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			<Text textformat="02"><![CDATA[<p><i>'My primary mode of transport is my feet. <br/>It's the way that I orient in the world. <br/>It's also the way to honour being in place.' <br/>Jazz Money</i></p><p><i>'We make a city our own by noticing.' <br/>Gail Jones</i></p><p><i>Walking Sydney</i> invites us to walk with a city's writers as they share places of home and imagination. From suburban streets to the shores of the harbour, as we walk amid diasporas, countercultures, activists, artists, dreamers and thieves, the city comes alive with story. Written by Belinda Castles from walks taken with fifteen writers, <i>Walking Sydney</i> is an opportunity to see the city afresh.</p><p>Eveleigh and Carriageworks with Jazz Money  Surry Hills with Fiona Kelly McGregor  The Rocks, Walsh Bay and Circular Quay with Gail Jones  Parramatta with Eda Gunaydin  King Street, Newtown with Vanessa Berry  Freshwater with Malcolm Knox  Yagoona and Bankstown with Sheila Ngc Phm  Rushcutters Bay Park and Elizabeth Bay with Delia Falconer  North Willoughby and Middle Cove with Jakelin Troy  Casula and Liverpool with Max Easton  Kings Cross, Elizabeth Bay, Darlinghurst and Surry Hills with Neal Drinnan  Bronte and Clovelly with Beth Yahp  Bankstown and Punchbowl Boys' High School with Michael Mohammed Ahmad  Cooks River with Michelle de Kretser  City and Redfern with Larissa Behrendt.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Belinda Castles</b> is the award-winning author of four novels, <i>Bluebottle</i>, <i>Hannah and Emil</i>, <i>The River Baptists</i> and <i>Falling Woman</i>, and editor of the collection <i>Reading Like an Australian Writer</i>. She teaches writing at the University of Sydney. </p>]]></Text>
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			<SubjectHeadingText>Hal Wootten; Human Rights; Law; law; Aboriginal rights; human rights; native title; lawyers; land rights; Indigenous rights; justice; Mabo; PalestineIsrael; PNG; Aboriginal Legal Service; Royal Commission into Aboriginal Deaths in Custody; Stolen Generations; conservation; environment; evidence; UNSW Law and Justice</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>John Halden 'Hal' Wootten (19222021) made contributions to the law and public life that were extraordinary in their breadth, vision and lasting significance. This book brings together the best of his speeches and writing on the subjects he felt passionately about and knew so well  justice for Indigenous Australians, international development, environmental protection, legal education, the responsibilities of the legal profession and the tragedy of Palestine. His work is as fresh and relevant today as when it was written.</p><p>Hal Wootten's commitments reflected the stages of a remarkable career, from a young lay anthropologist in Papua New Guinea to octogenarian observer of the IsraeliPalestinian conflict. These were bookends to his working life as barrister, dean of law, Supreme Court judge, Royal Commissioner into Aboriginal Deaths in Custody and President of the Australian Conservation Foundation. Throughout all these different roles, Hal retained a clarity of moral vision, memorably captured in his expressed commitment and concern for 'those upon whom the law bears harshly'.</p><p>In this collection of essays, speeches and unpublished work, David Dixon and Andrew Lynch present Wootten's contribution to shaping a more just society.</p><p><b>'We all continue to benefit from Hal's legacy of "living greatly in the law" through the generations of lawyers he has educated and inspired. This important book introduces his vision to the next generation.'  Jennifer Robinson</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Emeritus Professor <b>David Dixon</b> was Dean of Law at UNSW (200616). Hal Wootten was his friend and mentor. David's books and papers focus on the relationship between legal regulation and policing practice, including edited collections <i>A Culture of Corruption: Changing an Australian Police Service</i> (Institute of Criminology) and <i>The Integrity of Criminal</i>. He has also served as editor of the <i>Australian &amp; New Zealand Journal of Criminology</i> and as international editor of the British Society of Criminology's journal, <i>Criminology &amp; Criminal Justice.</i></p><p></p><p>Professor <b>Andrew Lynch</b> is Dean of Law at UNSW and in his almost 20 years at UNSW has shared in the appreciation of all that Hal achieved in his founding of the law school, as well as the remarkable example he continues to set for the University's students of a life lived with commitment to both professional excellence and justice. His experience as an editor of books includes <i>Counter-Terrorism and Beyond: The Culture of Law and Justice After 9/11</i> (Routledge 2010), <i>Tomorrow's Federation: Reforming Australian Government</i> (Federation Press 2012), <i>Great Australian Dissents</i> (CUP 2016) and <i>The Judge, the Judiciary and the Court: Individual, Collegial and Institutional Judicial Dynamics in Australia</i> (CUP 2021).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>'... the sky detonated into chandeliers of light, and the Harbour Bridge was illuminated with Eternity, but the dawning of the new millennium was for me an anticlimax. Nothing had really changed; you were still dying, and no amount of pretty, sequined light floating from the heavens was going to reverse your fate.'</i></p><p>When Mandy Sayer learns of her father Gerry's diagnosis of terminal cancer, she faces a reckoning with past and future as she learns to navigate a precarious present. This is the joyous and nuanced account of her father's later life, his illness and the beautiful moments, music and memories of earlier times they share, yet it is also a fearless exploration of inescapable grief. </p><p>And an unfurling story of new love. Most of us will face the death of a cherished parent, and we all know the euphoria of falling in love. But few of us will experience both at the same time. Mandy's clear-eyed memoir is an unforgettable love letter from a daughter to her father and a wife to her husband. </p><p><i>No Dancing in the Lift</i> is rich in intimate anecdotes begging to be shared. Evocative, funny, uplifting and heartbreaking, Mandy Sayer writes with a vivacious and lyrical grace. </p><p><b>'Mandy Sayer's storytelling is unforgettable music.'  Maxine Hong Kingston, author of Woman Warrior</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The compelling and as-yet-untold story of the Australian women whose secret work helped to end World War II.</b></p><p>Many swore they would keep their covert roles hidden, even from their families. Eighty years later, their intriguing stories are starting to emerge.</p><p>As World War II climbed to its crescendo in the Asia-Pacific, the Australian government called in a new weapon: women. Within this female arsenal was a top-secret group focused on signals intelligence.</p><p>These young women, many just teens, were soon dotted across Australia, working in discreet locations  from an outback bunker disguised as a farmhouse to a Melbourne apartment block, from the garage of a Brisbane manor to a Perth girls' school. As war inched closer to home, they became our secret weapon, intercepting enemy messages and passing intelligence between local networks and allies across the globe, from Bletchley Park to the United States and across the Asia-Pacific. Some information was so sensitive it was burned to ensure its security. Their covert work helped the Allies win the pivotal battles of the Coral Sea and Midway, and plot the assassination of the Japanese commander behind the Pearl Harbour bombings.</p><p>When war ended, the women rejoiced. Demobilised and reminded of their oaths of secrecy, they returned to civilian lives. Some followed careers, others married and raised families. Their service remained hidden  until recently.</p><p>This is not just an extraordinary war story, but a coming-of-age tale for the nation and its women. It brings to life a new Anzac, neither male nor bloodied from battle. It is time to write these remarkable women back into our history, where they belong.</p><p><b>'A fascinating read about the women at the heart of Australia's covert war operation. These women, who kept silent for 40 years about the undercover operations that helped change the course of WW2, should be honoured and their work known. It's time their part in Australia's top secret wartime operation is properly told.'</b> <b></b> <b>Lisa Millar</b></p><p><b>'When the Second World War erupted in 1939, Australia's women declared that rather than stand behind their men, they wanted to stand with them. Diana Thorp's lively account of the women entrusted with transmitting and keeping Australia's war secrets deftly blends national and personal histories to tell their extraordinary stories.'</b> <b></b> <b>Michelle Arrow</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>1975 was a year to remember. <i>Jaws </i>and <i>The Rocky Horror Show</i> filled cinemas and <i>Picnic at Hanging Rock</i> and <i>Sunday too Far Away</i> proved that Australians wanted to see their own stories on the big screen. Australia's favourite television show <i>Countdown </i>provided a soundtrack for suburban life with glam rockers Sky Hooks and the infectious pop of Swedish Eurovision champions Abba. Flared jeans, platform shoes, and burnt orange dominated fashion, all gloriously rendered on brand-new colour television sets. </p><p>Overseas the war in Vietnam finally ended, Papua New Guinea became independent, and conflict erupted in East Timor. At home Prime Minister Gough Whitlam struggled with rising energy prices, unemployment, and economic stagnation while also introducing major social reforms including universal health care and no-fault divorce. The year ended dramatically when Governor-General Sir John Kerr dismissed Whitlam's government on 11 November, quickly followed by an election in December ushering in Malcom Fraser as Australia's new prime minister. </p><p>Now, 50 years on, the National Library of Australia looks back on this amazing year and reflects on what it was like to live in the seventies. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>In 1911, English-born Charles Weston climbs Mount Ainslie to the crest of a landscape that has become the site for the Australian capital. Down on the flats, in the harsh sunlight of an April noon, occasional clumps of sheep feed into the prevailing westerly on the scant leavings of an insatiable swarm of rabbits. </i></p><p>On the denuded, rabbit-infested Limestone plains, Charles Weston embarked on an ambitious re-greening project that would transform the region and the fledgling nation's capital.</p><p>London-born Weston rose through the massive British gardening industry in the second half of the 19th century, becoming Foreman of 79 gardeners at the magnificent Drumlanrig Castle on the Scottish borders. With testimonials from the most influential Head Gardener in Britain, he migrated to Australia seeking new challenges free from the British class system and reached Sydney in 1896. In the wake of Federation in 1901, he set his sights on the greatest challenge of all  the new national capital. It was here that he gave life to his 'dream city', and the reforestation of its surrounds.</p><p>This highly readable story of the tree planter of Canberra includes familiar characters in Home Affairs Minister King O'Malley and Walter and Marion Griffin  portrayed in a surprising new light  and offers readers new insight into the making of the national capital. This is also a story of three million trees and shrubs from Australia and around the world, planted to create a template garden city, less susceptible to climate change.</p><p>This will be a book of interest to the great number of Canberran gardeners, garden-enthusiasts, park-goers and bushwalkers, and their interstate visitors. Lavishly illustrated with both historic and modern images that highlight the impact of Westons planting's on the Federal Capital.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Capturing the sounds and shifts of a bigger, brighter decade.</b></p><p>For better or worse, the 1980s shifted the dial on expectations about what pop and rock music should be. But the decade saw more than just mullets and shoulder pads. It was also the heyday of synth pop, the golden age of heavy metal and hip-hop, and the beginnings of acid house.</p><p>Buoyed by the extraordinary success of Michael Jackson's <i>Thriller</i> (still the biggest-selling album of all time), the 1980s saw new ways of experiencing music. The Sony Walkman shifted listening from a shared to a solo experience. Vinyl records gave way to cassettes, then CDs. The arrival of MTV saw music, television and consumerism merge an unholy alliance, while record producers became the new gurus of chart success. Against a climate of political conservatism and ostentatious materialism, the industry embraced the notion of charity rock, saw powerful female performers take centre stage and witnessed the subcultural stirrings of what was to come in grunge.</p><p>Witty, vivid and brimming with stories, <i>Mixtapes and MTV</i> charts the musical highs and lows of a tumultuous decade, which saw free-market economics, the AIDS crisis and the fall of the Berlin Wall. From Duran Duran to Run DMC, from Madonna to Metallica, and from Springsteen to Sinead O'Connor, this book offers new insight into the decade that fashion (arguably) forgot  but music did not.</p><p><b>'Tony Wellington writes passionately about music history. This book grooves like a mix of Adam &amp; The Ants and Prince. What's not to love?'  Stuart Coupe </b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Tony Wellington</b> is a writer, photographer and artist. His works include <i>Freak Out: How a Musical Revolution Rocked the World in the Sixties</i>, <i>Vinyl Dreams: How the 1970s Changed Music</i>, <i>Happy? Exploding Cultural Myths about Happiness</i> and a history of Noosa titled <i>Noosa and Cooloola</i>. He also co-authored (with John Shand) <i>Don't Shoot the Best Boy! The Film Crew at Work</i>, and he has produced several photography books including, most recently, <i>Wild About Noosa</i>. For many years Tony worked in the film and television industry as a scriptwriter, director and editor, and he lectured in media studies and film. He also worked as a visual artist and book illustrator. He holds a degree from Macquarie University and is a former mayor of Noosa Shire. He has three children and lives in the Noosa hinterland with his wife.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Freak Out</i> is Australia's coming-of-age story, how we as a nation responded to the global events that filled our daily news coverage, and how the music of the era was anthemic to that process. The gun was fired on a period of unprecedented innovation and creativity in pop and rock music, the likes of which have never been repeated.</p><p>Music spoke to young people in their own bespoke language, urging them to view themselves as decidedly separate from mainstream society  even suggesting they might 'drop out' altogether. For a brief time, millions of young people across western culture believed they could successfully reinvent society. Liberation for pacifists, women, people of colour, homosexuals, students and the oppressed seemed just a short revolution away.</p><p>There was no room for complacency or apathy in the face of the Vietnam War, Cold War, and dual threats of nuclear and environmental annihilation. Australians were spared the fear of bomb blasts, assassinations and kidnappings. Yet the ructions abroad invaded our national psyche, and the music that was generated in that milieu infiltrated Australian culture and transformed society forever.</p><p><b>&amp;#x27;I just finished </b><b><i>Freak Out</i></b><b>. I literally couldn't put it down. The combination of the strong memories it evoked and the new knowledge it delivered was irresistible. Right to the end Spotify allowed me to experience big gaps in my knowledge. King Crimson? I'd never heard of them but Wow! Over and above the superb research your moral concerns made this more than just a knowledge book. Your sympathy for bands that really cared about the horrors of Vietnam and attacked the brutal and stupid western Governments that prosecuted it was evident, as it was for bands that tackled injustice and racism and inequality. A lament in some ways for the time when the common good seemed important.&amp;#x27;   David Williamson</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Tony Wellington</b> has worked as a film-maker, artist, photographer, lecturer and writer. He was also the Mayor of Noosa Shire.</p><p>Tony graduated from Sydney's Macquarie University in 1976 with a BA majoring in Mass Media and Communications. He received the University Prize for his media studies.</p><p>He has worked on a freelance basis in the film and television industry, written books and articles, lectured in media, had exhibitions of his paintings around Australia, run folk clubs, recorded a CD of original songs, worked as a photographer, and published a regular political newsletter.</p><p>He is a father of three and keen surfer. Living in the hinterland of Queensland's premier holiday destination, Noosa, he gets to surf world-class point breaks and indulge his fascination with the natural environment.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Redtails in the Sunset</i> follows the story of an Aussie rules football team from Central Australia fighting to enter the game's final frontier and play in the Premier League in Darwin.</p><p>This book tells the gripping tale of a mighty four-year effort to take a rag-tag bunch of footy part-timers and community Countrymen head-to-head against their semi-professional city-cousin counterparts.</p><p>Coming up against the 'butterfly effect' of a rising bloc of south Asian nations, a footy chief whose inbox was redlining, flight timetable changes and a Red Centre 'jewel' that sat so close yet so agonisingly far, local representative football has never been so thrilling.</p><p>Wadjarri-Tharrgari man and long-time sportswriter Darren Moncrieff brings together his journalistic skills, love for Australian rules football and keen eye for humour to tell the inspiring story of the Redtails.</p><p>To this day, the Redtails legacy lives on through the Redtails Pinktails Right Tracks Foundation, which mentors and helps young people in Alice Springs, Tennant Creek and remote communities gain employment and become community leaders. Now a Central Australian success story, this is where its story began.</p>]]></Text>
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			<Text textformat="02"><![CDATA[These days, barely a week goes by without pointed media stories about the trans community, usually targeting trans women. They are likely to have a sensationalist headline and a salacious tone, and the writing is often ill-informed and vilifying. Favoured topics include women in sports, bathrooms, where prisoners are housed, and health care for tra]]></Text>
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			<Text textformat="02"><![CDATA[<p>These days, barely a week goes by without pointed media stories about the trans community, usually targeting trans women. They are likely to have a sensationalist headline and a salacious tone, and the writing is often ill-informed and vilifying. Favoured topics include women in sports, bathrooms, where prisoners are housed, and health care for trans and gender-diverse children and young people.</p><p>What tends not to be reported is the abuse, assaults and online hate that have become a daily experience for trans women, and the bullying that trans kids experience at school. Some of this is due to the ripple effects of the animosity spewed out by the so-called 'leader of the free world'. From the early days of his campaign for a second term as US president, Donald Trump has had the trans community in his sights, and he now appears intent on denying their very existence. But a broader dynamic seems to be a deep-seated intolerance, if not loathing, of trans people in our society.</p><p>Why are trans people so hated? Why have they become contemporary 'villains' and the target of so much prejudice and bigotry? And most importantly, how do we change this? Is it possible to move from blaming, shaming and excluding trans people to respecting, protecting and including them? These questions are at the heart of <i>Sex, Gender &amp; Identity: Trans Rights inAustralia</i>, alongside the goal of increasing community-wide understanding of this much maligned minority.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Paula Gerber</b> combines a sharp legal intellect with passionate advocacy to fight for the dismantling of discriminatory systems around the globe. She is a law professor at Monash University, and an internationally renowned expert on human rights law and LGBTQIA+ people. Paula has written and edited numerous books and articles on human rights issues, and she is regularly featured in the Australian media, including on ABC television and radio, and on <i>The Conversation</i>. She has also developed the website <a href="https://antigaylaws.org">https://antigaylaws.org</a>, basically the Google Maps of global LGBTQIA+ legal landscapes.</p><p>Paula is the Chair of Kaleidoscope Human Rights Foundation, a not-for-profit organisation that advocates for better protection of the rights of LGBTQIA+ people in the Asia-Pacific region, where many countries continue to persecute trans and gender-diverse people and criminalise same-sex sexual conduct.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Power is the only measure of a politician that matters. How they win power. How they wield power. How they lose power. This new edition of an Australian classic features a new introduction by the author taking into account the latest developments in Australian politics.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Finalist for the Walkley Book Award**</b></p><p><b>'Joel Deane writes about politics in the way it should be practised: with a cool head, a warm heart and a sense of humour.'</b> <b></b> George Megalogenis</p><p><b>'Deane's excellent book is a fascinating history of Labor politics.'  James Campbell,</b> <b><i>Herald Sun</i></b></p><p><b>'Fascinating. We glimpse a world of ruthless deal and bitter counter allegiance...A crisp telling that flashes with moments of the poet's lyricism and insight.' </b> <b><i>The Age / Sydney Morning Herald</i></b></p><p>Power is the only measure of a politician that matters. How they win power. How they wield power. How they lose power. This new edition of an Australian classic features a new introduction by the author taking into account the latest developments in Australian politics.</p><p><i>Catch and Kill</i> is an inside account of the beguiling and nomadic nature of that unholy trinity of politics. Taking us into the inner sanctum of state and national politics, Joel Deane investigates how four friends  Steve Bracks, John Brumby, John Thwaites and Rob Hulls  beat the factions, won office in Victoria, achieved progressive reforms, then tried to hijack Canberra. 'We were', Bracks says, 'a government that could catch and kill its own'.</p><p>Drawing on dozens of interviews with key figures, Deane provides a candid insight into the triumphs and failures of the Bracks-Brumby government, as well as those of its federal and state counterparts. He also shines a light on the personalities behind these decisions  their ambitions, their passions and their disappointments.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>How fossilised reefs hold clues to the survival of corals in the Anthropocene</b></p><p>With rising global temperatures, pollution, overfishing, ocean acidification, and other problems caused by humans, there's no question that today's coral reefs are in trouble. As predictions about the future of these ecosystems grow increasingly dire, scientists are looking in an unlikely place for new ways to save corals: the past. The reefs of yesteryear faced challenges too, from changing sea level to temperature shifts, and understanding how they survived and when they faltered can help guide our efforts to help ensure a future for reefs.</p><p>Lisa Gardiner weaves together the latest cutting-edge science with stories of her expeditions to tropical locales to show how fossils and other reef remains offer tantalising glimpses of how corals persisted through time, and how this knowledge can guide our efforts to ensure a future for these remarkable organisms. Gardiner takes readers on an excursion into 'the shallow end of deep time'  when marine life was much like today's yet unaffected by human influence  to explore the cities of fossilised limestone left behind by corals and other reef life millennia ago. The changes in reefs today are unlike anything ever seen before, but the fossil record offers hope that the coral reefs of tomorrow can weather the environmental challenges that lie ahead.</p><p>A breathtaking journey of scientific discovery, <i>Reefs of Time</i> reveals how lessons from the past can help us to chart a path forward for coral reefs struggling for survival in an age of climate crisis and mass extinction.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>O no Yasumaro</b> was a prominent Japanese nobleman and scholar of the Nara period. He was commissioned by the court to compile the <i>Kojiki </i>and collaborated closely with Hieda no Are, whose recited oral traditions formed the basis for the text. Yasumaro's work has been crucial in preserving Japan's culture and identity, shaping the nation's spiritual heritage.</p><p><b>Basil Hall Chamberlain </b>(1850-1935) was a British Japanologist who played a key role in introducing Japanese culture and language to the West during the late 19th and early 20th centuries. He was a prolific writer and translator of Japanese works including<i> The Classical Poetry of the Japanese, Things Japanese</i> and <i>Japanese Fairy Tales.</i></p><p><b>Matthieu Felt</b> is Assistant Professor of Japanese at the University of Florida, where he teaches courses on Japanese literature and culture. He received his Ph.D. in Japanese literature from Columbia University and is the author of <i>Meanings of Antiquity: Myth Interpretation in Premodern Japan</i>. He is currently working on a two-volume translation of <i>The Chronicles of Japan</i> for Oxford University Press.</p>]]></Text>
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			<SubjectHeadingText>Musashi Book of Five Rings lessons business; advantage leadership ego wisdom conflict; excellence decision-making; resolution personal development resilience success; setting intuitive action no-mind philosophy; strategy modern interpretation teachings sports; tactic competitive fields mental strength goal</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Musashi's timeless teachings distilled and presented in 42 easy lessons!</b></p><p><i>The Book of Five Rings</i> by Miyamoto Musashi, the legendary Samurai warrior, is the top-selling book on Japanese military strategy, one that continues to be read by hundreds of thousands of people today. In this contemporary interpretation, Boye Lafayette De Mente distills the essence of Musashi's teachings into 42 simple lessons that can be applied to any competitive field  business, sports, politics and everyday human interactions.</p><p><b>The 42 strategies revealed in this book include:</b></p><ul><li><b>Set Goals:</b> Clarify your objectives and remain unwavering on your path to success</li><li><b>Train to Win:</b> Embrace perpetual learning and avoid distractions to stay inspired and resilient</li><li><b>Clear Your Mind:</b> Musashi's key concept of 'no-mind' (the ability to act intuitively based on instinct, developed through endless practice) enables you to maintain focus and avoid ego-driven pitfalls</li><li><b>Confuse Your Opponent:</b> Gain strategic advantage by disguising your true intentions</li></ul><p>A new foreword by Musashi expert Alexander Bennett underscores how Musashi's tactics, developed in the 17th century, offer powerful insights for today's ambitious over-achievers  by helping you develop mental strength that defeats the physical and natural abilities of your opponents.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Boye Lafayette De Mente </b>(1928-2017) was a distinguished scholar of Japan, China, and Korea whose career began in the 1940s. His experience spanned roles as a member of a U.S. intelligence agency, trade journalist, editor and author based in Tokyo, Seoul, Hong Kong and Singapore. A graduate of Jochi University in Tokyo and the American Institute for Foreign Trade (now Thunderbird School of Global Management), De Mente wrote over 70 books, including<i> Japan's Cultural Codewords </i>and <i>The Etiquette Guide to Japan.</i></p><p><b>Alexander Bennett</b> is professor of Japanese history and Budo theory at Kansai University. He co-founded and publishes Kendo World, the first English-language journal dedicated to Kendo. He holds black belts in numerous martial disciplines including Kendo Kyoshi 7-dan, Iaido 5-dan and Naginata 5-dan. His published works include<i> The Complete Musashi: The Book of Five Rings and Other Works</i> and<i> Hagakure: The Secret Wisdom of the Samurai.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[Sarah Gerrard-Jones masterfully explores the psychology behind our attraction to houseplants, and the benefits of keeping plants in our homes, from the healing qualities of biophilic design to the philosophy of care.]]></Text>
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			<Text textformat="02"><![CDATA[<p>The desire to cultivate indoor plants is shared by all of us. Houseplants are more than mere decoration: they improve our moods, can be used to treat ailments, and reflect our ever-evolving relationship with nature. Sarah Gerrard-Jones masterfully explores the psychology behind our attraction to houseplants, and the benefits of keeping plants in our homes, from the healing qualities of biophilic design to the philosophy of care.</p><p>Practical sections provide fundamental advice on looking after plants and nurturing them back to life, and she also advises on buying plants and the perils of mass production, so that we can all acquire and grow houseplants sustainably.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>'History, it seems, is seldom written by the tattooed.'</p><p>In this impressively broad yet personal account, John Miller  'a conventionally dressed middle-aged academic with a full bodysuit'  explores tattooing as a unique expression of individual, cultural and national identity.</p><p>As the inherent shock factor of tattooing in the west decreases, tattoos are becoming more extensive, public and challenging in response, prompting an upsurge in 'extreme' tattooing. In an age of aesthetic obsession, the tattoo  once the ultimate symbol of deviance  is now as commodifiable as anything else.</p><p>Resisting this apparent loss of the 'magic' of tattooing, The Philosophy of Tattoos returns to its origins in cultural locations as disparate as Polynesia, the Amazon and the Arctic to interrogate the innate human desire to mark the skin. It asks what the history of tattooing might tell us about that fundamental question: what does it mean to be human?</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>John Miller is Senior Lecturer in Nineteenth-Century Literature at the University of Sheffield and editor of the classic fiction collection Tales of the Tattooed, published by the British Library in 2019.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>From the head curator of the most famous cemetery in the world  a moving story about a place where joy, grief, and wild nature converge in unexpected and inspiring ways.</b></p><p><b>'Pere-Lachaise in Paris, whose tombs of Oscar Wilde, Jim Morrison, dith Piaf and many other artistic icons have made it a popular tourist draw, has become a haven for wildlife.'  from the </b><b><i>New York Times</i></b><b> profile of author Benot Gallot</b></p><p>For Benot Gallot, Pere Lachaise is best explored without a guide: <i>You're guaranteed to lose your way. You'll feel as though you've stepped out of time, out of Paris, and into another place entirely.</i> In his debut memoir, Gallot, head curator of Pere Lachaise and son of a grave stonemason, pulls back the curtains on his otherworldly workplace  a cemetery crammed with tourists in the high season and mourners year round, but also a natural paradise, where foxes roam, birds flit between trees, and wildflowers and moss encroach onto tombstones.</p><p>In elegant, engrossing chapters, Gallot reveals the secret world of Pere Lachaise  its Napoleonic origins, its unusual graves and monuments  alongside touching stories from his working life in the cemetery. Born into a family of undertakers, Gallot was named curator of Pere-Lachaise in his early-thirties, inheriting the complex job of managing over 100 acres of green space, overseeing 70,000 graves, and arranging burials and cremations, all while contending with millions of tourists  plus film crews, birdwatchers, ghost hunters, and the occasional nude performance artist. Gallot, who also lives on the cemetery grounds with his wife and young children, demystifies his unusual and often misunderstood profession, which in reality requires much more contact with living people than dead ones. In doing so, he provides insight into the history of graveyards and our evolving relationship with death.</p><p>Gallot also shares vivid descriptions of flora and fauna, which have reemerged in recent years thanks to a huge rewilding effort. Initially unsure about the idea, he embraced it as the cemetery alleys blossomed and birdsong proliferated. Then in April 2020, with the city in lockdown, Gallot took an early-morning stroll and crossed paths with a fox  in the middle of Paris! He snapped a picture and posted it, unwittingly setting off a media frenzy. Gallot's daily photographs of Pere-Lachaise's flourishing animal and plant life have attracted followers from around the world, helping to change the public perception of cemeteries, which ultimately exist as places for the living.</p><p>A bestseller in France, lauded as 'a superb book...full of humor, empathy, and great sweetness' by the French literary press, <i>The Secret Life of a Cemetery</i> is a life-affirming read that will stand the test of time.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Benot Gallot</b> has been the curator of Pere Lachaise Cemetery since 2018 and was born into a family of grave stonemasons. His Instagram account, @la_vie_au_cimetiere, has attracted a growing community of followers captivated by his photographs of the animals that have made the Parisian landmark their home. He lives on the grounds of the cemetery with his family.</p><p><b>Arielle Aaronson</b> is a French-to-English translator of books, films, TV, and more. Her translations have been shortlisted for the 2023 Governor General's Literary Award and longlisted for the 2021 Canada Reads book of the year. She lives in Montreal, Quebec, with her family.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Trolls have escaped from the black lava wastes of Iceland and the dense pine forests of Scandinavia to take on a new life in the collective global imagination. They may not steal goats and eat people quite so much, but they remain disruptive and dangerous, even if their limited imaginations sometimes make them comic and even quite likeable.</i></p><p>Emerging from Scandinavian mythology, trolls are contradictory creatures: fleshy in their desires but turning to stone in sunlight, as large as slumbering mountains or small enough to help you with your washing, charmingly charmless or genuine threat. They lurk in pine forests and peat bogs, overrunning homesteads, abducting princesses and generally nagging society with their troublesome presence.</p><p>Immortalised in the artworks of Theodor Kittelsen, John Bauer and Erik Werenskiold, this beautiful little book follows their journey from the dense forests of Norway to Middle-earth.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The Polarising Legacy of the Twilight Saga.</b></p><p>Why does the <i>Twilight </i>saga  Stephenie Meyer's <i>Twilight </i>books, movies, and unforgettable characters  continue to inspire both passionate fandom and heated critique? In <i>Why We Love (and Hate) Twilight</i>, Sarah Elizabeth Gallagher unpacks the cultural obsession with Bella Swan, Edward Cullen, and the supernatural love story that redefined YA literature and pop culture forever.</p><p><b>Explore the Phenomenon That Sparked a Generation.</b></p><p>Delve into the world of Stephenie Meyer's <i>Twilight </i>series  the books, movies, and cultural whirlwind that have captivated and divided fans for over a decade. <i>Why We Love (and Hate) Twilight</i> examines the global sensation through a fresh, thought-provoking lens, exploring why it continues to ignite adoration and debate alike.</p><p><b>From Edward and Bella to Taylor Lautner's Werewolf Charm.</b></p><p>This book dives deep into the Twilight Saga book set, from <i>New Moon</i> to <i>Breaking Dawn Part 2</i>, unpacking the stories, characters, and themes that have kept Twilight in the spotlight. Whether you're fascinated by Bella Swan's journey, mesmerised by Edward Cullen's allure, or just curious about the frenzy behind the movies, Sarah Elizabeth Gallagher offers insights for every kind of reader.</p><p>Inside, you'll find:</p><ul><li>A behind-the-scenes look at the making of the Twilight movies and their role in shaping modern YA adaptations.</li><li>An exploration of the series' themes of love, identity, and power, and how they resonate with readers across generations</li><li>A discussion of the controversies surrounding Twilight, from its depiction of relationships to its influence on pop culture</li><li>Insights into the impact of the Twilight fandom, including fanfiction, conventions, and the rise of 'Team Edward' and 'Team Jacob'</li><li>An analysis of how <i>Twilight</i> paved the way for other supernatural romance phenomena in books and film</li></ul><p>If you liked <i>Midnight Sun, Life and Death</i>, or <i>Why We Love Middle-Earth</i>, you'll love<i> Why We Love (and Hate) Twilight.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sarah Gallagher</b> is a content creator who's been making content primarily on TikTok since January 2021. While she talks about pop culture and literature generally, her major focus has been on The Twilight Renaissance and all things <i>Twilight</i>. Because of her expertise, she has been featured in<i> Rolling Stone, MSNBC, Buzzfeed,</i> and <i>Business Insider.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>For Fans of the Tales of Tolkien, Middle-earth, and More</p><p><b>Learn about the man who wrote</b><b><i>The Lord of the Rings</i></b><b>in this Middle-earth treasury. Full of answers to common questions asked by readers to learn about Middle-earth and the fandom, this book about Tolkien celebrates</b><b><i>Why We Love Middle-earth.</i></b></p><p><i>TheLord of the Rings</i>omnibus for all. Who wrote<i>The Lord of the Rings</i>? What details are in the movies, books, and other stories  and how do they tie together? Intrigued by Amazon's new show<i>The Lord of the Rings</i>: <i>The Rings of Power</i>? What's the story as Tolkien told it? Dive into Middle-earth's expansive lore with<i>Why We Love Middle-earth</i>, a fandom book about Tolkien's work.</p><p>The perfect companion for any Middle-earth traveller.Written by beloved Tolkien commenters of<i>The Prancing Pony Podcast</i>, Shawn E. Marchese and Alan Sisto,<i>Why We Love Middle-earth</i>is the ultimate guide tothe fandom. Newcomers and existing fans of Tolkien will revel in the dragon's hoard of information inside.</p><p>Inside, find:</p><ul><li>A brief history of Tolkien's creation of Middle-earth, including facts you likely never knew</li><li>A recommended reading order for Tolkien's major works, and the reasoning behind it</li><li>An introduction to some of the real-world influences that inspired Tolkien</li><li>An overview of some of the most popular branches of the fandom, including adaptations, collecting, languages, and more</li><li>Original illustrations of Middle-earth by illustrator Emily Austin</li></ul><p><b>If you enjoy fandom books or a good book about Tolkien's works such as</b><b><i>Atlas Of Middle-Earth,Recipes from the World of Tolkien</i></b><b>, or</b><b><i>Why We Love Star Wars</i></b><b>, you'll love</b><b><i>Why We Love Middle-earth.</i></b></p><p><b>'...a great resource for readers and film-viewers who are new to Tolkien and curious about all things Middle-earth.'  Corey Olsen, The Tolkien Professor and president of Signum University</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Shawn E. Marchese</b> went down the hobbit hole in his teens after finding a reference to Tolkien in a book about Pink Floyd, and has been in love with Middle-earth (and progressive rock) ever since. He's especially drawn to the linguistic aspects of Tolkien's work, and shares his obsession for languages with listeners every week as <i>The Prancing Pony Podcast</i>'s resident word-nerd. Shawn met Alan seven years ago in a Facebook group for Tolkien fans, and still remembers the day he casually agreed to do a podcast with him 'like, maybe once a month'. When not working on the podcast, Shawn can be found at his day job as a compliance officer, writing, brewing ales, or working on his geeky dad credentials with his wife and two children in Austin, Texas. <i>The Prancing Pony Podcast</i> was the winner of the Tolkien Society 2020 <i>Award for Best Online Content</i>.</p><p><b>Alan Sisto</b> has been reading Tolkien since the Rankin &amp; Bass animated Hobbit came out before he was born. Or right after. An all-around Tolkien nerd, Alan can be found enjoying Tolkien's lesser-known works  'Leaf by Niggle' is his favourite  just as often as he gets lost in First Age histories and Third Age adventures. Alan has worked with Shawn for nearly six years to grow <i>The Prancing Pony Podcast</i> each season, and spends much of his working time producing the show. He also provides narration and commercial voiceovers (alansisto.com) and has also been an architectural photographer for 15 years (freshpageimages.com). He lives in Southern California with his wife and two children, who give him the freedom to indulge his inner nerd.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Make magic (and maybe a little bit of chaos) in the kitchen with more than 100 recipes from online sensation Alix Traeger!<br/><br/> If mistakes are for learning from in life, why should the kitchen be any different?</b><br/><br/> If you've ever added salt to your cookie dough instead of sugar or set off the smoke detector while searing on the stovetop, you are not alone! Internet darling Alix Traeger grew up going viral with BuzzFeed Tasty hands &amp; pans videos-so she's been there and done that. But unlike so many online perfectionists, she believes in letting your blunders lead the way!<br/><br/>Alix's long-awaited debut cookbook,<i>Scratch That</i>, is filled with creative, delicious, decadent recipes - many of which were born from her signature process of trial and error. These recipes are fun and approachable: The book is organized into recognizable categories such as Weekend Breakfast (best served after sleeping in), Dips, Snacks, and Apps (for a party or a party of one), Sweet Treats (for your sweet tooth), and more. Standouts include her soon-to-be-famous Banana Pudding Banana Bread, shareableSizzled ScallionStuffed Flatbread, snackablePotato Chip Onion Rings, go-toSheet Pan Chicken Shawarma, and tastes-as-good-as-it-looksHeirloom Tomato &amp; Potato Salad with Hot Honey Vinaigrette - perfect for spicing up your feed. Best of all, every single recipe shares a piping HOT TIP from Alix to help you avoid or fix common cooking errors - all of which she learned the hard way, so you don't have to! You're sure to find plenty of new favourites, and as long as you laugh through the (potentially) messy process, you're doing it right!</p><p><b>Perfect for fans of Buzzfeed's Tasty cookbooks or her viral tiktok recipes, Alix Traeger's</b> <b><i>Scratch That</i></b><b> brings a fresh perspective to home cooking that celebrates both successes and failures. The ultimate cookbook for beginners, it offers over 100 approachable recipes alongside practical tips for avoiding (or fixing) common kitchen mishaps. Anyone in search of fun cookbooks will enjoy Traeger's signature blend of humour and practicality that prove making mistakes in the kitchen isn't just okay  it's part of the process!</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alix Traeger</b> is a longtime food &amp; lifestyle creator; her approachable recipes and playful flair have garnered her over 2 million followers across social media. Known for her viral recipe videos during her time as a video producer at BuzzFeed Tasty, Alix has since taken her talents beyond the Tasty kitchen, sharing her deliciously messy adventures on YouTube, Instagram, TikTok, and her Substack, <i>A to Z</i>. She's all about embracing the messiness of life and cooking, learning and laughing along the way.<br/></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Writer Cate St Hill believes our homes have the power to become our inner sanctuaries, soothing our souls and nurturing our wellbeing. She takes inspiration from the concept and traditions of Japandi, a hundred-year-old set of lifestyle principles that draw from Scandinavian and Japanese design ethoses.</p><p>In this book, Cate takes readers far beyond the design trend, introducing them to the connection between aesthetics and well-being that is at the heart of this style. The book opens with an introduction to traditional Japanese and Scandinavian design philosophies, putting forward the idea that the concept of Japandi is nothing new, but has far-reaching foundations.</p><p>The following chapters each focus on a different aesthetic theme, covering everything from colour and texture, to decluttering and simplifying, as well as designing for well-being. Japandi Home is packed with gorgeous imagery, insightful features from contributing experts, and design inspiration readers can implement in their own homes.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Cate St Hill</b> holds a master's in Architectural History from the Bartlett School of Architecture and was previously a design journalist for the architectural magazine <i>Blueprint.</i> She now works as an interiors writer, stylist, and consultant with a focus on simple living and well-being in the home. Her work has been featured in <i>The Times, The Telegraph, Stella, Grazia, House Beautiful</i>, and <i>Elle Decoration Denmark,</i> and she is the author of <i>This Is Temporary: How Transient Projects are Redefining Architecture</i> for the Royal Institute of British Architects (RIBA).</p>]]></Text>
