of hundreds, to the Highgate Vampire</li><li>Horrific accusations and deadly consequences that ripped through society from the Salem witch trials to the supernatural hysteria caused by the rapid spread of tuberculosis to the 1980s Satanic panic</li><li>Otherworldly encounters like the Black Eyed Children that appear out of nowhere, the Roswell Crash, unexplained animal mutilations, and abducted human beings</li><li>Cursed places, including the Bermuda Triangle, London's haunted Underground, and Los Angeles' notorious Hotel Cecil</li><li>And dozens more stories of dark and depraved paranormal beings and encounters</li></ul><p>Walk into the abyss of the whispered and veiled legends, the myths and first-person encounters in <i>Dark Spirits</i>. Learn about these frightening experiences and how they scarred lives forever. Explore the dark supernatural world around you  if you dare!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Richard Estep</b> is the author of more than 30 books, including Visible Ink Press' <i>Serial Killers: The Minds, Methods, and Mayhem of History's Most Notorious Murderers; The Serial Killer Next Door: The Double Lives of Notorious Murderers; Family, Friends and Neighbors: Stories of Murder and Betrayal</i>; and <i>Grifters, Frauds, and Crooks: True Stories of American Corruption</i>. Additionally, he's written numerous paranormal nonfiction titles, including <i>The Horrors of Fox Hollow Farm: Unraveling the History &amp; Hauntings of a Serial Killer's Home.</i> He is a regular columnist for <i>Haunted Magazine</i> and has also written for the<i> Journal of Emergency Medical Services</i>. Richard appears regularly on the TV shows<i> Haunted Case Files, Haunted Hospitals, Paranormal 911,</i> and <i>Paranormal Night Shift.</i> British by birth, Richard now makes his home a few miles north of Denver, Colorado, where he serves as a paramedic and lives with his wife and a menagerie of adopted animals.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In this haunting, probing book, an award-winning journalist interviews ordinary Kashmiris about the tales of war told in their homes  and shaping their communities.</b></p><p>In Kashmir, folktales often begin with the word <i>dapaan </i> 'it is said'. So too do local narratives told and retold about the past, among people who have lived through nearly eight decades of a bitter contest between India and Pakistan.</p><p>This is a story about stories. In the hyper-nationalist din over a territorial dispute, Kashmiri voices are often drowned out. Yet the region is home to long habits of storytelling, its communities intensely engaged with history-keeping. For centuries, folk traditions of theatre, song and fable have flowed into a reservoir of common talk. Mythology, hearsay and historical memory coexist here without any apparent hierarchies.</p><p>By the time armed rebellion spread through Kashmir in 1989, many of these traditions had died out, or been forced underground. But they have left traces in the way ordinary people speak about the conflict  in their songs of loss, and jokes about dark times; in fantastical geographies, and rumours turning the Valley's militarisation into a ghostly haunting. From Partition to the 2019 Indian crackdown, Ipsita Chakravarty discovers a vivid, distinctly Kashmiri vision of events that have often been narrated from the top-down. Her interviewees conjure a kaleidoscope of towns and villages shaping their own memories.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Herbal remedies and wise perspectives to help make your cycle less of a rollercoaster.</b></p><p>Ever felt like your uterus is out to get you? Or experienced bloodthirsty rage at the politicians out to get your uterus? This book will speak straight to your soul. Get to know your body with this inclusive guide to herbal, holistic self-care for every womb, at every stage of life-from puberty to post-menopause and everything in between.</p><p>Herbalist and doula Angelica Merritt offers a wealth of anatomical science, plant medicine, and nutritional and herbal strategies to support body literacy, a regular menstrual cycle, and your reproductive goals. If you&amp;#x27;re dealing with irregular menstruation, PCOS, infertility, pregnancy loss or release, perimenopause, or any other reproductive health issue, look to these pages for remedies that bridge the scientific and the spiritual.</p><p>Inside you&amp;#x27;ll find guidance in holistic modalities such as castor oil packs, breath work, breast and womb massage, baths, yoni steams, and infused oils, along with rituals and journal prompts. You&amp;#x27;ll learn about the connections between the womb, the moon cycle, and the archetypes of Maiden, Mother, and Crone. Transform your self-care through the magick of the womb within!</p>]]></Text>
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			<SubjectHeadingText>ecology; climate change; ecological restoration; mycology; conservation; Australian bush; natural history; mushrooms; landcare; Australian species; environment; mycelium; mycologist; fungus; foraging; fungi; lichen</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Underground Lovers brings us down to earth, magnifier in hand, to dwell with fungal allies and aliens, discover how fungi hold forests together, and why humans are deeply entwined with these unruly renegades of the subterrain.]]></Text>
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			<Text textformat="02"><![CDATA[<p>'<i>In the gloom of the forest floor, fallen branches are sheathed with fungal stripes of yellow and purple. But beneath the colourful surface, the fallen litter is alive with the clandestine workings of fungi.</i>'</p><p>What can we learn from the lives of fungi? <i>Underground Lovers</i> brings us to our knees, magnifier in hand, to find out.</p><p>Fungi offer a way to imagine life differently. In <i>Underground Lovers</i> Alison Pouliot reaches down to earth, and deeper, to dwell with fungal allies and aliens, discover how fungi hold forests together, and why humans are deeply entwined with these unruly renegades of the subterrain. Told through first-hand stories - from the Australian desert to Iceland's glaciers to America's Cascade Mountains - Alison Pouliot shares encounters with glowing ghost fungi and unearths the enigma of the lobster mushroom. Melding science and personal reflection, she explores the fungi that appear after fire, how fungi and climate change interact, the role of fungi in our ecosystems, and much more.</p><p><b>'</b><b><i>Underground Lovers</i></b><b> is a joy to read.' - Sophie Cunningham, author of</b> <b><i>City of Trees</i></b></p><p><b>'Sensual and scientific. Dazzling and boundary breaking.</b> <b><i>Underground Lovers</i></b><b> will make you see the world anew.' - Long Litt Woon, author of</b> <b><i>The Way Through the Woods</i></b></p><p><b>'The world of fungi is our world even if we don't know it and can't see most of it</b> <b>-</b> <b>strange, dazzling, spooky, unpredictable, friendly, deadly, sly. And Alison is the perfect guide. She surprises and informs, delights and warns; makes you wish you could walk with her and her passionate companions. That's OK. In this book you do.' - Paul Kelly, songwriter</b></p><p><b>'An evocative, accessible and important book about one of the most vital, yet hugely ignored, kingdoms on our planet  fungi. After reading this you cannot help but see the world in a different light  and should approach mushrooms and truffles with new relish.' - Charles Massy, author of</b> <b><i>Call of the Reed Warbler</i></b></p><p><b>'Anyone who has joined Alison in a forest, anywhere in the world, will know her incredible ability to magnify those microscopic organisms that hold our natural world together, to connect every element of human life - physical, emotional or social - to the function of our natural landscapes.</b> <b><i>Underground Lovers</i></b><b> is like a walk in the forest, pungent and complex, filled with curiosity and wonder, and leaving you with a sense that there is so much more to uncover.' - Millie Ross, horticulturist and presenter, ABCTV</b> <b><i>Gardening Australia</i></b></p><p><b>'This subterranean journey introduces the quirks of behaviour that allow fungi to spread through soils, support living plants, and recycle the debris of nature. Alison is an accomplished storyteller.' - Nicholas P. Money, mycologist and science writer</b></p><p><b>'The underground teaches us a different language  and Alison Pouliot is the perfect translator.' - Toby Kiers, Professor, VU Amsterdam</b></p><p><b>'</b><b><i>Underground Lovers</i></b><b> takes storytelling about fungi to a captivating new level. A well-researched page turner.' - Anders Dahlberg, Professor, Swedish University of Agricultural Sciences</b></p><p><b>'</b><b><i>Underground Lovers</i></b><b> is a global travel guide to the magnificent realm of fungi. It is beautifully written, with eyes wide open to the intricate wonder of it all  what a story!' - Bob Brown</b></p><p><b>'I was entertained and enthralled reading this book and I promise I have never read a book from cover to cover on fungi before. I didn&amp;#x27;t think it was my jam, but it turns out...well, it turns out it should be everyone&amp;#x27;s jam. Fungi is literally the glue that keeps us together.' - Chris Gordon, Readings</b></p><p><b>'Pouliot is a born storyteller, able to conjure fungi and friends of fungi alike in memorable colour.' - Elke Power, Readings</b></p><p><b>'Pouliot conveys the otherworldly charisma of mushrooms with love and skill.' - Kurt Johnson, Environmental Journalist,</b> <b><i>Sydney Morning Herald</i></b></p><p><b>'Powerful stuff, which should be read by all those who continue to support the insane logging of our native forests.' - John Watts, author and environmental activist</b></p><p><b>'Pouliot is a mycologist whose knowledge of fungi is extraordinarily vast and intricate.' -</b> <b><i>The Saturday Paper</i></b></p><p><b>'</b><b><i>Underground Lovers: Encounters with fungi</i></b><b> by Australian ecologist Alison Pouliot [is a] beautifully written exploration of fungal weirdness and current mycological investigations.' - Robin Powell,</b> <b><i>Sydney Morning Herald</i></b></p><p><b>&amp;#x27;In this captivating study, ecologist Pouliot expounds on mushrooms she's encountered during her fieldwork...The result is an enjoyable tour of the fungal kingdom.&amp;#x27; -</b> <b><i>Publisher&amp;#x27;s Weekly</i></b></p><p><b>&amp;#x27;Conveying an impassioned message for conservation and awareness,</b> <b><i>Underground Lovers</i></b> <b>is a compelling, enlightening look at lowly but remarkable fungi that are often hidden in the shadows.&amp;#x27; -</b> <b><i>Foreword Reviews</i></b></p><p><b>'In this book, she takes us with her all over the world as she brings fungi to life with lush descriptions, infectious enthusiasm, and gorgeous pictures. But she also shows the reader just how important fungi are to the natural world, as well as what they do for humans.' - Jaime Herndon,</b> <b><i>Book Riot</i></b></p><p><b>'Do we really need another book about mushrooms? The answer is yes, but only if it's this one. Alison Pouliot has written a lovely book that digs deep but wears its learning lightly.' -</b> <b><i>Fungi Magazine</i></b></p><p><b>&amp;#x27;The real essence of the book lies in its impassioned argument for fungal conservation...Pouliot's arguments for conservation unfold by way of several quite original, non-technological, extra-scientific approaches.&amp;#x27; - </b><b><i>The Mycophile </i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p></p><p><b>No matter where you look in Australia, you're more than likely to see a eucalyptus tree. Scrawny or majestic, smooth as pearl or rough as guts, they have defined a continent for millennia, and shaped the possibilities and imaginations of those who live among them.</b></p><p>Australia's First Nations have long knowledge of the characters and abilities of the eucalypts. And as part of the disruption wrought by colonial Australia, botanists battled in a race to count, classify and characterise these complex species in their own system  a battle that has now spanned more than two hundred years.</p><p><i>Gum: The story of eucalypts &amp; their champions</i> tells the stories of that battle and of some of the other eucalyptographers  the explorers, poets, painters, foresters, conservationists, scientists, engine drivers and many more who have been obsessed by these trees and who have sought to champion their powers, explore their potential and describe their future states. Eucalypts have fuelled this country's mighty fi res as readily as they've fuelled so many arguments about the ways they might be thought of  and yet they are as vulnerable as any other organism to the disruptions and threats of climate change.</p><p>This new edition of <i>Gum</i>, from award-winning author Ashley Hay, is a powerful and lyrical exploration of these transformative and still transforming trees. It's a story of unique landscapes, curious people, and very big ideas.</p><p></p><p><b>Ashley Hay writes with heart, head, energy and passion. She understands the natural world as we must all experience it, with deep love and respect. To preserve Country and to save ourselves we must live with and in a treed world. They are our champions, just as Ashley Hay is for them.  Tony Birch, author of</b> <b><i>The White Girl</i></b><b> and</b> <b><i>Dark as Last Night</i></b></p><p><b><i>Gum</i></b><b> is one of my favourite books, I return to it often. Ashley Hay's curiosity ranges wide, her research skills run deep and she's a beautiful writer, thinker and storyteller. To have all these skills brought to bear upon a tree as deserving, as iconic, as the eucalyptus: well, I'm in heaven.  Sophie Cunningham, author of</b> <b><i>City of Trees</i></b><b> and</b> <b><i>Melbourne</i></b></p><p><b>A classic of Australian environmental writing,</b> <b><i>Gum</i></b><b> offers a startling new perspective on Australian history, suggesting powerful new ways of seeing the past and revealing the complex and often surprising ways trees shape both our physical and imaginary worlds.  James Bradley, author of</b> <b><i>Ghost Species</i></b><b> and</b> <b><i>Clade</i></b></p><p><b>Ashley Hay's words fill you with the same kind of awe and wonder as a crushed gum leaf held to your nose:</b> <b><i>Gum</i></b><b> is a heady, intoxicating and powerful exploration of the extraordinary history and relationships between people and the iconic eucalyptus. Since reading this book, the sight of gum trees has filled me with a new level of reverence and gratitude to know these sentient beings, and to know Ashley Hay's writing.  Holly Ringland, author of</b> <b><i>The Lost Flowers of Alice Hart</i></b><b> and co-presenter of</b> <b><i>Back to Nature</i></b></p><p><b>The book's great strength comes from the unfolding sense of Australian national identity that somehow crystallizes around the eucalyptus tree.  Tim Flannery,</b> <b><i>The New York Review of Books</i></b><b> (2002)</b></p><p><b>Hay's</b> <b><i>Gum</i></b><b> is like a gum itself: it is made in equal parts of light and leaf; of music and matter ... [It is] a sturdy, shapely book of fact, animated by wonder</b><b><i>.</i></b><b>  Mark Tredinnick,</b> <b><i>The Canberra Times</i></b> <b>(2002)</b></p><p><b>Hay brings these peculiarly Australian trees to life, describing a slice of our colonial history in the process. </b> <b><i>The Sydney Morning Herald</i></b> <b>(2002)</b></p><p><b>As this beautifully written and evocative book makes clear, we are tied to the gum tree in ways we can't even imagine. </b> <b><i>Eureka Street</i></b><b> (2002)</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ashley Hay</b> is a novelist and essayist whose awards include the Foundation for Australian Literary Studies' Colin Roderick Award, the NSW Premier's Literary Awards People's Choice, and the Bragg UNSW Press Prize for Science Writing. Her most recent novel is <i>A Hundred Small Lessons</i>. She is the editor of <i>Griffith Review</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Nature's Sexual Spectrum</i> is a celebration of the astonishing diversity of sexual behaviour, biology and reproduction found in nature. From penguins to primates, same-sex behaviours and courtship are more widespread in the natural world than many people realise, while how nature organises sex is not always as straightforward as usually thought.</p><p>Davis considers how, in many different organisms - both animals and plants - sexual reproduction and determination rely on a surprisingly complex interaction between genes, hormones, environment and chance. We meet turtles whose sex is determined by the incubation temperature of their eggs and butterflies that embody male and female biological tissue in the same organism. He also reveals animal and plant behaviours in nature that have previously either been covered up or explained away, and presents animal behaviours that challenge us to rethink our assumptions and prejudices.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Josh L. Davis</b> is a science writer for the Natural History Museum, London, with a background in biology andconservation. As a freelance science writer, he has been published by outlets such as <i>The Observer,</i> <i>The Guardian</i> and <i>The Times</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Insects are incredibly weird. Their morphology is about as alien to us as you can get without leaving this planet. They outnumber us 200 million to one. Before humans stamped their mark on this planet, insects had shaped it into the colourful and extraordinary world we all share today.</p><p>Whether it's the astonishing properties of resilin, the protein that makes fleas jump; the proboscis of the mosquito's mouth being used to develop smart needles; or the computational dynamics gleaned from studying locust swarms in Africa - Erica McAlister and Adrian Washbourne reveal the wonder of insects, the historical figures who have made great breakthroughs in understanding them, and the increasingly vital role they play in ensuring life, as we know it, continues.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Erica McAlister </b>is Curator of Diptera at the Natural History Museum, London. She is the author of the acclaimed <i>The Secret Life of Flies </i>and <i>The Inside Out of Flies.</i></p><p><b>Adrian Washbourne</b> is an award-winning producer for BBC Radio 4.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>With the whimsy and heart of </b><b><i>The Soul of an Octopus</i></b><b> and the surprising details of the very best science writing, </b><b><i>The Curious World of Seahorses</i></b><b> brilliantly captures the ocean's most charismatic and mysterious inhabitant.</b></p><p>&amp;#x27;When God created the seahorse,&amp;#x27; says one marine biologist, &amp;#x27;he may have had one too many.&amp;#x27;</p><p>Of all the creatures in the ocean, there are none more charming and magical - or more strange - than the seahorses. Masters of disguise, graceful dancers, and romantic lovers, seahorses are found not only in the seagrass meadows and mangroves of the world, but also throughout the annals of human history and culture - surfacing everywhere from chess and Greek mythology to Disney movies like <i>The Little Mermaid</i> and Pokemon games.</p><p>Equipped with a pouch like a kangaroo, a long snout like an anteater, and complete with a crown unique as a human fingerprint, the seahorse defies easy categorisation. The only fish to swim in an upright position, seahorses are terrible swimmers, but they make up for it with an incredible talent for holding onto seagrass or coral. They have no stomach or teeth - only intestines. Most seahorses are monogamous, and meet with their life partner every few weeks to perform a dance that can last up to nine hours. The most unique aspect of the seahorse is their reproductive cycle, as it is the male of the species who becomes pregnant.</p><p><b>In this entertaining and informative book, science writer Till Hein shares the most tantalising findings from the world of seahorses, and the role they have played in human culture.</b> He reveals their secrets, from their intriguing biological features and hunting strategy to their use in medicine throughout history, their appearances in Greek and Celtic mythology, and even the medieval belief that they descended from dragons.</p><p>Endlessly fascinating and charmingly approachable, <i>The Curious World of Seahorses</i> will captivate any reader looking to learn more about one of the most incredible creatures on Earth.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Till Hein</b> studied history, German, and Russian before becoming an editor and a science journalist. He is a great friend of fish and has written profiles of finned creatures for over ten years, from hagfish to gray sharks to seahorses. He lives in Berlin.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An impassioned case for the</b> <b>importance of ancient forests and their preservation</b></p><p>Standing in an old-growth forest, you can instinctively sense the ways it is different from forests shaped by humans. These ancient, undisturbed ecosystems are increasingly rare and largely misunderstood. <i>Nature's Temples</i> explores the science and alchemy of old-growth forests and makes a compelling case for their protection.</p><p>Many foresters are proponents of forest management, while ecologists and conservation biologists believe that the healthiest forests are those we leave alone. Joan Maloof brings together the scientific data we have about old-growth forests, drawing on diverse fields of study to explain the ecological differences among forests of various ages. She describes the life forms and relationships that make old-growth forests unique - from salamanders and micro-snails to plants that communicate through fungi - and reveals why human attempts to manage forests can never replicate nature's sublime handiwork. This revised and expanded edition also sheds new light on the special role forests play in removing carbon from the atmosphere and shares what we know about the interplay between wildfires and ancient forests.</p><p>With drawings by Andrew Joslin that illustrate scientific concepts and capture the remarkable beauty of ancient trees, <i>Nature's Temples</i> invites you to discover the power of these fragile realms that are so inextricably connected to our planet, our fellow species, and our spirits.