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			<Text textformat="02"><![CDATA[Whatever your role, this easy-to-use guide will inspire you to step up to the microphone, tell your story and make an impact.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Whatever your role, this easy-to-use guide will empower you to step up to the microphone, tell your story and make an impact.</b></p><p>Theresa Miller has spent decades working as a journalist and now media trainer, coaching people across all industries  from CEOs and academics to climate campaigners, entrepreneurs and artists  to communicate confidently, clearly and concisely. In <i>Speak Up</i>, she shows you how to successfully share your expertise and experience with an audience  whether it's creating an inspiring work presentation or media release, blitzing a job interview or nailing your message on a podcast, panel, TV or radio interview. </p><p><b>'Theresa Miller is very good at what she does: training people to speak in the media. </b><b><i>Speak Up</i></b><b> is not a substitute for her coaching, but it does provide a step-by-step guide to getting your message across. Miller manages to cover everything, from having an idea to tailoring it for the audience. And it's a quick, easy and informative read.'  Richard Aedy, podcaster and former Radio National presenter</b></p><p><b>'Theresa Miller sets out clearly and concisely how to deliver a speech and handle a media interview. I loved that she not only explained what to do in these situations, but also what not to do. The book is an outstanding guide to public speaking from an experienced practitioner.'  Tim Dunlop, speaker and author of </b><b><i>Why The Future Is Workless</i></b><i> </i></p><p><b>'Great speakers aren't born, they're made: here's a clear guide for anyone who wants to ditch the nerves and conquer public speaking.'  Catherine Fox AM, commentator, award-winning journalist and author of </b><b><i>Breaking the Boss Bias: How to get more women into leadership</i></b></p><p><b>'Theresa Miller has been working at the media coalface for decades and knows better than most how to cut through the jungle of noise, nonsense, and hollow corporate spin. </b><b><i>Speak Up</i></b><b> is jam-packed with smart, simple, practical tools to empower even the most reluctant speaker. Far from complicated, great communication ows easily when you understand the core principles of storytelling, as laid out in this highly accessible book. Once read, it's a book you will frequently return to for a pep talk reminder!'  Virginia Haussegger AM, award-winning journalist, gender equity advocate and author of </b><b><i>Unfinished Revolution: The feminist fightback</i></b></p><p><b>'I wish I'd found </b><b><i>Speak Up</i></b><b> at the beginning of my public speaking journey.'  Dr Terri Janke, Indigenous lawyer and author of </b><b><i>True Tracks: Respecting Indigenous knowledge and culture</i></b></p><p><b>'</b><b><i>Speak Up</i></b><b> is refreshingly practical. Miller doesn't just tell you to "be condent"  she provides the actual structures, from the "point, reason, example, so what?" framework to crisis communication protocols tested in real-world situations. Her examples range from scientists explaining pandemic modelling to lawyers navigating media scrutiny, making the advice relevant across a range of areas...</b><b><i>Speak Up</i></b><b> gives the tools to share your message eectively.'  Kim McKay AO, Director and CEO of the Australian Museum</b></p><p><b>'As a journalist, I've interviewed hundreds of people who know their subject inside out but freeze the moment a microphone appears. </b><b><i>Speak Up</i></b><b> explains exactly why that happens  and, more importantly, how to x it. Theresa Miller writes with the authority of someone who has lived on both sides of the media divide: as a reporter under deadline pressure and as a coach helping people survive those encounters with their credibility intact...What I value most about this book is its honesty. Theresa doesn't glamorise the media or oversimplify public speaking...For journalists, academics, leaders and anyone who believes facts still matter in public life, </b><b><i>Speak Up</i></b><b> is both a reality check and a generous guide.'  Sandra Sully AM, senior journalist and presenter for 10 News First, Sydney and Queensland</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Theresa Miller</b> has 30 years' experience as a journalist, media adviser, presenter and corporate trainer. She coaches people from all industries to condently share their expertise and experience with a wider audience. As a television journalist, Theresa worked as a reporter, producer and presenter in Britain, Switzerland and Australia, including Sky News (UK), <i>Good Morning Britain</i>, CNN and the Zurich-based <i>European Business Channel</i>. In Australia, she worked for the ABC, SBS, Channel Nine and Channel Seven, including reporting for <i>Australia's Most Wanted</i>. She is the author of two other books, <i>Making Babies: Personal IVF Stories</i> and a novel, <i>The Spin Doctor's Wife</i>. She has written for several publications, including <i>The Australian, The Medical Republic </i>and <i>The New Daily</i>. She has lectured in media at UNSW and the University of Sydney. Theresa has a bachelor's degree in Journalism from the University of South Australia and a master's degree in Creative Writing from the University of Technology, Sydney. </p>]]></Text>
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			<Text textformat="02"><![CDATA[In Raven Mother, Jane Messer weaves together her Jewish family's compelling and tragic story  stretching back and forth between Berlin, Israel, Palestine, Melbourne and Sydney.]]></Text>
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			<Text textformat="02"><![CDATA[<p>In a powerful work of memoir, history and biography, Jane Messer retraces the tragic and hopeful steps of her Jewish German grandmother, Bella. From pre-war Berlin to Tel Aviv to Melbourne, Messer follows Bella's journey and tries to understand her choices, including why she abandoned her son Michael in England before the war. Along the way, she speaks with historians in Germany, peace activists, scholars and refugees in Israel and Palestine, and, constantly, to her beloved father. </p><p>Shifting between the personal and the historical with lyrical precision, <i>Raven Mother</i> grapples with the grand scale of global events and the intimate struggles of family and memory.</p><p><b>'In seeking the truth about her grandmother, Messer uncovers far more than a family history. Her thorough journey reveals profound questions of identity, loss, and displacement, while exposing the deep-rooted racism and injustice woven through the world she explores.'  Majeda Awawdeh</b></p><p><b>'With evenhandedness and generosity of spirit, Jane Messer's minutely researched history of dispossession and genocide embraces both her Jewish roots stretching back to Berlin before the Holocaust and, with unflinching clear-sightedness, the story of Palestine. It is a plain-speaking, remarkable and deeply affecting book.'  Robert Dessaix</b></p><p><b>'</b><b><i>Raven Mother </i></b><b>takes us on a deeply moving journey of discovery. While we have begun to understand how tenaciously the traumas of our parents live on within us, it takes a writer of Messer's calibre to apprehend this phenomenon with such verve, candour and insight. As her travels into her father's past demonstrate so palpably, what we draw from our parents' complex histories can change over time if we are brave enough to face them.'  Sara Dowse</b></p><p><b>'A beautifully etched excursion through muddied layers of history and memories of place, </b><b><i>Raven Mother</i></b><b> is an unexpected homage to the fault lines of family.'  Andrea Durbach</b></p><p><b>'An important work of enquiry into one of the most contested pieces of land on this earth through one family's story. A fine book illustrating the sorrows and resilience of life and why we must not look away from the suffering of others.'  Susan Johnson </b></p><p><b>'Wise, poignant and beautiful, </b><b><i>Raven Mother</i></b><b> builds an arch over the here-and-now to connect an individual life with a family and communal past. This is a book that matters. It can only enrich our understanding of the present.'  Malcolm Knox</b></p><p><b>'Messer's search for her grandmother is gripping and forensic, asking difficult questions about history and memory. It is both epic and personal. A moving and beautifully written memoir.'  Catharine Lumby</b></p><p><b>'...poetically beautiful, fascinating, special...so rare in the landscape of writing about IsraelPalestine and JewishArab relations.'  Yonatan Mendel</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jane Messer</b> is the accomplished writer of novels, short stories and essays, is a regular contributor to <i>The Conversation</i>, and is a former Associate Professor of Creative Writing at Macquarie University. She is the founder and director of StorySALOON, a live show and podcast dedicated to Australian short stories. </p><p>As the daughter of a refugee, she finds herself compelled to write about fractured lives, marginal people and migration.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Acclaimed historian Alan Atkinson  author of the award-winning <i>Elizabeth and John: The Macarthurs of Elizabeth Farm</i>  pieces together the life of Penelope Lucas and the pivotal role she played in building the Macarthur empire. While she is known as the family governess, Atkinson reveals that Penelope was primarily an accountant whose bookkeeping work made an important difference to the Macarthurs' success.</p><p>Penelope Lucas came to Australia in 1805, in her thirties, unmarried  she was the first well-educated woman to travel independently from Europe to Australia  and looking forward to living on inherited income. While Elizabeth Macarthur was unsurprisingly upset when her husband, John, arrived back from three years in England with a woman she had never heard of, Penelope went on to live with the Macarthurs for over thirty years and became close friends with Elizabeth.</p><p>In this revelatory work, Atkinson brings together fifty years of scholarship as he explores the gender dynamics of the Macarthur household and the life of a single woman of means in Georgian England and early colonial Sydney.</p><p><b>'A prodigious feat of historical imagination.'  Matthew Allen</b></p><p><b>'Exquisitely written and meticulously researched.'  Alecia Simmonds</b></p><p><b>'As delicately observational as it is learned...Atkinson writes with the lightest touch.'  Alison Bashford</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A visually stunning, meticulously researched field guide to all the major habitats of Australia, Papua New Guinea, and the Solomon Islands.</b></p><p>When visitors think of Australia, they expect strange wildlife such as kangaroos, platypus, koalas, and cassowaries. Yet nothing prepares people for the otherworldly landscapes of mallee and mulga woodlands, karri forests, and spinifex and gibber deserts. This illustrated guide covers every major habitat found on the continent together with those of New Guinea and the Solomons. Making the otherworldly understandable, it presents an easy-to-use system for exploring and enjoying habitats by combining wildlife assemblages with descriptions of habitat structure, climate, soils, and botany. Packed with invaluable information, <i>Habitats of Australia, New Guinea, and the Solomons</i> completely redefines how we experience the landscapes and wildlife in this spectacular region of the world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Everything you need to know about the Australian Constitution  its past, present and future.</b></p><p><i>The People's Guide to the Australian Constitution</i> illustrates how, far from being an unchangeable, technical legal contract, the Australian Constitution gives people the power to participate in and decide the shape of government and the policies it adopts. Leading legal academics Rosalind Dixon and William Partlett shed light on what Governor-General John Kerr did not acknowledge about the Constitution when he dismissed the Whitlam government, the tension between Australia's Christian settler-colonial constitutional identity and the recognition of First Nations peoples, the advantages and risks of constitutional change and much more.</p><p>At almost 125 years old, Australia's Constitution is one of the oldest in the world, and while this has brought stability, it also gives the Australian people an opportunity to participate in adapting it to changing times. </p><p><b>'If the Voice referendum has taught us anything, it is that there is a huge gap in civic education in this country. This book will foster better understanding of our Constitution and empower Australians to become more informed voters and citizens, which is a win for our democracy.'  Jennifer Robinson, Human Rights Lawyer</b></p><p><b>'</b><b><i>The People's Guide to the Australian Constitution</i></b> <b>is a comprehensive and readable explanation of its history and working. A basic understanding of our</b> <b><i>Constitution</i></b> <b>is essential to our representative democracy. It is the legal infrastructure for the operation of our democracy, the maintenance of the rule of law, the limitation of official power and the protection of important freedoms.'  The Hon Robert French AC</b></p><p><b>'An important resource that inspires Australians toward a transformative, genuine sovereign democracy and understanding.'  Waskam Emelda Davis, Emeritus City of Sydney Councillor</b></p><p><b>'</b><b><i>The People's Guide to the Australian Constitution</i></b><b> brings public power closer to the people. By celebrating the strengths and commitments embedded in our constitutional story, readers are invited to question, to understand, and to participate in the story of our nation, whilst offering a vital understanding of the legal guardrails that have shaped Australia. In Ros and William's skilled hands, we are empowered to claim our role in shaping the future of Australia's democracy.'  Liesl Tesch, Member of the Legislative Assembly and double Paralympian</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rosalind Dixon</b> is a Professor of Law at UNSW Sydney, and former assistant professor at the University of Chicago, and visiting professor at Harvard Law, Columbia Law and Chicago Law Schools. She is also former co-president of the International Society of Public Law, and the author of two leading academic books on constitutional democracy, <i>Abusive Constitutional Borrowing: Legal Globalization and the Subversion of Liberal Democracy</i> (OUP 2021) (with David Landau) and <i>Responsive Judicial Review: Democracy and Dysfunction in the Modern Age</i> (OUP 2023). She is a regular contributor to the <i>Sydney Morning Herald</i>, and has published opinion pieces in a range of other leading newspapers, including the <i>New York Times.</i></p><p><b>William Partlett</b> is Associate Professor at the University of Melbourne Law School and Co-Director of its Centre for Comparative Constitutional Studies. He is also the Stephen Charles Fellow at the Centre for Public Integrity. Beyond his academic publications, Partlett has written extensively about constitutions for popular audiences in <i>The Conversation</i>, <i>The National Interest</i>, <i>Pursuit</i>, <i>Crikey</i>, and <i>The Age</i>.</p>]]></Text>
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			<SubjectHeadingText>Australian Subscription Library; Australiana; Classism; Colonial legacy; Cultural collecting; David Scott Mitchell; Democratisation of knowledge; Digital Excellence Program; Digitisation &amp; technology; Free Library Movement; Free Public Library; Inclusivity &amp; representation; Indigenous exclusion; Libraries as sanctuaries; Library Act 1939; Library history; Mitchell Library; Public access; Sir William Dixson; State Library of NSW; cultural appropriation; e-records; exclusivity; legal deposit; microfilm; trove</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><i>The Library that Made Me</i> celebrates 200 years of the State Library of NSW  its evolution, its remarkable collection and its people. The Library has earned its enduring place in the heart of the city, and in the hearts of readers and visitors everywhere.</p><p>In the early days members were vetted, women weren't welcome and having fiction on the shelves raised eyebrows. Libraries today are vibrant cultural hubs open to all and are shaped by the people they serve.</p><p>A love letter to libraries everywhere, <i>The Library that Made Me</i> is a book readers will want on permanent loan. It will make you wonder about the library that made you.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'Nancy has dedicated her life to finding and revealing the local flavors and ingredients that have been cornerstones of Japanese cooking for centuries.'  Alice Waters</b></p><p>In this striking, highly personal volume, acclaimed cookbook author Nancy Singleton Hachisu introduces readers to the regional chefs and artisans at the heart of Japan's unique food culture. Bringing to bear more than three decades of life in the Japanese countryside and over a decade as a food writer and champion of artisanal Japanese food traditions, she offers unique recipes, spectacular photographs and insightful essays about chefs and producers across Japan.</p><p>The 140 recipes  created by seven remarkable Japanese chefs  use local, seasonal ingredients to deliver intense, sophisticated flavours in an approachable way. Each of these Franco-Japanese, Italianate-Japanese and classic, yet modern Japanese dishes have been meticulously tested in the author's home kitchen. Readers will find here:</p><ul><li>Essays on regional producers of artisanal food items ranging from sea greens and umeboshi to potato flour, air-dried fish, miso, soy sauce and Japanese malt whisky</li><li>Refreshing starters such as Squid and Yugao Gourd Salad with Shiso Vinaigrette, and Smoked Pacific Saury with Pickled Myoga and Chrysanthemum</li><li>Savory mains such as Salt-Grilled Butterfish with Smashed Tofu, and Grilled Pigeon, Clam, Taro, Leeks &amp; Dried Treviso</li><li>Japanese influenced Franco and Italianate dishes such as Snapper with Yuzu Beurre Blanc and Abalone with Sweet Potato and Abalone Liver Risotto</li><li>And many more plant- and seafood-focused dishes</li></ul><p>Hachisu's passion for food traditions is shared by the chefs and artisans  making this book an inspiration for anyone who appreciates food on a deeply personal level. Yet it is also a cookbook to be splashed on, marked up, and used to reproduce the very best that Japanese cuisine has to offer in their own kitchens.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nancy Singleton Hachisu</b> is a native Californian married to a Japanese farmer who has lived in semi-rural Saitama Prefecture since 1988. She is a James Beard Award-winning author of five books including <i>Japan: The Cookbook</i> and <i>Japan: The Vegetarian Cookbook</i>. Hachisu has written for <i>Saveur, Food &amp; Wine, Travel &amp; Leisure, National Geographic Food</i> and <i>BBC Travel</i>, and she participated in the "Salt" episode of the Netflix series <i>Salt Fat Acid Heat.</i></p><p><b>Alice Waters</b> is a chef, author, food activist, and the founder and owner of Chez Panisse Restaurant in Berkeley, California.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A history of illustration from the beginning of popular print to the rise of mass literacy and into today's age of digital media.</b></p><p>Of all the visual arts, illustration shares a unique relationship with the written word, often serving to visualise, enhance, or respond to a text. <i>Reading Pictures</i> presents a global history of this versatile art form, linking its emergence to modern developments such as the illustrated news, recreational reading, and ad-driven consumer culture.</p><p>From the advent of the printing press in the mid-fifteenth century to the modernist artistic and cultural movements of the nineteenth and twentieth centuries, D. B. Dowd traces the development of illustration as an integral part of the reading experience. He examines the move from ancient scrolls to pamphlets and book forms, and a return to the scroll in electronic form on smartphones and tablets. His story begins with relief prints and woodcuts in ancient China and Japan before moving to printing and platemaking in early modern Europe. Dowd discusses how book and periodical publishing rose sharply with the innovations of wood engraving and lithography, leading to a boom in cultural literacy; and how the illustrated press reached its zenith between the 1860s and 1960s, as printed entertainment and the news of the world became commonplace in every household, bringing with them advertising, propaganda, and consumer culture.</p><p>Richly illustrated with more than four hundred images spanning the iconic to the unexpected, <i>Reading Pictures</i> reframes the story of illustration within the broader histories of race, gender, literacy, and the transmission of cultural memory. It reveals how reading and looking have become increasingly integrated, and that, as images have become ever more prevalent today with the digital revolution, what is meant by literacy has evolved.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>D. B. Dowd</b> is professor of design and American culture studies and faculty director of the Dowd Illustration Research Archive at Washington University in St. Louis.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In this joint biography, Sylvia Martin delves deeper into the unconventional lives of two of Australia's prominent female artists. Turning a queer lens on Eirene Mort and Nora Kate Weston, Martin explores the deep and enduring relationship that underpinned their public creative partnership for over 60 years.</p><p>Eirene Mort (18791977) and Nora Kate Weston (18801965) were dynamic 'New Women' who made valuable contributions to art in Australia, challenged gender conventions and were determined to be recognised as professional artists in spite of the societal conventions of the time. </p><p>Though better known today, Eirene always regarded her work with Nora as collaborative, a sentiment that <i>Double Act </i>embraces, drawing Nora out of the shadows to take equal place in a relationship that the women considered complementary and intertwined.</p><p>Structured chronologically, <i>Double Act</i> also includes 'spotlights' on particular artistic themes, such as Eirene's botanical art, the pair's joint creations and Eirene's bookplates. Martin  a queer woman herself  uses self-reflection as a tool throughout to deepen the impact of this beautiful and moving dual biography. </p><p>This book will appeal to readers interested in art, design and social history, including queer history. Martin has drawn on the extensive papers, artworks, photographs and more in the National Library of Australia's collections. The result: a richly illustrated and important biography of the shared lives of Eirene Mort and Nora Kate Weston.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr Sylvia Martin</b> is a former actor and author of three biographies of Australian women and a book of memoir essays. She holds a PhD in Women's studies from Griffith University's School of Historical and Cultural Studies. Her works have been shortlisted for the ISAA Book Prize, the NSW Premier's Literature Award and the Kibble Award. She was the recipient of the Magarey Medal for Biography in 2008. Dr Martin writes about the private lives of often under-recognised, immensely talented women, who may by modern standards be considered queer. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book is a pioneering exploration of Tyndale's enormous impact on the development of the English language.</b></p><p>'Dearly beloved', 'say the word', 'the powers that be', 'for ever and ever'  these familiar phrases and many more were set down in print for the first time by William Tyndale. For his groundbreaking English translation of the Bible, he deliberately chose to write in a way that could be understood by the widest possible audience.</p><p>In the first half of this pioneering exploration of the extraordinary impact Tyndale's writing had on the development of the English language, David Crystal provides an analysis of his prose style, demonstrating its character as a novel genre of 'written speech', and bringing to light the remarkable number of cases where Tyndale is the first recorded user of a word or phrase in English. He also draws attention to the hitherto unrecognised role of Tyndale as an early lexicographer. The second half of the book is a linguistic detective story, devising an innovative lexical and grammatical metric to investigate the often-stated claim that eighty per cent of later biblical translations display Tyndale's influence. The result is a fascinating exploration of the work of the Father of the English Bible.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Situated at the crossroads of three continents, the Middle East has confounded the ambition of conquerors and peacemakers alike. Shifting Sands makes sense of the shifting sands of Middle Eastern History....]]></Text>
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			<Text textformat="02"><![CDATA[<p>Situated at the crossroads of three continents, the Middle East has confounded the ambition of conquerors and peacemakers alike. Christianity, Judaism and Islam all had their genesis in the region but with them came not just civilisation and religion, but also some of the great struggles of history.</p><p><i>Shifting Sands: A Pocket Essential History of the Middle East</i> makes sense of the shifting sands of Middle Eastern History, beginning with the early cultures of the area and moving on to the Roman and Persian Empires; the growth of Christianity; the rise of Islam; the invasions from the east; Genghis Khan's Mongol hordes; the Ottoman Turks and the rise of radicalism in the modern world symbolized by the Islamic State.</p><p>This updated and expanded new edition describes the turmoil of recent years including the October 7, 2023 attack on Israel by Hamas and the bloody and brutal Gaza War that followed.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gordon Kerr</b> worked in bookselling and publishing before becoming a full-time writer. He is the author of several titles including <i>A Short History of Europe</i>, <i>A Short History of Africa</i>, <i>A Short History of China</i>, <i>A Short History of Brazil</i>, <i>A Short History of the First World War</i> and <i>A Short History of the Vietnam War</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A delightful Aztec work that has much to teach us about the value of giving thanks  to our contemporaries, our elders, and our ancestors.</b></p><p>Centuries before anyone ever thought of keeping a gratitude journal, the Aztecs understood the profound value of being grateful. For generations, specially trained Aztec public speakers presented traditional dialogues at marriages, births, funerals, government ceremonies, and other important occasions. In these dialogues, people of different generations are imagined speaking to each other with mutual respect and gratitude across time, encouraging listeners to be grateful to their contemporaries, elders, and ancestors, as well as the divine, and reminding the living what they owe to future generations. In the late 1500s, one of these Aztec speakers, Pablo of Texcoco, recorded a collection of these dialogues, now known as the Bancroft Dialogues. In <i>How to Be Grateful</i>, Nahuatl- or Aztec-language specialist Frances Karttunen and Camilla Townsend, Cundhill History Prizewinning author of <i>Fifth Sun: A New History of the Aztecs</i>, present this fascinating work in an accessible translation that also features the original Nahuatl text on facing pages.</p><p>Although Pablo lived under Spanish rule, his parents, grandparents, and elderly teachers recalled the world before the Europeans arrived, and his dialogues, which delight in colorful metaphors and wry humor, offer remarkable insights into preconquest Aztec society, philosophy, and language. Pablo's dialogues tell readers they will be loved and honored today and by future generations if they repay those who have helped them  the living, the dead, and the divine. The living should pay these debts by helping their people and ensuring their future  by 'paying it forward' as we say today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Pablo of Texcoco</b> was an Indigenous descendant of the Aztecs who lived in the central valley of Mexico in the second half of the sixteenth century. He was trained in the Nahua or Aztec art of rhetoric in the powerful city-state of Texcoco, which has been called the 'Athens' of preconquest Mesoamerica because of its beautiful architecture and gardens and because of its people's reputation for a love of poetic songs. </p><p><b>Frances Karttunen</b> retired as Senior University Research Scientist at the Linguistics Research Center at the University of Texas at Austin, where she established the Early Mesoamerican Languages Project. Her books include <i>The Art of Nahuatl Speech: The Bancroft Dialogues.</i></p><p><b>Camilla Townsend</b> is the Board of Governors Distinguished Professor of History at Rutgers University. Her books include the Cundhill History Prize-winning <i>Fifth Sun: A New History of the Aztecs</i>.</p>]]></Text>
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			<SubjectHeadingText>Monks; Sensory; Sensual; Pleasures; Spiritual; Sublime; Ananda; Arose; Equanimity; Sensory contact; Pali; Meditative; Freedom; Dimension; Absorption; Tendency; Noble; Underlying tendency; Perception; Impermanent; Phenomena; Feeling neutral; Condition; Mindful; Wisdom; Gotama; Gratification; Deliberation; Knowledge; Intention; Aversion; Habitual; Doctrine; Ponders; Infinite; Ascetics; Brahmins; Brahma; Arrow; Winds; Udayi; Panchakanga; Winds blow; Downside; Delusion; Informed noble disciple; Distress; Nalakara; Clarity; Arisen; Heart; Road; Agreeable accompanied; Enjoyable charming; Feeling ending; Lovingkindness; Awakened monk; Consciousness; Enjoyable; Passion; Impermanence; Carpenter; Nirvana; Uncruel; Village; Delight; Remorse; Knowledge arose understanding; Understanding arose wisdom; Arose understanding arose</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A new translation of the Buddha's teachings on mindfulness  and how it can help us to be less controlled by our emotions.</b></p><p>To feel is to suffer. But do we have to suffer as much as we do? Twenty-five hundred years ago, the Buddha discovered that practices of mindfully observing our feelings and emotions can help us gain some distance from them. In <i>How to Feel</i>, Maria Heim provides new translations of essential early Buddhist teachings on mindfulness meditation and connects them to recent findings in psychology and neuroscience. A superb meditation manual and insightful exploration of psychology, the book also provides a brief introduction to Buddhism and features the original Pali-language texts on facing pages.</p><p>Drawing from the <i>Samyutta Nikaya</i>, an early canonical collection, <i>How to Feel</i> introduces Buddhist practices of mindfulness. Using them, we can watch feelings come and go like winds passing through the sky. We can observe what causes our negative emotions and learn to shift our attention to other things. We can see where emotions lead us and learn to redirect them. We will still feel, but, with practice, emotions will have less control over us.</p><p>Just as they did in ancient India, the teachings in <i>How to Feel</i> offer today's readers radically new and more enlightened ways to experience emotions.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The Buddha</b> (the 'Awakened One') is the title achieved by Siddhattha Gotama, who lived and taught in north India 2,500 years ago. As a young man he renounced his privileged life to seek an end to suffering and achieved a breakthrough by closely examining his experience. He taught his methods to others, founding the tradition we now call Buddhism. </p><p><b>Maria Heim</b> is the George Lyman Crosby 1896 &amp; Stanley Warfield Crosby Professor in Religion at Amherst College. She is the author of <i>Words for the Heart: A Treasury of Emotions from Classical India</i> and one of the translators of <i>How to Lose Yourself: An Ancient Guide to Letting Go</i> (both Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From the author of one of Oprah's 'Favorite Things' and the</b> <b><i>New York Times</i></b><b> bestseller</b> <b><i>The Book of Awakening</i></b> <b>comes beautiful inspiration cards that encapsulate the wisdom from the book.</b></p><p>Having touched the lives of hundreds of thousands of readers, Mark Nepo's wisdom continues to be a daily guide for living life  in hard times and good times  and, most importantly, living authentically. Presented as a series of sixty-four full-colour, beautifully designed inspiration cards, Mark Nepo's words will help people meet their days and inhabit their lives.</p><p>You can use these cards in a variety of ways to receive the benefits from the inspirational text:</p><ul><li>Read only one card a day. If that seems too fast, try one each week. Whatever you choose, try to be consistent.</li><li>Read the cards with an open mind. Ponder the words and see how they apply to your life. Focus on the words and see how they benefit you.</li><li>Keep the card visible throughout your day, especially those cards that you are most inspired or challenged by.</li><li>Take daily positive actions.</li></ul><p>The wisdom in <i>The Book of Awakening</i> has empowered millions to change their thinking and their lives. May <i>The Book of Awakening Inspiration Deck</i> motivate you in your journey to creating the life of your dreams.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The ultimate illustrated guide to elephants and their prehistoric relatives.</b></p><p>Today, only three species of elephants survive  the African savanna elephant (<i>Loxodonta africana</i>), the African forest elephant (<i>Loxodonta cyclotis</i>), and the Asian elephant (<i>Elephas maximus</i>). However, these modern giants represent just a fraction of the vast and diverse order Proboscidea, which includes not only living elephants but also their many extinct relatives. Over the past 60 million years, proboscideans have evolved and adapted across five continents, giving rise to an astonishing variety of forms, from the massive, woolly-coated mammoths of the Ice Age to the diminutive, island-dwelling dwarf elephants.</p><p>This book offers a comprehensive exploration of proboscidean biology and evolutionary history, shedding light on the remarkable diversity of these extraordinary mammals. It delves into the anatomical characteristics of every known species, from the towering steppe mammoth (<i>Mammuthus trogontherii</i>) and the shovel-tusked <i>Amebelodon</i> to the semi-aquatic <i>Moeritherium</i> and the enigmatic <i>Deinotherium</i>. Readers will discover how these creatures developed an array of specialised adaptations, including variations in tusk shape and function, highly flexible trunks suited for different feeding strategies, and unique dental structures that allowed them to process a wide range of vegetation.</p><p>Accompanied by stunning illustrations by Shu-yu Hsu, <i>Elephants and Their Fossil Relatives</i> brings these ancient giants back to life, offering a visually captivating and scientifically rigorous journey through their evolutionary past. Whether you are a paleontology enthusiast, a student of evolutionary biology, or a researcher in the field, this book serves as an indispensable reference for understanding one of the most extraordinary groups of animals ever to walk the earth.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Asier Larramendi</b> is a distinguished researcher on extinct elephants and the General Director of Eofauna Scientific Research. His work, published in leading journals, has made significant contributions to proboscidean morphometrics and vertebrate comparative anatomy. He has also consulted for TV productions.<b> </b></p><p><b>Marco P. Ferretti</b> is associate professor of paleontology at the University of Camerino in Italy. Specialising in the systematics and evolution of fossil proboscideans, he has authored numerous scientific publications and participated in fieldwork across Europe, Asia, Africa, and South America. </p><p>Born in 1967 in Taipei, Taiwan, <b>Shu-yu Hsu</b> studied art in college and worked as an illustrator, storyboard artist, and film art director. He also creates paleoart, illustrating and designing figurines of extinct animals, with his work featured in museums worldwide.</p>]]></Text>
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			<SubjectHeadingText>Achieve independence; Rich Dad Poor Dad; build wealth; create financial report card; family finances; financial freedom; financial intelligence; financial literacy; financialIQ; investing; language of money; learn the rules of money; managing cashflow; personal finance; planning future; simple lessons; straightforward; take control of finances; take control of your financial future; teach kids about money; three kinds of income; wisdom</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Financial intelligence begins with financial literacy. And Robert Kiyosaki reminds us that 'our minds are our greatest assets.' </p><p>Financial literacy gives you the tools to build your personal financial statement... which tells you the story about how you are managing your cash flow. The language of money can be confusing and intimidating. But, like it or not, 'money'  in all of its shapes and forms  is a part of our daily lives. And the more we understand money, and the language of money, the more power we have over our future. Words are the most powerful tools you can possess. Challenge yourself  and your family  to master the language of money. </p><p>The lessons in this book are simple ones and, like those in <i>Rich Dad Poor Dad</i>, they have guided me over the years. I learned that the path to wealth wasn't about being obsessed with getting the high-paying job or striving for the next promotion and pay raise. I learned that my financial destiny was not dependent upon my boss, a pay raise, the company, the economy, or luck. I learned that I could be in control.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Best known as the author of<i> Rich Dad Poor Dad</i>  the #1 personal finance book of all time  <b>Robert Kiyosaki </b>has challenged and changed the way tens of millions of people around the world think about money. He is an entrepreneur, educator, and investor who believes the world needs more entrepreneurs. With perspectives on money and investing that often contradict conventional wisdom, Robert has earned an international reputation for straight talk, irreverence, and courage and is a passionate and outspoken advocate for financial education.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>It&amp;#x27;s been nearly 25 years since Robert Kiyosaki's <i>Rich Dad Poor Dad</i> first made waves in the Personal Finance arena. It has since become the #1 Personal Finance book of all time...translated into dozens of languages and sold around the world.</p><p><br/><i>Rich Dad Poor Dad</i> is Robert&amp;#x27;s story of growing up with two dads - his real father and the father of his best friend, his rich dad - and the ways in which both men shaped his thoughts about money and investing. The book explodes the myth that you need to earn a high income to be rich and explains the difference between working for money and having your money work for you.<br/><br/><b>25 Years...20/20 Hindsight</b><br/>In the 25th Anniversary Edition of this classic, Robert offers an update on what we've seen over the past 25 years related to money, investing, and the global economy. Sidebars throughout the book will take readers "fast forward" - from 1997 to today - as Robert assesses how the principles taught by his rich dad have stood the test of time.<br/><br/>In many ways, the messages of <i>Rich Dad Poor Dad</i>, messages that were criticized and challenged two decades ago, are more meaningful, relevant and important today than they were 25 years ago.<br/><br/>As always, readers can expect that Robert will be candid, insightful... and continue to rock more than a few boats in his retrospective.<br/><br/>Will there be a few surprises? Count on it.<br/><b><i>Rich Dad Poor Dad</i></b><b>...</b><br/> Explodes the myth that you need to earn a high income to become rich<br/> Challenges the belief that your house is an asset<br/> Shows parents why they can&amp;#x27;t rely on the school system to teach their kids<br/> about money<br/> Defines once and for all an asset and a liability<br/> Teaches you what to teach your kids about money for their future financial<br/> success<br/></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>It&amp;#x27;s been nearly 25 years since Robert Kiyosaki's <i>Rich Dad Poor Dad</i> first made waves in the Personal Finance arena. It has since become the #1 Personal Finance book of all time...translated into dozens of languages and sold around the world.</p><p><br/><i>Rich Dad Poor Dad</i> is Robert&amp;#x27;s story of growing up with two dads - his real father and the father of his best friend, his rich dad - and the ways in which both men shaped his thoughts about money and investing. The book explodes the myth that you need to earn a high income to be rich and explains the difference between working for money and having your money work for you.<br/><br/><b>25 Years...20/20 Hindsight</b><br/>In the 25th Anniversary Edition of this classic, Robert offers an update on what we've seen over the past 25 years related to money, investing, and the global economy. Sidebars throughout the book will take readers "fast forward" - from 1997 to today - as Robert assesses how the principles taught by his rich dad have stood the test of time.<br/><br/>In many ways, the messages of <i>Rich Dad Poor Dad</i>, messages that were criticized and challenged two decades ago, are more meaningful, relevant and important today than they were 25 years ago.<br/><br/>As always, readers can expect that Robert will be candid, insightful... and continue to rock more than a few boats in his retrospective.<br/><br/>Will there be a few surprises? Count on it.<br/><b><i>Rich Dad Poor Dad</i></b><b>...</b><br/> Explodes the myth that you need to earn a high income to become rich<br/> Challenges the belief that your house is an asset<br/> Shows parents why they can&amp;#x27;t rely on the school system to teach their kids<br/> about money<br/> Defines once and for all an asset and a liability<br/> Teaches you what to teach your kids about money for their future financial<br/> success<br/></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mark Treddinick</b> is a celebrated Australian writer and teacher. His writing, both poetry and prose, is widely published, translated and read across the world. Mark's honours include two Premier's Prizes, the Calibre Essay Prize, the Montreal, Cardiff, Newcastle, Blake, Ron Pretty, and ACU poetry prizes. <i>The Little Red Writing Book</i>, first published in 2006, and <i>The Little Green Grammar Book</i> (2008), along with his teaching over twenty-five years, have influenced the craft of a generation of writers.</p>]]></Text>
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			<Text textformat="02"><![CDATA[What really goes on inside a sentence? What is your subject, and where is your verb, and what is its tense, and where is your modifier, and why does it matter? Where do you need a comma, and where do you not? Why are dashes and semicolons so misunderstood? When is it which and when is it that?]]></Text>
