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			<Text textformat="02"><![CDATA[Narrative and character-driven, this is a startlingly original novel that passionately opposes the trend for banning books and attempts to rewrite history.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Ambrose and Ursula, two librarians, strive to have a baby in a world where children seem less prevalent. Their story becomes increasingly punctuated by seemingly random episodes of violence inflicted upon their world as Bottrell, a fascist leader, preys on the insecurities of a populace saturated with information and the act of remembering. He attempts to master the past, viewing it as a source of corruption. He persecutes librarians and begins to selectively cull collections.</p><p>Ambrose and Ursula attempt to remain outside this conflict, but inevitably are drawn into it, through their desire to save the books they have spent their working lives preserving. They realise that they must save the past for a new generation to be able to understand it.</p><p>Narrative and character-driven, this is a startlingly original novel that passionately opposes the trend for banning books and attempts to rewrite history. Set in slightly future world that has managed the climate crisis but with a dramatic decrease in population, <i>Saturation</i> feels eerily like now. As we constantly forget names and passwords, and lean into a tyranny of reductivism, it calls us to a position of knowledge and hope.</p><p><b>Praise for William Lane's writing:</b></p><p><b>'moody and unsettling ... taut and densely imagined'  The Age</b></p><p><b>'revels in risks and delivers rewards'  The Australian</b></p><p><b>'mesmerising...a gothic sense which imbues it with an overall eeriness'  Whispering Gums</b></p><p><b>'beautiful...a poetic meditation on origins'  Julia Tulloh Harper</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>William Lane lives in a quiet, rural corner of the Hunter Valley, NSW, Australia. He shares his life with his librarian partner and his three children. When he is not writing, he loves to read, play vinyl records or make up songs while looking out his window at the Brokenback Range. He has been a teacher, business manager and academic. After completing an Honours degree in Australian literature, he completed a doctorate on the Australian writer Christina Stead and has had several critical articles on Stead published in literary journals. He is the author of five other novels published by Transit Lounge: <i>Over the Water</i> (2014), <i>The Horses</i> (2015), <i>The Salamanders</i> (2016), <i>The Word</i> (2018) and Past Life (2021). His short story collection, <i>Small Forest</i>, was a finalist in the inaugural Carmel Bird Digital Literary Award and was published by Spineless Wonders in 2018.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michael Farrell's</b> previous collections published by Giramondo include <i>open sesame</i>, shortlisted for the NSW Premier's Literary Award for Poetry; <i>Cocky's Joy</i>, shortlisted for the Prime Minister's Award for Poetry; <i>I Love Poetry</i>, which won the Judith Wright Calanthe Award and was shortlisted for the NSW Premier's Literary Award; <i>Family Trees</i>; and <i>Googlecholia</i>, longlisted for the ALS Gold Medal and shortlisted for the Judith Wright Calanthe Award. He edited the anthology <i>Ashbery Mode</i> for TinFish, and has published a scholarly monograph with Palgrave Macmillan, <i>Writing Australian Unsettlement: Modes of Poetic Invention 17961945</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>From bestselling novelist Patrcia Melo comes a masterful thriller set in the far west of Brazil that is by turns poetic, inspiring, humourous and harrowing. </p><p>To escape an overprotective family and an abusive partner, a young lawyer accepts an assignment in the Amazonian border town of Cruzeiro do Sul. There, she meets Carla, a local prosecutor, and Marcos, the son of an indigenous woman, and learns about an epidemic of violence against women that seems beyond comprehension. </p><p>What she finds in the jungle is not only relentless oppression, but a deep longing for answers to an unsolved crime from her past. Through the ritual use of ayahuasca, she meets a chorus of warrior women on a path of revenge and recovers the painful details of her mother&amp;#x27;s death. </p><p><i>The Simple Art of Killing a Woman</i> is a psychological trip with a twist. It&amp;#x27;s about the strength of individuals in the face of overwhelming violence, the problem of femicide in Brazil, and the haunting of a cold case.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Patrcia Melo</b> was born in 1962 and is a highly regarded novelist, playwright and scriptwriter. She has been awarded a number of internationally renowned prizes, including the Jabuti Prize 2001, the German LiBeraturpreis 2013 and the German Crime Award 1998 and 2014, and she was shortlisted for the Independent Foreign Fiction Prize and <i>Time Magazine</i> included her among the Fifty Latin American Leaders of the New Millenium.</p><p><b>Sophie Lewis</b> is a London-based translator and editor working from Portuguese and French. Her translations have been shortlisted for the Scott Moncrieff and Republic of Consciousness prizes, and longlisted for the International Booker Prize. She was joint winner of the 2022 French-American Foundation prize for non-fiction translation, for her translation of Nastassja Martin's book <i>In the Eye of the Wild.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>This thrilling romantasy about king's Blade, Keera, and her epic quest to avenge her lover, save her people, and bring down a tyrant king is the final installment of Melissa Blair's highly acclaimed series. The Halfling Saga showcases BIPOC and queer representation, love, passion, betrayal, magic, and great battles of the sword and the soul.</p><p><i>&amp;#x27;Your land is not the one you take; it is the one you die for.&amp;#x27;</i></p><p>Keera has tried to keep her final promise to Brenna, the partner she was forced to kill to save a kingdom  but that promise has led to the most difficult struggles of her life. She's been at war with her worst self while battling King Damien for the freedom of the Halflings, and she's lost too many along the way. But when she finally breaks the last seal, unleashing the Fae magic that's been hidden away for hundreds of years, the conflict seems to be turning in the Halflings' favour.