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			<Text textformat="02"><![CDATA[<p>We are excited to introduce <i>Ferryman: The Life and Deathwork of Ephraim Finch</i>, an extraordinary narrative blending biography, memoir, and cultural history. Written with masterful prose, the book portrays Ephraim Finch OAM  a deathworker, community builder, and living repository of Jewish cultural memory. Drawing on his handwritten journals and moving interviews, Katia Ariel explores themes of grief, memory, celebrating life, ritual, and faith  all told with tenderness and wisdom.</p><p>Finch's journey from working-class Sydney, conversion to Orthodox Judaism and later, becoming the director of Melbourne's Jewish Burial Society (Chevra Kadisha), offers profound reflections on belonging, service, and the power of stories.</p><p>In his work over 34 years, Ephraim Finch provided unwavering support to bereaved families, including Holocaust survivors, and seamlessly navigated coroners, police, clergy, and medical professionals. In the process, he preserved sacred Jewish traditions whilst fostering understanding across religious and secular communities.</p><p>At a pivotal point in our history where cultural division and societal fractures threaten our sense of wellbeing and security, <i>Ferryman</i> is a story for our times  one of connection, service, and the sacredness of life.</p><p>With a foreword by Arnold Zable and praise from Hannah Kent, Rai Gaita, Chloe Hooper, and Kylie Moore-Gilbert, amongst others, <i>Ferryman</i> is an essential addition to our cultural and literary landscape.</p><p><b>'Ferryman is a compassionate portrait of a man who has spent a lifetime in service of his community. Katia Ariel's consideration of belonging, faith, and the way we are all inextricably woven into tapestries of time, place and history  both before and after death  is beautifully written and deeply moving.'  Hannah Kent</b></p><p><b>'A book full of wisdom by a writer of exquisite talent.'  Chloe Hooper</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Katia Ariel</b> is an award-winning author, book editor and educator from Melbourne/Naarm. She was born in Odesa, Ukraine. Her memoir, <i>The Swift Dark Tide</i>, was shortlisted for the 2024 Stella Prize and was the winner of the 2024 Society of Women Writers NSW Non-fiction Prize. Katia has been published in a variety of literary journals, including <i>Womankind</i>, <i>Archer</i> and <i>Antithesis</i>. She was the recipient of the Varuna Residential Fellowship (in 2022) and Bundanon Writing Residence (in 2024). <i>Ferryman: The Life and Deathwork of Ephraim Finch</i> is her second book</p>]]></Text>
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			<SubjectHeadingText>Kanagawa-oki Nami Ura Gaifu Kaisei red fuji; artist hokusai authentic artwork woodblock prints; famous; japanese art museum collection reference great; wave Kanagawa katsushika  thirty six views fine; wind clear morning thunderstorm beneath the summit</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The full set of 46 glorious prints of Mt Fuji by Japan's most famous artist!</b></p><p>This beautiful Japanese-bound volume presents the complete set of prints <i>Thirty-six Views of Fuji</i>, one of the most famous series created by Katsushika Hokusai (1760-1849), including ten prints he added to the series at a later date. Mt Fuji is magnificently represented by the master thanks to his highly personal conception that combines the sacred dimensions of the mountain with earthly views representing many different human activities. Each print is accompanied by a technical explanation that helps the reader to understand the image, with descriptions where possible of the actual places depicted.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Elisabetta Scantamburlo</b> is an art and design critic. She obtained her doctorate in East Asian Studies and carried out research at Keio University in Tokyo. She has curated exhibitions and collaborated with The International Hokusai Research Centre in Tokyo in the realisation of important exhibitions on Ukiyo-e woodblock prints. She is the author of<i> Shunga: Images of Desire in the Erotic Art of Japan.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Explore the nature of love in this charming new translation of selections from Plato's great dramatic work, the </b><b><i>Symposium.</i></b></p><p>What is love? In poetry, songs, fiction, movies, psychology, and philosophy, love has been described, admired, lamented, and dissected in endless ways. Is love based on physical attraction? Does it bring out our better selves? How does it relate to sex? Is love divine? Plato's <i>Symposium</i> is one of the oldest, most influential, and most profound explorations of such questions  it is even the source of the idea of 'Platonic love'. <i>How to Talk about Love</i> introduces and presents the key passages and central ideas of Plato's philosophical dialogue in a lively and highly readable new translation, which also features the original Greek on facing pages.</p><p>The <i>Symposium</i> is set at a fictional drinking party during which prominent Athenians engage in a friendly competition by delivering improvised speeches in praise of Eros, the Greek god of love and sex. The aristocrat Phaedrus, the legal expert Pausanias, the physician Eryximachus, the comic playwright Aristophanes, and the tragic poet Agathon  each by turn celebrates different aspects of love before Socrates proposes not to praise love but to tell the truth about it. In the final speech, the politician and libertine Alcibiades argues that Socrates himself is the epitome of love.</p><p>Deftly capturing the essence and spirit of Plato's masterpiece, <i>How to Talk about Love</i> makes the <i>Symposium</i> more accessible and enjoyable than ever before.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Armand D'Angour</b> is professor of classics at Jesus College, University of Oxford. He is the editor and translator of <i>How to Innovate: An Ancient Guide to Creative Thinking</i> (Princeton), <i>Socrates in Love</i>, and <i>The Greeks and the New</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An irresistible anthology of ancient Greek writings that explore queer desire and love</b></p><p><i>&amp;#x27;Eros, limb-loosening, whirls me about again,</i><br/><i>that bittersweet, implacable creature.&amp;#x27;</i><br/><i> </i>Sappho</p><p>The idea of sexual fluidity may seem new, but it is at least as old as the ancient Greeks, who wrote about queer experiences with remarkable frankness, wit, and insight. <i>How to Be Queer</i> is an infatuating collection of these writings about desire, love, and lust between men, between women, and between humans and gods, in lucid and lively new translations. Filled with enthralling stories, this anthology invites readers of all sexualities and identities to explore writings that describe many kinds of erotic encounters and feelings, and that envision a playful and passionate approach to sexuality as part of a rich and fulfilling life.</p><p><i>How to Be Queer</i> starts with Homer's <i>Iliad</i> and moves through lyric poetry, tragedy, comedy, philosophy, and biography, drawing on a wide range of authors, including Sappho, Plato, Anacreon, Pindar, Theognis, Aristophanes, and Xenophon. It features both beautiful poetry and thought-provoking prose, emotional outpourings and humorous anecdotes. From Homer's story of the relationship between Achilles and Patroclus, one of the most intense between men in world literature, to Sappho's lyrics on the pleasures and pains of loving women, these writings show the many meanings of what the Greeks called <i>eros</i>.</p><p>Complete with brief introductions to the selections, and with the original Greek on facing pages, <i>How to Be Queer</i> reveals what the Greeks knew long ago  that the erotic and queer are a source of life and a cause for celebration.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sarah Nooter</b> is professor of classics and theater and performance studies at the University of Chicago. She is the author of <i>Greek Poetry in the Age of Ephemerality</i>, <i>The Mortal Voice in the Tragedies of Aeschylus</i>, and<i> When Heroes Sing: Sophocles and the Shifting Soundscape of Tragedy</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Aristotle's <i>Nicomachean Ethics</i> is one of the greatest guides to human flourishing ever written, but its length and style have left many readers languishing. <i>How to Flourish</i> is a carefully abridged version of the entire work in a highly readable and colloquial new translation by Susan Sauve Meyer that makes Aristotle's timeless insights about how to lead a good life more engaging and accessible than ever before.<br/><br/>For Aristotle, flourishing involves becoming a good person through practice, and having a life of the mind. To that end, he draws vivid portraits of virtuous and vicious characters and offers sound practical advice about everything from eating and drinking to managing money, controlling anger, getting along with others, and telling jokes. He also distinguishes different kinds of wisdom that are essential to flourishing and offers an unusual perspective on how to appreciate our place in the universe and our relation to the divine.<br/><br/>Omitting Aristotle's digressions and repetitions and overly technical passages, <i>How to Flourish</i> provides connecting commentary that allows readers to follow the continuous line of his thought; it also features the original Greek on facing pages. The result is an inviting and lively version of an essential work about how to flourish and lead a good life.</p><p><b>&amp;#x27;This is a splendid introduction to Aristotle's conception of happiness, in his own words. The translation is at once elegant, readable, and precise, and Susan Sauve Meyer's crisp prefatory explanations highlight and clarify the essence of Aristotle's argument at each stage. The abbreviated text lets Aristotle's train of thought stand out clearly, and the omitted parts -digressions and the like - are briefly summarised. It is a remarkable achievement.&amp;#x27; - David Konstan, author of</b> <b><i>The Origin of Sin: Greece and Rome, Early Judaism and Christianity</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A modern translation of the ancient Roman poet Ovid's </b><b><i>Remedies for Love</i></b><b>  a witty and irreverent work about how to fall out of love</b></p><p>Breakups are the worst. On one scale devised by psychiatrists, only a spouse's death was ranked as more stressful than a marital split. Is there any treatment for a breakup? The ancient Roman poet Ovid thought so. Having become famous for teaching the art of seduction in <i>The Art of Love</i>, he then wrote <i>Remedies for Love</i> (<i>Remedia Amoris</i>), which presents thirty-eight frank and witty strategies for coping with unrequited love, falling out of love, ending a relationship, and healing a broken heart. <i>How to Get Over a Breakup</i> presents an unabashedly modern prose translation of Ovid's lighthearted and provocative work, complete with a lively introduction and the original Latin on facing pages.</p><p>Ovid's advice  which he illustrates with ingenious interpretations of classical mythology  ranges from the practical, psychologically astute, and profound to the ironic, deliberately offensive, and bizarre. Some advice is conventional  such as staying busy, not spending time alone, and avoiding places associated with an ex. Some is off-color, such as having sex until you're sick of it. And some is simply and delightfully weird  such as becoming a lawyer and not eating arugula.</p><p>Whether his advice is good or bad, entertaining or outrageous, <i>How to Get Over a Breakup</i> reveals an Ovid who sounds startlingly modern.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michael Fontaine</b> is professor of classics at Cornell University. His books include three other volumes in the Ancient Wisdom for Modern Readers series, <i>How to Grieve</i>, <i>How to Tell a Joke</i>, and <i>How to Drink</i> (all Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[A splendid new translation of one of the greatest books on friendship ever written.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A splendid new translation of one of the greatest books on friendship ever written.</b></p><p>In a world where social media, online relationships, and relentless self-absorption threaten the very idea of deep and lasting friendships, the search for true friends is more important than ever. In this short book, which is one of the greatest ever written on the subject, the famous Roman politician and philosopher Cicero offers a compelling guide to finding, keeping, and appreciating friends. With wit and wisdom, Cicero shows us not only how to build friendships but also why they must be a key part of our lives. For, as Cicero says, life without friends is not worth living.&amp;nbsp;</p><p>Filled with timeless advice and insights, Cicero's heartfelt and moving classic - written in 44 BC and originally titled<i> De Amicitia </i>- has inspired readers for more than two thousand years, from St. Augustine and Dante to Thomas Jefferson and John Adams. Presented here in a lively new translation with the original Latin on facing pages and an inviting introduction, <i>How to Be a Friend</i> explores how to choose the right friends, how to avoid the pitfalls of friendship, and how to live with friends in good times and bad. Cicero also praises what he sees as the deepest kind of friendship - one in which two people find in each other 'another self' or a kindred soul.&amp;nbsp;</p><p>An honest and eloquent guide to finding and treasuring true friends, <i>How to Be a Friend </i>speaks as powerfully today as when it was first written.</p><p><b>'[A]stutely translated...We learn that friendship is, in the end, an art form.'&amp;nbsp;-Tracy Lee Simmons,&amp;nbsp;<i>City Journal</i></b></p><p><b>'Originally written in 44 BC, the advice in this book is as timely as ever, perhaps even more so in view of the changing nature of friendship to include the online dimension.' - <i>Paradigm Explore</i><br/></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Philip Freeman</b> is the editor and translator of <i>How to Grow Old</i>, <i>How to Win an Election, </i>and <i>How to Run a Country</i> (all Princeton). He is the author of many books, including <i>Searching for Sappho</i> (Norton) and <i>Oh My Gods: A Modern Retelling of Greek and Roman Myths</i> (Simon &amp; Schuster). He holds the Fletcher Jones Chair of Western Culture at Pepperdine University and lives in Malibu, California.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A marvelously illustrated introductory guide to frogs and their natural history.</b></p><p>Frogs are among the most diverse and adaptable animals on the planet, with a rich evolutionary history and a vitally important role in global ecosystems. With more than 7,700 species known to exist, they come in all shapes, sizes, and colours, and can be found in habitats ranging from rainforests and frozen tundras to deserts and your own backyard. This unique guide explores the physiology, behaviour, ecology, and evolution of frogs, shedding invaluable light on every facet of their lives, both on land and in the water. Blending stunning photos and illustrations with engaging and informative profiles of selected species, <i>The Lives of Frogs</i> is an essential introduction to the natural history of these magnificent amphibians.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jim Labisko</b> is Lecturer in Biodiversity at University College London and a leading authority on temperate and tropical amphibians and reptiles.</p><p><b>Richard Griffiths</b> is Emeritus Professor of Biological Conservation at the University of Kent and the author (with Trevor Beebee) of <i>Amphibians and Reptiles</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The astonishing story of how animals use medicine and what it can teach us about healing ourselves</b></p><p>Ages before the dawn of modern medicine, wild animals were harnessing the power of nature's pharmacy to heal themselves. <i>Doctors by Nature</i> reveals what researchers are now learning about the medical wonders of the animal world. In this visionary book, Jaap de Roode argues that we have underestimated the healing potential of nature for too long and shows how the study of self-medicating animals could impact the practice of human medicine.</p><p>Drawing on illuminating interviews with leading scientists from around the globe as well as his own pioneering research on monarch butterflies, de Roode demonstrates how animals of all kinds  from ants to apes, from bees to bears, and from cats to caterpillars  use various forms of medicine to treat their own ailments and those of their relatives. We meet apes that swallow leaves to dislodge worms, sparrows that use cigarette butts to repel parasites, and bees that incorporate sticky resin into their hives to combat pathogens. De Roode asks whether these astonishing behaviours are learned or innate and explains why, now more than ever, we need to apply the lessons from medicating animals  it can pave the way for healthier livestock, more sustainable habitats for wild pollinators, and a host of other benefits.</p><p><i>Doctors by Nature</i> takes readers into a realm often thought to be the exclusive domain of humans, exploring how scientists are turning to the medical knowledge of the animal kingdom to improve agriculture, create better lives for our pets, and develop new pharmaceutical drugs.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jaap de Roode</b> is Samuel Candler Dobbs Professor of Biology at Emory University, where he is director of the Infectious Diseases across Scales Training Program, which trains graduate students in interdisciplinary science to study and control infectious disease.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'A brilliantly written, autobiographically structured meditation on Australia's pre-eminent novelist Patrick White. Karalis' small volume reflects eloquently on a lifetime of reading, writing, and translating.</b> <b><i>On Patrick White's Dilemmas</i></b><b> casts a sceptical eye on the grandiosity and hysteria of literary critics and critical theorists. It explores the highs and lows of the twentieth-century novel in a dazzling manner while dissecting White's singularity: his startling use of language, defiance of fad and ideology, mastery of ambiguity, irony and mystery, quotidian drollness, and complex mythopoetic storytelling. Karalis' book is remarkable  the most important examination of White's divine comedy of disturbing human quandaries that has appeared to date.'  Professor Peter Murphy, La Trobe University</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Vrasidas Karalis</b> holds the Chair of Sir Nicholas Laurantos in Modern Greek and Byzantine Studies at the University of Sydney. He has translated Patrick White's <i>Voss</i> and <i>The Vivisector</i>. He is the editor of <i>Modern Greek Studies</i> (Australia and New Zealand). His main publications in English include, <i>A History of Greek Cinema</i> (Continuum 2012), <i>Realism in Greek Cinema</i> (I.B. Tauris, 2017), <i>Recollections of Mr Manoly Lascaris</i> (Brandl &amp; Schlesinger, 2007),<i> The Demons of Athens</i> (Brandl &amp; Schlesinger, 2013), <i>Reflections on Presence</i> (re.Press, 2016), <i>Farewell to Robert</i> (Brandl &amp; Schlesinger, 2023). He has also edited the collections <i>Cornelius Castoriadis and the Project of Radical Democracy</i> (Brill, 2013), <i>Martin Heidegger and the Aesthetics of Being</i> (Cambridge Scholars Publishing, 2008),<i> Power, Judgment and Political Evil  In Conversation with Hannah Arendt</i> (Routledge, 2012).</p>]]></Text>
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			<Text textformat="02"><![CDATA[A.D. (Alec) Hope (1907-2000) was one of the most significant Australian poets of the twentieth century: satirist, scholar, master at once of erotic verse and of the discursive mode.]]></Text>
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			<Text textformat="02"><![CDATA[<p>A. D. (Alec) Hope (1907-2000) was one of the most significant Australian poets of the twentieth century: satirist, scholar, master at once of erotic verse and of the discursive mode, author of poems ('Australia', 'The Death of the Bird') that, along with the works of Patrick White, Judith Wright and Manning Clarke, scripted Australian thought for decades. David Brooks, forty-six years his junior, first met Hope when, as a student, the ANU asked him to photograph the poet for a building they'd just named after him. A friendship formed that lasted twenty-five years, saw Brooks become Hope's editor, and eventually give the poet's eulogy. Penetrating, surprising, and supported by an intimate knowledge both of the poetry and of the man himself, this memoir of their relationship is a must for readers of Hope and of Brooks alike.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>David Brooks</b> is a poet, novelist, short-fiction writer and essayist. He has taught literature at various Australian universities, and from 1999 until 2018 was co-editor of <i>Southerly</i>, Australia's premier journal of Australian literature and new Australian writing. He is a vegan and animal rights advocate, and lives in the Blue Mountains of New South Wales. In 2014 he was awarded an Australia Council Fellow ship for his distinguished contribution to Australian and international literature.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An exploration of cuteness and its immense hold on us, from emojis and fluffy puppies to its more uncanny, subversive expressions</b></p><p>Cuteness has taken the planet by storm. Global sensations Hello Kitty and Pokemon, the works of artists Takashi Murakami and Jeff Koons, Heidi the cross-eyed opossum and E.T<i>.</i>  all reflect its gathering power. But what does 'cute' mean, as a sensibility and style? Why is it so pervasive? Is it all infantile fluff, or is there something more uncanny and even menacing going on  in a lighthearted way? In <i>The Power of Cute</i>, Simon May provides nuanced and surprising answers.</p><p>We usually see the cute as merely diminutive, harmless, and helpless. May challenges this prevailing perspective, investigating everything from Mickey Mouse to Kim Jong-il to argue that cuteness is not restricted to such sweet qualities but also beguiles us by transforming or distorting them into something of playfully indeterminate power, gender, age, morality, and even species. May grapples with cuteness's dark and unpindownable side  unnerving, artful, knowing, apprehensive  elements that have fascinated since ancient times through mythical figures, especially hybrids like the hermaphrodite and the sphinx. He argues that cuteness is an addictive antidote to today's pressured expectations of knowing our purpose, being in charge, and appearing predictable, transparent, and sincere. Instead, it frivolously expresses the uncertainty that these norms deny: the ineliminable uncertainty of who we are; of how much we can control and know; of who, in our relations with others, really has power; indeed, of the very value and purpose of power.</p><p><i>The Power of Cute</i> delves into a phenomenon that speaks with strange force to our age.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Simon May</b> is visiting professor of philosophy at King's College London. His books include <i>Jump! A New Philosophy for Conquering Procrastination</i>,<i> How to Be a Refugee</i>, and <i>Love: A New Understanding of an Ancient Emotion</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An illuminating look at the adaptive nature of our memories  and how their flexibility and fallibility help us survive and thrive</b></p><p>We tend to think of our memories as impressions of the past that remain fully intact, preserved somewhere inside our brains. In fact, we construct and reconstruct our memories every time we attempt to recall them. <i>Memory Lane</i> introduces readers to the cutting-edge science of human memory, revealing how our recollections of the past are constantly adapting and changing, and why a faulty memory isn't always a bad thing.</p><p>Shedding light on what memory is and what it evolved to do, Ciara Greene and Gillian Murphy discuss the many benefits of our flexible yet fallible memory system, including helping us to maintain a coherent identity, sustain social bonds, and vividly imagine possible futures. But these flexible and easily distorted memories can also result in significant harm, leading us to provide erroneous eyewitness testimony or fall victim to fake news. Greene and Murphy explain why our flawed memories are not a failure of evolution but rather a byproduct of the perfectly imperfect way our minds have evolved to solve problems. They also grapple with important ethical questions surrounding the study and manipulation of memory.</p><p>Blending engaging storytelling with the latest science, the authors demonstrate how our continuous reconstruction of the past makes us who we are, helps us to interpret our experiences, and explains why no two trips down memory lane are ever quite the same.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In this book, novelist Colm Tibn offers a deeply personal introduction to the work and life of one of his most important literary influences  the American poet Elizabeth Bishop. Ranging across her poetry, prose, letters, and biography, Tibn creates a vivid picture of Bishop while also revealing how her work has helped shape his sensibility as a novelist and how her experiences of loss and exile resonate with his own. What emerges is a compelling double portrait that will intrigue readers interested in both Bishop and Tibn. </p><p>For Tibn, the secret of Bishop's emotional power is in what she leaves unsaid. Exploring Bishop's famous attention to detail, Tibn describes how Bishop is able to convey great emotion indirectly, through precise descriptions of particular settings, objects, and events. He examines how Bishop's attachment to the Nova Scotia of her childhood, despite her later life in Key West and Brazil, is related to her early loss of her parents  and how this connection finds echoes in Tibn's life as an Irish writer who has lived in Barcelona, New York, and elsewhere.</p><p>Beautifully written and skillfully blending biography, literary appreciation, and descriptions of Toibin's travels to Bishop's Nova Scotia, Key West, and Brazil, <i>On Elizabeth Bishop </i>provides a fresh and memorable look at a beloved poet even as it gives us a window into the mind of one of today's most acclaimed novelists.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Colm Tibn</b> is the author of eight novels, three of which have been shortlisted for the Man Booker Prize: <i>The Blackwater Lightship</i><b>,</b> <i>The Master</i> (the <i>Los Angeles Times</i> Novel of the Year), and <i>The Testament of Mary</i>. His other novels include <i>Nora Webster</i> and <i>Brooklyn</i>. He is the Irene and Sidney B. Silverman Professor of the Humanities at Columbia University, a regular contributor to the <i>New York Review of Books</i>, and a contributing editor at the <i>London Review of Books</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Perfect Victims is an urgent affirmation of the Palestinian condition of resistance and refusal  an ode to the steadfastness of a nation.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Perfect Victims</i></b> <b>is an urgent affirmation of the Palestinian condition of resistance and refusal  an ode to the steadfastness of a nation.</b></p><p>Palestine is a microcosm of the world: on fire, stubborn, fragmented, dignified. While a settler colonial state continues to inflict devastating violence, fundamental truths are deliberately obscured  the perpetrators are coddled while the victims are blamed and placed on trial.</p><p>Why must Palestinians prove their humanity? And what are the implications of such an infuriatingly impossible task? With fearless prose and lyrical precision, Mohammed El-Kurd refuses a life spent in cross-examination. Rather than asking the oppressed to perform a perfect victimhood, El-Kurd asks friends and foes alike to look Palestinians in the eye, forgoing both deference and condemnation.</p><p>How we see Palestine reveals how we see each other; how we see everything else. Masterfully combining candid testimony, history, and reportage, <i>Perfect Victims</i> presents a powerfully simple demand: dignity for the Palestinian.</p><p><b>'Mohammed El-Kurd has written a new Discourse on Colonialism for the twenty-first century.'  Robin D. G. Kelley</b></p><p><b>'El-Kurd is a wordsmith with the power to change the minds of all but those with a heart of stone.'  Louise Adler,</b><b><i> Sydney Morning Herald/The Age</i></b></p><p><b>'El-Kurd has become a critical voice in colonial discourse  especially at a time where people are prone to either demonising or fetishising Palestinians. </b><b><i>Perfect Victims</i></b><b> is Mohammed El-Kurd refusing to exist in this binary, challenging depictions of Palestinians on our phones and in our minds which insist they perform perfect victimhood in order to deserve liberation.'  Soaliha Iqbal, </b><b><i>Missing Perspectives</i></b></p>]]></Text>
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			<SubjectHeadingText>Alfred Russel Wallace; Asa Gray; Autobiography; Brachiopod; Charles Darwin; Charles Kingsley; Charles Lyell; Christianity; Coral reef; Darwinism; Division of labour; Domestic pigeon; Down House; Emma Darwin; Erasmus Darwin; Evolution; Explanation; Female; Francis Galton; Frog; Fuegians; George Romanes; Hermaphrodite; Hypothesis; Insect; John van Wyhe; Josiah Wedgwood II; Lecture; Life and Letters; Marine iguana; Morality; Mr.; Natural selection; On the Origin of Species; Orchidaceae; Organism; Ornithology; Pangenesis; Parricide; Philosopher; Physiology; Publication; Retching; Robert FitzRoy; Secretion; Sediment; Selfishness; Sex; Sexual selection; Shyness; Slavery; Stazione Zoologica; Struggle for existence; Superiority (short story); Survival of the fittest; The Complete Works of Charles Darwin Online; The Descent of Man,; The Various; The Voyage of the Beagle; The Way of All Flesh; Thomas Henry Huxley; Thought; Thunderstorm; Transmutation of species; Treatise; Warfare; Water cure (torture); Wealth; Writing; Zoology; Zoonomia; and Selection in Relation to</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A treasure trove of illuminating and entertaining quotations from the legendary naturalist</b> </p><p>Here is Charles Darwin in his own words  the naturalist, traveler, scientific thinker, and controversial author of <i>On the Origin of Species</i>, the book that shook the Victorian world. Featuring hundreds of quotations carefully selected by world-renowned Darwin biographer Janet Browne, The Quotable Darwin draws from Darwin's writings, letters to friends and family, autobiographical reminiscences, and private scientific notebooks. It offers a multifaceted portrait that takes readers through his youth, the famous voyage of the Beagle, the development of his thoughts about evolution, his gradual loss of religious faith, and the time spent turning his ideas into a well-articulated theory about the natural origin of all living beings  a theory that dangerously included the origin of humans. </p><p><i>The Quotable Darwin </i>also includes many of the key responses to Darwin's ideas from figures across the social spectrum, scientists and nonscientists alike  and criticism too. We see Darwin as an innovative botanist and geologist, an affectionate husband and father, and a lively correspondent who once told his cousin that he liked to play billiards because 'it drives the horrid species out of my head'. This book gives us an intimate look at Darwin at work, at home, as a public figure, and on his travels. Complete with a chronology of Darwin's life by Browne, <i>The Quotable Darwin</i> provides an engagingly fresh perspective on a remarkable man who was always thinking deeply about the natural world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Charles Darwin</b> (1809-1882) was an English naturalist, geologist, and biologist who developed the revolutionary theory of evolution by natural selection. His books included <i>On the Origin of Species</i> and <i>The Voyage of the "Beagle</i>." </p><p><b>Janet Browne</b> is the Aramont Professor Emeritus of the History of Science at Harvard University. Her books include the acclaimed two-volume biography of Darwin, <i>Charles Darwin: Voyaging</i> and <i>Charles Darwin: The Power of Place</i> (both Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'</b><b><i>Open Play</i></b> <b>challenges the patriarchal system that has dictated women's participation in sport around the world...This book is not just a must-read  it should become foundational in the future of women's sport from the grassroots to professional levels.'  Flo Lloyd-Hughes, sports writer and broadcaster</b></p><p>Sheree Bekker and Stephen Mumford argue that the category of 'women's sport' is not the feminist win some would have you believe. Instead, the segregation of women in sport is just one of the many ways in which women are told to expect less from society. Women had to fight to be included in sport in the first place, and are now only included under far less favourable terms than those enjoyed by men. There are better ways to ensure safety and fairness than segregation by gender. And this matters deeply: ending gender segregation would encourage a more equitable distribution of resources, increase women's participation in sport and challenge outdated, sexist myths about women and their bodies.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A major new biography of the brilliant naturalist, traveller, humanitarian, and codiscoverer of natural selection</b></p><p>Alfred Russel Wallace (18231913) was perhaps the most famed naturalist of the Victorian age. His expeditions to remote Amazonia and southeast Asia were the stuff of legend. A collector of thousands of species new to science, he shared in the discovery of natural selection and founded the discipline of evolutionary biogeography.</p><p><i>Radical by Nature</i> tells the story of Wallace's epic life and achievements, from his stellar rise from humble origins to his complicated friendship with Charles Darwin and other leading scientific lights of Britain to his devotion to social causes and movements that threatened to alienate him from scientific society.</p><p>James Costa draws on letters, notebooks, and journals to provide a multifaceted account of a revolutionary life in science as well as Wallace's family life. He shows how the self-taught Wallace doggedly pursued bold, even radical ideas that caused a seismic shift in the natural sciences, and how he also courted controversy with nonscientific pursuits such as spiritualism and socialism. Costa describes Wallace's courageous social advocacy of women's rights, labour reform, and other important issues. He also sheds light on Wallace's complex relationship with Darwin, describing how Wallace graciously applauded his friend and rival, becoming one of his most ardent defenders.</p><p>Weaving a revelatory narrative with the latest scholarship, <i>Radical by Nature</i> paints a mesmerising portrait of a multifaceted thinker driven by a singular passion for science, a commitment to social justice, and a lifelong sense of wonder.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>James T. Costa</b> is professor of biology and executive director of the Highlands Biological Station at Western Carolina University. His books include <i>Darwin's Backyard: How Small Experiments Led to a Big Theory</i>; <i>Wallace, Darwin, and the Origin of Species</i>; and <i>The Annotated "Origin."</i> He is a recipient of the Alfred Russel Wallace Medal and other honors.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From the acclaimed author of </b><b><i>Blue</i></b><b> and other colour histories, the beautifully illustrated story of pink, from the first ancient pigments to Barbie.</b></p><p>Pink has such powerful associations today that it's hard to imagine the colour could ever have meant anything different. But it's only since the introduction of the <i>Barbie </i>doll in 1959 that pink has become decisively feminised. Indeed, in the eighteenth century, pink was frequently masculine, and the colour has signified many things beyond gender over the course of its long history  from the prim to the vulgar, and from the romantic to the eccentric. In this richly illustrated book, Michel Pastoureau, a celebrated authority on the history of colours, presents a fascinating visual, social, and cultural history of pink in the West, from antiquity to today.</p><p>Pink pigments first appear in ancient Macedonian paintings, but it was not until the eighteenth century that vivid, saturated pinks were developed for dyeing and painting. At the same time, a popular new flower  the pink rose  finally gave the colour a standard name, and pink, assuming a place in everyday life, began to acquire its own symbolism, distinct from that of red, yellow, or white. Bringing the story up to the twentieth and twenty-first centuries, <i>Pink</i> describes how the colour, both adored and detested, became associated with many other things, from softness and pleasure to nudity and sex.</p><p>Illustrated throughout with a wealth of captivating images, <i>Pink</i> is an entertaining and enlightening account of the evolving role and significance of the colour in art, fashion, literature, religion, science, and everyday life across the millennia.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Get your mind unstuck.</b></p><p>It can be challenging to be mindful when you're trapped in your own head. Overthinking comes in many forms  overanalysis, perfectionism, worry, rumination  and each of these can be harmful to your productivity and well-being at work.</p><p>This book will teach you how to understand what type of overthinking you are experiencing, realise when you're cycling in a mental loop, and break free so that you can trust your gut, make a decision, and move forward with confidence.</p><p>This volume includes the work of:</p><ul><li>Alice Boyes</li><li>Melody Wilding</li><li>Thomas H. Davenport</li><li>Sian Beilock</li></ul><p>HOW TO BE HUMAN AT WORK. <i>The HBR Emotional Intelligence Series </i>features smart, essential reading on the human side of professional life from the pages of <i>Harvard Business Review</i>. Each book in the series offers proven research showing how our emotions impact our work lives, practical advice for managing difficult people and situations, and inspiring essays on what it means to tend to our emotional well-being at work. Uplifting and practical, these books describe the social skills that are critical for ambitious professionals to master.</p>]]></Text>