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			<Text textformat="02"><![CDATA[<p>What really goes on inside a sentence? What is your subject, and where is your verb, and what is its tense, and where is your modifier, and why does it matter? Where do you need a comma, and where do you not? Why are dashes and semicolons so misunderstood? When is it which and when is it that?</p><p>In <i>The Little Green Grammar Book</i>, Mark Tredinnick asks and answers the tough grammar questions  big and small  with the same verve and authority readers encountered in <i>The Little Red Writing Book</i>. <i>The Little Green Grammar Book</i> does for grammar what <i>The Little Red Writing Book</i> did for style. It will have you writing like a writer in no time.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mark Treddinick</b> is a celebrated Australian writer and teacher. His writing, both poetry and prose, is widely published, translated and read across the world. Mark's honours include two Premier's Prizes, the Calibre Essay Prize, the Montreal, Cardiff, Newcastle, Blake, Ron Pretty, and ACU poetry prizes. <i>The Little Red Writing Book</i>, first published in 2006, and <i>The Little Green Grammar Book</i> (2008), along with his teaching over twenty-five years, have influenced the craft of a generation of writers.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In <i>The Town Like No Other</i>, Robert McLean weaves memoir with social and economic history to tell the story of Broken Hill during its 'magic years', 19501970.</p><p>This is the portrait of a town that punched above its weight: a world-class mining centre that delivered record incomes and productivity, but also a thriving community where unions, managers and miners forged pragmatic partnerships. At the same time, artists, migrants, educators and conservationists created a cultural identity that was fiercely local yet nationally influential, shaping the way the town saw itself and how it was seen from afar.</p><p>Honest and nuanced, this is the story of a community both ordinary and extraordinary. Broken Hill was a place of strong social capital, civic pride and opportunity, yet it was also marked by contradictions  married women excluded from work, Indigenous people pushed to the margins, and families grieving lives lost underground.</p><p>Through lived experience and careful research, McLean captures Broken Hill at its zenith: resilient, inventive and deeply human, a town unlike any other in Australia's history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ann-Marie Priest</b> is the author of <i>My Tongue Is My Own: A Life of Gwen Harwood</i>, which won the 2023 National Biography Award and the 2024 Magarey Medal for Biography. She is a recipient of the Hazel Rowley Literary Fellowship and the author of several books, including <i>A Free Flame: Australian Women Writers and Vocation in the Twentieth Century</i>, which was a finalist in the Dorothy Hewett Award. A senior lecturer at Central Queensland University, she has been a Visiting Scholar at the Centre for Life Writing at Oxford University and the Institute for Ecumenical and Cultural Research at St John's University, Minnesota. She lives in rural Queensland.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>To coincide with MUMA's 50th anniversary in 2025, MUMA is launching a publication featuring 50 significant works from its Collection, each accompanied by responses from 50 key contributors, including figures from MUMA's history and fresh voices in contemporary art discourse. This handbook-style index will offer diverse perspectives, reflecting on the evolution of the Collection and interrogating the writing of art history through personal, poetic, and critical lenses. With a focus on acquisitions since 2010, the publication will re-examine how themes and movements in Australian art have been categorised. It will also include a comprehensive exhibition history and a full list of artists in the Collection. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr Rebecca Coates </b>joined MUMA as Director in July 2023. She is a museum director, curator, writer and lecturer with experience across a range of contemporary art institutions, including the Australian Centre for Contemporary Art, the National Gallery of Victoria, Melbourne International Arts Festival, and the Museum of Modern Art Oxford. Prior to joining MUMA, she was Artistic Director and CEO of the Shepparton Art Museum (SAM). Her work is grounded in a commitment to artistic leadership, community engagement, and supporting inclusive and responsive cultural programs.</p><p><b>Stephanie Berlangieri</b> joined MUMA as Curator  Research in 2024. As a curator, researcher and writer, her interests encompass digital technology, labour and mental health, and their impacts on contemporary selfhood and social relations. She is currently an Adjunct Curator at the Institute of Modern Art, Brisbane, and has previously held curatorial roles at Carriageworks, Sydney; the Museum of Contemporary Art Australia, Sydney; and the Biennale of Sydney. Recent exhibitions include <i>Desire Is a Machine</i> (IMA, Brisbane, 2025); <i>Image Economies</i> (MUMA, 2025); <i>Duty of Care</i> (IMA and Griffith University Art Museum, Brisbane, 2024); <i>Salote Tawale: I remember you</i>; and <i>The National 4: Australian Art Now</i> (Carriageworks, 2023). Stephanie has written for <i>Art Monthly Australasia</i>,<i> ArtAsiaPacific</i>, <i>Artist Profile</i> and <i>Art and Australia</i>. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Throughout much of the world, the common carp, <i>Cyprinus carpio</i>, is prized as an easily cultured, nutritious and tasty fish. It also features in a hugely popular fishery, especially in the UK, Europe and the USA. Koi, an ornamental type of carp, is revered by millions for its beautiful colours and intricate patterns. But despite carp's popularity elsewhere, it is almost universally despised in Australia.</p><p>Carp was originally introduced into Australia in the mid-1800s for ornament and angling, but since its escape into Gippsland and the MurrayDarling Basin, the fish has all but taken over our inland waterways, wreaking ecological havoc in our rivers, lakes and wetlands. In recent years, controversial methods, including a carp-killing virus, have been championed by some and maligned by others. Surprisingly perhaps, there are still carp enthusiasts in Australia who fear what such a virus might do.</p><p><i>Carp in Australia</i> tells the story of how and why one of our most hated species was brought to this country. It explores carp's relatively recent spread throughout our largest inland river system, the MurrayDarling Basin, its impacts on freshwater ecosystems and the attempts to deal with the scourge. Readers are given key insights into the management challenges and possibilities in carp's uncertain future in Australia. Is there hope for eradication, or is this fish here to stay?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Paul Humphries</b> is a river and fish ecologist with 40 years' research experience in many parts of Australia and overseas. Paul co-edited <i>Ecology of Australian Freshwater Fishes</i> with Keith Walker (CSIRO Publishing, 2013) and wrote <i>The Life and Times of the Murray Cod</i> (CSIRO Publishing, 2023).</p><p><b>Katherine Doyle</b> is an aquatic ecologist with more than 15 years' experience researching the ecology, management and restoration of freshwater and marine ecosystems. Her current research focuses on fisheries management at river infrastructure, such as hydropower and irrigation schemes, as well as on threatened and invasive fish species.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>What if some of your cells were not your own? What if they once belonged to someone else?</b></p><p><b>Part mind-bending medical mystery</b> <b></b> <b>part cutting-edge science</b> <b></b> <b><i>Hidden Guests</i></b><b> uncovers the astonishing phenomenon of microchimerism: the presence of foreign cells inside our own bodies. The incredible story of how those cells got there</b> <b></b> <b>and what they do once they arrive</b> <b></b> <b>might change everything we know about the immune system, lineage, and identity.</b></p><p>We are all told the same story as children: that we grew from a single cell into a human, that all of our cells came from the first fertilised egg, and that we have one distinct genetic code. But scientists are beginning to challenge that story.</p><p>The discovery of microchimerism shows that not all our cells are our own  some of them migrated from other bodies. How did they get there? Scientists are still studying their journey, but today we know cells are exchanged in pregnancy, through transplants and blood transfusions, and possibly even through sex. But what does this mean for our daily lives  is it really such a big deal if someone else's cell turns up in our bodies? The answer is, as author Lise Barneoud shows in <i>Hidden Guests</i>, that the implications could be earth-shattering.</p><p>In <i>Hidden Guests</i>, Barneoud interviews doctors, researchers, and medical experts at the forefront of microchimerism research. She interweaves their fascinating discoveries with the shocking human stories of microchimerism including:</p><ul><li>The story of the mother who gave birth to the genetic children of her sister...even though her sister had never been born</li><li>The story of the man whose DNA was found at a crime scene  only he was in prison at the time. It turned out that he had received a bone marrow transplant, and the DNA came from his donor  the actual offender</li><li>The story of a cancer survivor who discovered that the cells in his blood, saliva, hair, and even his semen were slowly being replaced by the cells of his organ donor</li><li>The story of a woman whose children were nearly taken away after genetic testing showed she was not their mother  until she proved that their DNA came from a vanished twin whose cells she had absorbed in utero</li></ul><p><i>Hidden Guests</i> traces the history of this still emerging science while asking philosophical and probing questions about immunity, biology, evolution, parental testing, criminal forensics, and the concept of individual identity. Barneoud makes the case for expanding our notions of both self and immunity: as ever-changing collectives of cells in relation, we are not unlike ecosystems. And like ecosystems, perhaps, the greater our diversity, the greater our resilience.</p><p><b>'[A] fascinating book...[Barneoud] ruminates on how microchimerism might change our understanding of ourselves.'</b> <b></b> <b>Sam Kean, </b><b><i>Wall Street Journal</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lise Barneoud</b> is a freelance science journalist who regularly contributes to <i>Le Monde</i> and <i>Mediapart</i>. In addition to <i>Hidden Guests</i>, she is the author of two books about vaccines, <i>Immunises?</i> and <i>Vaccins</i>. She won the 2008 Fondation Varenne award for science journalism in a national daily newspaper and the Trophees Signatures Sante's 2016 Grand Prix.</p><p><b>Olivia Campbell</b> is a journalist and the <i>New York Times</i> bestselling author of <i>Women in White Coats</i> and <i>Sisters in Science</i>.</p><p><b>J. Lee Nelson</b>, MD, published some of the first scientific studies on microchimerism in the 1990s. She heads the Nelson Lab at the Fred Hutchinson Cancer Center in Seattle, where her team investigates the health consequences of microchimerism.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><br/>When many people think of bees, they are likely to picture the western domesticated honey bee, insects that live in large, socially complex societies inside a hive with a single queen and thousands of workers. But this familiar bee is just one of more than 20,000 species of bees-and almost none of the others is anything like it. In <i>Bees of the World</i>, Laurence Packer, one of the world's foremost experts on wild bees, celebrates the amazing diversity of bees-from size and appearance to nests and social organization.<br/><br/>Providing clear, accurate accounts of the seven bee families, <i>Bees of the World</i> presents all the key information on generic characteristics, habits, and habitat, illustrated with incredible and often rare photographs that show bees in their natural habitats - foraging, nesting, raising their young, and more. The book reveals the secrets of these extraordinary insects as well as their importance in the global ecosystem and the ways humans can help protect them.</p><ul><li>Provides a richly illustrated exploration of bees from around the world</li><li>Examines more than 100 genera of bees, giving a taste of the remarkable breadth of bee appearance and biology</li><li>Explores bee anatomy, behavior, classification, evolution, life cycle, and habitats</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Turtles of the World</i> reveals the extraordinary diversity of these amazing reptiles. Characterised by the bony shell that acts as a shield to protect the softer body within, turtles are survivors from the time of the dinosaurs and are even more ancient in evolutionary terms than snakes and crocodilians. Of more than 350 species known today, some are highly endangered. In this beautiful guide, turtle families, subfamilies, and genera are illustrated with hundreds of colour photographs. Each genus profile includes a population distribution map, a table of information, and commentary that includes notable characteristics and discussion of related species.<br/></p><ul><li>More than 250 beautiful colour photos</li><li>Each profile features a distribution map, table of information, and commentary</li><li>Broad coverage includes every family and genus</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From the acclaimed author of </b><b><i>1177 B.C.</i></b><b>, a spellbinding account of the archaeological find that opened a window onto the vibrant diplomatic world of the ancient Near East.</b></p><p>In 1887, an Egyptian woman made an astonishing discovery among the ruins of the heretic king Akhenaten's capital city, a site now known as Amarna. She found a cache of cuneiform tablets, nearly four hundred in all, that included correspondence between the pharaohs and the mightiest powers of the day, such as the Hittites, Babylonians, and Assyrians. <i>Love, War, and Diplomacy</i> tells the story of the Amarna Letters and the dramatic world of the Bronze Age they revealed.</p><p>Blending scholarly expertise with painstaking detective work, Eric Cline describes the spectacular discovery, the fierce competition among dealers and museums to acquire the tablets, and the race by British and German scholars to translate them. Dating to the middle of the fourteenth century BCE and the time of Tutankhamun's immediate predecessors, Amenhotep III and his son Akhenaten, the Amarna Letters are the only royal archive from New Kingdom Egypt known to exist. In them, we learn of royal marriages, diplomatic negotiations, gift-giving, intrigue, and declarations of brotherly love between powerful rulers as well as demands made by the petty kings in Canaan who owed allegiance to Egypt's pharaohs.</p><p>A monumental achievement, <i>Love, War, and Diplomacy</i> transports readers to the glorious age of the Amarna Letters and the colonial era that brought them to light and reveals how the politics, posturing, and international intrigues of the ancient Near East are not so unlike today's.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Eric H. Cline</b> is professor of classics and anthropology at George Washington University. His many books include <i>1177 B.C.: The Year Civilization Collapsed</i>; <i>After 1177 B.C.: The Survival of Civilizations</i>; <i>Digging Deeper: How Archaeology Works</i>; and (with Glynnis Fawkes) <i>1177 B.C.: A Graphic History of the Year Civilization Collapsed</i> (all Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Why modern and contemporary art  and art conservation  can't be understood without taking account of the revolutionary impact of plastics.</b></p><p>Modern and contemporary art wouldn't exist without the invention of plastics. From sculpture to paint, and photography to film, plastics have shaped every major medium of art. In turn, plastics have revolutionised art conservation, transforming the possibilities of preservation but also producing new challenges for conservators struggling to preserve toxic and degrading material. Hailed as utopian in the twentieth century, plastics today are often understood as pollution and waste  a central cause of ecological crisis. <i>Plastics</i> is the first book to address the multifaceted history of plastics from the perspective of artists, art historians, conservators, and environmental scientists.</p><p><i>Plastics</i> demonstrates that this material cannot easily be summarised as toxic or utopian, catastrophic or necessary. Instead, plastics define the modern world in both its possibility and failures. The book also reveals how artists have been a critical overlooked voice in debates about plastics, and how they have offered theories of the material through works that explore its potential and harmfulness.</p><p>Presenting a variety of perspectives on the world of plastics through the lens of art, artmaking, art history, and art conservation, <i>Plastics</i> shows why and how coming to terms with this material is critical to understanding not only modern and contemporary art and art conservation but also the crises of the twenty-first century.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Anne Gunnison</b> is the Alan J. Dworsky Senior Associate Conservator of Objects at the Yale University Art Gallery. </p><p><b>David Joselit</b> is the Arthur Kingsley Porter Professor of Art, Film, and Visual Studies at Harvard University and the author of, among other books, <i>Art's Properties</i> and <i>After Art</i> (both Princeton).</p>]]></Text>
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			<SubjectHeadingText>Azurite; Analysis; Copper; Historical; Chinese; Creation; Malachite; Oil; Region; Corrosion; Spectroscopy; Vessels; Pigments; Nature; Bronze vessels; Verdigris; Technical; Eighteenth century; Eighteenth; Seventeenth; Painters; Portrait; Smalt; Lapis; Lazuli; Red pigment; Van; Azurite malachite; Organic pigments; Colorants; Technique; Mixture; Spectrum; Shaman; History; Plant; Mineral; Binder; Elements; Shaman mural; Layers; Canvas; Bronze; Visual; Stone; Skin; Chemical; Art; Century; Artists; Indigenous; Paintings; Surface; Earth; Conservation; Information; Substances; Artistic; Color; Organic; Objects; Sun; Mural; Human; Wall; Lakes; Paint; Materials; Trade; Identification</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Over the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colours outside the spectrum of the natural world. <i>Pigments</i> brings together leading art historians and conservators to trace the history of the materials used to create colour and their invention across diverse cultures and time periods. This richly illustrated book features incisive historical essays and case studies that shed light on the many forms of pigments - the organic and inorganic; the edible and the toxic; and those that are more precious than gold. It shows how pigments were as central to the earliest art forms and global trade networks as they are to commerce, ornamentation, and artistic expression today. The book reveals the innate instability and mutability of most pigments and discusses how few artworks or objects look as they did when they were first created.</p><p>From cave paintings to contemporary art, <i>Pigments</i> demonstrates how a material understanding of colour opens new perspectives on visual culture and the history of art.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Barbara H. Berrie</b> is senior conservation scientist and head of the Department of Scientific Research at the National Gallery of Art in Washington, DC. </p><p><b>Caroline Fowler</b> is Starr Director of the Research and Academic Program at the Clark Art Institute in Massachusetts. </p><p><b>Karin Leonhard</b> is professor of art history at the University of Konstanz in Germany. </p><p><b>Ittai Weinryb</b> is associate professor of art history at the Bard Graduate Center in New York City.</p>]]></Text>
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			<SubjectHeadingText>Abstract; Aesthetic; Aesthetic emotion; Analyze; Apples; Art; Art critics; Artistic; Atheist; Attitude; Business; Canvas; Chess; Color; Connection; Consequence; Country; Courbet; Creative; Criticism; Critics; Dada; Dealers; Death art; Delacroix; Destroy; Destroy art; Emotion; Epoch; Essence; Express; Facets; Freedom; Genius; Gray; Gray matter; Habit forming drug; Hate; Humor; Intellect; Intention; Interests; Invention; Judgment; Literature; Logical; Making money; Modern; Modern art; Money; Nonexistent; Oil; Oil paint; Onlooker; Painter; Paintings; Parasites; Player; Poetry; Posterity; Religion; Retinal; Revolution; Roussel; Sculpture; Spectator; Stopped painting; Tautology; Translation; Visual art</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A collection of provocative quotations from one of the most influential artists of the twentieth century.</b></p><p><i>Duchamp-isms</i> is a selection of illuminating quotations from Marcel Duchamp (1887-1968), one of the most important figures in the history of modern art. A painter, sculptor, writer, and chess player, Duchamp changed the very definition of art with his 'readymades'  everyday objects such as a bicycle wheel or bottle rack that he titled, signed, and presented as art. He provoked critics and the public with works such as the Cubist-Futurist painting <i>Nude Descending a Staircase, No. 2</i> (1912) and <i>Fountain</i> (1917), a readymade composed of a men's urinal signed 'R. Mutt'. Prizing the intellectual over the aesthetic, Duchamp inspired later movements like Minimalism, Conceptualism, and Pop Art. Delightful and witty, <i>Duchamp-isms</i> offers rich insights into the mind of a true icon of modern art.</p><p>The quotes in <i>Duchamp-isms</i>, drawn primarily from interviews, have been selected and introduced by Francis Naumann, a leading authority on Duchamp, and organised in eight thematic sections: philosophies of art; painting; Dada and Surrealism; the readymades; chess; literary influences; commercialism in art; and philosophies of life and death. The book also features a brief chronology of Duchamp's life and career.<br/></p><ul><li><i>'I have always had a horror of being a "professional" painter. The minute you become that, you are lost.'</i></li><li><i>'Humour and laughter  not necessarily derogatory derision  are my pet tools. This may come from my general philosophy of never taking the world too seriously  for fear of dying of boredom.'</i></li><li><i>'Art can never be adequately defined, because the translation of an aesthetic emotion into a verbal description is as inaccurate as your description of fear when you have been actually scared.'</i></li><li><i>'Art never saved the world. It cannot.'</i></li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Marcel Duchamp</b> (1887-1968) was a French painter, sculptor, writer, and chess player whose work is associated with Cubism, Dada, and conceptual art. His work is in the permanent collections of many leading museums, including the Museum of Modern Art in New York, the Philadelphia Museum of Art, and the Centre Georges Pompidou. </p><p><b>Larry Warsh</b> has been active in the art world for more than thirty years as a publisher and artist-collaborator. He was a founding member of the Basquiat Authentication Committee and is the editor of many books, including Jean-Michel Basquiat's<i> The Notebooks</i>, <i>Ono-isms</i>, <i>Warhol-isms</i>, and <i>Weiwei-isms</i> (all Princeton). </p><p><b>Francis M. Naumann</b> is an art historian, curator, and former art dealer who specializes in Dada and Surrealist art. His books include <i>New York Dada 191525</i>, <i>Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction</i>, and <i>The Recurrent, Haunting Ghost: Essays on the Art, Life, and Legacy of Marcel Duchamp</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The Sultan's Sex Potions by Nasr al-Dn al-Ts, a 13th-century scientific text, explores aphrodisiacs, sexual practices and potency. Written for a ruler, it offers a guide to desire without a physician. This bilingual edition includes key manuscripts, a translation and an introduction to Arabic erotic literature.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Arabic erotic literature has a long and rich history, which goes back as far as the ninth century. Far from being the pursuit of prurient pornographers, eroticism and sexuality received considerable attention from scholars.</p><p><i>The Sultan's Sex Potions</i> was written by Nasr al-Dn al-Ts (1201-1274), one of the leading scientists of the age, and is part of a group of works devoted to aphrodisiacs as well as sexual practices and positions. Sober and measured in tone, the treatise was intended as a guide for self healing, to be used by those afflicted with various sexual ailments, especially impotence. It was composed at the request of the ruler and so its potions, electuaries, syrups and enemas enjoyed a 'royal warrant of appointment' to arouse the lust for coitus and enhance sexual potency.</p><p>This revised edition includes three Arabic manuscripts (Berlin, Cairo and Glasgow), accompanied by an English translation as well as a new introduction to Arabic erotic literature.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nasir al-Din al-Tusi </b> (1201-1274) was a Persian polymath and prolific writer,who built up a huge oeuvre (in excess of 150 works in both Arabic and Persian), covering a large number of fields, including mathematics, geometry, mineralogy, astronomy, medicine, philosophy and theology. He also re-edited and wrote commentaries on Greek and Arabic mathematical works, which became crucial resources in the spread of the Greek sciences in the Muslim world. He was of the Ismaili and subsequently Twelver Shia Islamic belief. The Muslim scholar Ibn Khaldun (1332-1406) considered Tusi to be the greatest of the later Persian scholars.</p><p><b>Daniel L. Newman</b> is Head of the Arabic Studies Department, Professor of Arabic and Course Director of the MA in Arabic-English Translation and Interpreting at the University of Durham, UK.</p>]]></Text>
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			<SubjectHeadingText>A History of the Muslim World: From Its Origins; Arab world; Berbers; Caliphate; East Africa; Empires; Eurasia; History; India North Africa; Iran; Islam; Islamic; Michael Cook; Middle East; Muhammad; Muslim world; Ottoman Empire; Princeton University Press; Sahara; Spain; Turkey; book; civilization; history; state formation; steppes; sub-Saharan Africa; to the Dawn of Modernity</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A panoramic history of the Muslim world from the age of the Prophet Muammad to the birth of the modern era.</b></p><p>This book describes and explains the major events, personalities, conflicts, and convergences that have shaped the history of the Muslim world. The body of the book takes readers from the origins of Islam to the eve of the nineteenth century, and an epilogue continues the story to the present day. Michael Cook thus provides a broad history of a civilisation remarkable for both its unity and diversity.</p><p>After setting the scene in the Middle East of late antiquity, the book depicts the rise of Islam as one of the great black swan events of history. It continues with the spectacular rise of the Caliphate, an empire that by the time it broke up had nurtured the formation of a new civilization. It then goes on to cover the diverse histories of all the major regions of the Muslim world, providing a wide-ranging account of the key military, political, and cultural developments that accompanied the eastward and westward spread of Islam from the Middle East to the shores of the Atlantic and the Pacific.</p><p>At the same time, <i>A History of the Muslim World</i> contains numerous primary-source quotations that expose the reader to a variety of acutely insightful voices from the Muslim past.</p><p><b>'A timely, wide-ranging examination of the Muslim world...Cook's study sheds crucial light on Islamic development across borders and centuries.'</b> <b><i> Kirkus Reviews</i></b></p><p><b>'Cook tours the globe, bringing cultures and customs to life in evocative detail...An accessible history of the Muslim world.' </b> <b><i>Publishers Weekly</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michael Cook</b> is the Class of 1943 University Professor of Near Eastern Studies at Princeton University. His books include <i>Ancient Religions, Modern Politics: The Islamic Case in Comparative Perspective</i> (Princeton), <i>A Brief History of the Human Race</i>, and <i>The Koran: A Very Short Introduction</i>.</p>]]></Text>
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			<SubjectHeadingText>capitalism; climate action; climate anxiety; climate change; climate justice; collective care; culture of fear; cynicism; despair; doomism; doomscrolling; ecoanxiety; ecosystem worldview; emotional intelligence; empowerment; evidence-based hope; existential crisis; fatalism; gratitude practice; green religion; greenwashing; growth mindset; hopeless; human-centric; institutional betrayal; intergenerational; intersectionality; limiting beliefs; mindfulness; multi-species justice; news avoidance; positive affirmations; positive psychology; reparative quest; resilience building; safe spaces; self care; skepticism; social justice; solutions journalism; sustainability; trauma-informed</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>'Are you hopeful?' That is the question elin kelsey is most often asked when she speaks to young people about the emotions and anxiety wrought by the climate crisis. <i>How to Be Hopeful</i> is kelsey's answer, an inspiring exploration of hope as an active, evidence-based response to climate change and environmental degradation. Hope is not merely a passive feeling but an active choice, a stance that must be nurtured despite the ever-present sense of despair and hopelessness that often accompanies the state of the world.</p><p>Through personal reflections, scientific insights, and practical exercises, <i>How to Be Hopeful</i> emphasises emotional awareness, community collaboration, and the agency of both humans and non-human species. Some of the practices described in the book include:</p><ul><li>Accepting your fears without fatalism</li><li>Sourcing solutions-focused news and tracking positive trends</li><li>Acting from your unique gifts</li><li>Practicing interspecies etiquette</li><li>Gathering strength from your circles of support</li></ul><p>A seminal contribution to the field of environmental justice, <i>How to Be Hopeful</i> empowers readers to confront their own emotional landscapes, engage in collective action, envision a sustainable future, and ultimately, cultivate a hopeful and resilient response to the pressing issues of our time.</p><p><b>Published in Partnership with the David Suzuki Institute.</b></p><p><b><i>'How to Be Hopeful</i></b><b> is a beautifully executed explanation of why hope is so needed in the environmental space.'  Leah Thomas, author of</b> <b><i>The Intersectional Environmentalist</i></b></p><p><b>'Kelsey's nourishing work reminds us that being human and managing complex emotions is a part of the process in healing the Earth and sprouting hope around the world.'  Isaias Hernandez, @QueerBrownVegan</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>elin kelsey</b>, PhD, is an award-winning author, speaker, and thought leader. She regularly leads workshops for environmental organizations, youth climate activists, educators, and community groups on hope and the climate crisis. elin has written numerous bestselling children's books, including <i>You Are Stardust</i>, and is the author of <i>Hope Matters: Why Changing the Way We Think Is Critical for Solving the Environmental Crisis</i>. She has served as a visiting fellow at the Rachel Carson Center for the Environment and Society, the Rockefeller Foundation, the Kone Foundation, the Salish Sea Institute, the Cairns Institute, and Stanford University. kelsey splits her time between Monterey, California and Victoria, British Columbia.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An experimental work of creative non-fiction that challenges art history, confronts colonial ableism, and reclaims a stolen spirit.</b></p><p>In <i>Annah, Infinite</i>, the dominant narratives surrounding Paul Gauguin's famous painting <i>Annah la Javanaise</i> (1893-1894) are turned upside down. The book argues a simple point: what if the portrait is not one of a consenting muse, but a child in pain?</p><p><i>Annah, Infinite</i> questions the colonial power that has defined the infamous subject's unknown history. Through the mythology of Annah, Okka draws attention to the systems of ablenormativity, racism, and sexism that shape what we learn of art history and what we see on museum walls.</p><p>Alongside her critique, the author engages with <i>Annah la Javanaise</i> through poetry, fiction, and visual art. A work of emotional heft, Okka asks us to acknowledge the possibility of pain in every single portrait, as well as the possibility of escape.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Discover hundreds of intriguing, entertaining, and often hilarious origins to the English language's most curious phrases in this fascinating trivia book from best-selling author Andrew Thompson.</b></p><p>English is filled with curious, intriguing, and bizarre phrases. This book reveals the surprising, captivating, and even hilarious origins behind four hundred of them, including:</p><ul><li>Read Between the Lines</li><li>Cat Got Your Tongue? Put a Sock in It</li><li>Close, but No Cigar</li><li>Bring Home the Bacon</li><li>Caught Red-Handed</li><li>Under the Weather</li><li>Raining Cats and Dogs</li></ul><p>Perfect for trivia and language lovers alike, this entertaining collection is the ultimate guide to understanding these baffling mini mysteries of the English language.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Andrew Thompson</b> practices law but his obsession with finding out the truth about aspects of the world that we take for granted has led him to accumulate a vast body of knowledge that he has at last distilled into book form.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A fascinating insight to a much-loved county before the arrival of railways, when tourism was in its infancy.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Before the railway came to Cornwall, novelist Wilkie Collins and his artist friend Henry Brandling set out on foot from Plymouth to explore the then 'rarely visited' peninsula. In 1850, tourism was in its infancy and the pair had many adventures, visiting Land's End, Tintagel, St Michael's Mount and Loe Pool. A local guide took them on an extraordinary tour down Botallack mine, and another showed them how to scramble up the Devil's Bellows at Kynance Cove.</p><p>This charming account of their travels includes fascinating descriptions of legends and customs, pilchard fishing, ancient monuments, eccentric innkeepers and local cuisine, painting a vivid and affectionate picture of Cornwall as it was nearly 200 years ago.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Wilkie Collins</b> (18241889) was the author of the popular early detective novels <i>The Woman in White</i> and <i>The Moonstone.</i></p><p><b>Henry Brandling</b> (18231897) was a landscape artist and member of the Royal Academy.</p><p><b>Rick Stein</b> is a chef, restaurateur, writer and television presenter. His series <i>Rick Stein's Cornwall</i> aired on BBC One from 20213.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This remarkably relevant historic text provides sound advice to allotment growers and includes a handy month-by-month guide.</b></p><p>Published to help civilians grow vegetables during the First World War, <i>The Allotment Book</i> is a practical guide to making the most of whatever size allotment you have. Though written more than one hundred years ago, it contains easy-to-follow, reassuring advice, which still feels pertinent today, from an expert who firmly believes that we can all grow crops successfully, whether our allotment is tiny or large. The chapters cover digging techniques, making compost, clearing neglected ground, fertilisers, recommended varieties, a handy month-by-month guide to what to do at the allotment through the year and hints for novice growers. The philosophy of growing could not be more apt for our times: 'There is comfort in the fact that all of us, farmers, allotment-holders, and cottagers are inclined to get all we can from our land during our tenancy, without putting any more into it than we can help.'</p><p>Charmingly simple line drawings and diagrams accompany this timeless text, an ideal gift for allotment growers everywhere.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Remarkable Renaissance Books </i>tells the story of eighteen extraordinary early printed volumes, from the very first titles printed in the fifteenth century to the groundbreaking scientific texts of the Enlightenment.</p><p>Including Gutenberg's watershed Bible, a maths book illustrated by Leonardo da Vinci, Galileo's observations of mountains on the Moon, Kepler's treatise on a supernova, Robert Hooke's discovery of microscopic honeycomb structures he coined cells, and Maria Sibylla Merian's pioneering studies of metamorphosis, these beautiful books and their enthralling histories, prehistories and legacies chart the fascinating stories of readers, writers, printers, scientists, philosophers and artists, and the part they played in forging the modern world. In addition to highlighting their production and reception, the author traces each book's journey into print, painting a vivid and enthralling picture of remarkable books authored by prodigious minds. This lavishly illustrated volume brings the early print culture of the Renaissance to life and will appeal to lovers of books and history alike.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A riveting history of vampire panics across cultures and down through the millennia  and why killing the dead is better than killing the living.</b></p><p><i>Killing the Dead</i> provides the first in-depth, global account of one of the world's most widespread yet misunderstood forms of mass hysteria  the vampire epidemic. In a spellbinding narrative, John Blair takes readers from ancient Mesopotamia to present-day Haiti to explore a macabre frontier of life and death where corpses are believed to wander or do harm from the grave, and where the vampire is a physical expression of society's inexplicable terrors and anxieties.</p><p>In 1732, the British public opened their morning papers to read of lurid happenings in eastern Europe. Serbian villagers had dug up several corpses and had found them to be undecayed and bloated with blood. Recognising the marks of vampirism, they mutilated and burned them. Centuries earlier, the English themselves engaged in the same behaviour. In fact, vampire epidemics have flared up throughout history  in ancient Assyria, China, and Rome, medieval and early modern Europe, and the Americas. Blair blends the latest findings in archaeology, anthropology, and psychology with vampire lore from literature and popular culture to show how these episodes occur at traumatic moments in societies that upend all sense of security, and how the European vampire is just one species in a larger family of predatory supernatural entities that includes the female flying demons of Southeast Asia and the lustful <i>yogins</i> of India.</p><p>Richly illustrated, <i>Killing the Dead</i> provocatively argues that corpse-killing, far from being pathological or unhealthy, served as a therapeutic and largely harmless outlet for fear, hatred, and paranoia that would otherwise result in violence against marginalised groups and individuals.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A scientific adventure story that dramatises how profoundly our oceans have changed over the past 150 years.</b></p><p>In December 1872, HMS<i> Challenger</i> embarked on the first round-the-world oceanographic expedition. Its goal: to shine a light for the first time on the mysteries of the deep sea. For the next four years, <i>Challenger's</i> naturalists explored the oceans, encountering never-before-seen marvels of marine life. The expedition's achievements are the stuff of legend. It identified major ocean currents and defining features of the seafloor, including the Mid-Atlantic Ridge and Mariana Trench. It measured worldwide sea temperatures and chemistry, creating baseline data for all ocean research since. And, most spectacularly of all, it collected nearly five thousand sea creatures and plants new to science. In <i>The Wake of HMS Challenger,</i> Gillen D'Arcy Wood looks afresh at this legendary scientific odyssey and shows why, 150 years later, its legacy looms larger than ever.</p><p>The <i>Challenger</i>'s scientists had no way of knowing that the incredible undersea aquarium they were documenting was on the verge of catastrophic change. Off Portugal, they encountered a brilliant starfish now threatened with extinction by microplastics; in St. Thomas, teeming coral habitats that today have been decimated by ocean warming; and at remote Ascension Island, the breeding grounds of the now-endangered green turtle. Lyrical and elegiac, <i>The Wake of HMS Challenger</i> offers a stunning before-and-after picture of our global oceans. It is both a reminder of what we have lost since the Victorian age and an urgent call to preserve what remains of the diverse life and wild beauty of our planet's final frontier.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gillen D'Arcy Wood</b> is the Robert W. Schaefer Professor of Liberal Arts and Sciences at the University of Illinois, Urbana-Champaign. He is the author of the award-winning <i>Tambora: The Eruption That Changed the World</i> and <i>Land of Wondrous Cold: The Race to Discover Antarctica and Unlock the Secrets of Its Ice</i> (both Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A gripping history of the polar continent, from the great discoveries of the nineteenth century to modern scientific breakthroughs.]</b></p><p>Antarctica, the ice kingdom hosting the South Pole, looms large in the human imagination. The secrets of this vast frozen desert have long tempted explorers, but its brutal climate and glacial shores notoriously resist human intrusion.&amp;nbsp;<i>Land of Wondrous Cold</i>&amp;nbsp;tells a gripping story of the pioneering nineteenth-century voyages, when British, French, and American commanders raced to penetrate Antarctica's glacial rim for unknown lands beyond. These intrepid Victorian explorers - James Ross, Dumont D'Urville, and Charles Wilkes - laid the foundation for our current understanding of&amp;nbsp;<i>Terra Australis Incognita.</i></p><p>Today, the white continent poses new challenges, as scientists race to uncover Earth's climate history, which is recorded in the south polar ice and ocean floor, and to monitor the increasing instability of the Antarctic ice cap, which threatens to inundate coastal cities worldwide. Interweaving the breakthrough research of the modern Ocean Drilling Program with the dramatic discovery tales of their Victorian forerunners, Gillen D'Arcy Wood describes Antarctica's role in a planetary drama of plate tectonics, climate change, and species evolution stretching back more than thirty million years. An original, multifaceted portrait of the polar continent emerges, illuminating our profound connection to Antarctica in its past, present, and future incarnations.</p><p>A deep-time history of monumental scale,&amp;nbsp;<i>Land of Wondrous Cold</i>&amp;nbsp;brings the remotest of worlds within close reach - an Antarctica vital to both planetary history and human fortunes.</p><p><b>'When we think of Antarctic exploration we think of Scott, Shackleton and Mawson and the tragic golden age of polar exploration. But, as environmentalist Gillen D'Arcy Wood reveals there was a first wave in the late 1830s and '40s. His tale revolves around the voyages of French, American and English explorers Jules Dumant d'Urville, Charles Wilkes and James Ross, all involved in an intensely competitive race to Antarctica. Their stories are touched by triumph and tragedy, the uplifting and the poignant with D'Arcy Wood's descriptions of his subjects and the natural world, evocative and vivid  whales 'grazing on the algal film of the ocean's surface like cattle on a meadow'. Woven into this is the history of the region, scientific discoveries, glaciation and climate change, a balancing act D'Arcy Wood carries off with creative poise.' - <i></i><a href="https://www.smh.com.au/culture/books on-fiction-reviews-land-of-wondrous-cold-and-three-others-20200326-p54ebx.html" target="_blank">Sydney Morning Herald,</a> Pick of the Week</b></p>]]></Text>