</p><p>Meanwhile, Keera's discovery of a staggering secret about her lover and the kidnapping of one of her closest allies threatens to tip her back into darkness, but she has no time to rest. Opening the kingdom's magical seals has transformed Keera in ways even the wisest Fae elders could not have anticipated, and the return of an evil thought long vanquished throws their rescue plans into chaos. And with the kingdom's Halfling population suddenly posing a risk to the crown, the land is plunged into violence as the king begins a new blood purge. Keera and her allies must gather an army to meet Damien's forces in a final confrontation of epic  and tragic  proportions. </p><p>The stunning conclusion of BookTok sensation Melissa Blair's epically romantic series will leave readers breathless as Keera fights for her land, her people, and the promise of a better world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Melissa Blair</b> (she/her/kwe) is an Anishinaabe-kwe of mixed ancestry living in Turtle Island and the author of <i>A Broken Blade</i>, the first book in The Halfling Saga. She splits her time between Treaty 9 in Northern Ontario and the unceded territory of the Algonquin Anishinabeg in Ottawa, Canada. She has a graduate degree in applied linguistics and discourse studies, loves movies, and hates spoons. Melissa has a BookTok account (@melissas.bookshelf on TikTok) where she discusses and reviews her favorite books, including Indigenous and queer fiction, sapphic books, LGBTQ+ romance, feminist literature, and non-fiction.</p>]]></Text>
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			<Text textformat="02"><![CDATA[To the kingdom, Keera is the king's Blade, his most feared and trusted spy and assassin. But in the shadows, she works with Prince Killian and his Shadow-the dark, brooding Fae, Riven, who sets her blood on fire. Together, they plot to topple the crown. Keera swore she would never open her heart again after a loss she barely survived.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The highly anticipated second installment of the new adult fantasy saga that took BookTok by storm picks up where</b> <b><i>A Broken Blade</i></b><b> left off...</b><br/><br/> To the kingdom, Keera is the king's Blade, his most feared and trusted spy and assassin. But in the shadows, she works with Prince Killian and his Shadow-the dark, brooding Fae, Riven, who sets her blood on fire. Together, they plot to kill a tyrant king.<br/><br/> In Myrelinth, the lush, secret city of trees, Fae, Elves, and Halflings like Keera live in harmony. But Keera cannot escape her past: her crimes against her own people have followed her all the way to the Faeland. There is a traitor in their midst, and Keera is the top suspect.<br/><br/> Keera finds comfort in the allies that have become her family. She swore she would never open her heart again after a loss she barely survived. But she will soon find she has more to lose than she ever imagined . . .<br/><br/><b>Perfect for fans of Sarah J. Maas's</b> <b><i>Throne of Glass</i></b><b> series,</b> <b><i>A Shadow Crown</i></b><b> is a tour-de-force high fantasy novel with stunning world building and a slow burn enemies to lovers romance. Readers seeking more LGBTQ+ and BIPOC representation in the fantasy realm will fall in love with the unforgettable cast of characters introduced in</b> <b><i>A Broken Blade</i></b><b>, whose sagas are only beginning...</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Melissa Blair</b> (she/her/kwe) is an Anishinaabe-kwe of mixed ancestry living in Turtle Island and the author of <i>A Broken Blade</i>, the first book in The Halfling Saga. She splits her time between Treaty 9 in Northern Ontario and the unceded territory of the Algonquin Anishinabeg in Ottawa, Canada. She has a graduate degree in Applied Linguistics and Discourse Studies, loves movies, and hates spoons. Melissa has a BookTok account (@melissas.bookshelf on TikTok) where she discusses and reviews her favorite books, including Indigenous and queer fiction, sapphic books, LGBTQ+ romance, feminist literature, and non-fiction.<br/></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The thrilling third entry in the high fantasy saga that started with BookTok sensation <i>A Broken Blade</i>.</p><p>&amp;#x27;<i>It seems fate has dealt me the same hand again. I know how to play it.&amp;#x27;</i></p><p>A new king is on the throne and the rebellion lies in ruins. Keera spends her days drinking and her nights avoiding the strange dreams that have haunted her since she returned from the capital.</p><p>Keera's family in Myrelinth won't let her go without a fight. With new intelligence about the magical seals left behind by Keera's ancient kin, the Light Fae, she rallies to face her demons and unleash the formidable powers she inherited from her people. But a shocking truth is hiding in plain sight, one with the power to unravel the entire rebellion...</p><p>The pivotal third installment in<i> The Halfling Saga</i> will upend everything Keera thought she knew about her enemies...and her allies.</p><p>The third entry in <i>The</i> <i>Halfling Saga</i>, the epic tale of a deadly assassin with a mysterious past, set in a lush fantasy world of Mortals, Elves, Halflings, and Fae, <i>A Vicious Game</i> is perfect for readers who enjoyed the <i>A Court of Thorns and Roses</i> series and other romantic fantasy books, especially those seeking LGBTQ+ romance or BIPOC representation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Melissa Blair</b> (she/her/kwe) is an Anishinaabe-kwe of mixed ancestry living in Turtle Island and the author of <i>A Broken Blade</i>, the first book in <i>The Halfling Saga.</i> She splits her time between Treaty 9 in Northern Ontario and the unceded territory of the Algonquin Anishinabeg in Ottawa, Canada. She has a graduate degree in applied linguistics and discourse studies, loves movies, and hates spoons. Melissa has a BookTok account (@melissas.bookshelf on TikTok) where she discusses and reviews her favorite books, including Indigenous and queer fiction, sapphic books, LGBTQ+ romance, feminist literature, and non-fiction.