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			<Text textformat="02"><![CDATA[<p>Citizen science is involving the public in collecting and analysing scientific data and discovering new scientific knowledge. Approachable and inclusive, it is an excellent option for people looking for ways to get involved and make a difference, and there has never been a better time than now. </p><p><i>Exploring Nature through Citizen Science</i> introduces citizen science and showcases its benefits, with a focus on Australia, including urban environments. The book explores the various types of projects available, explaining how the data is used to create real-world impact and offering practical guidance on what photographs to take and which data to record for different groups of organisms. Example projects from across Australia range from activities you can do in your home to active data collection in more remote areas, making it easier than ever for people to get involved in citizen science.</p><p>With its friendly, accessible approach and many photographs, this book serves as a must-have guide for anyone looking to understand how best to get involved in citizen science in Australia.</p><p><b>'The Australian Citizen Science Association (ACSA) is proud to endorse this comprehensive book on citizen science. Whether you're new to citizen science, a seasoned practitioner, or simply curious about the power of community involvement in scientific discovery, this book offers something for everyone.'  Annie Lane, Former Chair, Australian Citizen Science Association (2022-2025)</b></p><p><b>'If you're a curious person who wants to make a difference from right where you are today, this book is for you."  Carrie Seltzer, PhD, Head of Engagement, iNaturalist.</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[Scholarly and beautifully illustrated, including up-close details of the tapestries, this magnificent hardback is the perfect way to experience ArthurBoyd's miraculous tapestries.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Scholarly and beautifully illustrated, including up-close details of the tapestries, this magnificent hardback is the perfect way to experience ArthurBoyd's miraculous tapestries.</b></p><p>A renowned figure in Australian art, Arthur Boyd is particularly well known for his paintings. His tapestries, however, are hidden gems that have received relatively little attention. Boyd's series of 20 textiles known as the Life of St Francis (197274) are particularly awe-inspiring in their vision, scale and artistry. On the occasion of the National Gallery exhibition <i>Arthur Boyd: tapestries</i>, which exhibits the cycle all together for the very first time, this stunningly illustrated book unpicks this textile cycle's fascinating context, and weaves the story of their miraculous creation through Boyd's collaboration with the renowned tapestry workshop Manufactura de Tapecarias de Portalegre in Portugal.</p><p>The book includes full reproductions of the tapestries and elucidates Boyd's idiosyncratic and humanist interpretation on the life of SaintFrancis. The first essay by Elspeth Pitt, Senior Curator, Australian Art, dives poetically into Boyd's background and his use of biblical and literary sources as vehicles for artistic expression. It also suggests that Boyd entwined the life of his father, the artist William Merric Boyd, with that of SaintFrancis, exploring them both as conflicted figures who resided at the peripheries of human society and experience.</p><p>The second essay by Adam Lindsay, Deputy Director, beautifully illuminates the technical brilliance of the tapestries and the intertwined challenges of their creation with the weavers' artistry. This process is brought to life through first-hand details, photos and archives from the Manufactura.</p><p>This is the definitive publication on Boyd's St Francis tapestries.</p>]]></Text>
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			<SubjectHeadingText>1177 B.C.: The Year Civilization Collapsed:; Aegean; After 1177 B.C.: The Survival of Civilizations; Assyrians; Babylonians; Canaanites; City of Solomon; Dark Age; Digging Deeper: How Archaeology Works; Digging Up Armageddon: The Search for the Lost; Egypt; Egyptians; Eric H. Cline; Hittites; Iron Age; Late Bronze Age; Minoans; Mycenaeans; Neo-Assyrians; Neo-Babylonians; Phoenicians; Revised and Updated; ancient Near East; collapse; resilience; resiliency theory</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>In this gripping sequel to his bestselling</b> <b><i>1177 B.C.,</i></b><b> Eric Cline tells the story of what happened after the Bronze Age collapsed  why some civilisations endured, why some gave way to new ones, and why some disappeared forever.</b></p><p>At the end of the acclaimed history <i>1177 B.C.</i>, many of the Late Bronze Age civilisations of the Aegean and Eastern Mediterranean lay in ruins, undone by invasion, revolt, natural disasters, famine, and the demise of international trade. An interconnected world that had boasted major empires and societies, relative peace, robust commerce, and monumental architecture was lost and the so-called First Dark Age had begun. Now, in <i>After 1177 B.C.</i>, Eric Cline tells the compelling story of what happened next, over four centuries, across the Aegean and Eastern Mediterranean world. It is a story of resilience, transformation, and success, as well as failures, in an age of chaos and reconfiguration.</p><p><i>After 1177 B.C.</i> tells how the collapse of powerful Late Bronze Age civilisations created new circumstances to which people and societies had to adapt. Those that failed to adjust disappeared from the world stage, while others transformed themselves, resulting in a new world order that included Phoenicians, Philistines, Israelites, Neo-Hittites, Neo-Assyrians, and Neo-Babylonians. Taking the story up to the resurgence of Greece marked by the first Olympic Games in 776 B.C., the book also describes how world-changing innovations such as the use of iron and the alphabet emerged amid the chaos.</p><p>Filled with lessons for today's world about why some societies survive massive shocks while others do not, <i>After 1177 B.C.</i> reveals why this period, far from being the First Dark Age, was a new age with new inventions and new opportunities.</p><p><b>'A landmark book: lucid, deep, and insightful...You cannot understand human civilisation and self-organisation without studying what happened on, before, and after 1177 B.C.'  Nassim Nicholas Taleb, bestselling author of</b> <b><i>The Black Swan</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Eric H. Cline</b> is professor of classics and anthropology at George Washington University. He is the author of <i>Three Stones Make a Wall: The Story of Archaeology</i>,<i> Digging Deeper: How Archaeology Works</i>,<i> 1177 B.C.: The Year Civilization Collapsed</i>(with Glynnis Fawkes) <i>1177 B.C.: A Graphic History of the Year Civilization Collapsed</i> (all Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From acclaimed archaeologist and bestselling author Eric Cline, a breathtaking account of how the collapse of an ancient civilised world ushered in the first Dark Ages&amp;nbsp;</b></p><p><i>In 1177 B.C.</i>, marauding groups known only as the 'Sea Peoples' invaded Egypt. The pharaoh's army and navy defeated them, but the victory so weakened Egypt that it soon slid into decline, as did most of the surrounding civilisations. Eric Cline tells the gripping story of how the end was brought about by multiple interconnected failures, ranging from invasion and revolt to earthquakes, drought, famine, and the cutting of international trade routes. Bringing to life a vibrant multicultural world, he draws a sweeping panorama of the empires of the age and shows that it may have been their very interdependence that hastened their dramatic collapse.&amp;nbsp;</p><p>Now revised and updated, 1177 B.C. sheds light on the complex ties that gave rise to, and eventually destroyed, the flourishing civilisations of the Late Bronze Age-and set the stage for the emergence of classical Greece and, ultimately, our world today.</p><p><b>'The memorable thing about Cline's book is the strangely recognisable picture he paints of this very faraway time...It was as globalised and cosmopolitan a time as any on record, albeit within a much smaller cosmos. The degree of interpenetration and of cultural sharing is astonishing.' - Adam Gopnik, <i>New Yorker</i></b></p><p><b>'Engaging...[An] absorbing tour of the Late Bronze Age.' - Josephine Quinn, London Review of Books</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Learn to fold incredible geometric origami models from &amp;#x27;The Queen of Modular Origami!&amp;#x27;</b><br/><br/>In this book, Tomoko Fuse -Japan&amp;#x27;s most famous living origami artist - shows you how to create amazing polyhedral models using the techniques of modular origami (where many paper sheets are folded then locked together without glue or tape).<br/><br/>Make 64 intriguing modular models, including:</p><ul><li><b>Stackable Modules</b> - The perfect starting point for novices, these simple constructions result in stunning three-dimensional forms</li><li><b>3-D Stars</b> - Dazzling decorative starbursts that look great on a Christmas tree, on your mantle - or even in an art gallery</li><li><b>Manifold Modulars</b> - &amp;#x27;Inception-like&amp;#x27; models in which individual modular constructions themselves become modules within a larger piece</li><li><b>Cubes and Boxes</b> - Perfect for gift giving-and there is no finer teacher for these than renowned origami box specialist Tomoko Fuse</li><li><b>And many more!</b></li></ul><p>*<i>Recommended for experienced folders and up</i>*</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Considered the most famous living origami master, Tomoko Fuse is known for her expertise in box-folding and other origami paper craft styles. The simple flat box, or <i>tato</i>, is a great introduction to the art of beginner origami and allows readers to start small, then build to more intricate pieces. Handmade paper boxes are an expression of origami crafts at their very best. Experiment with different thicknesses, textures, and paper designs for a truly one-of-a-kind presentation.</p><p>Step-by-step instructions and diagrams guide you from start to finish as you create:</p><ul><li>Flat boxes in several different shapes<br/></li><li>Boxes with multifaceted tops<br/></li><li>Box tops with spiralled flourishes<br/></li><li>And so much more.</li></ul><p>Origami box folding is a relaxing and satisfying craft for all levels of expertise and - with a little practice and this easy origami book - gift-giving will never be the same.</p><p>"<b>A terrific guide to learning or practicing origami</b>."&amp;nbsp;<b> Booklist</b></p><p><b>A link to&amp;nbsp;<b><a href="http://dai.ly/x5yma3d">Nova's&amp;nbsp;The Origami Revolution</a><i></i>&amp;nbsp;</b>featuring Tomoko Fuse<br/></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Tomoko Fuse</b> is one of the world's leading origami artists, teachers and authors. She specializes in paper boxes and other geometric, three-dimensional designs. She discovered the art of paper folding at the age of seven and has since become known as the "Queen of Unit Origami." Her work has been exhibited around the world, including <i>Paris Origami</i> (Carrousel du Louvre, 1998), <i>On Paper</i> (Crafts Council London, 2002) and her solo show <i>Yorokobi</i> (Bauhaus Dessau, 2004). She has written over 65 books and in addition to teaching, folding and writing, she collaborated with designer Denis Guidone at <i>Milan Design Week 2018</i> and was a featured artist in the Nova episode titled "The Origami Revolution" (February, 2017). Read about her work in <i>Tomoko Fuse's Origami Art: Works by a Modern Master</i> (Tuttle Publishing, 2020).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Tomoko Fuse, often referred to as 'the queen of origami,' discovered the art of folding paper at just seven years old. She has come a long way since then, having had her work highlighted in exhibitions around the world, including Paris Origami (Carrousel du Louvre, 1998), <i>On Paper</i> (Crafts Council London, 2002) and her solo show Yorokobi (Bauhaus Dessau, 2004).</p><p>&amp;nbsp;An artistic anthology of her most impressive work, <i>Tomoko Fuse's Origami Art</i> can serve multiple purposes: as inspiration for an experienced origami folder; as a truly impressive coffee table book for the artistically-minded; or as a push for intermediate folders to try their hand at modular origami models.</p><p><b>'Familiar or not with the works of origamiartist Tomoko Fuse, readers will be astonished and intrigued by the piecesgathered in this anthology of her designs. Abstract yet reminiscent of modernshapes and contemporary sculptures, her folded-paper art transcends the mediumof <i>kami</i>, the Japanese word for paper. Coauthor Brill, himself an origamipractitioner, wisely lets the art speak for itself, only categorizing it intofive sections that will help readers understand the differences: knot,tessellations, infinite folds, repetitive folding, lampshades...A science for artists; an art for scientists.'&amp;nbsp;-&amp;nbsp;<i>Booklist&amp;nbsp;</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The follow-up to the bestselling <i>Wanderers</i>, Kerri Andrews' <i>Way Makers</i> is the first anthology of women's writing about walking. Moving from the eighteenth century to the present day, and across poetry, letters, diaries, novels and more, this anthology traces a long tradition of women's walking literature. Walking is, for the women included in this anthology, a source of creativity and comfort; it is a means of expressing grief, longing and desire. It is also a complicated activity: it represents freedom but is also sometimes tinged with danger and fear. What cannot be denied any longer is that walking was, and continues to be, an activity full of physical and emotional significance for women: this anthology is testament to the rich literary heritage created by generations of women walker-writers over the centuries.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Canis dingo</i> is a captivating exploration of one of Australia's most iconic and polarising species. Drawing on two decades of scientific research, historical records and firsthand fieldwork, Bradley P. Smith traces how a wild canid became entangled in myth, law and livestock conflict, revealing what is at stake in the way Australia treats its apex predator.</p><p>As new scientific discoveries unsettle entrenched views, and awareness of the dingo's ecological and cultural value grows, Australia is being forced to confront uncomfortable questions. Is the dingo a native species or a feral intruder? A wild canid or domestic dog gone rogue? A threat to biodiversity or one of its last remaining guardians? The answers matter, because they flow into real-world decisions that determine whether dingoes are protected or killed across much of the continent.</p><p>Blending field science, published research, historical evidence and expert perspectives, this book cuts through longstanding myth and political noise to offer a deeper understanding of the dingo and its place in modern Australia.</p><p><b>'Beautifully written and literally bursting with factual information. Of all of the publications on dingoes...this is a standout for readability.'  Lyn Watson, FounderDirector of the Australian Dingo Foundation</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A tribute to the strength and agency of Indigenous women and families impacted by violence, <i>Defiant Resistance</i> is an act of Indigenous self-determination.</p><p>Through sharing women's stories in their own words, Marlene Longbottom enables them to take back their narrative and reclaim power. The title itself embodies a vital truth: the unwavering refusal by Indigenous women and their families to be silenced or ignored any longer.</p><p>With deeply personal narratives from Indigenous women who have faced violence, and Indigenous families who have endured profound loss, this book shatters the silence around their stories. Marlene Longbottom amplifies these voices, demanding systemic change that is long overdue and highlighting community-led pathways toward a life beyond violence.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr Marlene Longbottom</b> is a proud Yuin woman, from the Wandi Wandian and Wodi Wodi clans from Roseby Park Mission (Jerrinja) on the south coast of New South Wales. Currently Associate Professor at the Indigenous Education &amp; Research Centre at James Cook University, Marlene has been a dedicated advocate for Indigenous communities for more than 30 years, working as an Aboriginal Health Worker and in Indigenous policy and social justice across New South Wales and Queensland. Her practical experience grounds her academic work, ensuring that it remains deeply connected to the lived realities of the Indigenous communities she works alongside.</p><p><i>Defiant Resistance</i> stands as powerful example of this commitment, drawing upon her decade-long research into the violence and harm experienced by Indigenous women and families. For the past 17 years, she has led community-based research and evaluation projects in urban, regional and remote areas of New South Wales and Queensland. Marlene's deep commitment to Indigenous agency and self-determination has been recognised through prestigious honours including a Discovery Australian Aboriginal and Torres Strait Islander Award (DAATSIA) from the Australian Research Council.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A stunningly illustrated exploration of the lives of wolves around the world.</b></p><p>Hunted to near extinction, wolves evoke a sense of our planet's dwindling wildernesses. Rather than fear them, we should better understand the crucial role they play in ecosystems throughout the world. This engaging, fact-filled book shares insights into the family histories, relationships, and significant life challenges of wolves while linking them to broader questions about wildlife conservation and management. Written by a world-renowned expert in wolf behaviour and reintroduction, <i>Wolf: The Illustrated Biography</i> offers a unique perspective on these charismatic animals, charting the life stories of wolves in all their diversity and complexity.</p><ul><li>Profiles wolves from North America, Europe, and Asia, describing their key characteristics, habitats, distinguishing features, common prey, and distinctive behaviours</li><li>Discusses evolutionary history, biology, ecology, taxonomy, and past and current geographical distribution</li><li>Covers key stages in the lives of wolves, from pregnancy and den building to birth and adolescence, play fights and learning to hunt, traveling with and leaving the pack, social hierarchy and bonds within packs, communication, territoriality, and more</li><li>Emphasises the leadership role of alpha females in the everyday life of the pack</li><li>Explores the complex relationship between wolves and humans throughout history</li><li>Considers the prospects for wolf populations in an age of accelerating environmental degradation</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Douglas W. Smith</b> has been studying wolves for more than four decades. He was the senior wildlife biologist and project leader of the Yellowstone Wolf Project at Yellowstone National Park, and prior to that worked on the pioneering Isle Royale wolf study. He is the coauthor of <i>Decade of the Wolf: Returning the Wild to Yellowstone</i> and the coeditor of <i>Yellowstone's Birds: Diversity and Abundance in the World's First National Park</i> (Princeton) and <i>Yellowstone Wolves: Science and Discovery in the World's First National Park</i>.</p>]]></Text>
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			<SubjectHeadingText>Acoustic; Acoustic communication; Acrididae; Agrippine yetchom; Alpine; Alps; Antennae; Arid; Balkan peninsula; Balloon bush; Biodiversity; Bush; Buzzing grasshopper; Caelifera; Camel cricket; Camouflage; Cave; Collections; Courtship; Courtship songs; Cricket species; Crickets; Crickets katydids; Cryptic; Desert locust; Dna barcoding; Ecological; Endemic; Endemic species; Ensifera; Fauna; Fore wings; Fossil; Grasshopper species; Grasshoppers; Hybrid females; Jeanne agrippine; Jeanne agrippine yetchom; Juan manuel cardona; Katydids; Locust; Locust species; Mediterranean; Migratory locust; Mole crickets; Monkey grasshoppers; Morphological; Morphology; Nymphs; Orthoptera; Orthoptera collections; Orthoptera species; Orthoptera species file; Orthopteran species; Orthopterans; Paolo; Peninsula; Phylogenetic; Pygmy grasshoppers; Rocky mountain; Sky islands; Species described; Specimens; Speckled buzzing; Speckled buzzing grasshopper; Stridulatory file; Systems; Taxonomic; Winged grasshoppers; Zealand</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A highly illustrated and authoritative introduction to the world's Orthoptera.</b></p><p>Grasshoppers, locusts, crickets, bush crickets, and katydids make up the order of insects known as Orthoptera. Although there are about 30,000 species of Orthoptera around the world, many people pay little attention to them and even scientists know relatively little about them. Yet the world of grasshoppers is a fascinating and diverse one. In this richly illustrated book, leading researchers from around the world detail the many facets of these insects, including their evolution, life cycles, and mating behaviour. The book presents interesting facts and stories about species such as monkey hoppers, Cooloola monsters, king crickets, wetas, and sandgropers. It also describes efforts to protect grasshoppers and the relationship between humans and these insects.</p><p>The book features four main sections:</p><ul><li>Orthoptera in space and time: fossil record, evolution, and systematics</li><li>The biology of Orthoptera: life cycle, ecology, and bioacoustics</li><li>The diversity of Orthoptera by geographic region</li><li>Orthoptera and humans: locusts, Orthoptera as food, Orthoptera as pets, and conservation</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Twenty pivotal moments in anime filmmaking</b> <b></b> <b>and the untold drama behind them. From secret production battles to box-office triumphs,</b><b><i> Japan's Anime Revolution </i></b><b>reveals how each landmark film transformed Japanese animation.</b></p><p>Anime expert Jonathan Clements presents game changing moments in Japanese film history  from Japan's first black-and-white animated feature to modern blockbusters which have redefined the art form. From box-office hits to career-threatening flops, each of these case studies has changed the anime world in its own unique way, influencing developments in content, production methods, or distribution, capturing all the vibrancy and diversity of this world-beating medium.</p><p>This illuminating book describes the twenty most notable films in anime history, including:</p><ul><li><i>Momotaro </i> Released at the end of World War II, this was Japan's first feature-length anime</li><li><i>My Neighbor Totoro</i>  Miyazaki's iconic work, consciously created as an alternative to formulaic animated films with no conflict or antagonist</li><li><i>Ghost in the Shell</i>  The influential sci-fi feature that inspired <i>The Matrix</i></li><li>Spirited Away  The first Oscar-winning anime  and highest-grossing Japanese film of all time!</li><li><i>A Silent Voice</i>  Adapted from a popular manga, an essential entry from a woman director</li><li>Plus 14 other landmark films!</li></ul><p>Clements reveals behind-the-scenes decisions that changed the course of Japanese animation. Which movie was finished by a staff of out-of-work waitresses? Which animator hated his work so much that he threatened to shave off his own eyebrows? How did a maverick producer enlist fans to drive his movie to box-office gold? Which director learned his trade by watching <i>The Bad News Bears</i> ten times?</p><p>Illustrated with full-colour images, this fascinating book is a must-read for every devoted anime fan!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Journey through Japan's illustrated history and discover the roots of manga before it took the world by storm.</b></p><p>In this compelling survey, art historian Andreas Marks traces the development of Japanese illustrated books in premodern times. As early as the 17th century, Japanese publishers were producing thousands of illustrated titles on subjects ranging from religion and poetry to celebrated beauties, famous kabuki actors, farting warriors, and adventure tales. This flourishing book culture laid the foundation for the vibrant manga and comics industry of today.</p><p><b>Marks explores this evolution through five key works, including:</b></p><ul><li><b>Kitagawa Utamaro's </b><b><i>Picture Book of Crawling Creatures</i></b><b> (1788)</b>  a beautifully illustrated collection of plants and animals paired with poetry</li><li><b>Hokusai's Sketchbooks (early 1800s)</b>  featuring hundreds of innovative drawing and design ideas by Katsushika Hokusai, whose work influenced many renowned European artists</li><li><b><i>The New Illustrated Water Margin</i></b>  Hokusai's adaptation of a Chinese novel about a band of fictional heroes with superpowers, offering a bold reimagining of the story</li><li><b><i>The Tale of Shiranui</i></b><b> (1849 - 1910)</b>  an adventure novel serialised over six decades</li><li><b>The early-20th-century </b><b><i>Current Affairs Manga</i></b>  the first periodical to use the word 'manga' in its title, providing illustrated commentary on contemporary political events</li></ul><p><i>Japan's Manga Revolution</i> offers the first comprehensive overview of Japan's rich tradition of illustrated storytelling and its lasting impact on visual culture worldwide.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr. Andreas Marks</b> is the Mary Griggs Burke Curator of Japanese and Korean Art and Director of the Clark Center for Japanese Art at the Minneapolis Institute of Art. From 2008 to 2013 he was the director and chief curator of the Clark Center for Japanese Art and Culture in California. He received a Ph.D. from Leiden University and a master's degree in East Asian Art History from the University of Bonn. A specialist in Japanese woodblock prints, he is the author of over 20 books. In 2014 he received the International Ukiyo-e Society Award in recognition of his research, and in 2018 and 2022 the top book award from the International Fine Print Dealers Association.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The true spirit of Japanese ikebana as revealed by two great masters.</b></p><p>Step into a world of quiet beauty through the floral artistry of Japan. Written by the director of a renowned Osaka tea utensils shop and an ikebana master, this richly illustrated book celebrates the harmony between nature, art, and ritual.</p><p>Each of the twelve chapters corresponds to a month of the year, with reflections on the changing seasons, personal stories of flowers and vases, and poetic insights into the spirit of chabana  the art of tea flowers. Alongside these lyrical essays you'll find practical advice to guide you in the subtle art of selecting, cutting, and placing flowers.</p><p>Lavishly illustrated with over 187 full-colour photographs, this book offers a rich visual journey through the sensual beauty of tea ceremony flower arrangements, including the vessels, tools and painted scrolls used to complete each display. More than a guide, it invites readers see the world more deeply in a new way  one flower at a time.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nominated for the Glenfiddich Food Book of the Year Award</b> <b></b> <b>now with hundreds of full colour photographs!</b></p><p><i>The Illustrated Dictionary of Japanese Food</i> helps food lovers around the world understand all the intricacies and nuances of Japanese food ingredients and culture. Definitions of Japanese food terms found online and in standard dictionaries are misleading and often simply wrong. Richard Hosking eliminates this problem by giving each term a concise English definition with rich cultural and historical notes.</p><p>This new and expanded edition has 240 colour photographs along with 100 black and white drawings for easy identification. These allow readers to identify everything from abura-age fried tofu to zeusai red-bean soup. A series of fascinating appendices address critical elements of Japanese cuisine  from how miso and sake are made to the keycomponents of a Japanese meal.</p><p>Newly typeset and featuring a foreword by cookbook author Debra Samuels, <i>The Illustrated Dictionary of Japanese Food</i> helps food lovers and visitors discover the wonders of one of the world's truly great cuisines.</p><p><b>'A must for anyone interested in the cuisine of Japan.'  </b><b><i>Saveur Magazine</i></b></p><p><b>'Newly typeset and featuring a fascinating and informative new foreword by Japanese cookbook author Debra Samuel, </b><b><i>The Illustrated Dictionary of Japanese Food</i></b><b> will continue to help both food lovers and visitors to Japan discover the wonders of one of the world's great cuisines.'  </b><b><i>BooksAboutFood.com</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Assisted dying is one of Britain's most pressing and divisive social issues. Should terminally ill people in pain be allowed to choose death on their own terms? This timely and accessible book lays out the moral, legal and practical dimensions of the debate. It draws on real-life experiences, explores opposing viewpoints with sensitivity and examines the wider social and ethical implications. Designed for readers of all beliefs and backgrounds, it presents the facts with clarity and compassion. A pioneering section also offers the first guide to meaningful ceremonies at the time of an assisted death, helping families honour life and ease grief. Whether you support, oppose or are unsure about assisted dying, this essential book provides insight and guidance on a deeply personal issue.</p>]]></Text>
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			<SubjectHeadingText>Death; Animals; Concept; Concept death; Behaviour; Species; Human; Predators; Chimpanzees; Prey; Reactions; Instance; Reason; Individuals; Mechanisms; Ants; Minimal; Dog; Cases; Corpse; Capable; Functionality; Infant; Minimal concept; Cognitive; Notion; Minimal concept death; Emotion; Tend; Lack; Elephants; Attack; Functions; Emotional; Allows; Baby; Kill; Primates; Usually; Grief; Concrete; Nature; Intention; Authors; Objects; Expect; Comparative; Mothers; Carry; Monkeys; Thanatology; Evidence; Carcass; Reactions death; Stereotypical; Beliefs; Food; Irreversibility; Intentionality; Mortality; Majority; Happen; Tree; Cat; Smell; Distinguish; Contrast; Presence; Studies; Corpses</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>How animals conceive of death and dying  and what it can teach us about our own relationships with mortality.</b></p><p>When the opossum feels threatened, she becomes paralysed. Her body temperature plummets, her breathing and heart rates drop to a minimum, and her glands simulate the smell of a putrefying corpse. <i>Playing Possum</i> explores what the opossum and other creatures can teach us about how we and other species understand mortality, and demonstrates that the concept of death, far from being a uniquely human attribute, is widespread in the animal kingdom.</p><p>With humour and empathy, Susana Mons tells the stories of ants who attend their own funerals, chimpanzees who clean the teeth of their dead, dogs who snack on their caregivers, crows who avoid the places where they saw a carcass, elephants obsessed with collecting ivory, and whales who carry their dead for weeks. Mons, one of today's leading experts on animal cognition and ethics, shows how there are more ways to conceive of mortality than the human way, and challenges the notion that the only emotional reactions to death worthy of our attention are ones that resemble our own.</p><p>Blending philosophical insight with new evidence from behavioral science and comparative psychology, <i>Playing Possum</i> dispels the anthropocentric biases that cloud our understanding of the natural world, and reveals that, when it comes to death and dying, we are just another animal.</p>]]></Text>
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			<SubjectHeadingText>1815 eruption of Mount Tambora; Agriculture; American Geophysical Union; Americans; Arctic Ocean; Arctic ice pack; Bossons Glacier; Catastrophism; Chamonix; Cholera; Climate; Climate change; Climatology; Disaster; Disease; Dranse; Drought; Dystopia; Earth science; East Indies; Epidemic; Ewen; Extreme weather; Geology; Global warming; Greenland Sea; Holocene; Ice age; Ice core; Ice sheet; John Franklin; Little Ice Age; Lombok; Lord Byron; Mary Shelley; Measurement; Meteorology; Mount Pinatubo; Mount Tambora; Narrative; Natural disaster; North America; Northern Hemisphere; Open Polar Sea; Pathogen; Percy Bysshe Shelley; Pessimism; Poetry; Polar exploration; Polar ice cap; Population decline; Pyroclastic flow; Scientist; Sea; Sea ice; Slavery; Stratosphere; Sumbawa; Teleconnection; Tsunami; Types of volcanic eruptions; Typhus; Volcanism; Volcanology; Vulnerability; Weather; Wuhan University; Year; Year Without a Summer; Yunnan</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[On the eve of the bicentenary of the great eruption, this title tells the story of the weather chaos it wrought, weaving the climate science with the social history of this frightening period to offer a cautionary tale about the potential tragic impacts of drastic climate change in our own century.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A global history of the climate catastrophe caused by the Tambora eruption.</b></p><p>When Indonesia's Mount Tambora erupted in 1815, it unleashed the most destructive wave of extreme weather the world has witnessed in thousands of years. The volcano's massive sulfate dust cloud enveloped the Earth, cooling temperatures and disrupting major weather systems for more than three years. Communities worldwide endured famine, disease, and civil unrest on a catastrophic scale.</p><p>Here, Gillen D'Arcy Wood traces Tambora's global and historical reach: how the volcano's three-year climate change regime initiated the first worldwide cholera pandemic, expanded opium markets in China, and plunged the United States into its first economic depression. Bringing the history of this planetary emergency to life, <i>Tambora</i> sheds light on the fragile interdependence of climate and human societies to offer a cautionary tale about the potential tragic impacts of drastic climate change in our own century. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gillen D'Arcy Wood</b> is the Robert W. Schaefer Professor of Liberal Arts and Sciences at the University of Illinois, Urbana-Champaign. He is the author of <i>The Wake of HMS Challenger</i> and <i>Land of Wondrous Cold</i> (both Princeton).</p>]]></Text>
