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			<SubjectHeadingText>anti-vax; disease; disinformation; infection; pseudoscience; vaccination; vaccines; Vaccination; Immunisation; mRNA vaccines; Adenovirus vector; Protein subunit vaccines; Live attenuated vaccines; Conjugate vaccines; Immunosenescence; Herd immunity; Vaccine efficacy; Vaccine effectiveness; Adjuvants; Antibody-dependent enhancement; Passive immunisation; Long COVID; Cardiovascular protection; Neurological complications; Pneumococcal disease; Influenza; RSV; COVID-19; Measles; Smallpox; Mpox; Dengue; Ebola; Marburg; Public health infrastructure; Pandemic preparedness; Global health equity; No Jab; No Pay; Vaccine mandates; Vaccine hesitancy; Surveillance systems; Vaccine compensation schemes; Health system failures; Ageism in healthcare; Structural racism in medicine; Colonialism in global health; Anti-vaccination movement; Disinformation; Misinformation; Pandemic revisionism; Conspiracy theories; Junk science; Mask mandates; H5N1 avian influenza; Monkeypox; Bioweapons; Climate change; Zoonotic spillover</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[A gripping journey through the past, present and future of vaccines.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A gripping journey through the past, present and future of vaccines.</b></p><p>Vaccination is arguably the greatest public health achievement in history, yet the disappearance of many diseases has also seen an increased focus on the side effects of vaccines and the rise of the anti-vax movement. The COVID-19 pandemic propelled anti-vaccination sentiment into the mainstream  including from some leaders in the medical profession  in an explosion of pseudoscience and disinformation that's made it increasingly difficult to separate fact from fiction.</p><p>In<i> Vaccine Nation</i>, internationally acclaimed epidemiologist Raina MacIntyre examines the history of vaccines and how they work, vaccine safety, public policy, cutting-edge new technologies, and the miraculous new developments in vaccines to fight cancer and other chronic diseases. At a critical time when vaccination rates are falling globally, MacIntyre argues that science must reclaim the stage or we will lose centuries of gains that vaccines have brought to the world.</p><p><b>'Vaccines helped us emerge from the worst of the COVID pandemic, yet rather than being a triumph, we now see anti-vaccine claims eclipsing public health policies. Raina MacIntyre outlines the history of vaccines and despairs at how the medical profession is among those pushing anti-vaccine myths. This important book documents where opposition to vaccination is leading the world and how science can reclaim centre stage.'  Laura Tingle, author and journalist</b></p><p><b>'For the rst time in human history, we have the scientic know-how to vaccinate against most of the infectious diseases that killed our ancestors.</b> <b><i>Vaccine Nation</i></b><b> takes us through exciting developments in using vaccines to protect against non-infectious threats such as cancer and heart disease. MacIntyre shows how these advances are being counterbalanced by a spreading mistrust of science in general and vaccines in particular. This book, by one of the world's leading biosecurity experts, tells the story of how vaccines transformed the public health landscape and suggests what we might do to restore public trust in their ecacy and safety.'  Professor Trish Greenhalgh OBE, University of Oxford</b></p><p><b>'A timely wake-up call.' </b> <b><i>Sydney Morning Herald/The Age</i></b></p><p><b>'</b><b><i>Vaccine Nation</i></b><b> is essential reading.'  Adrian Esterman,</b> <b><i>The Conversation</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Raina MacIntyre</b> is Professor of Global Biosecurity at UNSW and an NHMRC Research Fellow. She heads the Biosecurity Program at the Kirby Institute, UNSW. Her vaccine expertise is in older adults and immunosuppressed people, and she has conducted several clinical trials of vaccines in adults and transplant patients. She was on the Vaccine Council of 100 for the journal <i>Vaccine</i> from 20122020, and associate editor from 20202024. She has been on the WHO COVID-19 Vaccine Composition Technical Advisory Group (20212024) and the WHO SAGE smallpox and mpox Advisory Group (2022 current). She is the author of <i>Dark Winter</i> (NewSouth, 2022).</p>]]></Text>
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			<SubjectHeadingText>Adele Pankhurst Walsh; Christian Jollie Smith; Christina Stead; Communism; Communist Party of Australia; Dulcie Deamer; Dymphna Cusack; Guido Baracchi; Jean Devanny; Katharine Susannah Prichard; Kylie Tennant; Lesbia Keogh; Marie Pitt; Marjorie Barnard; Mary Gilmore; Nettie Palmer; Vida Goldstein; Willna Macpherson; Australian feminist biography; Women writers and activism; Communism and censorship in Australia; Literary history of Australia; Indigenous rights and literature; Miles Franklin; Kath Walker; Oodgeroo Noonuccal; Faith Bandler; Ruth Park; Eleanor Dark; Dorothy Hewett; Australian women in literature; Political activism and feminism; Historical biography of writers; Communist Party and literary resistance; ASIO surveillance of authors; Spanish Civil War and Australian writers; Evolution of feminist thought in Australia; Interwar literary movements; Women's writing and social change; censorship and banned books in Australia</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Acclaimed biographer Jacqueline Kent traces the social and political issues that inspired  and often hampered  Australian radical women writers and their desire to change the world.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Australia's crusaders for women's voting rights and the radical feminists of the 1970s changed lives across the country and around the globe. But what about the generation in between?</p><p>Throughout the twentieth century, a group of trailblazing women writers challenged the nation's status quo. Miles Franklin's forceful voice invigorated the emerging women's movement, Mary Gilmore was a groundbreaking feminist journalist, and novelists Katharine Susannah Prichard and Eleanor Dark explored the colonial displacement of Australia's Indigenous people. Kylie Tennant spoke up for battlers during the Depression. Dymphna Cusack, Katharine Susannah Prichard and Dorothy Hewett, all members of Australia's Communist Party, advocated for social reform. Ruth Park's <i>The Harp in the South</i> jolted the NSW government into developing slum clearance programs. And the work of First Nations poet and activist Kath Walker (later Oodgeroo Noonuccal) was crucial in achieving constitutional reform for Indigenous peoples.</p><p>Acclaimed biographer Jacqueline Kent traces these women's stories, shaped by the seismic social and political events of their time, and illuminates their immense courage and principled determination to change the world.</p><p><b>'Kent brings her cast of writers effortlessly to life.'  Jason Steger</b></p><p><b>'Each of these seven women writers set out, in her own way, to change the world, and this well-researched and engagingly written book makes clear their individual and collective bravery, curiosity and fearlessness.'  Heidi Maier,</b> <b><i>InDaily</i></b></p><p><b>'Highly informed, engaging, often wittily observed, this is also an impressively orchestrated study of groundbreaking writers and the tumultuous times they mirrored and interpreted.' </b><b><i> Sydney Morning Herald / The Age</i></b></p><p><b><i>'Inconvenient Women</i></b> <b>is a fluent stream of fascinating detail. It brings to the fore names half-remembered now, their collaborations with activist men such as Guido Baracchi and Egon Kisch as well as other women, and the political environment they all operated in. Once begun, it is difficult to put down: you'll finish with dozens of notes to follow up.'  Miriam Cosic,</b> <b><i>The Saturday Paper</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jacqueline Kent</b> is a Sydney-based writer of non-fiction and biography, as well as young adult fiction, general articles and literary journalism. Her working background includes radio interviewing, print journalism, radio and TV scriptwriting, editing books, ghost- writing, teaching editing and creative writing, and arts administration. She is the author of <i>A Certain Style</i>, the National Biography Award-winning biography of acclaimed book editor Beatrice Davis, as well as <i>An Exacting Heart</i>, the story of pianist and social activist Hephzibah Menuhin, and <i>TheMaking of Julia Gillard</i>, the only full biography of Australia's first woman prime minister. Her most recent book is<i> Bonjour, Mademoiselle!</i> (with Tom Roberts), the biography of trans pioneer April Ashley. She holds a Doctorate of Creative Arts from UTS, Sydney.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Fixing its gaze on moments, places and objects  from the streets of Bethlehem to the Palestinian neighbourhoods of the New Jerusalem  Find me at the Jaffa Gate assembles a story of Palestinian diaspora, returning to the origins of violence in the Nakba.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Victorian Premier's Literary Awards 2026, Non-Fiction**</b></p><p><i>'If we were different people, to write down these words might be to leave them behind us. But words are our artifacts, and I am seeding a trail for the journey, home.'</i></p><p>What does the daughter of a Nakba survivor inherit? It is not property or tangible heirlooms, nor the streets and neighbourhoods of a father's childhood and the deep roots of family who have lived in one place, Jerusalem, for generation upon generation.</p><p>Fixing her gaze on moments, places and objects  from the streets of Bethlehem to the Palestinian neighbourhoods of the New Jerusalem  Micaela Sahhar assembles a story of Palestinian diaspora. <i>Find Me at the Jaffa Gate</i> is a book about the gaps and blank spaces that cannot be easily recounted, but which insists on the vibrant reality of chance, fragments and memory to reclaim a place called home.</p><p><b>'Micaela Sahhar's</b> <b><i>Find Me at the Jaffa Gate</i></b><b> is one of the most inventive, thought-provoking and captivating chronicles of Palestinian diasporic life I've had the pleasure of reading. It is a memoir written by a poet, poetry written by a novelist, literature written by an academic  it is all these things at once, insisting with a gentle yet unwavering confidence in the power of its unique, brilliantly evocative and genre-defying voice. Sahhar's love for her family, homeland, the details and intimacies of everyday life; for language, history, archives, photographs and the treasured ephemera of a life in diaspora, shine through every line. The result is a book in which every word is deliberate, each line commands attention, each chapter is a world within a world.'  Randa Abdel-Fattah, academic and writer, author of</b> <b><i>11 Words for Love</i></b></p><p><b>'Micaela Sahhar's family history has everything that makes any Palestinian family history worth telling and reading about. On the one hand, a rich culture that ranges from distinctive culinary practices to a distinctive sense of humour, and on the other hand, a tragic settler-colonial history of dispossession and oppression leading to a transnational diasporic existence, and that makes for a characteristic sense of space and place. But this is not any book about Palestine. Sahhar is a superior storyteller with a knack for highlighting evocative details. Storytelling, like any craft, embodies in different degrees the labour of the many people who have told stories about one's subject matter in the past. The more a writer is well-read the more this shows in the historical density and the social complexity of their storytelling. Sahhar's book is definitely dense and socially complex in this way. This could make for 'heavy' reading if it wasn't for Sahhar's superior writing skills. Indeed, I would say that more than anything else, this is a book for people who enjoy good writing, regardless of what the story is about. But of course, it matters what this story is about. This is a book about Palestine and Palestinians, and in the way the book is grounded in both the Palestinian tragedy and the Palestinian unlimited capacity to affirm life, the spirit of anti-colonial resistance animates every one of its pages. Sahhar finishes the book saying that like Mahmoud Darwish's father she hopes that one day she will be able to go to Palestine, to the streets where her family originates from, and shout</b> <b><i>I am I. And I am here</i></b><b>. But in a way, by writing this book, she already does that, if not from Palestine at least from the position she occupies within the transnational space of western colonialism.'  Ghassan Hage, professor of anthropology at the University of Melbourne and author of</b> <b><i>The Diasporic Condition: Ethnographic Explorations of the Lebanese in the World</i></b></p><p><b>'</b><b><i>Find Me at the Jaffa Gate</i></b><b> is an aching and tender study of diaspora, grief, memory and history. Sahhar has a masterful voice, playing subtly with tense and form to give agency to a beautifully layered narrative, interwoven with fragments, records and intimate moments of lives permanently changed by Nakba. Find Me at the Jaffa Gate tells an unmissable story of Palestinian survival and resistance across space and time.'  Evelyn Araluen, Bundjalung poet and author of</b> <b><i>Dropbear</i></b></p><p><b>'Sahhar chronicles the essential truths of Palestine with intricacy and finesse and in doing so, has crafted a mighty text that demands unbroken attention.</b> <b><i>Find Me at the Jaffa Gate</i></b><b> is a book that will be read, re-read, dog-eared, underlined and recited.'  Hasib Hourani, author of</b> <b><i>rock flight</i></b></p><p><b>'</b><b><i>Find Me at the Jaffa Gate</i></b> <b>opens with a recollection of the five-year-old Micaela bobbing off to preparatory school with pigtails, glasses and missing teeth. As she enters the classroom, her sense of self is shattered  in a nation that is home but not home, when a teacher butchers her family name and is visibly appalled when told the name is Palestinian. As the child of diaspora, born on the unceded lands of Australia, Micaela is ever conscious of the tension between being in exile on homelands now occupied; and living, working and writing on the occupied lands of Naarm  in colonial Australia  a site of invasion, and genocide.</b> <b><i>Find Me at the Jaffa Gate</i></b><b> writes of and to dispossession, displacement, trauma, loss, resilience and is testimony to the power of intergenerational story and memory that survives, and lives on so that all those who remain, and their children and children's children remember. In this polyphonic narrative, we hear many voices  some still living, others passed, now scattered across nations and continents, yet still connected through home  Palestine.'  Jeanine Leane, Wiradjuri writer, critic, poet and author of</b> <b><i>Gawimarra: Gathering</i></b></p><p><b>'At a time when Israel is literally trying to wipe Palestinians off the map, this book lands with a powerful thud of fury, beauty and resistance. Weaving personal stories with history in all its unvarnished details, Micaela Sahhar delivers a deeply affecting story that articulates one of the great outrages of our time.'  Antony Loewenstein, independent journalist, film-maker and author of</b> <b><i>The Palestine Laboratory</i></b></p><p><b>'</b><b><i>Find me at the Jaffa Gate</i></b> <b>is more than a lyrical memoir that binds personal storytelling with global history; Sahhar has built an archive for future generations. Readers interested in tales of migration and ancestral history will find a treasure trove in Sahhar's emotive and detailed offering.'  Hellai Gul,</b> <b><i>Books+Publishing</i></b></p><p><b>'</b><b><i>Find Me at the Jaffa Gate</i></b><b> has been one of my favourite books of the year.'  Alex Creece, author of</b> <b><i>Potty Mouth, Potty Mouth</i></b><b> and Online Editor at</b> <b><i>Archer</i></b></p><p><b>'</b><b><i>Find Me at the Jaffa Gate</i></b><b> is a story that traverses time and place, love and hate; it's a story of ongoing and unforgettable Palestinian survival.'  Readings</b></p><p><b>'[Through] beautiful prose, Sahhar pulls together a story, full of gaps and questions, about her Palestinian family, their memories and their connection to home.'  Celina Ribeiro,</b> <b><i>Guardian Australia</i></b></p><p><b>'This is a book that is about more than displacement  it's about resilience, truth-telling and the fragments of stories that are often forgotten but which form the bones and heart of what it means to Palestinian diaspora.'  Soaliha Iqbal,</b> <b><i>Missing Perspectives</i></b></p><p><b>'Author and poet Micaela Sahhar's lyrical story of generations of Palestinian diaspora is as timely as ever.'  Cheryl Akle,</b> <b><i>The Weekend Australian</i></b></p><p><b>'Sahhar not only reconstitutes an archive of her own family's past, she creates a new archive for the generations that follow.' </b> <b><i>This Week in Palestine</i></b></p><p><b>'Through the lens of her family's history Sahhar successfully immerses the reader in the big history and culture of Palestine, and the experience of being Palestinian.'  Rowan Cahill,</b> <b><i>Journal of Intercultural Studies</i></b></p><p><b>'One knows that</b> <b><i>Find Me at the Jaffa Gate</i></b><b> has been percolating for a long time when they read it. Within 48 short chapters, Micaela Sahhar pieces fragments of memory, speculation, and archival research to tell a story of both the construction of her selfhood and Palestinian family: 'not a story about wounds but about the preservation of something all its own'. It is a book full of brilliances even as occupation and exile cause history and geography to cut loose and spin around each other and as Sahhar herself asks, 'What does it mean to be exiled and how do we take our revenge?'</b> <b><i>Find Me at the Jaffa Gate</i></b><b> is a gift, a remarkable debut memoir that is simultaneously a work of poetry in its lyricism and feeling; humour, anger, warmth, grief and love eddy in a whirlpool to form a work about sumud and survival.'  VPLA judges' report</b></p><p><b>'No book is as essential for these past two years as Micaela Sahhar's</b> <b><i>Find Me at the Jaffa</i></b> <b>Gate.'  Winnie Dunn,</b> <b><i>Sydney Morning Herald</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Micaela Sahhar</b> is an AustralianPalestinian writer and educator living on Wurundjeri Country. Her essays, poetry and commentary have appeared in <i>Cordite</i>, <i>Meanjin</i>, <i>Overland</i>, <i>Rabbit</i> and <i>Sydney Review of Books</i>, among others. She is a Wheeler Centre Next Chapter Fellow (2021), a grant recipient from the Neilma Sidney Literary Travel Fund (2022), which enabled a trip to Jerusalem in the latter stages of writing this book, and was commended for the Peter Blazey Fellowship (2024).</p>]]></Text>
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			<Text textformat="02"><![CDATA[In The Power of Choice, award-winning photographer Julian Kingma turns his camera on those who choose assisted dying, and those who help them on their final journey. These intimate portraits, along with essays from Andrew Denton and Richard Flanagan, invite us to ask, perhaps for the first time, what makes a good death.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Walkley Awards 2025, Feature/Photographic Essay**</b></p><p>In <i>The Power of Choice</i>, award-winning photographer Julian Kingma turns his camera on those who choose assisted dying, and those who help them on their final journey. These intimate portraits, along with essays from Andrew Denton and Richard Flanagan, invite us to ask, perhaps for the first time, what makes a good death.</p><p>'Mute and frozen witnesses, we watched Death take this strong man  my father  and shake him out until he was nothing.'</p><p>Andrew Denton</p><p>'They choose voluntary assisted dying because they want a good death and not a bad death. Because, dying, they want an end to their suffering, not its indefinite continuation and worsening.'</p><p>Richard Flanagan</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Julian Kingma</b> is an award-winning photographer whose work is regularly exhibited at the National Portrait Gallery in Canberra. Many of his works feature in their permanent collection.</p><p>www.juliankingma.com</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>There's no escaping the onslaught of content these days. But it seems increasingly tricky to determine what's good and what's not as we stream, tap and swipe our way through our endless entertainment feeds. How can we tell our own taste? Have we reached the end of culture? What place does criticism occupy in this ever-shifting landscape?</p><p>From page to screen and everything in between, <i>Griffith Review 88: Culture Vultures</i> consumes the culture of the twenty-first century  and tries to outrun the algorithm.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Carody Culver</b> is a writer and editor. Her chapbook, <i>The Morgue I Think the Deader It Gets</i>, was published by Cordite in 2022, and she's been a featured Australian poet on the <i>Best American Poetry</i> blog. A former contributing editor for Peppermint magazine, she is currently the editor of <i>Griffith Review</i>.</p><p><b>Beau Windon</b> is a is a neurodivergent Wiradjuri writer based Naarm (Melbourne). He writes quirky stories about quirky people (including his quirky self) and poetry about all of the dark goo coating his mind. In 2021, his creative non-fiction saw him awarded a Writeability Fellowship. In 2023 Beau was one of the winning writers for <i>Griffith Review</i>'s Emerging Voices competition, and in 2024 he was a finalist for the Writer's Prize in the Melbourne Prize for Literature.</p>]]></Text>
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			<Text textformat="02"><![CDATA[In the spirit of Dr Neela Janakiramanan's The Registrar, Sarah Malik's Desi Girl and Anita Rani's The Right Sort of Girl, this is a story of grit and determination, hope and self-discovery.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Dr SA. If you saw my initials you would not know what they represent except that I am a doctor.</i><br/> <i>My first name is Sarah. So now you know that I am a female doctor.</i><br/> <i>What if I told you that my last name was Arachchi? Would you ask me how me to pronounce it, and later where it originated from?</i><br/> <i>What if, when I spoke, you heard my thick Australian accent? Would you wonder how I got here?</i><br/> <i>What if you saw the colour of my skin  would you ask me where I am from?</i></p><p>Sarah is a brown female doctor who emigrated to Australia in the 1990s. Her journey to becoming a paediatrician has been challenging, right from the schoolyard. As a minority, she was perceived as different. She tried hard to blend in, but she was unfamiliar to her peers. No brown heroines in the fairytales she was exposed to left her with few role models. As an adult, a graduate in the medical world, she experienced a new kind of obstacle: being female in a male-driven hospital environment.</p><p>When she eventually walked across the stage to get her paediatric letters, with a drip in her arm, a pregnant belly, a toddler on her hip and heels that could shatter a glass ceiling, victory was bittersweet.</p><p>In the spirit of Dr Neela  Janakiramanan's <i>The Registrar</i>, Sarah Malik's <i>Desi Girl</i> and Anita Rani's <i>The Right Sort of Girl</i>, this is a story of grit and determination, hope and self-discovery. It is a powerful call for social change and a greater acceptance of diversity.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr Sarah Arachchi</b> is a Melbourne paediatrician who emigrated from Sri Lanka with her family in 1990. She studied medicine at Monash University and completed an internship at Monash Health. She has also trained at the Royal Children's Hospital and Monash Children's Hospital, and obtained her fellowship to the Royal Australasian College of Physicians in 2017. She is a vocal advocate for women in medicine, including through her work as a member of the Women in Medicine committee of the Australian Medical Association. She is married to a gastroenterologist and has two boys.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Night Divides the Day</i> is the definitive chronicle of The Doors, offering an intimate and richlyillustrated exploration of the band's legendary journey. Featuring interviews with Robby Kriegerand John Densmore and meticulously sourced archival text from Jim Morrison and Ray Manzarek,this 50,000-word, 344-page manuscript comes to life with a treasure trove of rare, unpublished photographs,exclusive memorabilia and intricate recording and production notes  all drawn from The Doors'personal archives and private collections.</p><p>In this deeply intimate narrative, the band members recount their evolution from their early days playing localclubs on the Sunset Strip in Los Angeles to the iconic, and sometimes infamous, moments that defined theircareer. From the electrifying release of anthems like 'Light My Fire', 'The End' and 'Riders on the Storm', to thenotorious Dinner Key Auditorium performance in Miami, the book captures the essence of their meteoric riseand the cultural impact they left in their wake.</p><p>Featuring new and insightful contributions from a diverse array of artists, including Van Morrison, NileRodgers, Slash, Nancy Sinatra and more, the book is anchored by a foreword from Nirvana bassist KristNovoselic and an afterword by maestro Gustavo Dudamel. These unique voices offer fresh perspectives on TheDoors' influence and legacy.</p><p>Granted unprecedented access to the band's archives, <i>Night Divides the Day</i> is a visual and narrative feast. Thebook showcases a stunning collection of historical artifacts  childhood photographs, handwritten song lyrics,poster art, movie stills and previously unseen album cover outtakes. Images of the band in the recording studio,along with work from celebrated photographers and trusted insiders, transport readers behind the scenes and onthe road with The Doors.</p><p>In addition, rare and invaluable items from the band's history, including vintage instruments and recordingequipment, are specially photographed to enrich this kaleidoscopic portrait of one of rock music's mostlegendary bands.</p><p><i>Night Divides the Day</i> is the ultimate account of The Doors, capturing their incredible story and enduringlegacy in a way that has never been seen before.</p><p><b>&amp;#x27;We were reflecting on our own career as it was happening. It's not that we weretrend-conscious, we were doing exactly what we would have been doing anyway.&amp;#x27;</b>  <b>Jim Morrison</b></p><p><b>&amp;#x27;We didn't sit down and have a meeting to say, &amp;quot;Hey, we want to change theminds of people.&amp;quot; We didn't say it but we enjoyed doing it.&amp;#x27;</b>  <b>John Densmore</b></p><p><b>&amp;#x27;The Doors is bigger than any of us, and that only happens once in a lifetime andnot to many people. It's an honour to be one of The Doors.&amp;#x27;</b>  <b>Robby Krieger</b></p><p><b>&amp;#x27;We were just a bunch of psychedelic guys trying to spread the word and the feel ofwhat it was like to be high in Venice back in the mid-sixties. And boy, was it a good feeling to watchthat sun set into the middle of the ocean and feel that peace, and to feel at one with the universe.&amp;#x27;</b>  <b>Ray Manzarek</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A beautifully illustrated celebration of the biology, culture, art, and taste of oysters  a perfect gift for the foodie or the artist in your life.</p><p><i>Everyone recalls eating their first oyster, just like they remember their first kiss ...</i></p><p><i>Portrait of an Oyster</i> delves beyond the shucked shell to reveal the rich and surprising world of the oyster and the artists, philosophers, explorers, and chefs the mollusk has inspired across the centuries. Illustrated with full-colour paintings, vintage advertisements, line drawings, and archival photographs, <i>Portrait of an Oyster</i> shares intriguing insights into the biology and cultivation of oysters as the author embarks on an expedition across Europe and North America to taste some of the world's best.</p><p>Did you know that oysters shift their gender several times over the course of their lifetimes? They have one muscle that serves to keep their two shells clamped firmly shut, and a heart and basic circulatory system largely dependent on seawater  although they have no brain or known nervous system.</p><p>In the French region of Marennes-Oleron  where much of the technology of modern oysters farming was pioneered  oysters are still considered among the finest in the world. Like champagne, oysters from this region are protected by geographic distinction laws, with some even getting initials lasered into their shells, to preserve their prestige. <i>Portrait of an Oyster</i> travels across France, Europe, and North America, sampling some of the best oysters and restaurants in the world, including in the UK and Copenhagen, and then Boston, New York, New Orleans, and San Francisco.<br/><br/><b>This book's stunning features include:</b></p><ul><li>Full-colour paintings, vintage advertisements, and archival photographs</li><li>Intriguing insights into the biology, reproduction, and cultivation of oysters</li><li>Sumptuous travelogs to renowned oyster restaurants and oyster farms</li><li>Unique backmatter: A glorious guide to global oyster varieties, with drawings and descriptions of each specimen</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Andreas Ammer</b> is a television producer, university lecturer, opera director, and the author of numerous award-winning radio plays in collaboration with different musicians. He lives in Munich.</p><p><b>Renee von Paschen</b>, born in Canada, is a literary translator, conference interpreter, and bilingual poet. She has taught literary translation, as well as theater, film, and media, at several universities. She won a Cine Golden Eagle for best history documentary in 2008.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An immersive look at Japan&amp;#x27;s indigenous religion and how it can impact our daily lives.</b></p><p>In <i>The Spirit of Shinto</i>, longtime Japan resident and bestselling author Hector Garcia (<i>Ikigai: the Japanese Secret to a Long and Happy Life</i> and <i>The Book of Ichigo Ichie</i>) offers an engaging introduction to the history, principles, and continuing influence of Shintoism in Japan. Garcia takes readers on a time travel;ing journey to witness Shinto&amp;#x27;s rich history and enduring cultural influence firsthand, as well as to discover ways Shinto can help us find harmony with nature and each other as we navigate our daily lives.</p><p><b>This unique book provides:</b></p><ul><li>A fun, accessible introduction to Shintoism, including its history, mythology, gods, symbols, shrines, and rituals, beginning with a captivating time travel adventure</li><li>Insight into Shinto&amp;#x27;s influence in the West, particularly through popular anime, manga, and video games, highlighting its presence in contemporary culture</li><li>Practical &amp;#x27;life lessons&amp;#x27; on integrating Shinto concepts into everyday life to find harmony with nature and foster a deeper respect for others</li><li>An examination of how Shinto rituals and symbolism can refresh the human spirit and offer guidance for personal growth</li></ul><p>Garcia&amp;#x27;s book underscores the things we all seek  a world that values and preserves nature and respects all living beings. Whether you&amp;#x27;re passionate about Japanese culture and spirituality or intrigued by its representation in anime and manga, this book is a compelling read that connects past and present in meaningful ways.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Award-winning author<b> Hector Garcia</b> has lived in Japan for over two decades and has published many books on Japanese traditions and popular culture. His popular blog kirainet.com led to his internationally successful book <i>A Geek In Japan</i>. Along with Francesc Miralles, he is the co-author of several international bestsellers including <i>Ikigai: The Japanese Secret to a Long and Happy Life, The Book of Ichigo Ichie </i>and <i>The Ikigai Journey: A Practical Guide to Finding Happiness and Purpose the Japanese Way.</i></p><p><b>Russell Calvert </b>has a masters degree in translation studies from Pompeu Fabra University (Barcelona). He has 25 years TESOL (Teachers of English to Speakers of Other Languages) experience, including posts at ESADE Business School (Barcelona) and Salalah College of Applied Sciences (Oman). He was the subtitler, translator and interpreter for the 2012 Mecal International Short Film Festival of Barcelona.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Ikigai</i>&amp;nbsp;is the place where our passion (what we love), mission (what we hope to contribute), vocation (the gifts we have to offer the world) and profession (how our passions and talents can become a livelihood) converge, giving us a personal sense of meaning. This book helps you bring together all of these elements so that you can enjoy a balanced life.</p><p>Our&amp;nbsp;<i>ikigai</i>&amp;nbsp;is very similar to change: it is a constant that transforms depending on which phase of life we are in. Our 'reason for being' is not the same at 15 as it is at 70. Through three sections, this book helps you to accept and embrace that - acting as a tool to revolutionize your future by helping you to understand the past, so you can enjoy your present.</p><ul><li>Section 1:&amp;nbsp;<b>Journey Through the Future: Tokyo</b>&amp;nbsp;(a symbol of modernity and innovation)</li><li>Section 2:&amp;nbsp;<b>Journey Through the Past: Kyoto</b>&amp;nbsp;(an ancient capital moored in tradition)</li><li>Section 3:&amp;nbsp;<b>Journey Through the Present: Ise</b>&amp;nbsp;(an ancient shrine that is destroyed and rebuilt every twenty years)</li></ul><p>Japan has one of the longest life spans in the world, and the greatest number of centenarians - many of whom cite their strong sense of&amp;nbsp;ikigai&amp;nbsp;as the basis for their happiness and longevity. Unlike many 'self-care' practices, which require setting aside time in an increasingly busy world, the&amp;nbsp;ikigai&amp;nbsp;method helps you find peace and fulfillment in your busy life.</p><p>'From the authorsof <i>Ikigai: The Japanese Secret to a Long and Happy Life</i> comes a sequelthat goes beyond the concept of understanding and empowering all aspects of<i>ikigai</i> (one's purpose in life). Garcia and Miralles use the metaphor of thebusiest train in Japan, taking readers through various stations in the future,past, and present. Along each stop readers are instructed how to developpatience and perseverance, cultivate undivided attention, and tune in to lifegoals. <i>Ikigai </i>adherents can find their ultimate purpose by listing theirattributes in a Venn diagram to point the way to the intersection of what theyare good at, what the world needs, what they love, and what they can be paidfor to live out their ikigai...Beneficial for readers who find theconcept of <i>ikigai </i>intriguing.' -&amp;nbsp;<b>Library Journal</b></p><p><b>Praise for Ikigai: The Japanese Secret to a Long and Happy Life:</b></p><p><b></b></p><p><b>'<i>Ikigai&amp;nbsp;</i>urgesindividuals to simplify their lives by pursuing what sparks joy for them...Much in the same way that&amp;nbsp;<i>The Life-Changing Magic of Tidying Up&amp;nbsp;</i>emphasises'choosing what we want to keep, and not what we want to get rid of,' [<i>Ikigai</i>]demonstrates that aging could be an opportunity to&amp;nbsp;<i>keep&amp;nbsp;</i>working<i>,keep</i>&amp;nbsp;smiling,&amp;nbsp;<i>keep</i>&amp;nbsp;active,&amp;nbsp;and&amp;nbsp;<i>keep&amp;nbsp;</i>beingsocial.' -<i>KonMari Newsletter</i></b></p><p><b><b>'Want to live longer? Keep super busy. If <i>hygge</i> is the art ofdoing nothing, <i>ikigai</i> is the art of doing something - and doing it withsupreme focus and joy...Pack up those cozy blankets and candles youpurchased in last year's <i>hygge</i>-fueled Ikea spree. Fall's biggestimported lifestyle trend is <i>ikigai,</i> and it might help you live to 100.' -&amp;nbsp;<b><i>New York Post</i></b></b></b></p><p></p><p><b><b>'Persuasively shows that small changes can helpreaders find more joy and purpose in their lives [with] clear, succinctinformation...skillfully compiled...into an engaging, easily accessibleformat with lists, charts, and illustrations.'<i>&amp;nbsp;-&amp;nbsp;<b><i>Publishers Weekly</i></b><br/></i></b></b></p>]]></Text>