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Salsa in the Suburbs</i> is a story about a Latin-American family in Australia. The family has migrated to Western Sydney from Uruguay in the 1970s to escape a repressive military dictatorship. Decades later, Juan, is in his early seventies and a widower. He misses his wife and does not know how to be alone and has become dependent on his daughters, particularly Lola, who lives nearby. </p><p>Lola has her own battles living with an anxiety disorder and in her relationship with her Uruguayan musician husband, who connects her with the culture she lost when she migrated as a child. Her younger sister, Betty, is living an alternative lifestyle in Mullumbimby, unlike Lola, who clings to her Uruguayan culture, Betty has removed herself from her cultural roots as she finds it oppressive and stifling. </p><p>A third daughter, Malena is living in Italy with her husband. Fed up with Juan's dependence, particularly on Lola, Betty decides to place a personal ad, in a Spanish paper, on his behalf without asking him, hoping that a new partner, may help him, move beyond his grief and dependency. However, he finds new love walking the dog, a widowed Aboriginal lady called Frances. Their blossoming relationship becomes a trigger for Juan, Lola and Betty recalibrate how they measure their belonging across cultures. </p><p><b>&amp;#x27;The work presents a stunning and original overview of Latinx communities in both America and Australia, exploring how the family escape the civic-military dictatorship in the 1970s and find a home among the South American community of Western Sydney. Now, decades later, each member of the family reckons with the tension between the rich meaning they draw from their heritage and the human need for new experiences. </b><b><i>Salsa in the Suburbs</i></b><b> is poignant in its intersectional dialogue, and inspiring in its well-developed characters that carry humour, trauma and Uruguayan history with immense strength.&amp;#x27;  Maggie Ball, Fresh Ink judge and publisher of </b><b><i>The Compulsive Reader</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alejandra Martinez</b> is an Australian-Uruguayan writer based in the Blue Mountains of NSW. She migrated to Australia at the age of seven with her family as a military dictatorship was about to take over the country. Her stories have been published in a range of anthologies and magazines, including <i>Best Australian Stories</i> (Black Inc), <i>Girls Talk </i>and <i>Puentes Review</i>. She has also written short plays, one which was performed at the Riverside Theatre in Parramatta. An extract from <i>Salsa in the Suburbs</i> was the winner of the 2022 Newcastle Writers Festival Fresh Ink Emerging Writer Prize, while it was a work in progress. </p>]]></Text>
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			<Text textformat="02"><![CDATA[Cassandra Complex is a full-length work of poetry drawn from the writer's experience as a long-term childless person on the cusp of fading fertility. It explores isolation, neurodivergence and identity.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Cassandra Complex</i> is a full-length work of poetry drawn from the writer's experience as a long-term childless person on the cusp of fading fertility. It explores isolation, neurodivergence and identity.</p><p>Behind the outlier and gritty perception of the world around the writer, is a core, mesmerised with the beauty of place, science and existential. With age and anonymity comes the writer's ability to sink into the corners of third spaces unobtrusively.</p><p>These poems examine the outside with raw candor and whip-smart wordcraft to reveal inner workings we yearn to keep secret. <i>Cassandra Complex</i> is an unapologetic body of work that draws inspiration from the Greek myth and explores the meaning of voice in the present. It soars with hope and tenacity.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sara Crane</b> is a poet, performer and lawyer, working on Awabakal and Gadigal lands. Sara has been published in the Newcastle Poetry Prize, <i>Babyteeth</i>, <i>Bareknuckle Poet</i>, <i>Gemzine</i> as well as <i>Grieve</i>, <i>Women of Words</i> and <i>Girls on Key</i> Anthologies. She has also published a chapbook titled Only Skin Separates Us. Sara is a poignant wordsmith cutting across page, hip hop and slam origins, Hilltop Hoods/APRAAMCOS Initiative winner, as well as an AFTRS screenwriting graduate. An inventive explorateur in written form, she also works with people experiencing drug dependency.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Not Telling</i> weaves a story of the possibilities and limitations of language. Three distinct sections entwine notions of speech and silence with intolerable psychic matter, intergenerational grief and loss, and the lasting effects of cultural silence. The intersect of the personal and political binds to depict black mothers bearing the weight of colonisation, human relationships halting and failing, and the complexities of dream interpretation. The poems disrupt time and linearity, weaving metaphor into Freudian, Irigarayan and Lacanian psychoanalytic theory. Through harsh visual depictions of the wretched damage caused by the invasion of Australia, musings on sacred land and celebration of continued culture, <i>Not Telling</i> illuminates the ongoing legacy of colonial dispossession and the strength of its survivors. It testifies to the system of oppression that affects Aboriginal people, connecting present-day black trauma with its origins. Jolted by presentations of the life realities of who we were and are pre- and post-invasion alongside exacting accounts of genocide, the reader is led towards through a harrowing journey.<i> Not Telling</i> sits at the axis of the human psyche and the political collective, offering a unique expression of the Australian experience of race, voice and power.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alison J. Barton</b> is a Wiradjuri poet based in Naarm. She has degrees in Professional Writing &amp; Editing, Social Work and Gender Studies, and balances her writing career with a day-job as a Social Worker. Themes of race relations, Aboriginal-Australian history, colonisation, gender and psychoanalytic theory are central to her poetry. She is widely published in Australian and international poetry and literary journals including <i>Meanjin, Meniscus, Overland, Cordite, Westerly Magazine, Australian Poetry Journal, Rabbit</i> and <i>Mascara Literary Review</i>. In 2023 she won three fellowships with Varuna House and her poetry was recognised in numerous prizes. In both 2022 and 2023, Alison's work appeared in<i> Best of Australian Poems</i>, and she was the inaugural winner of the Cambridge University First Nations Writer-in-Residence Fellowship. Alison's work can be viewed at www.alisonjbarton.com and you can follow her latest achievements on Instagram @alison_j_barton.