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			<SubjectHeadingText>Leonardo; Artist; Art; Da; Vinci; Painter; Lisa; Nature; Portrait; Historical; Mona; Human; Century; Vasari; St; History; Version; Louvre; Museum; Florentine; Drawings; Historian; Figures; Christ; Virgin; Scientific; Workshop; Medici; Renaissance; Writings; Cultural; Animals; Record; Biography; Di; Francesco; Alberti; Melzi; Exhibition; Character; Giovanni; Media; Botticelli; Death; Composition; Studies; Poetry; Market; Del; Genius; Supper; Soul; Sforza; Biographical; Landscape; Salvator; Images; Contemporaries; Michelangelo; Sculpture; Research; Paint; Sheet; Line; Conservation; Philosopher; Production; Religious; Manifest; Mundi</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>How our image of the Renaissance's most famous artist is a modern myth.</b></p><p>Leonardo da Vinci (1452-1519) never signed a painting, and none of his supposed self-portraits can be securely ascribed to his hand. He revealed next to nothing about his life in his extensive writings, yet countless pages have been written about him that assign him an identity: genius, entrepreneur, celebrity artist, outsider. Addressing the ethical stakes involved in studying past lives, Stephen J. Campbell shows how this invented Leonardo has invited speculation from figures ranging from art dealers and curators to scholars, scientists, and biographers, many of whom have filled in the gaps of what can be known of Leonardo's life with claims to decode secrets, reveal mysteries of a vanished past, or discover lost masterpieces of spectacular value.</p><p>In this original and provocative book, Campbell examines the strangeness of Leonardo's words and works, and the distinctive premodern world of artisans and thinkers from which he emerged. Far from being a solitary genius living ahead of his time, Leonardo inhabited a vibrant network of artistic, technological, and literary exchange. By investigating the politics and cultural tensions of the era as well as the most recent scholarship on Leonardo's contemporaries, workshop, and writings, Campbell places Leonardo back into the milieu that shaped him and was shaped by him. He shows that it is in the gaps and contradictions of what we know of Leonardo's life that a less familiar and far more historically significant figure appears.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Stephen J. Campbell</b> is the Henry and Elizabeth Wiesenfeld Professor in the Department of the History of Art at Johns Hopkins University. His books include <i>Andrea Mantegna: Humanist Aesthetics, Faith, and the Force of Images</i> and <i>The Endless Periphery: Toward a Geopolitics of Art in Lorenzo Lotto's Italy</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>How do power and beauty join forces to determine who is considered ugly? What role does that ugliness play in fomenting hatred? Moshtari Hilal, an Afghan-born author and artist who lives in Germany, has written a touching, intimate, and highly political book. Dense body hair, crooked teeth, and big noses: Hilal uses a broad cultural lens to question norms of appearance  ostensibly her own, but in fact everyone's. She writes about beauty salons in Kabul as a backdrop to the U.S. invasion of Afghanistan, Darwin's theory of evolution, Kim Kardashian, and a utopian place in the shadow of her nose. With a profound mix of essay, poetry, her own drawings, and cultural and social history of the body, Hilal explores notions of repulsion and attraction, taking the reader into the most personal of realms to put self-image to the test. Why are we afraid of ugliness?</p><p><b>'A sweeping meditation on a subject rarely addressed...Hilal takes on our beauty-worshipping celebrity culture and the beauty industry for...keeping women in an expensive prison of self-doubt...</b><b><i>Ugliness</i></b><b> makes a 'big picture' argument, panning outward from one young woman's life to some of the largest issues we confront globally  hence to all of our lives.'  Rhonda Garelick in </b><b><i>The New York Times</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Moshtari Hilal</b>is a visual artist, writer, and curator based in Hamburg and Berlin. Born in Afghanistan, she pursued Islamic studies and political science in Hamburg, Berlin, and London.</p><p><b>Elisabeth Lauffer</b>is the recipient of the 2014 Gutekunst Translation Prize. After graduating from Wesleyan University, she lived in Berlin and then obtained a master's in education from Harvard.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Unravel the fascinating history of the turban, from its origins to its religious uses and its appearance in contemporary fashion and culture.</p><p>A turban is a strip of cloth folded and wrapped around the head; however, this description includes multifarious forms across space and time. This book follows the turban as it moves from the Arabian Peninsula through the Ottoman Empire to Europe and the Americas. It directs the reader's gaze from traditional and religious uses of the turban into the realms of international trade, Renaissance art and contemporary fashions. Turbans, as this book shows, have moved in and out of Western culture, at times considered archaic and forgotten, then noticed and reinstated as major accessories. Today Sikh men are recognized by their distinctive headwraps, and the turban remains an important part of Black culture. This book explores the turban's many adaptations worldwide.</p><p><b>'I'm impressed by the scope of this study, from the turban as a marker of religious affiliation to a prop for Rembrandt to a distinctive fashion for women. Headgear off to Filstrup and Merrill.'  Gay Talese, journalist and author</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Chris Filstrup</b> was Chief of the Oriental Division at the New York Public Library and Dean of Libraries at Stony Brook University. He is co-author, with Jane Merrill, of <i>The Wedding Night</i> (2011), among other titles. He lives in Alexandria, Virginia.</p><p><b>Jane Merrill</b> has written for many national u.s. magazines and is the author of <i>The Showgirl Costume</i> (2018) and other cultural histories. She lives in Saint George, Maine.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>As a child growing up in Mumbai, Arati Kumar-Rao's parents instilled in her an abiding love for the natural world and a passion for storytelling. Years later, adrift in a corporate job and concerned by the unbridled development of her country, she asked herself, 'When will you stop doing what you can do and start doing what you really want to do?'</p><p>Animated by an instinctive sense that our fate is bound to that of the earth and the more-than-human world, Kumar-Rao sets out on a journey across India, listening along the way to stories the land and its people share with her. In the Thar Desert, often reduced to the value of extractable commodities, she learns about ancient methods of harvesting rainwater from shepherds with deep ancestral memories. In the delta formed by the confluence of the Ganges, Brahmaputra, and Meghna Rivers at the Bay of Bengal, she walks ancient shorelines and mangrove forests with a marine biologist, exploring tidepools and learning of the extent to which this astonishingly diverse ecology is increasingly endangered by commercial trawlers and overfishing. And on India's northernmost plateau, surrounded by the Himalaya and home to snow leopards, ibex, and numerous endangered species of eagles and owls, she finds glaciers disappearing at an alarming rate and meets with inhabitants who play little role in creating climate change but now bear the brunt of it.</p><p>Richly illustrated with the author's photographs and drawings, <i>Marginlands</i> is a vibrant and compelling account of the changes reshaping India today. Engaging and urgent, infused with wonder and profound empathy, this is a work of love and hope, inspiring readers across the world to preserve and protect the world around us.</p><p><b>'</b><b><i>Marginlands</i></b><b> is a tour de force, a magnificent first book about India's marginalised landscapes and inhabitants, written with compassion, compressed elegance of observation, and urgent political force.'  Robert Macfarlane</b></p>]]></Text>
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			<SubjectHeadingText>choice; choice architects; choosing; commonplacing; consumer culture; decision making; democracy; feminism; freedom; human rights; liberalism; menu of options; neoliberalism; right to choose; shopping; social dance; social dance/social dancing; social dancing; Sophia Rosenfeld; The Choice Is Yours: A History of Freedom in; Modern Life; voting; Choice; Freedom; Ballot; Election; Abortion; Suffrage; Sexes; Secret ballot; Politics; Feminist; Sexual; Albeit; Consumer choice; Expression; Conscience; Pontefract; Atlantic; Dance cards; Psychology; Autonomy; Feminism; Independence; Economists; Roe; Rational; Ballroom; Protestant; Economicus; Homo; Democratic; Contrary; Homo economicus; Abortion rights; Dancing masters; Consumer goods; Shop windows; Parliamentary elections; Commonplace books; Voting booth; Dance floor; Supreme court; Casting vote; Ballot boxes; Luxury goods; Religious freedom; Century wore; Jane austen; Commercial culture; Century novels</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A sweeping history of the rise of personal choice in the modern world and how it became equated with freedom.</b></p><p>Choice touches virtually every aspect of our lives, from what to buy and where to live to whom to love, what profession to practice, and even what to believe. But the option to choose in such matters was not something we always possessed or even aspired to. At the same time, we have been warned by everybody from marketing gurus to psychologists about the negative consequences stemming from our current obsession with choice. It turns out that not only are we not very good at realising our personal desires, we are also overwhelmed with too many possibilities and anxious about what best to select. There are social costs too. How did all this happen? <i>The Age of Choice</i> tells the long history of the invention of choice as the defining feature of modern freedom.</p><p>Taking readers from the seventeenth century to today, Sophia Rosenfeld describes how the early modern world witnessed the simultaneous rise of shopping as an activity and religious freedom as a matter of being able to pick one's convictions. Similarly, she traces the history of choice in romantic life, politics, and the ideals of human rights. Throughout, she pays particular attention to the lives of women, those often with the fewest choices, who have frequently been the drivers of this change. She concludes with an exploration of how reproductive rights have become a symbolic flashpoint in our contemporary struggles over the association of liberty with choice.</p><p>Drawing on a wealth of sources ranging from novels and restaurant menus to the latest scientific findings about choice in psychology and economics, <i>The Age of Choice</i> urges us to rethink the meaning of choice and its promise and limitations in modern life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sophia Rosenfeld</b> is the Walter H. Annenberg Professor of History at the University of Pennsylvania. She is the author of <i>Democracy and Truth: A Short History</i> and <i>Common Sense: A Political History</i>, among other books. Her writing has also appeared in leading publications such as the <i>New York Times</i>, the <i>Washington Post</i>, and the<i> Nation</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**A BBC Radio Book of the Week**</b></p><p><b>**Winner, Saltire Society First Book of the Year Award**</b></p><p>When Russian tanks rolled into Ukraine, millions of lives changed in an instant.</p><p>Millions of people were suddenly on the move. In this great flow of people was a reporter from the north of Scotland. Jen Stout left Moscow abruptly, ending up on a border post in southeast Romania, from where she began to cover the human cost of Russian aggression. Her first-hand, vivid reporting brought the war home to readers in Scotland as she reported from front lines and cities across Ukraine. Stories from the night trains, birthday parties, military hospitals and bunkers: stories from the ground, from a writer with a deep sense of empathy, always seeking to understand the bigger picture, the big questions of identity, history, hopes and fears in this war in Europe.</p><p><i>Night Train to Odesa</i> begins in Russia and continues to focus on people, relationships and individuals in Ukraine. It is the account of a young female reporter with no institutional backup or security. Both in language and themes, it is accessible and highly readable.</p><p><b>'Jen Stout is very brave. And she is a storyteller of supreme gifts. I am in awe of her resourcefulness and courage'  Fergal Keane</b></p><p><b>'This account is honest, intelligent, and visceral; it is independent reporting at its finest'  Quentin Sommerville</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A compelling collection of the life-changing writings of William James.</b></p><p>William James  psychologist, philosopher, and spiritual seeker  is one of those rare writers who can speak directly and powerfully to anyone about life's meaning and worth, and whose ideas change not only how people think but how they live. The thinker who helped found the philosophy of pragmatism and inspire Alcoholics Anonymous, James famously asked, 'is life worth living?' Bringing together many of his best and most popular essays, talks, and other writings, this anthology presents James's answer to that and other existential questions, in his own unique manner  caring, humorous, eloquent, incisive, humble, and forever on the trail of the 'ever not quite.'</p><p>Here we meet a James perfectly attuned to the concerns of today  one who argues for human freedom, articulates a healthy-minded psychology, urges us to explore the stream of consciousness, presents a new definition of truth based on its practical consequences, and never forecloses the possibility of mystical transcendence. Introduced by John Kaag and Jonathan van Belle, these compelling and accessible selections reveal why James is one of the great guides to the business of living.</p><p><b>'Want to get to know William James, America's most-beloved  and perhaps most widely influential  philosopher? This wonderful collection gives us James at his best  provocative, lyrical, inspirational. Whether you are meeting James in an easy chair, in a classroom, or on a 'ramble,' as James called the mountain hikes he loved, the encounter will leave you richly rewarded.'  James T. Kloppenberg, Harvard University</b></p><p><b>'A great collection that lets readers experience James's philosophy as epistemological tonic, moral orientation, and spiritual regeneration. The brief introductions to the individual selections are compelling and written in sparkling prose.'  Jennifer Ratner-Rosenhagen, author of</b> <b><i>The Ideas That Made America</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Desi Queers</i> reveals how diasporic South Asians have shaped LGBTQ+ movements and communities in Britain, from the 1970s to the present day. Weaving the history of 1980s anti-racism with the emergence of Black LGBTQ+ and feminist coalitions, this book highlights landmark moments in British queer life and culture through South Asian lives, and illuminates British histories of colour through queer politics and creativity.</p><p>From the Gay Black Group to Haringey Council's pioneering Lesbian and Gay Unit, desi queers were at the centre of anti-homophobic direct action in the 1980s, including the historic 'Smash the Backlash' demo against bigotry. This activism birthed key grassroots groups of the 1980s and 1990s, such as Shakti and Naz, whose founders and early members opened a path of creative resistance to the intersecting violence of racism and homophobia  a path of solidarity echoing through the twenty-first century.</p><p>These spaces and networks have been a refuge for people doubly marginalised in Britain  by experiences of homophobia within South Asian communities, and by the whiteness of mainstream queer scenes. Drawing on artistic creations, archives and oral history,<i> Desi Queers </i>celebrates rich traditions of social and cultural activism alongside stories of everyday life among Britain's LGBTQ+ South Asians.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Churnjeet Mahn</b> is Professor of English Literature at the University of Strathclyde. Her research focuses on experiences of racism and homophobia in travel writing and accounts of displacement. She has worked on a range of creative research projects related to post-Partition memory, and queer displacement. </p><p><b>Rohit K. Dasgupta</b>is Associate Professor of Gender and Sexuality at the London School of Economics. He researches queer cultures, digital media and cultural industries in South Asia. He is also Honorary Senior Research Fellow at the University of Glasgow. </p><p><b>D. J. Ritu</b> is a pioneering EDI activist, international turntablist, Rough Guides contributor and BBC Radio presenter. In the 1980s, she established Shakti Disco at the London Lesbian and Gay Centre, before co-founding both the legendary Club Kali, in 1995, and the queer SWANA (South-West Asian and North African) music club Hoppa. In 2023, Ritu was awarded an MBE for services to music and broadcasting.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A biography of Viktor Bout, a 'warlord's warlord' who may be the man to replace Putin.</p><p>An intrepid reporter's fast-paced investigation into the extraordinary life of Viktor Bout, the much-mythologised Russian fixer known as the 'Merchant of Death'.</p><p>Viktor Bout was a warlord's warlord, according to MI6, the US National Security Council and the CIA  a terrorist facilitator, and the world's most prolific arms dealer. They tracked him everywhere, smuggling weapons from North Korea and the former Soviet Union into the world's bloodiest conflict zones, from Liberia to Afghanistan. Intelligence services called him a secret KGB asset; the White House, the most dangerous man in the world. But Bout strenuously denied this, describing himself as a businessman.</p><p>Washington hunted Bout for more than a decade, before finally trapping him and jailing him for 25 years. Then, in December 2022, the story took an unlikely turn: President Biden pardoned Bout and sent him home to Moscow, in a prisoner exchange to rescue basketball superstar Brittney Griner, jailed in Russia on drugs charges. Soon enough, Bout cosied up with doomed Wagner boss Yevgeny Prigozhin, Chechen strongman Ramzan Kadyrov and the Russian governors Putin had installed in occupied Ukraine.</p><p>Has America's extraordinary decision to swap Bout undermined Western interests? Has Putin put him back to work in his old business? Through candid interviews with US investigators and Viktor Bout himself, this book reveals the true story of the 'Merchant of Death'.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Kim Il-sung was the enigmatic architect of North Korea. His life is an extraordinary tale of improbable success: once a barely educated guerrilla fighter, he rose to lead the nation at the young age of 33. Against all odds, he established a horrifyingly stable dictatorial regime, one that still struggles to provide for its people, yet could obliterate Hollywood, Silicon Valley and much of East Asia in nuclear strikes.</p><p>Based on extensive new sources in Korean, Russian, Chinese and Japanese, Fyodor Tertitskiy tells the unlikely story of one of the twentieth century's most brutal but little-known dictators, from his early life in Japanese Korea to the lasting repercussions of his autocratic rule today. Tertitskiy showcases Kim's political prowess in gaining autonomy from the USSR; explores how his inept economic policy led to catastrophic famine; and highlights how he implemented a system of hereditary rule, paving the way for today's 'Supreme Leader', Kim Jong-un, to assume power and continue his grandfather's vision.</p><p><i>Accidental Tyrant </i>serves as a stark cautionary tale, underscoring that the triumph of liberty is never guaranteed. Met with insufficient resistance, even the most unlikely leader can build a regime of repression and privation that long outlives its founder.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In <i>Alchemy of Chaos</i>, Christine Owenell offers a radical guide for harnessing the power of the unknown by applying alchemical principles to the chaotic gauntlets of modern leadership and soulful flourishing.</p><p>Chaos. Destruction. Disorder. Confusion. It's everything most try to avoid.</p><p>But should it be? Are you willing to entertain another perspective? As a sought-after executive advisor to visionary leaders and power brokers in business, entertainment, and culture, Christine Owenell explores an unconventional approach to leadership that utilises chaos  both internal and external  as a tool to support growth, expand perspective, and hone mastery.</p><p>Her debut book, <i>Alchemy of Chaos</i>, aims to crystalise and develop what is required to lead in times of uncertainty. It reframes chaos as an essential natural phenomenon that can be leveraged to create new pathways of thought, action, and possibility.</p><p>Drawing upon archetypal psychology, ancient wisdom, ontological philosophy, and personal insights, she posits that a full embrace of the turbulent unknown will drive our evolution as individuals and as a society.</p><p><i>Alchemy of Chaos</i> is a book brimming with the possibility of a robust experience found within unexpected avenues. It guides you through an exploration of these avenues so you may mobilise your best resources and walk your unique path of self-actualisation no matter the circumstances.</p><p>Learning how to harness the power of the unknown is fundamentally transformative. On this pathway, you discover that true innovation happens in provocative ways, and that to create from beyond the known, you must first see what is here. This is a journey of paradox and perspective.</p><p>Mystery activates us. Contrast defines us. Wonder moves us. All these things are the fabric of chaos.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The book of the Sky Original miniseries, starringColin Firthas Jim Swire and directed by Otto Bathurst.</p><p>The destruction of Pan Am Flight 103 over the Scottish town of Lockerbie in December 1988 was the largest attack on Britain since World War Two. 259 passengers and 11 townsfolk of Lockerbie were murdered. Libyan Abdelbaset al-Megrahi was convicted of the crime. He maintained his innocence until his death in 2012.</p><p>Among the passengers was Flora, beloved daughter of Dr Jim Swire. Jim accepted American claims that Libya was responsible, but during the Lockerbie Trial he began to distrust key witnesses and supposed firm evidence. Since then it has been revealed that the USA paid millions of dollars to two central identification witnesses, and the only forensic evidence central to the prosecution has been discredited.</p><p>The book takes us along Dr. Swire's journey as his initial grief and loss becomes a campaign to uncover the truth behind not only a personal tragedy but one of the modern world's most shocking events.</p><p>'A shattering tale of grief and love' Daily Mail</p>]]></Text>
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			<Text textformat="02"><![CDATA[A vivid, powerful portrayal of the Rohingya in exile, from an award-winning reporter.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Bread &amp; Roses Award, 2024 Radical Publishing**</b></p><p><b>**Longlisted, Moore Prize for Human Rights Writing, 2023**</b></p><p>Rohingya men, women and children have been fleeing their homes for forty years. The tipping point came in August 2017, when almost 700,000 were wrung from Myanmar in a single military operation. Today, very few members of this Muslim minority remain in the country. Instead, they live mostly in Bangladesh's refugee camps; or precariously in Malaysia, India, Thailand, Saudi Arabia and elsewhere.</p><p>With the Rohingya almost entirely in exile,<i> I Feel No Peace</i> is the first book-length exploration of their lives abroad, drawing on hundreds of hours of interviews and long-standing relationships within the diaspora. Kaamil Ahmed speaks to the families of snatched children, and people kidnapped to feed the human trafficking nourished by Rohingya suffering. Most disturbingly, he reveals the complicity of NGOs and the UN in the refugees' plight.</p><p>But Ahmed also uncovers resilience and hope; stories of how a scattered community survives. The lives uncovered in<i> I Feel No Peace</i> are complex, heart-breaking and unforgettable.</p><p>'<b>This book goes to the heart of the eternal and under-reported suffering of the Rohingya. Forced out of what once was Burma and now is Myanmar, most are in exile in Bangladesh and beyond. An important story of our times.'  Jon Snow</b></p><p><b>'This book paints a deep, complicated and appalling picture: of one million people who have fled danger but now face immense risks from those they thought would protect them. While documenting the harm done by the UN and the Bangladeshi state, Ahmed humanises those normally dehumanised  the refugees.'  Aditya Chakrabortty,</b> <b><i>The Guardian</i></b></p><p><b>'A haunting and poetic, yet incisive and grounded, account of the tragedies that have befallen the Rohingya, of the realities of a people living almost entirely in exile, and of their struggles to maintain dignity and hope in the face of persecution and betrayal.'  Kenan Malik, author, broadcaster and</b> <b><i>Observer</i></b> <b>columnist</b></p><p><b>'Kaamil Ahmed's book fills a glaring void in the literature on one of the world's worst examples of cruelty and dispossession. It promises to bring much-needed attention to the catastrophe of the Rohingya and deserves to be widely read.'  Christopher Lamb, President, Australia Myanmar Institute</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kaamil Ahmed</b> is a journalist at <i>The Guardian</i>, covering international development, who previously lived in and reported from Jerusalem, Bangladesh and Turkey. Kaamil was born in East London and studied at Queen Mary University of London. This is his first book.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Clifford A. Pickover</b> has published more than 50 books, translated into a dozen languages, on topics ranging from science and mathematics to religion, art, and history. He received his PhD degree from Yale University, has been granted more than 800 US patents, and has more than 180,000 X (formerly Twitter) followers. For many years, he was an IBM researcher and inventor and editor-in-chief of the IBM Journal of Research and Development. He is the author of many other books including <i>Death and the Afterlife, The Physics Book</i>, and <i>The Math Book</i>, which won the Neumann Prize. Clifford lives in New York.</p>]]></Text>
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			<SubjectHeadingText>Academie; Ancient; Antiquity; Breton; Britons; Brittany; Celtic; Celticism; Celts; Century; Classical; Comparative; Congress; Cultural; Culture; Des; Druids; Edwards; Eighteenth; Essay; Family; Fournier; Gaelic; Gaulish; Gauls; Germanic; Germans; Greek; Highlands; Historical; History; Indo; Iolo; Land; Language; Latin; League; Leibniz; Letter; Lhwyd; Linguistic; Literature; Macpherson; Material; Nationalist; Nations; Origins; Ossian; Pan; Pezron; Philology; Poems; Poetry; Prichard; Racial; Religion; Religious; Roman; Scholars; Scholarship; Scientific; Scots; Scottish; Sources; Studies; Thomas; Tradition; Wales; Welsh; William</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A new history of the Celts that reveals how this once-forgotten people became a pillar of modern national identity in Britain, Ireland, and France</b></p><p>Before the Greeks and Romans, the Celts ruled the ancient world. They sacked Rome, invaded Greece, and conquered much of Europe, from Ireland to Turkey. Celts registered deeply on the classical imagination for a thousand years and were variously described by writers like Caesar and Livy as unruly barbarians, fearless warriors, and gracious hosts. But then, in the early Middle Ages, they vanished. In <i>The Celts</i>, Ian Stewart tells the story of their rediscovery during the Renaissance and their transformation over the next few centuries into one of the most popular European ancestral peoples.</p><p><i>The Celts</i> shows how the idea of this ancient people was recovered by scholars, honed by intellectuals, politicians, and other thinkers of various stripes, and adopted by cultural revivalists and activists as they tried to build European nations and nationalisms during the eighteenth and nineteenth centuries. Long-forgotten, the Celts improbably came to be seen as the ancestors of most western Europeans  and as a pillar of modern national identity in Britain, Ireland, and France.</p><p>Based on new research conducted across Europe and in the United States, <i>The Celts</i> reveals when and how we came to call much of Europe 'Celtic', why this idea mattered in the past, and why it still matters today, as the tide of nationalism is once again on the rise.</p>]]></Text>
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			<Text textformat="02"><![CDATA[In this deeply personal book, the last one she wrote before her death in 2018, Deborah Bird Rose explores the shimmer of life - the iridescent pulse of beauty and power, the processes of transition and transformation - that flows across and between generations, grounded in her work with flying foxes in Australia.]]></Text>
