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			<SubjectHeadingText>Anthropocene reflections; Australian nature; Environment; Maasai conservation Kenya; bearded pigs Borneo; biodiversity and conservation; birdwatchers; birdwatching stories; climate change and nature; climate-conscious readers; conservation students; ecological hope; ecological memoir; ecologists; elephant tourism Thailand; environmental storytelling; environmentalists; farming for biodiversity; feeding wild birds; humanwildlife interaction; nature connection; nature lovers; nature writing; outdoor enthusiasts; rock ptarmigan Arctic; sustainable living readers; urban ecology; wildlife; wildlife advocates; wildlife overpasses; wildlife resilience</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Can our interactions with wildlife help answer life's big questions? Acclaimed urban ecologist Darryl explores how people around the world interact with the natural world.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Can our interactions with wildlife help answer life's big questions?</b></p><p>In <i>(Be)wilder</i>, acclaimed urban ecologist Darryl Jones explores how people around the world interact with wildlife. He spends time with bearded pigs in Borneo, rock ptarmigans in the Arctic, birdwatchers in Iowa and conservationist farmers in Australia's Snowy Mountains.</p><p>Along the way, Jones asks, is it possible for farming and conservation to work together? How can urban landscapes be redesigned to enhance biodiversity? What happens when a local community turns centuries of traditional land use over to wildlife? And can birdwatching help save the planet?</p><p><b>'</b><b><i>(Be)wilder</i></b><b> is a 'call-to-action' and timely reminder to step up for our own survival.'  Mark Parry,</b> <b><i>Good Reading Magazine</i></b></p><p><b>'A collection of true stories that highlight the resilience of nature and inspire curiosity about and admiration for our non-human neighbours.'  Ash Davida Jane,</b> <b><i>Books + Publishing</i></b></p><p><b>'If Attenborough were ever to properly retire, Jones would pick up the mantle.'</b><b><i> - Country Style</i></b></p><p><b>'</b><b><i>(Be)wilder</i></b><b> is highly readable: educational but never didactic. Rather than positioning himself as an authority, Jones is Attenborough-esque, crouched down before his audience, narrating nature in all its complexity, beauty, and mystery.'  Adele Dumont, </b><b><i>Australian Book Review</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Darryl Jones</b> is a Professor of Ecology at Griffith University in Brisbane, where for over 30 years he has been investigating the many ways that people and wildlife interact. He is particularly interested in why some species have been so successful in urban landscapes while many others have not, and how best to deal with the ensuing conflicts. His books include <i>Getting to Know the Birds in Your Neighbourhood</i>, <i>Feeding the Birds at Your Table</i> and <i>Curlews on Vulture Street</i> (all from NewSouth Publishing).</p>]]></Text>
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			<Text textformat="02"><![CDATA[Acclaimed urban ecologist Darryl Jones reveals the not-so-secret lives of the most common birds that share our towns and cities.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Darryl Jones, author of</b> <b><i>Feeding the Birds at Your Table</i></b><b>, reveals the not-so-secret lives of the most common birds that share our towns and cities.</b></p><p>Despite the noise, heat, dust and fumes, the ceaseless movement, light and toxins, many birds successfully live their lives among us. And not just furtively in the shadows. Ibis steal our lunch, brush-turkeys rearrange gardens and magpies chase us from near their nest.</p><p>From blackbirds and sparrows in his childhood country town to brush-turkeys in the suburbs, Darryl Jones shares a fascinating story of curiosity, discovery, adventure and conflict, played out in the streets and backyards of Australia. He also provides rare insights into the intimate lives of some of our most beloved and feared, despised and admired neighbours. Magpies, curlews, ibis, lorikeets and cockatoos will never seem the same again.</p><p><b>'What happens when nature comes to town? Darryl Jones has written a witty, rollicking account of his encounters with the ingenious creatures that make our urban homes their own. A wild, wonderful journey in the spirit of Gerald Durrell, unexpected and delightful, full of insight, humour and humility. Anyone who loves birds, nature and superb storytelling will love this book!'  Jennifer Ackerman, author of</b> <b><i>The Genius of Birds</i></b></p><p><b>'As rare a delight as the urban curlews of the title, this is a thoroughly enjoyable account of the value that all birds, even the common ones we see every day, bring to our lives. We often talk about why birds matter. Darryl Jones shows how even backyard birds have the capacity to enrich and bring wonder to our lives.'  Sean Dooley, author of</b> <b><i>The Big Twitch</i></b></p><p><b>'Darryl Jones confirms what many people suspect, that ecologists lead fun lives.'  Tim Low, author of</b> <b><i>Where Song Began</i></b></p><p><b>'Jones's enthusiasm for his avian subjects and the thrill of scientific discovery should appeal most to fellow bird lovers, watchers and counters - or anyone who dabbled in the habit during the long pandemic lockdowns.'  Kim Thomson,</b> <b><i>Books+Publishing</i></b></p><p><b>'A charming ornithological memoir.'  Phil Brown,</b> <b><i>Courier Mail</i></b></p><p><b>'Jones casts a wry eye over all his subjects and their behaviours, whether they be birds, academics or himself, in this playful, engaging tale.' -</b> <b><i>The Sydney Morning Herald</i></b></p><p><b>'Jones makes for a knowledgeable and curious-minded guide.' </b> <b><i>The West Australian</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p></p><p><b>Darryl Jones</b> is a Professor of Ecology at Griffith University in Brisbane, where he has been investigating the many ways that people and wildlife interact for over 30 years. He is particularly interested in why some species are extremely successful in urban landscapes, while many others are not, and how best to deal with the ensuing conflicts. More recently, he has been trying to understand more about the humans that also live in cities in large numbers, and how they engage with nature. This has led him into the strange and fascinating world of wild bird feeding and has resulted in collaborations with other researchers all over the world. He has published six books, including <i>The Birds at My Table</i> and <i>Feeding the Birds at My Table</i>.</p>]]></Text>
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			<SubjectHeadingText>20th century Australian fiction; A Few Days in the Country and Other Stories; Alice; Australian literary history; Australian literature; Australian women writers; Christina Stead; Cynthia Nolan; Domestic violence; Down in the City; Elizabeth Harrower; Elizabeth Harrower biography; Emotional trauma; Feminist literary criticism; In Certain Circles; Judah Waten; Kit Hazzard; Kylie Tennant; Literary biography; Literary neglect; Literary reclusion; Margaret Dick; Mental health in fiction; NewSouth books; Patrick White; Postwar Australia; Psychological Fiction; Publishing history; Richard Kempley; Shirley Hazzard; Susan Wyndham author; The Beautiful Climate; The Catherine Wheel; The Fun of the Fair; The Long Prospect; The Retrospective Grandmother; The Watch Tower; The Watch Tower novel; UNSW Press; Women writers; Writer's block; domestic violence novels; emotional trauma in literature; feminist literature; literary biography Australia; literary rediscovery</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><i>'At last I read her books, reminding myself to breathe, wondering if her characters could extricate themselves from her finely spun web of psychological torment. I seized my chance to interview Elizabeth Harrower again...'</i></p><p>Elizabeth Harrower wrote some of the most intense, original and highly regarded novels of the twentieth century. Then she abruptly stopped writing in the 1970s and became one of the most puzzling mysteries of Australian literature. Why didn't she continue? Harrower gave evasive answers to friends and interviewers, and only since her death in 2020 has a deeper search been possible. </p><p>In this definitive biography, renowned journalist and writer Susan Wyndham grapples with the elusive Harrower. She immerses us in the author's tumultuous family, her complex friendships with Patrick White, Christina Stead, Kylie Tennant and Shirley Hazzard, and her timeless probing of the human spirit in five remarkable novels.</p><p>Drawing on time spent with Harrower, revealing analysis of her fiction and new research, Wyndham unmasks a literary legend. </p><p><b>'</b><b><i>Elizabeth Harrower: The woman in the watch tower</i></b> <b>is the first (and perhaps final) word on one of Australia's most brilliant and bedevelling writers. Like Harrower's, Wyndham's prose is meticulously observed, emotionally attuned and full of grace, insight and vision. It's a fantastic achievement.'  Dominic Amerena</b></p><p><b>'This is an extraordinary biography of one of the finest, and most important, Australian writers, Elizabeth Harrower. In a braiding so skilled you can't see it, Susan Wyndham takes us from Harrower's life into her work and her friendships, and then back into her work and life. This is a deceptively simple, beautifully detailed, psychologically acute portrait worthy of its subject.'  Anna Funder</b></p><p><b>'This is a wonderful book. It gives us the complexities of Harrower's life and of her fascinating character  so nave and at the same time so intelligent, her prickly diffidence coupled with a kind of gormless passion. And it sets her compellingly into the decades when modern Australian literature was coming into being. An indispensable contribution to Australian writing.'  Brigitta Olubas</b></p><p><b>'This much-awaited biography peels back the layers on Australian literary legend Elizabeth Harrower, who died in 2020 after decades as an enigmatic figure.'  Melanie Kembrey,</b> <b><i>SMH/The Age</i></b></p><p><b>'A sympathetic and illuminating exploration of the life and work of one of post-war Australia's most significant writers.'  </b><b><i>Books + Publishing</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Susan Wyndham</b> is a writer and journalist who has been New York correspondent for<i>The Australian</i> newspaper and literary editor of the<i>Sydney MorningHerald</i>. Her most recent book, co-edited with Brigitta Olubas, is <i>Hazzard and Harrower: The letters</i>. In 2024 she was awarded a National Library of Australia Fellowship to research the life of Elizabeth Harrower.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Leading military historian Mark Johnston tells stories of the courage of individual soldiers across every battle in which Australians fought in World War II.</b></p><p>When Australians defended against Rommel's tanks at Tobruk and Alamein, tackled paratroopers landing among them on Crete, attacked French Foreign Legionnaires in Syrian forts, held off Japanese tanks in Malaya, fought hand-to-hand on the Kokoda Track, and took on well-hidden and tenacious Japanese in countless grim jungle-clad locations, brave individuals risked everything to bring victory.</p><p>Australian soldiers performed acts of remarkable bravery in the roles of stretcher-bearers and snipers, in victories and defeats, and in desert and jungle. Such astonishing deeds were often rewarded with medals, but many brave deeds went unrecognised, and whether acknowledged or not, the heroes often paid a heavy price for their courageous acts, in the form of physical injury, psychological trauma or death. </p><p><i>Australian Heroes of World War II</i> features hundreds of stories that have been rarely if ever told, and that are guaranteed to amaze.</p><p><b>'Mark Johnston shows again why he is the premier historian of the Australian Army in WWII.'  Peter Stanley</b></p><p><b>'Mark Johnston has produced a study of battlefield bravery that is both erudite and a page turner. It is the story of ordinary Australians in extraordinary situations.'  Karl James</b></p><p><b>'An outstanding contribution to our understanding of Australia's experience of war, and a wonderful tribute to ordinary men whose remarkable deeds need to be remembered and honoured.'  David Horner</b></p>]]></Text>
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			<SubjectHeadingText>Australian feminism; Australian feminist literature; Brittany Higgins; Chanel Contos; Elizabeth Reid; Grace Tame; International Women's Year 1975; March4Justice; consciousness raising; equality; feminism; feminist activism; feminist awakening; feminist biographies; feminist consciousness; feminist fightback; feminist history Australia; feminist journalism; feminist policy reform; feminist protest movements; feminist revolution; gender equality Australia; gender-based violence; intersectional feminism; misogyny in politics; patriarchy Australia; political feminism; revolution; violence against women; women; women in leadership; women in media; women's liberation movement; women's rights Australia</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>In 1975, the fight was alive. It was the year the United Nations declared International Women's Year as a marker of progress and aspiration. Fifty years on, award-winning journalist Virginia Haussegger shines a light on the feminist revolution in Australia, capturing its spirited momentum and a fatigued lag.</p><p><i>Unfinished Revolution</i> tells a fresh story of feminist action in this country, from the largest women's protest rally  March4Justice in 2021  to the dynamic Australian Women's Liberation Movement of the 1970s. With a focus on gender and power in politics and the media, from national consciousness raising to shifting media narratives, this book is an exploration of what feminist change looks like.</p><p><b>'Here is contemporary history at its best. Virginia Haussegger presents Australian feminism as a promise of liberation that gutsy, passionate and brilliant women have pursued not in waves but persistently, across eras and generations.</b> <b><i>Unfinished Revolution</i></b><b> should be compulsory reading for anyone serious about understanding, in its historical and global context, Australia's own #MeToo "moment" of 2021 as well as the wider possibilities for a resurgent feminism amid continuing gender discrimination, male violence against women and anti-feminist backlash.'  Frank Bongiorno AM</b></p><p><b>'Virginia Haussegger is not just a brilliant journalist, but an original and insightful thinker and feminist. I will read anything she writes. And I recommend you do too.'  Jane Caro AM</b></p><p><b>'In</b><b><i> Unfinished Revolution</i></b><b>, Virginia Haussegger stares down a terrifying global swing to the far-right and yells: Enough. This is the battle cry we desperately need right now, one that refuses to be watered down into niceties that ask politely for equity. This is a book that dares to fight back, and pulls no punches.'  Hannah Ferguson</b></p><p><b>'At a time of global backlash against women and the women's movement,</b> <b><i>Unfinished Revolution</i></b><b> is a spirited piece of feminist scholarship. It practically hums with righteous fury. For those who were at the pointy end of some of the historical changes in the Australian cultural zeitgeist that it charts, it is a timely reminder of what can, and has been, achieved. It acknowledges that there have been some painful moments along the way. That change is not always linear, that setbacks abound, but none of these things are cause for despondency and complacency. There is a relentless, almost bloody-minded optimism in these pages. It feels like a book which urges women to pick themselves up, dust themselves off, and just keep marching.'  Louise Milligan</b></p><p><b>'A brilliant read. And a reminder that feminist change is possible and it's happening right now.</b> <b><i>Unfinished Revolution</i></b><b> honours the Australian feminist movements past and present that have shaped our lives today. A must-read for every young Australian woman ready to build the next chapter of the feminist fight.'  Yasmin Poole</b></p><p><b>'There are fascinating stories here, celebrating revolutions and revolutionaries small and large...Haussegger has done her research thoroughly.'  Marian Quartly, </b><b><i>Inside Story</i></b></p>]]></Text>
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			<SubjectHeadingText>Humpbacks; Tonga; photography; Humpback Whales; Marine Photography; Underwater Encounters; Whale Behaviour; Conservation; Sentience; Oceanic Migration; Southern Hemisphere; Anthropomorphism; Portraiture in Nature; Spindle Cells; Tubercle; Barnacle; Whale Lice; Baleen; Tongan Ridge; Tongan Trench; Southern Ocean; Antarctica; Pacific Ocean</SubjectHeadingText>
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			<SubjectHeadingText>Australian cities; Australian harbour cities; Australian local history; Australian memoir; BHP; City development; Coal and steel industry; Hunter Valley; Newcastle; Newcastle NSW; Newcastle architecture; Newcastle artists; Newcastle culture; Newcastle earthquake 1989; Newcastle music scene; Newcastle steelworks; Novocastrian identity; Regional Australia; Urban transformation</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Newcastle finds itself on shifting ground. But it's not an earthquake, or subsidence due to an old mine. It's perception that's shifting.</b></p><p>Not only is Newcastle dramatically changing, but so are people's views of the city. People are 'discovering' Newcastle. Or, more pointedly, they are seeing Newcastle for what it is. And those from Newcastle are seeing their city in a different light.</p><p>In <i>Newcastle</i> Scott Bevan examines the character and the soul of the city he grew up in, its past and where it finds itself. He traverses between early contact with the Awabakal people and missionary Lancelot Threlkeld, Newcastle's convict and industrial past, and its famous children (from Silverchair and the Knights to William Dobell), and explores how the city now juggles a range of roles, including as the world's largest coal export port and a hub of creative talent.</p><p>On this journey, we hear the stories of dozens of locals, from community leaders to champion surfers, from rock and rollers to architects and environmentalists, all the while finding out how this place once renowned as 'Steel City' is revealing the 'new' in Newcastle.</p><p><b>'An affectionate and information-packed picture of a great city.'  Bob Hudson</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Scott Bevan</b> was born in Newcastle and is a writer, journalist, broadcaster and playwright. He is the author of eight books, including <i>The Harbour</i>, <i>Return To The Hunter</i>, <i>Battle Lines: Australian Artists At War</i>, <i>Water from the Moon: A Biography of John Fawcett</i> and <i>Bill: The Life of William Dobell</i>. His documentary work includes <i>Oll: The Life and Art of Margaret Olley</i>, <i>The Hun</i>ter and <i>Arthur Phillip: Governor, Sailor, Spy</i>.</p>]]></Text>
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			<SubjectHeadingText>Australia; New Zealand; astronomy; night sky; sky guide; sky map; southern hemisphere; Astronomy; Southern Hemisphere stargazing; Australian night sky calendar; Monthly skywatching guide; Astronomy events 2026; Planetary positions and rise/set times; Lunar phases and eclipses; Meteor showers Australia; Indigenous astronomy Aotearoa; First Nations astronomy; Matariki and Puaka star cluster; Maramataka lunar calendar; Seasonal sky observations; Celestial navigation and timekeeping; Cultural astronomy and sky stories; Stargazing with traditional knowledge; Milky Way and Sagittarius A; Solar system exploration updates; Astrophotography highlights; Astronomy reference guide; Stargazing for beginners and experts; Educational science book; Amateur astronomy handbook; Indigenous science and cosmology; Skywatching for families and schools; Planetarium and observatory companion; Seasonal celestial events planner</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The ultimate guide to the night sky.</b></p><p>This popular guide by astronomer and author Dr Nick Lomb provides stargazers with the perfect companion to the southern night sky. Opening with an essay by Ki Tahu woman Victoria Campbell on the cultural significance of the heliacal rising of Matariki in winter, this book features monthly sky maps, with details of the movement of the planets, stars and constellations. It also offers the latest information on the solar system and its history, as well as tips for optimal viewing. The <i>2026 Australasian Sky Guide</i> is a must-have handbook to the year's most exciting celestial events.</p><p>2026 HIGHLIGHTS</p><ul><li>Total eclipse of the Moon in March</li><li>Mercury, Mars and Saturn bunch in April</li><li>Eta Aquariid meteor shower in May</li><li>Venus near Jupiter in June</li><li>Occultation of Jupiter in November</li><li>Supermoon on Christmas Eve</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nick Lomb</b> spent more than 30 years at Sydney Observatory. He curated numerous exhibitions and was a frequent commentator on astronomical events in the southern sky. He is an honorary professor at the University of Southern Queensland and researches the history of Australian astronomy. Dr Lomb was a regular contributor to the Observatory's blog and has been the author of the annual <i>Australasian Sky Guide</i> since 1991. He has authored and co-authored several other books, including: <i>Transit of Venus: 1631 to the Present</i> (2011), <i>The Story of Sydney Observatory</i> (2018) and <i>Eclipse Chasers</i> (2023).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>James Fairfax was one of the nation's greatest philanthropists, collectors and champions of Australian art. Chairman of what was then known as John Fairfax Ltd, he put together one of the country's most important collections of European Old Masters, and was a generous benefactor to the Art Gallery of New South Wales in Sydney.</p><p>In this evocative biography his nephew, Alexander Gilly, pieces together Fairfax's life through the prism of his art collection. Through a long-case clock built by Fairfax's grandfather and given to his parents as a wedding gift, a painting by Rubens, a sculpture by Robert Klippel, a mural created for his country home by Donald Friend and other treasured objects, Gilly reveals the complex private and public lives of a man at the centre of a media dynasty.</p><p><b>'James Fairfax lives on in his gifts to the nation. In this beautifully written, emotionally rich, erudite yet intimate book, Alexander Gilly ensures that his life is a gift that keeps on giving. With so many objects to choose from in James Fairfax's extraordinary collection, Alexander Gilly selected eleven as guides to a reserved and proper man's public and private life. He locates them brilliantly to explore privilege, conflict and loss. In the process, and with access to remarkable private letters, he tells a story of a family, an imploding newspaper empire and a changing nation.</b> <b><i>Succession</i></b><b> has nothing on this.'  Julianne Schultz</b></p><p><b>'A beautifully written biography, dramatic, sensitive and full of heart. Gilly illuminates not only the life of one of Australia's most interesting figures but an entire era. The pacing is terrific and the structure original  you're captivated from the first page, deeply moved by the last.'  Sebastian Smee</b></p><p><b>'Alexander Gilly adds rich human detail to a story I thought I knew well. In an astute, intimate portrait of his uncle, he animates the mismatched members of an Australian media dynasty. Behind his sandwich role in their succession struggle, James Fairfax was a son torn between divorced parents, a loner, a lover, a bon vivant and an art connoisseur  the Hamlet or Prince Charles of his family. How fortunate that Gilly had revealing interviews with the man, an appreciative eye for his art collection, and access to his correspondence with his mother. Betty Fairfax comes to the fore as a wonderfully eccentric influence in her son's privileged but fractured life.'  Susan Wyndham</b></p><p><b>'This splendid volume is a fascinating glimpse into the life and motivations of one of Australia's great philanthropists.' </b> <b><i>The Canberra Times</i></b></p><p><b>'Alexander Edward Gilly interviewed Fairfax before his death and has produced a discreet and affectionate portrait of his uncle.'  Simon Caterson,</b><b><i> SMH</i></b> <b>and</b> <b><i>The Age</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexander Edward Gilly</b> is the late James Fairfax's nephew. He is a writer, translator and magazine editor who was born in New York City and has lived in Australia, Canada, France, California and the UK. One of his translations, Thierry Cruvellier's <i>The Master of Confessions</i>, was longlisted for the 2015 PEN Translation Prize. <i>Devil's Harbor</i> (Forge, 2015) was his first novel.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Confessions of a Minor Poet is a hugely entertaining memoir that shows us all how the life of a writer can be frustrating, even enraging but ultimately life-enriching. This is a vital, wild and affectionate ride across Queensland, New South Wales, and Victoria, from the seventies to now.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'What a life. What a book. When it's not making your ribs rattle with laughter, it's making your heart ache with all the pathos and poetry. A memory box of jewels from a true Brisbane treasure.'  Trent Dalton </b></p><p>Hilarious, heartfelt and revealing.</p><p>Phil Brown tells all (well almost all) in this rollicking account of his career in literature and journalism from<i> The Morning Bulletin</i> in Rockhampton to Melbourne's<i> Sunday Age</i> and back to <i>The Courier-Mail</i> in Brisbane. He shares his challenges as a young surfer foolishly yearning to be a poet and his personal struggles on the road to becoming a writer with a fluctuating passion for poetry and a top drawer full of rejection slips. There are the seminal friendships with poets Bruce Dawe and Les Murray and a cavalcade of characters from the world of arts and letters  Barry Humphries, Willem Dafoe, Daniel Craig, Alain de Botton, Richard E. Grant and a cavalcade of characters he meets (and interviews) along the way, for better and occasionally, worse.</p><p><i>Confessions of a Minor Poet</i> is a hugely entertaining memoir that shows us all how the life of a writer can be frustrating, even enraging but ultimately life-enriching. This is a vital, wild and affectionate ride across Queensland, New South Wales, and Victoria, from the seventies to now.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Phil Brown</b> is a journalist, poet, author, and editor of the independent arts website In Review Queensland which features on the website indailyqld.com.au. He was formerly Arts Editor of The Courier-Mail and over a four-decade career has written for a range of national and international newspapers and magazines. He has published his poetry widely in the mainstream press and literary journals. He is the author of two books of verse, <i>Plastic Parables </i>and <i>An Accident in the Evening</i>. His book of humorous travel stories, <i>Travels with My Angst </i>was shortlisted for the Arts Queensland Steele Rudd Award at the 2005 Queensland Premier's Literary Awards. <i>Any Guru Will Do</i> was the second in his memoir series and the third, <i>The Kowloon Kid</i>, was shortlisted for The Courier-Mail People's Choice Queensland Book of the Year Award in 2020. He lives in Brisbane's inner-north with his wife Sandra McLean.