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This choppy mix of a book divulges Pam Brown's bemused attitude to poetry's insignificance and dubious usefulness, salted with an odd kind of sceptical optimism.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>&amp;#x27;a veteran poet who has mastered her craft.&amp;#x27; </b> <b><i>Australian Book Review</i></b></p><p><b>&amp;#x27;If you want  and who doesn't?  a poet who effects a transfiguration of the commonplace, it is Pam Brown.'  Justin Clemens</b></p><p><i>Guess the Experience.</i> Where does it happen? Who can remember? Does it matter?</p><p>This choppy mix of a book divulges Pam Brown&amp;#x27;s bemused attitude to poetry&amp;#x27;s insignificance and dubious usefulness, salted with an odd kind of sceptical optimism.</p><p>Some of these poems reveal narrative threads drawn from both real and invented encounters, locations, and situations. Some accumulate from conversations, books, advertisements, screens, propaganda,  in other words, art, life, and culture  to develop into the interstitial forms of a poem.</p><p>Sometimes sombre, sometimes banal, sometimes dissonant, often</p><p>insomniac, <i>Guess the Experience</i> invites you to get high on language.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Pam Brown</b> has been writing, collaborating, editing and publishing in diverse modes for five decades. A number of her many books have been on the shortlists and have sometimes won the prize. Her most recent collection, <i>Stasis Shuffle,</i> won the Judith Wright Calanthe Award in the Queensland Literary Awards and was shortlisted for Kenneth Slessor Prize in the NSW Premier&amp;#x27;s Literary Awards. She lives in Sydney on never-ceded Gadigal land.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In<i> Necessary Wonder</i> Peter Bakowski prescribes an antidote to faceless demographics and statistics, drawing the reader back to the sanctity of the individual through a series of portraits of real and fictitious persons.</p><p>From the hapless to the heroic, the laconic to the loquacious, the creative to the criminal, these portraits reveal the poet&amp;#x27;s lasting fascination with people and personae. But they transcend mere personality to locate the human experience in the world, juxtaposing contemporary urban poetry against poems set in rural New South Wales and Gippsland.</p><p>Intimate and memorable, these are beautifully crafted poems interwoven with wry humour as a kind of philosophical shrug at the world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Peter Bakowski </b>was born in Melbourne in 1954 and has been writing and publishing poems for over forty years, His books include In<i> The Human Night,</i> winner of the C. J. Dennis Prize for Poetry in the Victorian Premier&amp;#x27;s Literary Awards, and most recently a linked series of collaborations with Ken Bolton. His poems have appeared in over one hundred literary magazines worldwide, predominantly in English but also in Arabic, Bahasa-Indonesian, Bengali, German, Japanese, Polish, Spanish, Mandarin and French.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Shallow Hill is where souls suffer slow and miserable deaths.</b></p><p>When River McAllister escaped from Shallow Hill, she left her innocence behind  and some of her sanity, too. Now she&amp;#x27;s rebuilding her life with her dream man and life couldn&amp;#x27;t be better.</p><p>Ryan Fitzgerald is everything you&amp;#x27;d want in a man. Attractive, rich, an aspiring lawyer, and would do anything to keep River. But that&amp;#x27;s not the only thing that attracts her. It&amp;#x27;s his attentiveness, his possessiveness...maybe not so much his temper.</p><p>When her relationship takes a dark turn, Ryan&amp;#x27;s estranged brother, Mako, is the only one who sees it. He knows exactly what Ryan is capable of, and it&amp;#x27;s not the first time he had to be a knight in shining armour.</p><p>River came from Shallow Hill, though. She&amp;#x27;s never needed saving before. What Mako doesn&amp;#x27;tsee, is that River is perfectly capable of taking care of herself.</p><p>The only one who should be scared is Ryan.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Z. Brewer</b> is the<i> New York Times</i> bestselling author of several books, including the <i>Chronicles of Vladimir Tod</i> series, and more short stories than they can recall. Their pronouns are they/them. Z is also an outspoken mental health and antibullying advocate. Plus, they have awesome hair. Z lives in Saint Louis, Missouri, with a husband person, one child person, and three furry overlords that some people refer to as "cats."</p><p><b>Alma Katsu</b> is the award-winning author of six novels, most recently <i>Red Widow, The Deep,</i> and <i>The Hunger</i>. She is a graduate of the master's writing program at the Johns Hopkins University and received her bachelor's degree from Brandeis University. Prior to the publication of her first novel, Katsu had a long career as a senior intelligence analyst for several US agencies. She lives in West Virginia with her husband.</p><p><b>Jonathan Maberry,</b> creator of Joe Ledger and Rot and Ruin, is a <i>New York Times</i> best-selling, five-time Bram Stoker Award-winning author, editor, playwright, content creator, teacher and lecturer.</p><p></p><p></p>]]></Text>
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			<Text textformat="02"><![CDATA[One of the best-known works of English literature, Frankenstein gave rise to the science-fiction and horror genres and has enthralled generations of readers since its publication in 1818.A tragedy and a cautionary tale about the pitfalls of ambition and creation, Mary Shelley's masterpiece is more relevant now than ever.]]></Text>
