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			<SubjectHeadingText>Environment; wildlife; urban ecology; nature writing; humanwildlife interaction; environmental storytelling; biodiversity and conservation; wildlife resilience; climate change and nature; ecological memoir; Australian nature; birdwatching stories; bearded pigs Borneo; rock ptarmigan Arctic; Maasai conservation Kenya; elephant tourism Thailand; wildlife overpasses; feeding wild birds; farming for biodiversity; nature connection; Anthropocene reflections; ecological hope; nature lovers; environmentalists; birdwatchers; ecologists; climate-conscious readers; outdoor enthusiasts; conservation students; wildlife advocates; sustainable living readers</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Can our interactions with wildlife help answer life's big questions? Acclaimed urban ecologist Darryl explores how people around the world interact with the natural world.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Can our interactions with wildlife help answer life's big questions?</b></p><p>In <i>(Be)wilder</i>, acclaimed urban ecologist Darryl Jones explores how people around the world interact with wildlife. He spends time with bearded pigs in Borneo, rock ptarmigans in the Arctic, birdwatchers in Iowa and conservationist farmers in Australia's Snowy Mountains.</p><p>Along the way, Jones asks, is it possible for farming and conservation to work together? How can urban landscapes be redesigned to enhance biodiversity? What happens when a local community turns centuries of traditional land use over to wildlife? And can birdwatching help save the planet?</p><p><b>'</b><b><i>(Be)wilder</i></b><b> is a 'call-to-action' and timely reminder to step up for our own survival.'  Mark Parry,</b> <b><i>Good Reading Magazine</i></b></p><p><b>'A collection of true stories that highlight the resilience of nature and inspire curiosity about and admiration for our non-human neighbours.'  Ash Davida Jane,</b> <b><i>Books + Publishing</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Darryl Jones</b> is a Professor of Ecology at Griffith University in Brisbane, where for over 30 years he has been investigating the many ways that people and wildlife interact. He is particularly interested in why some species have been so successful in urban landscapes while many others have not, and how best to deal with the ensuing conflicts. His books include <i>Getting to Know the Birds in Your Neighbourhood</i>, <i>Feeding the Birds at Your Table</i> and <i>Curlews on Vulture Street</i> (all from NewSouth Publishing).</p>]]></Text>
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			<Text textformat="02"><![CDATA[Acclaimed urban ecologist Darryl Jones reveals the not-so-secret lives of the most common birds that share our towns and cities.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Darryl Jones, author of</b> <b><i>Feeding the Birds at Your Table</i></b><b>, reveals the not-so-secret lives of the most common birds that share our towns and cities.</b></p><p>Despite the noise, heat, dust and fumes, the ceaseless movement, light and toxins, many birds successfully live their lives among us. And not just furtively in the shadows. Ibis steal our lunch, brush-turkeys rearrange gardens and magpies chase us from near their nest.</p><p>From blackbirds and sparrows in his childhood country town to brush-turkeys in the suburbs, Darryl Jones shares a fascinating story of curiosity, discovery, adventure and conflict, played out in the streets and backyards of Australia. He also provides rare insights into the intimate lives of some of our most beloved and feared, despised and admired neighbours. Magpies, curlews, ibis, lorikeets and cockatoos will never seem the same again.</p><p><b>'What happens when nature comes to town? Darryl Jones has written a witty, rollicking account of his encounters with the ingenious creatures that make our urban homes their own. A wild, wonderful journey in the spirit of Gerald Durrell, unexpected and delightful, full of insight, humour and humility. Anyone who loves birds, nature and superb storytelling will love this book!'  Jennifer Ackerman, author of</b> <b><i>The Genius of Birds</i></b></p><p><b>'As rare a delight as the urban curlews of the title, this is a thoroughly enjoyable account of the value that all birds, even the common ones we see every day, bring to our lives. We often talk about why birds matter. Darryl Jones shows how even backyard birds have the capacity to enrich and bring wonder to our lives.'  Sean Dooley, author of</b> <b><i>The Big Twitch</i></b></p><p><b>'Darryl Jones confirms what many people suspect, that ecologists lead fun lives.'  Tim Low, author of</b> <b><i>Where Song Began</i></b></p><p><b>'Jones's enthusiasm for his avian subjects and the thrill of scientific discovery should appeal most to fellow bird lovers, watchers and counters - or anyone who dabbled in the habit during the long pandemic lockdowns.'  Kim Thomson,</b> <b><i>Books+Publishing</i></b></p><p><b>'A charming ornithological memoir.'  Phil Brown,</b> <b><i>Courier Mail</i></b></p><p><b>'Jones casts a wry eye over all his subjects and their behaviours, whether they be birds, academics or himself, in this playful, engaging tale.' -</b> <b><i>The Sydney Morning Herald</i></b></p><p><b>'Jones makes for a knowledgeable and curious-minded guide.' </b> <b><i>The West Australian</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p></p><p><b>Darryl Jones</b> is a Professor of Ecology at Griffith University in Brisbane, where he has been investigating the many ways that people and wildlife interact for over 30 years. He is particularly interested in why some species are extremely successful in urban landscapes, while many others are not, and how best to deal with the ensuing conflicts. More recently, he has been trying to understand more about the humans that also live in cities in large numbers, and how they engage with nature. This has led him into the strange and fascinating world of wild bird feeding and has resulted in collaborations with other researchers all over the world. He has published six books, including <i>The Birds at My Table</i> and <i>Feeding the Birds at My Table</i>.</p>]]></Text>
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			<SubjectHeadingText>20th century Australian fiction; A Few Days in the Country and Other Stories; Alice; Australian literary history; Australian literature; Australian women writers; Christina Stead; Cynthia Nolan; Domestic violence; Down in the City; Elizabeth Harrower; Elizabeth Harrower biography; Emotional trauma; Feminist literary criticism; In Certain Circles; Judah Waten; Kit Hazzard; Kylie Tennant; Literary biography; Literary neglect; Literary reclusion; Margaret Dick; Mental health in fiction; NewSouth books; Patrick White; Postwar Australia; Psychological Fiction; Publishing history; Richard Kempley; Shirley Hazzard; Susan Wyndham author; The Beautiful Climate; The Catherine Wheel; The Fun of the Fair; The Long Prospect; The Retrospective Grandmother; The Watch Tower; The Watch Tower novel; UNSW Press; Women writers; Writer's block; domestic violence novels; emotional trauma in literature; feminist literature; literary biography Australia; literary rediscovery</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><i>'At last I read her books, reminding myself to breathe, wondering if her characters could extricate themselves from her finely spun web of psychological torment. I seized my chance to interview Elizabeth Harrower again...'</i></p><p>Elizabeth Harrower wrote some of the most intense, original and highly regarded novels of the twentieth century. Then she abruptly stopped writing in the 1970s and became one of the most puzzling mysteries of Australian literature. Why didn't she continue? Harrower gave evasive answers to friends and interviewers, and only since her death in 2020 has a deeper search been possible. </p><p>In this definitive biography, renowned journalist and writer Susan Wyndham grapples with the elusive Harrower. She immerses us in the author's tumultuous family, her complex friendships with Patrick White, Christina Stead, Kylie Tennant and Shirley Hazzard, and her timeless probing of the human spirit in five remarkable novels.</p><p>Drawing on time spent with Harrower, revealing analysis of her fiction and new research, Wyndham unmasks a literary legend. </p><p><b>'</b><b><i>Elizabeth Harrower: The woman in the watch tower</i></b> <b>is the first (and perhaps final) word on one of Australia's most brilliant and bedevelling writers. Like Harrower's, Wyndham's prose is meticulously observed, emotionally attuned and full of grace, insight and vision. It's a fantastic achievement.'  Dominic Amerena</b></p><p><b>'This is an extraordinary biography of one of the finest, and most important, Australian writers, Elizabeth Harrower. In a braiding so skilled you can't see it, Susan Wyndham takes us from Harrower's life into her work and her friendships, and then back into her work and life. This is a deceptively simple, beautifully detailed, psychologically acute portrait worthy of its subject.'  Anna Funder</b></p><p><b>'This is a wonderful book. It gives us the complexities of Harrower's life and of her fascinating character  so nave and at the same time so intelligent, her prickly diffidence coupled with a kind of gormless passion. And it sets her compellingly into the decades when modern Australian literature was coming into being. An indispensable contribution to Australian writing.'  Brigitta Olubas</b></p><p><b>'This much-awaited biography peels back the layers on Australian literary legend Elizabeth Harrower, who died in 2020 after decades as an enigmatic figure.'  Melanie Kembrey,</b> <b><i>SMH/The Age</i></b></p><p><b>'A sympathetic and illuminating exploration of the life and work of one of post-war Australia's most significant writers.'  </b><b><i>Books + Publishing</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Susan Wyndham</b> is a writer and journalist who has been New York correspondent for<i>The Australian</i> newspaper and literary editor of the<i>Sydney MorningHerald</i>. Her most recent book, co-edited with Brigitta Olubas, is <i>Hazzard and Harrower: The letters</i>. In 2024 she was awarded a National Library of Australia Fellowship to research the life of Elizabeth Harrower.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Leading military historian Mark Johnston tells stories of the courage of individual soldiers across every battle in which Australians fought in World War II.</b></p><p>When Australians defended against Rommel's tanks at Tobruk and Alamein, tackled paratroopers landing among them on Crete, attacked French Foreign Legionnaires in Syrian forts, held off Japanese tanks in Malaya, fought hand-to-hand on the Kokoda Track, and took on well-hidden and tenacious Japanese in countless grim jungle-clad locations, brave individuals risked everything to bring victory.</p><p>Australian soldiers performed acts of remarkable bravery in the roles of stretcher-bearers and snipers, in victories and defeats, and in desert and jungle. Such astonishing deeds were often rewarded with medals, but many brave deeds went unrecognised, and whether acknowledged or not, the heroes often paid a heavy price for their courageous acts, in the form of physical injury, psychological trauma or death. </p><p><i>Australian Heroes of World War II</i> features hundreds of stories that have been rarely if ever told, and that are guaranteed to amaze.</p><p><b>'Mark Johnston shows again why he is the premier historian of the Australian Army in WWII.'  Peter Stanley</b></p><p><b>'Mark Johnston has produced a study of battlefield bravery that is both erudite and a page turner. It is the story of ordinary Australians in extraordinary situations.'  Karl James</b></p><p><b>'An outstanding contribution to our understanding of Australia's experience of war, and a wonderful tribute to ordinary men whose remarkable deeds need to be remembered and honoured.'  David Horner</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>This riveting book follows a small group of Australian front-line soldiers from their enlistment in the dark days of 1940 to the end of World War II.&amp;nbsp;</p><p>No ordinary soldiers, they were members of Don Company of the Second 43rd Battalion, part of the famous 9th Australian Division, which - during campaigns in Tobruk, El Alamein, New Guinea, and Borneo&amp;nbsp;- sustained more casualties and won more medals than any other Australian division. It is an evocative and detailed account of the day-to-day war of three infantry soldiers whose experiences included night patrols at Tobruk, advancing steadily through German barrages at Alamein, charging enemy machine guns in New Guinea, and repelling Japanese charges on Borneo.</p><p>Inspired by American historian Stephen Ambrose's landmark book,&amp;nbsp;<i>Band of Brothers</i>, about the US Army's Easy Company of the 506th Regiment, Mark Johnston, one of our best military historians, here gives an Australian company the same treatment. Using the frank and detailed personal letters, diaries, and memoirs of three Australian soldiers, he brings to life their campaigns, battles, and interactions with their comrades and enemies. His book is a unique and powerful account of the everyday experiences of a small unit of Australian soldiers on the front line.&amp;nbsp;</p>]]></Text>
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			<SubjectHeadingText>March4Justice; consciousness raising; equality; feminism; revolution; women; Australian feminism; feminist fightback; Grace Tame; Brittany Higgins; Chanel Contos; gender equality Australia; violence against women; misogyny in politics; feminist activism; women's liberation movement; Elizabeth Reid; International Women's Year 1975; feminist history Australia; feminist journalism; women in media; intersectional feminism; feminist consciousness; patriarchy Australia; feminist revolution; women's rights Australia; political feminism; feminist biographies; Australian feminist literature; feminist policy reform; feminist protest movements; gender-based violence; women in leadership; feminist awakening</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Unfinished Revolution is a clarion call to reignite revolutionary feminist action.]]></Text>
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			<Text textformat="02"><![CDATA[<p>In 1975, the fight was alive. It was the year the United Nations declared International Women's Year as a marker of progress and aspiration. Fifty years on, award-winning journalist Virginia Haussegger shines a light on the feminist revolution in Australia, capturing its spirited momentum and a fatigued lag.</p><p><i>Unfinished Revolution</i> tells a fresh story of feminist action in this country, from the largest women's protest rally  March4Justice in 2021  to the dynamic Australian Women's Liberation Movement of the 1970s. With a focus on gender and power in politics and the media, from national consciousness raising to shifting media narratives, this book is an exploration of what feminist change looks like.</p><p><b>'Here is contemporary history at its best. Virginia Haussegger presents Australian feminism as a promise of liberation that gutsy, passionate and brilliant women have pursued not in waves but persistently, across eras and generations.</b> <b><i>Unfinished Revolution</i></b><b> should be compulsory reading for anyone serious about understanding, in its historical and global context, Australia's own #MeToo "moment" of 2021 as well as the wider possibilities for a resurgent feminism amid continuing gender discrimination, male violence against women and anti-feminist backlash.'  Frank Bongiorno AM</b></p><p><b>'Virginia Haussegger is not just a brilliant journalist, but an original and insightful thinker and feminist. I will read anything she writes. And I recommend you do too.'  Jane Caro AM</b></p><p><b>'In</b><b><i> Unfinished Revolution</i></b><b>, Virginia Haussegger stares down a terrifying global swing to the far-right and yells: Enough. This is the battle cry we desperately need right now, one that refuses to be watered down into niceties that ask politely for equity. This is a book that dares to fight back, and pulls no punches.'  Hannah Ferguson</b></p><p><b>'At a time of global backlash against women and the women's movement,</b> <b><i>Unfinished Revolution</i></b><b> is a spirited piece of feminist scholarship. It practically hums with righteous fury. For those who were at the pointy end of some of the historical changes in the Australian cultural zeitgeist that it charts, it is a timely reminder of what can, and has been, achieved. It acknowledges that there have been some painful moments along the way. That change is not always linear, that setbacks abound, but none of these things are cause for despondency and complacency. There is a relentless, almost bloody-minded optimism in these pages. It feels like a book which urges women to pick themselves up, dust themselves off, and just keep marching.'  Louise Milligan</b></p><p><b>'A brilliant read. And a reminder that feminist change is possible and it's happening right now.</b> <b><i>Unfinished Revolution</i></b><b> honours the Australian feminist movements past and present that have shaped our lives today. A must-read for every young Australian woman ready to build the next chapter of the feminist fight.'  Yasmin Poole</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Newcastle finds itself on shifting ground. But it's not an earthquake, or subsidence due to an old mine. It's perception that's shifting.</b></p><p>Not only is Newcastle dramatically changing, but so are people's views of the city. People are 'discovering' Newcastle. Or, more pointedly, they are seeing Newcastle for what it is. And those from Newcastle are seeing their city in a different light.</p><p>In <i>Newcastle</i> Scott Bevan examines the character and the soul of the city he grew up in, its past and where it finds itself. He traverses between early contact with the Awabakal people and missionary Lancelot Threlkeld, Newcastle's convict and industrial past, and its famous children (from Silverchair and the Knights to William Dobell), and explores how the city now juggles a range of roles, including as the world's largest coal export port and a hub of creative talent.</p><p>On this journey, we hear the stories of dozens of locals, from community leaders to champion surfers, from rock and rollers to architects and environmentalists, all the while finding out how this place once renowned as 'Steel City' is revealing the 'new' in Newcastle.</p><p><b>'An affectionate and information-packed picture of a great city.'  Bob Hudson</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Scott Bevan</b> was born in Newcastle and is a writer, journalist, broadcaster and playwright. He is the author of eight books, including <i>The Harbour</i>, <i>Return To The Hunter</i>, <i>Battle Lines: Australian Artists At War</i>, <i>Water from the Moon: A Biography of John Fawcett</i> and <i>Bill: The Life of William Dobell</i>. His documentary work includes <i>Oll: The Life and Art of Margaret Olley</i>, <i>The Hun</i>ter and <i>Arthur Phillip: Governor, Sailor, Spy</i>.</p>]]></Text>
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			<SubjectHeadingText>Australia; New Zealand; astronomy; night sky; sky guide; sky map; southern hemisphere; Astronomy; Southern Hemisphere stargazing; Australian night sky calendar; Monthly skywatching guide; Astronomy events 2026; Planetary positions and rise/set times; Lunar phases and eclipses; Meteor showers Australia; Indigenous astronomy Aotearoa; First Nations astronomy; Matariki and Puaka star cluster; Maramataka lunar calendar; Seasonal sky observations; Celestial navigation and timekeeping; Cultural astronomy and sky stories; Stargazing with traditional knowledge; Milky Way and Sagittarius A; Solar system exploration updates; Astrophotography highlights; Astronomy reference guide; Stargazing for beginners and experts; Educational science book; Amateur astronomy handbook; Indigenous science and cosmology; Skywatching for families and schools; Planetarium and observatory companion; Seasonal celestial events planner</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The ultimate guide to the night sky.</b></p><p>This popular guide by astronomer and author Dr Nick Lomb provides stargazers with the perfect companion to the southern night sky. Opening with an essay by Ki Tahu woman Victoria Campbell on the cultural significance of the heliacal rising of Matariki in winter, this book features monthly sky maps, with details of the movement of the planets, stars and constellations. It also offers the latest information on the solar system and its history, as well as tips for optimal viewing. The <i>2026 Australasian Sky Guide</i> is a must-have handbook to the year's most exciting celestial events.</p><p>2026 HIGHLIGHTS</p><ul><li>Total eclipse of the Moon in March</li><li>Mercury, Mars and Saturn bunch in April</li><li>Eta Aquariid meteor shower in May</li><li>Venus near Jupiter in June</li><li>Occultation of Jupiter in November</li><li>Supermoon on Christmas Eve</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nick Lomb</b> spent more than 30 years at Sydney Observatory. He curated numerous exhibitions and was a frequent commentator on astronomical events in the southern sky. He is an honorary professor at the University of Southern Queensland and researches the history of Australian astronomy. Dr Lomb was a regular contributor to the Observatory's blog and has been the author of the annual <i>Australasian Sky Guide</i> since 1991. He has authored and co-authored several other books, including: <i>Transit of Venus: 1631 to the Present</i> (2011), <i>The Story of Sydney Observatory</i> (2018) and <i>Eclipse Chasers</i> (2023).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>James Fairfax was one of the nation's greatest philanthropists, collectors and champions of Australian art. Chairman of what was then known as John Fairfax Ltd, he put together one of the country's most important collections of European Old Masters, and was a generous benefactor to the Art Gallery of New South Wales in Sydney.</p><p>In this evocative biography his nephew, Alexander Gilly, pieces together Fairfax's life through the prism of his art collection. Through a long-case clock built by Fairfax's grandfather and given to his parents as a wedding gift, a painting by Rubens, a sculpture by Robert Klippel, a mural created for his country home by Donald Friend and other treasured objects, Gilly reveals the complex private and public lives of a man at the centre of a media dynasty.</p><p><b>'James Fairfax lives on in his gifts to the nation. In this beautifully written, emotionally rich, erudite yet intimate book, Alexander Gilly ensures that his life is a gift that keeps on giving. With so many objects to choose from in James Fairfax's extraordinary collection, Alexander Gilly selected eleven as guides to a reserved and proper man's public and private life. He locates them brilliantly to explore privilege, conflict and loss. In the process, and with access to remarkable private letters, he tells a story of a family, an imploding newspaper empire and a changing nation.</b> <b><i>Succession</i></b><b> has nothing on this.'  Julianne Schultz</b></p><p><b>'A beautifully written biography, dramatic, sensitive and full of heart. Gilly illuminates not only the life of one of Australia's most interesting figures but an entire era. The pacing is terrific and the structure original  you're captivated from the first page, deeply moved by the last.'  Sebastian Smee</b></p><p><b>'Alexander Gilly adds rich human detail to a story I thought I knew well. In an astute, intimate portrait of his uncle, he animates the mismatched members of an Australian media dynasty. Behind his sandwich role in their succession struggle, James Fairfax was a son torn between divorced parents, a loner, a lover, a bon vivant and an art connoisseur  the Hamlet or Prince Charles of his family. How fortunate that Gilly had revealing interviews with the man, an appreciative eye for his art collection, and access to his correspondence with his mother. Betty Fairfax comes to the fore as a wonderfully eccentric influence in her son's privileged but fractured life.'  Susan Wyndham</b></p><p><b>'This splendid volume is a fascinating glimpse into the life and motivations of one of Australia's great philanthropists.' </b> <b><i>The Canberra Times</i></b></p><p><b>'Alexander Edward Gilly interviewed Fairfax before his death and has produced a discreet and affectionate portrait of his uncle.'  Simon Caterson,</b><b><i> SMH</i></b> <b>and</b> <b><i>The Age</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexander Edward Gilly</b> is the late James Fairfax's nephew. He is a writer, translator and magazine editor who was born in New York City and has lived in Australia, Canada, France, California and the UK. One of his translations, Thierry Cruvellier's <i>The Master of Confessions</i>, was longlisted for the 2015 PEN Translation Prize. <i>Devil's Harbor</i> (Forge, 2015) was his first novel.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Confessions of a Minor Poet is a hugely entertaining memoir that shows us all how the life of a writer can be frustrating, even enraging but ultimately life-enriching. This is a vital, wild and affectionate ride across Queensland, New South Wales, and Victoria, from the seventies to now.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'What a life. What a book. When it's not making your ribs rattle with laughter, it's making your heart ache with all the pathos and poetry. A memory box of jewels from a true Brisbane treasure.'  Trent Dalton </b></p><p>Hilarious, heartfelt and revealing.</p><p>Phil Brown tells all (well almost all) in this rollicking account of his career in literature and journalism from<i> The Morning Bulletin</i> in Rockhampton to Melbourne's<i> Sunday Age</i> and back to <i>The Courier-Mail</i> in Brisbane. He shares his challenges as a young surfer foolishly yearning to be a poet and his personal struggles on the road to becoming a writer with a fluctuating passion for poetry and a top drawer full of rejection slips. There are the seminal friendships with poets Bruce Dawe and Les Murray and a cavalcade of characters from the world of arts and letters  Barry Humphries, Willem Dafoe, Daniel Craig, Alain de Botton, Richard E. Grant and a cavalcade of characters he meets (and interviews) along the way, for better and occasionally, worse.</p><p><i>Confessions of a Minor Poet</i> is a hugely entertaining memoir that shows us all how the life of a writer can be frustrating, even enraging but ultimately life-enriching. This is a vital, wild and affectionate ride across Queensland, New South Wales, and Victoria, from the seventies to now.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Inscribed in the ecological crisis is a mandate for a radical rethink. Cogent, insightful and bold, Brave New Wild rises to that challenge. It will make you think about the planet, and our existence on it, in a new way.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>A cohort of corporations and governments insist that geoengineering, nanotech and AI can solve our environmental crisis. But by bending nature to our will, could we break ourselves in the process?</i></b></p><p>Almost a century ago, Aldous Huxley's <i>Brave New World</i> imagined a society founded on a radical idea. Using eugenics and powerful pharmaceuticals, its rulers would engineer humans to fit the society they wanted to see, rather than build a society based on the needs of humans. The result was a rational and efficient system. And the crushing of the human spirit.</p><p>Today, faced with an environmental crisis, our economic and political leaders are responding in the spirit of Huxley's rulers. Rather than building societies that respect the natural world, they are developing the means to remake nature itself. Yet channelling the same instrumental thinking that caused this crisis will only deepen it. We must examine that future, to challenge its assumptions and propose alternatives, predicated on a different vision of nature and humans' place within it. From the nuclear industry's careless mining of uranium, through to the centuries-old traditions of some of the world's first peoples, history is layered with insights into how humans have treated the natural world, and how this can guide us forward.</p><p>Inscribed in the ecological crisis is a mandate for a radical rethink. Cogent, insightful and bold, <i>Brave New Wild</i> rises to that challenge. It will make you think about the planet, and our existence on it, in a new way.</p><p><b>'</b><b><i>Brave New Wild</i></b><b> is both a fascinating and provocative exploration of the unspoken assumptions underpinning many of our ideas about nature and the environment and a roadmap to a new and better future.'  James Bradley</b></p><p><b>'This book tackles a terrifying subject: the possibility of technoscience conquering both nature and humanity. King's genius is to turn this into an entertaining as well as thought-provoking read. His humour and folksy erudition reminds me at times of the late Stephen Jay Gould. This is a book that comes thoroughly recommended. Timely and confronting. A brave new work.'  Dave Witty</b></p><p><b>'A book frightening and inspiring in almost equal measures.'  Raimond Gaita</b></p><p><b>'In</b><b><i> Brave New Wild </i></b><b>Richard King charges headlong at the biggest crises of our time: runaway technology, political polarisation and the gathering storms of climate change. Somehow he manages it with wry humour and determination, a perfect companion on an increasingly uncertain road.'  Scott Ludlum</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Richard King</b> is an author and critic based in Fremantle. Raised in the United Kingdom, he gained an MA in Literary History and Cultural Discourse and worked in publishing before moving to Australia. His work appears widely, including in <i>The Australian</i>, <i>The Age</i>, <i>Sydney Morning Herald</i>, <i>The Monthly</i>, <i>Griffith Review</i>,<i> Sydney Review of Books</i>, <i>Meanjin</i>, <i>Overland</i> and <i>Australian Book Review</i>, and in <i>The Best Australian Poems</i> and <i>The Best Australian Science Writing</i>. His most recent book, <i>Here Be Monsters: Is Technology Reducing our Humanity?</i> (2023), was shortlisted for the Douglas Stewart Award for Nonfiction in the NSW Premier's Literary Awards. King writes regularly for <i>Arena</i>, focusing on the relationship between culture and technology. His website is bloodycrossroads.com.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Technology is developing fast - so fast that it threatens to overwhelm the very species whose genius lies in its technological cunning: us. From the metaverse to genetic engineering and mood-altering pharmaceuticals, to cybersex and cyberwar and the widespread automation of work, new technologies are rewriting the terms of our existence, not in a neutral spirit of 'progress' but in line with the priorities of power and profit, and in ways that often work against the grain of our fundamental being.</p><p>In this timely, provocative book, Richard King argues that we need to evolve a more critical attitude to new technologies if we are to avoid a world in which humans are no different in kind from algorithmic machines. The stakes could not be higher. As science, technology and capitalism fuse into a single system, and activists and entrepreneurs talk of a 'post-human' future in which individuals will transform themselves using powerful computers and biotechnologies, we are entering unchartered territory - a territory marked with the mapmaker's warning, <i>Here Be Dragons...Here Be Monsters.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Richard King</b> is an English author, critic and poet based in Fremantle, Western Australia. He studied at Salford University and the University of Sussex, gaining an MA in Literary History and Cultural Discourse, before moving to London to work in publishing. He is the author of <i>On Offence: The Politics of Indignation</i> (Scribe, 2013), published in Australia, the UK and the US. Richard's work appears widely, including in <i>Best Australian Poems</i>, <i>Best Australian Science Writing</i>, <i>The Australian</i>, <i>The Sydney Morning Herald</i>, <i>The Monthly</i> and <i>The London Magazine</i>. The late Clive James said of him, 'King...make[s] news out of culture, and without trivialising the second thing in favour of the first.'</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Throughout history, cats and writers have bonded together in a magical combination of comfort, companionship and inspiration. The famous authors featured here range from Samuel Johnson, whose cat Hodge dined on oysters, and Edward Lear, whose charismatic cat Foss was missing half his tail, to Margaret Mitchell, L. M. Montgomery and Dorothy L. Sayers, who rescued her kitten Blitz from a bombsite. Each chapter delves into the relationship between authors and the felines who condescended to share their homes and desks, revealing intriguing aspects of our much-loved writers' lives and celebrating the ways in which cats  pure-bred and moggy, large and small, graceful and eccentric  enriched the world of literature.</p><p>Including fun additional features on cats in bookshops, libraries and hotels, and illustrated with charming line drawings, this is a perfect gift for cat-lovers everywhere.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The revelatory and urgent story of how an explosion of misogyny is driving a surge of mass and far-right violence throughout the West</b> <b> from an internationally recognised extremism expert and media commentator.</b></p><p>What two things do most mass shooters, terrorists, or violent extremists have in common? Most of us know the first: they are almost always men or boys. But the second? They are almost always virulent misogynists, homophobes, or transphobes  even if they are also motivated by racism, antisemitism, or xenophobia. The antigovernment militiamen charged with plotting to kidnap and execute Michigan governor Gretchen Whitmer used language saturated with misogyny, with one telling an FBI informant, 'Just grab the bitch'. The men who killed scores at Virginia Tech, the Pulse nightclub, and a Maryland newsroom all had prior reports of stalking, domestic violence, or harassment of women. And in dozens of other incidents  from North America to Norway to New Zealand  an increasing number of misogynist incel (involuntary celibate) and male supremacist attackers have explicitly targeted and killed women, blaming feminism or sexual frustration with women as motivation for their attacks.</p><p>Yet, despite all evidence, the bright red thread of misogyny running through these attacks is barely acknowledged by the media or even experts  and this failing leaves us powerless to stop the violence. In <i>Man Up</i>, Cynthia Miller-Idriss, a leading expert on extremism, addresses this crucial oversight head-on, revealing how an epidemic of misogyny  both online and off    and a patriarchal backlash are driving an exponential rise in mass and far-right violence. She also offers essential strategies that all of us  including parents, teachers, and counselors  can use to fight the rising tide of violence, beginning with recognising the misogyny that pervades our everyday lives. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From acclaimed folklorist and historian Adrienne Mayor, an enchanting collection of the ancient myths that emerged out of the wonders  and disasters </b> <b>of the natural world.</b></p><p><i>Mythopedia</i> is a fun, fact-filled A-Z treasury of myths inspired by natural events. Bringing together fifty legends from antiquity to the present, this delightfully entertaining book takes you around the world to explore sunken kingdoms and lost cities, accursed mountains and treacherous terrains, and lethal lakes and singing sand dunes, explaining the historical background and latest science underlying each tale.</p><p>As soon as humans invented language, they told stories to explain mysterious things they observed around them  on land, in the seas, and in the skies. Even though these tales are expressed in poetic or supernatural language, they contain surprisingly accurate insights and even eyewitness descriptions of catastrophic events millennia ago. Drawing on her unique insights as a pioneer in the exciting new field of geomythology, Adrienne Mayor describes how cultural memories of tsunamis, volcanic disasters, and other massive geological events can reach back thousands of years as the stories were preserved, elaborated, told, and retold across generations. She shows how geomythology is expanding our understanding of our planet's history over eons, revealing the human desire to explain nature and weave imaginative stories intertwined with keen observation, rational speculation, and memory.</p><p>With captivating drawings by Michele Angel, <i>Mythopedia</i> is a compendium of many marvels, from the Hindu monkey god Hanuman and his army of bridge-building primates to the terrifying sand demon Shensha shen of China, the gnawing glaciers of Austria, and the vengeful fish-headed snake god Nyami Nyami of Africa's Zambezi River.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Adrienne Mayor</b> is the author of many books, including <i>The Poison King</i>, which was a finalist for the National Book Award, and <i>The Amazons</i> (both Princeton). She is a research scholar in classics and the history of science at Stanford University.<b> </b></p><p><b>Michele M. Angel</b> is an award-winning watercolorist, illustrator, and graphic designer.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An illustrated mini-encyclopedia about the weird and wonderful world of lichens</b><br/><br/><i>Lichenpedia</i> is a delightfully entertaining and beautifully illustrated AZ treasury about the strange, obscure, and remarkable world of lichens, from their unique and essential roles in nature and the ways they are used in dyeing, brewing, and drug-making to how they have inspired writers and artists, from Henry David Thoreau to modern painters.</p><p>In 100 brief entries written in a vivid, lively style, Kay Hurley introduces key aspects of lichen biology, environmental roles, emerging uses, scientific history, and myth. She describes the variety of forms that lichens take, from leafy to filamentous to things reminiscent of skin diseases, with imaginative names like witch's hair. She explains the surprising ways that birds and beasts-from reindeer and moose down to tiny tardigrades-use lichens, and how lichens survive in extreme environments, from deserts to Antarctica to outer space. Hurley also introduces some of the innovators who have advanced the knowledge of lichens, from the ancient Greek philosopher Theophrastus to today's professional lichenologists.</p><p>With charming drawings by Susan Adele Edwards, <i>Lichenpedia</i> promises to put you in touch with the natural world in a new way by opening your eyes to these vital organisms, which are all around us, hidden in plain sight.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kay Hurley</b> is an avid naturalist who specializes in fungi and has studied lichens for twenty years. She is the author of <i>Who's Who in the Natural World:</i> <i>Selections from a 10-year Ramble through a Corner of New England</i>. <b>Susan Adele Edwards</b> is an artist and filmmaker. Her award-winning documentary, <i>Marion Stoddart: The Work of 1000</i>, has been shown in schools, universities, and conservation education organizations to inspire civic engagement.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A fun and fact-filled AZ treasury for</b> <b>the insect lover in all of us.</b></p><p><i>Insectpedia</i> introduces you to the wonders of the insect world while inviting you to make discoveries of your own. Featuring dozens of entries on topics ranging from murder hornets and the &amp;#x27;insect apocalypse&amp;#x27; to pioneering entomologists such as Margaret James Strickland Collins and Douglas Tallamy, this beautifully illustrated, pocket-friendly encyclopedia dispels many common myths about insects while offering new perspectives on the vital relationships we share with these incredible creatures.</p><p>This entertaining collection celebrates the long and storied history of entomology, highlights our dependence on insects for food and ecosystem services, and explains the meaning behind various entomological terms. With Eric Eaton as your guide, you will circle the globe in search of African Toktokkies and Australian beer bottle beetles, and witness the peculiar spectacle of cricket fighting in Asia. Profiles of influential figures in entomology provide insights into the curious minds that animate this extraordinarily broad field of scientific inquiry, while the book's portable size makes it the perfect travel companion no matter where your own entomological adventures may lead you.</p><p>With captivating illustrations by Amy Jean Porter, <i>Insectpedia</i> is an engaging blend of insect facts and folklore that will inspire anyone who delights in the marvels of nature.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Eric R. Eaton</b> is a naturalist and writer whose books include <i>Wasps: The Astonishing Diversity of a Misunderstood Insect</i> (Princeton) and, with Gregory S. Paulson, <i>Insects Did It First</i>. He runs the blogs <i>Bug Eric</i> and <i>Sense of Misplaced</i>. Twitter @BugEric <b>Amy Jean Porter</b> is an artist, illustrator, and naturalist. She is the illustrator of <i>Florapedia</i> and <i>Fungipedia</i> (both Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>&amp;quot;This little book is big fun.&amp;quot;-Michael Pollan An illustrated mini-encyclopedia of fungal lore, from John Cage and Terence McKenna to mushroom sex and fairy rings Fungipedia presents a delightful A-Z treasury of mushroom lore. With more than 180 entries-on topics as varied as Alice in Wonderland, chestnut blight, medicinal mushrooms, poisonings, Santa Claus, and waxy caps-this collection will transport both general readers and specialists into the remarkable universe of fungi. Combining ecological, ethnographic, historical, and contemporary knowledge, author and mycologist Lawrence Millman discusses how mushrooms are much more closely related to humans than to plants, how they engage in sex, how insects farm them, and how certain species happily dine on leftover radiation, cockroach antennae, and dung. He explores the lives of individuals like African American scientist George Washington Carver, who specialized in crop diseases caused by fungi; Beatrix Potter, creator of Peter Rabbit, who was prevented from becoming a professional mycologist because she was a woman; and Gordon Wasson, a J. P. Morgan vice-president who almost single-handedly introduced the world to magic mushrooms. Millman considers why fungi are among the most significant organisms on our planet and how they are currently being affected by destructive human behavior, including climate change. With charming drawings by artist and illustrator Amy Jean Porter, Fungipedia offers a treasure trove of scientific and cultural information. The world of mushrooms lies right at your door-be amazed!</p>]]></Text>
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			<Text textformat="02"><![CDATA[Based on interviews with an array of past and present greats of the game,Legacy of the Lionsexplores leadership lessons learned in one of the most challenging environments in the sporting world: touring with the British &amp; Irish Lions.]]></Text>