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			<SubjectHeadingText>,; ,LGBTQIA+,Sappho's; Accessible; Achilles &amp; Patroclus: The OG Queer Ship; Achilles and Patroclus,; Ancient Greece; Artemis as; Artemis: Ace Lesbian Icon; Brief exploration of; Concise; Gender fluidity in Greek myths; Greek mythology; Greek myths,Sappho,; Heracles' queer relationships; Inklings series; LGBTQ+ comics inspired by Greek myths; LGBTQ+ reinterpretations of classical mythology; LGBTQ+ themes in myths; Lesbian Love Stories; Modern queer perspectives on; Polyxena and Iphigenia's; Queer Greek Myth Hot Takes; Queer erasure in; Queer identity in ancient Greek myths; Queer joy and struggles in myth; Queer myth retellings in literature; Queer mythology book; Queer resonance in mythology; Queer retellings of Greek myths; Queer theory in classical studies; Queer women in mythology; Sapphic; Sappho's influence on; Straightwashing in mythology; Tiresias gender fluidity; Tiresias' Gender Fluid; Vibes; aroace/ace lesbian icon,; classical myths; classical texts,; guide to queer mythology; queer literature,; queer retellings; queer theory; recommendations; retellings</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Ancient Greece was rich with stories of queer love and genderfluid identity</b> <b></b> <b>but what can these ancient stories tell us about our contemporary world?</b></p><p>Tales as old as antiquity  whether the love affair of Achilles and Patroclus, the genderfluid Tiresias, or the infamous Heracles  are still capturing our imaginations thousands of years later. But was antiquity's relationship with queer folk more complicated than we now imagine? Historian Jean Menzies dives into the world of queer readings and retellings of Greek mythology, inviting readers to discover the power to be found in remaking these narratives, time and again.</p><p>From explorations of gender and identity across millennia, to celebrating queer love in its many forms, <i>All the Violet Tiaras</i> carves a space for queer stories to be told with all the complexity and tenderness they deserve  and a goddess or two thrown in for good measure.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jean Menzies</b> is an ancient historian and author from Scotland. Jean completed her PhD in classics at the University of Roehampton in 2022, with a focus on gender, myth, and rhetoric in Ancient Greece. Meanwhile, her first novel<i>,The Flames of Albiyon,</i> is a sapphic adult fantasy about dragons and found family. She can usually be found online harping on about queer literature and ancient history over on her YouTube channel<i> Jean's Thoughts.</i></p>]]></Text>
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			<SubjectHeadingText>BlackRock; Blackstone; Brett Christophers; GP practices; Our Lives in Their Portfolios; Rentier Capitalism; The Price Is Wrong; UK government; UK model; affordable housing; asset management; corporate profits; cost of living crisis; development policy; energy; energy poverty; finance capital; financial extraction; financialisation; fundamental needs; health; hedge funds; housing; infrastructure; late capitalism; neoliberalism; privatisation; public utilities; public-private partnerships; social justice; stakeholder capitalism; water; wealth management</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A powerful expose of how finance turns our basic human needs into assets.</b></p><p>We have entered a new era of turbo-charged financial extraction. Having amassed huge reserves, global finance capital is seeking out fresh areas for profitable investments. Virtually all aspects of our lives are now targeted by someone seeking to make a profit.</p><p>In<i> Privatising humanity</i>, Kate Bayliss shows how wealthy investors, including asset managers, target our essential services. When it comes to investments in these sectors, shareholder profits are funded by us, the end-users and tax-payers who simply wish to meet our basic human needs for water, warmth and shelter. We have no alternative but to pay into these structures that often generate massive returns for investors and dysfunctional systems for society.</p><p>Unpacking the details of these processes in three sectors in the UK  water, energy and housing  Bayliss exposes the devastating consequences of this model, which is contributing to deepening inequality.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A fascinating exploration of 'hypernormalisation' in a political system that seemed powerful and eternal  even when it was on the verge of collapse.</b></p><p>Soviet socialism was based on paradoxes that were revealed by the peculiar experience of its collapse. To the people who lived in that system the collapse seemed both completely unexpected and completely unsurprising. At the moment of collapse it suddenly became obvious that Soviet life had always seemed simultaneously eternal and stagnating, vigorous and ailing, bleak and full of promise. Although these characteristics may appear mutually exclusive, in fact they were mutually constitutive. This book explores the paradoxes of Soviet life during the period of 'late socialism' (1960s-1980s) through the eyes of the last Soviet generation.</p><p>Focusing on the major transformation of the 1950s at the level of discourse, ideology, language, and ritual, Alexei Yurchak traces the emergence of multiple unanticipated meanings, communities, relations, ideals, and pursuits that this transformation subsequently enabled. His historical, anthropological, and linguistic analysis draws on rich ethnographic material from Late Socialism and the post-Soviet period.</p><p>The model of Soviet socialism that emerges provides an alternative to binary accounts that describe that system as a dichotomy of official culture and unofficial culture, the state and the people, public self and private self, truth and lie  and ignore the crucial fact that, for many Soviet citizens, the fundamental values, ideals, and realities of socialism were genuinely important, although they routinely transgressed and reinterpreted the norms and rules of the socialist state.</p><p><b>'[An] extraordinary book.'  Brian Eno</b></p><p><b>'One of the best books about the U.S.S.R. in its late stage.'  Alexei Navalny, from</b> <b><i>Patriot: A Memoir</i></b></p><p><b>'Not just history, but a pleasure to read, a true work of art.'  Slavoj iek</b></p><p><b>'Extraordinary and brilliant.'  Adam Curtis, director of</b> <b><i>HyperNormalisation</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[Blending a richly evocative narrative with rare, unpublished material as well as insights from ornithology, anthropology, and Plsson's own North Atlantic travels, The Last of Its Kind reveals how the saga of the great auk opens a window onto the human causes of mass extinction.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Shortlisted, Royal Society Trivedi Science Book Prize 2024</b></p><p><b>How an iconic bird's final days exposed the reality of human-caused extinction.</b></p><p>The great auk is one of the most tragic and documented examples of extinction. A flightless bird that bred primarily on the remote islands of the North Atlantic, the last of its kind were killed in Iceland in 1844. Gsli Plsson draws on firsthand accounts from the Icelanders who hunted the last great auks to bring to life a bygone age of Victorian scientific exploration while offering vital insights into the extinction of species.</p><p>Plsson vividly recounts how British ornithologists John Wolley and Alfred Newton set out for Iceland to collect specimens only to discover that the great auks were already gone. At the time, the Victorian world viewed extinction as an impossibility or trivialised it as a natural phenomenon. Plsson chronicles how Wolley and Newton documented the fate of the last birds through interviews with the men who killed them, and how the naturalists' Icelandic journey opened their eyes to the disappearance of species as a subject of scientific concern  and as something that could be caused by humans.</p><p>Blending a richly evocative narrative with rare, unpublished material as well as insights from ornithology, anthropology, and Plsson's own North Atlantic travels, <i>The Last of Its Kind</i> reveals how the saga of the great auk opens a window onto the human causes of mass extinction.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gsli Plsson</b> is professor emeritus of anthropology at the University of Iceland. His books include <i>The Human Age</i>, <i>Down to Earth</i>, and <i>The Man Who Stole Himself.</i></p>]]></Text>
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			<SubjectHeadingText>AI and Creativity; AI and Society; AI Automation; AI Fairness; AI Governance; AI Power Dynamics; AI Regulation; AI Risks; Artificial Intelligence (AI); Bias in AI; Ethical AI; Generative AI; Human Intelligence; Human-AI Interaction; Large Language Models (LLMs); Machine Learning; Responsible AI; Social Impact of AI; Superintelligence; Sustainable AI Development; Human; Intelligence; Technology; Regulation; Ethical; Ai systems; Bias; Machine; Societal; Artificial; Ability; Tools; Innovation; Algorithms; Governance; Fairness; Capabilities; Broader; Decision making; Paradox; Artificial intelligence; Ai development; Technological; Accountability; Crucial; Applications; Transparency; Technical; Principles; Cognitive; Standards; Justice; Outcomes; Computational; Influence; Ai; Brain; Tech; Llms; Regulatory; Ai technologies; Economic; Privacy; Et al; Machine learning; Democratic; Frameworks; Implications; Deployment; Ai models</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A user's guide to navigating the intricate, often contradictory relationship between artificial intelligence and human intelligence.</b></p><p>Artificial intelligence will shape our future in unforeseen ways, and it is easy to fall into the trap of thinking that it could someday dictate the terms of our very existence. But the fact is, the more that AI can do, the more it underscores the irreplaceable qualities of human creativity, empathy, and moral reasoning. This is one of the eight paradoxes of AI that Virginia Dignum explores in this revelatory book. Drawing on her decades of experience in AI research and governance, Dignum cuts through the hype and sensationalism that often surround AI and reveals why the most profound questions it raises are not about technology but ourselves.</p><p><i>The AI Paradox</i> is a guide to seeing complexity with clarity, questioning the seemingly inevitable, and using AI in ways that prioritise our collective values. Each paradox explored in this book illuminates a particular dimension of these emerging technologies while prompting us to reevaluate our most common preconceptions about them. Can they truly replicate human decision making or do they simply magnify our blind spots and biases? Is AI the ultimate problem-solving tool or does it introduce more problems? Is justice for all achievable when it comes to AI? Who does AI serve, big tech or the common good? How do we even define AI?</p><p>With thought-provoking examples and paradoxical insights, this powerful little book challenges us to reimagine the role of these technologies in our lives, advocating for a collaborative, transparent, and inclusive approach that keeps humanity at the core of AI innovation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In the past three decades, the battle between big tech and big journalism has reshaped how we consume the news. Jason Whittaker delves into how tech giants outmanoeuvered traditional media companies, siphoning off advertising revenue and audience attention. As journalism struggled to adapt, social media platforms evolved from utopian public spaces into breeding grounds for misinformation and fake news, eroding public trust. The influence of billionaires further complicated the digital ecosystem, swaying public opinion and exercising direct political power, of which previous media moguls could only dream. More recently, AI has begun to revolutionize content creation, distribution, and consumption. Overall, this thirty-year period has witnessed a tangled mix of progress, contention, and disinformation. Incorporating stories about<i>The Washington Post</i>, <i>The New York Times</i>, <i>The Atlantic</i>, <i>The Los Angeles Times</i>, <i>Bloomberg</i>, and many other media outlets from around the world, and discussing key figures and companies in big tech and AI like Facebook/Meta, Cambridge Analytica, Google, Microsoft, Twitter/X and Elon Musk, Edward Snowden, Jakob Uszkoreit, OpenAI, ChatGPT, DeepSeek, and more, Whittaker provides an incisive examination of the frequently combative relations of these two industries and the uncertain future of the news in the digital age.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Fascism was a distinct movement in European history that left deep scars across the continent, but the term 'fascist' is now more broadly applied to those on the political right, especially the new populists who have seized power across much of the globe in recent years. Although most far-right populists vocally disavow historic fascism, many critics see worrying parallels with the earlier movement. Could we be witnessing a return to the fascist politics of Mussolini, Franco and Hitler? </p><p>Maximiliano Fuentes Codera and Javier Rodrigo have written both an assessment of the current crisis of democracy and a brief history of fascism and far-right populism around the world. By illuminating the historical record, this book will help readers better understand the distinctive, twenty-first-century challenges faced by our democracies.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>This book exposes the history and the future of the Wagner Group, Russia's notorious and secretive mercenary army, revealing details of their operations never documented before. Using extensive leaks, first-hand accounts, and the byzantine paper trail left in the group's wake, Jack Margolin traces the Wagner Group from its roots as a battlefield rumour to a private military enterprise tens of thousands-strong that eventually comes to threaten Putin himself. He follows individual commanders and foot soldiers within the group as they fight in Ukraine, Syria, and Africa, sometimes alongside fellow military contractors from the United Kingdom and the United States. He shows Wagner mercenaries committing atrocities, plundering oil, diamonds, and gold, and changing the course of conflicts from Europe to Africa in the name of the Kremlin's strategic aims.</p><p>In documenting the Wagner Group's story up to the dramatic demise of its chief director, Evgeniy Prigozhin, Margolin demonstrates that Wagner was not an aberration, but a manifestation of the new geopolitical order of global capital, global crime, and of the entrepreneurs that thrive in it.</p><p>'<b>At once deeply researched and as readable as a thriller.'  Mark Galeotti</b></p><p><b>'An important book about the world's most dangerous mercenary outfit. Margolin unearths new details that will surprise readers.'  Sean McFate</b></p><p><b>'Margolin takes readers deep into the shadowy underworld...A must read.'  Clarissa Ward, CNN</b></p><p><b>'A tale of violence and political intrigue that reads like a Tom Clancy novel written by Fyodor Dostoyevsky.' </b> <b><i>The Wall Street Journal</i></b></p><p><b>'Riveting...It's a vital window onto the weird world of secretive, privatized modern warfare.' </b> <b><i>Publishers Weekly</i></b> <b>(starred review)</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>How, over the course of five centuries, one particular god and one particular Christianity came to dominate late Roman imperial politics and piety.</b></p><p>The ancient Mediterranean teemed with gods. For centuries, a practical religious pluralism prevailed. How, then, did one particular god come to dominate the politics and piety of the late Roman Empire? In <i>Ancient Christianities</i>, Paula Fredriksen traces the evolution of early Christianity  or rather, of early Christianities  through five centuries of Empire, mapping its pathways from the hills of Judea to the halls of Rome and Constantinople. It is a story with a sprawling cast of characters: not only theologians, bishops, and emperors, but also gods and demons, angels and magicians, astrologers and ascetics, saints and heretics, aristocratic patrons and millenarian enthusiasts. All played their part in the development of what became and remains an energetically diverse biblical religion.</p><p>The New Testament, as we know it, represents only a small selection of the many gospels, letters, acts of apostles, and revelations that circulated before the establishment of the imperial church. It tells how the gospel passed from Jesus, to the apostles, thence to Paul. But by using our peripheral vision, by looking to noncanonical and paracanonical texts, by availing ourselves of information derived from papyri, inscriptions, and archaeology, we can see a different, richer, much less linear story emerging. Fredriksen brings together these many sources to reconstruct the lively interactions of pagans, Jews, and Christians, tracing the conversions of Christianity from an energetic form of Jewish messianism to an arm of the late Roman state.</p>]]></Text>
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				<TitleText>On the Altar</TitleText>
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			<Text textformat="02"><![CDATA[<p><b>How Christianity both abolished and absorbed sacrifice</b></p><p>From the beginning, sacrifice lived a double life in Christianity, both abandoned and essential. Christ's death on the cross was the sacrifice to end all sacrifice, eclipsing the temple sacrifices of Judaism and paganism. And yet at the centre of the lived faith was the repetition of sacrifice: the offering of Christ's body, the sacrifices of ancient patriarchs, and the sacrifices of martyrs woven through liturgy, theology, and popular devotion.</p><p>But this double life collapsed in the Reformation. Quarrelling heirs to Christian truth discovered that the sacrifices they once called Christian might be nothing of the sort. To build their new faiths  to discover the truth of Christian sacrifice  they turned to the past, learning from Christianity as it was how Christianity ought to be.</p><p>In <i>On the Altar</i>, Jonathan Sheehan offers a new account of sacrifice both sacred and secular. His story is in part a history of the Christian imagination across the centuries of the Reformation, when new martyrs and holy warriors fought for the truth of their sacrifices, when the empire of New World sacrifice was recruited to settle Christian conflicts, and when the sacrifices of the ancient Hebrews were weaponised for orthodoxy. But it is a history of the secular imagination as well, as the vast archive of Christian sacrifice was dispersed and applied to things that humans make, their religions, politics, and societies. With <i>On the Altar</i>, Sheehan reveals a new history of both Christianity and the secular world in which we still live.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A sweeping account of male nurturing, explaining how and why men are biologically transformed when they care for babies.</b> </p><p>It has long seemed self-evident that women care for babies and men do other things. Hasn't it always been so? When evolutionary science came along, it rubber-stamped this venerable division of labour: mammalian males evolved to compete for status and mates, while females were purpose-built to gestate, suckle, and otherwise nurture the victors' offspring. But come the twenty-first century, increasing numbers of men are tending babies, sometimes right from birth. How can this be happening? Puzzled and dazzled by the tender expertise of new fathers around the world  several in her own family  celebrated evolutionary anthropologist and primatologist Sarah Blaffer Hrdy set out to trace the deep history of male nurturing and explain a surprising departure from everything she had assumed to be 'normal.'</p><p>In <i>Father Time</i>, Hrdy draws on a wealth of research to argue that this ongoing transformation in men is not only cultural, but profoundly biological. Men in prolonged intimate contact with babies exhibit responses nearly identical to those in the bodies and brains of mothers. They develop caring potential few realised men possessed. In her quest to explain how men came to nurture babies, Hrdy travels back through millions of years of human, primate, and mammalian evolution, then back further still to the earliest vertebrates  all while taking into account recent economic and social trends and technological innovations and incorporating new findings from neuroscience, genetics, endocrinology, and more. The result is a masterful synthesis of evolutionary and historical perspectives that expands our understanding of what it means to be a man  and what the implications might be for society and our species.</p>]]></Text>
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			<SubjectHeadingText>,; Can Heal Us,; Harm Us; Health Crises; It's Not Just Mushrooms: The Amazing Ways Fungi; Nicholas P. Money; and Even Solve Our Worst; antifungal; asthma; candidiasis; cheese; dandruff; death cap; ergot; fermentation; fungal biology; hallucinogen; immunology; medical mycology; medicinal mushrooms; microbiome; mold; mould; mycobiome; mycologist; mycology; mycoprotein; mycorrhiza; mycoses; psilocybin; rhinitis; ringworm; yeast</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The incredible, hidden role of fungi in our lives.</b></p><p>From beneficial yeasts that aid digestion to toxic moulds that cause disease, we are constantly navigating a world filled with fungi. <i>Fungi and Human Life</i> explores the amazing ways fungi interact with our bodies, showing how our health and well-being depend on an immense ecosystem of yeasts and molds inside and all around us.</p><p>Nicholas Money takes readers on a guided tour of a marvellous unseen realm, describing how our immune systems are engaged in continuous conversation with the teeming mycobiome inside the body, and how we can fall prey to serious and even life-threatening infections when this peaceful coexistence is disturbed. He also sheds light on our complicated relationship with fungi outside the body, from wild mushrooms and cultivated moulds that have been staples of the human diet for millennia to the controversial experimentation with magic mushrooms in the treatment of depression.</p><p>Drawing on the latest advances in mycology, <i>Fungi and Human Life</i> reveals what scientists are learning about the importance of fungi to our lives, from their vital role in supporting the ecosystems on which we depend to their emerging uses in lifesaving medicine.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nicholas P. Money</b> is professor of biology at Miami University in Ohio and the author of many books, including <i>The Rise of Yeast: How the Sugar Fungus Shaped Civilization</i>, <i>Mushrooms: A Natural and Cultural History</i>, and <i>Microbiology: A Very Short Introduction</i>.</p>]]></Text>
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			<SubjectHeadingText>budgeting best practices; conscious money decisions; designing retirement; donating money; financial freedom; financial impact; financial legacy; financial life; financial planning with purpose; giving to charity; how to use money for good; investing for impact; investing with purpose; leading a good life; living a flourishing life; living into values; meaningful wealth management; personal finance; planning for retirement; purpose driven money; smart budgeting; strategies; values based investing</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Align your finances with purpose, impact, and personal fulfillment.</b></p><p>Traditional personal finance books generally promote the same goals for everyone: make as much money as possible, fund your kids' college educations, and save for retirement. These books mechanistically advise us to budget, take out a mortgage, open savings accounts, and so on  without much thought as to who we are as individuals.</p><p>But is that all? Will that formula make you happy?</p><p><i>Good Money</i> is about building a meaningful life, not just a bigger bank account. In this book, investor and author John Coleman offers a new mindset around personal finance, one that puts purpose at its core. He provides a six-part framework for building a relationship with money that leads to human flourishing:</p><ul><li>Change the way you think about money</li><li>Prioritise purpose in your work and career</li><li>Spend and consume wisely</li><li>Use your means to help others</li><li>Invest for maximum impact</li><li>Save for freedom, not retirement</li></ul><p>Filled with detailed examples and firsthand interviews as well as guidance on applying these principles to the well-being of your children and family, <i>Good Money</i> walks you through each of these steps, providing helpful  and sometimes counterintuitive  advice on how to use your wealth to flourish, find greater significance, and ensure your actions have the impact you want, now and long into the future.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John Coleman</b> is an investor, writer, and public speaker. He is the co-CEO at Sovereign's Capital, which invests in public equities, private equity, real estate, and venture capital. He has prior experience at McKinsey &amp; Company, Invesco, and Bridgewater Associates, among others. He is the author of multiple books, including the <i>HBR Guide to Crafting Your Purpose</i> and <i>Passion &amp; Purpose</i>. Coleman and his work have been featured in <i>Harvard Business Review</i>, <i>Forbes</i>, the <i>Washington Post</i>, the <i>New York Times</i>, the <i>Financial Times</i>, and the <i>Los Angeles Times</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This beautiful art book comes from Canadian artist Audra Auclair, whose work has spanned across many years and many mediums.</b></p><p>Countless fans have fallen in love with her artwork thanks to her attempts to express the complexities of human emotion, and the merging of fantastical elements, nature, and stunning vibrant colours situations in her work. She has built up almost half a million followers on her Instagram account and runs a very popular Patreon, where she shares WIPs and access to her personal sketchbook. She also sells prints and products featuring her artwork from her online store.</p><p>In this exclusive book, Audra takes readers on a journey through her creative history, opening up about her early years, childhood influences, struggles, and ambitions. She then shows us behind the scenes in her studio and discusses her personal techniques, including how she uses a sketchbook and conceptualises. Then, presenting something a little different to other available 'Art of' books, Audra has written a chapter on an artist's relationship with art and provided some self-help-esque discussions for fellow creatives. From seeing creation as a spiritual force to being able to draw boundaries and maintain artistic confidence, this section is invaluable for artists of any ability.</p><p>We then have beautiful galleries of Audra's complete work in various mediums, plus step-by-step tutorials for readers to follow  on topics including gouache painting, redrawing old art, creating digital art, drawing something in your own style, and mixing media.</p><p>This is a highly interesting, ever-inspiring collection of art and writings from a thoughtful, hugely talented creative artist.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The fascinating science and history of radiation.</b></p><p>More than ever before, radiation is a part of our modern daily lives. We own radiation-emitting phones, regularly get diagnostic x-rays, such as mammograms, and submit to full-body security scans at airports. We worry and debate about the proliferation of nuclear weapons and the safety of nuclear power plants. But how much do we really know about radiation? And what are its actual dangers? An accessible blend of narrative history and science, <i>Strange Glow</i> describes mankind's extraordinary, thorny relationship with radiation, including the hard-won lessons of how radiation helps and harms our health. Timothy Jorgensen explores how our knowledge of and experiences with radiation in the last century can lead us to smarter personal decisions about radiation exposures today.</p><p>Jorgensen introduces key figures in the story of radiation  from Wilhelm Roentgen, the discoverer of x-rays, and pioneering radioactivity researchers Marie and Pierre Curie, to Thomas Edison and the victims of the recent Fukushima Daiichi nuclear power plant accident. Tracing the most important events in the evolution of radiation, Jorgensen explains exactly what radiation is, how it produces certain health consequences, and how we can protect ourselves from harm. He also considers a range of practical scenarios such as the risks of radon in our basements, radiation levels in the fish we eat, questions about cell-phone use, and radiation's link to cancer. Jorgensen empowers us to make informed choices while offering a clearer understanding of broader societal issues.</p><p>Investigating radiation's benefits and risks, <i>Strange Glow</i> takes a remarkable look at how, for better or worse, radiation has transformed our society. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>On November 1, 1755  All Saints' Day  a massive earthquake struck Europe's Iberian Peninsula and destroyed the city of Lisbon. Churches collapsed upon thousands of worshippers celebrating the holy day. <i>Earthquakes in Human History</i> tells the story of that calamity and other epic earthquakes. The authors, Jelle Zeilinga de Boer and Donald Theodore Sanders, recapture the power of their previous book, <i>Volcanoes in Human History</i>. They vividly explain the geological processes responsible for earthquakes, and they describe how these events have had long-lasting aftereffects on human societies and cultures. Their accounts are enlivened with quotations from contemporary literature and from later reports.</p><p>In the chaos following the Lisbon quake, government and church leaders vied for control. The Marques de Pombal rose to power and became a virtual dictator. As a result, the Roman Catholic Jesuit Order lost much of its influence in Portugal. Voltaire wrote his satirical work <i>Candide</i> to refute the philosophy of 'optimism', the belief that God had created a perfect world. And the 1755 earthquake sparked the search for a scientific understanding of natural disasters.</p><p>Ranging from an examination of temblors mentioned in the Bible, to a richly detailed account of the 1906 catastrophe in San Francisco, to Japan's Great Kanto Earthquake of 1923, to the Peruvian earthquake in 1970 (the Western Hemisphere's greatest natural disaster), this book is an unequaled testament to a natural phenomenon that can be not only terrifying but also threatening to humankind's fragile existence, always at risk because of destructive powers beyond our control. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jelle Zeilinga de Boer</b> and <b>Donald Theodore Sanders</b> are the authors of <i>Volcanoes in Human History</i>. <b>Zeilinga de Boer</b> is the Harold T. Stearns Professor of Earth Science at Wesleyan University. <b>Sanders</b>, a Wesleyan graduate and former geologist, is an independent science editor and writer.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A new compass for global reading: looking at the world from the far southern latitudes.</b></p><p>A northern viewpoint is most often the default, while the south  the far southern latitudes occupied by Australia, New Zealand, Argentina and southern Africa, among others  seems far away and ignorable. In <i>Southern Imagining</i>, Elleke Boehmer offers an alternative perspective, using literary, scientific and cultural material to explore how we look at the world from the south. Reading, she argues, is a transformative means of reversing our usual planetary orientation and rearranging our perceptual geography. Boehmer examines writing from across southern continents and islands, considering how we imaginatively inhabit the farthest reaches of our planet. Creators ranging from the Portuguese epic poet Lus de Cames to Samuel Taylor Coleridge, Charles Darwin, Katherine Mansfield, Jorge Luis Borges and ancient Indigenous storytellers capture the edgy and austere experiences of the far south.</p><p>For Boehmer, imaginative work stimulates and shapes our phenomenological understanding. Southerners often see themselves as far away from where things count, as outsiders, internalising the wider global sense of their relative insignificance. Conversely, when northerners read or hear legends, narratives, songs and poems from the south, it is as if they are located in the south, at least for the duration of the reading or listening. Boehmer suggests that the south-tilted world map<b>,</b> re-centred through song and story, invites us to claim a more involved sense of belonging to our planet, both its north and its south. The writers of the south disrupt conventional ways of seeing and invite us to inhabit our globe differently.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Elleke Boehmer</b> is Professor of World Literature in English at the University of Oxford. Since 2023, she has been an Extraordinary Professor in English at the University of Pretoria and in 2024 she was Visiting International Fellow at the University of Adelaide. She is the author of, among other books, <i>Postcolonial Poetics</i>; <i>Indian Arrivals 1870-1915,</i> winner of the ESSE Book Award; and the field-defining <i>Colonial and Postcolonial Literature: Migrant Metaphors;</i> as well as the collection of short stories <i>To the Volcano</i> and the novel <i>The Shouting in the Dark</i>, winner of the Olive Schreiner Prize. She is a Fellow of the Royal Society of Literature and a Fellow of the Royal Historical Society.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The utilisation  and weaponisation  of charm in contemporary global politics.</b></p><p>Politics is a site of performance, and contemporary politicians often perform the role of a regular person  perhaps someone we would like to have a beer with. They win elections not because of the elevated rhetorical performances we often associate with charisma ('ask not what your country can do for you'), but because of something more ordinary and relatable. The everyday magic spell that politicians cast using mass and social media is what sociologist Julia Sonnevend calls 'charm'. In this engaging and enlightening book, Sonnevend explores charm (and the related 'charm offensive') as a keyword of contemporary global politics. Successful political leaders deploy this form of personal magnetism  which relies on proximity to political tribes and manifests across a variety of media platforms  to appear authentic and accessible in their quest for power.</p><p>Sonnevend examines the mediated self-representations of a set of liberal, illiberal, and authoritarian political leaders, past and present: New Zealand's Jacinda Ardern, Hungary's Viktor Orbn, Iran's Mohammad Javad Zarif, North Korea's Kim Jong-un, and Germany's Angela Merkel. She considers how charm (or the lack of it) is wielded as a political tool, and the ways charm is weaponised to shape the international image of a country, potentially influencing decisions about military aid, trade, and even tourism. Sonnevend argues that charm will shape the future of democracy worldwide, as political values will be increasingly embodied by mediated personalities. These figures will rise and fall, often fading into irrelevance; but if we do not understand charm's political power, we cannot grasp today's fragile political moment.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Julia Sonnevend</b> is associate professor of sociology and communications at The New School. She is the author of <i>Stories Without Borders: The Berlin Wall and the Making of a Global Iconic Event</i>.</p>]]></Text>
