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			<Text textformat="02"><![CDATA[A creeping story of sapphic obsession with Gothic undertones and a delicious mid-century feel, from the author of the Polari-shortlisted Sunburn....]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>January 1965.</b> The orphaned O'Leary siblings  Tom, Jack, Anna and Peggy  arrive in the village of Ballycrea, tight-lipped about their troubled past and desperate for a fresh start.</p><p>After being met with suspicion from most of the locals, the family are thrilled when they're taken under the wing of their well-respected neighbours, Bill and Betty Nevan, who offer them work, companionship and an opportunity to fit in.</p><p>But for one of the O'Learys, this new friendship sparks an intense attachment that makes the dynamic dangerous for all. It's difficult to bury secrets, but almost impossible to bury feelings...</p><p>Like Howarth's acclaimed debut, <i>Heap Earth Upon It</i> explores rural Irish life at a specific moment in time and delves into claustrophobic relationships and tangled identities, leaving you wondering who to trust until the very last page.</p><p><b>'</b><b><i>Heap Earth Upon It</i></b><b> is a tense and claustrophobic novel with gothic atmosphere which seeps into your bones like fog. It's a fascinating look at mid-century rural Irish life, and a brutal exploration of the corrosive impact of shame and secrecy. Chloe Michelle Howarth knows her sapphic yearning!'  Rachel Dawson, author of</b> <b><i>Neon Roses</i></b></p><p><b>'Dark, passionate and poised. A remarkable story of the way rural Ireland haunts and is haunted. Intense and thrilling.'  Soula Emmanuel, author of</b> <b><i>Wild Geese</i></b></p><p><b>'It's a clever and mysterious book that never collapses into ordinariness, and possesses an eerie, liminal, orphaned quality that lingers in the mind.'  Cameron Woodhead, </b><b><i>The Sydney Morning Herald</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted for the 2023 Nero Book Award for Debut Fiction**</b></p><p>It&amp;#x27;s the early 1990s, and in the Irish village of Crossmore, Lucy feels out of place. Despite her fierce friendships, she&amp;#x27;s always felt this way, and the conventional path of marriage and motherhood doesn&amp;#x27;t appeal to her at all. Not even with handsome and doting Martin, her closest childhood friend.</p><p>Lucy begins to make sense of herself during a long hot summer, when a spark with her school friend Susannah escalates to an all-consuming infatuation, and, very quickly, to a desperate and devastating love.</p><p>Fearful of rejection from her small and conservative community, Lucy begins living a double life, hiding the most honest parts of herself in stolen moments with Susannah.</p><p>But with the end of school and the opportunity to leave Crossmore looming, Lucy must choose between two places, two people and two futures, each as terrifying as the other. But only one can offer her real happiness.</p><p><b><i>Sunburn</i></b> <b>is an astute and tender portrayal of first love, adolescent anxiety and the realities of growing up in a small town where tradition holds people tightly in its grasp.</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In a remote Methodist community of New South Wales in 1852, aspiring lay preacher Charles Muncey is tasked with recording the sins of every soul who signs up for a week-long revival.</p><p>He has plenty to work with. Pardoned convict Thomas Gunson knows the way through the wilderness and agrees to guide the faithful on a circuit of their struggling chapels, though he fears the company of people now that he's out of his shackles. Irish emigre Oona Farry, recruited as a candlemaker, resents the devotion of the women during their ecstatic praising, convinced that God has abandoned her for her lustful secrets. Even righteous hosts Jacob and Anne Temple harbour transgressions they dare not voice.</p><p>But when Californian preacher Charisma Groom stirs up unbridled repentance during a watchnight mass on the edge of wild country, illicit sex and sudden death come to light. The congregation is ordered to hunt the devil through the ancient Fish River Caves, a dangerous underworld where raptures more powerful than faith are awakened.</p><p>With nothing but his fledgling moral compass, Muncey must see through blind faith to uncover which member of the flock is a callous killer.</p><p>This is a bold reimagining of the untold story of the Methodist settlers who colonised Australia's renowned Jenolan Caves during the Frontier Wars.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michael Burge</b> is an author and journalist living in Deepwater, in the New England region of New South Wales, Australia. His debut rural noir novel, <i>Tank Water</i>, was released by MidnightSun Publishing. He has written for <i>The Guardian</i>, <i>Fairfax Media</i>, and the <i>Journal of Australian Studies</i>, and he is a board member of BAD Sydney, New South Wales' crime writing festival.</p><p>Michael's great-grandparents represent a broad cultural spectrum in Australia and Aotearoa New Zealand, including English, Scottish, and Irish migrants, as well as Mori heritage. He enjoys researching the diverse cultures that shaped the colonial landscape of the region. The thousands of steps he took through Jenolan Caves as a tour guide from 2008 to 2012 inspired him to create <i>The Watchnight</i>.</p><p>His complete works can be found at <a href="http://www.burgewords.com/">www.burgewords.com</a>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner of The Yomiuri Prize for Literature, 2012**</b></p><p>The Japanese novel comes of age in this gripping story of love, art and life as a group of architects competes to design the new National Library of Modern Literature in Tokyo.</p><p>In 1980s Japan, newly-graduated Toru Sakanishi joins a small, prestigious architecture firm founded by a former student of Frank Lloyd Wright. As the sweltering summer months approach, the team migrates from the bustling centre of Tokyo to the beautiful rural surroundings of Mount Asama, where several love stories are woven together and Sakanishi encounters four remarkable women who change the course of his life.</p><p>From honouring ancestors to illustrating the complexities of the living, <i>Summer at Mount Asama</i> is a prize-winning novel beautifully translated by National Book Award winner Margaret Mitsutani, offering a moving and elegant portrait of the clash of modernity and tradition.</p><p><b>'Packed with ideas about art, life, and love.' </b> <b><i>Kirkus Reviews</i></b></p><p><b>'The more I read, the more I fell in love with this beautiful novel.'  Hiromi Kawakami</b></p><p><b>'Expertly-crafted.'  Mariko Ozak</b>i</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Victorian Premier's Literary Awards 2026, Poetry**</b></p><p><i>KONTRA</i> enacts a poetics of clashing decadences, testing the tightrope between 'feminine' goodness and deviance, desire and refusal, reverence and repulsion. It casts a female gaze on the <i>kontrabida</i>  a Filipina soap opera villain stuck in a rise-and-fall cycle. The poet reimagines the kontrabida as a figure driven not by revenge, but by wild desire. Oscillating in and out of character, Andrada navigates the tension between poet and persona. Alongside the shapeshifting, spectral force of the kontrabida, the poet invokes a chorus of voices to trace a lineage of opposition and the alternate futures it holds.</p><p>The collection is in the form of a narrative triptych. The opening section 'KONTRA' explores the power and fate of the oppositional figure. In 'OPER', two characters speak alongside each other to excise painful histories of domination and sexual assault; which moves us forward to the final section 'BIDA', to a more genuine, queer persona that is free from domination.</p><p><b>Praise for Eunice Andrada:</b></p><p><b>'Brilliant and devastating,</b> <b><i>TAKE CARE</i></b><b> is no doubt one of the most important poetry releases in years, weaving complex themes with intelligence and innovation of form...A poet whose courage is necessary and whose words we all need.'  Ellen van Neerven</b></p><p><b><i>'TAKE CARE</i></b><b> is the live wire of poetry that does not spare us...each poem both a surrender and a severing, each page an urgent demand we do not look away from violence, from its banal to its most grotesque, and each word filled with as much purpose and energy as it is with tenderness and care.'  Sara Saleh</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Eunice Andrada</b> is a poet and educator. Her first collection <i>Flood Damages</i> (Giramondo, 2018) won the Anne Elder Award and was shortlisted for both the Victorian Premier's Award for Poetry and the Dame Mary Gilmore Award. Her second poetry collection <i>TAKE CARE</i> (2021) was shortlisted for the Judith Wright Calanthe Award, the Stella Prize, the Australian Literature Society Gold Medal, and two NSW Premier's Literary Awards. <i>KONTRA</i> is her third poetry collection with Giramondo.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>To commemorate the 250th anniversary of Jane Austen's birth, the British Library is reproducing, in beautiful facsimile form, a first edition of <i>Pride and Prejudice</i> from the Library's restricted collections. <i>Pride and Prejudice</i> has been enchanting readers for centuries with its universal story of premature judgement and stubbornness in love.</p><p>Austen fans will now be able to own her iconic novel as it was originally published by T. Egerton in London in 1813, in three gorgeous volumes, presented in an ornate clamshell case. This edition will also include reproductions of Austen letters from the Library's collection of her personal effects, as well as introductory notes by a lead curator.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A haunting anthology of supernatural stories and the macabre by well-known authors of gothic novels, folklore and fairy tales, each featuring a chillingly striking black-and-white illustration.]]></Text>
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			<Text textformat="02"><![CDATA[<p>This chilling anthology, first published in 1898, features classic gothic authors Edgar Allan Poe, Mary Shelley, Thomas de Quincey and Hans Christian Andersen alongside well-known and influential fairy tales and folklore. All of the macabre stories and extracts from longer works have hints of the supernatural and many include malevolent spirits and grotesque murders. But this varied selection also features melancholy hauntings and poignant memoir in a fascinating mix of gothic horror and disturbing legend. Each story is illustrated with a striking engraving by art nouveau artist William Macdougall.</p><p>Beautifully produced, carefully curated and timeless, this book is the perfect gift for anyone who likes to be haunted by ghost stories. Read it if you dare.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Margaret Armour</b> (1860-1943) was a Scottish translator, editor, and poet.<br/><b>W. B. Macdougall</b> (1868-1936) was an illustrator and member of the New English Art Club.<br/><b>Kirsty Logan</b> is an author whose latest novel is <i>Now She is Witch</i>. Her previous books include <i>Things We Say In The Dark, The Gloaming, The Gracekeepers, A Portable Shelter,</i> and <i>The Rental Heart &amp; Other Fairytales</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Set in the Hudson Valley in New York State in 1790, <i>The Legend of Sleepy Hollow</i> tells the story of Ichabod Crane, a schoolteacher who is wooing the daughter of a local wealthy farmer. Superstitious and gullible, Crane is a believer in the many supernatural tales circulating in the Dutch community who settled there. Late one autumn night, as he rides home having lost out to a rival suitor, he encounters his worst fear: the headless horseman, thought to be the ghost of a decapitated soldier from the Revolutionary War...</p><p>This edition, beautifully illustrated by Arthur Rackham and introduced by Jonathan Kruk, The Legend storyteller, reproduces Irving's original tale. First published in 1820, it became the inspiration for many adaptations ranging from silent film, animation and blockbuster movies to musicals and graphic novels. It is now inextricably associated with Halloween.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>WASHINGTON IRVING</b> (17831859) was an American writer and journalist, regarded by many as the founding father of American literature.</p><p><b>ARTHUR RACKHAM</b> (18671939) was a leading book illustrator of his generation.</p><p><b>JONATHAN KRUK</b> is a storyteller based in New York State and the author of <i>The Legends and Law of Sleepy Hollow and the Hudson Valley</i> (2011).</p><p></p>]]></Text>