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			<Text textformat="02"><![CDATA[<p>A British &amp; Irish Lions tour presents one of the greatest challenges in sport.</p><p>Rugby is a game that rewards creative expression, toil, teamwork and a never-say-die attitude. It can be joyful, vibrant and beautiful. Equally, it can brutally expose human flaws and frailties  even more so in the hugely pressurised environment of a Lions tour. Every team, no matter how talented, will find itself in dark and difficult situations both on and off the field; the successful ones are those with a leadership group that can navigate these challenging moments.</p><p>In<i>Legacy of the Lions</i>, former Lions captain Gavin Hastings draws on his own experiences in the famous red jersey and interviews other greats of the game  including, among many others, Sam Warburton, Warren Gatland, Paul O'Connell, Brian O'Driscoll, Martin Johnson, Finlay Calder and Sir Ian McGeechan, plus a selection of their illustrious opponents, such as Kieran Read, John Smit and John Eales  to explore how to forge a successful team in this most rarefied of environments, the difficulties they each encountered and what leadership lessons they learned.</p><p>Inspiring, humorous and illuminating,Legacy of the Lionscasts a unique light on leadership, team-building and elite performance and reveals a new perspective on touring with  and playing against  The British &amp; Irish Lions in the modern era.</p><p><b>'An intriguing study of the minds of some of rugby's greatest leaders' Tom English,</b> <b><i>BBC Sport</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'It was a strong face, certainly  the eyes pale grey and very cold, the mouth was hard, the dark hair  grey-streaked now  still fell in the authentic comma over the forehead.'</i></p><p>This is how John Pearson reacted to his first encounter with the real James Bond, an encounter probably unique in the annals of thriller writing. He went on to write the bestselling authorised biography of Ian Fleming. At the time, like most of the world he assumed that James Bond was nothing more than a character in Fleming's highly charged imagination. Then he began to have his doubts. Doubts which were reaching such a pitch that the British secret service were trying to warn him off the scent. Despite this, he finally became convinced that James Bond was not only real, but actually alive.</p><p>Thanks to a change in policy within the secret service he was invited to embark upon a companion volume to his life of Fleming. This resulting book must be one of the most extraordinary biographies of our times  the authorised life of a myth, the official biography of James Bond.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A fascinating collection of rarely seen journalism and other writings by Ian Fleming, author of the <i>James Bond</i> series.</p><p>Ian Fleming was best known for bringing to life the legendary character of James Bond, one of the most beloved and enduring icons of our time, but he was perhaps even more interesting than his creation. His career in Naval Intelligence and extensive travels around the world gave Fleming a keen eye and the authority to write on a wide range of topics beyond Bond's adventures.</p><p>This collection contains a selection of journalism and other writings by Fleming, covering his wartime experiences, reflections on crime and espionage and the process of writing his novels, among other topics. Readers will feel like they are right beside Fleming, immersed in his world as he works to meet the deadline for his next Bond novel, or participates in a mortifying golf tournament, or befriends an octopus in his beloved Jamaica.</p><p>A black-and-white photo insert gives dimension to the man behind the myth, bringing life to his words and providing a unique glimpse into Fleming's world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ian Lancaster Fleming</b> was born in London on 28 May 1908. On the outbreak of the Second World War he played a key part in British and Allied espionage operations.</p><p>His first novel,<i> Casino Royale</i>, was published in 1953 and introduced James Bond, Special Agent 007, to the world. The first print run sold out within a month. Following this initial success, he published a Bond title every year until his death. The Bond novels have sold more than 100 million copies and inspired a hugely successful film franchise which began in 1962 with the release of <i>Dr No,</i> starring Sean Connery as 007.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Why this holiday season is a great time to rethink the traditional turkey feast</b></p><p>A turkey is the centerpiece of countless Thanksgiving and Christmas dinners. Yet most of us know almost nothing about today's specially bred, commercially produced birds. In this brief book, bestselling author Peter Singer tells their story  and, unfortunately, it's not a happy one. Along the way, he also offers a brief history of the turkey and its consumption, ridicules the annual U.S. presidential 'pardon' of a Thanksgiving turkey, and introduces us to 'a tremendously handsome, outgoing, and intelligent turkey' named Cornelius. Above all, Singer explains how we can improve our holiday tables  for turkeys, people, and the planet  by liberating ourselves from the traditional turkey feast. In its place, he encourages us to consider trying a vegetarian alternative  or just serving the side dishes that many people already enjoy far more than turkey. Complete with some delicious recipes for turkey-free holiday feasting, <i>Consider the Turkey</i> will make you reconsider what you serve for your next holiday meal  or even tomorrow's dinner.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Peter Singer</b> is professor emeritus of bioethics at Princeton University and has been described as the world's most influential philosopher. His many books include <i>Animal Liberation</i>, <i>Practical Ethics</i>, <i>The Life You Can Save</i>, and <i>Ethics in the Real World</i> (Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Australia became a republic many years ago-culturally, if not yet constitutionally. We've long stopped identifying as subjects of the British Crown, relying on UK military and trade relationships, and looking to London as our lodestar. We've long stopped allowing the UK Parliament to override our laws, accepting imported vice-regal representatives, and even hearing from our governor-general on days of national significance. We've long stopped singing 'God Save the Queen', and when the King visited last year, hardly anyone noticed. Some of these have been natural evolutions, some politically imposed; all make the monarchy less and less visible in everyday Australia. For a multicultural federation on the sovereign lands of hundreds of First Nations, all of this makes good sense  but, like it or not, we remain a British realm. Our governments and indeed our democracy exist only at His Majesty's pleasure, codified in a faulty constitution, and systematically incapacitating necessary reform.</p><p>In <i>When Australia Became a Republic</i>, Esther Anatolitis examines the key moments in our emergence as a republic, and maps out new paths to securing legitimate independence for a more honest society. These include ambitiously neutralising the toxicity that dominates our national conversation; venturous civics education for a new era of empowered citizenship; and of course, constitutional change  because monarchy and democracy are irreconcilable. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lively new translations of two classical works that offer wise advice about how to resist temptation.</b></p><p><i>How to Have Willpower</i> brings together two profound ancient meditations on how to overcome pressures that encourage us to act against our own best interests  Plutarch's essay <i>On Dysopia</i> or <i>How to Resist Pressure</i> and Prudentius's poetic allegory <i>Psychomachia</i> or <i>How to Slay Your Demons.</i> Challenging the idea that humans are helpless victims of vice, these works  introduced and presented in vivid, accessible new prose translations by Michael Fontaine, with the original Latin and Greek texts on facing pages  emphasise the power of personal choice and the possibility of personal growth, as they offer insights and practical advice about resisting temptation.</p><p>In the spirit of the best ancient self-help writing, Plutarch, a pagan Greek philosopher and historian, offers a set of practical recommendations and steps we can take to resist pressure and to stop saying 'yes' against our better judgment. And in a delightfully different work, Prudentius, a Latin Christian poet, dramatises the necessity to actively fight temptation through the story of an epic battle within the human soul between fierce warrior women representing our virtues and vices.</p><p>Plutarch and Prudentius insist that we allow pressure or temptations to get the best of us. But they also agree that we can do something about it. And their wisdom can help.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michael Fontaine</b> is professor of classics at Cornell University. His books include four other volumes in the Ancient Wisdom for Modern Readers series, <i>How to Drink</i>, <i>How to Grieve</i>, <i>How to Tell a Joke</i>, and <i>How to Get Over a Breakup</i> (all Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An entertaining and enlightening collection of ancient Roman writings about home design and decoration</b>.</p><p>The idea that our homes can communicate professional as well as personal identities may seem as new as the work-from-home revolution. But it was second nature to the ancient Romans, for whom the home was in many ways the center of public and private life. Roman authors saw infinite practical and symbolic value in houses, and they have much to say about them. <i>How to Make a Home</i> presents some of the best Roman writings on houses  from buying and selling to designing and decorating.</p><p>Edited and elegantly translated by Marden Fitzpatrick Nichols, <i>How to Make a Home</i> gathers selections by Cicero, Vitruvius, Seneca, and others, with the original Latin or Greek on facing pages. These writings reveal the pleasures and pitfalls of the Roman practice of making one's home a cornerstone of self-expression. While the ideal home enshrined Roman virtues and could make a career, lavish building projects could lead to financial ruin and moral condemnation. These authors memorably describe such travails as deceptive staging, decorators run amok, know-it-all owners, unsupervised contractors, and buyer's remorse. Along the way, they also explain why simplicity is bliss, privacy is for nobodies, a neglected house is a sign of a neglected soul, and much more.</p><p>A unique and charming introduction to Roman domestic architecture and its cultural significance, <i>How to Make a Home</i> reveals that the obsession with house and home has a long and fascinating history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Katsushika Hokusai</b> was deeply dedicated to his craft, leading a life marked by continuous exploration and reinvention. Born in 1760 in Edo (now Tokyo), he began his journey in art as an apprentice to Katsukawa Shunsho, where he mastered the ukiyo-e style. Throughout his career, he created over 30,000 works, ranging from woodblock prints to sketches and book illustrations. He passed away on May 10, 1849, but his legacy endures, influencing countless artists and movements globally.</p><p><b>Tuttle Studio</b> draws inspiration from the modern and traditional cultures of Asia to create its language workbooks and resources, journals, stationery, gift wrapping products and origami paper. It is a division of Tuttle Publishing, a leading publisher of books on the languages, history, art and cultures of Asia. The company was founded in 1832 in Rutland, Vermont (USA) and opened a branch in Tokyo, Japan in 1948.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The Hokusai Dot-to-Dot Puzzle Book is a unique activity book for adults that blends the calming power of dot-to-dot puzzles with the breathtaking artistry of Katsushika Hokusai (1760-1849), Japan's most iconic woodblock printmaker.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Discover the timeless beauty of Hokusai  one dot at a time!</b></p><p><i>A relaxing, brain-boosting puzzle experience for art lovers and mindful hobbyists.</i></p><p>The <i>Hokusai Dot-to-Dot Puzzle Book</i> is a unique activity book for adults that blends the calming power of dot-to-dot puzzles with the breathtaking artistry of Katsushika Hokusai (1760-1849), Japan's most iconic woodblock printmaker. Featuring <b>30 intricate puzzles</b> based on Hokusai's celebrated <i>Thirty-Six Views of Mount Fuji</i> series, each page invites you to reconnect with your creativity and focus.</p><p>From the legendary 'Great Wave off Kanagawa' to peaceful village scenes beneath snow-covered peaks, each puzzle is paired with a full-colour reproduction of the original artwork and a brief description that brings the image to life. Whether you're looking for a thoughtful gift or a meditative way to unwind, this book offers a perfect blend of beauty, brain health, and art history.</p><p><b>Inside this unique activity book:</b></p><ul><li><b>30 advanced dot-to-dot puzzles</b>  each based on Hokusai's iconic <i>Thirty-Six Views of Mount Fuji</i> series, with an average of over <b>800 dots per puzzle</b></li><li><b>Includes 'The Great Wave off Kanagawa'</b>, the most famous work in all of Japanese art</li><li><b>Full-colour reproductions</b> of the original Hokusai prints accompany each puzzle, along with insightful descriptions</li><li><b>Printed on high-quality, bleed-resistant paper</b>  ideal for pens or pencils</li><li><b>Designed to improve focus, reduce stress, and support brain health</b> through mindful engagement</li></ul><p>Perfect for art lovers, puzzle fans, mindfulness seekers, or anyone looking for a meaningful and beautiful activity  this book makes an ideal gift for birthdays, holidays, or quiet evenings at home.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Katsushika Hokusai </b>was born in 1760 in Edo (now Tokyo) and he created over 30,000 works of art during his long career, ranging from woodblock prints to sketches and book illustrations. He died in 1849, but his legacy endures. He influenced countless artists including many famous European impressionists.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Gun-guwelamagapa: Gun-nerranga gun-nerranga rrawa, An-barra gun-nika</i> describes the <i>An-barra</i> Archaeological Project, which investigated the archaeological sites around the mouth of the Blyth River (An-gartcha Wana  literally "Big River") in central Arnhem Land, in the Northern Territory of Australia. This volume delves into the pre-colonial settlement patterns and subsistence strategies of the <i>An-barra</i> community, set against the backdrop of significant environmental changes during the mid to late Holocene.</p><p>The authors provide a detailed analysis of the archaeological findings, comparing them with ethnographic evidence to uncover the history and cultural heritage of the <i>An-barra</i> people. The Traditional Owners, including Betty Ngurrpangurrpa and other community members, actively participated in the research, providing invaluable knowledge and insights. Their support enabled the collection of archaeological assemblages and facilitated the interpretation of findings through the lens of their cultural heritage. This volume is a companion piece to Betty Meehan's earlier work, <i>Shell Bed to Shell Midden</i> (1982), and extends the narrative by integrating archaeological data with ethnographic insights.</p><p><i>Gun-guwelamagapa</i> reveals the relationships between the <i>An-barra</i> community and their environment, highlighting the role of shell middens, earth mounds, and other archaeological features in understanding the past. The authors discuss the significance of these sites, the methods used in their investigation, and the broader implications for interpreting the archaeological record of northern Australia.</p><p><i>Gun-guwelamagapa</i> emphasises the importance of integrating ethnographic and archaeological data to provide a holistic understanding of past human behaviours. It also showcases the contributions of the <i>An-barra</i> community to the preservation and interpretation of their cultural heritage, offering new perspectives on the history and culture of the <i>An-barra</i> people.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An essential guide to understanding war and information on today's data-saturated battlefields - from Ukraine to Gaza and beyond.</b></p><p>Thanks to smartphones, war is everywhere, all the time. Anyone can view, analyse and comment on photos, videos or other warzone media, far from the frontlines. Where did this technology come from? And what does it mean for the future of war?</p><p>This book explains why you see what you do on your phone. It asks how these devices shape our knowledge, conduct and representation of war in the 2020s. It shows why the smartphone is indispensable in peace and wartime, with a profound impact on modern conflict. Every smartphone is a potential weapon: lines blur between war and daily life, and conflict becomes a shared digital experience. Global tech giants orchestrate connectivity, displacing state-controlled narratives. Through social media, smartphones become powerful tools amplifying violence and shaping war's legitimacy. Apps democratise conflict, enabling anyone to identify and attack perceived enemies. As the Ukraine war has shown, this new reality involves complex, unevenly distributed infrastructures, merging civilian communication with military targeting.</p><p>With war accelerating beyond our comprehension, militaries have raced to exploit and adapt to the smartphone age. As technology distorts our understanding of conflict, even while offering the hope of progress, Matthew Ford explores critical questions about today's hyper-connected battlefield.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Matthew Ford</b> is Associate Professor in War Studies at the Swedish Defence University. The author of <i>Weapon of Choice</i> and co-author of <i>Radical War</i> (both published by Hurst), he was the founding editor of the British Journal for Military History. His research focuses on technology and the conduct of war.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The destruction that has been rained on Gaza has been seen and accepted by many commentators as a vengeful overreaction to the reckless Hamas-led attack on 7 October 2023. As if the annihilation has come about, perhaps even by accident. This book argues that the new catastrophe that has befallen the Palestinian people is in fact the culmination of a decades-long pattern that runs parallel with Israel's inexorable shift to the Right.</p><p>The lethal and destructive consequences of the Gaza catastrophe are far greater than the Nakba of 1948. The significance of a war waged by an advanced military-industrial state  with full US participation and open support from the West  irredeemably exposes the double standard intrinsic to the Atlanticist pretence of a liberal 'rules-based international order'.</p><p>In this incisive analysis, renowned political scientist Gilbert Achcar explores the dynamics of a complex historical process that culminated in the war on Gaza and in wider conflict in the Middle East. Achcar offers critical insights on the genocide's regional and international consequences, as well as radical critiques of Zionism, Hamas and other state and non-state actors.</p><p>This vital volume places the Gaza catastrophe in its wider geopolitical and historical context. It is essential to understanding the root causes of the violence destabilising the entire region and the wider world, as well as the conditions required to bring it to an end.</p><p><b>'Meticulous...the deepest and most thorough account that examines this genocide.'  Khaled Hroub, author of </b><b><i>Hamas: A Beginner's Guide</i></b></p><p><b>'Broad yet focused...[Achcar] offers possible paths for a positive change that somewhat mitigates the bleak future.'  Amira Hass, </b><b><i>Haaretz</i></b></p>]]></Text>
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			<SubjectHeadingText>Pollen; Cretaceous; Cells; Veins; Jurassic; Triassic; Angiosperms; Ovules; Spores; Dioxide; Carbon dioxide; Trunk; Foliage; Sediment; Petiole; Sporangia; Diversity; Permian; Spiral; Evolutionary; Seed plants; Pollen cones; Seed cones; Photosynthetic; Canopy; Lobes; Slender; Photosynthesis; Sacs; Central vein; Tracheids; Fossil record; Water conducting; Atmosphere; Bark; Bennettitales; Woody; Bearing structures; Paleobotanists; Pollen sacs; Yorkshire; Pinnate; Oxygen; Reproductive structures; Egg cell; Seed producing; Pollen organs; Seed bearing; Fossil plants; Land plants; Permian extinction; Conifers cycads; Mesozoic plants; Extinction event; Central rib; Spore producing; Ginkgo biloba; Pollen grains; Sedimentary rocks; Jurassic bajocian; Forest floor; Fan shaped; Seed bearing structure; Water molecules; Evolutionary relationships; Cretaceous extinction; Photosynthetic leaves; Mass extinction; Carbon dioxide levels; Cretaceous albian</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A powerful collection of quotations from iconic artist and activist Yoko Ono.</b></p><p><i>Ono-isms</i> is a collection of provocative and powerful quotations from influential artist, musician, songwriter, and peace activist Yoko Ono, providing a richer understanding of this important cultural icon. Since emerging on the international art scene in the early 1960s, Ono has made profound contributions to visual and performance art, filmmaking, and music in work that often radically questions the division between art and the everyday. In recent years she has embraced social media to communicate her artistic and activist messages to even broader audiences around the world.</p><p>Gathered from interviews, books, song lyrics, social media, and other sources, this nuanced book sheds new light on a complex and multifaceted artist who has shaped our culture in countless ways. The quotations  close to 300 in all  are arranged by subject: art, life, creativity, nature and the environment, love, music, women in society, and peace and social justice. The book also features an introduction and a chronology of Ono's life and work.</p><ul><li>'I've never seen a line between music and art and performance. And that's a problem for some people.'</li><li>'I think that all women are witches, in the sense that a witch is a magical being. And a wizard, which is a male version of a witch, is kind of revered, and people respect wizards. But a witch, my god, we have to burn them.'</li><li>'I think if you have a persona you show the world that's separate from your true personality, the strain becomes too much. What [John Lennon and I] decided was just to be ourselves. We didn't have a conference about it or anything. It's just the most relaxing way to be.'</li><li>'I can take hatred, because I don't believe that people are capable of real hate. We are too lonely for that. We vanish too quickly for that. Do you ever hate a cloud?'</li><li>'Concentrate your mind on giving, loving, and thanking. Each time you give, you are in less pain. Give as much as you can. Find something you can love. Love as much as you can. Thank as much as you can.'</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Yoko Ono</b> is an artist, musician, songwriter, and peace activist whose career has spanned more than seventy years. Her work has been featured in many solo and group exhibitions, including major retrospectives at the Museum of Modern Art in New York and Tate Modern in London. Her awards include the Golden Lion for Lifetime Achievement from the Venice Biennale. </p><p><b>Larry Warsh</b> has been active in the art world for more than thirty years as a publisher and artist-collaborator. He is the editor of many books, including <i>Warhol-isms</i>, <i>Weiwei-isms</i>,<i> Basquiat-isms</i>, <i>Haring-isms</i>, <i>Holzer-isms,</i> and <i>Abramovi-isms</i> (all Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A dazzling collection of quotations from the modern American artist whose mobiles are beloved worldwide.</b></p><p><i>Calder-isms</i> is a collection of fascinating, irreverent, and often profound quotations from the influential modern American sculptor Alexander Calder (1898-1976), who is most famous for his invention of what his friend Marcel Duchamp dubbed the 'mobile'. Often suspended from ceilings, these sculptures feature abstract elements, frequently painted in bold colors, that move and balance in changing harmony. Calder's art was dynamic, unconventional, and filled with vitality  qualities also displayed by his words, which combine the wisdom of a philosopher with the ingenuity of a true original. Taken from interviews, writings, and other sources, the quotations in <i>Calder-isms</i> offer memorable insights into Calder's life, mind, and, above all, art.</p><ul><li>'That visit to Mondrian gave me the shock that converted me. It was like the baby being slapped to make his lungs start working." nuclei, entirely without meaning. It would be perfect, but it is always still. The next step in sculpture is motion.'</li><li>"That visit to Mondrian gave me the shock that converted me. It was like the baby being slapped to make his lungs start working.'</li><li>'[A mobile] has no utility and no meaning. It is simply beautiful. It has a great emotional effect if you understand it. Of course if it meant anything it would be easier to understand, but it would not be worthwhile.'</li><li>'A title is just like the license plate on the back of a car. You use it to say which one you're talking about.'</li><li>'People think monuments should come out of the ground, never out of the ceiling, but mobiles can be monumental too.'</li><li>'Bad taste always boomerangs.'</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexander Calder</b> (1898-1976) was an American artist best known for the invention of kinetic sculptures known as mobiles and static sculptures known as stabiles. His work is in the permanent collections of the Museum of Modern Art in New York, the Whitney Museum of American Art, the National Gallery of Art in Washington, D.C., the Art Institute of Chicago, and the Musee National d'Art Moderne, Centre Georges Pompidou, Paris.</p><p><b>Larry Warsh</b> has been active in the art world for more than thirty years as a publisher and artist-collaborator. He is the editor of many books, including <i>Abramovi-isms</i>,<i> Basquiat-isms</i>,<i> Haring-isms</i>, <i>Holzer-isms</i>, <i>Ono-isms</i>, <i>Warhol-isms</i>, and <i>Weiwei-isms</i> (all Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A thought-provoking collection of quotations from one of the most influential figures in the contemporary art world.</b></p><p>Hans Ulrich Obrist is one of the most celebrated curators working today and has twice been ranked #1 on <i>ArtReview</i>'s annual list of the most important people in the art world. As the primary or lead author of more than forty volumes of interviews with contemporary artists, of numerous exhibition catalogues for museums around the world, and of influential books on curation, he has established himself as a pivotal figure in contemporary art and culture. Drawn from Obrist's writings, interviews, and other sources, <i>Obrist-isms</i> gathers a wealth of fascinating quotations from across his career, offering insights on everything from his approach to curating and his affinity with philosopher douard Glissant to his interest in artists' unrealised projects.</p><p><i>Obrist-isms</i> is organised into seven thematic sections: Early Years; Curating and Exhibitions; Artists and Conversations; Archiving, Collecting, and Unrealized Projects; douard Glissant and <i>Mondialite</i>; On Sleep and Time; Art and the Environment; and Technology and the Future of Art. The book also features an introduction and a brief chronology of Obrist's life and career.</p><ul><li>'Art is the highest form of hope.'</li><li>'The motor, the engine, is curiosity. Curating is connected to curiosity.'</li><li>'What is happening outside the museum is just as important as what's happening inside. Make the walls porous. Think beyond exhibitions. Foster alliances.'</li><li>'If there was ever a time that the world needed artists, it is now. We need their radical ideas, visions, and perspectives in society.'</li><li>'There are many amazing unrealised projects out there: forgotten projects, misunderstood projects, lost projects, desk-drawer projects, poetic-utopian dream projects, unrealisable projects, partially realised projects, censored projects and so on.'</li><li>'I believe in generosity as a medium.'</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Hans Ulrich Obrist</b> is a Swiss-born curator, critic, and art historian, and the artistic director of the Serpentine Galleries in London<i>.</i> His many books include <i>140 Artists' Ideas for Planet Earth</i>; <i>Lives of the Artists, Lives of the Architects</i>; <i>Ai Weiwei Speaks</i>; <i>Ways of Curating</i>; and <i>A Brief History of Curating</i>. </p><p><b>Larry Warsh</b> has been active in the art world for more than thirty years as a publisher and artist-collaborator. He is the editor of many books, including <i>Abramovi-isms</i>,<i> Basquiat-isms</i>,<i> Haring-isms</i>, <i>Holzer-isms</i>, <i>Ono-isms</i>, <i>Warhol-isms</i>, and <i>Weiwei-isms</i> (all Princeton).</p>]]></Text>
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			<SubjectHeadingText>Autumn Equinoxgrimoire; Beltane; February first seasonal activities; Imbolc; Litha; Lughnasadh; Mabon; May day; November first; Ostara; Samhain; Spells for the seasons; Spring Equinox; Stirring the cauldron podcast; Summer Solstice; Winter Solstice; a witch's apothecary; all saints day; all souls day; ancestor; ancestral witchcraft; bloodline; book of holidays; book of shadows; books on magick; celebrate the seasons; celebrating the cycles of birth; death and rebirth; divination witchcraft; equinox; esbat; grandma sophie; inherited spells; lammas; life; magic; pagan sabbath days; pagan sabbats; passing of the seasons; pentagram; samhain oracle; seasonal recipes; seasons of the witch; solstice; spellcasting; wheel of the year; wicca; wiccan book of spells; witch; witch book; witch craft; witch tok; witchcraft book; witches; witchhcraft; witchtok; yule</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Spells for all seasons and all reasons.</p><p>Explore the seasons of the witch by way of magickal spells and practices for each turn of the Wheel of the Year. Offering a fresh approach to a lifestyle that focuses on mind, body, and spirit in the nature-based way that our ancestors practiced throughout the ages,<i>Magick for All Seasons</i> features over one hundred magic spells and incantations.</p><p>Brooks has divided this book into two parts. The first being the seasons, exploring the eight Wiccan and Pagan sabbats that comprise the traditional Wheel of the Year, beginning with Samhain. Each sabbat is detailed with information on the symbolism, activities, tools, incense, and gemstones used, along with specific workings.</p><p>The second part comprises a grimoire of spells for daily use. Included are exercises, crafts, and recipes to incorporate magic into daily life. Examples include:</p><ul><li>Creating a Personal Pentagram of Intent</li><li>Working with a Manifestation Box</li><li>Spell: Ring the Ancestral Bell</li><li>Creating an Energy Ball</li><li>Spell: Unclutter the Mind</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Marla Brooks</b> is the creator of <i>The Witch's Oracle</i> deck and has been the host of <i>Stirring the Cauldron</i> on the Para X Radio Network for the past fourteen years. She grew up knowing that there was more to this world than the naked eye could see and found the notion of ghosts and other things that go bump in the night rather fascinating. Of course, you might expect that from a witch. Marla didn't just decide one day that she wanted to be a witch. It's just part of who she is. Her great-grandmother Sophie was a witch, and these things often get passed down in the bloodline from generation to generation.</p><p>Before publicly coming out of the 'broom closet', she worked as a freelance entertainment writer for various national publications, mainly doing celebrity interviews, and is the author of several books in both the metaphysical and mainstream genres, including<i> The Ghosts of Hollywood</i> series, <i>Workplace Spells</i>, and <i>Animal Spells and Magick</i>; two fiction books, <i>A Bad Case of the Collywobbles</i> and <i>Soul Connection: A Deadly Obsession</i>; as well as two cookbooks. She lives in southern California.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Harvard professor and bestselling author Arthur C. Brooks offers science-based insights on work and life in this curated collection from his 'How to Build a Life' column in </b><b><i>The Atlantic</i></b><b>.</b></p><p>Imagine if your life were a startup. How would you lead it and shape it to be most successful?</p><p>That's the question behind <i>The Happiness Files</i>, a rich selection of enlightening and instructive essays by Arthur C. Brooks, known worldwide for his inspiring yet practical wisdom and advice in his weekly column for <i>The Atlantic</i> and in his bestselling books, <i>From Strength to Strength</i> and <i>Build the Life You Want</i> (coauthored with Oprah Winfrey).</p><p>The simple answer, as Brooks wisely explains, is to manage your life in a way that leads to truly valuable rewards: love, enjoyment, satisfaction, and meaning  in other words, <i>happiness</i>.</p><p>Building on his popular Harvard Business School course 'Leadership and Happiness', Brooks begins each essay with sharp observations and behavioural science research that shed light on how happiness really works, then offers experiential wisdom and practical advice. Beautifully written, the essays range from ancient philosophy to literature, pop culture, and the contemporary world of work. They explore topics and challenges such as 'Procrastinate This, Not That', 'Why Success Can Feel So Bitter', and 'Five Pillars of a Good Life'. Readers will find the chapters helpfully grouped by theme: 'On Managing Yourself', 'On Jobs, Money, and Building Your Career', 'On Balancing Work, Life, and Relationships', and more.</p><p>We all need more happiness in our work and in our lives. In <i>The Happiness Files</i> you'll find enlightenment, inspiration, and useful guidance for leading a happier, more successful, and more fulfilling life and career.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Arthur C. Brooks</b>, PhD, is the Parker Gilbert Montgomery Professor at the Harvard Kennedy School and a professor of management practice at Harvard Business School. He is also a columnist at <i>The Atlantic</i>, where he writes the weekly 'How to Build a Life' column. Brooks is the number one <i>New York Times</i> bestselling author of fourteen books, including <i>Build the Life You Want</i>, coauthored with Oprah Winfrey, and <i>From Strength to Strength</i>. He is one of the world's leading experts on the science of happiness, appearing in the media and traveling around the world to teach people in private companies, universities, public agencies, and faith communities how they can live happier lives and bring greater well-being to others.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The surprising science of why being authentic holds you back</b> <b> from the author of </b><b><i>Why Do So Many Incompetent Men Become Leaders? (and How to Fix It)</i></b><b>.</b></p><p>'Just be yourself' might be the worst advice you've ever received.</p><p>For years, we've been told that authenticity is the key to success  that we should be true to ourselves, tune out others' opinions, and lead with unwavering genuineness. This feel-good message has spawned countless self-help books, leadership seminars, and viral social media posts.</p><p>There's just one problem: science says it's wrong.</p><p>Drawing on decades of research, renowned psychologist Tomas Chamorro-Premuzic reveals an uncomfortable truth: our obsession with authenticity is backfiring. From Silicon Valley's authenticity worship to failed diversity programs, he exposes how our fixation on 'true selves' undermines both individual and organisational success, not to mention empathy and prosocial behaviour.</p><p>The most successful people aren't those who rigidly 'stay true to themselves'  they're the ones who adapt and evolve, largely by paying a great deal of attention to how others see them and adjusting their behaviour to the requirements of each situation. The evidence is clear: when we focus less on expressing our authentic selves and more on understanding others, we don't just advance our careers  we become better humans:</p><ul><li>Our moral compass strengthens.</li><li>Our emotional intelligence deepens.</li><li>Our leadership abilities soar.</li><li>Our relationships flourish.</li><li>Our personal growth accelerates.</li></ul><p>Blending cutting-edge psychology with razor-sharp cultural critique, <i>Don't Be Yourself</i> doesn't just challenge conventional wisdom  it offers a playbook for long-lasting career success.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Engage your employees and transform your organisation.</b></p><p>If you read nothing else on employee engagement, read this book. We've combed through hundreds of <i>Harvard Business Review</i> articles and selected the most important ones to help you make your employees feel valued, motivated, and ready to do great things.</p><p>This book will inspire you to:</p><ul><li>Invest in a culture of cohesive teams</li><li>Turn employee feedback into action</li><li>Learn why people quit  and how to retain them</li><li>Curb burnout by designing better jobs</li><li>Make HR a champion of employees</li><li>Create a purpose-driven organisation</li></ul><p>This collection of articles includes 'Creating a Purpose-Driven Organisation', by Robert E. Quinn and Anjan V. Thakor; 'How Customers Can Rally Your Troops', by Adam Grant, 'Why Employees Quit', by Ethan Bernstein, Michael B. Horn, and Bob Moesta; 'The Power of Hidden Teams', by Marcus Buckingham and Ashley Goodall; 'Do You Tell Your Employees You Appreciate Them?' by Jack Zenger and Joseph Folkman; 'The Case for Good Jobs', by Zeynep Ton; 'To Curb Burnout, Design Jobs to Better Match Employees' Needs', by Michael P. Leiter and Christina Maslach; 'HR's New Role', by Peter Cappelli and Ranya Nehmeh; 'Turn Employee Feedback into Action', by Ethan Burris, Benjamin Thomas, Ketaki Sodhi, and Dawn Klinghoffer; 'Beware a Culture of Busyness', by Adam Waytz; 'Collaborative Overload', by Rob Cross, Reb Rebele, and Adam Grant; 'Designing the Hybrid Office', by Anne-Laure Fayard, John Weeks, and Mahwesh Khan; and 'Blue Ocean Leadership', by W. Chan Kim and Renee Mauborgne.</p><p><b>HBR's 10 Must Reads</b> are definitive collections of classic ideas, practical advice, and essential thinking from the pages of <i>Harvard Business Review</i>. Exploring topics like disruptive innovation, emotional intelligence, and new technology in our ever-evolving world, these books empower any leader to make bold decisions and inspire others.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From a pioneer of 'team emotional intelligence' comes a practical guide for building high-performing teams.</b></p><p>In this book, social and organisational psychologist and professor Vanessa Urch Druskat combines thirty years of research and team development to present a model for building and leading emotionally intelligent teams. She offers practical advice on how to build a team where members:</p><p>While much has been written about the power of emotional intelligence at the individual level, little has been said about the benefits of this concept for groups. And it's not as simple as putting a number of emotionally intelligent people together and expecting them to work cohesively. Instead, leaders need to build a team culture around agreed-upon norms and habits.</p><p>In this book, social and organizational psychologist and professor Vanessa Urch Druskat combines thirty years of research and team development to present a model for building and leading emotionally intelligent teams. She offers practical advice on how to build a team where members:</p><ul><li>Help one another succeed through understanding, caring, and feedback</li><li>Learn and advance together by reviewing team processes, supporting personal expression, building optimism, and solving problems proactively</li><li>Engage stakeholders by building an understanding of the team's impact and developing external relationships</li></ul><p>In reading <i>The Emotionally Intelligent Team</i>, leaders and aspiring leaders alike will learn how to develop a strong team culture that motivates and sustains successful collaboration and high performance.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Vanessa Urch Druskat</b> is an Associate Professor of Organisational Behaviour at the University of New Hampshire. A social and organisational psychologist, she has spent thirty years researching team collaboration and performance. She is an award-winning teacher and scholar, and her research investigating the differences between the norms and habits of high-performing teams and average ones led her to pioneer, with Steven B. Wolff, the concept of team emotional intelligence. Druskat consults globally with some of the world's most respected organizations and serves on the executive board of the Consortium for Research on Emotional Intelligence in Organisations.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Twelve timeless principles for building a business, from the founders of Beekman 1802.</b></p><p>Have you ever wanted to create a business that's not only good but great? Have you ever felt as though you're destined to do something bigger and more significant with your life? If so, you should know that you don't need millions in funding, a marketing department, or influencer status.</p><p>If you have an idea, the determination to bring it to life, a deep and abiding belief in your product, and a devotion to your customers, you already have the humble starting point behind one of the world's fastest-growing and most beloved brands: Beekman 1802.</p><p>Brent Ridge and Josh Kilmer-Purcell launched Beekman 1802 in one of New York State's poorest counties with no funding, and in the middle of a punishing recession. They didn't have much of a business plan. But they did have some timeless wisdom that Brent's and Josh's parents and grandparents had taught them  the 'greatest of all time' principles for good living that can also be used as a foundation for any business.</p><p>In this book, for the first time, Ridge and Kilmer-Purcell present the twelve principles that made the biggest difference in their entrepreneurial journey, and show how these principles are relevant for anyone ready to defy the odds and grow a brand that matters.</p><p>Whether you're launching your own venture, growing a side hustle, or looking to make a bigger impact on your company, <i>G. O. A. T. Wisdom</i> will give you the tools, the confidence, and the inspiration to build something meaningful and lasting that your customers will value and feel they can't do without.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Brent Ridge, MD</b>, cofounded Beekman 1802 in 2008 and has worked alongside Josh Kilmer-Purcell to lead the company ever since. Prior to his entrepreneurial career, Ridge was Vice President of Healthy Living at Martha Stewart Living Omnimedia. He also built a distinguished medical career as a specialist in geriatric medicine, completing a fellowship at Mount Sinai School of Medicine and joining the faculty there as an assistant professor. He founded the Martha Stewart Center for Living at the Mount Sinai Hospital, one of the world's leading geriatric centers.</p><p><b>Josh Kilmer-Purcell</b> cofounded Beekman 1802 in 2008 with Brent Ridge and has helped lead the company ever since. He is also a <i>New York Times</i> bestselling author, with three memoirs to his credit: <i>I Am Not Myself These Days</i>, <i>Candy Everybody Wants</i>, and <i>The Bucolic Plague</i>. Prior to founding Beekman 1802, Josh was an award-winning creative director at several top New York City advertising agencies, serving clients including Delta Air Lines, Absolut Vodka, Target, Nestle, and Unilever.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A unique exploration of caste oppression and caste resistance around the world, from one of India's leading public intellectuals.</b></p><p>Caste, and caste-based discrimination, are not just Indian issues. They are experienced throughout the world, from Britain to Bahrain, Canada to South Africa. This is a global phenomenon, demanding global solutions.</p><p>Leading scholar Suraj Milind Yengde shines a light on the Dalit experience internationally, from indentured labourers in the nineteenth-century Caribbean to present-day migrant workers in the Middle East. Combining history, ethnography and archival research, he offers a compelling, comparative approach to caste and race from ancient times to today. What have been the impacts of colonialism, religion and nationalism on caste-based hierarchies worldwide? What can we learn from caste-related movements in India and internationally? Why hasn't the South Asian diaspora embraced the anti-caste struggles of the homeland? And what are the limits of Dalit-Black solidarity?</p><p>Exploring the global footprint of the anti-caste struggle  from its links with Black Lives Matter to the work of international Ambedkarite organisations  this is a powerful analysis of world politics from the perspective of one of the most oppressed communities on Earth. Asking probing questions about the nature of inequality, Yengde issues an energetic call for a cosmopolitan Dalit universalism, as a vital part of today's fight for social justice and equality.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Learn how to decode the secret conversations of wild animals all around you.</p><p>From a Yellowstone naturalist and renowned expert in animal language comes 'an engaging guide to a world of wonders hiding in plain sight.' (Peter Wohlleben, <i>New York Times</i> bestselling author of <i>The Hidden Life of Trees</i>).</p><p>Humans once relied on the calls of wild animals to understand the natural world and their place within it. Now, this remarkable guide reveals what our ancestors knew long ago  that tuning in to the owl in the tree, the deer in the gully, can tell us important information and help us feel connected to our wild community.</p><p>In <i>Eavesdropping on Animals</i>, George Bumann shares the fascinating stories and insights he has gained from studying wildlife around the world for more than forty years, the last twenty of which have been spent leading popular programs on animal language and intelligence in Yellowstone National Park. Bumann shares tips, tricks, and advice for readers living in urban, suburban and rural areas and clearly shows us that you don't need an exotic vacation or a biology degree to have transformative wildlife encounters. Listening to and observing creatures in your own backyard, on nearby trails, and in local parks, seashores, fields, and forests can lead to extraordinary experiences and a profound sense of belonging.</p><p>Are you ready to eavesdrop on your wild neighbours? Are you ready to learn how to tell a warning call from a mating call, a purr of satisfaction from idle chatter? Then this book is for you!</p><p><b>'This book is fabulous and takes you close inside the wild world, where you feel the creatures whispering your old name.'</b> <b></b> <b>Craig Foster,</b> <b><i>My Octopus Teacher</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>George Bumann</b> (rhymes with 'human') is an animal language expert, artist, and naturalist living with his wife, son, and black Labrador at the northern entrance of Yellowstone National Park. With a background in wildlife ecology and field experience spanning four decades from across the globe, Bumann explores the lives of his wild neighbours and tells their stories through his teachings and bronze sculpture  often depicting individual animals he's known for days, months, years, and even, generations.</p><p>His art and educational programming have appeared in the Salt Lake City Tribune, Los Angeles Times, Washington Post, Sacramento Bee, and on the Canadian Broadcasting Corporation, Travel Channel, Discovery Channel, and on the TEDx stage. His bronze sculptures reside in public and private collections across North America and around the world. Information about his programs on animal language is available online.</p><p><b>Jon Young</b> grew up in New Jersey and was mentored from the age of ten as a naturalist and tracker by a master tracker into his early adulthood. He is passionate about teaching the benefits of connecting deeply with the natural world. He lives in the Santa Cruz Mountains in California.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This captivating memoir takes readers into the eccentric world of competitive bird-calling</b> <b></b> <b>following the coming-of-age story of two boys who found their voice in the natural world.</b></p><p>This captivating book brings together two birds of a feather: Jean and Johnny, boys from very different worlds growing up in a small village in France. Jean is the genteel pharmacist's son, dressed in his Sunday best; Johnny's father is a rough, working-class sheep herder, always with the odor of animals clinging to him. Each year, over three hundred bird species visit their village, which intersects a major migratory flyway.</p><p>The two boys' stories converge when Jean enters a bird-calling contest. He places second, and at only eleven years old becomes a child celebrity on the bird-calling circuit. Then Johnny starts to compete as well. At the annual bird festival, both boys are standouts, and a long, admiring rivalry develops between them, eventually culminating in the European championships.</p><p>As they evolve as performers, the two boys' identities become more distinct: Jean is soft-spoken, while Johnny likes to play to the crowd. While most of their competitors are adult men, hunters who learned to call birds for sport, the two boys are fascinated with the pure beauty of birdsong, and in trying to transcend themselves through imitating birds. Their shared passion develops into an enduring partnership as performers, and they go on to tour the world in concert as the Bird Singers.</p><p>This is a story as much about friendship as it is about birdsong. The setting is timeless and bucolic, with long walks to small village schools, games of pick-up soccer, and father-son birding trips. The chapters, which bounce back and forth between the two narrators, are woven through with descriptions of colorful characters in the bird-calling competition circuit and the kind of ornithological detail that can only come from a true passion for birds. There is poetry in the description of the different birds, from common seagulls to thrushes and bluethroats and nightingales, and something like communion in the way Jean and Johnny understand the feathered friends they imitate.</p><p>Unique, evocative, and cinematic, <i>The Bird Singers</i> is the story of an unlikely friendship, sparked by a desire to speak with the avian world.</p><p><b>'A mesmerising tale like no other.'  Priyanka Kumar, author of </b><b><i>Conversations with Birds</i></b></p><p><b>'A beautiful book. The writing about birds  their songs and sounds, what birds mean to us, the wonder and joy they evoke in us  is among the most original, insightful, and enjoyable I've read.'  James Macdonald Lockhart, author of </b><b><i>Wild Air: In Search of Birdsong</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jean Boucault and Johnny Rasse</b> first learned to imitate bird calls as children in northern France. Their rivalry at bird calling competitions gave way to friendship, and now to a partnership as performers. Although Boucault and Rasse are trained as a pharmacist and engineer respectively, their passion for birds led them to create a stage show under the name Les chanteurs d'oiseaux (the Bird Singers), recording an album and touring in France and internationally.</p><p><b>Katia Grubisic</b> is a writer, editor, and translator whose work has appeared in various Canadian and international publications. Her collection <i>What if red ran out</i> was shortlisted for the A.M. Klein Prize for Poetry and won the Gerald Lampert award for best first book. Her book translations include Martine Delvaux's <i>White Out</i>, Stephane Martelly's <i>Little Girl Gazelle</i>, and Marie-Claire Blais's final novels. Her translations of David Clerson's first novel, <i>Brothers</i>, and of <i>A Cemetery for Bees</i>, by Alina Dumitrescu, were shortlisted for Governor General's Awards, and her translation of Clerson's short story collection, <i>To See Out the Night</i>, won the Cole Foundation Prize for Translation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The Afterglow of Industry brings together photographs from a ten-year project in which artist Chris Corson-Scott repeatedly travelled the extent of Aotearoa New Zealand, seeking out unknown, or remote sites which illuminate our dysfunctional present.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Afterglow of Industry</i> brings together photographs from a ten-year project in which artist Chris Corson-Scott repeatedly travelled the extent of Aotearoa New Zealand, seeking out unknown, or remote sites which illuminate our dysfunctional present. Following this, several years were spent researching and writing on each of the 79 photographs featured in this book. In these texts, colonial and industrial histories weave in and out of geology, pre- European Mori history, outside forces from the United States and Europe, and contemporary issues like privatisation, asset sales, the New Zealand housing crisis, and the country's rebranding as a 'clean &amp; green' tourist destination.</p><p>Similar to the collapse of America's industrial Midwest, New Zealand has also experienced the whiplash of industry vanishing. Here though, this has been complicated by much of this industry first emerging in conjunction with European colonization. Corson-Scott's work focuses on these tensions, particularly in Te Waipounamu South Island, where the regions of the West Coast and Otago see industrial remnants contrasted with vast and complex landscapes. From these areas come images of freezing works on sacred rivers, contested mining projects, dwellings of 19th century Chinese miners, gold processing plants still contaminated more than a century later, floods of acid mine drainage, and the demolition of factories which once built the country's modern infrastructure. Elsewhere, on a remote sandspit is one of history's largest whale strandings, industrial spaces are repurposed by artists, controversial hydroelectric schemes divert rivers, ancient forest remnants become tourism, and city fringe orchards are bulldozed for development.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Chris Corson-Scott</b> was born in Auckland, New Zealand in 1985. He is a leading New Zealand photographer who has exhibited extensively in New Zealand, with work in public collections including Auckland Art Gallery Toi o Tmaki, Christchurch Art Gallery Te Puna o Waiwhet, and Victoria University, Wellington. His previous publications include <i>Dreaming in the Anthropocene</i> (Compound Press, 2016),<i> Evanescent Monuments</i> (Compound Press, 2017), and <i>Pictures They Want to Make: Recent Auckland Photography</i> (Photoforum/Rim Books, 2013).</p>]]></Text>