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Inscribed in the ecological crisis is a mandate for a radical rethink. Cogent, insightful and bold, Brave New Wild rises to that challenge. It will make you think about the planet, and our existence on it, in a new way.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>A cohort of corporations and governments insist that geoengineering, nanotech and AI can solve our environmental crisis. But by bending nature to our will, could we break ourselves in the process?</i></b></p><p>Almost a century ago, Aldous Huxley's <i>Brave New World</i> imagined a society founded on a radical idea. Using eugenics and powerful pharmaceuticals, its rulers would engineer humans to fit the society they wanted to see, rather than build a society based on the needs of humans. The result was a rational and efficient system. And the crushing of the human spirit.</p><p>Today, faced with an environmental crisis, our economic and political leaders are responding in the spirit of Huxley's rulers. Rather than building societies that respect the natural world, they are developing the means to remake nature itself. Yet channelling the same instrumental thinking that caused this crisis will only deepen it. We must examine that future, to challenge its assumptions and propose alternatives, predicated on a different vision of nature and humans' place within it. From the nuclear industry's careless mining of uranium, through to the centuries-old traditions of some of the world's first peoples, history is layered with insights into how humans have treated the natural world, and how this can guide us forward.</p><p>Inscribed in the ecological crisis is a mandate for a radical rethink. Cogent, insightful and bold, <i>Brave New Wild</i> rises to that challenge. It will make you think about the planet, and our existence on it, in a new way.</p><p><b>'</b><b><i>Brave New Wild</i></b><b> is both a fascinating and provocative exploration of the unspoken assumptions underpinning many of our ideas about nature and the environment and a roadmap to a new and better future.'  James Bradley</b></p><p><b>'This book tackles a terrifying subject: the possibility of technoscience conquering both nature and humanity. King's genius is to turn this into an entertaining as well as thought-provoking read. His humour and folksy erudition reminds me at times of the late Stephen Jay Gould. This is a book that comes thoroughly recommended. Timely and confronting. A brave new work.'  Dave Witty</b></p><p><b>'A book frightening and inspiring in almost equal measures.'  Raimond Gaita</b></p><p><b>'In</b><b><i> Brave New Wild </i></b><b>Richard King charges headlong at the biggest crises of our time: runaway technology, political polarisation and the gathering storms of climate change. Somehow he manages it with wry humour and determination, a perfect companion on an increasingly uncertain road.'  Scott Ludlum</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Richard King</b> is an author and critic based in Fremantle. Raised in the United Kingdom, he gained an MA in Literary History and Cultural Discourse and worked in publishing before moving to Australia. His work appears widely, including in <i>The Australian</i>, <i>The Age</i>, <i>Sydney Morning Herald</i>, <i>The Monthly</i>, <i>Griffith Review</i>,<i> Sydney Review of Books</i>, <i>Meanjin</i>, <i>Overland</i> and <i>Australian Book Review</i>, and in <i>The Best Australian Poems</i> and <i>The Best Australian Science Writing</i>. His most recent book, <i>Here Be Monsters: Is Technology Reducing our Humanity?</i> (2023), was shortlisted for the Douglas Stewart Award for Nonfiction in the NSW Premier's Literary Awards. King writes regularly for <i>Arena</i>, focusing on the relationship between culture and technology. His website is bloodycrossroads.com.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Technology is developing fast - so fast that it threatens to overwhelm the very species whose genius lies in its technological cunning: us. From the metaverse to genetic engineering and mood-altering pharmaceuticals, to cybersex and cyberwar and the widespread automation of work, new technologies are rewriting the terms of our existence, not in a neutral spirit of 'progress' but in line with the priorities of power and profit, and in ways that often work against the grain of our fundamental being.</p><p>In this timely, provocative book, Richard King argues that we need to evolve a more critical attitude to new technologies if we are to avoid a world in which humans are no different in kind from algorithmic machines. The stakes could not be higher. As science, technology and capitalism fuse into a single system, and activists and entrepreneurs talk of a 'post-human' future in which individuals will transform themselves using powerful computers and biotechnologies, we are entering unchartered territory - a territory marked with the mapmaker's warning, <i>Here Be Dragons...Here Be Monsters.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Richard King</b> is an English author, critic and poet based in Fremantle, Western Australia. He studied at Salford University and the University of Sussex, gaining an MA in Literary History and Cultural Discourse, before moving to London to work in publishing. He is the author of <i>On Offence: The Politics of Indignation</i> (Scribe, 2013), published in Australia, the UK and the US. Richard's work appears widely, including in <i>Best Australian Poems</i>, <i>Best Australian Science Writing</i>, <i>The Australian</i>, <i>The Sydney Morning Herald</i>, <i>The Monthly</i> and <i>The London Magazine</i>. The late Clive James said of him, 'King...make[s] news out of culture, and without trivialising the second thing in favour of the first.'</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The revelatory and urgent story of how an explosion of misogyny is driving a surge of mass and far-right violence throughout the West</b> <b> from an internationally recognised extremism expert and media commentator.</b></p><p>What two things do most mass shooters, terrorists, or violent extremists have in common? Most of us know the first: they are almost always men or boys. But the second? They are almost always virulent misogynists, homophobes, or transphobes  even if they are also motivated by racism, antisemitism, or xenophobia. The antigovernment militiamen charged with plotting to kidnap and execute Michigan governor Gretchen Whitmer used language saturated with misogyny, with one telling an FBI informant, 'Just grab the bitch'. The men who killed scores at Virginia Tech, the Pulse nightclub, and a Maryland newsroom all had prior reports of stalking, domestic violence, or harassment of women. And in dozens of other incidents  from North America to Norway to New Zealand  an increasing number of misogynist incel (involuntary celibate) and male supremacist attackers have explicitly targeted and killed women, blaming feminism or sexual frustration with women as motivation for their attacks.</p><p>Yet, despite all evidence, the bright red thread of misogyny running through these attacks is barely acknowledged by the media or even experts  and this failing leaves us powerless to stop the violence. In <i>Man Up</i>, Cynthia Miller-Idriss, a leading expert on extremism, addresses this crucial oversight head-on, revealing how an epidemic of misogyny  both online and off    and a patriarchal backlash are driving an exponential rise in mass and far-right violence. She also offers essential strategies that all of us  including parents, teachers, and counselors  can use to fight the rising tide of violence, beginning with recognising the misogyny that pervades our everyday lives. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Cynthia Miller-Idriss</b> is a sociologist and professor in the School of Public Affairs and the School of Education at American University, where she is the founding director of the Polarization and Extremism Research and Innovation Lab (PERIL). An MSNBC columnist and a regular commentator in US and international media, Miller-Idriss is the author of <i>Hate in the Homeland: The New Global Far Right</i> (Princeton),<i> The Extreme Gone Mainstream: Commercialization and Far Right Youth Culture in Germany</i> (Princeton), and <i>Blood and Culture: Youth, Right-Wing Extremism, and National Belonging in Contemporary Germany</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From acclaimed folklorist and historian Adrienne Mayor, an enchanting collection of the ancient myths that emerged out of the wonders  and disasters </b> <b>of the natural world.</b></p><p><i>Mythopedia</i> is a fun, fact-filled A-Z treasury of myths inspired by natural events. Bringing together fifty legends from antiquity to the present, this delightfully entertaining book takes you around the world to explore sunken kingdoms and lost cities, accursed mountains and treacherous terrains, and lethal lakes and singing sand dunes, explaining the historical background and latest science underlying each tale.</p><p>As soon as humans invented language, they told stories to explain mysterious things they observed around them  on land, in the seas, and in the skies. Even though these tales are expressed in poetic or supernatural language, they contain surprisingly accurate insights and even eyewitness descriptions of catastrophic events millennia ago. Drawing on her unique insights as a pioneer in the exciting new field of geomythology, Adrienne Mayor describes how cultural memories of tsunamis, volcanic disasters, and other massive geological events can reach back thousands of years as the stories were preserved, elaborated, told, and retold across generations. She shows how geomythology is expanding our understanding of our planet's history over eons, revealing the human desire to explain nature and weave imaginative stories intertwined with keen observation, rational speculation, and memory.</p><p>With captivating drawings by Michele Angel, <i>Mythopedia</i> is a compendium of many marvels, from the Hindu monkey god Hanuman and his army of bridge-building primates to the terrifying sand demon Shensha shen of China, the gnawing glaciers of Austria, and the vengeful fish-headed snake god Nyami Nyami of Africa's Zambezi River.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Adrienne Mayor</b> is the author of many books, including <i>The Poison King</i>, which was a finalist for the National Book Award, and <i>The Amazons</i> (both Princeton). She is a research scholar in classics and the history of science at Stanford University.<b> </b></p><p><b>Michele M. Angel</b> is an award-winning watercolorist, illustrator, and graphic designer.</p>]]></Text>
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			<SubjectHeadingText>Humans; Foliose; Purple; Grows; Cortex; Substrate; Sunburst; Fungal; Tree hair; Crustose lichens; Lichen moth; Spores; Lichen species; Land; Fruticose; Beard; Bacteria; Growth; Acid; Food; Nature; Field; Orange; Compounds; Lichenologists; Apothecia; Grc; Names; Latin; Branches; Hair; Fungi; Eat; Lower; Crustose; Role; History; Camouflage; Bark; Bodies; Skin; Century; Water; Thallus; Rocks; Animals; Habitat; Nitrogen; Moth; Tripe; Cyanobacteria; Surface; Moss; Tiny; Usnea; Nest; Substances; Species; Lichen; Color; Plants; Genus; Algae; Symbiosis; Dye; Gray; Tree; Air; Fungus; Identification</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>An illustrated mini-encyclopedia about the weird and wonderful world of lichens</b><br/><br/><i>Lichenpedia</i> is a delightfully entertaining and beautifully illustrated AZ treasury about the strange, obscure, and remarkable world of lichens, from their unique and essential roles in nature and the ways they are used in dyeing, brewing, and drug-making to how they have inspired writers and artists, from Henry David Thoreau to modern painters.</p><p>In 100 brief entries written in a vivid, lively style, Kay Hurley introduces key aspects of lichen biology, environmental roles, emerging uses, scientific history, and myth. She describes the variety of forms that lichens take, from leafy to filamentous to things reminiscent of skin diseases, with imaginative names like witch's hair. She explains the surprising ways that birds and beasts-from reindeer and moose down to tiny tardigrades-use lichens, and how lichens survive in extreme environments, from deserts to Antarctica to outer space. Hurley also introduces some of the innovators who have advanced the knowledge of lichens, from the ancient Greek philosopher Theophrastus to today's professional lichenologists.</p><p>With charming drawings by Susan Adele Edwards, <i>Lichenpedia</i> promises to put you in touch with the natural world in a new way by opening your eyes to these vital organisms, which are all around us, hidden in plain sight.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kay Hurley</b> is an avid naturalist who specializes in fungi and has studied lichens for twenty years. She is the author of <i>Who's Who in the Natural World:</i> <i>Selections from a 10-year Ramble through a Corner of New England</i>. <b>Susan Adele Edwards</b> is an artist and filmmaker. Her award-winning documentary, <i>Marion Stoddart: The Work of 1000</i>, has been shown in schools, universities, and conservation education organizations to inspire civic engagement.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A fun and fact-filled AZ treasury for</b> <b>the insect lover in all of us.</b></p><p><i>Insectpedia</i> introduces you to the wonders of the insect world while inviting you to make discoveries of your own. Featuring dozens of entries on topics ranging from murder hornets and the &amp;#x27;insect apocalypse&amp;#x27; to pioneering entomologists such as Margaret James Strickland Collins and Douglas Tallamy, this beautifully illustrated, pocket-friendly encyclopedia dispels many common myths about insects while offering new perspectives on the vital relationships we share with these incredible creatures.</p><p>This entertaining collection celebrates the long and storied history of entomology, highlights our dependence on insects for food and ecosystem services, and explains the meaning behind various entomological terms. With Eric Eaton as your guide, you will circle the globe in search of African Toktokkies and Australian beer bottle beetles, and witness the peculiar spectacle of cricket fighting in Asia. Profiles of influential figures in entomology provide insights into the curious minds that animate this extraordinarily broad field of scientific inquiry, while the book's portable size makes it the perfect travel companion no matter where your own entomological adventures may lead you.</p><p>With captivating illustrations by Amy Jean Porter, <i>Insectpedia</i> is an engaging blend of insect facts and folklore that will inspire anyone who delights in the marvels of nature.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Eric R. Eaton</b> is a naturalist and writer whose books include <i>Wasps: The Astonishing Diversity of a Misunderstood Insect</i> (Princeton) and, with Gregory S. Paulson, <i>Insects Did It First</i>. He runs the blogs <i>Bug Eric</i> and <i>Sense of Misplaced</i>. Twitter @BugEric <b>Amy Jean Porter</b> is an artist, illustrator, and naturalist. She is the illustrator of <i>Florapedia</i> and <i>Fungipedia</i> (both Princeton).</p>]]></Text>
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			<SubjectHeadingText>Mold; Dry rot; Drosophila; Mycorrhiza; Polypore; Ethnomycology; Spore print; Supermarket; Insect; Galerina marginata; Microfungi; Botrytis cinerea; Yeast; Auricularia auricula-judae; Scutellinia scutellata; Noble rot; E. O. Wilson; Puffball; Mildew; Cortinarius rubellus; Mushroom; Amanita muscaria; Beech bark disease; Bacteria; Armillaria; Chanterelle; Corn smut; Mycelium; Mushroom poisoning; Phallus impudicus; Detritus; Chlorophyll; Nutrient; Amadou; Urine; Psilocybin; Psilocybe; Fungus; Carbohydrate; Amanita phalloides; Ophiocordyceps; Ergotism; Russula; Cladosporium; Boletus edulis; Coprinopsis atramentaria; Psilocybin mushroom; Neolentinus lepideus; Lactarius; Ascomycota; Chestnut blight; Binomial nomenclature; Armillaria gallica; Cannibalism (zoology); Xylaria; Phaeolus schweinitzii; Ambrosia beetle; Coprinus; Claviceps purpurea; Ophiocordyceps sinensis; Basidiomycota; Mycology; Pleurotus tuber-regium; Agaricus bisporus; Amanita; Amatoxin; Truffle; Dutch elm disease; Vegetable; Hypomyces lactifluorum</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>&amp;quot;This little book is big fun.&amp;quot;-Michael Pollan An illustrated mini-encyclopedia of fungal lore, from John Cage and Terence McKenna to mushroom sex and fairy rings Fungipedia presents a delightful A-Z treasury of mushroom lore. With more than 180 entries-on topics as varied as Alice in Wonderland, chestnut blight, medicinal mushrooms, poisonings, Santa Claus, and waxy caps-this collection will transport both general readers and specialists into the remarkable universe of fungi. Combining ecological, ethnographic, historical, and contemporary knowledge, author and mycologist Lawrence Millman discusses how mushrooms are much more closely related to humans than to plants, how they engage in sex, how insects farm them, and how certain species happily dine on leftover radiation, cockroach antennae, and dung. He explores the lives of individuals like African American scientist George Washington Carver, who specialized in crop diseases caused by fungi; Beatrix Potter, creator of Peter Rabbit, who was prevented from becoming a professional mycologist because she was a woman; and Gordon Wasson, a J. P. Morgan vice-president who almost single-handedly introduced the world to magic mushrooms. Millman considers why fungi are among the most significant organisms on our planet and how they are currently being affected by destructive human behavior, including climate change. With charming drawings by artist and illustrator Amy Jean Porter, Fungipedia offers a treasure trove of scientific and cultural information. The world of mushrooms lies right at your door-be amazed!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lawrence Millman</b> is a mycologist and author of numerous books, including <i>Our Like Will Not Be There Again</i>, <i>Last Places</i>, <i>Fascinating Fungi of New England</i>, and <i>At the End of the World</i>. He has done mycological work in places as diverse as Greenland, Honduras, Iceland, Panama, the Canadian Arctic, Bermuda, and Fresh Pond in Cambridge, Massachusetts, where he has documented 321 different species. <b>Amy Jean Porter</b> is an artist, illustrator, and naturalist. Her illustrated books include <i>Of Lamb</i> and <i>The Artists' and Writers' Cookbook</i>, and her artwork has appeared in such publications as <i>McSweeney's</i>and <i>The Awl</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Based on interviews with an array of past and present greats of the game,Legacy of the Lionsexplores leadership lessons learned in one of the most challenging environments in the sporting world: touring with the British &amp; Irish Lions.]]></Text>
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			<Text textformat="02"><![CDATA[<p>A British &amp; Irish Lions tour presents one of the greatest challenges in sport.</p><p>Rugby is a game that rewards creative expression, toil, teamwork and a never-say-die attitude. It can be joyful, vibrant and beautiful. Equally, it can brutally expose human flaws and frailties  even more so in the hugely pressurised environment of a Lions tour. Every team, no matter how talented, will find itself in dark and difficult situations both on and off the field; the successful ones are those with a leadership group that can navigate these challenging moments.</p><p>In<i>Legacy of the Lions</i>, former Lions captain Gavin Hastings draws on his own experiences in the famous red jersey and interviews other greats of the game  including, among many others, Sam Warburton, Warren Gatland, Paul O'Connell, Brian O'Driscoll, Martin Johnson, Finlay Calder and Sir Ian McGeechan, plus a selection of their illustrious opponents, such as Kieran Read, John Smit and John Eales  to explore how to forge a successful team in this most rarefied of environments, the difficulties they each encountered and what leadership lessons they learned.</p><p>Inspiring, humorous and illuminating,Legacy of the Lionscasts a unique light on leadership, team-building and elite performance and reveals a new perspective on touring with  and playing against  The British &amp; Irish Lions in the modern era.</p><p><b>'An intriguing study of the minds of some of rugby's greatest leaders' Tom English,</b> <b><i>BBC Sport</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John Pearson</b> first met Ian Fleming back in 1954 when he was a young journalist, and Fleming, whose career as creator of Agent 007 had barely started, offered him a job as his assistant on the <i>Sunday Times</i> Atticus column. Pearson got to know Fleming well, and after his death in 1964, was commissioned to write what would become his highly successful<i> Authorised Biography of Ian Fleming.</i></p><p>While researching this book, Pearson was struck by the way the character and life of James Bond overlapped with that of his creator, which gave him the idea of writing what become the parallel 'Authorised Biography' of 007. Since then Pearson wrote many successful biographies, including that of the Kray Twins, the Dukes of Devonshire, the Getty family and the Clermont Club and Lord Lucan. He died in November 2021.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A fascinating collection of rarely seen journalism and other writings by Ian Fleming, author of the <i>James Bond</i> series.</p><p>Ian Fleming was best known for bringing to life the legendary character of James Bond, one of the most beloved and enduring icons of our time, but he was perhaps even more interesting than his creation. His career in Naval Intelligence and extensive travels around the world gave Fleming a keen eye and the authority to write on a wide range of topics beyond Bond's adventures.</p><p>This collection contains a selection of journalism and other writings by Fleming, covering his wartime experiences, reflections on crime and espionage and the process of writing his novels, among other topics. Readers will feel like they are right beside Fleming, immersed in his world as he works to meet the deadline for his next Bond novel, or participates in a mortifying golf tournament, or befriends an octopus in his beloved Jamaica.</p><p>A black-and-white photo insert gives dimension to the man behind the myth, bringing life to his words and providing a unique glimpse into Fleming's world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ian Lancaster Fleming</b> was born in London on 28 May 1908. On the outbreak of the Second World War he played a key part in British and Allied espionage operations.</p><p>His first novel,<i> Casino Royale</i>, was published in 1953 and introduced James Bond, Special Agent 007, to the world. The first print run sold out within a month. Following this initial success, he published a Bond title every year until his death. The Bond novels have sold more than 100 million copies and inspired a hugely successful film franchise which began in 1962 with the release of <i>Dr No,</i> starring Sean Connery as 007.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Why this holiday season is a great time to rethink the traditional turkey feast</b></p><p>A turkey is the centerpiece of countless Thanksgiving and Christmas dinners. Yet most of us know almost nothing about today's specially bred, commercially produced birds. In this brief book, bestselling author Peter Singer tells their story  and, unfortunately, it's not a happy one. Along the way, he also offers a brief history of the turkey and its consumption, ridicules the annual U.S. presidential 'pardon' of a Thanksgiving turkey, and introduces us to 'a tremendously handsome, outgoing, and intelligent turkey' named Cornelius. Above all, Singer explains how we can improve our holiday tables  for turkeys, people, and the planet  by liberating ourselves from the traditional turkey feast. In its place, he encourages us to consider trying a vegetarian alternative  or just serving the side dishes that many people already enjoy far more than turkey. Complete with some delicious recipes for turkey-free holiday feasting, <i>Consider the Turkey</i> will make you reconsider what you serve for your next holiday meal  or even tomorrow's dinner.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Peter Singer</b> is professor emeritus of bioethics at Princeton University and has been described as the world's most influential philosopher. His many books include <i>Animal Liberation</i>, <i>Practical Ethics</i>, <i>The Life You Can Save</i>, and <i>Ethics in the Real World</i> (Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Australia became a republic many years ago-culturally, if not yet constitutionally. We've long stopped identifying as subjects of the British Crown, relying on UK military and trade relationships, and looking to London as our lodestar. We've long stopped allowing the UK Parliament to override our laws, accepting imported vice-regal representatives, and even hearing from our governor-general on days of national significance. We've long stopped singing 'God Save the Queen', and when the King visited last year, hardly anyone noticed. Some of these have been natural evolutions, some politically imposed; all make the monarchy less and less visible in everyday Australia. For a multicultural federation on the sovereign lands of hundreds of First Nations, all of this makes good sense  but, like it or not, we remain a British realm. Our governments and indeed our democracy exist only at His Majesty's pleasure, codified in a faulty constitution, and systematically incapacitating necessary reform.</p><p>In <i>When Australia Became a Republic</i>, Esther Anatolitis examines the key moments in our emergence as a republic, and maps out new paths to securing legitimate independence for a more honest society. These include ambitiously neutralising the toxicity that dominates our national conversation; venturous civics education for a new era of empowered citizenship; and of course, constitutional change  because monarchy and democracy are irreconcilable. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lively new translations of two classical works that offer wise advice about how to resist temptation.</b></p><p><i>How to Have Willpower</i> brings together two profound ancient meditations on how to overcome pressures that encourage us to act against our own best interests  Plutarch's essay <i>On Dysopia</i> or <i>How to Resist Pressure</i> and Prudentius's poetic allegory <i>Psychomachia</i> or <i>How to Slay Your Demons.</i> Challenging the idea that humans are helpless victims of vice, these works  introduced and presented in vivid, accessible new prose translations by Michael Fontaine, with the original Latin and Greek texts on facing pages  emphasise the power of personal choice and the possibility of personal growth, as they offer insights and practical advice about resisting temptation.</p><p>In the spirit of the best ancient self-help writing, Plutarch, a pagan Greek philosopher and historian, offers a set of practical recommendations and steps we can take to resist pressure and to stop saying 'yes' against our better judgment. And in a delightfully different work, Prudentius, a Latin Christian poet, dramatises the necessity to actively fight temptation through the story of an epic battle within the human soul between fierce warrior women representing our virtues and vices.