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			<SubjectHeadingText>1606: Shakespeare and the Year of Lear; A Midsummer Night's Dream; Anne Hathaway; Ben Jonson; Christopher Marlowe; Edward Alleyn; Edward de Vere; Elizabethan England; First Folio; Hamlet; Hamnet; Henry V; James Shapiro; Jessie Buckley; Julius Caesar; King Lear; London; Lord Chamberlain's Men; Macbeth; Maggie O'Farrell; Much Ado about Nothing; New Place; Othello; Paul Mescal; Prospero; Richard III; Shakespeare authorship controversy; Shakespeare's Globe; Sir Francis Bacon; Stanley Wells; Stratford-upon-Avon; Stuart England; The Merchant of Venice; The Taming of the Shrew; The Tempest; Thomas Kyd; Twelfth Night; What Was Shakespeare Really Like; Who Was William Shakespeare?; William Shakespeare; William Shakespeare: A Very Short Introduction; William Stanley; anti-Stratfordians; authorship question; early modern drama; early modern theatre; playwrights; the Bard; the Bard of Avon; the Globe Theatre; the King's Men; the stage</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[In What's in a name?, historian Susan Amussen traces William Shakespeare's life through early modern England to show how a glover's son could have become the world's greatest author.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A compelling tour of Shakespeare's England that makes a powerful contribution to the 'authorship question'.</b></p><p>How do we know Shakespeare was Shakespeare? Could a glover's son who left school at fifteen really be the author behind such masterpieces as <i>Hamlet, King Lear</i> and <i>The Tempest</i>?</p><p>Yes! says historian Susan Amussen. She transports readers back to early modern England, to travel the path that carried William Shakespeare from humble origins in Stratford to literary greatness on the London stage. This was a society undergoing rapid change. Grammar schools made education in Latin and Greek available to commoners, while touring players brought the latest dramatic productions to the masses. And in London, a metropolis filled with European visitors, ordinary people had the opportunity to see courtly life up close.</p><p>No serious historian doubts that Shakespeare was the author of the plays that bear his name. Susan Amussen shares what they know: that Shakespeare's England was a complex and cosmopolitan place, with everything a talented young playwright needed to develop his craft and furnish his imagination.</p><p><b>'As compelling as it is well-informed, this is a must-read for all Shakespeare and theatre lovers!'  Chris Laoutaris, author of </b><b><i>Shakespeare's Book: The Intertwined Lives Behind the First Folio</i></b></p><p><b>'If you've ever wanted a "making of" guide to our expanding library of Shakespeare biographies, Susan Dwyer Amussen's </b><b><i>What's in a name?</i></b><b>is for you.'  Will Tosh, author of </b><b><i>Straight Acting:The Many Queer Lives of William Shakespeare</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Susan D. Amussen</b> is Distinguished Professor of History at the University of California, Merced. She is the author of several books, most recently <i>Gender, Culture and Politics in England,</i> <i>1560-1603: Turning the World Upside Down</i> (2017). She serves as co-editor of volume III of <i>The New Cambridge History of Britain</i> (2025). While her primary work has been as a social historian focused on gender, race and class, her research has been used extensively by literary scholars, with whom she has been in conversation for over thirty years.</p>]]></Text>
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			<SubjectHeadingText>Gobsmacked!: The British Invasion of American; English; Phrase; Dictionary; Citation; Line; Viewer; Bit; Quote; Century; Slang; Ngram; Sport; Writer; Blog; Language; Game; Reader; Examples; Books; Definition; Magazine; Noobs; Google; Page; Piece; Sound; Quotation; Adjective; Version; Verb; Clever; Style; Character; Sources; Oed citation; Noun; Yorker; Novel; Country; War; Twentieth; Dictionary slang; Origin; Marks; Stop; Pronunciation; Popularity; Quotation marks; Google books; Newspaper; Queue; Atlantic; Decades; Review; Piss; Note; Po; Columnist; Soccer; Editor; Paper; Toltz; Twentieth century; Letter; Story; Band; Equivalent; Twitter; Website; Pretty</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>The British love to complain that words and phrases imported from America  from <i>French fries</i> to <i>Awesome, man!</i>  are destroying the English language. But what about the influence going the other way? Britishisms have been making their way into the American lexicon for more than 150 years, but the process has accelerated since the turn of the twenty-first century. From acclaimed writer and language commentator Ben Yagoda, <i>Gobsmacked!</i> is a witty, entertaining, and enlightening account of how and why scores of British words and phrases  such as <i>one-off</i>, <i>go missing</i>, <i>curate</i>, <i>early days</i>, <i>kerfuffle</i>, <i>easy peasy</i>, and <i>cheeky</i>  have been enthusiastically taken up by Yanks.</p><p>After tracing Britishisms that entered the American vocabulary in the nineteenth century and during the world wars, <i>Gobsmacked!</i> discusses the most-used British terms in America today. It features chapters on the American embrace of British insults and curses, sports terms, and words about food and drinks. The book also explores the American adoption of British spellings, pronunciations, and grammar, and cases where Americans have misconstrued British expressions (for example, changing <i>can't be arsed</i> to <i>can't be asked</i>) or adopted faux-British usages, like pronouncing <i>divisive</i> as 'divissive'. Finally, the book offers some guidance on just how many Britishisms an American can safely adopt without coming off like an <i>arse.</i></p><p>Rigorously researched and documented but written in a light, conversational style, this is a book that general readers and language obsessives will love. Its revealing account of a surprising and underrecognised language revolution might even leave them, well, gobsmacked.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ben Yagoda</b> has published more than a dozen books, including <i>Will Rogers: A Biography</i>; <i>About Town: "The New Yorker" and the World It Made</i>; <i>When You Catch an Adjective, Kill It: The Parts of Speech, for Better and/or Worse</i>; and <i>The Sound on the Page: Style and Voice in Writing</i>. He is professor emeritus of English at the University of Delaware. His blog, <i>Not One-Off Britishisms</i>, has been visited more than 3 million times.</p>]]></Text>
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			<SubjectHeadingText>The Beauty of Falling: A Life in Pursuit of; Gravity; Claudia de Rham; Princeton University Press; gravity; science of gravity; why is gravity important; science books; books about space: Sun; orbit; gravitational force; planets; Milky Way; law of gravity; Einstein; newton; Hawking; Penrose; Ghez; galaxy; Galileo; kepler; inertia; relative motion; law of universal gravitation; gravitational attraction; albert michelson; edward morley; special relativity; gravitational waves; electromagnetic waves; glight; James Webb telescope; maxwell's equations; luminiferous aether; light interferometer; Nobel Prize for Physics; massive gravity; Physics; Cosmology; Universe; Space; Spacetime; Dark Energy; Dark Matter; Gravitational Waves; Gravitons; Quantum Theory; Relativity; Laws of Physics, Science; Women in Physics; Women in Science; Astronaut; Theoretical Physics; Light; flying; Diving; Madagascar; Peru; travel; free fall</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A world-renowned physicist seeks gravity's true nature and finds wisdom in embracing its force in her life.</b></p><p>Claudia de Rham has been playing with gravity her entire life. As a diver, experimenting with her body's buoyancy in the Indian Ocean. As a pilot, soaring over Canadian waterfalls on dark mornings before beginning her daily scientific research. As an astronaut candidate, dreaming of the experience of flying free from Earth's pull. And as a physicist, discovering new sides to gravity's irresistible personality by exploring the limits of Einstein's general theory of relativity. In <i>The Beauty of Falling</i>, de Rham shares captivating stories about her quest to gain intimacy with gravity, to understand both its feeling and fundamental nature. Her life's pursuit led her from a twist of fate that snatched away her dream of becoming an astronaut to an exhilarating breakthrough at the very frontiers of gravitational physics.</p><p>While many of us presume to know gravity quite well, the brightest scientists in history have yet to fully answer the simple question: what exactly is gravity? De Rham reveals how great minds  from Newton and Einstein to Stephen Hawking, Andrea Ghez, and Roger Penrose  led her to the edge of knowledge about this fundamental force. She found hints of a hidden side to gravity at the particle level where Einstein's theory breaks down, leading her to develop a new theory of 'massive gravity.' De Rham shares how her life's path turned from a precipitous fall to an exquisite flight toward the discovery of something entirely new about our surprising, gravity-driven universe.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Claudia de Rham</b> is professor of theoretical physics at Imperial College London and a member of the American Academy of Arts and Sciences. The recipient of numerous prizes and awards, she is ranked among the most influential researchers in fundamental physics of the past decade.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In the early eighteenth century, Christianity began to lose its hold on the story of humankind. Yet centuries of xenophobia, religious intolerance and emerging biological ideas did not simply disappear. Instead, secular thinkers reshaped them as they looked to redefine what it meant to be human. By century's end, naturalists and philosophers had divided humankind into racial categories using methods associated with the Enlightenment era.</p><p>In <i>The Race Makers</i>, Enlightenment specialist Andrew S. Curran traces the emergence of race through thirteen pivotal figures, including Louis XIV, Buffon, Carl Linnaeus, Voltaire, David Hume, Adam Smith, Immanuel Kant and Thomas Jefferson. From the gilded halls of Versailles to the slave plantations of the Caribbean, and from the court of the Mughal Empire to the drawing rooms of Monticello, Curran reveals how the pursuit of knowledge became entangled with  and often drove  systems of empire and oppression. The result is a bold reappraisal of the Enlightenment's most celebrated luminaries.</p><p>Combining rigorous scholarship with vivid storytelling, <i>The Race Makers</i> offers a sweeping and unsettling account of how modern concepts of race were born  and why they still matter.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Andrew S. Curran </b>is the William Armstrong Professor of the Humanities at Wesleyan University. His work explores the intersections of race, science and Enlightenment thought, and has appeared in <i>The New York Review of Books, The New York Times, The Guardian, </i>and <i>Time Magazine</i>. He is the author of <i>The Anatomy of Blackness: Science and Slavery in an Era of Enlightenment; Who's Black and Why?</i> (with Henry Louis Gates, Jr.), nominated for an NAACP image award; and Diderot and the <i>Art of Thinking Freely</i>, named one of the best biographies of 2019 by<i> Kirkus Reviews, The Australian </i>and <i>The Irish Times.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Global institutions have failed to adapt to today's political-economic realities. What went wrong, and how can we reverse our descent into chaos?</b></p><p>The United States is no longer the world's undisputed superpower. China and India increasingly flex their economic muscle, as the West's share of global GDP steadily declines  and America's rules-based system risks becoming irrelevant. In business, competition brings efficiency, balance, and innovation. But not in the marketplace for global power.</p><p>Acclaimed economist Eswar S. Prasad argues that the very forces expected to stabilise the world order are fueling disarray. Globalisation has deepened inequality in many countries, stoked political backlash and triggered trade wars. Economic institutions like the IMF and WTO are no longer fit for purpose. The rise of 'middle powers' like South Africa, Brazil, and Indonesia once suggested multipolar stability; but today, such economies are forced to pick sides in the intensifying USChina struggle for hegemony.</p><p>Prasad's clear-eyed, bracing prose contends that we are caught in a destructive feedback loop between economics, domestic politics, and geopolitics. With instability the new status quo, we need radical solutions to reinvigorate the world economy, prioritise common aspirations  and halt the downward spiral.</p><p><b>Praise for </b><b><i>The Future of Money</i></b></p><p>'<b>A road map for money managers, market strategists, and others seeking to understand this new world.' </b><b><i> Barron's</i></b></p><p><b>'Money shapes economies, economies shape nations, nations shape history. It follows that the future of money is profoundly important. Here is a definitive report on where we are and where we are going.'  Lawrence H. Summers, former Secreta ry of the Treasury</b></p><p><b>'Prasad manages to make the financial system intelligible and interesting without resorting to shortcuts and exaggeration...Previous overhauls mainly improved existing systems, he notes. The end of cash  likely within a decade or two  is revolutionary.'  </b><b><i>Economist</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Hypochondria </i>proposes a bold reimagining of a frequently dismissed condition. Susannah B. Mintz reframes health anxiety not as a pathology but as a site of creative potential  exploring hypochondria as a form of communication, a reorientation to time, a convergence of personal and communal identity, a declaration of bodymind needs and an embrace of ageing's transformations. Far-ranging in its attention to historical periods, national literatures, philosophical thought and medical discourse, the book challenges the containment of suffering within narratives of professional authority. In doing so, it seeks to dispel shame and stigma, opening space for new forms of connection and understanding through a deeper attentiveness to the experience of illness.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A writer's quest to understand the deep past and uncertain future of his homeland.</b></p><p>After inheriting the miner's safety lamp that belonged to his great-grandfather, Jake Morris-Campbell sets out on a pilgrimage across his homeland. Travelling from the Holy Island of Lindisfarne to Durham Cathedral, he asks what new ways might be made through the old north.</p><p>This region, a hub of early Christian Britain and later strongly defined by industry and class, now faces an uncertain future. But it remains a unique and starkly beautiful part of the country, with a deep history that is intimately entwined with the idea of Englishness. Jake's journey along the 'Camino of the North' sees him explore the shifting nature of individual and regional identity across thirteen-hundred years of social change. At the same time, it challenges him to reconsider his own calling as a writer and how it relates to the lives of the people he meets along the way.</p><p><i>Between the salt and the ash</i> asks what stories the North East can tell about itself in the wake of Christianity and coal. Rejecting the damaging trope of 'left behind' communities, Jake uncovers neglected seams of culture and history, while offering a heartfelt celebration of the place he calls hyem.</p><p><b>'Beautifully written'  Brian Groom, author of </b><b><i>Northerners: A History</i></b></p><p><b>'It should be read by us all, wherever we live.'  David Almond, author of </b><b><i>Skellig</i></b></p><p><b>'Beautifully crafted'  Robert Colls, </b><b><i>The New Statesman</i></b></p><p><b>'A tender Northumbrian camino through England's own land of saints and scholars.'  Dan Jackson, author of </b><b><i>The Northumbrians</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The irresistible story of a one-man cultural phenomenon.</b></p><p>Minister for the Counterculture, Mancunian mainstay and alternative national treasure John Robb has lived a life in music. In this book he charts his adventures on the cultural frontline, chronicling the making of a DIY icon.</p><p>Robb's quest began in his hometown of Blackpool  where punk was a battle against the odds  and went international when he toured the world with his band. The first person to interview Nirvana, he also discovered The Stone Roses for weekly newspaper <i>Sounds </i>and did early interviews with The Jesus and Mary Chain and The Manics, before moving on to legends such as Mark E. Smith, Nick Cave and Patti Smith. Along the way, he became an on-screen commentator and author of bestselling books.</p><p>Robb's memoir tells of deep friendships with figures from Poly Styrene to Chris Packham. Packed with riotous stories, it provides an alternative account of British musical and cultural history and a triumphant blueprint for a punk rock life.</p><p><b>'John Robb writes about music and culture with the insight of someone who loves it from the outside and lives it from the inside.'  Johnny Marr</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[In the rush of modern life, many of us have become disconnected from the natural world and the rich, spiritual reality that lies just beneath its surface. But the ancient Celts knew that connecting with the land provided a vital source of meaning, strength, and contentment.]]></Text>
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			<Text textformat="02"><![CDATA[<p>In the rush of modern life, many of us have become disconnected from the natural world and the rich, spiritual reality that lies just beneath its surface. But the ancient Celts knew that connecting with the land provided a vital source of meaning, strength, and contentment. These traditions survive in their Wheel of the Year  a sacred guide to living in harmony with the cycles of the land.</p><p>In <i>The Celtic Wheel of the Year</i>, bestselling author Rhonda McCrimmon invites you to rediscover that magic. This friendly guide will help you connect with the Wheel, celebrating the changing seasons with practices that resonate with your own unique path. Within its pages, you will explore:</p><ul><li>The ancient Celtic worldview that saw spirit in every tree, stone, and river</li><li>How the lessons of the Wheel  introspection in winter, growth in spring, abundance in summer, and release in autumn  can bring balance to your modern life</li><li>Practical rituals, meditations, and ceremonies to honor the seasons and connect with timeless wisdom that is available to us all</li></ul><p>Approachable and insightful, <i>The Celtic Wheel of the Year</i> does not strive to recreate the past, but to draw from its wisdom to create a more balanced and magical present. Step into the dance of the seasons and discover a wellspring of courage, clarity, and connection within.</p><p><b>'A luminous guide that bridges the ancient wisdom of the land with the yearning of the modern soul.' HeatherAsh Amara</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rhonda McCrimmon</b> is a Celtic shaman committed to creating shamanic pathways for those disconnected from their animist lineage and heritage. For over a decade she has followed her calling with single-minded determination, making shamanic practices accessible for all. She is the author of <i>The Cauldron and the Drum: A Journey into Celtic Shamanism</i>. Visit her at <i>centreforshamanism.com</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The Left Hand Path of Tarot offers the perspective of the outsiders, the outcasts, the marginalised, the nonconforming, and all who live on the fringes of what society labels as 'civilised', 'acceptable', or 'canon'.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Left Hand Path of Tarot</i> offers the perspective of the outsiders, the outcasts, the marginalised, the nonconforming, and all who live on the fringes of what society labels as 'civilised', 'acceptable', or 'canon'. Cards with a negative reputation, like The Tower or The Devil, acquire a completely new layer of meaning that has extensive and relevant shadow-work applications and extremely practical advice in matters that are often frowned upon by spiritualists, such as kink, self-branding, monetisation, body transformation, glamour, and self-defense.</p><p><i>The Left Hand Path of Tarot</i> suggests a paradigm shift for tarot archetypes that goes beyond classic interpretation of the major arcana. It's the chaos, subversion, and alchemy of the self in the left-hand path of tarot that challenges social norms and leads you to explore the deepest parts of your soul. It is the torch that lights the fire through which we must all walk in order to transcend and achieve the highest victory a human being can aspire to complete: self-love.</p><p><b>'Truly,</b> <b><i>The Left-Hand Path of Tarot</i></b><b> serves as a tarot for our times, one that invites us to direct contemplation of the eerie trickster dimensions of phenomenal reality and of our own souls, so that we might learn to more deeply enjoy our wholeness.'  from the foreword by Carolyn Elliott</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>It's closing time for an alarming number of gay bars in cities around the globe  but it's definitely not the last dance.</b></p><p>In this exhilarating journey into underground parties, pulsating with life and limitless possibility, acclaimed author Amin Ghaziani unveils the unexpected revolution revitalising urban nightlife.</p><p>Far from the gay bar with its largely white, gay male clientele, here is a dazzling scene of secret parties  club nights  wherein culture creatives, many of whom are queer, trans, and racial minorities, reclaim the night in the name of those too long left out. Episodic, nomadic, and radically inclusive, club nights are refashioning queer nightlife in boundlessly imaginative and powerfully defiant ways.</p><p>Drawing on Ghaziani's immersive encounters at underground parties in London and more than one hundred riveting interviews with everyone from bar owners to party producers, revelers to rabble-rousers, <i>Long Live Queer Nightlife</i> showcases a spectacular, if seldom-seen, vision of a queer world shimmering with self-empowerment, inventiveness, and joy.</p>]]></Text>
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			<SubjectHeadingText>Darwin; Romain Brette; adaptive systems; anti-reductionism; artificial intelligence; artificial intelligence critique; biological cognition; biological computation; biological design; biological foundations; biological intelligence; biological modeling; biological processes; biological realism; biological systems; brain as computer; brain function; brain organization; brain theory; cognitive architecture; cognitive biology; cognitive processes; cognitive science; community of entities; complex systems; computation; computational brain; computational neuroscience; computationalism; computer metaphor; consciousness; deep learning; development; embodied cognition; emergence; engineering metaphors; evolution; evolutionary biology; information; information processing; interdisciplinary approach; life and cognition; living organisms; living systems; machine metaphor; mechanistic view; mental phenomena; mind-brain relationship; natural cognition; natural selection; neural development; neural models; neural networks; neural representations; neuroscience; optimization; organic computation; philosophy of mind; prediction; predictive processing; purposiveness; representations; reverse-engineering; scientific methodology; self-organization; teleology; theoretical critique; theoretical frameworks; theoretical neuroscience; vitalism</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Why engineering and computational analogies are poorly suited to the study of biological cognition.</b></p><p>Mainstream theories of the brain are often expressed through engineering concepts  computation, code, control, reverse-engineering, optimisation. These theories cast the living organism as a machine and the brain as a computer. The fact that cognition is a biological phenomenon seems merely anecdotal; biology is considered just 'implementation'. In <i>The Brain, In Theory</i>, Romain Brette argues that the brain is not a 'biological computer' because living organisms are not engineered. Engineering is the use of knowledge to solve technical problems, to build an artifact with a plan. But, Brette reminds us, Darwin's insight is precisely that evolution is <i>not</i> a case of engineering. Unlike engineering, evolution has no predetermined goals, plans, or knowledge.</p><p>Brette reviews the main theoretical frameworks for thinking about the brain, including computation, neural representations, information, and prediction, and finds them poorly suited to the study of biological cognition. He proposes understanding the brain as a self-organised, developing community of living entities rather than an optimised assembly of machine components. With this new perspective, Brette brings life back to the study of the brain and cognition.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Romain Brette</b> is a neuroscientist at the Institute of Intelligent Systems and Robotics, Paris. He has worked on neuronal biophysics, neuroinformatics, auditory neuroscience, philosophy of neuroscience, and recently on the behavior and physiology of protists.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Character Design Quarterly </i></b><b>(</b><b><i>CDQ</i></b><b>) is a lively, creative magazine bringing inspiration, expert insights, and leading techniques from professional illustrators, artists, and character art enthusiasts worldwide.</b></p><p>Each issue provides detailed tutorials on creating diverse characters, enabling you to explore the processes and decision making that go into creating amazing characters. Learn new ways to develop your own ideas, and discover from the artists what it is like to work for prolific animation studios such as Disney, Warner Bros., and DreamWorks.</p><p>The cover for issue 35 is byMaxine Vee (313K Instagram followers), a freelance illustrator based in Canada. Her cosy, fantasy-inspired characters and environments have led to work with Walt Disney Studios, Penguin Random House, Bloomsbury, and many more. She takes readers step by step through the creation of her stunning cover art, then answers our questions on her career journey and current creative projects.</p><p>Another great feature in this issue is an in-depth look at using Risograph to create characters. Natalie Andrewson, an American freelance illustrator and author (based in Los Angeles) speaks to us about how she came to work in this unique medium and creates a brand-new character, walking us through her process. Her work has featured in graphic novels, animation, gallery shows, and more. She has 193K followers on Instagram.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Edited by 3dtotal Publishing</b>, based in Worcester, England, UK. 3dtotal publish high-quality art books dedicated to bringing invaluable training to beginners, hobbyists, and professionals alike. Their books feature top industry professionals from around the globe who share their experience in skillfully written step-by-step tutorials and guides. Illustrated throughout with stunning artwork, these best-selling publications offer creative insight, expert advice, and essential motivation.</p><p><b>Cover artist Maxine Vee </b>(313K Instagram followers) is a freelance illustrator, based in Toronto, Canada. Her cosy, fantasy -inspired characters and environments have led to work with Walt Disney Studios, Penguin Random House, Bloomsbury, and many more.</p><p><b>Natalie Andrewson</b> (193K Instagram followers) is a freelance illustrator, comic artist, and Risograph creator from North Carolina, currently based in Los Angeles. Her colourful characters have featured in graphic novels, animation, gallery shows, and her Risograph prints were the subject of an art book in 2024.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>How does an adopted person construct their identity? In this collection of essays, Ben Wildsmith relates the key events of a turbulent life and considers the factors that shaped his nature.</p><p>Examining notions of culture, belonging, authenticity and family, <i>Whose Song to Sing? </i>takes us from 1970s Birmingham to South Wales in the 2020s, via America, Australia and Thailand.</p><p>Wildsmith offers an adoptee's take on society  ironic and occasionally caustic  as he struggles to carve out a space within it. As family life disintegrates, he seeks refuge in culture, always returning to the songs and stories of the Valleys, the gift of his adoptive grandfather.</p><p>We follow a path from childhood privilege to addiction and despair, before the healing power of community offers a route to happiness.</p><p>Unflinching and frequently comic, <i>Whose Song to Sing?</i> shows how establishing a viable identity from uncertain materials can be a creative act, and a life's work.</p>]]></Text>
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			<Text textformat="02"><![CDATA[In 1743, according to legend, the last wolf in Scotland was killed by a huntsman near Inverness. Since then it has gradually become clear that the entire eco-system has been thrown out of balance. In this passionate polemic, Jim Crumley calls for a limited reintroduction of wolves into Scotland as a way of healing the damaged land.]]></Text>
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			<Text textformat="02"><![CDATA[<p>In 1743, according to legend, the last wolf in Scotland was killed by a huntsman near Inverness. At the time the extinction of wolves in Scotland was celebrated. But since then deer have multiplied in the Highlands, destroying the vegetation on which an array of wildlife depends and creating a barren, treeless landscape.</p><p>Gradually it has become clear that the entire eco-system has been thrown out of balance by the elimination of a top predator. Now there are calls for a limited reintroduction of wolves into Scotland as a way of healing the damaged land.</p><p>The wolf has been the victim of black propaganda since ancient times. By tellers of folk tales and historians alike it has been described as a slayer of babies, a robber of graves, a devourer of battlefield dead. In this passionate polemic, Jim Crumley argues that these stories are pure fiction, a distortion of reality which prevents people from thinking rationally about the huge benefits the presence of wolves could bring to Scotland. Now is the time for myths to be dispelled, and for the wolf to return to its old home in the highlands.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Shows how state surveillance of left-wing individuals and groups was normalised in Cold War Britain, under the guise of upholding democracy.</b> </p><p>For much of the twentieth century, relations between Britain and the Soviet Union were defined by mutual hostility and distrust. From the Bolshevik Revolution until the end of the Cold War, the British establishment was deeply concerned about Soviet-inspired subversion, and secretly monitored thousands of its own citizens due to their real or perceived links to communism, the Soviet Union or both.</p><p><i>Enemy of the State</i> reveals how Britain's intelligence services carried out mass spying operations on the grounds of protecting democracy. Using phone taps, hidden microphones, mail interception and covert break-ins, they investigated trade unionists, scientists, politicians, actors, anti-nuclear and anti-apartheid protesters, and more. But the culture of secrecy permeating British institutions has meant that the extent of these activities is little known. Drawing on recently declassified files from the British government and MI5, Oliver Price argues that while communism gained little traction in domestic politics, fear of left-wing radicalism led to the widespread monitoring of individuals and political groups  many of whom posed no threat to the British state.</p><p>Britain was long considered a country in which 'political policing' was resisted. But Price shows how the tumultuous events of the last century reshaped official attitudes and normalised surveillance.</p>]]></Text>
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			<SubjectHeadingText>10 Books that Belong on Every Golfer's Shelf; 1920s; Britain; Catriona Matthew; Christmas Golf Gifts; Early 20th Century; Glenna Collett; Golf Gifts; Golf history; Golfing history; History of Golf; International rivalry; Iona Stephen; Joyce Wethered; Old Course St Andrews; Royal Troon; Sky Sports; SkySports; Sport History; Suffragettes; The Old Course hotel; United states; Wall Street Journal; Women's History; Women's Rights; Women's Sport; history of women's sport; sporting women; women in golf; women in sport; womens' game</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>**Longlisted, William Hill Sports Book of the Year 2025**</b></p><p>In the 1980s, politicians declared war on football; football supporters declared war on each other inside crumbling stadiums that resembled bomb sites and the '82 and '86 World Cups were played against the backdrop of the Falklands conflict. It was a decade in which some fans died watching the game they loved, and at times, the 'slum sport' seemed set to implode. Yet, remarkably, the game was on the cusp of morphing into the behemoth it has become today.</p><p>Set against a backdrop of economic recession, rampant hooliganism and suspect fashion,<i> Go To War</i> tells the story of how triumph and tragedy shaped English football during the 1980s. Throughout this explosive book, author Jon Spurling delves into the stories behind the successes and strife.</p><p>Thirty years in the making,<i> Go To War</i> draws on interviews conducted with '80s icons including Terry Butcher, Graeme Sharp and Ray Wilkins, managerial legends like Howard Kendall and Bobby Robson and FA Cup heroes Ricky Villa and Norman Whiteside. Like its precursor, the bestselling <i>Get It On, Go To War</i> provides a unique insight into a pivotal footballing decade.</p><p><b>'Enthralling...Another tour de force.' </b> <b><i>Backpass magazine</i></b></p><p><b>'A tremendously readable chronicle of English football in its darkest age, brimming with evocative anecdotes. From the violence on the terraces to the high drama on the pitch,</b> <b><i>Go To War</i></b><b> perfectly captures the moodiness of the 1980s. I enjoyed it enormously.'  Dominic Sandbrook</b></p><p><b>'A beautifully crafted book on a pivotal footballing era.'  Jim Rosenthal</b></p><p><b>'Jon Spurling's eye for detail and character makes him the perfect writer to chronicle a decade when football was about so much more than what happened on the pitch. Not just the best book about '80s football but one of the best books I've read about '80s Britain.'  Josh Widdicombe</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From the Victorian era to Partition, Mukherjee uncovers the unique experiences of the very youngest South Asian migrants to Britain.</b></p><p>Between 1857 and 1947, over 28 million Indians left the subcontinent to live, work and study elsewhere. Today, India has the largest diaspora in the world, with approximately 18 million Indians living overseas. Though often absent from historical narratives, migrant children were instrumental during the time of the British Empire in the development not only of Indian national and diasporic identities, but of British identity too. These children were marginalised by their political status, their race and their age; yet they were fundamental to historical change, from the 1830s through to independence in 1947.</p><p><i>Imperial Footprints</i> vividly charts this history of emigration from British India to the imperial heartland, through the eyes of its youngest participants. From pupils sent to English boarding schools and runaway servants, to sailor children and refugees of war or Partition, Sumita Mukherjee reveals that these child migrants were crucial players in founding Indian communities abroad. Drawing on archival records and firsthand accounts, she offers a portrait of migration to Britain that pre-dated the larger waves of arrivals post-war.</p><p><i>Imperial Footprints</i> challenges the assumptions of the historical voices we often foreground; reflects on post-colonial legacies; and offers a fascinating new perspective on migration and empire.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sumita Mukherjee</b> is Professor of Modern History at the University of Bristol. A fellow of the Royal Historical Society, she is an expert on the histories of South Asian migration and has written widely on this topic. Her books include <i>Indian Suffragettes: Female Identities and Transnational Networks.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The first general history of the archipelago available in English, set within a broader regional, oceanic and global tapestry.</b></p><p>The Cabo Verde Islands are now a popular tourist destination but, guide books apart, there is little in print in English that covers their history and culture. This book offers a readable account not only of the islands' past, but also of their place in the wider story of the South Atlantic's Portuguese-speaking communities.</p><p>First settled in the fifteenth century, the inhabitants of Cabo Verde were of diverse origins. Some came from Portugal, others arrived as slaves from mainland Africa, and a third element comprised Jewish exiles from the Iberian Peninsula. From the earliest days, the islanders developed a mixed Creole culture with its own Creole Portuguese language. They had close relations with people of the upper Guinea coast, where many of them settled, and with the Guinea islands. Meanwhile the archipelago became a hub of the Atlantic slave trade.</p><p>Cabo Verde has also had a strategic importance  its history has to be seen in a global context, broader than simply that of the Portuguese imperial story. Malyn Newitt also fills a major gap in the bibliography of Atlantic history, slavery and the history of the African diaspora in the Atlantic.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>This concise biography offers a fresh portrait of Robert Louis Stevenson: frail Edinburgh child turned globe-trotting author of <i>Treasure Island</i>, <i>Kidnapped</i>, and <i>Strange Case of Dr. Jekyll and Mr. Hyde</i>. It charts his remarkable literary range  from fiction and poetry to essays and letters  crafted across three continents, often in poor health. Stevenson's adventurous life and memorable characters captured both popular imagination and critical praise. Drawing on new scholarship, the book explores his role as a literary innovator and cultural commentator, revealing how his work engaged with the anxieties of a rapidly changing world. At once celebrity, critic, and colonial observer, Stevenson emerges as a truly modern writer whose influence remains potent today. This book is essential reading for lovers of literature, history, and global storytelling.</p>]]></Text>