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			<SubjectHeadingText>Aotearoa; Australia; Erub Darnley Island; Fiji; Frank Burnett; Museum of Anthropology; New Zealand; Oceania; Papua New Guinea; Rapa Nui; Samoa; Solomon Islands; The Marquesas Islands; Torres Strait Islands; University of British Columbia; Vanuata; barkcloths; canoes; jewelry; musical instruments; navigation; paintings; prints; tools</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b><i>Sea of Islands</i></b><b> brings together knowledge holders, scholars, and artists from across the Pacific with Western scholars working with Pacific collections  as well as members of diasporic Oceanic communities </b> <b>to share the stories and journeys of the objects that comprise Canada's largest Oceanic collection, housed at The Museum of Anthropology at UBC.</b></p><p>The Museum of Anthropology at the University of British Columbia holds some 3,500 objects from Oceania, making it the largest and most diverse collection from this region in Canada. From regalia and jewellery to barkcloths and woven mats to carvings and canoes, all these items have travelled, sometimes circuitously, from their homelands  including Aotearoa, Australia, the Torres Strait Islands, Fiji, Papua New Guinea, the Solomon Islands, Rapa Nui, the Marquesas Islands, and Vanuatu  to the west coast of Canada. <i>Sea of Islands</i> traces the journeys and stories of these holdings, as shared by knowledge holders, scholars, and artists from across the Pacific.</p><p>Presented alongside more than 250 photographs of individual objects contextualised by historic and contemporary images from Oceanic communities, Carol E. Mayer's text draws on her decades of research and outreach centred around the complex intersections between museum collections, contemporary art practices, and different knowledge systems. The result is a lively and accessible exploration of how these objects  old and new  continue to articulate systems of meaning and engender new relationships.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Carol E. Mayer</b> is the Research Fellow  Pacific at the University of British Columbia's Museum of Anthropology. Internationally known for her work as a museum curator, she has published widely on museum-related topics, curated more than forty exhibitions, and received fellowships from the Smithsonian Institution and the Sainsbury Research Unit and numerous awards including from the Canadian Museums Association, the International Council of Museums (ICOM) Canada, and the British Columbia Museums Association. She has also received a medal from the Republic of Vanuatu for her cultural contributions, and the Manu Daula Award from the Pacific Arts Association for her outstanding achievement and dedication in the arts of the Pacific.</p><p><b>Ralph Regenvanu</b> is the Minister for Climate Change Adaptation, Energy, Environment, Meteorology, Geohazards and Disaster Management, Republic of Vanuatu.</p><p><b>Susan Rowley</b> is the Director of the Museum of Anthropology at UBC.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Oracle decks are perfect for telling stories, and reading cards can help kids and their parents speak to how they feel, what's going on in their lives, and the exciting things that might be coming in the future. Cards can be reminders to be kind, serve as gentle prompts for speaking about tough topics, or they can even just be fun conversation starters  particularly when they're decorated with artist Michelle Romo's signature vibrant illustrations. Filled with robots, fairies, roller skates, and kitty cats, <i>The Cosmic Kindness Oracle</i> is the perfect super cute and useful tool for anyone who wants to feel guided in their daily life, and the ideal deck for beginners and families. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michelle Romo</b> is an illustrator, product designer, and maker of fun things from Los Angeles who has designed under the name 'Crowded Teeth'for the past 18 years. She has illustrated and written several books, including <i>Frankie's Magical Day</i> (Abrams Appleseed), and the Spencer the Cat series (Workman). She also recently developed an animated show for Cartoon Network based on the character Spencer the Cat called <i>Shake, Shake, Shimmyvale!</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An exquisite bestiary oracle that combines vintage photographs with animal spirit paintings, imbued with a surrealism that provokes reflection on our deep kinship with all beings.</b></p><p>Welcome to a world where humans and animals inhabit each other's lives in surreal, dreamlike realms of the imagination. The imagery in <i>The Oracle of Rewilding</i> is part of an ancient, primordial story of profound kinship that intimately connects human and animal worlds.</p><p>This oracle deck and guidebook calls upon us to bring healing in a time when the fate of humans and other earthly creatures is threatened. The oracle gently leads us to consciously cultivate a visionary relationship with the world, a kinship with all things. We must 'rewild' ourselves for the preservation of all. The imagined, uncanny, even strange animal/human hybrids in this card deck represent the Trickster at a time of chaos and disruption, and speak to a unity of being and hope.</p><p><b>Alexandra Eldridge's</b> paintings employ glass-plate negatives from 1880-1920, an era when there was excitement about Darwin's findings that emotions exist in both humans and animals. Concepts of land conservation and wildlife preservation emerged at this time, along with modernism in the arts, and the invention of photography and the X-ray. Seances, spirit photography, myriad ideas about 'animal magnetism', and occultism became popular.</p><p>The forty-four cards in this deck present universal animal archetypes and the symbolic qualities they represent. The full-colour guidebook by <b>Sherry Salman</b> features stories, symbols, fairy tales, poems, and myths and explores each of the card's meanings in depth, offering a variety of ways to consult the cards  and a way to engage an altered state of mind that fosters kinship with all things.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexandra Eldridge</b> cofounded Golgonooza, a center for the arts based on the philosophies of William Blake. She has had over forty solo shows and has participated in many group shows throughout the US and internationally. <i>ARTnews</i>, art ltd, Art on Paper, New American Paintings, and <i>American Art Collector</i> are just a few of the outlets that have featured Eldridge. Her work can be found in many collections, including those of William Hurt, Steve Buscemi, and Edie Falco. Follow her on Instagram @alexandraeldridge8.</p><p><b>Sherry Salman, PhD, LP,</b> is a Jungian analyst, teacher, and author. A founding member and first president of the Jungian Psychoanalytic Association, she now serves on the faculty and has contributed to the education of many Jungian analysts and psychotherapists. She was associate editor for three professional journals and is a consultant for the Archive for Research in Archetypal Symbolism. Salman has published in numerous journals, books, and the popular press. Her latest book, <i>Dreams of Totality</i>, is about symbols and imagination in postmodern life. Salman lives in the Hudson River Valley of New York.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The twentieth anniversary edition of An-My Le's acclaimed first book</b><b><i> Small Wars</i></b><b>, reissued with five new images and an afterword by Ocean Vuong.</b></p><p>For the past three decades, An-My Le has used photography to examine her personal history and the legacies of US military power, probing the tension between experience and storytelling.</p><p>First published in 2005, <i>Small Wars</i> brings together three interconnected series. In <i>Viet Nam</i>, Le returns to the country she left in her teens and attempts to reconcile memories of her childhood home with the contemporary landscape; in <i>Small Wars</i>, she engages a small community of Vietnam War reenactors; and in <i>29 Palms</i>, she documents the preparations of marines in the California desert as they undergo training for conflict in Iraq and Afghanistan. Taken together, this trilogy brilliantly presents a complexly layered exploration of the issues surrounding landscape, memory, and the representation of violence and war.</p><p>With great precision and clarity, Le is able to evoke the work of nineteenth-century landscapes as well as that of the New Topographics  but by weaving in her own personal narrative of refuge and return, she pushes beyond both to produce a uniquely revelatory body of work. The twentieth anniversary edition of <i>Small Wars</i> is a lush reissue of the original, with five additional images and a new afterword by Ocean Vuong, who discusses how these bodies of work resonate twenty years later.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An-My Le</b> (born in Saigon, Vietnam, 1960) is a Vietnamese American photographer, filmmaker, author, and the Charles Franklin Kellogg and Grace E. Ramsey Kellogg Professor in the Arts at Bard College. Le came to the United States as a political refugee at age fifteen. She received a grant to return to her homeland just after US-Vietnamese relations were formally restored, and traveled there several times between 1994 and 1997. She is the recipient of numerous awards, including fellowships from the New York Foundation for the Arts, John Simon Guggenheim Memorial Foundation, and MacArthur Foundation, and her work has been exhibited nationally and internationally. Most recently a major retrospective of her work was organised by the Museum of Modern Art, New York. She is based in New York.</p><p><b>Richard B. Woodward</b> was an arts critic whose essays on art and photography were featured in dozens of monographs, catalogs, and publications, including the <i>Wall Street Journal, New York Times, Atlantic, Bookforum, Film Comment, American Scholar, New Yorker</i>, and <i>Vogue</i>.</p><p><b>Hilton Als</b> is a staff writer and theater critic at the New Yorker. A recipient of the Pulitzer Prize for Criticism, he is the author of<i> The Women</i> (1996), <i>White Girls</i> (2013), and <i>Joan Didion: What She Means</i> (2022). He is a teaching professor at the University of California, Berkeley, and an associate professor of writing at Columbia University.</p><p><b>Ocean Vuong</b> is author of the critically acclaimed poetry collections <i>Night Sky with Exit Wounds</i> (2016) and <i>Time Is a Mother</i> (2022), and the novel <i>On Earth We're Briefly Gorgeous</i> (2019). A recipient of the MacArthur Fellowship and the American Book Award, he was born in Saigon, Vietnam, and is professor of creative writing at New York University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Eerie, sparse, and undeniably beautiful, Richard Misrach's images offer a timely meditation on the profound impact of global trade on the environment.</b></p><p><i>Richard Misrach: Cargo </i>presents the acclaimed photographer's sublime meditation on the often-unseen patterns of global trade and commerce. In 2021, on the heels of the COVID-19 pandemic, which, at its height, seemed to nearly halt the networks of international trade, Misrach began taking thousands of photographs of cargo ships as they moved to and from the Port of Oakland, California. In these monumental seascapes, cargo ships appear frozen in time  diminutive but stalwart  within an expansive, richly coloured confluence of sea, sky, and atmosphere. Eerie, sparse, and undeniably beautiful, Misrach's images abstractly trace multiple histories: the recent collapse and slow recovery of these seafaring trade routes, the confrontation of the human and natural environment in an era of climate disaster, and a rich lineage of maritime art.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Richard Misrach </b>(born in Los Angeles, 1949) is one of the most influential colour photographers of his generation. His work is held in the collections of over fifty major institutions, including the Metropolitan Museum of Art, Whitney Museum of American Art, the Museum of Modern Art, New York, and the National Gallery of Art, Washington, DC. He is the recipient of numerous awards, including a Guggenheim Fellowship. His previous Aperture titles include <i>Destroy This Memory </i>(2010), <i>Golden Gate</i> (2012), <i>Petrochemical America </i>(with Kate Orff, 2012),<i> The Mysterious Opacity of Other Beings</i> (2015), <i>Border Cantos</i> (with Guillermo Galindo, 2016), and<i> Richard Misrach on Landscape and Meaning</i> (2021).</p><p><b>Rebecca Solnit</b> is a writer, a historian, an activist, and the author of more than twenty books, including <i>Orwell's Roses </i>(2022), <i>Recollections of My Nonexistence</i> (2020), <i>Men Explain Things to Me</i> (2014),<i> A Paradise Built in Hell: The Extraordinary Communities That Arise in Disaster </i>(2009), <i>A Field Guide to Getting Lost</i> (2005), and <i>Hope in the Dark</i> (2004). She writes regularly for the Guardian, serves on the board of the climate group Oil Change International, and recently launched the climate project<i> Not Too Late</i>. She is based in San Francisco.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In the turbulent years of China's War of Resistance against Japan (1931-1945), a unique and complex narrative unfolded far from the battlefields  in Australia. <i>Patriots and Propaganda:</i> <i>Chinese Australians and the politics of loyalty, 1930s1940s</i>delves into the intricate web of Chinese wartime propaganda efforts, revealing how the Chinese Kuomintang (KMT) and Chinese Australian communities mobilised support for China's struggle against Japanese aggression.</p><p><i>Patriots and Propaganda</i> uncovers the multifaceted relationships between China, Australia, and the Australian Chinese diaspora, highlighting the political, racial and class dynamics that shaped these interactions.</p><p>Bolin Hu explores the pivotal role of Chinese-language newspapers and schools in preserving Chinese heritage and loyalty; the intense political rivalries within the Australian Chinese community; and the profound impact of memorial services and fundraising campaigns on fostering Chinese patriotism and community cohesion. Hu also brings to light the diverse contributions of various Chinese Australian groups  including leftists, women, and Australian-born Chinese  to China's war effort, and the fierce propaganda battles between Chinese and Japanese authorities on Australian soil.</p><p><i>Patriots and Propaganda</i> offers a nuanced exploration of the socio-political dynamics within the Australian Chinese community, while challenging the traditional narrative of distant allies, presenting new evidence and perspectives on the Sino-Australian relationship during a critical period in history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Bolin Hu</b> is a lecturer at Huaqiao University, with research interests focusing on the history of the Chinese diaspora in Australasia, as well as the history of Sino-Australian and Sino-New Zealand relations.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Gaza in My Phone</i></b><b>presents the powerful art of Lebanese cartoonist Mazen Kerbaj, drawn in response to social media images of Israel's genocidal campaign in Gaza.</b></p><p>Gaza is the first genocide to be captured in real-time images on devices we hold in our hands. Two days after October 7, the Lebanese comic artist Mazen Kerbaj began drawing in reaction to what was appearing in his phone. This powerful and original book brings together that work.</p><p>Mazen draws in part to bear witness and raise awareness, but also as a coping mechanism, to remain sane amid the unfolding madness. His straight-to-the-point, high-contrast black-and-white art is accompanied by striking slogans and captions. It has been shared widely around the world, helping people express their solidarity with Palestine.</p><p>Produced from Berlin, a city where the repression of Palestinian support has been particularly fierce, Mazen's drawings raise fundamental questions about seeing as an act of solidarity when those in power seek to suppress news of what is happening.</p><p>Haunted by the live-streamed images, we dread seeing more when we open our phones. By representing them in simple cartoons, Mazen allows us to scrutinise and reflect on the horrors we have witnessed. The result is an extraordinary sequence of images and messages that ask us to pause for a moment, to stop, look, mourn, and summon the resolve to head out and join the fight for the living, for life, for justice.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mazen Kerbaj</b>is a Lebanese visual artist, comics author, and musician. He is the author of fifteen books, including<i>Beirut Won't Cry</i>with an introduction by Joe Sacco. His work has been shown in galleries and museums around the world. He is well known for recording trumpet solos on his balcony during Israel's 2006 bombing of Beirut, widely shared on the internet under the title<i>Starry Night.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[A history of Iran's political underdevelopment, of how and why social movements emerged, and of how they blossomed into revolutions that ultimately betrayed their ideals.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Triumph and Despair</i></b><b> tells the dramatic story of post-revolutionary Iran's first four decades, from its establishment in 1979 until today.</b></p><p>The revolutionary coalition that overthrew the monarchy was at once democratic, populist and Islamic. The Islamists, and the Khomeinists in particular, were able to capitalise effectively on prevailing conditions on the ground; to frame the new republic's constitution, capture nascent institutions, and consolidate their power by eliminating opponents through a reign of terror. Once the war with Iraq was over and after the death of the new order's charismatic founder, Ayatollah Khomeini, the Islamic Republic was consolidated: first by tweaking its institutional arrangements, and then by fostering economic development and post-war reconstruction. A reformist interlude then followed, reversed unceremoniously by a return of populism and a broader authoritarian retrenchment.</p><p>Today Iran remains at odds with itself, its economy too deeply political to yield meaningful developmental results, its foreign relations too conflicted to allow it a productive place in the community of nations. As Iran's nationalities and its women and youth carve out spaces for themselves in the broader narrative, competing identities  religious, national and otherwise  abound. After forty years, the Islamic Republic remains a country in search of itself.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mehran Kamrava</b> is Professor of Government, Georgetown University in Qatar, and directs the Iranian Studies Unit at the Arab Center for Research and Policy Studies. His books on Iranian and Middle Eastern affairs include <i>Inside the Arab State</i> and <i>The Nuclear Question in the Middle East</i>, both published by Hurst.</p>]]></Text>
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			<SubjectHeadingText>Cultural anthropology; visual anthropology; media ethnography; Indigenous film; Mark Moora; Aboriginal Australia; collaborative filmmaking; sovereignty; futurity; archives; biography; northwestern Australia; Kukatja; Balgo; Great Sandy Desert; Sydney Film Festival; Tjawa Tjawa; settler states; marginalized communities; Kurrarlkatjanu: The Last Generation; truth and reconciliation</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>What can Aboriginal filmmaking reveal about Indigenous presence and futures?</b></p><p> The product of years of embedded fieldwork within Indigenous film crews in Northwestern Australia, <i>Dreaming Down the Track</i> delves deeply into Aboriginal cinema as a transformative community process. It follows the social lives of projects throughout their production cycles, from planning and editing to screening, broadcasting, and after-images. Across its narrative sweep, this ethnography engages the film career of Kukatja elder Mark Moora to demonstrate the impact of filmmaking on how Aboriginal futures are collectively imagined and called forth. </p><p> William Lempert highlights a series of awakenings through which Moora ultimately came to view cinema as a process for catalyzing his family's return to their home country of Mangkayi. This biographical media journey paints an intimate portrait of the inspiring possibilities and sobering limitations of Indigenous envisioning within settler states. Lempert traces how Moora's life and films convey a multiplicity of Aboriginal experiences across time and space, from colonial contact to contemporary life in communities like Balgo, including the continued governmental attempts to undermine them. </p><p> Amid ongoing negotiations to establish the first treaties between Indigenous nations and Australian states, <i>Dreaming Down the Track</i> illustrates what is at stake in how AboriginalState relations are represented and understood, both within communities and for the broader public. Lempert stays true to Moora's insight that film can preserve community stories for generations to come, toward the aim of enacting sovereign futures. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>William Lempert is Osterweis Family Associate Professor of anthropology at Bowdoin College. His writing has been published in several journals, including <i>Cultural Anthropology</i> and <i>American Indian Culture and Research Journal</i>.</p>]]></Text>
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			<SubjectHeadingText>Animal Studies; Human-Animal Relations; Cinema Studies; Film Theory; Experimental Film; Expanded Cinema; Indigenous Epistemologies; First Knowledges; Neurodiversity; Color Theory; Ethico-Aesthetics; Ecology; Entanglement; Naturecultures; Arthur and Corinne Cantrill; Carolee Schneeman; Cmaille Henrot; Oceania; Aotearoa; New Zealand; Australia; South America; Deleuze; Guattari; Donna Haraway; biodiversity; nature; non-human perspectives; Ivor Cantrill; Sebastian Wiedemann; Edweard Muybridge; tienne-Jules Marey; Kenneth Anger; Natasha Myers; Dziga Vertov; Camille Henrot; Pierre Huyghe; Mel Baggs; Len Lye; Tracey Moffatt; Diego Ramirez; Nova Paul; Karabing Film Collective; La Distancia</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A foray through the wilds where experimental films and animals collide</b><br/></p><p> Like the flash of a tropical bird's iridescent wing, cinema can be furtive and intensely beautiful-and it can leave a viewer craving more. <i>Cinemal</i> is Tessa Laird's passionate inquiry into the ways that films mimic the majesty, mystery, and movements of animals,her field notes from countless hair-raising encounters with films in their natural habitat. </p><p> Part of a growing focus on nonhuman animals in film, <i>Cinemal</i> ventures to the "furry underbelly" of global experimental film practice, focusing on films from New Zealand, Australia, and South America. Laird examines how animals are depicted in film and analyzes the various animal qualities of cinema, like scratching and sniffing, vibrant colors, and voices (barking, howling, or echolocation). Burrowing into the work of filmmakers such as Arthur and Corinne Cantrill, Sriwhana Spong, and Ana Vaz, Laird's energetic prose embodies the films she discusses, seamlessly combining personal anecdotes with art theory and philosophy to spread a wide sensory buffet. </p><p> Lively and optimistic, Laird uses cinematic animal tropes to encourage readers to rethink what it means to be human. She argues that, in a time of ecological collapse, such an impulse is a necessary means of imagining other, healthier ways of being in this world. Connecting us with the more-than-human, <i>Cinemal</i> lures us toward the beastly becomings of film and, ultimately, our own animal natures. </p><p><b>Retail e-book files for this title are screen-reader friendly.</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p> Tessa Laird is an artist, writer, and senior lecturer at the Victorian College of the Arts, University of Melbourne. Her books include a fictocritical exploration of color, <i>A Rainbow Reader, </i>and a cultural history of bats, <i>Bat, </i>in Reaktion Books's celebrated Animal series. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The White Possessive</i> explores the links between race, sovereignty, and possession through themes of property: owning property, being property, and becoming propertyless. Focusing on the Australian Aboriginal context, Aileen MoretonRobinson questions current race theory in the first world and its preoccupation with foregrounding slavery and migration. The nation, she argues, is socially and culturally constructed as a white possession.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A warrior struggles through an apocalyptic landscape and the world after death</b></p><p>Kree has been raised as a fearless fighter in a ravaged world: postapocalyptic, posthuman, the population decimated by wars and civilisation long since collapsed. After her attempt to avenge the death of her dog, Loka, goes horribly wrong, Kree finds herself lost in a world after death and wanders into the city of the terrible mendicants.</p><p>Under the Brothers' totalitarian rule, Kree can lead a quiet life and forget her violent past, even if needles grow in her skull and hallucinatory blood rains occasionally pour down to remind her. She can make friends: a healer with a shaking tent, a mysterious stranger hatched from an egg, and a gruff electrician in a world without electricity. And she can have her Loka as long as she toes the Party line and does as she's told. When she can't  when her friends start to disappear and the Brothers turn against her  Kree sets out on a quest, searching for a new way forward.</p><p>Multiply reincarnated and unstuck in time, Kree is the characteristically marvelous creation of Manuela Draeger, whose extraordinary stories, in the words of author China Mieville, &amp;#x27;are as close to dreams as fiction can be&amp;#x27;.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Manuela Draeger </b>is a member of the imaginary collective of post-exotic writers, along with Antoine Volodine, Lutz Bassmann, and Elli Kronauer, who have produced more than forty works so far in French. She works as a containment camp librarian and has written numerous books for children as well as for an adult audience. Works that have appeared in English include <i>In the Time of the Blue Ball,</i> translated by novelist Brian Evenson, and <i>Eleven Sooty Dreams,</i> translated by J. T. Mahany.</p><p><b>Lia Swope Mitchell</b> has a PhD in French from the University of Minnesota. Her translations include <i>Solo Viola</i> by Antoine Volodine and <i>Survival of the Fireflies</i> by Georges Didi-Huberman, both published by the University of Minnesota Press. Her original fiction has appeared in <i>Asimov's, Apex, Terraform,</i> and elsewhere. She lives in Minneapolis.</p>]]></Text>
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			<SubjectHeadingText>Monster; hydrogen bomb; atomic bombs; atomic; planet; legendary; Skull Island; Monsterverse; kaiju; Adam Wingard; New Empire; anti-nuclear; Japan; Gojira; Godzilla x Kong; Ultraman: Rising; Minus One; Tomoyuki Tanaka; speculative; apocalyptic; monarch; science fiction; posthuman; environmental fiction; postwar; nuclear weapons; 1950s; hydrogen bombs; Anti-nuclear literature; Cold War literature; nuclear fiction; Godzilla; franchise; Radiation; filmography; apocalyptic fiction; king</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Godzilla emerged from the sea to devastate Tokyo in the now-classic 1954 film, produced by Th Studios and directed by Ishir Honda, creating a global sensation and launching one of the world's most successful movie and media franchises. Awakened and transformed by nuclear weapons testing, Godzilla serves as a terrifying metaphor for humanity's shortsighted destructiveness: this was the intent of Shigeru Kayama, the science fiction writer who drafted the 1954 original film and its first sequel and, in 1955, published these novellas.</p><p>Although the Godzilla films have been analysed in detail by cultural historians, film scholars, and generations of fans, Kayama's two Godzilla novellas - both classics of Japanese young-adult science fiction - have never been available in English. This book finally provides English-speaking fans and critics the original texts with these first-ever English-language translations of <i>Godzilla</i> and <i>Godzilla Raids Again</i>. The novellas reveal valuable insights into Kayama's vision for the Godzilla story, feature plots that differ from the films, and clearly display the author's strong antinuclear, proenvironmental convictions.</p><p>Kayama's fiction depicts Godzilla as engaging in guerrilla-style warfare against humanity, which has allowed the destruction of the natural world through its irresponsible, immoral perversion of science. As human activity continues to cause mass extinctions and rapid climatic change, Godzilla provides a fable for the Anthropocene, powerfully reminding us that nature will fight back against humanity's onslaught in unpredictable and devastating ways.</p><p><b>&amp;#x27;At long last, the pathbreaking novellas by Shigeru Kayama that launched the Godzilla franchise are finally available in English. It was well worth the wait: Jeffrey Angles's lively translation captures all the action, emotion, and political edge of the original Japanese texts. This engaging volume will be a revelation for Godzilla fans, a rich resource for students of Japan, and a rewarding read for anyone who enjoys classic tales of science fiction and adventure.&amp;#x27; - William M. Tsutsui, chancellor of Ottawa University and author of </b><b><i>Godzilla on My Mind: Fifty Years of the King of Monsters</i></b></p><p></p>]]></Text>
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			<Text textformat="02"><![CDATA[Fervently acclaimed worldwide, Haruki Murakami'swildly imaginative work in many ways remains a mystery, its worlds withinworlds uncharted territory. Finally in  The Forbidden Worlds of HarukiMurakami]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>During the 1960s</b> <b></b> <b>a juncture in history when music was the meeting place for the ideas of the young and questioning</b> <b></b> <b>Bob Dylan stood head and shoulders in influence above all others. In telling the story of his first calendar decade as a recording artist, </b><b><i>Decade Of Dissent</i></b><b> provides a unique angle on an endlessly fascinating and truly peerless career.</b></p><p>Dylan's 60s recordings constitute a dizzying run that includes such landmark albums as <i>The Freewheelin' Bob Dylan</i>, <i>Highway 61 Revisited</i>, <i>Blonde On Blonde</i>, the so-called 'Basement Tapes', and <i>John Wesley Harding</i>, and such classic songs as 'Blowin' In The Wind', 'The Times They Are A-Changin'', 'Mr. Tambourine Man', 'Like A Rolling Stone', 'Just Like A Woman', 'Quinn The Eskimo', 'All Along The Watchtower', and 'Lay Lady Lay'. They set the template for his genius and encompass the bulk of his greatest work. The career arc they collectively describe saw Dylan effortlessly and repeatedly instigate revolution, by turns reinvigorating folk music, turning protest song mainstream, bringing the intellectualism and social conscience of folk to rock and pop, reasserting roots music over the excesses of psychedelia, and making country music respectable.</p><p>Through each of his new identities, Dylan's dazzling lyrics established him as the poet laureate of the counterculture. All during this time he was engaged in a personal voyage that saw him first embrace the blandishments of fame and then emphatically reject them. His journey during this era from ambitious nobody to cultural icon back to willing background figure makes for one of the most extraordinary narratives in the history of recorded music. It features a fascinating supporting cast of collaborators and peers, from Al Kooper and Mike Bloomfield to The Beatles and The Byrds.</p><p>Dylan now occupies an unparalleled role as venerated elder statesman of music, but through the twists and turns of his long career he has never quite regained the position he held during his insurrectionary first decade, when he was the most important artist in popular music  and, by extension, one of the most crucial figures in Western society. Drawing on exclusive interviews and packed full of fresh insights, <i>Decade Of Dissent</i> brings to life Dylan and his milieu at the point when he was making music that was not merely aesthetically magnificent but sociologically earthshaking.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From the beloved author of</b> <b><i>Encyclopedia of 5,000 Spells</i></b><b> comes a powerful deck of thirty-six cards for magical protection.</b></p><p>The world may be filled with dangers, but it is also filled with ancient and powerful forces that serve as antidotes and protective devices. These magical forces include crystals, herbs, amulets, sacred beings, and even colours and numbers. Magic spells enable us to harness these forces for our own benefit. Let these cards guide you toward safety, security, and embracing your own personal power.</p><p>For successful spellcasting, as you cast your spells, visualise their success. Imagine yourself strong, happy, and safe, your goals realised. For those new to the art of spellcasting, further information can be found in <i>Pure Magic: A Complete Course in Spellcasting</i>, also by Judika Illes.</p><p><i>Protection Spells: 36 Cards for Magical Self-Defense</i> is the perfect deck to tuck in a purse or pocket and makes a great gift.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>For thousands of years people have seen strange lights and hovering shapes in the sky. From an ancientawareness that there might be creatures beyondthis world to very recent disclosures of alien activity at a governmental level, speculation about unidentified flying objects  and the alien entities that might have traveled within them  has animated humanity's relationship to the unknown. John Michael Greer, long-time researcher of the unexplained, chronicles 100 of the most fascinating brushes Earth's residents have had with visitors from the cosmos. Illustrated with full-color photos and illustrations, <i>The UFO Book</i>includes Babylonian engravings, phantom airships of the 1890s, the'foo fighters' of the Second World War,the Flatwoods Monster and Mothman: Greer weaves these together into a chronological survey of anevolving understanding of alien life. He also covers alien abductions from around the world and throughout time, proving that they are a widespread phenomena that unites all of the residents of this planet. It's undeniable that something very strange is going on, and<i>The UFO Book</i>is a fascinating portal into a question that predates modern history and will continue into the future: is the truth out there, and when will it finally be uncovered?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Born in the gritty Navy town of Bremerton, Washington and raised in the south Seattle suburbs,<b> John Michael Greer</b> began writing about as soon as he could hold a pencil. He lives in Cumberland, Maryland, with his spouse, Sara; serves as presiding officer of the Ancient Order of Druids in America (AODA), a Druid order founded in 1912; and writes in half a dozen nonfiction fields, nearly all of them focused on the revival of forgotten ideas, insights, and traditions of practice from the rubbish heap of history. He also runs the unexplained-phenomena blog<i>Ecosophia</i>, which receives over 150,000 visitors per month.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A richly illustrated look at the intersection of art and science in Renaissance Europe.</b></p><p>Art played a pivotal role in the development of natural history during the sixteenth and seventeenth centuries. European colonial expansion enabled naturalists to study previously unknown insects, animals, and other <i>beestjes</i>  'little beasts'  from around the globe. <i>Little Beasts</i> explores how artists such as Joris Hoefnagel and Jan van Kessel helped deepen and spread knowledge of these creatures with highly detailed and playful works that inspired generations of printmakers, painters, decorative artists, and naturalists.</p><p>This appealing book begins by mapping the origins of natural history as a discipline, showing how early illustrated treatises reflected a vibrant exchange between artists and naturalists that contributed to the growth of natural science and sparked public fascination with the animal kingdom. It shares insights into Hoefnagel's engagement with contemporary natural history, as demonstrated in his <i>Four Elements</i>  a four-volume series of some three hundred watercolor miniatures of animals  and examines how intaglio printmaking enabled natural history studies to reach new audiences. The volume concludes with a discussion of Van Kessel's small oil paintings, likely made for discerning collectors of both natural and artistic curiosities.</p><p>Blending lively and informative essays with beautiful illustrations, <i>Little Beasts</i> traces the connections between artists, naturalists, and collectors in an age of scientific discovery and broadening horizons, inviting readers to look with wonder at nature's variety.</p><p>Published in association with the National Gallery of Art, Washington, DC.</p>]]></Text>
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			<SubjectHeadingText>queer ecology; mycology; biology; ecology; natural history; nature; queerness; LGBTQ; gender dysphoria; bisexuality; neurodivergence; ADHD; essays; philosophy of science; history of science; eels; cicadas; swamps; fungi; mushrooms; crows; snakes; slugs; snails; Armenian American; trauma; abuse</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Pendulums are a fixture in the metaphysical world. They are tools for decision making, but they can be so much more.Pendulum Craftis an expansive, useful guide to using pendulums not just for divination, but for introspection, experimentation, and channeling messages from the beyond.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Pendulums are a fixture in the metaphysical world. They are tools for decision making, but they can be so much more. Pendulums are a physics equation made magic. Pendulums allow bodies and other realms to communicate through otherwise indiscernible vibrations. These are magical tools that hold massive potential for how to divine information and connect on a deeper level.</p><p><i>Pendulum Craft</i>is an expansive, useful guide to using pendulums not just for divination, but for introspection, experimentation, and channeling messages from the beyond. In addition to a deep dive into the history and usage of pendulum  from 'water witching' to folk healing, from the science of ideomotor reactions to the pendulum's function as a tool of the occult  author Fox Taylor covers different types of pendulums, including how to make a pendulum or select one at the store. They also cover how to connect with and calibrate a pendulum, how to trust 'inner knowing', and finally how to work with a pendulum board and ask the right questions that will produce desired information. Taylor's fascinating black-and-white art illustrates the fundamentals of the pendulum and how it has been used throughout history. This book also includes a selection of pendulum boards for different kinds of questions, which can be pulled out of the book.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Fox Taylor</b> (they/them) is a queer interdisciplinary artist and witch who lives in New Brunswick with their husband and three black cats. Fox graduated from the Alberta College of Art and Design (now Alberta University of the Arts) in 2014 with a bachelor's of fine art in fiber. Fox's true passion is traditional textile art, including weaving and embroidery. Their work explores the history of witchcraft, feminism, witches in pop culture, and the body. When they are not making art or researching witchcraft and witch trials, they are casting spells and conjuring all matters of witchery. Fox likes movies, strong coffee, and cats.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>This Is Chaos</i></b><b> is the first collection of its kind showcasing where chaos magic has come from, where it is now, and most importantly where it is going. Helmed by one of the originators of chaos magic, Peter Carroll, and filled with essays by some of the most respected chaos magic workers who are redefining magic for the modern practitioner.</b></p><p>Chaos magic emerged only a few decades back, but it has already grown into a magical tradition embraced by many. Chaos magic started under the influence of renowned artist and occultist Austin Osman Spare; it was then more codified by Peter J. Carroll and a few others. <i>This Is Chaos</i> delves into the history the magical system has come from, but more importantly looks at its current use and what the future holds.Chaos magic has always been about pushing new boundaries with a focus on belief utilising aspects of magicsuch as sigils and magical servants (thought forms) to help accomplish one's aims.</p><p><i>This Is Chaos</i> includes essays on:</p><ul><li>Chaos magic meets witchcraft</li><li>Egregores</li><li>Virtual realityand cyber magic</li><li>Animist sorcery</li><li>The power of personal mythology and quantum chaos</li><li>Tarot in chaos magic</li><li>A ritual that combines Hellenistic astrology/planetary magic/ceremonial magic</li><li>Theoretical magical ideas</li><li>Chaos magic and neuro-hacking</li><li>Esoteric Buddhism, the eight chaos gods, and the history of Japanese magic</li></ul><p>Featuring a foreword by Ronald Hutton and essays from a wide cross-section of chaos magic practitioners, including Aidan Wachter, Carl Abrahamsson, Dave Lee, Ivy Corvus, Jaq D. Hawkins, Jozef Karika, Jacob Sipes, Julian Vayne, Lionel Snell, Mariana Pinzn, Sinobu Kurono, and Sanhre Daffowt.</p><p><b><i>This Is Chaos</i></b><b> is a collection unlike any before, showcasing the many ways chaos magic is finding its way into other modes of magic workings, divination, and disciplines yet to come.</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Sun-Steeped</i></b><b> features fifty-four uniquely illustrated affirmation cards and a guidebook designed to be a manual for learning new lessons, finding your flow, and enjoying your empowerment by harvesting the power of the sun.</b></p><p><i>Sun-Steeped</i> is an affirmation deck and guidebook that shines a light on every nook and cranny of our innermost selves. It's here to capture the golden-hour moments of sunrise and sunset and the feeling of freedom that comes with stepping into the daylight to photosynthesise. Much like a cup of tea needs time to bask in the warmth of water before it's ready to be enjoyed, we too must bask in the warmth of the sun to grow into our best selves.</p><p>The deck consists of fifty-four uniquely illustrated cards, each one featuring an affirmation designed to guide gentle and friendly inquiry into the user's inner world. The cards are intentionally numbered in such a way that the beginning cards explore themes of childlike wonder and new beginnings, on through affirmations that challenge perceptions generated by low self-esteem. The last cards explore newfound determination, self-realisation, and loving awareness. It's the only deck that captures the transformative moments of sunrise and sunset and draws inspiration from the warmth and power of daylight.</p><p>Let <i>Sun-Steeped</i> be your guide for learning new lessons, finding your flow, and enjoying your empowerment.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The art of sigil magic uses the information model of magic to generate symbols, caricatures, and pictograms that have a vested power in the super-symbolic realm. It is part of the notary methods of magic that includes seals, signatures, and words of power. The Magical Notary Art is the book that brings together all the elements of linguistic magic]]></Text>