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			<SubjectHeadingText>Aaron Burr; Abigail Adams; Acquiescence; Agriculture; Albert Gallatin; Alien and Sedition Acts; Amendment; Angelica Schuyler Church; Apathy; Benjamin Hawkins; Benjamin Rush; Bigotry; Burr (novel); Censure; Charles Alexandre de Calonne; Charles Cotesworth Pinckney; Consent of the governed; Consideration; Despotism; Elbridge Gerry; Every Nation for Itself; Freedom of religion; Freedom of speech; General Government; George Wythe; Good faith; Gouverneur Morris; Habeas corpus; Hatred; I Wish (manhwa); James Maury; James Monroe; John Trumbull; Joseph Priestley; Laborer; Legislature; Literature; Martha Jefferson; Martha Jefferson Randolph; Martin Van Buren; Meriwether Lewis; Monarchy; Multitude; Natural and legal rights; Newspaper; Notes on the State of Virginia; Of Education; Original intent; Overreaction; Philosopher; Philosophy; Politics; Poplar Forest; Prejudice; Puritans; Republicanism; Richard Henry Lee; Ridicule; Sensibility; Slavery; Superiority (short story); Tax; The Philosopher; Thomas Jefferson; Thomas Jefferson Randolph; Thomas Paine; Timothy Pickering; Whiggism; William Stephens Smith; Writing</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The most comprehensive book of quotations by the most quotable Founding Father</b></p><p>More than any other Founding Father, Thomas Jefferson made his reputation on the brilliance of his writing. John Adams chose the 33-year-old Jefferson to draft the Declaration of Independence largely because of his 'masterly Pen'. The genius of the Declaration and Jefferson's later writings amply confirmed Adams's judgment. Few writers have said so much on so many subjects  and said it so well  as Jefferson. <i>The Quotable Jefferson</i>  the most comprehensive and authoritative book of Jefferson quotations ever published  demonstrates that as does no other book.</p><p>Drawing primarily on <i>The Papers of Thomas Jefferson</i>, published by Princeton University Press, John Kaminski has carefully collected and cleverly arranged Jefferson's pronouncements on almost 500 subjects, ranging from the profound and public  the Constitution  to the personal and peculiar  cold water bathing.</p><p><i>The Quotable Jefferson</i> is the first book to put Jefferson's words in context with a substantial introduction, a chronology of Jefferson's life, the source of each quotation, an appendix identifying Jefferson's correspondents, and a comprehensive index.The main section of Jefferson quotations, which are arranged alphabetically by topic, is followed by three other fascinating sections of quotations: Jefferson on his contemporaries, his contemporaries on him, and Jefferson on himself.</p><p>This book will delight the casual reader and browser, but it is also a serious and carefully edited reference work. Whatever the subject, if Jefferson said something memorable about it, you are likely to find it here.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Thomas Jefferson</b> (17431826), one of America's most important Founding Fathers, was the third president of the United States, the founder of the University of Virginia, the principal author of the Declaration of Independence, and the author of <i>Notes on the State of Virginia</i>. </p><p><b>John P. Kaminski</b> is the founder and director of the Center for the Study of the American Constitution in the Department of History at the University of Wisconsin, Madison. He is the director and coeditor of <i>The Documentary History of the Ratification of the Constitution</i> (nineteen volumes to date). He has written or edited sixteen other books, including three on Thomas Jefferson.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A comprehensive and authoritative collection of Thoreau quotations on more than 150 subjects, from beauty to wisdom. This title gathers more than 2,000 memorable passages from this iconoclastic American author, social reformer, environmentalist, and self-reliant thinker.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A comprehensive and authoritative collection of Thoreau quotations on more than 150 subjects, from beauty to wisdom</b> </p><p>Few writers are more quotable than Henry David Thoreau. His books, essays, journals, poems, letters, and unpublished manuscripts contain an inexhaustible treasure of epigrams and witticisms, from the famous ('The mass of men lead lives of quiet desperation') to the obscure ('Who are the estranged? Two friends explaining') and the surprising ('I would exchange my immortality for a glass of small beer this hot weather'). <i>The Quotable Thoreau</i>, the most comprehensive and authoritative collection of Thoreau quotations ever assembled, gathers more than 2,000 memorable passages from this iconoclastic American author, social reformer, environmentalist, and self-reliant thinker. Including Thoreau's thoughts on topics ranging from sex to solitude, manners to miracles, government to God, life to death, and everything in between, the book captures Thoreau's profundity as well as his humour ('If misery loves company, misery has company enough'). Drawing primarily on <i>The Writings of Henry D. Thoreau</i>, published by Princeton University Press, <i>The Quotable Thoreau</i> is thematically arranged, fully indexed, richly illustrated, and thoroughly documented. For the student of Thoreau, it will be invaluable. For those who think they know Thoreau, it will be a revelation. And for the reader seeking sheer pleasure, it will be a joy. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Make magic with your beloved mutt!</b></p><p>Many witches want to build a magical relationship with man's best friend, but where does one start on such an endeavour? <i>The Good Dog Spell Book</i> by Gillian Kemp will teach you how to create fantastic works of magic while including your furry companion. Perform divination with your dog, learn their personality through their zodiac sign, and create spells to attract the things you want for yourself and for Fido. The positive and harmless indoor and outdoor spells included within will help you build a strong magical relationship between yourself and your pet, deepening your magic in the process.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Gillian Kemp</b> is an internationally acclaimed author of books about magic. Her best-known work, <i>The Good Spell Book</i>, topped the official UK book sales chart and was a huge success in the US, Canada, and Australasia. It was translated in Japan and across Europe.</p><p>Gillian has firsthand experience of the effectiveness of her spells, as she regularly uses them to help family and friends. She has received many letters from her readers to tell her they have used her spells successfully and to thank her for the accuracy of her predictions.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This entry in the popular Little Bit Of series helps you understand, and develop, your powers of intuition.</b> </p><p>Intuition is something we're all born with and use every day. But generally, it's not consciously explored and strengthened like a muscle. But with the right work, we all can increase our intuitive ability. This fascinating introduction guides you, with the help of real-life examples from over two decades as a spiritual life coach, how to listen to your intuition, act upon it, and discover the resulting flow and magic that comes from living life intuitively.</p>]]></Text>
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			<SubjectHeadingText>Catholic Church; Italian American; Italian book; Italian culture; Italian food; Italian heritage; Italian history; Italian lifestyle; Italian lifestyle book; Italian tradition; Italy travel; Thomas merton; armchair travel book; art of living; books about italy; bucket list; cappuccino; coffee; contemplation; contemplative; culture; espresso; europe travel; european travel; florence; geography; gift for travelers; guide to Italy; happiness; history of Italy; how to live the good life; italian; italian books; italian gift; italian gifts; italian travel books; italy; italy travel guide; italy travel journal; linsprational; live like an Italian; living la dolce vita; local history; mafia history; map of italy; memoir; modern Italy; monastic spirituality; non-fiction; personal growth; politics; renaissance; rome; searching for Italy; self care; sicily; sociology; sociology books; spirituality; spirituality of Italy; stanley tucci; the good life; the sweet life; travel; travel Italy; travel book; travel books; travel gifts; travel memoir; travel writing; traveling books; traveling gifts; travelogue; travelogue books; travelogues; trip to Italy; venice; wanderlust</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>'This is a book for spiritual seekers and all who want to bring a piece of the Italian way of life into their own homes.'  James Martin, SJ, author of </b><b><i>Learning to Pray</i></b></p><p>Take a pilgrimage of the heart, a journey toward change that will allow you to approach life with a more contemplative stance and recreate a sense of <i>la dolce vita </i> the sweet life  wherever you may be.</p><p>In <i>The Italian Soul</i>, Judith Valente shares personal stories and insights into the Italian way of life that she experienced as she strolled the streets of this charming country. Focusing on the attitudes, traditions, and practices that make the people of Italy role models for experiencing delight amid the demands and distractions of ordinary living, she observed how they</p><ul><li>have a deep appreciation for quality and aesthetics,</li><li>value taking the time to savour the little moments in life,</li><li>show a strong sense of community and make room for leisure and personal care, and</li><li>honour their dead and have a deep respect for tradition.</li></ul><p>Additionally, it explores the contemplative practices and attitudes that seem to come naturally to a people who have made an art of living and working joyfully. A cross between a travel dispatch and a spirituality guide for seekers who eschew traditional religious practices but yearn for ways to bring more balance, sanity, and a greater sense of the transcendent into their daily lives. <i>The Italian Soul</i> is a book that will change the way you look at life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Judith Valente</b> has won numerous awards for her work as a former correspondent for PBS, two NPR stations, <i>The Wall Street Journal</i>, and as the author of several spirituality titles. Her most recent books include <i>How to Live, The Art of Pausing,</i> and <i>How to Be</i>. She has published two poetry collections and is a sought-after retreat guide who leads the annual Benedictine Footprints retreat/pilgrimage to lesser-known parts of Italy. She is also president of the International Thomas Merton Society.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A lyrical, poetic chronicle of nature's annual cycle, blending ancient wisdom with modern science. </b></p><p><i>The Year</i> takes us on a journey into how nature transforms across twelve months, each chapter focusing on a specific month's natural events, from spring's beginning through winter's end. It opens with an overview of our evolving understanding of time and nature, from ancient astronomy to the present, and concludes with a chapter on the impact of climate change. Spike Bucklow draws on both modern ecological studies and historical naturalists such as Aristotle, Gilbert White, Thoreau, and Aldo Leopold. Poetic reflections from Ovid, Shakespeare, John Clare, and William Wordsworth enrich the narrative, offering further insights into nature's changes. Blending modern science with traditional wisdom,<i> The Year</i> provides a positive perspective on ecological, global, and personal change, appealing to those interested in ecology, astrology, and the history of science.</p><p><b>'The Year is a contemplative almanac charting nature and culture through the zodiac, with a powerful message for our time of grave disjuncture between the two.'  Ferdinand Saumarez Smith, author of</b> <b><i>Eleusis and Enlightenment</i></b></p><p><b>'A wonderful book that invites you to read its words in ebbs and ows: a historical-cultural-aesthetic-poetic almanac to carry in your pocket, its sentences in your head.'  Julian Yates, H. Fletcher Brown Professor of English, University of Delaware</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Spike Bucklow</b> is the author of numerous books on artists and their materials and methods, including<i> Children of Mercury: The Lives of the Painters</i> (Reaktion, 2022). He was previously Professor of Material Culture at the University of Cambridge.</p>]]></Text>
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			<SubjectHeadingText>Addition; Al; Ancient; Antiquity; Arabic; Aristotle; Art; Authority; Books; Byzantine; Capital; Catholic; Century; Charles; Chinese; Christian; Church; Cities; Country; Court; Crown; Culture; Death; Divine; Earth; Economic; Emperor; Empire; Faith; Family; Foundation; Freedom; Greek; Henry; History; Holy; Human; Imperial; Knowledge; Land; Latin; Law; Literature; Love; Luther; Master; Medieval; Money; Muslim; Nature; Peace; Philosophy; Plato; Pope; Power; Princes; Realm; Religion; Religious; Renaissance; Revolution; Roman; Rulers; Spanish; Spirit; St; Texts; Trade; Universe; War</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A magisterial history of the Renaissance and the birth of the modern world</b></p><p>The cultural epoch we know as the Renaissance emerged at a certain time and in a certain place. Why then and not earlier? Why there and not elsewhere? In <i>The World at First Ligh</i>t, historian Bernd Roeck explores the cultural and historical preconditions that enabled the European Renaissance. Roeck shows that the rediscovery of ancient knowledge, including the science of the medieval Arab world, played a critical role in shaping the beginnings of Western modernity. He explains that the Renaissance emerged in a part of Europe where competing states and cities formed relatively open societies. Most of the era's creative minds  from Leonardo da Vinci and Michelangelo to Copernicus and Galileo  came from the middle classes. The art of arguing flowered, the basso continuo to intellectual and cultural breakthroughs.</p><p>Roeck argues that two revolutions shaped the Renaissance: a media revolution, triggered by Gutenberg's invention of movable type  which itself was a driving force behind the scientific revolution  and the advent of modern science. He also reports on the dark side of the era  hatred of Jews, witch panic, religious wars, and the atrocities of colonialism. In a series of meditative counterfactuals, Roeck considers other cultural rebirths throughout the first millennium, from the Islamic empire to the Carolingians, examining why the epic developments of the Renaissance took place in the West and not elsewhere. The complicated legacy of the Renaissance, he shows, encompasses the art of critical thinking as learned from the ancients, the emergence of the modern state, and the genesis of democracy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An inclusive LGBTQ+ travel anthology,</b> <b><i>Edge of the World</i></b><b> explores what it means to be a queer person moving through the world.</b></p><p>These lively essays by luminary writers offer a queer perspective on how people experience other cultures and how other cultures receive queer people. This anthology of essays includes the perspectives of gay, lesbian, bisexual, queer, and trans American authors from multiple ethnic identities, showcasing the travel writing of both established and emerging authors across a wide age spectrum to address these central questions.Contributors include Alexander Chee, Edmund White, Daisy Hernndez, Putsata Reang, Alex Marzano-Lesnevich, Denne Michele Norris, Garrard Conley, Andrew Ellis Evans, Nicole Shawan Junior, Raluca Albu, KB Brookins, Genevieve Hudson, Zoe Sprankle, Sara Orozco, and Calvin Gimpelevich. Their essays take the reader to different areas of the world including Spain, Ukraine, Florida, New York City, Mexico, Cambodia, Russia, Senegal, Berlin, and more.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alden Jones</b> is the award-winning author of <i>The Wanting Was a Wilderness</i>, <i>The Blind Masseuse</i>, and <i>Unaccompanied Minors</i>. A professor at Emerson College and long-time travel educator, she has visited more than forty countries. Her writing has appeared in <i>AGNI</i>, <i>New York Magazine</i>, the <i>Boston Globe</i>, and <i>Best American Travel Writing</i>.</p>]]></Text>
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			<SubjectHeadingText>Arab; Islamic; mythology; English; Christian; pastoral; natural environment; identity; place; memory; heritage; displacement; migration; belonging; nostalgia; colonialism; exile; borders; diaspora; roots; landscapes; history; culture; tradition; modernity; origins; home; transformation; connection; symbolism; representation; narratives; journeys; fragmentation; intersections; hybridity; ancestry; storytelling; imagination; reconstruction; territory; boundaries; influence; remembrance</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>I have ancient land inside of me.</p><p>Inside of me, there is a river.</p><p>In fact, rivers.</p><p>Inside of me, the Euphrates and the Tigris and the Nile converge to meet the pebbles of Brighton Beach, where my mother taught me the pure pleasure of a 99p Flake.</p><p>Whoever said nature is still has not borne witness to the migration of the seasons.</p><p>In this striking exploration of identity and place, Dalia Al-Dujaili considers what it means to belong in your land. Tracing the rich heritage of both the oak and the date palm, Iraqi marshes and Loch Ness monsters, Al-Dujaili marries Arab and Islamic mythology with the English and Christian pastoral. She draws from a rich array of sources to consider in a new light the communal lush, wild  and at times, dark  places we share.</p><p>A love song to Britain, Iraq and the body of earth we hold in common, Babylon, Albion is an urgent reimaging of what it means to be native.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dalia Al-Dujaili</b> is an Iraqi-British writer, editor and producer based in London. She is the online editor of <i>The British Journal of Photography.</i> Her writing has appeared in <i>The Guardian,</i> <i>Dazed, GQ, WePresent, Aperture, Atmos, It's Nice That, Elephant Art</i> and more. She is the founder of <i>The Road to Nowhere Magazine</i> and in 2023 she was the Producer of Refugee Week. Dalia holds an MA Hons in English Literature from the University of Edinburgh.</p>]]></Text>
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			<SubjectHeadingText>Floriography; Gift book; Jessica Roux; aromatherapy; arrangements; blossom; botanical; botanicals; bouquets; coffee table book; essence; floral; flower arranging; flower book; flowers; folklore; garden; gardening; gardening book; gifts for gardeners; gifts for mom; gifts for women; green witch; herbalism; herbs; illustrated flowers; jasmine; language of flowers; lily; mother's day; mother's day gift; plant communication; plant spirits; plants; roses; secret language of flowers; spells; witchcraft</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>'Wade Davis is a true wayfinder, and these essays offer new insight into his visionary approach to culture, landscape, and the planet he loves as fiercely as any writer working today.'  John Vaillant, author of</b> <b><i>Fire Weather</i></b></p><p>The essays in this collection came about during the unhurried months when one who had traveled incessantly was obliged to stay still, even as events flared on all sides in a world that never stops moving. Wade Davis brings his unique cultural perspective to such varied topics as the demonisation of coca, the sacred plant of the Inca; the Great War and the birth of modernity; the British conquest of Everest; the endless conflict in the Middle East; reaching beyond climate fear and trepidation; on the meaning of the sacred. His essay, 'The Unraveling of America', first published in <i>Rolling Stone</i>, attracted five million readers and generated 362 million social media impressions. Media interest in the story was sustained over many weeks, with interview requests coming in from 23 countries.</p><p>The anthropological lens, as Davis demonstrates, reveals what lies beneath the surface of things, allowing us to see, and to seek, the wisdom of the middle way, a perspective of promise and hope that all of the essays in this collection aspire to convey.</p><p><b>'Wade Davis has a gift for saying the unsayable. He's a fearless explorer in the intellectual world, as in the physical. His refusal to embrace conventional wisdom on climate change, for example, and instead think through the issue for himself, is a model of independent thinking. Even when I disagree with Wade, as with some of his bleak comments about the United States, I'm grateful for his voice. We usually live on the surface of ideas when we talk about issues such as war and racism; Wade takes us far deeper.'  David Ignatius, columnist and associate editor,</b> <b><i>Washington Post</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[Filled with reverence and wonder for the natural world, this captivating book reveals the secret life of sea turtles, one of the oldest living creatures on Earth, and the story of one female scientist's fight to save their future.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'A WONDERFUL READ...Christine's deep love for turtles comes through on each page.'  CRAIG FOSTER,</b> <b><i>MY OCTOPUS TEACHER</i></b></p><p><b>'Will appeal to anyone interested in the world around us.'  DR. JANE GOODALL</b></p><p>Filled with reverence and wonder for the natural world, this captivating book reveals the secret life of sea turtles, one of the oldest living creatures on Earth, and the story of one female scientist's fight to save their future.</p><p>In 2015, a team of researchers carefully removed a plastic straw from a sea turtle's nostril off the coast of Costa Rica. The disturbing incident, which was captured on video, went viral, leading to corporate straw bans around the world. In this evocative book, reminiscent of Jane Goodall's memoir <i>In the Shadow of Man</i>, the marine biologist behind the camera, Christine Figgener, recounts her own life spent studying and protecting sea turtles.</p><p>From the time she was a young girl, Figgener was determined to become a biologist, and study the marvels of the marine world. In <i>My Life With Sea Turtles</i>, she shares how she went from a small, gray town on the edge of industry to the lush coastline of Costa Rica, where she fell in love with the local environment and its famous residents: the sea turtles.</p><p>Figgener describes patrolling the beach at night, swimming with turtles in the open ocean, watching tiny turtles emerge from sandy nests, and risking her life during tropical storms. We learn about her experience as a woman in conservation, a male dominated space where she struggles to be taken seriously. Through discovering the fascinating science of sea turtles and the threats they face today, readers will be inspired to live their own lives differently to ensure the survival of these magnificent creatures.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A dazzling new history of the Indian subcontinent and its diverse peoples in global context  from antiquity to today</b></p><p>Much of world history is Indian history. Home today to one in four people, the subcontinent has long been densely populated and deeply connected to Asia, Africa, Europe, and the Americas through migration and trade. In this magisterial history, Audrey Truschke tells the fascinating story of the region historically known as India  which includes today's India, Pakistan, Bangladesh, and parts of Afghanistan  and the people who have lived there.</p><p>A sweeping account of five millennia, from the dawn of the Indus Valley Civilisation to the twenty-first century, this engaging and richly textured narrative chronicles the most important political, social, religious, intellectual, and cultural events. And throughout, it describes how the region has been continuously reshaped by its astonishing diversity, religious and political innovations, and social stratification.</p><p>Here, readers will learn about Hinduism, Buddhism, Jainism, Islam, and Sikhism; the Vedas and Mahabharata; Ashoka and the Mauryan Empire; the Silk Road; the Cholas; Indo-Persian rule; the Mughal Empire; European colonialism; national independence movements; the 1947 Partition of India; the recent rise of Hindu nationalism; the challenges of climate change; and much more. Emphasising the diversity of human experiences on the subcontinent, the book presents a wide range of voices, including those of women, religious minorities, lower classes, and other marginalised groups.</p><p>You cannot understand India today without appreciating its deeply contested history, which continues to drive current events and controversies. A comprehensive and innovative book, <i>India</i> is essential reading for anyone who is interested in the past, present, or future of the subcontinent.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Audrey Truschke</b> is professor of South Asian history at Rutgers University, Newark. She is the bestselling author of <i>Aurangzeb: The Life and Legacy of India's Most Controversial King</i> and other books.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An unsettling account of the colonisation of Patagonia  and the story of the world-renowned scientist who witnessed it.</b></p><p>In December 1832, Charles Darwin sailed into Tierra del Fuego, at the tip of South America, where he first encountered 'Indians'. 'I would not have believed how entire the difference between savage and civilised man is,' he wrote. 'It is greater than between a wild and [a] domesticated animal.' But he was shocked by the 'war of extermination' he witnessed in northern Patagonia, waged by the colonising army of Buenos Aires.</p><p><i>Darwin's Savages</i> explores how these experiences influenced Darwin's writings, as well as the justifications for racial 'exterminations' that others drew from his work. In a sweeping account of soldiers, missionaries, anthropologists and skull-collecting scientists, Matthew Carr traces the connections between colonial expansionism and scientific racism, and the tragic 'extinction' of indigenous peoples in one of the most remote places on Earth.</p><p>From Indigenous graveyards and military memorials to archaeological sites and natural history museums, this is a compelling journey through Patagonia past and present. Amid global battles for historical memory, culture wars over race and empire, and ongoing struggles for Indigenous rights, Carr chronicles the subjugation of Argentina's First Peoples  and the ideas that made it possible.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Matthew Carr</b> is the author of non-fiction books including <i>Blood and Faith; Fortress Europe;</i> and <i>Savage Frontier</i> (all published by Hurst), as well as two novels, <i>The Devils of Cardona</i> and <i>Black Sun Rising</i>. He has written for The <i>New York Times, The Guardian</i> and others. He lives in Sheffield.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A neuroscientist's bold proposal for tackling one of the greatest challenges of our time  brain and mental illnesses.</b></p><p>Brain research has been accelerating rapidly in recent decades, but the translation of our many discoveries into treatments and cures for brain disorders has not happened as many expected. We do not have cures for the vast majority of brain illnesses, from Alzheimer's to depression, and many medications we do have to treat the brain are derived from drugs produced in the 1950s  before we knew much about the brain at all. Tackling brain disorders is clearly one of the biggest challenges facing humanity today. What will it take to overcome it? Nicole Rust takes readers along on her personal journey to answer this question.</p><p>Drawing on her decades of experience on the front lines of neuroscience research, Rust reflects on how far we have come in our quest to unlock the secrets of the brain and what remains to be discovered. She shows us that treating a brain disorder is more like redirecting a hurricane than fixing a domino chain of cause and effect, arguing that only once we embrace the idea of the brain as a complex system do we have any hope of finding cures. Rust profiles the pioneering ideas about the brain that are driving research at the cutting edge to illuminate exactly how much we know about disorders such as Parkinson's, epilepsy, addiction, schizophrenia, and anxiety  and what it will take to eradicate these scourges.</p><p><i>Elusive Cures</i> sheds light on one of the most daunting challenges ever confronted by science while offering hope for revolutionary new treatments and cures for the brain.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Humanity has always craved, and feared, information. Alicia Wanless offers a fresh understanding of the relationship between people, technology and knowledge, today and throughout history.</b></p><p>Depending on the news you read, new tools like AI will either save or destroy us. But our response to emerging technology's 'unprecedented' threats actually follows a pattern as old as civilisation. From ancient Athens to COVID-19, social media to spam, Alicia Wanless shows how humans have always consumed information, whether accurate or not.</p><p>First a new technology changes how information is shared, broadening its availability and accelerating how fast it travels. Then, as more people engage with this new content, fresh ideas arise, often challenging prevailing beliefs. Some use the new tools to promote their views, win power or simply profit, adding to the mounting information pollution. Competition and conflict follow. We scramble  in vain  to control information flows and use of the new technology.</p><p>With democracies worldwide lurching from crisis to crisis, knee-jerk reactions to information conflict won't suffice. What's needed is an understanding of our nature as 'information animals', in a millennia-long relationship with technology  and of how a content-saturated world impacts the political battle for hearts and minds.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Many technology leaders believe in having more women and people of colour in technical and leadership positions throughout their organisations. In truth, though, they just fall back on exclusionary behaviours, like revering the typically male 'lone genius' who is essential to their innovative future. Why the disconnect?]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Drive a more innovative, inclusive culture that welcomes </b><b><i>all</i></b><b> talent.</b></p><p>Many technology leaders believe in having more women and people of colour in technical and leadership positions throughout their organisations. In truth, though, they just fall back on exclusionary behaviours, like revering the typically male 'lone genius' who is essential to their innovative future. Why the disconnect?</p><p>According to Telle Whitney, cofounder of the Grace Hopper Celebration of Women in Computing, while tech leaders may want to talk about inclusivity, few actually change their cultures to dismantle the unwelcoming environment, fearful that doing so will compromise innovation. Women and people of colour pay the price, facing exclusive and even hostile workplaces. They're held back from professional growth and, in many cases, choose to leave the industry altogether.</p><p>But there is a solution. In <i>Rebooting Tech Culture</i>, Whitney argues that the same values at the heart of innovation  creativity, courage, confidence, curiosity, communication, and community  can also foster a culture that's welcoming to all employees. Drawing on more than fifty interviews with tech executives and a survey of a thousand people in tech, she shows how these 'six Cs' can power real change in technology organisations, creating workplaces where anyone can be successful and where innovation thrives.</p><p>Today, every company is a tech company. By understanding how to apply these values and reinvigorate their cultures, leaders will learn how to eliminate the behaviours holding their teams back from true belonging, growth, and innovation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>AI is going to change brand strategy and marketing forever. Are you ready?</b></p><p>What does the rapid rise and astonishing rate of improvement of AI mean for brands in the next five years? Listen to what OpenAI CEO Sam Altman told authors Adam Brotman and Andy Sack when he met them: 'It will mean that 95 percent of what marketers use agencies, strategists, and creative professionals for today will easily, nearly instantly, and at almost no cost be handled by AI. No problem'</p><p>Upon hearing that astonishing statement, the authors began a journey of discovery to understand what the transition to an AI first world would mean. You'll hear from a who's who of tech visionaries who spoke with the authors, including Altman himself, Bill Gates, and Reid Hoffman, sharing how they're thinking of the transition to the new reality. You'll also hear from practitioners bold enough to be surfing this tidal wave of change, including one who audaciously mandated experimentation with AI for all his employees.</p><p>Brotman is the former chief digital officer at Starbucks, pivotal in the development of the coffee giant's mobile payment and loyalty programs. Sack is a legendary tech visionary and former adviser to Microsoft CEO Satya Nadella. Together, they formed the strategic consultancy Forum3 to take on every aspect of the challenge of becoming an AI first organisation, including how you think about the design of jobs, what skills you need to develop within your organisation, what your customers will expect from your brands, and how you can achieve early wins. In the AI first arena, where almost anyone can build creatively engaging brands quickly and cheaply, you need to know how to compete.</p><p>It's time to get ready for a brand-new world. Start here.</p>]]></Text>
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			<SubjectHeadingText>Animal Studies; Human-Animal Relations; Cinema Studies; Film Theory; Experimental Film; Expanded Cinema; Indigenous Epistemologies; First Knowledges; Neurodiversity; Color Theory; Ethico-Aesthetics; Ecology; Entanglement; Naturecultures; Arthur and Corinne Cantrill; Carolee Schneeman; Cmaille Henrot; Oceania; Aotearoa; New Zealand; Australia; South America; Deleuze; Guattari; Donna Haraway; biodiversity; nature; non-human perspectives; Ivor Cantrill; Sebastian Wiedemann; Edweard Muybridge; tienne-Jules Marey; Kenneth Anger; Natasha Myers; Dziga Vertov; Camille Henrot; Pierre Huyghe; Mel Baggs; Len Lye; Tracey Moffatt; Diego Ramirez; Nova Paul; Karabing Film Collective; La Distancia</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A foray through the wilds where experimental films and animals collide</b><br/></p><p> Like the flash of a tropical bird's iridescent wing, cinema can be furtive and intensely beautiful-and it can leave a viewer craving more. <i>Cinemal</i> is Tessa Laird's passionate inquiry into the ways that films mimic the majesty, mystery, and movements of animals,her field notes from countless hair-raising encounters with films in their natural habitat. </p><p> Part of a growing focus on nonhuman animals in film, <i>Cinemal</i> ventures to the "furry underbelly" of global experimental film practice, focusing on films from New Zealand, Australia, and South America. Laird examines how animals are depicted in film and analyzes the various animal qualities of cinema, like scratching and sniffing, vibrant colors, and voices (barking, howling, or echolocation). Burrowing into the work of filmmakers such as Arthur and Corinne Cantrill, Sriwhana Spong, and Ana Vaz, Laird's energetic prose embodies the films she discusses, seamlessly combining personal anecdotes with art theory and philosophy to spread a wide sensory buffet. </p><p> Lively and optimistic, Laird uses cinematic animal tropes to encourage readers to rethink what it means to be human. She argues that, in a time of ecological collapse, such an impulse is a necessary means of imagining other, healthier ways of being in this world. Connecting us with the more-than-human, <i>Cinemal</i> lures us toward the beastly becomings of film and, ultimately, our own animal natures. </p><p><b>Retail e-book files for this title are screen-reader friendly.</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p> Tessa Laird is an artist, writer, and senior lecturer at the Victorian College of the Arts, University of Melbourne. Her books include a fictocritical exploration of color, <i>A Rainbow Reader, </i>and a cultural history of bats, <i>Bat, </i>in Reaktion Books's celebrated Animal series. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The ten biggest ideas in theoretical physics that have withstood the test of time</b></p><p>Could any discovery be more unexpected and shocking than the realisation that the reality we were born into is but an approximation of an underlying quantum world that is barely within our grasp? This is just one of the foundational pillars of theoretical physics that A. Zee discusses in this book. Join him as he presents his Top Ten List of the biggest, most breathtaking ideas in physics  the ones that have fundamentally transformed our understanding of the universe.</p><p><i>Top Ten Ideas of Physics</i> tells a story that will keep readers enthralled, along the way explaining the meaning of each idea and how it came about. Leading the list are the notions that the physical world is comprehensible and that the laws of physics are the same here, there, and everywhere. As the story unfolds, the apparently solid world dissolves into an intertwining web of dancing fields, exhibiting greater symmetries as we examine them at deeper and deeper levels. Readers come to see how physical truth is universal, not relative, and how the forces in the multiverse are not disparate pieces but an indivisible unity  a vision only partially realised today.</p><p>With Zee's trademark blend of wit and physical insight, <i>Top Ten Ideas of Physics</i> reveals why the book of nature is written in the language of mathematics, why entropy and information are intimately linked, and why the action principle underpins the choreography of all that exists.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A. Zee</b> is professor of physics at the Kavli Institute for Theoretical Physics at the University of California, Santa Barbara. His many books include <i>Quantum Field Theory, as Simply as Possible</i>; <i>Fly by Night Physics</i>; <i>On Gravity</i>; <i>Group Theory in a Nutshell for Physicists</i>; <i>Einstein Gravity in a Nutshell</i>; <i>Quantum Field Theory in a Nutshell</i>; and <i>Fearful Symmetry</i> (all Princeton).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A </b><b><i>New York Times Book Review</i></b><b> Editors' Choice</b></p><p><b>'A comprehensive biography of...one of the most acclaimed poets of her generation and a face of American feminism.'  </b><b><i>New York Times</i></b></p><p>A major American writer, thinker, and activist, Adrienne Rich (19292012) transformed herself from a traditional, Radcliffe-educated lyric poet and married mother of three sons into a path-breaking lesbian-feminist author of forceful, uncompromising prose as well as poetry. In doing so, she emerged as an architect and exemplar of the feminist movement, breaking ranks to denounce the male-dominated literary establishment and paving the way for women writers to take their places in the cultural mainstream. Drawing on a wealth of unpublished materials, including Rich's correspondence and in-depth interviews with many people who knew her, Hilary Holladay provides a vividly detailed, full-dimensional portrait of a woman whose work and life continue to challenge and inspire new generations.</p>]]></Text>
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			<Text textformat="02"><![CDATA[In Pear-Shaped, a gynecologist and a science communicator join forces to tell the life story of your uterus.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Fans of Dr. Jen Gunter and Emily Nagoski will love this science-based and empowering guide to your uterus.</b></p><p><b>'This book will embolden readers to shake stigma and speak out loud about this marvelous organ, the uterus, and its complex role in everything from menstruation to menopause and beyond.'</b> <b></b> <b>Amanda Thebe, author of </b><b><i>Menopocalypse</i></b></p><p>It gives life to humankind, billions of people have one, and yet the uterus is still mysterious to many. And talking about it can feel taboo. But when you don't talk about it, you don't discover what's normal and what's not  or what questions to ask at the doctor's office. The reality? This versatile, pear-shaped organ is worthy of everyone's attention. </p><p><b>In </b><b><i>Pear-Shaped</i></b><b>, a gynecologist and a science communicator join forces to tell the life story of your uterus.</b></p><p>Did you know that the uterus is a muscle? Or that it can stretch to the size of a watermelon? In <i>Pear-Shaped</i>, the authors reveal surprising facts about the uterus, alongside practical, helpful information including:</p><ul><li>A detailed anatomy of the uterus with illustrations</li><li>An overview of its many functions</li><li>Complications that can impact fertility, childbearing, birth, and menstruation</li><li>Tips for advocating for yourself at the doctor's office</li><li>Descriptions and images of what the uterus looks like (including the fact that it doesn't always look the same for everyone)</li><li>Real case studies from the author's gynecological practice</li><li>Information about menstruation, contraception, abortion, pregnancy, childbirth, and menopause</li></ul><p>As <i>Pear-Shaped</i> shows, the uterus is truly fascinating. But it also can be a source of serious concern for many. <i>Pear-Shaped</i> also discusses various problems and diseases that arise in the uterus  including endometriosis, PCOS, fibroids, and unwanted pregnancy  and how everyday people work with their doctors to find a solution that works for them.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A suspenseful, authoritative account of how the battle against a mid-century polio epidemic sparked a revolution in medical care.</b></p><p>Americans knew polio as the 'summer plague'. In countries further North, however, the virus arrived later in the year, slipping into the homes of healthy children as the summer waned and the equinox approached. It was described by one writer as 'the autumn ghost'.</p><p>Intensive care units and mechanical ventilation are the crucial foundation of modern medical care: without them, the appalling death toll of the COVID-19 pandemic would be even higher. In <i>The Autumn Ghost</i>, Dr. Hannah Wunsch traces the origins of these two innovations back to a polio epidemic in the autumn of 1952. Drawing together compelling testimony from doctors, nurses, medical students, and patients, Wunsch relates a gripping tale of an epidemic that changed the world.</p><p>In vivid, captivating chapters, Wunsch tells the dramatic true story of how insiders and iconoclasts came together in one overwhelmed hospital in Copenhagen to save the lives of many polio patients dying of respiratory failure. Their radical advances in care marked a turning point in the treatment of patients around the world  from the rise of life support and the creation of intensive care units to the evolution of rehabilitation medicine.</p><p>Moving and informative, <i>The Autumn Ghost</i> will leave readers in awe of the courage of those who battled the polio epidemic, and grateful for the modern medical care they pioneered.</p><p><b>'A perfectly pitched medical mystery that will captivate you from page one.'  Wes Ely, MD, MPH, author of</b> <b><i>Every Deep-Drawn Breath</i></b><b>, winner of the 2022 Christopher Award for Literature.</b></p>]]></Text>