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			<SubjectHeadingText>acti; archaeology; architecture; art; artifacts; artworks; collective; community; conflict; crisis; culture; degradation; destruction; documentation; emotional; erasure; essays; genocide; heritage; history; identity; intangible; interdisciplinary; intervention; interviews; journalism; law; legal; loss; maps; memory; narrative; photography; poems; preservation; resilience; resistance; resource; scholarship; sites; storytelling; suffering; survival; tangible; testimony; trauma; visual; voices; war</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Archiving Gaza in the Present addresses the urgent crisis of cultural loss amid ongoing conflict. Edited by Venetia Porter and Dina Matar, this interdisciplinary collection documents destruction and explores heritage preservation through essays, interviews and 100+ visuals, stressing Gaza's cultural memory.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Conflict does more than destroy physical spaces. It extinguishes lives, erases histories and disrupts the collective memory of entire communities. In Gaza, where genocide has wrought catastrophic loss, the destruction of heritage adds another dimension of devastation. Yet amid the rubble, acts of archiving, art-making and storytelling persist.</p><p><i>Archiving Gaza in the Present</i> brings together voices from Palestine and beyond to document the cultural erasure and to explore how creative and archival practices resist it. Contributions from curators, architects, artists, journalists, lawyers and scholars capture Gaza's once-vibrant cultural life, now turned to rubble.</p><p>Featuring rich visual material  from fragmented WhatsApp testimonies to forensic documentation  and including artworks, maps and photographs, <i>Archiving Gaza in the Present</i> is both a living archive and a call to action. It is a vital resource for understanding Gaza's cultural survival amid destruction.</p><p>In partnership with the Arab British Centre.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Venetia Porter</b> is an Honorary Research Fellow at The Courtauld Institute of Art and at The British Museum. She was formerly Senior Curator for Islamic and Contemporary Middle East art at The British Museum and the lead curator for the Albukhary Foundation Gallery of the Islamic World, which opened 2018.</p><p><b>Dina Matar</b> is Professor of Political Communication and Arab Media at the Centre for Global Media and Communication at SOAS, University of London. She is the chair of the Centre for Palestine Studies at SOAS, and the founding editor of the Middle East Journal of Culture and Communication.</p>]]></Text>
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			<SubjectHeadingText>Trump; Liberal; Conservative; Deneen; Christian; Claremont; Anton; Politics; Liberalism; Vermeule; Jaffa; Nationalism; Conservatism; Education; Hazony; Law; Straussian; Economic; Power; Arguments; Eastman; Modern; Election; Country; Students; History; Speech; Bloom; Rufo; Moral; War; Goldwater; Ideas; Kesler; Government; Nation; George; Human; Hillsdale; Culture; Institutions; Catholic; Campaign; Religious; Mainstream; Philosophy; Ahmari; Wolfe; Trumpism; Cultural; Strauss; Legal; Republican; Historical; Democracy; Michael; Tradition; Alamariu; Radical; Krein; Pappin; Intellectuals; Freedom; Racism; Natcon; Higher; Foundation; Woke; Identity; Efforts</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The story of the radical conservative intellectual movement shaping Donald Trump's agenda  and how it threatens American freedoms, values, and democracy</b></p><p>Donald Trump is not a big thinker, but his 2016 presidential victory presented a grand opportunity for people who are, and it set off a radicalisation and reconfiguration of the American conservative intellectual world. In <i>Furious Minds</i>, Laura Field, who spent close to a decade in conservative academic circles, chronicles the rise of the New Right  the network of academics, public intellectuals, and influencers who provide ideological fuel to Trumpism. This movement includes figures such as Patrick Deneen, Christopher Rufo, Peter Thiel, and JD Vance. Their agenda is built to last, and it has dire long-term implications for liberal democracy.</p><p>The New Right has precedents in American history, but it is distinct for its youthfulness, misogyny, and extraordinary successes  most notably the elevation of Vance to the vice presidency. The movement  which draws together associates of the right-wing Claremont Institute, National Conservatives, Postliberals, and the Hard Right  advocates nationalist economics, tight borders, isolationism, and reactionary social values. It helped to strategise January 6th and created Project 2025. But above all, the New Right is engaged in a vast culture war against modern liberal pluralism. It is determined to harness state power and use it in new, illiberal ways, from college campuses to the international scene  all driven by the fantasy of restoring a pure America.</p><p>Incisive and urgent, <i>Furious Minds</i> tells the story of the thinkers of the New Right  and their powerful assault on American freedoms, values, and ideals.</p><p><b>'[An] excellent new book.'  Michelle Goldberg, </b><b><i>New York Times</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Laura K. Field</b> is an associate with the Illiberalism Studies Program at George Washington University and a nonresident fellow at the Brookings Institution. She has written about the New Right for <i>The New Republic</i>, <i>Politico</i>, <i>The Bulwark</i>, and other publications, and holds a PhD in government from the University of Texas at Austin. She lives in Washington, DC.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Trauma, attachment wounds and external criticism can leave us battling a sense of shame and inadequacy that can keep us from thriving personally and in relationships. In <i>Transforming the Shame Triangle</i>, psychotherapist Jessica Fern and restorative justice facilitator David Cooley use a synthesis of Internal Family Systems and Narrative Process to identify the three parts that they identify as the greatest barriers to achieving the life we want.</p><p>The Inner Critic, Shame, and the Escaper are players in an internalised drama triangle, acting as perpetrator, victim and rescuer. Together, they create the Shame Triangle, which can trap us in ineffective survival strategies that prevent us from embracing and expressing our true selves.</p><p>Through practical exercises and accessible explanations, readers are guided to shift from a state of self-critique to one of self-support-transforming the Shame Triangle to a love triangle. Using parts work, Fern and Cooley open a path to healing and transformation, building a foundation of authenticity and integrity in self and connections, and ultimately creating a more fulfilling life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jessica Fern</b> is a psychotherapist, public speaker, and trauma and relationship expert. In her international private practice, Jessica works with individuals, couples and people in multiple-partner relationships who no longer want to be limited by their reactive patterns, cultural conditioning, insecure attachment styles and past traumas, helping them to embody new possibilities in life and love.</p><p><b>David Cooley</b> is a professional restorative justice facilitator, diversity and privilege awareness trainer, and bilingual cultural broker. He is the creator of the Restorative Relationships Conversations model, a process that transforms interpersonal conflict into deeper connection, intimacy and repair. In his private practice, David specialises in working with nonmonogamous and LGBTQ partnerships, incorporating a variety of modalities including trauma-informed care, attachment theory, somatic practices, narrative theory and mindfulness-based techniques.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Discover the power of miso</b> <b></b> <b>Japan's all-purpose fermented ingredient that is packed with flavour and probiotic goodness!</b></p><p>Miso is produced by fermenting soybeans with salt and koji yeast. Not only is it packed with nutrition and gut-friendly probiotics  supporting immunity, digestion, anti-aging and recovery from fatigue  it enhances the flavor of any dish you add it to. Use it in miso soups, Japanese and Western-style meals, even snacks and desserts. It boosts umami, tenderises meats and brings a new level of deliciousness to your cooking!</p><p>In this beautifully illustrated book, Japanese fermentation expert and cookbook author Misa Enomoto shares her passion for miso  a staple in Japanese kitchens for centuries.</p><p>She presents 87 delicious recipes based around this incredibly versatile ingredient, including:</p><ul><li>Next-Level Miso Soups like Onion, Carrot &amp; Ginger and Hearty Pork with Root Vegetables</li><li>Snacks and Sides like Miso Butter Toast and Carrot &amp; Walnut Miso Slaw</li><li>Main Dishes like Miso Fried Chicken, Miso-Marinated Grilled Pork and Shiso Miso Gyoza</li><li>Noodle and Rice Dishes like Miso Carbonara and Miso Butter Chicken Curry</li><li>Dressings, Sauces and Dips like Cheesy Miso Dip, Sesame Miso Sauce and Onion Miso Dressing</li><li>Sweet-Salty Desserts like Miso Cheesecake and Miso Banana Bread</li></ul><p>Enomoto also shows you how to make your own overnight miso at home along with other popular Japanese fermented seasonings like shio koji. These simple, economical recipes will transform your cooking and improve your health in the process!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Misa Enomoto</b> is a chef and fermentation master and the author of <i>Fermentation for Life</i> (Tuttle) as well as several books in her native Japan. Her areas of specialization include small-batch miso, rice bran and desserts and sweets made with mirin. Follow her on YouTube at 'Misa Enomoto's Seasonal Cooking', or visit her website: futari-gohan.jp, which offers seasonal handicraft and recipe ideas for couples.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A revelatory journey into the Spanish Civil War's physical and visual legacies, investigating how conflict is memorialised, and obscured, today.</b></p><p>The Spanish Civil War was one of the twentieth century's most momentous conflicts.</p><p>Nick Lloyd traces this legacy through a series of road trips. Travelling through Catalonia and Aragn, among the last Republican strongholds, he visits battle sites, museums, memorials and more. Speaking with historians, local guides and descendants of International Brigaders, he discovers how places and objects offer clues to a painful past. A Barcelona plaque, metres from the author's home, commemorates the birthplace of Francesc Boix, a photographer whose short but eventful life took him from the Catalan front to the Nuremberg witness box. In Huesca, a dogged journalist builds monuments to his city's wartime resistance, while the preserved ruins of Belchite mark the devastation of fierce street fighting. A journey across the Franco-Spanish border follows the footsteps of the anti-fascist refugees later incarcerated in French concentration camps.</p><p>As debates over 'historical memory' highlight enduring political rifts, Lloyd powerfully chronicles how war is remembered  or not  in Spain and beyond.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nick Lloyd </b>runs an acclaimed Spanish Civil War tour in Barcelona. His previous book, <i>Forgotten Places</i>, is an in-depth look at the conflict in that city. In addition to modern Spanish history, he has a strong interest in Iberian wildlife. He lives with his partner and children in Poble-sec, Barcelona.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The end of the ancient world was long regarded by historians as a time of decadence, decline, and fall. In his career-long engagement with this era, the widely acclaimed and pathbreaking historian Peter Brown has shown, however, that the 'neglected half-millennium' now known as late antiquity was in fact crucial to the development of modern Europe and the Middle East.</p><p>In <i>Journeys of the Mind</i>, Brown recounts his life and work, describing his efforts to recapture the spirit of an age. As he and other scholars opened up the history of the classical world in its last centuries to the wider world of Eurasia and northern Africa, they discovered previously overlooked areas of religious and cultural creativity as well as foundational institution-building. A respect for diversity and outreach to the non-European world, relatively recent concerns in other fields, have been a matter of course for decades among the leading scholars of late antiquity.</p><p>Documenting both his own intellectual development and the emergence of a new and influential field of study, Brown describes his childhood and education in Ireland, his university and academic training in England, and his extensive travels, particularly in the eastern Mediterranean and the Middle East. He discusses fruitful interactions with the work of scholars and colleagues that include the British anthropologist Mary Douglas and the French theorist Michel Foucault, and offers fascinating snapshots of such far-flung places as colonial Sudan, midcentury Oxford, and prerevolutionary Iran. With <i>Journeys of the Mind</i>, Brown offers an essential account of the 'grand endeavour' to reimagine a decisive historical moment.</p><p><b>'Brown] delivers an insightful and detailed chronicle of his life and academic career...A rewarding combination of the personal and the scholarly, this is a valuable resource for students of the ancient world and the early Middle Ages.'  </b><b><i>Publishers Weekly</i></b></p><p><b>'This meticulous and lively account of [Brown's] intellectual development lovingly acknowledges all the scholars  from his school days onward  whose work helped shape his own...This book offers no less than a template for how to live, in an uncertain world, while surrounded by death and the unraveling of all we know: that is, in generous recognition of our teachers, with boundless curiosity, and buoyed by the delight of lifelong scholarship.'  Claire Messud,</b> <b><i>Harper's</i></b></p><p><b>'No historian has evoked more vividly the strange waltz between a transcendent faith and earthly powers in the centuries from Constantine to Muhammad (a period the book's author named 'late antiquity') than Peter Brown.</b> <b><i>Journeys of the Mind: A Life in History</i></b><b> is a gripping new memoir about how he came to do it...A sustained and moving meditation on how historians of any faith cope with the strangeness of its past.'  Michael Ledger-Lomas,</b> <b><i>Los Angeles Review of Books</i></b></p><p><b>'An enthralling account of an eminent scholar at work....</b><b><i>Journeys of the Mind</i></b><b> may well be the most romantic book of the year.'  Michael Dirda,</b> <b><i>Washington Post</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Peter Brown</b> is the Philip and Beulah Rollins Professor Emeritus of History at Princeton University. He is the author of <i>Through the Eye of a Needle: Wealth, the Fall of Rome, and the Making of Christianity in the West, 350550 AD</i> (Princeton); <i>The Rise of Western Christendom: Triumph and Diversity, A.D. 200</i><i>1000; The Ransom of the Soul: Afterlife and Wealth in Early Western Christianity</i>; <i>Treasure in Heaven: The Holy Poor in Early Christianity</i>; and many other books.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Drive lasting change with a new, nimbler organisation focused on continuous change.</b></p><p>Our organisations are stuck. We talk about agility but find ourselves bogged down in bureaucracy. We aspire to innovate but run into systems built to prevent mistakes, not spark breakthroughs. We need to learn and adapt, but we're operating with an outdated playbook built for efficiency and control. And our attempts to fix all this  by pouring trillions into huge, top-down transformations  make the problems worse.</p><p>One of nature's most intelligent and curious creatures, the octopus is everything your organisation needs to be: smart, endlessly adaptable, and highly resilient. Its eight tentacles work in concert, but each can also think for itself. This book shows how to achieve the same balance of cohesion and autonomy and to guide your organisation toward a living, breathing system-one that learns, adapts, and thrives by tapping into the distributed intelligence of its people.le.</p><p>One of nature's most intelligent and curious creatures, the octopus is everything your organization needs to be: smart, endlessly adaptable, and highly resilient. Its eight tentacles work in concert, but each can also think for itself. This book shows how to achieve the same balance of cohesion and autonomy and to guide your organization toward a living, breathing system  one that learns, adapts, and thrives by tapping into the distributed intelligence of its people.</p><p>Drawing on their experience at companies such as Amazon and McDonald's and work with hundreds of global companies, AWS executives Phil Le-Brun and Jana Werner show you how to break away from the broken model of transformation and embrace continuous change. They share thirty-six 'antipatterns'  conditioned habits  that keep us stuck and, in their place, provide 'levers' that create meaningful improvement in months, not years.</p><p><i>The Octopus Organization</i> is your guide to moving beyond rigid structures and nurturing the living, adaptable organisation you aspire to create, and be a part of.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Phil Le-Brun</b> is an enterprise strategist at Amazon Web Services and a former corporate VP and international CIO at McDonald's Corporation. At McDonald's he co-led the consolidation and modernization of technology across thirty-eight thousand restaurants globally. In his current role, Phil engages with <i>Fortune</i> 500 executives and their teams and with public-sector customers to mentor, advise, and guide them on their journeys to become more adaptable organisations. He is a sought-after speaker and has been featured in <i>Harvard Business Review</i>, the <i>Wall Street Journal</i>, and <i>The Guardian</i>.</p><p><b>Jana Werner</b> is an enterprise strategist at Amazon Web Services, where she guides the executive teams of <i>Fortune</i> 500 companies in building adaptive customer-centric organizations. Her insights are forged from a career at the intersection of business strategy and technology: leading major digital transformations in financial services, guiding and scaling tech startups to growth and acquisition, and advising on complex global change at DHL. Her academic background in uncertainty dynamics grounds her practical advice for leaders navigating complex environments and building resilient organisations.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From the author who defined the Experience Economy comes the next big shift: the Transformation Economy.</b></p><p>A fundamental economic shift is emerging. Goods, services  even memorable experiences  are no longer enough to attract and keep your customers. Customers are clamoring to change, eager to reach their aspirations and to become better versions of themselves.</p><p>Welcome to the Transformation Economy.</p><p>To truly compete in today's marketplace, enterprises must create transformative experiences that guide customers to achieve their aspirations, whether that's improving well-being, increasing prosperity, developing knowledge, or finding purpose. These aspirations speak to customers' greatest desires, their dreams for the future, and their conceptions of who they are and who they strive to be.</p><p>In this book, bestselling author B. Joseph Pine II builds on his iconic work on the Experience Economy to explain what this new shift means for companies looking to stand out and gain competitive advantage. Using examples from organisations across industries, including Noom, Symplany, Hydrafacial, London Business School, and Johnnie Walker Whisky, Pine provides practical, proven frameworks for organisations to design, create, and guide transformative offerings that help customers reach their greatest aspirations and flourish over the long term.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Innovation doesn't just happen. You need to lead it. Discover the three critical roles leaders must play in driving  and scaling  innovation.</b></p><p>Constant tech disruption. Unrelenting economic volatility. Radically shifting demographics and work norms. More than ever, we need to innovate amid these daunting global challenges. But do we have the leaders  and the leadership  it takes to make this innovation happen successfully?</p><p>Yes, we do. As preeminent leadership scholar Linda Hill, Harvard researcher Emily Tedards, and former Microsoft innovation executive Jason Wild show in this powerful book, there are indeed exemplary leaders to learn from  and in <i>Genius at Scale</i>, the authors present stories of such leaders in fascinating detail, not only igniting your imagination but providing inspiring and instructive models to follow. Hill's award-winning last book, <i>Collective Genius</i>, began the crucial task of showing how successful innovation doesn't just happen  it needs to be <i>led</i>. Now, <i>Genius at Scale</i> breaks new ground, highlighting that moving from generating new ideas to actually scaling them involves <i>co-creation</i>  collaborating, experimenting, and learning with others both inside and beyond the boundaries of the organisation. This requires three distinct types of leadership mindset and behaviors:</p><ul><li>Leader as Architect: shaping culture and capabilities for co-creation</li><li>Leader as Bridger: building partnerships across groups and organisations</li><li>Leader as Catalyst: cultivating and activating movements across ecosystems</li></ul><p>The authors vividly profile these three types of leaders with individuals from all kinds of companies, across private and public sectors  from high tech to hospitals to consumer products  who illustrate the mindset and skills needed for leading in a world more uncertain and challenging than ever before.</p><p><i>Genius at Scale</i> provides an essential guide for any current or aspiring leader in mastering the art and practice of innovation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Linda A. Hill</b> is the Wallace Brett Donham Professor of Business Administration at Harvard Business School and Faculty Chair of the Leadership Initiative. She is the coauthor of <i>Collective Genius: The Art and Practice of Leading Innovation</i> and the cofounder of InnovationForce, named by <i>Fast Company</i> as a 2023 Innovative Company to Watch. </p><p><b>Emily Tedards</b> is a doctoral student in organizational behavior at Harvard Business School and a doctoral fellow for the Reimagining the Economy Initiative at Harvard Kennedy School. </p><p><b>Jason Wild</b> is the former Global Vice President and CEO of Co-Innovation and Customer Engagement at Microsoft. Prior to that, he was the Senior Vice President of Transformation and Innovation at Salesforce.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A lively and entertaining cultural history of a supremely annoying intellectual vice.</b></p><p>Intellectuals have long provoked scorn and irritation, even downright aggression. Many learned individuals have cast such hostility as a badge of honor, a sign of envy, or a form of resistance to inconvenient truths. <i>On Pedantry</i> offers an altogether different perspective, revealing how the excessive use of learning has been a vice in Western culture since the days of Socrates.</p><p>Taking readers from the academies of ancient Greece to today's culture wars, Arnoud Visser explains why pretentious and punctilious learning has always annoyed us, painting vibrant portraits of some of the most intensely irritating intellectuals ever known, from devious sophists and bossy savantes to hypercritical theologians, dry-as-dust antiquarians, and know-it-all professors. He shows how criticisms of pedantry have typically been more about conduct than ideas, and he demonstrates how pedantry served as a weapon in the perennial struggle over ideas, social status, political authority, and belief. Shifting attention away from the self-proclaimed virtues of the learned to their less-than-flattering vice, Visser makes a bold and provocative contribution to the history of Western thought.</p><p>Drawing on a wealth of sources ranging from satire and comedy to essays, sermons, and film, <i>On Pedantry</i> sheds critical light on why anti-intellectual views have gained renewed prominence today and serves as essential reading in an age of rising populism across the globe.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The story of ancient Rome is predominantly one of great men with great fortunes. <i>Surviving Rome</i> unearths another history, one of ordinary Romans, who worked with their hands and survived through a combination of grit and grinding labour.</p><p>Focusing on the working majority, Kim Bowes tells the stories of people like the tenant farmer Epimachus, Faustilla the moneylender, and the pimp Philokles. She reveals how the economic changes of the period created a set of bitter challenges and opportunistic hustles for everyone from farmers and craftspeople to day labourers and slaves. She finds working people producing a consumer revolution, making and buying all manner of goods from fine pottery to children's toys. Many of the poorest working people probably pieced together a living from multiple sources of income, including wages. And she suggests that Romans' most daunting challenge was the struggle to save. Like many modern people, saving enough to buy land or start a business was a slow, precarious slog. Bowes shows how these economies of survival were shared by a wide swath of the populace, blurring the lines between genders, ages, and legal status.</p><p>Drawing on new archaeological and textual evidence, <i>Surviving Rome</i> presents a radical new perspective on the economy of ancient Rome while speaking to the challenges of today's labourers and gig workers surviving in an unforgiving global world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kim Bowes</b> is professor of archaeology and ancient history at the University of Pennsylvania. She is the author of <i>Houses and Society in the Later Roman Empire</i> and <i>Private Worship, Public Values, and Religious Change in Late Antiquity</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Russia is intent on attacking beyond Ukraine. Can Europe defend itself?]]></Text>
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			<Text textformat="02"><![CDATA[<p>Russia is intent on attacking beyond Ukraine. Can Europe defend itself?</p><p>While Ukraine holds back Russia's onslaught, Moscow has been working hard at rebuilding its army for the next invasion. But for the past 30 years, Britain and Europe have been running down their armed forces and defence industries, thinking that war would never come. Most of the continent banked an increasingly illusory 'peace dividend' while outsourcing defence to the United States.</p><p>Now, change in the US and clear intent from the Kremlin have set Europe scrambling to rebuild its defences. But will it be enough, and can it be in time?</p><p>In this urgent, vital book, Keir Giles lays out the stark choices facing leaders and societies as they confront the return of war in Europe. If the freedom and prosperity that the continent takes for granted are to be preserved, the sacrifices required will affect everyone, without exception. Above all, Giles calls for new leadership in defence of Europe as the US steps aside  and warns that the UK's brief opportunity to set the pace has already been squandered.</p><p><b>'A blistering account of our defence shortcomings.'</b> <b></b> <b><i>The Times</i></b></p><p><b>'[Giles] elegantly weaves together isolationism in the United States, failures of Europe's leadership, and the collective naivete of the West in understanding the imperialist threat of Putin's Russia.'</b> <b></b> <b><i>Foreign Policy</i></b></p><p><b>'A powerful warning.' </b> <b><i>iNews</i></b></p><p><b>'A well-written book, offering detailed insights and perspectives on the gravity of Europe's security situation, which will have spillover effects worldwide.'</b> <b></b><i> </i><b><i>The Strategist</i></b></p><p><b>'Timely and excellent.'</b> <b></b> <b><i>Australian Financial Review</i></b></p><p><b>'[Giles] has some excellent points to make.'</b> <b></b> <b><i>Naval Review</i></b></p><p><b>'Keir Giles has been warning us for many years of Russia's determination to re-arm, remilitarise and rebuild an empire. Now he offers a stark warning for Europe and the world: the only alternative to planning for a war is planning to lose it.'</b> <b> Anne Applebaum</b></p><p><b>'A powerful and urgent analysis of Europe's looming security challenges</b> <b></b> <b>this book is a wake-up call for anyone who cares about the future of the continent.'</b> <b></b> <b>Eliot Higgins, Director, Founder of Bellingcat</b></p><p><b>'Russia's intent can no longer be denied</b> <b></b> <b>but as Keir Giles explains in chilling detail, Europe's defences are lagging behind the threat. This book is a vital call to action to preserve the way of life Europe takes for granted, before it is too late.'</b> <b></b> <b>Toomas Hendrik Ilves, former president of Estonia</b></p><p><b>'A forcefully argued, often bitingly vehement attack on the state of European security policy in the wake of Russia's expanded invasion of Ukraine.'</b> <b></b><b><i> Diplomatic Courier</i></b></p><p><b>'Keir Giles presents the reader with a disturbing catalogue of Europe's weaknesses, and how Russia is planning to exploit them. As regards Europe and the West in general, Russia is a hostile actor, has always been, and will always be, and collectively, Europe should expect that Russia will exploit to the fullest, not just the vulnerabilities it can create, but the vulnerabilities Europe has created for itself.'</b> <b> Gen John R. Allen, US Marine Corps (Ret), former commander NATO International Security Assistance Force (ISAF)</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In </b><b><i>The People vs. the Golden State Killer</i></b><b>, Thien Ho, the current District Attorney of Sacramento, recounts his harrowing and exhilarating experience as the lead prosecutor responsible for capturing and prosecuting Joseph DeAngelo. Referred to at various times by law enforcement and the media as the Visalia Ransacker, the East Bay Rapist, the Original Nightstalker, and finally the Golden State Killer, DeAngelo, a former policeman, is widely considered 'one of the most notorious serial predators in American history'.</b></p><p>Ho's book is the first official account of how the Golden State Killer was apprehended and put behind bars for life. Ho led an elite team of law enforcement from six California prosecutor's offices, using a newly developed tool known as 'investigative genetic genealogy' to connect DeAngelo to multiple cold cases stretching back nearly a half century.</p><p>Many previous narratives about DeAngelo, including two bestselling books and multiple documentaries, focused largely on the killer and his heinous crimes. This book not only provides hundreds of facts and details never revealed to the public about the Golden State Killer's crimes, it also presents the real-life story of the people who worked tirelessly to bring DeAngelo to justice. It also offers the unprecedented authorized perspective of three survivors of DeAngelo's crimes who courageously turned their pain into empowerment and activism. A portion of the book's proceeds will be donated both by the author and Third State Books to Phyllis's Garden, a nonprofit advocating for victims' rights begun in honor of a GSK survivor.</p><p><i>The People vs. the Golden State Killer</i> also recounts Ho's fascinating personal journey, from escaping communist Vietnam with his family as a child to working his way up from an internship to an elite homicide division and eventually becoming one of only ten Asian American district attorneys out of 2,400 nationwide.</p><p><b>'A riveting behind-the-scenes account about the investigation, capture, and prosecution of the Golden State Killer.'</b> <b></b> <b>Paul Holes, bestselling author of </b><b><i>Unmasked</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Thien Ho</b> was elected District Attorney of Sacramento County in 2022, and officially took office in January 2023. Over Thien's 25-year career as an attorney, he successfully prosecuted sexual assault, gang and homicide cases. He was the supervisor of the Gang and Hate Crime Unit and has personally charged and prosecuted hate crimes. Most notably, he successfully prosecuted Joseph DeAngelo, who committed 13 murders and over 50 sexual assaults in 11 different jurisdictions throughout California. In 2017, he was presented with both the National Asian Pacific Islander Prosecutors Association and Sacramento District Attorney's Office Prosecutor of the Year Award. </p>]]></Text>
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			<Text textformat="02"><![CDATA[For readers of John Vaillant's The Tiger and Peter Matthiessen's The Snow Leopard comes a personal exploration of one man's search for an elusive animal, and the comfort of nature in a changing, uncertain world.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In this 'book of great power and tenderness' (Charles Foster), a quest for an elusive animal reveals the comfort of nature in a changing, uncertain world.</b></p><p>Fifty years after Dag O. Hessen encounters wolverine tracks on a ski trip with his father and follows them until they disappear down a steep passage, he's back to search for the animal that escaped him. His father is long gone but the mountains are still there  and somewhere out there is a wolverine, an elusive creature of myth and mystery. In Hessen's imagination, the wolverine is wilderness in animal form, representing everything lost to us in a nature that is being steadily reduced to a tame vestige of its former self. Wolverines have a reputation as vicious gluttons: they've been known to kill a reindeer, bite its head off, and then hang it high up in a tree like a trophy. Yet wolverines can also be shy and playful, skidding down slopes and scaling mountain peaks for no apparent reason  perhaps, like humans, just to enjoy the view.</p><p>Over the course of a year, Hessen returns to the mountains in every season, but, since the passing of his father and sister, it's no longer just a wolverine that he seeks. As Hessen walks and skis over peaks and valleys on the wolverine's trail, spending his nights in silence with only the starry skies for company, he shares his biologist's deep knowledge of flora and fauna through the changing seasons and in a changing climate. He also draws on literary explorations of humans and nature, wildness versus civilisation, and, of course, wolverines, referencing writers including Thoreau, E. O. Wilson, Jon Krakauer, and Kerstin Ekman.</p><p><i>Wolverine Tracks</i> is a story about time passing, about change and loss in nature and in Hessen's own life. It's also a book about what it means to be human in our tumultuous world, and the joy and power of being in nature.</p><p><b>'Deeply philosophical, addressing the questions that we are all pondering about our place in this world and the degree to which we are part of nature. A book for your bedside table.'</b> <b> Catherine Raven, author of the </b><b><i>New York Times</i></b><b> bestseller </b><b><i>Fox &amp; I</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dag O. Hessen</b> is a Norwegian writer and biologist whose writing lies at the crossroads of biology and philosophy. He has written many scientific works as well as popular science books about evolution, biology, and the environment. Hessen is a member of the Norwegian Academy of Science and Letters and has received several awards for his promotion of popular science.</p>]]></Text>
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			<SubjectHeadingText>A Radical Rethinking of the Way to Fight Global; Poverty; Abhijit Banerjee; Amir Sufi; Amy Finkelstein; Atif Mian; behavioral finance; credit score; debt; diversification; Esther Duflo, PublicAffairs; finance system; Financial; financial regulation, fixed; Great Recession; Greed; Happiness; Harriman House; House of Debt; inequality; insurance; John Campbell; Morgan Housel; mortgage; personal finance; Poor Economics; Ray Fisman; retirement; Risky Business; savings; stock market; tarun ramadorai; The Psychology of Money; Timeless Lessons on Wealth; Why Insurance Markets Fail; Mortgage; Insurance; Retirement; Finance; Market; Households; Government; Debt; Education; Wealth; Countries; Policy; Investors; Retirement savings; Technology; Emergency; Equity; Mutual funds; Standard; Capital; Economists; Incentives; Traditional; Substantial; Economic; Fintech; Retirement accounts; Higher education; Savings accounts; Cryptocurrencies; Stock market; Mortgage rates; Educational; Business; Wealthy; Insurance companies</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Two leading economists reveal why today's personal finance markets are rigged against us and offer practical steps to fix them.</b></p><p>We interact with the financial system every day, whether taking out or paying off loans, making insurance claims, or simply depositing money into our bank accounts. <i>Fixed</i> exposes how this system has been corrupted to serve the interests of financial services providers and their cleverest customers  at the expense of ordinary people.</p><p>John Campbell and Tarun Ramadorai diagnose the ills of today's personal finance markets in the United States and across the globe, looking at everything from short-term saving and borrowing to loans for education and housing, financial products for retirement, and insurance. They show how the system is 'fixed' to benefit those who are wealthy and more educated while encouraging financial mistakes by those who are aren't, making it difficult for regular consumers to make sound financial decisions and disadvantaging them in some of the most consequential economic transactions of their lives. Campbell and Ramadorai describe how some even opt out of the financial system altogether, relying on unregulated and often shady mechanisms to implement necessary financial functions, with dire consequences for individuals, families, and the economy more broadly.</p><p>With the explosive growth of the global middle class, longer lifespans, and greater numbers of seniors managing their money alone, the pitfalls of personal finance now affect billions of people around the world. <i>Fixed</i> proposes concrete solutions that harness the expertise of economists, the power of government, and the speed of technology to restore fairness and trust in our broken system and make it work better for ordinary people.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>New, practical approaches to confronting today's most daunting global issues.</b></p><p>Fighting climate change, saving democracy, and eradicating poverty are urgent global challenges, yet the world's leaders continue to pursue outdated policies that focus on one while worsening the tradeoffs between each of them. <i>Shared Prosperity in a Fractured World</i> shows how the nations of the world can achieve all three objectives.</p><p>Dani Rodrik provides a bold new vision of globalisation, one in which we accelerate the green transition to achieve a sustainable planet, shore up the middle class to restore democracy's foundations, and hasten economic revitalisation in the developing world to put an end to poverty. The rising tide of authoritarianism has demonstrated our inability to alleviate economic anxieties. Economic nationalism has raised the specter of increased protectionism and deteriorating prospects for economic growth. And automation and other new technologies have undercut the advantages of low-cost, unskilled labour in manufacturing and export-oriented industrialisation. Rodrik reveals how we can restore prosperity through new forms of collaborative public-private action  to promote renewables and green industries, middle-class jobs, and enhanced productivity in labor-absorbing services  even in the absence of global cooperation. He explains why this new kind of globalisation must also recognise the legitimate desire of governments to pursue their economic, social, and security interests autonomously.</p><p>Turning conventional economic wisdom on its head, <i>Shared Prosperity in a Fractured World</i> builds on practices that work while radically transforming those that don't, presenting a grounded, clear-eyed approach to tackling the problems that affect us all, at home and around the world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Virtual You</i> is a panoramic account of efforts by scientists around the world to build digital twins of human beings, from cells and tissues to organs and whole bodies. These virtual copies will usher in a new era of personalised medicine, one in which your digital twin can help predict your risk of disease, participate in virtual drug trials, shed light on the diet and lifestyle changes that are best for you, and help identify therapies to enhance your well-being and extend your lifespan  but thorny challenges remain.</p><p>In this deeply illuminating book, Peter Coveney and Roger Highfield reveal what it will take to build a virtual, functional copy of a person in five steps. Along the way, they take you on a fantastic voyage through the complexity of the human body, describing the latest scientific and technological advances  from multiscale modelling to extraordinary new forms of computing  that will make 'virtual you' a reality, while also considering the ethical questions inherent to realising truly predictive medicine.</p><p>With an incisive foreword by Nobel Prize  winning biologist Venki Ramakrishnan, <i>Virtual You</i> is science at its most astounding, showing how our virtual twins and even whole populations of virtual humans promise to transform our health and our lives in the coming decades.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From the award-winning author of </b><b><i>Revolutionizing the Sciences</i></b><b>, a monumental historical account of how we came to see the world through the lens of science</b></p><p>Science is the basis of our assumptions about ourselves and our world, from ideas about our evolutionary past to our conceptions of the vast expanses of space and the smallest particles of matter. In this panoramic book, acclaimed historian of science Peter Dear uncovers the roots of such beliefs, revealing how they constitute a natural philosophy that has been developed and refined over the course of centuries  and how the world as we have come to know it was by no means inevitable.</p><p>In a sweeping, multifaceted narrative, Dear describes some of the most breathtaking accomplishments in the advance of human knowledge, such as Isaac Newton's laws of motion and gravitation, Carl Linnaeus's taxonomy, Antoine Lavoisier's new chemistry, Charles Darwin's theory of evolution, and Albert Einstein's theories of relativity. Challenging the notion that science is only about 'making discoveries', he shows how our world has been formed by people, institutions, and cultural assumptions, giving rise to disciplines ranging from biology and astrophysics to electromagnetism and the social sciences.</p><p>Taking readers from the early eighteenth century to today, <i>The World as We Know It</i> reveals how our ideas about our place in the universe were bequeathed to us by individuals, cultures, and a curiosity that knows no bounds.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Peter Dear</b> is professor emeritus of history at Cornell University. His books include <i>Revolutionizing the Sciences: European Knowledge in Transition, 15001700</i> (Princeton), <i>The Intelligibility of Nature: How Science Makes Sense of the World</i>, and <i>Discipline and Experience: The Mathematical Way in the Scientific Revolution</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The definitive biography of a transformational American artist and the city that shaped him.</b></p><p>Barnett Newman (1905-1970), a founding member of the abstract expressionist movement, was a contemporary of such figures as Jackson Pollock, Willem de Kooning, Mark Rothko, and Clyfford Still. He left behind only 118 finished paintings, six sculptures, and 83 acknowledged drawings, yet is often regarded as the greatest painter to have emerged after the Second World War. <i>Barnett Newman</i> is the definitive biography of a charismatic New Yorker who defied the rules and created an art of the sublime.