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			<SubjectHeadingText>Pro sex feminists; Generation; Owning sexuality; Civil; Drip; Hard; Imagery; Money; Feminists; Power; Sex; Activist; Beauty; Commercial; Glass; Photos; Pornography; Questions; Studio; Boys; Shame; Photograph; Reproductive rights; Hair; Painter; Layers; History; Feminism; Sexuality; Sexual imagery; Activism; Healthy; Welcome; Giant; Slut; Patriarchy; Equal; Art; Reproductive; Fashion; Culture; Artists; Agency; Paintings; Sexual; Love; Warhol; Dialogue; Drug; Progressive; Civil rights; Pamela anderson; Addict; Sweat; Pictures; Enamel; Porn; Pretty; Enamel paint layers; Sex feminists; Pubic hair; Stick; Paint; Angry; Kid drug addict; Pro sex; Ban sexual imagery; Activist artist; Lynda; Pubic</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A collection of inspiring and empowering quotations from an artist noted for her frank treatment of sex </b> <b>and for her portraits of Madonna, Pamela Anderson, Lady Gaga, and Lizzo.</b></p><p>Since the 1980s, Marilyn Minter has been a pioneer of sex-positive feminism in the contemporary art world, pushing the boundaries of what kind of imagery is acceptable in fine art, especially when produced by women. In her photorealistic paintings, including of celebrities such as Madonna, Lady Gaga, and Lizzo, Minter draws on the aesthetics of fashion magazines, depicting cropped women's faces and bodies laden with jewels and couture accessories. In some of her work, she has explored how the meaning of pornographic imagery changes when it's appropriated and transformed by a woman artist. Gathered from interviews, articles, and other sources, <i>Minter-isms</i> is a compelling collection of quotations that presents Minter's revealing thoughts on art, women, power, sexuality, pornography, politics, and more. Filled with wisdom and humor, the book offers new insights about the life, work, and mind of this groundbreaking artist.</p><ul><li><i>&amp;#x27;I used to think I was the worst person that ever lived, and that's pretty narcissistic of me. I wasn't even close.&amp;#x27;</i></li><li><i>&amp;#x27;My whole goal was to see if it would change the meaning if women owned sexual imagery, if we actually started making imagery for our own pleasure and amusement.&amp;#x27;</i></li><li><i>&amp;#x27;When it comes to sexual imagery even the most enlightened people can become paralysed.&amp;#x27;</i></li><li><i>&amp;#x27;I'm really glad to see mediocre women artists getting lots of attention, because the boys have been doing it for years. It's about time we're allowed mediocre women, too.&amp;#x27;</i></li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Marilyn Minter</b> is an American painter and photographer whose work has been the subject of numerous exhibitions around the world, including at MoMA, the Brooklyn Museum, the Whitney Biennial, Guggenheim Bilbao, and Kunsthaus Zrich.</p><p><b>Larry Warsh</b> has been active in the art world for more than thirty years as a publisher and artist-collaborator. He is the editor of many books, including <i>Abramovi-isms</i>, <i>Judy Chicago-isms</i>, <i>Holzer-isms</i>, <i>Warhol-isms</i>, and <i>Weiwei-isms</i> (all Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A revealing collection of quotations from the world-renowned artist and political activist behind the iconic Obama &amp;#x27;Hope&amp;#x27; poster and the &amp;#x27;Obey Giant&amp;#x27; street-art campaign.</b></p><p>Shepard Fairey is one of today's most important and influential street artists, activists, and graphic designers. His instantly recognisable designs  &amp;#x27;Andre the Giant has a Posse&amp;#x27;, &amp;#x27;Obey Giant&amp;#x27;, the Obama &amp;#x27;Hope&amp;#x27; poster, and the &amp;#x27;We the People&amp;#x27; posters for the 2017 Women's March  have become an indelible part of visual culture, appearing in countless media, including stickers, stencils, prints, T-shirts, album covers, murals, and fine art. <i>Fairey-isms</i> is a compelling collection of quotations from this fascinating artist. Gathered from interviews, articles, and other sources, these quotations offer rich insights about his life and work, including his thoughts on art, creativity, politics, and propaganda and his reflections on his influences  from skateboarding, The Clash, and Public Enemy to Russian Constructivism and artists such as Futura, Barbara Kruger, and Andy Warhol.</p><ul><li><i>&amp;#x27;I use the word &amp;quot;Obey&amp;quot; in much of my art as a form of reverse psychology. Though most people wish they were independent, many obediently follow the path of least resistance and are uncomfortable with confronting the word &amp;quot;Obey&amp;quot;&amp;#x27;</i></li><li><i>&amp;#x27;Any message that's worth delivering can be amplified with art&amp;#x27;</i></li><li><i>&amp;#x27;I called my work propaganda out of an understanding that there's an irony, because every piece of visual communication has an agenda. Any of it could be called propaganda&amp;#x27;</i></li><li><i>&amp;#x27;Repetition works&amp;#x27;</i></li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Shepard Fairey</b> is a street artist, graphic designer, activist, and founder of OBEY Clothing and the creative agency Studio Number One. His work is regularly exhibited at major museums and galleries, and he has painted more than 130 major commissioned murals in cities around the world, including Johannesburg, Los Angeles, Lisbon, London, Munich, Paris, and Singapore. </p><p><b>arry Warsh</b> has been active in the art world for more than thirty years as a publisher and artist-collaborator. He is the editor of many books, including <i>Warhol-isms</i>, <i>Weiwei-isms</i>,<i> Basquiat-isms</i>, <i>Haring-isms</i>, <i>Neshat-isms, Holzer-isms,</i> <i>Abramovi-isms</i>, and <i>JR-isms</i> (all Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Interpreting Soil Test Results</i> is a practical reference enabling soil scientists, environmental scientists, environmental engineers, land holders and land managers to understand and interpret soil results.</p><p>In this new edition the entire acid sulfate soil section has been replaced with the most current information. The interpretation of some soil chemistry tests has been updated, such as soil phosphorus values based on phosphorus buffering capacity, the influence of sparingly soluble salts and chloride on interpreting salinity data and EC values, and some critical values for soil chloride levels added. The sodicity section has been revised to include the latest information and understanding of sodicity. The soil organic carbon section now includes the latest information and understanding on soil organic carbon. Intensive sampling in small areas and a new section on pipeline corrosion have been added. The soil contamination chapter has been revised, providing the latest understanding and critical values, and a new section on PFAS chemicals added.</p><p><i>Interpreting Soil Test Results</i> is an important reference for students of soil science and environmental science and environmental engineering, as well as for professional soil scientists, environmental scientists, engineers and consultants and for local government agencies. It also offers a reference for legal professionals in land and environment cases.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Let Japan&amp;#x27;s positive penguin brighten your day!</b></p><p>Everyone needs a little help to get through the day  and who better to provide it than Koupen-chan, the adorable baby penguin who has stolen Japan&amp;#x27;s heart! Did you cook a meal, show up for work, or just get out of bed in the morning? Koupen-chan is here to say, &amp;#x27;You are amazing!&amp;#x27;</p><p>This hardcover gift book from Japanese illustrator Rurutea features 300 charming illustrations of Koupen-chan and friends enjoying the simple joys in life and showing up for one another with a hug and an encouraging word.</p><p>Each page has an uplifting message such as:</p><ul><li>Great job taking it easy!</li><li>You ate breakfast! I&amp;#x27;m proud of you!</li><li>Getting stuff done on a Saturday? You&amp;#x27;re amazing.</li><li>Doing things the usual way is good enough.</li><li>Fantastic job studying! I&amp;#x27;m cheering for you!</li></ul><p>Koupen-chan&amp;#x27;s cute friends include Adelie, a tough-talking penguin who likes to cook; Evil Enaga, a cute bird plotting to take over the world; and Polar Bear, who is always ready to share a wise lesson. They bring gentle humour to the book, reminding us that life can be complicated and challenging but also deeply fulfilling when you accept yourself as you are.</p><p><i>Koupen-chan &amp; You</i> combines kawaii Japanese cute culture with sage advice. It will appeal to Koupen-chan&amp;#x27;s many fans as well as anyone who needs a little love and encouragement.</p>]]></Text>
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			<SubjectHeadingText>for dummies; original game toy play family activity paper craft; valley folds first time clear instruction all age; pureland simple step how to guide mountain and; Easiest origami project folding for beginners; best traditional model new innovative lifesize fun</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Super simple origami models from an experienced paper folding instructor!]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Super simple origami models from an experienced paper folding instructor!</b></p><p>Paul Jackson has been teaching origami for 40 years and knows from experience that many people struggle to follow the folding instructions for origami models. He has created an all-new collection of original designs specifically aimed at first timers. These &amp;#x27;pureland&amp;#x27; models feature only simple mountain and valley folds and each step is shown in a separate diagram so that the instructions are exceptionally clear  for virtually guaranteed results!</p><p>If you&amp;#x27;ve been wanting to try origami but have been put off by the &amp;#x27;difficulty factor&amp;#x27;, this is the book for you! The 36 hassle-free models in this book include:</p><ul><li>Paper <b>Jumping Jacks</b> with built-in springs, ready for the next jump!</li><li>The <b>Shadow Dog</b>, which reveals its form when held up to the light</li><li>A stylish paper <b>Baseball Cap</b> that you can actually wear!</li><li>A cute kaiju <b>Foldzilla</b> ready to create monster mayhem!</li><li>The mind-bending optical illusion <b>Mirror Collage</b></li><li>Unusual models like <b>Sneakers</b> and cute <b>Funny Faces</b></li><li>And many more!</li></ul><p>These paper models are not only easy  they are incredibly beautiful and playful. You&amp;#x27;ll have hours of fun folding them and displaying them.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Paul Jackson</b> has been a professional paper folder and paper craft artist since 1982. He is the author of 30 books on paper arts and crafts and has taught over 100 university-level paper folding courses in the UK, Germany, Belgium, the US, Canada and Israel. These include paper design courses in the fields of Architecture, Graphic Design, Fashion Design, Textile Design, Jewelry, Product Design, Packaging, Ceramics, Industrial Design, Fine Art, Basic Design and Interior Design. He gives workshops at museums, arts centers and festivals, and has worked as &amp;quot;folding consultant&amp;quot; for companies like Nike and Siemens.</p>]]></Text>
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			<SubjectHeadingText>Addition; Al; Algebra; Algebraic; Alphabet; Arabic; Arithmetic; Bernoulli; Books; Calculations; Calculus; Cantor; Capital; Century; Circle; Comma; Concept; Constant; Cross; Decimal; Denote; Derivatives; Descartes; Differential; Digits; Diophantus; Element; Equal; Equality; Equations; Euclid; Euler; Expression; Fibonacci; Finite; Formula; Fractions; Function; Geometric; Geometry; Greek; Harriot; History; Infinite; Infinity; Integers; Integral; Inverse; Irrational; Latin; Leibniz; Length; Letter; Line; Logic; Logical; Mathematicians; Mathematics; Modern; Multiplication; Newton; Notation; Numbers; Numerical; Operations; Operator; Origin; Parentheses; Peano; Phoenician</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>A marvelous compendium of mathematical symbols and their fascinating histories.</p><p>Galileo famously wrote that the book of nature is written in mathematical language. <i>The Language of Mathematics</i> is a wide-ranging and beautifully illustrated collection of short, colourful histories of the most commonly used symbols in mathematics, providing readers with an engaging introduction to the origins, evolution, and conceptual meaning of each one.</p><p>In dozens of lively and informative entries, Ral Rojas shows how today's mathematics stands on the shoulders of giants, mathematicians from around the world who developed mathematical notation through centuries of collective effort. He tells the stories of such figures as al-Khwrizm, Rene Descartes, Joseph-Louis Lagrange, Carl Friedrich Gauss, Augustin-Louis Cauchy, Karl Weierstrass, Sofia Kovalevskaya, David Hilbert, and Kenneth Iverson. Topics range from numbers and variables to sets and functions, constants, and combinatorics. Rojas describes the mathematical problems associated with different symbols and reveals how mathematical notation has sometimes been an accidental process. The entries are self-contained and can be read in any order, each one examining one or two symbols, their history, and the variants they may have had over time.</p><p>An essential companion for math enthusiasts, <i>The Language of Mathematics</i> shows how mathematics is a living and evolving entity, forever searching for the best symbolism to express relationships between abstract concepts and to convey meaning.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Now in B-format paperback,<i> A Brief History of Nakedness</i> traces our preoccupation with nudity in religion, politics and popular culture. </p><p>Rather than study the history of the fine-art nude, for example, this book explores new territory  revealing the ways in which religious teachers, politicians, protestors and cultural icons have used nudity to enlighten or empower themselves, or simply to entertain us. </p><p>From the naked sages of India and St Francis of Assisi to modern-day druids and Christian nudists, from The Full Monty and Calendar Girls to Lady Godiva and Lady Gaga,<i> A Brief History of Nakedness</i> surveys the touching, sometimes tragic, and often bizarre story of our relationship with our own and with others&amp;#x27; naked bodies.</p><p><b>&amp;#x27;I absolutely loved </b><b><i>A Brief History of Nakedness</i></b><b>. Besides being a fascinating read, it contains the most fun, intriguing, and diverse collection of nude photographs anywhere. A must for anyone interested in art, political activism, and cultural studies. This &amp;#x27;brief&amp;#x27; history must have taken forever to research. It makes me want to rip off my clothes for a good cause immediately.&amp;#x27;  Annie Sprinkle PhD, artist / sexologist</b></p><p><b>&amp;#x27;In this lucid and wide-ranging book Philip Carr-Gomm...strips bare the paradoxes of humanity&amp;#x27;s attitude toward its own naked figures. Using a snappy blend of history and imagery, he invites readers to join him in making thrilling, confusing, funny, and beautiful realizations about that simultaneously mysterious and obvious state of unclothedness. From the rituals of witchcraft to the human art installations of Spencer Tunick to the non-nakedness of the Naked Chef, Carr-Gomm offers the revelation that far from being merely a basic physical state, human nakedness - sacred, obscene - holds the key to understanding politics, culture, and our very nature as human beings.&amp;#x27;  Kathleen Rooney, author of</b> <b><i>Live Nude Girl: My Life as an Object</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Fair or Foul</i> considers different aspects of ambition and its place in our lives. It asks: what does success mean? When is enough enough? And is Lady Macbeth right to suggest that only those with the 'illness' of ambition achieve the highest goals?</p><p>Stefan Stern draws on the major themes of <i>Macbeth</i> and discusses how they can be applied to ambition in modern life. From the success of the first US woman vice president, Kamala Harris, the obstacles she faced and the possibilities that still lie ahead, to Boris Johnson's young aspirations to be 'world king' and the pathological intensity of his ambition, Stern considers the careers and personal lives of politicians, sports stars and business people, to name a few, to illuminate this strange and powerful driver. Expect to discover how ambition and success work together, how attitudes have shifted over time, and how gender roles have an impact on our goals.</p><p>Incisive, contemporary and accessible, this book is for anyone who is looking for a change of direction or emphasis on how to move forward. It will also provide consolation, amusement and plenty of insightful meditations on the complex nature of ambition.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A sweeping portrait of the EV transformation and what it means for all of us.</p><p>The question is no longer if electric vehicles will happen, or even when they&amp;#x27;ll happen, but how. Veteran automotive reporter Mike Colias takes you inside the transformation in this thoroughly reported profile of the hard pivot in the car business, a $2 trillion industry undergoing the biggest change in its 120-year history  a change that is already sending ripples across the entire global economy.</p><p>Colias documents the inevitable shift from pistons to electrons from every angle, taking you inside the boardrooms where executives battle over their EV strategies to take on Tesla and, more recently, emerging Chinese powerhouses such as BYD. He brings you to family-run car dealerships deciding if they&amp;#x27;ll sell EVs  or sell their businesses. He follows entrepreneurs along lonely stretches of road that will soon need charging stations. He talks to power-train engineers whose skills were once the beating heart of the automotive industry but who now find themselves being replaced by coders.</p><p>This is an epic exploration that stretches from Detroit to Japan to Germany to China, and from factories in Normal, Illinois, and Haywood County, Tennessee, to a burgeoning mining operation along the shores of California&amp;#x27;s briny, lithium-rich Salton Sea.</p><p><i>Inevitable</i> is a deeply enjoyable and smart book that uses masterful storytelling to capture the expanse and dynamism of the transition to electric vehicles in profound detail, bringing to life its seismic effects on everything and everyone.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Leverage gen AI to save time, innovate faster, and lead effectively.</b></p><p>You&amp;#x27;re probably aware that generative AI can output quality text and create stunning images in seconds. But smart managers are now using gen AI for high-level work  problem-solving, driving innovation, strategic thinking, and dozens of other applications. Managers who develop their generative AI capabilities will soon be leaping ahead of those who don&amp;#x27;t. Fortunately, you can start today and see immediate results.</p><p>The<i> HBR Guide to Generative AI for Managers</i> is packed with practical tips, prompts, and case studies to accelerate and improve countless aspects of your work. You&amp;#x27;ll learn how to:</p><ul><li>Run smart experiments</li><li>Boost your productivity</li><li>Determine the right collaboration mode: a Co-Pilot or a Co-Thinker</li><li>Dialogue with AI for better decision-making</li><li>Be aware of the risks and avoid traps</li><li>Capitalise on your gen AI-enabled mindset</li></ul><p>Arm yourself with the advice you need to succeed on the job, with the most trusted brand in business. Packed with how-to essentials from leading experts, the<i> HBR Guides</i> provide smart answers to your most pressing work challenges.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Your guide  using the compelling stories of changemakers and the tools of economics  to the transformation and future possibilities of the business and economics of space.</b></p><p>Space is a place of unparalleled possibility for humanity, and it&amp;#x27;s undergoing a revolution. A wave of companies led by gutsy entrepreneurs is unlocking opportunities that fire the imagination and open up new business models. No, it&amp;#x27;s not hotels on Mars or day trips to orbit (yet), but it&amp;#x27;s an awe-inspiring transformation driven by innovative technologies, creative approaches, hard work, and  for the first time  market forces. Above all, this revolution is uncovering the simple but unfamiliar truth that space is a <i>place</i>: a place where countries, markets, and each of us can play a vital role in realising some of our biggest, boldest dreams.</p><p>But we won&amp;#x27;t succeed through dreams alone. The space economy is just that  an economy governed by the same laws of supply and demand that apply here on Earth. The authors, who teach a highly popular course on the topic at Harvard Business School, bring the revolution in space to life through players you know  like SpaceX and Blue Origin  and many you may not, like Astroscale, founded by a Japanese IT executive who quit his job to start a company to clean up space debris. They also bring to bear fundamental tools from economics to understand how the market in space is forming, how it&amp;#x27;s fast becoming a source of value for businesses across industries and for society as a whole, and how we can best ensure that its growth benefits us all.</p><p>With clarity and rigour, Weinzierl and Rosseau get past the breathless hype to explain what's real, what&amp;#x27;s not, what comes next, and how you can be part of it.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A riveting, insider&amp;#x27;s look at the creation and evolution of the like button, and what it reveals about business, technology, and innovation</b> <b> and us.</b></p><p>Over seven billion times a day, someone taps a like button.</p><p>How could something that came out of nowhere become so ubiquitous and so familiar  and even so addictive? What problem does it solve for people, and why does a &amp;#x27;like&amp;#x27; feel so good? And by the way, who invented the like button in the first place?</p><p>In <i>Like</i>, bestselling author and renowned strategist Martin Reeves and coauthor Bob Goodson  Silicon Valley veteran and participant in the invention of the like button  take readers along on a fascinating quest to find out what&amp;#x27;s behind the world&amp;#x27;s friendliest icon. It&amp;#x27;s a story that starts out as simply as a thumbs-up cartoon but ends up presenting surprises and new mysteries at every turn, some of them as deep as anthropological history and others as speculative as the AI-charged future.</p><p>But this isn&amp;#x27;t just the story of the like button. It&amp;#x27;s so much more.</p><p>Using the origin story and evolution of the like button as a jumping-off point, the authors take readers on a fun and fascinating journey through the world of business, offering smart and surprising insights into technology, innovation, creativity, invention, and even us.</p><p>For such a small and unassuming invention to take on such scale and power, it must be tapping into something very, very big.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Martin Reeves</b> is the chairman of the BCG Henderson Institute, BCG&amp;#x27;s think tank for developing new ideas in business. He is a coauthor of two other HBR Press books: <i>Your Strategy Needs a Strategy</i> (2015) and <i>The Imagination Machine</i> (2021). Martin also shares his ideas and research on business strategy and innovation in articles, podcasts, speeches, and other formats.</p><p><b>Bob Goodson</b> is the president and founder of Quid, a visual analytics company. He has extensive experience working in Silicon Valley, including as part of the founding team at Yelp, where he was employee number one and played a key role in the genesis of the like button.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A darkly brilliant, wide-angled vision of our chaotic, globalised world, where present crises resonate with past tyrannies  from a bestselling geopolitical expert.</p><p>We are entering a new era of global cataclysm; a deadly mix of war, climate change, great-power rivalry, rapid technological advancement, and the end of empire. In <i>Waste Land</i>, renowned world affairs author Robert D. Kaplan explains incisively how we got here and where we are going.</p><p>Kaplan's trademark sweep of history, literature, politics and philosophy draws parallels between today's challenges and those of Germany's interwar Weimar Republic. Today, too, every national disaster could spread across the world, given this century's singular dilemmas  pandemics, recessions; urbanisation, mass migration; destabilisation under large-scale democracy and great-power conflict; and the intimate bonds forged by digital media. Could stability and historic liberalism, rather than mass democracy per se, save world populations from anarchic breakdown?</p><p><b>Waste Land</b> is a bracing glimpse into a future defined by twenty-firstcentury technology, but remarkably resonant with the past. The situation may be spiralling out of our control  unless our leaders act first.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Robert D. Kaplan</b> is the bestselling author of twenty three books on foreign affairs and travel translated into many languages, including <i>The Loom of Time, Adriatic, The Good American, The  Revenge of Geography, Asia's Cauldron, Monsoon, The Coming Anarchy</i>, and <i>Balkan Ghosts</i>. He holds the Robert Strausz-Hupe Chair in Geopolitics at the Foreign Policy Research Institute. For three decades he reported on foreign affairs for <i>The Atlantic</i>. He was a member of the Pentagon's Defense Policy Board and the Chief of Naval Operations Executive Panel. <i>Foreign Policy</i> twice named him one of the world's Top 100 Global Thinkers.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>This book offers a bold and unsettling truth: the British Empire and Great Britain are primarily English constructions, and the Church of England benefited from English enterprise and exploitation, serving as the spiritual arm of the imperial project. English Anglicanism has cast itself as the lead character in its own &amp;#x27;serious fiction&amp;#x27;  the main religious player in a drama of Church and Empire.</p><p>Yet, in collusion with colonialism, it is now trapped by historical amnesia. Martyn Percy examines the English interests concealed in appeals to Britishness, showing how slavery, exploitation, classism and racism upheld elitist and hierarchical worldviews that bolstered both Empire and Church. By viewing the rest of the world as lesser, both institutions have declined in global standing, now reduced to minor national players on the world stage.</p><p>Religious, social and political imperialism thrived on deprecating others, but those once marginalised have fought for equality and independence. Today, the worldwide Anglican Communion faces a new era of moral reckoning.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Martyn Percy</b> is Provost-Theologian for Hong Kong Sheng Kung Hui; Professor of Religion and Culture, University of Saint Joseph, Macao; Research Professor, Institute of Old Catholic Theology, University of Bern; Senior Research Fellow at the James Hutton Institute; and Canon Theologian to the Convocation of Episcopal Churches in Europe. He has written for <i>The Guardian </i>and <i>The Times</i>, and is the only living theologian featured in <i>The Da Vinci Code.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[A riveting, poignant account of two young women  the author's own mother-in-law, and her sister  and their miraculous escape from the murderous authorities of Vichy France.]]></Text>