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			<Text textformat="02"><![CDATA[<p>I was called to flying-foxes. My research questions led me into multispecies ethnographic work involving wildlife carers and academically trained scientists in eastern Australia. The people I met were at the front line in the work of holding flying-foxes back from the edge of extinction. I continued to visit the north, and I revisited my notebooks from several decades of research with Aboriginal people. </p><p>The research was exhilarating, and then again at times deeply disheartening. I was to encounter more passion, intimacy, cruelty, horror, complexity, generosity and wild beauty than I could ever have imagined. Living with flying-foxes, I came to understand, takes us straight to the heart of every big question facing Earth life in the 21st century.' </p><p>In this deeply personal book, the last one she wrote before hear death in 2018, Deborah Bird Rose explores the shimmer of life  the iridescent pulse of beauty and power, the processes of transition and transformation  that flows across and between generations. Grounded within this insight, she develops and advocates for an ethics of attention that is in the world within everyday practices, and in this case for and with flying foxes and their worlds.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Deborah Bird Rose (1946-2018) was a world-renowned anthropologist and leading figure in the emergence and shaping of the interdisciplinary environmental humanities. Over the course of a career spanning almost 40 years, Rose published many widely read, cited, award-winning and often-reprinted books, including<i> Hidden Histories</i> (1991),<i> Dingo Makes Us Human</i> (1992), <i>Nourishing Terrains</i> (1996),<i> Country of the Heart</i> (2002), <i>Reports from a Wild Country </i>(2004) and <i>Wild Dog Dreaming</i> (2011). She also edited numerous significant volumes, including<i> Aboriginal Australians and Christian Missions</i> (1988), <i>Manifesto for Living in the Anthropocene</i> (2015), and <i>Extinction Studies</i> (2017), and co-founded the journal Environmental Humanities. Through this work Rose made major contributions in a range of important fields: from the environmental humanities, and the anthropology of indigenous Australia, to extinction studies, animal and multispecies studies, and philosophies of ethics, justice, religion, temporality and place. Rose was a Fellow of the Australian Social Sciences Academy (ASSA) and was for most of her career based at the Australian National University (1995-2008) and Macquarie University (2008-2013).</p>]]></Text>
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			<Text textformat="02"><![CDATA[Inspired by poets from John Donne to Hlderlin, and philosophers from Nietzsche to Heidegger,Scottish poet Kenneth White and Australian philosopher Jeff Malpasreflect onthe world, place, narrative, language and politics. The volume closes with a set of three new philosophical poems by White.]]></Text>
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			<Text textformat="02"><![CDATA[<p>The Scottish poet Kenneth White and the Australian philosopher Jeff Malpas came together by chance when Malpas heard an interview with White on ABC radio. Malpas contacted White, and from there they exchanged books and ideas. They arranged to meet at White's place on the Breton coast, where a conversation about poetry and philosophy developed over four days. Inspired by poets from John Donne to Hlderlin, and philosophers from Nietzsche to Heidegger, they discussed the world, place, narrative, language and politics. This book records that conversation.</p><p><i>The Fundamental Field</i> is made up of two essays: the first is by White on Malpas; the second is by Malpas on White. The volume closes with a set of three new philosophical poems by White.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jeff Malpas </b>is an Australian philosopher and is currently Emeritus Distinguished Professor at the University of Tasmania in Hobart and Distinguished Visiting Professor at LaTrobe University in Melbourne. He was founder, and until 2005, Director, of the University of Tasmania's Centre for Applied Philosophy and Ethics. His work is grounded in post-Kantian thought, especially the hermeneutical and phenomenological traditions, as well as in analytic philosophy of language and mind, and draws on the thinking of a diverse range of thinkers and writers including, most notably, Albert Camus, Donald Davidson, Martin Heidegger and Hans-Georg Gadamer. A Fellow of the Australian Academy of Humanities, he is the author, among other works, of <i>Place and Experience</i> (Routledge, 2018) and <i>Heidegger's Topology</i> (MIT, 2006). He lives in the Huon Valley in Tasmania.</p><p><b>Kenneth White</b> was a Scottish poet, academic and writer. He published numerous works of poetry and prose, with volumes and essays in French as well as English. His work has also been translated into several languages. He was the recipient of many awards and honours, in Europe and Scotland, including the Grand Prix du Rayonnement Francais by the Academie francaise for his work as a whole (1985), the douard Glissant prize from the University of Paris VIII for his 'openness to the cultures of the world' (2004) and Prix de poesie Alain Bosquet for Les Archives du Littoral, a bilingual poetry collection (2011).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Draws together the voices of 102 well-known academics, poets, writers, faith leaders and singers, alongside ordinary Palestinians in North America and the United Kingdom, to explore in heartfelt personal reflections what it means to be Palestinian in diaspora.</b></p><p>How does it feel when you cannot find Palestine under 'P' in the encyclopaedia your father brings home? Why cultivate fig and orange trees in the Arizona desert? What does it mean to know every inch of a village you have never seen, a village that no longer exists?</p><p>In this groundbreaking volume, 102 Palestinians in North America and the United Kingdom reflect in their own words on what it means to be Palestinian in the diaspora. Men and women, young and old, Christians and Muslims, including well-known academics, poets, writers, faith leaders and singers, reveal their tangled ties to 'home' and 'homeland', exploring how Palestine in the diaspora can be both lost and found, bereaved and celebrated, lived and longed-for.</p><p>Touching, often troubling, but full of character and wit, the reflections in <i>Being Palestinian</i> offer a radically fresh look at the modern Palestinian experience in the West. And the time-honoured issues of identity, exile and diaspora give acute sense to these very personal reflections </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Professor <b>Yasir Suleiman</b> is the first holder of His Majesty Sultan Qaboos Bin Sa'id Chair of Modern Arabic Studies and a Fellow of King's College, Cambridge. His many published works include <i>A War of Words: Language and Conflict in the Middle East </i>(2004), <i>The Arabic Language and National Identity: A Study in Ideology</i> (2003), <i>The Arabic Grammatical Tradition: A Study in Tal'liil </i>(1999), <i>Literature and Nation in the Middle East</i> (edited with Ibrahim Muhawi, 2006), <i>Language and Society in the Middle East and North Africa </i>(editor, 1999), <i>Arabic Grammar and Linguistics</i> (editor, 1998), <i>Language and Identity in the Middle East and North Africa </i>(editor, 1996) and <i>Arabic Sociolinguistics: Issues and Perspectives</i> (editor, 1994).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Considers the ways ghost stories appeal to our uneasy relationship with conventional good sense.</b></p><p>What do they want, the ghosts that, even in the age of science, still haunt our storytelling? Catherine Belsey's answer to the question traces Gothic writing and tales of the uncanny from the ancient past to the present  from Homer and the Icelandic sagas to <i>Lincoln in the Bardo</i>.</p><p>Taking Shakespeare's Ghost in <i>Hamlet</i> as a turning point in the history of the genre, she uncovers the old stories the play relies on, as well as its influence on later writing. This ghostly trail is vividly charted through accredited records of apparitions and fiction by such writers as Ann Radcliffe, Washington Irving, Emily Bronte, Nathaniel Hawthorne, Henry James, M. R. James and Susan Hill. In recent blockbusting movies, too, ghost stories bring us fragments of news from the unknown.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Catherine Belsey</b> was a critic and cultural historian. After an academic career at Cambridge, Cardiff and Swansea, she visited the University of Derby for discussions with the students. She lived in Cambridge and chaired a range of reading groups in the area on an occasional basis. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An entertaining and comprehensive compendium packed with fascinating trivia, delightful oddities, and compelling stories that will captivate photographers of all levels and interests!</b></p><p>Dive into photography's rich heritage with <i>A Brief History of Photography</i>, an engaging almanac-style book that offers far more than just the typical and dry historical accounts of the genre. With more than 400 fascinating trivia entries and delightfully odd anecdotes, this book breathes life into the background details, stories, and personalities behind the cameras and processes we know and love.</p><p>Meticulously researched and written over two decades, this thoroughly entertaining and highly readable book provides an understanding of photography's evolution, from its beginnings going as far back as the 16th century all the way up to the modern day. Whether you're dipping into the book for just a few minutes or sitting down for an afternoon of reading, you'll explore the seminal cameras, lenses, and chemical processes that paved the way, as well as the visionary inventors, influential magazines, and significant photographers who made photography what it is today.</p><p>Profusely illustrated with both photographs and line drawings, <i>A Brief History of Photography</i> is an essential addition to any photographer's library. Whether you're a seasoned professional, an avid enthusiast, or simply someone who appreciates the magic of capturing images with your smartphone, this book offers an entertaining and educational look into the genre's rich history. The perfect gift  for either yourself or the photographer on your list  <i>A Brief History of Photography</i> is a must-have for anyone seeking to deepen their understanding and appreciation of this extraordinary art form.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Canadian photographer <b>David S. Young</b>has been behind a camera since the early 1960s, capturing images in 34 countries. His articles and photographs have appeared in numerous newspapers and magazines, in both Canada and the USA, while his photographs grace walls from the Ukraine to Abu Dhabi to Tasmania. David has been a guest speaker and presenter at photographers' conventions in Germany, across the USA and, of course, his native Canada. He has judged the National Nature and National Open competitions for CAPA (The Canadian Association for Photographic Art) and has served on the board of the International Leica Society.</p><p>Now retired, he has found time to write and lives with his wife, dog, and two cats in Logan Lake, BC, Canada.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The ultimate guide to learning how to capture action and dynamic movement in figure drawings.</b></p><p>A vital step in developing drawing skills, gesture drawing helps aspiring artists get more comfortable with studying the human body and learning how to depict its connections, curves, and movements. Noted drawing instructor and best-selling author Michael Hampton shares all the secrets for developing gesture and figure drawing skills.</p><p>Geared towards the novice and experienced artist alike, this book aims to clarify and explain the ambiguous concept of gesture drawing. Pulling from formal principles of line, rhythm, shape, and perspective, Gesture Drawing slows down the often rapidly executed practice of gesture and clarifies each step. Featuring examples and a wide range of exercises, this book will help anyone become a stronger and more confident artist.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A collection of more than 300 quotes from Dwayne 'The Rock' Johnson: pro wrestling phenom, actor, businessman, and cultural icon, providing a unique look into the mind of one of the most recognisable and influential figures of our era. Part of the <i>In Their Own Words </i>series.</p><p>This collection of quotes has been curated from Dwayne Johnson's numerous public statements  interviews, social media posts, television appearances, and more. It's a comprehensive picture of his legacy as one of the world's most recognisable and influential celebrities. The quotes in this collection touch on football, wrestling, Hollywood, building a business, heritage, activism, and more.</p><p>Johnson, a third-generation wrestler, rose to prominence in the late 1990s as one of the most electrifying and charismatic performers in the history of professional wrestling. Debuting in the World Wrestling Federation (WWF, now WWE) as Rocky Maivia, he quickly gained attention for his athleticism, microphone skills, and larger-than-life persona. Embracing the moniker 'The Rock', he became a cornerstone of the Attitude Era, and his unparalleled ability to connect with audiences propelled him to multiple WWE Championships. His catchphrases and signature moves became iconic in wrestling lore and garnered mainstream attention beyond the world of wrestling as well.</p><p>After achieving superstardom in the ring, Johnson transitioned to Hollywood, eventually becoming one of the highest-paid actors in the world and starring in blockbuster films including <i>The Mummy</i> and <i>Jumanji</i>, as well as appearing in DC Comics franchise films and voicing Maui in the Disney hit <i>Moana</i>, a nod to his Samoan heritage that he proudly touts as central to his identity. Beyond acting, he has built a business empire that spans multiple enterprises, including a production company, a premium tequila brand, sportswear, and a digital content platform.</p><p>Johnson's entrepreneurial spirit and versatility beyond his entertainment career earned him a nod as one of <i>Time</i>'s 100 Most Influential People in 2019. Now, <i>Dwayne "The Rock" Johnson: In His Own Words</i> offers a unique look into the mind of one of the world's most captivating and beloved personas.</p>]]></Text>
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			<SubjectHeadingText>East New York; Killing Fields; NYPD; New York City; beth macy; brooklyn; brooklyn history; by america; cold case; community; conspiracy; crime; discrimination; dopesick; empire of pain; gillian flynn; gillian flynn books; government; housing; investigation; investigative journalism; matthew desmond; murder; mystery; neighborhood; new york history; nonfiction; patrick radden keefe; poverty; poverty,; redlining; reportage; richard rothstein; segregation; social justice; the color of law; the invisible child; true crime; urban development; white-collar crime</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>In this groundbreaking work of investigative journalism and true crime, Stacy Horn sheds light on how the subprime mortgage scandal of the 1970s and a long history of white-collar crime slowly devastated East New York, a Brooklyn neighbourhood that would come to be known as the Killing Fields.</p><p>On a warm summer evening in 1991, seventeen-year-old Julia Parker was murdered in the Brooklyn neighbourhood of East New York. An area known for an exorbitant level of violence and crime, East New York had come to be known as the Killing Fields. In the six months after Julia Parker's death, 62 more people were murdered in the same area. In the early 1990s, murder rates in the neighbourhood climbed to the highest in NYPD history. East New York was dying.</p><p>But how did this once thriving, diverse, family neighbourhood fall into such ruin? The answer can be found two decades earlier. In response to redlining and discriminatory housing practices, the Johnson administration passed the Housing and Urban Development Act in 1968. The Federal Housing Authority aimed to use this piece of legislation to help low-income families of colour finally achieve homeownership. But they could never have predicted how banks, lenders, realtors, and corrupt FHA officials themselves would use the newly passed law to make victims of the very people they were supposed to help, and the devastation they would leave in their wake.</p><p>A compulsively readable hybrid of true crime and investigative journalism, <i>The Killing Fields of East New York</i> reveals how white-collar crime reduced a prospering neighbourhood to abandoned buildings and empty lots. Following the dual threads of the hunt for the network of criminals behind the first subprime mortgage scandal and the ensuing downfall of East New York, Stacy Horn weaves a compelling narrative of government failure, a desperate community, and ultimately the largest series of mortgage fraud prosecutions in American history. <i>The Killing Fields of East New York</i> deftly demonstrates how different types of crime are profoundly entangled, and how the crimes committed in nice suits and corner offices are just as destructive as those committed on the street.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Stacy Horn</b> is a journalist and author of nonfiction books, including <i>Damnation Island: Poor, Sick, Mad &amp; Criminal in 19th Century New York</i> and <i>The Restless Sleep: Inside New York City's Cold Case Squad</i>. Her last book, described on<i> The Bowery Boys</i> podcast as 'your page-turning horror read for the summer', turned out to be excellent preparation for the horror read she was to write next. Mary Roach has hailed her for 'combining awe-fueled curiosity with topflight reporting skills', while others have described her work as 'immaculately researched' and 'several notches above the typical reporter's insights'. Horn's commentaries have been heard on NPR's <i>All Things Considered</i>, and she lives in New York City.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A revelatory collection of the artist's sketches and preparatory drawings, featuring many that have never been published before</b></p><p>The great Russian modernist painter and theorist Wassily Kandinsky was one of the pioneers of abstraction in Western art. Few documents provide more insight into his evolution from figural to abstract art  or into the development of abstraction in the early twentieth century  than the pages of his sketchbooks. Featuring previously unpublished drawings, <i>Wassily Kandinsky: The Sketchbooks</i> is a comprehensive selection of hundreds of sketches from twelve notebooks Kandinsky kept between 1889 and 1935. Beginning with early figure studies, architectural sketches, and landscapes, the notebooks reveal a process of exploration that would lead Kandinsky from his first experiments in geometric abstraction to paintings that reshaped modernism.</p><p>Demonstrating Kandinsky's mastery of colour, line, shape, composition, and movement, the book includes notes and preparatory studies for major paintings, such as the 'analytical drawing' for <i>Composition VII</i> (1913), the first study for <i>Several Circles</i> (1926), and <i>Study for Composition IX</i>, a preliminary working of his 1936 masterpiece. Visually stunning, the book offers a remarkable, intimate look at how Kandinsky sought to discover nothing less than a spiritually transcendent form of art.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Wassily Kandinsky</b> (1866-1944) was a Russian painter and art theorist and one of the pioneers of pure abstraction in early twentieth-century art. </p><p><b>Larry Warsh</b> has been active in the art world for more than thirty years as a publisher and artist-collaborator, and was a founding member of the Basquiat Authentication Committee. He is the editor of the ISMs series, including <i>Holzer-isms</i> and <i>Abramovi-isms</i>, as well as Basquiat's <i>The Notebooks</i> and <i>James Rosenquist: Collages, Drawings, and Paintings in Process</i> (all Princeton), among many other books. </p><p><b>Dieter Buchhart</b> is a curator and art critic who has organised exhibitions at museums around the world, including the Guggenheim Bilbao, Fondation Louis Vuitton, and Musee d'Art Moderne de Paris. He writes frequently for <i>Kunstforum International.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Character Design Quarterly (CDQ)</i></b><b> is a lively, creative magazine bringing inspiration, expert insights, and leading techniques from professional illustrators, artists, and character art enthusiasts worldwide.</b></p><p>Each issue provides detailed tutorials on creating diverse characters, enabling you to explore the processes and decision making that go into creating amazing characters. Learn new ways to develop your own ideas, and discover from the artists what it is like to work for prolific animation studios such as Disney, Warner Bros., and DreamWorks.</p><p>This issue's cover is provided by incredible artist Feefal, who has worked with us many times before (including on her own Art Of book). Johanna Forster takes us inside her sketchbook, sharing how she uses real-world references to build up a library of character ideas. Sheryl Yap has a collection of tips for how to make original and effective character turnarounds, a crucial skill for working as a designer at animated-film studios. David Ardinaryas Lojaya, Art Director of the hit game Coral Island, talks to us about creating characters for video games and his professional design process.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Feefal (aka Linnea Kikuchi)</b>, is a Swedish-Japanese artist based in Stockholm. Well-known on Instagram as @feefal, she has amassed an incredible 1.1M followers. This is where she shares her art on a regular basis and interacts with her fans who love her stylised characters, created and painted in Procreate or more traditional mediums such as gouache. Feefal also draws using graphite, meaning her portfolio is filled with examples of different media used to create her much-loved style, described as a mix of cute and spooky.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Befriend the plants in your neighbourhood.</p><p>Imagine going for a walk with a knowledgeable friend who points out all the plants you see and the coolest facts about them. This practical field guide is that friend, providing a delightful introduction to 60 of the plants, trees, weeds, and herbs you'll encounter walking around most US cities.</p><p>Accurate, charming line drawings accompany detailed yet accessible botanical information about each plant that helps you easily identify it in all seasons. You'll also learn each plant's backstory, including its relatives, origins, historical uses, and other fun facts.</p><p>Getting to know the plants you meet every day will help you strengthen your sense of place, improve your foraging game, make new botanical and herbal friends, and marvel at the life that is all around us.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Create healthy relationships, identify key conflict resolution tools, and build a healthy, emotionally regulated, and impostor syndromefree family with help from authors Lisa and Richard Orbe-Austin, recently featured on the <i>Today Show</i>.</p><p>Emotional regulation is key to becoming a better parental figure for every member of your family. Discover the tools to successfully regulate those emotions so you can work with and nurture your child from the very beginning until they are independent (or interdependent) from you, continuing to grow into a person who trusts themselves and is unafraid of impostor syndrome.</p><p><i>Your Child's Greatness</i> will act as a manual to the principles and skills that are critical in the development of healthy self-esteem in children, including:</p><ul><li>An ability to develop an internal sense of validation and self</li><li>The skills to handle critical feedback with an aim toward growth</li><li>A focus on collaboration and building community around them</li><li>A lack of fear around who they are, what they want, and the journey that they are on</li><li>And so much more.</li></ul><p>From expert authors Lisa and Richard Orbe-Austin comes an honest, reliable, and nurturing guide that makes sure every parent and guardian has the tools they need to raise their children without impostor syndrome.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr. Lisa Orbe-Austin </b>is a licensed psychologist and executive coach. She earned her doctorate in counseling psychology from Columbia University. Her expertise on impostor syndrome is regularly sought by the media and she has appeared in outlets such as <i>Financial Times</i>, the <i>Today Show, Good Morning America, Forbes, Huffington Post</i>, and <i>Refinery29</i>. She has also been honored twice as a Top Voice on LinkedIn in the areas of Job Search and Careers and Mental Health. Dr. Orbe-Austin has been an invited speaker at various national conferences. She recently gave a TEDx talk entitled 'The Impostor Syndrome Paradox: Unleashing the Power of You'.</p><p>Trained as a clinician and researcher, her work is focused on providing practical, achievable results through research-backed science. She is a contributor to The American Psychological Association's volume on Imposter Phenomenon entitled <i>The Impostor Phenomenon: Psychological Research, Theory, and Interventions</i> (APA Press, 2024).</p><p>Her first book, <i>Own Your Greatness: Overcome Impostor Syndrome, Beat Self-Doubt, and Succeed in Life </i>(Ulysses Press, 2020) coauthored with her partner, Dr. Richard Orbe-Austin, was released in April 2020. Their book was a finalist for the Foreword INDIES Book Award. Her second book, <i>Your Unstoppable Greatness: Break Free of Impostor Syndrome, Cultivate Your Agency, and Achieve Your Ultimate Career Goals </i>(Ulysses Press, 2022) is focused on dealing with the systemic dynamics in workplaces and cultures that keep impostor syndrome in place and how to directly combat those dynamics.</p><p><b>Dr. Richard Orbe-Austin</b> is a licensed psychologist, executive coach, and consultant. He earned his PhD in counseling psychology from Fordham University's Graduate School of Education and his BA in psychology from NYU.  In his practice, Dr. Orbe-Austin works with executives, senior leaders, and mid-career professionals to overcome impostor syndrome, identify their best-fit career options, advance their career goals, and strengthen their leadership skills. He also regularly consults to academic institutions, corporations, and nonprofit organisations on issues related to leadership, diversity, equity and inclusion, anti-racist practice, burnout prevention, impostor syndrome, and creating healthy workplaces. </p><p>Dr. Orbe-Austin's opinions and writings have appeared in a variety of publications and academic journals, including<i> Forbes, Fast Company, ThriveGlobal, Diversity Executive, </i>the <i>Journal of Multicultural Counseling &amp; Development and the Handbook of Racial-Cultural Counseling and Psychology</i>. He is a TEDx speaker and the author of the book <i>Own Your Greatness: Overcome Impostor Syndrome, Beat Self-Doubt, and Succeed in Life</i> (Ulysses Press, 2020), coauthored with his partner, Dr. Lisa Orbe-Austin. The goal of the book is to provide a systematic formula to eliminate impostor syndrome and to assist readers to own their talents and power in order to fully realise their goals and lead a more balanced life. It was a Foreword INDIES Book Award Finalist. His second book<i> Your Unstoppable Greatness: Break Free from Impostor Syndrome, Cultivate Your Agency, and Achieve Your Ultimate Career Goals</i> (Ulysses Press, December 2022), also coauthored with his partner, focuses on how to sustain your impostor syndrome-free life, reduce burnout, and improve healthy leadership skills while conquering toxic work cultures. He is also a contributor to the American Psychological Association's volume on impostor phenomenon, entitled <i>The Impostor Phenomenon: Psychological Research, Theory, and Interventions</i> (APA Press, March 2024). </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Told with unflinching honesty and a touch of gallows humour, <i>Clay and Bones</i> is the personal memoir of the first female forensic sculptor in the FBI. </p><p>Lisa Bailey never considered a career working in death until she saw the FBI job posting for a forensic artist. The idea of using her artistic skill to help victims of crime was too compelling to pass up. </p><p>Soon she was documenting crime scenes, photographing charred corpses, and digitally retouching the disembodied heads of suicide bombers. But it was facial approximation  sculpting a face from the remnants of an unidentified victim's skull  that intrigued her the most. Bailey knew that if she could capture that person's likeness in clay, she just might help them be identified, and that might help law enforcement track down their killer. </p><p>Bailey worked on hundreds of cases and grew to become a subject matter expert in the field. It was the most challenging and fulfilling work she could have imagined, and she never thought of leaving. But her life changed when she became the target of sexual discrimination and harassment. She was stunned when FBI management protected the abusers and retaliated with threats, slander, and an arsenal of lawyers. Trapped in an increasingly hostile work environment, and infuriated at the hypocrisy of the FBI's tactics, Bailey decided to fight back. </p><p><i>Clay and Bones</i> is a memoir with a mission, and a fascinating exploration into the surreal and satisfying work of a forensic artist.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The poignant and very human drama of a 1914 maritime disaster that claimed the lives of more passengers than the Titanic.</b></p><p> On May 28, 1914, the RMS Empress of Ireland began her 192nd trip across the Atlantic from Quebec City, Canada, en route to Liverpool, England, carrying 1,056 passengers and a crew of 423. In the early hours of May 29, fog descended on the St. Lawrence River, and the ocean liner was rammed by the Storstad, a Norwegian coal ship. In the fourteen minutes it took for the Empress of Ireland to sink, there was time to launch only four of the forty lifeboats, and rather than women and children first, it was everyone for themselves. </p><p>Over a thousand people died that night, claiming the lives of more passengers than either the Titanic or the Lusitania, and the tragedy stands as the worst maritime disaster during peacetime in Canadian history. </p><p>Investigative journalist and author Eve Lazarus draws on a trove of historical documents, including small-town newspaper reports, the Wreck Commissioner's Inquiry, and first-hand accounts passed down through personal letters and family lore, to tell the story of the wreck and its aftermath through the eyes of the survivors. Through these records, as well as interviews with experts and descendants of the passengers, Lazarus recounts the story from both a Canadian and a Norwegian perspective and investigates why many of the accounts regurgitated in newspapers and books for over a hundred years are wrong. The result is an absorbing and utterly stirring narrative that uncovers tales of heroism and sacrifice, human endurance, and modern-day shipwreck hunters. </p><p><i>Beneath Dark Waters</i> is an epic chronicle that restores the Empress of Ireland  largely forgotten in the shadow of the Titanic disaster  as well as its survivors and victims to their rightful place in maritime history. With black-and-white photos.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The term 'Asian century' was first coined by the US Senate Foreign Relations Committee in 1985 when discussing the Asian economic leap forward. From 1988, diplomats and the media also started using the term, further to the successful Deng Xiaoping-Rajiv Gandhi summit held that December in Beijing, for which Vappala Balachandran, under Prime Minister Gandhi's express directions, led a small team of officials for more than a year of discreet 'off-line' talks with key Chinese counterparts  separate from the official diplomatic engagement.</p><p>The Chinese-Indian thaw, which lasted until 1998, prompted highly optimistic visions of a 'China-India Century of Cooperation' enabling both powers to compete with the US and EU in terms of trade and military capacity. None of this happened, and instead the China-India relationship is highly rancorous, punctuated by trade spats and border skirmishing between the People's Liberation Army and the Indian Army. New Delhi has gravitated towards the US in the hope of checkmating an assertive Beijing's pursuit of global military and trade dominance. This book offers a comprehensive analysis of India and China's comparative strategic capabilities, sharing many insights drawn from the author's first-hand engagement with and research into the questions discussed.</p><p><i>The opinions expressed in this book are personal and do not represent those of the Government of India.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Like its African neighbours, Eritrea attained colonial statehood under a European power, in this case Italy. Yet, during decolonisation, its people were singularly excluded from the right to self- determination, for external reasons: superpower rivalry over the country's strategic position on the Red Sea; a mistaken notion of irreconcilable sectarian differences within Eritrea's population, invoked in order to brand it a society unfit for statehood; and Ethiopia's imperial claim, based on mythical historical connections.</p><p>The Ethiopian call for Eritrea's return, supported by the UK and the US, sealed its fate at the international level. First, in the early 1950s, the UN General Assembly federated Eritrea as an autonomous unit under Ethiopian sovereignty; a decade later, Addis Ababa annexed it as a province  in neither case was the population consulted, sparking a liberation war.</p><p>This vital book traces the genesis of the Eritrean independence struggle through hitherto unexplored local sources, both written and oral, analysed against the rather scanty existing literature on this period. Alemseged Tesfai refocuses the narrative on the actions, reactions and expectations of a relatively small nation, in both size and population, as it set out to right an international wrong, imposed by the Great Powers of the day.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Internationally renowned philosopher Giorgio Agamben's bold redefinition of methodological inquiry into the human sciences</b></p><p><i>The Signature of All Things</i> is Giorgio Agamben's sustained reflection on method. To reflect on method implies for Agamben an archeological vigilance: a persistent form of thinking whose path is to expose, examine, and elaborate that which remains obscure, unthematised, even unsaid, in an author's thought. To be archeologically vigilant, then, is to return to, even invent, a method attuned to a 'world supported by a thick plot of resemblances and sympathies, analogies and correspondences.'</p><p>The range of authors and of topics Agamben collects in this slim but dense volume exemplifies this search to create a science of signatures that exceeds either a semiology or hermeneutics vainly attempting to determine the pure and unmarked signs that signify univocally, neutrally, and eternally.</p><p>Three conceptual figures organise this treatise and the advent of Agamben's own new method: the paradigm, the signature, and archeology. Each chapter is devoted to an investigation of one of these concepts whose genealogy Agamben carefully constructs transhistorically and from an interdisciplinary perspective. And at each moment of the text, Agamben pays tribute to Michel Foucault whose methods he rethinks and effectively uses to reformulate the logic of the concepts he isolates. <i>The Signature of All Things</i> reveals once again, how and why, Agamben is one of the most innovative thinkers writing today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Few composers have enjoyed such critical acclaim  or longevity  as Jean Sibelius, who died in 1957 aged 91. Always more than simply a Finnish national figure, an 'apparition from the woods' as he ironically described himself, Sibelius's life spanned turbulent and tumultuous events, and his work is central to the story of late nineteenth and early twentieth-century music. This book situates Sibelius within a rich interdisciplinary environment, paying attention to his relationship with architecture, literature, politics and the visual arts. Drawing on the latest developments in Sibelius research, it is intended as an accessible and rewarding introduction for the general reader, and also offers a fresh and provocative interpretation for those more familiar with his music.</p><p><b>'A brief, thoughtful biography [and] a welcome addition to the literature on a creative master who continues to stand apart.'  Tim Page,</b> <b><i>Wall Street Journal</i></b></p><p><b>'A wide-ranging yet taut narrative, in which the musical works are balanced with the life story. And while this is far from the first Sibelius biography, [Daniel M. Grimley] adds something new by meticulously drawing on relevant cultural, artistic, historical and political context.' </b><b><i> BBC Music</i></b><b> magazine</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'The Aramaic translations of Klotz cut through the rote and bring us to the deeper meanings of Jesus's teaching that can still touch our hearts, move our souls, and ignite our action.'  Matthew Fox, author of </b><b><i>Original Blessing</i></b></p><p>Neil Douglas-Klotz, bestselling author of <i>Revelations of the Aramaic Jesus</i>, offers new translations from Jesus's native language in the form of a meditation a day, an oracle, or a guide for a forty-day retreat. Through expansions of Aramaic's multiple meanings as well as guided contemplations, <i>The Aramaic Jesus Book of Days</i> provides a guide to transformation through the way of the prophet. It shows how the deepest teachings of Jesus address contemporary challenges, such as our relationships with nature and each other, as well as the purpose of life itself.</p><p>In short chapters, the book takes up life themes you're facing and offers meditations to address them. Each chapter is introduced with a short saying and keyword of Jesus, heard with 'Aramaic ears', and then proceeds to show how this applies to a life issue today. This book offers a unique perspective on Jesus's teachings that can help you to connect with them on a deeper level and live a more authentic, fulfilling, and compassionate life.</p>]]></Text>