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			<Text textformat="02"><![CDATA[<p>One of the best-known works of English literature, <i>Frankenstein </i>gave rise to the science-fiction and horror genres and has enthralled generations of readers since its publication in 1818.</p><p>The book follows the story of Victor Frankenstein and his monster: the result of his desire to create life. But his botched experiment is so grotesque that the doctor immediately regrets what he has done and abandons the monster, leaving him to fend for himself. The creature finds and confronts his maker pleading for a companion  his human right to happiness. Fearing what this may lead to, Victor refuses, causing the monster to vow to ruin any happiness in Victor's life.</p><p>A tragedy and a cautionary tale about the pitfalls of ambition and creation, Mary Shelley's masterpiece is more relevant now than ever.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Hope You Are Satisfied welcomes you to Dubai as you've never seen it before... An astute satire in the vein of The White Lotus, with a touch of espionage. Malik's cast of characters undo the 'guest worker' stereotype one tequila shot at a time, even as their world teeters on the cusp of an explosive global conflict....]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Walter F. White</b> (1893-1955) was an American author and civil rights leader born in Atlanta, Georgia. From 1929 until 1955, White served as the executive secretary of the National Association for the Advancement of Colored People (NAACP), where he oversaw efforts to dismantle legalised segregation. In addition to his activism, White was an acclaimed author of fiction and nonfiction, often exploring themes of the New Negro Movement. Upon his death, the <i>New York Times</i> praised him as &amp;#x27;the nearest approach to a national leader of American Negroes since Booker T. Washington&amp;#x27;.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In<i>A Bird Called Elaeus</i>, poet and translator David Constantine presents a selection of poems fromThe Greek Anthology, a collection of around 4500 poems composed over more than 1500 years by around 300 authors.</p><p>The Greek Anthologyis a marvellous salvage from the vast shipwreck of the Ancient World, a colossal continuity and variety from pre-classical times through Roman into Byzantine.For<i>A Bird Called Elaeus</i> his small anthology of the vast original  David Constantine has gone particularly not just to the renowned love poems but also to poems that treat man's dealings with the earth, his work and trades there, the creatures other than himself who inhabit it and the divinities whose care it is. Through his translations, Constantine brings already urgent poems closer to home and our drift towards the Sixth Extinction. For the Ancient World was not populated by humans harmless to Mother Earth, not at all: often they, like us, did the worst their means enabled them to do. Still there were laws.These things you must not do. Doing them nevertheless was understood as transgression of laws beyond the human laws. You offended Demeter at your peril. Understand that how we like, it's the same now. And the peril is infinitely greater, threatens to be final, consuming the innocent with the guilty.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>David Constantine</b> lectured in German at Durham from 1969 to 1981 and at Oxford from 1981 to 2000. He was co-editor of <i>Modern Poetry in Translation</i> from 2004 to 2013. He was named winner of The Queen&amp;#x27;s Gold Medal for Poetry for 2020, and presented with the award by HM the Queen in 2021. He has published eleven books of poetry, six translations and a novel with Bloodaxe. His poetry titles include <i>Collected Poems</i> (2004), which is a Poetry Book Society Recommendation; <i>Nine Fathom Deep</i> (2009); Elder (2014); and <i>Belongings</i> (2020). His Bloodaxe translations include editions of Henri Michaux and Philippe Jaccottet; his <i>Selected Poems of Hlderlin</i>, winner of the European Poetry Translation Prize, and his version of Hlderlin's <i>Sophocles</i>, combined in his new expanded Hlderlin edition, <i>Selected Poetry</i> (2018); and his translation of Hans Magnus Enzensberger's <i>Lighter Than Air</i>, winner of the Corneliu M. Popescu Prize for European Poetry Translation. His translation, <i>A Bird Called Elaeus: poems for here and now from The Greek Anthology</i>, is published by Bloodaxe in 2024. Other books include his translation of Goethe's <i>Faust</i> in Penguin Classics (2005, 2009) and his co-translation (with Tom Kuhn) of <i>The Collected Poems of Bertolt Brecht</i> (W.W. Norton, 2018). He has published six collections of short stories, and won the Frank O'Connor International Short Story Award in 2013 for his collection<i> Tea at the Midland</i> (Comma Press). Four other short story collections are published by Comma Press. His story &amp;#x27;In Another Country&amp;#x27; was adapted into <i>45 Years</i>, a major film starring Tom Courtney and Charlotte Rampling.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A poignant and powerful first novel following the breakup of a Pakistani family in the face of climate disaster, and their indefatigable search for stability, love, and belonging.</p><p>In the rural town in Pakistan where Baadal grows up, children are named like talismans to sustain life and ward off unhappiness. At seventeen, Baadal has come to understand why his parents gave him that name, with hopes that their Big River will one day flow wide again, and their thirst will be quenched after years of drought. But in the final year of his schooling, abundance seems impossibly far away. As his parents' marriage  full of rage, despair, and often violence  reaches a breaking point, the only comfort Baadal can afford is a budding kinship with Meena, a divorced older woman he meets on the banks of the drying river.</p><p>Meena has only just escaped her abusive husband, but her resistance to remarry soon gives way to the promise of stability and companionship that Baadal offers. Together, they leave the Town in search of greater fortunes in the City. But even strong-willed, independent Meena finds herself bowed by the strain of Badaal's punishing work schedule, her struggling beauty parlour, and the tension with Baadal's mother, Raheela, who fights for control of her son as she seeks to leave behind a life of disappointments and discover a freedom she's never known.</p><p>Told in rotating perspectives spanning from 1966 to 1998, <i>The River, The Town</i> is an intimate portrait of a family unraveling in the throes of indigence, and a tribute to the wounded love that keeps them tethered to each other. With stark and candid prose, Farah Ali traces one family's fortunes to illuminate the relentless cycle of inequity, juxtaposing the tragic and grueling realities of poverty with the enduring struggle for compassion and humanity.