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			<SubjectHeadingText>Arendt; authoritarianism; big lies; deflationism; democracy; Dewey; Plato; pluralism.; polarization; political epistemology; politics; pragmatism; propaganda; quietism; social media; Truth; Propositions; Epistemic; Democratic; Politics; Judgments; Twitbookians; Democratic politics; Community; Normative; Democracy; Warrant; Rorty; Evidence; Epistemic agency; Framework; Epistemically; Concordant; Epistemic practices; Corruption; Concordance; Pursuit; Metaphysical; Coherent; Distinction; Sufficient; Superwarrant; Societies; Coherence; Rawls; Deliberation; Partisan; Infrastructure; Rational; Truth politics; Habermas; Falsity; Virtue; Space; Realism; Liberal; Arrogance; Philosophers; Ideal democratic; Responsible epistemic agency; Truth normative; Truth judgments; Bald faced; Democratic values; Equivalence schema; Ideal democratic politics; Responsible epistemic communities; Practicing democratic politics; Epistemic disagreement; Epistemic agents</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>The 'philosopher of truth' (Jill Lepore, </b><b><i>The New Yorker</i></b><b>) shows why truth is an essential democratic value  and how it can be strengthened</b></p><p>Do any of us really care about truth when it comes to politics? Should we? In a world of big lies, denialism, and conspiracy theories, democracies are experiencing two interlocked crises: a loss of confidence in democracy itself and the growing sense among many that politics is only about power  not truth. In this book, Michael Patrick Lynch argues that truth not only can  but must  matter in politics. He shows why truth is an essential <i>democratic</i> value  a value we need to sustain our democratic way of life  and how it can be strengthened.</p><p>Despite evidence that people are rarely motivated by truth when it comes to politics, <i>On Truth in Politics</i> argues that this isn't inevitable. Accessibly written and rigorously argued, it draws on the American pragmatist tradition to develop an original theory of the nature and value of truth in the messy world of politics. Contrary to the belief of many, political beliefs can be true or false. But if democracy is to continue to be a space of reason and not just an arena of power, we must build a better infrastructure of knowledge, including stronger schools and media, and renew our commitment to science and history.</p><p>A vital and timely book, <i>On Truth in Politics</i> makes an original case for why democracy cannot survive without truth.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michael Patrick Lynch</b> is Provost Professor of the Humanities and Board of Trustees Distinguished Professor of Philosophy at the University of Connecticut. His books include <i>The Internet of Us: Knowing More and Understanding Less in the Age of Big Data</i> and <i>Know-It-All Society: Truth and Arrogance in Political Culture</i>, winner of the Orwell Award for Distinguished Contribution to Honesty and Clarity in Public Language.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The complete year-round guide to organic vegetable production for market gardeners and small-scale farmers  now fully revised and updated.</p><p>Sustainable Market Farming is the comprehensive, go-to reference for serious growers in every climate zone. Extensively revised and updated, this brand new, full-colour edition is packed with detailed information on everything from planning to harvest, and features in-depth profiles of a full range of crops. This complete practical guide includes:</p><ul><li>The most current farm-specific planning and organisational skills for running a profitable, successful, and professional enterprise</li><li>Cutting-edge information describing new and efficient techniques, strategies for season extension, approaches for integrated pest, disease, and weed management, and preferred climate-smart, disease-resistant varieties to add to your repertoire</li><li>Updated guidelines for improving and maintaining soil quality and finding resilient, regenerative solutions to align farming practices with new environmental challenges</li><li>Precise growing guides for a cornucopia of vegetables addressing: selection of varieties; soil, water, and fertility requirements; sowing, cultivation, crop rotation, and succession planting; common pests and diseases; harvest and storage; and more.</li></ul><p>Whether you are a beginning grower, an aspiring market gardener, or an established enterprise seeking to take your operation to the next level, <i>Sustainable Market Farming</i> is the book you will find yourself returning to again and again throughout a long farming career.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Pam Dawling</b> has been farming and mentoring emerging growers in sustainable vegetable production in a variety of climates for over four decades. She was the garden manager at Twin Oaks Community ecovillage for 25 years, where she was responsible for training the garden crew and providing tasty, fresh, organic seasonal produce for 100 people year-round from only 3.5 acres. Pam regularly does consultancy work for new and beginning farmers, and is in demand as a presenter at sustainable agriculture conferences and events. She is a contributing editor with Growing for Market magazine and writes a popular weekly blog at www.sustainablemarketfarming.com. Pam is the author of the original edition of Sustainable Market Farming, as well as The Year-Round Hoophouse. She lives in Louisa, Virginia.</p>]]></Text>
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			<Text textformat="02"><![CDATA[In 1994, Patagonia invited representatives from 75 grassroots nonprofit organisations to gather and learn from active experts how to be more effective at what they do. Through this ongoing conference as well as years of funding these organisations, Patagonia has helped thousands of activists make the changes they envision for the world.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A global guidebook for activism in the age of climate chaos and social injustice.</b></p><p>In 1994, Patagonia invited representatives from 75 grassroots nonprofit organisations to gather and learn from active experts how to be more effective at what they do. Through this ongoing conference as well as years of funding these organisations, Patagonia has helped thousands of activists make the changes they envision for the world.</p><p>In 2016, Patagonia published<i>Tools for Grassroots Activists,</i>a compilation of presentations from the Tools conferences, accompanied by case studies and inspiring essays from environmental leaders.</p><p>The world since then has changed in profound ways, and this new edition reflects the world we now occupy.Completely revised,<i>Tools to Save Our Home Planet: A Changemaker's Guidebook,</i>The lessons and examples it shares are as current, diverse, and global as the change makers working around the world.</p><p>At a high level, the book's structure echos an activist's journey. It begins with self-reflection, essays prompting readers to identify their purpose and clarify their cause. The focus shifts to the inner workings of an organisation or campaign  how to create a communications strategy,organise people, and fundraise  before taking an outward look at creating momentum through mobilising and events, using political tools, collaborating with other people and organisations, and taking legal action. The book culminates with a chapter all about movements: How combining purpose, effective organisations, and momentum can create a tidal wave that can change the world.</p><p>Ago-to resource for driving change, offering anyone who is passionate about environmental and social justice a timely and relevant resource to support their mission-aligned work, this book is intended for both those who are new to taking action and seasoned activists and community organisers who want to learn how others are finding success.The hope is that, like its predecessor, it will become dog-eared and scribbled in  a reassuring and resourceful companion to the environmental and environmental justice movements.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nick Mucha</b> (he/him/his) is the Environmental Programs Manager at Patagonia. In this role, Nick leads Patagonia's efforts to build organisational capacity and effectiveness for Patagonia's nonprofit partners. His work is born out of a deep appreciation for the vitally important role that nonprofit organisations play in tackling our most vexing environmental, social, and economic issues. Nick has 15 years' experience leading conservation and community development programs throughout the world. His interest in this work was born while he and his wife served as Peace Corps volunteers in Honduras from 2004-2006. From that experience Nick founded his own organization supporting coastal communities that were grappling with booming surf tourism in southern Nicaragua. After running that organisation for 7 years, Nick served as Director of Programs for Save The Waves Coalition with a focus on protecting surf ecosystems worldwide. Nick holds a B.A.in political science from UC Santa Barbara. Outside of work, Nick is usually serving up dad jokes to his three kids or scheming to get in a quick surf, trail run, or weekend adventure off-grid.</p><p><b>Patrick Thomas</b> is a Minnesota-based marketing leader, editor, and consultant. Over 20 years of publishing work he's edited <i>New York Times</i> bestsellers, served as managing director of Milkweed Editions, ran the <i>San Francisco Chronicle</i> book review, and developed innovative branching narrative gaming scripts. He's been fortunate to work with numerous award-winning writers, scientists, adventurers, and poets, and believes in the powerful role stories have to play in saving the planet.</p><p><b>Jessica Flint</b> has worked as an editor at such publications as <i>Vanity Fair, Bloomberg Businessweek,</i> and <i>Departures</i>, and was a content strategist at Apple. She has written about mountain climbing in Africa for <i>Outside</i>, hiking with her father through Chilean Patagonia for <i>Departures</i>, and trends in sustainable travel for <i>National Geographic</i>, among other publications. She lives in Minnesota.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Discover Henry David Thoreau's philosophy of living a good life and learn how to apply it to your own.</b></p><p>The hero for our time is someone few people get right. Thoreau wasn't a hermit in the woods. He lived during a time like ours, of rapid technological and economic changes, political division, and a pandemic. Thoreau, like us, reassessed his priorities: What does success really look like? What is my duty as an ethical citizen of a less-than-ethical world? How can I live a good life amid (insert hand-sweeping gesture) all of this?</p><p>His solution: Pare down to trade up.</p><p><i>Finding Your Walden</i> combines classic literature with happiness studies, exploring how experts  psychologists, career coaches, and doctors  support Thoreau's ideas as guideposts for today's Great Reassessment. It combines insights of the 1854 classic with people who embrace the pare-down-to-trade-up philosophy today, whether through major life changes (such as tiny homes or sabbaticals) or smaller life hacks (like digital sabbaths or meditation practices). Their stories inspire us to apply creativity, simplicity, and peace to the experiment of life.</p><p><i>Finding Your Walden</i> isn't about shunning money or success. It's about grappling with the purpose of the first and the meaning of the second. Whether you love Walden or haven't read it, you can join Thoreau on a path to discover an intentional life during a volatile time  you just need to make a stop at a cabin on the way.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jen Tota McGivney</b> is a writer in Charlotte, North Carolina. She's the back-page columnist for <i>Charlotte Magazine</i>, and her work also appears in <i>SUCCESS Magazine</i>, <i>Our State Magazine</i>, and <i>Southern Living</i>, among others. She has a master's degree in English and a soft spot for the transcendentalists. <i>Finding Your Walden</i> is her first book.</p><p>McGivney lives with her husband, Jimmy, and their rescue pitties, Phoebe and Maddie.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Discover the art of Modern Curanderismo as you explore the rich history behind modern-day herbal remedies, natural recipes, plant medicine, holistic and spiritual rituals, and more practiced by Curanderos(as) across the Americas.</b></p><p>Delve into the healing traditions of Latine folk herbalism and modern curanderismo with this all-in-one guidebook offering a fusion of time-honored and contemporary practices. <i>Latine Herbalism</i> details the medicinal power of herbs and plants, their origins, and their most common uses while also exploring the folk traditions from sacred locations in the US, Mexico, and South America. This book even goes one step further, helping you navigate through the most common afflictions of body and mind, from digestive issues to stress management and beyond, with <i>remedios y rituales</i> such as:</p><ul><li>Breath vibrations</li><li>Heart vibrations</li><li>Spirit of the flowers</li><li>Moon energy</li><li>And more</li></ul><p>Authored by a passionate advocate and practitioner, this book explores and honors the nuanced realms of curanderismo and Latine herbalism.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Harness the powerful wisdom of the natural world and her animals, insects, and plant life with </b><b><i>Wise Earth Medicine Tarot</i></b><b>, a 78-card full-colour deck and 96-page full-colour guidebook.</b></p><p>The tarot remains an enigma for many. <i>Wise Earth Medicine Tarot</i> endeavours to simplify the mysteries of the tarot and ground it in the natural world. Drawing upon Lalania Simone's indigenous ancestral knowledge, this beautiful deck presents the tarot as a form of earth medicine. Focusing on the animistic realm, this tarot deck and guidebook takes us on an internal vision quest where we learn the wisdom of all natural things.</p><p>Each of the seventy-eight cards features three keywords on the front for instant access to the traditional tarot meanings. The four suits have been renamed according to their element rather than their symbol, which further enhances the deck's connection to nature: water rather than cups, fire rather than wands, wind rather than swords, and earth rather than pentacles. The ninety-six-pagefull-colour booklet includes the traditional tarot meanings as well as an oracle-style message. The message presents 'the medicine', a word used in indigenous spiritual traditions to refer to the spiritual healing power with which each animal or plant is endowed.</p><p>When we become one with the earth and her messages, then we are truly on a journey for self-awareness and a deeper understanding of life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lalania Simone</b> is an indigenous artist, author, and mystic devoted to a path of personal expansion and collective liberation. She understands the power ofimages and words and is dedicated to using both to empower people.</p><p>Lalania is the creator of <i>Tarot of the Cosmic Seed</i> and <i>Oracle of Awakening</i>. These decks feature diverse representations of people and cultures from around the world. She is also the co-owner of Alchemy Ritual Goods, a popular spiritual shop in Denver that offers Ancestral Medicine Clinic, a sliding-scale clinic offering multiple modalities dedicated to healing and spiritual liberation.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A critical biography of the quietly inventive Renaissance architect.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A critical biography of the quietly inventive Renaissance architect.</b></p><p>Filippo Brunelleschi is at once the most famous and most misunderstood architect of the Renaissance. The founding architect of the movement that led the way to modernity, his originality was not expressed in words or theory but rather in the materials he used, the scenography of space he engineered, the ingenuity of his designs, the exquisite workmanship of his detailing and the strikingly creative reworking of classical elements that make up his buildings. Marvin Trachtenberg oers a new view of Brunelleschi's brilliant career as well as his life, guiding the reader through his most iconic works in Florence. In the process, this book sheds light on the driven, competitive culture of Renaissance Italy. This is an original, lively account of a key Renaissance figure.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Marvin Trachtenberg</b> is Edith Kitzmiller Professor Emeritus at the Institute of Fine Arts, New York University, where he taught Gothic and Renaissance architecture for over fi fty years. His books include<i> Building-in-Time: From Giotto to Alberti and Modern Oblivion</i> (2010) . He lives in Bellport, New York.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Out of print for years and newly retitled and expanded, this deluxe new edition of Gifford's celebrated handbook unlocks the secrets of noir movies and their relevance today.</b></p><p>For a tour ofnoircinema, <i>No Daylight in That Face</i>is the perfect companion, and Barry Gifford is an ideal guide. His choice selection of films exposes the menacing, moody, and oftentimes violent underbelly of this dark movie genre that occupies a favorite niche in American popular culture.<br/>. Gifford's roll call of unforgettables includes these, and more:<i>The Asphalt Jungle,Body and Soul,Body Heat,Charley Varrick,Chinatown,The Devil Thumbs a Ride,D.O.A.,Double Indemnity,High Sierra,Key Largo,Kiss of Death,Mean Streets,Mildred Pierce,Mr. Majestyk,Out of the Past,The Strange Love of Martha Ivers,Strangers on a Train,White Heat</i>classics from Europe<i>Repulsion,The Hidden Room,Shoot the Piano Player,The 400 Blows,Odd Man Out</i>.</p><p>Gifford identifies the directors and names the many noir stars, the greats and not-so-greats who were cast in the indelible roles of hoods, B-girls, psychopaths, grifters, gumshoes, waifs, tarts, femme fatales, mobsters, molls, and ex-cons.</p><p>In an introduction, novelists Edward Gorman and Dow Mossman collaboratively applaud Gifford's selections and his insights: 'The movies discussed here range from the lowest of the B's to the biggest of the A's, and this book is going to make you want to run out and locate every one of them (and good luck to you; finding <i>The Devil Thumbs a Ride </i>could take you a lifetime). Through Barry Gifford's eyes, we begin to see their similarities and their value. What Andrew Sarris did for the mainstream film in <i>The American Cinema</i>, Barry does here for the crime film.'</p><p>With a connoisseur's insight and an offbeat sensitivity perfectly tailored to his subjects, Gifford's brief essays cover a hundred of the noir buff's favorites. His highly polished impressions take the reader through five decades of noir to find both the heart and the art of the plotline.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Barry Gifford </b>is the author of more than forty works of fiction, nonfiction, and poetry, including the acclaimed<i> Sailor and Lula</i> novels (one of which was adapted into David Lynch's 1990 Palme d'Or-winning film <i>Wild at Heart</i>). Gifford has been the recipient of awards from PEN, the National Endowment for the Arts, The American Library Association, the Writers Guild of America, and the Christopher Isherwood Foundation. </p><p><b>Edward Gorman</b> is an award-winning American author best known for his crime and mystery fiction. He wrote <i>The Poker Club</i>, which is now a film of the same name directed by Tim McCann. He has written under many pseudonyms including 'E. J. Gorman' and 'Daniel Ransom'. He won a Spur Award for Best Short Fiction for his short story 'The Face' in 1992. His fiction collection, <i>Cages</i>, was nominated for the 1995 Bram Stoker Award for Best Fiction Collection. His collection, <i>The Dark Fantastic</i>, was nominated for the same award in 2001. He has contributed to many magazines and other publications including <i>Xero, Black Lizard, Cemetery Dance</i>, the anthology <i>Tales of Zorro</i>, and many more.</p><p><b>Dow Mossman</b> is the author of <i>The Stones of Summer</i>, originally published in 1972 by Bobbs-Merrill, and Popular Library a year later. Following publication of the novel, Mossman was mentally exhausted and spent several months in an Iowa sanitarium. The novel soon went out of print, but in 2002, Mossman became the subject of the documentary film <i>Stone Reader</i> by Mark Moskowitz, which chronicled the director's attempt to resuscitate the acclaimed book and speak to its seemingly vanished author. After the film's release,<i> The Stones of Summer </i>was reissued by Barnes &amp; Noble, and Mossman is now semi-retired living in Cedar Rapids, Iowa.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A richly illustrated collection of previously unpublished drawings by the famed modern artist</b></p><p>The French-American artist Niki de Saint Phalle is best known for her <i>Nanas</i>  joyful and brightly coloured monumental sculptures of goddess-like female figures. But her work, which was grounded in her visionary beliefs about social experiments and personal freedom, ranged much more widely  from painting, film, architecture, and books to theatre sets, clothing, and jewellery. <i>Niki de Saint Phalle: The Sketchbooks</i> presents a beautiful collection of previously unpublished drawings, notes, and other preparatory work from Saint Phalle's private sketchbooks. Culled from a vast archive of never-before-seen materials, these drawings shed new light on Saint Phalle's fascinating artistic evolution, style, and interior life.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Critical insight into the mind and eye of an artist renowned for her work investigating history, identity, and power.</b></p><p>Transcending medium, chronology, and geography, <i>Carrie Mae Weems: The Heart of the Matter</i> puts the artist  as well as her spiritual and philosophical journeys  at the centre of the discourse. Weems is a touchstone artist, renowned for her work investigating history, identity, and power. A comprehensive monograph, <i>The Heart of the Matter</i> features generous presentations of landmark bodies of work, from <i>Family Pictures and Stories</i> (1981-82) to her most recent series on the Black church. Throughout the book, the artist's spiritual musings provide critical insight into the iconic artist's mind and eye. Newly commissioned essays and additional contributions from esteemed thinkers and scholars across generations underscore the singular value of Weems's vision in grappling with the complexities and injustices of the world around us. <i>Carrie Mae Weems: The Heart of the Matter</i> will accompany a related exhibition at Gallerie d'Italia, Turin, opening in April 2025.</p><p>The book is co-published by Aperture and Allemandi Editore.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Carrie Mae Weems</b> (born in Portland, Oregon, 1953) is a widely influential artist whose work gives a voice to people whose stories have been silenced or ignored. Over the course of forty years, she has built an acclaimed body of work using photographs, text, fabric, audio, digital images, installation, and video. She has received numerous awards, including a MacArthur Foundation Fellowship, the US Department of State's Medal of Arts, the Joseph H. Hazen Rome Prize Fellowship from the American Academy in Rome, and the Congressional Black Caucus Foundation's Lifetime Achievement Award. Her work is in collections worldwide, including the Metropolitan Museum of Art, New York; Museum of Fine Arts, Houston; Museum of Modern Art, New York; Museum of Contemporary Art, Los Angeles; and Tate Modern, London. </p><p><b>Sarah Hermanson Meister </b>is executive director at Aperture. She worked in the Department of Photography at the Museum of Modern Art for more than twenty-five years, where she curated acclaimed exhibitions on the work of Josef Albers, Bill Brandt, and Brazilian modernist photographers, as well as Dorothea Lange, Gordon Parks, and many more. </p><p><b>Jeffrey Hoone</b> was director of Light Work, Syracuse, New York, for forty years and is a working artist. He has written extensively on photography and served on peer review panels for the New York State Council on the Arts and the National Endowment for the Arts. He is married to Carrie Mae Weems.</p><p><b>Dawoud Bey </b>makes groundbreaking and evocative work about the histories of Black communities. A major career retrospective of his work, An American Project, was co-organised by the Whitney Museum of American Art, New York, and San Francisco Museum of Modern Art. Bey's many books include the Aperture titles<i> Class Pictures</i> (2007), <i>Dawoud Bey on Photographing People and Communities</i> (2019), and <i>Elegy </i>(2023).</p><p><b>Dr. Erich Kessel </b>is assistant professor of art history at the Institute of Fine Arts at New York University. A scholar of contemporary art and critical Black studies, Kessel has published essays on Jacob Lawrence and Jacolby Satterwhite. He is coeditor of a collection of sketches entitled <i>An Excess of Quiet: Selected Sketches by Gustavo Ojeda, 1979-1989</i> (2020), which was a finalist for the 2021 Lambda Literary Award in LBGTQ Nonfiction. Kessel received his PhD in the history of art and African American studies from Yale University in 2023. </p><p><b>Dr. Tiana Reid</b> is assistant professor of English at York University, Toronto. Her research and teaching interests include Black literature, gender, and labour. Her writing has appeared in <i>American Quarterly, Art in America, Bookforum, Frieze</i>, the <i>Nation</i>, the <i>New York Review of Books, </i>the<i> New York Times,</i> and the <i>Paris Review</i>, among other places. She is a former editor at the <i>New Inquiry</i> and <i>Pinko</i>. In 2021, she received her PhD in English and comparative literature from Columbia University. </p><p><b>Dr. Megan Kincaid</b> serves on the faculties of the Cooper Union and New York University. Her scholarship reconstructs the history of Modernism in the Americas through the lens of critical refugee theory and mobility studies. Her writing has been published by the Museum of Modern Art, New York, and Duke University Press and has appeared in <i>Artforum</i>, the<i> Brooklyn Rail, Gagosian Quarterly</i>, among others. She has organised exhibitions of Jose Antonio Fernndez-Muro, Cauleen Smith, Frank Stella, and others. She received her PhD from New York University in 2024. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A definitive account of the psychology of zealotry, from a National Book Award winner and a leading authority on the nature of cults, political absolutism, and mind control.</p><p>In this unique and timely volume Robert Jay Lifton, the National Book Award-winning psychiatrist, historian, and public intellectual proposes a radical idea: that the psychological relationship between extremist political movements and fanatical religious cults may be much closer than anyone thought. Exploring the most extreme manifestations of human zealotry, Lifton highlights an array of leaders  from Mao to Hitler to the Japanese apocalyptic cult leader Shk Asahara to Donald Trump  who have sought the control of human minds and the ownership of reality.</p><p>Lifton has spent decades exploring psychological extremism. His pioneering concept of the 'Eight Deadly Sins' of ideological totalism  originally devised to identify 'brainwashing' (or 'thought reform') in political movements-has been widely quoted in writings about cults, and embraced by members and former members of religious cults seeking to understand their experiences.</p><p>In <i>Losing Reality </i>Lifton makes clear that the apocalyptic impulse  that of destroying the world in order to remake it in purified form  is not limited to religious groups but is prominent in extremist political movements such as Nazism and Chinese Communism, and also in groups surrounding Donald Trump. Lifton applies his concept of 'malignant normality' to Trump's efforts to render his destructive falsehoods a routine part of American life. But Lifton sees the human species as capable of 'regaining reality' by means of our 'protean' psychological capacities and our ethical and political commitments as 'witnessing professionals'.</p><p>Lifton weaves together some of his finest work with extensive new commentary to provide vital understanding of our struggle with mental predators. <i>Losing Reality</i> is a book not only of stunning scholarship, but also of huge relevance for these troubled times.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A pioneer in the field of psychohistory, <b>Robert Jay Lifton</b> is a psychiatrist and author best known for his studies of the psychological causes and effects of war and political violence and for his theory of thought reform and cult behaviour. He has written over twenty books, including many seminal works in the field such as the National Book Awardwinning <i>Death in Life: Survivors of Hiroshima</i>, Los Angeles Times Book Prizewinning<i> The Nazi Doctors</i>, National Book Awardnominated <i>Home from the War,</i> as well as <i>The Climate Swerve, Losing Reality, </i>and <i>Surviving Our Catastrophes</i> (all from The New Press). He has taught at Yale University, Harvard University, and the City University of New York. He lives in Wellfleet, Massachusetts.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Another India</i> tells the story of the world's biggest religious minority. Weaving together vivid biographical portraits of a wide range of Indian Muslims  elite and subaltern, secular and clerical, activist and apolitical  it brings the experience of the country's Muslims under a single focus; and, by throwing light on the Indian Muslim condition during the first thirty years of independence, reflects on the true character of democratic India. What we have here is a rather different picture from received accounts of the 'world's largest democracy'.</p><p>Challenging traditional histories of Nehru's India, Pratinav Anil shows that minority rights were neglected right from independence. Despite its best intentions, the Congress regime that ruled for three decades was often illiberal, intolerant and undemocratic. Muslims had to contend with discrimination, disadvantage, deindustrialisation, dispossession and disenfranchisement, as well as an unresponsive leadership.</p><p>Anil demonstrates how the Muslim elite encouraged depoliticisation, taking up seemingly noble but largely inconsequential causes with little bearing on the lives of ordinary members of the community. There was no room for mass protests or collective solidarity in this version of Muslim politics. <i>Another India</i> explores this elite betrayal, whose consequences are still felt by India's 200 million Muslims today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Pratinav Anil</b> is an historian of postcolonial India, currently teaching at the University of Oxford, whose writings have appeared in <i>The Spectator, The Indian Express</i> and <i>History Today</i>. He is the co-author (with Christophe Jaffrelot) of <i>India's First Dictatorship</i>, also published by Hurst.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In this major new account Ian McLean traces the history of Australian art, from colonial art practice to the search for a national art in the twentieth century. Two key themes structure the narrative: the transformation of a British art practice into an Australian one; and the troubled pursuit for the aesthetic means to claim an Indigenous heritage. As well as introducing the canonical artists and artworks of the Australian tradition, McLean assesses why certain artists have come to prominence, and why others have been neglected. In the process, he links the changing fortunes of artists to social and political developments both at home and abroad. With 170 superb illustrations, many in colour, this is essential reading for all interested in the history of Australian art.</p><p><b>&amp;#x27;Any history of Australian art must be, at minimum, a double history: of art made by Indigenous artists since the Dreaming, and, since the eighteenth century, of the art of the colonizers.</b> <b><i>Double Nation</i></b><b> tells the second part of this story with vigor and critical irreverence, rehearsing but also challenging the conventional landmarks of Australian art history. A fresh narrative emerges: more complex, more reflective, doubled.&amp;#x27;</b> <b>- Terry Smith, Andrew W. Mellon Professor of Contemporary Art History and Theory, University of Pittsburgh, and author of</b> <b><i>Art to Come: Histories of Contemporary Art</i></b><b> (2019)</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Spanning 65,000 years, this book provides a history of food in Australia from its beginnings, with the arrival of the first peoples and their stewardship of the land, to a present where the production and consumption of food is fraught with anxieties and competing priorities. It describes how food production in Australia is subject to the constraints of climate, water and soil, leading to centuries of unsustainable agricultural practices post-colonisation.</p><p>Australian food history is also the story of its xenophobia and the immigration policies pursued which continue to question the image of Australia as a model multicultural society though the history ends on a positive note as Indigenous peoples take increasing control of how their food is interpreted and marketed.</p><p></p><p><b>'A comprehensive history of the food of Australia, from its beginning with the First Nations people 60,000 years ago to 2020.' - John Newton, author of </b><b><i>The Oldest Foods on Earth: A History of Australian Native Foods</i></b><b><br/></b></p><p><b>'A masterful overview of Australian food history and foodways, including their social and political implications and the influences of scientific and technological advances. From millennia-old fish traps to television's </b><b><i>MasterChef Australia</i></b><b>, by way of damper and mutton, lamingtons and Anzacs, it charts the evolution of Australian food and agriculture, acknowledging the contributions of the many cultures that make up contemporary Australia.' - Barbara Santich, Professor Emeritus, The University of Adelaide</b><br/></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A book for our times: a moving meditation on the tension between loneliness and freedom, individualism and love.</b></p><p>At no time before have so many people lived alone, and never has loneliness been so widely or keenly felt. Why, in a society of individualists, is living alone perceived as a shameful failure? And can we ever be happy on our own? Drawing on personal experience, as well as philosophy and sociology, Daniel Schreiber explores the tension between the desire for solitude and freedom, and for companionship, intimacy and love. Along the way he illuminates the role that friendships play in our lives - can they be a response to the loss of meaning in a world in crisis? A profoundly enlightening book on how we want to live, <i>Alone</i> spent almost a year on Germany&amp;#x27;s bestseller list.</p><p><b>&amp;#x27;The most moving, memorable books are the ones that attempt to answer questions that the author has been struggling with for his entire life. In</b> <b><i>Alone</i></b><b>, Schreiber-a beautiful writer and, just as important, a beautiful thinker-explores the questions of not just his life, but our age: Who am I if no one loves me? What are the limits of friendship? How does one live with deep and profound loneliness? This is a book for not just this year, but this era.&amp;#x27; - Hanya Yanagihara, author of</b> <b><i>A Little Life</i></b></p><p><b>&amp;#x27;Schreiber has written a brave and searching vindication of single life, a book about the cultivation and tending of solitude, about solitude as an art. Amid the bewildering loss of everydayness imposed by the pandemic, when solitude was not chosen but enforced, Schreiber creates in these pages a moving conversation - with philosophers and poets, theorists and novelists - about the sources of value in our lives. By multiplying our sense of those sources, by insisting on the dignity of models of life that have sometimes been disparaged, this book finally becomes a document of liberation.&amp;#x27; - Garth Greenwell, author of</b> <b><i>Cleanness</i></b></p><p><b>&amp;#x27;This is a book to love and to cherish. Schreiber is such a skilled and engaging writer. Without sentimentality, he digs into the taboo subject of loneliness - societal, personal, existential; the salvation of hiking, the many dimensions of friendship, the solace of literature, the value of kindness, the pleasures of solitude. You will meet Nietzsche, Sappho, Arendt - and perhaps you will meet yourself, walking in the hills, thinking about new ways to live.&amp;#x27; - Deborah Levy</b></p><p><b>&amp;#x27;An engrossing meditation on solitary living, as well as an exploration of the enriching connections that can come from loving friendships.&amp;#x27; - Anna MacDonald, Paperback Bookshop </b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The follow-up to the bestselling <i>Wanderers</i>, Kerri Andrews' <i>Way Makers</i> is the first anthology of women's writing about walking. Moving from the eighteenth century to the present day, and across poetry, letters, diaries, novels and more, this anthology traces a long tradition of women's walking literature. Walking is, for the women included in this anthology, a source of creativity and comfort; it is a means of expressing grief, longing and desire. It is also a complicated activity: it represents freedom but is also sometimes tinged with danger and fear. What cannot be denied any longer is that walking was, and continues to be, an activity full of physical and emotional significance for women: this anthology is testament to the rich literary heritage created by generations of women walker-writers over the centuries.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A handy Q&amp;A guide by the authors of the</b><b><i> Prairie Gardener </i></b><b>series, </b><b><i>Staying Alive: The Go-To Guide for Houseplants</i></b><b> provides expert advice to ensure your houseplants thrive, wherever you call home.</b></p><p>Whether you have one tiny succulent on your desk at work or a massive collection of tropical plants in your home, caring for houseplants can be a real source of joy  and the occasional moment of wild frustration.</p><p>In this Q&amp;A guide to happy, healthy houseplants, lifelong gardeners Sheryl Normandeau and Janet Melrose are here with the insight you need to take you from perusing the plant shop to the dreaded repotting to splitting your mama spider into little spidies to share with friends. Learn:</p><ul><li>How to choose the right plants for your space (from aloe to ZZ)</li><li>How to train vines</li><li>How to create and care for a terrarium</li><li>When to repot your plants</li><li>All about tap water, rainwater, distilled water, too much water, and not enough</li><li>Perfecting your potting soil</li><li>Dividing, repotting, and growing plants from seed</li><li>How to tackle problems like flies, fungus, spots, and even general malaise</li></ul><p>Opening with a chapter on setting up a houseplant-friendly home, the pair talk containers, lighting, watering, soil and nutrients, propagation, pests and other problems, and offer a final grab bag of tips to help you satisfy some of those trickier plant pals in your midst (calling all orchids).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A radical anthology shaking up the canon by bringing together perspectives on art and activism across eras and cultures.</p><p>Thinkers, activists, and artists have long grappled with definitions of art, the role of activism, and the relationship between the two  answers that shift across historical and cultural frameworks. This anthology challenges and expands the canon by deliberately juxtaposing radically different conceptions of art and activism, bringing together thinkers from different eras, cultures, and geographies.</p><p>Rather than including case studies or manifestos, the texts are organised thematically: Art Unsettles: Social Systems and Critique; Art Reveals: Making the Invisible Visible; Art Resists: Everyday Interventions; Art Acts: Activism as Art; Art (Re)Orders: Making Sense of the World; and Art Imagines: Envisioning New Worlds.</p><p>Through this thematic structure, the anthology seeks to expand and decenter traditional canons. Each thematic section opens with a brief essay by the editors framing the central conceptual debates, inviting readers to engage with the tensions and possibilities at the intersection of art and politics. Among the writers included are: Gloria Anzalda, John Berger, Leanne Betasamosake Simpson, Octavia Butler, John Dewey, W.E.B. Du Bois, Frantz Fanon, Safdar Hashmi, bell hooks, Juan Lpez Intzn, Audre Lorde, Herbert Marcuse, Jacques Ranciere, and Ngg wa Thiong'o.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A panoramic history of Puerto Rico from pre-Columbian times to today</b></p><p>Puerto Rico is a Spanish-speaking territory of the United States with a history shaped by conquest and resistance. For centuries, Puerto Ricans have crafted and negotiated complex ideas about nationhood. Jorell Melendez-Badillo provides a new history of Puerto Rico that gives voice to the archipelago's people while offering a lens through which to understand the political, economic, and social challenges confronting them today.</p><p>In this masterful work of scholarship, Melendez-Badillo sheds light on the vibrant cultures of the archipelago in the centuries before the arrival of Columbus and captures the full sweep of Puerto Rico's turbulent history in the centuries that followed, from the first indigenous insurrection against colonial rule in 1511  led by the powerful chieftain Ageyban II  to the establishment of the Commonwealth in 1952. He deftly portrays the contemporary period and the intertwined though unequal histories of the archipelago and the continental United States.</p><p><i>Puerto Rico</i> is an engaging, sometimes personal, and consistently surprising history of colonialism, revolt, and the creation of a national identity, offering new perspectives not only on Puerto Rico and the Caribbean but on the United States and the Atlantic world more broadly.</p><p>Available in Spanish from our partners at Grupo Planeta</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Italy is a mecca for food lovers. The home of pasta and pizza, it also boasts a dazzling array of wines, cheeses, breads, vegetables and meats. Globally, Michelin-starred Italian restaurants and TV chefs celebrate Italian cuisine for its freshness and health benefits.</p><p>Now in paperback, <i>Al Dente</i> takes readers on a journey through Italy's regions and food history, exploring how its cuisine evolved. Including historical recipes, Al Dente is a captivating history of perhaps the world's most beloved cuisine.</p><p><b>'Dense with passion and expertise, written exquisitely...infinitely enjoyable...destined for classic status.' </b> <b><i>Huffington Post</i></b></p><p><b>'Parasecoli's knowledge of his subject is encyclopedic...the sheer volume of information packed into Al Dente makes it a valuable contribution to the field.' </b> <b><i>TLS</i></b></p><p><b>'This cool analysis of the geopolitical background to the delights of Italian gastronomy is a welcome addition.'  Gillian Riley, author of</b> <b><i>The Oxford Companion to Italian Food</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An international cultural history of the multifunctional plant.</b></p><p>Cannabis explores the historical, pharmacological, and cultural significance of the controversial plant. Beginning with cannabis's origins as a food source in Southeast Asia, Borougerdi describes the global evolution of cannabis over the centuries, with a particular focus on its spread across the Atlantic and its modern renaissance in cuisine. The book also investigates the stimulant's mood-altering forms of consumption, from smoking to edibles and drinks. A richly illustrated guide, this book draws together a diverse account of international cannabis cultures in a single, captivating narrative.</p><p><b>'Borougerdi's</b> <b><i>Cannabis</i></b> <b>is a masterful examination of humanity's millennia-long relationship with the plant, exploring how the world's growing taste for pot led to the commercial revolution in cannabis edibles we see today. A unique and necessary new contribution to the field.'  Emily Dufton, author of</b> <b><i>Grass Roots: The Rise and Fall and Rise of Marijuana in America</i></b></p><p><b>'</b><b><i>Cannabis</i></b> <b>showcases the history and culture of the most consumed illicit substance in the world. Anyone interested in a serious examination of cannabis as a global phenomenon as well as fun ways to prepare cannabis-infused meals and beverages must begin by reading this book.'  Marty Otaez, University of Colorado Denver</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The patterns of the past don't have to define your future.</b></p><p>Drawing on decades of experience in psychology, family systems therapy, and shamanic practice, Dr. Steven Farmer reveals how the physical, emotional, behavioural, and mental traits passed down through your family tree influence your relationships, decisions, and overall well-being. This compassionate and practical guide will help you:</p><p><b>Identify the traits and patterns</b> you've inherited from your ancestors.<br/><b>Heal emotional wounds</b> that have been carried across generations.<br/><b>Break free from cycles</b> of addiction, trauma, and dysfunction.<br/><b>Enhance your connection</b> with your ancestors to draw on their wisdom and strength.<br/><b>Create a legacy of healing</b> that benefits both you and your descendants.</p><p>With a blend of modern therapeutic techniques and ancient shamanic practices, <i>Healing Ancestral Family Patterns</i> offers a clear path to ancestral healing. Whether you're seeking to address deep-seated trauma, understand your family's history, or simply connect more deeply with your roots, the practices within will empower you to transform your ancestral patterns into sources of strength and resilience.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'You do not learn tarot. Tarot teaches you.'  Rabbi Lamed Ben Clifford</b></p><p>For many, the tarot serves as a compass, illuminating the path to their 'true will' and guiding them toward their destiny. If you've ever felt stuck or unsure of which way to turn, the tarot offers a beacon, revealing unseen options and providing clarity on difficult decisions. Now, you have a unique opportunity to master the art of tarot under Lon Milo DuQuette, an internationally recognised authority on tarot and esoteric principles.</p><p>You will discover how to interact with the cards, whether new to the tarot or an experienced reader, along with learning the unique colours, correspondences, the basic symbolism of each of the seventy-eight tarot cards, their history, and simple ritual exercises designed to activate and integrate the spiritual forces resident in each individual card. By the end of the book, you'll bring together all the knowledge you've learned to create your own tarot deck  a tangible reflection of your journey and a tool for continued spiritual growth and divinatory practice.</p><p><b>'This is an indispensable tarot grimoire that is both accessible and profound. The serious student of Western Mystery Traditions is going to cherish this text.'  Benebell Wen, author of </b><b><i>I Ching, the Oracle</i></b><b> and </b><b><i>Holistic Tarot</i></b></p><p><b>'Few people have explored the underlying dynamics among the qabalistic and tarot correspondences to the extent that Lon DuQuette has.'  Mary Greer, author of </b><b><i>Tarot for Your Self</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>This must-have anthology presents a collection of alternative approaches to reading the tarot for those looking to gain new and deeper insight  especially for marginalised folk who don't see themselves reflected in traditional presentations of the tarot.</p><p>Cassandra Snow's groundbreaking book <i>Queering the Tarot</i> helped change the shape of tarot discourse for scores of new readers to reclaim this ancient practice in their own way. <i>Tarot in Other Words</i> opens doors for these brilliant tarotists, offering unique insights and concepts for tarot readers of all levels.</p><p>The anthology, presented in two parts  (1) Finding Ourselves in the Tarot and (2) Finding the Tarot in Ourselves  comprises ten essays that shine a light on the tarot from multiple queer perspectives. Understanding queerness  and why it matters in tarot  can teach all of us so much about not just gender and sexuality but also how and why we should liberate ourselves in the first place. These essays on queerness show us that who we are is right, beautiful, and sacred. <i>Tarot in Other Words</i> is a necessary and overdue addition to the tarot canon that allows a number of queer voices to come together to share their tarot views and help fledgling and intermediate tarot readers discover their own voice in the process.</p><p><b>Contributors include:<br/>Asali Earthwork, Charlie Claire Burgess, Maria the Arcane, Maria Minnis, Junauda Petrus, Siri Vincent Plouff, Rebecca Scolnick, Cassandra Snow, Taylor Ursula, Meg Jones Wall</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Cassandra Snow</b> is a professional tarot card reader and teacher, writer, and theatre maker in Minneapolis, Minnesota. Cassandra's writing focuses on tarot and paganism, arts journalism, queer lifestyle, and personal storytelling. They are the author of <i>Queering the Tarot</i> and <i>Queering Your Craft: Witchcraft from the Margins</i>, and coauthor of <i>Lessons from the Empress: A Tarot Workbook for Self-Care and Creative Growth</i>. Visit them at <i>cassandra-snow.com</i>.</p>]]></Text>