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A coming of age novel in a world marked by political turmoil and the threat of violence </b></p><p>As a child in Pakistan, Jahan was raised on her grandmother's stories, influenced by the demons of folklore, and the memory of violence and forced displacement caused by the British partition of India  tales that taught her to be wary of the world. But her grandmother's life, filled with quiet defiance, hints at another truth. Jahan rebels against the constraints she lives under as a young woman growing up in Lahore, and migrates to Australia, where she meets her husband, whose family is Arabic. As she reckons with the unruliness of her body after a miscarriage, and the bushfires which threaten their home and their horses on the rural outskirts of Sydney, she is forced to confront the violence that haunts her, against women, animals, and in nature</p><p>A feminist anti-tale, written in a unique, compelling and expressive style, <i>What Kept You?</i> explores survival, metamorphosis, and the radical freedom of choosing one's own ending. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Should we really ever bring our whole selves to work?</b></p><p>In a London call centre, Jimmie helps holiday makers with myriad problems, but he is hardly a model employee. He doesn't simply provide customer service to his clients and advice to his colleagues, he gets involved in their fantasies and frustrations, and now he's about to be hauled up in front of the boss.</p><p>From perfecting his roles as an undertaker and as a clown to performing duties above and beyond his employment contract, he debates the importance of the optimum shade for lipstick and bathroom walls, the pros and cons of nudist versus textile, as well as the psychological impacts of an Italian mother and an emotional support animal. This is the second, ribald, scatological novel from the brilliant author of <i>The Appointment</i>. Jimmie's sly, sharp, melancholy insights into the indignities of a world which aims to eliminate the human will make you laugh, weep and never look the same way at an electric carving knife again.</p><p><b>'This book is filled with brilliant dialogue, unexpected turns, some very dirty talk with sudden bursts of hilarity, and then fierce sadness. It exudes dark energy. It is highly original. It gives pleasure on every page.'  Colm Tibn, author of</b> <b><i>Brooklyn</i></b> <b>and</b> <b><i>Long Island</i></b></p><p><b>'Raucous, incisive and wholly original.'  Eley Williams, author of</b> <b><i>Moderate to Poor, Occasionally Good</i></b></p><p><b>'Her work is a hand grenade thrown against the falsities of good taste.'  Carlos Fonseca, author of</b> <b><i>Austral</i></b></p><p><b>'Katharina Volckmer's jokes are always consequential, and her novel ends up saying much that is profound about work and isolation and capitalist estrangement.'  Lily Isaacs, </b><b><i>The TLS</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'If I must die, let it bring hope, let it be a tale.'</i></p><p>This rich, elegiac compilation of work from the late Palestinian poet and professor, Refaat Alareer, brings together his marvellous poetry and deeply human writing about literature, teaching, politics, and family.</p><p>The renowned poet and literature professor Refaat Alareer was killed by an Israeli airstrike in Gaza City alongside his brother, sister, and nephews in December 2023. He was just forty-four years old, but had already established a worldwide reputation that was further enhanced when, in the wake of his death, the poem that gives this book its title became a global sensation. "If I Must Die" is included here, alongside Refaat's other poetry.</p><p>Refaat wrote extensively about a range of topics: teaching Shakespeare and the way Shylock could be appreciated by young Palestinian students; the horrors of living under repeated brutal assaults in Gaza, one of which, in 2014, killed another of his brothers; and the generosity of Palestinians to each other, fighting, in the face of it all, to be the one paying at the supermarket checkout.</p><p>Such pieces, some never before published, have been curated here by one of Refaat's closest friends and collaborators. This collection forms a fitting testament to a remarkable writer, educator, and activist, one whose voice will not be silenced by death but will continue to assert the power of learning and humanism in the face of barbarity.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Hugo Awards 2024, Best Novella**</b></p><p>From <i>USA Today</i> bestselling author, T. Kingfisher, comes an original, subversive fairytale about a kind-hearted, toad-shaped heroine, a gentle knight, and a mission gone completely sideways.</p><p>On the day of Toadling's birth, she was stolen from her human family by the fairies, but she grew up safe and loved in the warm waters of faerieland. Once an adult, the fae ask a favour of Toadling: return to the human world and offer a blessing of protection to a newborn child.</p><p>Centuries later, a knight approaches a towering wall of brambles, where the thorns are as sharp as swords. He's heard there's a curse here that needs breaking, but it's a curse Toadling will do anything to uphold...</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>T. Kingfisher</b> is the adult fiction pseudonym of Ursula Vernon. She is an author and illustrator based in North Carolina who has won multiple Hugo, Nebula, and Dragon awards. Her debut adult horror novel, <i>The Twisted Ones</i>, won the 2020 Dragon Award for Best Horror Novel, and was followed by the critically acclaimed <i>The Hollow Places</i>. They can be found on Twitter @UrsulaV.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A classic mystery reprinting for the first time since the 1950s  copies of the original are extremely scarce. One of our reader favourites of the Crime Classics series returns, with the third Carnac novel starring Julian Rivers to join the Crime Classics series. From a London political setting, sending up the machinations of the civil service and the ego-driven world of fine art.]]></Text>
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			<Text textformat="02"><![CDATA[<p>The newly formed Ministry of Fine Arts has a staffing problem - one minister dead within six months of its inception, his successor snuffed out shortly before the General Election. When a third victim, Permanent Secretary Edwin Pompfret is fatally crushed by the fall of a giant bust, Inspector Julian Rivers is drawn into a case of murder of artistic devilment. </p><p>"Her best yet. A classic story with well concealed and ingenious clues, sufficiently difficult to leave us properly surprised by both murderer and method."  Spectator, 1953</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Carol Carnac was a pen name used by Edith Caroline Rivett (18941958), a prolific English crime writer who also wrote as E.C.R. Lorac. She was a member of the prestigious Detection Club, and was lauded for the detailed and atmospheric settings of her mysteries. Her books include Murder by Matchlight, Bats in the Belfry, Crossed Skis and Death of an Author, all available as British Library Crime Classics.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>John Waterhouse has died of some gastric complication. Exhumed at his brother's request, it transpires that he has been killed by arsenical poisoning, though nobody in the sleepy village of Anneypenny seems to have had a reason to do him ill. Rumours abound of Nazi intrigue and military skullduggery, but whatever the motive, the truth remains; this was murder.</p><p>Originally serialised as a competition with a prize for the readers that could answer Berkeley's direct challenge of 'who was the poisoner?', <i>Not to Be Taken</i> remains one of the most fiendish exercises in subtle cluework and detection from the Golden Age of Crime.</p><p><b>'...now we have Not to Be Taken, a compact and fascinating essay in the art of home detection.'  Torquemada in</b> <b><i>The Observer</i></b><b>, 1938</b></p><p><b>'The murder is by arsenic; and although the number of suspects is strictly limited the construction is so ingenious that to attain the correct solution of the problem requires all the reader's concentration; to skip is fatal.' </b> <b><i>Times Literary Supplement</i></b><b>, 1938</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Anthony Berkeley</b> was a pen name of Anthony Berkeley Cox (1893-1971), one of the most important figures in the history of British crime fiction. As well as being the author of many classic detective stories, Berkeley was the founder of the prestigious Detection Club for the finest crime writers.</p>]]></Text>
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			<Text textformat="02"><![CDATA[An anthology exploring a popular trope of modern horror media, tracing its roots in classic literature. Featuring classic stories from Edgar Allan Poe, William Hope Hodgson, Ray Bradbury and H. P. Lovecraft alongside obscure finds from the British Library collections.]]></Text>
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			<Text textformat="02"><![CDATA[<p>From the fungus-webbed House of Usher to the maddening, fungus-like wallpaper of Charlotte Perkins Gilman's classic tale of madness, and Ray Bradbury's account of insidious mushroom dispersal via the US postal system, weird fiction has harboured a thriving culture of fungal horrors throughout the past two centuries.</p><p>With stories of mycological possession alongside dark, pulpy science fiction monstrous fruiting bodies run amok, this new anthology collects the classic with the lost and obscure to trace our fascination with a spore-infested branch of British and American fiction.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Aaron Worth</b> is a professor at Boston University, a celebrated editor and a short story writer. He has edited the Tales of the Weird collections <i>Randalls Round</i> and <i>The Night Wire</i>, as well as anthologies by Vernon Lee and Arthur Machen for Oxford University Press.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The spiritual successor to the popular Tales of the Weird anthology Queens of the Abyss, published in 2020. An anthology delivering one of the core missions of the Tales of the Weird series  bringing unjustly forgotten authors of the genre back into the limelight. Featuring thorough notes by Mike Ashley on the fascinating lives and publishing history of these Queens of Pulp.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Veteran anthology editor Mike Ashley returns with a collection of rare stories by women writers from the hayday of Weird Tales and its chilling pulp contemporaries.</p><p>Featuring a riot of monsters, murderesses and madness from a mixture of lesser-known writers and some surprises such as Lucy M. Montgomery, author of Anne of Green Gables, this new selection also includes a 1980s story by Tanith Lee, one of the great proponents of Weird Tales magazine's revival era, and a recently discovered tale by the fantasy writer Evangeline Walton.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Edith Wharton</b> (1862-1937) was an American writer whose best-known works are <i>The House of Mirth</i> (1905) and <i>The Age of Innocence</i> (1920), for which Edith won the Pulitzer Prize, becoming the first woman ever to do so. As well as writing novels, she wrote over eighty short stories and published the celebrated collections of uncanny stories <i>Tales of Men and Ghosts</i> (1910), <i>Xingu and Other Stories</i> (1916) and her collection of personal favourites, <i>Ghosts</i> (1937).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>She knew now, with a sense of deep tranquil certainty, that terror and injury could not spring from love of this kind, no matter what Nurse said. But she could not put all this into words.</i></p><p>Set over the course of a summer,<i> The Spring Begins</i> follows the autonomous awakenings of three women at various stages of life and at different levels of employment within households. There's the young orphan Lottie, employed as a nursemaid to the wealthy Kellaway children and terrified by the world of men; the scullery maid Maggie, 19, and unafraid of seeking out pleasure where it is offered to her; and Hessy Price the older governess to a local clerical family whose worldview shatters when her younger sister becomes engaged. As each woman tries to navigate their physical desires alongside social propriety, the currency of beauty and youth alongside the toll domestic work and poverty takes on their bodies, each comes to find happiness in their own unique way.</p><p>This human drama is set against the Kellayway's beautiful country house, though the house is often little more than the anchor to the vast garden and the wild stretch of coast owned by the family. It is against the bloom of flowers and the crash of waves that these springs of attraction and longing play out.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>London, June 1759. When a charmless civil servant takes his own life, few are interested in his death. But Lizzie Hardwicke, who plies her trade in the brothels of London whilst also working as an undercover sleuth for the magistrate, can see no reason why a man who had everything to look forward to would wish to end his life.</p><p>Lizzie's search for answers takes her from the smoke-filled rooms of fashionable gambling houses, where politicians mix ambition with pleasure, to the violent streets of Soho, ready to erupt with riots in the sultry summer heat. All the while, she is navigating her complicated feelings for the magistrate's trusted assistant, Will Davenport, and a disturbing situation at home.</p><p>Then a gambling house owner is brutally murdered, and Lizzie finds herself tangled in a chaos that she cannot control. The darkest of secrets threatens to turn Davenport against her forever; its exposure will send her to the gallows.</p><p> </p><p><b>Praise for Georgina Clarke</b></p><p><b>'A gripping page-turner with a sassy and fabulously original heroine in the form of Lizzie Hardwicke  I loved it!' - Annie Lyons, author of</b> <b><i>Eudora Honeysett is Quite Well, Thank You</i></b></p><p><b>'From sumptuous depravity to brutal murder,</b><b><i> Death and the Harlot</i></b><b> is a wild ride through the seedy side of 1750s London, while its heroine, Lizzie Hardwicke, is razor sharp and brilliantly original. I couldn't put it down' - Joe Heap, author of </b><b><i>When the Music Stops</i></b></p><p><b>'Fans of Sarah Waters and Kate Atkinson will adore this compelling, evocative and utterly gripping tale... It deserves to be huge' - </b><b><i>Red Magazine</i></b><b> on </b><b><i>The Dazzle of the Light</i></b></p><p><b>'A marvellous read... Two fabulous protagonists, you will be rooting for them both' - Prima on</b><b><i> The Dazzle of the Light</i></b></p><p><b>'A vibrant story of survival, feminism, misogyny and living life on the edge' - Sunday Express S Magazine on </b><b><i>The Dazzle of the Light</i></b></p><p><b>'Cinematic' - </b><b><i>Daily Mail</i></b><b> on</b><b><i> The Dazzle of the Light</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Georgina Clarke</b> has a degree in theology and completed a PhD in history part-time, while working as a parish priest. Her love of the past is at the heart of her fiction: her Lizzie Hardwicke crime series is set in the mid-eig18th century, and her latest novel  <i>The Dazzle of the Light </i> unfolds in 1920s London and is inspired by the real-life activities of the women-led Forty Thieves crime syndicate. In 2021, Georgina began working as a tutor at The Queen's Foundation in Birmingham, training clergy. When she's not working, she enjoys dressmaking, running and mooching.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'Big-hearted and hilarious, an ode to authenticity and a must-read in our current times.'  Shelby Van Pelt, </b><b><i>New York Times</i></b><b> bestselling author of </b><b><i>Remarkably Bright Creatures</i></b></p><p><b>An unforgettable and heartwarming book-club debut following a trans high school teacher from a small town in South Dakota who befriends the only other trans woman she knows: one of her students.</b></p><p>Erica Skyberg is thirty-five years old, recently divorced  and trans. Not that she's told anyone yet. Mitchell, South Dakota, isn't exactly bursting with other trans women. Instead, she keeps to herself, teaching by day and directing community theater by night. That is, until Abigail Hawkes enters her orbit.</p><p>Abigail is seventeen, Mitchell High's resident political dissident and Only Trans Girl. It's a role she plays faultlessly, albeit a little reluctantly. She's also annoyed by the idea of spending her senior year secretly guiding her English teacher through her transition. But Abigail remembers the uncertainty  and loneliness  that comes with it. Besides, Erica isn't the only one struggling to shed the weight of others' expectations.</p><p>As their unlikely friendship evolves, it comes under the scrutiny of their community. And soon, both women  and those closest to them  are forced to ask: Who are we if we choose to hide ourselves? What happens once we disappear into the woodwork?</p><p><i>Detransition Baby</i> meets <i>Fleishman is in Trouble</i> in this remarkable debut novel from an incisive contemporary voice. A story about the awkwardness of growing up and the greatest love story of all, that between us and our friends, <i>Woodworking</i> is a tonic for the moment and a celebration of womanhood in all its multifaceted joy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Emily St. James</b> is a writer and cultural critic. This is her first novel. Her journalism and criticism have appeared in <i>The New York Times</i>, Vox, and The A.V. Club, and her writing for television has been featured on the Emmy-nominated series <i>Yellowjackets</i>. She lives in Los Angeles with her family.</p>]]></Text>
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			<SubjectHeadingText>1960s fiction; 20th Century Ireland; An Apology for Roses; Arts Council of Ireland; Athlone; County Westmeath; Irish Catholic; Irish Fiction; LGBTQ+ fiction; London Irish; McNally Jackson Books; Sarah McNally; The Pride of Summer; The Trial of Father Dillingham; arthritis; banned books; banned novels; black comedy; catholic satire; claire keegan; edna o'brien; erotic novels; gay fiction; modern Irish literature; pilgrimage to Lourdes; psychological suspense; queer stories; small town ireland; theocracy; twist ending</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>An erotic nightmare of Catholic longing, guilt, and desire and a banned classic of modern Irish literature.</b></p><p>Wealthy and devout, Michael and Julia Glynn are the envy of their neighbors and the model Irish Catholic couple, bearing Michael's increasingly painful and crippling arthritis with stoicism. In hope of a miracle, their priest suggests a family pilgrimage to Lourdes. Yet these pious holiday plans are thrown into disarray when anonymous, obscene letters begin to arrive, full of terrible accusations.</p><p>Banned in Ireland on its first publication in 1961, Broderick's debut arrived 'like an incendiary device' (<i>Sunday Independent</i>). <i>The Pilgrimage</i> anticipated the deep shifts that would soon turn the country's theocratic society upside down. It is a darkly comic, blasphemous, and sexually charged chamber drama laying bare the hypocrisies of a small Irish town 'as watchful as the jungle', and teetering on the brink of catastrophe. In the words of Colm Tibn, in his foreword to this edition, <i>The Pilgrimage</i> 'cleared a space in the jungle so that its wildness could be more easily seen'.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John Broderick</b> (19241989) was born in Athlone, County Westmeath, Ireland and died in Bath, England. He worked as a journalist and was author of numerous novels including<i> An Apology for Roses</i> (1973),<i> The Pride of Summer </i>(1976),<i> London Irish </i>(1979) and <i>The Trial of Father Dillingham </i>(1982).</p><p><b>Colm Tibn</b> is the author of eleven novels, including <i>Long Island; The Magician</i>, winner of the Rathbones Folio Prize; <i>The Master,</i> winner of the Los Angeles Times Book Prize;<i> Brooklyn</i>, winner of the Costa Book Award; <i>The Testament of Mary</i>; and <i>Nora Webster</i>; as well as two story collections and several books of criticism. He is the Irene and Sidney B. Silverman Professor of the Humanities at Columbia University and has been named as the Laureate for Irish Fiction for 20222024 by the Arts Council of Ireland. Three times shortlisted for the Booker Prize, Tibn lives in Dublin and New York.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>When Bunny Linden abandons her three children with her older sister, Jayne, in 1972, she knows Jayne will be the perfect mother. The mother Bunny, a teen runaway, could never be.</p><p>As months turn into years without word, Jayne and her husband, Rodger, a rising star of New York's journalism scene, strive to give the children the opportunity to flourish and feel loved. When Jayne and Rodger finally have a child of their own, a seemingly stable home is built. But then, after nearly a decade, Bunny resurfaces and sets a chain of events in motion that detonates all their lives.</p><p>As adults, their children try to reassemble the pieces and solve the mystery that has always haunted them: who were their parents? What really happened between them? And who is ultimately to blame for the destruction?</p><p><b>'Kraus perfectly captures the ache and stretch of adolescence, the grief and rage of middle age and the loss and doubt that form the drumbeat beneath it all. Consistently surprising in all the best ways, this book is a beacon!' - Catherine Newman, author of </b><b><i>Sandwich</i></b></p><p><b>'A unique, deeply moving story told with heart, depth and humor' - Rebecca Serle, author of </b><b><i>In Five Years</i></b></p><p><b>'So heartbreaking and so good I couldn't stop reading... Like Ann Patchett, Kraus gets at the heart of how people can disconnect from their truest selves, and how, if they're lucky, they can find their way back' - Caroline Leavitt, author of </b><b><i>Pictures of You</i></b></p><p><b>'Writing with grace and intelligence, Kraus explores the complex intersection of memory and loyalty in a sweeping story about a broken family and the women who knit together the remains. Perfect for book clubs' - Sarah Pekkanen, author of</b><b><i> House of Glass</i></b></p><p><b>'Kraus deftly shows how the fog of generational trauma can finally give way to clarity and understanding when the grown children in a uniquely blended family learn how their mothers' painful pasts shaped them all' - Laura Zigman, author of</b><b><i> Small World</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Reem Gaafar</b> is a writer, physician and filmmaker. Her writing has appeared in <i>African Arguments, African Feminism, Teakisi Magazine, Andariya</i> and <i>500 Words Magazine</i>, among others. Her short story 'Light of the Desert' was published in <i>I Know Two Sudans</i> (Gipping Press UK, 2014) where it was awarded an Honourable Mention. Her short story 'Finding Descartes' was published in <i>Relations: An Anthology of African and Diaspora Voices</i> (HarperVia, 2023). <i>A Mouth Full of Salt</i> is her debut novel and Winner of the Island Prize 2023. Gaafar lives in Canada with her husband and three sons.</p>]]></Text>