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Farah Ali </b>grew up in Karachi, Pakistan, and currently lives in London. Her work has been anthologised in the 2020 Pushcart Prize and received special mention in the 2018 Pushcart anthology. Her debut story collection<i> PEOPLE WANT TO LIVE </i>published with McSweeney&amp;#x27;s Books, and includes new stories and some previously published in <i>VQR, Shenandoah, The Arkansas International, MQR, The Southern Review, Kenyon Review, Copper Nickel</i>, and others.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The darkly comic tale of three generations of a Jewish family, from one of Poland's most renowned contemporary authors.</p><p>Confidential follows on the success of acclaimed photographer, psychologist, and writer Mikoaj Grynberg's highly acclaimed short story collection,<i> I'd Like to Say Sorry, but There's No One to Say Sorry To</i>, which was a finalist for numerous awards, including Poland's most prestigious literary prize, the Nike, a National Jewish Book Award, the Sami Rohr Prize, and the National Translation Award in Prose for Sean Gasper Bye's excellent translation.</p><p>This powerful new novella is a darkly comic portrait of a Jewish family in today's Poland, struggling to express their love for one another in the face of a past that cannot and will not be forgotten. The grandfather is a doctor, a Holocaust survivor who has now vowed to live only for pleasure. His son, born at the start of the war, becomes a well-respected physicist, but finds himself emotionally unable to attend the medical conferences in Germany, despite the benefit it would give his career. The mother is loving but firm, though she has a secret habit of attending strangers' funerals so that she can cry.</p><p>A masterpiece of concision, <i>Confidential </i>expands on one of the stories in<i> I'd Like to Say Sorry...</i>, tackling themes of memory and care, trauma and memory, as well as enduring anti-Semitism, with unforgettable power, emotional complexity, and Grynberg's trademark black humour.</p><p><b>&amp;#x27;A novel sparing only in words and form, not in emotion.&amp;#x27;  </b><b><i>Vogue</i></b><b> (Poland)</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mikoaj Grynberg</b> is a photographer, psychologist, and writer of fiction and nonfiction. He is the author of <i>Survivors of the 20th Century, I Accuse Auschwitz,</i> and <i>The Book of Exodus</i> as well as <i>I'd Like to Say Sorry, but There's No One to Say Sorry To</i> and <i>Confidential</i>, translated by Sean Gasper Bye (The New Press). He lives in Poland.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>First published in 1929, <i>A Farewell to Arms</i> has endured as one of Hemingway's most popular works. The novel was his first bestseller, which solidified him as a serious writer and a fixture in the American literary canon.<br/><br/>Set against the brutal backdrop of the First World War, the novel is narrated by Lieutenant Frederic Henry, who is an American medic in the ambulance corps of the Italian Army. Frederic's friend, Surgeon Rinaldi, is infatuated with a lover by the name of Miss Catherine Barkley. Upon encountering Miss Barkley, Frederic is immediately taken with her and tries to kiss her, unsuccessfully. Grieving the death of her fiance, she begins to feel an illusory attachment to Frederic while Rinaldi fades into obscurity.<br/><br/>Soon after, Frederic is wounded in battle and taken to a hospital in Milan to heal. In addition to his physical ailments, the horrors of war also begin to take a toll on Frederic mentally, leaving him detached.Following a hasty knee surgery, he is delighted to learn that Miss Barkley has been transferred to his hospital. Despite his emotional bankruptcy, his relationship with Catherine intensifies. Still, tragedy lies ahead, and not even love can save them.<br/><br/>This tour de force is quintessential Hemingway - bullets and shrapnel, straight to the heart. With stunning illustrations by Tim Foley (<i>The Sun Also Rises</i>, Clydesdale, 2022), this is sure to be the perfect addition to any Hemingway fan's collection.</p><p><b>&amp;#x27;[Hemingway] writes as if he had never read anybody&amp;#x27;s writing, as if he had fashioned the art of writing himself.&amp;#x27; - </b><b><i>The Atlantic</i></b><br/></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ernest Hemingway</b>is recognized as one of the iconic and influential writers of the twentieth century. He started out working for the<i>Kansas City Star</i>and later the<i>Toronto Star</i>. He eventually traveled to Europe where he became an ambulance driver for the Italian army in WWI. Some of Hemingway's most popular novels include<i>The Sun Also Rises</i>(1926)and<i>The Old Man and the Sea</i>(1952).<br/><br/><b>Tim Foley</b>is an artist and illustrator born in Flint, Michigan, in 1962. Over the past quarter century, his clients have included national and international magazines, book publishers, and advertising agencies such as the<i>Wall Street Journal</i>,<i>Cricket</i>Magazine,<i>New York Newsday</i>,<i>LA Weekly</i>, and the<i>Chronicle of Higher Education</i>. He currently lives and works in Grand Rapids, Michigan.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The hour between dog and wolf is twilight, when it is hard to distinguish between known and unknown, right and wrong. When one state has ended and another has not quite begun. In 1980s Russia, Soviet policies, cruel but familiar, are giving way to untested concepts such as glasnost and perestroika.  </p><p>Four teenagers - Anya, Milka, Petya and Aleksey, whose lives, like those of their Western counterparts, are fuelled by sex, alcohol, and cigarettes  yearn for a world of Levi's, Queen, foreign travel and the freedom to choose their fates. Instead, like their ancestors, they encounter heartbreak and tragedy. With a nod to Chekhov's<i> The Cherry Orchard</i>, crumbling dachas surrounded by apple orchards, the scenes of idyllic summers, are slated for destruction as capitalism corrupts and corrodes the best of the past without bringing a promise of renewal.  </p><p>Yet while depicting a bloody and desperate era, this exceptional debut novel pulsates with life. It is radiant with friendship and love, the power of international literature, values and politics, as its characters struggle to survive, to save their country and one another. </p><p><b>'A timeless tale of memory, desire, dreams lost and altered, love changed and unchanged.' - Yiyun Li, author of</b><b><i> Must I Go</i></b></p><p><b>'[A] Stunning debut...Gorcheva-Newberry pulls off a tragic and nostalgic love letter to a much-tried generation. This is a winner.' -</b><b><i> Publishers Weekly </i></b><b>(Starred Review)</b></p><p><b>'Gorcheva-Newberry does the reader a great service, offering a peek behind the iron curtain and its veil of propoganda...If there is such a thing as clear-eyed sentimentality,</b><b><i> Between Dog and Wolf </i></b><b>evokes it.' -</b><b><i> Bookpage </i></b><b>(Starred Review)</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Amazing Ameziane</b> was raised on Frank Miller, Bruce Lee, Sergio Leone and the soul music of the late sixties. His first comic was Clan published in 2001. After working on several comic scripts, he produced the comic of the novel<i> Cuatro Manos</i>, in collaboration with his favourite novelist. His dark-thriller <i>Bagmen</i>, catapulted him to fame in 2016 and his most recent work is <i>Cash Cowboys.</i> He splits his time between his family, comic books, and screenwriting.</p>]]></Text>