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			<SubjectHeadingText>agate; amethyst; books gemstones crystals; chalcedony; chert; crystal; diy; drill press; face polishing tool; faceting; fossil; gem; geology; hobby rock tumbler; how to; jade; jasper; jewelry making; lapidary; lapis lazuli; mineral; obsidian; petrified wood; quartz; rock collecting; rock saw; rockhounding; rocks minerals; stone</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>Take rock collecting to the next level: create gemstones that glisten and shine with beginner instructions that yield professional results.</b></p><p>Beautifully cut, polished, and shaped gemstones are marvelous treasures. They can be very expensive to purchase, but have you ever wondered how to create your own? You might be surprised at how quickly you can learn to do it  and how affordable it is, especially when compared with many other popular hobbies. <i>From Rough Stones to Wow</i> is your one-stop shop for beginning and being successful along your lapidary journey.</p><p>Written by Jim Magnuson, this accessible how-to guide keeps things simple while covering a variety of the most popular lapidary arts. The step-by-step instructions  supplemented by easy-to-follow, full-colour photographs  can help you produce high-quality gemstone products that you'll be proud to display, wear, or even sell. Learn about the tools and equipment needed, as well as types of rocks and minerals you might want to utilise. Then, with Jim's focused instruction, you can discover the rewarding experience of taking rough stones and making your own creations. There's even a brief introduction to jewellery making, with seven simple jewellery projects.</p><p>You'll appreciate these features:</p><ul><li>Easy-to-follow directions complemented by action-oriented photos</li><li>Recommendations on lapidary machines</li><li>Tips, charts, and checklists to jump-start your learning</li><li>Techniques and tools that take you from start to finish</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p>For author <b>Jim Magnuson</b>, rockhounding is not only a hobby, but it's also a serious and rewarding avocation that helps him connect with nature. He has been an avid hunter and student of various gems, minerals, and fossils since his childhood, when he first began to hunt for stones in his native state of Illinois. These experiences taught Jim the importance of persistence and the willingness to follow the road less traveled in order to find unique or rare kinds of rocks.</p><p>Jim also enjoys sharing his passion through writing, both creatively and from a practically-oriented-process perspective. Because of Jim's in-depth knowledge, he is frequently called upon to present to groups such as rock and mineral clubs, geological societies, and educational institutions that focus on outdoor and environmental interests.</p><p>In addition to Jim's passion for prospecting and hunting, he also likes to perform various lapidary arts with the stones that he finds, and he has a small business making and selling custom-polished stones and jewellery pieces. Jim also enjoys creating photographic illustrations that are up close and personal for prospecting, hunting, and lapidary work. Jim was a photographer for his high school and college newspapers and yearbooks, where he focused on student activities that created perspectives on campus life. This experience has helped Jim capture unique and compelling photographic images for modern-day gem and mineral prospecting.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This collection of ready-to-embroider notecards is perfect for those who dream of rediscovering forgotten treasures in the attic of great-aunt Norma's old Victorian. Stitch and embellish images of 12 different antique engravings, following the provided instructions or your own artistic vision, to create lovely, hand-crafted cards for any occasion.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>How the entertainment narrative of upward mobility distorts the harsh economic realities in America</b></p><p>In an age of growing wealth disparities, politicians on both sides of the aisle are sounding the alarm about the fading American Dream. Yet despite all evidence to the contrary, many still view the United States as the land of opportunity. <i>The American Mirage</i> addresses this puzzle by exposing the stark reality of today's media landscape, revealing how popular entertainment media shapes politics and public opinion in an increasingly news-avoiding nation.</p><p>Drawing on an eclectic array of original data, Eunji Kim demonstrates how, amid a dazzling array of media choices, many Americans simply are not consuming the news. Instead, millions flock to entertainment programs that showcase real-life success stories, such as <i>American Idol</i>, <i>Shark Tank</i>, and <i>MasterChef</i>. Kim examines how shows like these leave viewers confoundingly optimistic about the prospects of upward mobility, promoting a false narrative of rugged individualism and meritocracy that contradicts what is being reported in the news.</p><p>By taking seriously what people casually watch every day, <i>The American Mirage</i> shows how rags-to-riches programs perpetuate the myth of the American Dream, glorifying the economic winners, fostering tolerance for income inequality, and dampening support for redistributive policies that could improve people's lives.</p>]]></Text>
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			<SubjectHeadingText>New York Times bestseller; apple; apple cofounder; apple history; business growth; business inspiration; business mogul; business philosophy; business strategy; business success; corporate culture; creative leadership; creativity; design thinking; digital devices; disruption; disruptive innovation; entrepreneur; entrepreneurial mindset; future of tech; innovation; inspiration; ipad; iphone; ipod; itunes; leadership; legacy; macintosh; marketing genius; motivational quotes; personal computers; pixar; product design; product development; quotations; silicon valley; silicon valley icon; startups; steve jobs; steve jobs legacy; steve jobs quotes; steve jobs tribute; tech entrepreneurship; tech industry; tech innovations; tech revolution; technology; transformation; visionary; visionary leadership</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A new, updated edition of the</b><b><i>New York Times</i></b><b> bestseller.</b></p><p><b>Get inside the head of Steve Jobs: inventor, visionary, business mogul, and one of the most influential entrepreneurs in the world.</b></p><p>Drawn from more than three decades of media coverage, this tribute serves up the best, most thought-provoking insights ever spoken by Steve Jobs: more than 200 quotations that are essential reading for everyone who seeks innovative solutions and inspirations applicable to their business, regardless of size.</p><p>Jobs, who passed away on October 5, 2011, at the age of 56, cofounded Apple in 1976. He stepped down from that role in August 2011, bringing an end to one of the greatest, most transformative business careers in history. Over the years, Jobs gave countless interviews to the media, explaining what he called 'the vision thing'  his unmatched ability to envision, and successfully bring to the marketplace, consumer products that people find simply irresistible.</p><p>Jobs made an indelible mark in multiple industries, and played an enormous role in creating others. Consider how Jobs and Apple shaped the following fields: personal computers (laptop and desktop), apps (for multiple electronic devices), computer animation (Pixar), music (iTunes), telecommunications (iPhone), personal digital devices (iPod), books (iBook), and tablets (iPad). Jobs was the greatest business visionary of our era.</p><p><i>Steve Jobs: In His Own Words</i> is the perfect gift or reference item for everyone interested in this great American original.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>George Beahm</b>is the author or editor of more than 25 books, many of them companion volumes about well-known writers and public figures. He lives in Williamsburg, Virginia.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Karwaan Book Award**</b></p><p>In June 1975 Prime Minister Indira Gandhi imposed a state of emergency, resulting in a 21-month suspension of democracy. Jaffrelot and Anil explore this black page in India's history, a constitutional dictatorship of unequal impact, with South India largely spared thanks to the resilience of Indian federalism.</p><p>India's First Dictatorship focuses on Mrs Gandhi and her son, Sanjay, who was largely responsible for the mass sterilisation programmes and deportation of urban slum-dwellers. However, it equally exposes the facilitation of authoritarian rule by Congressmen, Communists, trade unions, businessmen and the urban middle class, as well as the complacency of the judiciary and media. While opposition leaders eventually closed ranks in jail, many of them  especially in the RSS  tried to collaborate with the new regime. Those who resisted the Emergency, in the media or on the streets, were few in number.</p><p>This episode was an acid test for India's political culture. While a tiny minority of citizens fought for democracy during the Emergency, in large numbers the people bowed to the strong woman in power, even worshipped her. Equally importantly, Hindu nationalists were endowed with a new legitimacy. Yet, the Emergency was neither a parenthesis, nor so much a turning point but a concentrate of a style of rule that is very much alive today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Christophe Jaffrelot </b>is Avantha Chair and Professor of Indian Politics and Sociology at the King's India Institute, King's College London. </p><p><b>Pratinav Anil</b> is a Lecturer in History at St Edmund Hall, University of Oxford, whose writings have appeared in <i>The Times, The Guardian, The Spectator </i>and <i>History Today.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The first English translation of this central work of Estonian nonfiction, marking the profound importance in world history of this small nation and its people.</b></p><p><i>Silverwhite </i>is a captivating exploration of the eastern Baltic nations' earliest history and interactions with peoples of the Mediterranean and the Near East. This journey meticulously outlines an answer to the true whereabouts of Thule, the unearthly northernmost land of ancient legend.</p><p>Although <i>Silverwhite </i>is grounded in classical literature and extensive historical, astronomical and geographical fact, Lennart Meri  foremost a writer and filmmaker  weaves his travelogue with poeticism. Whereas a professional historian must show caution when using fantasy to patch gaps between facts, a poet is untethered. This epic work can also be read as a thriller: millennia ago, an enormous cosmic rock crashed into the Estonian island of Saaremaa. Through this extraordinary historical event, Meri brings together a curious cast including ancient Greeks, Arabs and Estonians. All genuinely existed and met, even if their names have been lost to oblivion.</p><p>When Meri wrote <i>Silverwhite</i>, Estonia was occupied; forced into the restrictions of Soviet Russian colonialism. His work was a balm against that closed-minded and unnatural state, offering the unmistakable message that the world has never been divided into isolated islands of civilisation. Nations, eternally interconnected, have always shared knowledge and impacted one another in complex ways. Openness is inherent.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Lennart Meri (1929-2006) was a traveller, writer and documentary filmmaker, and Estonian president from 1992 to 2001. His father being a diplomat, he was schooled in Paris and Berlin. When the Soviet Union occupied Estonia in 1940, his family was first imprisoned, then deported to Siberia; they survived against all odds, and returned after the Second World War. Meri strove relentlessly to articulate and defend Soviet-occupied Estonia's interests, and worked to restore the nation's sovereignty. His ten books and six ethnological films had an impact echoing across the Iron Curtain. On publication in 1976, Silverwhite quickly became a popular and central work of Estonian literature.</p><p>Adam Cullen (b. 1986) is a poet and translator of Estonian literature into English. His translation of Martin Algus's short story 'The Lion', adapted as a radio play and broadcast on BBC Radio 4, earned a special commendation for Prix Europa's 'Best European Radio Fiction of the Year' (2022), and won the BBC Audio Drama Award for Best European Drama. His translation of Kai Aareleid's novelBurning Citieswas longlisted for the 2020 Dublin Literary Award. Originally from Minnesota, Cullen has lived in Estonia since 2007.</p>]]></Text>
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			<SubjectHeadingText>Alexander Solzhenitsyn; Andrei Sakharov; Benjamin Nathans; books; Brezhnev; communism; dissent; dissidents; Gorbachev; history; human rights; KGB; law; Princeton university press; protest; resistance; Russia; samizdat; social movements; socialism; To the Success of Our Hopeless Cause: A History; of the Soviet Dissident Movement; totalitarianism; USSR; Ukrainian Soviet Socialist Republic; Russian; Soviet Union; Communist Party; Chronicle; Bolshevik; Communist; Jewish; Fifth Directorate; Red Square; Jews; Central Committee; Ukrainian; Cold War; Gulag; Amnesty International; Peltier; Human Rights Committee; Politburo; Leninism; Current Events; Leninist; Nazi; United Nations</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A gripping history of the Soviet dissident movement, which hastened the end of the USSR  and still provides a model of opposition in Putin's Russia.</b></p><p>Beginning in the 1960s, the Soviet Union was unexpectedly confronted by a dissident movement that captured the world's imagination. Demanding that the Kremlin obey its own laws, an improbable band of Soviet citizens held unauthorised public gatherings, petitioned in support of arrested intellectuals, and circulated banned samizdat texts. Soviet authorities arrested dissidents, subjected them to bogus trials and vicious press campaigns, sentenced them to psychiatric hospitals and labor camps, sent them into exile  and transformed them into martyred heroes. Against all odds, the dissident movement undermined the Soviet system and unexpectedly hastened its collapse. Taking its title from a toast made at dissident gatherings, <i>To the Success of Our Hopeless Cause</i> is a definitive history of a remarkable group of people who helped change the twentieth century.</p><p>Benjamin Nathans's vivid narrative tells the dramatic story of the men and women who became dissidents  from Nobel laureates Andrei Sakharov and Alexander Solzhenitsyn to many others who are virtually unknown today. Drawing on diaries, memoirs, personal letters, interviews, and KGB interrogation records, <i>To the Success of Our Hopeless Cause</i> reveals how dissidents decided to use Soviet law to contain the power of the Soviet state. This strategy, as one of them put it, was &amp;#x27;simple to the point of genius: in an unfree country, they began to conduct themselves like free people.&amp;#x27;</p><p>Extraordinary account of the Soviet dissident movement, <i>To the Success of Our Hopeless Cause</i> shows how dissidents spearheaded the struggle to break free of the USSR's totalitarian past, a struggle that continues in Putin's Russia  and that illuminates other struggles between hopelessness and perseverance today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Benjamin Nathans</b> is the author of <i>Beyond the Pale: The Jewish Encounter with Late Imperial Russia</i>, which was awarded the Koret Jewish Book Award, the Vucinich Book Prize, and the Lincoln Book Prize, and was a finalist for the National Jewish Book Award in History. A frequent contributor to the <i>New York Review of Books</i> and the <i>Times Literary Supplement</i>, Nathans is the Alan Charles Kors Associate Professor of History at the University of Pennsylvania.</p>]]></Text>
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			<SubjectHeadingText>Elizabeth Blackburn; Diasy Bates; women science graduates; Georgiana Molloy; Australian science; Daisy Bates; parasitology; institutional barriers; marginality and exclusion; australian history; Australian feminism; discriminatory attitudes; Georgina Sweet; scientific discovery; Nobel Laureate; anthropology; Nobel laureate; scientific endeavour; Gerogiana Molloy; participation; women's studies; botany; world war II; misogyny; women in science; women in STEM; biography; virology; Parasitology; australian feminism; World War II; women scientists; history of science; women in the workplace; Australian colonialism</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><i>If asked to name an Australian woman scientist from the past, very few could. Let's change that.</i></p><p>Histories of Australian science largely overlook women. Their absence gives the impression that, until recently, there were no Australian women scientists. But this is far from true: women formed a much larger proportion of the scientific community from the 1900s to the 1940s in Australia than in Britain or the United States, and numbers have only grown since. Why don't women scientists make it into history books? Because women's work is less cited than men's and more likely to be forgotten.</p><p><i>Taking to the Field</i> is the first comprehensive history of Australian women in science from the colonial period to contemporary times. This untold story shows that women have played a greater role than is commonly recognised. From the first years of colonisation, women engaged in myriad scientific endeavours, ranging from botany to genetics to organic chemistry. There was a vibrant culture of women in science in the years up to 1945  as academics, researchers, lab workers, teachers, writers and activists for science-based social reform. They outnumbered men in some fields.</p><p>This is not a straightforward tale of progress or a simple celebration of unsung heroines. Some women were involved in darker episodes of colonial science and eugenics. Few women of colour were given opportunities for scientific exploration. But within these limitations, many remarkable individuals illuminated our understanding of the world. From the first female science graduate, Edith Dornwell, to Nobel laureate molecular biologist Elizabeth Blackburn, Australian women have had an outsized influence. The botanical collection of Western Australian Georgina Molloy, the discoveries of Tasmanian-born molecular biologist Elizabeth Blackburn and the research of Melbourne zoologist Georgina Sweet all tell a story: how Australian women in science have transformed the world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p></p><p><b>Jane Carey</b> teaches history at the University of Wollongong, where she was a founding co-director of the Centre for Colonial and Settler Studies. She has published widely on Australian history, British colonial history, Indigenous history and women's history. The editor of numerous collections, including <i>Indigenous Networks</i> (2014) and <i>Colonial Formations</i> (2021), she has held a Monash Fellowship at Monash University and an Australian Research Council Postdoctoral Fellowship at the University of Melbourne.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Critical Care paints a vivid and nuanced picture of HIV and AIDS nursing and sheds light on an unexamined aspect of Australia's AIDS crisis.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Prime Minister's Literary Awards 2025, Australian history**</b></p><p><b>**Shortlisted, NSW History Awards 2025, NSW Community and Regional History Prize**</b></p><p><b>**Highly Commended, Ernest Scott Prize 2025**</b></p><p><b>**Highly Commended, Oral History Australia Book Award 2024**</b></p><p>HIV and AIDS devastated communities across Australia in the 1980s and 1990s. In the midst of this profound health crisis, nurses provided crucial care to those living with and dying from the virus. They negotiated homophobia and complex family dynamics as well as defending the rights of their patients.</p><p>Bringing together stories from across the country, historian Geraldine Fela documents the extraordinary care, compassion and solidarity shown by HIV and AIDS nurses. <i>Critical Care</i> unearths the important and unexamined history of nurses and nursing unions as caregivers and political agents who helped shape Australia's response to HIV and AIDS.</p><p><b>'Drawing on the frontline experience of nurses, Fela has written an insightful and moving history of the tragedy and triumphs of Australia's response to the AIDS epidemic.'  Dennis Altman, Vice Chancellor's Fellow, La Trobe University</b></p><p><b>'</b><b><i>Critical Care</i></b><b> shows how Australia's AIDS crisis aroused fear, hatred and homophobia and yet forged new bonds of care, community and love. This beautifully told story of the nursing profession's response to acute suffering and great tragedy  borne predominantly by gay men  is among the most moving Australian histories I have read. It will be essential for anyone interested in health, the professions, gender, sexuality and the shifting emotional landscape of the nation.'  Frank Bongiorno, Professor of History, Australian National University</b></p><p><b>'This outstanding book chronicles the role of nurses in addressing the AIDS pandemic, after the arrival of HIV. The old approach to epidemics was strict control and isolation. But something new was required by the nature of this unexpected crisis. Fortunately, in Australasia, healthcare professionals and lawmakers rose to the occasion. The special challenge of coping with patients needing care, often when they were profoundly sick and dying; where no vaccine was available; and no drugs were effective at first to turn the tide, put huge pressure on nurses on the front line. They helped lead our community to address the AIDS paradox. This book tells a heroic story. I honour the author and those whose work she describes so that their lessons will not be forgotten.'  The Hon. Michael Kirby, Past Justice of The High Court of Australia and Patron of The Kirby Institute</b></p><p><b>'As well as being a pleasure to read, this book shines new light on previously hidden stories in the Australian HIV response; that of nurses, trade unions and First Nations people. Fela's insightful narrative brings to life the unique and vital role played by nurses who provided care in environments that were too often marked by intense fear and shame.'  Jennifer Power, Associate Professor and Principal Research Fellow, La Trobe University</b></p><p><b>'In this insightful book, Geraldine Fela revisits the Australian response to the HIV/AIDS epidemic and unearths the important and untold contribution of nurses. Nurses were on the frontlines of care during the epidemic and Fela beautifully brings forth their experiences, perspectives and voices. In her attention to labour history, gender and the impact of colonisation, Fela highlights less-told stories of the epidemic that help us re-evaluate the Australian response to HIV/AIDS. This is an important and often moving book.'  Robert Reynolds, Professor of Modern History, Macquarie University</b></p><p><b>'In the worst years of the AIDS crisis, nurses were the frontline of healthcare. Geraldine Fela's compelling, myth-busting book shows how Australian nurses challenged stigma and transformed healthcare relationships and practices. Fela illuminates different healthcare approaches across states, and between city and country, and how nurses ensured effective responses to HIV in Indigenous communities.'  Alistair Thomson, President Oral History Australia and Emeritus Professor in History, Monash University</b></p><p><b>'In this marvellous book, Geraldine Fela reveals the day-to-day work of nurses and their unions in responding to the HIV/AIDS crisis in Australia. Through interviews and archival research, she shows how in caring, educating, advocating, they saved lives, eased suffering and reshaped our medical system from the ground up.'  Graham Willett, Historian, Arch-tivist, Publisher</b></p><p><b>'This book honours those who bathed the sweat from the exhausted brows of sufferers; who cared for people abandoned by their families and the community; who stood up for those who could no longer stand up for themselves. Bravo, bravo, bravo.'  Caroline Overington,</b> <b><i>The Australian</i></b></p><p><b>'</b><b><i>Critical Care</i></b><b> is an optimistic and galvanising read that celebrates the power of activism.'  Jinghua Qian, ABC ARTS</b></p><p><b>'The author skilfully weaves the professional, personal and political to make visible the often-invisible work of those lower down in the hospital hierarchy who braved fear, hate and ignorance to deliver a service that recognised people's humanity.</b> <b><i>Critical Care</i></b> <b>is a challenging read, but its reward is insight into the power of love, courage and solidarity.'  Judges' comments, NSW History Awards</b></p><p><b>'This inspiring history of progressive public health strategy should be cause for national pride. Characterised by a collaborative, community-based education approach  rather than isolating and controlling patients  nurses played an important role, centring the rights of affected communities.In the age when public health is a matter of urgent concern,</b> <b><i>Critical Care</i></b><b> is both an original and revealing history of Australia's response to AIDS and a valuable source of guidance for the future.'  Judges' comments, Prime Minister's Literary Awards</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Geraldine Fela</b> is a Postdoctoral Research Fellow in the Department of History and Archaeology at Macquarie University. Her research and teaching traverses histories of gender and sexuality, labour, social movements and medicine. She has been widely awarded for her work examining the role of nurses during Australia's HIV and AIDS crisis and has appeared in both scholarly and popular outlets. <i>Critical Care</i> is her first book.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>What can snorkelling at Shark Bay teach us about humanity? Will the secrets of our sex lives be uncovered by stick insects? What do whale societies reveal about kindness? And why did we evolve to spend a third of our life asleep?</b></p><p>Some questions have nipped at humanity's heels for as long as we've been...well, humans. In <i>Why Are We Like This?</i> science journalist Zoe Kean takes us behind the scenes of the evolutionary paradoxes that make up life on this planet. Exploring with scientists, from freezing in Tasmanian sleet to a laboratory of sleeping sharks in North Queensland, we see how these evolutionary mysteries might just uncover the secrets of a better life for humans and the creatures we share the planet with.</p><p>The ancient ancestors of life on Earth faced the same challenges we do, so let's learn a lesson or two about how they dealt with them.</p><p><b><i>'Why Are We Like This?</i></b><b> is a witty and inquisitive exploration of humans' place in the web of life. It takes readers on a journey through the history of life on Earth  full of wonder, curiosity and tenderness.'  Tegan Taylor</b></p><p><b>'Evolution is not perfect, just good enough. This book brilliantly guides you through this complexity, showing us how we evolved to be marvellously imperfect. Why do we have sex? Why does cancer happen, why do dogs age and sharks sleep? Read this book, and get learned up.'  Dr Karl Kruszelnicki</b></p><p><b>'[a] bold, scientifically savvy and nuanced work.' </b> <b><i>Sydney Morning Herald / the Age</i></b></p><p><b>'Kean's book paints a compelling picture of contemporary understandings of evolution, and how it relates to our humanity.' </b> <b><i>Readings Monthly</i></b></p><p><b>'Overall, this book offers a wonderful opportunity to learn about what life is and why we are what we are. As Dr Kruszelnicki is quoted as saying on the cover, it is a "brilliant guide to how we evolved to be marvellously imperfect". Not only does it provide many thought-provoking observations into evolution, it challenges the very way we've always thought about the concept; it is a marvellous and instructive read.'  Erich Mayer, Arts Hub</b></p><p><b>'</b><b><i>Why Are We Like This?</i></b><b> is profound, philosophical and insightful within science's sensible and reliable parameters.'  Mark Parry,</b> <b><i>Good Reading Magazine</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[A celebration of the seemingly simple idea that allowed us to imagine the world in new dimensions - sparking both controversy and discovery.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, NSW History Awards 2025, General History Prize**</b></p><p><i>'The story I'll tell here is about the evolution of the way we humans record and make sense of all the data that swirl around us...'</i></p><p><i>Vector</i> takes readers on an extraordinary 5000-year journey through the human imagination. The stars of this book, vectors and tensors, are unlikely celebrities. Yet mathematician and science writer Robyn Arianrhod shows how they enabled physicists and mathematicians to think in a brand-new way. They inspired James Clerk Maxwell to usher in the wireless electromagnetic age; Albert Einstein to predict the curving of space-time and the existence of gravitational waves; Paul Dirac to create quantum field theory; and Emmy Noether to connect mathematical symmetry and the conservation of energy. Today, you're likely relying on vectors or tensors each time you pick up your mobile phone, use a GPS, or search online.</p><p>In <i>Vector</i>, Robyn Arianrhod shows the genius required to reimagine the world - and how a clever mathematical construct can dramatically change discovery's direction.</p><p><b>'In</b> <b><i>Vector</i></b><b>, Arianrhod shows, with beautiful ease, that maths is not some foreign world only geeks inhabit. It</b> <b><i>is</i></b><b> the world around us.'  Adam Spencer, author of</b> <b><i>Adam Spencer's Big Book of Numbers: Everything you wanted to know about the numbers 1 to 100</i></b></p><p><b>'Arianrhod's</b> <b><i>Vector</i></b><b>, a masterpiece of science exposition, reads as a welcoming cognitive cliffhanger tour of vectors, their generalizations, and their accompanying symbolic tools of mathematical physics, all dovetailing through germane history vignette accounts of astonishing connections and applications.'  Joseph Mazur, author of</b> <b><i>The Clock Mirage: Our Myth of Measured Time</i></b></p><p><b>'A vector is quantity that has magnitude and, crucially, direction. This idea has enabled physicists and mathematicians to imagine and describe the world in new dimensions. The author traces the influence of vectors over the past 5,000 years, and why vectors (and tensors) are still relevant today.' </b> <b><i>The Bookseller</i></b></p><p><b>'There have been lots of books about the evolution of modern physics: from Newton to Maxwell to Einstein and on to quantum theory. But seldom does an author pay attention to the mathematical revolutions that made those physical theories possible. Only as the mathematical toolkit expanded from simple scalars to include such tools and ideas as quaternions and vectors and tensors could physicists and mathematicians find the language to describe an increasingly bewildering universe. Arianrhod does a remarkable job telling the story of the mathematical revolution under the hood, the engine that drove the physics revolutions of the nineteenth and twentieth centuries; the result is a book well worth your time.' - Charles Seife, author of</b> <b><i>Zero: The Biography of a Dangerous Idea</i></b></p><p><b>'"If all mathematics disappeared," physicist Richard Feynman opined, "it would set physics back precisely one week." To which mathematician Mark Kac retorted, "Precisely the week in which God created the world." Arianrhod persuades us that vectors and tensors are among those creations. Students and teachers should read this excellent book together.' - Marjorie Senechal, editor-in-chief of</b> <b><i>The Mathematical Intelligencer</i></b></p><p><b>'With a flair for exposition that makes the complex simple, and a gift for storytelling, Arianrhod is without peer in conveying the beauty, and power, of mathematics. William Rowan Hamilton, James Clerk Maxwell, and Albert Einstein come alive in this dramatic tale of a simple idea that changed our world.' - Amir Alexander, author of</b> <b><i>Infinitesimal: How a Dangerous Mathematical Theory Shaped the Modern World</i></b></p><p><b>'Everyone understands what it means to move at some particular speed in some particular direction. But it took a long time to start thinking of such behavior in terms of a single clarifying concept, the vector. Arianrhod's lively and detailed chronicle explains why vectors and tensors are at the heart of our best ways to think about the universe.' - Sean Carroll, author of</b> <b><i>The Biggest Ideas in the Universe</i></b></p><p><b>'...mathematician Robyn Arianrhod tells the story beautifully...a very human story of how men and women explored and refined pure maths and physics, their friendships and rivalries, frustration and insights. Dr Arianrhod is most effective in describing collaboration across time and nationalities, as well trained minds and curious mavericks picked up the challenge to understand our universe.' - Robyn Douglass,</b> <b><i>The Daily Telegraph</i></b></p><p><b>'Written with wit and impressive scholarship in both history and mathematics.' - Peter Main</b></p><p><b>'Arianrhod has an encyclopedic knowledge of the history of physics and mathematics, as well as a deep understanding of often very technical subject matter...Arianrhod's deep research and attention to neglected figures in the history of science, many of them women, is refreshing...</b><b><i>Vector</i></b> <b>is a fascinating read.' - Michael Lucy,</b> <b><i>Australian Book Review</i></b></p><p><b>'This book expanded my imagination by showing how even the simplest of concepts can have a fascinating and far from simple history...Whether you are interested in popular history of science or would like to know more about the details of how vectors and the laws of physics developed together, I recommend this book.'  Thomas Britz,</b> <b><i>Parabola</i></b></p><p><b>'Few books can claim to be able to engage historians in mathematics and mathematicians in history, but Robyn Arianrhod's </b><b><i>Vector </i></b><b>is just such a rare book. It takes extremely complex concepts from mathematics and the natural sciences and turns them into a fascinating and highly personal journey through the history of the thinkers who made the hallmark inventions of the modern world possible...Both a towering display of erudition and a deeply engaging, charming and intimate retelling of the lives and times of its subjects and their work.'  Judges' comments, NSW History Awards</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Robyn Arianrhod</b> has a PhD in the theory of general relativity and taught mathematics at Monash University; she's currently an Affiliate in Monash's School of Mathematics. She writes about maths and science for the interested general reader - her books have been translated into several languages and shortlisted for national literary awards, and her articles have appeared in various outlets, including <i>Best Australian Science Writing</i>.</p>]]></Text>
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			<SubjectHeadingText>Howard Florey; Mark Oliphant; atomic bomb; microwave radar; penicillin; science; second world war; Australian scientists WWII; atomic bomb development; radar invention history; penicillin discovery WWII; WWII science breakthroughs; Frisch Peierls memorandum; cavity magnetron radar; British scientific mission WWII; Florey penicillin trials; Oliphant nuclear physics; wartime innovation Australia; Australian heroes WWII; science diplomacy WWII; Manhattan Project origins; wartime medicine history; WWII technology history; Australian National University founders</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>** Shortlisted, 2023 Margaret and Colin Roderick Literary Award **</b></p><p>Two Australian scientists played a vital yet largely unknown role in the Allied victory in the Second World War. Almost eight decades later, <i>Wizards of Oz</i> finally tells their story.</p><p>In this fast-paced and compelling book, Brett Mason reveals how childhood friends from Adelaide - physicist Mark Oliphant and medical researcher Howard Florey - initiated the most significant scientific and industrial projects of the Second World War: manufacturing penicillin, developing microwave radar and building the atomic bomb. These innovations gave the Allies the edge and ultimate victory over Germany and Japan.</p><p>More than just a story of scientific discovery, <i>Wizards of Oz</i> is a remarkable tale of secret missions, international intrigue and triumph against all odds. Mason tells how Oliphant and Florey were also instrumental in convincing a reluctant United States to develop and deploy the three breakthrough inventions in time to change the course of the war. These two Australians not only helped win the war but shaped the peace, with their war-time contributions continuing to influence international politics and the health and wealth of nations.</p><p>Oliphant and Florey emerge in <i>Wizards of Oz</i> as the two most consequential Australians of the Second World War - perhaps of all time.</p><p><b>'Unputdownable!' - General Sir Peter Cosgrove</b></p><p><b>'A wonderful slice of Australian history.' - Peter Fitzsimons</b></p><p><b>'Great stories!' - Professor Peter Doherty</b></p><p><b>'Both the telling and the tale are utterly captivating.' -</b> <b><i>Campus Morning Mail</i></b></p><p><b>'It's a timely reminder, after so many years of Australian science being neglected and diminished, of an era when Australian scientists not only held their place on the world stage but commanded it.' - Bianca Nogrady,</b> <b><i>the Sydney Morning Herald</i></b></p><p><b>'A compelling read: exquisitely detailed, beautifully written, comprehensively researched...I couldn't put it down until I turned the very last page.' - Hon Julie Bishop</b></p><p><b>'A truly great book...Among the very best of scientific histories I have read anywhere in the world.' - Professor Brian Schmidt AC</b></p><p><b>'This book will captivate and enchant you.' - Colin Steele, Emeritus Fellow at ANU College of Arts and Social Sciences</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Brett Mason</b> is Chair of the Council of the National Library of Australia and Adjunct Professor in the School of Justice at the Queensland University of Technology. He was formerly a Senator for Queensland, serving in the Ministry, before being appointed Australia's Ambassador to The Hague and Permanent Representative to the Organisation for the Prohibition of Chemical Weapons. He is the author of <i>Privacy Without Principle</i> and co-editor of <i>Future Proofing Australia</i>. It's a timely reminder, after so many years of Australian science being neglected and diminished, of an era when Australian scientists not only held their place on the world stage but commanded it.<br/></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>What's it like to study polar bears in the wild? How do you raise children among large carnivores? And how do you find a frog that no-one has seen for 40 years?</p><p>From deserts to rainforests and even the polar Arctic, scientists venture into the field to collect, observe and study the world's organisms and the environments they live in. But even with the best planning, unexpected weather, unpredictable animals and unforeseen encounters can occur.</p><p><i>Wild Science: Unexpected Encounters When Working in Nature</i> explores the precarious, hilarious and thought-provoking stories 'behind the science'. It shows the value of these experiences, even when things don't go right, and the importance of fieldwork for understanding our own place in the world.</p><p>With contributions from Cara Penton, Terrah Guymala and Warddeken Rangers; Christopher R. Dickman; Laura Kojima; Pamela Catcheside; Euan G. Ritchie; Neil Jordan; Leonardo Guida; Manu E. Saunders; David M. Watson; Jessica Marsh; Erika M. Roper; Laura M. Skates; Andrew E. Derocher; Isabel Castro; David G. Hamilton; Abi T. Vanak; Jodi J. L. Rowley; Wayne Boardman; Robert Heinsohn; Jo Isaac; Lydia McLean; Tracy Ainsworth; Dieter F. Hochuli; and Bradley P. Smith.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Dr Helen P. Waudby</b> is an Adjunct Research Fellow with the Gulbali Institute at Charles Sturt University in New South Wales, and a conservation biologist with the New South Wales Government. She has worked in wildlife research and conservation for more than 20 years, spending much of that time in the field.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Witnessing a total solar eclipse is a wondrous and unforgettable event! <i>Eclipse Chasers</i> is a guide to past and future Australian total solar eclipses, exploring historical and cultural knowledge, as well as featuring five upcoming eclipses that will be visible in Australia.</p><p>The science of eclipses is explained, as well as how to prepare for an eclipse and view it safely. For upcoming eclipses the best locations to view each one are revealed, alongside tips for taking photographs.</p><p>The book also reveals untold stories of how past Australian astronomers observed the total eclipses that have occurred since European settlement, and how these eclipses were celebrated in popular culture, poetry and art. It explores the great significance of solar eclipses for First Nations peoples, and their observations and cultural meanings.</p><p><i>Eclipse Chasers</i> showcases the drama and beauty of total solar eclipses and is essential for anyone fascinated by these amazing events.</p><p><b>The next total solar eclipse in Australia is set to occur April 20, 2023. The Ningaloo Eclipse will entice people from all over the world to travel to Exmouth in Western Australia to have front row seats.</b></p>]]></Text>