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			<SubjectHeadingText>Akkadian; Ancient aliens; Ancient mysteries book; Anunnaki; Anunnaki influence; Assyrian; Babylonian; Baphomet Revealed; Bible; DMT; Egyptian; Enki; Enoch; Evil Archaeology; Graham Hancock; Hittite; Nefilim; Nephilim; Nibiru; Psychedelics; Solomon; Tellinger; The Annunaki Connection; UFOs; Younger Dryas; Zecharia Sitchin; advanced knowledge; alchemy; altered states; ancient acoustics; ancient mesopotamian gods; ancient mysteries; ancient sumerian; ancient technology; annunaki; annunaki book; artificial intelligence; astrotheology; cognitive archaeology; consciousness; early civilization; epic of gilgamesh; food of gods; history; human civilization; human consciousness; iconography in myth and art; lost civilizations; mythology and religion; nature of the self; occult practices; origins of humanity; psychedelic experiences; quest for immortality; sacred geometry; sacred mushroom; sacred mushroom theory; secret societies; shaman healing; shamanic practices; symbolism; transhumanism; understanding of reality; understanding of the nature of reality; vonDaniken; where did we come from?; who were the anunnaki?</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The seminal role of the Anunnaki in shaping human civilisation is unveiled, revealing the mystical roots of esoteric knowledge and its impact on secret societies and the evolution of consciousness.</b></p><p>The Anunnaki  one of the most enigmatic groups in history  played a heavy role in early human civilisation. But where did they come from, and who were they?</p><p>In <i>Anunnaki Revelation</i>, author Heather Lynn, PhD, shares evidence that the Anunnaki's influence extends beyond the realms of mythology and religion, shaping the very foundations of our understanding of reality, consciousness, and the nature of the self. By exploring the connections between the Anunnaki, shamanic practices, psychedelic experiences, and modern pursuits such as artificial intelligence and transhumanism, <i>Anunnaki Revelation</i> aims to trace the origins and trajectory of the transformative impact these gods had on the human experience.</p><ul><li>Who were the Anunnaki? Were they benevolent guides or malevolent manipulators, and what will the answer mean for our understanding of the nature of reality?</li><li>Was the Anunnaki's wisdom transmitted to early civilisations, then preserved and passed down through secret societies and occult practices?</li><li>Were psychedelics, shamanic practices, and altered states of consciousness used to communicate with the Anunnaki and other entities? Are they still?</li><li>Did the Anunnaki influence the development of ancient technology, and what can we learn from their mastery of sacred arts like acoustics, geometry, alchemy, and astrotheology?</li><li>How could the Anunnaki's claims of mastery over death inform our approach to artificial intelligence, longevity, and the transhumanist quest for immortality? </li></ul><p><i>Anunnaki Revelation</i> examines the Anunnaki in a new light, as discarnate entities who played a crucial role in the development of human consciousness and civilisation by communicating advanced knowledge to the leaders of a lost civilisation.</p>]]></Text>
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			<SubjectHeadingText>Anti-colonial resistance; Asa Street; Bethlehem; British Mandate Palestine; Church of the Nativity; Cultural displacement; Diaspora; Diasporic identity; Dispossession and survival; Emotional cartography; Everyday life in exile; Exile and belonging; Family legacy; Historical trauma; Homeland and return; Intergenerational memory; Italian Hospital Amman; Jaffa Gate; Jerusalem; Jerusalem heritage; Language and heritage; Mamillah Road; Memory and resistance; Memory and storytelling; Middle Eastern conflict; Nakba and aftermath; Nakba narratives; Objects of memory; Palestine; Palestinian diaspora; Palestinian food culture; Palestinian history; Palestinian resilience; Palestinian-Australian; Photographs and archives; Ramallah; Recipes and rituals; Settler colonialism; Transnational identity; Visit Palestine poster; family memoir; migration</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Fixing its gaze on moments, places and objects  from the streets of Bethlehem to the Palestinian neighbourhoods of the New Jerusalem  Find me at the Jaffa Gate assembles a story of Palestinian diaspora, returning to the origins of violence in the Nakba.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Victorian Premier's Literary Awards 2026, Non-Fiction**</b></p><p><b>**Shortlisted, NSW Literary Awards 2026, Douglas Stewart Prize for Non-Fiction**</b></p><p><b>**Shortlisted, NSW Literary Awards 2026, Multicultural NSW Award**</b></p><p><b>**Shortlisted, NSW Literary Awards 2026,</b> <b>UTS Glenda Adams Award for New Writing**</b></p><p><b>**Longlisted, Stella Prize 2026**</b></p><p><i>'If we were different people, to write down these words might be to leave them behind us. But words are our artifacts, and I am seeding a trail for the journey, home.'</i></p><p>What does the daughter of a Nakba survivor inherit? It is not property or tangible heirlooms, nor the streets and neighbourhoods of a father's childhood and the deep roots of family who have lived in one place, Jerusalem, for generation upon generation.</p><p>Fixing her gaze on moments, places and objects  from the streets of Bethlehem to the Palestinian neighbourhoods of the New Jerusalem  Micaela Sahhar assembles a story of Palestinian diaspora. <i>Find Me at the Jaffa Gate</i> is a book about the gaps and blank spaces that cannot be easily recounted, but which insists on the vibrant reality of chance, fragments and memory to reclaim a place called home.</p><p><b>'Micaela Sahhar's</b> <b><i>Find Me at the Jaffa Gate</i></b><b> is one of the most inventive, thought-provoking and captivating chronicles of Palestinian diasporic life I've had the pleasure of reading. It is a memoir written by a poet, poetry written by a novelist, literature written by an academic  it is all these things at once, insisting with a gentle yet unwavering confidence in the power of its unique, brilliantly evocative and genre-defying voice. Sahhar's love for her family, homeland, the details and intimacies of everyday life; for language, history, archives, photographs and the treasured ephemera of a life in diaspora, shine through every line. The result is a book in which every word is deliberate, each line commands attention, each chapter is a world within a world.'  Randa Abdel-Fattah, academic and writer, author of</b> <b><i>11 Words for Love</i></b></p><p><b>'Micaela Sahhar's family history has everything that makes any Palestinian family history worth telling and reading about. On the one hand, a rich culture that ranges from distinctive culinary practices to a distinctive sense of humour, and on the other hand, a tragic settler-colonial history of dispossession and oppression leading to a transnational diasporic existence, and that makes for a characteristic sense of space and place. But this is not any book about Palestine. Sahhar is a superior storyteller with a knack for highlighting evocative details. Storytelling, like any craft, embodies in different degrees the labour of the many people who have told stories about one's subject matter in the past. The more a writer is well-read the more this shows in the historical density and the social complexity of their storytelling. Sahhar's book is definitely dense and socially complex in this way. This could make for 'heavy' reading if it wasn't for Sahhar's superior writing skills. Indeed, I would say that more than anything else, this is a book for people who enjoy good writing, regardless of what the story is about. But of course, it matters what this story is about. This is a book about Palestine and Palestinians, and in the way the book is grounded in both the Palestinian tragedy and the Palestinian unlimited capacity to affirm life, the spirit of anti-colonial resistance animates every one of its pages. Sahhar finishes the book saying that like Mahmoud Darwish's father she hopes that one day she will be able to go to Palestine, to the streets where her family originates from, and shout</b> <b><i>I am I. And I am here</i></b><b>. But in a way, by writing this book, she already does that, if not from Palestine at least from the position she occupies within the transnational space of western colonialism.'  Ghassan Hage, professor of anthropology at the University of Melbourne and author of</b> <b><i>The Diasporic Condition: Ethnographic Explorations of the Lebanese in the World</i></b></p><p><b>'</b><b><i>Find Me at the Jaffa Gate</i></b><b> is an aching and tender study of diaspora, grief, memory and history. Sahhar has a masterful voice, playing subtly with tense and form to give agency to a beautifully layered narrative, interwoven with fragments, records and intimate moments of lives permanently changed by Nakba. Find Me at the Jaffa Gate tells an unmissable story of Palestinian survival and resistance across space and time.'  Evelyn Araluen, Bundjalung poet and author of</b> <b><i>Dropbear</i></b></p><p><b>'Sahhar chronicles the essential truths of Palestine with intricacy and finesse and in doing so, has crafted a mighty text that demands unbroken attention.</b> <b><i>Find Me at the Jaffa Gate</i></b><b> is a book that will be read, re-read, dog-eared, underlined and recited.'  Hasib Hourani, author of</b> <b><i>rock flight</i></b></p><p><b>'</b><b><i>Find Me at the Jaffa Gate</i></b> <b>opens with a recollection of the five-year-old Micaela bobbing off to preparatory school with pigtails, glasses and missing teeth. As she enters the classroom, her sense of self is shattered  in a nation that is home but not home, when a teacher butchers her family name and is visibly appalled when told the name is Palestinian. As the child of diaspora, born on the unceded lands of Australia, Micaela is ever conscious of the tension between being in exile on homelands now occupied; and living, working and writing on the occupied lands of Naarm  in colonial Australia  a site of invasion, and genocide.</b> <b><i>Find Me at the Jaffa Gate</i></b><b> writes of and to dispossession, displacement, trauma, loss, resilience and is testimony to the power of intergenerational story and memory that survives, and lives on so that all those who remain, and their children and children's children remember. In this polyphonic narrative, we hear many voices  some still living, others passed, now scattered across nations and continents, yet still connected through home  Palestine.'  Jeanine Leane, Wiradjuri writer, critic, poet and author of</b> <b><i>Gawimarra: Gathering</i></b></p><p><b>'At a time when Israel is literally trying to wipe Palestinians off the map, this book lands with a powerful thud of fury, beauty and resistance. Weaving personal stories with history in all its unvarnished details, Micaela Sahhar delivers a deeply affecting story that articulates one of the great outrages of our time.'  Antony Loewenstein, independent journalist, film-maker and author of</b> <b><i>The Palestine Laboratory</i></b></p><p><b>'</b><b><i>Find me at the Jaffa Gate</i></b> <b>is more than a lyrical memoir that binds personal storytelling with global history; Sahhar has built an archive for future generations. Readers interested in tales of migration and ancestral history will find a treasure trove in Sahhar's emotive and detailed offering.'  Hellai Gul,</b> <b><i>Books+Publishing</i></b></p><p><b>'</b><b><i>Find Me at the Jaffa Gate</i></b><b> has been one of my favourite books of the year.'  Alex Creece, author of</b> <b><i>Potty Mouth, Potty Mouth</i></b><b> and Online Editor at</b> <b><i>Archer</i></b></p><p><b>'</b><b><i>Find Me at the Jaffa Gate</i></b><b> is a story that traverses time and place, love and hate; it's a story of ongoing and unforgettable Palestinian survival.'  Readings</b></p><p><b>'[Through] beautiful prose, Sahhar pulls together a story, full of gaps and questions, about her Palestinian family, their memories and their connection to home.'  Celina Ribeiro,</b> <b><i>Guardian Australia</i></b></p><p><b>'This is a book that is about more than displacement  it's about resilience, truth-telling and the fragments of stories that are often forgotten but which form the bones and heart of what it means to Palestinian diaspora.'  Soaliha Iqbal,</b> <b><i>Missing Perspectives</i></b></p><p><b>'Author and poet Micaela Sahhar's lyrical story of generations of Palestinian diaspora is as timely as ever.'  Cheryl Akle,</b> <b><i>The Weekend Australian</i></b></p><p><b>'Sahhar not only reconstitutes an archive of her own family's past, she creates a new archive for the generations that follow.' </b> <b><i>This Week in Palestine</i></b></p><p><b>'Through the lens of her family's history Sahhar successfully immerses the reader in the big history and culture of Palestine, and the experience of being Palestinian.'  Rowan Cahill,</b> <b><i>Journal of Intercultural Studies</i></b></p><p><b>'One knows that</b> <b><i>Find Me at the Jaffa Gate</i></b><b> has been percolating for a long time when they read it. Within 48 short chapters, Micaela Sahhar pieces fragments of memory, speculation, and archival research to tell a story of both the construction of her selfhood and Palestinian family: 'not a story about wounds but about the preservation of something all its own'. It is a book full of brilliances even as occupation and exile cause history and geography to cut loose and spin around each other and as Sahhar herself asks, 'What does it mean to be exiled and how do we take our revenge?'</b> <b><i>Find Me at the Jaffa Gate</i></b><b> is a gift, a remarkable debut memoir that is simultaneously a work of poetry in its lyricism and feeling; humour, anger, warmth, grief and love eddy in a whirlpool to form a work about sumud and survival.'  VPLA judges' report</b></p><p><b>'No book is as essential for these past two years as Micaela Sahhar's</b> <b><i>Find Me at the Jaffa</i></b> <b>Gate.'  Winnie Dunn,</b> <b><i>Sydney Morning Herald</i></b></p><p><b><i>'Find Me at the Jaffa Gate: An encyclopaedia of a Palestinian family</i></b><b> is a deeply moving, confronting and life-affirming book. Innovative and poetic, it is both a political testimony and a nuanced tribute to a family displaced and torn apart by the Nakba. Micaela Sahhar writes with fierce intelligence and heart, forging a work of complex feeling, memory and exploration, a particularly notable achievement given that this is Sahhar's first book.'  Douglas Stewart Prize for Non-Fiction Judges' comments</b></p><p><b>'Micaela Sahhar's debut,</b><b><i> Find Me at the Jaffa Gate: An encyclopaedia of a Palestinian family</i></b><b>, harnesses evocative storytelling to tell the reader about the Palestinian diaspora in Australia and Sahhar's memories of her roots and heritage. As much as it is a Palestinian tragedy of colonisation and dispossession, the book is also an affirmation of the spirit that survives and lives on.'  Multicultural NSW Award Judges' comments</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Micaela Sahhar</b> is an AustralianPalestinian writer and educator living on Wurundjeri Country. Her essays, poetry and commentary have appeared in <i>Cordite</i>, <i>Meanjin</i>, <i>Overland</i>, <i>Rabbit</i> and <i>Sydney Review of Books</i>, among others. She is a Wheeler Centre Next Chapter Fellow (2021), a grant recipient from the Neilma Sidney Literary Travel Fund (2022), which enabled a trip to Jerusalem in the latter stages of writing this book, and was commended for the Peter Blazey Fellowship (2024).</p>]]></Text>
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			<Text textformat="02"><![CDATA[An exhilarating scientific journey, Why Are We Like This? takes us behind the scenes of the evolutionary paradoxes that make up life on this planet.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>What can snorkelling at Shark Bay teach us about humanity? Will the secrets of our sex lives be uncovered by stick insects? What do whale societies reveal about kindness? And why did we evolve to spend a third of our life asleep?</b></p><p>Some questions have nipped at humanity's heels for as long as we've been...well, humans. In <i>Why Are We Like This?</i> science journalist Zoe Kean takes us behind the scenes of the evolutionary paradoxes that make up life on this planet. Exploring with scientists, from freezing in Tasmanian sleet to a laboratory of sleeping sharks in North Queensland, we see how these evolutionary mysteries might just uncover the secrets of a better life for humans and the creatures we share the planet with.</p><p>The ancient ancestors of life on Earth faced the same challenges we do, so let's learn a lesson or two about how they dealt with them.</p><p><b><i>'Why Are We Like This?</i></b><b> is a witty and inquisitive exploration of humans' place in the web of life. It takes readers on a journey through the history of life on Earth  full of wonder, curiosity and tenderness.'  Tegan Taylor</b></p><p><b>'Evolution is not perfect, just good enough. This book brilliantly guides you through this complexity, showing us how we evolved to be marvellously imperfect. Why do we have sex? Why does cancer happen, why do dogs age and sharks sleep? Read this book, and get learned up.'  Dr Karl Kruszelnicki</b></p><p><b>'[a] bold, scientifically savvy and nuanced work.' </b> <b><i>Sydney Morning Herald / the Age</i></b></p><p><b>'Kean's book paints a compelling picture of contemporary understandings of evolution, and how it relates to our humanity.' </b> <b><i>Readings Monthly</i></b></p><p><b>'Overall, this book offers a wonderful opportunity to learn about what life is and why we are what we are. As Dr Kruszelnicki is quoted as saying on the cover, it is a "brilliant guide to how we evolved to be marvellously imperfect". Not only does it provide many thought-provoking observations into evolution, it challenges the very way we've always thought about the concept; it is a marvellous and instructive read.'  Erich Mayer, Arts Hub</b></p><p><b>'</b><b><i>Why Are We Like This?</i></b><b> is profound, philosophical and insightful within science's sensible and reliable parameters.'  Mark Parry,</b> <b><i>Good Reading Magazine</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Zoe Kean</b> lives in lutruwita/Tasmania, an island at the bottom of the world. An award-winning science writer with a focus on evolution, ecology, and the environment, she has published in <i>The Guardian</i>, the ABC online, <i>The Best Australian Science Writing 2022</i>, <i>2023</i>, and <i>2024</i>, <i>Cosmos</i> magazine and with the BBC. Zoe honed her writing and radio skills with the best at the ABC Science Unit as the Darren Osborne Regional Science Cadet (2019). Her love for science cannot be contained to the page. Zoe also gives talks, makes science TikTok videos and regularly appears on live radio.</p>]]></Text>
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			<Text textformat="02"><![CDATA[An award-winning and landmark joint biography of Elizabeth and John Macarthur, from one of Australia's most respected historians.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, 2023 Ernest Scott Prize **</b></p><p><b>**Winner, 2023 NSW Premier&amp;#x27;s History Awards, Australian History Prize**</b></p><p><b>**Shortlisted, 2023 Prime Minister&amp;#x27;s Literary Awards, Australian History Prize**</b></p><p><b>A landmark and revealing joint biography of Elizabeth and John Macarthur, from one of Australia's most respected historians.</b></p><p>Elizabeth and John Macarthur were the first married couple to travel voluntarily from Europe to Australia, arriving in 1790, both aged 23, within three years of the initial invasion. John Macarthur soon became famous in New South Wales and beyond as a wool pioneer, a politician, and a builder of farms at Parramatta and Camden. For a long time, Elizabeth's life was regarded as contingent on John's and, more recently, John's on Elizabeth's. </p><p>In the multi-award-winning <i>Elizabeth and John</i>, acclaimed historian Alan Atkinson draws on his work on the Macarthur family over 50 years to explore the dynamics of their strong and sinewy marriage, and family life across two generations. With the truth of Elizabeth and John Macarthur's relationship much more complex and deeply human than other writers have suggested, Atkinson provides a finely drawn portrait of a powerful partnership.  </p><p><b>'Based on fifty years of research and reflection by one of this country's most original and creative scholars and finest writers, here is the story of the world made by settler Australia's greatest family, the Macarthurs. No Australian historian has ever explored the inner lives of a married couple, their family and their milieu with such skill, passion and intensity. No one has brought to any subject in Australian history deeper insight into dreams, ambitions and tragedy that the British occupation of this continent entailed. </b><b><i>Elizabeth and John</i></b><b> is a stunning achievement by one of Australia's greatest-ever historians.'  Frank Bongiorno</b></p><p><b>'Professor Atkinson's portrait is intimate and affectionate. It reads well while maintaining the highest standards of academic rigour.'  </b><b><i>The Canberra Times</i></b></p><p><b>'Through this remarkable study of two key figures in the history of early colonial New South Wales and especially of their marriage, Alan Atkinson here conducts a master class in connecting the personal, the intimate and the local with worldwide processes of colonisation, migration and capitalist expansion. In his capacious historical vision, family life and connections in all their complexity become the thread that holds colonial history, and perhaps history generally, together.'  Ann Curthoys</b></p><p><b>'This magisterial work takes us into a captivating world of 19th-century Australia through a compelling, eloquent, and beautifully drawn study of the remarkable lives of John and Elizabeth Macarthur.'  Joy Damousi</b></p><p><b>'Nobody sees as far into the minds and hearts of the early Australian colonists as Alan Atkinson. In this fascinating double-portrait, based on a lifetime's research, he reveals Australia's first power-couple as never before: together and apart; as they saw themselves and as they were seen by their friends and enemies; at the apex of a fast-developing colony and at the far edge of global networks of family affection, commercial ambition and imperial power. A tour de force of scholarship, imagination, and literary power.'  Graeme Davison</b></p><p><b>'With trademark lyricism, Alan Atkinson builds a rich and moving picture of the social, intellectual and material world of the Macarthurs. </b><b><i>Elizabeth and John</i></b><b> transforms our understanding of early New South Wales and two of its most significant figures.'  Lisa Ford</b></p><p><b>'The Macarthurs have long been the subjects of caricature, even wilful distortion. In this superb book, Alan Atkinson has restored their humanity, exploring their characters, their relationships between themselves and with others, the ideas and influences that shaped them and how they in turn helped shape colonial Australia. This is history at its best, based on vast research and deep understanding.'  Stephen Foster</b></p><p><b>'This was evidently a labour of love and a fascination for Atkinson. The reader is treated to such a detailed level of knowledge and understanding that one could easily think Atkinson knew Elizabeth and John, personally. Possibly, after all his research, Atkinson felt he did.'  </b><b><i>Hearsay</i></b></p><p><b>'As with a novel, I found myself wondering what the characters were doing while I was away from the book.'  </b><b><i>Inside Story</i></b></p><p><b>'Enthralling and powerful. Alan Atkinson writes with the easy, lyrical elegance that comes of deep historical understanding and fine, slow history. In </b><b><i>Elizabeth and John</i></b><b> he weaves together the lives of the Macarthurs with the life of the mind, and brilliantly navigates the mysterious mirror maze between them.'  Grace Karskens</b></p><p><b>'</b><b><i>Elizabeth and John</i></b><b> is a truly amazing work of history. A triumph. This is historical scholarship at its dazzling best. Beautifully produced and written, Alan Atkinson's intimate portrait of Elizabeth and John Macarthur's marriage also opens windows on to the wider worlds of 19th-century England, the European Enlightenment and early New South Wales during the years of the British invasion and occupation. Attentive to his subjects' inner selves and sensibilities and the imperatives of an imperial and patriarchal order, Atkinson's book is truly a tour de force.'  Marilyn Lake</b></p><p><b>'At once intimate and epic, inspired and deeply compassionate, this is the kind of book that can only come from a lifetime of close reading. Meticulously researched, imaginatively conceived and breathtaking in its ability to retrieve past worlds  both private and public. An exceptional work of biography and history written by one of Australia's most original historians.'  Mark McKenna</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Australia's crusaders for women's voting rights and the radical feminists of the 1970s changed lives across the country and around the globe. But what about the generation in between?</p><p>Throughout the twentieth century, a group of trailblazing women writers challenged the nation's status quo. Miles Franklin's forceful voice invigorated the emerging women's movement, Mary Gilmore was a groundbreaking feminist journalist, and novelists Katharine Susannah Prichard and Eleanor Dark explored the colonial displacement of Australia's Indigenous people. Kylie Tennant spoke up for battlers during the Depression. Dymphna Cusack, Katharine Susannah Prichard and Dorothy Hewett, all members of Australia's Communist Party, advocated for social reform. Ruth Park's <i>The Harp in the South</i> jolted the NSW government into developing slum clearance programs. And the work of First Nations poet and activist Kath Walker (later Oodgeroo Noonuccal) was crucial in achieving constitutional reform for Indigenous peoples.</p><p>Acclaimed biographer Jacqueline Kent traces these women's stories, shaped by the seismic social and political events of their time, and illuminates their immense courage and principled determination to change the world.</p><p><b>'Kent brings her cast of writers effortlessly to life.'  Jason Steger</b></p><p><b>'Each of these seven women writers set out, in her own way, to change the world, and this well-researched and engagingly written book makes clear their individual and collective bravery, curiosity and fearlessness.'  Heidi Maier,</b> <b><i>InDaily</i></b></p><p><b>'Highly informed, engaging, often wittily observed, this is also an impressively orchestrated study of groundbreaking writers and the tumultuous times they mirrored and interpreted.' </b><b><i> Sydney Morning Herald / The Age</i></b></p><p><b><i>'Inconvenient Women</i></b> <b>is a fluent stream of fascinating detail. It brings to the fore names half-remembered now, their collaborations with activist men such as Guido Baracchi and Egon Kisch as well as other women, and the political environment they all operated in. Once begun, it is difficult to put down: you'll finish with dozens of notes to follow up.'  Miriam Cosic,</b> <b><i>The Saturday Paper</i></b></p>]]></Text>
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			<SubjectHeadingText>20th century Australian fiction; A Few Days in the Country and Other Stories; Alice; Australian literary history; Australian literature; Australian women writers; Christina Stead; Cynthia Nolan; Domestic violence; Down in the City; Elizabeth Harrower; Elizabeth Harrower biography; Emotional trauma; Feminist literary criticism; In Certain Circles; Judah Waten; Kit Hazzard; Kylie Tennant; Literary biography; Literary neglect; Literary reclusion; Margaret Dick; Mental health in fiction; NewSouth books; Patrick White; Postwar Australia; Psychological Fiction; Publishing history; Richard Kempley; Shirley Hazzard; Susan Wyndham author; The Beautiful Climate; The Catherine Wheel; The Fun of the Fair; The Long Prospect; The Retrospective Grandmother; The Watch Tower; The Watch Tower novel; UNSW Press; Women writers; Writer's block; domestic violence novels; emotional trauma in literature; feminist literature; literary biography Australia; literary rediscovery</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><i>'At last I read her books, reminding myself to breathe, wondering if her characters could extricate themselves from her finely spun web of psychological torment. I seized my chance to interview Elizabeth Harrower again...'</i></p><p>Elizabeth Harrower wrote some of the most intense, original and highly regarded novels of the twentieth century. Then she abruptly stopped writing in the 1970s and became one of the most puzzling mysteries of Australian literature. Why didn't she continue? Harrower gave evasive answers to friends and interviewers, and only since her death in 2020 has a deeper search been possible. </p><p>In this definitive biography, renowned journalist and writer Susan Wyndham grapples with the elusive Harrower. She immerses us in the author's tumultuous family, her complex friendships with Patrick White, Christina Stead, Kylie Tennant and Shirley Hazzard, and her timeless probing of the human spirit in five remarkable novels.</p><p>Drawing on time spent with Harrower, revealing analysis of her fiction and new research, Wyndham unmasks a literary legend. </p><p><b>'</b><b><i>Elizabeth Harrower: The woman in the watch tower</i></b> <b>is the first (and perhaps final) word on one of Australia's most brilliant and bedevelling writers. Like Harrower's, Wyndham's prose is meticulously observed, emotionally attuned and full of grace, insight and vision. It's a fantastic achievement.'  Dominic Amerena</b></p><p><b>'This is an extraordinary biography of one of the finest, and most important, Australian writers, Elizabeth Harrower. In a braiding so skilled you can't see it, Susan Wyndham takes us from Harrower's life into her work and her friendships, and then back into her work and life. This is a deceptively simple, beautifully detailed, psychologically acute portrait worthy of its subject.'  Anna Funder</b></p><p><b>'This is a wonderful book. It gives us the complexities of Harrower's life and of her fascinating character  so nave and at the same time so intelligent, her prickly diffidence coupled with a kind of gormless passion. And it sets her compellingly into the decades when modern Australian literature was coming into being. An indispensable contribution to Australian writing.'  Brigitta Olubas</b></p><p><b>'This much-awaited biography peels back the layers on Australian literary legend Elizabeth Harrower, who died in 2020 after decades as an enigmatic figure.'  Melanie Kembrey,</b> <b><i>SMH/The Age</i></b></p><p><b>'A sympathetic and illuminating exploration of the life and work of one of post-war Australia's most significant writers.'  </b><b><i>Books + Publishing</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Susan Wyndham</b> is a writer and journalist who has been New York correspondent for<i>The Australian</i> newspaper and literary editor of the<i>Sydney MorningHerald</i>. Her most recent book, co-edited with Brigitta Olubas, is <i>Hazzard and Harrower: The letters</i>. In 2024 she was awarded a National Library of Australia Fellowship to research the life of Elizabeth Harrower.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A riveting look at art thefts, fakes, forgeries, vandalism, 'disappeared works' and more</b></p><p>The Australian art world is often host to crime, including theft, fraud and forgeries. <i>Unseen</i> offers a unique insight into art crime in Australia from colonisation to today, focusing on those stories that have often escaped mainstream attention. From the many offences committed against William Dobell's work (including a painting listed on the FBI's National Stolen Art File since 1949) to the mysterious re-emergence of Rupert Bunny's <i>Girl in Sunlight</i> twenty-three years after it disappeared, from fraudulently sold Aboriginal art to climate activists spray-painting a famous Frederick McCubbin, Australian art has been a hotbed of revolt, recrimination and even robbery since European contact.</p><p>This is the story of art at the nexus of culture and commerce: art plus money can lead to deceit and dashed dreams. <i>Unseen</i> captures the stories of many artworks, artists and collectors at the centre of our nation's most enduring art scandals. It also looks at works hidden from public sight, now deemed colonial embarrassments or curatorial burdens, that were once of social and cultural significance. Ultimately, it explores how our conception of artistic value changes over time, and what that reveals about Australian society.</p><p><b>'No one knows more about art crime in Australia than Penelope Jackson. She's the continent's go-to scholar and teller of riveting tales within this subgenre. I eagerly anticipate each of her books, and this one is brilliant. The perfect read for anyone interested in cultural heritage crimes in the land down under.'  Dr Noah Charney, bestselling author of </b><b><i>The Thefts of the Mona Lisa</i></b></p><p><b>'Throughout </b><b><i>Unseen </i></b><b>the reader is taken on a journey through aspects of Australian art crime from its earliest days of settlement to contemporary events. In her writing, Jackson seeks to redress the parallel paths Australian art history and Australian art crime have taken: to present an "intercourse" between the two.' </b> <b>Dr Pamela James, Adjunct Fellow, Art Crime and Art History, University of Western Sydney</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'Their years in the Aegean may have been half perfect at best, but it was on Hydra that they connected to a place, a lifestyle and a community that allowed them to live and express themselves intensely, and as they wished. They refused to believe their dreams were an illusion, or that boldness, ambition and a leap-of-faith might not allow them to reach beyond the constraints of their birthright'.