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			<Text textformat="02"><![CDATA[<p>A riveting, poignant account of two young women  the author's own mother-in-law, and her sister  and their miraculous escape from the murderous authorities of Vichy France.</p><p>When the Nazis invaded France in 1940, Marion and Huguette Mller's family was torn apart. After their mother was deported to Auschwitz, the two young Jewish women fled to the Alpine skiing town of Val d'Isere, where they were rescued by an incredibly courageous doctor.</p><p>Through intrepid reporting, sensitive family interviews, and thousands of records, Rosie Whitehouse traces decades-old mysteries of the Mller sisters' story, seeking closure and justice for her family and the doctor's. Why did he shelter them? Who had betrayed their mother? How did this national tragedy happen?</p><p>Whitehouse's discoveries raise deep moral questions about France's Holocaust, with urgent resonance for today's politics: questions about French complicity, minority agency, collective culpability, duty to your country and duty to other people. She pieces together not only how the sisters were saved, but how so many others were lost.</p><p>From villagers to Vichy officials, antisemitism to resistance, this is a sweeping yet intimate history of French choices before, during and after the Nazi occupation; and a moving, gripping tale of forged documents, narrow escapes, one family's trauma, and the grace of human connection.</p><p><b>'A compelling account of survival and remembrance.'</b> <b><i>Booklist</i></b></p><p><b>'[A] heartrending account... This makes a well-covered historical period feel agonisingly immediate.'</b> <b><i>Publishers Weekly</i></b></p><p><b>'Rosie Whitehouse's gripping narrative begins with a poignant portrait of a family torn apart, but soon broadens into searing questions of dispossession and betrayal that haunt European politics tothis day. In illuminating the unyielding spirit of those who dared to defy oppression, Whitehouse masterfully renders the enduring light of human courage against the encroaching shadows of tyranny.'  Benjamin Balint, author of</b> <b><i>Bruno Schulz</i></b><b>, winner of a National Jewish Book Award</b></p><p><b>'British journalist Tim Judah was six years old when he asked his mother Marion why she didn't have a mother.</b><b><i>Two Sisters,</i></b><b>written by the journalist Rosie Whitehouse (and Tim Judah's wife) answers that question in a story that reads like a thriller: a family running from the Nazis and their religion, hoping they would find safety in France. Brilliantly researched and beautifully written,</b><b><i>Two Sisters</i></b><b>tells the story of the Holocaust in France through a family caught in the maelstrom.'  Edward Serotta, journalist, photographer and filmmaker and Founding Director of Centropa</b></p><p><b>'</b><b><i>Two Sisters</i></b><b>is a brilliant meditation on family and trauma across generations, a much-needed critical reappraisal of the Jewish experience in France during the Holocaust, and a reminder of just how complicated and nuanced individual stories can be  even, and perhaps especially, the stories of those we feel we know so well.'  James McAuley, author of</b> <b><i>The House of Fragile Things</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>An &amp;#x27;angelic&amp;#x27; entry in the popular LITTLE BIT OF series!</p><p>Angels will warn us, protect us, and enhance our lives  if we understand how to work with their energy.</p><p>But how do we ask our angelic guides for intervention? Or determine if their influence is<i> improving our lives?</i> Intuitive author Elaine Clayton presents an accessible introduction to the fascinating and perennially popular field of angelic intervention, with practical advice we can easily integrate into our day-to-day life.</p><p>See how angels can foster empathy, forgiveness, and creativity; attract your own personal angel; and communicate with your angels through dream journals.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Discover the divine feminine with this introduction to the world of the goddess.</b></p><p>From seasonal celebrations to miracles and rebirth, this entry in the popular <i>Little Bit </i>of series explores the power, magic, and rituals of the goddess. Learn all about the Maiden, Mother, and Wise Woman archetypes, the SHE of clay and stars, and meditations connected with her  including ones for love and passion, success and wealth, protection and intuition, and health and creativity. Enter the inner temple, pore through a Goddess Directory, and see how to become part of the Goddess Community.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In the popular &amp;#x27;Little Bit of&amp;#x27; series: a fresh, accessible introduction to the practice of using pendulums.</p><p>With every swing of the pendulum, you can develop your spiritual energy. Dani Bryant, a green witch, provides an easy-to-follow guide that explains how to choose or craft your pendulum, and use it for dowsing and divination. You'll find rituals for clearing negativity, balancing chakras, making contact with the spirit world, meditation, generating accurate answers to your questions, and much more.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>This mystical book explores the otherworldly art of tarot cards, interpreted by a selection of talented professional artists.</p><p>Modern tarot enthusiasts come from a variety of backgrounds and cultures around theworld, and artists in particular have become fascinated by the mythical imagery of thecards. Tarot, originally a popular card game in fifteenth-century Italy, came to be usedfor bringing the subconscious to the conscious; a way of espying the holder's deepestthoughts and desires. Whether you view tarot to be a spiritual outlet, a psychological tool,or an artistic medium, there's no denying its popularity. You need only look to Kickstarterfor confirmation, which sees tarot cards dominating the Art section's 'Trending' page.Many popular artists have contributed to this growing trend, including such belovednames as Djamila Knopf, Abigail Larson, and most recently Guweiz, with his successfulcrowdfunded book campaign including a highly demanded luxurious tarot deck.</p><p>Each item in tarot art has a specific meaning, and this book's artists showcase theirown unique interpretations while guiding the reader through their ideation techniquesand design choices. Talented contributors include Nria Tamarit, the Valencia-basedillustrator of books such as Season of the Witch and Daughters of Snow and Cinders,and Faith Schaffer, the Los Angeles-based designer known for Disenchantment and TheOwl House, who reveal the processes behind finished illustrations that are rich withsymbolism.</p><p>The book features an insightful introduction from bestselling author SashaGraham, the world-renowned tarot expert behind the acclaimed Dark Wood Tarot deck.Finally, there's a gallery of tarot-card art created by successful artists in the recent past.The result is a special, keepsake art book that combines an intriguing glimpse of thehistory of tarot with inspiring, artist-led design processes and a stunning selection ofnever-before-seen tarot art.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Introduction by Sasha Graham, based in Manhattan, New York, USA.</b> Sasha is a world-renowned tarot expert, bestselling author, award winning tarot deck creator, actor and educator who teaches and lectures around the globe. Her work has been translated into more than 10 languages and she is the author of 12 books.</p><p><b>Edited by 3dtotal Publishing, based in Worcester, England, UK.</b> 3dtotal publish high-quality art books dedicated to bringing invaluable training to beginners, hobbyists, and professionals alike. Their books feature top industry professionals from around the globe who share their experience in skillfully written step-by-step tutorials and guides. Illustrated throughout with stunning artwork, these best-selling publications offer creative insight, expert advice, and essential motivation.</p><p><b>Contributions from Nria Tamarit, </b>illustrator of books such as <i>Season of the Witch</i> and <i>Daughters of Snow and Cinders.</i> 75K Instagram followers.</p><p><b>Contributions from Faith Schaffer</b>, the Los Angeles-based designer known for <i>Disenchantment</i> and <i>TheOwl House</i>130K X followers.</p>]]></Text>
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			<SubjectHeadingText>fragrance; Tarot; Alchemy; ritual; divination; Magic; frankincense; witchcraft; meditation; Theresa Reed; Tarot scholar; Tarot icon; tarot practice; magical perfumery; Tarot for Your Self divination; aromatherapy; affirmation; Making Magic; sandalwood; Ailynn Halvorson; T. Susan Chang; tarot and essential oils; Ethony Dawn; Basic Information about Tarot; communicating with an Essential Oil; Deborah Blake; Sense of Smell; empower your tarot readings; tarot spreads; Mary K Greer; Minor Arcana Essence Oils; Magic and Ritual; empower your tarot; History of tarot; Tarot book; Laetitia Barbier; Oils and Scents as Symbols; Affirmations with Tarot Oils; Sasha Graham; essential oils; Nature of Olfaction; Astrological Correspondences; communicating with a Plant; Magical History of Oils; Anointing Yourself with Oil; Aroma and Imagination; cult classic; Grounding and Centering; Judika Illes; Uses for the Tarot Oils; cartomancy; About the Tarot; Ritual Uses for Tarot Cards and Oils; card; tarot cards; Extraction Techniques; Madame Pamita; tarot for yourself; Liz Dean; William Blake tarot; plant communication; sacred fragrances; tarot and aromatherapy; Major Arcana Tarot Oils; Tarot Oils; consecrating Your Oils; Siddharth Ramakrishnan,PhD; Mat Auryn; cards</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Empower Your Tarot Readings with the Use of Sacred Fragrances.</b></p><p>The ancient art of perfumery and fragrance have long been a component of magical and spiritual rituals.</p><p>In <i>Essence of Tarot</i>, tarot master Mary K. Greer demonstrates how this primordial art can be used to enhance modern tarot practices, whether for divination, meditation, or affirmations. Learn how to create a more magical life through the union of tarot and aromatherapy. Greer, among the world's foremost authorities on the topic, demonstrates how essential oils can enrich the tarot experience, as well as empower tarot readers.</p><p>No previous experience with essential oils is needed, as Greer offers a brief crash course, along with details about the historical role of scent and perfumery in magical and divinatory rituals. Greer provides oils and scents to correspond with each of the seventy-eight cards of the tarot. This book may be used in daily rituals but also as a reference guide for tarot lovers. Instructions for crafting tarot oils are included, as well as detailed instructions for using them to maximise the tarot experience. This new edition of a beloved classic includes a new foreword by Judika Illes and retains the botanical illustrations by Ed Buryn, creator of the <i>William Blake Tarot</i>, photographer, and vagabonding pioneer.</p><p>This book was originally published as <i>The Essence of Magic</i>.</p><p>&amp;#x27;Whether you're just beginning with tarot or have been practicing for years, this book serves as an essential guide for those wanting to strengthen their bond with the cards, guided by one of tarot's most trusted and knowledgeable experts.&amp;#x27;  Mat Auryn, author of<i> Psychic Witch</i> and<i> The Psychic Art of Tarot</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Has a united or singular "Chinese Australian community" ever actually existed? If so, is a united community a means to an end or an end in itself? And where might this community sit in contemporary multicultural Australia?</p><p><i>In the Face of Diversity</i> offers answers to these questions with the history of more than a dozen Chinese Australian community organisations from across the country, drawing on the English- and Chinese-language materials produced by these organisations, as well as interviews with past and present leaders. Instead of a single community, the evidence demonstrates the existence of many diverse Chinese Australian <i>communities</i>.</p><p>Familiar and fascinating moments of recent Australian history are treated with new and evocative perspectives in relation to Chinese Australian communities, from the official turn away from the White Australia policy and embrace of multiculturalism in the 1970s to the debate about China's influence upon Australian politics and society, beginning in the 2010s and continuing into the present.</p><p><i>In the Face of Diversity</i> advances that "unity" has only ever been momentarily or partially grasped by Chinese Australian community organisations but that it has nonetheless produced real-world outcomes, the most prominent being a highly participatory style of Australian multiculturalism. Gardner Molina dismantles the myth of a single Chinese Australian community and rebuilds a solid understanding of many diverse communities instead; each with their own aims, needs and participatory capacities.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>From the world's leading expert on negotiation, an essential guide to negotiating in any situation  whether over Zoom, across political and cultural divides, or during a supply chain crisis.</p><p>The world has changed dramatically in just the past few years  and so has the game of negotiation. COVID-19, Zoom, political polarisation, the online economy, increasing economic globalisation, and greater workplace diversity  all have transformed the who, what, where, and how of negotiation. Today, traditional negotiating tactics, while still effective, need to be tailored to vastly different situations and circumstances. In <i>Negotiation: The Game Has Changed</i>, legendary Harvard Business School professor Max Bazerman, a pioneer in the field of negotiation, shows you how to negotiate successfully today by adapting proven negotiation principles and strategies to the challenging new contexts you face  from negotiating across cultural and political differences to trying to reach an agreement over Zoom or during a supply chain crisis.</p><p><i>Negotiation</i> offers a groundbreaking new way of thinking about the importance of the unique context of any negotiation  and when and how it should influence how you negotiate. At the same time, the book provides a concise and expert overview of essential negotiating techniques for anyone new to the subject or who wants a refresher. The result is a must-read  a powerful toolkit for successfully negotiating in a world where the game of negotiation has changed.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Max H. Bazerman</b> is a bestselling author and the Jesse Isidor Straus Professor of Business Administration at Harvard Business School. His many books include <i>Negotiation Genius</i> (with Deepak Malhotra), <i>Negotiating Rationally</i> (with Margaret A. Neale), <i>Complicit: How We Enable the Unethical and How to Stop</i> (Princeton), and <i>Blind Spots: Why We Fail to Do What's Right and What to Do about It</i> (with Ann E. Tenbrunsel) (Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[In this inspiring and heartfelt guide, author Francesca shares her personal journey of making junk journals, revealing how this simple yet profound practice can help you reconnect with your emotions, find inner peace, and bring more well-being into your life.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Discover the Transformative Power of Creativity with Junk Journaling</b></p><p>In this inspiring and heartfelt guide, author Francesca shares her personal journey of making junk journals, revealing how this simple yet profound practice can help you reconnect with your emotions, find inner peace, and bring more well-being into your life.</p><p>Book binding beginners and experts welcome. Whether you&amp;#x27;re new to book binding or an experienced crafter, this scrapbooking book is packed with simple yet powerful projects and prompts that will guide you from start to finish. Learn how to create a journal from scratch using recycled and affordable materials, transforming everyday items into a beautiful keepsake. You&amp;#x27;ll also explore the art of scrapbooking, mixed media art, and other creative techniques that turn your journal into a personal treasure.</p><p>The ultimate book on book binding. be your guide to finding magic in the mundane and cherishing the beauty that already exists in your life.</p><p>Inside, you'll find:</p><ul><li>Creative fun by learning to make beautiful junk journals using recycled and affordable materials.</li><li>Enhanced well-being by using journalling as a therapeutic outlet to reduce stress and overcome creative blocks.</li><li>Personal growth and a sense of connection through guided prompts and personal stories that inspire self-discovery.</li></ul><p>If you liked other book binding books such as <i>Junk Journal Cutouts, Making Handmade Books, </i>or <i>Treasure Book Making</i>, you'll love<i> Junk Journal Joy.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In 2006 <b>Francesca Radice</b> made her Thesis in Psychology about how journaling in a diary is a healing experience. In 2012 her mom got sick and she advised her to write in a diary for dealing with cancer. Instead of a pretty journal however, her mom wrote in an ugly normal journal  and then she was gone. Years later she found a junk journal DIY on YouTube and decided to transform her mom's diary into a beautiful book. She gifted this book to her sister's mom and she cried when she received it! This experience became a way to elaborate her loss, honour her mother, and move on. In 2018 she started her own YouTube channel and Instagram with the mission of inspiring people to make their own journals because it was a healing, cathartic, fun, easy, and meaningful experience.</p><p>She has collaborated with digital paper designers (e.g. V<i>ectoria Designs, Digital Collage Club</i>), I collaborated with <i>Daphne's Diary</i> magazine as a UGC, she was interviewed by &amp;#x27;culture Scrapbooking&amp;#x27; (a French magazine), she was one of the teachers in the online course &amp;#x27;mixed media art summit&amp;#x27; in 2022, she is a guest teacher for Wanderlust 2024 (online course), she participated in various collaboration challenge like &amp;#x27;junk journal January&amp;#x27;, &amp;#x27;junk journal July&amp;#x27; and she has her own challenge every year in November.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Searching for efficient, cost-effective ways to level up your growing? The Garden Tool Handbook is the essential guide to choosing the right tool for the right job at the right time. Covers must-have equipment, supplies, and techniques for every task from planting to harvest for farms, homesteads, or market gardens.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Level up your growing with the right tool for every job.</p><p>Searching for effective, economical ways to level up your growing? <i>The Garden Tool Handbook</i> is the essential guide to choosing the right hand tool for the right job at the right time, and maximising quality, efficiency, and profitability on your farm, homestead, or market garden.</p><p>Carefully selected garden equipment is the first line of defense against pests, weeds, and drought; a helping hand at all stages of cultivation; and your greatest ally in crop management. Edible ecosystem expert Zach Loeks reveals the valuable information you need to optimise productivity including:</p><ul><li>How to ensure a smooth workflow and prevent labour bottlenecks by understanding the garden operation cycle from planting to harvest</li><li>The advantages of tackling repetitive seasonal tasks with hand tools, such as ergonomic benefits, increased output, and more enjoyment</li><li>Multifunctional equipment and professional tool systems for every operation from start-up to pro grower. How smart, timely tool acquisitions can provide a high return on investment and improve your bottom line</li><li>Case studies, farm use scenarios, maintenance and storage guidelines, pro tips, and more.</li></ul><p>The future of food is small-scale agriculture, and innovative, affordable garden implements adapted to specific crops, environments, and production styles are the key to revolutionising our food system. This richly illustrated, full-colour resource is a must-read for serious gardeners, professional growers, edible landscapers, and anyone who wants to grow better.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>If there's one thing over a century of sleep science has established, it's that sleep deserves to be a priority. </p><p>We hear much about the importance of exercise for our long-term well-being, and how diet and health are inextricably linked. Sleep, however, is typically an afterthought.</p><p>As many as 70 million U.S. adults are being deprived of the restful sleep their bodies require for good health and optimal performance.</p><p>Whether you are desperately seeking a solution to your sleep woes or are simply curious if there's more that you can do to improve your sleep and, ultimately, your health, this book has the answers. Inside you'll find information on:</p><ul><li>Healthy lifestyle habits to improve sleep</li><li>The importance of your body's internal clock and how to keep it in sync</li><li>How sleep changes with age</li><li>Effective therapies to treat insomnia</li><li>The risks and benefits of sleep medicines</li><li>Improved and emerging devices to treat sleep apnea</li><li>Unusual behaviors during sleep and what causes them</li><li>Narcolepsy, restless legs syndrome and other less common sleep disorders</li></ul><p>With the right approach, most sleep problems can be successfully treated  or prevented. Use the science-based methods and advice of Mayo Clinic sleep specialists to start sleeping better today.</p><p>Mayo Clinic&amp;#x27;s Center for Sleep Medicine is one of the largest sleep medicine facilities in the United States, with staff caring for more than 60,000 adult and pediatric patients with sleep disorders each year. The center partners with physicians around the world to find answers for patients with some of the most complex sleep conditions.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Timothy I. Morgenthaler, M.D.,</b> is a sleep medicine specialist and the director of Mayo Clinic's Center for Sleep Medicine in Rochester, Minnesota. A professor of medicine in the Mayo Clinic College of Medicine and Science, he also serves as a vice chair for quality at Mayo Clinic, and as the associate chair for innovation in the Division of Pulmonary and Critical Care Medicine. Dr. Morgenthaler's clinical practice focuses on the treatment of patients with central and obstructive sleep apnea, sleep-related breathing disorders and other adult sleep disorders. His research interests include outcomes research, novel techniques, device innovation and healthcare delivery in the areas of sleep medicine, earning him the Nathaniel Kleitman Distinguished Service Award from the American Academy of Sleep Medicine, where he is a fellow.</p><p><b>Bhanu Prakash Kolla, M.B.B.S., M.D.,</b> is a professor of psychiatry and psychology at Mayo Clinic College of Medicine and Science, Rochester, Minnesota. A psychiatrist with specialty training in sleep medicine and addiction psychiatry, Dr. Kolla is an expert in the overlap between sleep disorders and addiction. He practices at Mayo Clinic's Center for Sleep Medicine and in the Division of Addiction Medicine. Dr. Kolla's research interests include management of sleep disruptions associated with alcohol and substance abuse recovery, and the management of treatment-resistant insomnia. He is a fellow of the American Psychiatric Association, the American Academy of Sleep Medicine and the Royal College of Psychiatry, and a frequent speaker at national and international conferences.</p>]]></Text>
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			<SubjectHeadingText>Astrology; Theresa Reed; cast your own chart; interpretation case studies; Life Development; understand any birth chart; birth chart; Hemisphere and Quadrant Balance; aspects in astrology; birth sign; astrological birth chart; Planetary Rulership; astrological case studies; Navigation of Personality; Expression of personality; read your birth chart; night charts; day charts; accessible astrology; The Moon; ancient traditions; zodiac book; zodiac signs; planets; Astrology and the Authentic Self; step by step system; Noel Tyl; Tracy Marks; read my birth chart; Demetra George; esoteric perspectives; The Art of Chart Interpretation; The Complete Guide to Astrology; individual chart; Astrologer; Guideposts for Understanding Natal Astrology; How to Interpret a Birth Chart; Louise Edington; tips and tricks for the aspiring Astrologer; Getting to the Heart of Your Chart; Stephen Arroyo; advanced astrology; Frank C. Clifford; Constance Stellas; Chart Interpretation Handbook; patterns and symbols; astrology book; rising sign,; astrology books; houses; astrology for beginners</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Each of us possesses an individual astrology chart, cast for the moment of our first breath. This natal chart is a complex document with a mind-boggling amount of information hidden within its patterns and symbols. Even for those with a firm knowledge of the language of astrology, the amount of information involved can be overwhelming.</p><p>Understanding the basics of signs, planets, houses, and aspects is the first step for anyone interested in this topic. It must then be determined what is most important and how to merge the many astrological patterns into a coherent whole. Master astrologer Laurie Farrington distills her decades of experience into a clear and concise system you can use to prepare and interpret natal charts, whether your own, those of friends and family, or for your clients as a professional astrologer.</p><p><i>How to Read and Interpret a Birth Chart</i> provides sixteen guideposts to work systematically with each and every chart you encounter so that you will be able to understand any birth chart with confidence.</p><p>The topics covered include:</p><ul><li>Day Charts/Night Charts</li><li>Hemisphere/Quadrant Balance</li><li>The Moon-Mother and Inner Security</li><li>Expression and Navigation of Personality</li><li>Balance of Life Development-Planetary Rulership</li></ul><p><b>&amp;#x27;Whether you have a long-standing relationship with astrology or are just beginning your journey, this book is a valuable addition to your shelf. It provides a solid foundation for beginners and offers new insights and perspectives to seasoned professionals. Laurie Farrington has delivered the book we've all needed and been waiting for  even though we may not have realised it.&amp;#x27;  from the foreword by Theresa Reed, author of </b><b><i>Astrology for Real Life</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Laurie Farrington</b> has been studying astrology since early childhood and began her professional practice more than thirty years ago. Laurie is a master astrologer, consultant, writer, teacher, and mentor. Born at the Disseminating Moon, with the Sun and Moon tenanting the 8th and 12th houses, Laurie lives on the beautiful wild coast of Maine. Follow her on Instagram @laurie.farrington.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Let Gordon Strong take you on an insightful journey through the tarot to learn the occult and philosophical attributes of the cards.</p><p>Tarot has the ability to reveal deep truths and answer life's many questions. In <i>Tarot Unveiled</i>, expert Gordon Strong takes the reader on a journey through the cards, using his insights to look at the cards from a fresh perspective. Focusing on intuition as key, you will be taken through the cards in groups, observing the relationships between them and how that relationship relates to the querent. Packed with information and unique ideas, <i>Tarot Unveiled</i> is an excellent book to take along tarot's twisting path.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>No country in history has been more deeply penetrated by spies than divided Germany after the Second World War. Among them were the &amp;#x27;first class comrades&amp;#x27; of the Stasi  the East German Ministry for State Security. The early Cold War saw the Stasi establish itself as one of the world&amp;#x27;s most notorious spy and secret police agencies.</p><p>Drawing on previously unexamined files from the Stasi archives, <i>First Class Comrades</i> tells the Stasi story from a fresh perspective: how it helped to create a new European state, how its foreign intelligence service became one of the most successful ever, and how its spy-catchers tackled vigorous attempts by the West to infiltrate East Germany  attempts that influenced the decision to build the Berlin Wall.</p><p>Full of new insights and little-known facts about the Stasi and Cold War espionage, and featuring newly discovered details of the Stasi&amp;#x27;s operational methods, <i>First Class Comrades </i>shines a light on this lesser-known period of Stasi history, and why its stories and lessons still matter today.</p><p><b>&amp;#x27;Boulter&amp;#x27;s thorough research provides an excellent reference for understanding how the Stasi began and how it fulfilled its responsibilities&amp;#x27;  Kevin Riehle, author of </b><b><i>The Russian FSB</i></b></p><p><b>&amp;#x27;A fascinating deep dive into the murky waters of Cold War espionage and the early days of East Germany&amp;#x27;s notorious secret police&amp;#x27; - Nick Rennison</b></p><p><b>&amp;#x27;An impressive work...Boulter really widens the perspective on the Stasi&amp;#x27;  Dieter Bacher, Ludwig Boltzmann Institute for War Studies</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The Ottoman Empire was one of the largest and longest-lasting empires in history. In this powerful and complex empire, the production and consumption of food reflected the lives of people from sultans to soldiers. Food bound people of different classes and background together, defining identity and serving symbolic functions in the social, religious, political and military spheres.</p><p><i>Bountiful Empire: A History of Ottoman Cuisine</i> examines the foodways of the Ottoman Empire as they changed and evolved over more than five centuries. The book starts with an overview of the earlier culinary traditions in which Ottoman cuisine was rooted, such as those of the Central Asian Turks, Abbasids, Seljuks and Byzantines, and goes on to focus on diverse aspects of this rich culinary culture, including etiquette, cooks, restaurants, military food, food laws and food trade. This meticulously researched account draws on more than six hundred primary and secondary sources, ranging from archive documents to poetry, and includes over one hundred illustrations. It is a fresh and lively insight into an empire that until recent decades has been sidelined or viewed through orientalist spectacles. Readers interested in food history and Ottoman history will enjoy this beautiful volume.</p><p><b>&amp;#x27;Probably the finest cuisine in the world, with a subtle and coherent tradition. Iin's account is comprehensively illustrated to make a visual as well as a textual record of Turkish social culture, conveyed through study of some 600 years of food and drink, and exemplifying the dilemma which Turkey has always faced in choosing between - or combining - Eastern and Western traditions...There is a fascinating section on the wines sold in Istanbul, where the taverns were run by Christians or Jews and imbibers could enjoy vintages from Greece, Spain, Sicily and further Anatolia...There are some modernised recipes in Iin's volume, too, but the main pleasure of the book lies in the background history and lively anecdotes of storytellers and puppet-shows entertaining in coffee houses, or the astonishment of a British visitor at the quantities of salt fish, nuts, olives, and pickles served merely as appetizers.&amp;#x27; </b> <b><i>Times Literary Supplement</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Priscilla Mary In</b> is a food historian based in Istanbul, Turkey. Her publications include<i> A King's Confectioner in the Orient</i> (2003) and <i>Sherbet and Spice</i> (2013), which traces the history of Turkish confectionery and desserts.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A sweeping global history of the birth of modern Greece.</p><p>In 1821, a diverse territory in the southern Balkans on the fringe of the Ottoman Empire was thrust into a decade of astounding mass violence. <i>The Greek Revolution and the Violent Birth of Nationalism</i> traces how something new emerged from an imperial mosaic of myriad languages, religions, cultures, and localisms  the world's first ethnic nation-state, one that was born from the destruction and the creation of whole peoples, and which set the stage for the modern age of nationalism that was to come.</p><p>Yanni Kotsonis exposes the everyday chaos and brutality in the Balkan peninsula as the Ottoman regime unraveled. He follows the future Greeks on the seaways to Odesa, Alexandria, Livorno, and the Caribbean, and recovers the stories of peasants, merchants, warriors, aristocrats, and intellectuals who navigated the great empires that crisscrossed the region. Kotsonis recounts the experiences of the villagers and sailors who joined the armed battalions of the Napoleonic Wars and learned a new kind of warfare and a new practice of mass mobilisation, lessons that served them well during the revolutionary decade. He describes how, as the bloody 1820s came to a close, the region's Muslims were no more and Greece was an Orthodox Christian nation united by a shared language and a claim to an ancient past.</p><p>This panoramic book shows how the Greek Revolution was a demographic upheaval more consequential than the overthrow of a ruler. Drawing on Ottoman sources together with archival evidence from Greece, Britain, France, Russia, and Switzerland, the book reframes the birth of modern Greece within the imperial history of the global nineteenth century.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>'These guitars have been really good tools; they're not just museum pieces. They all have a soul and they all come alive.' Eric Clapton</p><p>'In his own words, Clapton tells his story through the history of his instruments.'Rolling Stone</p><p>InSix-String StoriesEric Clapton reflects on a legendary career as told through the tools of his trade: his guitars. Collected together here for the first time are the instruments Clapton sold in three record-breaking auctions between 1999 and 2011 to benefit the Crossroads treatment centre he founded in 1998. Featuring some of the most famous guitars ever played, Clapton guides the reader through nearly 300 instruments as he discusses their provenance, reveals insights about his own playing, and shares anecdotes from each chapter of his spectacular life in music.</p><p>'One by one these guitars were the chapters of my life. They belong to a very well-loved family.'Eric Clapton</p><p>Six-String Storiespresents a 'family tree' that makes connections between iconic instruments, such as Clapton's famous 'Blackie' Stratocaster, and previously unknown rarities, placing them in the chronology of his career. Clapton recalls the instruments he bought to emulate his heroes, the guitars with unknown origins that became their own legend, the ones that never left his side, and the legacy they left behind. Every piece has been individually photographed, revealing every curve, detail and scratch, while the work of over 80 of the world's best rock photographers shows the instruments in play. See Clapton's evolution from the psychedelic Sixties, through the stripped-back Seventies, electric Eighties, and unplugged Nineties, right up to the sale of the last guitar.</p><p>'As an avid rock or blues fan, I would look at all the pictures in this book.'Eric Clapton</p><p>Historical and technical information for each piece in the collection  including playlists and concert dates for those instruments used on records and at public appearances  completes the story behind each guitar.</p><p>'The guitars are things of great beauty.'Eric Clapton</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Eric Patrick Clapton is an English musician widely revered as rock's premier guitarist, both as a solo artist and as a former member of legendary rock groups including The Yardbirds, Cream, Blind Faith, and Derek and the Dominos.</p><p>Born on30 March 1945 and raised in a musical household, Clapton recieved his first guitar after hearing the electric blues of Freddie King, B.B. King, and Muddy Waters. He spent his early days in music busking around Richmond and Kingston, andin 1963, 17-year-old Eric joined his first band.</p><p>Today, with more than 50 years of touring under his belt, Clapton has played in excess of 3,000 concerts. He has performed in 58 countries and played to over 2 billion people. He can be heard on records by Gary Brooker, Bob Dylan, Bob Geldof, Elton John, Carole King, Plastic Ono Band (John Lennon and Yoko Ono), Stephen Stills, Sting, Roger Waters and many more.</p><p>Over the course of his career, Eric has received numerous awards and accolades. He has won 18 Grammy Awards, a BAFTA, and is the only triple inductee in the Rock and Roll Hall of Fame as a member of The Yardbirds, Cream and as a solo artist. In 1994, Queen Elizabeth II made Eric an Officer of the Order of the British Empire (OBE) and in 2004, she honoured him further when he was made a Commander of the Order of the British Empire, or CBE.</p><p>In 1998, Eric founded the Crossroads Centre, an addiction treatment centre based in Antigua which follows the 12-step model. One of the centres main principles is to provide treatment for some of the poorest people of the Caribbean, using the centre's own foundation.</p><p>To raise funds for the Crossroads Centre Foundation, Eric has held a series of Guitar Festivals and Guitar Auctions. In 1999, Clapton auctioned 100 of his guitars, including the guitar on which he recorded "Layla," which netted almost five million dollars for the foundation. A second guitar auction in June 2004 raised $6 million for the foundation and included the sale of "Blackie," his legendary Fender Stratocaster. Later, Clapton hosted a concert to benefit the Centre at New York City's Madison Square Garden, as well as planning a second fundraising effort - the Crossroads Guitar Festival in Dallas. The first festival launched in 2004, and was hosted again by Clapton in 2007, 2010, 2013 and 2019.</p>]]></Text>