</p><p>This landmark book features original research conducted over decades, using scores of interviews, oral histories, and previously unseen correspondence to paint a richly textured portrait of a creative sage who became an exemplar of the artist-citizen. Born in New York to Polish Jewish immigrant parents, he grandly aspired to involve himself in every detail of the city's life. He was a crusader for the civil service, ran against La Guardia for mayor, worked as a teacher, wrote poetry, criticism, and manifestos, produced political plays, and promoted other artists  all before painting a mature work of his own in his early forties. Newman began with none of the qualities once considered indispensable for a master artist, such as training, apprenticeship, or natural facility. But he possessed a galvanising intellect and a conviction that aesthetic expression is an ecstatic declaration of existence and an assertion of human dignity.</p><p>Drawing on previously unpublished sources gleaned from full access to Newman's archives, Amy Newman presents a portrait of a maverick whose works are among the most enduring of the twentieth century and whose influence continues to this day.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Amy Newman</b> is an art historian and journalist. She is the author of <i>Challenging Art: 'Artforum' 1962-1974</i> and the editor (with Irving Sandler) of <i>Defining Modern Art: Selected Writings of Alfred H. Barr, Jr</i>. She is not related to Barnett Newman.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Step into the heart of Barcelona with photographer Peter Jonker in </b><b><i>Barcelona Dreaming</i></b><b>, a new collection of photographs of one of Spain's most vibrant cities.</b></p><p>Through stunning images that evoke the warmth and effervescence of Barcelona, Jonker takes the reader beyond the surface and into the soul of the city. Readers are invited to explore the city's architectural masterpieces like the Barcelona Cathedral and Antoni Gaud's Sagrada Familia, the winding alleys of the Gothic Quarter, and the peaceful waterfront along the Mediterranean coast, as well as lesser-known corners of the city that are equally captivating.</p><p>Featuring stunning shots that capture the magic of this iconic city, <i>Barcelona Dreaming</i> is a must-have for anyone who is drawn to this unforgettable city for its spirited passion, its bohemian vibe, or its architectural grandeur.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Japan's capital city for over 1000 years, Kyoto is the country's cultural and spiritual heart.</b></p><p><i>Kyoto Dreaming</i> captures the stunning beauty of Kyoto as seen through the eyes of photographer Taro Moberly. From the picturesque temples and prewar machiya  traditional townhouses  that populate its historic districts to the bamboo gardens and luscious sakura, Moberly's love for his adopted hometown shines through in his images.</p><p>Through a series of breathtaking and atmospheric images, readers are invited to explore Kyoto's traditional architecture and iconic landmarks, including Nijo Castle, Kinkaku-ji, and the Gion district, as well as the more modern areas of the city that are equally captivating. The photos in <i>Kyoto Dreaming</i> offer a new perspective on Kyoto, making one of Asia's most beautiful cities even more magical.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Charming dot-to-dot and colour-by-number puzzles for all ages!</b></p><p>This colourful and relaxing activity book features 100 hidden designs printed on high-quality paper that slowly reveal themselves as you complete them. Each of the 70 dot-to-dot puzzles averages 200 dots per puzzle while the 30 colour-by-number puzzles averages an easy 3 colour tones per puzzle  perfect for calming, frustration-free interludes whenever and wherever you need a simple, creative break to lift your mood!</p><p>The dot-to-dot and colour-by-number puzzles are organised into the following interesting categories:</p><ul><li>Adorable Animals: Including a Japanese bush warbler among plum blossoms, panda bears in a bamboo grove and a quizzical, long-eared Japanese squirrel in the forest</li><li>Beautiful Flowers: Like delicate cherry blossoms, extravagant irises blooming before a temple pagoda and a water lily unfurling above its lily pad</li><li>Notable Portraits: Including Marilyn Monroe, Ludwig van Beethoven and the timeless beauty of Cleopatra</li><li>Spectacular Sights and Landmarks: Such as the serene Ginkaku-ji Temple, the Parthenon and the sandstone towers of Angkor Wat</li><li>Masterpieces of the Art World: For example, Vermeer's Girl with a Pearl Earring, Hokusai's The Great Wave off Kanagawa and Botticelli's The Birth of Venus</li></ul><p>Meditative dot-to-dot and colour-by-number puzzles are an ideal way to eliminate stress and relieve anxiety!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Arita Hideho, M.D.,</b> is a leading expert in brain health and has conducted research on Zen meditation and the nervous system at Toho University's School of Medicine, where he is professor emeritus of neurophysiology. A leading expert in the expanding field of serotonin research, he serves as the representative of Serotonin Institute and is an honorary member of the Japanese Society of Autonomic Neuroscience. He has published several books on the subject of brain health.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Learn how to bring vibrant magical worlds to life on paper or canvas with </b><b><i>Painting Fantasy in Gouache.</i></b></p><p>Bolder than watercolour, cleaner than acrylics, and quicker than oils, this richly coloured paint is popular among countless artists working today. Gouache has rapidly gained popularity as an accessible, affordable medium for aspiring painters. This renowned paint, used by beloved artists from Henri Matisse to Syd Mead, is a perfect option for artists who want to achieve vibrant results fast.</p><p>With this step-by-step tutorial book, beginners can learn the fundamentals of painting with gouache and how to apply those skills to imaginative fantasy scenes inspired by the timeless beauty of nature. Perfect for beginners to traditional painting, and for more experienced fantasy artists who are keen to step away from their devices and learn a more tactile medium, <i>Painting Fantasy with Gouache</i> is packed with tutorials, guides, and professionals' tips to support your gouache journey.</p><p>An in-depth introduction asks 'What is gouache?' and then covers essential tools, basic and advanced techniques, simple exercises, clean-up tips, and a gallery of example gouache paintings from the author-artist. This is followed by a selection of tutorials from professional painters, taking readers step by step through the creation of brand-new fantasy paintings using the medium. Stunning photography accompanies each stage of the painting process, giving budding artists a visual guide to begin their own journey with gouache.</p><p>The contributing artists are: Justin Donaldson from South Carolina, USA (118k Instagram followers), Grace Nicoletti from Los Angeles (11.6K Instagram followers), Kiara Maharaj from KwaZulu-Natal, South Africa (296k Instagram followers), Maddy Bellwoar from the Netherlands (80k Instagram followers), Fatima Mandouh from Toledo, Ohio, United States (10.8k Instagram followers), Clo Louise from London, UK (67.8k Instagram followers), and Ken Fairclough from Austin, Texas, USA (5.6k Instagram followers).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Edited by 3dtotal Publishing</b>, based in Worcester, England, UK. 3dtotal publish high-quality art books dedicated to bringing invaluable training to beginners, hobbyists, and professionals alike. Their books feature top industry professionals from around the globe who share their experience in skillfully written step-by-step tutorials and guides. Illustrated throughout with stunning artwork, these best-selling publications offer creative insight, expert advice, and essential motivation.</p><p><b>Justin Donaldson</b> (118K Instagram) is a respected painter and educator specialising in gouache landscapes. Based in South Carolina, USA, he travels forests, fields, and rivers to find inspiration for his plein air paintings and fantasy scenes.</p><p><b>Maddy Bellwoar</b> (80K Instagram) is an artist and nature lover based in the Netherlands. Equally skilled with gouache and digital tools, she has released a wealth of popular resources for both aspiring gouache painters and digital landscape artists.</p><p><b>Kiara Maharaj (Kiara in the Forest)</b>(296K Instagram) is a fantasy writer and illustrator from South Africa. Her illustrations are done using gouache on black paper, and are based on tree portals, characters, and creatures from her fantasy short story series: <i>The Polkadot Files</i>. She exhibits at Comic Con Africa to launch her books.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Pilates is a total-body workout that builds muscle strength, improves flexibility, and tones your body. Science has shown that Pilates also helps relieve stress and strengthen both cardio pulmonary function and the circulatory system.</p><p><i>Pilates At Home</i> is the perfect companion for anyone looking to start their fitness journey or just can't find time to make it to the gym. With customisable workouts that include large photos and easy-to-follow, step-by-step motions, readers can exercise at their own level at any time. Inside you'll find everything you need to know to start and stick with your Pilates journey, including:</p><ul><li>36 types of fundamental Pilates motions</li><li>15-, 30-, and 50-minute customisable workouts</li><li>Guides to proper posture and basic exercising techniques</li><li>An introduction to useful equipment to supplement your Pilates workout</li><li>And more</li></ul><p>With<i> Pilates At Home</i>, you don't have to break the bank on expensive classes or gym memberships. Simply grab a mat, foam roller, or resistance band (although equipment is optional!), and get started on your personalised Pilates journey!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A practical herbal guide and a book of plant magick</b></p><p><b>'Alexis teaches us that everything is woven together, from the herb and plant allies to the psyches of those calling on them, to the community at large moving around and through them, to the land that nourishes and grows them. This book is a wonderful treatise.'  Arin Murphy-Hiscock, bestselling author of </b><b><i>The Green Witch</i></b></p><p><i>The Apothecary of Belonging</i> takes us on a magickal journey through each of the four seasons with plant allies as our guides and companions. Author Alexis J. Cunningfolk explores how to know ourselves as beings who deeply belong to the land and one another, while teaching us about the energetic foundations of traditional Western herbalism that flow through the seasons within and around us.</p><p>Featuring twelve main seasonal allies and over seventy additional plant and herbal profiles, you will find methods for combining seasonal herbalism for physical vitality with magickal practices to support personal healing and community empowerment, including:</p><p><b></b>An indications-based guide to plant allies for common ailments<br/><b></b>Herbal remedy suggestions<br/><b></b>Simple tea recipes to support your energy<br/><b></b>Rituals for solo or community practice including divination techniques<br/><b></b>Lunar blessings to support your remedy-making throughout the year<br/><b></b>Opportunities for sacred inquiry through journaling</p><p>Speaking to the common yearning for kinship and connection, <i>The Apothecary of Belonging</i> is a love letter reminding us that we can always find our way back home to each other.</p>]]></Text>
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			<SubjectHeadingText>@rueskitchen; Application of folk magic; Blessing; Cultural practices; Defending; Folk magic Grandma did; Italian Folk Magic; Italian folk magic book; Italian folk practices; Magic; Practicing openly vs privately; Protecting; Rue's Kitchen; TikTok folk magic; altars; ancestors; animal spirits; animism; blessings; book of altars; casting a spell; cleansing; communicating with spirits; creating a ritual; cursing; details of folk magic practices; divination; dreams; elders; evil eye; folk magic; folk magic as a way of life; folk magic for everyday living; folk magic on YouTube; folk magic practice; folk witch; folk witchery; folklore; household divination; how to build altara; how to curse and heal; how to live folk magic; italian traditions; love of folk magic; magic and community; magic and culture; magic spells and incantations; magical practices shared by cultures; magick incantations; maintaining a spiritual connection; plant spirits; primary functions of folk magic; protection; refine your magical practice; resurgence in the popularity of folk magic; rueskitchen.com; saints; spirits; successful magical practice; time travel; trance and spirit; understand the practices of folk magic; witch; witchcraft; witchcraft book; witchery</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b><i>Living Folk Magic</i></b><b> emphasises that folk magic is something alive, vital, and modern. Discover practical and helpful information, regardless of your ethnic or spiritual background, to create a fulfilling and successful folk magic practice.</b></p><p>Folk magic exists in every culture and has been practiced since the dawn of time. It is more than casting a spell or creating a ritual. It is a way of life, a way of living, a way of perceiving the world and all within it. <i>Living Folk Magic</i> explains how to build an entire folk magic practice  from cleansing and protecting to blessing and cursing  and provides instructions on how to build altars (whether openly or secretly), practice divination, communicate with spirits, and more.</p><p>Supported by the 'four pillars of magic', these elements serve to provide stability, structure, and protection:</p><p><b>Cleansing:</b> to remove negative energy<br/><b>Blessing:</b> to imbue with love<br/><b>Protecting:</b> to charge with energy that repels evil<br/><b>Defending:</b> to combat evil</p><p>In <i>Living Folk Magic</i>, author Mary-Grace Fahrun seeks to share her magical perspective and processes in the hope of inspiring both beginners and experienced practitioners alike.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mary-Grace Fahrun</b>was born in Bridgeport, Connecticut, to Italian immigrant parents and grew up in the Italian neighborhoods of Connecticut and Montreal. She is the author of the influential book <i>Italian Folk Magic: Rue's Kitchen Witchery</i> and also the creatrix of Rue's Kitchen, her website dedicated to the preservation of Italian folk practices. Mary-Grace resides in British Columbia, Canada. Visit her at <i>rueskitchen.com</i>, Instagram @rueskitchen, and YouTube @MaryGraceFahrun.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A fascinating exploration of the pentagon and its role in various cultures.</b></p><p>The pentagon and its close cousin, the pentagram, have inspired individuals for the last two and half millennia, from mathematicians and philosophers to artists and naturalists. Despite the pentagon's wide-ranging history, no single book has explored the important role of this shape in various cultures, until now. Richly illustrated, <i>Pentagons and Pentagrams</i> offers a sweeping view of the five-sided polygon, revealing its intriguing geometric properties and its essential influence on a variety of fields.</p><p>Traversing time, Eli Maor narrates vivid stories, both celebrated and unknown, about the pentagon and pentagram. He discusses the early Pythagoreans, who ascribed to the pentagon mythical attributes, adopted it as their emblem, and figured out its construction with a straightedge and compass. Maor looks at how a San Diego housewife uncovered four previously unknown types of pentagonal tilings, and how in 1982 a scientist's discovery of fivefold symmetries in certain alloys caused an uproar in crystallography and led to a Nobel Prize. Maor also discusses the pentagon's impact on many buildings, from medieval fortresses to the Pentagon in Washington, D.C. Eugen Jost's superb illustrations provide sumptuous visual context, and the book's puzzles and mazes offer fun challenges for readers, with solutions given in an appendix.</p>]]></Text>
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			<SubjectHeadingText>Marat; David; Corday; Art; Artist; Death; Girodet; Blood; Martyr; Revolutionary; Girondins; Balzac; Barthes; Sarrasine; Crate; Robespierre; Violence; Murder; Portrait; Story; Upper; Republican; Weiss; Historical; Popular; Commune; Canvas; Gender; Position; Revolution; Narrative; Republic; History; Sartre; Wound; Composition; Visual; Stand; Edge; Daumier; Force; Sade; Enemies; Sexual; Louis; Deputies; Knife; Myth; Sans; Committee; Contrast; Paquita; Wilson; Family; Virtue; Victim; Corpse; Motif; Logic; Human; Truth; Marie; Bara; Assassination; Philosophical; Sans culotte; Imagination; Castration; Bassville; Evidence</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>How an enigmatic masterpiece of the French Revolution became a talisman of the revolutionary spirit in our own time.</b></p><p>Jacques-Louis David's <i>The Death of Marat</i> depicts the painter's friend and fellow revolutionary Jean-Paul Marat collapsed in his bath after being fatally stabbed by a female assassin who stands just outside the frame. In this fascinating book, Thomas Crow traces the radical legacy of a painting that has been called the <i>Piet</i> of the French Revolution, showing how David's masterpiece captures the saga of that violent era in the single figure of Marat, and how it reveals itself anew today.</p><p>Crow begins by describing how the painting's enduring power came to the fore during the countercultural tumult of the 1960s, discussing how his vocation as a scholar arose out of his own encounter with the work. He then takes readers back to 1793, telling the story of the painting's creation through the eyes of David, his subject, and Marat's charismatic assassin, Charlotte Corday. Charting the history of its impact across more than two centuries, Crow shows how this multilayered portrait surfaced in succeeding waves of political dissent as an enduring talisman of popular insurgency.</p><p>Beautifully illustrated, <i>Murder in the Rue Marat</i> is an art historian's disarmingly personal account of a painting whose hidden complexities bear witness to the promise and peril of revolution in Marat's time and our own.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Thomas Crow</b> is the Rosalie Solow Professor of Modern Art at New York University's Institute of Fine Arts. His many books include <i>Restoration: The Fall of Napoleon in the Course of European Art, 18121820</i> and <i>The Artist in the Counterculture: Bruce Conner to Mike Kelley and Other Tales from the Edge</i> (both Princeton)<i>.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>How the social organisation of Europe and China shaped their divergent economic and political trajectories over the past millennium.</b></p><p>In the eleventh century, when Europe was still backward and poor, China was a rich and sophisticated civilisation. Yet Europe became the birthplace of democracy and the Industrial Revolution, driving the Great Enrichment, while China stagnated until the end of the twentieth century and was always ruled by autocracies. <i>Two Paths to Prosperity</i> traces the emergence of two very different social organisations in premodern China and Europe  the clan and the corporation  showing how they were key factors in the economic and political divergence of these two great civilisations.</p><p>In this landmark book, three leading economists offer a bold new account of why Europe and China evolved along such different trajectories. In the early Middle Ages, public goods like risk sharing, religious worship, education, and conflict resolution were provided by nonstate organizations in both societies. China increasingly relied on kin-based cooperation within clans, while weaker kinship ties in Europe gave rise to corporations such as guilds, universities, and self-governing towns. Despite performing similar functions, clans and corporations were built on very different principles  with lasting consequences until today.</p><p>Providing a novel answer to a fundamental question in economic and political history, <i>Two Paths to Prosperity</i> shows how extended kinship in Chinese society facilitated the consolidation of autocracy and hindered innovation and economic development, and how corporations in Europe influenced emerging state institutions and set the stage for the Industrial Revolution.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Avner Greif</b> is the Bowman Family Endowed Professor Emeritus in Humanities and Sciences and Professor of Economics at Stanford University. </p><p><b>Joel Mokyr,</b> winner of the Nobel Prize in Economics, is the Robert H. Strotz Professor of Arts and Sciences and Professor of Economics and History at Northwestern University and Sackler Professor at the Eitan Berglas School of Economics at Tel Aviv University. </p><p><b>Guido Tabellini</b> is the Intesa Sanpaolo Chair in Political Economics and Vice President at Bocconi University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>How climate change ushered in the collapse of one of history's mighty empires</b></p><p>In 1644, after close to three centuries of relative stability and prosperity, the Ming dynasty collapsed. Many historians attribute its demise to the Manchu invasion of China, but the truth is far more profound. <i>The Price of Collapse</i> provides an entirely new approach to the economic and social history of China, exploring how global climate crisis spelled the end of Ming rule.</p><p>The mid-seventeenth century witnessed the deadliest phase of the Little Ice Age, when temperatures and rainfall plunged and world economies buckled. Timothy Brook draws on the history of grain prices to paint a gripping portrait of the final tumultuous years of a once-great dynasty. He explores how global trade networks that increasingly moved silver into China may have affected prices and describes the daily struggle to survive amid grain shortages and famine. By the early 1640s, as the subjects of the Ming found themselves caught in a deadly combination of cold and drought that defied all attempts to stave off disaster, the Ming price regime collapsed, and with it the Ming political regime.</p><p>A masterful work of scholarship, <i>The Price of Collapse</i> reconstructs the experience of ordinary people under the immense pressure of unaffordable prices as their country slid from prosperity to calamity and shows how the market mediated the relationship between an empire and the climate that turned against it.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Timothy Brook</b> is professor emeritus of history at the University of British Columbia and a fellow of the British Academy. His many books include <i>Great State</i>, <i>Mr. Selden's Map of China</i>, and <i>Vermeer's Hat</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A gripping social and political chronicle of Syria before and after revolution, as the global shockwaves continue rippling.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A gripping social and political chronicle of the causes and consequences of Syria's 2011 revolution, and its continuing global fallout.</b></p><p>Syrians have longed for the ordinary life that eluded them for decades. When President Bashar Assad was unexpectedly overthrown in December 2024, they celebrated the end of a dictatorial dynasty. But as they strive for post-Assad justice, they must grapple with the legacy of a fight for freedom that started many years earlier.</p><p>Damascus-born Rime Allaf tells the poignant story of a struggle for dignity that has shaken the world. When Hafez Assad's violent rule ended in 2000, many believed his son would bring change. Instead, Bashar spent his first decade in power meddling regionally and reneging on promises of domestic reform. When Syrians finally rose up in revolution in 2011, they were mercilessly crushed by the regime  with extensive Iranian and Russian support  and abandoned by the foreign powers claiming to support them. The consequences of these events still reverberate internationally, in the largest refugee crisis since World War Two and in a new global order that has weakened democracy and privileged authoritarians.</p><p>Combining expert analysis, evocative storytelling and the author's deep personal connection with the region, <i>It Started in Damascus</i> paints an intimate portrait of a devastated society and a resilient people determined to find their peace. African communities over the millennia. It is a haunting, sensitive, powerful read.</p>]]></Text>
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			<SubjectHeadingText>Divination tools; Mystical practices; Psychic readings; Relative Tarot; Siren's Song; The Magpie Oracle; Workbook; accessible guidebook; adventures; baubles; bottle caps; carrie paris; casting; casting objects; casting sets; casting stones; charm others; charm yourself; charm-caster; charts and sidebars; checklists; coins; collecting; create a casting oracle; creative activities; divination; divination technique; easy to learn method; exercises; fine divining; for diviners; guidebook for charm casting; healers; how to assemble casting kit; how to build an oracle; how to charm casting; illustrated workbook; inner guidance; journaling; junk drawer bits; junk drawer oracle; kitchen junk drawer; magic spells and incantations; magick spells; magpie oracle; nuts; personal transformation self-help; reading bones; reading shells; sacred oracles; seers; shamans; shiny objects; sidewalk baubles; stones; subconscious meaning; the Beloved Dead; the art of fun; trinkets</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[BonaDea's Book of Everyday Enchantments is a practitioner's guide to using words, gestures, everyday objects, and, most importantly, alliances to effect change magically in your life. Revisit old pastimes, such as connect-the-dots and crossword puzzles, to center your energy, manifest opportunities, and protect what is most precious to you.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Simple but powerful magic at your fingertips.</b></p><p><i>BonaDea's Book of Everyday Enchantments</i> is a practitioner's guide to using words, gestures, everyday objects, and, most importantly, alliances to effect change magically in your life. Revisit old pastimes, such as connect-the-dots and crossword puzzles, to center your energy, manifest opportunities, and protect what is most precious to you. Determining when to create a spell or intone a chant to shift the energies is simpler than you might think.</p><p>BonaDea Lyonesse gives examples of her own spells and charms, assembled through years of practice, to build a foundation for the reader. <i>BonaDea's Book of Everyday Enchantments</i> covers topics from protection to ancestor work, showcasing the interconnected nature of witchcraft and manifestation. Listen for what resonates and allow BonaDea's work to inspire you and give you confidence to create your own magical world.</p><p><b>'Deeply rooted magickal wisdom from a true teacher. BonaDea shares a magickal practice woven into the fiber of our daily lives, offering her enchanting vision of a living path of Witchcraft.'  Christopher Penczak, author of the</b><b><i> Temple of Witchcraft</i></b><b> series and Gay Witchcraft</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Patricia deSandro</b> (aka BonaDea Lyonesse) has served the Pagan community for decades, working within the wisewoman/shamanic and Romano-Celtic traditions as healer, elder, and high priestess. Her knowledge of wild herbs and healing ways came from the teachings of an Amish farm wife, a Cherokee elder, a wisewoman healer, a witch queen, and a conjure man. She blended their wisdom with the teachings of her spirit contacts and her own gifts to develop her unique spiritual path. BonaDea has been teaching and presenting rituals and workshops in many places throughout the country for public and private events since 1990. In 1999, she founded the Circle of the Sacred Grove Temple of the Old Religion as an initiatory coven. BonaDea is also a storyteller as the character Granny Root, sharing her original fairy tales as teaching stories for children and adults. She devotes her time to her ever-growing family, her writing, her community, and her painting.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Revelatory talks about art and life with internationally acclaimed Israeli novelist Amos Oz.</b></p><p>In the last years of his life, the writer Amos Oz talked regularly with Shira Hadad, who worked closely with him as the editor of his final novel, <i>Judas</i>. These candid, uninhibited dialogues show a side of Oz that few ever saw. <i>What Makes an Apple?</i> presents the most revealing of these conversations in English for the first time, painting an illuminating and disarmingly intimate portrait of a towering literary figure.</p><p>In frank and open exchanges that are by turns buoyant, introspective, and argumentative, Oz explains what impels him to begin a story and shares his routines, habits, and challenges as a writer. He discusses the tectonic changes he experienced in his lifetime in relationships between women and men, and describes how his erotic coming of age shaped him not only as a man but also as an author. Oz reflects on his parents, his formative years on a kibbutz, and how he dealt with and learned from his critics, his students, and his fame. He talks about why there is more humour in his later books and gives his exceptional take on fear of death.</p><p>Resonating with Oz's clear, honest, and humorous voice, <i>What Makes an Apple?</i> offers unique insights about Oz's artistic and personal evolution, and enables readers to explore his work in new ways.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Amos Oz</b> (1939-2018) was a world-renowned novelist, essayist, and short-story writer. His many books include <i>A Tale of Love and Darkness</i>, <i>Scenes from Village Life</i>, and <i>How to Cure a Fanatic</i> (Princeton). </p><p><b>Shira Hadad</b> is an acclaimed editor of contemporary Israeli fiction and a screenwriter. She edited works by such writers as Amos Oz and Zeruya Shalev, and created TV dramas for various networks. </p><p><b>Jessica Cohen</b> is the translator of Amos Oz's <i>Dear Zealots</i> and of works by such writers as Etgar Keret, Ronit Matalon, and Nir Baram.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>How playwrights from Alfred Jarry and Samuel Beckett to Tom Stoppard and Simon McBurney brought the power of abstract mathematics to the human stage.</b></p><p>The discovery of alternate geometries, paradoxes of the infinite, incompleteness, and chaos theory revealed that, despite its reputation for certainty, mathematical truth is not immutable, perfect, or even perfectible. Beginning in the last century, a handful of adventurous playwrights took inspiration from the fractures of modern mathematics to expand their own artistic boundaries. Originating in the early avant-garde, mathematics-infused theatre reached a popular apex in Tom Stoppard's 1993 play <i>Arcadia</i>. In <i>The Proof Stage,</i> mathematician Stephen Abbott explores this unlikely collaboration of theatre and mathematics. He probes the impact of mathematics on such influential writers as Alfred Jarry, Samuel Beckett, Bertolt Brecht, and Stoppard, and delves into the life and mathematics of Alan Turing as they are rendered onstage. The result is an unexpected story about the mutually illuminating relationship between proofs and plays  from Euclid and Euripides to Gdel and Godot.</p><p>Theater is uniquely poised to discover the soulful, human truths embedded in the austere theorems of mathematics, but this is a difficult feat. It took Stoppard twenty-five years of experimenting with the creative possibilities of mathematics before he succeeded in making fractal geometry and chaos theory integral to <i>Arcadia</i>'s emotional arc. In addition to charting Stoppard's journey, Abbott examines the post-<i>Arcadia</i> wave of ambitious works by Michael Frayn, David Auburn, Simon McBurney, Snoo Wilson, John Mighton, and others. Collectively, these gifted playwrights transform the great philosophical upheavals of mathematics into profound and sometimes poignant revelations about the human journey.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Stephen Abbott</b> is professor of mathematics at Middlebury College, where he has been teaching for thirty years. He is the author of the widely used textbook <i>Understanding Analysis</i> and theater events chair for the Bridges Organisation, a professional association dedicated to exploring the intersection of mathematics and art.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An accessible life of the fifteenth-century painter and instructor of Michelangelo.</b></p><p> Domenico Ghirlandaio (144894) was a master of Renaissance art, celebrated for his vivid frescoes and detailed portraits. Teacher to Michelangelo and admired by Lorenzo de' Medici, Ghirlandaio's work reflects the vibrant artistic culture of fifteenth-century Florence. This book examines Ghirlandaio's career in the context of the craft traditions, guilds, and workshops that shaped his art. It also analyses his famous works, such as the Santa Maria Novella frescoes and the portrait of Giovanna Tornabuoni, revealing the creative and technical processes behind them. By uncovering the social and cultural influences on Ghirlandaio's art  including family ties and religious affiliations  the book offers a rich portrait of an artist whose work continues to inspire today. </p><p><b>'Written by the leading Ghirlandaio scholar,</b> <b><i>Domenico Ghirlandaio: An Elite Artisan and His World</i></b><b> presents a fresh interpretation of the renowned painter within the dynamic social and artistic networks of Renaissance Florence. Jean K. Cadogan vividly identifies his contributions to narrative, portraiture, and technique, confirming his importance to Italian art.'  Diane Cole Ahl, Lafayette College, Pennsylvania</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>How did Richard the Lionheart, who once said he would sell London if he found a buyer, become celebrated as the ideal of English chivalry?</p><p>This book examines the life of Richard I (1157-1199) through the captivating stories told about him, from accounts of his deeds in medieval sources to his portrayals in modern literature and media. Tales of Richard's exploits were as colourful as they were varied, ranging from him wielding King Arthur's sword to being a son of the Devil or even a cannibal. Instead of separating fact from fiction, this book explores how these tales shaped his legacy in both his time and ours.</p><p><b>'This book, at once readable and scholarly, shows how the fascinating historical figure of Richard the Lionheart metamorphosed into the character of myth and romance that we know today. An ideal introduction to England's most legendary medieval king.'  Jay Rubenstein, USC Dornsife</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In <i>Sydney</i>, acclaimed playwright and writer Louis Nowra  author of <i>Kings Cross</i> and <i>Woolloomooloo</i>  expands his gaze to explore the energy, beauty, vulgarity, dynamism and pulsating sense of self-importance of his adopted city. This big, bustling portrait of Sydney is told through a cast of criminals and premiers, ordinary folk, entertainers, artists, thieves and visionaries.</p><p>Along with its people Nowra surveys the city's landscape, its architecture, and its global identity. And as Sydney's history unfolds throughout the twentieth century and beyond, Nowra revels in its neon lights, music, skyscrapers, sense of optimism and the many disparate elements that shape Sydneysiders' view of themselves.</p><p><b>'Nowra captures the everchanging spirit of what is arguably  to most, inarguably to Nowra  Australia's pre-eminent city.' </b> <b><i>Books+Publishing</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Louis Nowra</b> is a playwright, novelist, essayist and screen-writer. Some of his plays are <i>Inner Voices</i>, <i>The Golden Age</i>, <i>Inside the Island</i>, <i>The Boyce Trilogy</i>, <i>Radiance</i> and <i>The Lewis Trilogy</i> (<i>Summer of the Aliens</i>, <i>Cos</i>, <i>This Much is True</i>). Screen credits include <i>Map of the Human Heart</i>, <i>Radiance</i>, <i>Black and White</i>, <i>Heaven's Burning</i>, <i>K-19: The Widowmaker</i> and <i>Cos</i>. His novels are <i>The Misery of Beauty</i>, <i>Palu</i>, <i>Red Nights</i>, <i>Abaza</i> and<i> Ice</i>. He has written two memoirs, <i>The Twelfth of Never</i> and <i>Shooting the Moon</i>. With Mandy Sayer, he co-edited the influential anthology about Kings Cross, <i>In the Gutter...Looking at the Stars</i>. His recent non-fiction includes <i>Kings Cross: a biography</i> (2013), <i>Woolloomooloo:</i> <i>a biography</i> (2017). He lives on the border between Kings Cross and Woolloomooloo and is married to the writer Mandy Sayer.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Sydney has always been the sexiest and brashest of our cities, but perhaps the most misunderstood. In this new edition of  Sydney , Delia Falconer conjures up its sandstone, humidity and jacarandas, its fireworks, glitz and magic. But she discards lazy stereotypes to reveal a complex city: beautiful, violent, half-wild, and at times deeply spiritual.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>As I set out from the city's southern end, the sandstone walls beneath the Central railway line still held the day's heat ... The moon rose from the invisible harbour into a sky of such a deep royal blue it was almost hard to believe in. The street smelled of low tide. For all its beauty, the city could return in an instant to pulp. And that thought was strangely cheering.</i></p><p>Sydney has always been the sexiest and brashest of our cities, but perhaps the most misunderstood. In this new edition of <i>Sydney</i>, Delia Falconer conjures up its sandstone, humidity and jacarandas, its fireworks, glitz and magic. But she discards lazy stereotypes to reveal a complex city: beautiful, violent, half-wild, and at times deeply spiritual.</p><p>Beginning with her childhood in a decaying '70s Sydney, caught between a faded Art Deco age and mega development, Falconer intertwines her own stories with the wellsprings of the city's history and its literary past. Melancholic, moving and funny, <i>Sydney</i> is intensely atmospheric and seductive.</p><p>In a new afterward, Falconer ponders the city's twenty-first century transformations  might it have become a softer, nicer place? Will it be able to withstand the real presence of climate change?</p><p><b>'Falconer writes beautifully and evocatively in what is a long love letter to her home town, as she delves deep into its essence.' -&amp;nbsp;<i>The Age</i></b></p><p><b>'Delia Falconer's <i>Sydney...</i>is like its harbour, brimful with tones, vivid with contemplation.' -&amp;nbsp;<i>Australian Book Review</i></b></p><p><b>'</b><b>This is a brilliant book. If I were to recommend a book about Sydney to anyone, it would be this one.' - Louis Nowra, <i>The Australian</i></b></p><p><b>'Falconer's <i>Sydney</i> depicts a city of beauty and violence, of pain and redemption. Whatever your relationship with Sydney, put aside your entrenched preconceptions and explore this book. It may not change your opinion of Australia's largest city, but I'm certain this book will give you a new perspective on our first city' -&amp;nbsp;<i>The Canberra Times</i></b></p>]]></Text>
