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			<Text textformat="02"><![CDATA[In this groundbreaking philosophical and literary exploration of the Hawkesbury Frontier Wars, First Nations historian Barry Corr reinvents the way Australian history is written.]]></Text>
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			<Text textformat="02"><![CDATA[<p>In this groundbreaking history of colonisation and frontier conflict in the Hawkesbury region, First Nations historian Barry Corr navigates the gaps and silences in the primary records to reveal settler amnesia, the cataclysmic nature of colonisation, and the way history is remembered, or not remembered.<i> Surveying the Wild Abyss</i> is driven by primary source analysis of colonial records and deeply informed by Corr's perspectives and community connections as an Aboriginal person who has lived most of his life in the Western Sydney Aboriginal community, the book asks non-Indigenous and Indigenous Australians to reflect on their history, and reinvents the way Australian history is written.</p><p><b>'From personal story to history to critical philosophy, Barry Corr takes the Hawkesbury Frontier War to "cosmic" dimensions. Take this beautiful book with you and sit and contemplate everything that flows with the Dhurabang river ...'</b> <b></b> <b>Stephen Muecke</b></p>]]></Text>
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			<BiographicalNote textformat="05"><![CDATA[<p><b>Yumna Kassab</b> is a writer based in Parramatta. She studied medical science and neuroscience at university. Her first book of short stories, <i>The House of Youssef</i>, was listed for the Victorian Premier's Literary Award, Queensland Literary Award, NSW Premier's Literary Award and The Stella Prize. Her novels are <i>Australiana</i> (2022), <i>The Lovers</i> (2022), shortlisted for the Miles Franklin Award, the Prime Minister's Literary Award and the Victorian Premier's Award, <i>Politica</i> (2024), <i>The Theory of Everything</i> (2025) and<i> Goodbye, My Love </i>(2026). In 2023, she became the inaugural Parramatta Laureate in Literature.</p>]]></BiographicalNote>
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			<Text textformat="02"><![CDATA[<p><i>In thinking about the dictionary, I ask what is the dictionary here. It is me and my memories. The dictionary is Parramatta itself as the place that is the backdrop to my memories.</i></p><p>As the inaugural laureate, Yumna Kassab set herself the task of collecting her observations and thoughts on living in Parramatta, now one of the country's most important economic, political and cultural centres. Employing the dictionary form, the work is at once, as she says, 'memoir and reflection and vision and gathering and story and documentary'. The entries, from A to Z, cover a wide range of topics, from the uses of language and Kassab's favourite authors and books, to the fortunes (and misfortunes) of the Western Sydney Wanderers; from reflections on beauty, silence, colonisation and friendship to an appreciation of clouds and sunlight, parks and squares, and the city's cafes, the places where she writes. The entries also offer points of departure, through memory and association, to other places  to Lebanon, Uruguay and especially to Palestine, whose fate casts a deep shadow over her daily experiences. It is a personal dictionary in other words, driven by feeling and admiration and a sense of responsibility, one which, in an unassuming manner, presents an intimate portrait of its compiler. As Kassab writes, 'It was my idea that a dictionary could tell the story of a person (me) in connection with a place (Parramatta) with enough flexibility to take in detours, digressions, musings, and general quirkiness.'</p><p><b>Praise for Yumna Kassab:</b></p><p><b>'Continuously surprising and probing...both personal and expansive; introspective and ambitious.'  Kylie Mirmohamadi</b></p><p><b>'Stylish and searching writing, with an exquisite command of language holding fast through unstable experimentation with form.' </b> <b><i>Sydney Morning Herald</i></b></p><p><b>'Kassab has written reworks.' </b> <b><i>Guardian</i></b></p><p><b>'Kassab's prose is unsparing and frank yet unstinting.' </b> <b><i>Sydney Review of Books</i></b></p>]]></Text>
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			<SubjectHeadingText>daily meditations japan; hideyoshi leadership tips; historical leadership lessons; japanese aesthetics inspiration; japanese culture insights; japanese history quotes; japanese warrior guidance; japanese warrior sayings; mindfulness and resilience; musashi life lessons; samurai mental strength; samurai philosophy; self-discipline and focus; shodo calligraphy art; shogun tv series companion; takeda shingen strategy; tokugawa ieyasu advice; traditional samurai ethics; warring states teachings; zen meditation inspiration</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>In the Age of the Shoguns, great leaders were philosophers whose strength was measured not just by the sword but by patience, wisdom and moral clarity!</b></p><p>In the wake of the Emmy Award-winning <i>Shogun</i> series, interest in Japan's ancient Samurai culture has never been higher. This book offers a bridge between their world and ours with a collection of sayings drawn from the turbulent final years of Japan's Warring States period and the dawn of the Shogunate.</p><p>Through the words of legendary warriors such as Tokugawa Ieyasu, Miyamoto Musashi and Oda Nobunaga, this volume contains the distilled wisdom of leaders whose greatness was forged in battle. It offers timeless lessons in how to act with integrity and compassion, and how to find stillness and calm amidst chaos.</p><p>It can be read as a series of daily meditations for quiet inspiration  with voices from Japan's past illuminating a path forward in your own life toward greater awareness, discipline and inner peace:</p><ul><li>Burdens shape a person: a life without weight brings nothing <i>(Tokugawa Ieyasu)</i></li><li>Think lightly of yourself and deeply of the world <i>(Miyamoto Musashi)</i></li><li>Every person has their strengths and weaknesses <i>(Maeda Toshiie)</i></li><li>Do what you don't want to do first <i>(Takeda Shingen)</i></li><li>There is no such thing as absolute <i>(Oda Nobunaga)</i></li><li>Treat what is heavy as if it were light <i>(Hosokawa Fujikata)</i></li></ul><p>The quotations in this collection are presented by artist Naoko Mikami, and each one is accompanied by her elegant works of calligraphy which bring the words in each saying to life on the page.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>This witty yet thoughtful book examines stupidity and idiocy, and their most dangerous incarnation: stupid idiocy  the unthinking embrace of flawed thinking. </p><p>While philosophers chase wisdom, this book takes a humbler route, asking instead how we might think just a little less badly. Drawing sharp distinctions between not thinking and thinking poorly, and doubling down on bad thought, it reveals how deeply these failings are tied to our mental habits. With clarity and humour, it considers how stupidity shapes everyday life and public discourse. Within its pages is a chapter on politics and a pointed critique of Donald Trump, 'stupid idiot supreme'. This is an accessible philosophical guide for anyone who wants to better understand  and perhaps reduce - their own foolishness.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Does happiness come from the pursuit of pleasure or moral virtue? A vivid new translation of Cicero's exploration of a timeless question</b></p><p>'Of course, we all want to be happy.' So wrote the Roman statesman, orator, and philosopher Marcus Tullius Cicero. He and his fellow Greek and Roman philosophers agreed that the secret to happiness  or what they called the 'good life'  is pursuing the "greatest good." The only problem is that they couldn't agree on what the greatest good is. Cicero addressed this dilemma by composing a set of dialogues, <i>On the Greatest Good and Evil</i> (<i>De finibus bonorum et malorum</i>), in which he pitted advocates of different philosophical approaches to happiness against one another. Notably, these include the Epicureans (who believe that the greatest good is pleasure) and the Stoics (according to whom it is moral virtue). Rather than choosing sides, Cicero considers the pros and cons of the different philosophies, ultimately leaving it to his readers to make up their own minds. </p><p>In <i>How to Find Happiness</i>, Katharina Volk offers a vivid new translation of selections from Cicero's work, complete with an introduction and the original Latin text on facing pages. The result is a lively and engaging debate that invites each of us to discover our own path to happiness.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Marcus Tullius Cicero</b> (10643 BCE) was a Roman statesman, orator, and writer who was active during the turbulent times of the fall of the Roman Republic. Famous for his rhetorical skills and his superb Latin style, he left behind a large body of writings in many genres, including highly influential philosophical works. </p><p><b>Katharina Volk</b> is professor of classics at Columbia University and the author of <i>The Roman Republic of Letters</i> (Princeton), among other books.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Sports and philosophy went hand in hand for the ancient Greeks and Romans, and philosophical conversation was a recognised part of gym life throughout Greco-Roman antiquity. Athens's Lyceum was a gym  and reportedly a hangout of that philosophical gym rat Socrates  before it became the site of Aristotle's school. Fittingly, that gym is the setting of the Greek satirist Lucian's <i>Anacharsis</i>, a witty philosophical dialogue that wrestles with questions about the purpose and value of sports  questions that we are still grappling with in our own sports  and fitness  obsessed times. <i>How to Compete</i> presents a new translation of Lucian's timeless classic, inviting us into a ringside debate about the point of sports</p><p>Pitting a sports skeptic, Anacharsis, against a superfan, Solon, this delightful and thought-provoking work tries to make sense of sports. Why do so many of us care so much about them? Are sports like boxing too violent? Should we take fitness so seriously? Do athletics have educational value? And, most important of all, why did the ancient Greeks exercise naked? While Anacharsis, observing a Greek sport that sounds something like mixed martial arts, asks what kind of citizens set aside serious affairs to watch young men beat each other to a pulp, Solon counters that sports have great civic benefits and that athletes are ultimately competing for the highest prize  human excellence.</p><p>Featuring an inviting introduction, a handy glossary, helpful notes, and the original Greek on facing pages, <i>How to Compete</i> is a winning exploration of why sports are more than just a game.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A lively new translation of Plutarch's charming and timeless essay on how to be a good listener  and why listening is essential to learning and living well]]></Text>
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			<Text textformat="02"><![CDATA[<p>Listening is a skill  even an art  and it's essential to learning and to life. Indeed, as Plutarch writes in <i>How to Listen</i>, 'listening well is the foundation for living well'. In this volume, Jeffrey Beneker presents a vivid and accessible new translation of Plutarch's classic essay about how to become a skilled listener, complete with an inviting introduction and the original Greek on facing pages.</p><p>Plutarch is most famous as the author of <i>Parallel Lives</i>, a series of biographies of Greek and Roman statesmen. But he was also an expert on teaching and learning and <i>How to Listen</i> is arguably one of his best pedagogical works. A proponent of active listening well before its time, Plutarch explains the skills we need  and the obstacles and distractions we must overcome  to become effective listeners. Good listening requires, above all, an acknowledgement of our own ignorance in certain subjects and a commitment to gaining knowledge. We must set aside pride and envy so we can respect the expertise of others. We must also train ourselves to see through style and focus on substance, to discriminate between weak and strong arguments, and to criticise ideas fairly and accurately.</p><p>Filled with shrewd insights and advice, <i>How to Listen</i> shows how to cultivate a skill that everyone who wants to learn and live well must master.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Plutarch</b> (c. AD 40120), a native of Greece and a citizen of Rome, was a philosopher, writer, lecturer, and an expert on teaching and learning. He wrote many essays on ethics, history, science, and culture, in addition to <i>Parallel Lives</i>, his famous biographies of Greek and Roman statesmen.</p><p><b>Jeffrey Beneker</b> is professor of classics at the University of WisconsinMadison. He is the editor and translator of Plutarch's <i>How to Be a Leader</i> (Princeton) and the author of <i>The Passionate Statesman: Eros and Politics in Plutarch's Lives</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Distraction isn't a new problem. We're also not the first to complain about how hard it is to concentrate. Early Christian monks beat us to it. They had given up everything to focus on God, yet they still struggled to keep the demons of distraction at bay. But rather than surrender to the meandering of their minds, they developed powerful strategies to improve their attention and engagement. <i>How to Focus</i> is an inviting collection of their strikingly relatable insights and advice - frank, funny, sympathetic, and psychologically sophisticated.</p><p>This wisdom is drawn from John Cassian's fifth-century CE <i>Collationes,</i> one of the most influential manuals for monks from late antiquity. The <i>Collationes</i> follow Cassian and his friend Germanus as they travel around Egypt, asking a series of sage monks how they can make their minds stronger. In response, these monks offer a range of techniques for increasing focus, including setting goals, training the body, managing the memory, using mantras, taking breaks, consulting others-and, most of all, being honest about yourself. As Cassian and Germanus eventually realise, we can't escape distraction - but we can learn how to confront it and, eventually, to concentrate.</p><p>Featuring an engaging new translation by Jamie Kreiner and the original Latin on facing pages, <i>How to Focus</i> can help even the least monkish of us to train our attention on what matters most.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jamie Kreiner</b> is professor of history at the University of Georgia and the author of <i>The Wandering Mind: What Medieval Monks Tell Us About Distraction</i>.</p>]]></Text>
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			<SubjectHeadingText>Plautus; De Oratore; Seriousness; Wit; Newspeak; Terence; Trojan War; Idiot; Eloquence; Laughter; Stupidity; Macrobius; Quintilian; Verres; Obscenity; Cincius; Lentulus; Tiberius Gracchus; Satire; Phormio (play); Calvus; Quintus Ligarius; Princeton University Press; Gaius Gracchus; Proverb; Marcus Junius Brutus the Younger; Mark Antony; Deadpan; Scipio Aemilianus; Lockdown (Transformers); Translation (rhetoric device); Glaucia; Acidinus; Oileus; Lyrics; Chrysippus (mythology); Allegory; Plutarch; Lucius Manlius (Acidinus); Irony; Suggestion; Shtick; Marcus Caelius; Jester; Domitius Marsus; Catiline; Nickname; Sketch comedy; Author; Ennius; Cicero; Murena (comic book); Hyperbole; Ambiguity; Domitius Afer; Chutzpah; Phormio; Congiarium; Joke; Ridicule; Pun; Joel Stein; Scaevola; Cato the Younger; Demosthenes; Philosopher; Humour; Public speaking; Poetry; Anecdote</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Can jokes win a hostile room, a hopeless argument, or even an election? You bet they can, according to Cicero, and he knew what he was talking about. One of Rome&amp;#x27;s greatest politicians, speakers, and lawyers, Cicero was also reputedly one of antiquity&amp;#x27;s funniest people. After he was elected commander-in-chief and head of state, his enemies even started calling him &amp;quot;the stand-up Consul.&amp;quot; How to Tell a Joke provides a lively new translation of Cicero&amp;#x27;s essential writing on humour alongside that of the later Roman orator and educator Quintilian. The result is a timeless practical guide to how a well-timed joke can win over any audience.</p><p>As powerful as jokes can be, they are also hugely risky. The line between a witty joke and an offensive one isn&amp;#x27;t always clear. Cross it and you&amp;#x27;ll look like a clown, or worse. Here, Cicero and Quintilian explore every aspect of telling jokes-while avoiding costly mistakes. Presenting the sections on humour in Cicero&amp;#x27;s On the Ideal Orator and Quintilian&amp;#x27;s On the Orator&amp;#x27;s Education, complete with an enlightening introduction and the original Latin on facing pages, How to Tell a Joke examines the risks and rewards of humour and analyses basic types that readers can use to write their own jokes.</p><p>Filled with insight, wit, and examples, including more than a few lawyer jokes, <i>How to Tell a Joke</i> will appeal to anyone interested in humour or the art of public speaking.</p><p><b>&amp;#x27;Though I had some quibbles with the Latin translation, largely because I don&amp;#x27;t read Latin, I agreed with the two-millennium-old rules on humor. Or maybe it&amp;#x27;s &amp;#x27;two millennia.&amp;#x27; I should probably learn some Latin.&amp;#x27; - Joel Stein, humorist and author of</b> <b><i>In Defense of Elitism</i></b></p><p><b>&amp;#x27;This book is a delight! Humor can be one of the hardest things to translate, but How to Tell a Joke makes the jokes and insights of two of antiquity's finest writers on humor accessible to a modern audience. Bravo!&amp;#x27; - Julia D. Hejduk, Baylor University</b></p><p><b>&amp;#x27;Providing highly readable, lively, and fresh translations of Cicero and Quintilian's classic writings on humor, How to Tell a Joke also features a crisp introduction that shows the relevance of their ideas for appreciating humor in the twenty-first century.&amp;#x27; - Luca Grillo, University of Notre Dame</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michael Fontaine</b> is professor of classics at Cornell University. His books include <i>How to Drink: A Classical Guide to the Art of Imbibing</i> (Princeton) and <i>The Oxford Handbook of Greek and Roman Comedy</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>When it comes to innovation and creative thinking, we are still catching up with the ancient Greeks. Between 800 and 300 BCE, they changed the world with astonishing inventions - democracy, the alphabet, philosophy, logic, rhetoric, mathematical proof, rational medicine, coins, architectural canons, drama, lifelike sculpture, and competitive athletics. None of this happened by accident. Recognising the power of the new and trying to understand and promote the conditions that make it possible, the Greeks were the first to write about innovation and even the first to record a word for forging something new. In short, the Greeks &amp;#x27;invented&amp;#x27; innovation itself - and they still have a great deal to teach us about it.</p><p></p><p><i>How to Innovate</i> is an engaging and entertaining introduction to key ideas about - and examples of - innovation and creative thinking from ancient Greece. Armand D'Angour provides lively new translations of selections from Aristotle, Diodorus, and Athenaeus, with the original Greek text on facing pages. These writings illuminate and illustrate timeless principles of creating something new - borrowing or adapting existing ideas or things, cross-fertilising disparate elements, or criticising and disrupting current conditions.<br/><br/>From the true story of Archimedes's famous Eureka! moment, to Aristotle's thoughts on physical change and political innovation, to accounts of how disruption and competition drove invention in Greek warfare and the visual arts, <i>How to Innovate</i> is filled with valuable insights about how change happens - and how to bring it about.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Armand D'Angour</b> is professor of classics and a fellow of Jesus College at the University of Oxford. He is the author of <i>Socrates in Love: The Making of a Philosopher </i>and <i>The Greeks and the New: Novelty in Ancient Greek Imagination and Experience</i>. He has lectured widely on innovation at business schools and he managed a family manufacturing business before becoming a classics professor. He lives in London. Twitter @ArmandDAngour</p>]]></Text>
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			<Text textformat="02"><![CDATA[Chronicles Plato's thought through the lens of his turbulent life.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Plato is a key figure from the beginnings of Western philosophy, yet the impact of his lived experience on his thought has rarely been explored. Plato lived in turbulent times, born during a war that led to Athens' defeat and decline. A restored democracy enabled the execution of his teacher Socrates.</p><p>Carol Atack explores how his life in Athens influenced Plato's thinking, how he developed the Socratic dialogue into a powerful philosophical tool, and how he used the institutions of Athenian society to create a compelling imaginative world. Accessibly written, this book shows how Plato made Athens the place where diverse ideas were integrated into a new way of approaching big questions about existence and the societies we create, then and now.</p><p><b>'Philosophy is just the beginning in Carol Atack's page-turner. From Plato's own travels and troubles to the strange life and peculiar death of his teacher Socrates, the struggles of his city at the hands of enemies at home and abroad to the efforts of its citizens to make sense of things in an era of unending crisis, this is a gripping account of Classical Athens under siege told through the sharp eyes and shifting ideas of its most notable son.'</b> <b> Josephine Quinn, author of</b> <b><i>How the World Made the West: A 4,000-Year History</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Carol Atack</b> teaches classical Greek and ancient philosophy at the University of Cambridge. She is the author and coauthor of two books, most recently <i>Anachronism and Antiquity.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A bold reimagining of the Greek mathematician's singular life as a truly modern scientist.</b></p><p>Galileo, Leonardo, Newton, and Tesla revered him: Archimedes of Syracuse  an engineer who single-handedly defied the world's most powerful army and a mathematician who knew more in 212 BCE than all of Europe would know for the next seventeen centuries. In this bold reimagining, modern polymath Nicholas Nicastro shines a new light on Archimedes' life and work. Far from the aloof, physically inept figure of historical myth, Archimedes is revealed to be an ambitious, combative, and fiercely competitive man. A genius who challenged an empire, Archimedes emerges in this book as the world's first fully modern scientist  millennia before his intellectual descendants transformed our world.  </p>]]></Text>
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			<SubjectHeadingText>Selina Tusitala Marsh; WriteSPACE; Writing with Pleasure; a love letter; an administrative email; be a better writer; books about writing; compelling narratives; creative space; creative writing; creatively challenging; essential guide; hands-on strategies; helen sword; how to make writing fun; how to write; illustrated by prizewinning graphic memoirist; learn to write; learning how to write; make writing fun; personal writing; pleasurable writing; princeton university press; professional writing; research-based principles; scholarly article; skills for scholars; writing prompts; writing skills</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Writing should be a pleasurable challenge, not a painful chore. <i>Writing with Pleasure</i> empowers academic, professional, and creative writers to reframe their negative emotions about writing and reclaim their positive ones. By learning how to cast light on the shadows, you will soon find yourself bringing passion and pleasure to everything you write.</p><p>Acclaimed international writing expert Helen Sword invites you to step into your 'WriteSPACE'  a space of pleasurable writing that is socially balanced, physically engaged, aesthetically nourishing, creatively challenging, and emotionally uplifting. Sword weaves together cutting-edge findings in the sciences and social sciences with compelling narratives gathered from nearly six hundred faculty members and graduate students from across the disciplines and around the world. She provides research-based principles, hands-on strategies, and creative 'pleasure prompts' designed to help you ramp up your productivity and enhance the personal rewards of your writing practice. Whether you're writing a scholarly article, an administrative email, or a love letter, this book will inspire you to find delight in even the most mundane writing tasks and a richer, deeper pleasure in those you already enjoy.</p><p>Exuberantly illustrated by prizewinning graphic memoirist Selina Tusitala Marsh, <i>Writing with Pleasure</i> is an indispensable resource for academics, students, professionals, and anyone for whom writing has come to feel like a burden rather than a joy.</p><p><b>'Intrinsic motivations like joy and fascination can and should propel our writing  all the more so when extrinsic rewards seem few. In this generous, generative book, Helen Sword offers us ample encouragement and insight on how, even in difficult times, we can dare to seek delight.'  Margy Thomas, founder of ScholarShape</b></p><p><b>'At last, a writing guide that doesn't scold or ridicule, but treats the challenge of writing well as a form of pleasurable mastery.'  Steven Pinker, Johnstone Professor of Psychology, Harvard University, author of</b> <b><i>The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century</i></b></p><p><b>'Sword is the prophetic voice crying out in academia's wilderness: 'Write with pleasure! It</b> <b><i>can</i></b><b> be done! Come and see!' Through enviable prose, enticing poems, and elegant illustrations, readers</b> <b><i>see</i></b><b> the pleasure,</b> <b><i>feel</i></b><b> it,</b> <b><i>apply</i></b><b> it to their own writing and, when all is read and done, cannot resist repenting.'  Patricia Goodson, Texas A&amp;M University</b></p><p><b>'Helen Sword has been helping me improve my writing for more than a decade. In</b> <b><i>Writing with Pleasure</i></b><b>, she finally taught me how to love it  and keep loving it. If you want to make writing a painless habit, this book is for you.'  Inger Mewburn, Australian National University</b></p><p><b><i>'Writing with Pleasure</i></b><b>  itself a pleasure in the reading  opens exciting vistas onto the great expanse of writing: the aesthetics in the written, the corporeality of the writer, the emotions felt for and from writing. This original and inventive book charts new territory for anyone who writes and for everyone who researches writing.'  Daniel Shea, Heidelberg University, Germany</b></p>]]></Text>
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			<SubjectHeadingText>Ai Qing; Art; China; Creativity; Exile; Immigration; Inspiration; Memories; Migration; Refugee Camps</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Artist and activist Ai Weiwei is famous around the world. He builds bridges through art and has been fighting to create, maintain and grow passageways for communication almost all his life.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ai Weiwei: Bridging Cultures Through Art and Activism  A Life Transformed by Displacement, Advocacy, and a Vision for Humanitarian Communication</b></p><p>Artist and activist Ai Weiwei is famous around the world. He builds bridges through art and has been fighting to create, maintain and grow passageways for communication almost all his life. From single objects like <i>Coca Cola Vase</i> to structures like <i>Forever Bicycles</i> to installations like <i>Sunflower Seeds</i>, Ai Weiwei's art is displayed publicly in numerous countries; renowned museums are desperate to get their hands on his artifacts. But who is the person behind the international label 'Ai Weiwei', and what drives his restless creative mind?</p><p>Ai Weiwei was born in 1957 to Chinese poet and government critic Ai Quing and grew up in Manchuria and Xinjiang, where his father was exiled, before later relocating to the United States. In 2011  now back in China  he was prevented from leaving the country and imprisoned for 81 days.</p><p>Shaped by these early experiences, Ai Weiwei began to feel like an outsider at an early age. It is this existential feeling of displacement that Ai Weiwei transforms into the universal through art. Hardly any other work highlights his sensitivity towards the topic more than his film <i>Human Flow</i>, which was shown worldwide and is the result of large-scale research on refugee movements across the globe. His philosophical reflections in this book directly relate to his time in Berlin, in the autumn of 2015, those weeks when everything changed in Germany. Watching Berlin's transformation spurred Ai Weiwei to venture out and visit refugee camps all over the world.</p><p>In <i>Manifesto without Borders</i>, his memories become a <i>confessio</i> far beyond <i>lart pour lart</i> and the technocratic truisms of politicians. With its urgent, sometimes disconcerting but always listening approach, the book offers an alternative: a plea for peaceful communication, a kind and humanitarian act  a deep commitment to advocacy in our current times.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ai Weiwei</b> is a Chinese conceptual artist, sculptor, and curator. The human rights activist and dissident was secretly imprisoned after making critical statements about the government and was barred from traveling until 2015. Ai Weiwei lives and works in Berlin (Germany), Cambridge (UK), and Lisbon (Portugal).</p>]]></Text>
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			<Text textformat="02"><![CDATA[In 1971, the Shah of Iran threw what was declared the Party of the Century. Before it was over, it had been written off as a disaster and helped to precipitate his downfall.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In 1971, the Shah of Iran threw what was declared the Party of the Century. Before it was over, it had been written off as a disaster and helped to precipitate his downfall.</b></p><p><i>The Shah's Party </i>colourfully captures Iran's oil-rich boom years. In 1971, eight years before the dynasty fell, Shah Mohammad Reza Pahlavi and his glamorous wife, Farah Diba, hosted one of the largest gatherings of world leaders ever, celebrating the 2,500th anniversary of the Persian monarchy. But this stranger-than-fiction event, staged in a tented city by the ancient ruins of Persepolis, came amidst a rise in leftist agitation and a turn towards political Islam.</p><p>Ruhollah Khomeini, an exiled mullah, began a relentless campaign against the Shah. A skilled populist, Khomeini tapped into growing inequalities and resentments to push his theocratic vision, particularly among those who had left the countryside in search of work. The Shah's autocratic style played poorly in a world increasingly concerned with human rights.</p><p>The Persepolis party became a symbol of Iran's regime, allowing the Shah's critics to portray him as repressive and out of touch with the struggles of ordinary people. Khomeini's novel religious populism and his mastery of messaging steamrollered the Shah; he left it too late to move towards democracy, losing the support of his army, his people and his allies. In 1971, trickles of dissent started to build into a revolutionary torrent that, within a decade, would end the dynasty.</p>]]></Text>
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			<SubjectHeadingText>Kim Jong-un; Korea; Korean War,totalitarianism,ideology,; North Korea,Pyongyang,; dictatorship</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[A briskly written primer on the North Korean decisions, foreign interventions and accidents of fate which have both threatened and, ultimately, preserved the country's dictatorship.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A briskly written primer on the North Korean decisions, foreign interventions and accidents of fate which have both threatened and, ultimately, preserved the country's dictatorship.</b></p><p>This nimble tour through North Korea's history revisits sixteen knife-edge moments when collapse, reform or war nearly shattered the Kim dynasty. Structured in four acts  from the peninsula's partition in 1945 to Kim Jong-un's 2020 health scare  each chapter reconstructs a crisis and asks, what if?</p><p>Regime change has come within reach far more often than we realise: defeat in the Korean War, leadership challenges in 1956, aborted coups, unrest during a currency crisis  even an armed clash with the US in the 1990s. Kim Il-sung's acclaimed biographer, Fyodor Tertitskiy, guides readers through these events, and explores why change failed to materialise on each occasion. His narrative blends the twists and turns of palace intrigue and battlefield drama with crystal-clear dissections of ideology, institutions and great- power competition.</p><p>Drawing on Korean, Russian, Chinese and Japanese sources, Tertitskiy offers nuance without special pleading. By tracing the decisions, miscalculations and foreign interventions that locked the peninsula into stalemate, <i>Pyongyang on the Brink </i>offers a swift, fresh look at deterrence, engagement and the future of millions living under the Kims' yoke. Is North Korea truly doomed to never-ending tyranny?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Fyodor Tertitskiy researches North Korean political, social and military history from South Korea, where he has been living for more than a decade. He has authored several books in English and Korean, including Accidental Tyrant: The Life of Kim Il-sung (also published by Hurst), and The North Korean Army. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Kim Il-sung was the enigmatic architect of North Korea. His life is an extraordinary tale of improbable success: once a barely educated guerrilla fighter, he rose to lead the nation at the young age of 33. Against all odds, he established a horrifyingly stable dictatorial regime, one that still struggles to provide for its people, yet could obliterate Hollywood, Silicon Valley and much of East Asia in nuclear strikes.</p><p>Based on extensive new sources in Korean, Russian, Chinese and Japanese, Fyodor Tertitskiy tells the unlikely story of one of the twentieth century's most brutal but little-known dictators, from his early life in Japanese Korea to the lasting repercussions of his autocratic rule today. Tertitskiy showcases Kim's political prowess in gaining autonomy from the USSR; explores how his inept economic policy led to catastrophic famine; and highlights how he implemented a system of hereditary rule, paving the way for today's 'Supreme Leader', Kim Jong-un, to assume power and continue his grandfather's vision.</p><p><i>Accidental Tyrant </i>serves as a stark cautionary tale, underscoring that the triumph of liberty is never guaranteed. Met with insufficient resistance, even the most unlikely leader can build a regime of repression and privation that long outlives its founder.</p>]]></Text>
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			<SubjectHeadingText>16th century European; 16th century life; Basel Switzerland; Cavin; John Calvin; Luther; Lydia Davis; Montpellier France; Protestants and Catholics; Renaissance life; Renaissance medicine; Shakespeare; The Swerve How the World Became Modern; Will in the World How Shakespeare Became; auto da fe; bubonic plague; corpse dissection; early modern medicine; ego-document; executions; grave-robbing; herbal lore; heretics; medical memoir; medical student; protestant reformation; renaissance diary; renaissance memoir; the first diary in history; the world's first journal; travelogue</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[In 1552, sixteen-year-old Felix Platter left Basel, Switzerland, and journeyed 370 miles to Montpelier, France to study medicine. His journals chronicle five astonishing years of youth in a time of plague, war, and awakening.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The wildly vivid, rare, and revealing journals of a sixteenth-century medical student.</b></p><p>In 1552, sixteen-year-old Felix Platter left Basel, Switzerland, and journeyed 370 miles to Montpelier, France to study medicine. His journals chronicle five astonishing years of youth in a time of plague, war, and awakening. A Protestant in a Catholic kingdom, Felix witnessed blood-chilling executions and engaged in secret religious discussions with his landlord, a Marrano Jew. He learned to play the lute, tasted olive oil for the first time, and swam in the sea. He flirted (unsuccessfully) and danced (disastrously), fled from highway robbers, saw John Calvin preach, survived an outbreak of the bubonic plague, joined in a massive, orange-throwing food fight, acquired a dog, and spent one Christmas Eve alone and afraid of the dark.</p><p>Most astonishing of all, he wrote it down.</p><p>As Stephen Greenblatt writes in his introduction to this new edition, 'Keeping diaries and writing autobiographies did not become a widespread practice until the mid-seventeenth century'  but Felix created an astonishing document: an intimate, sometimes hilarious chronicle of Renaissance adolescence from the inside, whose 'vividness, intimacy, candour, and charm' lend it an 'altogether rare and revealing character.'</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>The ultimate guide to sushi in a handy pocket format!</i></b></p><p>Do you know the names of all the sushi at a conveyor-belt sushi restaurant? Or the kinds of fish they use, where they come from and what they taste like?</p><p>Whether you're at a budget sushi-train restaurant or a high-end omakase sushi bar in Tokyo, this handy pocket guide explains all kinds of sushi you're likely to encounter  their names, how they are prepared, what they taste like, the ingredients used and even their relative prices!</p><p>This invaluable book presents 333 different types of sushi with colour photos, descriptions and information about the preparation methods, flavors and origins of the fish. They include:</p><ul><li>Honmaguro Bluefin Tuna</li><li>Ikura Salmon Roe</li><li>Anago Japanese Conger Eel</li><li>Sumi-ika Ink Cuttlefish</li><li>Amaebi Sweet Shrimp</li><li>Uni Sea Urchin</li></ul><p>Also included is a brief history of sushi, an explanation of the different types of sushi restaurants in Japan, seafood varieties and a glossary of Japanese terms. A 'must-have' for all sushi lovers, professional chefs and Japanese food enthusiasts!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Masataka Fujiwara</b> was born in 1956 in Japan. As a child, he loved catching river fish  but disliked eating them. Then one day, he unexpectedly became fascinated by seafood. That curiosity turned into a lifelong passion. For over 30 years, he has researched the relationship between humans and edible aquatic life, delving deeply into food culture. He has spent more than 15 years photographing sushi and now holds an archive of over 500,000 images of marine life and more than 20,000 images of sushi. Fujiwara currently serves as a fisheries advisor in Shimane Prefecture and contributes essays to fishing magazines and other publications.</p>]]></Text>
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			<SubjectHeadingText>bond market; central bank; central bank digital currency; coinage; cryptocurrency; Dollar; euro; international finance; international monetary system; mint; payments; renminbi; stablecoin; U.S. Treasury bonds; Coin; Silver; Treasury; Merchants; Monetary; Liquidity; Capital; Bankers; Spanish; Florentine; Federal reserve; Foreign exchange; Stability; Renminbi; Cross border; Circulation; Additional; Euro; Abroad; Merchandise; Inflation; Warburg; Crisis; Florin; Fiscal; Bretton; Money market; Japanese; Nixon; Bretton woods; Solidus; Denarius; Volcker; Pound; Exchange rates; Connally; Yen; Convertibility; Geopolitical; Potos; Foreign investors; Foreign exchange market; Financial markets; Treasury securities; Foreign governments; Cross border transactions; Precious metal; Commercial transactions; Pound sterling; Foreign currency; Treasury bills; Policy makers; Swap lines; Treasury bonds; Treasury secretary; Dominant currency</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Confronted by a math problem of seemingly impenetrable difficulty, what can you do? In <i>The Delicate Art of Brute Force</i>, Paul Nahin shows how even if you can't solve such a problem, you can still get an answer. The computational power of your own computer  the desktop in your home office, the laptop on your coffee table  can be deployed to overwhelm a problem's complexity through a massive number-crunching assault. Nahin presents a series of apparently intractable math problems and shows the thought process that allows computational solution. Most of the problems are not abstract constructions but originate in the real world  one chapter is titled 'How Wi-Fi Coverage and Anti-Submarine Warfare Are the Same'. For each one, Nahin compares computational and analytical approaches, demonstrating how well the computer solutions agree with theory. As a bonus, sometimes the computational solution is better, giving more insight or greater flexibility.</p><p>Along the way, Nahin traces the evolution of high-speed electronic computation, explaining that it upended the way analysts approach complex math problems. After the postwar debut of ENIAC (Electronic Numerical Integrator and Computer) and the ever more powerful electronic computers that came afterward, problems that were simply too difficult or messy for analytical treatment could be defeated by the application of pure brute force  the ability of computers to perform an enormous number of simple operations in just minutes. Today, we can harness that computational power from our couches. Accessible to anyone who's mastered high school calculus, this engaging book gives both mathematicians and non-mathematicians plenty to think about.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A global history of commercial and cultural exchange between two great powers of the medieval age.</b></p><p>In the mid-thirteenth century, Europe was shaken by the Mongol invasions. Realising the immense potential for accessing remote markets in the East, Venetian merchants, diplomats, and seafarers established far-flung commercial networks with the Mongol Empire.<i> Venice and the Mongols</i> tells the story of this dynamic new era in world history, one that saw one of the most advanced maritime powers of the age bridge East and West in a new global marketplace created by the Mongol conquests.</p><p>In a panoramic narrative spanning nearly two centuries, Nicola Di Cosmo and Lorenzo Pubblici describe how Mongolian support of European merchants allowed for the exchange of goods and ideas across their vast empire, and how cooperation with the khans enabled the Venetian city-state to trade safely, grow its influence, and expand its territory eastward while opening Europe to new markets. Di Cosmo and Pubblici shed light on trade practices, legal structures, and cultural relations, and share new perspectives on Marco Polo's travels in Mongol-controlled territories. They examine Venetian strategies in the face of Mongol and Genoese rivalry and show how the city-state adapted to the challenges posed by the decline of Mongol authority and the ascendance of the Ottomans in the latter half of the fourteenth century.</p><p>Blending vivid storytelling with rich archival research, <i>Venice and the Mongols</i> challenges conventional perspectives on the Mongols as mere agents of destruction and shows how Venice ushered in a new era of commerce and diplomacy in an interconnected medieval world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nicola Di Cosmo</b> is the Luce Foundation Professor in East Asian Studies at the Institute for Advanced Study in Princeton. His books include <i>Ancient China and Its Enemies: The Rise of Nomadic Power in East Asian History</i>.</p><p><b>Lorenzo Pubblici</b> is professor of premodern central Asian history and cultures at the University of Naples L'Orientale. His books include <i>Mongol Caucasia: Invasions, Conquest, and Government of a Frontier Region in Thirteenth-Century Eurasia (12041295)</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In 1529, Michelangelo was in Venice when he first met Titian, Venice's famed painter of princes, gods, and goddesses. Coming face-to-face with Titian's drama-infused, richly coloured works, the creator of <i>David</i> and the Sistine Chapel ceiling realised he had met a worthy opponent. Twenty-five years later, Titian came to Rome to paint the pope, and the two met again. Painting in the Vatican, Titian experienced the full power of Michelangelo's work and vowed to surpass the achievements of his older contemporary.</p><p><i>Michelangelo and Titian</i> is the untold story of history's greatest artistic rivalry, a competition between two monumental figures more admiring of one another than either would ever admit. William Wallace brings the world of the sixteenth century to life, and in particular its culture of gossip and intrigue. Wallace challenges the established narrative of this relationship as mostly one-sided, with the younger artist in competition with the reigning master. He shows how the artists moved in overlapping courtly and papal circles, sharing the patronage, power, and sometimes friendship of the most important people of their era, including members of the Medici, Este, and Farnese families. Wallace traces how, over the span of some forty years, this unspoken rivalry was reciprocal and mutually beneficial, with each learning from the other's brilliance, quietly seeking to best the other's work and secure his own legacy.</p><p>An extraordinary achievement, <i>Michelangelo and Titian</i> is a compelling account of two supremely gifted rivals who inspired each other to test the limits of their creative genius, and in doing so created some of the most astonishing works of art the world has ever known.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>William E. Wallace</b> is the Barbara Murphy Bryant Distinguished Professor of Art History at Washington University in St. Louis. His books include <i>Michelangelo, God's Architect: The Story of His Final Years and Greatest Masterpiece</i> (Princeton); <i>Discovering Michelangelo: The Art Lover's Guide to Understanding Michelangelo's Masterpieces</i>; and <i>Michelangelo: The Artist, the Man, and His Times</i>.</p>]]></Text>