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			<SubjectHeadingText>tradition; rastafari; biographical; Berhane Selassie; acral lentiginous melanoma; ganja; rocksteady; Rastafari icon; musical film; I Shot the Sheriff; exodus; ska; assassination attempt; one love; Pan-Africanist; Bob Marly; Bob Marley; Catch a Fire; Jamaican music; kaya; Reggae; cannabis; no woman, no cry; Is This Love; the wailers; Robert Nesta Marley</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><i>Rebel Music: Bob Marley &amp; Roots Reggae</i> is a tribute to the leading icon in music, Bob Marley. In 1975, after meeting Marley in London, photographer Kate Simon gained unique access to the Wailers, capturing intensely personal moments and momentous events. <i>Rebel Music</i> presents over 400 photographs from Kate Simon&amp;#x27;s remarkable archive, most of which are published here for the first time.</p><p>Alongside Kate Simon&amp;#x27;s photographs are the stories behind the images. Introduced by Patti Smith, Kate Simon&amp;#x27;s own narrative is expanded by a cast of 24 contributors, including ex-Wailers guitarist Junior Marvin and bass player and band leader Aston &amp;#x27;Family Man&amp;#x27; Barrett; the Wailers&amp;#x27; cook and close friend Antonio &amp;#x27;Gilly&amp;#x27; Gilbert; musicians such as Steven Van Zandt, Spencer Davis, Junior Delgado, Paul Simonon, and Steve Jordan; filmmaker Don Letts and producer Danny Sims; and Island Records founder, Chris Blackwell.</p><p>Simon captured it all: live photographs from The Wailers&amp;#x27; 1975 concert at The Lyceum in London, where the legendary performance of &amp;#x27;No Woman No Cry&amp;#x27; was recorded; photographs of the reggae greats of the late Seventies such as Bunny Wailer and Peter Tosh; candid shots of The Wailers on the Exodus Tour and the One Love Peace Concert where Bob famously united Jamaica&amp;#x27;s opposing political leaders. Finally, in 1981, she rode with the funeral cortege from Kingston to St Ann and Bob Marley&amp;#x27;s final resting place.</p><p>Marley permanently altered the sound and impact of popular music, and his body of work continues to inspire generations of musicians and fans worldwide.</p><p><b>&amp;#x27;Kate Simon has always been one of my favourite photographers. She captures intimate moments that we have never seen.&amp;#x27; - Cedella Marley</b></p><p><b>&amp;#x27;When I took the Kaya portrait. It wasn&amp;#x27;ta formal photo session or anything. I was wearing my swimsuit, that&amp;#x27;s how informalit was.&amp;#x27; - Kate Simon</b></p><p><b>&amp;#x27;Kate shot in an honest, direct manner.She did not seek to expose, but to shootthe picture her subject pictured - the joyful, mutable moments. How fortunate we areto have these images...&amp;#x27; - Patti Smith</b></p><p><b>&amp;#x27;She had a sort of war correspondent feelto her; she would get right into it. Somehowshe had the ability to communicate and toget everybody to relax and to take the great pictures that she got.&amp;#x27; - Chris Blackwell</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kate Simon</b> is an iconic photographer who has worked with giants such as Andy Warhol, Iggy Pop, Patti Smith, Bob Marley, and Robert Mapplethorpe, to name just a few.</p><p>Kate has work in the permanent collections of The Museum of Modern Art, the National Portrait Gallery at the Smithsonian, The Metropolitan Museum of Art, The Rock and Roll Hall of Fame, The Bob Marley Museum, and the Andy Warhol Museum.</p><p>Kate has had exhibitions throughout her career beginning in 1981 with New York/New Wave at P.S. 1 all the way through her one-person show in honor of William S. Burroughs'centennial at ShowStudio in 2014. Her exhibition Chaos and Cosmos at Fort Works Art in 2019 was featured in <i>Rolling Stone</i> Magazine.</p><p>In 2004, Simon published a limited-edition book of her photographs of Bob Marley and Jamaica titled: <i>Rebel Music</i>Marley's first Island Records release, <i>Catch a Fire</i>, <i>Rebel Music</i> is to be published by Genesis in a new bookstore edition.</p><p>Simon's photography has appeared on countless book jackets, record covers and in publications around the world. She has created numerous timeless photographs that define the subject and their part in modern popular culture.</p>]]></Text>
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			<SubjectHeadingText>Brian Wilson; Good Vibrations; Pet Sounds; California; Surfin USA; God Only Knows; Sixties Music; Beatles; I Get Around; Love and Mercy; official book; gift for fans; pictures; photographs; rare archival ephemera; classic rock bio; behind the scenes; photos; lyrics; 20th century pop history</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b><i>'There's love in the music and people can relate to the love, regardless of whether you&amp;#x27;re two years old or 92 years old. For me, music is about love. Love is the message I want to share. I hope people feel that in my music. That makes the hard work worth it.' - Brian Wilson</i></b></p><p>Here, for the first time in print, is the history ofThe Beach Boys, by The Beach Boys.</p><p>Their only official book,<i>The Beach Boys</i> by The Beach Boysis the ultimate chronicle of one of the world's greatestbands. Through their unique sound, complex harmonies, sensational live shows and use of innovativerecording techniques, The Beach Boys became woven into the cultural fabric of America and influenced generations of musicians globally. This book documents how it happened.</p><p>Brian Wilson, Mike Love, Al Jardine and Bruce Johnston together provide a combined career narrative especially for this book,and through meticulous compilation from sources worldwide, Carl Wilson and Dennis Wilson's words areequally represented. Documenting how they went from a Hawthorne garage band to a global phenomenon, theytell the astounding story of their ascent: perfecting their harmonies, initial fame as a surf group, and thentheir ultimate progression as pioneering recording artists to become one of the most musically complex ensemblesin history.</p><p>Their text is accompanied by iconic images, never-before-seen negatives and rare ephemera. Givenunprecedented access to their personal archives, <i>The Beach Boys</i> by The Beach Boys offers intimateinsight into the lives of the group. Also opening their archives are Brother Records and Capitol Records, allof which assist in illustrating their remarkable journey.</p><p>Expanding the narrative are a host of contributors who have been involved with or inspired bythe band&amp;#x27;s music,including Peter Blake, Lindsey Buckingham, Eric Clapton,Elvis Costello, Ray Davies, Bob Dylan,DefLeppard, the Flaming Lips, Bobby Gillespie, David Lee Roth, The Jesus and Mary Chain, Jim Kerr, RogerMcGuinn, Graham Nash, Jimmy Page,Carly Simon,Pete Townshend,Rufus Wainwright, Thom Yorke, andmany more.</p><p>A group collaboration,<i>The Beach Boys</i>by the Beach Boys is, in effect, The Beach Boys' autobiography. Like their music, it is poignant, frank, often humorous but always sincere.</p><p>Finally, here is The Beach Boys' own story.</p><p><b>'The environment in which we grew up and the things we chose to sing about primarily, which were the beautiful things about growing up in Southern California - the lovely girls, the lovely cars, the lovely weather and the lovely beaches - it was like an endless summer.' Mike Love</b></p><p><b>'We were just having fun and it developed into something else. It&amp;#x27;s funny. We were really an accident - but a good accident. And our first record seemed to be enough for us. We sure didn&amp;#x27;t think we&amp;#x27;d be recording into the next century.' Al Jardine</b></p><p><b>'The music on the face of it is very simple. However, musically speaking, a lot of it is quite deep and complex. It was about going to the beach and having a car and the American experience, but a lot of the songs are master works.&amp;#x27;Carl Wilson</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The Beach Boys</b>manage to defy decade, genre and form. They cannot be limited to songs about surfing, girls, California, or hot rods. Everything strove to go beyond - perhaps key to the Beach Boys&amp;#x27; durability; their ability to go further, to keep going until they reached a place that had not previously been reached in rock and pop music. The band&amp;#x27;s longevity, experimentation and continuation of influence are without equal.<br/>One of the most critically acclaimed, commercially successful and influential bands of all time, the band are embedded within the cultural landscape of America and loved throughout the world. The Beach Boys spearheaded numerous genres, helped to legitimise popular music, and have had the most Billboard Top 40 hits from any US band (thirty-seven), and today their music continues to be revisited, reassessed, and reimagined.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Fully re-researched and updated, <i>Frommer's New York City Day By Day</i> allows users to map their own adventure with a variety of suggested daily itineraries, vibrant photos, and multiple maps.</p><p>This portable, up-to-date guide is all about maximizing the time you have to spend in the Big Apple. Written by lifelong New Yorker and award-winning travel journalist Pauline Frommer, the book hits all of NYC's highlights  as well as hidden gems  with plans crafted for visitors with a variety of needs and interests.</p><p>Packed with colour photos, this bestselling guide offers dozens of itineraries that show you how to see New York's top attractions in a short time, with bulleted maps leading the way from sight to sight. Featuring a full range of thematic and neighborhood tours plus dining, lodging, shopping, nightlife, and practical visitor info, <i>Frommer's New York City Day by Day</i> is the only guide that helps travelers organize their time to get the most out of a trip, and covers the New York City of today (not the very different, pre-pandemic city).</p><p>Inside this book you&amp;#x27;ll find:</p><ul><li>Full-colour images throughout, with hundreds of photos and dozens of maps</li><li>One-to-three-day itineraries, including New York&amp;#x27;s Iconic Sights, the city's Greatest Buildings, Chinatown &amp; the Lower East Side, the Best Small Museums, Greenwich Village, Historic Harlem, Williamsburg, Brooklyn, Chelsea for Art Lovers, and more</li><li>Star ratings for all hotels, restaurants, and attractions to quickly surface the best finds and values</li><li>Advice for how to plan romantic getaways in the city, as well as how to see NYC with kids or on a strict budget</li><li>A tear-resistant foldout map in a handy, re-closable plastic wallet</li><li>Reliable, impartial reviews of the best shops, restaurants, nightlife, and hotels in all price ranges. No entity has paid to be in this guide  or any Frommer's guide. At Frommer's we pride ourselves on over six decades of journalistic integrity</li><li>Helpful planning advice for getting there, getting around, saving money, and getting the most from your trip</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book contains the very best of Norman Lewis's travel writing. </b></p><p>If you already own <i>The Changing Sky </i>(Jonathan Cape, 1959) which was later expanded by Eland (in 1986 with the addition of another eight pieces) and given a fresh title, <i>A View of the World</i>, you will encounter stories you have already read. An additional source are the three collections published by Picador, <i>To Run Across the Sea</i> (1989)<i> The Happy Ant Heap</i> (1998), and<i> A Voyage by Dhow </i>(2001) which sometimes included, or re-worked material, that had appeared in other books. By happy agreement with the literary estate of Norman Lewis, all these five books have been withdrawn, so that all the best pieces are now in one book <i> A Quiet Evening</i>. Norman always acknowledged the editors who commissioned him to travel  most of these pieces were originally written at the instigation of the <i>New Yorker, The Sunday Times, </i>the <i>Observer </i>and<i> New Statesman.  </i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Norman Lewis's </b>early childhood, as recalled in Jackdaw Cake (1985), was spent partly with his Welsh spiritualist parents in Enfield, North London, and partly with his eccentric aunts in Wales. Forgoing a place at university for lack of funds, he used the income from wedding photography and various petty trading to finance travels to Spain, Italy and the Balkans, before being approached by the Colonial Office to spy for them with his camera in Yemen. He moved to Cuba in 1939, but was recalled for duty in the Intelligence Corps during the Second World War. It was from this that Norman Lewis's masterpiece, Naples '44, emerged, a resurrection of his wartime diary only finally published in 1978. Before that came a number of novels and travel books, notably A Dragon Apparent (1951) and Golden Earth (1952), both of which were bestsellers in their day. His novel<i> The Volcanoes Above Us</i>, based on personal experiences in Central America, sold six million copies in paperback in Russia and <i>The Honoured Society</i> (1964), a non-fiction study of the Sicilian Mafia, was serialised in six instalments by the New Yorker. </p><p>Norman Lewis wrote thirteen novels and thirteen works of non-fiction, mostly travel books, but he regarded his life's major achievement to be the reaction to an article written by him entitled 'Genocide in Brazil', published in The Sunday Times in 1968. This led to a change in the Brazilian law relating to the treatment of Indians, and to the formation of Survival International, the influential international organisation which campaigns for the rights of tribal peoples. He later published a very successful book called <i>The Missionaries</i> (1988) which is set amongst the Indians of Central and Latin America. </p>]]></Text>
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			<SubjectHeadingText>Community; nationalism; cosmopolitanism; Free movement; Nationals; globalization; Economic; free market; Cold War.; Power; Security; Authority; Sovereignty; Rules; European Union; neoliberalism; Isaac Stanley-Becker; Europe without Borders: A History; Territory; sans-papiers; consumerism; Democratic; Human rights; postwar Europe; Market; Nation; Immigrants; Commission; Saint; Country; Berlin Wall; refugee crisis; Data; Court; Immigration; Internal; Euroskepticism; internationalism; Fontainebleau; 20th century Europe; exclusion; Law; terrorism; populism; Parliament; Goods; Foreigners; Principles; Treaty; Surveillance; Information; Cooperation; Freedom; European integration; Countries; Schengen; Human; Asylum; Illegal; Sans; Transnational; Cross; Foreign; Papiers; Citizens; External; Borders; Migrants; Persons; Police</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>The contested creation of free movement  for people and goods  in the Schengen area of Europe.</p><p>Europe is a place of free movement among nations  or is it? The Schengen area, established in 1985 and today encompassing twenty-nine European countries, allows people, goods, and capital to cross borders without restraint. Schengen transformed European life, advancing both a democratic project of transnational citizenship and a neoliberal project of international free trade. But the right of free movement always excluded non-Europeans, especially migrants of colour from former colonies of the Schengen states. In <i>Europe without Borders</i>, Isaac Stanley-Becker explores the contested creation of free movement in Schengen, from treatymaking at European summits and disputes in international courts to the street protests of undocumented immigrants who claimed free movement as a human right.</p><p>Schengen laid the groundwork for the making of a single market and the founding of the European Union. Yet its emergence is one of the great untold stories of modern European history, one hidden in archives long embargoed. Stanley-Becker is among the first to have access to records of the treatymaking  such as letters between France's Francois Mitterrand and West Germany's Helmut Kohl  and <i>Europe without Borders</i> offers a pathbreaking account of Schengen's creation. Stanley-Becker argues that Schengen gave a humanist cast to a market paradigm; but even in pairing the border crossing of human beings with the principles of free-market exchange, this vision of free movement was hedged by alarm about foreign migrants. Meanwhile, these migrants  the <i>sans-papiers</i>  saw in the promise of a borderless Europe only a neocolonial enterprise.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Isaac Stanley-Becker</b> is an investigative reporter for the <i>Washington Post</i> who has reported from across Europe and the United States. He earned a PhD in history from the University of Oxford, where he studied as a Rhodes Scholar.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>An exciting and richly detailed new history of the Silk Road that tells how it became more important as a route for diplomacy than for trade.</p><p><i>The King's Road</i> offers a new interpretation of the history of the Silk Road, emphasising its importance as a diplomatic route, rather than a commercial one. Tracing the arduous journeys of diplomatic envoys, Xin Wen presents a rich social history of long-distance travel that played out in deserts, post stations, palaces, and polo fields. The book tells the story of the everyday lives of diplomatic travelers on the Silk Road  what they ate and drank, the gifts they carried, and the animals that accompanied them  and how they navigated a complex web of geographic, cultural, and linguistic boundaries. It also describes the risks and dangers envoys faced along the way  from financial catastrophe to robbery and murder.</p><p>Using documents unearthed from the famous Dunhuang &amp;#x27;library cave&amp;#x27; in Western China, <i>The King's Road</i> paints a detailed picture of the intricate network of trans-Eurasian transportation and communication routes that was established between 850 and 1000 CE. By exploring the motivations of the kings who dispatched envoys along the Silk Road and describing the transformative social and economic effects of their journeys, the book reveals the inner workings of an interstate network distinct from the Sino-centric &amp;#x27;tributary&amp;#x27; system.</p><p>In shifting the narrative of the Silk Road from the transport of commodities to the exchange of diplomatic gifts and personnel, <i>The King's Road</i> puts the history of Eastern Eurasia in a new light.</p><p><b>&amp;#x27;Illuminating.&amp;#x27;  Peter Gordon, </b><b><i>Asian Review of Books</i></b></p><p><b>&amp;#x27;A remarkably in-depth analysis of an important topic that has previously received little attention... To the field of Asian Studies, this book is a highly valuable and insightful new contribution.&amp;#x27;  Graham Squires, </b><b><i>World History Encyclopedia</i></b></p><p><b>&amp;#x27;A refreshingly new interpretation of the route through the lens of diplomacy centered in Dunhuang.&amp;#x27;  </b><b><i>Choice</i></b></p><p><b>&amp;#x27;Wen successfully reconstructs a lively world of diplomatic travelers on the Silk Road between 850 and 1000... Comprehensive in coverage and meticulously researched, </b><b><i>The King's Road</i></b><b> is a long-awaited addition to the study of Dunhuang documents and the social lives along the Silk Road.&amp;#x27;  Hang Lin, </b><b><i>Acta Via Serica</i></b></p><p><b>&amp;#x27;Xin Wen's </b><b><i>The King's Road</i></b><b> offers a convincing corrective to both Silk Road and &amp;quot;tributary system&amp;quot; concepts as applied to medieval China  or, in his useful geographic terminology, Eastern Eurasia.&amp;#x27;  James A. Millward, </b><b><i>Journal of Chinese History</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Xin Wen</b> is assistant professor of East Asian studies and history at Princeton University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>How the notorious author of <i>The 120 Days of Sodom</i> inspired the surrealists and other avant-garde artists, writers, and filmmakers .</p><p>The writings of the Marquis de Sade (1740-1814) present a libertine philosophy of sexual excess and human suffering that refuses to make any concession to law, religion, or public decency. In this groundbreaking cultural history, Alyce Mahon traces how artists of the twentieth century turned to Sade to explore political, sexual, and psychological terror, adapting his imagery of the excessively sexual and terrorised body as a means of liberation from systems of power. </p><p>Mahon shows how avant-garde artists, writers, dramatists, and filmmakers drew on Sade&amp;#x27;s &amp;#x27;philosophy in the bedroom&amp;#x27; to challenge oppressive regimes and their restrictive codes and conventions of gender and sexuality. She provides close analyses of early illustrated editions of Sade&amp;#x27;s works and looks at drawings, paintings, and photographs by leading surrealists such as Andre Masson, Leonor Fini, and Man Ray. She explains how Sade&amp;#x27;s ideas were reflected in the writings of Guillaume Apollinaire and the fiction of Anne Desclos, who wrote her erotic novel, <i>Story of O</i>, as a love letter to critic Jean Paulhan, an admirer of Sade. Mahon explores how Sade influenced the happenings of Jean-Jacques Lebel, the theatre of Peter Brook, the cinema of Pier Paolo Pasolini, and the multimedia art of Paul Chan. She also discusses responses to Sade by feminist theorists such as Simone de Beauvoir, Susan Sontag, and Angela Carter. </p><p>Beautifully illustrated,<i> The Marquis de Sade and the Avant-Garde </i>demonstrates that Sade inspired generations of artists to imagine new utopian visions of living, push the boundaries of the body and the body politic, and portray the unthinkable in their art.</p><p><b>&amp;#x27;</b><b><i>The Marquis de Sade and the Avant-Garde </i></b><b>[is] a book that is a treasure house of information and inspiration, at the same time scholarly and completely engaging... An important work to add to your bookshelf; it will fascinate you, it will inspire you, and it will delight you.&amp;#x27;  Penelope Rosemont, </b><b><i>Rain Taxi Review of Books</i></b></p><p><b>&amp;#x27;Perceptive.&amp;#x27;  Allan Graubard,</b><b><i> Leonardo Reviews</i></b></p><p><b>&amp;#x27;[A] remarkable new book...In this deeply researched study, Mahon moves gracefully from a thorough exposition and analysis of Sade's life and work to his many critics....She leaves her readers with the urgent reflection that Sade's function has unceasingly been to provoke an assessment of life's value. This is a timely and important book and should be widely read.&amp;#x27;  Katharine Conley, </b><b><i>French Forum</i></b></p><p><b>&amp;#x27;A beautifully written and meticulously researched defense of another kind. Mahon deftly narrates the history of Sade the person as well as what she calls the &amp;quot;Sadean imagination&amp;quot;...Mahon's study of Sade and defense of his texts as central to the legacies of the avant-garde are, no doubt, well-argued and deeply researched, and they make for a compelling read; the book is a significant and important contribution.&amp;#x27;  Angelique Szymanek, </b><b><i>CAA Reviews</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alyce Mahon</b> is Professor of Modern and Contemporary Art History at the University of Cambridge. She is the author of <i>Surrealism and the Politics of Eros, 1938-1968</i>; <i>Eroticism and Art</i>; and <i>Dorothea Tanning: A Surrealist World</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Ancestral Mindset</i> by thought leader and human relations expert John Daniel offers deep insight into what motivates us and drives our actions and how we can use that information to better lead, influence, and collaborate at work and home. </p><p>If human evolutionary history were compressed into a single calendar year with our earliest ancestor arriving on January 1, our transition from hunter-gatherers wouldn&amp;#x27;t occur until the end of December. We were hunter-gatherers for well over 90 percent of our collective history. The key to understanding us is understanding the hunter-gatherer neurocircuitry that crafted our human nature. </p><p>In <i>Ancestral Mindset</i>, John Daniel traces the development of the human brain from the birth of our species and applies his insights to teach leadership and teamwork from an evolutionary-neurological perspective. </p><p>Why is your fight-or-flight instinct on a hair trigger when the boss calls you in? Why does receiving advice from a colleague induce a threat state? Why does it feel so disproportionately risky to disagree with the team? The answers to those questions lie in our collective past. </p><p>As a heart-transplant recipient with decades of executive HR experience, Daniel knows a thing or two about risk, survival, and human behaviour from the operating room to the board room. His unique personal story and voracious appetite for research have led to a text as potentially transformative as it is bursting with information. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John Daniel</b> is a veteran HR executive with deep experience in leading people and creating a positive company culture. He is a recognised thought leader and speaks at various organisations on culture, leadership, human behaviour, and change management.</p><p>After forty-seven years in the banking industry, John retired in 2021  his most recent executive role having served as chief human resources officer at First Horizon Bank. He is a recipient of the 2020 James House Williamson Award for his contributions in advancing the HR profession.</p><p>In 2022, John was a fellow at Harvard University, studying social impact strategies as part of the Advanced Leadership Initiative. He is a social entrepreneur and owner of Bluff City Pickleball Club in Bartlett, TN  its mission to promote health, well-being, and social engagement.</p><p>John is active in his community and serves on the boards of the United Way of the Mid-South, Seeding Success, First 8, The Center for Transforming Communities, and River City Capital.</p><p>A heart transplant recipient, John and his wife, Leslie, were honoured in 2022 with the Living Heart Award by the American Heart Association for their contributions to the AHA. The annual award is now named in their honour.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This beautiful coffee-table book takes readers through the history of the famous west London's club kit and in doing so also tell the story of the club, the famous matches and of course the iconic players who wore the shirt with pride and distinction.]]></Text>
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			<SubjectHeadingText>detention centres; colonial power; asylum seekers; racialisation; settler-colonialism; Christmas Island; children seeking asylum; immigration policy; Tampa; border security; child refugees; medical care; federal government; control of First Nations peoples; Murugappans; stolen land; offshore detention; Biloela family; cruelty; White Australia policies; stop the boats; children overboard; Australia's migration history; histories of emotion; policy-makers; Bridging Visa E; community detention</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Oral History Australia Book Award 2024**</b></p><p><b>A ground-breaking history of Australia's treatment of child refugees</b></p><p><i>Cruel Care</i> tells a story of government, politics and the emotions that drive decisions. It asks why Australia has treated child refugees with violence and why governments say that the cruel acts they perpetrate are a form of care.</p><p>Based on extensive research  including 35 oral history interviews with key policymakers, along with a rich set of archival sources  this book traces how governmental authorities can make decisions designed to control and disenfranchise children in their care. It explores how legislation, ministers, political parties and the public service have combined to create a sentimental rhetoric of welfare while enacting repressive policies. And it details the weaponization of rhetoric such as 'best interests of the child' and the histories of race  and racism  that shape Australian discourses of national security.</p><p>At the heart of this book is a study of the stories of the people who shape refugee policy. <i>Cruel Care</i> asks provocative questions about how policymakers are shaped by, and in turn shape, their histories, communities and the nation, in order to offer bold suggestions for how we could achieve collective justice for refugees.</p><p><b>&amp;#x27;Brilliant...with a cut-through otherwise largely absent from Australian public discourse on refugees.&amp;#x27; - Frank Bongiorno</b></p><p><b>'The aptly named</b> <b><i>Cruel Care</i></b><b> is a groundbreaking book - confronting, deeply disturbing and revelatory.' - Arnold Zable</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[Critical Care paints a vivid and nuanced picture of HIV and AIDS nursing and sheds light on an unexamined aspect of Australia's AIDS crisis.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Prime Minister's Literary Awards 2025, Australian history**</b></p><p><b>**Shortlisted, NSW History Awards 2025, NSW Community and Regional History Prize**</b></p><p><b>**Highly Commended, Ernest Scott Prize 2025**</b></p><p><b>**Highly Commended, Oral History Australia Book Award 2024**</b></p><p>HIV and AIDS devastated communities across Australia in the 1980s and 1990s. In the midst of this profound health crisis, nurses provided crucial care to those living with and dying from the virus. They negotiated homophobia and complex family dynamics as well as defending the rights of their patients.</p><p>Bringing together stories from across the country, historian Geraldine Fela documents the extraordinary care, compassion and solidarity shown by HIV and AIDS nurses. <i>Critical Care</i> unearths the important and unexamined history of nurses and nursing unions as caregivers and political agents who helped shape Australia's response to HIV and AIDS.</p><p><b>'Drawing on the frontline experience of nurses, Fela has written an insightful and moving history of the tragedy and triumphs of Australia's response to the AIDS epidemic.'  Dennis Altman, Vice Chancellor's Fellow, La Trobe University</b></p><p><b>'</b><b><i>Critical Care</i></b><b> shows how Australia's AIDS crisis aroused fear, hatred and homophobia and yet forged new bonds of care, community and love. This beautifully told story of the nursing profession's response to acute suffering and great tragedy  borne predominantly by gay men  is among the most moving Australian histories I have read. It will be essential for anyone interested in health, the professions, gender, sexuality and the shifting emotional landscape of the nation.'  Frank Bongiorno, Professor of History, Australian National University</b></p><p><b>'This outstanding book chronicles the role of nurses in addressing the AIDS pandemic, after the arrival of HIV. The old approach to epidemics was strict control and isolation. But something new was required by the nature of this unexpected crisis. Fortunately, in Australasia, healthcare professionals and lawmakers rose to the occasion. The special challenge of coping with patients needing care, often when they were profoundly sick and dying; where no vaccine was available; and no drugs were effective at first to turn the tide, put huge pressure on nurses on the front line. They helped lead our community to address the AIDS paradox. This book tells a heroic story. I honour the author and those whose work she describes so that their lessons will not be forgotten.'  The Hon. Michael Kirby, Past Justice of The High Court of Australia and Patron of The Kirby Institute</b></p><p><b>'As well as being a pleasure to read, this book shines new light on previously hidden stories in the Australian HIV response; that of nurses, trade unions and First Nations people. Fela's insightful narrative brings to life the unique and vital role played by nurses who provided care in environments that were too often marked by intense fear and shame.'  Jennifer Power, Associate Professor and Principal Research Fellow, La Trobe University</b></p><p><b>'In this insightful book, Geraldine Fela revisits the Australian response to the HIV/AIDS epidemic and unearths the important and untold contribution of nurses. Nurses were on the frontlines of care during the epidemic and Fela beautifully brings forth their experiences, perspectives and voices. In her attention to labour history, gender and the impact of colonisation, Fela highlights less-told stories of the epidemic that help us re-evaluate the Australian response to HIV/AIDS. This is an important and often moving book.'  Robert Reynolds, Professor of Modern History, Macquarie University</b></p><p><b>'In the worst years of the AIDS crisis, nurses were the frontline of healthcare. Geraldine Fela's compelling, myth-busting book shows how Australian nurses challenged stigma and transformed healthcare relationships and practices. Fela illuminates different healthcare approaches across states, and between city and country, and how nurses ensured effective responses to HIV in Indigenous communities.'  Alistair Thomson, President Oral History Australia and Emeritus Professor in History, Monash University</b></p><p><b>'In this marvellous book, Geraldine Fela reveals the day-to-day work of nurses and their unions in responding to the HIV/AIDS crisis in Australia. Through interviews and archival research, she shows how in caring, educating, advocating, they saved lives, eased suffering and reshaped our medical system from the ground up.'  