</i></p><p><i>Half the Perfect World</i> tells the story of the post-war international artist community that formed on the Greek island of Hydra. Most famously, it included renowned singer-songwriter Leonard Cohen and his partner Marianne Ihlen, as well as many other artists and writers including the Australian literary couple, Charmian Clift and George Johnston, who fostered this fabled colony.</p><p>Drawing on many previously unseen letters, manuscripts and diaries, and richly illustrated by the eyewitness photographs of <i>LIFE</i> magazine photo-journalist James Burke, <i>Half the Perfect World</i> reveals the private lives and relationships of the Hydra expatriates. It charts the promise of a creative life that drew many of them to the island, and documents the fracturing of the community as it came under pressure from personal ambitions and wider social changes. For all the unrealised youthful ambitions, internal strife and personal tragedy that attends this story, the authors nonetheless find that the example of these writers, dreamers and drifters continues to resonate and inspire.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The Australian cubist and potter Anne Dangar (18851951) has occupied a unique position in art history as one of the country's most important yet underacknowledged modern artists. The National Gallery is honoured to present <i>Anne Dangar</i>, a publication accompanying a major retrospective exhibition celebrating Dangar's life and art through previously unknown works, new scholarship and perspectives on her practice.</p><p>Rebecca Edwards, Curator, Australian Art, provides a detailed and engaging account of Dangar's art and life, tracing her beginnings in Kempsey, NSW, her studies in Sydney and Paris, and her subsequent journey to Moly-Sabata, Sablons, France. There she established her international reputation as a cubist artist. Featuring contributions by Elena Taylor, Angela Goddard, Anne O'Hehir, ADS Donaldson and the late Peter Brooke, the publication surveys Dangar's art, networks and legacy.</p><p>With over 150 of the artist's works reproduced, as well as previously unpublished archival material, this richly illustrated book is a comprehensive record of Dangar's impressive artistic output and impact on Australian modernism.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Spowers &amp; Syme</i> celebrates the artistic friendship of Melbourne artists Ethel Spowers and Eveline Syme. Their prints, drawings and paintings  remarkable for their expressive energy  capture the zeitgeist of the interwar years. This beautifully illustrated catalogue traces their stories as two women from rival media families who pioneered modern printmaking in Australia.</p><p>Spowers and Syme were part of a newly independent generation of women artists able to travel widely and study with avant-garde teachers in England and France during the 1920s and 1930s. They brought back to Australia the spirit and knowledge of modern European art movements and techniques, which they shared through the expanding networks of art societies and private women's clubs in Melbourne and Sydney.</p><p>These remarkable women supported each other's aspiration to become professional artists in a changing world and are now recognised for their significance as progressive artists dedicated to producing art that was truly of its time.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In this richly woven tapestry of stories, nine Arab women share their deeply personal journeys of migration to Australia, each reflecting on the legacies of their homelands and the complexities of forging new lives.</p><p>In their own voices, they explore the challenges of adaptation, the resilience born from adversity, moments of joy, and the enduring ties to their heritage. With unique perspectives, they examine Australian culture while confronting some of the world's most pressing political injustices through the lens of lived experience.</p><p>A powerful testament to individuality and community, <i>Don't Ask the Trees for Their Names</i> seeks to dismantle stereotypes in a world that too often simplifies identity. This compelling collection inspires us all to rise above the barriers of sexism and racism, offering an urgent and unapologetic chorus of truth.</p><p>Contributions by: Mariam Maatooq, Loubna Haikal, Mary Hanoun Khilla, Sivine Tabbouch, Hend Saab, Kilda Eid, Camilia Naim, Oula Ghannoum, Nouha El-Khoury Francis.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'A WONDERFUL READ...Christine's deep love for turtles comes through on each page.'  CRAIG FOSTER,</b> <b><i>MY OCTOPUS TEACHER</i></b></p><p><b>'Will appeal to anyone interested in the world around us.'  DR. JANE GOODALL</b></p><p>Filled with reverence and wonder for the natural world, this captivating book reveals the secret life of sea turtles, one of the oldest living creatures on Earth, and the story of one female scientist's fight to save their future.</p><p>In 2015, a team of researchers carefully removed a plastic straw from a sea turtle's nostril off the coast of Costa Rica. The disturbing incident, which was captured on video, went viral, leading to corporate straw bans around the world. In this evocative book, reminiscent of Jane Goodall's memoir <i>In the Shadow of Man</i>, the marine biologist behind the camera, Christine Figgener, recounts her own life spent studying and protecting sea turtles.</p><p>From the time she was a young girl, Figgener was determined to become a biologist, and study the marvels of the marine world. In <i>My Life With Sea Turtles</i>, she shares how she went from a small, gray town on the edge of industry to the lush coastline of Costa Rica, where she fell in love with the local environment and its famous residents: the sea turtles.</p><p>Figgener describes patrolling the beach at night, swimming with turtles in the open ocean, watching tiny turtles emerge from sandy nests, and risking her life during tropical storms. We learn about her experience as a woman in conservation, a male dominated space where she struggles to be taken seriously. Through discovering the fascinating science of sea turtles and the threats they face today, readers will be inspired to live their own lives differently to ensure the survival of these magnificent creatures.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John A. Scott</b> is the author of eighteen books, several of which have been translated and published internationally. In Australia, they have received numerous shortlistings (twice for the Miles Franklin), and received Victorian Premier's Prizes for both poetry and fiction. The film version of his novel <i>What I Have Written</i>  directed by John Hughes, from the AWGIE-winning screenplay by Scott  was selected for Competition at Berlin and Stockholm Film Festivals and won the International Mystery Film Festival, Bologna. His major experimental novel, <i>N</i>, was shortlisted for the Victorian Premier's Prize and was one of the <i>Guardian</i>'s Books of the Year. His most recent work,<i> Shorter Lives</i> (Puncher &amp; Wattmann, 2020), is a collection of nonfiction sonnets and prose poems resurrecting a project abandoned in 1967. Shortlisted for the 2021 Prime Minister's Award for Poetry. A 240 page study of his work by Peter D. Mathews  <i>From Poet to Novelist: The Orphic Journey Of John A. Scott</i>  was released last year from Cambria Press, New York.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In this queer horror novel debut, a priest falls in love with the antichrist and even God can't stop the horror it will bring.</b></p><p>Dante, a protestant young man, and Jude, a sadistic pastor of a small Texas church, harbor a terrible secret from the world; they're together. The two share a taboo and passionate relationship in hidden peace, until the dreams start.</p><p>God speaks to them in visions of smoke and fire, night after night, until the two of them come to a truth they cannot ignore; Dante is the Antichrist, sent by God and urged to start off the apocalypse.</p><p>Dante refuses to participate in the end of the world and the damnation of souls. But Jude is a loyal pastor, indifferent to the suffering of others, and is compelled to do what God tells him; even if it means killing the love of his life.</p><p>This queer horror love story hones in on the humanity of the Antichrist, a half-human entity as flawed, complex, and doomed as any other soul. With lyrical prose reminiscent of Clive Barker, blasphemy is redefined and love is tested. In <i>Of Beasts</i>, Worma explores if love is enough for someone born to be evil.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The discovery of a beautiful Stradivarius violin in a hidden cupboard at Magdalen Hall, Oxford, appears to be a stroke of good fortune for music student John Maltravers. But there is something sinister in the violin's history  something corrupt which threatens to re-emerge as the bewitched Maltravers plays and replays a devilish tune he is powerless to resist.</p><p>First published in 1895<i>, The Lost Stradivarius</i> has garnered a revered status as a true classic of strange fiction, described by the famed critic E. F. Bleiler as the novel M. R. James might have written, had he written novels.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John Meade Falkner</b> (1858-1932) was an English novelist, poet and businessman, best known for his legendary smuggling novel <i>Moonfleet</i> (1898), one of only three novels he wrote alongside <i>The Lost Stradivarius</i> and<i> The Nebuly Coat</i>. He was a polymath with an interest in the arcane and antiquarian finds, in his time becoming a prominent rare book collector. Alongside his fiction he wrote a number of regional guidebooks, including a <i>Handbook for Travellers in Oxfordshire</i> (1894).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>At Firenze, the reclusive artist Adrian Delafield's Florentine enclave in St John's Wood, the whispers of an impending tragedy are growing louder. The tension between the fanatical zealot of a housekeeper Miss Trimming and Delafield's sister Virgilia is just shy of fever pitch, when a cold morning at the house finds Trimming and Adrian sprawled at either end of the staircase  upstairs, an injury; downstairs, death.</p><p>The windows and doors were all locked from the inside, and yet Inspector Julian Rivers, trained to see the malice behind deadly accident, suspects that a murderer had a hand in the fell deed. But if this is true, Rivers is faced with both the inexplicable puzzle of motive, and the task of untangling an impossible crime in Carnac's compelling and twisting 1956 mystery exploring the demands of kinship, art-world secrets and religious mania.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Carol Carnac</b> was a penname used by Edith Caroline Rivett (1894-1958), a prolific English crime writer who also wrote as <b>E. C. R. Lorac</b>. She was a member of the prestigious Detection Club, and was lauded for the detailed and atmospheric settings of her mysteries. Her books include <i>Impact of Evidence, Murder as a Fine Art, Crossed Skis </i>and <i>Fell Murder</i>, all available as British Library Crime Classics.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A classic mystery reprinting for the first time since the 1950s  copies of the original are extremely scarce. One of our reader favourites of the Crime Classics series returns, with the third Carnac novel starring Julian Rivers to join the Crime Classics series. From a London political setting, sending up the machinations of the civil service and the ego-driven world of fine art.]]></Text>
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			<Text textformat="02"><![CDATA[<p>The newly formed Ministry of Fine Arts has a staffing problem - one minister dead within six months of its inception, his successor snuffed out shortly before the General Election. When a third victim, Permanent Secretary Edwin Pompfret is fatally crushed by the fall of a giant bust, Inspector Julian Rivers is drawn into a case of murder of artistic devilment. </p><p>"Her best yet. A classic story with well concealed and ingenious clues, sufficiently difficult to leave us properly surprised by both murderer and method."  Spectator, 1953</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Carol Carnac was a pen name used by Edith Caroline Rivett (18941958), a prolific English crime writer who also wrote as E.C.R. Lorac. She was a member of the prestigious Detection Club, and was lauded for the detailed and atmospheric settings of her mysteries. Her books include Murder by Matchlight, Bats in the Belfry, Crossed Skis and Death of an Author, all available as British Library Crime Classics.</p>]]></Text>
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			<Text textformat="02"><![CDATA[To Pay the Ferrymanis the first instalment in a new series featuring Glasgow detective D.I. Lomond - amulti-threaded mystery whereLomond faces a race against time to stop a deranged serial killer. Pat Black tackles themes of patriarchal power, female expression and independence, and the intolerence that is prevelant in our society today.]]></Text>
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			<Text textformat="02"><![CDATA[<p>D. I. Lomond is a devoted family man. A good detective.</p><p>When the body of a young woman involved in the worlds of art and adult streaming is found in the River Clyde, Lomond believes there may be echoes of a cold case from the start of his career: an unsolved death on a rural Scottish estate in the 1990s.</p><p>Then, a Swedish feminist activist, who also has a connection to Lomond's past, arrives in the city to protest against the failure of the police to find the killer.</p><p>The victims all seem to be drawn from the world of art and business. Is the cold case the answer, or just part of the key, and could the killer be about to get dangerously close to Lomond and his family?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A woman disappears after a beach party, and the search for her reveals Croatia's complex history well beyond the fall of Communism.</b></p><p>Called The Mediterranean Flower for its beauty, Split has a complex history that is perhaps best explored within a mystery. In 1989, beautiful Silva doesn't come home. Young cop Gorki Sain discovers that she isn't what she seemed  she dabbled in drugs and dealt in heroin. But Gorki soon finds himself out of a job as Yugoslavia plunges into a fratricidal war. Silva's brother stubbornly continues the search amid the upheavals of Croatian society, from the fall of communism through the 1991-1995 war. The former cop returns to solve the 30-year-old mystery in a different role, one less than ethically tied to toxic land speculation and corruption that comes with the tourist boom on the Dalmatian Coast.</p><p><b>'A masterpiece.' </b> <b><i>Liberation</i></b></p><p><b>'As inspiring as the Swedes Maj Sjwall and Per Wahl. Pavii brilliantly resorts to thenoir novel to accompany ordinary lives caught in the collapse of communism, the rise of nationalism and the shock of wars.' </b><b><i> Le Monde</i></b></p><p><b>'The city of Split is more than a setting, almost a character. A tourist mirage in the summer, the Croatian port is confronted, out of season, with the aftermath of war, deindustrialization, and all kinds of depravity. Beyond the family drama and the police investigation, the metamorphosis of Croatia interests Pavii.' </b><b><i>Telerama</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jurica Pavii</b> (born 1965) is a Croatian writer, scriptwriter, and journalist, living in Split. He has written seven novels, two collections of short stories and essays. His work has been translated into five languages, but <i>Red Water</i> is his first novel to be translated into English.</p><p><b>Matt Robinson</b>, born in the UK in 1978, lives in Ljubljana, Slovenia. Formerly a foreign correspondent with Reuters, he now works as a freelance editor and literary translator. <i>Red Water</i> is the second novel he has translated.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A fortieth-anniversary edition of the unforgettable, eccentric 'truly original novel' (</b><b><i>Newsday</i></b><b>), an evocative tale of race, romance, and the complexities of the human  experience, by the Pulitzer Prize finalist.</b></p><p>She's Ilka Weissnix, a young Jewish refugee from Hitler's Europe, newly arrived in the United States. He's Carter Bayoux, her first American: a middle-aged, hard-drinking Black intellectual. At first, their relationship is fuelled by lust, but also by a shared sense of displacement, with Ilka having fled her homeland and Carter struggling to find his place in a society steeped in racism and prejudice.</p><p>In an effort to assimilate and discover 'the real America', Ilka hurls herself into Carter's chaotic world, helping him navigate depression, alcoholism, and the ghosts of his past  and present. Will Ilka sacrifice her own needs  and future  for Carter's, or can she save him from the demons and traumas that are tearing him, and them, apart?</p><p>First published forty years ago to universal acclaim, called 'wonderful' by <i>People </i>magazine, and 'quiet, funny, slyly affecting' in a starred <i>Kirkus review</i>, and now featuring a new introduction by acclaimed novelist Jeffery Renard Allen, <i>Her First American</i> cements its place among the great American novels and introduces a new generation of readers to the brilliant Lore Segal.</p>]]></Text>
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			<SubjectHeadingText>A Handful of Sesame; Culture; Fiction; Ghachar Ghochar; Girish Karnad; Hindi; India; Indian; International Booker Prize; Jayant Kaikini; Literary fiction; Maithreyi Karnoor; Man Booker International Prize; No Presents Please; Our City,; Salman Rushdie; Shehan Karunatilaka,; That Year.; Titled Axis; U R Ananthamurthy; Vikram Seth; Vivek Shanbagh; contemporary fiction; feminism; religion; tradition</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>In this Indian modern classic, roofs are a special place; they are meant for wild things, for romance and for play. They are realms of freedom  freedom from the male gaze, sexual freedom, and freedom from society. Chachcho and Lalna use their roofs to build a friendship that transcends time and memory. Suddenly one day, Lalna has to leave, to return only after Chachcho's passing. Amidst rumors and gossip in the neighborhood, Chachcho's nephew tries to piece together his memories of the two women, one of whom is his mother. The truth he is searching for could destroy him forever, but to not find out is no longer an option.</p><p>Now finally published outside of India, this consummate novel of twists and turns by the International Booker Prize-winning author Geetanjali Shree, <i>The Roof Beneath Their Feet</i> is a contemporary novel that promises to be read for generations to come.</p>]]></Text>
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			<SubjectHeadingText>Women's Prize; Women's Prize for Fiction 2026; Women's Prize for Fiction 2026 Shortlist; difficult relationships; falling in love; unreliable narrator; queer fiction; illness; grief; debut novel; open relationships; polyamory; coping with illness; sarcastic narrator; interior life; writing poetry; art; LGBTQ; dark humor; dark comedy; eliza clark; otessa moshfegh; complicated characters; anti-hero; morally ambiguous</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>**Longlisted, Women's Prize for Fiction 2026**</b></p><p><b>An electrifying debut novel about grief, power and desire  and the tangles in between that make up a life.</b></p><p>When a creative writing academic becomes infatuated with his colleague  the poet  his fascination soon begins to threaten his relationship with his partner, Michael. Michael is beautiful. Michael is safe. But the poet is everything he isn't; she has everything he wants. While he writes about steel and sex, she dreams about the movements of swallows. While he tends to his budding career, she writes from her big, white house in the woods.</p><p>Meanwhile, his homophobic and spiteful mother  who cast a shadow over his childhood  is continuing to make his life difficult. As he is pulled back and forth between these two different worlds, his fixation on the poet, his Kingfisher, grows into something more powerful. She becomes his sole focus. He is hypnotised.</p><p>But when simultaneous illnesses threaten to destroy the precarious reality he clings to, he's forced to question what he can and cannot take from someone.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rozie Kelly</b> is a prose writer based in West Yorkshire, England. After reading English Literature and Creative Writing she now works for the Arvon Foundation, hosting creative writing courses. She was shortlisted for the PFD Queer Fiction Prize 2023 and is one of the eight participants in the inaugural Prototype Development Programme, which offers extended support and career development to emerging writers and artists. She won the 2024 NorthBound Book Award for <i>Kingfisher</i>, her debut novel.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Discover the vast worlds and pocket universes of Michael Swanwick (<i>Stations of the Tide</i>), the only author to win science fiction's most prestigious award five times in six years. In his dazzling new collection, the master of speculative short stories returns with tales in which magic and science improbably coexist with myth and legend. With two stories original to this collection, Swanwick aptly demonstrates with poignant humour why he is widely respected as a master of imaginative storytelling.</p><p>In engaging stories, Mischling the thief races through time to defeat three trolls before the sun rises for the first time and turns the inhabitants of her city into stone. A scientist is on the run from assassins, because her research in merging human intelligence with sentient AI is too dangerous. An aging veteran obtains a military weapon from his past: a VR robotic leopard in which he rediscovers the consequences of the hunt. In the biggest heist in the history of the universe, a loser Trickster (and the girlfriend who is better than he deserves), sets out to violate every trope and expectation of fiction possible.</p><p><b>'Swanwick's wildly imaginative and beautifully written short stories have been, for several years, one of the primary joys of the field.'  </b><b><i>Washington Post Book World</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michael Swanwick</b> is one of the most acclaimed science fiction and fantasy short-story writers of his generation, having received an unprecedented five Hugo Awards in a six year period. He is also the winner of the British Science Fiction and World Fantasy Awards. Swanwick's stories, published in such collections such as <i>Gravity's Angels, Tales of Old Earth,</i> and<i> Not So Much, Said the Cat</i>, have also appeared in many anthologies and magazines, including<i> OMNI, Penthouse, Amazing, Asimov's Science Fiction, New Dimensions.</i> Swanwick's novels include<i> The Iron Dragon's Daughte</i>r, a <i>New York Times</i> Notable Book, the Nebula Awardwinner <i>Stations of the Tide</i>, the <i>Darger &amp; Surplus</i> series, <i>Dragons of Babel</i>, and <i>City in the Stars.</i> His work has also been translated into more than ten languages. Swanwick lives in Pennsylvania.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'Cause for celebration.'  Jhumpa Lahiri</b></p><p><b>A novel of secrets and female solidarity set in post-war Milan, by one of Italy's most significant women writers.</b></p><p>Fausta Cialente (18981994) was a novelist, journalist, political activist, and one of the first self-declared feminist Italian writers. Though the fascists censored her early work, she continued as an active member in the anti-fascist movement while living abroad in Egypt, writing pamphlets and making daily broadcasts from Radio Cairo against the Italian regime. She returned home after the war and eventually began publishing again, winning Italy's most important literary award, the Strega Prize, in 1976.</p><p>In <i>A Very Cold Winter</i>, it is 1946 and Milan is in ruins. A woman named Camilla opens her illegally occupied attic to her extended family as they rebuild their lives among the rubble. The absence of men  lost to war, death, or abandonment  leaves the burden of survival to the women, who use the attic to incubate fragile futures: Camilla works to carry the family toward dignity and normalcy; Lalla dreams of becoming a novelist to escape their grim reality; Regina, widowed by the war, pins her hopes on her infant daughter; Alba chases independence and love. Varying political ideologies, loyalties, and wartime secrets filter through the house, creating a thick net of tension. As the narrative roams from the thoughts of character to character, the residents of this 'hotel for the poor' consider their own complicity and moral compromises, wondering if they're able to escape the weight of what they've lived through.</p><p>Fausta Cialente's exquisite prose captures the frailty of the human heart in its desperate search for connection. An introduction from author and Italian translator Claudia Durastanti frames this classic feminist icon for the modern American reader. Tender, thought-provoking, and devastatingly beautiful, <i>A Very Cold Winter</i> is about the impossibility of forgetting the past and the difficulty of living with it.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gertrude Stein's monumental novel, back in print a century after its first publication.</b></p><p>In <i>The Making of Americans</i>, Gertrude Stein sets out to tell 'a history of a family's progress,' radically reworking the traditional family saga novel to encompass her vision of personality and psychological relationships. As the history progresses over three generations, Stein also meditates on her own writing, on the making of <i>The Making of Americans</i>, and on America.</p><p><b>'</b><b><i>The Making of Americans</i></b><b>presents a no less radical challenge to the realist novel's concept of character than</b><b><i>Finnegans Wake</i></b><b>, written twenty-eight years later; in this respect, it also predates the formal innovations of Samuel Beckett's</b><b><i>The Unnamable</i></b><b>and Alain Robbe-Grillet's</b><b><i>Jealousy</i></b><b>by over four decades.'  </b><b><i>Bookforum</i></b></p><p><b>'Indubitably the most monumental fiction to be given since the publication of</b><b><i>Ulysses</i></b><b>.'  </b><b><i>Saturday Review of Literature</i></b></p><p><b>'This sober, tender-hearted, very searching history of a family's progress, comprehends in its picture of life which is distinctively American, a psychology which is universal.'  Marianne Moore,</b><b><i>Dial</i></b></p><p><b>'</b><b><i>The Making of Americans</i></b><b>is the first announcement of what would be Stein's greatest legacy  to reclaim the world of the nineteenth-century woman from such weird, smutty interlopers as Flaubert and, later, Joyce, and transform it into the most exalted ground of human potentiality available to us... It is monumental, horribly flawed, and a joy to read if you just give up and drown in it.'  Matthew Stadler, </b><b><i>The Stranger</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gertrude Stein</b> (1874-1946) was born in Pittsburgh to a prosperous German-Jewish family. She was educated in France and the United States, worked under the pioneering psychologist William James, and later studied medicine. With her brother Leo she was an important patron of the arts, acquiring works by many contemporary artists, most famously Picasso, while her home became a popular meeting place for writers and painters from Matisse to Hemingway. Her books include <i>Three Lives, Tender Buttons</i>, and <i>The Autobiography of Alice B. Toklas.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Cultural Endowment of Estonia 2020, Poetry Award**</b></p><p><b>**Tartu City Writer Laureate, 2020**</b></p><p><b>**August Sang Poetry 2020, Translation Award**</b></p><p><b>In the dog days of an Estonian summer, Liine flees to the countryside to put a conclusive end to her toxic 14-year relationship.</b></p><p>She undergoes every stage of separation in a lone farmstead amid forests. Physical labor and gardening help her withstand her ex-partner's threats, the incredulity of friends and family, and her own anguish. Dread is pervasive in this novel. Set in the near future, it is filled with vivid depictions of the threat of climate change. All around Liine, nature is facing acute drought and heat. No less menacing is the presence of an expanding NATO base close to the cottage at the Russian border. The world's largest military alliance is practicing for an attack. Explosions and shots ring in the distance while Liine tries to recover from fourteen years of violence. Yet she simply follows the rhythm of nature as summer unfolds. While her environment changes around her, Liine  always in the garden chopping wood, weeding, sowing  undergoes profound transformations, too. <i>The Cut Line</i> is a story of fear, self-blame, grief, numbness, and anger ultimately giving way to hope and healing, joy and lightness.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Victorian Premier's Literary Awards 2026, Poetry**</b></p><p><i>KONTRA</i> enacts a poetics of clashing decadences, testing the tightrope between 'feminine' goodness and deviance, desire and refusal, reverence and repulsion. It casts a female gaze on the <i>kontrabida</i>  a Filipina soap opera villain stuck in a rise-and-fall cycle. The poet reimagines the kontrabida as a figure driven not by revenge, but by wild desire. Oscillating in and out of character, Andrada navigates the tension between poet and persona. Alongside the shapeshifting, spectral force of the kontrabida, the poet invokes a chorus of voices to trace a lineage of opposition and the alternate futures it holds.</p><p>The collection is in the form of a narrative triptych. The opening section 'KONTRA' explores the power and fate of the oppositional figure. In 'OPER', two characters speak alongside each other to excise painful histories of domination and sexual assault; which moves us forward to the final section 'BIDA', to a more genuine, queer persona that is free from domination.</p><p><b>Praise for Eunice Andrada:</b></p><p><b>'Brilliant and devastating,</b> <b><i>TAKE CARE</i></b><b> is no doubt one of the most important poetry releases in years, weaving complex themes with intelligence and innovation of form...A poet whose courage is necessary and whose words we all need.'  Ellen van Neerven</b></p><p><b><i>'TAKE CARE</i></b><b> is the live wire of poetry that does not spare us...each poem both a surrender and a severing, each page an urgent demand we do not look away from violence, from its banal to its most grotesque, and each word filled with as much purpose and energy as it is with tenderness and care.'  Sara Saleh</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Eunice Andrada</b> is a poet and educator. Her first collection <i>Flood Damages</i> (Giramondo, 2018) won the Anne Elder Award and was shortlisted for both the Victorian Premier's Award for Poetry and the Dame Mary Gilmore Award. Her second poetry collection <i>TAKE CARE</i> (2021) was shortlisted for the Judith Wright Calanthe Award, the Stella Prize, the Australian Literature Society Gold Medal, and two NSW Premier's Literary Awards. <i>KONTRA</i> is her third poetry collection with Giramondo.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A beach that wipes people from memory.</p><p>Aliens that just want to help humanity along a little bit.</p><p>Monsters who love their fight club.</p><p>A woman who trades a piece of her future to help a child.</p><p>Guilt that serves as a door to dark visions for a young boy.</p><p>Matt Tighe's <i>Drowning in the Dark and Other Stories</i> is a collection of the bitter sweet, the darkly comedic, and the disturbingly confronting. Including multi-award winning and nominated tales as well as originals, the characters within will scare you, hurt you, and raise you up for the truest of reasons  they are you.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Kess Hawkins just wants to play video games, eat pizza rolls, and hang out with her cat. But when a determined journalist comes asking about Kess'              past, she is drawn into a thirty-year old mystery. A childhood photo sparks Kess'             s memories of an abandoned orphanage called Willow Close, as well as a brother she never knew she had and a boy she once shared a bond with despite his dark and troubled history. Meanwhile, a serial killer dubbed the Family Man is working his way down the coast and Kess'             s home of New Haven lies directly in his path.</p><p>Willow Close is an old-school slasher with two kick-ass, contemporary heroines. A good old-fashioned mystery wrapped in a creepy old orphanage, with cosmic horror, a monstrous killer, and several lovely cats.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Helena O'Connor lives in sunny Australia, where she can write with coffee, treats, and a nice view of the sea. Having previously worked in neuroscience research and clinical psychology, she now writes full time across fantasy, science fiction, and horror. Her work tends towards bittersweet themes and dark dystopias, more often than not with a wry sense of humour.</p><p>Her short fiction has appeared in anthologies such as Killer Creatures Down Under: Horror Stories with Bite (IFWG publishing) and It Was All a Dream: An Anthology of Bad Horror Tropes Done Right (Hungry Shadow Press).</p>]]></Text>
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			<Text textformat="02"><![CDATA[A revealing novel about the importance of connection in a divided world, Human, Animal is an ode to the wild, an elegy for what we have lost and a reproof of our society's inability to find common ground....]]></Text>