</p><p>Plutarch and Prudentius insist that we allow pressure or temptations to get the best of us. But they also agree that we can do something about it. And their wisdom can help.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michael Fontaine</b> is professor of classics at Cornell University. His books include four other volumes in the Ancient Wisdom for Modern Readers series, <i>How to Drink</i>, <i>How to Grieve</i>, <i>How to Tell a Joke</i>, and <i>How to Get Over a Breakup</i> (all Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An entertaining and enlightening collection of ancient Roman writings about home design and decoration</b>.</p><p>The idea that our homes can communicate professional as well as personal identities may seem as new as the work-from-home revolution. But it was second nature to the ancient Romans, for whom the home was in many ways the center of public and private life. Roman authors saw infinite practical and symbolic value in houses, and they have much to say about them. <i>How to Make a Home</i> presents some of the best Roman writings on houses  from buying and selling to designing and decorating.</p><p>Edited and elegantly translated by Marden Fitzpatrick Nichols, <i>How to Make a Home</i> gathers selections by Cicero, Vitruvius, Seneca, and others, with the original Latin or Greek on facing pages. These writings reveal the pleasures and pitfalls of the Roman practice of making one's home a cornerstone of self-expression. While the ideal home enshrined Roman virtues and could make a career, lavish building projects could lead to financial ruin and moral condemnation. These authors memorably describe such travails as deceptive staging, decorators run amok, know-it-all owners, unsupervised contractors, and buyer's remorse. Along the way, they also explain why simplicity is bliss, privacy is for nobodies, a neglected house is a sign of a neglected soul, and much more.</p><p>A unique and charming introduction to Roman domestic architecture and its cultural significance, <i>How to Make a Home</i> reveals that the obsession with house and home has a long and fascinating history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Marden Fitzpatrick Nichols</b> is Provost's Distinguished Associate Professor and Chair of Classics at Georgetown University and the author of <i>Author and Audience in Vitruvius' 'De architectura'</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Discover the timeless beauty of Hokusai  one dot at a time!</b></p><p><i>A relaxing, brain-boosting puzzle experience for art lovers and mindful hobbyists.</i></p><p>The <i>Hokusai Dot-to-Dot Puzzle Book</i> is a unique activity book for adults that blends the calming power of dot-to-dot puzzles with the breathtaking artistry of Katsushika Hokusai (1760-1849), Japan's most iconic woodblock printmaker. Featuring <b>30 intricate puzzles</b> based on Hokusai's celebrated <i>Thirty-Six Views of Mount Fuji</i> series, each page invites you to reconnect with your creativity and focus.</p><p>From the legendary 'Great Wave off Kanagawa' to peaceful village scenes beneath snow-covered peaks, each puzzle is paired with a full-colour reproduction of the original artwork and a brief description that brings the image to life. Whether you're looking for a thoughtful gift or a meditative way to unwind, this book offers a perfect blend of beauty, brain health, and art history.</p><p><b>Inside this unique activity book:</b></p><ul><li><b>30 advanced dot-to-dot puzzles</b>  each based on Hokusai's iconic <i>Thirty-Six Views of Mount Fuji</i> series, with an average of over <b>800 dots per puzzle</b></li><li><b>Includes 'The Great Wave off Kanagawa'</b>, the most famous work in all of Japanese art</li><li><b>Full-colour reproductions</b> of the original Hokusai prints accompany each puzzle, along with insightful descriptions</li><li><b>Printed on high-quality, bleed-resistant paper</b>  ideal for pens or pencils</li><li><b>Designed to improve focus, reduce stress, and support brain health</b> through mindful engagement</li></ul><p>Perfect for art lovers, puzzle fans, mindfulness seekers, or anyone looking for a meaningful and beautiful activity  this book makes an ideal gift for birthdays, holidays, or quiet evenings at home.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Gun-guwelamagapa: Gun-nerranga gun-nerranga rrawa, An-barra gun-nika describes the An-barra Archaeological Project, which investigated the archaeological sites around the mouth of the Blyth River in central Arnhem Land, in the Northern Territory of Australia.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Gun-guwelamagapa: Gun-nerranga gun-nerranga rrawa, An-barra gun-nika</i> describes the <i>An-barra</i> Archaeological Project, which investigated the archaeological sites around the mouth of the Blyth River (An-gartcha Wana  literally "Big River") in central Arnhem Land, in the Northern Territory of Australia. This volume delves into the pre-colonial settlement patterns and subsistence strategies of the <i>An-barra</i> community, set against the backdrop of significant environmental changes during the mid to late Holocene.</p><p>The authors provide a detailed analysis of the archaeological findings, comparing them with ethnographic evidence to uncover the history and cultural heritage of the <i>An-barra</i> people. The Traditional Owners, including Betty Ngurrpangurrpa and other community members, actively participated in the research, providing invaluable knowledge and insights. Their support enabled the collection of archaeological assemblages and facilitated the interpretation of findings through the lens of their cultural heritage. This volume is a companion piece to Betty Meehan's earlier work, <i>Shell Bed to Shell Midden</i> (1982), and extends the narrative by integrating archaeological data with ethnographic insights.</p><p><i>Gun-guwelamagapa</i> reveals the relationships between the <i>An-barra</i> community and their environment, highlighting the role of shell middens, earth mounds, and other archaeological features in understanding the past. The authors discuss the significance of these sites, the methods used in their investigation, and the broader implications for interpreting the archaeological record of northern Australia.</p><p><i>Gun-guwelamagapa</i> emphasises the importance of integrating ethnographic and archaeological data to provide a holistic understanding of past human behaviours. It also showcases the contributions of the <i>An-barra</i> community to the preservation and interpretation of their cultural heritage, offering new perspectives on the history and culture of the <i>An-barra</i> people.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An essential guide to understanding war and information on today's data-saturated battlefields - from Ukraine to Gaza and beyond.</b></p><p>Thanks to smartphones, war is everywhere, all the time. Anyone can view, analyse and comment on photos, videos or other warzone media, far from the frontlines. Where did this technology come from? And what does it mean for the future of war?</p><p>This book explains why you see what you do on your phone. It asks how these devices shape our knowledge, conduct and representation of war in the 2020s. It shows why the smartphone is indispensable in peace and wartime, with a profound impact on modern conflict. Every smartphone is a potential weapon: lines blur between war and daily life, and conflict becomes a shared digital experience. Global tech giants orchestrate connectivity, displacing state-controlled narratives. Through social media, smartphones become powerful tools amplifying violence and shaping war's legitimacy. Apps democratise conflict, enabling anyone to identify and attack perceived enemies. As the Ukraine war has shown, this new reality involves complex, unevenly distributed infrastructures, merging civilian communication with military targeting.</p><p>With war accelerating beyond our comprehension, militaries have raced to exploit and adapt to the smartphone age. As technology distorts our understanding of conflict, even while offering the hope of progress, Matthew Ford explores critical questions about today's hyper-connected battlefield.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Matthew Ford</b> is Associate Professor in War Studies at the Swedish Defence University. The author of <i>Weapon of Choice</i> and co-author of <i>Radical War</i> (both published by Hurst), he was the founding editor of the British Journal for Military History. His research focuses on technology and the conduct of war.</p>]]></Text>
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			<SubjectHeadingText>Al-Aqsa; Arab nations; Gaza Strip; Gaza conflict; Hamas; IDF; Israel; Israeli defense forces; Middle East; Netanyahu; October; Palestine; Palestinian territories; Sinwar; airstrikes; blockade; bombing; casualties; ceasefire; children; civilians; colonialism; diplomacy; geopolitical tensions; human rights; humanitarian crisis; international law; military conflict; occupation; peace talks; refugees; resistance; resistance leaders; resistance movements; settlements; territory; violence; war</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>The destruction that has been rained on Gaza has been seen and accepted by many commentators as a vengeful overreaction to the reckless Hamas-led attack on 7 October 2023. As if the annihilation has come about, perhaps even by accident. This book argues that the new catastrophe that has befallen the Palestinian people is in fact the culmination of a decades-long pattern that runs parallel with Israel's inexorable shift to the Right.</p><p>The lethal and destructive consequences of the Gaza catastrophe are far greater than the Nakba of 1948. The significance of a war waged by an advanced military-industrial state  with full US participation and open support from the West  irredeemably exposes the double standard intrinsic to the Atlanticist pretence of a liberal 'rules-based international order'.</p><p>In this incisive analysis, renowned political scientist Gilbert Achcar explores the dynamics of a complex historical process that culminated in the war on Gaza and in wider conflict in the Middle East. Achcar offers critical insights on the genocide's regional and international consequences, as well as radical critiques of Zionism, Hamas and other state and non-state actors.</p><p>This vital volume places the Gaza catastrophe in its wider geopolitical and historical context. It is essential to understanding the root causes of the violence destabilising the entire region and the wider world, as well as the conditions required to bring it to an end.</p><p><b>'Meticulous...the deepest and most thorough account that examines this genocide.'  Khaled Hroub, author of </b><b><i>Hamas: A Beginner's Guide</i></b></p><p><b>'Broad yet focused...[Achcar] offers possible paths for a positive change that somewhat mitigates the bleak future.'  Amira Hass, </b><b><i>Haaretz</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gilbert Achcar</b> is Emeritus Professor of Development Studies and International Relations at SOAS, University of London. His many books have been published in more than twenty languages.</p>]]></Text>
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			<SubjectHeadingText>Pollen; Cretaceous; Cells; Veins; Jurassic; Triassic; Angiosperms; Ovules; Spores; Dioxide; Carbon dioxide; Trunk; Foliage; Sediment; Petiole; Sporangia; Diversity; Permian; Spiral; Evolutionary; Seed plants; Pollen cones; Seed cones; Photosynthetic; Canopy; Lobes; Slender; Photosynthesis; Sacs; Central vein; Tracheids; Fossil record; Water conducting; Atmosphere; Bark; Bennettitales; Woody; Bearing structures; Paleobotanists; Pollen sacs; Yorkshire; Pinnate; Oxygen; Reproductive structures; Egg cell; Seed producing; Pollen organs; Seed bearing; Fossil plants; Land plants; Permian extinction; Conifers cycads; Mesozoic plants; Extinction event; Central rib; Spore producing; Ginkgo biloba; Pollen grains; Sedimentary rocks; Jurassic bajocian; Forest floor; Fan shaped; Seed bearing structure; Water molecules; Evolutionary relationships; Cretaceous extinction; Photosynthetic leaves; Mass extinction; Carbon dioxide levels; Cretaceous albian</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A dazzlingly illustrated guide to the plant life of the dinosaur age, from intricate ferns to the most majestic megaflora.</b></p><p>The Mesozoic was dominated by a spectacular array of flora, from ferns, conifers, and cycads to ginkgos and flowering plants, as well as some enigmatic species with no modern-day descendants. This wide-ranging illustrated guide provides an unparalleled, in-depth look at the era's extraordinary plant life, exploring its natural history, biology, and evolution over a span of 185 million years. Blending the latest discoveries in paleontology with informative profiles of extinct species and their living descendants, <i>The Princeton Field Guide to Mesozoic Plants</i> is a one-of-a-kind reference to the botanical wonders of the prehistoric world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nan Crystal Arens</b> is professor of geoscience at Hobart and William Smith Colleges and former associate editor of the <i>American Fern Journal</i>. She is a trustee of the Paleontological Research Institution.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A powerful collection of quotations from iconic artist and activist Yoko Ono.</b></p><p><i>Ono-isms</i> is a collection of provocative and powerful quotations from influential artist, musician, songwriter, and peace activist Yoko Ono, providing a richer understanding of this important cultural icon. Since emerging on the international art scene in the early 1960s, Ono has made profound contributions to visual and performance art, filmmaking, and music in work that often radically questions the division between art and the everyday. In recent years she has embraced social media to communicate her artistic and activist messages to even broader audiences around the world.</p><p>Gathered from interviews, books, song lyrics, social media, and other sources, this nuanced book sheds new light on a complex and multifaceted artist who has shaped our culture in countless ways. The quotations  close to 300 in all  are arranged by subject: art, life, creativity, nature and the environment, love, music, women in society, and peace and social justice. The book also features an introduction and a chronology of Ono's life and work.</p><ul><li>'I've never seen a line between music and art and performance. And that's a problem for some people.'</li><li>'I think that all women are witches, in the sense that a witch is a magical being. And a wizard, which is a male version of a witch, is kind of revered, and people respect wizards. But a witch, my god, we have to burn them.'</li><li>'I think if you have a persona you show the world that's separate from your true personality, the strain becomes too much. What [John Lennon and I] decided was just to be ourselves. We didn't have a conference about it or anything. It's just the most relaxing way to be.'</li><li>'I can take hatred, because I don't believe that people are capable of real hate. We are too lonely for that. We vanish too quickly for that. Do you ever hate a cloud?'</li><li>'Concentrate your mind on giving, loving, and thanking. Each time you give, you are in less pain. Give as much as you can. Find something you can love. Love as much as you can. Thank as much as you can.'</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Yoko Ono</b> is an artist, musician, songwriter, and peace activist whose career has spanned more than seventy years. Her work has been featured in many solo and group exhibitions, including major retrospectives at the Museum of Modern Art in New York and Tate Modern in London. Her awards include the Golden Lion for Lifetime Achievement from the Venice Biennale. </p><p><b>Larry Warsh</b> has been active in the art world for more than thirty years as a publisher and artist-collaborator. He is the editor of many books, including <i>Warhol-isms</i>, <i>Weiwei-isms</i>,<i> Basquiat-isms</i>, <i>Haring-isms</i>, <i>Holzer-isms,</i> and <i>Abramovi-isms</i> (all Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A dazzling collection of quotations from the modern American artist whose mobiles are beloved worldwide.</b></p><p><i>Calder-isms</i> is a collection of fascinating, irreverent, and often profound quotations from the influential modern American sculptor Alexander Calder (1898-1976), who is most famous for his invention of what his friend Marcel Duchamp dubbed the 'mobile'. Often suspended from ceilings, these sculptures feature abstract elements, frequently painted in bold colors, that move and balance in changing harmony. Calder's art was dynamic, unconventional, and filled with vitality  qualities also displayed by his words, which combine the wisdom of a philosopher with the ingenuity of a true original. Taken from interviews, writings, and other sources, the quotations in <i>Calder-isms</i> offer memorable insights into Calder's life, mind, and, above all, art.</p><ul><li>'That visit to Mondrian gave me the shock that converted me. It was like the baby being slapped to make his lungs start working." nuclei, entirely without meaning. It would be perfect, but it is always still. The next step in sculpture is motion.'</li><li>"That visit to Mondrian gave me the shock that converted me. It was like the baby being slapped to make his lungs start working.'</li><li>'[A mobile] has no utility and no meaning. It is simply beautiful. It has a great emotional effect if you understand it. Of course if it meant anything it would be easier to understand, but it would not be worthwhile.'</li><li>'A title is just like the license plate on the back of a car. You use it to say which one you're talking about.'</li><li>'People think monuments should come out of the ground, never out of the ceiling, but mobiles can be monumental too.'</li><li>'Bad taste always boomerangs.'</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexander Calder</b> (1898-1976) was an American artist best known for the invention of kinetic sculptures known as mobiles and static sculptures known as stabiles. His work is in the permanent collections of the Museum of Modern Art in New York, the Whitney Museum of American Art, the National Gallery of Art in Washington, D.C., the Art Institute of Chicago, and the Musee National d'Art Moderne, Centre Georges Pompidou, Paris.</p><p><b>Larry Warsh</b> has been active in the art world for more than thirty years as a publisher and artist-collaborator. He is the editor of many books, including <i>Abramovi-isms</i>,<i> Basquiat-isms</i>,<i> Haring-isms</i>, <i>Holzer-isms</i>, <i>Ono-isms</i>, <i>Warhol-isms</i>, and <i>Weiwei-isms</i> (all Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A thought-provoking collection of quotations from one of the most influential figures in the contemporary art world.</b></p><p>Hans Ulrich Obrist is one of the most celebrated curators working today and has twice been ranked #1 on <i>ArtReview</i>'s annual list of the most important people in the art world. As the primary or lead author of more than forty volumes of interviews with contemporary artists, of numerous exhibition catalogues for museums around the world, and of influential books on curation, he has established himself as a pivotal figure in contemporary art and culture. Drawn from Obrist's writings, interviews, and other sources, <i>Obrist-isms</i> gathers a wealth of fascinating quotations from across his career, offering insights on everything from his approach to curating and his affinity with philosopher douard Glissant to his interest in artists' unrealised projects.</p><p><i>Obrist-isms</i> is organised into seven thematic sections: Early Years; Curating and Exhibitions; Artists and Conversations; Archiving, Collecting, and Unrealized Projects; douard Glissant and <i>Mondialite</i>; On Sleep and Time; Art and the Environment; and Technology and the Future of Art. The book also features an introduction and a brief chronology of Obrist's life and career.</p><ul><li>'Art is the highest form of hope.'</li><li>'The motor, the engine, is curiosity. Curating is connected to curiosity.'</li><li>'What is happening outside the museum is just as important as what's happening inside. Make the walls porous. Think beyond exhibitions. Foster alliances.'</li><li>'If there was ever a time that the world needed artists, it is now. We need their radical ideas, visions, and perspectives in society.'</li><li>'There are many amazing unrealised projects out there: forgotten projects, misunderstood projects, lost projects, desk-drawer projects, poetic-utopian dream projects, unrealisable projects, partially realised projects, censored projects and so on.'</li><li>'I believe in generosity as a medium.'</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Hans Ulrich Obrist</b> is a Swiss-born curator, critic, and art historian, and the artistic director of the Serpentine Galleries in London<i>.</i> His many books include <i>140 Artists' Ideas for Planet Earth</i>; <i>Lives of the Artists, Lives of the Architects</i>; <i>Ai Weiwei Speaks</i>; <i>Ways of Curating</i>; and <i>A Brief History of Curating</i>. </p><p><b>Larry Warsh</b> has been active in the art world for more than thirty years as a publisher and artist-collaborator. He is the editor of many books, including <i>Abramovi-isms</i>,<i> Basquiat-isms</i>,<i> Haring-isms</i>, <i>Holzer-isms</i>, <i>Ono-isms</i>, <i>Warhol-isms</i>, and <i>Weiwei-isms</i> (all Princeton).</p>]]></Text>
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			<SubjectHeadingText>Autumn Equinoxgrimoire; Beltane; February first seasonal activities; Imbolc; Litha; Lughnasadh; Mabon; May day; November first; Ostara; Samhain; Spells for the seasons; Spring Equinox; Stirring the cauldron podcast; Summer Solstice; Winter Solstice; a witch's apothecary; all saints day; all souls day; ancestor; ancestral witchcraft; bloodline; book of holidays; book of shadows; books on magick; celebrate the seasons; celebrating the cycles of birth; death and rebirth; divination witchcraft; equinox; esbat; grandma sophie; inherited spells; lammas; life; magic; pagan sabbath days; pagan sabbats; passing of the seasons; pentagram; samhain oracle; seasonal recipes; seasons of the witch; solstice; spellcasting; wheel of the year; wicca; wiccan book of spells; witch; witch book; witch craft; witch tok; witchcraft book; witches; witchhcraft; witchtok; yule</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Spells for all seasons and all reasons.</p><p>Explore the seasons of the witch by way of magickal spells and practices for each turn of the Wheel of the Year. Offering a fresh approach to a lifestyle that focuses on mind, body, and spirit in the nature-based way that our ancestors practiced throughout the ages,<i>Magick for All Seasons</i> features over one hundred magic spells and incantations.</p><p>Brooks has divided this book into two parts. The first being the seasons, exploring the eight Wiccan and Pagan sabbats that comprise the traditional Wheel of the Year, beginning with Samhain. Each sabbat is detailed with information on the symbolism, activities, tools, incense, and gemstones used, along with specific workings.</p><p>The second part comprises a grimoire of spells for daily use. Included are exercises, crafts, and recipes to incorporate magic into daily life. Examples include:</p><ul><li>Creating a Personal Pentagram of Intent</li><li>Working with a Manifestation Box</li><li>Spell: Ring the Ancestral Bell</li><li>Creating an Energy Ball</li><li>Spell: Unclutter the Mind</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Marla Brooks</b> is the creator of <i>The Witch's Oracle</i> deck and has been the host of <i>Stirring the Cauldron</i> on the Para X Radio Network for the past fourteen years. She grew up knowing that there was more to this world than the naked eye could see and found the notion of ghosts and other things that go bump in the night rather fascinating. Of course, you might expect that from a witch. Marla didn't just decide one day that she wanted to be a witch. It's just part of who she is. Her great-grandmother Sophie was a witch, and these things often get passed down in the bloodline from generation to generation.</p><p>Before publicly coming out of the 'broom closet', she worked as a freelance entertainment writer for various national publications, mainly doing celebrity interviews, and is the author of several books in both the metaphysical and mainstream genres, including<i> The Ghosts of Hollywood</i> series, <i>Workplace Spells</i>, and <i>Animal Spells and Magick</i>; two fiction books, <i>A Bad Case of the Collywobbles</i> and <i>Soul Connection: A Deadly Obsession</i>; as well as two cookbooks. She lives in southern California.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In so many facets of our lives, it can be surprisingly hard to speak up, make ourselves heard, and listen effectively. At some point, all of us will experience an unfortunate miscommunication with a friend or intimate partner, and sometimes there's just no escaping a difficult conversation with a family member or colleague.</p><p>This workbook from bestselling author Dr. Faith G. Harper offers exercises and tools to help you communicate confidently and listen empathetically. From using 'I' statements to identifying toxic communication patterns (in ourselves and others) to learning how to really apologise, this standalone companion to Dr. Faith's <i>Unfuck Your Communication</i> will help you hone your skills to become an expert communicator in your everyday life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr. Faith G. Harper</b>, ACS, ACN, holds postdoctoral certifications in sexology and applied clinical nutrition and is trained in yoga, meditation, breathwork, mindful movement, and all of those other forms of care that make most people avoid her at parties. In the past, she has worked in academia, community mental health, and private practice as a licensed professional counselor. She maintains a connection with academia through her work with the Society of Indian Psychologists. She lives in San Antonio, TX, with her amazing friends and family and terrible rescue cats. She can be reached through her website, faithgharper.com. Subscribe to the <i>Unfuck Your Brain</i> newsletter to get a discount on her books and zines.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Harvard professor and bestselling author Arthur C. Brooks offers science-based insights on work and life in this curated collection from his 'How to Build a Life' column in </b><b><i>The Atlantic</i></b><b>.</b></p><p>Imagine if your life were a startup. How would you lead it and shape it to be most successful?</p><p>That's the question behind <i>The Happiness Files</i>, a rich selection of enlightening and instructive essays by Arthur C. Brooks, known worldwide for his inspiring yet practical wisdom and advice in his weekly column for <i>The Atlantic</i> and in his bestselling books, <i>From Strength to Strength</i> and <i>Build the Life You Want</i> (coauthored with Oprah Winfrey).</p><p>The simple answer, as Brooks wisely explains, is to manage your life in a way that leads to truly valuable rewards: love, enjoyment, satisfaction, and meaning  in other words, <i>happiness</i>.