Graham Willett, Historian, Arch-tivist, Publisher</b></p><p><b>'This book honours those who bathed the sweat from the exhausted brows of sufferers; who cared for people abandoned by their families and the community; who stood up for those who could no longer stand up for themselves. Bravo, bravo, bravo.'  Caroline Overington,</b> <b><i>The Australian</i></b></p><p><b>'</b><b><i>Critical Care</i></b><b> is an optimistic and galvanising read that celebrates the power of activism.'  Jinghua Qian, ABC ARTS</b></p><p><b>'The author skilfully weaves the professional, personal and political to make visible the often-invisible work of those lower down in the hospital hierarchy who braved fear, hate and ignorance to deliver a service that recognised people's humanity.</b> <b><i>Critical Care</i></b> <b>is a challenging read, but its reward is insight into the power of love, courage and solidarity.'  Judges' comments, NSW History Awards</b></p><p><b>'This inspiring history of progressive public health strategy should be cause for national pride. Characterised by a collaborative, community-based education approach  rather than isolating and controlling patients  nurses played an important role, centring the rights of affected communities.In the age when public health is a matter of urgent concern,</b> <b><i>Critical Care</i></b><b> is both an original and revealing history of Australia's response to AIDS and a valuable source of guidance for the future.'  Judges' comments, Prime Minister's Literary Awards</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Victorian Premier's Literary Awards 2025, Non-Fiction**</b></p><p>Warm and wry, mixing high culture and suburban realism, the laconic and the artful, <i>Anything Can Happen</i> is a memoir from one of Australia's literary trailblazers. Funny, heartbreaking, it has exactly the arc of a good story, with a theme about storytelling and lies and how truth and memory are complex. It keeps in play so many things: irony and spirituality, a slice of social history of Sydney's inner west, a farm in Victoria, a lesbian subculture, Mardi Gras, the literary pleasures of teaching writing. Juxtaposition is her gift, as is the very natural speaking voice. With the eye of a poet, and the dry drollery of someone who has experienced it all, straight and married, gay and married, mother, friend, lover, writer, this is a raw and powerful account of a life lived fully.</p><p><b>'I love this memoir - it's the sort of writing Hampton excels at. There's no-one else I know who can hit that dry, droll, edgy note and conjure place and time and character and the random nature of memory and story-telling.'  Kim Mahood</b></p><p><b>'Alive and compelling, and served up in perfect mouthfuls, like an antipasto plate . . . Honesty, great sentences, good flow. Surprises, escalation, energy, digression and return, causation.'  Gail Bell</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Susan Hampton</b> has won many grants and awards for her work. <i>The Penguin Book of Australian Women Poets</i>, which she co-edited, became a set text on many writing courses. <i>Surly Girls</i>, performance pieces and short stories, won the Steele Rudd Award in 1990 (A&amp;R/Collins Imprint, 1989). <i>The Kindly Ones</i>, (Five Islands Press, 2005) has been described as '... a weird satirical travelogue written by one of the Furies...'. It is an extraordinary poem: bold, bitter, intelligent and fantastical.' It won the 2006 Judith Wright Award and was shortlisted for the NSW and Victorian Premiers' Awards for poetry, the <i>Age</i> Book of the Year Award, and the ACT Book of the Year Award.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Victorian Premier&amp;#x27;s Literary Awards 2025, Non-Fiction**</b></p><p><b>An important literary memoir which views white settler family history against the impacts on the Indigenous people with whom they interact.</b></p><p><i><s>Monument</s></i> is poet and critic Bonny Cassidy's fourth book. Moving seamlessly through genres in its recovery of the past - part poetry, part prose, microhistory, memoir, travel writing, and sometimes counterfactual speculation - it traces the complex consequences of colonial settlement across the generations of a White Australian family of mixed origins and ancestries.</p><p>Following the threads and detours signalled by research, objects and testimony, Cassidy makes a case for the value of 'collected memory' against the tide of settlement and silence. Inspired by the methods of Natalie Harkin's <i>archival poetics</i> and Katrina Schlunke's <i>Bluff Rock: Autobiography of a Massacre,</i> Cassidy's <i><s>Monument</s></i> considers how non-Indigenous Australians might absorb First Nations truth-telling; and what this means for acts of speech, and writing. Should our memories serve the living or the dead, the past or the present? Why do we need new monuments in Australia, and where should we expect to find them?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Bonny Cassidy</b> is the author of three poetry collections - <i>Certain Fathoms</i>, <i>Final Theory</i> and <i>Chatelaine</i> (shortlisted for the Prime Minister's Award for Poetry and the Judith Wright Calanthe Award) - and co-editor of the anthology <i>Contemporary Australian Feminist Poetry</i>. Her essays and criticism on Australian literature and culture have been widely published, and her awards include an Asialink fellowship and a Marten Bequest Travelling Scholarship. She teaches Creative Writing at RMIT University and lives in the bush on Dja Dja Wurrung Country, Central Victoria.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Highly Commended, Victorian Premier's Literary Awards 2025, Non-Fiction**</b></p><p><b>There was something so captivating about always being on the edge, on that shaky precipice of promise - something new and something cool was just lurking around the corner and we'd arrive at it if we kick around long enough.</b></p><p><i>Peripathetic</i> is about shit jobs. About being who you are and who you aren't online. About knowing a language four times. About living on the interstices. About thievery. About wanting. About the hyperreal. About weirdness.</p><p>Cher Tan's essays are as non-linear as her life, as she travels across borders that are simultaneously tightening and blurring. In luminous and inventive prose, they look beyond the performance of everyday life, seeking answers that continually elude.</p><p>Paying homage to the many outsider artists, punks, drop-outs and rogue philosophers who came before, this book is about the resistance of orthodoxies - even when it feels impossible.</p><p><b>'Tan is searingly intelligent and often very funny, making</b> <b><i>Peripathetic</i></b> <b>both a thought-provoking and deeply pleasurable read.' </b> <b><i>Guardian Australia</i></b><b>, Best Books of 2024</b></p><p><b>'</b><b><i>Peripathetic</i></b> <b>is a fascinating collection, always animated by Tan's distinctive, acidic voice and rambunctious aesthetic. The essays are bold and always manage to be intellectually engaging and incredibly good fun.'  Fiona Wright,</b> <b><i>The Guardian</i></b></p><p><b>'Tan is a sharpshooter, putting into words thoughts that had previously only rattled in my head.'  ArtsHub</b></p><p><b>'Invigoratingly thoughtful, playful and stylistically uncompromising in the best of senses.' </b> <b><i>Sydney Morning Herald/The Age</i></b></p><p><b>'We need curious, energetic and risk-taking commentators like Tan.' </b> <b><i>Books+Publishing</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Cher Tan</b> was born in Singapore in 1987 and moved to unceded Kaurna land (so-called 'Adelaide') in 2012. She learned how to write through making zines and blogging. Her essays, criticism and other written work have been published widely. She is the reviews editor at <i>Meanjin</i> and an editor at <i>Liminal</i>, and currently lives and works on unceded Wurundjeri land. <i>Peripathetic</i> is her first book.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, 2024 NSW Premier's History Awards, Anzac Memorial Trustees Military History Prize**</b></p><p>On 9 August 1918, at Chipilly Spur overlooking the Somme River, an entire British Army Corps is held up by German machine gunners.</p><p>The battle has raged for 30 hours and more than 2000 men have fallen. Then, two Australian sergeants, Jack Hayes and Harold Andrews, go absent without leave and cross the Somme ahead of British lines. Seeing that the British advance is stopped, they re-cross the river, gather four mates and return to drive the Germans off the spur.</p><p>The extraordinary feats of the Chipilly Six and the personal stories of these diggers have been overlooked. Historian Lucas Jordan weaves a compelling tale of the lives of the soldiers, chronicling their return home and years after service, through a pandemic, the Great Depression, another world war and the very first Anzac Day dawn service.</p><p><b>'The Chipilly Six were extraordinary men in extraordinary times. Lucas Jordan reveals a wider story of Australia's Great War veterans as they battled a nation forgetting, a bitter Depression, another World War and beyond. This is a remarkable insight into a vanishing world' - Bill Gammage, Emeritus Professor, Humanities Research Centre, ANU</b></p><p><b>'An absolute cracker of a story. No one - and I literally mean no one! - is more equipped to write a compelling book about the remarkable story of the Chipilly Six.' - Ross McMullin, author of</b> <b><i>Life So Full of Promise</i></b></p><p><b>'A superb piece of investigative historical storytelling. Lucas Jordan is part of a new generation of military historians. He is a bright star.' - Peter Stanley, author of</b> <b><i>Bad Characters: Sex, Crime, Murder and the Australian Imperial Force</i></b></p><p><b>'Throws new light on the impact of war on families and communities, wives and brothers-in-arms.' - Marilyn Lake, Professorial Fellow, University of Melbourne</b></p><p><b>'A remarkable piece of recovered history that offers great insight into the impact of war on Australian society. Highly recommended.' - Jeff Popple,</b> <b><i>Canberra Weekly</i></b></p><p><b>'It's impossible to read this ripping, vivid recreation of events without shaking your head in disbelief.' -</b> <b><i>Sydney Morning Herald</i></b> <b>and</b> <b><i>The Age</i></b></p><p><b>&amp;#x27;Lucas Jordan is to be congratulated on producing a compelling book describing a pivotal era of Australian history, as well as making the exploits of the Chipilly Six better known.&amp;#x27; - David Phillipson, Military History &amp; Heritage Victoria</b></p><p><b>&amp;#x27;With the current Royal Commission into Veteran suicide, this is a timely and important look at just what returning soldiers face when they are expected to slide back into normal society when the war is over. For many, the war continues long after the final shots are fired.&amp;#x27; - Warwick O'Neill, Military History &amp; Heritage Victoria</b></p><p><b>&amp;#x27;A fantastic contribution to our understanding of the military in Australia.&amp;#x27; - Geoff Keating, University of Southern Queensland </b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lucas Jordan</b> grew up in Burekup in Western Australia. He holds a PhD in history from the Australian National University. Lucas spent more than a decade teaching and researching in the Kimberley, Cape York and central Australia. He worked for Amnesty International as a researcher and fieldworker and co-wrote Amnesty's global report '"The land holds us": Aboriginal peoples' right to their traditional homelands in the Northern Territory', which was based on six years of collaboration and camping with the Alyawarr and Anmatyerr people. Lucas is currently a leading teacher at Western English Language School, a secondary school for new arrivals and refugees in Melbourne, and occasionally consults on history projects. He is the author of <i>Stealth Raiders: A few daring men in 1918</i>. Lucas lives in Lara, Victoria, with his wife and two sons.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The incredible story of an Australian hero who helped save the life of a future president.</b></p><p>On a moonless night in August 1943, a US torpedo boat commanded by Lt John F Kennedy, on patrol in Solomon Islands, was rammed by a Japanese destroyer. Left clinging to wreckage within sight of Japanese encampments, the eleven surviving members of Kennedy's crew eventually struggled ashore on a small uninhabited island. Missing, presumed dead, behind enemy lines, with no food or water, and with several injured, the future looked bleak for the shipwrecked Americans. Fortunately, Australian 'coast watcher' Lt Reg Evans witnessed the immediate aftermath of the collision from his nearby jungle hideaway. Working under the searching eye of the Japanese military, over the next five days Evans and two Solomon Islander scouts - Eroni Kumana and Biuku Gasa - located Kennedy and his crew and ensured their rescue.</p><p>This story of wartime bravery and survival helped create JFK's legend and paved his way to the White House. It also shone a spotlight on Australia and America's shared wartime experience. In <i>Saving Lieutenant Kennedy</i>, Brett Mason, author of <i>Wizards of Oz</i>, sets the heroic rescue and its colourful aftermath against the background of the Pacific war and the birth of the AustraliaUS alliance, which remains as vital today as when Kennedy and Evans first shook hands.</p><p><b>&amp;#x27;A fascinating slice of military history.&amp;#x27; - Jeff Popple,</b> <b><i>Canberra Weekly</i></b></p><p><b>&amp;#x27;</b><b><i>Saving Lieutenant Kennedy</i></b><b> is a book that is equally interesting and entertaining. It can be highly recommended.&amp;#x27; - </b><b><i>Sabretache </i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Brett Mason</b> is Chair of the Council of the National Library of Australia and Adjunct Professor in Law at the Queensland University of Technology. He was formerly Australia's Ambassador to the Netherlands and Permanent Representative to the Organisation for the Prohibition of Chemical Weapons. From 1999 to 2015 he was Senator for Queensland and served in the Howard and Abbott ministries. His most recent book is <i>Wizards of Oz: How Oliphant and Florey helped win the war and shape the modern world</i> (NewSouth).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>What does Australia's military history reveal about us?</b></p><p>In <i>Beyond The Broken Years</i>  fifty years after <i>The Broken Years</i>, Bill Gammage's classic on World War One soldiers, was published  provocative military historian Peter Stanley argues why it's vital for Australians to understand how our military past has been created. By whom, how and with what consequences.</p><p>Stanley explores military history and the storytellers  from historians Charles Bean, Henry Reynolds, Joan Beaumont and David Horner to ''storians' Peter FitzSimons and Les Carlyon. And grapples with what it means to write military history, its different approaches, the rise of popular writers and much more. He asks readers to consider a genre that plays a central role in the Australian identity, but many take for granted.</p><p><b>'An unflinching and insightful tour through the evolving landscape of Australian war history, led by one of the country's most trusted guides. This impressive blend of scholarship and reflection is crucial reading for anyone wanting to understand the place of war in Australian history.'  Kate Ariotti, University of Queensland</b></p><p><b>'All historians of Australian military history will be indebted to Peter Stanley for this virtuoso commentary on the books of the field, written with his characteristic flair, insight and delight in controversy.'  Emeritus Professor Joan Beaumont, Australian National University</b></p><p><b>'Peter Stanley's evocation of Australia's military history is not to be missed. Half a century after Bill Gammage's superb book</b> <b><i>The Broken Years</i></b> <b>was published, Stanley has cleverly drawn on the cream of Australian military historians to underline the key elements of Australia's military past. However, it is Stanley's own analysis of the importance of Australia's military past that has given new meaning to the importance of Australians at war. Remarkably, Stanley has researched 1300 books written by Australian authors since 1974. The result is a gripping overview of our military history that should not be missed.'  The late Tim Bowden AM, author, radio and television broadcaster, producer and oral historian</b></p><p><b>'Peter Stanley is surely the military historian's historian. This book is an extraordinary achievement, both knowledgeable and eminently readable. It should take pride of place in any military history library.'  Mike Carlton, author, broadcaster and journalist</b></p><p><b>'In engaging prose, and with a light touch, Stanley analyses the military history boom of the last fifty years, pondering the rise and rise of Anzac commemoration, and making a strong claim for better representation of frontier wars at the Australian War Memorial.</b> <b><i>Beyond The Broken Years</i></b><b> will be devoured by those who enjoy military history and will endure as the authoritative account of how Australians have understood our experience of war.'  Carolyn Holbrook, Deakin University</b></p><p><b>'For more than a century Australia's military experience has been central to the nation's identity, and the bedrock of understanding that experience has been the published histories, academic studies and personal stories. Peter Stanley's book is a brilliant, erudite, and insightful examination of the books that have enlightened, strengthened and at times challenged our understanding of Australia's military history in the past fifty years.</b> <b><i>Beyond The Broken Years</i></b> <b>is a reminder that there are multiple strands to Australia's military history. This is not just because Australia continues to go to new wars, but also because our understanding of the impact of war continues to grow.'  David Horner, Emeritus Professor, Australian National University</b></p><p><b>'As an exceptional historian and a generous patron and mentor, Peter Stanley is ideally placed to analyse the last 50 years of Australian military historiography. This brilliant and original book will entertain and inform readers at all levels of expertise.</b> <b><i>Beyond The Broken Years</i></b><b> will inspire all readers to read (or write) more Australian military history.'  Mark Johnston, Head of History and Classics, Scotch College Melbourne</b></p><p><b>'Aficionados of Australia's rich military history will enjoy reading this latest work by prolific military author and historian, Peter Stanley.</b> <b><i>Beyond The Broken Years</i></b> <b>will stimulate reading, and further analysis and research on Australia's military history, which is important, as Australia's military history reveals much about us. I commend this book to you.'</b> <b> Paul Irving, MAJGEN (Ret'd) AM PSM RFD, Manager, Royal United Services Institute NSW Ursula Davidson Library</b></p><p><b>'Another Stanley original. Inspiring, thoughtful, provocative and personal, this book will have you reaching for your pencil to jot down titles for your next library visit. Essential reading for all Australian military history enthusiasts.'  Professor Emerita Melanie Oppenheimer, Australian National University and Flinders University</b></p><p><b>'A spirited romp through the annals of Australian military history. Searching, sceptical, self-reflexive and engaging, Peter Stanley vigorously ponders the past and future of the discipline.'  Professor Bruce Scates, Australian National University</b></p><p><b>'You're in good hands...this is a wonderful contribution to military history, and national public life.'  Caroline Overington,</b> <b><i>The Australian</i></b></p><p><b>'A highly readable personal and professional history, in which Stanley engages with the contexts, cross-currents, and controversies of Australian military history.' </b> <b><i>Australian Book Review</i></b></p><p><b>'If the Olympics had an event for reading and analysis, Peter Stanley would win gold.' </b> <b><i>The Canberra Times</i></b></p><p><b>'...to the legion of researchers interested in the discipline of Australian military history, this book will be indispensable. It is provocative, readable and erudite. And it's a reminder that in our understanding of war, we have come a long way in the 50 years since</b> <b><i>The Broken Years</i></b><b> appeared, when the complexities of gender, race and frontier conflict were unrecognised or unacknowledged by Australian military historians.'  Phillip Deery,</b> <b><i>Sydney Morning Herald / The Age</i></b></p><p><b>'Stanley's book shines a new light on Australian military history writing and its impact on our perceptions as a society. Structured along chronological and thematic lines, it is a fascinating overview written in a very engaging manner. Stanley does not steer away from controversy, and his views entertain, as well as inspiring readers to seek out exemplary examples of military history. Very impressive.' </b> <b><i>The Canberra Weekly</i></b></p><p><b><i>'[Beyond the Broken Years]</i></b> <b>is amazingly comprehensive...Think of a subject and Stanley has covered it. Ethnicity and Anzacs, the cost of war and its aftermaths, battlefields, memories and memorials, the European air war, New Guinea, official histories, Korea, peacekeeping, First Nations veterans, POWs, the Navy, and that all-important consideration of every serving soldier  the state of your boots.</b><b><i>' </i></b> <b>Noel Turnbull</b></p><p><b>'A monumental work...This is a must read for everyone interested in military history. It is an easy, at times humorous read that possesses the true stamp of authenticity.'  Neville Taylor</b></p><p><b>'This extraordinary book demands intense focus, even though unsettled questions about accepted historical accounts of Australia's war involvement could well emerge.'  </b><b><i>PS News</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Peter Stanley</b> recently retired as Research Professor at UNSW Canberra. He has published over forty books, many in Australian military history, among which <i>Bad Characters</i> jointly won the Prime Minister's Prize for Australian History in 2011. He was formerly Principal Historian at the Australian War Memorial, where he worked from 1980 to 2007. He has been a crucial participant in the field for over forty years, known as mentor, supervisor and examiner of doctoral theses, reviewer, critic, exhibition curator, and collaborator. He was inaugural President of Honest History and is a Principal of Defending Country, a coalition dedicated to encouraging the War Memorial to keep its undertaking to acknowledge Frontier Conflict fittingly.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In December 1943, five courageous correspondents join a British air raid on Berlin. They are Australians, Alf King from the <i>Sydney Morning Herald</i> and Norm Stockton from the<i> Sydney Sun</i>; Americans, Ed Murrow from CBS and Lowell Bennett from the International News Service; and Norwegian journalist and activist, Nordahl Grieg. Each is assigned to one of the 400 Lancaster bombers that fly into the hazardous skies over Germany on a single night. Of the five, only two land back at base to file their stories.</p><p>After parachuting out of his doomed aircraft, one reporter is taken prisoner. From there his captors take him on a remarkable tour of bombed-out German cities.</p><p>In <i>Dispatch from Berlin, 1943</i>, Anthony Cooper and Thorsten Perl uncover this incredible true story of life on both sides of the war.</p><p><b>'An extraordinary tale of five brave reporters and their eyewitness accounts of the horrors of aerial warfare during and after a raid on Berlin. A compelling tribute to the 57 205 young men killed while serving with bomber command during the Second World War.' - Ian McPhedran</b></p><p><b>'This book captures the life and death drama that saw five war correspondents, two of them Australian, assigned to RAF Bomber Command to report on the most dangerous campaign of the Second World War - bombing Berlin. Neither they nor the crew knew if they would survive the night. A compelling story of a single raid that has remained untold for too long.' - Peter Rees</b></p><p><b>'A deep, intimate and remarkable story - indeed, a rare personal window into the huge and devastating machinery of the air war over Europe during World War Two. The trials and tribulations of five intrepid journalists is an exciting tale in its own right, but it simultaneously gives a unique keyhole with which to view the tenure and drama of the era. Well-written and equally well-researched, this book is a gem for those with even a passing interest in military history of the Second World War, and scholars of the field alike.' - Craig Stockings</b></p><p><b>'</b><b><i>Dispatch from Berlin, 1943</i></b><b> takes you on a heart-stopping bombing raid over enemy territory as brave allied air crew battle flak, fighters and fate. Told through the eyes of five brave journalists who went with them, this is a remarkable book about the horror and humanity of war.' - Mark Willacy</b></p><p><b>'An outstanding piece of military history.' - Jeff Popple,</b> <b><i>Canberra Weekly</i></b></p><p><b>&amp;#x27;An exceptional story, a military history that opens a private window pane into the massive and distressing mechanism of aerial warfare over Europe during World War II.&amp;#x27; - Rama Gaind,</b> <b><i>PS News</i></b></p><p><b>&amp;#x27;With skilful writing and attention to detail (much of it the result of years of Thorsten Perl's research), Cooper integrates the vivid accounts left by these journalists with data about Bomber Command and the technicalities of air navigation. He provides an unforgettable account of the raid on Berlin on 2 December 1943.' - </b><b><i>Australian Book Review</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Anthony Cooper</b> is a retired schoolteacher with a PhD in German civil aviation in the Weimar Republic, and is the author of <i>HMAS Bataan 1952</i> (NewSouth, 2010); <i>Darwin Spitfires</i> (NewSouth, 2011 and 2022); <i>Kokoda Air Strikes</i> (NewSouth, 2014); <i>RAAF Bombers over Germany; Paddy Finucane and the Legend of the Kenley Wing;</i> and <i>Sub Hunters.</i></p><p><b>Thorsten Perl</b> is an investigator of historical and scientific topics. He has been involved with official agencies in the search for and clarification of missing crew members of the Second World War for twenty-seven years. Thorsten works in research and development of regenerative agriculture and lives with his family in Eberswalde near Berlin in Germany.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In the early hours of 26 February 1918, the British hospital ship</b> <b><i>Glenart Castle</i></b><b> steamed into the Bristol Channel, heading for France to pick up wounded men from the killing fields of the Western Front. On board was 32-year-old Australian nurse, Edith Blake. Unbeknown to the ship's company, a German U-boat lurked in the waters below.</b></p><p>When Edith Blake missed out on joining the Australian Army, she was one of 130 Australian nurses allotted to the British Queen Alexandra's Imperial Military Nursing Service in early 1915. Her first posting was in Cairo where she nursed soldiers wounded at Gallipoli. In Edith's remarkable letters to her family back home, she shares her homesickness and frustration with military rules, along with the savagery of the injuries she witnessed in the operating theatre. Later, at Belmont War Hospital in Surrey, she writes of her conflicted feelings about nursing German prisoners of war even as battles on the Western Front raged and German aircraft bombed England.</p><p>In Edith Blake's War, her great niece, Krista Vane-Tempest, traces Edith's gripping story, from training in Sydney to her war service in the Middle East, England and the Mediterranean, and her tragic death in waters where Germany had promised the safe passage of hospital ships.</p><p></p><p><b>'Beautifully written and an engaging read, Edith Blake's War opens a window on unsung areas of Australian nurses' service at war. Krista Vane-Tempest's meticulous research enhances understanding but never intrudes, as Sister Blake's own voice brings her wartime experiences vibrantly to life. An ultimately moving book born of connection to family across generations.' - Janet Butler</b></p><p><b>'Edith Blake's story powerfully evokes the horrors and dangers of nursing during the Great War while capturing the poignant and special bond Australian nurses forged with Anzac soldiers. Krista Vane-Tempest deftly weaves the larger context of the war throughout Edie's remarkable letters home and gives her the long overdue recognition her courage warrants.' - Peter Rees</b></p><p><b>'More than a biography, Krista Vane-Tempest has penned a tribute to the contribution and sacrifice of Australian women during the First World War. In doing so, she has rediscovered the evocative story of Edith Blake, nurse to the Anzacs and British troops and whose life was tragically lost in that terrible conflict.' - Karl James</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Jack Kennedy (Sydney), Stuart Walch (Hobart), Dick Glyde (Perth), Ken Holland (Sydney), Pat Hughes (Cooma and Sydney), Bill Millington (Adelaide), John Crossman (Newcastle) and Des Sheen (Canberra): eight Australian Spitfire and Hurricane pilots of the Battle of Britain. Only one survived.</p><p>During the summer and autumn of 1940, the Luftwaffe launched their campaign to gain superiority over the RAF, especially Fighter Command. The result was the first major battle of World War II (or any war) fought entirely in the air. The Luftwaffe&amp;#x27;s defeat by &amp;#x27;The Few&amp;#x27; marked a turning point in the Allies&amp;#x27; favour. </p><p>The Battle of Britain is one of the most significant battles of the war, and until now, the role of the Australian &amp;#x27;Few&amp;#x27; has received little attention. Kristen Alexander gives a personal account of eight Australian participants, drawing heavily on primary source material and original research. She follows these young men from childhood, through their education, training, personal relationships and flying careers, to death in combat (in the case of seven of the eight men), and beyond that to commemoration.</p><p><b>'Kristen Alexander's respect and admiration for the eight Australian pilots is evident in every page of this excellent book. It is a testament to both her writing and research skills and their lives and devotion to duty.'  </b><b><i>Australian Defence Force Journal</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kristen Alexander </b>is a writer, researcher, and bookseller. In 2020, Kristen was awarded a PhD by UNSW Canberra for her thesis &amp;#x27;Emotions of Captivity: Australian Airmen Prisoners of Stalag Luft III and their Families&amp;#x27;. She is the 2021 winner of the Australian War Memorial&amp;#x27;s Bryan Gandevia Prize for Australian military-medical history for her thesis. Her fourth book, <i>Australia&amp;#x27;s Few and the Battle of Britain, </i>won the nonfiction category of the 2015 ACT Writing and Publishing Award. Her fifth book, <i>Taking Flight: Lores Bonney&amp;#x27;s Extraordinary Flying Career</i>, was highly commended in the nonfiction category of the 2017 ACT Writing and Publishing Award.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Emperor&amp;#x27;s Grace</i> is the story of the men of &amp;quot;C&amp;quot; Force  the first contingent of Australian, British and Dutch POWs shipped from Singapore to Japan in November 1942  who worked in the Kawasaki Shipyard in Kobe before the American firebombing campaign razed the city, and then the infamous Fukuoka coal mine before the atomic bombings brought World War II to an end.</p><p>When the Japanese seized most of South-East Asia in early 1942, they captured 22,000 Australian military personnel. More than a third would die over the next three years from malnutrition, disease and violent abuse. The horrors of the ThaiBurma Railway and Sandakan are well documented. Less well known is the fate of the 3,800 Australians sent to work as slave labourers in the factories and mines of mainland Japan.</p><p><i>The Emperor&amp;#x27;s Grace</i> is a compelling story of hardship, heroism and endurance  and the ultimate triumph of the human spirit  told for the first time from the unpublished diaries, memoirs and personal accounts of the men who survived.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The Ypres salient &amp;#x27;was the favourite battle ground of the devil and his minions&amp;#x27; wrote one returned serviceman after the First World War. Few who fought in the infamous third battle of Ypres  now known as Passchendaele  in 1917 would have disagreed. All five of the Australian Imperial Force&amp;#x27;s (AIF) infantry divisions were engaged in this bloody campaign. Despite early successes, their attacks floundered in front of the devastated Belgian Passchendaele&amp;#x27;s when autumn rains drenched the battlefield, turning it into an immense quagmire. By the time the AIF withdrew, it had suffered more casualties over 38,000 casualties, including 10,000 dead, far outweighing Australian losses in any other Great War campaign.</p><p>Given the extent of their sacrifices, the Australians&amp;#x27; exploits in Belgium ought to be well known in a nation that has fervently commemorated its involvement in the First World War. Yet, Passchendaele occupies an ambiguous place in Australian collective memory. Tracing the commemorative work of official and non-official agents-including that of C.E.W. Bean; the Australian War Memorial; returned soldiers; battlefield pilgrims; and, more recently, the Department of Veterans&amp;#x27; Affairs, working in collaboration with Belgian locals-<i> The Battlefield of Imperishable Memory</i> explores why these battles became, and still remain, peripheral to the dominant First World War narrative in Australia: the Anzac legend.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Ambrose and Ursula, two librarians, strive to have a baby in a world where children seem less prevalent. Their story becomes increasingly punctuated by seemingly random episodes of violence inflicted upon their world as Bottrell, a fascist leader, preys on the insecurities of a populace saturated with information and the act of remembering. He attempts to master the past, viewing it as a source of corruption. He persecutes librarians and begins to selectively cull collections.</p><p>Ambrose and Ursula attempt to remain outside this conflict, but inevitably are drawn into it, through their desire to save the books they have spent their working lives preserving. They realise that they must save the past for a new generation to be able to understand it.</p><p>Narrative and character-driven, this is a startlingly original novel that passionately opposes the trend for banning books and attempts to rewrite history. Set in slightly future world that has managed the climate crisis but with a dramatic decrease in population, <i>Saturation</i> feels eerily like now. As we constantly forget names and passwords, and lean into a tyranny of reductivism, it calls us to a position of knowledge and hope.</p><p><b>Praise for William Lane's writing:</b></p><p><b>'moody and unsettling ... taut and densely imagined'  The Age</b></p><p><b>'revels in risks and delivers rewards'  The Australian</b></p><p><b>'mesmerising...a gothic sense which imbues it with an overall eeriness'  Whispering Gums</b></p><p><b>'beautiful...a poetic meditation on origins'  Julia Tulloh Harper</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In<i>The Victoria Principle</i>, Michael Farrell extends the humour and narrative drive demonstrated in recent collections such as<i>I Love Poetry</i>and<i>Googlecholia</i>to the short story. The collection begins with a writer character trying to do literary justice to the fear of birds; other stories feature creative activity, such as the conceptual artist who deliberately boils an egg to Nirvana's 'Smells Like Teen Spirit', or the would-be writers who attend a nude retreat in Nova Scotia. There is pathos, too, in a storyteller's relationship with his sister, and in that of a gay doctor with a straight Italian waiter, who is trying to make ends meet while supporting two children with two different women. The stories also revisit classical and popular myths, such as the judgement of Paris, and the life of Andy Gibb. The associations brought into play can be unexpected or absurd, but the process has its own logic: we may think of these fictions as meta-fictions, as 'thought stories' rather than short stories, offering inflections and reflections on queer Catholicism and mental breakdown, amidst the ongoing contradictions and ironies of contemporary Australian life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michael Farrell's</b> previous collections published by Giramondo include <i>open sesame</i>, shortlisted for the NSW Premier's Literary Award for Poetry; <i>Cocky's Joy</i>, shortlisted for the Prime Minister's Award for Poetry; <i>I Love Poetry</i>, which won the Judith Wright Calanthe Award and was shortlisted for the NSW Premier's Literary Award; <i>Family Trees</i>; and <i>Googlecholia</i>, longlisted for the ALS Gold Medal and shortlisted for the Judith Wright Calanthe Award. He edited the anthology <i>Ashbery Mode</i> for TinFish, and has published a scholarly monograph with Palgrave Macmillan, <i>Writing Australian Unsettlement: Modes of Poetic Invention 17961945</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[As Australia's first-ever publication to showcase the work of Muslim-Australian poets, this ground-breaking new collection centres and celebrates the diversity of contemporary Muslim-Australian identities and experiences. Through the timeless power of the written word, The Muslim Poetry Anthology reaffirms that there is no single way to be Muslim i]]></Text>