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			<Text textformat="02"><![CDATA[<p>The art of sigil magic uses the information model of magic to generate symbols, caricatures, and pictograms that have a vested power in the super-symbolic realm. It is part of the notary methods of magic that includes seals, signatures, and words of power. <i>The Magical Notary Art</i> is the book that brings together all the elements of linguistic magic into a singular tome.</p><p><b>Learn Linguistic Magic.</b></p><p><i>The Magical Notary Art</i>aims to deliver the practical methodology of the entire spectrum of notary art as it pertains to spirit names, pictographs, symbolic images, seals, words of power, and signatures. The notary art is a creative and imaginative methodology that translates names, words, phrases, and ideogramic images so they can be understood by the deities, spirits, and powers that reside within the super-symbolic domain.</p><p>This book is divided into four parts, which covers the range of the notary arts. Frater Barrabbas has written this book for the practical ritual magician and includes the methods of construction and deployment in ritual workings or as stand-alone devices.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Frater Barrabbas </b>is a practicing ritual magician who has studied magic and the occult for over forty years. He believes that ritual magic is a discipline whose mystery is unlocked by continual practice and by occult experiences and revelations. Frater Barrabbas believes that traditional approaches should be balanced with creativity and experimentation and that no occult or magical tradition is exempt from changes and revisions.</p><p>Frater Barrabbas is also the founder of a magical order called the Order of the Gnostic Star, and he is an elder and lineage holder in the Alexandrian tradition of witchcraft.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A new biography of Carl Linnaeus, offering a vivid portrait of Linnaeus's life and work.</b></p><p>Carl Linnaeus (1707-1778), known as the father of modern biological taxonomy, formalised and popularised the system of binomial nomenclature used to classify plants and animals. Linnaeus himself classified thousands of species; the simple and immediately recognisable abbreviation 'L' is used to mark classifications originally made by Linnaeus. This biography, by the leading authority on Linnaeus, offers a vivid portrait of Linnaeus's life and work. Drawing on a wide range of previously unpublished sources  including diaries and personal correspondence  as well as new research, it presents revealing and original accounts of his family life, the political context in which he pursued his work, and his eccentric views on sexuality.</p><p><i>The Man Who Organized Nature</i> describes Linnaeus's childhood in a landscape of striking natural beauty and how this influenced his later work. Linnaeus's Lutheran pastor father, knowledgeable about plants and an enthusiastic gardener, helped foster an early interest in botany. The book examines the political connections that helped Linnaeus secure patronage for his work, and untangles his ideas about sexuality. These were not, as often assumed, an attempt to naturalise gender categories but more likely reflected the laissez-faire attitudes of the era. Linnaeus, like many other brilliant scientists, could be moody and egotistical; the book describes his human failings as well as his medical and scientific achievements. Written in an engaging and accessible style, <i>The Man Who Organized Nature</i>  one of the only biographies of Linnaeus to appear in English  provides new and fascinating insights into the life of one of history's most consequential and enigmatic scientists.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gunnar Broberg</b> (19422022) was professor emeritus of history of ideas and sciences at Lund University in Sweden. He was the author of numerous books, including <i>Golden Apples</i>, which won the August Prize for best Swedish nonfiction title of the year, and <i>The History of the Night</i>, which was nominated for Best Swedish History Book of the Year. <b>Anna Paterson,</b> a retired neuroscientist, is an award-winning translator and the author of <i>Scotland's Landscape: Endangered Icon</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Since 1945 the world has changed at breakneck speed. In thisunique social history, acclaimed bestselling historian Alistair Moffat tells the story of these changes  many of which have been dizzying and disorientating  and how they have affected each and every one of us in all parts of the country.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Since 1945 the world has changed at breakneck speed, and life in post-war Scotland is now entirely different from what it was like when Alistair Moffat grew up in the quiet Border town of Kelso in the 1950s. At that time the rhythms and practicalities of daily life which had remained constant for many generations were about to change in the most unimaginable ways.</p><p>This is a book about these changes  many of which have been dizzying and disorientating  and how they have affected each and every one of us in all parts of the country. The main themes, such as housing, healthcare, sport, the media, the arts and entertainment, urban and country life, our relationship with the environment, politics, religion and education, are all viewed through the lens of personal experience. Alistair's own recollections of big events and small, together with other eyewitness accounts, bring these decades alive in a way that no ordinary history can with a directness and poignancy that underlines how much has been gained  and how much lost.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alistair Moffat</b> was born and bred in the Scottish Borders. A former Director of the Edinburgh Festival Fringe, Director of Programmes at Scottish Television and founder of the Borders Book Festival, he is also the author of a number of highly acclaimed books. From 2011 he was Rector of the University of St Andrews. He has written more than thirty books on Scottish history, and lives in the Scottish Borders.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Building families through science and love.</b></p><p>Allie and Sam, widely recognised as 'Mommy and Other Mommy', share their emotional and transformative journey to parenthood in <i>How to Make a Baby: Everything LGBTQ+ Families Need to Know About IVF</i>. This inspiring guide is a must-read for LGBTQ+ families navigating artificial insemination, IVF, and other fertility options.</p><p>Growing a family as a same-sex couple comes with unique challenges.For Allie and Sam, the path to parenthood was anything but easy. Their story reveals the highs and lows of a three-year journey, involving IUIs, a home insemination, IVF cycles, frozen embryo transfers, and significant financial and emotional investments.</p><p>From heartbreak to hope, their journey offers a beacon of guidance.Navigating heteronormative fertility clinics, answering questions about their family dynamic, and overcoming countless obstacles, Allie and Sam show that with determination and love, it's possible to create the family you've dreamed of.</p><p>Inside, you'll find:</p><ul><li>A comprehensive guide to fertility treatments like artificial insemination, IVF, and frozen embryo transfers, specifically for LGBTQ+ families</li><li>Valuable insights into the emotional, societal, and financial challenges of the fertility journey, including IVF costs and clinic experiences</li><li>Hopeful, practical advice to support your unique path to parenthood and create a more inclusive understanding of lesbian couples and their families</li></ul><p>If you liked<i>It Starts with the Egg,You Got This  IVF Planner and Journal</i>, or<i>Oh Sis, You're Pregnant!</i>, you'll love<i>How to Make a Baby.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[A guided journal companion to the card deck of the bestselling The 7 Habits of Highly Effective People, with over 1 million copies sold.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A personal growth journal to buildeffectivehabits.</b></p><p><b>#1 New Release in Strategic Business Planning</b></p><p><b>How do you manage your time and stay organised? Whether you're struggling to stay motivatedor are looking for newhigh-performancehabits,</b><b><i>The7 Habits of Highly Effective People Guided Journal</i></b><b>offers journal prompts, worksheets, and exercises to help you accomplish all your short andlong term goals.</b></p><p>Goal setting just got easier.When<i>The 7 Habits of Highly Effective People</i>was released as a card deck, audiences approached Stephen R. Covey's time-tested principles in a whole new way. Now, this companion journal gives readers a chance to craft inspiration into action. Its concise format is accessible and easy to stick with. Each habit is broken down into a weekly format inspiring both beginners and seasoned<i>7 Habits</i>readers toget motivated, build confidence, and boostinspiration and personal growth.</p><p>Cultivate success, skill, andself-growth.Featuring thought-provoking prompts, worksheets, and self-development quotes that teach you howto achieve your goals, this is the ultimate guided self-growth journal.</p><p>Inside, find:</p><ul><li>Journaling prompts for self-discovery and to build confidence and self esteem</li><li>Worksheets forstrategic time management anddeeper learning of the<i>7 Habits</i></li><li>Self-motivation tips, exercises, and challenges for optimal goal achievement</li></ul><p>If you enjoyed books like<i>The7 Habits of Highly Effective People,The 52 Lists Project, </i>or<i>The High Performance Planner</i>,you'll love<i>The 7 Habits of Highly Effective People Guided Journal.</i></p><p><b>'If you follow this simple process, I promise that you will see positive changes in your relationships and find a higher level of personal satisfaction in your life.'</b> <b></b> <b>Sean Covey, author of </b><b><i>The 7 Habits of Highly Effective Teens</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sean Covey</b> is a business executive, author, speaker, and innovator. He is President of FranklinCovey Education and is devoted to transforming education throughout the world through a principle-centered leadership approach. Sean oversees FranklinCovey's whole school transformation process, called<i> Leader in Me</i>, which is now in over 4,000 schools and 50 countries.</p><p>Sean is a <i>New York Times</i> best selling author and has written several books, including the <i>Wall Street Journal</i> #1 Business Bestseller, <i>The 4 Disciplines of Execution</i>, <i>The 6 Most Important Decisions You'll Ever Make</i>, <i>The 7 Habits of Happy Kids</i>, and <i>The 7 Habits of Highly Effective Teens</i>, which has been translated into 20 languages and sold over 8 million copies worldwide. He is a versatile keynoter who regularly speaks to kids and adults within schools and organizations and has appeared on numerous radio and TV shows.</p><p>Sean graduated with honors from BYU with a Bachelor's degree in English and earned his MBA from Harvard Business School. As the starting quarterback of BYU, he led his team to two bowl games and was twice selected as the ESPN Most Valuable Player of the Game.</p><p>Born in Belfast Ireland, Sean's favorite activities include going to movies, working out, hanging out with his kids, riding his motorcycle, producing short films, and writing books. Sean and his wife Rebecca live with their children in the Rocky Mountains.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Realistic amigurumi cats that practically purr!</b></p><p>Calling all crafty cat lovers! This collection of 12 adorable amigurumi cats features designs that look so lifelike, you half expect them to purr!</p><p>Start by crocheting a foundation with basic amigurumi techniques, then add yarn and 'groom' with scissors and brushes to create beautiful fur. You'll learn how to create stripes, colored patches, and different lengths of fur to craft your own one-of-a-kind cat. Then add the eyes and a nose and watch a cute little kitty come to life as if by magic.</p><p>You'll find designs for all your favorite felines, including:</p><ul><li>Tabbies</li><li>Calicoes</li><li>Ragdolls</li><li>Persians</li><li>British Shorthairs</li><li>American Shorthairs</li></ul><p>Step-by-step colour photos offer detailed guidance for crocheting and styling the cats to create realistic features. Crochet instructions are presented in both written and chart format for ease of use.</p><p>These amigurumi make wonderful gifts for cat-fancying friends and family members. You can customise the yarn colors to match the furry friend in your life and have fun trimming and styling the fur until you achieve your desired look. Crochet your own adorable cat companion today!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mieko Shindo</b> is a fiber artist known for her adorable animal creations. A lifelong crafter, she made her first crochet doll 2011, which was an amigurumi version of her dog. After making an amigurumi version of her friend's pet as a gift, she started receiving orders and became addicted to making crochet animals. She loves sharing her original techniques for making these special dolls and has published multiple books in Japan and holds workshops regularly. Visit her website at monpuppy.com and find her on Instagram @mieko.monpuppy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Step into Kazuko Aoki's enchanting world of garden-themed embroidery.</b></p><p>You'll get a glimpse into her creative process, from sketching and selecting thread colours to stitching tips and techniques, as well as a behind-the-scenes look at her atelier, garden, and other inspiring locales.</p><p>This release has been thoughtfully designed with makers in mind. It features a lay-flat binding which makes tracing the embroidery templates from the book a breeze. All embroidery templates are printed at full size, so there's no need to enlarge anything. Larger templates are included on a separate pattern sheet.</p><p>In addition to dozens of botanical motifs, you'll also find designs based on the author's favorite things in life: food, travel, and design. Projects include samplers, collages, patches, bags, table linens, and more! This edition is full of beautiful inspiration and ideas for stitching and enjoying the little things in life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'This is simply the best book ever written on the single largest Buddhist monument in the world'  Patricia Welch, author and lecturer on Asian art</b></p><p>Borobudur is the largest Buddhist monument in the world  a masterpiece containing thousands of intricately carved panels and sculptures blending Indian art with local Javanese culture. The panels retell the lives of the Buddhas along with dozens of other tales of worldly desire and the heroics feats of enlightened beings. After viewing these, visitors ascend to open terraces at the top to enjoy majestic vistas of the surrounding landscape  an experience designed to evoke the eternal bliss of Buddhist nirvana.</p><p>This book presents a detailed history of the monument as well as a description of its art and design. Author John Miksic recounts Borobudur's history from its construction in the 9th century to its rediscovery in the 19th century and multiple restorations by the Dutch colonial government, the Indonesian Government and UNESCO in the 20th century. Surveying ancient Javanese texts and contemporary scholarship, Miksic walks us through the temples main features, honing in on important details.</p><p><b>The book includes chapters on:</b></p><ul><li>History and Archaeology  How Buddhism came to Indonesia, the monument's history and construction, and what it tells us about ancient Javanese society</li><li>Architecture and Symbolism  The unique design of the monument and how it was used in ancient times</li><li>The Reliefs  The fables and stories beautifully told in hundreds of artfully-carved panels lining Borobudur's lower terraces, including the Jataka tales, the Life of Gautama Buddha and the Gandavyuha tale</li></ul><p><i>Borobudur: Masterpiece in Stone</i> is sure to be treasured by anyone intending to visit Borobudur as well as all those with an interest in Buddhist art and history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John N. Miksic</b> is Professor Emeritus of Southeast Asian Studies at the National University of Singapore. Since coming to the region in 1968, he has made significant contributions to Southeast Asian studies through his archaeological research, serving on numerous research and advisory boards. Most notably, his Fort Canning excavations in Singapore confirmed the existence of an important 14th century port city there, which led to significant revisions in the official histories of the island. He has also made major archaeological and historical contributions in Java and Sumatra, Cambodia and Myanmar. His book <i>Singapore and The Silk Road of the Sea </i>won the inaugural Singapore History Prize in 2018. Miksic holds a BA from Dartmouth College and an MA and Ph.D. from Cornell University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Spanish cuisine is a melting-pot of cultures, flavours and ingredients: Greek and Roman, Jewish, Moorish and Middle Eastern. It has been enriched by its climate, geology and spectacular topography, which have encouraged a variety of regional food traditions and 'Cocinas', such as Basque, Galician, Castilian, Andalusian and Catalan. It has been shaped by the country's complex history, as foreign occupations brought religious and cultural influences that determined what people ate and still eat. It has continually evolved with the arrival of new ideas and foodstuffs from Italy, France and the Americas, including cocoa, potatoes, tomatoes, beans, and chilli peppers.</p><p>This is the first book in English to trace the history of the food of Spain from antiquity to the present day. From the use of pork fat and olive oil to the Spanish passion for aubergines and pomegranates, Mara Jose Sevilla skilfully weaves together the history of Spanish cuisine, the circumstances affecting its development and characteristics, and the country's changing relationship to food and cookery.</p><p><b>'Take a deep dive into Spanish cuisine from prehistory to Ferran Adri...[this] illustrated book is a dense, scholarly survey.'  Florence Fabricant,</b><b><i> New York Times</i></b></p><p><b>'Like other works of art, dishes document culture. Mara Jose Sevilla shows us that the best way to enjoy Spanish history is by eating Spanish food, and that the best way to enjoy the food is by reading her account of the history. Buen provecho!'  Felipe Fernndez-Armesto, author of</b> <b><i>Food: A History</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mara Jose Sevilla's</b> previous books include<i> Life and Food in the Basque Country</i> (1989), <i>Spain on a Plate</i> (1992) and<i> Mediterranean Flavours</i> (1995). She lives in London, uk, and the Sierra de Aracena in Andalusia, Spain.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Bronze Age Crete is one of the most thoroughly explored archaeological regions, yet the island retains an air of mystery. This book oers an authoritative introduction to the world of the Minoans, the rst 'modern' civilisation on European soil. With its grand palaces, a sophisticated bureaucracy complete with writing (including undeciphered scripts), exquisite artworks, powerful depictions of women and advanced urban engineering, this ancient civilisation was remarkably modern.</p><p>This readable account presents key features of Minoan archaeology  architecture, art, religion, writing and bureaucracy, and the economy. It also explores how this pioneering European civilisation has inuenced Western culture, examining its reconstruction and representation in museums. This concise and up-to-date guide is essential for understanding both the history and the lasting legacy of the Minoans.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ellen Adams</b> is Reader in Classical Archaeology and Liberal Arts at King's College London. She has participated in many archaeological excavations in Greece and published widely on the subject. She is the author of <i>Cultural Identity in Minoan Crete: Social Dynamics in the Neopalatial Period</i> (2017).</p>]]></Text>
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			<SubjectHeadingText>Christmas cocktails; Cocktails; Drinks; NYC; New York; New York Cocktails; New York Drinks; alcohol; alcoholic drink recipes; bar cart; bartender gifts; bartending drinks; bartending for dummies; bartending menu; bartending recipes; basic drinks; beer; bon appetit; book for introverts; breweries; cideries; cocktail bar; cocktail bars; cocktail bitters; cocktail enthusiast; cocktail garnishes; cocktail hour; cocktail recipes; craft beer; day drinking; dive bars; drink basics; drink recipes; drinking; drinking around the globe; drinking road trip; drinking travel guide; drinks enthusiast; drinks every bartender should know; drinks every man should know; drinks every woman should know; easy cocktails; father's day gifts; food &amp; wine; food and wine; gift for introvert; gifts for drinkers; gifts for men; gifts for women; gin; good alcohol; good drinks; guides to drinking; home bar; homemade cocktails; how is tequila made; how to drink intelligently; imbibe; introvert activity book; introvert doodles; introvert power; martini recipes; martinis; men's magazine; mimosa recipes; mixed drink recipes; mixed drinks; mixer; mixing; mixologists; mixology; new york times; punch bowl; punch recipes; rum; sake; saveur; shaken drinks; simple cocktails; social distancing; speakeasies; speakeasy; spirits magazine; the introvert's way; tiki bars; travel; tropical punch; vodka; whiskey; whisky; wine; wine bars; wine enthusiast; wineries; xmas cocktails</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The Quintessential Guide to Imbibing in New York City</b></p><p>New York is quite possibly the easiest city for cocktail aficionados to be lured into tourist traps for drinks. If you're a visitor, chances are you've got tickets to 'Hamilton' and are looking for a good pre- or post-musical drink and most of your choices in the Theatre District's immediate vicinity are watering holes with the highest prices for the lowest quality.</p><p>And if you're a local, you may have fallen into the routine of sipping at the 'same-old, same-old' and allowed comfort to get in the way of exploration. That's where<i>The Not For Tourists New York City Cocktail Companion</i>comes in. This comprehensive book traverses all five boroughs (yes, even Staten Island) as well as a couple of honorary enclaves across the river, to detail the most authentically New York spots crafting the freshest, most flavour-forward and cutting-edge cocktails.</p><p>Additionally, the book includes recipes for sixty such concoctions from many of those venues, for you to always have a neighbourhood-by-neighbourhood taste of Gotham in your home, apartment, or hotel when you don't feel like going out.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jeff Cioletti's</b> tenure in liquid literacy has exposed him to some of the best libations the world has to offer and given him access to the producers and purveyors of such fine refreshments. He combines his love of drink with a passion for travel and one usually involves the other. He is the editor in chief of<i>Craft Spirits</i>magazine, a publication of the American Craft Spirits Association. Before that he served for fourteen years as an editor at<i>Beverage World</i>magazine, including eight years as editor in chief. He's also the author of the books<i>Imbibing for Introverts</i>,<i>Drink Like a Geek</i>,<i>SakePedia</i>,<i>The Drinkable Globe</i>,<i>The Year of Drinking Adventurously</i>, and<i>Beer FAQ</i>. Jeff is also the founder of DrinkableGlobe.com and host of "The Drinkable Globe Podcast" and has been a frequent contributor to a variety of publications including<i>Beverage Media, BevNet, Beverage Industry, The Takeout, SevenFifty Daily and CraftBeer.com.</i>He lives in Alexandria, Virgina.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Steven Vogel</b> (1940-2015) was the James B. Duke Professor Emeritus of Biology at Duke University. His books include <i>Comparative Biomechanics</i> and <i>Glimpses of Creatures in Their Physical Worlds</i> (both Princeton). </p><p><b>Rob Dunn</b> is the William Neal Reynolds Distinguished Professor in the Department of Applied Ecology at North Carolina State University. His books include <i>Delicious</i> (Princeton) and <i>Never Home Alone</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A new look at the life, works and enduring relevance of William Blake, a deeply spiritual and politically radical figure.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A new look at the life, works and enduring relevance of William Blake, a deeply spiritual and politically radical figure.</b></p><p>In the 200 years since Blake's death, the visionary artist, poet and writer has become a household name, often beloved. Yet many struggle to comprehend his kaleidoscopic ideas; how they speak to human longings and the challenges of living in anxious times.</p><p>Philosopher and psychotherapist Mark Vernon provides a fresh route into Blake, taking him at his word. Exploring this brilliant thinker's passionate writings, arresting artworks and fascinating life, Vernon illuminates Blake's vivid worldview. Like us, he lived in a tumultuous era of war, discontent, rapid technological change, and human estrangement from nature. He exposed the dark sides of political fervour and social moralising, while unashamedly celebrating love and liberty. But he also conversed with prophets and angels, and was powerfully, if unconventionally, religious. If we take this seriously  not easy, in secular times  then Blake can help us to unlock the transformative power of imagination.</p><p>Written for both longstanding fans and unfamiliar readers, <i>Awake!</i> reveals Blake as an invigorating and hopeful guide for our modern age.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An incendiary anti-capitalist response to the devastating impact of climate change.</b></p><p>Despite the naysayers, climate change is a fact. We know that global temperatures are rising, that weather patterns are changing, that forest fires, droughts, flooding, severe storms, and heat waves are the new normal. We know this planet is teetering on the edge of climate collapse, an apocalyptic event that threatens not only the future of human civilisation, but also the millions of other unique life forms on Earth. We know it's all our fault  it's the direct result of human beings burning fossil fuels and spewing out carbon emissions at such a fantastic pace that we've changed the fate of the entire planet, and it leaves most of us feeling helpless. What can any of us really do?</p><p><i>This Book Is a Knife</i> is a startling essay collection that explores the origins and dangers of climate change through a critique of capitalism and an exploration of the ways in which we might radically reimagine our world before it's too late. Rooted in L. E. Fox's background as a science journalist, <i>This Book Is a Knife</i> is a frank, plain-spoken, and sharply incisive series of missives designed to wake us up to the urgent reality of climate change and the lies we are fed based on the fact that the real issue is neither climate nor the environment  it's capitalism.</p><p>Fierce and unapologetic, <i>This Book Is a Knife</i> is a passionate and unique dissection of climate change that offers new possibilities for saving the world. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'One of the world's most widely read social scientists' (</b><b><i>New York Times</i></b><b>) offers his most personal and accessible book</b> <b></b> <b>a celebration of how ordinary people can resist oppression and injustice.</b></p><p>James Scott taught us what's wrong with seeing like a state. Now, in his most accessible and personal book to date, the acclaimed social scientist makes the case for seeing like an anarchist. Inspired by the core anarchist faith in the possibilities of voluntary cooperation without hierarchy, <i>Two Cheers for Anarchism</i> is an engaging, high-spirited, and often very funny defense of an anarchist way of seeing  one that provides a unique and powerful perspective on everything from everyday social and political interactions to mass protests and revolutions. Through a wide-ranging series of memorable anecdotes and examples, the book describes an anarchist sensibility that celebrates the local knowledge, common sense, and creativity of ordinary people. The result is a kind of handbook on constructive anarchism that challenges us to radically reconsider the value of hierarchy in public and private life, from schools and workplaces to retirement homes and government itself.</p><p>Beginning with what Scott calls 'the law of anarchist calisthenics', an argument for law-breaking inspired by an East German pedestrian crossing, each chapter opens with a story that captures an essential anarchist truth. In the course of telling these stories, Scott touches on a wide variety of subjects: public disorder and riots, desertion, poaching, vernacular knowledge, assembly-line production, globalisation, the petty bourgeoisie, school testing, playgrounds, and the practice of historical explanation.</p><p>Far from a dogmatic manifesto, <i>Two Cheers for Anarchism</i> celebrates the anarchist confidence in the inventiveness and judgment of people who are free to exercise their creative and moral capacities.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>James C. Scott</b> (1936-2024) was the Sterling Professor of Political Science, professor of anthropology, and codirector of the Agrarian Studies Program at Yale University. His books include <i>Seeing Like a State: How Certain Schemes to Improve the Human Condition Have Failed</i>; <i>Domination and the Arts of Resistance: Hidden Transcripts</i>; and most recently, <i>The Art of Not Being Governed: An Anarchist History of Upland Southeast Asia</i>. He was a fellow of the American Academy of Arts and Sciences.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Exploring fashion and style as a political language and tool of resistance in the African diaspora.</b></p><p><i>Aperture</i>'s Summer issue highlights image makers around the world who are exploring style and fashion as a language of Black resistance, refusal, and joy. Guest edited by the writer and researcher Tanisha C. Ford and titled after her 2015 book, <i>Liberated Threads</i>, this edition features photographers, stylists, and filmmakers who remix, reimagine, and in some cases, reject the aesthetic and politics of what she calls the 'soul style' of the twentieth century  sparking a bold conversation about style's ability to create possibilities for solidarity and selfhood today.</p>]]></Text>
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			<SubjectHeadingText>Eigg; Glasgow; Hebrides; Isle of Eigg; Jane Smith; Local History; Nature and Animals; Nature art; Nature writing; Scottish Community; Scottish Society; Scottish Wildlife; Scottish nature; Society and culture; West Coast of Scotland; Wildlife interest; birdwatching; colour illustrations; community action; local communities; scottish communities</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Nature artist Jane Smith has been fascinated by wildlife communities and ecosystems her whole adult life. Starting from Argyll, she travels from the towering cliffs of St Kilda and the peatlands of Lewis to the Solway estuary and the urban sprawl of Glasgow - to explore the interaction of people and wildlife in a variety of diverse settings.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Nature artist Jane Smith has been fascinated by wildlife communities and ecosystems her whole adult life.</p><p>Starting from her own garden in Argyll, she travels to ten locations in the west of Scotland  from the towering cliffs of St Kilda and the peatlands of Lewis to the Solway estuary and the urban sprawl of Glasgow  to explore the interaction of people and wildlife in a variety of diverse settings. On her journey she discovers a number of communities who are taking on the job of regenerating their own landscapes and meets a host of fascinating people whose lives are inextricably bound up with questions of sustainability, conservation and landownership.</p><p>Contents Includes:Western Isles (peatlands) * North Uist (machair) * Islay (farmland) * Loch Arkaig (woodland) * Knapdale (wetland) * Dumfries and Galloway (river and estuary) * Jura (coast) * St Kilda archipelago (sea) * Glasgow (urban landscapes) *Eigg (community ownership)</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>After gaining a degree in Zoology, <b>Jane Smith</b> became a wildlife film maker for the BBC Natural History Unit and National Geographic. She won an Emmy for her work and has also appeared on BBC Radio 4's Tweet of the Day. She now creates wildlife art from her home on the west coast of Scotland to communicate her passion for the natural world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A fun beginner's guide to reading the symbols found in tea leaves!</p><p>The ancient practice of tasseomancy, or tea leaf reading, originated in ancient China and became popularized throughout Europe by the Romani, who were renowned for their fortune-telling skills, and eventually became a widespread practice of divination around the world. It is one of the easiest forms of divination to learn  all it takes is tea leaves, some hot water, and a creative mind!</p><p>Tea leaf reading is a form of fortune-telling that uses the symbols and images left in a cup by the tea leaves after the liquid is gone. Those images  much like the shapes we see in cloud formations  can be interpreted by the tea leaf reader. It is a special and intimate form of divination since the questioner must hold the cup in their hands and drink from it. It allows for the innermost aura of the questioner to enter into the warmly held cup of tea, and for the cup itself to have close contact with the boundaries of the questioner's body. This easy-to-use guide will teach you all the basics of getting started with this simple form of fortune casting:</p><ul><li>How to properly prepare a cup of tea</li><li>How to interpret different surfaces of the interior of the cup</li><li>The meanings of over 500 common symbols and images</li><li>Common astrological and tarot-related symbols</li><li>How to modify the practice using coffee grounds instead of tea</li></ul><p>This A-to-Z guide will help you discover the meaning(s) of almost any shape you find at the bottom of a tea cup, from anvils and anteaters to yachts and the zodiac signs.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jacqueline Towers</b> is a medium, psychometrist, tarot reader, Reiki healer, and counselor. She was a president of the British Astrological and Psychic Society and spent several years as the editor of their <i>Mercury Magazine</i>. She is also the author of <i>The Little Book of Dream Symbols</i>. Jacqueline lives in England.</p>]]></Text>
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			<SubjectHeadingText>Aryna Sabalenka; Ash Barty; Billie Jean King; Coco Gauff; Flushing Meadows; Gender studies; Grand Slam; Grand Slam Champions; Hollywood Walk of Fame; Iga Swiatek; Kim Clijsters; Martina Navratilova; Monica Seles; Professional Sport; Serena Williams; Steffi Graf; Tennis; Tennis Competitions; The Racket; Tom Perrotta Prize; US Open; Venus Williams; Williams Sisters; Wimbledon; coaching and training; coaching blueprint; coaching methods; emma raducanu; female tennis players; inequality in sport; sports history; tennis academy; tennis competition; tennis training; women in sport; women's sport; women's sports; women's tennis</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[An engaging and informative account of 'kitchen sink realism' looking at the artists, musicians, playwrights and authors who wrenched Britain out of post-war austerity and paved the way for the swinging 60s and beyond. ...]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Everything AND the Kitchen Sink</i> analyses 'kitchen sink realism' and the birth of 'pop cinema' in the context of contemporaneous debates surrounding politics, civil liberties, sexuality, race, immigration and urbanisation.</p><p>Covering the lives and careers of well-known figures such as Alan Sillitoe, Shelagh Delaney, David Storey, Edna O'Brien and Albert Finney, as well as charting the rise of iconic British series like Coronation Street and Z-Cars, Simon Matthews offers a fascinating blend of social history, pop culture, drama and cinema. Matthews also interviews contemporary figures  including Ken Loach  about the kitchen sink era and how it inspired their work.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Simon Matthews </b>has had a varied career including serving as a local councilor in London for more than ten years, a spell running the British Transport Films documentary film library and several years singing in semi-professional rock groups. He has contributed articles on music, film and cultural history to Record Collector, Shindig! and Lobster magazines. Psychedelic Celluloid, his illustrated history of UK music, film and TV between 1965 and 1974, was published by Oldcastle Books in 2016; the sequel, <i>Looking for a New England</i>, followed in 2021. He is also the author of<i> House in the Country.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The music industry as you've never seen it before  from the bottom.</p><p>Music. We all love it. We can't live without it! But what exactly is it? Why is it so awesome? And who are the mysterious figures who create it, perform it and keep us all stocked up with the good stuff? What's it really like to be in a band and just how bad is the music industry?</p><p>In his new book, rock'n'roll underdog James Kennedy takes us on a tour through the hidden lives of the every-day musician  this isn't hotel room trashing but how 99% of musicians live in the real world. Blowing away the usual mythologies and pulling no punches, Loud Medicine is a rough and ready rollercoaster ride  OK, transit van ride  into the secret world of the modern day musician.</p><p>It's also an expose of music's many enemies, a manifesto for change and a love letter to everyone's favourite medicine. There will be rants, dramas, a cast of dysfunctionals, big ideas, industry scam shockers, truth-bombs, f-bombs, the likely crucifixion of a beloved music icon or two  and yes, of course, there will be road stories. So come and squeeze in amongst the drum cases and warm beers, and let's hit the road!</p>]]></Text>
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			<Text textformat="02"><![CDATA[Discover how the son of Spock learned to navigate this tumultuous relationship  from Shabbat dinners to basement AA meetings  and how he was finally able to reconcile with his father  and with himself.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'Adam Nimoy has written about the challenges growing up with his famous father and about their estrangement later in life. The fact that Leonard and Adam found a way to rebuild their relationship should resonate with anyone who struggles with difficult family dynamics.'  George Takei</b></p><p><b>"Engaging and immensely relatable, while at the same time offering deeply profound insights into Adam Nimoy's personal relationships, particularly with his famous father.'  Eugene Roddenberry Jr., CEO Roddenberry Entertainment</b></p><p><b>While the tabloids and fan publications portrayed the Nimoys as a 'close family', to his son Adam, Leonard Nimoy was a total stranger.</b></p><p>The actor was as inscrutable as the iconic half-Vulcan science officer he portrayed on <i>Star Trek</i>, even to those close to him. Now, his son's poignant memoir explores their complicated relationship and how it informed his views on marriage, parenting, and later, sobriety. Despite their differences, both men ventured down parallel paths: marriages leading to divorce, battling addiction, and finding recovery. Most notably, both men struggled to take the ninth step in their AA journey: to make amends with each other.</p><p>Discover how the son of Spock learned to navigate this tumultuous relationship  from Shabbat dinners to basement AA meetings  and how he was finally able to reconcile with his father  and with himself.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A definitive study of a hotly debated phenomenon: migration into Europe and America, its socioeconomic impacts, and the eternal policy efforts to stop the inevitable.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A definitive study of a hotly debated phenomenon: migration into Europe and America, its socioeconomic impacts, and the eternal policy efforts to stop the inevitable.</b></p><p>This authoritative book proposes a fresh perspective on international migration, offering decisive answers to the big questions, and dismantling the main myths surrounding one of the most salient issues of today's global politics. Who are these migrants? Do they steal our jobs? Can we help them in their home countries? Do border controls improve security? Are open borders desirable? Leila Simona Talani and Matilde Rosina address these issues and more in their deeply researched study of migration into both Europe and the United States.</p><p>Assessing globalisation's impact on international migration, the authors find that it is virtually impossible to stop contemporary flows from the Global South to North. In this context, policies designed to control, limit or deter immigration simply transform some or all regular migrants into irregular ones  exacerbating insecurity for citizens of the receiving state, and criminalising the migrants.</p><p>Through empirical research including original surveys and interviews, Talani and Rosina demonstrate conclusively that the only solution to this short-circuit world of securitisation and criminalisation is for the Global North to open its doors to the migrants already, inevitably, coming through  particularly since the evidence shows that regularising migration is a positive-sum game, in economic, social and security terms.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Leila Simona Talani</b> has been Professor of International Political Economy in the Department of European and International Studies, King's College London, since 2014; Editor of Palgrave Macmillan's series on the 'Politics of Citizenship and Migration' since 2020; and the founding Director of the Centre for Italian Politics @EIS, King's College London. In 2017, she was awarded the Pierre Keller visiting professorship at the John F. Kennedy School of Government, Harvard University. She was also appointed Jean Monnet Chair of European Political Economy by the European Commission in 2012. </p><p><b>Matilde Rosina</b> is Lecturer in Global Challenges at Brunel University London, and Visiting Fellow at the London School of Economics. Her work lies at the intersection of international migration, public policy and international relations. An expert on migration and asylum matters, she earned her PhD from King's College London, winning the King's Outstanding Thesis Prize.</p>]]></Text>
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			<Text textformat="02"><![CDATA[From war with the British to the enslavement of Indians, Ivermee uncovers the dark history of France's doomed imperial project in South Asia.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From war with the British to the enslavement of Indians, Ivermee uncovers the dark history of France's doomed imperial project in South Asia.</b></p><p>This is a powerful new account of a chapter in history that is crucial to understand, yet often overlooked. For 150 years, from the reign of Louis XIV to the downfall of Napoleon, France was an aggressive imperial power in South Asia, driven by the pursuit of greatness and riches. Through their East India company and state, the French established a far-reaching empire in India, only to see their dominant position undermined by conflict with Indian rulers, competition from other European nations, and a series of fatal strategic errors.</p><p>Exploding the myth of a benign French presence on the subcontinent, Robert Ivermee's extensive research reveals how France's Indian empire relied on war-making, conquest, opportunistic alliances, regime change and slavery to pursue its ambitions. He considers influential French figures' reactions to the collapse of the imperial project, not least their deployment of new ideas, like freedom and the rights of man, to justify fresh ventures of domination--even as colonial authorities failed to acknowledge the equality of French India's diverse indigenous peoples, both before and after the French Revolution.</p><p>From great power rivalry to informal empire and entrenched inequalities, Glorious Failure tackles topics that remain vital and urgent in today's world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Robert Ivermee </b>is a historian of British and wider European colonialism in South Asia. He is Associate Professor at the Catholic University of Paris, and the author of<i> Hooghly: The Global History of a River</i> (also published by Hurst).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The Zambezi is the fourth-longest river in Africa, and one of the continent's principal arteries of movement, migration, conquest and commerce. In this book, historian Malyn Newitt quotes rarely used Portuguese sources that throw vivid light on the culture of the river peoples and their relations with the Portuguese creole society of the prazos.</p><p>Hitherto unused manuscript material illustrates Portuguese and British colonial rule over the people of the long-lived Lunda kingdoms, and the Lozi of the Barotse Floodplain. The Zambezi became a war zone during the 'Scramble for Africa', the struggle for independence and the civil wars that followed the departure of colonial powers. Recent history has also seen the river's wild nature tamed by the introduction of steamers and the building of bridges and dams. These developments have changed the character of the waterway, and impacted  often drastically  the ecological systems of the valley and those settled along its course.</p><p><i>The Zambezi</i> traces the history of the communities that have lived along this great river; their relationship with the states formed on the high veldt; and the ways they have adapted to the vagaries of the Zambezi itself, with its annual floods, turbulent rapids and dramatic gorges.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Malyn Newitt</b> was deputy vice-chancellor of the University of Exeter, and the first holder of the Charles Boxer Chair, King's College London. He has authored more than twenty books on Portugal and Portuguese colonial history, including <i>A Short History of Mozambique</i> and<i> Emigration and the Sea</i>, both published by Hurst.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A compelling history of the women who started their own police force in 1914  as war, social upheaval and gender injustice gripped the UK.</b></p><p>Violence against women is out of control. Conviction rates for rape are so low that most survivors think it pointless to report, or later regret doing so. Ruthless trafficking gangs run the sex trade. Women have no confidence in the Metropolitan Police. The year is 1914.</p><p>As the First World War began, a group of British campaigners founded the Women Police Volunteers, hoping to protect the vulnerable both from crime and from patriarchal policing and justice. The movement's pioneers included a militant suffragette who'd spent time behind bars, a moral purity activist, a blue-blooded radical, and a court reporter born in the workhouse to a single mother. Sandra Hempel follows their astonishing journey, through all of its troubling turns.</p><p><i>Controlling Women</i> is a vivid snapshot of rapid national change, and a rich tapestry of ethics and emotions among its fascinating characters. Reconciling political ideals with institutional compromise, these bold, complex women made history, despite establishment opposition and destructive infighting. They show us just how far we have to go in the fight for women's justice.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sandra Hempel</b> is a former <i>Times </i>journalist, who has also written for<i> The Guardian</i>, the <i>Daily Mail </i>and other national media. Her previous books are the award-winning history <i>The Medical Detective</i>, and a Victorian 'true murder mystery',<i> The Inheritor's Powder</i>, which was a BBC Radio 4 Book of the Week.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>As Russia rattles its sabres in the Baltic, Neil Taylor reconsiders the history of Estonia and its struggle to achieve statehood.</p><p>With only 1.3 million inhabitants, Estonia is one of Europe's least populous nations  yet it boasts one of the continent's fastest growing economies. In the first serious English-language history of this small Baltic state, Neil Taylor charts Estonia's long, arduous journey to its present-day prosperity, through a thousand years of occupation by Danes, Swedes, Germans and Russians.</p><p>In the wake of the First World War, out of the heat of a national awakening and the collapse of the Russian and German empires, Estonia was recognised as an independent nation in 1920. This was not to last  the country was tossed between the Soviets and Nazis during the Second World War, then fully integrated into the USSR, bringing on more than half a century of renewed occupation and misery. But hopes of true independence never dimmed and, in 1991, the Republic of Estonia was restored.</p><p>This unflinching history includes charming moments of colour and levity, from ambassadorial reports on nude bathing and a presidential press conference deliberately held beside a dirty toilet, to the story of a blind pianist, the first foreigner allowed to visit the city of Tartu in the Soviet era.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Neil Taylor</b>'s<i> Bradt Travel Guide to Estonia</i> (eighth edition) remains the definitive guidebook to the country. After a lifetime in the travel industry, having pioneered tourism to Estonia in 1992, he received an MBE in 2021 for contributions to UK-Estonia relations. He divides his time between London and Tallinn.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Your guide to the world of Generative AI in Photoshop!</b></p><p>Everyone's talking about the new Generative AI capabilities of Adobe Photoshop, and for good reason: This is the biggest update to Photoshop in its history. With the power of AI photo editing, you can now remove, expand, generate, change, or combine almost anything you need to in order to create the images you want.</p><p>While these features are incredibly powerful, it can be a struggle to get the best results from these powerful tools. What exactly can Generative Fill and Generative Expand do, and how do they do it? When should you use these tools, and when should you use another tool? If you want to incorporate these tools into your workflow, it's very important to get an early grasp of these tools now  and get ahead of the crowd.</p><p>In this book, best-selling author Colin Smith walks you through Generative AI in Photoshop. With decades of experience working in the real world and training for Adobe, Apple, Nvidia, and many others, he knows Photoshop on a level that few do. He also has a knack for making learning fun and easy, and he can take complex topics and make them seem simple.</p><p>You will learn to:</p><ul><li>Generate a scene from scratch</li><li>Extend an image</li><li>Fix panoramas</li><li>Remove crowds</li><li>Remove any object</li><li>Generate objects</li><li>Replace objects</li><li>Duplicate and move an image</li><li>Combine variations of generated images</li><li>Blend images into an extended scene</li><li>Repair old or damaged photos</li><li>Composite with your own photos</li><li>Composite your photo into an AI scene</li><li>Change backgrounds</li><li>Add reflections</li><li>Generate depth of field</li><li>Create actions with Generative AI commands</li><li>And much more!</li></ul><p>Make no mistake: Generative AI is here to stay, and it is revolutionising how we work in Photoshop. With <i>The Practical Guide to Using Generative AI in Photoshop</i> by your side, you will be ready to confidently move forward with these new tools and apply them to your own imagery. Whether you want to simply clean up your photos or create fantastical works of art  or anything in between  your only limitation will be your imagination.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>See more clearly, live more wisely, and bear the burdens of this life with greater ease  here are the greatest insights of the Stoics, in their own words. Presented in twelve lessons, Ward Farnsworth systematically presents the heart of Stoic philosophy accompanied by commentary that is clear and concise.</p><p>A foundational idea to Stoicism is that we appear to go through life reacting directly to events. That appearance is an illusion. We react to our judgments and opinions  to our thoughts about things, not to things themselves. Stoics seek to become conscious of those judgments, to find the irrationality in them, and to choose them more carefully.</p><p>In chapters including <i>Emotion</i>, <i>Adversity</i>, <i>Virtue</i>, and <i>What Others Think</i>, here is the most valuable wisdom about living a good life from ages past  now made available for our time.</p><p><b>'Farnsworth beautifully integrates his own observations with scores of quotations from Epictetus, Seneca, Marcus Aurelius, Montaigne and others. This isn't just a book to read</b> <b></b> <b>it's a book to return to, a book that will provide perspective and consolation at times of heartbreak or calamity.' </b> <b><i>The Washington Post</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A concise history of the enormously powerful and influential Shi'i caliphate.</b> </p><p>The Fatimids (909-1171), one of the most significant and intriguing Islamic dynasties, built an empire that included North Africa, Egypt and parts of Sicily, Syria, Palestine and Arabia. Theirs is the only Muslim dynasty known by a female's name, Fatima, the Prophet Muhammad's daughter. The Fatimids promoted women to unprecedented positions of authority and visibility in Islamic history. From Cairo  which they founded in 969  this Shii dynasty fostered cultural and artistic excellence as well as overall tolerance and prosperity across the empire. By blending historical and material sources, personalities and events that defined the Fatimid era are brought to life in this book. Examining their impact within the context of medieval history across Europe, Africa and Asia, the book also tells of the Fatimids' legacy and influence on contemporary culture worldwide.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Transform your athletic abilities with dynamic stretching to help you stay healthy and improve your overall fitness  now with 15 new stretches and photos!</b></p><p>Today's fitness experts have learned that both stretching and how you stretch can affect how well you perform on the field, court, or track. Research shows that static stretching, a traditional mainstay of athletes' warm-ups, has a measurable negative impact on performance. Holding a stretch for 30 seconds or longer doesn't prepare a muscle for exercise; it can actually weaken the muscle.</p><p>That's where <i>Dynamic Stretching, Second Edition</i> comes in. This guide teaches you how to effectively prepare your body for physical activity while simultaneously improving strength, power, speed, agility, and endurance. Now with more than 70 exercises  illustrated with step-by-step photos  and fully updated information on the latest stretching research, this book will maximise your workouts and take your athletic abilities to the next level by:</p><ul><li>Developing full-body range of motion</li><li>Enhancing full-body motor control</li><li>Increasing flexibility, balance, and muscular endurance</li><li>Improving force generation and reaction time</li><li>Correcting major and minor muscle imbalances</li></ul><p>Once you learn the basics of dynamic stretching, dive into the dynamic stretching warm-up programs that have been carefully designed for the individual needs of athletes in more than 30 different sports, including running, tennis, basketball, baseball and softball, football, hockey, skiing, and many more.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The incredible story of an Australian hero who helped save the life of a future president.</b></p><p>On a moonless night in August 1943, a US torpedo boat commanded by Lt John F Kennedy, on patrol in Solomon Islands, was rammed by a Japanese destroyer. Left clinging to wreckage within sight of Japanese encampments, the eleven surviving members of Kennedy's crew eventually struggled ashore on a small uninhabited island. Missing, presumed dead, behind enemy lines, with no food or water, and with several injured, the future looked bleak for the shipwrecked Americans. Fortunately, Australian 'coast watcher' Lt Reg Evans witnessed the immediate aftermath of the collision from his nearby jungle hideaway. Working under the searching eye of the Japanese military, over the next five days Evans and two Solomon Islander scouts - Eroni Kumana and Biuku Gasa - located Kennedy and his crew and ensured their rescue.</p><p>This story of wartime bravery and survival helped create JFK's legend and paved his way to the White House. It also shone a spotlight on Australia and America's shared wartime experience. In <i>Saving Lieutenant Kennedy</i>, Brett Mason, author of <i>Wizards of Oz</i>, sets the heroic rescue and its colourful aftermath against the background of the Pacific war and the birth of the AustraliaUS alliance, which remains as vital today as when Kennedy and Evans first shook hands.</p><p><b>&amp;#x27;A fascinating slice of military history.&amp;#x27; - Jeff Popple,</b> <b><i>Canberra Weekly</i></b></p><p><b>&amp;#x27;</b><b><i>Saving Lieutenant Kennedy</i></b><b> is a book that is equally interesting and entertaining. It can be highly recommended.&amp;#x27; - </b><b><i>Sabretache </i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>** Shortlisted, 2023 NSW Premier&amp;#x27;s History Awards, Australian History Prize **</b></p><p><b>** Longlisted, 2023 Mark &amp; Evette Moran Nib Literary Award **</b></p><p><b>** Longlisted, The 2023 Australian Political Book of the Year Award **</b></p><p><b>** Longlisted, 2023 Walkley Book Awards **</b></p><p><b><i>Political Lives</i></b><b> is an intimate history of image-making and image-breaking in national politics.</b></p><p>What was the story behind Bob Hawke's famed biography? Why does Paul Keating think biographies of serving politicians are 'like Polaroids of a busy life' while John Howard considers them a big mistake? Where is the 'missing' Menzies biography? Why are our early prime ministers largely absent from historical memory? Chris Wallace writes Australian political history anew through this account of prime ministers, their biographies and their biographers. Lively and astute, the book takes us into their motivations and relationships, some well-known and some hidden, and in doing so shows us Australian politics in a fresh light.</p><p><b>'For years there has been no shrewder or sharper commentator on Canberra politics than Chris Wallace. In this compelling, typically acute and unique study she contrives to illuminate all at once - and often as if for the first time - both the character of Australia's prime ministers and the way Australian political history has been made.' - Don Watson</b></p><p><b>'Original, compelling and provocative. Every page offers fresh insights.</b> <b><i>Political Lives</i></b><b> provides a genuinely new way of looking at Australian politics and political biography. Wallace has written a series of brilliant mini biographical essays on prime ministers and their biographers, exploring their backgrounds, relationships, motivations and political impact. The result is a biography of prime ministerial biography, the like of which we have not seen before.' - Mark McKenna</b></p><p><b>'Politicians' log cabin stories have become such an important part of politics. But it has not always been so. Chris Wallace traces the intriguing role biography has played in framing our views of our leaders past and present, and examines how it has become such a potent force in the political contest.' - Laura Tingle</b></p><p><b>'Chris Wallace, scholarjournalist, has written this superb and fascinating analysis of political biography since Federation. Everyone interested in political history will love it. It concludes with a vital oath all her colleagues should observe: "First do no harm  unless it's deserved and intentional".' - Kim Beazley</b></p><p><b>&amp;#x27;We meet both the political players and, as intriguing, the writers who put words around them. It's a fascinating prism, often revelatory, and a testament to the author's capacity to pair very particular scholarship with delightfully enlivening storytelling.&amp;#x27; - Jonathan Green,</b><b><i> Sydney Morning Herald/The Age</i></b></p><p><b>&amp;#x27;A genuinely fresh perspective on our nation&amp;#x27;s political history.&amp;#x27; - Samuel Bernard,</b> <b><i>The Weekend Australian</i></b></p><p><b>&amp;#x27;Wallace has certainly produced a deep and satisfying examination of Australian prime ministers and their biographers.&amp;#x27; - Miriam Cosic,</b> <b><i>The Saturday Paper</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Political historian <b>Dr Chris Wallace</b> is a professor at the Faculty of Business Government and Law, University of Canberra. Her previous book, <i>How To Win An Election</i> (NewSouth, 2020), drew important lessons for Labor from its shock 2019 election loss against the backdrop of the last half century of Australian federal elections. Wallace was formerly a longstanding member of the Canberra Press Gallery, and her political analysis and commentary currently appears in <i>Nikkei Asia</i>, <i>The Sydney Morning Herald</i>, <i>The Age</i>, <i>The Saturday Paper</i> and <i>The Conversation</i>. Twitter: @c_s_wallace</p>]]></Text>