</p><p>Building on his popular Harvard Business School course 'Leadership and Happiness', Brooks begins each essay with sharp observations and behavioural science research that shed light on how happiness really works, then offers experiential wisdom and practical advice. Beautifully written, the essays range from ancient philosophy to literature, pop culture, and the contemporary world of work. They explore topics and challenges such as 'Procrastinate This, Not That', 'Why Success Can Feel So Bitter', and 'Five Pillars of a Good Life'. Readers will find the chapters helpfully grouped by theme: 'On Managing Yourself', 'On Jobs, Money, and Building Your Career', 'On Balancing Work, Life, and Relationships', and more.</p><p>We all need more happiness in our work and in our lives. In <i>The Happiness Files</i> you'll find enlightenment, inspiration, and useful guidance for leading a happier, more successful, and more fulfilling life and career.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The surprising science of why being authentic holds you back</b> <b> from the author of </b><b><i>Why Do So Many Incompetent Men Become Leaders? (and How to Fix It)</i></b><b>.</b></p><p>'Just be yourself' might be the worst advice you've ever received.</p><p>For years, we've been told that authenticity is the key to success  that we should be true to ourselves, tune out others' opinions, and lead with unwavering genuineness. This feel-good message has spawned countless self-help books, leadership seminars, and viral social media posts.</p><p>There's just one problem: science says it's wrong.</p><p>Drawing on decades of research, renowned psychologist Tomas Chamorro-Premuzic reveals an uncomfortable truth: our obsession with authenticity is backfiring. From Silicon Valley's authenticity worship to failed diversity programs, he exposes how our fixation on 'true selves' undermines both individual and organisational success, not to mention empathy and prosocial behaviour.</p><p>The most successful people aren't those who rigidly 'stay true to themselves'  they're the ones who adapt and evolve, largely by paying a great deal of attention to how others see them and adjusting their behaviour to the requirements of each situation. The evidence is clear: when we focus less on expressing our authentic selves and more on understanding others, we don't just advance our careers  we become better humans:</p><ul><li>Our moral compass strengthens.</li><li>Our emotional intelligence deepens.</li><li>Our leadership abilities soar.</li><li>Our relationships flourish.</li><li>Our personal growth accelerates.</li></ul><p>Blending cutting-edge psychology with razor-sharp cultural critique, <i>Don't Be Yourself</i> doesn't just challenge conventional wisdom  it offers a playbook for long-lasting career success.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Engage your employees and transform your organisation.</b></p><p>If you read nothing else on employee engagement, read this book. We've combed through hundreds of <i>Harvard Business Review</i> articles and selected the most important ones to help you make your employees feel valued, motivated, and ready to do great things.</p><p>This book will inspire you to:</p><ul><li>Invest in a culture of cohesive teams</li><li>Turn employee feedback into action</li><li>Learn why people quit  and how to retain them</li><li>Curb burnout by designing better jobs</li><li>Make HR a champion of employees</li><li>Create a purpose-driven organisation</li></ul><p>This collection of articles includes 'Creating a Purpose-Driven Organisation', by Robert E. Quinn and Anjan V. Thakor; 'How Customers Can Rally Your Troops', by Adam Grant, 'Why Employees Quit', by Ethan Bernstein, Michael B. Horn, and Bob Moesta; 'The Power of Hidden Teams', by Marcus Buckingham and Ashley Goodall; 'Do You Tell Your Employees You Appreciate Them?' by Jack Zenger and Joseph Folkman; 'The Case for Good Jobs', by Zeynep Ton; 'To Curb Burnout, Design Jobs to Better Match Employees' Needs', by Michael P. Leiter and Christina Maslach; 'HR's New Role', by Peter Cappelli and Ranya Nehmeh; 'Turn Employee Feedback into Action', by Ethan Burris, Benjamin Thomas, Ketaki Sodhi, and Dawn Klinghoffer; 'Beware a Culture of Busyness', by Adam Waytz; 'Collaborative Overload', by Rob Cross, Reb Rebele, and Adam Grant; 'Designing the Hybrid Office', by Anne-Laure Fayard, John Weeks, and Mahwesh Khan; and 'Blue Ocean Leadership', by W. Chan Kim and Renee Mauborgne.</p><p><b>HBR's 10 Must Reads</b> are definitive collections of classic ideas, practical advice, and essential thinking from the pages of <i>Harvard Business Review</i>. Exploring topics like disruptive innovation, emotional intelligence, and new technology in our ever-evolving world, these books empower any leader to make bold decisions and inspire others.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From a pioneer of 'team emotional intelligence' comes a practical guide for building high-performing teams.</b></p><p>In this book, social and organisational psychologist and professor Vanessa Urch Druskat combines thirty years of research and team development to present a model for building and leading emotionally intelligent teams. She offers practical advice on how to build a team where members:</p><p>While much has been written about the power of emotional intelligence at the individual level, little has been said about the benefits of this concept for groups. And it's not as simple as putting a number of emotionally intelligent people together and expecting them to work cohesively. Instead, leaders need to build a team culture around agreed-upon norms and habits.</p><p>In this book, social and organizational psychologist and professor Vanessa Urch Druskat combines thirty years of research and team development to present a model for building and leading emotionally intelligent teams. She offers practical advice on how to build a team where members:</p><ul><li>Help one another succeed through understanding, caring, and feedback</li><li>Learn and advance together by reviewing team processes, supporting personal expression, building optimism, and solving problems proactively</li><li>Engage stakeholders by building an understanding of the team's impact and developing external relationships</li></ul><p>In reading <i>The Emotionally Intelligent Team</i>, leaders and aspiring leaders alike will learn how to develop a strong team culture that motivates and sustains successful collaboration and high performance.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Vanessa Urch Druskat</b> is an Associate Professor of Organisational Behaviour at the University of New Hampshire. A social and organisational psychologist, she has spent thirty years researching team collaboration and performance. She is an award-winning teacher and scholar, and her research investigating the differences between the norms and habits of high-performing teams and average ones led her to pioneer, with Steven B. Wolff, the concept of team emotional intelligence. Druskat consults globally with some of the world's most respected organizations and serves on the executive board of the Consortium for Research on Emotional Intelligence in Organisations.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Twelve timeless principles for building a business, from the founders of Beekman 1802.</b></p><p>Have you ever wanted to create a business that's not only good but great? Have you ever felt as though you're destined to do something bigger and more significant with your life? If so, you should know that you don't need millions in funding, a marketing department, or influencer status.</p><p>If you have an idea, the determination to bring it to life, a deep and abiding belief in your product, and a devotion to your customers, you already have the humble starting point behind one of the world's fastest-growing and most beloved brands: Beekman 1802.</p><p>Brent Ridge and Josh Kilmer-Purcell launched Beekman 1802 in one of New York State's poorest counties with no funding, and in the middle of a punishing recession. They didn't have much of a business plan. But they did have some timeless wisdom that Brent's and Josh's parents and grandparents had taught them  the 'greatest of all time' principles for good living that can also be used as a foundation for any business.</p><p>In this book, for the first time, Ridge and Kilmer-Purcell present the twelve principles that made the biggest difference in their entrepreneurial journey, and show how these principles are relevant for anyone ready to defy the odds and grow a brand that matters.</p><p>Whether you're launching your own venture, growing a side hustle, or looking to make a bigger impact on your company, <i>G. O. A. T. Wisdom</i> will give you the tools, the confidence, and the inspiration to build something meaningful and lasting that your customers will value and feel they can't do without.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Brent Ridge, MD</b>, cofounded Beekman 1802 in 2008 and has worked alongside Josh Kilmer-Purcell to lead the company ever since. Prior to his entrepreneurial career, Ridge was Vice President of Healthy Living at Martha Stewart Living Omnimedia. He also built a distinguished medical career as a specialist in geriatric medicine, completing a fellowship at Mount Sinai School of Medicine and joining the faculty there as an assistant professor. He founded the Martha Stewart Center for Living at the Mount Sinai Hospital, one of the world's leading geriatric centers.</p><p><b>Josh Kilmer-Purcell</b> cofounded Beekman 1802 in 2008 with Brent Ridge and has helped lead the company ever since. He is also a <i>New York Times</i> bestselling author, with three memoirs to his credit: <i>I Am Not Myself These Days</i>, <i>Candy Everybody Wants</i>, and <i>The Bucolic Plague</i>. Prior to founding Beekman 1802, Josh was an award-winning creative director at several top New York City advertising agencies, serving clients including Delta Air Lines, Absolut Vodka, Target, Nestle, and Unilever.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A unique exploration of caste oppression and caste resistance around the world, from one of India's leading public intellectuals.</b></p><p>Caste, and caste-based discrimination, are not just Indian issues. They are experienced throughout the world, from Britain to Bahrain, Canada to South Africa. This is a global phenomenon, demanding global solutions.</p><p>Leading scholar Suraj Milind Yengde shines a light on the Dalit experience internationally, from indentured labourers in the nineteenth-century Caribbean to present-day migrant workers in the Middle East. Combining history, ethnography and archival research, he offers a compelling, comparative approach to caste and race from ancient times to today. What have been the impacts of colonialism, religion and nationalism on caste-based hierarchies worldwide? What can we learn from caste-related movements in India and internationally? Why hasn't the South Asian diaspora embraced the anti-caste struggles of the homeland? And what are the limits of Dalit-Black solidarity?</p><p>Exploring the global footprint of the anti-caste struggle  from its links with Black Lives Matter to the work of international Ambedkarite organisations  this is a powerful analysis of world politics from the perspective of one of the most oppressed communities on Earth. Asking probing questions about the nature of inequality, Yengde issues an energetic call for a cosmopolitan Dalit universalism, as a vital part of today's fight for social justice and equality.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Learn how to decode the secret conversations of wild animals all around you.</p><p>From a Yellowstone naturalist and renowned expert in animal language comes 'an engaging guide to a world of wonders hiding in plain sight.' (Peter Wohlleben, <i>New York Times</i> bestselling author of <i>The Hidden Life of Trees</i>).</p><p>Humans once relied on the calls of wild animals to understand the natural world and their place within it. Now, this remarkable guide reveals what our ancestors knew long ago  that tuning in to the owl in the tree, the deer in the gully, can tell us important information and help us feel connected to our wild community.</p><p>In <i>Eavesdropping on Animals</i>, George Bumann shares the fascinating stories and insights he has gained from studying wildlife around the world for more than forty years, the last twenty of which have been spent leading popular programs on animal language and intelligence in Yellowstone National Park. Bumann shares tips, tricks, and advice for readers living in urban, suburban and rural areas and clearly shows us that you don't need an exotic vacation or a biology degree to have transformative wildlife encounters. Listening to and observing creatures in your own backyard, on nearby trails, and in local parks, seashores, fields, and forests can lead to extraordinary experiences and a profound sense of belonging.</p><p>Are you ready to eavesdrop on your wild neighbours? Are you ready to learn how to tell a warning call from a mating call, a purr of satisfaction from idle chatter? Then this book is for you!</p><p><b>'This book is fabulous and takes you close inside the wild world, where you feel the creatures whispering your old name.'</b> <b></b> <b>Craig Foster,</b> <b><i>My Octopus Teacher</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>George Bumann</b> (rhymes with 'human') is an animal language expert, artist, and naturalist living with his wife, son, and black Labrador at the northern entrance of Yellowstone National Park. With a background in wildlife ecology and field experience spanning four decades from across the globe, Bumann explores the lives of his wild neighbours and tells their stories through his teachings and bronze sculpture  often depicting individual animals he's known for days, months, years, and even, generations.</p><p>His art and educational programming have appeared in the Salt Lake City Tribune, Los Angeles Times, Washington Post, Sacramento Bee, and on the Canadian Broadcasting Corporation, Travel Channel, Discovery Channel, and on the TEDx stage. His bronze sculptures reside in public and private collections across North America and around the world. Information about his programs on animal language is available online.</p><p><b>Jon Young</b> grew up in New Jersey and was mentored from the age of ten as a naturalist and tracker by a master tracker into his early adulthood. He is passionate about teaching the benefits of connecting deeply with the natural world. He lives in the Santa Cruz Mountains in California.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This captivating memoir takes readers into the eccentric world of competitive bird-calling</b> <b></b> <b>following the coming-of-age story of two boys who found their voice in the natural world.</b></p><p>This captivating book brings together two birds of a feather: Jean and Johnny, boys from very different worlds growing up in a small village in France. Jean is the genteel pharmacist's son, dressed in his Sunday best; Johnny's father is a rough, working-class sheep herder, always with the odor of animals clinging to him. Each year, over three hundred bird species visit their village, which intersects a major migratory flyway.</p><p>The two boys' stories converge when Jean enters a bird-calling contest. He places second, and at only eleven years old becomes a child celebrity on the bird-calling circuit. Then Johnny starts to compete as well. At the annual bird festival, both boys are standouts, and a long, admiring rivalry develops between them, eventually culminating in the European championships.</p><p>As they evolve as performers, the two boys' identities become more distinct: Jean is soft-spoken, while Johnny likes to play to the crowd. While most of their competitors are adult men, hunters who learned to call birds for sport, the two boys are fascinated with the pure beauty of birdsong, and in trying to transcend themselves through imitating birds. Their shared passion develops into an enduring partnership as performers, and they go on to tour the world in concert as the Bird Singers.</p><p>This is a story as much about friendship as it is about birdsong. The setting is timeless and bucolic, with long walks to small village schools, games of pick-up soccer, and father-son birding trips. The chapters, which bounce back and forth between the two narrators, are woven through with descriptions of colorful characters in the bird-calling competition circuit and the kind of ornithological detail that can only come from a true passion for birds. There is poetry in the description of the different birds, from common seagulls to thrushes and bluethroats and nightingales, and something like communion in the way Jean and Johnny understand the feathered friends they imitate.</p><p>Unique, evocative, and cinematic, <i>The Bird Singers</i> is the story of an unlikely friendship, sparked by a desire to speak with the avian world.</p><p><b>'A mesmerising tale like no other.'  Priyanka Kumar, author of </b><b><i>Conversations with Birds</i></b></p><p><b>'A beautiful book. The writing about birds  their songs and sounds, what birds mean to us, the wonder and joy they evoke in us  is among the most original, insightful, and enjoyable I've read.'  James Macdonald Lockhart, author of </b><b><i>Wild Air: In Search of Birdsong</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jean Boucault and Johnny Rasse</b> first learned to imitate bird calls as children in northern France. Their rivalry at bird calling competitions gave way to friendship, and now to a partnership as performers. Although Boucault and Rasse are trained as a pharmacist and engineer respectively, their passion for birds led them to create a stage show under the name Les chanteurs d'oiseaux (the Bird Singers), recording an album and touring in France and internationally.</p><p><b>Katia Grubisic</b> is a writer, editor, and translator whose work has appeared in various Canadian and international publications. Her collection <i>What if red ran out</i> was shortlisted for the A.M. Klein Prize for Poetry and won the Gerald Lampert award for best first book. Her book translations include Martine Delvaux's <i>White Out</i>, Stephane Martelly's <i>Little Girl Gazelle</i>, and Marie-Claire Blais's final novels. Her translations of David Clerson's first novel, <i>Brothers</i>, and of <i>A Cemetery for Bees</i>, by Alina Dumitrescu, were shortlisted for Governor General's Awards, and her translation of Clerson's short story collection, <i>To See Out the Night</i>, won the Cole Foundation Prize for Translation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The Afterglow of Industry brings together photographs from a ten-year project in which artist Chris Corson-Scott repeatedly travelled the extent of Aotearoa New Zealand, seeking out unknown, or remote sites which illuminate our dysfunctional present.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Afterglow of Industry</i> brings together photographs from a ten-year project in which artist Chris Corson-Scott repeatedly travelled the extent of Aotearoa New Zealand, seeking out unknown, or remote sites which illuminate our dysfunctional present. Following this, several years were spent researching and writing on each of the 79 photographs featured in this book. In these texts, colonial and industrial histories weave in and out of geology, pre- European Mori history, outside forces from the United States and Europe, and contemporary issues like privatisation, asset sales, the New Zealand housing crisis, and the country's rebranding as a 'clean &amp; green' tourist destination.</p><p>Similar to the collapse of America's industrial Midwest, New Zealand has also experienced the whiplash of industry vanishing. Here though, this has been complicated by much of this industry first emerging in conjunction with European colonization. Corson-Scott's work focuses on these tensions, particularly in Te Waipounamu South Island, where the regions of the West Coast and Otago see industrial remnants contrasted with vast and complex landscapes. From these areas come images of freezing works on sacred rivers, contested mining projects, dwellings of 19th century Chinese miners, gold processing plants still contaminated more than a century later, floods of acid mine drainage, and the demolition of factories which once built the country's modern infrastructure. Elsewhere, on a remote sandspit is one of history's largest whale strandings, industrial spaces are repurposed by artists, controversial hydroelectric schemes divert rivers, ancient forest remnants become tourism, and city fringe orchards are bulldozed for development.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Chris Corson-Scott</b> was born in Auckland, New Zealand in 1985. He is a leading New Zealand photographer who has exhibited extensively in New Zealand, with work in public collections including Auckland Art Gallery Toi o Tmaki, Christchurch Art Gallery Te Puna o Waiwhet, and Victoria University, Wellington. His previous publications include <i>Dreaming in the Anthropocene</i> (Compound Press, 2016),<i> Evanescent Monuments</i> (Compound Press, 2017), and <i>Pictures They Want to Make: Recent Auckland Photography</i> (Photoforum/Rim Books, 2013).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Sea of Islands</i></b><b> brings together knowledge holders, scholars, and artists from across the Pacific with Western scholars working with Pacific collections  as well as members of diasporic Oceanic communities </b> <b>to share the stories and journeys of the objects that comprise Canada's largest Oceanic collection, housed at The Museum of Anthropology at UBC.</b></p><p>The Museum of Anthropology at the University of British Columbia holds some 3,500 objects from Oceania, making it the largest and most diverse collection from this region in Canada. From regalia and jewellery to barkcloths and woven mats to carvings and canoes, all these items have travelled, sometimes circuitously, from their homelands  including Aotearoa, Australia, the Torres Strait Islands, Fiji, Papua New Guinea, the Solomon Islands, Rapa Nui, the Marquesas Islands, and Vanuatu  to the west coast of Canada. <i>Sea of Islands</i> traces the journeys and stories of these holdings, as shared by knowledge holders, scholars, and artists from across the Pacific.</p><p>Presented alongside more than 250 photographs of individual objects contextualised by historic and contemporary images from Oceanic communities, Carol E. Mayer's text draws on her decades of research and outreach centred around the complex intersections between museum collections, contemporary art practices, and different knowledge systems. The result is a lively and accessible exploration of how these objects  old and new  continue to articulate systems of meaning and engender new relationships.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An exquisite bestiary oracle that combines vintage photographs with animal spirit paintings, imbued with a surrealism that provokes reflection on our deep kinship with all beings.</b></p><p>Welcome to a world where humans and animals inhabit each other's lives in surreal, dreamlike realms of the imagination. The imagery in <i>The Oracle of Rewilding</i> is part of an ancient, primordial story of profound kinship that intimately connects human and animal worlds.</p><p>This oracle deck and guidebook calls upon us to bring healing in a time when the fate of humans and other earthly creatures is threatened. The oracle gently leads us to consciously cultivate a visionary relationship with the world, a kinship with all things. We must 'rewild' ourselves for the preservation of all. The imagined, uncanny, even strange animal/human hybrids in this card deck represent the Trickster at a time of chaos and disruption, and speak to a unity of being and hope.</p><p><b>Alexandra Eldridge's</b> paintings employ glass-plate negatives from 1880-1920, an era when there was excitement about Darwin's findings that emotions exist in both humans and animals. Concepts of land conservation and wildlife preservation emerged at this time, along with modernism in the arts, and the invention of photography and the X-ray. Seances, spirit photography, myriad ideas about 'animal magnetism', and occultism became popular.</p><p>The forty-four cards in this deck present universal animal archetypes and the symbolic qualities they represent. The full-colour guidebook by <b>Sherry Salman</b> features stories, symbols, fairy tales, poems, and myths and explores each of the card's meanings in depth, offering a variety of ways to consult the cards  and a way to engage an altered state of mind that fosters kinship with all things.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>When Brian Doben began working on <i>At Work</i> over 10 years ago, he had already been a professional photographer for 15 years and felt as though he had lost his voice  or perhaps never found his own voice. Following a near-fatal bike accident, Brian realised that to find inspiration, to find love, he had to spend time with people who love what they do.</p><p>From ranchers in Texas to a chemist in Boston, a sumo wrestler in Japan to street performers in Cuba, <i>At Work</i> is a collection of photographs of people 'just doing their jobs'. It is a study of our world and how the people in it follow their unique callings. The photographs in <i>At Work</i> capture genuine moments that emerge through conversation, not necessarily direction.</p><p>In <i>At Work</i>, Brian Doben celebrates the dignity of work and reminds us to remember what it's like to do what we love. To have a conversation, capture a moment, relay a message, and create an image you won't soon forget.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Brian Doben</b> is a native of Brooklyn, New York, with a passion for capturing the essence of people through his lens. Graduating from the Rochester Institute of Technology, Brian's love for photography has taken him on incredible adventures across the globe, capturing moments for renowned publications like <i>GQ</i>, <i>National Geographic Travel</i>, <i>Vanity Fair</i>, <i>Travel &amp; Leisure</i>, and <i>Town &amp; Country</i>. His global adventures in photography have spanned over 50 magazine covers, encompassing celebrity, travel, and fashion. From the Arctic to the Antarctic, Bhutan to Paris, Europe's cities to Madagascar and Argentina's wild terrains, his lens has embraced diverse cultures, infusing his work with captivating human narratives.</p><p>In the advertising domain, Doben is highly esteemed for his skill in crafting visuals that seamlessly blend complexity with genuineness. A diverse array of clients, spanning from renowned brands like AT&amp;T, Chase Banking, NBC and Walmart to significant players such as American Express, Apple, Dell, Ford, Google, IBM, Lexus, Microsoft, UPS, YouTube, and Sony, have reaped the rewards of his talent. His ability extends beyond orchestrated scenes, delving into capturing unscripted, authentic moments that add depth to every image.</p><p>His talent hasn't gone unnoticed. Brian's work has been honoured by prestigious institutions like the Society of Publication Designers, American Photography, and Photo District News. Awards like PDN's 30 Under 30 and the coveted Kodak Photographer of the Year have cemented his reputation. Notably, his impactful photography is showcased in the Museum of the City of New York, especially his moving photographs in the book "Brotherhood," which beautifully depicts the resilience and spirit of New York City firefighters following September 11.</p><p>Brian now resides in New England with his family, continuing to weave compelling visual stories. Through his photographs, he invites readers on an enchanting journey that transcends boundaries, revealing the rich tapestry of human stories through his captivating imagery.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The twentieth anniversary edition of An-My Le's acclaimed first book</b><b><i> Small Wars</i></b><b>, reissued with five new images and an afterword by Ocean Vuong.