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			<Text textformat="02"><![CDATA[For fans of cozy and pastoral fantasy and the eponymous hit anime on Crunchyroll. This is the adventure of a lifetime as a kindly forest guardian golem sets out to protect a young human girl from a world of goblins and oni!]]></Text>
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			<Text textformat="02"><![CDATA[<p>The adventure continues, in this collection of classic <i>Conan</i> stories, perfect for fans and collectors alike! Tired of the thieving life, Conan signs on as a mercenary for the warring kingdom of Turan.</p><p>The enemy will tell of Conan's legendary skill in battle  if any of them live to tell the tale  but palace intrigue may prove more dangerous to the barbarian. After all, it's never wise to bed a wizard's woman. Then, Conan joins with Red Sonja for a multipart adventure. Last, but far from least, we present Roy Thomas and Gil Kane's complete adaptation of &amp;#x27;The Hour of the Dragon&amp;#x27;, the iconic story of how Conan became king and conqueror and met the woman who would become his wife.</p><p><b>Series Overview:</b> Collecting <i>Conan the Barbarian</i> (1970) #27-51, <i>Giant-Size Conan</i> (1974) #1-4 and material from <i>Conan the Barbarian Annual</i> (1973) #1 and <i>The Savage Sword of Conan</i> (1974) #8 and #10.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The greatest hero in sword-and-sorcery history. This is the legend of Conan!</p><p>Battle runs through Conan&amp;#x27;s life like the blood in his veins. A stint with the mercenary Crimson Company isn&amp;#x27;t enough to quench his fury  but perhaps consorting with Belit, pirate queen of the Black Coast, can. Together, Conan and Belit will reave across Hyboria&amp;#x27;s high seas and into the dark depths of its jungles. There, Conan will earn his honoured name  Amra  in one of the Cimmerian&amp;#x27;s greatest epics.</p><p>Master storytellers Roy Thomas and John Buscema follow with a saga that brings Conan, Kull and even Red Sonja together. All the while, the struggle to reclaim Belit&amp;#x27;s title and lands from the Stygians carries on.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Unfettered by the Comics Code, experience Conan at his most visceral in the original epic comic magazine </b><b><i>The Savage Sword of Conan</i></b><b>! The dark and gritty tales within are perfect for Conan fans looking for that extra bit of bloody violence!</b></p><p>Crom does not deny the faithful! <i>The Savage Sword of Conan</i> Omnibus collections are continuing and collecting the greatest sword-and-sorcery comic magazine of all time! In this massive hardcover volume, we present not only sixteen issues of<i> Savage Sword</i> crafted by the greatest Conan comics creators of the era, but also the never before reprinted full-colour graphic novel,<i> Conan: The Witch Queen of Acheron</i>. Highlights include: The art of Gary Kwapisz, a sword-and-sorcery master whose richly detailed style ranks him among the greatest Conan illustrators; stories by writer Larry Yakata, an Olympic martial artist who brought a new voice and action-oriented authenticity to the series; contributions from celebrated <i>Savage Sword</i> art icons including Ernie Chan, Rudy Nebres and Pablo Marcos; and a rare Robert E. Howard tribute story by Roy Thomas and Sandy Plunkett.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Roy Thomas</b> joined Marvel as a writer and editor under Stan Lee, scripting key runs of nearly every Marvel title:<i> The Amazing Spider-Man, The Avengers, Daredevil, Doctor Strange, The Sub-Mariner, Thor, The X-Men</i> and more. He wrote the first ten years of Marvel's<i> Conan the Barbarian</i> and<i> Savage Sword of Conan</i>; and launched the Defenders, Iron Fist, The Invaders and Warlock. At DC, he developed <i>All-Star Squadron, Infinity Inc.</i> and related titles, proving instrumental in reviving the Golden Age Justice Society of America. He co-scripted the sword-and-sorcery films <i>Fire and Ice</i> and<i> Conan the Destroyer.</i> Throughout it all, Thomas has edited the award-winning magazine <i>Alter Ego</i>, contributing heartily to the research and history of the medium.</p><p><b>Larry Yakata</b> is a multi-time world and national judo champion and a former coach of the United States Olympic judo team. He received a masters in English Literature from Columbia University and has written for publications including the<i> New York Times</i> and<i> The Savage Sword of Conan</i>.</p><p><b>Don Kraar</b> broke into comics as a writer in the early 1970s with short stories for DC's anthology titles. He became one of the mainstays of Marvel's Conan comics line in the '80s with work on<i> The Savage Sword of Conan</i>, two Conan graphic novels and an extended run on <i>Conan the King</i> that saw the character expand his empire.</p><p><b>Gary Kwapisz</b> became one of the defining Conan artist of the 1980s. He is also responsible for two, self-published Civil War graphic novels called, interestingly enough, Civil War Adventures. These books bring history to life, telling the story of America's most terrible war. They are a loving collaboration with his old Conan partner, Chuck Dixon. Not letting his Civil War research go to waste, Kwapisz wrote and illustrated Rebel Dead Revenge starring a reanimated Stonewall Jackson, the Devil and an army of zombie Confederate soldiers.