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			<SubjectHeadingText>poetry; prose; Arab; writers; mystical; Qur'an; imagery; stories; longing; translated; excerpts; authors; significance; collection; literary; heritage; vibrant; distinctive; beauty; expression; thought; world; literature; gems; captivating; powerful; verses; history; culture; translation; influence; tradition; storytelling; passion; emotion; connection; exploration; identity; wisdom; philosophy; profound; timeless; reflection; legacy; voices; experience; masterpiece</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[A compelling landmark anthology by two of the world's leading scholars of Arabic literature, it will become the key reference text of our age. With translated extracts of works by famous and lesser known but equally significant authors, it will appeal to those with an interest in world literatures and in Arab culture and history.]]></Text>
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			<Text textformat="02"><![CDATA[<p>A unique and extraordinary collection, <i>Desert Songs of the Night</i> presents some of the finest poetry and prose by Arab writers, from the Arab East to Andalusia, over the last 1,500 years. </p><p>From the mystical imagery of the Qur'an and the colourful stories of <i>The Thousand and One Nights</i>, to the powerful verses of longing of Mahmoud Darwish and Nazik al-Mala'ika, this captivating collection includes translated excerpts of works by the major authors of the period, as well as by lesser known writers of equal significance. </p><p><i>Desert Songs of the Nigh</i>t showcases the vibrant and distinctive literary heritage of the Arabs. Beautifully produced, this is the ideal book for lovers of world literature and for those who seek an acquaintance with gems of Arab thought and expression.</p><p><b>'</b><b><i>Desert Songs of the Night</i></b><b> is a wonderful introduction to fifteen centuries of a literature still largely unknown in the West, without which much of our civilizations would not have developed as they have, from the rediscovery of Aristotle by Arab commentators to the lyric poetry of Europe, from the magical world of the Arabian Nights to the modern revolutionary poets of Palestine. Absolutely essential reading for our troubled times.'  Alberto Manguel, author of</b> <b><i>A History of Reading</i></b></p><p><b>'At a time when the world is obsessing about violence and bloodletting in the Arab world, this remarkable anthology, which spans 1,500 years of Arab literary genius, is a stark reminder of the real story we keep missing about the region.' </b> <b>Hanan al-Shaykh, author of</b> <b><i>One Thousand and One Nights</i></b></p><p><b>'This is a beautiful-looking book and inside the romance and beauty continue ... a valuable volume' </b> <b><i>Sunday Herald</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Suheil Bushrui</b> is a distinguished author, poet, critic and translator, particularly revered as an authority on the works of W. B. Yeats and Kahlil Gibran. A university professor for the last 56 years, Bushrui has taught at universities in Europe, the Middle East, Africa and North America. He is currently the Emeritus Professor and first incumbent of the George and Lisa Zakhem Kahlil Gibran Chair for Values and Peace at the University of Maryland, where he is also a Senior Scholar of Peace with the Center for International Development and Conflict Management. The recipient of many awards, Bushrui's publications are extensive in both English and Arabic, and include <i>Desert Songs of the Night: 1500 Years of Arabic Literature</i>, <i>The Wisdom of the Arabs</i>, <i>The Prophet: A New Annotated Edition</i> and <i>The Spiritual Heritage of the Human Race</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Classical Poems by Arab Women spans 5,000 years, showcasing over fifty female poets from pre-Islamic to Andalusian periods. Featuring poems from Khansa's sorrowful eulogies to Wallada bint al-Mustakfi's scornful verses, this bilingual collection celebrates the bold, often suppressed voices of Arab women in literary history.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Arab women poets have been around since the earliest of times, yet their diwans (collected poems) were not given the same consideration as their male counterparts'.<br/><br/>Spanning 5,000 years, from the pre-Islamic to the Andalusian periods, <i>Classical Poems by Arab Women</i> presents rarely seen work by over fifty women writers for the first time. From the sorrowful eulogies of Khansa to the gleeful scorn of Wallada bint al-Mustakfi, this collection exclusively features the work of Arab women who boldly refused to be silenced. The poems are excursions into their vibrant world whose humanity has been suppressed for centuries by religious and political bigotry.<br/><br/>With poems in both English and Arabic, this remarkable anthology celebrates feminine wit and desire, and shows the significant contribution Arab women made to the literary tradition.</p><p><b>'This is some of the most beautiful poetry in the world ... Timeless.'  Tracey Emin</b></p><p><b>'The range of female poets from radically different eras is extraordinary, as is how fearlessly they speak about their desires'  Mona Eltahawy</b></p><p><b>'A unique anthology that transcends love and liberation'  Moris Farhi</b></p><p><b>'An outspoken and controversial book that provides many moments for both enjoyment and reflection.'  Denys Johnston-Davies</b></p><p><b>'The very process of anthologizing the names of so many unfamiliar poets has provided a useful historical survey.'  Roger Allen</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Abdullah al-Udhari </b>was born in Taiz, Yemen, in 1941, and has lived in London since 1962. He studied classical Arab literature and Sabaean epigraphy at London University, where he also received a doctorate for his pioneering study, <i>Jahili Poetry before Imru al-Qais [4000 BCE500 CE]</i>, which established him as an authority on early Jahili literature. In 1974 he founded and edited <i>TR</i>, an Anglo-Arab literary and arts magazine. He is a literary historian, poet and storyteller, editor of <i>Classical Poems by Arab Women</i> (Saqi Books), and author of <i>Voice Without Passport</i>, <i>The Arab Creation Myth</i>, <i>Victims of a Map</i>, and <i>Modern Poetry of the Arab World</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner of the T. S. Eliot Prize 2021 and the Polari Prize 2022**</b></p><p><b>A</b> <b><i>New Statesman</i></b><b>,</b> <b><i>TLS</i></b> <b>and</b> <b><i>White Review</i></b> <b>Book of the Year</b></p><p>The female body is a political space.</p><p><i>C+nto</i> enters the private lives of women from the butch counterculture, telling the inside story of the protests they led in the '90s to reclaim their bodies as their own  their difficult balance between survival and self-expression. History, magic, rebellion, party and sermon vibrate through Joelle Taylor's cantos to uncover these underground communities forged by women.</p><p>Part-memoir and part-conjecture, Taylor explores sexuality and gender in poetry that is lyrical, expansive, imagistic, epic and intimate. <i>C+nto</i> is a love poem, a riot, a late night and an honouring.</p><p><b>'This writing is visionary ... I loved it.'  Hollie McNish</b></p><p><b>'Joelle Taylor has produced one of the most astonishing and original poetry collections of recent years.' </b> <b>Bernardine Evaristo,</b> <b><i>New Statesman Book of the Year</i></b></p><p><b>'A real treat ... in the vivid bar-set poems, Taylor brings a close-knit community to life ... inventive, powerfully moving work.' </b> <b><i>The Telegraph </i></b></p><p><b>'Absolutely incredible ... A celebration and a tribute to the dyke bars and the butches who left their mark, this book reminds the reader that to exist as we do is a form of protest. This is work that should not be missed.' </b> <b><i>Diva Magazine, Book of the Month</i></b></p><p><b>'Joelle Taylor is a fighter on the page ... Bold, combative and moving ... There is swank, swagger and firecracker protest in [Taylor's] writing... powerful.' </b> <b><i>The Observer</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[This ground-breaking collection from Tomoka Shibasaki, author of the acclaimed novel Spring Garden, pushes the short story to a new level.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This ground-breaking collection from Tomoka Shibasaki, author of the acclaimed novel </b><b><i>Spring Garden</i></b><b>, pushes the short story to a new level.</b></p><p>In these stories of human connection in a contemporary, alienated world, people come together to share pieces of their lives, then part. We meet the women who share a house after the outbreak of war before going their separate ways once it is over; the man who lives in a succession of rooftop apartments; the diverging lives of two brothers who are raised as latch-key kids by factory workers; the old ramen restaurant that endures despite the demolition of all surrounding buildings; people who watch a new type of spaceship lift off from a pier that once belonged to an island resort; and more.</p><p>These 34 tales from all over the planet have the compulsive power of news reports, narrated in a crisp yet allegorical style.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Tomoka Shibasaki</b> published her debut in 2000 when she was 27; it was adapted by Isao Yukisada and released as a film in 2004 (A Day on the Planet). Her 2007 novel <i>Sono machi no ima wa </i>(<i>That Town Today</i>) was awarded the Geijutsu Sensho Newcomers Prize, the Sakunosuke Oda Award, and the Sakuya Konohana Award. In 2010, her novel <i>Asako I &amp; II </i>received the Noma Newcomer's Award; the book was subsequently adapted for film by Ryusuke Hamaguchi and screened at Cannes. In 2014, Shibasaki won the Akutagawa Prize for her novel <i>Spring Garden</i>, now translated into many languages, including English (published by Pushkin Press).</p><p><b>Polly Barton </b>is an award-winning translator based in the UK. Her translations include <i>Spring Garden</i> by Tomoka Shibasaki (Pushkin Press, 2017), <i>Where the Wild Ladies Are</i> by Aoko Matsuda (Tilted Axis / Soft Skull Press, 2020), <i>There's No Such Thing as an Easy Job </i>by Kikuko Tsumura (Bloomsbury, 2021), and <i>So We Look to the Sky </i>by Misumi Kubo (Arcade, 2021). After being awarded the 2019 Fitzcarraldo Editions Essay Prize, in 2021 she published Fifty Sounds, her reflections on the Japanese language. Her translations of stories by Aoko Matsuda, Tomoka Shibasaki, and Kikuko Tsumura appear in MONKEY New Writing from Japan.</p>]]></Text>
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			<SubjectHeadingText>identity; Guyana; immigrant; immigration; family; trafficked; secrets; lies; deaf; diverse; suburbs; Atlanta suburbs; coming of age; trauma; assimilation; belonging; home; survival; identities; resilience; resilient; mother; sisterhood; homesick; Guyanese; Guyanese American; marriage; motherhood; letter; sisters; Indo-Caribbean; code-switching</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>**An Apple Books Best Book of March**<br/>**An Apple Books Favorite Debut for March**</b></p><p><b>A girl takes on a series of identities to survive, shrouding herself in layers of secrets, until years later when she is forced to reckon with her past.</b></p><p>On an ordinary day in an upscale Atlanta suburb, Maya is making breakfast for her two sons, when her husband drops a red-and-blue striped envelope on the counter and asks a devastating question: Who is Sunny?</p><p>Maya is sent reeling back to her childhood in Guyana  a time when Sunny was her only name. Unbeknownst to her husband, Maya is not who she claims to be. The letter, from her long-lost sister Roshi, now threatens to expose her true identity and shatter the seemingly perfect existence Maya worked so hard to build.</p><p>As she frantically weighs the impact of the truth on her future, Maya relives the details of her childhood journey to America from Guyana  and the traumatic events that forced her to leave her past behind. Through the eyes of Maya's innocent and scared younger self, we discover the power of hope, empathy, and the possibility of beginning again.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nanda Reddy</b> is a Guyanese American writer and former elementary school teacher. She immigrated to the U.S. with her family when she was nine years old and grew up in Miami, Florida. She loves visiting off-the-grid places, hiking, and painting with watercolors. She currently resides in Reno, Nevada with her husband and two teenage sons.<i> A Girl Within a Girl Within a Girl</i> is her first novel.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The official art book for the movie Doctor Strange, the 13th title reissue of the 24-book Marvel Studios'</b> <b><i>The Infinity Saga</i></b><b> series published as a resized matching set.</b></p><p>The 13th of the 24 Marvel Cinematic Universe Infinity Saga film titles being published as a complete set. When a terrible accident befalls extraordinary surgeon Dr. Stephen Strange, he'll do anything to regain mobility in his crippled hands. His journey will take him to unbelievable realms and bring him face-to-face with petrifying dangers. Explore the fantastic worlds of Doctor Strange with exclusive concept artwork and in-depth analysis from the filmmakers. Go behind the scenes in this deluxe keepsake volume as Marvel once again brings its strange history to the silver screen!</p><p>Here is everything you need to know about the making of the movie from all the key players-including director Scott Derrickson, Marvel Studios President Kevin Feige, along with the talented cast, special-effects gurus, concept illustrators, visual-effects designers, and storyboard artists who worked on the set and behind the scenes to create the art of Doctor Strange.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Ichabod Crane, a schoolteacher, came to Tarry Town in the glen of Sleepy Hollow to ply his trade in educating young minds. He was a gullible and excitable fellow, often so terrified by locals' stories of ghosts that he would hurry through the woods on his way home, singing to keep from hysterics. Until late one night, he finds that maybe they're not just stories. What is that dark, menacing figure riding behind him on a horse? And what does it have in its hands? And why wasn't schoolteacher Crane ever seen in Sleepy Hollow again?<br/><br/> This edition also includes Washington Irving's other short stories, including <i>Rip van Winkle</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Wherever men live, be they nomads or city dwellers, there they must have law and a man to enforce it. Meet Detective John Law of Crossroads City. Strong, decent, hardworking and hard-nosed. He's a man who believes in the law and order. He's the last of a dying breed.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gary Chaloner</b> is an Australian cartoonist, writer and artist. Born in March 30, 1963. He's worked on Mike Baron's <i>Badger</i>, <i>Ninja High School, Planet of the Apes, Breckinridge Elkins,</i> Robert E. Howard's <i>Savage Sword</i> and<i> Astro City.</i> He's also a publisher.</p><p><b>Will Eisner.</b> Born March 6, 1917. Cartoonist, writer, and entrepreneur. He was one of the earliest cartoonists to work in the American comic book industry, and his series<i> The Spirit</i> (1940-1952) was noted for its experiments in content and form. In 1978, he popularised the term 'graphic novel' with the publication of his book<i> A Contract with God</i>. He was an early contributor to formal comics studies with his book <i>Comics and Sequential Art</i> (1985). The Eisner Award was named in his honour and is given to recognize achievements each year in the comics medium; he was one of the three inaugural inductees to the Will Eisner Comic Book Hall of Fame.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The sixth volume of the beloved series, perfect for fans of Magical Girl manga, sees the greatest test of Alpi's skills yet! The spirit of the great serpent needs help moving on, but Alpi's companion Perenai must contend with his own darkness...]]></Text>
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			<Text textformat="02"><![CDATA[<p>Welcome to the charmingly funny and perfectly peculiar world of Aussie animal mums and dads and their awesome kids.</p><p><i>Peculiar Parents</i> explores 60 Australian native animals, focusing in particular on all things family, including their courting practices, gestation periods, births and the raising of their young.</p><p>Discover the weird and wonderful, the cute and cuddly  even the slimy and ugly! You will find parrots that play the drums and cuttlefish that can change the colour of their skin to attract a mate, as well as dancing spiders, kissing lizards, parading pelicans, plonking pobblebonks and many more.</p><p>Presented through fascinating, funny and amazing facts with an impactful family photo wall design, this book is perfect for young readers aged 6 to 12.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jack learns about blue-banded bees and helps Nanna create the perfect garden for them.</b></p><p>When Jack discovers that Australia's bees are not just yellow and black, but sometimes blue, he becomes determined to find them. With help from his Nanna, Jack creates the perfect garden for blue-banded bees by planting native flowers and building a bee home. Learning all he can about these fascinating insects, Jack also discovers that seeing them is going to take some patience, too! Bees are Blue is a fun, educational story about the importance of bees, the ways in which we can provide for them, and features delightfully rich illustrations.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Terri Owbridge</b> is an Australian writer for children and adults. Terri's passion for storytelling led her to a career in journalism and communications. Her first children's picture book, <i>Sticking Out</i>, was published in 2022. She hails from a long line of talented creators, who taught her the magic of the arts from a young age. Terri currently resides in Western Australia with her husband, daughter, and perfectly mischievous tabby cat.</p><p><b>Sara Fandrey</b> is an Italian/German children's book illustrator living in Portugal. Influenced by her love for all things vintage, she prefers soft, desaturated colour palettes. Sara combines traditional and digital techniques, and you can find warm lightning, cute (often magical) characters, and a dash of humour in her work. Away from drawing, you will find her running after (or reading to) her two children.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A boy brings home a zoo full of animals and discovers there can be room for one more in his family.</b></p><p>After a trip to the zoo, a young boy discovers the animals have followed him home-and are hiding around the house! There's a lion by the couch, a bat on the ceiling, and even an elephant in the garage!</p><p>With all these animals around, there isn't much room, but with a baby sibling due soon, this little boy will soon learn that there can be space for everyone. When the Zoo Followed Me Home is a delightfully illustrated and whimsical story that explores imagination, discovery, and growing as a family.</p>]]></Text>