</b></p><p>For the past three decades, An-My Le has used photography to examine her personal history and the legacies of US military power, probing the tension between experience and storytelling.</p><p>First published in 2005, <i>Small Wars</i> brings together three interconnected series. In <i>Viet Nam</i>, Le returns to the country she left in her teens and attempts to reconcile memories of her childhood home with the contemporary landscape; in <i>Small Wars</i>, she engages a small community of Vietnam War reenactors; and in <i>29 Palms</i>, she documents the preparations of marines in the California desert as they undergo training for conflict in Iraq and Afghanistan. Taken together, this trilogy brilliantly presents a complexly layered exploration of the issues surrounding landscape, memory, and the representation of violence and war.</p><p>With great precision and clarity, Le is able to evoke the work of nineteenth-century landscapes as well as that of the New Topographics  but by weaving in her own personal narrative of refuge and return, she pushes beyond both to produce a uniquely revelatory body of work. The twentieth anniversary edition of <i>Small Wars</i> is a lush reissue of the original, with five additional images and a new afterword by Ocean Vuong, who discusses how these bodies of work resonate twenty years later.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An-My Le</b> (born in Saigon, Vietnam, 1960) is a Vietnamese American photographer, filmmaker, author, and the Charles Franklin Kellogg and Grace E. Ramsey Kellogg Professor in the Arts at Bard College. Le came to the United States as a political refugee at age fifteen. She received a grant to return to her homeland just after US-Vietnamese relations were formally restored, and traveled there several times between 1994 and 1997. She is the recipient of numerous awards, including fellowships from the New York Foundation for the Arts, John Simon Guggenheim Memorial Foundation, and MacArthur Foundation, and her work has been exhibited nationally and internationally. Most recently a major retrospective of her work was organised by the Museum of Modern Art, New York. She is based in New York.</p><p><b>Richard B. Woodward</b> was an arts critic whose essays on art and photography were featured in dozens of monographs, catalogs, and publications, including the <i>Wall Street Journal, New York Times, Atlantic, Bookforum, Film Comment, American Scholar, New Yorker</i>, and <i>Vogue</i>.</p><p><b>Hilton Als</b> is a staff writer and theater critic at the New Yorker. A recipient of the Pulitzer Prize for Criticism, he is the author of<i> The Women</i> (1996), <i>White Girls</i> (2013), and <i>Joan Didion: What She Means</i> (2022). He is a teaching professor at the University of California, Berkeley, and an associate professor of writing at Columbia University.</p><p><b>Ocean Vuong</b> is author of the critically acclaimed poetry collections <i>Night Sky with Exit Wounds</i> (2016) and <i>Time Is a Mother</i> (2022), and the novel <i>On Earth We're Briefly Gorgeous</i> (2019). A recipient of the MacArthur Fellowship and the American Book Award, he was born in Saigon, Vietnam, and is professor of creative writing at New York University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Eerie, sparse, and undeniably beautiful, Richard Misrach's images offer a timely meditation on the profound impact of global trade on the environment.</b></p><p><i>Richard Misrach: Cargo </i>presents the acclaimed photographer's sublime meditation on the often-unseen patterns of global trade and commerce. In 2021, on the heels of the COVID-19 pandemic, which, at its height, seemed to nearly halt the networks of international trade, Misrach began taking thousands of photographs of cargo ships as they moved to and from the Port of Oakland, California. In these monumental seascapes, cargo ships appear frozen in time  diminutive but stalwart  within an expansive, richly coloured confluence of sea, sky, and atmosphere. Eerie, sparse, and undeniably beautiful, Misrach's images abstractly trace multiple histories: the recent collapse and slow recovery of these seafaring trade routes, the confrontation of the human and natural environment in an era of climate disaster, and a rich lineage of maritime art.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Richard Misrach </b>(born in Los Angeles, 1949) is one of the most influential colour photographers of his generation. His work is held in the collections of over fifty major institutions, including the Metropolitan Museum of Art, Whitney Museum of American Art, the Museum of Modern Art, New York, and the National Gallery of Art, Washington, DC. He is the recipient of numerous awards, including a Guggenheim Fellowship. His previous Aperture titles include <i>Destroy This Memory </i>(2010), <i>Golden Gate</i> (2012), <i>Petrochemical America </i>(with Kate Orff, 2012),<i> The Mysterious Opacity of Other Beings</i> (2015), <i>Border Cantos</i> (with Guillermo Galindo, 2016), and<i> Richard Misrach on Landscape and Meaning</i> (2021).</p><p><b>Rebecca Solnit</b> is a writer, a historian, an activist, and the author of more than twenty books, including <i>Orwell's Roses </i>(2022), <i>Recollections of My Nonexistence</i> (2020), <i>Men Explain Things to Me</i> (2014),<i> A Paradise Built in Hell: The Extraordinary Communities That Arise in Disaster </i>(2009), <i>A Field Guide to Getting Lost</i> (2005), and <i>Hope in the Dark</i> (2004). She writes regularly for the Guardian, serves on the board of the climate group Oil Change International, and recently launched the climate project<i> Not Too Late</i>. She is based in San Francisco.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In the turbulent years of China's War of Resistance against Japan (1931-1945), a unique and complex narrative unfolded far from the battlefields  in Australia. <i>Patriots and Propaganda:</i> <i>Chinese Australians and the politics of loyalty, 1930s1940s</i>delves into the intricate web of Chinese wartime propaganda efforts, revealing how the Chinese Kuomintang (KMT) and Chinese Australian communities mobilised support for China's struggle against Japanese aggression.</p><p><i>Patriots and Propaganda</i> uncovers the multifaceted relationships between China, Australia, and the Australian Chinese diaspora, highlighting the political, racial and class dynamics that shaped these interactions.</p><p>Bolin Hu explores the pivotal role of Chinese-language newspapers and schools in preserving Chinese heritage and loyalty; the intense political rivalries within the Australian Chinese community; and the profound impact of memorial services and fundraising campaigns on fostering Chinese patriotism and community cohesion. Hu also brings to light the diverse contributions of various Chinese Australian groups  including leftists, women, and Australian-born Chinese  to China's war effort, and the fierce propaganda battles between Chinese and Japanese authorities on Australian soil.</p><p><i>Patriots and Propaganda</i> offers a nuanced exploration of the socio-political dynamics within the Australian Chinese community, while challenging the traditional narrative of distant allies, presenting new evidence and perspectives on the Sino-Australian relationship during a critical period in history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Gaza in My Phone</i></b><b>presents the powerful art of Lebanese cartoonist Mazen Kerbaj, drawn in response to social media images of Israel's genocidal campaign in Gaza.</b></p><p>Gaza is the first genocide to be captured in real-time images on devices we hold in our hands. Two days after October 7, the Lebanese comic artist Mazen Kerbaj began drawing in reaction to what was appearing in his phone. This powerful and original book brings together that work.</p><p>Mazen draws in part to bear witness and raise awareness, but also as a coping mechanism, to remain sane amid the unfolding madness. His straight-to-the-point, high-contrast black-and-white art is accompanied by striking slogans and captions. It has been shared widely around the world, helping people express their solidarity with Palestine.</p><p>Produced from Berlin, a city where the repression of Palestinian support has been particularly fierce, Mazen's drawings raise fundamental questions about seeing as an act of solidarity when those in power seek to suppress news of what is happening.</p><p>Haunted by the live-streamed images, we dread seeing more when we open our phones. By representing them in simple cartoons, Mazen allows us to scrutinise and reflect on the horrors we have witnessed. The result is an extraordinary sequence of images and messages that ask us to pause for a moment, to stop, look, mourn, and summon the resolve to head out and join the fight for the living, for life, for justice.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mazen Kerbaj</b>is a Lebanese visual artist, comics author, and musician. He is the author of fifteen books, including<i>Beirut Won't Cry</i>with an introduction by Joe Sacco. His work has been shown in galleries and museums around the world. He is well known for recording trumpet solos on his balcony during Israel's 2006 bombing of Beirut, widely shared on the internet under the title<i>Starry Night.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[A history of Iran's political underdevelopment, of how and why social movements emerged, and of how they blossomed into revolutions that ultimately betrayed their ideals.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Triumph and Despair</i></b><b> tells the dramatic story of post-revolutionary Iran's first four decades, from its establishment in 1979 until today.</b></p><p>The revolutionary coalition that overthrew the monarchy was at once democratic, populist and Islamic. The Islamists, and the Khomeinists in particular, were able to capitalise effectively on prevailing conditions on the ground; to frame the new republic's constitution, capture nascent institutions, and consolidate their power by eliminating opponents through a reign of terror. Once the war with Iraq was over and after the death of the new order's charismatic founder, Ayatollah Khomeini, the Islamic Republic was consolidated: first by tweaking its institutional arrangements, and then by fostering economic development and post-war reconstruction. A reformist interlude then followed, reversed unceremoniously by a return of populism and a broader authoritarian retrenchment.</p><p>Today Iran remains at odds with itself, its economy too deeply political to yield meaningful developmental results, its foreign relations too conflicted to allow it a productive place in the community of nations. As Iran's nationalities and its women and youth carve out spaces for themselves in the broader narrative, competing identities  religious, national and otherwise  abound. After forty years, the Islamic Republic remains a country in search of itself.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mehran Kamrava</b> is Professor of Government, Georgetown University in Qatar, and directs the Iranian Studies Unit at the Arab Center for Research and Policy Studies. His books on Iranian and Middle Eastern affairs include <i>Inside the Arab State</i> and <i>The Nuclear Question in the Middle East</i>, both published by Hurst.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>What can Aboriginal filmmaking reveal about Indigenous presence and futures?</b></p><p> The product of years of embedded fieldwork within Indigenous film crews in Northwestern Australia, <i>Dreaming Down the Track</i> delves deeply into Aboriginal cinema as a transformative community process. It follows the social lives of projects throughout their production cycles, from planning and editing to screening, broadcasting, and after-images. Across its narrative sweep, this ethnography engages the film career of Kukatja elder Mark Moora to demonstrate the impact of filmmaking on how Aboriginal futures are collectively imagined and called forth. </p><p> William Lempert highlights a series of awakenings through which Moora ultimately came to view cinema as a process for catalyzing his family's return to their home country of Mangkayi. This biographical media journey paints an intimate portrait of the inspiring possibilities and sobering limitations of Indigenous envisioning within settler states. Lempert traces how Moora's life and films convey a multiplicity of Aboriginal experiences across time and space, from colonial contact to contemporary life in communities like Balgo, including the continued governmental attempts to undermine them. </p><p> Amid ongoing negotiations to establish the first treaties between Indigenous nations and Australian states, <i>Dreaming Down the Track</i> illustrates what is at stake in how AboriginalState relations are represented and understood, both within communities and for the broader public. Lempert stays true to Moora's insight that film can preserve community stories for generations to come, toward the aim of enacting sovereign futures. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>William Lempert is Osterweis Family Associate Professor of anthropology at Bowdoin College. His writing has been published in several journals, including <i>Cultural Anthropology</i> and <i>American Indian Culture and Research Journal</i>.</p>]]></Text>
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			<SubjectHeadingText>Animal Studies; Human-Animal Relations; Cinema Studies; Film Theory; Experimental Film; Expanded Cinema; Indigenous Epistemologies; First Knowledges; Neurodiversity; Color Theory; Ethico-Aesthetics; Ecology; Entanglement; Naturecultures; Arthur and Corinne Cantrill; Carolee Schneeman; Cmaille Henrot; Oceania; Aotearoa; New Zealand; Australia; South America; Deleuze; Guattari; Donna Haraway; biodiversity; nature; non-human perspectives; Ivor Cantrill; Sebastian Wiedemann; Edweard Muybridge; tienne-Jules Marey; Kenneth Anger; Natasha Myers; Dziga Vertov; Camille Henrot; Pierre Huyghe; Mel Baggs; Len Lye; Tracey Moffatt; Diego Ramirez; Nova Paul; Karabing Film Collective; La Distancia</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A foray through the wilds where experimental films and animals collide</b><br/></p><p> Like the flash of a tropical bird's iridescent wing, cinema can be furtive and intensely beautiful-and it can leave a viewer craving more. <i>Cinemal</i> is Tessa Laird's passionate inquiry into the ways that films mimic the majesty, mystery, and movements of animals,her field notes from countless hair-raising encounters with films in their natural habitat. </p><p> Part of a growing focus on nonhuman animals in film, <i>Cinemal</i> ventures to the "furry underbelly" of global experimental film practice, focusing on films from New Zealand, Australia, and South America. Laird examines how animals are depicted in film and analyzes the various animal qualities of cinema, like scratching and sniffing, vibrant colors, and voices (barking, howling, or echolocation). Burrowing into the work of filmmakers such as Arthur and Corinne Cantrill, Sriwhana Spong, and Ana Vaz, Laird's energetic prose embodies the films she discusses, seamlessly combining personal anecdotes with art theory and philosophy to spread a wide sensory buffet. </p><p> Lively and optimistic, Laird uses cinematic animal tropes to encourage readers to rethink what it means to be human. She argues that, in a time of ecological collapse, such an impulse is a necessary means of imagining other, healthier ways of being in this world. Connecting us with the more-than-human, <i>Cinemal</i> lures us toward the beastly becomings of film and, ultimately, our own animal natures. </p><p><b>Retail e-book files for this title are screen-reader friendly.</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p> Tessa Laird is an artist, writer, and senior lecturer at the Victorian College of the Arts, University of Melbourne. Her books include a fictocritical exploration of color, <i>A Rainbow Reader, </i>and a cultural history of bats, <i>Bat, </i>in Reaktion Books's celebrated Animal series. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The White Possessive</i> explores the links between race, sovereignty, and possession through themes of property: owning property, being property, and becoming propertyless. Focusing on the Australian Aboriginal context, Aileen MoretonRobinson questions current race theory in the first world and its preoccupation with foregrounding slavery and migration. The nation, she argues, is socially and culturally constructed as a white possession.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Aileen Moreton-Robinson is professor of Indigenous studies at Queensland University of Technology in Brisbane, Australia, and is director of the National Indigenous Research and Knowledges Network. She is author of <i>Talkin' Up to the White Woman: Indigenous Women and Feminism</i> and editor of several books, including <i>Sovereign Subjects: Indigenous Sovereignty Matters.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A warrior struggles through an apocalyptic landscape and the world after death</b></p><p>Kree has been raised as a fearless fighter in a ravaged world: postapocalyptic, posthuman, the population decimated by wars and civilisation long since collapsed. After her attempt to avenge the death of her dog, Loka, goes horribly wrong, Kree finds herself lost in a world after death and wanders into the city of the terrible mendicants.</p><p>Under the Brothers' totalitarian rule, Kree can lead a quiet life and forget her violent past, even if needles grow in her skull and hallucinatory blood rains occasionally pour down to remind her. She can make friends: a healer with a shaking tent, a mysterious stranger hatched from an egg, and a gruff electrician in a world without electricity. And she can have her Loka as long as she toes the Party line and does as she's told. When she can't  when her friends start to disappear and the Brothers turn against her  Kree sets out on a quest, searching for a new way forward.</p><p>Multiply reincarnated and unstuck in time, Kree is the characteristically marvelous creation of Manuela Draeger, whose extraordinary stories, in the words of author China Mieville, &amp;#x27;are as close to dreams as fiction can be&amp;#x27;.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Manuela Draeger </b>is a member of the imaginary collective of post-exotic writers, along with Antoine Volodine, Lutz Bassmann, and Elli Kronauer, who have produced more than forty works so far in French. She works as a containment camp librarian and has written numerous books for children as well as for an adult audience. Works that have appeared in English include <i>In the Time of the Blue Ball,</i> translated by novelist Brian Evenson, and <i>Eleven Sooty Dreams,</i> translated by J. T. Mahany.</p><p><b>Lia Swope Mitchell</b> has a PhD in French from the University of Minnesota. Her translations include <i>Solo Viola</i> by Antoine Volodine and <i>Survival of the Fireflies</i> by Georges Didi-Huberman, both published by the University of Minnesota Press. Her original fiction has appeared in <i>Asimov's, Apex, Terraform,</i> and elsewhere. She lives in Minneapolis.</p>]]></Text>
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			<SubjectHeadingText>Monster; hydrogen bomb; atomic bombs; atomic; planet; legendary; Skull Island; Monsterverse; kaiju; Adam Wingard; New Empire; anti-nuclear; Japan; Gojira; Godzilla x Kong; Ultraman: Rising; Minus One; Tomoyuki Tanaka; speculative; apocalyptic; monarch; science fiction; posthuman; environmental fiction; postwar; nuclear weapons; 1950s; hydrogen bombs; Anti-nuclear literature; Cold War literature; nuclear fiction; Godzilla; franchise; Radiation; filmography; apocalyptic fiction; king</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Godzilla emerged from the sea to devastate Tokyo in the now-classic 1954 film, produced by Th Studios and directed by Ishir Honda, creating a global sensation and launching one of the world's most successful movie and media franchises. Awakened and transformed by nuclear weapons testing, Godzilla serves as a terrifying metaphor for humanity's shortsighted destructiveness: this was the intent of Shigeru Kayama, the science fiction writer who drafted the 1954 original film and its first sequel and, in 1955, published these novellas.</p><p>Although the Godzilla films have been analysed in detail by cultural historians, film scholars, and generations of fans, Kayama's two Godzilla novellas - both classics of Japanese young-adult science fiction - have never been available in English. This book finally provides English-speaking fans and critics the original texts with these first-ever English-language translations of <i>Godzilla</i> and <i>Godzilla Raids Again</i>. The novellas reveal valuable insights into Kayama's vision for the Godzilla story, feature plots that differ from the films, and clearly display the author's strong antinuclear, proenvironmental convictions.</p><p>Kayama's fiction depicts Godzilla as engaging in guerrilla-style warfare against humanity, which has allowed the destruction of the natural world through its irresponsible, immoral perversion of science. As human activity continues to cause mass extinctions and rapid climatic change, Godzilla provides a fable for the Anthropocene, powerfully reminding us that nature will fight back against humanity's onslaught in unpredictable and devastating ways.</p><p><b>&amp;#x27;At long last, the pathbreaking novellas by Shigeru Kayama that launched the Godzilla franchise are finally available in English. It was well worth the wait: Jeffrey Angles's lively translation captures all the action, emotion, and political edge of the original Japanese texts. This engaging volume will be a revelation for Godzilla fans, a rich resource for students of Japan, and a rewarding read for anyone who enjoys classic tales of science fiction and adventure.&amp;#x27; - William M. Tsutsui, chancellor of Ottawa University and author of </b><b><i>Godzilla on My Mind: Fifty Years of the King of Monsters</i></b></p><p></p>]]></Text>
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			<Text textformat="02"><![CDATA[Fervently acclaimed worldwide, Haruki Murakami'swildly imaginative work in many ways remains a mystery, its worlds withinworlds uncharted territory. Finally in  The Forbidden Worlds of HarukiMurakami]]></Text>
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			<Text textformat="02"><![CDATA[<p>Fervently acclaimed worldwide, Haruki Murakami'swildly imaginative work in many ways remains a mystery, its worlds withinworlds uncharted territory. Finally in <i>The Forbidden Worlds of HarukiMurakami</i> readers will find a map to the strange realm that groundsvirtually every aspect of Murakami's writing, exposing the psychological andmythological underpinnings of this other world.&amp;nbsp;</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Matthew Carl Strecher is associate professor of Japanese language, literature, and culture at Winona State University. He is the author of Dances with Sheep: The Quest for Identity in the Fiction of Haruki Murakami and Haruki Murakami's The Wind-Up Bird Chronicle: A Reader's Guide.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>During the 1960s</b> <b></b> <b>a juncture in history when music was the meeting place for the ideas of the young and questioning</b> <b></b> <b>Bob Dylan stood head and shoulders in influence above all others. In telling the story of his first calendar decade as a recording artist, </b><b><i>Decade Of Dissent</i></b><b> provides a unique angle on an endlessly fascinating and truly peerless career.</b></p><p>Dylan's 60s recordings constitute a dizzying run that includes such landmark albums as <i>The Freewheelin' Bob Dylan</i>, <i>Highway 61 Revisited</i>, <i>Blonde On Blonde</i>, the so-called 'Basement Tapes', and <i>John Wesley Harding</i>, and such classic songs as 'Blowin' In The Wind', 'The Times They Are A-Changin'', 'Mr. Tambourine Man', 'Like A Rolling Stone', 'Just Like A Woman', 'Quinn The Eskimo', 'All Along The Watchtower', and 'Lay Lady Lay'. They set the template for his genius and encompass the bulk of his greatest work. The career arc they collectively describe saw Dylan effortlessly and repeatedly instigate revolution, by turns reinvigorating folk music, turning protest song mainstream, bringing the intellectualism and social conscience of folk to rock and pop, reasserting roots music over the excesses of psychedelia, and making country music respectable.</p><p>Through each of his new identities, Dylan's dazzling lyrics established him as the poet laureate of the counterculture. All during this time he was engaged in a personal voyage that saw him first embrace the blandishments of fame and then emphatically reject them. His journey during this era from ambitious nobody to cultural icon back to willing background figure makes for one of the most extraordinary narratives in the history of recorded music. It features a fascinating supporting cast of collaborators and peers, from Al Kooper and Mike Bloomfield to The Beatles and The Byrds.</p><p>Dylan now occupies an unparalleled role as venerated elder statesman of music, but through the twists and turns of his long career he has never quite regained the position he held during his insurrectionary first decade, when he was the most important artist in popular music  and, by extension, one of the most crucial figures in Western society. Drawing on exclusive interviews and packed full of fresh insights, <i>Decade Of Dissent</i> brings to life Dylan and his milieu at the point when he was making music that was not merely aesthetically magnificent but sociologically earthshaking.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sean Egan</b> is an author and journalist based in London, England. He has written or edited more than thirty books on a wide range of subjects, from William Goldman to The Rolling Stones, Manchester United to <i>Coronation Street</i>, punk to <i>Planet Of The Apes</i>. They include <i>Long Agos And Worlds Apart: The Definitive Small Faces Biography</i> (2024) and <i>The Guys Who Wrote 'Em</i> (2004), an acclaimed history of non-performing songwriters. He has also written for, among others, <i>Billboard</i>, <i>Classic Rock</i>, <i>Uncut</i>, and RollingStone.com and contributed liner notes to reissues of albums by artistes including T. Rex, Tears For Fears, and The Faces.</p>]]></Text>
