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			<Text textformat="02"><![CDATA[The much-anticipated follow-up to acclaimed graphic novelist Lee Lai's Stella-shortlisted Stone Fruit, a funny, dark, emotionally turbulent slice of friendship strife.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Victorian Premier's Literary Awards 2026, Fiction**</b></p><p><b>The much-anticipated follow-up to acclaimed graphic novelist Lee Lai's Stella-shortlisted</b> <b><i>Stone Fruit</i></b><b>, a funny, dark, emotionally turbulent slice of friendship strife.</b></p><p>We arrive to wreckage  a restaurant smashed to rubble, with tables and chairs upended riotously. Under the swampy nighttime cover of a Montreal heatwave, we meet our protagonist, Cannon, dripping in beads of regret sweat. She was supposed to be closing the restaurant for the night, but instead, she destroyed it. The horror-scape left in her wake is not unlike the films Cannon and her best friend, Trish, watch together. Cooking dinner and digging into deep cuts of Australian horror movies on their scheduled weekly hangs has become the glue in their relationship. In high school, they were each other's lifeline  two queer second-generation Chinese nerds trapped in the suburbs. Now, on the uncool side of their twenties, the essentialness of one another feels harder to pin down. Yet when our stoic and unbendingly well-behaved Cannon finds herself very uncharacteristically surrounded by smashed plates, it is Trish who shows up to pull her out</p><p>In <i>Cannon</i>, Lee Lai's follow-up to the critically acclaimed and award-winning <i>Stone Fruit</i>, the full palette of a nervous breakdown is just a part of what is on offer. Lai's sharp sense of humour and sensitive eye produce a story that explores the intimacy of queer friendship and weight of family responsibility, and breaks open the question of what we owe both to each other and to ourselves.</p><p><b>'In</b> <b><i>Cannon</i></b><b>, Lee Lai has performed a rare and powerful act of alchemy  the images, narrative, and writing not only capture a life, but combine so that the book itself feels alive.'  Torrey Peters</b></p><p><b>'Beguilingly drawn,</b> <b><i>Cannon</i></b><b> depicts a wide spectrum of adulthood with nuance and complexity. From one story unravels many stories, about friendships, situationships, work, familial obligations. I was struck by its attention and care.'  Ling Ma</b></p><p><b>'A beautifully drawn slice of life, filled with the kind of intimate, specific details that make the best fiction seem autobiographical.'  Adrian Tomine</b></p><p><b>'It's rare, and precious, when a moment in a movie, in a poem, in a comic surges up at you as being True. And in</b> <b><i>Cannon</i></b><b>, Lee Lai does it again and again.'  Eleanor Davis</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lee Lai</b> is an Australian cartoonist living in Tiohtia:ke (colonially known as Montreal, Canada). In 2021, she was shortlisted for the Stella Prize and selected as one of the National Book Foundation's 5 Under 35 for her debut graphic novel, <i>Stone Fruit</i>, which went on to win several awards, including the Lambda Literary Award, the Cartoonist Studio Prize, the Lynd Ward Graphic Novel Prize, and two Ignatz Awards. Her comics have appeared on <i>The New Yorker</i>, <i>McSweeney's</i>, <i>New York Times</i>, <i>Granta</i>, and the Museum of Modern Art's <i>Magazine</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Set in a future that feels all too real, Emily Buchanan's startlingly original debut explores the right to protest amidst climate chaos, the importance of community in weathering life's storms and the resilience of love and hope in a world that seems beyond saving.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Fiona, better known as eco-influencer @FoliageFifi, hasn't left her flat since her boyfriend, Ed, died. She blames herself for what happened to him and for the failure of their climate activist group. But when Ed's favourite plant appears on her doorstep with an anonymous note, Fifi feels a glimmer of hope. She sprinkles his ashes into the soil and wakes to find that the plant has flowered. Not just that  it can talk. Her explanation? Ed is back. This time as a houseplant.</p><p>Intent on keeping Ed and his flowers alive, Fifi follows his cues into a world on the brink of climate collapse. But when Ed becomes demanding, urging her towards the people and places that left her scarred, Fifi realises that preserving his life could mean risking her own. How far will she go to keep him blooming? </p><p>Set in a future that feels all too real, Emily Buchanan's startlingly original debut explores the right to protest amidst climate chaos, the importance of community in weathering life's storms and the resilience of love and hope in a world that seems beyond saving.</p><p><b>'</b><b><i>Send Flowers</i></b><b> is so much more than its brilliantly out-there concept: a climate activist's dead boyfriend comes back as a houseplant. Equal parts funny and furious, it's a book that blooms as you read it.'  Bobby Palmer, author of</b><b><i> Isaac and the Egg</i></b></p><p><b>'Radical, hopeful stories are exactly what the world needs right now and through her characters, Buchanan gets to the heart of what drives activism now and throughout history: the simple hope that a better world is possible.'  Will McCallum, Executive Director, Greenpeace UK</b></p><p><b>'A warm, witty take on grief  both for lost loved ones and for our ailing planet...Buchanan's spirited message will renew your appreciation for nature and leave your inner activist inspired.'  Mikki Brammer, author of </b><b><i>The Collected Regrets of Clover</i></b></p><p><b>'Witty, original and aching with feeling...Buchanan has made a powerful contribution to the new body of climate fiction...A novel for our times.'  Seth Insua, author of </b><b><i>Human, Animal</i></b></p><p><b>'A prescient love letter to activism and the natural world that serves as a timely call to arms for people and planet.'  Henry Fry, author of </b><b><i>First Time for Everything</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Emily Buchanan</b> is an author and environmental activist from Thanet. She studied English Literature at the University of East Anglia, graduating with a first-class Creative Writing dissertation. She worked for Greenpeace as a Creative Campaigner before freelancing as a graphic designer and illustrator for non-profits. Notable campaign wins include the UK fracking ban, Shell abandoning its search for oil in the Arctic and most recently, the UN agreeing to protect 30% of the world's oceans by 2030. Emily wrote her first novel at twelve  a bedtime story for her little sister  and has been telling stories in one way or another ever since. She lives in Norwich with her pianist spouse and a brood of four-legged friends.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Claudia Lin is used to disregarding her fractious family's model-minority expectations: she has no interest in finding either a conventional career or a nice Chinese boy. She's also used to keeping secrets from them, such as that she prefers girls - and that she's just been stealth-recruited by Veracity, a referrals-only online-dating detective agency.</p><p>A lifelong mystery reader who wrote her senior thesis on Jane Austen, Claudia believes she's landed her ideal job. But when a client vanishes, Claudia breaks protocol to investigate - and uncovers a maelstrom of personal and corporate deceit.</p><p>Part literary mystery, part family story,<i> The Verifiers</i> is a clever and incisive examination of how technology shapes our choices and the nature of romantic love in the digital age.</p><p><b>'Your go-to summer read...Really fun and will keep you hooked.'  Emily Henry, author of </b><b><i>Beach Read</i></b></p><p><b>'This book is exhilaratingly well-written. I loved it so much that I didn't want it to end.'  Emily St. John Mandel, author of </b><b><i>Station Eleven</i></b></p><p><b>'Pek's engrossing debut novel gives us a thoroughly modern twist on classic detective fiction.'  </b><b><i>New York Times</i></b><b> (Editors' Choice)</b></p><p><b>'Clever, dryly funny...This is a fascinating, carefully layered mystery novel as well as a love letter to New York City and complicated families.'  </b><b><i>Washington Post</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[After a throw-away comment lands him in a difficult situation, Dr Neil Anderson's principles are put to the test. He ultimately leaves his job, his partner, and Edinburgh far behind for the seclusion and remote beauty of the Isle of Mull off the west coast of Scotland. There love once again blossoms, and Neil's life is forever changed.]]></Text>
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			<Text textformat="02"><![CDATA[<p>From the world's favourite author of <i>The No. 1 Ladies' Detective Agency</i>, this novel is about chance encounters; it is richly atmospheric and packed with compassion and humour.</p><p>Often a small and seemingly insignificant event can change the course of our lives.</p><p>Not long after starting a new job, Neil meets Chrissie. Romance soon blossoms and together they move to a lavish flat in Edinburgh. Everything seems to be falling into place perfectly.</p><p>But an innocuous, throw-away comment unintentionally causes Neil's career to collapse, and, at the same time, a cruel betrayal shatters the life he thought he knew.</p><p>His only option is to escape to the secluded, remote beauty of a breathtaking Hebridean island. Here, he finds a different way of life, and new friendships develop. But he can't escape the past forever, and soon he must confront a life-changing decision once more.</p><p><b>'... fans will find it rippling with gentle observational comedy.' </b> <b><i>Sydney Morning Herald / The Age</i></b></p><p><b>'His latest book is something of a departure. It encompasses very present issues in the UK: cancel culture, workplace bullying, and the changing world of academia...an exploration of character...a call to arms for better society.'  BBC Radio 4 Front Row</b></p><p>Praise for Alexander McCall Smith's writing:</p><p><b>'The author's prose has the merits of simplicity, euphony and precision. This is art that conceals art.'</b><b><i>Sunday Telegraph</i></b></p><p><b>'Bags of warmth and wisdom and easy, accomplished writing that begs for a comfy chair.'</b><b><i>The Times</i></b></p><p><b>'Charming, delightful, feel-good stuff.' </b> <b><i>Daily Express</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexander McCall Smith</b>is the author of the highly successful<i>No. 1 Ladies' Detective Agency</i>series, which has sold over twenty-five million copies. Since then he has devoted his time to the writing of fiction and has seen his various series of books translated into over forty-six languages and become bestsellers throughout the world. These include the<i>44 Scotland Street</i>novels, first published as a serial novel in the<i>Scotsman</i>, the<i>Isabel Dalhousie</i>novels, the<i>Von Igelfeld</i>series and the<i>Corduroy Mansions</i>novels.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p> </p><p>Compelling and strange, Ben Walter's debut poetry collection explores our eccentric connections to the natural world  the flora and fauna, water and wind that burst through the valleys and peaks of the lithosphere, the hard, rocky crust of the Earth that makes all life possible.</p><p>Driftwood groans towards the ocean, meadows of grass overrun a mountain, ruined teahouses serve up snow and the bushranger Rocky Whelan roars from his cave. With striking, shimmering language, <i>Lithosphere </i>delves into the peculiarities hidden in our relationship with the world outside.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ben Walter </b>is a Walkley Award-winning essayist, the author of the short story collection <i>What Fear Was</i>, and winner of the John Shaw Neilson Poetry Award. A past fiction editor at<i> Island</i>, his writing has appeared widely in Australian journals, including <i>Meanjin, Overland</i> and <i>Griffith Review,</i> and internationally in <i>3:AM Magazine, Poetry Ireland Review</i> and <i>The Cimarron Review</i>. He lives in Lutruwita/Tasmania.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Eagerly awaited new poetry from one of Australia's finest poets.</p><p><b>'Get in loser. Brace yourself. Liam Ferney's new book has landed and it's punchy, raw and raucous as well.</b></p><p><b><i>'The Shark of Messina</i></b><b> is a book for the new roaring twenties; it's recent history as a kind of rock and roll comic book fantasia, complete with characters we know, or think we know  Trump and Rambo, Keanu and Satan. Haters rule. This book is full of lines you'll probably want to quote and pass off as your own, for instance, "We will make no distinction between the terrorists who committed these acts / And their neighbors." As Ferney implies, we're all "losers" in that world'  Rae Armantrout</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Liam Ferney</b> is the author of <i>Popular Mechanics</i> (2004), <i>Boom </i>(2013), <i>Content </i>(2016), and <i>Hot Take </i>(2018). His poetry has been shortlisted for the Prime Minister's Literary Awards, the Kenneth Slessor Prize, and the Judith Wright Calanthe Award. He lives in Brisbane.