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			<SubjectHeadingText>Pink Shirt Day; acceptance; beauty in nature; being different; being yourself; believing in yourself; belonging; bullying; defying expectations; disenfranchisement; empowerment; finding your place; fitting in; harassment; identity; individuality; marginalization; mindfulness; objects come to life; onomatopoeia; outdoor adventure; perspective; self-esteem; standing up for yourself; summer activities; talking animals; uplifting others</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Laurel Croza</b> is the author of the picture book<i> I Know Here</i>, illustrated by Matt James. It won the Boston GlobeHorn Book Award, the Ezra Jack Keats New Writer Award and the Marilyn Baillie Picture Book Award, among many other accolades. She also wrote the sequel, <i>From There to Here</i>. <i>The Whirlpool</i> is Laurel's first short-story collection. She lives with her husband in Toronto.</p><p><b>Matt James</b> is a Toronto-based author/illustrator whose books include <i>Yellow Moon, Apple Moon</i> by Pamela Porter (New Mexico Book Award),<i> I Know Here </i>by Laurel Croza (Boston GlobeHorn Book Award, Marilyn Baillie Picture Book Award) and<i> The Stone Thrower</i> by Jael Ealey Richardson. Matt's art for Northwest Passage won the Governor General's Award. He also wrote and illustrated Tadpoles, Nice Try, Charlie! and The Funeral, a New York Times/New York Public Library Best Illustrated Children's Book.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Internationally-bestselling author Daniel Pinkwater (</b><b><i>The Big Orange Splot</i></b><b>) brings his zany wit and wisdom to the magical adventures of a clever girl and her brave dog. Told with warmth and wit, this is a delightful exploration of growing up, the power of family, and how sometimes the best things in life happen when you least expect them.</b></p><p>Jules McShultz was promised a dog. Supposedly, she'd get one once her family moved from the city to the suburbs. But then her parents decided it still wasn't the right time.</p><p>So Jules does what any intelligent girl would do. Instead of sulking, she enters an essay contest and wins first prize: A purebred Collie. And no one  not even Jules' parents  can resist Penny, who is clearly Jules's perfect new canine pal.</p><p>Jules and Penny are ready to spend the summer exploring the woods by the house. But the woods are not at all what they seem to be. Magic and adventure await them just on the other side of an old stone wall.</p><p><b>'Daniel Pinkwater is so obviously the funniest writer of children's books that he should be made a Living National Treasure.' </b> <b><i>Washington Post Book World</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, ACT Literary Awards 2025, The Marion Halligan Award**</b></p><p><b>**Shortlisted, ABIAs 2025, Small Publisher's Children's Book of the Year**</b></p><p><b>**Shortlisted, 2025 CBCA Book of the Year, Eve Pownall Award**</b></p><p><b>**Longlisted, ABDA Best Designed Children's Non-fiction Book 2025**</b></p><p>When it comes to flora, Australia is a land of diversity. From rainforests to deserts, mountains to the seashore, 90 per cent of our plant life is unique to this ancient land. Treasures like our wattles, eucalypts, grass trees and banksias are part of our heritage and identity  and they still flourish here today, on the oldest landmass on Earth.</p><p><i>Flora</i> celebrates and highlights these diverse and curious plants, looking into the history, quirks and uses of our native plants, and how vital they are for our unique ecosystems. Tania McCartney brings her trademark skill and style in both writing and illustration, using her substantial experience in children's literature to examine Australia's botanical riches to pick out engaging, informative and surprising facts to share with young readers.</p><p>The book includes spreads on the Gondwana Garden, Deadly Flora, Bush Food, Flora Ancestry and more. Meet the Tasmanian Mountain Ash, which is both the world's tallest flowering plant and the tallest hardwood tree, growing more than a metre each year...for up to 400 years! Share in a park ranger's discovery of a living Jurassic fossil deep in a secret sandstone canyon. Learn how to avoid the most painful plant on earth, the gympie gympie, whose fine little hairs inject a fiery venom that feels like acid and electrocution all at once!</p><p>The author introduces readers to hard science too, including information on plant classification, countless cool scientific facts and binomial names and scientific terms, with a handy glossary aimed at children at the back of the book.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, ABIAs 2025, Small Publisher's Children's Book of the Year**</b></p><p><i>Look who's at the dog beach!</i></p><p><i>Strong dogs, long dogs,</i></p><p><i>Playing dogs, staying dogs,</i></p><p><i>Black dogs, brown dogs, go-to-town dogs,</i></p><p><i>Bit-of-a-clown dogs, upside-down dogs,</i></p><p><i>Mopey dogs, dopey dogs,</i></p><p><i>Shaggy dogs, waggy dogs ...</i></p><p></p><p>Going to the beach is a big part of Australian culture and, for many people, so are dogs! This book doubles the fun, celebrating all of the different types of dogs that Australians love, from working dogs to lap dogs. Follow them as they run amuck along the sunny shores of Australia.</p><p>With bright and dreamy illustrations by Annie White, this short, rhythmic story will capture the attention of all beach and dog loving children, and even their parents!</p><p>Educational backmatter closes the book, with sections on huskies in Antarctica, guide dogs, farm dogs, and more. Accompanying this text are images of both fun and wacky, and serious and strong dogs found in the National Library of Australia's pictures collections.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Julie Murphy</b> has been a children's book author for over 20 years. Often inspired by animals and nature, she first trained as a zoologist and zookeeper. Other books of Murphy's include <i>Cheer up, Blobfish!</i>, <i>I've Got a Tail!</i>, <i>I've got Eyes!</i> and <i>Tiny Possum and The Migrating Moths</i>.</p><p><b>Annie White</b> works from her studio in Melbourne, Australia, where she has illustrated over 90 books for children. Her picture books have appeared on the CBCA Notables list, the Speech Pathology short list and the Prime Minister's Literary Awards short list. Her latest picture book is <i>Clementine's Treasure</i> was listed in the CBCA Early Childhood Book of the Year Notables 2023.</p>]]></Text>
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			<Text textformat="02"><![CDATA[*Winner, 2020 Museums Australasia Multimedia and Publication Design Awards (MAPDA)*]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>*Winner, 2020 Museums Australasia Multimedia and Publication DesignAwards (MAPDA)*</b></p><p><b>*Longlisted, 2020 World Illustration Awards*</b></p><p><b>*Longlisted, 2020 Australian Book Design Awards*</b></p><p><b>*Shortlisted, 2020 Wilderness Society Environment Award for Children's Literature*</b></p><p><b>*Shortlisted, 2020 Educational Publishing Awards*</b></p><p><b>Age range 5+</b></p><p>Did you know that platypus have retractable webbing on their hind feet to enable an easy transition from swimming to digging? That kangaroos can't sweat and that the cassowary has no tongue?</p><p>In <i>Fauna - Australia's Most Curious Creatures</i>, readers are constantly introduced to facts that delight, amaze and induce sheer wonder at the clever design and adaptability of our much-loved native fauna.</p><p>The information on each individual species is presented in small 'bites' to hold the interest of younger readers, while the information taken in total gives a comprehensive summary of each species, including breeding and feeding habits, physical characteristics, habitat and other unique and quirky features.</p><p><i>Fauna</i> also has a strong conservation message with an 'extinction roll call' and a rating for the vulnerability of endangered species.</p><p>The stylised illustrations in <i>Fauna</i> are lively, colourful and informative, highlighting facts that lend themselves more to pictures than words e.g. the actual size of crocodile teeth, or the mechanics of the echidna's beak. There is also humour in the illustrations  is that kangaroo with dark glasses actually from a different kind of mob?</p><p>Readers young and old will be delighted and informed by <i>Fauna</i>.</p><p><b>Teachers' notes available here</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>For kids ages 6 to 10, this nature activity guide is the perfect companion for every child's next outdoor adventure, from the <i>New York Times</i> bestselling author of <i>The Hidden Life of Trees</i> and<i> Can You Hear the Trees Talking?</i>.</p><p>An excellent resource for parents, teachers, and curriculums ranging from outdoor education to homeschool and forest school.</p><p>Whether you are in the forest, in your own backyard, or in the city, there are so many exciting ways to engage with nature - and forester Peter Wohlleben has the best ideas for doing so. With <i>Be A Nature Explorer!</i>, kids will learn how to press flowers, harvest algae, skip stones, observe spiders, and even how to build their own tiny sailboat.</p><p>This ultimate kids' nature book features:</p><ul><li>52 short, fun, and hands-on activities to help kids explore and discover the outdoors - one for each week of the year</li><li>Portable format: This lightweight paperback is designed to easily throw in a backpack and refer to on adventures</li><li>STEM learning and outdoor skill development: Kids will learn how to decode nature's messages, identify plants and animal tracks, record and preserve their finds, and more</li></ul><p>Packed with activities that will fill kids with wonder and confidence in the outdoors, readers will be dipping in and out of <i>Be A Nature Explorer!</i> all year round.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Plantabulous! presents 26 iconic and unique native plants for you to discover in your local park, bushland or even your own backyard! Filled with fabulous facts, activities and illustrations, Plantabulous! will prove just how fabulous Australia's native plants really are!]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 6 to 12</b></p><p>Did you know that Australia is home to the most 'venomous' plant in the world? That there are plants in Australia that strangle other plants to death, and some with seeds pods that explode, shooting seeds far and wide? Or that some Australian plants can dry out and shrivel up so much, they look dead, but then come back to life when they get wet?</p><p><i>Plantabulous!</i> presents 26 iconic and unique native plants for you to discover in your local park, bushland or even your own backyard! Filled with fabulous facts, activities and illustrations, <i>Plantabulous!</i> will prove just how fabulous Australia's native plants really are!</p><p>Reading level varies from child to child, but we recommend this book for ages 6 to 12.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Catherine Clowes</b> is a botanist with a passion for Australian native plants. She works as a biodiversity officer, has a PhD in systematic botany and spends a good chunk of her spare time in her very own Australian native plant garden!</p><p><b>Rachel Gyan</b> is an illustrator passionate about artful storytelling. Her heart-warming characters are empowered by whimsy, texture and vibrant colour palettes. Rachel enjoys studying Australian flora and wildlife, drawing inspiration from her surroundings to capture the beautiful and sometimes quirky nature of Australia in her work.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 5 to 9</b></p><p>You will find me where land meets sea...</p><p>Saltmarshes are full of energy and life. They protect our coastlines, and provide food and shelter for migratory birds and microscopic plants and animals. Most of all, saltmarshes are places of discovery and wonder. </p><p>With lyrical text and captivating illustrations <i>Secrets of the Saltmarsh</i> offers a close-up look at the fascinating world of saltmarsh wetlands. </p><p>Reading level varies from child to child, but we recommend this book for ages 59.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Claire Saxby</b> is an award-winning writer of fiction, non-fiction and poetry for young people. </p><p><b>Alicia Rogerson</b> is an artist and illustrator who spends her days painting and dreaming. She is the illustrator of <i>One Potoroo: A Story of Survival</i> (CSIRO Publishing, 2021), a Notable Book in The CBCA Eve Pownall Award for Information Books 2022, and Shortlisted for The Wilderness Society Environment Award for Children's Literature 2022.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 6 to 9</b></p><p>Deep in the forest, an ancient wonder is about to be found. Descended from a family of trees going back 200 million years, the Wollemi pine has survived ice, fire and the passing of many generations.</p><p>Will a bushfire be the final threat to this living fossil? And how will we protect it, now that everyone wants a dinosaur tree? How can we make sure the Wollemi's secret location is not discovered and damaged?</p><p><i>Wollemi: Saving a Dinosaur Tree</i> explains the unique and critically endangered status of the Wollemi pine and explores what actions can be taken today to contribute to the conservation of this rare and beautiful tree.</p><p>Reading level varies from child to child, but we recommend this book for ages 6 to 9.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Samantha Tidy</b> is an award-winning children's author who seeks out stories that connect her readers with the natural world and each other. A passionate permaculturalist, gardener and chicken fancier, she lives in Canberra.</p><p><b>Rachel Gyan</b> is an illustrator passionate about artful storytelling. She is the illustrator of <i>Plantastic!</i> Rachel enjoys studying Australian flora and wildlife, drawing inspiration from her surroundings to capture the beautiful and sometimes quirky nature of Australia in her work.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Head in the game critically analyses the global concussion crisis in sport from sociocultural perspectives. This edited collection features essays from humanities, social science, and scientific scholars who analyse how the concussion crisis came to be and provide guidance for developing ethical and evidence-based solutions for the future of sport.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book provides a compelling analysis of proxy warfare and its far-reaching implications for statehood, focusing on the conflict in Afghanistan. </b></p><p>Introducing the innovative concept of 'state-wrecking', it bridges theory and practice to unravel how external support for insurgent actors fuels violence, undermines territorial control and sovereignty, intensifies violence, and dismantles political legitimacy. The work shifts the discourse on proxy wars from the strategies of global powers to the procedural and structural impacts within target states.</p><p>Grounded in rigorous empirical research, including interviews, archival data, and conflict analysis, the book critically examines the Pakistan-Taliban nexus and the limitations of US-led interventions. By blending a robust theoretical framework with in-depth case studies, it reveals how proxy dynamics shape conflicts, disrupt governance, and challenge international security. This is an essential resource for those seeking to understand the entanglements of modern warfare and the fragility of states under external influence.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Republican passions</i></b> <b>demonstrates the crucial role of family and friendship networks in the creation of the French Third Republic.</b></p><p>Based on the family archives of Leon Laurent-Pichat, journalist, Deputy and Life Senator, this study paints a rich picture of republican intimacy, sociability and political activity during the Second Empire and early Third Republic. It explores republican friendships and family connections as men and women worked together for the cause. In republican circles, as the book illustrates, the intimate and political realms were not separate but deeply intertwined and interdependent.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In the late eighteenth-century, elite British women had an unprecedented opportunity to travel. Taking travel home uncovers the souvenir culture these women developed around the texts and objects they brought back with them to realise their ambitions in the arenas of connoisseurship, friendship and science.</b></p><p>Key characters include forty-three-year-old Hester Piozzi (Thrale), who honeymooned in Italy; thirty-one-year-old Anna Miller, who accompanied her husband on a Grand Tour; Dorothy Richardson, who undertook various tours of England from the ages of twelve to fifty-two; and the sisters Katherine and Martha Wilmot, who travelled to Russia in their late twenties. The supreme tourist of the book, the political salon hostess Lady Elizabeth Holland, travelled to many countries with her husband, including Paris, where she met Napoleon, and Spain during the Peninsular War.</p><p>Using a methodology informed by literary and design theory, art history, material culture studies and tourism studies, the book examines a wide range of objects, from painted fans 'of the ruins of Rome for a sequin apiece' and the Pope's 'bless'd beads', to lava from Vesuvius and pieces of Stonehenge. It argues that the rise of the souvenir is representative of female agency, as women used their souvenirs to form spaces in which they could create and control their own travel narratives.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>William Morris's socialist essays remain uncannily relevant for our time, as he addresses issues of inequality, precarity, and the need for pleasure and creative fulfilment in work and life. </b></p><p>This scholarly edition traces Morris's opinions from his early insistence that all must have access to art in its broadest sense, through his years as a leader and theorist of the nascent British socialist movement. Finally, as Morris became the elder statesman of the socialist/labour cause, these writings demonstrate his efforts to reconcile competing factions in the service of common aims.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Florence S. Boos </b>is Professor of English at the University of Iowa. The founder and general editor of the William Morris Archive, she has also edited Morris's <i>Socialist Diary</i>, <i>The Earthly Paradise</i>, and most recently, <i>The Routledge Companion to William Morris</i>. Her books on Morris include <i>History and Poetics in the Early Writings of William Morris</i> and <i>The Design of the Earthly Paradise</i>. She is also the editor/author of two books on Victorian working-class women's poetry and memoirs. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This collection of essays explores how the Shakespearean drama enacts ancient virtues and conceptualises new ones in complex fictional scenarios that test virtues for their continuing value. </b></p><p>Contributors approach the virtues as a source of imaginative, affective and intellectual nourishment and consider how Shakespeare's art increases our capacity for new pursuits of the good. Examining Shakespeare's virtuous theatre in tragic, comic and romance modes and from ethical, theatrical and political perspectives, this volume establishes virtue as a framework for a socially, environmentally and spiritually renewed literary criticism. Contributors balance historical depth and philosophical insight with the art of close reading as they contemplate the dynamic field of virtue  embodied, responsive, energetic and dynamic  as it ebbs and flows across time, among multiple wisdom traditions, and in the entangled lives and troubled circumstances of Shakespeare's characters.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kent Lehnhof</b> is professor of English at Chapman University. He is author of some two dozen articles on early modern literature and culture and is co-editor (along with Moshe Gold and Sandor Goodhart) of the essay collection <i>Of Levinas and Shakespeare: 'To See Another Thus'</i> (2018). His articles have appeared in such journals as <i>Shakespeare Quarterly</i>, <i>Renaissance Drama</i>, <i>English Literary Renaissance</i>, <i>ELH</i>, <i>SEL</i>, <i>Modern Philology</i>, and <i>Criticism</i>. He is currently working on a book-length study of vocality and ethics in Shakespeare's late plays.</p><p><b>Julia Reinhard Lupton </b>is Distinguished Professor of English at the University of California, Irvine. She is the author or co-author of five books, including <i>Shakespeare Dwelling: Designs for the Theater of Life</i> (2018), <i>Thinking with Shakespeare</i> (2015), and <i>Citizen-Saints</i> (2012). She has edited or co-edited many volumes and special issues, including <i>Shakespeare and Virtue: A Handbook</i> (with Donovan Sherman), and <i>Shakespeare's Virtuous Theatre: Power, Capacity, and the Good</i> (with Kent Lehnhof and Carolyn Sale), <i>Shakespeare and Hospitality</i> (with David Goldstein), and <i>Face to Face with Shakespeare</i> (with Matthew Smith). She is a former Guggenheim Fellow and a former Trustee of the Shakespeare Association of America.</p><p><b>Carolyn Sale</b> is associate professor of English at the University of Alberta. Her work has appeared in journals including <i>ELH</i>, <i>Renaissance Drama</i>, and <i>Shakespeare Quarterly</i>, as well as various essay collections including <i>The Oxford Handbook of Shakespearean Comedy</i> (2018), <i>The Oxford Handbook of English Law and Literature, 15001700</i> (2017), <i>Shakespeare and Judgment</i> (2016), <i>The History of British Women's Writing, Volume 1, 15001610</i> (2010), and <i>The Law in Shakespeare</i> (2007). She is completing the book manuscript 'The Literary Commons: The Common Law and the Writer in Early Modern England, 15281628'. Earlier work in the phenomenology of Shakespeare's theatre includes 'Eating Air, Feeling Smells: Hamlet's Theory of Performance', reprinted in <i>Bloom's Modern Critical Interpretations: Hamlet</i> (2009). </p>]]></Text>