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			<SubjectHeadingText>Maya; Classic; Ruler; Tikal; Kanul; Region; Copan; Teotihuacan; Preclassic; Awil; Palenque; Central; Yucatan; Monuments; Royal; Court; Temple; Ahk; Era; War; Itza; Naranjo; Mutul; Dynastic; Maya history; Pyramid; Calakmul; Peten; Lowlands; Chichen; Inich; Chank; Evidence; Reign; Yaxchilan; Ritual; Throne; Architectural; Atun; Dzibanche; Pakal; Chan; Military; Pa; Politics; Death; Maize; Stela; Yuknomch en; Yuknomch; Landa; Civilization; Coba; Sihyajk ahk; Caracol; Sihyajk; Communities; Mesoamerica; Mirador; Archaeology; Stephens; Pilas; Dos; Archaeological; El mirador; Dos pilas; Ancestors; Nature; Ch; Monumental</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><i>The Four Heavens</i> brings to life the cultural and visual splendour of the ancient Maya, drawing on the oldest indigenous texts of the Americas and the latest archaeological discoveries to present an entirely new history of this spectacular civilisation. Renowned historian and archaeologist David Stuart, who has made groundbreaking contributions to the decipherment of Maya hieroglyphics, shows how there was no single rise and fall of the Maya but a series of births and collapses over a breathtaking span of nearly three millennia.</p><p>Maya history was seemingly lost forever when the first Europeans encountered the great ruins of ancient cities in what is today Mexico and Central America. Today, with the recent decipherment of their ancient writings, the story of the Maya can now be told from their perspective. Stuart traces the rapid emergence of permanent settlements in the rainforest, which gave rise to monumental architecture and a flourishing urbanism and ushered in the Classic period of Maya civilisation beginning in the mid-second century CE. He reveals a world of majestic royal courts tightly bound together by marriages, shifting alliances, and warfare, much of it driven by the ambitions of two major dynasties, the Kanuls and Mutuls. Stuart describes how the long-standing rivalry between these two great houses shaped the fates of the surrounding kingdoms and may have set the stage for 'the Great Rupture' of the ninth century, when the royal courts buckled under the weight of internal strife, social unrest, and environmental crisis, transforming Maya civilisation yet again.</p><p>With stunning illustrations, including many of Stuart's own drawings and images, <i>The Four Heavens</i> is a work of momentous historical sweep, one that paints an unforgettable portrait of the Maya and the richly complex social, political, and cosmological worlds in which they lived.</p><p>Available in Spanish from our partners at Grupo Planeta.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This workbook accompanies artist Tom Fox's new book An Artist's Guide to Drawing Clothed Characters, giving readers space to practise and improve with guidance from the author, or can be studied alone as a hands-on drawing aid.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This workbook accompanies artist Tom Fox's new book</b> <b><i>An Artist's Guide to Drawing Clothed Characters,</i></b><b> giving readers space to practise and improve with guidance from the author, or can be studied alone as a hands-on drawing aid.</b></p><p>With 200 pages of accessible instructions and figures to draw over on the page, this workbook allows the reader to practise the theory put forth in the main book, while also functioning perfectly as a standalone. The exercises consist of partial references at low opacity, with the figure or geometric mannequin beneath the clothing provided so the reader can concentrate on drawing the clothes only. Additionally, this workbook includes some bonus clothing and pose references from the artist  ones there wasn't room for in the main book.</p><p>This and the main title are follow-ups to Tom Fox's previous book, <i>Anatomy for Artists: Drawing Form &amp; Pose</i> (over 30,000 copies sold to date), with the figure-drawing maestro taking a deep dive into the subjects of clothing and drapery. Using his unique approach of simplified mannequins and dynamic figure sketches, Tom shares his process for improving your figures holistically, understanding fabric physics, and capturing the fold, stretch, and crumple of believable clothing.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Despite massive investments, sustainable business still isn't very profitable for most companies. Here's a fresh approach for resetting sustainability for customer value  and profitability.</b></p><p>Store aisles packed with products labelled 'environmentally friendly'. Businesses scrambling to respond to stakeholder demands that they make their operations sustainable. Ads touting green credentials for all kinds of enterprises. For a long time now, this has been the market landscape we've lived in, with companies such as Unilever leading the way and creating pressure for others to follow suit.</p><p>But the uncomfortable truth is that after years of investment in sustainable products and services, most companies still aren't seeing the payoff  not financially, not in value for customers, and not in real environmental and social impact. Why not?</p><p>As IMD professors Goutam Challagalla and Frederic Dalsace show in this eye-opening and practical book, the shortfall is due to a strategic misalignment and a misunderstanding of what actually drives customers' purchase decisions. The authors flip conventional sustainability strategy on its head: instead of companies asking 'How can we make our offerings more sustainable?' they should be asking 'How can we use sustainability as a catalyst to improve the performance of our products, make them more affordable, or both?' Viewed this way, sustainability is an intrinsic, value-generating element of an offering rather than a costly add-on.</p><p>The authors call companies that understand this insight John Deere, Michelin, Schneider Electric, Nespresso, Reckitt, and others  clean winners, or 'Resonators.' With wide-ranging and instructive stories, they show how Resonators use sustainability to increase customer value and generate robust profits.</p><p>Offering practical frameworks, tools, and tactics, <i>Clean Winners</i> is your essential guide to reimagining your sustainability strategy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A practical, research-based guide to maximizing the most overlooked driver of lasting success and fulfillment  your values. </b></p><p>What if one simple shift could make you feel as satisfied as getting an $84,000 raise? Research shows that <i>really </i>understanding your core values  and living by them  can deliver just that. Yet most of us struggle with this. We go about our work and our lives with only a vague sense of the values that underpin everything we do.</p><p>In <i>What Do You Really Stand For?</i> Columbia Business School professor Paul Ingram reveals that values are far more than a moral compass  they're a source of advantage that can boost your performance, your leadership effectiveness, and your well-being. </p><p>Drawing on decades of research and the frameworks he's used with students and executives, Ingram presents a set of exercises and tools to help you articulate your values, integrate them into your work and life, build stronger relationships, and achieve better outcomes in all that you do.</p><p>Whether you're navigating a career decision or managing conflict, leading a team or an entire organization, or simply trying to live with greater purpose, <i>What Do You Really Stand For? </i>offers a powerful guide to taking more intentional control of your life and career  and leading yourself and others with more clarity, confidence, and purpose.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Paul Ingram </b>is the Kravis Professor of Business at Columbia Business School. He has received Columbia's highest recognition for teaching, the Presidential Award for Excellence in Teaching, as well as the Dean's Award for Teaching Excellence and thirteen teaching awards voted on by graduating students at Columbia and Cornell Universities.</p>]]></Text>
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			<SubjectHeadingText>Polis; Century; Elite; Citizens; Roman; Community; Poleis; Power; Civic; Institutions; Cities; History; Democratic; Empire; Greek; Law; Settlement; Athenian; Institutional; Decree; Space; Politics; Urban; Assembly; Violence; Imperial; Territory; Goods; Hellenistic; Economic; Officials; Island; Fourth; Honours; Fourth century; Democracy; Polity; Culture; Rich; Autonomy; Convergence; Relations; Wealth; Ideology; Archaic; Nature; Honorific; Roman empire; Citizenship; Sparta; Minor; Rule; Fifth; Shrine; Emperor; Freedom; Property; Competition; War; Population; Resources; Seventh; Classical; Military; Spartan; Cult; League; Interaction; Phenomena; Families</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>The Greek <i>polis</i>, or city-state, was a resilient and adaptable political institution founded on the principles of citizenship, freedom, and equality. Emerging around 650 BCE and enduring to 350 CE, it offered a means for collaboration among fellow city-states and social bargaining between a community and its elites  but at what cost? <i>Polis</i> proposes a panoramic account of the ancient Greek city-state, its diverse forms, and enduring characteristics over the span of a millennium.</p><p>In this landmark book, John Ma provides a new history of the <i>polis</i>, charting its spread and development into a common denominator for hundreds of communities from the Black Sea to North Africa and from the Near East to Italy. He explores its remarkable achievements as a political form offering community, autonomy, prosperity, public goods, and spaces of social justice for its members. He also reminds us that behind the successes of civic ideology and institutions lie entanglements with domination, empire, and enslavement. Ma's sweeping and multifaceted narrative draws widely on a rich store of historical evidence while weighing in on lively scholarly debates and offering new readings of Aristotle as the great theoretician of the <i>polis</i>.</p><p>A monumental work of scholarship, <i>Polis</i> transforms our understanding of antiquity while challenging us to grapple with the moral legacy of an idea whose very success centered on the inclusion of some and the exclusion of others.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A collection of colourful and candid essays and other pieces about Freud and his legacy today, featuring twenty-five leading writers.</b></p><p>W. H. Auden described Sigmund Freud (1856-1939) as 'a whole climate of opinion / Under whom we conduct our differing lives'. The controversial father of psychiatry and psychoanalysis, Freud charted the human unconscious, brought us the talking cure, and wrote books that now rank among the classics of world literature. In <i>On the Couch</i>, the great analyst is analysed by some of today's great writers and thinkers, who help us understand the man who has helped us understand ourselves as much, if not more, than anyone else, ever. The result is a fresh, multifaceted reassessment of Freud's continuing relevance and influence on ideas, literature, culture, science, and more.</p><p>Here, Colm Tibn writes about Freud, World War I, Henry James, and Thomas Mann; Adam Gopnik explores Freud's <i>Civilization and Its Discontents</i>; Susie Orbach considers Freud's 'ordinary unhappiness' and D. W. Winnicott's 'good enough'; Jennifer Finney Boylan reflects on penis envy and gender identity; Peter Kramer describes how new science and drugs have revolutionised psychology since Freud; Susie Boyt, one of Freud's great-granddaughters, spends the night at the Freud Museum in London; Siri Hustvedt examines Freud's divided reception today; and there's much more.</p><p>Filled with insights, provocation, and humour, <i>On the Couch</i> offers an original and nuanced portrait of Freud as a complex figure who, for all his flaws, forever changed how we see ourselves and the world.</p><p><b>With original contributions by Andre Aciman, Sarah Boxer, Jennifer Finney Boylan, Susie Boyt, Gerald Early, Esther Freud, Rivka Galchen, Adam Gopnik, David Gordon, Siri Hustvedt, Sheila Kohler, Peter D. Kramer, Phillip Lopate, Thomas Lynch, Daphne Merkin, David Michaelis, Rick Moody, Susie Orbach, Richard Panek, Alex Pheby, Michael S. Roth, Casey Schwartz, Mark Solms, Colm Tibn, Sherry Turkle</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Andrew Blauner</b> is a literary agent and the editor of eight previous anthologies, including <i>Now Comes Good Sailing: Writers Reflect on Henry David Thoreau</i> (Princeton), <i>Coach: 25 Writers Reflect on People Who Made a Difference</i>, and<i> The Peanuts Papers: Writers and Cartoonists on Charlie Brown, Snoopy &amp; the Gang, and the Meaning of Life.</i> He is a member of PEN America and he and his work have appeared in the <i>New York Times</i> and on NPR, among other media outlets.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Tens of millions of people sew for necessity or pleasure every day, yet the craft is surprisingly under-appreciated. Now available in paperback,<i> The Point of the Needle</i> redresses the balance: this is a book that argues for sewing's place in our lives. It celebrates not only sewing's recent resurgence but sewists' creativity, well-being and community. Barbara Burman chronicles new voices of people who sew today, by hand or machine, to explore what they sew, what motivates them, what they value and why they mend things, revealing insights into sewing's more intimate stories. In our age of superfast fashion with its environmental and social injustices, this eloquent book makes a passionate case for identity, diversity, resilience and memory  what people create for themselves as they stitch and make.</p><p><b>'Burman was the coauthor of the well-received book called </b><b><i>The Pocket: A Secret History of Women's Lives</i></b><b>, but in this new book, she has a much bigger canvas: to rescue sewing from the twilight and to celebrate it as a fundamental human activity...This book is a much broader one that seeks to shine a light on the extraordinary human endeavour of stitching.' </b><b><i> Haptic &amp; Hue</i></b><b>, Book of the Year 2023</b></p><p><b>'[Burman] pulls off turning a lifetime's research, including her own </b><b><i>Our Sewing Stories</i></b><b>, into a book by having a strong, thematic narrative, fluent style and empathy with the more personal aspects of needlecraft...The book charts the social history of what is still perceived as a "gendered practice". It also explores needlework's moral and religious associations and the benefits it offers to well-being...At a more sensory level, evocative descriptions of scissors crunching through cloth, "earthy and seductive" Harris tweed, silk pleated "into rills like the delicate underside of a field mushroom", "swishy, flowy" synthetic jerseys and old-fashioned lutestring, fustian and dimity will resonate with lovers of haberdasheries.' </b><b><i>Country Life</i></b></p><p><b>'Chronicling the intimate stories of people who sew today, this "trenchant" argument for the importance of sewing in our lives looks at identity, diversity, resilience and memory as it explores why we sew, what motivates us and why we mend things.'  </b><b><i>Bookseller</i></b></p><p></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Barbara Burman</b> is a writer and former academic at the University of Southampton and the University of the Arts, London. She is coauthor of <i>The Pocket: A Hidden History of Women's Lives, 1660-1900</i> and the editor of <i>The Culture of Sewing</i>. She is a fellow of the Royal Historical Society and lives near Cambridge.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The physical universe is a most peculiar concept, not only different from the objects it contains but also from space itself. Cosmology  the science that seeks to explain it  has always differed from other sciences, drawing on philosophy and even theology. These influences remain, even in today's data-driven cosmological models. This accessible and far-reaching book traces the development of cosmological thought from antiquity to the twenty-first century, with particular focus on the foundational work of Einstein, Hubble and others in the early twentieth century. It explores how modern theories rest on a surprisingly fragile base and argues that many cosmic mysteries may remain permanently unsolved. Rich in historical and philosophical insight, this is a lucid guide to what we know  and perhaps cannot know  about the universe.</p><p></p><p><b>'In this book Kragh, one of the premier historians of cosmology, offers a lively account of our conceptions of the universe from Aristotle to the present. Written for a broad audience, it also addresses ultimate pressing mysteries like what came before the Big Bang; the ultimate fate of galaxies, black holes, and life; and whether we may live in a multiverse. Highly recommended for anyone interested in the changing conceptions of our place in the universe.'  Steven J. Dick, former NASA chief historian</b></p><p><b>'Kragh is the leading historian of scientific studies of the universe. He also possesses a rare ability to make complex ideas accessible and understandable. In </b><b><i>Universe</i></b><b>, we see him in sparkling form, presenting a lucid and engaging account of how people have envisioned the universe from ancient Greece to the twenty-first century. A reader could not ask for a better guide to this captivating story.'  Robert Smith, professor of history, University of Alberta </b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Tarocle of Oz</i> deck merges the wisdom of tarot with original channelled oracle insights. Featuring seventy-eight beautifully hand-illustrated cards, each depicting L. Frank Baum's <i>Oz </i>characters, this deck offers unique messages for beginners to seasoned readers, enabling versatile readings as a combined tarot-oracle experience or as an individual deck.</p><p>Immerse yourself in the marvellous land of Oz with <i>TheTarocle of Oz</i> deck, where tarot meets oracle in a quirky character-filled fusion of imagery and insight. This unique deck comprises seventy-eight beautifully hand-illustrated cards, each inspired by the iconic characters of L. Frank Baum's Land of Oz. It brings traditional tarot wisdom and inviting oracle messages together in a cohesive format that's suitable for beginners and seasoned practitioners alike.</p><p>Each card in <i>TheTarocle of Oz</i> introduces its own narrative, with an oracle message at the top and traditional tarot at the bottom of each card plus a distinct tarocle message detailed in the comprehensive guidebook. The depiction of Oz's beloved characters provides a narrative-rich experience that enriches readings with magical insights and reflections.</p><p>The versatility of <i>TheTarocle of Oz</i> allows for diverse approaches to cartomancy. Use it as a unified tarot and oracle deck for a holistic reading or either element separately for focused insights. The deck caters to various reading styles and preferences  be it a quick card pull for morning inspiration, a thoughtful oracle session for daily guidance, or a thorough tarot spread to navigate the complexities of the week. Its adaptability ensures that it's the only deck you'll ever need, providing endless possibilities for exploration and growth in your personal practice.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A celebration of the Monash University Rowing Club and of how the pursuit of rowing lends itself to success in other avenues of life.</b></p><p>Monash University was founded in 1958 and by 1962 students were enquiring about the purchase of a rowing boat from the Melbourne University Boat Club. Despite concerns about the possible distracting effect on study and Clayton being 'well-removed from any suitable sheet of water', the male-only Monash University Rowing Club (MURC) was formed the following year. Its swift achievements matched those of the growing university, seeing it soon acclaimed as Victoria's premier rowing club, and joined by the Monash University Women's Rowing Club in 1973. Today, all Monash oarspeople row together under the MURC banner.</p><p>William P. Gurry, who as a young law student was a member of the rowing club from 1967 to 1972, including four years as Captain of Boats, here tells the full history of MURC for the first time. He writes of the number of challenges faced by the club  and of its sustained success across the decades. He writes of the victories and losses, the obstacles encountered and what happened after, of the Olympians, the future captains of industry and the many successful careers of the MURC men and women. Most of all, in this beautifully designed and illustrated volume, he writes about what it means to compete 'against the odds'. </p>]]></Text>
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			<SubjectHeadingText>Administrations; Attitudes; Authorities; Blair; Brexit; Business; Cabinet; Cameron; Career; Central government; Chancellor; Chancellor exchequer; Civil; Civil servants; Coalition; Cold war; Commonwealth; Community; Conservative; Conservative mps; Constitutional; Crime; Crisis; Cultural; Culture; Daily telegraph; Debate; Democracy; Dems; Economic; Economic growth; Economy; Education; Election; Electoral; Employees; Ethnic; Ethnic minorities; Eu membership; Foreign policy; Foreign secretary; Government; Human rights; Immigrants; Institutions; Inter war; Internet; Labour market; Leader; Leadership; Lib dems; Liberal; Lords; Membership; Ministers; Minority; Muslim; Nation; Outlook; Overseas; Parents; Parliament; Parliamentary; Party; Party leader; Police; Policy; Politicians; Politics; Poll tax</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Between 1990 and 2020, the United Kingdom experienced tension between unparalleled social change and a pragmatic political culture which sought continuity, compromise and gradualism. Thatcher's legacy was slowly digested, Blair's 'New Labour' thoroughly scrutinised and the decision was made after forty-seven years to leave the European Union. The UK's long-established major institutions  monarchy, parliament and the union between England, Scotland, Wales and Northern Ireland  were sorely tested. <i>Yesterday</i> provides the first fully documented history of this pivotal time in Great Britain.</p><p>Was the UK in decline? Brian Harrison points to Britain's unsuccessful adventures in Iraq and Afghanistan and its relative economic decline, underfunded hospitals, sink schools, over-filled prisons and terrorism of both Irish and Islamic varieties. Yet there were successes. Harrison shows how the UK's participatory institutions outmanoeuvred terrorism and precariously surmounted regional, intergenerational, ethnic and social-class tensions. This vibrant, creative society saw major improvements in time, place and recruitment for work, as well as growth and innovation in conservation, digitisation, tourism, consumerism, sport and the arts. Some changes were revolutionary: in family life and relations between the generations, and in the ever-changing electronic media. And if religious observance was in decline, immigrants were introducing new faiths and even a revived religious fervour while attitudes to health and death were changing fast.</p><p>A panoramic and wide-ranging analysis by a scholar at the height of his powers, <i>Yesterday</i> paints an evocative, richly textured portrait of a people who were shedding their complacency and insularity and bracing themselves to face a very different but promising future.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>What has happened to Britain? As drivers on its roads can attest, it is the pothole capital of Europe. Once-beautiful towns now feature peeling paint, weeds, and broken railings. Public services are no longer fit for purpose. A malaise seems to infect every aspect of British life: its economy, polity, social order, sense of well-being, domestic regional relationships, and place in the world. In <i>The Land Where Nothing Works</i>, the distinguished historian A. G. Hopkins offers an explanation, tracing Britain's current problems to decisions made in the 1980s that abandoned its postwar experiment in social democracy and mimicked policies of deregulation and privatisation promoted by the United States.</p><p>In 1945, the new Labour government's development programme aimed at creating a social democracy that would benefit all members of society. The counterrevolution launched by Margaret Thatcher's government in 1979, which remains in force today, promoted individualism and deregulation. The transition from one programme to another was a response to the growth of finance and services centred on the City of London, and to decolonisation, which redirected trade to Europe. The expansion of credit led to the financial crisis of 2008 and the years of austerity that followed, and fuelled the populist movement that culminated in Brexit. Hopkins argues that, instead of following the free-market policies of its mentor, the United States, Britain should draw on its own history of social democracy and borrow from its neighbours in Europe, where communitarian principles continue to be upheld.</p>]]></Text>
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			<SubjectHeadingText>Affirmative action; Angry; Anxiety; Bellicist fear; Bourdieu; Capitalism; Charles; Child; Christian; Citizens; Classes; Community; Consciousness; Constitute; Consumer; Consumer culture; Consumption; Countries; Cultural; Culture; Democracy; Democratic; Denial; Disappointment; Distinction; Dream; Economic; Economy; Education; Emma; Emotional; Emotions; Envy; Equality; Experts; Expression; Freedom; Gaze; Guilt; Health; Homelessness; Hope; Human; Humiliation; Iago; Imagination; Inferior; Injustice; Institutions; Jealousy; Jewish; Justice; Knowledge; Kohlhaas; Law; Liberal; Literature; Market; Marriage; Mathilde; Media; Meritocracy; Mobility; Modern; Modernity; Moral; Moral codes; Morality; Narrative; Narrator</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>We are in an explosive cultural moment. Whatever explanation for this is offered  inequalities, disaffection of political institutions, traumatic memory, woke culture, the rise of populism, the dominance of technology  it is the inescapable fact that we are in a period of palpable malaise. In <i>Explosive Emotions</i>, sociologist Eva Illouz explores the source of our discontent through a number of key emotions. Hope, disappointment, envy, resentment, anger, fear, anxiety, shame, nostalgia, jealousy, and love are all embedded in the institutions of social life. These institutions  corporations, the consumer market, the university, the nation-state, marriage, and sexuality  shape our emotional lives.</p><p>Illouz argues that hope was the emotional foundation of modernity  shaping ambition and promising improvement. But today, this hope has morphed into disappointment, envy, anger, or nostalgia  because, she contends, advanced techno-capitalism has overseen both a series of transformations in modern democracies and the decay of nationalism. Drawing on the insights of literature and philosophy, Illouz outlines the psychological structure of these emotions; mobilising data from sociology and political science, she examines how and why they are deployed in society. Unbeknownst to us, she explains, emotions contain and enact the key ingredients of society. Norms, rules, social structures, and cultural guidelines are the invisible yet burning magma of emotions, the heart of their energy. Emotions continue the work of society inside the self. Mapping our epochal malaise, Illouz shows how and why all our previously established structures are unraveling.</p>]]></Text>
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			<SubjectHeadingText>barbarism; civilization; critical tradition; ethics; human nature; idealism; identity; politics; religion; Shakespeare; utilitarianism; Moral; Civilisation; Lear; Hamlet; Utile; Othello; Timon; Barbarians; Honestum; Roman; Civil; Kant; Ethical; Divine; Law; Justice; Thou; Duke; Caesar; Rawls; Utilitarian; Antony; Locke; Hobbes; Barbarism; Religion; Iago; Death; Brutus; Christian; Macbeth; Hume; Hath; Richard; Virtue; Doctrine; Audience; Kantian; Ottilie; Monarchy; Angelo; Moore; Utilitarianism; Modern; Henry; Church; Rousseau; Politics; Barbaric; Smith; Machiavelli; Existence; Eduard; Rational; Expedient; Palamon; Ancient; James; Kings</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>In the eighteenth century, Samuel Johnson famously argued that Shakespeare is enduringly popular because he 'is above all writers, at least above all modern writers, the poet of nature; the poet that holds up to his readers a faithful mirror of manners and of life'. Johnson's view largely prevailed until the late twentieth century, when it was challenged by a growing scepticism about the existence of a general human nature. In <i>Thinking Through Shakespeare</i>, eminent literary critic David Womersley pushes back against this change by exploring how Shakespeare's plays think through  and invite us to think through  deep human questions of lasting importance.</p><p><i>Thinking Through Shakespeare</i> explores four perennial human problems: personal identity, the distinction between civilisation and barbarism, the relation between political power and religious authority and the tension between means and ends. It examines the history of these problems, from antiquity to today, and traces how Shakespeare engages with them in the great tragedies  <i>Othello</i>, <i>Hamlet</i>, <i>Macbeth</i> and <i>King Lear</i>  but also in his other plays. Without arguing that human nature is universal or unchanging, or that Shakespeare has some special access to timeless wisdom, the book makes the case that his drama is powerful because it serves as a forensic tool, probing rival perspectives on questions that have preoccupied many people in many societies over many centuries.</p><p>By revealing in new ways how Shakespeare's plays are animated and driven by central human problems, and why he should again be viewed as the great poet of human nature, <i>Thinking Through Shakespeare</i> opens up a richer understanding and appreciation of his work.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>David Womersley</b> is the Thomas Warton Professor of English Literature at the University of Oxford. His books include <i>Divinity and State</i>, <i>Gibbon and the "Watchmen of the Holy City"</i> and <i>The Transformation of the Decline and Fall of the Roman Empire</i>. He is also the editor of many books, including the Penguin Classics editions of Gibbons's <i>Decline and Fall of the Roman Empire,</i> Boswell's <i>Life of Samuel Johnson</i> and David Hume's complete essays. He is a Fellow of the British Academy and of the Royal Historical Society.</p>]]></Text>
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			<SubjectHeadingText>animal cognition; animal intelligence; Animals; cabbage white butterflies; cockroaches; conservation; cowbirds; coyotes; evolution of behavior; gulls; invasive species; model animal; mynas; pests; raccoons; rats; snakes; Coyotes; Snakes; Raccoons; Mynas; Nest; Cabbage; Whites; Cabbage whites; Brain; Outsider animals; Predators; Environment; Ability; Prey; Butterfly; Evolution; Century; Cities; Wildlife; Spread; Venom; Love; Mammals; Roaches; Brood; Caterpillars; Evolutionary; Pythons; Lab; Glucose; Wolves; Invasive species; Rodents; Ago; Evidence; Diet; Brood parasites; Native species; Colleagues; Parasites; Threat; Crops; Ancestors; Lab rats; Native birds; Pet raccoon; Animal behavior; Animals humans; Bird species; Host plant; Evolutionary history; Human behavior; Garter snakes</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[From one of our foremost experts on behavioural evolution, an entertaining exploration of what raccoons, rats, and other animal intruders teach us about intelligence, adaptability, and ourselves.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'This is a truly compelling book, rich with scientific expertise and humour.' </b> <b>Isabella Rossellini</b></p><p><b>From one of our foremost experts on behavioural evolution, an entertaining exploration of what raccoons, rats, and other animal intruders teach us about intelligence, adaptability, and ourselves.</b></p><p>When we think of animals that provide the greatest insights into animal cognition and behaviour, primates and honeybees come to mind, or perhaps whales or octopus. What about the raccoons that plunder our rubbish at night, or the coyotes that threaten pets and livestock, or the gulls that divebomb for snacks at the beach? <i>Outsider Animals</i> challenges everything you thought you knew about the overlooked animals that live in proximity to humans, sharing the stories that each has to tell about adaptation and cohabitation on our increasingly crowded planet.</p><p>Marlene Zuk gives us a new appreciation for the animals we often shun, explaining why these unpopular creatures have something special to teach us not only about the ways we deal with other species but about our own place in nature and what it means for an animal to belong somewhere. You will discover how coyotes and snakes shed light on our coevolution with predators, what cockroaches tell us about the evolution of pregnancy, how butterflies make us reconsider the effects of roadside pollution, how cowbirds and mynas are forcing ecologists to think differently about invasive species, and much more.</p><p>Writing with an infectious blend of humour and curiosity, Zuk invites us to reflect on our relationships with these close-to-home creatures and the ways our lives encroach on theirs, and to draw lessons from their behaviour in all its fascinating complexity.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Marlene Zuk</b> is Regents Professor of Ecology, Evolution, and Behavior at the University of Minnesota and a member of the National Academy of Sciences. She has written for <i>The New York Times</i>, the <i>Los Angeles Times</i>, and <i>New Scientist</i>. Her books include <i>Dancing Cockatoos and the Dead Man Test: How Behavior Evolves and Why It Matters</i> and <i>Paleofantasy: What Evolution Really Tells Us About Sex, Diet, and How We Live</i>.</p>]]></Text>
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			<SubjectHeadingText>Actions; Ai; Ancestors; Ancestral; Ancient; Brother; Ceremonial; Ceremony; Chen; Chu; Confucius; Conscientiousness; Court; Criminal; Duke; Earth; Emotions; Family; Funeral; Government; Horses; Host; Hui; Human; Ji; Jiao; Jin; Jisun; Junior; Junzi; Kings; Leader; Lords; Lu; Ministers; Native; Noble; Poem; Punishment; Qi; Relations; Ren; Reverence; Sacrifice; Sacrificial; Seven; Shang; Shun; Sorrow; Sovereign; Students; Sufficient; Temple; Tian; Trustworthiness; Trustworthy; Virtuous; Wei; Wen; Wisdom; Wu; Xia; Xiao; Yan; Yi; Yu; Zhou; Zi; Zigong; Zilu</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Labelled a forgery and ignored for centuries, the <i>Dialogues of Confucius</i> was nevertheless preserved and passed down through the generations, purportedly a companion to the <i>Analects</i>. Recent archaeological finds and renewed analysis now suggest that the <i>Dialogues</i> can be accepted as authentic and that it accurately represents the thinking of Confucius on a wide array of topics. In this book, Brian Bruya and Wenwen Li offer the first complete translation of the text into English as well as a detailed introduction discussing Confucian philosophy, the history of the text, and the debates around its authenticity. This new translation shows that the <i>Dialogue</i>s deserves a rightful place next to the <i>Analects</i>. In the <i>Dialogues</i>, as in the <i>Analects</i>, Confucius converses with his students and local potentates. The topics range from education to social norms to cosmology, and from cultivating individual virtues to instituting a meritocratic government.</p><p>As Bruya and Li argue, the main value of the <i>Dialogues</i> lies in its many philosophical clarifications and elaborations. At its core, it offers a valuable resource for understanding Confucius, his interactions with his students, and his philosophy. Each chapter includes both the original Chinese text and the English translation. The introduction includes a philosophical lexicon, and a 600-entry glossary at the end of the book provides context from the time of Confucius, enabling readers to understand how Confucius viewed his place in the world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'A compelling case for valuing care as a societal good and as skilled labour.'</b> <b></b> <b><i>The Nation</i></b></p><p>With the rapid development of artificial intelligence and labour-saving technologies like self-checkouts and automated factories, the future of work has never been more uncertain, and even jobs requiring high levels of human interaction are no longer safe. <i>The Last Human Job</i> explores the human connections that underlie our work, arguing that what people do for each other in these settings is valuable and worth preserving.</p><p>Drawing on in-depth interviews and observations with people in a broad range of professions  from physicians, teachers, and coaches to chaplains, therapists, caregivers, and hairdressers  Allison Pugh develops the concept of 'connective labour', a kind of work that relies on empathy, the spontaneity of human contact, and a mutual recognition of each other's humanity. The threats to connective labour are not only those posed by advances in AI or apps; Pugh demonstrates how profit-driven campaigns imposing industrial logic shrink the time for workers to connect, enforce new priorities of data and metrics, and introduce standardised practices that hinder our ability to truly see each other. She concludes with profiles of organisations where connective labour thrives, offering practical steps for building a social architecture that works.</p><p>Vividly illustrating how connective labor enriches the lives of individuals and binds our communities together, <i>The Last Human Job</i> is a compelling argument for us to recognise, value, and protect humane work in an increasingly automated and disconnected world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Allison Pugh</b> is professor of sociology at Johns Hopkins University. She is the author of <i>The Tumbleweed Society: Working and Caring in an Age of Insecurity</i> and <i>Longing and Belonging: Parents, Children, and Consumer Culture</i>. Her writing has appeared in leading publications such as <i>The New Yorker</i>, <i>The New York Times</i>, and <i>The New Republic</i>.</p>]]></Text>
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			<SubjectHeadingText>Ancient; Athenian; Bourgeois; Bourgeoisie; Capital; Capitalism; Capitalist; Citizens; Civil; Civil war; Commerce; Commercial; Community; Context; Degree; Democratic; Divine; Domination; Economic; Economic growth; Economic inequality; Economy; Education; Egalitarian; Equality; Evil; Extreme; Family; Fear; Food; Force; Fortunes; Freedom; Government; History; Hobbes; Human; Inequality; Injustice; Insofar; James; Jesus; Jewish; Jubilee; Justice; Labor; Labour; Laws; Legal; Legislation; Leviathan; Love; Lycurgus; Mandeville; Market; Merchants; Money; Moral; Nature; Neighbors; Parliament; Peace; Philosopher; Philosophy; Plato; Pleonexia; Population; Poverty; Power; Pride</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Economic inequality is one of the most daunting challenges of our time, with public debate often turning to questions of whether it is an inevitable outcome of economic systems and what, if anything, can be done about it. But why, exactly, should inequality worry us? <i>The Greatest of All Plagues</i> demonstrates that this underlying question has been a central preoccupation of some of the most eminent political thinkers of the Western intellectual tradition.</p><p>David Lay Williams shares bold new perspectives on the writings and ideas of Plato, Jesus, Thomas Hobbes, Jean-Jacques Rousseau, Adam Smith, John Stuart Mill, and Karl Marx. He shows how they describe economic inequality as a source of political instability and a corrupter of character and soul, and how they view unchecked inequality as a threat to their most cherished values, such as justice, faith, civic harmony, peace, democracy, and freedom. Williams draws invaluable insights into the societal problems generated by what Plato called 'the greatest of all plagues', and examines the solutions employed through the centuries.</p><p>An eye-opening work of intellectual history, <i>The Greatest of All Plagues</i> recovers a forgotten past for some of the most timeless books in the Western canon, revealing how economic inequality has been a paramount problem throughout the history of political thought.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Connect to your divine guidance with a deck and guidebook devoted to Ogham.</b></p><p>Ogham is a Celtic divination system based on the earliest form of the Irish alphabet. Within the traditional Celtic belief system, each of us is the centre of the universe. Ogham helps us understand our place in that universe, as well as what exists around and within us. It is a multidimensional gateway that leads us to self-understanding, allowing us to flow easier, find peace, and restore balance. It empowers us to grow, adapt, and achieve success. <i>Ogham</i> can be used to gain insight into any situation and bring forth solutions, provoke thought, and gain clarity on a profound level.</p><p><i>Ogham</i> contains 25 cards and a 192-page guidebook. Each card has both a light and a dark interpretation. Through this duality we are reminded to stay neutral so we can better appreciate the nuance in any situation life brings us.</p>]]></Text>
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			<SubjectHeadingText>Abridgement; Absolute (philosophy); Affection; All things; American philosophy; Anger; Behavior; Biography; Certainty; Christianity; Debt; Deity; Dover Publications; Emotion; Essay; Explanation; Fiction; Friendship; Grammar; Grief; Harvard University Press; Henry David Thoreau; His Family; I Wish (manhwa); Idiot; John Stuart Mill; Knave (magazine); Language; Lecture; Majesty; Mary Somerville; Mutilation; My Place (Sally Morgan book); Natural philosophy; New Thought; Nosebleed; Observation; Opening sentence; Paragraph; Pessimism; Philosophy; Poetry; Princeton University Press; Prose; Ralph Waldo Emerson; Reason; Religion; Representative Men; Reverence (emotion); Sanskrit; Self-Reliance; Self-hatred; Self-knowledge (psychology); Short stature; Solway Firth; Stoicism; Sympathy; Symptom; Tetanus; The Principles of Psychology; The Writings of Henry D. Thoreau; Thomas Carlyle; Thought; Transcendentalism; True History; Unitarianism; Universal law; Worship; Writer; Writing</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>In <i>Three Roads Back</i>, Robert Richardson, the author of magisterial biographies of Ralph Waldo Emerson, Henry David Thoreau, and William James, tells the connected stories of how these foundational American writers and thinkers dealt with personal tragedies early in their careers. For Emerson, it was the death of his young wife and, eleven years later, his five-year-old son; for Thoreau, it was the death of his brother; and for James, it was the death of his beloved cousin Minnie Temple. Filled with rich biographical detail and unforgettable passages from the journals and letters of Emerson, Thoreau, and James, these vivid and moving stories of loss and hard-fought resilience show how the writers' responses to these deaths helped spur them on to their greatest work, influencing the birth and course of American literature and philosophy.</p><p>In reaction to his traumatic loss, Emerson lost his Unitarian faith and found solace in nature. Thoreau, too, leaned on nature and its regenerative power, discovering that "death is the law of new life," an insight that would find expression in <i>Walden</i>. And James, following a period of panic and despair, experienced a redemptive conversion and new ideas that would drive his work as a psychologist and philosopher. As Richardson shows, all three emerged from their grief with a new way of seeing, one shaped by a belief in what Emerson called 'the deep remedial force that underlies all facts'.</p><p>An inspiring book about resilience and the new growth and creativity that can stem from devastating loss, <i>Three Roads Back</i> is also an extraordinary account of the hidden wellsprings of American thought.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Robert D. Richardson</b> (19342020) was the author of the acclaimed biographies <i>William James: In the Maelstrom of American Modernism</i>, <i>Henry Thoreau: A Life of the Mind</i>, and <i>Emerson: The Mind on Fire.</i> He was a recipient of the Bancroft and Francis Parkman prizes and a finalist for the National Book Critics Circle Award. </p><p><b>Megan Marshall</b> is the Pulitzer Prizewinning author of <i>Margaret Fuller: A New American Life</i>.</p>]]></Text>
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			<SubjectHeadingText>,; Amherst; Animals; Cambridge University; Century; Charles Darwin; Charles Lyell; Death; Edward Hitchcock; Erasmus; Family; Friends; Harriet Martineau; Higginson; Hitchcock; Human; John Herschel; Letter; Magic; Mary Lyon; Mary Somerville; Natural Magic: Emily Dickinson,; Nature; Plants; Poem; Poet; Poetry; Ralph Waldo Emerson; Renee Bergland; Romantic science; Royal Society; Scientific; Species; The Atlantic Monthly; The Civil War; Thomas Wentworth Higginson; and the Dawn of Modern Science; disenchantment; herbarium; natural selection; poetry and science; red in tooth and claw; sexual selection; survival of the fittest; transmutation; two cultures; women in science</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Emily Dickinson and Charles Darwin were born at a time when the science of studying the natural world was known as natural philosophy, a pastime for poets, priests, and schoolgirls. The world began to change in the 1830s, while Darwin was exploring the Pacific aboard the <i>Beagle</i> and Dickinson was a student in Amherst, Massachusetts. Poetry and science started to grow apart, and modern thinkers challenged the old orthodoxies, offering thrilling new perspectives that suddenly felt radical  and too dangerous for women.</p><p><i>Natural Magic</i> intertwines the stories of these two luminary nineteenth-century minds whose thought and writings captured the awesome possibilities of the new sciences and at the same time strove to preserve the magic of nature. Just as Darwin's work was informed by his roots in natural philosophy and his belief in the interconnectedness of all life, Dickinson's poetry was shaped by her education in botany, astronomy, and chemistry, and by her fascination with the enchanting possibilities of Darwinian science. Casting their two very different careers in an entirely fresh light, Renee Bergland brings to life a time when ideas about science were rapidly evolving, reshaped by poets, scientists, philosophers, and theologians alike. She paints a colorful portrait of a remarkable century that transformed how we see the natural world.</p><p>Illuminating and insightful, <i>Natural Magic</i> explores how Dickinson and Darwin refused to accept the separation of art and science. Today, more than ever, we need to reclaim their shared sense of ecological wonder.</p>]]></Text>