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			<SubjectHeadingText>,; 000 Spells; 36 Cards for Magical Self-Defense; 36 Full-Color Cards; Banish bad energy; Daily Magic; Encyclopedia of 5; Encyclopedia of Spirits; Encyclopedia of Witchcraft; Judika; Judika Illes; Judika Illes author; Practice magic; Protection Spells; Pure Magic; Spell cards; Weiser Books; beginner witchcraft; by the author of Encyclopedia of 5,; card deck; compact deck of spells; easy practical protection spells; elements of magic; gift for witches; herpetology; how to cast a spell; instagram spell book; magical protection cards; magical remedy; magical self defense; medusa; pocket sized spell cards; practical witchcraft; protection against psychic vampire; psychic self defense; serpent; serpent energy; snake magic; snakes; spell casting; spellcraft; spells; spells and rituals; thirty-six cards for magical protection; witchcraft; year of the snake</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>From the beloved author of</b> <b><i>Encyclopedia of 5,000 Spells</i></b><b> comes a powerful deck of thirty-six cards for magical protection.</b></p><p>The world may be filled with dangers, but it is also filled with ancient and powerful forces that serve as antidotes and protective devices. These magical forces include crystals, herbs, amulets, sacred beings, and even colours and numbers. Magic spells enable us to harness these forces for our own benefit. Let these cards guide you toward safety, security, and embracing your own personal power.</p><p>For successful spellcasting, as you cast your spells, visualise their success. Imagine yourself strong, happy, and safe, your goals realised. For those new to the art of spellcasting, further information can be found in <i>Pure Magic: A Complete Course in Spellcasting</i>, also by Judika Illes.</p><p><i>Protection Spells: 36 Cards for Magical Self-Defense</i> is the perfect deck to tuck in a purse or pocket and makes a great gift.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Judika Illes</b> is a lifelong student, lover, and practitioner of the magical arts. She is the author of numerous books devoted to spells, spirits, and witchcraft, including the bestselling <i>Encyclopedia of 5,000 Spells</i> and <i>Encyclopedia of Spirits,</i> as well as <i>Pure Magic; Daily Magic; Encyclopedia of Witchcraft; Encyclopedia of Mystics, Saints, and Sages; Witches: A Compendium</i>,and <i>Magic When You Need It</i>. Judika is the editor and curator of two books of mystical fiction, <i>The Weiser Book of the Fantastic and Forgotten</i> and <i>The Weiser Book of Occult Detectives</i>.She has been a professional tarot card reader for over three decades and is also a certified aromatherapist. A native New Yorker, Judika teaches in the US and internationally, live and virtually.Follow her on Instagram @judikailles and on Facebook at www.facebook.com/AuthorJudikaIlles/.</p>]]></Text>
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			<SubjectHeadingText>Aier; Aldrovandi; Ancient texts; Aqua; Archetypa; Archetypa studiaque patris; Artistic; Beasts; Bees; Beetle; Bol; Brueghel; Butterfly; Cabinets; Caterpillar; Classical; Collaert; Colonial; Conrad; Conrad gessner; Contemplation; Copper; Culture; Curiosity; Di; Dragonfly; Elephant beetle; Emblematic; Engravings; Etchings; Filippo; Filippo di; Flowers; Georgii; Gessner; Habsburg; Hans; Hollar; Holy roman; Ignis; Intaglio; Jacob; Joris hoefnagel; Kessel elder study; Liagno; Liagno skeleton; Medieval; Metallic paint; Miniatures; Moth; Naturalia; Naturalists; Naturalists collectors; Paintings; Parchment; Patris; Pliny; Specimens; Sprig; Terra; Treatises; Ulisse aldrovandi; Van kessel; Van kessel paintings; Watercolor; Watercolor studies; Wenceslaus hollar; Wonders; Woodcuts; Zoological</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A richly illustrated look at the intersection of art and science in Renaissance Europe.</b></p><p>Art played a pivotal role in the development of natural history during the sixteenth and seventeenth centuries. European colonial expansion enabled naturalists to study previously unknown insects, animals, and other <i>beestjes</i>  'little beasts'  from around the globe. <i>Little Beasts</i> explores how artists such as Joris Hoefnagel and Jan van Kessel helped deepen and spread knowledge of these creatures with highly detailed and playful works that inspired generations of printmakers, painters, decorative artists, and naturalists.</p><p>This appealing book begins by mapping the origins of natural history as a discipline, showing how early illustrated treatises reflected a vibrant exchange between artists and naturalists that contributed to the growth of natural science and sparked public fascination with the animal kingdom. It shares insights into Hoefnagel's engagement with contemporary natural history, as demonstrated in his <i>Four Elements</i>  a four-volume series of some three hundred watercolor miniatures of animals  and examines how intaglio printmaking enabled natural history studies to reach new audiences. The volume concludes with a discussion of Van Kessel's small oil paintings, likely made for discerning collectors of both natural and artistic curiosities.</p><p>Blending lively and informative essays with beautiful illustrations, <i>Little Beasts</i> traces the connections between artists, naturalists, and collectors in an age of scientific discovery and broadening horizons, inviting readers to look with wonder at nature's variety.</p><p>Published in association with the National Gallery of Art, Washington, DC.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexandra Libby</b> is senior administrator for collections and initiatives and a curator of northern baroque paintings at the National Gallery of Art in Washington, DC. </p><p><b>Brooks Rich</b> is associate curator of old master and nineteenth-century prints at the National Gallery of Art. </p><p><b>Stacey Sell</b> is associate curator of old master drawings at the National Gallery of Art and the coauthor of <i>Drawing in Silver and Gold: Leonardo to Jasper Johns</i> (Princeton). </p><p><b>Brian W. Ogilvie</b> is professor of history at the University of Massachusetts, Amherst.</p>]]></Text>
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			<SubjectHeadingText>queer ecology; sit spots; mycology; biology; ecology; natural history; nature; queerness; LGBTQ; gender dysphoria; bisexuality; neurodivergence; ADHD; essays; philosophy of science; history of science; eels; cicadas; swamps; fungi; mushrooms; crows; snakes; slugs; snails; Armenian American; trauma; abuse; becoming indigenous to place; becoming queer to place</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Patricia Ononiwu Kaishian</b> is the curator of mycology at the New York State Museum, as well as faculty with the Bard Prison Initiative. Kaishian earned her PhD from SUNY College of Environmental Science and Forestry. She lives in the Hudson Valley.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Pendulums are a fixture in the metaphysical world. They are tools for decision making, but they can be so much more.Pendulum Craftis an expansive, useful guide to using pendulums not just for divination, but for introspection, experimentation, and channeling messages from the beyond.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Pendulums are a fixture in the metaphysical world. They are tools for decision making, but they can be so much more. Pendulums are a physics equation made magic. Pendulums allow bodies and other realms to communicate through otherwise indiscernible vibrations. These are magical tools that hold massive potential for how to divine information and connect on a deeper level.</p><p><i>Pendulum Craft</i>is an expansive, useful guide to using pendulums not just for divination, but for introspection, experimentation, and channeling messages from the beyond. In addition to a deep dive into the history and usage of pendulum  from 'water witching' to folk healing, from the science of ideomotor reactions to the pendulum's function as a tool of the occult  author Fox Taylor covers different types of pendulums, including how to make a pendulum or select one at the store. They also cover how to connect with and calibrate a pendulum, how to trust 'inner knowing', and finally how to work with a pendulum board and ask the right questions that will produce desired information. Taylor's fascinating black-and-white art illustrates the fundamentals of the pendulum and how it has been used throughout history. This book also includes a selection of pendulum boards for different kinds of questions, which can be pulled out of the book.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Fox Taylor</b> (they/them) is a queer interdisciplinary artist and witch who lives in New Brunswick with their husband and three black cats. Fox graduated from the Alberta College of Art and Design (now Alberta University of the Arts) in 2014 with a bachelor's of fine art in fiber. Fox's true passion is traditional textile art, including weaving and embroidery. Their work explores the history of witchcraft, feminism, witches in pop culture, and the body. When they are not making art or researching witchcraft and witch trials, they are casting spells and conjuring all matters of witchery. Fox likes movies, strong coffee, and cats.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Sun-Steeped</i></b><b> features fifty-four uniquely illustrated affirmation cards and a guidebook designed to be a manual for learning new lessons, finding your flow, and enjoying your empowerment by harvesting the power of the sun.</b></p><p><i>Sun-Steeped</i> is an affirmation deck and guidebook that shines a light on every nook and cranny of our innermost selves. It's here to capture the golden-hour moments of sunrise and sunset and the feeling of freedom that comes with stepping into the daylight to photosynthesise. Much like a cup of tea needs time to bask in the warmth of water before it's ready to be enjoyed, we too must bask in the warmth of the sun to grow into our best selves.</p><p>The deck consists of fifty-four uniquely illustrated cards, each one featuring an affirmation designed to guide gentle and friendly inquiry into the user's inner world. The cards are intentionally numbered in such a way that the beginning cards explore themes of childlike wonder and new beginnings, on through affirmations that challenge perceptions generated by low self-esteem. The last cards explore newfound determination, self-realisation, and loving awareness. It's the only deck that captures the transformative moments of sunrise and sunset and draws inspiration from the warmth and power of daylight.</p><p>Let <i>Sun-Steeped</i> be your guide for learning new lessons, finding your flow, and enjoying your empowerment.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Shannon Christie</b> (shannon-christie.com) is an illustrator and mental health care worker living in Portland, Oregon. Born in Southern California and transplanted to the Pacific Northwest as a child, she attended the University of Oregonwhere she majored in psychology and minored in music and studio art. She received a master of science applied psychology from Sacred Heart University.</p><p>Her work is highly reflective of her background, exploring themes of identity and emotion while incorporating elements of whimsicality and surrealism. The focuses on both psychology and art in her life give her inspiration and perspective on how a piece moves a person and how creativity connects us all.</p><p>From 2020 to 2022, Shannon ran Ragtag Magazine, a web publication focusing on uplifting makers of the Pacific Northwest. She served as editor in chief with a team of over thirty people. Currently, Shannon has made a second home for herself at the Haven (thehavenpdx.com), an eclectic collective of artists, makers, and healers. Her work is featured in their retail space and on the road at any of the many festivals and events that they create, curate, or partner with.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The art of sigil magic uses the information model of magic to generate symbols, caricatures, and pictograms that have a vested power in the super-symbolic realm. It is part of the notary methods of magic that includes seals, signatures, and words of power. The Magical Notary Art is the book that brings together all the elements of linguistic magic]]></Text>
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			<Text textformat="02"><![CDATA[<p>The art of sigil magic uses the information model of magic to generate symbols, caricatures, and pictograms that have a vested power in the super-symbolic realm. It is part of the notary methods of magic that includes seals, signatures, and words of power. <i>The Magical Notary Art</i> is the book that brings together all the elements of linguistic magic into a singular tome.</p><p><b>Learn Linguistic Magic.</b></p><p><i>The Magical Notary Art</i>aims to deliver the practical methodology of the entire spectrum of notary art as it pertains to spirit names, pictographs, symbolic images, seals, words of power, and signatures. The notary art is a creative and imaginative methodology that translates names, words, phrases, and ideogramic images so they can be understood by the deities, spirits, and powers that reside within the super-symbolic domain.</p><p>This book is divided into four parts, which covers the range of the notary arts. Frater Barrabbas has written this book for the practical ritual magician and includes the methods of construction and deployment in ritual workings or as stand-alone devices.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Frater Barrabbas </b>is a practicing ritual magician who has studied magic and the occult for over forty years. He believes that ritual magic is a discipline whose mystery is unlocked by continual practice and by occult experiences and revelations. Frater Barrabbas believes that traditional approaches should be balanced with creativity and experimentation and that no occult or magical tradition is exempt from changes and revisions.</p><p>Frater Barrabbas is also the founder of a magical order called the Order of the Gnostic Star, and he is an elder and lineage holder in the Alexandrian tradition of witchcraft.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A new biography of Carl Linnaeus, offering a vivid portrait of Linnaeus's life and work.</b></p><p>Carl Linnaeus (1707-1778), known as the father of modern biological taxonomy, formalised and popularised the system of binomial nomenclature used to classify plants and animals. Linnaeus himself classified thousands of species; the simple and immediately recognisable abbreviation 'L' is used to mark classifications originally made by Linnaeus. This biography, by the leading authority on Linnaeus, offers a vivid portrait of Linnaeus's life and work. Drawing on a wide range of previously unpublished sources  including diaries and personal correspondence  as well as new research, it presents revealing and original accounts of his family life, the political context in which he pursued his work, and his eccentric views on sexuality.</p><p><i>The Man Who Organized Nature</i> describes Linnaeus's childhood in a landscape of striking natural beauty and how this influenced his later work. Linnaeus's Lutheran pastor father, knowledgeable about plants and an enthusiastic gardener, helped foster an early interest in botany. The book examines the political connections that helped Linnaeus secure patronage for his work, and untangles his ideas about sexuality. These were not, as often assumed, an attempt to naturalise gender categories but more likely reflected the laissez-faire attitudes of the era. Linnaeus, like many other brilliant scientists, could be moody and egotistical; the book describes his human failings as well as his medical and scientific achievements. Written in an engaging and accessible style, <i>The Man Who Organized Nature</i>  one of the only biographies of Linnaeus to appear in English  provides new and fascinating insights into the life of one of history's most consequential and enigmatic scientists.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gunnar Broberg</b> (19422022) was professor emeritus of history of ideas and sciences at Lund University in Sweden. He was the author of numerous books, including <i>Golden Apples</i>, which won the August Prize for best Swedish nonfiction title of the year, and <i>The History of the Night</i>, which was nominated for Best Swedish History Book of the Year. <b>Anna Paterson,</b> a retired neuroscientist, is an award-winning translator and the author of <i>Scotland's Landscape: Endangered Icon</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Since 1945 the world has changed at breakneck speed. In thisunique social history, acclaimed bestselling historian Alistair Moffat tells the story of these changes  many of which have been dizzying and disorientating  and how they have affected each and every one of us in all parts of the country.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Since 1945 the world has changed at breakneck speed, and life in post-war Scotland is now entirely different from what it was like when Alistair Moffat grew up in the quiet Border town of Kelso in the 1950s. At that time the rhythms and practicalities of daily life which had remained constant for many generations were about to change in the most unimaginable ways.</p><p>This is a book about these changes  many of which have been dizzying and disorientating  and how they have affected each and every one of us in all parts of the country. The main themes, such as housing, healthcare, sport, the media, the arts and entertainment, urban and country life, our relationship with the environment, politics, religion and education, are all viewed through the lens of personal experience. Alistair's own recollections of big events and small, together with other eyewitness accounts, bring these decades alive in a way that no ordinary history can with a directness and poignancy that underlines how much has been gained  and how much lost.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alistair Moffat</b> was born and bred in the Scottish Borders. A former Director of the Edinburgh Festival Fringe, Director of Programmes at Scottish Television and founder of the Borders Book Festival, he is also the author of a number of highly acclaimed books. From 2011 he was Rector of the University of St Andrews. He has written more than thirty books on Scottish history, and lives in the Scottish Borders.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Building families through science and love.</b></p><p>Allie and Sam, widely recognised as 'Mommy and Other Mommy', share their emotional and transformative journey to parenthood in <i>How to Make a Baby: Everything LGBTQ+ Families Need to Know About IVF</i>. This inspiring guide is a must-read for LGBTQ+ families navigating artificial insemination, IVF, and other fertility options.</p><p>Growing a family as a same-sex couple comes with unique challenges.For Allie and Sam, the path to parenthood was anything but easy. Their story reveals the highs and lows of a three-year journey, involving IUIs, a home insemination, IVF cycles, frozen embryo transfers, and significant financial and emotional investments.</p><p>From heartbreak to hope, their journey offers a beacon of guidance.Navigating heteronormative fertility clinics, answering questions about their family dynamic, and overcoming countless obstacles, Allie and Sam show that with determination and love, it's possible to create the family you've dreamed of.</p><p>Inside, you'll find:</p><ul><li>A comprehensive guide to fertility treatments like artificial insemination, IVF, and frozen embryo transfers, specifically for LGBTQ+ families</li><li>Valuable insights into the emotional, societal, and financial challenges of the fertility journey, including IVF costs and clinic experiences</li><li>Hopeful, practical advice to support your unique path to parenthood and create a more inclusive understanding of lesbian couples and their families</li></ul><p>If you liked<i>It Starts with the Egg,You Got This  IVF Planner and Journal</i>, or<i>Oh Sis, You're Pregnant!</i>, you'll love<i>How to Make a Baby.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>We're <b>Allie and Sam</b>, a same-sex couple who has been together for nearly a decade and our story starts on a dating app, like any modern love story.</p><p>We started sharing our life online as a way to keep our families updated on our adventures around the globe together, but it quickly became a way to share much-needed queer representation; to showcase that a happy, full life is possible as an out and proud LGBTQ+ person.</p><p>We have been blessed with an amazing, engaged online community over our more than six years of sharing our lives on the internet. We have also done public speaking engagements about various LGBTQ+ issues in schools, for non-profits, and for major brands. We live in Nova Scotia.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A guided journal companion to the card deck of the bestselling The 7 Habits of Highly Effective People, with over 1 million copies sold.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A personal growth journal to buildeffectivehabits.</b></p><p><b>#1 New Release in Strategic Business Planning</b></p><p><b>How do you manage your time and stay organised? Whether you're struggling to stay motivatedor are looking for newhigh-performancehabits,</b><b><i>The7 Habits of Highly Effective People Guided Journal</i></b><b>offers journal prompts, worksheets, and exercises to help you accomplish all your short andlong term goals.</b></p><p>Goal setting just got easier.When<i>The 7 Habits of Highly Effective People</i>was released as a card deck, audiences approached Stephen R. Covey's time-tested principles in a whole new way. Now, this companion journal gives readers a chance to craft inspiration into action. Its concise format is accessible and easy to stick with. Each habit is broken down into a weekly format inspiring both beginners and seasoned<i>7 Habits</i>readers toget motivated, build confidence, and boostinspiration and personal growth.</p><p>Cultivate success, skill, andself-growth.Featuring thought-provoking prompts, worksheets, and self-development quotes that teach you howto achieve your goals, this is the ultimate guided self-growth journal.</p><p>Inside, find:</p><ul><li>Journaling prompts for self-discovery and to build confidence and self esteem</li><li>Worksheets forstrategic time management anddeeper learning of the<i>7 Habits</i></li><li>Self-motivation tips, exercises, and challenges for optimal goal achievement</li></ul><p>If you enjoyed books like<i>The7 Habits of Highly Effective People,The 52 Lists Project, </i>or<i>The High Performance Planner</i>,you'll love<i>The 7 Habits of Highly Effective People Guided Journal.</i></p><p><b>'If you follow this simple process, I promise that you will see positive changes in your relationships and find a higher level of personal satisfaction in your life.'</b> <b></b> <b>Sean Covey, author of </b><b><i>The 7 Habits of Highly Effective Teens</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sean Covey</b> is a business executive, author, speaker, and innovator. He is President of FranklinCovey Education and is devoted to transforming education throughout the world through a principle-centered leadership approach. Sean oversees FranklinCovey's whole school transformation process, called<i> Leader in Me</i>, which is now in over 4,000 schools and 50 countries.</p><p>Sean is a <i>New York Times</i> best selling author and has written several books, including the <i>Wall Street Journal</i> #1 Business Bestseller, <i>The 4 Disciplines of Execution</i>, <i>The 6 Most Important Decisions You'll Ever Make</i>, <i>The 7 Habits of Happy Kids</i>, and <i>The 7 Habits of Highly Effective Teens</i>, which has been translated into 20 languages and sold over 8 million copies worldwide. He is a versatile keynoter who regularly speaks to kids and adults within schools and organizations and has appeared on numerous radio and TV shows.</p><p>Sean graduated with honors from BYU with a Bachelor's degree in English and earned his MBA from Harvard Business School. As the starting quarterback of BYU, he led his team to two bowl games and was twice selected as the ESPN Most Valuable Player of the Game.</p><p>Born in Belfast Ireland, Sean's favorite activities include going to movies, working out, hanging out with his kids, riding his motorcycle, producing short films, and writing books. Sean and his wife Rebecca live with their children in the Rocky Mountains.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Realistic amigurumi cats that practically purr!</b></p><p>Calling all crafty cat lovers! This collection of 12 adorable amigurumi cats features designs that look so lifelike, you half expect them to purr!</p><p>Start by crocheting a foundation with basic amigurumi techniques, then add yarn and 'groom' with scissors and brushes to create beautiful fur. You'll learn how to create stripes, colored patches, and different lengths of fur to craft your own one-of-a-kind cat. Then add the eyes and a nose and watch a cute little kitty come to life as if by magic.</p><p>You'll find designs for all your favorite felines, including:</p><ul><li>Tabbies</li><li>Calicoes</li><li>Ragdolls</li><li>Persians</li><li>British Shorthairs</li><li>American Shorthairs</li></ul><p>Step-by-step colour photos offer detailed guidance for crocheting and styling the cats to create realistic features. Crochet instructions are presented in both written and chart format for ease of use.</p><p>These amigurumi make wonderful gifts for cat-fancying friends and family members. You can customise the yarn colors to match the furry friend in your life and have fun trimming and styling the fur until you achieve your desired look. Crochet your own adorable cat companion today!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Step into Kazuko Aoki's enchanting world of garden-themed embroidery.</b></p><p>You'll get a glimpse into her creative process, from sketching and selecting thread colours to stitching tips and techniques, as well as a behind-the-scenes look at her atelier, garden, and other inspiring locales.</p><p>This release has been thoughtfully designed with makers in mind. It features a lay-flat binding which makes tracing the embroidery templates from the book a breeze. All embroidery templates are printed at full size, so there's no need to enlarge anything. Larger templates are included on a separate pattern sheet.</p><p>In addition to dozens of botanical motifs, you'll also find designs based on the author's favorite things in life: food, travel, and design. Projects include samplers, collages, patches, bags, table linens, and more! This edition is full of beautiful inspiration and ideas for stitching and enjoying the little things in life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'This is simply the best book ever written on the single largest Buddhist monument in the world'  Patricia Welch, author and lecturer on Asian art</b></p><p>Borobudur is the largest Buddhist monument in the world  a masterpiece containing thousands of intricately carved panels and sculptures blending Indian art with local Javanese culture. The panels retell the lives of the Buddhas along with dozens of other tales of worldly desire and the heroics feats of enlightened beings. After viewing these, visitors ascend to open terraces at the top to enjoy majestic vistas of the surrounding landscape  an experience designed to evoke the eternal bliss of Buddhist nirvana.</p><p>This book presents a detailed history of the monument as well as a description of its art and design. Author John Miksic recounts Borobudur's history from its construction in the 9th century to its rediscovery in the 19th century and multiple restorations by the Dutch colonial government, the Indonesian Government and UNESCO in the 20th century. Surveying ancient Javanese texts and contemporary scholarship, Miksic walks us through the temples main features, honing in on important details.