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			<Text textformat="02"><![CDATA[This unofficial account of Australian Signals intelligence reveals the organisation's efforts to reveal the secrets of others.]]></Text>
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			<Text textformat="02"><![CDATA[<p>For a long time, the Australian Signals intelligence (or Sigint) story has been kept secret. Until now...</p><p>Why does Australia have a national signals intelligence agency? What does it do and why is it controversial? And how significant are its ties with key partners, the United States, the United Kingdom, Canada and New Zealand, to this arrangement?</p><p><i>Revealing Secrets</i> is a compelling account of Australian Signals intelligence, its efforts at revealing the secrets of other nations, and keeping ours safe. It brings to light those clever Australians whose efforts were for so long entirely unknown or overlooked. Blaxland and Birgin traverse the royal commissions and reviews that shaped Australia's intelligence community in the 20th century and consider the advent and the impact of cyber. In unearthing this integral, if hidden and little understood, part of Australian statecraft, this book increases our understanding of the past, present and what lies ahead.</p><p><b>'George Orwell famously wrote during World War Two, "we sleep safe in our beds because rough men stand ready in the night to visit violence on those who would do us harm". Reading this superb history by John Blaxland and Clare Birgin on Australia's involvement with Sigint and cyber we can contemplate a new formula. We sleep safer because 24/7 intelligent, technologically competent patriotic men and women who work for our agencies, develop and work our electronic defence and offence capacities at worldclass standard. This in a world now in which we are constantly under attack. The work so secret it is proving impossible to produce an official history. This is the closest we can get and it is very good. If you are seriously interested in our defence and survival, or you would just like a good read, this belongs on your bookshelf.' - Kim Beazley, former Defence Minister</b></p><p><b>'A meticulous compilation of the largely unsung past achievements of our most consistently productive intelligence source. And a thoughtful analysis of how to approach the extraordinary challenges posed by the new cyber universe. Blaxland and Birgin make an important contribution to our understanding of issues needing much more open debate than our own and allied governments have traditionally allowed or encouraged.' - Gareth Evans, Former Australian Foreign Minister</b></p><p><b>'Australia has been part of sigint since the practice began, which has shaped its history in ways that Australians know little about. Their government likes to keep things that way.</b> <b><i>Revealing Secrets</i></b><b> overcomes efforts to keep Australians ignorant about their sigint history, by discussing everything that can be said about it without access to secret records. Anyone interested in the past and future of Australia has much to learn from this book.' - John Ferris, author of</b> <b><i>Behind the Enigma, The Authorised History of GCHQ, Britain's Secret Cyber Intelligence Agency</i></b></p><p><b>'The most comprehensive and best-informed account we have had of the history of signals intelligence in Australia. Essential reading for anyone seeking to understand not just our country's past, but Australia's strategic future as well.' - Allan Gyngell, author of</b> <b><i>Fear of Abandonment: Australia in the World Since 1942</i></b></p><p><b><i>'Revealing Secrets</i></b><b> tell the remarkable but little-known story of how a small, back-room military office grew into a major Australian government agency. Deeply researched, authoritative and accessible, it is a valuable and timely contribution to understanding issues that have never been more important to national security.' - Emeritus Professor David Horner, author of</b> <b><i>The Spy Catchers</i></b></p><p><b>'Packed with facts and figures, charts and diagrams, and measured, unsensational judgements.' - Mark Dapin,</b> <b><i>The Australian</i></b></p><p><b>&amp;#x27;A gripping read.&amp;#x27; - Miriam Cosic,</b> <b><i>The Saturday Paper</i></b></p><p><b>&amp;#x27;Blaxland and Bergin have produced a high quality and clear-eyed piece of scholarship, offering a sweeping authoritative historical perspective on one of the most secret branches of Australian intelligence.&amp;#x27; - Daniel Baldino,</b> <b><i>The Conversation</i></b></p><p><b>&amp;#x27;Certainly, as the authors point out, this is an area which has not received the attention it should have in the history of the defence of Australia.&amp;#x27; Anthony Llewellyn-Evans,</b> <b><i>Good Reading Magazine</i></b></p><p><b>&amp;#x27;Anyone interested in such issues, as well as the history that underpins them, would do well to read this work and judge for themselves.&amp;#x27; - Paul Skrebels,</b> <b><i>Sabretache</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John Blaxland</b> is Professor of International Security and Intelligence Studies in the Strategic and Defence Studies Centre (SDSC), Coral Bell School of Asia Pacific Affairs at the Australian National University (ANU). He is a Senior Fellow of the Higher Education Academy and a Fellow of the Royal Society of New South Wales. He was also formerly a military intelligence officer, Head of SDSC and Director of the ANU Southeast Asia Institute. He is the author and editor of several publications on military history, intelligence and international security affairs.</p><p><b>Clare Birgin's</b> career in DFAT spanned 30 years, with a focus on national security and intelligence. She had postings in Warsaw, Moscow, Geneva, and Washington DC as the Liaison Officer of the Office of National Assessments, followed by postings as Ambassador in Hungary, Serbia, Kosovo, Romania, North Macedonia and Montenegro. Subsequently she was a Visiting Fellow at the ANU before joining John Blaxland's history writing team. She has been awarded the Polish Government's Knight's Cross Medal and the Bene Merito Medal by the former Polish Foreign Minister.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Written by former Deputy Prime Minister, The Honourable Tim Fischer, <i>Steam Australia</i> paints a fascinating picture of Australian steam transportation over ten vital decades of transformation; from two world wars, to changes in leadership and even a visit from the Queen, the century of steam locomotion in Australia is also of great political interest. Fischer tracks key steam locomotives that traversed Australia during critical stages of our nation's development and transported soldiers to fields of conflict as we fought in two world wars. </p><p>For a century, from 1850 to 1950, steam locomotive haulage dominated Australia's various rail systems. During that period, rail networks expanded from a few short routes in the big capital cities to huge networks reaching every corner of each state. The book covers the great named express trains hauled by steam locomotives over the decades: Puffing Billy, Robert Gordon Menzies, The Ghan. Special features include information on Albury's 'break of gauge' platform (where two state track systems met), the Amiens branch line (running through Pozieres and Passchendaele stations in Queensland), the 'garnishee' order against the Spirit of Progress, some important characters such as C. Y. O'Connor and many more fascinating topics.</p><p>Tim Fischer's story of steam trains in Australia is illustrated with over 300 exciting images from the superb National Library John Buckland collection of photography, many never seen before. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Winner of the 2018 ABIA Small Publisher&amp;#x27;s Adult Book of the Year</b></p><p><b>Winner of the 2017 Whitley Medal</b></p><p>Australia&amp;#x27;s avifauna is large, diverse and spectacular, reflecting the continent&amp;#x27;s impressive range of habitats and evolutionary history. With specially commissioned paintings of over 900 species, The Australian Bird Guide is the most comprehensive field guide to Australian birds ever seen.</p><p>This Revised Edition includes updated maps, artwork and species accounts, reflecting current knowledge of the biology and distribution of Australia&amp;#x27;s birds. It features around 4700 specially commissioned colour illustrations of over 900 species, with particular emphasis on providing the fine detail required to identify difficult groups and distinctive plumages. Comprehensive species accounts have been written by a dedicated team of ornithologists to ensure identification details, distribution and status are current and accurate. A new easier-to-use index is also included.</p><p><i>The Australian Bird Guide</i> sets a new standard in field guides, providing an indispensable reference for all birders and naturalists looking to explore Australia&amp;#x27;s magnificent and unique birdlife.</p>]]></Text>
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			<SubjectHeadingText>commemoration; cairn; tombstone; world war I; Bicentenary; repatriation; graves; totem; Memorial; Reconcilation; Invasion Day; 26 January; frontier war; second world war; remembrance; first world war; poisoning; war memorial; James Cook; Australia day; First Nations memorial; Coniston; Lake Mungo; repatriate; massacre; sorry business; lest we forget; change the date; headstone; statue; world war II; sacred place; Aboriginal memorial; myall creek; apology; Hyde Park; conflict; monument; Indigenous; plaque; cemetery; graveyard; mourning; burial; museum; rock art; heritage; shrine</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>What is the place of Australia's colonial memorials in today's society? Do we remove, destroy or amend?</b> <b><i>Monumental Disruptions</i></b> <b>investigates how these memorials have been viewed, and are viewed, by First Nations people to find a way forward.</b></p><p>In June 2020, on the heels of Australia's James Cook anniversary commemorations and statue-toppling Black Lives Matter protests in the USA, dozens of police were sent to guard a statue of Cook in Hyde Park, Sydney. Despite the police presence, two women spraypainted 'sovereignty never ceded' across the statue.</p><p>Scenes like this are being repeated around the world as societies reassess memorials that no longer reflect today's values. Should they be removed, destroyed or amended? <i>Monumental Disruptions</i> looks for answers. It investigates why commemorations were erected, their meaning for Aboriginal people in Australia, both then and now, and it compares Australia's experience with that overseas.</p><p>Those who question colonial commemorations have been called 'UnAustralian'; but, in Australia, Aboriginal and non-Aboriginal communities are working together to forge new ways to mark the past. This timely book is essential reading for anyone interested in how a society commemorates and acknowledges its complex history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Professor Bronwyn Carlson</b> is an Aboriginal writer, researcher and academic from Dharawal Country in NSW. Bronwyn has received three Australian Research Council grants and is a past winner of the Stanner Award. She is the author of <i>The Politics of Identity: Who Counts as Aboriginal Today?</i> and is a well known commentator on the place of monuments in Australia. Bronwyn delivered the keynote 'Breaking with the past, dis(re)membering the monuments' at the 2019 Cultural Studies Association of Australia conference and in 2020 authored The Conversation's Friday essay 'Taking a wrecking ball to monuments  contemporary art can ask what really needs tearing down'. She is founder and editor of the <i>Journal of Global Indigeneity</i> and convenor of The Forum for Indigenous Research Excellence, a member of the editorial board for the Journal of Sociology and a Fellow of the Australian Academy of the Humanities.</p><p><b>Dr Terri Farrelly</b> is an independent research consultant and Adjunct Fellow in the Department of Indigenous Studies at Macquarie University. Her doctoral thesis was on Aboriginal suicide, and she has also worked as a research consultant on intergenerational trauma and healing, contesting colonial commemorations, and addressing racism and discrimination through truth-telling. Terri has collaborated with Aboriginal academics and worked with Aboriginal and mainstream Australian government and non-government organisations to improve their cultural competence and service delivery, and their support of Aboriginal expertise in research and development. Terri has collaborated with Professor Bronwyn Carlson since 2004.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>January 1965.</b> The orphaned O'Leary siblings  Tom, Jack, Anna and Peggy  arrive in the village of Ballycrea, tight-lipped about their troubled past and desperate for a fresh start.</p><p>After being met with suspicion from most of the locals, the family are thrilled when they're taken under the wing of their well-respected neighbours, Bill and Betty Nevan, who offer them work, companionship and an opportunity to fit in.</p><p>But for one of the O'Learys, this new friendship sparks an intense attachment that makes the dynamic dangerous for all. It's difficult to bury secrets, but almost impossible to bury feelings...</p><p>Like Howarth's acclaimed debut, <i>Heap Earth Upon It</i> explores rural Irish life at a specific moment in time and delves into claustrophobic relationships and tangled identities, leaving you wondering who to trust until the very last page.</p><p><b>'</b><b><i>Heap Earth Upon It</i></b><b> is a tense and claustrophobic novel with gothic atmosphere which seeps into your bones like fog. It's a fascinating look at mid-century rural Irish life, and a brutal exploration of the corrosive impact of shame and secrecy. Chloe Michelle Howarth knows her sapphic yearning!'  Rachel Dawson, author of</b> <b><i>Neon Roses</i></b></p><p><b>'Dark, passionate and poised. A remarkable story of the way rural Ireland haunts and is haunted. Intense and thrilling.'  Soula Emmanuel, author of</b> <b><i>Wild Geese</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted for the 2023 Nero Book Award for Debut Fiction**</b></p><p>It&amp;#x27;s the early 1990s, and in the Irish village of Crossmore, Lucy feels out of place. Despite her fierce friendships, she&amp;#x27;s always felt this way, and the conventional path of marriage and motherhood doesn&amp;#x27;t appeal to her at all. Not even with handsome and doting Martin, her closest childhood friend.</p><p>Lucy begins to make sense of herself during a long hot summer, when a spark with her school friend Susannah escalates to an all-consuming infatuation, and, very quickly, to a desperate and devastating love.</p><p>Fearful of rejection from her small and conservative community, Lucy begins living a double life, hiding the most honest parts of herself in stolen moments with Susannah.</p><p>But with the end of school and the opportunity to leave Crossmore looming, Lucy must choose between two places, two people and two futures, each as terrifying as the other. But only one can offer her real happiness.</p><p><b><i>Sunburn</i></b> <b>is an astute and tender portrayal of first love, adolescent anxiety and the realities of growing up in a small town where tradition holds people tightly in its grasp.</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[Following her stepmother's murder in a house fire in Sydney, 44-year-old interpreter Eleanor Freeman is forced to flee to the mid-north coast of NSW. Eleanor is the orphaned daughter of the former Australian Ambassador to Indonesia, and works as a respected interpreter for the Australian government. All she can do for now, though, is take refuge in]]></Text>
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			<Text textformat="02"><![CDATA[<p>Following her stepmother's murder in a house fire in Sydney, 44-year-old interpreter Eleanor Freeman is forced to flee to the mid-north coast of NSW. Eleanor is the orphaned daughter of the former Australian Ambassador to Indonesia, and works as a respected interpreter for the Australian government. All she can do for now, though, is take refuge in her family's rundown lighthouse, at Revelation Beach.</p><p>During the police investigation that follows, Eleanor is traumatised to learn, that in 1975, Ida (her stepmother), worked as an Indonesian spy. She was supposedly responsible for the imprisonment and torture of hundreds of East Timorese resistance fighters and was also suspected of betraying the journalists known as the Balibo Five.</p><p>All Eleanor wants is to be left alone, but the past won't disappear. Wracked with guilt, and with the threat of a murder charge hanging over her head, she travels to East Timor seeking to discover the extent of Ida's involvement in these atrocities. Here, however, she must confront her own feelings of betrayal and the treacherous role played by both the Australian and Indonesian governments in their obsession with Timorese oil and gas.</p><p><b>'Rich with vivid detail and evocatively drawn,</b> <b><i>Revelation Beach</i></b><b> is a compelling reckoning with a dark chapter in our past.'  Mark Brandi, award-winning crime writer</b></p><p><b>'A literary page-turner for thriller lovers and everyone with an interest in Timor-Leste and Australia.'  Tony Park, best-selling author of adventure thrillers</b></p><p><b>'Susan Francis has taken the tragic story of the Balibo Five as a starting point to create a psychologically intricate cross-cultural thriller with the superbly rendered Eleanor as its complex and unwilling protagonist. Reminiscent of Christopher Koch at his best.'  Ed Wright, editor and critic</b></p>]]></Text>
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			<SubjectHeadingText>Methodist community; New South Wales; 1852; historical fiction; convict guide; Irish emigre; colonial Australia; Fish River Caves; religious revival; murder mystery; Frontier Wars; Charles Muncey; wilderness guide; illicit secrets; preacher Charisma Groom; repentance; Australian history; Jenolan Caves; rapture; sin and redemption</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>In a remote Methodist community of New South Wales in 1852, aspiring lay preacher Charles Muncey is tasked with recording the sins of every soul who signs up for a week-long revival.</p><p>He has plenty to work with. Pardoned convict Thomas Gunson knows the way through the wilderness and agrees to guide the faithful on a circuit of their struggling chapels, though he fears the company of people now that he's out of his shackles. Irish emigre Oona Farry, recruited as a candlemaker, resents the devotion of the women during their ecstatic praising, convinced that God has abandoned her for her lustful secrets. Even righteous hosts Jacob and Anne Temple harbour transgressions they dare not voice.</p><p>But when Californian preacher Charisma Groom stirs up unbridled repentance during a watchnight mass on the edge of wild country, illicit sex and sudden death come to light. The congregation is ordered to hunt the devil through the ancient Fish River Caves, a dangerous underworld where raptures more powerful than faith are awakened.</p><p>With nothing but his fledgling moral compass, Muncey must see through blind faith to uncover which member of the flock is a callous killer.</p><p>This is a bold reimagining of the untold story of the Methodist settlers who colonised Australia's renowned Jenolan Caves during the Frontier Wars.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner of The Yomiuri Prize for Literature, 2012**</b></p><p>The Japanese novel comes of age in this gripping story of love, art and life as a group of architects competes to design the new National Library of Modern Literature in Tokyo.</p><p>In 1980s Japan, newly-graduated Toru Sakanishi joins a small, prestigious architecture firm founded by a former student of Frank Lloyd Wright. As the sweltering summer months approach, the team migrates from the bustling centre of Tokyo to the beautiful rural surroundings of Mount Asama, where several love stories are woven together and Sakanishi encounters four remarkable women who change the course of his life.</p><p>From honouring ancestors to illustrating the complexities of the living, <i>Summer at Mount Asama</i> is a prize-winning novel beautifully translated by National Book Award winner Margaret Mitsutani, offering a moving and elegant portrait of the clash of modernity and tradition.</p><p><b>'Packed with ideas about art, life, and love.' </b> <b><i>Kirkus Reviews</i></b></p><p><b>'The more I read, the more I fell in love with this beautiful novel.'  Hiromi Kawakami</b></p><p><b>'Expertly-crafted.'  Mariko Ozak</b>i</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Victorian Premier's Literary Awards 2026, Poetry**</b></p><p><i>KONTRA</i> enacts a poetics of clashing decadences, testing the tightrope between 'feminine' goodness and deviance, desire and refusal, reverence and repulsion. It casts a female gaze on the <i>kontrabida</i>  a Filipina soap opera villain stuck in a rise-and-fall cycle. The poet reimagines the kontrabida as a figure driven not by revenge, but by wild desire. Oscillating in and out of character, Andrada navigates the tension between poet and persona. Alongside the shapeshifting, spectral force of the kontrabida, the poet invokes a chorus of voices to trace a lineage of opposition and the alternate futures it holds.</p><p>The collection is in the form of a narrative triptych. The opening section 'KONTRA' explores the power and fate of the oppositional figure. In 'OPER', two characters speak alongside each other to excise painful histories of domination and sexual assault; which moves us forward to the final section 'BIDA', to a more genuine, queer persona that is free from domination.</p><p><b>Praise for Eunice Andrada:</b></p><p><b>'Brilliant and devastating,</b> <b><i>TAKE CARE</i></b><b> is no doubt one of the most important poetry releases in years, weaving complex themes with intelligence and innovation of form...A poet whose courage is necessary and whose words we all need.'  Ellen van Neerven</b></p><p><b><i>'TAKE CARE</i></b><b> is the live wire of poetry that does not spare us...each poem both a surrender and a severing, each page an urgent demand we do not look away from violence, from its banal to its most grotesque, and each word filled with as much purpose and energy as it is with tenderness and care.'  Sara Saleh</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Eunice Andrada</b> is a poet and educator. Her first collection <i>Flood Damages</i> (Giramondo, 2018) won the Anne Elder Award and was shortlisted for both the Victorian Premier's Award for Poetry and the Dame Mary Gilmore Award. Her second poetry collection <i>TAKE CARE</i> (2021) was shortlisted for the Judith Wright Calanthe Award, the Stella Prize, the Australian Literature Society Gold Medal, and two NSW Premier's Literary Awards. <i>KONTRA</i> is her third poetry collection with Giramondo.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Published to celebrate 250 years since her birth, Jane Austen's iconic novel, Pride and Prejudice, is re-issued in complete facsimile of a restricted British Library first edition. Presented in a beautiful clamshell display box together with facsimile reproductions of several Jane Austen letters from the British Library holdings.]]></Text>
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			<Text textformat="02"><![CDATA[<p>To commemorate the 250th anniversary of Jane Austen's birth, the British Library is reproducing, in beautiful facsimile form, a first edition of <i>Pride and Prejudice</i> from the Library's restricted collections. <i>Pride and Prejudice</i> has been enchanting readers for centuries with its universal story of premature judgement and stubbornness in love.</p><p>Austen fans will now be able to own her iconic novel as it was originally published by T. Egerton in London in 1813, in three gorgeous volumes, presented in an ornate clamshell case. This edition will also include reproductions of Austen letters from the Library's collection of her personal effects, as well as introductory notes by a lead curator.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jane Austen</b> (1775-1817) is one of English literature's most beloved and popular writers despite publishing just six novels (two posthumously). During her lifetime her novels of (mis)manners were read by royalty and schoolgirls alike. Her novels have been translated into over 35 languages and are celebrated around the world for their wit and charm. Her works are celebrated at the annual Jane Austen Festival in Bath, while societies honouring her work exist across the world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An undead orc knight leaves battle behind for a new kind of afterlife  one with good food, good friends, and maybe even fatherhood.</b></p><p>Rottgor is worn out. Literally. Barely held together by dark magic, he has protected the Necropolis for centuries. When he's forced into retirement, he's faced with a new challenge: to forge a future guided not by obligation, but by passion.</p><p>Following his heart (and stomach), he decides to open a restaurant where the city's undead and living residents can share food and community. He's helped in his quest by an unlikely assortment of neighbors, including elves, skeletons, vampires  and a young orphan girl named Astra, whose ancestry, if discovered, could put her and the entire Necropolis in danger. To protect Astra and the life he's building, Rottgor must face his past and form new alliances built on friendship, loyalty, and love. As comforting as warm pumpkin bread, this gentle fantasy traces how even a dark history can rise into a bright future.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Rabbitsis the much-anticipated, long awaited new novel from columnist Hugo Rifkind.It is a story of drugs, aristocracy, death and disputed inheritance, set in the 1990s  it's Iain Banks meetsThe Secret History,a journey into a different class and a coming-of-age story in a changing Scotland.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Tommo has just moved to a prestigious boarding school. A product of the middle class, and with new-found independence thrust upon him, he finds himself invited into fading crumbling country houses. It's the early nineties and the elite he is now surrounded by is struggling for relevance. Alienated from the mainstream, and running low on inherited wealth, his peers have retreated into snobbery and fatalism. Initially awed by their poise and seduced by their hedonism, Tommo gradually becomes aware of sinister undercurrents and a suppressed rage that threatens to explode into violence.</p><p>In this world, half-remembered traditions mix with decadence and an awful lot of small dead animals. And sometimes, not just animals. When Tommo's friend Johnnie's brother is found dead, a shotgun at his feet, he realises there are secrets that everyone knows, but no one speaks about, or even acknowledges. And those secrets can no longer be hidden.</p><p><b>'Keeps the outrageous laughs and twists comingin equal measure' Alexander Larman,</b><b><i>The Observer</i></b></p><p><b>'Darkly funny as</b> <b><i>Saltburn</i></b><b>, but with kilts'  Val McDermid</b></p><p><b>'</b><b><i>Rabbits</i></b> <b>is an instantly compelling novel; it is simultaneously poignant, peculiar, tragic, and very, very funny. Highly recommended'  Sathnam Sanghera</b></p>]]></Text>
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			<SubjectHeadingText>,; ,affair,; ,sisters,; Columbian fiction; Latina; Latinx,; betrayal,; child loss; family affairs; family saga; female artist; historical fiction; jealous; literary fiction; lost child; lost love; love story; marriage; motherhood,art,Italy,; passion; self-discovery; sisters; stories of; women artists</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b><i>While I was giving birth to Lucy, my husband, Alessandro, was lying in bed with my sister Isabel.</i></b></p><p>And thus, Ines Camargo  the youngest daughter of an Italian nobleman and a Colombian poet  begins to speak in a bitter, sweet voice.</p><p>Against the backdrop of early twentieth-century Colombia, where the Catholic Church exercises total control over women, <i>Orange Wine </i>weaves an unforgettable story of sisterhood, love, passion, and betrayal. Isolated in a society that opposes her desires, Ines struggles with her identity as a mother, artist, sister, lover, and woman. Her choices are stark: accept her duty to her family or embark on a sensuous journey of self-discovery. Each path will cost her  or those she loves  something dear.</p><p>Mirroring the alchemical process of turning oranges into wine, Ines must create a new life from a bitter pith, pressing sweetness from life's agonies as she struggles toward artistic freedom and feminine awakening.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A ghostwriting gig in the Hamptons becomes far more than a job in this sexy, atmospheric, and deliciously tense story.</b></p><p>Reeling from her father's death, Zara Pines accepts a ghostwriting gig for celebrity chef Jane Bailey. Jane, star of the wildly popular cooking show <i>30 Bucks Tops</i>, insists that Zara spend the summer with her in her East Hampton home.</p><p>As the two women create Jane's book, their attachment grows stronger. Zara, who's lost and searching for an identity, finds one in the shadow of Jane. She starts wearing Jane's clothes, speaking like her, and adopting her mannerisms. Eventually, the line between the ghostwriter and the subject blurs, and Zara starts to see the side Jane keeps hidden from the cameras.</p><p>This dark and twisty novel about fame, lies, and obsession will make even the most openhearted reader question how safe it is to trust the people they admire.</p><p><b>'A deliciously twisted love story that sneakily upends your expectations at every turn; a candy apple with a razor blade hidden inside.'  Graham Moore, Academy Award-winning screenwriter of </b><b><i>The Imitation Game</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Swan Huntley</b> is the author of <i>Getting Clean With Stevie Green</i>, <i>The Goddesses</i>, <i>We Could Be Beautiful</i>, <i>The Bad Mood Book</i>, and <i>You're Grounded: An Anti-Self-Help Book to Calm You the F*ck Down</i>. She lives in Los Angeles.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Scandinavians of the Viking Age explored the mysteries of life through their sagas. Folklorist Helene Adeline Guerber brings to life the gods and goddesses, giants and dwarves, and warriors and monsters of these stories in A Treasury of Norse Mythology. Ranging from the comic to the tragic, these legends tell of passion, love, friendship, pride, co]]></Text>
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			<Text textformat="02"><![CDATA[<p>Scandinavians of the Viking Age explored the mysteries of life through their sagas. Folklorist Helene Adeline Guerber brings to life the gods and goddesses, giants and dwarves, and warriors and monsters of these stories in <i>A Treasury of Norse Mythology</i>. Ranging from the comic to the tragic, these legends tell of passion, love, friendship, pride, courage, strength, loyalty, and betrayal.</p><p><i>A Treasury of Norse Mythology</i> is one of Barnes &amp; Noble's Collectible Editions classics. Each volume features authoritative texts by the world's greatest authors in an exquisitely designed bonded-leather binding, with distinctive gilt edging and a ribbon bookmark. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Henry Adams</b> (1838-1918) was an American historian and member of the Adams political family, being descended from two U.S. Presidents. As a young Harvard graduate, he was secretary to his father, Charles Francis Adams, Abraham Lincoln's ambassador in London, a posting that had much influence on the younger man, both through experience of wartime diplomacy and absorption in English culture, especially the works of John Stuart Mill. After the American Civil War, he became a noted political journalist who entertained America's foremost intellectuals at his homes in Washington and Boston. In his lifetime, he was best known for his History of the United States During the Administrations of Thomas Jefferson and James Madison, a 9-volume work, praised for its literary style. His posthumously published memoirs, <i>The Education of Henry Adams</i>, won the Pulitzer Prize and went on to be named by the Modern Library as the top English-language nonfiction book of the 20th century. </p><p><b>H. A. Guerber</b> was born in Mount Clemens, Michigan, in 1859. With the exception of her education, for which she went to Paris, France, she lived most of her adult life in New Jersey, where she died in 1929. A teacher by profession, Guerber devoted her life to educating her fellow citizens about European literary and cultural history through the publication of about three dozen books on a vast array of topics ranging from famous operas to Jewish history to Shakespeares plays. </p>]]></Text>
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			<Text textformat="02"><![CDATA[Set against a backdrop of Australia's central deserts, The Dingo's Noctuary explores themes of identity, belonging, and the fragile threads that connect all living beings]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Highly Commended, Victorian Premier's Literary Awards 2026, Poetry**</b></p><p>Set against a backdrop of Australia's central deserts, <i>The Dingo's Noctuary</i> explores themes of identity, belonging, and the fragile threads that connect all living beings. At the heart of the tale is a soul's dark night, the flight of a lady motorcyclist, in the prime of her invisibility, and her mongrel dingo Moon, into the Tanami desert. She's searching for a caravan of miraculous dog-headed beings, glimpsed in dreams and the dementia tales of an old desert lady.</p><p><i>The Dingo's Noctuary</i> is an illustrated verse novel, complete at 70,500 words. It includes accurate hand drawn maps of the Australian central deserts, pressings of rare plants, and forty-seven lumachrome glass prints, afterlife portraits of animals and birds. The story unfolds through combinations of poetry and prose, alongside visual images- maps of land and stars, plant pressings, and forty-seven afterlife portraits of animals and birds. It is a single-authored book in which the images and texts are equally weighted. The book was written over thirty-seven desert crossings, sometimes on the motorcycle with the dog on the back. The entire second half of the book was written on a typewriter after a motorcycle crash (the unsuccessful 37th crossing) left me unable to use a computer. I made a motorcycle blog about one of the journeys in this book here https://judithnangalacrispin.medium.com.</p><p>Work from <i>The Dingo's Noctuary</i> has received a number of awards and prizes including the 2023 Sunshine Coast Art Prize and the 2020 Blake Prize for Poetry. It was highly commended in the 2023 Mullins Conceptual Photography Prize and shortlisted for the 2023 Milburn Art Prize, the 2023 and 2025 Ravenswood Prizes for Australian Women's Art, and the 2019 Olive Cotton Prize. Images and texts from this book were included in the Lunar Codex time-capsule which was deposited on the moon as part of the Blue Ghost mission in 2024. A mock-up of the complete book was shortlisted for the 2023 Arles Luma Recontres Dummy Book Prize.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Judith Nangala Crispin</b> is an acclaimed poet, visual artist, motorcyclist and volunteer firefighter, who lives on unceded Ngunnawal/Ngambri Country near Braidwood on the NSW Southern Tablelands. Her poetry has won the Blake Prize, been nominated for a Pushcart Prize, and been shortlisted for many awards including the Peter Porter Prize. Her visual art has won her residencies, awards, and wide acclaim, here and overseas. She has published two collections of poetry, <i>The Myrrh-Bearers</i> and <i>The Lumen Seed</i>. Judith is a descendant of Bpangerang people from the Murray River and acknowledges heritage from Scotland, Ireland, France, Mali, Senegal and the Ivory Coast. She spends part of each year living and working with the Warlpiri, her adopted people, in the Northern Tanami Desert.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Controlled Burn </i>is an antipastoral collection with a difference. Poems closely and compassionately situate woman at the centre of interconnected legacies of colonial, economic, domestic and military violence. Images of fire, heat and ecological degradation thread free-verse, localist poems such as 'The Woman Who Ran the Farm', 'Aqua Nullius' and 'Petroleum'<i>,</i> chronicling devastating impacts. Elsewhere, poems such as 'Painted weather' and the ekphrastic villanelle 'The Hay Wain's Cry', foreground disconnects between high culture and climate change activism. Institutional art brings solace, but may be a lame raft, clung to at our peril. The collection is rounded off by poems offering blistering satires of a techno-feudalist world; metapoetic poems such as 'Password' and 'The Sentence' portray the slow violence of online fora and erosions of the rule of law which differently undermine what it means to be human on a shared planet. </p><p>In this visionary collection, A. Frances Johnson's cautionary threnodies muse on environmental depletion, colonial dispossession and personal loss. These poems deftly criticise enduring theme-park notions of the natural  in spheres poetic, and beyond. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>4 a.m., New York City. A silent disaster.</b></p><p>There is no flash of light, no crumbling, no quaking. Each person in New York wakes up on an unfamiliar block when the buildings all switch locations overnight. The power grid has snapped, thousands of residents are missing, and the Empire State Building is on Coney Island  for now. The next night, it happens again.</p><p>Esme Green and Arjun Varma work for the City of New York's Emergency Management team and are tasked with disaster response for the Unmapping. As Esme tries to wade through the bureaucratic nightmare of an endlessly shuffling city, she's distracted by the ongoing search for her missing fiance. Meanwhile, Arjun focuses on the ground-level rescue of disoriented New Yorkers, hoping to become the hero the city needs.</p><p>While scientists scramble to find a solution  or at least a means to cope  and mysterious 'red cloak' cults crop up in the disaster's wake, New York begins to reckon with a new reality no one recognises. For Esme and Arjun, the fight to hold the city together will mean tackling questions about themselves that they were too afraid to ask  and facing answers they never expected. With themes of climate change, political unrest, and life in a state of emergency,<i> The Unmapping </i>is a timely and captivating debut.</p>]]></Text>
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			<Text textformat="02"><![CDATA[When a pair of dead bodies are discovered in their newly-purchased whisky distillery in Campbeltown, Eilidh and her wife, Morag, are plunged headlong a storm of murder, suspicion, intrigue and small town bureaucracy. This is a darkly comic crime debut for fans ofColumbo,Midsummer Murdersand John Dickson Carr.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Whisky is a bloody business...</p><p>When a dilapidated distillery comes up for sale in rural Kintyre, Eilidh and her wife Morag jump at the chance. But their ambition to run the first women-owned whisky distillery in Scotland seems to be scuppered when a grisly, decades-old secret is revealed: two dead bodies have been stuffed into barrels, perfectly preserved in single malt.</p><p>To add to their woes, a TV crew has just arrived and the townsfolk will not leave them alone. Eilidh becomes obsessed with solving the murders while juggling whisky tastings, ceilidhs, protests and scandals  everything you'd expect from a wee Scottish town imprisoned by its own geography. And no matter how hard you try, the locals will always find out your secrets.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Giving them back their names is one thing; giving them justice is quite another.</i></p><p>A visit to Glasgow for a job interview in 1931 unexpectedly places Cuthbert at the centre of a devastating crime. Unwittingly, he finds himself working at the intersection between rising British fascism, anti-Semitism and the infamous Glasgow razor gangs. To solve the case, Cuthbert needs to rely on all the expertise he can gather from those around him. But who can he trust?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Allan Gaw</b> studied medicine at Glasgow University and trained as a pathologist. Having worked in the NHS and universities in the UK and the US, he took early retirement and now devotes his time to writing. His published non-fiction works include medical textbooks and magazine articles on topics as diverse as the thalidomide story, the medical challenges of space travel and the medico-legal consequences of the Hillsborough disaster.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Offering a bounty of lost or forgotten strange and Gothic tales set in Cornwall, Cornish Horrors explores the rich folklore and traditions of the region in a journey through mines, local mythology, shipwrecks, seascapes, and the coming of the railway and tourism.]]></Text>
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			<Text textformat="02"><![CDATA[<p>A mariner inherits a skull that screams incessantly along with the roar of the sea; a phantom hare stalks the moors to deliver justice for a crime long dead; a man witnesses a murder in the woods near St. Ives, only to wonder whether it was he himself who committed the crime. </p><p>Offering a bounty of lost or forgotten strange and Gothic tales set in Cornwall, <i>Cornish Horrors </i>explores the rich folklore and traditions of the region in a journey through mines, local mythology, shipwrecks, seascapes, and the coming of the railway and tourism. </p><p>With stories by Gothic luminaries such as Bram Stoker and Edgar Allan Poe, this new collection also features chilling yarns of the haunted peninsula from a host of underappreciated writers from the past two centuries.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>To mark the 150th anniversary of Scottish author John Buchan's birth, strange fiction expert James Machin presents a new selection of the writer's best uncanny fiction, including stories from <i>The Runagates Club.</i></p><p>Though best known today as the author of<i> The Thirty-Nine Steps</i>, this new volume aims to foreground his contribution to the early weird tale, including some of his most classic stories alongside a number rescued from rare periodicals of the early twentieth century.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Another of the series' popular anthologies celebrating forgotten classics and material not printed since its original publication. Perfect bitesize holiday reading for the Classic Crime enthusiast and the casual sleuther alike, featuring mysteries focused on British holidays and abroad.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Martin Edwards presents a jam-packed travel case of short mysteries bristling with murder and chicanery, perfect for a summer getaway.</p><p>Another of the series' popular anthologies celebrating forgotten classics and material not printed since its original publication. Perfect bitesize holiday reading for the Classic Crime enthusiast and the casual sleuther alike, featuring mysteries focused on British holidays and abroad.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Martin Edwards</b> is series consultant for British Library Crime Classics. He is a CWA Diamond Dagger Award-winning crime writer and president of the Detection Club. He has researched and explored the history of the crime and mystery genre in titles such as <i>The Golden Age of Murder, The Story of Classic Crime in 100 Books</i>  published by the British Library  and <i>The Life of Crime.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[With a cohort of writers including Dorothy L. Sayers, Ethel Lina White, Jacqueline Wilson, Michael Innes and Edmund Crispin, this new anthology offers a selection of classics and rarities to provide a rewarding education in the beguiling art of mystery writing.]]></Text>