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The Grand Reopening, Toby Davidson's third collection, was written during the post-pandemic return to 'normality', a fundamentally abnormal experience now largely consigned to the memory hole Australia reserves for the worst of its history.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Grand Reopening</i>, Toby Davidson's third collection, was written during the post-pandemic return to 'normality', a fundamentally abnormal experience now largely consigned to the memory hole Australia reserves for the worst of its history. Through a startling array of poetic styles, Davidson's works refuse this amnesia and instead trace a world encountering itself anew and with new forms of openness, from Sydney bars to Dublin's midnight streets and the active volcanic rim of Santorini where, as ever, nature is teacher.</p><p><b>'Toby Davidson is a master of the run-on line, and his end words often create a form of spell-making that works like a lit fuse. These poems move from the accessible, fine-boned lyric to complex narratives that invite close scrutiny and make invitations, not detour signs, towards understanding.</b> <b><i>The Grand Reopening</i></b><b> is a compelling third collection.'  Anthony Lawrence</b></p><p><b>'Whether through observing a pod of passing whales, Dublin's seagulls or a drowning cicada  or in musings on love or dental treatment  Davidson's unfailingly precise diction and compression, and disciplined, deeply-considered structural decisions, bring us a new collection which crackles with intense, unpredictable energy. And the final sequence is a knockout.'  Marcella Polain</b></p><p><b><i>'The Grand Reopening</i></b><b> is a searing book of love and mortality. In its taut, short lines, the long sequence "His Blood Whisper Scolds the Deathless Intelligence" enters the mind and heart and simply will not leave.'  Kevin Hart</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Toby Davidson</b> is a poet and Australian poetry scholar now living on Darkinjung Country on the NSW Central Coast. His prior collections are <i>Four Oceans</i> (Puncher and Wattman, 2020), <i>Beast Language</i> (Five Islands Press, 2012) and, as editor, Francis Webb's <i>Collected Poems </i>(UWA Publishing, 2011). His latest non-fiction book is <i>Good for the Soul: John Curtin's Life with Poetry</i> (UWA Publishing, 2021).</p>]]></Text>
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			<Text textformat="02"><![CDATA[Lines of Desire mines the urgencies and paradoxes of contemporary Australian culture, from an agonistic self-interrogation of Asian-Australian identity to a skewering of the reductive categories of left and right in political debate.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Lines of Desire</i> mines the urgencies and paradoxes of contemporary Australian culture, from an agonistic self-interrogation of Asian-Australian identity to a skewering of the reductive categories of left and right in political debate. The poems are permeated by an awareness of the shaping hand of social media in our daily lives, while seeking to fashion a lyrical perspective from the conceptual language of philosophy and criticism. The overarching thread of the collection is desire in its manifold forms, tracing lines of political activism, romantic yearning, sexual exploration, and poetic ambition. The first section, "In Theory," develops a poetics out of a critique of storytelling before exploring the faultlines of Australian cultural politics; the second section, "On the Page", traces and satirises poetic ambitions emerging from Romanticism to Instagram; and the third section, "In the Flesh", seeks embodied knowledge in our human response to the pandemic, lost love, and the natural world. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Paul Dawson</b> is a poet, scholar, and literary critic. He has published four books, including his first collection of poetry, <i>Imagining Winter</i> (IP, 2006), which won the national IP Picks Best Poetry Award. Paul has been anthologised in <i>Contemporary Asian Australian Poets</i> (Puncher &amp; Wattmann, 2013) and <i>Harbour City Poems: Sydney in Verse 1788-2008</i> (Puncher &amp; Wattmann, 2009). His poems appear in many of Australia's literary journals, including <i>Meanjin</i>, <i>Island</i>, <i>Southerly</i>, <i>Westerly</i>,<i> Cordite Poetry Review, Australian Poetry Journal</i>, and <i>Mascara Literary Review</i>. Paul teaches literary studies and Creative Writing in the School of the Arts and Media at the University of New South Wales. </p>]]></Text>
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			<Text textformat="02"><![CDATA[Julian Croft's first poems were published in Australian Letters in 1962, and since then he has published five volumes of poetry. This volume is a selection from those books, together with poems from the last fifteen years.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Julian Croft's first poems were published in <i>Australian Letters</i> in 1962, and since then he has published five volumes of poetry. This volume is a selection from those books, together with poems from the last fifteen years. His poetry has been influenced by the Anglo-Welsh poet T. H. Jones and the empirical philosophy of John Anderson, together with the traditions of mid-twentieth-century Australian poetry. As the title suggest, his themes are mediations on the physical reality of life and the vagaries of human emotions. He has also published several novels.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Julian Croft</b> was first published by Max Harris and Geoffrey Dutton in 1962 and since then has published four volumes of poetry, two novels, one of which was long listed for the Miles Franklin award, and a wide range of literary criticism. His poetry been widely anthologised and broadcast, including a long poem in the form of a radio feature by the ABC. He has also written for the stage. He initially trained in film at the Commonwealth Film Unit, but spent most of his working life as an academic in Africa, Europe and Australia. In 1978, along with three others, he founded the Association for the Study of Australian Literature, which remains the major academic body promoting the nation's literature. He is an Emeritus Professor of English at the University of New England. His volume of poems<i> Breakfasts in Shanghai</i> (Angus &amp; Robertson, 1985), won the Asia-Pacific Section of the British Airways Prize in 1986). Many of his poems are about Newcastle NSW where he grew up and where his family have lived since the early nineteenth century.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Within Reach </i>draws on the unsentimental attentiveness of rural life, where close observation, quiet resilience, and wry humour shape the everyday. Russell Erwin's poems move between the sensuous and the elegiac, capturing love, loss, and the shifting presence of the natural world. Echoes of Gerard Manley Hopkins, Seamus Heaney, Les Murray, and a formative teacher linger in this deeply grounded and finely tuned collection. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Russell Erwin </b>is a poet and farmer based in the Southern Tablelands. <i>Within Reach </i>is his sixth collection and his first since <i>Maps of Small Countries </i>(Gininderra Press, 2016). It follows earlier works including <i>Clear Hills, Empty Sky </i>(Polonius Press, 1994), <i>Taken by the Enemy </i>(Molonglo Press, 2000), <i>From Here </i>(Gininderra Press, 2001), and the privately published <i>Notes for an Imminent Arrival </i>(2013). </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Gold Digger </i>challenges the enduring myths of domesticity by portraying women as breadwinners, unearthing the realities of labour, aspiration, and social mobility. Collyer deftly reveals how women's work - often overlooked or undervalued - has always been present, from the kitchen to the corridors of power. Motifs of unfair play and erasure echo throughout, reaching even the highest tiers of government, including Parliament House. </p><p>The collection features <i>The Grape Picker[s</i>], shortlisted for the Gwen Harwood Poetry Prize (2025). </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The title poem of <i>Later Unearthed </i>discourses upon the inexorably preposterous House of Saxe-Coburg und Gotha, in the person of King George V. The tale of James Macpherson, who was catapulted into the belly of a whale, is just as odd, though sadder. Paul Magee has a sharp eye and musical ear, with a tone that is always fellow human. The middle sequence in the book, <i>Dreaming in Bourke</i>, is an account of time in the Barkindji town of Bourke, outback New South Wales, where cotton sucks the river dry, dragonflies mirror sunrise and floods lie in wait till they flood. There are translations from Silver and Medieval Latin, and a selection of modernist Russians, lamenting catastrophe or foreboding revolution. </p><p><i>Writing is a world</i></p><p><i>where oceans are tiny.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Paul Magee</b> studied in Melbourne, Moscow, San Salvador and Sydney. He is author of <i>From Here to Tierra del Fuego</i> (2000), <i>Cube Root of Book</i> (2006), <i>Stone Postcard</i> (2014) and <i>Suddenness and the Composition of Poetic Thought</i> (2022). Paul is Professor of Poetry at the University of Canberra, where he directs the Centre for Creative and Cultural Research (CCCR).</p>]]></Text>
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			<Text textformat="02"><![CDATA[A vibrant and emotional science fantasy about cousins trapped in mirrored worlds - the resplendent and verdant summer city and the ice-carved wastes of the winter city. For fans of Every Heart a Doorway and This is How You Lose the Time War.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>She didn't want men to be in love with her. She wanted power and a dangerous gamble and the fun of winning and putting herself over as a sweet saviour, till at last she came to believe it herself.</i></p><p>Lorna Blake is a woman able to create her own reality: a swindler with nerves of steel, gifted manipulator and devoted single mother to two daughters. When her eldest needs lifesaving treatment she cannot afford, Lorna begins a risky but thrilling scheme; taking her daughters to the hallways of London mansions to beg with tales of a husband at turns dangerous, deserting and dead. But as years pass and Lorna continues to wring pity and pounds from wealthy strangers, her victims start closing in.</p><p>Acted out in the hallways of London mansions and across several continents, <i>The Woman in the Hall</i> is part psychological drama, part cat-and-mouse chase, as well as a darkly comic portrait of how the figure of a single mother could wring pity from 1930s society.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'Oh God, one should not go to parties, Daisy sighed, sinking in wan defeat in the melancholy dawn. One should not mingle with others; one should keep oneself to oneself...'</i></p><p>Lying awake after a hotel party on holiday in the Mediterranean, Daisy Simpson reflects on her lacklustre social performance and muses on the impression her confident and graceful half-sister Daphne may have made on the other guests. What is it that makes Daphne, Daphne and Daisy, Daisy? And which of the two will attract the attentions of one of their hosts, Raymond, whom they have both fallen for? </p><p>Returning to London, Daisy's life is strained by the efforts of presenting the right elements of her personality to the right people, resulting in embarrassments, difficulties and deceits as she navigates her relationships and social standing. Rose Macaulay's novel, first published in 1928, offers a sharp and witty commentary on how we twist our identities to fit, delivered in an intelligent and innovative style.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rose Macaulay</b> (18811958) was a novelist, essayist and travel writer known for her satirical comedy. Her last novel, <i>The Towers of Trebizond</i>(1956), won the James Tait Black Memorial Prize and she was created a Dame in 1958. Her second novel, <i>Dangerous Ages</i>, was re-published in the British Library Women Writers series in 2020.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A goddess incarnate drives her worshipper to a glorious destruction in 1880s Italy. Archaeologists in 1940s Persia discover a maddening secret in Tiamat's tomb. In 1990s Britain, an avowed sceptic is lured into a bloody initiation to the cult of Mithras.</p><p>Ancient tales of mythical gods and monsters are embedded deep in the world's cultures, and as weird fiction developed, a haunting sub-genre emerged in which these eternal beings  and their power to wreak havoc and enthral mortals  remained alive in sacred ruins, cursed relics and the hushed whispers of their followers.</p><p>Delving into the rich lore of Greek, British, Norse and Egyptian myth and through lost pantheons from Carthage to Mesoamerica, Katy Soar has unearthed fourteen strange stories of beasts and deities tyrannizing the modern world. Offering classics and rare finds by Stephen Baxter, John Wyndham, Flavia Richardson and more, this collection also includes notes on the mythical figures of each tale.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Assembled here in tribute to these relics of a lost age are accounts of terrifying spirits haunting Stonehenge itself, stories of awful fates for those who impose modernity on the sacred sites and grim tales in which unwitting trespassers into the eternal rites of pagan worship find themselves part of an enduring legacy of blood.]]></Text>