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			<Text textformat="02"><![CDATA[Positions the sensation novel, and nineteenth-century popular fiction more generally, as vital to the history of feeling]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Narrative, Affect, and Victorian Sensation: Wilful Bodies </i></b><b>argues that Victorian sensation novels  long dismissed as plot-driven, silly, and feminine  develop complex theories of narrative affect, our embodied responses to reading, imagining, and even writing a narrative. </b></p><p>The popular sensation novel thus should be understood as a key contribution to the novel's assessment of its own workings, especially the ways in which reading and writing figure as affective acts. Additionally, the book radically expands the field of sensation fiction, taking seriously lesser-known female authors, and reading them alongside a range of writers not typically considered sensational. These novels insist that feelings are not bound to a single body and that bodies generate meaning when they are put in relation to other bodies and systems of knowledge.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Tara MacDonald</b> is Associate Professor and Chair of English at the University of Idaho, USA. She is the author of <i>The New Man, Masculinity, and Marriage in the Victorian Novel</i> (2015), co-editor, with Anne-Marie Beller, of <i>Rediscovering Victorian Women Sensation Writers</i> (2014). She has published numerous articles and book chapters on Victorian and neo-Victorian fiction. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This volume deploys recent feminist epistemological frameworks to analyse how concepts like knowledge, authority, rationality, objectivity and testimony were constructed in Greece and Rome. </b></p><p>The introduction serves as a field guide to feminist epistemological interpretations of classical sources, and the following sixteen chapters treat a variety of genres and time periods, from Greek poetry, tragedy, philosophy, oratory, historiography and material culture to Roman comedy, epic, oratory, letters, law and their reception. By using an intersectional approach to demonstrate how epistemic systems exclude and pathologise the experiences of ancient women and other oppressed groups, these contributions aid in the recovery of non-dominant narratives and reveal issues of sex, gender, race, ethnicity, sexual identity, religion, age, class, familial status and citizenship in the ancient and modern world. The volume contributes to a more inclusive and equitable study of classical antiquity and builds transhistorical connections capable of exposing similar injustices in our own time.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Megan Elena Bowen</b> received a PhD in Classics from the University of Virginia in 2018. She specialises in Roman literature and culture and has published on prayer and sexual violence in <i>Ovid's Metamorphoses</i> (Classical Journal, 2020). She is especially interested in issues related to gender and power in ancient texts and their reception.</p><p><b>Mary Hamil Gilbert</b> is an Assistant Professor of Classics at Mississippi State University. Her research focuses on Greek and Roman drama, classical reception in early modern France, and women and gender studies. She has published articles and chapters on Aeschylus, Euripides, Seneca, and early modern French tragedien Jean Racine's reception of Greek and Roman drama including 'Engaging Ancient Tragedy: Troy Falls Again in Jean Racine's Andromaque' (Classical Receptions Journal, 2018), 'Je sentis tout mon corps et transir et brler': Sublimating Ancient Sexuality in Jean Racine's Phedre et Hippolyte in <i>The Routledge Companion to the Reception of Ancient Greek and Roman Gender</i> (2022), and 'Policing Women's Anger in the Roman Tragedy Octavia' (forthcoming). She has also translated Anyte of Tegea's animal epigrams into English (Ancient Exchanges, 2020).</p><p><b>Edith Gwendolyn Nally</b> is an Assistant Professor of Philosophy and an Associate Faculty member in the Classics Program and the Race, Ethnic, and Gender Studies Department at the University of Missouri, Kansas City. She specialises in Ancient Greek Philosophy, Epistemology, and Feminist Philosophy and is the author of several articles and chapters on Plato's erotic philosophising, including 'A Case for Platonic Love' in <i>The Philosophy of Love and Sex</i> (Oxford University Press, Forthcoming), 'Philosophy's Workmate: Ers and the ertica in Plato's Symposium' (Aperion, De Gruyter Press, 2021), and 'The Telos Problem in Plato's Symposium' in <i>Wisdom, Love and Friendship in Ancient Philosophy</i> (De Gruyter Press, 2021). </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This wide-ranging, historically grounded exploration of motion picture remakes produced in East Asia brings together original contributions from experts in Chinese, Hong Kong, Japanese, South Korean, and Taiwanese cinemas and puts forth new ways of thinking about the remaking process as both a critically underappreciated form of artistic expression and an economically motivated industrial practice.</b></p><p>Exploring everything from ethnic Korean filmmaker Lee Sang-il's <i>Unforgiven</i> (2013), a Japanese remake of Clint Eastwood's Western of the same title, to Stephen Chow's <i>The Mermaid</i> (2016), a Chinese slapstick reimagining of Walt Disney's <i>The Little Mermaid</i> (1989) and Hans Christian Andersen's 1837 fairy tale, East Asian Film Remakes contributes to a better understanding of cinematic remaking across the region and offers vital alternatives to the Eurocentric and Hollywood-focused approaches that have thus far dominated the field.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Displacement and Erasure in Palestine: The Politics of Hope</i></b><b> explores the ways in which Palestinians negotiate physical and symbolic erasures by producing their own archives and historical narratives. </b></p><p>With a focus on the city of Jaffa and its displaced Palestinian population, Noa Shaindlinger argues that the Israeli state 'buried' histories of mass expulsions and spatial appropriations. Based on a wide-variety of sources, this book brings together archival, literary, ethnographic and oral research to engage with ideas of settler colonialism and the production of history, violence and memory, refugee-hood and diaspora.</p><p>This multi-sited study traces Jaffa's refugee experience beyond 1948 to the West Bank and the diaspora in Toronto and Cape Town, re-inscribing the erased experience of Palestinians into an account of Israeli state practices of dispossession. By integrating rigorous archival research, ethnographic fieldwork, literary and spatial analysis, the book reveals Palestinian's (and their Israeli-Jewish allies') creative responses that challenge displacement and argue for their right to belong to their homeland and their city.</p>]]></Text>
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			<SubjectHeadingText>Abdal Hakim Murad; Contemporary Islam; Contemporary religion; Counter-modernity; Hamza Yusuf; Islam in the West; Modernity; Neo-traditionalism; Umar Faruq Abd-Allah; Young Muslims</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This book examines the salience of neo-traditionalism in Anglo-American Muslim communities, by tracing the scholarship and impact of the key public pedagogues (shaykhs) associated with this phenomenon  Hamza Yusuf, Abdal Hakim Murad, and Umar Faruq Abd-Allah.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Examining Muslim neo-traditionalist scholars in the West and their community of young seekers of sacred knowledge, Walaa Quisay explores the emerging trend within Anglo-American Islam that emphasises the importance of 'tradition'. </b></p><p>This book focuses on spiritual retreats hosted by three main shaykhs  Hamza Yusuf, Abdal Hakim Murad and Umar Faruq Abd-Allah  to examine how religious authority is formed and affirmed.</p><p>Through interviews with seekers who have attended retreats, the author sheds light on how discourses are shaped and practised and analyses how neo-traditionalist shaykhs construct the notion of 'tradition' concerning what they perceive to have been lost in modernity. The book highlights the importance of neo-traditionalism in the changing conceptions of religious orthodoxy, religious authority and spirituality for young Muslims in the West, and Quisay examines the political implications to the shaykhs' critiques of modernity as it pertains to political quietism, race and gender.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Walaa Quisay</b> is Leverhulme Early Career Fellow at The School of Divinity, University of Edinburgh. Previously, she worked at the University of Manchester, the University of Birmingham, and Istanbul ehir University. She has published extensively on neo-traditionalism and is currently working on carceral theologies. This will be her first monograph.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Based on rich literary, historical and legal data, Ismail Nashef offers a fresh case study of literary settler colonial contexts, in which language, literature and socio-political regime are re-examined based on new data.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Following the establishment of Israel in 1948, literary Arabic became one of the main representatives of Palestinian national identity within Israel, and therefore a contested public site. Various state agencies and Palestinian groups were active in this public site, calling for certain ways of reading and writing in Arabic. </b></p><p>These ways influenced the processes of reshaping the Palestinian national identity that were ignited by the war of 1948. Addressing the Palestinian reading public in Israel, both state agencies and Palestinian groups used literary criticism, as well as other genres, to promote and inculcate their preferred ways of reading and writing.</p><p>Ismail Nashef argues that since 1948 there have been three distinct modes for addressing the Palestinian reading public through literary Arabic: the public intellectual mode, the academic mode and the professional expert mode. Based on rich literary, historical and legal data, the book offers a fresh case study of literary settler colonial contexts, in which language, literature and socio-political regime are re-examined based on new data. It demonstrates the impossibility of rebuilding Palestinian national identities within the Zionist regime, highlighting the literary embodiment of the ongoing settler colonial condition of Palestinians in Israel.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ismail Nashef</b> is Associate Professor of Anthropology at the Doha Institute for Graduate Studies, Doha, Qatar. He has held academic positions in different universities in the Arab World and beyond. In addition to his academic career, he is a literary and art critic as well as a curator. He has initiated and participated in different cultural and academic projects in academia and elsewhere. His research focus is on materiality, language and ideology. He explores these topics as they are expressed in literature and visual arts. His current research is on visual arts and literature in the colonial contexts, with special attention to the Arab Islamic societies, generally, and Palestinian society, particularly. His latest publications include: <i>Ruins: Expressing al Nakba</i> (Arab Institute for Research and Publishing, 2019); <i>Arabic: A story of a colonial mask</i> (Arab Center for Research and Policy Studies, 2018);<i> June's Childhood: Dar al Fata al Arabi and the genres of tragedy</i> (Tamer Institute for Community Education, 2016);<i> Images of the Palestinian Death</i> (Arab Centre for Research and Policy Studies , 2015)<i>; On Palestinian Abstraction: Zohdy Qadry and the Geometrical Melody of Late Modernism</i> (Raya, 2014).</p>]]></Text>
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			<SubjectHeadingText>David Jones; H.D.; Hilda Doolittle; T.S. Eliot; church; orthodoxy; subjectivity</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Explores the transformation of religious orthodoxy in the age of modernism]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Modernism and Religion</i></b><b> argues that modernism participated in broader processes of religious change in the twentieth century. </b></p><p>The new prominence accorded to immanence and immediacy in religious discourse is carried over into the modernist epiphany. Modernism became mystical. The emergence of Catholic theological modernism, human rights, Christian sociology, and philosophical personalism, which are explored here in relation to the work of David Jones, T. S. Eliot, and H.D., represented a strategic attempt on the part of diverse religious authorities to meet the challenge posed by new mysticism. Orthodoxy was itself made new in ways that resisted the secular demand that religion remain a private undertaking. <i>Modernism and Religion</i> presents the mechanical form and clashing registers of long poems by each of the aforementioned writers as an alternative to epiphanic modernism. Their wavering orthodoxy brings matters from which the secular had previously separated religion back once more into its purview.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jamie Callison</b> is Associate Professor of English Literature at University of Agder in Kristiansand, Norway, where he teaches courses on poetry and poetics, modernism and religion and literature. His articles on T. S. Eliot, David Jones and twentieth-century religious culture have appeared in <i>ELH</i>, <i>Literature and Theology</i> and <i>Modernist Cultures</i>. He has published (with Thomas Goldpaugh) a critical edition of a previously unpublished book-length poem by the modernist poet and painter David Jones entitled <i>The Grail Mass</i> (2018). <i>Modernism and Religion: Between Mysticism and Orthodoxy</i> is his first monograph. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>What did modernist writers make of the things of war? </b></p><p>Often studied for its fascination with the shell-shocked mind, modernist literature is also packed with more tangible traces of the First World War, from helmets, trench art and tombstones to shop signs, military newspapers and leaflets dropped from airplanes. <i>Modernism, Material Culture and the First World War</i> asks what experimental writers read into these objects and how the conflict prompted a way of thinking of their writings as objects in their own right. Ranging from 1914 to the early 1940s, the chapters in this book weave together prose and poems by Guillaume Apollinaire, E. M. Forster, Virginia Woolf, Hope Mirrlees and Mulk Raj Anand.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Cedric Van Dijck</b> is a postdoctoral fellow in English Literature at the University of Brussels (VUB). He is a co-editor of the <i>Edinburgh Companion to First World War Periodicals</i> (2023) and <i>The Intellectual Response to the First World War</i> (2017). His research on modernism and war has appeared in <i>PMLA</i>, <i>TSLL</i>, <i>Modernism/modernity</i>, <i>Times Literary Supplement</i> and <i>Modernist Cultures</i>. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Images of life, love, humour, and the surreal on London's Brick Lane form the basis of this sumptuous catalogue of photographs. </b></p><p>Today Brick Lane is a favourite tourist destination, famous for its street art and theatre, and colourful market stalls. For centuries it was a hub for immigrant communities entering Britain through the nearby docks on the River Thames. Sonya and David Newell-Smith, whose careers began in professional news photojournalism, have spent decades recording the changing streetscape and vibrant personalities of this East End district. </p><p>This publication serves as a tribute to their passion for street photography, for capturing a 'decisive moment', and for documenting everyday lives and diverse cultures, their interactions, and emotional connections. </p><p>Scholarly texts accompany over 170 photographs curated by Sonya in memory of David (1937-2017).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book explores the turbulent life and violent death of Thomas Becket, one of the most controversial figures of the Middle Ages. </b></p><p>From a London merchant&amp;#x27;s son to royal chancellor and archbishop of Canterbury, Becket&amp;#x27;s murder in Canterbury Cathedral elevated him to England&amp;#x27;s most celebrated saint. Michael Staunton looks at Becket&amp;#x27;s complex and contested legacy, drawing from his own words and those of his contemporaries. </p><p>Based on extensive contemporary medieval sources, this account offers a fresh perspective on Thomas Becket&amp;#x27;s life and places him within the broader landscape of twelfth-century England and Europe  a time of rapid change, conflict and achievement. The book is perfect for anyone wanting to learn more about a pivotal figure in medieval history.</p><p><b>&amp;#x27;In this beautifully uent new biography, Michael Staunton brings out the challenges and contradictions running through the controversial life and death of Thomas Becket...Blending smart storytelling with clever nuance, this is a genuine pleasure to read.'  Jonathan Phillips, author of</b><b><i> The Life and Legend of the Sultan Saladin</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michael Staunton </b>is Professor of Medieval History at University College Dublin and an internationally recognised expert on Thomas Becket. His books include <i>The Historians of Angevin England</i> (2017).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An in-depth study of the policing practices of an insecure state, foregrounding the experiences of officers on the frontline of Pakistan's armed conflicts.</b></p><p>The police force is one of the most distrusted institutions in Pakistan, notorious for its corruption and brutality. In both colonial and postcolonial contexts, directives to confront security threats have empowered law enforcement agents, while the lack of adequate reform has upheld institutional weaknesses.</p><p>This exploration of policing in Karachi, Pakistan's largest city and financial capital, reveals many colonial continuities. Both civilian and military regimes continue to ensure the suppression of the policed via this institution, itself established to militarily subjugate and exploit in the interests of the ruling class. However, contemporary policing practice is not a simple product of its colonial heritage: it has also evolved to confront new challenges and political realities.</p><p>Based on extensive fieldwork and around 200 interviews, this ethnographic study reveals a distinctly 'postcolonial condition of policing'. Mutually reinforcing phenomena of militarisation and informality have been exacerbated by an insecure state that routinely conflates combating crime, maintaining public order and ensuring national security. This is evident not only in spectacular displays of violence and malpractice, but also in police officers' routine work. Caught in the middle of the country's armed conflicts, their encounters with both state and society are a story of insecurity and uncertainty.</p><p><b>'Innovative, rigorous sociology-based research that delves into the social, political, and historical contexts that inform one of the key law enforcement organizations in Pakistan, the Sindh police.' </b> <b><i>Pacific Affairs</i></b></p><p><b>'Waseem's pioneering ethnography reveals crucial insights into the lived realities of everyday police work.' </b> <b><i>Theoretical Criminology</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Zoha Waseem</b> is an assistant professor in the Department of Sociology at the University of Warwick. Previously, she was a postdoctoral fellow at the Institute for Global City Policing, University College London; a teaching fellow at SOAS University of London; and a doctoral researcher at King's College London.</p>]]></Text>
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			<Text textformat="02"><![CDATA[An in-depth study of this Central Asian nation's evolution since 1991, exploring how ethnicity, war and internal unrest are shaping and reshaping Kazakh identity]]></Text>
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			<Text textformat="02"><![CDATA[<p>In early 2022, protests rocked Kazakhstan. Initially peaceful demonstrations soon turned violent after brutal government crackdowns, leaving at least 238 dead during 'Bloody January'. But despite fears that Kazakhstan might split along ethno-linguistic lines, ethnicity played little role in the unrest: deep socio-economic problems and anti-regime grievances pushed protestors onto the streets.</p><p>More than thirty years since declaring independence, multi-ethnic Kazakhstan is still grappling with its nationhood. While secessionist movements provoked ethnic conflicts, territorial disputes and civil wars across the former USSR, Kazakhstan developed a relatively stable inter-ethnic policy, and predicted RussoKazakh tensions largely failed to materialise. Analysing the multiple narratives, actors and often contradictory feelings of national belonging in post-1991 Kazakhstan, Diana T. Kudaibergen investigates why Kazakhstani nation-building is so unusual. Has Kazakh society found a solution to divisive ethno-nationalism? How have ordinary citizens shaped their identities? And how will Moscow's 2022 invasion of Ukraine, which has led to widespread Russian immigration into Kazakhstan, impact inter-ethnic dynamics?</p><p>Kudaibergen builds on unpublished archival materials and hundreds of interviews to explore the 'hybrid' nature of nation-building in this complex country. While regime elites promote a top-down civic identity, domestic unrest and pluralistic opposition movements are once again transforming the category 'Kazakhstani'.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Diana T. Kudaibergen</b> is Lecturer in Central Asian Politics and Society at the School of Slavonic and East European Studies, University College London. She is the author of <i>Rewriting the Nation in Modern Kazakh Literature; Toward Nationalizing Regimes: Conceptualizing Power and Identity in the Post-Soviet Realm</i> and many articles on nation- building, identity and protest in the former USSR.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The book discusses the demarcation of secular and sacred territory in early modern English drama. It focuses primarily on four plays, Thorney Abbey, A Knack to Know a Knave, A Shoemaker a Gentleman and The Lovesick King, but puts these in dialogue with Hamlet, Macbeth, King Lear and Doctor Faustus.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Puts canonical texts by Shakespeare and Marlowe into dialogue with plays which are much less well known but which have things to tell us both about the climate of opinion in post-Reformation England and also about the way the early modern stage represented particular locations.</b></p><p>The book discusses the demarcation of secular and sacred territory in early modern English drama. It focuses primarily on four plays, <i>Thorney Abbey, A Knack to Know a Knave, A Shoemaker a Gentleman</i> and <i>The Lovesick King,</i> but puts these in dialogue with Hamlet, Macbeth, King Lear and Doctor Faustus.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Women poets of the late Victorian period created much fascinating verse from the standpoint of the independent and advanced New Woman, a profoundly important figure with her iconoclastic perceptions of public and private matters. </b></p><p><i>The New Woman </i>sought to improve women's lives on a variety of fronts, bringing this individual both approbation and disdain. This anthology features a broad range of crucial subjects addressed by these poets, including marriage, motherhood, female desire, and social problems.<br/> Although the iconoclastic New Women have garnered much interest in recent decades, relatively little attention has been devoted to the valuable poetry these authors produced. Many of the New Woman poets are barely known today, if at all, but their writings offer an exceptional lens onto contemporary conditions that provide inestimable value for Victorian studies. Although much of the work has languished in obscurity, this expansive anthology brings the fascinating poetry to the fore.<br/>This volume provides an invaluable aid by uncovering poetry that has been long neglected or infrequently explored. Several of the poets developed extensive oeuvres investigating matters of special interest at the fin de siecle. It is not an easy task in the twenty-first century to identify, obtain, and review the nineteenth-century books containing these poems. This anthology provides a ready resource to access the poetry, which has had limited exposure in other modern collections.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Patricia Murphy</b> is Professor Emerita in English at Missouri Southern State University. She has written extensively on Victorian literature.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Founded in 2005, </b><b><i>Whitehot Magazine</i></b><b> has become one of the leading channels for contemporary art criticism. </b></p><p>Since its inception, <i>Whitehot </i>has published thousands of reviews covering art from the United States, East Asia, the Middle East, Africa, and South America, with key pieces authored by critical luminaries, including Anthony Haden-Guest, Donald Kuspit, and Phoebe Hoban. The magazine is also uniquely independent in its editorial voice. Unlike other large art world publications, <i>Whitehot </i>is owned and managed by its founding editor rather than by a media holding company.</p><p>On the occasion of its upcoming 20th anniversary, founder Noah Becker and contributor Michael Maizels have compiled a critical anthology of the magazine's writings. The selected articles not only encapsulate the storied history of <i>Whitehot </i>but also provide a significant window into the evolution of art practice and art criticism since the turn of the Millennium.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book unveils the challenges of living beyond Covid-19 navigating trauma, solidarity, and transformative futures.</b></p><p>Covid-19 has created trauma, death and destruction as well as challenged us for transformation of our existing society, economy and polity. The book engages with the challenges of transformations as a consequence of this. It brings reflections from several disciplines and thought practitioners from around the world. It explores challenges of transformations in economics, politics, self, science and society for living meaningfully in a post-pandemic world. It also explores pathways of creative planetary futures that we need to cultivate with and beyond Covid-19.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ananta Kumar Giri </b>is a Professor at the Madras Institute of Development Studies, Chennai, India.</p><p><b>Saji Varghese</b> is an Associate Professor in the Department of Philosophy, North-Eastern Hill University, Shillong, India.</p>]]></Text>