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			<Text textformat="02"><![CDATA[<p>"The Master? Dr. Greeby? You don't say so! Murdered? Dear me! Poor Greeby! This will upset my whole day's work."</p><p>An Oxford Master is slain on campus during Pentecost. A headmaster faces off in a deadly battle of wits with a disgruntled parent. A sixth-form public school prank courts a murderous consequence.</p><p>In this new anthology theft, blackmail, murder and mystery run amok through the hush of the university library, the cacophonies of school corridors and the simmering tensions of the staff room. Delving into the stacks and tomes of the British Library collections, Martin Edwards invites you to a course on the darker side of scholarly ambition with an essential reading list of fifteen masterful short stories.</p><p>With a cohort of writers including Dorothy L. Sayers, Ethel Lina White, Jacqueline Wilson, Michael Innes and Edmund Crispin, this new anthology offers a selection of classics and rarities to provide a rewarding education in the beguiling art of mystery writing.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Martin Edwards is series consultant for British Library Crime Classics. He is a CWA Diamond Dagger Award-winning crime writer and president of the Detection Club. He has researched and explored the history of the crime and mystery genre in titles such as The Golden Age of Murder, The Story of Classic Crime in 100 Books  published by the British Library  and The Life of Crime.</p>]]></Text>
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			<SubjectHeadingText>best stories from japan; father of the japanese short story master; grove hell screen momotaro the wizard the demon; japanese classic literature in english; storyteller rashomon an odd tale the shadow in a; translation best of collection anthology collector</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b><i>'</i></b><b>Akutagawa displays an insightful and keenly creative intelligence in prose so lucid its sophistication is hardly visible</b><b><i>.'  </i></b><b>Chris Power, </b><b><i>The Guardian</i></b></p><p>Japan's master storyteller Ryunosuke Akutagawa (1892-1927) wrote more than 150 short stories. Widely regarded as 'the Father of the Japanese short story', he blended modern sensibilities with timeless themes to profound effect.</p><p>This new anthology offers the most comprehensive collection of Akutagawa's work ever published in English. It features fresh translations of his most celebrated stories alongside many lesser-known and never-before-translated pieces:</p><ul><li><b><i>Rashomon</i></b>: A destitute servant in old Kyoto faces a moral dilemma  starve or steal to survive</li><li><b><i>An Odd Tale</i></b>: A young woman is haunted by strange encounters with a station porter while her husband fights in World War I</li><li><b><i>Shadows</i></b>: A merchant receives anonymous letters about his wife's infidelity  only to come face-to-face with his own double</li><li><b><i>In a Grove</i></b>: Multiple, conflicting accounts of a samurai's death-this story inspired Kurosawa's legendary film <i>Rashomon</i></li><li><b><i>Hell Screen</i></b>: A chilling tale of artistic obsession and its devastating cost, adapted from an ancient legend</li><li><b><i>Momotaro</i></b>: In this first-ever English translation, Akutagawa transforms a beloved folk hero into a biting satire of nationalism and war</li><li><b>Plus 16 other major works by the Japanese master!</b></li></ul><p>An essential volume for every serious reader of Japanese literature  and a captivating introduction to one of the world's great literary voices.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ryunosuke Akutagawa</b> (1892-1927) is one of the biggest names in Japanese literature, recognized for his mastery of the short story form. He was a contemporary of Osamu Dazai, Jun'ichiro Tanizaki and Soseki Natsume. In the West, he is best known for his short story 'In a Grove', adapted by Akira Kurosawa in his award-winning movie Rashomon. Many of his stories highlight a fascination with supernatural and transformational phenomena while others have vivid historical backdrops and display influences from classic Japanese and Western fiction.</p><p><b>Richard Medhurst</b> was born in the UK and lives in Yokohama. His translation of Akutagawa's <i>An Odd Tale</i> was published in<i> Kyoto Journal</i> in 2018, and his translation of Eiji Suzuki's<i> Lingering Fragrance </i>was published in the anthology <i>Strokes of Brush and Blade</i> (Kurodahan Press, 2018). He has worked as a translator, editor and writer for the online magazine Nippon.com for over a decade, specialising in literature and history. He has also written a popular series of articles about studying Japanese which have received tens of thousands of page views. His article on Japan's 72 microseasons helped popularise the concept in the English-speaking world.</p>]]></Text>
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			<SubjectHeadingText>anthology classic collection gift seasonal poems; classics i am a cat the gate kokoro botchan; famous japanese bilingual literature modern; natural world human emotion; sanshiro the moon is beautiful short form; soseki natsume translated poetry books english</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[1,000 haiku by Soseki Natsume, collected into one volume for the first time!]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>1,000 haiku by Sseki Natsume, collected into one volume for the first time!</b></p><p>Sseki Natsume is Japan's most popular writer, well known in the West for his satirical novels like <i>I Am a Cat, Botchan</i> and <i>Kokoro</i>. However, he first made a name for himself in Japan as a poet, publishing hundreds of haiku over a period of several decades. Until now very few of these have appeared in English.</p><p><i>Sseki Natsume's Collected Haiku</i> presents 1,000 of the author's most famous verses, selected and translated by Erik Lofgren, a leading Sseki expert. The poems are grouped into chapters corresponding to the five traditional Japanese seasons (New Year's, Spring, Summer, Autumn and Winter).</p><p>In these poems, Sseki explores themes ranging from <i>wabi sabi</i> Zen simplicity to his personal experiences including several years studying in England. His verses are evocative of the splendor of the natural world, the power of human emotions, and the serenity found in living a peaceful life.</p><p>Each poem is presented in the original Japanese with a Romanised version and English translation. Audio recordings of the English and Japanese versions are provided online.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sseki Natsume</b> was born in Tokyo in 1867 and attended prestigious University of Tokyo before working as an English teacher for a time. He went to London for three years in 1900 on a government literary scholarship, where he developed a love for Shakespeare. Returning to take up a position at his alma mater, his writing career began with<i> I Am a Cat</i> in 1905. <i>Botchan</i> followed in 1906 and these remain his most popular works, along with <i>Kokoro</i>. Sseki enjoyed great popularity during his lifetime, and when Japanese readers and critics are asked today which author they most admire, Sseki's name always appears at the top of the list.</p><p><b>Erik Lofgren</b> is Professor of East Asian Studies at Bucknell University where he teaches classes on Japanese language, literature, and film. He has published several works on the poetry of Umezaki Haruo, works of fiction by Furui Yoshikichi and Ooka Shohei, and the films <i>Rashomon</i> and <i>Shin Gojira</i>.</p>]]></Text>
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			<SubjectHeadingText>and then Wagahai wa Neko de Aru comedy anime kiki; delivery service psychological existential tokyo; japanese classic literature english translation; modern new i am a cat culture botchan kusamakura; tragedy</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[A chance encounter irrevocably links a university student to an older man he simply calls Sensei ('Teacher'). Intrigued by Sensei's aloofness, the student visits him with increasing frequency, and Sensei and his beautiful wife eventually open their home and lives to him. The student graduates and is called home to care for his dying father, but Sen]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'Natsume Soseki is the representative modern Japanese novelist, a figure of truly national stature.'</b><b><i> </i></b><b> Haruki Murakami</b></p><p>A chance encounter irrevocably links a university student to an older man he simply calls Sensei ('Teacher'). Intrigued by Sensei's aloofness, the student visits him with increasing frequency, and Sensei and his beautiful wife eventually open their home and lives to him. The student graduates and is called home to care for his dying father, but Sensei draws him back with a letter revealing a secret that has shadowed him since youth.</p><p>Written in 1914, toward the end of Soseki's career, <i>Kokoro</i> provides a timeless psychological analysis of man's alienation from society. It is recognized as one of his most important works and a milestone in the emergence of the psychological novel in Japan. Its universal themes of friendship, betrayal and the struggle for meaning in a rapidly changing world continue to resonate today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Soseki Natsume</b> is the pen name of Kinnosuke Natsume, born in 1867 in Japan. A prolific author of poetry, fiction and essays, Soseki wrote some of Japan's most beloved novels, including <i>I Am a Cat, Botchan,</i> and <i>Kokoro</i>. He is so revered in Japan that his image appeared on the 1000 Yen banknote for many years.</p><p><b>Edwin McClellan</b> was a leading scholar, translator and professor of Japanese literature at Yale University. He is noted for his translations of Soseki's <i>Kokoro </i>and <i>Grass on the Wayside</i>, and is the author of<i> Two Japanese Novelists: Soseki and Toson.</i> He was awarded the Noma Prize for literary translation and the Japanese government's<i> </i>Order of the Rising Sun.</p><p><b>J. Keith Vincent </b>teaches Japanese literature at Boston University, where he also directs the MFA Program in Literary Translation. His translations include <i>A Riot of Goldfish</i> by Kanoko Okamoto, <i>Devils in Daylight </i>by Junichiro Tanizaki, and Soseki's novel <i>Michikusa</i>, forthcoming from Tuttle.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Learn the full back story behind the world's greatest book on military strategy!</i></b></p><p><i>The Art of War</i> is one of the world's great masterpieces  presenting timeless strategies that are as important in the boardroom as on the battlefield. Now, experience Sun Tzu's classic as never before in this riveting graphic novel brimming with battles, betrayals and political intrigues.</p><p>The book recounts the conflict between the kingdom of Wu as they plot to attack the far more powerful state of Chu, with both leaders navigating internal plots and power struggles that will forever alter the fate of China. The fascinating accounts in this book include:</p><ul><li>The story of Sun Tzu, who became a trusted advisor to the powerful Wu clan and then a master military strategist, capturing the attention of Wu Zixu, the clan's most formidable general</li><li>The creation of the military strategies in <i>The Art of War</i>, as Sun Tzu develops his revolutionary philosophy of asymmetrical warfare</li><li>The high-stakes Battle of Boju where Sun Tzu's teachings take center stage, shaping a battle that will become legendary in the chronicles of military history</li><li>And many other fascinating stories!</li></ul><p>Sun Tzu's<i> Art of War</i> brings to life not only the tactical brilliance of Sun Tzu's teachings but also the human drama behind them  the ambition, sacrifice and the relentless pursuit of victory.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A woman disappears after a beach party, and the search for her reveals Croatia's complex history well beyond the fall of Communism.</b></p><p>Called The Mediterranean Flower for its beauty, Split has a complex history that is perhaps best explored within a mystery. In 1989, beautiful Silva doesn't come home. Young cop Gorki Sain discovers that she isn't what she seemed  she dabbled in drugs and dealt in heroin. But Gorki soon finds himself out of a job as Yugoslavia plunges into a fratricidal war. Silva's brother stubbornly continues the search amid the upheavals of Croatian society, from the fall of communism through the 1991-1995 war. The former cop returns to solve the 30-year-old mystery in a different role, one less than ethically tied to toxic land speculation and corruption that comes with the tourist boom on the Dalmatian Coast.</p><p><b>'A masterpiece.' </b> <b><i>Liberation</i></b></p><p><b>'As inspiring as the Swedes Maj Sjwall and Per Wahl. Pavii brilliantly resorts to thenoir novel to accompany ordinary lives caught in the collapse of communism, the rise of nationalism and the shock of wars.' </b><b><i> Le Monde</i></b></p><p><b>'The city of Split is more than a setting, almost a character. A tourist mirage in the summer, the Croatian port is confronted, out of season, with the aftermath of war, deindustrialization, and all kinds of depravity. Beyond the family drama and the police investigation, the metamorphosis of Croatia interests Pavii.' </b><b><i>Telerama</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jurica Pavii</b> (born 1965) is a Croatian writer, scriptwriter, and journalist, living in Split. He has written seven novels, two collections of short stories and essays. His work has been translated into five languages, but <i>Red Water</i> is his first novel to be translated into English.</p><p><b>Matt Robinson</b>, born in the UK in 1978, lives in Ljubljana, Slovenia. Formerly a foreign correspondent with Reuters, he now works as a freelance editor and literary translator. <i>Red Water</i> is the second novel he has translated.</p>]]></Text>
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			<SubjectHeadingText>Arab; Kuwait; United States; belonging; boundaries; childhood; coming-of-age; connection; culture; diaspora; discovery; displacement; emotions; exile; family; feminist; generational ties; growth; heritage; history; home; hope; identity; inner lives; innocence; intimacy; longing; loss; modern fiction; nostalgia; personal journeys; perspective; recovery; reflection; relationships; resilience; secrets; short stories; silence; societal change; survival; tradition; transformation; trauma; war</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[In this collection, Mai Al-Nakib captures the lives of ordinary people in the Middle East, from a girl whose name reflects political tensions to a cancer-stricken man reflecting on his past. Through poignant stories, she explores love, marriage, and memory, revealing the quiet struggles behind the headlines of war and unrest.]]></Text>
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			<Text textformat="02"><![CDATA[<p>A young girl, renamed Amerika in honour of the US role in the liberation of Kuwait, finds her name has become a barometer of her country's growing hostility towards the West. A self-conscious Palestinian teenager is drawn into a botched suicide bombing by two belligerent classmates. A middle-aged man dying from cancer looks back on his extramarital affairs and the abiding forgiveness of his wife. A Kuwaiti woman returns to her family after being held captive in Iraq for a decade.</p><p>The headlines tell of war, unrest and religious clashes. But if you look beyond them you will see life in the Middle East as it is really lived  adolescent love, the fragility of marriage, pain of the most quotidian kind. Mai Al-Nakib's luminous stories unveil the lives of ordinary people  and the power of objects to hold extraordinary memories.</p><p><b>'A densely imagined and beautifully written debut.' </b> <b><i>Sydney Morning Herald</i></b></p><p><b>'With her compassion for an old, vanished world and her exceptional eye for the bruised landscape of the modern Middle East, Al-Nakib should be heralded as an exciting new literary voice.'  </b><b><i>The National</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mai Al-Nakib</b> holds a PhD in English from Brown University and teaches English and comparative literature at Kuwait University. Her short stories have appeared in publications including <i>Ninth Letter, After the Pause</i> and <i>World Literature Today. The Hidden Light of Objects</i> won the Edinburgh International Book Festival's First Book Award in 2014.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A fractured family, a devastated community, and the disaster that brings them together.</b></p><p>After the sudden death of his father, Jordan Pearce reluctantly takes over the family's generations-old oyster-farming business on Louisiana's Gulf Coast. He's still adjusting to the new role when the <i>Deepwater Horizon</i> oil rig explodes offshore, triggering one of the worst environmental disasters in history and throwing his hardscrabble coastal town into crisis.</p><p>While looking after his distressed mother, Jordan struggles to keep the company afloat and is forced to seek help from his estranged brother, Benny, a beatnik musician living in New Orleans. In the face of impending tragedy, this small community searches for a way forward, just as the fractured Pearce family, finally reunited under one roof, must find the hope and courage to save their legacy.</p><p><b>'The complex characters and the lovingly described Louisiana setting bring this eco-tragedy sympathetically to life. Recommended to readers of issue-oriented fiction such as Charlotte McConaghy's </b><b><i>Migrations</i></b><b> and Barbara Kingsolver's </b><b><i>Demon Copperhead</i></b><b>.'</b> <b> </b><b><i>Booklist</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Winner of the Singapore Literature Prize 2018</b></p><p><b>Shortlisted for the NUS Singapore History Prize 2021</b></p><p><b>Shortlisted for the Singapore Book Awards 2018, Best Fiction Title</b></p><p>Siew Li leaves her husband and young children to fight for freedom in the jungles of Malaya. Decades later, a Malaysian journalist returns to her homeland to uncover the truth of a massacre committed during the Emergency, while Siew Li's son uncovers the truth of his family's past. Informed by years of painstaking research, Jeremy Tiang's debut novel dives into the tumultuous days of leftist movements and political detentions in Singapore and Malaysia. It follows an extended family from the 1940s to the present day as they navigate the choppy political currents of the region. <i>State of Emergency</i> questions whether we can grasp the truth after the fact. And yet, in the very telling of its interlocking stories, it reaffirms the importance of trying.</p><p><b><i>'State of Emergency</i></b><b> is a compelling, important piece of work from one of Singapore's finest living authors.' </b> <b><i>The Straits Times</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>It's 2012, and post-revolution Egypt is sparking with political energy  but Hannah and Zain are numb.</b></p><p>The flight from New York to Cairo is long  longer still for two siblings on a journey to bury their mother. When they discover their father's unforgivable betrayal, what's left of their family crumbles.</p><p>Hannah gives up her spot at Columbia Law to remain in Egypt, where she navigates romantic entanglements and a new culture. Back in America, Zain's self-destructive behaviour begins to catch up with him, leaving him to wonder whether he's any different from his father.</p><p>When the siblings reunite in Cairo months later, Zain is nearing rock bottom, and Hannah finds herself in the middle of the Arab Spring uprising. Together they confront shared secrets and reconcile their conservative upbringing with their new beliefs as adults. Will they heal together, or has the loss of their only bridge  their mother  set them permanently adrift?</p><p>A tender reflection on the effects of grief and loss, this deeply felt novel explores how siblings come together to mend a fractured family and, in the process, find themselves.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Deena ElGenaidi </b>writes about the arts, identity, and pop culture for a number of publications, including <i>Nylon</i>, MTV News, <i>Oprah Magazine</i>, <i>Longreads</i>, <i>Catapult</i>, <i>Vulture</i>, and more. She wrote, directed, and produced the award-winning comedy web series <i>Codependent</i>, she currently lives in Brooklyn with her cat, Sasha. <i>Dust Settles North</i> is her first novel. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A follow-up to their runaway success</b> <b><i>Peach Pit: Sixteen Stories of Unsavory Women</i></b><b>, editors Molly Llewellyn and Kristel Buckley return with</b> <b><i>Be Gay, Do Crime</i></b><b>, a celebration of queer chaos from an all-queer author lineup featuring Myriam Gurba, Emily Austin, Alissa Nutting, and Francesca Ekwuyasi</b></p><p>A trans woman makes increasingly frequent hoax calls to a business where she's had a negative experience, watching the consequences with perverse joy. A group of aging queers turns to bank robbery to stop the sale of their bungalow complex to a development company. As the president prepares to give a speech, two women lurk among the journalists, ready to shoot him. And an aspiring author takes to stealing items from strangers' homes in a kind of cosmic redistribution each time one of her relationships fail.</p><p>In sixteen brilliant, wild-eyed stories, <i>Be Gay, Do Crime</i> delivers a celebration and reckoning of why queer people turn to crime  unintentionally, as a means of survival, as protest, as rescue, or to right injustices big and small.</p><p><b>'Chaotic, sexy, and binge-worthy as hell,</b> <b><i>Be Gay, Do Crime</i></b><b> is an EVENT.' </b> <b>Ruth Madievsky, author of</b> <b><i>All Night Pharmacy</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alissa Nutting</b> is a novelist, screenwriter, and showrunner, most recently of the Adult Swim MAX animated series <i>Teenage Euthanasia</i> and the MAX original comedy <i>Made For Love</i> based on her <i>New York Times</i> Editor's Choice novel of the same name.</p><p><b>Anna Dorn</b> is the author of the novels <i>Perfume Pain, Exalted</i>, and <i>Vagablonde</i>. Exalted was nominated for an L.A. Times Book Prize. Her next book <i>American Spirits</i> is forthcoming for Simon and Schuster. She lives in Los Angeles.</p><p><b>Aurora Mattia</b> was born in Hong Kong and lives in Texas. Her first book, <i>The Fifth Wound</i>, is published by Nightboat Books. Her second book, <i>Unsex Me Here</i>, is published by Coffee House Press. Her stories have appeared in <i>Zoetrope: All-Story, Prairie Schooner, SPASM, Joyland</i>, and elsewhere; and also in exhibitions at the RISD Museum and the Renaissance society, accompanying portraits by Elle Perez. She's working on a new novel called <i>Seven Come Eleven</i>, and writing some country songs.</p><p><b>Emily R. Austin</b> is the author of <i>Everyone in This Room Will Someday Be Dead, Interesting Facts About Space</i>, and the poetry collection, <i>Gay Girl Prayers</i>. She was born in Ontario, Canada, and has received two writing grants from the Canadian Council for the Arts. She studied English literature and library science at Western University. She currently lives in Ottawa, in the territory of the Anishinaabe Algonquin Nation.</p><p><b>francesca ekwuyasi</b> is a learner, artist and storyteller born in Lagos, Nigeria. She was awarded the Writers Trust Dayne Ogilvie Prize for LGBTQ2S+ Emerging Writers in 2022 for her debut novel <i>Butter Honey Pig Bread</i> (Arsenal Pulp Press, 2020). Butter Honey Pig Bread was also shortlisted for a Lambda Literary Award, the Governor General's Literary Award for Fiction, the Amazon Canada First Novel Award and longlisted for the Scotiabank Giller Prize and the Dublin Literary Award.<i>Butter Honey Pig Bread</i> placed second on CBC's Canada Reads: Canada's Annual Battle of the Books, where it was selected as one of five contenders in 2021 for 'the one book that all of Canada should read'. She is co-author of <i>Curious Sounds: A Dialogue in Three Movements</i>, a multi-genre collaborative book with Roger Mooking. francesca was Queens University's 2023 Carolyn Smart Writer in Residence, her writing has appeared in the <i>Malahat Review, Transition Magazine, Room Magazine, Brittle Paper, the Ex-Puritan, C-Magazine, Vol. 1 Brooklyn, Canadian Art, Chatelain</i> and elsewhere. Her short story run is Heaven was longlisted for the 2019 Journey Prize.</p><p><b>Kayla Kumari Upadhyaya</b> is a lesbian writer of essays, short stories, and pop culture criticism living in Orlando. She is the author of <i>Helen House</i> (Burrow Press 2022), a queer horror novelette. She is the managing editor of Autostraddle and the managing editor of TriQuarterly. Her short stories appear in <i>McSweeney's Quarterly Concern, Catapult, The Offing, Joyland, The Rumpus</i>, and others. She was a 2021 nonfiction fellow and a 2023 speculative fiction writer in residence at Lambda Literary's Writers Retreat for Emerging LGBTQ Voices. She is a 2023-2024 Tin House Reading Fellow.</p><p><b>Maame Blue</b> is a Ghanaian-Londoner, creative writing tutor and author of the novel Bad Love, which won the 2021 Betty Trask award, and was shortlisted for the Betty Trask Prize. Her short stories have been published in <i>Not Quite Right For Us</i> (Flipped Eye Publishing), <i>New Australian Fiction 2020</i> (Kill Your Darlings), and <i>Joyful, Joyful</i> (Pan Macmillan). Maame is a recipient of the 2022 Society of Authors Travelling Scholarship and was a 2022 POCC Artist-in-Residence. She contributes regularly to Royal Literary Fund publication Writers Mosaic and her writing has appeared in many places including Refinery29, The Independent and iNews. Her second novel <i>The Rest Of You</i> will be published by Amistad (US) and Verve Books (UK) in Autumn 2024.</p><p><b>Marisa (Mac) Crane</b> is a queer, nonbinary writer. Their debut novel, <i>I Keep My Exoskeletons to Myself</i>, was a January Indie Next Pick and NYT Editors' Choice. Their work has appeared or is forthcoming in <i>The Adroit Journal, The Offing, Joyland, No Tokens, Florida Review, Passages North, Lit Hub, TriQuarterly</i>, and elsewhere, and their second novel, <i>A Sharp Endless Need</i>, is forthcoming from Dial Press in March 2025.</p><p><b>Myriam Gurba</b> is the author of several books. Her most recent essay collection, <i>Creep: Accusations and Confessions</i>, is a finalist for a National Book Critics Circle Award in criticism. Her writing has also appeared in the <i>Los Angeles Times, The New York Times, The Paris Review</i> and the <i>Believer</i>. She enjoys solving crossword puzzles and binge watching <i>Real Housewives</i>.</p><p><b>Myriam Lacroix</b> was born in Montreal to a Quebecois mother and a Moroccan father, and currently lives in Vancouver. She has a BFA in Creative Writing from the University of British Columbia and an MFA from Syracuse University, where she was editor in chief of <i>Salt Hill Journal</i> and received the New York Public Humanities Fellowship for creating Out-Front, an LGBTQ+ writing group whose goal was to expand the possibilities of queer writing.</p><p><b>Priya Guns</b> wrote <i>Your Driver is Waiting</i>.</p><p><b>Sam Cohen</b> is the author of <i>Sarahland</i>. Her fiction also appears in <i>Bomb, Fence, O Magazine, Electric Literature</i>, and others.</p><p><b>SJ Sindu</b> is a Tamil diaspora author of two literary novels (<i>Marriage of a Thousand Lies</i>, which won the Publishing Triangle Edmund White Award; and <i>Blue-Skinned Gods</i>, which was an Indie Next Pick and a finalist for the Lambda Literary Award), two graphic novels (<i>Shakti</i> and <i>Tall Water</i>), and one collection of short stories (<i>The Goth House Experiment</i>). Sindu holds a PhD in English and Creative Writing from Florida State University and is a co-editor for Zero Street, a literary fiction series featuring LGBTQ+ authors through the University of Nebraska Press. Sindu is an assistant professor at Virginia Commonwealth University. More at sjsindu.com or @sjsindu on Twitter/Instagram/Threads.</p><p><b>Soula Emmanuel</b> was born in Dublin to an Irish mother and a Greek father. She studied at universities in Ireland and Sweden, emerging with a master's in economic demography. In 2023, her debut novel <i>Wild Geese</i> was published by Footnote Press and the Feminist Press at CUNY. She currently lives on Ireland's east coast and is working on a second novel.</p><p><b>Temim Fruchter</b> is a queer nonbinary anti-Zionist Jewish writer who lives in Brooklyn, NY. She holds an MFA in fiction from the University of Maryland, and is the recipient of fellowships from the DC Commission on the Arts and Humanities, Vermont Studio Center, and a 2020 Rona Jaffe Foundation Writer's Award. She is co-host of Pete's Reading Series in Brooklyn. Her debut novel, <i>City of Laughter</i>, is out now from Grove Atlantic.</p><p>Works by <b>Venita Blackburn</b> have appeared in the <i>New Yorker, NY Times, Harper's, McSweeney's, Story Magazine, the Virginia Quarterly Review, the Paris Review</i>, and others. She was awarded a Bread Loaf Fellowship in 2014 and several Pushcart prize nominations. She received the Prairie Schooner book prize for fiction, which resulted in the publication of her collected stories, <i>Black Jesus and Other Superheroes</i>, in 2017. In 2018 she earned a place as a finalist for the PEN/Bingham award for debut fiction, finalist for the NYPL Young Lions award and was recipient of the PEN America Los Angeles literary prize in fiction. Blackburn's second collection of stories is <i>How to Wrestle a Girl</i>, 2021, finalist for a Lambda Literary Prize and was a NYTimes editor's choice. Her debut novel, <i>Dead in Long Beach, California</i>, is about the mania of grief, all of human history and a lesbian assassin at the end of the world. She is the founder and president of Live, Write, an organization devoted to offering free creative writing workshops for communities of color: livewriteworkshop.com. Her hometown is Compton, California, and she is an associate professor of creative writing at California State University, Fresno.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A stunning anthology of fierce and dangerous women, featuring stories from Lauren Groff, Deesha Philyaw, K-Ming Chang, and thirteen other award-winning and bestselling authors.</b></p><p>A middle-aged Black woman exacts revenge on the aggressively average men she meets on dating sites. A girl buries pieces of herself in a hole beneath an apple tree, hoping to escape her mother's life of struggle and servitude. A group of teenage girls compete for the title of &amp;#x27;Worst Girl in America.&amp;#x27; A young woman in Taiwan becomes infatuated with a female scam caller, a fleeting ghost of a love that blossoms from strangeness. And a wealthy woman goes to unconventional, and perhaps not entirely ethical, lengths to find her dream man.</p><p>In these sixteen stories, we see women at their most monstrous - as con artists and murderers, cutthroats and scalpers, ruled by ambition and grief and spite. Characters for those tired of being told to play nice. Dressed to the nines in morally gray, the stories in this anthology comprise an envelope full of teeth: each one distinct, unsettling, and sharp enough to rip out a throat.</p><p>List of contributors: Alice Ash, Alicia Elliott, Alison Rumfitt, Aliya Whiteley, Amanda Leduc, Chana Porter, Chantal V. Johnson, Chaya Bhuvaneswar, Deesha Philyaw, K-Ming Chang, Lauren Groff, Maisy Card, Megan Giddings, Sarah Rose Etter, Vanessa Chan, Yah Yah Scholfield</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Lunch at Scott's, a quiet game of golf, a routine social call on his chief M  James Bond's life has begun to fall into a pattern that threatens complacency, until the sunny afternoon when M is kidnapped and all of his house staff savagely murdered.</p><p>The action ricochets across the globe to a volcanic Greek island, where the malign Colonel Sun Liang-tan of the People's Liberation Army of China is collaborating with the ex-Nazi commander, Von Richter, in planning a world-dominating conspiracy. Bond's allies  the beautiful, brown-haired Greek agent, Ariadne Alexandrou; along with a tough-as-nails former World War II resistance fighter  are quickly neutralised by the venomous Colonel Sun. Alone and unarmed, faces off against these two nefarious villains.</p><p>Stripped of all professional aids, James Bond faces the deadly devices of Colonel Sun and his Nazi cohort in a test that brings him to the verge of his physical abilities.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In ten days, Hong Kong will pass into the hands of the Chinese  and 007 is on his way there to undertake his most dangerous and thrilling mission yet.</p><p>In the Australian desert, a nuclear bomb explodes. There are no survivors and no clues about who has made it or detonated it. In England, two police officers are shot dead when they apprehend a cargo vessel in Portsmouth dock. Vast quantities of heroin are later found on board. And in Hong Kong, an explosion rips through one of the colony's famous floating restaurants, killing the entire Board of Directors of EurAsia Enterprises Ltd, a multi-billion dollar shipping corporation.</p><p>The People's Republic of China is about to resume control after a century and a half of British rule  and the colony is a powder keg waiting to explode. The tension reaches breaking point when a solicitor from one of Britain's most prestigious law firms is killed in a car bomb at Government House.</p><p>These apparently random events are connected  and Bond must find out how and why. From the heady casinos of Macau to the seedy strip clubs of Kowloon, 007's investigations bring him into conflict with ruthless Triad gangs, a power-hungry Chinese general  and a beautiful night club hostess called Sunni Pei.</p><p>All inquiries seem to lead to EurAsia Enterprises Ltd  and its assassinated owner. James Bond is about to come up against one of the most formidable adversaries of his career.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Besides writing official James Bond fiction between 1996-2002, <b>Raymond Benson</b> is also known for <i>The James Bond Bedside Companion</i>, which was published in 1984 and was nominated for an Edgar. His first two entries of a new series of thrillers, which Booklist called 'prime escapism', are <i>The Black Stiletto</i> and<i> The Black Stiletto: Black &amp; White</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[*Shortlisted for the 2018 CWA Debut Dagger for unpublished first novel*]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>First Rain in Paradise</i></b><b> is a book about falling. Gwyneth Lewis's highly inventive poems trace an interior landscape carved out by the trauma of childhood emotional abuse through subsequent chronic ill health and towards a hard-won resurrection.</b></p><p>These accounts of living in and emerging from the dark wrestle with the angel of language. Suffering does not preclude humour and may, in fact, require it, in poems written from the shadows but committed to the light. This work refuses to keep pain a secret. Shame is a lurking presence.</p><p>Gwyneth Lewis has won wide acclaim for her versatile and varied writing across genres, most notably in her award-winning poetry in both English and Welsh. This book shows a deepening of her technical, imaginative and intellectual resources which are challenged and exercised to the full. The poems map uneasy terrains with realism and  most importantly  with joy.</p><p><b>'The bracing latest collection from Welsh poet Lewis traces an arc from the trauma of maternal abuse...through aftershocks of chronic illness, self-harm, and shame...to recovery ("I am found"). Her lines both stun and revive, moving between Plathian imagery... and disarming candor ("Underneath, I'm a bit of a sweetie"). The collection radiates hard-won self-possession... Readers will enjoy discovering this writer of extraordinary gifts.'  </b><b><i>Publishers Weekly</i></b><b>, starred review of </b><b><i>First Rain in Paradise</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gwyneth Lewis</b> was Wales's National Poet from 2005 to 2006, the first writer to be given the Welsh laureateship. Her first six books of poetry in Welsh and English were followed by <i>Chaotic Angels </i>(2005) from Bloodaxe, which brings together the poems from her English collections, <i>Parables &amp; Faxes, Zero Gravity and Keeping Mum</i>, and by<i> A Hospital Odyssey </i>(2010), and <i>Sparrow Tree</i> (2011), winner of the Roland Mathias Poetry Award (Wales Book of the Year) in 2012. Her sixth collection in English,<i> First Rain in Paradise</i>, is published by Bloodaxe in 2025. Her other books include <i>Sunbathing in the Rain: A Cheerful Book about Depression </i>(Flamingo, 2002), <i>Two in a Boat: A Marital Voyage</i> (Fourth Estate, 2005), <i>The Meat Tree: new stories from the Mabinogion</i> (Seren, 2010), <i>Nightshade Mother: A Disentangling</i> (University of Wales Press, 2024). With Rowan Williams she translated <i>The Book of Taliesin</i> (2019) for Penguin Classics. Her Welsh collection,<i> Y Llofrudd Iaith</i> (Barddas, 2000), won the Welsh Arts Council Book of the Year Prize, and her English collection, <i>Keeping Mum </i>was shortlisted for the same prize. Both <i>Zero Gravity </i>and <i>Keeping Mum</i> were Poetry Book Society Recommendations. Gwyneth Lewis composed the words on the front of the Wales Millennium Centre in Cardiff, opened in 2004. In 2014 she dramatised her book-length poem <i>A Hospital Odyssey</i> for the BBC, broadcast on Radio 4's <i>Afternoon Drama</i>, and delivered her Newcastle/Bloodaxe Poetry Lectures, published in <i>Quantum Poetics</i> (Bloodaxe Books, 2015). She received a Cholmondeley Award in 2010 for a distinguished body of writing, and in 2022 she received an MBE for her services to literature and mental health. Gwyneth Lewis lives in Cardiff, Wales, and has spent a number of years in the USA, where she was a student at the graduate writing division of Columbia University in New York. She has held fellowships at Harvard and Stanford and a teaching position at Princeton University's English department. She teaches regularly at Middlebury College's world-renowned Bread Loaf School of English program and, in 2016, was the 2016 Robert Frost Professor of Literature in Vermont. Her critical study, <i>The Poetry Detective: Writing and Reading Poetry Through Fear</i>, is published by Princeton University Press in 2025.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Longlisted, 2025 International Booker Prize</b></p><p><b>Finalist, 2023 National Book Award for Translated Literature</b></p><p><b>Winner, Dutch Literature Prize</b></p><p><b>Winner, P. C. Hooft Award</b></p><p><i>On a Woman's Madness</i> tells the story of Noenka, a courageous Black woman trying to live a life of her own choosing. When her abusive husband of just nine days refuses her request for divorce, Noenka flees her hometown in Suriname, on South America's tropical northeastern coast, for the capital city of Paramaribo. Unsettled and unsupported, her life in this new place is illuminated by romance and new freedoms, but also forever haunted by her past and society's expectations.</p><p>Strikingly translated by Lucy Scott, Astrid Roemer's classic queer novel is a tentpole of European and post-colonial literature. And amid tales of plantation-dwelling snakes, rare orchids, and star-crossed lovers, it is also a blistering meditation on the cruelties we inflict on those who disobey. Roemer, the first Surinamese winner of the prestigious Dutch Literature Prize, carves out postcolonial Suriname in barbed, resonant fragments. Who is Noenka? Roemer asks us. 'I'm Noenka,' she responds resolutely, 'which means "Never Again."'</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>my life is the afterlife</p><p>From the author of <i>Happy Stories, Mostly </i>and <i>Sergius Seeks Bacchus</i>. Their first work originally written in English.</p><p><i>My Dream Job</i> is a tender playground of intellect and wit where entire worlds collide: the English and Toba Batak languages; Christian and Batak mythology; colonial violence past and present. In a voice playful, daring and not pursuing legibility above all else, Pasaribu writes the ultimate eulogy for a postcolonial dream.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Norman Erikson Pasaribu</b> is a Toba Batak poet and writer. Their first poetry collection, Sergius Mencari Bacchus, won the first prize in the 2015 Jakarta Arts Council Poetry Manuscript Competition, and led them to win the 2017 Sastrawan Muda from the Southeast Asia Literary Council (Mastera). Their book of fiction, <i>Happy Stories, Mostly </i>(tr. Tiffany Tsao), gained international critical acclaim. It won the 2022 Republic of Consciousness Prize for Small Presses, and was listed for the 2022 International Booker Prize, the 2023 National Book Critics Circle's Barrios Book in Translation, the 2023 National Translation Award for Prose and the 2023 Cercador Prize for Literature in Translation. Norman was the inaugural recipient of the Patricia Kailis International Writing Fellowship, and was a Harvard University Asia Center's artist in residence for 2023-2024. They are a sixteenth-generation descendant of Siraja Bondar of the indigenous Toba Batak, North Sumatra.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Witty, inventive, and profound, <i>Where the Wild Ladies Are</i> is a contemporary feminist retelling of traditional ghost stories by one of Japan's most exciting writers.</p><p>In a company run by the mysterious Mr Tei, strange things are afoot  incense sticks lead to a surprise encounter; a young man reflects on his mother's death; a foxlike woman finally finds her true calling. As female ghosts appear in unexpected guises, their gently humorous encounters with unsuspecting humans lead to deeper questions about emancipation and recent changes in Japanese women's lives.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Polly Barton </b>is a Japanese-English translator and writer based in the UK. Her translations include <i>Butter </i>by Asako Yuzuki,<i> So We Look to the Sky </i>by Misumi Kubo, <i>Spring Garden </i>by Tomoka Shibasaki, and <i>There's No Such Thing as an Easy Job</i> by Kikuko Tsumura. Her translation of <i>Mild Vertigo</i> by Mieko Kanai was awarded a 2023-2024 Lindsley and Masao Miyoshi Translation Prize. She is the author of<i> Fifty Sounds </i>and <i>Porn: An Oral History</i>, both published by Fitzcarraldo Editions.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Longlisted, 2022 Dublin Literary Award</b></p><p><b>Winner, English PEN Translates Award</b></p><p>'What a life! She didn't like being here, and she didn't like going there.'</p><p>Mehar dreams of freedom and a life with her children. Asiya dreams of her daughter's happiness. Sajida dreams of becoming a doctor. Subaida dreams of the day when her family will become free of woes. Parveen dreams of a little independence, a little space for herself in the world. Mothers, daughters, aunts, sisters, neighbours...</p><p>In this tiny Muslim village in Tamil Nadu, the lives of these women are sustained by the faith they have in themselves, in each other, and the everyday compromises they make. Salma's storytelling  crystalline in its simplicity, patient in its unravelling  enters this interior world of women, held together by love, demarcated by religion, comforted by the courage in dreaming of better futures.</p><p>A beautiful novel by writer and activist Salma, translated from Tamil by Meena Kandasamy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Salma</b> is a writer of Tamil poetry and fiction. Based in the small town of Thuvarankurichi, she is recognised as a writer of growing importance in Tamil literature. Her work combines a rare outspokenness about taboo areas of the traditional Tamil women's experience with a language of compressed intensity and startling metaphoric resonance. Her debut novel <i>The Hour Past Midnight</i> was long listed for the Man Booker Asia Prize. </p><p><b>Meena Kandasamy</b> is a poet, fiction writer, translator and activist who lives in Chennai and London. She has published two collections of poetry, <i>Touch </i>and <i>Ms. Militancy</i>, and the critically acclaimed novels <i>The Gypsy Goddess </i>and <i>When I Hit You, Or, The Portrait of the Writer as a Young Wife</i>, which was shortlisted for the Women's Prize for Fiction in 2018. She is the editor of the poetry collection <i>Desires Become Demons</i> (Tilted Axis Press 2019), in which her translations of four Tamil women poets are included alongside some by the late Lakshmi Holmstrm.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Love in the Big City</i> is an energetic, joyful, and moving novel that depicts both the glittering nighttime world of Seoul and the bleary-eyed morning-after. Young is a cynical yet fun-loving Korean student who pinballs from home to class to the beds of recent Tinder matches. He and Jaehee, his female best friend, frequent nearby bars where they push away their anxieties about their love lives, families, and money with rounds of soju and Marlboro Reds. Over time, even Jaehee leaves Young to settle down, leaving him alone to care for his ailing mother and to find companionship in his relationships with a series of men, including one whose handsomeness is matched by his coldness, and another who might end up being the great love of his life.</p><p><i>Love in the Big City</i> is an exploration of millennial loneliness as well as the joys of queer life, that should appeal to readers of Sayaka Murata, Han Kang, and Cho Nam-Joo.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Winner, English PEN x SALT Award 2025 </b></p><p>From the International Booker Prize-winning author-translator duo of <i>Tomb of Sand</i>, a powerful, kaleidoscopic novel about a fractured India, caught between rising fundamentalism and waning progressive ideals.</p><p>A city teeters on the edge of chaos. A society lies fractured along fault lines of faith and ideology. A playground becomes a battleground. A looming silence grips the public.</p><p>Against this backdrop, Shruti, a writer paralysed by the weight of events, tries to find her words, while Sharad and Hanif, academics whose voices are drowned out by extremism, find themselves caught between cliches and government slogans. And there's Daddu, Sharad's father, a beacon of hope in the growing darkness. As they each grapple with thoughts of speaking the unspeakable, an unnamed narrator takes on the urgent task of bearing witness.<br/>First published in Hindi in 1998, <i>Our City That Year</i> is a novel that defies easy categorisation. It's a time capsule, a warning siren, and a desperate plea. Geetanjali Shree's shimmering prose, in Daisy Rockwell's nuanced and consummate translation, takes us into a fever dream of fragmented thoughts and half-finished sentences, mirroring the disjointed reality of a city under siege. Readers will find themselves haunted long after the final page, grappling with questions that echo far beyond India's borders.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Geetanjali Shree</b> is the author of five novels and five short story collections. Her work has been translated into English, French, German, Serbian, and some Indian languages. She has received and been shortlisted for a number of national and international awards and fellowships, including the 2022 International Booker Prize. She lives in New Delhi.</p><p><b>Daisy Rockwell</b> is a painter, writer and translator living in the US. She has translated a number of classic works of Hindi and Urdu literature, including Upendranath Ashk's 'Falling Walls', Bhisham Sahni's 'Tamas', and Khadija Mastur's 'The Women's Courtyard'. Her 2019 translation of Krishna Sobti's 'A Gujarat Here, a Gujarat There' was awarded the Modern Language Association's Aldo and Jeanne Scaglione Translation Prize. She is the winner of the 2022 International Booker Prize.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A Vietnamese woman living in Paris travels back to Si Gn for her estranged mother's funeral. Her brother had recently built a new house and staged a grotesquely lavish ceremony for their mother to inaugurate what was rumoured to be the first elevator in a private home in the country. But shortly after the ceremony, in the middle of the night, their mother dies after mysteriously falling down the elevator shaft. Following the funeral, the daughter becomes increasingly fascinated with her family's history, and begins to investigate and track an enigmatic figure, Paul Polotsky, who emerges from her mother's notebook.</p><p>Like an amateur sleuth, she trails Polotsky through the streets of Paris, sneaking behind him as he goes about his usual routines. Meanwhile, she researches her mother's past  zigzagging across France and Vietnam  trying to find clues to the spiralling, deepening questions her mother left behind unanswered  and perhaps unanswerable.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Winner of the EBRD Literature Prize 2019</b></p><p>On New Years' Eve 1938, the writer Abdulla Qodiriy is taken from his home by the Soviet secret police and thrown into a Tashkent prison. There, to distract himself from the physical and psychological torment of beatings and mindless interrogations, he attempts to mentally reconstruct the novel he was writing at the time of his arrest  based on the tragic life of the Uzbek poet-queen Oyhon, married to three khans in succession, and living as Abdulla now does, with the threat of execution hanging over her. As he gets to know his cellmates, Abdulla discovers that the Great Game of Oyhon's time, when English and Russian spies infiltrated the courts of Central Asia, has echoes in the 1930s present, but as his identification with his protagonist increases and past and present overlap it seems that Abdulla's inability to tell fact from fiction will be his undoing.</p><p><i>The Devils' Dance</i> brings to life the extraordinary culture of 19th century Turkestan, a world of lavish poetry recitals, brutal polo matches, and a cosmopolitan and culturally diverse Islam rarely described in western literature. Hamid Ismailov's virtuosic prose recreates this multilingual milieu in a digressive, intricately structured novel, dense with allusion, studded with quotes and sayings, and threaded through with modern and classical poetry.</p><p>With this poignant, loving resurrection of both a culture and a literary canon brutally suppressed by a dictatorship which continues today, Ismailov demonstrates yet again his masterful marriage of contemporary international fiction and the Central Asian literary traditions, and his deserved position in the pantheon of both.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Hamid Ismailov</b> is an Uzbek writer who was forced to flee Uzbekistan in 1992 due to what the state dubbed 'unacceptable democratic tendencies'. He came to the United Kingdom, where he took a job with the BBC World Service. His works are banned in Uzbekistan. Several of his Russian-original novels have been published in English translation, including <i>The Railway</i> (Vintage, 2007) ,<i>The Dead Lake</i>, which was long listed for the 2015 Independent Foreign Fiction Prize, and The Underground (both Restless Books). <i>The Devils' Dance</i> was the first of his Uzbek language novels to appear in English, and won the EBRD Prize in 2019.</p><p><b>Donald Rayfield</b> is professor of Russian and Georgian at Queen Mary University of London. He is an author of books about Russian and Georgian literature, and about Joseph Stalin and his secret police. He is also a series editor for books about Russian writers and intelligentsia. He translated Georgian and Russian poets and prose writers.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Nottingham, 1827.</p><p>Mary Reddish, a young housemaid unjustly committed after defying her employer's advances, must navigate the brutal treatments of the county asylum while trying to prove her sanity. Meanwhile, Ann and Thomas Morris, the asylum's matron and director, struggle to uphold humane practices against outdated medical methods that haunt the institution.</p><p>As Mary forms an unlikely alliance with a fellow patient, she finds herself at the centre of a battle between compassion and cruelty that will determine the course of her life  and the future of the asylum itself.</p><p><b>'A fascinating and eye-opening work  intelligently written, vividly imagined, a compulsive read.'</b> <b></b> <b>Alison Moore</b></p><p><b>'An impeccably researched and page-turning historical novel...A powerful debut.'</b> <b></b> <b>Jane Harris</b></p><p><b>'A brilliant read...unputdownable!'</b> <b></b> <b>G. J. Williams</b></p>]]></Text>