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			<Text textformat="02"><![CDATA[<p>In the wood the grey stone rose from the grass, and she cried out and ran back in panicked terror. 'What a silly little girl,' the nurse had said. 'It's only the... stone.'</p><p>Standing stones, stone circles, tumps, barrows and ancient clearings still remain across the British Isles, and though their specific significance may be obscured by the passing of time, their strange allure and mysterious energy persist in our collective consciousness.</p><p>Assembled here in tribute to these relics of a lost age are accounts of terrifying spirits haunting Stonehenge itself, stories of awful fates for those who impose modernity on the sacred sites and grim tales in which unwitting trespassers into the eternal rites of pagan worship find themselves part of an enduring legacy of blood. To represent the breadth of the sub-genre, authors include Arthur Machen, Algernon Blackwood and Rosalie Muspratt alongside lesser-known writers from the periodicals and journals of the British Library collections.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Katy Soar is a Senior Lecturer in Classical Archaeology at the University of Winchester. Her research interests are Greek archaeology, the resonance of archaeology in culture and the history and reception of archaeology itself. She is a frequent contributor to Hellebore magazine, and co-edited the anthology Strange Relics, published by Handheld Press in 2022.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Girls Together magazine agony-aunt 'Mrs Friendly-wise', aka Katinka Jones, finds herself at a loose end in Swansea, and decides to pay a surprise visit to one of the magazine's regular correspondents, 'Amista'. But reaching the address  a strange house perched atop a mountain which matches all of the descriptions in the letters  nobody has even heard of 'Amista'. As Katinka begins to fall for the dashing master of the house, Carleon, more weird mysteries emerge and the plucky Detective Inspector Chucky joins the search for the truth in this self-consciously lurid mystery-melodrama; a rollicking cavalcade of Brand's signature twists and turns.</p><p><b>'From time to time there is published a mystery story which is also a piece of good writing. Such a novel is</b> <b><i>Cat and Mouse</i></b><b>...a mystery novel for the connoisseur.' </b> <b><i>Glasgow Herald</i></b><b>, 1950</b></p><p><b>'This department has never before admitted its inability to put a book down. But I had trouble with</b> <b><i>Cat and Mouse</i></b><b>...A fine melodrama, with a cheerful disregard for the sterile rules of the detective game.' </b> <b><i>News Chronicle</i></b><b>, 1950</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Christianna Brand</b> was the pen name of Mary Christianna Milne (19071988), a crime writer who was born in British Malaya. She is best known for her mystery novels and short stories featuring Inspector Cockrill along with the Nurse Matilda books for children, which were adapted for screen as <i>Nanny McPhee.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[The fair is in town in Ashton Mead and everyone is keen to join in the fun - that is until a young woman falls from the Ferris wheel and all fingers point to Emily's new friend, Dana. Can Emily and her dog Poppy find the real culprit before the town erupts, or will Emily risk her life for nothing?...]]></Text>
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			<Text textformat="02"><![CDATA[Dive into the world of Genshin Impact with 60 delicious recipes inspired by dishes from the game!]]></Text>
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			<Text textformat="02"><![CDATA[<p>Dive into the world of Genshin Impact with 60 delicious recipes inspired by dishes from the game! Created by chef Thibaud Villanova, author of <i>Gastronogeek Anime</i> and <i>The Unofficial Ghibli Cookbook</i>, this recipe book will take you on an epic culinary journey through recipes from the first four regions of Teyvat: Mondstadt, Liyue, Inazuma and Sumeru.</p><p>Recreate signature dishes from the game, accompanied by the Gourmet Supremos, the game's iconic cooking quest givers.</p><p>With prefaces from Michelin star chefs Paul Pairet and Mory Sacko, this book invites you to explore, taste, and experience the adventure of Genshin Impact in an entirely new way.</p><p>Featuring new and accessible recipes for chefs of all abilities, let the magic of cooking transport you into the world of your favourite game!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Chef and pop-culture expert<b> Thibaud Villanova</b> has been creating recipes inspired by major films, television series, manga, fantasy literature and video games since 2014. As the Gastronogeek, he has published more than 16 cookbooks that have sold over 500,000 copies. People can find Thibaud on social media including Instagram where he regularlyposts videos. Based in France.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Matt Taylor</b> is a graduate of the University of Massachusetts, where he studied early American history.<i> Jaws: Memories from Martha's Vineyard</i>, his first publication, is the culmination of a lifelong passion for art, film, and New England history. He is a fifteenth-generation resident of Martha's Vineyard, where he lives with his wife and children.</p><p><b>Steven Spielberg</b> is an award-winning Hollywood movie director.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A holistic and revealing account of the inspirations, passions and practices of one of the country's foremost contemporary artists.</p><p>In work that is playful, political and provocative, borrowing from many forms and produced over many mediums, Jeremy Deller enjoys critical acclaim in the UK and across the world.</p><p><i>Art is Magic</i>is the first book in which the artist reflects on the entirety of his career, his life and his art.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jeremy Deller</b>studied Art History at the Courtauld Institute and at Sussex University. He won the Turner Prize in 2004 for his workMemory Bucketand represented Britain in the 55th Venice Biennale in 2013.</p><p>His projects over the past two decades, such as<i>Battle of Orgreave</i> (2001), <i>We're Here Because We're Here</i>(2016) as well as the documentary<i> Everybody in the Place: An Incomplete History of Britain 1984-1992</i> (2019) have influenced the conventional map of contemporary art.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In<i> Pariah Genius</i>, literary giant Iain Sinclair follows in the footsteps of photographer John Deakin, whose chronicles of Soho life  and the world of Francis Bacon and his friends  have so influenced our perception of that generation's work. </p><p>In this bold fictionalisation, Sinclair enters the underworld of Deakin's life and imagination, pursuing his subject across continents, in dive bars, and bedrooms. The result is an engrossing, utterly unique portrait of a man who some felt was a fallen angel, and others, the devil himself.</p><p><b>'His lexicon is occult as well as criminal. This is a world of negatives, dark rooms and transparencies. He inverts the old anthropological canard about groups [...] believing that the camera steals the soul. Sinclair presents Deakin's imagined life as a form of botched exorcism, with the subjects warped, distorted and smeared like sitters in a Bacon painting.'  Stuart Kelly, </b><b><i>The Spectator</i></b></p><p><b>'[Pariah Genius] gives us a rollicking account of the celebrity criminals, obliging osteopaths and screaming queens of the seedy quarter. This "brotherhood of the damned" was caught by Deakin's unforgiving camera, his prints bringing out their terror and melancholy. [...] Sinclair gives brilliant, pungent accounts of the sacred sites: Wheeler's oyster bar, the Colony Club, the Waterman's Arms and the French House. [...] Sinclair is particularly imaginative with his cinematic and literary parallels and digressions.'  Roger Lewis, </b><b><i>The Times</i></b></p><p><b>'The result is a remarkable fictional biography  or "psychobiographic fiction" - written in Sinclair's highly poetic and dazzlingly allusive prose.'  Tancred Newbury, </b><b><i>Literary Review</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Iain Sinclair </b>is a prolific writer of fiction, poetry and non-fiction. In an experimental body of work, including titles such as <i>Downriver</i>, <i>Lights Out For The Territory</i> and <i>London Orbital</i>, Sinclair's writing has consistently pushed at the boundaries of genre and form. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Absence</i>, the third title in CHEERIO's acclaimed poetry series, is a book about nothing. Or nothings: losses, vacua, gaps.</p><p>From the desolation at the heat-death of the universe to the impassable distance between two people talking, and from the trust exercise of walking in darkness to experiments on the vacuum, <i>Absence</i> searches for what's missing and what we never had.</p><p>Starting with the problem of how to represent that that isn't there, and ending with the end of love, <i>Absence</i> takes in the ache for a vanished god, the permanently delayed doomsday of millenarian cults, and the overflowing life inside our seemingly empty buckets and stomachs.</p><p>Ali Lewis's poems mirror, undermine, reframe and rephrase each other in a voice that feels as precise and scientific as is it playful and warm. <i>Absence</i> is both intricate and ambitious, comic and tragic.</p><p>It is a book of restless curiosity and revelation.</p><p><b>'Deft, ingenious, funny and metaphysically gymnastic. What an absolute gift it is.'  Abigail Parry</b></p><p><b>'I love this. Ali Lewis's poems have an unparaphrasable quality, as if they're not read but inhaled, like a clear vapour which leaves you giddy, tranquil and troubled all at once. Read it, you'll see what I mean.'  Caroline Bird</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ali Lewis</b> is a writer and editor. He received an Eric Gregory Award for his pamphlet, <i>Hotel</i> (Verve, 2020), and his poems and short stories have appeared in the <i>London Magazine</i>, the <i>TLS</i>, <i>Poetry Review</i>, and the <i>New Statesman</i>, as well as in <i>Poetry London</i>, where he was Associate Editor.</p><p>He frequently collaborates with composers and settings of his work have featured on Radio Three and Radio France Musique.</p><p>He holds a PhD from Durham University. <i>Absence</i> is his first book.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Three women controlled by one man  their charismatic husband Elijah, leader of their cult who dictates every aspect of life in the remote Scottish settlement of Halcyon.</p><p>But cracks have begun to form in the community's idyllic facade, and Elijah's increasingly erratic behaviour begins to test the loyalty of the women who love him, especially when he reveals his intention to take a fourth wife, sixteen-year-old Mim. Deceived and isolated by the husband they share, Aoife, Ruth, and Deborah must set years of animosity aside and come together as danger mounts within their isolated community.</p><p>A powerful story of coercive control, motherhood and extraordinary women, <i>The Wives of Halcyon</i> asks questions about how we perceive faith and family.</p><p><b>'A brilliant and completely addictive read.'  Ruth Hogan</b></p><p><b>'[A] dazzling debut.' </b> <b><i>Good Housekeeping</i></b></p><p><b>'A powerful read.' </b> <b><i>Prima</i></b></p><p><b>'A gripping page-turner which celebrates the strength and resilience of women.'  Carole Hailey</b></p><p><b>'An astonishing and extraordinary debut.'  Charlie Carroll</b></p><p><b>'A fascinating story.'  Ilona Bannister</b></p><p><b>'An extraordinary debut novel.'  Anne Cater </b></p><p><b>'A stunningly written, powerful tale of power and control, and what happens when people lose themselves in the face of cohersion.'  Jessica Ryn</b></p><p><b>'I loved this fierce and perceptive book.'  Janet Ellis</b></p><p><b>'Masterfully crafted narrative about strength, solidarity and faith.'  Ruby Sloane, @xrubyreadsx</b></p><p><b>'An enthralling tale of female strength. One of the best books I've read this year.'  Matina Tzoumerka, @breathing_pages</b></p><p><b>'Uniquely compelling and profound.'  Poppy Smith, @poppysreads</b></p><p><b>'Absolutely gripping, with unforgettable characters I'm still thinking about...This novel took my breath away.'  Seth Insua</b></p><p><b>'A needle sharp contemporary fable that consumed me. It is unflinching. It is brutal. It is tender. And it lingers long after the covers close.'  Lucy Rose</b></p><p><b>'A MUST-read for every book club! With strong female leads and an unputdownable story...an incredible debut that will have you hooked from start to finish.'  The London Girls Book Club, @londongirlsbookclub_</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>We have seen the future.</p><p>A universe cursed with life after death.