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			<SubjectHeadingText>Action; Administration; Administrative; Agencies; Authoritarian; Authority; Border; Bush; Business; Citizens; Civil; Congress; Conservative; Constitution; Constitutional; Country; Court; Deconstruction; Democracy; Democratic; Departments; Doctrine; Election; Enforce; Executive; Expertise; Experts; Fascism; Federal; Federalism; Forces; Foreign; Government; Governor; Health; History; Institutions; Justice; Law; Leader; Legal; Legislative; Legitimacy; Liberal; Military; Nation; Obama; Officials; Opposition; Partisan; Party; Policy; Politics; Power; Presidency; Programs; Reactionary; Reagan; Republican; Restoration; Rights; Rule; Security; Servants; Supreme; Supreme court; Threat; Trump; Violence; War</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[In this unsettling book, Russell Muirhead and Nancy Rosenblum trace how ungoverning  the deliberate effort to dismantle the capacity of government to do its work  has become a malignant part of politics.]]></Text>
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			<Text textformat="02"><![CDATA[<p>In this unsettling book, Russell Muirhead and Nancy Rosenblum trace how ungoverning  the deliberate effort to dismantle the capacity of government to do its work  has become a malignant part of politics.</p><p>Democracy depends on a government that can govern, and that requires what's called administration. The administrative state is made up of the vast array of departments and agencies that conduct the essential business of government, from national defense and disaster response to implementing and enforcing public policies of every kind. <i>Ungoverning</i> chronicles the reactionary movement that demands dismantling the administrative state. The demand is not for goals that can be met with policies or programs. When this demand is frustrated, as it must be, the result is an invitation to violence.</p><p>Muirhead and Rosenblum unpack the idea of ungoverning through many examples of the politics of destruction. They show how ungoverning disables capacities that took generations to build  including the administration of free and fair elections. They detail the challenges faced by officials who are entrusted with running the government and who now face threats and intimidation from those who would rather bring it crashing down  and replace the regular processes of governing with chaotic personal rule.</p><p>The unfamiliar phenomenon of ungoverning threatens us all regardless of partisanship or ideological leaning. Ungoverning will not be limited to Donald Trump's moment on the political stage. To resist this threat requires that we first recognise what ungoverning is and what it portends.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Russell Muirhead</b> is the Robert Clements Professor of Democracy and Politics at Dartmouth College. </p><p><b>Nancy L. Rosenblum</b> is the Senator Joseph Clark Professor of Ethics in Politics and Government Emerita at Harvard University. They are the authors of <i>A Lot of People Are Saying: The New Conspiracism and the Assault on Democracy</i> (Princeton).</p>]]></Text>
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			<SubjectHeadingText>India; India's Untraveled Path to Prosperity; economics; culture; Indian elections; Indian economy; India's future; economy; democratic; global competition; low-skilled manufacturing; increasing protectionism; automation; majoritarian; politics; India politics</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>The whole world has a stake in India's future, and that future hinges on whether India can develop its economy and deliver for its population  now the world's largest  while staying democratic. India's economy has overtaken the United Kingdom's to become the fifth-largest in the world, but it is still only one-fifth the size of China's, and India's economic growth is too slow to provide jobs for millions of its ambitious youth. Blocking India's current path are intense global competition in low-skilled manufacturing, increasing protectionism and automation, and the country's majoritarian streak in politics. In <i>Breaking the Mold</i>, Raghuram Rajan and Rohit Lamba show why and how India needs to blaze a new path if it's to succeed.</p><p>India diverged long ago from the standard development model, the one followed by China  from agriculture to low-skilled manufacturing, then high-skilled manufacturing and, finally, services  by leapfrogging intermediate steps. India must not turn back now. Rajan and Lamba explain how India can accelerate growth by prioritising human capital, expanding opportunities in high-skilled services, encouraging entrepreneurship, and strengthening rather than weakening its democratic traditions. It can chart a path based on ideas and creativity even at its early stage of development.</p><p>Filled with vivid examples and written with incisive candor, <i>Breaking the Mold</i> shows how India can break free of the stumbling blocks of the past and embrace the enormous possibilities of the future.</p><p><b>'There are no better guides to how [India] might best leverage its potential  and manage the obstacles...[Rajan and Lamba] expertly devise a new growth model for India, offering detailed recommendations for reforming the country's industrial strategy, healthcare, education and democracy...This is a novel, well-argued and solidly evidenced pitch for India's future...A must-read for anyone keen to understand a nation that will play a big part in all our economic futures.'  Tej Parikh, </b><b><i>Financial Times</i></b></p><p><b>'[Rajan and Lamba] sketch out a vision that amounts to an entirely new model of development for India  one that they argue is better suited to its strengths than its current model.' </b> <b><i>The Economist</i></b></p><p><b>'A forthright accounting of the nation's many faults and enormous unused potential i.e., human capital...A sobering economic study packed with useful ideas.' </b> <b><i>Kirkus Reviews</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Raghuram G. Rajan</b> is the Katherine Dusak Miller Distinguished Service Professor of Finance at the University of Chicago Booth School of Business, former governor of the Reserve Bank of India, and former chief economist of the International Monetary Fund. His books include <i>Fault Lines: How Hidden Fractures Still Threaten the World Economy</i> (Princeton), winner of the Financial Times Business Book of the Year Award.</p><p><b>Rohit Lamba</b> is assistant professor of economics at Cornell University and visiting assistant professor of economics at New York University Abu Dhabi. He previously worked as an economist at the office of the chief economic adviser to the Government of India.</p>]]></Text>
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			<SubjectHeadingText>Andalucia; Aragon; Art lovers; Asturias; Balearic Islands; Barcelona; Basque Country; Cantabria; Castilla La Mancha; Castilla Y Leon; Castles; Centurions; Conquistadors; Costa Blanca; Costa Brava; Costa Daurada; Costa del Sol; Extremadura; Galicia; Girona; La Rioja; Madrid; Navarra; Valencia</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Frommer's books aren't 'written' by A.I., like so many others, or by travel writers who simply pop in briefly to a destination and then consider the job done. We use seasoned, locally-based journalists like Peter Barron (formerly of the BBC), along with writers who live part-time in Spain, like Patricia Harris, David Lyon and Murray Stewart.The four of them spent months checking out all of Spain's best hotels, attractions, shops, wineries, and restaurants</b> <b><i>in person</i></b><b>, so they could offer authoritative, candid reviews that will help you find the venues that suit your tastes and budget.</b></p><p>In short, use this book and you'll be eating in the places most tourists don't know about, visiting top attractions at times when the crowds are at their thinnest, and patronising the bars and clubs Spaniards hold dear.</p><p>Whether you're partying the night away in the Balearic Islands, exploring architecture and history in Barcelona or Bilbao, or walking the Camino de Santiago, this book will make your vacation better. We include advice the tourist board wouldn't approve of: which sites to skip, how to avoid the crowds, and how to stretch your travel budget further, whether you're on a lavish honeymoon or backpacking it.</p><p>Inside the guide:</p><ul><li>Full-colour photos and helpful maps, including a detachable foldout map</li><li>Detailed itineraries for planning your trip to suit your schedule and interests (and help you avoid lines and crowds)</li><li>Candid reviews of the best restaurants, historic sights, museums, tours, shops, and experiences  and no-punches-pulled info on the ones not worth your time and money</li><li>Accurate, up-to-date info on transportation, useful websites, telephone numbers, and more</li><li>Compelling cultural information so that you'll better understand the history, cuisine, and traditions of Spain</li><li>Budget-planning help with the lowdown on prices and ways to save money, whether you're travelling on a shoestring or in the lap of luxury</li></ul><p>About Frommer's: There's a reason Frommer's has been the most trusted name in travel for more than 65 years. Arthur Frommer created the best-selling guide series in 1957 to help American servicemen fulfil their dreams of travel in Europe, and since then, we have published thousands of titles, become a household name, and helped millions upon millions of people realise their own dreams of seeing our planet. Travel is easy with Frommer's.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>After careers at the BBC and Google,<b>Peter Barron</b> turned his attention to restoring a barn at his finca on the border between Andaluca and Extremadura. He has been visiting Spain for more than 35 years and loves flamenco guitar, iberico ham, and manzanilla. He writes the Sketches of Spain column for the<i>New European</i>newspaper and blogs atadventuresinextremadura.com.</p><p><b>Patricia Harris</b> and <b>David Lyon</b>drove almost every twisting mountain road as they researched four previous Frommer's guidebooks about Spain. Founders of HungryTravelers.com, they have a deep appreciation for the perfect codfish croqueta, an honest plate of <i>patatas bravas</i>, or a heap of garlic shrimp. They write about travel, food, wine, spirits and contemporary art for a range of U.S., Canadian, and British journals. When not on the road, they reside in Cambridge, MA, where their kitchen is well stocked with saffron from Consuegra, smoked paprika from Extremadura, chorizo from Castilla y Len, and a Valencian paella pan to bring them all together.</p><p><b>Murray Stewart</b> has written and updated several travel guidebooks in the last decade. Before taking an abrupt career change, he 'enjoyed' a career in corporate restructuring. He has visited more than 60 countries, including spells teaching English in Chile and Mexico and consulting in Spain and Bulgaria. A keen walker, he has covered several routes of the Camino de Santiago pilgrimage. His guidebook to the lesser-known Camino Ignaciano pilgrimage was shortlisted for Best Travel Guidebook of 2022.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An IACP Cookbook Award finalist.</b></p><p><b>A fascinating and eye-opening chronicle of the global history of oyster farming, the current state of the industry, and the possibilities of investing in oyster farming as a solution to food and climate challenges from veteran oyster farmer Dan Martino.</b></p><p>The oyster is one of Earth's oldest animals, and fossil records show humans have enjoyed them for hundreds of thousands of years. But like so many other creatures, wild oysters were driven to near extinction by overconsumption and pollution. The Clean Water Act, passed in 1972, marked a turning point for water quality, and decades later, we're witnessing a renaissance in oyster culture as the rise of aquaculture (ocean farming) attempts to supply a growing demand for oysters that increases exponentially year after year.</p><p>Internationally renowned oyster farmer Dan Martino guides readers through this fascinating history before presenting a detailed breakdown of the current state of the oyster industry as only an insider can describe it. He discusses husbandry, nursery, and farm techniques; the practical side of working with local government to set up a farm; tips for selling into the market; and what qualities make for the perfect oyster. He details the various global styles of farming and the species of oysters farmed, explaining how they differ in size, texture, shape, and taste  characteristics referred to as 'merroir,' to parallel the way 'terroir' illuminates how the origin of place affects taste in wine.</p><p>The oyster has never been more relevant as we look to the future and the many challenges presented by climate change and a growing population. Martino explores how the current land-based food production system risks collapse as it tries to keep up with growing demand, and oyster farming, which uses no land and minimal freshwater input, is a natural alternative to more resource-intensive food sources. Oysters are also exceptionally good at capturing carbon, making them a necessary element in the quest for climate change solutions.</p><p><i>The Oyster Book</i> is an exploration of the past, present, and future of humanity's relationship with the oyster, highlighting how humans can learn from our mistakes and harness the oyster's potential for a more sustainable future.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dan Martino</b> was a TV producer for a decade when he stumbled upon oyster farming while filming a show. The opportunities within the oyster farming industry were so apparent that Dan promptly changed careers and started his own farm, Cottage City Oysters, off the coast of Martha's Vineyard with his brother Greg. With over a decade of farming under his belt, Dan and the Cottage City Oyster Farm have become international leaders within the 3D regenerative farming industry.</p>]]></Text>
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			<SubjectHeadingText>Ann Daniels; Antarctica; Ayo Akinwolere; Blue Peter; Cal Major; Climbing and Walking; Extreme Climbing; Extreme Sports; Extreme Winter Sports; Jasmine Harrison; Jo Bradshaw; Mount Everest; Tim Howell; adventure; biography; blue scotland; bravery; challenging perceptions; challenging traditions; climbing; everest; female stories; female writer; inspiring women; mollie hughes; motivational speaker; mountain adventure; sports biography; stereotypes; strong female voice; water sports; women's stories</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>War in the 21st century will remain a chameleon that takes on different forms and guises. This book offers the first comprehensive update and revision of ideas about the future of war since Russia's 2022 invasion of Ukraine. It argues that the war has fundamentally shifted our perspective on the nature and character of future war, but also cautions against marginalising many other parallel trends, types of war, and ways of waging them.</p><p>World-renowned international experts from the War Studies field consider the impact of the war in Ukraine on the broader social phenomenon of war: they analyse visions of future war; examine the impact of technological innovation on its conduct; assess our ability to anticipate its future; and consider lessons learned for leaders, soldiers, strategists, scholars and concerned citizens.</p><p><i>Beyond Ukraine</i> features contributions from Azar Gat, Beatrice Heuser, Antulio Echevarria, Audrey Cronin, T. X. Hammes, Kenneth Payne, Frank Hoffman, David Betz, Jan Willem Honig, and many other pre-eminent thinkers on the past, present and future of war  including an afterword by the late Christopher Coker.</p><p></p><p><b>'A remarkable achievement ... </b><b><i>Beyond Ukraine</i></b><b> provides sound perspectives, solid insights, and credible scenarios in the much broader field of security and strategic studies.'  European Review of International Studies</b></p><p><b>'</b><b><i>Beyond Ukraine </i></b><b>is a welcome antidote to [the] myopia [of U.S. security discourse].'  </b><b><i>Joint Force Quarterly</i></b></p><p><b>'A broad and in-depth approach.'  </b><b><i>Clingendael Spectator</i></b></p><p><b>'The best edited volume on war and warfare to appear in this century.'  Lt. Gen. (Retd) H. R. McMaster, former US National Security Advisor</b></p><p><b>'One of the most detailed and forensic explorations of the war in Ukraine and its implications for the future of conflict. Drawing together a superb array of experts, this book links the strategic, technological and human experience of war in Ukraine with the wars that are an unwelcome but inevitable part of our collective future.'  Maj. Gen. (Retd) Mick Ryan, Australian Army</b></p><p><b>'Sweijs and Michaels have done a remarkable job pulling together a stellar collection of contributors who use the experience of the RussianUkraine war to illuminate all aspects of the future of warfare.'  Sir Lawrence Freedman, Emeritus Professor of War Studies, King's College London</b></p><p><b>'Of all futures to anticipate, those of war are the trickiest. An existential endeavour in which technology and human values meet under high pressure requires ingenuity, creativity and intellectual honesty to outline and frame. This book, written by the best in the field, has all of the above.'  Florence Gaub, Director of the Research Division, NATO Defense College</b></p><p><b>'A timely, thoughtful analysis. Leading scholars delve into theoretical and empirical questions about great power war, technological innovation, people's war and other pressing issues.'   Jacqueline L. Hazelton, Executive Editor of International Security, Harvard Kennedy School</b></p><p><b>'Given the infrequency of war as well as its changing character, soldiers and scholars must rely upon theory and history to guide them towards an uncertain future. These essays offer useful aids to navigating through the fog of peace.'  Thomas G. Mahnken, Philip Merrill Center for Strategic Studies, Johns Hopkins University</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Decades before</b> <b><i>Race Across the World</i></b><b>, six friends made the epic journey from London to Singapore and back in two Land Rovers.</b></p><p>Why not? No-one had ever done it: one of the longest of all overland journeys, from the English Channel to Singapore. Several expeditions had tried. Some had reached the Persian deserts; a few, the Indian plains. But none had gone further: over the jungle-clad Assamese mountains, across northern Burma, to Thailand and Malaya. It was 1955. For the final 3,000 miles, it seemed, there were 'too many rivers and too few roads'. But no-one really knew...</p><p>They were undergraduates with no money, no cars  no nothing, except cool audacity. They wheedled and cajoled, coaxing the BBC into supplying film for a possible series; 'persuading' Rover to lend them two factory-fresh off-road vehicles; sweet-talking a book publisher into offering an advance. By the time they set off, their eighty-plus sponsors ranged from whiskey distillers to collapsible bucketmakers. Seven months and 12,000 miles later, two weary, police-escorted Land Rovers rolled into Singapore to flash-bulbs and champagne. Here, their bestseller is republished, with a foreword by Sir David Attenborough. He had given them that film, after all.</p><p></p><p><b>'Delightful ... written with humour and beguiling gusto.' </b> <b><i>TLS</i></b></p><p><b>'The best travel book I have ever read.' </b><b><i> The Motor</i></b></p>]]></Text>
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			<SubjectHeadingText>Fire Drill Friday; Fonda's red coat; Hanoi Jane; actor activism; alt-USO; barbarella; barefoot in the park; chapman report; china syndrome; climate change activism; coming home; committee for the first amendment; hurry sundown; in the cool of the day; klute; sunday in new york; winter solider hearings</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[As much coverage as Jane Fonda has elicited through the years, the stories often skim past her prime filmmaking core.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>As much coverage as Jane Fonda has elicited through the years, the stories often skim past her prime filmmaking core.</b></p><p><i>Fonda on Film</i>spotlights the signature political films Fonda generated in the 1970s  <i>Coming Home</i>, <i>The China Syndrome</i>, <i>9 to 5</i> and more  that are still underappreciated even as Fonda endures as one of the world's most admired and controversial performers.</p><p>This is a movie book about a mega-celebrity, an origin story voyaging through Fonda's learning years in the 1960s and the calculated payoff of the 1970s. She emerged as a Hollywood scion challenged to prove herself while trying to rise above ingenue roles and sex-angst melodramas. Splitting time between the United States and France to stretch her range, Fonda broke through as the perky newlywed of <i>Barefoot in the Park</i>, the sci-fi pinup <i>Barbarella</i> and the Oscar-winning star of the sleek <i>Klute</i>.</p><p>And then Fonda earned her activist stripes with the Vietnam vets' Winter Soldier hearings and her alt-USO F.T.A. tour. She survived the "Hanoi Jane" flap and, by the mid-1970s, transformed into a singular star on an unparalleled moviemaking mission.</p><p>Fonda's long post-<i>Klute</i> break ended with bold comeback hits  comedy and economic justice in <i>Fun with Dick and Jane</i>, high drama and political commitment with <i>Julia</i>. Over the following half decade, Fonda's production company generated the purposeful movies that still underpin her actor-activist persona, including the groundbreaking <i>Coming Home</i> on Vietnam, the timely <i>The China Syndrome</i> on nuclear power and the still-relevant <i>9 to 5</i> on workplace equality.</p><p>Her more recent work protesting the Iraq War in 2005 and ringleading the 201920 Fire Drill Fridays campaigns on Capitol Hill illustrates Fonda's political method  and how it guided her movie work.</p><p><b><i>Fonda on Film</i></b><b> is a movie buff's book, and a portrait of an iconic activist-artist bridging the gap between streets and screens.</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nelson Pressley</b> was a <i>Washington Post</i> theater critic/arts journalist for twenty years, writing reviews, features and profiles, interviewing Tony, Emmy, Oscar and Pulitzer winners, editing in the Weekend section, publishing a weekly theater review newsletter, hosting some of the paper's first Facebook Live projects (including interviewing Kathleen Turner), and creating other video content. His work has appeared in <i>American Theatre</i>, <i>The Sondheim Review</i>, and elsewhere, and for several years he was a panelist on WETA-TV's <i>Around Town</i>. He is the author of the 2014 book <i>American Playwriting and the Anti-Political Prejudice</i>, and he wrote the David Mamet chapter for the 1980s book in Methuen's Decades of American Drama series (2018). His website, A Parallax View, is a notebook on hundreds more movies from 1960 to 1981. He lives in Delaware.</p>]]></Text>
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			<SubjectHeadingText>#collegesanduniversities; Bryan Penprase; Education Reform; Entrepreneurial Leadership; Entrepreneurship and higher education; Founders,Founding; Global higher education; Innovation and higher education; Liberal Arts; New Colleges; New Universities; Noah Pickus</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Reimagining higher education around the world: lessons from the creation of eight new colleges and universities in Africa, Asia, the Middle East, and North America.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Reimagining higher education around the world: lessons from the creation of eight new colleges and universities in Africa, Asia, the Middle East, and North America.</p><p>Higher education is perpetually in crisis, buffeted by increasing costs and a perceived lack of return on investment, campus culture that is criticised for stifling debate on controversial topics, and a growing sense that the liberal arts are outmoded and irrelevant. Some observers even put higher education on the brink of death. <i>The New Global Universities</i> offers a counterargument, telling the story of educational leaders who have chosen not to give up on higher education but to reimagine it. The book chronicles the development and launch of eight innovative colleges and universities in Africa, Asia, the Middle East and North America, describing the combination of intellectual courage, entrepreneurial audacity, and adaptive leadership needed to invent educational institutions today.</p><p>The authors, both academic leaders who have been involved in launching ventures similar to the ones described, offer a unique inside perspective on these efforts. Bryan Penprase and Noah Pickus show how the founders of new colleges and universities establish distinctive brands in a sector dominated by centuries-old institutions, secure creative sources of funding, attract stellar faculty and students, and design appealing curriculums and campuses - all while managing tradeoffs and setbacks, balancing local needs and global aspirations, and wrestling with challenges to academic freedom. These new educational institutions include two universities in Asia and the Middle East built by well-established American parent institutions, others in Africa and North America that offer holistic reform from the ground up and leverage new technologies to lower costs, and still others that adapted the American liberal arts model to Asian and African contexts. Their experiences offer lessons for future founders of new universities - and for those who want to renew and rejuvenate existing ones.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Coping</i> offers a straightforward, evidence-based road map for managing stress with clarity and confidence. Drawing on decades of clinical experience and a thorough review of the latest research, psychiatrists and mental health researchers Robert Maunder, MD and Jonathan Hunter, MD present a practical, curated guide to effective coping strategies  along with realistic expectations for their success.</p><p>With warmth and wisdom, the authors introduce three essential steps: fix the problem if you can, feel better about what you can't fix, and, when suffering persists, seek purpose and meaning. For each step, they provide specific, proven techniques to help you tackle problems, find comfort, and discover deeper significance in challenging times. Step-by-step instructions and decision-making tools make it easy to learn, apply, and choose the right approach for any situation. These science-backed strategies are designed for maximum flexibility and can be adapted to meet the reader where they are. Integrating twelve powerful, real-life interviews with individuals facing extraordinary stress, the book helps readers modify the tested methods to their unique challenges and personal preferences and provides a rare sense of hope.</p><p>Accessible, compassionate, and grounded in science, <i>Coping</i> presents a scientifically sound, practical, forgiving, and authoritative guide to caring for yourself.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Out of the countless experiences in a lifetime, why are certain narratives chosen, repeated, and preserved by aging individuals?</p><p><i>The Ten Stories</i> suggests that most elderly people return to a core set of approximately ten stories as they reflect on their lives. The significance of those narratives lies not in their factual details, but in the values and meanings they convey. Most stories told are set during late adolescence and early adulthood  often eight or nine out of ten originate during this period. The stories are also audience-specific, as they are shaped by the relationship between teller and listener. The book explores how stories told by mothers are different than those told by fathers; how stories told to sons differ from those told to daughters; and how the stories of immigrant parents differ from non-immigrants.</p><p>Social scientist and health policy researcher Mary Ann McColl provides insight into what older adults may be expressing through repeated stories. She shares twenty recurring themes emerging from the stories  such as overcoming obstacles, showing kindness, regrets and resentments, and standing up for what's right  that represent an opportunity for connection and understanding, rather than a source of frustration. This book offers practical strategies for listening more effectively and appreciating those narratives as intentional, meaningful acts of communication.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>What's it like to run away with the circus?</p><p>Cardiff, Wales, 1983. A bunch of university dropouts and unemployed hippies find themselves united by two things: a talent for juggling and a desire to live a different kind of life. They decide it might be fun to juggle their way out of the rat race by founding a circus, which they call 'NoFit State'.</p><p>How does this group grow from its lowly origins as buskers on the city streets to become one of the most admired and respected contemporary circuses in the world?</p><p>Stephen Glascoe, a member of NoFit State's amateur community group 'Splott State Circus', takes us behind the scenes of the drama, stress and joy of a radical modern circus.</p><p>Based on in-depth interviews with the founders of the circus and many others who have been part of its history,<i> Circus Rebels</i> charts the challenges and triumphs of underdogs turned Welsh creative powerhouse.</p>]]></Text>
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			<BiographicalNote textformat="05"><![CDATA[<p><b>Mariana Louis</b> left behind a promising career as a musical theatre performer to become one of the leading contemporary tarot scholars and teachers. Today she has a loyal audience on Instagram and her videos have garnered nearly a quarter million views on YouTube,and she is widely recognized as one of the foremost voices in educating tarot enthusiasts on the psycho-spiritual power of the cards. Outside of her own offerings, she is a faculty member of the Jung Archademy, an esteemed online educational platform with a select faculty of Jungian analysts and vetted depth psychology scholars. Mariana's guidance is so highly valued because it is so unique: drawing from a rich background in depth psychology and Western thought traditions, Mariana teaches tarotists the archetypal patterns hidden within the cards andhow to use them as a guide on their journey of individuation.<br/> <br/>Her writings and reflection on psycho-spiritual growth have been featured in online magazines such as <i>Thought Catalog, Soul Anatomy,</i> and <i>The Cut</i>, and her prose and poetry have been published in <i>Luna Luna Magazine</i> and <i>Sixfold Magazine</i>and have appeared in the music of acclaimed composer Gary Schall. Her greatest work remains her teaching, where she has guided countless students via her platform <i>Persephone's Sister</i> in subjects such as witchcraft and Jungian theory, tarot and shadow work, and images of the archetypal Feminine. She is also co-host of <i>Soror Mystica</i>, a podcast elucidating the world's most mystifying symbols. Mariana is a native New Yorker based in Queens and lives with her husband, two cats, and perpetually expanding book collection.</p>]]></BiographicalNote>
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			<Text textformat="02"><![CDATA[<p><b><i>Tarot and the Psychology of the Soul</i></b><b> is part classic guidebook, part provoking how-to, with a dash of stirring tarot philosophy. With a focus on inspiration and inclusivity for all tarot levels, it begins by establishing how we can view the cards as reflections of the psyche and walks readers through how to use the cards for inner work and shadow work.</b></p><p>Though we turn to it for answers and solutions, the true power of the tarot is as a mirror. With the right approach, it reflects the tapestry of our psyches, illuminating both conscious will and unconscious longing. It teaches us to befriend our shadows, evoke our imaginations, and attune to the soul's quiet directive: How am I meant to live?</p><p>With a tone that is both scholarly and soulful, Mariana Louis guides tarotists  whether beginners or seasoned practitioners   through the archetypal approach. Alongside archetypal interpretations of the cards, she grounds readers in the foundations of depth psychology, inner work techniques, and methods of reading. The following topics are also covered:</p><ul><li>Psycho-spiritual meanings and approaches to the Major and Minor Arcana</li><li>A breakdown of how to apply all that the reader has learned</li><li>Guidance on how to prepare for readings and how the cards communicate</li></ul><p>More than a manual for reading the cards, it is an initiation into their archetypal depth. <i>Tarot and the Psychology of the Soul</i> invites you to use the tarot as a living language of the psyche, helping you listen to your intuitive wisdom, embrace your wholeness, and awaken the answers waiting within.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mariana Louis</b> left behind a promising career as a musical theatre performer to become one of the leading contemporary tarot scholars and teachers. Today she has a loyal audience on Instagram and her videos have garnered nearly a quarter million views on YouTube,and she is widely recognized as one of the foremost voices in educating tarot enthusiasts on the psycho-spiritual power of the cards. Outside of her own offerings, she is a faculty member of the Jung Archademy, an esteemed online educational platform with a select faculty of Jungian analysts and vetted depth psychology scholars. Mariana's guidance is so highly valued because it is so unique: drawing from a rich background in depth psychology and Western thought traditions, Mariana teaches tarotists the archetypal patterns hidden within the cards andhow to use them as a guide on their journey of individuation.<br/> <br/>Her writings and reflection on psycho-spiritual growth have been featured in online magazines such as <i>Thought Catalog, Soul Anatomy,</i> and <i>The Cut</i>, and her prose and poetry have been published in <i>Luna Luna Magazine</i> and <i>Sixfold Magazine</i>and have appeared in the music of acclaimed composer Gary Schall. Her greatest work remains her teaching, where she has guided countless students via her platform <i>Persephone's Sister</i> in subjects such as witchcraft and Jungian theory, tarot and shadow work, and images of the archetypal Feminine. She is also co-host of <i>Soror Mystica</i>, a podcast elucidating the world's most mystifying symbols. Mariana is a native New Yorker based in Queens and lives with her husband, two cats, and perpetually expanding book collection.</p>]]></Text>
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			<BiographicalNote textformat="05"><![CDATA[<p>Witch, author, and teacher of the metaphysical, <b>Miss Aida</b> is a priestess of Santeria and Palo. Magical practice has always been a part of her life. She was raised in a practicing Cuban family and specializes in spiritual eradications, as well as spiritual cleansings and protection. Beyond her books, her work has been featured on numerous radio shows and television networks, and in independent films.</p>]]></BiographicalNote>
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			<Text textformat="02"><![CDATA[In this illuminating guide, Miss Aida corrects widespread misconceptions about Hoodoo  a powerful African diaspora tradition rooted in African traditional religions.]]></Text>
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			<Text textformat="02"><![CDATA[<p>In this illuminating guide, Miss Aida corrects widespread misconceptions about Hoodoo  a powerful African diaspora tradition rooted in African traditional religions. She reveals authentic practices, contrasts Hoodoo with related traditions like Santeria and Haitian Vodou, and reclaims this rich spiritual craft from misrepresentation, offering readers a genuine understanding of Hoodoo's true essence.</p><p>Hoodoo and conjure may be household words, but the popular magical craft practiced by tens of thousands of individuals has been grossly misrepresented in many modern practices. <i>Traditional Hoodoo &amp; Conjure</i> seeks to reverse these misconceptions and provide practitioners with the history, mechanics, and tools to understand not only how but why each magical action serves a greater purpose.</p><p>Because Hoodoo derives its roots from African traditional religions that were initially brought toNorth America by enslaved people during the transatlantic era, many aspects of the craft parallel African-Caribbean practices, such as Santeria and Haitian Vodou. Miss Aida teaches readers how to honour their ancestors in a traditional manner and petition honoured entities. By offering magical baths, 25 traditional rituals, 125 spells, 50 recipes, and 40 prayers, readers will develop a deeper understanding of Hoodoo while becoming knowledgeable and formidable spellcasters.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The ancient wisdom of the Akasha brought into modern life to awaken your inner potential for spiritual growth, self-improvement, and an expansion of your understanding of the world.</b></p><p>The Akasha is essentially the energetic field that contains everything  every thought, action, emotion, memory, and experience. Imagine it as the universe's hard drive, where every bit of information is stored, not just from your life but also from the lives of everyone who has ever existed. It is available to all of us   a universal field that reminds us of our inherent interconnectedness and our shared history as souls navigating the vast expanse of existence. In moments of stillness, the Akasha is here, in every breath you take and every moment you live.</p><p><i>Tapping into the Akasha</i> delves deeply into the ancient modalities used by sages to show you how to access the Akasha. Along with practical exercises and techniques, including meditation, visualization, and energy work, Rohini Moradi guides you on a wonderous voyage of self-discovery:</p><ul><li>Uncover answers to life's big questions</li><li>Begin to understand your soul's path</li><li>Gain a deeper understanding of yourself</li><li>Develop your intuitive abilities</li><li>Find answers to specific questions</li></ul><p>Whether you're at the beginning of your journey or looking to deepen your connection with your inner wisdom, <i>Tapping into the Akasha</i> offers insight and clarity for all those seeking personal transformation, deeper self-understanding, and guidance.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>What if everything you believe about yourself is an illusion?</b></p><p>We spend our lives seeking improvement, peace, and purpose, operating from the core assumption that we are a separate self  a thinker, a doer, a manager of our lives. But what if this 'self' is not what you truly are? What if the very search for a better 'you' is the root of all suffering?</p><p><i>Seeing No Self</i> is not another self-help book promising a better life. It is a direct, unflinching guide to the end of seeking. Through 33 essential inquiries, author and guide Katrijn Van Oudheusden dismantles the illusion of the separate self layer by layer, pointing you back to what you have always been  the boundless, aware Presence in which all of life unfolds.</p><p>This is a book of radical rediscovery. It offers no theories to believe, no practices to master, and no person to improve. Instead, it provides a clear, empirical investigation into your direct experience, inviting you to look for yourself and see what is already undeniably true.</p><p>Freedom is not something to achieve. It is what remains when you stop believing that you are the one who isn't free.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>An accessible and comprehensive guide to an overlooked yet powerful tool of modern alchemy and occult practice: fluid condensers. This book explores history, theory, and practical applications, filling a long-standing gap in magical literature.</p><p><b>Alchemical Wisdom for the Modern Practitioner</b></p><p>Long mentioned but rarely explained, fluid condensers are a powerful yet elusive tool in occult and magical traditions. In <i>Fluid Condensers</i>, Aerik Arkadian demystifies this powerful practice, offering a thorough and accessible introduction suitable for both seasoned occultists and curious seekers.</p><p>Blending historical references, modern interpretations, and practical applications, Aerik provides clear explanations, step-by-step exercises, discussion prompts, and sample recipes for a variety of magical goals. <i>Fluid Condensers</i> becomes a hands-on manual for deepening personal power and refining spiritual technique.</p><p>Designed to serve practitioners of all paths, this work is not tied to any one tradition. Instead, it positions fluid condensers as a living expression of modern alchemy  practical, empowering, and transformative. Whether you're looking to energize your magical practice, understand esoteric principles, or work more consciously with elemental forces, <i>Fluid Condensers</i> offers the tools and insight to do so.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Highly commended, Australian Book Design Awards 2026, Best Designed Catalogue/Exhibition Book**</b></p><p><b>'As an artist I produce a visual journal for most of my works. The journal for</b> <b><i>After the Rain</i></b><b> became my tool for communicating with artists, highlighting the immersive potential of the exhibition spaces, and encouraging artists to utilise these fully.</b></p><p><b>As the first artist-led Triennial, thinking and working differently was important. The journal was a visual medium to express ideas, and the publication grew from that, becoming a deeper exploration and reflection of the exhibition.'</b></p><p><b> Tony Albert, Girramay/Yidinji/Kuku-Yalanji peoples</b></p><p><i>After the Rain</i> documents the creative processes of 10 contemporary art projects commissioned for the National Gallery of Australia's major recurrent exhibition dedicated to First Nations art and artists in Australia  the National Indigenous Art Triennial.</p><p>Edited by the Triennial's Artistic Director Tony Albert and long-time collaborator Sally Brand, the publication shares stories of artistic collaborations, longstanding friendships and generational practices from Erub, the most north-eastern island in Zenadth Kes/Torres Strait, to Ntaria/Hermannsburg in Central Australia and Naarm/Narrm/Melbourne.</p><p>Alongside artist profiles, the publication includes commissioned essays addressing legacies, identities and climate change by contributing First Nations writers Bruce Johnson McLean, Jilda Andrews, Daniel Browning and Yessie Mosby. Original portraits of the exhibition's artists by the celebrated Western Aranda painter Vincent Namatjira punctuate a vibrantly illustrated publication.</p><p>The publication is accompanied by a pull-out map created by Tony Albert showcasing his travels across Australia to meet with artists and their communities.</p><p><i>After the Rain</i> invites readers to engage with First Nations art and artists and acknowledge and celebrate the cultural warriors of the past, present and future.</p>]]></Text>
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			<Text textformat="02"><![CDATA[In The Power of Choice, award-winning photographer Julian Kingma turns his camera on those who choose assisted dying, and those who help them on their final journey. These intimate portraits, along with essays from Andrew Denton and Richard Flanagan, invite us to ask, perhaps for the first time, what makes a good death.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Walkley Awards 2025, Feature/Photographic Essay**</b></p><p><b>**Shortlisted, ABIAs 2026, Social Impact Book of the Year**</b></p><p>In <i>The Power of Choice</i>, award-winning photographer Julian Kingma turns his camera on those who choose assisted dying, and those who help them on their final journey. These intimate portraits, along with essays from Andrew Denton and Richard Flanagan, invite us to ask, perhaps for the first time, what makes a good death.</p><p>'Mute and frozen witnesses, we watched Death take this strong man  my father  and shake him out until he was nothing.'</p><p>Andrew Denton</p><p>'They choose voluntary assisted dying because they want a good death and not a bad death. Because, dying, they want an end to their suffering, not its indefinite continuation and worsening.'</p><p>Richard Flanagan</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Julian Kingma</b> is an award-winning photographer whose work is regularly exhibited at the National Portrait Gallery in Canberra. Many of his works feature in their permanent collection.</p><p>www.juliankingma.com</p>]]></Text>