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			<Text textformat="02"><![CDATA[<p>Since the death of his brother, dairy farmer George Calvert has fought to keep the family business afloat. Worried about the future but resistant to change, he refuses to face the reality of his failing farm, his elderly mother&amp;#x27;s declining health and his troubled relationship with his youngest son, Tom.</p><p>Newly returned from university, Tom isolates himself in his childhood bedroom, guarding the truth of his burgeoning identity.</p><p>When animal rights activists break into the cowshed one morning, Tom appears to side with the protesters. As the Calverts begin to unravel, a decades-old secret surfaces  one that might rip them apart completely, or finally unite them.</p><p>A deeply moving debut about one family&amp;#x27;s struggle to find connection in a rapidly changing world, <i>Human, Animal</i> is an ode to the wild, a journey of self-discovery and a hopeful path to common ground.</p><p><b>&amp;#x27;Beautifully, skilfully told with real tension and gorgeous characters, </b><b><i>Human, Animal </i></b><b>moved me to tears. Insua writes with so much kindness, empathy and wisdom...Remarkable.&amp;#x27;  Russell T Davies</b></p><p><b>&amp;#x27;Insua probes the spaces between black-and-white-thinking with immeasurable sensitivity...</b><b><i>Human, Animal</i></b><b> explores the anxious convergence of the past, present and future with staggering clarity. A truly impressive debut.&amp;#x27;  Joshua Jones, author of </b><b><i>Local Fires</i></b></p><p><b>&amp;#x27;A rich and compelling debut from a writer with a striking talent for weaving together complex narrative strands in order to create a sophisticated, symphonic whole. Insua is one to watch.&amp;#x27;  Barney Norris, author of </b><b><i>The Vanishing Hours </i></b></p><p><b>&amp;#x27;A searingly powerful novel, </b><b><i>Human, Animal</i></b><b> grapples with questions of identity, change and family, delivering a nuanced and moving story about the desire for connection and acceptance.&amp;#x27;  Lucy Ashe, author of </b><b><i>Clara &amp; Olivia</i></b></p><p><b>&amp;#x27;A beautiful, clever debut...Insua balances polarised worlds  the young and old, the urban and rural, the expected and forbidden  to create a novel so full of generosity and insight.&amp;#x27;  Abigail Dean, author of</b><b><i> Girl A</i></b></p><p><b>&amp;#x27;Blisteringly emotional, exploring the complex folds of family bonds. The last page left me haunted. Completely unmissable.&amp;#x27;  Lucy Rose, author of </b><b><i>The Lamb</i></b></p><p><b>&amp;#x27;Compelling, conflicting and heartbreaking, </b><b><i>Human, Animal</i></b><b> had my heart pounding in my throat until I&amp;#x27;d devoured every last page. A bold and unforgettable novel.&amp;#x27;  Awais Khan, author of </b><b><i>No Honour</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Seth Insua</b> is an Anglo-Spanish writer and artist. He was born in Kent in 1989. He graduated from the University of Oxford with a First in English Language and Literature. He has been shortlisted for the Bridport Prize and The London Magazine&amp;#x27;s Short Story Competition and was a semi-finalist in the BlueCat Screenplay Competition. He currently lives with his husband, David, between Newcastle upon Tyne and Madrid.<i> Human, Animal</i> is his first novel.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The never-before-published novel by Charmian Clift.</b></p><p><i>'In those days the end of the morning was always marked by the quarry whistle blowing the noon knock-off.</i></p><p><i>Since everybody was out of bed very early, morning then was a long time, or even, if you came to think about it, a round time - symmetrical anyway, and contained under a thin, radiant, dome shaped cover...'</i></p><p>During the years of the Great Depression, Cressida Morley and her eccentric family live in a weatherboard cottage on the edge of a wild beach. Outsiders in their small working-class community, they rant and argue and read books and play music and never feel themselves to be poor. Yet as Cressida moves beyond childhood, she starts to outgrow the place that once seemed the centre of the world. As she plans her escape, the only question is: who will she become?</p><p><i>The End of the Morning</i> is the final and unfinished autobiographical novel by Charmian Clift. Published here for the first time, it is the book that Clift herself regarded as her most significant work. Although the author did not live to complete it, the typescript left among her papers was fully revised and stands alone as a novella. It is published here alongside a new selection of Clift's essays and an afterword from her biographer Nadia Wheatley.</p><p><b>'</b><b><i>The End of the Morning</i></b><b> is full of feeling, animated by that formless, aching questioning of childhood, and a fascinating glimpse of the forces that shaped Clift as a person and a writer.' - Fiona Wright</b></p><p><b>'Reading her, even a glimpsed paragraph of her, is like quaffing the finest champagne on earth.' - Peter Craven,</b> <b><i>Sydney Morning Herald</i></b></p><p><b>'Forthright, funny and with an indefinable flair, Charmian Clift's writing plays second fiddle to nobody.' - Richard Cotter,</b> <b><i>Sydney Arts Guide</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Charmian Clift</b> was born in 1923 in Kiama, on the New South Wales south coast. Describing herself as coming from a family of 'liars and embroiderers', from an early age she began transforming her home and childhood into fiction.</p><p>After serving as a lieutenant in the Australian Army, in 1946 Clift joined the staff of Melbourne's <i>Argus</i> newspaper, where she met fellow journalist George Johnston. Over the next twenty-three years, the couple raised three children, produced thirty books, and created a legend.</p><p>While living in Greece, Clift wrote the travel memoirs <i>Mermaid Singing</i> and <i>Peel Me a Lotus</i>, and the novels <i>Walk to the Paradise Gardens</i> and <i>Honour's Mimic</i>. She also began the autobiographical novel titled <i>The End of the Morning</i>, which she regarded as her major work.</p><p>Returning to Australia in 1964, Charmian Clift set her novel aside so that she could devote her time to her weekly newspaper column and to her family commitments. Although she resumed work on <i>The End of the Morning</i> in 1968, she died a year later, before the book was completed.</p><p>For more information, see: www.charmianclift.com.au</p><p><b>Nadia Wheatley</b> is the editor of <i>Sneaky Little Revolutions: Selected Essays of Charmian Clift</i> and the author of <i>The Life and Myth of Charmian Clift</i>. Described by critic Peter Craven as 'one of the greatest Australian biographies', this was acclaimed as the Age Non-Fiction Book of the Year, 2001, and was awarded the NSW Premier's Australian History Prize in 2002. It remains the classic account of the life and work of this transformational Australian writer.</p><p>For more information, see: www.nadiawheatley.com</p>]]></Text>
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			<Text textformat="02"><![CDATA[Honour's Mimic combines the authentic Greek setting of Charmian Clift's travel memoirs with the fine writing that has caused her to be described as Australia's greatest essayist.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>We are alike, Kathy thought. You are a desperate one, too. She was incredulous that she could be so happy when it was so perfectly clear that the situation was impossible, could not possibly last, and that in any case this man was doomed already.</i></p><p>In this novel, Charmian Clift broke the rules of the romance genre by her representation of a relationship between a middle class Australian woman and a Greek sponge diver who is an outcast even within his own society. Both are 'desperate'  trapped in loveless marriages and overcome by a sense of nameless dread. But when these twin souls fall in love in the ruins of an ancient citadel above the port-town of a remote and poverty-stricken Greek island, 'honour' becomes 'mimic'  a false imitation of itself  and is cast aside, together with unhappiness and fear.</p><p><i>Honour's Mimic</i> combines the authentic Greek setting of Charmian Clift's travel memoirs with the fine writing that has caused her to be described as Australia's greatest essayist.</p><p><b>'Charmian Clift broke the rules of the romance genre with this representation of a relationship between a middle-class Australian woman and a Greek sponge diver who is an outcast even within his own society.' </b> <b><i>Readings Monthly</i></b></p><p><b>'The [writing] is but it is distinctive in its potency, and for the way the love story is interwoven with the brutal realities of class, immigration, and mid-century morality. We devoured it.' </b> <b><i>The Paris End</i></b></p><p><b>'</b><b><i>Honour's Mimic</i></b> <b>is a superbly realised portrait of the links between true love and mortality. It is about how being in another country can unmoor and perhaps free you to find "a passionate affirmation of that old lost desire to face challenge and danger, to be brave, to dare for the truth".'  Declan Fry</b></p><p><b>'At the heart of </b><b><i>Honour's Mimic</i></b><b> is a transgressive, all-consuming love story that also offers an incisive, often chilling, indictment of the measures and strictures of class and society.'  Heidi Maier, </b><b><i>INDaily </i></b></p><p><b>'With the compelling flavour of a grotesque and shimmering fairytale that carries no consoling ending, </b><b><i>Honour's Mimic </i></b><b>casts a potent spell.'  Carmel Bird, </b><b><i>The Saturday Paper </i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Charmian Clift</b> was born in the coastal town of Kiama, New South Wales, on 31 August 1923. After serving as a lieutenant in the Australian Army, she joined the staff of the Melbourne Argus newspaper, and in 1947 married fellow journalist George Johnston. The next year, the couple's collaborative novel <i>High Valley</i> won the <i>Sydney Morning Herald</i> prize. Fleeing the political claustrophobia of Australia under the Menzies government, in 1952 Charmian and George headed to London. Two years later, they escaped even further, to the Greek islands, where over the next decade they raised three children and created a legend. During this period, Clift wrote the memoirs <i>Mermaid Singing</i> and <i>Peel Me A Lotus</i>, and her two novels, <i>Honour's Mimic</i> and <i>Walk to the Paradise Gardens</i>. After the family returned to Australia in 1964, Charmian Clift began writing a weekly column that appeared in the <i>Melbourne Herald</i> and the <i>Sydney Morning Herald</i>. Charmian Clift died in 1969.</p><p><b>Nadia Wheatley</b> is the editor of <i>Sneaky Little Revolutions</i>: Selected essays of Charmian Clift and <i>The End of the Morning: The never-before-published novel by Charmian Clift</i>. She is also the author of <i>The Life and Myth of Charmian Clift</i>. Described by critic Peter Craven as 'one of the greatest Australian biographies', this was the Age Non-Fiction Book of the Year, 2001, and won the NSW Premier's Australian History Prize (2002). After twenty years it remains the classic account of the life and work of this transformational Australian writer. Nadia Wheatley's other works include the award-winning memoir <i>Her Mother's Daughter</i> and <i>Radicals  Remembering the Sixties,</i> written in partnership with Meredith Burgmann.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>There was a kind of grotesquerie to the dazzle and magnificence, a vicious underlay of thorns beneath the bed of roses, and a vast shadow floating, looming overhead. The kingdom was forever at war, and there was an eerie strangeness in the shining trio of the king, his wife, and the little princess from Savoy.</i></p><p>It is 1696. Louis XIV, absolute monarch in his sunset years, with his secret wife by his side, believes his grandson will succeed him and will continue the dynasty. As part of the spoils of war, he brings from Savoy, a child, a youthful bride for that grandson. In this bride the king gets more than he could ever have bargained for. She is enchanting, and he is bewitched. Has the king fallen madly in love with this Princess Marie-Adelade of Savoy? What exactly is the bond between these two?</p><p>At the court of Versailles, there is lavish magnificence including the vast gardens and the Hall of Mirrors. But it is also where dark, enchanting fairytales come to prominence. News of war is never far away. And tantalising beauty is undercut by threat. The tale is narrated in part by Sister Clare, a childhood friend of Marie-Adelade, who after losing the young man she loves to war and then the Princess to disease, becomes a nun. For Clare it is her devoted mission to tell the story of Marie-Adelade, mother of the child who will become Louis XV.</p><p><i>Crimson Velvet Heart</i> is a visionary novel on Adelade's life  both strange and enthralling where Carmel Bird's exquisite language and rich understanding of history and human nature capture both the spirit and the mystery of love and loss.</p><p><b>'This astounding novel speaks for devotion and wisdom even as it eviscerates the monstrous glory of 17th century France. Grounded in research, Carmel Bird's historical imagination is glitteringly bright.'  Gregory Day</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, </b><b><i>The Age</i></b><b> Book of the Year 2026, Fiction**</b></p><p><b>**Shortlisted, Queensland Literary Awards 2025, Fiction Prize**</b></p><p>In the year 2000, an Australian woman travels to The Hague to work as the secretary for an Australian judge. There, she sits through the trial of a former military man who has been charged with war crimes. As the trial proceeds, she is confronted with two conflicting impulses: being deeply affected by the testimony of witnesses, while at the same time plagued by an enduring doubt as to the defendant's guilt.</p><p>Meanwhile, she begins an unexpected romance and friendship, and these relationships help her to understand the stories of extraordinary survival she hears about during the trial. When she is called back to Australia to reckon with her own childhood, she finds she can't quite leave everything she's heard behind. <i>Out of the Woods</i> asks what it means to bear witness to the suffering of people who have experienced real tragedy and whether it is possible, afterwards, to resume a normal life.</p><p><b>'A triumph.</b> <b><i>Out of the Woods</i></b><b> traces the complex lines of complicity and grief  a deeply compelling and humane story about what it means to bear witness. This is a book that looks into your soul.'  Stephanie Bishop</b></p><p><b>'This searchingly original novel counters the historical weight of human cruelty with small acts of attention and persistence. Shirm's empathy and intelligent precision exert a quiet moral authority on every page.'  Delia Falconer</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gretchen Shirm</b> is the author of <i>Having Cried Wolf</i>, <i>Where the Light Falls</i> and <i>The Crying Room</i>. She was a <i>Sydney Morning Herald</i> Best Young Australian Novelist and both her novels <i>Where the</i> <i>Light Falls</i> and <i>The Crying Room</i> were shortlisted for the Christina Stead Prize for Fiction in the NSW Premier's Awards. In 20232024 she received the BR Whiting Fellowship from Creative Australia. Gretchen's short fiction has been published in <i>Best Australian Stories</i>, <i>Griffith Review</i>, <i>The Australian</i>,<i> Overland</i>, <i>Meanjin</i> and <i>Southerly</i>. Her literary criticism is published widely, including in <i>The Sydney Morning Herald</i>, <i>The Age</i> and <i>The Weekend Australian</i>. Gretchen worked as a public law lawyer for more than a decade and now teaches creative writing.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Portrait of a widow in mourning by one of Australia's most important women writers</b></p><p><i>The Seal Woman</i> was first published to acclaim in 1992 but has been out of print for many years. The novel explores the mind of a middle-aged Danish woman mourning the recent death of her husband at sea, in a cottage lent to her by friends in the seaside village in Victoria where she had spent her honeymoon. Farmer's prose is marked by the suppleness of its language, and its extraordinary attention to detail. Dagmar's observations  of the sea and its creatures, the light, the mist, the wind, the life of plants  are so intense and evocative, it is as if she has dissolved into her surroundings. On the other hand, her passivity leaves her vulnerable to the deceit of others, particularly the man she depends on as her lover. Her retreat into wonder is undercut by a persistent questioning, as to how far it might lead her into a state of submission.</p><p><i>The Seal Woman</i> was originally published two years after <i>A Body of Water</i>, an imaginative montage of journal, commonplace book, stories and poems, which it resembles in its own use of mixed sources, from myth and legend and history. In bringing these two books back into print, alongside Farmer's first work of fiction <i>Alone</i>, and her last books The<i> Bone House</i> and <i>This Water</i>, Giramondo is building on its commitment, not only to this remarkable author, but to the republication of contemporary classics by Australian women authors.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Beverley Farmer </b>(19412018) was the author of four collections of short stories, including <i>Milk</i>, which won the NSW Premier's Award for Fiction, and <i>Home Time</i>; the novels <i>Alone</i>, <i>The Seal Woman</i> and <i>The House in the Light</i>, which was shortlisted for the Miles Franklin Award; and the writer's notebook, <i>A Body of Water</i>. <i>The Bone House</i>, a collection of essays on the life of the body and the life of the mind, was published by Giramondo in 2005. <i>This Water: Five Tales</i> was longlisted for the 2018 Stella Prize. It was her last work of fiction. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p> </p><p><i>It Lasts Forever and Then It's Over</i> asks how much of yourself can you lose before you are lost...and then what happens? </p><p>The heroine of this haunting, spare novel is voraciously alive in the afterlife. Adrift yet keenly aware, our undead narrator notes every bizarre detail of her new reality. She has forgotten even her name, but she remembers with unbearable longing the place where she knew herself and was known - where she loved and was loved. She heads west and into mind-boggling adventures, carrying a dead but laconically opinionated crow in her chest.</p><p>The joint winner of The Novel Prize, <i>It Lasts Forever and Then It's Over</i> is a sharp and funny tale for our dispossessed times. </p><p><b>'Astounding, inventive, and utterly original, Anne de Marcken has written a freakish classic with wisdom to spare about life, death, and the eerily vast space between. I was absolute putty in this book's hands.' - Alexandra Kleeman</b></p><p><b>'Anne de Marcken must write in a charmed ink that first erases the line between the living and the dead, and then - with prose as elegant as it is spooked - tells the story of what lies underneath. I have never read anything like this brilliant debut.' - Sabrina Orah Mark</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Anne de Marcken</b> is an interdisciplinary writer, artist and publisher. She is author of <i>The Accident: An Account</i> (Spuyten Duyvil, 2020). Her second book, <i>It Lasts Forever and Then It's Over</i>, was the joint winner of The Novel Prize in 2023 and will be published in 2024 by Giramondo Publishing, New Directions and Fitzcarraldo Editions. She has received award recognition across disciplines, including fellowships from Artist Trust, Millay Colony for the Arts, the Jentel Foundation and Centrum. She lives on the unceded land of the Coast Salish people in Olympia, Washington, where she works as editor and publisher of the small, innovative press The 3rd Thing.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A pitch-black, magnetic, and unforgettable meditation on the nature of love, evil, and the power of redemption, Land of Hope mixes history and the myths of the English moors to tell a compelling modern English fable of serial killers at the end of the world.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Has the land come to mimic us vile deeds, or have we only mimicked the land?</i></b></p><p>Daughter. Mother. Glory. Wife of The Devil O' Th' Moor. Hope Gleason has many names. The child of a shepherd raised in the remote moors of Northern England, Hope has always understood the satanic brutality of the land.</p><p>But when an ear-splitting, unknowable sound destroys the nearby village, Hope must embark on a dangerous journey to survive through the ravaged land with a lad, newly orphaned and alone, under her wing.</p><p>As they trek the wilds together to find her husband, her violent past chases her at every turn and long-buried memories begin to resurface.</p><p>A pitch-black, magnetic, and unforgettable meditation on the nature of love, evil, and the power of redemption, <i>Land of Hope</i> mixes history and the myths of the English moors to tell a compelling modern English fable of serial killers at the end of the world.</p><p><b>'Cate Baum has exceptional talent.' Claire Fuller, author of</b><b><i>Unsettled Ground</i></b></p><p><b>'Cate Baum's writing takes you into a mysterious, murderous, sometimes frightening world and never lets go. A journey through many extraordinary emotions with one abiding feeling: hope. An extraordinary book.' Jonathan Myerson, Oscar-nominated writer of</b> <b><i>The Canterbury Tales</i></b><b> and</b> <b><i>Nuremberg</i></b></p><p><b>'This muscular, disquieting twist on survival stories such as</b> <b><i>The Road</i></b><b> asks whether the end of the world is a chance for a new beginning, or whether some acts stain the soul too deeply ever to be left behind.' </b><b><i> The Guardian</i></b></p><p><b>'</b><b><i>Land of Hope</i></b><b> folds a dystopian fable into an Emily Bronte-like gothic novel. It's a fascinating idea for a crossover, and the central character, Hope Gleason, seems to emanate from the wild and windswept moors as if she were a ghost already.'  </b><b><i>Sydney Morning Herald </i></b><b>/</b><b><i> The Age</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Cate Baum</b> was born in Cambridge to a magician and a big band singer. She grew up in the East Anglian countryside, spending summers roaming the wilds of the UK.</p><p>She attended UCLA to study Screenwriting, and then City University, London, gaining a Masters with Distinction in Creative Writing. There, she was mentored by Claire Fuller (<i>The Memory of Animals</i>), Clare Allan (<i>Poppy Shakespeare</i>) and Jonathan Myerson (<i>Nuremberg</i>). She now lives in Spain.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A gripping literary puzzle that unwinds the private lives of ten women as they confront tragedy in a decaying town.</p><p>Nashquitten, Massachusetts, is a coastal enclave that not even tourist season can revive, full of locals who have run the town's industries for generations. When a young woman dies at a house party, the circumstances around her death suspiciously unclear, the tight-knit community is shaken.</p><p>Told through the eyes of ten women, Alina Grabowski's <i>Women and Children First</i> is an exquisite portrait of grief and a powerful reminder of life's interconnectedness. Touching on womanhood, class, sexuality, ambition, disappointment, and tragedy, this novel is a stunning rendering of love and loss, and a bracing lesson from a phenomenal new literary talent.</p><p><b>'A striking debut from a brilliant new voice. Alina Grabowski perfectly inhabits her characters, shining a light on the multidimensionality of both grief and adolescence with great humor and insight.'  Sarah Jessica Parker</b></p><p><b>'Magnetic...The ennui of small-town life is perfectly captured in the slice-of-life vignettes, which coalesce into a riveting set of Rashomon-style retellings. Grabowski shows immense promise.' </b> <b><i>Publishers Weekly</i></b><b>, starred review</b></p><p><b>'Craftily constructed and deeply moving.' </b> <b><i>Booklist</i></b><b>, starred review</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alina Grabowski</b>'s work has appeared in <i>Story</i>, <i>The Masters Review</i>, <i>Joyland</i>, and <i>Day One</i>. She earned her MFA from Vanderbilt, and has received scholarships from the Sewanee Writers' Conference, the Squaw Valley Community of Writers, and the Juniper Summer Writing Institute.</p><p>She was a 2019 Emerging Writer Fellow at Aspen Summer Words. She lives in Austin, Texas.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Elisa loves reading and her bookshelf overflows with all the story books that she's read. One day she tries to borrow several books from the school library only to realise that she is unable to carry them home in her bag. However, her new neighbour, Ben, also shares her love for reading. As their friendship blossoms, can Ben help Elisa with her quest to read more books? A heartwarming story celebrating a love for books and friendship.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The FUN need help!</b></p><p>When a wombat knocks on her window one night, Josie hopes her lifelong wish for a pet has come true. But Ursula the wombat is on an important mission for the Fellowship of Underground Nocturnals (the FUN). The FUN need human-help to solve their wildlife woes.</p><p>After proving how well they work as a team, Josie and Ursula are invited to join the FUN's MEGA Division, which will make them mega-sized. But will joining the MEGA Division be a mega mistake?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The follow-up to </b><b><i>We All Play</i></b><b>! An adorable celebration of all the ways that animals and humans show love  from award-winning Indigenous artist/author Julie Flett.</b></p><p>Snuggle up! Animals love  like you!</p><p>Join baby bears, little ducklings, curious foxes, and many more adorable creatures as they remind us of all the ways, big and small, that we show love and care. <i>We All Love</i> is a poetic and beautifully illustrated reminder of the interconnectedness of the natural world  demonstrating how care, protection, and love are experienced by all living things.</p><p><i>We All Love</i> features:</p><ul><li>A glossary of Cree animal names used throughout the text</li><li>A letter to the reader from Julie Flett</li></ul><p>Part of the <i>We Do Too! </i>series, following <i>We All Play</i>, <i>We All Love</i> is a celebration of the love that connects us all  big and small, near and far.</p><p><b>We love too! / kstanaw mna</b></p><p>'<b>This book is like a big warm hug that envelops readers...a first choice for any library's picture book collection.'  </b><b><i>School Library Journal</i></b><b>, STARRED REVIEW</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Catherine Barr</b>is a leading author on science and nature topics for young children, specialising in presenting them in new and exciting ways. She worked for Greenpeace and London's Natural History Museum before becoming a full-time writer. Her previous books for Otter-Barry are<i>Red Alert: 15 Endangered Animals Fighting to Survive;Invisible Nature: A Secret World Beyond Our Senses</i>(winner of theTeach Primary science book prize), both with Anne Wilson; and<i>Wildlife Crossings: Protecting Animal Pathways Around the World</i>,with Christiane Engel. Catherine is an inspiring speaker, who particularly enjoys visiting schools to share her books. Her website iscatherinebarrbooks.me, and she lives near Hay-on-Wye.</p><p><b>Christiane Engel</b> grew up in Germany. She has a BA in children's art and an MA in Children's Illustration. Working on information books, she seeks to present important topics to young children in an engaging, respectful way. She works with soft pencil, acrylics, watercolour and digital media. Her most recent book is <i>Wildlife Crossings</i> (Otter-Barry Books, 2024) with Catherine Barr.Christiane lives in Kent, England.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Pawsitive choices! Find your perfect pet and learn how to love and take care of them!</b></p><p>Thinking about getting a furry, scaly, or feathered friend? Join one adorable family on a heartwarming adventure in<i> Are We Ready for a Pet?</i> This beautifully illustrated picture book takes little readers on an exciting journey to discover the perfect pet and learn all about the wonderful (and sometimes messy!) daily tasks of caring for them. Bursting with vibrant colours and fun 'Can you spot?' challenges, kids will explore a variety of amazing animals, from cuddly cats and playful pups to chirping parrots, colourful fish and scaly iguanas! They'll discover what makes each pet unique and special, all while learning valuable lessons about the joys and responsibilities of pet ownership. Engaging and informative,<i> Are We Ready for a Pet?</i> nurtures a love for animals and is perfect for sparking family conversations. Prepare for cuteness overload! After this delightful read, which cute animal will you and your family be dreaming of bringing home?</p><ul><li>Find your dream pet: Join a fun family as they explore a variety of animals and decide which pet is right for them. From cats and dogs to hamsters and fish to birds, reptiles and more, discover what makes each one special</li><li>Learn how to care for animals: Discover the daily tasks involved in keeping pets happy and healthy</li><li>Fun 'Can You Spot?' challenges: Interactive elements on every page keep kids engaged and entertained</li><li>Teaches responsibility and love for animals: Gently introduces the important aspects of pet ownership and fosters an early love for animals</li><li>Perfect for family read-alouds: Sparks heartwarming conversations about pets and family, creating a fun and memorable experience the whole family can enjoy</li></ul><p>For over 75 years, Albatros Media has been crafting original and innovative children's books that are both playful and educational, fostering curiosity and a thirst for knowledge in young minds. We deliver the highest quality children's books from novelty, picture, pop-up, and how-to books, to non-fiction, and fairy tale books.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Unlock the secrets of your home: A fun chemistry adventure for curious kids!</b></p><p>Put on your goggles and roll up your sleeves  it's time to dive into the surprisingly cool science happening all around you! <i>The Amazing Chemistry in Your Home</i> transforms everyday household items into mind-blowing experiments, revealing the fascinating chemical reactions and elements that make your world tick. Forget boring textbooks! Journey through each room of your house including your kitchen, living room, bedroom, bathroom, garage, dining room, and laundry room and discover why geckos are picky about their frying pans, what creates those stinky kitchen smells, and even the explosive secrets hiding in your batteries. Get ready to conduct safe, easy experiments that will turn your home into a captivating chemistry lab! This fun and exciting STEM book is the perfect way to spark a young scientist's curiosity about the amazing world of elements and chemical reactions that are hiding all around them.</p><ul><li>Makes science lessons super fun and accessible: Say goodbye to boring lectures! This book uses relatable household items and exciting questions to make chemistry engaging and easy to understand for young readers.</li><li>Turns your home into a science lab: Discover the chemistry behind everyday occurrences and conduct safe, hands-on experiments right in your own kitchen and living room!</li><li>Uncovers the cool chemistry you never knew existed: From the stink of rotten eggs to how to make glass, explore surprising and fascinating scientific principles hidden in plain sight.</li><li>Perfect introduction to STEM concepts: Lay a strong foundation in science, technology, engineering, and math through real-world examples of elements and chemical reactions.</li><li>Sparks curiosity and critical thinking: Encourage young scientists to ask 'why?' and develop their problem-solving skills through observation and experimentation.</li><li>Safe and easy experiments: Clear instructions ensure that young scientists can conduct the at-home experiments safely with readily available materials.</li></ul><p>For over 75 years, Albatros Media has been crafting original and innovative children's books that are both playful and educational, fostering curiosity and a thirst for knowledge in young minds. We deliver the highest quality children's books from novelty, picture, pop-up, and how-to books, to non-fiction, and fairy tale books.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>This fully illustrated children&amp;#x27;s book reveals the hidden physics in our everyday lives and our homes, from the kitchen to the bathroom.</p><p>Step into the extraordinary world of everyday physics with <i>The Awesome Physics in Your Home</i>, a fully illustrated non-fiction children&amp;#x27;s book that reveals the physics that surrounds us within the comfort of our homes, thereby transforming the mundane into the extraordinary. By exploring real-life situations in the kitchen, living room, garage, bathroom, and garden, this book demystifies complex scientific concepts through relatable scenarios and provides safe, hands-on experiments for curious young minds.</p><p>Geared towards budding young scientists and inquisitive minds ages 9-12, <i>The Awesome Physics in Your Home</i> serves as a gateway to understanding the wonders of physics in everyday life. It presents science as an exhilarating activity, bridging the gap between theoretical concepts and real-world applications. Authored by the Amazing Theatre of Physics, renowned for their entertaining and educational science experiments, this book guarantees an engaging and enlightening journey into the realm of physics. Whether you&amp;#x27;re a young science enthusiast or a parent looking to inspire a love for learning and the sciences, this book is the perfect tool to spark curiosity and exploration.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The Amazing Theatre of Physics</b> is an entertainment and educational group that performs science experiments in order to show people how the world around us works in a way that is fun and exciting. They're like magicians, only they explain how their tricks work. Having started performing in 2008, they travel around the world with their show, performing in a wide range of venues, from theaters, town squares, and schools to churches, synagogues, and retirement homes.</p><p><b>Vojta Hanak</b>, a graduate teacher of mathematics and physics, has dedicated nearly two decades to bringing the wonders of science and the laws of nature to people of all ages and professions. Over the years, he has performed experiments in theaters, on camera, at the altar, and in synagogues. In addition to his passion for the natural sciences and their history, he is also an avid musician.</p><p><b>Bara Mikulecka</b> is a graduate teacher of mathematics and physics, and also holds a degree in astrophysics. She has been an integral part of The Amazing Theatre of Physics for many years, and it has become her second family. Bara is also the founder of the ULeT camp and the KrTeK club. She actively teaches at an elementary school, conducts seminars for teachers, and produces popularization videos. Her ultimate goal is to convey the beauty of physics and science, aiming not only to make physics enjoyable but, more importantly, to inspire people to contemplate the world around them. Beyond her educational outreach, Bara is an enthusiastic rock, mountain, and glacier climber.</p><p><b>Karolina Liskova</b> studied condensed matter physics and physics education. Rather than focusing solely on physics in the laboratory or on computer screens, she was increasingly drawn to the idea of imparting her knowledge to others. At The Amazing Theatre of Physics, she takes pleasure in sharing the excitement of how fascinating the world around us can be. In addition to her role as a scout leader, you&amp;#x27;re most likely to find her exploring the world of rocks and mountaintops.</p><p><b>Jakub Pise</b>, a teacher of mathematics and physics, has been performing science experiments in schools and kindergartens for several years. In addition to his passion for science, he is known for his skill in card magic, and he used to perform in evening cafes and tea rooms. The desire to explore the laws of nature and push their boundaries has therefore always been an inherent part of him.</p><p><b>Tomas Kopecky</b> is an illustrator of children&amp;#x27;s books and computer games, working as part of a creative duo with his wife Tereza. He began his career as a pixel art mobile game designer in Prague, and in 2019, he illustrated his first book, <i>A Bug Hotel</i>. In his free time, Tomas enjoys the countryside, mountain biking, skateboarding, board games, and  above all  spending time with his family, including his two daughters and his dog Karlik.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ignite children's curiosity for science with city physics!</b></p><p>Ready to explore the hidden physics all around you? This engaging STEM book takes kids on an exciting journey through 10 urban settings, uncovering science in everyday places. Following the popular <i>The Awesome Physics in Your Home, The AwesomePhysics in Your City </i>uses relatable examples and hands-on experiments to make learning fun and accessible. From roller coasters, concerts, and sports fields to construction sites, city streets, shops, and more, kids will discover the real-world applications of physics and spark a passion for STEM. Perfect for curious minds and budding scientists!