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			<SubjectHeadingText>Bondi; Bondi Beach; Bronte Baths; Clovelly Beach; Cockatoo Island; Giles Baths; Greenwich Baths; Icebergs; Little Bay Beach; Prince Alfred Park Pool; Shelly Beach; Sydney; Sydney harbour; Tamarama Beach; Watsons Bay; Wylie's; municipal pools; ocean pools; swim squads; swimming; winter swimming</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[In a love letter to the swimming spots of Sydney, Chris Baker takes 52 swims in and around Sydney over the course of a calendar year.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Longlisted, Australian Book Design Awards 2025, Best Designed Non-Fiction Cover**</b></p><p><i>Swimming Sydney</i> is a tale of 52 swims in and around Sydney that take place over a calendar year. From Palm Beach to Cronulla, Mount Druitt to Bondi, Chris Baker swims at iconic beaches, municipal pools, harbour baths, tidal rock pools, bushland lakes and a backyard pool.</p><p>Taking his weekly plunges, Baker reflects on friendship, history and family, and how swimming can help us better understand ourselves.</p><p><i>Swimming Sydney</i> is a valentine to the beautiful obsession of swimming in the world's most beautiful city. It's a book for everyone who loves swimming, who loves Sydney, and who understands that storytelling is the best way to navigate life's emotional currents.</p><p><b>'Part travel guide and part memoir, these 52 immersive essays  one a week  remind us how inextricably Australian culture is linked to water and our bodies. Immerse yourself and emerge invigorated, like the best swims leave you feeling.'  Benjamin Law</b></p><p><b>'A poetic ode to the water that will have you reaching for your goggles and leaping into the blue. Chris Baker may swim like a fish, but he also writes like a dream.</b> <b><i>Swimming Sydney</i></b><b> is a beguiling portrait of love, loss, community and identity in the world's most swimmable city.'  Yves Rees</b></p><p><b>'Chris Baker takes a deep dive into the watery history of Sydney, focusing by turns on its conflicted history, ravishing beauty and salty present. His eye for detail is sharper than a gull's, and while his love of the liquid landscapes he traverses is palpable and at times nostalgic, it is never sentimental. Reading his 52 swims made me long to don my togs and to get away from my own daily comfort pool. I ached to rush to a dive-in, to slurp a Sunnyboy or chomp a pluto pup, and above all, to immerse in the "dignified consolation" that he offers in every chapter. This book is both a keeper and a giver, an invitation and a challenge, a guide and a gift; it's a love song to the caress of watery wonder.'  Ailsa Piper</b></p><p><b>'Essential to the immersive pleasure of this work is the natural beauty of the coastal and submarine environment. And for water lovers not familiar with Sydney's many swim spots, this guide is an ideal introduction.' </b> <b><i>Sydney Morning Herald</i></b> <b>/</b> <b><i>The Age</i></b></p><p><b>'This is a lovely book regardless of whether or not you live within a bull's roar of Sydney.' </b><b><i> The Canberra Times</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A lifelong swimmer, educator and writer, <b>Chris Baker</b> was born and raised in Sydney. He has spent much of his professional life overseas, living and working in Vancouver, Prague, Hong Kong and Berlin. Chris was lured back to Sydney by its beautiful beaches, superb municipal pools, wild swimming holes and world-famous ocean baths. He is the author of <i>Swimming Sydney: A tale of 52 Swims</i> (NewSouth).</p><p>Chris' work has been published by the <i>Sydney Morning Herald, Weekend Australian, The Guardian Australia, Time Out, SBS Online</i> and <i>Vogue Australia.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>** Shortlisted for the Australian Book Design Awards 2024, Best Designed Fully-illustrated Book under $75 **</b></p><p><b>Big and bold or soft and sculptural, or a mix of the two, it's not until you get up close that you feel brutalism's radical roots.</b></p><p>Brutalist architecture hit Sydney in the late 1950s when local architects and their international peers experimented with raw concrete and brick and kicked off a revolution. These brave new buildings were ambitious, optimistic - often divisive - and predominantly made onsite by hand, not machine. For the next 30 years Sydney produced some of the world's best examples of brutalist architecture. Sirius. The Sydney Masonic Centre. UTS Tower. The ribbed concrete shells of the Sydney Opera House.</p><p>Design writer Heidi Dokulil explores Sydney's brutalist architecture, its international influences, its architects, builders and residents, and the public buildings, university campuses and homes that changed the face of the city.</p><p>The recent outcry over the threatened demolition of the Sirius building in Millers Point has generated new interest in these brutal beauties of Australian architecture. Yet many brutalist buildings have been demolished and others remain under threat. Sydney Brutalism reveals the stories behind Sydney's bold and innovative brutalist buildings, the contemporary architects and projects they continue to inspire, and dynamic photography by a line-up of the world's best architectural photographers. Long live the bruts!</p><p><b>'A brilliantly researched deep dive into the subject -</b> <b><i>Sydney Brutalism</i></b><b> asks why our concrete monsters matter, while exploring international antecedents and contemporary executions. Powerful photography contributes to this important exploration of a controversial architectural genre.' - Karen McCartney</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sydney Harbour has been a defining feature for the people who have lived around it for millennia: a means of communication, a barrier, a resource to be exploited, a site of commerce and trade, and a place of beauty, spirit and meaning.</b></p><p>In this sweeping history of one of the world's most recognisable landscapes, award-winning historian Ian Hoskins explores the story of this famous waterway, from its importance to the Gameragal and Gadigal people to highly charged contemporary debates about the future of the 'working harbour' and the ownership of its foreshores.</p><p>A beautifully written and compelling book, this new edition of <i>Sydney Harbour</i> surveys the interactions between the glittering harbour and the people who have fished it, sailed on it, built at its edges, fought for it, portrayed it and marvelled at it.</p><p><b>'An innovative history of Sydney Harbour...Ian Hoskins brings into view a many-sided</b> <b>picture of the harbour</b> <b>over time. A delight</b> <b>to read.' - Peter Cochrane</b></p><p><b>'A detailed and beautifully written history...If you love Sydney Harbour, then this is an evocative celebration.' - Bruce Elder, </b><b><i>Sydney Morning Herald</i></b><i> </i></p><p><b>'In this superbly illustrated history of Sydney Harbour, Hoskins explores the fascinating story of one of the world's more recognised waterways...a fine history, an excellent read.' - Ross Fitzgerald, </b><b><i>Spectator Australia</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'My primary mode of transport is my feet. <br/>It's the way that I orient in the world. <br/>It's also the way to honour being in place.' <br/>Jazz Money</i></p><p><i>'We make a city our own by noticing.' <br/>Gail Jones</i></p><p><i>Walking Sydney</i> invites us to walk with a city's writers as they share places of home and imagination. From suburban streets to the shores of the harbour, as we walk amid diasporas, countercultures, activists, artists, dreamers and thieves, the city comes alive with story. Written by Belinda Castles from walks taken with fifteen writers, <i>Walking Sydney</i> is an opportunity to see the city afresh.</p><p>Eveleigh and Carriageworks with Jazz Money  Surry Hills with Fiona Kelly McGregor  The Rocks, Walsh Bay and Circular Quay with Gail Jones  Parramatta with Eda Gunaydin  King Street, Newtown with Vanessa Berry  Freshwater with Malcolm Knox  Yagoona and Bankstown with Sheila Ngc Phm  Rushcutters Bay Park and Elizabeth Bay with Delia Falconer  North Willoughby and Middle Cove with Jakelin Troy  Casula and Liverpool with Max Easton  Kings Cross, Elizabeth Bay, Darlinghurst and Surry Hills with Neal Drinnan  Bronte and Clovelly with Beth Yahp  Bankstown and Punchbowl Boys' High School with Michael Mohammed Ahmad  Cooks River with Michelle de Kretser  City and Redfern with Larissa Behrendt.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Belinda Castles</b> is the award-winning author of four novels, <i>Bluebottle</i>, <i>Hannah and Emil</i>, <i>The River Baptists</i> and <i>Falling Woman</i>, and editor of the collection <i>Reading Like an Australian Writer</i>. She teaches writing at the University of Sydney. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted for the Cornish Family Prize for Art and Design Publishing 2018**</b></p><p><i>Sirius</i> is the extraordinary story of survival against the odds for one of Australia's most notable Brutalist buildings, and its community. The story of Sirius begins with the 1970s Battle for The Rocks and a Green Ban, which saved an historic precinct and a community located around the Sydney Harbour Bridge. After four years during which there was no building activity, the Green Ban ended and agreement was made to build Sirius to serve the displaced members of the community. Architect Tao Gofers explains how the agreement was reached and how he designed a vertical village  perhaps the last, and arguably the most successful, tower built for public housing in this era.</p><p>By 2015, Sirius itself became the centre of controversy as the New South Wales Government sought to sell the building to developers and remove its public housing residents, forever changing the fabric of the local community and Sirius&amp;#x27;s original intention. Local Millers Point, Dawes Point and Rocks residents joined with hundreds of passionate advocates from across Australia  including architects, professional bodies and the Historic Houses Trust, to protest against this change. The &amp;#x27;Save Our Sirius&amp;#x27; campaign was born.</p><p>Piper Press's beautiful book records not just a building and its remarkable architecture, but also the important social history of a unique public housing community and many of its individual residents.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Peter Doyle  author of City of Shadows and Crooks Like Us  draws from forensic records and the private papers of detective Brian Doyle (the most famous cop of the day and Peter's uncle), to explore the criminal underbelly of mid-20th century Sydney.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>** Shortlisted,</b> <b><i>The Age</i></b><b> Book of the Year Award 2023, Non-fiction **</b></p><p><b>** Shortlisted,  The Danger Awards 2023, Non-fiction **</b></p><p><b>Nothing in the post-war decades reveals the underbelly of Australian life the way police records do.</b></p><p>Small time heists. Failed robberies. Runs of bad luck. Payback. Love gone wrong. Drink, drugs and late-night assignations. Cops doing their job well. And badly. Plausible lies, unlikely truths. Murder and misadventure. In <i>Suburban Noir</i> Peter Doyle  author of <i>City of Shadows</i> and <i>Crooks Like Us</i>  explores the everyday crime and catastrophe that went on in the fibro and brick veneers, the backyards, bedrooms, vacant lots and pokie palaces of 1950s and 1960s Sydney suburbia.</p><p>Extensive research into forensic archives, public records and the private papers of the late Brian Doyle (1960s detective, later assistant commissioner of police, and Peter Doyle's uncle) also reveals important new information about two of the most famous crimes in Australian history  the Kingsgrove Slasher case and the Graeme Thorne kidnap-murder.</p><p><b>&amp;#x27;A fabulous insight into violent crimes of the 1950s and 1960s through the eyes of one of Australia&amp;#x27;s then top cops, Brian Doyle, as interpreted and related by his nephew, true-crime writer, curator and crime aficionado, Peter Doyle. Often accompanied by great photos and drawings, each story is a gem that highlights the differences in criminal activity and police investigations in those days. Well researched and eminently readable.&amp;#x27; - Mark Tedeschi</b></p><p><b>&amp;#x27;A beautifully written and illustrated book about crime and crime scenes in Sydney during the 1950s and '60s, some of them involving the author's famous uncle, the detective Brian Doyle. It is a fascinating snapshot of the culture of Australia in those years, describing in words and images the cars, clothes, architecture, music, drugs, language and prejudice of the period. At times engrossing, macabre, absurdly funny and sadly shabby. The pictures are a mixture of crime scene photographs and Peter Doyle's finely rendered pencil and ink versions of some of these photographs.&amp;#x27; - Reg Mombasa</b></p><p><b>&amp;#x27;With these shocking, at times heartbreaking, stories of very bad things happening to ordinary people, our foremost crime chronicler Peter Doyle shines his forensic spotlight on the schemers, slashers, killers and cops who have always lurked in the shadows of sunny Sydney suburbia.&amp;#x27; - Larry Writer, author of</b> <b><i>Underbelly Razor: Tilly Devine, Kate Leigh and The Razor Gangs</i></b></p><p><b><i>&amp;#x27;Suburban Noir</i></b><b> brings a hidden Sydney to vivid life, deep-diving into the forensic record to reveal a mid-century suburbia of undercurrents, secrets and lives gone astray. Meticulously attentive, compassionate and humorous: no one writes crime like Peter Doyle.&amp;#x27; - Vanessa Berry</b></p><p><b>'I devoured this book, which will appeal to lovers of Sydney's history and to fans of Teju Cole's</b> <b><i>Small Fates</i></b><b>. Doyle writes about the way small flashes of violence reveal the id beneath the city's ordinary places. Most excitingly, he insists that crime scene photography has its own moral aesthetic, bearing witness to sites where darkness has already won.' - Delia Falconer</b></p><p><b>&amp;#x27;In lucid, inventive yet artless prose, Doyle reveals Australian mid-century suburbia - specifically Sydney's south-west - in a whole new light.</b> <b><i>Suburban Noir</i></b> <b>is a grainy, lyrical excavation of a landscape that might appear familiar to those who lived through it, or who have seen its myriad mostly idealised representations on screen.&amp;#x27; - Fiona Kelly McGregor</b></p><p><b>&amp;#x27;Peter Doyle's Suburban Noir is one of the most fascinating books I have read all year.&amp;#x27; - Jeff Popple,</b> <b><i>Canberra Weekly</i></b></p><p><b>&amp;#x27;From being in the wrong place at the wrong time to planned cases, Doyle meticulously and circumspectly lifts the rug on suburbia.&amp;#x27; -</b> <b><i>The Sydney Morning Herald</i></b></p><p><b>&amp;#x27;A book that's anything but a typical true-crime tale - and is all the more fascinating for it.&amp;#x27; -</b> <b><i>The West Australian</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Peter Doyle</b> is a writer of novels and non-fiction whose books include <i>City of Shadows</i> (2005) and <i>Crooks Like Us</i> (2009), and the novel <i>The Big Whatever</i> (2015). He has curated major exhibitions on pulp publishing and forensic material culture. He is the recipient of two Ned Kelly Awards for his fiction, as well as a Lifetime Achievement Award. He is an honorary associate professor of media at Macquarie University, Sydney.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>*Winner of theLes Carlyon Literary Prize*</b></p><p><b>*Longlisted for the 2019 CHASS Australia Book Prize*</b></p><p>The Sydney Warstells the history of military engagements between Europeans and Aboriginal Australians  described as 'this constant sort of war' by one early colonist  around the greater Sydney region.</p><p>Telling the story of the first years of colonial Sydney in a new and original way, this provocative book is the first detailed account of the warfare that occurred across the Sydney region from the arrival of a British expedition in 1788 to the last recorded conflict in the area in 1817.<i>The Sydney Wars</i>sheds new light on how British and Aboriginal forces developed military tactics and how the violence played out.</p><p>Analysing the paramilitary roles of settlers and convicts and the militia defensive systems that were deployed, it shows that white settlers lived in fear, while Indigenous people fought back as their land and resources were taken away. Stephen Gapps details the violent conflict that formed part of a long period of colonial strategic efforts to secure the Sydney basin and, in time, the rest of the continent.</p><p><b>'A powerful and cogent contribution to one of the most contentious aspects of Australian history: the war between British settlers and the First Nations. The fine detailed research will mean that we will have to radically reassess our understanding of the history of the first thirty years of settlement.'-Henry Reynolds</b></p><p>'Historian Stephen Gapps' new book details the first 30 years of EuropeanAboriginal interaction in the Sydney basin...Gapps' assiduous use of original sources  gazettes, letters and personal accounts  makes for a compelling story<b>and an even more important history.'-</b><b><i>The Saturday Paper</i></b></p><p><b>'Historian Stephen Gapps has written an extraordinarily detailed study of contemporary sources from Sydney between the years 1788 and 1817.'-</b> <b><i>Aboriginal Art Directory</i></b><b><br/></b></p><p><b>'</b><b><i>The Sydney Wars</i></b><b>is a valuable contribution to the way we understand both the history of the early years of British settlement in Sydney and the way we consider Australian origins.'-</b> <b><i>Dictionary of Sydney</i></b><b><br/></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[The Sydney Language 						 The language is now called by its many clan names, includingGadigal in the Sydney city area and Dharug in Western Sydney.The word for Aboriginal person in this language is 'yura', this wordbeen used to help identify the language, with the most commonspellings being Iyora and Eora.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Sydney Language</i> was written to revive interest the Aboriginal language of the Sydney district. It makes readily available the small amount of surviving information from historical records. Author, Professor Jakelin Troy refers to the language as the 'Sydney Language' because there was no name given for the language in these historical records until late in the nineteenth century when it was referred to as Dharug.</p><p>The language is now called by its many clan names, including Gadigal in the Sydney city area and Dharug in Western Sydney. The word for Aboriginal person in this language is 'yura', this word been used to help identify the language, with the most common spellings being Iyora and Eora.</p><p><i>The Sydney Language</i> is ideal for anyone interested in learning more about the language and culture of the Aboriginal owners of what is now called Sydney.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Despite its bustling urban presence, Sydney has a rich and complex Aboriginal heritage. Hidden within its burgeoning city landscape, lie layers of a vibrant culture and a turbulent history. But, you need to know where to look. Aboriginal Sydney supplies this information.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Contrary to what you may think, local Aboriginal people did not lose their culture and die out within decades of Governor Phillip's arrival in Sydney in 1788.</p><p>Aboriginal people are prominent in accounts of early colonial Sydney, yet we seem to skip a century as they disappear from the historical record, re-emerging early in the twentieth century. What happened to Sydney's indigenous people between the devastating impact of white settlement and increased government intervention a century later?</p><p><i>Hidden in Plain View</i>&amp;nbsp;shows that Aboriginal people did not disappear. They may have been ignored in colonial narratives but maintained a strong bond with the coast and its resources and tried to live on their own terms.</p><p>This original and important book tells this powerful story through individuals, and brings a poorly understood period of Sydney's shared history back into view. Its readers will never look at Sydney in the same way.</p> <p>Paul Irish has breathed new life into people written out of history.&amp;nbsp;<b></b> <b>Stan Grant&amp;nbsp;</b></p><p>This landmark book will open your eyes to the enduring Aboriginal history of Sydney, a story which was there all along, a story that changes everything.&amp;nbsp;<b></b> <b>Grace Karskens</b>&amp;nbsp;</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Set in what may be the future, and centred on six women sharing a space in some sort of crumbling apartment tower, <i>Ruins, Child</i> is remarkable for its irresistible sweep, wit, and prickly splintered truth. With the pulsating sway of its liquid mosaic narrative, Giada Scodellaro's debut novel may recall Virginia Woolf's <i>The Waves</i>, but is entirely its own animal: kaleidoscopic, pointedly disorienting in its looseness, and powered along by snatches of speech from its compelling ensemble cast (often vernacular, often overheard: 'The woman is old, I hear children saying nearby, not in the way we consider all adults to be old, but really old, ancient, she is endless'). It's a book which seems to be drawn from deep wells of Black American reality: her female protagonists push back against authority in the very vivacity of their telling, setting afoot a freeing-up and a mysterious inversion of marginalisation. 'Looseness, that is the thing people fear in a person (in women) and in objects.' <i>Ruins, Child</i> uses the lens of urban infrastructure, social commentary, folklore, choreography, and collective listening to create an ethnography of place and an ode to communal ruins.</p><p><b>'Giada Scodellaro is one of the most astonishing writers of her generation and </b><b><i>Ruins, Child</i></b><b> is a visionary novel. Scodellaro refracts and redefines the canon of Black culture, the archive of Black experience. The result is a masterpiece that lives and breathes on the page, every sentence shimmering with wit, musicality, brilliance and verve.'  Katie Kitamura </b></p><p><b>Praise for</b> <b><i>Some of Them Will Carry Me</i></b><b>:</b></p><p><b>'The female protagonists who appear in Scodellaro's kinetic debut collection of stories find themselves in absurdist and fantastical scenarios that interrogate the nature of subjectivity.' </b> <b><i>The New Yorker</i></b><b>, 'Best Books of 2022'</b></p><p><b>'Scodellaro's stories capture a broad spectrum of life's joy, disgust, complexity, and unusual specificity.' </b> <b><i>Booklist</i></b></p><p><b>'A wild and wonderful collection...auspicious and consistently surprising.' </b><b><i> Publishers Weekly</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Giada Scodellaro</b> is the author of the collection <i>Some of Them Will Carry Me</i> (Dorothy, a publishing project), named one of the <i>New Yorker</i>'s best books of 2022. Her writings have appeared in or are forthcoming from <i>The New Yorker</i>, <i>BOMB</i>, <i>Harper's</i>, <i>Granta</i>, and <i>The Chicago Review of Books</i>, among others. She is an Assistant Professor at Columbia University. Winner of The Novel Prize, her debut novel, <i>Ruins, Child</i>, will be simultaneously published by New Directions (US), Fitzcarraldo Editions (UK), and Giramondo (AU) in early 2026.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'Razor sharp and startlingly original, </b><b><i>The Cross Thieves</i></b><b> crackles with street spirit. A big-hearted, unholy riot!'  Bram Presser, author of the award-winning </b><b><i>Book of Dirt</i></b><b>.</b></p><p>Two hungry boys set out from their squat by a slow river on a not quite mythic quest for revenge. At the same time, a local pastor drives from his beachside home to visit a dying parishioner. What each means to the other will be revealed as brothers, Gark and Pell, run for their lives over one desperate night, across a coastal town haunted by its past.</p><p><i>The Cross Thieves</i> is bold, mature and compassionate. And sprinkled with humour, 80s pop, carny lore, and the mysteries of philately. Fyfe's knowing eye for place, poverty and powerlessness and his empathy for the underdog is captured in an unforgettable story of profound emotional power.   </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p> <b>Alan Fyfe</b> is a maker of stories and poems who lives on unceded Noongar country. His first novel, <i>T </i>(Transit Lounge 2022), won listings in Australian and International manuscript awards and was listed for the West Australian Premier's Award for an Emerging Writer. His first poetry collection, <i>G-d, Sleep, and Chaos</i> (Gazebo 2024), was awarded silver in The Flying Islands manuscript prize, commended in the Victorian Premier's Literary Award, and won The West Australian Premier's Award for Poetry as well as overall West Australian Book of the Year. <i>The Cross Thieves </i>is the second part of a trilogy centred around The Peel Region, which began with <i>T</i> and will conclude in his forthcoming work, <i>The Nine Angles</i>. </p>]]></Text>
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			<Text textformat="02"><![CDATA[Set in a time of mass extinction, Department of the Vanishing blends documentary poetry, archival image, and narrative verse to explore the vital questions: Can we live in a world without birdsong and is it possible to create a new opus with the fragments left over.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Musashi's tale continues as he transforms himself from an inexperienced soldier with no direction into Japan's greatest swordsman!</i></b><br/><br/>This is the second book of <i>Musashi: The Novel</i>, a sweeping three-book unabridged translation of Eiji Yoshikawa's bestselling masterpiece - Japan's most beloved historical novel. Masterfully translated for the first time in its entirety by Alexander Bennett, this vivid and fast-paced story reveals the exploits and inner life of a man who finds not only his true purpose but also his humanity.<br/><br/>In <i>Book Two</i> Musashi continues his travels across Japan, earning a name for himself as a fearless swordsman. One by one, he dispatches the most skilled fighters in Japan with minimal effort, and it all seems too easy. But stung by their defeat at his hands, the Yoshioka fighters vow revenge, and their leader, Seijuro, seeks out Musashi for a duel to the death. Wrestling with his demons, Musashi is torn by his love for Otsu and his goal of becoming Japan's most famous warrior. He decides to take on a young student, but in doing so, is he losing his focus? Musashi holds his destiny in his hands, yet difficult choices will have to be made.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Eiji Yoshikawa</b> (1892-1962) is Japan's bestselling novelist of all time. He published popular retellings of many Asian classics, however, his novelization of the life of Miyamoto Musashi is his most famous work, selling over 120 million copies. He was awarded the Cultural Order of Merit and the Order of the Sacred Treasure.<br/><br/><b>Alexander Bennett</b> is a Professor of Japanese History, Martial Arts, and Budo Theory at Kansai University. He is a Director General of the International Budo University's Budo Sports Research Institute. He co-founded and publishes <i>Kendo World</i>, the first English-language Kendo journal, and holds black belts in several other martial arts. His published works include <i>The Complete Musash</i> and <i>Hagakure: The Secret Wisdom of the Samurai.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A major literary event over two decades in the making,</b> <b><i>Your Name Here</i></b> <b>marks the seismic return of Helen DeWitt (</b><b><i>The Last Samurai</i></b><b>), and will introduce readers to the riveting voice of Ilya Gridneff.</b></p><p>A book of unparalleled scope and vision, <i>Your Name Here</i> is a spectacular honeycomb of books-within-books. In this death-defying feat of ambition, collaborators Helen DeWitt and Ilya Gridneff weave together America's 'War on Terror', countless years of literary history, authorial sleight of hand, Scientology, dream analysis, multiple languages, emails, images, graphs, into something wondrous and unique.</p><p>A metafictional Pygmalion story reminiscent of Charlie Kaufman's Oscar-nominated <i>Adaptation</i>, or Italo Calvino's <i>If on a winter's night a traveler</i>; <i>Your Name Here</i> is a rare work of art that captures the process of becoming itself. A reminder that a masterpiece and a doomed voyage look the same at the start.</p><p><b>'A work of genius...What began as a playful collaboration became, like most of DeWitt's work, weirder, riskier and more ambitious. After at least 20 drafts and countless revisions, it morphed into a 600-page work that resists categorisation and almost defies description.' </b> <b><i>The New York Times Magazine</i></b></p><p><b>'An audacious metafiction...Readers will be left breathless.' </b> <b><i>Publishers Weekly,</i></b><b>Starred Review</b></p><p><b>'An ouroboros  and a big one at that  of a postmodern yarn that threatens to swallow itself at any moment...At once bewildering and beguiling, and a groaning-table feast of words.' </b> <b><i>Kirkus Reviews</i></b></p><p><b>'DeWitt is a brilliant risk-taker. I truly have no idea what to expect.' </b> <b><i>The New York Times</i></b><b>, '10 Things We're Excited About This Fall'</b></p><p><b>'Refreshing[ly] bold...The structure produces opportunities for tension and momentum, winding around a convergence in which everything feels as if it is just around the corner.' </b> <b><i>Los Angeles Review of Books</i></b></p><p><b>'This is hit-and-run, take-no-prisoners writing.' </b> <b><i>Times Literary Supplement</i></b></p><p><b>'Although the book may appear, to begin with, to be plotless, it turns out to be tightly organised: a Godard-like enfilade of shaftings, a frontispiece-of-Leviathan-type portrait of the world as a great 'Biz' made up of millions of little bizzes...</b> <b><i>Your Name Here</i></b><b>is a novel that doesn't really believe in novels. The writing is delightfully shameless, dishevelled and dissolute; globalised and pornified and digitised somehow, bit after bit after bit.' </b> <b><i>The London Review of Books</i></b></p><p><b>'Peerless.'  Lauren Oyler, author of</b><b><i>Fake Accounts</i></b></p><p><b>'Helen DeWitt and Ilya Gridneff's</b><b><i>Your Name Here</i></b><b>has been the novel of the century for almost two decades, despite almost no one having read it. Now, at long last,</b><b><i>Your Name Here</i></b><b>is here. Not a rumor, not an excerpt, not a PDF: this is the real thing  a hilarious, insatiably imaginative meta-meta-meta-novel that takes every risk and plays every card and captures, maybe like no other novel, the internet's jarring dislocations and formal possibilities. Still wildly ahead of its time,</b><b><i>Your Name Here</i></b><b>contains a multitude of voices so funny, so dark, so alive to every contingency that I wish it were twice as long. What a blast!'  Mark Krotov, coeditor of</b><b><i>n+1</i></b><b>and</b><b><i>The Intellectual Situation</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Helen DeWitt</b> is the author of <i>The Last Samurai</i>, which has been named one of the best books of the 21st century by multiple publications. She is also the author of<i> Lightning Rods</i>, as well as a collection of short stories, <i>Some Trick</i>, and a novella, <i>The English Understand Wool</i>. She lives in Berlin.</p><p><b>Ilya Gridneff</b>is a Toronto-based journalist working for the Financial Times. Over the years he has written articles for <i>The Baffler, Vice</i>, <i>The Guardian</i>, <i>The Sydney Morning Herald</i>,and <i>Foreign Policy</i>. He has lived and worked in Somalia, Kenya, South Sudan, Papua New Guinea, London and Berlin.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Abandoned by their Dutch partner after giving up their home and their job to follow him to the Netherlands, Seasonal finds themself single in a strange place for the first time in a decade. Still adjusting to life outside Australia, they turn to the internet to find a new anchor. </p><p>Dipping into the rabbit hole of digital eroticism, Seasonal meets Lszl, a male sub who volleys back their cerebral sexts and is seeking a dominant guide. His dating-app profile thinly veils his desire to be annihilated. It's a desire that Seasonal senses they can fulfil. But to do it, Seasonal must forget the hard earned ways of keeping themself safe they developed in the milieu of violence and sexual threat that marked their upbringing in working-class, small-town Australia. At home, men were usually a threat. What if the roles were reversed? </p><p>Seasonal and Lszl embark on an experiment in remaking intimacy outside the Republic of Gender. But as it continues, the two realise they are staging separate confrontations with domination: Seasonal finds they must confront what it has meant to be raised as woman in Australia, while Lszl stages his own confrontation with his decision to leave Viktor Orbn's Hungary. As the two improvise a theatre of domination in search of freedom, the energies of their sexuality stalk this collaboration, threatening to give them exactly what they bargained or begged for. </p><p>A reverse novel of education, where two people try to unlearn everything they think they know about intimacy, Anna Poletti's<i> hello, world? </i>dares to fully face the violence, beauty, and uncharted territories of human sexuality.  </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Written for his unborn daughter on a smallholding in Nazi Germany just before the war, <i>Krank Fuss</i> ('sick foot'), tells the story of one of a brood of chickens recently acquired by a WWI veteran from a neighbouring farm. Ostracised because of her deformed limb, Krank Fuss befriends Gibby, a toad who considers themself a frog, and together they explore the world of the farm around them. Over the course of the tale, she learns the biggest dangers are never as bad as she imagined, and that even though she has no say in the conditions of her life, she must still make decisions and those decisions matter because terrible cruelty and violence are much closer than she had thought possible.</p><p>Part allegory in the spirit of <i>Animal Farm</i>, part Art Brut parable, <i>Krank Fuss</i> unfolds against the background of an impending social catastrophe, unsettlingly echoing the world today. It is the story of the innocent discovering the cruelty of the natural world, seeking for another way that might allow the delicate Wonder of Life to peak above the nastiness, brutishness and brevity of her apparent Fate.</p>]]></Text>
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			<SubjectHeadingText>Alice Rohrwacher; Annie Ernaux; English novelists; Lord Jim at Home; Megan Nolan; Miranda July; Ottessa Moshfegh; Tuscany; coming of age; domestic violence; love affair; novels set in Italy; psychological suspense; sexual awakening; sexually explicit; transgressive</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>From the 'brilliant forgotten novelist' behind the 'ferocious'</b> <b><i>Lord Jim at Home</i></b><b> (</b><b><i>The Telegraph</i></b><b>) comes a searing tale of a young woman's unravelling beneath the unforgiving Tuscan sun.</b></p><p>Miranda, her husband Louis, and their infant daughter are set to spend the summer in a rented villa in Tuscany. He's a self-assured young American actor; she, a well-educated, well-bred English ingenue. But when Louis is called away to a shoot, Miranda is left alone with her baby in the remote Italian countryside  until a young Italian named Oreste arrives, claiming to have been invited by her now-absent husband.</p><p>Miranda quickly falls under the interloper's spell  and into his arms  launching into a feverish affair that threatens to dissolve her already fragile, fracturing sense of self. As events spiral further out of her control, the novel hurtles headlong toward its horrifying conclusion.</p><p>Written in the same 'limpid, assured style: cruel, yes, but not detached or apathetic' (<i>Harper's Magazine</i>) as <i>Lord Jim at Home</i>, Dinah Brooke's transgressive debut remains every bit as shocking as when it was first published in 1971.</p><p><b>'A devastating account of the sexual awakening of an English lady... An intense, fastidiously crafted and disturbing novel.' </b> <b><i>Publishers Weekly</i></b></p><p><b>'The best descriptions of the sheer illogicality and waywardness of sex and love that I have ever read.' </b> <b><i>The Scotsman</i></b></p><p><b>'[A] brilliant forgotten novelist.'  Claire Allfree,</b> <b><i>The Telegraph</i></b></p><p><b>'Brooke has a limpid, assured style: cruel, yes, but not detached or apathetic...It's frigid fun.'  Dan Piepenbring,</b> <b><i>Harper's Magazine</i></b></p><p><b>'You can only glory in her skill...Brooke [has] immoderate talents.'  M. John Harrison,</b> <b><i>The Guardian Observer</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dinah Brooke</b> left Cheltenham Ladies' College at sixteen to go to Paris, where she studied sculpture and Greek. She read English at Oxford, attended film school in London, briefly worked for a documentary film company, and spent a year in Greenwich Village. Back in London, she married, had twins, and, in the early 1970s, published four critically acclaimed novels, including <i>Lord Jim at Home</i>, which is also published by McNally Editions. In 1975, she took sannyas, was given the new name Ma Prem Pankaja by Bhagwan Shree Rajneesh, and lived for the next six years in his ashram in Poona, India. She returned to London in 1981, where she lives today.</p><p><b>Emma Cline</b> is the author of<i> The Girls,</i> the story collection <i>Daddy,</i> and <i>The Guest</i>. The winner of the Plimpton Prize, Cline was also named one of Granta's Best Young American Novelists. In 2021, she won an O. Henry Prize for 'White Noise', and is a 2024 Guggenheim Foundation Fellow.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>First published in 1996, <i>HEAT </i>is a literary magazine dedicated to publishing essays, fiction and poetry by Australian and overseas writers of the highest quality. Recent contributors include Antigone Kefala, Alexis Wright, Eliot Weinberger, Xi Xi, Lucy Van, Peter Stamm, Lena Andersson, Elizabeth Harrower, Paul Muldoon, Fiona Kelly McGregor, Mariana Enrquez, David Sornig, Max Easton, Hasib Hourani, Isabella Trimboli, Eda Gunaydin, Ursula Robinson-Shaw, Noemi Lefebvre, Gareth Morgan, Ender Baskan, George Mouratidis, Jenny Erpenbeck, Oliver Driscoll, Mary Jean Chan, Amitava Kumar, Fiona Wright, Oscar Schwartz, Zang Di, Hanne rstavik, Katharina Volckmer, Kate Middleton and Noelle Janaczewska. HEAT's third series (2022) is edited by Anna Thwaites and designed by award-winning designer Jenny Grigg.</p><p><b>Recent praise for</b><b><i> HEAT</i></b><b>: </b></p><p><b>'The revival of </b><b><i>HEAT </i></b><b>journal has been one of the high points of the year. In the 1990s and 2000s, </b><b><i>HEAT </i></b><b>was the most exciting, forward-looking literary magazine in the country. After more than a decade on ice, this new series has raised the bar once again. Elegantly designed and thoughtfully curated, and including work from canonical Australian writers to emerging voices to authors in translation, the journal reminds us how crucial such organs are to the vigour and health of our literary ecosystem.'  Geordie Williamson,</b><b><i> The Saturday Paper's </i></b><b>'Best of 2022'</b></p><p><b>'So slender and elegant, nothing wasted, nothing grandiose  and beautiful work.'  Helen Garner</b></p><p><b>'</b><b><i>HEAT </i></b><b>magazine was a trailblazer from the day it was launched...[The new series is] still dedicated to publishing non-Anglophone views of the world, alternatives to the mainstream and points of view that are both thought-provoking and expressed in high literary style.'  Openbook,</b><b><i> NSW State Library Magazine</i></b></p><p><b>'A very beautiful and stylish object...long may this new series of </b><b><i>HEAT </i></b><b>continue!'  Sarah Holland-Batt</b></p><p><b>'I welcome the return of </b><b><i>HEAT</i></b><b>. Readers and writers alike will revel in its daring audacity, bold exploration and innovative celebration of literature.'  Alexis Wright</b></p><p><b>'</b><b><i>HEAT </i></b><b>is eclectic and eccentric, bold and often feisty, and above all else, it is a journal that always gives a freer rein to its writers, that we might gallop wherever we will.'  Fiona Wright</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Anna Thwaites</b> has had nearly fifteen years of editorial experience in Australian publishing. She started out as assistant editor at the political and cultural <i>Arena Magazine</i>, and then worked as editor and assistant to the publisher at Scribe Publications from 2014 to 2020<i>.</i> More recently she has been co-editor of the live event and chapbook series <i>Slow Canoe</i> (with Oliver Driscoll) and of the micro-journal <i>Paragraph</i> (with Caitie Lawless), where she has commissioned and developed work from new and established writers around the world<i>.</i> Alongside these projects and a lively and various freelance editing career, she has worked at two of Melbourne's best independent bookshops, Readings and The Paperback. She has an Honours degree in literature and philosophy from ANU and a postgraduate qualification in editing and publishing from RMIT. </p>]]></Text>
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			<Text textformat="02"><![CDATA[A philosopher sets about compiling an encyclopaedia of embraces; an artist accuses her mirror of a lifetime of dishonesty; a flneur collects melodies from the faces of passing strangers; an author envisions the ultimate map charting every single move of his existence; a girl dreams of a magic box that would tell her everything...]]></Text>
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			<Text textformat="02"><![CDATA[<p>A philosopher sets about compiling an encyclopaedia of embraces; an artist accuses her mirror of a lifetime of dishonesty; a flneur collects melodies from the faces of passing strangers; an author envisions the ultimate map charting every single move of his existence; a girl dreams of a magic box that would tell her everything...<i>Switchpoints</i>, Alex Skovron's twelfth book, is a collection of 100 short narrative pieces, some in prose, others in verse. It is inhabited by a broad assortment of individuals of all ages, from children to the elderly, visited at particular and possibly significant moments in their daily life  moments of doubt or discovery, inertia or inspiration, of personal reflection, reminiscence or philosophical musing. There are skewed apprehensions and tender recognitions, lingering regrets and poignant realisations  'switchpoint' moments that trigger a jolt in thought or demeanour, or signal a shift in viewpoint or sense of self; or may not. The prod might be a line from a novel or poem, a painting or a piece of music, a landmark, a famous disaster, or perhaps no more than a sudden idea, a fading dream or an elusive recollection. Underpinning it all is a fascination with the workings of mind, the riddles of memory, the mystique of time.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alex Skovron</b> was born in Poland, lived briefly in Israel, and emigrated to Australia in 1958, aged nearly ten. His family settled in Sydney, where he grew up and completed his studies. From the early 1970s he worked as a book editor in Sydney and (after 1980) Melbourne. He is married, with two adult children and five grandchildren. Skovron's poetry has appeared widely in Australia and overseas. His seven previous collections are: <i>The Rearrangement</i> (1988, which won the Anne Elder and Mary Gilmore awards and was shortlisted in the NSW Premier's Awards), <i>Sleeve Notes</i> (1992), <i>Infinite City: 100 Sonnetinas</i> (1999, shortlisted in the Age Book of the Year and Victorian Premier's Awards),<i> The Man and the Map</i> (2003), <i>Autographs: 56 poems in prose</i> (2008),<i> Towards the Equator: New &amp; Selected Poems</i> (2014, shortlisted in the Prime Minister's Literary Awards for 2015), and <i>Letters from the Periphery</i> (2021). Other awards have included the Wesley Michel Wright Prize for Poetry (twice), the John Shaw Neilson Poetry Award (twice), and the Peter Porter Poetry Prize. Concurrently with his poetry, Skovron has published intermittently in prose, including short stories, a novella, and the abovementioned <i>Autographs</i>. The novella, titled <i>The Poet</i> (2005), was joint winner of the FAW Christina Stead Award for a work of fiction. His collection of stories, <i>The Man who Took to his Bed</i>, was published in 2017. In 2023 Alex Skovron was honoured with the Patrick White Literary Award for his contribution to Australian literature.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A popular anthology published in 2016 before the launch of the British Library Tales of the Weird rejoins the series with new material included. Featuring stone-cold classics from M. R. James and Margaret Irwin alongside rare items from the labyrinthine basements of the British Library collections.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>As he turned over its stiff and yellow pages, he noticed with pleasure the smell of corruption that had first repelled him in these decaying volumes, a smell, he now thought, of ancient and secret knowledge...</i> </p><p>Researchers prying into an obscure manuscript come face to face with its ghoulish guardian. A bookseller digging through an attic disturbs something far more dangerous than dust. An uncanny tome tempts its reader onto a path of untold evil. Welcome to <i>The Haunted Library</i>, a collection of fourteen tales steeped in the dark psychic traces found in the stacks and shelves of libraries, bookshops, and other troves of hidden knowledge. </p><p>Including stories from rare pulp magazines, classics from the minds of M. R. James, L. P. Hartley and Margaret Irwin, and modern chillers from Penelope Lively and C. J. Faraday, this volume invites you into a hushed realm of cursed authors, ghostly bibliophiles, and readers haunted by the weird powers of the written word. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Tanya Kirk</b> is a librarian at St John's College, Cambridge and was a curator of the Western Heritage collection at the British Library. She has edited many seasonal collections in the British Library's<i> Tales of the Weird </i>series including<i> Haunters at the Hearth, Sunless Solstice, Chill Tidings</i> and <i>Spirits of the Season.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[Pulp tales of alien forces emerging from the ice and a battle between hunter and invisible man-eating duck creature drift alongside modern horror from indigenous Arctic voices to show the extent and endurance of the lure of these sublime landscapes.]]></Text>