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			<SubjectHeadingText>Insurgence; Physical Activity; Disruption; Territory; Surveillance Of Cities; Surveillance; Playgrounds; Public Performance; Public Art; Creative Cities; Urban Play; Street Life; Urban Life; Urban Studies; Public Space</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Insurgent Play: Social worlds of urban disruption explores play as a transgressive expression that disrupts the modern city.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Insurgent Play: Social worlds of urban</i></b> <b>disruption explores play as a transgressive expression that counters the existing urban order (neoliberal, authoritarian, militarised).</b></p><p><i>Insurgent play</i> is disruptive, yet through disruption it brings social worlds into being, undergirds global subcultures and overcomes hostile urban environments characterised by ever-diminishing spaces for free expression. Acts of insurgent play are claims on space lasting from brief moments to years, animating patches of the city designed for commercial, industrial and logistical imperatives. Even in public spaces designed for leisure and play, insurgent play brings different expressions at different speeds, transgressing designated uses and bodily expectations. Through insurgent play people find belonging in the city, especially for those excluded from other spaces based on race, class, sexuality and citizenship. As such, stories of insurgent play are stories of alternative ways of inhabiting cities stemming from the widespread human desire and need for play, for joy and for sociality.</p><p><i>Insurgent Play</i> draws upon examples from street skateboarding. Street skateboarding disrupts the city in the pursuit of play, enlivens patches of space through temporary claims, and initiates encounters with authorisers, property owners and citizens gravid with hostility with instants of wonder. Insurgence is a way of being, and the desire for insurgent play cannot be placated by better urban planning or formal expertise. Nor will multiplying designated play spaces, creative precincts and 'flexible' public spaces stop people seeking out space to create their own worlds of disruption.<br/>The book makes four arguments. First, insurgent play is bodily expression that can challenge, disrupt and transgresses dominant ways of city-making. Second, insurgent play takes us to parts of the urban landscape that we might not otherwise go, politics we might not otherwise recognise and encounters we might otherwise overlook. Third, claims on the city made through insurgent play enliven urban space through transformative power. In this way, these claims territorialise patches of the built environment intended for other uses. Last, insurgent play space is generated from below, never above. Insurgent play shapes, and is shaped by, identities that position adherents in opposition to prevailing urban orders.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Duncan McDuie-Ra</b> researches urban migration, urban conflict, urban culture, urban technology and urban play. He is the author of eight other books and 70+ articles and essays.</p>]]></Text>
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			<SubjectHeadingText>Intercountry adoption; Adoption-related playscript; Testimony theater; Postwar Greece; Cold War Greece; Root searches; Identity quests; Social work and child placement; Oral testimonies; Archival research; Life-writing; Collective writing</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>This book presents a new theatre play, </b><b><i>For Three Refrigerators and a Washing Machine</i></b><b>, along with a thorough introduction that provides historical context and theoretical framing. </b></p><p>The play with the enigmatic title tells the poignant and forgotten stories of international child adoptions from Greece in the 1950s and the 1960s. It offers an in-depth exploration of the first postwar mass international adoption movement, unveiling the emotional and even existential challenges faced by those involved. Based on an authentic playscript, the book creates awareness about what has not been said, should be said, but still cannot be said about the losses involved in the permanent uprooting of children and teenagers. It tackles the primal questions of 'Where do I come from?' and 'What happened to the child I relinquished for adoption abroad?' And why did nobody foresee that adopted children become adopted adults who ask critical questions about origins, procedures, and aftercare?</p><p>Thus, the book boldly reflects on the complexities and profound losses associated with displacing children and perpetuating taboos. Also, it reveals multiple connections to similar adoption movements worldwide, which include countries (and histories) of origin such as Ireland, South Korea, Vietnam, and several states in Central and South America. This thought-provoking book poses critical questions about identity and belonging that far exceed the Greek setting and continue to be relevant today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gonda Van Steen</b> holds the Koraes Chair of Modern Greek and Byzantine History, Language and Literature in the Department of Classics at King's College London. She is currently resides in Texas, US.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Cavell's Ontology of Film</i> presents ten essays by some of the most prominent international scholars of Stanley Cavell's work with a double purpose: to look back, half a century after its original publication, at Cavell's now seminal film-philosophical book <i>The World Viewed </i>(1971, enlarged 1979), and to draw on its concepts to assess the world in the current age of digital media and climate change.</p><p>The volume opens with a series of essays that revisit Cavell's discussion of film  crucially including classical Hollywood movies  in the context of modernism. Several authors consider whether this preoccupation with modernism in Cavell's early work ultimately (and anachronistically) gave way to an embrace of romanticism or whether Cavell conceives these frameworks as offering different responses to the persistent problem of skepticism. Others consider how popular filmmakers or film genres outside Hollywood might contribute to, or alter, Cavell's thoughts on the movies. Moreover, taking to heart that some of Cavell's main lines of thought are premised on the idea of film as an analog medium that projects and screens the world inside a theater, several contributions to this volume nevertheless project The World Viewed's concepts onto the future of our televisual and digital culture. The volume finally loops back to Cavell's discussion of modernism in <i>The World Viewed </i>so as to find the seeds of a Cavellian politics for the age of climate disaster.</p><p>Thus, beyond celebrating the past through a collection of reviews and reflections on The World Viewed  a book of 'ontological reflection' that themselves conceive the world on screen as 'a world past'  the present volume is best understood as a series of Cavellian meditations on media and mediated relations to the world, sustained, in the wake of Cavell's own passing (2018), by an ongoing current of thought on the idea of temporality itself.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jeroen Gerrits </b>is Associate Professor of Comparative Literature at Binghamton University (SUNY) and author of <i>Cinematic Skepticism: Across Digital and Global Turns</i> (2019).</p>]]></Text>
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			<Text textformat="02"><![CDATA[Relying on autobiographical documents, this book analyses what Australians read in the 19th century, as well as what they wrote, in terms of personal and everyday, non-literary writings.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>What did Australians read? This book answers this question in terms of books rather than newspapers and considers the long nineteenth century, interpreted as running from 1788 to 1901.</b></p><p>In the wake of this primary question, several others arise: how did Australians acquire the books they read, and how did readers in the outback overcome the handicaps of distance and remoteness? Did they read for pleasure, instruction, self-edification, or spiritual sustenance? More importantly, how did Australian readers respond to the books they read? The evidence is drawn from autobiographical sources, in which individual readers related their personal reading experiences and responses.<br/> At the same time, the book pursues a second and related question: What did Australians write? Reference is made here not to the kind of writing we know as 'literature', but to the non-literary writing which cultural historians call 'ordinary writings'. These are the writings of everyday life, represented in this book by diaries, journals, hand-written newspapers and correspondence. The focus is wide enough to include the everyday cultural practices of people of low social status and little education. The writing practices of the partially literate, including writing delegated to a third party, have their place here.</p><p>In this double investigation, the book draws on evidence from a cohort of 101 nineteenth-century readers and writers. They are a heterogeneous group of autobiographers, coming from Melbourne and Sydney to rural Queensland and Western Australia. They come from the city and the bush, from coastal towns and the interior, from sheep stations, gold diggings and city offices. They show us the perennial importance of Shakespeare and the Bible, the popularity of the English canon, the prestige of poetry and the importance of religious reading. Books held the Empire together but, as they travelled, their meanings changed according to the local cultural environment. This book registers such nuances in the Australian context. The writing of this group is represented by some prolific diarists and correspondents. In the late-nineteenth century, the eastern colonies became world leaders in sending letters. The postal environment which made this possible is also examined.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Martyn Lyons</b> is Emeritus Professor in History at the University of New South Wales in Sydney and a specialist in the history of reading and writing practices.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Explores the role of gender in the visioning of the ideal city in the 19th and 20th centuries, informed by contemporary feminist concern with the way the legacy of patriarchal designs hamper women's urban experiences.</b></p><p>Interrogating canonical texts and plans written during the nineteenth and early twentieth century on both sides of the North Atlantic, this book explores the role of gender in the visioning of the ideal city.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dorina Pojani</b> is an Associate Professor of urban planning at The University of Queensland.</p><p><b>Catherine Keys</b> is a Senior Lecturer in architecture and a practicing artist.</p><p><b>Rory Little</b> is an urban planning student at The University of Queensland, Australia.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book deals with the morality, self-conception and honour of states, something that goes well beyond the narrow, rationalist defence of national interests, which dominates most IR studies. The volume pursues this line of thinking by focussing on three different but interconnected thematics: moralism, honour and war.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book deals with the morality, self-conception and honour of states, something that goes well beyond the narrow, rationalist defence of national interests, which dominates most IR studies. </b></p><p>The volume pursues this line of thinking by focussing on three different but interconnected thematics: political moralism, the honour of states and the peace/war-problematic. The moral self-conception of states  which comes most clearly to the fore in situations of war  rests on the ideal conception of 'all of us', which includes all citizens, all classes and all generations, set against their opposite numbers outside of 'our' immediate sphere of domination. This state-based image of itself and its existential teleology constitutes its very essence, notwithstanding that it is often seen as a deviation ('exception') from the normal state of affairs, where the state is 'just ' there to serve and support the economy and its principal actors. All three chapters thus revolve around issues that relate to the interaction of war and democracy and the underlying morality that both legitimates and underpins the actions of politicians as well as citizens.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ulf Hedetoft</b> is Professor, dr. phil., at the University of Copenhagen. His research interests include the theory and history of state, sovereignty and nationalism, with a special focus on Europe.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Discover the skills required in the 21st-century workplace and learn how to train and hire for these skills so you can succeed as technology, nature, and society evolves. This groundbreaking book reveals the trends that will dramatically change colleges and workplaces across the world in the coming decade.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Artificial intelligence is already causing a major shift in the nature of work. Countries, colleges, or employers are not prepared to continuously train billions of knowledge workers to compete in this new economic reality. But that's not all. More change is coming due to the polycrisis of pressing challenges such as sustainability, social inequality, and geopolitical instability. Figuring out what career paths, skills, and talents we need to nurture has never been more urgent, especially for those who aspire to leadership.</b></p><p>In <i>The Platinum Workforce</i>, futurist and technologist Trond Arne Undheim reveals how to be a changemaker in the ongoing re-industrial transition. Industrial principles such as lean manufacturing, technological advancement, and production at scale meet significant sustainability challenges, increased risks, and intricate inequality concerns from the Global South as well as from workers in advanced societies who also feel left behind. Undheim has spent the last decade examining the technologies, risks, and trends shaping the future of work. Helping startups, shaping governance policies, teaching students, and building educational programs, he has found that there are two core skills and ten complementary skills that will define both individual and collective success in the future of work. The core skills are deft humanAI collaboration and an innate interoperability mindset, but teams together mastering the ten complementary skills  eco-awareness, maker skills, mediation skills, megascale operations, mobility, risk aptitude, R&amp;D hacks, psycho-resilience, sociotechnical finesse, and systems thinking  is what will define future leadership.</p><p>Leading the 21st-century workplace will require unprecedented levels of humanAI collaboration. But evolving new forms of augmented intelligence will not be easy. We all have to train for it, constantly adapting to new interfaces and watching out for risks that could derail progress or create new problems. But the challenge does not stop there. Tackling the cascading effects of evolving hazards requires astute risk management.</p><p>Transdisciplinary skills such as an entrepreneurial approach, megascale execution ability, and socio-technical skills will need to be constantly honed. Leaders and workers alike need to develop an interoperability mindset. Success requires adapting to, and helping others adapt to, the fundamental shifts in the materials, methods, tools, and technologies fueling the intricate cultural machine we call society. No matter our degrees, experiences, resources, or current skill sets, to compete in this new world, we need a reset.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book combines Karl Marx's critique of capitalism with G. D. H. Cole's democratic pluralism. The result is a regenerated social anarchism, 'associational anarchism'.  Its democratisation of production and consumption form the organisational contours of a new conception of liberty, 'freedom as Marxian-autonomy'.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Associational anarchism</i></b><b> presents a ground-breaking alternative to both liberal democracy and state socialism, derived from the ideas of Karl Marx and G. D. H. Cole.</b></p><p>Uniting the public sphere of citizenship with the private sphere of production in a system of communal ownership, the book proposes a scheme of horizontal networks held together through libertarian politics. With no role for a centralised state, the functions of coordination and administration are fulfilled through pluralist self-governance. Political intermediation proceeds via a web of functional associations, which operate within a system of revitalised communities, while management is carried out through modes of self-regulation that embody the key anarchist values of equality, solidarity and mutual-aid.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Chris Wyatt is a Senior Lecturer in Politics at the University of Brighton</p>]]></Text>
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			<SubjectHeadingText>Adrian Piper; Andre Cadere; Anna Bella Geiger; Art &amp; Language; Brian O'Doherty; Dennis Oppenheim; Gbor Attalai; Helio Oiticica; Lee Wen; Nancy Holt; Patrick Ireland; Psychophysiology Research Institute; Rasheed Araeen; cartography; conceptual art; contemporary art (1945-); fluxus; geopolitics; image-based modeling and rendering; land art; mapping; performance; philosophy; social space; spatial theory</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Conquering the maharajas demonstrates that the political and military clashes between the Indian and Pakistani governments and the princely states, a legacy of the layered sovereignty of British indirect rule in India, was a product of the competing ideas of state sovereignty leading up to and following the transfer of power in 1947.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Counterpractice</i></b><b> highlights a generation of women who used art to define a culture of experimental thought and practice during the period of the French women's movement or Mouvement de Liberation des Femmes (197081). </b></p><p>It considers women's art in relation to some of the most exciting thinkers to have emerged from the French literature and philosophy of the 1970s  Helene Cixous, Luce Irigaray and Julia Kristeva  forcing a timely reconsideration of the full spectrum of revolutionary practices by women in the years following the events of May '68. </p><p>Lavishly illustrated with over 200 images, the book also features an illuminating foreword by art historian Griselda Pollock.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rakhee Balaram</b> is Assistant Professor of Global Art and Art History at State University of New York-Albany.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Coup in Damascus explores Syria's 1949 military coup by focusing on cost-driven political action. Rihan affirms that flawed monetary policies, disrupted trade, and recurrent economic interventionism led to the rise of authoritarianism, thereby offering a fresh interdisciplinary perspective on Middle Eastern history.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Coup in Damascus</i></b><b> examines the military takeover of Syria in 1949, an event which precipitated the rise of authoritarianism across the region.</b></p><p>Connecting economics, politics and history, it challenges traditional interpretations grounded in international relations by shifting the focus away from geopolitics and postcolonial studies, affirming instead the primacy of cost-calculating, utility driven political action. By bringing neoclassical and Austrian economics into contact with Middle East history, Coup in Damascus demonstrates how unsound monetary practices, the disruption of trade routes and excessive interventionism upset social and institutional equilibriums thereby leading to authoritarianism.</p><p><i>Coup in Damascus</i> also highlights how lingering tensions, or spillover costs, normally resolved through economic and political exchange, congested political systems thereby triggering violence and recurrence.</p>]]></Text>