</p><p>It all started deep beneath the Yucatan peninsula, where an archaeological discovery took us into a new age, bringing us face-to-face with our origins and destiny.</p><p>Michael Altman had a theory that no one would hear.</p><p>It cursed our world for centuries to come.</p><p>This, at last, is his story.</p><p>A prequel to <i>Dead Space,</i> the novel focuses on the birth of Unitology. In this novel set centuries before the events of the main series, geophysicist Michael Altman investigates an alien artefact called The Black Marker. We have seen the future. A universe cursed with life after death. It all started deep beneath the Yucatan peninsula, where an archaeological discovery took us into a new age, bringing us face-to-face with our origins and destiny. Michael Altman had a theory that no one would hear. It cursed our world for centuries to come. This, at last, is his story.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Brian Evenson</b> is the author of ten books of fiction, including the novel <i>Last Days</i> (which won the American Library Association's award for Best Horror Novel of 2009) and the story collection <i>Fugue State</i>, both of which were on Time Out New York's top books of 2009. His novel<i> The Open Curtain</i> (Coffee House Press) was a finalist for an Edgar Award and an IHG Award.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**One of Lit Hub's most Anticipated Poetry Books for Spring!**</b></p><p>Like Mandelstam, Akhmatova, and Vallejo, Gazan poet Nasser Rabah embodies the magnificent possibilities of the human spirit and imagination under extreme conditions.</p><p><b>'Nasser Rabah is my favorite living poet in Palestine. The musicality of his lines could replace my heartbeats and I would feel more than alive.' </b><b><i> Things You May Find Hidden In My Ear</i></b></p><p>Born in Gaza in 1963, Rabah spent some of his formative years in Egypt, before returning to Gaza in his early twenties, where he has lived ever since. There, among the generations who built its neighborhoods and populate its villages, in a place of great natural beauty and vibrant cities, living under constant surveillance, military occupation, blockade, siege and regular attack, in a culture steeped in literary and spiritual tradition, Rabah developed his distinctively singular vision and poetics.</p><p>This is Rabah's first book in English translation. The poems include a selection from three of his published collections, along with new poems written after October 2023, during the full-scale Israeli assault on Gaza. Throughout, we find a combination of irreverence and fidelity to tradition, a sense of surrealism infusing the depiction of everyday incomprehensibilities, and an unsettling, delicate tenderness always on edge in an atmosphere of sensory inundation and emotional saturation. Rabah's poems can be raw and uninhibited by social or literary conventions, exploring and questioning one's relationship to divinity in absurd circumstances while confronting the sacred cows of his own society, along with the sometimes voyeuristic interest from those on the outside of it. His poetry constantly interrogates-sometimes playfully and sometimes in utter existential despair-the paradoxes and difficulties of expression and of writing itself. Nasser Rabah is a poet we have much to learn from.</p><p>This is a bi-lingual edition and includes the original versions in Arabic.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nasser Rabah</b> was born in Gaza in 1963. He got his BA in Agricultural Science in 1985, before going on to work as Director of the Communication Department in the Agriculture Ministry. He is a member of the Palestinian Writers and Authors Union and has published five collections of poetry, <i>Running After Dead Gazelles</i> (2003);<i> One of Nobody </i>(2011); <i>Passersby with Light Clothes</i> (2014); <i>Water Thirsty for Water </i>(2017);<i> Eulogy for the Robin </i>(2021), and two novels, Since approximately an hour (2018), and<i> The Enclosure of the Gazelle </i>(2024). Some of his poems have been translated into English, French and Hebrew. He lives in Gaza.</p><p><b>Ammiel Alcalay </b>is a poet, novelist, translator, essayist, critic, and scholar whose over 20 books include <i>After Jews and Arabs, Memories of Our Future, Islanders</i>, and the forthcoming <i>CONTROLLED DEMOLITION</i>: a work in four books, and<i> Follow the Person: Archival Encounters.</i></p><p><b>Emna Zghal</b> is a visual artist and professional interpreter with an acute sense of poetry in a number of languages.</p><p><b>Khaled al-Hilli</b> is a life-long student of the Arabic language and grammar and now professor of Arabic whose own life journey has immersed him in various Arabic milieus, from Iraqi to Lebanese and Levantine.</p><p><b>Mosab Abu Toha</b> is a Palestinian poet, short-story writer, and essayist from Gaza. His first collection of poetry<i>, Things You May Find Hidden in My Ear,</i> published by City Lights, was a finalist for the National Book Critics Circle Award for Poetry and won the Palestine Book Award, the American Book Award, and the Walcott Poetry Prize. His new book of poems is<i> Forest of Noise</i>. Abu Toha is also the founder of the Edward Said Library in Gaza, which he hopes to rebuild. He recently won an Overseas Press Club Award for his 'Letter from Gaza' columns for<i> The New Yorker.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Debut author Molly Olgun brings us <i>The Sea Gives Up the Dead</i>, a collection of stories sprinkled into the soil of fairy tales, left to take root and grow wild there.</p><p>'Witty, witchy, darkly brilliant'  Andrea Barrett </p><p>'A wunderkammer of beauty and sorrow.'  Carmen Maria Machado, author of<i> In the Dream House</i></p><p>A lovesick nanny slays a dragon. The devil tries to save her mother. A girl drowns and becomes a saint. Three kids plot to blow up their dad, a grieving mother sails the sea to find her son's grave, a scientist brings a voice to life, and a mermaid falls into the power of a witch. Here, historical fiction, horror, and fantasy tangle together in a queer garden of love, grief, and longing.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Molly Olgun</b> is a queer writer, educator, and monster aficionado. She has stories in magazines like<i> Quarterly West</i> and the <i>Normal School.</i> She was the recipient of the Loft Mentor Series Fellowship in 2019. With Jackie Hedeman, she is the creator of the audio drama <i>The Pasithea Powder</i>. She teaches English and creative writing to high school students in Seattle, Washington.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>NEW 10TH ANNIVERSARY EDITION FEATURING BONUS CONTENT</b><br/><b>HUGO AWARD WINNER</b></p><p>Includes:</p><ul><li>Deleted prologue: &amp;#x27;The Imperial Fool&amp;#x27;</li><li>Prologue commentary from the acclaimed podcast <i>Writing Excuses</i></li><li>An original introduction from the publisher</li></ul><p>When Shai is caught replacing the Moon Scepter with her nearly flawless forgery, she must bargain for her life. An assassin has left the Emperor Ashravan comatose, a circumstance concealed only by the death of his wife. If the emperor does not emerge after his hundred-day mourning period, the rule of the Heritage Faction will be forfeit and the empire will fall into chaos.</p><p>Shai is given an impossible task: to create - to Forge - a new soul for the emperor in fewer than one hundred days. But her soul-Forgery is considered an abomination by her captors. She is confined to a tiny, dirty chamber, guarded by a man who hates her, spied upon by politicians, and trapped behind a door sealed in her own blood. Shai's only possible ally is the emperor's most loyal councillor, Gaotona, who struggles to understand her true talent.</p><p>Time is running out for Shai. Forging, while deducing the motivations of her captors, she needs a perfect plan to escape...</p><p></p><p><b>&amp;#x27;The forgery was a masterpiece, an almost perfect replica of a priceless work of art. The minor inconsistencies were all but impossible for even an expert to detect. However, Shai had been betrayed. Now awaiting execution, Shai would be reprieved if she could do the impossible. As a Forger, Shai is a skillful artist who can apply complex magical glyphs to rewrite the history of the item to change it completely. Although Forgers are despised, the Empire needs Shai to accomplish the unthinkable: to Forge a new soul for the Emperor. Verdict: Sanderson, the best-selling author of the Mistborn Trilogy and </b><b><i>The Way of Kings</i></b><b>, has set this novella in the same world as Elantris, one of his earlier novels, but it is totally independent. Fantasy fans will love both the compelling story and the creative magical setting.&amp;#x27; - </b><b><i>Library Journal</i></b></p><p><b>&amp;#x27;Sanderson proves to be an exceptionally talented writer in the pages of this book ... </b><b><i>The Emperor's Soul</i></b><b> is one of those rare high fantasies that feels fresh and is filled with a sense of wonder.&amp;#x27; - Charles de Lint, </b><b><i>Fantasy &amp; Science Fiction</i></b></p><p><b>&amp;#x27;A fascinating study of clashing beliefs, another inventive magic system, and highly entertaining action sequence, </b><b><i>The Emperor's Soul</i></b><b> is the book I would recommend to anyone who wants to find out for the first time what Sanderson is all about.&amp;#x27; - </b><b><i>Fantasy Book Review</i></b></p><p><b>&amp;#x27;If you're going to pick up one book by Brandon Sanderson, this should be it.&amp;#x27; - </b><b><i>The Illustrated Page</i></b></p><p><b>&amp;#x27;A wonderful balance with the world, characters, and magic building.&amp;#x27; - </b><b><i>Open Book Society</i></b></p><p><b>&amp;#x27;Fast-paced, clever, and fun.&amp;#x27; - </b><b><i>Fantasy Book Critic</i></b></p><p><b>&amp;#x27;Just absolutely magical and engaging.&amp;#x27; - </b><b><i>Hidden in Pages</i></b></p><p><b>&amp;#x27;An excellent fast read, highly recommended for readers looking for unique story worlds and magic systems.&amp;#x27; - </b><b><i>Flight of the Dragon</i></b></p><p><b>&amp;#x27;It truly is a work of art.&amp;#x27; - </b><b><i>Pendemon</i></b> </p>]]></Text>
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			<SubjectHeadingText>,; Romantic poets; birds; climate anxiety; climate change poems; contemporary poetry; dylan thomas; eco-poetry,; emily bronte,; emily dickinson; feminist poetry; haikus; nature poetry; new poetry; pastoral poetry; planet,; pocket book of poetry; pocket-sized poetry; poems for the; poetry anthology; political poetry; post-colonial,; queer poetry; seasons; trees; victorian poetry,; wildlife; young poets</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Taking time for nature poetry is an act of reverence for the natural world, and a path to understanding our part in it. The poems in this pocket sized anthology will transport you, sending you into the garden, forests, mountains, and shores with searching hands and open eyes.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A pocketful of nature poetry in all its green glory from the </b><b><i>In the Moment</i></b><b> series.</b></p><p>Taking time for nature poetry is an act of reverence for the natural world, and a path to understanding our part in it. The poems in this pocket sized anthology will transport you, sending you into the garden, forests, mountains, and shores with searching hands and open eyes.</p><p>Through centuries of storytelling, nature poetry has shapeshifted through the major upheavals in our relationship with the landscapes, plants and other species with whom we share the Earth. As our environment is destabilized and threatened by the climate crisis today, we find renewed meanings in these poems once again. They become sources of joy or hope, and catalysts for action.</p><p>Together, they show what we have in common across countries and centuries: an undeniable kinship with nature and a fierce will to protect it.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rosie Storey Hilton </b>is an editor and poet from North Yorkshire. Her 2022 poetry pamphlet,<i> Between Solstices</i>, was a collection of poems about building connections with each other and with the natural world. Since then, her poetry has focused on responses to the climate crisis. She is also involved in climate campaigns based in London, where she lives.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A debut collection of surreal, skin-piercing stories about the boundless longing of queer Black women.</p><p>A runaway seeks shelter from violence with a pack of wild coyotes. A young woman falls into a hypocritical crew of white Christian YouTube influencers. A mother witnesses her daughter's prophecy about the end of the world come true. In <i>Sympathy for Wild Girls</i>, young Black women yearn for intimacy and hunt for belonging in a subtly warped version of our world, where social mores loom like shadows and bigotry shape-shifts.</p><p>Skirting the chasms that lurk in our common notions of 'girlhood'  and their heightened peril for queer women of colour  Demree McGhee's characters track the prints of their desire and pain to the edges of reality, finding refuge in unlikely places. Fighting self-loathing and societal abuse, they explore the bounds of their feral strength and ugliest truths, howling at the moon to be known.