</p><ul><li>Science is all around you: explore the hidden science in your city's concert venues, amusement parks, playgrounds, pools, restaurants, buildings, and beyond with this engaging book</li><li>Hands-on activities: fun, safe experiments that bring physics to life in familiar city settings</li><li>Perfect for young scientists: sparks curiosity and makes learning physics easy and exciting</li><li>Part of a trusted series: sequel to <i>The Awesome Physics in Your Home </i>from the <i>Science All Around Us </i>series</li><li>Boost science learning: bridges classroom concepts with real-world urban examples</li></ul><p>For over 75 years, Albatros Media has been crafting original and innovative children's books that are both playful and educational, fostering curiosity and a thirst for knowledge in young minds. We deliver the highest quality children's books from novelty, picture, pop-up, and how-to books, to non-fiction, and fairy tale books.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Science under the sea! Learn with Little Octopus Daisy!</b></p><p>Get ready to explore a world of underwater wonders with Daisy, a curious little octopus eager to discover everything about her ocean home! Join Daisy on her exciting journey as she encounters all sorts of fascinating sea creatures, from a clever hermit crab with a moving anemone to a speedy school of herrings trying to outsmart a hungry shark. <i>Little Octopus and the Vast Ocean</i> combines an engaging story with easy-to-understand facts that will introduce young readers to the incredible diversity and the unique habitats of the vast ocean. With vibrant illustrations that bring the underwater world to life, kids will be mesmerised by Daisy's adventures and the amazing things she discovers! Perfect for all little animal and ocean enthusiasts!</p><ul><li>An ocean adventure with a lovable octopus: Join Daisy on her exciting explorations and discover the wonders of marine life through her curious eyes</li><li>Meet amazing sea animals: From hermit crabs, herrings, sharks, seahorses, and anemones to shrimp, sea urchin, eels, dolphins, and more, encounter a diverse cast of fascinating ocean inhabitants</li><li>Learn fun facts about the ocean: Discover interesting and easy-to-understand information about different ocean habitats and the creatures that live there</li><li>Spark a love for animals and nature! Encourage an appreciation for the ocean and its incredible inhabitants, fostering a sense of wonder and respect for the natural world</li><li>Perfect for story time and curious minds: The engaging storytelling and captivating visuals make this book a joy to read aloud and a great way to answer children's questions about the ocean</li><li>A great introduction to marine biology: Gently introduce young readers to the fascinating field of studying ocean life in an accessible and exciting way</li></ul><p>For over 75 years, Albatros Media has been crafting original and innovative children's books that are both playful and educational, fostering curiosity and a thirst for knowledge in young minds. We deliver the highest quality children's books from novelty, picture, pop-up, and how-to books, to non-fiction, and fairy tale books.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Meet Gary the Little Bat! Come explore his amazing cave home!</b></p><p>Meet Gary, a super curious greater mouse-eared bat ready to show you all the cool secrets of his amazing cave home! Join Gary and his bat buddies as they zoom through shadowy tunnels, discover the best napping spots hanging upside down, and sniff out the tastiest, juiciest caterpillars for a snack! This delightful picture book takes young adventurers on an exciting journey into a unique underground world, filled with fascinating facts about bats and their environment. With vibrant illustrations that bring the cave to life, kids will be enchanted by Gary's adventures and the incredible ecosystem he calls home. Perfect for animal and nature explorers!</p><ul><li>Meet a lovable little bat: Join Gary and his friends on an exciting exploration and discover the secret world of bats</li><li>Explore a hidden cave world: Journey into a fascinating underground habitat filled with unique sights, sounds, and creatures</li><li>Learn cool bat facts: Discover interesting and easy-to-understand information about how bats live, what they eat, and their amazing abilities</li><li>Spark a love for animals and nature: Encourage an appreciation for often misunderstood creatures and the diverse habitats they call home</li><li>Perfect for bedtime and curious minds: The charming story and bold visuals make this book a wonderful read-aloud for bedtime and a great way to answer children's questions about bats</li><li>A fun introduction to ecology: Gently introduce young readers to the concept of an ecosystem and how different animals live together in a unique environment</li></ul><p>For over 75 years, Albatros Media has been crafting original and innovative children's books that are both playful and educational, fostering curiosity and a thirst for knowledge in young minds. We deliver the highest quality children's books from novelty, picture, pop-up, and how-to books, to non-fiction, and fairy tale books.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Have a clucking good time with over 310+ farm stickers!</b></p><p>Giddy up for some farm-tastic fun! The<i> On the Farm Deluxe Sticker Book</i> is bursting with over 310 colourful stickers that will keep little farmers happily engaged for hours! Kids will love bringing vibrant farm scenes to life, placing their favourite animals in the fields, gardens, and barns. But this isn't just about sticker fun  this activity book is also a delightful way to learn about life on the farm! From mooing cows to clucking chickens and busy tractors, children will discover the basics of living on a farm in an exciting and hands-on way. And the best part? Once all the adorable stickers are in place, the book transforms into a wonderful picture storybook that your child can cherish and revisit again and again! Get ready for some down-on-the-farm fun!</p><ul><li><b>Sticker Bonanza:</b> Over 310 vibrant stickers for endless creative farm fun!</li><li><b>Create Your Own Farm Scenes: </b>Kids will love designing their own field, garden, pen, stable, and pond scenes using the colourful animal, machine, and fruit and veggie stickers.</li><li><b>Learn About Farm Life:</b> Children will discover the basics of where their food comes from, the machines that keep farms running, the animals that live on a farm and so much more in this entertaining activity book that provides hours of interactive fun.</li><li><b>Features Favourite Farm Animals! </b>Cows, pigs, chickens, horses, sheep, goats, and more adorable creatures to stick and play with.</li><li><b>Transforms into a Picture Story: </b>Once the stickers are placed, the book becomes a captivating keepsake storybook.</li><li><b>From the Trusted </b><b><i>Deluxe Sticker Books</i></b><b> Series: </b>Join countless families who rely on the engaging, high-quality, and educational fun found in our beloved sticker book collection.</li><li><b>Perfect for Home, Travel, or Classroom Fun:</b> Keep kids entertained and learning for hours whether they're at home, on a vacation, or in a classroom setting.</li></ul><p>For over 75 years, Albatros Media has been crafting original and innovative children's books that are both playful and educational, fostering curiosity and a thirst for knowledge in young minds. We deliver the highest quality children's books from novelty, picture, pop-up, and how-to books, to non-fiction, and fairy tale books.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Joli Hannah</b>, a children's book author and publisher, started working with international publishers in 2000 to create children's books, which over time she began writing herself. She is raising three children in a charming house in the countryside, and every night before bedtime, she reads or invents original stories for them. Joli works under a pseudonym, as she wishes her readers to perceive her through her stories and not through her image on social media. She loves life, people, and their stories, and was born and raised in an industrial city in Central Europe.</p><p><b>Malgorzata Detner</b> is a Poland-based illustrator born in 1989 who has loved drawing since a young age, influenced by her mother's paintings. She followed a career in costume design, focusing on Victorian dresses, but returned to traditional painting and digital illustration after her daughter's birth. She draws vibrantly coloured, mysterious, fantastic worlds, animals, and creatures influenced by old animation, and she incorporates hand-painted textures in her digital art and loves creating illustrations that remind her of childhood memories. In her free time, she makes needle-felt toys and watches her favourite movies, including Studio Ghibli's Totoro. She lives with her family and pets in Warsaw.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Puddle-jumping joy! Discover the magical friendship between a little girl and the rain!</b></p><p>Join a little girl as she embarks on a whimsical adventure, completely unaware that the playful rain that has gently started to fall has a secret wish  to be her friend! Follow along as the rain playfully 'chases' her, leading to unexpected laughter, splashing in puddles, and a heartwarming connection under the gray sky. <i>The Little Girl and the Rain</i> isn't just a story; it's a gentle reminder that even on seemingly ordinary days, magic and friendship can blossom in the most unexpected ways. With its beautiful vintage illustrations and poetic words, this delightful picture book encourages children to embrace curiosity, find joy in the present moment, and appreciate the beauty of the natural world. It's the perfect cozy read-aloud that will spark imaginations and warm hearts, reminding us all that even a little rain can bring a whole lot of happiness!</p><ul><li>Spark joy and wonder: Dive into a sweet story that celebrates the magic of nature and the simple pleasures of a rainy day</li><li>Promotes friendship and connection: Explore the heartwarming bond that blossoms between a little girl and the playful rain</li><li>Encourages emotional literacy: Gently introduces concepts of curiosity, anticipation, joy, and finding happiness in unexpected places</li><li>Perfect for read-aloud fun: Engaging poetic style and a gentle rhythm make it ideal for cozy story time with children, creating cherished reading moments together</li><li>Fosters appreciation for nature: Encourages children to see the beauty and wonder in all kinds of weather.</li><li>A sweet message of positivity: Reminds readers of all ages that even gray days can hold moments of unexpected joy and connection</li><li>Ideal gift for little readers: A thoughtful present for birthdays, holidays, or just because, inspiring imagination and a love for reading</li></ul><p>For over 75 years, Albatros Media has been crafting original and innovative children's books that are both playful and educational, fostering curiosity and a thirst for knowledge in young minds. We deliver the highest quality children's books from novelty, picture, pop-up, and how-to books, to non-fiction, and fairy tale books.</p>]]></Text>
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			<SubjectHeadingText>Aboriginal; brushtail possum; mother; indigenous; elders; Dja Dja Wurrung; storytelling; hawk; kinship; Ringtail possum; Victoria; Loddon River; Djaara Djandak; Dreamtime story; First nations Australia; crayfish</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Age range 5 to 10</b></p><p><i>Dja Dja Wurrung Ancestors' stories as told to me by my mother, my grandmother, my great-grandmother and my great-great-grandmother before her.</i></p><p><i>How did Wabbee, the freshwater crayfish, get its bright red spots? Why does Wehla, the ringtail possum, have a curly tail?</i></p><p><i>How were Waripi Yaluk, the backwaters of Bulatjal Yaluk Woodlar, the Loddon River, formed? Why does Yern, the moon, light up the night sky? Bunjil, the all-powerful, knows the answers.</i></p><p>'BurWhela' Ros Kneebone-Dodson learned these kiki - these stories of Malamiyayu Gurang, the Dreamtime - from her mother, Mooie. BurWhela's words and images bring to vivid life these stories of her Ngurar Gurrk, her Ancestors, from Djandak, the Country of the Loddon River of Central Victoria.</p><p><b>'Our storytelling teaches how to live in harmony, how to care for and preserve the land and all living on it. It is lore for living'. - 'Burwhela' Ros Kneebone-Dodson</b></p><p>Teachers&amp;#x27; notes available <b>here</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>All ages</b></p><p>Billy loves Harmony Day. He loves the colours, the clothes and especially the food. This year Tayta is making <i>kaak</i>, a Lebanese treat, for Billy to share with his class but he can't share the recipe because Tayta bakes with a secret ingredient.</p><p><i>Tayta's Secret Ingredient</i> is a heart-warming intergenerational story about everyday life in multicultural Australia, where a curious boy takes centre stage alongside his beloved baking grandmother.</p>]]></Text>
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			<SubjectHeadingText>carry it on; new baby; holiday; winter; indigenous books; traditions; music gifts for kids; empathy; recognition; singing; books about love for children; Governor General's Literary Award; Cree-Metis artist; Cree worldview; death of a loved one; grief; loss; song; illustrations; connections; nature; lifes seasons</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Age range 3 to 7</b></p><p><b>From Cree-Metis artist Julie Flett and Academy Award-winning icon Buffy Sainte-Marie comes a celebration of Indigenous community, and the enduring love we hold for the people and places we are far away from.</b></p><p>Based on Sainte-Marie's song of the same name, <i>Still This Love Goes On</i> combines Flett's breathtaking art with vivid lyrics to craft a stunning portrait of a Cree worldview. At the heart of this picture book is a gentle message about missing our loved ones, and the promise of seeing each other again.</p><p>This gem of a picture book features:</p><ul><li>Sheet music of Buffy Sainte-Marie's beloved song</li><li>Notes from Sainte-Marie and Flett about their inspiration for the song and illustrations</li></ul><p>Brimming with love for community and the land, <i>Still This Love Goes On</i> is destined to be read and sung for generations.</p><p></p><p><b>'A love letter to family, home, and Indigenous traditions ... This story reminds readers of the joy we experience upon returning to those whom we love and who love us.'-Kirkus </b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Buffy Sainte-Marie</b> is a world-renowned and Academy Award-winning Cree singersongwriter, activist, educator, and visual artist. Her other books for kids include <i>Hey Little Rockabye</i>, illustrated by Ben Hodson, and Tpwe and the Magic Hat.</p><p><b>Julie Flett</b> is a CreeMetis author, illustrator, and artist who has received numerous awards for her books, including two Governor General's Awards and the American Indian Library Association Award. Her work has been reviewed widely, including in the <i>New York Times</i>, the <i>Globe</i> and <i>Mail,</i> and <i>Publishers Weekly</i>. Her books <i>Birdsong</i> and <i>We All Play,</i> also published by Greystone Kids, earned multiple starred reviews and appeared on many best of the year lists.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Since the late twentieth century, new understandings of modernism have come with new attention to a range of writers. </b>Yet if the academic study of modernism took shape around an older, narrower selection of writers and works, how can its modes of reading be relevant to newly recovered modernist writing? This book considers how close reading may change as the subjects of literary study change. Elizabeth Pender asks what reading meant for critics of modernist literature around 1930 and around 1960, and then what close reading might look like now for three new modernist novels. Djuna Barnes's <i>Nightwood</i>, John Rodker's <i>Adolphe 1920</i> and Mina Loy's <i>Insel</i> tend to resist some of the strategies of reading that helped construct a narrowed modernist canon at mid-century, such as the pursuit of coherence. These novels offer new thinking about the temporality of reading, style, and the ethics of narration. Reading these novels now suggests that other new modernist fiction, too, may require revisions to vocabularies with which modernist literature has sometimes been read.</p>]]></Text>
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			<SubjectHeadingText>Far Right; Hindu; Hindu nationalism; India; Indian Muslim politics; Indresh Kumar; Islamophobia; Muslim; Muslim Rashtriya Manch; Rashtriya Manch; Rashtriya Swayamsevak Sangh; bigotry; ethnic trangression; extremism; far-right strategies; liberal pluralism; minority recruitment; nationalism; pluralism; religious syncretism; weaponised pluralism</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Drawing on extensive fieldwork within the Hindu far-right and its Muslim wing, Weaponised Pluralism offers a new account of why far-right mobilisations recruit from the very communities they oppose.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Weaponised pluralism </i></b><b>takes a fine-grained lens to understand why far-right organisations recruit from the very minorities they oppose.</b> Why do these organisations seek to appear like pluralists? Building on his time with the Muslim wing of the Hindu far-right in India, Felix Pal proposes that bigots can strategically use what he calls weaponised pluralism. This political strategy counterintuitively uses progressive political performances to bolster bigoted political agendas. Basing his analysis in an Indian context, <i>Weaponised pluralism </i>nonetheless reveals much about contexts as varied as Palestinian soldiers in the Israeli army, Indigenous Australians on far-right television, and Black congressional candidates in the American Republican Party. Drawing on rare access to the Hindu far-right and its Muslim wing, Pal paints an evocative picture of the complexities of how far-right organising extends far beyond the pointy end of traditional bigotry.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Felix Pal</b> is a Lecturer in Political Science at the University of Western Australia.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book delves into the evolution of cultural diversity policies in Argentina, Brazil, and Peru. It highlights the struggles of marginalized groups for equality and explores how these policies challenge the monocultural narratives imposed by nation-states over the last 15 years.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book is a pioneering work that examines cultural diversity policies in Argentina, Brazil, and Peru over the past 15 years. The book offers a critical analysis of the rationalities and concepts underpinning these policies, exposing their inherent contradictions and the social forces that have both supported and resisted their implementation. By highlighting the struggles of marginalised groups in their pursuit of social, economic, and political equality, it reveals the deep intersections between culture, identity, and power.</b></p><p>The book situates these discussions within the broader context of Latin America's colonial legacy and ongoing decolonization efforts. It demonstrates how the region's nation-states, often founded on myths of cultural homogeneity, have grappled with the complex realities of diverse populations. Through detailed case studies, the book showcases how cultural diversity has become a powerful tool for social empowerment, particularly among racialised groups and other marginalised communities. It also offers insights into the evolution of these policies, tracing the ways in which they have responded to grassroots movements and the global discourse on cultural citizenship.</p><p>Furthermore, this work contributes to global debates by positioning Latin America as a key player in rethinking cultural policies that promote diversity, justice, and inclusion. It reflects on the lessons learned from observing these policies, urging readers to consider the broader implications for social cohesion and inclusive development. This work not only provides a thorough analysis of Latin America's unique contributions to cultural policy but also underscores the urgent need for more dynamic, intercultural approaches to address the challenges of the 21st century.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Federico Escribal</b>, professor at the Universidad Nacional de las Artes (Argentina), specialises in cultural policies and diversity. He holds an extensive experience in academia, public sector leadership, and private consultancy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A study in the literature of selfhood across time, this book analyzes how the Gnostics, the Romantics, Kierkegaard, Beckett, and Ashbery dramatize the self's struggle to fulfill an ideal of integrity and autonomy that will not let it go.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Explores how thinkers and writers from the Gnostics to Ashbery portray the self's profound uncertainty, revealing a paradoxical subject that longs to be whole yet persists in its fragmented search for identity.</b></p><p>It has been fashionable to declare that there is no self. Certainly the notion of the unitary subject  a transcendent subject linked to the traditional religious idea of the immortal soul  has not had currency in academic discourse for a very long time, perhaps as much as a century and a half. The psychologically unified subject and the universal subject of shared experience are also things of the past. But is there nothing left of the experience of selfhood? For the self can disenchant itself. But what does the subject feel about itself once it begins to doubt its own integrity? How does it experience its own 'decentering'? How does this 'who' that is left define itself, for itself? For selfhood is an existential condition, and no matter how elusive the self is to itself, it does not and cannot wholly lose itself. This book analyses how the Gnostics, the Romantics, Kierkegaard, Beckett, and Ashbery dramatise the self's self-doubt and what follows. The shared theme of these works, disparate as they are, is the bewilderment of selfhood, the pathos of subjectivity. The self encounters its own selfhood as puzzling and paradoxical. It wants to possess the qualities of an ideal self  to be whole, independent, and free  and it is disappointed to find it does not. Yet after the skeptical dismantling, something remains within, which represents itself as the self and continues to hear the (unfulfillable) call to selfhood. The self can neither become a self, nor cease to be agitated by the desire to become one.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Laura Quinney</b> teaches English and Comparative Literature at Brandeis University. She is the author of <i>Literary Power and the Criteria of Truth, The Poetics of Disappointment: Wordsworth to Ashbery, </i>and <i>William Blake on Self and Soul.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Explores how Ray Petri and the Buffalo collective revolutionised fashion photography in the 1980s by blending subcultural style, radical diversity, and gender politics to create a new cultural template still influential today.</b></p><p>Scottish-born stylist Ray Petri (19481989), founder of the maverick Buffalo collective, defined the look and feel of radical 1980s magazines such as The Face, i-D, and Arena. Harnessing the power of street style, sportswear, and club culture, Petri's vision took the sartorial vocabulary of subcultural styles into the mainstream. His radical casting of Black models and his genderplay marked a culturally reflexive, political approach to the relationship between fashion and identity. Challenging the policing of masculinity and sexuality in particular, Petri's imagery boldly toyed with the iconography of homoeroticism against the backdrop of gay rights activism and the AIDS crisis. Today, the Buffalo spirit endures in the countercultural references, cultural diversity, and post-gender conversation that underlies the most powerful of contemporary fashion imagery. This book traces how Petri and Buffalo created the template for modern fashion photography by advocating for a new cultural order.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Archipelagothic: The Gothic in Philippine Culture is an edited volume that brings together essays that examine the place of the gothic in Philippine culture. This groundbreaking volume, the first book on the topic, is appropriately comprehensive, covering a range of genres, historical periods, regions, and languages.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Archipelagothic: Studies in the Philippine Gothic</i></b><b> is an edited collection that brings together essays that examine the place of the gothic in Philippine culture. </b></p><p>This groundbreaking volume, the first book on the topic, is appropriately comprehensive, covering a range of genres, historical periods, regions, and languages. While the essays in this collection do not come to a consensus regarding the Gothic, they all refract the meaning of the term to expand its utility so that it may properly speak to the Philippines' longue duree of multiple colonialisms and various regional cultures that crowd under the umbrella of the nation. The various permutations of the gothic within the various regional cultures, languages, colonial histories, and uneven experiences of globalisation is what the editor of this volume refers to as 'archipelagothic'. The collection includes essays on the gothic in Philippine literature in English, Tagalog literature, regional literature, cinema, TV, and comics and graphic novels.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book explores Raf Simons's revolutionary impact on fashion and modern masculinity, analyzing his collections and campaigns to uncover how his work challenges traditional masculine norms and creates new visual narratives in menswear.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Examines Raf Simons's groundbreaking impact on menswear, showing how his designs challenge gender norms and use fashion as cultural commentary on modern masculinity.</b></p><p><i>Raf Simons: Fashion, Communication, and Modern Masculinity </i>offers an in-depth look at how Raf Simons, through his bold and boundary-pushing designs, has become a pivotal figure in reshaping the discourse on masculinity in fashion. Starting from his early collections to his leadership at renowned fashion houses like Jil Sander, Dior, and Calvin Klein, the book traces Simons's journey in using fashion as a platform to comment on societal pressures, identity, and modern manhood.</p><p>The book not only highlights Simons's ability to merge subcultural references with high fashion but also his unique talent for creating garments that convey complex narratives of masculinity, individuality, and rebellion. Through detailed analyses of his most iconic collections, Simons's work is positioned as a significant cultural force that speaks to the evolving perceptions of gender roles and self-expression in contemporary society.</p><p>Interviews with key collaborators and rare archival insights give readers an inside view of the creative processes behind Simons's groundbreaking designs. By connecting fashion with broader cultural and gender studies, the book invites a deeper understanding of how clothing can shape and reflect the changing definitions of masculinity today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dirk Reynders</b>, PhD, is a Belgian lecturer, writer, researcher, and cultural critic whose work explores how visual culture shapes  and is shaped by  gender, ethnicity, and power, bridging rigorous theory with practice-based collaborations. As Dean of the Media, Arts &amp; Design Faculty at PXL University College, he also teaches at KU Leuven and conducts research at the University of Johannesburg, publishing widely on the politics of images in photography, fashion, and media.</p>]]></Text>
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			<SubjectHeadingText>Academician perspectives; Business recovery; COVID-19 impact; Domestic tourism; Economic challenges; Emergencies; Environmental issues; Forward-looking strategies; Global perspective; Hospitality sector; International tourism; Long-term influence; Natural disasters; Resilience strategies; Risk mitigation; Safety protocols; Scholar contributions; Security measures; Socio-cultural risks; Tourism industry</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b><i>Resilience and Recovery of Hospitality and Tourism: Challenges, Synthesis and Agendas</i></b><b> presents a comprehensive analysis of how the tourism and hospitality industry can recover and thrive in a post-pandemic world. </b></p><p>The book introduces the concept of resilience and explores key challenges, including workforce development, leadership and the effective use of data-driven sustainable models. It highlights threats to resilience and identifies predictors that enable adaptation to evolving conditions. Emphasising the importance of strong leadership and collaborative capacities, the book discusses resilience-based frameworks that support global tourism revival. It also underscores the role of technology, sustainability and organisational culture in maintaining long-term resilience. Practical case studies offer real-world insights into overcoming challenges and implementing effective strategies. Designed for professionals, researchers, students and policymakers, this book serves as a critical resource for understanding and applying resilience strategies within the tourism and hospitality sectors. By combining theoretical foundations with practical applications, it provides valuable guidance for building a more adaptive, sustainable and future-ready industry.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Dr. Gayatri Panda is an Assistant Professor at the School of Management Studies, NIST University Odisha, India.</p><p>Dr Jeetesh Kumar is Head of Research at the Faculty of Social Sciences and Leisure Management, and Associate Professor at the School of Hospitality, Tourism &amp; Events at Taylor's University, Malaysia.</p><p>Dr. James Kennell is the Head of Surrey Hospitality and Tourism Management (SHTM) and Associate Professor in Events and Hospitality at the University of Surrey, United Kingdom.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This volume makes an incisive contribution to the field of philosophy of culture, filling a gap between the relevant scholarship in cultural studies and philosophy.</b></p><p>In outlining the potential of Wittgenstein's philosophy for the study and criticism of popular culture, it aims to establish his work as an alternative or addition to existing approaches (Marxist, post-structuralist, etc.) in the field of popular culture theory. The essays outline the methodological framework of Wittgensteinian approaches to philosophy and conceptual analysis. Each essay demonstrates their merits by looking at particular examples such as analyses of popular films and TV series, detective fiction, comics, or shared practices of fandom. Thus, we encounter varieties of what it means to engage with approaches to criticism of pop in a Wittgensteinian way.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Bernhard Stricker is postdoctoral researcher at TU Dresden, working on the intersections between philosophy and literary/cultural studies.</p><p>Martin Urschel is a film scholar and writer whose research focuses on genre conventions in films and television, patterns of (anti-)conformism, and the uses of Wittgenstein's philosophical method for film and media studies.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Dana Meyer's South Pacific Expedition</i></b><b> is a fascinating and at the same time unsettling art project that blurs the boundaries between authenticity and fiction, providing a fascinating insight into the world of entomological collecting.</b></p><p>Featuring numerous illustrations and 12 letters, this book tells not only of the passion of an insect collector but also of a perilous journey to the South Seas at the turn of the century. Published in this form for the first time, this collection is a fascinating and at the same time unsettling art project that blurs the boundaries between authenticity and fiction. The finely crafted sculptures are cold-formed from thin sheet steel and presented in preserving jars. The creatures appear deceptively real and at the same time their strange appearance is astonishing. <i>Meyer's South Pacific Expedition</i> offers the viewer the opportunity to imagine an exploration expedition 100 years ago and at the same time this series of works defies exact classification; the boundaries between nature, literature and art, reality and fantasy become blurred. Text in English and German.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dana Meyer </b>studied Modern and Contemporary History, American Literature and Cultural Studies, and German Linguistics at Chemnitz University of Technology.</p><p>She then pursued a degree in Sculpture and Metalwork at Burg Gie-bichenstein University of Art and Design Halle, graduating in 2011 with a diploma in Fine Arts, specializing in Sculpture and Metalwork. She lives and works in Ltzen and Leipzig.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Tibetan Women's Jewelry describes the cultural history of Central Tibet told through traditional jewellery and trade from the 17th century of the 5th Dalai Lama through the 14th Dalai Lama's 1959 exile to India.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Tibetan Women's Jewelry</i></b><b> describes the cultural history of Central Tibet told through traditional jewellery and trade from the 17th century of the 5th Dalai Lama through the 14th Dalai Lama's 1959 exile to India.</b></p><p>This art book presents 10 distinctive styles of women's relic boxes (<i>Gaus</i>), plus headdresses, ear pendants, shoulder chatelaines, and waist ornaments. The author's fascinating interviews with the last living Lhasa noblewomen and master goldsmiths reveal the original names of pieces and how and when these beautiful treasures were worn. This innovative study establishes for the first time that jewellery styles changed with each Dalai Lama, setting an important dating precedent for all Tibetan collectibles. Meticulous research makes this the definitive scholarly publication on Tibetan jewellery.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lynn Levenberg</b>, president of Lynn Levenberg Ltd., New York (US), specializes in Tibetan, Nepalese, Bhutanese, Ladakhi, and Mongolian jewelry. Her Bachelor's and Master's degrees in English litera-ture are from Columbia University (US). From 1991 to 2014, she chose and extensively researched every piece in the large Barbara &amp; David Kipper jewelry collection. Lynn edited <i>A World of Bracelets, the Ghysels collection</i>, Skira Editore, Milan, 2002, and<i> Costumes and Jewellery of Tibet</i> by Namgyal Lhamo Taklha, the Tibet Museum, Dharamsala, 2018.</p><p>Lynn Levenberg's thirty years of research on Buddhist jewelry have made her the only knowledge able expert in this field.</p>]]></Text>