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			<SubjectHeadingText>Scottish Fiction; Coming of Age; Scotland; Humour; boarding school; middle class; edinburgh; Great Gatsby; class war; inherited wealth; changing of the guard; adventure; mystery; nineties scotland; nineties; 90s; evocative; Sathnam Sanghera; Linda Grant; aristocracy; books like saltburn; fans of saltburn; Saltburn; dark humour; darkly funny; Caitlin moran; Tim Minchin; scottish noir; John Niven; Kill Your Friends; The Secret History; Trainspotting</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Rabbitsis the much-anticipated, long awaited new novel from columnist Hugo Rifkind.It is a story of drugs, aristocracy, death and disputed inheritance, set in the 1990s  it's Iain Banks meetsThe Secret History,a journey into a different class and a coming-of-age story in a changing Scotland.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Tommo has just moved to a prestigious boarding school. A product of the middle class, and with new-found independence thrust upon him, he finds himself invited into fading crumbling country houses. It's the early nineties and the elite he is now surrounded by is struggling for relevance. Alienated from the mainstream, and running low on inherited wealth, his peers have retreated into snobbery and fatalism. Initially awed by their poise and seduced by their hedonism, Tommo gradually becomes aware of sinister undercurrents and a suppressed rage that threatens to explode into violence.</p><p>In this world, half-remembered traditions mix with decadence and an awful lot of small dead animals. And sometimes, not just animals. When Tommo's friend Johnnie's brother is found dead, a shotgun at his feet, he realises there are secrets that everyone knows, but no one speaks about, or even acknowledges. And those secrets can no longer be hidden.</p><p><b>'Keeps the outrageous laughs and twists comingin equal measure' Alexander Larman,</b><b><i>The Observer</i></b></p><p><b>'Darkly funny as</b> <b><i>Saltburn</i></b><b>, but with kilts'  Val McDermid</b></p><p><b>'</b><b><i>Rabbits</i></b> <b>is an instantly compelling novel; it is simultaneously poignant, peculiar, tragic, and very, very funny. Highly recommended'  Sathnam Sanghera</b></p>]]></Text>
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			<SubjectHeadingText>,; ,affair,; ,sisters,; Columbian fiction; Latina; Latinx,; betrayal,; child loss; family affairs; family saga; female artist; historical fiction; jealous; literary fiction; lost child; lost love; love story; marriage; motherhood,art,Italy,; passion; self-discovery; sisters; stories of; women artists</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b><i>While I was giving birth to Lucy, my husband, Alessandro, was lying in bed with my sister Isabel.</i></b></p><p>And thus, Ines Camargo  the youngest daughter of an Italian nobleman and a Colombian poet  begins to speak in a bitter, sweet voice.</p><p>Against the backdrop of early twentieth-century Colombia, where the Catholic Church exercises total control over women, <i>Orange Wine </i>weaves an unforgettable story of sisterhood, love, passion, and betrayal. Isolated in a society that opposes her desires, Ines struggles with her identity as a mother, artist, sister, lover, and woman. Her choices are stark: accept her duty to her family or embark on a sensuous journey of self-discovery. Each path will cost her  or those she loves  something dear.</p><p>Mirroring the alchemical process of turning oranges into wine, Ines must create a new life from a bitter pith, pressing sweetness from life's agonies as she struggles toward artistic freedom and feminine awakening.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Esperanza Hope Snyder</b> was born and raised in Bogot, Colombia, and has lived in the US, Italy, and Spain. She is the author of a poetry collection, <i>Esperanza and Hope</i> (Sheep Meadow Press, 2018), and two plays, <i>Lullaby for George</i> and <i>The Backroom</i>, the latter of which is being adapted to film. <i>Delicates</i>, her cotranslation of Wendy Guerra's poetry collection (Seagull Books, 2023), was noted in the <i>New York Times</i> and was long listed for the 2024 National Translation Award. Esperanza has also been assistant director of Bread Loaf in Sicily and cocoordinator of the Lorca Prize. She lives in Shepherdstown, West Virginia. <i>Orange Wine</i> was inspired by the story of her grandparents.</p>]]></Text>
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			<SubjectHeadingText>love; metafiction; queer; lesbian; romance; pool; cooking; suspense; estate; East Hampton; fame; famous; neighborhood; neighbor; sexuality; food; foodie; Food Network; star; celebrity; chef; satire; food business; Hamptons; pride month; client; ghostwriter; camera; secrets; secret; ghostwriting; author; writing; book; show; cook; media; danger; New York; papparazzi; tablod; picture; social media; girlfriend; lover; fan; community; town; shadow</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A ghostwriting gig in the Hamptons becomes far more than a job in this sexy, atmospheric, and deliciously tense story.</b></p><p>Reeling from her father's death, Zara Pines accepts a ghostwriting gig for celebrity chef Jane Bailey. Jane, star of the wildly popular cooking show <i>30 Bucks Tops</i>, insists that Zara spend the summer with her in her East Hampton home.</p><p>As the two women create Jane's book, their attachment grows stronger. Zara, who's lost and searching for an identity, finds one in the shadow of Jane. She starts wearing Jane's clothes, speaking like her, and adopting her mannerisms. Eventually, the line between the ghostwriter and the subject blurs, and Zara starts to see the side Jane keeps hidden from the cameras.</p><p>This dark and twisty novel about fame, lies, and obsession will make even the most openhearted reader question how safe it is to trust the people they admire.</p><p><b>'A deliciously twisted love story that sneakily upends your expectations at every turn; a candy apple with a razor blade hidden inside.'  Graham Moore, Academy Award-winning screenwriter of </b><b><i>The Imitation Game</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Swan Huntley</b> is the author of <i>Getting Clean With Stevie Green</i>, <i>The Goddesses</i>, <i>We Could Be Beautiful</i>, <i>The Bad Mood Book</i>, and <i>You're Grounded: An Anti-Self-Help Book to Calm You the F*ck Down</i>. She lives in Los Angeles.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Set against a backdrop of Australia's central deserts, The Dingo's Noctuary explores themes of identity, belonging, and the fragile threads that connect all living beings]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Highly Commended, Victorian Premier's Literary Awards 2026, Poetry**</b></p><p>Set against a backdrop of Australia's central deserts, <i>The Dingo's Noctuary</i> explores themes of identity, belonging, and the fragile threads that connect all living beings. At the heart of the tale is a soul's dark night, the flight of a lady motorcyclist, in the prime of her invisibility, and her mongrel dingo Moon, into the Tanami desert. She's searching for a caravan of miraculous dog-headed beings, glimpsed in dreams and the dementia tales of an old desert lady.</p><p><i>The Dingo's Noctuary</i> is an illustrated verse novel, complete at 70,500 words. It includes accurate hand drawn maps of the Australian central deserts, pressings of rare plants, and forty-seven lumachrome glass prints, afterlife portraits of animals and birds. The story unfolds through combinations of poetry and prose, alongside visual images- maps of land and stars, plant pressings, and forty-seven afterlife portraits of animals and birds. It is a single-authored book in which the images and texts are equally weighted. The book was written over thirty-seven desert crossings, sometimes on the motorcycle with the dog on the back. The entire second half of the book was written on a typewriter after a motorcycle crash (the unsuccessful 37th crossing) left me unable to use a computer. I made a motorcycle blog about one of the journeys in this book here https://judithnangalacrispin.medium.com.</p><p>Work from <i>The Dingo's Noctuary</i> has received a number of awards and prizes including the 2023 Sunshine Coast Art Prize and the 2020 Blake Prize for Poetry. It was highly commended in the 2023 Mullins Conceptual Photography Prize and shortlisted for the 2023 Milburn Art Prize, the 2023 and 2025 Ravenswood Prizes for Australian Women's Art, and the 2019 Olive Cotton Prize. Images and texts from this book were included in the Lunar Codex time-capsule which was deposited on the moon as part of the Blue Ghost mission in 2024. A mock-up of the complete book was shortlisted for the 2023 Arles Luma Recontres Dummy Book Prize.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Controlled Burn </i>is an antipastoral collection with a difference. Poems closely and compassionately situate woman at the centre of interconnected legacies of colonial, economic, domestic and military violence. Images of fire, heat and ecological degradation thread free-verse, localist poems such as 'The Woman Who Ran the Farm', 'Aqua Nullius' and 'Petroleum'<i>,</i> chronicling devastating impacts. Elsewhere, poems such as 'Painted weather' and the ekphrastic villanelle 'The Hay Wain's Cry', foreground disconnects between high culture and climate change activism. Institutional art brings solace, but may be a lame raft, clung to at our peril. The collection is rounded off by poems offering blistering satires of a techno-feudalist world; metapoetic poems such as 'Password' and 'The Sentence' portray the slow violence of online fora and erosions of the rule of law which differently undermine what it means to be human on a shared planet. </p><p>In this visionary collection, A. Frances Johnson's cautionary threnodies muse on environmental depletion, colonial dispossession and personal loss. These poems deftly criticise enduring theme-park notions of the natural  in spheres poetic, and beyond. </p>]]></Text>
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			<Text textformat="02"><![CDATA[A heart-warming stand-alone novel about trains and love! McCall Smith weaves a tale of four strangers who meet on a train. They have one thing in common - they have all been in love. They all have very different experiences to share, but as one of the character observes, loving others is the good thing we do in our lives.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Imagine you're on a train. Think about all the other people on the train with you, what their lives are or have been, and the different experiences you've all had. But there is one more thing that you undoubtedly all share: you have all been in love at one time or another.</p><p>In this surprising and poignant story, four strangers meet on a journey from Edinburgh to London. Each has a tale of love and of railways: for Mark, a brief encounter on a railway platform leads to an impulsive and possibly dangerous decision; Kay recounts the long journey back to her childhood home in Australia and the love that was there; David remembers a teenage friendship that faded into love; and Michael makes a discovery that art and people may not be what they seem to be at first glance.</p><p>These are very different experiences, but throughout them all runs a deep current of love. And loving others, as one of the characters observes, is the good thing we do in our lives.</p><p><b>'writing as warm as cocoa</b> <b></b> <b>exceedingly good'</b> <b></b> <b><i>The Times</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexander McCall Smith</b>is the author of the highly successful<i>No. 1 Ladies' Detective Agency</i>series, which has sold over twenty-five million copies. Since then he has devoted his time to the writing of fiction and has seen his various series of books translated into over forty-six languages and become bestsellers throughout the world. These include the<i>44 Scotland Street</i>novels, first published as a serial novel in the<i>Scotsman</i>, the<i>Isabel Dalhousie</i>novels, the<i>Von Igelfeld</i>series and the<i>Corduroy Mansions</i>novels.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>4 a.m., New York City. A silent disaster.</b></p><p>There is no flash of light, no crumbling, no quaking. Each person in New York wakes up on an unfamiliar block when the buildings all switch locations overnight. The power grid has snapped, thousands of residents are missing, and the Empire State Building is on Coney Island  for now. The next night, it happens again.</p><p>Esme Green and Arjun Varma work for the City of New York's Emergency Management team and are tasked with disaster response for the Unmapping. As Esme tries to wade through the bureaucratic nightmare of an endlessly shuffling city, she's distracted by the ongoing search for her missing fiance. Meanwhile, Arjun focuses on the ground-level rescue of disoriented New Yorkers, hoping to become the hero the city needs.</p><p>While scientists scramble to find a solution  or at least a means to cope  and mysterious 'red cloak' cults crop up in the disaster's wake, New York begins to reckon with a new reality no one recognises. For Esme and Arjun, the fight to hold the city together will mean tackling questions about themselves that they were too afraid to ask  and facing answers they never expected. With themes of climate change, political unrest, and life in a state of emergency,<i> The Unmapping </i>is a timely and captivating debut.</p>]]></Text>
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			<Text textformat="02"><![CDATA[When a pair of dead bodies are discovered in their newly-purchased whisky distillery in Campbeltown, Eilidh and her wife, Morag, are plunged headlong a storm of murder, suspicion, intrigue and small town bureaucracy. This is a darkly comic crime debut for fans ofColumbo,Midsummer Murdersand John Dickson Carr.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Whisky is a bloody business...</p><p>When a dilapidated distillery comes up for sale in rural Kintyre, Eilidh and her wife Morag jump at the chance. But their ambition to run the first women-owned whisky distillery in Scotland seems to be scuppered when a grisly, decades-old secret is revealed: two dead bodies have been stuffed into barrels, perfectly preserved in single malt.</p><p>To add to their woes, a TV crew has just arrived and the townsfolk will not leave them alone. Eilidh becomes obsessed with solving the murders while juggling whisky tastings, ceilidhs, protests and scandals  everything you'd expect from a wee Scottish town imprisoned by its own geography. And no matter how hard you try, the locals will always find out your secrets.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Natalie Jayne Clark</b> is a neurodivergent writer, editor and producer based in Perth. Natalie writes for <i>SNACK</i> magazine, is the Assistant Producer for StAnza Poetry Festival, and works across the arts and culture industry in a variety of roles. She is also a certified whisky ambassador and is partial to a Springbank or a Bruichladdich.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Offering a bounty of lost or forgotten strange and Gothic tales set in Cornwall, Cornish Horrors explores the rich folklore and traditions of the region in a journey through mines, local mythology, shipwrecks, seascapes, and the coming of the railway and tourism.]]></Text>