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			<Text textformat="02"><![CDATA[Fixing its gaze on moments, places and objects  from the streets of Bethlehem to the Palestinian neighbourhoods of the New Jerusalem  Find me at the Jaffa Gate assembles a story of Palestinian diaspora, returning to the origins of violence in the Nakba.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Victorian Premier's Literary Awards 2026, Non-Fiction**</b></p><p><b>**Shortlisted, NSW Literary Awards 2026, Douglas Stewart Prize for Non-Fiction**</b></p><p><b>**Shortlisted, NSW Literary Awards 2026, Multicultural NSW Award**</b></p><p><b>**Shortlisted, NSW Literary Awards 2026,</b> <b>UTS Glenda Adams Award for New Writing**</b></p><p><b>**Longlisted, Stella Prize 2026**</b></p><p><i>'If we were different people, to write down these words might be to leave them behind us. But words are our artifacts, and I am seeding a trail for the journey, home.'</i></p><p>What does the daughter of a Nakba survivor inherit? It is not property or tangible heirlooms, nor the streets and neighbourhoods of a father's childhood and the deep roots of family who have lived in one place, Jerusalem, for generation upon generation.</p><p>Fixing her gaze on moments, places and objects  from the streets of Bethlehem to the Palestinian neighbourhoods of the New Jerusalem  Micaela Sahhar assembles a story of Palestinian diaspora. <i>Find Me at the Jaffa Gate</i> is a book about the gaps and blank spaces that cannot be easily recounted, but which insists on the vibrant reality of chance, fragments and memory to reclaim a place called home.</p><p><b>'Micaela Sahhar's</b> <b><i>Find Me at the Jaffa Gate</i></b><b> is one of the most inventive, thought-provoking and captivating chronicles of Palestinian diasporic life I've had the pleasure of reading. It is a memoir written by a poet, poetry written by a novelist, literature written by an academic  it is all these things at once, insisting with a gentle yet unwavering confidence in the power of its unique, brilliantly evocative and genre-defying voice. Sahhar's love for her family, homeland, the details and intimacies of everyday life; for language, history, archives, photographs and the treasured ephemera of a life in diaspora, shine through every line. The result is a book in which every word is deliberate, each line commands attention, each chapter is a world within a world.'  Randa Abdel-Fattah, academic and writer, author of</b> <b><i>11 Words for Love</i></b></p><p><b>'Micaela Sahhar's family history has everything that makes any Palestinian family history worth telling and reading about. On the one hand, a rich culture that ranges from distinctive culinary practices to a distinctive sense of humour, and on the other hand, a tragic settler-colonial history of dispossession and oppression leading to a transnational diasporic existence, and that makes for a characteristic sense of space and place. But this is not any book about Palestine. Sahhar is a superior storyteller with a knack for highlighting evocative details. Storytelling, like any craft, embodies in different degrees the labour of the many people who have told stories about one's subject matter in the past. The more a writer is well-read the more this shows in the historical density and the social complexity of their storytelling. Sahhar's book is definitely dense and socially complex in this way. This could make for 'heavy' reading if it wasn't for Sahhar's superior writing skills. Indeed, I would say that more than anything else, this is a book for people who enjoy good writing, regardless of what the story is about. But of course, it matters what this story is about. This is a book about Palestine and Palestinians, and in the way the book is grounded in both the Palestinian tragedy and the Palestinian unlimited capacity to affirm life, the spirit of anti-colonial resistance animates every one of its pages. Sahhar finishes the book saying that like Mahmoud Darwish's father she hopes that one day she will be able to go to Palestine, to the streets where her family originates from, and shout</b> <b><i>I am I. And I am here</i></b><b>. But in a way, by writing this book, she already does that, if not from Palestine at least from the position she occupies within the transnational space of western colonialism.'  Ghassan Hage, professor of anthropology at the University of Melbourne and author of</b> <b><i>The Diasporic Condition: Ethnographic Explorations of the Lebanese in the World</i></b></p><p><b>'</b><b><i>Find Me at the Jaffa Gate</i></b><b> is an aching and tender study of diaspora, grief, memory and history. Sahhar has a masterful voice, playing subtly with tense and form to give agency to a beautifully layered narrative, interwoven with fragments, records and intimate moments of lives permanently changed by Nakba. Find Me at the Jaffa Gate tells an unmissable story of Palestinian survival and resistance across space and time.'  Evelyn Araluen, Bundjalung poet and author of</b> <b><i>Dropbear</i></b></p><p><b>'Sahhar chronicles the essential truths of Palestine with intricacy and finesse and in doing so, has crafted a mighty text that demands unbroken attention.</b> <b><i>Find Me at the Jaffa Gate</i></b><b> is a book that will be read, re-read, dog-eared, underlined and recited.'  Hasib Hourani, author of</b> <b><i>rock flight</i></b></p><p><b>'</b><b><i>Find Me at the Jaffa Gate</i></b> <b>opens with a recollection of the five-year-old Micaela bobbing off to preparatory school with pigtails, glasses and missing teeth. As she enters the classroom, her sense of self is shattered  in a nation that is home but not home, when a teacher butchers her family name and is visibly appalled when told the name is Palestinian. As the child of diaspora, born on the unceded lands of Australia, Micaela is ever conscious of the tension between being in exile on homelands now occupied; and living, working and writing on the occupied lands of Naarm  in colonial Australia  a site of invasion, and genocide.</b> <b><i>Find Me at the Jaffa Gate</i></b><b> writes of and to dispossession, displacement, trauma, loss, resilience and is testimony to the power of intergenerational story and memory that survives, and lives on so that all those who remain, and their children and children's children remember. In this polyphonic narrative, we hear many voices  some still living, others passed, now scattered across nations and continents, yet still connected through home  Palestine.'  Jeanine Leane, Wiradjuri writer, critic, poet and author of</b> <b><i>Gawimarra: Gathering</i></b></p><p><b>'At a time when Israel is literally trying to wipe Palestinians off the map, this book lands with a powerful thud of fury, beauty and resistance. Weaving personal stories with history in all its unvarnished details, Micaela Sahhar delivers a deeply affecting story that articulates one of the great outrages of our time.'  Antony Loewenstein, independent journalist, film-maker and author of</b> <b><i>The Palestine Laboratory</i></b></p><p><b>'</b><b><i>Find me at the Jaffa Gate</i></b> <b>is more than a lyrical memoir that binds personal storytelling with global history; Sahhar has built an archive for future generations. Readers interested in tales of migration and ancestral history will find a treasure trove in Sahhar's emotive and detailed offering.'  Hellai Gul,</b> <b><i>Books+Publishing</i></b></p><p><b>'</b><b><i>Find Me at the Jaffa Gate</i></b><b> has been one of my favourite books of the year.'  Alex Creece, author of</b> <b><i>Potty Mouth, Potty Mouth</i></b><b> and Online Editor at</b> <b><i>Archer</i></b></p><p><b>'</b><b><i>Find Me at the Jaffa Gate</i></b><b> is a story that traverses time and place, love and hate; it's a story of ongoing and unforgettable Palestinian survival.'  Readings</b></p><p><b>'[Through] beautiful prose, Sahhar pulls together a story, full of gaps and questions, about her Palestinian family, their memories and their connection to home.'  Celina Ribeiro,</b> <b><i>Guardian Australia</i></b></p><p><b>'This is a book that is about more than displacement  it's about resilience, truth-telling and the fragments of stories that are often forgotten but which form the bones and heart of what it means to Palestinian diaspora.'  Soaliha Iqbal,</b> <b><i>Missing Perspectives</i></b></p><p><b>'Author and poet Micaela Sahhar's lyrical story of generations of Palestinian diaspora is as timely as ever.'  Cheryl Akle,</b> <b><i>The Weekend Australian</i></b></p><p><b>'Sahhar not only reconstitutes an archive of her own family's past, she creates a new archive for the generations that follow.' </b> <b><i>This Week in Palestine</i></b></p><p><b>'Through the lens of her family's history Sahhar successfully immerses the reader in the big history and culture of Palestine, and the experience of being Palestinian.'  Rowan Cahill,</b> <b><i>Journal of Intercultural Studies</i></b></p><p><b>'One knows that</b> <b><i>Find Me at the Jaffa Gate</i></b><b> has been percolating for a long time when they read it. Within 48 short chapters, Micaela Sahhar pieces fragments of memory, speculation, and archival research to tell a story of both the construction of her selfhood and Palestinian family: 'not a story about wounds but about the preservation of something all its own'. It is a book full of brilliances even as occupation and exile cause history and geography to cut loose and spin around each other and as Sahhar herself asks, 'What does it mean to be exiled and how do we take our revenge?'</b> <b><i>Find Me at the Jaffa Gate</i></b><b> is a gift, a remarkable debut memoir that is simultaneously a work of poetry in its lyricism and feeling; humour, anger, warmth, grief and love eddy in a whirlpool to form a work about sumud and survival.'  VPLA judges' report</b></p><p><b>'No book is as essential for these past two years as Micaela Sahhar's</b> <b><i>Find Me at the Jaffa</i></b> <b>Gate.'  Winnie Dunn,</b> <b><i>Sydney Morning Herald</i></b></p><p><b><i>'Find Me at the Jaffa Gate: An encyclopaedia of a Palestinian family</i></b><b> is a deeply moving, confronting and life-affirming book. Innovative and poetic, it is both a political testimony and a nuanced tribute to a family displaced and torn apart by the Nakba. Micaela Sahhar writes with fierce intelligence and heart, forging a work of complex feeling, memory and exploration, a particularly notable achievement given that this is Sahhar's first book.'  Douglas Stewart Prize for Non-Fiction Judges' comments</b></p><p><b>'Micaela Sahhar's debut,</b><b><i> Find Me at the Jaffa Gate: An encyclopaedia of a Palestinian family</i></b><b>, harnesses evocative storytelling to tell the reader about the Palestinian diaspora in Australia and Sahhar's memories of her roots and heritage. As much as it is a Palestinian tragedy of colonisation and dispossession, the book is also an affirmation of the spirit that survives and lives on.'  Multicultural NSW Award Judges' comments</b></p>]]></Text>
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			<SubjectHeadingText>Margaret Fay Shaw; Scottish Gaelic; Hebridean Culture; Scottish Culture; Island Culture; historical biography; Scottish history; historical resource; Gaelic songs; Hebridean music; Isle of Canna; Paris; New York; Pennsylvania; John Lorne Campbell; books on Scottish history; Hot 100 Arts and Culture Contributors; The List; Shortlisted; James Tait Black prize; Culture Contributors 2025</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>An inclusive LGBTQ+ travel anthology,</b> <b><i>Edge of the World</i></b><b> explores what it means to be a queer person moving through the world.</b></p><p>These lively essays by luminary writers offer a queer perspective on how people experience other cultures and how other cultures receive queer people. This anthology of essays includes the perspectives of gay, lesbian, bisexual, queer, and trans American authors from multiple ethnic identities, showcasing the travel writing of both established and emerging authors across a wide age spectrum to address these central questions.Contributors include Alexander Chee, Edmund White, Daisy Hernndez, Putsata Reang, Alex Marzano-Lesnevich, Denne Michele Norris, Garrard Conley, Andrew Ellis Evans, Nicole Shawan Junior, Raluca Albu, KB Brookins, Genevieve Hudson, Zoe Sprankle, Sara Orozco, and Calvin Gimpelevich. Their essays take the reader to different areas of the world including Spain, Ukraine, Florida, New York City, Mexico, Cambodia, Russia, Senegal, Berlin, and more.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alden Jones</b> is the award-winning author of <i>The Wanting Was a Wilderness</i>, <i>The Blind Masseuse</i>, and <i>Unaccompanied Minors</i>. A professor at Emerson College and long-time travel educator, she has visited more than forty countries. Her writing has appeared in <i>AGNI</i>, <i>New York Magazine</i>, the <i>Boston Globe</i>, and <i>Best American Travel Writing</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Finalist for the Lambda Literary Award for Best Transgender Nonfiction </b></p><p><b>Finalist for the Leslie Feinberg Award for Trans and Gender-Variant Literature</b></p><p><b>'A breathtaking archive of our community...An absolute vital work for a precipitous time.'  Lilly Wachowski, co-director of </b><b><i>The Matrix</i></b></p><p><b>'Searing, witty, critical and defiant'  </b><b><i>Xtra</i></b></p><p>In 1993, Mirha Soleil-Ross and Xanthra Phillippa MacKay, fed up with a gay scene that rejected trans people and a trans scene that saw no alternative to going 'stealth', began to publish the zine <i>Gendertrash From Hell</i>. Over four issues, they interviewed sex workers and prisoners; they printed collages, soap operas and polemics; they ran regular sections with titles like 'Trannies Speak Out' and 'Hooker of the Month'. They redefined transsexual culture forever, and their explosive ideas resonate deeply today.</p><p>Remastered from the original layouts, this foundational work is now available in book form for the first time, including previously-unseen drafts from the unfinished fifth issue and essays by Trish Salah and Leah Tigers. Irreverent, furious, reckless, sexy, hilarious and incisive, <i>Gendertrash from Hell</i> is here to set all your presuppositions on fire.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An anthology of essays, comics, and recipes that reveals the dynamic and transformative relationship between queerness and food.</b></p><p>Food has long played an important role in queer culture. Lesbian- and queer women-run feminist restaurants, cafes, and coffeehouses have been safe spaces for queer and trans folk where gender norms can be challenged and where female authority is legitimised. During the AIDS epidemic, gay men and their allies centered food as an expression of collective care for those who needed it most. And queer and trans folk have asserted themselves in a restaurant culture largely controlled by white cisgender men.</p><p><i>Queers at the Table</i> celebrates the various intersections between queers and food. In its essays, comics, and recipes, the book shows how queer food fosters connections, defies norms, honours legacies, and creates community. Taylor Hartson and Tristian Lee write about a queer farming community in which queerness is part of a broad network of living things to be enjoyed and shared; Danielle Kydd writes about food security issues as faced by LGBTQ2S+ folk; and Blue Delliquanti's comic on urban foraging in Minneapolis demonstrates the role of a queer friend group in a local ecosystem.</p><p>In full colour throughout, <i>Queers at the Table</i> is a diverse and enriching anthology that reveals the myriad nurturing ways that queerness informs food production and restaurant culture and how food empowers, transforms, and unites queer and trans folk. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alex D. Ketchum</b> (she/her) is an assistant professor at the Institute for Gender, Sexuality, and Feminist Studies of McGill University. She is the author of several books, including <i>Ingredients for Revolution: A History of American Feminist Restaurants, Cafes, and Coffeehouses </i>(Concordia University Press). She lives in Montreal, Quebec.</p><p><b>Megan J. Elias </b>(they/them) is director of the Food Studies Program at Boston University and an associate professor. They are the author of five books about food history, including <i>Food on the Page: Cookbooks and American Culture</i> (University of Pennsylvania Press). Elias teaches courses in food history and food and gender and lives in Brooklyn, New York.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Olive Cotton is one of Australia's most respected photographers, with a career that spanned over six decades. In 1995, the National Library of Australia produced a volume collating over 60 works, from her earliest photographs taken with a box Brownie, her exhibition work in the 1930s and examples of the commercial work from the Max Dupain Studio during the war, through to the 'country' years raising a family and photographing nature, her return to public prominence in 1985 with her first solo exhibition, and more recent works.</p><p>Each photograph is accompanied by Olive Cotton's own commentary where she speaks about her compositions. Helen Ennis's introduction reveals some of the complex factors that have shaped Cotton's photographs and photographic career, while a biographical memoir written by Cotton's daughter, Sally McInerney, provides a personal glimpse into the life of a photographer in country Australia.</p><p><i>Olive Cotton</i> reproduces the 1995 edition in a new and affordable format, and is a beautifully produced survey of Olive Cotton's finest photographs dating from the 1930s up to the late 1990s.</p><p><i>The Olive Cotton</i> collection at the National Library comprises 58 photographic prints, most of which are silver gelatin, three interviews with Olive Cotton in the oral history collection, and the Papers of Olive Cotton in the manuscripts collection.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'Maki Itoh has succeeded in creating a treasure trove in her exploration of Japanese recipes and culinary traditions...Perfect for the Japanese food loving home cook.'  Elise Bauer, </b><b><i>Founder, SimplyRecipes.com</i></b></p><p><b>The first comprehensive cookbook to fully cover all aspects of Japanese cuisine  with 600 recipes!</b></p><p>This book has been a lifetime in the making. Bicultural author Makiko Itoh was born in Tokyo and grew up in New York, where her mother ran the leading Japanese restaurant for two decades. She has since developed a career as a successful bilingual food writer and translator, uniquely positioned to explain the cuisine to non-Japanese.</p><p>Her book answers all the questions foreigners typically have about one of the world's greatest cuisines, including:</p><ul><li>Why is Japanese food so unique? A full overview  from umami to seasonality to aesthetics</li><li>Essential ingredients like miso, mirin, dashi, sake and soy  how and why they are used</li><li>How to design a Japanese meal  from tableware to equipment to etiquette</li><li>Which recipes are right for you? The 600 recipes in this book cover everything from bento boxes to nimono simmered dishes to izakaya, sushi and hotpots. But which ones should you try?</li></ul><p>Itoh's mission is to demystify Japanese cuisine for non-Japanese. Her book contains 400 beautiful colour photos with clearly-presented recipes interspersed with fascinating essays and sidebars explaining all aspects of Japan's unique food culture. A must-read book for every Japanese food lover!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Makiko Itoh</b> was raised and educated in Japan, the UK and the US and has lived in Europe for many decades. Despite living abroad, she has always returned to her native Japanese culinary roots. In 2003 she started writing the <i>JustHungry</i> blog to introduce Japanese homestyle dishes to people with limited access to the authentic ingredients. In 2007 she launched a blog dedicated to bento, which led to the publication of her first book, <i>The Just Bento Cookbook</i>, which has become an international bestseller. She now lives in Switzerland and writes a monthly column on Japanese food for <i>The Japan Times</i>. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'Nancy has dedicated her life to finding and revealing the local flavors and ingredients that have been cornerstones of Japanese cooking for centuries.'  Alice Waters</b></p><p>In this striking, highly personal volume, acclaimed cookbook author Nancy Singleton Hachisu introduces readers to the regional chefs and artisans at the heart of Japan's unique food culture. Bringing to bear more than three decades of life in the Japanese countryside and over a decade as a food writer and champion of artisanal Japanese food traditions, she offers unique recipes, spectacular photographs and insightful essays about chefs and producers across Japan.</p><p>The 140 recipes  created by seven remarkable Japanese chefs  use local, seasonal ingredients to deliver intense, sophisticated flavours in an approachable way. Each of these Franco-Japanese, Italianate-Japanese and classic, yet modern Japanese dishes have been meticulously tested in the author's home kitchen. Readers will find here:</p><ul><li>Essays on regional producers of artisanal food items ranging from sea greens and umeboshi to potato flour, air-dried fish, miso, soy sauce and Japanese malt whisky</li><li>Refreshing starters such as Squid and Yugao Gourd Salad with Shiso Vinaigrette, and Smoked Pacific Saury with Pickled Myoga and Chrysanthemum</li><li>Savory mains such as Salt-Grilled Butterfish with Smashed Tofu, and Grilled Pigeon, Clam, Taro, Leeks &amp; Dried Treviso</li><li>Japanese influenced Franco and Italianate dishes such as Snapper with Yuzu Beurre Blanc and Abalone with Sweet Potato and Abalone Liver Risotto</li><li>And many more plant- and seafood-focused dishes</li></ul><p>Hachisu's passion for food traditions is shared by the chefs and artisans  making this book an inspiration for anyone who appreciates food on a deeply personal level. Yet it is also a cookbook to be splashed on, marked up, and used to reproduce the very best that Japanese cuisine has to offer in their own kitchens.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nancy Singleton Hachisu</b> is a native Californian married to a Japanese farmer who has lived in semi-rural Saitama Prefecture since 1988. She is a James Beard Award-winning author of five books including <i>Japan: The Cookbook</i> and <i>Japan: The Vegetarian Cookbook</i>. Hachisu has written for <i>Saveur, Food &amp; Wine, Travel &amp; Leisure, National Geographic Food</i> and <i>BBC Travel</i>, and she participated in the "Salt" episode of the Netflix series <i>Salt Fat Acid Heat.</i></p><p><b>Alice Waters</b> is a chef, author, food activist, and the founder and owner of Chez Panisse Restaurant in Berkeley, California.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Discover everything there is to know about sushi!</b></p><p>Sushi has taken the world by storm. Now, brilliant young Tokyo-based sushi chef Jun Takahashi wants to share his love and scientific knowledge of sushi-making with the world! His mastery of all things sushi is unparalleled and will appeal to professional chefs and sushi amateurs alike.</p><p>With the help of gorgeous colour photos and informative charts and diagrams, Takahashi and his two co-authors, Hidemi Sato and Mitose Tsuchida, cover the full range of sushi-making topics  from the biology and scientific composition of the ingredients, to the techniques sushi chefs learn over years of difficult training, to basic recipes for Tokyo-style sushi rice, sauces, condiments, and side dishes. The book's sections include lessons on how to:</p><ul><li>Find all types of seafood, such as eel, sea urchins, tuna, etc</li><li>Marinate fish with kombu seaweed</li><li>Cure fish with vinegar and sugar</li><li>Use and maintain high-quality Japanese sushi knives and an Ohitsu (a wooden rice container)</li><li>Recognise the anatomy of a fish, different ways to cut a fish, and where to find the best meat</li><li>Shuck and prepare clams, such as the Mirugai Clam</li><li>Identify vinegar varieties and soy sauces</li><li>Prepare wasabi as well as grate, boil, and pickle ginger</li><li>Cook with heat and the differences between simmering (grilling) and dry-cooking (pan frying)</li><li>Perfect traditional Japanese dishes, such as the <i>tamago-yaki,</i> Japanese Omelet</li><li>Recipes for 23 different types of sushi</li></ul><p>Whether you're a professional chef, a casual lover of Japanese cuisine, or a sushi fanatic, this beautiful book will provide fascinating insights into the world of Japan's iconic national dish.</p><p><b>'Though only 30 years old, Jun Takahashi is already a phenomenon. He trained at Kanesaka and Saito, and his otsumami small plates are stunning and creative.' </b> <b><i>Conde Nast Traveler</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jun Takahashi</b> has been fascinated with cooking since childhood. While only 30 years old, he has been described as a "phenomenon" by <i>Conde Nast Traveler.</i> After graduating at the top of his class from a culinary academy, he decided to perfect his craft in a single area and to become a leading sushi chef. After training at Sushi Saito Academy, in 2014 he opened Sushi Takahashi in the Ginza district in Tokyo. The restaurant has a casual, accessible vibe and its inventive appetizers and delicately flavored sushi make it extremely popular. Takahashi lives in Japan.<br/><br/><b>Hidemi Sato</b> is a trained dietician and holds a doctorate in food science. After graduating from Yokohama International University, she worked in the culinary equipment industry for nine years. She then completed her Masters and PhD at Ochanomizu University and has written several books on the topic of food science. Sato currently resides in Japan.<br/><br/> <b>Mitose Tsuchida</b> graduated from Hiroshima University and then received her PhD from Ochanomizu University. She worked as an editor at the Japanese food magazines <i>Speciality Cooking</i> and <i>Culinary Kingdom</i> before becoming a freelancer. She writes and edits books on a wide variety of food subjects.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Chef Takashi Nakagawa has devoted his life to the art of making perfect tempura. He served a 17-year apprenticeship at the renowned Tempura Mikawa restaurant in Tokyo and for the past 20 years has been at the helm of his own restaurant, Tempura Nakagawa.</p><p>With the help of over 400 gorgeous colour photos and informative charts and diagrams, Nakagawa and his two co-authors, Hidemi Sato and Mitose Tsuchida present the full range of tempura recipes and techniques - from the best ingredients to use to making the perfect tempura batter and how to fry each ingredient to perfection, as well as how to present your finished tempura as part of an elegant Japanese meal.</p><p><b>This book provides a uniquely detailed look at the art of Japanese tempura, with sections on:</b><br/></p><ul><li>The history and development of tempura from its introduction to Japan by the Portuguese 500 years ago</li><li>A review of the key ingredients from vegetables, fish and seafood to oils and flours-and the importance of selecting and purchasing the correct ones</li><li>Methods used by professional tempura chefs to gut and clean fish and prepare vegetables</li><li>Pans, knives and other essential equipment - how to purchase, use and maintain them correctly</li><li>How to make the perfect batter and how to fry each ingredient under optimum conditions</li></ul><p>Detailed diagrams and charts illustrate everything from the ways seafood changes when fried, to the importance of carefully controlling the temperature of frying oil. Whether you're a professional chef, a lover of Japanese cuisine, or an avid tempura fan, this beautiful book will provide fascinating insights into the world of Japan's iconic national dish.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Takashi Nakagawa</b> aspired to become a chef since he was a child, and trained for 17 years beginning in 1987 at Tempura Mikawa, Tokyo. He opened his own restaurant, Tempura Nakagawa, in Tokyo's Tsukiji district in 2004. The restaurant is still going strong, and has gained a coveted entry in the Michelin Guide.<br/></p><p><b>Hidemi Sato</b> is a trained dietician and holds a doctorate in food science. After graduating from Yokohama International University, she worked in the culinary equipment industry for nine years. She then completed her Masters and Ph.D. at Ochanomizu University. She has written several books on the topic of food science.<br/></p><p><b>Mitose Tsuchida</b> graduated from Hiroshima University before receiving her doctorate from Ochanomizu University. She worked as an editor at the Japanese food magazines <i>Speciality Cooking</i> and <i>Culinary Kingdom</i> before becoming a freelancer. She writes and edits books and features on a wide variety of food subjects.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This stunning guide invites you into the story of sake  an ancient beverage finding its way in a modern world.</b></p><p>Whether you're a sake novice or an experienced connoisseur, <i>Exploring the World of Japanese Craft Sake</i> offers fascinating insights, practical tips, and rich stories about this popular beverage.</p><p>Authors and experts Nancy Matsumoto and Michael Tremblay personally undertook the challenge of visiting 33 artisanal sake breweries in Japan, the US, and Canada to interview makers and document every stage of the sake brewing process. Nancy's celebrated journalistic background combined with Michael's sake sommelier experience have led to an engaging and informative look at the world of sake.</p><p><b>With over 300 colour photos and a lively narrative, this fascinating book provides:</b></p><ul><li>A comprehensive introduction to the science and history of sake brewing in Japan</li><li>A look at how fine craft sakes are brewed today using traditional methods and no additives  only rice, water, koji, and yeast</li><li>Histories of Japan's venerable breweries, some of them over 300 years old!</li><li>An answer to why some breweries are able to turn out a superior quality of sake</li><li>A discussion of rice varieties and 'terroirs' where exceptional sakes are produced</li><li>Current trends in the world of sake, including the fine sakes now brewed outside Japan</li><li>Tasting notes and recommendations for top craft sakes you have not heard about yet</li></ul><p>This book also includes personal recipes from several top Japanese brew masters along with food-pairing tips and the authors' own personal recommendations for the best sake bars in Japan and overseas!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michael Tremblay</b> is a Sake Samurai and Wine Spirit Education Trust (WSET) certified Educator residing in Toronto. He is the Sommelier at ki modern Japanese + bar, a Japanese restaurant with one of Canada's largest sake programs. He is the Founder of the Sake Scholar Course, a certification course that explores the regionality of sake. @mtrsake<br/><br/><b>Nancy Matsumoto</b> is a writer and editor who covers sake, food, agroecology, and Japanese arts and culture. Her work has appeared in <i>The Wall Street Journal, Time, The Los Angeles Times, The Toronto Globe and Mail, Food and Wine,</i> and theAtlantic.com. She is the editor of <i>By the Shore of Lake Michigan,</i> an English-language translation of Japanese tanka poems, and a contributor to a number of other books and publications. The holder of three sake certifications, she divides her time between Toronto and New York City. Find her at nancymatsumoto.com and at @NancyMatsumoto.<br/><br/><b>John Gauntner</b> is recognized as the world's leading non-Japanese sake expert. A longtime Japan resident, he is well known among sake brewers and others within the sake industry. He wrote the Nihonshu Column in the <i>Japan Times</i> for many years before writing a weekly column on sake in Japanese for the <i>Yomiuri Shimbun</i>, Japan's and the world's most widely distributed Japanese newspaper. In 2006, John received the Sake Samurai award, the first year it was awarded. He has published five books on sake.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The ultimate Japanese soul food  a steaming bowl of miso soup paired with delicious seasoned rice!</p><p>Onigiri rice and miso soup are Japan's answer to the classic soup and sandwich combo  but a whole lot healthier!</p><p>In these 100 amazing recipes, nutritionist Megumi Fujii combines fresh seasonal ingredients with traditional Japanese superfoods to create deeply nourishing meals  the perfect antidote to modern ultra-processed foods.</p><p>In this book, you'll find 48 delicious and easy-to-prepare meals like:</p><ul><li>Broccoli and Salmon Onigiri + Miso Soup with Clams and Mushrooms</li><li>Onigiri Rice with Nori and Sesame + Mackerel and Kimchee Miso Soup</li><li>Hijiki Seaweed Onigiri + Miso Soup with Ground Chicken and Carrots</li><li>Bright Green Onigiri + Miso Soup with Tofu and Shiitake Mushrooms</li><li>Oyster Onigiri + Pork and Turnip Miso Soup</li><li>Plus 43 other incredible combinations!</li></ul><p>Filled with beautiful photographs, the book showcases the limitless possibilities of two classic Japanese homestyle dishes. Fujii highlights the nutritional benefits of the ingredients in each recipe and introduces to all sorts of ways to use healthy Japanese superfoods like seaweed and miso that are now available everywhere.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Megumi Fujii</b> is a registered dietician and recipe developer in Japan. A graduate of Kagawa Nutrition University, she has worked on television cooking programs and as a food coordinator. Her books include <i>Warming Sauces to Boost Your Immune System, Two-Dish Meals to Stay Healthy After 50, Main Dish Salads, Super Tasty Low-Cal Appetizers, 200 Essential Homestyle Recipes</i>, and<i> 100 Simple Bentos</i>, all from Shufu to Seikatsu Sha Co.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Vibrant Yatai street stalls in Japan serve up all kinds of delicious dishes - from steaming bowls of ramen with all your favourite fixings, to crispy gyoza dumplings and perfectly seasoned onigiri rice balls. This book brings the flavour and fun of those lively streets right into your kitchen.<br/><br/>This new cookbook by Laure Kie, Europe's leading Japanese cookbook author, takes you on a colorful culinary journey through the back lanes of Tokyo, Osaka, and Kyoto where the best street food can be found-and shows you how to recreate these easy, crowd-pleasing dishes at home, including:<br/><br/></p><ul><li><b>Yakitori</b>: Soy-glazed chicken skewers grilled to juicy perfection - momo (thigh meat) and tebasaki (wings) are the most popular!</li><li><b>Katsu Sando</b>: Thin pork cutlets breaded and fried until crispy on the outside and tender inside, then tucked into a sandwich with mayo and lettuce!</li><li><b>Okonomiyaki</b>: This savory, stuffed pancake is loaded with cabbage, meat, and egg, then drizzled with a sweet, soy-based sauce and plenty of toppings!</li><li><b>Karaage</b>: These mouthwatering Japanese-style chicken nuggets are marinated in mirin, garlic, and soy, then coated in potato starch for an irresistible crunch!</li><li><b>Onigiri</b>: The 'new sushi' and a simple kawaii treat - these versatile rice balls can be filled with anything from seafood and seaweed to herbs and seasonal veggies!</li></ul><p>All the recipes use easy-to-find ingredients and simple, step-by-step instructions you can follow at home. Each dish is beautifully photographed in full color to inspire your cooking!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Laure Kie</b> was born in Tokyo to a Japanese mother and a French father. Her many trips to Japan have taught her to appreciate the great richness of Japan's cooking culture, which she imparts in her cookbooks and cooking classes. An English-language edition of her book <i>Japanese Cuisine: An Illustrated Guide</i> was published in 2021.<br/></p><p><b>Takashi Fujii</b> is an Okayama-based illustrator who founded the food blog OKAYAMAGOGO in 2007, which highlights the delicious specialties of his home region. He illustrates travel guides and works with editors and publishers around the world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kid-friendly Japanese meals you can make together and get everyone to enjoy eating healthier!</b></p><p><i>Japanese Cooking with Kids</i> is the perfect way for you and your kids to learn about Japanese cooking while having fun in the kitchen  and to get them excited about eating healthy meals. Some of these dishes may even become their new favourites!</p><p>These 50 kid-tested recipes for ages 8 to 14 get 'two thumbs up' and empty plates every time. They include:</p><ul><li><b>Ever-popular Rice Dishes</b> like Onigiri Rice Balls, Sushi Rice in Tofu Pockets and Chicken and Egg Rice Bowls</li><li><b>Flavors from the Sea</b> including Japanese Seaweed Sprinkles on Popcorn and Tuna Salad Sushi Rolls</li><li><b>Classic Japanese Favorites</b> like steamed Gyoza Potstickers and Miso Ramen Noodle Soup</li><li><b>Cute Bento Lunch Boxes</b> with Octopus-shaped Hot Dogs and delicious Japanese-style Fried Chicken</li><li><b>Delicious Desserts and Drinks</b> like Strawberry Soy Milk, Glazed Mochi Balls and Green Tea Matcha Tea Cakes</li><li><b>And so much more!</b></li></ul><p>Each chapter in this book contains a fun, hands-on activity like counting to ten in Japanese while washing your hands, growing your own green onions or making your own chopstick rests! In addition to preparing delicious Japanese recipes, kids will learn the basic principles of Japanese cuisine  eating foods that are in season, and only eating until you feel 80% full  to help you live a healthier life.</p><p><i>Japanese Cooking with Kids</i> will give you and your family a whole new perspective on food and eating  the Japanese way!</p>]]></Text>
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			<SubjectHeadingText>cooking fermented foods soy substitutions shio; health umami fermentation easy meals soup healthy; immune boost enzyme rich noodles curry sauces; koji butter marinade main dish homemade desserts; miso recipes Japanese cookbook probiotic gut; vegan gluten free</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Discover the power of miso</b> <b></b> <b>Japan's all-purpose fermented ingredient that is packed with flavour and probiotic goodness!</b></p><p>Miso is produced by fermenting soybeans with salt and koji yeast. Not only is it packed with nutrition and gut-friendly probiotics  supporting immunity, digestion, anti-aging and recovery from fatigue  it enhances the flavor of any dish you add it to. Use it in miso soups, Japanese and Western-style meals, even snacks and desserts. It boosts umami, tenderises meats and brings a new level of deliciousness to your cooking!</p><p>In this beautifully illustrated book, Japanese fermentation expert and cookbook author Misa Enomoto shares her passion for miso  a staple in Japanese kitchens for centuries.</p><p>She presents 87 delicious recipes based around this incredibly versatile ingredient, including:</p><ul><li>Next-Level Miso Soups like Onion, Carrot &amp; Ginger and Hearty Pork with Root Vegetables</li><li>Snacks and Sides like Miso Butter Toast and Carrot &amp; Walnut Miso Slaw</li><li>Main Dishes like Miso Fried Chicken, Miso-Marinated Grilled Pork and Shiso Miso Gyoza</li><li>Noodle and Rice Dishes like Miso Carbonara and Miso Butter Chicken Curry</li><li>Dressings, Sauces and Dips like Cheesy Miso Dip, Sesame Miso Sauce and Onion Miso Dressing</li><li>Sweet-Salty Desserts like Miso Cheesecake and Miso Banana Bread</li></ul><p>Enomoto also shows you how to make your own overnight miso at home along with other popular Japanese fermented seasonings like shio koji. These simple, economical recipes will transform your cooking and improve your health in the process!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Misa Enomoto</b> is a chef and fermentation master and the author of <i>Fermentation for Life</i> (Tuttle) as well as several books in her native Japan. Her areas of specialization include small-batch miso, rice bran and desserts and sweets made with mirin. Follow her on YouTube at 'Misa Enomoto's Seasonal Cooking', or visit her website: futari-gohan.jp, which offers seasonal handicraft and recipe ideas for couples.</p>]]></Text>
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			<SubjectHeadingText>black fruits and vegetables; garums; homemade pickles; koji; kombucha; lacto-ferments; miso; pickle eggplant; pickle food; pickle gifts; pickle making; pickle vegetables; pickle veggies; pickles; pickling; pickling books; pickling cookbook; pickling equipment; pickling fermenting; pickling recipe book; pickling recipes; pickling tools; pickling vegetables; shoyu; tsukemono; tsukemono book; tsukemono japanese pickles; tsukemono pickles; umami; vinegar</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[*2020IACP Cookbook Award Finalist for Health &amp; Nutrition*  *2020 Gourmand Cookbook Award Winner for Japan in Fermentation*]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**2020 IACP Cookbook Award Finalist for Health &amp; Nutrition**</b></p><p><b>**2020 Gourmand Cookbook Award Winner for Japan in Fermentation**</b></p><p>Japanese pickles are often made the day they are eaten  as delicious side dishes, snacks and garnishes. Whether you have your own vegetable garden and want new ways to preserve your bounty into the winter, or are just looking for healthy and tasty additions to your everyday meals, these home-made Japanese superfood recipes are a great addition to your repertoire.</p><p>A chapter on regional pickling styles and recipes lets home cooks learn more about the traditional art of tsukemono in Japan  from Tokyo to rural farm villages  whilea section on pickling seasonal vegetables helps you make the most of your garden-fresh produce.</p><p><b>'Pickled vegetables were my favourite component of most meals we ate in Tokyo. </b><b><i>Japanese Pickled Vegetables</i></b><b> by Machiko Tateno has a clean layout and glossy photos that sing 'You can do this.' I longed for the bright zinging taste of vivid carrot chunks, startling daikon slices, sweet-and-sour green cucumber ribbons, but muttered 'too many hard-to-get ingredients  kombu seaweed?' Later, while staring down another bowl of pandemic ramen, I took the plunge. Raiding the pantry and fridge, I was able to make fresh cucumber pickles, quick carrot, radish, napa cabbage pickles </b><b><i>and</i></b><b> kimchi.'</b><b><i>Shelf Awareness</i></b></p><p><b>'...Tateno keeps this guide basic and simple...Current interest in fermenting and pickling make this a perfect addition to any cookery collection.'</b><b><i>Booklist</i></b></p><p><b>'</b><b><i>Japanese Pickled Vegetables</i></b><b> is a well-written cookbook that's appropriate for both beginner and advanced cooks who'd like to have a collection of Japanese-style pickled produce. It's a wonderful resource especially for those who have their own vegetable garden during the warmer seasons and want to preserve their bounty for the winter.' </b><b><i>Today's Dietitian</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Chef Machiko Tateno</b> is an expert in fermented and preserved foods, as well as a menu consultant and registered dietitian. After working for many years as the supervising dietitian at a hospital, she attended cooking schools in Japan and the world-renowned Ballymaloe Cookery School in Ireland, a pioneer in the Slow Food movement. She later served as Executive Chef at the eco-friendly Roppongi Nouen restaurant in Tokyo. Tateno now develops recipes, has written several homestyle Japanese cookbooks and organizes fermented food cooking classes. <i>Japanese Pickled Vegetables</i> is her first book to be translated into English.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Japanese ramen chef Shigekazu Takanashi shows you how to make authentic ramen from start to finish (including the broth) in under an hour!</b></p><p>Ever wish you could create delicious ramen at home that tastes like it came straight from a professional noodle bar in Tokyo or Osaka? This new book by Japanese ramen chef Shigekazu Takanashi shows you how  using easy-to-find ingredients, flavour-enhancing secrets and time-saving shortcuts!</p><p>His book contains 50 delicious recipes including:</p><ul><li>Best-Ever Homemade Shoyu Ramen with aromatic oil, easy char siu pork and marinated jammy eggs</li><li>Tasty regional ramens from Kyoto, Nagasaki, Tokushima and other parts of Japan</li><li>Classic side dishes like Gyoza Dumplings and Char Siu Fried Rice plus creative ways of using leftover broth ingredients, like Chicken Cracklings with Ponzu and Greens Sauteed with Ground Chicken</li></ul><p>Takanashi's easy tricks to achieve maximum flavor in minimum time have won him a loyal social media following. This book is a must-have for ramen aficionados who love to eat authentic Japanese ramen at home but don't want to spend the whole day in the kitchen!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Shigekazu Takanashi </b>is the owner of Ramen Rotas, a ramen restaurant in Shizuoka Prefecture, Japan. His YouTube channel Ramen Rotas has 280,000 subscribers and his most popular videos have over 2 million views. His dream is for everybody to eat his ramen at home!</p><p><b>Makiko Itoh</b>, author of the <i>Just Bento </i>cookbook series and Real Japanese Cooking, has translated many Japanese works into English including <i>Zen Wisdom for the Anxious</i>, and <i>Real Japanese Izakaya Cookbook.</i> She now writes a monthly column on Japanese food for the<i> Japan Times </i>and her new compendium work, <i>Real Japanese Cooking </i>has just been published by Tuttle Publishing.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Hearty and healthy recipes straight from an authentic Japanese kitchen! Recipes include: Japanese-Style Oyster Chowder Egg Soup with Shrimp and Napa Cabbage Pork Belly Soup with Vegetables Sesame Miso Soup with Beef and Watercress Summer Vegetable Soup Curried Tomato Soup with Pork Meatballs And many more - 66 in all!]]></Text>
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			<Text textformat="02"><![CDATA[An era-defining novel about Black womanhood and urban American life following four women over the course of their twenty-year friendship, from young adulthood to midlife, through Obama's presidency to Trump's second term, by two-time National Book Award longlistee Angela Flournoy....]]></Text>