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			<SubjectHeadingText>2 hour books; Erica LaRocca; fast read; hailey piper; lammy; lesbian horror; new horror writers; paula d ashe; south florida; splatterpunk</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b><i>How You Lose the Time War</i></b><b> meets </b><b><i>Things Have Gotten Worse Since We Last Spoke</i></b><b> in this fast-paced queer horror novel in which an obsessive woman stumbles upon a second-chance romance with her flighty paramour, but it quickly deteriorates into a dark spiral of destruction.</b></p><p>Johnny spots her ex, Alice, at the local cafe with a vague sense that she's been there before. Though she's still angry about their breakup and Alice's subsequent ghosting, Johnny can't resist the draw of a second shot at their relationship and accepts Alice's invitation back to her apartment. Once there, promises are exchanged. There's talk of wonder and change and dreams made real. But after spending the night together, they face a morning in which Alice is still Alice, Johnny is still Johnny, and the dog has doubled in size.</p><p>Over the course of a week, increasingly bizarre changes in the world around them force Johnny to consider whether the pair can change just as easily, if they can change at all. Or if both her relationship and the bounds of reality are destined to implode. The narrative of <i>I Can Fix Her</i> operates on nightmare logic, putting forth an irresistible tale in which the world, the narrator, and time itself are not to be trusted.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rae Wilde</b> (she/her) is a queer woman and author of dark fiction who has also published under the name Rae Knowles. Her work includes <i>The Stradivarius, Merciless Waters,</i> and <i>I Do Not Apologize for My Position on Men.</i> Rae is the author of numerous shorter works, published in magazines and anthologies such as <i>Dark Matter Ink, Nightmare,</i> and<i> Ghoulish Tales.</i> Rae is represented by Carleen Geisler at Arthouse Literary.</p>]]></Text>
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			<SubjectHeadingText>great american novel; The Great Gatsby paperback; The Great Gatsby by F Scott Fitzgerald; F Scott Fitzgerald novel paperback; classic American literature paperback; 100 years of The Great Gatsby; centennial Great Gatsby paperback; Roaring Twenties novel; Jazz Age literature paperback; 1920s American novel; American classics paperback edition; literary fiction classic paperback; modernist American literature; novels set in the 1920s; books about the American Dream; Jay Gatsby character; Daisy Buchanan character; Nick Carraway narrator; Tom Buchanan character; tragic love story classic novel; post World War I fiction; Long Island New York novel; wealthy elite society fiction; short classic novel paperback; required reading high school literature; college literature classic paperback; AP English reading list novel; classic novels for students; timeless literary classic; must read American novel; iconic American book; 20th century American literature paperback; literary canon classic novel; affordable paperback classic; trade paperback edition; original 1926 cover art paperback; vintage cover classic book; classic books for collectors; giftable classic paperback; historical literary fiction; novels about obsession ambition and illusion; American literary masterpiece; enduring classic fiction paperback; centennial classic paperback edition; Clydesdale Classics paperback; classic literature reprint; collectible paperback classic; Jazz Age fiction novel; New York society novel; books studied in school literature; classic fiction fo</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The Great American Novelwith the original classic cover art from 1926.</b></p><p><b>'Leaves the reader in a mood of chastened wonder...A revelation of life...A work of art.'  </b><b><i>Los Angeles Times</i></b></p><p>Set in during the Roaring Twenties, this masterfulstory by F. Scott Fitzgerald is told through the eyes ofNick Carraway, a young man who moves to Long Island andattemptsto learn the bond business in New York City after the war. There,he co-mingles on Long Islandwith his affluent and wealthy socialitecousin Daisy Buchanan,her brute of a husband Tom, and friend Jordan Baker.</p><p>Nick's new residencesits across the bay from Daisy and Tom's house, and right next to a mysterious mansion. He begins to hearrumours of an infamous man named Gatsby who resides there. Eventually, when Gatsbylearns of Nick's ties to Daisy, he extends Nick an invitation to one of his lavishparties. Gatsby's plan to courtDaisy, in an attempt to revive a previous love affair,eventually bubbles to the surface and tragedy ensues.</p><p>Dubbed the Great American Novel more than any other piece of literature to date, <i>The Great Gatsby</i> is sure to captivate readers with it's exquisitely crafted prose and poignant message about trying to relivethe past.</p><p>Packaged in handsome and affordable trade editions, Clydesdale Classics is series of essential literary works. From the musings of literary geniuses such as Mark Twain in <i>The Adventures of Huckleberry Finn</i>, to the striking personal narratives from Harriet Jacobs in <i>Incidents in the Life of a Slave Girl</i>, this new series is a comprehensive collection of our literary history through the words of the exceptional few.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>F. Scott Fitzgerald</b>is often referred to as one of the single-most important authors in modern history. His "Lost Generation" contemporaries included the likes Ernest Hemingway, Gertrude Stein, and other literary giants. At the age of 24, he published <i>This Side of Paradise</i>, which catapulted him to fame. A week later, he married Zelda Sayre, the love of his life, with whom he would spend the remainder of his days in an often-tumultuous but legendary romance. Throughout his career, he penned hundreds of short stories as well as classic books like <i>Tender is the Night</i>, <i>The Beautiful and the Damned</i>, and the widely successful <i>Great Gatsby</i>. He died at the age of 44 from a heart attack, after losing a long-term battle with alcoholism.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Miles Franklin Literary Award 2025**</b></p><p>Abraham Quin is in his mid-seventies, a migrant, thrice-divorced, a one-time postman and professor, a writer now living alone in the Adelaide Hills. In <i>The Chinese Postman</i> he reflects on his life with what he calls 'the mannered and meditative inaction of age', offering up memories and anxieties, obsessions and opinions, his thoughts on solitude, writing, friendship and time. He ranges widely, with curiosity and feeling, digressing and changing direction as suits his experience, and his role as a collector of fragments and a surveyor of ruins. He becomes increasingly engaged in an epistolary correspondence with Iryna Zarebina, a woman seeking refuge from the war in Ukraine. As the correspondence opens him to others, the elaboration of his memories tempers his melancholy with a playful enjoyment in the richness of language, and a renewed appreciation of the small events in nature. This understanding of the experience of old age is something new and important in our literature. As Quin comments, 'In Australia, the old made way for the young. It guaranteed a juvenile legacy.'</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Brian Castro</b> was born in Hong Kong of Portuguese, Chinese and English parentage. He is the author of ten novels, including <i>Birds Of Passage</i> (1983), <i>Double-Wolf</i> (1991), <i>After China</i> (1992), <i>Stepper</i> (1997), <i>Shanghai Dancing</i> (2003), and <i>The Garden Book</i> (2006). Together these novels won <i>The Age</i> Book of the Year Award, the Victorian Premier's Award (three times), the National Book Council Award, the NSW Premier's Award and the Queensland Premier's Literary Award. Castro's novel in thirty-four cantos, <i>Blindness and</i> Rage, won the Prime Minister's Prize for Poetry in 2018. He is also the author of a collection of essays, <i>Looking for Estrellita</i>, and the novella <i>Street to Street</i>, based on the life of the poet Christopher Brennan. In 2014 Castro received the Patrick White Award in recognition of his significant contribution to Australian literature.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A moving testament to the displacement and dispossession of the Palestinian people.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Mary Gilmore Award 2025**</b></p><p><b>**Winner, NSW Literary Awards 2025, Kenneth Slessor Prize for Poetry**</b></p><p><b>**Shortlisted, Prime Minister's Literary Awards 2025, Poetry**</b></p><p><b>**Shortlisted, NSW Literary Awards 2025, Glenda Adams Award for New Writing**</b></p><p><b>**Shortlisted, Victorian Premier's Literary Awards 2025, Poetry**</b></p><p><b>A moving testament to the displacement and dispossession of the Palestinian people.</b></p><p><i>rock flight</i> is a book-length poem that, over five chapters, follows a personal and historical narrative, to compose an understated yet powerful allegory of Palestine's occupation. The poem uses refrains of suffocation, rubble, and migratory bird patterns to address the realities of forced displacement, economic restrictions and surveillance technology that Palestinians face both within and outside Palestine. It depicts a restlessness brought about by dispossession, and a determination to find significance in fleeting objects and fragments. It looks to the literary form as an interactive experience, and the book as an object in flux, inviting the reader to embark on an exploration of space, while limited by the box-like confines of the page. Formally claustrophobic, the poem morphs into irony, declaring everything a box while refusing to exist within one.</p><p><b>'Here is a poetry of passion; a poetry of necessity; a poetry of survival, and a poetry-triumphant.'  Maxine Beneba Clarke</b></p><p><b>'</b><b><i>rock flight</i></b><b> is a work of timelessness, rigour, precision, relationality and guts  just like its poet. A must-read for all of us who yearn and stretch and reach for a world beyond colonies, and an even more urgent read for those who don't.'  Alison Whittaker</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Hasib Hourani</b> is a Lebanese-Palestinian writer, editor, arts worker and educator living in Warrane-Sydney. His work has been published in <i>Meanjin</i>, <i>Overland</i>, <i>Australian Poetry</i> and <i>Cordite</i>, among others. He is a 2020 recipient of The Wheeler Centre's Next Chapter Scheme and his 2021 essay, 'when we blink' was shortlisted for The LIMINAL &amp; Pantera Press Nonfiction prize and published in their 2022 anthology, <i>Against Disappearance</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Miguel de Cervantes's 17th-century masterpiece <i>Don Quixote</i> remains a pillar of world literature, often celebrated as the greatest novel ever written.</p><p>In <i>Dreaming Out Loud</i>, award-winning writer Lydie Salvayre pens a series of letters to Cervantes  both satirical and sincere  interrogating his intentions and reflecting on our modern world. Using the enduring figure of Don Quixote as a lens, Salvayre explores how we can resist forces that threaten our humanity. By bridging art and life, the absurd and the profound, she reveals what is truly timeless and inevitable.</p><p>Written with wit, passion, and the energy of a devoted reader, <i>Dreaming Out Loud</i> captures the indomitable human spirit.</p><p><b>'A magnificent defence of literature, this remarkable book is also a joyful antidote to the disillusionment of our times.'  </b><b><i>Les Inrockuptibles</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Born in Autainville, France, in 1946,<b> Lydie Salvayre</b> has written over twelve novels, among which <i>La Compagnie des spectres</i> (Prix Novembre), <i>BW</i> and <i>Pas pleurer</i>, which received the Prix Goncourt in 2014. Her books have been translated in over twenty languages.</p><p><b>Alison L. Strayer</b> is a Canadian writer and translator. She won the Warwick Prize for Women in Translation, shared with Nobel Prize winner Annie Ernaux, and the French-American Prize for Translation (both for<i> The Years</i>). Her novel <i>Jardin et prairie</i>, written in French, was shortlisted for the Governor General's Award for Literature, the Grand Prix du livre de Montreal, and longlisted for the Prix litteraire France-Quebec. Her work has also been longlisted for the Albertine Prize (Abdellah Taa, <i>Infidels</i>), the Warwick Prize (Annie Ernaux, <i>A Girl's Story</i>) and shortlisted for the Governor General's Award for Translation (Mavis Gallant, <i>Rencontres fortuites</i>, a co-translation), as well as the Man Booker International Translation Prize (<i>The Years</i>), an honour shared with the author. She lives in Paris.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In <i>Schoolgirl</i>, a wealthy housewife, dogged by ennui, struggles to connect with her teenage daughter, who turns to YouTube to vent her frustration with the climate crisis and muse about her day-to-day life in Tky. Through the fog of generational tension and unresolved ethics, mother and daughter find a shared connection in Osamu Dazai's 1939 novella <i>Schoolgirl</i>.</p><p>In <i>Bad Music</i>, a music teacher named Sonata, the daughter of a famous composer, contemplates the path she has taken. Through correspondence with her roommate Sae, a painter, she discovers art's capacity to exceed the boundaries of acceptable behaviour  or perhaps, to stay within them. As she plots something perverse enough to risk her job, Sonata considers how truth is lost  or found  through performance.</p><p>Darkly funny and stunningly mysterious, these two novellas pinpoint the effects of technology, conflicting desires, and the shifts and rifts in relationships. Rie Qudan, winner of one of Japan's most prestigious literary awards, the Akutagawa Prize, explores the affectation and compromise required of us all, providing a disquieting view of the many faces of modern life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Yka Ishii's debut novel <i>The Mud of a Century</i> was a major literary success in Japan where it won the prestigious Akutagawa Prize.</p><p>Several days after a once-in-a-century flood moves through the Indian city of Chennai, choking the Adyar River with the titular mud, a Japanese woman contracted to an IT company as a language instructor finds herself caught up in a deluge of flashbacks and memories, reflecting on unspoken words and unlived lives and contemplating the muddy chaos of her own karma.</p><p>Told in a magic realist stream-of-consciousness style evocative of the subtle, wry sense of humour found in the traditional Japanese narrative art of <i>rakugo</i>, <i>The Mud of a Century</i> explores the interrelated bonds between self and other, Japan and India, past and present, fact and fantasy, and material and spirit.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Yka Ishii</b> was born in Hirakata in the prefecture of Osaka in Japan and graduated from Waseda University in Tokyo. Ishii worked in a variety of jobs - pastry chef, department store salesperson and snack hostess - while writing stories.</p><p>In 2014 Ishii moved to Chennai, India, where her husband worked as a Sanskrit language researcher, and started working as a Japanese language teacher. She made her literary debut at age 54 with her novel <i>Hyakunen doro</i> (<i>The Mud of a Century</i>), based on her experiences in Chennai during the 2015 South Indian floods. The book won the 49th Shincho Prize for New Writers and the prestigious Akutagawa Prize.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>  </p><p>Four women speak. They speak to the same man. He is the son of the first, the great-yet-impossible love of the second, the platonic companion of the third, the older brother of the last. Speaking to him in his absence, it is to themselves that these women turn, examining their own stories to make sense of their journey, from twilight to twilight, through a mysterious stormy night in the middle of the dry season.</p><p>These voices perform a powerful and sometimes discordant jazz-inspired chorus about issues such as the intrusion of history into the intimate lives of people, the experience of people of African descent, femininity, sexuality, and self-love. Blackness confronts African-ness, love is sometimes discovered in the arms of another woman, the African renaissance tries to establish itself on the rubble of a self-esteem damaged by history.</p><p>Each of these women, with her own language and rhythm, ultimately represents a specific aspect of the tormented history of the people of African descent in today's world, and at the end of the night they will each arrive at a dawn of hope and completeness.</p><p>From the author of the critically acclaimed <i>Season of the Shadow</i> comes <i>Twilight of Torment: Melancholy</i>, the first of a two-volume novel of unparalleled power and sensuality.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In 1970s Switzerland, high up in the Valais mountains, is a village where everyone knows everything, and no one says anything.</p><p>Jeanne learns from an early age to dodge her father&amp;#x27;s abuse, but her mother and sister resign themselves to his brutality. One day when she is eight he attacks her viciously, angered by her self-assurance. Convinced that the village doctor will put an end to their nightmare, she is shocked by his silence.</p><p>From then on, Jeanne&amp;#x27;s hatred of her father and her disgust at the doctor&amp;#x27;s cowardice drive her on. At boarding school she experiences five years of respite, but is then triggered by an unbearable replica of the violence that started it all. Moving to Lausanne, unable to come to terms with her past and to engage fully with life, she nevertheless finds solace in the arms of lovers and in the waters of Lake Geneva, while further tragedy fuels her rage.</p><p><i>My Favourite</i> is a powerful novel about departure and return, of love, guilt and shame, and the paralysing effects of trauma. Sarah Jollien-Fardel forcefully describes the price to be paid for Jeanne&amp;#x27;s hard-won emancipation, as history inexorably repeats itself.</p><p><b>'This book is a remarkable debut.'  </b><b><i>LE MONDE DES LIVRES</i></b></p><p><b>'</b><b><i>My Favourite</i></b><b> is exceptional, moving and fierce, proud of its often elliptical style, reflecting its title.'  </b><b><i>LIBRATION</i></b></p><p><b>'Sarah Jollien-Fardel demonstrates her mastery and composure during the implacable outcome of events and human behaviour.'  L'EXPRESS</b></p><p><b>'A poignant story, narrated with finesse and boldness.'  Nataliya Deleva, author of </b><b><i>Arrival</i></b><b> and </b><b><i>Four Minutes</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sarah Jollien-Fardel</b> was born in 1971, she grew up in a village in the Herens district of Valais (Switzerland). She lived in Lausanne for several years before moving back to her home canton with her husband and two sons. She became a journalist while in her thirties, and has written for numerous local and national newspapers. The places she knows and loves are the focal points of her debut novel,<i> Sa Preferee.</i></p><p><b>Holly James</b> is a British literary translator based in Paris.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Set against a pseudo-medieval post-apocalyptic backdrop reminiscent of Cormac McCarthy, Angela Carter and Missouri Williams, this bestselling novel shines with the inner radiance of good deed in a naughty world that will leave you haunted, horrified, and completely riveted.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Can an eleven-year-old boy succeed where others have failed? Can he recover a kidnapped child, disprove a false accusation of assault or win a sleep-deprivation competition that has driven others mad with tragic consequences?</p><p>He can, if he is accompanied by a black rooster, his protector and friend. And if he is Martin, orphaned after a massacre, full of wisdom, courage and a pure heart. Too good for the selfish and idiotic villagers around him, his integrity entrances an itinerant painter with whom he departs on a quest. His heroic adventures through a morally abhorrent landscape, physically ravaged by war and famine, keep the reader cheering for him and his companion as this fairy tale for adults unfolds.</p><p>Set against a pseudo-medieval post-apocalyptic backdrop reminiscent of Cormac McCarthy, Angela Carter and Missouri Williams, this bestselling novel shines with the inner radiance of good deed in a naughty world that will leave you haunted, horrified, and completely riveted.</p><p><b>'This novel is a danse macabre, a memento mori, a vision of good and evil pared down to the bones. </b><b><i>Boy with a Black Rooster </i></b><b>beckons the reader into a nightmare landscape of war, famine, plague and madness, and Stefanie vor Schulte's storytelling verve is such that we make the journey gladly.'  Sam Thompson, author of </b><b><i>Communion Town</i></b><b>, Longlisted for the Man Booker Prize 2012</b></p><p><b>'Wow, what a book! Fabular but true, this meticulously crafted and deceptively simple tale stole my heart, broke it, and put it back together again. Vor Schulte is unflinching in her depiction of the worst of humankind, its cruelty and violence, but she also shows how love and kindness can flourish in even the darkest times. A beautiful, heart-rending book.' Victoria MacKenzie, author of </b><b><i>For Thy Great Pain Have Mercy On My Little Pain</i></b></p><p><b>'This appears light as a feather, yet elaborately crafted all the same.' </b> <b>Rose-Maria Gropp</b></p><p><b>'It feels like an old story, one of those that stays with you forever, but every part of it is surprising and wonderful. I want to go straight back and read it all again.'  Sin Hughes, author of</b><b><i> Pearl</i></b></p><p><b>'A debut that is both admirable and truly unique.'  Jean-Baptiste Hamelin, Page des Libraires</b></p><p><b>'Halfway between macabre tale and surrealist epic.'  Camille Thomine,</b><b><i> Lire</i></b><b> magazine litteraire</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Stefanie vor Schulte</b>, born in Hanover in 1974, studied stage and costume design. She lives in Marburg with her husband and four children. Her first novel <i>Junge mit schwarz Hahn</i> was awarded the Mara Cassens Prize for the best German-language debut in 2021.</p><p><b>Alexandra Roesch</b> studied languages and business and worked in banking before becoming a literary translator. In 2018, she was long-listed for the Goethe Institute's Helen &amp; Kurt Wolff Prize. Previously translated authors include Hans Fallada, Seraina Kobler and Merle Krger.</p>]]></Text>
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			<SubjectHeadingText>Juli Zeh; a nearly normal family; Big Little Lies; Ashley Audrain; rachel hawkins; the push; Go, went, gone; Tarryn Fisher; the wrong family; Jenny Erpenbeck; Empty Hearts; Liane Moriarty; Reconstructing Amelia; the wife upstairs; childhood trauma; domestic thriller</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b> 2022 PEN Translation Award FINALIST</b></p><p><b>In this masterful novel, author Juli Zeh skillfully shifts away from the conventional tale of a middle-aged, middle-class father out for a New Year's Day bike ride to an unexpectedly dark, psychological family drama.</b></p><p>Lanzarote on New Year's Day: Henning is cycling up the steep path to Femes. As he struggles against the wind and the gradient he takes stock of his life. He has a job, a wife, two children-yet hardly recognizes himself anymore. Panic attacks have been pouncing on him like demons. When he finally reaches the pass in utter exhaustion, a mysterious coincidence unveils a repressed yet vivid memory, plunging him back into childhood and the traumatic event that almost cost him and his sister their lives. In this masterful novel, bestselling author Juli Zeh skillfully turns a New Year's Day bike ride into an unexpectedly dark, psychological family drama.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Juli Zeh</b> is one of Germany's most successful authors of both literary thrillers and novels. She studied law in Passau and Leipzig, and holds a doctorate in international law. She has worked at the United Nations in New York, taught at the German Institute for Literature in Leipzig, and currently lives in Brandenburg, where she is an honorary constitutional judge. Her debut novel <i>Eagles and Angels</i> was an international bestseller and was awarded the Deutscher Bcherpreis, and since then her books have been translated into 35 languages. She has been awarded myriad prizes for her work, including the Carl Amery Literature Prize, the Thomas Mann Prize, and the Order of Merit.</p><p><b>Alta L. Price</b> runs a publishing consultancy specialized in literature and nonfiction texts on art, architecture, design, and culture. A recipient of the Gutekunst Prize, she translates from Italian and German into English. Her work has appeared on <i>BBC Radio 4, 3 Quarks Daily, Words Without Borders</i>, and elsewhere. Her latest publications include books by Martin Mosebach, Dana Grigorcea, Anna Goldenberg, and Alexander Kluge.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The story of a love triangle played out through mutual manipulation.</b></p><p>Giorgia was a talented actress before she abandoned her stage career and fell in love with Filippo. She settles into a life of quiet compromise - until one day she bumps into her old theater director, Mauro, who fans the acting flame back to life. But setting a restless soul on fire can be dangerous if she loses sight of the boundary between reality and fiction - and Giorgia collapses, ending up in a clinic. Filippo and Mauro find themselves both accomplices and adversaries, seduced by a dangerous game to heal and win back Giorgia: by writing the script for her perfect life. In this dazzling debut, Petrucci explores the ambiguous borders between love, possession, and control in clear, magnetic prose.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>CLAUDIA PETRUCCI</b> studied Modern Letters in Milan before moving to Perth, Australia. Her reportages and short stories-which range from realistic to experimental to science fiction-have been published on <i>Cadillac, minima&amp;moralia,</i> and elsewhere. <i>The Performance</i> is her debut novel. It was shortlisted for the John Fante Award and won the prestigious Premio Flaiano Giovani, for writers under 30. It was also book of the day on Fahrenheit, an Italian radio program, and has so far been translated into German and French.</p><p><b>ANNE MILANO APPEL</b>, based in California, has translated works by a number of leading Italian authors for a variety of publishers in the US and UK. Her most recent translations include works by the award-winning Antonio Scurati and Paolo Maurensig. Her awards include the Italian Prose in Translation Award, the John Florio Prize for Italian Translation, and the Northern California Book Award for Translation. Her website is: amilanoappel.com.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>If you believe in legends ...</i></p><p>This non-fiction picture book brings to life the fascinating but little-known story of Jessie Hickman (18901936), Australia's so-called 'Lady Bushranger'.</p><p>A women who lived outside the norms of her time, Jessie was a brave and formidable woman, with a life full of adventure, action and danger. At the age of 8, she joined a travelling bush circus, learning to perform as a whip cracker, sharpshooter and rough rider. She would perform dangerous feats, like tightrope walking or handstands on bare-backed ponies. When the circus closed, became an outlaw and cattle rustler, famous for her daring escapes.</p><p>The endmatter includes information on travelling circuses in Australia, bushrangers and buckjumping, as well as a timeline of Jessie's life and accomplishments accompanied by historic images.</p><p>This lavishly illustrated picture book immerses the reader in the wilderness of what is now the Wollemi National Park as Jessie's life unfolds with every turn of the page.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 3 to 6</b></p><p>Christmas in the Australian bush is Puggle's favourite time of year. All the animals return to decorate the oldest tree, and to prepare for the big day. Every year, Puggle tries to help. But even though Puggle tries hardest, none of the special Christmas jobs seem to suit him.</p><p>In despair, Puggle waddles off to his special place where he makes a Christmas wish on the first shooting star...but is it actually a shooting star? And what is stuck in the billabong?</p><p>Can Puggle save Christmas and make his Christmas wish come true?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From the bestselling, Batchelder Award-winning author and translator of</b> <b><i>Temple Alley Summer</i></b> <b>and</b> <b><i>The House of the Lost on the Cape</i></b> <b>comes the fantastic adventure that first inspired Hayao Miyazaki's beloved film,</b> <b><i>Spirited Away.</i></b></p><p>Lina's father had suggested she go 'someplace different' for the summer, and she's beginning to wish she hadn't listened. She could be at her grandma's house in Nagano now, instead of trudging through a forest in search of a town that might not even exist. But when a gust of wind carries off her umbrella, it leads Lina down a secret path between the trees to a strange and incredible world. In the hidden village of Misty Valley, centaurs roam the cobblestone streets and gnomes visit shops stuffed with spellbooks and enchanted desserts. All magic has a dark side, though, and sometimes even sorcerers need a human's helping hand.</p><p>Now, fifty years after its debut and decades of blockbuster success in Japan, Sachiko Kashiwaba's acclaimed novel is available in English and certain to delight readers of all ages.</p><p><b>'Kashiwaba's novel is indeed transporting...Pick up this book and be spirited away.'  Gregory Maguire,</b> <b><i>The New York Times</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sachiko Kashiwaba</b> is a prolific writer of children's and young adult fantasy whose career spans more than four decades. Her works have garnered the prestigious Sankei, Shogakukan, and Noma children's literature awards, and her novel The Village Beyond the Mist inspired Hayao Miyazaki's film Spirited Away. Her works have recently been animated as the films The Wonderland and The House of the Lost on the Cape, and her novel Temple Alley Summer, illustrated by Miho Satake and translated by Avery Fischer Udagawa, won the American Library Association's 2022 Mildred L. Batchelder Award. She lives in Morioka, Iwate.</p><p><b>Avery Fischer Udagawa</b> grew up in Kansas and studied English and Asian Studies at St. Olaf College in Minnesota. She holds an MA in advanced Japanese studies from the University of Sheffield. She has studied at Nanzan University, Nagoya, on a Fulbright fellowship, and at the Inter-University Center for Japanese Language Studies, Yokohama. She writes, translates and works in international education near Bangkok, where she lives with her bicultural family.</p><p><b>Miho Satake</b> is a Japanese artist and illustrator. She is best known for illustrating the Japanese editions of several classic children's books including <i>Howl's Moving Castle</i> by Diana Wynne Jones, three books in the<i> Kiki's Delivery Service</i> series by Eiko Kadono, and the twentieth-anniversary edition of the Harry Potter series. In addition to illustrating classic children's literature, her work spans a wide range of genres, including fantasy and realism.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A 2024 Mildred L. Batchelder Award Honoree</p><p>A 2024 USBBY Outstanding International Book</p><p>One of Kirkus Reviews' 10 Essential Middle-Grade Books for Fall 2023 - Starred Review</p><p>One of Kirkus Reviews' Best Middle-Grade Family Stories of 2023</p><p>A 2023 Cybils Awards Finalist for Speculative Middle Grade Fiction</p><p>From the author and translator of the Batchelder Award-winning novel Temple Alley Summer comes the moving story of three generations of women adapting to their new home, and its mythical inhabitants, in the tragic aftermath of the 2011 Thoku earthquake disaster.</p><p>In the wake of a devastating earthquake and tsunami, Yui, fleeing her violent husband, and Hiyori, a young orphan, are taken in by a strange but kind old lady named Kiwa in the small town of Kitsunezaki. The newly formed family finds refuge in a mayoiga, a lost house, perched atop a beautiful cape overlooking the sea. While helping to rebuild Kitsunezaki, the three adapt to their new lives and supernatural new home, slowly healing from their troubled pasts. Kiwa regales Yui and Hiyori with local legends-from the shapeshifting fox-woman who used to roam the mountains, to the demon Agame and a sea snake who once terrorized the townspeople, preying upon their grief and fears until they trapped the snake and the demon's claws in an underwater cave.</p><p>But when mysterious and sinister events start happening around town, the three fear the worst. Did the earthquake release Agame and the sea snake into the world again? Kiwa, Yui, and Hiyori join forces with a merry band of kappa river spirits, a bold zashiki warashi house spirit, and flying Jiz guardian statues to save their new family and home and banish Agame and the snake once and for all. Now a hit anime film, The House of the Lost on the Cape is a heartwarming tale about the strength of family and friendship in the face of natural and mythical forces.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Sachiko Kashiwaba is a prolific writer of children's and young adult fantasy whose career spans more than four decades. Her works have garnered the prestigious Sankei, Shogakukan, and Noma children's literature awards, and her novel The Marvelous Village Veiled in Mist influenced Hayao Miyazaki's film Spirited Away. Her works have recently been animated as the films The Wonderland and The House of the Lost on the Cape. Her novel Temple Alley Summer, illustrated by Miho Satake and translated by Avery Fischer Udagawa, won the American Library Association's 2022 Mildred L. Batchelder Award, was a July/August 2021 Kids' Indie Next Pick, and a Junior Library Guild Gold Standard Selection. She lives in Morioka, Iwate.</p><p>Yukiko Saito is a graphic designer and illustrator originally from Aomori, Japan. She studied textile arts in the fine arts and crafts teacher training program within the Faculty of Education, Iwate University. She lives in Iwate Prefecture.</p><p>Avery Fischer Udagawa grew up in Kansas and studied English and Asian Studies at St. Olaf College in Minnesota. She holds an MA in advanced Japanese studies from the University of Sheffield. She has studied at Nanzan University, Nagoya, on a Fulbright fellowship, and at the Inter-University Center for Japanese Language Studies, Yokohama. She writes, translates and works in international education near Bangkok, where she lives with her bicultural family.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>From renowned Japanese children's author Sachiko Kashiwaba, <i>Temple Alley Summer</i> is a fantastical and mysterious adventure filled with the living dead, a magical pearl, and a suspiciously nosy black cat named Kiriko featuring beautiful illustrations from Miho Satake.</p><p>Kazu knows something odd is going on when he sees a girl in a white kimono sneak out of his house in the middle of the night  was he dreaming? Did he see a ghost? Things get even stranger when he shows up to school the next day to see the very same figure sitting in his classroom. No one else thinks it's weird, and, even though Kazu doesn't remember ever seeing her before, they all seem convinced that the ghost-girl Akari has been their friend for years!</p><p>When Kazu's summer project to learn about Kimyo Temple draws the meddling attention of his mysterious neighbour Ms. Minakami and his secretive new classmate Akari, Kazu soon learns that not everything is as it seems in his hometown. Kazu discovers that Kimyo Temple is linked to a long forgotten legend about bringing the dead to life, which could explain Akari's sudden appearance  is she a zombie or a ghost? Kazu and Akari join forces to find and protect the source of the temple&amp;#x27;s power. An unfinished story in a magazine from Akari's youth might just hold the key to keeping Akari in the world of the living, and it's up to them to find the story's ending and solve the mystery as the adults around them conspire to stop them from finding the truth.</p><p><b>&amp;#x27;This imaginative tale, enchantingly written and charmingly illustrated by veteran Japanese creators for young people, has a timeless feel. Its captivating blend of humor and mystery is undergirded with real substance that will provoke deeper contemplation. Udagawa's translation naturally and seamlessly renders the text completely accessible to non-Japanese readers. An instant classic filled with supernatural intrigue and real-world friendship.&amp;#x27;  </b><b><i>Kirkus Reviews</i></b><b>, Starred Review</b></p><p><b>&amp;#x27;This charming story is both a layered, profound reflection on living life with purpose and a funny, suspenseful book with all the hallmarks of classic middle-grade literature.&amp;#x27;  Lauren Simeon,</b> <b><i>Kirkus Reviews</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The life cycle of cicadas told beautifully through an exciting story set in the Australian bush.</p><p>On a hot summer's day, deep in the Australian bush, two cicada nymphs hatch and embark on an adventure of survival, friendship, and resilience. After burrowing underground to escape a hungry wasp, the pair reemerge after seven years to find that more danger awaits. Can the two friends overcome the challenges they face, through the power of loyalty and support, and finally find a safe place to call home? This is a journey filled with suspense, heart-warming adventure, and beautifully designed illustrations that also teaches children the life cycle of this wonderous insect.</p>]]></Text>
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			<SubjectHeadingText>Historical fiction; middle grade; Indonesia; Kartini Day; feminism; colonialism; nineteenth century; 1890s; 19th century; rights; Javanese nobles; Dutch; Dutch East Indies; seclusion; Amsterdam; Women's education; letters; social justice; women's rights</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p></p><p><b>Age range 5 to 8</b></p><p>Two wombats, two wallabies, a koala, and a tiger snake humorously squeeze into one burrow-and reveal important truths about environmental disasters and the importance of welcoming refugees.</p><p>When afire sweeps through the Australian bush, wombats Dig and Scratch are glad to have a cool, damp burrow to keep them safe. But Dig notices that other animals are not so lucky. When Dig invites a wallaby mother and her joey to shelter with them, Scratch grumbles. When Dig beckons to a koala, Scratch complains. And when Dig welcomes in a tiger snake, Scratch is fit to be tied - but Dig is sure there's always room for more. And when the rains come to douse the fire and bring a new threat of flooding, a crowd of creatures may turn out to be just what the wombats need.</p><p>Inspired y stories of animals sheltering in wombat burrows when her homeland ofAustralia experienced devastating fires, award-winning author Michelle Kadarusman gets young readers up close and personal with Australian wildlife.Illustrator Maggie Zeng brings the creatures to life with a generous dose of personality as they squeeze together in the burrow and work together above ground. Extensive back matter includes information about wildfires, a glossary of animals, and age-appropriate context about environmental disasters and the work that is being done - including a renewal of Indigenous land practices - to prevent them.</p><p><b>&amp;#x27;A sweet and simple cautionary tale, with a tip of the cap to the spirit of altruism.&amp;#x27; -</b><b><i> Kirkus Reviews</i></b></p><p><b>&amp;#x27;The messaging around welcoming refugees is subtle but also important... With adorable characters, important themes, and lovely illustrations, this is a cute picture book that children will enjoy.&amp;#x27; - YA Books Central</b></p><p><b>&amp;#x27;</b><b><i>Room for More</i></b><b> can supplement a unit about inclusiveness and friendship and is a good read-aloud. Recommended&amp;#x27; - </b><b><i>CM Magazine</i></b></p><p><b>"Room for More is a nice picture book about kindness and helping others and it introduces young (and old) readers to some of the fascinating animals who live in Australia.&amp;#x27; - </b><b><i>Simcoe.com</i></b></p><p><b>&amp;#x27;In her dedication, Kadarusman thanks those &amp;#x27;who open their hearts, homes, and borders to those in need,&amp;#x27;which is a pretty powerful statement...The book is super cute  both the story and the illustrations  and I love how, in the end, Scratch feels good about helping others in needs.&amp;#x27; -</b><b><i> Book Time</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michelle Kadarusman</b> is a multi-award-winning author of middle-grade novels, including <i>Music for Tigers, The Theory of Hummingbirds</i>, and the Governor General&amp;#x27;s Award finalist <i>Girl of the Southern Sea</i>. Born in Melbourne, Australia, Michelle has also lived in Indonesia and Canada; today she splits her time between Toronto, Canada, and Byron Bay, Australia. <i>Room For More,</i> Michelle&amp;#x27;s first picture book, was inspired by Australian wildlife sheltering in wombat burrows during the devastating Australian bushfires of 2019-2020.</p><p><b>Maggie Zeng</b> is a children&amp;#x27;s book illustrator, graphic designer, concept artist, and animator. Born in Montreal, she attends Concordia University and previously received the Outstanding Achievement Award in Applied Arts Technologies at Dawson College. Maggie loves making story-driven illustrations that convey a feeling of adventure and wonder through fun characters and magical environments. Her first picture book is <i>This is the Boat That Ben Built</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Shipped halfway around the world to spend the summer with her mum's eccentric Australian relatives, middle schooler and passionate violinist Louisa is prepared to be resentful.</p><p>But life at the family's remote camp in the Tasmanian rainforest is intriguing, to say the least. There are pig-footed bandicoots, scary spiders, weird noises and odours in the night, and a quirky boy named Colin who cooks the most amazing meals. Not the least strange is her Uncle Ruff, with his unusual pet and veiled hints about something named Convict Rock.</p><p>Finally, Louisa learns the truth: Convict Rock is a sanctuary established by her great-grandmother Eleanor  a sanctuary for Tasmanian tigers, Australia's huge marsupials that were famously hunted into extinction almost a hundred years ago. Or so the world believes. Hidden in the rainforest at Convict Rock, one tiger remains. But now the sanctuary is threatened by a mining operation, and the last Tasmanian tiger must be lured deeper into the forest. The problem is, not since her great-grandmother has a member of the family been able to earn the shy tigers' trust.</p><p>As the summer progresses, Louisa forges unexpected connections with Colin, with the forest, and  through Eleanor's journal  with her great-grandmother. She begins to suspect the key to saving the tiger is her very own music. But will her plan work? Or will the enigmatic Tasmanian tiger disappear once again, this time forever?</p><p>A moving coming-of-age story wrapped up in the moss, leaves, and blue gums of the Tasmanian rainforest where, hidden under giant ferns, crouches its most beloved, and lost, creature.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michelle Kadarusman</b> grew up in Melbourne, Australia, and has also lived in Indonesia and Canada. Her 2019 middle-grade novel <i>Girl of the Southern Sea </i>was a finalist for the Governor General&amp;#x27;s Literary Award and a Junior Library Guild selection. Her previous novel The Theory of Hummingbirds was a finalist for the Forest of Reading Silver Birch Award, the MYRCA Sundogs Award, and the SYRCA Diamond Willow Award. Michelle lives in Toronto, Canada, and is looking forward to soon spending more time in Australia.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Flip </i>is a contemporary Australian young adult drama that explores big issues with soul and sensitivity. Its high-low content and feel good finale make it a perfect read for both lovers of the genre and non-confident readers.</p><p>Issues and themes flowing through <i>Flip </i>are timely and relevant, including the current housing crisis, bullying, loss and grief, finding yourself and a sense of belonging, friendship and family dynamics, starting over in a new town and school, and the impacts of cancer and dementia.</p><p>Denim Davies wishes he could flip his life, just like the vintage items and clothing he finds at garage sales and thrift stores and sells online. With the worsening housing crisis, Denim and his dad have spent a year moving from town to town in search of sustainable work and a home they can call their own. Every move means starting over in a new school. Denim feels he's drifting through life without an anchor.</p><p>When Denim and his dad arrive in the coastal town of Driftwood Heights, Denim knows things are only going to get worse. The only accommodation is in the caravan park, he's just started Year 10, and in this small town where everyone knows each other, he feels more of a misfit than ever. Besides, what's the point of getting close to anyone if you're just going to move away again?</p><p>When Denim befriends Mina, a quirky girl with a carefree attitude, Driftwood Heights starts to look a little brighter. But then a vintage find that seems too good to be true goes horribly wrong, and he has a tough decision to make  one that could ruin his friendship forever. What do you do when flipping your life has too high a price?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Unlock Science Through Silliness!</b></p><p>This fun and fully illustrated non-fiction book tackles poops and farts, yes you read that correctly! <i>Poops and Farts</i> teaches kids about digestion, the history of toilets and toilet paper, how to poop outdoors or in space, and so much more in an engaging, comic-book style. It's a fantastic way to encourage open conversations and make learning fun even for the most reluctant of readers. Fuel their curiousity for science  order now!