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			<SubjectHeadingText>Astronomical unit; Solar eclipse; Project Gemini; Propulsion; Interstellar medium; Interstellar travel; Space telescope; Voyager 2; Propellant; Orbit; Rocket propellant; Photon; Astronaut; Eris (dwarf planet); Astronomer; Astronomical object; Celestial navigation; Astronomy; Comet tail; Colonization of Mars; Space vehicle; Hubble Space Telescope; Antimatter; Interplanetary mission; Nebula; Rocket launch; Andromeda Galaxy; Photon rocket; Elongation (astronomy); Mars and Beyond; Local Interstellar Cloud; Outer planets; Galactic Center; Orbital mechanics; 100 Year Starship; Gravity of Earth; Space Odyssey; Dwarf planet; Astrobiology; Voyager 1; Planet; Exploration of Mars; Saturn; Newton's law of universal gravitation; Gamma ray; Interstellar probe; Meteoroid; Star Drive; Asteroid belt; SpaceX; Alpha Centauri; Space Age; Science fiction; Space Launch System; Spacecraft propulsion; Mars 2; Planetary flyby; Technology; Trantor; Spacecraft; Exoplanet; Space exploration; To the Moon; Solid-fuel rocket; Uranus; Intercontinental ballistic missile; Star cluster; Orbital spaceflight; Extraterrestrial intelligence; Voyager program</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A brief guide to the real science of interstellar travel.</b></p><p>With known exoplanets now numbering in the thousands and initiatives like 100 Year Starship and Breakthrough Starshot advancing the idea of interstellar travel, the age-old dream of venturing forth into the cosmos and perhaps even colonising distant worlds may one day become a reality. <i>A Traveler's Guide to the Stars</i> reveals how.</p><p>Les Johnson takes you on a thrilling tour of the physics and technologies that may enable us to reach the stars. He discusses the latest exoplanet discoveries, promising interstellar missions on the not-so-distant horizon, and exciting new developments in space propulsion, power, robotics, communications, and more. But interstellar travel will not be easy, and it is not for the faint of heart. Johnson describes the harsh and forbidding expanse of space that awaits us, and he addresses the daunting challenges  both human and technological  that we will need to overcome in order to realise tomorrow's possibilities.</p><p><i>A Traveler's Guide to the Stars</i> is your passport to the next great frontier of human discovery, providing a rare inside look at the remarkable breakthroughs in science and technology that will help tomorrow's space travellers chart a course for the stars.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Les Johnson</b> is a physicist whose many books include <i>Graphene: The Superstrong, Superthin, and Superversatile Material That Will Revolutionize the World</i>; <i>Solar Sails: A Novel Approach to Interplanetary Travel</i>; and <i>The Spacetime War</i>. He serves as principal investigator for NASA's first interplanetary solar sail space missions, Near-Earth Asteroid Scout and Solar Cruiser, and lives in Madison, Alabama.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A cosmic perspective on carbon  its importance in the universe and our lives.</b></p><p>When we think of carbon, we might first think of a simple element near the top of the periodic table: symbol C, atomic number 6. Alternatively, we might think of something more tangible  a sooty piece of coal or a sparkling diamond, both made of carbon. Or, as Earth's temperature continues to rise alarmingly, we might think of the role carbon plays in climate change. Yet carbon's story begins long ago, far from earthly concerns. In <i>The Sixth Element</i>, astronomers Theodore Snow and Don Brownlee tell the story of carbon from a cosmic perspective  how it was born in the fiery furnaces of stars, what special chemical and physical properties it has, and how it forms the chemical backbone of the planets and all life as we know it. Foundational to every part of our lives, from our bodies to the food, tools, and atmosphere that sustain our existence, carbon is arguably humankind's most important element.</p><p>Snow and Brownlee offer readers the ideal introduction to the starry element that made our world possible and shapes our lives. They first discuss carbon's origin, discovery, and unique ability to bond with other elements and form countless molecules. Next, they reveal carbon's essential role in the chemical evolution of the universe and the formation and evolution of galaxies, stars, planets, and life, and then, more generally, its technological uses and its influence on Earth's climate. Bringing readers on a historical, scientific, and cross-disciplinary journey, <i>The Sixth Element</i> illuminates the cosmic wonder that is carbon.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Theodore P. Snow</b> is professor emeritus at the Centre for Astrophysics and Space Astronomy at the University of Colorado Boulder. Over the course of his career, he has worked on two orbital telescopes, including the Hubble Space Telescope, built experiments for rocket and satellite observations, and studied chemical reactions important in interstellar space. He is the author of the award-winning textbook <i>The Dynamic Universe</i>. </p><p><b>Don Brownlee</b> is professor emeritus of astronomy at the University of Washington. He has been involved in spacecraft, rocket, high-altitude balloon, and U-2 airplane experiments since he was a graduate student, and he was the principal investigator in charge of the NASA Stardust mission that collected samples from a comet and returned them to Earth. He is the coauthor of <i>Rare Earth</i> and <i>Life and Death of Planet Earth.</i></p>]]></Text>
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			<SubjectHeadingText>Color; Pigments; Wavelengths; Sensitive; Reef; Cone; Chlorophyll; Coral; Visual pigments; Butterfly; Spectrum; Photoreceptors; Retina; Shrimp; Spectral; Mammals; Pink; Evolution; Fluorescence; Bioluminescence; Prey; Camouflage; Predators; Colorful; Vertebrates; Feathers; Bees; Mate; Sunlight; Mantis; Mechanisms; Coloration; Constancy; Earth; Mantis shrimp; Coral reef; Lens; Conspicuous; Land; Molecules; Algae; Uv sensitive; Photonic; Regions; Absorb; Terrestrial; Reindeer; Possess; Fashion; Forest; Spectral sensitivities; Bioluminescent; Illumination; Ultraviolet; Fluorescent; Underwater; Organisms; Daylight; Stripes; Greens; Flash; Toxic; Dyes; Hues; Rods; Invertebrates; Carotenoids; Receptors; Emotions; Beetles</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p><b>A marvellously illustrated guide to colour in the natural world.</b></p><p>Recent years have seen tremendous strides in the fields of vision, visual ecology, and our own multilayered experience of colour in life and the world. These advances have been driven by astonishing discoveries in neuroscience and evolutionary biology as well as psychology and design. This beautifully illustrated book unlocks nature's colourful purpose, revealing how creatures see colour as well as shedding light on the important part that it plays in animal behaviour, from reproduction and communication to aggression and defense. <i>Color in Nature</i> also places the human experience and uses of colour in the context of all the colours around us, both in the natural world and in the world that we humans create for our own pleasure and purpose. A wide-ranging survey of a vibrant and compelling topic, <i>Color in Nature</i> will open your eyes to new ways of perceiving the world.</p><ul><li>Features a wealth of stunning colour illustrations</li><li>Explains what colour is and how it happens</li><li>Covers the physics, genetics, chemistry, physiology, and psychology of animal colour perception</li><li>Discusses colours humans don't see or rarely use</li><li>Sheds light on the evolution of colours for mating, hunting, fighting, deceiving, and hiding</li><li>Provides insights into colour blindness, bio-inspired colours, and people's appreciation for art and design</li></ul>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Justin Marshall</b> is professor emeritus of neuroscience and marine biology at the University of Queensland.</p><p><b>Anya Hurlbert</b> is professor of visual neuroscience at Newcastle University. <b>J</b></p><p><b>ane Boddy</b> is a colour trend forecaster based in London, and is a creative contributor to the Pantone Color Institute.</p><p><b>Thomas Cronin</b> is professor of biological sciences at the University of Maryland, Baltimore County.</p><p><b>Ron Douglas</b> is emeritus professor in the Department of Optometry and Visual Sciences at City, University of London.</p><p><b>Snke Johnsen</b> is professor of biology at Duke University.</p><p><b>Fabio Cortesi</b> is a research fellow and group leader in evolutionary biology and marine science at the School of the Environment at the University of Queensland.</p>]]></Text>
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			<SubjectHeadingText>Aging; Alzheimers disease; Michel Brahic; Neuroscience; Origin of life; Parkinson's disease; Prion proteins; Protein; Protein folding; Proteins; The Power of Prions; The Strange and Essential Proteins That Can Cause; Alzheimer's, Parkinson's, Other Diseases; Neurons; Prion; Cells; Disease; Brain; Memory; Synapses; Alpha; Fibrils; Synuclein; Tau; Gene; Human; Acids; Aggregates; Animals; Axon; Patients; Abeta; Parkinson; Laboratory; Amino; Amino acids; Mechanism; Prp; Function; Spread; Alzheimer; Scrapie; Viruses; Lewy; Structure; Mice; Molecules; Scientists; Jakob; Creutzfeldt; Mutations; Bodies; Lewy bodies; Immune; Sheep; Mouse; Genetic; Information; Chain; Beta; Electric; Amyloid; Dendrites; Chemical; Membrane; Quality; Seeds; Kuru; Toxic; Test; Environment</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p> Over the last decade, scientists have discovered the importance and widespread presence in the body of a remarkable family of proteins known as prion proteins. Research links various types of prion proteins to neurodegenerative diseases such as Parkinson's and Alzheimer's  and this has fueled the search for new drugs that could halt the progression of these terrible disorders. Other discoveries have revealed the essential roles prion proteins play in memory and immunity, and  in an extraordinary finding  the part they may have played in the beginnings of life on our planet. In this engaging and accessible book, Michel Brahic tells the story of these amazing and versatile proteins.</p><p>Brahic, a leading researcher on diseases of the central nervous system, first describes the discovery of prions and their role in infection, beginning with early work on the animal disease scrapie and a mysterious human illness in New Guinea, apparently transmitted by cannibalism. Prions were eventually identified and named by Stanley Prusiner in the 1980s. (Brahic tells us Prusiner's alternate name for prion was &amp;#x27;piaf&amp;#x27;.) Prion proteins were then revealed as the cause of other illnesses, from &amp;#x27;mad cow&amp;#x27; disease and its human counterpart, Creutzfeldt-Jakob disease, to such noninfectious brain disorders as Parkinson's and Alzheimer's. While the prion proteins responsible for diseases are definitively &amp;#x27;bad&amp;#x27;, Brahic also explains that these abnormal prions are rare exceptions. Most of the time, prion proteins actually serve &amp;#x27;good&amp;#x27; and vital functions  and they may even have been present at the origin of life itself.</p><p> </p><p><b>&amp;#x27;Michel Brahic provides a thorough history of prion proteins that delves beyond their well-documented role in neurodegenerative diseases. A prion researcher himself, Brahic expertly details the origins of his field.&amp;#x27;  Francisco J. Rivera-Rosario, </b><b><i>The Transmitter</i></b></p><p><b>&amp;#x27;Michel Brahic provides a close-up view of these mysterious proteins...[and] provides a clear, straightforward overview of how the nervous system and proteins function.&amp;#x27;  Ed Cara, </b><b><i>Gizmodo</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Michel Brahic</b>, an expert in viral and prion infections of the brain, is Professeur Honoraire at Institut Pasteur in Paris. He has been Directeur de Recherche at CNRS and Consulting Professor at Stanford University School of Medicine. His work has been published in <i>Nature</i>, <i>Cell</i>, <i>New Scientist</i>, and other journals.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Victorian Premier's Literary Awards 2026, Fiction**</b></p><p><b>The much-anticipated follow-up to acclaimed graphic novelist Lee Lai's Stella-shortlisted</b> <b><i>Stone Fruit</i></b><b>, a funny, dark, emotionally turbulent slice of friendship strife.</b></p><p>We arrive to wreckage  a restaurant smashed to rubble, with tables and chairs upended riotously. Under the swampy nighttime cover of a Montreal heatwave, we meet our protagonist, Cannon, dripping in beads of regret sweat. She was supposed to be closing the restaurant for the night, but instead, she destroyed it. The horror-scape left in her wake is not unlike the films Cannon and her best friend, Trish, watch together. Cooking dinner and digging into deep cuts of Australian horror movies on their scheduled weekly hangs has become the glue in their relationship. In high school, they were each other's lifeline  two queer second-generation Chinese nerds trapped in the suburbs. Now, on the uncool side of their twenties, the essentialness of one another feels harder to pin down. Yet when our stoic and unbendingly well-behaved Cannon finds herself very uncharacteristically surrounded by smashed plates, it is Trish who shows up to pull her out</p><p>In <i>Cannon</i>, Lee Lai's follow-up to the critically acclaimed and award-winning <i>Stone Fruit</i>, the full palette of a nervous breakdown is just a part of what is on offer. Lai's sharp sense of humour and sensitive eye produce a story that explores the intimacy of queer friendship and weight of family responsibility, and breaks open the question of what we owe both to each other and to ourselves.</p><p><b>'In</b> <b><i>Cannon</i></b><b>, Lee Lai has performed a rare and powerful act of alchemy  the images, narrative, and writing not only capture a life, but combine so that the book itself feels alive.'  Torrey Peters</b></p><p><b>'Beguilingly drawn,</b> <b><i>Cannon</i></b><b> depicts a wide spectrum of adulthood with nuance and complexity. From one story unravels many stories, about friendships, situationships, work, familial obligations. I was struck by its attention and care.'  Ling Ma</b></p><p><b>'A beautifully drawn slice of life, filled with the kind of intimate, specific details that make the best fiction seem autobiographical.'  Adrian Tomine</b></p><p><b>'It's rare, and precious, when a moment in a movie, in a poem, in a comic surges up at you as being True. And in</b> <b><i>Cannon</i></b><b>, Lee Lai does it again and again.'  Eleanor Davis</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lee Lai</b> is an Australian cartoonist living in Tiohtia:ke (colonially known as Montreal, Canada). In 2021, she was shortlisted for the Stella Prize and selected as one of the National Book Foundation's 5 Under 35 for her debut graphic novel, <i>Stone Fruit</i>, which went on to win several awards, including the Lambda Literary Award, the Cartoonist Studio Prize, the Lynd Ward Graphic Novel Prize, and two Ignatz Awards. Her comics have appeared on <i>The New Yorker</i>, <i>McSweeney's</i>, <i>New York Times</i>, <i>Granta</i>, and the Museum of Modern Art's <i>Magazine</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Set in a future that feels all too real, Emily Buchanan's startlingly original debut explores the right to protest amidst climate chaos, the importance of community in weathering life's storms and the resilience of love and hope in a world that seems beyond saving.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Fiona, better known as eco-influencer @FoliageFifi, hasn't left her flat since her boyfriend, Ed, died. She blames herself for what happened to him and for the failure of their climate activist group. But when Ed's favourite plant appears on her doorstep with an anonymous note, Fifi feels a glimmer of hope. She sprinkles his ashes into the soil and wakes to find that the plant has flowered. Not just that  it can talk. Her explanation? Ed is back. This time as a houseplant.</p><p>Intent on keeping Ed and his flowers alive, Fifi follows his cues into a world on the brink of climate collapse. But when Ed becomes demanding, urging her towards the people and places that left her scarred, Fifi realises that preserving his life could mean risking her own. How far will she go to keep him blooming? </p><p>Set in a future that feels all too real, Emily Buchanan's startlingly original debut explores the right to protest amidst climate chaos, the importance of community in weathering life's storms and the resilience of love and hope in a world that seems beyond saving.</p><p><b>'</b><b><i>Send Flowers</i></b><b> is so much more than its brilliantly out-there concept: a climate activist's dead boyfriend comes back as a houseplant. Equal parts funny and furious, it's a book that blooms as you read it.'  Bobby Palmer, author of</b><b><i> Isaac and the Egg</i></b></p><p><b>'Radical, hopeful stories are exactly what the world needs right now and through her characters, Buchanan gets to the heart of what drives activism now and throughout history: the simple hope that a better world is possible.'  Will McCallum, Executive Director, Greenpeace UK</b></p><p><b>'A warm, witty take on grief  both for lost loved ones and for our ailing planet...Buchanan's spirited message will renew your appreciation for nature and leave your inner activist inspired.'  Mikki Brammer, author of </b><b><i>The Collected Regrets of Clover</i></b></p><p><b>'Witty, original and aching with feeling...Buchanan has made a powerful contribution to the new body of climate fiction...A novel for our times.'  Seth Insua, author of </b><b><i>Human, Animal</i></b></p><p><b>'A prescient love letter to activism and the natural world that serves as a timely call to arms for people and planet.'  Henry Fry, author of </b><b><i>First Time for Everything</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Emily Buchanan</b> is an author and environmental activist from Thanet. She studied English Literature at the University of East Anglia, graduating with a first-class Creative Writing dissertation. She worked for Greenpeace as a Creative Campaigner before freelancing as a graphic designer and illustrator for non-profits. Notable campaign wins include the UK fracking ban, Shell abandoning its search for oil in the Arctic and most recently, the UN agreeing to protect 30% of the world's oceans by 2030. Emily wrote her first novel at twelve  a bedtime story for her little sister  and has been telling stories in one way or another ever since. She lives in Norwich with her pianist spouse and a brood of four-legged friends.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Longlisted for the German Book Prize 2023, Paradise Garden is a spellbinding journey and a deeply affecting story of class, resilience and belonging.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>The beginning was the last day before the summer holidays. The beginning was a song on the radio. The beginning was big plans.</i></b></p><p>Fourteen-year-old Billie rarely crosses the boundaries of her high-rise housing estate. By the end of the month their money just about stretches to pasta with ketchup, but her mother, Marika, lights up Billie's world with her imagination and big heart.</p><p>One day they receive an unwelcome visit from her Hungarian grandmother, and Billie loses much more than the colourful everyday life she shared with her mother. No longer able to ask Marika questions, Billie sets off alone in their old Nissan  determined to meet the father she never knew and find out why she keeps dreaming about the sea, even though she's never been there.</p><p>Longlisted for the German Book Prize 2023, <i>Paradise Garden</i> is a spellbinding journey and a deeply affecting story of class, resilience and belonging.</p><p><b>'Elena Fischer writes so lovingly about sadness that it is comforting.'  Alina Bronsky</b></p><p><b>'An accomplished debut about the courage to get to know one's own origins and to accept them as they are.'  Ursula Nowak for </b><b><i>Deutschlandfunk</i></b><b>, Cologne</b></p><p><b>'This novel is a small miracle  and a big surprise.'  Claudio Armbuster / </b><b><i>ZDF</i></b><b>, Mainz</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Elena Fischer</b> studied comparative literature and film in Mainz, where she lives with her family. In 2019 and 2020, she participated in the Darmstadt Text Workshop, led by Kurt Drawert. In 2021 she was a finalist at the 29th Open Mike with an extract from her debut novel <i>Paradise Garden</i> and won the Mainz provincial government's prize for young authors.</p><p>Elena Fischer has been nominated for the German Book Prize and for the Harbour Front Literary Festival's Debut Prize 2023.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Claudia Lin is used to disregarding her fractious family's model-minority expectations: she has no interest in finding either a conventional career or a nice Chinese boy. She's also used to keeping secrets from them, such as that she prefers girls - and that she's just been stealth-recruited by Veracity, a referrals-only online-dating detective agency.</p><p>A lifelong mystery reader who wrote her senior thesis on Jane Austen, Claudia believes she's landed her ideal job. But when a client vanishes, Claudia breaks protocol to investigate - and uncovers a maelstrom of personal and corporate deceit.</p><p>Part literary mystery, part family story,<i> The Verifiers</i> is a clever and incisive examination of how technology shapes our choices and the nature of romantic love in the digital age.</p><p><b>'Your go-to summer read...Really fun and will keep you hooked.'  Emily Henry, author of </b><b><i>Beach Read</i></b></p><p><b>'This book is exhilaratingly well-written. I loved it so much that I didn't want it to end.'  Emily St. John Mandel, author of </b><b><i>Station Eleven</i></b></p><p><b>'Pek's engrossing debut novel gives us a thoroughly modern twist on classic detective fiction.'  </b><b><i>New York Times</i></b><b> (Editors' Choice)</b></p><p><b>'Clever, dryly funny...This is a fascinating, carefully layered mystery novel as well as a love letter to New York City and complicated families.'  </b><b><i>Washington Post</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[After a throw-away comment lands him in a difficult situation, Dr Neil Anderson's principles are put to the test. He ultimately leaves his job, his partner, and Edinburgh far behind for the seclusion and remote beauty of the Isle of Mull off the west coast of Scotland. There love once again blossoms, and Neil's life is forever changed.]]></Text>
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			<Text textformat="02"><![CDATA[<p>From the world's favourite author of <i>The No. 1 Ladies' Detective Agency</i>, this novel is about chance encounters; it is richly atmospheric and packed with compassion and humour.</p><p>Often a small and seemingly insignificant event can change the course of our lives.</p><p>Not long after starting a new job, Neil meets Chrissie. Romance soon blossoms and together they move to a lavish flat in Edinburgh. Everything seems to be falling into place perfectly.</p><p>But an innocuous, throw-away comment unintentionally causes Neil's career to collapse, and, at the same time, a cruel betrayal shatters the life he thought he knew.</p><p>His only option is to escape to the secluded, remote beauty of a breathtaking Hebridean island. Here, he finds a different way of life, and new friendships develop. But he can't escape the past forever, and soon he must confront a life-changing decision once more.</p><p><b>'... fans will find it rippling with gentle observational comedy.' </b> <b><i>Sydney Morning Herald / The Age</i></b></p><p><b>'His latest book is something of a departure. It encompasses very present issues in the UK: cancel culture, workplace bullying, and the changing world of academia...an exploration of character...a call to arms for better society.'  BBC Radio 4 Front Row</b></p><p>Praise for Alexander McCall Smith's writing:</p><p><b>'The author's prose has the merits of simplicity, euphony and precision. This is art that conceals art.'</b><b><i>Sunday Telegraph</i></b></p><p><b>'Bags of warmth and wisdom and easy, accomplished writing that begs for a comfy chair.'</b><b><i>The Times</i></b></p><p><b>'Charming, delightful, feel-good stuff.' </b> <b><i>Daily Express</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alexander McCall Smith</b>is the author of the highly successful<i>No. 1 Ladies' Detective Agency</i>series, which has sold over twenty-five million copies. Since then he has devoted his time to the writing of fiction and has seen his various series of books translated into over forty-six languages and become bestsellers throughout the world. These include the<i>44 Scotland Street</i>novels, first published as a serial novel in the<i>Scotsman</i>, the<i>Isabel Dalhousie</i>novels, the<i>Von Igelfeld</i>series and the<i>Corduroy Mansions</i>novels.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p> </p><p>Compelling and strange, Ben Walter's debut poetry collection explores our eccentric connections to the natural world  the flora and fauna, water and wind that burst through the valleys and peaks of the lithosphere, the hard, rocky crust of the Earth that makes all life possible.</p><p>Driftwood groans towards the ocean, meadows of grass overrun a mountain, ruined teahouses serve up snow and the bushranger Rocky Whelan roars from his cave. With striking, shimmering language, <i>Lithosphere </i>delves into the peculiarities hidden in our relationship with the world outside.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ben Walter </b>is a Walkley Award-winning essayist, the author of the short story collection <i>What Fear Was</i>, and winner of the John Shaw Neilson Poetry Award. A past fiction editor at<i> Island</i>, his writing has appeared widely in Australian journals, including <i>Meanjin, Overland</i> and <i>Griffith Review,</i> and internationally in <i>3:AM Magazine, Poetry Ireland Review</i> and <i>The Cimarron Review</i>. He lives in Lutruwita/Tasmania.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Eagerly awaited new poetry from one of Australia's finest poets.</p><p><b>'Get in loser. Brace yourself. Liam Ferney's new book has landed and it's punchy, raw and raucous as well.</b></p><p><b><i>'The Shark of Messina</i></b><b> is a book for the new roaring twenties; it's recent history as a kind of rock and roll comic book fantasia, complete with characters we know, or think we know  Trump and Rambo, Keanu and Satan. Haters rule. This book is full of lines you'll probably want to quote and pass off as your own, for instance, "We will make no distinction between the terrorists who committed these acts / And their neighbors." As Ferney implies, we're all "losers" in that world'  Rae Armantrout</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Liam Ferney</b> is the author of <i>Popular Mechanics</i> (2004), <i>Boom </i>(2013), <i>Content </i>(2016), and <i>Hot Take </i>(2018). His poetry has been shortlisted for the Prime Minister's Literary Awards, the Kenneth Slessor Prize, and the Judith Wright Calanthe Award. He lives in Brisbane.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The Grand Reopening, Toby Davidson's third collection, was written during the post-pandemic return to 'normality', a fundamentally abnormal experience now largely consigned to the memory hole Australia reserves for the worst of its history.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>The Grand Reopening</i>, Toby Davidson's third collection, was written during the post-pandemic return to 'normality', a fundamentally abnormal experience now largely consigned to the memory hole Australia reserves for the worst of its history. Through a startling array of poetic styles, Davidson's works refuse this amnesia and instead trace a world encountering itself anew and with new forms of openness, from Sydney bars to Dublin's midnight streets and the active volcanic rim of Santorini where, as ever, nature is teacher.</p><p><b>'Toby Davidson is a master of the run-on line, and his end words often create a form of spell-making that works like a lit fuse. These poems move from the accessible, fine-boned lyric to complex narratives that invite close scrutiny and make invitations, not detour signs, towards understanding.</b> <b><i>The Grand Reopening</i></b><b> is a compelling third collection.'  Anthony Lawrence</b></p><p><b>'Whether through observing a pod of passing whales, Dublin's seagulls or a drowning cicada  or in musings on love or dental treatment  Davidson's unfailingly precise diction and compression, and disciplined, deeply-considered structural decisions, bring us a new collection which crackles with intense, unpredictable energy. And the final sequence is a knockout.'  Marcella Polain</b></p><p><b><i>'The Grand Reopening</i></b><b> is a searing book of love and mortality. In its taut, short lines, the long sequence "His Blood Whisper Scolds the Deathless Intelligence" enters the mind and heart and simply will not leave.'  Kevin Hart</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Toby Davidson</b> is a poet and Australian poetry scholar now living on Darkinjung Country on the NSW Central Coast. His prior collections are <i>Four Oceans</i> (Puncher and Wattman, 2020), <i>Beast Language</i> (Five Islands Press, 2012) and, as editor, Francis Webb's <i>Collected Poems </i>(UWA Publishing, 2011). His latest non-fiction book is <i>Good for the Soul: John Curtin's Life with Poetry</i> (UWA Publishing, 2021).</p>]]></Text>
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			<Text textformat="02"><![CDATA[Lines of Desire mines the urgencies and paradoxes of contemporary Australian culture, from an agonistic self-interrogation of Asian-Australian identity to a skewering of the reductive categories of left and right in political debate.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Lines of Desire</i> mines the urgencies and paradoxes of contemporary Australian culture, from an agonistic self-interrogation of Asian-Australian identity to a skewering of the reductive categories of left and right in political debate. The poems are permeated by an awareness of the shaping hand of social media in our daily lives, while seeking to fashion a lyrical perspective from the conceptual language of philosophy and criticism. The overarching thread of the collection is desire in its manifold forms, tracing lines of political activism, romantic yearning, sexual exploration, and poetic ambition. The first section, "In Theory," develops a poetics out of a critique of storytelling before exploring the faultlines of Australian cultural politics; the second section, "On the Page", traces and satirises poetic ambitions emerging from Romanticism to Instagram; and the third section, "In the Flesh", seeks embodied knowledge in our human response to the pandemic, lost love, and the natural world. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Paul Dawson</b> is a poet, scholar, and literary critic. He has published four books, including his first collection of poetry, <i>Imagining Winter</i> (IP, 2006), which won the national IP Picks Best Poetry Award. Paul has been anthologised in <i>Contemporary Asian Australian Poets</i> (Puncher &amp; Wattmann, 2013) and <i>Harbour City Poems: Sydney in Verse 1788-2008</i> (Puncher &amp; Wattmann, 2009). His poems appear in many of Australia's literary journals, including <i>Meanjin</i>, <i>Island</i>, <i>Southerly</i>, <i>Westerly</i>,<i> Cordite Poetry Review, Australian Poetry Journal</i>, and <i>Mascara Literary Review</i>. Paul teaches literary studies and Creative Writing in the School of the Arts and Media at the University of New South Wales. </p>]]></Text>
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			<Text textformat="02"><![CDATA[Julian Croft's first poems were published in Australian Letters in 1962, and since then he has published five volumes of poetry. This volume is a selection from those books, together with poems from the last fifteen years.]]></Text>
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			<Text textformat="02"><![CDATA[<p>Julian Croft's first poems were published in <i>Australian Letters</i> in 1962, and since then he has published five volumes of poetry. This volume is a selection from those books, together with poems from the last fifteen years. His poetry has been influenced by the Anglo-Welsh poet T. H. Jones and the empirical philosophy of John Anderson, together with the traditions of mid-twentieth-century Australian poetry. As the title suggest, his themes are mediations on the physical reality of life and the vagaries of human emotions. He has also published several novels.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Julian Croft</b> was first published by Max Harris and Geoffrey Dutton in 1962 and since then has published four volumes of poetry, two novels, one of which was long listed for the Miles Franklin award, and a wide range of literary criticism. His poetry been widely anthologised and broadcast, including a long poem in the form of a radio feature by the ABC. He has also written for the stage. He initially trained in film at the Commonwealth Film Unit, but spent most of his working life as an academic in Africa, Europe and Australia. In 1978, along with three others, he founded the Association for the Study of Australian Literature, which remains the major academic body promoting the nation's literature. He is an Emeritus Professor of English at the University of New England. His volume of poems<i> Breakfasts in Shanghai</i> (Angus &amp; Robertson, 1985), won the Asia-Pacific Section of the British Airways Prize in 1986). Many of his poems are about Newcastle NSW where he grew up and where his family have lived since the early nineteenth century.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Within Reach </i>draws on the unsentimental attentiveness of rural life, where close observation, quiet resilience, and wry humour shape the everyday. Russell Erwin's poems move between the sensuous and the elegiac, capturing love, loss, and the shifting presence of the natural world. Echoes of Gerard Manley Hopkins, Seamus Heaney, Les Murray, and a formative teacher linger in this deeply grounded and finely tuned collection. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Russell Erwin </b>is a poet and farmer based in the Southern Tablelands. <i>Within Reach </i>is his sixth collection and his first since <i>Maps of Small Countries </i>(Gininderra Press, 2016). It follows earlier works including <i>Clear Hills, Empty Sky </i>(Polonius Press, 1994), <i>Taken by the Enemy </i>(Molonglo Press, 2000), <i>From Here </i>(Gininderra Press, 2001), and the privately published <i>Notes for an Imminent Arrival </i>(2013). </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Gold Digger </i>challenges the enduring myths of domesticity by portraying women as breadwinners, unearthing the realities of labour, aspiration, and social mobility. Collyer deftly reveals how women's work - often overlooked or undervalued - has always been present, from the kitchen to the corridors of power. Motifs of unfair play and erasure echo throughout, reaching even the highest tiers of government, including Parliament House. </p><p>The collection features <i>The Grape Picker[s</i>], shortlisted for the Gwen Harwood Poetry Prize (2025). </p>]]></Text>
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			<Text textformat="02"><![CDATA[Assembled here in tribute to these relics of a lost age are accounts of terrifying spirits haunting Stonehenge itself, stories of awful fates for those who impose modernity on the sacred sites and grim tales in which unwitting trespassers into the eternal rites of pagan worship find themselves part of an enduring legacy of blood.]]></Text>
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			<Text textformat="02"><![CDATA[<p>In the wood the grey stone rose from the grass, and she cried out and ran back in panicked terror. 'What a silly little girl,' the nurse had said. 'It's only the... stone.'</p><p>Standing stones, stone circles, tumps, barrows and ancient clearings still remain across the British Isles, and though their specific significance may be obscured by the passing of time, their strange allure and mysterious energy persist in our collective consciousness.</p><p>Assembled here in tribute to these relics of a lost age are accounts of terrifying spirits haunting Stonehenge itself, stories of awful fates for those who impose modernity on the sacred sites and grim tales in which unwitting trespassers into the eternal rites of pagan worship find themselves part of an enduring legacy of blood. To represent the breadth of the sub-genre, authors include Arthur Machen, Algernon Blackwood and Rosalie Muspratt alongside lesser-known writers from the periodicals and journals of the British Library collections.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Katy Soar is a Senior Lecturer in Classical Archaeology at the University of Winchester. Her research interests are Greek archaeology, the resonance of archaeology in culture and the history and reception of archaeology itself. She is a frequent contributor to Hellebore magazine, and co-edited the anthology Strange Relics, published by Handheld Press in 2022.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Girls Together magazine agony-aunt 'Mrs Friendly-wise', aka Katinka Jones, finds herself at a loose end in Swansea, and decides to pay a surprise visit to one of the magazine's regular correspondents, 'Amista'. But reaching the address  a strange house perched atop a mountain which matches all of the descriptions in the letters  nobody has even heard of 'Amista'. As Katinka begins to fall for the dashing master of the house, Carleon, more weird mysteries emerge and the plucky Detective Inspector Chucky joins the search for the truth in this self-consciously lurid mystery-melodrama; a rollicking cavalcade of Brand's signature twists and turns.</p><p><b>'From time to time there is published a mystery story which is also a piece of good writing. Such a novel is</b> <b><i>Cat and Mouse</i></b><b>...a mystery novel for the connoisseur.' </b> <b><i>Glasgow Herald</i></b><b>, 1950</b></p><p><b>'This department has never before admitted its inability to put a book down. But I had trouble with</b> <b><i>Cat and Mouse</i></b><b>...A fine melodrama, with a cheerful disregard for the sterile rules of the detective game.' </b> <b><i>News Chronicle</i></b><b>, 1950</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Christianna Brand</b> was the pen name of Mary Christianna Milne (19071988), a crime writer who was born in British Malaya. She is best known for her mystery novels and short stories featuring Inspector Cockrill along with the Nurse Matilda books for children, which were adapted for screen as <i>Nanny McPhee.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An artist of colour becomes obsessed with a white model in a novel with the glamour of Clarice Lispector and the viscerality of Han Kang.</b></p><p>At an otherwise forgettable party in Los Angeles, a queer Korean American painter spots a woman who instantly controls the room: gorgeous and distant and utterly white, the centre of everyone's attention. Haunted into adulthood by her Korean father's abandonment of his family, as well as the spectre of her beguiling, abusive white mother, the painter finds herself caught in a perfect trap. She wants Hanne, or wants to be her, or to sully her, or destroy her, or consume her, or some confusion of all the above. Since she's an artist, she will use art to get closer to Hanne, beginning a series of paintings with her new muse as model. As for Hanne, what does she want? Her whiteness seems sometimes as cruel as a new sheet of paper.</p><p>When the paintings of Hanne become a hit, resulting in the artist's first sold-out show, she resolves to bring her new muse with her to Berlin, to continue their work, and her seduction. But, just when the painter is on the verge of her long sought-after breakthrough, a petition started by a Black performance artist begins making the rounds in the art community, calling for the boycott of major museums and art galleries for their imperialist and racist practices.</p><p>Torn between her desire to support the petition, to be a success, and to possess Hanne, the painter and her reality become more unstable and disorienting, unwilling to cut loose any one of her warring ambitions, yet unable to accommodate them all. Is it any wonder so many artists self-destruct so spectacularly? Is it perhaps just a bit exciting to think she could too?</p><p><i>Your Love Is Not Good</i> stuffs queer explosive into the cracks between identity and aspiration, between desire and art, and revels in the raining debris.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jeremy Deller</b>studied Art History at the Courtauld Institute and at Sussex University. He won the Turner Prize in 2004 for his workMemory Bucketand represented Britain in the 55th Venice Biennale in 2013.</p><p>His projects over the past two decades, such as<i>Battle of Orgreave</i> (2001), <i>We're Here Because We're Here</i>(2016) as well as the documentary<i> Everybody in the Place: An Incomplete History of Britain 1984-1992</i> (2019) have influenced the conventional map of contemporary art.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In<i> Pariah Genius</i>, literary giant Iain Sinclair follows in the footsteps of photographer John Deakin, whose chronicles of Soho life  and the world of Francis Bacon and his friends  have so influenced our perception of that generation's work. </p><p>In this bold fictionalisation, Sinclair enters the underworld of Deakin's life and imagination, pursuing his subject across continents, in dive bars, and bedrooms. The result is an engrossing, utterly unique portrait of a man who some felt was a fallen angel, and others, the devil himself.</p><p><b>'His lexicon is occult as well as criminal. This is a world of negatives, dark rooms and transparencies. He inverts the old anthropological canard about groups [...] believing that the camera steals the soul. Sinclair presents Deakin's imagined life as a form of botched exorcism, with the subjects warped, distorted and smeared like sitters in a Bacon painting.'  Stuart Kelly, </b><b><i>The Spectator</i></b></p><p><b>'[Pariah Genius] gives us a rollicking account of the celebrity criminals, obliging osteopaths and screaming queens of the seedy quarter. This "brotherhood of the damned" was caught by Deakin's unforgiving camera, his prints bringing out their terror and melancholy. [...] Sinclair gives brilliant, pungent accounts of the sacred sites: Wheeler's oyster bar, the Colony Club, the Waterman's Arms and the French House. [...] Sinclair is particularly imaginative with his cinematic and literary parallels and digressions.'  Roger Lewis, </b><b><i>The Times</i></b></p><p><b>'The result is a remarkable fictional biography  or "psychobiographic fiction" - written in Sinclair's highly poetic and dazzlingly allusive prose.'  Tancred Newbury, </b><b><i>Literary Review</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>Absence</i>, the third title in CHEERIO's acclaimed poetry series, is a book about nothing. Or nothings: losses, vacua, gaps.</p><p>From the desolation at the heat-death of the universe to the impassable distance between two people talking, and from the trust exercise of walking in darkness to experiments on the vacuum, <i>Absence</i> searches for what's missing and what we never had.</p><p>Starting with the problem of how to represent that that isn't there, and ending with the end of love, <i>Absence</i> takes in the ache for a vanished god, the permanently delayed doomsday of millenarian cults, and the overflowing life inside our seemingly empty buckets and stomachs.</p><p>Ali Lewis's poems mirror, undermine, reframe and rephrase each other in a voice that feels as precise and scientific as is it playful and warm. <i>Absence</i> is both intricate and ambitious, comic and tragic.</p><p>It is a book of restless curiosity and revelation.</p><p><b>'Deft, ingenious, funny and metaphysically gymnastic. What an absolute gift it is.'  Abigail Parry</b></p><p><b>'I love this. Ali Lewis's poems have an unparaphrasable quality, as if they're not read but inhaled, like a clear vapour which leaves you giddy, tranquil and troubled all at once. Read it, you'll see what I mean.'  Caroline Bird</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ali Lewis</b> is a writer and editor. He received an Eric Gregory Award for his pamphlet, <i>Hotel</i> (Verve, 2020), and his poems and short stories have appeared in the <i>London Magazine</i>, the <i>TLS</i>, <i>Poetry Review</i>, and the <i>New Statesman</i>, as well as in <i>Poetry London</i>, where he was Associate Editor.</p><p>He frequently collaborates with composers and settings of his work have featured on Radio Three and Radio France Musique.</p><p>He holds a PhD from Durham University. <i>Absence</i> is his first book.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The poems in <i>Cowboy </i>are knowing, millennial, internet-sick, funny, with deep undercurrents: of embodied and disembodied spiritualities; of the knowledge of animals; of familial mythologies; of grief and longing; of autism and navigating diagnoses; of early and enduring disappointment; of the wildness underneath the smooth glass-and-chrome surfaces of contemporary life. </p><p>The echo of a question permeates the collection  where does a person grow up?  moving restlessly between rural Wales, London and the American South; between the esoteric spaces of the internet; between the artlessness of childhood and adolescence transfigured inexplicably into a disquieting adulthood, with its attendant weirdness of rent-paying, cohabiting, the churn of mindless work and alienation. </p><p>The generous abundance of Cowboy's references  memes, early noughties television shows, pop songs, cities and their suburbs, video games  bring anxiety and pressure, joy and glory to this singularly impressive debut.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nicole Jarvis</b> writes speculative history novels. A graduate of Emory University with degrees in English and Italian, she lives in Georgia with her partner and works in marketing for Penguin Random House. She is the author of <i>The Lights of Prague, A Portrait in Shadow</i>, and <i>A Spell for Change</i>. Nicole loves musicals, pottery, and learning about strange histories. Instagram/X: @nicolejarvis.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A prequel to Dead Space, the novel focuses on the birth of Unitology. In this novel set centuries before the events of the main series, geophysicist Michael Altman investigates an alien artefact called The Black Marker.]]></Text>