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			<Text textformat="02"><![CDATA[<p>Evocative. Unsettling. Unafraid.</p><p><i>Ritual</i> is a ground-breaking new publication which centres and celebrates the diversity of contemporary Muslim-Australian identities and experiences through the timeless power of the written word.</p><p>As Australia's first anthology to showcase the work of Muslim-identifying poets, the collection offers an urgent and necessary contribution to the global tradition of Islamic-inspired poetry  fifteen hundred years in themaking!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Patrcia Melo</b> was born in 1962 and is a highly regarded novelist, playwright and scriptwriter. She has been awarded a number of internationally renowned prizes, including the Jabuti Prize 2001, the German LiBeraturpreis 2013 and the German Crime Award 1998 and 2014, and she was shortlisted for the Independent Foreign Fiction Prize and <i>Time Magazine</i> included her among the Fifty Latin American Leaders of the New Millenium.</p><p><b>Sophie Lewis</b> is a London-based translator and editor working from Portuguese and French. Her translations have been shortlisted for the Scott Moncrieff and Republic of Consciousness prizes, and longlisted for the International Booker Prize. She was joint winner of the 2022 French-American Foundation prize for non-fiction translation, for her translation of Nastassja Martin's book <i>In the Eye of the Wild.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><br/><br/><i>My body is made of scars,<br/>some were done to me,<br/>but most I did to myself.</i><br/><br/>Keera is a killer. As the King&amp;#x27;s Blade, she is the most talented spy in the kingdom. And the king's favoured assassin. When a mysterious figure moves against the Crown, Keera is called upon to hunt down the so-called Shadow.<br/><br/>She tracks her target into the magical lands of the Fae, but Faeland is not what it seems...and neither is the Shadow. Keera is shocked by what she learns, and can&amp;#x27;t help but wonder who her enemy truly is: the King that destroyed her people or the Shadow that threatens the peace?<br/><br/>As she searches for answers, Keera is haunted by a promise she made long ago, one that will test her in every way. To keep her word, Keera must not only save herself, but an entire kingdom.</p><p><br/><b>&amp;#x27;Gripping and fierce. This is much-needed fantasy with its fangs honed sharp by the power of resistance. Melissa Blair has built a tremendous world. &amp;#x27;- Chloe Gong, #1</b><b><i>New York Times</i></b><b>bestselling author of</b><b><i>These Violent Delights</i></b><br/></p>]]></Text>
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			<Text textformat="02"><![CDATA[To the kingdom, Keera is the king's Blade, his most feared and trusted spy and assassin. But in the shadows, she works with Prince Killian and his Shadow-the dark, brooding Fae, Riven, who sets her blood on fire. Together, they plot to topple the crown. Keera swore she would never open her heart again after a loss she barely survived.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The highly anticipated second installment of the new adult fantasy saga that took BookTok by storm picks up where</b> <b><i>A Broken Blade</i></b><b> left off...</b><br/><br/> To the kingdom, Keera is the king's Blade, his most feared and trusted spy and assassin. But in the shadows, she works with Prince Killian and his Shadow-the dark, brooding Fae, Riven, who sets her blood on fire. Together, they plot to kill a tyrant king.<br/><br/> In Myrelinth, the lush, secret city of trees, Fae, Elves, and Halflings like Keera live in harmony. But Keera cannot escape her past: her crimes against her own people have followed her all the way to the Faeland. There is a traitor in their midst, and Keera is the top suspect.<br/><br/> Keera finds comfort in the allies that have become her family. She swore she would never open her heart again after a loss she barely survived. But she will soon find she has more to lose than she ever imagined . . .<br/><br/><b>Perfect for fans of Sarah J. Maas's</b> <b><i>Throne of Glass</i></b><b> series,</b> <b><i>A Shadow Crown</i></b><b> is a tour-de-force high fantasy novel with stunning world building and a slow burn enemies to lovers romance. Readers seeking more LGBTQ+ and BIPOC representation in the fantasy realm will fall in love with the unforgettable cast of characters introduced in</b> <b><i>A Broken Blade</i></b><b>, whose sagas are only beginning...</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Melissa Blair</b> (she/her/kwe) is an Anishinaabe-kwe of mixed ancestry living in Turtle Island and the author of <i>A Broken Blade</i>, the first book in The Halfling Saga. She splits her time between Treaty 9 in Northern Ontario and the unceded territory of the Algonquin Anishinabeg in Ottawa, Canada. She has a graduate degree in Applied Linguistics and Discourse Studies, loves movies, and hates spoons. Melissa has a BookTok account (@melissas.bookshelf on TikTok) where she discusses and reviews her favorite books, including Indigenous and queer fiction, sapphic books, LGBTQ+ romance, feminist literature, and non-fiction.<br/></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The thrilling third entry in the high fantasy saga that started with BookTok sensation <i>A Broken Blade</i>.</p><p>&amp;#x27;<i>It seems fate has dealt me the same hand again. I know how to play it.&amp;#x27;</i></p><p>A new king is on the throne and the rebellion lies in ruins. Keera spends her days drinking and her nights avoiding the strange dreams that have haunted her since she returned from the capital.</p><p>Keera's family in Myrelinth won't let her go without a fight. With new intelligence about the magical seals left behind by Keera's ancient kin, the Light Fae, she rallies to face her demons and unleash the formidable powers she inherited from her people. But a shocking truth is hiding in plain sight, one with the power to unravel the entire rebellion...</p><p>The pivotal third installment in<i> The Halfling Saga</i> will upend everything Keera thought she knew about her enemies...and her allies.</p><p>The third entry in <i>The</i> <i>Halfling Saga</i>, the epic tale of a deadly assassin with a mysterious past, set in a lush fantasy world of Mortals, Elves, Halflings, and Fae, <i>A Vicious Game</i> is perfect for readers who enjoyed the <i>A Court of Thorns and Roses</i> series and other romantic fantasy books, especially those seeking LGBTQ+ romance or BIPOC representation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Salsa in the Suburbs</i> is a story about a Latin-American family in Australia. The family has migrated to Western Sydney from Uruguay in the 1970s to escape a repressive military dictatorship. Decades later, Juan, is in his early seventies and a widower. He misses his wife and does not know how to be alone and has become dependent on his daughters, particularly Lola, who lives nearby. </p><p>Lola has her own battles living with an anxiety disorder and in her relationship with her Uruguayan musician husband, who connects her with the culture she lost when she migrated as a child. Her younger sister, Betty, is living an alternative lifestyle in Mullumbimby, unlike Lola, who clings to her Uruguayan culture, Betty has removed herself from her cultural roots as she finds it oppressive and stifling. </p><p>A third daughter, Malena is living in Italy with her husband. Fed up with Juan's dependence, particularly on Lola, Betty decides to place a personal ad, in a Spanish paper, on his behalf without asking him, hoping that a new partner, may help him, move beyond his grief and dependency. However, he finds new love walking the dog, a widowed Aboriginal lady called Frances. Their blossoming relationship becomes a trigger for Juan, Lola and Betty recalibrate how they measure their belonging across cultures. </p><p><b>&amp;#x27;The work presents a stunning and original overview of Latinx communities in both America and Australia, exploring how the family escape the civic-military dictatorship in the 1970s and find a home among the South American community of Western Sydney. Now, decades later, each member of the family reckons with the tension between the rich meaning they draw from their heritage and the human need for new experiences. </b><b><i>Salsa in the Suburbs</i></b><b> is poignant in its intersectional dialogue, and inspiring in its well-developed characters that carry humour, trauma and Uruguayan history with immense strength.&amp;#x27;  Maggie Ball, Fresh Ink judge and publisher of </b><b><i>The Compulsive Reader</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[Cassandra Complex is a full-length work of poetry drawn from the writer's experience as a long-term childless person on the cusp of fading fertility. It explores isolation, neurodivergence and identity.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Cassandra Complex</i> is a full-length work of poetry drawn from the writer's experience as a long-term childless person on the cusp of fading fertility. It explores isolation, neurodivergence and identity.</p><p>Behind the outlier and gritty perception of the world around the writer, is a core, mesmerised with the beauty of place, science and existential. With age and anonymity comes the writer's ability to sink into the corners of third spaces unobtrusively.</p><p>These poems examine the outside with raw candor and whip-smart wordcraft to reveal inner workings we yearn to keep secret. <i>Cassandra Complex</i> is an unapologetic body of work that draws inspiration from the Greek myth and explores the meaning of voice in the present. It soars with hope and tenacity.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sara Crane</b> is a poet, performer and lawyer, working on Awabakal and Gadigal lands. Sara has been published in the Newcastle Poetry Prize, <i>Babyteeth</i>, <i>Bareknuckle Poet</i>, <i>Gemzine</i> as well as <i>Grieve</i>, <i>Women of Words</i> and <i>Girls on Key</i> Anthologies. She has also published a chapbook titled Only Skin Separates Us. Sara is a poignant wordsmith cutting across page, hip hop and slam origins, Hilltop Hoods/APRAAMCOS Initiative winner, as well as an AFTRS screenwriting graduate. An inventive explorateur in written form, she also works with people experiencing drug dependency.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Not Telling</i> weaves a story of the possibilities and limitations of language. Three distinct sections entwine notions of speech and silence with intolerable psychic matter, intergenerational grief and loss, and the lasting effects of cultural silence. The intersect of the personal and political binds to depict black mothers bearing the weight of colonisation, human relationships halting and failing, and the complexities of dream interpretation. The poems disrupt time and linearity, weaving metaphor into Freudian, Irigarayan and Lacanian psychoanalytic theory. Through harsh visual depictions of the wretched damage caused by the invasion of Australia, musings on sacred land and celebration of continued culture, <i>Not Telling</i> illuminates the ongoing legacy of colonial dispossession and the strength of its survivors. It testifies to the system of oppression that affects Aboriginal people, connecting present-day black trauma with its origins. Jolted by presentations of the life realities of who we were and are pre- and post-invasion alongside exacting accounts of genocide, the reader is led towards through a harrowing journey.<i> Not Telling</i> sits at the axis of the human psyche and the political collective, offering a unique expression of the Australian experience of race, voice and power.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alison J. Barton</b> is a Wiradjuri poet based in Naarm. She has degrees in Professional Writing &amp; Editing, Social Work and Gender Studies, and balances her writing career with a day-job as a Social Worker. Themes of race relations, Aboriginal-Australian history, colonisation, gender and psychoanalytic theory are central to her poetry. She is widely published in Australian and international poetry and literary journals including <i>Meanjin, Meniscus, Overland, Cordite, Westerly Magazine, Australian Poetry Journal, Rabbit</i> and <i>Mascara Literary Review</i>. In 2023 she won three fellowships with Varuna House and her poetry was recognised in numerous prizes. In both 2022 and 2023, Alison's work appeared in<i> Best of Australian Poems</i>, and she was the inaugural winner of the Cambridge University First Nations Writer-in-Residence Fellowship. Alison's work can be viewed at www.alisonjbarton.com and you can follow her latest achievements on Instagram @alison_j_barton.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>&amp;#x27;a veteran poet who has mastered her craft.&amp;#x27; </b> <b><i>Australian Book Review</i></b></p><p><b>&amp;#x27;If you want  and who doesn't?  a poet who effects a transfiguration of the commonplace, it is Pam Brown.'  Justin Clemens</b></p><p><i>Guess the Experience.</i> Where does it happen? Who can remember? Does it matter?</p><p>This choppy mix of a book divulges Pam Brown&amp;#x27;s bemused attitude to poetry&amp;#x27;s insignificance and dubious usefulness, salted with an odd kind of sceptical optimism.</p><p>Some of these poems reveal narrative threads drawn from both real and invented encounters, locations, and situations. Some accumulate from conversations, books, advertisements, screens, propaganda,  in other words, art, life, and culture  to develop into the interstitial forms of a poem.</p><p>Sometimes sombre, sometimes banal, sometimes dissonant, often</p><p>insomniac, <i>Guess the Experience</i> invites you to get high on language.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Pam Brown</b> has been writing, collaborating, editing and publishing in diverse modes for five decades. A number of her many books have been on the shortlists and have sometimes won the prize. Her most recent collection, <i>Stasis Shuffle,</i> won the Judith Wright Calanthe Award in the Queensland Literary Awards and was shortlisted for Kenneth Slessor Prize in the NSW Premier&amp;#x27;s Literary Awards. She lives in Sydney on never-ceded Gadigal land.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In<i> Necessary Wonder</i> Peter Bakowski prescribes an antidote to faceless demographics and statistics, drawing the reader back to the sanctity of the individual through a series of portraits of real and fictitious persons.</p><p>From the hapless to the heroic, the laconic to the loquacious, the creative to the criminal, these portraits reveal the poet&amp;#x27;s lasting fascination with people and personae. But they transcend mere personality to locate the human experience in the world, juxtaposing contemporary urban poetry against poems set in rural New South Wales and Gippsland.</p><p>Intimate and memorable, these are beautifully crafted poems interwoven with wry humour as a kind of philosophical shrug at the world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Peter Bakowski </b>was born in Melbourne in 1954 and has been writing and publishing poems for over forty years, His books include In<i> The Human Night,</i> winner of the C. J. Dennis Prize for Poetry in the Victorian Premier&amp;#x27;s Literary Awards, and most recently a linked series of collaborations with Ken Bolton. His poems have appeared in over one hundred literary magazines worldwide, predominantly in English but also in Arabic, Bahasa-Indonesian, Bengali, German, Japanese, Polish, Spanish, Mandarin and French.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Other people kill their husbands. Not her.</i></p><p>In <i>Invisible Woman</i>, a dangerous secret held for too long between estranged best friends rises to the surface, and a long marriage comes apart with devastating consequences.</p><p>Joni Ackerman's decision to raise children, 25 years ago, came with a steep cost. She was then a pioneering filmmaker, one of the few women to break into the all-male Hollywood club of feature film directors. But she and her husband Paul had always wanted a family, and his ascending career at a premier television network provided a safety net. Now they've recently transplanted to Brooklyn, so that Paul can launch a major East Coast production studio, when a scandal rocks the film industry and forces Joni to revisit a secret from long ago involving her friend Val.</p><p>Joni is adamant that the time has come to tell the story, but Val and Paul are reluctant, for different reasons. As the marriage frays and the friends spar about whether to speak up, Joni's struggles with isolation in a new city, and old resentments about the sacrifices she made on her family's behalf start to boil over. She takes solace, of sorts, in the novels of Patricia Highsmith  particularly the masterpiece <i>Strangers on a Train</i>, with its duplicitous characters and their murderous impulses  until the lines between reality and fantasy become blurred.</p><p><i>Invisible Woman</i> is at once a literary thriller about the lies we tell each other (and ourselves), and a powerful psychological examination of the complexities of friendship, marriage, and motherhood.</p><p><b>&amp;#x27;A darkly clever thriller about women's thwarted ambitions, celebrity, the Time's Up movement and revenge.&amp;#x27;</b> <b> </b><b><i>People</i></b><b> (Book of the Week)</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Shallow Hill is where souls suffer slow and miserable deaths.</b></p><p>When River McAllister escaped from Shallow Hill, she left her innocence behind  and some of her sanity, too. Now she&amp;#x27;s rebuilding her life with her dream man and life couldn&amp;#x27;t be better.</p><p>Ryan Fitzgerald is everything you&amp;#x27;d want in a man. Attractive, rich, an aspiring lawyer, and would do anything to keep River. But that&amp;#x27;s not the only thing that attracts her. It&amp;#x27;s his attentiveness, his possessiveness...maybe not so much his temper.</p><p>When her relationship takes a dark turn, Ryan&amp;#x27;s estranged brother, Mako, is the only one who sees it. He knows exactly what Ryan is capable of, and it&amp;#x27;s not the first time he had to be a knight in shining armour.</p><p>River came from Shallow Hill, though. She&amp;#x27;s never needed saving before. What Mako doesn&amp;#x27;tsee, is that River is perfectly capable of taking care of herself.</p><p>The only one who should be scared is Ryan.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Hope You Are Satisfied welcomes you to Dubai as you've never seen it before... An astute satire in the vein of The White Lotus, with a touch of espionage. Malik's cast of characters undo the 'guest worker' stereotype one tequila shot at a time, even as their world teeters on the cusp of an explosive global conflict....]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Hope You Are Satisfied</i> welcomes you to Dubai as you&amp;#x27;ve never seen it before...</p><p>1990. Twenty-five-year-old Riya works for Discover Arabia, a tour guide company in the far-flung outpost of Dubai. In the months leading up to the first Gulf War, the city&amp;#x27;s iconic skyline and global reputation are just a gleam in developers&amp;#x27; eyes. For Riya, it&amp;#x27;s a desert purgatory that spreads out between her family back home in India and her unknown future.</p><p>As political tensions run high, international arms dealers, American soldiers, CIA consultants, corrupt bosses and wayward vacationers all compete for Discover Arabia&amp;#x27;s attention. Meanwhile, Riya and her colleagues begin to plan their exit strategies.</p><p>Will a favour from Dubai&amp;#x27;s most notorious fixer offer Riya the chance to fulfil her financial obligations and escape to the United States?</p><p></p><p><b>&amp;#x27;Exuberant, thrilling, and compassionate to the last page, Malik&amp;#x27;s sun-soaked novel is a testament to the power of friendships forged far from home&amp;#x27;  Leigh N. Gallagher, author of</b><i> </i><b><i>Who You Might Be</i></b></p><p><b>&amp;#x27;Full of hedonism and intrigue, this fast-paced novel is a historical snapshot that proves to be chillingly relevant&amp;#x27;  Stephanie Feldman, author of </b><b><i>Saturnalia</i></b></p><p></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In<i>A Bird Called Elaeus</i>, poet and translator David Constantine presents a selection of poems fromThe Greek Anthology, a collection of around 4500 poems composed over more than 1500 years by around 300 authors.</p><p>The Greek Anthologyis a marvellous salvage from the vast shipwreck of the Ancient World, a colossal continuity and variety from pre-classical times through Roman into Byzantine.For<i>A Bird Called Elaeus</i> his small anthology of the vast original  David Constantine has gone particularly not just to the renowned love poems but also to poems that treat man's dealings with the earth, his work and trades there, the creatures other than himself who inhabit it and the divinities whose care it is. Through his translations, Constantine brings already urgent poems closer to home and our drift towards the Sixth Extinction. For the Ancient World was not populated by humans harmless to Mother Earth, not at all: often they, like us, did the worst their means enabled them to do. Still there were laws.These things you must not do. Doing them nevertheless was understood as transgression of laws beyond the human laws. You offended Demeter at your peril. Understand that how we like, it's the same now. And the peril is infinitely greater, threatens to be final, consuming the innocent with the guilty.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>David Constantine</b> lectured in German at Durham from 1969 to 1981 and at Oxford from 1981 to 2000. He was co-editor of <i>Modern Poetry in Translation</i> from 2004 to 2013. He was named winner of The Queen&amp;#x27;s Gold Medal for Poetry for 2020, and presented with the award by HM the Queen in 2021. He has published eleven books of poetry, six translations and a novel with Bloodaxe. His poetry titles include <i>Collected Poems</i> (2004), which is a Poetry Book Society Recommendation; <i>Nine Fathom Deep</i> (2009); Elder (2014); and <i>Belongings</i> (2020). His Bloodaxe translations include editions of Henri Michaux and Philippe Jaccottet; his <i>Selected Poems of Hlderlin</i>, winner of the European Poetry Translation Prize, and his version of Hlderlin's <i>Sophocles</i>, combined in his new expanded Hlderlin edition, <i>Selected Poetry</i> (2018); and his translation of Hans Magnus Enzensberger's <i>Lighter Than Air</i>, winner of the Corneliu M. Popescu Prize for European Poetry Translation. His translation, <i>A Bird Called Elaeus: poems for here and now from The Greek Anthology</i>, is published by Bloodaxe in 2024. Other books include his translation of Goethe's <i>Faust</i> in Penguin Classics (2005, 2009) and his co-translation (with Tom Kuhn) of <i>The Collected Poems of Bertolt Brecht</i> (W.W. Norton, 2018). He has published six collections of short stories, and won the Frank O'Connor International Short Story Award in 2013 for his collection<i> Tea at the Midland</i> (Comma Press). Four other short story collections are published by Comma Press. His story &amp;#x27;In Another Country&amp;#x27; was adapted into <i>45 Years</i>, a major film starring Tom Courtney and Charlotte Rampling.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The long-awaited founding of Valdemar comes to life in this new series from a N<i>ew York Times</i> bestselling author and beloved fantasist.</p><p>Within the Eastern Empire, Duke Kordas Valdemar rules a tiny, bucolic Duchy that focuses mostly on horse breeding. Anticipating the day when the Empire&amp;#x27;s exploitative and militant leaders would not be content to leave them alone, Korda&amp;#x27;s father set out to gather magicians in the hopes of one day finding a way to escape and protect the people of the Duchy from tyranny. Kordas has lived his life looking over his shoulder.</p><p>The signs in the Empire are increasingly dire. Under the direction of the Emperor, mages have begun to harness the power of dark magics, including blood magic, the powers of the Abyssal Planes, and the binding and &amp;#x27;milking&amp;#x27; of Elemental creatures. But then one of the Duchy&amp;#x27;s mages has a breakthrough. There is a way to place a Gate at a distance so far from the Empire that it is unlikely the Emperor can find or follow them as they evacuate everyone that is willing to leave. But time is running out, and Kordas has been summoned to the Emperor&amp;#x27;s Court.</p><p>Can his reputation as a country bumpkin and his acting skills buy him and his people the time they need to flee? Or will the Emperor lose patience, invade to strip Valdemar of everything of worth, and send its conscripted people into the front lines of the Imperial wars?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>From the wilds of Feralas to the cobbled streets of Stormwind, the glittering Crystalsong Forest to the bountiful Valley of the Four Winds, Azeroth is rife with vibrant lands to explore. Now the fantasy of<i> World of Warcraft</i> comes to your bookshelf with <i>Exploring Azeroth: The Complete Collection</i>, featuring all five books in the beloved series.</p><p><i>The Eastern Kingdoms</i>: Join Stormwind Spymaster Matthias Shaw and Captain Flynn Fairwind as they journey through the Eastern Kingdoms on a mission to gather intelligence regarding powerful artifacts and armor.</p><p><i>Kalimdor</i>: Following the Fourth War, Horde beastmaster Rexxar and ambassador Zekhan depart in search of healing, extending the resources of the newly formed Horde Council to their peoples across Kalimdor.</p><p><i>Northrend</i>: After the frostborn dwarves unearth a strange artifact, the Bronzebeard brothers venture into the frozen north to reaffirm their commitment to their allies and to each other.</p><p><i>Pandaria</i>: Li Li Stormstout takes her uncle, Chen, and friend, Catelyn the Blade, on a tour of Pandaria, chasing the meaning of home  and what it means to leave it.</p><p><i>Islands &amp; Isles</i>: After delaying their honeymoon for years, First Arcanist Thalyssra and Regent Lord Lor&amp;#x27;themar Theron weigh anchor for the Broken Isles, Zandalar, Kul Tiras, and the Dragon Isles in search of a quiet sunset, far from the bustle of their political duties.</p><p>Fans old and new are sure to cherish these heartfelt, intrepid journeys with some of <i>World of Warcraft</i>&amp;#x27;s most beloved characters. Whether this marks your first voyage across the Great Sea or you&amp;#x27;ve lost count somewhere along the way, <i>World of Warcraft </i>invites you to open your map, hitch a ride, and embark on a new adventure through the diverse and radiant lands of Azeroth.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Farah Ali </b>grew up in Karachi, Pakistan, and currently lives in London. Her work has been anthologised in the 2020 Pushcart Prize and received special mention in the 2018 Pushcart anthology. Her debut story collection<i> PEOPLE WANT TO LIVE </i>published with McSweeney&amp;#x27;s Books, and includes new stories and some previously published in <i>VQR, Shenandoah, The Arkansas International, MQR, The Southern Review, Kenyon Review, Copper Nickel</i>, and others.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The darkly comic tale of three generations of a Jewish family, from one of Poland's most renowned contemporary authors.</p><p>Confidential follows on the success of acclaimed photographer, psychologist, and writer Mikoaj Grynberg's highly acclaimed short story collection,<i> I'd Like to Say Sorry, but There's No One to Say Sorry To</i>, which was a finalist for numerous awards, including Poland's most prestigious literary prize, the Nike, a National Jewish Book Award, the Sami Rohr Prize, and the National Translation Award in Prose for Sean Gasper Bye's excellent translation.</p><p>This powerful new novella is a darkly comic portrait of a Jewish family in today's Poland, struggling to express their love for one another in the face of a past that cannot and will not be forgotten. The grandfather is a doctor, a Holocaust survivor who has now vowed to live only for pleasure. His son, born at the start of the war, becomes a well-respected physicist, but finds himself emotionally unable to attend the medical conferences in Germany, despite the benefit it would give his career. The mother is loving but firm, though she has a secret habit of attending strangers' funerals so that she can cry.</p><p>A masterpiece of concision, <i>Confidential </i>expands on one of the stories in<i> I'd Like to Say Sorry...</i>, tackling themes of memory and care, trauma and memory, as well as enduring anti-Semitism, with unforgettable power, emotional complexity, and Grynberg's trademark black humour.</p><p><b>&amp;#x27;A novel sparing only in words and form, not in emotion.&amp;#x27;  </b><b><i>Vogue</i></b><b> (Poland)</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mikoaj Grynberg</b> is a photographer, psychologist, and writer of fiction and nonfiction. He is the author of <i>Survivors of the 20th Century, I Accuse Auschwitz,</i> and <i>The Book of Exodus</i> as well as <i>I'd Like to Say Sorry, but There's No One to Say Sorry To</i> and <i>Confidential</i>, translated by Sean Gasper Bye (The New Press). He lives in Poland.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>First published in 1929, <i>A Farewell to Arms</i> has endured as one of Hemingway's most popular works. The novel was his first bestseller, which solidified him as a serious writer and a fixture in the American literary canon.<br/><br/>Set against the brutal backdrop of the First World War, the novel is narrated by Lieutenant Frederic Henry, who is an American medic in the ambulance corps of the Italian Army. Frederic's friend, Surgeon Rinaldi, is infatuated with a lover by the name of Miss Catherine Barkley. Upon encountering Miss Barkley, Frederic is immediately taken with her and tries to kiss her, unsuccessfully. Grieving the death of her fiance, she begins to feel an illusory attachment to Frederic while Rinaldi fades into obscurity.<br/><br/>Soon after, Frederic is wounded in battle and taken to a hospital in Milan to heal. In addition to his physical ailments, the horrors of war also begin to take a toll on Frederic mentally, leaving him detached.Following a hasty knee surgery, he is delighted to learn that Miss Barkley has been transferred to his hospital. Despite his emotional bankruptcy, his relationship with Catherine intensifies. Still, tragedy lies ahead, and not even love can save them.<br/><br/>This tour de force is quintessential Hemingway - bullets and shrapnel, straight to the heart. With stunning illustrations by Tim Foley (<i>The Sun Also Rises</i>, Clydesdale, 2022), this is sure to be the perfect addition to any Hemingway fan's collection.</p><p><b>&amp;#x27;[Hemingway] writes as if he had never read anybody&amp;#x27;s writing, as if he had fashioned the art of writing himself.&amp;#x27; - </b><b><i>The Atlantic</i></b><br/></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ernest Hemingway</b>is recognized as one of the iconic and influential writers of the twentieth century. He started out working for the<i>Kansas City Star</i>and later the<i>Toronto Star</i>. He eventually traveled to Europe where he became an ambulance driver for the Italian army in WWI. Some of Hemingway's most popular novels include<i>The Sun Also Rises</i>(1926)and<i>The Old Man and the Sea</i>(1952).<br/><br/><b>Tim Foley</b>is an artist and illustrator born in Flint, Michigan, in 1962. Over the past quarter century, his clients have included national and international magazines, book publishers, and advertising agencies such as the<i>Wall Street Journal</i>,<i>Cricket</i>Magazine,<i>New York Newsday</i>,<i>LA Weekly</i>, and the<i>Chronicle of Higher Education</i>. He currently lives and works in Grand Rapids, Michigan.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The hour between dog and wolf is twilight, when it is hard to distinguish between known and unknown, right and wrong. When one state has ended and another has not quite begun. In 1980s Russia, Soviet policies, cruel but familiar, are giving way to untested concepts such as glasnost and perestroika.  </p><p>Four teenagers - Anya, Milka, Petya and Aleksey, whose lives, like those of their Western counterparts, are fuelled by sex, alcohol, and cigarettes  yearn for a world of Levi's, Queen, foreign travel and the freedom to choose their fates. Instead, like their ancestors, they encounter heartbreak and tragedy. With a nod to Chekhov's<i> The Cherry Orchard</i>, crumbling dachas surrounded by apple orchards, the scenes of idyllic summers, are slated for destruction as capitalism corrupts and corrodes the best of the past without bringing a promise of renewal.  </p><p>Yet while depicting a bloody and desperate era, this exceptional debut novel pulsates with life. It is radiant with friendship and love, the power of international literature, values and politics, as its characters struggle to survive, to save their country and one another. </p><p><b>'A timeless tale of memory, desire, dreams lost and altered, love changed and unchanged.' - Yiyun Li, author of</b><b><i> Must I Go</i></b></p><p><b>'[A] Stunning debut...Gorcheva-Newberry pulls off a tragic and nostalgic love letter to a much-tried generation. This is a winner.' -</b><b><i> Publishers Weekly </i></b><b>(Starred Review)</b></p><p><b>'Gorcheva-Newberry does the reader a great service, offering a peek behind the iron curtain and its veil of propoganda...If there is such a thing as clear-eyed sentimentality,</b><b><i> Between Dog and Wolf </i></b><b>evokes it.' -</b><b><i> Bookpage </i></b><b>(Starred Review)</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kit Wallis</b> is a comic creator and character designer from the UK. Creator of <i>Monster Club</i>, co-creator of <i>Wonderland</i> (Image Comics), and artist on <i>Breathe</i> (Markosia). He is the series artist on<i> Mr. Easta</i> (Scout Comics), <i>Warcorns, Little Red Ronin,</i> and <i>Good Boy</i> (Source Point Press). Kit is also the character designer and lead artist on the hit series <i>Hellicious</i>, which was recently announced as an upcoming animated series at TBS (Warner bros. Discovery).</p><p><b>Alec Robbins</b> is a writer, artist, game developer, and filmmaker. His other work includes the video game <i>Heartbreak High: A Break-Up Simulator</i> and his new comic <i>CRIMEHOT</i>. He's worked on alt-comedy TV shows like<i> Adult Swim's The Eric Andre Show</i>, Netflix's<i> I Think You Should Leave,</i> IFC's Comedy <i>Bang! Bang!,</i> and TBS' <i>The Dress Up Gang</i>. He is most well-known for his Ignatz-award winning webcomic <i>Mr. Boop</i>, about how he is married to his hot wife, Betty Boop. Is he really married to Betty Boop? Yes. Of course. He always was and he always will be.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The adventure continues, in this collection of classic Conan stories, perfect for fans and collectors alike! Tired of the thieving life, Conan signs on as a mercenary for the warring kingdom of Turan.]]></Text>