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			<Text textformat="02"><![CDATA[A new edition of the works of a high-profile British writer, whose supernatural fiction remains relatively overlooked  published to coincide with the 150th anniversary of his birth. Featuring a new introduction by Buchan expert James Machin exploring the varied life of this author and its impact on his fiction.]]></Text>
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			<Text textformat="02"><![CDATA[<p>To mark the 150th anniversary of Scottish author John Buchan's birth, strange fiction expert James Machin presents a new selection of the writer's best uncanny fiction, including stories from <i>The Runagates Club.</i></p><p>Though best known today as the author of<i> The Thirty-Nine Steps</i>, this new volume aims to foreground his contribution to the early weird tale, including some of his most classic stories alongside a number rescued from rare periodicals of the early twentieth century.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Brooding in the borderlands where strange folklore, bizarre mythology and twentieth-century hauntings meet, this volume promises chills and shivers as keen and fresh as the wind-whipped wilds of Scotland.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Something was coming down the tide. It came down as quiet as a sleeping bairn, straight for him as he sat with his horse breasting the waters, and as it came the moon crept out of a cloud and he saw a glint of yellow hair.</p><p>From misty moors, crags and clifftops comes a hoard of eighteen strange tales gathered by Johnny Mains, award-winning anthologist and editor of the British Library anthology Celtic Weird. Sourced from Scotland's storied literary heritage and bustling with witches, ghosts, devils and merfolk, this selection celebrates the works of treasured Scottish writers such as John Buchan, Robert Louis Stevenson, Dorothy K. Haynes and Neil M. Gunn alongside rare pieces by lesser-known authors  including two tales translated from Scots Gaelic.</p><p>Brooding in the borderlands where strange folklore, bizarre mythology and twentieth-century hauntings meet, this volume promises chills and shivers as keen and fresh as the wind-whipped wilds of Scotland.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This new anthology offers the most comprehensive collection of Akutagawa's work ever published in English. It features fresh translations of his most celebrated stories alongside many lesser-known and never-before-translated pieces.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>'</i></b><b>Akutagawa displays an insightful and keenly creative intelligence in prose so lucid its sophistication is hardly visible</b><b><i>.'  </i></b><b>Chris Power, </b><b><i>The Guardian</i></b></p><p>Japan's master storyteller Ryunosuke Akutagawa (1892-1927) wrote more than 150 short stories. Widely regarded as 'the Father of the Japanese short story', he blended modern sensibilities with timeless themes to profound effect.</p><p>This new anthology offers the most comprehensive collection of Akutagawa's work ever published in English. It features fresh translations of his most celebrated stories alongside many lesser-known and never-before-translated pieces:</p><ul><li><b><i>Rashomon</i></b>: A destitute servant in old Kyoto faces a moral dilemma  starve or steal to survive</li><li><b><i>An Odd Tale</i></b>: A young woman is haunted by strange encounters with a station porter while her husband fights in World War I</li><li><b><i>Shadows</i></b>: A merchant receives anonymous letters about his wife's infidelity  only to come face-to-face with his own double</li><li><b><i>In a Grove</i></b>: Multiple, conflicting accounts of a samurai's death-this story inspired Kurosawa's legendary film <i>Rashomon</i></li><li><b><i>Hell Screen</i></b>: A chilling tale of artistic obsession and its devastating cost, adapted from an ancient legend</li><li><b><i>Momotaro</i></b>: In this first-ever English translation, Akutagawa transforms a beloved folk hero into a biting satire of nationalism and war</li><li><b>Plus 16 other major works by the Japanese master!</b></li></ul><p>An essential volume for every serious reader of Japanese literature  and a captivating introduction to one of the world's great literary voices.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ryunosuke Akutagawa</b> (1892-1927) is one of the biggest names in Japanese literature, recognized for his mastery of the short story form. He was a contemporary of Osamu Dazai, Jun'ichiro Tanizaki and Soseki Natsume. In the West, he is best known for his short story 'In a Grove', adapted by Akira Kurosawa in his award-winning movie Rashomon. Many of his stories highlight a fascination with supernatural and transformational phenomena while others have vivid historical backdrops and display influences from classic Japanese and Western fiction.</p><p><b>Richard Medhurst</b> was born in the UK and lives in Yokohama. His translation of Akutagawa's <i>An Odd Tale</i> was published in<i> Kyoto Journal</i> in 2018, and his translation of Eiji Suzuki's<i> Lingering Fragrance </i>was published in the anthology <i>Strokes of Brush and Blade</i> (Kurodahan Press, 2018). He has worked as a translator, editor and writer for the online magazine Nippon.com for over a decade, specialising in literature and history. He has also written a popular series of articles about studying Japanese which have received tens of thousands of page views. His article on Japan's 72 microseasons helped popularise the concept in the English-speaking world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>1,000 haiku by Sseki Natsume, collected into one volume for the first time!</b></p><p>Sseki Natsume is Japan's most popular writer, well known in the West for his satirical novels like <i>I Am a Cat, Botchan</i> and <i>Kokoro</i>. However, he first made a name for himself in Japan as a poet, publishing hundreds of haiku over a period of several decades. Until now very few of these have appeared in English.</p><p><i>Sseki Natsume's Collected Haiku</i> presents 1,000 of the author's most famous verses, selected and translated by Erik Lofgren, a leading Sseki expert. The poems are grouped into chapters corresponding to the five traditional Japanese seasons (New Year's, Spring, Summer, Autumn and Winter).</p><p>In these poems, Sseki explores themes ranging from <i>wabi sabi</i> Zen simplicity to his personal experiences including several years studying in England. His verses are evocative of the splendor of the natural world, the power of human emotions, and the serenity found in living a peaceful life.</p><p>Each poem is presented in the original Japanese with a Romanised version and English translation. Audio recordings of the English and Japanese versions are provided online.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sseki Natsume</b> was born in Tokyo in 1867 and attended prestigious University of Tokyo before working as an English teacher for a time. He went to London for three years in 1900 on a government literary scholarship, where he developed a love for Shakespeare. Returning to take up a position at his alma mater, his writing career began with<i> I Am a Cat</i> in 1905. <i>Botchan</i> followed in 1906 and these remain his most popular works, along with <i>Kokoro</i>. Sseki enjoyed great popularity during his lifetime, and when Japanese readers and critics are asked today which author they most admire, Sseki's name always appears at the top of the list.</p><p><b>Erik Lofgren</b> is Professor of East Asian Studies at Bucknell University where he teaches classes on Japanese language, literature, and film. He has published several works on the poetry of Umezaki Haruo, works of fiction by Furui Yoshikichi and Ooka Shohei, and the films <i>Rashomon</i> and <i>Shin Gojira</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Learn the full back story behind the world's greatest book on military strategy!</i></b></p><p><i>The Art of War</i> is one of the world's great masterpieces  presenting timeless strategies that are as important in the boardroom as on the battlefield. Now, experience Sun Tzu's classic as never before in this riveting graphic novel brimming with battles, betrayals and political intrigues.</p><p>The book recounts the conflict between the kingdom of Wu as they plot to attack the far more powerful state of Chu, with both leaders navigating internal plots and power struggles that will forever alter the fate of China. The fascinating accounts in this book include:</p><ul><li>The story of Sun Tzu, who became a trusted advisor to the powerful Wu clan and then a master military strategist, capturing the attention of Wu Zixu, the clan's most formidable general</li><li>The creation of the military strategies in <i>The Art of War</i>, as Sun Tzu develops his revolutionary philosophy of asymmetrical warfare</li><li>The high-stakes Battle of Boju where Sun Tzu's teachings take center stage, shaping a battle that will become legendary in the chronicles of military history</li><li>And many other fascinating stories!</li></ul><p>Sun Tzu's<i> Art of War</i> brings to life not only the tactical brilliance of Sun Tzu's teachings but also the human drama behind them  the ambition, sacrifice and the relentless pursuit of victory.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A woman disappears after a beach party, and the search for her reveals Croatia's complex history well beyond the fall of Communism.</b></p><p>Called The Mediterranean Flower for its beauty, Split has a complex history that is perhaps best explored within a mystery. In 1989, beautiful Silva doesn't come home. Young cop Gorki Sain discovers that she isn't what she seemed  she dabbled in drugs and dealt in heroin. But Gorki soon finds himself out of a job as Yugoslavia plunges into a fratricidal war. Silva's brother stubbornly continues the search amid the upheavals of Croatian society, from the fall of communism through the 1991-1995 war. The former cop returns to solve the 30-year-old mystery in a different role, one less than ethically tied to toxic land speculation and corruption that comes with the tourist boom on the Dalmatian Coast.</p><p><b>'A masterpiece.' </b> <b><i>Liberation</i></b></p><p><b>'As inspiring as the Swedes Maj Sjwall and Per Wahl. Pavii brilliantly resorts to thenoir novel to accompany ordinary lives caught in the collapse of communism, the rise of nationalism and the shock of wars.' </b><b><i> Le Monde</i></b></p><p><b>'The city of Split is more than a setting, almost a character. A tourist mirage in the summer, the Croatian port is confronted, out of season, with the aftermath of war, deindustrialization, and all kinds of depravity. Beyond the family drama and the police investigation, the metamorphosis of Croatia interests Pavii.' </b><b><i>Telerama</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jurica Pavii</b> (born 1965) is a Croatian writer, scriptwriter, and journalist, living in Split. He has written seven novels, two collections of short stories and essays. His work has been translated into five languages, but <i>Red Water</i> is his first novel to be translated into English.</p><p><b>Matt Robinson</b>, born in the UK in 1978, lives in Ljubljana, Slovenia. Formerly a foreign correspondent with Reuters, he now works as a freelance editor and literary translator. <i>Red Water</i> is the second novel he has translated.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>There can be no victory without betrayal.</b></p><p>Hara Duja Gatdula, queen of the island nation of Maynara, holds the divine power to move the earth. But her strength is failing and the line of succession gives her little comfort. Her heir, Laya, is a danger  a petty and passionate princess who wields the enormous power of the skies with fickle indifference. Circling the throne is Imeria Kulaw  the matriarch of a traitorous rival family who wields recklessly enhanced powers of her own  with designs to secure a high-ranking position for her son and claim the crown for her family. Each woman has a secret weakness  a lover, a heartbreak, a lie. But each is willing to pay the steepest price to bring down her rivals once and for all.</p><p>Filled with passion, romance, betrayal, and divine magic, <i>Black Salt Queen</i> journeys to a gorgeous precolonial island nation where women  and secrets  reign.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Maren Chase</b> is a writer and frequent museum wanderer. She studied history at Regent's University London, where she led tours through monastic cloisters and across plague pits on the weekends. Since returning home to Pittsburgh, Pennsylvania, she has worked in the contemporary art world, and in her spare time, she devours stories about vengeful women, forbidden romance, and the inherent angst of immortality.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Winner of the Singapore Literature Prize 2018</b></p><p><b>Shortlisted for the NUS Singapore History Prize 2021</b></p><p><b>Shortlisted for the Singapore Book Awards 2018, Best Fiction Title</b></p><p>Siew Li leaves her husband and young children to fight for freedom in the jungles of Malaya. Decades later, a Malaysian journalist returns to her homeland to uncover the truth of a massacre committed during the Emergency, while Siew Li's son uncovers the truth of his family's past. Informed by years of painstaking research, Jeremy Tiang's debut novel dives into the tumultuous days of leftist movements and political detentions in Singapore and Malaysia. It follows an extended family from the 1940s to the present day as they navigate the choppy political currents of the region. <i>State of Emergency</i> questions whether we can grasp the truth after the fact. And yet, in the very telling of its interlocking stories, it reaffirms the importance of trying.