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			<Text textformat="02"><![CDATA[<p>In 2008, Desiree, January, Monique and Nakia are in their early twenties and at the beginning. Of their careers, of marriage, of motherhood and of big city lives in New York and Los Angeles. Together, they are finding their way through the wilderness, that period of life when the reality of contemporary adulthood  overwhelming, mysterious and full of freedom and consequences  swoops in and stays.</p><p>Desiree is estranged from her sister Danielle, and the two nurse bitter family wounds in different ways. January's got a relationship with a 'good' man she feels ambivalent about, even after her surprise pregnancy. Monique, a librarian and aspiring blogger, finds unexpected online fame after calling out the university where she works for its plans to whitewash fraught history. And Nakia is trying to get her restaurant off the ground, without relying on the largesse of her upper middle-class family who wonder aloud if she should be doing something better with her life.</p><p>As these friends transition from young adults to grown women, they must figure out what they mean to one another  amid political upheaval, economic and environmental instability and the increasing volatility of modern life.</p><p><i>The Wilderness</i> is Angela Flournoy's masterful and kaleidoscopic follow-up to her critically acclaimed debut<i> The Turner House</i>. A generational talent, she captures with disarming wit and electric language how the most profound connections over a lifetime can lie in the tangled, uncertain thicket of friendship.</p><p><b>'Flournoy is singular.'  Raven Leilani</b></p><p><b>'Wonderfully ambitious... A voice that is expansive yet intimate, humorous yet devastating.'  Brit Bennett</b></p><p><b>'Flournoy has a long-lens talent, capable of spanning great distances while keeping her characters in crisp, but always compassionate, focus.'  Eleanor Catton</b></p><p><b>'Gorgeously written with clear-sighted vision by one of the wisest, most talented authors working today.'  Justin Torres</b></p><p><b>'Takes twenty-first-century black womanhood on a wild ride, and just keeps getting wilder. A triumphant whirlwind of a novel.'  Namwali Serpell</b></p><p><b>'Inhabits a quartet of shifting perspectives with wit, tenderness and exquisite grace... Flournoy's account of the emotional vicissitudes of friendship and its endurance evokes the hushed, disconsolate quality of [Toni] Morrison.'  </b><b><i>New York Times</i></b></p><p><b>'A future classic.'  </b><b><i>Harper's Bazaar </i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Angela Flournoy</b> is a novelist and essayist who lives in New York. Her new novel, <i>The Wilderness</i>, was longlisted for National Book Award and the Kirkus Prize in the United States. Her debut novel, <i>The Turner House</i>, was a finalist for the National Book Award, and announced her as a major new literary talent. Her nonfiction has appeared in many publications, including <i>The New York Times</i>, <i>The Nation</i>, <i>The Los Angeles Times</i> and <i>The New Yorker</i>. A graduate of the Iowa Writers' Workshop, Flournoy has taught at the Iowa Writers' Workshop, The New School, Columbia University, Princeton University and UCLA. She has received fellowships from the New York Public Library's Schomburg Center for Research in Black Culture, the New York Public Library Cullman Center for Writers and Scholars, the National Endowment for the Arts and the American Academy in Berlin. She was raised in Southern California by a mother from Los Angeles and a father from Detroit.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Rite of Spring beautifully fuses place, psychological drama, the primordial nature of the ocean and the personal search for a centre. It is a mind-blowing novel about a woman on the cusp of menopause that transcends our expectations about who and what we can be.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'Thank the literary gods for Kris Kneen! For the way they make desire dangerous again, the body luminous, and shame impossible. For giving us a sea full of monsters  and the terrifying grace of finding one inside ourselves.'  Beejay Silcox</b></p><p><i>'And here you are. You, who might feel the itch of an uncomfortable identity hanging heavy on your shoulders like a hair shirt. It is you I sing to.  You who are tempted by the possibility of something more.'</i></p><p>In the hope of salvaging their relationship, Miranda and Richard become caretakers of a remote island lighthouse off the coast of Tasmania. Richard wants to shake up the malaise that had him falling into an affair, Miranda wants to understand what has changed and to recover from a diving accident that almost took her life. Both are excited about the renewal and adventure that the mysterious lighthouse promises. But what begins as a reuniting, quickly turns for Miranda in to an untamed journey back to the ocean that swirls at the core of her being.</p><p>Few write so vividly about bodily intimacy and spirit as Kneen. <i>Rite of Spring</i> beautifully fuses place, psychological drama, the primordial nature of the ocean and the personal search for a centre. It is a mind-blowing novel about a woman on the cusp of menopause that transcends our expectations about who and what we can be.</p><p><b>'A triumph  the ultimate celebration of transition and of more-than-human love. Elegantly wrought, stunningly defiant and pitch perfect  this is Kneen at the height of their powers.'  Laura Jean McKay</b></p><p><b>'A psychosexual page turner dripping with tension, lust, bodies in flux. Kris Kneen's </b><b><i>Rite of Spring</i></b><b> is Australian gothic at its best.'  Siang Lu</b></p><p><b>'Glorious and sweeping</b><b><i>.</i></b><b> I was riveted by this uncanny, generous tale of Miranda's search for belonging, and its scenes of wildly great sex.'  Mirandi Riwoe</b></p>]]></Text>
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			<BiographicalNote textformat="05"><![CDATA[<p><b>Stella Maria Sarah Miles Franklin</b> (1879-1954) was born in Old Talbingo, Australia. Despite a difficult and isolated childhood she grew up in the impoverished bush regions of New South Wales, with limited education she completed her first book at the age of just nineteen. The ironically titled <i>My Brilliant Career</i> (1901) was published under a male pseudonym, to immediate success and acclaim. Its story of an impassioned, ambitious heroine frustrated by rural bush life resonated with young Australian women and established Franklin as a bold new feminist voice in literature. Following the publication of her debut novel, Franklin moved to Sydney, then on to America and Britain. She wrote and published a total of nineteen books across her lifetime, as well as working as an editor and women's advocate in organisations such as the National Women's Trade Union League. Her endowment of a major literary award the Miles Franklin Award has consolidated her legacy in Australian literary life.</p>]]></BiographicalNote>
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			<Text textformat="02"><![CDATA[<p><b>Miles Franklin is Australia's progressive literary star.</b> A feminist and staunch supporter of women in the arts, her novel <i>My Brilliant Career</i> (1901) was written when she was a teenager, but it remains a testament to the electric energy of a teen girl of ambition who thinks she's just too smart and too ugly for this world. We've all been there.</p><p>Follow wild-haired Sybylla as she picks up her pen to try and write her way out of oppressive poverty in rural Australia, her father's drinking debts, and obscene marriage proposals that simply cramp her style.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Stella Maria Sarah Miles Franklin</b> (1879-1954) was born in Old Talbingo, Australia. Despite a difficult and isolated childhood she grew up in the impoverished bush regions of New South Wales, with limited education she completed her first book at the age of just nineteen. The ironically titled <i>My Brilliant Career</i> (1901) was published under a male pseudonym, to immediate success and acclaim. Its story of an impassioned, ambitious heroine frustrated by rural bush life resonated with young Australian women and established Franklin as a bold new feminist voice in literature. Following the publication of her debut novel, Franklin moved to Sydney, then on to America and Britain. She wrote and published a total of nineteen books across her lifetime, as well as working as an editor and women's advocate in organisations such as the National Women's Trade Union League. Her endowment of a major literary award the Miles Franklin Award has consolidated her legacy in Australian literary life.</p><p><b>Kerrie Davies</b> is the author of <i>Miles Franklin Undercover</i>, released March 2025 (Allen &amp; Unwin), available in the U.S. November 2025. Her previous book, <i>A Wife's Heart</i>, created national discussion about the poet Henry Lawson &amp; his marriage. She has appeared at the Sydney Writers' Festival, Brisbane Writers Festival &amp; the National Folk Festival. A former journalist, Kerrie was a visiting fellow at the State Library NSW and is Senior Lecturer at the School of the Arts Media, UNSW Sydney. Kerrie writes for the Conversation, and lives on the NSW North Coast and Sydney.</p><p><b>Tina Kover</b> is the translator of over thirty books from French, including Anne Berest's <i>The Postcard</i>, Negar Djavadi's <i>Disoriental</i>, and Emmelie Prophete's <i>Blue</i>. Her work has won the Albertine Prize, the French Voices Award, and the Lambda Literary Award, and has been shortlisted for the (U.S.) National Book Award, the International Dublin Literary Award, the PEN Translation Prize, the Warwick Prize for Women in Translation, the Oxford-Weidenfeld Translation Prize, and the Scott Moncrieff Prize. She leads workshops for the American Literary Translators Association and masterclasses in literary translation for Durham University. She is also the co-founder of Translators Aloud, a YouTube channel that features literary translators reading from their own work. She lives in Durham, UK.</p><p><b>Allison Miriam Woodnutt</b> (nee Smith) is an Acquiring Editor and the Publishing &amp; Publicity Manager for Unnamed Press as well as a co-founder of Smith &amp; Taylor Classics. She graduated with a Bachelor of Arts in English &amp; Creative Writing from the University of Southern California and went on to earn her Masters in 18th &amp; 19th c. Literature from the University of Edinburgh, Scotland. Before Unnamed, she worked in libraries and bookshops.</p><p><b>Brandon Taylor </b>is an Acquiring Editor at Unnamed Press and co-founder of Smith &amp; Taylor Classics. He is the author of <i>Minor Black Figures</i>, <i>The Late Americans</i>, <i>Real Life</i>, a finalist of the Booker Prize and the NBCC John Leonard Prize, and <i>Filthy Animals</i>, winner of The Story Prize and a finalist for the Dylan Thomas Prize. His work has appeared in <i>The New York Times</i>, <i>The New Yorker</i>, <i>The Cut</i>, <i>Vulture</i>, and elsewhere.</p>]]></Text>
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			<SubjectHeadingText>20th century fiction; A Weekend with Claude; According to Queeney; Alan Rickman; Alexis Soloski; Best British novelists; Best of Beryl; Booker Bridesmaid; Elizabeth Bowen; Harold Pinter; Henry Green; Hugh Grant; Injury Time; Ivy Compton-Burnett; JM Barrie; Jo Hamya Hypocrite; Katie Kitamura Audition; Liverpool; Master Georgie; Mike Newell; Muriel Spark; Peter Pan; Rebecca West; Susan Choi Exercise; The Book of Goose; The Bottle Factory Outing; The Girl in the Polka Dot Dress; Things in Nature Merely Grow; Watson's Apology; Young Adolf; novels about actors; repertory theater; sex scandal; theater troupe</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Against the grimy backdrop of the grey postwar city, a shabby, scandal-steeped repertory theatre company rehearses for their Christmas performance of Peter Pan.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A blackly comic story of the secrets, sex, and violence behind the curtain of a repertory theatre's postwar production of </b><b><i>Peter Pan</i></b><b>: its 'close observation and hilarity are underlain by a sense of tragedy as deep as any in fiction.' </b><b><i>(The Times)</i></b></p><p>Liverpool, 1950. Against the grimy backdrop of the grey postwar city, a shabby, scandal-steeped repertory theatre company rehearses for their Christmas performance of Peter Pan. Treading the boards for the first time is sixteen-year-old Stella Bradshaw, ambitious, idealistic, and still overwhelmingly innocent. She falls hard for the rakish, monocled director, Meredith Potter, but, unable to attract his attentions  and not understanding why he's spending quite so much time with their male colleagues  she turns to another colleague to initiate her into the ways of love. Enter the celebrated P. L. O'Hara, a dashing leading man who's nursing secrets of his own. When the curtain is up, fantastical entertainment abounds, but backstage a very different drama is playing out: a pitch-black comedy of indiscretion, intrigue, and eventual tragedy.</p><p>Shortlisted for the Booker Prize, and dusted with that magical 'air of Pinteresque menace and Sparkian malice [that] lingers around the margins of [all of Beryl Bainbridge's] fiction,' (Michiko Kakutani, <i>The New York Times Book Review</i>), <i>An Awfully Big Adventure</i> is one of the author's very best  and best-loved   novels.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dame Beryl Bainbridge</b> (1934-2010) was born in Liverpool, where she began her adult life working as an actress  an experience she drew on later when writing <i>An Awfully Big Adventure</i>, later made into a 1995 film, directed by Mike Newell, starring Hugh Grant and Alan Rickman. Five of her seventeen novels were shortlisted for the Booker Prize, which garnered her the nickname 'the Booker Bridesmaid'; in 2011, a special Man Booker 'Best-of Beryl' Prize was awarded in her honour. <i>Master Georgie</i> (1998) won the James Tait Black Memorial Prize, and both <i>Injury Time </i>(1977) and <i>Every Man for Himself </i>(1996) were awarded the Whitbread Novel of the Year Prize. Also a talented painter, she lived for many years in a house crammed with eccentric Victoriania in London's Camden Town, where visitors were forced to squeeze past the stuffed buffalo in her entrance hall.</p><p><br/><b>Yiyun Li</b> is the author of several works of fiction, including most recently <i>Wednesday's Child</i>, <i>The Book of Goose</i>, and <i>Where Reasons End</i>, and the memoirs <i>Things in Nature Merely Grow</i> and <i>Dear Friend, from My Life I Write to You in Your Life</i>. She is the recipient of many awards, including a PEN/Faulkner Award, a PEN/Malamud Award, a PEN/Hemingway Award, a PEN/Jean Stein Book Award, a MacArthur Fellowship, and a Windham-Campbell Prize, and she was a finalist for the Pulitzer Prize. Her work has appeared in <i>The New Yorker</i>, <i>A Public Space</i>, <i>The Best American Short Stories</i>, and <i>The PEN/O. Henry Prize Stories</i>, among other publications. She teaches at Princeton University and lives in Princeton, New Jersey.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Sara, a philosophy professor at Kuwait University, has long had an uneasy relationship with her homeland. But after her mother's death, inertia keeps her there  until she is accused of blasphemy and faces the threat of execution. As she awaits trial, Sara is forced to reckon with her place in the world and the women who shaped her. Her grandmothers' lives span privilege and poverty: Yasmine, who married the son of a Pasha and soon regretted it, and Lulwa, swept from hardship into the wealth of an Indian merchant's household. Then there are her two mothers: Noura, restless for America, and Maria, the devoted ayah who leaves her own children behind in Pune to raise Sara and her brother.A sweeping saga, An Unlasting Home captures the tragedies and triumphs of three generations of Arab women in one unforgettable tale.</p><p><b>'A smooth, fast-flowing narrative...a testament to the eternal vibrancy and pluck of women in the Arab world.'  </b><b><i>Financial Times</i></b></p><p><b>'So fresh and unsettling that it will enchant you from the first page and linger for days after reading.'  </b><b><i>Los Angeles Review of Books</i></b></p><p><b>'Accomplished and searing.'  </b><b><i>Publishers Weekly</i></b></p><p><b>'Al-Nakib writes imaginative tales with grace, lucidity and intelligence. Poignant and profound.'  Selma Dabbagh, author of </b><b><i>Out of It</i></b></p><p><b>'Passionate and skilful. Every detail lands perfectly and leaves the reader altered.'  A.L. Kennedy, author of </b><b><i>Paradise</i></b></p><p><b>'Urgent storytelling of the lives of generations of women...with an exquisite and necessary philosophical discourse.'  Ira Mathur, author of </b><b><i>Love the Dark Days</i></b></p><p><b>'Al-Nakib lyrically explores themes of homeland, tradition and agency.'  </b><b><i>Ms. Magazine</i></b></p><p><b>'Al-Nakib's storyteller's voice is fresh and original  her book grabbed me and kept me entranced to the last page.'  Diana Abu-Jaber, author of</b><b><i>Crescent</i></b></p>]]></Text>
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			<BiographicalNote textformat="05"><![CDATA[<p><b>Lia Dewey Morgan</b> is a poet and emerging librarian based in Naarm. She is a proud trans woman of Anglo and South Asian heritage. She is a 2024 Wheeler Centre Hot Desk Fellow, and a founding member of the independent community initiative Library Portal.</p>]]></BiographicalNote>
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			<BiographicalNote textformat="05"><![CDATA[<p><b>John Mateer</b> is a poet, writer and curator. Beginning in the 1990s, he has published nine books of poems in Australia. Books and chapbooks of his work have also appeared in the original English in the UK and South Africa, and  in translation only or as parallel texts  in Portugal, Sweden, Austria, Japan, Macau and Sumatra. Among his collections are <i>The West: Australian Poems 1989-2009</i> and <i>Emptiness: Asian Poems 1998-2012</i>, and <i>Joo: (sonnets)</i>, and also the recent selection of twenty-one years of 'international' work, <i>That Nostalgia</i>. His 2015 collection, <i>Unbelievers, or 'The Moor'</i>, was published in Australia and the UK, then, in translation, in Vienna and Coimbra, Portugal. Individual poems have been translated into European and Asian languages, as well as into Farsi, Armenian and the Portuguese of Brazil. In 2003 he was a recipient of a Centenary Medal for his contribution to Australian literature. At present, he lives in Perth/Boorloo. </p>]]></BiographicalNote>
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			<Text textformat="02"><![CDATA[The Scar-Tree is a selection of poems focused on John Mateer's early work. Intended for a new generation of readers who would not have encountered his first six books on their publication in Australia, it will shed new light on work that has been in circulation since the early 1990s.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Scar-Tree</i> is a selection of poems focused on John Mateer's early work. Intended for a new generation of readers who would not have encountered his first six books on their publication in Australia, it will shed new light on work that has been in circulation since the early 1990s. </p><p>In the past two decades John Mateer became principally known as a poet of travel, someone who pursues an Elsewhere. So it has become necessary to revive the early, 'Australian' phase of his writing, poems which were written in the ten years that bridge the turn of the Millennium, a period when he was based in Perth/Boorloo, then in Melbourne/Naarm, and repeatedly travelled across the southern half of the continent, also visiting Tasmania. </p><p>One aspect of this new selection is the emphasis on the more personal aspects of his work, such that the so-called 'nature poems' and the more socially engaged and political content for which he is best known in Australia can be seen in the context of other, less visible, shifts and displacements. </p><p>The preparation of this book began in 2017. During the development of <i>The Scar-Tree</i>, the poet reordered previously poems, placing them in the order of composition, and he reworked, sometimes significantly, a small number of them. Among this selection are unpublished poems that were either omitted from those early books in the process of editing them, or were found in recent years among the notebooks and other papers of his archive.</p><p>With one exception, it contains all the poems the poet currently wishes to reprint from the years 1993 to 2003, as well as an Afterword in which he provides an insight into the background of this selection. </p>]]></Text>
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			<Text textformat="02"><![CDATA[The thirteen interconnected stories of Shakespeare's Kitchen capture the universal longing for friendship, how we achieve new intimacies for ourselves, and how slowly, inexplicably, we lose them.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From the acclaimed author of Her First American, a 'charming novel disguised as a book of short stories,'</b> <b><i>(The New York Times Book Review)</i></b><b> exploring belonging, connection, intimacy, and self-acceptance.</b></p><p>The thirteen interconnected stories of <i>Shakespeare's Kitchen</i> capture the universal longing for friendship, how we achieve new intimacies for ourselves, and how slowly, inexplicably, we lose them. Featuring seven short stories that originally appeared in <i>The New Yorker</i>, including the O. Henry Prizewinning 'The Reverse Bug,' and including six additional pieces, Lore Segal's stunning collection 'exhibits a rare insight into the human character' (<i>Publishers Weekly</i>).</p><p>Called 'an enchanting storyteller' by <i>The Los Angeles Times</i>, Segal unravels a web of human relationships as we meet Ilka Weisz, who, having accepted a teaching position at the Concordance Institute, a Connecticut think tank, reluctantly leaves her New York circle of friends. After the comedy of her struggle to meet new people, Ilka comes to embrace, and be embraced by, a new set of acquaintances, including the institute's director, Leslie Shakespeare, and his wife, Eliza.</p><p>Through a series of memorable dinner parties, picnics, Sunday brunches, and long hours of kitchen conversation, Segal evokes the subtle drama and humour of an outsider's loneliness, the comfort and charm of familiar companionship, the bliss of being in love, and the strangeness of our behaviour in the face of other people's deaths.</p><p>A magnificent, wholly original 'comedy of manners set in academic' (<i>Booklist</i>), Shakespeare's Kitchen is 'filled with all the pomp and depressed glory of a modern day The Great Gatsby...' these vignettes are hilarious and telling. Segal exhibits a rare insight into the human character that is at once humbling and shamelessly enjoyable to behold" (<i>Publishers Weekly</i>).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lore Segal</b> (19282024), author of <i>Other People's Houses</i>and<i>Her First American</i>(both published by The New Press), among other works, was the recipient of a <i>New Yorker</i> Best Book of the Year Award, an O. Henry Prize, the Clifton Fadiman Medal, and a Guggenheim Fellowship. She was a regular contributor to <i>The New Yorker</i>, <i>The New York Times Book Review</i>, <i>The New Republic</i>, and other publications.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'She said once she heard some people told to get an airing in a closed carriage and that her life had been like that, trying to get fresh air, but always closed up, in a box.'</i></p><p>As warm sunshine bathes the streets of Paris in the late 1800s, the lively young debutante May meets the cotton-broker John Tyler. Far from a picturesque romance, life with the boorish broker turns sour as they move to Manchester and May finds herself trapped in a world of hostile servants and neglect. When Tyler meets his end from an overdose of arsenic  the drug which he was so fond of prescribing himself as a kind of panacea  May is dragged into a trial coloured by the public's hunger to paint her as a beguiling murderess.</p><p>Based on the real-life murder trial of Florence Maybrick in 1899, this novel spins the gripping tale of a case clouded by sensation, its unsolved mysteries, and the untold story of the human being at its heart. First published in 1943, it was filmed as <i>The Mark of Cain </i>in 1947.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Joseph Shearing</b> was one of the pennames of the prolific English writer Margaret Gabrielle Vere Long (1885-1952), who is best known by the name <b>Marjorie Bowen</b>. As Shearing she wrote novels based on real-life cases, earning her a following among contemporary critics such as Edward Waheknecht, who said 'she is more than "a born story-teller"; she is a witch, a genius in the creation of atmosphere' with 'all the prime gifts of a writer of "thrillers"'.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>John Waterhouse has died of some gastric complication. Exhumed at his brother's request, it transpires that he has been killed by arsenical poisoning, though nobody in the sleepy village of Anneypenny seems to have had a reason to do him ill. Rumours abound of Nazi intrigue and military skullduggery, but whatever the motive, the truth remains; this was murder.</p><p>Originally serialised as a competition with a prize for the readers that could answer Berkeley's direct challenge of 'who was the poisoner?', <i>Not to Be Taken</i> remains one of the most fiendish exercises in subtle cluework and detection from the Golden Age of Crime.</p><p><b>'...now we have Not to Be Taken, a compact and fascinating essay in the art of home detection.'  Torquemada in</b> <b><i>The Observer</i></b><b>, 1938</b></p><p><b>'The murder is by arsenic; and although the number of suspects is strictly limited the construction is so ingenious that to attain the correct solution of the problem requires all the reader's concentration; to skip is fatal.' </b> <b><i>Times Literary Supplement</i></b><b>, 1938</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Anthony Berkeley</b> was a pen name of Anthony Berkeley Cox (1893-1971), one of the most important figures in the history of British crime fiction. As well as being the author of many classic detective stories, Berkeley was the founder of the prestigious Detection Club for the finest crime writers.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A fresh take on the genre of shapeshifters (often limited to werewolf tales), which focuses on a broader definition of strange transformations (tree, bridge, flatworms, hares...)Featuring popular authors from Mary Shelley and Arthur Conan Doyle through to Roald Dahl, Angela Carter and Johnny Mains.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>It had taken, at most, three seconds for the elevator to pass downwards from the sixteenth to the twelfth...Mr Meldrum had ceased to be, and something hideously different took his place.</i></p><p>A man convinced that he has developed a phantom beak edges towards a terrible metamorphosis. Interlopers dismissing the superstitions of hare-women in the countryside pay for their scepticism with blood. The cruel jokes of a girl at the village festival of the Green Man lead her to a crueller transfiguring in the woods.</p><p>Tracing the quintessential horror concept of the strange transformation from the Victorian era through to the modern day, horror writer, expert and enthusiast Mark Morris presents a thrilling selection of metamorphic tales. Including stories of bestial shapeshifters such as the tiger-men, fox spirits and werewolves of world folklore, this collection also presents some of the weirder shifts of the horror genre, where a flatworm masquerades as a boy, a girl becomes one with a bridge, and a babe-in-arms and her beekeeper father come to reflect the creatures of the hives.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This collection repositions the famed literary hostess Violet Hunt in terms of her significant contribution to the development of uncanny fiction in the early twentieth century.]]></Text>
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			<Text textformat="02"><![CDATA[<p>A meeting of lost souls in the care of a headless coachman. An obsession with eugenics descends into a cruel madness. In 1911, the British writer, feminist and literary salon hostess Violet Hunt published her groundbreaking first collection of uncanny stories, <i>Tales of the Uneasy</i>, exploring psychological and ghostly hauntings shot through with tragedy. Seeking to promote Hunt's achievements as a writer  often obscured by the famous authors of her social set  literary historian Melissa Edmundson presents a new edition of her eeriest work, including material from Hunt's 1923 volume<i> More Tales of the Uneasy</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Violet Hunt </b>(18621942) was a British author and literary hostess. As an active feminist, she wrote many novels of the New Woman genre and founded the Women Writers' Suffrage League and participated in the founding of International PEN. She also authored two collections of supernatural stories, <i>Tales of the Uneasy </i>and <i>More Tales of the Uneasy</i>.</p><p><b>Melissa Edmundson</b> is a collector, scholar and anthologist specialising in strange and uneasy fiction  particularly by women writers of Victorian and Edwardian periods. She has published several collections of classic short stories with Victorian Secrets and Handheld Press including <i>Women's Weird </i>and <i>Women's Weird 2</i> in 2019 and 2020.</p>]]></Text>
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			<SubjectHeadingText>Elizabethan England; Genderfluidity; Victorian; accessible; androgyne; androgyny; artifice; biography; classic; come to life; commentary; desire; grotesque; historical fiction; identity; immortality; love; magical realism; metafiction; performance; poetry; retelling; satire; self-discovery; sex; social; stream of consciousness; the sublime; time travel; transformation</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>'[Orlando is] a brilliant book that teaches you so much about identity and love  all these fundamental questions that we ask ourselves."  Emma Corrin</b></p><p><b>'I read Orlando and believed it was a hallucinogenic, interactive biography of my own life and future.'  Tilda Swinton</b></p><p><b>The graphic novel adaptation of Virginia Woolf's feminist classic, which tellsthe story of a passionate young nobleman traveling through timein the body of a woman.</b></p><p>Virginia Woolf's <i>Orlando </i>has long stood as a dazzling landmark in feminist and queer literature. In this vivid adaptation by Susanne Kuhlendahl, Woolf's fantastical biography comes to life anew: the tale of a passionate young nobleman who defies time and convention. Orlando begins his journey in the Elizabethan court and lives for over three centuries  transitioning along the way from a man into a woman, and from a restless youth into a self-assured figure of modernity. As eras shift and empires rise and fall, Orlando remains, navigating identity, desire, and the elusive nature of love. </p><p>With a foreword by Virginia Woolf scholar Anna Snaith, King's College London</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Baki's origins are revealed in this volume of Keisuke Itagaki's best-selling manga!</b></p><p>Keisuke Itagaki' s genre-defining fighting manga is finally being released in English with a new Perfect Edition!</p><p>Featuring professional translations and lettering approved by the original Japanese publisher, as well as a premium slip cover and all of the full-colour insert pages that were featured in the manga's original serialisation, the <i>Baki the Grappler Perfect Edition</i> is the definitive way to experience the martial arts saga that has sold over 100-million copies worldwide!</p><p>The first print run of this volume will feature an exclusive foil-stamped cover, only available while supplies last!</p><p>Baki takes on more opponents, including a top-tier boxer and a legendary cryptid! While Baki tests his limits, another teenager earns a reputation as the yakuza's deadliest brawler. Are these two young fighters destined to face each other?</p><p>Available officially for the first time in English, experience Keisuke Itagaki's best-selling and highly influential <i>BAKI</i> saga from the start!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>For fans of Hannah Whitten and Ava Reid comes a thrilling new fantasy by the author of Spit Back the Bones.</b></p><p><b><i>Once a fool. Twice a thief.</i></b></p><p>In a village plagued by mysterious deaths, Adelaide Thorn wonders if she is truly touched by the Devil. The villagers believe her to be the monster responsible for all the tragedies. Even her father, the vicar, presumes she's guilty, tying her to a chair as punishment, afraid that if he cuts her loose, more girls will wind up dead. Her chronic illness causes her to have strange visions and blackouts, and even Addie herself begins to wonder if she is the one with blood on her hands.</p><p>Addie feels drawn to the Rowan Wood on the outskirts of her village, and when she wades out into the river to get closer, she cuts her foot on a strange bell nestled in the riverbed. Ransom Black, a lordling with secrets of his own, helps her stanch the bleeding and speaks to her without any indication of fear.</p><p>Back at home, Addie rings the bell and realizes it gives her the power to see the ghosts of those the village has lost, including the ghost of Bram Avery, who begs for her help. Bram tells her that the bell  a Reaper's Bell  can open the door to the Rowan Wood, a hellish purgatory where the souls of the dead reside.</p><p>Accompanied by Bram and Ransom, Addie ventures into the Rowan Wood with hopes of rescuing her late mother. There, Addie quickly realizes that their beloved might not be who they once were. Addie's journey to find her mother's soul is complicated by her attraction to Ransom and her unexpected feelings for Bram, who might be more dead than alive but sees Addie in a way no one has before.</p><p>As the three make their way deeper into the Wood, each motivated by their own desperate desires, trust turns to betrayal and flawless facades begin to flicker. It may be that the ones Addie has so longed to reunite are those who have been lying to her her entire life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Teagan Olivia King</b> grew up in Michigan's wild Upper Peninsula but traded in the stormy shores of Lake Superior for the wind-beaten sandbars of Lake Huron. She holds a degree in Creative Writing from Northern Michigan University and is the author of several works of short horror fiction. She lives in an old farmhouse with her beloved, a rescue pup named Remus, a black cat named Chester, who may or may not harbor the soul of some long-dead deity, and probably some ghosts. She is the author of several works of adult horror and dark fantasy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A cursed warrior. A reckless healer. A chance to save the world  or condemn it.</b></p><p>Like the rest of the winged<i> eresh keyel</i>, warrior Asaru has spent his life fighting the remnants of a long-dead enemy. When his brother's squadron disappears from a border keep, Asaru travels into the human realm to investigate, only to become ensnared by a fatal  and unbreakable  curse that could wipe out his people.</p><p>When he inadvertently commits a terrible crime, Asaru is thrown into the path of Wren, an emotionally tortured former healer playing with dangerous magic. Bound to one another by a spell gone wrong, and on the run from freelance killers, they set out to find the Chronicler, keeper of the eresh keyel's history who could bring them answers, redemption, and the cure to Asaru's curse. But the truths they uncover about the past have the power to break the world into pieces, ending human civilization and settling its remnants into something entirely new.</p><p>From Nigerian Canadian author U. M. Agoawike, <i>Black as Diamond</i> is a fresh, dark, and thrilling debut that untangles questions of queer identity, history, and power, illuminating a society crushed by the lingering actions of a few.</p>]]></Text>
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			<Text textformat="02"><![CDATA[First published in 1973, The Planets: A Cosmic Pastoral introduced not only a splendidnew poet but a whole new adventure in poetry.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From Marginalian Editions comes a gorgeous reissue of celebrated poet and naturalist Diane Ackerman's debut: a soaring ode to our solar system, planet to planet, blending science and imagination, astronomy and cosmology, as well as fantasy, satire, myth, and reflection.</b></p><p>First published in 1973, <i>The Planets: A Cosmic Pastoral</i> introduced not only a splendid new poet but a whole new adventure in poetry. With bravura style, unbridled imagination, and a connoisseur's eye for precise scientific detail, Diane Ackerman's debut brought us an unforgettable ode to each planet in our solar system, not to mention the moon, the comet Kohoutek, and the asteroid belt, as well as strange voyages to the stars, the bottom of the sea, through the human body, and into the mind.</p><p>Diane Ackerman herself says: 'I've always been baffled by people who write about nature only in terms of, say, junipers and cornfields, eschewing all things so-called 'scientific', as if science were, per se, the spoil-sport of feeling. So wonderless a view of nature really doesn't appeal to me.' <i>The Planets</i> is a rare fusion of art and science  one of the great poetic works of cosmic imagination.</p>]]></Text>
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			<SubjectHeadingText>20's dating; all our tomorrows; bad girls; earth angel; femcel; gender binaries; hamptons; indie lit; literary; love triangle; modern dating; nyc; sex; sexy; situationships; twenty first century women</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A picaresque debut of forbidden desire, in which a young woman escapes NYC to work on her novel in the Hamptons, falling into a downward spiral of lovers and other destructive behaviours.</b></p><p>In the closing days of summer, 'lover girl' arrives at the sprawling, neglected home of her wealthy friend, Lucas. What to him is an empty house is to her an act of generosity that comes with blurry expectations. The arrival of an ex-boyfriend, Cameron, makes things even more complicated.</p><p>How can she give both men the things they assume they can take from her? What she calls 'love' will take her to the bedrooms of New York City, the decadent parties of upper-class America, and, eventually, to Paris.</p><p><i>Lover Girl</i> is a lesson in the schooled indifference and the complicated dynamics of the super-privileged and the meaning of real love as a twenty-first century girl.</p>]]></Text>
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			<BiographicalNote textformat="05"><![CDATA[<p><b>Sarah Schulman</b> is a novelist, playwright, nonfiction writer, screenwriter, and AIDS historian. Her 21st book is <i>The Fantasy and Necessity of Solidarity.</i></p>]]></BiographicalNote>
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			<SubjectHeadingText>1920s paris; 20th century; 20th century literature; Dame Evangeline Musset; Daviel Shy; Dolly Wilde; Janet Flanner; LGBTQ; LGBTQ+; Lady Troubridge; Mina Loy; Natalie Clifford Barney; Paris; Radclyffe Hall; Romaine Brooks; Solita Solano; Una; american literature; american writer; expat literature; expatriate; expatriates; gay; gay literature; interwar paris; lesbian; lesbian literature; lesbian manifesto; lesbian salon; lesbian satire; manifesto; modern classic; novel; paris novel; pastiche; queer; queer literature; restoration; roman  clef; salon; the L Word; women; women's books; women's literature; womyn; woodcut; woodcuts; lisabeth de Gramont</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Nearly 100 years after its original 1928 publication sent shockwaves through the literary scene, Ladies Almanack reigns as a brilliant modernist composition and one of the most audacious lesbian texts of the 20th century.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A 'striking lesbian manifesto and a deft parody' by the acclaimed author of</b><b><i>Nightwood.</i></b><b></b> <b><i>Library Journal</i></b></p><p>Nearly 100 years after its original 1928 publication sent shockwaves through the literary scene, <i>Ladies Almanack</i> reigns as a brilliant modernist composition and one of the most audacious lesbian texts of the 20<sup>th</sup> century. At once a scathing social satire and a love letter to the wealthy expatriates of Paris high society, the book delights in its cast of characters, who are clear analogues to Barnes' lesbian literary contemporaries  and the book's first readers.</p><p>Arranged by month and written in a pastiche of Restoration literature, <i>Ladies Almanack</i> records the life and lovers of Dame Evangeline Musset, a pseudonymous stand-in for Natalie Clifford Barney. Accompanied for the first time by Barnes' original Elizabethan-style woodcut illustrations, this new edition also features a sharp, impassioned introduction by Sarah Schulman reflecting on the ways in which lesbian lives have changed  and haven't  since the 1920s. After decades out of print, Dalkey Archive is proud to revive the <i>Ladies Almanack</i> for contemporary readers: a classic that delivers all the salacious drama of <i>The L Word</i> with the literary wit and wordplay of Shakespeare.</p>]]></Text>
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			<SubjectHeadingText>Affections; Bolivia; Bolivian; Cochabamba; Hay Festival; Lily Meyer; Rodrigo Hasbun; Rodrigo Hasbn; South American; coming of age; literary; literature; reunion</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Andrea and Julin haven't seen one another in twenty-one years  not since that tragic, fateful night their senior year of high school that marked their group of friends forever.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'It's impossible to get a single answer from the past. It's not a key to anything. It's just a place we go to trick ourselves.'</i></p><p>Andrea and Julin haven't seen one another in twenty-one years  not since that tragic, fateful night their senior year of high school that marked their group of friends forever. A shocking phone call brings the two together again in Houston, where they begin to unravel the truth of that year, picking open long scabbed-over wounds from their upper-class adolescence in 1990s Boliviaand the scandal that ripped them apart.</p><p>A writer unhappy in his career and his marriage, Julin has been novelising the past for his next book, trying to make meaning out of the events that changed the course of their lives forever. 'I'd thought that writing about that time would free me, relieve the burden of the invisible years', he writes, 'but often it seems that it's done the reverse.' Juxtaposing the nave invincibility of adolescence with the grasping uncertainties of adulthood, <i>The Invisible Years</i> deftly weaves a coming-of-age tale that leaves the reader hanging on every word, even as they know how the cards fall in the end.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rodrigo Hasbn</b> is a Bolivian writer and screenwriter. He is the author of eight works of fiction and nonfiction, including the novel <i>Affections</i> (Simon &amp; Schuster), which received an English PEN Award and has been translated into twelve languages. Named one of Granta's Best Young Spanish-Language Novelists in 2010, Hasbn's short stories have appeared in <i>Granta, McSweeney's, Zoetrope: All-Story, Words Without Borders,</i> and elsewhere. He lives and works in Houston.</p><p><b>Lily Meyer</b> is a translator, a critic, and the author of the novels <i>The End of Romance</i> and <i>Short War</i>. She is a staff writer at <i>The Atlantic</i>. Her translations include Claudia Ulloa Donoso's <i>Little Bird</i> and<i> Ice for Martians</i>, Abraham Jimenez Enoa's <i>The Hidden Island</i>, and Clara Usn's <i>The Shy Assassin</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Everyone is familiar with the tale: a man marries a woman, and she transforms into a crane. Or a seal. Or a bear. Or a woman marries a beast, who transforms into a man; or a man who transforms into a beast. Tales of shapeshifting animal spouses have long been a staple of folklore around the world. </p><p>In this collection, fantasy and fairy tale scholar Jennifer Pullen selects fourteen classic tales that explore the boundary between the human and the beastly, showing how their telling and retelling reflects a constant longing for  and terror of  what seems to be 'other.'</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jennifer Pullen</b> holds a PhD in Creative Writing from Ohio University, as well as degrees from Eastern Washington University and Whitworth University. Her work has appeared in journals and anthologies including <i>F(r)iction, Phantom Drift Limited, Corvid Queen, Pinch,</i> and <i>Strange Machines</i> (Apex Publishing). Her books include<i> A Bead of Amber on Her Tongue </i>and <i>Fantasy Fiction: A Writer's Guide and Anthology</i>, the first comprehensive history of fantasy and craft guide. She grew up running wild in the forests of Washington State. She has since been sufficiently domesticated to become an Associate Professor of Creative Writing at Ohio Northern University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'Invaluable...[What] comes across in these translations is the verve and immediacy of the poems' occasions.'</b>  <b>Seamus Heaney</b></p><p><b>A groundbreaking translation of the brilliant first book by one of the twentieth century's most important poets.</b></p><p><i>Stone</i>  Osip Mandelstam's 1913 debut  marked the arrival of perhaps the greatest Russian poet of the twentieth century, one whose refusal to bow to Soviet political and artistic dictates led to his persecution and eventual death in one of Stalin's prison camps. Mandelstam spent his early years in St. Petersburg, and many of the poems in <i>Stone</i> depict the city's vast squares, classical buildings, and Dutch canals. Other poems reflect his hunger for Western European culture, his commitment to humanistic values, and his ambition to become a master of the Russian language. This bilingual edition is based on the final version of <i>Stone</i>, published in 1928, and features a biographical and critical introduction and detailed annotations.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Osip Mandelstam</b> (18911938) was one of the most important Russian poets of the twentieth century. His other books include <i>The Noise of Time</i>, <i>The Egyptian Stamp</i>, and <i>Journey to Armenia</i>. He was born in Warsaw, then under Russian rule, and died in one of Stalin's prison camps near Vladivostok. </p><p><b>Robert Tracy</b> (19282020) was an esteemed translator, literary critic, and professor emeritus at the University of California, Berkeley.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The remarkable first two books of poetry by the Pulitzer Prize finalist and former U.S. poet laureate  now combined in a single volume with a new preface by the author]]></Text>