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			<Text textformat="02"><![CDATA[The debut mystery novel by Queen of Crime Christianna Brand, published following the success of the Crime Classics editions of Green for Danger, Death of Jezebel and more.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'My dear Inspector, this is simply nonsense. Girls don't murder each other in respectable dress shops.'</i></p><p>Life for the staff of the West End boutique Christophe et Cie is hard enough with all the pressures of delivering the ambitious Mr. Bevan's vision  and then comes murder, a poisoning via the toxic crystals of hat-cleaner, pitching haute couture into heinous crime.</p><p>Faced with a fashionable collection of overwrought designers, buttoned-up models, downtrodden sales girls and tyrannical middle-managers, the dashing Inspector Charlesworth of Scotland Yard must disentangle workplace grudges from deadly motives before the killer can make a trend of murder. First published in 1941, Brand's debut mystery is brimming with the caustic wit, ingenious misdirection and ruthless twists that would later earn her a place among the queens of classic crime fiction.</p><p><b>'It is a very long time since I have read a better story. Oh yes, this is not only the book of the month, but the book of the year.'  Raymond Postgate in</b> <b><i>Time and Tide</i></b><b>, April 1941</b></p><p><b>'A bull's-eye! Miss Brand has succeeded not only with the puzzle (which is uncommonly good), but even more with the atmosphere.' </b> <b><i>Illustrated London News</i></b></p><p><b>'This new writer of mystery tales is welcome, for she has a cheerfully satiric manner... The reader is kept on tenterhooks until the end.' </b> <b><i>Daily Telegraph</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Christianna Brand</b> (19071988) was born in British Malaya and was one of the most celebrated crime writers of the twentieth century. She is best known for her mystery novels featuring Inspector Cockrill along with the Nurse Matilda books for children, which were adapted for screen as Nanny McPhee. The Cockrill novels <i>Green for Danger, Death of Jezebel</i> and<i> Suddenly at His Residence</i> have been published as British Library Crime Classics.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Girls Together magazine agony-aunt 'Mrs Friendly-wise', aka Katinka Jones, finds herself at a loose end in Swansea, and decides to pay a surprise visit to one of the magazine's regular correspondents, 'Amista'. But reaching the address  a strange house perched atop a mountain which matches all of the descriptions in the letters  nobody has even heard of 'Amista'. As Katinka begins to fall for the dashing master of the house, Carleon, more weird mysteries emerge and the plucky Detective Inspector Chucky joins the search for the truth in this self-consciously lurid mystery-melodrama; a rollicking cavalcade of Brand's signature twists and turns.</p><p><b>'From time to time there is published a mystery story which is also a piece of good writing. Such a novel is</b> <b><i>Cat and Mouse</i></b><b>...a mystery novel for the connoisseur.' </b> <b><i>Glasgow Herald</i></b><b>, 1950</b></p><p><b>'This department has never before admitted its inability to put a book down. But I had trouble with</b> <b><i>Cat and Mouse</i></b><b>...A fine melodrama, with a cheerful disregard for the sterile rules of the detective game.' </b> <b><i>News Chronicle</i></b><b>, 1950</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Christianna Brand</b> was the pen name of Mary Christianna Milne (19071988), a crime writer who was born in British Malaya. She is best known for her mystery novels and short stories featuring Inspector Cockrill along with the Nurse Matilda books for children, which were adapted for screen as <i>Nanny McPhee.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In ten days, Hong Kong will pass into the hands of the Chinese  and 007 is on his way there to undertake his most dangerous and thrilling mission yet.</p><p>In the Australian desert, a nuclear bomb explodes. There are no survivors and no clues about who has made it or detonated it. In England, two police officers are shot dead when they apprehend a cargo vessel in Portsmouth dock. Vast quantities of heroin are later found on board. And in Hong Kong, an explosion rips through one of the colony's famous floating restaurants, killing the entire Board of Directors of EurAsia Enterprises Ltd, a multi-billion dollar shipping corporation.</p><p>The People's Republic of China is about to resume control after a century and a half of British rule  and the colony is a powder keg waiting to explode. The tension reaches breaking point when a solicitor from one of Britain's most prestigious law firms is killed in a car bomb at Government House.</p><p>These apparently random events are connected  and Bond must find out how and why. From the heady casinos of Macau to the seedy strip clubs of Kowloon, 007's investigations bring him into conflict with ruthless Triad gangs, a power-hungry Chinese general  and a beautiful night club hostess called Sunni Pei.</p><p>All inquiries seem to lead to EurAsia Enterprises Ltd  and its assassinated owner. James Bond is about to come up against one of the most formidable adversaries of his career.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Besides writing official James Bond fiction between 1996-2002, <b>Raymond Benson</b> is also known for <i>The James Bond Bedside Companion</i>, which was published in 1984 and was nominated for an Edgar. His first two entries of a new series of thrillers, which Booklist called 'prime escapism', are <i>The Black Stiletto</i> and<i> The Black Stiletto: Black &amp; White</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Thirteen stories of monsters, murder, and mayhem from a master of horror, the </b><b><i>New York Times</i></b><b>bestselling author of </b><b><i>I Was a Teenage Slasher</i></b><b>.</b></p><p>Stephen Graham Jones takes familiar horror tropes  zombies, camping mishaps, damaged children  and intertwines them with the dark forces of human nature to create unique and unforgettable short fiction. These thirteen tales run the gamut, immersing you in worlds you think you've seen before, but with outcomes you'll never see coming.</p><p>In 'Father, Son, Holy Rabbit', a dad and his child are lost in a snowstorm and learn what the true cost of survival is. A snake-oil salesman makes his way across Arizona territory, peddling his wares to unsuspecting customers  and leaving ghost towns in his wake  in 'Lonegan's Luck'. While in 'Raphael', four twelve-year-old outcasts, seemingly invisible to everyone around them, make up a 'scare' club, pushing themselves further and further into the unthinkable.</p><p>As Laird Barron says in his introduction, '<i>The Ones Who Got Away</i> is a slippery collection; it resists and gnaws at the bonds of genre, yet may be the most pure horror book I've come across.'</p><p>Jump in and hold on for your life...</p><p><b>'The twisty endings, villainous characters, and truly shocking scenarios make several of these disturbing stories truly unforgettable.' </b> <b><i>Publishers Weekly</i></b></p><p><b>'Readers looking for horror can't go wrong with Stephen Graham Jones and diving into these thirteen collected short stories is the perfect way to countdown to Halloween night.' </b> <b><i>Bookish</i></b></p><p><b>'</b><b><i>The Ones Who Got Away</i></b><b> is the perfect showcase for [Jones's] wide-array of literary acrobatics.' </b> <b><i>Dark Scribe Magazine</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>World Fantasy Award winner Patricia A. McKillip (<i>The Forgotten Beasts of Eld)</i> has inspired generations of readers with her enchanting, and subversive fiction. This lovely hardcover career-retrospective edition offers McKillip's finest short stories. Featuring an orignial introduction by Ellen Kushner (<i>Swordspoint</i>) and cover art from frequent McKillip illustrator Thomas Canty, <i>The Essential Patricia A. McKillip</i> is a must-have for fans of classic fantasy.</p><p>Patricia A. McKillip has been widely hailed as one of fantasy's most significant authors. She was lauded as 'rich and regal' (the <i>New York Times</i>), 'enchanting' (the <i>Washington Post</i>), and 'luminous' (<i>Library Journal</i>).</p><p>Within McKillip's magical landscapes, a mermaid statue comes to life; princesses dance with dead suitors; a painting and a muse possess a youthful artist; seductive sea travelers enrapture distant lovers, a time-traveling angel endures religious madness; and an overachieving teenage mage discovers her own true name.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Acclaimed translator Damion Searls's exuberant debut novella navigates the bittersweet tug-of-war between nostalgia and living life meaningfully in a world buzzing with information overload.</b></p><p><i>Analog Days</i> is a snapshot of a circle of friends living through the sorrows and joys of a particular inflection point in history. Amid the ever-present news cycles, watching the world shift around them, they fall back on film and friendship and art as the last bastions of meaning in their fragmented lives. Moving from coffee shops to bars, from New York City to San Francisco, <i>Analog Days</i> immerses us in the individual lives set adrift among the pivotal events of our recent history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Confined to her apartment, a professor falls into an unlikely romance  with a pangolin.</b></p><p>Ana, a literature professor, plans her remote classes while confined to her apartment during lockdown. Her lover, Alice, has died of Covid. In her place are a series of animals that demand Ana's care and attention: an overbearing pangolin, a swarm of insects, a giant bat.</p><p>Amid changes in medication and fraught faculty meetings, Ana's grip on reality loosens. She begins to devise a syllabus on the financialisation of art and life, posing questions about labour and intimacy she will use her own body to answer. Her apartment fills with creatures, her teaching slides into absurd allegory, and her sense of what is real, permissible, or politically legible fractures.</p><p>Equal parts tender and grotesque, <i>Pandora</i> is a hallucinatory portrait of a mind and a world in collapse, a razor-sharp meditation on desire, delusion, and the absurd endurance of the human.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Longlisted for the German Book Prize 2023, Paradise Garden is a spellbinding journey and a deeply affecting story of class, resilience and belonging.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>The beginning was the last day before the summer holidays. The beginning was a song on the radio. The beginning was big plans.</i></b></p><p>Fourteen-year-old Billie rarely crosses the boundaries of her high-rise housing estate. By the end of the month their money just about stretches to pasta with ketchup, but her mother, Marika, lights up Billie's world with her imagination and big heart.</p><p>One day they receive an unwelcome visit from her Hungarian grandmother, and Billie loses much more than the colourful everyday life she shared with her mother. No longer able to ask Marika questions, Billie sets off alone in their old Nissan  determined to meet the father she never knew and find out why she keeps dreaming about the sea, even though she's never been there.</p><p>Longlisted for the German Book Prize 2023, <i>Paradise Garden</i> is a spellbinding journey and a deeply affecting story of class, resilience and belonging.</p><p><b>'Elena Fischer writes so lovingly about sadness that it is comforting.'  Alina Bronsky</b></p><p><b>'An accomplished debut about the courage to get to know one's own origins and to accept them as they are.'  Ursula Nowak for </b><b><i>Deutschlandfunk</i></b><b>, Cologne</b></p><p><b>'This novel is a small miracle  and a big surprise.'  Claudio Armbuster / </b><b><i>ZDF</i></b><b>, Mainz</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Elena Fischer</b> studied comparative literature and film in Mainz, where she lives with her family. In 2019 and 2020, she participated in the Darmstadt Text Workshop, led by Kurt Drawert. In 2021 she was a finalist at the 29th Open Mike with an extract from her debut novel <i>Paradise Garden</i> and won the Mainz provincial government's prize for young authors.</p><p>Elena Fischer has been nominated for the German Book Prize and for the Harbour Front Literary Festival's Debut Prize 2023.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A pitch-black, magnetic, and unforgettable meditation on the nature of love, evil, and the power of redemption, Land of Hope mixes history and the myths of the English moors to tell a compelling modern English fable of serial killers at the end of the world.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Has the land come to mimic us vile deeds, or have we only mimicked the land?</i></b></p><p>Daughter. Mother. Glory. Wife of The Devil O' Th' Moor. Hope Gleason has many names. The child of a shepherd raised in the remote moors of Northern England, Hope has always understood the satanic brutality of the land.</p><p>But when an ear-splitting, unknowable sound destroys the nearby village, Hope must embark on a dangerous journey to survive through the ravaged land with a lad, newly orphaned and alone, under her wing.</p><p>As they trek the wilds together to find her husband, her violent past chases her at every turn and long-buried memories begin to resurface.</p><p>A pitch-black, magnetic, and unforgettable meditation on the nature of love, evil, and the power of redemption, <i>Land of Hope</i> mixes history and the myths of the English moors to tell a compelling modern English fable of serial killers at the end of the world.</p><p><b>'Cate Baum has exceptional talent.' Claire Fuller, author of</b><b><i>Unsettled Ground</i></b></p><p><b>'Cate Baum's writing takes you into a mysterious, murderous, sometimes frightening world and never lets go. A journey through many extraordinary emotions with one abiding feeling: hope. An extraordinary book.' Jonathan Myerson, Oscar-nominated writer of</b> <b><i>The Canterbury Tales</i></b><b> and</b> <b><i>Nuremberg</i></b></p><p><b>'This muscular, disquieting twist on survival stories such as</b> <b><i>The Road</i></b><b> asks whether the end of the world is a chance for a new beginning, or whether some acts stain the soul too deeply ever to be left behind.' </b><b><i> The Guardian</i></b></p><p><b>'</b><b><i>Land of Hope</i></b><b> folds a dystopian fable into an Emily Bronte-like gothic novel. It's a fascinating idea for a crossover, and the central character, Hope Gleason, seems to emanate from the wild and windswept moors as if she were a ghost already.'  </b><b><i>Sydney Morning Herald </i></b><b>/</b><b><i> The Age</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Cate Baum</b> was born in Cambridge to a magician and a big band singer. She grew up in the East Anglian countryside, spending summers roaming the wilds of the UK.</p><p>She attended UCLA to study Screenwriting, and then City University, London, gaining a Masters with Distinction in Creative Writing. There, she was mentored by Claire Fuller (<i>The Memory of Animals</i>), Clare Allan (<i>Poppy Shakespeare</i>) and Jonathan Myerson (<i>Nuremberg</i>). She now lives in Spain.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Exceptional short stories featuring young millennial women, blending dark fantasy and quasi-horror with humour and intellectual dash</p><p>Announcing the arrival of a major talent, <i>I HOPE YOU'RE HAPPY</i> is more a warning than a wish.</p><p>Photos of women eating go viral, a cookie communicates a threat, and women working dead-end jobs become entangled in the performances around them. Everyday experiences of friendship, family, dating and desire catapult the reader into a creepy vortex of horror. Characters reveal themselves in slippery glimpses, through positive affirmations, social media accounts and secret appetites.</p><p>With this collection of haunting and haunted stories, Marni Appleton immerses us in a world of fleeting encounters, empty couplings, break ups, bust ups, threesomes and ghosts, giving us a kaleidoscopic overview of twenty-first century life.</p><p><b>'These beautifully written, female-focused stories stayed with me long past closing the cover. Sensual, alive and haunting. Dark wisps of womanhood.'  Lucy Prebble, Executive Producer and writer on the Bafta, Golden Globe and Emmy award-winning HBO drama</b> <b><i>Succession</i></b></p><p><b>'This collection of wry and incisive stories explores navigating the sticky, glorious and more-often-than-not absolutely horrific terrain of late girlhood and early womanhood.' Ayesha Manazir Siddiqi, author of</b> <b><i>The Centre</i></b></p><p><b>'Truthful, dark, and walking the line between delicious and disturbing,</b> <b><i>I HOPE YOU'RE HAPPY</i></b> <b>is a rich and haunting read. Savour or gorge, this is a very special collection of deceptively cutting stories.' </b><b><i></i></b><b>Lottie Hazell, author of</b> <b><i>Piglet</i></b></p><p><b>'Smart, surprising, and witty, these stories are a joy to read.'  Naomi Booth, author of</b> <b><i>Animals at Night</i></b></p><p><b>'These tense stories of the zeitgeist show how the conditions of late capitalism promise women freedom while keeping them trapped in their economic and social circumstances. Clever, convincing and wry, they bowled me over. Like Mary Gaitskill and Miranda July before her, Marni Appleton writes about how it is to live now.'  Julia Bell, author of</b> <b><i>Hymnal</i></b><b>and</b> <b><i>Radical Attention</i></b></p><p><b>'Marni Appleton writes with insight, honesty and inventiveness into the raw, brutal spaces of girlhood and early womanhood. A powerful, political collection that maps intimately the minds and bodies of its characters, these stories stayed with me long after I'd finished.'  Fran Littlewood, author of</b> <b><i>Amazing Grace Adams</i></b></p><p><b>'Such a wonderful collection, the writing so sharp, witty, dark, carefully observed and full of the realities of present day life.'  Gerard Woodward, author of</b><b><i>Legoland</i></b><b>and</b><b><i>I'll Go to Bed at Noon</i></b></p><p><b>'Raw, fluid, intimate and believable.'  Mariel Franklin, author of</b> <b><i>Bonding</i></b></p><p><b>'Deliciously dark, incisive and original, Marni Appleton has clearly mastered the short story, but more than that, she has mastered the art of winding her readers in ribbons of mess and mundanity that make up both fantastical and real life in a truly compelling collection.'  Ore Agbaje-Williams, author of</b> <b><i>The Three of Us</i></b></p><p><b>'Glittering behind every fixed-on smile in this collection is a crystallised seam of horror. An illegally acquired cocktail of weirdness, body laughs, love and spite. I could not have liked it more.'  Ben Pester, author of</b> <b><i>Am I in the Right Place?</i></b></p><p><b>'Tender, skewed and affecting stories told with a keen eye for the absurd and unsettling nature of being alive. A bewitching and twisted kaleidoscope of stories.'  Isy Suttie, award-winning comedian and writer</b></p><p><b>'Appleton knows all the ways that women are seen, surveilled, and regarded. These excellent stories stare right back, and they brim over with insight and sharp intelligence.' </b><b><i></i></b><b>Manuel Muoz, author of</b><b><i>The Consequences</i></b></p><p><b>'Marni Appleton's debut collection of short stories is like a shot fired across the bow of contemporary feminism. Prophetic and profound at once, her stories are oblique glimpses of girls' and womens' lives in the age of Instagram, anxiety and heightened scrutiny of women  and especially of their bodies. Fresh, surprising and invigorating, Appleton's stories resonate long after finishing them with a restless energy and a humane heart.' </b><b><i></i></b><b>Jean McNeil, author of</b><b><i>Day for Night: A Novel</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A gripping literary puzzle that unwinds the private lives of ten women as they confront tragedy in a decaying town.</p><p>Nashquitten, Massachusetts, is a coastal enclave that not even tourist season can revive, full of locals who have run the town's industries for generations. When a young woman dies at a house party, the circumstances around her death suspiciously unclear, the tight-knit community is shaken.</p><p>Told through the eyes of ten women, Alina Grabowski's <i>Women and Children First</i> is an exquisite portrait of grief and a powerful reminder of life's interconnectedness. Touching on womanhood, class, sexuality, ambition, disappointment, and tragedy, this novel is a stunning rendering of love and loss, and a bracing lesson from a phenomenal new literary talent.</p><p><b>'A striking debut from a brilliant new voice. Alina Grabowski perfectly inhabits her characters, shining a light on the multidimensionality of both grief and adolescence with great humor and insight.'  Sarah Jessica Parker</b></p><p><b>'Magnetic...The ennui of small-town life is perfectly captured in the slice-of-life vignettes, which coalesce into a riveting set of Rashomon-style retellings. Grabowski shows immense promise.' </b> <b><i>Publishers Weekly</i></b><b>, starred review</b></p><p><b>'Craftily constructed and deeply moving.' </b> <b><i>Booklist</i></b><b>, starred review</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alina Grabowski</b>'s work has appeared in <i>Story</i>, <i>The Masters Review</i>, <i>Joyland</i>, and <i>Day One</i>. She earned her MFA from Vanderbilt, and has received scholarships from the Sewanee Writers' Conference, the Squaw Valley Community of Writers, and the Juniper Summer Writing Institute.</p><p>She was a 2019 Emerging Writer Fellow at Aspen Summer Words. She lives in Austin, Texas.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Should we really ever bring our whole selves to work?</b></p><p>In a London call centre, Jimmie helps holiday makers with myriad problems, but he is hardly a model employee. He doesn't simply provide customer service to his clients and advice to his colleagues, he gets involved in their fantasies and frustrations, and now he's about to be hauled up in front of the boss.</p><p>From perfecting his roles as an undertaker and as a clown to performing duties above and beyond his employment contract, he debates the importance of the optimum shade for lipstick and bathroom walls, the pros and cons of nudist versus textile, as well as the psychological impacts of an Italian mother and an emotional support animal. This is the second, ribald, scatological novel from the brilliant author of <i>The Appointment</i>. Jimmie's sly, sharp, melancholy insights into the indignities of a world which aims to eliminate the human will make you laugh, weep and never look the same way at an electric carving knife again.</p><p><b>'This book is filled with brilliant dialogue, unexpected turns, some very dirty talk with sudden bursts of hilarity, and then fierce sadness. It exudes dark energy. It is highly original. It gives pleasure on every page.'  Colm Tibn, author of</b> <b><i>Brooklyn</i></b> <b>and</b> <b><i>Long Island</i></b></p><p><b>'Raucous, incisive and wholly original.'  Eley Williams, author of</b> <b><i>Moderate to Poor, Occasionally Good</i></b></p><p><b>'Her work is a hand grenade thrown against the falsities of good taste.'  Carlos Fonseca, author of</b> <b><i>Austral</i></b></p><p><b>'Katharina Volckmer's jokes are always consequential, and her novel ends up saying much that is profound about work and isolation and capitalist estrangement.'  Lily Isaacs, </b><b><i>The TLS</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>From bestselling novelist Patrcia Melo comes a masterful thriller set in the far west of Brazil that is by turns poetic, inspiring, humourous and harrowing. </p><p>To escape an overprotective family and an abusive partner, a young lawyer accepts an assignment in the Amazonian border town of Cruzeiro do Sul. There, she meets Carla, a local prosecutor, and Marcos, the son of an indigenous woman, and learns about an epidemic of violence against women that seems beyond comprehension. </p><p>What she finds in the jungle is not only relentless oppression, but a deep longing for answers to an unsolved crime from her past. Through the ritual use of ayahuasca, she meets a chorus of warrior women on a path of revenge and recovers the painful details of her mother&amp;#x27;s death. </p><p><i>The Simple Art of Killing a Woman</i> is a psychological trip with a twist. It&amp;#x27;s about the strength of individuals in the face of overwhelming violence, the problem of femicide in Brazil, and the haunting of a cold case.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The hour between dog and wolf is twilight, when it is hard to distinguish between known and unknown, right and wrong. When one state has ended and another has not quite begun. In 1980s Russia, Soviet policies, cruel but familiar, are giving way to untested concepts such as glasnost and perestroika.  </p><p>Four teenagers - Anya, Milka, Petya and Aleksey, whose lives, like those of their Western counterparts, are fuelled by sex, alcohol, and cigarettes  yearn for a world of Levi's, Queen, foreign travel and the freedom to choose their fates. Instead, like their ancestors, they encounter heartbreak and tragedy. With a nod to Chekhov's<i> The Cherry Orchard</i>, crumbling dachas surrounded by apple orchards, the scenes of idyllic summers, are slated for destruction as capitalism corrupts and corrodes the best of the past without bringing a promise of renewal.  </p><p>Yet while depicting a bloody and desperate era, this exceptional debut novel pulsates with life. It is radiant with friendship and love, the power of international literature, values and politics, as its characters struggle to survive, to save their country and one another. </p><p><b>'A timeless tale of memory, desire, dreams lost and altered, love changed and unchanged.' - Yiyun Li, author of</b><b><i> Must I Go</i></b></p><p><b>'[A] Stunning debut...Gorcheva-Newberry pulls off a tragic and nostalgic love letter to a much-tried generation. This is a winner.' -</b><b><i> Publishers Weekly </i></b><b>(Starred Review)</b></p><p><b>'Gorcheva-Newberry does the reader a great service, offering a peek behind the iron curtain and its veil of propoganda...If there is such a thing as clear-eyed sentimentality,</b><b><i> Between Dog and Wolf </i></b><b>evokes it.' -</b><b><i> Bookpage </i></b><b>(Starred Review)</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In 1970s Switzerland, high up in the Valais mountains, is a village where everyone knows everything, and no one says anything.</p><p>Jeanne learns from an early age to dodge her father&amp;#x27;s abuse, but her mother and sister resign themselves to his brutality. One day when she is eight he attacks her viciously, angered by her self-assurance. Convinced that the village doctor will put an end to their nightmare, she is shocked by his silence.</p><p>From then on, Jeanne&amp;#x27;s hatred of her father and her disgust at the doctor&amp;#x27;s cowardice drive her on. At boarding school she experiences five years of respite, but is then triggered by an unbearable replica of the violence that started it all. Moving to Lausanne, unable to come to terms with her past and to engage fully with life, she nevertheless finds solace in the arms of lovers and in the waters of Lake Geneva, while further tragedy fuels her rage.</p><p><i>My Favourite</i> is a powerful novel about departure and return, of love, guilt and shame, and the paralysing effects of trauma. Sarah Jollien-Fardel forcefully describes the price to be paid for Jeanne&amp;#x27;s hard-won emancipation, as history inexorably repeats itself.</p><p><b>'This book is a remarkable debut.'  </b><b><i>LE MONDE DES LIVRES</i></b></p><p><b>'</b><b><i>My Favourite</i></b><b> is exceptional, moving and fierce, proud of its often elliptical style, reflecting its title.'  </b><b><i>LIBRATION</i></b></p><p><b>'Sarah Jollien-Fardel demonstrates her mastery and composure during the implacable outcome of events and human behaviour.'  L'EXPRESS</b></p><p><b>'A poignant story, narrated with finesse and boldness.'  Nataliya Deleva, author of </b><b><i>Arrival</i></b><b> and </b><b><i>Four Minutes</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[Set against a pseudo-medieval post-apocalyptic backdrop reminiscent of Cormac McCarthy, Angela Carter and Missouri Williams, this bestselling novel shines with the inner radiance of good deed in a naughty world that will leave you haunted, horrified, and completely riveted.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Can an eleven-year-old boy succeed where others have failed? Can he recover a kidnapped child, disprove a false accusation of assault or win a sleep-deprivation competition that has driven others mad with tragic consequences?</p><p>He can, if he is accompanied by a black rooster, his protector and friend. And if he is Martin, orphaned after a massacre, full of wisdom, courage and a pure heart. Too good for the selfish and idiotic villagers around him, his integrity entrances an itinerant painter with whom he departs on a quest. His heroic adventures through a morally abhorrent landscape, physically ravaged by war and famine, keep the reader cheering for him and his companion as this fairy tale for adults unfolds.</p><p>Set against a pseudo-medieval post-apocalyptic backdrop reminiscent of Cormac McCarthy, Angela Carter and Missouri Williams, this bestselling novel shines with the inner radiance of good deed in a naughty world that will leave you haunted, horrified, and completely riveted.</p><p><b>'This novel is a danse macabre, a memento mori, a vision of good and evil pared down to the bones. </b><b><i>Boy with a Black Rooster </i></b><b>beckons the reader into a nightmare landscape of war, famine, plague and madness, and Stefanie vor Schulte's storytelling verve is such that we make the journey gladly.'  Sam Thompson, author of </b><b><i>Communion Town</i></b><b>, Longlisted for the Man Booker Prize 2012</b></p><p><b>'Wow, what a book! Fabular but true, this meticulously crafted and deceptively simple tale stole my heart, broke it, and put it back together again. Vor Schulte is unflinching in her depiction of the worst of humankind, its cruelty and violence, but she also shows how love and kindness can flourish in even the darkest times. A beautiful, heart-rending book.' Victoria MacKenzie, author of </b><b><i>For Thy Great Pain Have Mercy On My Little Pain</i></b></p><p><b>'This appears light as a feather, yet elaborately crafted all the same.' </b> <b>Rose-Maria Gropp</b></p><p><b>'It feels like an old story, one of those that stays with you forever, but every part of it is surprising and wonderful. I want to go straight back and read it all again.'  Sin Hughes, author of</b><b><i> Pearl</i></b></p><p><b>'A debut that is both admirable and truly unique.'  Jean-Baptiste Hamelin, Page des Libraires</b></p><p><b>'Halfway between macabre tale and surrealist epic.'  Camille Thomine,</b><b><i> Lire</i></b><b> magazine litteraire</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Stefanie vor Schulte</b>, born in Hanover in 1974, studied stage and costume design. She lives in Marburg with her husband and four children. Her first novel <i>Junge mit schwarz Hahn</i> was awarded the Mara Cassens Prize for the best German-language debut in 2021.</p><p><b>Alexandra Roesch</b> studied languages and business and worked in banking before becoming a literary translator. In 2018, she was long-listed for the Goethe Institute's Helen &amp; Kurt Wolff Prize. Previously translated authors include Hans Fallada, Seraina Kobler and Merle Krger.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A remarkable and unusual novel by 'one of the most remarkable prose stylist presently writing in English.'  </b><b><i>The San Francisco Chronicle.</i></b></p><p>At a dinner party hosted by a wealthy New Yorker, a guest receives an ancient golden weapon as a prize. When the mysterious host of this party dies the next day, his fortune is left to whomever it was that received the prize at the party. The only requirement: the owner must answer three cryptic questions relating to the artifact's mysterious history.</p><p>In his search for answers, He quickly finds himself entangled in the centuries-long history of a secretive religious sect, embarking on an odyssey that begins at a dinner party, and ends on the ocean floor. Along this wild goose chase, we encounter a menagerie of eccentric personalities: an ancient revolutionary in a Parisian prison, a ludicrous pair of gibberish-speaking brothers, and customs officials who spend their time reading contraband materials. <i>The Conversions </i>is a wildly unpredictable novel, inviting readers along in the search for answers that may never have existed in the first place.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Harry Mathews</b> was born in New York City in 1930 and spent his adult life in the United States and in France, where he co-founded the influential journal <i>Locus Solus</i> with John Ashbery, Kenneth Koch, and James Schuyler in 1961. He was the first American member of the literary consortium Oulipo, alongside Raymond Queneau, Italo Calvino, and Georges Perec. His many writings, spanning novels, short fiction, poems, essays, and translations from the French, include <i>The Conversions</i>, <i>Tlooth</i>, <i>The Sinking of the Odradek Stadium</i>, <i>Cigarettes</i>, <i>The Journalist</i>, <i>My Life in CIA</i>, and <i>The Solitary Twin</i>. Mathews was honored by the French government as an Officer of the Order of Arts and Letters and earned awards from the American Academy of Arts and Letters and the National Endowment for the Arts. He died in Key West, Florida, in 2017.</p><p><b>Ed Park</b> is the author of the novels<i>PersonalDays</i>and<i>Same Bed Different Dreams</i>, which was a finalist for the Pulitzer Prize and the winner of the Los Angeles Times Book Prize. He lives in New York.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Motherhood is terrifying, thinks Laura, feeling small and helpless as she holds her newborn daughter.Instead of joy, she feels fear, and then anger at her own late mother for her absence. <i>The Cracks We Bear</i> opens as a story about new motherhood. Soon, however, it reveals itself to be an exploration of memory and trauma as Laura starts to recall her childhood in Chile. Born in exile to staunchly communist parents, she returns to Chile with her mother after the collapse of the Pinochet dictatorship. In the fledgling democracy she grows up in, topics of capitalism and communism are ever present. Laura's reflections, born from personal experience, are interwoven with raw and honest memories of her family life. Borrowing elements from the Bildungsroman, and pulling from the Latin American short story tradition, Catalina Infante recounts Laura's past in vignettes. Piece by piece, the short chapters come together like a reconstructed vase, bearing its cracks.</p><p><b>'Chilean writer Infante's penetrating English-language debut centers on a woman coping with the challenges of new motherhood while reflecting on her late mother. This slim and subtle work packs a stinging punch.' </b> <b><i>Publishers Weekly</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Catalina Infante Beovic</b> is a Chilean writer, publisher, and co-owner of Librera Catalonia in Chile. She has written three books of stories of the indigenous peoples of Chile with Sonia Montecino, anthropologist and recipient of the Chilean National Social Sciences Award. She published her first book of short stories, <i>Todas somos una misma sombraI</i>, in 2018, followed by her English-language debut, <i>Ferns</i>. Published in 2020 by <i>World Literature Today, Ferns</i> was nominated for a Pushcart Prize and adapted into a short film by director Paz Ramrez. Infante's short stories and poems have appeared in <i>World Literature Today, Columbia Journal</i>, the HarperCollins <i>Daughters of Latin America</i> anthology, and the Deep Vellum <i>Best Literary Translations</i> anthology. <i>The Cracks We Bear</i> is Infante Beovic's first full-length novel translated into English.</p><p><b>Michelle Mirabella</b>is a Spanish-to-English literary translator. In addition to her translation of Catalina Infante's debut novel, <i>The Cracks We Bear</i>, her work appears in the anthologies<i>Best Literary Translations</i>(Deep Vellum, 2024) and<i>Daughters of Latin America</i>(HarperCollins, 2023), as well as in venues such as<i>World Literature Today</i>,<i>Latin American Literature Today</i>, and<i>Southwest Review</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>My Secret Life is the first book in English translation of the poetry <b>ofKrisztina Tth, on</b>were selected by her from three of her nine published collections, with the addition of some new or previously uncollected poems.</p><p>Tth is, and has been for several years, a major figure in Hungarian writing and, being a major figure with an important public voice, she has also been, and is now, subject to unrelenting attacks by the government-funded, government-supporting, gutter press. She has been self-exiled in England but is moving to Switzerland shortly. Originally attacked for suggesting that a couple of standard pieces of literature might be removed from the school syllabus and replaced by writing by living women authors, her life has become the subject of the sort of storm of defamation already practised on others perceived to be threatening the values of the government.</p><p><b><i>Shortlisted for the Warwick Prize for Women in Translation 2025</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Born in 1967, <b>Krisztina Tth</b>are for adults.</p><p>Her plays includeThe Bat,published in English translation in the compilationPlays from Contemporary Hungary: 'Difficult Women' and Resistant Dramatic Voices(Bloomsbury, 2023). Two collections of her short stories have also been published in English translation,Pixel(Seagull Books, 2019) andBarcode(Jantar Publishing, 2023). Her work was featured in the anthologyNew Order: Hungarian Poets of the Post 1989 Generation(Arc Publications, 2010). The first book of her poetry in English translation,My Secret Life: Selected Poems, translated by George Szirtes, was published by Bloodaxe in February 2025 and is on the shortlist for the Warwick Prize for Women in Translation 2025.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Five Islands Poetry Prize 2025**</b></p><p>Roughly 1000 to 4000 metres below sea level lies the bathypelagic (also known as the 'midnight') zone. No sunlight penetrates these depths. It's a constant 4 Celsius and water pressure reaches 680 kilograms per square centimetre. The creatures who inhabit this zone are often transparent, moving minimally to conserve energy, as they carry out their bioluminescent lives under the ocean's crushing weight. Bathypelagia is an imaginary space, a miniature sea. It's a viscous metaphor and an internal state. Lying awake at 3 a.m., it's the menagerie of quietly fraught voices you might hear in those small hours. Here, the lines are blurred between lover and predator, nurture and survival, between the intimate and the strange (and estranged). Distances aren't always easy to judge, and migration is more likely to be vertical. But under the cover of darkness, tender moments also find refuge.</p><p>These poems were written over a long and discontinuous period, starting about 15 years ago. Back then, I snorkelled and scuba-dived regularly. Some of my most alive experiences have been drifting underwater, without words. Equally, many of them have been when I'm suspended inside a poem.</p><p>This is a book of encounters. Some of them have human hands, some fins, yet others, tentacles. Some even beat with three hearts. If you draw a long breath, kick down into the gloom and hold very still, these poems, I hope, will swim a little closer.</p><p><b>'</b><b><i>Bathypelagia</i></b> <b>is a wonder of animacy and transformation. Cannily constructed in three zones, this book criss-crosses between the still-barely known zones of our oceans, resemblances of domestic life  particularly of motherhood  and the deepest domains of myth and sea creatures. These poems weave together motifs across pages, making connections  aquatic, airy, subterranean  that astonish.'  Kate Middleton</b></p><p><b>'</b><b><i>Bathypelagia</i></b> <b>is a powerful, memorable collection whose poems fluoresce with an otherworldly light, drawing us in. Debbie Lim's vivid, richly imagistic poems find illumination in the ocean's claustrophobic midnight zone, paying close and artful attention to the creatures inhabiting a region largely untouched by humans.'  Sarah Holland-Batt</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Debbie Lim</b>'s poetry appears in many anthologies including <i>Contemporary Australian Poetry, Contemporary Asian Australian Poets</i> and multiple editions of <i>Best Australian Poems</i>. She has received the ACT Rosemary Dobson Award and the Bruce Dawe National Poetry Prize. She was shortlisted for the Peter Porter Poetry Prize. She lives in northern Sydney on Darramuragal land.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Judith Beveridge's much-anticipated new collection of poems, the first since her prize-winning new and selected, </b><b><i>Sun Music</i></b><b>, in 2018.</b></p><p>The poems in <i>Tintinnabulum</i> focus on animals, people, and places, though you could say that the real subject matter is the power of poetry, since the book explores how metaphor, simile, imagery and sound can reveal connections that are imaginative, revelatory and sometimes threatening. Beveridge's creative use of language is most evident in the section of the book titled 'Bizarre Bazaar' - where she plays on lines and titles by Wallace Stevens (a fitting companion), and offers linguistic elaborations on familiar objects, and strange beliefs and customs. Each detail leads to others through association, there is multiplicity everywhere, and movement and energy, and this is as true of the poems which capture the particular features of animals, the transient effects of landscape, or the memories of people and places, as it is of the language-oriented poems.</p><p>There is a range of styles, lyrical, dramatic and narrative, which build on the achievements of poems in Beveridge's previous collections. There is also an emotional range to the poems: some poems are joyous, celebratory, ecstatic - others humorous, elegiac, nostalgic - but the overall feeling is of the joy and richness of language.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Judith Beveridge </b>is the author of seven previous collections of poetry, most recently <i>Sun Music: New and Selected Poems</i>, which won the 2019 Prime Minister's Prize for Poetry. Many of her books have won or been shortlisted for major prizes, and her poems widely studied in schools and universities. She taught poetry at the University of Sydney from 2003-2018 and was poetry editor of <i>Meanjn</i> 2005-2016. She is a recipient of the Philip Hodgins Memorial Medal and the Christopher Brennan Award for lifetime achievement.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>WINNER of the 2019 Prime Minister's Literary Awards</b></p><p><b>Shortlisted for the Colin Roderick Award 2019</b></p><p><b>Judith Beveridge is one of Australia most acclaimed poets, taught in high schools and universities, winner of the NSW and Victorian Premiers' Awards, a highly regarded critic, editor and teacher of poetry</b></p><p><b><i>Sun Music</i> is a definitive edition of her best-known and most important poems</b></p><p><i>Sun Music</i> collects Beveridge's best poems published over a thirty-year period, from 1987 to 2017. She has selected the poems from her award-winning collections, <i>The Domesticity of Giraffes, Accidental Grace, Wolf Notes </i>and<i> Storm and Honey</i>, and included 33 new poems which build on and enhance her previous work. Beveridge is an exacting poet, precise and controlled, and her formal discipline gives added intensity to her expression of emotion. The combination of clarity and dramatic force, involving a supple use of language which registers the ebb and flow of feeling, makes her poetry immediately appealing and accessible. As she notes in her introduction to this collection, 'My writing can be kaleidoscopic, often baroque, but I hope also grounded and focused...I am drawn to poetry that has rich texture, and by this, I mean poetry that is distinctly metaphorical, detailed, musically complex, but also clear.'</p> <p><i>'A poet whose gentle and exacting touch and sure-poetic skills bear witness to a broad human vision, capable of expressing and engendering compassion, insight and grace.' </i>Michael Brennan,<i> Poetry International</i></p><p><b><i>Read the rapturous&amp;nbsp;review by Gregory Day in </i><a href="https://www.theaustralian.com.au/arts eview/sun-music-new-and-selected-poemsm-by-judith-beveridge ews-story/94fde174b9fd31154a8dc475f00e21ec" style="font-style: italic;">The Australian</a><i>&amp;nbsp;-&amp;nbsp;</i><a href="https://www.dropbox.com/s/h5lyps57ooyd5ip/Sun%20Music_Review%20Australian%2006Oct18.pdf?dl=0" style="">review</a></b></p><p><b>'</b><b>Filled with a plethora of&amp;nbsp;living things  people, insects, animals, birds  these poems are vivid, insightful, and gorgeously poetic.'&amp;nbsp;-&amp;nbsp;</b><b>&amp;nbsp;Andrea Goldsmith,<i> Australian Book Review</i>&amp;nbsp;- Books of the Year 2018<br/></b></p><p><b>'Her poems are constructed from finely described details, most of which are tapped into place with simile or metaphor. The most memorable of them involve a rejection of cruelty, whether to humans or animals.'&amp;nbsp;-&amp;nbsp;</b><b>Geoff Page,&amp;nbsp;<i>Australian Book Review</i>&amp;nbsp;- Books of the Year 2018</b></p><p><b><b>'Beveridge has a gift for finding ways to match the natural world in words.'&amp;nbsp;-&amp;nbsp;</b><b>Gregory Day,&amp;nbsp;<i>Australian Book Review</i>&amp;nbsp;- Books of the Year 2018</b></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The new novel from the author of</b> <b><i>The Magpie Wing</i></b><b>, longlisted for the Miles Franklin Literary Award.</b></p><p>It's 2022 and Helen is starting again. Newly single, adrift in a hostile rental market, she finds a four-bedroom house flanked by apartment blocks that stare into the yard. Despite the lack of privacy, she fills its rooms with an unlikely group of residents looking for communal belonging: a zine maker working on a punk music archive; an activist writing about Australian anti-communism; a research scientist striving to put down roots; and a part-time rugby league player who has one chance to play for his country before retirement. Each is looking to build a future, each is haunted by their recent past.</p><p>But if a rented house in Sydney could ever promise salvation, it would come with a coating of black mould. Against the backdrop of pandemic and war, of climate and housing crises, <i>Paradise Estate</i> finds its residents struggling against generational confusion, political indifference and social malaise. When isolation and atomisation are all we've been given, what can be made from building common ground? Written with ironic wit and an eye for contemporary events, Max Easton's second novel sets the pessimism of its times against the optimism of the will.