</p><p><b><i>'State of Emergency</i></b><b> is a compelling, important piece of work from one of Singapore's finest living authors.' </b> <b><i>The Straits Times</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>It's 2012, and post-revolution Egypt is sparking with political energy  but Hannah and Zain are numb.</b></p><p>The flight from New York to Cairo is long  longer still for two siblings on a journey to bury their mother. When they discover their father's unforgivable betrayal, what's left of their family crumbles.</p><p>Hannah gives up her spot at Columbia Law to remain in Egypt, where she navigates romantic entanglements and a new culture. Back in America, Zain's self-destructive behaviour begins to catch up with him, leaving him to wonder whether he's any different from his father.</p><p>When the siblings reunite in Cairo months later, Zain is nearing rock bottom, and Hannah finds herself in the middle of the Arab Spring uprising. Together they confront shared secrets and reconcile their conservative upbringing with their new beliefs as adults. Will they heal together, or has the loss of their only bridge  their mother  set them permanently adrift?</p><p>A tender reflection on the effects of grief and loss, this deeply felt novel explores how siblings come together to mend a fractured family and, in the process, find themselves.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Deena ElGenaidi </b>writes about the arts, identity, and pop culture for a number of publications, including <i>Nylon</i>, MTV News, <i>Oprah Magazine</i>, <i>Longreads</i>, <i>Catapult</i>, <i>Vulture</i>, and more. She wrote, directed, and produced the award-winning comedy web series <i>Codependent</i>, she currently lives in Brooklyn with her cat, Sasha. <i>Dust Settles North</i> is her first novel. </p>]]></Text>
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			<SubjectHeadingText>anthology; assassination; astronauts; bank robbery; dogs; emerging writers; fresh voices; injustices; laugh out loud; lgbt fiction; moral ambiguity; political protest; queer positive; rabbits; short stories; supernatural; thieves; trans woman; unhinged; women</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A follow-up to their runaway success</b> <b><i>Peach Pit: Sixteen Stories of Unsavory Women</i></b><b>, editors Molly Llewellyn and Kristel Buckley return with</b> <b><i>Be Gay, Do Crime</i></b><b>, a celebration of queer chaos from an all-queer author lineup featuring Myriam Gurba, Emily Austin, Alissa Nutting, and Francesca Ekwuyasi</b></p><p>A trans woman makes increasingly frequent hoax calls to a business where she's had a negative experience, watching the consequences with perverse joy. A group of aging queers turns to bank robbery to stop the sale of their bungalow complex to a development company. As the president prepares to give a speech, two women lurk among the journalists, ready to shoot him. And an aspiring author takes to stealing items from strangers' homes in a kind of cosmic redistribution each time one of her relationships fail.</p><p>In sixteen brilliant, wild-eyed stories, <i>Be Gay, Do Crime</i> delivers a celebration and reckoning of why queer people turn to crime  unintentionally, as a means of survival, as protest, as rescue, or to right injustices big and small.</p><p><b>'Chaotic, sexy, and binge-worthy as hell,</b> <b><i>Be Gay, Do Crime</i></b><b> is an EVENT.' </b> <b>Ruth Madievsky, author of</b> <b><i>All Night Pharmacy</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alissa Nutting</b> is a novelist, screenwriter, and showrunner, most recently of the Adult Swim MAX animated series <i>Teenage Euthanasia</i> and the MAX original comedy <i>Made For Love</i> based on her <i>New York Times</i> Editor's Choice novel of the same name.</p><p><b>Anna Dorn</b> is the author of the novels <i>Perfume Pain, Exalted</i>, and <i>Vagablonde</i>. Exalted was nominated for an L.A. Times Book Prize. Her next book <i>American Spirits</i> is forthcoming for Simon and Schuster. She lives in Los Angeles.</p><p><b>Aurora Mattia</b> was born in Hong Kong and lives in Texas. Her first book, <i>The Fifth Wound</i>, is published by Nightboat Books. Her second book, <i>Unsex Me Here</i>, is published by Coffee House Press. Her stories have appeared in <i>Zoetrope: All-Story, Prairie Schooner, SPASM, Joyland</i>, and elsewhere; and also in exhibitions at the RISD Museum and the Renaissance society, accompanying portraits by Elle Perez. She's working on a new novel called <i>Seven Come Eleven</i>, and writing some country songs.</p><p><b>Emily R. Austin</b> is the author of <i>Everyone in This Room Will Someday Be Dead, Interesting Facts About Space</i>, and the poetry collection, <i>Gay Girl Prayers</i>. She was born in Ontario, Canada, and has received two writing grants from the Canadian Council for the Arts. She studied English literature and library science at Western University. She currently lives in Ottawa, in the territory of the Anishinaabe Algonquin Nation.</p><p><b>francesca ekwuyasi</b> is a learner, artist and storyteller born in Lagos, Nigeria. She was awarded the Writers Trust Dayne Ogilvie Prize for LGBTQ2S+ Emerging Writers in 2022 for her debut novel <i>Butter Honey Pig Bread</i> (Arsenal Pulp Press, 2020). Butter Honey Pig Bread was also shortlisted for a Lambda Literary Award, the Governor General's Literary Award for Fiction, the Amazon Canada First Novel Award and longlisted for the Scotiabank Giller Prize and the Dublin Literary Award.<i>Butter Honey Pig Bread</i> placed second on CBC's Canada Reads: Canada's Annual Battle of the Books, where it was selected as one of five contenders in 2021 for 'the one book that all of Canada should read'. She is co-author of <i>Curious Sounds: A Dialogue in Three Movements</i>, a multi-genre collaborative book with Roger Mooking. francesca was Queens University's 2023 Carolyn Smart Writer in Residence, her writing has appeared in the <i>Malahat Review, Transition Magazine, Room Magazine, Brittle Paper, the Ex-Puritan, C-Magazine, Vol. 1 Brooklyn, Canadian Art, Chatelain</i> and elsewhere. Her short story run is Heaven was longlisted for the 2019 Journey Prize.</p><p><b>Kayla Kumari Upadhyaya</b> is a lesbian writer of essays, short stories, and pop culture criticism living in Orlando. She is the author of <i>Helen House</i> (Burrow Press 2022), a queer horror novelette. She is the managing editor of Autostraddle and the managing editor of TriQuarterly. Her short stories appear in <i>McSweeney's Quarterly Concern, Catapult, The Offing, Joyland, The Rumpus</i>, and others. She was a 2021 nonfiction fellow and a 2023 speculative fiction writer in residence at Lambda Literary's Writers Retreat for Emerging LGBTQ Voices. She is a 2023-2024 Tin House Reading Fellow.</p><p><b>Maame Blue</b> is a Ghanaian-Londoner, creative writing tutor and author of the novel Bad Love, which won the 2021 Betty Trask award, and was shortlisted for the Betty Trask Prize. Her short stories have been published in <i>Not Quite Right For Us</i> (Flipped Eye Publishing), <i>New Australian Fiction 2020</i> (Kill Your Darlings), and <i>Joyful, Joyful</i> (Pan Macmillan). Maame is a recipient of the 2022 Society of Authors Travelling Scholarship and was a 2022 POCC Artist-in-Residence. She contributes regularly to Royal Literary Fund publication Writers Mosaic and her writing has appeared in many places including Refinery29, The Independent and iNews. Her second novel <i>The Rest Of You</i> will be published by Amistad (US) and Verve Books (UK) in Autumn 2024.</p><p><b>Marisa (Mac) Crane</b> is a queer, nonbinary writer. Their debut novel, <i>I Keep My Exoskeletons to Myself</i>, was a January Indie Next Pick and NYT Editors' Choice. Their work has appeared or is forthcoming in <i>The Adroit Journal, The Offing, Joyland, No Tokens, Florida Review, Passages North, Lit Hub, TriQuarterly</i>, and elsewhere, and their second novel, <i>A Sharp Endless Need</i>, is forthcoming from Dial Press in March 2025.</p><p><b>Myriam Gurba</b> is the author of several books. Her most recent essay collection, <i>Creep: Accusations and Confessions</i>, is a finalist for a National Book Critics Circle Award in criticism. Her writing has also appeared in the <i>Los Angeles Times, The New York Times, The Paris Review</i> and the <i>Believer</i>. She enjoys solving crossword puzzles and binge watching <i>Real Housewives</i>.</p><p><b>Myriam Lacroix</b> was born in Montreal to a Quebecois mother and a Moroccan father, and currently lives in Vancouver. She has a BFA in Creative Writing from the University of British Columbia and an MFA from Syracuse University, where she was editor in chief of <i>Salt Hill Journal</i> and received the New York Public Humanities Fellowship for creating Out-Front, an LGBTQ+ writing group whose goal was to expand the possibilities of queer writing.</p><p><b>Priya Guns</b> wrote <i>Your Driver is Waiting</i>.</p><p><b>Sam Cohen</b> is the author of <i>Sarahland</i>. Her fiction also appears in <i>Bomb, Fence, O Magazine, Electric Literature</i>, and others.</p><p><b>SJ Sindu</b> is a Tamil diaspora author of two literary novels (<i>Marriage of a Thousand Lies</i>, which won the Publishing Triangle Edmund White Award; and <i>Blue-Skinned Gods</i>, which was an Indie Next Pick and a finalist for the Lambda Literary Award), two graphic novels (<i>Shakti</i> and <i>Tall Water</i>), and one collection of short stories (<i>The Goth House Experiment</i>). Sindu holds a PhD in English and Creative Writing from Florida State University and is a co-editor for Zero Street, a literary fiction series featuring LGBTQ+ authors through the University of Nebraska Press. Sindu is an assistant professor at Virginia Commonwealth University. More at sjsindu.com or @sjsindu on Twitter/Instagram/Threads.</p><p><b>Soula Emmanuel</b> was born in Dublin to an Irish mother and a Greek father. She studied at universities in Ireland and Sweden, emerging with a master's in economic demography. In 2023, her debut novel <i>Wild Geese</i> was published by Footnote Press and the Feminist Press at CUNY. She currently lives on Ireland's east coast and is working on a second novel.</p><p><b>Temim Fruchter</b> is a queer nonbinary anti-Zionist Jewish writer who lives in Brooklyn, NY. She holds an MFA in fiction from the University of Maryland, and is the recipient of fellowships from the DC Commission on the Arts and Humanities, Vermont Studio Center, and a 2020 Rona Jaffe Foundation Writer's Award. She is co-host of Pete's Reading Series in Brooklyn. Her debut novel, <i>City of Laughter</i>, is out now from Grove Atlantic.</p><p>Works by <b>Venita Blackburn</b> have appeared in the <i>New Yorker, NY Times, Harper's, McSweeney's, Story Magazine, the Virginia Quarterly Review, the Paris Review</i>, and others. She was awarded a Bread Loaf Fellowship in 2014 and several Pushcart prize nominations. She received the Prairie Schooner book prize for fiction, which resulted in the publication of her collected stories, <i>Black Jesus and Other Superheroes</i>, in 2017. In 2018 she earned a place as a finalist for the PEN/Bingham award for debut fiction, finalist for the NYPL Young Lions award and was recipient of the PEN America Los Angeles literary prize in fiction. Blackburn's second collection of stories is <i>How to Wrestle a Girl</i>, 2021, finalist for a Lambda Literary Prize and was a NYTimes editor's choice. Her debut novel, <i>Dead in Long Beach, California</i>, is about the mania of grief, all of human history and a lesbian assassin at the end of the world. She is the founder and president of Live, Write, an organization devoted to offering free creative writing workshops for communities of color: livewriteworkshop.com. Her hometown is Compton, California, and she is an associate professor of creative writing at California State University, Fresno.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A stunning anthology of fierce and dangerous women, featuring stories from Lauren Groff, Deesha Philyaw, K-Ming Chang, and thirteen other award-winning and bestselling authors.</b></p><p>A middle-aged Black woman exacts revenge on the aggressively average men she meets on dating sites. A girl buries pieces of herself in a hole beneath an apple tree, hoping to escape her mother's life of struggle and servitude. A group of teenage girls compete for the title of &amp;#x27;Worst Girl in America.&amp;#x27; A young woman in Taiwan becomes infatuated with a female scam caller, a fleeting ghost of a love that blossoms from strangeness. And a wealthy woman goes to unconventional, and perhaps not entirely ethical, lengths to find her dream man.</p><p>In these sixteen stories, we see women at their most monstrous - as con artists and murderers, cutthroats and scalpers, ruled by ambition and grief and spite. Characters for those tired of being told to play nice. Dressed to the nines in morally gray, the stories in this anthology comprise an envelope full of teeth: each one distinct, unsettling, and sharp enough to rip out a throat.</p><p>List of contributors: Alice Ash, Alicia Elliott, Alison Rumfitt, Aliya Whiteley, Amanda Leduc, Chana Porter, Chantal V. Johnson, Chaya Bhuvaneswar, Deesha Philyaw, K-Ming Chang, Lauren Groff, Maisy Card, Megan Giddings, Sarah Rose Etter, Vanessa Chan, Yah Yah Scholfield</p>]]></Text>