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			<Text textformat="02"><![CDATA[<p>Award-winning poet Robert Pinsky's first two collections  <i>Sadness And Happiness</i> and <i>An Explanation of America</i>  announced the arrival of a major new voice in American poetry. Now, these acclaimed books are presented together in a single volume featuring a new preface by the author, introducing a new generation of readers to the groundbreaking early work of a beloved poet. <i>Sadness And Happiness</i> explores everyday subjects such as the streets and oceanfront of Pinsky's hometown of Long Branch, New Jersey, while the long title poem of <i>An Explanation of America</i> examines personal and national myths as it transports readers across the country.</p>]]></Text>
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			<BiographicalNote textformat="05"><![CDATA[<p><b>Yannis Ritsos</b> (19091990) was a Greek poet who was imprisoned and exiled and had his works banned in his home country because of his Communist politics. His books include <i>The Fourth Dimension</i> and <i>Yannis Ritsos: Repetitions, Testimonies, Parentheses</i> (both Princeton). </p><p></p>]]></BiographicalNote>
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			<SubjectHeadingText>Adjective; Alfred de Vigny; Allusion; Ambiguity; Anonymity; Apathy; Bathroom; Blacksmith; Charwoman; City Of; Cripple; Dictatorship; Edmund Keeley; Evocation; Eyelash; Figure of speech; Fireplace; Foreshadowing; Futility (poem); Grater; Halpern; Handkerchief; Humidity; Iconostasis; In Parenthesis; Incense; Indication (medicine); Irony; Lenin Prize; Leros; Long poem; Mary Ann Caws; Mikis Theodorakis; Ms.; Napkin; Narration; Northern Greece; On the Mountain; Papadopoulos; Parnitha; Perpetual motion; Philip Sherrard; Poetry; Propaganda; Protagonist; Pseudonym; Rhetoric; Robbery; Self-sufficiency; Sentimentality; Shirt; Shoulder to Shoulder; Stairs; Stanza; Subtraction; Suggestion; Symbolism (arts); The American Poetry Review; The Black Stone; The Bread; The Great Night; The Iowa Review; The Last Leaf; Tuberculosis; Tudor Arghezi; Two Old Men; Vision of the Future; World War II; Wreath; Wrinkle</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Perhaps Greece's most important poet, Yannis Ritsos follows such eminent predecessors as Cavafy, Sikelianos, and Seferis in the dramatic and symbolic expression of a tragic sense of life. The three volumes of Ritsos's poetry translated here--Parentheses, 1946-47, Parentheses, 1950-61, and The Distant, 1975--represent a thirty year poetic journey an]]></Text>
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			<Text textformat="02"><![CDATA[<p>Perhaps Greece's most important poet, Yannis Ritsos follows such eminent predecessors as Cavafy, Sikelianos, and Seferis in the dramatic and symbolic expression of a tragic sense of life. </p><p>The three volumes of Ritsos's poetry translated here  <i>Parentheses, 1946-47, Parentheses, 1950-61</i>, and<i> The Distant, 1975</i>  represent a thirty year poetic journey and a developing sensibility that link the poet's subtler perceptions at different moments of his maturity. In his introduction to the poems, and as an explanation of the book's title, Edmund Keeley writes: 'The two signs of the parenthesis are like cupped hands facing each other across a distance, hands that are straining to come together, to achieve a meeting that would serve to reaffirm human contact between isolated presences; but though there are obvious gestures toward closing the gap between the hands, the gestures seem inevitably to fail, and the meeting never quite occurs.' </p><p>In terms of the development of Ritsos's poetic vision, the distance within the parenthesis is shorter in each of the two earlier volumes than in the most recent volume. There the space has become almost infinite, yet Ritsos's powerfully evocative if stark landscape reveals a stylistic purity that is the latest mark of his greatness. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Yannis Ritsos</b> (19091990) was a Greek poet who was imprisoned and exiled and had his works banned in his home country because of his Communist politics. His books include <i>The Fourth Dimension</i> and <i>Yannis Ritsos: Repetitions, Testimonies, Parentheses</i> (both Princeton). </p><p><b>Edmund Keeley</b> (19282022) was a distinguished translator of modern Greek poetry and professor emeritus of English and creative writing at Princeton University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The much-anticipated follow-up to acclaimed graphic novelist Lee Lai's Stella-shortlisted Stone Fruit, a funny, dark, emotionally turbulent slice of friendship strife.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Carol Shields Prize for Fiction 2026**</b></p><p><b>**Shortlisted, Stella Prize 2026**</b></p><p><b>**Shortlisted, Victorian Premier's Literary Awards 2026, Fiction**</b></p><p><b>The much-anticipated follow-up to acclaimed graphic novelist Lee Lai's Stella-shortlisted</b> <b><i>Stone Fruit</i></b><b>, a funny, dark, emotionally turbulent slice of friendship strife.</b></p><p>We arrive to wreckage  a restaurant smashed to rubble, with tables and chairs upended riotously. Under the swampy nighttime cover of a Montreal heatwave, we meet our protagonist, Cannon, dripping in beads of regret sweat. She was supposed to be closing the restaurant for the night, but instead, she destroyed it. The horror-scape left in her wake is not unlike the films Cannon and her best friend, Trish, watch together. Cooking dinner and digging into deep cuts of Australian horror movies on their scheduled weekly hangs has become the glue in their relationship. In high school, they were each other's lifeline  two queer second-generation Chinese nerds trapped in the suburbs. Now, on the uncool side of their twenties, the essentialness of one another feels harder to pin down. Yet when our stoic and unbendingly well-behaved Cannon finds herself very uncharacteristically surrounded by smashed plates, it is Trish who shows up to pull her out</p><p>In <i>Cannon</i>, Lee Lai's follow-up to the critically acclaimed and award-winning <i>Stone Fruit</i>, the full palette of a nervous breakdown is just a part of what is on offer. Lai's sharp sense of humour and sensitive eye produce a story that explores the intimacy of queer friendship and weight of family responsibility, and breaks open the question of what we owe both to each other and to ourselves.</p><p><b>'In</b> <b><i>Cannon</i></b><b>, Lee Lai has performed a rare and powerful act of alchemy  the images, narrative, and writing not only capture a life, but combine so that the book itself feels alive.'  Torrey Peters</b></p><p><b>'Beguilingly drawn,</b> <b><i>Cannon</i></b><b> depicts a wide spectrum of adulthood with nuance and complexity. From one story unravels many stories, about friendships, situationships, work, familial obligations. I was struck by its attention and care.'  Ling Ma</b></p><p><b>'A beautifully drawn slice of life, filled with the kind of intimate, specific details that make the best fiction seem autobiographical.'  Adrian Tomine</b></p><p><b>'It's rare, and precious, when a moment in a movie, in a poem, in a comic surges up at you as being True. And in</b> <b><i>Cannon</i></b><b>, Lee Lai does it again and again.'  Eleanor Davis</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lee Lai</b> is an Australian cartoonist living in Tiohtia:ke (colonially known as Montreal, Canada). In 2021, she was shortlisted for the Stella Prize and selected as one of the National Book Foundation's 5 Under 35 for her debut graphic novel, <i>Stone Fruit</i>, which went on to win several awards, including the Lambda Literary Award, the Cartoonist Studio Prize, the Lynd Ward Graphic Novel Prize, and two Ignatz Awards. Her comics have appeared on <i>The New Yorker</i>, <i>McSweeney's</i>, <i>New York Times</i>, <i>Granta</i>, and the Museum of Modern Art's <i>Magazine</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, </b><b><i>The Age</i></b><b> Book of the Year 2026, Fiction**</b></p><p><b>**Shortlisted, Queensland Literary Awards 2025, Fiction Prize**</b></p><p>In the year 2000, an Australian woman travels to The Hague to work as the secretary for an Australian judge. There, she sits through the trial of a former military man who has been charged with war crimes. As the trial proceeds, she is confronted with two conflicting impulses: being deeply affected by the testimony of witnesses, while at the same time plagued by an enduring doubt as to the defendant's guilt.</p><p>Meanwhile, she begins an unexpected romance and friendship, and these relationships help her to understand the stories of extraordinary survival she hears about during the trial. When she is called back to Australia to reckon with her own childhood, she finds she can't quite leave everything she's heard behind. <i>Out of the Woods</i> asks what it means to bear witness to the suffering of people who have experienced real tragedy and whether it is possible, afterwards, to resume a normal life.</p><p><b>'A triumph.</b> <b><i>Out of the Woods</i></b><b> traces the complex lines of complicity and grief  a deeply compelling and humane story about what it means to bear witness. This is a book that looks into your soul.'  Stephanie Bishop</b></p><p><b>'This searchingly original novel counters the historical weight of human cruelty with small acts of attention and persistence. Shirm's empathy and intelligent precision exert a quiet moral authority on every page.'  Delia Falconer</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Finalist, Lambda Literary Awards 2026, Gay Poetry**</b></p><p>Kitchen hymns are the songs sung at home, not in the chapel; in vernacular speech, not Latin. The poems in Pdraig  Tuama's new collection are a form of hymnody that arise neither from belief nor devotion. A man asks himself if he believes in God and turns to language rather than the maker of language; an agnostic Jesus meets a curious Persephone at hell's exit; a mass for the end of the world is offered by someone more interested in birds than in salvation. In registers of rage, eros and melody, towards nature, elegy and praise,<i> Kitchen Hymns</i> is a study in form and lyric address: the sights and sounds of a poem; the lungs of the world; skin touching skin; experience. Here are poems of originality and feeling - a provocation to thought, and an invocation of the forces that direct the strange, branching paths of our lives.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Pdraig  Tuama</b> (b. 1975) is from Ireland. The host of On Being's Poetry Unbound podcast, and editor of the anthologies of the same name, he splits his time between Belfast and New York City. His writing includes both poetry and prose, and his work been featured on national radio stations in Ireland, Britain, the US, Australia and New Zealand. Profiled by the <i>New Yorker</i>, his poetry has appeared in many magazines, including <i>Poetry Ireland</i>, the Kenyon Review and the <i>Harvard Review</i>. <i>Kitchen Hymns</i> is his fourth collection of poems.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, NSW Literary Awards 2026, Kenneth Slessor Prize for Poetry**</b></p><p>A sonogrammar is a mythic technology and the name for the object it makes. It is both method of listening for auditory system in a work and it is the figuration of findings: rhythmic pattern, correspondence, dissonance.</p><p>The poems in this collection conduct a systematic sonogrammar on Gertrude Stein's <i>Tender Buttons</i> (1914), reading this exquisite and perplexing modernist text as meaningful first and foremost at the level of sound. The collection de-forms and re-articulates the sound of writing to learn what Stein still teaches about the interdepending work of intonation, punctuation and grammar in the creation of rhythm.</p><p>Because rhythm interlaces a writer with a locality  materially, at the level of wave and vibration <i> A Sonogrammar</i> is also testament to the way poetry can work (as light and colour work) to construct a timespace. It is an ode to Stein's capacity to undiscipline sentences, building syntactic room inside them for divergence and differentiation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kay L. Are</b> is an Australian multimodal writer and artist, raised as a settler on Dharug land in the Blue Mountains and now living on Wurundjeri land in exurban Narrm. She has taught Creative Writing and Spanish and Latin American Studies at the University of Melbourne, where she now researches and advises on feminist, relational and art-based education. Her poems, chapbooks and visual work have appeared in print, online and exhibition spaces including <i>Cordite Poetry Review, Southerly, Island, Meanjin, HEAT, ctrl+v, Stilts, Meniscus, Double Dialogues, Telephone, Lab14</i> and various book collections, but <i>A Sonogrammar</i> is her first full-length collection. It was Highly Commended in the Puncher and Wattman First Book of Poetry Prize (2020).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, NSW Literary Awards 2026, Kenneth Slessor Prize for Poetry**</b></p><p>'Andrew Brooks's <i>Year of the Ox</i> is a constellation of images that chart the movement of history, not with the logic of linear progress but the dialectic of historical materialism. The poem takes what has been and flashes it together with the now, with blackberries, garden spiders, broccoli pasta and much else.</p><p>'Through this constellation we see, in silhouette, the historical shape of capitalism and its necessary mutation, imperialism. In a time of "No/politics but the politics of real/estate", the two long poems in this book offer us something rare: political poetry that moves, and demands movement.'  Andre Dao</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, NSW Literary Awards 2026, Kenneth Slessor Prize for Poetry**</b></p><p><b>**Shortlisted, Five Islands Poetry Prize 2025**</b></p><p>Roughly 1000 to 4000 metres below sea level lies the bathypelagic (also known as the 'midnight') zone. No sunlight penetrates these depths. It's a constant 4 Celsius and water pressure reaches 680 kilograms per square centimetre. The creatures who inhabit this zone are often transparent, moving minimally to conserve energy, as they carry out their bioluminescent lives under the ocean's crushing weight. Bathypelagia is an imaginary space, a miniature sea. It's a viscous metaphor and an internal state. Lying awake at 3 a.m., it's the menagerie of quietly fraught voices you might hear in those small hours. Here, the lines are blurred between lover and predator, nurture and survival, between the intimate and the strange (and estranged). Distances aren't always easy to judge, and migration is more likely to be vertical. But under the cover of darkness, tender moments also find refuge.</p><p>These poems were written over a long and discontinuous period, starting about 15 years ago. Back then, I snorkelled and scuba-dived regularly. Some of my most alive experiences have been drifting underwater, without words. Equally, many of them have been when I'm suspended inside a poem.</p><p>This is a book of encounters. Some of them have human hands, some fins, yet others, tentacles. Some even beat with three hearts. If you draw a long breath, kick down into the gloom and hold very still, these poems, I hope, will swim a little closer.</p><p><b>'</b><b><i>Bathypelagia</i></b> <b>is a wonder of animacy and transformation. Cannily constructed in three zones, this book criss-crosses between the still-barely known zones of our oceans, resemblances of domestic life  particularly of motherhood  and the deepest domains of myth and sea creatures. These poems weave together motifs across pages, making connections  aquatic, airy, subterranean  that astonish.'  Kate Middleton</b></p><p><b>'</b><b><i>Bathypelagia</i></b> <b>is a powerful, memorable collection whose poems fluoresce with an otherworldly light, drawing us in. Debbie Lim's vivid, richly imagistic poems find illumination in the ocean's claustrophobic midnight zone, paying close and artful attention to the creatures inhabiting a region largely untouched by humans.'  Sarah Holland-Batt</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Debbie Lim</b>'s poetry appears in many anthologies including <i>Contemporary Australian Poetry, Contemporary Asian Australian Poets</i> and multiple editions of <i>Best Australian Poems</i>. She has received the ACT Rosemary Dobson Award and the Bruce Dawe National Poetry Prize. She was shortlisted for the Peter Porter Poetry Prize. She lives in northern Sydney on Darramuragal land.</p>]]></Text>
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			<SubjectHeadingText>black fiction; debut author; desire; feminist fiction; genre bending; girlhood; horror; queer Black girl; queer fiction; short stories; speculative; supernatural; surrealism; transformation; weird girl lit; white gaze</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>**Finalist, Lambda Literary Awards 2026, Bisexual Fiction**</b></p><p>A debut collection of surreal, skin-piercing stories about the boundless longing of queer Black women.</p><p>A runaway seeks shelter from violence with a pack of wild coyotes. A young woman falls into a hypocritical crew of white Christian YouTube influencers. A mother witnesses her daughter's prophecy about the end of the world come true. In <i>Sympathy for Wild Girls</i>, young Black women yearn for intimacy and hunt for belonging in a subtly warped version of our world, where social mores loom like shadows and bigotry shape-shifts.</p><p>Skirting the chasms that lurk in our common notions of 'girlhood'  and their heightened peril for queer women of colour  Demree McGhee's characters track the prints of their desire and pain to the edges of reality, finding refuge in unlikely places. Fighting self-loathing and societal abuse, they explore the bounds of their feral strength and ugliest truths, howling at the moon to be known.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Demree McGhee</b> earned her BA from the University of California San Diego. Her work has been published in Lunch Ticket, Wax Nine Journal, Prose Online, and more. <i>Sympathy for Wild Girls</i> is her debut short story collection. She is currently an MFA student at San Diego State University. She lives in San Diego, CA.</p>]]></Text>
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			<SubjectHeadingText>Lorraine Hansberry; Sarah Schulman; anais nin; anna dorn; august clarke; dyke; erotica; grace byron; h.a. clarke; historical fiction; lesbian; lesbian crime fiction; lesbian erotica; lesbian pulp; lesbian romance; noir; pulp fiction; queer; queer pulp; queer romance</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>**Finalist, Lambda Literary Awards 2026, LGBTQ+ Anthology**</b></p><p><b>A collection of reinvented queer pulp fiction by writers like Sarah Schulman and Lorraine Hansberry that's so edgy it draws blood.</b></p><p>Lesbian pulp fiction thrived in the oppressive 1950s, telling subversive stories of lonely sapphic women who find connection, passion, and revenge. In<i>The New Lesbian Pulp</i>, editors Sarah Fonseca and Octavia Saenz revive the genre for today, layering nuance into classic tropes while dialing up the melodrama, romantic peril, and collateral damage.</p><p>In these pages  which pair revived classics from Lorraine Hansberry and Alice Dunbar Nelson with new stories from Sarah Schulman, Grace Byron, Shamim Sharif, and more  vigilante lesbians gather roadkill for revenge, a woman and her former high school bully hook up and commit murder, Brooklyn witches cruise kink parties for human sacrifice, and a sinister kidnapping goes horribly wrong (or horribly right).</p><p>Here, gathered just for you, are some of today's best lesbian pulp stories. Don't be afraid. Pick them up.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sarah Fonseca</b> is a writer, editor, and film programmer based in New York City who has dispatched from Cannes, New York Film Festival, and Sundance. With one eye on queer cinema history and the other on its future potential, Sarah has contributed a volume of interviews, reviews, and critical essays to LGBT and mainstream film publications including Conde Nast's them, <i>The Advocate, Film Comment</i>, and Museum of the Moving Image's <i>Reverse Shot.</i> She has also published short fiction with<i>Evergreen Review,Bosie Magazine</i>,Cleis Press, and <i>Math Magazine</i>. Currently, Sarah is pursuing graduate studies in history at The City College of New York and printed matter studies at UCLA's California Rare Book School. Find her at @sontagians and sarahfonseca.com.</p><p><b>Octavia Saenz</b> (she/they) is an editor and cartoonist based in El Paso, TX. She creates speculative fiction and visual narratives about queer life and temporality. Octavia grew up in Puerto Rico and has a BFA in Creative Writing and Illustration from Ringling College, as well as a Lambda Fellowship. Find her on Twitter and Instagram @shrimpwonder.</p><p><b>Trish Bendix</b> is a GLAAD-nominated writer and regular contributor to the <i>New York Times</i>. Her book <i>Sappho Was a Pop Star</i> is forthcoming from St. Martin's Press in 2027.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>**Finalist, Lambda Literary Awards 2026, Transgender Fiction**</p><p>When their mother calls with news that their MAGA-pilled, conspiracy-theorist father has gone missing, the newly unemployed queer narrator of <i>Make Sure You Die Screaming</i> does what anyone would do: steals their ex-boyfriend's BMW and races from Chicago to deep-red Arkansas on a mission to kidnap their estranged father and bring him home.</p><p>Now, with a bottle of premixed margarita jiggling in the cupholder and the narrator's brand-new garbage goth bestie, Yivi, screaming through night terrors in the passenger seat, our hero hurtles toward a family reunion from hell. Along the way, they experiment with Yivi's mystery pills, elude a relentless stalker and outrun some cops who believe the narrator committed a tragic murder.</p><p>An unflinching interrogation of class rage, economic (im)mobility, gender expression, the rot at the heart of capitalism and the political bloodbath dividing so many American families, <i>Make Sure You Die Screaming</i> is the loud, funny, suspenseful road trip novel of our times.</p><p><b>'</b><b><i>Make Sure You Die Screaming</i></b><b> roars to life from page one and never lets up. It's a</b> <b><i>Fear and Loathing</i></b><b> for the generation devastated by the generation that brought us</b> <b><i>Fear and Loathing</i></b><b>.'  Torrey Peters, author of</b> <b><i>Detransition, Baby</i></b></p><p><b>'Zee Carlstrom's chaotic joyride had me holding on for dear life. This iconic road-trip novel is a balm for a bleak, uncertain world.'  Vanessa Walters, author of</b> <b><i>The Lagos Wife</i></b></p><p><b>'I loved every loud, messy page. Zee Carlstrom is the first writer to make me feel better about my own life choices.'  Sam Irby, author of</b> <b><i>Wow, No Thank You</i></b></p><p><b>'</b><b><i>Make Sure You Die Screaming</i></b><b> is the debut novel our country needs (but doesn't deserve). It's a tight little banger about the shared delusion of family that left my heart, as Zee Carlstrom's head-wounded narrator would say, "as full as my bladder", because putting it down long enough to pee was out of the question.'  Ruth Madievsky, bestselling author of</b> <b><i>All-Night Pharmacy</i></b></p><p><b>'Zee Carlstrom's debut blends asphalt-black comedy with the greasy darkness pervading the nuclear family, the workplace, and the US itself. They should hand this book to anyone who leaves a hair salon with a mullet on purpose.'  Calvin Kalsulke, author of</b> <b><i>Several People Are Typing</i></b></p><p><b>'Whether you're grieving a person or a country,</b> <b><i>Make Sure You Die Screaming</i></b><b> is the novel for you.'  Holly Wilson, author of</b> <b><i>Kittentits</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Finalist, Lambda Literary Awards 2026, Transgender Poetry**</b></p><p><b>Ferocious and vulnerable poems about redefining acts of creation, destruction, deconstruction, and recreation, from a singular Indigiqueer point of view.</b></p><p><i>a body more tolerable</i> is a collection of powerful and haunting poems combining faerie tales, mythology, and a self-divinised female rage. Divided into three parts, the book examines Indigenous grief, trans identity, and frustrated desires in ways that reject perception. Gone is the soft, kind, gentle girl that author jaye simpson once thought she would become. Instead, she unravels the sticky threads of colonialism with poems that exact lyrical acts of self-surgery.</p><p>In these visceral poems, teeth gleam, graze skin, and sink into flesh, becoming bloodied and exposing the animalistic hunger that lies within. Pulsating with yearning and possibility, a body more tolerable is a book that resists typical notions of physicality and sex to dream of a world more divine. It is a call-out into the canon for a new age, one filled with retribution and recompense.</p><p><b>'jaye simpson's</b> <b><i>a body more tolerable</i></b><b> is a singular achievement. Her poetic project, at once forward-dawning and ancestral, both revolutionary and decolonizing, is given total expression in this book. These poems moved me immensely; there is so much beauty and feeling power in all of them. No one is writing like jaye simpson.' - Billy-Ray Belcourt, author of</b> <b><i>A Minor Chorus</i></b><b> and</b> <b><i>Coexistence</i></b></p><p><b><i>'a body more tolerable</i></b><b> is a work at once open and lyric, fearless and tender. Expanding grief's territory into moments of relation and desire, simpson also challenges 'home, as a wayward theory' into a poetics of self-mothering, of being beyond becoming. This collection is a fierce and resistant nurturing.' - Liz Howard, author of</b> <b><i>Infinite Citizen of the Shaking Tent</i></b><b> and</b> <b><i>Letters in a Bruised Cosmos</i></b></p><p><b>'jaye simpson is one of the most compelling and incisive voices of their generation. In</b> <b><i>a body more tolerable</i></b><b>, they seize the English language and command it into an instrument that meticulously sings the realities of their present moment. I found solace, fire, and a relentless love for living and loving in these poetic offerings.</b> <b><i>a body more tolerable</i></b><b> is a wayward map, and it is gorgeous. I'll carry it close to my heart.' - Leanne Betasamosake Simpson, author of</b> <b><i>Noopiming: The Cure for White Ladies</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>jaye simpson</b> (she/they) is an Oji-Cree Saulteaux Indigiqueer from the Sapotaweyak Cree Nation. simpson is a writer, advocate, and activist sharing their knowledge and lived experiences in hopes of creating utopia. Their first poetry collection, <i>it was never going to be okay</i> (Nightwood Editions, 2021) was shortlisted for the 2021 ReLit Award and the Writers' Trust of Canada Dayne Ogilvie Prize and won the 2021 Indigenous Voices Award for Published Poetry in English.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>&amp;#x27;Dazai&amp;#x27;s brand of egoistic pessimism dovetails organically with the emo chic of this cultural moment and with the inner lives of teenagers of all eras.&amp;#x27; - Andrew Martin, </b><b><i>The New York Times</i></b></p><p>&amp;#x27;<b>A journey to hell with Osamu Dazai, Japan&amp;#x27;s ultimate bad boy novelist&amp;#x27; - Damian Flanagan, </b><b><i>The Japan Times</i></b></p><p><i>No Longer Human</i> is the story of Yozo Oba, who, from early childhood, finds it impossible to form meaningful relationships with family or friends. As a child he copes by acting the fool - mocking himself while entertaining others; as an adult he turns to alcohol, sex and drugs, which lead to his eventual self-destruction.</p><p>In this novel, based closely on his own life, Dazai skillfully leads the reader to sympathize deeply with Oba. Although the book was published in 1948, the timeless and universal themes of social alienation, failure, and one man&amp;#x27;s inner torture at his inability to feel like a normal human still resonate with young people everywhere, making an enduring classic.</p><p>After Soseki Natsume, Osamu Dazai (19091948) is Japan&amp;#x27;s most famous writer. Dazai is enjoying a surge in popularity among young people today thanks to the success of the recent manga, anime and film series <i>Bungo Stray Dogs</i>, whose protagonist, a detective named Osamu Dazai, is based on the real-life author.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Osamu Dazai </b>(19091948) was the pen name of Shuji Tsushima, the tenth of eleven children born to a wealthy landowner and politician in the far north of Japan. Dazai studied French literature at the University of Tokyo, but never received a degree. He first attracted attention in 1933 when magazines began to publish his work. Between 1930 and 1937, he made three suicide attempts, a subject he deals with in many of his short stories. Despite his troubled life and rebellious spirit, Dazai wrote in simple and colloquial style, conveying his personal torments through literature. Dazai&amp;#x27;s life ended early in a double suicide with a married lover.</p><p><b>Juliet Winters Carpenter </b>is an American translator of modern Japanese literature. She studied Japanese literature at the University of Michigan and the Inter-University Center for Japanese Language Studies in Tokyo. After completing her studies, she returned to Japan where she became involved in translation and teaching. She is professor emeritus at Doshisha Women&amp;#x27;s College of Liberal Arts in Kyoto and has received numerous awards for her translation work including the 20192020 William F. Sibley Memorial Award for Japanese Translation for Mizumura Minae&amp;#x27;s <i>An I-Novel</i> and the 20212022 Lindsey and Masao Miyoshi Translation Prize for a lifetime of achievement as a translator of modern Japanese literature.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Although the consciousness of death is, in most cultures, very much a part of life, this is perhaps nowhere more true than in Japan, where the approach of death has given rise to a centuries-old tradition of writing <i>jisei</i>, or the "death poem." Such a poem is often written in the very last moments of the poet's life.</p><p>Hundreds of Japanese death poems, many with a commentary describing the circumstances of the poet's death, have been translated into English here, the great majority of them for the first time. Yoel Hoffmann explores the attitudes and customs surrounding death in historical and present-day Japan, and gives examples of how these have been reflected in the nation's literature in general. The development of writing <i>jisei </i>is then examined-from the poems of longing of the early nobility and the more "masculine" verses of the samurai to the satirical death poems of later centuries. Zen Buddhist ideas about death are also described as a preface to the collection of Chinese death poems by Zen monks that are also included. Finally, the last section contains three hundred twenty haiku, some of which have never been assembled before, in English translation and romanized in Japanese.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Celebrated author, editor, and translator, Professor <b>Yoel Hoffmann</b> (1937-2023) is known as one of the leading Western scholars of Zen Buddhism and of Japanese poetry. Hoffman wrote several books on Buddhism and comparative philosophy, including <i>The Sound of the One Hand, Radical Zen: the Sayings of Joshu</i>, and <i>The Idea of Self-East and West</i>. He was the recipient the inaugural Koret Jewish Book Award, the Bialik Prize, and the Prime Minister's Prize.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The most famous work of Japanese literature and the world's first novel written a thousand years ago and one of the enduring classics of world literature.</p><p>Written centuries before the time of Shakespeare and even Chaucer, <i>The Tale of Genji</i> marks the birth of the novel-and after more than a millennium, this seminal work continues to enchant readers throughout the world. Lady Murasaki Shikibu and her tale's hero, Prince Genji, have had an unmatched influence on Japanese culture. Prince Genji manifests what was to become an image of the ideal Heian era courtier; gentle and passionate. Genji is also a master poet, dancer, musician and painter. <i>The Tale of Genji</i> follows Prince Genji through his many loves and varied passions.&amp;nbsp;</p><p>This book has influenced not only generations of courtiers and samurai of the distant past, but artists and painters even in modern times-episodes in the tale have been incorporated into the design of kimonos and handicrafts, and the four-line poems called waka which dance throughout this work have earned it a place as a classic text in the study of poetry.This version by Kencho Suematsu was the first-ever translation in English. Condensed, it's a quarter length of the unabridged text, making it perfect for readers with limited time."Not speaking is the wiser part, And words are sometimes vain, But to completely close the heartIn silence, gives me pain."-Prince Genji, in <i>The Tale of Genji</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lady Murasaki Shikibu</b>, born in the year 978, was a member of the famed Fujiwara clan--one of the most influential families of the Heian period. Her literary ability quickly won her a place in the entourage of the Empress Akiko, whose court valued the rare woman who was a master of writing. After the death of her husband, Murasaki Shikibu immersed herself in Buddhism, and the religion's influences permeate her writing. <br/><br/><b>Michael Emmerich</b> is Associate Professor of Japanese literature at the University of California, Los Angeles. He is the author of <i>The Tale of Genji: Translation, Canonization, and World Literature</i>, the editor of <i>Read Real Japanese Fiction: Short Stories by Contemporary Writers</i> and <i>New Penguin Parallel Texts: Short Stories in Japanese</i>, and the translation of numerous works of premodern, modern and contemporary Japanese Literature. In 2010, he was awarded the Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature for his translation of Kawakami Hiromi's novel <i>Manazuru</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'One of the most respected and oft-quoted compilations of the Japanese poetic canon...A must-read for anyone interested in Japanese culture or poetry in general.</b><b><i>'</i></b><b>  William Scott Wilson, renowned translator of Japanese literature</b></p><p><i>In the pale dawn<br/>your coldness as we parted<br/>froze my heart<br/>nothing now so chills me<br/>as morning's early light</i><br/> Mibu no Tadamine</p><p>This completely new translation of the most famous collection of Japanese poetry ever produced, the Hyakunin Isshu ("A hundred poems by a hundred poets"), contains works written between the 7th and 8th centuries that were collected and published by the poet Fujiwara no Teika at the end of that era. The collection is still widely read in Japan today by school children and everyday people.</p><p>These poems provide insights on daily life in ancient Japan while addressing universal themes of love, loneliness, aging and the beauty of nature  all highly relevant today.</p><p>The poets whose works are featured here include:</p><ul><li>Sei Shonagon, author of <i>The Pillow Book</i></li><li>Lady Murasaki Shikibu, author of <i>The Tale of Genji</i></li><li>Emperor Gotoba, who ruled from 1193-1198</li><li>Sugiwara no Michizane, a renowned Confucian scholar</li></ul><p>Each poem is presented in the Japanese script with a Romanised version and English translation. An introduction by translator Michael Freiling provides essential information about the collection, an overview of the poems and poets, and reflections on why the work remains so popular in Japan today.</p><p>This new hardcover gift edition is illustrated in full-colour with stunning woodblock prints created for the poems by the famous 19th-century artists Hiroshige, Kuniyoshi and Kunisada. Free online audio recordings of all the poems are available in Japanese and English.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michael Freiling</b> studied computer science at the University of San Francisco, where he also found the time to take poetry classes and became interested in Japanese literature. In 1977, he received a Henry Luce scholarship and was assigned to study at Kyoto University for a year. He spent most of that time studying Japanese and translating Heian-era poetry. He returned to Kyoto years later, in 2014, where he began writing poetry in both English and Japanese. His work has been published in anthologies and in  the haiku journals <i>Seashores</i> and <i>Frogpond</i>. In 2018, he was asked to help translate a collection of senryu poems written by Japanese-Americans who were unlawfully imprisoned during World War II; it was published in 2023 under the title <i>They Never Asked</i> (Oregon State University Press).</p>]]></Text>
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			<SubjectHeadingText>literature classic history scary spooky; fairy ghost demon supernatural yurei spirit; monster oni fable goblin story oiwa okiku; Ghost of Tsushima yokai tale japanese book folk; young adult myth haunt culture teen english; traditional kwaidan legend horror eerie fantastic</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Prepare to be spooked by these chilling Japanese short stories!</b><br/><br/><i>Strange Tales from Japan</i> presents 99 spine-tingling tales of ghosts, yokai, demons, shapeshifters and trickster animals who inhabit remote reaches of the Japanese countryside. 33 color woodblock prints and over 55 b&amp;w illustrations of these creatures, who have inhabited the Japanese imagination for centuries, bring the stories to life.<br/><br/><b>The captivating tales in this volume include:</b></p><ul><li><b>The Vengeance of Oiwa </b>- The terrifying spirit of a woman murdered by her husband who seeks retribution from beyond the grave</li><li><b>The Curse of Okiku </b>- A servant girl is murdered by her master and curses his family, with gruesome results</li><li><b>The Snow Woman </b>- A man is saved by a mysterious woman who swears him to secrecy</li><li><b>Tales of the Kappa </b>- Strange human-like sprites with green, scaly skin who live in water and are known to pull children and animals to their deaths</li><li><b>And many, many more!</b></li></ul><p>In his introduction, renowned translator William Scott Wilson explains the role these stories play in local Japanese culture and folklore, and their importance to understanding the Japanese psyche. Readers will learn which particular region, city, mountain or temple the stories originate from - in case you&amp;#x27;re brave enough to visit these haunts yourself!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nishimoto Keisuke</b> is a leading scholar of Japanese folklore and traditional tales who has collected stories and published many books for both adults and children, including <i>Nihon kaidan shu</i>, from which these stories are drawn.<br/><br/><b>William Scott Wilson</b> has published over 20 books that have been translated into more than 20 languages, including <i>The Lone Samurai: The Life of Miyamoto Musashi</i>. His first book, a translation of <i>Hagakure</i>, was featured in the film <i>Ghost Dog</i> by director Jim Jarmusch. He was awarded a Commendation from the Foreign Ministry of Japan in 2005 and inducted into the Order of the Rising sun by the Japanese Emperor in 2015. Wilson lives in Florida.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This collection of mystery and horror stories is regarded as Japan's answer to Edgar Allan Poe.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This collection of mystery and horror stories is regarded as Japan's answer to Edgar Allan Poe.</b></p><p><i>Japanese Tales of Mystery &amp; Imagination</i>, the first volume of its kind translated into English, is written with the quick tempo of the West but rich with the fantasy of the East. These nine bloodcurdling, chilling tales present a genre of literature largely unknown to readers outside Japan, including the strange story of a quadruple amputee and his perverse wife; the record of a man who creates a mysterious chamber of mirrors and discovers hidden pleasures within; the morbid confession of a maniac who envisions a career of foolproof "psychological" murders; and the bizarre tale of a chair-maker who buries himself inside an armchair and enjoys the sordid "loves" of the women who sit on his handiwork. Lucid and packed with suspense, Edogawa Rampo's stories found in <i>Japanese Tales of Mystery &amp; Imagination</i> have enthralled Japanese readers for over half a century.</p><p>Mystery stories include:</p><ul><li>The Human Chair<br/></li><li>The Caterpillar<br/></li><li>Two Crippled Men<br/></li><li>The Traveler with the Pasted Rag Picture</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Edogawa Ranpo</b> (Hirai Taro, 1894-1965) is widely regarded as the father of Japanese mystery writing. Born in Mie Prefecture, he graduated in 1916 from Waseda University and took on a series of odd jobs, working as an accountant, clerk, salesman, and peddler of noodles from a cart, before discovering his vocation as a writer. The first modern writer of mysteries in Japan, and long-time president of the Japan Mystery Writers' Club, Ranpo derived his pen name from the Japanese pronunciation of Edgar Allan Poe, under whose spell he fell early in his career.<br/><br/> <b>Dr. Patricia Welch</b> is an Associate Professor of Japanese and Comparative Literature in the Department of Comparative Literature at Hofstra University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Eiji Yoshikawa</b> is Japan's bestselling novelist of all time. He published popular retellings of many Asian classics, however, his novelization of the life of Miyamoto Musashi is his most famous work, selling over 120 million copies. He was awarded the Cultural Order of Merit and the Order of the Sacred Treasure.</p><p><b>Alexander Bennett</b> is a Professor of Japanese History, Martial Arts, and Budo Theory at Kansai University. He is a Director General of the International Budo University's Budo Sports Research Institute. He co-founded and publishes Kendo World, the first English-language Kendo journal, and holds black belts in several martial arts. His published works include <i>The Complete Musash</i> and <i>Hagakure: The Secret Wisdom of the Samurai.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Musashi's tale continues as he transforms himself from an inexperienced soldier with no direction into Japan's greatest swordsman!</i></b><br/><br/>This is the second book of <i>Musashi: The Novel</i>, a sweeping three-book unabridged translation of Eiji Yoshikawa's bestselling masterpiece - Japan's most beloved historical novel. Masterfully translated for the first time in its entirety by Alexander Bennett, this vivid and fast-paced story reveals the exploits and inner life of a man who finds not only his true purpose but also his humanity.<br/><br/>In <i>Book Two</i> Musashi continues his travels across Japan, earning a name for himself as a fearless swordsman. One by one, he dispatches the most skilled fighters in Japan with minimal effort, and it all seems too easy. But stung by their defeat at his hands, the Yoshioka fighters vow revenge, and their leader, Seijuro, seeks out Musashi for a duel to the death. Wrestling with his demons, Musashi is torn by his love for Otsu and his goal of becoming Japan's most famous warrior. He decides to take on a young student, but in doing so, is he losing his focus? Musashi holds his destiny in his hands, yet difficult choices will have to be made.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The epic story concludes as Musashi prepares to take on his greatest rival with his destiny in the balance!</b></p><p>This is the third book of <i>Musashi: The Novel</i>, a sweeping three-book unabridged translation of Eiji Yoshikawa's bestselling masterpiece  Japan's most beloved historical novel. Masterfully translated for the first time in its entirety by Alexander Bennett, this vivid and fast-paced story reveals the exploits and inner life of a man who finds not only his true purpose but also his humanity.</p><p>In this final book, Musashi is left to surmount one final obstacle  the great swordsman Sasaki Kojiro, who is legendary for his skill with the sword. As Musashi journeys to fight Kojiro, he encounters old friends and new enemies. Devoting himself to meditation and Zen study, he realises that the pursuit of glory through violence is fruitless, and the only path to success can be found through introspection and discipline.</p><p>To become truly happy, he must defeat not only his greatest rival but his self-doubt, tying up loose ends in the process. He meets with Otsu as he prepares to fight Sasak, wielding only a wooden staff, with his destiny in the balance.</p><p>This unforgettable conclusion cements Musashi's place as one of literature's most compelling heroes, brought to English readers at last in its full, unabridged glory.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Haruki Murakami&amp;#x27;s stories in graphic novel form for the first time!</b></p><p>Haruki Murakami&amp;#x27;s novels, essays and short stories have sold millions of copies worldwide and been translated into dozens of languages. Now for the first time, many of Murakami&amp;#x27;s best-loved short stories are available in graphic novel form in English. <i>Haruki Murakami Stories 1</i> is the first of three volumes, which will present a total of 9 short stories from Murakami&amp;#x27;s bestselling collections.</p><p>With their trademark mix of realism and fantasy, centering around Murakami&amp;#x27;s characteristic themes of loss, remorse and confusion, the four stories in this volume are:<br/></p><ul><li><b>&amp;#x27;Super-Frog Saves Tokyo&amp;#x27;:</b> A few days after an earthquake, Katagiri discovers a giant frog in this home. The frog promises to save Tokyo from another earthquake, but Katagiri must help him. Is this real, or is Katagiri dreaming? &amp;#x27;<b>[This story has] such an engaging mix of realism and fantasy that it takes a while for you to realise what a sad undertow the story has and how much it says about Katagiri&amp;#x27;s solitary life, his feelings of powerlessness and his dread of another quake.&amp;#x27;</b> - <b><i>The New York Times</i></b></li><li><b>&amp;#x27;Where I&amp;#x27;m Likely to Find It&amp;#x27;:</b> A woman&amp;#x27;s husband goes missing so she hires detective. As the detective traces the man&amp;#x27;s whereabouts, he reflects on the meaning of his own life. &amp;#x27;<b>A searching Kafkaesque parable about disappearance, loss and coping.&amp;#x27;</b> - <b><i>Kirkus Reviews</i></b></li><li><b>&amp;#x27;Birthday Girl&amp;#x27;:</b> A woman tells her friend the story of a surreal encounter she has on her twentieth birthday with the owner of the restaurant where she works, who grants her a wish.</li><li><b>&amp;#x27;The Seventh Man&amp;#x27;:</b> The story of a man scarred by the death of his childhood friend in a tsunami. &amp;#x27;<b>Although Murakami&amp;#x27;s style and deadpan humour are wonderfully distinctive, his emotional territory is more familiar--remorse, unresolved confusion, sudden epiphanies--though heightened by the surreal. In &amp;#x27;The Seventh Man,&amp;#x27; one of his saddest stories, the narrator recalls the wave that reared up during a freak storm and engulfed his childhood friend.&amp;#x27;</b> - <b><i>The Guardian</i></b></li></ul><p>This novel visual take on these classic Murakami stories will be devoured by his fans and provide a new window onto his work for younger readers not yet familiar with it!</p><p><b>**Recommended for readers ages 16+ due to mature themes and graphic content**</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Haruki Murakami&amp;#x27;s</b> first novel, <i>Hear the Wind Sing</i>, won the Gunzou Literature Prize in 1979. He is the author of many novels including <i>Norwegian Wood, The Wind-Up Bird Chronicle, Sputnik Sweetheart</i> and <i>Kafka on the Shore</i>. He has written three short story collections: <i>The Elephant Vanishes, After the Quake</i>, and <i>Blind Willow, Sleeping Woman</i>. He has received numerous international literary honors, including the Jerusalem Prize, the Franz Kafka Prize, the World Fantasy Award, and the Noma Literary Prize, as well a feature in TIME Magazine&amp;#x27;s 100 Most Influential People of 2015. Murakami&amp;#x27;s work has been translated into more than fifty languages.<br/></p><p><b>Jc Deveney</b> (in charge of adaptation) was born in southern France and now lives in Lyon. He has collaborated with various publishers and his work has been published in Italy, Spain and Argentina. At the Lyon Bande dessinee Festival, he organizes international projects, &amp;quot;Webtrip comics&amp;quot; and exhibitions. He teaches adaptation and theater studies at a school of manga and illustration.<br/></p><p><b>PMGL Pierre-Marie Grille-Liou</b> (in charge of manga illustration) was born in Lyon, France. After graduating from graphic arts school, he worked for magazines, doujinshi and online magazines. He likes nonsense comedy, Sumerian mythology, noir and caricatures, and publishes comic strips, short stories and feature comics. His graphic novel &amp;quot;Jojo, moniteur de ski&amp;quot; (co-authored with B-gnet) was published in 2016 by Lapin Editions.</p>]]></Text>