</p><p><b>Praise for</b> <b><i>The Magpie Wing</i></b>:</p><p><b>'An original, exceptional novel.' -</b> <b><i>The Guardian</i></b></p><p><b>'An anxious novel about anxious characters in anxious times. It seeks to register this anxiety in all of its contradictions and complexities, but thankfully does not want to resolve it.' -</b> <b><i>Sydney Review of Books</i></b></p><p><b>'A moving portrait of a city and region undergoing enormous change, told through the perspectives of three unique, sympathetic and vulnerable characters.' -</b> <b><i>Books+Publishing</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Russell Prize for Humour Writing 2025**</b></p><p>After living in a Singapore dog shelter for five years, Gucci  a vaguely Dalmatian-like crossbred  is losing hope of ever being rescued. One day to his surprise he is adopted by <i>her,</i> a writer<i>,</i> and moves to inner city Sydney. On arrival, however, an anti-dog war breaks out in their apartment block; Gucci's owner receives a letter threatening the possibility of 'euthanasia'. The incident triggers nightmares in<i> her</i> and brings back distressing childhood memories.</p><p><i>My Name Is Gucci</i> is a charming novel about the relationships between pets and their owners and about how the past shapes the present. This bold ex-shelter dog narrated fable beautifully unravels Gucci's and his adopter /guardian's secrets, which have been intertwined for decades through their recurring reincarnations.</p><p>Sun Jung understands the deep connections that exist between animals and humans. You won't need to be a dog lover to be entranced by this story; it is brimming with warmth, wit and wisdom.</p><p><b>'A comic and moving Homeric odyssey about Gucci the dog, who must deal with, and outwit, the most problematic species of all  humans.'  Louis Nowra, author of</b> <b><i>Sydney: A Biography</i></b></p><p><b>'A magical novel that will capture your heart.'  Andrea Carter, author of</b> <b><i>A Body Falls</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Ned Kelly Award for Best Debut Crime 2025**</b></p><p>Set between the Blue Mountains and a Sydney hospital, Lisa Kenway's <i>All You Took From Me</i> is a thriller brimming with great characters and nail-biting tension.</p><p>Anaesthetist Clare Carpenter has just lost her husband and her memory in a single-vehicle accident. So why is a stranger following her? After questioning patients about their dreams, she becomes convinced that an anaesthetic drug might help her access missing memories. But there's no way to be certain without jeopardising her career or her life.</p><p>As unexplained threats escalate, Clare realises she must take matters into her own hands to learn the uncomfortable truth about her secretive husband, his connection to a mysterious club and what she did to trigger a stranger's crusade for vengeance. But how far will she go?</p><p><b>'Truly exciting. It's a rare treat to read a book that I am still thinking about long after the last page - the surprising reveals are both earned and satisfying. Readers are destined to fall in love with the ways Kenway brings such expertise and a unique perspective to the psychological thriller genre.' - Shelley Burr, author of</b> <b><i>Wake</i></b><b> and</b> <b><i>Ripper</i></b></p><p><b>'A taut psychological thriller with a driving plot,</b> <b><i>All You Took From Me</i></b><b> interrogates the limits of memory, both lost and recovered. From its compelling opening mystery, every page bristles with threat and intrigue.' - Ashley Kalagian Blunt, bestselling author of</b> <b><i>Dark Mode</i></b></p><p><b>'Kenway brings an exciting level of insider authenticity to this simmering drama about an anaesthetist struggling to make sense of a life unspooling in the aftermath of a tragic accident. Tense, twisty and unique, this is an unforgettable debut.' - Anna Downes, author of</b> <b><i>The Safe Place</i></b><b> and</b> <b><i>Red River Road</i></b></p><p><b>'I found myself first pulled in by the prose - Kenway writes like a dream - but soon I was consumed by the mystery at the heart of the story  the question of where we go and what happens to us under the narcotic oblivion of anaesthesia. Charged with menace and paranoia, this is a masterfully plotted psychological thriller.' - J. P. Pomare, author of</b> <b><i>In</i></b> <b><i>The Clearing</i></b> <b>and</b> <b><i>17 Years Later</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lisa Kenway</b> is an Australian writer and anaesthetist, and her debut novel was inspired by her longstanding fascination with memory and consciousness. An earlier version of<i> All You Took From Me</i> was listed for the 2020 Richell Prize and was runner-up in the 2022 CYA conference competition (stories for adults). Lisa was awarded a Katharine Susannah Prichard Writers' Centre fellowship for 2023 and was highly commended in the 2022 Writing NSW Varuna fellowships. Her work has been published widely in journals and anthologies including <i>Island Online</i>, the <i>Meanjin</i> blog and<i> Meniscus Literary Journal</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Salsa in the Suburbs</i> is a story about a Latin-American family in Australia. The family has migrated to Western Sydney from Uruguay in the 1970s to escape a repressive military dictatorship. Decades later, Juan, is in his early seventies and a widower. He misses his wife and does not know how to be alone and has become dependent on his daughters, particularly Lola, who lives nearby. </p><p>Lola has her own battles living with an anxiety disorder and in her relationship with her Uruguayan musician husband, who connects her with the culture she lost when she migrated as a child. Her younger sister, Betty, is living an alternative lifestyle in Mullumbimby, unlike Lola, who clings to her Uruguayan culture, Betty has removed herself from her cultural roots as she finds it oppressive and stifling. </p><p>A third daughter, Malena is living in Italy with her husband. Fed up with Juan's dependence, particularly on Lola, Betty decides to place a personal ad, in a Spanish paper, on his behalf without asking him, hoping that a new partner, may help him, move beyond his grief and dependency. However, he finds new love walking the dog, a widowed Aboriginal lady called Frances. Their blossoming relationship becomes a trigger for Juan, Lola and Betty recalibrate how they measure their belonging across cultures. </p><p><b>&amp;#x27;The work presents a stunning and original overview of Latinx communities in both America and Australia, exploring how the family escape the civic-military dictatorship in the 1970s and find a home among the South American community of Western Sydney. Now, decades later, each member of the family reckons with the tension between the rich meaning they draw from their heritage and the human need for new experiences. </b><b><i>Salsa in the Suburbs</i></b><b> is poignant in its intersectional dialogue, and inspiring in its well-developed characters that carry humour, trauma and Uruguayan history with immense strength.&amp;#x27;  Maggie Ball, Fresh Ink judge and publisher of </b><b><i>The Compulsive Reader</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alejandra Martinez</b> is an Australian-Uruguayan writer based in the Blue Mountains of NSW. She migrated to Australia at the age of seven with her family as a military dictatorship was about to take over the country. Her stories have been published in a range of anthologies and magazines, including <i>Best Australian Stories</i> (Black Inc), <i>Girls Talk </i>and <i>Puentes Review</i>. She has also written short plays, one which was performed at the Riverside Theatre in Parramatta. An extract from <i>Salsa in the Suburbs</i> was the winner of the 2022 Newcastle Writers Festival Fresh Ink Emerging Writer Prize, while it was a work in progress. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Victorian Premier's Literary Awards 2025, Fiction**</b></p><p>Darlinghurst, Sydney: these are the days of strange rumours. Talk you can catch the gay plague from kissing, or from a mosquito bite. Talk of the government building a wall around 'Darlo&amp;#x27; to keep the plague contained. Talk of old quarantine stations around Australia being reopened, of the army being used to round up all the poofters. Bashings increase tenfold and you're dead meat if you don't have someone to watch your back. Kit, Ty, and Johnnie, three young gay men, just want to live the life Sydney promised when they arrived.</p><p><i>Host City</i>, David Owen Kelly's third book, is a stunningly innovative fusion of memoir and alternative history that spins an affective tale of persecution, jeopardy, and survival from the fear and paranoia that marched lockstep with HIV in the 1980s.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Brian Moses</b> lives in East Sussex, UK. His books have sold over one million copies and he has been labelled 'one of Britain's favourite children's poets' by the National Poetry Archive.</p><p><b>Bethan Welby</b> lives in Devon, UK. Her debut picture book <i>The After Christmas Tree</i> was longlisted for the Klaus Flugge Award, and<i> Phyllis and Grace</i> was shortlisted for the V&amp;A Award, nominated for the Carnegie, and won a White Raven.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A wonderfully illustrated and sumptuous collection of nursery rhymes for all ages, including many favourite rhymes as well as some that will be a delightful discovery.Originally published as<i>The Cat and the Fiddle</i>in 2011, this edition includes a new introduction by Jackie Morris  a spirited defence of the nursery rhyme, which she fears is in danger of being forgotten in a digital world.</p><p>The beautiful and detailed watercolour paintings combine with over 40 rhymes to make this a unique treasury and lifetime possession for children and adults of all ages.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jackie Morris</b>'s fame has risen to new heights with the the immense success of <i>The Lost Words</i>, for which she won theCILIP Kate Greenaway Medal in 2019. An author as well as an artist, she still owns a well-thumbed and well-loved collection of nursery rhymes from her own childhood, and is a strong believer in their value for extending children's sense of wonder and pleasure in words.</p><p><i>Mrs Noah's Pockets</i>(with James Mayhew) was longlisted for the Kate Greenaway Award and a White Ravens choice for Best International Picture Book. Jackie's other bestselling books for Otter-Barry Books include <i>Can You See a Little Bear?</i> (with James Mayhew), <i>The Seal Children, One Cheetah, One Cherry, Lost and Found </i>and <i>Walking on Water</i>.</p><p>Jackie Morris lives in Pembrokeshire. She has a wide following on social media: see www.jackiemorris.co.uk</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Nate's eleven and has just finished Primary School. After a challenging final year, life is looking up. His brother has recovered from a life-threatening heart condition, he's got the love of his mum, brothers and Auntie San, and he's off to Secondary School with his two best mates.</p><p>But while he's making new friends and avoiding the fists of Turner, his old nemesis, and struggling to come to terms with a strict new teacher and a sense of isolation from his brothers, a sudden surprise appearance in Nate's life threatens to throw him completely off course. And The Beast  the anger he tries so hard to control  reappears. Will Nate find a way to keep himself and his family together?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>FOOD! We all need it to live  and here is a book bursting with information, questions and ideas about the food we eat, where it comes from and how it is shared.</p><p>Is there enough food to go round? Do some countries have too much? Should we all eat organic food or go vegetarian? Where does the food on our plates start from and how does it get to us? Is farming making climate change worse  and, most important of all, how can we feed everyone on our planet, now and in the future?</p><p>Created by bestselling superstars Mary Hoffman and Ros Asquith, the team behind <i>The Great Big Books</i> series, this is a brilliant, inspirational and diverse exploration of FOOD, with witty and thought-provoking illustrations.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>What kind of world do children want to live in? Canweall come together to make a difference and make our world a better, safer, greener, kinder place?</p><p>YES,we can! Join 15 children as they plan and deliver an amazingWe Can! festival  a joyous, peaceful call to action, with green activities, mural-making, mindfulness and kindness along the way, beautifully depicted in words and pictures by the bestselling creators of<i>YouCan! We Can!</i>was created with real children, who sent messages of hope and practical suggestions for helping to make our world the best itcanbe.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Candy Gourlay</b> is an internationally acclaimed writer of children's books, whose work is published in many languages across the world. On the Otter-Barry list she is author of <i>Is It A Mermaid? </i>illustrated by Francesca Chessa. Born in the Philippines, Candy now lives in London. She writes, "The last rhinos of Southeast Asia now live in Indonesia, but they are on the brink of extinction. Wouldn't it be lovely if we could make our world a place a baby rhinoceros can call home?"</p><p><b>Jamie Bauza</b> is an illustrator, designer and crafter, based in Manila, Philippines. She is a graduate of Ateneo de Manila University, where she received a Visual Arts Award. In 2018 she attended the Summer Illustration Residency at the School of Visual Arts, New York. Jamie is a member and past president of Ang INK, a Philippine association of artists committed to the creation and promotion of illustration for children.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Meet Amber Class! Nzingha loves books and stories, Stacey sings and dances and Xaolin plays the piano. Andrew loves sport  but what about Kayden? He likes beetles  and making people laugh! And they ALL love their teacher, Mrs Adisa.</p><p>With Mrs Adisa's help, the children learn to believe in themselves and have a go at things; they find out how to sort out arguments and stay friends; and they discover how to feel good about themselves and their special talents.</p><p>This brilliant, diverse and inclusive first chapter book celebrates a primary class and their teacher and is full of fun, warmth and humour.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Enomwoyi Damali</b> was born in Trinidad, but has long lived in London, where she works as an educational psychologist. Her long professional experience in a highly diverse community gives authenticity and veracity to her stories of Amber Class and their ever-resourceful teacher, Mrs Adisa. Enomwoyi, whose name means 'she has grace and charm', describes her goal as 'to help children think about and practise the personal development skills and qualities needed to live life fully and to treat each other with love and respect'. She lives in South London.</p><p><b>Ruthine Burton</b> completedthe inaugural Pop-UpPathways Into Children's Publishing in 2021. Her parents came originally from Dominica and French Guiana. She has a B.A. hons in Visual Art from the University of Wales in Aberystwyth, and also an M.Sc. in Software Engineering. She has worked as a pavement portrait artist and in the games industry. Ruthine is one of the three illustrators featured in <i>Our Rights</i>, edited by Jake Hope (Otter-Barry Books), and also illustrator of <i>Spin! 10 Exciting New Voices in Poetry</i> (2024). She is based in South West London.</p>]]></Text>
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			<Text textformat="02"><![CDATA[From the award-winning creators of The Museum of Odd Body Leftovers, comes a wonderfully fun  sometimes gross  exploration of the endocrine and exocrine systems.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From the award-winning creators of </b><b><i>The Museum of Odd Body Leftovers</i></b><b>, comes a wonderfully fun  sometimes gross  exploration of the endocrine and exocrine systems.</b></p><p><b>A perfect book for engaging kids ages 8-12 in STEM.</b></p><p>Step right up for a tour of one incredible factory  a fascinating system inside your body!</p><p>The human body is all kinds of amazing. Inside you, systems are working hard to make sure your heart doesn't beat too fast or too slow, you aren't too hot or too cold, and you don't fall asleep on your desk at school (most of the time, anyways). No matter what you do, your body tends to exist in a state of balance. In fact, a happy, healthy life depends on that balance. And that balance depends on glands.</p><p>In <i>The Gland Factory</i>, you'll get an up-close look at your endocrine and exocrine systems, where glands are feverishly swelling, shrinking, oozing, healing, digesting, and maintaining balance. Extensive backmatter includes a suggested further reading list, a 'Gland Factory Survey' and a detailed glossary of all the wonderfully gross glands explored.</p><p>Each stop on the tour introduces fascinating facts about how some key glands and hormones work, including:</p><ul><li>The Mouth Machine (the salivary glands)</li><li>The Sugar Boss (the pancreas)</li><li>The Main Control (the hypothalamus)</li></ul><p>When the factory is infiltrated by nasty germs, the immune system springs into action, fighting hard to restore order. A little weird, a little gross, and more than a little fun, <i>The Gland Factory</i> is an unforgettable exploration of the human body!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rachel Poliquin</b> is a writer engaged in all things orderly and disorderly in the natural world. She is the author of <i>The Museum of Odd Body Leftovers</i> and the Superpower Field Guide series, and has also written for <i>Science Friday</i>, <i>The Believer Magazine</i>, and the <i>New York Times</i>. She lives in Vancouver, British Columbia.</p><p><b>Clayton Hanmer</b> (aka CTON) has illustrated several children's books, including <i>The Museum of Odd Body Leftovers</i>, <i>Trending: How and Why Stuff Gets Popular</i>, and <i>Dog vs Ultra Dog</i>. His award-winning comic art has also appeared in, among others, <i>National Geographic Kids</i>, the <i>New York Times</i>, and <i>Today's Parent</i>. He lives in Bloomfield, Ontario.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Perfect for young environmentalists and nature enthusiasts comes an information-packed introduction to the fascinating world of mushrooms, molds, and more!]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Perfect for young environmentalists and nature enthusiasts comes an information-packed introduction to the fascinating world of mushrooms, moulds, and more!</b></p><p>In <i>Mushrooms and Company</i> readers dive deep into the fungal kingdom and are introduced to an incredible array of mushrooms, molds, mildews, yeasts, and rusts. Explore the fascinating mycorrhizal network that lives and operates under our feet, in sometimes surprising ways.</p><p>Without fungi, there would be no penicillin, no bread (at least the kinds that depend on yeast to rise), and no blue cheese! Of course, some fungi can be dangerous  whether it's moulds that grow on crops (like potato blight) or in buildings (like dry rot)  in <i>Mushrooms and Company</i>, you'll meet them all!</p><p>Biologist and writer Geert-Jan Roebers takes readers on an engaging journey into the fascinating world of fungi, exploring topics such as:</p><ul><li>How fungi contribute to keeping forests clean and healthy.</li><li>How trees and plants rely on fungi to access the water and nutrients essential for their survival.</li><li>How fungi assist certain animals in digesting their food.</li><li>How fungi benefit humans by providing medicines and food.</li></ul><p>Playful and packed with science, <i>Mushrooms and Company</i> is a welcome addition to any nature lover's bookshelf.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Geert-Jan Roebers</b> is a biologist and writer with an interest in nature conservation. He is the author of numerous books in Dutch, including <i>Nature's Treasure Trove</i>, the Dutch canon of nature for children, which features 112 objects each child should be able to recognise in their own neighbourhood.</p><p><b>Wendy Panders</b> studied graphic design at the Willem de Kooning Academy in Rotterdam. She works as an illustrator and graphic designer for magazines and papers and has illustrated many children's books. Her illustrations for <i>Rap with Little Red</i> (Gottmer, 2011) earned her an Honorary Mention from the Golden Paintbrush Jury, the prize for the best illustrated children's book of the Netherlands.</p>]]></Text>
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			<SubjectHeadingText>Fall; Nature; STEM; Winter; animals; biology; birds; curiosity; dog; embroidery thread; facts; flowers; gardening; gardens; grass; information text; insects; lyrical; meditation; mindfulness; mixed media; non-fiction; nonfiction; observation; outdoors; paper collage; parks; plants; polinators; questions; science; snow; snow day; textiles; trees; weather</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Aurealis Awards 2026, Best Graphic Novel / Illustrated Work**  </b></p><p><b>**Nominated, Carnegie Medal for Illustration 2025**</b></p><p>After a great flood, a grandmother, her two grandchildren and their pet rabbit must learn to survive living on their rooftop garden, relying on scarce resources and limited space. Days turn into weeks, and weeks into months, but through life lessons and words of wisdom, hope emerges.</p><p><i>Higher Ground</i> is an inspiring coming-of-age tale of resilience, courage and spirit that illuminates how life can be beautiful even in the darkest of times.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ksenya Savva</b> is an illustrator and developer of educational books and games for children. She describes herself as 'a curly-haired mum, traveller and dreamer'.</p><p><b>Paul Calver</b> is an award-winning designer, art director and author. He co-founded Green Android Limited and lives in South London with his wife and two sons.</p>]]></Text>
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			<SubjectHeadingText>film history; post-war Europe; French cultural studies; archives; film theory; surrealism; Chris Marker; Alain Resnais; Nicole Vedres; documentary; World War I; World War II; inter-war; Paris 1900; Van Gogh; Guernica; Peuple et Culture; La Vie commence demain; Les Statues meurent aussi; Nuit et brouillard; filmmakers; Olympia; Dimanche  Pekin; Lettre de Siberie; French New Wave; Cahiers du cinema; Yannick Bellon; Esfir Shub; Germaine Dulac; French Resistance; atomic bomb; French cinema; left-wing cinema; feminist cinema; Andre Malraux</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[A bold new understanding of montage and French cinematic history]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A bold new understanding of montage and French cinematic history</b></p><p>Amid the tumult of change that swept through French society in the wake of World War II, a trio of visionary filmmakers sought to make meaning of the chaos by revitalising a common method: montage. Revealing Nicole Vedres, Alain Resnais, and Chris Marker as more than just groundbreaking auteurs, Ivan Cerecina shows how their collective infusion of montage with avant-garde aesthetics renewed the art of cinema while helping France reckon with its past and imagine its future.</p><p><i>Assembly Lines</i> challenges a dominant story of postwar French film, championed by critics at important film journals like <i>Cahiers du cinema,</i> that has generally centred realist film aesthetics. Working against this tendency, Cerecina shows how Vedres, Resnais, and Marker revitalised montage as a technique in response to the crises of the times, using it to process the ravages of the recent past, expose hidden connections, and uncover signs of coming catastrophe. Wedding insightful analyses of films and French cultural history with writings from lesser-heard voices like Andre Malraux, Jacques Brunius, and Henri Langlois, <i>Assembly Lines</i> illuminates obscured networks of critics, filmmakers, and historians to reshape our conception of French film and documentary. Meanwhile, Cerecina's in-depth archival research unearths vital documents, including correspondence and production notes on Vedres's <i>Paris 1900</i> and Resnais's <i>Night and Fog</i>.</p><p>More than a cinematic retrospective, Cerecina's investigation of montage is also a call to action today as contemporary crises prompt reevaluation of our cultural histories. <i>Assembly Lines</i> exemplifies a powerful, future-oriented practice of historical reflection with implications that go well beyond the study of film.</p><p><b>"</b><b><i>Assembly Lines</i></b><b> provides a generative theorization of montage in postwar France, exploring how the technique became a key method for reflecting on the past, agitating the present, and deciphering the future. Beautifully written and lucidly argued, this book is an absolute pleasure to think alongside and a valuable contribution to the field."  James Leo Cahill, author of </b><b><i>Zoological Surrealism: The Nonhuman Cinema of Jean Painleve</i></b></p><p><b>"Postwar French documentary has long been recognized as a high point in film history. Focusing on the work of Nicole Vedres, Alain Resnais, and Chris Marker, Ivan Cerecina draws fresh and compelling connections between documentary film, art, and politics. The compilation film, he reveals, constitutes a powerful historiography, one that shaped our thinking about the Cold War, colonialism, and World War II."  Kelley Conway, University of WisconsinMadison</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ivan Cerecina</b> teaches film studies at The University of Sydney. His work has been published in <i>Screen, Camera Obscura,</i> and <i>Framework</i>.</p>]]></Text>
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			<BiographicalNote textformat="05"><![CDATA[Robert White FAHA is Emeritus Winthrop Professor of English at the University of Western Australia and a Chief Investigator in the Australian Research Council Centre of Excellence in the History of Emotions 11001800. He has held a Fellowship at the Humanities Research Centre, ANU, an Australian Research Council Professorial Fellowship, and recently the Senior Visiting Research Fellowship at Magdalen College, Oxford. His publications are mainly in the field of early modern literature, especially Shakespeare, and also Romantic literature. Monographs include <i>Keats's Anatomy of Melancholy</i> (Edinburgh University Press, 2020); <i>John Keats: A Literary Life</i> (Palgrave Macmillan, 2010, revised ed. 2012); <i>Pacifism in English Literature: Minstrels of Peace</i> (Palgrave Macmillan, 2008); <i>Natural Rights and the Birth of Romanticism in the 1790s</i> (Palgrave Macmillan, 2005); and <i>Natural Law in English Renaissance Literature</i> (Cambridge University Press, 1996). Others include <i>Avant-Garde Hamlet</i> (Fairleigh Dickinson University Press, 2015); <i>Shakespeare's Cinema of Love</i> (Manchester University Press, 2016); <i>Ambivalent Macbeth</i> (Sydney University Press, 2018); and <i>A Midsummer Night's Dream: Language and Writing</i> (Bloomsbury Arden Study, 2020).]]></BiographicalNote>
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			<SubjectHeadingText>Drama; Elizabethan literature; Forgiveness; Military history; Pacifism; Peace studies; Peaceful negotiation; Revenge; Shakespeare; War; diplomacy</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Whilst Shakespearean drama provides eloquent calls to war, more often than not these are undercut or outweighed by compelling appeals to peaceful alternatives conveyed through narrative structure, dramatic context and poetic utterance.</b></p><p>Placing Shakespeare's works in the history of pacifist thought, Robert White argues that Shakespeare's plays consistently challenge appeals to heroism and revenge and reveal the brutal futility of war. White also examines Shakespeare's interest in the mental states of military officers when their ingrained training is tested in love relationships. In imagery and themes, war infiltrates love, with problematical consequences, reflected in Shakespeare's comedies, histories and tragedies alike. Challenging a critical orthodoxy that military engagement in war is an inevitable and necessary condition, White draws analogies with the experience of modern warfare, showing the continuing relevance of Shakespeare's plays which deal with basic issues of war and peace that are still evident.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Robert White</b> FAHA is Emeritus Winthrop Professor of English at the University of Western Australia and a Chief Investigator in the Australian Research Council Centre of Excellence in the History of Emotions 1100-1800. He has held a Fellowship at the Humanities Research Centre, ANU, an Australian Research Council Professorial Fellowship, and recently the Senior Visiting Research Fellowship at Magdalen College, Oxford. His publications are mainly in the field of early modern literature, especially Shakespeare, and also Romantic literature. Monographs include <i>Keats's Anatomy of Melancholy</i> (Edinburgh University Press, 2020); <i>John Keats: A Literary Life</i> (Palgrave Macmillan, 2010, revised ed. 2012); <i>Pacifism in English Literature: Minstrels of Peace</i> (Palgrave Macmillan, 2008); <i>Natural Rights and the Birth of Romanticism in the 1790s</i> (Palgrave Macmillan, 2005); and<i> Natural Law in English Renaissance Literature</i> (Cambridge University Press, 1996). Others include <i>Avant-Garde Hamlet</i> (Fairleigh Dickinson University Press, 2015); <i>Shakespeare's Cinema of Love</i> (Manchester University Press, 2016); <i>Ambivalent Macbeth</i> (Sydney University Press, 2018); and <i>A Midsummer Night's Dream: Language and Writing</i> (Bloomsbury Arden Study, 2020).</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book examines Australian memoirs of settler belonging written by public intellectuals-writers, historians, academics, journalists-which attempt to come to terms with the history of colonial violence and dispossession of Indigenous people, and articulate new perspectives on how to belong ethically in a settler colony of the 21st century.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The book focuses on various ways of articulating settler belonging in Australian memoir since the turn of the 21st century.</b></p><p>After Australia witnessed a reinvigorated public interest in the revisionist history of European settlement and colonial violence, resulting in the dispossession of Indigenous people and damaged settlerIndigenous relations, Australian settler majority has experienced an unsettlement of their sense of belonging, or the so-called 'settler anxiety'. The book analyses how settler (un)belonging is narrativised in popular memoirs written by Australian public intellectuals, such as historians, artists, writers, and commentators, in the period after 2000.</p><p>These memoirs of settler belonging share one aspect: they all ask and seek answers to the implicit question, how to belong as a White settler who bears witness to the legacy of violent colonization vis--vis continuing Indigenous dispossession? How to justify the settler presence in and love of the land that was stolen from First Australians? The individual chapters examine historians' memoirs, White women's travel narratives, experimental place-writing, and eco- and landscape memoirs, tracing a gradual shift in literary representations of settler anxiety and detecting new perspectives on what can be called ethical settler belonging.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Martina Horkov</b> is an Assistant Professor in the Department of English and American Studies at Masaryk University, Czech Republic.</p>]]></Text>
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			<SubjectHeadingText>1988 Elista AIDS outbreak; 1991 Soviet coup attempt; AIDS; AIDS activism; AIDS disinformation; AIDS in Eastern Europe; AIDS in Russia; AIDS in the USSR; Alla Alova; AntiAIDS; Boris Yeltsin; Dan Healey; Dennis Altman; GDR; Glasnost; HIV; Jacob Segal; KGB; LGBT communities; LGBTQ healthcare; LGBTQ medicine; LGBTQ+ in the USSR; Literaturnaya Gazeta; Medical History; Mikhail Gorbachev; Ogonek; Perestroika; Queer History; Red closet; Ronald Reagan; Soviet AIDS activism; Soviet AIDS discrimination; Soviet Ministry of Health; Soviet Union; Soviet era; Soviet healthcare; Soviet homosexuality; Soviet medicine; USSR; VII World Youth Festival; Vadim Pokrovsky; Viktor Zhdanov; Yevgeny Chazov; gay plague; homophobia; medical disinformation</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This is the first book to chronicle the history of AIDS in Soviet Russia, detailing the government's denial of the epidemic, its cynical disinformation campaigns, and the human cost of its indifference.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The first book to tell the shocking story of the AIDS crisis in Soviet Russia.</b></p><p>Throughout the 1980s, as the world was grappling with the escalating crisis of AIDS, Soviet Russia continued to deny there was a problem. Arguing that the disease was limited to foreigners and 'immoral' groups, the government failed to take meaningful action, long past the point other countries had begun to recognise the full scale of the threat.</p><p>In this ground-breaking book, Rustam Alexander tells the story of AIDS in Soviet Russia. Fixated on disinformation, censorship and the persecution of marginalised communities, the Soviet authorities wasted precious time, allowing the epidemic to strike at the very heart of the nation: its children. Yet, despite the government's failure, a number of brave journalists, doctors and nascent gay groups decided to take matters into their own hands and engage in full-fledged AIDS activism.</p><p>Tracing the political and social response to AIDS in the final years of the Soviet era, Alexander sheds light on the devastating consequences of government inaction. He draws on personal stories, media reports and archival materials to provide a riveting account of the Russian people's fight against AIDS amid the tumultuous transformations of Gorbachev's perestroika.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rustam Alexander</b> is a researcher who specialises in Russian and Soviet history. He is the author of <i>Red Closet: The Hidden History of Gay Oppression in the USSR</i> (2023), <i>Gay Lives and 'Aversion Therapy' in Brezhnev's Russia</i> (2023) and <i>Regulating Homosexuality in Soviet Russia, 195691: A Different History</i> (2021). His work has appeared in <i>Slavic Review</i>, <i>Russian History</i>, <i>Europa-Asia Studies</i> and <i>Kritika</i>. He is a columnist for <i>Novaya Gazeta Evropa</i>, an independent Russian newspaper.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The purpose of this volume is not simply to compile yet another wearying chronicle of the horrors that have been committed by our fellow human beings. </b></p><p>Most students who register for a course on Genocide assume that it will focus, perhaps exclusively, on the Holocaust  the case with which they are most familiar. Many of them have read Elie Wiesel's eloquent masterpiece Night in secondary school, and some may have read <i>The Diary of Anne Frank</i>. A few students might even know that a genocide occurred in Rwanda or Darfur. Like most people, however, they equate genocide simply with mass killing, and assume that genocide must by definition entail millions of deaths. </p><p>Raphael Lemkin, who coined the word 'genocide'  meaning literally 'to kill a people'  originally defined it 'a colonial crime of destroying the national patterns of the oppressed and imposing the national patterns of the oppressors'. This was a process, Lemkin said, deliberately intending to destroy a people's culture that could sometimes but not necessarily always result in mass murder. Students need to know that after World War II the great powers undermined and co-opted the process of writing the 1948 Genocide Convention at the UN  because these nations did not want their own colonial crimes, oppression of minorities, and destructions of cultures to be included in the definition. Instead, they simply used the Holocaust as a template and succeeded in distorting what Lemkin originally meant by 'genocide'  the murder of a people by destroying their social and cultural connections.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John Cox</b> is Associate Professor of History and Global Studies at the University of North Carolina Charlotte.</p><p><b>Thomas Earl Porter</b> is Professor of Russian and Modern European History at North Carolina A&amp;T State University, Greensboro, NC.</p>]]></Text>
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			<SubjectHeadingText>Alienation and Violence; Autogestion; Critical Theory; Ecology; Henri Lefebvre; Marxism; Phenomenology; Production of Space; Rhythmanalysis; Rural Sociology; Sociology for Action; Sociology of Encounters; Sociology of Everyday Life; Sociology of Time; Utopia</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This edited volume explores the sociology of Lefebvre and its continuing relevance for the discipline today. Contributors explore the sociological Lefebvre across a number of topics, including the influence of Marxism, rural sociology, everyday life, the urban, utopia and violence, to name a few.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Reassesses Henri Lefebvre's enduring relevance to sociology, examining themes from Marxism to urban life and proposing new directions for Lefebvrian research on rhythm, embodiment and utopian thought.</b></p><p>This edited volume explores the sociology of Lefebvre and its continuing relevance for the discipline today. Contributors explore the sociological Lefebvre across a number of topics, including the influence of Marxism, rural sociology, everyday life, the urban and violence, to name a few. The volume sets out a new agenda for Lefebvrian sociological inquiry which, inter alia, focuses on sociological perspectives on rhythm, embodiment and utopian thought in Lefebvre's work for sociological research. It brings together leading experts whose work on Lefebvre has shaped the discipline and is the first comprehensive volume outlining Lefebvre's relevance to sociology.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Tilman Schwarze</b> is a Lecturer in Criminology at the University of Glasgow. His research explores territorial stigmatisation, urban redevelopment and the production of space.</p><p><b>Matt Dawson </b>is Professor of Sociology at the University of Glasgow with research interests in social theory and the history of sociology.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An anthology that presents 25 years of Lou Marinoff's work addressing foundational paradoxes and dilemmas in rational choice, probability, and utility theory, offering original analyses of and/or resolutions to classic problems like the Prisoner's Dilemma, Newcomb's Problem, and the Two Envelopes Problem</b></p><p>This unique anthology reflects the author's analyses and/or resolutions of some of the most perennially perplexing and widely discussed problems arising in rational choice theory, probability theory, and utility theory. It spans 25 years of his research and publications in these related fields. Part One features treatments of the Prisoner's Dilemma, illustrating why there is no objectively 'best strategy' in nature and nurture alike. Part Two treats Newcomb's problem, along with potential failures of misguided 'collective' rationality in non-cooperative multi-player games. Part Three examines pillars and pitfalls of the widely applied and often mis-applied Principle of Indifference, while resolving Bertrand's notorious random chord paradox, the Sleeping Beauty Problem, and the Two Envelopes Problem Part Four presents a thorny moral dilemma debated by Hobbes, Spinoza, and Kant, namely, the ethics of redeeming oneself from a highway robber via the expedient of lying. Part Four then introduces a 'reverse Turing test' that leads to a refutation of the Strong AI thesis. It concludes with a methodological comparison of solutions by an engineer, a physicist, and a mathematician to an old Cambridge challenge puzzle, while shedding new light on a humorous but ontologically impossible solution by Dirac.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lou Marinoff</b> is a professor of philosophy at The City College of New York and a prolific author of popular and scholarly books, invited book chapters, and peer-reviewed articles.</p>]]></Text>
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			<SubjectHeadingText>theodicy; antitheodicy; problem of evil; suffering; philosophy of religion; ethics; pragmatism; meaning; meaninglessness; Justifications; Morality; Contemporary Thought; Historical Perspectives; Approaches; Responsibility; Philosophical; Ethical Implications; Philosophy; Antitheodicism; Critique Of Theodicy; secular theodicy</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>This book introduces the concept of antitheodicy and an approach that the author proposes to call antitheodicism as central elements of a critical ethical response to the problem of evil and suffering. </b></p><p>While the mainstream debate on this problem in the philosophy of religion continues to focus on theodicies and 'defenses' seeking to justify or excuse God's allowing that there is apparently meaningless suffering (which, then, ceases to be meaningless when we understand God's reasons for allowing this), this introduction not only explains why an antitheodicist alternative is ethically superior to such attempts but also, perhaps more importantly, extends the antitheodicist approach from the philosophy of religion to broader ethical engagements with suffering. Sketching some of the historical milestones of antitheodicist thought as well as the most important contemporary versions of antitheodicism, the book argues that antitheodicy is the only decent account of suffering and that theodicies are incompatible with ethical seriousness. Theodicies tend to instrumentalise suffering in the service of some imagined overall good, or a metaphysical scheme failing to recognise the individual perspective of the victim of suffering. The significance of this essentially ethical argument against theodicies reaches far beyond the philosophy of religion, as the theodicy versus antitheodicy opposition can be shown to take interesting secular varieties.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sami Pihlstrm</b> is Professor of Philosophy of Religion at the University of Helsinki, Finland.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book addresses the effects of poverty on multiple interdependencies in kinship, neighbourly and friendship relations. It explores how interpersonal relationships are made, unmade, recuperated or ended by people who are living with poverty in one of England's most deprived neighbourhoods.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The book is based on nearly a decade (20112020) of sustained ethnographic research within and across households in Harpurhey, North Manchester, England. </b></p><p>Harpurhey is a suburban area in Manchester, located just three and a half miles northeast of the city centre. This book interrogates the everyday lives of people in Harpurhey ethnographically, placing their lives and agency at the centre of analysis. It explores the everyday lives of people who live with poverty and are rely upon state welfare support to make ends meet. Analytically, the arguments in this book begin by making a distinction between the production of poverty as a political, economic and ideological effect of capitalist processes and state activity, and the everyday, mundane choices and behaviours of the people who manage those effects (cf. Goode and Maskovsky 2001). Each chapter shows what may be concealed and revealed in interpersonal relationships between people living with poverty and in multiple interdependencies.</p>]]></Text>