</p><p><b>Ernie Chan</b> (1940-2012) immigrated to the U.S. from the Philippines at the age of 30 and wasted no time breaking into the American comic book scene. He would ink the work of John Buscema on<i> Conan the Barbarian</i> for the better part of fourteen years and also illustrated <i>Kull the Destroyer</i> and many other titles for Marvel.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Step into the mesmerizing world of Elric - Moorcock's Epic, transformed into a graphic marvel by the writer of the critically acclaimed videogame Life Is Strange. Readers see their fan-favorite hero in a brand-new light, as Valentin Secher's brush unveils a protagonist transformed by tragedy.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Step into the mesmerising world of Elric  Moorcock&amp;#x27;s Epic, transformed into a graphic marvel by the writer of the critically acclaimed videogame </b><b><i>Life Is Strange</i></b><b>. Readers see their fan-favourite hero in a brand-new light, as Valentin Secher&amp;#x27;s brush unveils a protagonist transformed by tragedy.</b></p><p>Embark on a journey within the enchanting universe of Michael Moorcock&amp;#x27;s Elric, in this fifth installment. The mesmerising graphic novel was born from the legendary tale of the fantasy author. Adapted and crafted by the skilled Julien Blondel, the writer behind the award-winning videogame <i>Life Is Strange</i>, this work immerses readers in the albino Emperor&amp;#x27;s world of swords and sorcery.</p><p>Two years after the tragic climax of the previous volume, readers are exposed to their favourite protagonist in a new light. Elric is now leading the life of a mercenary, following the death of his beloved Cymoril. However, fans can accompany him on a new path that is guided by Queen Yishana&amp;#x27;s urgent call for help.</p><p>Elric will now face his strongest, and most cunning opposition yet. All While having to confront entities from the past, that he vowed to never serve again. Illustrated by Valentin Secher of Khaal and The Metabaron Books, fans will have the first chance to see how the talented artist captivates readers and brings a unique style that harmonises with Elric&amp;#x27;s tortured journey. The graphic novel marries epic fantasy, transformative adaptation, and the creative synergy of <i>Life is Strange&amp;#x27;s</i> Jean-Luc Cano.</p><p>Whether you&amp;#x27;ve been following Elric&amp;#x27;s journey from the beginning, or this marks your first foray into the series, Volume 5 provides a compelling entry point. Fans of <i>Game of Thrones</i> or<i> The Lord of The Rings</i> will no doubt be enthralled by Elric&amp;#x27;s wonderful world of fantasy excellence.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Victorian Premier's Literary Awards 2025, Fiction**</b></p><p>Darlinghurst, Sydney: these are the days of strange rumours. Talk you can catch the gay plague from kissing, or from a mosquito bite. Talk of the government building a wall around 'Darlo&amp;#x27; to keep the plague contained. Talk of old quarantine stations around Australia being reopened, of the army being used to round up all the poofters. Bashings increase tenfold and you're dead meat if you don't have someone to watch your back. Kit, Ty, and Johnnie, three young gay men, just want to live the life Sydney promised when they arrived.</p><p><i>Host City</i>, David Owen Kelly's third book, is a stunningly innovative fusion of memoir and alternative history that spins an affective tale of persecution, jeopardy, and survival from the fear and paranoia that marched lockstep with HIV in the 1980s.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Mary Gilmore Award 2025**</b></p><p><b>**Winner, NSW Literary Awards 2025, Kenneth Slessor Prize for Poetry**</b></p><p><b>**Shortlisted, Prime Minister's Literary Awards 2025, Poetry**</b></p><p><b>**Shortlisted, NSW Literary Awards 2025, Glenda Adams Award for New Writing**</b></p><p><b>**Shortlisted, Victorian Premier's Literary Awards 2025, Poetry**</b></p><p><b>A moving testament to the displacement and dispossession of the Palestinian people.</b></p><p><i>rock flight</i> is a book-length poem that, over five chapters, follows a personal and historical narrative, to compose an understated yet powerful allegory of Palestine's occupation. The poem uses refrains of suffocation, rubble, and migratory bird patterns to address the realities of forced displacement, economic restrictions and surveillance technology that Palestinians face both within and outside Palestine. It depicts a restlessness brought about by dispossession, and a determination to find significance in fleeting objects and fragments. It looks to the literary form as an interactive experience, and the book as an object in flux, inviting the reader to embark on an exploration of space, while limited by the box-like confines of the page. Formally claustrophobic, the poem morphs into irony, declaring everything a box while refusing to exist within one.</p><p><b>'Here is a poetry of passion; a poetry of necessity; a poetry of survival, and a poetry-triumphant.'  Maxine Beneba Clarke</b></p><p><b>'</b><b><i>rock flight</i></b><b> is a work of timelessness, rigour, precision, relationality and guts  just like its poet. A must-read for all of us who yearn and stretch and reach for a world beyond colonies, and an even more urgent read for those who don't.'  Alison Whittaker</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[G-d, Sleep, and Chaos is a collection for the questing mind and the wanting spirit. Winner of the WA Premier's Book of the Year Award 202.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, WA Premier's Book Awards 2025, Book of the Year**</b></p><p>**<b>Winner, WA Premier's Book Awards 2025, Poetry Book of the Year**</b></p><p><b>**Highly Commended, Victorian Premier's Literary Awards 2025, Poetry**</b></p><p><i>G-d, Sleep, and Chaos</i> is a prayer of thanks for a broken world.</p><p>Alan Fyfe's debut collection employs a core of Jewish philosophy to explore themes of love, metaphysics, the self-destructive impulse, trauma, and the transcendent. With a boisterous affection for all things absurd and liminal and a bristling loyalty to working class aesthetics, <i>G-d, Sleep, and Chaos</i> includes poems that swing from visceral to hilarious across seven sections, and a range of forms, to ask how we might come by gratitude, and the peace of silence, in our bleakest moments. <i>G-d, Sleep, and Chaos</i> is a collection for the questing mind and the wanting spirit.</p>]]></Text>
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