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			<SubjectHeadingText>Wagahai wa Neko de Aru comedy anime kiki delivery; graphic fiction culture meiji botchan kokoro; japanese manga art english soseki nasumi cat; life society short story classic book comic; novel literature social satire tokyo human nature; service jiji YA</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Japan's beloved literary masterpiece brought to life in manga form!</b><br/><br/>Soseki Natsume's comic masterpiece, <i>I Am a Cat</i>, satirises the foolishness of upper-middle-class Japanese society in early 20th century Tokyo. Written with biting wit and sardonic perspective, it follows the whimsical adventures of a rather cynical stray kitten. He finds his way into the home of an English teacher, where his running commentary on the follies and foibles of the people around him has been making readers laugh for more than a century.<br/><br/>This is the very first manga edition in English of this classic piece of Japanese literature. The story lends itself well to a graphic novel format, allowing readers to pick up on the more subtle cues of the expressive cat, while also being immersed in the world of his perceptive narration. It is true to classic manga form, and is read back to front.<br/><b>The cast of characters includes:</b></p><ul><li>Kushami - His master, who is not good at his job and quite stupid</li><li>The Kenedas - A conceited couple with a spoiled daughter</li><li>Meitei - Kushami's friend who is fond of jokes and tall tales</li><li>A group of local cats including lovely Mikeko, and violent Kuro</li></ul><p>Beautifully illustrated by Japanese artist Chiroru Kobato, this edition provides a visual, entertaining look at a unique period in Japan's history - filled with cultural and societal changes, rapid modernisation and a feeling of limitless possibility - through the eyes of an unlikely narrator.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Soseki Natsume</b> (1867-1916) is considered the most significant writer in modern Japanese history (he is sometimes called "the Japanese Mark Twain"). Soseki was born in Tokyo and, upon graduating from Tokyo University, worked as an English teacher in a small provincial town. He was sent to London for three years by the Japanese government in 1900 on the first English literary scholarship, where he developed a love for Shakespeare and Dickens. Returning to take up a position at Tokyo University, Soseki began his writing career with <i>Botchan</i>, one of his most famous works, along with <i>I Am a Cat</i> and <i>Kokoro</i>. He is the only Japanese author referred to by his personal name (Soseki) and not his family name (Natsume), and his image appears on the Japanese 1,000 yen note.</p><p><b>Zack Davisson</b> is an award-winning translator, writer, and folklorist. He is the author of books like <i>Kaibyo: The Supernatural Cats of Japan, Yurei: The Japanese Ghost</i>, and <i>Yokai Stories</i>, and the translator of books like <i>Soseki Natsume's I Am a Cat</i> and Shigeru Mizuki's multiple Eisner Award-winning <i>Showa: a History of Japan</i>. In addition, his comic work includes <i>Demon Days: X-Men</i> from Marvel, <i>Wayward</i> from Image, and <i>The Art of Star Wars Visions</i> from Dark Horse. He has lectured on manga, folklore, and translation at numerous colleges and contributed to exhibitions at numerous museums. He currently lives in Seattle, WA with his wife Miyuki, dog Mochi, cat Shere Khan, and several ghosts.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A classic tale that will captivate lovers of Japan, history, and epic adventure alike.</b></p><p>Japan&amp;#x27;s most celebrated tale of chivalry, loyalty and revenge  and the basis for a Hollywood feature film starring Keanu Reaves  <i>47 Ronin</i> is the epic tale of a heroic band of Samurai warriors who defy the Japanese Emperor to avenge the honour of their fallen master.</p><p>The story begins in 1701 when the noble Lord Asano attacks an official at court. His punishment is swift and harsh  the Emperor orders Lord Asano to commit ritual suicide (<i>harikiri</i>). His lands are confiscated, his family exiled, and his Samurai warrior brigade is disbanded  becoming Ronin or masterless, wandering renegades.</p><p>While appearing to follow the Emperor&amp;#x27;s instructions, the <i>47 Ronin</i> plot in secret for many years, biding their time until the moment to strike is right. Like the story of the Knights of the Round Table, the Ronin&amp;#x27;s deeds became legendary, iconic examples of courage, cunning and loyalty in an age when the Samurai were true heroes and honor was something worth dying for.</p><p>John Allyn&amp;#x27;s vivid retelling, with a foreword by scholar and film advisor, Stephen Turnbull, presents this epic of Japanese literature in its correct historical context.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John Allyn</b> studied Japanese at Stanford University and was stationed in Japan during the early years of the U.S. occupation. After returning to the U.S., he entered UCLA where he received his master&amp;#x27;s degree in Theater Arts in 1951. He went on to specialize in Japanese theater, receiving a doctorate in Theater History.<br/><br/> <b>Stephen Turnbull</b> is the author of over 50 books on the military history of Europe and the Far East. He works as a Japanese cultural consultant and a Lecturer in Japanese Religion at the Department of East Asian Studies at Leeds University. He served as the historical advisor for the Universal Pictures film <i>47 Ronin</i> starring Keanu Reeves.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Animal Force is a magical wildlife adventure for young readers about standing up for what you believe in and discovering where you truly belong.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Animal Force</i> is a magical wildlife adventure for young readers about standing up for what you believe in and discovering where you truly belong.</p><p>Adopted twins Leo and Kelly are spending their 11th birthday camping on Ember Island, but their holiday takes a wild turn when strange dreams, school bullies, and threats to the island's fragile ecosystem collide. Leo is quiet and cautious; Kelly is fearless and fast but when they uncover a hidden family secret and awaken a magical connection to endangered animals, the twins must work together to protect the island and its wildlife.</p><p>Perfect for readers 8-12 who love nature, laugh-out-loud adventure, and heart-filled stories of courage, kinship, and the wild power within.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Playful and poetic,</b> <b><i>Every Space Between</i></b><b> highlights the little moments tucked between beginnings and endings, between actions and reactions, between you and me  and shows how special an ordinary day can become if you pay close enough attention.</b></p><p>You can find in-betweens everywhere! Some are as overlooked as the space between an itch and a scratch. Others are as thrilling as the pause between making a wish and blowing out your birthday candles. How you feel about an in-between really does depend on your perspective... and each one is full of potential.</p><p>Once you spot the spaces in-between, everything changes. Instead of rushing from one thing to the next, you can pause to collect and reflect. Is this something you really want to do? How much longer can you wait? Maybe it's time to say...sorry?</p><p>Sparkling with the signature wit of Naseem Hrab (author of <i>How to Party Like a Snail</i>) and the cracking comedic timing of John Martz (illustrator of <i>How to Give Your Cat a Bath: In Five Easy Steps</i>), <i>Every Space Between</i> is an unexpected invitation to a world of possibilities!</p><p></p><p><b>Key Text Features</b></p><ul><li>Illustrations</li></ul><p></p><p><b>Correlates to the Common Core States Standards in English Language Arts:</b></p><ul><li><b>CCSS.ELA-LITERACY.RL.K.7:</b> With prompting and support, describe the relationship between illustrations and the story in which they appear (e.g. what moment in a story an illustration depicts).</li><li><b>CCSS.ELA-LITERACY.RL.2.5:</b> Describe the overall structure of a story, including describing how the beginning introduces the story and the ending concludes the action.</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[An upbeat story about a child's first haircut. The bustling barbershop is intimidating for a moment, but with a parent's hand to hold this toddler is soon bravely embracing this milestone on the journey of growing up.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Uh oh, hair in eyes  it's time for this toddler's first haircut. The barbershop comes alive with sensory details as he watches other customers and bravely takes his own turn in the chair.</b></p><p>Clip, clip, clip...now there is a big boy in the mirror!</p><p>Theo Heras and Renne Benoit, the creators of <i>Hat On, Hat Off, Baby Cakes</i>, and<i> Where's Bunny?</i>, once again capture the toddler experience with simplicity and charm. This new board book format is perfect for little ones who are just beginning to feel big.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In the forests and fields, beside rivers and creeks, under the earth and hidden in trees, food is waiting to be found... if you know where to look!</p><p>Follow the footsteps of our ancestors as they head out on the quiet hunt, looking for roots and leaves, mushrooms and berries, fruits, flowers, nuts and seeds. But foraging is about more than just food  our ancestors also helped spread seeds and spores, took only what they needed, and gave thanks to the plants and animals that sustained them. Today, in our cities and towns, the quiet hunt looks a little different. But we can still gather our tools and follow the paths our ancestors took to find what grows in our own backyards.</p><p>This lyrical story-poem from award-winning author Jean E. Pendziwol is a celebration of foraging that inspires an appreciation of found food, encourages our connection with nature and sparks our awareness of responsible environmental stewardship.<br/></p><p><b>Key Text Features</b></p><ul><li>Illustrations</li></ul><p></p><p><b>Correlates to the Common Core State Standards in English Language Arts:</b></p><ul><li><b>CCSS.ELA-LITERACY.RL.K.1: </b>With prompting and support, ask and answer questions about key details in a text.</li><li><b>CCSS.ELA-LITERACY.RL.K.4: </b>Ask and answer questions about unknown words in a text.</li><li><b>CCSS.ELA-LITERACY.RL.K.7: </b>With prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).</li><li><b>CCSS.ELA-LITERACY.RL.1.1: </b>Ask and answer questions about key details in a text.</li><li><b>CCSS.ELA-LITERACY.RL.1.4: </b>Identify words and phrases in stories or poems that suggest feelings or appeal to the senses.</li><li><b>CCSS.ELA-LITERACY.RL.1.7: </b>Use illustrations and details in a story to describe its characters, setting, or events.</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jean E. Pendziwol</b> is the author of <i>Skating Wild on an Inland Sea</i>, illustrated by Todd Stewart (Governor General's Literary Award, the TD Canadian Children's Literature Award and the Elizabeth Mrazik-Cleaver Canadian Picture Book Award). She has also written <i>When I Listen to Silence</i>, illustrated by Carmen Mok; <i>I Found Hope in a Cherry Tree</i>, illustrated by Nathalie Dion; and <i>Me and You and the Red Canoe</i>, illustrated by Phil. She lives in Northwestern Ontario, on the shores of Lake Superior.</p><p><b>Risa Hugo</b> is an illustrator whose picture books include <i>Why Are You So Quiet?</i>, written by Jaclyn Desforges; <i>Leopold's Leotard</i>, written by Rhiannon Wallace; <i>Metis Like Me</i>, written by Tasha Hilderman; and <i>Shadow</i>, her authorial debut. Risa has a Bachelor of Fine Arts from Emily Carr University of Art and Design. She spent most of her childhood living between Canada and Japan, and currently lives on a small farm located in the Southern interior of BC with her husband and three sons.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**CBCA Notable 2026, Eve Pownall Award**</b></p><p>Welcome to the charmingly funny and perfectly peculiar world of Aussie animal mums and dads and their awesome kids.</p><p><i>Peculiar Parents</i> explores 60 Australian native animals, focusing in particular on all things family, including their courting practices, gestation periods, births and the raising of their young.</p><p>Discover the weird and wonderful, the cute and cuddly  even the slimy and ugly! You will find parrots that play the drums and cuttlefish that can change the colour of their skin to attract a mate, as well as dancing spiders, kissing lizards, parading pelicans, plonking pobblebonks and many more.</p><p>Presented through fascinating, funny and amazing facts with an impactful family photo wall design, this book is perfect for young readers aged 6 to 12.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr Stephanie Owen Reeder</b> is the author of over 25 books for children and adults. She has worked as a schoolteacher, a librarian, a book editor, a university lecturer and a Hansard Editor at Federal Parliament. Stephanie has won many awards, including the CBCA Book of the Year Award and the NSW Premier's History Award. In 2019, Stephanie was presented with the CBCA Laurie Copping Award for Distinguished Service to Children's Literature. Her latest children's books include the Heritage Heroes compilation <i>Courageous Kids and Their Amazing Adventures</i> and the non-fiction picture book <i>Australia's Wild Weird Wonderful Weather</i>.</p><p>Based in Meanjin/Brisbane, <b>Ingrid Bartkowiak</b> is an artist and illustrator who works primarily in watercolour. Her hand-painted work features native flora, fauna and fungi. Ingrid has a fascination with all things small and intricate, from tufts of moss on a footpath to the fungi sprouting from a wombat dropping. Ingrid has worked across a diverse array of projects, including picture book illustration, murals, packaging designs and even pet portraits.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, NSW Literary Awards 2026,</b> <b>Patricia Wrightson Prize for Children's Literature**</b></p><p><b>**Shortlisted, NSW Literary Awards 2026,</b> <b>UTS Glenda Adams Award for New Writing**</b></p><p><b>**Shortlisted, Australian Book Design Awards 2025, Best Designed Children's Picture Book**</b></p><p>This book is for ants.</p><p>If you are not an ant,</p><p>DO NOT READ this book.</p><p>Ants achieve incredible things by working together, looking after each other and - most importantly - following the 11 Ant Rules. If you haven't memorised the Ant Rules yet, don't worry - this book is here to help!</p><p>Find out the importance of having a secret signature smell (good for telling your friends about cool things you've found).</p><p>Learn how to take care of ant eggs (hint - although they're shaped like footballs, you definitely should not kick them).</p><p>Discover the delicacies of ant cuisine (the joys of vomit soup are best shared with friends).</p><p>A laugh-out-loud look at the wonderful world of ants, guaranteed to have you saving a seat for your new ant friends instead of shooing them away at your next picnic.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>A smirking boy shuffled past the door, and Marion, hands shaking, quickly turned the key in the lock. It was Cotterson, the boy from Sewers Canal who wanted to burn the Sobraon. Her heart jolted.</i></p><p><i>The barge had delivered the Forty Thieves onto the ship!</i></p><p>Marion's life is anything but ordinary. The daughter of the principal, Captain Neitenstein, she is the only girl aboard a magnificent floating boys' school, anchored permanently in Sydney Harbour in the late 1800s. Her best friend has boarded a steamship to France and now it's just her and this ship full of ragtag schoolboys. One night, Marion discovers that a new student, Alexander Walker, is escaping the ship to meet up with his vicious gang, the Forty Thieves. Marion bravely follows Walker into the frightening Rocks neighbourhood to investigate...What are the Forty Thieves up to and will Marion be able to stop them before it's too late?</p><p>Based on the real life Marion Neitenstein, this middle-grade 'faction', which offers an immersive and historically accurate experience of an unusual nineteenth-century institution for neglected boys. Marion's middle-class life is contrasted with Sydney slum life and wharf culture. Other important real characters appear, including businessman Quong Tart and the head of the Forty Thieves gang Joseph Bragg.</p><p>The author used primary sources to research the story, such as old gaol inmate records and even Quong Tart's original menus, and delves into these sources in the endmatter, covering topics such as the Nautical school-ships Vernon and Sobraon and their captains, the Rocks, Quong Tart and more. The text is accompanied by real photographs from the ship, portraits of three Sobraon boys from the admissions book and images of Sydney street scene from the period.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>My First Book of Japanese Words is a beautifully illustrated book that introduces young children to Japanese language and culture through everyday words.</b></p><p>The words profiled in this book are all commonly used in the Japanese language and are both informative and fun for English-speaking children to learn. The goals of My First Book of Japanese Words are multiple: to familiarize children with the sounds and structure of Japanese speech; to introduce core elements of Japanese culture; to illustrate the ways in which languages differ in their treatment of everyday sounds; and to show how, through cultural importation, a single word can be shared between languages.</p><p>Both teachers and parents will welcome the book's cultural and linguistic notes, and appreciate how the book is organized in a familiar ABC structure. Each word is presented in Kanji (when applicable), Kana, and Romanized form (Romaji). With the help of this book, we hope more children (and adults) will soon be a part of the 125 million people worldwide that speak Japanese!</p><p><b>After&amp;nbsp;reading My First Book of Japanese words, I would collect them all!" <a href="https://www.eeyagitales.com/single-post/2018/01/24/My-First-Book-of-Japanese-Words-book-review-for-MCBD">EeyagiTales.com</a></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michelle Haney Brown</b> thrives on awakening preschool through adult students to the wonders of Japan's language and culture. She also teaches cross-cultural navigation to individuals and to groups in organizations such as NASA. She and her family live in Austin, TX.<br/><br/><b>Aya Padron</b> is a freelance artist who works in many media, among them painting and photography. She is the illustrator of <i>My First Book of Korean Words</i> and <i>My First Book of Chinese Words</i>. She and her husband live in Austin, TX.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Playful goblins with long noses, walking statues, and a delightful hero who justhappens to be one inch tall-these are but a few of the charming charactersyou will meet in this collection of much-beloved Japanese children's stories.This lovely collection  and its companion volume  More Japanese Children's Favorite Stories]]></Text>
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			<Text textformat="02"><![CDATA[<p></p><p>Playful goblins with long noses, walking statues, and a delightful hero who just&amp;nbsp;happens to be one inch tall-these are but a few of the charming characters&amp;nbsp;you will meet in this collection of much-beloved Japanese children's stories.&amp;nbsp;This lovely collection  and its companion volume <i>More Japanese Children's&amp;nbsp;</i><i>Favorite Stories&amp;nbsp;</i>- has been delighting English-speaking children around the&amp;nbsp;world for 60 years now, proving that good stories never wear out. With sparking&amp;nbsp;illustrations and the promise that good will and kindness will carry the day,&amp;nbsp;these tales will captivate children of all ages as they have for generations.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 9 to 12</b></p><p>For the first time, middle readers can learn the complete story of the courageous girl whose life, which ended through the effects of war, inspired a worldwide call for peace.</p><p>In this book, Sadako's older brother Masahiro tells her true story- how her courage throughout her illness inspired family and friends, and how Sadako became a symbol of all people, especially kids, who suffer from the impact of war. Her life and her death carry a message: we must have a wholehearted desire for peace and be willing to work together to achieve it.</p><p>Sadako Sasaki was two years old when the atomic bomb was dropped on her city of Hiroshima at the end of World War II. Ten years later, just as life was starting to feel almost normal again, this athletic and enthusiastic girl was fighting a war of a different kind.</p><p>One of many children affected by the bomb, she had contracted leukemia. Patient and determined, Sadako set herself the task of folding 1000 paper cranes in the hope that her wish to be made well again would be granted.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sue DiCicco</b> was one of Disney's first women animators, and is a sculptor and prolific author and illustrator of children's books. An early pioneer of the Internet, she designed and crafted the first online schoolhouse, serving up to 300,000 per event in the 1990s. As part of her desire to creatively connect students from all parts of the world, she founded the Peace Crane Project in 2012 (www.peacecraneproject.org). Today, Sue speaks globally, inviting listeners to explore the potential of the Internet to connect students in creating a more understanding, educated, integrated, and peaceful future. She lives in Santa Barbara, California.<br/><br/><b>Masahiro Sasaki</b> has been a peace activist since his teens. Since 2000 he has dedicated himself to sharing Sadako's true story and bearing witness to the plight of all atomic war survivors in the world. He was the first non-American to receive the  Spirit of America Award from the National Council for the Social Studies. In 2009 he established The Sadako Legacy, a nonprofit organization. He has donated Sadako's cranes to venues all over the world. Today, he lectures globally and promotes activities to connect people for peace. He lives in Fukuoka, Japan.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 8 to 12</b></p><p>Haiku is a uniquely Japanese form of poetry that uses images from nature to capture a feeling or a moment. Haiku are short but powerful-making them easy and fun to write and share with your friends.The activities in this book will show you how to create your own haiku, and will help you to think up memorable words and images, and write the three short lines that make a great haiku. With clear explanations and many examples, this is a great way to have fun while you explore this fascinating aspect of Japanese culture.&amp;nbsp;</p><p><i>Write Your Own Haiku</i> introduces four styles of haiku to readers and includes projects on:</p><ul><li>Your first haiku-how to get started with the classic form of poetry<br/></li><li>Haiku about Nature-exploring nature is a traditional element in haiku<br/></li><li>Haibun-Haiku with a short story<br/></li><li>Haiga-Haiku with a drawing<br/></li><li>Renga-Haiku that you write with friends</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Patricia Donegan</b> served on the faculty of East-West poetics at Naropa University under Allen Ginsberg and Chogyam Trungpa Rinpoche, was a student of haiku master Seishi Yamaguchi, and a Fulbright scholar to Japan. She is a meditation teacher, previous poetry editor for <i>Kyoto Journal</i>, and a longtime member of the Haiku Society of America. Her haiku works include <i>Love Haiku: Japanese Poems of Yearning, Passion &amp; Remembrance</i> (cotranslated with Yoshie Ishibashi), <i>Haiku Mind: 108 Poems to Cultivate Awareness and Open Your Heart, Haiku: Asian Arts for Creative Kids</i>, and <i>Chiyo-ni Woman Haiku Master</i> (cotranslated with Yoshie Ishibashi). Her poetry collections include: <i>Hot Haiku, Bone Poems, Without Warning, Heralding the Milk Light</i>, and haiku selections in various anthologies. <br/><br/>She won first prize in the 1998 Mainichi International Haiku Contest and won a Merit Book Award for translation from the Haiku Society of America for her book on Chiyo-ni, also in 1998. Her books on haiku have combined scholarship and insight in reaching young and old to inspire and sustain a lifelong interesting in haiku poetry, in both Japanese and English.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Age: 8 to 12 "This is a story about the art of caring. Its message will speak to the heart of any child who reads it and nourish his or her roots in the process" - Ron Himler, illustrator of  Sadako and the Thousand Paper Cranes]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age: 8 to 12</b></p><p>"This is a story about the art of caring. Its message will speak to the heart of any child who reads it and nourish his or her roots in the process" - Ron Himler, illustrator of <i>Sadako and the Thousand Paper Cranes</i></p><p>Centuries ago, a Japanese white pine tree grew on the island of Miyajima inJapan. While the tree was still young, it was gently uprooted and taken to join theYamaki family at their home in Hiroshima, where it was lovingly pruned andtrimmed into a beautiful bonsai tree. Told from the perspective of the little tree,this astonishing true story is a tale of survival, hope, and friendship. Time passed happily for the little tree, until the morning ofAugust 6, 1945, when an atomic bomb destroyed Hiroshima. Many people died,but the Yamaki family and Miyajima, along with all their other bonsai trees,survived the tragedy.Life went on for the little tree, until one day in 1976, a truck arrived to takeMiyajima away. The little bonsai tree was on its way to the National Arboretum inWashington, DC, as a gift of friendship from Japan to America. Miyajima was soproud to be a part of this gift, but alsovery sad to leave the Yamaki family and his home.Many years later, Masaru, the elderly grandfather of the Yamaki family, and histen-year-old grandson, Akira, make a surprise visit to Washington. They headdirectly to the National Arboretum to visit their much missed and beloved familymember, Miyajima.</p><p><b>"How can one explain to children the effects of a nuclear bomb, and how it impacts people around the world? &amp;nbsp;It can be an awkward subject. &amp;nbsp;Countries that were at one time enemies but are now allies can set a good example for the world. &amp;nbsp;It all starts with one little sapling...Trees have great memories, and I do hope that humankind will remember the atrocities of the past (and present) and find ways to live more peacefully in the future. &amp;nbsp;I am pleased that there isa children's book, inspired by a true event that sheds a positive light on a harsh subject." </b>-<a href="http://www.castleviewacademy.com/hiroshima-tree/" style="line-height: 1.45em;"><b>Castle View Academy blog</b></a></p><p><b>"<i>The Peace Tree from Hiroshima</i> by Sandra Moore is a beautiful story that weaves together history, geography, family, nature, sadness, peace, and hope. [It] will captivate your children from the first page...[It] can lead to a variety of learning opportunities." -<a href="http://my-little-poppies.com/the-peace-tree-from-hiroshima-the-little-bonsai-with-a-big-story/">MyLittlePoppies.com</a> blog</b></p><p><b><b>"Wilds' full-page landscape illustrations are the best: lush green forest teaming with flora and fauna, the stark and monochrome shock of a bombed city, and the gorgeous blue sky and pink blossoms of a rebuilding land. Moore's use of a novel perspective gives way to a discussion about the meanings of history, war, and peace."</b><b> -</b><a href="http://www.asianfortunenews.com/2016/05/children-book-reviews-the-cambodian-dancer-sophanys-gift-of-hope-and-the-peace-tree-from-hiroshima-the-little-bonsai-with-a-big-story/"><b>Asian Fortune News</b></a></b></p><b><br/></b>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sandra Moore</b> began her writing career as a ghostwriter for a senator on Capitol Hill and has worked as a freelance journalist specializing in writing about children and families. She studied writing for children at the Washington Writers' Center. This is her first book. <br/><br/><b>Kazumi Wilds</b> illustrated Tuttle's <i>All About Japan</i> (Tuttle, 2011) and has illustrated several other children's books, including <i>The Wakame Gatherers</i> (Shen's Books, 2007). She lives in Japan but is currently studying in the United States. See her work at wildskazumi-picturebook.jimdo.com</p>]]></Text>
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			<Text textformat="02"><![CDATA[The Tuttle  All About Asia series offers a journey to a new place--and ways to bring it to life. Dive into stories, try some crafts, play some games from Japan, learn some Japanese songs...it's the next best thing to being there!]]></Text>
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			<Text textformat="02"><![CDATA[<p>The Tuttle <i>All About Asia</i>&amp;nbsp;series offers a journey to a new place--and ways to bring it to life. Dive into stories, try some crafts, play some games from Japan, learn some Japanese songs...it's the next best thing to being there!</p><p>A book for families to treasure together, it offers not only the most important facts about Japan, but also reflects the spirit that makes Japan one-of-a-kind. Two new friends lead us: a Japanese boy who lives in the country and a Japanese girl who lives in the city. They introduce us to their homes, families, favourite places, school life, holidays and after-school activities.</p><ul><li>Learn the steps of the Coal Miner's dance, a nighttime highlight of the O-Bon festival<br/></li><li>Try making your own samurai helmet, folding a leaping origami frog, or singing the Sakura (Cherry Blossom) song<br/></li><li>Make nenga-jo (New Year's cards), create your own haiku, learn to use chopsticks, and more!<br/></li><li>Enjoy traditional stories like "The Creation of Japan," "The Star-crossed Princess (Tanabata)," and "The Boy Who Drew Cats."<br/></li><li>Easy recipes are included for treats like mochi (New Year's sweet rice cakes) and okonomiyaki (Japanese fill-your-own pancakes)<br/></li><li>Bonus activities available online!</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Willamarie Moore</b> is currently the Head of School Programs and Resources at the Museum of Fine Arts in Boston. She previously worked as the Manager of East Asian Programs at the Boston Children's Museum, where she was also the lead content developer for the award-winning exhibition Five Friends from Japan: Children in Japan Today. She has developed many educational materials about Japan, China and other countries. Willamarie lived, studied and worked in Japan for several years and returns as often as she can. She is the co-author of  <i>Japanese Traditions: Rice Cakes, Cherry Blossoms and Matsuri, A Year of Seasonal Japanese Festivities</i>, also available from Tuttle. <br/><br/><b>Kazumi Wilds</b> has illustrated several children's books, including  <i>The Wakame Gatherers</i> and <i>Hajime in the North Woods</i>. Her bright, vivid paintings make Japan come alive. She was born in Tokyo and attended The Women's College of Art there, where she majored in Japanese painting. She later taught elementary school in Tokyo before studying at the University of Minnesota. After living in Minnesota and New Mexico for a few years, Kazumi moved back to Japan, where she now lives in a small Japanese village with her two sons, a dog, and some cats. There, in the mountains of Shimane prefecture, she paints and teaches elementary school. See her work at wildskazumi-picturebook.jimdo.com</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 7 to 11</b></p><p><b><i>This multicultural children's book is full of activities, recipes, songs and stories!</i></b></p><p>Brimming with ancient traditions, exciting decorations, and delicious, seasonal foods, <i>Japanese Celebrations for Children</i> will take you on a month-by-month tour of some of Japan's best-loved festivals.</p><p>Beautifully illustrated and full of fascinating facts about Japanese holidays and family celebrations, this 48-page picture book offers a vivid picture of some of Japan's most festive events including New Year's, Children's Day, Cherry Blossom Festival, Harvest Moon Viewing, weddings, birthdays, Christmas in Japan and much more!</p><p>With entertaining text and illustrations that explain the significance of the dress, decorations, foods, gifts and activities associated with these events, <i>Japanese Celebrations for Children</i> promises to delight and educate young readers and parents alike.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Betty Reynolds</b> left a career as a creative consultant and advertising art director to accompany her husband to Asia. They first moved to Singapore and then Tokyo where they lived for seven years. She now divides her time between Philadelphia and Orcas Island, WA but her heart remains in Japan. Other Tuttle books by Betty Reynolds include: <i>Clueless in Tokyo, Tokyo Friends</i> and <i>Japan Eats.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[These stories are all richly illustrated, with 98 full-page color illustrations by two of Japan's foremost children's books illustrators. Executed with great skill and imagination, they bring to life the charming characters of these heartwarming tales of old Japan.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Yuri Yasuda</b> is a graduate of the English Department, International School of the Sacred Heart, Tokyo. Since childhood she has written stories for her own amusement, and she began to tell folk and fairy tales to her two sons and two daughters as soon as they were able to understand the words. In the midst of a busy family life, she finds time to write as well as take part in the civic life of her community.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Explore Japanese culture with Penny, Paulie and magical Shimesu!</b></p><p>Twins Penny and Paulie are super excited to be in Tokyo  even if they're stuck in a boring hotel while their dad attends 'important' meetings. But when the twins meet a strange frog-like creature named Shimesu in the hotel pond, their trip suddenly becomes a wild ride!</p><p>Shimesu is a yokai  a supernatural creature  and he's in big trouble. He's been kicked off Yokai Mountain and needs help getting back. Soon Penny and Paulie are diving through his magical water vortex to places across Japan  and experiencing Japan like no visitor has before!</p><p><b>Blending an exciting adventure with fun facts about Japanese culture, this book explains:</b></p><ul><li>How ancient Japanese castles kept enemies out and what samurai warriors wore into battle</li><li>The rules for visiting a Shinto shrine and what the objects there mean</li><li>The trendy pop culture of Tokyo's Harajuku and Akihabara districts</li><li>The many kinds of noodles, street food and seafood eaten in Japan</li><li>And much more!</li></ul><p>Experienced comic book artist Matthew Loux creates the perfect balance of humour, page-turning action and cultural detail. Kids, parents, teachers and librarians will all want this book on their bookshelf!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The perfect introduction to Japanese culture for kids!</b></p><p><i>My Awesome Japan Adventure</i> is the diary of an American fifth grader who travels to Japan and spends four exciting months as an exchange student living with a Japanese family. He records his adventures so he can tell his friends back home about all the exciting things he did in Japan.</p><p>With the help of his Japanese foster brother and sister, he visits a Ninja village, tries unusual foods, learns Japanese brush painting, and gets the inside scoop on daily life at a Japanese school. Readers of all ages will love experiencing Japan from a kid&amp;#x27;s point of view!</p><p>Dan&amp;#x27;s adventures include: Making Onigiri Rice Ball Sandwiches, How and Why the Japanese Bow Correctly, Making an Origami Crane, Eating Sushi and Learning about Japanese Fish, Practicing Aikido, Making Mochi Balls, and much more!</p><p><i>My Awesome Japan Adventure</i> is the perfect book for kids who want to explore another culture and have fun in the process!</p><p><b>&amp;#x27;The story and illustrations will hold a child&amp;#x27;s interest...written in a voice they can easily identify with.&amp;#x27;  </b><b><i>The Japan Times</i></b></p><p><b>&amp;#x27;Absolutely packed with cultural information: geography, breakfast, school, origami, history, rice harvest, food, pastimes, customs, tea ceremony  and much, much more!&amp;#x27;  </b><b><i>Kid World Citizen blog</i></b></p><p><b>&amp;#x27;Rebecca Otowa truly knows her subject  having lived in Japan for 30 years and raised children and grandchildren here...&amp;#x27;  </b><b><i>Uncovering Japan blog</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rebecca Otowa</b> was born in California, and studied Japanese Language and Culture at the University of Queensland in Australia. In 1978 she went to Japan, and never left. After graduating from Otani University in Kyoto, with an MA in Buddhism, she married the 19th-generation heir to a country estate nearby. In the years since, she has brought up two sons, taught university-level English, played music, acted on stage and kept a vegetable garden, but she eventually returned to her two great loves-writing and drawing. She is the author of <i>At Home in Japan </i>and <i>The Mad Kyoto Shoe Swapper and Other Short Stories</i>, along with her work as a translator and columnist.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Have you ever seen a yokai?</p><p>In Japanese, the word yokai refers to magical apparitions and mysterious events. These mythical creatures give a name and a form to the strange and uncanny things happening all around us.</p><p>This colourful guide in picture book format is a funny, fast and slightly scary introduction to the stars of the Japanese yokai world.</p><p>The classic tales and descriptions by Fleur Daugey combine with Sande Thommen&amp;#x27;s delightful illustrations to introduce over 30 wild and weird creatures, including:</p><ul><li><b>The Kitsune</b>, a freaky fox with paranormal, supernatural powers</li><li><b>The Kasa-obake</b>, a one-eyed one-legged umbrella with a long, slithery tongue</li><li><b>Kurokamikiri</b>, a shaggy bearlike beast that sneaks up on you and cuts your hair</li><li><b>Nuppeppo</b>, a flabby, wrinkly blob that lives in graveyards and smells of rotten meat</li><li><b>Hanako</b>, a creepy little girl who haunts the toilets of elementary school bathrooms</li><li><b>And many more!</b></li></ul><p>Yokai are out there, lurking among us  creating mischief and mayhem, or in some cases helping us or just having fun. With <i>Japanese Yokai</i>, the next time something eerie or strange happens, you&amp;#x27;ll know who&amp;#x27;s responsible!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Fleur Daugey</b> trained in psychology and ethology, working at several NGOs before turning to writing. She has published numerous books for young people, including <i>Animals of Japan, Animal Dads</i> and <i>The Love Lives of Animals</i>.</p><p><b>Sande Thommen</b> studied at the Ecole Estienne in Paris then entered the illustration workshop at the Ecole Superieure des Arts Decoratifs in Strasbourg. He has illustrated numerous works for children including <i>Animals of Japan, Globe-Trotting Birds</i> <i>and</i> <i>Waking Volcanoes.</i></p>]]></Text>