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Demree McGhee</b> earned her BA from the University of California San Diego. Her work has been published in Lunch Ticket, Wax Nine Journal, Prose Online, and more. <i>Sympathy for Wild Girls </i>is her debut short story collection. She is currently an MFA student at San Diego State University. She lives in San Diego, CA.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Set amid the rapidly changing social, spiritual, and moral landscape of the industrial revolution, North and South is a forceful, brilliant, and romantic novel about freedom and the cost of profit.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Set amid the rapidly changing social, spiritual, and moral landscape of the industrial revolution,</b> <b><i>North and South</i></b><b> is a forceful, brilliant, and romantic novel about freedom and the cost of profit.</b></p><p>When Margaret Hale, a minister's daughter, relocates with her family to Milton in the north of England she witnesses firsthand the brutal working conditions in Milton's factories and mills. Her liberal education has given her strong convictions, but little common sense, and her pity finds a mostly unsympathetic ear among the gruff mill workers and their families.</p><p>Magaret is most vexed by a local industrialist and mill-owner, John Thornton, whom she considers contemptuous and bull-headed. But through her clashes with Thornton and her growing affinity for the workers and their plight for survival, Margaret comes to see the world as a much more complicated place, and that her earlier pity was not charity but a kind of arrogance.</p><p>Thunderously philosophical and compulsively readable, <i>North and South</i> is a vivid portrayal of not only unthinking conformity or selfish individualism, but the power of vulnerability and change.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Elizabeth Cleghorn Gaskell</b> (1810-1865) was born in London but she spent her formative years in Cheshire, Stratford-upon-Avon and the north of England. In 1832 she married Unitarian minister Reverend William Gaskell of Manchester. As well as leading a busy domestic life as minister's wife and mother of four daughters, she worked among the poor, traveled frequently, and wrote. Mary Barton (1848) was her first success. She met Charlotte Bronte in 1850 and wrote the controversial biography of her late friend's life, The Life of Charlotte Bronte (1857).</p><p><b>Adrienne Garcia-Specht</b> is a writer and Elizabeth Gaskell enthusiast. She earned a master's degree in English from Syracuse University and lives on California's Central Coast.</p><p><b>Morgan Spector</b> is an actor and producer who is best known for his leading role as George Russell in <i>The Gilded Age.</i></p><p><b>Allison Miriam Smith</b> is a co-founder of Smith &amp; Taylor Classics. She is also an Acquiring Editor and Publishing &amp; Publicity Manager for Unnamed Press. She graduated with a Bachelor of Arts in English &amp; Creative Writing from the University of Southern California where she was an assistant curator for the USC Doheny Library George Cassady Lewis Carroll Special Collection. She later went on to earn a Masters in 18th &amp; 19th c. Literature from the University of Edinburgh, Scotland, working nights at the library. Before Unnamed Press, she was a bookseller at Skylight Books in Los Angeles, CA.</p><p><b>Brandon Taylor</b> is the author of the novels <i>Minor Black Figures, The Late Americans</i> and<i> Real Life,</i> which was shortlisted for the Booker Prize and the National Book Critics Circle John Leonard Prize, and named a<i> New York Times</i> Book Review Editors' Choice and a Science + Literature Selected Title by the National Book Foundation. His collection Filthy Animals, a national bestseller, was awarded The Story Prize and shortlisted for the Dylan Thomas Prize. He is the 2022-2023 Mary Ellen von der Heyden Fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers. He is an Acquiring Editor at Unnamed Press and co-founder of Smith &amp; Taylor Classics. He lives in NYC.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lucy Graham, radiantly beautiful, born to poverty, and Sir Michael Audley, aging aristocratic widower and fabulously wealthy, are married soon after first glance.</b></p><p>Life is peaceful at old Audley Court until the arrival of Robert Audley  Sir Michael's nephew  and his friend George Talboys, who is home again after making his fortune in Australia.</p><p>When George mysteriously disappears, Robert takes it upon himself to find him again. Developing a detective's eye, following disturbing clue after clue, Robert becomes convinced his alluring Aunt Lucy isn't as innocent, or possibly as sane, as she seems.</p><p><i>Lady Audley's Secret</i> first appeared in<i> Robin Goodfellow</i> magazine in 1861, establishing it as a 'sensational' novel to rival Wilkie Collins' <i>The Woman in White</i> (1860). A cunningly plotted mystery novel as sensual as a Pre-Raphaelite portrait, <i>Lady Audley's Secret</i> probes mid-Victorian anxieties about the rapid rise of consumerism with the invention of one of literature's great villainesses who goes to great lengths to secure her greatest desires.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mary Elizabeth Braddon </b>(1835-1915) began writing at the age of eight but it was not until she won an admirer as an actress that she could settle down to write serial fiction. She became a bestselling 'sensation' author and was read avidly by Tennyson, Dickens and Thackery. She wrote over eighty novels.</p><p><b>Rachel Vorona Cote</b> is the author of<i> TOO MUCH: How Victorian Constraints Still Bind Women Today</i>. She has written essays and criticisms for<i> The New York Times Magazine, The Nation, The Atlantic, The Virginia Quarterly Review, The Poetry Foundation, Lapham's Quarterly, </i>and<i> The Washington Post</i>, and a number of other publications.  In a past life, she was ABD at the University of Maryland, where she studied Victorian literature. She lives in Takoma Park, Maryland, just outside of Washington, D.C.</p><p><b>Sarah Weinman</b> is the author of three books: Without Consent, forthcoming in 2025; Scoundrel, named a Best Book of 2022 by Time, Esquire, CBC, and NPR and a NYT Editor's Choice; and The Real Lolita, named a Best Book of 2018 by NPR, BuzzFeed, The National Post, Literary Hub, the San Francisco Chronicle, and Vulture, and winner of the Crime Writers of Canada Award in Nonfiction. She also edited several anthologies, including <i>Evidence of Things Seen: True Crime in an Era of Reckoning;</i> <i>Unspeakable Acts: True Tales of Crime, Murder, Deceit &amp; Obsession,</i> winner of the Anthony Award for Best Nonfiction/Critical Work;<i> Women Crime Writers: Eight Suspense Novels of the 1940s &amp; 50s</i> (Library of America); and <i>Troubled Daughters, Twisted Wives</i> (Penguin).</p><p>Weinman writes the monthly Crime &amp; Mystery column for the New York Times Book Review. A 2020 National Magazine Award finalist for Reporting and the recipient of fellowships from MacDowell and the Virginia Center for the Creative Arts, her work has also appeared most recently in The Atlantic, Esquire, New York, and Vanity Fair, while her fiction has been published in Ellery Queen's Mystery Magazine, Alfred Hitchcock's Mystery Magazine, and numerous anthologies. Weinman also writes (albeit more sporadically) the 'Crime Lady' newsletter, covering crime fiction, true crime, and all points in between. She lives in New York City.</p><p><b>Allison Miriam Smith</b> is a co-founder of Smith &amp; Taylor Classics. She is also an Acquiring Editor and Publishing &amp; Publicity Manager for Unnamed Press. She graduated with a Bachelor of Arts in English &amp; Creative Writing from the University of Southern California where she was an assistant curator for the USC Doheny Library George Cassady Lewis Carroll Special Collection. She later went on to earn a Masters in 18th &amp; 19th c. Literature from the University of Edinburgh, Scotland, working nights at the library. Before Unnamed Press, she was a bookseller at Skylight Books in Los Angeles, CA. She lives in Los Angeles.</p><p><b>Brandon Taylor</b> is the author of the novels <i>Minor Black Figures, The Late Americans</i> and <i>Real Life</i>, which was shortlisted for the Booker Prize and the National Book Critics Circle John Leonard Prize, and named a New York Times Book Review Editors' Choice and a Science + Literature Selected Title by the National Book Foundation. His collection <i>Filthy Animals</i>, a national bestseller, was awarded The Story Prize and shortlisted for the Dylan Thomas Prize. He is the 2022-2023 Mary Ellen von der Heyden Fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers. He is an Acquiring Editor at Unnamed Press and co-founder of Smith &amp; Taylor Classics. He lives in NYC.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The celebrated, National Book Award-winning, translation of Baudelaire's masterpiece. </p><p><b>'It is the English edition to acquire.'  </b><b><i>Washington Post</i></b></p><p>Pulitzer Prize winning poet and translator, Richard Howard, gives readers the true voice of Baudelaire in this masterful translation. Charles Baudelaire's 1857 masterwork was scandalous in its day for its portrayals of sex, same-sex love, death, the corrupting and oppressive power of the modern city and lost innocence, <i>Les Fleurs Du Mal </i>(<i>The Flowers of Evil</i>) remains powerful and relevant for our time. </p><p>In 'Spleen et ideal', Baudelaire dramatises the erotic cycle of ecstasy and anguish of sexual and romantic love. </p><p>'Tableaux Parisiens' condemns the crushing effects of urban planning on a city's soul and praises the city's anti-heroes including the deranged and derelict. </p><p>'Le Vin' centres on the search for oblivion in drink and drugs. The many kinds of love that lie outside traditional morality is the focus of 'Fleurs du Mal' while rebellion is at the heart of 'Revolte'. </p><p><b>'Howard's achievement is such that we can be confident that his Flowers of Evil will long stand as definitive, a superb guide to France's greatest poet.'  </b><b><i>The Nation</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Tess burns. Bibi cuts. Together they create chaos, love, pain, and unstoppable art, in SKIN, the story of a partnership that sparks like flying metal and bleeds like a breaking heart. A classic of queer horror, with a brand new introduction from Eric LaRocca.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Marie Russell and Detective Romeo Leduc are finally getting married, but the joyous occasion is overshadowed by the unexpected arrival of Magnus Sorenson, renowned eco-warrior and Marie's first great love.</p><p>When Magnus' plans for a dramatic environmental protest take a dark turn, Romeo and Marie are forced to abandon their honeymoon in the Laurentians in order to catch a killer, unearthing long-buried secrets along the way. Fast-paced and chilling, <i>Whale Fall</i> is a riveting tale of love, vengeance, and climate justice.</p><p><b>'[Ann Lambert] has produced her third stunning murder mystery after </b><b><i>The Birds That Stay</i></b><b> and </b><b><i>The Dogs of Winter</i></b><b>, combining terrific whodunits with subtle messages of social justice and marvellous characterization... </b><b><i>Whale Fall</i></b><b> is a rare reminder that just one murder is a tragedy; you don't need bloodshed and gore and gunfire to have a crackerjack of a story.'  Nick Martin / </b><b><i>Winnipeg Free Press</i></b></p><p><b>'A simply riveting novel with a narrative story line the includes love and romance, retaliatory vengeance, and environmental climate justice, </b><b><i>Whale Fall</i></b><b> by Ann Lambert is especially and unreservedly recommended for the personal reading lists of dedicated mystery fans, as well as community library Contemporary Mystery &amp; Suspense collections.'  </b><b><i>Midwest Book Review</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'This is a truly beautiful and special book.'  Emily Oster, author of </b><b><i>Expecting Better </i></b><b>and </b><b><i>Cribsheet</i></b></p><p><b>'Searching, honest, funny, and beautiful.'  Rachel Yoder, author of </b><b><i>Nightbitch</i></b></p><p><b>"I laugh-sobbed my way through </b><b><i>The Mother,</i></b><b> so loudly my children came to check on me.'  Angela Garbes, author of </b><b><i>Essential Labor</i></b><b> and </b><b><i>Like a Mother</i></b></p><p>In this hilarious and harrowingly honest graphic memoir,New Yorker cartoonist Rachel Deutsch, aka @weirdmomart on Instagram, shares the story of her journey into motherhood.</p><p>Rachel Deutsch had always wanted a baby. She wanted to press her face into theirs and feed them from her body. Eventually her child might hate her a little. But they'd be on speaking terms most of the time. Wait...or was that just Rachel's experience with her mum? Had she processed her own childhood enough to raise a child herself!?</p><p><i>The Mother </i>is about the constant dualities and contradictions of motherhood. The collision of future Rachel and past Rachel. Desperately wanting to get pregnant while fearful of being pregnant. Loving a new identity while missing an old one. Celebrating a new family while mourning the previous incarnation of a partnership.</p><p>Funny, provocative, and unabashedly candid, Deutsch's memoir embraces both the joys and the challenges of modern parenthood in a way that will resonate with new and seasoned parents.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rachel Deutsch's </b>writing, cartoons and illustrations have appeared in publications includingThe New Yorker,PRISM,The Pinch, McSweeney's, Mother Tongue, Mutha Magazineand inParentData, the popular newsletter by Emily Oster, the author of<i>Expecting Better</i>. Deutsch is known for bringing honesty and humour to tough parenting moments. She lives in Montreal with her partner and two young kids, and posts regularly on Instagram as @weirdmomart.</p>]]></Text>