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			<Text textformat="02"><![CDATA[Two women. Seven boys. A van. And the Central Australian desert. What could possibly go wrong? Everything. Especially when an unstoppable ancient force wants what is in the van.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dmetri Kakmi</b> is the author of <i>The Dictionary of a Gadfly</i> (as The Sozzled Scribbler), <i>The Door and Other Uncanny Tales, Mother Land</i> and <i>When We Were Young</i> (as editor). For 15 years he worked as a senior editor at Penguin Books. He was also fiction/non-fiction co-editor for the online literary journal<i> Kalliope X</i>. His essays and short stories appear in various anthologies. <i>Mother Land</i> was shortlisted for the NSW Premier' s Literary Awards in 2008. <i>Haunting Matilda</i> was shortlisted for Best Fantasy Novella for the Aurealis Awards in 2013.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Meet James Bond, the world's most famous spy, in these landmark 70th anniversary reissues of Ian Fleming's classic series. In the novel that introduced James Bond to the world, agent 007 is dispatched to a French casino in Royale-les-Eaux. His mission? Bankrupt a ruthless Russian agent who's been on a bad luck streak at the baccarat table.]]></Text>
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			<Text textformat="02"><![CDATA[<p>70 YEARS OF 007</p><p>Meet James Bond, the world's most famous spy, in these landmark 70th anniversary reissues of Ian Fleming's classic series.</p><p>In the novel that introduced James Bond to the world, Ian Fleming's agent 007 is dispatched to a French casino in Royale-les-Eaux. His mission? Bankrupt a ruthless Russian agent who's been on a bad luck streak at the baccarat table. 'Le Chiffre', has been a prime target of the British Secret Service for years. If Bond can wipe out his bankroll, Le Chiffre will likely be 'retired' by his paymasters in Moscow. But what if the cards won't cooperate?</p><p>Taut, tense, and effortlessly stylish, Ian Fleming's inaugural James Bond adventure has all the hallmarks that made the series a touchstone for a generation of readers.</p><p><b>'It was 1953 and it was very remarkable for the time, because Bond was so cruel. He's horribly tortured in the book and there are some very grim moments in it. But I also think it's Fleming's best writing. It wings along  it's very hard to stop reading. It's also brilliant at place. He manages to summon up the smoky stench of a casino in a way that no one else has ever managed to do.'  Ben Macintyre</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[Meet James Bond, the world's most famous spy, in these landmark 70th anniversary reissues of Ian Fleming's classic  series. With a sparkling trail of smuggled gems as bait, Diamonds Are Forever leads Bond on a globe-hopping mission where deadly assassins lurk behind every corner.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Lunch at Scott's, a quiet game of golf, a routine social call on his chief M  James Bond's life has begun to fall into a pattern that threatens complacency, until the sunny afternoon when M is kidnapped and all of his house staff savagely murdered.</p><p>The action ricochets across the globe to a volcanic Greek island, where the malign Colonel Sun Liang-tan of the People's Liberation Army of China is collaborating with the ex-Nazi commander, Von Richter, in planning a world-dominating conspiracy. Bond's allies  the beautiful, brown-haired Greek agent, Ariadne Alexandrou; along with a tough-as-nails former World War II resistance fighter  are quickly neutralised by the venomous Colonel Sun. Alone and unarmed, faces off against these two nefarious villains.</p><p>Stripped of all professional aids, James Bond faces the deadly devices of Colonel Sun and his Nazi cohort in a test that brings him to the verge of his physical abilities.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A young man known as 'the Australian' journeys between New York and Melbourne on a quest of self-discovery in this poignant exploration of loneliness, love, and fatherhood</b></p><p>In her humorous and emotionally resonant debut, Emma Smith-Stevens follows the exploits and evolution of a young man  known only as 'the Australian'  over the course of a dozen years, from his time posing for tourist photos as Superman to his life in New York, chasing fame and fortune. Married to a woman he barely knows and struggling to forge a relationship with his son, the Australian travels between the US and Melbourne, seeking to reconnect with his deceased parents through his father's Australian Outdoor Geographic magazines and the Dreaming Tracks, sacred landmarks his mother longed to explore.</p><p>Through this quest for self-discovery, the Australian becomes both more and less enigma: 'the idea of this guy you could find in any city, a hostel anywhere in the world, smiling, suntanned, hauling a backpack.' A poignant and at times satirical meditation on masculinity, fatherhood, isolation, New York City, fame, and loss, <i>The Australian</i> examines the human tendency to fall in love with the idea of another person and the importance of knowing one's essential nature.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>First Rain in Paradise</i></b><b> is a book about falling. Gwyneth Lewis's highly inventive poems trace an interior landscape carved out by the trauma of childhood emotional abuse through subsequent chronic ill health and towards a hard-won resurrection.</b></p><p>These accounts of living in and emerging from the dark wrestle with the angel of language. Suffering does not preclude humour and may, in fact, require it, in poems written from the shadows but committed to the light. This work refuses to keep pain a secret. Shame is a lurking presence.</p><p>Gwyneth Lewis has won wide acclaim for her versatile and varied writing across genres, most notably in her award-winning poetry in both English and Welsh. This book shows a deepening of her technical, imaginative and intellectual resources which are challenged and exercised to the full. The poems map uneasy terrains with realism and  most importantly  with joy.</p><p><b>'The bracing latest collection from Welsh poet Lewis traces an arc from the trauma of maternal abuse...through aftershocks of chronic illness, self-harm, and shame...to recovery ("I am found"). Her lines both stun and revive, moving between Plathian imagery... and disarming candor ("Underneath, I'm a bit of a sweetie"). The collection radiates hard-won self-possession... Readers will enjoy discovering this writer of extraordinary gifts.'  </b><b><i>Publishers Weekly</i></b><b>, starred review of </b><b><i>First Rain in Paradise</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gwyneth Lewis</b> was Wales's National Poet from 2005 to 2006, the first writer to be given the Welsh laureateship. Her first six books of poetry in Welsh and English were followed by <i>Chaotic Angels </i>(2005) from Bloodaxe, which brings together the poems from her English collections, <i>Parables &amp; Faxes, Zero Gravity and Keeping Mum</i>, and by<i> A Hospital Odyssey </i>(2010), and <i>Sparrow Tree</i> (2011), winner of the Roland Mathias Poetry Award (Wales Book of the Year) in 2012. Her sixth collection in English,<i> First Rain in Paradise</i>, is published by Bloodaxe in 2025. Her other books include <i>Sunbathing in the Rain: A Cheerful Book about Depression </i>(Flamingo, 2002), <i>Two in a Boat: A Marital Voyage</i> (Fourth Estate, 2005), <i>The Meat Tree: new stories from the Mabinogion</i> (Seren, 2010), <i>Nightshade Mother: A Disentangling</i> (University of Wales Press, 2024). With Rowan Williams she translated <i>The Book of Taliesin</i> (2019) for Penguin Classics. Her Welsh collection,<i> Y Llofrudd Iaith</i> (Barddas, 2000), won the Welsh Arts Council Book of the Year Prize, and her English collection, <i>Keeping Mum </i>was shortlisted for the same prize. Both <i>Zero Gravity </i>and <i>Keeping Mum</i> were Poetry Book Society Recommendations. Gwyneth Lewis composed the words on the front of the Wales Millennium Centre in Cardiff, opened in 2004. In 2014 she dramatised her book-length poem <i>A Hospital Odyssey</i> for the BBC, broadcast on Radio 4's <i>Afternoon Drama</i>, and delivered her Newcastle/Bloodaxe Poetry Lectures, published in <i>Quantum Poetics</i> (Bloodaxe Books, 2015). She received a Cholmondeley Award in 2010 for a distinguished body of writing, and in 2022 she received an MBE for her services to literature and mental health. Gwyneth Lewis lives in Cardiff, Wales, and has spent a number of years in the USA, where she was a student at the graduate writing division of Columbia University in New York. She has held fellowships at Harvard and Stanford and a teaching position at Princeton University's English department. She teaches regularly at Middlebury College's world-renowned Bread Loaf School of English program and, in 2016, was the 2016 Robert Frost Professor of Literature in Vermont. Her critical study, <i>The Poetry Detective: Writing and Reading Poetry Through Fear</i>, is published by Princeton University Press in 2025.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Inspired by the cleansing water often used in spiritual baths, Florida Water is an ode to the myriad ways a poem can rinse, reflect, reveal, and unravel us.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Florida Water</i></b> <b>is a collection of poems that, like the cleansing waters of spiritual baths, rinse, reflect, and reveal the raw truths that lie within.</b> </p><p>In this vulnerable meditation, aja monet reflects on her migration to South Florida in search of love, connection, and belonging, unearthing the delicate balance between the poet, lover, and community organiser. These poems lay bare the tender dance of relationships, entwining the personal with the political, as they confront the state's fractured history of racial prejudice, marooned peoples, and the unruly forces of nature.</p><p>In <i>Florida Water</i>, each poem is an artifact  an offering from her time spent wading through the rising tides of climate change, heartbreak, and systemic violence. With each line, monet immerses us deeper into the water, where the currents of memory, struggle, and survival pull us toward both despair and hope.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>aja monet</b> is a surrealist blues poet, storyteller, and organiser born and raised in Brooklyn, NY. She won the legendary Nuyorican Poets Cafe Grand Slam poetry award title in 2007 and aja monet follows in the long legacy and tradition of poets participating and assembling in social movements. Her first full collection of poems is titled <i>My Mother Was a Freedom Fighter</i>, from Haymarket Books. Her poems explore gender, race, migration, and spirituality. In 2018, she was nominated for a NAACP Literary Award for Poetry and in 2019 was awarded the Marjory Stoneman Douglas Award for Poetry for her cultural organizing work in South Florida. aja monet co-founded a political home for artists and organisers called Smoke Signals Studio. She facilitates 'Voices: Poetry for the People', a workshop and collective in collaboration with Community Justice Project and Dream Defenders. aja Monet also serves as the new Artistic Creative Director for V-Day, a global movement to end violence against all women and girls.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Longlisted, 2025 International Booker Prize</b></p><p><b>Finalist, 2023 National Book Award for Translated Literature</b></p><p><b>Winner, Dutch Literature Prize</b></p><p><b>Winner, P. C. Hooft Award</b></p><p><i>On a Woman's Madness</i> tells the story of Noenka, a courageous Black woman trying to live a life of her own choosing. When her abusive husband of just nine days refuses her request for divorce, Noenka flees her hometown in Suriname, on South America's tropical northeastern coast, for the capital city of Paramaribo. Unsettled and unsupported, her life in this new place is illuminated by romance and new freedoms, but also forever haunted by her past and society's expectations.</p><p>Strikingly translated by Lucy Scott, Astrid Roemer's classic queer novel is a tentpole of European and post-colonial literature. And amid tales of plantation-dwelling snakes, rare orchids, and star-crossed lovers, it is also a blistering meditation on the cruelties we inflict on those who disobey. Roemer, the first Surinamese winner of the prestigious Dutch Literature Prize, carves out postcolonial Suriname in barbed, resonant fragments. Who is Noenka? Roemer asks us. 'I'm Noenka,' she responds resolutely, 'which means "Never Again."'</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In 1966, at the age of 19, <b>Astrid Roemer</b> emigrated from Suriname to the Netherlands. She identifies herself as a cosmopolitan writer. Exploring themes of race, gender, family, and identity, her poetic, unconventional prose stands in the tradition of authors such as Toni Morrison and Alice Walker. She was awarded the P.C. Hooft Prize in 2016, and the three-yearly Dutch Literature Prize (Prijs der Nederlandse Letteren) in 2021.</p><p><b>Lucy Scott </b>is a translator of Caribbean literature written in Dutch and French. Her short story and essay translations thus far have appeared in<i> Shenandoah: The Washington</i> and<i> Lee Review </i>and in <i>Wilderness House Literary Review</i>. She's the translator of Astrid Roemer's <i>On a Woman's Madness </i>and <i>Off-White.</i></p>]]></Text>