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			<SubjectHeadingText>Guillermo del toro; children's literature; children's mythology; classic literature; classics; greek gods; greek mythology; hercules; medusa; midas; mythology; nathaniel hawthorne; roman mythology; romance gods</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>An oversized, slipcase-housed, art book edition of</b> <b><i>A WONDER BOOK</i></b><b>, Nathaniel Hawthorne's collection of adapted Greek myths, now illustrated with a suite of paintings from the renowned Spanish artist Das Pastoras and an introduction from Academy Award winning filmmaker Guillermo Del Toro.</b></p><p>In the summer of 1851, directly off the success of <i>The Scarlet Letter</i>, Hawthorne decided to update a series of classical myths for a young contemporary audience  to remove their 'cold touch of marble' and bring them into the modern era. The book became an instant classic, paving the way for the success of fairy tales and legends for young readers throughout the 19th century and beyond. Das Pastoras, the poetic and painterly Galician visual artist, brings his vivid and fantastical vision to these larger than life tales, presented with more drama and thunder than ever before. Original essays from Guillermo Del Toro, Jose Villarubia and Kate Bernheimer explore the many meanings and visions contained within.</p><p>A stunning new entry in Beehive Books award-winning Illuminated Editions series, this volume is housed in a shimmering die-cut sculpturally embossed slipcase, printed on uncoated acid-free paper, and published in an oversized 30x23cm trim format.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nathaniel Hawthorne</b> (1805-64) was an American novelist and short-story writer. He was born in Salem, Massachusetts, and graduated from Bowdoin College. His first novel, <i>Fanshawe</i>, was published anonymously in 1828, followed by several collections of short stories, including <i>Twice-Told Tales</i> and <i>Mosses from an Old Manse</i>. His later novels include<i> The Scarlet Letter, The House of Seven Gables, The Blithedale Romance,</i> and <i>The Marble Faun</i>.</p><p><b>Julio Martnez Perez</b> is a Spanish comic artist who works under the pen name <b>Das Pastoras</b>. He published his first professional work in a special 1983 issue of <i>El Vbora</i> and co-founded the fanzine <i>Zero</i>, which published other renowned artists of his generation. In 2007 he was hired to draw Castaka, a new cycle of Alexandro Jodorowsky's Metabarons saga. In addition to the French market, Das Pastoras has been working for US comic books since the late 2000s.</p><p><b>Guillermo del Toro</b> is the acclaimed director of <i>The Shape of Water, Pan's Labyrinth, Pacific Rim,</i> and <i>Crimson Peak</i>. His Strain novels are international best sellers. He lives in Los Angeles with his wife, kids, dog, cat, and rat.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Regimes of Happiness</i></b><b>is a comparative and historical analysis of how human societies have articulated and enacted distinctive notions of human fulfilment, determining divergent moral, ethical and religious traditions and incommensurate and conflicting understanding of the meaning of the 'good life'.</b></p><p>Presented in two parts, <i>Regimes of Happiness</i>provides a historical view of the way in which Western societies, the descendants of the Latin Roman Empire, created languages and institutions that established specific and occasionally antithetical conceptions of a fulfilled human life or 'happiness' in the first part. The second part explores how non-Western societies and non-Christian religions have conceived and established their own ideals of human perfection. <i>Regimes of Happiness</i>is a critical reflection on modern notions of happiness which are typically focused on individual feelings of pleasure.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Winner of the Triennial Distinguished Book Award (202225) from the Cushwa Center for the Study of American Catholicism, this volume offers the first systematic account of Roman Catholic female missionaries in colonial and postcolonial India.</b> It reveals their distinctive forms of activism, shaped both by a resistant Protestant raj and by patriarchal structures within their own church. These women hid during the Great Revolt of 1857, worked in Lock Hospitals, followed Jesuits into experimental tribal communities, and served elites in hill stations, while also being drawn into the eugenic and child-rescue practices of empire. Their educational and social outreach created new geographies of race and gender that enabled their continued presence after 1947. Their experiences fostered awareness of the complex semiotics of EastWest exchange and inform how their activism now engages trafficked girls and modern-day slavery.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Pop Cinema</i></b><b> is the first book devoted to moving image works which engage with the central thematics and aesthetics of Pop Art.</b></p><p>The essays in the collection focus in on the core concerns of Pop as a widespread and ideologically complex art movement, and examine the ways in which artists in various global locations have used forms of film practice outside of the mainstream to explore those preoccupations. The book's contributors also identify the ways in which dominant Pop aesthetics  flat planes of bold colour, mechanical forms of repetition, appropriation of materials from popular culture sources  were adopted, reworked, or abandoned by such filmmakers. </p><p>At root, the book asks three basic questions: what shapes might a Pop form of cinema take, what materials would it engage with, and what might it have to say?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book takes a literary geographical approach to the study of folklore, exploring the complex relationships between people, narratives and places as they emerge through belief, storytelling and ritual practice. </b>Drawing on human geography, folkloristics and literary studies, it demonstrates how folk narratives inform and shape geographical imaginings, influencing lived experiences of actual-world environments. An examination of Yanagita Kunio's (1910) <i>Tno Monogatari</i>, a volume of 119 folktales from the northeast of Japan, highlights the formative role folk narratives play in shaping regional identities and cultural memory. <i>Unsettling Narratives</i> identifies folklore as a key process through which place acquires meaning, thereby facilitating a deeper engagement with the intersections of text, space and communal narratives. By emphasising the spatial significance of folkloric storytelling, this book provides new methodological and theoretical pathways for literary geographers to explore the co-constitution of narrative and place across local, regional and global scales.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The Situated Science of Nicola Caputi examines the scientific writings of Nicola Caputi (16961761), a physician from Salento and member of the Neapolitan Academy of Sciences. </b></p><p>The book offers the first comprehensive study of Caputi's oeuvre, reconstructing his role as a local observer within the early eighteenth-century scientific culture of the Kingdom of Naples. At the centre stands the De tarantulae anatome et morsu (1741), a natural history of the Apulian tarantula and tarantism that integrates anatomical dissections, microscopic observations, and clinical cases with reflections on testimony and authority. Alongside this major work, the volume analyses Caputi's pharmacological dissertation on the delfinio  composed in 1733 and published in 1741  concerning a Salentine plant studied for its therapeutic efficacy against fevers, and his Guadina difesa (1751), an environmental inquiry into the salubrity of a contested body of water near Lecce. Together, these writings illuminate the interplay between local knowledge, experimental practice, and epistemic self-representation, showing how wonders and singular phenomena could be investigated within the methodological framework of early modern natural philosophy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Manuel De Carli</b> (PhD) is a chercheur associe at the Centre d'tudes Superieures de la Renaissance in Tours. His research focuses on natural philosophy, medical practice (especially music therapy), and the epistemic role of wonders and occult qualities in early modern science, with particular reference to the case of tarantism.<br/></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book is the only scientific biography of the Nobel Prizewinning Indian American chemist, Har Gobind Khorana.</b></p><p>It begins with the story of Khorana's origins in poverty in rural India and how he manages to emerge from that to be trained in chemistry in Britain and Switzerland before immigrating to Canada and the United States. Science was the dominant focus of Khorana's life, and his biography is treated chronologically in conjunction with his scientific career.</p><p>The book explains in detail Khorana's most important scientific achievements, his role in deciphering the genetic code (the reason for his Nobel Prize), the first synthesis of a functional gene in the laboratory, the elucidation of the idea behind the PCR technology that has since become ubiquitous in biotech, and his seminal studies of how structure determines the function of biological macromolecules in membranes. Finally, it focuses on his scientific legacy, and what his career means for future generations of scientists.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The book analyses how demographic knowledge production and states' grip to the variable of population intertwine. It introduces the concept of the Malthusian matrix in order to understand how class-selective and racist hierarchies within population narratives are combined with gendered policies of reproductive bodies and behaviours.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Population is a dangerous political category. It is not separable from the racist and class-based valorisation and devaluation of different lives. From global contraceptive implant programmes to right wing anti-immigration discourses, demographic interpretations of multiple current crises legitimise the states' grip on childbearing and mobility. The results are complex dimensions of reproductive racism and restrictive border regimes. Meanwhile, global social inequalities and racial capitalist extractivism stay out of the game.</b></p><p>The book analyses how demographic knowledge production and states' grip to the variable of population intertwine. It introduces the concept of the Malthusian matrix in order to understand how class-selective and racist hierarchies within population narratives are combined with gendered policies of reproductive bodies and behaviours.</p><p>Several chapters explore current reproductive racism, establishing a hierarchy between the birth of desirable and undesirable people. An upward redistributive family policy in Germany is promoting births within the privileged middle classes. And international population programs revive targets in order to increase the use of long-acting contraceptives in the Global South, within a market-oriented setting of Big Pharma promotion. Reproductive racism is also effective in migration policy strategies: narratives about 'migrant birth rates' circulate among ultra-right forces as well as seemingly apolitical demographic policy consultancy. The last sections discuss state-theoretical approaches and the intersectional feminist concept of reproductive justice in order to provide tools for critique and resistance.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book explores the works of Aphra Behn (16401689) synchronically through word counts and statistical measures.</b></p><p>It analyses, by genre, poetry, drama, and prose, examining the quantification of Behn's literary style. The conclusion applies thematic questions to the full corpus for an innovative and comprehensive assessment of Behn's writing.</p><p>Aphra Behn (16401689), prolific and popular playwright, poet, novelist, and translator, has a fascinating and extensive corpus of literature that plays a key role in literary history. This book offers an analysis of all of Behn's literary output. It examines the author's use of words in terms of frequencies and distributions and stacks the oeuvre in order to read Behn's word usage synchronically. Organised into three main chapters addressing her chief genres of writing (poetry, plays, and prose) this exploratory project analyses the texts through statistical queries and identifies Behn's unique style across genres and among her peers. It identifies Behn's keywords as compared to literary works of the period to provide an index of characteristic themes and qualities, such as 'oh', 'young', 'lover', 'love', 'marry', 'charming', 'heart', 'gay', 'soft'. Each of these words opens a window on her corpus as a whole. A unique case study of a significant author using new literary methodologies, this book provides an appealing snapshot of Behn's whole career informed by deep knowledge of the Restoration era and developments in digital humanities and cultural analytics.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This Is Not the End of Theory is a warning to all who value critical theory, humanities, and pedagogy to be wary of new directions in antitheory regardless of their source-and to do everything they can to avoid them taking root.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>By eliminating theory from the academy, the valiant warriors of antitheory believe that they are saving it from appreciative peril. </b><b><i>This Is Not the End of Theory</i></b><b> presents a host of arguments against this claim. It demonstrates that the elimination of theory from the academy has quite the opposite effect. Namely, it foreshadows the death of the academy.</b></p><p>This is not the end of theory because our ability to think, interpret, and judge critically depends on it  and a world without theory is one where critical thinking, interpretation, and judgment will soon vanish in the darkness. <i>This Is Not the End of Theory</i> is a warning to all who value critical theory, humanities, and pedagogy to be wary of new directions in antitheory regardless of their source  and to do everything they can to avoid them taking root.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book tells the story of how the monarchy aimed at creating a new capital city in a remote and forgotten area of the empire.</b></p><p>It also shows how the local Creole bourgeoisie rapidly assumed the role of urban developers, and enhanced their economic status by investing in and controlling the Buenos Aires' property market. In a short period, from 1776 to 1810, the urban transformation of Buenos Aires helped increase the Crown's revenues and considerably reduced contraband trade. Nevertheless, urban changes generated an internal struggle for power for the control of the city between the Spanish loyalist and the local wealthier Creoles. As this book concludes, for an empire such as the Spanish, which was built upon a network of cities, the Crown's loss of the control of Buenos Aires' urban space was a serious threat to its power that foreshadowed Argentina's wars of independence.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book examines the governance and politics of Kenya since independence with a particular focus on the betrayal by the political class of the aspirations of anticolonial nationalism.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Examines the governance and politics of Kenya since independence focusing on the betrayal of the aspirations of anticolonial nationalism.</b></p><p>This book sets out to probe, explore and evaluate the betrayal of anticolonial nationalism in Kenya. Contemporary Kenya's emergence is rooted in the colonial enterprise, its deleterious effects and the subsequent decolonisation spearheaded by a fierce anti-colonial nationalism that was embodied in freedom struggles at the cultural, political, and military levels. As a settler colony, the colonial settlers hived off millions of hectares of the best land in the highland areas of Kenya and appropriated them for themselves thereby generating a large mass of the landless. This land alienation constituted one of the most deeply felt grievances which, together with the exclusivist, exploitative and oppressive colonial system, inflamed anti-colonial nationalism that undergirded the struggle for independence. The expectation on the part of the masses was that independence would bring about social justice, restitution of the stolen lands, and a government based on the will and aspirations of the governed. Political developments soon after independence, however, demonstrated the extent of betrayal of the cause of anti-colonial nationalism, which has remained the reality to date. This book covers the extent of this sense of betrayal from the time of independence to the present. It begins by locating contemporary Kenya within the colonial context then proceeds to thematic issues of betrayal including the fall out between President Kenyatta and Vice President Odinga over ideology and issues of development, which constituted the first betrayal; the scourge of bureaucratic corruption and rent seeking; the question of land and associated historical injustices; and electoral malpractice since the return of multiparty politics in 1992 to the most recent elections of 2022. The implications of these dynamics for the future of the Kenyan polity are delineated and discussed.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The </b><b><i>Colombian Gothic in Cinema and Literature</i></b><b> traces the aesthetic and political development of the Gothic genre in Colombia. Gabriel Eljaiek-Rodrguez shows how, in the hands of Colombian writers and filmmakers, Gothic tropes are taken to their extremes to reflect particularly Colombian issues, like the ongoing armed conflict in the country since the 1950s as various left wing guerillas, government factions and paramilitary groups escalated violence. </b></p><p>In this context, collectives such as the 'Cali group' challenge both the centrality of US and European Gothics as well as the centrality of Bogota-centered perspectives of Colombian politics and conflict. The book demonstrates how writers and filmmakers transform the European and American Gothic to show genealogical links between colonisation, imperialism and domestic elites' maintenance of social inequalities.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Undocumented immigrants are generally assumed to exhibit clear signs of their so-called outsider status.</b> In the absence of such signs, however, how is the 'illegal immigrant' made legible or policed? How might migrants negotiate their statuses as objects of state surveillance by exploiting their similarities or affinities with those who seek them out? <i>Spectres of Affinity</i> explores these issues in the east Malaysian state of Sabah, a scene of some of the largest clandestine cross-border flows in the world, and a place where migrants are widely assumed to look, talk, and otherwise behave like locals.</p><p>In Sabah, the ability of outsiders to pass as insiders has long animated public anxieties about the boundaries of citizenship, ethnicity, race, religion, labour, and language. Against this backdrop of social indeterminacy and political uncertainty, migrants and Malaysians are now jointly evaluating and adjudicating the ways they are sama, tapi berbeza  'the same, but different'  to sometimes devastating effect. In exploring the social life of comparison in the shadow of a notoriously porous Southeast Asian border, <i>Spectres of Affinity</i> calls for renewed attention to comparison not merely as a rarefied social scientific method or mode of inquiry, but as part of people's everyday equipment for living in increasingly uncertain and unsettling times.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Global circuits and local pathways are shaped by the needs of our bodies  both as individuals and as societies  and reflect our access to resources, networks, ideas, and knowledge.</b> <i>Toward Dissent</i> highlights the paths forged through resistance and defiance. It examines how differences travel across regions through small editions, sound bites, news clippings, and translations; how research on revolution transforms our methodologies, encouraging participatory and subjective approaches; and how access to resources, communities, and ideas shapes the ways we understand, write about, and document sociopolitical struggles across the Americas.</p><p>In this book, Matthew J. Edwards combines traditional essays with shorter, more experimental texts such as manifestos, personal vignettes, interviews, and chronicles. Together, these pieces explore the circulation of ideas, objects, and cultural artifacts across the Americas, showing that while movement is essential for resisting oppression and enacting political change, our access to archives, information, and social networks determines how we engage with communities, and experiences, and how we document and understand political struggles.</p><p>This volume situates critical inquiry alongside ideological affinity and activism, arguing that political movements not only initiate social change but impact and influence the observations and critical processes that work to communicate their outcomes.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>What happens when a nation founded on multicultural ideals begins to see cultural difference as a problem to be managed, rather than a value to be celebrated?</b> This book challenges the core assumptions of Canada's multiculturalism policy and its reliance on 'reasonable accommodation'.</p><p>Instead of fostering genuine inclusion, these frameworks often reinforce the dominance of the majority culture, positioning minority groups as outsiders who must conform, adapt, or be merely tolerated.</p><p>Drawing on feminist constitutionalism, intersectionality, and critical race theory, the author exposes how these dynamics most acutely impact those at the intersections of multiple forms of marginalisation  especially Muslim women. The book powerfully critiques how feminist ideals are sometimes appropriated by populist narratives to justify Islamophobic and anti-immigration policies, all while claiming to defend liberal values.</p><p>Through incisive analysis of landmark legal cases, this book reveals how the legal system can perpetuate structural inequalities under the guise of neutrality and reasonableness. Essential reading for anyone interested in social justice, law, or Canadian society, this book invites readers to rethink what true multiculturalism means  and what is at stake when it is reduced to a tool for managing, rather than embracing, diversity.</p>]]></Text>
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			<SubjectHeadingText>game based learning; CALL; computer assisted language learning; world languages; game studies; player agency; student centered design; serious games; extended reality; XR; AI storytelling; multimedia learning; pedagogical innovation; case studies; language education</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b><i>Game-Based Approaches to CALL</i></b><b> features contributions that explore approaches to teaching world languages and cultures that are both computer-assisted and game-based.</b></p><p>As the intersection of games and learning constitutes a pedagogical subgenre unto itself, this volume focuses on four key elements of game design and game studies that will shape the future of not only the games industry, but of computer-assisted practices of all kinds, especially CALL. The elements include: player/student agency, which is the theory defining the future of player/student-centred design; serious games, the genre expanding the pedagogical potential of game design; eXtended Realities (XR) and AI storytelling, wielding the technologies shaping the future of the game-based classroom; and multimedia theories of learning and empirical game-based research  case studies at the intersection of CALL and game studies.</p><p>Maximising the learning potential of constantly evolving modern technologies, the contributors to this volume offer a transformative perspective for students, professors, researchers, and practitioners of linguistics.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Gender, Peace, and Power-Sharing</i></b><b> examines the rise of two powerful norms in international conflict resolution and post-conflict governance: power-sharing as a model of ethnic inclusion, and the women, peace, and security (WPS) agenda, which calls for greater representation of women and gender perspectives.</b></p><p>This book raises questions about the theoretical, discursive, and institutional space for gendering power-sharing: Given that power-sharing approaches overlook or otherwise exclude gender considerations, does it mean power-sharing is necessarily 'bad for women'? After 25 years of implementation, has the WPS agenda made a difference for women's inclusion in peace processes and post-conflict political institutions? To what extent can power-sharing practices and the WPS agenda work constructively together to produce more inclusive, equitable, and robust modes of conflict resolution and democratic governance in divided and/or war-torn societies?</p><p>Through a feminist 'alternative telling', this book captures both the tensions and transformative potential of these frameworks in shaping contemporary conflict resolution and post-conflict peacebuilding practices.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Hungary, once the poster-child of liberal democracy, is fast becoming an autocracy under Viktor Orbn.</b> After winning an absolute majority in 2010, Orbn launched a series of 'reforms', fundamentally undermining the country's twenty-year, post-Cold War liberal consensus. For supporters and foes alike, the rise and rise of Hungary's prime minister is a vivid example of how democracy can be subverted from within.</p><p>Zsuzsanna Szelenyi, a leading member of Orbn's Fidesz in its early years, has witnessed first-hand the party's shift from liberalism to populist nationalism. Offering an insider's account of Fidesz's evolution since its creation, she explains how the party rose to leadership of the country under Orbn and made sweeping legal, political and economic changes to solidify its grip on power-from reining in the public media to slashing the number of parliamentary seats. She answers a key question: why has Orbn been so successful, winning widespread support within Hungary and wielding considerable influence in European politics? And how can Hungary's opposition party Together, which she co-founded in 2014, work to turn the country around?</p><p>Underpinned by Szelenyi's own experiences at the heart of Hungarian politics,<i> Tainted Democracy </i>offers accessible, nuanced insights into the global rise of populist autocracy  and how it can be challenged.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Azmi Bishara's </b><b><i>Arduous Paths</i></b><b> builds on his sizeable body of work on democracy through the lenses of civil society, state formation processes and theories, secularisation, populism and sectarianism.</b></p><p>Arab transition scholarship has often been confined to theory, reliant on models born of specific historical conditions, and uncritical of concepts of democratisation. However, while situating his research within a critical theoretical framework, Bishara engages with the challenges facing wider global contemporary Arab societies by testing theory and lessons learned from democratic transitions elsewhere against Arab cases.</p><p>This English translation of his book offers a detailed analysis and timely critique of modernisation and transition theory, interwoven with empirical evidence from the modern Middle East. Bishara evaluates the outcomes of transition experiences in Arab countries that have seen revolutions and popular uprisings, illustrating how  despite the centrality of the demand for democracy across the region during the 2010/2011 protests, and again in 2019  transition either failed or never took place. The book offers the reader a distinctly Arab contribution to the field of democratic transition studies, made all the more urgent given the relevance of the transition to democracy for those living under authoritarianism.'</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Humanity shares an intimate history with fire. It appears in arts and language predating civilisation, often seen as its origin point. </b>From Prometheus's theft and Hawaii's volcano goddess Pele to the smokeless flames that created djinns in pre-Islamic tales, where we see humanity, we see fire. It can be a source of creation and a source of destruction. Necessary, but uncontained  troublesome indeed. Revealer, for better or worse. Fire features in a variety of religious practices, often as a metaphor for divine intervention, especially in the Abrahamic religions. Today, however, fire seems to be the element of the age  from the scorching words and red-hot extreme opinions of our public debates, to the climate change-fuelled flames that now regularly engulf entire continents. We seem upon the precipice of ultimate irony: born by flame, to perish by flame. But must the tale of humanity and fire end in a terminal ash heap? This issue of <i>Critical Muslim </i>investigates.</p><p>About<i> Critical Muslim</i>: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Ziauddin Sardar is an award-winning, internationally renowned writer, futurist and cultural critic. His many books include Three Begums; Reading the Qur'an and A Person of Pakistani Origins (all published by Hurst); Mecca: The Sacred City; and Desperately Seeking Paradise: Journeys of a Sceptical Muslim. A former New Statesman columnist and UK equality and human rights commissioner, he is Editor of the influential quarterly Critical Muslim.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book explores what it means for state personnel from Norway, Iceland, and Canada that their country holds a formal title as an 'Arctic state'. It asks what an Arctic state identity might look like through geographies, pasts, futures, and geopolitical relations across different scales, from the international to the personal.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book sets out to answer what it means to hold a formal title as one of the eight 'Arctic states'; is there such a thing as an Arctic state identity, and if so, what does this mean for state personnel?</b> It charts the thoughtful reflections and stories of state personnel from three Arctic states: Norway, Iceland, and Canada, alongside analysis of documents and discourses. This book shows how state identities are narrated as both geographical and temporal  understood through environments, territories, pasts and futures  and that any identity is always relational and contextual. As such, demonstrating that to understand Arctic geopolitics we need to pay attention to the people whose job it is to represent the state on a daily basis. And more broadly, it offers a 'peopled' view of geopolitics, introducing the concept and framework of 'state identity'.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Counterpractice</i></b><b> highlights a generation of women who used art to define a culture of experimental thought and practice during the period of the French women's movement or Mouvement de Liberation des Femmes (197081).</b></p><p>It considers women's art in relation to some of the most exciting thinkers to have emerged from the French literature and philosophy of the 1970s  Helene Cixous, Luce Irigaray and Julia Kristeva  forcing a timely reconsideration of the full spectrum of revolutionary practices by women in the years following the events of May '68.</p><p>Lavishly illustrated with over 200 images, the book also features an illuminating foreword by art historian Griselda Pollock.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book analyses the normative avoidance of cyber-espionage, arguing that it is neither prohibited nor authorised by international law. This situation did not emerge by chance but through the purposeful silence of States, leaving them free to pursue cyber-espionage themselves at the same time as they both try to prevent and fall victim to it.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>While espionage among nations is a long-standing practice, the emergence of the Internet has challenged the traditional legal framework and has resulted in the intensification of intelligence activities.</b> With the emergence of cyber-espionage, agents may collect intelligence from within their own jurisdictions, with a great deal of secrecy and less risk. This book argues that  save some exceptions  this activity has been subject to normative avoidance, meaning that it is neither prohibited, nor authorised or permitted. States are aware of such status of law, and are not interested in any further regulation, leaving them free to pursue cyber-espionage themselves at the same time as they adopt measures to prevent and falling victim to it. This book resorts to a first-class sample of state practice and analyses several rules and treaties, and demonstrates that no specific customary law has emerged in the field.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Thibault Moulin is a Tenured Associate Professor of Law at the Catholic University of Lyon and a Full Member of the CONFLUENCE Research Unit. He is also a Research Associate at the Federmann Cyber Security Center of the Hebrew University of Jerusalem (Israel) and CERDAF of Savoy-Mont-Blanc University (France). He served as a Captain in the Citizen Reserve of the French Air and Space Force.</p>]]></Text>
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			<SubjectHeadingText>Comparative legal traditions; Critical legal studies; Eurocentrism; Eurocentrism in international law; Historical institutionalism; Interdisciplinary legal scholarship; International law; International legal theory; Japan; Japan and international law; Japanese International Law; Japanese legal thought; Japanese legal tradition; Kotera Akira; Kyoto School of international law; Legal ethnography; Legal history of Japan; Legal nationalism; Legal pluralism; Legal positivism; Legal realism; Mogami Toshiki; Natural law tradition; Normative multilateralism; Onuma Yasuaki; Postwar legal reconstruction; Sogawa Takeo; State practice in international law; Tabata Shigejiro; Tachi Sakutaro; Tanaka Kotaro; Yasui Kaoru; Yokota Kisaburo; commensurability; conversation; dialogue; incommensurability; international legal systems; normativism; positivism; theories of international law</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>This volume offers the first systematic account of Japanese international legal theory, tracing more than a century of scholarship across thirteen influential thinkers. </b>Edited by leading Japanese scholars, it examines how theorists working outside international law's Western centre developed sophisticated frameworks to navigate tensions between Western modernity and their own legal and intellectual traditions. The book's central contribution proposes 'conversation'  a mode of sustained engagement that respects irreducible differences between legal cultures  as an alternative to 'dialogue', which often reinforces hierarchy by presuming full reconciliation of perspectives. Through detailed intellectual biographies spanning six historical periods, contributors show how Japanese scholars strategically adopted legal positivism, articulated transcivilisational approaches, and advanced concepts of normative multilateralism. Aimed at scholars of international law, legal theory, and comparative traditions, the volume demonstrates that the field's future depends on genuinely reciprocal, coexisting perspectives.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Maiko Meguro is Research Fellow at Amsterdam Centre for International Law, University of Amsterdam and Lead Coordinator and Senior Policy Analyst of the OECD<br/><br/>Yota Negishi is Professor of Public International Law at Seinan Gakuin University, Fukuoka, Japan</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This is the first English-language book on Jacques Feyder, one of the Golden Age of French cinema's most prolific directors. </b>Although once hailed as a major filmmaker, Feyder's reputation waned in the decades following his death, and scholars tend to underestimate his contributions to cinema. This study argues that a fuller understanding of Feyder's style involves exploring his complex portrayals of gender, class and colonialism across his body of work, including films he directed in France, Hollywood, Germany, England and elsewhere. In doing so, the book reveals an ambitious director who took cinema in new aesthetic directions and often crafted provocative reflections on social inequalities in French society.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Knowledge Diplomacy</i> examines particular and cultural antecedents to the development of the field; and its predominance in western thinking and critiques. Crucially, it does so not just from the perspective of scholars but also by consciously drawing on the perspectives of practitioners.</p><p>The development of Knowledge Diplomacy allows for increased understanding of the role of research, innovation and higher education institutions as actors in international relations; shaping knowledge as they do.</p><p>As such <i>Knowledge Diplomacy</i> presents a meaningful means of understanding how understanding knowledge impacts scholars, students and decisions makers as those who use knowledge in their practice.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Lilija Alijeva, City St George's, University of London<br/><br/>Tim Gore, University of London<br/><br/>Stuart MacDonald, University of Edinburgh<br/><br/>J Simon Rofe, Professor of Sports Diplomacy and Management, Carnegie School of Sport, Leeds Beckett University<br/><br/>Monja Stahlberger, University of Reading and University of London Institute in Paris</p>]]></Text>
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			<Text textformat="02"><![CDATA[Little Wars of Empire is first history of British multi-war veterans  the soldiers, nurses, and military families who experienced both colonial wars in the British empire and the First World War. Using their personal archives, it works to understand how at the turn of the twentieth century, colonization and militarization were interdependent.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Little Wars of Empire</i></b> <b>is a group biography of British veterans who experienced multiple wars across the British empire.</b> Throughout the nineteenth century, Britain was constantly at war in its colonies, defending against anti-colonial resistance or trying to expand its influence. The veterans of these wars did not disappear once they were over, and many of them went on to later experience World War I.</p><p>By using personal sources such as letters, diaries, and photograph albums, this book works to show how colonial violence and British military history depend upon one another, and argues that colonial war fundamentally shaped the British experience of empire. This was true for all kinds of British veterans, from British Army soldiers and officers to nurses and military families, whose experiences demonstrate the central place of colonial violence to British life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>For the Victorian working class, lodging in someone else's home was commonplace. </b>Yet, despite their prevalence, lodgers and their householders have received little scholarly attention. Drawing on hundreds of coroners' inquests reported in the Victorian press, <i>Living with lodgers</i> traverses many domestic dwelling lodgings in England at this time, providing an extraordinary, intimate portrayal of the lives of the inhabitants therein.</p>]]></Text>
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			<SubjectHeadingText>Algerian women; Dennis Adams; Magiciens de la terre; Marc Garanger; Marwa Arsanios; Mohamed Kouaci; Nadja Makhlouf; Zineb Sedira; collage; decolonisation; family history; identity photographs; installation; migration; military archives; mugshot; oral history; photobooks; postcolonial France; private archives; revolutionary photographer; video art; women artists</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b><i>Photographic afterlives </i></b><b>explores the cultural, social and political contexts in which photographs from the Algerian War of Independence (19541962) emerge in contemporary art and photobooks. </b>It situates these practices against the backdrop of the wider archival turn in the humanities and the ongoing debates about archives in Algeria. Tracing the movement of historical photographs across multiple spaces, the book unravels the subsequent layers of meaning accrued by these images. It argues that as much as archival contemporary art performs an inquiry into the past, it equally speaks volumes about the distinct and ever-shifting needs of the present. Focused on the work of artists and photographers who excavate side-lined histories of the war, remediate well-known narratives and imagine histories that cannot be recovered from archives, <i>Photographic afterlives</i> shows the great potential of archives of decolonisation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Katarzyna Falecka is a Lecturer in Art History at Newcastle University</p>]]></Text>
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			<SubjectHeadingText>Bioenergy; Marxism; anthropocene; biofuel; biofuels; carbon emissions; climate change; critical plant studies; crop; diesel; ecological Marxism; ecology; electricity; energy; energy cultures; energy futures; energy geographies; energy policy; energy transition; environment; fuel; growth; human-plant relations; labor; modern bioenergy; nature; neo-Marxism; net zero; network; nonhuman work; petrol; photosynthesis; plants; pleasure; post-fossil fuel; posthumanities; postproductivism; productivism; productivity; prosperity; renewable energy; resources; social theory; sustainability; vegetal geography; vegetal labour; vegetal politics; waste; work</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b><i>Power Plants </i></b><b>offers an unflinching assessment of society's underappreciated but growing addiction to the industrial burning of crops and trees for energy.</b> As vehicles increasingly run on fuels made from sugarcane and oil-palm, wood pellets replace coal, and scientists rush to engineer crops to produce renewable jet fuel, this book blows apart bioenergy's reputation as a simple, benign substitute for fossil fuels. Scrutinising modern bioenergy systems in the UK, Europe and United States, <i>Power Plants </i>shows how vegetal lifeforms are being enrolled to reinforce energy cultures centred around logics of efficiency, productivity and economic growth at all costs. Nonetheless, the book insists that a closer attention to plants could yet provoke a rethink of the social and economic purposes of all kinds of energy, with radical implications for ideas about growth, waste, prosperity and even pleasure.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Part recovery and part new reading method, this work locates the few kept mistresses in Victorian literature, while offering a queer way to read for their existences when less legible.  This book offers a way to read old material with new eyes and a social justice ethic.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Readers and mistresses: Kept women in Victorian literature</i></b><b> identifies kept mistresses in British Victorian narrative and offers ways to understand their experiences. </b>The author discusses kept women characters in Charles Dickens' <i>Oliver Twist</i>, Elizabeth Gaskell's <i>Mary Barton</i> and <i>Ruth</i>, Anne Bronte's <i>The Tenant of Wildfell Hall</i>, and George Eliot's Daniel Deronda, and examines the methods their authors use to encourage reader empathy. This book also usefully demonstrates how to identify kept women when they are less visible in texts, including in Charlotte Bronte's <i>Jane Eyre</i>, Dickens' <i>Hard Times</i> and <i>Dombey and Son</i>, and George Gissing's <i>The Odd Women</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Tainted Tools addresses the tension between new materialisms' decolonial ambitions and its perception as a White discourse. Framing the new materialist method as 'decolonising from within', the book examines its benefits and dangers. Rather than pointing to failures of decolonial allyship, the book charts pathways to greater theoretical solidarity.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Tainted Tools </i></b><b>offers a provocative intervention into the tense relationship between new materialist and decolonial thought.</b> Although both seek to challenge dominant European categories and hierarchies, they are often treated as incompatible. New materialisms, in particular, have been criticised for sustaining a white, universalised vision of the human and overlooking the racialised histories embedded in the 'nonhuman'. The book traces these tensions to an earlier encounter between new materialist and decolonial projects forged through experimental combinations of Marx and Nietzsche. Once used to counter fascism, Stalinism and colonialism, this politically charged fusion gradually became depoliticised, leaving unresolved contradictions. Rather than reviving these early formations, the book brings their strategies into dialogue with contemporary new materialist and decolonial approaches to build greater theoretical solidarity in times of crisis.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Angela Last is Lecturer in Human Geography at the University of Leicester. </p>]]></Text>
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			<Text textformat="02"><![CDATA[The Conservative Party and the Constitution explores the Conservative Party's pivotal role in shaping Britain's constitution, blending tradition with pragmatic reform.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The Conservative Party and the Constitution examines the profound influence on Britain's constitutional framework over nearly two centuries. </b>Through rigorous analysis, it traces how Tory leaders navigated parliamentary reform, devolution, and Brexit, balancing tradition with pragmatic adaptation. Drawing on exclusive interviews, archival records, and historical sources, the book reveals the Party's statecraft and offers fresh insights into the Conservatives' role in shaping modern governance. Essential for historians, political scientists, and those engaged with British politics, this study illuminates the dynamic interplay of power, ideology, and constitutional change, making it a vital contribution to understanding Britain's constitutional history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>The Vietnam idea </i></b><b>examines how Vietnam became a potent symbol for global movements fighting colonialism, racism, and imperialism during the American War and its aftermath. </b>Rather than focusing on Vietnam as a place, Brynn Hatton explores how artists and activists around the world used the idea of 'Vietnam' to express political identification and solidarity through posters, films, protest actions, exhibitions, and conceptual art. Drawing on international archives, the book reveals how diverse visual works helped shape the political imagination of the global left, and continue to influence how we see identity, conflict, and solidarity today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Volume one of the classic Islamic history of the world, now available to a new generation of readers in a fully unabridged edition.</b></p><p>Written by the great fourteenth-century Arab scholar Ibn Khaldn, <i>The Muqaddimah</i>, or "Introduction," is the earliest critical study of history. Though intended as the preface and first book of a world history, it is a wholly self-contained work, one that laid the foundations for fields of knowledge ranging from the philosophy of history to sociology and ethnography and has influenced writers such as Frank Herbert, Bruce Chatwin, and Naguib Mahfouz. A three-volume English translation by the eminent Islamicist Franz Rosenthal was first published in 1958 as part of the Bollingen Series, garnering immediate international acclaim. A one-volume abridged version followed in 1969. Now the complete unabridged edition of Rosenthal's masterful translation is available again in three beautiful volumes, reintroducing this monumental study of history to twenty-first century audiences.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ibn Khaldn</b> (13321406) was a prominent scholar, statesman, diplomat, and teacher, widely regarded as one of the greatest intellectuals in the history of the Arab world. </p><p><b>Franz Rosenthal</b> (19142003) was the Sterling Professor Emeritus of Arabic at Yale University.</p>]]></Text>
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			<SubjectHeadingText>Aho-Corasick algorithm; Boyer-Moore algorithm; Burrows-Wheeler transform; DNA sequencing; FM index; Hamming distance; Knuth-Morris-Pratt algorithm; Levenshtein distance; Needleman-Wunsch algorithm; Rabin-Karp algorithm; Smith-Waterman algorithm; Z-algorithm; algorithmic techniques; alignment algorithms; approximate matching; approximate string matching; bioinformatics; compressed bit vectors; computational biology; computational efficiency; data structures; deletion; dynamic programming; edit distance; edit operations; exact matching; full-text search; genome encoding; genomics; global alignment; hash functions; insertion; inverted index; linear time algorithms; local alignment; longest common subsequence; longest increasing subsequence; manacher algorithm; online algorithms; palindrome detection; pattern matching; probabilistic algorithms; protein sequences; randomized algorithms; rolling hash; search engines; semiglobal alignment; sequence alignment; sequence analysis; sketching methods; social networks; space-efficient algorithms; streaming algorithms; string algorithms; string borders; string compression; string matching; string periodicity; string periods; string similarity; substitution; suffix array construction; suffix arrays; suffix tree construction; suffix trees; tandem repeats; text analysis; text indexing; text processing; wavelet trees</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>An essential introduction to the building blocks of modern text processing.</b></p><p>String algorithms make it possible to process, store, and manipulate text with computational efficiency, with applications ranging from search engines and social networks that regularly process terabytes of information to areas like genomics, where the genome of an organism can be encoded as a long string of letters. This book provides an incisive introduction to the concepts and applications that every practitioner in the field needs to know. Ideal for the classroom and self-study, it guides readers from the fundamentals of string processing to advanced computational methods, presenting useful data structures and proof techniques for strings and other data and serving as an on-ramp to doing cutting-edge research in string algorithms.</p>]]></Text>
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