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			<Text textformat="02"><![CDATA[At once meticulously researched and wildly irreverent, The Adventures of Munich in Marcel Duchamp is an anti-biography worthy of the great trickster.]]></Text>
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			<Text textformat="02"><![CDATA[<p>In the summer of 1912, Marcel Duchamp took a train to Munich and stayed there for three months. Very little direct knowledge remains about that trip. Immediately afterward, Duchamp gave up on painting and later in his life referred to Munich as the site of his 'complete liberation.'Roman Muradov's highly unreliable narrator attempts to reconstruct this period, interrogating from different angles the fundamental futility of retelling another person's life. The result is a fabulist satire that questions Duchamp's legacy, his silence and sexuality, and the sources of the work that made him famous. At once meticulously researched and wildly irreverent, <i>The Adventures of Munich in Marcel Duchamp</i> is an anti-biography worthy of the great trickster.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Roman Muradov</b> is an Armenian artist and author of moderate renown, currently living in Brooklyn, NY. He has received numerous awards from various institutions like the Art Directors Club and the Society of Illustrators, and his books have been translated into several languages. His clients include the <i>New Yorker, the New York Times, Penguin Random House, Criterion, Vogue, Paris Review, Wired, NYC Opera, Lucky Peach, Apple, Google, Notion</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Aurealis Awards 2024, Best science fiction novella**</b></p><p>A thrilling, propulsive story of escape as a small-time crook goes on the run across Australia with a stolen secret that will change the world, perfect for fans of William Gibson's <i>All Tomorrow's Parties</i>, Richard Morgan and <i>Ghost in the Shell</i>.</p><p>Jackson Nguyen is a petty crook living slim on the mean streets of Melbourne. When he crosses paths with a desperate, but wealthy, Chinese dissident, begging for his help, Jack responds in the only natural way: he steals her shoes.</p><p>And yet, despite every effort to mind his own damn business, a wild spiral into the worst kind of trouble begins - Murder, mayhem, fast cars, fast-talking, bent cops, and long straight highways into the terrible beauty of the vast Australian Outback.</p><p>In Jack's world, taking a stand against the ruling class is the shortest path to a shallow grave. But when an Earth-shattering technology falls into his hands, he must do everything he can to stop the wrong people taking it. In a world of pervasive government surveillance and oppressive corporate control, it's up to a small-time criminal to keep the spark of human rebellion alive.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, SWFA Nebula Awards, 2025 Kate Wilhelm Solstice Award**</b></p><p><i>Danged Black Thing</i> is an extraordinary collection of stories about love and migration, gender and class, patriarchy and womanhood, from a remarkable and original voice. Traversing the West and Africa, they celebrate the author's own hybridity with breathtaking sensuousness and lyricism.</p><p>Simbiyu wins a scholarship to study in Australia, but cannot leave behind a world of walking barefoot, orange sun and his longing for a 'once pillow-soft mother'. In his past, a darkness rose from the river, and something nameless and mystical continues to envelop his life. In 'A Taste of Unguja' sweet taarab music, full of want, seeps into a mother's life on the streets of Melbourne as she evokes the powers of her ancestors to seek vengeance on her cursed ex. In the cyberfunk of 'Unlimited Data' Natukunda, a village woman, gives her all for her family in Old Kampala. Other stories explore with power what happens when the water runs dry  and who pays, capture the devastating effects on women and children of societies in which men hold all the power, and themes of being, belonging, otherness.</p><p>Speculative, realistic and even mythological, but always imbued with truth, empathy and Blackness, <i>Danged Black Thing</i> is a literary knockout.</p><p></p><p><b>'Eugen Bacon gives us a cornucopia of dark fruitfulness. Her writing is equal parts fecund earth and fine-cut jewels; her stories juxtapose the scarred and abused with the powerfully magical, the numinous and the deceptively mundane. They travel the known world, remaking all its parts as they go, and they pull new worlds, fully formed, from Bacon's unfettered imagination.' - Margo Lanagan</b></p><p><b>'Lyrical, rich,oftentimes darkandsometimes hopeful,</b><b><i>Danged Black Thing</i></b><b> is a speculative fiction collection that takes the reader on a journey from Africa to Australia. The cities and villages the stories are set in are sometimes familiar, while others are plucked fully formed from author Eugen Bacon's imagination, providing a vast backdrop to her exploration of the emotional costs of being a woman...Where men rule, there will be women who suffer. With the lyricism of Toni Morrison and the worldbuilding of Ken Liu, Bacon secures herself as an important voice in Australian genre fiction.</b> <b><i>Danged Black Thing</i></b><b>is the feminist sciencefiction debut that brings women and Blackness to the forefront.' -</b> <b>Jing Xuan Teo, Books+Publishing</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Russell Prize for Humour Writing 2025**</b></p><p>After living in a Singapore dog shelter for five years, Gucci  a vaguely Dalmatian-like crossbred  is losing hope of ever being rescued. One day to his surprise he is adopted by <i>her,</i> a writer<i>,</i> and moves to inner city Sydney. On arrival, however, an anti-dog war breaks out in their apartment block; Gucci's owner receives a letter threatening the possibility of 'euthanasia'. The incident triggers nightmares in<i> her</i> and brings back distressing childhood memories.</p><p><i>My Name Is Gucci</i> is a charming novel about the relationships between pets and their owners and about how the past shapes the present. This bold ex-shelter dog narrated fable beautifully unravels Gucci's and his adopter /guardian's secrets, which have been intertwined for decades through their recurring reincarnations.</p><p>Sun Jung understands the deep connections that exist between animals and humans. You won't need to be a dog lover to be entranced by this story; it is brimming with warmth, wit and wisdom.</p><p><b>'A comic and moving Homeric odyssey about Gucci the dog, who must deal with, and outwit, the most problematic species of all  humans.'  Louis Nowra, author of</b> <b><i>Sydney: A Biography</i></b></p><p><b>'A magical novel that will capture your heart.'  Andrea Carter, author of</b> <b><i>A Body Falls</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Mary Gilmore Award 2025**</b></p><p><b>**Winner, NSW Literary Awards 2025, Kenneth Slessor Prize for Poetry**</b></p><p><b>**Shortlisted, Prime Minister's Literary Awards 2025, Poetry**</b></p><p><b>**Shortlisted, NSW Literary Awards 2025, Glenda Adams Award for New Writing**</b></p><p><b>**Shortlisted, Victorian Premier's Literary Awards 2025, Poetry**</b></p><p><b>A moving testament to the displacement and dispossession of the Palestinian people.</b></p><p><i>rock flight</i> is a book-length poem that, over five chapters, follows a personal and historical narrative, to compose an understated yet powerful allegory of Palestine's occupation. The poem uses refrains of suffocation, rubble, and migratory bird patterns to address the realities of forced displacement, economic restrictions and surveillance technology that Palestinians face both within and outside Palestine. It depicts a restlessness brought about by dispossession, and a determination to find significance in fleeting objects and fragments. It looks to the literary form as an interactive experience, and the book as an object in flux, inviting the reader to embark on an exploration of space, while limited by the box-like confines of the page. Formally claustrophobic, the poem morphs into irony, declaring everything a box while refusing to exist within one.</p><p><b>'Here is a poetry of passion; a poetry of necessity; a poetry of survival, and a poetry-triumphant.'  Maxine Beneba Clarke</b></p><p><b>'</b><b><i>rock flight</i></b><b> is a work of timelessness, rigour, precision, relationality and guts  just like its poet. A must-read for all of us who yearn and stretch and reach for a world beyond colonies, and an even more urgent read for those who don't.'  Alison Whittaker</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[Moving nimbly between the granular and the broad view, The Oblong Plot, Chris Andrews' third collection, takes in paint splotches on a sawhorse and a star named Fang, life-wasting systems and means of escape.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, NSW Literary Awards 2025, Kenneth Slessor Prize for Poetry**</b></p><p>Moving nimbly between the granular and the broad view, <i>The Oblong Plot,</i> Chris Andrews' third collection, takes in paint splotches on a sawhorse and a star named Fang, life-wasting systems and means of escape. These faceted, echoing poems observe the world's shifting arrangements while rearranging their own letters, sounds, syllables, words and lines. <i>The Oblong Plot</i> invites the reader to join in its serious play.</p><p><b>'I loved this exhilarating, brilliant book. The poems in</b><b><i> The Oblong Plot</i></b><b> have style and wit to burn, and strike like a tuning fork, reverberating and reshaping the air around us. They are sharply attuned to the ironies and absurdities of contemporary life, finding linguistic torque and wry humour in cityscapes and their inhabitants' waking lives, dreams and aspirations. In seemingly effortless but technically dazzling syllabics, time and again Andrews punctures through the surface of things to find something much stranger and more surreal sitting under the day's skin. He is a relentlessly surprising and inventive poet whose vast linguistic gifts - including an electrifying skill at toggling between the vernacular and the poetically charged, "between / the dreamwarp and the cybercapsule" - remind us that language can both unmake and remake the world around us.</b> <b><i>The Oblong Plot</i></b><b> is a gift to all who turn to poetry seeking to find our language recharged and refreshed.' - Sarah Holland-Batt</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Chris Andrews</b> lives on unceded Wangal land. He taught at the Universities of Melbourne and Western Sydney. His previous collections of poetry are <i>Lime Green Chair</i> (Waywiser, 2012) and<i> Cut Lunch</i> (Indigo / Ginninderra, 2002). His study of the Oulipo, <i>How to Do Things with Forms</i>, was published by McGill-Queen's University Press in 2022. The books of prose fiction that he has translated from Spanish and French include Liliana Colanzi's <i>You Glow in the Dark</i> (New Directions, 2024), Kaouther Adimi's <i>A Bookshop in Algiers</i> (Serpent's Tail, 2020), Cesar Aira's <i>The Lime Tree</i> (And Other Stories, 2017) and Roberto Bolao's<i> By Night in Chile</i> (Harvill, 2003).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, NSW Literary Awards 2025, Kenneth Slessor Prize for Poetry**</b></p><p><b>A poetry collection which is part criticism, part autobiography, and always acute in its recollection of the emotions inspired by television drama</b></p><p>In her new collection <i>Television</i>, award-winning poet Kate Middleton considers the emotional impact that television programs had on her formative years - from childhood cartoons <i>Astro Boy</i> and <i>Roadrunner</i> to series like <i>Pretty Little Liars</i>, <i>Buffy the Vampire Slayer</i>, <i>Twin Peaks</i> and <i>Beverly Hills 90210</i>. These were 'the shows I watched to cry, to feel/ the hot gash angst of teenaged-ness'. In poems that expand like mini-essays, the poet explores the feelings evoked by these shows, the shame and longing, the regret and desire, and the different kinds of identification they encouraged, especially in a teenage girl. But the focus is also on the poet as an adult, thinking back over her adolescent responses, about the ways in which television plays with time and reality, and the extent to which its jumble of images reflects her own multi-faceted consciousness, if it hasn't in fact formed it - 'the one whose interests are too voluminous, the one who tries/ to write deeply into one idea and is instead immediately/ tugged sideways...I try to do too much and/ my attention shatters, ricochets among ruins'.