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			<Text textformat="02"><![CDATA[<p>We have seen the future.</p><p>A universe cursed with life after death.</p><p>It all started deep beneath the Yucatan peninsula, where an archaeological discovery took us into a new age, bringing us face-to-face with our origins and destiny.</p><p>Michael Altman had a theory that no one would hear.</p><p>It cursed our world for centuries to come.</p><p>This, at last, is his story.</p><p>A prequel to <i>Dead Space,</i> the novel focuses on the birth of Unitology. In this novel set centuries before the events of the main series, geophysicist Michael Altman investigates an alien artefact called The Black Marker. We have seen the future. A universe cursed with life after death. It all started deep beneath the Yucatan peninsula, where an archaeological discovery took us into a new age, bringing us face-to-face with our origins and destiny. Michael Altman had a theory that no one would hear. It cursed our world for centuries to come. This, at last, is his story.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**One of Lit Hub's most Anticipated Poetry Books for Spring!**</b></p><p>Like Mandelstam, Akhmatova, and Vallejo, Gazan poet Nasser Rabah embodies the magnificent possibilities of the human spirit and imagination under extreme conditions.</p><p><b>'Nasser Rabah is my favorite living poet in Palestine. The musicality of his lines could replace my heartbeats and I would feel more than alive.' </b><b><i> Things You May Find Hidden In My Ear</i></b></p><p>Born in Gaza in 1963, Rabah spent some of his formative years in Egypt, before returning to Gaza in his early twenties, where he has lived ever since. There, among the generations who built its neighborhoods and populate its villages, in a place of great natural beauty and vibrant cities, living under constant surveillance, military occupation, blockade, siege and regular attack, in a culture steeped in literary and spiritual tradition, Rabah developed his distinctively singular vision and poetics.</p><p>This is Rabah's first book in English translation. The poems include a selection from three of his published collections, along with new poems written after October 2023, during the full-scale Israeli assault on Gaza. Throughout, we find a combination of irreverence and fidelity to tradition, a sense of surrealism infusing the depiction of everyday incomprehensibilities, and an unsettling, delicate tenderness always on edge in an atmosphere of sensory inundation and emotional saturation. Rabah's poems can be raw and uninhibited by social or literary conventions, exploring and questioning one's relationship to divinity in absurd circumstances while confronting the sacred cows of his own society, along with the sometimes voyeuristic interest from those on the outside of it. His poetry constantly interrogates-sometimes playfully and sometimes in utter existential despair-the paradoxes and difficulties of expression and of writing itself. Nasser Rabah is a poet we have much to learn from.</p><p>This is a bi-lingual edition and includes the original versions in Arabic.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nasser Rabah</b> was born in Gaza in 1963. He got his BA in Agricultural Science in 1985, before going on to work as Director of the Communication Department in the Agriculture Ministry. He is a member of the Palestinian Writers and Authors Union and has published five collections of poetry, <i>Running After Dead Gazelles</i> (2003);<i> One of Nobody </i>(2011); <i>Passersby with Light Clothes</i> (2014); <i>Water Thirsty for Water </i>(2017);<i> Eulogy for the Robin </i>(2021), and two novels, Since approximately an hour (2018), and<i> The Enclosure of the Gazelle </i>(2024). Some of his poems have been translated into English, French and Hebrew. He lives in Gaza.</p><p><b>Ammiel Alcalay </b>is a poet, novelist, translator, essayist, critic, and scholar whose over 20 books include <i>After Jews and Arabs, Memories of Our Future, Islanders</i>, and the forthcoming <i>CONTROLLED DEMOLITION</i>: a work in four books, and<i> Follow the Person: Archival Encounters.</i></p><p><b>Emna Zghal</b> is a visual artist and professional interpreter with an acute sense of poetry in a number of languages.</p><p><b>Khaled al-Hilli</b> is a life-long student of the Arabic language and grammar and now professor of Arabic whose own life journey has immersed him in various Arabic milieus, from Iraqi to Lebanese and Levantine.</p><p><b>Mosab Abu Toha</b> is a Palestinian poet, short-story writer, and essayist from Gaza. His first collection of poetry<i>, Things You May Find Hidden in My Ear,</i> published by City Lights, was a finalist for the National Book Critics Circle Award for Poetry and won the Palestine Book Award, the American Book Award, and the Walcott Poetry Prize. His new book of poems is<i> Forest of Noise</i>. Abu Toha is also the founder of the Edward Said Library in Gaza, which he hopes to rebuild. He recently won an Overseas Press Club Award for his 'Letter from Gaza' columns for<i> The New Yorker.</i></p>]]></Text>
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			<SubjectHeadingText>Middle Eastern poetry; Palesine; Palestinian art; Palestinian culture; Palestinian history; Palestinian liberation; Palestinian poetry; Poetry; anti-colonial poetry; anti-imperial poetry; cultural memory; eco poetry; feminist poetry; free Palestine; gift books for activists; gift books for poetry lovers; nakba; poetry anthologies; poetry as resistance; poetry on loss; poetry on love; poetry on memory; poetry on time; queer poetry</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>A love letter to Palestinian ancestors, their descendants, and their land, to all anti-colonial and anti-imperialist struggles, to a history that will never be forgotten, and to a future in which there thrives a free, free Palestine.</p><p>Poetry has always served as a mode of resistance in Palestinian culture. In defiance of dispossession and decades of military siege, of a nakba that never ended, of historical and cultural obfuscation, of unrelenting violence and thousands of martyred people, the 'power to narrate', as Edward Said wrote, remains a necessary tool for self-determination. The poems collected here reclaim that power, bridging borders, languages, and generations to forge new conversations around resistance and liberation.</p><p><i>HEAVEN LOOKS LIKE US </i>is a battle-cry against the annihilation of a people. As Palestinian history remains haunted by exile, violence, and grief, so, too, are the poems in this anthology. And yet, editors George Abraham and Noor Hindi present these realities alongside other themes that are also true: queer and feminist perspectives, eco-poetry, meditations on love and time, and lineages of protest. This anthology dares to imagine a future beyond a nation-state for Palestinian people everywhere. Contributors include Refaat Alareer, Mahmoud Darwish, Naomi Shihab Nye, Mohammed El-Kurd, A.D. Lauren-Abunassar, Lena Khalaf Tuffaha, Hala Alyan, Fady Joudah, and Heba Abu Nada, and many other voices, both established and ascending.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Noor Hindi </b>is a Palestinian-American poet. Her debut collection of poems, Dear God. Dear Bones. Dear Yellow (Haymarket Books 2022), was an honorable mention for the Arab American Book Award.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Debut author Molly Olgun brings us <i>The Sea Gives Up the Dead</i>, a collection of stories sprinkled into the soil of fairy tales, left to take root and grow wild there.</p><p>'Witty, witchy, darkly brilliant'  Andrea Barrett </p><p>'A wunderkammer of beauty and sorrow.'  Carmen Maria Machado, author of<i> In the Dream House</i></p><p>A lovesick nanny slays a dragon. The devil tries to save her mother. A girl drowns and becomes a saint. Three kids plot to blow up their dad, a grieving mother sails the sea to find her son's grave, a scientist brings a voice to life, and a mermaid falls into the power of a witch. Here, historical fiction, horror, and fantasy tangle together in a queer garden of love, grief, and longing.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Molly Olgun</b> is a queer writer, educator, and monster aficionado. She has stories in magazines like<i> Quarterly West</i> and the <i>Normal School.</i> She was the recipient of the Loft Mentor Series Fellowship in 2019. With Jackie Hedeman, she is the creator of the audio drama <i>The Pasithea Powder</i>. She teaches English and creative writing to high school students in Seattle, Washington.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>NEW 10TH ANNIVERSARY EDITION FEATURING BONUS CONTENT</b><br/><b>HUGO AWARD WINNER</b></p><p>Includes:</p><ul><li>Deleted prologue: &amp;#x27;The Imperial Fool&amp;#x27;</li><li>Prologue commentary from the acclaimed podcast <i>Writing Excuses</i></li><li>An original introduction from the publisher</li></ul><p>When Shai is caught replacing the Moon Scepter with her nearly flawless forgery, she must bargain for her life. An assassin has left the Emperor Ashravan comatose, a circumstance concealed only by the death of his wife. If the emperor does not emerge after his hundred-day mourning period, the rule of the Heritage Faction will be forfeit and the empire will fall into chaos.</p><p>Shai is given an impossible task: to create - to Forge - a new soul for the emperor in fewer than one hundred days. But her soul-Forgery is considered an abomination by her captors. She is confined to a tiny, dirty chamber, guarded by a man who hates her, spied upon by politicians, and trapped behind a door sealed in her own blood. Shai's only possible ally is the emperor's most loyal councillor, Gaotona, who struggles to understand her true talent.</p><p>Time is running out for Shai. Forging, while deducing the motivations of her captors, she needs a perfect plan to escape...</p><p></p><p><b>&amp;#x27;The forgery was a masterpiece, an almost perfect replica of a priceless work of art. The minor inconsistencies were all but impossible for even an expert to detect. However, Shai had been betrayed. Now awaiting execution, Shai would be reprieved if she could do the impossible. As a Forger, Shai is a skillful artist who can apply complex magical glyphs to rewrite the history of the item to change it completely. Although Forgers are despised, the Empire needs Shai to accomplish the unthinkable: to Forge a new soul for the Emperor. Verdict: Sanderson, the best-selling author of the Mistborn Trilogy and </b><b><i>The Way of Kings</i></b><b>, has set this novella in the same world as Elantris, one of his earlier novels, but it is totally independent. Fantasy fans will love both the compelling story and the creative magical setting.&amp;#x27; - </b><b><i>Library Journal</i></b></p><p><b>&amp;#x27;Sanderson proves to be an exceptionally talented writer in the pages of this book ... </b><b><i>The Emperor's Soul</i></b><b> is one of those rare high fantasies that feels fresh and is filled with a sense of wonder.&amp;#x27; - Charles de Lint, </b><b><i>Fantasy &amp; Science Fiction</i></b></p><p><b>&amp;#x27;A fascinating study of clashing beliefs, another inventive magic system, and highly entertaining action sequence, </b><b><i>The Emperor's Soul</i></b><b> is the book I would recommend to anyone who wants to find out for the first time what Sanderson is all about.&amp;#x27; - </b><b><i>Fantasy Book Review</i></b></p><p><b>&amp;#x27;If you're going to pick up one book by Brandon Sanderson, this should be it.&amp;#x27; - </b><b><i>The Illustrated Page</i></b></p><p><b>&amp;#x27;A wonderful balance with the world, characters, and magic building.&amp;#x27; - </b><b><i>Open Book Society</i></b></p><p><b>&amp;#x27;Fast-paced, clever, and fun.&amp;#x27; - </b><b><i>Fantasy Book Critic</i></b></p><p><b>&amp;#x27;Just absolutely magical and engaging.&amp;#x27; - </b><b><i>Hidden in Pages</i></b></p><p><b>&amp;#x27;An excellent fast read, highly recommended for readers looking for unique story worlds and magic systems.&amp;#x27; - </b><b><i>Flight of the Dragon</i></b></p><p><b>&amp;#x27;It truly is a work of art.&amp;#x27; - </b><b><i>Pendemon</i></b> </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sam J. Miller</b> is the Nebula-Award-winning author whose debut, <i>The Art of Starving</i>, which was an NPR Best of the Year; his second novel, <i>Blackfish City</i>, was a Best Book of the Year for <i>Vulture</i>, <i>The Washington Post</i>, Barnes &amp; Noble, and more, as well as a &amp;#x27;Must Read&amp;#x27; in <i>Entertainment Weekly</i> and <i>O: The Oprah Winfrey Magazine</i>. A recipient of the Shirley Jackson Award and a graduate of the Clarion Writers' Workshop, Miller's work has been nominated for the World Fantasy, Theodore Sturgeon, John W. Campbell, and Locus Awards, and reprinted in dozens of anthologies. The last in a long line of butchers, he lives in New York City and at samjmiller.com.<br/></p><p></p>]]></Text>
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			<SubjectHeadingText>,; Romantic poets; birds; climate anxiety; climate change poems; contemporary poetry; dylan thomas; eco-poetry,; emily bronte,; emily dickinson; feminist poetry; haikus; nature poetry; new poetry; pastoral poetry; planet,; pocket book of poetry; pocket-sized poetry; poems for the; poetry anthology; political poetry; post-colonial,; queer poetry; seasons; trees; victorian poetry,; wildlife; young poets</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[Taking time for nature poetry is an act of reverence for the natural world, and a path to understanding our part in it. The poems in this pocket sized anthology will transport you, sending you into the garden, forests, mountains, and shores with searching hands and open eyes.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A pocketful of nature poetry in all its green glory from the </b><b><i>In the Moment</i></b><b> series.</b></p><p>Taking time for nature poetry is an act of reverence for the natural world, and a path to understanding our part in it. The poems in this pocket sized anthology will transport you, sending you into the garden, forests, mountains, and shores with searching hands and open eyes.</p><p>Through centuries of storytelling, nature poetry has shapeshifted through the major upheavals in our relationship with the landscapes, plants and other species with whom we share the Earth. As our environment is destabilized and threatened by the climate crisis today, we find renewed meanings in these poems once again. They become sources of joy or hope, and catalysts for action.</p><p>Together, they show what we have in common across countries and centuries: an undeniable kinship with nature and a fierce will to protect it.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Rosie Storey Hilton </b>is an editor and poet from North Yorkshire. Her 2022 poetry pamphlet,<i> Between Solstices</i>, was a collection of poems about building connections with each other and with the natural world. Since then, her poetry has focused on responses to the climate crisis. She is also involved in climate campaigns based in London, where she lives.</p>]]></Text>
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			<SubjectHeadingText>queer Black girl; desire; short stories; debut author; speculative; genre bending; horror; transformation; white gaze; weird girl lit; queer fiction; girlhood; black fiction; feminist fiction; supernatural; surrealism</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>A debut collection of surreal, skin-piercing stories about the boundless longing of queer Black women.</p><p>A runaway seeks shelter from violence with a pack of wild coyotes. A young woman falls into a hypocritical crew of white Christian YouTube influencers. A mother witnesses her daughter's prophecy about the end of the world come true. In <i>Sympathy for Wild Girls</i>, young Black women yearn for intimacy and hunt for belonging in a subtly warped version of our world, where social mores loom like shadows and bigotry shape-shifts.</p><p>Skirting the chasms that lurk in our common notions of 'girlhood'  and their heightened peril for queer women of colour  Demree McGhee's characters track the prints of their desire and pain to the edges of reality, finding refuge in unlikely places. Fighting self-loathing and societal abuse, they explore the bounds of their feral strength and ugliest truths, howling at the moon to be known.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Demree McGhee</b> earned her BA from the University of California San Diego. Her work has been published in Lunch Ticket, Wax Nine Journal, Prose Online, and more. <i>Sympathy for Wild Girls </i>is her debut short story collection. She is currently an MFA student at San Diego State University. She lives in San Diego, CA.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Set amid the rapidly changing social, spiritual, and moral landscape of the industrial revolution,</b> <b><i>North and South</i></b><b> is a forceful, brilliant, and romantic novel about freedom and the cost of profit.</b></p><p>When Margaret Hale, a minister's daughter, relocates with her family to Milton in the north of England she witnesses firsthand the brutal working conditions in Milton's factories and mills. Her liberal education has given her strong convictions, but little common sense, and her pity finds a mostly unsympathetic ear among the gruff mill workers and their families.</p><p>Magaret is most vexed by a local industrialist and mill-owner, John Thornton, whom she considers contemptuous and bull-headed. But through her clashes with Thornton and her growing affinity for the workers and their plight for survival, Margaret comes to see the world as a much more complicated place, and that her earlier pity was not charity but a kind of arrogance.</p><p>Thunderously philosophical and compulsively readable, <i>North and South</i> is a vivid portrayal of not only unthinking conformity or selfish individualism, but the power of vulnerability and change.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Lucy Graham, radiantly beautiful, born to poverty, and Sir Michael Audley, aging aristocratic widower and fabulously wealthy, are married soon after first glance.</b></p><p>Life is peaceful at old Audley Court until the arrival of Robert Audley  Sir Michael's nephew  and his friend George Talboys, who is home again after making his fortune in Australia.</p><p>When George mysteriously disappears, Robert takes it upon himself to find him again. Developing a detective's eye, following disturbing clue after clue, Robert becomes convinced his alluring Aunt Lucy isn't as innocent, or possibly as sane, as she seems.</p><p><i>Lady Audley's Secret</i> first appeared in<i> Robin Goodfellow</i> magazine in 1861, establishing it as a 'sensational' novel to rival Wilkie Collins' <i>The Woman in White</i> (1860). A cunningly plotted mystery novel as sensual as a Pre-Raphaelite portrait, <i>Lady Audley's Secret</i> probes mid-Victorian anxieties about the rapid rise of consumerism with the invention of one of literature's great villainesses who goes to great lengths to secure her greatest desires.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mary Elizabeth Braddon </b>(1835-1915) began writing at the age of eight but it was not until she won an admirer as an actress that she could settle down to write serial fiction. She became a bestselling 'sensation' author and was read avidly by Tennyson, Dickens and Thackery. She wrote over eighty novels.</p><p><b>Rachel Vorona Cote</b> is the author of<i> TOO MUCH: How Victorian Constraints Still Bind Women Today</i>. She has written essays and criticisms for<i> The New York Times Magazine, The Nation, The Atlantic, The Virginia Quarterly Review, The Poetry Foundation, Lapham's Quarterly, </i>and<i> The Washington Post</i>, and a number of other publications.  In a past life, she was ABD at the University of Maryland, where she studied Victorian literature. She lives in Takoma Park, Maryland, just outside of Washington, D.C.</p><p><b>Sarah Weinman</b> is the author of three books: Without Consent, forthcoming in 2025; Scoundrel, named a Best Book of 2022 by Time, Esquire, CBC, and NPR and a NYT Editor's Choice; and The Real Lolita, named a Best Book of 2018 by NPR, BuzzFeed, The National Post, Literary Hub, the San Francisco Chronicle, and Vulture, and winner of the Crime Writers of Canada Award in Nonfiction. She also edited several anthologies, including <i>Evidence of Things Seen: True Crime in an Era of Reckoning;</i> <i>Unspeakable Acts: True Tales of Crime, Murder, Deceit &amp; Obsession,</i> winner of the Anthony Award for Best Nonfiction/Critical Work;<i> Women Crime Writers: Eight Suspense Novels of the 1940s &amp; 50s</i> (Library of America); and <i>Troubled Daughters, Twisted Wives</i> (Penguin).</p><p>Weinman writes the monthly Crime &amp; Mystery column for the New York Times Book Review. A 2020 National Magazine Award finalist for Reporting and the recipient of fellowships from MacDowell and the Virginia Center for the Creative Arts, her work has also appeared most recently in The Atlantic, Esquire, New York, and Vanity Fair, while her fiction has been published in Ellery Queen's Mystery Magazine, Alfred Hitchcock's Mystery Magazine, and numerous anthologies. Weinman also writes (albeit more sporadically) the 'Crime Lady' newsletter, covering crime fiction, true crime, and all points in between. She lives in New York City.</p><p><b>Allison Miriam Smith</b> is a co-founder of Smith &amp; Taylor Classics. She is also an Acquiring Editor and Publishing &amp; Publicity Manager for Unnamed Press. She graduated with a Bachelor of Arts in English &amp; Creative Writing from the University of Southern California where she was an assistant curator for the USC Doheny Library George Cassady Lewis Carroll Special Collection. She later went on to earn a Masters in 18th &amp; 19th c. Literature from the University of Edinburgh, Scotland, working nights at the library. Before Unnamed Press, she was a bookseller at Skylight Books in Los Angeles, CA. She lives in Los Angeles.</p><p><b>Brandon Taylor</b> is the author of the novels <i>Minor Black Figures, The Late Americans</i> and <i>Real Life</i>, which was shortlisted for the Booker Prize and the National Book Critics Circle John Leonard Prize, and named a New York Times Book Review Editors' Choice and a Science + Literature Selected Title by the National Book Foundation. His collection <i>Filthy Animals</i>, a national bestseller, was awarded The Story Prize and shortlisted for the Dylan Thomas Prize. He is the 2022-2023 Mary Ellen von der Heyden Fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers. He is an Acquiring Editor at Unnamed Press and co-founder of Smith &amp; Taylor Classics. He lives in NYC.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The celebrated, National Book Award-winning, translation of Baudelaire's masterpiece. </p><p><b>'It is the English edition to acquire.'  </b><b><i>Washington Post</i></b></p><p>Pulitzer Prize winning poet and translator, Richard Howard, gives readers the true voice of Baudelaire in this masterful translation. Charles Baudelaire's 1857 masterwork was scandalous in its day for its portrayals of sex, same-sex love, death, the corrupting and oppressive power of the modern city and lost innocence, <i>Les Fleurs Du Mal </i>(<i>The Flowers of Evil</i>) remains powerful and relevant for our time. </p><p>In 'Spleen et ideal', Baudelaire dramatises the erotic cycle of ecstasy and anguish of sexual and romantic love. </p><p>'Tableaux Parisiens' condemns the crushing effects of urban planning on a city's soul and praises the city's anti-heroes including the deranged and derelict. </p><p>'Le Vin' centres on the search for oblivion in drink and drugs. The many kinds of love that lie outside traditional morality is the focus of 'Fleurs du Mal' while rebellion is at the heart of 'Revolte'. </p><p><b>'Howard's achievement is such that we can be confident that his Flowers of Evil will long stand as definitive, a superb guide to France's greatest poet.'  </b><b><i>The Nation</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Antonio Lobo Antunes</b> was born in Lisbon, Portugal in 1942. He began writing as a child, but at his father's wishes, went to medical school instead of pursuing a career in writing. After completing his studies, Antunes was sent to Angola with the Portuguese Army. It was in a military hospital in Angola that Antunes first became interested in many of the subjects of his novels. Antunes lives in Lisbon, where he continues to write and practice psychiatry.</p><p><b>Elizabeth Lowe</b>, born in New York City, has translated over thirty works by Lusophone writers from Brazil, Portugal, and Africa. She was one of the first to translate Jorge Amado, Clarice Lispector, Rubem Fonseca, Nelida Pion, and Antnio Lobo Antunes. She is the author of <i>The City in Brazilian Literature</i> (1982), and co-author with Earl E. Fitz of <i>Translation and the Rise of Inter-American Literature</i> (2008), along with many scholarly articles and book chapters. She is a recipient of an NEA Literary Translation Fellowship, National Science Foundation grants for language preservation projects, Fulbright fellowships to Colombia and Brazil, and recognition by the Brazilian Academy of Letters. Her memoir, <i>Translating from the Portuguese: A Life Translated</i>, is forthcoming in 2025. She lives in Gainesville, Florida.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Take a ride with us as we explore a future where trans and nonbinary people are the heroes. In worlds where bicycle rides bring luck, a minotaur needs a bicycle, and werewolves stalk the post-apocalyptic landscape, nobody has time to question gender. Whatever your identity you&amp;#x27;ll enjoy these stories that are both thought-provoking and fun adventures. Find out what the future could look like if we stopped putting people into boxes and instead empowered each other to reach for the stars.</p><p>Featuring original stories from Hugo, Nebula, and Lambda Literary Award-winning author Charlie Jane Anders, UNITY author Elly Bangs, Kiera Jessica Bane, Ava Kelly, Juliet Kemp, Rafi Kleiman, Tucker Lieberman, Nathan Alling Long, Ether Nepenthes, Lane Fox Marcus Woodman, and Nebula-nominated M. Darusha Wehm, and an introduction to the new edition by Microcosm publisher Joe Biel.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Tess burns. Bibi cuts. Together they create chaos, love, pain, and unstoppable art, in SKIN, the story of a partnership that sparks like flying metal and bleeds like a breaking heart. A classic of queer horror, with a brand new introduction from Eric LaRocca.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>An entertaining satire of nudity in the Louvre, </b><b><i>Not on Display</i></b><b> is a deeply serious, award-winning graphic novel examining the history of the female body in art and our society.</b></p><p>When one of the greatest museums in the world gave the illustrator Zelba free rein to make a graphic novel about great art, she knew exactly what she would do: address a double standard. She'd seen the Louvre's halls filled with sexualized female bodies, ogled at by crowds and sometimes even groped, and wanted to turn the tables. What if, she dreamed, those naked bodies refused to be the objects of our gaze? What if the female nudes in the Louvre went on strike?</p><p>The result, a co-edition with Editions Louvre, is a critique of great artists and great museums. Awarded the prestigious <i>Prix Sceneario</i> and the <i>Prix Artemisia</i> in France, the pages are filled with unforgettable characters, such as a heroic cleaner who can speak to statues and a museum director who secretly offloads his work onto his sister. Featuring well-known masterpieces, this entertaining romp displays one of the world's greatest art collections in a whole new light.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Wiebke Petersen, aka <b>Zelba</b>, was born in West Germany in 1973. Before becoming an illustrator, she was world junior rowing champion. In 2019, she published her first book, <i>Dans le meme bateau</i>, an autobiographical account of her experience as a top sportswoman in East Germany at the time of the fall of the Berlin Wall. Two years later, she returned with another autobiographical story, <i>Mes mauvaises filles</i>, about the right to die with dignity. With <i>Le Grand Incident</i>, she offers us a 'fantasticomic' tale of the sexualization of the female body in art.</p><p><b>Alice Yang</b> is a PhD student in French at Yale University. Her translation of<i>Abounding Freedom</i>, a collection of prose poetry by Julien Gracq, was published by World Poetry Books in 2024. She divides her time between New Haven, Conneticut, and Lyon, France.</p>]]></Text>
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			<Text textformat="02"><![CDATA[In this hilarious and harrowingly honest graphic memoir,New Yorker cartoonist Rachel Deutsch, aka @weirdmomart on Instagram, shares the story of her journey into motherhood.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>'This is a truly beautiful and special book.'  Emily Oster, author of </b><b><i>Expecting Better </i></b><b>and </b><b><i>Cribsheet</i></b></p><p><b>'Searching, honest, funny, and beautiful.'  Rachel Yoder, author of </b><b><i>Nightbitch</i></b></p><p><b>"I laugh-sobbed my way through </b><b><i>The Mother,</i></b><b> so loudly my children came to check on me.'  Angela Garbes, author of </b><b><i>Essential Labor</i></b><b> and </b><b><i>Like a Mother</i></b></p><p>In this hilarious and harrowingly honest graphic memoir,New Yorker cartoonist Rachel Deutsch, aka @weirdmomart on Instagram, shares the story of her journey into motherhood.</p><p>Rachel Deutsch had always wanted a baby. She wanted to press her face into theirs and feed them from her body. Eventually her child might hate her a little. But they'd be on speaking terms most of the time. Wait...or was that just Rachel's experience with her mum? Had she processed her own childhood enough to raise a child herself!?</p><p><i>The Mother </i>is about the constant dualities and contradictions of motherhood. The collision of future Rachel and past Rachel. Desperately wanting to get pregnant while fearful of being pregnant. Loving a new identity while missing an old one. Celebrating a new family while mourning the previous incarnation of a partnership.</p><p>Funny, provocative, and unabashedly candid, Deutsch's memoir embraces both the joys and the challenges of modern parenthood in a way that will resonate with new and seasoned parents.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In the summer of 1912, Marcel Duchamp took a train to Munich and stayed there for three months. Very little direct knowledge remains about that trip. Immediately afterward, Duchamp gave up on painting and later in his life referred to Munich as the site of his 'complete liberation.'Roman Muradov's highly unreliable narrator attempts to reconstruct this period, interrogating from different angles the fundamental futility of retelling another person's life. The result is a fabulist satire that questions Duchamp's legacy, his silence and sexuality, and the sources of the work that made him famous. At once meticulously researched and wildly irreverent, <i>The Adventures of Munich in Marcel Duchamp</i> is an anti-biography worthy of the great trickster.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Vampires and werewolves collide in this modern fantasy epic. Step into the city's shadows and uncover the secrets behind the ancient feud, alongside a curious and brave young girl.</p><p>Prepare to be captivated by another masterpiece from the mind of Akira Kanou, where fantasy meets reality, with Outsiders Volume 1. Delve into a world where vampires and werewolves clash in the shadows, and humans unravel the secrets of an ancient feud.</p><p>Navigate the world of dark fantasy alongside Ema, a high school student who is full of energy and determination. She embarks on a perilous path that will challenge her beliefs and reshape her destiny.</p><p>The courageous, young protagonist finds that she possesses special abilities, but will those same gifts attract unwanted attention? Will her curious nature help her uncover secrets, or lead to her demise?</p><p>With mesmerising artistry, Akira brings this dark tale to life, capturing the bustling streets of Japan and the eerie shadows where otherworldly creatures lurk. Although Akira thrusts readers into a treacherous war between fantastical creatures, it is in a world not so different from our own.</p><p>These monsters aren't from another dimension, they are from ours and have been fighting an age-old battle within the shadows. <i>Outsiders Volume 1</i> casts that same shadow over the reader, who is caught in the chaos and conflict and left on the edge of their seat.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The prequel series to the legendary Astro Boy by Osamu Tezuka continues withits 11th volume. Six's journey leads him to fight a tough foe to save an oldacquaintance. Fans of mecha fights and anime will find a perfect fit with this action-packed Manga!]]></Text>
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			<Text textformat="02"><![CDATA[<p>The prequel series to the legendary <i>Astro Boy</i> by Osamu Tezuka continues with its 11th volume. </p><p>Six&amp;#x27;s journey leads him to fight a tough foe to save an old acquaintance. Fans of mecha fights and anime will find a perfect fit with this action-packed Manga! </p><p>The eleventh volume of <i>Atom: The Beginning</i> marks the team&amp;#x27;s return from their adventures in Vietnam, where they were able to uncover clues about the &amp;#x27;robot boy&amp;#x27; from the future. </p><p>They have the chance to ponder the various pieces of information they gathered, whilst resuming their research and daily life. But before everything can become completely normal again, an unexpected visitor disrupts the harmony. </p><p>Someone that the team does not get along with the team turns up, out of the blue, at Lab-7. Their appearance leads to some unsettling revelations that could bring them even closer to the truth about the &amp;#x27;robot boy&amp;#x27;, but at what cost? </p><p>Volume 11 of <i>ATOM: The Beginning,</i> created by Masami Yuki and Tetsuro Kasahara, seems as if it&amp;#x27;s leading our heroes towards the secrets of the iconic Osamu Tezuka creation, Astro Boy, an icon known across the world from the hugely successful manga and anime. However, it&amp;#x27;s slowly becoming a truth that might be better left untouched.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Tetsuro Kasahara</b> is a manga artist whose body of work revolves mostly around the robot and mecha genres. One of his most famous works, <i>RideBack</i>, was adapted into an anime in 2009. Now, he is focusing on <i>ATOM: The Beginning,</i> a prequel to Osamu Tezuka's<i> Astro Boy.</i></p><p><b>Masami Yuuki </b>is a manga artist and member of the artist group Headgear. He is most known for his celebrated manga series Mobile Police Patlabor, which has spawned many spin-offs and adaptations into anime, movies, live-action projects, novels, video games, and more.</p><p><b>Osamu Tezuka </b>was a Japanese manga artist, cartoonist, and animator whose revolutionary comics earned him the title of manga no kamisama (&amp;#x27;God of Manga&amp;#x27;). His body of work is one of the largest and most prolific in all of Japanese culture, including the iconic<i> Astro Boy, Kimba the White Lion, Black Jack, Dororo, Message to Adolf,</i> and<i> Princess Knight.</i> Tezuka passed away in 1989.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Aurealis Awards 2024, Best science fiction novella**</b></p><p>A thrilling, propulsive story of escape as a small-time crook goes on the run across Australia with a stolen secret that will change the world, perfect for fans of William Gibson's <i>All Tomorrow's Parties</i>, Richard Morgan and <i>Ghost in the Shell</i>.</p><p>Jackson Nguyen is a petty crook living slim on the mean streets of Melbourne. When he crosses paths with a desperate, but wealthy, Chinese dissident, begging for his help, Jack responds in the only natural way: he steals her shoes.</p><p>And yet, despite every effort to mind his own damn business, a wild spiral into the worst kind of trouble begins - Murder, mayhem, fast cars, fast-talking, bent cops, and long straight highways into the terrible beauty of the vast Australian Outback.</p><p>In Jack's world, taking a stand against the ruling class is the shortest path to a shallow grave. But when an Earth-shattering technology falls into his hands, he must do everything he can to stop the wrong people taking it. In a world of pervasive government surveillance and oppressive corporate control, it's up to a small-time criminal to keep the spark of human rebellion alive.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, SWFA Nebula Awards, 2025 Kate Wilhelm Solstice Award**</b></p><p><i>Danged Black Thing</i> is an extraordinary collection of stories about love and migration, gender and class, patriarchy and womanhood, from a remarkable and original voice. Traversing the West and Africa, they celebrate the author's own hybridity with breathtaking sensuousness and lyricism.</p><p>Simbiyu wins a scholarship to study in Australia, but cannot leave behind a world of walking barefoot, orange sun and his longing for a 'once pillow-soft mother'. In his past, a darkness rose from the river, and something nameless and mystical continues to envelop his life. In 'A Taste of Unguja' sweet taarab music, full of want, seeps into a mother's life on the streets of Melbourne as she evokes the powers of her ancestors to seek vengeance on her cursed ex. In the cyberfunk of 'Unlimited Data' Natukunda, a village woman, gives her all for her family in Old Kampala. Other stories explore with power what happens when the water runs dry  and who pays, capture the devastating effects on women and children of societies in which men hold all the power, and themes of being, belonging, otherness.</p><p>Speculative, realistic and even mythological, but always imbued with truth, empathy and Blackness, <i>Danged Black Thing</i> is a literary knockout.</p><p></p><p><b>'Eugen Bacon gives us a cornucopia of dark fruitfulness. Her writing is equal parts fecund earth and fine-cut jewels; her stories juxtapose the scarred and abused with the powerfully magical, the numinous and the deceptively mundane. They travel the known world, remaking all its parts as they go, and they pull new worlds, fully formed, from Bacon's unfettered imagination.' - Margo Lanagan</b></p><p><b>'Lyrical, rich,oftentimes darkandsometimes hopeful,</b><b><i>Danged Black Thing</i></b><b> is a speculative fiction collection that takes the reader on a journey from Africa to Australia. The cities and villages the stories are set in are sometimes familiar, while others are plucked fully formed from author Eugen Bacon's imagination, providing a vast backdrop to her exploration of the emotional costs of being a woman...Where men rule, there will be women who suffer. With the lyricism of Toni Morrison and the worldbuilding of Ken Liu, Bacon secures herself as an important voice in Australian genre fiction.</b> <b><i>Danged Black Thing</i></b><b>is the feminist sciencefiction debut that brings women and Blackness to the forefront.' -</b> <b>Jing Xuan Teo, Books+Publishing</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Russell Prize for Humour Writing 2025**</b></p><p>After living in a Singapore dog shelter for five years, Gucci  a vaguely Dalmatian-like crossbred  is losing hope of ever being rescued. One day to his surprise he is adopted by <i>her,</i> a writer<i>,</i> and moves to inner city Sydney. On arrival, however, an anti-dog war breaks out in their apartment block; Gucci's owner receives a letter threatening the possibility of 'euthanasia'. The incident triggers nightmares in<i> her</i> and brings back distressing childhood memories.</p><p><i>My Name Is Gucci</i> is a charming novel about the relationships between pets and their owners and about how the past shapes the present. This bold ex-shelter dog narrated fable beautifully unravels Gucci's and his adopter /guardian's secrets, which have been intertwined for decades through their recurring reincarnations.</p><p>Sun Jung understands the deep connections that exist between animals and humans. You won't need to be a dog lover to be entranced by this story; it is brimming with warmth, wit and wisdom.</p><p><b>'A comic and moving Homeric odyssey about Gucci the dog, who must deal with, and outwit, the most problematic species of all  humans.'  Louis Nowra, author of</b> <b><i>Sydney: A Biography</i></b></p><p><b>'A magical novel that will capture your heart.'  Andrea Carter, author of</b> <b><i>A Body Falls</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Winner, Mary Gilmore Award 2025**</b></p><p><b>**Winner, NSW Literary Awards 2025, Kenneth Slessor Prize for Poetry**</b></p><p><b>**Shortlisted, Prime Minister's Literary Awards 2025, Poetry**</b></p><p><b>**Shortlisted, NSW Literary Awards 2025, Glenda Adams Award for New Writing**</b></p><p><b>**Shortlisted, Victorian Premier's Literary Awards 2025, Poetry**</b></p><p><b>A moving testament to the displacement and dispossession of the Palestinian people.</b></p><p><i>rock flight</i> is a book-length poem that, over five chapters, follows a personal and historical narrative, to compose an understated yet powerful allegory of Palestine's occupation. The poem uses refrains of suffocation, rubble, and migratory bird patterns to address the realities of forced displacement, economic restrictions and surveillance technology that Palestinians face both within and outside Palestine. It depicts a restlessness brought about by dispossession, and a determination to find significance in fleeting objects and fragments. It looks to the literary form as an interactive experience, and the book as an object in flux, inviting the reader to embark on an exploration of space, while limited by the box-like confines of the page. Formally claustrophobic, the poem morphs into irony, declaring everything a box while refusing to exist within one.</p><p><b>'Here is a poetry of passion; a poetry of necessity; a poetry of survival, and a poetry-triumphant.'  Maxine Beneba Clarke</b></p><p><b>'</b><b><i>rock flight</i></b><b> is a work of timelessness, rigour, precision, relationality and guts  just like its poet. A must-read for all of us who yearn and stretch and reach for a world beyond colonies, and an even more urgent read for those who don't.'  Alison Whittaker</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Chris Andrews</b> lives on unceded Wangal land. He taught at the Universities of Melbourne and Western Sydney. His previous collections of poetry are <i>Lime Green Chair</i> (Waywiser, 2012) and<i> Cut Lunch</i> (Indigo / Ginninderra, 2002). His study of the Oulipo, <i>How to Do Things with Forms</i>, was published by McGill-Queen's University Press in 2022. The books of prose fiction that he has translated from Spanish and French include Liliana Colanzi's <i>You Glow in the Dark</i> (New Directions, 2024), Kaouther Adimi's <i>A Bookshop in Algiers</i> (Serpent's Tail, 2020), Cesar Aira's <i>The Lime Tree</i> (And Other Stories, 2017) and Roberto Bolao's<i> By Night in Chile</i> (Harvill, 2003).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, NSW Literary Awards 2025, Kenneth Slessor Prize for Poetry**</b></p><p><b>A poetry collection which is part criticism, part autobiography, and always acute in its recollection of the emotions inspired by television drama</b></p><p>In her new collection <i>Television</i>, award-winning poet Kate Middleton considers the emotional impact that television programs had on her formative years - from childhood cartoons <i>Astro Boy</i> and <i>Roadrunner</i> to series like <i>Pretty Little Liars</i>, <i>Buffy the Vampire Slayer</i>, <i>Twin Peaks</i> and <i>Beverly Hills 90210</i>. These were 'the shows I watched to cry, to feel/ the hot gash angst of teenaged-ness'. In poems that expand like mini-essays, the poet explores the feelings evoked by these shows, the shame and longing, the regret and desire, and the different kinds of identification they encouraged, especially in a teenage girl. But the focus is also on the poet as an adult, thinking back over her adolescent responses, about the ways in which television plays with time and reality, and the extent to which its jumble of images reflects her own multi-faceted consciousness, if it hasn't in fact formed it - 'the one whose interests are too voluminous, the one who tries/ to write deeply into one idea and is instead immediately/ tugged sideways...I try to do too much and/ my attention shatters, ricochets among ruins'.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kate Middleton</b>'s collections with Giramondo are<i> Fire Season</i>, which won the Western Australian Premier's Award for Poetry in 2009; <i>Ephemeral Waters</i>, which was shortlisted for the 2014 NSW Premier's award for Poetry, and most recently <i>Passage</i>, published in 2017.</p>]]></Text>