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			<SubjectHeadingText>dream; job; postcolonial existence; subaltern; working class</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>my life is the afterlife</p><p>From the author of <i>Happy Stories, Mostly </i>and <i>Sergius Seeks Bacchus</i>. Their first work originally written in English.</p><p><i>My Dream Job</i> is a tender playground of intellect and wit where entire worlds collide: the English and Toba Batak languages; Christian and Batak mythology; colonial violence past and present. In a voice playful, daring and not pursuing legibility above all else, Pasaribu writes the ultimate eulogy for a postcolonial dream.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Norman Erikson Pasaribu</b> is a Toba Batak poet and writer. Their first poetry collection, Sergius Mencari Bacchus, won the first prize in the 2015 Jakarta Arts Council Poetry Manuscript Competition, and led them to win the 2017 Sastrawan Muda from the Southeast Asia Literary Council (Mastera). Their book of fiction, <i>Happy Stories, Mostly </i>(tr. Tiffany Tsao), gained international critical acclaim. It won the 2022 Republic of Consciousness Prize for Small Presses, and was listed for the 2022 International Booker Prize, the 2023 National Book Critics Circle's Barrios Book in Translation, the 2023 National Translation Award for Prose and the 2023 Cercador Prize for Literature in Translation. Norman was the inaugural recipient of the Patricia Kailis International Writing Fellowship, and was a Harvard University Asia Center's artist in residence for 2023-2024. They are a sixteenth-generation descendant of Siraja Bondar of the indigenous Toba Batak, North Sumatra.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Witty, inventive, and profound, <i>Where the Wild Ladies Are</i> is a contemporary feminist retelling of traditional ghost stories by one of Japan's most exciting writers.</p><p>In a company run by the mysterious Mr Tei, strange things are afoot  incense sticks lead to a surprise encounter; a young man reflects on his mother's death; a foxlike woman finally finds her true calling. As female ghosts appear in unexpected guises, their gently humorous encounters with unsuspecting humans lead to deeper questions about emancipation and recent changes in Japanese women's lives.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Polly Barton </b>is a Japanese-English translator and writer based in the UK. Her translations include <i>Butter </i>by Asako Yuzuki,<i> So We Look to the Sky </i>by Misumi Kubo, <i>Spring Garden </i>by Tomoka Shibasaki, and <i>There's No Such Thing as an Easy Job</i> by Kikuko Tsumura. Her translation of <i>Mild Vertigo</i> by Mieko Kanai was awarded a 2023-2024 Lindsley and Masao Miyoshi Translation Prize. She is the author of<i> Fifty Sounds </i>and <i>Porn: An Oral History</i>, both published by Fitzcarraldo Editions.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Longlisted, 2022 Dublin Literary Award</b></p><p><b>Winner, English PEN Translates Award</b></p><p>'What a life! She didn't like being here, and she didn't like going there.'</p><p>Mehar dreams of freedom and a life with her children. Asiya dreams of her daughter's happiness. Sajida dreams of becoming a doctor. Subaida dreams of the day when her family will become free of woes. Parveen dreams of a little independence, a little space for herself in the world. Mothers, daughters, aunts, sisters, neighbours...</p><p>In this tiny Muslim village in Tamil Nadu, the lives of these women are sustained by the faith they have in themselves, in each other, and the everyday compromises they make. Salma's storytelling  crystalline in its simplicity, patient in its unravelling  enters this interior world of women, held together by love, demarcated by religion, comforted by the courage in dreaming of better futures.</p><p>A beautiful novel by writer and activist Salma, translated from Tamil by Meena Kandasamy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Love in the Big City</i> is an energetic, joyful, and moving novel that depicts both the glittering nighttime world of Seoul and the bleary-eyed morning-after. Young is a cynical yet fun-loving Korean student who pinballs from home to class to the beds of recent Tinder matches. He and Jaehee, his female best friend, frequent nearby bars where they push away their anxieties about their love lives, families, and money with rounds of soju and Marlboro Reds. Over time, even Jaehee leaves Young to settle down, leaving him alone to care for his ailing mother and to find companionship in his relationships with a series of men, including one whose handsomeness is matched by his coldness, and another who might end up being the great love of his life.</p><p><i>Love in the Big City</i> is an exploration of millennial loneliness as well as the joys of queer life, that should appeal to readers of Sayaka Murata, Han Kang, and Cho Nam-Joo.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sang Young Park</b> was born in 1988 and studied French at Sungkyunkwan University. He worked as a magazine editor, copywriter, and consultant before debuting as a novelist. The title story of his bestselling short story collection, The Tears of an Unknown Artist, or Zaytun Pasta, was one of Words Without Borders most read pieces ever. He is the author of Booker International-longlisted<i> Love in the Big City </i>(translated by Anton Hur). He lives in Seoul.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Winner, English PEN x SALT Award 2025 </b></p><p>From the International Booker Prize-winning author-translator duo of <i>Tomb of Sand</i>, a powerful, kaleidoscopic novel about a fractured India, caught between rising fundamentalism and waning progressive ideals.</p><p>A city teeters on the edge of chaos. A society lies fractured along fault lines of faith and ideology. A playground becomes a battleground. A looming silence grips the public.</p><p>Against this backdrop, Shruti, a writer paralysed by the weight of events, tries to find her words, while Sharad and Hanif, academics whose voices are drowned out by extremism, find themselves caught between cliches and government slogans. And there's Daddu, Sharad's father, a beacon of hope in the growing darkness. As they each grapple with thoughts of speaking the unspeakable, an unnamed narrator takes on the urgent task of bearing witness.<br/>First published in Hindi in 1998, <i>Our City That Year</i> is a novel that defies easy categorisation. It's a time capsule, a warning siren, and a desperate plea. Geetanjali Shree's shimmering prose, in Daisy Rockwell's nuanced and consummate translation, takes us into a fever dream of fragmented thoughts and half-finished sentences, mirroring the disjointed reality of a city under siege. Readers will find themselves haunted long after the final page, grappling with questions that echo far beyond India's borders.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A Vietnamese woman living in Paris travels back to Si Gn for her estranged mother's funeral. Her brother had recently built a new house and staged a grotesquely lavish ceremony for their mother to inaugurate what was rumoured to be the first elevator in a private home in the country. But shortly after the ceremony, in the middle of the night, their mother dies after mysteriously falling down the elevator shaft. Following the funeral, the daughter becomes increasingly fascinated with her family's history, and begins to investigate and track an enigmatic figure, Paul Polotsky, who emerges from her mother's notebook.</p><p>Like an amateur sleuth, she trails Polotsky through the streets of Paris, sneaking behind him as he goes about his usual routines. Meanwhile, she researches her mother's past  zigzagging across France and Vietnam  trying to find clues to the spiralling, deepening questions her mother left behind unanswered  and perhaps unanswerable.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Thun</b> was born in 1967 in Hanoi. She studied at Pyatigorsk University and at la Sorbonne in Paris. She is the author of ten novels and a recipient of the Writers' Union Prize, the highest award in Vietnamese literature. <i>Chinatown</i>, her debut novel in English, won the 2023 ALTA National Translation Award. She currently lives in Paris.</p>]]></Text>
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			<SubjectHeadingText>1938; Abdulla; Oyxon; Satan; Soviet; Uzbekistan; arrest; autumn; djiin; interrogation; new year eve; secret police</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Winner of the EBRD Literature Prize 2019</b></p><p>On New Years' Eve 1938, the writer Abdulla Qodiriy is taken from his home by the Soviet secret police and thrown into a Tashkent prison. There, to distract himself from the physical and psychological torment of beatings and mindless interrogations, he attempts to mentally reconstruct the novel he was writing at the time of his arrest  based on the tragic life of the Uzbek poet-queen Oyhon, married to three khans in succession, and living as Abdulla now does, with the threat of execution hanging over her. As he gets to know his cellmates, Abdulla discovers that the Great Game of Oyhon's time, when English and Russian spies infiltrated the courts of Central Asia, has echoes in the 1930s present, but as his identification with his protagonist increases and past and present overlap it seems that Abdulla's inability to tell fact from fiction will be his undoing.</p><p><i>The Devils' Dance</i> brings to life the extraordinary culture of 19th century Turkestan, a world of lavish poetry recitals, brutal polo matches, and a cosmopolitan and culturally diverse Islam rarely described in western literature. Hamid Ismailov's virtuosic prose recreates this multilingual milieu in a digressive, intricately structured novel, dense with allusion, studded with quotes and sayings, and threaded through with modern and classical poetry.</p><p>With this poignant, loving resurrection of both a culture and a literary canon brutally suppressed by a dictatorship which continues today, Ismailov demonstrates yet again his masterful marriage of contemporary international fiction and the Central Asian literary traditions, and his deserved position in the pantheon of both.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Hamid Ismailov</b> is an Uzbek writer who was forced to flee Uzbekistan in 1992 due to what the state dubbed 'unacceptable democratic tendencies'. He came to the United Kingdom, where he took a job with the BBC World Service. His works are banned in Uzbekistan. Several of his Russian-original novels have been published in English translation, including <i>The Railway</i> (Vintage, 2007) ,<i>The Dead Lake</i>, which was long listed for the 2015 Independent Foreign Fiction Prize, and The Underground (both Restless Books). <i>The Devils' Dance</i> was the first of his Uzbek language novels to appear in English, and won the EBRD Prize in 2019.</p><p><b>Donald Rayfield</b> is professor of Russian and Georgian at Queen Mary University of London. He is an author of books about Russian and Georgian literature, and about Joseph Stalin and his secret police. He is also a series editor for books about Russian writers and intelligentsia. He translated Georgian and Russian poets and prose writers.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Nottingham, 1827.</p><p>Mary Reddish, a young housemaid unjustly committed after defying her employer's advances, must navigate the brutal treatments of the county asylum while trying to prove her sanity. Meanwhile, Ann and Thomas Morris, the asylum's matron and director, struggle to uphold humane practices against outdated medical methods that haunt the institution.</p><p>As Mary forms an unlikely alliance with a fellow patient, she finds herself at the centre of a battle between compassion and cruelty that will determine the course of her life  and the future of the asylum itself.</p><p><b>'A fascinating and eye-opening work  intelligently written, vividly imagined, a compulsive read.'</b> <b></b> <b>Alison Moore</b></p><p><b>'An impeccably researched and page-turning historical novel...A powerful debut.'</b> <b></b> <b>Jane Harris</b></p><p><b>'A brilliant read...unputdownable!'</b> <b></b> <b>G. J. Williams</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>How You Lose the Time War</i></b><b> meets </b><b><i>Things Have Gotten Worse Since We Last Spoke</i></b><b> in this fast-paced queer horror novel in which an obsessive woman stumbles upon a second-chance romance with her flighty paramour, but it quickly deteriorates into a dark spiral of destruction.</b></p><p>Johnny spots her ex, Alice, at the local cafe with a vague sense that she's been there before. Though she's still angry about their breakup and Alice's subsequent ghosting, Johnny can't resist the draw of a second shot at their relationship and accepts Alice's invitation back to her apartment. Once there, promises are exchanged. There's talk of wonder and change and dreams made real. But after spending the night together, they face a morning in which Alice is still Alice, Johnny is still Johnny, and the dog has doubled in size.</p><p>Over the course of a week, increasingly bizarre changes in the world around them force Johnny to consider whether the pair can change just as easily, if they can change at all. Or if both her relationship and the bounds of reality are destined to implode. The narrative of <i>I Can Fix Her</i> operates on nightmare logic, putting forth an irresistible tale in which the world, the narrator, and time itself are not to be trusted.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>THE NOVEL THAT INSPIRED THE CULT CLASSIC MAJOR MOTION PICTURE</i></b></p><p>Agent Richard Chance is on a relentless mission to avenge his partner's murder by bringing down master counterfeiter Eric Masters. As Chance delves into the dangerous underworld of Los Angeles, he faces a high-stakes game of cat and mouse where every move could be his last.</p><p>The novel that inspired the iconic film of the same name, <i>To Live and Die in L.A.</i> is a gripping thriller with a vivid portrayal of the darker side of the City of Angels.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A beautifully written, evocative literary page-turner about a brilliant nineteenth-century female pianist from Poland lost to history and another woman's quest to ensure she is not forgotten  with a shocking twist of a finale.