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			<SubjectHeadingText>Central Asia; China; East Asia; Eurasia; Eurasian steppe; Pazyryk; Scythians; Xiongnu; ancient world; animal studies; animal style; art history; collective memory; felt; migration; nomadic society; nomads; zoomorphism</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Numerous Iron-Age nomadic alliances flourished along the 5000-mile Eurasian steppe route. From Crimea to the Mongolian grassland, nomadic image-making was rooted in metonymically conveyed zoomorphic designs, creating an alternative ecological reality.</b> The nomadic elite nucleus embraced this elaborate image system to construct collective memory in reluctant, diverse political alliances organised around shared geopolitical goals rather than ethnic ties. Largely known by the term 'animal style', this zoomorphic visual rhetoric became so ubiquitous across the Eurasian steppe network that it transcended border regions and reached the heartland of sedentary empires like China and Persia.</p><p>This book shows how a shared fluency in animal-style design became a status-defining symbol and a bonding agent in opportunistic nomadic alliances, and was later adopted by their sedentary neighbours to showcase worldliness and control over the "Other". In this study of enormous geographical scope, the author raises broader questions about the place of nomadic societies in the art-historical canon.</p>]]></Text>
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			<SubjectHeadingText>American film; Barbie; Greta Gerwig; costume; fashion; feminist film studies; film-philosophy; women directors</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>This is the first book to consider Gerwig as a writer-director. </b>It argues that her three feature films to date  <i>Lady Bird</i> (2017), <i>Little Women</i> (2019) and <i>Barbie</i> (2023)  engage with debates about feminism and femininity through cinematic aesthetics. Her films are linked by heightened attention to material culture  through costume, production and set design. They meticulously recreate imagined worlds that resonate with viewers in the present for what they have to say about identity and relationships in contemporary culture, particularly how our lives, especially those of women, are fashioned through clothing, decor and architecture. They feature women who rebel by fashioning independent lives as fabricators  those who shape their worlds rather than being shaped by them. Considered together, Gerwig's three features form a developing oeuvre tracing the contours of feminist refashioning.</p>]]></Text>
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			<SubjectHeadingText>Film phenomenology; critical theory; existentialism; media studies; new materialism; psychoanalysis</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>With an interdisciplinary agenda, <i>Film Phenomenologies</i> investigates the emerging field of film phenomenology, linking the fundamental significance of early thinkers and related methods of phenomenological investigation to newer emphases and diverse voices, such as Gaston Bachelard, Karen Barad, Simone de Beauvoir, bell hooks, Iris Murdoch and Hermann Schmitz.</p><p>Established scholars consider various themes, including colonial duration and the politics of refusal, feeling feminist time, the exchange of play, scalar theory and scattered bodies, spectatorship and the entanglement of montage, disability, dance and speculative embodiment, AI phenomenology and breath gestures, cinematic atmospheres, the precarious intimacy of the film screen, stardom and biopics, and Black lived experience.</p><p>Divided into three parts, <i>Film Phenomenologies</i> offers a collective combination of phenomenological approaches, braiding classic and critical methods to explore aesthetic, embodied, ethical, and political perspectives. It is the first collection to provide a substantial engagement with diverse and inclusive directions in the field of film and media studies.</p>]]></Text>
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			<SubjectHeadingText>Comedy; Humour; Humour Theory; Scatology; Sex; Twentieth-Century American Literature; Twentieth-Century Russian Literature; Vladimir Nabokov</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Many critics classify Vladimir Nabokov as a highbrow humourist, a refined wordsmith overly fond of playful puzzles and private in-jokes whose art appeals primarily to an intellectually-sophisticated readership.</b> This study presents a more balanced portrait, placing equal emphasis on the broader, earthier humour that is such a marked feature of Nabokov's writing, which draws on the human body and all things physical for its laughs: sex and scatology, farce and slapstick. Moving between the metaphysical and the physical, the cosmic and the comic, mind and matter, it presents Nabokov as a writer at home in both high and low forms of humour, a comedian who is capable of producing as many belly laughs as brainteasers, and of appealing to a much wider readership than is commonly supposed.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In the period since 2001, cinema has witnessed a notable influx in fantasy film. Many constitute adaptations from British fantasy literature, often created and produced in the UK, and showcase domestic talent both in front and behind the screen. This includes massive box office hits such as the <i>Harry Potter</i> series (2001-2011) through to smaller scale and independent endeavours like <i>Nanny McPhee</i> (2005), <i>MirrorMask</i> (2005) and <i>Franklyn</i> (2008).</p><p>However, such films have received minimal critical attention as British fantasy films. The reasons for this absence are manifold; leaving many films contested, ignored and omitted from established canons.</p><p>This book re-addresses prevailing scholarship on the fantasy genre, national film production and representation on screen, providing readers with a revised appraisal of the contemporary film landscape. It delivers a fresh perspective across a broad range of films which all embrace the fantastic within British cinema.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Amid renewed anti-racist resistance to violent policing, </b><b><i>The racial politics of police warfare</i></b><b> unpacks the racisms that rationalise militarised policing in contemporary Britain.</b> Jasbinder S. Nijjar shatters prevailing myths about British police as an impartial public service, by revealing it as an institution where racism and war reinforce one another. In examining flagship anti-gang and counter-terrorism policies and practices, the book offers a unique analysis of the relationship between anti-black and anti-Muslim racisms, to demonstrate how racialised populations are institutionalised as common enemies of modernity. Combining perspectives from sociology, history, criminology and social policy, Nijjar illustrates how British policing defends law and order and national security from the perceived threat of race through hyper-intrusive, pre-emptive and deathly measures. Accordingly, he gives a fresh take on resisting racial police warfare, calling for strategies that are at once political, collective, anti-militaristic and abolitionist.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This study of Voltairine de Cleyre's transnational anarchism focuses on her work as pedagogue and translator to reveal the originality of her thought. Close reading of her writing, including personal correspondence, provides new insight into a key, unjustly neglected and altogether contemporary figure in American anarchist history.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Despite a growing interest in her life and work, Voltairine de Cleyre's contribution to anarchist studies, women studies, and American literature is still mostly unacknowledged. </b>Described by Emma Goldman as 'the most gifted and brilliant anarchist woman America ever produced', de Cleyre authored poems, prose sketches, lectures and translations which radiate with her vision of the world, meticulous use of language, and iconoclastic vigour. Drawing on her copious correspondence with family members, friends and comrades, this monograph provides novel insight into the most significant events of her life while investigating the aesthetic concern characterising all of her writing. Constantly shifting across languages, she established cosmopolitan networks within immigrant communities at home and beyond the ocean, always believing, until her untimely death, in universal solidarity and the ultimate non-existence of national, ethnic and linguistic barriers.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rita Filanti</b>, PhD, is an Independent Scholar based in Bari, Italy.</p>]]></Text>
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			<SubjectHeadingText>Carceral feminism; Manosphere; Racial capitalism; Resource extraction; Sexual violence; Slavery; Social reproduction; Technofeudalism; Witch hunts; necropolitics</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This book explores the relationships between sexual violence and racial capitalism. Sexual violence, Alison Phipps argues, facilitates the enclosure of bodies, the extraction of labour, the expropriation of land and resources, and the disposal of unwanted populations.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Most texts on sexual violence treat capitalism as backdrop or afterthought. </b>In contrast, political economy is the core of this book. Phipps explores the centrality of sexual violence to racial capitalist processes: the enclosure of bodies, the extraction of labour, the expropriation of land and resources, and the disposal of unwanted populations. Importantly, she argues that both sexual violence and sexual fear create social control and surplus value. Through a framework called the coloniality of sexual violence, Phipps conjoins acts of sexual violence and ideas of sexual threat in an analysis of gendered and raced property relations and the split colonial/modern psyche. She argues that fantasies of sexual danger represent the infolded violence of racial capitalism, which is why fear of revolution is often fear of rape. Revolution, however, is always imminent: violence is necessary because power is incomplete.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alison Phipps </b>is professor of political sociology and Head of SPIRE at York St John University, and honorary professor in the Centre for Women's Studies at the University of York.</p>]]></Text>
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			<SubjectHeadingText>Albania; Andriy Lyubka; Canadian Literature; Eastern Europe; European integration; Evgenii Vodolazkin; Gothic fiction; Hannah Arendt; Ismail Kadare; Shakespeare; Ukrainian Canadian (diasporic) literature; Vladimir Sharov; contemporary Ukrainian literature; cosmopolitan; despot; feminism; feminized dissent; identity politics; illiberal democracy; institutional Gothic,; irony; neo-Gothic; post-Soviet writing; post-communist Gothic; postcolonialism; postmodern,post-Soviet; pyramid; socialism; totalitarianism; uncanny; vampire; witchcraft; zombie</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Russo-Soviet imperialist hauntings conceptualizes neo-Gothic texts from the former Eastern Bloc countries and Soviet republics in postcolonial terms. It maps virtually untouched aspects of cultural decolonisation, focusing on the uncanny return of repressed and unsettling 'hauntings' of unresolved memory traces of Russo-Soviet domination.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Russo-Soviet imperialist hauntings</i></b><b> attempts to capture some of the ghosts of the colonial and totalitarian past that have been proliferating in international political and cultural landscapes after the collapse of the USSR. </b>By conflating postcolonial, post-totalitarian, postcommunist, and Gothic discourses, it maps virtually untouched aspects of cultural decolonisation, focusing on unsettling 'hauntings' of unresolved memory traces of Russo-Soviet domination in the former Eastern Bloc countries and Soviet republics. Operating within a vast intertextual field of social, cultural, and ideological discourses, the volume enables a productive exchange across distinct (inter)disciplinary boundaries and represents a range of voices from Europe and North America. The contributors' diverse interests draw on transmedia (literature, visual arts, and film), transnational, and translingual (diasporic literature) approaches, providing insights into a variety of forms that the Gothic has taken in the (late) twentieth and twenty-first centuries, and demonstrating its consistent engagement with history, ideology, and politics.</p>]]></Text>
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			<SubjectHeadingText>Catholicism; Ellen Moers; Gothic; Latin American literature; Spanish literature; TransAtlantic; baroque horror; brujera (witchcraft in literature); colonial history; cultural studies; ecocriticism; female gothic; feminist literary criticism; global gothic; indigenous spiritualism; monstrosity; superstition; transatlantic studies; women's agency</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This volume explores the relationship between women and the Gothic in Spain and the Americas through transhispanic and feminist interpretive frameworks. It examines how women writers have engaged and reimagined the Gothic to challenge patriarchal norms and oppressive laws within the frameworks of bourgeois capitalism and neoliberalism.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This volume offers a unique transnational and transhistorical exploration of the relationship between women and the Gothic in Spain and the Americas. </b>By examining how women writers have reimagined Gothic conventions, the book delves into the intersection of gender, culture, and fear. It highlights how themes such as domestic abuse, alienation, and death have been transformed over time, with particular attention to feminist perspectives and shifting degrees of agency. Contributors analyse a diverse range of authors, from the 19th century to the present, revealing how women's Gothic narratives challenge societal norms and offer new possibilities for empowerment. Exploring historical, ecological, and cultural concerns, this volume is an essential resource for anyone interested in the evolving role of women in the Gothic.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Megan DeVirgilis is Associate Professor of Spanish at Morgan State University<br/>Sandra Garca Gutierrez is Junior Distinguished Professor Beatriz Galindo at the University of Len</p>]]></Text>
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			<Text textformat="02"><![CDATA[The moral problem of authority is the challenge of reconciling legitimate authority (the right to rule) with the demands of freedom and rationality. In this book, it is argued that authority can have legitimacy, but when it does it generates a moral dilemma, where the obligation to obey comes at some cost to freedom and reason.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book analyses the so-called moral problem of authority, which is the challenge of reconciling legitimate authority (the right to rule) with the demands of freedom and rationality. </b>It offers a critique of authority sceptics, both anarchist and non-anarchist, who insist that authority can never have legitimacy. It also points to problems with many conventional defences of authority, including those of deliberative democracy, which assume that insofar as authority is legitimate it simply satisfies the demands of freedom or rationality. In this book, through a close engagement with the work of Joseph Raz in particular, it is argued that authority can have legitimacy, but when it does it generates a moral dilemma, where the obligation to obey comes at some cost to freedom and reason.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Allyn Fives </b>is a Senior Lecturer in Politics at the University of Galway.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>The Carolingian South</i></b><b> turns the Frankish world upside down by taking as its subject the lands of the Carolingian empire south of the Loire and the Alps.</b> It assembles an international group of scholars from different disciplines to examine how the Carolingians defined and were defined by this region. This book asks how Carolingian power was created and negotiated in the south. It views the Frankish empire from the perspective of the Christian and Muslim polities of the Mediterranean, while also following the movement of people and ideas through the endlessly fascinating world that they made.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Sam Ottewill-Soulsby is a Senior Researcher at the University of Oslo<br/>Graeme Ward is a researcher at the University of Tbingen</p>]]></Text>
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			<SubjectHeadingText>Christopher Marlowe; French wars of religion; George Chapman; John Fletcher; Robert Greene; St Bartholomew's Day Massacre; William Shakespeare; massacre studies; tyranny; war studies</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Massacres in Early Modern Drama analyses the dynamically ambivalent meanings constructed by the language and action of massacre on the early modern stage.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Massacres in Early Modern Drama</i></b> <b>analyses the dynamically ambivalent meanings constructed by the language and action of massacre on the early modern stage.</b> Informed by theories drawn from massacre studies, the monograph challenges orthodoxies about senseless violence, illuminates archaic forms of massacres, and attests to their brutally diverse stage representations.</p><p>Anchored by the contention that the St Bartholomew's Day Massacre in Paris (1572) was instrumental to early modern understandings of massacre, the book uses this atrocity, and its most famous dramatic depiction  Christopher Marlowe's The Massacre at Paris  as a hook to explore larger concerns about massacre in plays by Robert Greene, George Chapman, John Fletcher, and William Shakespeare.</p><p>Thus,<i> Massacres in Early Modern Drama</i> considers how early modern drama forms part of a continual cultural process of trying to piece together the contentious and traumatic phenomenon of massacre.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Georgina Lucas</b> is a Lecturer in Early Modern Literature at Edinburgh Napier University.</p>]]></Text>
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			<SubjectHeadingText>Confraternity studies; Cork; Drogheda; Gaelic; Galway; Irish urban centres; Irish urban setting; Kilkenny; Limerick; Old English; Urban government; Urban history; boroughs; built environment; central government in Ireland; chaplains; charity; charters; civic coats of arms; civic privilege; civic religion; coexistence; colleges; confraternities; corporate; discriminatory rhetoric; early modern Ireland; fraternity; guilds; inclusion; intercessory devotion; leprosaria; marriage; matrimony; medieval Ireland; medieval past; mercy; migrants; migration; misericordia; oligarchy; parish; philanthropy; planning; plaques and naming; recusancy; religious confraternities; resilience; self-image; shadow citizenship; social capital; social networks; toleration; topography; town histories; towns; urban automony; urban culture; urbanism; welfare; widows</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[A work of Irish urban history that studies the society and culture of townspeople, including their integration as citizens, their membership of fraternities, guilds and parishes and their charity. As civic leaders they forged political and confessional identities that set them at odds with church and state in mid-seventeenth century Ireland.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Through a series of innovative perspectives, this book examines how early modern Irish townspeople experienced the urban world through a range of family and associational ties. </b>Migrants inducted through town citizenship and marriage bonded more closely as sisters or brothers of confraternities and guilds, consolidating parish membership. Civic religion saw the integration of religion with town politics and councils, and monastic charity of the friars' hospitals preceded the era of modern municipal welfare. In circumstances of the alienation of the long-settled Catholic townspeople from the state's religious and political Reformation in the seventeenth century, they drew sustenance from the continuity of institutions such as colleges, fraternities and hospitals and forms of coexistence with Protestant fellow-citizens.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Colm Lennon</b> is Emeritus Professor of History at Maynooth University.</p>]]></Text>
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			<SubjectHeadingText>1960s and 1970s Buenos Aires; 1960s and 1970s Paris; 1960s and 1970s Rome; 20th-century art history; Alina Szapocznikow; Argentina; Argentine military dictatorship; Beato Angelico; Carla Accardi; Contemporary feminist art history; Feminist art history; Italy; Lea Lublin; Lucy Lippard; Pierre Restany; Sicofoil; art in France; ecological impact of art; exhibition history; images of motherhood; industrial materials in art; materiality of plastics; new materials and ancient techniques; plastic weaving; plastics in sculpture; toxic art materials</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>This book provides a vital new history of feminist performance through an ecological lens. </b>It argues that from the 1960s to the present, artists have used performance to challenge the linked oppression of women and nature. Proposing 'composting' as a new method for writing feminist history, the study moves beyond linear narratives to trace regenerative connections between generations of practitioners. It provides sustained analysis of genres from land art to postdramatic theatre, re-evaluating the work of canonical figures while examining how contemporary artists continue to address these urgent themes. By placing ecofeminism in dialogue with feminist new materialism, queer ecology, and transecological thought, this study demonstrates how performance has been a crucial site for imagining more just and sustainable futures in an age of environmental crisis.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Reframing Margaret Thatcher charts how contemporary British film and TV revisit and rewrite the cliched Iron Lady. It demonstrates how the apparent depoliticization of British film makes visible new relations between genre, cinematic form, and imaginations of the past.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Against the backdrop of Britain's historically anti-Thatcherite films of the 1980s and 1990s, </b><b><i>Reframing Margaret Thatcher</i></b><b> outlines a decisive shift in the collective imagination of Thatcher. </b>Drawing on genre theory, trauma and queer studies, it demonstrates how post-Thatcherite films reflect upon their own entanglement in the polarisation of the Thatcher years but also rewrite the cliched Iron Lady. Chapters on<i> The Iron Lady, This is England, Doomsday, 9 Dead Gay Guys</i>, and the<i> Sherlock </i>TV series investigate various Thatcher imaginations, ranging from Thatcher as a lesbian mob boss, as prime minister in apocalyptic England, to Thatcher as an empty bust. This innovative study shows how the apparent depoliticisation of British film makes visible new relations between genre, cinematic form, and imaginations of the past and offers fresh perspectives that both critique and reinterpret Thatcher's enduring impact.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Felipe Espinoza Garrido</b> is a Senior Lecturer in English, Postcolonial and Media Studies at the University of Mnster</p>]]></Text>
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			<SubjectHeadingText>Christian hegemony; EU border; EU subsidies; Europe; Mediterranean; Mediterranean Sea; Melilla; Morocco; Muslims; Spain; border enclaves; border regime; border security; border spectacle; borders; children; citizenship; colonial legacy; colonial military; commerce; development; disconnection; dislocation; displaced; employment; ethnography; governance; informal economy; journey; media; migrants; migration; nation state; offshore borderland; regulatory regimes; sovereignty; territorial enclaves; trade; undocumented; urban segregation; workers; young people</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b><i>Border enclaves</i></b> <b>examines the Spanish enclave of Melilla as a prism for understanding Europe's contemporary dislocations.</b> Based on over a decade of ethnographic research, it explores how borders are enforced, contested and inhabited in a city suspended between Africa and Europe, colonial legacies and modern regimes. Through a polyphonic narrative following smugglers, migrants, teachers and politicians, it reveals how everyday practices and symbolic performances shape life in the enclave. Selective visibility  who is seen or erased  structures authority and exclusion.</p><p>Situating Melilla within broader processes like Spain's colonial history and Europe's border restructuring, the book argues that its fragmented sovereignties and external dependencies make it a paradigmatic site for grasping Europe's precarious margins. It calls for an ethnographic lens attuned to dislocation as both lived experience and analytic tool.</p>]]></Text>
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			<SubjectHeadingText>,; 100 greatest British television programmes; Antony Royle; Barbara Royle; Britain's Best Sitcom; British comedy; British sitcoms; Caroline Aherne; Channel 4; Charlie Higson; Comedy,; Craig Cash; Dave Best; Denise Best; Dossa and Joe; Fast Show; Henry Normal; Jim Royle; Lize Smith; Manchester; Mrs Merton,; Norma Speakman; Our Janine; Paul Whitehouse; Poula Fisch; Pound Shop Wars; Ralph Little; Renee; Ricky Tomlinson; Royle Family; Scorchio!; Sue Johnston; TV comedy; Television Studies; The Fattest Man in Britain; The Security Men; UK comedy; classic comedy; kitchen sink drama</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A thoughtful exploration of the work of this unique comedian and writer.</b></p><p>Caroline Aherne was one of the most influential and beloved of British comedians. In this book David Scott explores Aherne's comedic artistry and creative legacy, focusing on her iconic characters and ground-breaking TV shows.</p><p>Scott dives into Aherne's most beloved creations, from the sharp-tongued Mrs Merton to the quietly revolutionary <i>The Royle Family</i>. Drawing on the tales of collaborators and telling behind-the-scenes stories, he provides an intimate glimpse into the creative processes that brought these iconic works to life. At the same time, he examines the social and cultural influences that shaped Aherne's work, from the rich traditions of Northern working-class humour to the experiences of Irish migrants.</p><p>Aherne's work is celebrated for its sharp wit, warmth and ability to find comedy in adversity. This book offers an exploration and celebration of one of comedy's most inventive minds, revealing how she reshaped the British comedy landscape.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Why has Russia's military struggled to adapt to the challenges of contemporary warfare?</b></p><p>Despite years of attempts to improve its military capabilities, Russia's full-scale invasion of Ukraine in 2022 revealed a crippling lack of skill, discipline and equipment. Non-material factors, in particular the power struggle between military and civilian leaderships, have hindered reform of its armed forces: with officers dominating defense policy, the Kremlin has struggled to implement the necessary changes.</p><p>Kirill Shamiev explores the political reasons behind Russia's poor military preparedness for the war in Ukraine. He demonstrates how a seemingly obedient military has frequently blocked civilian reforms, taking advantage of weak oversight mechanisms. The Kremlin's efforts to centralise control and make the armed forces personally accountable to President Vladimir Putin harmed institutional learning, cementing a conservative civilmilitary status quo. While this protected the military from civil society interference and ensured Putin's autocratic rule, it ultimately limited the pace and scope of change.</p><p>Analysing three cases of reform between 2000 and 2021, <i>Imperfect Equilibrium</i> offers critical insights into the relationship between civilian control and military effectiveness in Russia. Drawing on extensive qualitative and quantitative evidence  including interviews, parliamentary speeches, media reports and surveys  it shows how unchecked autonomy can undermine military development, even in authoritarian contexts.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A timely, interdisciplinary collection that investigates the role of dossier-based surveillance in society, this book explores how dossiers are used by various regimes as a key bureaucratic technique linked to violence, reputational harm and human rights violations.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Surveillance and the Dossier</i></b><b> delves into how dossiers, both paper-based and digital, have been used by governments both historically and in contemporary times to inflict various forms of violence upon the public, including psychological, physical, and reputational.</b></p><p>This volume establishes dossier creation as the foundational practice of all bureaucracies, despite differences in how it has been weaponized as a technique of power by different systems. In nine case studies, ranging from police dossiers in Nazi Germany to China's Hukou family dossier system, this book examines the evolution of surveillance in societies. Surveillance and society researchers Cristina Plamadeala and zgn Erdener Topak engage in a diverse yet comprehensive study of this surveillance tool, looking at examples such as dossiers implicating former members of Zimbabwe's Central Intelligence Organization (CIO), dossiers used in Cold War-era Australia to monitor migrants from the Soviet Union, dossiers of colonial Japan's Unit 731, deployed in Manchukuo, in Northeast China, and dossiers mobilized for Canada's World War II conscription program. Deeply relevant and imperative, <i>Surveillance and the Dossier</i> seeks to understand the links between the infliction of state-violence and surveillance.</p><p>This book demonstrates that dossiers serve as a valuable platform for understanding the past and present of surveillance societies across governments and countries. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This volume examines American horror films as key sites for exploring contemporary anxieties around gender, power and trauma. </b>In this groundbreaking study, the author traces the resurgence of demon-possession narratives in US cinema following the 2008 financial crisis  a period marked by intensified misogyny, the rise of fourth-wave feminism, and shifting representations of sexual violence. Through incisive analysis of films such as<i> Deliver Us from Evil </i>(2014), <i>The Neon Demon </i>(2016) and <i>The Scary of Sixty-First</i> (2021), this study explores how the possessed body, particularly the possessed female body, emerges as a battleground for cultural fears about sexuality, violence and agency. Demon Possession demonstrates how demon-possession films reflect, reproduce and sometimes challenge dominant narratives about sexual violence and victimhood. Reframing possession as more than merely a horror trope, this book offers a vital lens for understanding gender and sexual politics in an age of economic precarity and social reckoning.</p>]]></Text>
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			<SubjectHeadingText>Cosmic; Archaic; Mythical; Archetypes; Gestures; Existence; Primordial; Primitive; Periodic; Death; Cosmogonic; Profane; Christian; Cyclical; Archetypal; Ceremonial; Tempore; Celestial; Trans; Terror; Yahweh; Babylonian; Cosmogony; Insofar; Ceremonies; Hegel; Illo; Cosmic cycles; Equivalent; Divinity; Theories; Doctrine; Illo tempore; Resurrection; Temple; Combat; Altar; Eschatological; Catastrophes; Exemplary; Infinitum; Iranian; Dragon; Periodic regeneration; Hierogamy; Lunar; Orgy; Archetypal gesture; Reactualization; Ontology; Tammuz; Veda; Yuga; Consecration; Patai; Cosmogonic myth; Judaeo christian; Illud tempus; Historical personage; Greco oriental; Ab origine; Mythico ritual; Ilk tempore; Satapatha brhmana; Death resurrection; Secret societies; Atharva veda; Paradigmatic gestures; Cyclical theories; Archaic ontology</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A landmark account of the Dionysos myth as an archetypal expression of indestructible life.</b></p><p>No other god of the Greeks is as widely present in the monuments and ritual practices of antiquity as Dionysos. In this book, acclaimed mythologist and historian of religion Carl Kerenyi presents an engaging history of the religion of Dionysos from its beginnings in the Minoan culture to its transition to a cosmic and cosmopolitan religion of late antiquity under the Roman Empire. From the wealth of Greek literary, epigraphic, and monumental traditions, Kerenyi constructs a vivid picture of Dionysian worship, bringing to life the secret cult scenes of the women's mysteries both within and beyond Attica, the mystic sacrificial rite at Delphi, and the great public Dionysian festivals at Athens. He shows how tragedy and New Comedy are high spiritual forms of the Dionysian religion and how the Dionysian element itself represents an important chapter in the religious history of Europe.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A landmark account of the Prometheus story as myth and archetype.</b></p><p>The god Prometheus stole fire from heaven and bestowed it on humans. In punishment, Zeus chained him to a rock, where an eagle clawed unceasingly at his liver until Herakles freed him. For the Greeks, the myth of Prometheus's release reflected a primordial law of existence and the fate of humankind. Carl Kerenyi examines the story of Prometheus and the very process of mythmaking as a reflection of the archetypal function and seeks to discover how this primitive tale was invested with a universal fatality, first in the Greek imagination and then in the Western tradition of Romantic poetry. Kerenyi traces the evolving myth from Hesiod and Aeschylus, and in its epic treatment by Goethe and Shelley. He goes on to consider the myth from the perspective of Jungian psychology as the archetype of human daring signifying the transformation of suffering into the mystery of the sacrifice.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A landmark account of the Eleusinian Mysteries by one of the leading mythologists of the twentieth century.</b></p><p>The Sanctuary of Eleusis near Athens was the center of a religious cult that endured for nearly two thousand years and whose initiates came from all parts of the civilised world. In this classic work, Carl Kerenyi examines the Mysteries of Eleusis from the standpoint not only of Greek myth but also of human nature. He reveals how the yearly autumnal mysteries were based on the ancient myth of Demeter's search for her ravished daughter Persephone, a search that he equates not only with woman's quest for completion but with every person's pursuit of identity. Drawing on archaeology, objects of art, and religious history, Kerenyi explores what the mysteries may have been like for those who experienced them and suggests rich parallels with other mythologies.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A landmark account of the divine physician of the Greeks in myth and archetype.</b></p><p>To the physicians of classical antiquity, Asklepios was the ideal of their existence as healers. In this book, acclaimed mythologist and historian of religion Carl Kerenyi takes readers on a tour of the sacred sites of the Greek god of medicine to investigate the origins and archetypal significance of Asklepios as the divine physician. Drawing on mythology to trace the obscure beginnings of the cult, Kerenyi argues that Asklepios was an aspect of his father, the god Apollo, closely associated with the light of rising sun and embodying the qualities of a healing deity. He shows how the Greeks revered Asklepios as the divine ancestor and prototype of mortal physicians and explores the role of the Asklepios archetype in modern psychology.</p>]]></Text>
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