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			<Text textformat="02"><![CDATA[<p>The adventure continues, in this collection of classic <i>Conan</i> stories, perfect for fans and collectors alike! Tired of the thieving life, Conan signs on as a mercenary for the warring kingdom of Turan.</p><p>The enemy will tell of Conan's legendary skill in battle  if any of them live to tell the tale  but palace intrigue may prove more dangerous to the barbarian. After all, it's never wise to bed a wizard's woman. Then, Conan joins with Red Sonja for a multipart adventure. Last, but far from least, we present Roy Thomas and Gil Kane's complete adaptation of &amp;#x27;The Hour of the Dragon&amp;#x27;, the iconic story of how Conan became king and conqueror and met the woman who would become his wife.</p><p><b>Series Overview:</b> Collecting <i>Conan the Barbarian</i> (1970) #27-51, <i>Giant-Size Conan</i> (1974) #1-4 and material from <i>Conan the Barbarian Annual</i> (1973) #1 and <i>The Savage Sword of Conan</i> (1974) #8 and #10.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Roy Thomas</b> joined Marvel as a writer and editor under Stan Lee, scripting key runs of nearly every Marvel title: <i>The Amazing Spider-Man</i>, <i>The Avengers</i>, <i>Daredevil</i>, <i>Doctor Strange</i>, <i>The Sub-Mariner</i>, <i>Thor</i>, <i>The X-Men</i> and more. He wrote the first ten years of Marvel's <i>Conan the Barbarian</i> and <i>Savage Sword of Conan</i>; and launched the Defenders, Iron Fist, The Invaders and Warlock. At DC, he developed <i>All-Star Squadron</i>, <i>Infinity Inc.</i> and related titles, proving instrumental in reviving the Golden Age Justice Society of America. He co-scripted the sword-and-sorcery films <i>Fire and Ice</i> and <i>Conan the Destroyer</i>. Throughout it all, Thomas has edited the award-winning magazine <i>Alter Ego</i>, contributing heartily to the research and history of the medium.</p><p><b>John Buscema</b> (1927-2002) literally wrote the book on being a Marvel artist - namely, <i>How to Draw Comics the Marvel Way</i> - and few were better qualified. His career began in 1948 as a member of the Timely/Marvel Bullpen. He left the field for advertising in the mid-'50s, but Stan Lee coaxed him back to comics in 1966. Buscema followed with a celebrated run on <i>The Avengers</i> with the first <i>Silver Surfer</i> series. He subsequently succeeded Jack Kirby on <i>Fantastic Four</i>, <i>Thor</i> and other titles. By the time of his retirement in 1996, Buscema had penciled nearly every Marvel title - including over 100 issues of his personal favorite, <i>Conan the Barbarian</i>.</p><p>The entrance of <b>Gil Kane</b> (1926-2000) into the comic book field was interrupted by World War II, but upon his return the young artist swiftly rose to become one of the key stylists of his generation. At DC, Kane ushered in super heroes' Silver Age on <i>Green Lantern</i> and <i>The Atom</i>, while at Marvel he held influ</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The greatest hero in sword-and-sorcery history. This is the legend of Conan!</p><p>Battle runs through Conan&amp;#x27;s life like the blood in his veins. A stint with the mercenary Crimson Company isn&amp;#x27;t enough to quench his fury  but perhaps consorting with Belit, pirate queen of the Black Coast, can. Together, Conan and Belit will reave across Hyboria&amp;#x27;s high seas and into the dark depths of its jungles. There, Conan will earn his honoured name  Amra  in one of the Cimmerian&amp;#x27;s greatest epics.</p><p>Master storytellers Roy Thomas and John Buscema follow with a saga that brings Conan, Kull and even Red Sonja together. All the while, the struggle to reclaim Belit&amp;#x27;s title and lands from the Stygians carries on.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Mary Gilmore Award 2025**</b></p><p><b>**Winner, NSW Literary Awards 2025, Kenneth Slessor Prize for Poetry**</b></p><p><b>**Shortlisted, Prime Minister's Literary Awards 2025, Poetry**</b></p><p><b>**Shortlisted, NSW Literary Awards 2025, Glenda Adams Award for New Writing**</b></p><p><b>**Shortlisted, Victorian Premier's Literary Awards 2025, Poetry**</b></p><p><b>A moving testament to the displacement and dispossession of the Palestinian people.</b></p><p><i>rock flight</i> is a book-length poem that, over five chapters, follows a personal and historical narrative, to compose an understated yet powerful allegory of Palestine's occupation. The poem uses refrains of suffocation, rubble, and migratory bird patterns to address the realities of forced displacement, economic restrictions and surveillance technology that Palestinians face both within and outside Palestine. It depicts a restlessness brought about by dispossession, and a determination to find significance in fleeting objects and fragments. It looks to the literary form as an interactive experience, and the book as an object in flux, inviting the reader to embark on an exploration of space, while limited by the box-like confines of the page. Formally claustrophobic, the poem morphs into irony, declaring everything a box while refusing to exist within one.</p><p><b>'Here is a poetry of passion; a poetry of necessity; a poetry of survival, and a poetry-triumphant.'  Maxine Beneba Clarke</b></p><p><b>'</b><b><i>rock flight</i></b><b> is a work of timelessness, rigour, precision, relationality and guts  just like its poet. A must-read for all of us who yearn and stretch and reach for a world beyond colonies, and an even more urgent read for those who don't.'  Alison Whittaker</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, WA Premier's Book Awards 2025, Book of the Year**</b></p><p>**<b>Winner, WA Premier's Book Awards 2025, Poetry Book of the Year**</b></p><p><b>**Highly Commended, Victorian Premier's Literary Awards 2025, Poetry**</b></p><p><i>G-d, Sleep, and Chaos</i> is a prayer of thanks for a broken world.</p><p>Alan Fyfe's debut collection employs a core of Jewish philosophy to explore themes of love, metaphysics, the self-destructive impulse, trauma, and the transcendent. With a boisterous affection for all things absurd and liminal and a bristling loyalty to working class aesthetics, <i>G-d, Sleep, and Chaos</i> includes poems that swing from visceral to hilarious across seven sections, and a range of forms, to ask how we might come by gratitude, and the peace of silence, in our bleakest moments. <i>G-d, Sleep, and Chaos</i> is a collection for the questing mind and the wanting spirit.</p>]]></Text>
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			<Text textformat="02"><![CDATA[My name is Ava Spark, and I probably speak in a different way to you. Come and join me and my friends as we welcome the super awesome new girl, Liv, to our school. Are you ready? Because I am and I'm here!]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alex Field</b> has written twelve books. <i>I'm a Tiger</i> was shortlisted for the Speech Pathology Australia Book of the Year Award. Alex's son used a communication aid much like the one Ava uses to speak. Alex and her son had lots of conversations about really important things like cricket and food, especially cake. Alex has spent half her life living in Sydney, Australia and the other half living in London, England. She wishes there was a plane that could take her from London to Sydney in two hours instead of 21 hours! Alex can be contacted on Instagram: alexfield_author</p><p><b>Joanna Bartel </b>is an Australian illustrator with a background in graphic design and secondary school art/design and English teaching. She draws much of her inspiration from everyday family life with three young kids, experiences in teaching, and childhood memories of fun with three brothers and lots of cousins. Joanna has a particular love for character design and celebrating diversity. Joanna can be contacted on Instagram: @joanna_emily_illustrates or on her website: joanna-emily.com</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The bestselling author of <i>The Hidden Life of Trees</i> partners with his daughter to introduce kids aged 3-7 to the countless ways animals cool down and the importance of forests in hot weather.</p><p>It's a hot day  VERY hot! Piet the squirrel needs to find a good way to cool down and he can&amp;#x27;t eat ice cream, like his friend Peter the forester, so he bounds off into the woods to search for another solution.</p><p>Soon he meets some other animals and discovers all the ways they keep cool  how wasps spit water into their nests, wild pigs roll in the cool mud, and rabbits hide in their burrows underground. But none of these work for Piet. Just as he's about to give up... he realises he may have found the perfect way after all!</p><p><i>Piet Cools Off</i> brings to life amazing facts about the forest and features:</p><ul><li>Informative side bars that teach readers about the importance of forests and temperature regulation</li><li>Engaging backmatter that explores other ways animals cool down around the world</li><li>A fascinating introduction to learning about animals, nature and forests for younger kids</li></ul><p>In this engaging book by bestselling author Peter Wohlleben and Carina Wohlleben, with adorable images by Rachel Qiuqi, readers can discover how animals  and the forest  work hard to stay cool in the hot weather.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Peter Wohlleben</b>'s books about forests and conservation have delighted readers around the world. His children's books include <i>Can You Hear the Trees Talking?</i>, a young reader's edition of his <i>New York Times</i> bestseller, <i>The Hidden Life of Trees</i>, <i>Do You Know Where the Animals Live?</i>, and the picture book <i>Peter and the Tree Children</i>. He has written many books for adults including <i>The Inner Life of Animals</i> and <i>The Secret Wisdom of Nature</i>. When he is not writing books, appearing on television or in movies, or travelling the world talking to people about trees, Peter helps manage his Forest Academy and an environmentally friendly woodland in Germany, where he leads children on educational tours and works for the return of primeval forests.</p><p><b>Carina Wohlleben</b> was born in 1991. After studying geography, nature conservation, and landscape ecology, in 2017, she joined the Wohlleben Forest Academy founded by her father, where she leads forest-themed events for children and adults.</p><p><b>Rachel Qiuqi</b> is an illustrator and author passionate about storytelling for children. She started drawing when she was little and has been drawing with the same childlike wonder ever since. Her work is inspiring for kids and grown-ups alike. Her other illustrated books include <i>Fiona the Fruit Bat</i>, written by Dan Riskin, and <i>What Will I Discover?</i>, written by Tanya Lloyd Kyi, both published by Greystone Kids. She was born in Shanghai and now lives in Toronto, Ontario.</p><p><b>Jane Billinghurst</b>'s career has been in book publishing in the UK, the US, and Canada, as an editor, publisher, writer, and translator. She is the co-author of <i>Forest Walking</i> and the translator of the international bestseller <i>The Hidden Life of Trees</i> by Peter Wohlleben.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Ember, Miles, and Sam have been called home  only home is a place none of them have ever been before. The choices they make will not only determine their own futures but will also have vast and permanent consequences  they will either restore a cosmic balance or destroy the dams that separate two worlds, ending them both. Ember was called because she belonged, Miles because his mother belonged, and Sam...well, Sam arranged his own invitation.</p><p>The Fountain itself is beautiful and alluring  yet so is the light of an anglerfish. Hidden below the surface, the world of the Fountain is vast: unexplored and unmapped and full of wild things  leviathan and tiny, scuttling things and all manner of creature in between. There are other entities as well, entities that haunt and hunt in the Fountain, because it rewards nearly as often as it punishes, and it has been punishing the greedy and merciless and cruel for a very long time. For those, the Fountain becomes a prison. </p><p>The borders between our world and the world of the Fountain are already porous. If the balance between them is upset and control of the Fountain is lost, the consequences will be rapid, merciless, and world-ending. In every timeline that has been or will be, everywhere that water stands in our world will become a passageway for the violent damned to enter ours from the Fountain. For Ember, Miles, and Sam, all from different times, what starts as a journey to take control of their lives quickly becomes a quest to save  or destroy  both worlds, depending on whom you ask.</p><p>Rising star and Bram Stoker Award-winning author, Lora Senf has created a gorgeously written, pitch-black fantasy that will transport readers to a world that is as beautiful as it is horrifying and will keep readers on their toes as they devour it page by page.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 6 to 9</b></p><p><b>Enter a world where we shine a light on the similarities between ourselves and other living beings. Like us, many animals learn and can use tools. They experience emotions, have friends and show their love for one another.</b></p><p>They can construct majestic buildings that provide shelter for many families. They can also communicate with their companions and do all kinds of different jobs. Do you know who we're talking about? If you guessed humans, you are mistaken. No, in this case we're talking about termites! Humans have much more in common with them and other creatures than it might seem at first glance. And that's exactly what this book is about. Enter a world where we shine a light on the similarities between ourselves and other living beings. Like us, many animals learn and can use tools. They experience emotions, have friends, and show their love for one another. Open your mind and your heart, and learn to treat the living creatures around you with the respect and reverence they deserve. They have much to teach us!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>This book presents a summation of over a century of natural product research in Australia, concerning plants that have been used customarily by First Scientists. It begins with a look into the history of ethnomedicine across the globe, focusing on the pharmacopeias of the West, the East and Australia. An analysis of the botanical origin, biosynthesis and function of bioactive metabolites gives further background into these potent phytochemicals. This summary concludes with a broad review of the current methodologies involved in modern natural product chemistry, and pharmaceutical drug discovery and development, before considering the future of the field.</p><p>The body of the text is dedicated to a systematic presentation of the specialised metabolites that are present in the plant kingdom, with a continual engagement with those sourced from Australian customary medicinal flora. This section is broken into four chapters based on the structural differences present in these molecules: phenolic-type, terpenoid-type, alkaloid-type and a catch-all miscellaneous-type. Each of these chapters presents a tabulated breakdown of the presence of any of the 133 natural product infraclasses across 266 native plant genera reported in the literature, all of which is available on the associated website (www.cmfoa.info). A conclusion offers grounded speculation on where the field is heading.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Drawing on global lessons learned on mine closure over a period of more than 30 years, this comprehensive guide uses industry experience to set out a road map to closure and potentially relinquishment of open pits and waste dumps]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Guidelines for Open Pit and Waste Dump Closure</i> provides a benchmark reference for geotechnical and hydrogeological professionals, and other closure stakeholders, involved in assessing and implementing the closure of open pits and waste dumps. It defines a state-of-best-practice geotechnical and hydrological pathway that reflects current industry-wide experience; considers the perspectives of the operator, regulator and community; and encompasses closure planning, design, implementation and monitoring.</p><p>Written by industry experts and practitioners, <i>Guidelines for Open Pit and Waste Dump Closure</i> is the sixth in a series of books developed by the Large Open Pit (LOP) Project. Focused on the technical challenges related to geology, geotechnical engineering, water and geochemistry, it covers the key aspects that relate to closure of open pits and waste dumps, including planning, long-term physical and chemical stability and post mining land use (PMLU). The book also includes workflows that provide clarity on geotechnical and hydrogeological assessments relating to closure planning; definition of pragmatic objectives and measures of success; implementation and monitoring for open pits and waste dumps for closure; and how these may interact with adjacent land uses.</p><p>Drawing on global lessons learned on mine closure over a period of more than 30 years, this comprehensive guide uses industry experience to set out a road map to closure and potentially relinquishment of open pits and waste dumps. It will be invaluable for mine closure practitioners, corporate planners, mine management, mining engineers and technical staff, mine stakeholders and regulators.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Drawing upon a new perspective of competitive social repositioning and numerous new sources, this book fills the analytical gap caused by the research focus on either macro- or micro-level issues through analysing how everyday Chinese had reacted to and influenced the numerous changes in China from 1964 to 2000.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In the past four or so decades, a significant amount of research efforts has been made to examine the rapid and constant social changes in China.</b></p><p>However, most of the literature has focused on either macro- or micro-level issues, and what has not been adequately analysed is how the majority of ordinary people has reacted to and influenced the changes. This inadequacy has affected our understanding of Chinese society, its dynamics and the changing trends. Drawing upon a new perspective of competitive social repositioning, and the evidence recorded in numerous recent publications and interview data, this book seeks to re-examine the ever-changing, but under-researched, societal dynamics driving social transformations in China from 1964, when the communist heir narrative was rebranded and utilised, to 2000, when Jiang Zemin formulated the Three-Represents theory to modify the ideological political thinking of China's ruling elites. This analysis focuses on how a high proportion of aspirational citizens have kept repositioning themselves in China's changing distributions of social resources and social structure, how their attitudes and behaviours have been shaped over time, what characteristics of their choices are at different stages, and how their preferences have resulted in the zig-zag patterns of China's recent social change.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jia Gao</b> is Professor of Chinese Studies at the Asia Institute, the University of Melbourne.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book centres the perspectives of First Nations and majority-world researchers and provides insightful descriptions of anti-colonial research praxis from around the world. By engaging with the diverse examples, reflections, and methodological knowledge in this collection, readers will change how they think about research in a definitive way.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>How can anti-colonial research methodologies be transformative and achieve knowledge justice? This book brings together an eclectic group of leading scholars from around the world to share methodological knowledge grounded in First Nations and majority-world expertise and wisdom. The authors challenge western-centric and colonial approaches to knowledge production and redefine the possibilities of what we can achieve through social research.</b></p><p>First Nations and majority-world perspectives are contextual and unique. They share a common aim of disrupting established beliefs on research methodologies and the unquestioned norms that dictate whose knowledge the academy values. The ten chapters in this edited collection describe how the authors draw on Indigenous knowledge systems, feminist frameworks, and creative methodologies as anti-colonial research praxis. The examples span several disciplines such as development studies, geography, education, sexual and reproductive health, humanitarian studies, and social work. Authors use a reflexive approach to discuss specific factors that shape how they engage in research ethically, to lead readers through a reflection on their own practices and values. The book reimagines social research using an anti-colonial lens and concludes with a collaboratively developed and co-written set of provocations for anti-colonial research praxis that situate this important work in the context of ongoing colonial violence and institutional constraints.</p><p>This book is an essential guide for researchers and scholars within and beyond the academy on how anti-colonial research praxis can produce meaningful outcomes, especially in violent and troubled times.</p><p>Cover art courtesy of Tawny Chatmon</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Caroline Lenette</b> is Professor of Anti-Colonial Research and Deputy Director of theBig Anxiety Research Centreat the University of New South Wales.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book sets out to adjudicate the scholarly controversy surrounding Wittgenstein's MayJune 1913 critique of Russell's multiple-relation theory of judgement. It also aims to familiarize readers with the historical events, textual evidence, letters, working notes and diagrams which are crucial to a correct appreciation of Wittgenstein's criticisms.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Wittgenstein's MayJune 1913 critique of Russell's multiple-relation theory of judgement (or MRTJ) marked a crucial turning point in the lives of two great twentieth-century thinkers.</b></p><p>It was also a watershed moment within the history of analytic philosophy itself. Yet scholarly consensus around a satisfactory interpretation of the nature of the critique, the extent of and reasons for its impact on Russell, along with the role it played within Wittgenstein's development have remained elusive.</p><p>With these facts in mind, this book aims to accomplish four interrelated goals. The first is to develop a compelling reading of Wittgenstein's MayJune 1913 critique of Russell's MRTJ. The second is to defend this reading, called the 'logical interpretation' (or LI) against its most prominent competitors in the scholarly literature. Third, the book aims to situate Wittgenstein's critique of the MRTJ and Russell's reaction to it, within the broader context of each of Wittgenstein's and Russell's respective philosophical developments.</p><p>Fourth and finally, the book aims to introduce students and scholars of early analytic philosophy to, and familiarise them with the historical events, textual evidence, scholarly controversies, letters, notes and diagrams, consideration of which is integral to constructing a plausible reading of Wittgenstein's objection.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>James R. Connelly</b> is an associate professor at Trent University Durham-GTA in Oshawa, ON, Canada. His research focuses on the history of analytic philosophy, philosophy of language, Wittgenstein and Russell.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>According to Vlmki's Sanskrit Rmyaa (early centuries CE), ambka was practicing severe acts of austerity to enter heaven. In engaging in these acts as a dra, ambka was in violation of class- and caste-based societal norms prescribed exclusively by the ruling and religious elite.</b></p><p>Rma, the hero of the Rmyaa epic, is dispatched to kill ambka, whose transgression is said to be the cause of a young Brahmin's death. The gods rejoice upon the dra's death and restore the life of the Brahmin. Subsequent Rmyaa poets almost instantly recognized this incident as a blemish on Rma's character and they began problematizing this earliest version of the story. They adjusted and updated the story to suit the expectations of their audiences. The works surveyed in this study include numerous works originating in Hindu, Jain, Dalit and non-Brahmin communities while spanning the period from ambka's first appearance in the Vlmki Rmyaa through to the present day.</p><p>The book follows the ambka episode chronologically across its entire history  approximately two millennia  to illuminate the social, religious, legal, and artistic connections that span the entire range of the Rmyaa's influence and its place throughout various phases of Indian history and social revolution.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Aaron Sherraden</b> is a researcher on the epics of South Asia. He received his PhD in Asian Cultures and Languages from the University of Texas at Austin.</p>]]></Text>
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				<TitleText>The Politics of Public Opinion in the Novels of Anthony Trollope</TitleText>