</b></p><p>Clara Bishop hasn't touched a piano since a concert hall fire nearly took her life a decade ago, ending her career as a rising star in the world of classical music. Significantly scarred and unable to play, she has turned away from everything and everyone associated with music, especially her ruthless mentor Madame, whom Clara blames for her injuries.</p><p>Her life is upended when Madame dies, leaving Clara an unexpected inheritance: an ornate nineteenth-century metronome with a cryptic message hidden inside.Convinced this is not a gift but a puzzle Madame wants her to solve, Clara comes to suspect that the unusual bequest is the long-lost metronome of the composer Aleksander Starza  a priceless object missing since 1885, when Starza was murdered by the brilliant female pianist Constantia Pleyel.</p><p>As Clara works to uncover the metronome's haunted past and protect it  and herself  from those who wish to obtain it, she discovers that nothing about Starza and his murder are what they seem. History has remembered Constantia Pleyel as an unstable artist who killed Starza in a fit of madness. The truth could rewrite the history of music  and give Clara the second chance she has been longing for.</p><p><b>This moving tale is perfect for fans of Brendan Slocumb's</b> <b><i>The Violin Conspiracy</i></b><b>.</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sarah Landenwich</b>is a writer and writing educator. Also a classically trained pianist, her debut novel <i>The Fire Concerto</i> was inspired by her love of music of the Romantic period. She lives in Louisville, Kentuckywith her husband and daughter.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Brian Castro</b> was born in Hong Kong of Portuguese, Chinese and English parentage. He is the author of ten novels, including <i>Birds Of Passage</i> (1983), <i>Double-Wolf</i> (1991), <i>After China</i> (1992), <i>Stepper</i> (1997), <i>Shanghai Dancing</i> (2003), and <i>The Garden Book</i> (2006). Together these novels won <i>The Age</i> Book of the Year Award, the Victorian Premier's Award (three times), the National Book Council Award, the NSW Premier's Award and the Queensland Premier's Literary Award. Castro's novel in thirty-four cantos, <i>Blindness and</i> Rage, won the Prime Minister's Prize for Poetry in 2018. He is also the author of a collection of essays, <i>Looking for Estrellita</i>, and the novella <i>Street to Street</i>, based on the life of the poet Christopher Brennan. In 2014 Castro received the Patrick White Award in recognition of his significant contribution to Australian literature.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A moving testament to the displacement and dispossession of the Palestinian people.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Mary Gilmore Award 2025**</b></p><p><b>**Winner, NSW Literary Awards 2025, Kenneth Slessor Prize for Poetry**</b></p><p><b>**Shortlisted, Prime Minister's Literary Awards 2025, Poetry**</b></p><p><b>**Shortlisted, NSW Literary Awards 2025, Glenda Adams Award for New Writing**</b></p><p><b>**Shortlisted, Victorian Premier's Literary Awards 2025, Poetry**</b></p><p><b>A moving testament to the displacement and dispossession of the Palestinian people.</b></p><p><i>rock flight</i> is a book-length poem that, over five chapters, follows a personal and historical narrative, to compose an understated yet powerful allegory of Palestine's occupation. The poem uses refrains of suffocation, rubble, and migratory bird patterns to address the realities of forced displacement, economic restrictions and surveillance technology that Palestinians face both within and outside Palestine. It depicts a restlessness brought about by dispossession, and a determination to find significance in fleeting objects and fragments. It looks to the literary form as an interactive experience, and the book as an object in flux, inviting the reader to embark on an exploration of space, while limited by the box-like confines of the page. Formally claustrophobic, the poem morphs into irony, declaring everything a box while refusing to exist within one.</p><p><b>'Here is a poetry of passion; a poetry of necessity; a poetry of survival, and a poetry-triumphant.'  Maxine Beneba Clarke</b></p><p><b>'</b><b><i>rock flight</i></b><b> is a work of timelessness, rigour, precision, relationality and guts  just like its poet. A must-read for all of us who yearn and stretch and reach for a world beyond colonies, and an even more urgent read for those who don't.'  Alison Whittaker</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Hasib Hourani</b> is a Lebanese-Palestinian writer, editor, arts worker and educator living in Warrane-Sydney. His work has been published in <i>Meanjin</i>, <i>Overland</i>, <i>Australian Poetry</i> and <i>Cordite</i>, among others. He is a 2020 recipient of The Wheeler Centre's Next Chapter Scheme and his 2021 essay, 'when we blink' was shortlisted for The LIMINAL &amp; Pantera Press Nonfiction prize and published in their 2022 anthology, <i>Against Disappearance</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, WA Premier's Book Awards 2025, Book of the Year**</b></p><p>**<b>Winner, WA Premier's Book Awards 2025, Poetry Book of the Year**</b></p><p><b>**Highly Commended, Victorian Premier's Literary Awards 2025, Poetry**</b></p><p><i>G-d, Sleep, and Chaos</i> is a prayer of thanks for a broken world.</p><p>Alan Fyfe's debut collection employs a core of Jewish philosophy to explore themes of love, metaphysics, the self-destructive impulse, trauma, and the transcendent. With a boisterous affection for all things absurd and liminal and a bristling loyalty to working class aesthetics, <i>G-d, Sleep, and Chaos</i> includes poems that swing from visceral to hilarious across seven sections, and a range of forms, to ask how we might come by gratitude, and the peace of silence, in our bleakest moments. <i>G-d, Sleep, and Chaos</i> is a collection for the questing mind and the wanting spirit.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alan Fyfe</b> is a writer from Mandurah, the unceded country of the Binjereb people.</p><p>He is a winner of the Karl Popper Philosophy Award. His first novel, <i>T</i>, was shortlisted for the T.A.G Hungerford Prize (Australia), the Chaffinch Press Aware Prize (Ireland), and the West Australian Premier's Book Award. <i>G-d, Sleep, and Chaos</i> is Alan's debut poetry collection and was awarded silver for the Flying Islands unpublished manuscript prize.</p><p>He is currently teaching poetry and creative writing.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, This Is Horror Awards 2025, Novella of the Year**</b></p><p>A young woman, committed to an asylum, undergoes a bizarre treatment that unlocks a vast well of power in this cosmic horror novella, perfect for fans of T. Kingfisher.</p><p>Veronica Brinkley has been committed to The Barrowfield Home, run by Dr. Cull, to treat her depression. The institution is built on the crypt of a giant Lunar Spider, tended to by a monastic group of worshippers called the Alabaster Scholars. Dr. Cull is using the lunar silk from the dead spider to 'repair' people's brains. As Veronica's memories are tampered with, she finds a surprising reserve of power within herself, upending everyone else's plans for her and stepping into a grand new role she had never imagined for herself.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Miguel de Cervantes's 17th-century masterpiece <i>Don Quixote</i> remains a pillar of world literature, often celebrated as the greatest novel ever written.</p><p>In <i>Dreaming Out Loud</i>, award-winning writer Lydie Salvayre pens a series of letters to Cervantes  both satirical and sincere  interrogating his intentions and reflecting on our modern world. Using the enduring figure of Don Quixote as a lens, Salvayre explores how we can resist forces that threaten our humanity. By bridging art and life, the absurd and the profound, she reveals what is truly timeless and inevitable.</p><p>Written with wit, passion, and the energy of a devoted reader, <i>Dreaming Out Loud</i> captures the indomitable human spirit.</p><p><b>'A magnificent defence of literature, this remarkable book is also a joyful antidote to the disillusionment of our times.'  </b><b><i>Les Inrockuptibles</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Yka Ishii's debut novel <i>The Mud of a Century</i> was a major literary success in Japan where it won the prestigious Akutagawa Prize.</p><p>Several days after a once-in-a-century flood moves through the Indian city of Chennai, choking the Adyar River with the titular mud, a Japanese woman contracted to an IT company as a language instructor finds herself caught up in a deluge of flashbacks and memories, reflecting on unspoken words and unlived lives and contemplating the muddy chaos of her own karma.</p><p>Told in a magic realist stream-of-consciousness style evocative of the subtle, wry sense of humour found in the traditional Japanese narrative art of <i>rakugo</i>, <i>The Mud of a Century</i> explores the interrelated bonds between self and other, Japan and India, past and present, fact and fantasy, and material and spirit.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Yka Ishii</b> was born in Hirakata in the prefecture of Osaka in Japan and graduated from Waseda University in Tokyo. Ishii worked in a variety of jobs - pastry chef, department store salesperson and snack hostess - while writing stories.</p><p>In 2014 Ishii moved to Chennai, India, where her husband worked as a Sanskrit language researcher, and started working as a Japanese language teacher. She made her literary debut at age 54 with her novel <i>Hyakunen doro</i> (<i>The Mud of a Century</i>), based on her experiences in Chennai during the 2015 South Indian floods. The book won the 49th Shincho Prize for New Writers and the prestigious Akutagawa Prize.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>  </p><p>Four women speak. They speak to the same man. He is the son of the first, the great-yet-impossible love of the second, the platonic companion of the third, the older brother of the last. Speaking to him in his absence, it is to themselves that these women turn, examining their own stories to make sense of their journey, from twilight to twilight, through a mysterious stormy night in the middle of the dry season.</p><p>These voices perform a powerful and sometimes discordant jazz-inspired chorus about issues such as the intrusion of history into the intimate lives of people, the experience of people of African descent, femininity, sexuality, and self-love. Blackness confronts African-ness, love is sometimes discovered in the arms of another woman, the African renaissance tries to establish itself on the rubble of a self-esteem damaged by history.</p><p>Each of these women, with her own language and rhythm, ultimately represents a specific aspect of the tormented history of the people of African descent in today's world, and at the end of the night they will each arrive at a dawn of hope and completeness.</p><p>From the author of the critically acclaimed <i>Season of the Shadow</i> comes <i>Twilight of Torment: Melancholy</i>, the first of a two-volume novel of unparalleled power and sensuality.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>  </p><p><b>Leonora Miano</b> was born in 1973 in Doula, Cameroon. She is author of nearly twenty works of fiction and non-fiction. Her writing has won numerous literary awards, including France's Prix Femina in 2013 for <i>Season of the Shadow</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>     </p><p>In Greek mythology, it is Hera  who blinds the hero Heracles, so that, in a fit of fury, he kills his own   family. In the twenty-first century, the gods have another name. So did the three young men who stormed a magazine's editorial office and a Jewish   supermarket in Paris in January 2015 and murdered twelve people. The blind   fury, however, remained and more virulent than ever, not least because the weapons were so much more effective.<br/> </p><p> In this raging text, arguably one of her darkest, Nobel Prize winner Elfriede Jelinek investigates topical political events in the context of enduring history and myths. Fury expresses itself not only multi-voiced and from the changing   perspective of Islamist terrorists, in the shape of furious German citizens,   individual narcissistic humiliation, or brutal distribution battles around   the globe. Rather, fury also appears as the motor that has driven people with   a devastating force for centuries.<br/> </p><p> With her characteristic linguistic power, Jelinek articulates her own disconcertedness in the face of these crimes. In passing, she returns  repeatedly to the contradiction between religious laws against representation   and the deluge of images online, where movies of assassination, severed heads, and other atrocities are exhibited for millions to see. <i>Fury</i> is   a compact grand epic that starts in primal times and attempts to describe the indescribable, relating the inexplicable in our times.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>     </p><p><b>Elfriede   Jelinek </b>was born in 1946 in Mrzzuschlag, Austria, and grew up in Vienna, where she studied music and, later, theatre and art history. She began writing poetry and established herself as a leading, if   controversial, member of post-war Austria's first generation of artists who   struggled to come to terms with the legacy of the Holocaust.</p><p>Among her most famous novels are <i>The Piano Teacher</i> (1983), <i>Lust</i> (1989), and <i>The Children of the Dead</i> (1995). However, Jelinek  considers herself primarily a playwright. The translation of her satirical   monologue on Donald Trump, <i>On the Royal Road: The Burgher King</i>, was published by Gazebo Books in February 2021.