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			<SubjectHeadingText>Anna Thalberg; Eduardo Sangarca; Holy Roman Empire; Inquisition; Reformation; Satanism; Trial; Witch; devil; paranormal; supernatural; werewolf</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[The witch hunt in Europe intensified between 1550 and 1650, decades after the Protestant Reformation and the Peasants' Revolt. It is right in the middle of these one hundred years of infamy that Anna Thalberg's story takes place.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, NSW Literary Awards 2025, Translation Prize**</b></p><p>The witch hunt in Europe intensified between 1550 and 1650, decades after the Protestant Reformation and the Peasants' Revolt. It is right in the middle of these one hundred years of infamy that Anna Thalberg's story takes place.</p><p>Anna is a woman of singular beauty who is accused of witchcraft and taken by force to be tried. Klaus, her husband, and Friedrich, the village priest, will also travel to Wrzburg, where Anna has been incarcerated. They will use all available resources, seeking to stop the blind beast of the Inquisition, which is inexorable in trying to drag the woman to the stake.</p><p>Witches, werewolves, family spirits and even a demon who theologizes come together in these pages, but their presence is insufficient to hide the true horror: the inhumanity of the institutions, their manipulations and manufacturing of fear, and the arbitrary evil that nests in the heart of human beings.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Eduardo Sangarca is the author of El desconocido del Meno (Fondo Editorial Tierra Adentro), a collection of short stories that was awarded the prestigious Premio Nacional de Cuento Joven Comala 2017. He is currently studying for a Ph.D. in Humanities with a specialization on Latin American literature of the Holocaust. He lives in Guadalajara, Mexico.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, NSW Literary Awards 2025, Translation Prize**</b></p><p>In these self-mocking poems - populated with youths and elders, cellphones and televisions - Jiang Tao presents and dissects a discontent with the state of the world. The complex use of metaphor highlights his profound wit and poetic mastery, building subtle layers of satire that act as commentary and proposed remedy for society's flaws. But melancholy, nostalgia, dispassion, and the occasional lyricism also come into play as he explores the passage of time, city life, materialism, economic realities, and the difficulties of human communication and connection.Jiang Tao's verse is, as translator Josh Stenberg has written, "a quintessential expression of urban malaise in contemporary China."</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jiang Tao</b>was born in Tianjin in 1970, and studied first at Tsinghua University, only to abandon biomedical engineering for a PhD in Chinese literature at Peking University, where he also began teaching in 2002. He wrote poetry as a student, and was editor of the folk poetry journals<i>Offset</i>and<i>Poetry Communications</i>. His first collection<i>Bird Sutras</i>was published in 2005, and he has since published<i>Four Poems</i>and<i>Mourning for Sometimes</i>. He won the Liu Li'an Prize for Poetry in 1997.</p><p><br/></p><p>Josh Stenbergis a Senior Lecturer in Chinese Studies at the University of Sydney.He is the author of<i>Minority Stages: Sino-Indonesian PerformanceandPublic Display</i>(2019) and an upcoming book on Hokkien theatre, as well as the editor of<i>Irina's Hat: New Short Stories from China</i>(2013) and<i>Kunqu Masters on Chinese Theatrical Performance</i>(2022).He translated two volumes of short fiction by Nanjing author Su Tong, short fiction by PRC, Taiwanese, and Southeast Asian Chinese authors, and numerous works of spoken and traditional Chinese theatre. His fiction and poetry have been published in<i>The Antigonish Review, The New Quarterly, CV2, The Dalhousie Review</i>and other literary journals. He has been a fellow of Fulbright Taiwan, the Center for Chinese Studies (National Central Library), the International Institute for Asian Studies (Leiden), and the Vermont Studio Centre/Luce Foundation.<br/></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>**Shortlisted, Jhalak Prize 2025**</b></p><p><b>An emotionally wrenching novel tackling key themes such as generational trauma and what it means to be Black British, surviving between the gaps of knowledge around familial migrant journeys, set in today's London and Ghana in the mid-90s.</b></p><p>On the cusp of thirty, Ghanaian Londoner Whitney Appiah was born with a special gift. The massage therapist can physically sense where her clients' trauma lies and heal them. But Whitney has no idea that she too is suffering. Tragic events from her youth have left a terrible, unseen mark.</p><p>When a dangerous encounter with the man she's dating triggers a wave of fragmented recollections, Whitney embarks on a journey to reclaim her memories and the truth that is buried deep in her early years growing up in Kumasi, Ghana.</p><p>Spanning three decades, told through the viewpoints of Whitney, her aunts Gloria and Aretha, and their house help Maame Serwaa, <i>The Rest of You</i> explores what happens when we try to move forward through the lacuna of our past.</p><p><b>'A novel that doesn't shy away from the modern issues of being Black and female. At times heartbreaking, this portrait of a family coming to terms with a tragic past is vivid and tender.'  Louise Hare, author of</b> <b><i>This Lovely City</i></b></p><p><b>'Maame Blue's skill at crafting characters that take bits of your heart with them as you read the final pages; is a true gift. Following the characters through the intertwining of multiple timelines brought forth the force that yearning and longing actually possess. A wonderful book!'  Kelechi Okafor, author of</b> <b><i>Edge of Here</i></b></p><p><b>'Equal parts romance and coming-of-age story, Blue's emotionally charged debut explores the highs and lows of love...Those looking for heavy emotion in their romance should jump on this one.' </b> <b><i>Publisher's Weekly</i></b><b> on</b> <b><i>Bad Love</i></b></p><p><b>'What is singularly powerful about</b> <b><i>Bad Love</i></b><b>, and commendable for this reason alone, is that the winners and losers in love are all Black. It's so unusual to have a Black woman lead in a romance story, that it is sadly still remarkable.' </b> <b><i>Words of Colour</i></b> <b>on</b> <b><i>Bad Love</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Grace Yee's follow-up to her triple award-winning poetry collection <i>Chinese Fish.</i></p><p>In the White Hills Cemetery in Bendigo the remains of more than a thousand 'chinamen' lie interred, many in unmarked graves. Most were sojourners, who hailed from the Canton region in south China, and found themselves unable to return to their homeland<i>. Joss: A History</i> is inspired by the lived experiences of these early settlers, and their compatriots and descendants across Victoria and New South Wales, and Aotearoa New Zealand. The poems pay tribute to the author's ancestors, illuminating how they survived  and thrived  amid longstanding colonialist stories that have exoticised and diminished Chinese communities in white settler nations around the Pacific Rim since the gold rushes of the nineteenth century. Refracted through a twenty-first century lens, <i>Joss</i> is grounded in the conviction that the past is not past, that historical events reverberate insistently in the present. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Grace Yee's</b> poetry has been widely published and anthologised in Australia and internationally. Her awards include the Patricia Hackett Prize, the Peter Steele Poetry Award, a Creative Fellowship at the State Library Victoria, and grants from Creative Victoria and the Australia Council. She has taught creative writing at Deakin University, and at the University of Melbourne, where she completed a PhD on settler Chinese women's storytelling in Aotearoa New Zealand. Her debut collection <i>Chinese Fish</i> won the 2024 Victorian Prize for Literature, the Victorian Premier's Literary Award for Poetry, and the Ockham New Zealand Book Award for Poetry.</p>]]></Text>
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			<Text textformat="02"><![CDATA[A ground-breaking insight into the experience of disability, from a distinguished poet who has lived with Marfan Syndrome]]></Text>
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			<Text textformat="02"><![CDATA[<p>The poems in <i>Human Looking</i> speak with the voices of the disabled and the disfigured, in ways which are confronting, but also illuminating and tender. They speak of surgical interventions, and of the different kinds of disability which they seek to 'correct'. They range widely, finding figures to identify with in mythology and history, art and photography, poetry and fiction. A number of poems deal with unsettling extremes of embodiment, and with violence against disabled people. Others emerge out of everyday life, and the effects of illness, pain and prejudice. The strength of the speaking voice is remarkable, as is its capacity for empathy and love. 'I, this wonderful catastrophe', the poet has Mary Shelley's monstrous figure declare. The use of unusual and disjunctive  or 'deformed'  poetic forms, adds to the emotional impact of the poems.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Andy</b> <b>Jackson&amp;#x27;s </b>first collection, <i>Among the Regulars</i>, was shortlisted for the 2011 Kenneth Slessor Prize for Poetry; his most recent, <i>Music Our Bodies Can&amp;#x27;t Hold</i>, was shortlisted for the 2020 John Bray Poetry Award. He has featured at literary events and arts festivals in Ireland, India, the USA and across Australia, and has co-edited disability-themed issues of the literary journals <i>Southerly</i> and <i>Australian Poetry Journal</i>. Andy Jackson works as a creative writing teacher and tutor for community organisations and universities. </p>]]></Text>
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			<SubjectHeadingText>Croatia; Sydney; collection; cultural ties; daily encounters; discomfort; dislocation; distance; dreams; emotions; humour; joy; language; longing; poetry; recollections; uncertainty</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Poetry which sings with its silences.</p><p>As its title suggests, ime Kneevi's first book-length poetry collection gestures towards the elusive and often fragmented reality of dreams and recollections. The poems speak of distance, dislocation and longing, evoked by the poet's cultural ties to Croatia, the awkwardness of personal relations and the discomforts of language. They also convey the embarrassment and regret which spring from daily encounters, especially when the point of view is that of an adolescent, a lover, a rival, indeed a poet, endowed with a more than usual amount of self-consciousness. These concerns are echoed, and heightened, by the elliptical form of the poems and their surreal dislocations, which invite the play of implication, giving space and silence their own kind of eloquence. The effect is remarkable, both for the range of emotions expressed, which includes humour and joy alongside unease and uncertainty, and for the intensity of their expression.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>ime Kneevi</b> is a poet and playwright from Sydney with Croatian heritage. His poems have been published widely in Australian and international literary journals. His poetry chapbook <i>The Hostage</i> (2019) was a co-winner of the Subbed In Chapbook Prize. As a playwright, he recently co-wrote the stage musical <i>The Hen House</i> (2023) with his sisters, and is a graduate of the NIDA Playwrights Studio.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>&amp;#x27;Formally consecutive but radically paratactical, these lines are never let loose portentously to dilate. While Wakeling's poems may aim to nullify Larkin and bog men, archaeologies of cultural inheritance, neither do the poems' Japanese intertexts serve any smug distortion from empty mind to Western mindfulness, a 'porcelain pseudo-history' glazed with ego delusory in vaunted self-denial.</b></p><p><b>That's what these poems offer  old lyric technology turning against its partiality to lull, to wrap up, the poems are fast as ice. I go outside and at the top of the street, it is bitterly cold and at the bottom sweltering, humid. Here is the street, here is the weather at every extreme. Transit becomes transit.&amp;#x27;  John Wilkinson</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A household in flux, a global pandemic, and the mystifying negotiations and permutations of love.</p><p>This collection of prose poems explores the linked tensions of flight and longing: the immigrant caught on the other side of the world; the transformation of a home; the reckoning of motherhood. Often otherworldly, frequently affirming, and sometimes heartbreaking, these poems offer small meditations - circling overhead, descending into daily life. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Shady Cosgrove</b> writes on Dharawal land and teaches creative writing at the University of Wollongong. </p><p>Her books include <i>What the Ground Can&amp;#x27;t Hold</i> (Picador) and <i>She Played Elvis</i> (Allen and Unwin). </p><p>Her short works have appeared in <i>Best Australian Stories</i>, <i>Anthology of Australian Prose Poetry</i>, <i>Dreaming Awake</i>, <i>The Writing Mind</i>,<i> Cordite</i>,<i> Overland, Antipodes</i>,<i> Southerly</i>,<i> Island</i>,<i> takahe</i>, <i>Eunoia Review</i> and various Spineless Wonders collections. She has judged the Joanne Burns Award and received an ANU Humanities Research Centre Fellowship, a Bundanon Artists Residency, the Varuna House Eleanor Dark Flagship Fellowship and a Nan Tien Temple and South Coast Writers Centre residency. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>&amp;#x27;She separates herself. There are different voices here, and</i></p><p><i>separations. Cutting away</i></p><p><i>from her past, from varied, acceptable and permissible futures</i></p><p><i>dreamed into expectations by others on her behalf. From</i></p><p><i>always being a dangerous difference in a country town, and</i></p><p><i>rural school. Segue to wide-eyed in the city, to wild eyed, in a</i></p><p><i>city never imagined.&amp;#x27;</i></p><p>In <i>She Goes to Town</i> Sandra Renew writes as a lesbian poet. She shows a gendered world from the point of view of outsider and one who lives on the fringes of heterosexuality, and who fully inhabits a voice of dissent and protest. She deep-dives into gender and comments on living in both urban and rural communities.</p><p><i>She Goes to Town</i> explores the tensions between leaving and staying, crossing lines, endings and beginnings. In poetry, micro-lit, short prose there is a mapping of the path to destruction and the saving graces of hope and trying again. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A truly unique book of illustrated creative prose</b></p><p><i>Alcatraz</i> is a one-of-a-kind illustrated anthology of short prose and prose poetry. It showcases works from many of the most exciting practitioners writing in English across the globe.</p><p>This includes work by luminaries such as Will Alexander, Indran Amirthanayagam, Nin Andrews, Maxine Chernoff, Denise Duhamel, Holly Iglesias, Peter Johnson, Luke Kennard, Naveen Kishore, Janice Lee, Jane Monson, Mariko Nagai, Nguyn Phan Qu Mai, Alvin Pang, Lauren Russell, Fiona Sampson, Ian Seed, Sudeep Sen, John Skoyles, Donna Stonecipher, Sam Wagan Watson, Cyril Wong, Nicholas Wong, Jenny Xie and Gary Young.</p><p>The volume is edited by the award-winning Australian prose poets Cassandra Atherton and Paul Hetherington who recently published the definitive book about the form, <i>Prose Poetry: An Introduction</i> (Princeton University Press, 2020), and the authoritative <i>Anthology of Australian Prose Poetry</i> (Melbourne University Press, 2020). The book is illustrated by renowned artist and publisher, Phil Day, whose work recently appeared in the <i>New Yorker</i>.</p><p>The anthology is titled <i>Alcatraz</i> largely because of the playfulness inherent in the word, which contains the first and last letters of the English alphabet in first and last positions. Contributing writers were asked to respond to the idea of 'Alcatraz' in any way they chose  whether directly or more tangentially. This resulted in a wonderful series of responses, taking on and expanding a wide array of the associations connected to this historically loaded word.</p><p>The book is highly inventive in its layout, with contributions appearing according to their length. This means that the book moves from the shortest to the longest pieces and the illustrations complement the shape of the written pieces. They are line drawings, playing on the idea of taking a line from the work and representing it obliquely without ever overwhelming it.</p><p><i>Alcatraz</i> is a creative, unusual and distinctive volume celebrating international collaboration and the special magic that happens in the meeting of short prose works and visual art.</p><p></p><p><i>Alcatraz</i> includes works by:</p><p>Will Alexander</p><p>Indran Amirthanayagam</p><p>Nin Andrews</p><p>Sally Ashton</p><p>Cassandra Atherton</p><p>Stuart Barnes</p><p>Linda Black</p><p>Jessica Bundschuh</p><p>Anne Caldwell</p><p>Anthony Caleshu</p><p>Maxine Chernoff</p><p>Paul Christiansen</p><p>Denise Duhamel</p><p>Carrie Etter</p><p>Gerald Fleming</p><p>Jeff Friedman</p><p>Oz Hardwick</p><p>Bob Heman</p><p>Xavier Hennekinne</p><p>Paul Hetherington</p><p>Cindy Hochman</p><p>MC Hyland</p><p>Holly Iglesias</p><p>Brenda Iijima</p><p>Peter Johnson</p><p>S. K. Kelen</p><p>Luke Kennard</p><p>John Kinsella</p><p>Naveen Kishore</p><p>Janice Lee</p><p>Gian Lombardo</p><p>Kathleen McGookey</p><p>Alyson Miller</p><p>Jane Monson</p><p>Margaret Moores</p><p>Paul Munden</p><p>Mariko Nagai</p><p>Sawako Nakayasu</p><p>Nguyen Phan Que Mai</p><p>Geoff Page</p><p>Alvin Pang</p><p>Jonathan Penton</p><p>Meg Pokrass</p><p>Lee Ann Roripaugh</p><p>Lauren Russell</p><p>Sarah M. Sala</p><p>Fiona Sampson</p><p>Kristin Sanders</p><p>Ian Seed</p><p>Sudeep Sen</p><p>John Skoyles</p><p>Donna Stonecipher</p><p>Ruth Stacey</p><p>Marc Vincenz</p><p>Samuel Wagan Watson</p><p>Amelia Walker</p><p>Jen Webb</p><p>Jessica L. Wilkinson</p><p>Cyril Wong</p><p>Nicholas Wong</p><p>Jenny Xie</p><p>Gary Young</p><p></p><p>Illustrator:</p><p>Phil Day</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>A unique experience. A novel in 'spindle' sonnets. A drama. An impassioned cry for a beautiful and stolen world under threat. A 'protester' who has been living in a shallow cave in the limestone cliff in front of Bathers Beach under the colonial Round House prison in Fremantle is arrested for demonstrating against the late 80's visit of the nuclear-armed 7th Fleet. In the cells the 'protester' witnesses police violence and threatens to tell what they have seen. An act of declaration becomes entangled with what is happening outside the cells. This haunting incantation looks back before and after these events, to the present day. The sea, the coast around Fremantle, the &amp;#x27;Scarp&amp;#x27;, all come into play in a work that attempts to decolonise the space, to contest nuclear, military and colonial power without claiming any rights over country.</p><p><b>'In this verse-paced novel Kinsella never quite uses Auden's phrase in The Fall of Rome - 'altogether elsewhere'</b> <b>- but we sense the priorities and judgement of the natural environment, and of an older world. Coastal birds and dolphins are among his observers, and we too feel the wind and ocean currents fall and rise so that, despite surveillance and silencing, we may also remember and join in bearing witness.' - Kim Scott</b></p><p><b>'A book against laughter and forgetting if ever there was one. Moving, incandescent, quietly devastating...</b><b><i>Cellnight</i></b><b> is contemplative, fiercely elegiac, and a panoramic ode to Whadjuk Noongar country and anti-ode to its settler colonial overlay. As Kendrick Lamar said: the judge make time. So does Kinsella.' - Declan Fry</b></p><p><b>'To open</b> <b><i>Cellnight</i></b><b> is to encounter John Kinsella's cat's cradle of a verse novel - intersecting threads pulled tight and tense between prison bars, protest signs, booze bottles and warships. Feathered visitors also flit among the narrative fibres, bearing witness to the fists raised over prone and vulnerable bodies in the carceral corners of a swelling port city.' - Cass Lynch</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>John Kinsella</b> lives on Ballardong Noongar land at 'Jam Tree Gully' in the Western Australian wheatbelt, and went to high school on Yamaji land in Geraldton, and has also lived in USA, UK, Ireland and other zones. His recent publications include the poetry volumes <i>The Weave</i> with Thurston Moore (UWAP 2020) and <i>The Ascension of Sheep</i>, <i>Collected Poems Volume One (1980-2005)</i> (UWAP 2021). Previous story collections include the awards-listed <i>Pushing Back</i> (Transit Lounge 2021) and <i>Old Growth</i> (Transit Lounge 2017). His memoir <i>Displaced: A rural life</i> was published by Transit Lounge in 2020.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>&amp;#x27;The poems in Sometimes's collection deftly transcend both spatial scales and time scales. From one line to another we careen across the universe. We fast-forward from the first picosecond of stuff forming in the universe to a Christmas card, millennia later. Her depiction of time and dynamism is visceral  things froth and whizz and quiver in a temporospatial-grammatical practice. We become aware of the minutiae of a life, and of a language, against both vast and infinitesimal phenomena in the universe.</p><p>Sometimes has written the celestial subjectively  or is it the subjective celestially?  and smears the lines between the practices of cosmology, poetry, and astrophysics. After reading this collection, it seems to me like poetry is as valid a method of interrogating the universe as any other.&amp;#x27; - Andrea Rassell</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Alicia Sometimes</b> is an Australian poet, writer and broadcaster. She has performed her poetry at many venues, festivals and events around the world and is director of two international science-poetry planetarium shows.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A chronicle of the early days of performance poetry, presented as a road trip in verse by one of its greatest practitioners.</b></p><p>This book-length verse narrative is about a so-called 'Dirty T-Shirt Tour', on which a group of Australian poets travel to cities in the United States and Canada in the mid-1980s, to give readings. It is composed as a diary, written from the point of view of one of the poets, who finds himself at odds with the others by virtue of his migrant background, and his commitment to 'performance' poetry. It is his first visit to America, which he views with both wonder and alarm. Isolated in the group by his commitment to a poetics of 'utterance', he finds friendship and acclamation in his audiences and the people he encounters on the street. The tensions portrayed extend beyond the group to encompass issues of racism, sexism and class, as the book offers snapshots of American society, as viewed by the outsider, which are in themselves an expression of his performance poetic. <i>The Tour</i> stands as a chronicle of the difficulties and triumphs of performance poetry, of which Pi.O. was one of the pioneers, long before it became the popular form it is today.</p><p><b>&amp;#x27;.. follows no form but his own, a text for spoken performance punctuated by pop-up commas and slashes that pause or jolt...[his] anarchist aesthetic locates the scurrying phrase, the overlooked figures, the extraneous observation in epic scale as Joyce, in modernist commandment, had displayed throughoutUlysses.&amp;#x27; - Gig Ryan, </b><b><i>Sydney Review of Books</i></b></p>]]></Text>
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			<SubjectHeadingText>Pulitzer Prize Winner; National Book Award Winner; Academy Award-Winning author; sonnets; experimental poetry; music; Chopin; key; experimentation; fugue; language; poetry; Refrain; Volta; Quatrain; Meter; Iambic Pentameter; Los Angeles; Relationships; spirituality; compassion; despair; unconventional; ekphrasis; short; Petrarchan; preludes</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[<p>Author of the instant national bestsellers, <i>James</i> and <i>Erasure</i>  the inspiration for the Oscar-winning film <i>American Fiction</i>  Percival Everett is diving back into poetry with his spellbinding new collection, <i>Sonnets for a Missing Key</i>. Inspired by the Preludes of Chopin and the piano solos of Art Tatum, these sonnets leap and turn through philosophical musings accrued across a life well lived, with inventive language, crystalline imagery, and turns of phrase that lift off the page and glimmer. Everett's sonnets soar through the musical scale, from A Minor to A Major, exploring relationships, spirituality, compassion, despair, and how the stories we tell ourselves shape our realities.</p><p>Everett continuously defies convention with every creative expression and brings his literary audacity back to his poetic roots with this, his sixth collection with Red Hen Press.</p><p><i>Sonnets for a Missing Key</i> is a mesmerising feat of language that reinforces Percival Everett as one of the great wordsmiths of the century.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Percival Everett</b> is the author of more than thirty books of fiction and poetry. Among his works are <i>James</i>, <i>The Trees</i>, <i>Erasure</i>, and <i>Dr. No</i>. He has been awarded the PEN/Jean Stein Book Award, the Windham-Campbell Prize for Fiction, a Creative Capital Award, and a Guggenheim. He has been a finalist for the Pulitzer Prize, the Booker Prize, and the PEN/Faulkner Award. He is a Distinguished Professor of English at the University of Southern California. </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Follow two children on a gentle journey as they receive notes and messages from their mother, discovering the beauty and wisdom of Zen along the way.</b></p><p><i>Change is in the air.<br/>Oak leaves are gently falling like hands waving. Hello trees.<br/>You will soon have a change of outfit, with lacy, delicate branches reaching for the sky.</i></p><p><i>My First Book of Zen</i> is an invitation for young minds to explore the gentle teachings of Zen philosophy. Through a day in the life of two children, young readers encounter messages of presence, kindness, and connection to the world around them.</p><p>Each of the nine moments encourages curiosity and reflection, helping children develop an appreciation for nature's beauty and the peace found in still moments. Enchanting watercolour illustrations by award-winning artist Tracy Gallup paint the soft moods of Zen and capture a sense of inner calm. Each image is paired with a thoughtful message and a quote from an inspirational thinker  like the haiku master Issa, Zen philosophers D.T. Suzuki and Alan Watts, or the Dalai Lama  offering a quiet space for reflection.</p><p>A perfect book for bedtime and fostering moments of calm, <i>My First Book of Zen</i> sows the seeds of inner harmony, compassion, gratitude, and a lasting love for the natural world.</p>]]></Text>
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			<Text textformat="02"><![CDATA[My First Book of Haiku   A fully bilingual children's book,  My First Book of Haiku  includes the original Japanese poems (in both Japanese script and Romaji form) on each page alongside the English translation to form a complete cultural experience.]]></Text>
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			<Text textformat="02"><![CDATA[<p><i>My First Book of Haiku </i>introduces children to inspirational works of poetry and art that speak of our connection to the natural world, and of their own ability to see an entire universe in the tiniest parts of it. It pairs fresh interpretations of 20 classic poems by Issa, Shiki, Basho, and other great Japanese haiku masters with stunning original paintings that both portray and inspire a child's inner life, and open a door into the world of their own imagination.</p><p>A fully bilingual children's book, <i>My First Book of Haiku </i>includes the original Japanese poems (in both Japanese script and Romaji form) on each page alongside the English translation to form a complete cultural experience.</p><p>Each haiku poem is accompanied by a full page "dreamscape" painting that will be admired by children and adults alike. Commentaries and brief bios offer parents and teachers ready-made "food for thought" to share with young readers and stimulate a conversation about each work.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Esperanza Ramirez-Christensen</b> is a professor at the University of Michigan and an award-winning teacher and scholar of classical Japanese literature. She has written extensively on the subjects of Japanese poets and poetry and Buddhist philosophy. <br/><br/><b>Tracy Gallup</b> is an author, illustrator and lifelong artist. She has a BFA from Eastern Michigan University and an MFA in painting from Syracuse University. Tracy worked as an elementary school art teacher for many years, and celebrates imagination and childhood in her own artwork. She is the author and illustrator of 9 children's books, including <i>Paint the Night, A Roomful of Questions</i>, four books in </p><p>A Crazy Little series, King Cat</p><p>, and also illustrated the book <i>Beastly Banquet</i>. She lives in Ann Arbor, Michigan with her husband. As a child, Tracy had and loved her very own collection of Tuttle books.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>An exploration of various creatures' role in the vibrant, delicate, and complex coral reef ecosystem.</p><p>Dive into <i>The Reef That Coral Built</i>, a captivating aquatic tale inspired by <i>The House that Jack Built</i>. From tiny coral polyps to reef sharks and manta rays, each turn of the page reveals how every element and creature has an important role in the delicate and complex ecosystem of the reef. Through its engaging rhyme, children will discover how everything on the reef shares a connection, how life is sustained under the waves, and what humans can do to protect this incredible environment.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kid-friendly Japanese meals you can make together and get everyone to enjoy eating healthier!</b></p><p><i>Japanese Cooking with Kids</i> is the perfect way for you and your kids to learn about Japanese cooking while having fun in the kitchen  and to get them excited about eating healthy meals. Some of these dishes may even become their new favourites!</p><p>These 50 kid-tested recipes for ages 8 to 14 get 'two thumbs up' and empty plates every time. They include:</p><ul><li><b>Ever-popular Rice Dishes</b> like Onigiri Rice Balls, Sushi Rice in Tofu Pockets and Chicken and Egg Rice Bowls</li><li><b>Flavors from the Sea</b> including Japanese Seaweed Sprinkles on Popcorn and Tuna Salad Sushi Rolls</li><li><b>Classic Japanese Favorites</b> like steamed Gyoza Potstickers and Miso Ramen Noodle Soup</li><li><b>Cute Bento Lunch Boxes</b> with Octopus-shaped Hot Dogs and delicious Japanese-style Fried Chicken</li><li><b>Delicious Desserts and Drinks</b> like Strawberry Soy Milk, Glazed Mochi Balls and Green Tea Matcha Tea Cakes</li><li><b>And so much more!</b></li></ul><p>Each chapter in this book contains a fun, hands-on activity like counting to ten in Japanese while washing your hands, growing your own green onions or making your own chopstick rests! In addition to preparing delicious Japanese recipes, kids will learn the basic principles of Japanese cuisine  eating foods that are in season, and only eating until you feel 80% full  to help you live a healthier life.</p><p><i>Japanese Cooking with Kids</i> will give you and your family a whole new perspective on food and eating  the Japanese way!</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Debra Samuels</b> has written about food for over three decades. After owning and operating a successful catering firm in the 1980s called<i> Eats Meets West</i> she developed the popular <i>Kids Are Cooking</i> series on food, culture and nutrition for Boston's Children's Museum. Samuels worked for many years as a food writer and food stylist for <i>The Boston Globe</i>. She has written extensively about Italian, Indian, Korean and Japanese cuisines, with a particular focus on the latter. In 2020, she was awarded the John Thayer Award from the Japan Society in Boston, which recognises outstanding contributions to understanding and friendship between the U.S. and Japan. Samuels leads the program content and curriculum development for TABLE FOR TWO USA. Currently, she travels around the country teaching hands on workshops on bento, the Japanese lunchbox. She is the author of Tuttle Publishing's <i>My Japanese Table,</i> and co-author of <i>The Korean Table.</i></p><p><b>Mayumi Uejima-Carr</b> became the president of TABLE FOR TWO USA following work with Accenture and Eli Lilly pharmaceutical company and earning an MBA from Thunderbird School of Global Management at Arizona State University. With TABLE FOR TWO USA, she has developed a program to provide healthier school meals for children in the U.S. She was a delegate to the US-Japan Leadership Program (2017-18).</p><p><b>Yumi Komatsudaira</b> is a recipe developer, food stylist, culinary instructor and President of K-Seaweed  a leading ocean greens provider. She is the author of<i> Japanese Superfoods.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This playful yet calming book about wonderful forest sounds is the perfect gift for introducing kids to loving  and respecting  the natural world around them.</b></p><p>The forest has lots to say...if you listen.</p><p>When a child steps into the forest, her ears are open and her heart is too. She listens carefully and hears marvelous things. She hears the rustling of leaves sharing their secrets. She hears a beetle balancing on a branch. And the more she listens, the more she learns.</p><p><i>I Hear You, Forest</i> is an excellent resource for outdoor education, classroom learning and homeschooling, helping to teach:</p><ul><li>Empathy and connection with all living things</li><li>Mindfulness and appreciation with the world around us</li><li>That the forest is full of magical sounds  you just have to listen!</li></ul><p>Book #1 in the <i>Sounds of Nature</i> series!</p><p>This picture book series about listening to nature explores different ecosystems, including forest, ocean, and mountain soundscapes. It encourages mindfulness, outdoor education, and social-emotional learning, as readers join the characters in using their imaginations to hear the many things nature has to say.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Kallie George</b> is an author and picture book editor who has written numerous acclaimed books for children. She grew up on the Sunshine Coast in BC, where she spent her days roaming the forests and listening to all the sounds within. Now, she and her husband have made a home in the woods so that her son can do the same.</p><p><b>Carmen Mok </b>studied studio art at the University of Waterloo and design at Sheridan College. Her illustrations have been published in magazines across Canada and the U.S., as well as in greeting cards, stationery, and children's home accessories. She has now decided to dedicate herself to children's book illustration, and she has received several illustration awards, including the SCBWI Canada East People's Choice Portfolio Award for Illustration in 2017 and 2018, as well as the Storyteller Award in 2018. Carmen is the illustrator of <i>Grandmother's Visit,</i> written by Betty Quan; <i>Violet Shrink</i>, written by Christine Baldacchino; and<i> A Stopwatch from Grampa</i>, written by Loretta Garbutt. She currently lives in St. Catharines, Ontario.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>For fans of Richard Scarry, join two friends on a hilarious adventure through an animal city as they embark on a topsy-turvy journey to find each other.</b></p><p>Leo and Kimbo are best friends. Despite living on opposite sides of the city, they meet almost every day. But today is a very special day: it's Kimbo's birthday!</p><p>Leo decides to surprise his friend with a birthday present and so heads off to meet up with Kimbo across the busy city. But little does Leo know that Kimbo is headed to Leo's house! Will they ever get to celebrate together?</p><p>There is so much to see in this zany city: there's a bug parade, a shop selling rhymes, a busy bakery selling cream puffs and ice cream, a Robo-Dog dancing in the park, and so much more!</p><p><b>From the creators of</b> <b><i>No. 5 Bubblegum Street</i></b><b>, featuring artwork that 'share[s] the bright hand-drawn style of beloved Scarry characters' (</b><b><i>The Times</i></b><b>)</b>, join the friends as their paths get tangled and the city takes them on an adventure. Will they ever get to celebrate together?</p><p><b>There is so much to see in this vibrant city! Come along and join the adventure!</b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Mikoaj Pa</b>, a cultural studies graduate, works as a graphic designer, writer, and collage artist in Wrocaw, Poland. He was a cofounder and long-time editor for the Polish music magazine <i>Popup Music</i>. He is also a coauthor of a graphic novel <i>Fertility</i> and books for children, <i>Elephant on the Moon</i>, <i>Van Dog</i>, and <i>No. 5 Bubblegum Street</i>.</p><p>For the last fifteen years, <b>Gosia Herba</b> has been working for publishers, magazines, music labels, and ad agencies. She's also an illustrator and author of books for children and graphic novels. Her work can often be seen at various children's illustration exhibitions worldwide, such as Golden Pinwheel Young Illustrators Competition, Biennial of Illustrations Bratislava, Tallinn Illustrations Triennial, and IBBY Poland Showcase, Bologna Children's Book Illustrator Fair Exhibition. She lives and works in Wrocaw, Poland.</p><p>Originally from Vancouver, Canada, <b>Scotia Gilroy</b> is now based in Krakw, Poland. She holds a BA in English literature (First Class Honours) from Simon Fraser University and a diploma in Polish language and literature from the Jagiellonian University's Centre for Polish Language and Culture. She was a mentee in the National Centre for Writing's Emerging Translator Mentorship in Norwich, England, in 2016-2017 (under the mentorship of Antonia Lloyd-Jones).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 8 to 12</b></p><p>Look up to the stars and observe the wonders of outer space with this beautifully illustrated, inspirational, and accessible introduction to astronomy. Visit other planets in our solar system, steer a course through the constellations, and head away from our galaxy to unlock the secrets of interstellar space.</p><p>Take a tour of the night sky and the wonders of the Universe with <i>Astronomy for Curious Kids</i>. Travel through time and space from the Big Bang to black holes, and study solar eclipses, shooting stars, supergiants and supernovas for a journey that is literally out of this world.</p><p>Reading level varies from child to child, but we recommend this book for ages 8 to 12.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Giles Sparrow</b> is a freelance author and editor, specializing in popular science, astronomy, and space technology. He studied astronomy at University College, London, and is a Fellow of the Royal Astronomical Society. He has gone on to have books about space published by many esteemed children's publishers.</p><p><b>Nik Neves</b> is a Brazilian graphic artist, illustrator, and comic author specializing in illustrated maps, sketchbooks, visual diaries, and music. Nik works with clients across the globe and regularly contributes to international publications including Lonely Planet, National Geographic, and Arte Magazin. He lives and works in Berlin.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Tardigrades are one of the toughest creatures in nature! These tiny little animals, nicknamed 'moss piglets' or 'water bears', have incredible survival superpowers. </p><p>They've been found in astonishing places, from the top of a mountain to the bottom of an ocean. They've even survived a trip into space! </p><p><i>Tardigrades: Nature's Toughest Survivors </i>showcases these astounding little creatures and their remarkable ability to survive. </p><p>Reading level varies from child to child, but we recommend this book for ages 5 to 9. </p><p></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Growing up in London, Michelle's interests frequently bumped up against expectations of girls which she pushed through, including her love of playing soccer and chess, and later, her passion for science and technology. Professor Simmons is well-known for creating the field of atomic electronics. Since 2000 she established the Centre of Excellence for Quantum Computation and Communication Technology dedicated to the making of tiny atomic-scale devices in silicon and germanium. Her research group at the University of New South Wales is the only group worldwide that can create atomically precise devices in silicon. It was also the first team in the world to develop a working 'perfect' single-atom transistor and the narrowest conducting doped wires in silicon.