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			<SubjectHeadingText>ASBO; Black Britain; Black crime; Black culture; Boris Johnson; British High Commission; David Cameron; Downtown Jamaica; East Kingston; Harbour View Jamaica; Immigration Act 2014; Immigration Act 2016; Jamaica; Kingston; Montego Bay; NGOs; Open Arms Drop in Centre; Rwanda scheme; Theresa May; Treasure Beach; UK Border Force; UK Borders Act 2007; UK aid budget; Windrush scandal; anti-social behaviour order; asylum seeker; austerity; borders; charter flights; citizenship; critical border studies; deportability; deportation; ethnography; foreign policy; fortress Britain; gun violence in Jamaica; hostile environment; immigration appeals; immigration detention; indefinite leave to remain; knife crime; migration; mobility; multi-status Britain; naturalisation; racism; racist world order; white supremacy; xenophobia</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[In the last two decades, the UK has deported thousands of people to Jamaica. Deporting Black Britons traces the life stories of four men who have been exiled through deportation, exploring how they survive once they are returned to Jamaica, and what their memories of poverty, racist policing and illegality reveal about contemporary Britain.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In the last two decades, the UK has deported thousands of people to Jamaica.</b></p><p>Many of these 'deportees' left the Caribbean as infants and grew up in the UK. Deporting Black Britons traces the life stories of four such men who have been exiled from their parents, partners, children and friends by deportation. It explores how 'Black Britons' survive once they are returned to Jamaica, and questions what their memories of poverty, racist policing and illegality reveal about contemporary Britain.</p><p>Based on years of research with deported people and their families, <i>Deporting Black Britons</i> presents stories of survival and hardship in both the UK and Jamaica. These intimate portraits testify to the damage wrought by violent borders, opening up wider questions about racism, belonging and deservingness in anti-immigrant times.</p><p></p><p><b>'In these extraordinary portraits of exile Luke de Noronha illustrates through human experience how racism operates in Britain and beyond. This is what we mean when we say Black Lives Matter.'  Gary Younge, author of</b> <b><i>Dispatches from the Diaspora</i></b></p><p><b>'Stories that stick in your throat and in your heart. Academic writing should be like this, less ego more poetry, because deep down we all understand that there is so much more at stake. I hope one day we look back at this beautiful terrible book and wonder how such cruelties were ever tolerated.'  Gargi Bhattacharyya, author of</b> <b><i>Rethinking racial capitalism</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Faced with the scale of global challenges such as poverty and inequality, one question is where to start. </b></p><p>Humanitarian efforts can only ever have limited reach. Among all of human suffering, whom should we support? And what shapes our choices? Such questions are at the core of this book. Through an ethnographic account of moralities, it traces how everyday humanitarian practitioners challenge entrenched values of what matters, upending the notion that the large-scale is inherently important, and even questioning what 'large' means in the first place. Instead, these practitioners typically aim to create a difference in the life of a particular person, situating their limited actions within pervasive poverty.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book offers the first extended examination of extremist Heathenry and occultism in the UK and explores how anti-racist Heathens act to counter this discourse, making an important contribution to the intersecting fields of new religious movements, nationalist history and racist politics.]]></Text>
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			<SubjectHeadingText>The Wicker Man; Arthur Machen; folk horror; Requiem for a Village; unholy trinity; Ben Wheatley; anti-landscape; Witchfinder General; The Company of Wolves; Genre Studies; the wyrd; Ken Russell; folklore; Doomwatch; The Blood on Satan's Claw; cult cinema; British cinema; paganism; horror</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This is the first scholarly collection to focus on the special importance of British cinema to folk horror. The chapters consider the artistic styles, historical contexts, cultural tensions and cinematic fears that distinguish folk horror from other forms of horror and from traditional ways of viewing the folk.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>What is folk horror and how culturally significant is it? This collection is the first study to address these questions while considering the special importance of British cinema to the genre's development.</b></p><p>The book presents political and aesthetic analyses of folk horror's uncanny landscapes and frightful folk. It places canonical films like <i>Witchfinder General </i>(1968), <i>The Blood on Satan&amp;#x27;s Claw</i> (1971) and <i>The Wicker Man</i> (1973) in a new light and expands the canon to include films like the sci-fi horror <i>Doomwatch </i>(197072) and the horror documentary <i>Requiem for a Village</i> (1975) alongside filmmakers Ken Russell and Ben Wheatley.</p><p>A series of engrossing chapters by established scholars and new writers argue for the uniqueness of folk horror from perspectives that include the fragmented national history of pagan heresies and Celtic cultures, of peasant lifestyles, folkloric rediscoveries and postcolonial decline.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Louis Bayman</b> is an Associate Professor of Film Studies at the University of Southampton.<br/><b>K. J. Donnelly</b> is Professor of Film and Film Music at the University of Southampton.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Global London on screen presents a melange of films by directors from the Global South and North, portraying everyday life to the more fantastical, odious or extraordinary circumstances that are captured cinematically in this superdiverse city.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Global London</i></b><b> on screen presents a melange of films by directors from the Global South and North, portraying everyday life to the more fantastical, odious, or extraordinary in terms of circumstances as captured cinematically in this superdiverse city.</b></p><p>This book portrays a segment of such superdiversity by historicising and theorising various cinematic reproductions of London by filmmakers coming to this megacity from abroad. As visitors, cosmopolitans, or even migrant filmmakers, their treatment of London's zonal locations as both foreign and familiar is fascinating; their narratives and visualisations of London's spatial and architectural uniqueness is given a sojourners' touch; while other foreign filmmakers showcase and sometimes problematise London's socio-cultural globality and locality as both British and a city open (and sometimes closed off) to the world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Keith B. Wagner</b> is a Visiting Lecturer at Sungshin Women's University.<br/><b>Roland-Francois Lack</b> was a Senior Lecturer in French Studies at University College London.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Imperial Inequalities</i></b><b> takes Western European empires and their legacies as the explicit starting point for discussion of issues of taxation and welfare. </b></p><p>In doing so, it addresses the institutional and fiscal processes involved in modes of extraction, taxation, and the hierarchies of welfare distribution across Europe's global empires. The idea of 'imperial inequalities' provides a conceptual frame for thinking about the long-standing colonial histories that are responsible, at least in part, for the shape of present inequalities.<br/><br/>This wide-ranging volume challenges existing historiographical accounts that present states and empires as separate categories. Instead, it views them as co-constitutive units by focusing upon the politics of economic governance across imperial spaces. </p><p>Authors examine the fiscal innovations that enabled European empires to finance their expansion, the politics of redistribution that were important to constructing the veneer of legitimacy of taxation, and the fiscal mechanisms that were established to ensure that the imperial contours of inequality continued to define the postcolonial world. These diverse contributions provide new resources for how we think about issues of taxation and welfare across the longue duree.</p><p>This book is relevant to <i>United Nations Sustainable Development Goal 10, Reduced inequalities.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[This collection seeks to locate the sex in the well-known trilogy of 'sex &amp; drugs &amp; rock 'n' roll'. By looking at how sex and sexuality were expressed, presented and received, the collection shows youth culture to be crucial to the changes and challenges that informed British society into the late twentieth century.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Let's spend the night together</i></b> <b>explores how sex and sexuality provided essential elements of British youth culture in the 1950s through to the 1980s. It shows how the underlying sexual charge of rock 'n' roll - and pop music more generally - was integral to the broader challenge embodied in the youth cultures that developed after World War Two.</b></p><p>As teenage hormones rushed to move to the music and take advantage of the spaces opening up through consumption, education and employment, so the boundaries of British morality and cultural propriety were tested and often transgressed. Be it the assertive masculinity of the teds or the lustful longings of the teeny-bopper, the gender-bending of glam or the subterranean allure of an underground club/disco, the free love of the 1960s or the punk provocations in the 1970s, sex was forever to the fore and, more often than not, underpinned the moral panics that fitfully followed any cultural shift in youthful style and behaviour.</p><p>Drawing from scholarship across a range of disciplines, the Subcultures Network explore how sex and sexuality were experienced, presented, conferred, responded to and understood within the context of youth culture, popular music and social change in the period between World War Two and the advent of AIDS. </p><p>The essays locate sex, music and youth culture in the context of post-war Britain: with a widening and ever-more prevalent media; amidst the loosening bonds of censorship; in a society shaped by changing patterns of consumption and the emergence of the 'teenager'; existing, as Jeff Nuttall famously argued, under the shadow of the (nuclear) bomb.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Neil Barnett</b> is Senior Lecturer in Public Policy at Leeds Beckett University.<br/><b>J. A. Chandler</b> is Emeritus Professor for Local Governance at Sheffield Business School, Sheffield Hallam University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ester Lo Biundo</b> is a transnational modern historian, specialising in media history, popular culture and public engagement. She has extensively published on the BBC Italian Service and worked at cultural institutions both in the United Kingdom and Italy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Love and Revolution brings classical and contemporary anarchist thought into a mutually beneficial dialogue with a global cross-section of ecological, anti-capitalist, feminist and anti-racist activists  discussing real-life examples of the loving-caring relations that underpin many contemporary struggles.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Based on award-winning research,</b> <b><i>Love and revolution</i></b><b> brings classical and contemporary anarchist thought into a mutually beneficial dialogue with a global cross-section of ecological, anti-capitalist, feminist and anti-racist activists  discussing real-life examples of the loving-caring relations that underpin many contemporary struggles.</b> </p><p>Such a (r)evolutionary love is discovered to be a common embodied experience among the activists contributing to this collective vision, manifested as a radical solidarity, as political direct action, as long-term processes of struggle, and as a deeply relational more-than-human ethics. This book provides an essential resource for all those interested in building a free society grounded in solidarity and care, and offers a timely contribution to contemporary movement discourse.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mary Beth Long takes advantage of the fifteenth century's intense interest in the Virgin Mary, the best-documented mother of the medieval period, to examine the constructions and performances of maternity in vernacular religious texts.</b></p><p>By bringing together texts and authors that are not often discussed in tandem, this study offers a rich examination of the multiple factors at play as Marian material circulated among experienced devotional readers. Long employs a matricentric feminist approach to discern how readers' devotional literacies inform their understanding of the Virgin's maternal practice. Long attends to internal cues in the texts, to manuscript contexts, and to the evidence and content of readers' multiple literacies. She discerns the goals as well as the practice of literate Marian devotion. The result is a book that explains late-medieval perceptions of Mary's maternity and sets them against real maternal practice.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mary Beth Long</b> is Assistant Professor of English at the University of Arkansas.</p>]]></Text>
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			<Text textformat="02"><![CDATA[John Kinsella is one of the pre-eminent poets writing today; Polysituatedness provides a sequel to his critical work Disclosed Poetics.  If offers an approach to creating poems and literary texts constituted by multiple places, considering the relationships that occur between place, individual and the natural environment.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book is concerned with the complexities of defining 'place', of observing and 'seeing' place, and how we might write a poetics of place.</b></p><p> From Kathy Acker to indigenous Australian poet Jack Davis, the book touches on other writers and theorists, but in essence is a hands-on 'praxis' book of poetic practice. The work extends John Kinsella's theory of 'international regionalism' and posits new ways of reading the relationship between place and individual, between individual and the natural environment, and how place occupies the person as much as the person occupies place. It provides alternative readings of writers through place and space, especially Australian writers, but also non-Australian. Further, close consideration is given to being of 'famine-migrant' Irish heritage and the complexities of 'returning'. A close-up examination of 'belonging' and exclusion is made on a day-to-day basis. The book offers an approach to creating poems and literary texts constituted by experiencing multiple places, developing a model of polyvalent belonging known as 'polysituatedness'. It works as a companion volume to Kinsella's earlier Manchester University Press critical work, <i>Disclosed Poetics: Beyond Landscape to Lyricism.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John Kinsella</b> is Professor of Literature and Sustainability at Curtin University and a Fellow of Churchill College, Cambridge University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[What do people imagine it means to live in a world where private property is dominant and what are their fears about living in a future world where it has disappeared?  This book studies the recurring nightmare that various lumpen mobs could demolish private property. That threatened social chaos is the central unifying story of this book.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A history of whiteness, masculinity, and the intellectual history of private property from the seventeenth century onwards in the anglophone Atlantic world.</b> </p><p><i>Private property and the fear of social chaos</i> studies what people imagine it means to live in a world where private property is dominant and their fears (and sometimes hopes) about living in a future world where private property has disappeared.</p><p>This is a close reading of some of the dominant theorists of private property in the Anglophone world  Locke, Burke, Marx and Engels, Harry Truman, Thatcher  as well as more obscure figures like the pro-slavery ideologue George Fitzhugh. Taken as a whole, all of these disparate figures show how modern conceptions of private property always have racial and gendered logics and a fear of the mob operating within them.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jennifer Gray </b>is a Lecturer in the School of Design at Edinburgh College of Art.</p><p><b>Anne Nellis Richter </b>is an Independent Scholar and Adjunct Faculty at Smith College.</p><p><b>Helen McCormack </b>is Reader in Art and Design History in the department of Design History &amp; Theory at Glasgow School of Art.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Resistance and its discontents in South Asian women's fiction examines the literary representation of a fascinating range of resistances enacted in response to various forms of oppression, and addresses the expectations, contradictions, anxieties and even inaction that resistance can generate, particularly for women.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Resistance and its discontents in South Asian women's fiction </i></b><b>examines the literary representation of a fascinating range of resistances enacted in response to various forms of oppression, and addresses the expectations, contradictions, anxieties and even inaction that resistance can generate, particularly for women.</b></p><p>This book is an examination of how English-language fiction by women writers from India, Pakistan, Bangladesh and Sri Lanka has grappled with the idea and practice of resistance. A valuable, original and timely contribution to the field of South Asian literary and cultural studies, this book extends and complicates existing debates about the meanings of resistance. It brings to the fore not only the emancipatory potential of resistance, but also the contradictions that it can encompass as well as the anxieties that it can generate, particularly for women. Focusing on novels and short fiction, the book explores fiction by Arundhati Roy, Kamila Shamsie, Tahmima Anam, Jhumpa Lahiri, Manju Kapur and Ru Freeman, amongst others.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Maryam Mirza</b> is Associate Professor of South Asian Literature in the Department of English Studies at Durham University, UK.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Most scholars believe that China's nationality policy, like that of other socialist states, imitated the Soviet nationality model, a system which has been termed an 'affirmative action empire'. </b></p><p>This book offers two contributions to the literature which run counter to this convention. First, it argues that the People's Republic of China (PRC) and the Soviet Union (USSR) were different; while the PRC was aimed to build an ideal-typical nation-state, the USSR was an open union of nation-states that was only temporarily confined to a physical territory. Second, while scholars who have noted this difference attribute it to contextual factors, such as ethnic structure, geopolitical status, and Russia's intervention into the Chinese Revolution, this book contends that context shaped the Sino-Soviet difference, yet it did not determine it. Rather, there was significant leeway between the implications of the contextual factors, and what the policy-designers ultimately established. This book probes who held agency, and how these individuals bridged this gap.</p>]]></Text>