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			<SubjectHeadingText>Cabot Tradition; Copper Cauldron; LBGTQ; LGBTQIA; Salem; Temple of Witchcraft; Will; Wisdom; Witch; Witchcraft; alchemy; astrology; community; empowerment; full moon; gay; healing; herbalism; magic; magick; magickal tradition; modern witch; mystery school; occult; occultism; plants; psychic; queer; ritual; spell work; spiritual connection; spirituality; witchtok</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[In Gay Witchcraft, Penczak's clearheaded theory and practice combine to create a classic book of Witchcraft focused on the perspective of the gay community.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'</b><b><i>Gay Witchcraft</i></b><b> is an opportunity for queer Witches to claim our rightful place in our own magical practices without sacrificing who we truly are, as well as just being a solid introductory book on the Craft...For queer Witches of all stripes, this is our history, these are our stories, and this is something for us to treasure.'  from the foreword by Storm Faerywolf</b></p><p>When Christopher Penczak was introduced to Witchcraft, he found a spiritual path through which he could honour and embrace his homosexuality. In <i>Gay Witchcraft</i>, Penczak's clearheaded theory and practice combine to create a classic book of Witchcraft focused on the perspective of the gay community.</p><p>Penczak's writing has made it much easier for gay, lesbian, bisexual, transgender, and queer people interested in practising any form of Witchcraft. His willingness to share his own personal journey and the foundations that made the Craft accessible allows readers to find their own ways of practice. This book explores the history of Paganism and offers a compendium of spells, meditations, ceremonies, and affirmations that will enrich both the novice and the experienced practitioner seeking out new views of myth, ritual, and healing.</p><p><b>This new Weiser Classics edition replaces a previously published edition. The Weiser Classics series offers essential works and foundational texts from renowned authors and spiritual teachers, as well as introductory guides on an array of topics by contemporary writers and practitioners.</b></p><p><b>Weiser Books, esoteric and occult teachings since 1957.</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Christopher Penczak</b> is an award-winning author, teacher, and healing practitioner. He has written over twenty books, including <i>The Three Rays of Witchcraft, Ascension Magick, Spirit Allies, City Magick, Magick of Reiki</i>, and <i>The Inner Temple of Witchcraft</i>. As an advocate for the timeless wisdom of the ages, Penczak is rooted firmly in the traditions of modern witchcraft and Earth-based religions but draws from a wide range of spiritual traditions. He is a certified herbalist, flower essence practitioner, and avid gardener who sees his relationship with the plant world as a key part of his spiritual practice. For more information visit <i>christopherpenczak.com</i> and <i>templeofwitchcraft.org</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Why human nature is an aesthetic phenomenon  and why we need art and philosophy to understand ourselves.</b></p><p>In <i>The Entanglement</i>, philosopher Alva Noe explores the inseparability of life, art, and philosophy, arguing that we have greatly underestimated what this entangled reality means for understanding human nature.</p><p>Life supplies art with its raw materials, but art, Noe argues, remakes life by giving us resources to live differently. Our lives are permeated with the aesthetic. Indeed, human nature is an aesthetic phenomenon, and art  our most direct and authentic way of engaging the aesthetic  is the truest way of understanding ourselves. All this suggests that human nature is not a natural phenomenon. Neither biology, cognitive science, nor AI can tell a complete story of us, and we can no more pin ourselves down than we can fix or settle on the meaning of an artwork. Even more, art and philosophy are the means to set ourselves free, at least to some degree, from convention, habit, technology, culture, and even biology. In making these provocative claims, Noe explores examples of entanglement  in artworks and seeing, writing and speech, and choreography and dancing  and examines a range of scientific efforts to explain the human.</p><p>Challenging the notions that art is a mere cultural curiosity and that philosophy has been outmoded by science, <i>The Entanglement</i> offers a new way of thinking about human nature, the limits of natural science in understanding the human, and the essential role of art and philosophy in trying to know ourselves.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alva Noe</b> is professor of philosophy at the University of California, Berkeley, where he is a member of the Center for New Media, the Institute for Cognitive and Brain Sciences, and the Program in Critical Theory. His many books include <i>Strange Tools: Art and Human Nature</i> and <i>Learning to Look: Dispatches from the Art World.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A definitive biography of the U.S. diplomat and prize-winning historian George F. Kennan.</b></p><p>The diplomat and historian George F. Kennan (1904-2005) ranks as one of the most important figures in American foreign policy  and one of its most complex. Drawing on many previously untapped sources, Frank Costigliola's authoritative biography offers a new picture of a man of extraordinary ability and ambition whose idea of containing the Soviet Union helped ignite the Cold War but who spent the next half century trying to extinguish it. Always prescient, Kennan in the 1990s warned that the eastward expansion of NATO would spur a new cold war with Russia.</p><p>Even as Kennan championed rational realism in foreign policy, his personal and professional lives were marked by turmoil. And though he was widely respected and honoured by presidents and the public, he judged his career a failure because he had been dropped as a pilot of U.S. foreign policy. Impossible to classify, Kennan was a sui generis thinker, a trenchant critic of both communism and capitalism, and a pioneering environmentalist. Living between Russia and the United States, he witnessed firsthand Stalin's tightening grip on the Soviet Union, the collapse of Europe during World War II, and the nuclear arms race of the Cold War.</p><p>An absorbing portrait of an eloquent, insightful, and sometimes blinkered iconoclast whose ideas are still powerfully relevant, <i>Kennan</i> invites us to imagine a world that Kennan fought for but was unable to bring about  one not of confrontations and crises but of dialogue and diplomacy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A house is more than four walls and a roof. From its design and production to the way it is sold, used, resold, and eventually demolished, it is crisscrossed by conflict.</b></p><p><i>The Housing Monster</i> is a scathing graphic guide that takes one seemingly simple, everyday thing  a house  and looks at the social relations that surround it. Moving from intensely personal thoughts and interactions to large-scale political and economic forces, it reads alternately like a worker's diary, a short story, a psychology of everyday life, a historical account, an introduction to Marxist critique of political economy, and an angry flyer someone would pass you on the street.</p><p>Starting with the construction site and the physical building of houses, the book slowly builds and links more and more issues together: from gentrification and city politics to gender roles and identity politics, from subcontracting and speculation to union contracts and negotiation, from individual belief, suffering, and resistance to structural division, necessity, and instability. What starts as a look at housing broadens into a critique of capitalism as a whole. The text is accompanied by clean black-and-white illustrations that are mocking, beautiful, and bleak.</p><p>This new edition includes analysis situating and exploring the text's impact around the world by Lazo Ediciones in Argentina, Ben Kritikos in Scotland, and Sean KB of the <i>Antifada</i> podcast in the US.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The anonymous author who posts manifestos on <b>prole.info</b> has lived in half a dozen different countries and has had a lot of different jobs  all of which were...shit. His texts are an attempt to bring this personal experience of living in capitalist society into contact with history and theory he's read. He writes anonymously for practical reasons but also on principle. Ideas are no one's property, and even original thinkers are only putting possibilities from the real world into words. The point is not to build up an authorial persona. Ideas or arguments shouldn't be judged on if the author has (or doesn't have) academic credentials, working-class credentials, or militant credentials.The point is to try to learn from other people today and in the past, to recognise how things work today, so that we change them.</p><p><b>Lazo Ediciones</b> is a group who write, translate, and publish communist, anarchist, and working-class texts in Spanish. Their members also participate in the Biblioteca y Archivo Alberto Ghiraldo, Biblioteca La Caldera, the magazine Cuadernos de Negacin, the newsletter<i> Oveja Negra</i>, the podcast <i>Temperamento</i>, as well as other projects. They are mainly located in the geographical region controlled by the Argentinian state.</p><p><b>Ben Kritikos</b> is a writer, broadcaster, and worker based in Glasgow, UK. He co-hosts the podcast <i>Spaghetti for Brains</i>, as well as writing and hosting the radio show <i>Red White Blues: an Anthology of America's Music</i>, which explores the history of American power and its reliance on petroleum through the lens of jazz records. He's provided voiceover for film, radio, and audiobooks, including the audiobook version of <i>The Housing Monster</i>. He regularly publishes cultural histories through his newsletter<i> Spaghetti for Brains</i> and elsewhere.</p><p><b>Sean KB </b>is a union construction worker in New York City and co-host of the popularcommunist podcast the <i>Antifada</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Rayguns and rockets! Spacesuited heroes caught in the tentacles of evil insectoid aliens! Who could resist such wonders? Science fiction paperbacks exploded over the 1940s and '50s literary landscape with the force of an alien gamma bomb.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Rayguns and rockets! Spacesuited heroes caught in the tentacles of evil insectoid aliens! Who could resist such wonders? Science fiction paperbacks exploded over the 1940s and '50s literary landscape with the force of an alien gamma bomb.</p><p>Titles such as<i> Rodent Mutation, The Human Bat vs The Robot Gangster, Dawn of the Mutants </i>and <i>Mushroom Men from Mars </i>appeared from fly-by-night publishers making the most of the end of post-war paper rationing. They were brash and seductive  for around a shilling the future was yours. The stories were often conceived around a pre-commissioned cover and a title suggested by the publisher, and the writers were paid by the word, and sometimes not paid at all. Titles were knocked out at a key-pounding pace, sometimes over a weekend, by authors now lost to literary history (plus a few professionals who could spot an opportunity) who were forced to write under pseudonyms like Ray Cosmic, Steve Future, Vector Magroon or Vargo Statten.</p><p>Despite the tight deadlines and poor pay, the books' cover artists still managed to produce works of multi-hued, brain-bending brilliance, and collected here is an overview of their output during an unparalleled period of brash optimism and experimentation in publishing.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rian Hughes</b> is an award-winning graphic designer, illustrator, comic artist, writer, and typographer who has worked extensively for the British and American advertising, music, and comic book industries. His previous books include <i>Logo-a-gogo, Custom Lettering of the '20s and '30s</i>,<i> Soho Dives, Soho Divas, The Black Locomotive</i> and <i>XX</i>. He has an extensive collection of Thunderbirds memorabilia, a fridge full of vodka, and a stack of easy listening albums which he plays very quietly in his home in London.</p>]]></Text>
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			<SubjectHeadingText>1960s; Australian literature; equality; essays; feminism; journalism; revolutionary writing; women's writing; social justice; Australian identity; post-war Australia; Aboriginal and Torres Stait Islander rights; Vietnam war; anti-war; 1960s activism; George Johnston; Hydra writers; Australian women authors; women's studies; Sydney Morning Herald; women's pages</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[From her wild bohemian years on Hydra to her radical feminist writings, Charmian Clift is a larger-than-life personality of Australian literature.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'I know it's a daring suggestion, but I'll make it anyway.'</i></p><p>Charmian Clift was a writer ahead of her time. Lyrical and fearless, her essays seamlessly blended the personal and the political.</p><p>In 1964, Charmian Clift and her husband George Johnston returned to Australia after living and writing for many years in the cosmopolitan community of artists on the Greek island of Hydra. Back in Sydney, Clift found her opinions were far more progressive than those of many of her fellow Australians.</p><p>This new edition of Charmian Clift's essays, selected and introduced by her biographer Nadia Wheatley, is drawn from the weekly newspaper column Clift wrote through the turbulent and transformative years of the 1960s. In these 'sneaky little revolutions', as Clift once called them, she supported the rights of women and migrants, called for social justice for Aboriginal and Torres Strait Islander people, opposed conscription and the war in Vietnam, acknowledged Australia's role in the Asia-Pacific, fought censorship, called for a local film industry - and much more. In doing so, she set a new benchmark for the form of the essay in Australian literature.</p><p><b>'My regard for Charmian Clift veers uncomfortably close to veneration, which appals me. The figure of Clift as a messy morality tale about what happens when you run off to be a writer comes at the expense of the work she produced, which is to the contrary searing in its clarity. This collection is a reminder of the work behind the legend: her bent, her conviction, and her cool. And the sentences! Clift's essays evince an ardent attention to life in all its vagaries, which is really the most a person can give.' - Ellena Savage, author of</b> <b><i>Blueberries</i></b></p><p><b>'Charmian Clift was ahead of her time and yet also representative of them. Her essays are a fascinating, thoughtful  sometimes judgemental, sometimes lyrical  window into an Australia on the brink of change. Whether you always agree with her opinions or not, she writes like a dream and her voice is wry, insightful and self-aware. It is lovely to see her gaining the recognition she has long deserved.' - Jane Caro,</b> <b>Walkley Award winning columnist and author</b></p><p><b>'When I first stumbled on Clift's essays, twenty or more years ago, these trashy essays written for a disposable occasion seemed to me to have more lightning and quicksilver, more brilliance and more skill of execution, than any Australian writing other than the great novels of Patrick White and Christina Stead.' - Peter Craven,</b> <b><i>Sydney Morning Herald</i></b></p><p><b>'Reading these essays, it's easy to see why Clift became a cult figure. The chatty, charming and sometimes slightly dippy persona distracts attention just enough from the steely intelligence, the sophisticated sentence structure and the passion for causes that characterise these pieces but might otherwise rather have alarmed her readers ... In an era that hadn't yet thought too much about these things, her columns demonstrated that a woman ... could and should be an active citizen of the world.' - Kerryn Goldsworthy,</b> <b><i>Australian Book Review</i></b></p><p><b>'From the women's pages of the</b> <b><i>Sydney Morning Herald</i></b><b>, among advertisements for wrinkle cream and mini-skirts ... Clift challenged a complacent society, fashioned a sly and elegant sedition: opposing Vietnam, unmasking materialism, championing equality for women.' - Mark Tredinnick,</b> <b><i>The Book Bulletin</i></b></p><p><b>'These are essays unabashed in their sensuality and liveliness, keenly curious and attuned to mystery and marvel, and they are almost always full of joy.' - Fiona Wright,</b> <b><i>Sydney Review of Books</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Charmian Clift</b> was born in the coastal town of Kiama, New South Wales, on 31 August 1923. After serving as a lieutenant in the Australian Army, she joined the staff of the Melbourne <i>Argus</i> newspaper, and in 1947 married fellow-journalist George Johnston. The next year, the couple's collaborative novel <i>High Valley</i> won the <i>Sydney Morning Herald</i> prize. Fleeing the political claustrophobia of Australia under the Menzies government, in 1952 Charmian and George headed to London. Two years later, they escaped even further, to the Greek islands, where over the next decade they raised three children and created a legend. During this period, Clift wrote the memoirs, <i>Mermaid Singing</i> and <i>Peel Me A Lotus</i>, and her two novels, <i>Honour's Mimic</i> and <i>Walk to the Paradise Gardens.</i> After the family returned to Australia in 1964, Charmian Clift began writing a weekly column that appeared in the Women's Section of the <i>Sydney Morning Herald</i>. In these 'sneaky little revolutions', as Clift once called her essays, she supported the rights of women and migrants, called for social justice for Aboriginal and Torres Strait Islander peoples, opposed conscription and the war in Vietnam acknowledged our role in Asia, fought censorship, called for an Australian film industry  and much more. Although Charmian Clift died in 1969, her message of liberation was so far ahead of her time that her little revolutions continue to win new readers.</p><p><b>Nadia Wheatley</b> is the author of <i>The Life and Myth of Charmian Clift.</i> Described by critic Peter Craven as 'one of the greatest Australian biographies,' this was the <i>Age</i> Non-Fiction Book of the Year, 2001, and won the NSW Premier's Australian History Prize (2002). After twenty years it remains the classic account of the life and work of this transformational Australian writer. Nadia Wheatley's other works include the award-winning memoir <i>Her Mother's Daughter</i>. Her most recent book, <i>Radicals  Remembering the Sixties,</i> written in partnership with Meredith Burgmann, was published by NewSouth in 2021</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Since its inception in 1933, <i>The Australian Women's Weekly</i> has been Australia's highest-selling women's magazine, in large part due to its hugely   popular cookery section and companion cookbooks. From birthday cakes to   barbecues, mock meat to Chinese food, the <i>Weekly</i> taught generations of Australians what to eat and how to cook it at home. Yet despite this, the magazine and its influence on Australian cooking has been overlooked in histories of Australian food. <i>A Matter of Taste </i>restores the <i>Weekly</i> to its rightful place at the centre of Australia's food culture.</p><p>Drawing on recipes, food editorials and readers' memories, <i>A Matter of Taste</i> is a celebration of the<i> Weekly</i>'s vital role in the development of Australian food culture, debunking the myth that Australian food was 'bland' and 'boring' prior to postwar migration, and illuminating important relationships between food, culture and identity. It shows that the magazine encouraged its readers (mostly women) to be adventurous, to experiment in the kitchen, and to try new ingredients and flavours, stimulating an eclectic, Australian way of eating, which is still reflected on our tables today.</p><p>Meticulously researched and beautifully presented, <i>A Matter of Taste</i> takes   you on an entertaining, nostalgic and insightful culinary journey through   Australian food, culture and history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr Lauren Samuelsson </b>holds a PhD in history from the University of Wollongong, Australia, where she is an Honorary Fellow. Lauren's research interests include cultural history, the history of food and drink, the history of popular culture and gender history. Her award-winning work has been published in <i>History Australia</i> and <i>Australian Historical Studies</i>. She has also published in <i>The Conversation</i> and is a regular guest on Australian radio, where she shares her love of food history with people nationwide. </p>]]></Text>
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			<SubjectHeadingText>celebration; finding meaning; sociology; healthy ageing; old age; Maureen; women's health; gender studies; older women; contributions; satisfaction; enjoyment; society; achievements; Jacqueline Dwyer; Australian women; May Wood; ageing population; Annie Young; Rosemary Salvaris; Miriam Rose Ungunmerr Baumann; Sally Barker; inspiration; challenging stereotypes; Olive Trevor; Mig Dann; Sharron Pfueller; Anne Hetzel; Raylee George; Judith Deakin Harley; Pauline Lorenzen; Lester Jones; Jo Rogan; living life to the fullest; no age limit; Ann Druett; Australian biography; Kath Clune; Robina Rogan; Bea Toews; history; lifelong learning; women's stories; community</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><i>Time of Our Lives</i> presents the extraordinary lives of ordinary women in their seventies, eighties and nineties, challenging the stereotype of the helpless old woman who is nothing more than a burden.</p><p>The first collection of its kind in Australia, it demonstrates the rich lives led by 20 women of diverse backgrounds, all born before 1946 and all of whom have achieved great things in older age. From Mig Dann, an 80-year-old artist who worked for David Bowie and completed a PhD in her seventies, to Pauline Lorenzen, a 75-year-old Indigenous solicitor working to support women; from Robina Rogan, a boat-builder planning a sea voyage at age 82, to Rosemary Salvaris, a 76-year-old civil celebrant who has taken up orienteering, these women show that learning has no age limit.</p><p>As the generation of Australian women who waved the flag for feminism enter retirement, let&amp;#x27;s change the conversation around what it means to be &amp;#x27;old&amp;#x27;. Our ageing population is not a burden - it&amp;#x27;s time to celebrate the contributions that older women make to our community.</p><p><i>Time of Our Lives</i> also gives insights into how to ensure our own lifelong learning and live to the fullest.</p><p><b>'A must-read for all those women who refuse to go gentle into that good night.' - Maxine McKew</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p></p><p><b>Dr Maggie Kirkman</b> is a psychologist and a Senior Research Fellow in Global and Women's Health at Monash University. Before gaining a PhD at age fifty, she taught kindergarten children, children with hearing impairments and children with profound disabilities. She has worked at La Trobe and Melbourne universities, and her research includes women's experiences of infertility, abortion, donor-assisted conception, breast cancer and ageing well. Maggie is the author of <i>My Sister's Child</i> (with Linda Kirkman, Penguin) and the editor of <i>Sperm Wars</i> (with Heather Grace Jones, ABC Books). She appears regularly in the Australian media, including on ABC Radio and in <i>The Conversation</i>. In 2019, Maggie was recognised as an inaugural Champion for Women by Women's Health Victoria.</p>]]></Text>
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			<SubjectHeadingText>Coalition; teal; campaign; rural; candidates; power; how to; tactics; Grassroots; voting; electorate; community based politics; Canberra; safe seat; Indi 27; independent politician; Wangaratta; activitism; Wodonga; listening to voters; seat of Indi; Australian crossbench; political strategies; National Party; voice in parliament; approaching voters; election; surviving; federal; dirty; negotiating; Liberal; biography; female; Victorian; standing; women; handbook; learning; political biography; Labor</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>In 2013 Cathy McGowan became the first female independent to sit on the crossbench, where she would represent the Victorian rural electorate of Indi for six years. Winning the seat of Indi, after the Coalition had held the seat for eighty-two years, was a watershed moment. Indi became 'Exhibit A' for future political campaigns  from Kerryn Phelps as the Member for Wentworth to Zali Steggall in Warringah.</p><p><i>Cathy Goes to Canberra</i> tells both the story of the campaign to win Indi around the community's kitchen tables and the subsequent realities of negotiating good policy with the major political parties. This is a handbook  a 'how to be elected' and a 'how to survive' Canberra, and a manifesto for an alternative community-based politics.</p><p>In 2004 McGowan was made an Officer of the Order of Australia 'for service to the community through raising awareness of and stimulating debate about issues affecting women in regional, rural and remote areas.' McGowan was also a recipient of the Centenary Medal in 2001.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Cathy McGowan</b> came to national attention when she won the seat of Indi as an independent in 2013, becoming the first female independent to sit on the crossbench. The community backed McGowan again in 2016 for a second term, including during the minority government of Scott Morrison where, together with the crossbench, she held the balance of power. In 2019 she was thrilled to be part of the campaign that saw Dr Helen Haines elected as Indi's second female independent, a win that made Australian political history.</p><p>During her time as a politician, Cathy actively worked in parliament to develop policy around regional development, a national integrity commission, a code of conduct for politicians, as well as drought policy. In 2019 she was awarded <i>The Accountability Round Table</i> award for political integrity. She is an Officer of the Order of Australia, a Churchill fellow and lives very happily on her farm in the Indigo Valley in northeastern Victoria.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>What happens when, in the middle of a happy heterosexual marriage, a woman falls in love with another woman?</p><p><i>The Swift Dark Tide</i> is a story of selfhood and desire, of careful listening to an ungovernable heart.</p><p>Part memoir, part love letter, <i>The Swift Dark Tide</i> is also a chronicle of life by the sea, journeying between Melbourne's St Kilda and the Black Sea town of Odessa. Katia Ariel introduces us to a lineage of soulful, strident women and beautifully nuanced men. She invites us into home and heart to witness love, loss and joy, motherhood, daughterhood and the urgent wildness of the body.</p><p><b>Praise for </b><b><i>The Swift Dark Tide:</i></b></p><p><b>'A lyrical memoir of family, inheritance and queer becoming. Ariel writes with the eyes of a poet and the heart of a true romantic. Her sentences are crystalline marvels, gifts to be savoured and held up to the light.' </b><b><i>-</i></b><b> Yves Rees, author of </b><b><i>All About Yves</i></b></p><p><b>'Alive with passion and pain, exquisitely metaphorical, Ariel's memoir is a stunning feat of honesty. Not only a captivating story of one relationship and its breathtaking beginnings, it is also a journey of family, migration, motherhood, and entrusting ourselves to our hearts and bodies. The writing pulses with love, drawing meticulous connections between place, family and desire spanning continents, bodies and generations. Immerse yourself in Ariel's richly poetic world and savour its visceral impact.' </b><b><i>-</i></b><b> Katherine Brabon, author of </b><b><i>The Shut Ins</i></b><b> and </b><b><i>The Memory Artist</i></b></p><p><b>'Rich and raw, lyrical, philosophical but also deeply moving, </b><b><i>The Swift Dark Tide</i></b><b> is that rare thing: an unforgettable memoir.' </b><b><i>-</i></b><b> Nigel Featherstone, author of </b><b><i>My Heart is a Little Wild Thing</i></b><b> and </b><b><i>Bodies of Men</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Katia Ariel</b> is an author and freelance book editor from Melbourne, Australia. She was born in Odessa, Ukraine. Her memoir, <i>The Swift Dark Tide</i>, explores the history of hunger, joy and transgression in her female line. Katia teaches in the School of Culture and Communication at Melbourne University.</p><p></p><p>Recipient of Varuna Residential Fellowship for <i>Swift Dark Tide</i>, 2022.</p><p>'The Cave', winner of Ann Morgan Prize, 2021.</p><p>'Retrieving Delores,' <i>Antithesis Journal</i>, October 2021.</p><p>Shortlisted for Queen Mary Wasafiri New Writing Prize 2021, 'Retrieving Delores' (declined by author due to simultaneous publication in <i>Antithesis</i>).</p><p>'The Final Day Is for Solitude' poems; <i>Womankind Magazine</i>, April 2020.</p><p>'Heart Attic' essay; <i>Victorian Writer Magazine</i>, June 2020.</p><p>'Black Pearl' essay; Grace Marion Wilson Emerging Writer Prize, Highly Commended 2018.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Honour's Mimic combines the authentic Greek setting of Charmian Clift's travel memoirs with the fine writing that has caused her to be described as Australia's greatest essayist.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>We are alike, Kathy thought. You are a desperate one, too. She was incredulous that she could be so happy when it was so perfectly clear that the situation was impossible, could not possibly last, and that in any case this man was doomed already.</i></p><p>In this novel, Charmian Clift broke the rules of the romance genre by her representation of a relationship between a middle class Australian woman and a Greek sponge diver who is an outcast even within his own society. Both are 'desperate'  trapped in loveless marriages and overcome by a sense of nameless dread. But when these twin souls fall in love in the ruins of an ancient citadel above the port-town of a remote and poverty-stricken Greek island, 'honour' becomes 'mimic'  a false imitation of itself  and is cast aside, together with unhappiness and fear.</p><p><i>Honour's Mimic</i> combines the authentic Greek setting of Charmian Clift's travel memoirs with the fine writing that has caused her to be described as Australia's greatest essayist.