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kate Middleton</b>'s collections with Giramondo are<i> Fire Season</i>, which won the Western Australian Premier's Award for Poetry in 2009; <i>Ephemeral Waters</i>, which was shortlisted for the 2014 NSW Premier's award for Poetry, and most recently <i>Passage</i>, published in 2017.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, NSW Literary Awards 2025, Translation Prize**</b></p><p>The witch hunt in Europe intensified between 1550 and 1650, decades after the Protestant Reformation and the Peasants' Revolt. It is right in the middle of these one hundred years of infamy that Anna Thalberg's story takes place.</p><p>Anna is a woman of singular beauty who is accused of witchcraft and taken by force to be tried. Klaus, her husband, and Friedrich, the village priest, will also travel to Wrzburg, where Anna has been incarcerated. They will use all available resources, seeking to stop the blind beast of the Inquisition, which is inexorable in trying to drag the woman to the stake.</p><p>Witches, werewolves, family spirits and even a demon who theologizes come together in these pages, but their presence is insufficient to hide the true horror: the inhumanity of the institutions, their manipulations and manufacturing of fear, and the arbitrary evil that nests in the heart of human beings.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, NSW Literary Awards 2025, Translation Prize**</b></p><p>In these self-mocking poems - populated with youths and elders, cellphones and televisions - Jiang Tao presents and dissects a discontent with the state of the world. The complex use of metaphor highlights his profound wit and poetic mastery, building subtle layers of satire that act as commentary and proposed remedy for society's flaws. But melancholy, nostalgia, dispassion, and the occasional lyricism also come into play as he explores the passage of time, city life, materialism, economic realities, and the difficulties of human communication and connection.Jiang Tao's verse is, as translator Josh Stenberg has written, "a quintessential expression of urban malaise in contemporary China."</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jiang Tao</b>was born in Tianjin in 1970, and studied first at Tsinghua University, only to abandon biomedical engineering for a PhD in Chinese literature at Peking University, where he also began teaching in 2002. He wrote poetry as a student, and was editor of the folk poetry journals<i>Offset</i>and<i>Poetry Communications</i>. His first collection<i>Bird Sutras</i>was published in 2005, and he has since published<i>Four Poems</i>and<i>Mourning for Sometimes</i>. He won the Liu Li'an Prize for Poetry in 1997.</p><p><br/></p><p>Josh Stenbergis a Senior Lecturer in Chinese Studies at the University of Sydney.He is the author of<i>Minority Stages: Sino-Indonesian PerformanceandPublic Display</i>(2019) and an upcoming book on Hokkien theatre, as well as the editor of<i>Irina's Hat: New Short Stories from China</i>(2013) and<i>Kunqu Masters on Chinese Theatrical Performance</i>(2022).He translated two volumes of short fiction by Nanjing author Su Tong, short fiction by PRC, Taiwanese, and Southeast Asian Chinese authors, and numerous works of spoken and traditional Chinese theatre. His fiction and poetry have been published in<i>The Antigonish Review, The New Quarterly, CV2, The Dalhousie Review</i>and other literary journals. He has been a fellow of Fulbright Taiwan, the Center for Chinese Studies (National Central Library), the International Institute for Asian Studies (Leiden), and the Vermont Studio Centre/Luce Foundation.<br/></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Jhalak Prize 2025**</b></p><p><b>An emotionally wrenching novel tackling key themes such as generational trauma and what it means to be Black British, surviving between the gaps of knowledge around familial migrant journeys, set in today's London and Ghana in the mid-90s.</b></p><p>On the cusp of thirty, Ghanaian Londoner Whitney Appiah was born with a special gift. The massage therapist can physically sense where her clients' trauma lies and heal them. But Whitney has no idea that she too is suffering. Tragic events from her youth have left a terrible, unseen mark.</p><p>When a dangerous encounter with the man she's dating triggers a wave of fragmented recollections, Whitney embarks on a journey to reclaim her memories and the truth that is buried deep in her early years growing up in Kumasi, Ghana.</p><p>Spanning three decades, told through the viewpoints of Whitney, her aunts Gloria and Aretha, and their house help Maame Serwaa, <i>The Rest of You</i> explores what happens when we try to move forward through the lacuna of our past.</p><p><b>'A novel that doesn't shy away from the modern issues of being Black and female. At times heartbreaking, this portrait of a family coming to terms with a tragic past is vivid and tender.'  Louise Hare, author of</b> <b><i>This Lovely City</i></b></p><p><b>'Maame Blue's skill at crafting characters that take bits of your heart with them as you read the final pages; is a true gift. Following the characters through the intertwining of multiple timelines brought forth the force that yearning and longing actually possess. A wonderful book!'  Kelechi Okafor, author of</b> <b><i>Edge of Here</i></b></p><p><b>'Equal parts romance and coming-of-age story, Blue's emotionally charged debut explores the highs and lows of love...Those looking for heavy emotion in their romance should jump on this one.' </b> <b><i>Publisher's Weekly</i></b><b> on</b> <b><i>Bad Love</i></b></p><p><b>'What is singularly powerful about</b> <b><i>Bad Love</i></b><b>, and commendable for this reason alone, is that the winners and losers in love are all Black. It's so unusual to have a Black woman lead in a romance story, that it is sadly still remarkable.' </b> <b><i>Words of Colour</i></b> <b>on</b> <b><i>Bad Love</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Maame Blue</b> is a Ghanaian-Londoner, part-time Melbourne resident, and author of the novel <i>Bad Love</i> (Jacaranda Books), named as one of the top 3 debuts of 2020 by Cheltenham Literature Festival. She is the winner of the 2021 Betty Trask Award and was shortlisted for the Betty Trask Prize. Maame is also a recipient of the 2022 Society of Authors Travelling Scholarship, an Arts Council England 2022 Develop Your Creative Practice grant, and was a 2022 POCC Artist-in-Residence. Her short stories have appeared in <i>Not Quite Right For Us</i> (Flipped Eye Publishing), <i>New Australian Fiction 2020</i> (Kill Your Darlings), and <i>Joyful, Joyful</i> (Pan Macmillan). Maame's writing has appeared in multiple media publications, including <i>Refinery29, The Independent</i> and <i>iNews</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Grace Yee's follow-up to her triple award-winning poetry collection <i>Chinese Fish.</i></p><p>In the White Hills Cemetery in Bendigo the remains of more than a thousand 'chinamen' lie interred, many in unmarked graves. Most were sojourners, who hailed from the Canton region in south China, and found themselves unable to return to their homeland<i>. Joss: A History</i> is inspired by the lived experiences of these early settlers, and their compatriots and descendants across Victoria and New South Wales, and Aotearoa New Zealand. The poems pay tribute to the author's ancestors, illuminating how they survived  and thrived  amid longstanding colonialist stories that have exoticised and diminished Chinese communities in white settler nations around the Pacific Rim since the gold rushes of the nineteenth century. Refracted through a twenty-first century lens, <i>Joss</i> is grounded in the conviction that the past is not past, that historical events reverberate insistently in the present. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Grace Yee's</b> poetry has been widely published and anthologised in Australia and internationally. Her awards include the Patricia Hackett Prize, the Peter Steele Poetry Award, a Creative Fellowship at the State Library Victoria, and grants from Creative Victoria and the Australia Council. She has taught creative writing at Deakin University, and at the University of Melbourne, where she completed a PhD on settler Chinese women's storytelling in Aotearoa New Zealand. Her debut collection <i>Chinese Fish</i> won the 2024 Victorian Prize for Literature, the Victorian Premier's Literary Award for Poetry, and the Ockham New Zealand Book Award for Poetry.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The poems in <i>Human Looking</i> speak with the voices of the disabled and the disfigured, in ways which are confronting, but also illuminating and tender. They speak of surgical interventions, and of the different kinds of disability which they seek to 'correct'. They range widely, finding figures to identify with in mythology and history, art and photography, poetry and fiction. A number of poems deal with unsettling extremes of embodiment, and with violence against disabled people. Others emerge out of everyday life, and the effects of illness, pain and prejudice. The strength of the speaking voice is remarkable, as is its capacity for empathy and love. 'I, this wonderful catastrophe', the poet has Mary Shelley's monstrous figure declare. The use of unusual and disjunctive  or 'deformed'  poetic forms, adds to the emotional impact of the poems.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Andy</b> <b>Jackson&amp;#x27;s </b>first collection, <i>Among the Regulars</i>, was shortlisted for the 2011 Kenneth Slessor Prize for Poetry; his most recent, <i>Music Our Bodies Can&amp;#x27;t Hold</i>, was shortlisted for the 2020 John Bray Poetry Award. He has featured at literary events and arts festivals in Ireland, India, the USA and across Australia, and has co-edited disability-themed issues of the literary journals <i>Southerly</i> and <i>Australian Poetry Journal</i>. Andy Jackson works as a creative writing teacher and tutor for community organisations and universities. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Poetry which sings with its silences.</p><p>As its title suggests, ime Kneevi's first book-length poetry collection gestures towards the elusive and often fragmented reality of dreams and recollections. The poems speak of distance, dislocation and longing, evoked by the poet's cultural ties to Croatia, the awkwardness of personal relations and the discomforts of language. They also convey the embarrassment and regret which spring from daily encounters, especially when the point of view is that of an adolescent, a lover, a rival, indeed a poet, endowed with a more than usual amount of self-consciousness. These concerns are echoed, and heightened, by the elliptical form of the poems and their surreal dislocations, which invite the play of implication, giving space and silence their own kind of eloquence. The effect is remarkable, both for the range of emotions expressed, which includes humour and joy alongside unease and uncertainty, and for the intensity of their expression.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>ime Kneevi</b> is a poet and playwright from Sydney with Croatian heritage. His poems have been published widely in Australian and international literary journals. His poetry chapbook <i>The Hostage</i> (2019) was a co-winner of the Subbed In Chapbook Prize. As a playwright, he recently co-wrote the stage musical <i>The Hen House</i> (2023) with his sisters, and is a graduate of the NIDA Playwrights Studio.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>&amp;#x27;Formally consecutive but radically paratactical, these lines are never let loose portentously to dilate. While Wakeling's poems may aim to nullify Larkin and bog men, archaeologies of cultural inheritance, neither do the poems' Japanese intertexts serve any smug distortion from empty mind to Western mindfulness, a 'porcelain pseudo-history' glazed with ego delusory in vaunted self-denial.</b></p><p><b>That's what these poems offer  old lyric technology turning against its partiality to lull, to wrap up, the poems are fast as ice. I go outside and at the top of the street, it is bitterly cold and at the bottom sweltering, humid. Here is the street, here is the weather at every extreme. Transit becomes transit.&amp;#x27;  John Wilkinson</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[The Strange Matter invites you into a world both familiar and strange, capturing the moments in between  catching the bus, looking up at the moon, baking bread, listening to music, spotting onionweed, snacking on Jatz...These poems span streets and gardens, books and films, people and things, creating a landscape that feels both close and surreal.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Shady Cosgrove</b> writes on Dharawal land and teaches creative writing at the University of Wollongong. </p><p>Her books include <i>What the Ground Can&amp;#x27;t Hold</i> (Picador) and <i>She Played Elvis</i> (Allen and Unwin). </p><p>Her short works have appeared in <i>Best Australian Stories</i>, <i>Anthology of Australian Prose Poetry</i>, <i>Dreaming Awake</i>, <i>The Writing Mind</i>,<i> Cordite</i>,<i> Overland, Antipodes</i>,<i> Southerly</i>,<i> Island</i>,<i> takahe</i>, <i>Eunoia Review</i> and various Spineless Wonders collections. She has judged the Joanne Burns Award and received an ANU Humanities Research Centre Fellowship, a Bundanon Artists Residency, the Varuna House Eleanor Dark Flagship Fellowship and a Nan Tien Temple and South Coast Writers Centre residency. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>&amp;#x27;She separates herself. There are different voices here, and</i></p><p><i>separations. Cutting away</i></p><p><i>from her past, from varied, acceptable and permissible futures</i></p><p><i>dreamed into expectations by others on her behalf. From</i></p><p><i>always being a dangerous difference in a country town, and</i></p><p><i>rural school. Segue to wide-eyed in the city, to wild eyed, in a</i></p><p><i>city never imagined.&amp;#x27;</i></p><p>In <i>She Goes to Town</i> Sandra Renew writes as a lesbian poet. She shows a gendered world from the point of view of outsider and one who lives on the fringes of heterosexuality, and who fully inhabits a voice of dissent and protest. She deep-dives into gender and comments on living in both urban and rural communities.</p><p><i>She Goes to Town</i> explores the tensions between leaving and staying, crossing lines, endings and beginnings. In poetry, micro-lit, short prose there is a mapping of the path to destruction and the saving graces of hope and trying again. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sandra Renew</b>'s poetry has been awarded two Canberra Critics Circle Awards, in 2023 for <i>Apostles of Anarchy</i> (Recent Work Press) and in 2019, with Moya Pacey, 'for their influential work in exposing Canberra women's poetry to view through their biannual online journal for women's   poetry, <i>Not Very Quiet</i> 2017-2022'.</p><p>Sandra's collection, <i>It's the sugar, Sugar</i> (Recent Work Press, 2021) won the ACT Writers Notable Awards for Poetry 2021.</p><p><i>Acting Like a Girl</i> (Recent Work Press, 2019) was the winner of the 2020 ACT Writing and Publishing Award for Poetry, and was also shortlisted for the 2020 ACT Book of the Year.</p><p>She writes on Ngunnawal and Ngambri land (Canberra) and Yuin land (Cobargo).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A truly unique book of illustrated creative prose</b></p><p><i>Alcatraz</i> is a one-of-a-kind illustrated anthology of short prose and prose poetry. It showcases works from many of the most exciting practitioners writing in English across the globe.</p><p>This includes work by luminaries such as Will Alexander, Indran Amirthanayagam, Nin Andrews, Maxine Chernoff, Denise Duhamel, Holly Iglesias, Peter Johnson, Luke Kennard, Naveen Kishore, Janice Lee, Jane Monson, Mariko Nagai, Nguyn Phan Qu Mai, Alvin Pang, Lauren Russell, Fiona Sampson, Ian Seed, Sudeep Sen, John Skoyles, Donna Stonecipher, Sam Wagan Watson, Cyril Wong, Nicholas Wong, Jenny Xie and Gary Young.</p><p>The volume is edited by the award-winning Australian prose poets Cassandra Atherton and Paul Hetherington who recently published the definitive book about the form, <i>Prose Poetry: An Introduction</i> (Princeton University Press, 2020), and the authoritative <i>Anthology of Australian Prose Poetry</i> (Melbourne University Press, 2020). The book is illustrated by renowned artist and publisher, Phil Day, whose work recently appeared in the <i>New Yorker</i>.</p><p>The anthology is titled <i>Alcatraz</i> largely because of the playfulness inherent in the word, which contains the first and last letters of the English alphabet in first and last positions. Contributing writers were asked to respond to the idea of 'Alcatraz' in any way they chose  whether directly or more tangentially. This resulted in a wonderful series of responses, taking on and expanding a wide array of the associations connected to this historically loaded word.</p><p>The book is highly inventive in its layout, with contributions appearing according to their length. This means that the book moves from the shortest to the longest pieces and the illustrations complement the shape of the written pieces. They are line drawings, playing on the idea of taking a line from the work and representing it obliquely without ever overwhelming it.</p><p><i>Alcatraz</i> is a creative, unusual and distinctive volume celebrating international collaboration and the special magic that happens in the meeting of short prose works and visual art.</p><p></p><p><i>Alcatraz</i> includes works by:</p><p>Will Alexander</p><p>Indran Amirthanayagam</p><p>Nin Andrews</p><p>Sally Ashton</p><p>Cassandra Atherton</p><p>Stuart Barnes</p><p>Linda Black</p><p>Jessica Bundschuh</p><p>Anne Caldwell</p><p>Anthony Caleshu</p><p>Maxine Chernoff</p><p>Paul Christiansen</p><p>Denise Duhamel</p><p>Carrie Etter</p><p>Gerald Fleming</p><p>Jeff Friedman</p><p>Oz Hardwick</p><p>Bob Heman</p><p>Xavier Hennekinne</p><p>Paul Hetherington</p><p>Cindy Hochman</p><p>MC Hyland</p><p>Holly Iglesias</p><p>Brenda Iijima</p><p>Peter Johnson</p><p>S. K. Kelen</p><p>Luke Kennard</p><p>John Kinsella</p><p>Naveen Kishore</p><p>Janice Lee</p><p>Gian Lombardo</p><p>Kathleen McGookey</p><p>Alyson Miller</p><p>Jane Monson</p><p>Margaret Moores</p><p>Paul Munden</p><p>Mariko Nagai</p><p>Sawako Nakayasu</p><p>Nguyen Phan Que Mai</p><p>Geoff Page</p><p>Alvin Pang</p><p>Jonathan Penton</p><p>Meg Pokrass</p><p>Lee Ann Roripaugh</p><p>Lauren Russell</p><p>Sarah M. Sala</p><p>Fiona Sampson</p><p>Kristin Sanders</p><p>Ian Seed</p><p>Sudeep Sen</p><p>John Skoyles</p><p>Donna Stonecipher</p><p>Ruth Stacey</p><p>Marc Vincenz</p><p>Samuel Wagan Watson</p><p>Amelia Walker</p><p>Jen Webb</p><p>Jessica L. Wilkinson</p><p>Cyril Wong</p><p>Nicholas Wong</p><p>Jenny Xie</p><p>Gary Young</p><p></p><p>Illustrator:</p><p>Phil Day</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A unique experience. A novel in 'spindle' sonnets. A drama. An impassioned cry for a beautiful and stolen world under threat. A 'protester' who has been living in a shallow cave in the limestone cliff in front of Bathers Beach under the colonial Round House prison in Fremantle is arrested for demonstrating against the late 80's visit of the nuclear-armed 7th Fleet. In the cells the 'protester' witnesses police violence and threatens to tell what they have seen. An act of declaration becomes entangled with what is happening outside the cells. This haunting incantation looks back before and after these events, to the present day. The sea, the coast around Fremantle, the &amp;#x27;Scarp&amp;#x27;, all come into play in a work that attempts to decolonise the space, to contest nuclear, military and colonial power without claiming any rights over country.</p><p><b>'In this verse-paced novel Kinsella never quite uses Auden's phrase in The Fall of Rome - 'altogether elsewhere'</b> <b>- but we sense the priorities and judgement of the natural environment, and of an older world. Coastal birds and dolphins are among his observers, and we too feel the wind and ocean currents fall and rise so that, despite surveillance and silencing, we may also remember and join in bearing witness.' - Kim Scott</b></p><p><b>'A book against laughter and forgetting if ever there was one. Moving, incandescent, quietly devastating...</b><b><i>Cellnight</i></b><b> is contemplative, fiercely elegiac, and a panoramic ode to Whadjuk Noongar country and anti-ode to its settler colonial overlay. As Kendrick Lamar said: the judge make time. So does Kinsella.' - Declan Fry</b></p><p><b>'To open</b> <b><i>Cellnight</i></b><b> is to encounter John Kinsella's cat's cradle of a verse novel - intersecting threads pulled tight and tense between prison bars, protest signs, booze bottles and warships. Feathered visitors also flit among the narrative fibres, bearing witness to the fists raised over prone and vulnerable bodies in the carceral corners of a swelling port city.' - Cass Lynch</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John Kinsella</b> lives on Ballardong Noongar land at 'Jam Tree Gully' in the Western Australian wheatbelt, and went to high school on Yamaji land in Geraldton, and has also lived in USA, UK, Ireland and other zones. His recent publications include the poetry volumes <i>The Weave</i> with Thurston Moore (UWAP 2020) and <i>The Ascension of Sheep</i>, <i>Collected Poems Volume One (1980-2005)</i> (UWAP 2021). Previous story collections include the awards-listed <i>Pushing Back</i> (Transit Lounge 2021) and <i>Old Growth</i> (Transit Lounge 2017). His memoir <i>Displaced: A rural life</i> was published by Transit Lounge in 2020.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>&amp;#x27;The poems in Sometimes's collection deftly transcend both spatial scales and time scales. From one line to another we careen across the universe. We fast-forward from the first picosecond of stuff forming in the universe to a Christmas card, millennia later. Her depiction of time and dynamism is visceral  things froth and whizz and quiver in a temporospatial-grammatical practice. We become aware of the minutiae of a life, and of a language, against both vast and infinitesimal phenomena in the universe.</p><p>Sometimes has written the celestial subjectively  or is it the subjective celestially?  and smears the lines between the practices of cosmology, poetry, and astrophysics. After reading this collection, it seems to me like poetry is as valid a method of interrogating the universe as any other.&amp;#x27; - Andrea Rassell</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alicia Sometimes</b> is an Australian poet, writer and broadcaster. She has performed her poetry at many venues, festivals and events around the world and is director of two international science-poetry planetarium shows.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A chronicle of the early days of performance poetry, presented as a road trip in verse by one of its greatest practitioners.</b></p><p>This book-length verse narrative is about a so-called 'Dirty T-Shirt Tour', on which a group of Australian poets travel to cities in the United States and Canada in the mid-1980s, to give readings. It is composed as a diary, written from the point of view of one of the poets, who finds himself at odds with the others by virtue of his migrant background, and his commitment to 'performance' poetry. It is his first visit to America, which he views with both wonder and alarm. Isolated in the group by his commitment to a poetics of 'utterance', he finds friendship and acclamation in his audiences and the people he encounters on the street. The tensions portrayed extend beyond the group to encompass issues of racism, sexism and class, as the book offers snapshots of American society, as viewed by the outsider, which are in themselves an expression of his performance poetic. <i>The Tour</i> stands as a chronicle of the difficulties and triumphs of performance poetry, of which Pi.O. was one of the pioneers, long before it became the popular form it is today.</p><p><b>&amp;#x27;.. follows no form but his own, a text for spoken performance punctuated by pop-up commas and slashes that pause or jolt...[his] anarchist aesthetic locates the scurrying phrase, the overlooked figures, the extraneous observation in epic scale as Joyce, in modernist commandment, had displayed throughoutUlysses.&amp;#x27; - Gig Ryan, </b><b><i>Sydney Review of Books</i></b></p>]]></Text>
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			<SubjectHeadingText>Pulitzer Prize Winner; National Book Award Winner; Academy Award-Winning author; sonnets; experimental poetry; music; Chopin; key; experimentation; fugue; language; poetry; Refrain; Volta; Quatrain; Meter; Iambic Pentameter; Los Angeles; Relationships; spirituality; compassion; despair; unconventional; ekphrasis; short; Petrarchan; preludes</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Author of the instant national bestsellers, <i>James</i> and <i>Erasure</i>  the inspiration for the Oscar-winning film <i>American Fiction</i>  Percival Everett is diving back into poetry with his spellbinding new collection, <i>Sonnets for a Missing Key</i>. Inspired by the Preludes of Chopin and the piano solos of Art Tatum, these sonnets leap and turn through philosophical musings accrued across a life well lived, with inventive language, crystalline imagery, and turns of phrase that lift off the page and glimmer. Everett's sonnets soar through the musical scale, from A Minor to A Major, exploring relationships, spirituality, compassion, despair, and how the stories we tell ourselves shape our realities.</p><p>Everett continuously defies convention with every creative expression and brings his literary audacity back to his poetic roots with this, his sixth collection with Red Hen Press.</p><p><i>Sonnets for a Missing Key</i> is a mesmerising feat of language that reinforces Percival Everett as one of the great wordsmiths of the century.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Percival Everett</b> is the author of more than thirty books of fiction and poetry. Among his works are <i>James</i>, <i>The Trees</i>, <i>Erasure</i>, and <i>Dr. No</i>. He has been awarded the PEN/Jean Stein Book Award, the Windham-Campbell Prize for Fiction, a Creative Capital Award, and a Guggenheim. He has been a finalist for the Pulitzer Prize, the Booker Prize, and the PEN/Faulkner Award. He is a Distinguished Professor of English at the University of Southern California. </p>]]></Text>
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