</p><p><b>The book includes chapters on:</b></p><ul><li>History and Archaeology  How Buddhism came to Indonesia, the monument's history and construction, and what it tells us about ancient Javanese society</li><li>Architecture and Symbolism  The unique design of the monument and how it was used in ancient times</li><li>The Reliefs  The fables and stories beautifully told in hundreds of artfully-carved panels lining Borobudur's lower terraces, including the Jataka tales, the Life of Gautama Buddha and the Gandavyuha tale</li></ul><p><i>Borobudur: Masterpiece in Stone</i> is sure to be treasured by anyone intending to visit Borobudur as well as all those with an interest in Buddhist art and history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John N. Miksic</b> is Professor Emeritus of Southeast Asian Studies at the National University of Singapore. Since coming to the region in 1968, he has made significant contributions to Southeast Asian studies through his archaeological research, serving on numerous research and advisory boards. Most notably, his Fort Canning excavations in Singapore confirmed the existence of an important 14th century port city there, which led to significant revisions in the official histories of the island. He has also made major archaeological and historical contributions in Java and Sumatra, Cambodia and Myanmar. His book <i>Singapore and The Silk Road of the Sea </i>won the inaugural Singapore History Prize in 2018. Miksic holds a BA from Dartmouth College and an MA and Ph.D. from Cornell University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Spanish cuisine is a melting-pot of cultures, flavours and ingredients: Greek and Roman, Jewish, Moorish and Middle Eastern. It has been enriched by its climate, geology and spectacular topography, which have encouraged a variety of regional food traditions and 'Cocinas', such as Basque, Galician, Castilian, Andalusian and Catalan. It has been shaped by the country's complex history, as foreign occupations brought religious and cultural influences that determined what people ate and still eat. It has continually evolved with the arrival of new ideas and foodstuffs from Italy, France and the Americas, including cocoa, potatoes, tomatoes, beans, and chilli peppers.</p><p>This is the first book in English to trace the history of the food of Spain from antiquity to the present day. From the use of pork fat and olive oil to the Spanish passion for aubergines and pomegranates, Mara Jose Sevilla skilfully weaves together the history of Spanish cuisine, the circumstances affecting its development and characteristics, and the country's changing relationship to food and cookery.</p><p><b>'Take a deep dive into Spanish cuisine from prehistory to Ferran Adri...[this] illustrated book is a dense, scholarly survey.'  Florence Fabricant,</b><b><i> New York Times</i></b></p><p><b>'Like other works of art, dishes document culture. Mara Jose Sevilla shows us that the best way to enjoy Spanish history is by eating Spanish food, and that the best way to enjoy the food is by reading her account of the history. Buen provecho!'  Felipe Fernndez-Armesto, author of</b> <b><i>Food: A History</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The Quintessential Guide to Imbibing in New York City</b></p><p>New York is quite possibly the easiest city for cocktail aficionados to be lured into tourist traps for drinks. If you're a visitor, chances are you've got tickets to 'Hamilton' and are looking for a good pre- or post-musical drink and most of your choices in the Theatre District's immediate vicinity are watering holes with the highest prices for the lowest quality.</p><p>And if you're a local, you may have fallen into the routine of sipping at the 'same-old, same-old' and allowed comfort to get in the way of exploration. That's where<i>The Not For Tourists New York City Cocktail Companion</i>comes in. This comprehensive book traverses all five boroughs (yes, even Staten Island) as well as a couple of honorary enclaves across the river, to detail the most authentically New York spots crafting the freshest, most flavour-forward and cutting-edge cocktails.</p><p>Additionally, the book includes recipes for sixty such concoctions from many of those venues, for you to always have a neighbourhood-by-neighbourhood taste of Gotham in your home, apartment, or hotel when you don't feel like going out.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jeff Cioletti's</b> tenure in liquid literacy has exposed him to some of the best libations the world has to offer and given him access to the producers and purveyors of such fine refreshments. He combines his love of drink with a passion for travel and one usually involves the other. He is the editor in chief of<i>Craft Spirits</i>magazine, a publication of the American Craft Spirits Association. Before that he served for fourteen years as an editor at<i>Beverage World</i>magazine, including eight years as editor in chief. He's also the author of the books<i>Imbibing for Introverts</i>,<i>Drink Like a Geek</i>,<i>SakePedia</i>,<i>The Drinkable Globe</i>,<i>The Year of Drinking Adventurously</i>, and<i>Beer FAQ</i>. Jeff is also the founder of DrinkableGlobe.com and host of "The Drinkable Globe Podcast" and has been a frequent contributor to a variety of publications including<i>Beverage Media, BevNet, Beverage Industry, The Takeout, SevenFifty Daily and CraftBeer.com.</i>He lives in Alexandria, Virgina.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A new look at the life, works and enduring relevance of William Blake, a deeply spiritual and politically radical figure.</b></p><p>In the 200 years since Blake's death, the visionary artist, poet and writer has become a household name, often beloved. Yet many struggle to comprehend his kaleidoscopic ideas; how they speak to human longings and the challenges of living in anxious times.</p><p>Philosopher and psychotherapist Mark Vernon provides a fresh route into Blake, taking him at his word. Exploring this brilliant thinker's passionate writings, arresting artworks and fascinating life, Vernon illuminates Blake's vivid worldview. Like us, he lived in a tumultuous era of war, discontent, rapid technological change, and human estrangement from nature. He exposed the dark sides of political fervour and social moralising, while unashamedly celebrating love and liberty. But he also conversed with prophets and angels, and was powerfully, if unconventionally, religious. If we take this seriously  not easy, in secular times  then Blake can help us to unlock the transformative power of imagination.</p><p>Written for both longstanding fans and unfamiliar readers, <i>Awake!</i> reveals Blake as an invigorating and hopeful guide for our modern age.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An incendiary anti-capitalist response to the devastating impact of climate change.</b></p><p>Despite the naysayers, climate change is a fact. We know that global temperatures are rising, that weather patterns are changing, that forest fires, droughts, flooding, severe storms, and heat waves are the new normal. We know this planet is teetering on the edge of climate collapse, an apocalyptic event that threatens not only the future of human civilisation, but also the millions of other unique life forms on Earth. We know it's all our fault  it's the direct result of human beings burning fossil fuels and spewing out carbon emissions at such a fantastic pace that we've changed the fate of the entire planet, and it leaves most of us feeling helpless. What can any of us really do?</p><p><i>This Book Is a Knife</i> is a startling essay collection that explores the origins and dangers of climate change through a critique of capitalism and an exploration of the ways in which we might radically reimagine our world before it's too late. Rooted in L. E. Fox's background as a science journalist, <i>This Book Is a Knife</i> is a frank, plain-spoken, and sharply incisive series of missives designed to wake us up to the urgent reality of climate change and the lies we are fed based on the fact that the real issue is neither climate nor the environment  it's capitalism.</p><p>Fierce and unapologetic, <i>This Book Is a Knife</i> is a passionate and unique dissection of climate change that offers new possibilities for saving the world. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'One of the world's most widely read social scientists' (</b><b><i>New York Times</i></b><b>) offers his most personal and accessible book</b> <b></b> <b>a celebration of how ordinary people can resist oppression and injustice.</b></p><p>James Scott taught us what's wrong with seeing like a state. Now, in his most accessible and personal book to date, the acclaimed social scientist makes the case for seeing like an anarchist. Inspired by the core anarchist faith in the possibilities of voluntary cooperation without hierarchy, <i>Two Cheers for Anarchism</i> is an engaging, high-spirited, and often very funny defense of an anarchist way of seeing  one that provides a unique and powerful perspective on everything from everyday social and political interactions to mass protests and revolutions. Through a wide-ranging series of memorable anecdotes and examples, the book describes an anarchist sensibility that celebrates the local knowledge, common sense, and creativity of ordinary people. The result is a kind of handbook on constructive anarchism that challenges us to radically reconsider the value of hierarchy in public and private life, from schools and workplaces to retirement homes and government itself.</p><p>Beginning with what Scott calls 'the law of anarchist calisthenics', an argument for law-breaking inspired by an East German pedestrian crossing, each chapter opens with a story that captures an essential anarchist truth. In the course of telling these stories, Scott touches on a wide variety of subjects: public disorder and riots, desertion, poaching, vernacular knowledge, assembly-line production, globalisation, the petty bourgeoisie, school testing, playgrounds, and the practice of historical explanation.</p><p>Far from a dogmatic manifesto, <i>Two Cheers for Anarchism</i> celebrates the anarchist confidence in the inventiveness and judgment of people who are free to exercise their creative and moral capacities.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>James C. Scott</b> (1936-2024) was the Sterling Professor of Political Science, professor of anthropology, and codirector of the Agrarian Studies Program at Yale University. His books include <i>Seeing Like a State: How Certain Schemes to Improve the Human Condition Have Failed</i>; <i>Domination and the Arts of Resistance: Hidden Transcripts</i>; and most recently, <i>The Art of Not Being Governed: An Anarchist History of Upland Southeast Asia</i>. He was a fellow of the American Academy of Arts and Sciences.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Nature artist Jane Smith has been fascinated by wildlife communities and ecosystems her whole adult life. Starting from Argyll, she travels from the towering cliffs of St Kilda and the peatlands of Lewis to the Solway estuary and the urban sprawl of Glasgow - to explore the interaction of people and wildlife in a variety of diverse settings.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Nature artist Jane Smith has been fascinated by wildlife communities and ecosystems her whole adult life.</p><p>Starting from her own garden in Argyll, she travels to ten locations in the west of Scotland  from the towering cliffs of St Kilda and the peatlands of Lewis to the Solway estuary and the urban sprawl of Glasgow  to explore the interaction of people and wildlife in a variety of diverse settings. On her journey she discovers a number of communities who are taking on the job of regenerating their own landscapes and meets a host of fascinating people whose lives are inextricably bound up with questions of sustainability, conservation and landownership.</p><p>Contents Includes:Western Isles (peatlands) * North Uist (machair) * Islay (farmland) * Loch Arkaig (woodland) * Knapdale (wetland) * Dumfries and Galloway (river and estuary) * Jura (coast) * St Kilda archipelago (sea) * Glasgow (urban landscapes) *Eigg (community ownership)</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>After gaining a degree in Zoology, <b>Jane Smith</b> became a wildlife film maker for the BBC Natural History Unit and National Geographic. She won an Emmy for her work and has also appeared on BBC Radio 4's Tweet of the Day. She now creates wildlife art from her home on the west coast of Scotland to communicate her passion for the natural world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A fun beginner's guide to reading the symbols found in tea leaves!</p><p>The ancient practice of tasseomancy, or tea leaf reading, originated in ancient China and became popularized throughout Europe by the Romani, who were renowned for their fortune-telling skills, and eventually became a widespread practice of divination around the world. It is one of the easiest forms of divination to learn  all it takes is tea leaves, some hot water, and a creative mind!</p><p>Tea leaf reading is a form of fortune-telling that uses the symbols and images left in a cup by the tea leaves after the liquid is gone. Those images  much like the shapes we see in cloud formations  can be interpreted by the tea leaf reader. It is a special and intimate form of divination since the questioner must hold the cup in their hands and drink from it. It allows for the innermost aura of the questioner to enter into the warmly held cup of tea, and for the cup itself to have close contact with the boundaries of the questioner's body. This easy-to-use guide will teach you all the basics of getting started with this simple form of fortune casting:</p><ul><li>How to properly prepare a cup of tea</li><li>How to interpret different surfaces of the interior of the cup</li><li>The meanings of over 500 common symbols and images</li><li>Common astrological and tarot-related symbols</li><li>How to modify the practice using coffee grounds instead of tea</li></ul><p>This A-to-Z guide will help you discover the meaning(s) of almost any shape you find at the bottom of a tea cup, from anvils and anteaters to yachts and the zodiac signs.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jacqueline Towers</b> is a medium, psychometrist, tarot reader, Reiki healer, and counselor. She was a president of the British Astrological and Psychic Society and spent several years as the editor of their <i>Mercury Magazine</i>. She is also the author of <i>The Little Book of Dream Symbols</i>. Jacqueline lives in England.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Tennis is one of the only worldwide sports in which women have consistently played on the same stage as men for the past 50 years. The environment has allowed the women's game to create its own culture and narrative. While the men's headlines have been grabbed by the Big Three of Roger Federer, Rafael Nadal and Novak Djokovic, on the women's side shocks have emerged regularly and variety has reigned. Once the game was defined by heavyweight rivalries  from Chris Evert and Martina Navratilova in the 1980s to Steffi Graf and Monica Seles in the 90s, before the turn of the century brought the Williams sisters. Even in the midst of the Serena Williams dominance, there have been a succession of bolt-from-the-blue champions to create a sense of unpredictability and drama unrivalled in elite sport.</p><p>Since 2000, 36 different women have lifted grand slam singles trophies. Only 22 men have. In the last decade alone, there have been 10 female one-slam wonders, compared to four males. What is most striking about these numbers, is that they are not all serve bots or baseline bruisers hailing from the tennis academy system. Instead, the origin stories of these stars differ considerably. A generation of Czech talent eclipsing the richest tennis nations; child prodigies like Coco Gauff modelled by her parents; Kim Clijsters defying the odds to become a comeback champion after giving birth; and Emma Raducanu crafting a coaching rotation system to achieve her fairytale in New York. <i>Building Champions</i> explores the complex, remarkable stories of winning players from across the globe and asks what this generation can tell us about the future of women's tennis.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Molly McElwee</b> is a freelance sports journalist writing about women's sport, football, tennis, Olympic and Paralympic sport. Molly spent more than five years as a sportswriter for the <i>Daily Telegraph</i>. In 2024, Molly won the Tom Perrotta Prize, awarded by the International Tennis Writers' Association (ITWA) to a writer aged 35 or under who shows excellence in tennis journalism. She lives in Surrey.</p>]]></Text>
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			<Text textformat="02"><![CDATA[An engaging and informative account of 'kitchen sink realism' looking at the artists, musicians, playwrights and authors who wrenched Britain out of post-war austerity and paved the way for the swinging 60s and beyond. ...]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Everything AND the Kitchen Sink</i> analyses 'kitchen sink realism' and the birth of 'pop cinema' in the context of contemporaneous debates surrounding politics, civil liberties, sexuality, race, immigration and urbanisation.</p><p>Covering the lives and careers of well-known figures such as Alan Sillitoe, Shelagh Delaney, David Storey, Edna O'Brien and Albert Finney, as well as charting the rise of iconic British series like Coronation Street and Z-Cars, Simon Matthews offers a fascinating blend of social history, pop culture, drama and cinema. Matthews also interviews contemporary figures  including Ken Loach  about the kitchen sink era and how it inspired their work.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Simon Matthews </b>has had a varied career including serving as a local councilor in London for more than ten years, a spell running the British Transport Films documentary film library and several years singing in semi-professional rock groups. He has contributed articles on music, film and cultural history to Record Collector, Shindig! and Lobster magazines. Psychedelic Celluloid, his illustrated history of UK music, film and TV between 1965 and 1974, was published by Oldcastle Books in 2016; the sequel, <i>Looking for a New England</i>, followed in 2021. He is also the author of<i> House in the Country.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The music industry as you've never seen it before  from the bottom.</p><p>Music. We all love it. We can't live without it! But what exactly is it? Why is it so awesome? And who are the mysterious figures who create it, perform it and keep us all stocked up with the good stuff? What's it really like to be in a band and just how bad is the music industry?</p><p>In his new book, rock'n'roll underdog James Kennedy takes us on a tour through the hidden lives of the every-day musician  this isn't hotel room trashing but how 99% of musicians live in the real world. Blowing away the usual mythologies and pulling no punches, Loud Medicine is a rough and ready rollercoaster ride  OK, transit van ride  into the secret world of the modern day musician.</p><p>It's also an expose of music's many enemies, a manifesto for change and a love letter to everyone's favourite medicine. There will be rants, dramas, a cast of dysfunctionals, big ideas, industry scam shockers, truth-bombs, f-bombs, the likely crucifixion of a beloved music icon or two  and yes, of course, there will be road stories. So come and squeeze in amongst the drum cases and warm beers, and let's hit the road!</p>]]></Text>
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			<Text textformat="02"><![CDATA[Discover how the son of Spock learned to navigate this tumultuous relationship  from Shabbat dinners to basement AA meetings  and how he was finally able to reconcile with his father  and with himself.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'Adam Nimoy has written about the challenges growing up with his famous father and about their estrangement later in life. The fact that Leonard and Adam found a way to rebuild their relationship should resonate with anyone who struggles with difficult family dynamics.'  George Takei</b></p><p><b>"Engaging and immensely relatable, while at the same time offering deeply profound insights into Adam Nimoy's personal relationships, particularly with his famous father.'  Eugene Roddenberry Jr., CEO Roddenberry Entertainment</b></p><p><b>While the tabloids and fan publications portrayed the Nimoys as a 'close family', to his son Adam, Leonard Nimoy was a total stranger.</b></p><p>The actor was as inscrutable as the iconic half-Vulcan science officer he portrayed on <i>Star Trek</i>, even to those close to him. Now, his son's poignant memoir explores their complicated relationship and how it informed his views on marriage, parenting, and later, sobriety. Despite their differences, both men ventured down parallel paths: marriages leading to divorce, battling addiction, and finding recovery. Most notably, both men struggled to take the ninth step in their AA journey: to make amends with each other.</p><p>Discover how the son of Spock learned to navigate this tumultuous relationship  from Shabbat dinners to basement AA meetings  and how he was finally able to reconcile with his father  and with himself.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Adam Nimoy</b> is a graduate of UC Berkeley and Loyola Law School. After seven years in entertainment law, he left to pursue a directing career. Nimoy has directed over forty-five hours of network television, as well as directing the critically acclaimed documentary film about his father. <i>For the Love of Spock</i> (2016) was the Official Selection at the Tribeca Film Festival.He was featured in the <i>New York Times</i> article 'To Boldly Explore Jewish Roots of <i>Star Trek'</i> and he published a Father's Day piece about his relationship with his father for the <i>Boston Globe</i>. He is the author of <i>My Incredibly Wonderful, Miserable Life</i>and has been in 12-step recovery for twenty years. Adam has three children, a step-son, a dog and two cats. He lives in Los Angeles.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A definitive study of a hotly debated phenomenon: migration into Europe and America, its socioeconomic impacts, and the eternal policy efforts to stop the inevitable.</b></p><p>This authoritative book proposes a fresh perspective on international migration, offering decisive answers to the big questions, and dismantling the main myths surrounding one of the most salient issues of today's global politics. Who are these migrants? Do they steal our jobs? Can we help them in their home countries? Do border controls improve security? Are open borders desirable? Leila Simona Talani and Matilde Rosina address these issues and more in their deeply researched study of migration into both Europe and the United States.</p><p>Assessing globalisation's impact on international migration, the authors find that it is virtually impossible to stop contemporary flows from the Global South to North. In this context, policies designed to control, limit or deter immigration simply transform some or all regular migrants into irregular ones  exacerbating insecurity for citizens of the receiving state, and criminalising the migrants.</p><p>Through empirical research including original surveys and interviews, Talani and Rosina demonstrate conclusively that the only solution to this short-circuit world of securitisation and criminalisation is for the Global North to open its doors to the migrants already, inevitably, coming through  particularly since the evidence shows that regularising migration is a positive-sum game, in economic, social and security terms.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Leila Simona Talani</b> has been Professor of International Political Economy in the Department of European and International Studies, King's College London, since 2014; Editor of Palgrave Macmillan's series on the 'Politics of Citizenship and Migration' since 2020; and the founding Director of the Centre for Italian Politics @EIS, King's College London. In 2017, she was awarded the Pierre Keller visiting professorship at the John F. Kennedy School of Government, Harvard University. She was also appointed Jean Monnet Chair of European Political Economy by the European Commission in 2012. </p><p><b>Matilde Rosina</b> is Lecturer in Global Challenges at Brunel University London, and Visiting Fellow at the London School of Economics. Her work lies at the intersection of international migration, public policy and international relations. An expert on migration and asylum matters, she earned her PhD from King's College London, winning the King's Outstanding Thesis Prize.</p>]]></Text>