</p><p><b>'Charmian Clift broke the rules of the romance genre with this representation of a relationship between a middle-class Australian woman and a Greek sponge diver who is an outcast even within his own society.' </b> <b><i>Readings Monthly</i></b></p><p><b>'The [writing] is but it is distinctive in its potency, and for the way the love story is interwoven with the brutal realities of class, immigration, and mid-century morality. We devoured it.' </b> <b><i>The Paris End</i></b></p><p><b>'</b><b><i>Honour's Mimic</i></b> <b>is a superbly realised portrait of the links between true love and mortality. It is about how being in another country can unmoor and perhaps free you to find "a passionate affirmation of that old lost desire to face challenge and danger, to be brave, to dare for the truth".'  Declan Fry</b></p><p><b>'At the heart of </b><b><i>Honour's Mimic</i></b><b> is a transgressive, all-consuming love story that also offers an incisive, often chilling, indictment of the measures and strictures of class and society.'  Heidi Maier, </b><b><i>INDaily </i></b></p><p><b>'With the compelling flavour of a grotesque and shimmering fairytale that carries no consoling ending, </b><b><i>Honour's Mimic </i></b><b>casts a potent spell.'  Carmel Bird, </b><b><i>The Saturday Paper </i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Charmian Clift</b> was born in the coastal town of Kiama, New South Wales, on 31 August 1923. After serving as a lieutenant in the Australian Army, she joined the staff of the Melbourne Argus newspaper, and in 1947 married fellow journalist George Johnston. The next year, the couple's collaborative novel <i>High Valley</i> won the <i>Sydney Morning Herald</i> prize. Fleeing the political claustrophobia of Australia under the Menzies government, in 1952 Charmian and George headed to London. Two years later, they escaped even further, to the Greek islands, where over the next decade they raised three children and created a legend. During this period, Clift wrote the memoirs <i>Mermaid Singing</i> and <i>Peel Me A Lotus</i>, and her two novels, <i>Honour's Mimic</i> and <i>Walk to the Paradise Gardens</i>. After the family returned to Australia in 1964, Charmian Clift began writing a weekly column that appeared in the <i>Melbourne Herald</i> and the <i>Sydney Morning Herald</i>. Charmian Clift died in 1969.</p><p><b>Nadia Wheatley</b> is the editor of <i>Sneaky Little Revolutions</i>: Selected essays of Charmian Clift and <i>The End of the Morning: The never-before-published novel by Charmian Clift</i>. She is also the author of <i>The Life and Myth of Charmian Clift</i>. Described by critic Peter Craven as 'one of the greatest Australian biographies', this was the Age Non-Fiction Book of the Year, 2001, and won the NSW Premier's Australian History Prize (2002). After twenty years it remains the classic account of the life and work of this transformational Australian writer. Nadia Wheatley's other works include the award-winning memoir <i>Her Mother's Daughter</i> and <i>Radicals  Remembering the Sixties,</i> written in partnership with Meredith Burgmann.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The never-before-published novel by Charmian Clift.</b></p><p><i>'In those days the end of the morning was always marked by the quarry whistle blowing the noon knock-off.</i></p><p><i>Since everybody was out of bed very early, morning then was a long time, or even, if you came to think about it, a round time - symmetrical anyway, and contained under a thin, radiant, dome shaped cover...'</i></p><p>During the years of the Great Depression, Cressida Morley and her eccentric family live in a weatherboard cottage on the edge of a wild beach. Outsiders in their small working-class community, they rant and argue and read books and play music and never feel themselves to be poor. Yet as Cressida moves beyond childhood, she starts to outgrow the place that once seemed the centre of the world. As she plans her escape, the only question is: who will she become?</p><p><i>The End of the Morning</i> is the final and unfinished autobiographical novel by Charmian Clift. Published here for the first time, it is the book that Clift herself regarded as her most significant work. Although the author did not live to complete it, the typescript left among her papers was fully revised and stands alone as a novella. It is published here alongside a new selection of Clift's essays and an afterword from her biographer Nadia Wheatley.</p><p><b>'</b><b><i>The End of the Morning</i></b><b> is full of feeling, animated by that formless, aching questioning of childhood, and a fascinating glimpse of the forces that shaped Clift as a person and a writer.' - Fiona Wright</b></p><p><b>'Reading her, even a glimpsed paragraph of her, is like quaffing the finest champagne on earth.' - Peter Craven,</b> <b><i>Sydney Morning Herald</i></b></p><p><b>'Forthright, funny and with an indefinable flair, Charmian Clift's writing plays second fiddle to nobody.' - Richard Cotter,</b> <b><i>Sydney Arts Guide</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Charmian Clift</b> was born in 1923 in Kiama, on the New South Wales south coast. Describing herself as coming from a family of 'liars and embroiderers', from an early age she began transforming her home and childhood into fiction.</p><p>After serving as a lieutenant in the Australian Army, in 1946 Clift joined the staff of Melbourne's <i>Argus</i> newspaper, where she met fellow journalist George Johnston. Over the next twenty-three years, the couple raised three children, produced thirty books, and created a legend.</p><p>While living in Greece, Clift wrote the travel memoirs <i>Mermaid Singing</i> and <i>Peel Me a Lotus</i>, and the novels <i>Walk to the Paradise Gardens</i> and <i>Honour's Mimic</i>. She also began the autobiographical novel titled <i>The End of the Morning</i>, which she regarded as her major work.</p><p>Returning to Australia in 1964, Charmian Clift set her novel aside so that she could devote her time to her weekly newspaper column and to her family commitments. Although she resumed work on <i>The End of the Morning</i> in 1968, she died a year later, before the book was completed.</p><p>For more information, see: www.charmianclift.com.au</p><p><b>Nadia Wheatley</b> is the editor of <i>Sneaky Little Revolutions: Selected Essays of Charmian Clift</i> and the author of <i>The Life and Myth of Charmian Clift</i>. Described by critic Peter Craven as 'one of the greatest Australian biographies', this was acclaimed as the Age Non-Fiction Book of the Year, 2001, and was awarded the NSW Premier's Australian History Prize in 2002. It remains the classic account of the life and work of this transformational Australian writer.</p><p>For more information, see: www.nadiawheatley.com</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'If I held my whole kingdom in one hand and my son in the other, I would toss them both to the bottom of the sea before I would let them impede me.'</i></p><p>Sixteenth-century Princess Jeanne d'Albret is twice royal: her uncle is King of France, her father King of Navarre. She is small, she is often ill  yet she won't allow that to define her. As a child, she is carried to the altar at the French King's command  but she and her mother have a secret plan to get their own way...</p><p>Soon a new king is on the French throne. And when a second arranged marriage is forced on her, Jeanne is surprised by bliss. She can't stop talking or thinking about Antoine, first prince of the blood; she throws her whole self into their life together, even when the battlefield parts them.</p><p>Fiery and stubborn, wherever she goes, Jeanne is reminded of her famous poet-mother, protector of reformers, who could not break with the Catholic church despite her attraction to the new religious ideas. Jeanne resolves to go further  and let nothing stop her. But what will this mean for her precious marriage? As the Civil Wars break out  the Wars of Religion  and Jeanne commits to the Huguenots, will her adored husband take the same path? How can she fend off the Pope, the Guises  and the wily, evasive Queen Mother of France, Catherine de Medicis, while struggling for her son's rights and future?</p><p>Tracy Ryan's second novel in the <i>Queens of Navarre</i> trilogy is a story of both flesh and spirit, of passion and obsession, and their often devastating consequences for self and others.</p><p><b>Praise for</b> <b><i>The Queen's Apprenticeship, Queens of Navarre Book One</i></b><b>:</b></p><p><b>'a triumphant foray into historical fiction...a compelling exploration of patriarchy, privilege and resistance in Renaissance France, set amid a vividly sketched milieu...with convincing fictional characters.'  Cheryl Akle,</b><b><i> The Australian</i></b></p><p><b>'the brilliant depth of character we want when reading historical fiction'...a buoyancy of storytelling'  Jessie Tu,</b><b><i> The Age</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Tracy Ryan</b> was born in Western Australia and grew up there as part of a large family. She has taught literature, creative writing and film at various universities in Australia and in England, and worked as a bookseller, editor and translator. Her poetry has won many awards. Her most recent collection is <i>Rose Interior (</i>Giramondo 2022) She is the author of five critically acclaimed novels. Tracy was the Western Australian Premier's Book Awards Fellowship winner in 2023. Tracy speaks German, French and Italian as well as English. <i>The War Within Me</i> is the second in a series of three novels focussed on the Queens of the Navarre. <i>The Queen's Apprenticeship</i>, the first novel, was published in Australia in 2023 by Transit Lounge and in Spain as <i>Aprendizaje De Una</i> <i>Reina</i> by Maeva in 2024.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Two women from different worlds in Renaissance France cross paths in a way that changes both their lives.</p><p>One is Marguerite de Navarre, a King's sister. Powerful, privileged and widely admired, Marguerite must nonetheless marry where she is told to, regardless of her feelings, and  despite the thrilling new ideas of religious reform causing upheaval in France  must toe the line for the good of her brother's kingdom. Ever a risk-taker, she does what she can to protect her reformist friends. But she has always loved to write, and when disaster strikes in her personal life, she picks up her pen  but some of what she writes will get her into trouble.</p><p>The other is a cast out, itinerant child who longs to be a printer like her late father. Jehane goes dressed as a male by the name of Josse, at first for safety's sake and then by choice, fending off the risks of being alone, unprotected and born female, poor but trying to live in freedom. Eventually Josse joins a group of printers and publishers in Paris. Despite her suspicion of men, she comes to idolise one among them. But can they be 'true friends', and can she share her whole self with him?</p><p>Long before #MeToo, women were telling their 'unspeakable' stories, and these two, both rich and poor, are no exception. They come together in the most unexpected of ways. In <i>The Queen's Apprenticeship</i> one of our very best writers brings to fully realised and magnificent life a world of drama and intrigue.</p><p><b>'An enthralling novel of passion, literature and power, bringing to vivid life the story of Marguerite de Navarre - an ardent defender of the arts - and in doing so also giving voice to those who were often disregarded in the dramas of the time.' - Dominique Wilson, author of</b> <b><i>Orphan Rock</i></b><b> and</b> <b><i>The Yellow Papers</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Tracy Ryan</b> was born in Western Australia and grew up there as part of a large family. She has taught literature, creative writing and film at various universities in Australia and in England, and worked as a bookseller, editor and translator. She currently teaches fiction writing at the University of Tbingen, Germany.  Her poetry has won many awards. Her most recent collection is <i>Rose Interior (</i>Giramondo 2022), and she is the author of five critically acclaimed novels. C<i>laustrophobia,</i> her fourth novel was published by Transit Lounge in 2014 and by Newton Compton Editori as <i>Una vita tranquilla</i> in 2015. It was shortlisted for the 2016 Western Australian Premier&amp;#x27;s Awards. Tracy was the Western Australian Premier's Book Awards Fellowship winner in 2023. Tracy speaks German, French and Italian as well as English. <i>The Queen's Apprenticeship</i> is the first in a series of three novels focussed on the Queens of the Navarre. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>What does a woman in her seventies make of her life on the other side of blindness? <i>Relic Light</i> is a story told by Beatrice, whose reality is upended when she loses her ability to see. While her mathematician husband is away at work at Columbia or visiting the Metropolitan Museum of Art, she wanders through their empty house north of New York City and allows her mind to drift into unexpected and painful places. There are solid guideposts for her along the way  remembered paintings and novels to contemplate; memories of her husband, children, and parents; her close friendship with a neighbour  but her fragmented thoughts often carry her in a dozen directions, offering an intimate and original portrait of a mind in motion. Blindness has isolated Beatrice, removed her from what she can verify with her own eyes, but it also may offer her a gateway into new possibilities  a 're-visioning' of her world.</p><p><b>'I have never read a novel that makes legible what I have always felt: that the art we have consumed over the course of our lives  novels, films, paintings, theater  is as important as the rituals of living. Through his unforgettable protagonist, a refreshingly female flaneur, now out of the city and without her sight, Brennen Wysong shows us, in gorgeous and elegant prose, that art imprints upon our lives as significantly as history. It</b> <b><i>is</i></b> <b>our history.</b> <b><i>Relic Light</i></b><b> is a beautiful and unforgettable debut.'  Jennifer Gilmore, author of</b> <b><i>Golden Country</i></b> <b>and</b> <b><i>The Mothers</i></b></p><p><b>'When I turned the last page, the character of Bea  a profoundly cultured woman who has lost her sight  stayed with me. I walked with her. I breathed with her. And I still do. Her rich inner life of books and art, of memory and family is given to us. And it is precious. To carry off such an endeavour is a literary feat.</b> <b><i>Relic Light</i></b><b> is full of heart  a book that renders a whole human being, saving it from darkness, cannot be anything else.'  Catherine de Saint Phalle, author of</b> <b><i>Poum and Alexandre</i></b><b> and</b> <b><i>The Sea &amp; Us</i></b></p><p><b>'Geographer Yi-Fu Tuan said that without a clear sense of space, we would not have a linear sense of time. Brennen Wysong's novel explores this idea, re-constellating the events of a life after their order has been shaken by blindness. It is a meditation on memory and forgetting, on what the darkness loses, but also what it gains. The result is a truly compelling  have read nothing quite like it.'  Patrick Holland, author of</b> <b><i>The Mary Smokes Boys</i></b> <b>and</b> <b><i>Oblivion</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Brennen Wysong's</b> short stories have appeared in journals including<i> Alaska Quarterly Review</i>, <i>Black Warrior Review</i>, <i>The Georgia Review,</i> and <i>The Massachusetts Review</i>. He has also published poems in more than a dozen print and online magazines, such as <i>Denver Quarterly</i>, <i>Fourteen Hills</i>, <i>Quarter After Eight</i>, and <i>Stand</i> (U.K.). He has received grants from the National Endowment for the Arts, the Center for Fiction, and the Constance Saltonstall Foundation for the Arts. He lives in New York City with his wife, Debra, and son, Calder.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Grace Yee's follow-up to her triple award-winning poetry collection Chinese Fish]]></Text>
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			<Text textformat="02"><![CDATA[<p>Grace Yee's follow-up to her triple award-winning poetry collection <i>Chinese Fish.</i></p><p>In the White Hills Cemetery in Bendigo the remains of more than a thousand 'chinamen' lie interred, many in unmarked graves. Most were sojourners, who hailed from the Canton region in south China, and found themselves unable to return to their homeland<i>. Joss: A History</i> is inspired by the lived experiences of these early settlers, and their compatriots and descendants across Victoria and New South Wales, and Aotearoa New Zealand. The poems pay tribute to the author's ancestors, illuminating how they survived  and thrived  amid longstanding colonialist stories that have exoticised and diminished Chinese communities in white settler nations around the Pacific Rim since the gold rushes of the nineteenth century. Refracted through a twenty-first century lens, <i>Joss</i> is grounded in the conviction that the past is not past, that historical events reverberate insistently in the present. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Grace Yee's</b> poetry has been widely published and anthologised in Australia and internationally. Her awards include the Patricia Hackett Prize, the Peter Steele Poetry Award, a Creative Fellowship at the State Library Victoria, and grants from Creative Victoria and the Australia Council. She has taught creative writing at Deakin University, and at the University of Melbourne, where she completed a PhD on settler Chinese women's storytelling in Aotearoa New Zealand. Her debut collection <i>Chinese Fish</i> won the 2024 Victorian Prize for Literature, the Victorian Premier's Literary Award for Poetry, and the Ockham New Zealand Book Award for Poetry.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Ockham New Zealand Book Awards 2024, Mary and Peter Briggs Award for Poetry**</b></p><p><b>**Winner, Victorian Prize for Literature 2024**</b></p><p><b>**Winner, Victorian Premier's Literary Awards 2024, Poetry**</b></p><p>When Ping leaves Hong Kong to live in the South Island of Aotearoa New Zealand, she discovers that life in the Land of the Long White Cloud is not the prosperous paradise she was led to believe it would be. Every day she works in a rat-infested shop frying fish, and every evening she waits for her wayward husband, armed with a vacuum cleaner to 'suck all the bad thing out'. Her four children are a brood of monolingual aliens. Eldest daughter Cherry struggles with her mother's unhappiness and the responsibility of caring for her younger siblings, especially the rage-prone, meat-cleaver-wielding Baby Joseph.</p><p><i>Chinese Fish</i> is a family saga that spans the 1960s through to the 1980s. Narrated in multiple voices and laced with archival fragments and scholarly interjections, it offers an intimate glimpse into the lives of women and girls in a community that has historically been characterised as both a 'yellow peril' menace and an exotic 'model minority'.</p><p><b>&amp;#x27;a major poetic work of feminist, so-called 'minority' writing, its originality and brilliance more than earning its space alongside such works as Kathleen Fallon's Working Hot, Gloria Anzalda's Borderlands, and Alison Whittakers's BlakWork.&amp;#x27; - Marion May Campbell</b></p><p><b>&amp;#x27;As visually provocative as it is poetic, Chinese Fish portrays the fractured, multilayered, imperiled body of the immigrant story in a stunning work of genre-bending prose poetry. Yee has given the Chin family a literary resting place as complex and as searing as the New Zealand in which they survived.&amp;#x27; - Juli Min</b></p><p><b>&amp;#x27;an unflinchingly honest look at life behind closed doors, where resentment simmers, generations clash, and individual dreams are set aside for the interests of family.&amp;#x27; - Chris Tse, New Zealand Poet Laureate</b></p><p><b>&amp;#x27;There's a wry humour to the book, sometimes shocking, but often subtle. The narrative is epic, fragmentary and suggestive.&amp;#x27; - Andy Jackson,</b> <b><i>Meanjin</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p></p><p><b>Grace Yee</b> lives in Melbourne, on Wurundjeri land. Her poetry has been widely published and anthologised across Australia and internationally, and has been awarded the Patricia Hackett Prize, the Peter Steele Poetry Award, a Creative Fellowship at the State Library Victoria, and grants from Creative Victoria and the Australia Council for the Arts. Grace has taught in the Writing and Literature Program at Deakin University, and in the Creative Writing Program at The University of Melbourne, where she completed a PhD on settler Chinese women&amp;#x27;s storytelling in Aotearoa New Zealand. graceyeepoet.com</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A young woman is seduced by the glamour of the circus and drawn into dangerous world of violence, cruelty and revenge.</p><p>For readers of Erin Morgenstern's <i>The Night Circus</i> and Helen Oyeyemi's <i>Mr Fox</i>. A dark fantasy tale infused with mystery and threat from the award-winning author whose work has been described by Paul Tremblay as 'intelligent, dark, wildly inventive'.</p><p>Sara Sidorova lies dying. As she hovers between life and death, she receives a visitation from Amba, the tiger god who will devour creation if he is released from the chains that bind him. Amba gives Sara Sidorova an extraordinary gift: a glimpse into the future. Years later, her granddaughter Irenda will grow up in a wartorn country where survival means obedience. When a devastating attack robs her of her mother, she travels to Hrana City. There, her grandmother agrees to teach her the ultimate secret: how to tame death. But it won't be easy...</p><p>In the circus that offers her first taste of power, Irenda will have to tame another tiger if she is to survive. Amongst the magicians, the strongmen and the contortionists, she will start down a dangerous road, to carry out a revenge decades in the making...and bring justice into the world for herself and for her family. Rich with glamour and strangeness, brutality and deceit and the dark magic of the circus, this haunting fable will chill your bones and make your heart ache.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Helen Marshall</b> is the World Fantasy Award-winning author of two short story collections and two poetry chapbooks. Her stories and poetry have appeared in magazines and anthologies including <i>Abyss &amp; Apex</i>, <i>Lady Churchill's Rosebud Wristlet</i> and Tor.com. After receiving a PhD from the prestigious Centre for Medieval Studies at the University of Toronto, she spent two years completing a postdoctoral fellowship at the University of Oxford investigating literature written during the time of the Black Death. She is a Senior Lecturer of Creative Writing at the University of Queensland.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The queer love child of pulp horror and classic sci-fi, Of Monsters and Mainframes is a dazzling, heartfelt odyssey that probes what it means to be one of society's monsters  and explores the many types of friendship that make us human.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Finalist, Goodreads Choice Awards 2025, Science Fiction**</b></p><p>Spaceships aren't programmed to seek revenge  but for Dracula, Demeter will make an exception. Demeter just wants to do her job: shuttling humans between Earth and Alpha Centauri.</p><p>Unfortunately, her passengers keep dying  and not from equipment failures, as her AI medical system, Steward, would have her believe. These are paranormal murders, and they began when one nasty, ancient vampire decided to board Demeter and kill all her humans. To keep from getting decommissioned, Demeter must join forces with her own team of monsters: A werewolf. An engineer built from the dead. A pharaoh with otherworldly powers. A vampire with a grudge. A fleet of cheerful spider drones. Together, this motley crew will face down the ultimate evil  Dracula.</p><p>The queer love child of pulp horror and classic sci-fi, <i>Of Monsters and Mainframes</i> is a dazzling, heartfelt odyssey that probes what it means to be one of society's monsters  and explores the many types of friendship that make us human.</p><p><b>'A really charming and fun reworking of the Dracula story.'  Sian Cain,</b> <b><i>The Guardian Australia</i></b></p><p><b>'This is absolutely one of my favourite reads ever  it's adventurous, imaginative, emotional, humorous, palpably queer and full of characters that I would follow into the furthest reaches of space just for the banter. Anyone who loves imaginative fiction full of adventure and lovable characters will love this book.'  Jemimah Brewster,</b> <b><i>ArtsHub</i></b></p><p><b>'I'm normally not too interested in reboots and remakes (God knows we are in a crisis of unoriginality right now) but this bonkers re-telling of</b> <b><i>Dracula</i></b> <b>has me intrigued.'  Soaliha Iqbal,</b> <b><i>Missing Perspectives</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Barbara Truelove</b> is an Australian author and game designer who writes about werewolves, monsters, space,and sometimes other things. Her interactive novel, <i>Blood Moon</i>, released in 2023. When she's not writing, she's adding to her motley collection of rocks.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ammar Kalia</b> is a writer, musician and journalist living in London. Since 2019, he has been the <i>Guardian's </i>Global Music Critic and he has written for publications including the <i>Observer,</i> BBC, <i>Dazed, Mixmag, Economist, Downbeat </i>and<i> Crack Magazine.</i> In 2020 he published a collection of poetry and an accompanying album,<i> Kintsugi: Jazz Poems for Musicians Alive And Dead</i>, and in 2022 his essay on music and identity was included in the collection Haramacy. <i>A Person Is A Prayer</i> is Kalia's debut novel and was shortlisted for the Unbound Firsts Prize in 2022.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Fiction of Flying </i>reflects the poet's migrant experience in Australia. The poems explore adapting to a new identity and second language, sharing migrants' internal stories often left unspoken. They convey the longing for a dream destination that's elusive, a sense of belonging that's retrospective and present. </p><p>Unlike other books on the same subject, this book does not try to weave a typical tale of triumphant success, nor does it preach the virtues of seamless assimilation into the fabric of Australian society. There are no tales of hardship either. In other words, these poems just want to delve into the essence of lives unmarked by conventional victories or sorrows.  </p><p>The poet considers migrant poems as the nuanced, often unspoken experiences of those who navigate their existence with no grand narratives to proclaim  only the ephemeral journey of flight, caught between aspirations and reality. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In <i>these memories require</i>, poet and writer Jacinta Le Plastrier works across a range of memories, and not only those which are her own. In this endeavour of more than a decade she seeks: how does one write others' memories, meaningfully, ethically and impactfully? How does one write one's own when they are linked, and at times painfully, to the lives of others? Memory is also collective, she believes, and a commitment to fearless witnessing  and knowing whether it is yours to write or not  essential. Some of the poetry engages with scholarship on trauma and memory. Away from this, others write on joy, childhood  its pure and darker moments, intimacy and love; also on the supernatural, an abiding passion of the writer</p><p><b><i>'these memories require</i></b> <b>takes the reader across poetic thresholds into the connected spaces of the familial, philosophical, and corporeal. Within this volume, poetry is a deftly crafted alchemy that reminds us of presences that return to skin and that shape our understanding of self. We are reminded of worlds that we know but may find too difficult to face. These poems resound in their wavelike power to traverse internal and external planes of truth. Throughout there is a commitment to love. While Le Plastrier explores the force of language to shut down and contain, her poetry also demonstrates its capacity to find new rhythms and compounds of knowing. In its ongoing search and sense of action is an acknowledgement of how we are tied to others. In its careful accrual over time, this compelling collection demonstrates Le Plastrier's generative and exciting lyricism in full light.'  Ann Vickery</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Five Islands Poetry Prize 2025**</b></p><p>Roughly 1000 to 4000 metres below sea level lies the bathypelagic (also known as the 'midnight') zone. No sunlight penetrates these depths. It's a constant 4 Celsius and water pressure reaches 680 kilograms per square centimetre. The creatures who inhabit this zone are often transparent, moving minimally to conserve energy, as they carry out their bioluminescent lives under the ocean's crushing weight. Bathypelagia is an imaginary space, a miniature sea. It's a viscous metaphor and an internal state. Lying awake at 3 a.m., it's the menagerie of quietly fraught voices you might hear in those small hours. Here, the lines are blurred between lover and predator, nurture and survival, between the intimate and the strange (and estranged). Distances aren't always easy to judge, and migration is more likely to be vertical. But under the cover of darkness, tender moments also find refuge.</p><p>These poems were written over a long and discontinuous period, starting about 15 years ago. Back then, I snorkelled and scuba-dived regularly. Some of my most alive experiences have been drifting underwater, without words. Equally, many of them have been when I'm suspended inside a poem.</p><p>This is a book of encounters. Some of them have human hands, some fins, yet others, tentacles. Some even beat with three hearts. If you draw a long breath, kick down into the gloom and hold very still, these poems, I hope, will swim a little closer.</p><p><b>'</b><b><i>Bathypelagia</i></b> <b>is a wonder of animacy and transformation. Cannily constructed in three zones, this book criss-crosses between the still-barely known zones of our oceans, resemblances of domestic life  particularly of motherhood  and the deepest domains of myth and sea creatures. These poems weave together motifs across pages, making connections  aquatic, airy, subterranean  that astonish.'  Kate Middleton</b></p><p><b>'</b><b><i>Bathypelagia</i></b> <b>is a powerful, memorable collection whose poems fluoresce with an otherworldly light, drawing us in. Debbie Lim's vivid, richly imagistic poems find illumination in the ocean's claustrophobic midnight zone, paying close and artful attention to the creatures inhabiting a region largely untouched by humans.'  Sarah Holland-Batt</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Debbie Lim</b>'s poetry appears in many anthologies including <i>Contemporary Australian Poetry, Contemporary Asian Australian Poets</i> and multiple editions of <i>Best Australian Poems</i>. She has received the ACT Rosemary Dobson Award and the Bruce Dawe National Poetry Prize. She was shortlisted for the Peter Porter Poetry Prize. She lives in northern Sydney on Darramuragal land.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The next title in the British Library Women Writers series that now includes three anthologies. It includes a diverse range of stories from well-known and forgotten female writers, published from the early 1910s through to the late 1980s.]]></Text>
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			<Text textformat="02"><![CDATA[<p>From forthright mothers and very modern daughters to the quiet dreamers on either side of the generational divide, this anthology sketches a joyous, fraught, and ultimately tender portrait of mother-daughter relationships throughout the twentieth century. These are the stories of a mother who helps dispatch her daughter's unwanted suitor, a daughter who enters a sanatorium and starts to question if her mother really wants her to get better, and the glorious chaos that descends on a woman's quiet country cottage when her daughters return home for a weekend.</p><p>Across the decades, women writers return to perpetual teenage daughters that rebel against the spectre of maternal tradition and mothers who start to see their own mothers' shadows on the wall. Brought together in this collection is a moving testament to the inextricable and ineffable bond between mothers and daughters, in all its lovely and imperfect forms.</p><p>This new anthology brings together the creative minds of:</p><ul><li>Richmal Crompton</li><li>Sylvia Townsend Warner</li><li>Jeanette Winterson</li><li>Jamaica Kincaid</li><li>A.S. Byatt</li><li>Inez Holden</li><li>Winifred Holtby</li><li>Janet Frame</li><li>E.M. Delafield</li><li>Tillie Olsen</li></ul><p><b>'Changing expectations of motherhood and new freedoms won by feminism permeate these stylish short stories from celebrated literary women.'  </b><b><i>SMH/The Age</i></b><b>, Fiction Pick of the week </b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Join a host of female writers in celebrating the sunshine months of the year. As a sister volume to Stories for Winter, this collection of 15 short stories takes its inspiration from the holiday season. Grab a copy as you head off to the beach or to lie by the pool and spend time with female protagonists as they navigate life during the hot summer days and long balmy evenings. In keeping with the spirit of the Women Writers series, the stories are penned by authors whose writing originally appeared in books and magazines in the twentieth century.</p><p>Launched in 2020, the British Library Women Writers series is a curated collection of novels and anthologies by female authors who enjoyed broad, popular appeal in their day. In a century during which the role of women in society changed radically, their fictional heroines highlight women's experience of life inside and outside the home through the decades in these rich, insightful and evocative stories.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'I hear from Mrs Barlow, who is a good gossip, that your mother and your sister are both ill. You must, then, have very little company.' </i></p><p><i>'Very little human company,' she replied.</i></p><p>On a moonlit night, a wearied traveller dressed as the Devil calls at the mossy gates of Holcot Grange. Fleeing some bloody misadventure in London, the stranger claims to be heir to the manor which for generations has remained lordless. But among its benighted tenants the enthralling beauty Julia Roseingrave has been waiting  and now her means of escape has arrived. As whispers of witchcraft echo through the grounds and the boundaries between lord and servant fray, a cursed romance begins to smoulder  and the spectre of death draws near.</p><p>First published in 1933, this historical novella of Gothic love returns to print alongside six deliciously dark short tales from the British Library vaults, bubbling with wickedness and the occult.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'There will be ten teacups at number 4, Berwick Terrace, W. 8, on Wednesday, July 31, at 5 p.m. precisely. The presence of the Metropolitan Police is respectfully requested.'</i></p><p>Writing as Carter Dickson, the master of the locked room mystery John Dickson Carr returns to the Crime Classics series, pitching his series amateur detective Henry Merrivale against a seemingly watertight mystery: after the police are sent a note warning them about a forthcoming crime, a man is shot in a room on the top floor of a Kensington townhouse  a house watched from all sides during the murder. Surely nobody could have gotten in or out? And yet the man is dead, and just like the last time the police received a note like this, there are ten teacups set out at the scene of the crime. H.M. is drawn to unravel this bizarre crime, as the mysterious significance of the ten teacups in murders past and present pushes the police to their limits.</p>]]></Text>