</p><p>In 2018 Michelle became Australian of the Year and is an Australian Research Council Laureate Fellow. She is passionate about encouraging girls to pursue a career in science and technology: 'Seeing women in leadership roles and competing internationally ... gives them the sense that anything is possible'.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Cristy Burne</b> grew up climbing trees, jumping drains, chasing runaway cows and inventing stories. Before she became a writer, she was science circus performer, garbage analyst, Santa's pixie, and a teacher.</p><p>Currently Cristy is a children's author, science writer and presenter who has worked as a science communicator for over 20 years across Australia, the US, the UK, Japan, South Africa, Switzerland and beyond. She has a passion for STEM, loves learning through doing, and aims to inspire creativity, daring and resilience in her readers. She is a sought-after education presenter. This is her second book in the <i>Aussie STEM Stars</i> series, having previously told the story of <i>Fiona Wood: Inventor of spray-on skin</i> (ISBN 9781925893281)</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Age range 9 to 12</b></p><p><b>You know all about the planets near Earth, but what about the planets outside our solar system?How are they discovered? Could there be life? Find out in</b><b><i>Exoplanets</i></b><b>!</b></p><p>NASA has confirmed the existence of over 5,000 exoplanets (planets that lie outside of our solar system), and that number is growing! <i>Exoplanets</i>, the first book of its kind for kids, is a visually packed guidebook to the exoplanets of our universe. You'll learn the four main types of exoplanets, techniques scientists use to discover them, the probability of finding life as we know it beyond Earth, plus detailed information about dozens of some of the most fascinating exoplanets discovered so far, from water worlds to planets that are literally evaporating! It's a thrilling journey, and it all begins in <i>Exoplanets</i>!</p><p><i>From NASA.gov:</i></p><p><i>The 5,000-plus planets found so far include small,r ocky worlds like Earth, gas giants many times larger than Jupiter, and "hot Jupiters"in scorchingly close orbits around their stars. There are "super-Earths," whichare possible rocky worlds bigger than our own, and "mini-Neptunes," smallerversions of our system's Neptune. Add to the mix planets orbiting two stars atonce and planets stubbornly orbiting the collapsed remnants of dead stars.</i></p><p><i>"It's not just a number," said Jessie Christiansen,science lead for the archive and a research scientist with the NASA ExoplanetScience Institute at Caltech in Pasadena. "Each one of them is a new world, abrand-new planet. I get excited about every one because we don't know anything about them."</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[Poet, dramaturge and public artist, Paul Carter, writes and draws public space as a movement form, representing the neglected dimensions of the meeting place. His poetics of the trace finds a superb visual metaphor in John Warwicker's book design.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This book is an appraisal of Yves Saint Laurent's contributions to fashion, art and culture.</b></p><p>The enduring influence of Saint Laurent's designs in modern fashion is undeniable. Concepts introduced by Saint Laurent, like the tuxedo jacket for women and the sheer blouse and dress, have become staples in contemporary fashion, transcending their origins to become symbols of power, elegance and sexuality. His ability to anticipate and articulate the needs and desires of the modern woman has left a lasting blueprint for how fashion interacts with social change and individual identity. Moreover, even after his death at 71 in 2008, Saint Laurent's integration of art and fashion continues to inspire current designers, seen in the ongoing collaborations between high fashion and contemporary artists.</p><p>Saint Laurent was above all an artist of synthesis, of agglomeration and reshaping, of conglomeration and adaptation. His work is a fusion of the tactile and aesthetic with fancy and supposition  for his interiors are not what were but could have been, a projection of imagination and personality. It is a straddling of two separate worlds, which is crucial to fashion. His significance is in making this explicit.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This collection of essays explores the translation of Petrarch's vernacular verse (Canzoniere and Triumphi) in early modern Britain, from the first Tudor translations to its many literary transformations and cultural re-appropriations in the Elizabethan and Stuart periods.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Translating Petrarch in early modern Britain</i></b><b> gathers twelve essays by international scholars focusing on the translation of Petrarch's vernacular verse (Canzoniere and Triumphi) into English, from the Tudor age to the mid-seventeenth century (and beyond). </b></p><p>Approaching translation as an interpretive process, but also a mode of literary emulation and cultural engagement with Petrarch's prestigious precedent, the collection explores the complex and interconnected trajectories of both poetic works in English and Scottish literary milieux. While situating each translation in its distinct historical, material, and literary context, the essays trace the reception of Petrarch's works in early modern Britain through the combined processes of linguistic and metric innovation, literary imitation, musical adaptation and cultural and material 'domestication'. </p><p>The collection sheds light on the origins and development of early modern English Petrarchism as part of wider transnational  and indeed, translational - European literary culture.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Marie-Alice Belle</b> is Professor of Translation Studies at the Universite de Montreal and Associate researcher in English studies at Universite Paris III-Sorbonne Nouvelle.<br/><b>Riccardo Raimondo </b>is Assistant Professor in French Linguistics and Translation Studies at the University of Catania.<br/><b>Francesco Venturi </b>is Professor of Italian Literature at the University of Oslo (Norway) and at the University of L'Aquila.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This volume documents the (in)visibility of women in science in the twentieth century. It combines individual and collective portraits with discussions of institutional structures, work cultures, science and domesticity, the pedagogy of science and the gendered dimensions of science communication.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This volume brings together scholars from different disciplinary backgrounds to discuss how women contributed to the making, pedagogy, institutionalisation and communication of scientific knowledge in the twentieth century, and to reflect on the theoretical and methodological challenges of documenting such hidden contributions. </b></p><p>Featuring examples from China, former Czechoslovakia, Greece, Hungary, India, Japan, Romania, the United Kingdom and the United States, the contributors discuss women's engagement with science across different institutional and non-institutional sites, ranging from the laboratory and the school to the clinic, the home and the media. </p><p>The volume moves beyond the professional scientist model to enlarge our understanding of women's participation in twentieth-century science and document the complex combination of factors that rendered such contributions (in)visible to contemporaries and future generations.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Amelia Bonea</b> is Lecturer in Global History of Science, Technology and Medicine at the University of Manchester.<br/><b>Irina Nastasa-Matei </b>is Lecturer in the Department of Political Science, University of Bucharest</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>In 1990 Namibia gained its independence after a decades-long struggle against South African rule  and, before that, against German colonialism. This book, the first new scholarly general history of Namibia in two decades, provides a fresh synthesis of these events, and of the much longer pre-colonial period. <i>A History of Namibia</i> opens with a chapter by John Kinahan covering the evidence of human activity in Namibia from the earliest times to the nineteenth century, and for the first time making a synthesis of current archaeological research widely available to non-specialists. In subsequent chapters, Marion Wallace weaves together the most up-to-date academic research (in English and German) on Namibian history, from the mid-eighteenth century to the present. She explores histories of migration, production and power in the pre-colonial period, the changes triggered by European expansion, and the dynamics of the period of formal colonialism. The coverage of German rule includes a full chapter on the genocide of 1904-8. Here, Wallace outlines the history and historiography of the wars fought in central and southern Namibia, and the subsequent mass imprisonment of defeated Africans in concentration camps. The final two chapters analyse the period of African nationalism, apartheid and war between 1946 and 1990. The book's conclusion looks briefly at the development of Namibia in the two decades since independence. <i>A History of Namibia </i>provides an invaluable introduction and reference source to the past of a country that is often neglected, despite its significance in the history of the region and, indeed, for that of European colonialism and international relations. It makes accessible the latest research on the country, illuminates current controversies, puts forward new insights, and suggests future directions for research. The book's extensive bibliography adds to its usefulness for scholar and general reader alike.</p><p><b>'Magisterial.'  </b><b><i>MAIL &amp; GUARDIAN </i></b></p><p><b>'Indispensable.'  </b><b><i>AFRICA REVIEW OF BOOKS</i></b></p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Since its beginnings  born out of the Enlightenment  liberalism has risen to become the global standard; an almost utopian ideal, against which political and moral philosophies have been judged. Yet, one quarter of the way through the twenty-first century, we wonder if the liberal idea is all but dead. The freedoms imbued by civil and human rights, individualism and private property have built the modern world, but not without growing pains and vestigial aches. More than a simple philosophy, liberalism has informed economics, secularism, language and culture. As the global hegemon, it has at times been cast as an enemy of the 'other'; but, in fact, the liberalism that dominated in the West is not without its non-Western seeds and influences. This issue of <i>Critical Muslim</i> gives liberalism a long overdue analysis, evaluating how well it has fared up to the present, and considering how the future will continue to be shaped by its legacy.</p><p></p><p>About <i>Critical Muslim</i>: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centres on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Ziauddin Sardar</b> is an award-winning, internationally renowned writer, futurist and cultural critic. His many books include <i>Three Begums; Reading the Qur'an </i>and <i>A Person of Pakistani Origins</i> (all published by Hurst); <i>Mecca: The Sacred City</i>; and <i>Desperately Seeking Paradise: Journeys of a Sceptical Muslim</i>. A former New Statesman columnist and UK equality and human rights commissioner, he is Editor of the influential quarterly <i>Critical Muslim</i>.</p>]]></Text>
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			<Text textformat="02"><![CDATA[In Defense of Reason After Hegel undermines the assault on truth pervading public life and the academy, showing how we can think objectively about reason, nature, right, and beauty.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In </b><b><i>Defense of Reason After Hege</i></b><b>l builds upon and enlists the arguments of Hegel to refute the disempowerment of reason perpetrated by the peddlers of misinformation in public life and by analytic philosophy and postmodernism in the academy. </b></p><p>Undermining their assaults on truth, In <i>Defense of Reason After Hegel</i> shows how the fundamental character of nature and of mind allow reason   to be autonomous and allow us to enact a reality of freedom in accord with   right and freely create works of fine art. The book examines how life and language provide the means for reason to be autonomous and how the autonomy of thought precludes natural evolution or bioengineering from enhancing our   capacity for philosophical thinking. It unravels the perplexities of the logic of self-determination and to show how the will can achieve self-determination in the conventions by which agents engender the institutions of freedom. </p><p>The book then unveils the limitations of the principle of contradiction, which bars the way to an understanding of how anything can be determinate and how thought and action can be free. Thereupon the paradoxes that arise in thinking time are resolved by liberating thought   of the formality of the principle of contradiction. The revolutionary character of Hegel's conception of consciousness is next explored to make intelligible how animals and young children can be conscious and self-conscious, as well as how philosophical thought can overcome the epistemological limitations of the opposition of consciousness.</p><p>On this basis, the book draws upon Hegel's <i>Philosophy of Mind</i> to show how language can originate and be an appropriate vehicle of autonomous reason. The book examines the structure of the institutions of freedom that talking animals can enact. It highlights the philosophical underpinnings of the fundamental shortcomings in the American constitution and American society and draws lessons from the author's recent campaign to shed light on how the philosophy of right can be a guide to social reform. It also examines how the autonomy   of fine art can be realised in sculpture, contrary to claims made by Hegel that would tie this individual art to the classical style.    </p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Richard Dien Winfield</b> is Distinguished Research Professor of Philosophy at the University of Georgia, where he has taught since 1982. He is the author of 21 other books on philosophy and one book on political policy.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This monograph treats modes of fictionality in contemporary auto/biography, memoir and autofiction. Adopting a case study approach, it demonstrates the extent to which contexts of production and reception are important in framing generic expectations with respect to the representation of lived experience and in helping to determine the status of the narrator as (fictional) persona or (implied) author.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This monograph treats modes of fictionality in contemporary auto/biography, memoir and autofiction.</b></p><p>Within the context of what some writers see as the fabrication and fakery of the traditional novel and given their desire to move closer in their writing to the 'truth' of 'reality', the monograph focuses on the work of four authors (Karl Ove Knausgaard, Rachel Cusk, Jeanette Winterson, and Xiaolu Guo), all of whom have produced novels, as well as autobiographically informed works and accounts of their lives, along a fact-fiction continuum. Against the backdrop of a seeming hunger for reality, and a distrust of fabrication, the monograph is interested in revisiting assumptions about genre, with a view to problematising conventional understandings of what separates fiction and non-fiction. In focussing on specific works by the named authors, it seeks to show the extent to which their work enacts aspects of a contemporary concern with the nature and constitution of reality, and the status of an auto/biographical subject produced through writing.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Fiona J. Doloughan</b> is senior lecturer in English (literature and creative writing) at the Open University, Milton Keynes, UK. She is the author of two previous monographs and numerous book chapters and peer-reviewed articles on aspects of contemporary narrative.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Transnational Coupling in the Age of Nation Making during the 19th and 20th Centuries examines and compares courtship and marriage patterns that occurred between France and the United States during the 19th and 20th centuries. Departing from state-centered studies of marriage law, it draws on the methodologies of transnational history, cultural history and the history of emotion to show that these unions were part of a broader pattern of the larger cultural love affair between the two societies.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>Transnational Coupling in the Age of Nation Making during the 19th and 20th Centuries</i></b><b> examines and compares courtship and marriage patterns that occurred between France and the United States during the 19th and 20th centuries. Departing from state-centered studies of marriage law, it draws on the methodologies of transnational history, cultural history and the history of emotion to show that these unions were part of a broader pattern of the larger cultural love affair between the two societies.</b></p><p>In an effort to address not only why Franco-American marriages occurred but also how and why the dynamics that produced them changed over time, this work examines and compares two transnational marriage patterns in different historical contexts: the first, when wealthy American heiresses married French aristocrats during the second half of the 19th century - a period marked by relatively free transatlantic circulation and mobility - and the second, when borders were far more solidified - during the world wars when French women entered into matrimonial contracts with American soldiers.</p><p>The purpose of this work is twofold. In an effort to provide new categories of analysis that place the human experience into broader, more global perspectives, the first is to show how concepts of transnational marriage and courtship allow the historian to move further beyond the analytical frameworks of national histories by forcing the researcher to reconsider the ways in which one thinks about family formation and the permeability of national borders during these different stages of the national project. The second is to challenge underlying assumptions in existing historiographical explanations that those who crossed national borders to couple or to marry did so for purely socio-economic reasons. Nicole Leopoldie contends that such rationalisations are simply too narrow and that at the intersection of cross-cultural encounter and transnational coupling stood a profoundly emotional experience. Therefore, greater analytical considerations need to include both cultural and emotional motivations that were always in the background.</p><p>Situated in the methodologies of transnational history, cultural history and the history of emotions, <i>Transnational Coupling in the Age of Nation Making during the 19th and 20th Centuries</i> examines and compares courtship and marriage patterns that occurred between France and the United States during the 19th and 20th centuries. Because the social practices of courtship and marriage became mechanisms through which borders were crossed and new cultural spaces were created, these relationships represent important elements of transnational entanglements. This work, therefore, seeks to examine not only the ways in which observable patterns of transnational marriage emerged out of social spaces of cross-cultural encounter between the two societies but also how the dynamics of those encounters changed over time. While existing scholarship on the subject has pointed to obvious socio-economic motivations for these marriages, Nicole Leopoldie contends that such rationalisations are simply too narrow and that greater analytical considerations need to include both cultural and emotional motivations that were always in the background. By locating and identifying transnational spaces that produced marriages and analysing the cultural and emotional dimensions of those spaces, she argues that marriage participants were largely driven by a strong emotional attachment to perceived cultural differences that stretched beyond the national polity. Within the shifting global contexts of the 19th and 20h centuries, these marriages, therefore, provoke important questions regarding family formation, the role of marriage in the making of national cohesion and belonging, and the permeability of national borders during different stages of the national project.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Nicole Leopoldie</b> is a transnational historian who specialises in French and American cultural relations.</p>]]></Text>
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			<SubjectHeadingText>Mazeppa; Jewish Studies; Black Studies; Marginalia; Freemasonry; Ukraine; Stael; Pushkin; Mickiewicz; Foscolo; Shelley; Moore; Byron</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[This book considers how Byron's cosmopolitanism, mobility, and chameleon style influenced Byron's identity in West and Eastern Europe. Transformed by French translations, Byron's work was read by Thomas Moore, Ugo Foscolo, Lady Mosergan, Madame de Stael, Adam Mickiewicz and Alexander Pushkin. His ironic style in "The Island" anticipated themes explored by Harlem Renaissance writers such as Countee Cullen and Russian poet Marina Tsvetaeva, while his death in Greece shaped how Adam Mickiewicz and Alexander Pushkin chose to live and end their lives.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Byron concealed himself in various literary disguises, a process he called 'mobility'.</b></p><p>In this study of influences on Byron's verse and Byron's European impact, I explore these borrowings and transformations as they manifested themselves in his reading. At issue is the very concept of romantic poetic voice. Framing himself in the tradition of the Irish yet cosmopolitan Thomas Moore, Byron adopted continental guises, imitating both Italian writers and political heroes, such as Dante, Machiavelli, and Tasso. In establishing an Italian identity, Byron relied upon the Italian writers he translated (Pulci, Dante), Thomas Moore's 'Fudge Family in Paris', and Shelley's 'Julian and Maddalo', as well as Goethe's Faust. </p><p>This Europeanisation of Byron should not conceal the fact that Byron adopted poses from his predecessors, such as Walter Scott, in order to fashion himself as a Scottish poet who also happened to be English. Byron became the writers he read: Moore, Shelley, Wordsworth, Scott, Foscolo, Lady Morgan, and Madame de Stael. Those who imitated Byron, particularly Alexander Pushkin and Adam Mickiewicz, became the best interpreters of his literary example, and explained what it meant to be a Harold in Muscovite Cloak, or a Polish Byron, to be both delimited and emancipated by Byron's example.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Jonathan Gross</b> is Professor of English at DePaul University. He is the author of<i> Byron: The Erotic Liberal, The Life of Anne Damer: Portrait of a Regency Artist</i>, and <i>Byron's Corbeau Blanc: The Life and Letters of Lady Melbourne.</i></p>]]></Text>
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			<Text textformat="02"><![CDATA[This book is a new assessment of the ideology and political program of Britain's fascist and extreme right-wing community during the interwar period (19191940). It examines this group's belief system as it clustered around three major preoccupations  Modernization, Empire, and War  and in so doing, identifies many inconsistencies, contradictions, and moral failings.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Reexamines the ideology and political program of Britain's interwar fascist and extreme right-wing groups, highlighting their contradictions and moral failings as they sought to restore national power through disengagement and isolation.</b></p><p>This book is a new assessment of the ideology and political program of Britain's fascist and extreme right-wing community during the interwar period (1919-1940). It examines this group's belief system as it clustered around three major preoccupations  Modernisation, Empire, and War. In doing so, the book identifies many inconsistencies, contradictions, and moral failings, which contributed to the failure of the far-right tendency in the interwar years. The numerous beliefs and policies examined all point to a movement that was determined to return Britain to the levels of global power and international leadership it had once enjoyed  but by means of policies of disengagement and isolation. As such, it provides insight into the resurgence of the extreme right today.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Patrick G. Zander</b> is Professor of History at Georgia Gwinnett College in Atlanta, GA. He is the author of seven books on 20th-century history.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Neo-Victorian Lesbians on Screen, by Maier and Friars, argues that the on-screen portrayal of lesbians situated in the long nineteenth century across various countries is at the very least a dual task; the imperative project of revoicing lesbian silence and female companionship is complicated by the lack of and/or complex representation of such women in the past.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In</b> <b><i>Neo-Victorian Lesbians on Screen</i></b><b>, Maier and Friars argue that the on-screen portrayal of lesbians situated in the long nineteenth century across various countries is at the very least a dual task; the imperative project of revoicing lesbian silence and female companionship is complicated by the lack of and/or complex representation of such women in the past.</b></p><p>The adaptations, with varying degrees of success, carefully manipulate the gaze of the viewer to illustrate both how crucial the act of looking proves to be for lesbian attachment in these films and how the viewer's own gaze changes the way the lesbian is represented. Maier and Friars consider the adaptations' awareness of the audience, and the ways in which the films implicitly acknowledge the stakes behind bringing the lesbian to life, as it were, in visual media. Because screen adaptations disrupt historical distance by literally picturing Victorian subjects via a medium they did not have, film adaptations of novels and biofictions, and original screenplays are challenged by the lesbian subject's vivid presence on screen. The lesbian is no longer a contained (neo)Victorian presence in the 'othered' nineteenth century, but her very existence on screen signals her effervescent modernity, which filmmakers alternately embrace or reject.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Sarah E. Maier PhD</b>, is Professor of English &amp; Comparative Literature at the University of New Brunswick.</p><p><b>Rachel M. Friars PhD</b>, is an independent scholar.</p>]]></Text>
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			<Text textformat="02"><![CDATA[The book introduces the concept of the "gig public" to reimagine the public's role in societies increasingly shaped by the dynamics of surveillance capitalism and algorithmic governance, reaffirming foundational critical sociological approaches]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This monograph explores the evolving nature of publicness in the era of digital communication and social media saturation, arguing that the rise of the 'gig public' represents a new paradigm that challenges the traditional conceptualisation of the public in shaping social and political change.</b></p><p>The gig public departs from traditional notions of publicness and the public, characterised by individuals' spontaneous and less-structured engagement in public discourse. This engagement is often hampered by challenges in fostering sustained interaction and depth of discussion, due to the ephemeral nature of online interactions.</p><p>In particular, this monograph highlights the importance of customs, negotiations, and contracts that complement the normatively privileged public reasoning in public domains. It examines the transformations in the multifaceted nature of the public and its interrelationship with other social structures amid the shifting boundaries between public and private domains. In addition, it explores the evolution of conceptualisations of publicness and related concepts within critical theory, illustrating how contemporary shifts are redefining civic engagement and the essence of public life in a rapidly changing world. From these perspectives, the study is structured around three primary focal points: First, it analyses how new information technologies and AI have altered human interactions within the public sphere. Second, it examines the impact of capitalist economic dynamics and governmentality strategies on reshaping the public realm, fundamentally altering the essence of the public and its democratic potential. Third, it explores how habitual and routine practices traditionally associated with the private sphere are now influencing the ongoing evolution of publicness.</p><p>The monograph aims to provide a comprehensive analysis of the challenges posed by the fragmentation of contemporary public discourse and the emergence of gig publics. It also considers strategies to invigorate publicness through AI technology that enables users to transform plain language into automated actions on their computers, potentially reshaping civic engagement in the digital age.</p>]]></Text>
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			<SubjectHeadingText>Hector Bag.; Grey; Storytelling; Fashion Communication; Fashion Marketing; Suit; Catwalk; Couture; American Design; Tailoring; Ivy League; Preppie; American Fashion; Fashion Design; Thom Browne</SubjectHeadingText>
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			<Text textformat="02"><![CDATA[In a little over twenty years, New York-based fashion designer Thome Browne has decisively and permanently changed the fashion industry. Through his clothes that are rooted in America's distinctive preppie style, he has challenged age-old conventions of tailoring by altering proportions and blurring gender boundaries.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>In a little over twenty years, New York based fashion designer Thome Browne has decisively and permanently changed the fashion industry. </b></p><p>Through his clothes that are rooted in America's distinctive preppie style, he has challenged age-old conventions of tailoring by altering proportions and blurring gender boundaries. The cropped trouser, which has become a staple of people's wardrobes around the world, owes much to Browne's pioneering reinterpretation of the suit. Through highly choreographed catwalk shows, he has enlivened the presentation of fashion, creating soulful spectacles that variously critique and cherish common themes in human lives.</p><p>Browne's influence within the fashion industry has been recognised through various awards. The Council of Fashion Designers of America (CFDA) has named him 'Menswear Designer of the Year' on three occasions, in 2006, 2013, and 2016. Since 2023, Browne has served as the CFDA's Chair. In May 2023, Browne dressed nine celebrities to honour Karl Lagerfeld at the annual gala hosted by the Metropolitan Museum of Art, New York.</p><p>This book considers Browne's position as a fashion auteur by focusing on four collections that enable detailed consideration of his innovative clothing designs and catwalk presentations, situating them within their historical and social context and drawing out what makes them distinctive and influential.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Benjamin Linley Wild </b>is a cultural historian and Reader in Fashion Narratives at Manchester Metropolitan University. His research focuses on the function of stories and the utility of storytelling to spur social responsibility and steer systems change, chiefly within the fashion industry.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b><i>The Critical Situation: Vexed Perspectives in Postmodern Literary Studies</i></b><b> comprises a diverse selection of essays that register the situatedness of critical theory and practice amid various intellectual, institutional, and cultural contexts.</b></p><p>In recent polemics, postmortems, or even celebrations, a number of prominent critics have suggested that 'theory' is dead, that the heyday of literary or critical theory is past and its insights passe, and that other less speculative or abstract approaches to literature and literary criticism be embraced. At the same time, however, resistance to these trends in criticism has emphasised the degree to which modern critical theory remains essential for any proper analysis of the present condition. Today's dynamic world-system, with its ever-shifting components in the age of globalisation, presents new challenges to literary and cultural studies for which criticism and theory are ideally suited. That is because a fundamental virtue of critical and theoretical practice lies in its speculative vocation, as theory may offer novel vantages from which to view the past, present, and future configurations, while disclosing fresh vistas of the world in which we are situated.</p><p><i>The Critical Situation</i> emphasises the need for, and the vibrancy of, theory today. The essays in this volume each address situations of critical theory and practice in various ways. Some are more methodological or analytical, others more historical, and still others more speculative, but all contribute to the argument in favour of theory as an essential part of literary studies in the present time. In the United States, the renewed resistance to theory has become somewhat tied to this or that conception of what have been labelled 'method wars', the battlelines of which indicate distinctive factions: those emphasising historical investigations are then opposed by those insisting on the precedence of form or formalism, while others contest variations of both types of criticism in favour of some sense of unmediated or 'surface' reading. These mostly parochial or academic debates have their counterparts in the broader culture, in which powerful forces determine the sense of what is worthy or not, what is real or what is fake, or what is suitable for critical study or even attention. The reversal of the situation is, in a sense, built into the nature of the situation itself. At this point, theory enables the recognition that comes with the experience of peripety, an uncertain reversal of fortune which makes possible the suddenly novel perspective.</p><p><i>The Critical Situation</i> offers examples of situated criticism, which in turn are concerned with the ways in which literary and cultural criticism are and have been situated in relation to a variety of ideological and institutional structures, including those of world literature, American studies, spatial literary studies, cultural critique, globalisation, and postmodernity. These structures continue to influence the ways that criticism is practised, and due recognition of their continuing effects seems to me to be crucial to the success of any meaningful critical practice in the twenty-first century.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Robert T. Tally</b> is Professor of English at Texas State University. His recent books include <i>For a Ruthless Critique of All that Exists: Literature in an Age of Capitalist Realism</i> (2022), J.R.R. Tolkien's The Hobbit: Realizing History through Fantasy (2022) and <i>Topophrenia: Place, Narrative, and the Spatial Imagination</i> (2019).</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>The 21st Silver Triennial International exhibition in 2025 presents striking silver objects that create a stimulating contrast between utilitarian items and artistic works. Exceptionally designed utensils stand alongside surprising objects that arouse curiosity and illustrate the diversity to be had when working in silver. What they share is a deliberate integration of form, surface design, and intention, creating pieces of strong character and high quality.</p><p>Renowned designers and up-and-coming artists submitted their works to the competition. The 67 exhibits by 59 silversmiths from 15 countries include the prize-winners Yeunhee Ryu, Yong-il Jeon, Jieun Park, Yegyu Shin, Siqiu Zhang, Jae Hui Jeong, Carl Kankowsky, and Rebecca Bierbrodt, who receive special mention.</p><p>Text in English and German.</p><p><b>List of artists:</b> Farah Abdelhamid, Eckhard Adler, Min Sick Ahn, Ana Albuquerque, Barbara Amstutz, Ralf Auer-bach, Hyun Baek, Eva Bauer, Rebecca Bierbrodt, Gitte Bjrn, Emil Borregaard, Tabea Helena Maki Brindpke, Ya-Ping Cheng, Sungho Cho, Sarah Cossham, Andreas Decker, Hanyi Feng, Gretal Ferguson, Benedikt Frster-Heyne, Andreas Frank, Luise Fritzsche, Kristf Andrs Gelley, Kirsten Hay-don, Jiahn Hong, Marian Hosking, Iris Hummer, David Huycke, Inhwan Jeon, Yong-il Jeon, Jae Hu Jeong, Carl Kanowsky, Sang Hoon Kim, Catherine Large, Annette Lechler, Zhizhong Li, Bo-Ting Lin, Qiwei Liu, Christine Matthias, Militsa Milenkova, Alex O'Connor, Byungik Park, Jieun Park, Callum Partridge, Wu Peng, Christoph Pilsel, Christine Ramel, Yeunhee Ryu, Helena Schepens, Juliane Schl, Gerrit Schulze Raestrup, Regina Eva Se-bold, Yegyu Shin, Oliver Smith, Mariko Sumioka, Lee Sungyeoul, Mohammad Taghavi, Christoph Weihaar, Tong Wu, Siqiu Zhang</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p>Popularly viewed as eccentric and illogical, dismissed by linguists as fixed and therefore uninteresting, English spelling is the Cinderella of modern linguistics. But it is a complex and fascinating subject. With a rich history of variation, English spelling has much to offer diachronic sociolinguists, while study of its history helps to explain many of today's apparent irregularities. The story of its standardisation, beginning with the advent of the printing press, and the destandardisation currently being witnessed on social media platforms such as Twitter and Facebook, offers new perspectives on how technology drives linguistic change, and reveals fascinating insights into the ways in which variable spelling is being repurposed today.<br/>With plenty of exercises, worked examples throughout and a concluding chapter on how to create your own research project, Simon Horobin encourages you to delve into the rich and varied landscape of English spelling.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>The most thorough analysis of the Victorian ghost story to date.</b></p><p><i>The Victorian Ghost Story: An Edinburgh Companion</i> invites readers to interrogate the multi-layered, multi-vocal conversations that occur within the Victorian ghost story. Its twenty-four chapters provide a historical overview of the development of the ghost story and explore it in light of the 'new' contexts of the 1800s, including mechanisation, imperialism, Romanticism and religion. As a much-needed survey of critical work on the ghost story, it features detailed analysis of major Victorian writers such as Charles Dickens, Margaret Oliphant, Charlotte Riddell and Henry James and it examines the places haunted by Victorian ghosts: haunted houses but also haunted museums, Fells, pyramids and seascapes. By engaging with ecocriticism, race, colonialism, class and gender, this interdisciplinary Companion constitutes a significant scholarly contribution on the Victorian ghost story and how it relates to a broader Gothic tradition.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Examines the connection between historical and speculative fiction to offer a new form of literary-genre fiction that registers the upheavals of the early twenty-first century.</b></p><p><i>Utopian Pasts and Futures in the Contemporary American Novel</i> highlights the emergence of a literary mode, speculative historism, over the past two decades in U.S. literature. Discussing in depth novels by writers such as Ken Kalfus, Joyce Carol Oates, and Colson Whitehead, among others, it integrates questions of critical method, genre, form, and literary theory, all of which have some urgency today. Addressing itself to the question of how to read this mode through a form of utopian hermeneutics, this study explores the formal constitution, narrative choices, and place in the wider literary market of a mode that it believes to be constitutively important for understanding American literature's struggle with the possibility of imagining hopeful futures.</p>]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>A study of the coexistence of Muslims and Christians in Lebanon through an investigation of Lebanese law. </b></p><p>The book considers coexistence as an organising or structuring principle of the modern Lebanese state, and of its legal order. It analyses the kind of legal arrangement that coexistence dictates, and the legal processes that sustain coexistence. It reaches beyond the law to describe or provide an account of coexistence as constitutive of a secular sensibility or form of life, a sensibility or form of life that finds its articulations in specific ways of thinking, doing, and feeling. It describes some of the concepts, practices, and attitudes of coexistence, through which Muslims and Christians in Lebanon are secured a place and secured in place, enabled and constrained to make legible their 'religious' difference and distinctiveness through marriage and its consequences (the family), and to keep in check, restrain, or contain their 'religious' passions. It proposes that the coexistence of Muslims and Christians in Lebanon is Lebanese secularism.</p>]]></Text>
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			<Text textformat="02"><![CDATA[Examines the collective agency of women in post-millennial action-led genres from television and cinema.]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>Examines the collective agency of women in post-millennial action-led genres from television and cinema.</b></p><p><i>Action Heroines in the Twenty-First Century</i> highlights the changing representation of female protagonists in recent action-led genres. It responds to an upturn in women-centred narratives over the past two decades, specifically, those that involve groups of women in action. The work demonstrates how this collective agency reflects an increasingly global rejection of violence towards women (illustrated through initiatives such as the #MeToo movement, and the united reactions to the deaths of Sarah Everard, Sabina Nessa and the deaths of young Iranian women detained by security forces in Iran in 2022). It is against this backdrop that an escalating number of action films released over recent years counter contemporaneous perceptions of women as victims in the face of threat and enable progressive media representations of women.</p><p>This book charts such representations from a diverse range of national cinemas and genres, moving from remakes of <i>Charlie's Angels</i> through to the Western, eco-activism, action-comedy and Marvel's superheroines, thus providing a broad platform for its argument and highlighting the growing significance of action heroines operating collectively.</p>]]></Text>
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			<Text textformat="02"><![CDATA[This collection of essays presents a new multidisciplinary perspective on portraiture in the era of post-digital media]]></Text>
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			<Text textformat="02"><![CDATA[<p><b>This collection of essays presents a new multidisciplinary perspective on portraiture in the era of post-digital media.</b></p><p>This collection of essays explores the stakes of that seemingly anachronistic comeback. It reframes portraiture as a set of cultural techniques for the dynamic performance of subjects entangled in specific medial configurations. Tracking the portrait across a wide range of media  literature, drawings, paintings, grave stelae, films, gallery installations, contemporary music videos, deep fakes, social media, video games and immersive VR interfaces  the contributors interrogate and transform persistent metaphysical and anthropocentric assumptions inherited from traditional notions of portraiture.</p><p>As technological practices of the portrait have proliferated across the media ecosystem in recent years, this canonical genre of identity and representation has provoked a new wave of scholarly attention and artistic experimentation.</p>]]></Text>
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