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			<Text textformat="02"><![CDATA[The Politics of Public Opinion: Trollope''s 'Tenth Muse' takes as its subject the rise of public opinion in the nineteenth-century British novel as (1) a uniquely collective narrative form posing as a singular voice and (2) a "voice" that distances itself from re-sponsibility by disguising its presence. As both immanent and transcendent, public opinion is aligned with "empty universals" that generate meaning.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The figurative</b> <b><i>body</i></b><b> of public opinion presents challenges to readers of 19th century British fiction insofar as it lacks the markers of an autonomous subject.</b></p><p>It replaces direct address with intimations of surveillance and interpellation, reading characters and their actions as we read it for our situationality within it. In the novels of Anthony Trollope who continually refers to a vox populi, public opinion has an economy, as a kind of <i>currency</i> in which reputation is priced and marketed while itself seeming inconclusive and undeveloped, even among its self-appointed spokesmen.</p><p>It takes its place among a number of institutions that knit the country together as a a network of conveyances with different points of entry: roads, railroads, ports, and canals and the post office in which Trollope served as a civil servant for over 30 years. One such institution is the expanding bureaucracy which mediates between the people and those who regulate human activity and its exposure to government regulation. The ex-posure (literally to be placed outside oneself) is one of the ways in which public opinion, lacking a responsible subjectivity that can be held to account, removes individual subjectivity, threatening (or enabling) a rebirth in <i>acccountability</i>.</p><p>Yet, for all of its potentially subversive qualities, public opinion is a collective narrative - disgusing itself as a unitary voice - that often misreads character and, in the Parliamentary Novels, ideology. As it is vulnerable to being misread by politicians, public opinion also misreads, especially the arrivistes attempting to enter the social and economic life of the country. Because of its resistance to inscriptive genres, the vox populi may well represent the lost orality of the epic to which critics like Georg Lukaks have called our attention.<br/></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jan B. Gordon</b> was one of a group of six foreign academics invited to professorships at National Universities in Japan when the law was changed in 1983 prohibiting non-Japanese from holding such positions. He was granted Emeritus Status in 2004 and from 2007 to 2014 was a distinguished professor at Kyoto Women's Department of English. He was therefore initially what is known as a white (affirmative action) appointment.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Welcome to Paradise opens a window into the hearts of a small group of African would-be emigrants, waiting on the beach in Morocco for a boat that will take them to a new life in Europe.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Welcome to Paradise</i> opens a window into the hearts of a small group of African would-be emigrants, waiting on the beach in Morocco for a boat that will take them to a new life in Europe. As we shelter with them in the darkness, we hear of the cruelty, misfortune and grinding poverty which has compelled them here, to pit themselves against the dangers of the sea and the coastguards who patrol it. Tense, dramatic and blackly compassionate, Welcome to Paradise is a striking tale of human desperation and of the media-fuelled fantasies of Western life that hold a fatal allure.</p><p><b>'At once sympathetic to a people's plight and angry with its self-delusions, this is a brave book to have written and a rich, unsettling one to read.' </b><b><i> The Literary Review  </i></b></p><p><b>'From often bleak material, Mahi Binebine has written a moving novel that is full of life and light, aided by a fine translation from the French by Lulu Norman.'  </b><b><i>The Independent</i></b><b> </b></p><p><b>'Binebine's terse, bleak, compassionate Welcome to Paradise is both topical and rare in tracing the poverty and cruelty emigrants are escaping.'  </b><b><i>Financial Times  </i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mahi Binebine</b> is a writer, painter and sculptor. Mahi was born in Marrakech in 1959. He studied mathematics in Paris and taught the subject for eight years. He lived in New York between 1994 and 1999 when his paintings began to be acquired by the Guggenheim Museum. He returned to Morocco in 2002 and now lives in Marrakech with his family. Mahi has written six novels which have now been translated into more than a dozen languages.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Ian Skeet travelled across the vast sand deserts and arid highlands of Muscat and Oman in 1966 8, preparing the wary inhabitants for the coming of oil, visiting its isolated walled cities, fortified oasis communities and independent-minded Bedouin tribes.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The Sultanate of Muscat and Oman was a hermit state until 1970, preserving in every detail the poverty, personality and picturesque reality of a medieval kingdom.</b> </p><p>For forty years, Sultan Said bin Taimur personally controlled everything that happened, deliberately cutting the nation off from the headlong development of the rest of the world. Fortunately for Oman this would change, and fortunately for us, we have a first-hand witness to this complex society before that watershed.</p><p>Ian Skeet travelled across its vast sand deserts and arid highlands in 19668, preparing the wary inhabitants for the coming of oil, visiting its isolated walled cities, fortified oasis communities and independent-minded Bedouin tribes. The sultan's motives may have been pure  to preserve his people from the sin of usury and the slavery of foreign debt  but Ian Skeet's portrait is a devastating study of the dead hand of autocracy.</p><p>With a new biographical afterword from Ian's son, Mark Skeet.</p><p><b>'A marvellous work  so learned, so full of insight and yet often so funny.'  Jan Morris<br/>'a totally fabulous portrait of a land on the brink, drawn with intelligenceand sardonic good humour.'  Sara Wheeler</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ian Skeet</b> worked throughout the Middle East for more than thirty years (1953-85) employed by Shell. This gave him unique access to the interior tribes and communities of Muscat and Oman from 196668 when he worked for Sultan Said bin Timur as the liaison officer for Petroleum Development Oman (PDO), explaining the project, the useful future revenues and its vulnerable pipelines to the tribes and sheikhs of the interior. During this period, his wife Elizabeth and their three young children lived in Beit Fransawi, the old French Consulate. Ian Skeet graduated from Merton College, Oxford and after retiring from Shell in 1985 worked as a consultant on the oil politics of the Middle East, leaving room to write <i>Oman: Politics and Development</i> and <i>OPEC: 25 Years of Prices and Politics</i> and to edit a selection of the writings of Paul Frankel.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Station</i> follows three high-spirited young men as they visit twenty monasteries on Mount Athos in 1927. They examine treasures, photograph frescoes and sketch the courtyards and those who live in them. They swim ecstatically off the sparkling, deserted beaches, climb mountains, talk and share meals with monks and transcribe these conversations with relish. For life is very different for a celibate hermit on Mount Athos. Time has no meaning: the Son of God, His Virgin Mother, the Angels and the Saints are all living creatures of flesh and blood, and the Pope is a heretic. </p><p>This slim book was little short of revolutionary in its fearless championing of Greek Orthodoxy and Byzantine civilisation, reversing centuries of western prejudice. It was the first of Robert Byron&amp;#x27;s travel books, revealing the flashing wit, bravery, passion and astonishing powers of visual observation which made him such a brilliant writer. The playfully obscure title is only finally explained in his last sentence: This is the holy Mountain Athos, station of a faith where all the years have stopped.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Robert Byron</b>, like his famous namesake Lord Byron (no relation), was a traveller who wrote about his travels. Both of them battled against tyranny, fell in love with Greece and died young. Byron was born 26 February 1905 in Wembley, London. He read history at Oxford, and became one of the bright young things that included Harold Acton, Evelyn Waugh, Nancy Mitford and Emerald Cunard, though these friendships never eclipsed his passion as an art-historian. His first book <i>Europe in the Looking-Glass</i> (1926) was followed by <i>The Station</i>, then <i>The Byzantine Achievement</i> and <i>The Birth of Western Painting</i>. His third travel book, <i>First Russia, then Tibet</i> was published in 1933, and was a prelude to his most famous work, <i>The Road to Oxiana </i>(1937)<i>.</i> He was also a hard-working journalist and a passionate conservationist, founding the Georgian Group. Robert Byron drowned just two days short of his thirty-sixth birthday, when his ship was torpedoed off the north coast of Scotland in 1941. He was travelling to Persia as a war correspondent also working with wartime intelligence.  </p>]]></Text>
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			<Text textformat="02"><![CDATA[Joe Roberts stayed for five months with the Trivedi family in Bangalore,while travelling all over southern India. Wherever he went he met extraordinary people, but these encounters take second place to his ripening friendship with the Trivedi family, and his exact chronicling of their neighbours.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Joe Roberts stayed for five months with the Trivedi family in Bangalore, while travelling all over southern India. </b></p><p>In Pondicherry he found Rita, a melancholic divorcee banished to an ashram. He saw the great temple at Madurai, watched the snakeboat races at Arunmala, stayed with Syriac Christians at Cochin and was offered heroin in the Jewish cemetery. </p><p>Wherever he went he met extraordinary people, but these encounters take second place to his ripening friendship with the Trivedi family, and his exact chronicling of their neighbours. As Major Trivedi warned him nothing is as fixed as you think. </p><p><i>Three Quarters of a Footprint</i> has long fascinated readers with its gentle, perceptive humour, chilled occasionally by a shadow of menace, as if the spirit and wit of R. K. Narayan had been reborn in an Englishman.</p><p><b>'Joe Roberts writes a crisp, succinct style and, like a reincarnated Naipaul, lets the people he meets in India speak in their own voices.'  India Today </b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Joe Roberts</b> was born in Bath in 1958. Educated in England, in his twenties he lived in America working as a bookseller in Manhattan and a baker in Austin, Texas, returning to Bath to continue work as a bookseller and restaurant cook. In 1990 he travelled to southern India for seven months, the first of many trips to a country he visited regularly and wrote about for the rest of his life - and where he met his wife, Emma. <i>Three-Quarters of a Footprint </i>was first published by Bantam in 1994. It was followed by <i>The House of Blue Lights </i>and <i>Abdul's Taxi to Kalighat</i> and <i>Bengal, The Cold Weather, 1873</i>, about Edward Lear's visit to India. He also taught creative writing at Bath Spa University and Ashoka University. A gifted cook, talker and maker of friends, Joe's family table (he and Emma had three sons) was always a place for good food and lively conversation. Joe's interests were broad, but his real passion was always for India. At the time of his unexpected death in 2023 he was working on a childhood memoir. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Material Masculinities</i></b><b> examines the material and consumer practices of over 1000 men from the middling and upper ranks of eighteenth-century society, c.1650-1850. </b>It draws upon evidence from over 35 archives and museum collections to detail how material objects were integral for men in forming identities and shaping experiences. For men of all social ranks, ages, and geographic locations, material knowledge was imperative for masculine social identities to operate in a commercial society. Before the centralised factory and widespread mass-produced goods, men personalised and repaired their goods; products were shaped by men's attitudes and concerns. Objects were tools in men's identity formation and the exercise of social and gendered power. There was a reciprocal relationship between men and goods in this period; men were active agents of material and commercial change driving product and aesthetic innovation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Invasions</i></b><b> is an ambitious, new and authoritative study of one of the defining cultural products of the Victorian and Edwardian eras.</b> By the outbreak of war in 1914 invasion-scare fiction had profoundly changed British society, becoming not just a vibrant part of popular culture, but a reference point among military planners, advertisers, and politicians. This intersection between politics and culture, between entertainment and war planning, sets invasion-scare stories apart as one of the most versatile and interesting fictional products in modern British history. Building on recent work in both history and literature studies, <i>Invasions </i>is the first study of invasion-scare fiction to examine both the form (that is, fiction) and the function (the political argument) of the genre.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Bordering social reproduction </i></b><b>explores what happens when migrants subject to policies that seek to deny them the means of life nonetheless endeavour to make and sustain meaningful lives.</b> Developing innovative theorisations of welfare bordering, the volume provides rich ethnographic insights into the everyday lives of destitute mothers and children who are denied mainstream welfare support in the United Kingdom due to their immigration status. This book shows how enforced destitution and debt work alongside detention and deportation as part of a tripartite of exclusionary technologies of the racial state. It advances the novel concept of weathering to comprehend mother's and children's life-making practices under duress  arguing that these are neither acts of heroic resilience nor solely symptomatic of lives rendered disposable, but indications of the fragilities of repressive migration regimes and, on occasion, refusals to accept their terms of existence.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Islamophobia, anti-racism and the British left critically explores the treatment of Islamophobia by those committed to challenging it. In interrogating how activists and community workers conceptualise Islamophobia and what this means for practices on the ground, this book develops an alternative approach from and for the anti-racist left.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Islamophobia is one of the most misunderstood and pernicious forms of racism in Britain. But how do those committed to challenging Islamophobia understand it? And what does this mean for their practices 'on the ground'?</b></p><p><i>Islamophobia, anti-racism and the British left</i> combines first-hand accounts from activists and community workers across two British cities with sociological theory, critically interrogating Islamophobia's relationship to 'race', racial capitalism and other modalities of racism. Setting this discussion against some of the most pertinent political shifts in Britain in recent years  from the resurgence of left nationalism to Black Lives Matter  the book assesses the limits of recent attempts to think about and tackle Islamophobia, and considers the possibilities of an alternative approach from and for the anti-racist left.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Scarlet Harris </b>is a researcher and Teaching Associate in the department of Sociology, University of Cambridge.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book analyses experimental performances by British music ensembles in the twenty-first century. It shows how theatrical approaches to presenting orchestral music can facilitate unique and powerful experiences for audiences, enable new interpretation of repertoire, and connect music-making to contemporary social issues.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>The Theatrical Orchestra </i></b><b>analyses experimental performances by British music ensembles in the twenty-first century. Orchestras are reconceiving how concerts are programmed and presented, how musicians perform, where performance can occur, and the role of the audience in the co-creation of the live event. </b>They are embracing theatricality, thereby realising music more fully as a multi-sensory performance art. This book explains how and why orchestras are thinking theatrically about performance, and uses the work of British music ensembles as exemplars. It analyses performances by Aurora Orchestra, London Contemporary Orchestra, London Sinfonietta, Manchester Collective, Multi-Story Orchestra, Paraorchestra, Scottish Ensemble, and Southbank Sinfonia. The book bridges musicology and theatre studies to analyse the theatrical orchestra on the concert stage and beyond, addressing such topics as visuality, storytelling, physical performance, site-engaged performance, and immersive performance.</p>]]></Text>
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			<SubjectHeadingText>adaptation; Utopia; post-truth; storytelling; arts education; contemporary playwriting; representations of violence; political theatre; Dennis Kelly; new writing</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[The first multi-authored volume on the work of contemporary British writer Dennis Kelly, Beautiful Doom examines the full range of his work for stage and screen, from new writing to adaptations of classic playtexts, musical theatre, and original works for television.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Dennis Kelly's award-winning plays have been translated into over thirty languages and produced on six continents. His endlessly inventive vision has produced a diverse body of work for a variety of audiences across a range of forms, genres, and media, from the Olivier and Tony Award-winning <i>Matilda the Musical </i>(2010), to the Channel Four cult-classic series <i>Utopia</i>. His 2008 play <i>DNA</i>, written for National Theatre Connections, is a set text on the AQA GCSE English Literature syllabus. This collection of essays written by leading scholars, teachers, and practitioners of theatre provides the first multi-authored study of Kelly's critically acclaimed oeuvre. Featuring an original interview with Kelly himself, this volume captures the full range and scope of his writing for stage and screen, from the quirky fringe debut <i>Debris </i>(2003) to the globally-distributed film adaptation of<i> Matilda the Musical</i> (2022).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jacqueline Bolton </b>is Honourary Senior Fellow at the University of Lincoln.</p><p><b>Nicholas Holden</b> is Head of Academic Affairs and Research at the London Academy of Music and Dramatic Art</p>]]></Text>
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			<SubjectHeadingText>Black Atlantic; slave narratives; Canada; fugitive slave advertisements; transatlantic abolition debates; slavery; Underground Railroad; United States; Nova Scotia; newspapers</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This book explores how Canadians and Canadian readers have fashioned their self-image as an antislavery haven, showing a more complicated picture of Canada as a slaveholding, exploitative and racist place.]]></Text>
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			<Text textformat="02"><![CDATA[<p>In <i>Diary of an Uncertain Psychic</i>, artist-anthropologist Deena I. J. Newman explores the life and lessons of Elizabeth, a California psychic and radio talk show host. Following the thread of spontaneous inner images, she ties together personal stories and fieldwork experiences in Israel, Ethiopia and the United States. Through vivid graphic narrative, this detailed account tells a story about images through images.</p><p>In Western culture, the phenomenon of spontaneous inner imagery is often considered unusual or abnormal. Newman challenges this perspective by suggesting that many people experience spontaneous visual, auditory, and kinesthetic imagery and contends that such imagery may be a potential key to understanding psychic and mental processes. She shows how these images may be interpreted differently across different cultures  as spiritual messages, omens, sources of scientific and artistic inspiration, psychological insights, symptoms of mental illness, or simply nonsensical productions of the mind.</p><p>In visualising these images on the page, this book invites readers to delve deeper into the complexities of inner imagery  both within psychics and within themselves. Newman illustrates the film-like inner images commonly experienced yet frequently overlooked, revealing the uncertainty involved in translating between images and words. By analysing Elizabeth's and her own experiences, Newman underscores the challenges inherent in this translation process.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A lively and provocative account of Bernard Mandeville and the work that scandalised and appalled his contemporaries  and made him one of the most influential thinkers of the eighteenth century.</b></p><p>In 1714, doctor, philosopher and writer Bernard Mandeville published <i>The Fable of the Bees,</i> a humorous tale in which a prosperous hive full of greedy and licentious bees trade their vices for virtues and immediately fall into economic and societal collapse. Outrage among the reading public followed; philosophers took up their pens to refute what they saw as the fable's central assertion. How could it be that an immoral community thrived but the introduction of morality caused it to crash and burn? In <i>Man-Devil</i>, John Callanan examines Mandeville and his famous fable, showing how its contentious claim  that vice was essential to the economic flourishing of any society  formed part of Mandeville's overall theory of human nature. Mandeville, Callanan argues, was perfectly suited to analyse and satirise the emerging phenomenon of modern society  and reveal the gap between its self-image and its reality.</p><p>Callanan shows that Mandeville's thinking was informed by his medical training and his innovative approach to the treatment of illness with both physiological and psychological components. Through incisive and controversial analyses of sexual mores, gender inequality, economic structures, and political ideology, Mandeville sought to provide a naturalistic account of human behaviour  one that put humans in close continuity with animals. Aware that his fellow human beings might find this offensive, he cloaked his theories in fables, poems, anecdotes, and humorous stories. Mandeville mastered irony precisely for the purpose of making us aware of uncomfortable aspects of our deepest natures <b> </b>aspects that we still struggle to acknowledge today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John Callanan</b> is reader in the history of philosophy, Department of Philosophy, at King's College London. He is the author of <i>Kant's Groundwork of the Metaphysics of Morals</i> and the coeditor of <i>Kant and Animals</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book brings together the major writings of David Sellar (19412019) on the genealogies (pedigrees) claimed by some of the major clans of medieval Highland and Island Scotland, especially the descendants of their twelfth-century king Somerled. It is an invaluable resource for students, genealogists and historians of medieval Scottish history.]]></Text>
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			<Text textformat="02"><![CDATA[<p>This book brings together the major writings of David Sellar (1941-2019) on the genealogies (pedigrees) claimed by some of the major clans of medieval Highland and Island Scotland, especially the descendants of their twelfth-century king Somerled.</p><p>The claimed pedigrees in the medieval Gaelic 1467 manuscript and the Irish genealogies are critically analysed in relation to each other, and their historical authenticity tested against other evidence, including the Gaelic or Norse quality of their recorded names. Contemporary literary material is considered alongside later recorded traditions descending from the seanchaidh, whose work was to hand down to posterity the valorous actions, conquests, battles, skirmishes, marriages and relations of the chiefly ancestors by relating and singing them at births, baptisms, marriages, inaugurations, feasts and funerals. The family pedigrees offer crucial insights into the nature of medieval society, supporting and sometimes explaining a family's socio-political position. As an exercise in propaganda, a pedigree was susceptible to fabrication and not to be trusted uncritically.</p><p>David Sellar's meticulous analysis reveals the social and political realities of medieval Celtic Scotland, making use of heraldic evidence as well as his legal expertise, in a fluent and reader-friendly style.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>David Sellar</b> (1942-2019) taught in the Edinburgh University Law School for some 40 years prior to appointment as Lord Lyon King of Arms in 2008. He maintained a steady stream of significant publications on the medieval history of the Highlands and Islands, with a particular interest not only in what could be learned from clan genealogies of the period, but also in the region's literary culture and material remains such as Sueno&amp;#x27;s Stone.Retiring as Lyon in 2014, he was awardedMembership of the Royal Victorian Order, a dynastic order of knighthood awarded at the monarch's sole discretion for distinguished personal service.</p><p><b>Hector L. MacQueen</b> is Emeritus Professor of Private Law, University of Edinburgh. He was Scottish Law Commissioner 2009-18, President of the Society of Legal Scholars 201213, Literary Director of the Stair Society 1999-2017 and has been Vice-President of the Stair Society since 2018. He is author of <i>Common Law and Feudal Society in Medieval Scotland</i>, co-author of <i>Law, Lordship and Tenure: The Fall of the Black Douglases </i>and editor of<i> Continuity, Influences and Integration in Scottish Legal History: Select Essays of David Sellar.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>North Korea was an important player in the decolonisation of Africa. Freedom fighters across the continent received vital assistance from Pyongyang, and almost all southern African independence leaders travelled to the North Korean capital at some point, in search of support. This alliance has continued into the twenty-first century, with African postcolonial governments throwing a lifeline to Pyongyang's increasingly isolated economy by hiring North Korean companies, despite United Nations sanctions.</p><p>Tycho van der Hoog examines the relations between victorious southern African liberation movements and North Korea, from the 1960s to the present. He explains why African presidents sang and danced at parties in Pyongyang, and why North Korean books were translated into Swahili and Afrikaans. He reveals how African soldiers were trained in guerrilla warfare by North Korean instructors, and how North Korean labourers construct monuments in Africa in the shape of AK-47s. And he explores the question of how revolutionary regimes, motivated by a need for survival, work together to defy the global order.</p><p>Based on extensive research across four continents  including recently disclosed African liberation archives and Korean diplomatic cables  this innovative study is the first book on African-North Korean relations.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>David Busch&amp;#x27;s Nikon Zf Guide to Digital Photography</i></b><b> is your all-in-one comprehensive resource and reference for the Nikon Zf, the company's retro-styled mirrorless camera with cutting-edge capabilities.</b> </p><p>Enthusiasts and professional photographers alike welcome the combination of vintage look and advanced features, including sophisticated subject detection of people, animals, vehicles, and airplanes; focus shift shooting for extended depth-of-field; and a super-high resolution Pixel Shift mode that quadruples the camera's resolution to an amazing 98 megapixels.</p><p>Add in a pre-release feature that captures action that happened <i>before</i> you clicked the shutter, a switch that shifts the camera seamlessly into black-and-white mode, 4K video, and continuous shooting at up to 30 frames per second, and you'll see why photographers are so excited about the Nikon Zf. With this book in hand, you'll master all these impressive features, and fine tune your camera skills as you develop your creativity while taking great photographs with your new Zf.</p><p>Filled with detailed how-to steps and full-colour illustrations, <i>David Busch&amp;#x27;s Nikon Zf Guide to Digital Photography</i> covers the cameras' still photography capabilities in depth, from taking your first photos through advanced details of setup, exposure, lens selection, lighting, and more, and relates each feature to specific photographic techniques and situations. Also included is an introduction to the cameras' video features. A handy visual guide to the Zf offers close-up photos and descriptions of the cameras' essential features and controls. Learn when to use each option and, more importantly, when <i>not</i> With best-selling photographer and mentor David Busch as your guide, you&amp;#x27;ll quickly have full creative mastery of your camera's capabilities, whether you&amp;#x27;re shooting on the job, as an advanced enthusiast, or are just out for fun. Start building your knowledge and confidence, while bringing your vision to light with the Nikon Zf today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>With more than two million books in print,<b>David D. Busch</b>is the world's #1 best-selling camera guide author, with more than 100 guidebooks for Nikon, Canon, Sony, Olympus, Pentax, and Panasonic cameras, and many popular books devoted to digital photography and imaging techniques. His best-sellers include<i>Digital SLR Cameras and Photography for Dummies</i>, which has sold more than 300,000 copies in five editions, and<i>Mastering Digital SLR Photography</i>, now in its Fourth Edition.</p><p>The graduate of Kent State University is a former newspaper reporter/photographer, and operated his own commercial photo studio, shooting sports, weddings, portraits, fashion, architecture, product photography, and travel images. For 22 years he was a principal in CCS/PR, Inc., one of the largest public relations/marketing firms based in San Diego, working on press conferences, press kits, media tours, and sponsored photo trade magazine articles for Eastman Kodak Company and other imaging companies. His 2500 articles and accompanying photos have appeared inside and on the covers of hundreds of magazines, including<i>Popular Photography, Rangefinder</i>, and<i>Professional Photographer</i>.</p><p>For the last decade, Busch has devoted much of his time to sharing his photographic expertise, both in publications, and in seminar/workshops he hosts at the Cleveland Photographic Society School of Photography. He has been a call-in guest for 21 different radio shows nationally and in major markets, including WTOP-AM (Washington), KYW-AM (Philadelphia), USA Network (Daybreak USA), WPHM-AM (Detroit), KMJE-FM (Sacramento), CJAD-AM (Montreal), WBIX-AM (Boston), ABC Radio Network (Jonathan &amp; Mary Show). He's also been a call-in guest for one Canadian television show, and appeared live on<i>Breakfast Television</i>in Toronto, the Today Show of the Great White North.</p><p>With a total of more than 200 books to his credit, Busch has had as many as five books appear simultaneously in the Amazon.com Top 25 Digital Photography Books, and when Michael Carr of About.com named the top five digital photography books for beginners, the initial #1 and #2 choices were Busch's<i>Digital Photography All-in-One Desk Reference for Dummies</i>and<i>Mastering Digital Photography</i>. His work has been translated into Arabic, Spanish, Chinese, Japanese, Portuguese, Bulgarian, German, Italian, French, and other languages. Busch lives in Ravenna, Ohio, and you can find him online at www.dslrguides.com.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Practicing journalism is dangerous. Until the wars in Ukraine and Gaza broke out, Mexico continued to rank as the deadliest locale for reporters, with too many other countries close behind, including Afghanistan, Syria, India, and the Philippines.</b></p><p>More journalists have been killed in Gaza since October 2023 than during the entirety of World War II and the numbers of journalists killed, injured, or exiled from both Russia and Ukraine since the Russian invasion in 2021 continues to grow.</p><p>The University of Oregon staged the 'Extra! Extra! Refugee Journalists become the Story  Migrating to Stay Alive' conference in April 2024 with expert guest speakers: refugee journalists, academic experts, and others who specialise in exiled journalist issues and threats to journalists and free expression.</p><p>The symposium brought Mexican refugee journalists in exile to the University of Oregon campus for keynote speeches followed by workshops with other experts in the fields of freedom of expression and threats to journalists. These workshops led to student field work during the conference dates, work regarding how the crises examined during the conference impact tools used by immigrants to obtain news from their countries of origin.</p><p>The material generated during the symposium plus ancillary reportage fuels the critical stories and conclusions told in the book <i>Don't Shoot the Journalists.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Journalist <b>Peter Laufer</b> is the James Wallace Chair Professor of Journalism at the University of Oregon.</p>]]></Text>
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			<Text textformat="02"><![CDATA[What do conspiracy theories, algorithms and meritocracy have in common? All three avoid contingency and frantically look for necessities. 'Contingency phobia' is not only manifest in conspiratorial thinking. It is the cause of a variety of other phenomena that have become emblematic for liberal democracies.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Conspiracy theories, algorithms and meritocracy all share an aversion to randomness, seeking instead to impose a sense of order and necessity.</b></p><p>What do conspiracy theories, algorithms and meritocracy have in common? All three avoid contingency and frantically look for necessities. The COVID-19 crisis has brought about a proliferation of conspiracy theories that reject, among other things, official accounts of the virus's origins and remedies, and sometimes even the existence of the virus itself. Conspiratorial thinking usually links events to secret plots concocted by powerful conspirators, whether it be Bill Gates or Big Pharma. In this book, I point to another dominant driving force: the desire to find simple and apparently reasonable explanations for phenomena that are actually purely random and contingent. Often, unfounded conspiracy theories emerge because contingency is not accepted, and necessities are looked for at all costs. Nothing happens by chance, and there must be a plan or an intelligent design behind everything.</p><p>This book deals with 'contingency phobia'. This special phobia is not only manifest in most unwarranted conspiracy theories, but it also appears, in Western culture, as a recurrent psychological, cognitive and scientific pattern. It is the cause of a variety of other phenomena that have become emblematic for liberal democracies, such as the contemporary algorithm culture or the obsession with merit and ranking. Not only the conspiratorial mindset rejects a world of contingency and strives to create a universe structured by a necessary order; life coaches, algorithm engineers and neoliberal meritocrats all do the same. This book analyses these phenomena by using the same criteria: how do humans deal with contingency and how do they try to establish necessities?</p><p>Some philosophies, such as Daoism and Zen Buddhism, make unwarranted conspiracy theories quasi-impossible because they find original ways of combining contingency with ontological, theological or cosmological premises. I identify sources that other disciplines examining conspiracy theories, for example, political science, anthropology, psychology or sociology, have rarely seen as primary. Political scientists focus on the macro level and construe conspiracy theories mostly as national or regional phenomena whereas anthropologists, psychologists and sociologists tend to focus on the micro level. The present study is an example of practical philosophy depicting conspiratorial thinking as an organic or a dynamic phenomenon by crystallising cognitive and cultural 'necessity-contingency patterns' that can be found in politics, culture, religion and science.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Thorsten Botz-Bornstein</b> is professor of philosophy at the Gulf University for Science and Technology in Kuwait and the director of the Global Studies Center. His latest book is <i>Daoism, Dandyism, and Political Correctness</i> (2023).</p>]]></Text>
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					<TaxType>02</TaxType>
					<TaxRateCode>S</TaxRateCode>
					<TaxRatePercent>10</TaxRatePercent>
				</Tax>
				<CurrencyCode>AUD</CurrencyCode>
				<Territory>
					<CountriesIncluded>AU</CountriesIncluded>
				</Territory>
			</Price>
		</SupplyDetail>
	</ProductSupply>
</Product>
</ONIXMessage>