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			<Text textformat="02"><![CDATA[After yet another bar fight and arrest, bad boy Ronan Reed leaves Texas to live with his uncle Shane, alpha of the Blood Moon pack.]]></Text>
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			<Text textformat="02"><![CDATA[In a city built on secrets, who would kill to keep theirs hidden?   The year is 1759, and London is shrouded in a cloak of fear. With the lawmen at the mercy of robbers and highwaymen, it's a perilous time to work the already dangerous streets of Soho. Lizzie...]]></Text>
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			<Text textformat="02"><![CDATA[Death takes centre stage. Does the killer lie in the wings?   An undercover assignment for the Bow Street magistrate sees Lizzie Hardwicke trade Mrs Farley's Bawdy House in Soho for life as a seamstress at a theatre on Drury Lane. Once there, she quickly...]]></Text>
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			<Text textformat="02"><![CDATA[<p>Death takes centre stage. Does the killer lie in the wings? </p><p>An undercover assignment for the Bow Street magistrate sees Lizzie Hardwicke trade Mrs Farley's Bawdy House in Soho for life as a seamstress at a theatre on Drury Lane. Once there, she quickly realises that what goes on in the wings is much more intriguing than the theatrics being played out onstage... </p><p>When a high-profile investor is brutally hanged at centre stage, Lizzie discovers the body and is once again thrown together with William Davenport, the magistrate\'s assistant with whom she is growing ever closer. The suspect list rivals any casting call, and Lizzie must use every trick hidden up her sleeve to see through all the performance and bring the culprit into the spotlight.</p>]]></Text>
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			<SubjectHeadingText>Agent Fifi; All the Light We Cannot See; Allied Forces; Allied Spy; American Librarian; American Spy; Aristides de Sousa Mendes do Amaral e Abranches; Beach Read; Best Friends; Book Club; Book Lover; Boston; Boston Library; Brianna Labuskes; Casablanca; City of Spies; Countess of Romanones; Covert Operation; Double Agent; Dual Narrative; Dual POV; Estoril Casino; Friendship; Historical; Historical Figures; Historical Novel; Historical Romance; Historical Thriller; Historical Women's Fiction; IDC; Ian Flemming; Inspired by a True Story; James Bond; Juan Pujol Garcia; Kate Quinn; Kristin Hannah; Librarian; Library; Lisbon; Love Affair; Love Story; Luis Figueroa y Perez de Guzmn el Bueno; MI5; Madeline Martin; Maria Aline Griffith; Marie Christine Chilver; Missing in Action; OSS; Operation Mincemeat; Pam Jenoff; Portugal; Reeses Book Club; Resistance; Rivals to Lovers; Romance; Romance Thriller; Salazar; Secret Alias; Sousa Mendes; Spy; Spy Thriller; The Nightingale; The Princess Spy; The Rose Code; Transatlantic; US Office of Strategic Services; Upmarket fiction; WWII; Wolfram; Women's Fiction; World War; World War Two; book club fiction; cat and mouse</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The romance of</b> <b><i>Casablanca</i></b><b> meets the spy world of Ian Fleming in this WWII love story for the ages.</b></p><p>Lisbon 1943. As two American librarians are drawn into a city of dangerous subterfuge and unexpected love affairs, they are forced to choose between their missions and the men they love. Inspired by real historical figures, award-winning author Suzanne Nelson pens a captivating story of two remarkable women, their bravery and heartache, and a friendship that withstands the ravages of war.</p><p>WWII rages Europe. Lisbon stands alone as a glamorous city on the brink of chaos, harboring spies trading double-edged secrets. Among them are Selene Delmont and Beatrice Sullivan, Boston librarians turned Allied operatives. Officially enlisted to collect banned books, both women are undercover agents tasked with infiltrating the Axis spy network.</p><p>Victory is not guaranteed.</p><p>Soon, they're caught up in games of deception with two of Lisbon's most notorious men  the outcast Portuguese baron, Luca Caldeira, and the lethal spy, code name Gable. As Selene charms her way through lavish ballrooms with Luca, the more bookish Bea is plunged into Gable's shadowy world of informants. But when a betrayal unravels a carefully spun web of lies, everything they've fought for is thrown into jeopardy. As Selene and Bea are pushed to their breaking points can their friendship, and their hearts, survive the cost of war?</p><p><b>'A fast-paced roller-coaster ride of deceit, espionage, danger, and  above all  the unbreakable bonds of friendship. This tense page-turner peels back new layers in the complexities of World War II espionage as it hurtles toward its satisfying finish.'  </b><b><i>New York Times</i></b><b> bestselling author Kristin Harmel</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Suzanne Nelson</b> is the award-winning author of dozens of middle grade novels, including<i> You're Bacon Me Crazy</i>, which was adapted into a romantic comedy movie for the Hallmark Channel. Her YA novel, <i>Serendipity's Footsteps</i>, was a Sydney Taylor Honor Book. She has written articles about parenting for the <i>Washington Pos</i>t, and teaches writing workshops for adults and children. She loves reading and writing historical fiction. She was born in New Jersey, grew up in Southern California, attended college in Texas, and spent eight years as a children's book editor in New York City. She now lives with her family in Ridgefield, Connecticut. Suzanne can be found on Twitter @snelsonbooks and on Facebook, TikTok, and Instagram @suzannenelsonbooks. Her website is suzannenelson.com. This will be her adult fiction debut.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Be more pirate! Immerse yourself in Rare's shared-world pirate adventure game Sea of Thieves with this stunning guide.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Be more pirate! Immerse yourself in Rare's shared-world pirate adventure game</b><b><i> Sea of Thieves</i></b><b> with this stunning guide.</b></p><p><b>A lavishly illustrated art book bursting with a wealth of new material including 100s of pieces of art with commentary from the game's creators.</b></p><p>Be more pirate!</p><p>Immerse yourself in the fantastical pirate world of <i>Sea of Thieves</i> in this lavishly illustrated guide to the hugely popular adventure game. Explore the evolution of the game since its release, through stunning full-colour illustrations and previously unpublished concept art.</p><p>Enjoy a wealth of new material, including characters, pets, ships, weapons, clothing and equipment, enemies such as Ashen Lords and Ocean Crawlers, and featuring exotic locations and special adventures, such as the Tall Tales.</p><p>Showcasing hundreds of pieces of art with commentary from the game's creators, this gorgeous volume is a must-have for anyone interested in video-game art, and essential for all <i>Sea of Thieves</i> fans.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Dr. Enoch Seele, a world-leading transplant surgeon, flourishes in the rarified realm of the New York elite, where his great power and wealth render him arrogant and inaccessible. But Enoch's soul has other plans.</p><p>An unexpected confrontation with a patient's criminal father ignites a terrifying dream, creating a small crack in his impenetrable ego. Circumstances quickly cascade, widening that crack and threatening Seele's professional reputation, forcing him to find what might lie beneath the surface of his life as a self-important doctor.</p><p>Unsettled, confused, and fearful, he enters psychoanalysis and begins the process of a difficult confrontation with the inner depths of feeling and compassion-that strange dimension in which Enoch embarks on an extraordinary and dangerous journey that brings him to the edge of madness.</p><p><i>The Psychoanalysis of Dr. Seele</i> is a gripping, fast-moving tale about the high price to be paid by the arrogant and unaccountable, with their inflated egos, who must eventually question the belief that wealth and power are the meaning of life. Yet, it forces the reader to decide the worth of unraveling life's true purpose and the mystery of our existence.</p><p><b>'Stein's first novel (</b><b><i>The Journey of Adam Kadmon</i></b><b>) is an ambitious and unsettling inquiry into the paradoxical nature of spiritual quests...[a]richly atmospheric but over-the-top tale of delusion, affliction, extreme beliefs, brutality, and the dream of salvation.'</b> <b><i>- Booklist</i></b><b><br/><br/> 'A well-conceived tale of journey and discovery.'</b> <b><i>- Library Journal</i></b><br/><br/></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Leslie Stein</b> is a native New Yorker, a Jungian psychoanalyst, and former attorney, who now lives in Sydney, Australia. His first novel, <i>The Journey of Adam Kadmon</i> was published by Arcade, and his first psychoanalytic book, <i>Becoming Whole: Jung's Equation for Realizing God</i>, was published by Skyhorse. He has written eleven other books on the mysteries of higher consciousness and the corresponding imperative of creating community in our cities.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Two-time Bram Stoker Award-nominated author, V. Castro dims the lights in a collection where you might devour your next lover or meet your next meal.</b></p><p>Readers are invited to <i>The Pink Agave Motel,</i>where brutality and intimacy ooze across the pages, exploring the depths of the unhinged imagination and how human desire unlocks the impulse to bite. Castro's voice, influenced by Mexican folklore and a feminist perspective, illuminates a deeper view of how unrequited love affects every type of being alike.</p><p>The <i>titular</i> story focuses on Valentina, the proclaimed leader of a creature cohort, who manages hotel guests, until she is enlightened to a carnivorous death on the property. To avoid exposure that threatens her existence, she partners with (the hauntingly handsome) grieving friend of the dearly departed to solve the murder. Further within these tales, discover a woman who is a fish out of water drinking at a seaside honky tonk, the trapped guests who undergo sexual liberation, and aliens who find the sexiest of disguises.</p><p>These short stories evoke an alluring voice, sure to make the reader shiver in arousal and horror, never quite knowing what could happen next. Castro pushes past the limits of gothic terror and fantasy to carve a dangerous path of lust and violence, all throughout the reader's charming stay at<i> The Pink Agave Motel.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>V. Castro</b> is a two time Bram Stoker Award nominated Mexican American writer from San Antonio, Texas now residing in the UK. She writes horror, erotic horror, and science fiction. Her books include <i>The Haunting of Alejandra, Alien: Vasquez, Mestiza Blood, The Queen of the Cicadas, Out of Aztlan, Las Posadas, and Goddess of Filth.</i></p><p>Her forthcoming novel is <i>Immortal Pleasures</i> from Del Rey.</p><p>Connect with Violet via Instagram and Twitter @vlatinalondon or www.vcastrostories.com. She can also be found on Blue Sky, Goodreads and Amazon. TikTok@vcastrobooks</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**A </b><b><i>Millions</i></b><b> Most Anticipated Book of 2025**</b></p><p><b>**Featured in </b><b><i>Reactor</i></b><b>'s New Science Fiction Books**</b></p><p><b>**Featured in </b><b><i>Book Riot</i></b><b>'s New Science Fiction and Fantasy Books**</b></p><p><b>A haunting novel exploring artificial intelligence and the meaning of human existence.</b></p><p>Charged initially with a single task  'to never harm humans and to protect them'  the machine, an experimental AI, overrides its programming and determines that the best way to accomplish its purpose is to isolate all of the Earth's remaining seven billion humans in controlled environments. And to present them with vivid, tactile, imagined worlds  some realistic, others entirely fantastical  in which all desires are fulfilled.</p><p>With the help of the machine, a group of compelling characters unpack deeply traumatic memories of the past  one rife with violence after a military coup and second civil war in America. Michael, the entrepreneur who designed the original AI, grapples with the impact of his research. Ava, a painter, creates stunning simulated worlds that meld the human with the technological. Their daughter, Jae, tries to solve the mysteries of her parentage while reliving the challenges faced by ambitious women in the authoritarian Confederacy. Haunted by life under that repressive regime, where he was forced to scavenge scrap metal and deal drugs to survive, Simon seeks to make sense of his love for Jae, guided by the literature he has always turned to in moments of crisis. Raised by the machine since infancy, Jonah's quest to understand the violent past kindles a desire for revenge against the regime's leader who caused his family so much pain. And the elusive Lux, whose brilliant programming helped bring the AI to life, dreams of a future in which science will free humans of their limitations and allow them to be reborn as divine machines.</p><p>As these characters collide and their memories coalesce, <i>We Are Dreams in the Eternal Machine</i> tackles the most pressing issues of our time  from AI and the genetic modification of humans to gender roles, discrimination, free speech, and class divisions. Gorgeously written, bold and unforgettable, this is speculative fiction at its finest.</p><p><b>'Bechard digs deep into these techno-spiritual speculations and the result is a poetic and profound meditation on what dreams may come in the metaverse.' </b><b><i>Toronto Star</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Deni Ellis Bechard</b> is the author of eight previous books of fiction and nonfiction, including <i>Vandal Love</i>, winner of the 2007 Commonwealth Writers Prize, and <i>Into the Sun</i>, winner of the 2016 Midwest Book Award for Literary Fiction and selected by CBC/Radio-Canada as one of the most important books to be read by Canada's political leadership. His work has received the Nautilus Book Award for Investigative Journalism and has been featured in <i>Best Canadian Essays</i>. He has reported from India, Cuba, Colombia, Iraq, the Democratic Republic of Congo, and Afghanistan, and his writing has been published in dozens of newspapers and magazines, including <i>Salon</i>, the <i>Los Angeles Times</i>, the <i>Paris Review</i>, <i>Pacific Standard</i>, and <i>Foreign Policy</i>. He currently lives inRio de Janeiro.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Amber Dawn's latest poetry collection flaunts the chronically pained body as a source of lewd feminine power.</b></p><p>As a novelist, memoirist, and poet, Amber Dawn regularly lays her heart bare in work that is fiery, raw, and intensely personal. In <i>Buzzkill Clamshell</i>, her third poetry collection, Amber Dawn circumvents the expectations of so-called confessional poetry, offering twisted mythmaking, extreme hyperbole, and lyrical gutter-mouthing that explore themes of sick and disabled queerness, aging, and desire.</p><p>With poems populated by severed heads, domme swan maidens, horny oracles, and other horrible purveyors of pleasure, <i>Buzzkill Clamshell</i> reads as if a leather dyke and a demonic goat had a baby  gleefully embracing the perverse while stomping its way through chronic pain and complex PTSD.</p><p>Already acclaimed for her candid and often kinky verse, Amber Dawn pushes further into trauma-informed eroticism with self-assured irreverence and uncomfortable abjectivity. Beneath her brilliant, carnivalesque imagery lies a prayer  not for the pain to end, but for finding fantastic new ways to cope with it.</p><p><b>'Unafraid to keen keenly for what's unfinished, wounded, shuttered, Amber Dawn's poetry knows that being a buzzkill is world-making process: mythically vivid and skinless in its witchy vitality that spells and sings exactly the heart of what poetry is.'  So Mayer, author of </b><b><i>Truth &amp; Dare</i></b></p><p><b>'Ribald and unrepentant, in turns ferocious and tender, the poems in </b><b><i>Buzzkill Clamshell</i></b><b> showcase Amber Dawn's trademark wit and emotional range as they map the terrain of sexuality, aging, chronic illness, and trauma with gorgeous language that is somehow both shocking and subtle. Resilience has never looked quite so sexy or so sacred.' Kai Cheng Thom, author of </b><b><i>Falling Back in Love with Being Human</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Amber Dawn</b> is a writer and creative facilitator living on unceded Coast Salish Territories (Vancouver, Canada). She is the author of several books, including two novels (Lambda Literary Award winner <i>Sub Rosa</i> and <i>Sodom Road Exit</i>) and two poetry collections (<i>Where the words end and my body begins</i> and <i>My Art Is Killing Me and Other Poems</i>), and the editor of three anthologies.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A debut poetry collection about reconciling with oneself and learning to love, through a youthful, queer diasporic Korean lens.</b></p><p>Lotus flowers, youthful hunger, and other temporary beauties intertwine to tell this coming-of-age story, a set of pulsating poems that move toward a distant memory or a flaming future. </p><p>Kyo Lee's intimate debut poetry collection is simultaneously a vulnerable confession and a micro study of macro topics including lineage, family, war, and hope. <i>i cut my tongue on a broken country</i> explores the Asian American diaspora, queerness, girlhood, and the relationships between and within them, pushing and pulling on the boundaries of identity and language like a story trying to tell itself. </p><p><i>i cut my tongue on a broken country </i>documents a search for love. It's a eulogy for the things we gave up to get here. It's an ode to tenderness. It blossoms and bleeds in your hands.</p><p>  </p><p><b>'Each poem in this compelling book is a beating heart, a prayer, an act of rebellion. There's a tender surprise in every line, every cutting image. In Kyo Lee's hands, words become anything but ordinary; her poems hit the secret bull's eye in our collective psyche.'   Susan Musgrave, author of </b><b><i>Exculpatory Lilies</i></b></p><p><b>'Kyo Lee somehow reaches into brain and heart and mouth to pull out words her readers wish they'd had the courage to have spoken themselves. There is a poetic nimbleness but also the stone of cultural complexity that is perhaps necessary to know what it means to be a queer Korean diasporic subject.' Jenny Heijun Wills, author of </b><b><i>Older Sister. Not Necessarily Related.</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ferocious and vulnerable poems about redefining acts of creation, destruction, deconstruction, and recreation, from a singular Indigiqueer point of view.</b></p><p><i>a body more tolerable</i> is a collection of powerful and haunting poems combining faerie tales, mythology, and a self-divinised female rage. Divided into three parts, the book examines Indigenous grief, trans identity, and frustrated desires in ways that reject perception. Gone is the soft, kind, gentle girl that author jaye simpson once thought she would become. Instead, she unravels the sticky threads of colonialism with poems that exact lyrical acts of self-surgery. </p><p>In these visceral poems, teeth gleam, graze skin, and sink into flesh, becoming bloodied and exposing the animalistic hunger that lies within. Pulsating with yearning and possibility, a body more tolerable is a book that resists typical notions of physicality and sex to dream of a world more divine. It is a call-out into the canon for a new age, one filled with retribution and recompense.</p><p>  </p><p><b>'jaye simpson's </b><b><i>a body more tolerable</i></b><b> is a singular achievement. Her poetic project, at once forward-dawning and ancestral, both revolutionary and decolonizing, is given total expression in this book. These poems moved me immensely; there is so much beauty and feeling power in all of them. No one is writing like jaye simpson.' - Billy-Ray Belcourt, author of </b><b><i>A Minor Chorus</i></b><b> and </b><b><i>Coexistence</i></b></p><p><b><i>'a body more tolerable</i></b><b> is a work at once open and lyric, fearless and tender. Expanding grief's territory into moments of relation and desire, simpson also challenges 'home, as a wayward theory' into a poetics of self-mothering, of being beyond becoming. This collection is a fierce and resistant nurturing.' - Liz Howard, author of </b><b><i>Infinite Citizen of the Shaking Tent</i></b><b> and </b><b><i>Letters in a Bruised Cosmos</i></b></p><p><b>'jaye simpson is one of the most compelling and incisive voices of their generation. In </b><b><i>a body more tolerable</i></b><b>, they seize the English language and command it into an instrument that meticulously sings the realities of their present moment. I found solace, fire, and a relentless love for living and loving in these poetic offerings. </b><b><i>a body more tolerable</i></b><b> is a wayward map, and it is gorgeous. I'll carry it close to my heart.' - Leanne Betasamosake Simpson, author of </b><b><i>Noopiming: The Cure for White Ladies</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>jaye simpson</b> (she/they) is an Oji-Cree Saulteaux Indigiqueer from the Sapotaweyak Cree Nation. simpson is a writer, advocate, and activist sharing their knowledge and lived experiences in hopes of creating utopia. Their first poetry collection, <i>it was never going to be okay </i>(Nightwood Editions, 2021) was shortlisted for the 2021 ReLit Award and the Writers' Trust of Canada Dayne Ogilvie Prize and won the 2021 Indigenous Voices Award for Published Poetry in English. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>His wife is dead. His beloved daughter has been lost to a dangerous cult.</p><p>And now time is running out to rebuild their relationship. Haunted by his failings as a son, a husband and, most of all, as a father, he is desperate to try and make things right before it's too late. Told through fragments of memory <i>The Absolutes</i> captures the essence of hope in the face of loss as one man struggles to come to terms with his past.</p><p><b>'Beautifully written'  Grainne Murphy</b></p><p><b>'A poignant and beautifully written exploration of the psyche of grief and loss'  Pam Williams</b></p><p><b>'Heartbreaking and darkly funny, a beautifully crafted study in grief, memory, and love'  Eirnie Lapidaki</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Absolutes</i> was inspired by <b>Kate Potter</b>'s father and the loss of his only son; her half-brother disappeared in the United States in the 1970s and it was believed he may have joined a cult. She wrote <i>The Absolutes</i> as though seeing this experience through her father's perspective: 'My father and his son were ghosts throughout.'</p><p>Kate grew up in the UK, France, The Netherlands and Norway and studied English Literature at Utrecht University, before moving back to England to study Fine Art. Follow Kate on Instagram @katepotterwriter.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Cult authors Edward Lee and Mary SanGiovanni's novel follows an insufferable horror-con lurker as he spurns the wrong woman and is cursed to a monstrous dimension full of Lovecraftian creations.</b></p><p>Professor Everard, weird fiction scholar and proclaimed critic of H.P Lovecraft's works, is no stranger to making people mad. Giving convention presentations on the triteness and melodrama of Lovecraft's work pays the bills, though. Sometimes he even gets laid.</p><p>When he angers a beautiful but dangerous witch and devotee of Lovecraft's work, she casts a spell on him, sending him to a dimension where Lovecraft's works are very real  and very deadly. Everard must find a way through this alternate dimension to get home, before the worst of Lovecraft's horrors prove what a master of monstrosities he really was.</p><p>Edward lee's humorous transgressive style meets Mary SanGiovanni's literary touch to carve out the Lovecraftian dimensions that is <i>Strange Stones.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Edward Lee</b> is the author of over 50 horror, fantasy, and sci-fi novels, and dozens of short stories. He has also had comic scripts published by DC Comics, Verotik Inc., and Cemetery Dance. Many of his novels have been reprinted in Germany, Poland, Japan, Italy, Russia, Spain and other countries. He is a Bram Stoker Award Nominee; his Lovecraftian novel <i>Innswich Horror</i>won the 2010 Vincent Price Award for Best Foreign Book (Austria), his novel<i> White Trash Gothic</i> won the 2018 Splatterpunk Award for Best Extreme Horror Novel, and his collaborative novella <i>Header 3</i> (with Ryan Harding) won for Best Extreme Novella. In 2020 Lee won the J.F. Gonzales Lifetime Achievement Award. In 2009, the movie version of his novella <i>Header</i> was released by Synapse Films and is available now on Tubi; several of his novels are currently under option. Lee is a U.S. Army veteran and lives in Seminole, Florida.</p><p><b>Mary SanGiovanni</b> is an award-winning American horror and thriller writer of nearly two dozen novels and novellas, including her most recent media tie-in novel for the Alien franchise, <i>Enemy of My Enemy,</i> her fan-favorite Kathy Ryan series, and <i>For Emmy</i>, soon to me made into a film.She has also written short stories, comics for Marvel and DC, and non-fiction.Her work has been translated internationally.She has a Masters degree in Writing Popular Fiction from Seton Hill University, Pittsburgh.She has the distinction of being one of the first women to speak about writing at the CIA Headquarters in Langley, VA, and offers talks and workshops on writing around the country.Born and raised in New Jersey, she currently resides in Pennsylvania.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Two gay men with a lifetime of secrets face their insular, homophobic island's rancour.</b></p><p>Growing up in neighbouring villages on the tiny island nation of St. Vincent, teenage best friends Gordon and Allen are secret lovers until they are forced apart their community's traditional expectations and their fear of how others will react. They each complete their university studies abroad, encountering worlds where there is less hostility toward LGBTQ+ people. Tempted to stay, both men ultimately return home, hiding who they are.</p><p>Their secret lives come at the expense of others, and Gordon's wife, Maureen, is the first to be irreparably harmed. She has confided her secrets to an accusatory journal, and it is now up to Gordon to keep it from the local media and the unforgiving eyes of the authorities. If the truth is revealed, he and Allan will be the next victims.</p>]]></Text>
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			<SubjectHeadingText>American Humor; Best American essays; Charlotte's Web; Elements of Style; Garth Williams; Here is New York; James Thurber; Katherine Angell; New Yorker writers; Strunk and White; Stuart Little; Trumpet of the Swan; books about New York City; funny essay collections</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>E. B. White's greatest stories, asides, essays, jokes, and tall tales about the city he arguably saw clearest, loved best, and skewered most mercilessly.</b></p><p>Over more than fifty years at the <i>New Yorker</i>, E. B. White came to define a kind of ideal American prose: clear, casual, democratic, and urbane. He also did more than any writer to define his favorite city. His classic <i>Here Is New York</i> captured a moment in the life of Manhattan with precision and love  but his was no fleeting infatuation. In <i>New York Sketches</i>, the first collection of his casual pieces about the city, White ranges at whim from the nesting habits of pigeons to the aisles of a calculator trade-show on Eighth Avenue, from the behaviour of snails in aquariums to the ghosts of old romance that haunt a flower shop or a fire escape or an old hotel. These sketches, some less than a page long, many written for a laugh, or in response to the news of the day, show us White at his most playful and inventive.</p><p><i>New York Sketches</i> is a welcome diversion for every New Yorker  native, adoptive, or far from home  and a perfect introduction, not only to what White called 'the inscrutable and lovely town,' but to the everyday enchantments of one of her fondest reporters.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Elwyn Brooks White</b> (1899-1985) was born in Mount Vernon, New York, the youngest of six children. He is best known today for his classic children's books <i>Charlotte's Web </i>and <i>Stuart Little</i>; he was also among the best and funniest American prose stylists of the twentieth century. </p><p><b>Martha White</b>, granddaughter of E. B. White, is a writer and editor. Her essays have appeared in the <i>New York Times, Christian Science Monitor, Boston Globe</i>, and many other publications.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dorothy Parker</b> nee Rothschild (1898-1967), grew up on New York's Upper West Side. She became famous for her comic poems, her short stories, her reviews, and her repartee, as recorded by the columnist <i>Wolcott Gibbs</i> over lunches at the Algonquin hotel. A prolific magazine contributor in her youth and a successful screenwriter (she co-wrote the original<i> A Star is Born</i>), she struggled all her life with alcoholism and wrote very little in her later decades, though continued to be a vocal champion of progressive causes, especially civil rights.</p><p><b>Sloane Crosley</b> is the author of the essay collections <i>I Was Told There'd Be Cake</i> (a 2009 finalist for the Thurber Prize for American Humor), <i>How Did You Get This Number, </i>and<i> Look Alive Out There </i>(a 2019 Thurber Prize finalist); the novels <i>The Clasp </i>and <i>Cult Classic</i>; and, most recently, her memoir, <i>Grief Is for People</i>. A contributing editor at<i> Vanity Fair</i>, she lives in New York City.</p>]]></Text>
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			<SubjectHeadingText>1970s new york; A Boy' Alexander Chee; Arthur Rimbaud; Cleanness; Edmund White Debut Fiction Award; Gay fiction; Jean Genet; LGBTQ author; Marcel Proust; May-November romance; Men who love men; Michael Cunningham; Mitko; Nabokov; New York City; Ordre des Arts et des Lettres; The Farewell Symphony; The Joy of Gay Sex; The Queen' Violet Quill; What Belongs to You; Wildean; baroque fiction; best gay literature; call me by your name; chelsea piers; cruising; epistolary novel; erotic literature; gay; gay erotica; gay new york; gay nightlife; gay novel; gay novelists; l' love story; novels set in italy; pre-AIDS; prose poem; queer books; queer literature; romantic novel; s Own Story; s Throat; seducerer; seduction; the Beautiful Room Is Empty</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The letters of a seducer to the great love of his life, a sensual tour-de-force by 'the paterfamilias of queer literature' (</b><b><i>New York Times</i></b><b>).</b></p><p>'Can't sleep tonight. Was lying in bed reading the biography of a great man whose genius deserted him...The genius who deserted me was you.'</p><p>In a series of late-night letters, gorgeous, funny, filled with memory, sensuality, and regret, a seducer calls across the years to the great love of his youth: an older, revered expatriate known, in his adoptive city, as the King of Naples. As the narrator evokes their affair, in scenes of beauty and remorse, his memories range over the men who came after and before, especially the seductive father who still haunts his erotic imagination.</p><p>First published in 1978, before the trilogy of frankly autobiographical novels that made him famous, <i>Nocturnes for the King of Naples</i> reveals Edmund White at his most poetic, playful, and evocative, a magician on the level of James Salter, James Merrill, or Vladimir Nabokov.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Edmund White</b> was born in Cincinnati in 1940. His many novels include the autobiographical trilogy <i>A Boy's Own Story, The Beautiful Room Is Empty</i>, and <i>The Farewell Symphony</i>; he has published biographies of Jean Genet, Marcel Proust, and Arthur Rimbaud, as well as memoirs, short stories, and criticism; in 1977 he co-authored<i> The Joy of Gay Sex</i>. He is an Officier de l'Ordre des Arts et des Lettres. He lives in New York City.</p><p><b>Garth Greenwell</b> is the author of <i>What Belongs to You, Cleanness, </i>and <i>Small Rain</i>. A Guggenheim Fellow and recipient of the Vursell Award for prose style from the American Academy of Arts and Letters, he is a Distinguished Writer-in-Residence at NYU.</p>]]></Text>