</p><ul><li>Combines humour and education for maximum engagement</li><li>Explores fascinating topics like medieval toilets and unusual animal behaviours</li><li>Helps kids understand their bodies in a fun and accessible way</li><li>Great for sparking curiosity about science and the natural world</li><li>A fun conversation starter for families</li><li>Bonus  this exciting book also includes 12 additional fun facts about poops and farts for even more fun!</li></ul><p>For over 75 years, Albatros Media has been crafting original and innovative children's books that are both playful and educational, fostering curiousity and a thirst for knowledge in young minds. We deliver the highest quality children's books from novelty, picture, pop-up, and how-to books, to non-fiction, and fairy tale books.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A magical treasury of beloved tales capturing the rich diversity of the Arabic-speaking world!</b></p><p><i>Ali Baba and the Forty Thieves. The Arabian Nights</i>. Mischievous jinnis, cunning caliphs and talking animals populate a wondrous, minaret-filled world.</p><p>Nine traditional folk tales from a variety of Middle Eastern and North African traditions are brought to life by author Jehanne Moharram and the delightful illustrations of artist Chaymaa Sobhy. These include:</p><ul><li><b>Morgana Saves the Day</b> (Syria): Ali Baba's niece outsmarts the forty thieves, proving along the way that loyalty and bravery can pay richer rewards than jealousy and greed</li><li><b>The Little Red Fish and the Golden Slipper</b> (Iraq): Kindness is the key message in this Cinderella tale  where a fish's friendship outlasts and overpowers a stepmother's wicked ways</li><li><b>Goha and the Price of Steam</b> (Egypt): A wise fool offers valuable lessons on humility, perseverance and how to prepare the perfect meal.</li><li><b>The Fisherman and the Jinni</b> (Yemen): A jinni teaches an angler the importance of clear thinking</li><li><b>And many more!</b></li></ul><p>These stories have been passed down for generations in innumerable versions and retellings. The fables and tales in <i>Children's Favorite Arabic Stories</i> reflect the rich cultural fabric of the Arabic-speaking world which stretches across a vast region from Morocco to Egypt, Lebanon and Jordan to Saudi Arabia and the Emirates  all of which provide the vibrant backdrops to these tales.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>They call it </b><b><i>Tsimmaon</i></b><b>. Thirsty Ground.</b></p><p>It's been thirteen decades since Tsimmaon left the Arid Planet in search of water, carrying only 1 percent of the human race in a bid to keep the species alive. There's no one thirstier on that space ark than the young recruits eager to earn their spot on the elite Hydroseeker League and find the next water source. Seventeen-year-old Conway 12-1, the strongest moto-rover rider among his cadre, is just weeks from Hydroseeker initiation. Until one failed mission changes everything.</p><p>Left for dead on the fabled Arid Planet with a life-altering injury, Conway is taken in by the citizens of Mayanah, a community no one knew had survived the Dry Death. But these people have a secret: Their water is deadly if you don't follow its rules. Mayanah's beautiful young sovereign Selah is the key to safe water and, Conway realizes, to the survival of his spacenation. If he can bring this revelation back home, he might still have a shot at being a Hydroseeker. He just needs to convince himself that betraying Selah is worth it, which gets harder the closer they become...and the more he learns about his own people.</p><p>Kimber St. Lawrence conjures an exhilarating world in this moving postapocalyptic sci-fi novel. Featuring cinematic action and a love against all odds, Thirsty Ground will leave readers breathless.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Two Winnie the Pooh Classics in One Beautiful Box Set!</b> </p><p><b><i>Winnie the Pooh</i></b><b> (Book 1)</b></p><p><b>A fully revitalised editionof the 1926 classic, featuring full-colour versions ofthe original illustrations by E. H. Shepherd. A great gift for children and readers of any age!</b> </p><p><i>Winnie the Pooh</i>has enchanted readers of all ages for nearly one hundred years with its relatable, heartwarming adventures that follow the famously friendly and lovable teddy bear. In this classic collection, Winnie navigates the Hundred Acre Wood with Christopher Robin, Eeyore, Piglet, Owl, and Rabbit, learning the true meaning of friendship and the value of accepting everyone exactly as they are.</p><p>Now you can own the original 1926 classic by A. A. Milne with all of the illustrations fully colourised by Diego Jourdan Pereira, which bring new life to these time-honoured and beloved tales.</p><p>This beautiful edition is great for bedtime or any time, and is the perfect addition to any bookshelf for readers both young and old.</p><p><b><i>The House at Pooh Corner</i></b><b> (Book 2)</b></p><p><b>More Pooh stories! A fully revitalised editionof the 1928 classic sequel to</b> <b><i>Winnie the Pooh</i></b> <b>by A.A. Milne, with full-colour versions ofthe original illustrations by E.H. Shepherd.</b> </p><p><b>The first book in the series featuring the beloved character Tigger!</b></p><p><i>Winnie the Pooh</i>has enchanted readers of all ages for nearly one hundred years with its relatable, heartwarming adventures that follow the famously friendly and lovable teddy bear.</p><p>Now you can own the original 1928 classic with all of the E.H. Shepherd illustrations fully colourised by Diego Jourdan Pereira, which bring new life to these timeless and beloved tales.</p><p>In this classic sequel to the original book, Winnie navigates the Hundred Acre Wood with Christopher Robin, Eeyore, Piglet, Owl, Rabbit, and  for the first time in the series  Tigger! Together, in a multitude of classic tales, they learn the value of friendship and what it means to grow up.</p><p>This series of stories and poems can be read independently, but also feature a common coming-of-age theme and a nostalgia for childhood. Great for bedtime or any time, it is the perfect addition to any bookshelf for readers both young and old.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A. A. Milne</b> was an English author, poet, and essayist. Throughout his career, he wrote more than ten books, numerous essays and articles, as well as a few short story collections, most notably the Winnie the Pooh series, which were inspired by his son Christopher Robin Milne's stuffed animals. Milne passed away in January of 1956.</p><p><b>E. H. Shepard</b> was a prolific English artist and book illustrator, most well known for his work in <i>Winnie the Pooh</i> and <i>Aesop's Fables</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Hundreds and Hundreds of Jokes that Will Drive Your Family Crazy</b></p><p>Nothing is more hilarious for moms, sons, and daughters than the bad jokes dads tell. (Well, at least he thinks they&amp;#x27;re hilarious...)Have you ever noticed when you're out to dinner and your dad takes it upon himself to antagonize your server with a lame joke? Has he ever made a pun that made everyone at a family gathering roll their eyes? Has he ever made a corny comment about things simply lying around the house? If you answered "yes" to any of the following, you're not alone. Dad jokes are at the center of all dad interactions and the core of every dad's persona.</p><p>This comedic compendiumcompiles more than eight hundred of the best jokes dads can use tohone their craft and ensure maximum eye rolling. Included within are jokes such as:</p><p><b>Did you hear about the restaurant on the moon?<br/> Great food; no atmosphere.</b></p><p><b>Did you hear about the kidnapping at school?<br/> It's fine, he woke up.</b></p><p><b>What did the judge say when the skunk walked in the court room?<br/> Odor in the court.</b></p><p><b>What do you call an elephant that doesn't matter?<br/> An irrelephant.</b></p><p><b>What kind of tea is hard to swallow?<br/> Reality.</b></p><p>With <i>Dad Jokes</i>, give your dad the gift of becoming the least funny/most &amp;#x27;punny&amp;#x27; guy in the room.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, ACT Literary Awards 2025, The Marion Halligan Award**</b></p><p><b>**Shortlisted, ABIAs 2025, Small Publisher's Children's Book of the Year**</b></p><p><b>**Shortlisted, 2025 CBCA Book of the Year, Eve Pownall Award**</b></p><p><b>**Longlisted, ABDA Best Designed Children's Non-fiction Book 2025**</b></p><p>When it comes to flora, Australia is a land of diversity. From rainforests to deserts, mountains to the seashore, 90 per cent of our plant life is unique to this ancient land. Treasures like our wattles, eucalypts, grass trees and banksias are part of our heritage and identity  and they still flourish here today, on the oldest landmass on Earth.</p><p><i>Flora</i> celebrates and highlights these diverse and curious plants, looking into the history, quirks and uses of our native plants, and how vital they are for our unique ecosystems. Tania McCartney brings her trademark skill and style in both writing and illustration, using her substantial experience in children's literature to examine Australia's botanical riches to pick out engaging, informative and surprising facts to share with young readers.</p><p>The book includes spreads on the Gondwana Garden, Deadly Flora, Bush Food, Flora Ancestry and more. Meet the Tasmanian Mountain Ash, which is both the world's tallest flowering plant and the tallest hardwood tree, growing more than a metre each year...for up to 400 years! Share in a park ranger's discovery of a living Jurassic fossil deep in a secret sandstone canyon. Learn how to avoid the most painful plant on earth, the gympie gympie, whose fine little hairs inject a fiery venom that feels like acid and electrocution all at once!</p><p>The author introduces readers to hard science too, including information on plant classification, countless cool scientific facts and binomial names and scientific terms, with a handy glossary aimed at children at the back of the book.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 8 to 12</b></p><p>Explore the fascinating world of native Australian animals through the five basic senses  sight, sound, smell, taste and touch.</p><p>Covering more than 145 truly astounding animals  from sharp-eyed whale sharks to sticky-bellied green tree frogs  <i>Sensational Australian Animals</i> showcases the strange things these creatures can do with their eyes, ears, noses, mouths and skin! Meet birds that laugh, frogs that quack and fish that sing. Discover mammals that glow in the dark and seahorses disguised as seaweed. Be surprised by turtles that breathe through their bums and squirm at lizards that clean their eyes with their tongues. And then there's the dangerous creatures that bite and sting!</p><p>Be intrigued, amazed and astonished by what insects, birds, spiders, fish and many other animals are capable of! Reading level varies from child to child, but we recommend this book for ages 8 to 12.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr Stephanie Owen Reeder</b> is the author of historical novels and picture books for children, including <i>Swifty: The Super-fast Parrot</i>. She has won the NSW Premier's History Award and the CBCA Book of the Year Award for information books.</p><p><b>Cher Hart</b> is a nature illustrator, graphic designer and spatial analyst with a background in biology and a sense of fun. She has created scientific communication material for journals, exhibitions and government. This is her first published children's book.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 6+</b></p><p><b>Are you ready to see how science works?</b></p><p>Lift the flaps to discover fascinating facts about the world around you, including answers to questions like...</p><p><i>How do we know what's out there in space?</i></p><p><i>What do we do with all this poo?</i></p><p><i>If we can't see it, how do we know it's real?</i></p><p>This stunningly illustrated book draws on the scientific knowledge of Scienceworks experts, and will inspire readers to see the many ways that science is always all around us.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Shall we go explore?</p><p>Our world is full of amazing natural wonders. From sparkling seas and towering trees, to valleys, lakes and waterfalls, there are extraordinary places that seem too magical to be true but can be found right here on planet Earth.</p><p>There are ghostly green lights of the aurora borealis near the North Pole, and exquisite rainbow mountains in China. There is a lake in Australia so pink it looks like fairy floss, and giant crystal caves hidden below Mexico.</p><p>These are just some of the incredible places you will discover in <i>Our World Full of Wonder.</i></p><p>Reading level varies from child to child, but we recommend this book for ages 5 to 9.</p><p><b>&amp;#x27;</b><b><i>Our World Full of Wonder</i></b><b> is a parent&amp;#x27;s and educator&amp;#x27;s dream.&amp;#x27;  Michelle Atkins,</b> <b><i>Books+Publishing</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Opportunities to write our memoirs are many and varied. To meet emerging demands, the memoir genre continually is evolving, and it is possible for the memoirist to shape the memoirs, with varying themes, time and settings, to be brought to bear on school education at a senior level and for a range of teacher-development programs. Thus, the developing importance of an accompanying exegesis.</b></p><p>For better or for worse, childhoods shape adult relationships and attachment styles, profoundly shaping who we are as teachers, teaching styles and generally the things we consider important and not so important. The shape of our childhood and adolescence has a profound impact on how relationships are formed in adulthood. It can affect our ability to trust, be vulnerable and create productive bonds, both at school and college and professionally, and also our general levels of motivation.</p><p>Through the aforementioned theme and subthemes, my memoirs here reveal how childhood struggle has shaped my approach to teaching and my academic career  from an unskilled labourer from the country working class in the timber industry, deprived of a high school education and recruited into the workforce at 15 years of age, to a senior academic in one of Australia's G8 universities, holding five PhDs.</p><p>With strong historical backgrounding, a special appeal of this book is its drive to place childhood and adolescent events contained in the memoirs in a wider historical context, looking to transnational movements such as discussions on anachronisms and eugenics. In so doing, the exegesis  a fresh and exciting innovation  is in harmony with the memoirs. The memoir is so refashioned as a pedagogical tool.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>This book explores Iran's soft power in two of its eastern neighbours  namely Afghanistan and Pakistan  in key areas including the cultural, religious, social, media, ideological and educational spheres. It explains what resources and instruments Iran has used to project its soft power in the two selected countries since the establishment of the Islamic Republic of Iran in 1979, and how Iran's attempt to increase its reach has been perceived by elites and opinion makers in Afghanistan and Pakistan. It therefore offers the most up-to-date examination of Iranian soft power tools and strategies and how they are received in both countries  topics which have not hitherto been fully explored. The book reflects the ideas of local Afghan and Pakistani participants from civil society, government, military, media, academia, think tanks and policymaking, explaining the extent to which research participants perceived Iranian soft power in a positive or negative manner.</p>]]></Text>
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				<TitleText>The Dravidian Pathway</TitleText>
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			<Text textformat="02"><![CDATA[Chronicles the transformation of a Dravidian socio-cultural movement into an electorally viable political party in Tamil Nadu.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Chronicles the transformation of a Dravidian socio-cultural movement into an electorally viable political party in Tamil Nadu.</b></p><p><i>The Dravidian Pathway</i> is a timely contribution to public and scholarly understanding of South Indian politics, examining a pivotal period in the rise to power of the Tamil Nadu party Dravida Munnetra Kazhagam (the Dravidian Progressive Federation, or DMK).</p><p>The scholarly canon on social movements and/or electoral politics has largely neglected the interplay between the two, focusing only on outcomes. Vignesh Rajahmani's innovative, detailed study of the Dravidian movement explores the strategic leadership of DMK and non-DMK figures like Periyar E.V. Ramasamy, C.N. Annadurai, M. Karunanidhi and K. Kamaraj. It illustrates their synthesis of anti-caste ideology, socioeconomic and educational mobility, and inclusive Dravidian-Tamil identity, and considers why that vision resonated with marginalised communities.</p><p>Tracing the early DMK years, from the party's social justice campaigns to its landmark electoral victory in 1967, Rajahmani highlights the challenges of navigating ideologicalcommitments within the constraints of political pragmatism, while also making politics accessible to the common person. He explains how iterations on the initial ideology and political offering can reinvigorate such movements, keeping their politics agile and incentivising inclusive policymaking. He also shows how the DMK shaped Tamil Nadu'scounter-hegemonic political identity, which has proven electorally resilient in spite of majoritarian onslaughts.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Vignesh Rajahmani</b> is a postdoctoral research fellow in Indian and Indonesian politics at the Royal Netherlands Institute of Southeast Asian and Caribbean Studies, with a PhD in Political Science and Public Policy from King's College London. He is also a postdoctoral affiliate at the Center for Information, Technology and Public Life at the University of North Carolina at Chapel Hill, and a research affiliate at the King's India Institute, King's College London. Rajahmani has over five years of professional experience in public policy, legislative research and political consulting, including his advisory work on a range of Indian parties' electoral strategies and manifestos, at regional and national level. His research interests include public policy, politics of mobilisation, democratic development, the interplay between domestic politics and foreign policy, and political communication in the age of social media.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The Sahel is the borderland of 3 million square kilometres between the Sahara Desert and the African savannah and forest lands further south.</b> Much of this huge area is inhospitable. Insurgencies are common, as are migration and smuggling, jobs being as rare here as effective government intervention  state power extends only fitfully, and the region resists attempts to subdue militants, people-traffickers, nomadic herders or anyone excluded from power.</p><p>The Western Sahel's fragile states face growing popular discontent, complicated by both climate change and military intervention by France and other powers. Mali is the epicentre of the Sahel crisis: Morten Bs charts the history of Mali and its fragile neighbours, identifying their current frailty as unsettled states, without legitimate social contracts or political consensus. This in turn has generated competing identities and economic interests, which spill over into resource conflicts over grazing, water, mineral reserves or smuggling routes. Such local contests have been manipulated by elites intent on their own preservation, and appropriated by jihadi insurgents eager to integrate into local communities.</p><p>What will happen if all the ingredients of this perfect storm coalesce? What are the ramifications for the Sahel, its neighbours, Europe and the wider world?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Hands, Wrists, Fingers</i></b><b> invites musicians to explore a new way of thinking about good health. The physical dimensions of hands are certainly important and merit close study, encompassing coordination, relaxation, dexterity, speed, accuracy, and freedom from pain.</b></p><p>While acknowledging these dimensions,<i> Hands, Wrists, Fingers </i>focuses on a broader perspective that includes cultural dimensions both conscious and unconscious, involving language, symbol, ritual, curiosity, playfulness, and mindfulness. Through a wealth of original insights, anecdotes, exercises, and games, musicians will be able to transform their hands into sensitive and intelligent agents of joyful creativity, in which the linguistic and symbolic dimensions of hands become inseparable from their physical and material existence.</p><p><i>Hands, Wrists, Fingers</i> is organised in four parts: Culture, The Language of Hands, Sensitivity and Creativity, and Knowledge and Mystery. Behind the physical gestures and movements of your daily life and your music-making, there are the stories that you tell about your own hands  thoughts and feelings, memories, experiences, judgments, hopes, and fears. Hands, Wrists, Fingers argues that the way you use your hands is inseparable from these stories, in which you tell yourself 'what you can and cannot do, what you should and should not do, what you're allowed to do and what you're prevented from doing'. If your inner stories aren't healthy in themselves, it's very difficult for your hands to behave in a healthy manner.</p><p><i>Hands, Wrists, Fingers</i> is a practical book brimming with exercises and suggestions. Every chapter is supported by video clips illustrating and demonstrating its exercises. Among other things, you'll explore the skills of rotation and of spiral movements, the mastery of textures and gradations, the playful manipulation of objects, and the use of your hands as agents of expressive language. Your hands will become creative, intelligent, and sensitive, and you'll develop a new understanding of the true meaning of good health.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This volume first explores the potential of machine translation of literature; goes on to explore possibilities for artificial literary creation; and finishes by assessing recent spectacular progress in generative artificial intelligence (AI)  throughout, with reference to Vladimir Nabokov's hyperconscious literary art.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Taking recent spectacular progress in AI fully into account, this book explores prospects for artificial literary translation and composition, with frequent reference to the hyperconscious literary art of Vladimir Nabokov. The exploration balances reader-friendly explanation ('What are transformers?') and original insights ('What is intelligence? What is language?') with personal and playful notes, and culminates in an assortment of striking demos.</b></p><p>This volume first explores the potential of machine translation of literature; goes on to explore possibilities for artificial literary creation; and finishes by assessing recent spectacular progress in generative artificial intelligence (AI)  throughout, with reference to Vladimir Nabokov's hyperconscious literary art.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Climates of Migration offers a transcultural, transhistorical, transcolonial and transnational analysis of the interplay between migration and climate change.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Climates of Migration</i></b><b> examines through transregional and transhistorical lenses how environmental and migration issues intersect, and how the disinformation and fear generated by the political instrumentalization of these is shaping contemporary societies as evident in media discourse, propaganda, literature, art, visual culture, policy-making and new technologies.</b></p><p><i>Climates of Migration</i> offers a transcultural, transhistorical, transcolonial and transnational analysis of the interplay between migration and climate change. The emphasis is on the anxiety, disinformation and fear generated by the political instrumentalisation of these issues, and examines how the afterlives of empire are shaping contemporary societies as evident in media discourse, propaganda, literature, art, visual culture, policy-making and new technologies.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dominic Thomas</b> is Madeleine Letessier Professor of French at the University of California Los Angeles and Gutenberg Research Chair in Ecology and Propaganda at the University of Strasbourg.</p>]]></Text>
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			<Text textformat="02"><![CDATA[We need a new law of rape . One one which puts the focus on the defendant, rather than the victim. Many survivors of rape report that their experience of the criminal courts is that they are on trial. This book argues we need to redefine rape so the focus is on the defendant and his responsibility.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>All is not well with the law on rape.</b></p><p>It is rarely reported and even when it is, it is rarely prosecuted. Victims are deterred for a range of reasons, but these include a fear that it will never be possible to prove the rape has occurred and that the trial will be traumatic. Even when the case proceeds to trial, victims perceive that it is they, rather than the perpetrator, who is the one on trial. The past sexual behaviour of the victim; the clothes she was wearing; the people she socialised with and the places she visited are all used as tools to claim that in fact the victim consented to the rape. Reforms are needed.<br/> In this book, we explore how changing the definition of rape will help tackle some of these problems. We argue there needs to be a shift in the focus of the rape trial: away from asking whether the victim consented, to focus on whether the defendant. Rather than focusing on the way the victim dresses, behaviour in response to the rape, the focus will be on what the defendant believed justified him engaging in a sexual behaviour.</p><p>At the heart of our proposal is the claim that having sex comes with responsibilities. In particular, a responsibility to ensure you have reasonable grounds to believe the other consents. Without that consent, a very serious wrong is being done. The central legal focus should therefore be on whether the defendant had sufficiently good reasons to proceed with having sex.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jonathan Herring</b>, is a professor of law, at the University of Oxford, and DW Wolf-Clarendon Ffellow, at Exeter College, Oxford.<br/><b>Sorcha McCormack</b>, is a Senior senior Lecturer, in law at Leeds Beckett University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>A grand strategy of peace </i></b><b>is the first detailed account of Britain's role in the creation of the United Nations Organization during the Second World War. </b></p><p>As a work of traditional diplomatic history that brings in elements of intellectual history, the book describes how British officials, diplomats, politicians, and writers  previously seen to be secondary actors to the United States in this period  thought about, planned for, and helped to establish a future international order. While in the present day, many scholars and analysts have returned to the origins of the post- 1945 international system, this book offers an exhaustive account of how the statesmen and more importantly, the officials working below the statesmen, actually conceived of and worked to establish a post-war world order.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This book reconfigures theatre's relationship with urgent issues to do with ecology and environment by showing how theatre is an ecological event in and by itself. It does so by providing a new theory of theatre ecology that is clearly written and rigorously developed.]]></Text>
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			<Text textformat="02"><![CDATA[Conservatism, Christian Democracy, and the Dynamics of Transformation compares the centre-right political traditions of Britain, the Nordic countries, France, West Germany, and Austria and looks for evidence of political cooperation and influence across borders during the period 1945-91.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Conservatism, Christian Democracy, and the Dynamics of Transformation </i></b><b>compares the centre-right political traditions of Britain, the Nordic countries, France, West Germany, and Austria and looks for evidence of political cooperation and influence across borders during the period 1945-90. </b>The book explores how a variety of intellectuals, politicians, and political parties transformed their politics in response to major economic, social, and political challenges and seeks to explain why conservatives and Christian democrats came to feel that they belonged to a wider centre-right political family by the end of this period. It also examines why these political traditions found it difficult to cooperate with each other after the Second World War and why they decided to invest more political capital in inter-party relations and wider transnational projects from the 1960s. As the book shows, these developments resulted in two new centre-right internationals: the European Democrat Union and the International Democrat Union.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gary Love</b> is Professor of British History and Culture at the Norwegian University of Science and Technology (NTNU).</p><p><b>Christian Egander Skov</b> is a scholar of Danish political history at the Danish think tank Prospekt and a former Postdoctoral Researcher at the Norwegian University of Science and Technology (NTNU).</p>]]></Text>
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			<Text textformat="02"><![CDATA[A fascinating legal scandal that started in Senegal in 1890 with the murder of a colonial administrator and the illegal executions of his killer and two other alleged accomplices. The book follows the struggle of one of their widows' for justice against the powerful colonial administration which eventually reached the French press and parliament.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book is an enthralling account of a legal scandal, which erupted in colonial Senegal in 1890 and reached the French metropolitan press and the parliament. </b>The murder of a colonial administrator, Abel Jeandet, by one of his soldiers led to the brutal and illegal executions without trial of the killer and two local dignitaries. The volume follows the fascinating story of Ndiereby Ba, the widow of one of the dignitaries, who with the help of powerful metis men in the capital Saint Louis sued the French administrators who had supervised the executions for the murder of her husband. Through this captivating tale the book articulates the French expansion into West Africa, the resistance to colonial rule both violent and non-violent, and the lack of interest on the part of French politicians in the brutal conquest of a territory they know nothing about.</p>]]></Text>
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			<SubjectHeadingText>Anti-Fascist People's Freedom League; Aung San; Ba Maw; Bamar-Buddhist; Cold War; Indophobic; Islamophobia; Myanmar; Myochit; Rohingya genocide; Sinyetha; Tatmadaw; U Pu; U Saw; colonialism; containment; critical race theory; decolonisation; discrimination; divide-and-rule politics; ethnic cleansing; ethnic identity; ethnonationalism; high politics; junta; kala; partition; passive revolution; pogrom; political racialization; race; racial regimes; revolution</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This book examines the relationship of imperialism and ethnonationalism. Through a case study of colonial Burma, it finds that British imperialists amplified ethnonationalism to protect their interests after decolonisation. This preference helped Burmese ethnonationalists to seize power in the post-colony, to the detriment of the country's people.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book examines British imperialism in late colonial Burma to study how imperialists attempted to protect their strategic and economic interests after decolonisation: they did so by supporting ethnonationalism.</b> This process resembles the Cold War tactic of 'containment', and the book makes a crucial contribution to the study of modern imperialism by demonstrating the continuity between 'containment's' late- and 'neo'-colonial manifestations. For Burma/Myanmar, it also explores the origin of the present-day military junta's racial regime: it emphasises the protection of the ethnoreligious majority from ethnic minority insurgency. The Rohingya people are currently suffering a genocide because of this racial regime. As the country endures civil war against the junta, this book highlights how ethnonationalists in the late colonial period first promoted this racial regime to seize power and prevent revolution, a process supported by British imperialists for their own ends.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Matthew Bowser </b>is Assistant Professor of Asian History at Alabama A&amp;M University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Cross-border intimacies draws on over a decade of frontline research to explore the lives of Chinese migrants who move to Taiwan for marriage. It highlights the complex interplay between emotional and affective processes in shaping marriage migration between China and Taiwan.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Since the early 1990s, economic exchanges between China and Taiwan have paved the way to migration across a previously closed border and to social and cultural interactions between the two populations. </b>Despite these broader changes, the unresolved issue of Taiwan sovereignty has tainted not only the relations between the two governments but also the everyday life of those who move across the Taiwan Strait. In this politicised environment, intimate and affective practices linked to cross-border marriage and family formation are never just private. Instead, they are deeply entangled with the emotional and affective processes generated at the macro and meso level of political and social life and revolving around national interests. Tracing the intimate, emotional and affective practices linked to family creation, identity formation and integration with the local and national communities, this ethnographic study offers a subjective, dynamic, and complex picture of what it means to be a mainland spouse in Taiwan.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lara Momesso</b> is Senior Lecturer in Asia Pacific Studies at University of Central Lancashire.<br/>Lara is founder and Co-Director of the Northern Institute of Taiwan Studies and founder and Co-Deputy Director of the Centre for Migration, Diaspora and Exile at the University of Central Lancashire. Lara also is Research Associate at the Centre of Taiwan Studies at SOAS (the University of London, UK), Associate Fellow at the European Research Centre of Contemporary Taiwan (University of Tuebingen, Germany) and elected executive board member of the European Association of Taiwan Studies (EATS).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Eleanor Brooks </b>is a Senior Lecturer in European Health Policy at the University of Edinburgh.</p>]]></Text>
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			<Text textformat="02"><![CDATA[From the Alpine pastureland of late nineteenth century Switzerland to the hospitals of post-independence West Africa, Nestle and the shaping of the aid industry tells the story of how Nestle earned a seat at the table of international aid, and uncovers the long-forgotten alliances and controversies that continue to shape the aid industry today.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This volume explores the international relations of today's Middle East, a region that has become increasingly multi-polar.</b> The tumult following the Arab Uprisings has expanded the arenas competed over by regional powers, global actors and non-state players. The United States, once seemingly intent on a hegemonic 'Pax Americana' has stepped back, leaving powers such as Russia, China, India and the EU, with opportunities to increase their reach and expand their influence. Meanwhile, regional rivalries and alliances have continued to shape conflict and cooperation in the Middle East. As global politics moves towards a new, multipolar era, this volume sheds important light on how this transition will impact on the region. Comprised of two macro sections that offer theoretical reflections and empirical case studies, this volume is essential reading for scholars of the politics and international relations of the Middle East.</p>]]></Text>
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			<SubjectHeadingText>Australia; Britain; British empire; Empire; The Caribbean; Zimbabwe; autobiography; colonial education; colonial past; colonial propaganda; colonialism; decolonisation; end of empire; essayistic memoirs; family memoirs; imperial legacy; imperial memory; life writing; memoir; memory; nostalgia; political memoirs; racism; travel writing</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Intimate afterlives of empire is the first comprehensive study of an important genre of cultural memory, the post-imperial autobiography. Through close readings of personal narratives from four corners of the globe, it examines the dialogue between individual and collective memory in the wake of empire.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Through close readings of almost twenty autobiographies written after the break-up of the British Empire, the book examines how individuals engage with the changing narrative landscape brought about by decolonisation. </b>It considers the autobiographies less for what they may teach us about the moment remembered and more as windows on the act of remembering. This adds a crucial dimension to our understanding of the legacies of colonialism and how the ongoing process of decolonisation is reflected on the level of the individual. It argues that autobiographers are at once influenced by and seek to influence the cultural memory of empire and its legacies, and the authors' own position in both. Situated at the intersection of imperial/decolonisation history, memory studies, and life writing studies, the book uncovers this intimate afterlife of empire.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Astrid Rasch</b> is a Professor of Cultural and Social Studies in English at the Norwegian University of Science and Technology.</p>]]></Text>
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			<Text textformat="02"><![CDATA[On 9 October 1934, the Ustashe, a Croatian terrorist group, killed King Alexander I of Yugoslavia in a Marseille street. This book examines the circumstances, processes, and trajectories that shaped the Ustashe terrorists and their attack in Marseille.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>On 9 October 1934, terrorists murdered King Alexander I of Yugoslavia in a Marseille street.</b> The Croatian ultranationalist Ustashe was behind the attack. The Ustashe hoped that the king's death would cause the collapse of Yugoslavia and the liberation of the Croat people. This book examines the circumstances, processes, and trajectories that shaped the Ustashe terrorists and their attack in Marseille. It brings questions about contemporary terrorism to bear on a historical attack: what prompts people to join terrorist organisations? How are these people 'radicalised' to commit violence? What roles do women play in terrorism? <i>Murder in Marseille </i>bridges the scholarly gap between historical and contemporary terrorism, paying attention to, and often guided by, current concerns, ideas, theories, and notions about terrorist violence.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>The Fairy Tales of Jim Henson:</i></b><b> The best place by the fire is the first book to specifically consider Henson, best known for the immensely popular </b><b><i>The Muppet Show</i></b><b>, as an important creator of screen fairy tales. </b>In a chronological overview of Henson's career from the late 1950s to his death in 1990, it explores key themes, artistic practices and innovations that make his contribution to the genre unique. Drawing upon a range of fairy tale scholarship, it also situates Henson's work within the wider context of the genre, specifically its conventions, themes and inherent intertextuality.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Entering into productive dialogue with recent trends in criticism, Strange matter: Medieval disruptions of time scrutinises a wide range of European and non-European texts and artworks to generate innovative perspectives on objects from the Middle Ages and the various ways they inform and complicate our perception of temporality.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Strange matter </i></b><b>offers exciting new perspectives on the premodern fascination with materiality and the various ways in which the Middle Ages and subsequent periods experienced things in time. </b>Drawing on a wide selection of examples that range from medieval texts and artefacts of both European and non-European origin to Macbeth's highly evocative meditation on bubbles, the essays compiled in this volume look beyond the confines of the Anglophone world. As they engage critically with the specific temporal otherness modernity has so often ascribed to medieval texts and artefacts, the contributors also enter into productive dialogue with recent trends in criticism, such as thing studies and the growing field of 'object biographies' in cultural studies and museology.</p>]]></Text>
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			<SubjectHeadingText>Anne Lister; British television; Gentleman Jack; Happy Valley; Last Tango in Halifax; Sally Wainwright; contemporary television drama; crime drama; feminist television history; lesbian television</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This book-length study of Sally Wainwright's television, including analysis of globally recognised television series such as Happy Valley, Last Tango in Halifax, and Gentleman Jack, considers Wainwright's work in terms of genre, melodrama and through the concept of emotion.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The first and only book length study of British screenwriter, director and producer Sally Wainwright. </b>Authors Gorton and Johnson brings together Wainwright's key television series and television films with theoretical work on the concept of emotion and feminist television criticism, exploring Wainwright's contributions to British television through the heroic female characters she creates. The book covers a wide range of theoretical work on melodrama, genre and emotion to explore Wainwright's televisual texts, offering analysis of globally recognised television series such as <i>Happy Valley, Last Tango in Halifax, </i>and <i>Gentleman Jack.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kristyn Gorton </b>is Professor of Film and Television at the University of Leeds.</p><p><b>Beth Johnson</b> is Professor of Television and Media Studies at the University of Leeds.</p>]]></Text>
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			<SubjectHeadingText>Athony Trollope; Charles Darwin; Charles Dickens; H. G. Wells; H. Rider Haggard; Herman Melville; Joseph Conrad; Robert Louis Stevenson; Victorian art; Victorian legs; Victorian literature; Wilkie Collins; disabilities; gender studies; masculinity; novels by men; sexuality</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b><i>Victorian legs</i></b><b> is about the science (sometimes spurious) and sexuality (often frivolous) of legs during the Victorian period. The book argues that legs occupy a particularly vexed position in Victorian culture.</b> </p><p>Strong legs formed the foundation (or the columns) of the civilised subject, but the politics of who could show their legs remained gendered. For the most part, men exhibited and admired, while women concealed and demurred. This book not only joins and advances the lively critical discourse on the Victorian body, but also marks new paths to pursue. While legs made us human, they could also dehumanise.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This is an in depth exploration of how the Gothic literature boom of the late-eighteenth century was a response and reaction to the expansion of the British empire, and to the continued periods of war in the second half of the century. </b></p><p>The Gothic has often been discussed in relation to the French Revolution as a literature of terror, but <i>The Gothic at War</i> demonstrates how the works of Gothic writers such as Horace Walpole, Charlotte Smith and Ann Radcliffe were also a literature of conflict. This study places a particular focus on masculinity and national identity, analysing how the representations of war and the figure of the soldier in the Gothic of the era allowed women writers in particular to explore anxieties about manliness and nationality.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>What did medieval people call the animals they lived and worked with? Why did they give them the names they did? This book sets out to answer these questions.</b> </p><p>Drawing evidence from literary, documentary and material sources, it surveys the surviving evidence of pet-naming from the period, as well as examining the labels given to livestock and working animals, and the folk-names given to wild birds and beasts. Alongside building up a corpus of names, the conventions that directed animal naming in the Middle Ages are considered, as well as how proper nouns behaved when given to non-human organisms. Through its inquiry, the book lays bare the period's larger attitudes towards animals, their functions and identities, and at the same time sheds light on how the Middle Ages conceived the natural world as a whole and its relationship with human beings and their culture.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ben Parsons</b> is Associate Professor at the University of Leicester. He has published widely on medieval and Renaissance culture, including the books <i>Punishment and Medieval Education</i> (2018) and <i>Two Middle English Prayer Cycles </i>(2023). </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This volume addresses current debates around migration in, from and throughWales.</b></p><p>It includes a range of migratory perspectives to better understand thediverse lived experiences of migrants, and the policies, measures and approaches at work across various scales and sectors in Wales that shape their everyday lives.</p><p><i>AWelcomingNation?</i> adopts an intersectional approach to explore these experiences,which is central to understanding the multiple and complex ways in which exclusionand marginalisation take place. The volume is not only a book about migration,therefore, but also about the ways in which migratory experiences and status canintersect with other factors  such as age, gender, race and sexuality  providingoriginal analyses of migration in Wales.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rhys Dafydd Jones</b> works at the Department of Geography &amp; Earth Sciences, Aberystwyth University.</p><p><b>Catrin Wyn Edwards</b> is a lecturer in the Department of International Politics, Aberystwyth University. She is an expert on migration, sanctuary and nationalism. Catrin convenes Migration Research Wales, a WISERD research network.</p><p><b>Laura Shobiye</b> is a Lecturer in Social policy and Practice at Cardiff Metropolitan University. Her research specialisms are race and migration, particularly refugee education and the intersectionality of race and gender. She is an active member of both the Welsh Refugee Coalition and the Migration Research Wales Network, and a co-founder of the UK's National Centre for Research Method's collaborative and participatory special interest group; she is also a trustee for the Birth Partner Project and the Bevan Foundation in Wales.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Melanie Racette-Campbel</b>l, Assistant Professor of Classics, University of Winnipeg.</p><p><b>Aven McMaster</b>, Professor Emerita for Ancient Studies, Thorneloe University.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The Graphic User Interface, or GUI, is the adhesive centre of today's screen entertainment web. From films and television to apps and videogames, it holds together a multitude of media and shapes the way they are accessed, organised, created, consumed, and manipulated.</b> However, it does not do so without leaving viscous traces, and <i>Gooey Media: Screen Entertainment and the Graphic User Interface</i> examines this residue and its consequences, revealing how the GUI exerts a powerful influence on contemporary media.</p><p>Focusing on aesthetics and adopting a media agnostic approach, Jones explores cinema, streaming platforms, television, user-generated content, videogames, apps, virtual reality, VFX, design software, and more in order to show how they cross-pollinate with one another and with our desktop interfaces. The result is a new approach for analysing convergent media in the digital era.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nick Jones</b>, Senior Lecturer in Film, Television and Digital Culture, University of York.</p>]]></Text>
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