</p><p>Jelinek's  work has been translated into more than 30 languages and she received the  Nobel Prize in Literature in 2004 'for her musical flow of voices and counter-voices in novels and plays that with extraordinary linguistic zeal reveal the absurdity of society's cliches and their subjugating power'.</p><p></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In 1970s Switzerland, high up in the Valais mountains, is a village where everyone knows everything, and no one says anything.</p><p>Jeanne learns from an early age to dodge her father&amp;#x27;s abuse, but her mother and sister resign themselves to his brutality. One day when she is eight he attacks her viciously, angered by her self-assurance. Convinced that the village doctor will put an end to their nightmare, she is shocked by his silence.</p><p>From then on, Jeanne&amp;#x27;s hatred of her father and her disgust at the doctor&amp;#x27;s cowardice drive her on. At boarding school she experiences five years of respite, but is then triggered by an unbearable replica of the violence that started it all. Moving to Lausanne, unable to come to terms with her past and to engage fully with life, she nevertheless finds solace in the arms of lovers and in the waters of Lake Geneva, while further tragedy fuels her rage.</p><p><i>My Favourite</i> is a powerful novel about departure and return, of love, guilt and shame, and the paralysing effects of trauma. Sarah Jollien-Fardel forcefully describes the price to be paid for Jeanne&amp;#x27;s hard-won emancipation, as history inexorably repeats itself.</p><p><b>'This book is a remarkable debut.'  </b><b><i>LE MONDE DES LIVRES</i></b></p><p><b>'</b><b><i>My Favourite</i></b><b> is exceptional, moving and fierce, proud of its often elliptical style, reflecting its title.'  </b><b><i>LIBRATION</i></b></p><p><b>'Sarah Jollien-Fardel demonstrates her mastery and composure during the implacable outcome of events and human behaviour.'  L'EXPRESS</b></p><p><b>'A poignant story, narrated with finesse and boldness.'  Nataliya Deleva, author of </b><b><i>Arrival</i></b><b> and </b><b><i>Four Minutes</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[Set against a pseudo-medieval post-apocalyptic backdrop reminiscent of Cormac McCarthy, Angela Carter and Missouri Williams, this bestselling novel shines with the inner radiance of good deed in a naughty world that will leave you haunted, horrified, and completely riveted.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Can an eleven-year-old boy succeed where others have failed? Can he recover a kidnapped child, disprove a false accusation of assault or win a sleep-deprivation competition that has driven others mad with tragic consequences?</p><p>He can, if he is accompanied by a black rooster, his protector and friend. And if he is Martin, orphaned after a massacre, full of wisdom, courage and a pure heart. Too good for the selfish and idiotic villagers around him, his integrity entrances an itinerant painter with whom he departs on a quest. His heroic adventures through a morally abhorrent landscape, physically ravaged by war and famine, keep the reader cheering for him and his companion as this fairy tale for adults unfolds.</p><p>Set against a pseudo-medieval post-apocalyptic backdrop reminiscent of Cormac McCarthy, Angela Carter and Missouri Williams, this bestselling novel shines with the inner radiance of good deed in a naughty world that will leave you haunted, horrified, and completely riveted.</p><p><b>'This novel is a danse macabre, a memento mori, a vision of good and evil pared down to the bones. </b><b><i>Boy with a Black Rooster </i></b><b>beckons the reader into a nightmare landscape of war, famine, plague and madness, and Stefanie vor Schulte's storytelling verve is such that we make the journey gladly.'  Sam Thompson, author of </b><b><i>Communion Town</i></b><b>, Longlisted for the Man Booker Prize 2012</b></p><p><b>'Wow, what a book! Fabular but true, this meticulously crafted and deceptively simple tale stole my heart, broke it, and put it back together again. Vor Schulte is unflinching in her depiction of the worst of humankind, its cruelty and violence, but she also shows how love and kindness can flourish in even the darkest times. A beautiful, heart-rending book.' Victoria MacKenzie, author of </b><b><i>For Thy Great Pain Have Mercy On My Little Pain</i></b></p><p><b>'This appears light as a feather, yet elaborately crafted all the same.' </b> <b>Rose-Maria Gropp</b></p><p><b>'It feels like an old story, one of those that stays with you forever, but every part of it is surprising and wonderful. I want to go straight back and read it all again.'  Sin Hughes, author of</b><b><i> Pearl</i></b></p><p><b>'A debut that is both admirable and truly unique.'  Jean-Baptiste Hamelin, Page des Libraires</b></p><p><b>'Halfway between macabre tale and surrealist epic.'  Camille Thomine,</b><b><i> Lire</i></b><b> magazine litteraire</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Stefanie vor Schulte</b>, born in Hanover in 1974, studied stage and costume design. She lives in Marburg with her husband and four children. Her first novel <i>Junge mit schwarz Hahn</i> was awarded the Mara Cassens Prize for the best German-language debut in 2021.</p><p><b>Alexandra Roesch</b> studied languages and business and worked in banking before becoming a literary translator. In 2018, she was long-listed for the Goethe Institute's Helen &amp; Kurt Wolff Prize. Previously translated authors include Hans Fallada, Seraina Kobler and Merle Krger.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b> 2022 PEN Translation Award FINALIST</b></p><p><b>In this masterful novel, author Juli Zeh skillfully shifts away from the conventional tale of a middle-aged, middle-class father out for a New Year's Day bike ride to an unexpectedly dark, psychological family drama.</b></p><p>Lanzarote on New Year's Day: Henning is cycling up the steep path to Femes. As he struggles against the wind and the gradient he takes stock of his life. He has a job, a wife, two children-yet hardly recognizes himself anymore. Panic attacks have been pouncing on him like demons. When he finally reaches the pass in utter exhaustion, a mysterious coincidence unveils a repressed yet vivid memory, plunging him back into childhood and the traumatic event that almost cost him and his sister their lives. In this masterful novel, bestselling author Juli Zeh skillfully turns a New Year's Day bike ride into an unexpectedly dark, psychological family drama.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The story of a love triangle played out through mutual manipulation.</b></p><p>Giorgia was a talented actress before she abandoned her stage career and fell in love with Filippo. She settles into a life of quiet compromise - until one day she bumps into her old theater director, Mauro, who fans the acting flame back to life. But setting a restless soul on fire can be dangerous if she loses sight of the boundary between reality and fiction - and Giorgia collapses, ending up in a clinic. Filippo and Mauro find themselves both accomplices and adversaries, seduced by a dangerous game to heal and win back Giorgia: by writing the script for her perfect life. In this dazzling debut, Petrucci explores the ambiguous borders between love, possession, and control in clear, magnetic prose.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>CLAUDIA PETRUCCI</b> studied Modern Letters in Milan before moving to Perth, Australia. Her reportages and short stories-which range from realistic to experimental to science fiction-have been published on <i>Cadillac, minima&amp;moralia,</i> and elsewhere. <i>The Performance</i> is her debut novel. It was shortlisted for the John Fante Award and won the prestigious Premio Flaiano Giovani, for writers under 30. It was also book of the day on Fahrenheit, an Italian radio program, and has so far been translated into German and French.</p><p><b>ANNE MILANO APPEL</b>, based in California, has translated works by a number of leading Italian authors for a variety of publishers in the US and UK. Her most recent translations include works by the award-winning Antonio Scurati and Paolo Maurensig. Her awards include the Italian Prose in Translation Award, the John Florio Prize for Italian Translation, and the Northern California Book Award for Translation. Her website is: amilanoappel.com.</p>]]></Text>
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			<SubjectHeadingText>psychological insight; intretwining stories; we feeling; longing for freedom; aristocratic Vandersanden family; rebellion; family drama; neuroses; belgian; flemish literature; scandal; great european novel; books; claustrophobia; flanders; author; belgium; saga; perspectives; humor; individuality</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>"<i>We and Me</i> is a novel that will haunt me for a long time. Excellent and unforgettable." Herman Koch, author of <i>The Dinner</i></p><p>In this spellbinding novel, which has been compared to the work of Jonathan Franzen, Dave Eggers and Jeffrey Eugenides, Saskia de Coster provides a uniquely European take on the tradition of 'The Great American Novel'. With the family unit and some of life's most pressing questions at its center, the award winning <i>We and Me </i>paints a captivatingly haunting picture of bourgeois family life.</p><p>Written from several different perspectives,<i> We and Me</i> covers the time period between 1980 and 2013 and focuses on the aristocratic Vandersanden family. Set in their opulent private estate located atop a mountain, neuroses, claustrophobia, scandal and rebellion run rife. At the heart of the family and the novel is Sarah, whose coming of age is both daringly and sensitively explored in de Coster's skillful prose.</p><p>With her characteristically incisive approach, de Coster excavates the nuanced underbelly of human emotions with humor, understanding and a lightness of touch.<i> We and Me </i>is a remarkable and compelling tale by one of the greatest Belgian writers of our time.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>SASKIA DE COSTER</b> is a Belgian artist, playwright, and author. <i>We and Me</i> won the Cutting Edge Award and the Opzij Literature Prize and has been nominated for several other prestigious prizes. Her work has been translated into ten languages.</p><p><b>NANCY FOREST-FLIER</b> is a New Jerseyborn translator who moved to Europe in 1982 and has worked in the Netherlands since 1988. She lives in Alkmaar. Her literary translations include <i>The King</i> by Kader Abdolah, <i>Dissident for Life</i> by Koenraad de Wolf, <i>Gliding Flight</i> by Anne-Gine Goemans, <i>We and Me</i> by Saskia de Coster, <i>Mr. Miller</i> by Charles den Tex, <i>Departure Time</i> by Truus Matti, <i>Hex</i> by Thomas Olde Heuvelt, and <i>The Story of Shit</i> by Midas Dekkers. Nancy also translates children's literature and has translated for numerous Dutch museums and institutes, including The Anne Frank House and the Krller-Mller Museum (home to the world's second largest Van Gogh collection).</p>]]></Text>
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			<SubjectHeadingText>bestselling flemish author; violent crime; Unhappy marriages; best books from flanders; racism; belgian literature; belgium; rise of hate groups; flemish; flanders; author; contemporary; deceptions; divisive themes of immigration; best flemish authors; displacement; human need to connect; Senegalese immigrant</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[A novel about goodness and compassion, the book finds the perfect balance between sensitivity and humor, hopefulness and criticism, cheer and despair.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Thirty Days is a deeply moving story about love, outsiders and the human need to connect, compellingly translated from the Dutch by Liz Waters.</b></p><p>With a sharp and observational eye, Annelies Verbeke takes a funny, imaginative and perceptive look at the realities and absurdities of human interactions, relationships and everyday life.</p><p>Verbeke matches poetic prose with a cast of intriguing characters and unexpected plot twists. Our protagonist is Alphonse, a Senegalese immigrant who uproots his life in Brussels to become a handyman in a rural district in Flanders. Likeable and charismatic, people cannot help but reveal their secrets, desires and unexpected dreams to him. In her typically astute style, Verbeke weaves a vivid and thought-provoking tale of contemporary life, subtly touching upon timely themes such as refugees and racism.</p><p><b>'Verbeke has written a bold, busy, textured novel. Read it once and you may well read it twice.' -&amp;nbsp;<i>The Irish Times</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Annelies Verbeke</b> is a writer of novels, short stories and essays. She is also a screenwriter, playwright and magazine and newspaper columnist. She made her literary debut in 2003 with the much-acclaimed novel <i>Sleep!</i> which sold over 75,000 copies. <i>Thirty Days</i> was the winner of the F. Bordewijk Prize for Best Novel, the NRC Book Award for Best Dutch-language Novel of the Year and the Opzij Literature Prize. Verbeke's books have been translated in 24 countries.</p><p><b>LIZ WATERS</b> is a Dutch-to-English translator based in Lelystad, the Netherlands. After finishing her studies at the University of Manchester, she worked for some years with English-language texts and at a literary agency in Amsterdam before becoming a full-time translator of literary fiction and non-fiction. Authors whose books she has translated include Ida Simons, Geert Mak, Linda Polman, Fik Meijer, Paul Scheffer, Lieve Joris, Jaap Scholten, Luuk van Middelaar, and Douwe Draaisma.</p>]]></Text>
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