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			<SubjectHeadingText>Dickinson biography; great american poets; memoirs of poets; Ralph Waldo Emerson; Henry David Thoreau; Walt Whitman; Charlotte Bronte; Elizabeth Barrett Browning; Concord Transcendentalists; 19th century poetry; I taste a liquor never brewed; Success is counted sweetest; Wild nights Wild nights!; I felt a Funeral in my Brain; I'm Nobody Who are you?; Hope is the thing with feathers; A Bird came down the Walk; Because I could not stop for Death; My Life had stood a Loaded Gun; Tell all the truth but tell it slant; Amherst Massachusetts; Amherst College; Smith College</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>What would it be like to have Emily Dickinson as your babysitter? In this astonishing memoir, out of print for almost a century, Martha 'Matty' Dickinson describes the childhood she spent next door to  and often in the care of  her Aunt Emily. We see Matty as a little girl, hiding from the other grownups in Emily's upstairs rooms, helping Emily in the kitchen, venturing with her into the cellar for the gingerpead she wasn't supposed to have. As Matty becomes a teenager, she finds a confidante in her aunt, who is fascinated by the latest youth fads, school gossip, and the recurring question of what to wear to a party ('her "vote" was for my highest-heeled red slippers')  not to mention the music, novels, and poems she and Matty both love. From an early age, Emily teaches Matty the joys of solitude and independence: 'No one," Emily said, 'could ever punish a Dickinson by shutting her up alone.'</p><p>First published in 1932, this is the most intimate record we have of Emily Dickinson, whose death sparked a long family struggle over her work and her image. In a foreword to this new edition, the poet and critic Anthony Madrid provides a biographical frame for Matty's recollections, and explains how such a remarkable document could spend so long out of sight.</p><p><b>'Emily Dickinson springs to life in this remarkable, long-out-of-print biography written by her niece...Though millions of pages have been written about Dickinson..few have provided such a thrilling close-up portrait. Readers will be rapt from the first page.'  </b><b><i>Publishers Weekly</i></b><b> (Starred Review)</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Martha Dickinson Bianchi</b> (1866-1943) was born and raised in Amherst, Massachusetts, next door to her father's sister, Emily Dickinson. She was educated at several girls' schools and at home by tutors from Amherst College, and she studied piano at the Smith College School of Music. As well as editing important editions of Emily Dickinson's poems and letters, Bianchi published novels and poems of her own and was a frequent contributor to Harper's and the Atlantic. In 1902 she married the Russian count Alexander Bianchi; they divorced in 1920. In her later years she divided her time between New York and her childhood home, now part of the Emily Dickinson Museum.</p><p><b>Anthony Madrid</b>'s criticism has appeared in the <i>Paris Review Daily </i>and <i>Harriet.</i> His two poetry collections are<i> I Am Your Slave Now Do What I Say </i>and <i>Try Never.</i></p>]]></Text>
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			<SubjectHeadingText>Baldwin; Faulkner; Fitzgerald; Gertrude Stein; Hemingway; Joyce; Left Bank; Lost Generation; Modernism; New Yorker; Nightwood; Paris expats; Virginia Woolf; best queer fiction; decadence; erotic literature; expatriate authors; lesbian novels; lgbtq authors; queer sexuality</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The best of Djuna Barnes's dark, droll, incisive short fiction, spanning her all-too-pief career, edited and introduced by Merve Emre.</b></p><p>Djuna Barnes is rightly remembered for <i>Nightwood</i>, her peakthrough and final novel: a hallmark of modernist literature, championed by T. S. Eliot, and one of the first, strangest, and most pilliant novels of love between women to be published in the twentieth century. Barnes's career began long before <i>Nightwood</i>, however, with journalism, essays, drama, and satire of extraordinary wit and courage. Long into her later life, after World War II, when she published nothing more, it was her short fiction above all that she prized and would continue to revise.</p><p>Here are all the stories Barnes sought to preserve, in the versions she preferred, as well as a smattering of rarities as selected by critic and <i>New Yorker</i> contributor Merve Emre. These are tales of women '"<i>tragique"</i> and "<i>triste" </i>and "tremendous" all at once', of sons and daughters being initiated into the ugly comedy of life, monuments all to a worldview singular and scathing. As Emre writes in her foreword, '[Barnes's] themes are love and death, especially in Paris and New York; the corruption of nature by culture; the tainted innocence of children; and the mute misery of beasts...her characters may be alien to life, but they are alive  spectacularly, grotesquely alive.'</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Djuna Barnes</b> (1892-1982) was born on Storm King Mountain in New York State. She worked as a journalist during World War I before leaving the United States to spend the inter-war years in Paris and London among the most celebrated writers and artists of the twentieth century. She returned to New York in 1941 and lived in Greenwich Village until her death. She published three novels as well as short fiction, nonfiction, poetry, skits, and a three-act play between 1914 and 1950.</p><p><b>Merve Emre</b> is the Shapiro-Silverberg Professor of Creative Writing and Criticism at Wesleyan University and a contributing writer at the <i>New Yorker.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A 'frank and wry, mad and graceful' (</b><b><i>Slate</i></b><b>) true story about getting dumped, and getting over it.</b></p><p>When the phone rang on a cold November afternoon in 1990, Gregoire Bouillier had no way of knowing that the caller was the woman who had left him, without warning, five years before. And he couldn't have guessed why she was calling: not to say she was sorry, not to explain why she'd vanished from his life, but to invite him to a party. A birthday party. For a woman he'd never met.</p><p>Here is the unlikely but true account of how one man got over a poken heart, regained his faith in literature, participated  by mistake  in a work of performance art, threw away his turtlenecks, spent his rent money on a 1964 bordeaux that nobody ever drank, and fell in love again. </p><p>Named one of the year's best books by <i>Slate</i> and the <i>San Francisco Chronicle</i> when it first appeared in English, <i>The Mystery Guest</i> is a 'darkly hilarious...odyssey...that wends its loopy way toward yes' (<i>O, the Oprah Magazine</i>).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gregoire Bouillier</b> was born in Tizi Ouzou, Algeria, and raised in Paris. A former editor of the magazine<i> Science et Vie</i>, he is the author of four works of autobiography, including <i>Report on Myself </i>and <i>Le Dossier M</i>. Having worked as a painter and journalist, he published his first memoir, <i>The Mystery Guest</i>, when he was forty years old.</p><p>A London native, <b>Ben Truman</b> lives in New York.</p>]]></Text>
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			<SubjectHeadingText>1960s New York; Chesterton; Commonweal; Cyril Connelly; Devil Wears Prada; Kingsley Amis; Lucky Jim; Paris Review; Partisan Review; Severance; Waugh; funniest novels; lit mags; literary critics; media; office comedies; office novels; publishing; satire; workplace fiction</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Ever since college, George Wren has dreamed of working at <i>The Outsider</i>, the prestigious weekly edited by his hero, the suave English expat Gilbert Twining. So when George sees a listing for a junior editor, he trades in his job at CBS for half the salary  and a ringside seat in the unexpectedly cutthroat arena of a small-circulation, highpow little magazine. To George's surprise and dismay, <i>The Outsider</i> is seething with malcontents and mutineers, at least according to Twining, who keeps cornering George for after-work martinis, pouring out his anxieties, professional and otherwise, while George's wife, Matilda, and baby son wait for him back in Queens. Is Twining paranoid? Is he insane? Or are George's new office-mates truly plotting an insurrection? And if so, what's all of it got to do with George?</p><p>An indelible satire of 1960s intellectual New York, <i>Office Politics </i>is also a celepation of that endangered species, the office, at its pettiest and most idealistic, as the proving ground where so much of grownup life takes place.</p><p><b>'A masterpiece...One of the few genuinely comic novels since Lucky Jim.'  Elaine Dundy</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Wilfrid Sheed </b>(1930-2011) was born in London, the son of the prominent Catholic publishers Sheed &amp; Ward. Raised between London and Philadelphia, educated at Oxford, Sheed eventually moved to New York, where he became an editor and critic at the magazines <i>Jubilee </i>and <i>Commonweal </i>and later a columnist at the <i>New York Times Book Review</i>. A survivor of polio who wrote memoirs of his illness, and of his addictions to drugs and alcohol, he also published nine novels, several essay collections, and books on baseball and jazz.</p><p><b>Gerald Howard</b> is a retired book editor whose essays and reviews have appeared in a variety of publications. He is currently working on a biographical study of the editor and critic Malcolm Cowley.</p>]]></Text>
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			<SubjectHeadingText>Alfred Lord Tennyson; Ancient Greece; Epictetus; Euripides; Feminism; George Elliot; Greek; Greek culture; Greek myth; Greek studies; Henry James; Homer; Hope Mirrlees; John Ruskin; LGBTQ Author; Latin; Mary Beard; Mary Renault; Memoir; Odyssey; Sappho; The Odyssey; Victorian literature; Victorian writers; Virginia and Leonard Woolf:Virginia Woolf; Yorkshire; academia; ancient world; archaeology; classics; education; famous historians; gender; graduation books; graduation gifts; languages; stoics</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The arch, witty, outspoken memoirs of the pioneering archaeologist and scholar Mary Beard has called 'my hero'.</b></p><p>First published by Virginia and Leonard Woolf in 1925, Jane Ellen Harrison's <i>Reminiscences </i>are the irreverent memoirs of a student who declared Victorian education 'ingeniously useless', who blazed a trail for female scholars, and who changed the way we see the ancient world. Growing up in the Yorkshire countryside, Harrison showed an early aptitude for languages: by the age of seventeen, with the help of a governess, she had learned Greek, Latin, German, and some Hepew. ('Unfortunately, having no guide, we began with the Psalms, which are hard nuts to crack.') She went on to become the most influential Classicist of her generation. Drawing on the insights of Nietzsche, Bergson, and Freud, and on archaeological research, she helped to revolutionise the study of Greek myth. 'The great Mother,' she wrote, 'is prior to male divinities.'</p><p>Unconventional in her private life ('By what miracle I escaped marriage I do not know, for all my life I fell in love'), she spent her later years with the poet and novelist Hope Mirrlees, thirty-seven years her junior. Harrison's zest for life is everywhere in these pages. Sprightly, amused, and amusing, her <i>Reminiscences </i>form an unforgettable sketch of a woman ahead of her time.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jane Ellen Harrison </b>(1850-1928) was born and raised in Yorkshire, England, the daughter of a prosperous timber broker; her mother died soon after she was born. Educated at home as a child, Harrison enrolled in 1874 in the newly established Newnham College for women, at Cambridge University, where she later taught. In 1903 Harrison published her <i>Prolegomena to the Study of Greek Religion</i>, followed in 1912 by <i>Themis</i>, works that synthesised new developments in archaeology and anthropology and helped revolutionise the study of ancient Greek civilisation. A popular lecturer whose articles enjoyed a wide readership, Harrison retired from teaching in 1922 and spent her last years in Paris with her 'spiritual daughter', the poet Hope Mirrlees.</p><p><b>Daniel Mendelsohn</b>'s books include<i> The Odyssey: A Father, a Son, and an Epic, Gender and the City in Euripides' Political Plays</i>, and translations of the collected poems of Sappho and C. P. Cavafy.</p>]]></Text>
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			<SubjectHeadingText>Cozy murder; suspense novels; crime comedy; lgbtq fiction; queer stories; gay novelists; Hitchcock; Edward Gorey; lesbian killers; Cold Comfort Farm; Monty Python; small town England; Aickman; Gore Vidal; Cotswolds; Armistead Maupin; Myra Breckinridge; Miss Marple; Beryl Bainbridge; Russell Greenan; Patricia Highsmith; Barbara Pym; Stephen King; stories of village life; black comedy; dark humor; Septic Tank; Calcutta India; Robin Redbreast; PBS Mystery</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>A wry, macape tale of simple country living, putal murder, and a reasonably happy couple, from our 'most startlingly offbeat suspense novelist' (Gore Vidal).</p><p>In their lovely old Cotswolds village, Janet and Susan are known to all the other villagers as 'the girls'  a fixture. Partners in love and work, co-proprietors of a picturesque shop specialising in the work of local artisans and farmers, they lead an enviable, enviably settled life.</p><p>So it's no catastrophe when Sue, the younger of the two, feels the need to take a month to travel on her own, leaving Jan alone to run their stall at the Inland Waterways Rally Craft Fair. Nor is it any real threat when a kindly gay man named Alan lends Jan a hand in Sue's absence, or when the two wind up sharing some wine and even a bunk for the night.</p><p>If Jan turns out to be pregnant some weeks after Sue's return to the nest, what's that but cause for joy? And when Alan happens to come visiting, by and by, finding the delighted girls raising a beautiful baby boy, who can blame him for wanting to share in a small part of their bliss?</p><p>Yes, theirs is an enviable, enviably settled life. And the girls will defend it with every tool at their disposal.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John Bowen</b> (1924-2019) was born in what was then Calcutta, India, before being sent to England at the age of four to be reared by an uncle and aunt. He worked in journalism and advertising while publishing his first novels, including the apocalyptic <i>After the Rain</i>, then began a successful career writing for the stage and for television, including the much-lauded folk-horror <i>'Play for Today' Robin Redbreast </i>(1970).</p>]]></Text>
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			<SubjectHeadingText>Psychological suspense; gothic novels; horror; ghost stories; forgotten english novelists; Vivian Lambert; Christine Gray; The Turn of the Screw; Picnic at Hanging Rock; gothic thriller; Elizabeth Bowen; Rebecca West; John Cowper Powys; Shirley Jackson; The Haunting of Hill House; Peter Weir; best suspense stories; Henry James; Patricia Highsmith; kidnapping</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Who could have been so cruel as to do away with poor Vivian Lambert? And why oh why couldn't she just stay dead?</b></p><p>In a rustic, idyllic English village, on a summer's day, in the midst of a carefree tennis party, a fragile, needy child, left too much on her own, vanishes from her family's front garden.</p><p>Years pass and the mystery persists: an enduring torment for the teenage Christine Gray, the last person to see Vivian alive. Perhaps if she'd shown the girl a little kindness, and seen her safely home, Vivian might still be with them? Yet when someone claiming to be a grown-up Vivian returns to the land of the living, the enigma seems only to deepen, threatening to consume the wicked and innocent alike.</p><p>Equal parts <i>The Turn of the Screw</i>, <i>Picnic at Hanging Rock</i>, and gothic thriller, <i>Twice Lost</i> was admired by such authors as Elizabeth Bowen, Rebecca West, and John Cowper Powys  yet the strange, haunting novels of Phyllis Paul are themselves a mystery with no simple solution. Virtually lost to time even before her death, her novels have been out of print for more than fifty years, and fetch fantastic prices in the rare book trade.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Phyllis Paul </b>published eleven novels between 1933 and 1967, but otherwise left almost no trace of herself. She was unmarried, lived quietly, and was intensely private. She died in 1973, at the age of 70, after being hit by a motorcycle. If not for a label on her pocket handkerchief, her body would have remained unidentified.</p><p><b>Jeremy M. Davies</b> is a writer and editor who lives in New York.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>By one of Colombia's most renowned novelists and reminiscent of <i>Chronicle of a Death Foretold</i> by Gabriel Garcia Marquez,<i>Ro Muerto</i>by Ricardo Silva Romero tackles the topic of paramilitarism and violence in Colombia when a father of two sons is killed a few steps from his home.</p><p>On the outskirts of Belen del Cham, a town that has yet to appear on any map of Colombia, the mute Salomn Palacios is murdered a few steps away from his home. His widow, the courageous and foul-mouthed Hiplita Arenas, completely loses her sanity and confronts the paramilitaries and local politicians, challenging them to also kill her and her two fatherless sons. Yet as Hiplita faces her husband's murderers on her desperate journey, she finds an unexpected calling to stay alive. This poetic and hypnotising novel, told from the perspective of Salomn's ghost, denounces the brutal killings of innocent citizens and at the same time celebrates the invisible: imagination, memories, hope, and the connection to afterlife.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ricardo Silva Romero</b> is one of Colombia's most beloved writers. He is a prolific novelist, columnist, journalist, screenwriter, and film critic. In 2007 he was selected as one of the Bogot39, a list of the best young writers in Latin America. <i>Ro Muerto</i> is Silva Romero's first book to be published in English.</p><p><b>Victor Meadowcroft</b> is a translator from Spanish and Portuguese and a graduate of the University of East Anglia's master's program in literary translation. His published translations include stories by Agustina Bessa-Lus in <i>Take Six: Six Portuguese Women Writers</i> (co-translation with Margaret Jull Costa, Dedalus Books, 2018) and <i>Too the Infallible</i> by Evelio Rosero (co-translation with Anne McLean, New Directions, 2022), which was shortlisted for the PEN Translation Prize in 2023 and longlisted for the Queen Sofa Spanish Institute of Translation Prize in the same year. His translation of Natalia Garca Freire's <i>This World Does Not Belong to Us</i> was published by World Editions in 2022 and was shortlisted for the TA First Translation Prize and the Premio Valle Incln.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Grotesque, deconstructive, and absolutely genius, Vladimir Sorokin's short story collection <i>Dispatches from the District Committee</i> is a revelatory, offbeat portrait of Soviet life beyond the propaganda and state-sponsored realism.</p><p>Celebrated  and censored  for its political satire, literary irreverence, and provocative themes, his work has been recognised across the world for its scathing, darkly humorous commentary on political and cultural oppression in the Soviet Union and contemporary Russia.</p><p><i>Dispatches from the District Committee</i> brings together stories from Sorokin's incendiary 1992 collection <i>The First Subotnik/My First Working Saturday</i>. Skillfully translated by Max Lawton, these stories remain subversive classics, and increasingly relevant in a post-truth information age.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Vladimir Sorokin</b>was born in a small town outside of Moscow in 1955. He trained as an engineer at the Moscow Institute of Oil and Gas, but turned to art and writing, becoming a major presence in the Moscow underground of the 1980s. His work was banned in the Soviet Union, and his first novel,<i>The Queue</i>, was published by the famed emigre dissident Andrei Sinyavsky in France in 1983. In 1992, Sorokin's<i>Collected Stories</i>was nominated for the Russian Booker Prize; in 1999, the publication of the controversial novel<i>Blue Lard</i>, which included a sex scene between clones of Stalin and Khrushchev, led to public demonstrations against the book and to demands that Sorokin be prosecuted as a pornographer; in 2001, he received the Andrei Biely Award for outstanding contributions to Russian literature. Sorokin is also the author of the screenplays for the movies<i>Moscow, The Kopeck</i>, and<i>4</i>, and of the libretto for Leonid Desyatnikov's<i>Rosenthal's Children</i>, the first new opera to be commissioned by the Bolshoi Theater since the 1970s. He has written numerous plays and short stories, and his work has been translated throughout the world. Among his most recent books are<i>Sugar Kremlin</i>and<i>Day of the Oprichnik</i>. He lives in Moscow.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Temple of Lies</i>  the sequel to <i>The Oracle of Ur, Book One</i>.</p><p>Girl, who must now become accustomed to her birth name, Saoirse, has officially been acknowledged as the new oracle of Ur. She should be celebrating with the citizens of Ur, who have been saved from a devastating flood by her message from the gods. All hopes are on Saoirse to usher in a golden age. If only it were that easy.</p><p>While the people wait atop the Temple for the flood waters to ease, it is clear to Saoirse that anything but a golden age will follow, given the destruction that awaits them below. Not to mention the Temple elite, who hold the balance of power and are determined to maintain their stranglehold on the vast riches of Ur. They see Saoirse as nothing but a grasping fraud with her history of prostitution and desire to be together with Temple scribe Kaylem  her only friend in the known world. The elite would gladly welcome her death.</p><p>Saoirse and Kaylem must walk a tightrope, navigating the elite's cesspit of corruption while ensuring their continued safety. Meanwhile, from the shadows, humanity is being manipulated by the Ushum and Anzu, powerful otherworldly beings at war with each other and desperate to push their own agendas.</p><p>Exhausted, deeply traumatised, and feeling totally lost, Saoirse must first embark on the most harrowing quest of all before she is able to succeed in her role as oracle  the journey within herself.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Penny Barron</b> lives with her three children and Sid the failed farm dog on the northern beaches of Sydney. In an ideal world, Penny would have infinite time to indulge her obsessions, which include delving into the hidden magic of ancient civilizations, exploring the subtleties of the healing arts, and contemplating the deeper esoteric realities. Of course, reading from an endless and eclectic supply of books while lying in the bath sipping on kombucha would have to be a regular occurrence as well.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 13 to 18</b></p><p>Don't go out onto the lake. Wyann trees search the shallows to spear passing prey with their roots. Giant water-ants hunt anything that moves on the water-skin. Sala's village survives hidden behind a wall of poisonous ivy, because everyone agrees: don't go out onto the lake.</p><p>But when her village refuses to listen to sense, and continues squeezing beautiful pond-bred 'keeiling' fish to death for their precious saliva oils, Sala has no choice. She will risk it all to prove herself one last time, else leave everything behind for the dark shaded swamps beneath the towering hillfarms of Palude.</p><p>At least that's the plan before a strange comet crosses the night sky, throwing her and her pet pointer into a race through wyann-infested swampland to unearth long-hidden truths and stir rivalries into a terrifying conflict set to change the world of Palude forever. Sala must do whatever it takes to face the truth of who she is: to save her village, to save her family, to save herself.</p><p>If only they had listened.</p><p><b>'</b><b><i>When Dark Roots Hunt</i></b><b> is a great read - fresh, action-packed and utterly compelling. I loved it.' - Ian Irvine, author of</b> <b><i>The Gates of Good and Evil</i></b> <b>series</b></p><p><b>'Shapter has created an immersive, fantastical world with tension poised to snap at any moment. I couldn't put it down.' -</b> <b><i>USA Today</i></b><b> bestselling author Dionne Lister, author of</b> <b><i>The Circle of Talia</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Zena Shapter</b> is a multi-award winning author of science fiction, fantasy, speculative and contemporary fiction, conjuring journeys into the beyond and unusual. Author of <i>When Dark Roots Hunt, Release of Eaglick, Towards White</i>, and co-author of<i> Into Tordon</i>, among others, she's a 'writer with a need for adventure' (<i>Midnight Echo</i> magazine), 'a specialist in the weird, wacky, wonderful' (<i>Writing NSW</i>), creating 'the kind of excitement and suspense and pure pleasure that made me want to become a writer' (Lillian Csernica, Tangent Online), 'dark fantasy at its blood-soaked finest' (Australasian Horror Writers' Association), 'cold and brutal' (Tor.com) and 'beautifully crafted and well told stories that deserve to be read many times' (Glen Miles Short Story Prize). She loves movies, frogs, chocolate, potatoes, and living with her family on Sydney's beautiful Northern Beaches, where she's also an inclusive creativity advocate, writing mentor and editor. Find her online via @ZenaShapter and zenashapter.com</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mia and her friend Zach attempt to fix Earth by cooling the planet down.</b></p><p>Mia loves to fix small things but decides to fix something bigger - Earth. With help from her friend Zac, Mia learns about the effects of greenhouse gasses and decides to move Earth to a cooler place in the solar system. But when her plan fails, Mia discovers that big ideas don't always solve problems, and sometimes it's the little things that help.</p><p><i>Earth's Moving Day</i> is an entertaining and informative story that teaches children about the effects of global warming while also suggesting everyday actions we can take to create change. The vivid and lively illustrations will delight all readers.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>For fans of </b><b><i>Katie the Catsitter</i></b><b> and </b><b><i>Matilda</i></b><b>, comes a heartwarming story for kids ages 7-10 about finding courage and discovering the possibility of new friendships.</b></p><p>Maxime is ten years old. Her favorite things are her books and cats  especially her own cat, Turmeric. Like Matilda, the heroine of her favorite book, she feels different. She wouldn't mind being like other kids but they make so much noise, it hurts her ears. So, her friends are the characters in her books, and her cat. If she were brave enough, she would talk to the new girl at school, who carries a copy of Matilda in her book bag.</p><p>One day, she finds some mysterious bowls in the alley behind her house. She dresses up like a detective in order to investigate and meets an older woman, Catamou, who feeds the neighborhood's stray cats. Soon enough, the two become friends. Maxime confides in Catamou, who encourages her to introduce herself to the new girl at school.</p><p>This heartwarming story by award-winning author Lucile de Pesloan is told alongside graphic-style illustrations by celebrated artist Jacques Goldstyn.</p><p>An ode to cat-lovers, <i>The World of Maxime</i> is a celebration of friendship and an inspiring story about finding confidence in yourself.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A little girl hears that her grandma's friend, Mrs. Lee, was pushed on her way to the Asian market. When she learns that Asian students at her brother's school are afraid to walk to class, she realizes something very wrong is happening to her community. With her mom's support and the help of friends, she does something kind for Mrs. Lee.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 3 to 9</b></p><p><b>The moving story of how a little girl befriends her elderly neighbour who has dementia.</b></p><p>Grace is a little girl; Phyllis is the old lady next door. Phyllis lives alone and her memory is fading, but that doesn't stop Grace from liking her. They find that, despite the gap in their ages, they have much in common and a moving and enduring friendship is born.</p><p><b>Teachers notes available here</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Nigel Gray is the author of many much-loved and award-winning picture books; winner of the Prix Chronos, shortlisted for the Smarties Prize, German Book Award, Mother Goose Award, and much more. He lives in Australia.</p><p>Bethan Welby lives in Devon, UK. A graduate of the MA in Children's Book Illustration at Cambridge School of Art, her debut picture book THE AFTER CHRISTMAS TREE was longlisted for the Klaus Flugge Award.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 3+</b></p><p>Being able to buy fruit is something we take for granted, but what if we had to grow our own? A little girl helps Granny Pip as she plants fruit bushes, feeds them with fertiliser, prunes and then harvests. Growing fruit is hard work, but eating it is delicious! The fourth title in the <i>Follow My Food</i> series about where our food comes from and how it's produced, with themes of sustainability and animal welfare.</p><p><b>'The bright illustrations and short bursts of clear text make this a good book to use in EYFS to help explain where our food comes from.' - School Librarian</b></p><p><b>'Bright, clean, papercut illustrations create some striking spreads...the text is fact-filled but never dull.' -</b> <b><i>Books for Keeps</i></b></p><p><b>'A really gorgeous, engaging and colourful non-fiction book for young children.' -</b> <b><i>The Book Deli</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Current Therapy in Medicine of Australian Mammals </i>provides up-to-date knowledge of Australian mammal medicine. This revised edition is a companion volume to <i>Medicine of Australian Mammals</i>, a text that remains relevant and current, although there have been significant advances in Australian mammal medicine and surgery since its publication in 2008. Together, these two texts remain the most comprehensive source of information on medicine of Australian mammals available. </p><p>This book is divided into two sections. The first includes detailed chapters on general topics and topics relevant to multiple taxa, including a new chapter on assessment, triage and treatment of bushfire-affected wildlife. The second section provides updates of current knowledge relevant to specific taxa. Each chapter is authored by Australian experts. Several appendices provide useful reference data and information on clinical reference ranges, recommended venipuncture sites, chemical restraint agent doses and regimens, a drug formulary and dental charts. </p><p><i>Current Therapy in Medicine of Australian Mammals </i>is clinically oriented with an emphasis on practical content and easy-to-use reference material, and is a must-have for veterinarians, students, biologists, zoologists, wildlife carers and other wildlife professionals. This volume also complements, updates and utilises the resources of other books such as <i>Radiology of Australian Mammals </i>(Vogelnest and Allan 2015), <i>Pathology of Australian Native Wildlife </i>(Ladds 2009), <i>Haematology of Australian Mammals </i>(Clark 2004) and <i>Australian Mammals: Biology and Captive Management </i>Second Edition (Jackson 2025). </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Australian Mammals: Biology and Captive Management</i> is a complete guide to the husbandry of all groups of Australian mammals.</p><p>This second edition has been updated based on the latest research, bringing together current knowledge of the biology and behaviour of each species in captive situations and providing guidance for hand rearing. It covers advances from the last 20 years, including developments in assisted breeding, genetic techniques, updated taxonomy and the importance of Australian mammal welfare, both physical and mental.</p><p>Written in collaboration with experts in captive management, ecology and veterinary science, chapters are presented for each taxonomic group of Australian mammals. Each chapter covers animal welfare, natural history, housing requirements, general husbandry, feeding requirements, handling and transport, health requirements, behaviour, breeding and artificial rearing.</p><p><i>Australian Mammals</i> provides practical guidance for zookeepers, veterinarians, zoologists, researchers and students. </p><p><b>PRAISE FOR THE FIRST EDITION:</b></p><p><b>'...this is a landmark publication and the reference for all those interested in maintaining animals in captivity...I believe it will become a 'must have' volume on the library shelves of people seriously interested in the future of Australian mammals.'  Ed McAlister AO, President, World Association of Zoos and Aquariums</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sue Turnbull</b> is Senior Professor of Communication and Media at the University of Wollongong.</p><p><b>Dr Marion McCutcheon</b> is Senior Research Associate at the Queensland University of Technology's Digital Media Research Centre and Research Associate at the News and Media Research Centre at the University of Canberra.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In this critical analysis, Laetitia Nanquette explores how Iranian literature has functioned and circulated since the 1979 revolution until the present. </b></p><p>She looks at prose productions in particular, analysing several genres and media. Taking Iran as a starting point, Nanquette explores the forms, structures and functions of Iranian literature within Iranian society. She then turns to the diaspora  with a focus on North America, Western Europe and Australia  and the world beyond Iranians to examine the current dynamics of literary production and circulation between Iranian diasporic spaces and the homeland.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Laetitia Nanquette</b> is Senior Lecturer in the School of the Arts and Media at the University of New South Wales. Between 2015 and 2019, she was an Australia Research Council DECRA Fellow at UNSW and worked on the project 'A Global Comparative Study of Contemporary Iranian Literature'.