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			<SubjectHeadingText>Bishops' sagas; Contemporary sagas; History of emotions; Icelandic sagas; Medieval Iceland; Old Norse literature; emotion words; emotionality; emotions; sagas</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Focusing particularly on historically oriented sagas, </b><b><i>Saga emotions</i></b><b> identifies and examines a range of emotions from across Old Norse-Icelandic saga literature. Each chapter begins with a discrete emotion term, such as reii (anger), glei (joy), or the peculiarly Old Norse vghugr (killing-mood), exploring its usages within the broad saga corpus, and focusing on its contextual meanings and narrative purposes. </b></p><p>The contributions explore the specifics of the lexical terms used for different emotion states and offer in-depth case studies that consider how various emotions manifest within particular examples of saga literature. The book offers the emotional granularity lacking in current studies of Norse emotion and serves as an essential foundation for future research and study into emotional depiction in Old Norse-Icelandic saga literature.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gareth Lloyd Evans</b> is Associate Professor of Old Norse at the University of Oxford and Official Fellow and Tutor in English at St John's College, Oxford.</p><p><b>Brynja orgeirsdttir </b>is Assistant Professor of Icelandic Literature at the University of Iceland.</p><p><b>Carolyne Larrington</b> is Emeritus Professor of Medieval European Literature at the University of Oxford and Emeritus Research Fellow of St John's College, Oxford.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book maps the ruptures and mutations that are currently reshaping the political economy of the global South and the wider world-system. Analysing political and economic dynamics across Brazil, India, China, and South Africa, it proposes a novel reading of durable crisis, hegemonic projects, and possibilities for popular resistance.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>How do governing elites in the global South attempt to remake hegemony in a conjuncture of durable crisis? This is the question at the core of Southern interregnum, a comparative conjunctural analysis of hegemonic projects in Brazil, India, China, and South Africa.</b></p><p>Working with a Gramscian notion of crisis, centred on the interregnum as an enduring period of instability and uncertainty, in which hegemonic authority erodes and competing projects for crisis resolution emerge, the book proposes a novel critical reading of the convulsions that are currently reshaping the political economy of the global South and the world-system.<br/>Mapping the variegated trajectories of elite projects to reconcile accumulation and legitimation  and probing the limits of these projects  the book breaks new ground in the study of the contemporary global South.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alf Gunvald Nilsen </b>is director of the Centre for Asian Studies in Africa and a professor of sociology at the University of Pretoria.</p><p><b>Karl von Holdt </b>is a professor and research associate at the Society, Work and Politics Institute at the University of the Witwatersrand.</p><p><b>Ching Kwan Lee</b> is professor of sociology at the University of California Los Angeles and an Extraordinary Professor at the Centre for Asian Studies in Africa at the University of Pretoria.</p><p><b>Fabio Luis Barbosa dos Santos </b>is professor of Latin American Studies at the Federal University and Prolam-USP in So Paulo.</p><p><b>Ruy Braga</b> is associate professor of sociology at the Univeristy of Sao Paulo.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The aesthetic exception critically re-evaluates the relation between art and politics by challenging longstanding assumptions surrounding political 'effect' in art and the problem of art's autonomous status. Drawing on examples from visual art and theatre, it offers a new approach based on a conjunctural understanding of how art becomes political.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The aesthetic exception theorises anew the relation between art and politics. It challenges critical trends that discount the role of aesthetic autonomy, to impulsively reassert art as an effective form of social engagement. But it equally challenges those on the flipside of the efficacy debate, who insist that art's politics is limited to a recondite space of 'autonomous resistance'.</b></p><p>The book shows how each side of the efficacy debate overlooks art's exceptional status and its social mediations. Mobilising philosophy and cultural theory, and employing examples from visual art, performance, and theatre, it proposes four alternative tests to 'effect' to offer a nuanced account of art's political character. Those tests examine how art relates to politics as a practice that articulates its historical conjuncture, and how it prefigures the 'new' through simulations capable of activating the political life of the spectator.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Tony Fisher </b>is Reader in Theatre and Philosophy at the Royal Central School of Speech and Drama, University of London.</p>]]></Text>
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			<Text textformat="02"><![CDATA[These chapters provide deeply researched narratives of the links between partition in India and Palestine in 1947. It focuses on the shared dynamics that shaped both regions, such as violence, the role of religion in politics, majoritarian politics, and the persistence of imperial modes of power.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>These chapters provide deeply researched narratives of the links between partition in India and Palestine in 1947. It focuses on the shared dynamics that shaped both regions, such as violence, the role of religion in politics, majoritarian politics, and the persistence of imperial modes of power.</b></p><p>This book is the first study of political and legal thinking about the partitions of India and Palestine in 1947. The chapters in the volume, authored by leading scholars of partition, draw attention to the pathways of peoples, geographic spaces, colonial policies, laws, and institutions that connect them from the vantage point of those most engaged by the process: political actors, party activists, jurists, diplomats, philosophers, and international representatives from the Middle East, South Asia, and beyond. Additionally, the volume investigates some of the underlying causes of partition in both places such as the hardening of religious fault-lines, majoritarian politics, and the failure to construct viable forms of government in deeply divided societies.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Victor Kattanis</b> a Senior Research Fellow at the School of Law at the University of Nottingham.</p><p><b>Amit Ranjan</b> is a Research Fellow at the Institute of South Asian Studies, National University of Singapore.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>The Nineteenth-Century Present </i></b><b>explores the multiple ways in which history was understood, structured, and reassessed in literary, theological, and political contexts across the nineteenth century. </b></p><p>While the scope of the book is wide, ranging from the representations of geological time and ancient history to the writing of the recent past, and covering the work of writers from Walter Scott to G. K. Chesterton, each chapter reveals how present concerns intrude on and shape every view of history. Ultimately, the collection emphasises that issues raised regarding historicity in recent methodological debates were already concerns in the nineteenth century.</p>]]></Text>
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			<SubjectHeadingText>1925 Paris Exhibition; Black Deco; Herrenzimmer; Nazi propaganda; Pierre Legrain; Terence Conran; design history; domestic interior; hearing; interior design; middle-class home; queer photography; sensory politics; sensory studies; sensual economies; sight; smell; synaesthesia; taste; touch</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Interior design is all about the senses. This volume explores how sight, touch, smell, hearing and taste have been mobilised within various forms of interiors from the late sixteenth century to today. It provides new insight on the significance of the senses in all aspects of interior design and decoration.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>The senses in interior design</i></b> <b>examines how sight, touch, smell, hearing and taste have been mobilised within various forms of interiors.</b></p><p>The chapters explore how the body navigates and negotiates the realities of designed interiors and challenge the traditional focus on star designers or ideal interiors that have left sensorial agency at the margins of design history. From the sensually gendered role of the fireplace in late sixteenth century Italy to the synaesthetic decors of Comte Robert de Montesquiou and the sensorial stimuli of Aesop stores, each chapter brings a new perspective on the central role that the senses have played in the conception, experiences and uses of interiors.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John Potvin</b> is a Professor of Art History at Concordia University.</p><p><b>Marie-ve Marchand </b>is an Affiliate Assistant Professor of Art History at Concordia University.</p><p><b>Benoit Beaulieu</b> is a PhD Candidate in Art History at Concordia University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>The subject of Britain</i></b><b> analyses key seventeenth-century texts by Bacon, Jonson and Shakespeare within the context of the English reign of King James VI and I, whose desire to create a united Britain prompted serious reflection on questions of nationhood. </b></p><p>This book traces writing on Britain and Britishness in succession literature, panegyric, Union tracts and treatises, play-texts and atlases. Focusing on texts printed in London and Edinburgh, as well as manuscript material that circulated within and across Britain and Ireland, this book sheds valuable light on texts in relation to the wider geopolitical context that informed their production. Combining literary criticism with political analysis and book history, <i>The subject of Britain</i> offers a fresh approach to a significant moment in British history, and will appeal to postgraduates and undergraduates of early modern British literary history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Transnational solidarity </i></b><b>excavates the forgotten histories of solidarity that were vital to radical political imaginaries during the 'long' 1960s. It decentres the conventional Western focus of this critical historical moment by foregrounding transnational solidarity with, and across, anticolonial and anti-imperialist liberation struggles.</b></p><p>The book traces the ways in which solidarity was conceived, imagined and enacted in the border crossings  of nation, race and class  made by grassroots activists.</p><p>This diverse collection draws links between exiled revolutionaries in Uruguay, post-colonial immigrants in Britain, and Greek communist refugees in East Germany who campaigned for their respective causes from afar while identifying and linking up with wider liberation struggles. Meanwhile, Arab immigrants in France, Pakistani volunteers and Iraqi artists found myriad ways to express solidarity with the Palestinian cause. Neglected archives also reveal Tricontinental Cuban-based genealogies of artistic militancy, as well as transnational activist networks against Portuguese colonial rule in Africa.</p><p>Bringing together original research with contributions from veteran activists and artists, this interdisciplinary volume explores how transnational solidarity was expressed in and carried through the itineraries of migrants and revolutionaries, film and print cultures, art and sport, political campaigns and armed struggle. It presents a novel perspective on radical politics of the global sixties which remains crucial to understanding anti-racist solidarity today.</p>]]></Text>
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			<SubjectHeadingText>Andre Derain; Andre Utter; Berthe Weill; Cubism; Edouard Manet; Fernand Leger; First World War; Georges Braque; Guillaume Apollinaire; Henri Bergson; Henri Matisse; Henri de Toulouse-Lautrec; Jacqueline Marval; Man Ray; Marie Vassilieff; Maurice Utrillo; Montmartre; Montparnasse; Natalia Goncharova; Ossip Zadkine; Pablo Picasso; Painting; Paris; Paul Cezanne; Pierre-Auguste Renoir; Salon des Independants; Suzanne Valadon; female sexuality; gender roles; intersectional feminism; modernism; self-portraits; the avant-garde; the nude; women artists; milie Charmy</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Madeline Sutherland-Meier </b>is Associate Professor Emeritus at the University of Texas at Austin. Her area of expertise is Spanish Literature, especially the periodical press and the <i>Romancero </i>(Spanish Ballad). </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mary Elizabeth Braddon's </b><b><i>The Factory Girl</i></b><b> (1863) was a cheap serial intended for working-class readers. </b></p><p>The sprawling plot centres on Laura Leslie and her daughter, Dora, who are the targets of a diverse cast of villains. After Laura's tragic death, Dora and her adoptive mother start a new life working in a cotton mill, but Dora's beauty attracts unwelcome attention, putting them in danger. Dora is the classic factory girl, a nineteenth-century revision of the Gothic heroine. </p><p>Republished in the US in both newspapers and as a book, and translated into French, the novel has been out of print since the 1860s. This edition reproduces the original <i>Halfpenny Journal</i> text and illustrations, and adds a scholarly introduction placing the novel in numerous cultural contexts, including the rise of sensation fiction; nineteenth-century popular theatre; the transformation of the genre of the Gothic; and the backdrop of the Industrial Revolution.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>David Busch's Nikon Z6 III Guide to Digital Photography</i></b><b> is your all-in-one comprehensive resource and reference for the Nikon Z6 III, the company's next-generation enthusiast mirrorless camera</b>.</p><p>Equipped with the world's first partially-stacked CMOS sensor, this 24.5MP camera shares many of the advanced photography features of Nikon's top tier Z9 and Z8 flagship cameras, including a pre-capture feature that records action that happened <i>before</i> you clicked the shutter  at up to 120 frames per second. An enhanced vibration reduction feature offers up to 8 stops of stabilization linked to the active autofocus point for superb low-light and long lens photography.</p><p>Add cutting-edge video features that include 6K/60p internal RAW recording, 10X slow-motion capture, and in-line audio. and you'll see why photographers and videographers are so excited about the Nikon Z6 III. With this book in hand, you'll master all these impressive features, and fine tune your camera skills as you develop your creativity while taking great photographs with your new Z6 III.</p><p>Filled with detailed how-to steps and full-colour illustrations, <i>David Busch's Nikon Z6 III Guide to Digital Photography</i> covers the cameras' photography capabilities in depth, from taking your first photos through advanced details of setup, exposure, lens selection, lighting, and more, and relates each feature to specific photographic techniques and situations. A handy visual guide to the Z6 III offers close-up photos and descriptions of the cameras' essential features and controls. Learn when to use each option and, more importantly, when <i>not</i> With best-selling photographer and mentor David Busch as your guide, you'll quickly have full creative mastery of your camera's capabilities, whether you're shooting on the job, as an advanced enthusiast, or are just out for fun. Start building your knowledge and confidence, while bringing your vision to light with the Nikon Z6 III today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>With more than two million books in print, <b>David D. Busch</b> is the world's #1 best-selling camera guide author, with more than 100 guidebooks for Nikon, Canon, Sony, Olympus, Pentax, and Panasonic cameras, and many popular books devoted to digital photography and imaging techniques. His best-sellers include <i>Digital SLR Cameras and Photography for Dummies</i>, which has sold more than 300,000 copies in five editions, and <i>Mastering Digital SLR Photography</i>, now in its Fourth Edition.</p><p>The graduate of Kent State University is a former newspaper reporter/photographer, and operated his own commercial photo studio, shooting sports, weddings, portraits, fashion, architecture, product photography, and travel images. For 22 years he was a principal in CCS/PR, Inc., one of the largest public relations/marketing firms based in San Diego, working on press conferences, press kits, media tours, and sponsored photo trade magazine articles for Eastman Kodak Company and other imaging companies. His 2500 articles and accompanying photos have appeared inside and on the covers of hundreds of magazines, including <i>Popular Photography, Rangefinder</i>, and <i>Professional Photographer</i>.</p><p>For the last decade, Busch has devoted much of his time to sharing his photographic expertise, both in publications, and in seminar/workshops he hosts at the Cleveland Photographic Society School of Photography. He has been a call-in guest for 21 different radio shows nationally and in major markets, including WTOP-AM (Washington), KYW-AM (Philadelphia), USA Network (Daybreak USA), WPHM-AM (Detroit), KMJE-FM (Sacramento), CJAD-AM (Montreal), WBIX-AM (Boston), ABC Radio Network (Jonathan &amp; Mary Show). He's also been a call-in guest for one Canadian television show, and appeared live on <i>Breakfast Television</i> in Toronto, the Today Show of the Great White North.</p><p>With a total of more than 200 books to his credit, Busch has had as many as five books appear simultaneously in the Amazon.com Top 25 Digital Photography Books, and when Michael Carr of About.com named the top five digital photography books for beginners, the initial #1 and #2 choices were Busch's <i>Digital Photography All-in-One Desk Reference for Dummies</i> and <i>Mastering Digital Photography</i>. His work has been translated into Arabic, Spanish, Chinese, Japanese, Portuguese, Bulgarian, German, Italian, French, and other languages. Busch lives in Ravenna, Ohio, and you can find him online at www.dslrguides.com.</p>]]></Text>
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			<SubjectHeadingText>Manchuria; China; On China; Yokohama Specie Bank; Manchukuo; Kwantung Army; Yangtze; China Hands; Qing dynasty; China proper; First Sino-Japanese War; Chinese nationalism; Chiang Kai-shek; Informal empire; Second Sino-Japanese War; Treaty of Shimonoseki; Anglo-Japanese Alliance; Kuomintang; Chinese unification; Russo-Japanese War; Economy of China; Shanghai French Concession; China watcher; Mainland China; Chinese Buddhism; British Concession (Shanghai); The Hongkong and Shanghai Banking Corporation; Anti-Christian Movement (China); China Venture; Government of China; Made in China; Science Society of China; South Manchuria Railway; Chinese calligraphy; Marco Polo Bridge Incident; China Post; Religion in China; Communist Party of China; Treaty of Nanking; Empire of Japan; Kwantung Leased Territory; Twenty-One Demands; Zaibatsu; Imperialism; Chinese culture; Bank of Japan; Sinology; Peking Union Medical College; Peking University; Provinces of China; Education in Japan; Mitsui Bank; Meiji Restoration; Agriculture (Chinese mythology); Japanese studies; Yuan Shikai; Northeast China; Agriculture in China; Toyo Keizai; Japanese language; Tariff; Nanking Incident; Yenching University; Traditional Chinese characters; Governor-General of Taiwan; World War I; Iwakura Mission; Boxer Rebellion; Japan Self-Defense Forces; Bank of Taiwan</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Volume two of the acclaimed three-volume series on modern Japanese colonialism and imperialism]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Volume two of the acclaimed three-volume series on modern Japanese colonialism and imperialism</b></p><p>This book brings together essays by leading experts on the history of Japan to examine the period from 1895 to 1937 when Japan's economic, social, political, and military influence in China expanded so rapidly that it supplanted the influence of competing Western powers. They discuss how Japan's informal empire emerged in China after Japan entered the Treaty Port system in 1895 and how it shaped Japan's own internal development. How did Japan's informal empire expand in size and importance so that Japanese economic and security interests became heavily dependent on China? What influence did Japanese business groups, China experts, and military have on their government's China policy? How did the Japanese in China deal with the threatening rise of Chinese nationalism? Exploring these and other questions, these essays show how the pursuit of an informal empire in China played a profound role in the emergence of modern Japan. The contributors are Banno Junji, Barbara J. Brooks, Alvin D. Coox, Peter Duus, Albert Feuerwerker, Kitaoka Shin'ichi, Sophia Lee, Mizoguchi Toshiyuki, Ramon H. Myers, Nakagane Katsuji, Mark R. Peattie, Douglas R. Reynolds, and William D. Wray.</p><p>This is the second volume of a series on modern Japanese colonialism and imperialism. Volume one is <i>The Japanese Colonial Empire, 18951945</i>. Volume three is <i>The Japanese Wartime Empire, 19311945</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Peter Duus</b> (19332022) was the William H. Bonsall Professor of History Emeritus at Stanford University and a senior fellow at the Hoover Institution. <b>Ramon H. Myers</b> (19292015) was a senior fellow at the Hoover Institution.<b> Mark R. Peattie</b> (19302014) was professor emeritus of history at the University of Massachusetts, Boston, and a research fellow at the Hoover Institution.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An expanded and updated new edition of a concise introduction to climate system dynamics</b></p><p><i>Climate Dynamics</i> provides an essential foundation in the physical understanding of Earth's climate system. Assuming no previous introduction to the climate system, the book is designed for all science, math, and engineering students at the advanced undergraduate and beginning graduate levels. This second edition includes updated and expanded information on hydrology, the cryosphere, observed contemporary climate change, and climate prediction. In addition, the illustrations are expanded and now in full colour.</p><p>The first section of the book provides a description of the climate system based on current observations of the mean climate state and its variability. The second section develops a quantitative understanding of the processes that determine the climate state  radiation, heat balances, and the basics of fluid dynamics applied to the atmosphere, oceans, and cryosphere. The third and final section focuses on observed contemporary climate change and prediction.</p><ul><li>Presents a physically based, quantitative understanding of the climate system and climate change</li><li>Emphasises fundamental observations and understanding</li><li>Features end-of-chapter exercises and full-colour illustrations</li><li>An online illustration package and solutions manual for professors is available</li></ul>]]></Text>
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