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			<SubjectHeadingText>Care Work; Culturalization; Discourse; Divorce; Everyday Racism; Everyday Resistance; Everyday Violence; Gender; Germany  Alternatives: Cultural Difference; Interdependence; Invisibility; Lone Mothers; Migrant Women; Migration; Narrative Interviews; Relations Of Support; Resistance; Self-Reliance; Single Mothers; Visibility; Vulnerability</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Through the individual narratives of divorced mothers living in Germany with immigration biographies from Turkey, this book approaches their daily struggles by analyzing the theories, discourses, and (in)visibilities of everyday violence.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Examines the daily struggles of migrantised divorced mothers in Germany in a framework of everyday violence and its (in)visibilities, focusing on their resistances and vulnerabilities within unequal relations of support.</b></p><p>This book approaches the daily struggles of migrantised divorced motherhood through theories, discourses, and (in)visibilities of everyday violence. Building on ethnographically informed everyday violence theories, it offers a framework in which violence becomes everyday violence when it engages with the boundaries of ordinary lives by means of being disruptive, reproduced, absorbed, and expected.Taking neither the visibility nor the invisibility of violence for granted, it discusses how the same discourses of violence can visibly victimise certain daily struggles of migrantised divorced motherhood while obscuring certain others.</p><p>Analysing the individual narratives of divorced mothers living in Germany with immigration biographies from Turkey, the book tackles their struggles with poverty, dequalification, maternal guilt, time constraints, care, everyday racism and sexism, as well as the conceptualisations of violence itself. If there is a certain form of 'loneness' implied in the term lone parenting, these narratives reveal how such 'loneness' is structurally and discursively constructed within a relationality of the self to resources. With attention to various forms of victimisations, vulnerabilities, and resistances, the book delves into what it means to 'stand on one's own two feet' in the face of paternalistic conditions of intimate and structural support.</p><p>Thus, the author makes various strong arguments around the work of tackling everyday violence and the immunities secured against the attribution of violence within power relations. Underlining the ambivalent consequences of our everyday and scholarly discourses on violence, she carefully situates the concept in a context of migrantisation and culturalisation of gendered experiences. Overall, the research participants offer narratives of not only everyday violence but also everyday protests, which refuse the forced (in)visibilities of their daily struggles and analyse the labour they invest into their relations to resources. And it is the acknowledgment of these protests that is at stake when they narrate their daily struggles, name violence, and reject a passive victimhood.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>icek Tanl Autschbach</b> is a sociologist in Germany, who works on the topics of gender, everyday violence, divorced/single motherhood, and migration.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This is the first republication of Rheta Child Dorr's book Inside the Russian Revolution (Macmillan, 1917) that depicts the overthrow of the tsar as a positive, democratic move with hope of a Russia following the American path to constitutional democracy.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This is the first republication of Rheta Childe Dorr's book</b><b><i> Inside the Russian Revolution</i></b><b> (1917), accompanied by the editor's research introduction and comments.</b></p><p>Dorr (18661948) was a leading suffragette from Nebraska, studied at the University of Nebraska, before moving to New York as a journalist and first editor of The Suffragette. Living on the lower East Side, she became a socialist. She visited Russia during the first Russian revolution (19051907) and later covered the February Revolution of 1917 for the New York Evening Mail.</p><p>Her book Inside the <i>Russian Revolution</i> (1917) depicts the overthrow of the tsar as a positive, democratic move with hope of a Russia following the American path to constitutional democracy. The evolution of revolutionary Russia from February to October changed not only Dorr's perception of the Russian revolution as a phenomenon but her vision of socialism as well. In this sense, she was among the American radicals who contributed to American phenomenology of the 1917 Russian revolution but were not satisfied with its results. Being a prominent figure in the U.S. political and social life of her time, Rheta Dorr expanded the horizons of the Americans' identity.</p><p>Dorr is also known for other publications. In 1922, she assisted Anna Vyrubova, a lady-in-waiting, the best friend and the confidante of Empress Alexandra Feodorovna, with the writing of Vyrubova's memoir, <i>My Memories of the Russian Court</i>. Thereafter, Dorr wrote her own memoir,<i> A Woman of Fifty</i>, published in 1924. Dorr moved from her autobiography to a biography of Susan B. Anthony, published in 1928, and completed her publishing activity in 1929 with a tome on the question of prohibition.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Victoria I. Zhuravleva</b> is a Doctor in History, Professor of American History and Chair of the Department of American Studies at the Russian State University for the Humanities.</p>]]></Text>
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			<SubjectHeadingText>19th-century periodical press; Gothic; Penny dreadfuls; Victorian popular literature; cheap fiction; circulation; neo-Victorian; penny bloods; popular culture; popular entertainment; reading habits; sensationalism; serialised fiction</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This book is a study of the impact of nineteenth-century popular literature on its contemporary society as well as on later literary works and genres, through the case study of the penny dreadfuls and their circulation patterns.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This study participates in the ongoing scholarly effort to re-appraise the penny dreadful phenomenon as a cornerstone of literary history and of popular culture, both within the nineteenth century and the development of Victorian popular fiction and beyond its specific context. </b></p><p>The growing presence of these cheap entertaining Victorian texts in contemporary popular culture  through television series, musicals and literature  signals that it is high time to bestow more systematic and comprehensive attention to these publications. To do so, <i>Penny Dreadfuls: The Circulation Patterns of a Victorian Popular Genre</i> conceptualises the notion of circulation as a tool for analysis.</p><p>This book considers different aspects of circulation. The weaponisation of the penny dreadfuls' successful circulation by its critics highlights tensions in the literary marketplace over the hegemonic discourse of what should and should not be read, which mirror the broader issue of contemporary changes on a social, cultural and political level. In addition, the penny dreadfuls' consumption patterns and behaviour within the literary marketplace and within society are also marked by their circulation between different historically popular genres: within the network of late-eighteenth-century and early-nineteenth-century literature and culture, they refuse to remain within clear boundaries and constantly reinvent themselves at the intersection of several trends that constituted the popular, such as oral storytelling, sensationalism and the Gothic. </p><p>Beyond the nineteenth century, their patterns of circulation develop diachronically, too, in the open-ended circulation of the penny dreadfuls across time through neo-Victorianism and the gradual transformation of the penny dreadfuls into a cultural reference.</p><p>Through the lens of the concept of circulation which pervades the penny dreadfuls' history and content, this book reassesses the impact of the penny dreadfuls on nineteenth-century print culture and entertainment, as well as on contemporary popular culture. This book demonstrates the importance of these publications to better understand broader notions of popular culture and to keep deconstructing such binaries as 'high' and 'low' culture. Further than sales numbers, circulation interweaves numerous aspects of popular culture and of this publishing phenomenon. An analysis of these patterns helps decode many aspects of the penny dreadfuls' life and afterlife, as it reveals how their material aspect is intimately interwoven with their seriality, their cultural significance, the reactions they provoked and their actual content. The resulting picture informs us about the nineteenth century's social history and culture, about class warfare and political change, and about the evolution of literature over the past two hundred and fifty years.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Manon Burz-Labrande</b> is an independent post-doctoral researcher who obtained her PhD at the University of Vienna, Austria, where she currently teaches at the Department of English and American Studies.</p>]]></Text>
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			<Text textformat="02"><![CDATA[When people develop technologies to distribute music, record labels act like it will destroy music. This book shows these narratives are about reconfiguring power.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The recording industry regularly paints its consumers as pariahs waiting for new technologies to hurt the very musicians they love. </b></p><p>In <i>Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok</i>, Dr. David Arditi examines how the major record labels single-out new technologies as if they will bring an end to recorded music. They use what he calls the 'piracy panic narrative'  a narrative in which new technologies threaten the very existence of recorded music. The piracy panic narrative is a rhetorical construct that helps to hide the material reality of the recording industry by positioning major record labels and their recording artists as the victims of widespread crime in the form of piracy. Now, divorced from piracy, the recording industry continues to use the panic narrative to dissuade fans from specific practices and to lobby the government for particular policies. Each time, they use the narrative to change public sentiment, the law, and policy to strengthen their profits. At every moment what gets ignored is labels are the primary exploiter of musicians.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>This book explores the transformative role of open-source technologies and digital commons in fostering a cooperative and sustainable economy. Built upon the research project 'Techno-Social Innovation in the Collaborative Economy', the study investigates innovative, grassroots economic models that leverage digital technologies for community-driven governance and decentralised value creation.</p><p>The book presents a multi-case study approach, featuring organisations such as Tzoumakers, Open Food Network, CoopCycle, and Circles UBI. These cases exemplify how platform cooperativism, cosmolocalism, and open cooperativism redefine traditional business structures, emphasising sustainability, fairness, and democratic ownership. The discussion extends to blockchain-enabled DAOs and their impact on labour, governance, and wealth distribution.</p><p>Through theoretical and empirical insights,<i> The Model of Open Cooperativism </i>bridges political economy and digital innovation, providing practical strategies for policymakers, activists, and scholars. It highlights the success and challenges of grassroots-driven initiatives, offering a roadmap for transitioning toward a commons-based, post-capitalist economy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Vangelis Papadimitropoulos</b> is an adjunct lecturer at Aristotle University, Thessaloniki, Greece, and a postdoc researcher at Panteion University, Athens, Greece, specialising in the intersection of epistemology, political theory, digital commons, cooperative economies, and open-source technologies.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This short book examines the taxonomy of 'voluntary obligations' presented by Viscount Stair in his seminal Institutions of the Law of Scotland, arguing that notwithstanding ongoing proposals to significantly reform 'Scots contract law'  Stair's account of 'will' and 'engagement' offers the better route forward for legal development in this area.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Scotland does not have a 'law of contract', as most comparable jurisdictions do, but rather  due in large part to the intellectual innovations of Viscount Stair  possesses a unitary 'law of voluntary obligations', of which contracts form but a part. This fact is highly significant, but is frequently overlooked. Indeed, the significance of this has even been overlooked by the Scottish Law Commission, who have recently proposed to significantly reform the 'law of contract' in Scotland by urging the passing of a statute which, among other things, would abolish the so-called 'postal acceptance rule'.</b></p><p>This short book takes the view that the proposed reforms are wrongheaded and would be deleterious to the coherence of the Scottish legal framework. To that end, it examines the taxonomy of obligations pioneered by Stair, indicates that the application of that taxonomy to situations such as the process of contracting by distance suggests that there is in fact no 'postal acceptance rule' in this jurisdiction and suggests, in light of this, that reform of 'contracts' and the formation of, in Scotland, is better left to the courts and jurists than to the Scottish Parliament (or, for that matter, Westminster).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The international pioneer of media art Richard Kriesche is dedicated to visual, artistic research. He bases his work on the most diverse of mediums, from painting to video art, in order to explore the revolutions in media, information, and digitisation that have taken place over the last 50 years as well as their influences on our daily lives. He conceives of man, technology, the social, and the political together and in doing so develops an utterly individual perspective on our society. </b></p><p>Based on the artist's works from the last six decades, the publication shows how human life can be permanently shaped and informed. This book focuses on art as an interface between man and a reality that is continually updating itself <i> shift of time in present times. </i></p><p>Text in English and German.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Jan Bontjes van Beek (1899-1969) lived a life intertwined with 20th-century German history. His ceramics, marked by materiality and colour dynamism, reflected his search for balance amid turbulent times. Text in English and German.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Queer books, like LGBTQ+ people, adapt heteronormative structures and institutions to introduce space for discourses of queer desire.</b> <i>Queer Books of Late-Victorian Print Culture</i> explores print culture adaptations of the material book, examining the works of Aubrey Beardsley, Michael Field, John Gray, Charles Ricketts, Charles Shannon and Oscar Wilde. It closely analyses the material book, including the elements of binding, typography, paper, ink and illustration, and brings textual studies and queer theory into conversation with literary experiments in free verse, fairy tales and symbolist drama. King argues that queer authors and artists revised the Revival of Printing's ideals for their own diverse and unique desires, adapting new technological innovations in print culture. Their books created a community of like-minded aesthetes who challenged legal and representational discourses of same-sex desire with one of aesthetic sensuality.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>What is the relationship between filmmaking and mapping? Accounting for the unique characteristics of Taiwan's cinema from 2008 to 2020, this book examines how filmmakers have depicted and imagined the island's diverse environments. </b>Drawing on cinema, cartography, and cultural studies, Christopher Brown argues that by refocusing attention on how films are shaped through a process of construction, the tradition of film poetics enables us to think about Taiwanese cinema differently: as a form of mapping. Wide-ranging in scope and drawing on original interviews with contemporary filmmakers, the analysis appraises case studies including works of popular entertainment, genre cinema such as comedies and horror, films about indigenous communities, LGBTQ+ cinema, and arthouse work. By asking what it means to map an environment onscreen, the book offers new insights into a critically neglected, yet creatively dynamic, period in Taiwan's film history</p>]]></Text>
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			<PersonName>Arin Keeble</PersonName>
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			<BiographicalNote textformat="05"><![CDATA[Arin Keeble is a Lecturer in Contemporary Literature and Culture at Edinburgh Napier University in Scotland. His research interests include the literary and cultural representation of terrorism, crisis, neoliberalism and systemic violence. He is co-editor of <i>Jesmyn Ward: New Critical Essays</i> (2023) and is the author of <i>Narratives of Hurricane Katrina in Context</i> (2019), and his writing appears in journals such as <i>Critique</i>, <i>Journal of American Studies</i>, <i>Post45</i>, <i>Parallax</i>, <i>Punk and Post-Punk</i>, and <i>TLS</i>.]]></BiographicalNote>
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			<SubjectHeadingText>9/11; Contemporary literature; IS; neoliberalism; slow violence; state violence; systemic violence; terrorism; trauma; world literature; world-systems</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[A comprehensive study of how fiction has depicted and responded to terrorism in the twenty-first century]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Examining novels by celebrated authors, some neglected and some brand new texts, Arin Keeble offers a detailed analysis of the ways novels from around the world have represented terrorism in the early twenty-first century. </b>Over five chapters, he uncovers a movement away from event-based narratives toward depictions of terrorism as a violent symptom or feature of twenty-first century world-systems and neoliberalism. Beginning with the early literary response to 9/11 and the 9/11 novel genre, the book moves through more recent depictions of the endless 'war on terror', state terror, white nationalist terror and historical narratives of terror that resonate in the current political climate. In doing so, it examines the changing ways literature has sought to make sense of both the reasons why terrorism occurs and the effects it has on victims, survivors and international and intercultural relations.</p>]]></Text>
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			<BiographicalNote textformat="05"><![CDATA[Emily Neumeier is Assistant Professor of Islamic art and architecture at Temple University, Philadelphia. She studies the visual and spatial cultures of the eastern Mediterranean, with a focus on the Ottoman Empire, and her research has been published in venues such as the <i>International Journal of Islamic Architecture</i>, the <i>Journal of the Ottoman</i> and <i>Turkish Studies Association</i>, and <i>History and Anthropology</i>.]]></BiographicalNote>
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			<SubjectHeadingText>Hagia Sophia; Islamic Architecture; Islamic Empires; Islamic art history; Middle Eastern History; Ottoman Empire; cultural heritage</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Uncovers a diversity of local encounters with Hagia Sophia in the late Ottoman Empire.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Hagia Sophia  a building whose domes have defined Istanbul's skyline for over 1500 years  has led many lives. </b>Initially a church, subsequently a mosque, then a museum, the structure is today a monument of world heritage, even as its official status remains contested. Hagia Sophia's global fame took shape during the long nineteenth century, when Europeans 'discovered' its architectural significance. But what role did local actors play in the creation of Hagia Sophia as a modern monument? This book seeks out the audiences of this building beyond its Western interpreters, from Ottoman officials to the diverse communities of Istanbul. Chronologically bracketed by the major renovation of the structure in the 1740s and its conversion into a museum in 1934, this volume traces the gradual transformation of Hagia Sophia within the Ottoman imaginary from <i>imaret</i> (mosque complex) to <i>eser</i> (monument); that is, from lived space to archaeological artifact.</p>]]></Text>
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				<TitleText>The Governance of St Davids 1600-1750</TitleText>
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			<Text textformat="02"><![CDATA[<p><b>This study of a previously unpublished manuscript is a significant witness to the vigorous life of St Davids Cathedral, as well as to the changes to its fabric, especially in the restoration and recovery of the building after the depredations of the 1640s. </b>Highlighting the beginnings of a process that culminated in Scott's restoration of 1865-1873, the author focuses on a period illuminated by the eighteenth-century antiquarian Richard Davies's selection and collection of manuscript evidence relating both to the fabric and the personalities involved with the cathedral  such as Bishop Thomas Watson, whose removal from office carried national and political implications.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The <b>Rt Revd Dr J. Wyn Evans </b>is an independent scholar. He is associated with the Lampeter campus at the University of Wales Trinity Saint David, where he organises the Lampeter Seminar in Church History.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This study presents an analysis of the Welsh Liberal Party under the leadership of Emlyn Hooson.</b> It begins with an overview of the period prior to Hooson's 1962 by-election win in Montgomery, following the death of Clement Davies, and the first section describes Hooson's leadership of the Liberal Party of Wales, his recognition that the organisation was fundamentally flawed and that it needed to be reorganised. The solution was a root and branch reorganisation and the formation of a new state party, which would be federated to the British Liberal Party but separate in its functions and leadership. The second section details Hooson's steering of the party through chapters on the organisation, policy formation and the electoral record. The book comprises the first in-depth description of the Welsh Liberal Party during a tumultuous time in Welsh politics; recognising how current Welsh political historiography has sidelined the Welsh Liberals in favour of Plaid Cymru and Labour, it re-evaluates the Liberals' position during the period and Hooson's role.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nicholas Alderton</b> has written articles for the Journal of Liberal History, covering topics on Emlyn Hooson, the Welsh Liberals, Plaid Cymru and George Dangerfield.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Coastal Futures examines the "coastalization" of society from an ethnographic perspective, lending voice to climate modellers, planners, tourists and fisherfolk to consider the shore as a critical space from where to rethink environmental change, governance, and conflicts.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Coastal Futures </i></b><b>explores the profound transformation of our relationship with the world's coasts, as nearly 40 percent of humanity now lives within 100 kilometres of the sea.</b></p><p>Moving beyond the traditional view of coasts as simple boundaries between land and water, this book reveals the coast as a diverse, networked landscape shaped by intertidal ecologies, sprawling infrastructures, and everyday practices that reach far beyond the shore. By uncovering the 'coastalisation' of society, the book highlights the growing significance of shores in understanding contemporary life and environmental change. Drawing on rich ethnographic research, the volume challenges traditional notions of the coast as simply a physical object or maritime boundary. Instead, it closely examines the diverse material forms and infrastructural connections that define coastal spaces, envisioning new futures for these vital zones.</p><p><i>Coastal Futures</i> argues that a scientific inquiry into the dynamic interplay of society and coastlines is both urgent and essential, encouraging more responsible and imaginative ways of living with and on the coast. Ultimately, the book redeems the coast as a geo-ontological force  one that shapes, enables, and constrains the transformative energies of global assemblages, rather than serving as a passive backdrop to human activity.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Beyond Building</i></b><b> offers a groundbreaking exploration of nineteenth-century French architecture through the lens of gender, focusing on the years 1852 to 1902.</b></p><p>Highlighting the creative work of four women and one nonbinary individual, this book reveals that architectural production extended beyond men, even when only men could be officially certified as architects. Drawing on diverse materials, including poetry, photography, archaeological artifacts, literary fiction, theater sets, and journalism, <i>Beyond Building</i> brings to light the contributions of those long excluded from architectural scholarship due to their gender. This book advocates for a more expansive understanding of architecture's history by including overlooked makers and works. It examines figures such as Jane Dieulafoy, whose gender-fluid life as an archeologist in Iran is captured in colonial-era writings; Marie Krysinska, the only woman in the free-verse poetry movement; photographer Genevieve-lisabeth Disderi and the Countess de Castiglione, who linked architecture and early photography; the hidden career of journalist Laure Labrouste; and the American Julia Morgan, the first woman certified as an architect in France.</p><p>Through these case studies, <i>Beyond Building</i> demonstrates how considering gender alongside architecture opens new perspectives on artistic innovation, imperialism, and cultural change in nineteenth-century France.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Sea Change</i></b> <b>investigates cultural texts that reflect the metamorphosis of the Mediterranean and Caribbean regions during the last two centuries.</b> By placing these two seas side by side, this book challenges conventional distinctions between them and highlights their many shared traits and connections, suggesting new ways to understand the economic, political, and environmental challenges both regions face today.</p><p>While examining the cultural productions that emerge from the Mediterranean and Caribbean, modern languages scholars Jessica R. Boll, Marilen Loyola, and Sharon Meilahn Bartlett adopt a decentralised approach that moves beyond the influence of the United States and Europe. They further challenge traditional narratives by centering the experiences of individuals from historically repressed groups. Through analyses of visual art, puppet shows, songs, graphic fiction, and television, this volume shifts the focus away from the canonical to foreground accessible and popular forms of expression.</p><p>By highlighting these places, perspectives, and productions, <i>Sea Change</i> underscores the reciprocal influence between the mainstream and the marginalised. It strives to dismantle (post)colonial hegemonies and demonstrate that those often relegated to the periphery can be agents  rather than mere subjects  of change.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Robert Brennan </b>is Lecturer in in Italian Art, c. 1300-1500 at the Courtauld Institute of Art at the University of London.</p><p><b>Fabian Jonietz </b>is a scholar at the Central Institute for Art History, Munich.</p><p><b>Romana Sammern</b> is a permanent postdoctoral scholar at the interuniversity organisation 'Arts &amp; Knowledges' of the University of Salzburg/Mozarteum University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Graham A. Loud </b>is Professor Emeritus of Medieval History at the University of Leeds.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The present volume emerges from a practice-based research that focuses on experiences of migration and border crossing during what are perceived as existential 'turning points' by the protagonists themselves.</b> It recognises the fundamental role that imagination plays in people's perceptions of reality, in their decisions and actions, and finally in the way they narrate their experiences. As a consequence, it makes a stance for ethnographic practice to include more creative and collaborative methodologies in order to explore such intangible and unstructured realms of existence. In particular, this ethnography developed theoretically and methodologically in close collaboration with a group of Egyptian men who crossed the Mediterranean Sea in search of better living opportunities in Italy, by engaging them through a range of the co-creative processes such as theatre improvisations, storytelling practices, collaborative filmmaking and participatory animation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexandra D'Onofrio</b> is a member of the Granada Centre for Visual Anthropology and a Lecturer in Social and Visual Anthropology at the University of Manchester</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Focusing on experiential life stories across a range of forms and practices, this book investigates subjectivity, culture and the cultural politics of representation as a neglected dimension of conflict transformation in the Northern Irish peace process. Interdisciplinary critical perspectives from historical cultural studies, oral history and popular-memory theory inform close interpretive engagement with life stories in their cultural, historical and geographical contexts. This enables exploration of the complex temporal dynamics of 'post-conflict' subjectivities in the lengthening 'afterlife' of the Troubles, where feelings attached to conflict experiences are not 'past' but haunt the present, and memory-work carries future-oriented desires for truth, justice and reconciliation. Through case studies responding to the evolving peace process through this prism of life-storytelling, Afterlives maps a contested history of legacy policy-making and approaches to 'dealing with the past', from devolution in 2005-7 through to the Legacy and Reconciliation Act of 2023.</p>]]></Text>
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			<SubjectHeadingText>Diplomacy; International education; Internationalism; Practice Theory; Practitioner perspectives; aid; decolonisation; diplomatic history; diplomatic training; geopolitics; hegemonic power relations; international law; multilateral organisations; pedagogies of diplomatic training; pedagogy</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Examining the histories, development and contemporary practices of diplomatic training, this edited collection places training centrally within our understanding of international relations. It offers a globe-spanning, interdisciplinary account of the politics of diplomatic training and appeals to both scholarly and practitioner audiences.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Despite the essential role diplomatic training plays in the everyday workings of international relations, international law and in the various multilateral organisations, this practice has received little critical attention in the humanities, social and political sciences. </b>Bringing together detailed accounts of the histories, development and contemporary practices of diplomatic training with insights from key practitioners, this edited collection places training centrally within our understanding of international relations. It argues that diplomatic training both reflects and reproduces hegemonic power relations, whilst at the same time offering opportunities to contest them, and imagine alternative futures. The book includes a substantive introduction, nine full-length chapters from a range of disciplinary and regional perspectives drawing on archival research, oral history, interviews, and ethnographic methods, and four 'interventions': reflection pieces from trainers and directors of training programmes. It offers a globe-spanning, interdisciplinary account of the politics of diplomatic training and appeals to both scholarly and practitioner audiences.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jonathan Harris</b> is Assistant Professor in Political Geography at Dublin City University.</p><p><b>Ruth Craggs </b>is Reader in Political and Historical Geography at King's College London.</p><p><b>Fiona McConnell </b>is Professor of Political Geography at the University of Oxford and Tutorial Fellow at St Catherine's College.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Make Cheese Not War traces international support for the community struggle against the expansion of a military base on the Larzac plateau during the 1970s. Across decades and continents, they mobilised a protest rooted in local issues, but travelling routes of resistance with a protest that was creative, humorous, and ultimately successful.]]></Text>
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			<Text textformat="02"><![CDATA[<p>In 1971, the French government announced a massive extension of its military base on the Larzac plateau in southern France. Land was to be expropriated from 107 farms around the small town of La Cavalerie. Limited resistance was expected, but what happened next exceeded all expectations.</p><p>Local sheep farmers set up protest camps and occupied the land. They soon attracted an astonishing level of support, pioneering a form of regional radicalism with global implications. Drawing out the international dimensions of the protest, <i>Make cheese not war</i> explores a transnational resistance movement in the 1970s that challenged dominant visions of modernity and became a wellspring of radical alternatives. Exploring previously unconsulted archives in France and elsewhere, the book offers an in-depth analysis of the decade-long peasant movement and its aftermath.</p><p>Repositioning the Larzac struggle within a wider network of French and international solidarities, from the US to the UK, Germany, Burkina Faso, New Caledonia and Japan, the book retraces political networks of pacifist activism, as well as environmental movements and anti-nuclear protest. It shows how this French peasant campaign became both a platform and a model for popular engagement.</p>]]></Text>
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			<SubjectHeadingText>Eco-criticism; applied ecology; art theory; climate justice; critical race theory; critical theory; decolonising art history; eco-critical art history; ecofeminism; ecomaterialism,ecopolitics; extractivism; geoaesthetics; indigenous studies; landscape art; methods for art history; multispecies studies; ocular-centrism; planetary ecologies; planetary feminisms; queer ecologies; research skills in art history</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[By empowering readers to approach the study of art enriched with ecocritical tools, this book makes an indispensable addition to art historical pedagogies.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An indispensable survey of methods in ecocritical art history.</b></p><p>Ecocriticism is one of the most important and exciting developments in current art history. This is the first book to provide a survey of its methods, showing what they can offer art historians. It also indicates what the interdisciplinary project of ecocriticism stands to gain from art historians, their methods and practices.</p><p>The book assembles twenty-three essays written by international scholars that span a wide range of methodological approaches, including ecofeminism, planetary ecologies, material ecocriticism, ecopolitics, and indigenous ecopoetics. The essays are framed by a series of editorial introductions that provide orientation within a disciplinary territory that is still in a state of flux. Written in clear, jargon-free language, they are accompanied by thematically arranged lists of bibliographies to facilitate further study and empower readers to approach the study of art enriched with ecocritical tools.</p><p>This book is an indispensable resource for art history in the twenty-first century.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Andrew Patrizio</b> is Professor of Scottish Visual Culture at the University of Edinburgh.</p><p><b>Olga Smith</b> is a NUAcT Fellow in Fine Art at Newcastle University</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This edited volume reframes the Caribbean as a paradigm of ecological resilience and creativity by bringing together the voices of contemporary artists and scholars who are at the forefront of environmental activism in the region and across its diasporas. </b>While dominant narratives percolating from the environmental sciences to the mainstream press present the Caribbean as a frontier of planetary disaster, the contributors to this volume show how the region offers radical models for overcoming the environmental challenges of the present. At the heart of this argument lies the history of the Caribbean as a centre for grassroots forms of anti-colonial and anti-capitalist resistance founded upon nature-centred cosmologies and practices. <i>Caribbean Eco-Aesthetics </i>shows how contemporary artists are mobilising this radical heritage in a bid to unlock alternative planetary futures.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kate Keohane</b> is Career Development Fellow in Art History and Wellbeing, St Edmund Hall, University of Oxford.</p><p><b>Daniella Rose King</b> is a curator, writer and Lead Curator, Collections Galleries at Wellcome Collection.</p><p><b>Giulia Smith</b> is an art historian, curator and Senior Tutor in Contemporary Art History and Theory at the Ruskin School of Art, University of Oxford.</p>]]></Text>
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			<SubjectHeadingText>,; 1997 United Kingdom general election; 1998 Crime and Disorder Act; 2001 United Kingdom general election; 2005 United Kingdom general election; ASBO; Alastair Campbell; Alistair Darling; Anthony Crosland; Anthony Giddens; Bank of England independence; Betty Boothroyd; Blair Babes; Blairism; Britain and Europe; Brownism; Cherie Blair; Clause IV; David Blunkett; David Miliband; Ed Balls; Ed Miliband; Frank Dobson; Good Friday Agreement; Gordon Brown; Handover of Hong Kong; Harriet Harman; Hazel Blears; Human Rights Act; Iraq War; Iron Chancellor; Jack Straw; Kosovo War; Labour Party Conference; Margaret Beckett; Margaret Hodge; Millennium Dome; National Childcare Strategy; National Health Service; National Minimum Wage; Old Labour; Party; Peter Mandelson; Princess Diana; Rigorously researched through interviews with the; Robin Cook; Scottish Parliament; Strategic Communications Unit; The Deal; Third Way; Tony Blair; Tony's Cronies; UK devolution; War in Afghanistan; Welsh Assembly; Working Families Tax Credit; Yvette Cooper; anti-social behaviour order; as well as archival; cool Britannia; crime and justice; economic policy; education policy; housing policy; including Blair; income equality; inequality; key actors; mass immigration; multiculturalism; neoliberalism; people's princess; private finance initiatives; public-private partnership; released papers from his time at No. 10  Labour; socialism; tough on crime,; tough on the causes of crime; work  Draws extensively on Blair's recently</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[New Labour, New Britain? reassesses Tony Blair's governments, offering a balanced view of their policies and impact. Exploring New Labour's successes in public services and social liberalism while acknowledging its shortcomings, the book provides a nuanced perspective on New Labour's lasting influence on modern Britain.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A bold and balanced re-appraisal of New Labour in power.</b></p><p>Rewriting the story of New Labour, Glen O'Hara challenges the prevailing narrative to present a more balanced and positive assessment. New Labour, New Britain? is the first book to examine both the intentions behind New Labour's domestic policies and their real-world effects, moving beyond the entrenched left-right debates that have dominated the party's legacy.</p><p>The period from 1997 to 2007 marked a pivotal moment in modern British history, as New Labour sought to reshape Britain into a more cohesive and forward-thinking society. It saw the rise of socially liberal attitudes and flourishing public services under a government committed to rebuilding and investing in them. Yet New Labour's track record was far from flawless and its legacy remains complicated and contested.</p><p>Through interviews with key players and rigorous archival research, O'Hara offers a new perspective on Tony Blair's years in power. Painting a fuller picture of New Labour's successes and challenges, he highlights its lasting impact on Britain and offers a thoughtful reassessment of its place in history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Glen O'Hara</b> is Professor of Modern and Contemporary History at Oxford Brookes University. A former journalist, he is the author of a series of books and articles about modern Britain, including <i>The Paradoxes of Progress</i> (2012) and <i>The Politics of Water in Post-War Britain</i> (2017). He is a regular commentator on British politics and public policy in the press, including the<i> Guardian</i>, the<i>Financial Times</i>, the<i> Telegraph</i>, <i>Times Higher Education</i> and the<i> New European</i>.</p>]]></Text>
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			<SubjectHeadingText>1599; Alberico Gentili; Antonio Possevino; Baillie Gifford Prize; Bernardino de Mendoza; Casaubon; Doge of Venice; Doge's palace; Earl of Tyrone; Edmund Spenser; Essex's Rebellion; Galileo; Gunpowder Plot; Henry IV of France; Henry Wotton; Hugh O'Neill; James I; James Shaprio; John Donne; John Ward; Katherine Rundell; Leonardo Don; Mediterranean piracy; Odoardo Fialetti; Paolo Sarpi; Paolo V; Philip Sidney; Pope Clement VIII; Pope Leo XI; Pope Paul V; Protestantism in Venice; Queen Elizabeth I; Robert Cecil; Robert Devereux,; Rome; Super-Infinite; The interdict crisis; Venetian Interdict; Venice; Will Thomas Shirley; William Pierce; William Shakespeare; Zouche; diplomatic correspondence; diplomatic self-fashioning; earl of Essex; early modern Anglo-Venetian relations; early modern Europe; early modern London; early modern diplomacy; historical biography; history of diplomacy; the Babington Plot; the English embassy in Venice; the Medicis; the Mediterranean; the Reformation; the Spanish Armada</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Lying abroad reconstructs the tumultuous early modern career of a jobbing ambassador, Henry Wotton, the man James I sent to Venice in 1604 to restore Anglo-Venetian relations. It recounts his back-story then follows his daily life in diplomacy, poised between tedium and crisis  a life endlessly theatrical.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Student, traveller, secretary, scoundrel, spy: introducing the maverick whose diplomacy saved Europe from war.</b></p><p>Henry Wotton had already exhausted several lives when he arrived in Venice as England's ambassador in 1604. Yet the most remarkable phase of his career was yet to come.</p><p>In <i>Lying abroad</i>, Carol Chillington Rutter tells Wotton's extraordinary story. She reveals how this one-time exile, who fled England after his employer was convicted of treason, gained the favour of King James, securing a knighthood and a diplomatic posting. Charged with restoring relations with Venice after a fifty-year hiatus, he drew criticism for his breaches of protocol. But when a dispute brought Europe to the brink of war, Wotton took a risk  one that changed European history.</p><p>This engrossing biography recounts a life that was tumultuous, tarnished and endlessly theatrical. The man King James called his 'honest dissembler' was a maverick who fashioned diplomacy in ways that still inform international relations today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Carol Chillington Rutter</b> is Emerita Professor of Shakespeare and Performance Studies at the University of Warwick. She is the author of numerous books and critical editions. In 2023 she was Visiting Fellow at Ca' Foscari, Universit di Venezia.</p>]]></Text>
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