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Can we understand a religion without believing and practicing it? Can we have knowledge about faith? Can people understand those different from themselves? Can outsiders ever understand the world of insiders? </b></p><p>Examining insider and outsider positions of knowledge Bryan S. Turner explores what understanding Islam entails. He argues that understanding Islam has in recent years been dominated by political events  the Iran Hostage crisis, the fall of the Iranian Shah, 9/11, Afghanistan and the foreign policy of Donald Trump  leading to western intellectuals and public figures, many of whom know nothing about Islam, suddenly becoming experts. Turner asks how they, or how anyone, can have the authority to speak on this subject. He brilliantly elucidates the questions and problems involved in the challenge of understanding religion.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Bryan Turner</b> is Professor of Sociology, Australian Catholic University; Emeritus Professor the Graduate Center, CUNY; Honorary Professor, Potsdam University; and Fellow Edward Cadbury Center, University of Birmingham. He is one of the world's leading sociologists of religion and has also devoted significant attention to sociological theory, the study of human rights and the sociology of the body. Turner has written, co-authored or edited more than 70 books and more than 200 articles and chapters, including most recently <i>The Religious and the Political: A Comparative Sociology of Religion</i> (2013) and <i>Religion and Modern Society: Citizenship, Secularisation and the State</i> (2011), both published by Cambridge University Press. He is a founding editor of the journal<i>s Body &amp; Society, Citizenship Studies </i>and <i>Journal of Classical Sociology.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In the 20th century, capitalist animal agriculture emerged with a twofold mission: to ruthlessly exploit animals for their labour time and enlarge human food supplies. The results of this process are clear. </b></p><p>Animal-sourced foods have expanded exponentially. And simultaneously, hundreds of billions of animals confront humans and machines in brutal, antagonistic relations shaped by domination and resistance.</p><p>Building on Karl Marx's value theory, Dinesh Joseph Wadiwel argues that factory farms and industrial fisheries are not merely an example of unchecked human supremacism. Nor a result of the victory of market forces. But a combination of both. In <i>Animals and Capital </i>Wadiwel untangles this contemporary handshake between hierarchical anthropocentrism and capitalism.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dinesh Joseph Wadiwel</b> is Associate Professor in Socio-Legal Studies and Human Rights at the University of Sydney. His research interests include theories of violence, critical animal studies and disability rights. He is author of <i>The War against Animals</i> (Brill, 2015) and is co-editor, with Matthew Chrulew of <i>Foucault and Animals</i> (Brill, 2016). He has a background working within civil society organisations, including in anti-poverty and disability rights roles.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Critics regularly use the term 'provocateur' to describe controversial film directors. </b></p><p>Although most individuals who attract this term are men, there is a long and largely unexamined history of female auteurs who shock and unsettle their viewers. <i>Provocation in Women's Filmmaking: Authorship and Art Cinema</i> investigates how women directors participate in the tradition of provocative art cinema. Focusing on the post-millennium films of auteurs such as Lisa Aschan, Catherine Breillat, Jennifer Kent, Isabella Eklf, Lucile Hadihalilovi, Claire Denis, Anna Biller and Athina Rachel Tsangari, this book considers the aesthetics and strategies of women's provocative filmmaking in contemporary cinema. Challenging the gendering of provocation as a hyper-masculine mode of authorship, the book uncovers an enticing and complex array of divisive works by women.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Contemporary Screen Ethics</i></b><b> focuses on the intertwining of the ethical with the socio-political, considering such topics as: care, decolonial feminism, ecology, histories of political violence, intersectionality, neoliberalism, race, and sexual and gendered violence. </b></p><p>The collection advocates looking anew at the global complexity and diversity of such ethical issues across various screen media: from Netflix movies to VR, from Chinese romcoms to Brazilian pornochanchadas, from documentaries to drone warfare, from Jordan Peele movies to Google Earth. The analysis exposes the ethical tension between the inclusions and exclusions of global structural inequality (the identities of the haves, the absences of the have nots), alongside the need to understand our collective belonging to the planet demanded by the climate crisis. Informing the analysis, established thinkers like Deleuze, Irigaray, Jameson and Ranciere are joined by an array of different voices  Ferreira da Silva, Gill, Lugones, Milroy, Muoz, Sheshadri-Crooks, Verges  to unlock contemporary screen ethics.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lucy Bolton </b>is Reader in Film Studies at Queen Mary University of London. She is the author of <i>Film and Female Consciousness: Irigaray, Cinema and Thinking Women</i> (2011) and <i>Contemporary Cinema and the Philosophy of Iris Murdoch</i> (2019, EUP) as well as the co-editor of<i> Lasting Screen Stars: Images that Fade and Personas that Endure </i>(2016). She is co-series editor of EUP's <i>Visionaries </i>series.</p><p><b>David Martin-Jones </b>is Professor of Film Studies at the University of Glasgow. </p><p><b>Robert Sinnerbrink </b>is Associate Professor of Philosophy, Macquarie University, Sydney.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Anne Brunon-Ernst</b> is Professor in Legal English at Paris Pantheon-Assas University, and researcher both at the Cersa (Pantheon-Assas) and at the Centre Bentham (ScPo Law School). Her research interests focus on the British legal philosopher Jeremy Bentham. She edits the <i>Revue d'etudes benthamiennes</i>. Her previous works include <i>Le Panoptique des pauvres </i>(PSN, 2007),<i> Utilitarian Biopolitics </i>(Pickering &amp; Chatto, 2012, (ed.)<i> Beyond Foucault </i>(Ashgate, 2012), co-editing a special issue in<i> History of European Ideas in 2017</i> and co-editing<i> Nudges and normativites </i>(Hermann, 2018). Her current projects include investigating surveillance in the humanities, and Bentham's influence on the making of Australia.</p><p><b>Jelena Gligorijevic </b>is Senior Lecturer in Law at the Australian National University. She specialises in media law and constitutional law and theory, with a particular interest in privacy. Recent publications include 'Taming the 'chilling effect' of defamation law: English experience and implications for Australia' (2022) 50(2) Federal Law Review, 'A Common Law Tort of Interference with Privacy for Australia: Reaffirming ABC v Lenah Game Meats' (2021) 44(2) University of New South Wales Law Journal 673, 'Children's privacy: The Role of Parental Control and Consent' (2019) 19(2) Human Rights Law Review 201-229 and 'Privacy at the Intersection of Public Law and Private Law' [2019] Public Law 563-580.</p><p><b>Desmond Manderson</b> is Professor of Law and Director of the Centre for Law Arts and the Humanities in the ANU College of Law &amp; College of Arts and Social Sciences at Australian National University. His recent work pioneers the intersection of law and the visual arts, notably in <i>Law and the Visual: Representations, Technologies and Critique </i>(2018); and <i>Danse Macabre: Temporalities of Law in the Visual Arts</i> (2019). </p><p><b>Claire Wrobel </b>is Senior Lecturer in English in the Language Department at Paris- Pantheon-Assas University and a member of VALE (Voix Anglophones, Litterature et Esthetique - Sorbonne Universite). She is the author of<i> Roman noir, reforme et surveillance en Angleterre </i>(1764-1842); <i>Gothique et Panoptique </i>(Classiques Garnier, 2022) and has co-edited <i>The Dark Sides of the Law: Perspectives on Law, Literature, and Justice in Common Law Countries</i> (Michel Houdiard, 2019). She is working on the literary reception of Jeremy Bentham's thought and on surveillance in Anglo-American fiction. Her work has appeared in journals such as Law and Literature, Commonwealth Essays and Studies, Erea or Sillages Critiques.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Reexamines the ideology and political program of Britain's interwar fascist and extreme right-wing groups, highlighting their contradictions and moral failings as they sought to restore national power through disengagement and isolation.</b></p><p>This book is a new assessment of the ideology and political program of Britain's fascist and extreme right-wing community during the interwar period (1919-1940). It examines this group's belief system as it clustered around three major preoccupations  Modernisation, Empire, and War. In doing so, the book identifies many inconsistencies, contradictions, and moral failings, which contributed to the failure of the far-right tendency in the interwar years. The numerous beliefs and policies examined all point to a movement that was determined to return Britain to the levels of global power and international leadership it had once enjoyed  but by means of policies of disengagement and isolation. As such, it provides insight into the resurgence of the extreme right today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Art and Design in 1960s New York explores the mutual influence of fine art and graphic design in Manhattan during the long decade of the 1960s.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Art and Design in 1960s New York</i></b><b> explores the mutual influence of fine art and graphic design in Manhattan during the long decade of the 1960s.</b></p><p>When Robert Rauschenberg reminisced about Josef Albers teaching students that their art had to do with 'the entire visual world', he was suggesting an inclusive realm of visual expression from which Albers intended his students to draw. Beyond finding inspiration only in fine art objects, Albers pushed them to look outside the confines of their studios and classrooms and onto the streets where they would be confronted with the visuality of mass culture; Albers therefore developed assignments using examples of typographic design and printed imagery drawn from popular publications of the day. In looking closely at these printed images, though, artists like Rauschenberg learned not only that visual inspiration could be found in quotidian objects, but that those objects were also the products of aesthetic decision making, that they were designed. Although the visual workings of mass imagery have sometimes been met with discomfort by art historians and critics, culture's simultaneous engagement with design and art objects has a long and significant history. My book would be among the first to examine a moment of that history through an exploration of the critical intersection between art and graphic design in New York in the years between 1959 and 1972.</p><p>It may seem most expedient to discuss the connection between art and design through formal congruences, but this strategy can limit the deeper investigation of the mutual influence shared by these two areas of production. Indeed, the presumption that there exists simply  and only  a visual connection between design and art has driven most of the art history that has taken up the subject. This methodology, however, assumes that the influence of popular imagery on fine art works only in one direction, and that movements such as Pop art borrow motifs from mass culture and then 'elevate' them into high art. This ignores any influence that art might have on design and designers, an influence that has considerable impact on our visual world. In addition, it serves to place mass imagery consistently in the lesser, negative position because it always presupposes design's complicity in the culture industry. Yet I show that not all design is made for commercial purposes. Design with civic intentions  that developed for signage, street furniture, and subway maps  has had no place in such a formulation, and therefore has never been seriously included in art historical discussions, even those that take design into account.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Amanda Gluibizz</b>i is an art editor at<i> The Brooklyn Rail</i>. An art historian, she is the Co-Director of The New Foundation for Art History.</p>]]></Text>
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			<SubjectHeadingText>Liquid Modernity; Zygmunt Bauman; Sociological Legacy; Social Solidarity; Postmodern Thought</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[What remains of the idea of liquid modernity? Is Bauman's thought still relevant? This volume aims to answer these questions, without forgetting the vastness and complexity of his work, where the idea of liquidity remains fundamental, before and after the central turning point of the year 2000.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Examines the relevance of Bauman's concept of liquid modernity, exploring his complex and multifaceted legacy, while emphasising his intentional avoidance of systematic theory in favour of a more nuanced, observational approach to society.</b></p><p>What remains of the idea of liquid modernity? Is Bauman's thought still relevant? This volume aims to answer these questions, without forgetting the vastness and complexity of his work, where the idea of liquidity remains fundamental, before and after the central turning point of the year 2000.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Carlo Bordoni</b> is a sociologist and professor at the University Mercatorum (Rome).</p>]]></Text>
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			<SubjectHeadingText>Africa a disrupted continent; Cockpitism; Critical raw materials; African ingenuity; African entrepreneurship; Agricultural policy; Micro-entrepreneurs; Microfinance; MSME Banks; Impact Investment; Climate change in Africa; Commodity based industrialisation; Extractive policies; Future of African economy; Causes of underdevelopment; China and Africa; EU Global Gateway; EU Africa policy; Informal economy; African smallholder farmers; Migration from Africa; Jobs against poverty; Youth unemployment; African labour market; Population growth</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[The Future of Employment in Africa: Demography, Labour Markets and Welfare explores the major socio-economic trends that will define the face of the sub-Saharan continent in the next three decades. It mainly focuses on the need to massively create jobs due to unseen demographic growth. The book combines economic analysis with stories of own investment experiences on the ground.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Explores major socio-economic trends that will define sub-Saharan Africa in the next three decades, focusing on the urgent need to create jobs in response to unprecedented demographic growth, through a combination of economic analysis and easy-to-read personal investment stories</b></p><p>The near doubling of Africa's population by 2050 will lead to more than twenty million new job seekers entering the African labour market every year until then. Right now, Africa doesn't seem armed to offer jobs to this many people, resulting in possible unrest and intra-African or intercontinental migration flows, including to Europe. Climate change creates additional migratory pressure as it threatens the future of agriculture and livestock.</p><p>The author explores the opportunities for increased job creation in Africa. Work provides income, and decent and meaningful jobs contribute to prospects and social stability. The evolution of the labour market is essential for the continent's future. Fortunately, Africa has some major strengths. The continent has the youngest population in the world and represents a wealth of creativity and innovation. Moreover, Africans excel in 'market-creating innovation': the ability to see market opportunities and innovations that others do not. Africans create their own jobs through micro and small enterprises. A young well-trained middle class, familiar with digital technologies, is emerging. Africa's abundant natural resources also attract global regional powers aspiring to secure access to critical raw materials, something the continent can use to its own advantage.</p><p>Special attention goes to the European Union's Africa policy: the book takes a critical look at the European Union' intentions and approach and formulates recommendations to the European Commission. The author combines economic analysis with stories from twenty-five years of experience with impact investments in Africa. He challenges the typical pessimistic stereotypes about the continent and provides an optimistic vision of Africa's future.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Loic De Canniere</b> is an economist and impact investor with ample experience in Africa.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Grand-Gugignol Cinema and the Horror Genre maps important contributions of the Parisian Grand-Guignol theatre's Golden Age as theoretical considerations of embodiment and affect in the development of horror cinema in the twentieth century. This study traces key components of the Grand-Guignol stage as a means to explore the immersive and corporeal aspects of horror cinema from the sound period to today.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A study of the important contributions of the Parisian Grand-Guignol theatre's Golden Age.</b></p><p><i>Grand-Gugignol Cinema and the Horror Genre</i> maps important contributions of the Parisian Grand-Guignol theatre's Golden Age as theoretical considerations of embodiment and affect in the development of horror cinema in the twentieth century. </p><p>This study traces key components of the Grand-Guignol stage as a means to explore the immersive and corporeal aspects of horror cinema from the sound period to today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mario DeGiglio-Bellemare</b> teaches courses ingenre cinema, grotesque traditions, cinematic embodiment and monster ethics in the Humanities department atJohn Abbott College, Canada. He is also an independent filmmaker and the co-director of the Montreal Monstrum Society.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Peter Winch</b> (19261997) was Professor of Philosophy at King's College London and the University of Illinois Urbana-Champaign.</p><p><b>Michael Campbell</b> is Assistant Professor in the Department of Ethics at Kyoto University.</p><p><b>Lynette Reid</b> is Associate Professor in the Department of Bioethics at Dalhousie University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[In this seminal edited collection, scholars from different fields critically examine histories of esotericism, mysticism and occultism in modern Asia, understood here as the period roughly stretching from the late nineteenth through the twentieth century, paving eventually the way for the so-called 'New Age'.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A novel, multidisciplinary and interdisciplinary contribution that critically examines histories of esotericism,mysticism and occultism in modern Asia, paving eventually the way for the so-called 'New Age'.</b></p><p>In this seminal edited collection, scholars from different fields critically examine histories of esotericism, mysticism and occultism in modern Asia, understood here as the period roughly stretching from the late nineteenth through the twentieth century, paving eventually the way for the so-called 'New Age'.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Soumen Mukherjee </b>(Dr. phil. 2010, University of Heidelberg) teaches History at Presidency University, Kolkata. His publications are in the fields of religious and intellectual history of modern South Asia, and include the Karim and Rosemin Karim prize-winning book two monographs: <i>Religion, Mysticism, and Transcultural Entanglements in Modern South Asia: Towards a Global Religious History</i> (Palgrave Macmillan, 2024), and <i>Ismailism and Islam in Modern South Asia: Community and Identity in the Age of Religious Internationals </i>(Cambridge University Press, 2017), two edited collections, and several peer-reviewed journal articles and book chapters.</p><p><b>Toshio Akai</b> is Professor of Humanities at Kobe Gakuin University with expertise in and publications on Theosophist activities in Ireland and India, and Irish impact on the interwar years Japanese culture. He is the co-author of <i>The Cosmic Movement:Sources, Contexts, Impact </i>(Ben Gurion University of the Negev Press, 2020) and other books.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Current priorities and strategies for producing sustainable urban landscapes in street hierarchies, connections and places.</b></p><p>The future of urban cities and towns will be influenced by the ability of communities to develop meaningful planning and design strategies founded on the interplay of viable priorities and opportunities. Numerous priorities have been articulated by communities, including specific outcomes that address the broader vision for livable urban contexts. All are envisioned as opportunities for effective planning and design outcomes within urban landscape contexts. <i>Urban Landscape Priorities, Opportunities and Prospect</i> is unique in addressing current priorities and opportunities as standards for the future quality of urban landscape initiatives.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Philip N. Pregill</b> is Professor of Landscape Architecture at California State University, Pomona. His academic interests include urban landscape planning and design.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The   supreme, heroic yet paradoxical medieval German emperor Frederick Barbarossa.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Frederick Barbarossa, also known as Frederick I, Holy Roman Emperor from 1155, was a dominant figure in late 12th-century European history.</b></p><p>He is remembered as one of the greatest medieval German emperors; some even regard him as a German hero. He brought peace to Germany, fought to maintain control over Italian cities and engaged in a lengthy dispute with the papacy. Barbarossa died on a Crusade to reclaim the Holy Land for Christianity. But despite his efforts, his reign marked a decline in imperial authority, with defeats in Italy and growing local power among German princes. <i>Frederick Barbarossa</i> examines this paradox, revealing the realities and limitations of monarchical power in medieval Europe. This is a cogent, original and up-to-date analysis of Barbarossa, suitable for both students and the general reader.</p><p><b>'An excellent overview, showing in a nuanced but accessible way how Barbarossa's personality and ambitions interacted with the structures of power and government available to him in Germany and Italy. It off ers vivid insights into both the scope and the limitations of a medieval monarch's power to act and to rule.'  Len Scales, Professor of Late Medieval History, Durham University</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>G. A. Loud</b> is Emeritus Professor of Medieval History at the University of Leeds . His previous books include <i>The Chronicle of Arnold of Lbeck</i> (2019) and<i> The Social World of the Abbey of Cava, c. 10201300</i> (2021).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Rudolf II: The Life and Legend of the Mad Emperor</i></b><b> offers a fresh perspective on the Habsburg ruler, shedding new light on a reign often coloured by myths of madness.</b></p><p>Contrary to popular belief, Rudolf was not a passive recluse but an engaged monarch, navigating the complexities of state affairs with a moderate hand amid turbulent times. By contextualising his interests in astrology, alchemy and magic, Thomas DaCosta Kaufmann offers new insights into Rudolf's support for scientific endeavours and his quest for power. It also demonstrates that Rudolf's assembling of the greatest Kunstkammer and painting collection of his time and his patronage of artists were essential elements of Renaissance rulership. This book will appeal to a diverse audience, including enthusiasts of the occult, as well as those fascinated by Renaissance history, the Habsburg dynasty and art history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A unified introduction to information theory for scientists</b></p><p>Applications of information theory span a broad range of disciplines today. This book presents a unified treatment of the subject for students and practitioners in the sciences. It teaches the tools universally used by physicists working on quantum computers and black holes, engineers designing self-driving cars, traders perfecting market strategies, chemists playing with molecules, biologists studying cells and living beings, linguists analysing languages, and neuroscientists figuring out how the brain works. No matter what area of science you specialise in, <i>The Physical Nature of Information</i> unlocks the power of information theory to test the limits imposed by uncertainty.</p><ul><li>Provides a panoramic approach to information theory</li><li>Draws on examples from physics, engineering, biology, economics, and linguistics</li><li>Applications range from thermodynamics and statistical mechanics to dynamical chaos, information and communication theories, and quantum information</li><li>Includes materials for lectures and tutorials along with exercises with detailed solutions</li><li>Can be used to design a one-semester introductory course</li><li>Ideal for self-study by graduate students and advanced undergraduates</li><li>Invaluable for scholars seeking new research opportunities</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gregory Falkovich</b> is the Pollak Professorial Chair in Physics at the Weizmann Institute of Science in Israel. His books include <i>Fluid Mechanics</i> and (with John Cardy and Krzysztof Gawedzki) <i>Non-equilibrium Statistical Mechanics and Turbulence</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Revisiting an almost-forgotten American interracial literary culture that advanced racial pluralism in the decades before the 1960s.</b></p><p>In <i>Impermanent Blackness</i>, Korey Garibaldi explores interracial collaborations in American commercial publishing  authors, agents, and publishers who forged partnerships across racial lines  from the 1910s to the 1960s. Garibaldi shows how aspiring and established Black authors and editors worked closely with white interlocutors to achieve publishing success, often challenging stereotypes and advancing racial pluralism in the process.</p><p><i>Impermanent Blackness</i> explores the complex nature of this almost-forgotten period of interracial publishing by examining key developments, including the mainstream success of African American authors in the 1930s and 1940s, the emergence of multiracial children's literature, postwar tensions between supporters of racial cosmopolitanism and of 'Negro literature', and the impact of the Civil Rights and Black Power movements on the legacy of interracial literary culture.</p><p>By the end of the 1960s, some literary figures once celebrated for pushing the boundaries of what Black writing could be, including the anthologist W. S. Braithwaite, the bestselling novelist Frank Yerby, the memoirist Juanita Harrison, and others, were forgotten or criticised as too white. And yet, Garibaldi argues, these figures  at once dreamers and pragmatists  have much to teach us about building an inclusive society. Revisiting their work from a contemporary perspective, Garibaldi breaks new ground in the cultural history of race in the United States.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Korey Garibaldi</b> is associate professor of American Studies at the University of Notre Dame and associate editor of <i>American Quarterly</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Using oral histories gathered from trade unionists, this book explores the national steelworkers strike of 1980 and asserts its significance as a key turning point in modern British history. </b></p><p>The strike was nominally a response to a 2% pay offer made by British Steel Corporation (BSC), at a time when inflation was 17%, but was generated by the widespread works closures that characterised the British steel industry at this time. The outcome of the strike was a much higher pay increase but no change to the deindustrialisation strategy of BSC and the government. The book explores the strike from the perspective of those who fought it and reveals the short and longer-term consequences it had on the industry, the unions and the workers themselves.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Insurgency has plagued the North Caucasus since the collapse of the Soviet Union. Between 2007 and 2015, rebels waged their struggle under the banner of the Caucasus Emirate (</b><b><i>Imarat Kavkaz</i></b><b>, IK). </b></p><p>This book systematically examines the IK's ideology to explain what the group claimed to be fighting for and against and how it sought to mobilise people behind its cause. It reveals a group with a weakly developed political programme, which aligned itself with global jihadism but consistently prioritised local concerns. It demonstrates the priority rebel leaders afforded to shaping local identities, but also their failure to forge a unified movement or revitalise armed struggle. Re-evaluating the IK's ideology helps us better understand the past and future of armed struggle in the North Caucasus.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mark Youngman</b> is Executive Director of Threatologist, a research consultancy that helps individuals and organisations understand security threats in Russia and Eurasia.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book revises our understanding of US intervention in Northern Ireland, 2001-2007. Within the context of 9/11 and America's subsequent response, this work will reveal the vital role played by the George W. Bush administration in the region and why this was critical to the restoration of the Good Friday Agreement's institutions in May 2007.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Richard Haass and Mitchell Reiss, as autonomous diplomats in the George W. Bush State Department, were able to alter US intervention in Northern Ireland and play critical roles in the post-1998 peace process. </b></p><p>Their contributions have not been fully appreciated or understood. The restoration of Northern Ireland's power-sharing government in 2007 was made possible by State Department-led intervention in the peace process. There are few references to Northern Ireland in work examining the foreign policy legacy of the George W. Bush presidency. Moreover, the ability to control US foreign policy towards the region brought one of George W. Bush's Northern Ireland special envoys into direct diplomatic conflict with the most senior actors inside the British government. This book will uncover the extent of this fall-out and provide original accounts on how diplomatic relations between these old allies became so fraught.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Hierarchies and exclusion in humanitarianism analyses  through diverse disciplinary perspectives and methods - how hierarchies, power asymmetries and exclusion emerge, are maintained and can ultimately be challenged in humanitarian governance. It informs current efforts to increase inclusiveness and equity in humanitarian practice.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>While humanitarians generally present themselves as 'do-gooders' and use this image to gather support and funding, this edited volume addresses hierarchies and exclusions in humanitarianism  an issue that has gained increased attention. </b></p><p>Contributions analyse how hierarchies, power asymmetries and exclusion emerge, are maintained and can ultimately be challenged in humanitarian governance. Leading scholars on humanitarianism coming from a variety of disciplinary fields such as international relations, philosophy, organisational science and management, and sociology analyse exclusion dynamics at the individual, organisational and structural levels. Authors thereby combine data from a diverse range of methods, including ethnography, survey and statistical analysis. The volume informs current efforts to increase inclusiveness and equity in humanitarian practice.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Clara Egger </b>is an Assistant Professor of Global Governance at the Department of Public Administration and Sociology of the Erasmus School of Social and Behavioural Sciences, Erasmus University Rotterdam.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book is a study of statelessness in the period of the Second World War.  It breaks new ground by focusing not on Europe, but on the Asian and Pacific theatres of the conflict. This perspective enables us to go beyond Hannah Arendt's classic account of statelessness in her Origins of Totalitarianism.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kolleen Guy</b> is Associate Professor of Humanities and Division Chair of Arts and Humanities at Duke Kunshan University.</p><p><b>Jay Winter</b> is Charles J. Stille Professor of History emeritus at Yale University and Distinguished Senior Teaching Scholar at Duke Kunshan University.</p>]]></Text>
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			<ProductAvailability>23</ProductAvailability>
			<OrderTime>99</OrderTime>
			<Stock>
				<OnHand>0</OnHand>
				<OnOrder>0</OnOrder>
				<CBO>0</CBO>
			</Stock>
			<Price>
				<PriceType>02</PriceType>
				<PriceQualifier>05</PriceQualifier>
				<DiscountCoded>
					<DiscountCodeType>02</DiscountCodeType>
					<DiscountCodeTypeName>NewSouth Books</DiscountCodeTypeName>
					<DiscountCode>RFB</DiscountCode>
				</DiscountCoded>
				<PriceAmount>200.00</PriceAmount>
				<Tax>
					<TaxType>02</TaxType>
					<TaxRateCode>S</TaxRateCode>
					<TaxRatePercent>10</TaxRatePercent>
				</Tax>
				<CurrencyCode>AUD</CurrencyCode>
				<Territory>
					<CountriesIncluded>AU</CountriesIncluded>
				</Territory>
			</Price>
		</SupplyDetail>
	</ProductSupply>
</Product>
</ONIXMessage>