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			<Text textformat="02"><![CDATA[From war with the British to the enslavement of Indians, Ivermee uncovers the dark history of France's doomed imperial project in South Asia.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From war with the British to the enslavement of Indians, Ivermee uncovers the dark history of France's doomed imperial project in South Asia.</b></p><p>This is a powerful new account of a chapter in history that is crucial to understand, yet often overlooked. For 150 years, from the reign of Louis XIV to the downfall of Napoleon, France was an aggressive imperial power in South Asia, driven by the pursuit of greatness and riches. Through their East India company and state, the French established a far-reaching empire in India, only to see their dominant position undermined by conflict with Indian rulers, competition from other European nations, and a series of fatal strategic errors.</p><p>Exploding the myth of a benign French presence on the subcontinent, Robert Ivermee's extensive research reveals how France's Indian empire relied on war-making, conquest, opportunistic alliances, regime change and slavery to pursue its ambitions. He considers influential French figures' reactions to the collapse of the imperial project, not least their deployment of new ideas, like freedom and the rights of man, to justify fresh ventures of domination--even as colonial authorities failed to acknowledge the equality of French India's diverse indigenous peoples, both before and after the French Revolution.</p><p>From great power rivalry to informal empire and entrenched inequalities, Glorious Failure tackles topics that remain vital and urgent in today's world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Robert Ivermee </b>is a historian of British and wider European colonialism in South Asia. He is Associate Professor at the Catholic University of Paris, and the author of<i> Hooghly: The Global History of a River</i> (also published by Hurst).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The Zambezi is the fourth-longest river in Africa, and one of the continent's principal arteries of movement, migration, conquest and commerce. In this book, historian Malyn Newitt quotes rarely used Portuguese sources that throw vivid light on the culture of the river peoples and their relations with the Portuguese creole society of the prazos.</p><p>Hitherto unused manuscript material illustrates Portuguese and British colonial rule over the people of the long-lived Lunda kingdoms, and the Lozi of the Barotse Floodplain. The Zambezi became a war zone during the 'Scramble for Africa', the struggle for independence and the civil wars that followed the departure of colonial powers. Recent history has also seen the river's wild nature tamed by the introduction of steamers and the building of bridges and dams. These developments have changed the character of the waterway, and impacted  often drastically  the ecological systems of the valley and those settled along its course.</p><p><i>The Zambezi</i> traces the history of the communities that have lived along this great river; their relationship with the states formed on the high veldt; and the ways they have adapted to the vagaries of the Zambezi itself, with its annual floods, turbulent rapids and dramatic gorges.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Malyn Newitt</b> was deputy vice-chancellor of the University of Exeter, and the first holder of the Charles Boxer Chair, King's College London. He has authored more than twenty books on Portugal and Portuguese colonial history, including <i>A Short History of Mozambique</i> and<i> Emigration and the Sea</i>, both published by Hurst.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A compelling history of the women who started their own police force in 1914  as war, social upheaval and gender injustice gripped the UK.</b></p><p>Violence against women is out of control. Conviction rates for rape are so low that most survivors think it pointless to report, or later regret doing so. Ruthless trafficking gangs run the sex trade. Women have no confidence in the Metropolitan Police. The year is 1914.</p><p>As the First World War began, a group of British campaigners founded the Women Police Volunteers, hoping to protect the vulnerable both from crime and from patriarchal policing and justice. The movement's pioneers included a militant suffragette who'd spent time behind bars, a moral purity activist, a blue-blooded radical, and a court reporter born in the workhouse to a single mother. Sandra Hempel follows their astonishing journey, through all of its troubling turns.</p><p><i>Controlling Women</i> is a vivid snapshot of rapid national change, and a rich tapestry of ethics and emotions among its fascinating characters. Reconciling political ideals with institutional compromise, these bold, complex women made history, despite establishment opposition and destructive infighting. They show us just how far we have to go in the fight for women's justice.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>As Russia rattles its sabres in the Baltic, Neil Taylor reconsiders the history of Estonia and its struggle to achieve statehood.</p><p>With only 1.3 million inhabitants, Estonia is one of Europe's least populous nations  yet it boasts one of the continent's fastest growing economies. In the first serious English-language history of this small Baltic state, Neil Taylor charts Estonia's long, arduous journey to its present-day prosperity, through a thousand years of occupation by Danes, Swedes, Germans and Russians.</p><p>In the wake of the First World War, out of the heat of a national awakening and the collapse of the Russian and German empires, Estonia was recognised as an independent nation in 1920. This was not to last  the country was tossed between the Soviets and Nazis during the Second World War, then fully integrated into the USSR, bringing on more than half a century of renewed occupation and misery. But hopes of true independence never dimmed and, in 1991, the Republic of Estonia was restored.</p><p>This unflinching history includes charming moments of colour and levity, from ambassadorial reports on nude bathing and a presidential press conference deliberately held beside a dirty toilet, to the story of a blind pianist, the first foreigner allowed to visit the city of Tartu in the Soviet era.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Your guide to the world of Generative AI in Photoshop!</b></p><p>Everyone's talking about the new Generative AI capabilities of Adobe Photoshop, and for good reason: This is the biggest update to Photoshop in its history. With the power of AI photo editing, you can now remove, expand, generate, change, or combine almost anything you need to in order to create the images you want.</p><p>While these features are incredibly powerful, it can be a struggle to get the best results from these powerful tools. What exactly can Generative Fill and Generative Expand do, and how do they do it? When should you use these tools, and when should you use another tool? If you want to incorporate these tools into your workflow, it's very important to get an early grasp of these tools now  and get ahead of the crowd.</p><p>In this book, best-selling author Colin Smith walks you through Generative AI in Photoshop. With decades of experience working in the real world and training for Adobe, Apple, Nvidia, and many others, he knows Photoshop on a level that few do. He also has a knack for making learning fun and easy, and he can take complex topics and make them seem simple.</p><p>You will learn to:</p><ul><li>Generate a scene from scratch</li><li>Extend an image</li><li>Fix panoramas</li><li>Remove crowds</li><li>Remove any object</li><li>Generate objects</li><li>Replace objects</li><li>Duplicate and move an image</li><li>Combine variations of generated images</li><li>Blend images into an extended scene</li><li>Repair old or damaged photos</li><li>Composite with your own photos</li><li>Composite your photo into an AI scene</li><li>Change backgrounds</li><li>Add reflections</li><li>Generate depth of field</li><li>Create actions with Generative AI commands</li><li>And much more!</li></ul><p>Make no mistake: Generative AI is here to stay, and it is revolutionising how we work in Photoshop. With <i>The Practical Guide to Using Generative AI in Photoshop</i> by your side, you will be ready to confidently move forward with these new tools and apply them to your own imagery. Whether you want to simply clean up your photos or create fantastical works of art  or anything in between  your only limitation will be your imagination.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Colin Smith</b> is a best-selling author, trainer, and award-winning digital artist and photographer. His newest obsession is with drones, quadcopters, and aerial photography. Colin is an Adobe Community Professional (ACP) who has authored or co-authored nearly 20 books on Photoshop, including the best-selling<i>How to Do Everything with Photoshop</i>. He is also the founder of one the world's most popular Photoshop resource websites, PhotoshopCAFE.com, which boasts over 30 million visitors. He is a regular columnist for<i>Photoshop User</i>magazine, and has been featured in most major imaging magazines including<i>Computer Arts</i>,<i>Photoshop CreativeDigital Photographer</i>, and many more.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>See more clearly, live more wisely, and bear the burdens of this life with greater ease  here are the greatest insights of the Stoics, in their own words. Presented in twelve lessons, Ward Farnsworth systematically presents the heart of Stoic philosophy accompanied by commentary that is clear and concise.</p><p>A foundational idea to Stoicism is that we appear to go through life reacting directly to events. That appearance is an illusion. We react to our judgments and opinions  to our thoughts about things, not to things themselves. Stoics seek to become conscious of those judgments, to find the irrationality in them, and to choose them more carefully.</p><p>In chapters including <i>Emotion</i>, <i>Adversity</i>, <i>Virtue</i>, and <i>What Others Think</i>, here is the most valuable wisdom about living a good life from ages past  now made available for our time.</p><p><b>'Farnsworth beautifully integrates his own observations with scores of quotations from Epictetus, Seneca, Marcus Aurelius, Montaigne and others. This isn't just a book to read</b> <b></b> <b>it's a book to return to, a book that will provide perspective and consolation at times of heartbreak or calamity.' </b> <b><i>The Washington Post</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[The incredible story of an Australian hero who helped save the life of a future president.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The incredible story of an Australian hero who helped save the life of a future president.</b></p><p>On a moonless night in August 1943, a US torpedo boat commanded by Lt John F Kennedy, on patrol in Solomon Islands, was rammed by a Japanese destroyer. Left clinging to wreckage within sight of Japanese encampments, the eleven surviving members of Kennedy's crew eventually struggled ashore on a small uninhabited island. Missing, presumed dead, behind enemy lines, with no food or water, and with several injured, the future looked bleak for the shipwrecked Americans. Fortunately, Australian 'coast watcher' Lt Reg Evans witnessed the immediate aftermath of the collision from his nearby jungle hideaway. Working under the searching eye of the Japanese military, over the next five days Evans and two Solomon Islander scouts - Eroni Kumana and Biuku Gasa - located Kennedy and his crew and ensured their rescue.</p><p>This story of wartime bravery and survival helped create JFK's legend and paved his way to the White House. It also shone a spotlight on Australia and America's shared wartime experience. In <i>Saving Lieutenant Kennedy</i>, Brett Mason, author of <i>Wizards of Oz</i>, sets the heroic rescue and its colourful aftermath against the background of the Pacific war and the birth of the AustraliaUS alliance, which remains as vital today as when Kennedy and Evans first shook hands.</p><p><b>&amp;#x27;A fascinating slice of military history.&amp;#x27; - Jeff Popple,</b> <b><i>Canberra Weekly</i></b></p><p><b>&amp;#x27;</b><b><i>Saving Lieutenant Kennedy</i></b><b> is a book that is equally interesting and entertaining. It can be highly recommended.&amp;#x27; - </b><b><i>Sabretache </i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Brett Mason</b> is Chair of the Council of the National Library of Australia and Adjunct Professor in Law at the Queensland University of Technology. He was formerly Australia's Ambassador to the Netherlands and Permanent Representative to the Organisation for the Prohibition of Chemical Weapons. From 1999 to 2015 he was Senator for Queensland and served in the Howard and Abbott ministries. His most recent book is <i>Wizards of Oz: How Oliphant and Florey helped win the war and shape the modern world</i> (NewSouth).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>** Shortlisted, 2023 NSW Premier&amp;#x27;s History Awards, Australian History Prize **</b></p><p><b>** Longlisted, 2023 Mark &amp; Evette Moran Nib Literary Award **</b></p><p><b>** Longlisted, The 2023 Australian Political Book of the Year Award **</b></p><p><b>** Longlisted, 2023 Walkley Book Awards **</b></p><p><b><i>Political Lives</i></b><b> is an intimate history of image-making and image-breaking in national politics.</b></p><p>What was the story behind Bob Hawke's famed biography? Why does Paul Keating think biographies of serving politicians are 'like Polaroids of a busy life' while John Howard considers them a big mistake? Where is the 'missing' Menzies biography? Why are our early prime ministers largely absent from historical memory? Chris Wallace writes Australian political history anew through this account of prime ministers, their biographies and their biographers. Lively and astute, the book takes us into their motivations and relationships, some well-known and some hidden, and in doing so shows us Australian politics in a fresh light.</p><p><b>'For years there has been no shrewder or sharper commentator on Canberra politics than Chris Wallace. In this compelling, typically acute and unique study she contrives to illuminate all at once - and often as if for the first time - both the character of Australia's prime ministers and the way Australian political history has been made.' - Don Watson</b></p><p><b>'Original, compelling and provocative. Every page offers fresh insights.</b> <b><i>Political Lives</i></b><b> provides a genuinely new way of looking at Australian politics and political biography. Wallace has written a series of brilliant mini biographical essays on prime ministers and their biographers, exploring their backgrounds, relationships, motivations and political impact. The result is a biography of prime ministerial biography, the like of which we have not seen before.' - Mark McKenna</b></p><p><b>'Politicians' log cabin stories have become such an important part of politics. But it has not always been so. Chris Wallace traces the intriguing role biography has played in framing our views of our leaders past and present, and examines how it has become such a potent force in the political contest.' - Laura Tingle</b></p><p><b>'Chris Wallace, scholarjournalist, has written this superb and fascinating analysis of political biography since Federation. Everyone interested in political history will love it. It concludes with a vital oath all her colleagues should observe: "First do no harm  unless it's deserved and intentional".' - Kim Beazley</b></p><p><b>&amp;#x27;We meet both the political players and, as intriguing, the writers who put words around them. It's a fascinating prism, often revelatory, and a testament to the author's capacity to pair very particular scholarship with delightfully enlivening storytelling.&amp;#x27; - Jonathan Green,</b><b><i> Sydney Morning Herald/The Age</i></b></p><p><b>&amp;#x27;A genuinely fresh perspective on our nation&amp;#x27;s political history.&amp;#x27; - Samuel Bernard,</b> <b><i>The Weekend Australian</i></b></p><p><b>&amp;#x27;Wallace has certainly produced a deep and satisfying examination of Australian prime ministers and their biographers.&amp;#x27; - Miriam Cosic,</b> <b><i>The Saturday Paper</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Political historian <b>Dr Chris Wallace</b> is a professor at the Faculty of Business Government and Law, University of Canberra. Her previous book, <i>How To Win An Election</i> (NewSouth, 2020), drew important lessons for Labor from its shock 2019 election loss against the backdrop of the last half century of Australian federal elections. Wallace was formerly a longstanding member of the Canberra Press Gallery, and her political analysis and commentary currently appears in <i>Nikkei Asia</i>, <i>The Sydney Morning Herald</i>, <i>The Age</i>, <i>The Saturday Paper</i> and <i>The Conversation</i>. Twitter: @c_s_wallace</p>]]></Text>
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			<Text textformat="02"><![CDATA[This unofficial account of Australian Signals intelligence reveals the organisation's efforts to reveal the secrets of others.]]></Text>
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			<Text textformat="02"><![CDATA[<p>For a long time, the Australian Signals intelligence (or Sigint) story has been kept secret. Until now...</p><p>Why does Australia have a national signals intelligence agency? What does it do and why is it controversial? And how significant are its ties with key partners, the United States, the United Kingdom, Canada and New Zealand, to this arrangement?</p><p><i>Revealing Secrets</i> is a compelling account of Australian Signals intelligence, its efforts at revealing the secrets of other nations, and keeping ours safe. It brings to light those clever Australians whose efforts were for so long entirely unknown or overlooked. Blaxland and Birgin traverse the royal commissions and reviews that shaped Australia's intelligence community in the 20th century and consider the advent and the impact of cyber. In unearthing this integral, if hidden and little understood, part of Australian statecraft, this book increases our understanding of the past, present and what lies ahead.</p><p><b>'George Orwell famously wrote during World War Two, "we sleep safe in our beds because rough men stand ready in the night to visit violence on those who would do us harm". Reading this superb history by John Blaxland and Clare Birgin on Australia's involvement with Sigint and cyber we can contemplate a new formula. We sleep safer because 24/7 intelligent, technologically competent patriotic men and women who work for our agencies, develop and work our electronic defence and offence capacities at worldclass standard. This in a world now in which we are constantly under attack. The work so secret it is proving impossible to produce an official history. This is the closest we can get and it is very good. If you are seriously interested in our defence and survival, or you would just like a good read, this belongs on your bookshelf.' - Kim Beazley, former Defence Minister</b></p><p><b>'A meticulous compilation of the largely unsung past achievements of our most consistently productive intelligence source. And a thoughtful analysis of how to approach the extraordinary challenges posed by the new cyber universe. Blaxland and Birgin make an important contribution to our understanding of issues needing much more open debate than our own and allied governments have traditionally allowed or encouraged.' - Gareth Evans, Former Australian Foreign Minister</b></p><p><b>'Australia has been part of sigint since the practice began, which has shaped its history in ways that Australians know little about. Their government likes to keep things that way.</b> <b><i>Revealing Secrets</i></b><b> overcomes efforts to keep Australians ignorant about their sigint history, by discussing everything that can be said about it without access to secret records. Anyone interested in the past and future of Australia has much to learn from this book.' - John Ferris, author of</b> <b><i>Behind the Enigma, The Authorised History of GCHQ, Britain's Secret Cyber Intelligence Agency</i></b></p><p><b>'The most comprehensive and best-informed account we have had of the history of signals intelligence in Australia. Essential reading for anyone seeking to understand not just our country's past, but Australia's strategic future as well.' - Allan Gyngell, author of</b> <b><i>Fear of Abandonment: Australia in the World Since 1942</i></b></p><p><b><i>'Revealing Secrets</i></b><b> tell the remarkable but little-known story of how a small, back-room military office grew into a major Australian government agency. Deeply researched, authoritative and accessible, it is a valuable and timely contribution to understanding issues that have never been more important to national security.' - Emeritus Professor David Horner, author of</b> <b><i>The Spy Catchers</i></b></p><p><b>'Packed with facts and figures, charts and diagrams, and measured, unsensational judgements.' - Mark Dapin,</b> <b><i>The Australian</i></b></p><p><b>&amp;#x27;A gripping read.&amp;#x27; - Miriam Cosic,</b> <b><i>The Saturday Paper</i></b></p><p><b>&amp;#x27;Blaxland and Bergin have produced a high quality and clear-eyed piece of scholarship, offering a sweeping authoritative historical perspective on one of the most secret branches of Australian intelligence.&amp;#x27; - Daniel Baldino,</b> <b><i>The Conversation</i></b></p><p><b>&amp;#x27;Certainly, as the authors point out, this is an area which has not received the attention it should have in the history of the defence of Australia.&amp;#x27; Anthony Llewellyn-Evans,</b> <b><i>Good Reading Magazine</i></b></p><p><b>&amp;#x27;Anyone interested in such issues, as well as the history that underpins them, would do well to read this work and judge for themselves.&amp;#x27; - Paul Skrebels,</b> <b><i>Sabretache</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John Blaxland</b> is Professor of International Security and Intelligence Studies in the Strategic and Defence Studies Centre (SDSC), Coral Bell School of Asia Pacific Affairs at the Australian National University (ANU). He is a Senior Fellow of the Higher Education Academy and a Fellow of the Royal Society of New South Wales. He was also formerly a military intelligence officer, Head of SDSC and Director of the ANU Southeast Asia Institute. He is the author and editor of several publications on military history, intelligence and international security affairs.</p><p><b>Clare Birgin's</b> career in DFAT spanned 30 years, with a focus on national security and intelligence. She had postings in Warsaw, Moscow, Geneva, and Washington DC as the Liaison Officer of the Office of National Assessments, followed by postings as Ambassador in Hungary, Serbia, Kosovo, Romania, North Macedonia and Montenegro. Subsequently she was a Visiting Fellow at the ANU before joining John Blaxland's history writing team. She has been awarded the Polish Government's Knight's Cross Medal and the Bene Merito Medal by the former Polish Foreign Minister.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Written by former Deputy Prime Minister, The Honourable Tim Fischer, <i>Steam Australia</i> paints a fascinating picture of Australian steam transportation over ten vital decades of transformation; from two world wars, to changes in leadership and even a visit from the Queen, the century of steam locomotion in Australia is also of great political interest. Fischer tracks key steam locomotives that traversed Australia during critical stages of our nation's development and transported soldiers to fields of conflict as we fought in two world wars. </p><p>For a century, from 1850 to 1950, steam locomotive haulage dominated Australia's various rail systems. During that period, rail networks expanded from a few short routes in the big capital cities to huge networks reaching every corner of each state. The book covers the great named express trains hauled by steam locomotives over the decades: Puffing Billy, Robert Gordon Menzies, The Ghan. Special features include information on Albury's 'break of gauge' platform (where two state track systems met), the Amiens branch line (running through Pozieres and Passchendaele stations in Queensland), the 'garnishee' order against the Spirit of Progress, some important characters such as C. Y. O'Connor and many more fascinating topics.</p><p>Tim Fischer's story of steam trains in Australia is illustrated with over 300 exciting images from the superb National Library John Buckland collection of photography, many never seen before. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Highly Commended, NSW History Awards 2025, NSW Community and Regional History Prize**</b></p><p>Surveyor Thomas Scott Townsend (18121869) is an elusive, almost legendary figure, closer to folklore than to history. His name is given to the country's second highest mountain, but the details of his career are obscure and his personal identity has remained a mystery.</p><p>Yet, if you live in southern New South Wales or Victoria, there is a good chance that your town or district has been influenced by his work: he covered a huge extent of territory and worked furiously hard in a career that spanned two decades.</p><p><i>Townsend of the Ranges</i> is a sensitively told, surprisingly dramatic biography of Townsend's life, from his early days as a junior surveyor in Australia to his time living as a recluse in London before his death. Dr Crowley has engaged in extensive research of primary sources, relying on letters from estranged family members, Townsends employers and Townsend himself to map the story of his life.</p><p>Accompanied by original maps drawn by Townsend, this book is a beautifully written portrait of a young man fighting loneliness in the wilderness, mapping the watershed crests of the Dividing Ranges and the contours of south-eastern Australia. The narrative also reveals a picture of destruction and violence as settlers and squatters moved across the land.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Winner of the 2018 ABIA Small Publisher&amp;#x27;s Adult Book of the Year</b></p><p><b>Winner of the 2017 Whitley Medal</b></p><p>Australia&amp;#x27;s avifauna is large, diverse and spectacular, reflecting the continent&amp;#x27;s impressive range of habitats and evolutionary history. With specially commissioned paintings of over 900 species, The Australian Bird Guide is the most comprehensive field guide to Australian birds ever seen.</p><p>This Revised Edition includes updated maps, artwork and species accounts, reflecting current knowledge of the biology and distribution of Australia&amp;#x27;s birds. It features around 4700 specially commissioned colour illustrations of over 900 species, with particular emphasis on providing the fine detail required to identify difficult groups and distinctive plumages. Comprehensive species accounts have been written by a dedicated team of ornithologists to ensure identification details, distribution and status are current and accurate. A new easier-to-use index is also included.</p><p><i>The Australian Bird Guide</i> sets a new standard in field guides, providing an indispensable reference for all birders and naturalists looking to explore Australia&amp;#x27;s magnificent and unique birdlife.</p>]]></Text>
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			<SubjectHeadingText>commemoration; cairn; tombstone; world war I; Bicentenary; repatriation; graves; totem; Memorial; Reconcilation; Invasion Day; 26 January; frontier war; second world war; remembrance; first world war; poisoning; war memorial; James Cook; Australia day; First Nations memorial; Coniston; Lake Mungo; repatriate; massacre; sorry business; lest we forget; change the date; headstone; statue; world war II; sacred place; Aboriginal memorial; myall creek; apology; Hyde Park; conflict; monument; Indigenous; plaque; cemetery; graveyard; mourning; burial; museum; rock art; heritage; shrine</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>What is the place of Australia's colonial memorials in today's society? Do we remove, destroy or amend?</b> <b><i>Monumental Disruptions</i></b> <b>investigates how these memorials have been viewed, and are viewed, by First Nations people to find a way forward.</b></p><p>In June 2020, on the heels of Australia's James Cook anniversary commemorations and statue-toppling Black Lives Matter protests in the USA, dozens of police were sent to guard a statue of Cook in Hyde Park, Sydney. Despite the police presence, two women spraypainted 'sovereignty never ceded' across the statue.</p><p>Scenes like this are being repeated around the world as societies reassess memorials that no longer reflect today's values. Should they be removed, destroyed or amended? <i>Monumental Disruptions</i> looks for answers. It investigates why commemorations were erected, their meaning for Aboriginal people in Australia, both then and now, and it compares Australia's experience with that overseas.</p><p>Those who question colonial commemorations have been called 'UnAustralian'; but, in Australia, Aboriginal and non-Aboriginal communities are working together to forge new ways to mark the past. This timely book is essential reading for anyone interested in how a society commemorates and acknowledges its complex history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Professor Bronwyn Carlson</b> is an Aboriginal writer, researcher and academic from Dharawal Country in NSW. Bronwyn has received three Australian Research Council grants and is a past winner of the Stanner Award. She is the author of <i>The Politics of Identity: Who Counts as Aboriginal Today?</i> and is a well known commentator on the place of monuments in Australia. Bronwyn delivered the keynote 'Breaking with the past, dis(re)membering the monuments' at the 2019 Cultural Studies Association of Australia conference and in 2020 authored The Conversation's Friday essay 'Taking a wrecking ball to monuments  contemporary art can ask what really needs tearing down'. She is founder and editor of the <i>Journal of Global Indigeneity</i> and convenor of The Forum for Indigenous Research Excellence, a member of the editorial board for the Journal of Sociology and a Fellow of the Australian Academy of the Humanities.</p><p><b>Dr Terri Farrelly</b> is an independent research consultant and Adjunct Fellow in the Department of Indigenous Studies at Macquarie University. Her doctoral thesis was on Aboriginal suicide, and she has also worked as a research consultant on intergenerational trauma and healing, contesting colonial commemorations, and addressing racism and discrimination through truth-telling. Terri has collaborated with Aboriginal academics and worked with Aboriginal and mainstream Australian government and non-government organisations to improve their cultural competence and service delivery, and their support of Aboriginal expertise in research and development. Terri has collaborated with Professor Bronwyn Carlson since 2004.</p>]]></Text>
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